text:
Size and shape: 36"
Package item code: 83478P
Price includes inflation with helium.
Float times for foil balloons.
In an ideal environment, mylar (foil) balloons will remain full and taut for 3-5 days. They will continue to float for two weeks or longer. Air-conditioned air may cause these balloons to shrivel, but they will return to a normal state when exposed to warmer air.
On hot days, in direct sunlight, balloons may pop within an hour. The same result can occur indoors if balloons are exposed to direct sunlight through windows.
Very cool environments may cause helium molecules to shrink, reducing the size and float time of balloons.
Indoors or outdoors, the constant flow of air around a balloon will increase the speed at which helium molecules escape through the wall of the balloon, resulting in reduced float time.


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subset: commoncrawl


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In research meant to highlight how the destruction of the Amazon rainforest could affect climate elsewhere, Princeton University-led researchers report that the total deforestation of the Amazon may significantly reduce rain and snowfall in the western United States, resulting in water and food shortages, and a greater risk of forest fires.
The researchers report in the Journal of Climate that an Amazon stripped bare could mean 20 percent less rain for the coastal Northwest and a 50 percent reduction in the Sierra Nevada snowpack, a crucial source of water for cities and farms in California. Previous research has shown that deforestation will likely produce dry air over the Amazon. Using high-resolution climate simulations, the researchers are the first to find that the atmosphere's normal weather-moving mechanics would create a ripple effect that would move that dry air directly over the western United States from December to February.
Specifically, a denuded Amazon would develop a weather cycle consisting of abnormally dry air in the sun-scorched northern Amazon around the equator weighted by wetter air in the cooler south. Research has speculated that this pattern would be similar to the warm-water climate pattern El Niño, which during the winter months brings heavy precipitation to southern California and the Sierra Nevada region while drying out the Pacific Northwest.
The Princeton-led researchers found that the Amazon pattern would be subject to the same meandering high-altitude winds known as Rossby waves that distribute the El Niño system worldwide from its source over the Pacific Ocean. Rossby waves are instrumental forces in Earth's weather that move east or west across the planet, often capturing the weather of one region — such as chill Arctic air — and transporting it to another. Because the Amazon pattern forms several thousand miles to the southeast from El Niño, the researchers report, the Rossby waves that put the rainy side of El Niño over southern California would instead subject that region to the dry end of the Amazon pattern. The pattern's rainy portion would be over the Pacific Ocean south of Mexico.
First author David Medvigy, an assistant professor of geosciences at Princeton, explained that the findings stand as one possible outcome of Amazon deforestation in regions outside of South America — consequences that scientists are working to understand. The rainforest influences various aspects of the surrounding climate, including cloud coverage, heat absorption and rainfall.
"The big point is that Amazon deforestation will not only affect the Amazon — it will not be contained. It will hit the atmosphere and the atmosphere will carry those responses," Medvigy said.
"It just so happens that one of the locations feeling that response will be one we care about most agriculturally," he said. "If you change the snowpack in the Sierra Nevada, where most of the irrigation for California's Central Valley comes from, then by this study deforestation of the Amazon could have serious consequences for the food supply of the United States."
Because the exact result of Amazon deforestation is impossible to know currently, the behavior and impact of El Niño provides one of the best ideas of how the loss of the Amazon could play out, Medvigy said. Studies have suggested since 1993 that an Amazon without trees will develop an El Niño-like pattern, the researchers reported. The researchers then focused on the northwestern United States because the region is typically sensitive to El Niño.
"We don't know what the world will be like without the Amazon. We know exactly what happens with El Niño — it's been studied extensively," Medvigy said. "Our intention with this paper was to identify an analogy between El Niño and Amazon deforestation. There's good reason to believe there will be strong climatic similarities between the two. Research like this will give us a handle on what to expect from Amazon deforestation."
Medvigy worked with second author Robert Walko, a senior scientist in the division of meteorology and physical oceanography at the University of Miami; Martin Otte, a postdoctoral fellow at the U.S. Environmental Protection Agency's Atmospheric Modeling and Analysis Division; and Roni Avissar, a University of Miami professor of meteorology and physical oceanography and dean of the Rosenstiel School of Marine and Atmospheric Science.
