text:
What a difference a few months can make, especially at a football club. Newcastle United fans endured a turbulent pre-season, as they saw the heart and soul of their team leaving for pastures new with Kevin Nolan and Joey Barton making their way to London and José Enrique joining his former colleague Andy Carroll at Liverpool.
The departing players wasted little time in putting the boot into their former club, which might be expected, but this exodus did seem to undermine the authority of manager Alan Pardew, who had firmly stated that they would all stay. Pardew himself still had a lot to prove to the Geordie faithful, as his track record at former clubs had provided little support for his abundant self-confidence.
Above all, the rotund figure of Mike Ashley loomed large in the background with his almost unparalleled ability to alienate supporters with a series of embarrassing gaffes and his seeming unwillingness to hand Pardew much of the £35 million received for Carroll.
That was then, this is now. The Toon army has had much to celebrate in a season that has seen their team restore the pride in the shirt. Playing some thoughtful, attractive football, Newcastle currently lie sixth in the Premier League with a genuine chance of qualifying for Europe.
"Pardew - Fade to Grey"
Pardew's appointment now appears remarkably astute, even though there is still much sympathy for his unfortunate predecessor, Chris Hughton, while there is an increasing belief that selling some of the club's more experienced players has strengthened the harmony in the dressing room and actually helped to improve the team's style.
In truth, Newcastle have been on the road to recovery ever since they secured promotion from the Championship two years ago, when they bounced back after just one season in the lower tier.
There is little doubt that Ashley played a major part in Newcastle's relegation after 16 consecutive seasons in the top flight, even though the club enjoyed one of the highest budgets in the Premier League, as he was responsible for a series of frankly baffling managerial appointments, starting with the overly sentimental choice of Kevin Keegan, followed by Joe Kinnear, who had been out of the game for four years, and culminating in local hero, Alan Shearer, who won only once in eight games after leaping off the Match of the Day sofa.
However, he was also the man who bankrolled the largest wage bill in the Championship, despite the club's revenue nearly halving. Although many players left during the summer of 2009, the club retained the vast proportion of its squad and strengthened it further in the January 2010 transfer window. So, although Newcastle's demotion had largely been a mess caused by Ashley, at least he helped to clear it up, as his willingness to fund a Premier League wage bill in the Championship clearly gave the club the best chance of being promoted. Ashley is known as a man who likes a bet and in this case his gamble paid off.
"Coloccini - Songs from the big hair"
Since Ashley bought the club in June 2007, Newcastle supporters have become all too aware of the owner's habit of shooting himself in the foot. Even his right-hand man Llambias admitted, "We were naïve and we made mistakes." Ashley's initial attempts to ingratiate himself with the fans by stuffing himself into a replica shirt came across as cringe-inducing, rather than endearing, while his recruitment of the "Cockney mafia", including the taxi drivers' friend Dennis Wise, angered people, not so much because of their origins, but the fact that they had virtually no experience of running a football club.
Other less than brilliant ideas included putting the club up for sale on its website, inviting bidders to send applications to an e-mail address (yes, really), and deciding to rename the splendid St. James' Park the Sports Direct Arena, after Ashley's own cheap and nasty retail chain.
All that said, a large slice of credit is due to Ashley for saving the club and putting its house in order, as he inherited a business drowning in debt, limited borrowing capacity and a bloated wage bill. The former ownership's excesses, memorably epitomised by Douglas Hall and Freddy Shepherd being caught bad-mouthing the fans in a seedy Spanish bar, may have featured some exciting moments, but it also resulted in deeply worrying losses. That man Llambias again, "If Mike had not come in at that time, the club would have been in dire, dire trouble. It would have been another Portsmouth, maybe worse, because it is such a big club."
"Cabaye - French connection"
Although things got worse before they got better, it could be argued that relegation was the slap in the face that Newcastle needed for them to get to grips with their myriad issues off the pitch. Not only did their stint in the Championship boost the club's morale, as the team once again acquired the winning habit, but more importantly it forced the club to address its financial problems – and also lowered expectations to a more reasonable level.
Indeed, last season's twelfth place in the Premier League, followed by this season's improvement, represents the sort of steady progress that is just what a company doctor would have ordered. This is all the more impressive, as it has been achieved within a sensible budget, so that the club's finances now look a great deal healthier. Years of hefty losses have been converted into a substantial profit, while the wage bill has been slashed and debt is under control. To paraphrase the Rolling Stones, Ashley saw a club's balance sheet covered in red ink and painted it black.
The club clearly outlined its self-financing strategy when it published a mission statement that talked of no longer financing losses by increasing debt year after year. It referenced a "five-year plan to get Newcastle United on a sound financial footing", which by and large they have succeeded in doing, though presumably relegation was not part of the original strategy.
"Tioté - sound Cheick"
This meant adopting a very different approach in the transfer market, making sensible signings of young, hungry players, as opposed to over-paid stars just going through the motions. As the statement put it, "the days of Newcastle United acquiring trophy signings who command huge salaries for past successes on the pitch are over", which some may take as a veiled reference to Michael Owen. Instead, "the focus now is to bring in players who can develop and fulfil their potential at Newcastle."
Moreover, this has to be managed within budget, as Llambias explained, "We have to recruit what we can afford." This is a laudable objective, but will only succeed if the club has a good scouting network. Fortunately, under the auspices of chief scout Graham Carr, this seems to be the case, as they have made a number of shrewd purchases for relatively modest fees, doing particularly well in the French market, where their bargain signings include the dynamic central midfield partnership of Cheick Tioté and Yohan Cabaye. These players have arrived with a point to prove and appear to be hungrier than their high-earning predecessors.
Such a policy of doing business "on the cheap" does not necessarily mean a reduction in quality. The best example is probably Senegalese striker Demba Ba, who has scored an impressive 16 goals since he arrived on a free transfer in the summer. Not bad, especially considering that he cost £35 million less than Andy Carroll, the man he effectively replaced.
"When I was Krul"
This is part of a newfound realism at Newcastle, as Pardew colourfully explained, "Mike has made it quite clear this club needs to wipe its nose. We can't invest above our income. We can't compete with Manchester City." Llambias went further, "We are punching above our weight at the moment, but now it's a case of pushing forward. This season we targeted tenth or above. Next season it was going to be eighth - it still is."
This is very different from the previous regime urging the "Geordie nation" forward, while they risked the club's future. As the great Elvis Costello once said, "Clowntime is over." For so long the poster boy of inept mismanagement, Newcastle United are now a great example of how you don't have to break the bank to be successful.
So Newcastle have made great strides financially, but how has this happened and what does it mean exactly? Let's take a look at the key questions arising from their journey.
1. How profitable is the club?
After many years of hefty losses, Newcastle reported an impressive £32.6 million profit before tax in 2010/11, compared to a loss of £17.1 million the previous season, which represents an improvement of nearly £50 million year-on-year. Within that figure, the operating loss was significantly reduced from £33.5 million to just £3.9 million, a huge turnaround.
This comprised a cash profit (or EBITDA – Earnings Before Interest, Taxation, Depreciation and Amortisation) of £16.2 million less £20.1 million of non-cash flow expenses (player amortisation £13.5 million, impairment of player values £3.7 million and depreciation £2.9 million).
Revenue grew by £36 million (69%), while costs only increased slightly by £1.2 million (2%), as the £6 million rise in the wage bill to £54 million was largely covered by a £5 million reduction in other expenses.
The bottom line was then boosted by a substantial profit on player sales of £37 million, £21 million higher than the previous season, mainly due to Carroll's barely credible £35 million transfer to Liverpool.
To place this achievement into context, the last time that Newcastle made a profit was back in 2005 – and that was a very small one of £0.6 million. In the following five years, the club made combined losses of around £100 million: 2006 £12 million, 2007 £34 million, 2008 £20 million in 2008, 2009 £15 million and 2010 £17 million. In other words, Newcastle had been very obviously living beyond their means.
In fairness, last season's loss in the Championship actually showed the first signs of improvement, as it was around the same level as the deficit in the Premier League, despite a massive (£34 million) drop in revenue, thanks to the determined actions the club took with their wage bill.
2. Are they self-financing yet?
Although the overall profit of £32.6 million is a notable performance, it is evident that this is largely due to the sale of Carroll. Excluding the £36.7 million profit on player sales, the club would have made a loss of £4.1 million. Newcastle's reliance on player sales is nothing new, as they have made £86 million profits from this activity in the last four years, including £10.8 million in 2008 (mainly Kieron Dyer), £23.4 million in 2009 (James Milner, Shay Given, Charles N'Zogbia and Emre) and £15.4 million in 2010 (Sebastien Bassong, Obafemi Martins and Damien Duff).
However, the big difference in 2011 is that Newcastle very nearly broke-even without the benefit of player sales. Llambias was justly proud of this feat, "The club's financial results for the year end-June 2011 are extremely strong. We can now count ourselves amongst very few clubs across the UK and Europe who are operating close to break-even."
This is very different to previous years when profit on player sales was nowhere near enough to cover large operating losses. In the four years up to 2010, the annual "clean" loss (excluding player sales and exceptional items) was between £27 million to £35 million, which was a recipe for disaster.
By far the largest reason for these exceptional charges was the severance payments made to departing managers, including Graeme Souness, Glenn Roeder, Sam Allardyce and Keegan, which amounted to a staggering £14 million between 2006 and 2009. Not only did this hire-and-fire policy disrupt the club on the pitch, but it also damaged it financially.
It should also be noted that the £34.2 million loss in 2007 (the last financial year of the old board) would have been even higher without the benefit of £6.7 million of compensation received following Michael Owen's injury at the 2006 World Cup. Otherwise, it would have been a shocking £41 million, including a £2 million loss on player sales.
3. How does the profit compare to other clubs?
If another statistic were needed to emphasise how well Newcastle are doing financially, try this for size: they made more money than any other club in the Premier League last season with their profit of £32.6 million. This was ahead of the cash machine known as Manchester United (£30 million), the low spending Blackpool (£21 million) and the widely admired Arsenal (£15 million).
Three clubs (Liverpool, Sunderland and Birmingham City) have still to publish their accounts for 2010/11, but there is no chance of them emulating Newcastle's performance.
Although more clubs were profitable last season (eight of the 17 to report in 2010/11, as opposed to four out of 20 in 2009/10), Newcastle's figures are particularly impressive if you consider that Aston Villa, a club with similar aspirations, made a gigantic loss of £54 million last season.
4. What difference has Ashley really made to the club's profit?
Before we go overboard about the impact Ashley has made on the club's business, it is worth making a comparison to the situation before he arrived. On first glance, this looks like an amazing transformation, as he has converted the 2007 loss of £34.2 million to a thumping great profit of £32.6 million, delivering an improvement of around £67 million.
Not bad at all, but this is mainly due to two factors: (a) profit on player sales is £39 million higher; (b) he has cut costs by £27 million after reducing operating expenses by £12 million, player amortisation (including impairment) by £9 million and interest payable by £6 million.
This is all highly laudable, but what he has not managed to do is to grow revenue. In fact, the 2011 revenue of £88.5 million is only £1.4 million (2%) higher than the £87.1 million generated in 2007, despite the higher Premier League TV deal. Both match day and commercial revenue have declined, the former partly due to 2007 being boosted by a good run in the UEFA Cup. In fairness, much of the fall in commercial income was due to outsourcing the club's catering operations in 2009, which also lowered costs, but the underlying performance is still not that good – it was described as "relatively flat" last season.
5. But didn't the revenue grow substantially last season?
It is true that revenue grew by almost 70% in 2010/11 from £52.4 million to £88.5 million, but this was almost entirely due to promotion to the Premier League, where TV revenue is significantly higher than the Championship (even with parachute payments). In other words, this only meant a return to much the same level of revenue as 2008/09, the last season in the top flight, when Newcastle earned £86.1 million.
Newcastle have become increasingly reliant on TV revenue, which has risen from 30% of total turnover in 2007 to 55% in 2011. This might sound like it's on the high side, but most other clubs in the Premier League are even more dependant, e.g. Blackburn Rovers and Bolton Wanderers earn about three-quarters of their money from TV, while an astonishing 88% of Wigan Athletic's revenue comes from this source.
6. So is Newcastle's revenue good or bad?
On the one hand, Newcastle have little to complain about, as they enjoy the eighth highest revenue in England, around the same level as Aston Villa. In fact, their turnover of £88.5 million is actually the 25th largest in Europe, just ahead of clubs like Ajax and VfB Stuttgart.
On the other hand, they are still a long way behind the six leading English clubs. This season's thrilling 3-0 victory against Manchester United is all the more impressive when you consider that the Reds earn almost four times as much with £331 million. Similarly, Arsenal (£227 million) and Chelsea (£226 million) have around £140 million more than Newcastle, while Tottenham (£164 million) and Manchester City (£153 million) generate nearly twice as much.
The fact that the traditional "Sky Four" are so far ahead in terms of revenue may not be too surprising, but it is concerning that there is such a big gap to Spurs and City, especially as they have been rapidly growing their revenue, while Newcastle have effectively been running to stand still. For example, in 2007 Newcastle's revenue of £87 million was only £16 million less than Spurs, but they are now £75 million behind. The Geordies were actually £30 million ahead of City in 2007, compared to the current £65 million deficit.
For Newcastle to still be competitive at the upper levels of the Premier League with a much smaller budget is worth of admiration, but it will make it hard to repeat this feat on a consistent basis, unless they can somehow grow their revenue. As Pardew explained, "The problem is that where we are financially means it's hard to fulfil the expectations of fans who a few years ago watched European football here." That said, their resources should be sufficient to keep them in the top ten.
7. What are the implications of finishing higher in the Premier League?
The distribution methodology for TV revenue in the Premier League is fairly equitable, so there would not be an enormous difference if Newcastle climbed up the table, though the additional money would still be worthwhile.
The lion's share of the money is allocated equally to each club, which means 50% of the domestic rights (£13.8 million in 2010/11) and 100% of the overseas rights (£17.9 million). However, merit payments (25% of domestic rights) are worth £757,000 per place in the league table, so if Newcastle were to finish in their current sixth position, i.e. six places higher than last season, that would give them £4.8 million additional revenue.
Finally, facility fees (25% of domestic rights) depend on how many times each club is broadcast live, which has traditionally benefited Newcastle, as the "great entertainers" tag lives on, so they were shown 16 times last season, the seventh highest in the division. This helped them to receive more TV money than two of the clubs that finished above them (Sunderland and WBA), while they earned nearly £3 million more from facility fees than eighth placed Fulham (£8.7 million vs. £5.8 million).
Total television revenue of £48.5 million was £32.4 million higher than the £16.1 million received in the Championship, which largely comprised a £12 million parachute payment, £2.5 million central distribution and a £1 million solidarity payment. This huge disparity demonstrates how important it was for Newcastle to get back to the top flight, not least because they will be hoping that the next three-year Premier League deal will again rise, as it did in 2007/08 and 2010/11, while the forthcoming Football League deal is for less money than before.
8. What would happen if Newcastle qualified for the Champions League?
The real game changer for English clubs (at the top end) is the money available to those that regularly play in the lucrative Champions League. Last season the four English clubs in Europe's flagship competition (Manchester United, Chelsea, Arsenal and Tottenham) received an average of £35 million, which makes a considerable difference to their budgets, but distorts the competitive balance for the likes of Newcastle. As Llambias said, "We would love to be in the Champions League, the extra £30 million would help us get where we would like to be."
The Europa League would provide some extra cash, but it pales into insignificance compared to the riches available in the Champions League, as can be seen by Liverpool and Manchester City only earning £5 million apiece in return for reaching the last 16, though it would mean additional gate receipts.
9. How important is the Toon Army to Newcastle's finances?
Newcastle's average attendance last season of 47,746 was the third best in England, only surpassed by Manchester United and Arsenal, and the 14th highest in Europe. The loyalty of the fan base was shown by the fact that their crowds were the fourth highest in England even when they played in the Championship. As the club's mission statement said, "This support is greatly appreciated and is the envy of many clubs up and down the country. It would be impressive in any year, but during a recession when personal finances are still so stretched, it is even more so."
However, the crowds have fallen from their peak, when they regularly averaged over 50,000. The decline first started in the relegation season and accelerated in the Championship, though they have improved since promotion.
10. What does this mean for match day revenue?
Although match day revenue increased from £20.9 million to £24.3 million following promotion, this has still fallen significantly from the peak of £35.3 million in 2005, partly due to the reduction in attendances, but also due to fewer home matches, e.g. in 2010/11 Newcastle staged only 20 games (19 Premier League and 1 Carling Cup), while there were 30 in 2004/05 (including 3 FA Cup, 2 Carling Cup and 6 UEFA Cup).
As a result of what the club described as "stadium utilisation of only 91%", they have initiated a number of ticket initiatives in an attempt to fill the ground, such as freezing the price of season tickets for 10 years (if bought now); allowing payment in 12 monthly instalments for the first time; increasing the size of the family enclosure to 7,500 (the largest in the Premier League); introducing a new section for supporters aged between 18 and 21 to ease the transition to full adult pricing; and offering half-price season tickets in October.
In addition, the prices of corporate boxes have been held level, as this category has been weak in recent years, falling from £6.7 million to £2.8 million after relegation and only climbing back to £4.2 million following promotion.
In fairness, Newcastle's match day revenue is still the seventh best in England, but it is a long way behind Manchester United £109 million, Arsenal £93 million, Chelsea £68 million, Tottenham £43 million and Liverpool £41 million.
11. Why is Ashley so keen on stadium naming rights?
Newcastle's commercial revenue of £15.8 million may be the eighth highest in the Premier League, but it is still low for a club of Newcastle's size and history. Any comparison with the likes of Manchester United £103 million and Liverpool £77 million may be somewhat spurious, but they should still be closer to Tottenham's £37 million.
This important revenue stream only rose 2% after promotion, hence the dry comment in the annual report that "it remains a potential growth area." There is certainly room to grow, but whether Newcastle can achieve their stated objective of expanding their brand internationally is more questionable. As Llambias pointed out, "Manchester United have 360 million fans, we have 3.5 million."
Nevertheless, they have had some success here. In January Virgin Money took over the shirt sponsorship from Northern Rock until the end of the 2013/14 season. Although financial details were not divulged, it is very likely that this is worth more, as Northern Rock's extended deal was worth only £2.5 million per annum (about half of the previous contract of £4.8 million), while some sections of the press announced that the Virgin agreement was worth up to £20 million in total, which would imply around £10 million a year. This seems on the high side, though Aston Villa have recently signed a new sponsor at £8 million. It has also been reported that Ashley has negotiated a "significant rise in revenue" for the two-year extension of the Puma kit deal until 2014.
In any case, these deals are still far below the leading shirt sponsorships with £20 million being earned by Liverpool from Standard Chartered, Manchester United from Aon and (reportedly) Manchester City from Etihad. A legitimate objective might be to emulate Tottenham's £12.5 million (£10 million Auresma plus £2.5 million Investec). It's a similar story with kit suppliers, as seen by the £25 million deals for Liverpool with Warrior Sports and Manchester United with Nike.
You might expect Newcastle to earn a great deal from the sale of replica shirts, but Llambias advised that the club's retail turnover was only £5 million, producing a miniscule profit of £100-200,000.
Hence, the desire to sell stadium naming rights, as Llambias explained, "We know the naming rights is contentious, but that income is something we need. It is such a passionate thing, but it's not about being disrespectful or taking away the tradition or the history of the club, it's about trying to get another Yohan Cabaye out there on the pitch."
That's all well and good, but Ashley has gone about this in a strange fashion, temporarily renaming the stadium the Sports Direct Arena in a clumsy attempt to "showcase the opportunity to interested parties." Apart from giving his company some free, albeit negative, publicity, there seems to be little logic behind this decision, as it does not bring in any additional revenue.
The only rationale that might conceivably make sense is that any future bidder might be looked upon more fondly after replacing the much maligned retail chain as sponsor. That said, the club's hope of securing £8-10 million a year looks optimistic, as naming rights are far less effective with existing stadiums and other clubs like Chelsea have struggled to attract sponsors at this level.
12. How have they managed to cut costs?
The club has cut costs across the board, but has been particularly effective at reducing the wage bill by £17 million from £71 million in 2009 to £54 million in 2011. It did rise £6 million from last season's £48 million, but this was to be expected following promotion from the Championship, especially as the headcount increased by 47 from 431 to 478 (20 in players and coaching staff, 24 in administration). Llambias said that the club had "worked hard to address an inherited wages to turnover ratio which was unsustainable." This was 83% in 2009, rising to 91% in the Championship, but is now down to a comfortable 61%.
In fact, Newcastle's wage bill of £54 million is only the 13th largest in the Premier League, so they have done much better than the figures would suggest this season, give the strong correlation between budget and playing success. This is in stark contrast to 2009, when Newcastle were relegated with the sixth highest wage bill, so massively under-performed.
Although new signings and contract extensions like those signed by Tioté, captain Fabricio Coloccini and goalkeeper Tim Krul will put pressure on the wage bill, it is also true that some high earners (Barton, Nolan and Enrique) have left since these accounts closed.
Interestingly, it has been revealed that the club has settled a dispute over image rights with HMRC, apparently for less than the amount set aside as a contingency.
Similar to wages, player amortisation, namely the annual expense of writing down the purchase price of new players, is £6 million lower than the last time the club were in the top flight at £14 million. It did increase by £2 million in 2011, but is nowhere near as much as big spenders like Manchester City £84 million and Chelsea £40 million. In fact, it's about the same level as lowly Wigan Athletic.
13. Have Newcastle become a selling club?
Traditionally, the club has spent big on new players, but that has pretty much changed since Ashley's arrival with three consecutive years of net sales proceeds, though this season has been a little different with net spend of £13.6 million.
However, they have clearly learned a few lessons from past mistakes, as they have by and large made some excellent purchases, as noted by Arsène Wenger before the recent match against Arsenal, "They have bought very well in a very efficient way."
Nevertheless, nobody can accuse Newcastle of buying success. Indeed, only Arsenal have a lower net transfer spend over the last four seasons with Newcastle generating proceeds of £38 million. Put another way, they have balanced their books in this period and then had the unexpected bonus of the Carroll sale.
Llambias admitted, "We're not saying we are not a selling club. The reality is when we get the price in, we have to sell our best players." That might not be a message that the fans want to hear, but it is profoundly realistic.
14. Is the club's debt manageable?
Net debt fell last season from £150 million to £130 million, comprising a £140 million loan from Mike Ashley less £10 million cash balances. Since Ashley arrived, the gross debt has significantly increased from £77 million in 2007, though he also had to clear the mortgage on the ground. Importantly, the club now has no external debt (it had a £36 million overdraft as recently as 2009), which not only provides more stability, but has also saved considerable sums in interest payments. These were £6.5 million in 2007, but would now be around £11 million a year following the rise in debt.
Although Newcastle's annual report initially stated that Ashley's loans would carry interest at LIBOR + 0.5%, since 2009 they have all been classified as non-interest bearing. The 2010 accounts said that £12.3 million was repayable in August 2010, £16.5 million after more than a year and the remainder on demand, but no repayments have actually been made to date – though it is likely Ashley will want the loans repaid at some stage.
The previous ownership had mortgaged Newcastle to the hilt, securing loans on virtually all the club's assets (training ground) and future income streams (TV, sponsorship), and also left Ashley with deferred transfer payments of £36 million, some of which was owed on players who had left the club. Following the implementation of a new policy whereby transfers fees are paid up front, the club is now owed £5 million.
Even so, the balance sheet shows net liabilities of £36 million, though the players' values in the accounts of £32 million is under-stated compared to the price they would receive in the real world (estimated at £120 million).
15. How important has Ashley been to Newcastle's revival off the pitch?
Despite his occasional crass behaviour, there is no doubt that Mike Ashley has put his hand in his pocket to keep the club going, as its cash flow has been consistently negative before his financing. There is still much distrust of the owner, leading Llambias to emphasise in the results statement, "Once again, Mike has not taken any money out of the club." In fact, he has invested £273 million in total, made up of £133 million to acquire Newcastle plus £140 million of loans.
Some might argue that this is partly his own fault, as he clearly failed to perform adequate due diligence on the books before buying the club. However, Newcastle's improvement off the pitch can be seen by the fact that Ashley only had to advance a further £0.2 million last season.
16. Will Ashley sell the club?
"Ashley - Favourite Shirts"
Back in the dark days of the 2008/09 season Ashley twice tried to sell the club, but he no longer seems to be so keen to make an exit. Llambias said, "We're not doing this to sell up", though he admitted that they would consider offers "if somebody came along with the right price."
He is certainly under no immediate financial pressure to sell, as his net worth rose £400 million last year to £1.6 billion, according to Forbes wealth magazine. That said, it is clear that the club is now a far more attractive prospect to potential investors, as it is more financially stable and challenging for European qualification.
17. Will Newcastle be affected by UEFA Financial Fair Play?
If the club qualifies for Europe, then it will have to live within its own means, though it will be allowed to make losses up to a certain level, so long as the deficit is covered by the owner, e.g. €45 million (£38 million) for the two years leading up to the first monitoring period in 2013/14.
Newcastle's mission statement explicitly mentions that they are "working towards being able to operate within the boundaries of UEFA's FFP." This would be no problem if they repeat last season's financial performance, especially as certain costs can be excluded for the FFP calculation such as depreciation on fixed assets and expenditure on youth development.
18. What does the future hold?
"Gutiérrez - Jonás Was"
The club is reportedly looking to make profits of £10 million a year, which could be possible if they can continue to control their wage bill. The opportunities for revenue growth are limited, given that the TV deal is centrally controlled, while ticket prices have been largely frozen. That only leaves more money from success on the pitch, such as finishing higher in the league or European qualification, or from commercial activities, such as new sponsorship deals.
There is a fear that the club will continue with their strategy of selling players, as Tioté, Cabaye and Krul all have their admirers. Indeed, Llambias confessed, "We'll be losing one or two names this summer, but that'll be regenerated back into the squad."
As well as looking to maintain their "efficiency" in the transfer market, Newcastle will focus on their academy, which has recently produced promising talents like Sammy Ameobi and Shane Ferguson. The aim is to secure Category One status under the Premier League's new Elite Player Performance Plan (EPPP), which would mean they could recruit youngsters from anywhere within the country rather than the current restriction of 90 minutes from the academy.
"Cissé - Papiss don't preach"
Backed by their large, passionate following, Newcastle United should really have a bright outlook. If they continue to improve on the pitch, that might result in a virtuous circle, as that should generate more money, leading to better players arriving, thus increasing the chances of success.
However, this is equally a club where recent history teaches us that virtually anything could happen, especially with Mike Ashley at the helm. Nevertheless, their financial improvement has been truly impressive, so it is perhaps time to cut the owner some slack. As Fatboy Slim once said, "You've come a long way, baby."


