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Thanksgiving marks the start to the holidays; a season filled with feasting, indulging, and spending time with family and friends are always special. Thanksgiving is a holiday meant for giving thanks, and while this may seem like such a natural celebration, the United States is only one of a handful of countries to officially celebrate with a holiday.
Unlike many holidays, Thanksgiving is a secular holiday, and it is celebrated on the fourth Thursday in November in the United States. In Canada, it is celebrated on the second Monday of October, which is, oddly enough, much closer to a time when harvests were likely gathered. In addition to the different dates, the origins of the celebration also share different roots.
Thanksgiving in the United States
Giving thanks for a bountiful harvest are not new, but the modern day holiday in the US can be traced to a celebration at Plymouth in Massachusetts in 1621. This feast of thanksgiving was inspired by a good harvest, and the tradition was simply continued on. At first, the colony at Plymouth didn't have enough food to feed everyone present, but the Native Americans helped by providing seeds and teaching them how to fish, and they soon began to be able to hold a feast worthy of the name. The tradition spread, and by the 1660s, most of New England was hosting a Thanksgiving feast in honor of the harvest.
Canadian Thanksgiving
An explorer of early Canada named Martin Frobisher is accredited for the first Canadian Thanksgiving. He survived the arduous journey from England through harsh weather conditions and rough terrain, and after his last voyage from Europe to present-day Nunavut, he held a formal ceremony to give thanks for his survival and good fortune. As time passed and more settlers arrived, a feast was added to what quickly became a yearly tradition. Another explorer, Samuel de Champlain, is linked to the first actual Thanksgiving celebration in honor of a successful harvest; settlers who arrived with him in New France celebrated the harvest with a bountiful feast.
A Modern Thanksgiving
Today, Thanksgiving is traditionally celebrated with the best of Americana. From feasts and football games to getting ready for the start of the Christmas shopping season, Thanksgiving means roasted turkey, pumpkin pie, and green bean casserole. No matter how you celebrate this momentous day, pause for a moment to give thanks for your friends, family, and all the bounties you've received. Happy Thanksgiving from Quality Care Dental, LLP!

subset: commoncrawl


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1 These are the words Moses spoke to all Israel in the wilderness east of the Jordan —that is, in the Arabah —opposite Suph, between Paran and Tophel, Laban, Hazeroth and Dizahab.
2 (It takes eleven days to go from Horeb to Kadesh Barnea by the Mount Seir road.)
3 In the fortieth year, on the first day of the eleventh month, Moses proclaimed to the Israelites all that the LORD had commanded him concerning them.
4 This was after he had defeated Sihon king of the Amorites, who reigned in Heshbon, and at Edrei had defeated Og king of Bashan, who reigned in Ashtaroth.
5 East of the Jordan in the territory of Moab, Moses began to expound this law, saying:
6 The LORD our God said to us at Horeb, "You have stayed long enough at this mountain.
7 Break camp and advance into the hill country of the Amorites; go to all the neighboring peoples in the Arabah, in the mountains, in the western foothills, in the Negev and along the coast, to the land of the Canaanites and to Lebanon, as far as the great river, the Euphrates.
8 See, I have given you this land. Go in and take possession of the land the LORD swore he would give to your fathers —to Abraham, Isaac and Jacob —and to their descendants after them."
9 At that time I said to you, "You are too heavy a burden for me to carry alone.
10 The LORD your God has increased your numbers so that today you are as numerous as the stars in the sky.
11 May the LORD, the God of your ancestors, increase you a thousand times and bless you as he has promised!
12 But how can I bear your problems and your burdens and your disputes all by myself?
13 Choose some wise, understanding and respected men from each of your tribes, and I will set them over you."
14 You answered me, "What you propose to do is good."
15 So I took the leading men of your tribes, wise and respected men, and appointed them to have authority over you —as commanders of thousands, of hundreds, of fifties and of tens and as tribal officials.
16 And I charged your judges at that time, "Hear the disputes between your people and judge fairly, whether the case is between two Israelites or between an Israelite and a foreigner residing among you.
17 Do not show partiality in judging; hear both small and great alike. Do not be afraid of anyone, for judgment belongs to God. Bring me any case too hard for you, and I will hear it."
18 And at that time I told you everything you were to do.
19 Then, as the LORD our God commanded us, we set out from Horeb and went toward the hill country of the Amorites through all that vast and dreadful wilderness that you have seen, and so we reached Kadesh Barnea.
20 Then I said to you, "You have reached the hill country of the Amorites, which the LORD our God is giving us.
21 See, the LORD your God has given you the land. Go up and take possession of it as the LORD, the God of your ancestors, told you. Do not be afraid; do not be discouraged."
22 Then all of you came to me and said, "Let us send men ahead to spy out the land for us and bring back a report about the route we are to take and the towns we will come to."
23 The idea seemed good to me; so I selected twelve of you, one man from each tribe.
24 They left and went up into the hill country, and came to the Valley of Eshkol and explored it.
25 Taking with them some of the fruit of the land, they brought it down to us and reported, "It is a good land that the LORD our God is giving us."
26 But you were unwilling to go up; you rebelled against the command of the LORD your God.
27 You grumbled in your tents and said, "The LORD hates us; so he brought us out of Egypt to deliver us into the hands of the Amorites to destroy us.
28 Where can we go? Our brothers have made our hearts melt in fear. They say, 'The people are stronger and taller than we are; the cities are large, with walls up to the sky. We even saw the Anakites there.'"
29 Then I said to you, "Do not be terrified; do not be afraid of them.
30 The LORD your God, who is going before you, will fight for you, as he did for you in Egypt, before your very eyes,
31 and in the wilderness. There you saw how the LORD your God carried you, as a father carries his son, all the way you went until you reached this place."
32 In spite of this, you did not trust in the LORD your God,
33 who went ahead of you on your journey, in fire by night and in a cloud by day, to search out places for you to camp and to show you the way you should go.
34 When the LORD heard what you said, he was angry and solemnly swore:
35 "No one from this evil generation shall see the good land I swore to give your ancestors,
36 except Caleb son of Jephunneh. He will see it, and I will give him and his descendants the land he set his feet on, because he followed the LORD wholeheartedly."
37 Because of you the LORD became angry with me also and said, "You shall not enter it, either.
38 But your assistant, Joshua son of Nun, will enter it. Encourage him, because he will lead Israel to inherit it.
39 And the little ones that you said would be taken captive, your children who do not yet know good from bad —they will enter the land. I will give it to them and they will take possession of it.
40 But as for you, turn around and set out toward the desert along the route to the Red Sea. ""
41 Then you replied, "We have sinned against the LORD. We will go up and fight, as the LORD our God commanded us." So every one of you put on his weapons, thinking it easy to go up into the hill country.