The high resolution of the researchers' climate model allowed them to see the otherwise subtle pull of the Rossby waves, Medvigy said. The typical model buries finer atmospheric features under a scale of about 200 kilometers — twice the width of the Andes Mountains. Medvigy and his co-authors spotted the intricacies of the Amazon's future weather pattern using a resolution as fine as 25 kilometers, he said.
The researchers based their simulation on the Amazon's complete removal, an exaggerated level of destruction needed to produce a noticeable effect, Medvigy said. Nonetheless, clear-cutting of the Amazon marches on, although conservation efforts have significantly slowed deforestation in countries such as Brazil since the mid-2000s. In addition, research has shown that climate change, especially a spike in the global temperature, could wipe out as much as 85 percent of the forest.
The Amazon's fragility and vulnerability — combined with its outsized sway over the climate — add an urgency to better understanding how the forest's disappearance will affect the larger climate, particularly for agriculturally important areas such as California, Medvigy said.
"We know the Amazon is being deforested, but we don't know for sure what's going to happen because of it," Medvigy said. "Other scientists need to do these simulations and see if they get the same results. If they do, then policymakers will have to take notice."
The paper, "Simulated changes in Northwest US climate in response to Amazon deforestation," was published in the Nov. 15 edition of the Journal of Climate. This work was supported by awards from the National Science Foundation (grant numbers 1151102 and 0902197).


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Car Mat Set suits Ford Cougar Coupe 1998-2002
Front Set
Fitment Notes: Front Set
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2024 Total Solar Eclipse Glasses & Tips for Potterville, MI
Potterville, Michigan will experience a 96.1% eclipse on April 8, 2024.
Solar Eclipse Details
The total solar eclipse is one of nature's rarest events, often considered a spectacular and awe-inspiring phenomenon. The 2024 solar eclipse will be more spectacular than the historic 2017 solar eclipse, with a maximum duration of totality that's almost two minutes longer. It will be more than 20 years before this event happens again in North America!
Potterville Totality:
Potterville Eclipse Start:
Potterville Eclipse Peak:
Solar Eclipse Viewing Locations in Potterville
Here are some tips for finding the perfect spot to view the eclipse:
- Go to a natural setting with clear skies (such as a large park)
- Find a spot away from city lights.
- Seek an area at a higher altitude to avoid cloud cover.
- Bring friends and make it a party!
P.S. A Linq digital business card can help you meet everyone under the sun during the solar eclipse.
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Looking directly at the Sun without certified eclipse glasses or viewers can result in permanent eye damage. Only view the Sun through proper solar eclipse safety gear, like ISO 12312-2 certified eclipse glasses or viewers that meet international safety standards.
During a total eclipse, it's safe to look at the Sun only during the short totality phase. Ensure your eclipse glasses are undamaged and follow all safety instructions. Supervise children closely when using eclipse safety gear.
Linq is a licensed reseller of ISO 12312-2 solar eclipse glasses, sourced from Jaxy Optical Instruments, a recognized supplier endorsed by the American Astronomical Society's Solar Eclipse Task Force. For more safety information, consult resources from the American Astronomical Society and NASA.
ISO 12312-2 solar eclipse glasses.
Frequently Asked Questions
The solar eclipse in Potterville, MI will begin at 01:56:25 PM EDT, peak at 03:12:16 PM EDT, and end at 04:28:07 PM EDT. Check out detailed information about Potterville, MI here.
Ensure your eclipse safety glasses or viewers are certified to meet international safety standards (ISO 12312-2). Linq's manufacturer, Jaxy Optical Instruments, is recognized by theAmerican Astronomical Society's Solar Eclipse Task Force as a supplier of safe solar eclipse viewers, and Linq is listed as a certified reseller.
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Rent gips container in Uitgeest
For the gips waste stream we have containers available in 4 different sizes.
If you do not know which format to choose, you can contact customer service. They can help you choose the right size for an gips container.
Extra information gips
In order to separate the waste as well as possible, we have indicated for each waste flow which materials are allowed in and not in a gips container.
