text:
Interviewer: > Beryl Graham Interviewee: > Liane Davison
Beryl Graham: Surrey Art Gallery is a mixed-artform contemporary art gallery in a publicly funded arts centre, which is very similar to a lot of situations in Britain. You said at the Curating New Media Symposium in Ottawa that it was not too big and not too small, and I wondered if you could say a bit more about working in that particular context? Liane Davison: The Surrey Art Gallery is within the Surrey Arts Centre. A venue of our size has money to make things happen, yet small enough for a good idea to be heard by those who make decisions. We have flexibility. We dont just dream about ideas we actually realise them. We have proper environments for presenting artwork, tools and staff with the knowledge and commitment to create visual art experiences for people. With the redevelopment of the Surrey Art Centre (completed in 2002) a network of accessible cabling was installed in open cable trays throughout the entire building. Every room in our building has network portals that can be connected to the Internet. We have a smart building. BG: And you share the building with a theatrical area? LD: The Surrey Arts Centre has two theatres - a regular theatre with an orchestra pit, and a studio black box theatre with removable seating. The theatres are rental facilities, with a staff of skilled theatre technicians. The Gallery often borrows expertise from them, and from time to time, when we need a venue thats not a white box, we can book one of the theatres. BG: Is your programme affected by the performance nature of some of the works? LD: We have employed, for certain projects, consultants from the theatre world set designers, lighting designers, and playwrights to partner with us on productions. This has been enlightening how they work, and their thinking is different from those in the visual art world. Well also open our exhibitions in the evenings for theatre audiences. We have hosted a number of performance art events, but have yet to explore programs of new media performances. That will come in the future. BG: You mentioned partners, and theres quite a lot of rhetoric at the moment around new media and that you need to do partner projects or collaborative projects more. Can you say a little bit about your experience of that in particular; what does work in partnering and what doesnt? LD: Every new media project has involved partners and collaboration. We begin all projects by talking with the artist about their intentions and expectations. We are pretty clear about our limitations and have those conversations before we get into a commitment situation. This prevents many potential problems. We get very detailed about timing, tools, technology and other resources. Usually artists are in the door because of a good idea and a track record of completing projections. Through our planning and development process we both get a sense of the scale of a project theyre working on, how their exhibit might best be installed here, and how to anticipate the audience. We put on the table how much money we have - for the fee, the marketing and funds for new equipment, so there are no surprises. Artists often push us towards improvements faster, brighter, more power tools and technology to withstand whatever project they are building. We also discuss funds for consultation for technical specialists such as programmers or hardware people. We anticipate possible failure of the technology, and work out in advance the steps we will take to remedy it. We learn from our mistakes and work hard to offer a successful experience for the artist. We also share our learning with other institutions and artists like addressing in advance the issue of copyright and ownership. We also partner with other institutions for presentations; sometimes artist talks will be at another space. Surrey is not downtown Vancouver and residents generally resist, at first, making the trip out to Surrey, so we often schedule our events on weekends rather than evenings given the traffic. Were interested in audiences as well as exhibitions, so we look at projects and partners that make sense for us. BG: Lets talk about the residencies, although galleries are mostly thought of as being just about presentation work rather than production. In this building you do have the ceramic workshops, which you said started off very much from the original arts and crafts 50s idea of people in the producing things pots in that case. But has it been difficult to make that argument for production with new media? LD: The gallery encourages artists in residence for a range of exhibits. But new media presents issues other art practices dont have to the same degree, such as the labour costs involved in programming or the financial investment in equipment. Its one thing to buy a hammer and its another thing to maintain a computer. We look at the residency program as a means to address not only the challenge of our institution staying current, just like media artists. If we can assist artists producing work, theres a positive reciprocal for us. In a residency, we ask the artist to do three things: make art on site; help build audiences for new media; and third, assist the Gallery to anticipate media art and artists needs in the future. We carefully choose the artists we invite for residencies. Their personality as well as their art practice matters not everyone is a fit. With every project the artists and the staff go through a steep learning curve, regularly pushing our limitations in all ways. Weve acquired new equipment, learned how to operate it in the process of sustaining either the residency of an exhibition, and we end up with a legacy of new audiences and capacities. We dont believe we can ever achieve expertise; because the technology changes so fast but maybe we have learned to work well with that, and can help artists achieve their goals. Every artist gives us feedback on what has worked and what hasnt and we use this knowledge. We have a responsibility to help people have a positive experience of art. Having artists available and onsite, is effective people like talking with them. Weve also had feedback from the artists that their most positive experience was talking with kids on tours. We all have families and friends who are puzzled by the artworld. We dont get a really good education in our Grade Schools about art. The artists in residence always give fabulous answers to questions. BG: Can you give me some examples of practical ways in which artists have advised on future developments, including the building? LD: Consultation with the artists is essential. If we dont know what the art is going to be in the future, how do we know what shape it should be or what tools it needs, or what facilities should be offered? We have had great advice from artists. They said dont invest in the equipment invest in flexibility and make it easy so that you can change your mind, and make it so that any space can support media art. They said if you want to make a space inviting to artists, so they will overcome the commute from the city, make the space comfortable, welcoming and well equipped. The TechLab has both the ability to be very dark, yet if artists use it as a studio they can set it up to see outside into the courtyard and some natural light. We listened to them when it was designed. The artists were very practical in their suggestions; they knew our context again a benefit from being in residence. We still follow that original advice - we buy equipment for a project maybe two weeks before we actually implement it. We share with artists ideas about projects were considering for the future. There arent a lot of closed doors between the artists and the Gallery staff. BG: What have you learned from watching the audience use the artwork? What is the main thing thats coming up there? LD: We still need a methodology of guaranteeing that a computer-based artwork will still be presenting the artwork, once visitors get their hands on it. They usually want to check it out, and end up shutting it down, or they want to check their email. We still need more work on audience development. If you ask, the general public will rank landscape paintings as their first exhibition preference, and computer based art last. Yet if you follow them in the gallery, they might look at a painting for 3 seconds and yet spend half an hour in the TechLab. That says something. We start with projects we know we can accomplish, and inevitably the artists pushes them from there. We do a lot of testing in advance of the exhibit. We also prepare projects in phases so that we can take it a step at a time. At a recent event, Julie Andreyev said, technology is always kind of disappointing. Shes right. We try to make the exhibitions not about the technology but keep them art centred. We need to keep that focus, amid all the bells and whistles of new technology. We get loads of proposals for flashy, dazzling tools and toys, but thats not what were about. Were not a science museum we work in partnership with living artists. Part of what we aim to provide as an institution is bridging - between peoples lives and the critical thought that the artwork usually embodies. Were interested in serving our local audience if we do that well, it will be important nationally and internationally. For example, Surrey has an extraordinarily young demographic. Were looking at the second generation who have grown up with computers what programs do we offer that would be meaningful to them. The other characteristic of Surreys community is its high demographic of people whose families have come from India or other parts of Asia. These Canadians maintain contact with their families through technology even if its getting online New Delhi papers. Technology is not the exclusive domain of western culture, as has been the canon of contemporary art. Technologys international language is seen in the profile of those who attend the new media conferences. Im interested in the strategies that might be developed by other cultures using technology to create artforms. What might happen in India, in the Diaspora, by the net generation? BG: Just to go back to audience studies, you said that there was a big difference between just watching people and questionnaires, but have there been any formal studies involving observing? LD: Weve just received funding through Canadian Heritage to hire an Intern to produce audience studies. We want to know more about what we have done well, and where we could improve in our new media programming. We also want to know more about our audiences well do surveys and focus groups. We held a youth focus group last year. We heard Wow! I didnt know that art could be like this as well as an unexpected response to our video exhibit. They were unsatisfied by our didactic panels. They wanted to look at video and learn about it in the same way that they do at home with a DVD to interact with the video choose to hear the directors voice-over for example. They wanted to interact. Why is it that domestic product offers that kind of learning, but we dont offer it as a museum? BG: Id like to ask about art-science relationships, because you mentioned that you had a background in science as well as visual art, has that helped? You do meet a lot of curators who are basically frightened of technology, so do you think your science background has helped in approaching work? LD: Part of my interest in art came out of science and a curiosity of how things work not mechanically, but rather how systems are organised and their interrelationships. Everything is relative. For example, higher-level mathematics is a language thats relative and interpretable. Science is driven by curiosity: it asks why? That is the connection between the two for me. Ideas are interesting. I totally value experiences of beauty, but also the experiences that change us. We all have the capacity to think critically, to think better and live better and contemporary art invites us to use this capacity. Often an exhibit presents the mundane, the ordinary and the obvious, and by putting it in a Gallery, we look at it again and think about it. For example the exhibition thats up right now is about walking. Its an everyday thoughtless experience, but on the other hand its everything and it can hold that idea. Within walking, is wonder. BG: In the Walk Ways show youre combining traditional photographs on the wall with new media work by Jim Campbell, for example. The combination of new media and non-new media in the same show, does that feel natural now, and do the audience have any problem with it? LD: The exhibit has only been up a day, but I think people are enjoying the work. Its not unusual for us to offer diverse combinations of media. We are in a curious time right now. Its as peculiar for us to have a dedicated media gallery now, given our context, yet it will likely become unusual for us to have a media gallery in a few more years as media becomes more and more pervasive. Weve exhibited ceramics influenced by computers, the same with textile exhibitions. While the TechLab always hosts new media whether an exhibit or serving as a studio for a digital media artist, it doesnt mean we cant show media anywhere else. And we do. BG: Is there anything else that youre boiling to say about things that have worked really well? LD: Trusting artists. Once they know our context and the things were afraid of, like our funding limits, and our political context real things, they are really helpful in imagining solutions to challenges. Their solutions usually work over and over again. Its humbling. I remember when the bus company managers came to look at the database project Sylvia Grace Borda produced here. They were really impressed with how she imagined the system, and commented on how they hadnt considered databases the same way. It was exciting witnessing business appreciate the artists imagination. Yes, it is important to trust artists and the power of their imagination, to value it and to honour it. Listening to artists has been key to our past success, and is critical to the Gallerys future direction.
media art design database DVD time space databases audience video collaboration money press funding education technical race
Beryl Graham Liane Davison


