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Dhaka, Bangladesh - A judge this week exonerated a Christian sentenced to one year in prison for selling and distributing Christian literature near a major Muslim gathering north of this capital city, his lawyer said.
After reviewing an appeal of the case of 25-year-old Biplob Marandi, the magistrate in Gazipur district court on Tuesday (March 29) cleared the tribal Christian of the charge against him and ordered him to be released, attorney Lensen Swapon Gomes told Compass. Marandi was selling Christian books and other literature when he was arrested near the massive Bishwa Ijtema (World Muslim Congregation) on the banks of the Turag River near Tongi town on Jan. 21.
On Feb. 28 he was sentenced for "creating chaos at a religious gathering" by selling and distributing the Christian literature.
"Some fundamentalist Muslims became very angry with him for selling the Christian books near a Muslim gathering," Gomes said, "so they harassed him by handing over to the mobile court. His release proves that he was innocent and that he did not create any trouble at the Muslim gathering."
The judge reviewing the appeal ruled that Marandi proved in court that he sells books, primarily Christian literature, for his livelihood.
"I am delirious with joy, and it is impossible to say how happy I am," said his brother, the Rev. Sailence Marandi, a pastor at Church of Nazarene International in northern Bangladesh's Thakurgaon district. "I also thank all those who have prayed for my brother to be released."
After processing the paperwork for Marandi's release from Gazipur district jail, authorities were expected to free him by the end of this week, according to his lawyer.
"My brother is an innocent man, and his unconditional release proved the victory of truth," Pastor Marandi said. "I am even more delighted because my brother's release proves that he was very innocent and polite."
The pastor had said his brother did not get the opportunity to defend himself at his original trial.
Marandi's attorney on appeal argued that his religious activities were protected by the religious freedom provisions of the country's constitution. The Bangladeshi constitution provides the right for anyone to propagate their religion subject to law, but authorities and communities often objected to efforts to convert people from Islam, according to the U.S. Department of State's 2010 International Religious Freedom report.
Every year several million male Muslims – women are not allowed – attend the Bishwa Ijtema event to pray and listen to Islamic scholars from around the world. Some 9,000 foreigners from 108 countries reportedly attended the event, though most of the worshippers are rural Bangladeshis. About 15,000 security personnel were deployed to maintain order.
Bangladeshi Muslims equate the annual event with the Hajj, the Islamic pilgrimage to Mecca in Saudi Arabia. This year the Bangladesh event was held in two phases, Jan. 21-23 and Jan. 28-30.
At the same event in 2009, Muslim pilgrims beat and threatened to kill another Bible school student as he distributed Christian literature. A patrolling Rapid Action Battalion elite force rescued Rajen Murmo, then 20, a student at Believers' Church Bible College, on Feb. 1, 2009.
Bangladesh is the world's third-largest Muslim-majority nation, with Muslims making up 89 percent of its population of 164.4 million, according to Operation World. Christians are less than 1 percent of the total, and Hindus 9 percent.


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We provide excellent services in your area including:
24/7 emergency glazing
Boarding-up services
Systems glazing
Roof glazing
Site glazing
Window filming
Misted double glazed units
Leadlight repairs
Door and mirror installation
Glass repairs
We at Glaziers Fulham provide a comprehensive and affordable glazing and glass repair services in your area that improves and restores safety to domestic and commercial properties.
Our glaziers offer a 24 hour, 365 days a year glazing and boarding up and making safe service securing doors and windows to both domestic and commercial premises.
We offer 24 hour emergency boarding up service to secure your premises in and around your area, whether broken into or vandalised, commercial or a domestic property, we've got it covered.
We replace, repair and install glass units in uPVC, wooden and aluminium frames throughout Fulham, SW6 area.
If you want a refreshingly unpressured and knowledgeable approach to repairing uPVC windows, doors and conservatories in Fulham, SW6 call Us today.
New windows can be very expensive, so naturally when your windows become worn or damaged the most cost-effective solution is to have them repaired.
At Glaziers Fulham, SW6 we have been doing Sash Window Repairs, as well as sash window refurbishments and draught proofing in Fulham, SW6 area for the past 15 years.
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Get your free no-obligation quote over the phone. Call us today!
We work with your local Police units to make sure all emergency glazing work is completed.
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All work completed by our glaziers is approved by insurers.
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However good your windows once were, every window has a lifespan. Once windows begin to reach the end of their lifespan they will begin to show signs that they are failing. Some of the most common signs that you windows are no longer working as they should, include water leaks, condensation and draughts. Water leaks are one of the most pressing signs that you need to replace your windows as soon as possible, as the weather seals have failed and water is entering into your property where it can cause damp and mould. Condensation is another issue that occurs when your windows are passed your prime and can also lead to mould and damp on your furniture, curtains and carpets. While these problems can be easily ignored for a little while, leaving them to go on for much longer can seriously impact the comfort levels of your property and how pleasant it is to look at.
We offer a wide range of window fitting services to all types of properties, including commercial and residential buildings. Each of our windows are made to order and can be made in a variety of materials to suit the style of property and personal tastes. We also offer windows with single, double and triple glazing, allowing you to choose a strength and sturdiness of glass that best suits you. We pride ourselves on working with the highest quality manufacturers to provide each and every one of our customers with high performing products for the best prices.
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• Window fitting
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• And many other window related services.
We currently offer our window fitting services to Fulham, SW6 and the surrounding areas. If you are wondering if your property comes under this umbrella, feel free to get in touch and one of our friendly customer service team will be happy to answer any questions, offer advice and provide you with a free no obligation quote for the service.
We aim to provide our services for the best prices possible, working closely with manufacturers to provide the best quality products for the best prices. The nature of every window fitting job can vary, but we strive to make the quotation process as quick and convenient as possible. If you would like a quote for a job, get in touch with our customer service team and they will be happy to guide you through the process. Usually we ask that our customers send in a couple of pictures of the windows that are to be replaced, along with the approximate measurements and requirements. We will then aim to get back to you as soon as possible with a preliminary estimate calculated by our experienced estimators. If you decide to go ahead from there, we will pay a short visit to the property to take a look at the job first-hand and provide you with a final quotation. 90% of the time, the final quotation does not exceed the preliminary estimate.
We are free to call and for call-outs 24 hours a day, 7 days a week, so your jobs, however pressing, will not need to wait very long to be dealt with.
We have been proudly serving Fulham, SW6 customers since 2008, completing thousands of window fitting jobs successfully and leaving thousands of customers satisfied. Whatever service you require, we can promise that our engineers are fully trained, fully insured and highly experienced, and will always be professional, prompt, friendly and polite. 95% of our projects are completed on time, and we always strive to put the customer first in every service we provide. We also provide a guarantee of at least 10 years for all of our products and services, going that extra length to provide customers with the ultimate peace of mind.
Services & Products We Provide:
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(- SW1, - SW1A, - SW1E, - SW1H, - SW1P, - SW1V, - SW1W, - SW1X, - SW1Y, - SW2, - SW3, - SW4, - SW5, - SW6, - SW7, - SW8, - SW9, - SW10, - SW11, - SW12, - SW13, - SW14, - SW15, - SW16, - SW17, - SW18, - SW19, - SW20) Balham, Battersea, Tulse Hill, Twickenham, Worcester Park, Wandsworth, Brentford, South Lambeth, South Wimbledon, Stockwell, Kew, Kingston, Streatham, Beddington, Claygate, Merton, Brixton, Brompton, Richmond, Earlsfield, Carshalton, Castelnau, Chelsea, Fulham, Hook, Kew Gardens, Nine Elms, Southfields, Streatham Hill, Chertsey, Chessington, Clapham Junction, Kingston-upon-Thames, Clapham, Morden, Weston Green, Mitcham, Wimbledon, Mortlake, Parson's Green, Esher, Ewell, Pimlico, Putney, Raynes Park, East Sheen, Epsom Downs, Epsom, South Kensington, Teddington, Beddington Corner, Barnes, Tooting, World's End, Earl's Court, West Kensington, Westminster, Woodmansterne, Whitehall, Buckingham Palace, Buckingham Gate, Victoria Station, Vauxhall Bridge, Chelsea Bridge, Sloane Square, Kings Road, Eaton Square, Knightsbridge, St. James's, Brixton Hill, Clapham Park, Lambeth, Earls Court, Hammersmith, Vauxhall, Oval, West Brompton, Clapham South, Hyde Farm, Roehampton, Kingston Vale, Norbury, Thornton Heath, Streatham Park, Furzedown, Streatham Vale, Mitcham Common, Pollards Hill, Colliers Wood, Merton Park, Merton Abbey, Lower Morden, Wimbledon Chase