text:
This document is a draft, and is designed to show changes from a previous version. It is presently showing added text,changed text,deleted text,[start]/[end] markers,and Issue Numbers.
Changes are displayed as follows:
HTML and XHTML
This failure relates to:
Early screen readers literally read Web content from the screen, which lead to problems when tables were used for layout where one table cell was meant to be read in its entirety before reading the next table cell. Today's screen readers work with the underlying markup, which means that they do read a table cell in its entirety before moving on to the next cell, but layout tables may still inadvertently introduce problems with the natural reading order of the content.
Although WCAG 2 does not prohibit the use of layout tables, CSS-based layouts are recommended in order to retain the defined semantic meaning of the HTML table
elements and to conform to the coding practice of separating presentation from content. If a layout table is used, however, it is important that the content make sense when linearized.
This failure occurs when a meaningful sequence of content conveyed through presentation is lost because HTML tables used to control the visual placement of the content do not "linearize" correctly. Tables present content in two visual dimensions, horizontal and vertical. However, screen readers present this two-dimensional content in linear order of the content in the source, beginning with the first cell in the first row and ending with the last cell in the last row. The screen reader reads the table from top to bottom, reading the entire contents of each row before moving to the next row. The complete content of each cell in each row is spoken—including the complete content of any table nested within a cell. This is called linearization.
Suppose that a Web page is laid out using a table with 9 columns and 22 rows. The screen reader speaks the content of the cell at Column 1, Row 1 followed by the cells in columns 2, 3, 4 and so on to column 9. However, if any cell contains a nested table, the screen reader will read the entire nested table before it reads the next cell in the original (outer) table. For example, if the cell at column 3, row 6 contains a table with 6 columns and 5 rows, all of those cells will be read before Column 4, Row 6 of the original (outer) table. As a result, the meaningful sequence conveyed through visual presentation may not be perceivable when the content is spoken by a screen reader.
An advertisement makes clever use of visual positioning, but changes meaning when linearized.
Example Code:

top!
XYZ gets you to the
The reading order from this example would be:
XYZ mountaineering top!
XYZ gets you to the
A Web page from a museum exhibition positions a navigation bar containing a long list of links on the left side of the page. To the right of the navigation bar is an image of one of the pictures from the exhibition. To the right of the image is the kind of "placard" text you'd see on the wall next to the object if you were at the museum. Below that text is a heading that says "Description," and below that heading is a description of the image. The image, placard text, Description heading, and text of the description form a meaningful sequence.
A layout table is used to position the elements of the page. The links in the navigation bar are split into different cells in the leftmost column.
Example Code:
Link 1

Link 2
Link 3
Link 4
Link 5
Link 6
Link 7

Image Heading

Link 8
Link 9
Description of the image
Link 10
Link 20
The reading order from this example would be:
Link 1
Placard Text
Link 2
Link 3
Link 4
Link 5
Link 6
Link 7
Image Heading
Link 8
Link 9
Link 10
Link 20
Because the navigation bar links are interleaved with the content describing the image, screen readers cannot present the content in a meaningful sequence corresponding to the sequence presented visually.
No resources available for this technique.
Linearize the content in either of the following ways:
Present the content in source code order
Remove the table markup from around the content
Check that the linear reading order matches any meaningful sequence conveyed through presentation.
If check #2 is false, then this failure condition applies and the content fails this Success Criterion.

subset: commoncrawl


text:
Brushing and flossing are of paramount importance to oral hygiene. Though bi-annual professional dental cleanings remove plaque, tartar and debris, excellent homecare methods are equally valuable. Proper brushing and flossing can enhance the health of the mouth, make the smile sparkle and prevent serious diseases.
Reasons why proper brushing and flossing are essential:
The Proper Way to Brush
The teeth should be brushed at least twice a day; ideally in the morning and before bed. The perfect toothbrush is small in size with soft, rounded-end bristles and no more than three months old. The head of the brush needs to be small enough to access all areas of the mouth, and the bristles should be soft enough so as not to cause undue damage to the gum tissue. The American Dental Association (ADA) has given electric toothbrushes their seal of approval; stating that those with rotating or oscillating heads are more effective than other toothbrushes.
Here is a basic guide to proper brushing:
The Proper Way to Floss
Flossing is a great way to remove plaque from the interdental regions (between the teeth). Flossing is an especially important tool for preventing periodontal disease and limiting the depth of the gum pockets. The interdental regions are difficult to reach with a toothbrush and should be cleansed with dental floss on a daily basis. The flavor and type of floss are unimportant; choose floss that will be easy and pleasant to use.
Here is a basic guide to proper flossing:
If you have any questions about the correct way to brush or floss, please ask your dentist or dental hygienist.


text:
Request a quote for this item and we'll contact you as soon as possible to discuss options, finishes and pricing.
Enea Tables
From the conference room to the cafeteria, Enea Tables create desirable yet functional spaces with their clean and contemporary offerings. Round, rectangular, or oval shapes let you craft the ideal cafe, conference, or office space that provides function and form. Steel base standard in black gloss, white gloss, or silver metallic powder coat, tops available in wood or laminate.
- Laminate or solid wood tops on single and dual bases
- Disc base in in black gloss, white gloss, and silver metallic powder coat
- Optional two-port power/data module and wire management
- 71% recyclable / 27% recycled content
For more product information about Enea Tables, please visit coalesse.com.


text:
Women Long Sleeve Fashion Tee - Black - M2W344
Description & Sizing
Women Long Sleeve Fashion Tee- Material: Cotton Spandex
- Round Neck
- Slogan with " SUPERB "
Measurement in Inch:
S : Chest: 55", Length: 25" , Sleeve Length : 20.50"
M : Chest: 59", Length: 25.50", Sleeve Length : 21.50"
Please allow 20-30% discrepancy in the product color due to lighting and monitor resolution (actual may appear dark/brighter). In such cases, the variance may not be considered as a defect.
There might be 1cm-2cm differences in the measurements given due to the different stretchable quality of the material and the way measurement is taken.
How do I use the online voucher?
You just need to fill in the voucher code in the 'coupon' section in the shopping cart. Please note that each voucher can only use for one transaction.
Voucher Terms & Conditions:Voucher code expiration date will be stated on the email that was sent.
Voucher generated may be redeemed one time only.
Only one voucher can be used for each order.
Voucher not applicable on sale items.
What should I do if I receive an incorrect item or defect item?Contact us if there is any claim of defect / incorrect item within
60 days (Pictures of defect or incorrect item will be required.)
Can I exchange my online purchased items at SUB offline store?All online purchased items are not allowed to exchange at SUB offline store.
How can I be sure that I've made my purchase correctly?Once you have placed your order, you will receive a confirmation email. If you do not receive an email, contact our customer service, firstname.lastname@example.com
How can I contact the customer service department?You can send us on your questions and comments through the contact form available in our web page, or sending an email to firstname.lastname@example.com
How long will my order take to arrive?
Deliveries take 3 to 5 working days.
- RM10 will be charged for orders amounting less than RM100 (East Malaysia).