text:
2 Samuel, chapter 15 2 Samuel, ch 15
And it came to pass after this, that Absalom prepared him chariots and horses, and fifty men to run before him. And Absalom rose up early, and stood beside the way of the gate: and it was so, that when any man that had a controversy came to the king for judgment, then Absalom called unto him, and said, Of what city art thou? And he said, Thy servant is of one of the tribes of Israel. And Absalom said unto him, See, thy matters are good and right; but there is no man deputed of the king to hear thee. Absalom said moreover, Oh that I were made judge in the land, that every man which hath any suit or cause might come unto me, and I would do him justice! And it was so, that when any man came nigh to him to do him obeisance, he put forth his hand, and took him, and kissed him. And on this manner did Absalom to all Israel that came to the king for judgment: so Absalom stole the hearts of the men of Israel.
And it came to pass after forty years, that Absalom said unto the king, I pray thee, let me go and pay my vow, which I have vowed unto the LORD, in Hebron. For thy servant vowed a vow while I abode at Geshur in Syria, saying, If the LORD shall bring me again indeed to Jerusalem, then I will serve the LORD. And the king said unto him, Go in peace. So he arose, and went to Hebron.
But Absalom sent spies throughout all the tribes of Israel, saying, As soon as ye hear the sound of the trumpet, then ye shall say, Absalom reigneth in Hebron. And with Absalom went two hundred men out of Jerusalem, that were called; and they went in their simplicity, and they knew not any thing. And Absalom sent for Ahithophel the Gilonite, David's counsellor, from his city, even from Giloh, while he offered sacrifices. And the conspiracy was strong; for the people increased continually with Absalom.
And there came a messenger to David, saying, The hearts of the men of Israel are after Absalom. And David said unto all his servants that were with him at Jerusalem, Arise, and let us flee; for we shall not else escape from Absalom: make speed to depart, lest he overtake us suddenly, and bring evil upon us, and smite the city with the edge of the sword. And the king's servants said unto the king, Behold, thy servants are ready to do whatsoever my lord the king shall appoint. And the king went forth, and all his household after him. And the king left ten women, which were concubines, to keep the house. And the king went forth, and all the people after him, and tarried in a place that was far off. And all his servants passed on beside him; and all the Cherethites, and all the Pelethites, and all the Gittites, six hundred men which came after him from Gath, passed on before the king.
Then said the king to Ittai the Gittite, Wherefore goest thou also with us? return to thy place, and abide with the king: for thou art a stranger, and also an exile. Whereas thou camest but yesterday, should I this day make thee go up and down with us? seeing I go whither I may, return thou, and take back thy brethren: mercy and truth be with thee. And Ittai answered the king, and said, As the LORD liveth, and as my lord the king liveth, surely in what place my lord the king shall be, whether in death or life, even there also will thy servant be. And David said to Ittai, Go and pass over. And Ittai the Gittite passed over, and all his men, and all the little ones that were with him. And all the country wept with a loud voice, and all the people passed over: the king also himself passed over the brook Kidron, and all the people passed over, toward the way of the wilderness.
And lo Zadok also, and all the Levites were with him, bearing the ark of the covenant of God: and they set down the ark of God; and Abiathar went up, until all the people had done passing out of the city. And the king said unto Zadok, Carry back the ark of God into the city: if I shall find favour in the eyes of the LORD, he will bring me again, and shew me both it, and his habitation: But if he thus say, I have no delight in thee; behold, here am I, let him do to me as seemeth good unto him. The king said also unto Zadok the priest, Art not thou a seer? return into the city in peace, and your two sons with you, Ahimaaz thy son, and Jonathan the son of Abiathar. See, I will tarry in the plain of the wilderness, until there come word from you to certify me. Zadok therefore and Abiathar carried the ark of God again to Jerusalem: and they tarried there.
And David went up by the ascent of mount Olivet, and wept as he went up, and had his head covered, and he went barefoot: and all the people that was with him covered every man his head, and they went up, weeping as they went up.
And one told David, saying, Ahithophel is among the conspirators with Absalom. And David said, O LORD, I pray thee, turn the counsel of Ahithophel into foolishness.
And it came to pass, that when David was come to the top of the mount, where he worshipped God, behold, Hushai the Archite came to meet him with his coat rent, and earth upon his head: Unto whom David said, If thou passest on with me, then thou shalt be a burden unto me: But if thou return to the city, and say unto Absalom, I will be thy servant, O king; as I have been thy father's servant hitherto, so will I now also be thy servant: then mayest thou for me defeat the counsel of Ahithophel. And hast thou not there with thee Zadok and Abiathar the priests? therefore it shall be, that what thing soever thou shalt hear out of the king's house, thou shalt tell it to Zadok and Abiathar the priests. Behold, they have there with them their two sons, Ahimaaz Zadok's son, and Jonathan Abiathar's son; and by them ye shall send unto me every thing that ye can hear. So Hushai David's friend came into the city, and Absalom came into Jerusalem.
a) 15.2 came: Heb. to come
b) 15.3 there…: or, none will hear thee from the king downward
c) 15.14 bring: Heb. thrust
d) 15.15 appoint: Heb. choose
e) 15.16 after…: Heb. at his feet
f) 15.20 go up…: Heb. wander in going
g) 15.23 Kidron: Gr. Cedron
h) 15.30 and wept…: Heb. going up and weeping