What is allowed in an gips container?
- cast
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In case someone wonders what I am referring to as Clampett's "successes" in his black-and-white cartoons, I thought I might identify some of them here.
I was thinking primarily of the use of expressive animation (movement) to express a spirit of cartoon zaniness, and zany characters. Nothing like Clampett's version of that had ever existed in any prior Warner cartoons (except in Clampett's own animation of Daffy Duck in Avery's "Porky's Duck Hunt" 1937). To audiences today, being so familiar with the zany animation in so many different directors' cartoons of the 1940s, it is easy to overlook how unusual it was in the late 1930s in Clampett's low budget black-and-white cartoons.
Clampett Revived Early Film Creative Spirit As Animation was Drifting Towards "realism"
Back in the silent era it was routine for outlandish, impossible things to happen, even though those things usually had a dull, heavy-handed feel to them. In the early sound era, it was mainly the Fleischer studio that gave more of a spirited feel to "impossible" gags, although those generally had more of a nightmarish feeling to them. By the mid-1930s, the studios were generally following Disney's influence in being much more realistic and literal.
From about the mid-1930s on, it was almost only at Disney's that an effort was made to make the animation (movement) itself expressive, such as the actions of the drunk mouse in "The Country Cousin" (1936), and Goofy's walks.
The 1930s Fleischer studio did develop some eccentric walks for their Popeye cartoons,
and at Warners, Frank Tashlin invented a kind of rolling waddle-strut for his rotund version of Porky Pig, as when Porky struts confidently to Petunia's house, or the cocky strut of the look-alike pig bank robber in "Porky's Double Trouble" (1937). But for the most part, at the non-Disney studios in the mid-to-late-1930s, animation had become simply literal walks and runs, with no more expression of personality in the movement than that of amateur actors in a school play. (There are of course many instances of characters running around super fast in the Warner cartoons of the 1930s, but I don't regard that as zany so much as just greatly speeded up.)
Clampett Brought Zany Movement And Expressive Animation To Warner's
At Warners in the late 1930s, it is mainly in Clampett's cartoons that expressive animation and zany characters appear -- and only occasionally, since Clampett was burdened with the tiniest budgets and the most beginner animators. In fact, I would have to say that it is all the more remarkable that these things happened in Clampett's cartoons at all, given the limitations of Clampett's crew.
Inside Out Garage
So, specifically, what am I referring to? Here's some examples: In almost the opening scene of Clampett's first cartoon, "Porky's Badtime Story" (1937), even though Clampett did not write that cartoon himself, he depicted Porky's garage being ripped inside-out in a snappy, very rubbery action when Porky's car roars out.
Compare that to the same gag in Tashlin's "Porky's Railroad", made and released at the same time.
In Railroad, during a train race, the fast train goes through a tunnel, which looks like a tunnel commonly seen on toy train tracks, thereby closely resembling a stand-alone building like Porky's garage, and that tunnel is pulled inside-out by the great speed of the train -- but in the most literal, unimaginative way.
This is typical of the differences I'm trying to point out between Clampett's occasionally inspired moments and the conspicuous lack of such moments in practically all of the other 1930s Warner cartoons.
Goofy Clampett Dogs
In Clampett's second cartoon, "Get Rich Quick Porky" (1937), is a very goofy-acting dog who typifies the kind of characters that Clampett later excelled in. Bits and pieces of this kind of thing continue to appear here and there in Clampett's next few cartoons.
Injun Trouble
Moving down to Clampett's eighth cartoon, "Injun Trouble" (1938), there is a very striking example -- a totally zany hillbilly kind of character who acts and moves almost identically to Scribner's expert animation of the same character in the 1945 remake, "Wagon Heels".
Porky's Party
Clampett's ninth cartoon, "Porky's Party" (1938), has remarkable extended animation of a silly drunk dog (probably animated by Chuck Jones), and even zanier animation (probably not by Chuck) of a character called Loosey Goosey (especially in his introductory scene, coming in the front door).
