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June 19, 2024 – The 62nd round of invitations under Express Entry for 2023 has been conducted by IRCC. The minimum score for acceptance for the Comprehensive Ranking System (CRS) was 663 and the number of invitations issued for permanent residence was 1,499.
This drawing was Provincial Nominees only.
What is Express Entry?
Express Entry is a method of managing applications under a number of existing economic immigration programs including the Federal Skilled Worker Program, the Federal Skilled Trades Program, and the Canadian Experience Class. Potential immigrants who meet the criteria for one of these programs are eligible to enter into a pool of candidates and there is no limit to the number of people who may enter the Express Entry pool. With a wide range of candidates with varied skills and experience, the Government of Canada, provincial and territorial governments, and Canadian employers are then able to select people from this pool in order to meet local labour market needs. In turn, the individuals selected from the pool are able to increase their CRS scoring rate thereby enabling them to receive an invitation to apply for permanent residence. However, the number of candidates who get an Invitation to Apply (ITA) for permanent residence on a yearly basis will be limited by the Annual Immigration Levels Plan.
Read more here about Express Entry and see the IRCC video here:
David Aujla is a Canadian Immigration lawyer with offices in Vancouver and Victoria, British Columbia. Read about his more than 40 years of experience and history.

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¡Qué Guapa! ¡Guapa como ninguna!
As a bassist, bandleader, teacher, and music copyist, I've worked with hundreds of singers throughout the years. Though working musicians know hundreds of tunes, singers need to have good charts in order to have their music played the way they want. I define a «good chart» as a piece of written music that effectively tells the musicians what they should play.
Written music comes in seven basic forms: chord charts, sheet music, songbooks, lead sheets, fake books, master rhythm charts and fully notated parts.
As a musician has a responsibility to play the chart before him correctly, the supplier of the chart has the responsibility of providing the right kind of chart. Knowing what type of chart to use for what kind of tune or gig is very important.
This article explains what the different types of charts are, and under what circumstances to use them. I hope you find it useful.
Charts can be simple or elaborate according to the style of music and type of gig. Cover tunes are traditionally learned from recordings; classical and choral music can be found in sheet music stores as well as in various music catalogs; numerous tunes will be found in music books of all kinds; and many public libraries carry recordings and written music for your use.
The word «chart» refers to any piece of written music or any arrangement (music that has been adapted in a unique manner) of a tune. Decades ago it was strictly a «cool» slang term for a tune, but any piece of music could be called a chart these days, though a classical buff might not refer to a Mozart work as a «chart.»
Knowing what type of chart to use for what kind of tune is very important. When you're playing a gig and someone hands you a chart — it is what it is and you either read it well or not. But, if you buy charts, have them made for you or provide them yourself, you need to know which kinds to use for which situations. Years back, while doing singer showcases, singers brought in all kinds of charts: good ones, bad ones, incorrect ones, inappropriate ones, and it was a real pain. The singers who provided the right kinds of charts got their music played the way they wanted. The singers who had the wrong kinds of charts didn't, and weren't very happy about it. Unless a musician already knows the specific parts, he can only play according to what's on the chart before him. Though a good musician can improvise a good part in any style, if a specific musical line needs to be played, it needs to be written out.
As a musician has a responsibility to correctly play the chart before him, the supplier of the chart has the responsibility of providing an appropriate one.
Without getting into too many music notation specifics, here are the different kinds of charts and when they are used:
A chord chart contains the chords, meter (how the song is counted, e.g., in 4 or in 3 (like a waltz), and the form of the song (the exact order of the sections). This type of chart is primarily used when: 1. the specific musical parts are improvised or already known, but the form and chords need to be referred to, 2. to provide chords to improvise over, or 3. when a last-minute chart needs to be written, and there isn't time for anything more elaborate.
A chord chart does not contain the melody or any specific instrumental parts to be played. To play from simple chord charts a musician basically needs to have steady time, know the chords, and improvise his part in whatever style the tune is in.