subset: commoncrawl


text:
But I thought I was doing so well!
I've been here for 30 years. You're just telling me this now?
Susan comes in late every day, and she's never been written up. What gives?
Let's face it: If you're a business owner or a manager, employee performance appraisals can be uncomfortable. No one likes to receive a "surprise" evaluation that they're not performing well. What's more, if you ignore a small issue with an employee now, it could eventually snowball into a bigger problem later… at worst, it could result in an employment lawsuit.
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- Be direct and honest. First things first: A poor performance review should never come as a "surprise." Good managers address poor performance directly when it happens—and always with transparency and empathy.
- Be consistent. Consistency is key to avoiding claims of discrimination. Make sure you're holding all your employees to the same standard. For example: If you discipline a low-performing employee for being late, don't look the other way if a high-performing employee comes in late. (Related: Are you covered when an employee claims harassment or discrimination?)
- Keep it objective. Hold your employees to an objective standard that they know and have agreed to—for example, an attendance policy or employee handbook. Ensure there's a legitimate business reason for discipline and avoid the temptation to provide overly subjective feedback.
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text:
Carry On Denim Midi Skirt
Carry On Denim Midi Skirt
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Fabric | Cotton
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text:
Apache HTTP Server Version 2.4
Description: | Group authorizations based on host (name or IP address) |
Status: | Base |
Module Identifier: | authz_host_module |
Source File: | mod_authz_host.c |
Compatibility: | The forward-dns provider was addded in 2.4.19 |
The authorization providers implemented by mod_authz_host
registered using the Require
directive. The directive can be referenced within a
or <Location>
as well as .htaccess
files to control access to particular parts of the server.
Access can be controlled based on the client hostname or IP address.
In general, access restriction directives apply to all
access methods (GET
, etc). This is the desired behavior in most
cases. However, it is possible to restrict some methods, while
leaving other methods unrestricted, by enclosing the directives
in a <Limit>
This module provides no directives.
Apache's Require
directive is used during the authorization phase to ensure that a user is allowed or
denied access to a resource. mod_authz_host extends the
authorization types with ip
, host
and local
Other authorization types may also be
used but may require that additional authorization modules be loaded.
These authorization providers affect which hosts can access an area of the server. Access can be controlled by hostname, IP Address, or IP Address range.
Since v2.4.8, expressions are supported within the host require directives.
The ip
provider allows access to the server
to be controlled based on the IP address of the remote client.
When Require ip ip-address
is specified,
then the request is allowed access if the IP address matches.
A full IP address:
Require ip 10.1.2.3 Require ip 192.168.1.104 192.168.1.205
An IP address of a host allowed access
A partial IP address:
Require ip 10.1 Require ip 10 172.20 192.168.2
The first 1 to 3 bytes of an IP address, for subnet restriction.
A network/netmask pair:
Require ip 10.1.0.0/255.255.0.0
A network a.b.c.d, and a netmask w.x.y.z. For more fine-grained subnet restriction.
A network/nnn CIDR specification:
Require ip 10.1.0.0/16
Similar to the previous case, except the netmask consists of nnn high-order 1 bits.
Note that the last three examples above match exactly the same set of hosts.
IPv6 addresses and IPv6 subnets can be specified as shown below:
Require ip 2001:db8::a00:20ff:fea7:ccea Require ip 2001:db8:1:1::a Require ip 2001:db8:2:1::/64 Require ip 2001:db8:3::/48
Note: As the IP addresses are parsed on startup, expressions are not evaluated at request time.
The host
provider allows access to the server
to be controlled based on the host name of the remote client.
When Require host host-name
is specified,
then the request is allowed access if the host name matches.
A (partial) domain-name
Require host example.org Require host .net example.edu
Hosts whose names match, or end in, this string are allowed
access. Only complete components are matched, so the above
example will match foo.example.org
but it will not
match fooexample.org
. This configuration will cause
Apache to perform a double reverse DNS lookup on the client IP
address, regardless of the setting of the HostnameLookups
directive. It will do
a reverse DNS lookup on the IP address to find the associated
hostname, and then do a forward lookup on the hostname to assure
that it matches the original IP address. Only if the forward
and reverse DNS are consistent and the hostname matches will
access be allowed.
The forward-dns
provider allows access to the server
to be controlled based on simple host names. When
Require forward-dns host-name
is specified,
all IP addresses corresponding to host-name
are allowed access.
In contrast to the host
provider, this provider does not
rely on reverse DNS lookups: it simply queries the DNS for the host name
and allows a client if its IP matches. As a consequence, it will only
work with host names, not domain names. However, as the reverse DNS is
not used, it will work with clients which use a dynamic DNS service.
Require forward-dns bla.example.org
A client the IP of which is resolved from the name
will be granted access.
The forward-dns
provider was added in 2.4.19.
The local
provider allows access to the server if any
of the following conditions is true:
This allows a convenient way to match connections that originate from the local host:
Require local
If you are proxying content to your server, you need to be aware
that the client address will be the address of your proxy server,
not the address of the client, and so using the Require
directive in this context may not do what you mean. See
for one possible solution to this


text:
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text: OAKLAND, CA – DECEMBER 19: Patty Mills #8 and Marco Belinelli #3 of the San Antonio Spurs after defeating the Golden State Warriors on December 19, 2013 at Oracle Arena in Oakland, California. NOTE TO USER: User expressly acknowledges and agrees that, by downloading and or using this photograph, user is consenting to the terms and conditions of Getty Images License Agreement. Mandatory Copyright Notice: Copyright 2013 NBAE (Photo by Rocky Widner/NBAE via Getty Images)


text:
Rosemount 3051C Smart Pressure transmitter 3051CG1A22A1AC1D9
Model: 3051CG1A22A1AC1D9
Supplier: Rosemount
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Mail: firstname.lastname@example.com firstname.lastname@example.com
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text:
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One of three officials accused of mismanaging the mortuary at Dover Air Force Base, Del., and of retaliating against three whistle-blowers, has resigned.
The Office of Special Counsel, an independent federal investigative agency, said Friday that Quinton Keel had resigned and that it is in touch with Air Force officials about their final decisions on disciplinary action against the two other accused officials.
The Air Force issued a statement saying only that Keel "has left federal service" after serving as survivor assistance program manager at the Dover mortuary. Keel had previously served as director of the mortuary division at Dover.
Keel did not immediately return a telephone message left at his Delaware home on Friday.
In November 2011, the Office of Special Counsel issued a report accusing Keel and two other supervisors of "gross mismanagement" at the Dover facility, where small body parts of U.S. troops killed in Afghanistan were lost on two occasions.
The Air Force said at the time that it took disciplinary action against, but did not fire, the two civilian supervisors — Keel and Trevor Dean — as well as Col. Robert Edmondson, who commanded the Dover mortuary at the time of the incidents.
Edmondson was given a letter of reprimand, denied a job commanding a unit at Shaw Air Force Base, S.C., and barred from future command assignments. Dean and Keel took a cut in pay and were moved to non-supervisory jobs at Dover. All three have declined to comment publicly on the matter.
In January, the Office of Special Counsel said it had concluded that three Dover supervisors had retaliated against the whistle-blowers who had disclosed misconduct at Dover. It did not identify the three, but others have said they are Keel, Dean and Edmondson.
The Office of Special Counsel said it will release its report on the alleged retaliation in mid-March.
"The government needs to listen to employees who come forward with serious allegations of wrongdoing," Special Counsel Carolyn Lerner said in a statement. "And it needs to take disciplinary action when supervisors suppress or punish whistle-blowers. Failure to do so sends a chilling message."
One of the Dover whistle-blowers, James Parsons, told The Associated Press on Friday that he was disappointed that Keel was allowed to resign.
"I believe he should have been terminated," Parsons said. "I hate to see anybody lose their job, but I think it was warranted."
Copyright 2022 NPR. To see more, visit https://www.npr.org.