Turning Point: Wackyland
The next two cartoons, "Porky and Daffy" and
"Porky in Wackyland" (1938), are to me amazing (for their time) in the intensity of their comic business. The next cartoon, "Porky's Naughty Nephew" (1938), has very excellent character personality acting -- not particularly by 1940s standards, but compared to almost anything else at Warners in 1938.
This walk that Porky's nephew does is hilarious and highly skilled. It's a caricature of sickly sweet Disney cuteness and makes the story even funnier. Clampett, more than any other director tailored the animation in his cartoons, to not merely be professional and smooth but to emphasize the story points and make each bit as entertaining as can be. - JK
Porky In Egypt
Now we come to some real breakout cartoons. "Porky in Egypt" (1938) is hilarious, in gags and execution, with the hysterical camel going completely crazy in the desert heat.
This scene is particularly funny, not because it's "zany" but because it is so realistic in such a crazy cartoon. You would never expect this kind of thing in a cartoon, which makes Clampett such a unique character - jk
Porky's Tire Trouble
And just a couple titles later, "Porky's Tire Trouble" (1939), is another masterpiece (for its day), with the crazy antics of a dog gone all rubbery (having swallowed too much "rubberizing solution" in a tire factory).
And this just brings us up to early 1939; other highlights beyond include "Africa Squeaks" (1940), "A Coy Decoy" (1941), "We the Animals Squeak" (1941) and "The Henpecked Duck" (1941).
Cartoons are Up and Down
Admittedly there are some misfires here and there in between the winners. I am not enthusiastic about all of Clampett's black-and-white cartoons -- too often the animation is quite poor -- but as I've already stated, he had only the beginner animators -- and too often the business and gags are very pedestrian -- but as Clampett himself admitted, "How could I do much else, when I didn't have animators that were capable of better acting?" But once Clampett was given a color unit with better animators, no excuses were necessary -- his cartoons set an all-time high average.
John's Response
Hi Milt
I don't disagree with all the points you made about the black and white cartoons in your article, but I think it leaves out many of the less obvious skills and innovations he had.
Your article, if I remember right, focused on how zany the animation is, and I don't think anyone needs to be convinced of that. "Zany" is all any of the critics will give Clampett.
What I think is less understood by animation fans and writers is how important his contributions to the characters, stories, acting and what is very hard to define or explain - the sheer character magnetism and screen presence his characters instantly have.
In no one else's cartoons at that time (excluding maybe the Fleischer Popeyes) does anyone have characters that seem motivated from within. While Tashlin and Avery contributed their own innovations to the Warner's style, it seemed completely up to Clampett to make the characters seem alive, motivated and charismatic.
Porky, in both Avery and Tashlin's cartoons is just this animated thing that shit happens to. You don't care about him at all. He's merely the focus of the story. In Clampett's cartoons the characters cause the story and what happens always seems spontaneous and immediate - and as a result, unpredictable. It is happening now, unplanned by a tyrannical director who merely needs characters to plug into his plot and gag structure. Clampett's unique talent is to make it appear that you are watching something in real time; animation that is shot live.
He was also handicapped in this by having been forced to star Porky in every single cartoon. He did the best Porky, but Porky is basically a straight man, so Clampett had to create tons of other characters who could carry more comedy. There are some cartoons that star Porky only in name, because he got tired of ONLY directing Porky cartoons and wanted to try something different. But my point is, that only in his cartoons at the time did any of the characters seem like they were causing the action, rather than the writer and director causing the action and just plopping any old characters into the storyline.
It would take some more careful study of the cartoons to find words to describe what techniques he is using to make this happen, but I think that is something even more astonishing than how zany his cartoons are. Everyone assumes being zany is easy and irresponsible. I don't know why they think that. I think your article does a lot to show that being successfully zany is an amazing skill in itself, and we need that.
One point you made I do disagree with. You said much of the animation is primitive. Maybe you are talking more about the drawings, not the motion. To me the motion in his early cartoons is amazing and full of innovation and impulsive inventions. It's non-stop innovation.
Many animators were looking for rules and formulas at the time, and Clampett had the sheer creative talent and fortitude to ignore all that and just make a ton of stuff up like a custom tailor. No pre-set pattern. he would invent an action out of nowhere that just totally suited the needs of the gag, characterization or scene.