text:
Back to Category-Overview
Back to Category-Search
Back to Category-Search
Trip Reset Postcard Signed
Artist: Psychic TV
Country: United Kingdom
Format: Mag/Lit
Related Releases
20 Jazz Funk Greats Throbbing Gristle 20 Jazz Funk Greats Throbbing Gristle 22 10 84 Rotterdam Psychic TV 24 Hours Throbbing Gristle 30 original Reels recorded 1977-1980 Clock DVA 4 Hours Clock DVA 4 Hours / Thirst Clock DVA 8 Transmission 8 Psychic TV 8 Transmission 8 Psychic TV A Pagan Day (Pages From A Notebook) Psychic TV Abstract Energy Albrecht/d Acid Radio - Live 4-4-88 KXLU Psychic TV Adrenalin / Distant Dreams (Part Two) Throbbing Gristle Advantage Clock DVA Advantage Polydor Demo Clock DVA Agony Clock DVA All 5 Industrial Records Lp's (pictures with Second Annual) Throbbing Gristle All 9 Industrial Records 7inches Throbbing Gristle All other 12 Industrial Records Cassettes (IRC25-35) plus later released IRC0 (Best of Volume 1) Throbbing Gristle Allegory And Self (Illustrations In Sound) Psychic TV Amsterdam Op De Dam Albrecht/d Amsterdam Op De Dam Albrecht/d Assume Power Focus Throbbing Gristle At Ajanta Cinema, Derby Throbbing Gristle At Ajanta Cinema, Derby Throbbing Gristle At Butlers Wharf, London 23rd December 1979 Throbbing Gristle At Centro Iberico, London Throbbing Gristle At Goldsmith's College, London Throbbing Gristle At Goldsmiths College, London 13th March 1980 Throbbing Gristle At Leeds Fan Club / Scala, London / Oundle School Monte Cazazza At Leeds Fan Club / Scala, London / Oundle School Monte Cazazza At Leeds Fan Club 24th February 1980 Throbbing Gristle At Now Society, Sheffield University Throbbing Gristle At Nuffield Theatre, Southampton Throbbing Gristle At Oundle Public School 16th March 1980 Throbbing Gristle At Sheffield University 10th June 1980 Throbbing Gristle At The Air Gallery Winchester Throbbing Gristle At The Architectural Association, London Throbbing Gristle At The Architectural Association, London Throbbing Gristle At The Art School Winchester Throbbing Gristle At The Brighton Polytechnic Throbbing Gristle At The Brighton Polytechnic Throbbing Gristle At The Crypt Club, London Throbbing Gristle At The Edge Psychic TV At The Factory, Manchester Throbbing Gristle At The Guild Hall, Northampton Throbbing Gristle At The Highbury Roundhouse, London Throbbing Gristle At The ICA London Throbbing Gristle At The Industrial Training College, Wakefield Throbbing Gristle At The London Film Makers Co-Op Throbbing Gristle At The Nag's Head, High Wycombe Throbbing Gristle At The Rat Club The Valentino Rooms Throbbing Gristle At The Rat Club, London Throbbing Gristle At The YMCA, London Throbbing Gristle Atonal 1983 Psychic TV Austrian Radio Special Throbbing Gristle Berlin 2 Throbbing Gristle Berlin Atonal Festival 2.12.83 Psychic TV Berlin Atonal Vol. 1 Psychic TV / Z'ev Best of Volume... I Throbbing Gristle Best of Volume... I Throbbing Gristle Best of Volume... I / The Best of Volume I Throbbing Gristle Best of Volume... I / The Best of Volume I Throbbing Gristle Best of Volume... II Throbbing Gristle Best of Volume... II Throbbing Gristle Best Of... Volume II Throbbing Gristle Better An Old Demon Than A New God Various Beyond Jazz Funk TG Psychic Rally In Heaven - 23rd December 1980 London Throbbing Gristle Black Psychic TV Black Psychic TV Body Shock (Soundtrack) Psychic TV Body Shock (Soundtrack) Psychic TV Buried Dreams Clock DVA California Babylon (with Monte Cazzaza) Factrix Coil Presents Black Light District, A Thousand Lights In A Darkened Room Coil Copenhagen 7-12-84 Psychic TV D.o.A. The Third And Final Report Throbbing Gristle D.o.A. The Third And Final Report Throbbing Gristle Destiny Throbbing Gristle Devils Advocate Psychic TV Discipline Throbbing Gristle Dysphoria Val Denham Editions Frankfurt-Berlin Throbbing Gristle Endless Music Albrecht/d Endless Music Albrecht/d Endless Music (C90) Albrecht/d Exile and Exhilarartion Psychic TV Exile and Exhilarartion Psychic TV / G.P.Orridge Fabulous Feast Palais London '85 Psychic TV FFM 11-10-80 Throbbing Gristle Finsbury Park Psychic TV Five Albums Throbbing Gristle Fondation Raelinne 23-6-83 Psychic TV Force The Hand Of Chance Psychic TV Force The Hand Of Chance Psychic TV Force The Hand Of Chance Psychic TV Foreplay - live Vets Auditorium Throbbing Gristle Fragment Clock DVA Fragment Clock DVA Frankfurt 12.12.84 Psychic TV Führer Der Menschheit Throbbing Gristle Führer der Menschheit Throbbing Gristle Funeral in Berlin Throbbing Gristle Gabice, Aleph, Italy 13-10-1985 Psychic TV Godscar - The Revolution Will Be Televised Psychic TV Godstar (with the Anels of Light) Psychic TV Godstar (with the Angels of Light) Psychic TV Gold Is The Metal (With The Broadest Shoulders) Coil Greatest Hits - Entertainment Through Pain Throbbing Gristle Group Fragments Clock DVA Hackney Empire Psychic TV Hamburg 21.2.86 Psychic TV Hammersmith Palais Psychic TV Heathen Earth Throbbing Gristle Heathen Earth Throbbing Gristle Heathen Earth Throbbing Gristle Heathen Earth Throbbing Gristle Heaven Clock DVA Heaven 23-12-1980 Throbbing Gristle Heaven 23-12-84 Psychic TV & Monte Cazzaza Heaven London Psychic TV Horse Rotorvator Coil Horse Rotovator advance copy Coil How to Destroy Angels Coil Hyperdelia (VHS) Psychic TV I Confess Dorothy If You Can't Please Yourself You Can't, Please Your Soul Various In The Shadow Of The Sun Throbbing Gristle Interview Psychic TV Interview A & B Throbbing Gristle Interview CKLN 10-24-1985 Psychic TV Interview on WZBC radio 21.4.84 Psychic TV Interviews Psychic TV Interviews 9-8-86 Psychic TV IRCA / IRC B Interview Tapes from 24 hour Box Throbbing Gristle Is Suicide A Solution? Coil It's clean it just looks dirty Various Je T'aime (with Mistress Mix) Psychic TV JJJ Interview Throbbing Gristle Journey Through A Body (signed Inner sleeve) Throbbing Gristle Joy Psychic TV Joy Psychic TV Just Drifting Psychic TV Just Drifting Psychic TV Kezar Pavillon Throbbing Gristle Kilburn National Ballroom 13.3.86 Psychic TV Kilburn National Ballroom 13.3.86 Psychic TV Kinetic Engineering Clock DVA Kino Aus Der Kassette 3/83 (Ltd, C50) Various Konstruktivists Clock DVA La Edad De Oro Psychic TV Live 16-10-83 Clock DVA Live 84 Psychic TV Live and Studio Clock DVA Live At Death Factory, May 79 Throbbing Gristle Live at Factory Manchester 19-05-1979 (Assume Power Focus) Throbbing Gristle live at Final Academy Psychic TV Live at Final Wars Psychic TV Live at Kezar Palace San Francisco (Mission Of Dead Souls – The Last Live Performance Of TG) Throbbing Gristle Live At Leeds Throbbing Gristle Live At Manchester Hacienda 5-11-84 Psychic TV Live At Odeon 11-12-1984 Psychic TV Live at Oundle School Throbbing Gristle Live At Pandora's Music Box 22-09-1984 Psychic TV Live at Rafters Manchester Throbbing Gristle Live at Rafters Manchester 1981 Throbbing Gristle Live at SO36 and Frankfurt Kunsthofschule Throbbing Gristle Live At The 930 Club, Washington D.C. Psychic TV Live At The Austin Planetarium Psychic TV Live At The Ford Amphitheater In L.A. Psychic TV Live At The Pyramid, N.Y.C. 11-3-88 Psychic TV Live At Thee Pyramid Psychic TV Live Atonal Pankerhallen 1983 Psychic TV Live Berlin Number 2 Throbbing Gristle Live Death Factory Manchester 18 May 1979 Throbbing Gristle Live Eindhoven 1984 Psychic TV Live FFM Throbbing Gristle Live Frankfurt Kunsthofschule 11-10-1980 Throbbing Gristle Live From Death Factory Throbbing Gristle Live From The Death Factory Throbbing Gristle Live Göteborg 1984 Psychic TV Live Hamburg 83 Clock DVA Live Heaven 30-3-1981 Clock DVA Live in Berlin Psychic TV Live in Berlin 1 and 2 Throbbing Gristle Live In Bregenz Psychic TV Live in Dallas Psychic TV Live in Heaven Throbbing Gristle Live In New York City, November 1983 Psychic TV Live In Rouen Psychic TV Live Leeds 7-5-81 / Heaven 30-3-81 Clock DVA Live Leeds F-Club Clock DVA Live Manchester Throbbing Gristle Live Münster 11.12.84 Psychic TV Live Paradiso Psychic TV Live Rotterdam De Doleen 9-22-84 Psychic TV & The Anti Group Live Transmission Psychic TV Live YMCA Clock DVA Love War Riot Psychic TV Love War Riot (Fon Force Vocoder Mixes) Psychic TV Love's Secret Domain Coil Magick Defends Itself Psychic TV Making of Heathern Earth and Oundle School Throbbing Gristle Maple Syrup Psychic TV Maple Syrup Psychic TV Marquee Club - London, 20.5.86 Psychic TV Mission Is Terminated / Nice Tracks (with Various Artists) Throbbing Gristle Mission of Dead Souls Throbbing Gristle Mouth Of The Night Psychic TV Mouth Of The Night Psychic TV Music For The Hashishins In Memoriam Of Hasan Sabbah Vagina Dentata Organ Music from the Death Factory Throbbing Gristle Music from the Death Factory 12 and 18.June 1976 Throbbing Gristle Musick To Play In The Dark² Coil N.Y. Scum Psychic TV New T.G. - live 76 Throbbing Gristle New T.G. 1 and 2 Throbbing Gristle Nothing Short Of A Total War Throbbing Gristle Nothing Short Of A Total War Throbbing Gristle Nothing Short Of A Total War Throbbing Gristle Once Upon A Time Throbbing Gristle Palais 19.5.85 Psychic TV Panic / Tainted Love Coil Panic / Tainted Love Coil Passions Still Aflame Clock DVA Pastimes / Industrial Muzac Throbbing Gristle Pressing Problems Various Promo-Tape 78-80 Clock DVA Psychic TV Psychlopaedia Volume # One - Eden 3 Psychic TV Psychic TV Psychlopaedia Volume # Two: Ritual Cuttings and Eden 3 Psychic TV Radio Special - Alien Soundtracks Throbbing Gristle Rafters Throbbing Gristle Re-Mind Psychic TV Recording Heathen Earth / Live At Oundle School Throbbing Gristle Report from the Final Academy Various Richmond, Va. 10-15-88 Psychic TV Ritz Manchester 06-11-83 Psychic TV Roman P. Psychic TV Rotterdam 13.12.84 Psychic TV s/t Val Denham Sacrifice Throbbing Gristle Scala Cinema, London 29th February 1980 Throbbing Gristle Scatology Coil Second Annual Report Throbbing Gristle Sex Beyond Entanglement Clock DVA SO36 Throbbing Gristle Some more TG Tapes not on Industrial Records (1982-1984) Throbbing Gristle some more Throbbing Gristle Releases 1979-1982 not on Industrial Records Throbbing Gristle Something For Nobody Monte Cazazza Southern Comfort Psychic TV Stairway To Hell / Sex Is No Emergency Monte Cazazza Stations Ov Thee Cross (Live In Eugene, OR, USA On 4/8/94) Psychic TV Stay With Me Tonight Alex Fergusson Stoke Newington Assembly Rooms 11-12-85 Psychic TV Subhuman / Something Came Over Me Throbbing Gristle Tape 1 (Alien Tape) Clock DVA Tape 4 Clock DVA Tekno Acid Beat Various Temple Ov Psychick Youth Psychic TV Temple Ov Psychick Youth Interview Thee Temple Ov Psychick Youth Temple Talk Psychic TV Temporary Temple Psychic TV Temporary Temple London Psychic TV The Angelic Conversation Coil The Consequences Of Raising Hell... Coil The Final Taboo Timothy Leary The Final Taboo Timothy Leary The Ica 1-8-84 Psychic TV & Kathy Acker The Magickal Mystery D Tour E.P. Good Vibrations + Roman P. Psychic TV The Magickal Mystery D Tour EP Psychic TV The Nazi Suicides Throbbing Gristle The Second Annual Report Throbbing Gristle The Second Annual Report Throbbing Gristle The Sound of Music - the Soundtrack to D. Jarman's Angelic Conversation Coil The Texas Chainsaw Massacre Clock DVA The Unreleased Themes For Hellraiser Coil The Wonderful World of Val Denham / Bei-Bei-Beyes Val Denham Thee Best Ov Psychic TV Thee Psychick Sacrifice Throbbing Gristle Themes 2 Psychic TV Themes 3 Psychic TV Thirst Clock DVA Those Who Do Not Psychic TV Three in One Video Throbbing Gristle To Mom On Mother's Day Monte Cazazza Towards Thee Infinite Beat Psychic TV Transition / The Final Circle in Motion Clock DVA Tune In (Turn On The Acid House) Psychic TV Two Interviews Psychic TV Unclean Psychic TV United (Master-Tape) Throbbing Gristle United / Zyklon B Zombie Throbbing Gristle Unpleasant Off Clock DVA Untitled Psychic TV Untitled (Demo Tape) Clock DVA Very Friendly Throbbing Gristle Vienna Live Psychic TV We Cast Tall Shadows Demo 1981 Clock DVA We Hate You (Little Girls) / Five Knuckle Shuffle Throbbing Gristle What's History Psychic TV & Genesis P-Orridge & Stan Bingo When Lone Wolves Gather....They Could Start A War. Hamburg 1984 Psychic TV When Lone Wolves Gather....They Could Start A War. Hamburg 1984 Hamburg 16;9;84 Psychic TV White Nights Psychic TV White Souls In Black Suits Clock DVA White Souls In Black Suits Clock DVA Windowpane Coil without gender Val Denham Wrong Eye / Scope Coil You Can Be Anyone This Time Around Timothy LearyRelated Artists & Bands
Albrecht/dAlex FergussonAmbershipAustin Osman SpareClock DVACoilDorothyMonte CazazzaPeter ChristophersonPsychic TVPsychic TV & Genesis P-Orridge & Stan BingoPsychic TV & Kathy AckerPsychic TV & Monte CazzazaPsychic TV & The Anti GroupPsychic TV / G.P.OrridgePsychic TV / Z'evThee Temple Ov Psychick YouthThrobbing GristleTimothy LearyVal DenhamRelated Artists & Bands Literature
"Forgive us our Synth" article in Sounds 1981 Throbbing Gristle 11. Three A4 Flyers, two from 1989 and 1990, each signed by GP-O. Some creasing to corners. And stain to 'Abolish Fear Establish Trust'. Psychic TV 16 Photos by Peter Bargh Throbbing Gristle live at Rafters 4 December 1980 Throbbing Gristle 1979 Band Photo at Telephone Clock DVA 20 Jazz Funk Center Label Proof Sheet Throbbing Gristle 28p Booklet to Fetish 5Lp-Set Throbbing Gristle 44 Live and Studio Photos taken by Kevin Thorne of We Be Echo Throbbing Gristle 7 colour photocopies all signed and with two pages of notes explaining context and significance Throbbing Gristle 7 x TG Pins Throbbing Gristle 80s press clippings Psychic TV A Personal Message from the Temple Psychic TV a selection of Inserts and Posters Coil A4 flyer TG and Bauhaus at The Guildhall Northampton, 26 May 1979 Throbbing Gristle A5 Flyer for Hammersmith with A Certain Ratio Psychic TV Abolish Fear Establish Trust A4 Sheet Psychic TV Abvertising Expenses Albrecht/d Access Points and Adresses from 1988 Psychic TV add for Nazi Suicide Tape Throbbing Gristle Adi Newton of Clock DVA at The Limit 1978-07-25 Clock DVA Advantage Poster b/w Clock DVA Advantage Poster coloured Clock DVA Advantage Promo Poster Clock DVA Al Ackermans Arthur Turner Booklet Throbbing Gristle Albrecht D / Reflection Press Info-Map Albrecht/d Allegory & Self Promo Poster Psychic TV Allegory and Self Promo-Poster Psychic TV An Introduction to the Temple of Psychic Youth Psychic TV Apocalypse A Gogo Throbbing Gristle Archive Index by David Minshall (Scans by Simon Dell) Throbbing Gristle Article called "Suburban Relapse" by Genesis P-Orridge on Val Denham Val Denham Article in Amen 5 Coil Article in Grok Coil Article in Sounds 26 November 1977 Throbbing Gristle Article in Sounds 6 November 1982 Psychic TV Articles in Modern Primitives (Re/Search) Psychic TV Articles to the ABUSE Case in 1992 provided by Akiko ada who was 21 at the time and not 13 as Gen was accused for Psychic TV assorted early Posters Clock DVA at Ajanta Cinema, Flyer, designed by Val Denham Throbbing Gristle at Centro Iberico Throbbing Gristle at Rafters Poster Throbbing Gristle at Sheffield Poster April 1979 Throbbing Gristle at Sheffield Poster June 1980 (with Cabaret Voltaire) Throbbing Gristle Back on Thee Buss Spring 1990 Psychic TV badge and two stickers Psychic TV Bandphoto Throbbing Gristle Berlin SO36 Concert Poster Throbbing Gristle Best wishes for X-Mas 1980 Postcard Throbbing Gristle Black Words Clock DVA Booklet red Psychic TV Booklet to Inner-X Interview Tape-Release Psychic TV Bulleti Scandinavia No.4 Psychic TV Bulletin 2 Psychic TV Can you fix us up with a gig postcard Throbbing Gristle Cast Metal Phallus "Force the Hands of Chance" Psychic TV Cazazza in Vittore Mag Monte Cazazza Chris Carter Postcard to Adi Newton Clock DVA Christmas Card Throbbing Gristle Clock DVA in Grey Matter 3 Clock DVA Clock DVA Live at the Moonlight West Hampstead 17th July 1980 Clock DVA Clock DVA Review of Limit Concert Clock DVA Clock DVA, Vice Versa and more playing at Stevo's Electronic Party 26th/27th June 1980 Clock DVA Coil early promoletters and letters to Graf Haufen Coil Coil in Acide Sedativ No.1 (1985) Coil Coil in ADN Number 7 Coil Coil in Feverish Coil Coil in Hahahaha they are coming to take us away - Open the Bloodgate Coil Coil in Interchange Mag Coil Coil in Minotaurus 2 Coil Coil in nekrophile Booklet Coil Coil in Rattlesnake 3 Coil Coil in Tape Delay Coil Coil in Toxoplasma Coil Coil Photo Zürich 2002 Coil Coil Sun Coil Coil vs. ElpH Poster Coil Collages Clock DVA Colour photocopy of original TG flash by Cosey Fanni Tutti signed by G-PO and blind stamped 'P-Orridge with Everything Limited'. Ca. 1995. 207 x 279 mm Throbbing Gristle Colour photograph of GP-O recording 'Journey Through a Body' in Rome. Inscribed on verso by GP-O. 131 x 88 mm Throbbing Gristle Compliments slip 1981 Throbbing Gristle Concert Reviews 1979 Clock DVA Correspondence and xerox material sent to Vittore Baroni Monte Cazazza Cosey COllage and letter Throbbing Gristle Cosey Fanni Tutti Personality Card 1981 Throbbing Gristle Cosey Funni Tutti Card/Poster Throbbing Gristle D.O.A. the Third and Final Report Poster Throbbing Gristle Different early Manifests Coil Discography 78-80 Clock DVA Drawings by James Eden alias Jym Eden Psychic TV DVA Line-Up 1980 Clock DVA DVA-HQ 1978 and Now Clock DVA early art/collages by Judd and Adi Clock DVA Early DVA-Syth / Instruments Clock DVA early Info Sheet in Unkown Press Clock DVA early letters by John Balance Coil early Live-and Bandphotos Clock DVA early Manifests Coil early Pressclips Clock DVA early Psychic TV Letter Genesis P-Orridge early Tapes related Promo Info photos collages etc Clock DVA Emergency Information Update 1995 Coil Endless Music Promo / Review Sheet Albrecht/d Entertaining the World Booklet Throbbing Gristle essential related Literature Throbbing Gristle EVOLUTION - The Psychic surfers newage bible for the 90s Encyclopaedia Psychedelica volume 13 & 14 Psychic TV Fanzine Articles selected Throbbing Gristle Fetish Records Press-Map Clock DVA Final Solution Present a night with Industrial Records ... Monte Cazazza, The Leather Nun and Throbbing Gristle. 