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Why We Walk
For the Fight
"When diagnosed with ALS in 2010, I already knew the challenges. My best friend was diagnosed with the same disease in 2006. Fortunately, he's a fighter and a terrific role model. He made me understand that people truly want to help us face the challenge, but struggle with how. That's why I believe the ALS Association's Walk to Defeat ALS is the perfect avenue to channel the love and energies of family, friends and colleagues who are determined to help us find a cure. The Walk is once a year. It's fun. It's simple. And it doesn't matter if you have a team of 1 or 100. Each and every walker brings us one step closer to a cure. I hope you'll join us."
-Treg Charlton, Keith Worthington Chapter
For Care Services
"Our family walks so that ALL PALS and their families have access to a wonderful support group, to an equipment loan pool where they can obtain walkers, wheelchairs, and supplies, and to fight this disease on behalf of our husband and father, Michael Gagner who passed away in November 2013 from this dreaded disease."
-Stacy Inman, Golden West Chapter
"Seeing all the other teams, families, and friends battling the same thing we are and making the most of it and getting something positive out of something so incredibly awful was amazing. It made us more aware of what's available and just how much support there is out there for us and the ALS community."
-Gina Unruh, Oregon and SW Washington Chapter
For Research
"We walk because our Family has lost 7 members to ALS. We have the SOD1 gene in our family. Research and Advocacy are important to us because we are the next generation to be affected (23 grandchildren)."
-Ross Family Children & Grandchildren
ALS is a disease for which we hope to continue to fund research to find a cure. Everyone always thinks it will not ever come their way! We owe those with ALS a chance to have an improved life."
-Donna Richey-Suttles, Central and Southern Ohio Chapter"The only time I came close to un-masking my grief and coming to grips with my grandmother's death, was The ALS Association Walk to Defeat ALS in Omaha Nebraska. I raised $1,300 in one week, thanks to support from my dad's coworkers, and felt pretty darn good about myself. Raising money for The ALS Association not only helps further research, but also helps those who are already dealing with the effects that this disease has inflicted. None of your dollars, nor cents, will be going anywhere but to benefit the cause."
- Natalie Doering (left), High School Student
For Public Policy
"We walk in memory of our son Eric, who died of ALS at age 28 after a 9 year battle with the disease. As an intelligent and very young PALS, Eric understood that he was a powerful Advocate for all suffering with ALS, and could command the attention of our legislators in Washington DC. He made the annual pilgrimage to the ALS Public Policy conference every May from 2005 until 2009, when his failing health prohibited him from making the 14 hour drive to DC. He enjoyed meeting his legislators and asking for their support for bills that are important for all PALS, and appropriations for funding ALS research. But more than that, he loved attending a gathering of hundreds of other people with ALS and their family members, all united in their quest to help find a cure and rid the world of ALS.
"With Eric now gone, his friends and family continue to support the Walk to Defeat ALS every year, which is our Alabama Chapter's largest single source of funds, so that we may honor Eric's memory and his tireless dedication to helping create awareness of ALS on Capitol Hill. We walk for our hero, Eric, whose life was shortened by ALS. We walk so other lives are not."
-Stuart Obermann, Alabama Chapter

subset: commoncrawl


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《纽约客》(The New Yorker)是一份美国知识、文艺类的综合杂志,内容覆盖新闻报道、文艺评论、散文、漫画、诗歌、小说,以及纽约文化生活动向等。
The New Yorker is an American magazine of reportage, commentary, criticism, essays, fiction, cartoons, satire and poetry published by Conde Nast Publications. Starting as a weekly in the mid-1920s, the magazine is now published 47 times per year, with five of these issues covering two-week spans. Although its reviews and events listings often focus on cultural life of New York City, The New Yorker has a wide audience outside of New York and USA. It is well known in its commentaries on popular culture and eccentric Americana; its attention to modern fiction by the inclusion of short stories and literary reviews; its rigorous fact checking and copyediting; its journalism on world politics and social issues; and its famous, single-panel cartoons sprinkled throughout each issue.


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Chickenpox in Children
What is chickenpox?