I wish to God I had animators like that today to work with. I could provide the drawings and ideas. All I want is that beautiful motion and sense of comedy those guys had.
Clampett also did some of the first real "stories" - the kind Mike Barrier and his ilk love to praise. The ones with a clear clean beginning, middle and end. "Rover's Rival" is one of those. It's a crazy cartoon, has all the earmarks of a Clampett cartoon, zaniness, great personality, beautiful animation and it has a totally crisp tight story with a morally satisfactory conclusion. It should be at the top of Barrier's and Solomon's perfect cartoon list.
I could go on forever about Bob! But when I make these kinds of statements, I feel more comfortable when I have the evidence in scene clips and stills to back them up, because so many people are prejudiced against Clampett and only want to give him "zany" as his one natural talent.


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On the second picture is the measurements of the print size. From red line to red line is one inch.


text:
Associated Press - Faced with tougher and more resistant weeds, corn and soybean farmers are anxiously awaiting government decisions on a new version of a popular herbicide — and on genetically modified seeds to grow crops designed to resist it.
Critics say more study is needed on the effects of the herbicide and they are concerned it could endanger public health.
The Environmental Protection Agency is expected to rule this fall on Dow AgroSciences' application to market Enlist, a new version of the 2,4-D herbicide that's been around since the 1940s. It's partly a game of catch-up for the agriculture industry, as many farmers are dealing with weeds that have become resistant to glyphosate, an herbicide commonly used on corn and soybeans now.
If approved, the 2,4-D would be used in combination with glyphosate.
An Agriculture Department decision on the company's genetically modified seeds also is expected this fall. In the department's final environmental review released last week, the USDA recommended approval. The agency said that if both the seeds and herbicide are approved, the use of 2,4-D could increase by an estimated 200 to 600 percent by the year 2020.
While the USDA only oversees the safety of the plants, the EPA oversees the safety of the herbicide for human and environmental health. The agency has already found the chemical safe several times for other species as well as for the public and agricultural workers.
Groups lobbying the agency to prevent the herbicide's expanded use say they are concerned about the toxic effects of the herbicide and the potential for it to drift. Corn and soybeans are the nation's largest crops, and the potential for expanded use is huge.
Scott Faber of the Environmental Working Group said the EPA studies so far have not been comprehensive enough and need to look more closely into the effects of pesticides on children.
"This is a once-in-a-generation decision that will have a huge impact on public health, especially on farmers and rural residents," Faber said. "This is a moment to step back and ask if this is a durable weed control solution for farmers."
Damon Palmer of Dow AgroSciences says the new version has been re-engineered to solve potential problems, like drift before and after the herbicide hits the plant.
2,4-D is now used on other crops, including wheat, and on pastures and home lawns. It is the world's most popular herbicide and the third most popular in the United States, behind atrazine and glyphosate.
Most corn and soybeans grown in the U.S. are already genetically engineered. Before Monsanto's Roundup herbicide was introduced in 1976, most farmers tilled their fields prior to planting, flipping the soil over and burying the weeds to kill them. The technique also exposed tilled earth to the air, creating problems with erosion and runoff and releasing greenhouse gases.
Herbicide-resistant seeds permitted most farmers to stop tilling because they could spray fields after their plants emerged, killing the weeds but leaving crops unharmed.
Critics expressed concern that if the herbicide is approved, weeds will eventually become resistant to it, too. George Naylor, an Iowa farmer who is on the board of the advocacy group Center for Food Safety, called it a "pesticide treadmill" that needs to be slowed down. The Center for Food Safety has lobbied against expanded use of genetically modified crops and chemicals in agriculture.
Palmer of Dow AgroSciences said the company has created the new seeds with "multiple locks on the door" in an effort to avoid increased weed resistance.
In its environmental assessment, the USDA said increased resistance is a risk, and farmers will have to find ways to adapt if they find it decreases in effectiveness. The agency said it's hard to predict how that will play out, however.