subset: commoncrawl


text:
We takes reasonable precautions to protect your personal information. This Privacy Statement describes how your personal information is collected, used, shared and safeguarded by us. We protects personal information provided by you through the use of this website. We uses SSL encryption to protect the collection and transfer of sensitive information. We are not responsible for the privacy practices of non-our web sites linked to this site. We encourage you to read the privacy statements of these other web sites when you leave our Web site.
We collects personal information from you to provide requested services and enhance your customer experience. We may supplement the information collected from you with information that is available from publicly available third party sources. We are the sole owner of the information collected on this website, and will not sell, share, or rent your personal information in ways different from what is disclosed in this privacy statement. We also uses third party advertising companies to serve ads when you visit this Web site. These companies may use information about your visits to this and other Web sites in order to provide advertisements on this site and other sites about goods and services of interest. In the course of serving advertisements to this site, our third party advertisers may place or recognize a unique \"cookie\" on your browser. We have no control over third-party cookies.
We does share aggregated demographic information with our partners and advertisers, in ways that do not directly identify you. We uses outside companies to send mail and ship orders, and process credit card purchases. These companies do not retain, share, store or use your personal information for any other purpose. If you sign up for a service provided by a third party under contract with us, we will share your name and the minimum information necessary for the third party to provide these services. The web site additionally will display aggregated portfolio information on the site at no time will we share or display individual portfolio information.
You will be given the opportunity to \'opt-out\' of having your information used for purposes not directly related to this site at the point where we ask for your information, and you will be notified if your information will be used by outside parties. You may contact us to correct or update your personal data. If we change our privacy policy, we will revise our Privacy Statement as your notice. If we intend to use your personal information in a manner different from that which was stated at the time it was collected, we will notify you. You will then have a choice as to whether or not we use your information for this new purpose.


text:
- 90% Polyamide, 10% Elastane
Multi-functional: swimwear, sportswear, underwear – all in one
- Sweat-wicking
- Chlorine-resistant
- Quick dry
- Size 1 suitable for UK size 6-16 (US size 2-12)
Full support:
- Made using shapewear design techniques
- Structureless but with a compression fit providing full support to the body
- Seamless, knitted fabric
- Made in Italy using a seamless 3D knitting process that minimises waste
- Eco-dyed according to Greenpeace's detox protocol.
- Each PRISM² garment can be used in a multiple of ways
- PRISM² garments are multi-fit
- The stretch nature of the garments and seamlessness means that a size 1 is suitable for UK size 6-16 (US size 2-12)
- We currently only offer size 1
- Due to the seamless nature of the garments and the stretch fabric, PRISM² pieces are a very particular feel and fit - which is what we feel makes them special.
- The pieces are intended to be tight on the body - using shapewear design techniques, they have a compression fit that provides strong support.
- Because of the multi-use nature of these pieces, some pieces fit like swimwear, some like sportswear and some like shapewear.
If you do not like the way your PRISM² piece fits when are you are initially trying it on - please do return it to us in an unworn condition. We cannot accept items back after they have been worn for any period of time.
- After swimming, rinse immediately after use
- Wash at max 30 degrees
- Do not iron or tumble dry
- Do not leave rolled up when wet
- Wring out gently & dry out of direct sunlight
- Avoid contact with rough surfaces as this may cause damage to your garment
VAT/Taxes & Duties:
When ordering within the UK and EU: all prices include VAT/duties and taxes
When ordering outside the EU (European Union) all prices exclude VAT/duties and taxes and local custom fees may apply. Please contact your local customs office for further information.
PRISM ships internationally, including the following locations:
- UK: receive within 1-3 business days £7
- Europe: receive within 3-5 business days from £15
- USA: receive within 3-5 business days from £20
- Australia/Asia: receive within 5-7 business days from £25
We accept returns within 14 days of purchase. Items must be unworn, unwashed, undamaged and unaltered - with any original tags and packaging. All bottoms or bodies must have protective hygienic liner attached for a refund.
For any questions, please contact: firstname.lastname@example.com
Buy it with
Tranquil are minimal high waisted bottoms that finish just above the navel with a thin knitted waistband. All PRISM² pieces can be worn as activewear, underwear and swimwear all in one.
Model is wearing a size 1 - because of the unique stretch nature of the fabric size 1 fits equally a UK size 6 to 16 (US size 2 to 12).


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Close of escrow
Closing Day
If you have come this far, this means that it is almost time for a congratulations, but not yet. Do not forget to tie up these loose ends:
Final Walk-Through Inspection.
More of a formality than anything else, the final inspection takes place the day before, or the day of the closing. The buyer visits the property to verify that all is in working order, everything is the same as when the buyer last viewed the property, and that there are no extra items left behind.
Cancel Home Services and Utilities.
We will provide a list of useful numbers for the termination of home services and utilities after the closing occurs.
Be Prepared.
We are ready to assist you should an unforeseen glitch pop up, even at this last stage. If something at the property breaks down or the buyers' loan does not pull through on time, there is no need to worry. We have encountered these problems before so we know how to handle them efficiently and in a stress-free manner.
The closing agent will furnish all parties involved with a settlement statement, which summarizes and details the financial transactions enacted in the process. The buyer(s) will sign this statement and then you will sign as well as the closing agent, certifying its accuracy. If you are unable to attend the scheduled closing, then arrangements can be made depending on the circumstances and the notice that we receive. If you are receiving funds from the transaction, you can elect to either have the funds wired electronically to an account at your financial institution, or have a check issued to you at the closing. The seller should arrange to have all property keys and any other important information for the new purchaser at the closing, so that the purchaser may receive these items at this time.


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Request for Quotation
We can supply Schurter part# CPS22-LA00A10-SNCCWTWF-AI0WBVAR-W1029-S, use the request quote form to request CPS22-LA00A10-SNCCWTWF-AI0WBVAR-W1029-S pirce and lead time. Nantian Electronics - ntchip.com is an independent stocking distributor of electronic components. With 3+ Million line items of available electronic components can ship in short lead-time, over 300 thousand part numbers of electronic components in stock for immediately delivery, which may include part number CPS22-LA00A10-SNCCWTWF-AI0WBVAR-W1029-S. The price and lead time for CPS22-LA00A10-SNCCWTWF-AI0WBVAR-W1029-S depending on the quantity required, availability and warehouse location. Contact us today and our sales representative will provide you price and delivery on Part# CPS22-LA00A10-SNCCWTWF-AI0WBVAR-W1029-S. We look forward to doing business with you.