Sheet music is a store-bought version of a song printed by a publisher, which contains the instrumental part, chords, lyrics, melody and form. An instrumental piece will, of course, have just the music. Sheet music is written for both piano and guitar. Guitar sheet music is in standard notation (often classical), as well as in TAB. A good piece of sheet music will always say whether it's for piano or guitar. Most sheet music is not meant to be completely representative of the actual recording, and the actual arrangement that you've heard on a recording is seldom present.
Many people have experienced the frustration of getting the sheet music to a song they like, playing it, and discovering that the chords are different from the recording, and sometimes the form is too. Unfortunately that's the way it is a lot, and it could be for a number of different reasons. To get the exact arrangement and chords, you need to do a «takedown» of the song: learn it by ear. A takedown is when you listen to a piece of music and write it down. Takedowns can range from simple chord charts to elaborate orchestral parts or anything in between. In order to do good takedowns, you need to have good ears, understand and be fluid with music notation to the complexity of the type of music you're working with, and preferably understand music (the more the better). Having «good ears» consists of recognizing and understanding the music, whether heard on the radio, played by another musician, or heard in your head.
Songbooks are compilations of many tunes and often contain the same information that sheet music does, along with the chords and arrangement being different from the recording most of the time. Sheet music commonly has full introductions and endings, whereas songbook tunes are generally shortened to create space in the book for more tunes. Sheet music is generally written to be played on a keyboard, but songbooks come in different styles and for different instruments. They are compiled by artist, style, decade, and in various collections including movie themes, Broadway hits, etc.
Songbooks are a good reference source when other, more exact charts are unavailable. For example: I needed two movie themes for a gig once (client request). Instead of spending $8 for two tunes of sheet music, I bought a book of movie themes for $16 that contained over a hundred tunes. Sheet music and songbooks are pretty unusable at gigs because of cumbersome page turns and bulkiness; but in an emergency you use them and do what you can. If having to use sheet music or songbooks for live performance, either: 1. recopy the tune onto 1-3 pages or 2. photocopy it and tape the pages together (although, strictly speaking, this may be considered copyright infringement). Make sure to always provide a copy for each musician.
To play from songbooks and sheet music, a musician needs to be able to read the music notation, or at least improvise a part from the chord symbols, i.e., a guitar strum, bass groove, piano groove, etc., or better yet, both. A vocalist can sing the words if they know the melody, or be able to read the notated melody if they don't know it.
Lead sheets contain the chords, lyrics and melody line of the song and are mainly used by singers, accompanists and arrangers, though they appear on the bandstand now and again. Songwriters use lead sheets to copyright their songs, and very often sheet music includes a lead sheet of the tune as a condensed version to use. Instead of having three to six pages of sheet music to turn, a lead sheet is usually one or two pages long. Lead sheets do not contain any music notation except the melody and chords, so a musician needs to know how to improvise when reading from one. A lead sheet is generally written out by a music copyist, who is someone who specializes in preparing written music. Playing from lead sheets minimally requires playing an accompaniment from the chords and understanding the form directions and symbols (the markings telling you to go to the verse or the chorus or the end, etc.) and maximally having excellent accompaniment skills and reading notation fluidly.
A fake book is a large book of tunes that contain only the melody line, lyrics and chords. There's no piano part, guitar part or bass part. That's why they call it a fake book. You have to already know your parts, or improvise them in the style of the tune. Some people call that «faking it.» Faking it means to be musically adept enough to be able to follow along by ear and figure it out as you go: that's one of the reasons for ear training. When a person's ears «get trained», they learn to recognize and understand the relationship of pitches and musical elements. With this understanding you can «hear» your way through tunes, even if you haven't heard them before, you fake it. However, when you don't hear so well, you're really faking it!