"Therefore, it is difficult to accurately predict when and the extent to which 2,4-D-resistant weeds will become a problem," the USDA said.


text:
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- Gender: f
- Location: Barbieland
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They know me as cloetonya, but you can call me whatever you want. I can play many roles and do a lot of sexy stuff!
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A rare 4.0 magnitude earthquake rattled New England, last night. While some of our readers on the West Coast would barely even blink with such a shake, it caused confusion and consternation for many around the epicenter about 30 miles outside of Portland, Maine.
The Bangor Daily News reports that the largest earthquake to strike the region measured 5.1 and it happened in 1904.
"According to the Geological Survey, tremors were felt as far north as upper New Hampshire and Vermont, and Maine, and as far south as Connecticut. People in Greater Boston were buzzing in the immediate aftermath.
"Paul DiNatale, of Newburyport, said in a phone interview that his house shook for 20 seconds, and at first he thought there was a problem with his boiler.
'It was a scary experience,' he said."
In Dayton, Maine, the Daily News reports, there was a standoff going on when the earthquake struck.
"Things were rattling and shaking. I thought there was an explosion going off. My neighbor came over all shook up. A picture had fallen off her wall," Ron Smith, owner of Goodwin's Mills General Store in Lyman, told the paper.
Sue Hadiaris, of Saco, told the AP her whole house shook.
"It felt like a train was coming through the house," she said.
But her 15-year-old niece looked at the bright side: "We can cross that off our bucket list," she said.
The AP adds that there were no immediate reports of damage.
WPRI has this report on the effects it had in Rhode Island.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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JEROME shirt
- In Stock
- Model: 1-123-1-20-4595
Available Options
POLSINO shirt regular line.
COMPOSITION: 100% Cotton
The ways of shipping - after your order has been confirmed - are the following:
Delivery by courier within 1-3 business days.
FREE SHIPPING in Greece for orders over 50 euros. The cost of transport is 3 euros for orders below 50 euros.
In cases of cash on delivery there is an extra charge of 2 euros.
In all the countries of the European Union the shipping cost is 12 euros if the weight is up to 3 kilos regardless of the quantity and it is delivered to the address of the recipient within 5-8 business days.
For purchases above 150 euros the shipping is FREE.
Delivery by post offices for the countries that do not belong to the European Union. The cost and the time of the delivery depend on the zone.
We will send you an e-mail or we will call you to inform you after the order procedure is completed and before the shipping of the goods.


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The Seahawks have done it again — they stumped the band. Trading down to the last pick in the second round, the Seahawks selected a running back from Texas A&M, Christine (pronounced KRIS-tin) Michael, who in his senior year rushed for 417 yards and 12 carries (4.74 ypr) and amassed 3,331 all-purpose yards.
His top time of 4.38 seconds in the 40-yard dash was a selling point. Michael, a native of Beaumont, TX., started 18 of 40 games, carrying for a 5.28 yards per game had 34 TDs, 15th-most in school history. In his senior year. he caught 44 passes for 323 yards and and one TD, and returned 10 kickoffs for 217 yards, amassing 3,331 all-purpose yards.
For the fourth year in a row, the Seahawks traded down in the second round. They swapped pick No. 56 with the Baltimore Ravens and the 62nd,and acquiring the 165th (fifth round) and 199th (sixth round).


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Penny Preville Ruby Fashion
1 Cablespira Hoop Earring 18k"
Orders received before 2:00 PM ET on weekdays are typically processed the same day, while those received after 2:00 PM ET are processed the following business day.
For security reasons, we do not offer weekend shipping or PO Box delivery. Orders placed after 2:00 PM ET on Thursday will ship the following Monday.
Request More Information
Want more information about this product? Fill out the form below and we will be happy to assist you with any questions you may have.


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This Agreement was last modified on Jan 19, 2021.
Please read these Terms of Service completely. This Agreement documents the legally binding terms and conditions attached to the use of this Site.
By using or accessing the Site in any way, viewing or browsing the Site, or adding your own content to the Site, you are agreeing to be bound by these Terms of Service.