29 February 1980. Throbbing Gristle Final Solution Present a Psychic Youth Rally Throbbing Gristle, A Certain Ratio & S.P.K. (Surgical Penis Klinik) in Heaven, 23 December 1980. Throbbing Gristle Five pieces of Ephemera. Psychic TV Flyer "Victim of the Press" Throbbing Gristle Flyer 1980.11.10 Frankfurt Städel Throbbing Gristle flyer announcing a performance by Throbbing Gristle at the London Film-Makers' Co-op, London, 6th July (1978). Throbbing Gristle Flyer Another Development for Tesco Throbbing Gristle Flyer Assume Power Focus Throbbing Gristle Flyer for 10th June 1980 Sheffiedl University (with Cabaret Voltaire) Throbbing Gristle Flyer for F-Club Concert with Cazazza and Clock DVA Throbbing Gristle Flyer for Final Solution Present ... four nights at the Prince of Wales Conference Centre 1979, including Joy Division, Clock DVA, Cabaret Voltaire and Throbbing Gristle. Throbbing Gristle Flyer for Final Soultion Concert 7. April 1979 / The Institute for Continuing education Throbbing Gristle Flyer for Heaven 23rd December with Monte Cazazza Psychic TV Flyer for Live Kezar Pavillion May 29th Throbbing Gristle Flyer for LYCEUM 9th of May, 1980 with Cabaret Voltaire, Fad Gadget, Truth Club Clock DVA Flyer for TG at YMCA 3rd August 1979 designed by Val Denham. (see Wreckers 9.7.) Throbbing Gristle Flyer for Throbbing Gristle at Centro Iberico 21st January 1979 designed by Val Denham 297 x 210 mm. Throbbing Gristle Flyer for Throbbing Gristle's "After Cease To Exist" film presentation Throbbing Gristle Flyer Music from the Death Factory Throbbing Gristle Flyer Psychic Ralley in Heaven Throbbing Gristle Flyer Rat Club 17th December 1977 Throbbing Gristle Flyer The Institute of Continuing Education / Final Solution 7 April 1979 Throbbing Gristle Flyer Thee Eye in thee Pyramid Psychic TV Flyer Union Hall 1978 Throbbing Gristle Flyer Unleash me to Everywhere Throbbing Gristle Flyer Vets Auditorium Los Angeles, May 22nd, 1981 Throbbing Gristle Flyer, Mayor, I may resign Throbbing Gristle Flyer: Hackney Gazette Press Throbbing Gristle for Equinox Event Coil Fortean Times (No. 64, August-September 1992) Psychic TV Frankfurt Poster Throbbing Gristle Frankfurt Poster Throbbing Gristle Frequency of Truth Newsletters Psychic TV FRIGIDAIRE No. 6, April 1981, Primo Carnera publishing, Roma, Italy, Throbbing Gristle Funeral in Berlin Inserts to 10inch release Throbbing Gristle Gary Gilmore Memorial Society T-Shirt Throbbing Gristle Gen and Cosey in National Press Porn Mag Throbbing Gristle Gen at Frankfurt Train Station 1980 Throbbing Gristle Genesis P-Orridge and Throbbing Gristle in Hayward Annual 1979 Throbbing Gristle Genetic Fear Flyer Industrial Music for Industrial People Throbbing Gristle Genetic Fear Xerox original Throbbing Gristle Geoff Rushton Letter from 1981 about his releases Coil Get up and Abuse me, Article by Chris Bohn Psychic TV Gig-Review in Damn Latin No.7 by Peter Polanyk Throbbing Gristle Graffiti Psychic TV Guildhall Northampton Poster Throbbing Gristle Hang Loose with Coil Coil Hang Loose with Coil Mag-Add Coil Happy New Year Greetings Coil Happy New year Info Coil Heart Action Autumn 1993 and Mailorder 1991 Psychic TV Heathen Earth Poster Throbbing Gristle Heaven and Lyceum 1980 and 81 Photos by Akiko Hada Throbbing Gristle i-D Article Psychic TV I-D no. 110 – november 1992 "The Sexuality Issue", pp. 76-77: Jim McClennan: Genesis P Orridge – sexual exile Psychic TV in Anticipation of the first Transmission Card Psychic TV Independent on Sunday (23 February 1992) Psychic TV Industral Records Newsletters Throbbing Gristle Industrial Music for Industrial People Poster Throbbing Gristle Industrial News 4 November 1980 Throbbing Gristle Industrial News Sept 3rd 1979 Throbbing Gristle Industrial Records Postcard Throbbing Gristle Industrial Records Promo Poster Monte Cazazza Industrial Records Staff Throbbing Gristle Info 1980 SHeet Clock DVA Info-Sticker to Second Annual Report Throbbing Gristle Information 2 Coil Insert to 24 Hour Box (but unsigned) Throbbing Gristle Interview in Music from the Empty Quarter Clock DVA Interview in So What? - There is a kid....Mag; 1979 Clock DVA Invitation Card for Heathen Earth Studio Recording Throbbing Gristle IR Letter from Cosey re bounced cheque Throbbing Gristle IR Letter from David Brooks re returned cheque 12th March 1981 Throbbing Gristle John Balance Drawings in Cassette Mythos Coil John Balance Memorial card 2004 Coil Judd selfies Clock DVA Judd Turner and Adi Newton of ClockDVA in Committee Room 1979-02-02 Clock DVA Kezar Pavillon Ticket Throbbing Gristle Letter John Balance to Mark Lally Coil Letter to Andrew Rodgers Clock DVA Letters by Chris Carter Throbbing Gristle Letters from Geoff Balance of COIL to Mark Lally of Frux and the magazine They're Coming to take me away ha ha from 1984 Coil Listen Today Promo Card A5 Psychic TV Live at Leeds Fan Club Flyer (with Clock DVA / Monte Cazza) Throbbing Gristle Live Atmosphere Poster Clock DVA Live Germany Tour, Photos by Arg/Gee Gleim Throbbing Gristle Live Guildhall Northampton Flyer Throbbing Gristle Live Hamburg 1984 Psychic TV Live in Berllin 83 Psychic TV Live in Heaven 1981 (with Bauhaus) Clock DVA Live Leeds Flyer Throbbing Gristle Live Photo Psychic TV Live photos to Rafters Gig by Throbbing Gristle 4.Dec.1980 Throbbing Gristle Live Posters 7th of April 1979 and 3rd of September 1979 Throbbing Gristle Live SO36 Poster Throbbing Gristle LSD NRG Stickers Psychic TV LSG NRG Psychic TV Lyrics to Sleep/Girl/Walk (Sonambulist), Female Mirror, Don't Listen to Mother Clock DVA Mailorder-Catalogue 87 Coil Martin Fry on Clock DVA Clock DVA Mary Bell Postcard to Cazazza 7inch on Industrial Val Denham Marylin Collage Clock DVA Mission is Terminated postcard Throbbing Gristle Moments of Terror. A Story to the early days of DVA (76-83) by Steven O'Connor Clock DVA Moments of Terror. A Story to the early days of DVA (76-83) by Steven O'Connor (early versions unpublished and unedited) Clock DVA Music from the Death Factory Throbbing Gristle Musick to Play in the Dark Vol 1 postcard Coil Never Mind here is thee official... Psychic TV NY Scum Haters Tape Add Psychic TV Observer article 16 February 1992 Psychic TV OCCULTURE T.O.P.Y. World Network - Volume 1, Number 1 Psychic TV Open the Bloodgate Coil Oreiginal Telegram Show Offer 1981 for Roma to Peter Christopherson Throbbing Gristle Overview of Live-Concerts 1978-1981 and early Clock DVA discography-attempt (by Steven O'Connor) Clock DVA Personality card 1981 Throbbing Gristle Photo Peter Christopherson Photo of members Throbbing Gristle Photos of Gen in Psychic TV Live at Hammersmith Odeon 1984 Genesis P-Orridge Pin 1 (Industrial Music) Throbbing Gristle Pin 2 (TG Logo red) Throbbing Gristle Pin 3 (TG Logo red with symbol) Throbbing Gristle Pin 4 (TG with white symbol) Throbbing Gristle Portrait Photo Throbbing Gristle Postcard 1979 Clock DVA Postcard from 1979 Clock DVA Poster 1981-05-29 USA-California-San Francisco Kezar Pavilion Throbbing Gristle Poster Butler's Warf 23th December 1979 Throbbing Gristle Poster by Genesis P Orridge (Assume Power Focus) Throbbing Gristle Poster Centro Iberico Throbbing Gristle Poster Centro Iberico Throbbing Gristle Poster Clock DVA Live Sheffield University, Bar 2, 13th November 1979 Clock DVA Poster Club 950 26th of April Psychic TV Poster for 19th May 1979 Manchester Factory Throbbing Gristle Poster for 20 Jazz Funk Greats Throbbing Gristle Poster for Control Agents to Throbbing Gristle - Brighton Polytech (26 March 1977) Throbbing Gristle Poster for TG's second Gig at Hat Fare Winchester 21.st of August 1976 Throbbing Gristle Poster Galerie im Zwinger (with Peter Below) Albrecht/d Poster Goldsmith College Throbbing Gristle Poster industrial Records Present a Final Solution for your LEAP YEAR SURPRISE Throbbing Gristle Poster Kezar Pavillion Golden Gate Park 29th May 1981 Throbbing Gristle Poster Live 3.March 1978 Architectural Association Throbbing Gristle Poster Live Atmosphere March 18th Clock DVA Poster Live HEAVEN 23.December 1980 Throbbing Gristle Poster London Scala Cinema 1980-02-29 Throbbing Gristle Poster Mayor I may resign Throbbing Gristle Poster Oundle School 16th March 1980 Throbbing Gristle Poster Throbbing Gristle At the Air Gallery/Winchester 6th July 1976 Throbbing Gristle Poster University London 1980 Clock DVA Poster with Metabolist and Religious Overdose Clock DVA Press Clipping to 3rd performance at Nag's Head Wycombe, 11 February 1977 Throbbing Gristle Press Clippings Throbbing Gristle Press Clippings to Prostitution Show at ICA Throbbing Gristle Press Clips 79/80 Throbbing Gristle Press Release Sub Human Adrenalin Throbbing Gristle Press-clipping in Sounds 26.Nov 1977 (Sandy Robertson Article) Throbbing Gristle Progress through Action Psychic TV Promo Info-Sheet to Journey Through a Body Lp Throbbing Gristle Promo Postcard to Simon Fords "Wreckers of Civilisation Book" Throbbing Gristle Promo Sheets Industrial Records Monte Cazazza Promo-Poster for three Industrial releases Throbbing Gristle Proof Print to Monte Cazazzas To Mom on Mothers Day 7inch Monte Cazazza Psychic Info 1 Psychic TV Psychic TV + A Certain Ratio printed flyer 17th August 1984 Hammersmith Town Hall. 193 x 142 mm Psychic TV Psychic TV article in Trance No.2 Psychic TV Psychic TV Bulletin 3 (Scnadinavia) Psychic TV Psychic TV Flyer for concert with Business & Industry Psychic TV Psychic TV NME 17 December 1983 Psychic TV Psychic TV NME 26 April 1986 Psychic TV Psychic TV Sounds 13 September 1986 Psychic TV PTI Infosheet and Photo Clock DVA Publicity Card signed Throbbing Gristle Rafters Poster and Ticket signed Throbbing Gristle Rat Club Poster 22 May, 1977 Throbbing Gristle Recession Club Poster Coil Remote Viewer Delay Card Coil Restricted Internal Dokument Psychic TV Review of "Tom Mom on Mother's Day" 7inch by Tom Castle in Perfroamnce Magazine 02, 1979 Monte Cazazza Rise to Instinct Psychic TV ROCKERILLA n. 21, Febbraio 1982, Rockerilla publishing, Cairo Montenotte, Italy, Psychic TV ROCKERILLA n. 40, Dec 1983, Rockerilla publishing, Cairo Montenotte, Italy, Psychic TV ROCKERILLA n. 49, Sept 1984, Rockerilla publishing, Cairo Montenotte, Italy, Psychic TV ROCKERILLA n. 64, December 1985, Rockerilla publishing, Cairo Montenotte, Italy, Psychic TV ROCKSTAR N. 12, Sept 1981, Actual media, Roma, Italy, p. 14: Red Ronnie, Throbbing Gristle (re TG end) Throbbing Gristle Roman P Promo Sheet Psychic TV Royalty Statement for Industrial Records Release Monte Cazazza Sacred Music from the Death Factory envelope Throbbing Gristle Scatology Poster Coil Scrapbook Vol.1 Psychic TV Scrapbook Vol.2 Psychic TV Second Annual Report Sticker Throbbing Gristle selected Industrial Records Press Clippings Throbbing Gristle selected Pins and Badges by TG, PTV, Coum Throbbing Gristle selected Press Cuttings Poster ICA October 1976 Throbbing Gristle selected Psychic TV and Charlews Manson Aleister Corwley and Jim Jones related Shirts from Jordi Valls Psychic TV selected Throbbing Gristle and related Shirts from Jordi Valls Throbbing Gristle Setlist for Reunion Show Throbbing Gristle several Concert Flyers Throbbing Gristle Several Video-Tapes Throbbing Gristle signed Hotel Room Publicity Card Throbbing Gristle Signed Inserts to 24 Hour Tape-Box-Set Throbbing Gristle Signed Sheet for Rafters (never again....) Throbbing Gristle Simon, Judd and Adi Clock DVA at The Limit 1978-07-25 Clock DVA six black and white photographs of environs of Hackney Throbbing Gristle Slug Bait Flyer Throbbing Gristle SO36 Poster Throbbing Gristle Some Interviews Psychic TV some Pins from early / mid 80's Psychic TV Sticker Music from the Death Factory and TG Logo Sticker Throbbing Gristle Sticker TG Throbbing Gristle Sticker the Responsible Abuse of Pleasure Coil Stolen and Contaminated Postcard Coil T-Gasm Issue 1 Throbbing Gristle T-Gasm Issue 3 Throbbing Gristle T-Gasm No.1-5 Throbbing Gristle T-Shirt Coil T-Shirt - Fabulous Feast Psychic TV T-Shirt - Temple of Psychic Youth Psychic TV Temple of Psychic Youth Bulletin 1 Summer 1989 - Progress Through Magick (Rapid Eye) Psychic TV Temple of Psychic Youth Bulletin 2 (Rapid Eye) Psychic TV Temple of thee Psychic Youth Europe Station Bulletin 1 Psychic TV TERENCE SELLERS: La sadica perfetta (Shake edizioni, Milano 2007) 220 pp., Psychic TV Text Facts Throbbing Gristle TG Buttons (each) Throbbing Gristle TG Enamels (not TG but Townswomen Guild) Throbbing Gristle TG Heaven Video Bootleg COver Throbbing Gristle TG in Melodie Maker 23-12-78 Throbbing Gristle TG in Spät aber Doch Throbbing Gristle TG Interview (Part 1) with Genesis P Orridge in AURA Issue 1 Throbbing Gristle TG Patches Throbbing Gristle TG Questionnaire Throbbing Gristle TG Sticker Throbbing Gristle TG with Robert Rental the Normal Cabaret Voltaire and Metabolist at the Crypt 11.11.1980 Throbbing Gristle The Book of Pleasure Austin Osman Spare The Book of Pleasure (photocopied edition by Andrew Mc Kenzie) Austin Osman Spare The Industrial Revolution Sounds 1980 Throbbing Gristle The Mail (23 February 1992) Psychic TV The New Product Info 1981 Clock DVA The SIgil Book second ed. 1988 Psychic TV The TG Catalogue by Flowmotion Records Throbbing Gristle The Threshold HouseBoys Choir postcard Coil The Waking Room Psychic TV Thee Psychic Bible Psychic TV Thee Temple Bulletin 1984 Psychic TV Thee Temple ov Psychic Youth Psychic TV Thirst Studio-Lyric-Sheets Clock DVA Threshold House mail order October 1992 Coil Throbbing Gristle Forgive Us Our Synths Sounds 1981 Throbbing Gristle Throbbing Gristle Pin Throbbing Gristle Throbbing Gristle Promo-Poster (A Riot of Laughter) Throbbing Gristle Throbbing Gristle Psychic Youth Rally at Thee Lyceum 8th February 1981 Throbbing Gristle Throbbing Gristle Publicity Card, hotel room. 302 x 211 mm. Throbbing Gristle Ticket for Northampton Guildhall Throbbing Gristle TOPY Coversheet Psychic TV TOPY HEART Bulletin Psychic TV Topy Worls Network System Psychic TV Tourposter "Entertaining the World" Tottenham Throbbing Gristle, Monte Cazzaza, Leather Nun Throbbing Gristle Trip Reset Postcard Psychic TV Trip Reset Postcard Signed Psychic TV Two Concert Posters Throbbing Gristle two original Shirts Throbbing Gristle two stickers Psychic TV Two Stickers (TG Symbol and Assume) Throbbing Gristle Ultrahouse Tokyo Poster / Add Psychic TV Unclean Postcard Psychic TV United / Zyklon B Lyric Sheet (came with early versions of United / Zyklon B 7inch) Throbbing Gristle United / Zyklon B Promo Flyer Throbbing Gristle United / Zyklon B Promo Poster Throbbing Gristle Unity of Purpose Psychic TV University of london Poster Clock DVA Veterans Auditorium 5-22-1981 Vox Pop Flyer Throbbing Gristle Victims of.. Throbbing Gristle Vintage Photo in Hotel Room (standing) Throbbing Gristle Vintage Throbbing Gristle 'Death Factory' Black and White photograph by Monte Cazazza. 10 x 8 inches. Circa 1977-78. Throbbing Gristle Violence Permanente Albrecht/d Vittore Baroni: Born To Relics (Near the Edge Editions, Viareggio, Italy 2011) Psychic TV Vittore Baroni: PSYCHIC TV – Genesis P - Orridge: A COUMprehensive Collection Ov Lyrics 1981-90 Psychic TV Vouchers to Live recordings Psychic TV Walter Hartmann Archiv pictures Throbbing Gristle We Cast Tall Shows (unreleased Lp-Prototype) Clock DVA White Souls 78/79 Promo Clock DVA Wolves Psychic TV Wreckers of Civilisation Throbbing Gristle Zürich 2002, photos by Daniel Straub und Isa Illek Coil 'Weeping' Lyrics by Throbbing Gristle 1978. A4 Vintage photocopy, age related tanning and couple of small rust marks on verso. Throbbing Gristle ´Ticket for Centro Iberico gig 21st January 1979. 110 x 57 mm Throbbing GristleRelated Labels
FruxNanaveshTOPY (Temple Records)Topy USRelated Labels Persons
Genesis P OrridgeRelated Labels-Literature
Feature Mist Promo Touch Nuit Et Brouillard Festival Promo New WaveRelated Press & Organisations
NanaveshRelated Press & Org Literature
Antidote Radio Chicago FM103 Playlist 02-06-1984 and Poster Antidote Radio Chicago FM103 Bierfront 5/85 Bierfront Bierfront 1/86 Bierfront Bierfront 1/85 Bierfront Cabeza Cuadra Nr. 04 / 86 Cabeza Cuadre Der Neger Nr. 6 (Januar 85) Der Neger Der Neger Nr. 4 (Sommer 84) Der Neger Eventworks 1984 Poster Eventworks 1984 Festival N.O.E. 1 N.O.E Modern Primitives RE/Search Publications Rogue Number 31 Rogue Rouge Rouge Scritti 02/83 Scritti Subvert No. 05 Subvert Subvert No. 04 (Ressurection Issue) Subvert Tape Delay (SAF Publications) Tape Delay The Final Academy The Final Academy Troya 5 Troya U Bahn 1 U-Bahn Unsound Volume 1 Number 5 Unsound Vague 16/17 Vague Vision Nr.1 Kiss the Perfect Vision (CH) Vision Nr.2 Turn to Crime Vision (CH) Who's been Sleeping in my brain (edition Suhrkamp) Who's been Sleeping in my brain