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Send wishes on Ram Navami with this bhajan.
Send warm wishes on Ram Navami with this ecard.
Send Lord Rama's blessings on Ram Navami.
Wish a joyous and blessed Ram Navami with this ecard.
This is a beautiful telugu song on Lord Rama. Song Lyrics: RAAMA RAAMA Raama raama...
Send Ram Navami greetings with this ecard to all you know.
Pray for the divine blessings on Ram Navami.
Send this holy wish to a friend or a loved one on the auspicious occasion of Ram Navami.
Send auspicious wishes to friends and loved ones on Ram Navami with this ecard.
A heartfelt message for your near and dear ones.
Ram Navami wishes in hindi.
Wish joy, harmony and prosperity on Ram Navami.
Send holy wishes to friends and loved ones on Ram Navami.
Wish u all happy Ram Navami. For more info http://en.wikipedia.org/wiki/ram_navami
You and your sweetheart share a wonderful relationship. Express your pure love to him/...
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Periodontics Marietta, GA
Millions of Americans suffer from periodontal disease. At Robert S. Sykes, DDS, we treat patients throughout the Marietta area that are struggling with this condition and provide a variety of treatment solutions to help combat the symptoms and heal the gums. If you are concerned that your gums are unhealthy, call 770-873-7241 to schedule an appointment with Dr. Sykes and receive a dental examination.
What are the signs of gum disease?
You may have gum disease if your gums are red and swollen or bleeding. It is natural for this to happen from time to time after eating something that irritates your gums or brushing too aggressively. If, however, this happens on a regular basis you probably have some type of gum disease. Another symptom is bad breath, loose teeth, pain while chewing, sensitive teeth or teeth that appear longer. If you live in the Marietta, GA area, we can examine your gums and let you know what the source of your problem is.
The consequences of periodontal disease
In its early stages, gum disease can cause some irritation and bleeding. There may be some discomfort, but it will be minimal. This stage is called gingivitis. If, however, it is left untreated the disease will spread, and the gums will start to recede by pulling away from the tooth. This creates pockets in the gum tissue that can expose more of the tooth structure and the root system. Once exposed, the tooth and roots are more susceptible to becoming infected as bacteria can gather and start to irritate the area. This can lead to cavities and infections along with bone loss. In severe cases, the bone loss in combination with receding gums can lead to tooth loss. In many cases, adult teeth that fall out due so because of gum disease.
What causes gum disease?
In short – bacteria. When bacteria remain on the teeth, it can form plaque and tartar. When this substance becomes stuck in between the teeth and gums, it can lead to gum complication. The best way to prevent this is to brush and floss several times throughout the day along with visiting the dentist for regular teeth cleanings.
Are certain people at risk for the condition?
There are things you can do to increase your risk for getting gum disease. This includes smoking, hormonal changes, pregnancy, diabetes, certain medications, and genetics. Any time that the blood flow is constricted or reduced, your risk for the disease increases. This is why diabetics and pregnant women are more susceptible to the condition. At Robert S. Sykes, DDS, we recommend that our pregnant patients visit our office at least twice during pregnancy in order to decrease their risk and the pregnancy complications that come with it.
How is it treated?
At Robert S. Sykes, DDS, there are several ways that we treat gum disease. Dr. Sykes will make a recommendation after examining your teeth and gums to determine what the source of the problem is and what should be done to address it. The treatment plan is often dictated by the severity of the periodontitis. We recommend that patients throughout Georgia look for the signs of gum disease and schedule an appointment immediately so that the least invasive procedure can be used to correct the problem. Once the disease has progressed too far, more significant procedures may be necessary to heal the gums. At times, this involves surgery.
The first step in addressing gum disease is to complete a deep cleaning. By removing plaque and tartar from the teeth and gums, we can help patients throughout the Marietta area start the healing process. Once the bacteria and plaque have been removed, the gums will start to heal naturally. If the plaque is only around the edge of the gum line, a standard teeth cleaning will work. If it has become trapped between the gums and teeth, a scaling and root planning procedure will be required. In this case, Dr. Sykes will need to scrape the plaque off from the teeth underneath the gums. Some dentists use a laser to do so in order to complete the procedure faster.
When surgery is required, it is typically because the gums have receded so significantly. When pockets form in the gum tissue, they need to be restored in order to protect the tooth again. In this case, a gum graft can be helpful. This works by taking tissue from the roof of the mouth or another area and grafting it to the gums so that the gum tissue can start to regenerate. The gums then need to be secured back around the tooth in order to protect it and the roots. If bone loss has occurred as a result of gum disease, a bone graft may be necessary in order to restore and strengthen the tooth. In this procedure natural or synthetic bone is compacted into the area and sealed so that the bone can start to regenerate.
These procedures combined can help to both heal and restore your gums. In order to tell which procedures are necessary for you, call 770-873-7241 and schedule a consultation with Dr. Sykes. At Robert S. Sykes, DDS, we may start with a deep cleaning to see how well your gums react and start to heal. If they do not recover in short order, we may move to surgical procedures as necessary.
How to Keep Your Gums Healthy
You can prevent periodontitis by taking simple steps that include brushing your teeth after meals, flossing on a daily basis and rinsing your mouth with an antiseptic mouthwash once a day. This will help to remove bacteria and sugar from your teeth and gums before they can turn into plaque. Eating a healthy diet that is low in sugar can also help to keep your gums healthy. At Robert S. Sykes, DDS, we further recommend having your teeth cleaned professionally at least twice a year so that we can remove plaque and tartar from hard to reach places. This will ensure that your gums remain healthy.
If you live in the Marietta area, call 770-873-7241 to schedule your dental exam so that you can remain in good health or receive treatment for a current condition.
Helpful Related Links
- American Dental Association (ADA). Glossary of dental terms. 2015
- American Academy of Cosmetic Dentistry® (AACD). Home page. 2015
- WebMD. WebMD's oral care guide. 2015
Back to top of Periodontics.
- Emergency Dentist
- Cosmetic Dentist
- Periodontics


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This site uses cookies to improve your experience of our online services. By continuing to use Team Calendars you accept this. Read more
A4 Wall 7 Economy Plus
We offer two production speeds:
Standard Production - 50 calendars or less takes 5 working days (1 week) to print. 51 calendars or more takes 10 workings days (2 weeks). Orders over 1000 units may take up to 3 weeks.
Express Production - available for orders less than 500 units - we speed up production from 2 weeks to just 1 week. Express production carries a 25% uplift in price, calculated automatically if chosen.
Production lead-times start from point of order placement and full payment receipt. Orders received after 2.00pm will be actioned on the following working day.
Orders less than 2Kg are despatched via Royal Mail 1st class post. All bulk orders are despatched via overnight courier for delivery on the next business working day and will require a signature. The cost of despatch is calculated at checkout.
Currently we can only accept hi-res PDF files to be uploaded to the website. If you would like to supply your artwork as a different file type then please continue to place your order online which will generate an order number. Please then email us your artwork referencing your order number in the subject line.If your artwork is too large to email (anything over 10 MB) we recommend that you send us your files via www.WeTransfer.com (please enter email@example.com as the recipient address).
We can accept files in RGB (Red/Green/Blue) or CMYK (Cyan/Magenta/Yellow/Black) format. Our presses use a CMYK ink set so all RGB files will be converted to CMYK before printing. RGB has a wider colour gamut (can encode for more colours) than CMYK so colours outside of the CYMK spectrum may appear duller than the file supplied. These colours tend to be very intense blue, green, red and oranges. If you're concerned how these colours will convert we would advise that you convert the colour to CMYK before supplying the files so you can manage the conversion.
To get the best quality print your images should be 300dpi (dots per inch) at the size they appear in the calendar. This is absolutely crucial to the professionalism and visual appeal of your print materials, and while a lower resolution file may seem acceptable on-screen, the difference in quality makes a great difference when physically printed.
A 'bleed' of at least 3mm should be included around the edges of all artwork. Bleed is the extra area around your artwork that will later be trimmed, which is needed to allow the ink to run naturally without affecting the quality of the print-work. i.e. save the PDF with 6mm added to each measurement (i.e. for A4 usually 210mm x 297mm, save as 216mm x 303mm). Crop marks may be included if you wish. If your artwork is supplied without bleed we may not always be able to add it on for you and you may have to amend and re-supply the artwork.
If you are creating a PDF from a MS Publisher or Word file, care must be taken to ensure colours are created correctly in your original documents. Do not set to RGB (Red, Green, Blue) colours as they cannot be printed as such, as mentioned above they won't appear as bright when printed.
When creating a PDF in Acrobat Distiller, there are job options which must be set for commercial printing. These include default resolution, compression settings and font embedding. Where possible ensure a 300dpi PDFx1a 'print' or 'press ready' PDF is outputted. Please include a 3mm bleed, crop marks and supply as single pages. Please ensure you choose high resolution. Compression settings for colour and greyscale should be down sampled to 300dpi with "auto compression" set on high. Bitmapped (monochrome: i.e. line art) images should be set at 600dpi. Font embedding should be set to "embed all fonts."
Please do not supply imposed pages or "printers pairs" because our workflow includes imposition software to impose correctly for our printing processes.
Include all fonts you have used in the file. Whilst we have an extensive font collection, there is no guarantee the version you have used matches ours. This can create problems with line lengths and spacing of the type.
Please bear in mind the method of binding when producing the artwork for your calendars. For all wall style calendars there is a thumbcut (half-moon shape) at the top of the calendar to allow the wire hanger to be inserted and sit flush. This extends 11mm into the calendar so will cut away any imagery/text placed into this area. With this in mind we could allow a clear space of 15mm from the head for any important elements. For calendars that are wiro-bound without the thumb-cut (such as the Desk A5 style) please allow 10mm clear space to any important elements to avoid the standard binding holes.
We offer a seasonal discount structure aimed to encourage early orders. We have also designed our prices to offer massive savings for bulk orders. Our web prices quoted on the site are our best prices.
We will email a proof to you once we have checked your files. If you would rather have a hard copy proof please order just 1 calendar and then place a re-order if you're happy to proceed. Alternatively you can order a sample pack which includes samples of stocks that we print the calendars on.
No, we bulk pack your calendars in secure brown cartons but a range of additonal packaging options are available to order upon checkout, including paper and card envelopes and cello bags with and without headers. The cost of the packaging options can be viewed in the packaging tab here.
We use high specification Digital (Konica Minolta KM1085) & Litho (Heidelberg CD74) presses. Digital presses are used to print smaller quantities (usually 500 units or less) and larger runs are produced on our Heidelberg litho presses with inline coating & IR driers. We are commercial printers and are very proud of the quality of our production!
Yes all of our papers are FSC certified and part recycled. If you would like fully recycled paper just let us know and we will provide you with a quote. We are a fully FSC certified print company and we hold the Internationally recognised environmental quality standard ISO14001 and 9001.
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The Pacific Municipal Code is current through Ordinance 2082, passed July 24, 2023.
Disclaimer: The city clerk's office has the official version of the Pacific Municipal Code. Users should contact the city clerk's office for ordinances passed subsequent to the ordinance cited above.
City Website: https://www.pacificwa.gov/
City Telephone: (253) 929-1105
Codification services provided by General Code
Stemming extends a search to cover grammatical variations on a word. For example, a search for fish would also find fishing. A search for applied would also find applying, applies, and apply.
Fuzzy searching will find a word even if it is misspelled. For example, a fuzzy search for apple will find appple.
Select a fuzziness level from the drop-down menu to set how many characters off a word can be from your search term and still count as a hit.
Synonym searching looks for words that have the same meaning as the word you entered. For example, a synonym search for eleventh will also find 11th.
A Boolean search request consists of words or phrases linked by connectors such as and and or that indicate the relationship between them. Examples:
| Both words must be present |
| Either word can be present |
| Apple must occur within 5 words of pear |
| Apple must not occur within 5 words of pear |
| Only apple must be present |
If you use more than one connector, you should use parentheses to indicate precisely what you want to search for. For example, apple and pear or orange juice
could mean (apple and pear) or orange
, or it could mean apple and (pear or orange)
Noise words, such as if and the, are ignored in searches.
Search terms may include the following special characters:
? | Matches any single character. Example: appl? matches apply or apple. |
* | Matches any number of characters. Example: appl* matches application |
~ | Stemming. Example: apply~ matches apply, applies, applied. |
% | Fuzzy search. Example: ba%nana matches banana, bananna. |
# | Phonic search. Example: #smith matches smith, smythe. |
~~ | Numeric range. Example: 12~~24 matches 18. |
: | Variable term weighting. Example: apple:4 w/5 pear:1 |