Intellectual Property
The Site and all of its original content are the sole property of ALL SHOE STYLES and are, as such, fully protected by the appropriate international copyright and other intellectual property rights laws.
ALL SHOE STYLES has the right to terminate your access to the Site, without any advance notice.Links to Other Websites
Our Site does contain a number of links to other websites and online resources that are not owned or controlled by ALL SHOE STYLES.
ALL SHOE STYLES has no control over, and therefore cannot assume responsibility for, the content or general practices of any of these third party sites and/or services. Therefore, we strongly advise you to read the entire terms and conditions and privacy policy of any site that you visit as a result of following a link that is posted on our site.Governing Law
This Agreement is governed in accordance with the laws of the state of California, United States.
Changes to This Agreement
ALL SHOE STYLES reserves the right to modify these Terms of Service at any time. We do so by posting and drawing attention to the updated terms on the Site. Your decision to continue to visit and make use of the Site after such changes have been made constitutes your formal acceptance of the new Terms of Service.Therefore, we ask that you check and review this Agreement for such changes on an occasional basis. Should you not agree to any provision of this Agreement or any changes we make to this Agreement, we ask and advise that you do not use or continue to access the ALL SHOE STYLES web site immediately.
Contact Us
If you have any questions about this Agreement, please feel free to contact us.


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Lot 17
Bidjar Rug
Second Quarter 20th Century
Red ground with millefleur field centering a pulled medallion on blue-beige ground, blue-red spandrels within a rosette and trellising vine guard border on blue ground.
12 ft 7 in x 9 ft 4 in (384 x 285 cm)Property of Various Owners
- Weschler''s provides written condition reports, upon request, for any lot in our auctions. Such a condition report is provided as a courtesy to our clients and should in no instance replace first hand inspection by a prospective buyer or his/her agent. All property is sold "as is" in accordance with the terms set forth in paragraph 2 of Conditions of Sale. Neither Weschler''s nor the consignor makes any express or implied warranty or representation as to the condition of any lot offered for sale, and no statement made at any time, whether oral or written, shall constitute such a warranty or representation. *While we do our best to protect the frames, we will not be responsible for damage, regardless of cause. Images, descriptions and condition reports used on this site are original copyright material and are not to be reproduced without permission. For further information please contact our business offices at 202.628.1281.
Accepted Forms of Payment:
COD (cash on delivery), Money Order / Cashiers Check, Personal Check, Wire Transfer
In order to expedite and properly insure the safe shipment of your recent purchase, please find listed below our recommended shippers. It is the responsibility of each purchaser to make their own shipping arrangements. Please contact one of the recommended shippers or, if you prefer, another shipper of your choice. All the recommended out-of-state shippers listed below are qualified interstate carriers.
Keep in mind, property may not be released without receipt of purchase payment. In addition, once you have finalized shipping arrangements you must notify our shipping department to confirm your intentions. No property will be released without your confirmation with our office.
Purchases shipped out of state via ICC carrier, UPS or USPS are NOT subject to D.C. Sales tax. Unless a valid D.C. sales tax number is given to Weschler's prior to payment, all other purchases are subject to 5.75% D.C. sales tax.
If you need to register for a D.C. sales tax number please contact: Department of Consumer and Regulatory Affairs, 941 N. Capitol Street, NE, 2nd Floor, Washington DC 20002, 202-442-8340.
If you have any questions about shipping, please contact Megan Alderfer between 9:00 am and 5:00 pm at [email protected] or 202-628-1281.
Domestic and International (shipments via UPS, USPS, FEDEX, Yellow Truck, etc.)