Before there was an abundance of legal fake books on the market, there was an abundance of illegal fake books on the streets. (As of this writing, I've only seen a few at gigs.) Since a working musician needs to have access to a large number of tunes at gigs, musicians compiled books of hundreds of useful tunes containing only melody lines and chords. A working player doesn't need all the notes written out, because he can improvise, so large books were made with choice tunes. Some fake books are hand copied, either by a pro copyist or casually done with pen or pencil, while others consist of cut up sheet music where all the piano parts are removed, leaving the melody and chords, all for the purpose of condensing space.
Rather than take stacks of songbooks to gigs, you pop a fake book of hundreds of choice tunes into your gig bag and off you go. A tune taking up five or six pages in songbook/sheet music form can take up a page or less when rewritten by hand or cut up, leaving only the chords and melody. Fake books are often used and I've seldom been at a casual where someone hasn't had at least one.
The reason the illegal books are illegal is copyright laws. With the homemade books, nothing goes through the publishing houses that own the rights to the tunes, so neither the publishers nor the composers get paid for their use. The Catch-22 over the years has been the fact that there weren't any good legal fake books that pro musicians could use at a gig. In a songbook of 200 tunes, maybe ten were usable. So, the players made their own, and gigging musicians lived happily ever after. But since making these books is illegal, some decades ago a few nationwide distributors were arrested and fined for copyright infringement. But you still see the illegal books on the bandstands, nonetheless.
Over the years many legal fake books have been published and are very good. There are music books for: pop, jazz, rock, country, specific artists and movie themes, and there are special wedding books with all the key music that brides like. Big sheet music stores should have them all. And recently, some of the most popular illegal fake books have been made legal. (Hooray!) The 5th Edition Real Book is an example. Filled largely with jazz tunes, the book is in the original format, but published legally as the 6th Edition Real Book.
Legal fake books are plentiful at sheet music stores, and illegal books… well, you're on your own. Trade magazines and music union papers often advertise a wide variety of music books as well as joke books, ethnic music and other related entertainment materials. Sometimes instrument stores carry fake books as well.
Fake books are good to have, but the more tunes a musician knows, the better.
Master rhythm charts are charts designed for the rhythm section (piano, bass, guitar and drums). It is one chart that contains the general idea for everybody to play from: a sketch of the tune, a master copy of it all for each player. These charts are like elaborate chord charts with just enough specifics on them to make the music either feel and sound more like the original recording, or to provide just enough specifics to make it interesting and recognizable, leaving the rest to improvising.
Unless a tune is composed or arranged in this style to begin with, which many are, these charts are written by someone doing a takedown from a recording, or created from lead sheets or songbooks. Whereas lead sheets are primarily for the singer, master rhythm charts are primarily for the musicians. When a singer provides charts to the musicians in the band, these are the usual ones to use.
A master rhythm chart contains:
• All the chords
• Key rhythms (the main rhythms)
• Key melodic parts for the instruments
• Key lyrics for reference if desired
• Key background vocals if present
• Dynamics-how loud, how soft, etc.
• Any form, clarifying instructions and symbols needed to ensure a good performance of the tune.
All styles of popular music use master rhythm charts, and it's common to have one along with a lead sheet for each tune when a singer is involved. Master rhythm chart reading, and writing, entails improvising fluidly in the style of the tune, and requires fluid notation reading abilities.
When the music needs to be extremely specific it will be fully notated. Everything that needs to be played is written on the page. What to play, when to play it and how to play it: the notes, rhythms, dynamics, and any and all notational expressions, such as tempos (how fast or slow), who cues what, etc. Most professional recording sessions and shows require fluid note reading and provide individual parts for each instrument.
Though they are not written music, lyric sheets with chords deserve a mention.
Singers who play an instrument often use lyric sheets with chord symbols written above the words. For a singer/musician these are very useful, and are often used. I've used them myself.
Musicians reading these charts, however, can do well if they are familiar with the song, but this leaves a very large margin for error. Very often the chords are over the wrong words, or the chords are wrong or incomplete: very dicey business. Musicians like specifics.
My students use these all the time, and there are a number of Internet sites with thousands of lyric sheets you can download. For certain situations they are very handy!