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Once you purchase this domain, our team will send you detailed instructions on how to transfer the domain to your ownership.
Purchase with an independent Escrow service. Your funds will be held securely by Escrow.com until the domain is successfully transferred.
HerbalWest.com is your one-stop destination for all things herbal and natural. With a name that exudes authenticity and reliability, our brand is committed to providing the highest quality herbs and wellness products. Embrace the power of nature with HerbalWest.com and experience the true essence of holistic living. Trust in our brand to deliver the best in herbal remedies, supplements, and herbal teas. Elevate your well-being and take a step towards a healthier lifestyle with HerbalWest.com. Don't hesitate, make the choice to invest in your health and happiness today by choosing HerbalWest.com as your ultimate herbal source.
Tell us about your business in a few words and check brand alignment
No matter what kind of domain you want to buy or lease, we make transfer simple and safe.
When you buy a domain name at Brandnic.com, you're automatically covered by our unique Buyer Protection Program. Read more about how we keep you safe on our Trust and Security page.
Next to our secure domain ownership transfer process, we strictly monitor all transactions. If anything looks weird, we take immediate action. And if the seller doesn't deliver on their part of the deal, we refund you within 24 hours.
98% of all domain ownership transfers are completed within 24 hours. The seller first delivers the domain to us, then we send you your tailored transfer instructions. Need help? Our domain ownership transfer specialists will assist you at no additional cost.
Pay by bank wire and get a 1% discount or use one of the most popular payment options available through our payment processor, Stripe. Stripe is the payment platform of choice for many leading tech companies like Uber & eBay.
Once you purchase this domain, our team will send you detailed instructions on how to transfer the domain to your ownership. Payment will be held with Brandnic until you've received the name.
Purchase with an independent Escrow service. Your funds will be held securely by Escrow.com until the domain is successfully transferred.
Once you complete the payment for HerbalWest.com or any other domain, you will have access to our Domain Transfer Center where you can initiate the Domain Transfer. Our Domain Transfer Specialists will assist you with transferring the domain to the registrar of your choice. Typically most transfers are initiated within 24 hours of domain purchase. Learn more about our Domain Transfer Process.
Names available on the Brandnic Marketplace do not come with Trademarks or business registrations, as Trademarks are specific to both the industry (class) and the country of operation. Given that anyone can buy domains from our marketplace for various uses, pre-registering Trademarks is not feasible.
We advise conducting some research or consulting with a legal expert to ensure there are no Trademark conflicts with a competitor in your industry or region. If there's no conflict, or if the existing Trademark is irrelevant to your intended use, you might successfully register the Trademark yourself. Even if there is an existing Trademark, if your business operates in a different industry, you might still be able to register the name.
Additionally, we offer a Trademark Validation & Filing service that includes initial Trademark validation and the submission of a Trademark application by a licensed Trademark Attorney on your behalf.
If for some reason you do not wish to move forward with the purchase of HerbalWest.com, you are entitled to a refund as long as following conditions are met:
- The domain was purchased via outright payment (not installments)
- You contact us within 24 hours of purchase to request a refund
- You have not yet initiated or requested the transfer from your Transfer Center
Note: The refund may be subject to cancellation fees. See our Terms of Domain Purchase.
In order to purchase the domain, you only pay a one-time cost. However, once the domain is transferred to you, you will need to renew it on a yearly basis with your Domain registrar. The yearly renewal fees are paid directly to the domain registrar and are typically about $10 USD per year for .com domains. The renewal fees may be different for other domain extensions such as .io, .xyz etc.
Several of our domains offer payment plans, which allows you to make smaller monthly payments to purchase the domain. This is a great option if you are looking to minimize your upfront costs.
The domain will stay with Brandnic until you have completed all payments. However you can begin using the domain immediately after your first payment. Our team will assist you with any changes to the Domain settings. Once the domain has been fully paid off, we will transfer the domain to your ownership.
You also have the option to cancel the payment plan at any time. Learn more about How Payment Plans Work.
The purchase process at Brandnic is backed by our Purchase Protection Guarantee, ensuring a safe and secure transaction every time. With over 15 years of experience and more than 10,000 satisfied customers worldwide, Brandnic is dedicated to providing a trusted platform for your domain acquisition needs. Rest assured, your transaction is safeguarded by our commitment to excellence and reliability.
We initiate most domain transfers within 1 Business day of purchase. If, for any reason, we are unable to transfer the domain to your ownership, we offer a 100% refund.
Speak with a Brandnic platform expert to learn more and get your questions answered.


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Note: Unused and Repair items include a standard 2-Year warranty, and Reman items include a 3-Year warranty. To add years to your warranty, please select from the EXTEND™ Warranty field below.
For access to our pricing & inventory, please contact us!
Contact Us
Sell Surplus: Sell Now
Exchange Credit: Learn more about our exchange credit program
Disclaimer: Buyer acknowledges and agrees that all products purchased from GTC for export are subject to control under, and must strictly comply with, U.S. Law including, but not limited to, applicable provisions of the U.S. Export Administration Regulations (15 CFR Part 730 et. seq.) (EAR) and the Economic Sanctions Regulations (31 CFR Parts 501 – 598) (ESR).
GTC's large inventory investment includes 16180-500/1. GTC's highly skilled technicians have the training and expertise to repair 16180-500/1. In addition, our 16180-500/1 repairs come with a warranty. Please fill out our Request a Quote form with 16180-500/1 in the Subject Line, and/or include 16180-500/1 in the Message, for additional information about GTC's 16180-500/1. A GTC Business Development Leader will assist you with your 16180-500/1 needs shortly!


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Brand new Kobelco SK270LC-4 hydraulic pump.
Two-year, unlimited-hour warranty.
Shipping is free within the Continental U.S.; an additional amount will apply if shipping to a residential address.
If you're not sure which final drive motor you need for your machine, contact us at:
Phone: 281-259-5267
Email: firstname.lastname@example.com
Texas Final Drive is a leading provider of high-quality hydraulic final drive motors. We get you back on track!
Please note: Sales tax will be applied to any shipment with a delivery address in Texas; this additional amount will be added to your final invoice.


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This extension provides interface to » libev library - a high performance full-featured event loop written in C.
Libev is an event loop: one registers interest in certain events (such as a file descriptor being readable or a timeout occurring), and it will manage these event sources and provide the program with events.
To do this, it must take more or less complete control over the process (or thread) by executing the event loop handler, and will then communicate events via a callback mechanism.
You register interest in certain events by registering so-called event watchers, and then hand it over to libev by starting the watcher.
For details refer to the » documentation of libev