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Our attorneys will pick up the phone at any time. Call our office now to avoid automatic suspension of your drivers license.
We invest 100% of our time, energy and passion into every case to achieve the best results possible.
Find out why choosing a team with experience can make all the difference in your DUI case.
Our team is committed to delivering our clients the results that they need after a DUI arrest.


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Tuanku Abdul Rahman inspecting Girl Guides, Birthday Parade, 1949, 1949
Scope and Contents
117 x 89 mm. Showing Tuanku Abdul Rahman walking along a line of Girl Guides. Behind him walk Abdul Malek and H.P. Bryson.
- Creation: 1949
- From the Fonds: British, Association of Malaysia and Singapore (Person)
Conditions Governing Access
Unless restrictions apply, the collection is open for consultation by researchers using the Manuscripts Reading Room at Cambridge University Library. For further details on conditions governing access please contact firstname.lastname@example.com. Information about opening hours and obtaining a Cambridge University Library reader's ticket is available from the Library's website (www.lib.cam.ac.uk).
Biographical / Historical
Photographer unknown.
Language of Materials
Physical Characteristics and Technical Requirements
Good condition.
Finding aid date
2002-06-21 15:21:18+00:00
Repository Details
Part of the Cambridge University Library Repository
Cambridge University Library
West Road
Cambridge CB3 9DR United Kingdom
Map Dept enquiries: firstname.lastname@example.com
all other enquiries: email@example.com


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Sign up to stay informed about the latest products and various news!
Prada dark brown cropped cardigan
Size: approximately xsmall/ small
Color: dark brown
Material: cashmere
Brand: Prada
Condition: excellent
Model: Height 172cm / Size small
We happily ship worldwide. Orders are processed withing 24-48 hours excluding weekends and major holdidays.
Domestic – we offer domestic shipping with GLS. Shipping rates depend on the size and weight of the items.
International – we also offers international shipping with DHL. Shipping rates depend on the size and weight of the items. We are required to accurately declare the value of all international address's on the relevant customs forms. Duties and taxes are the responsibility of the customer.
The customer reserves the right to return the item within 14 days of receiving the item on following conditions: The items are returned in the same condition and quantity as when received. The items are unused other than for the purpose of trying on for fit. As a costumer you lose the right to return the items if there is evidence to suggest that the items have been used to a degree such as to decrease the value of the product. Please note, that if you choose to pick up in the store, the 14 days of right to return, starts from the time you purchase the item online. If you wish to return an item please contact us. Jerome and Rosy vintage do not offer to cover any expenses concerning returns.
We really do our best to make sure our pieces have the best condition. When necessary, items are professionally dry cleaned or repaired. However some marks (as listed below) may remain, please carefully view the photos and read description of each product.EXCELLENT
Virtually no wear, mostly refers to vintage that has never been worn.
In very good vintage condition with hardly any signs of wear
Shows normal signs of wear expected for age with some minor visible problems
Shows signs of wear e.g. small holes or stains.
See more or follow us on Instagram.


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The Lawgical Promise guarantees our members are pre-screened to verify their qualifications.
If you need Bail Bond Agents in Hawarden, Iowa, please fill out the form below and AboutBail.com will find one who can assist you.
Please provide as much information as possible, including bond amount and name of jail.
Let us find one for you.
Watch our video, or read more


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The Crank Brothers Mallet E 11 is the premium version of the ideal enduro racing pedal. The specs say it all.
- Titanium wings to reduce weight
- Dual chamfered edges to reduce rock-strikes
- Exclusive double-anodized black and gold colorway
- Concave platform for secure foothold
- 6 adjustable pins per side for grip
- Traction pad technology to optimize the shoe/pedal interface
- Ribbed body for better traction when unclipped
- 52mm q-factor for maneuverability on tight trails
- Hex alloy endcap for durability
- 4-sided entry / superior mud shedding
- Customizable float & release angle
- Premium bearings & double seal system
Clipless pedals, shoes, and cleats come in many varieties, some specific to one brand or another. If you have a favorite, you may already know what you're looking for, and what is compatible.
Want some help choosing the right pedals and/or shoes? Interested in trying something new? Contact us to ensure your shoes are compatible with your pedals, and all of it's compatible with you.
Part Numbers
Option | UPC | MPN |
Crank Brothers / Black/Gold | 641300160935 | 16093 |


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Wild Rose Ruffle Gown
Worldwide delivery
Fixed Rate Returns within 14 days
The Wild Rose Ruffle Gown in Graphite / Champagne. The ultimate fashion statement of the season. Developed from endless, ruffled layers of tulle and intricate frill tiers. Designed with a hard net on the base of the dress to create a voluminous skirt for a beautifully flattering silhouette. You'll be sure to turn heads in this show-stopping gown.
- Kisses tulle decorated with layers of champagne and graphite tulle ruffles
- 100% Polyester
- Bodice partially lined, skirt fully lined, sleeves un-lined
- Multi-layered, full tulle skirt
- Concealed zip at centre back
- Made in India
- Delicate dry clean only
- Do not wash
- Do not bleach
- Do not tumble dry
- Cool iron on reverse
- We recommend storing your garment flat due to the weight. This will help to preserve the fit of your garment
- Form fitted bodice, fitted waist with a multi-layered full skirt
- Floor length ( size UK 10 / US 6 / EU 38 - 156cm / 61 inches side neck to hem) * Length varies 1cm between sizes
- Model is 175cm / 5ft 9in and is a size UK 8 / US 4 / EU 36
If you need assistance with this product, please email us at email@example.com .
or call us +44 20 3695 0476. Our Customer Care team operate between 9.00am and 5.00pm in the UK. (GMT)


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Please use the form below to submit comments / feedback regarding Council Tax Enquiries. Your message will be automatically passed to the relevant person.
The information which you provide on this form will be processed by Clackmannanshire Council, which is the 'data controller' for the purposes of the General Data Protection Regulation and the Data Protection Act (2018). For more information, please see the Council's data protection policy.
If contacting Clackmannanshire Council, please be careful not to include any sensitive or confidential information; the enquiry facility is for general enquiries only. Please call our contact centre (01259 450000)to speak to someone in person.