Chickenpox is a highly infectious disease that usually occurs during childhood. By adulthood, more than 90% of Americans have had chickenpox. Since the mid-1990s, most children have been vaccinated against the infection.
The disease is caused by the varicella-zoster virus (VZV), a form of the herpes virus. Transmission occurs from person-to-person by direct contact or through the air by coughing or sneezing.
Until 1995, chickenpox infection was a common occurrence, and almost everyone had been infected by the time he or she reached adulthood. However, the introduction of the chickenpox vaccine in 1995 has caused a decline in the incidence of chickenpox in all ages, particularly in children ages 1 through 4 years. The varicella vaccine can help prevent this disease, and 2 doses of the vaccine are recommended for children, adolescents, and adults who are not already immune to chickenpox (have already had the disease).
What are the symptoms of chickenpox?
Symptoms are usually mild among children, but may be life threatening to healthy infants, children, and adults, and people with impaired immune systems. The following are the most common symptoms of chickenpox. However, each child may experience symptoms differently. Symptoms may include:
Fatigue and irritability 1 to 2 days before the rash begins
Itchy, red rash that progresses to tiny, fluid-filled blisters on the trunk, face, scalp, under the armpits, on the upper arms and legs, and inside the mouth
Feeling ill
Decreased appetite
Muscle and/or joint pain
Cough or runny nose
The symptoms of chickenpox may resemble other skin problems or medical conditions. If a person who has been vaccinated against the disease is exposed, then he or she may still get a milder illness with a limited and less severe rash and mild or no fever. Always consult your child's doctor for a diagnosis.
How is chickenpox spread?
Once infected, chickenpox may take 10 to 21 days to develop. Chickenpox is contagious for 1 to 2 days before the appearance of the rash and until the blisters have dried and become scabs. The blisters usually dry and become scabs within 4 to 5 days of the onset of the rash, but there are usually several new crops of blisters developing during this time period. Children should stay home and away from other children until all of the blisters have scabbed over.
Family members who have never had chickenpox have a 90% chance of becoming infected when another family member in the household is infected.
How is chickenpox diagnosed?
Chickenpox is usually diagnosed based on a complete medical history and physical exam of your child. The rash of chickenpox is unique, and usually a diagnosis can be made from a physical exam.
What is the treatment for chickenpox?
Specific treatment for chickenpox will be determined by your child's doctor based on:
Your child's age, overall health, and medical history
Extent of the condition
Your child's tolerance for specific medications, procedures, or therapies
Expectations for the course of the condition
Your opinion or preference
Treatment for chickenpox may include:
Acetaminophen for fever (Do not give aspirin)
Antibiotics for treating bacterial infections that may develop (antibiotics do not treat the chickenpox infection)
Calamine lotion (to relieve itching)
Antiviral drugs (for severe cases)
Increased fluid intake (to prevent dehydration)
Cool baths with baking soda (to relieve itching)
Children should not scratch the blisters, as this could lead to secondary bacterial infections. Keep your child's fingernails short to decrease the likelihood of scratching.
Immunity from chickenpox
Most people who have had chickenpox will be immune to the disease for the rest of their lives. However, the virus remains dormant in nerve tissue and may reactivate, resulting in herpes zoster (shingles) later in life. Rarely, a secondary case of chickenpox does occur. Blood tests can confirm immunity to chickenpox in people who are unsure if they have had the disease.
What complications are commonly associated with chickenpox?
