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Author Biography
Surviving documents that give us glimpses into the life of William Shakespeare show us a playwright, poet, and actor who grew up in the market town of Stratford-upon-Avon, spent his professional life in London, and returned to Stratford a wealthy landowner. He was born in April 1564, died in April 1616, and is buried inside the chancel of Holy Trinity Church in Stratford.
We wish we could know more about the life of the world's greatest dramatist. His plays and poems are testaments to his wide reading -- especially to his knowledge of Virgil, Ovid, Plutarch, Holinshed'sChronicles,and the Bible -- and to his mastery of the English language, but we can only speculate about his education. We know that the King's New School in Stratford-upon-Avon was considered excellent. The school was one of the English "grammar schools" established to educate young men, primarily in Latin grammar and literature. As in other schools of the time, students began their studies at the age of four or five in the attached "petty school," and there learned to read and write in English, studying primarily the catechism from the Book of Common Prayer. After two years in the petty school, students entered the lower form (grade) of the grammar school, where they began the serious study of Latin grammar and Latin texts that would occupy most of the remainder of their school days. (Several Latin texts that Shakespeare used repeatedly in writing his plays and poems were texts that schoolboys memorized and recited.) Latin comedies were introduced early in the lower form; in the upper form, which the boys entered at age ten or eleven, students wrote their own Latin orations and declamations, studied Latin historians and rhetoricians, and began the study of Greek using the Greek New Testament.
Since the records of the Stratford "grammar school" do not survive, we cannot prove that William Shakespeare attended the school; however, every indication (his father's position as an alderman and bailiff of Stratford, the playwright's own knowledge of the Latin classics, scenes in the plays that recall grammar-school experiences -- for example,The Merry Wives of Windsor,4.1) suggests that he did. We also lack generally accepted documentation about Shakespeare's life after his schooling ended and his professional life in London began. His marriage in 1582 (at age eighteen) to Anne Hathaway and the subsequent births of his daughter Susanna (1583) and the twins Judith and Hamnet (1585) are recorded, but how he supported himself and where he lived are not known. Nor do we know when and why he left Stratford for the London theatrical world, nor how he rose to be the important figure in that world that he had become by the early 1590s.
We do know that by 1592 he had achieved some prominence in London as both an actor and a playwright. In that year was published a book by the playwright Robert Greene attacking an actor who had the audacity to write blank-verse drama and who was "in his own conceit [i.e., opinion] the only Shake-scene in a country." Since Greene's attack includes a parody of a line from one of Shakespeare's early plays, there is little doubt that it is Shakespeare to whom he refers, a "Shake-scene" who had aroused Greene's fury by successfully competing with university-educated dramatists like Greene himself. It was in 1593 that Shakespeare became a published poet. In that year he published his long narrative poemVenus and Adonis;in 1594, he followed it withThe Rape of Lucrece.Both poems were dedicated to the young earl of Southampton (Henry Wriothesley), who may have become Shakespeare's patron.
It seems no coincidence that Shakespeare wrote these narrative poems at a time when the theaters were closed because of the plague, a contagious epidemic disease that devastated the population of London. When the theaters reopened in 1594, Shakespeare apparently resumed his double career of actor and playwright and began his long (and seemingly profitable) service as an acting-company shareholder. Records for December of 1594 show him to be a leading member of the Lord Chamberlain's Men. It was this company of actors, later named the King's Men, for whom he would be a principal actor, dramatist, and shareholder for the rest of his career.
So far as we can tell, that career spanned about twenty years. In the 1590s, he wrote his plays on English history as well as several comedies and at least two tragedies (Titus AndronicusandRomeo and Juliet). These histories, comedies, and tragedies are the plays credited to him in 1598 in a work,Palladis Tamia,that in one chapter compares English writers with "Greek, Latin, and Italian Poets." There the author, Francis Meres, claims that Shakespeare is comparable to the Latin dramatists Seneca for tragedy and Plautus for comedy, and calls him "the most excellent in both kinds for the stage." He also names him "Mellifluous and honey-tongued Shakespeare": "I say," writes Meres, "that the Muses would speak with Shakespeare's fine filed phrase, if they would speak English." Since Meres also mentions Shakespeare's "sugared sonnets among his private friends," it is assumed that many of Shakespeare's sonnets (not published until 1609) were also written in the 1590s.
In 1599, Shakespeare's company built a theater for themselves across the river from London, naming it the Globe. The plays that are considered by many to be Shakespeare's major tragedies (Hamlet, Othello, King Lear,andMacbeth) were written while the company was resident in this theater, as were such comedies asTwelfth NightandMeasure for Measure.Many of Shakespeare's plays were performed at court (both for Queen Elizabeth I and, after her death in 1603, for King James I), some were presented at the Inns of Court (the residences of London's legal societies), and some were doubtless performed in other towns, at the universities, and at great houses when the King's Men went on tour; otherwise, his plays from 1599 to 1608 were, so far as we know, performed only at the Globe. Between 1608 and 1612, Shakespeare wrote several plays -- among themThe Winter's TaleandThe Tempest-- presumably for the company's new indoor Blackfriars theater, though the plays seem to have been performed also at the Globe and at court. Surviving documents describe a performance ofThe Winter's Talein 1611 at the Globe, for example, and performances ofThe Tempestin 1611 and 1613 at the royal palace of Whitehall.
Shakespeare wrote very little after 1612, the year in which he probably wroteKing Henry VIII.(It was at a performance ofHenry VIIIin 1613 that the Globe caught fire and burned to the ground.) Sometime between 1610 and 1613 he seems to have returned to live in Stratford-upon-Avon, where he owned a large house and considerable property, and where his wife and his two daughters and their husbands lived. (His son Hamnet had died in 1596.) During his professional years in London, Shakespeare had presumably derived income from the acting company's profits as well as from his own career as an actor, from the sale of his play manuscripts to the acting company, and, after 1599, from his shares as an owner of the Globe. It was presumably that income, carefully invested in land and other property, which made him the wealthy man that surviving documents show him to have become. It is also assumed that William Shakespeare's growing wealth and reputation played some part in inclining the crown, in 1596, to grant John Shakespeare, William's father, the coat of arms that he had so long sought. William Shakespeare died in Stratford on April 23, 1616 (according to the epitaph carved under his bust in Holy Trinity Church) and was buried on April 25. Seven years after his death, his collected plays were published asMr. William Shakespeares Comedies, Histories, & Tragedies(the work now known as the First Folio).