42 But the LORD said to me, "Tell them, 'Do not go up and fight, because I will not be with you. You will be defeated by your enemies.'"
43 So I told you, but you would not listen. You rebelled against the LORD's command and in your arrogance you marched up into the hill country.
44 The Amorites who lived in those hills came out against you; they chased you like a swarm of bees and beat you down from Seir all the way to Hormah.
45 You came back and wept before the LORD, but he paid no attention to your weeping and turned a deaf ear to you.
46 And so you stayed in Kadesh many days —all the time you spent there.


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Concrete Pumping Hornsea Yorkshire
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text: Slimware Utilities Holdings, Inc. is part of Ask Applications, a division of IAC, a leading media and Internet company comprised of widely known consumer brands such as Vimeo and Dotdash, with majority ownership of Match Group and ANGI Homeservices. Since our founding in 2010, Slimware has been on a mission to revolutionize the way users and businesses clean, update, and optimize personal computers. We are dedicated to one guiding principle: Make PC optimization easy and intuitive for all. Our award-winning suite of products help save users time, manage their storage, and keep their PC performing at its peak.


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Martin Koolhoven's emotive film of a young boy learning about love, loss and deception at the close of the second world war is not only a journey through history, but also adolescence.
Explorations into the events and complications of the Second World War are nothing new, holding an endless fascination for filmmakers from the last 65 years. The resultant epics, tragedies, dramas and even comedies attest to the myriad of creative possibilities for this period of intense human cruelty and struggle. Something about the extremities created by the Nazi expansion invokes the greatest acts of human courage and sacrifice, as well as deceit and depravity. Dutch director, Martin Koolhoven's award-winning Winter in Wartime resumes this tradition, but with the story told through the eyes, fears and enthusiasms of a young boy. The work attains a level of identification with the audience, as the viewer encounters and reminisces on the tribulations of their own adolescence, contextualised in the wider realm of Nazi horrors.
Opening with phenomenal success in the Netherlands, Winter in Wartime has been a long time in the making. Koolhoven explains: "We just had a hard time writing the screenplay and getting the money. Then the success of Schnitzel en Knetter (Koolhoven's 2005 release) probably made it easier to finance Winter in Wartime. I suddenly went from a talented director, to a bankable director." Winter in Wartime is a significant departure from Koolhoven's usual repertoire of quirky art house narratives and comedies, but the direction has reaped rewards: "I think it was artistically my greatest achievement yet, so I was extremely happy it did so well. In Holland, it was the number one movie at Christmas, out grossing all my previous movies put together." Based on Jan Terlouw's popular children's book, Koolhoven explains that everything came together when he read her text: "I always wanted to make a movie about the Second World War. I was looking for the right story and when I read Jan Terlouw's Winter in Wartime in one night, I immediately knew what this movie should be like."
The film follows the adventures of 13-year-old Michiel through the last winter of the War in Nazi-occupied Holland. A typical young teenager, Michiel is naive and idealistic, disgusted at his country's placid attitude to the occupation, manifested in his father's friendly co-operation with the regime, as town mayor. In hindsight, there is heart-breaking poignancy in this peace-keeping, "to make sure everyone gets out of this war alive," and in Michiel's hero-worship of his resistant Uncle Ben, with his covert treats of sardines and black-market ration tokens. Michiel's father toes the line to maintain an uneasy peace, while the teenager longs for adventure and heroics, provided through the delivery of a letter between two members of the Resistance. But when the sender is arrested, and the recipient shot, Michiel's curiosity leads him to the discovery of RAF fugitive, Jack, plotting his escape to safety after crashing on enemy territory. With all of Jack's adult links to the Resistance either dead or imprisoned, he is forced to accept Michiel's enthusiastic help and Michiel stumbles into increasingly adult territory. This is a story of the loss of innocence, learning through the eyes of Michiel of Jack's guilt in murdering a German soldier, of the injustice of the Nazi regime through the execution of Michiel's law-abiding father, of the duality of loyalties and the dishonesty of the closest people around him. Michiel and Jack's plans for Jack's escape are repeatedly duped by Nazi soldiers, and the situation becomes increasingly desperate with Michiel out of his depth, as his Uncle Ben had warned. The ultimate treachery comes as Ben is unveiled as a Nazi spy, his talk of resistance a provocative ploy to enter into the trusted fold. Omnipresent mistrust, danger and horrors ensure that Michiel is changed forever, in a loss of innocence more brutal than viewers in peacetime Europe can ever imagine.
Koolhoven describes the film as "a coming of age story set in the pressure-cooker that war is." The underlying point of importance is the very universality of the story in telling the narrative through Michiel's eyes. The audience shares in the horrors of the occupied people through their identification with the more mundane aspects of Michiel's growth – the patronisation of his elders, the first cigarette, the jealousy at the blossoming romance between Jack and Erica, the fevered excitement at discovering Jack's shattered English watch. Michiel becomes a window to the occupied experience because we emphasise with the awkwardness of adolescence, and the disappointment in discovering the fallibility of those we look up to. Koolhoven's screenplay invites us into the mindset of the Dutch Resistance in a manner that is not achievable through the savvy of an adult character. "The movie is made to make you emotionally connected with Michiel and his journey will be your journey."
The overlaps between right and wrong are a focal point. This learning curve is exponentially heightened by its setting in Nazi Europe as we re-learn the lessons of adolescence with Michiel, the unreality of childish assumptions. We witness good in the Germans as individuals, just as there is bad in the Dutch – as the extremities of war take hold, Michiel learns the monstrosities of his own family through Uncle Ben's treachery, as well as the kindness of the German soldiers in their daily running of the village, contrasted with their constant suspicion of ordinary citizens. Michiel's father sacrifices himself rather than have another innocent citizen executed and made an example of, depriving his family of a father in his heroics, while Michiel's own vengeful action on Ben is his greatest transgression, and it illustrates the most shocking cynicism of the once-innocent child, "at the end of the story, his life will never be the same; he is a totally different person than he was when the movie started."
These lessons are learnt through Koolhoven's very precise aesthetics. The cinematography is beautifully bleak, undeniably evocative of the inhospitable conditions of wartime, as well as the inherent quiet emotion of the landscape. The majority of outdoor shoots were actually based in Lithuania, due to the Netherlands' prosperous development over the 20th century – "there were areas with nature that looked more like Holland in 1945 than today." It's not a winter wonderland, but a covertly, despondent pathetic fallacy, the resignation of the people reflected in the environment around them, maintaining charm in spite of the serious issues at hand, and inspiring a quiet pride in the landscape, as encouragement for the heads down attitude of ordinary citizens away from the forthright crusades of the Resistance. Koolhoven confirms: "Floris Vos and Alette Kraan created a world that was gorgeous. What was so good about it for the movie was that it was not only believable as 1945, it still had feeling you could relate to. It doesn't feel like history lesson, it's organic." Koolhoven made an exceptional choice in the casting of Martijn Lakemeier in his first lead role, as Michiel is the audience's window into the story, an emphatic, sympathetic portrayal was imperative. "The concept of the movie made the actor who was going to play Michiel extremely important. Everything is seen through his eyes."