text:
Glasses with wine and orange juice
Unlocking the World of Free Stock Photos: A Kaboompics Revolution
In an era where visuals dictate narratives and aesthetics define brands, Kaboompics emerges as a beacon for creatives, marketers, and bloggers seeking unparalleled free stock photos. Our platform is not merely a repository; it's a gateway to exploring high-quality stock images that resonate with your project's essence, all while ensuring legality and artistic integrity.
Aesthetic Stock Photos: Your Creative Ally
At Kaboompics, every aesthetic stock photo is a story waiting to be told. Our collections, meticulously curated by our dedicated photographer, transcend the ordinary, offering Pinterest style stock photos that are both engaging and inspiring. Whether you're designing a website, crafting a blog post, or enhancing your social media presence, our free resources are tailored to elevate your content with a touch of elegance.
Explore our categories for free photos that align with your project's needs:
- Lifestyle Free Stock Images
- Food & Drink Free Photos
- Technology Free Stock Images
- Business & Office Free Photos
- Interior Free Stock Images
- Beauty & Fashion Free Photos
- Nature Free Stock Images
- Urban Free Photos
- People Free Stock Images
- Animals Free Photos
- Home Decor Free Stock Images
- Travel Free Photos
- Healthcare Free Stock Images
Exclusive Photo Shoots: A Visual Feast
Our free HD photos download option comes to life through entire photo shoots, offering a diverse selection of high-resolution images free of charge. This unique approach ensures you have access to a comprehensive visual narrative, perfect for projects requiring a cohesive aesthetic.
Empowering Creativity with Legal, High-Quality Stock Images
Kaboompics stands out by providing free professional photos crafted by a photographer passionate about visual storytelling. This personal touch guarantees that our free stock photos are not just legal but are also imbued with artistic flair and authenticity. As the owner and creator behind each image, we ensure that your use of our photos—be it for free images for social media, free business stock photos, or aesthetic wallpapers—is both legal and ethical.
Discover the Art of Visual Storytelling with Our Free Photoshoots
At Kaboompics, we go beyond the ordinary to offer an exclusive collection of free photoshoots that bring your stories to life. In the fast-paced world of digital content, where visuals are not just part of the narrative but its pulse, our free aesthetic photos and free images stand out by offering depth, character, and beauty. From the detailed intricacies of healthcare and medication, capturing the essence of trust and precision, to the luminous charm of 2024's hot metals trend as predicted by Pinterest, each of our collections is meticulously curated to inspire.
Our free HD photos download option brings to life entire photoshoots, offering a wide array of choices. Whether it's the soft, inviting textures of our free skincare photo collection, perfect for luxury skincare projects, or the delectable allure of an elegant breakfast stock photos, our free pictures provide a vast canvas for your creativity.
Embrace the tranquility of still life with our Minimalist Still Life Images or capture the essence of editorial fall fashion with City Chic in Autumn. The Free Stock Photos of Warm Apartment Aesthetic offers a glimpse into cozy living spaces, while Dramatic Free Backgrounds of Wavering Waters showcase the serene and the powerful sides of nature. For those seeking simplicity and elegance, The Quiet Corners offers minimalist charm, and Balanced Lifestyle illustrates the harmony of modern living and stunning home office.
Our mission at Kaboompics is to provide free professional photos that inspire and enable creativity. Each of our free photoshoots is a testament to the beauty and diversity of visual storytelling. Dive into our collections, where every free image opens up a world of possibilities, allowing you to find the perfect visual narrative for your next project. With Kaboompics, your search for free aesthetic photos, free HD photos for download, and high-quality stock images is over.
Explore our world of free photoshoots at Kaboompics, where every photo tells a story, and every story is waiting to be shared. Let us help you tell yours with the perfect visual narrative, all available for free, because we believe in empowering creativity without limits.
The Kaboompics Promise: Elevating Your Visual Content
In a world where the right image can make or break your project, Kaboompics is committed to offering free HD photos download options that don't compromise on quality. From magazine style interior photos to Vogue style photo shoots download, our platform is a testament to the power of visual storytelling.
We invite you to explore, download, and create with our photos. Kaboompics is more than just a resource; it's a community where creativity thrives. What's next for us? Fashion? Interior design? The choice is yours. Together, let's continue to push the boundaries of visual content.
Join us on this journey at Kaboompics—where every photo tells a story, and every story inspires a masterpiece.