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Roofing insurance claims can be complicated. That's why it's so important to have the right homeowners coverage for your roof.
Replacing a roof is one of the most expensive home projects a homeowner will encounter. According to Home Advisor, the 2020 national average a homeowner will spend on installing a new roof is more than $8,000.
While you can save up over months or years to replace an old roof, sudden damage from something like a windstorm doesn't give you that option. Don't wait until you need to submit a claim to understand what your policy can – and can't – pay to replace. Keep reading for general answers to a few common questions. As always, your local Erie Insurance agent can give you more specific information (including a free quote customized just for your home).
How Does Homeowners Insurance Cover My Roof?
Short answer: It depends on your policy — but some offer more coverage than others.
Longer answer: Buying insurance is all about your comfort level with risk. A cheaper policy means you might pay a little less right now, but you could be stuck paying more out of pocket later if you need to file a claim.
With homeowners insurance, there are different ways you can choose to be compensated when you experience a sudden loss that's covered by your policy. That is known as your "loss settlement option." Simply put, it's how your insurance company assesses the cost to rebuild, repair or replace your stuff.
At ERIE, coverage for your roof is factored into the cost to insure your dwelling. Loss settlement options for your dwelling may vary by state, so talk to your ERIE agent to better understand your options.
Common loss settlement options for your roof include:
- Actual cash value (ACV), which factors in the roof's age and condition to determine how much it's worth as-is when you file a claim. That's known as a depreciation amount. When the bill comes in from the roofers, an ACV policy factors in depreciation and only pays up to the amount your roof is currently worth – even if the cost to repair or replace your roof is higher than that.
- Replacement cost, which pays to repair the damage to your roof without factoring in depreciation.
- Functional replacement cost is the amount that it would cost to repair or replace the damaged roof with less costly common construction materials and methods that are functionally equivalent to obsolete, antique, or custom construction materials and methods.
Other loss settlement options, such as extended replacement cost and guaranteed replacement cost, are also available (and good to have) with your homeowners policy. These are designed to give you an extra cushion if you experience a total loss of your home. Generally speaking, they're less likely to kick in if you experience a covered loss of only roof damage.
Not sure which loss settlement option you have? You can find your dwelling amount and policy limits on your declarations page. (If you're an ERIE customer, that's easy to find in your Online Account.)
So, when it comes to insuring a big investment like your roof – you can see how your loss settlement option can make a big difference in how you can be reimbursed after a loss.
Age of Roof and Insurance
Remember that homeowners insurance is designed to cover the cost of sudden and unexpected damage. Generally, your policy doesn't cover damage from delayed maintenance or routine wear and tear to an old roof.
If your roof is worn or in poor condition, having a roof covered on an ACV basis could become a big financial burden if you have to file a claim.
For example, let's say your roof has seen better days. Then, bam! Lightning strikes and your neighbor's tree falls on your roof. What happens next?
- If it's insured on an ACV basis: If your roof is damaged near the end of its life expectancy, you'll likely see a larger deduction for depreciation, but you'll still get the same bill for what it costs to repair or replace it. That could leave you stuck paying the difference out-of-pocket.
- With replacement cost: There is no deduction for depreciation. This means you may pay a little more in premium for that policy (vs. ACV) –but you won't be hit with out-of-pocket expenses.
One way to make a replacement cost policy more affordable is to increase your deductible. Your deductible is the amount you pay out of pocket after a claim and before your insurance company pays its part.
Ask your insurance agent to show you the cost difference with different deductibles so you can decide which dollar amount is best for your budget.
What Makes ERIE's Coverage Different?
Each insurance company covers roof damage differently. It pays to understand how your policy works so you don't run into any surprises after you have to file a claim.
Here are a few factors – known as "provisions" – to look for:
- Roof payment schedule or a breakdown of how your insurance company would pay for a roof claim based on factors, such as the age of the roof. (At ERIE, roof losses are paid based on the loss settlement that you select for your home.)
- Mandatory deductible or an amount that you will have to meet before the insurance company will cover your claim. (ERIE allows you to choose your deductible for your home and property based on what's comfortable for your budget.)
- Wind or hail deductible or a separate dollar amount that applies to loss caused by wind or hail. Some carriers may require a higher wind or hail deductible without giving you a choice. At ERIE, it is an optional customization that can help lower your premium.
Filing a Homeowners Insurance Claim for Roof Damage
Uncertainty is part of life – but that's why you have insurance. If you think your roof is damaged and you're considering filing a claim, here's what to do:
- Prevent further damage. Once the scene calms down (such as a hailstorm), take action to prevent any further damage to your home and belongings if it's safe to do so.
- Document what happened. Take photos of the damage and list what was affected. (An updated home inventory can be helpful here.) List any date or timeframe that the event occurred.
- Call your insurance agent. Your agent can explain your options and help you understand if and how to file a claim.
- Know how to spot a scam. Sometimes, fraudulent or dishonest contractors – known as "storm chasers" – show up after severe weather hits. Storm chasers may point out pre-existing damage, create their own damage, or say that there is damage when there isn't. Learn the signs to spot hail fraud and tips for hiring a reputable contractor.
Homeowners Insurance That Protects You Without Surprises
If you are unsure what your home insurance can cover – and what it can't – ask your agent. Or you can request a homeowners insurance quote from a local ERIE agent near you.
Then relax and enjoy more of what makes you and your family happy knowing that your home, the investments you made in your home, and the things you value most are protected.
A better insurance experience starts with ERIE.
Haven't heard of us? Erie Insurance started with humble beginnings in 1925 with a mission to emphasize customer service above all else. Though we've grown to reach the Fortune 500 list, we still haven't lost the human touch.
Contact Reiswitz Insurance Agency today to experience the ERIE difference for yourself.


text:
Anniversaries, birthday celebrations, graduation parties, and weddings - these are all special events that celebrate important moments in a person's life. Planning such an event often involves a lot of time, money, and effort, all in the hopes that everything goes as expected. Special Event Insurance from Insurance Associates, Inc. of the Midwest is designed to provide you with peace of mind and financial protection in the event you have to cancel your special plans due to adverse weather conditions or a natural disaster. Most policies also cover cancellation when serious injury or illness prevents a key participant from attending the event.
Your policy can even help you recover some of the costs if a key vendor of your wedding, such as the caterer, florist, or photographer fails to show up. Additional options for your Special Event Insurance are available and can include coverage for:
Most event sites have their own liability insurance; however, if you decide to hold your event at home, you may also want to purchase Liability Coverage that extends beyond your Homeowners policy. Ensuring that your wedding is protected is an important part of planning for it. Since Special Event Insurance is designed on an individual basis, it is important to discuss your specific insurance needs with a professional. Contact Insurance Associates, Inc. of the Midwest today to learn more.