The years in which Shakespeare wrote were among the most exciting in English history. Intellectually, the discovery, translation, and printing of Greek and Roman classics were making available a set of works and worldviews that interacted complexly with Christian texts and beliefs. The result was a questioning, a vital intellectual ferment, that provided energy for the period's amazing dramatic and literary output and that fed directly into Shakespeare's plays. The Ghost inHamlet,for example, is wonderfully complicated in part because he is a figure from Roman tragedy -- the spirit of the dead returning to seek revenge -- who at the same time inhabits a Christian hell (or purgatory); Hamlet's description of humankind reflects at one moment the Neoplatonic wonderment at mankind ("What a piece of work is a man!") and, at the next, the Christian disparagement of human sinners ("And yet, to me, what is this quintessence of dust?").
As intellectual horizons expanded, so also did geographical and cosmological horizons. New worlds -- both North and South America -- were explored, and in them were found human beings who lived and worshiped in ways radically different from those of Renaissance Europeans and Englishmen. The universe during these years also seemed to shift and expand. Copernicus had earlier theorized that the earth was not the center of the cosmos but revolved as a planet around the sun. Galileo's telescope, created in 1609, allowed scientists to see that Copernicus had been correct; the universe was not organized with the earth at the center, nor was it so nicely circumscribed as people had, until that time, thought. In terms of expanding horizons, the impact of these discoveries on people's beliefs -- religious, scientific, and philosophical -- cannot be overstated.
London, too, rapidly expanded and changed during the years (from the early 1590s to around 1610) that Shakespeare lived there. London -- the center of England's government, its economy, its royal court, its overseas trade -- was, during these years, becoming an exciting metropolis, drawing to it thousands of new citizens every year. Troubled by overcrowding, by poverty, by recurring epidemics of the plague, London was also a mecca for the wealthy and the aristocratic, and for those who sought advancement at court, or power in government or finance or trade. One hears in Shakespeare's plays the voices of London -- the struggles for power, the fear of venereal disease, the language of buying and selling. One hears as well the voices of Stratford-upon-Avon -- references to the nearby Forest of Arden, to sheepherding, to small-town gossip, to village fairs and markets. Part of the richness of Shakespeare's work is the influence felt there of the various worlds in which he lived: the world of metropolitan London, the world of small-town and rural England, the world of the theater, and the worlds of craftsmen and shepherds.
That Shakespeare inhabited such worlds we know from surviving London and Stratford documents, as well as from the evidence of the plays and poems themselves. From such records we can sketch the dramatist's life. We know from his works that he was a voracious reader. We know from legal and business documents that he was a multifaceted theater man who became a wealthy landowner. We know a bit about his family life and a fair amount about his legal and financial dealings. Most scholars today depend upon such evidence as they draw their picture of the world's greatest playwright. Such, however, has not always been the case. Until the late eighteenth century, the William Shakespeare who lived in most biographies was the creation of legend and tradition. This was the Shakespeare who was supposedly caught poaching deer at Charlecote, the estate of Sir Thomas Lucy close by Stratford; this was the Shakespeare who fled from Sir Thomas's vengeance and made his way in London by taking care of horses outside a playhouse; this was the Shakespeare who reportedly could barely read but whose natural gifts were extraordinary, whose father was a butcher who allowed his gifted son sometimes to help in the butcher shop, where William supposedly killed calves "in a high style," making a speech for the occasion. It was this legendary William Shakespeare whose Falstaff (in1and2 Henry IV) so pleased Queen Elizabeth that she demanded a play about Falstaff in love, and demanded that it be written in fourteen days (hence the existence ofThe Merry Wives of Windsor). It was this legendary Shakespeare who reached the top of his acting career in the roles of the Ghost inHamletand old Adam inAs You Like It-- and who died of a fever contracted by drinking too hard at "a merry meeting" with the poets Michael Drayton and Ben Jonson. This legendary Shakespeare is a rambunctious, undisciplined man, as attractively "wild" as his plays were seen by earlier generations to be. Unfortunately, there is no trace of evidence to support these wonderful stories.
Perhaps in response to the disreputable Shakespeare of legend -- or perhaps in response to the fragmentary and, for some, all-too-ordinary Shakespeare documented by surviving records -- some people since the mid-nineteenth century have argued that William Shakespeare could not have written the plays that bear his name. These persons have put forward some dozen names as more likely authors, among them Queen Elizabeth, Sir Francis Bacon, Edward de Vere (earl of Oxford), and Christopher Marlowe. Such attempts to find what for these people is a more believable author of the plays is a tribute to the regard in which the plays are held. Unfortunately for their claims, the documents that exist that provide evidence for the facts of Shakespeare's life tie him inextricably to the body of plays and poems that bear his name. Unlikely as it seems to those who want the works to have been written by an aristocrat, a university graduate, or an "important" person, the plays and poems seem clearly to have been produced by a man from Stratford-upon-Avon with a very good "grammar-school" education and a life of experience in London and in the world of the London theater. How this particular man produced the works that dominate the cultures of much of the world almost four hundred years after his death is one of life's mysteries -- and one that will continue to tease our imaginations as we continue to delight in his plays and poems.
Copyright © 2003 by The Folger Shakespeare Library
Excerpted from Romeo and Juliet by William Shakespeare
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
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RRC Commissioners Assess More Than $420,000 in Penalties
September 23, 2022AUSTIN – The Railroad Commission of Texas assessed $424,746 in fines involving 140 enforcement dockets against operators and businesses at the Commissioners' Conference on Tuesday. The Commission has primary oversight and enforcement of the state's oil and gas industry and intrastate pipeline safety.
Four dockets involved $69,846 in penalties after operators failed to appear at Commission enforcement proceedings. Master Default Orders can be found on the RRC Hearings Division webpage.
Operators were ordered to come into compliance with Commission rules and assessed $36,750 for oil and gas, LP-Gas or pipeline safety rule violations. Pipeline operators and excavators were assessed $318,150 for violations of the Commission's Pipeline Damage Prevention rules. Master Agreed Orders can be found on the RRC General Counsel webpage.
In the absence of timely motions for rehearing, decisions are final as stated in these final orders.
About the Railroad Commission:
Our mission is to serve Texas by our stewardship of natural resources and the environment, our concern for personal and community safety, and our support of enhanced development and economic vitality for the benefit of Texans. The Commission has a long and proud history of service to both Texas and to the nation, including almost 100 years regulating the oil and gas industry. The Commission also has jurisdiction over alternative fuels safety, natural gas utilities, surface mining and intrastate pipelines. Established in 1891, the Railroad Commission of Texas is the oldest regulatory agency in the state. To learn more, please visit https://www.rrc.texas.gov/about-us/.