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16:00 - 20:00
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Challenge - RECORD-PRO-H-TU-Red-300tpi-700x24
Old price
All orders can be cancelled until they are shipped. If your order has been paid and you need to change or cancel it, you must contact us within 12 hours. Once the packaging and shipping process has started, it can no longer be cancelled.
Love Cycling Tech offers 365 day free returns to customers on ALL items - we do not charge you.
To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original product packaging.
Your satisfaction is our #1 priority. Therefore, you can request a refund or replacement for your ordered products if:
you did not receive them within the guaranteed time (45 days not including 2-5-day processing).
You have received a wrong item
your item is not what you needed
you may return unused products within 365 days of purchase
Returns can only be processed with proof of purchase. This can be the sales receipt, a bank statement or an online sales invoice. Please provide your order number/s when you return a product.
We do not issue the refund if:
your order does not arrive due to factors within your control (e.g. providing the wrong shipping address)
your order does not arrive due to exceptional circumstances outside our control (e.g. not cleared by customs, delayed by a natural disaster).
There is no order information with the returned item and we cannot trace the customer who returned it.
All Returns must be processed using the following terms below
Visit https://lovecyclingtech.co.uk/a/returns or click on Returns Request at the bottom of any page on the website
Returns using this process are free of charge
Send them to us exactly as you received them in a new and unused condition. If the tag is removed we will not be able to refund you.
Get them back to us within 365 days of purchase
Include your despatch note as proof of purchase
Please note this does not affect your statutory rights in respect of damaged or defective products.
If you unpack your product and find it damaged or incorrect, please contact us as soon as you can so that we can arrange a return, exchange or store credit for you.
When returning your order to our warehouse it can take up to 2 days for your return to be processed. Please allow the full 10 days to pass before querying your return.
Once your return has been processed you will receive a confirmation email and your refund will appear in your account within 5-10 working days.
Unless faulty, the following items cannot be cancelled or returned:
bespoke, customised or personalised items
items sealed for health or hygiene reasons if unsealed
By purchasing from lovecyclingtech.co.uk, you accept these terms and conditions.
Your statutory rights are not affected.
We ship from the UK.
We are glad to bring our customers great value and service. That's why we provide free shipping in the UK for orders above £30
Standard Delivery (2-4 Business Days) - Free
Standard Delivery Order Below £30 (2-4 Business Days) - £2.99
Next Day Delivery (1-2 Business Days inc Saturday) - £4.99
We are not responsible for any custom fees once the items have shipped. By purchasing our products, you consent that one or more packages may be shipped to you and may get custom fees when they arrive in your country.
Shipping time varies by location, Product & by shipping type selected.
We offer Next Day Delivery on specific products to UK Customers.
Your Shipping options and expected times will be displayed in and before checkout.
We aim to get your item you within 5 working days, location and shipping type dependant. We also aim to process and dispatch your order the same day to the next day but on occasion, during busy periods this may extend to 2 days. Some Items may take 5-7 working days - This will be advised of when selecting shipping for that particular item
You will receive an email with a tracking number once your order is shipped and can check on your order anytime using your tracking number.
For logistical reasons, items in the same purchase may be sent in separate packages. Although we do our very best to avoid this.
If you have any other questions, please contact us and we will do our best to help you out.
We send all items in recyclable packaging and keep packing materials down to a minimum.
Challenge Record Pro - 22C & 24C Road Tyre
Handmade Tubulars 700x24
Use: Time Trial / Triathlon
Size: 28"
Tyre Width: 24 mm
Internal Rim Width: 13-15 mm
Weight: 270 gr
Casing: SuperPoly
Flat protection: Double PPS
Inner tube: latex
Color: Black-Black
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When you know yourself, you can plan your career and education based on what's important to you: your interests, abilities, values and experiences.