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FDA to revise nutrition facts on food packages
The FDA says knowledge about nutrition has evolved over the last 20 years, and food labels need to reflect that.
Those nutrition labels on the back of food packages may soon become easier to read.
As the agency considers revisions, nutritionists and other health experts have their own wish list of desired changes.
The number of calories should be more prominent, the agency says, and the amount of added sugar and percentage of whole wheat in the food should be included. They also want more clarity on how serving sizes are defined.
"There's a feeling that nutrition labels haven't been as effective as they should be," says Michael Jacobson of the Center for Science in the Public Interest.
"When you look at the label, there are roughly two dozen numbers of substances that people aren't intuitively familiar with."
For example, Michael Jacobson says, most of the nutrients are listed in grams, the metric system's basic unit of mass. He says people don't really understand what a gram is.
Michael Taylor, the FDA's deputy commissioner for foods, says 20 years ago "there was a big focus on fat, and fat undifferentiated". Since then, health providers have focused more on calories and warned people away from saturated and trans fats more than all fats. Trans fats were separated out on the label in 2006.
The nutrition facts label "is now 20 years old, the food environment has changed and our dietary guidance has changed," says Michael Taylor, who was at the agency in the early 1990s when the FDA first introduced the label at the behest of Congress.
"It's important to keep this updated so what is iconic doesn't become a relic."
The FDA has sent guidelines for the new labels to the White House, but Michael Taylor would not estimate when they might be released. The FDA has been working on the issue for a decade, he said.
There's evidence that more people are reading the labels in recent years.
According to an Agriculture Department study released this month, a greater percentage of adults reported using the nutrition facts panel and other claims on food packages "always or most of the time" in 2009 and 2010 compared with two years earlier.
The USDA study said 42% of working adults used the panel always or most of the time in 2009 and 2010, while older adults used it 57% of the time during that period.
One expected change in the label is to make the calorie listing more prominent, and Regina Hildwine of the Grocery Manufacturers Association said that could be useful to consumers. Her group represents the nation's largest food companies.
Regina Hildwine said FDA also has suggested that it may be appropriate to remove the "calories from fat" declaration on the label.
It's not yet clear what other changes the FDA could decide on. Nutrition advocates are hoping the agency adds a line for sugars and syrups that are not naturally occurring in foods and drinks and are added when they are processed or prepared. Right now, some sugars are listed separately among the ingredients and some are not.
It may be difficult for the FDA to figure out how to calculate added sugars, however. Food manufacturers are adding naturally occurring sugars to their products so they can label them as natural – but the nutrition content is no different.
Other suggestions from health advocates:
— Add the percentage of whole wheat to the label. Many manufacturers will label products "whole wheat" when there is really only a small percentage of it in the food.
— Clearer measurements. Michael Jacobson of CSPI and others have suggested that the FDA use teaspoons instead of grams on the label, since consumers can envision a teaspoon.
— Serving sizes that make sense. There's no easy answer, but health experts say that single-size servings that are clearly meant to be eaten in one sitting will often list two or three servings on the label, making the calorie and other nutrient information deceptive. FDA said last year that it may add another column to the labels, listing nutrition information per serving and per container. The agency may also adjust recommended serving sizes for some foods.
— Package-front labeling. Beyond the panel on the back, nutrition experts have pushed for labels on the package front for certain nutrients so consumers can see them more easily. The FDA said several years ago it would issue guidelines for front of pack labeling, but later said it would hold off to see if the industry could create its own labels.


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Nail wraps, Nail Polish Strips, Nail Stickers, Nail lacquer strips. Its the same product.
Easy application.
No heat or tools are required.
Safe and nontoxic.
They last up to 14 days (Clearcoat of Nail polish recommended for a long-lasting manicure)
-First Wash your hands to remove dirt, grease, etc.
- Wipe your nails with alcohol, wait 15 min for your nails to get completely dry.
- Choose the right size, same or smaller than your nail bed.
- Avoid applying on the cuticle or skin.
- File the excess in a downward motion.
-Apply right before bedtime or avoid getting your hands wet for 2-3 hours.
- Apply your clear coat of nail polish to protect this beautiful nail art and you are ready to go!
-You can also reapply a clear coat of nail polish every 2-3 days for a long-lasting manicure or as needed.


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Triggers when a new message sent.
Integrating Mandrill with other applications and services can greatly benefit businesses by streamlining workflows, automating tasks, and improving customer experience. With Mandrill integrations, businesses can save time and resources by eliminating manual data entry and other repetitive tasks, while also enhancing data accuracy and security.
Appy Pie Automate is an AI-driven integration platform that makes it easy for businesses to automate their workflows by connecting their favorite apps and services. With Appy Pie Automate, businesses can integrate Mandrill with other apps to automate tasks such as creating new contacts, updating customer records, sending notifications, and more. By leveraging the power of Appy Pie Automate, businesses can optimize their operations and focus on growing their business, rather than wasting time on tedious manual tasks.
Here are Some of the key Benefits of Integrating Mandrill with Appy Pie Automate:
Benefits | Description |
Increased Efficiency | Integrating Mandrill with Appy Pie Automate powered by AI can help businesses automate their workflows, reducing the need for manual data entry and saving time. With Appy Pie Automate, businesses can set up triggers and actions to automatically move data between Mandrill and other applications, eliminating the need for manual intervention. |
Improved Customer Experience | By integrating Mandrill with Appy Pie Automate powered by AI, businesses can provide customers with a seamless experience. Appy Pie Automate allows businesses to customize forms and create automated notifications, providing customers with real-time updates. This enhances customer trust and satisfaction, which can lead to increased repeat business. |
Enhanced Data Accuracy and Security | Appy Pie Automate powered by AI ensures that data is accurately and securely transferred between Mandrill and other applications, reducing the risk of data errors or security breaches. Appy Pie Automate uses state-of-the-art security protocols to protect customer data and prevent unauthorized access, ensuring that businesses can confidently integrate Mandrill with their other applications. |
Increased Sales and Revenue | By integrating Mandrill with other applications through Appy Pie Automate powered by AI, businesses can increase sales and revenue. Appy Pie Automate allows businesses to automatically process and track payments, manage customer data, and generate reports on transactions. This helps businesses gain valuable insights into their customer behavior and payment trends, which they can use to optimize their business operations and increase their revenue. |
Simplified Workflow Management | Appy Pie Automate powered by AI simplifies workflow management by allowing businesses to automate their workflows. Businesses can set up custom triggers and actions to move data between Mandrill and other applications, reducing the need for manual data entry and streamlining business operations. This can help businesses save time and reduce errors, improving overall productivity and efficiency. |
Here are some powerful features of integrating Mandrill with Appy Pie Automate:
Features | Description |
Streamlined workflows | With Appy Pie Automate, you can create custom workflows that streamline your business processes. This helps you save time and improve efficiency by automating manual tasks. |
Multi-platform integration | Appy Pie Automate supports integration with a wide range of popular platforms, including Salesforce, HubSpot, Trello, Slack, and many more. This helps you create an integrated ecosystem that works best for your specific needs. |
Real-Time Data Sync | Appy Pie Automate allows you to sync your data in real-time between Mandrill and other platforms. This helps you stay updated and ensure that you have the latest information available. |
Custom triggers and actions | Appy Pie Automate provides custom triggers and actions that enable you to create custom workflows based on your specific requirements. This helps you optimize your workflows and improve overall efficiency. |
Data analytics and reporting | Appy Pie Automate provides powerful data analytics and reporting tools that enable you to track data and customer behavior. This helps you identify trends, optimize your workflows, and improve overall customer satisfaction. |
AI-driven automation | Appy Pie Automate is an AI-driven integration platform that enables you to automate your workflows using advanced AI technologies. This helps you save time and effort and ensures that your processes are accurate and efficient. With Appy Pie Automate's AI-powered algorithms, you can make data-driven decisions that improve your business operations and increase profitability. |
AI-enhanced marketing automation | With Appy Pie Automate, you can automate your marketing processes and leverage AI-powered tools to optimize your campaigns. This helps you increase engagement, improve ROI, and drive more conversions. |
With these powerful features, integrating Mandrill with Appy Pie Automate can help you take your business to the next level.
Here are Some Best Practices for Integrating Mandrill with Appy Pie Automate:
Helps you choose the right integrations
Customizes integrations to meet business needs
Avoids errors or issues that could impact business
Ensures integrations work as expected
Protects data during integration
Offers a range of security features to choose from
Identifies issues or opportunities for optimization
Helps track workflows with real-time reporting and analytics
Adapts integrations to latest app features and updates
Gets the most out of workflows
Here is a Case Study about How Appy Pie Automate has Helped a Business:
Integration Type | Description | Results |
E-commerce Integration | A successful e-commerce business used Mandrill to integrate their online store with various payment gateways, streamlining their payment process and reducing cart abandonment rates. | The business saw a significant increase in revenue and customer satisfaction. |
Non-Profit Integration | A non-profit organization used Mandrill to integrate their donation process with various payment gateways, making it easier for donors to contribute and for the organization to track and manage donations. | The organization saw a significant increase in donations and a more streamlined donation process overall. |
Subscription Service Integration | A subscription-based service used Mandrill to automate their billing process and integrate with various payment gateways, reducing administrative overhead and improving cash flow. | The business saw a more efficient billing process overall. |
Freelancer Integration | A freelancer used Mandrill to integrate their invoicing process with various payment gateways, simplifying payment collection and reducing the time spent on administrative tasks. | The freelancer saw improved cash flow and more time to focus on client work. |
Here are Some Examples of Users Who may be Eligible to Use Mandrill Apps:
This is just a selection of industries that can benefit from using Mandrill apps. However, any business or organization that needs to manage their specific workflows and processes can use Mandrill to achieve their goals.
Integrating Mandrill with Appy Pie Automate, an AI-driven integration platform, is a great way to improve the convenience, security, and reliability of your Mandrill integration. There are a number of ways to integrate Mandrill with your systems and applications using Appy Pie Automate, so you can choose the method that best meets your needs.