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We live in a world of instant gratification. These days, you can order takeout, book a plane ticket, or even find a Friday night date – all with a swipe and a tap on your phone.
Living in the moment is a beautiful thing. But when it comes to financial planning, it's important to think ahead. Life insurance puts you in control of how you want your legacy to live on. What's more, it spares your family the stress of scraping by to afford final expenses and pay bills after you're gone.
Enter funeral crowdfunding. Websites like GoFundMe (which recently acquired YouCaring.com), FundTheFuneral, or DepositAGift let families ask for donations online to cover funeral and burial costs, or to fund other memorial wishes in honor of a loved one who passed.
A 2015 study from the Funeral and Memorial Information Council found that 17 percent of young adults (age 20-39) have crowdsourced funeral/memorial costs online. For adults age 40 and older, the number is much smaller at 4 percent.
Still, the trend shows no signs of slowing down. A recent New York Times article reported that memorials are one of GoFundMe's fastest growing categories, comprising 13 percent of all crowdfunding campaigns on the site in 2017.
Crowdfunding usually isn't a family's first choice to pay for final expenses. Often, the circumstances are tragic and unexpected. Many times, donations are collected because the deceased didn't have life insurance.
Final expenses aren't cheap. According to the National Funeral Directors Association, the median cost of an average funeral is around $7,000. (That doesn't include cemetery monument or burial costs, which vary widely by area.)
Crowdfunding might help in a pinch – but life insurance is a reliable, affordable way to plan for the future. And after all, wouldn't you rather be in control of making that plan yourself?
Losing a loved one is a deeply personal time of grief. It's challenging enough to plan the logistics of a funeral during an emotionally draining time – let alone manage a fundraiser. Online memorials are easy to set up, but they might have more complications than you'd think.
- The amount raised is unpredictable. This is the big one. Even the most well-intentioned campaign could fall short of your goal. It's already humbling to ask family and friends for money. If you don't raise enough, you're still stuck with the stress of how to pay those bills.
- Most sites charge fees. While this isn't surprising – after all, the websites have to make money to provide their services— it can be an extra hurdle between your donors' gifts and your need to pay expenses. Some sites charge a platform fee, or a percentage taken out of the total amount of money you raise. Most sites charge a transaction fee to cover the cost of processing payments, even if they don't have a platform fee.
- The tax implications are still unclear. As of publication time for this article, the IRS still hasn't released official guidance on how to report income raised through crowdfunding. Donors who chip in to a fund for personal expenses should know that their donation isn't tax-deductible.On the receiving end, donations to a crowdfunding memorial are usually considered to be personal gifts and not taxed as income. That also means you can't offer goods or services (like a bake sale or car wash) in return for someone who makes a donation. Still, experts agree it's a gray area.Most importantly, you could end up in hot water if you don't report the income on your taxes and the IRS finds out about it later. In short: Always consult a tax professional for your unique situation.
No one thinks they'll be the one to lose a loved one in an unexpected or tragic accident. However, it does happen – and stories like the ones we read on funeral crowdfunding pages remind us why it matters to plan ahead.
What makes life insurance different?
Planning ahead to secure the well-being of your family is more than a transaction: It's an act of love. Here's why life insurance is a better option:
- It's a stress-reliever. Losing a loved one is difficult enough on its own. If you plan ahead, you spare your family the anxiety of wondering how they'll pay for expenses – or the logistical stress of running a fundraiser during a time of grief.
- You can make your wishes clear. Instead of your family wondering what you would have wanted, you can choose how much coverage you want and name the beneficiaries to receive it when you're gone.
- It's more predictable. With life insurance, there's no guessing how much you'll raise through donations. You know what to expect ahead of time. (Learn more about the predictability and security of whole life insurance.)
- You can plan for more than just final expenses. Life insurance can be a powerful way to invest in your family's financial freedom. You can set it up to pay off debt, help your spouse pay the mortgage, fund your children's college education or even make a donation to charity. (Learn more about adjustable options with universal life insurance.)
- It's more affordable than you think. Life insurance can often be obtained for pennies on the dollar, especially if you're young and healthy. (For a cost-effective solution, learn more about term life insurance.)
Life insurance is, by its very nature, deeply personal. You have the opportunity to plan ahead. Start the conversation with a your local Erie Insurance agent.
When you count on ERIE to secure the comfort of your loved ones, we honor your confidence by acting with purpose and integrity. Learn more about life insurance from ERIE* and request a quote online.
Want more information about life insurance? Check out these stories from the Eriesense blog.
- The First-Time Buyer's Guide to Life Insurance
- Term vs. Whole Life: What's the Difference?
- 6 Reasons Why People Put Off Buying Life Insurance
- A Life Insurance Guide for Single Parents
- Why Millennials Need Life Insurance
*ERIE® life insurance products and services are provided by Erie Family Life Insurance Company (home office: Erie, Pennsylvania). Additional product and company licensure information is available at erieinsurance.com/lifeinsurance or from your local ERIE Agent. Life insurance and annuity products are not available in New York. Nothing in this article constitutes an offer of insurance. Eligibility for insurance coverage will be determined at the time of application based on applicable underwriting guidelines and rules in effect at that time. The insurance products referenced in this advertisement are in effect as of February 2019 and may be altered at any time.
Article originally posted on www.erieinsurance.com(opens in new tab)
A better insurance experience starts with ERIE.
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Contact Bea's Insurance Agency today to experience the ERIE difference for yourself.