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Medical Office Assistant/Unit Clerk
Alberta Business & Health Institute - Red Deer
210 5009 50 Avenue
Red Deer, Alberta, T4N 2B4, Canada
Program Type Occupational
Credential Type Diploma
Length 1 Year or Less 950 Hours (37 Weeks)
- Part Time Only
- Cooperative Education
- Continuing Education
- Distance Learning Available
Combined (onsite and online)
This program is eligible for full-time post-secondary assistance by Alberta Student Aid for the funding year 2024/08/01 to 2025/07/31*.
Total Tuition $13,600.00
Total Books/Supplies/Other Fees $600.00
* Tuition and fees are provided to Alberta Student Aid and may be used when processing full-time post-secondary funding applications. The educational costs provided are based on a 100% full-course load and may not reflect current or all educational costs charged by the school. Contact the school to obtain accurate educational cost information.
Search Transfer Alberta for course and program transfer information including transfer agreements between post-secondary schools in Alberta, British Columbia, Northwest Territories, Nunavut and Yukon.
Transfer(s) available outside of Transfer Alberta: Not available
Updated June 03, 2024. The information contained in this profile is current as of the date shown.
Educational program information is provided as an introduction and for general reference. For current information about programs and school requirements or policies, check the school calendar, visit their website or contact the school directly.
The Government of Alberta is working in partnership with the Government of Canada to provide employment support programs and services.


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Glenn Jones Print - Kapiti
The beautiful Kāpiti coast looking out towards Kāpiti Island.
Product Information - High quality fine art print on crisp white smooth matte art paper using Epson UltraChrome archival inks. Print is titled at base with signature.
Glenn Jones is a freelance graphic designer and illustrator. A former creative director, Glenn worked on some of New Zealand's most well known brands before finding internet fame in the mid 2000's with his quirky Tshirt designs that lead to the creation of his own US based brand. They've been worn by celebrities, appeared regularly on popular US TV shows and have found their way onto the chests of hundreds of thousands of Tshirt wearing fans globally.
Our store is based in Taupo, New Zealand but we can ship worldwide. All product prices are in New Zealand dollars, as well as shipping prices.
Orders received by 10am, we aim to dispatched the same day on an overnight service to the North Island, two day service to the South Island. Orders received after 10am will be dispatched the next working day.
On all shipping please allow for courier delays at this time.
Local Taupo Shipping
Within the 3330 Zone (Taupo township) - $10
Shipping within New Zealand
Next day service - $12
Heavy/Large products - $35
Oversized products - $59
6 - 12 working days - $22
Heavy/Large products - $45
Rest of the World
10 - 18 working days - $35
International parcels are sent standard post.
This cost is based on standard items - heavy or large items will need to be costed before being sent. If you are an international customer we will be in touch to confirm shipping costs and times.
Click & Collect
Online orders can be collected from our Taupo location. Orders placed for collection are usually ready for collection the next day (But you will receive a 'Pick-Up Confirmation' when it is ready) and these can be picked up between 9am - 5pm Monday to Friday, and 9am - 4pm Saturday, Sunday and on Public Holidays.
Payments can be made at the checkout by credit or debit cards and Afterpay. Credit cards accepted include Visa, MasterCard and American Express. Afterpay is split into 4 payment and processed fortnightly. For more information please visit www.afterpay.com/en-NZ/how-it-works.
If you are wanting to make a payment for a traditional Layby you can transfer to the following account. Please use your full name and 'Layby' in the reference.
Bank Acc: ANZ 06-0429-0295972-00
Acc Name: The Mothership NZ Ltd
Ref: Full Name & Layby
Products listed online reflect available stock in the Taupo store. However, there are some unique items that are not listed. If you have seen something in-store that is not available online please email us at email@example.com and we will check availability and come back to you.
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(We put a new top on this post at 3:45 p.m. ET.)
The House of Representatives will vote on aid for victims of Superstorm Sandy before Jan. 15, according to promises Speaker John Boehner, R-Ohio, made to legislators from the affected areas this afternoon. The speaker met with angry representatives at 3 p.m., seeking to quell their outrage over the postponement of a vote on federal help.