Winter in Wartime is both a thrilling wartime drama and an insight into the personal struggle of occupied civilians through the journey of the adolescent boy. It aims to bridge the gap in the canon of war films. In the Netherlands, the Nazi occupation and the Dutch Resistance are inevitable elements of the country's heritage, yet Koolhoven explains that he felt a detachment from his ancestors in the usual wartime narratives, "a distance between me and the characters, especially in the Dutch ones. The acting, the language, the way the camera is used, there is something about period pieces that creates distance. I wanted this movie to be emotional. I wanted this film to have the type of urgency you normally only have with contemporary stories."
Irrecoverably changed, Michiel's journey provides a fitting correlation for Post-War Europe – the innocence permanently lost, but the spirit of the Liberation awakening hope and recovery. Winter in Wartime was released in UK cinemas on 12 February 2010.
Ruby Beesley


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Trumpet Ceramic Pendant Light
Feature | |
Type | Pendant Lights |
Style | Modern |
Suggested Space Fit | Living room,Bedroom |
Suggested Room Size | 10㎡-15㎡ |
Indoor or Outdoor Use | Indoor |
Dimmable | No |
Color Temperature | / |
Smart Enabled | No |
Need Assembly | / |
IP rate | IP20 |
Power source | Hardwired |
Bulb Information | |
Bulb Included | No |
Bulb Type | Bi-pin |
Bulb Base | G9 |
Number of Bulb | 1 |
Voltage (V) | 110V-240V |
Maximum Wattage(W) | / |
Material | |
Primary Material | Brass, Ceramic |
Fixture Material | Brass, Ceramic |
Shade Material | Brass, Ceramic |
Weights&Dimensions | |
Product Weight | / |
Chain/Cord Adjustable or Not | No |
Size | See Images |
Package Contents | |
1*Pendant Lights | |
Note | |
The size is manually measured, there will be an error of 1-3cm. Because of the difference in light, there may be slight chromatic aberration. We appreciate your understanding in advance. We recommend that you'd better let a professional electrician to install it |
Return Policy
Upon delivery of the goods, you will promptly examine them. If any of the goods ordered have been damaged in transit or have been incorrectly shipped, does not meet your requirements or are defective through faulty material or factory workmanship. Please kindly notify us by writing to us through email at firstname.lastname@example.com within 30 days from the date of delivery of the relevant goods.
Secure Payment
Trusted secure payment powered by Adyen, currently accept major credit cards (VISA, Mastercard, AMEX, etc.) and PayPal. Fortified with advanced SSL encryption technology, provides a reliable shield to safeguard your sensitive personal and financial information.
Lamp knowledge science
*A general explanation of the product features for all lighting fixtures. It doesn't mean the product on the current page is dimmable or three colors changeable.
Please check the Description section to find whether the current product is dimmable or not.
- Dimmable version: equipped with a remote control, and can adjust the brightness and color temperature of the light, not compatible with dimmers.
- Three-colour changed by switch version: controlled by a switch, you can adjust the color temperature of the light, there is no memory function, the next time you turn on the light will return to the initial setting.
Trumpet Ceramic Pendant Light
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The Obama administration confirmed early Friday afternoon that starting next year, it plans to push back the start of enrollment for coverage under the new health care law by one month.
NPR's Julie Rovner tells us via Twitter that White House spokesman Jay Carney says the Department of Health and Human Services "has indicated its intent to shift the 2015 marketplace schedule by one month."
As The Wall Street Journal put it earlier in the day:
"The Department of Health and Human Services will allow Americans to start signing up for [2015] coverage starting Nov. 15, 2014, rather than Oct. 15, 2014. .... People will have until Jan. 15, 2015, rather than Dec. 7, 2014, to complete the process."
The White House says that will give insurers more time to prepare their rates. The Journal notes the shift also means "Democrats facing tough re-election races next fall don't have to campaign at the same time as open enrollment is taking place, although some premium information would be already available during the campaign."
According to The Washington Post:
"Republicans were quick to pounce on the change, accusing the administration of a blatantly political effort to delay bad news that might result from the next round of open enrollment until after the election. The delay means Americans might not hear about potential rate increases until after the election, rather than in the weeks before."
For ongoing coverage of the health care law, see what Julie and our other colleagues have been posting on the Shots blog.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Free Fight
"I'm going to go out there and be my best like I always do. I'll grind
on him, I'll beat on him, and it's going to be an exciting fight." - Kenny Robertson
A teacher teaches.
It's ingrained in them to open our eyes to a realm of new possibilities with knowledge they have previously acquired. Whether it is the quadratic equation in algebra, the capital city of Burundi in world geography, making an S curve with a band saw in woodshop, or it could be a fascinating kneebar submission inside the Octagon.
In Brock Jardine's case, the lesson was the latter as UFC welterweight and full-time high school teacher Kenny Robertson taught a valuable exercise in minding where one's feet are when tripoding up to shake off an opponent.
"I wrestled all through college," remembers Robertson. "I was a 'leg rider,' and leg riders get high sometimes and people try to shake you off the top. I learned to grab that foot and pull up the foot. In wrestling, it can be potentially dangerous and a ref would have to stop it, but in MMA you can kind of yank on it and it's a pretty good submission."
"Pretty good" is an understatement, as the never-before-seen-in-the-UFC kneebar variation earned Robertson his first win in three tries inside the Octagon and a Submission of the Night bonus. "Just the win in itself was awesome because it was a load off to know that I could really compete at this level," tells Robertson, who had taken two fights on short notice for the UFC and came up short in both to game opponents Mike Pierce and Aaron Simpson. "The fight bonus was nice and just finishing was nice. I like to get in there, finish, get the job done, and go home. It's a lot easier to enjoy the rest of the fights if you win in the first or second round than going to decision."
The 29-year-old with an overall record of 12-2 is accustomed to finishes, as he has won all but one of his fights by some form of stoppage. At UFC 157, the sub of choice was quite unique to the viewing audience, and to Jardine, who it was applied to, but Robertson had pulled it off before years earlier. Originally, the move was discovered during his collegiate wrestling days at the NCAA Division I level Eastern Illinois University, the same school made famous to UFC fans by UFC Hall of Famer Matt Hughes, Mike Russow, and Matt Veach. As Robertson tells it, he first managed to do the maneuver to some unfortunate opponent in a match back then, which resulted in tearing that guy's hamstring.