Complications can occur from chickenpox. Those most susceptible to severe cases of chickenpox are infants, adults, pregnant women, and people with impaired immune systems. Unborn babies may also be infected if the mother has not had chickenpox prior to pregnancy. Even healthy children may develop complications for chickenpox, most commonly serious skin infections. Complications of chickenpox may include:
Secondary bacterial infections
Encephalitis (inflammation of the brain)
Cerebellar ataxia (defective muscular coordination)
Transverse myelitis (inflammation along the spinal cord)
Reye syndrome (a serious condition that may affect all major systems or organs)


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Oh, wait, it's coming back to me. Exercise. Knit. Read more books. Ah well. Who needs that stuff when you have a food blog? Because, let me assure you, knitting offered me neither the opportunity nor the motivation to:
- Interview the legendary Alice Waters and the toothsome Curtis Stone
- Pick the brains of master chefs (Mary Sue Milliken and Susan Feniger), food styling pros (Susan Spungen), food TV stars (Darrell "DAS" Smith and Jeffrey Saad) and cookbook authors (Lucinda Scala Quinn)
- Decorate cakes with Kelly Ripa and Buddy "The Cake Boss" Valastro
- Develop original recipes for brands like POM Wonderful and Nestlé
- Audition for a national TV show
- Get featured on the radio (twice!) talking about pie and my grandmother's rugelach
- Inspire my kids to write their own recipes (like Weston's guacamole and Emery's avocado hand tacos)
- Organize a group of kindred spirits (Food Bloggers Los Angeles)
- Conquer my fear of pie crust
- Indulge my fascination with fungi (Trufflepalooza 2009 and 2010)
- Improve my photography (from terrible to not bad)
To those of you who are reading this but have never let me know who you are: Thank you. I'm grateful for the time you spend here and look forward to getting to know you in the future. And to those of you I do know: Thank you, too. You have made my life considerably more rich in the past two years. I feel lucky.
Okay, no more sappy stuff.
Enough of what you've done for me. Now here's what I'm going to do for you.
Leave a comment below by 5pm on December 24, 2010 telling me what recipe you'd like to see on my blog in 2011. (I'm crowdsourcing.) Two randomly selected commenters* will get to choose one of the following:
- A batch of my famous brownies (the people in my office will tell you how fantabulous they are)
- An apple cake (ditto the office thing)
- Some Meyer lemons from my backyard (although you'll have to wait a few months until they're ripe)
* U.S. residents only, please and sorry. I have no idea how I'd ship any of the above out of the country successfully.


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Do you feeling lucky...well do you? Show your best James Bond while playing the tables then spending your winnings out on the town!
You can book your activity straight away via our secure online booking system, so you know you are ready to go!
And don't forget, your friends can pay us direct via our event area, so you don't even need to collect payments.
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We pride ourselves on our knowledge and support. For the most frequently asked support questions, please check the resources below. If you cannot find what you are looking for here, please contact us and we will assist you.
Our custom-made control panel is designed with you in mind. But if you are having any difficulty with logging in, or using the customer area, then read on.
Just bought Cloud web hosting? Use this resources to help set up your email, upload your website with FTP, and install databases.
Never used cPanel before? Don't worry, we've covered the basics here. cPanel also has a complete user guide, available from within your cPanel interface.
Registering a domain name with us couldn't be simpler. But what happens after you own it? Do you need to delegate it to different nameservers? Don't know what zone records are? This resource is for you.


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Marco Rodriguez
Your home says a lot about you and where you're headed. It's where life unfolds and memories are made. Perhaps you can't imagine living anywhere else. But does your home coverage reflect what really matters to you? I'm Marco Antonio Rodriguez, and I work with individuals, families, and small businesses in Murray, UT. As your local Farmers agent, I can help you understand your options for insuring your home and everything in it. If you'd like to learn more about protecting your home how you want, give me a call today at +1 385-272-4300.
Home insurance can provide coverage in three main ways:
Dwelling coverage helps pays for damage to the structure itself caused by sudden, accidental events like fire, wind, lightning, falling objects and vandalism. This is the coverage most homeowners think of first when selecting insurance.
Contents coverage is just that — it covers what's inside your home. I'm talkling about everything from furniture and electronics to pots and pans. If these items are lost or destroyed by a covered event, your policy can help pay to replace them.
The third component of your home policy is liability coverage. It helps protect you from loss in case you're financially responsible for injury to others or damage to their property. This coverage extends beyond your home and in fact follows you anywhere in the world.
Looking for home, life, and other insurance options?
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Usborne Books - Little Sticker Dolly Dressing Mermaid
Usborne Books - Little Sticker Dolly Dressing Mermaid
An enchanting little sticker book full of mermaids for young children to dress. With over 200 stickers of sparkly mermaid tails, friendly sea creatures, shell jewellery and seaweed skirts to add as the mermaids swim in a coral reef, ride seahorses, find treasure and more. The back cover folds out for parking spare stickers when not in use.