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Asbury Park XVIII
PriceFrom $25.00
All photo luster prints are printed on Epson Ultra Premium Photo Luster Paper. A white border is included to allow for handling and signature.
All paper prints are signed and dated.


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Serving Greater Atlanta, Roswell, Alpharetta, Atlanta
Foundation cracks come in many varieties, but all could be indicators of a problem with your foundation. If you have horizontal or vertical wall cracks, "stair-step" or diagonal cracking, bulging, buckling foundation walls, or pushing in at the bottom or top of the wall, you could need foundation repair.
Foundation wall cracks have several different causes, and each has its own unique solution. Concrete walls may experience small cracks as they cure. These are normal and may be no cause for alarm. However, walls cracking due to foundation settlement issues or expansive soils may require some repair work.
Atlanta Basement Systems are your local experts for all your foundation repair needs in Georgia. We have warrantied solutions that fix foundation wall cracks! Call us for a foundation inspection and free foundation repair quote today! We serve Atlanta, Alpharetta, Roswell and many nearby areas.
Foundation cracks vary in severity from a simple cosmetic issue to a major structural problem with your home. However, even serious foundation problems, when addressed early on, can be quickly and permanently fixed.
Cracks form in foundation walls for three main reasons:
As concrete cures, it is common for small cracks to appear in foundation walls. These cracks are very common, and they're not a sign of a major foundation problem.
Shrinkage cracks tend to be very small "hairline" cracks that are usually 1/16" wide or less. They generally occur near the center of a span and maintain a consistent width for the length of the crack.
A word of warning: Be careful not to assume that a crack in your foundation is merely a shrinkage crack! If you see cracks in your foundation walls, monitor them regularly. If the cracks widen enough that you can fit a dime in them, or one end of the crack grows wider than the other, you should call us right away.
When the soils underneath your foundation fail to support the weight of your home, the foundation will begin to settle unevenly, and cracks will appear. As vertical cracks form and the wall or corner of the house begins to rotate, you will typically see cracks that are wider at the top or bottom.
Foundation cracks that are caused by settlement are very serious, and they will only get worse over time as the home continues to move. If you are concerned that your foundation may be cracking due to settlement issues, it's best to address the problem as soon as possible.
If you have clay soils around your home, they can expand and contract significantly as they become wet. Wet clay soils can expand enough to put literally thousands of pounds of pressure on a foundation wall. This can force the walls inwards, sometimes causing them to buckle and crack. Look also for walls pushing in at the bottom or tilting in at the top.
If left unrepaired, this kind of damage can worsen until the wall fails completely or is beyond repair. By addressing the problem of failing walls quickly, repairs can be completed in as little as a day.
Whether the problem is expansive soils or unstable soils underneath your foundation, there are effective solutions that can permanently repair your foundation or structure.
Foundation pier systems are an excellent way to stabilize and potentially lift a foundation that is resting on soils that cannot support the weight of the home. Foundation piers are a permanent solution for homes that are settling, and they can be installed year-round.
Push piers stabilize foundations by transferring the weight of the home deep below the foundation, reaching to bedrock or competent strata. Helical piers are an excellent way to stabilize foundations when there is sufficient knowledge of local soil conditions. They are advanced into the soils underneath the foundation via a helical blade.
Wall anchor systems, like our Geo-Lock™ Wall Anchor System, are ideal for stabilizing and potentially straightening foundation walls that are buckling due to pressure from expansive soils. Wall anchors use the soils beyond the foundation walls to exert counterpressure on failing foundation walls. This holds the walls in place in the short term, and it allows your contractor to attempt to straighten the walls back to their original position over time.
This solution requires access to the soils beyond your foundation walls. If exterior access is limited or not possible, we recommend installing the PowerBrace™ Wall Repair System as an effective solution.
Crawl spaces can sag when the support beams sink into the ground. They can also sink when mold and rot weaken floor joists and girders, or when too few crawl space support posts are in place to adequately support the structure bearing down from above them.
As crawl spaces sag, the floor above will also sink. As the floor sinks, it can pull on the partition walls attached to it, leading to drywall cracks. We can repair sagging crawl spaces with effective support posts.
When the soils underneath slab floors settle or are washed away, the floor itself will begin to sag. Likewise, when the soils underneath a concrete floor expand, the slab will begin to lift upwards.
Either way, the movement of concrete floors can lead to cracks along drywall and the floor itself. We can help your repair concrete floors that are sinking or heaving.
No matter what kinds of problems you're experiencing with your foundation walls, our in-house team of foundation experts is here to help. At Atlanta Basement Systems, we repair foundations throughout Georgia every day.
We'd like to offer you a free, no obligation foundation wall repair quote to help you decide what repair solution is best for your home. Each of our free quotes comes at no obligation and includes an on-site inspection, a personal consultation, and a written estimate. To schedule your free quote, call or e-mail us today! We serve Atlanta, Alpharetta, Roswell, Athens, Marietta, Smyrna, Ellenwood, Peachtree City, Mableton, Gainesville, and many areas nearby.
Looking for a price? Get a no cost, no obligation free estimate.
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And here's the start of a letter from American reader Emmet:
Was struck by this example from the Economist as something that could be highly ambiguous to AmE native speakers:Ah, on. As John Algeo writes, "This preposition is one that has many differences in use between British and American English". So, let's try to get through a few of those here.
"Correction: we accidentally published an incorrect set of figures for the percentage change on one week ago. This was corrected on January 22nd 2010."Another example is a headline from the Guardian: "University applications up a fifth on last year"
The on that Emmet's observed here is indeed a BrEism meaning 'in comparison to'. The OED definition goes like this:
Indicating comparison with a standard, originally a favourable one; (Finance) compared with, in relation to (a previous financial situation, figure, etc.), esp. in up or down on.They trace the usage to the 18th century--though the more modern examples involving numbers don't show up till the late 19th century. In AmE in these cases, one would have to do something else, such as
Emmet's message continued:
There's a second and maybe (?) related usage that I've seen in discussions of the standings/league tables of sport(s) teams, like "Humble Lions slipped two spots to 10th on 27 points", or "After defeating Everton, Manchester United are on 15 points."This doesn't have the sense of comparison that the last one has, so I wouldn't call them related. In AmE, one could say with here--that is, the teams have that many points for the season. These relate to another UK institution: league tables. In this case, the league tables are for a literal league--in (BrE) football/(AmE) soccer (where the term league table originated in the early 20th century). Americans would call these rankings or standings. Nowadays, the British have league tables for lots of things--schools, universities, companies, pension funds...
Some temporal ons are often pointed out to me. AmE speakers can do something Wednesday or on Wednesday but BrE speakers need the on. When speaking of future weekdays, BrE speakers are much more likely to say a week on Wednesday where AmE speakers are much more likely to say a week from Wednesday. (And then there's Wednesday week--which I've already discussed, along with some of the other things in this paragraph.)
A lot of the other on differences are associated with particular other words--verbs or nouns that precede or follow on. I can't do those all here--they'll come up (BrE) as and when/(AmE) if and when.† But looking through the OED's entry on on, I note a few other things:
- In sport(s), on to express the relationship between opposing players (e.g. one-on-one) is described as 'chiefly N. Amer.'.
- The use of on with closed means of transport (e.g. I went there on the train) is originally AmE, but generally accepted as common English now. (This followed the common English on horseback, on foot--it was only the 'closed means of transport' that ever differed.)
- With [name] on drums/guitar/bass/etc. (no verb of 'playing', no the after the on) is another originally AmE usage that is now used by performers all over.
- [This one's amended since David Crosbie's comment:] Another American-invented sense (or pair of senses) is: 'Addicted to or under the influence of (a drug or drugs); regularly using or receiving (medication, treatment, etc.).' (OED) so... He's on drugs. She's on antibiotics.
- And we talked about on the street versus in the street back here.
P.S. I had thought that I'd be blogging a lot more now that we're on a five-week teaching break, but we're about to start the third week of it, and I've only managed two because the deadlines don't stop when the students leave. Alas. Must try harder!
†But AmE is not as likely as BrE to use its phrase as a stand-alone. In AmE I'm much more comfortable saying if and when they are topical or something like that.


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At Gray Associates companies in the Orkney area often ask us about their responsibilities regarding statutory records. The following is an overview...
It is essential that you keep your company's statutory records up-to-date. Do not underestimate the importance of these records - they are definitive proof of the company's legal existence and its members, and include:
A company's accounts and confirmation statement (previously annual return) must be filed annually with the Registrar of Companies. Non-compliance will render the company liable to dissolution with liabilities subsequent to the dissolution being the responsibility of the directors.
The Companies Act 2006 provides for the Registrar of Companies to charge penalties and fines, including £150-£1,500 penalty for late filing of accounts (the amount depends on the status of the company and the degree of lateness and is doubled if late for two successive years).
Failure to file confirmation statements, annual returns or accounts is a criminal offence which can result in directors being fined personally in the criminal courts.
As part of our service to client companies, we undertake on receipt of written instructions to keep the company's statutory records up-to-date and forward the annual confirmation statement and accounts to the company for approval before submitting them to the Registrar of Companies.
If you are a company in the Orkney area and would like advice about statutory records, Gray Associates can help you.