"I figured it out and I did it all at the same time," says Robertson. "I didn't know how to do it beforehand. It was one of the things that led me to figure it out. I really don't practice it. Unless you're going against someone really flexible, but you can just grab the leg slowly. It's more of a feel thing and you learn it by doing it."
To paint a clear picture, about two minutes into the first round, Robertson took Jardine's back and got his hooks in. As mentioned, he was a little high on Jardine, so Jardine did what almost anyone would do: lean forward, brace oneself with an extended hand to the mat, and stand up. The problem is one's foot, in this specific scenario Jardine's, if too far forward can be grabbed, lifted up, and force that person into a very unexpected split. From there, it's a mix of both fighters' weight and gravity pushing down on the prone, outstretched leg. And Jardine couldn't tap fast enough.
Robertson dubbed the bonus check awarded move "The Kickstand".
"Once you get the legs apart, the person really loses any muscle control to push away with it," explains Robertson. "I wasn't necessarily leading him into that, but I had seen that he had tripoded when he fought Rick Story. He had tripoded a couple times in that fight. He got his foot real close to where his hands were. I figured if he did that then I would go for it. I like having people's backs. I have a good feel when I have it, being a leg rider and everything. When I'm fighting, I'm just looking to improve the position, go for the submission, go for the TKO, or go for the finish."
Up next for East Peoria, Illinois' innovator of offense is a June 15th showdown against Sean Pierson at UFC 161 in Winnipeg, Manitoba, Canada. A sure hometown favorite from Toronto, "The Punisher" has a 13-6 record and is riding a two fight win streak in the UFC, taking unanimous decisions over Jake Hecht and Lance Benoist. At 37 years old, the southpaw slugger has won the majority of his scraps simply punching his opponent's lights out, with eight KOs to his name.
"I have a lot of respect for the guy," reveals Robertson. "It's a good matchup. He's got good hands, a good wrestling background, and he's always in-shape. He's well-rounded. I really haven't seen him on his back that much. He's been taken down, but he seems good at getting back up. It should be a good one."
In preparation for "The Punisher", the moniker-less Robertson has taken advantage of the plethora of gyms in the Central Illinois area. For striking, Robertson turns to highly credentialed Muay Thai coach Ryan Blackorby of the Peoria Athletic Club. For strength & conditioning, Robertson heads to the Human Performance Lab in Germantown Hills. To sharpen those wrestling skills instilled upon him by EIU's Hall of Fame coach Ralph McCausland, Robertson makes the trip to Springfield to tangle with fellow fighters at the Kennel Fight Club.
"Ralph McCausland was a great coach and a hell of a guy and still is," affirms Robertson. "His style of leg riding and grinding on someone to break them so that they will give up something works particularly well for finishing. You're grinding on someone's shoulder and they want to put their shoulder down to get pinned. I've been going to Kennel Fight Club in Springfield, Illinois and some of [former coach of Matt Hughes] Marc Fiore's guys train there, and every position I put them in there is always a little painful or uncomfortable. I don't just hang out. They say that reminds them of when they used to go with Matt [Hughes]. Positions are great, but if you put your shoulder into their throat a little bit that will make them uncomfortable and they'll think about their throat more than an armbar or kneebar or whatever you throw at them."
This Saturday at the MTS Centre in "The Peg", the proven fight-finishing Robertson will collide with the no-quit switch-having Pierson. "There are only really two ways I see this fight happening: I go out there and get the finish or this becomes a slugfest and we're going to go after each other on the feet," asserts Robertson, who will look to go for the exciting ending even if he has to make up a new submission on the spot and teach us all by doing it. "I'm going to go out there and be my best like I always do. I'll grind on him, I'll beat on him, and it's going to be an exciting fight."


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Marauder Task Force Baseball Bat Designs - Die-Cut Sticker Sheet - 1:18 Scale Accessories for 3 3/4 Inch Action Figures
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ONE (1) complete sheet of custom die cut stickers. Incredibly detailed stickers are designed to work with the MTF Baseball Bats. Several different designs to customize your bats. Die-cut stickers are just "peel and stick"...no water or cutting! Stickers are made out of a VERY thin film to allow for a realistic use on the figures (NOT "big & thick" material like is commonly used). The MTF sticker sheet allows you to take your detail custom work to a new level! Sheet measures approximately 2-1/2 inches by 3-1/2 inches.
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Female Head: "KATHY-JO" TAN Skin Tone with WHITE Hair - 1:18 Scale MTF Valkyries Accessory for 3-3/4" Action Figures
Male Head: "KWAME" DARK Skin Tone with BLACK Hair - 1:18 Scale MTF Accessory for 3-3/4" Action Figures
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Male Head: "AJANI" DARK Skin Tone with GRAY BEARD - 1:18 Scale MTF Accessory for 3-3/4" Action Figures
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Male Head: "RYAN" DARK Skin Tone with BLACK MOHAWK Hair - 1:18 Scale MTF Accessory for 3-3/4" Action Figures
Female Head: "CHRISTINA" TAN Skin Tone with 2 (TWO) BLUE Hair Pieces (LONG AND MEDIUM Length) Deluxe Set - 1:18 Scale MTF Valkyries Accessory for 3-3/4" Action Figures
Female Head: "KATHY-JO" DARK Skin Tone with WHITE Hair - 1:18 Scale MTF Valkyries Accessory for 3-3/4" Action Figures
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Swarna Fasteners is one of the leading MS Hex Nut Manufacturers based in Delhi, India. With a history of over 7+ years, exceeding the expectations of our clients and with that, we are improving ourselves to attain the highest position. We are committed to meet quality standards and our in-house manufacturing is thus loaded with the advanced tools and technologies to ease our path to reach the destination.
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News and Images from Rue Morgue's First Film!
You may recall the rather significant announcement a few months back that founder and editor-in-chief of Rue Morgue Magazine, Rodrigo Gudino, would be leaving his post at the magazine to write and direct films, something he had been striving for his whole life.
Then, for a long time, we heard nothing…until now. Gudino's first short film, "The Eyes of Edward James", is not only completed, but it has been accepted as part of the final list of 38 short films (down from the 560 entered) to make its premiere at the prestigious Toronto International Film Festival, which runs from September 7th-16th.
"The Eyes of Edward James" is the Hitcockian story of a patient whose doctor regresses him into the traumatic memory of the evening his wife was brutally murdered. As more and more of the truth comes out, however, Edward's doctor begins to question if James is being entirely honest with him, much the same way Edward's wife was not as honest as she let on.
Richard Underhill (Blue Murder), Tal Zimmerman, Shala Kareen-Palmer, and Robert C. Fidler star in "The Eyes of Edward James", which marks Gudino's debut behind the camera. He's set to shoot another short, "The Demonology of Desire", later this year and will be starting his first feature in 2007. Be sure to hit the official site for the TIFF for updates on when and where the film will be shown, and keep it here for more cool stuff from the film — like this first look at some of its gory imagery!