After that meeting, Republican Reps. Peter King and Michael Grimm of New York said the House will vote on a $9 billion aid bill Friday, and a $51 billion package by Jan. 15, according to CNN producer Deirdre Walsh.
That would mean the issue will come up before the 113th Congress, which will officially begin Thursday afternoon.
Democratic and Republican lawmakers from New York and New Jersey blasted the GOP-controlled House of Representatives today after it failed to vote on an aid package that would bring tens of billions of dollars to their states to help those devastated by the October storm.
"The toxic internal politics of the House majority," Republican Gov. Chris Christie of New Jersey said at mid-afternoon, and that chamber's failure to respond to the nation's needs, are "why the American people hate Congress."
As for most of his fellow Republicans in the leadership ranks of the House, Christie said "there is no reason at this moment for me to believe anything they tell me." Christie said he and New York Gov. Andrew Cuomo, a Democrat, had answered every request from lawmakers in Congress about their needs and had been assured that the aid would be forthcoming.
Earlier in the day, Rep. King said anyone from New York or New Jersey who gave money to congressional Republicans would be "out of their mind."
"What they did last night was put a knife in the back of New Yorkers and New Jerseyans," King said.
Rep. Nita Lowey, D-N.Y., said she felt "betrayed."
Our original post and earlier updates:
Democratic and Republican members of Congress found something to agree about late Tuesday when they were told the House would not be voting this week on legislation to send tens of billions of dollars in aid to New York, New Jersey and other states slammed by October's Superstorm Sandy.
"I am stunned, stunned," Rep. Rob Andrews, D-N.J., told Politico. "I assume there is as tactical consideration here, that the Republican leadership didn't want to be anywhere near a big spending bill after the fiasco of their handling the tax debate. I understand the tactics but there is a real human need here that is being ignored."
"I stand here almost in disbelief and somewhat ashamed," Rep. Michael Grimm, a Republican from Staten Island, said last night on the House floor, The Wall Street Journal writes. For the first time, he added, he was "not proud of the decision that my team has made."
Rep. Nita Lowey, D-N.Y., said she felt "betrayed."
According to The Associated Press:
"Rep. Peter King, R-N.Y., said late Tuesday he was told by the office of Majority Leader Eric Cantor of Virginia that Speaker John Boehner of Ohio had decided to abandon a vote this session [before the House adjourns on Thursday]. ... A spokesman for Boehner, Michael Steel, said, 'The speaker is committed to getting this bill passed this month.'
"The Senate approved a $60.4 billion measure Friday to help with recovery from the October storm that devastated parts of New York, New Jersey and nearby states. The House Appropriations Committee has drafted a smaller, $27 billion measure, and a vote had been expected before Congress' term ends Thursday at noon."
Update at 3:40 p.m. ET. Boehner Promises Action:
After a 3 p.m. ET meeting between Speaker Boehner and angry lawmakers from Northeast states that were pummeled by a "superstorm" that included Hurricane Sandy and a winter storm, Boehner pledges to bring two parts of an aid package up for a vote by Jan. 15.
Update at 2:10 p.m. ET. Gov. Christie Blasts House Republicans:
Blasting the "toxic internal politics of the House majority," New Jersey Gov. Chris Christie just blasted his fellow Republicans for not bringing the aid package to a vote. "The palace intrigue and political partisanship of this Congress" must end, he told reporters. New York and New Jersey, he said, have now waited "six times longer than the victims of [Hurricane] Katrina with no end in sight."
Update at 11:25 a.m. ET. More From Rep. King:
"I'm saying anyone from New York and New Jersey who contributes one penny to congressional Republicans is out of their minds," Rep. Peter King, R-N.Y., told Fox News. "What they did last night was put a knife in the back of New Yorkers and New Jerseyans."
Update at 10:45 a.m. ET. Republican Lawmaker Tells Donors To Forget GOP.