Ages 4+
Shipping & Returns
Shipping & Returns
We deliver Australia-wide, using a range of couriers such as Sendle, Australia Post, and All Regions Logistics/Wizz. We will always choose the cheapest option, which will depend on which item you buy and where you live.
Generally, delivery takes 2-5 business days, but this does depend on which day you place the order (eg. weekend or public holiday), and how far you are from our stores in Northern NSW. Once the item leaves our store, we will arrange for the courier to send you a tracking email so you can follow the package all the way to your front door.
Please remember these are independent couriers who only generally deliver Monday-Friday during business hours. You'll have to make arrangements directly with them if you can't be home on the day of delivery, or if you want to make other arrangements.
If you live locally and you need an item urgently, you could consider our Click & Collect service, which is free in between our three stores in Lismore, Byron Bay and Ballina.
Please note we do have separate shipping rates for bulky and heavy items.
This is generally for items such as Ride-ons, Scooters, Magnetic Construction, Outdoor Games, Doll House and Kitchens.
Diecast rate = (Shipping "Rate 2" for 1 x 1:18 Car)
Shipping Rate 2 - $19.99 - 1-2 Kgs
Shipping Rate 3 - $24.99 - 2-4 Kgs
Shipping Rate 4 - $29.99 - 4-10 Kgs
Shipping Rate 5 - $44.99 - 10-20 Kgs
Shipping Rate 6 - $69.99 - 20 - 25 Kgs
Shipping Rate 7 - $119.99 25Kg+
We currently do not deliver outside Australia
Products that have a badge on them that reads "In Transit" means we have received confirmation from the supplier that the stock has been shipped to us but we have not received the stock yet. This means if you order this item there will be delays on delivery times as we do not physically have the stock yet. You will be shipped your item as soon as the stock arrives in our store.


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In early winter, whether we're celebrating Hanukkah or Christmas, both or nothing at all, families and friends gather to share food and drink and give thanks for a year successfully completed. We send up a rousing holiday cheer and share delicious holiday cheer in celebration of our accomplishments and to honor our cherished relationships. It's also useful to take a few moments to ponder and examine the many factors contributing to our ability to navigate the twists, turns, and surprises that daily life has to offer. Foremost among these factors is ongoing good health throughout the year.
As we proceed with our self-inquiry, we begin to understand that work is required to maintain our personal optimum levels of good health. Such work includes engaging in various health-promoting lifestyle activities, encompassing regular vigorous exercise, eating a nutritious diet, consistently getting sufficient hours of restful sleep at night, and having a positive mental attitude. But none of these healthy lifestyles is obtainable without intention, planning, and effort. In a very real sense, we have to make room in our busy lives for the activities that will help to keep us healthy and well.
Consistency and habit are the keys to adopting and maintaining healthy lifestyles. If one is not eating a nutritious diet or not doing 30 minutes of vigorous exercise at least 5 times a week, it may seem impossible to get these things done. Inertia holds sway and it's all too easy to believe that it's just too much trouble. But from the perspective of efficiency and utility, as well as from the perspective of health and wellness, the benefits of spending time now to engage in healthy lifestyles far outweigh the multiple costs of having developed a chronic illness later on. The good news is that as you begin to perform daily lifestyle activities, the successes you begin to achieve build upon each other and you instinctively want to continue doing the things that are making you feel healthier. This reinforcement helps establish consistency and helps establish healthy lifestyle habits.
Regular chiropractic care helps us accomplish all our healthy lifestyle activities. By detecting and correcting sources of nerve irritation, regular chiropractic care helps ensure optimal functioning of your nerve system, your body's master system. As your nerve system controls all the physiological functions of your other body systems, regular chiropractic care helps ensure that your body as a whole is working at peak efficiency. In this way, regular chiropractic care helps your body put all your lifestyle activities to good use, and helps you and your family achieve long-term health and wellness.