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With all its running, twisting, turning, and jumping, basketball is one of the hardest games on the feet. Different movements put all the areas of the foot at risk. That is why proper conditioning, stretching, and well-fitting shoes are critical to a healthy enjoyment of the sport.
Ankle sprain is a particularly common injury in basketball, but the repeated shock and pressures on the foot can also lead to inflammations, including Achilles tendinitis , plantar fasciitis , and sesamoiditis .
Basketball Shoes
Foot and ankle stability, shock absorption, and traction are the most important qualities you should keep in mind when selecting basketball shoes. If you are susceptible to ankle injuries, consider a high-top or three-quarter shoe that provides added support to key foot structures during play. Look for shoes that offer the following:
- A wide toe box with plenty of room for your toes to move around. Not enough room can lead to blisters , calluses , and corns .
- Lightweight, breathable material for uppers; generally, leather is recommended.
- Dense, abrasion-resistant soles that are low to the ground for better traction and support.
- A well-cushioned midsole for a shock-absorbing layer. An EVA or EVA-compressed layer is lightweight but not as durable or stable. A polyurethane layer has greater stability, but it is often heavier, too.
- Bend in the forefoot of the shoe, which is at the ball of the foot near the toes. Be sure there is less bend in the arch where you need the added support to keep the foot stable.
- A firm heel counter that fits snugly.
- Appropriate laces, as the form of closure gives you the ability to adjust for the support you need throughout the foot.
When buying basketball shoes, be sure to take the socks you plan to wear with them to ensure a proper fit. Have your feet measured standing up and fit the shoes to your larger foot. Walk around, turn, twist, and jump in each pair on a hard surface to see how your foot feels during each of these movements. Most importantly, make your choice based on comfort.


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An ISIN number is a 12-character alpha-numerical number that does not contain information characterizing financial instruments but serves for uniform identification of a security at trading and settlement. An ISIN number is similar to a social security number in that the ISIN code identifies the securities characteristics. An International Securities Identification Number (ISIN) uniquely identifies a security, such as stocks, bonds and more. An ISIN's structure is defined in ISO 6166. Securities for which ISINs are issued include bonds, equities, commercial paper and warrants. ISIN.net can assist with virtually any ISIN needs.
If you are seeking to acquire or have an ISIN number and need assistance in this process, ISIN.net's ISIN consultants can help. We have assisted scores of companies over the years receive their ISIN numbers. ISIN.net assists in creating full Bond Packages, from the offering documents to the bond creation and registration.
Need an ISIN number or a specialist to help? Seeking to register your Niger bonds, stocks or securities by registering an ISIN number? ISIN.net can help assist in the setup and registering your securities or bonds with ISIN in a timely fashion.
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I have just downloaded Picasa 2.
I haven't really had much time to try it out yet, but it looks good.
"A free software download from Google.
Picasa is software that helps you instantly find, edit and share all the pictures on your PC. Every time you open Picasa, it automatically locates all your pictures (even ones you forgot you had) and sorts them into visual albums organized by date with folder names you will recognize. You can drag and drop to arrange your albums and make labels to create new groups. Picasa makes sure your pictures are always organized.
Picasa also makes advanced editing simple by putting one-click fixes and powerful effects at your fingertips. And Picasa makes it a snap to share your pictures – you can email, print photos home, make gift CDs, instantly share via Hello™, and even post pictures on your own blog."


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The WLA Traveling Choir travels to its newest association congregation (and farthest south), Trinity, Hartford (aka Huilsberg) on Sunday, Mar. 1, 2009. Trinity is south of Hwy 33 (and NW of Hartford) on the corner of Cty S and Goodland Rd. There is one service at 10 AM.
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Saturday, February 28, 2009
Tuesday, February 24, 2009
Visualizing the Bible
You know all those little cross references in between the columns of your Bible? Chris Harrison and Christoph Römhild made a data set which visualizes all 63, 779 cross references in the King James Version of the Bible. Each arc represents one cross reference. The color of the arc is dependent on the proximity of the cross reference. The alternating white and grey bars across the bottom are the 66 books of the Bible and the length of the vertical lines in the books are the number of verses per chapter. The image won an honorable mention for illustrations in the 2008 International Science and Engineering Visualization Challenge.
Monday, February 23, 2009
Inspirational Speech on Music
I have written on topic of "The Power of Music" three times before: (1, 2, 3). I am always interested in what other people have to say about the power of music in their lives and when I read this "Inspirational Speech on Music" last week I couldn't get through it without getting choked up. I record it here to save it for the future and to someday comment more to it.
It was written by Karl Paulnack, the Director of the Music Division of Boston Conservatory, and presented as a welcome address given to entering freshmen there.
It was written by Karl Paulnack, the Director of the Music Division of Boston Conservatory, and presented as a welcome address given to entering freshmen there.
Welcome Address, by Karl Paulnack
"One of my parents' deepest fears, I suspect, is that society would not properly value me as a musician, that I wouldn't be appreciated. I had very good grades in high school, I was good in science and math, and they imagined that as a doctor or a research chemist or an engineer, I mightbe more appreciated than I would be as a musician. I still remember my mother's remark when I announced my decision to apply to music school-she said, "you're WASTING your SAT scores." On some level, I think, my parents were not sure themselves what the value of music was, what its purpose was. And they LOVED music, they listened to classical music all the time. They just weren't really clear about its function. So let me talk about that a little bit, because we live in a society that puts music in the "arts and entertainment" section of the newspaper, and serious music, the kind your kids are about to engage in, has absolutely nothing whatsoever to do with entertainment, in fact it's the opposite of entertainment. Let me talk a little bit about music, and how it works.
The first people to understand how music really works were the ancient Greeks. And this is going to fascinate you; the Greeks said that music and astronomy were two sides of the same coin. Astronomy was seen as the study of relationships between observable, permanent, external objects, and music was seen as the study of relationships between invisible, internal, hidden objects. Music has a way of finding the big, invisible moving pieces inside our hearts and souls and helping us figure out the position of things inside us. Let me give you some examples of how this works.
One of the most profound musical compositions of all time is the Quartet for the End of Time written by French composer Olivier Messiaen in 1940. Messiaen was 31 years old when France entered the war against Nazi Germany. He was captured by the Germans in June of 1940, sent across Germany in a cattle car and imprisoned in a concentration camp.
He was fortunate to find a sympathetic prison guard who gave him paper and a place to compose. There were three other musicians in the camp, a cellist, a violinist, and a clarinetist, and Messiaen wrote his quartet with these specific players in mind. It was performed in January 1941 for four thousand prisoners and guards in the prison camp. Today it is one of the most famous masterworks in the repertoire.