text:
As you move ahead and gear up for what's next, we're here to help with a $400 bonus toward the lease or purchase of a brand new Hyundai. So book your appointments. Go on your job interviews. Take your power lunches. With the right moves, you've got a Hyundai that will get you there.
Driving off in your new Hyundai with these benefits is simple. Just visit your local Hyundai dealer with the items listed below.
This Hyundai College Grad Program Offer (the "Offer") is limited to well-qualified customers who meet all the following Offer criteria, and who finance the purchase or lease of their new Hyundai, subject to credit approval, through Hyundai Motor Finance (HMF). Offer applies to all new and unused Hyundais excluding vehicles with Final Pay. Only available at participating Hyundai dealerships. Must have graduated with a Master's, Bachelor's or Associate's degree from a U.S.-accredited college or registered nursing school within the past two (2) years or will graduate from such a school within the next six months from date of finance contract. No adverse credit history. Verifiable proof of employment or firm commitment from an employer with start date no more than 90 days from date of finance contract. Offer valid through January 2, 2024 (HMF finance contract must be dated on or before January 2, 2024).
1$400 Bonus offer from HMF; only one Offer per vehicle. $400 Bonus offer not valid on Hyundai Certified Used Vehicles or any used vehicles.
LEASE: $400 Bonus must be applied towards the amount due at lease signing. Monthly lease payment and total due at lease signing are calculated after applying the $400 reduction. $400 Bonus cannot be combined with Zero Due at Signing Lease program.
PURCHASE: $400 Bonus must be applied as an additional down payment.
New Hyundai vehicle purchases/leases only. See dealer for details.
Offer valid through January 2, 2024. Only on approved credit by HMF through participating dealers. HMF standard credit criteria apply. See your dealer for details. Dealers set actual prices. Limited time only.
**See dealer for program benefit details.