- Phillips C: Lifestyle Modulators of Neuroplasticity: How Physical Activity, Mental Engagement, and Diet Promote Cognitive Health during Aging. Neural Plast. 2017;2017:3589271. doi: 10.1155/2017/3589271. Epub 2017 Jun 12
- Pablos A, et al: Effectiveness of a school-based program focusing on diet and health habits taught through physical exercise. Appl Physiol Nutr Metab. 2017 Nov 14. doi: 10.1139/apnm-2017-0348. [Epub ahead of print]
- Jakicic JM, et al: Role of Physical Activity and Exercise in Treating Patients with Overweight and Obesity. Clin Chem 2017 Nov 20. pii: clinchem.2017.272443. doi: 10.1373/clinchem.2017.272443. [Epub ahead of print]


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Rated Best Installment Loan Company Near De Leon Springs | Tiny Cash Loans
By submitting your information you claim you have read and understood and agree to Privacy Policy, Terms of Use, E-Consent, Responsible Lending and Marketing Practices
Life is full of surprises and they aren't always ones that we want. Personal emergencies that require money immediately can be life-changing if the money isn't available. A car that breaks down can prevent you from getting to work and lead to job loss. Medical emergencies arise and doctor's bills need to be paid. Children grow quickly and suddenly need an entirely new wardrobe. A broken furnace or water heater in the winter can't wait to be repaired. These are situations where we need to get money quickly and can benefit from the services of Tiny Cash Installment Loans in De Leon Springs, Florida .
Who can apply For A De Leon Springs Installment Loan? In order to apply for Tiny Cash installment loans, you need to be 18 or older and a US citizen living in an eligible State. A steady and reliable income, a home address and a bank account for the funds to be deposited into is also required.
What Can I Use The De Leon Springs Installment Loan money for?
The easily accessible installment loans can be used for personal emergencies including De Leon Springs home repairs, medical bills and to pay off other bills. You can also use these loans to purchase gifts, pay for a vacation or grab a great deal that is time sensitive. How the money is used is up to the borrower.
- Can I apply with bad credit?
Tiny Cash Loans sends your application to a variety of lenders, some of who will offer installment loans for bad credit. Not all the lenders perform a thorough credit check and may just ensure there are no personal bankruptcies or outstanding debts before approving your loan. Most often, your credit score will not prevent you from securing a payday loan, but it will impact the terms of your loan including interest rate and borrowing amount. Securing a loan and maintaining good standing can help improve your credit rating.
- How do I apply for a personal loan in De Leon Springs ?
De Leon Springs residents fill out the simple online form to get started. The application requires basic information and takes a few minutes to fill out. The form is encrypted for security so there is no risk of your personal information being leaked. There is no fee for applying and no obligation to continue with the process should you change your mind. The application is then forwarded to several short-term lenders in order to find the most suitable arrangement for your needs. These lenders review the application and could approve your loan in as little as a few minutes. Some De Leon Springs lenders will require additional information from the applicant. The interest rates and terms of loan will vary between lenders, so review the terms before accepting.
- How long does the process take?
The application can be reviewed 24/7 online, so the initial application can be completed in as little as a few minutes. It often takes less than an hour to process the application and connect the applicant with lenders. Signatures to accept loans are all done online, making the paperwork and finalizing of the loan another easy process. Once the paperwork is complete, it is possible to have your loan in as little as one business day.
What Is The Difference Between A Florida Payday Loan And A Florida installment loan?
A payday loan is an emergency loan that is typically under $1000. This loan is to be repaid, with interest or fees, on your next payday.
- Florida TINY CASH Installment Loans
An installment loan is a loan that is repaid, with interest or fees, over a specific period with scheduled payments. These payments are often monthly, and the loans arranged through Tiny Payday Loans are generally required to be paid in full in under 24 months.
- Payday Installment Loans
A payday installment loan arranged by De Leon Springs Tiny Cash Payday Loans is often under $2500 in total. This loan allows more flexibility than a payday loan because it does not have to be paid in full by your payday. It will have a set number of payments that generally span over a few months' time.
Can I have more than one loan at a time?