Given what we have since learned about life in the concentration camps, why would anyone in his right mind waste time and energy writing or playing music? There was barely enough energy on a good day to find food and water, to avoid a beating, to stay warm, to escape torture-why would anyone bother with music? And yet-from the camps, we have poetry, we have music, we have visual art; it wasn't just this one fanatic Messiaen; many, many people created art. Why? Well, in a place where people are only focused on survival, on the bare necessities, the obvious conclusion is that art must be, somehow, essential for life. The camps were without money, without hope, without commerce, without recreation, without basic respect, but they were not without art. Art is part of survival; art is part of the human spirit, an unquenchable expression of who we are. Art is one of the ways in which we say, "I am alive, and my life has meaning."
On September 12, 2001 I was a resident of Manhattan. That morning I reached a new understanding of my art and its relationship to the world. I sat down at the piano that morning at 10 AM to practice as was my daily routine; I did it by force of habit, without thinking about it. I lifted the cover on the keyboard, and opened my music, and put my hands on the keys and took my hands off the keys. And I sat there and thought, does this even matter? Isn't this completely irrelevant? Playing the piano right now, given what happened in this city yesterday, seems silly, absurd, irreverent, pointless. Why am I here? What place has a musician in this moment in time? Who needs a piano player right now? I was completely lost.
And then I, along with the rest of New York, went through the journey of getting through that week. I did not play the piano that day, and in fact I contemplated briefly whether I would ever want to play the piano again. And then I observed how we got through the day.
At least in my neighborhood, we didn't shoot hoops or play Scrabble. We didn't play cards to pass the time, we didn't watch TV, we didn't shop, we most certainly did not go to the mall. The first organized activity that I saw in New York, that same day, was singing. People sang. People sang around fire houses, people sang "We Shall Overcome". Lots of people sang America the Beautiful. The first organized public event that I remember was the Brahms Requiem, later that week, at Lincoln Center, with the New York Philharmonic. The first organized public expression of grief, our first communal response to that historic event, was a concert. That was the beginning of a sense that life might go on. The US Military secured the airspace, but recovery was led by the arts, and by music in particular, that very night.
From these two experiences, I have come to understand that music is not part of "arts and entertainment" as the newspaper section would have us believe. It's not a luxury, a lavish thing that we fund from leftovers of our budgets, not a plaything or an amusement or a pass time. Music is a basic need of human survival. Music is one of the ways we make sense of our lives, one of the ways in which we express feelings when we have no words, a way for us to understand things with our hearts when we cannot with our minds.
Some of you may know Samuel Barber's heartwrenchingly beautiful piece Adagio for Strings. If you don't know it by that name, then some of you may know it as the background music which accompanied the Oliver Stone movie Platoon, a film about the Vietnam War. If you know that piece of music either way, you know it has the ability to crack your heart open like a walnut; it can make you cry over sadness you didn't know you had. Music can slip beneath our conscious reality to get at what's really going on inside us the way a good therapist does.
I bet that you have never been to a wedding where there was absolutely no music. There might have been only a little music, there might have been some really bad music, but I bet you there was some music. And something very predictable happens at weddings-people get all pent up with all kinds of emotions, and then there's some musical moment where the action of the wedding stops and someone sings or plays the flute or something. And even if the music is lame, even if the quality isn't good, predictably 30 or 40 percent of the people who are going to cry at a wedding cry a couple of moments after the music starts. Why? The Greeks. Music allows us to move around those big invisible pieces of ourselves and rearrange our insides so that we can express what we feel even when we can't talk about it. Can you imagine watching Indiana Jones or Superman or Star Wars with the dialogue but no music? What is it about the music swelling up at just the right moment in ET so that all the softies in the audience start crying at exactly the same moment? I guarantee you if you showed the movie with the music stripped out, it wouldn't happen that way. The Greeks: Music is the understanding of the relationship between invisible internal objects.
I'll give you one more example, the story of the most important concert of my life. I must tell you I have played a little less than a thousand concerts in my life so far. I have played in places that I thought were important. I like playing in Carnegie Hall; I enjoyed playing in Paris; it made me very happy to please the critics in St. Petersburg. I have played for people I thought were important; music critics of major newspapers, foreign heads of state. The most important concert of my entire life took place in a nursing home in Fargo, ND, about 4 years ago.
I was playing with a very dear friend of mine who is a violinist. We began, as we often do, with Aaron Copland's [Piano] Sonata, which was written during World War II and dedicated to a young friend of Copland's, a young pilot who was shot down during the war. Now we often talk to our audiences about the pieces we are going to play rather than providing them with written program notes. But in this case, because we began the concert with this piece, we decided to talk about the piece later in the program and to just come out and play the music without explanation.
Midway through the piece, an elderly man seated in a wheelchair near the front of the concert hall began to weep. This man, whom I later met, was clearly a soldier-even in his 70's, it was clear from his buzz-cut hair, square jaw and general demeanor that he had spent a good deal of his life in the military. I thought it a little bit odd that someone would be moved to tears by that particular movement of that particular piece, but it wasn't the first time I've heard crying in a concert and we went on with the concert and finished the piece.
When we came out to play the next piece on the program, we decided to talk about both the first and second pieces, and we described the circumstances in which the Copland was written and mentioned its dedication to a downed pilot. The man in the front of the audience became so disturbed that he had to leave the auditorium. I honestly figured that we would not see him again, but he did come backstage afterwards, tears and all, to explain himself.
What he told us was this: "During World War II, I was a pilot, and I was in an aerial combat situation where one of my team's planes was hit. I watched my friend bail out, and watched his parachute open, but the Japanese planes which had engaged us returned and machine gunned across the parachute chords so as to separate the parachute from the pilot, and I watched my friend drop away into the ocean, realizing that he was lost. I have not thought about this for many years, but during that first piece of music you played, this memory returned to me so vividly that it was as though I was reliving it. I didn't understand why this was happening, why now, but then when you came out to explain that this piece of music was written to commemorate a lost pilot, it was a little more than I could handle. How does the music do that? How did it find those feelings and those memories in me?"
Remember the Greeks: music is the study of invisible relationships between internal objects. This concert in Fargo was the most important work I have ever done. For me to play for this old soldierand help him connect, somehow, with Aaron Copland, and to connect their memories of their lost friends, to help him remember and mourn his friend, this is my work. This is why music matters.
What follows is part of the talk I will give to this year's freshman class when I welcome them a fewdays from now. The responsibility I will charge your sons and daughters with is this:
"If we were a medical school, and you were here as a med student practicing appendectomies, you'd take your work very seriously because you would imagine that some night at two AM someone is going to waltz into your emergency room and you're going to have to save their life. Well, my friends, someday at 8 PM someone is going to walk into your concert hall and bring you a mind that is confused, a heart that is overwhelmed, a soul that is weary. Whether they go out whole again will depend partly on how well you do your craft.