From Talking Points Memo: "In light of Tuesday's inaction ... anyone from New York or New Jersey who contributes to the National Republican Congressional Committee should have their 'head examined,' " Rep. Peter King, R-N.Y., said on CNN.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Is 1/1 Greater Than 15/19?
Are you looking to calculate whether 1/1 is greater than 15/19? One of the most common calculations you'll make in math is to compare fractions. In this really simple guide, we'll teach you how to compare and determine if 1/1 is bigger than 15/19 and walk you through the step-by-process of how the calculation is made.
Want to quickly learn or show students how to compare 1/1 and 15/19? Play this very quick and fun video now!
As we always do in these tutorials, let's recap and remind ourselves that the number above the fraction line is called the numerator and the number below the fraction line is called the denominator.
Depending on the math problem you want to solve, there are two methods to calculate if 1/1 is larger than 15/19:
Let's start with the first method: converting the fractions to the same denominator. First, we'll set up 1/1 and 15/19 side by side so they are easier to see:
Converting Denominator
Our denominators are 1 and 19. What we need to do is find the lowest common denominator of the two numbers. This is the smallest number that can be divided by both 1 and 19. In this case, the lowest common denominator is 19.
If we multiply the first denominator (1) by 19 we will get 19. If we multiply the second denominator (19) by 1 we will also get 19. We also need to multiply the numerators above the line by the same amounts so that the fraction values are correct:
This is what 1/1 and 15/19 looks like with the same denominator:
Now that these fractions have been converted to have the same denominator, we can clearly see by looking at the numerators that 19 is greater than 15 which also means that 1/1 is greater than 15/19.
Converting to Decimal
You can also compare these fractions by first converting them to decimal format. This is a lot faster than working out the lowest common denominator. All we do here is divide the numerator by the denominator for each fraction:
Now that these fractions have been converted to decimal format, we can compare the numbers to get our answer. 1 is greater than 0.7895 which also means that 1/1 is greater than 15/19.
Hopefully this tutorial has helped you to understand how to compare fractions and you can use your new found skills to compare whether one fraction is greater than another or not!
Cite, Link, or Reference This Page
If you found this content useful in your research, please do us a great favor and use the tool below to make sure you properly reference us wherever you use it. We really appreciate your support!
Is 1/1 greater than 15/19?
"Is 1/1 greater than 15/19?". VisualFractions.com. Accessed on July 25, 2024. http://visualfractions.com/calculator/compare-fractions/is-1-1-greater-than-15-19/.
"Is 1/1 greater than 15/19?". VisualFractions.com, http://visualfractions.com/calculator/compare-fractions/is-1-1-greater-than-15-19/. Accessed 25 July, 2024.
Is 1/1 greater than 15/19?. VisualFractions.com. Retrieved from http://visualfractions.com/calculator/compare-fractions/is-1-1-greater-than-15-19/.
Preset List of Calculations
Below are links to some preset calculations that are commonly searched for:


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There are a number of methods available to calculate the value of a business. It is not a precise science but requires experience and judgement. If your business is in the Bristol area we, at Wilkinson and Partners, can help you value your business and help you develop an exit strategy if you have decided to sell your business.
There are many reasons why you may need to calculate the value of your business. Here we consider the range of methods available as well as some of the factors to consider during the process.
It is important to remember throughout that valuing a business is something of an art, albeit an art backed by science!
One of the most common reasons for valuing a business is for sale purposes. Initially a valuation may be performed simply for information purposes, perhaps when planning an exit route from the business. When the time for sale arrives, owners need a starting point for negotiations with a prospective buyer and a valuation will be needed.
Valuations are also commonly required for specific share valuation reasons. For example, share valuations for tax purposes may be required:
Share valuations may also be required:
When a business needs to raise equity capital a valuation will help establish a price for a new share issue.
Valuing a business can also help motivate staff. Regular valuations provide measurement criteria for management in order to help them evaluate how the business is performing. This may also extend to share valuations for entry into an employee share option scheme for example, again used to motivate and incentivise staff.