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Soulful Gaze, Poster
60 day return policy · fast & free shipping over $99
Eyes meet, and the world around you goes silent.
- Collection Maison: original and unique art print made by Opposite Wall
- Prints are not framed
Shipping & Delivery
Shipping & Delivery
We offer FREE SHIPPING on orders over $99 to Canada & the US!
Learn more about our delivery and return policy here.
Please note that this product is only available to customers in Canada and the USA.
Our Commitment
Our Commitment
We donate part of our proceeds to One Tree Planted, whose mission is to reforest lands in Canada and the US.
Our posters are printed on FSC certified paper that is not only partially recycled but also manufactured locally by a mill in Quebec (Canada)
Our wood frames are exclusively made of oak from FSC-Certified Forests
Learn more about our sustainable approach here.
More About Our Posters
More About Our Posters
· Our designs are modern and unique: you will only find them here!
· Our posters are made in Canada. They are printed in Montreal's Mile Ex district on FSC-certified premium 216 GSM smooth acid-free paper, sourced from an SFI® mill in Canada.
· Advanced digital printing technology that gives vibrant colours.
· Colour may differ slightly from screen to print.
Beautiful Designs,
Artful Spaces
At Opposite Wall, we create art that is nice enough to frame and affordable enough to change your mind. We believe that having a beautiful home, a space you can put your stamp on or just a quiet moment of inspiration shouldn't come with a price tag you need to save up for.
More than that, we believe that good art should be good for the earth too and we are dedicated to creating art that is environmentally responsible and beautiful.
Our Craftsmanship
You can buy our prints with confidence – purchasing from Opposite wall means you're investing in high quality, sustainable art prints, that are thoughtfully created in our design studios in Montreal, QC.
Impeccably Designed
Each month, our in-house designers delve into a new artistic universe, creating original collections that speak to a vast array of styles. From trend-conscious posters to timeless prints, our ever-growing list of artworks represents the tireless work of a small group of dedicated artists.
Everyone needs art
Explore our diverse art collections to
discover the perfect print to bring home.
Frequently Asked Questions
Do you have a size guide?
Yes, you can find all there information here
Do the colors of the prints match exactly what I see on my screen?
We strive to represent our prints as accurately as possible. However, it's important to understand that due to variations in computer screen settings and lighting, the colors of the actual print may differ slightly from what you see on your screen. Each screen displays colors differently, so the hues in your print might not exactly match what you viewed online. We ensure the quality and vibrancy of every print, but a slight variation in color is a natural aspect of the printing process.
How are the prints packaged for shipping?
Our prints are meticulously rolled and securely placed inside a sturdy cardboard cylinder to ensure their protection during transit.
Upon receiving your print, we recommend carefully removing it from the cylinder and then gently starting at the perforated line on the sticker. This line is designed to allow the sticker to split cleanly into two halves, making it easier to unwrap the print without damaging it.
How should the print be stored if not displayed?
• Keep it Flat: Store your print flat, ideally in a protective sleeve or between two pieces of acid-free paper to prevent any creasing or damage. Avoid rolling the print, as this can lead to curled edges and wrinkles.
• Avoid Direct Sunlight: Store the print in a dark place away from direct sunlight. UV rays can fade the colors over time, even if the print is not on display.
• Control the Temperature and Humidity: Keep the print in a cool, dry environment. High humidity can lead to mold or mildew, and extreme temperatures can cause the paper to expand or contract, potentially damaging the print.


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The Prayer of an Innocent Person
1For the leader; according to "The deer of the dawn."* A psalm of David.
2My God, my God, why have you abandoned me?
Why so far from my call for help,
from my cries of anguish?a
3My God, I call by day, but you do not answer;
by night, but I have no relief.b
4Yet you are enthroned as the Holy One;
you are the glory of Israel.c
5In you our fathers trusted;
they trusted and you rescued them.
6To you they cried out and they escaped;
in you they trusted and were not disappointed.d
7*But I am a worm, not a man,
scorned by men, despised by the people.e
8All who see me mock me;
they curl their lips and jeer;
they shake their heads at me:f
9"He relied on the LORD—let him deliver him;
if he loves him, let him rescue him."g
10For you drew me forth from the womb,
made me safe at my mother's breasts.
11Upon you I was thrust from the womb;
since my mother bore me you are my God.h
12Do not stay far from me,
for trouble is near,
and there is no one to help.i
13Many bulls* surround me;
fierce bulls of Bashan* encircle me.
14They open their mouths against me,
lions that rend and roar.j
15Like water my life drains away;
all my bones are disjointed.
My heart has become like wax,
it melts away within me.
16As dry as a potsherd is my throat;
my tongue cleaves to my palate;
you lay me in the dust of death.*
17Dogs surround me;
a pack of evildoers closes in on me.
They have pierced my hands and my feet
18I can count all my bones.k
They stare at me and gloat;
19they divide my garments among them;
for my clothing they cast lots.l
20But you, LORD, do not stay far off;
my strength, come quickly to help me.
21Deliver my soul from the sword,
my life from the grip of the dog.
22Save me from the lion's mouth,
my poor life from the horns of wild bulls.m
23Then I will proclaim your name to my brethren;
in the assembly I will praise you:*n
24"You who fear the LORD, give praise!
All descendants of Jacob, give honor;
show reverence, all descendants of Israel!
25For he has not spurned or disdained
the misery of this poor wretch,
Did not turn away* from me,
but heard me when I cried out.
26I will offer praise in the great assembly;
my vows I will fulfill before those who fear him.
27The poor* will eat their fill;
those who seek the LORD will offer praise.
May your hearts enjoy life forever!"o
28All the ends of the earth
will remember and turn to the LORD;
All the families of nations
will bow low before him.p
29For kingship belongs to the LORD,
the ruler over the nations.q
30*All who sleep in the earth
will bow low before God;
All who have gone down into the dust
will kneel in homage.
31And I will live for the LORD;
my descendants will serve you.
32The generation to come will be told of the Lord,
that they may proclaim to a people yet unborn
the deliverance you have brought.r
* [Psalm 22] A lament unusual in structure and in intensity of feeling. The psalmist's present distress is contrasted with God's past mercy in Ps 22:2–12. In Ps 22:13–22 enemies surround the psalmist. The last third is an invitation to praise God (Ps 22:23–27), becoming a universal chorus of praise (Ps 22:28–31). The Psalm is important in the New Testament. Its opening words occur on the lips of the crucified Jesus (Mk 15:34; Mt 27:46), and several other verses are quoted, or at least alluded to, in the accounts of Jesus' passion (Mt 27:35, 43; Jn 19:24).
* [22:1] The deer of the dawn: apparently the title of the melody.
* [22:7] I am a worm, not a man: the psalmist's sense of isolation and dehumanization, an important motif of Ps 22, is vividly portrayed here.
* [22:13–14] Bulls: the enemies of the psalmist are also portrayed in less-than-human form, as wild animals (cf. Ps 22:17, 21–22). Bashan: a grazing land northeast of the Sea of Galilee, famed for its cattle, cf. Dt 32:14; Ez 39:18; Am 4:1.
* [22:16] The dust of death: the netherworld, the domain of the dead.
* [22:23] In the assembly I will praise you: the person who offered a thanksgiving sacrifice in the Temple recounted to the other worshipers the favor received from God and invited them to share in the sacrificial banquet. The final section (Ps 22:24–32) may be a summary or a citation of the psalmist's poem of praise.
* [22:25] Turn away: lit., "hides his face from me," an important metaphor for God withdrawing from someone, e.g., Mi 3:4; Is 8:17; Ps 27:9; 69:18; 88:15.
* [22:27] The poor: originally the poor, who were dependent on God; the term ('anawim) came to include the religious sense of "humble, pious, devout."
* [22:30] Hebrew unclear. The translation assumes that all on earth (Ps 22:27–28) and under the earth (Ps 22:29) will worship God.
a. [22:2] Is 49:14; 54:7; Mt 27:46; Mk 15:34.
d. [22:6] Ps 25:3; Is 49:23; Dn 3:40.
f. [22:8] Ps 109:25; Mt 27:39; Mk 15:29; Lk 23:35.
g. [22:9] Ps 71:11; Wis 2:18–20; Mt 27:43.
h. [22:11] Ps 71:6; Is 44:2; 46:3.
i. [22:12] Ps 35:22; 38:22; 71:12.
j. [22:14] Ps 17:12; Jb 4:10; 1 Pt 5:8.
l. [22:19] Mt 27:35; Mk 15:24; Lk 23:34; Jn 19:24.
m. [22:22] Ps 7:2–3; 17:12; 35:17; 57:5; 58:7; 2 Tm 4:17.
n. [22:23] Ps 26:12; 35:18; 40:10; 109:30; 149:1; 2 Sm 22:50; Heb 2:12.
p. [22:28] Ps 86:9; Tb 13:11; Is 45:22; 52:10; Zec 14:16.
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Bullfinch art T-shirt
- Original Design by Slaveika Aladjova
- Printed in our own art studio
- Vibrant colors and super soft feel
- Premium 100% ring-spun cotton
- Eco-friendly inks
- Oeko-Tex Standard 100 certified
- All T-Shirts we use are WRAP certified
- Tag-free label
- Fit is generally true to size, if, in doubt, we recommend ordering a size up
- Please check the measurements before ordering
To preserve the life of the print, we recommend washing on cold inside out and laying flat to dry.
If necessary tumble dry on a low heat setting.
© COPYRIGHT: The artist retains all copyrights to his artworks.
Artist – Slaveika Aladjova
Reproduction rights are not transferable with sale.