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Johnny Cash & Willie Nelson Every Song Tells A Story (CD)
- catalog number:CD41821
- weight in Kg 0.1
Johnny Cash & Willie Nelson: Every Song Tells A Story (CD)
A compilation of tracks Willie Nelson and Johnny Cash made for the duo's 1998 VH1 Storytellers appearance, along with the corresponding tracks on the first Highwaymen album from 1985, including the previously unreleased track, "The Human Condition," from the Highwaymen session.
Article properties:Johnny Cash & Willie Nelson: Every Song Tells A Story (CD)
Interpret: Johnny Cash & Willie Nelson
Album titlle: Every Song Tells A Story (CD)
Label Sony Music
Genre Country
Artikelart LP
- weight in Kg 0.1
Cash, Johnny - Every Song Tells A Story (CD) LP 1 | ||||
01 | Folsom Prison Bues | Johnny Cash & Willie Nelson | ||
02 | Medley: Funny How The Slips AwayCrazy/Night Life | Johnny Cash & Willie Nelson | ||
03 | Don't Take Your Guns To Town | Johnny Cash & Willie Nelson | ||
04 | Family Bible | Johnny Cash & Willie Nelson | ||
05 | I Still Miss Someone | Johnny Cash & Willie Nelson | ||
06 | Me And Paul | Johnny Cash & Willie Nelson | ||
07 | Flesh And Blood | Johnny Cash & Willie Nelson | ||
08 | Always On My Mind | Johnny Cash & Willie Nelson | ||
09 | (Ghost) Riders In The Sky | Johnny Cash & Willie Nelson | ||
10 | On The Road Again | Johnny Cash & Willie Nelson | ||
11 | Deportee (Plane Wreck At Los Gatos) | Johnny Cash & Willie Nelson | ||
12 | Jim, I Wore A Tie Today | Johnny Cash & Willie Nelson | ||
13 | Commited To Parkview | Johnny Cash & Willie Nelson | ||
14 | The Twenty Century Is Almost Over | Johnny Cash & Willie Nelson | ||
15 | The Human Condition | Johnny Cash & Willie Nelson |
Johnny Cash
Over the years Johnny Cash's Sun recordings have been released on countless compilations and there is no doubt that the releases on Bear Family have been the definite record of his short career with the label. With this new collection we can listen to those outtakes along with a wealth of previously unreleased alternate takes, undubbed masters, false starts and studio chat that give the listener an insight into the creative process behind those legendary recordings. Unfortunately many of the original session tapes have been lost or recorded over and there are many songs for which we were unable to locate any outtakes, but a handful have survived the passage of time and it is from those tapes that this set has been put together. During the compilation of this set we have tried to offer the material in chronological order. However, Sam Phillips did not keep records of take numbers and dates so we have used the excellent research undertaken by Colin Escott and Martin Hawkins along with our own additional research. As you sit and listen to these CDs you can imagine that you are there in the studio with Johnny Cash, Luther Perkins and Marshall Grant as they recorded these classic tracks over fifty years ago.
Following his discharge from the Air Force in July 1954 Johnny Cash married, moved to Memphis and found a job selling electrical appliances. He was not the greatest salesman and with their first child on the way there was a need to find another job with a better income. He tried to get a job as a radio announcer but was turned down due to his lack of experience. Cash finally enrolled at Keegan School of Broadcasting in Memphis.
In 1954 Cash's brother Roy was working at Automotive Sales Garage on Union Avenue in Memphis. There were two mechanics also working at the garage - Luther Perkins and Marshall Grant. In their spare time and during quiet spells at the garage they would play music together. Knowing his brother's love of music and desire to make it in the music business, Roy introduced them to him.
Luther Perkins was born in Memphis and Marshall Grant in Flatts, North Carolina. The first time they worked with Cash was at Luther's home on Nathan Street in Memphis. One of the songs they would try was Hank Snow's I'm Moving On. They all played acoustic guitars and hit it off resulting in more informal sessions, although at this point neither Luther nor Marshall were interested in pursuing a musical career. Unhappy with his job as an appliance salesman and determined to make it in the music business, Cash suggested they try different instruments. Luther borrowed an electric guitar and Marshall a stand-up bass, although nobody was sure how to tune it. They were all self-taught musicians and started to play more seriously. There was a fourth member, steel guitar player A. W. 'Red' Kernodle, who would record just once with Cash but was so nervous that he would leave the studio, never to return! He has been quoted as saying, "There was no money in it and there was too much staying up late at night and running around."
They were sponsored by Cash's boss to play a 15 minute spot on country station KWEM in West Memphis, Arkansas on Saturdays. They had played together for many hours and were progressing well and the next logical step was to make a record. In Memphis at that time there was only one place to go, Sun Records and producer Sam Phillips.
In late-1954 Cash went to the Sun Studios on his own to audition for Sam. Three songs from this audition appear here. Wide Open Road, You're My Baby and My Treasure, all Cash originals, impressed Sam enough to invite him back with his band. There was another song recorded, Show Me The Green, but regrettably this tape has never been located.
Cash returned with Luther and Marshall for a formal audition. At the audition Cash sang I Was There When It Happened, Belshazzar and I Don't Hurt Anymore, mainly gospel material. Sam, was impressed with Cash's voice and also the limited guitar style of Luther Perkins. Unfortunately he had no interest in recording religious material and told Cash that he would be unable to market him as a religious artist and to go away and write something different.
Cash went away and reworked a poem he had written during his time in the Air Force and went back to Sun Records with Hey Porter. With its train rhythm, simple melody and strong lyrics it was an impressive debut. During a 1980 radio special Cash spoke about the recording: "I did a song I wrote called 'Hey Porter' that I had written on the way home from Germany when I was discharged from the Air Force. And it was kind of a daydreamin' kind of thing.
I used a train as a vehicle in my mind to take me back home and counting off the miles and the hours and minutes till I would get back home. It wasn't to Tennessee though, it was to Dyess, Arkansas where my parents were still living at the time." The version included here is an early take and is noticeable when Luther falters during the second instrumental break.
This session also produced an early version of Folsom Prison Blues, another attempt at Wide Open Road and Two Timin' Woman. The four takes of Folsom Prison Blues included on this set are completely different to the released version. Here Cash uses a high-pitched vocal style completely different to anything else he ever recorded. Whilst Cash may not have perfected his style on the song Luther most definitely had and his guitar solo changed little over the years to come. It is interesting to note that these versions do not feature the famous guitar introduction or closing notes that became the songs trademark. Cash would go on to re-record the song a few weeks later. Wide Open Road is the only known take to feature the steel guitar playing of A. W. 'Red' Kernodle and gives us a clue to how they would have sounded had he remained a member of the group. It has to be said that he was not the greatest steel guitar player and his decision to leave was ultimately a benefit to the Cash sound as he recalled in a 1980 interview. "We had a steel guitar player working with us, but he was afraid to go in the recording studio and I guess maybe it was lucky for us that he didn't because The Tennessee Two came up with a sound that was kinda unique. I think a steel guitar would've taken us more toward Nashville than what was happening up there." Despite being vocally sound Two Timin' Woman suffers from an out of tune acoustic guitar and one of Luther's more forgettable solos.
Cash suggested a gospel song for the other side of their first single, most likely I Was There When It Happened. Sam liked the song but wanted something different for the b-side of their first single and suggested that Cash should go away and come up with something more suitable. A few days later he came up with Cry Cry Cry which he wrote after hearing DJ Eddie Hill announce "stay tuned, we're gonna bawl, squall and run up the wall." He adapted the lyrics to "You're gonna bawl, bawl, bawl" but reconsidered and came up with "You're gonna cry, cry, cry."
A few weeks later, an exact date is unknown but May is the most likely date, they returned with their new composition which, along with Hey Porter, became the first single to be credited to Johnny Cash and the Tennessee Two and a top twenty country hit.
The master of Cry Cry Cry featured an instrumental break after the second and fourth verse but here we present the rare 'extended' version with Luther playing a break after every verse. It was only issued, probably by mistake, on a budget album simply titled Johnny Cash.
Rock And Roll Ruby is the only track featured that was not taped at Sun Studios. Recorded at KWEM Radio it was preserved on an acetate and demonstrates that Cash was not really suited to rock 'n' roll although it is far more confident performance than You're My Baby. Back in 1954 they had appeared on KWEM on a programme entitled 'Mid-South Country Frolics' and performed Wide Open Road, One More Ride, Luther's Boogie and Belshazzar, all tracks that he would go on to record for Sun.
Johnny Cash and The Tennessee Two spent the rest of 1955 on the road and in January 1956 they landed a regular spot on the Louisiana Hayride. With both Hey Porter and Folsom Prison Blues achieving respectable chart positions they were a hot property on the concert circuit and were booked for dates across the southern states.
In late 1956 Cash scored his first pop hit with a track that would become the closing number at most of his concerts in the eighties and nineties. I Walk The Line, recorded in April 1956, was a beautiful adult 'pledge of love' and there is no doubt that it has become Cash's most famous song. To create the snare drum effect Cash put some paper between the strings of his guitar which, along with Luther's runs up and down the bass string, gave the song an hypnotic beat. The song needed no other embellishments as Sam Phillips pointed out years later, "Can you hear 'I Walk The Line' with a steel guitar!" The alternate version is very close to the master with just a slight lyrical change. There were rumours that alternate takes existed of the song performed at differing tempos.
A study of the remaining tapes reveals that this was not the case.
Cash recalled how the song came about in a 1980 interview. "While I was in the Air Force I had a Wilcox-Gay tape recorder. I was working the five-to-eleven shift one night, and I came in right after eleven and saw that someone had been fooling with my recorder, so I rewound it and punched the play button. Here was one of the strangest sounds I'd ever heard. At the beginning it sounded like someone saying 'Father.' It drove me crazy for about a year.
I asked everybody I knew if they had fooled around with my tape recorder.
I finally found out who did it. He put the tape on upside down and backward. All he was doing was strumming chords on the guitar, and at the end he said, 'Turn it off,' which sounds like 'Father' when it's backward. I never got that chord progression out of my mind." During a tour with Carl Perkins he was fooling around with the chords and Perkins asked him what he was doing and said that Sam was always looking for something different and suggested he write a song using that chord progression. "We got to talking about our wives and guys running around on the road and so forth. I had a brand new baby and I said, 'Not me, buddy. I walk the line.' Carl said, 'There's your song title.'" Apparently Cash wrote the song that night in about fifteen to twenty minutes.
Recorded at the same session was Jimmie Rodgers' Brakeman's Blues. It is an ideal song well suited to Cash's style but for some reason, following this short false start and incomplete take where it breaks down on the instrumental break, they did not continue to work on the track.
It has often been said that Cash wrote Get Rhythm with Elvis Presley in mind and although Elvis would have made a good job of the song it would have been a shame if Cash hadn't recorded his own version, as it is one of his greatest performances. It is one of the few songs where Cash starts a song vocally rather than Luther playing a lead-in. We hear four versions with the first two sounding very similar although there are subtle differences, mainly in the backing and there is a slight lyrical change with Cash singing "He stopped just once to wipe the sweat away" instead of "He stopped once to wipe the sweat away." The Tennessee Two are barely audible on the next take with just Cash and his acoustic guitar up front on the recording. This is more than likely a microphone test and was never intended for release. The final take has a very energetic performance from Cash but is let down by Luther's guitar solo on which he appears to hesitate on some notes.
On Train Of Love we find him following the theme first explored on Hey Porter and one that he would cover many times on singles and albums throughout his career. Of the two alternates featured here, the first is similar to the released take but it is the second that stands out. Taken at a slightly faster tempo there are noticeable differences in Luther's playing. He opens and closes the song with a totally different guitar figure and it leaves you wondering whose decision it was to abandon this style for the simpler work that featured on the released version.
With their popularity spreading most of their time was spent out on the road and it was hard to find time to go back to Memphis and record any new material. Between June 1956 and April 1957 they only managed two sessions and these only produced a couple of tracks.
One More Ride, like Brakeman's Blues, is another incomplete take that falls apart. It is a mystery as to why they gave up on what would have been another song suited to Cash's style. It was the only song recorded at this session in October 1956. Fortunately Cash did return to the song during his early sessions for Columbia.
The Leon Payne composition I Love You Because had been recorded by Elvis Presley and Jerry Lee Lewis and it seemed inevitable that Cash would also turn his attention to the song. Like the previous session this only resulted in one song being recorded. On its release it was subjected to an overdubbed chorus that added nothing to the track and is possibly the worst overdub of any of Cash's recordings from this period. On this undubbed master you can hear more clearly the piano work which is credited to Jerry Lee Lewis although this cannot be confirmed.
There are not many tapes left intact that contained every take of a particular song but this is the case with Don't Make Me Go, recorded in April 1957 and issued as a single later that month. It is interesting to note that none of these eleven outtakes are like the released version, which featured some simple acoustic guitar work and a second guitar playing single note runs. Jimmy Van Eaton was also on hand and appears on some of these outtakes although they were destined to remain in the vaults. There are a number of false starts and incomplete versions which seem to prove that this was not an easy song for them to put down on tape.
On July 1, 1957 Cash was back in the studio and recorded two songs that would make up the next single. Home Of The Blues was inspired by Cash's favourite Memphis record store and it was the first time he wasn't the sole writer of his material. Luther opens the song with a guitar intro that goes from one end of the scale to the other. There is a short false start where Perkins misses a note and is followed by the undubbed master.
Johnny Cash The Outtakes (3-CD)
Read more at: https://www.bear-family.com/cash-johnny-the-outtakes-3-cd.html
Copyright © Bear Family Records
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HOKKAIDO: Sakuan, Matapaan
Zen Foto
The photographs in high contrast black and white are recognizably from the tradition of Japanese photography. Nakafuji`s predecessor Moriyama made a brutal vision of a feral frontier land in "Hokkaido" while wrestling with his personal demons in the 1970s. In contrast, Nakafuji`s photographs of Hokkaido seem to me hopeful and expansive. It is in his photographs of the megalopolis of Tokyo that Nakafuji`s work reveals alienation. In "Sakuan, Matapaan" the roads, the railways, the sea, the streets of the towns lead to another place, where the search continues for attachment, for that elusive love.
Sakuan: Summer coming
Matapaan: Winter coming
Zen Foto Book Vol.40
title of book:
HOKKAIDO: Sakuan, Matapaan
Takehiko NAKAFUJI (JAPAN)
soft cover, 2 books in a box, 52pages each book, 38 photos (Matapaan), 38 photos (Sakuan) reproductions, B5, text sheet, 580g, limited edition of 1000, published by Zen Foto Gallery in 2013
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The term Maroon was used in colonial America to name slaves who escaped from captivity. Fugitive African slaves who led a life of freedom, in secluded corners and who managed to establish their own communities, or joined indigenous peoples in forging new identities.
"Cimarrón" includes a series of photographic portraits of the descendants of those people, dressed in masks and attire that keep alive the history and memory of their ancestors, bearing witness to those traditions.
The photographs are complemented by texts by specialist anthropologists to provide an ethnographic and historical context that the power of globalization is threatening.
Maroon. Freedom and Masquerade
Author: Charles Fréger
Binding: Hardcover
Pages: 320
Size: 18 x 23 cm
Language: Spanish
Year of publication: 2018
In 1977 William Eggleston released Election Eve, his first and most elaborate artist's book, containing 100 original prints in two leather-bound volumes housed in a linen box. It was published by Caldecot Chubb in New York in an edition of only five, and has since become Eggleston's rarest collectible book. This new Steidl edition recreates the full original sequence of photos in a single volume, making it available to the wider public for the first time.
Election Eve contains images made in October 1976 during Eggleston's pilgrimage from Memphis to the small town of Plains, Georgia, the home of Jimmy Carter who in November 1976 was elected 39th President of the United States. Eggleston began photographing even before he left Memphis and depicted the surrounding countryside and villages of Sumter Country, before he reached Plains. His photos of lonesome roads, train tracks, cars, gas stations and houses are mostly empty of people and form an intuitive, unsettling portrait of Plains, starkly different to the idealized image of it
William Eggleston . Election Eve
212 pages, 100 images
Four-color process
Hardback / Half-linen
33 x 25 cm
1. Edition 09/2017
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world's most renowned cinematic geniuses. He directed the first five of his seven films – Ivan's Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985. Tarkovsky's films are characterized by metaphysical themes, extended takes, an absence of conventional dramatical structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.
This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky's work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was 'the greatest, the one who invented a new language.' Extracts from Tarkovsky's own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as 'sculpting in time'. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
Tarkovsky . Films, Stills, Polaroids & Writings
Format: PLC (no jacket)
Size: 24.0 x 19.0 cm
Extent: 288 pp
Publication date: 7 March 2019
Yalla Habibi – Living with War in Aleppo gives recognition to people in Eastern Aleppo who have continued their everyday lives with resilience and inventiveness amidst perilous circumstances. The pictures from Hosam Katan's hometown, taken between 2013 and 2015, capture moments of the conflicting and contrasting experiences and emotions of these people. Anger, joy, grieve, fear, adventurousness, desperation, determination, solidarity, defiance, fatigue, excitement – having to live with war all of these emotions can change in an instant. The book shows people balancing the horrors of war with a sense of normalcy and trying to retain their dignity.
Although the news coverage of the conflict in Syria, and especially from Aleppo, has waned, it is important to keep up the dialog because the conflict is far from being over. »Yalla Habibi (Come on my dear)!« as people would say in Arabic.
The book is dedicated to to the German photographer Anja Niedringhaus, who died in 2014.
Hosam Katan (born in Aleppo 1994) started working as a photojournalist for Aleppo Media Center from October 2012. Between 2013 and 2015, he covered the conflict in Aleppo as a freelance photographer for Reuters as well. His pictures have been published in numerous international magazines. He is currently studying photojournalism at the University of Applied Sciences and Arts in Hannover. The awards he has received include the Ian Parry Special Award 2014 and the Ian Parry Award 2015, the annual Andrei Stenin International Press Photo Contest 2015, the grand price at the IAFOR Documentary Photography Award 2015, the Nannen Preis 2016, a Deutsche Börse Photography Foundation Special Prize for Photography 2016, the PX3 Prix de la Photographie Paris 2017, and the Felix Schoeller Photo Award 2017. He was nominated for the the Bayeux-Calvados Award for war correspondents 2016, and is shortlisted for the Meitar Photo Award 2017.
Hosam Katan Yalla Habibi . Living with War in Aleppo
Hardcover 24 x 32 cm 152 pages 74 color ills. English Available ISBN 978-3-86828-839-1 2017
Hosam Katan
Anne-Marie Beckmann, Mohammad Khair Hak, Mohammed al-Khatib, Hassan Katan, Hosam Katan, Carsten Stormer
Hosam Katan, Sebastian Moock and Kehrer Design Heidelberg (Loreen Lampe)
Hosam Katan Yalla Habibi Living with War in Aleppo
These images account for the meeting between Julián and the archive that Yuyachkani theatre group disposes for the public at the entrance of Sin título, técnica mixta [Untitled, mixed media], a production that questions the construction of Peruvian historical memory. The archive invites us to delve into newspaper clippings, photographs, school books, artistic images and other documents before entering the room where the scenic action takes place. The entire production examines the Guerra del Pacífico (1873-1889) and the Conflicto Armado Interno (1980-2000), two wars that define Peru's republican era and reveal the history of the country's fractures.
Memorial is a series of photocopies marked by the manual manipulation of each of its documents. Traces, decompositions, creases, slippings, glazings, grain degradation, fragments, inversions, double exposure. Its title leads us directly to the process of establishing certain things -events, characters, symbols- that define our shared history. However, this series inquires about the relation between the images of war and the concrete forms taken by two very different kinds of social abstractions: national symbols and money. The former quickly lose their shape, disfiguring the limits of the mental space in which Peru has been represented throughout its history; the latter makes its entrance about halfway through the series –when Túpac Amaru clashes against the dollar–, soon to saturate the entire space of the paper.
"Money was invented so that people wouldn't have to look each other in the eyes" (Godard, Film Socialisme), in the same way that national symbols seek to ensure the permanence of the imagined community. In both cases they function through misrecognition. That is, as a way of ensuring that, despite what we see and perceive directly, an ideal space where all contradictions are resolved takes place. The map –which here depicts the representational space where we introduce fictions, rather than the actual geographical reality– and the bills –as a daily replacement for the map that places those same fictions in our hands– teach us how to look away from the decomposition of social bonds caused by both wars. Precisely what is addressed throughout the rest of the series.
Images appear amidst the national myth and its monetary form that define what we should disregard in order to sustain the fiction of a country with no fractures. Many of the documents refer to our most recent war, pointing out that the establishment of official narratives and their imagery, where heroes and villains are defined as such, is a process that marks our present. A dispute that remains unfinished –and probably will never be solved– but that, for many, is not really happening. Despite this, both Fujimori and Abimael appear as two personifications of war, where they are confronted less as a contradiction than as a synthesis. One and the other, after all, aimed to become the face of the nation, to be printed on bills that allow us to avoid each other's eyes. The problem Memorial faces –much like Yuyachkani's production– is how to imagine a way out of the symbolic conundrum we find ourselves in. A way out that overcomes those social forms of misrecognition (emblems, money) and comes to terms with the contradictions that we share. Perhaps the only thing we really share.
Memorial . Julián Barón
Encuadernación Cubiertas con serigrafías
Páginas Las páginas se imprimen desde archivo descargable
Editorial Julian Barón, KWY
Año 2017
Idioma Castellano
From 2005 to 2009 Antoine d'Agata had spent most of his time in Cracolandia, the crack neighborhoods of São Paulo and Salvador. Doubtless the roughest areas of Brazil.
With 169 images and more than 140 unseen photographs, "Cidade de Pedra" is the most comprehensive document about this period. It reveals the brutality and the intimacy of his experience.
Antoine D´Agata . Cidade de Pedra
228 Pages, 57 Unbound Folds, 169 Photos, 142 Unseen Images + Text in 3 languages: French, Portuguese and English
XYZ books
If the equations of physics, which invisibly enable aircrafts to fly, remain unattainable to most of us, the desire to fly itself however seems firmly rooted in the depths of human subconscious. As Le Corbusier once put it "flying lifts us above mediocracy. Flying is, ultimately, a desperate act of faith".
In 'How to fly' photographer Pedro Guimarães (b.1977) takes us on a poetic journey into the subculture of private aviation. The language he employs takes the disguise of the documentary genre yet what initially appears to be a flight manual quickly reveals Guimarães' true autobiographical intentions through the use of poetic punctuation.
'How to fly' is, after all, a reflection on the inevitable traumatic events of life and describes a series of emergency maneuvers designed to keep oneself alive.
Pedro Guimaraes . How to Fly
96 pages 21 x 26 cm Softcover Offset Print First edition
XYZ Books
First edition
Edition of 300 (25 of which released as a special edition w/ metal box and print)
Marcelo Brodsky is an Argentine artist and human rights activist who works with images and documents from specific events to investigate broader social, political and historical issues. His understanding of image editing and the particular intervention to which he subjects it, manages to change the viewer's perspective and thus reveal new levels of meaning. In 1968, The Fire of Ideas, Brodsky presents archival images of student and worker demonstrations around the world, carefully hand-checked to deconstruct what underlies the global social turbulence of the late 1960s.
No. of pages: 64 p.
Publishing House: RM VERLAG 2017
Language: ENGLISH
Translated with www.DeepL.com/Translator
Pierre von Kleist
Concrete Octopus takes off where Kanemura´s 2002 acclaimed Spider's Strategy left. For the first time, Osiris and Pierre von Kleist team up to show Kanemura´s new work done between 2011 and 2013. The cult Japanese photographer proves to be in great shape. With a text by Chris Fujiwara, a film critic living in Tokyo.
It would be strange and misleading, though obviously not wholly inaccurate, to call these photographs "images of the Japan of the present time." Though they might perhaps have much to say to the social historian, their documentary function is circumscribed by the interest in exploring a visual universe too disunited and incomplete to be recognizable as a cultural or historical form. In these images, the world presents itself with great purity and without provocation or seduction, as though poised in the interval before the repetition of an already forgotten catastrophe.
Chris Fujiwara
Osamu Kanemura (b.1964) is a photographer born and based in Tokyo. He has been photographing the city-scapes in his solid monochromes. Since 1992, he has had more than twenty solo exhibitions in Tokyo, New York and other cities. His works have been featured in many exhibitions, including the 1996 'New Photography 12,' The Museum of Modern Art, New York, the 1997 'Absolute Landscape,' Yokohama Museum of Art, the 2004 Rencontres Internationales de la Photographie d'Arles, and the 2006 Venice Architecture Biennale. His 2002 photobook, "Spider's Strategy" is widely known as his major publication.
His photographs are in the permanent collections of the Museum of Modern Art, New York, San Francisco Museum of Modern Art, the National Museum of Modern Art, Tokyo, and Tokyo Metropolitan Museum of Photography, as well as in other public and private collections. He received the New Photographer Prize from the Photographic Society of Japan in 1997, the Ken Domon Prize in 2000, and the Ina Nobuo prize in 2014.
Concrete Octopus by Osamu Kanemura
Pierre von Kleist editions, Lisbon and Osiris, Tokyo
Japan / English
Edited by José Pedro Cortes, André Príncipe and Yoko Sawada
Hardcover, 88 pages, 30x18,9 cm, B/W
Kettler verlag
"This enigmatic book is both a puzzle and a delight at the same time. As the photos show anything from a Spanish social event, to a weird woman with a rabbit and a dead rat floating upside down in a green pool. Although difficult to quite see what is going on, we are constantly drawn back in to try and understand the narrative and we are wanting to come back for another view. It gets under our skin, and that is a rare attribute."
Martin Parr
Hugo Alcol . Archipiélago
Language englisch
Pages 84 S.
Format 22 × 30 cm
Cover flexibler Einband
Published in October 2017
My neighbour Kid was 42 when he died. He regularly swept our shared porch, put out the rubbish and kept an eye on things when I was away. As Kid couldn't read well, I helped him with his post. He borrowed my phone whenever he didn't have any credit on his own. Kid had a turbulent life: he was banned from seeing his son and struggled with alcohol and drug addiction. In the last year of his life, he spent more and more time with drifters and junkies, begging on the street for change.
Man Next Door examines the stigmatisation of the working class while offering a rare insight into the life of a working-class Utrecht boy. What emerges is a bewildering picture of Kid's many personalities, inevitably raising the question: how well do you know the person who lives next door?
Man Next Door . Rob Hornstra
Publisher: Self-published, 2017
Hardcover: 96 pp
Dimensions: 242 x 291 mm (9 1/2 x 11 1/2 in.)
Language: English
Print run: 800 copies
"Txema Salvans's previous series was also about life in the gaps and at the edges. It showed lone women, probably prostitutes, sitting or standing in very similar landscapes to the ones you see here.
In this book the figures are by water. In the previous book, they are by roads. All are waiting and, in a sense, all are fishing. (It is no coincidence that a slang term for a prostitute is a 'hooker').
Photography may be a matter of cold optics and geometry, but it is also invites connection and empathy. Finding the balance is not easy. It is tempting to use the camera merely to objectify and beautify. It is also tempting to use it in a way that pretends to reveal the inner lives of those who are photographed. Salvans resists both. He places himself, and us, on the cusp of beauty and ugliness, knowledge and ignorance, waiting for something else."
The waiting game II
Hardcover, 88 pages.
Dimensions: 33.5cm X 25cm
Text from David Campany, Gabi Martínez
In December 1975 Dutch photographer Bertien van Manen made a series of black-and-white photographs capturing daily life in metropolitan Hungary. I will be Wolf brings together many of these beautiful and never-before-seen images with the editorial direction of renowned British photographer Stephen Gill. Her snapshots of commuters, grocers, chemists, café workers, and street vendors contain all the hallmarks of a bygone era, before the grip of globalisation was able to make its mark on the country. Imbued with an air of ambivalent nostalgia, the book takes its title from the poem Grief by the 20th century Hungarian poet József Attila. Bertien van Manen . I will be Wolf Hardback bound with Japanese paper, foil embossed text and tipped-in image Edited by Stephen Gill 112 pages 65 tritone plates 23.8 cm x 21.5 cm Publication date: November 2017 ISBN 978-1-910164-91-4
Nothing but Clouds were the words used by the research commission in Andrey Tarkovsky's 1972 film Solaris to deny video evidence suggesting traces of alien life on the planet. Taking this disclaimer as its title, this meditative book by Kristina Jurotschkin brings together images from her photographic archive made in various places across Europe over numerous years. Jurotschkin's alienating views of everyday spaces examine the fabric of our social reality and propose an archaeological survey of our future
Kristina Jurotschkin . Nothing But Clouds
Silkscreen printed paperback
232 pages
232 black & white plates
22.6 cm x 34 cm
Publication date: November 2017