Every state has their own rules regarding the number of credit products taken simultaneously, and they may also have rules regarding the cooling period between loan applications. Lenders will also have their own guidelines for providing more than one loan at a time.
Can I renew my loan?
If your state laws allow it and you are having difficulty with the current terms of your loan, you can possibly do a renewal with your lender. This involves adding interest to the loan and changing the current repayment terms. It is recommended to carefully review your contract before renewing or extending your loan, as it can be an expensive process.
What happens if I am late on a Florida installment loan payment?
For your own credit rating, it is best practice to avoid late payments. However, should a situation arise where you know you will be late making a loan payment, contact the lender to make arrangements and find out what their fees and procedures are for late payments. You can also review your contract for terms regarding late payments.
I don't know if I would qualify for a loan
That is why Tiny Payday Loans exist! The application is quick and easy and Tiny Payday Loans will match you with lenders they feel are appropriate. From there, you and the lenders can determine your eligibility. Should all of your loan offers not meet your standards, you can end the arrangement at any time and not pursue the loan.
Take a few minutes to fill out the simple form to see if you can get the emergency funds that you need.
Tiny Cash Loans is not a lender. They accept applications from people who need installment loans or payday loans and determine their eligibility to receive a quote from lenders. Once your application has been reviewed, Tiny Cash Loans will forward it to the lenders who are a good match for your circumstances to help you get the money you need. Tiny Cash Loans can not predict lending rates and is not informed of the terms of your loan once you have an agreement with a lender.
More info click here tinycashloans.com/florida-2/


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It's a given that Latino voters are viewed by both political parties as critical to the the 2012 general election and that polling shows President Obama, and Democrats generally, enjoying a significant advantage with that such voters.
That reality prompted Mitt Romney to tell donors at a closed-door Palm Beach, Fla. fundraiser in April, in remarks overheard by reporters:
"We have to get Hispanic voters to vote for our party." He suggested that if the GOP failed to draw significant numbers of Latino voters away from the Democratic Party "that spells doom for us."
Against that backdrop comes an assessment by the liberal Center for American Progress of the potential Latino vote in a number of electorally important states.
The center lists the top ten states with the most unregistered eligible voters as well a non-citizens who are in the U.S. legally and could be naturalized in time for the election. An excerpt from the material provided by the center
"In some key battleground states, the number of eligible but unregistered Latino voters runs into the hundreds of thousands or even millions. On top of these millions of potential voters, the Department of Homeland Security estimates that there are 8.1 million legal permanent residents or green card holders, that are eligible to becomes citizens and vote in the fall election."
California tops the list, with 2 million registered voters and about 2.4 million legal permanent residents, the center said. While that state isn't considered in play for the presidential election, competitive House races clearly could be affected by such numbers.
Several of the states in the center's top ten are considered presidential battleground states. They include Florida with a total of 1.3 potential new voters, Colorado with 242,750 and Virginia with 200,900.
Of course it's one thing to know those potential voters are out there; it's a completely different matter to get them registered and then to the polls on Nov. 6, 2012. That's the challenge facing Democrats and it's not an insignificant one.
Republicans would have those same challenges and then a further, more fundamental one: crafting a message that would make more Democratic-leaning Hispanic voters take a second look at the GOP.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Looking for a QUICK and EASY way to display your favorite city? We love our city skylines because they always bring a twinge of pride and joy when we see our hometown city or favorite place to visit displayed in our home, dorm, or office. Our Miami, Florida skyline decals are easy to apply and will quickly transform those bare walls into something you can be proud of. They are perfect for decorating living and work spaces, hallways, etc. Our city skyline silhouette wall transfers (decals) are durable, easy to apply, and very realistic. They are so thin they look like they are painted on the wall. Our permanent vinyl is waterproof (washable) and resistant to UV rays, fading, and tearing. It's great for outdoor settings or public areas. Our removable vinyl is also high quality, but offers easy removal. You won't be disappointed! Miami, Florida Skyline Silhouette Details:
Vinyl Decal (Miami, Florida Cityscape)
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• Color Options – See color palette above.