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Tag Archives: Hardware
The Best Ways I've Found To Make Money Online From Home
Have you been looking for a way to make money online without having to know much of the internet stuff? Wanting to work at home but don't know how to do it? Here is the key gem: Between all the … Continue reading


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Kunena Forum - Team credits
Kunena® Forum is an open source project that requires the dedication and investment of personal time from various contributors. This version has been made possible by the following contributors :
- Florian Dal Fitto
- Development
- Jelle Kok
- Development and Design
- Richard Binder
- Forum Moderation and Testing
- Matias Griese
- Development
- Oliver Ratzesberger
- Founder
- Donate:
The Kunena Team would like to thank the community for its help and support. We also appreciate the hard work of everyone who have translated Kunena into many other languages. In addition we would like to thank many members of www.kunena.org, past and present, who have contributed and helped make this a more stable and bugfree version.
To return to the forum click here


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text: By Jon Smith on 2015-10-24 - Jon is a senior motoring journalist with a background writing for weekly/provincial daily and national newspapers and magazines. He has held executive news and features positions in Fleet Street and evening titles. Former Pirelli Motoring Writer of the Year winner. Currently specialising in product launches, safety issues, car tests and future motoring trends.


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Bergen 1431 Peach Grey Transitional Medallion Patterned Rug
Bergen 1431 Peach Grey Transitional Medallion Patterned Rug Details:
- Beautiful Aztec inspired design featuring warm, soft peach tones on a cool grey background
- Each design in this range features a stunning vintage faded effect, blending old world charm and modern tones to suit a wide range of interior styles
- Non shedding, stain resistant and easy to clean - great for long term low maintenance, and perfect for kids, toddlers and pets.
- Durable for great longevity
- Origin: Turkey
- Material: Polypropylene
- Pile Height: 10mm
- Style: Transitional
- Sizes (cm): 230 x 160, 290 x 200, 330 x 240, 400 x 300
- Also available in Round and Runner sizes.
- Construction: Power-loomed
Imagine the soothing Bergen 1431 Peach Grey Transitional Medallion Patterned Rug being the new centrepiece of your home or office. The silky soft, cushioned feel of this luxurious rug will add an unmistakable sense of sophistication and comfort to your floors!
This timeless rug has been expertly power loomed in Turkey to the highest standards, is easy maintenance, and is designed to last. It features a stunning, classic antique design in well balanced modern tones, in a silky soft, plush, non-shedding, ultra dense, polypropylene pile, for an amazing, luxurious feel under foot.
This transitional rug, with its elegant patterns, will add long lasting comfort and warmth to your floors and create a rich ambiance in any room.
Breathe new life into your home or office today with this beautiful, durable and low maintenance transitional rug.
Consider a Rug Pad: We strongly recommend that an anti-slip rug pad is used underneath our rugs to help keep your rug in place (minimising movement of your rug will help to extend it's life), prevent slippage between the rug and the surface it is placed on, and also to add an extra layer of comfort and insulation. Click here to view our range of rug pads.
Please Note: This item cannot be delivered to a PO Box, only to a street address.
Please Note: Allow for a slight variation of colours depending on monitor settings.
• As you are no doubt aware, both here in Australia and across the world, we are continuing to manage the impact of the COVID-19 Coronavirus on our lives.
Delivery times will vary, but the following table provides an estimate of delivery times throughout Australia from time of dispatch:
Shipping Destination | Delivery Time |
Sydney, Canberra | 1-2 working days |
Brisbane, Gold Coast, Sunshine Coast, Melbourne | 3-4 working days |
Adelaide, Perth, Hobart, Darwin | 4-6 working days |
Regional areas of all states | 6-10 working days |
• Tracking information for your order will be emailed to you as early as possible following your order. All orders are shipped from Sydney, Australia.
• Shipping is free for orders above $99 to Capital Cities and Major Regional areas. For orders below $99, a flat rate of $19.95 applies.
• We ship to most locations within Australia only. As couriers are used to dispatch our rugs, we are unable to send orders to P.O.Boxes. We can send our rugs to street addresses only (houses, units, townhouses, villas, company buildings etc).
• If you are in a more remote area, extra shipping fees may apply or we may not be able to send your order. If this is the case, you will be contacted after your order with a quote to deliver, or to notify you that we are not able to ship to your area.
If we are not able to ship to your location and an alternative delivery address cannot be provided, we will provide a full refund for your order.
• If you are unable to attend when your rug is delivered, please let us know if you would like the courier to leave your rug in a safe location at your property when you place your order (leave a note on the cart page where instructed). Please note doing this is at the customer's risk and Rugs Of Beauty will not be held responsible for the loss of any items that are delivered in the customer's absence.
Returns at Rugs Of Beauty are simple and easy. We understand that you need to see how a rug looks in your home or office. That's ok!
To return an item, please contact us at email@example.com within 7 days of receiving your rug.
When you receive a rug from Rugs Of Beauty, we allow the following actions to be taken:
- You may remove the rug from the packaging, and place it in the area you would like it to be in your home or office. Please ensure that the rug is not marked in any way, as you will not receive a refund for your rug if you choose to return it and it is marked. Examples of this include marks from pens, crayons or furniture. We strongly advise to not place any furniture on the rug, if you are considering returning it.
- When you open your rug, do so in a way that keeps the packaging intact, so that you can reuse the packaging if you would like to return your rug.
- If you are not happy with the rug, and it is still in the condition you received it in, you may return the rug within 7 days of receiving it.
- Roll the rug up tightly in preparation for packaging, in the same way you received it.
- Please ensure the rug is well packaged in the packaging you received it in.
We will arrange a courier pick up for a flat fee of $29.95 plus a 10% restocking fee (per item you are returning), and we will email you a consignment slip to print and attach to the items you wish to return.
As an example, if you wish to return a rug that you purchased from us for $500, the total returns fee would be $79.95 ($29.95 plus $10% restocking fee of $50).
If 7 days have gone by since you received your purchase, unfortunately we can't offer you a refund or exchange.
We reserve the right to refuse returns if the rug you return is not returned in the condition you received it in.
In the following situations, refunds will not be granted:
• Any item received back not in its original condition, damaged or missing parts for reasons not due to our error
• You contact us regarding a return more than 7 days after you received your order
Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. We will also notify you of the approval or rejection of your return.
If your return is approved, then your refund will be processed, and a credit will automatically be applied to the method of payment you used for your order, within 10 business days (less our standard returns fee of $29.95 per item plus a 10% restocking fee).
Late or missing refunds:
If you have not received a refund yet, first check the account your payment was refunded to, depending on the payment method used for your order.
There is often some processing time before a refund is completed.
If you have done this for a few days after you have been notified by Rugs Of Beauty that your refund has been processed and you still have not received your refund yet, please contact us at firstname.lastname@example.com.
Unfortunately we are not able to offer returns on custom orders (non-standard sized rugs).
Faulty items:
We only replace items if they are defective or damaged. If you need to exchange it for the same item, send us an email at email@example.com and we will organise a replacement item for you.
If the item was marked as a gift when purchased and shipped directly to you, you will receive a gift credit for the value of your return once the returned item is received.
If the item was not marked as a gift when purchased, or the gift giver had the order shipped to themselves to give to you later, we will send a refund to the gift giver.
Updated 05 February 2020