You're not here to become an entertainer, and you don't have to sell yourself. The truth is you don't have anything to sell; being a musician isn't about dispensing a product, like selling used Chevies. I'm not an entertainer; I'm a lot closer to a paramedic, a firefighter, a rescue worker. You're here to become a sort of therapist for the human soul, a spiritual version of a chiropractor, physical therapist, someone who works with our insides to see if they get things to line up, to see if we can come into harmony with ourselves and be healthy and happy and well.
Frankly, ladies and gentlemen, I expect you not only to master music; I expect you to save the planet. If there is a future wave of wellness on this planet, of harmony, of peace, of an end to war, of mutual understanding, of equality, of fairness, I don't expect it will come from a government, a military force or a corporation. I no longer even expect it to come from the religions of the world, which together seem to have brought us as much war as they have peace. If there is a future of peace for humankind, if there is to be an understanding of how these invisible, internal things should fit together, I expect it will come from the artists, because that's what we do. As in the concentration camp and the evening of 9/11, the artists are the ones who might be able to help us with our internal, invisible lives."
Thursday, February 19, 2009
Traveling Choirs sings at St. Paul's, North FDL
The WLA Traveling Choir continues their tour of the 38 WLA Association congregations this Sunday, Feb. 22, 2009 by singing for the 7:45 and 10:15 AM services at St. Paul's, North Fond du Lac. Traveling Choir students are to meet at church at 7:00 AM for warmups.
St. Paul's is located at 1010 Adams Ave. North Fond du Lac, WI, on the north side of Horace Mann High School.
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St. Paul's is located at 1010 Adams Ave. North Fond du Lac, WI, on the north side of Horace Mann High School.
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Academy Kids Perform for the 2009 Taste of Fond du Lac
The WLA Academy Kids will perform from 1:00-1:45 PM on Sunday, Feb. 22, 2009 in the Expo Center of the Fond du Lac Fairgrounds for the 2009 Taste of Fond du Lac, sponsored by Horicon Bank.
The Academy Kids will perform the following selections:
The Academy Kids will perform the following selections:
- I've Got the Music in Me
- Only Hope
- Words
- Adelaide's Lament
- And So It Goes
- Thriller
Friday, February 13, 2009
Traveling Choir to sing at St. Paul's, Brownsville
On Sunday, Feb. 15, the WLA Traveling Choir will sing for both services at St. Paul's, Brownsville, WI. The bus leaves WLA at 6:30 AM and will arrive at St. Paul's at 7:00 AM. Service times are 8:00 and 10:30 AM. TC will sing six pieces in two sets before the sermon in both services. The bus should be back to WLA by 11:45 AM.
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Sunday, February 8, 2009
Friday, February 6, 2009
Tuesday, February 3, 2009
AK sings for ALHS Opening Service
The sixteen members of the Winnebago Lutheran Academy Academy Kids will joined students from Manitowoc Lutheran High School, Kettle Moraine Lutheran High School, and Wisconsin Lutheran High School to sing for the opening service of the Conference of WELS Area Lutheran High Schools on Thursday, Feb. 5, 2009 at the Brookfield Sheraton.
The combined choirs will sang five pieces in the 8 AM worship service:
- In Christ Alone
- Speak, O Lord
- Psalm 150
- Festival Gloria: All Glory Be to God on High
- Soli Deo Gloria
Monday, February 2, 2009
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Jurors: Zimmerman not guilty of 2nd-degree murder
Published 9:44 pm Saturday, July 13, 2013
SANFORD, Fla. (AP) — Neighborhood watch captain George Zimmerman was cleared of all charges Saturday in the shooting of Trayvon Martin, the unarmed black teenager whose killing unleashed furious debate across the U.S. over racial profiling, self-defense and equal justice.
Zimmerman, 29, blinked and barely smiled when the verdict was announced. He could have been convicted of second-degree murder or manslaughter. But the jury of six women, all but one of them white, reached a verdict of not guilty after deliberating well into the night Saturday. The jurors considered nearly three weeks of often wildly conflicting testimony over who was the aggressor on the rainy night the 17-year-old was shot while walking through the gated townhouse community where he was staying.
Defense attorneys said the case was classic self-defense, claiming Martin knocked Zimmerman down and was slamming the older man's head against the concrete sidewalk when Zimmerman fired his gun.
Prosecutors called Zimmerman a liar and portrayed him was a "wannabe cop" vigilante who had grown frustrated by break-ins in his neighborhood committed primarily by young black men. Zimmerman assumed Martin was up to no good and took the law into his own hands, prosecutors said.
State Attorney Angela Corey said after the verdict that she believed second-degree murder was the appropriate charge because Zimmerman's mindset "fit the bill of second-degree murder."
"We charged what we believed we could prove," Corey said.
As the verdict drew near, police and city leaders in the Orlando suburb of Sanford and other parts of Florida said they were taking precautions against the possibility of mass protests or unrest in the event of an acquittal.
"There is no party in this case who wants to see any violence," Seminole County Sheriff Don Eslinger said immediately after jurors began deliberating. "We have an expectation upon this announcement that our community will continue to act peacefully."
The verdict came a year and a half after civil rights protesters angrily demanded Zimmerman be prosecuted.
Zimmerman wasn't arrested for 44 days after the Feb. 26, 2012, shooting as police in Sanford insisted that Florida's Stand Your Ground law on self-defense prohibited them from bringing charges. Florida gives people wide latitude to use deadly force if they fear death or bodily harm.
Martin's parents, along with civil rights leaders such as the Revs. Jesse Jackson and Al Sharpton, argued that Zimmerman — whose father is white and whose mother is Hispanic — had racially profiled their son. And they accused investigators of dragging their feet because Martin was a black teenager.
Before a special prosecutor assigned to the case ordered Zimmerman's arrest, thousands of protesters gathered in Sanford, Miami, New York and elsewhere, many wearing hoodies like the one Martin had on the night he died. They also carried Skittles and a can of iced tea, items Martin had in his pocket. President Barack Obama weighed in, saying that if he had a son, "he'd look like Trayvon."
Despite the racially charged nature of the case, race was barely mentioned at the trial. Even after the verdict, prosecutors said race was not about race.
"This case has never been about race or the right to bear arms," Corey said. "We believe this case all along was about boundaries, and George Zimmerman exceeded those boundaries."
One exception was the testimony of Rachel Jeantel, the Miami teen who was talking to Martin by phone moments before he was shot. She said he described being followed by a "creepy-ass cracker" as he walked through the neighborhood.
Jeantel gave some of the trial's most riveting testimony. She said she overheard Martin demand, "What are you following me for?" and then yell, "Get off! Get off!" before his cellphone went dead.
The jurors had to sort out clashing testimony from 56 witnesses in all, including police, neighbors, friends and family members.