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HD Download : You will find here a collection of the top 29 camaro phone wallpaper and HD images available for download for free. We hope you enjoy our growing collection of HD and 4K images to use as a background or home screen for your smartphone or computer. Please contact us if you want to publish a camaro phone wallpaper design on our site.
Top camaro phone wallpaper (Free HD Download)
Welcome to WallpapersBook your source of inspiration to download the top HD camaro,phone,wallpaper images for your devices and computers.
If you liked a background from our camaro phone wallpaper collection you can download it and use it for free by clicking on the image preview and then click on "Download" to save it to your device. The wallpapers and Backgrounds published on our site have different sizes in order to have more compatibility, if you are looking for a specific size, please do not hesitate to search on our site or contact us to ask.
If you like our collection of wallpapers and backgrounds, don't forget to share the article on Facebook, Twitter, WhatsApp & Pinterest 👌


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About USDA Home Loans
The United States Department of Agriculture (USDA) gives borrowers the opportunity to own a home outside of the city limits. There are several benefits of a USDA loan,including flexible credit underwriting requirements and no down payment required.
We're here to make the USDA home loan process easier, with tools and knowledge that will help guide you along the way, starting with our USDA Loan Qualifier.
We'll help you clearly see differences between loan programs, allowing you to choose the right one for you whether you're a first-time home buyer or a repeat buyer.
The USDA Loan Process
Here's how our home loan process works:
- Complete our simple USDA Loan Qualifier
- Receive options based on your unique criteria and scenario
- Compare mortgage interest rates and terms
- Choose the offer that best fits your needs


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Dining Fork & Knife LED Neon Sign
Tax included. Shipping calculated at checkout
Purchase for yourself or as the perfect gift for those loved ones who would appreciate a personalised Sign or an Emoji to brighten up their day.
Made using our I LumoS Neon Strip Lights designed for Durability and Made from High Quality LED Chips. You can rest assured that our best Strip Lights are used to create your sign
Toughened Acrylic with 8mm thickness to ensure your sign will not tear away in tough conditions.
Made in London by our highly qualified and skilled staff to create the perfect sign for you. All signs are quality controlled to ensure you receive nothing less than a perfect sign.
Choose from our wide variety of accessories to create the perfect sign for any setting. We offer WIFI controllers with the ability to dim the lights using your phone from anywhere in the world.
2 adapters to choose from including a standard AC adapter with a UK plug or a battery pack to keep your sign mobile or where you simply don't want to plug it into a socket. Don't worry we include the batteries so you won't be disappointed.
- Place your order with Planet Neon
- Receive your UK made Neon Sign via tracked delivery
- Plug in your Sign or simply press the on button
- Enjoy your brand new Neon Sign with a 12 month Warranty


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incl. 19% tax excl. Shipping costs
Plastic welding rods PE-HD - Polyethylene "high density" HDPE has slightly branched polymer chains, resulting in high-density (HD). Polyethylene is the most widely produced plastic. Examples are the use of container construction, pipes, bottles and films. High-density polyethylene (PE-HD), also HDPE, is a thermoplastics produced by chain polymerization of ethene. Polyethylene belongs to the group of polyolefins. It is the most widely used plastic in the world. PE-HD is characterized by high chemical resistance, good electrical insulation and good sliding properties. Polyethylene is of low strength, hardness and stiffness. It has high ductility and impact strength. The melting point of PE-HD is approx. 135°C to 145°C, the continuous use temperature is max. 90°C. Similar plastics: PE-LD - Polyethylene low density, PE-MD - Polyethylene medium density, PE-LLD - Polyethylene linear low density Welding temperatures Welding tool: 250 - 280°C Hot air tool: 260 - 285°C Extrusion: 250 - 275°C Form: Round Diameter: 3mm Color: Black Lenght: 200mm/rod = 5m/pack Delivery quantity: 25 welding rods


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Cygolite Hypershot 250 Taillight
250 lumens packed into an unbelievably compact form, the all-new Hypershot 250 is the latest and greatest from the originators of the most powerful line of LED bike tail lights. This powerful dual LED tail light puts out ultra-bright 250 lumen flashes in an extra-wide and long-range beam pattern that makes cyclists stand out both day and night. The 2 button design on the Hypershot lets cyclists control the speed of each flash mode and the brightness of the steady mode to their preference. And with 7 unique lighting modes and a run time range of 2 to 200 hours (yes, really), you won't go unnoticed. (patent pending)
- Powerful 250 lumen flashes to be seen day and night
- Unique 2-button design lets you adjust the speed of each flash mode and the brightness of the Steady mode
- Dual LED optics throws a long-range, extra-wide beam
- Daytime visible flashes make you stand out on busy streets
- 7 lighting modes for day and night use (Steady - Zoom - SteadyPulse® - Bzzz Flash - Triple Flash - DayLightning® Flash - Random Flash)
- SteadyPulse® mode features a steady beam to help motorists gauge their distance while overlapping pulses keeps them alert at night
- DayLightning® flash mode bursts lightning-like flashes to make you stand out in broad daylight on busy streets
- Zoom mode signals those around you with gentle changes in brightness
- All-new Bzzz Flash mode alerts those around you with highly visible fast buzz-like flashes
- Hard seat post mount and seat stay mount securely attaches onto seat posts and seat stays
- Light mode memory saves the mode you're in before the light is turned off
- Durable and weighs only 60 grams
- IP64 water-resistant for use in all weather conditions
- USB rechargeable with 2 to 200 hours of run time and 3 hours fast charging
- Low battery indicator alerts you when a charge is needed
Patent pending.
*Features and specs are subject to change without notice.
Part Numbers
Option | UPC | MPN |
Black | 745025096262 | HY-250-USB |