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2024 276200 Blue OP28 New Complete
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Welcome to the Seaside Tutorial by the Software Architecture Group (Hasso-Platter-Institut).
Primarily, the tutorial is intended for students attending the 3rd term course "Software Engineering I" to get started with their Seaside projects. Please feel free to use it for your own projects. The tutorial has 14 chapters (for the table of contents, see below) and introduces a sample application to explain the use of the main features of Seaside. For feedback, please send an email to the authors (see "About us").
Note: The print version of the book is still based on Seaside 2.8 but will be updated soon.
Seaside is a Web development framework implemented in Smalltalk. It allows the easy creation of powerful Web applications using high level abstractions on the application components and on the underlying hypertext transfer protocol. In doing so, it builds upon the strengths of the Smalltalk object-oriented programming language and transcends many of the common practices needed in other, less dynamic languages.
This book explains the major concepts of Seaside in a clear and intuitive style. A working example of a ToDo List application is developed to illustrate the framework's important concepts that build upon each other in an orderly progression. Besides the notions of users, tasks, components, forms and deployment, additional topics such as persistence, Ajax and Magritte are also discussed.
First and foremost, we wish to thank the developer team of the Seaside and script.aculo.us frameworks, with Avi Bryant, Julian Fitzell, and Lukas Renggli leading the way.
Furthermore, we are grateful to all the people who have helped and still help us in improving the quality and contents of our tutorial. The following people have given us extensive feedback:
We also thank the many HPI students and everybody else who has given us hints on how to improve the tutorial.
We would like to thank three people especially: Norman Holz, for writing the section about session handling in the fine print chapter; Tobias Pape, for his constant support with LaTeX (book only); and Robert Krahn, for a thorough code review and refactoring.