text:
One Breath at a Time
Posted by Mitch Ditkoff at June 25, 2017 08:14 PM
Post a comment
Thanks for signing in, . Now you can comment. (sign out)
(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)


text:
Police shoot driver outside Capitol after chase
Last updated: October 3, 2013 - 5:06pm
WASHINGTON (AP) -- A woman driving a black Infiniti with a young child inside tried to ram through a White House barricade Thursday, then led police on a chase that ended in gunfire outside the Capitol, witnesses and officials said.
Tourists watched the shooting unfold on Constitution Avenue outside the Capitol as lawmakers inside debated how to end a government shutdown. Police quickly locked down the entire complex temporarily, and both houses of Congress went into recess.
The driver's condition was not clear after police fired at the car. Authorities performed several minutes of CPR on someone near the driver's side of the car, then carried that person away.
Police described it as an isolated event and saw no indications of terrorism.
The pursuit began when a car with Connecticut plates sped onto the driveway leading to the White House, over a set of lowered barricades. When she couldn't get through a second barrier, she spun the car in the opposite direction, flipping a Secret Service officer over the hood of the car as she sped away, said B.J. Campbell, a visiting tourist from Portland, Ore.
A fleet of police and Secret Service cars chased the Infiniti toward Capitol Hill.
"The car was trying to get away. But it was going over the median and over the curb," said Matthew Coursen, who was on his way to a legislative office building when the Infiniti sped by him. "The car got boxed in and that's when I saw an officer of some kind draw his weapon and fire shots into the car."
Coursen watched the shooting from his cab window.
"I thought to myself, 'The car is getting blocked in. The car is going to surrender,'" he said. "Now the cop has his weapon out. The car kept trying to get away. Then he fired shots."
It was not clear whether the driver was armed.
Capitol Police Chief Kim Dine would not disclose the driver's condition but said she was in custody.
Senate Sergeant at Arms Terrance Gainer said a child was taken from the car to a hospital but said he knew of no harm to the youngster. Tourist Edmund Ofori-Attah said the child appeared to be about 2 to 3 years old.
A police officer was injured in the traffic accident but Gainer said the injuries were not life threatening.
"We heard three, four, five pops," said Sen. Bob Casey, D-Pa., who was walking from the Capitol to an office building across the street. Police ordered Casey and nearby tourists to crouch behind a car for protection, then hustled everyone into the Capitol.
"There were multiple shots fired and the air was filled with gunpowder," said Berin Szoka, whose office at a technology think tank overlooks the shooting scene.
The shooting comes two weeks after a mentally disturbed employee terrorized the Navy Yard with a shotgun, leaving 13 people dead including the gunman.
Before the disruption, lawmakers had been trying to find common ground to end a government shutdown. The House had just finished approving legislation aimed at partly lifting the government shutdown by paying National Guard and Reserve members.
U.S. Capitol Police on the plaza around the Capitol said they were working without pay as the result of the shutdown.


text:
Receipts and Credit Notes depict the money credited to the account of your Customers/Sub-Resellers. There is not much difference between a Receipt and a Credit Note, except in a definition sense. From an accounting perspective, a Receipt signifies actual Receipt of money, while a Credit Note would be used to credit your Customer/Sub-Reseller with funds without actual Receipt of money. Lets take an example to understand this better:
If your Customer sends you a cheque of USD 200, and you credit it to his account, you would do this as a Receipt.
If you decide to offer your Customer a discount on his previous Registrations, you may choose to pass a Credit Note for that discount, by adding funds to the Customers account using a Credit Note. There is no actual receipt of money, but you still wish to Add Funds to that Customers Account.
Both Receipts and Credit Notes are used to Add Funds to your Customer's/Reseller's account in that sense. Any Receipt added immediately adds to the available balance of your Customer or Sub-Reseller.
Lets look at the fields that make up Receipts and Credit Notes:
Transaction ID: This is a numerical integer value which uniquely identifies every transaction. The system automatically generates serial numbers for you, separately for your Customers and your Sub-Resellers, starting from 1, incrementing upwards for each additional Receipt and Credit Note created.
Transaction Date: This is the date on which the Receipt/Credit Note was created.
Description: This is the description of the Receipt/Credit Note.
Receipt/Credit Note Amount: This is the amount of the Receipt/Credit Note. On adding the Receipt/Credit Note, this amount gets added to the total available balance of that Customer/Sub-Reseller. In case your Selling Currency is different from your Accounting Currency, you will see the Receipt/Credit Note Amount in both the currencies.
Pending Amount: This is the amount of unutilised funds of a particular Receipt/Credit Note. To begin with this will be same as the Receipt/Credit Note Amount. For example, if the Receipt amount is USD 200, the pending amount will also be USD 200. If the Customer now chooses to pay an Invoice of USD 100 using this Receipt, the Pending Amount in the Receipt now will be USD 100. Incase your Selling Currency is different from your Accounting Currency, you will see the Pending amount in both the currencies.
Other Details: A Receipt contains several other details such as Contact Information, Tax information, etc..
It is important to note that none of the above fields can be modified once a Receipt/Credit Note is created. The amounts, address information, everything remains as it is. Another important aspect to note is that a Receipt/Credit Note contains even your OWN contact details. If you click the Print button in the Receipt/Credit Note Details view, it will show your contact details too. These contact details are separately stored with each Receipt/Credit Note. These too cannot be modified. Even if you change your company name after 1 month, it will not affect the Receipts/Credit Notes already raised under the previous company name. This change will only affect newer transactions.
Lets understand the different types of actions that can be performed on a Receipt/Credit Note. These actions are accessible from the toolbar in the Receipt/Credit Note Details view:
Print: You can use this button to obtain a Printable Copy of the Receipt/Credit Note for your reference.
Download: You can use this button to download a copy of the Receipt/Credit Note as a PDF file.
Chargeback/Refund: In the event that you receive a Chargeback (payment dispute) or wish to Refund a Receipt/Credit Note, you may do so from within the particular Receipt/Credit Note's Details view itself, by selecting the appropriate option in the drop-down and clicking the Go button.
Additional InformationAn additional concept which is important to note with respect to Receipts and Credit Notes is the maintenance of the Total Receipts figure. A Total Receipts figure is maintained for every Customer/Sub-Reseller of yours, and appropriately modified for every Receipt or Credit Note added for that Customer/Sub-Reseller. This Total Receipts figure is then used to offer discounts to Sub-Resellers and Customers doing higher volumes of business.


text:
Need help?
Follow Us
Enter your e-mail and password:
New customer? Create your account
Lost password? Recover password
Enter your email:
Remembered your password? Back to login
Spend $99.00 more and get free shipping!
Your cart is empty
This Tonie teaches kids:
Your satisfaction is our priority! Therefore, all items* may be returned within 30 days of purchase. All items must be returned with the original receipt or shipping confirmation email. Merchandise must be in new condition, unused and unwashed, and in its original packaging. Items must be in 100% re-sellable condition and with all tags in place.
*Breast pumps and accessories and fragrances are not returnable under any conditions.
As well all NEW products, strollers, stroller accessories, and car seats must be returned to our store, in Miami, Florida (USA). Please note that products like strollers, car seats, high chairs, bouncers, play yards, and electronics items come with their own Manufacturer Warranty (read more in Manufacturer Warranty). The warranty will cover you in the event of any damages or broken parts, starting from the date of purchase. Because Manufacturer Warranty Service is included, Luna Baby Store reserves the right to not accept returns on any of these used items listed above. We reserve the right to refuse a refund if the merchandise is not in its original condition. Apparel must be with the hangtags attached. Car seats, strollers, and electronics must be in unopened boxes. Displays, open box items, and items sold with discounts are not returnable. Orders may only be canceled within 24 hours of being placed. Refunds will be issued in the original form of payment.
On-line Orders
Please note that returned items purchased with a free shipping offer or any promotion will have the standard cost of shipping subtracted from the refund. We do not exchange items returned by mail. You must place a new order for the desired items at www.lunababystore.com. Please note: you will be charged for the shipping and handling of your new order.
How to request a return:
Please contact us via email at email@example.com with your order number and the reason for the return. We will reply by e-mail with the authorization for the return. Items must be received back within 10 days of receiving the return authorization. Simply repack and return the unused merchandise securely in its original packaging. Items must be in 100% re-sellable condition, with all tags in place, and include a copy of the return authorization email with a brief note explaining the reason for your return/exchange. You will be refunded the cost of the product only, not the original shipping. Additionally, all shipping to return the product is at the purchaser's expense. For your security, please return your merchandise and insure it with a reliable carrier (e.g., FedEx, UPS, USPS) and keep your receipt and tracking number. Luna Baby Modern Store is not responsible for items damaged or lost in transit.
Shipping charges are non-refundable.
Please send all returns to:
Luna Baby Modern Store 261 NW 82nd Avenue Miami, FL 33126
Refund Policy:
Once the item is received, inspected, and approved to be refunded, the credit or refund will be issued. Refunds are issued using the original form of payment. Returns with a gift receipt will be refunded with store credit.
We offer FREE SHIPPING within orders over US$ 99 in the U.S. At this time, we do not ship to Alaska, Hawaii, or Puerto Rico, and we do not ship internationally. Unfortunately, we cannot ship to a P.O. Box, APO/FPO. All orders of products we have in stock are usually shipped within 1 to 3 business days from the day the order is placed. However, some of the products might be in backorder from the manufacturer. In this case, our customer service will contact you to let you know the expected delivery date of the purchased items.
Most merchandise is shipped domestically via FedEx Ground, USPS, or UPS Ground. All orders are shipped with a signature required. We reserve the right to refuse or cancel orders if fraud or an unauthorized transaction is suspected.
Damaged or Defective Merchandise We take great pride in the quality of the merchandise we carry; therefore, we take extreme care to pack shipments so they arrive safely and in excellent condition. In the rare instance that your merchandise arrives in a defective, damaged, or incomplete condition, you must immediately notify our Customer Care department by email at firstname.lastname@example.com and we will arrange a return, replacement, and/or a credit/refund. Please, note that notification must be made within 72 hours of receiving your items.
Shipping Internationally Unfortunately, at this time, we do not ship internationally. However, we can assist our clients to find a company that ships internationally. For additional information, please contact us by email at email@example.com. Please, note that all duties and taxes for shipments outside the United States are the responsibility of the customer.
We Guarantee the Price Match!
Luna Baby Store always seeks to offer the best products at fair prices, stipulated by the brands themselves, without additional value. Valuing the best service and the best conditions to offer, we guarantee the Price Match between baby stores. How to guarantee the Price Match at Luna Baby:
You can deselect the items you do not want to add to your cart.


text:
iCal Feed
Please use the below web address to access your calendar from other applications. You can copy and paste this into any calendar product that supports the iCal format.
iOS Devices (iPhone, iPod Touch, iPad)
To subscribe using your iPhone or iPad:
- Click your iPhone Settings icon.
- Select Passwords & Accounts from the list.
- Select Add Account.
- Select Other.
- Select Add Subscribed Calendar at the bottom of the list.
- Enter the subscription link (shown above) in the server field.
- Click Next in the top right hand corner of the screen.
- The URL will be verified, and your subscription information will display.
- Click Save.
To view this calendar on your iPhone:
- Click the Calendar icon on your iPhone's home screen.
- Click the Calendars button in the top left hand corner of your default calendar screen.
- Select the name of the calendar you have just added. A check mark will appear next to it.
- Click Done.
Events from this calendar will now display on your iPhone calendar.