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I got this from my cousin, and it provokes a lot of emotions. Maybe you'll think differently when you chance on someone basking next time? 🙂
In Washington , DC , at a Metro Station, on a cold January morning in 2007, this man with a violin played six Bach pieces for about 45 minutes. During that time, approximately 2,000 people went through the station, most of them on their way to work. After about 3 minutes, a middle-aged man noticed that there was a musician playing. He slowed his pace and stopped for a few seconds, and then he hurried on to meet his schedule.
About 4 minutes later:
The violinist received his first dollar. A woman threw money in the hat and, without stopping, continued to walk.
At 6 minutes:
A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
At 10 minutes:
A 3-year old boy stopped, but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head the whole time. This action was repeated by several other children, but every parent – without exception – forced their children to move on quickly.
At 45 minutes:
The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.
After 1 hour:
He finished playing and silence took over. No one noticed and no one applauded. There was no recognition at all.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before, Joshua Bell sold-out a theater in Boston where the seats averaged $100 each to sit and listen to him play the same music.
This is a true story. Joshua Bell, playing incognito in the D.C. Metro Station, was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities.
This experiment raised several questions:
*In a common-place environment, at an inappropriate hour, do we perceive beauty?
*If so, do we stop to appreciate it?
*Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this:
If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made . . .
How many other things are we missing as we rush through life?
Anyway, I love how his body moves when he plays the violin for this song:
Insightful interview here.


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Privacy Policy
Elf Bingo IE is a brand that is owned by Parthenon Investments Ltd and operated by Jumpman Gaming Limited ("Jumpman"), a company registered in Alderney under registration number 1858, under their UK Gambling Commission and Alderney Gambling Control Commission licences
Jumpman is the sole controller in respect of your personal information and there are no data processors. Jumpman Gaming Limited is registered with the Data Protection Officer of Guernsey in accordance with the Data Protection (Bailiwick of Guernsey) Law, 2011.
Jumpman won't share any personal data while operating the brand other than at termination of offering services to Parthenon Investments Ltd, at which point Parthenon Investments Ltd become the controller of the data. Data is retained by Jumpman only as required by law. You can find Jumpman's privacy policy here: https://www.jumpmangaming.com/privacy-policy.
Who we share your personal data with
Certain trusted third party companies provide services essential to our ability to offer our gambling products to you, for example those that supply the software and games for our Websites, banking and payment services, identity verification, fraud prevention and risk management. We may be required to share some of your information with these companies, to be able to offer our services to you. In these instances, we ensure that the third party has appropriate security and privacy arrangements in place, so that your data is protected.
Jumpman may also be required to disclose your information to government authorities, such as the police or our regulators, to comply with our legal obligations.
The use of cookies and other user information
Cookies are often used on transactional websites, in order to save customer log-in information, or a customer's personal website customised design. A cookie is an electronic information file that is stored on a customer's hard drive of their laptop or PC. Elf Bingo IE only uses cookies for the operation of the website.
You may refuse to accept cookies by activating the setting on your browser which allows you to refuse the setting of cookies. Unless you have adjusted your browser setting so that it will refuse cookies, our system will drop cookies when you log onto the website.
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This website is using cookies from Google, including Google Analytics and Google Ads, for analytics purposes and personalization of advertisement.
By using the website, you are deemed to have agreed to have your personal data and cookies used for personalization of advertisement. Jumpman may use your data to communicate with you regarding other websites utilising the Jumpman Gaming license and platform.
Learn more on how Google uses information from sites or apps that use their services from this article: https://policies.google.com/technologies/partner-sites?hl=en-GB&gl=uk
Please make sure you have read and understood the information provided in this article before using this website.
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Last updated: 19/05/22


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Individual (8/8): moons_rzf
Players | Rank | Points |
- Video Guidelines:
- You must be able to see the stacker, mat, timer, and cups (the same angle that is used in sanctioned WSSA competitions is best). Seeing the stacker's head is preferred but not required.
- Video should only show the attempt you are submitting for that event. When you upload your video to YouTube there is a simple editing tool that lets you trim the video if needed.
- You must also have a way to show the camera your time at the beginning and end of your attempt. Use a Tournament Display or show the camera your timer before and after you stack. Give time for the judge to see your time set at zero and leaving them a few seconds afterwards to see your ending time after your hands come off the timer or you show the timer to the camera.
- Each match has a unique special code. You have to write this code on a piece of paper and have it visible to the camera while you stack for each event within the match. If you submit a video where the code is either not visible or doesn't match up, it will be scratched.
- Here is a video with instructions and a sample https://www.youtube.com/watch?v=PxDJpF46DgA
- Using official Speed Stacks equipment is also required.
- Stack like crazy! You get as many chances as you want to get a good time so long as you submit that time before the match is over. Plan to submit your times at least an hour before the match is over because it may take awhile to upload your video on Youtube. The countdown timer tells you how much time is left for each match.
- Enter your times and submit the corresponding YouTube video links.
- You can only submit times to each event once, so pick your best ones!
- You must submit separate videos of each event below to play.
- Videos should be uploaded to YouTube beforehand. You will need the link for each video to submit to StackMatch (you will need your own YouTube account to do this).
- Videos should be posted as Public or Unlisted depending on whether or not you want them to show up on your Youtube channel. Private videos will not work with StackMatch.
This match is closed
Kaylen Young | 2.159 | #1 | 7.7 |
Chew Jia Yee | 2.290 | #2 | 6.7 |
Jameson Swick | 2.313 | #3 | 5.7 |
Kasey Harris-Brown | 2.572 | #4 | 4.7 |
Seoh Yeong Terng | 2.628 | #5 | 3.7 |
Jane Chan Yuet Kuan | 2.739 | #6 | 2.7 |
Henrik Engell-Hedager | 3.142 | #7 | 1.7 |


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Please remember in multi-process applications (which are best suited under CLI), that I/O operations often will BLOCK signals from being processed.
For instance, if you have a parent waiting on fread(STDIN), it won't handle SIGCHLD, even if you defined a signal handler for it, until after the call to fread has returned.
Your solution in this case is to wait on stream_select() to find out whether reading will block. Waiting on stream_select(), critically, does NOT BLOCK signals from being processed.