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2000-01 Pacific NHL Hockey Card
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IP Address 192.168.0.105
Click the button below to enter the IP router admin 192.168.0.105
The IP address 192.168.0.105 is a private IP address that is only suitable for use inside a private network. Routers, modems and various other devices can use this address. Keep reading to explore more about the login process for your router and all that it entails.
Router Username and Password List for 192.168.0.105
If you haven't changed the default username and password from the published list of default credentials available online. Next you can look up your router from this list.
An IP address commonly used by Linksys and other network brands as a portal can be accessed using 192.168.0.105 as a Router Admin Passwords and the Login IP as 192.168.0.105. In order to permit network administrators to setup their routers and networks router admin access is put in place by firms. By doing so you can manage many aspects including Proxy, WAN,WLAN, LAN, DNS, MAC,ADSL, IP QoS, WPS Block, security options and network management.
How to login 192.168.0.105 Easily
By using the IP address 192.168.0.105 you can access your router admin, and this will permit you to change the settings and configurations provided by your router software. First try entering the link http://192.168.0.105 and if it fails to work try using the link http://192.168.0.105 in the address bar.
If these steps fails, then it means that 192.168.0.105 is not your router's IP address. Next you have to key in the router's IP address to the browser's URL address. Then you can access the user login panel where you will be asked to enter the username and password.
If you are unable to remember the username and password, you can check through the default list of username and passwords published online. Now you will be able to modify and change all internet settings via the router's admin panel.
What to do if you forget the router's username and password for 192.168.0.105 IP Address?
If you have not changed the default username and password, you can factory reset it by pressing on the button for ten seconds using a needle or a toothpick. Then you can check the default credentials for IP address 192.168.0.105 from the list published online and add it to your router.
You can also check the router username and password from the list published online.
How to Locate Your Router's IP Address?
If you are facing trouble in loading your router there could be a possibility that your network is using a different IP address such as 192.168.0.105, 10.0.0.1 or 192.168.2.1. You can check out the router IP address list over the internet.