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Agnete Hoy (sometimes called Anita) was born in 1914. She studied at Copenhagen College of Arts and Crafts from 1933 to 1936. In 1939 she came to the United Kingdom for a holiday, but due to the outbreak of World War II, was unable to return. She remained in Britain until her death.
Much of her work was as a designer/potter for companies such as Bullers and Doulton.
Bullers Ltd operated from 1937 to the mid-1950s near Hanley, Staffordshire.
They chiefly manufactured industrial pottery, but also decorative wares. Anne Potts, James Rushton and Agnete Hoy were among their designers.


text:
Apache HTTP Server Version 2.0
Description: | Logging of input and output bytes per request |
Status: | Extension |
Module Identifier: | logio_module |
Source File: | mod_logio.c |
This module provides the logging of input and output number of bytes received/sent per request. The numbers reflect the actual bytes as received on the network, which then takes into account the headers and bodies of requests and responses. The counting is done before SSL/TLS on input and after SSL/TLS on output, so the numbers will correctly reflect any changes made by encryption.
This module requires mod_log_config
This module provides no directives.
This modules adds two new logging directives. The characteristics of the
request itself are logged by placing "%
" directives in
the format string, which are replaced in the log file by the values as
Format String | Description |
Bytes received, including request and headers, cannot be zero. |
Bytes sent, including headers, cannot be zero. |
Usually, the functionality is used like this:
"%h %l %u %t \"%r\" %>s %b \"%{Referer}i\"
\"%{User-agent}i\" %I %O"


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No calendar category or sport filters have been selected. To view events you must tick at least one category or sport filter. Close
No school filters have been selected. To view events you must tick at least one school. Close
Android users:
You must add the calendar to the Google account assigned to your Android devic:
Option 1
Synchronize the current calendar view based on the selected filters with your personal calendar.
No calendar filters have been selected so the filtered sync will not return any events. Close this pop up and select your filters before synchronising a filtered view.
Synchronize Filtered Calendar
Option 2
Synchronize the entire school calendar with your personal calendar.
Synchronize Entire Calendar


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Diplomat, activist and First Lady Eleanor Roosevelt once said, "Since you get more joy out of giving joy to others, you should put a good deal of thought into the happiness that you are able to give." If you strive to live an altruistic lifestyle, you should spend a significant portion of your time committed to the wellbeing of others.
This commitment doesn't always have to be a grand gesture, like organizing a fundraiser or volunteering hours on end. Instead, living an altruistic lifestyle simply means bringing joy to others in your life. Whether they're your closest family or a complete stranger, there are lots of simple ways to bring joy to others every single day. So, we came up with 10.
1. Smile.
One of the easiest ways to bring others joy is simply by smiling at them. When we see others show us a genuine, kind smile, we feel relaxed and energized, and want to smile back. Smiles naturally bring out happiness in us, so why not spread some cheer with your smile?
2. Give a compliment.
When was the last time you received a genuine compliment? When was the last time that compliment was from a stranger? Make an effort to give true compliments to people you come in contact with, whether it's remarking on someone's shoes, or applauding their intelligence.
3. Remember your manners.
Sometimes the simplest things we can do to bring others joy is remembering our manners from when we were children. Be sure to say please, thank you, hold doors open, etc. Showing a little manners here and there goes a long way in making others feel valued.
4. Do the dirty work.
If you've ever worked with a group of people, you know that sometimes there are those "dirty jobs" which no one wants to do—for instance, the dishes. Bring others joy and show them you care by doing the necessary dirty work with a smile.
5. Help someone out.
Whether it's your best friend, your neighbor or a total stranger, bring others joy by helping them out. Ask how you can help improve their day; or, look for ways they might need help, but don't feel comfortable asking. Make a conscious effort to consistently support others in need.
6. Write a thank you note.
Of course, when someone helps you, write a thank you note. Nowadays, genuine, handwritten thank you notes are few and far between. Show someone how much they mean to you by writing, stamping and sending a real, handwritten thank you note.
7. Be kind online.
The Internet in particular can be an especially joyless place. Instead, make an effort to be kind online, and share joyful, inspiring messages with your followers. Avoid negative comments and posts, and choose to flood friends' feeds with positivity in the world.
8. Spend time with someone.
Many people experience love through quality time with another. Show people in your life how much they mean to you by spending time with them. Whether you take your child to a museum or visit your grandparent, spending time with others is the perfect way to bring them joy.
9. Volunteer your time.
If you truly want to help make an impact on strangers around you, find a cause or organization you care about that you can get involved with. Volunteer your time, talents and energy to help make a difference and bring joy to others in your community.
10. Donate a gift.
Finally, if you have the means, consider donating a financial gift to a nonprofit organization that's important to you. Financial gifts make a genuine difference for others who need valuable services, so you can be confident that your gift brings joys to those around you.
If you strive to live an altruistic lifestyle, there are lots of ways you can bring joy to others around you. Give some of these a try and look for more ways you can brighten people's days.


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With 20 days left for people to sign up for private health coverage under the Affordable Care Act, the number of people who have completed that task rose to 4.2 million through the end of February, the Obama administration reports.
While the 943,000 people who signed up in February through the federal HealthCare.gov site or a state health exchange is slightly less than the original February projection of about 1.3 million, the exchanges have mostly put behind them their very sorry starts, when enrollments were often counted in the tens or hundreds.
"What we're finding is that as more Americans learn just how affordable marketplace insurance can be, more are signing up to get covered," Health and Human Services Secretary Kathleen Sebelius said in a media briefing.
Now concern seems to be focused on whether the various health plans will have enough healthy people in their mix of customers to keep premiums stable. And that has everyone looking at the percentage of younger enrollees, particularly those between ages 18 and 34. On average, young people have lower health care costs than older people.
February's numbers looked OK, but not great when gauged that way. Of those signing up for insurance last month, 27 percent were in that coveted young adult demographic. That was up 3 percentage points from the first three months of open enrollment, but the same as January.
As a result, the percentage of young adults who have enrolled in insurance through the exchanges since they opened Oct. 1 remains at 25 percent.
Women are more numerous in the exchanges than men — 55 percent and 45 percent respectively. Some analysts have suggested that could pose a problem, since women tend to use more health care services.
The most popular type of plan remains the silver one, the second lowest of the four tiers defined by the law. The plan's popularity isn't surprising, because coverage is linked to full cost-sharing subsidies for those with incomes under 250 percent of the federal poverty line.
The administration has stepped up its outreach to young people. President Obama even went between the ferns with comedian Zach Galifianakis on FunnyorDie.com to talk about health insurance. "I think it's fair to say I wouldn't be here today if I didn't have something to plug," the president says. "Have you heard of the Affordable Care Act?"
Evidently a lot more people have now. White House health spokeswoman Tara McGuinness tweeted Tuesday afternoon that "FunnyorDie.com is the #1 source of referrals to HealthCare.govright now." About 19,000 people who watched the video went to HealthCare.gov, the White House said.
Copyright 2021 NPR. To see more, visit https://www.npr.org.