text:
We are really happy to present you Ford Probe 1992.
The Ford automaker has functioned since 1906 and was listed among the five largest car manufacturers in the world. Modern Ford model range includes automobiles, trucks, buses, tractors, motorcycles and even Formula One sport cars. Having subsidiaries worldwide, the Ford company produces all types of automobiles. An impressive list of other automakers operate under the Ford brand nowadays.
See photos, video of Ford Probe 1992 on the website LookAtTheCar.org.
Video of Ford Probe 1992
(Visited 141 times, 1 visits today)


text:
The "changes" command:
Report the change status of files in the current check-out. If one or more PATHS are specified, only changes among the named files and directories are reported. Directories are searched recursively.
The status command is similar to the changes command, except it lacks several of the options supported by changes and it has its own header and footer information. The header information is a subset of that shown by the info command, and the footer shows if there are any forks. Change type classification is always enabled for the status command.
Each line of output is the name of a changed file, with paths shown according to the "relative-paths" setting, unless overridden by the --abs-paths or --rel-paths options.
By default, all changed files are selected for display. This behavior can be overridden by using one or more filter options (listed below), in which case only files with the specified change type(s) are shown. As a special case, the --no-merge option does not inhibit this default. This default shows exactly the set of changes that would be checked- in by the commit command.
If no filter options are used, or if the --merge option is used, the artifact hash of each merge contributor check-in version is displayed at the end of the report. The --no-merge option is useful to display the default set of changed files without the merge contributors.
If change type classification is enabled, each output line starts with a code describing the file's change type, e.g. EDITED or RENAMED. It is enabled by default unless exactly one change type is selected. For the purposes of determining the default, --changed counts as selecting one change type. The default can be overridden by the --classify or --no-classify options.
--edited and --updated produce disjoint sets. --updated shows a file only when it is identical to that of its merge contributor, and the change type classification is UPDATED_BY_MERGE or UPDATED_BY_INTEGRATE. If the file had to be merged with any other changes, it is considered to be merged or conflicted and therefore will be shown by --edited, not --updated, with types EDITED or CONFLICT. The --changed option can be used to display the union of --edited and --updated.
--differ is so named because it lists all the differences between the checked-out version and the check-out directory. In addition to the default changes (excluding --merge), it lists extra files which (if ignore-glob is set correctly) may be worth adding. Prior to doing a commit, it is good practice to check --differ to see not only which changes would be committed but also if any files should be added.
If both --merge and --no-merge are used, --no-merge has priority. The same is true of --classify and --no-classify.
The "fossil changes --extra" command is equivalent to "fossil extras".
General options:
- --abs-paths
- Display absolute pathnames
- --rel-paths
- Display pathnames relative to the current working directory
- --hash
- Verify file status using hashing rather than relying on file mtimes
- --case-sensitive BOOL
- Override case-sensitive setting
- --dotfiles
- Include unmanaged files beginning with a dot
- --ignore <CSG>
- Ignore unmanaged files matching CSG glob patterns
Options specific to the changes command:
- --header
- Identify the repository if report is non-empty
- -v|--verbose
- Say "(none)" if the change report is empty
- --classify
- Start each line with the file's change type
- --no-classify
- Do not print file change types
Filter options:
- --edited
- Display edited, merged, and conflicted files
- --updated
- Display files updated by merge/integrate
- --changed
- Combination of the above two options
- --missing
- Display missing files
- --added
- Display added files
- --deleted
- Display deleted files
- --renamed
- Display renamed files
- --conflict
- Display files having merge conflicts
- --meta
- Display files with metadata changes
- --unchanged
- Display unchanged files
- --all
- Display all managed files, i.e. all of the above
- --extra
- Display unmanaged files
- --differ
- Display modified and extra files
- --merge
- Display merge contributors
- --no-merge
- Do not display merge contributors


text:
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text:
Description: Tire rotation refers to the regular practice of switching the position of each tire on the car.
Purpose: Tire rotation helps to equalize tread wear and is critical to gain the maximum life from your tire investment.
Maintenance Tips/Suggestions: Refer to your owner's manual for the recommended rotation interval and pattern; generally a rotation interval of 6,000 miles is recommended. The rotation pattern varies with different makes and models, which shows the tire locations during rotation. Some vehicles have different size tires on the front and back or directional tires. This limits the locations that a tire may take on the vehicle. When in doubt, check the owner's manual or consult a professional technician for guidance. Tire rotation time also offers a good opportunity to have the tires and wheels balanced. It's another step you can take to maximize your tire investment.


text:
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text: Learn over 3,800 Spanish words. Yes, that's right, 3,800! And each and every one with native speaker audio. Includes flashcards and exercises. * Over 3,800 Spanish words and phrases. * Every word includes a native speaker's audio recording. * Flashcard review and exercises to aid memorization. * Learning-list testing technique ensures word retention. * Create completely custom user WordFiles. * Search for words and meaning and add to Custom wordFiles. * Upload Custom WordFiles for backup and sharing. ** Also available for iPhone and iPad ** Spanish Audio FlashCards is a foreign language vocabulary learning tool by Declan Software. The Spanish version includes around 3,800 words and phrases each with a native speaker audio recording. Words are organized into approximately 100 WordFiles with each WordFile containing up to 100 words. The Learning List: The words are learned based on a Learning List. The Learning List contains a subset of all the words in the WordFile – 10 words by default (although this can be changed by users). The Learning List allows users to concentrate learning a small group of words at any one time. Once a word is learned (by reviewing the Learning List and completing the Exercises) it is removed from the Learning List and is replaced by another, as yet unlearned word from the WordFile. This continues until the whole WordFile is learned. Exercises: Words in the learning list should first be Reviewed using the "Review Learning List" option. Then users can move to the Exercises which include the Meaning Exercise, the Word Exercise, the Spelling Exercise and the Listening Exercise. Once all the exercises have been correctly completed, the word is marked as complete, removed from the Learning List and replaced by a new word. However, if the user gets one answer wrong in any of the exercises, then all the exercises must be completed again for that one word. This ensures comprehensive learning and retention. Managing the Learning List: After a new WordFile is loaded the Learning List size is automatically set to 10. The number of words in the Learning List can be set by adding or removing words to the Learning List in the "Review Words" feature. In the "Task" menu select "All Words in WordFile" and then return to the main page. The select "Review All WordFile Words". As you progress through the words in the WordFile words can be added to and dropped from the Learning List using the "Add to Learning List" / "Drop from Learning List" button. If you end up changing the number of words in the Learning List, that number will be maintained as words are learning and dropped from the Learning List, and new words are automatically added the Learning List to replace learned words. Loading new WordFiles: To switch to another wordfile simply press the "Load Another WordFile" button and then select the WordFile you desire from the "Load WordFile" table. Audio FlashCards comes preloaded with 3 WordFiles – all other WordFiles are downloaded by the application as required using an (WiFi or 3G) internet connection. Other language versions of FlashCards available in the Mac App Store include French, German, Italian, Chinese (Simplified), Chinese (Traditional), Japanese, Korean, Bahasa Indonesian, Portuguese, Brazilian Portuguese, Russian, Greek and Hebrew. Free.