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Material: Glass
Style: African bead
Items included: Necklace / Bracelet / Earring
Packing: 1 necklace + 1 bracelet + earring (1 pair)
If the photo are 100% completed reflect of products color ?
Sometimes due to lighting environment on taking photo, the different monitor of PC or mobile screen may be a little difference on Color deviation , Which is also quite normal. We insisted real taking photo of products for display.


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Leg Pain
The largest nerve in the human body may be responsible for one of the most common causes of leg pain. The sciatic nerve connects the spinal cord with the leg and foot muscles, and runs down both sides of the lumbar spine, through the buttock and back of the thigh, and down to the foot. Many kinds of leg pain can be traced to problems with the sciatic nerve. Sciatica pain occurs when one or more of the spinal nerves become compressed. A disc herniation is often the culprit. Other causes include spondylolisthesis, spinal stenosis, and arthritis. While the pain typically travels down, or radiates, along the sciatic nerve, it is often felt in the lower buttocks, the back of the leg, and even the bottom of the foot. Symptoms include numbness, tingling, and/or a burning or prickling sensation. It is very important that you seek medical attention if you experience these kinds of symptoms, because long-term compression of the sciatic nerve can cause permanent damage. In addition, untreated sciatica nerve damage can cause such problems as loss of bladder and bowel control.


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The outer top is my mom's and the printed polo underneath is my dad's (vintage Pierre Cardin via GOODWILL, whutttt.) And a random orange scarf and random tights and Jeffrey Campbell shoes from solestruck.com.
A fairly simple outfit that I shall expand upon when I don't wake up with 20 minutes to get ready, but I GUESS I SHOULD GET USED TO IT WHAT WITH THIS ROCKNROLL LIFESTYLE I'M LEADING. This weekend I'm going to LA with my dad for the Museum of Contemporary Art anniversary thingymajig which should be very exciting. After NYFW, I've trained myself to not act like a weirdo/jerk when there is a foot between a personal hero and myself. EXAMPLE:
Certain Idol Who Shall Remain Nameless: Hi, I'm [nice, homely, not including their famous last name; very I'm-so-glad-we're-friends nickname I imagine their sleepaway camp buddies called them many years ago]. What's your name?
Me:I've also tried to become better at dancing for these types of parties. I think I've almost nailed this:And this:Plus, I will be able to take these moves to the graduation dance at the end of this year.