The UPS Store (5614 Connecticut Ave NW) 202-244-6655 [email protected]
Navis 410-737-8020 [email protected]
Craters & Freighters (larger items, crated) 877-796-0180 [email protected]
Domestic (furniture and oversized items, blanket wrapped):
Vintage (Northeast, Southeast, California) 800-333-0056 [email protected]
Sure Express (Northeast, Chicago) 877-877-0889 [email protected]
LaBarbera (Southeast and Texas) 888-355-8686 [email protected]
J & D Transport (North, South and Texas) 888-539-9769 [email protected]
Bush Dependable (NE, SE, Ohio, Michigan) 941-951-2447 [email protected]
Westbrook Deliveries (East Coast) 404-877-2870 [email protected]
David Edward Packaging 443-297-9065 [email protected]
Plycon 888.655.2664 [email protected]
Artemis 888-652-7836 [email protected]
HMB Art Transfer 202-439-8172 [email protected]
Richard Wright Inc. (East Coast) 800-247-9744 [email protected]
International (furniture and oversized items):
Cadogan Tate 718-706-7999 [email protected]
Hedley's 718-433-4005 [email protected]
Lockson's 201-392-9800 [email protected]
David Edward Packaging 443-297-9065 [email protected]
Plycon 888.655.2664 [email protected]
Craters & Freighters 877-796-0180 [email protected]
HMB Art Transfer 202-439-8172 [email protected]
Virginia, Maryland and New York City:
Robert Bardwell 703-850-0309 [email protected]
Handle with Care 301-461-7190 [email protected]
You agree to pay a buyer's premium of up to 27% and any applicable taxes and shipping.
View full terms and conditions
From: | To: | Increments: |
$0 | $99 | $5 |
$100 | $499 | $25 |
$500 | $999 | $50 |
$1,000 | $1,999 | $100 |
$2,000 | $4,999 | $200 |
$5,000 | $9,999 | $500 |
$10,000 | $24,999 | $1,000 |
$25,000 | $49,999 | $2,000 |
$50,000 | $99,999 | $5,000 |
$100,000 + | $10,000 |


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A fabulous brushed velvet, this great quality velvet by Clarke And Clarke makes stunning roman blinds, slightly out of the ordinary,the brushed stripe give almost a 3D effect. Roman blinds at factory prices, buy now and save!
Measuring Options:
Recess Size: Used when you require a blind to fit inside the window recess. Carefully measure the window recess (in 3 points across the width and drop) enter the smallest measurement into the site. We will manufacture your blind so it fits inside the recess without touching the sides.(we deduct 10mm from the width and 6mm from the drop.)
Blind Size. Enter the exact size you require and we will make your blind to that size. Best used for blinds which fit outside the window recess.
Lining Options:
Poly Cotton Twill Ivory: Included in the price of your roman blind is our twill lining, this is a standard lining which will help protect the face fabric of your blind from UV light, and improve the drape and look.
Thermal Lining: Manufactured to a British Standard our thermal lining will when closed reflect heat (from sunlight) in summer, and help retain heat in your room in winter. This lining fabric also dims out your room.
Blackout Lining: Manufactured to a British Standard our blackout lining has the same thermal properties as the thermal lining and also "blacks out" your room. It will not let light through.
Duo Interlining: A padded lining, which dims out your room. This lining will help protect your blind from UV light damage, and will give a padded appearance to the face fabric.
Request lining samples by e-mail. We will send swatches of our lining on request.
Headrail Options:
Standard Cord operated: included in the price of your blind is the standard cord operated headrail. We have been using this system for many years, it's reliable and hard waring, and it is now "Child Safe". Operated in the traditional way, you pull the cord to raise the blind, then to release move the cord to the left. Includes Chrome Cleat and chrome blind pull.
Deluxe Sidewinder: A robust cassette type headrail which is operated with a chain, we offer white, chrome or brass chain options. We use these systems in Hotels and public places. Fully child safe, includes chain tensioner and instructions.
Roman blind construction. Our roman blinds are produced by hand, and machine sewn. All are fully lined with a 25 mm pvc weight bar in a double hem along the bottom. Tape rod pockets are sewn through the lining and face fabric in matching or coordinating cotton, and PVC rods inserted(can be removed for cleaning.) Velcro attaches the fabric to the headrail.Blinds over 120 cms wide may be made from 2 widths of fabric, in 3 panels. Patterns are matched on over the width blinds, and if you order more than one blind of the same drop we will pattern match these free of charge.
Care: Dry clean only. These blinds can easily be taken apart for cleaning and put back together without sewing.
Measuring Guides.
For up to date delivery information please visit our Delivery Times page.


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