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Straw leaf placemat, natural, set of four
I hand drew the leaf pattern from some beautiful stems from the garden and had it re-created in abaca by artists in the Philippines. Abaca is a straw-like textile made from the fronds of Filipino palm trees. It's lightweight, durable and sustainable ... perfect for brunches on the patio or by the pool! The most perfect summer straw placemat!
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inspired by nature
Garden parties!
We were thrilled when the editors of Traditional Home popped in for lunch at my home in Connecticut, Foxglove Meadow. This quote from the article sums up why I do what I do!
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FSFE Newsletter - December 2009
Despite the temperatures dropping below zero all over Europe and the Christmas holidays approaching, FSFE kept working as usual for software freedom. The major news of December are that we have begun to restructure our website, added Andreas Tolf Tolfsen as webmaster deputy coordinator, and published a statement on the EC's settlement with Microsoft in the browser antitrust case. Read on to learn more about what we did in December.
Moreover, let us offer you our best wishes for a great and Free 2010!
Table of Contents
- Fellowship Jabber meeting: What do your taxes buy? Free Software in the public sector, 21 Dec
- Restructuring FSFE's website
- The Fellowship interviews: Simon Josefsson
- FSFE welcomes Andreas Tolf Tolfsen as core team member and webmaster deputy coordinator
- November Fellowship grants In the spotlight
- FSFE welcomes greater user choice in browsers, warns that Free Software is excluded from interoperability It happened in the past
- Samba team receives Microsoft's interoperability information Upcoming events
- Election for Fellowship GA seat
Fellowship Jabber meeting: What do your taxes buy? Free Software in the public sector, 21 Dec
Various Fellows participated in an interesting jabber meeting on Free Software in the public administration. Karsten Gerloff, FSFE's president, chaired the meeting and brought his sound experience on the topic into the chat-room. The ISO standardization process, Open Standards, procurement rules in the Netherlands, and Free Software in the Swiss Federal Court and Munich were discussed for nearly two hours. As usual the conversation went on much longer in an informal way, after the official closure of the meeting.
Restructuring FSFE's website
In order to make FSFE's work more accessible, the web team this month started work on a major restructuring of fsfe.org's content and usability. The website wasn't originally designed to include so many documents and information related to so many different domains: from the legal to the political, from the educational to the community oriented and more. The time has now arrived to improve its structure, and so that it can reflect the diversity and quality of FSFE's work. The web team's goal is to make our website easier to browse and to read, and make it possible to find information much faster. If you would like to help...join the web team!
- https://fsfe.org/contribute/web/index.html
- http://home.e-tjenesten.org/~ato/2009/12/restructuring-fsfe-website
The Fellowship interviews: Simon Josefsson
This month, Stian Rødven Eide interviewed Simon Josefsson. Simon is a Fellow and 'old' established GNU hacker with interest in security, who in November received the Nordic Free Software Award. His contributions to the Free Software world include such ubiquitous projects as GnuTLS and Libssh2. In the interview, Stian and Simon talk about differences between proprietary and Free Software in relation to security issues, discuss encryption, DNS and different projects that Simon is involved in, such as GnuTLS, GNU SASL and GSS. Read the interview at:
FSFE welcomes Andreas Tolf Tolfsen as core team member and webmaster deputy coordinatorg
After contributing to FSFE's web team for three years, Andreas Tolf Tolfsen has taken on the role of webmaster deputy coordinator within FSFE, becoming part of the European core team. Andreas is a Norwegian Free Software activists with years of experience on web design and web technologies. Together with Reinhard Muller, webmaster coordinator, Rolf Camps, deputy coordinator, and the web team, Andreas' first big challenge will be the restructuring of FSFE's website. At the same time, he will work on the setting up of a Norwegian country team. Welcome on board Andreas!
November Fellowship grants
The Fellowship grants project we launched in November generated a great response in the Free Software community. We received many outstanding applications by activists coming from all over Europe: choosing the first three people to receive the grants was not easy at all. Finally, Alexjan Carraturo from Italy, Ferdinand Thommes from Germany and Matija Šuklje from Slovenia stood out from the evaluation process due to their lasting and diverse contributions to Free Software. We welcome them in the Fellowship!