For example, witnesses who got fleeting glimpses of the fight in the darkness gave differing accounts of who was on top. And Martin's parents and Zimmerman's parents both claimed that the person heard screaming for help in the background of a neighbor's 911 call was their son. Numerous other relatives and friends weighed in, too, as the recording was played over and over in court. Zimmerman had cuts and scrapes on his face and the back of his head, but prosecutors suggested the injuries were not serious.
To secure a second-degree murder conviction, prosecutors had to convince the jury that Zimmerman acted with a "depraved" state of mind — that is, with ill will, hatred or spite. Prosecutors said he demonstrated that when he muttered, "F—— punks. These a——-. They always get away" during a call to police as he watched Martin walk through his neighborhood.
To win a manslaughter conviction, prosecutors had to convince the jury only that Zimmerman killed without lawful justification.


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The site may not be used by anyone with the intention to track usage, log ip addresses/usage, commit fraud or anything else that we consider intrusion of privacy or disruption of our service. If you are not sure if this would be the case for your usage, please contact us in order to get our permission.
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We reserve the rights to charge for usage of the site in case this policy is violated. The charge will consist of a basic fee of EUR 5 000 plus bandwidth and other costs that may arise due to the violation.
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Last updated: 2012-07-04


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Exchange Policy & Shipping
*Please note, by purchasing an/all items from Benoa Swim, you agree that you've read over and understand our exchange and shipping policy*
Benoa Body "intimates" items: Bralette, Briefs, & Undies are all final sale, meaning they are non exchange-able, & non returnable.
Benoa Accessories: Tumblers, Bags, Pin sets, & Hats are all final sale.
- We Do Not offer REFUNDS. We only offer exchanges or store credit.
- All SWIM & HOLO HOLO: Ready to Wear items are exchangeable.
- SALE ITEMS: All discounted/sale items are all FINAL SALE. Meaning Returns, exchanges, and refunds will not be available. That also includes all items bought at Trunk Shows!
A request for a size exchange must be submitted within 10 days of receiving your order, via Email (email@example.com).
Important: Do NOT send your exchange back to us before being in contact with us VIA email. Packages received with no information, and no email trace will be returned back to sender.
Unfortunately we are unable to offer style exchanges. We only offer size exchanges!
Exchanges are only accepted for the Collection that you originally purchased! ex: If you Originally ordered OHANA resort, you won't be able to exchange for the SUMMER collection!
PLEASE KEEP IN MIND: While making an exchange, after our team receives the exchanged item, If the bikini is not up to our teams standard of being in 'brand new' condition. Your request will be refused and sent back.
If you receive a broken or faulty item, please contact us via email, using your order number as the subject.
Once approved through email, follow the: STEPS FOR EXCHANGE found below to send the faulty item back to us. No exchange number is needed, but do include your order number in the return package.
It is our policy that we must receive the broken/faulty item in order to be reviewed and approved by our team before any other steps may take place. If the customer refuses to send the broken/faulty item back, we can offer only a partial refund.
IMPORTANT: The items returned to us must be in original condition with the original packaging and ALL tags attached ( Bikini Liner included ). Any items that appear to have been worn, washed, or altered in any way will be refused, and sent back to customer.
Please take care when trying on items, as we cannot accept items that have any makeup stains or that smell of perfume/soap.
Step 1)
Email firstname.lastname@example.com with Your order number as the email SUBJECT.
Tell us what you would like to like to exchange for and why. IMPORTANT: ***please make sure that the size in the style and color you're looking for is available on our website! *** Also, please keep in mind that we only offer SIZE SWAPS!
Step 2)
Once approved via email, we will provide you with an exchange number. ( If we receive an exchange without the exchange number, it will be sent back )
Once that number is received, please continue to send your return back to us!
***VERY IMPORTANT: Make sure to include your order Invoice with an added note, including:
- Your Exchange number.
- What you're exchanging for, and why. (ex. Swapping small bottoms for medium in same style and color, bottoms fit too tight.) That way we don't get your exchange confused.
The items must be returned to:
* P.O Box 460, Haleiwa, HI 96712
*Please note, shipping fees associated with returning the suit (one way) back to Benoa HQ are the responsibility of the customer.
Please provide us with shipping information! (Tracking and carrier)
Once our team receives and approves the return, then we will ship back to the customer.
*** Exchange pieces on our side will only be put on hold/reserved for 10 days after email confirmation with customer. It is your responsibility to make sure to send your exchange pieces to us within that 10 day frame. Otherwise, the pieces on hold will be re-listed on the website. ***
$7 - USPS 3-5 Day Flat Rate Priority Mail Shipping
- $35* - USPS 6-10 Business Days Priority Mail International Shipping
*Note: If any higher international cost is found to be required at the time of mailing, you will be contacted by email for your approval to add extra cost.
By placing an order for international shipping, the customer agrees to pay all taxes and customs duties when the package arrives in said country. Packages that must be processed through customs may take extra time, so please allow for this when trying to estimate a delivery date.
***BENOA SWIM is not responsible for lost or stolen packages***
If tracking information is provided by BENOA SWIM, and the parcel was lost, the issue it out of our control. We recommend contacting USPS/mail carrier.
Orders are processed between 3-5 Business days. We recommend ordering 10 days ahead from when you're expecting to receive your order.
Once your order has been shipped, you will receive an email with your tracking number. Please allow up to 24 hours for your tracking number to show any movement.
Orders will not be refunded for packages that are not accepted by the recipient.
Please check our size guide, and/or email us at firstname.lastname@example.com to make sure you are getting the size you need!
We love and appreciate all of you!
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1993 GMC Sonoma Service & Repair Manual Software
OEM SERVICE AND REPAIR MANUAL SOFTWARE FOR THE 1993 GMC SONOMA... If you need a repair manual for your GMC, you've come to the right place. Now you can get your repair manual in a convenient digital format. Old paper repair manuals just don't compare! This downloadable repair manual software covers the GMC Sonoma and is perfect for any do-it-yourselfer. In the dark old days of auto repair, you had to buy a traditional service manual in book format which would retail at a higher cost. Getting the same information in digital format is so much less expensive and more convenient! Maybe you need the manual to fix the brakes on your Sonoma, or possibly replace some worn out suspension components. Or you might need to get your engine running, or just do the required standard maintenance. Whatever the case may be, this repair manual software for the GMC Sonoma is just what you need. You will have all the service information you could ever need for your vehicle. It will help you fix the brakes, engine, suspension, steering, drivetrain, electrical problems, heat, air conditioning, etc. Anything can be fixed! You can save a lot of money by working on your own vehicle. You probably already know this, but mechanics charge a lot. Do it yourself and use this 1993 GMC Sonoma repair manual software to guide the way. It gives you the manual for your Sonoma and it's very easy to use. It is compatible with any Windows / Mac computers including smartphones and tablets. |