While there is a ready made market and market price for the owners of listed public limited company shares, those needing a valuation for a private company need to be more creative.
Various valuation methods have developed over the years. These can be used as a starting point and basis for negotiation when it comes to selling a business.
Earnings multiples are commonly used to value businesses with an established, profitable history.
Often, a price earnings ratio (P/E ratio) is used, which represents the value of a business divided by its profits after tax. To obtain a valuation, this ratio is then multiplied by current profits. Here the calculation of the profit figure itself does depend on circumstances and will be adjusted for relevant factors.
A difficulty with this method for private companies is in establishing an appropriate P/E ratio to use - these vary widely. P/E ratios for quoted companies can be found in the financial press and one for a business in the same sector can be used as a general starting point. However, this needs to be discounted heavily as shares in quoted companies are much easier to buy and sell, making them more attractive to investors.
As a rule of thumb, typically the P/E ratio of a small unquoted company is 50% lower than a comparable quoted company. Generally, small unquoted businesses are valued at somewhere between five and ten times their annual post tax profit. Of course, particular market conditions can affect this, with boom industries seeing their P/E ratios increase.
A similar method uses EBITDA (earnings before interest, tax, depreciation and amortisation), a term which essentially defines the cash profits of a business. Again an appropriate multiple is applied.
Generally appropriate for cash-generating, mature, stable businesses and those with good long-term prospects, this more technical method depends heavily on the assumptions made about long-term business conditions.
Essentially, the valuation is based on a cash flow forecast for a number of years forward plus a residual business value. The current value is then calculated using a discount rate, so that the value of the business can be established in today's terms.
This method of valuation reflects the costs involved in setting up a business from scratch. Here the costs of purchasing assets, recruiting and training staff, developing products, building up a customer base, etc are the starting point for the valuation. A prospective buyer may look to reduce this for any cost savings they believe they could make.
This type of valuation method is most suited to businesses with a significant amount of tangible assets, for example, a stable, asset rich property or manufacturing business. The method does not however take account of future earnings and is based on the sum of assets less liabilities. The starting point for the valuation is the assets per the accounts, which will then be adjusted to reflect current market rates.
Where buying and selling a business is common, certain industry-wide rules of thumb may develop. For example, the number of outlets for an estate agency business or recurring fees for an accountancy practice.
There are a number of other factors to be considered during the valuation process. These may help to greatly enhance, or unfortunately reduce, the value of a business depending upon their significance.
Good growth potential is a key attribute of a valuable business and as such this is very attractive to potential buyers. Market conditions and how a business is adapting to these are important - buyers will see their initial investment realised more quickly in a growing business.
External factors such as the state of the economy in general, as well as the particular market in which the business operates can affect valuations. Of course, the number of potential, interested buyers is also an influencing factor. Conversely, external factors such as a forced sale, perhaps due to ill health or death may mean that a quick sale is needed and as such lower offers may have to be considered.
Business valuations may need to consider the effect of intangible assets as they can be a significant factor. These in many cases will not appear on a balance sheet but are nevertheless fundamental to the value of the business.
Consider the strength of a brand or goodwill that may have developed, a licence held, the key people involved or the strength of customer relationships for example, and how these affect the value of the company.
The circumstances surrounding the valuation are important factors and may affect the choice of valuation method to use. For example, a business being wound up will be valued on a break up basis. Here value must be expressed in terms of what the sum of realisable assets is, less liabilities. However, an on-going business (a 'going concern') has a range of valuation methods available.
With any of the valuation methods discussed above, it is important to remember that valuing a business is not a precise science. In the end, any price established by the methods described above will be a matter for negotiation and more than one of the methods above will be used in the process. Ultimately, when the time for sale comes, a business is worth what someone is prepared to pay for it at that point in time.
If your business is in the Bristol area we, at Wilkinson and Partners would be pleased to discuss how we can help value your business as well as help you develop an exit strategy to maximise the value of your business.