In the spotlight
FSFE welcomes greater user choice in browsers, warns that Free Software is excluded from interoperability
FSFE congratulated the European Commission on pushing Microsoft to give users greater choice between different browsers. The settlement that the Commission reached on the Microsoft's browser case is an improvement from the scenario that FSFE criticised this October.
In early 2010, Microsoft will provide the users of its operating systems with a ballot screen that should make it easy for users to chose between different web browsers. The screen will suggests various browsers available on the market, Free Software ones included.
This settlement relates to only one of the two issues that Microsoft currently faces with the EU Commission. FSFE also congratulates the Commission for the decision to keep open the investigation on Microsoft's refusal to let other products interoperate with its own desktop programs. Microsoft has offered a voluntary commitment, but FSFE warns that this will not be enough for real competition to develop.
Relevant links:
- http://europa.eu/rapid/pressReleasesAction.do?reference=IP/09/1941
- https://fsfe.org/news/2009/news-20091008-01.html
- https://fsfe.org/news/2009/news-20091006-01.html
It happened in the past
Samba team receives Microsoft's interoperability information
During December 2007, as a consequence of the drawn-out EU vs Microsft antitrust case, the Samba team was finally able to receive Microsoft's network interoperability information. The specifications were requested with a one-time access fee of 10.000 EUR for full access to crucial information. This event marked an important victory for competition in the IT market. It was a great achievement for Free Software, FSFE and the Samba team.
Upcoming events
Election for Fellowship GA seat
During the whole month of February 2010 it will be possible to vote for the second Fellowship representative in FSFE's General Assembly (GA). Fellows will soon have the chance to declare their candidature and to vote again for participation in FSFE's highest decision-making body. We encourage you to run for the second seat!
You can find a list of all FSFE newsletters on
https://fsfe.org/news/newsletter.htmlYou can join the Fellowship and find how to support us on
https://my.fsfe.org/donate https://fsfe.org/contribute/contribute.htmlYou can order our merchandise at


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Interviewer: > Beryl Graham & Verina Gfader Interviewee: > Nathalie Anglès & Sebastien Sanz de Santamaria
Verina Gfader: There are four main issues I would like to address. The first is about the role of open source in relation to the residencies at Location One, and modes of alternative production versus corporate software. I am interested in your particular approach to open source and its potential as part of art practices. Nathalie Anglès: Sebastien and I work hand in hand within the context of Location Ones residency programme. Ill give you a little history before going into this question about open source. Location One was founded by Claire Montgomery in 1999, and I joined the organisation in 2000 to create an international residency programme which over the course of eight years has become the central programme. Another key partner who joined the organisation at the start is Drazen Pantic, who is an open source expert and implementer; he was one of the founders of Radio B92 under Slobodan Miloevic, which was, at the time, the only effective voice of opposition to the regime, and he created their Internet section. So his expertise in open source is really very important. Thus the open source direction has always been ingrained in the organisation. In terms of the residency programme, there are 1518 resident artists each year from abroad, and in the past two years we have begun to invite local New York artists as well, which is important to create this mix. The specificity of the programme is that its very customised in terms of the personalised support we give to each artist, which is both technical and project-based as well as network-based in terms of the people they are going to meet. The artists dont necessarily all meet the same people; it depends on their practice. We try to be as attentive as possible to their specific needs. Sebastien Sanz de Santamaria: In terms of the physical support that we provide it breaks into two groups: one is just simply the development of the artists work during the residency, and the other is the opportunity to learn to use new tools, tools that they arent used to using but are interested in. For example, we had a Japanese artist a couple of years ago who essentially is a large format metal sculptor and, obviously, our studios dont really allow that work. So she jumped into video, filming, editing and learned how to use a camera, how to capture and edit video, and then through that process got into stop animation, and created an installation. The whole learning process was reflected in that. We like the artists to get into technology. On the open source side, at this stage its really more like an eye-opener, because a lot of the time a resident will come and they have their own tools, their own way of doing things, especially when its media based. They are used to using Photoshop, they are used to using proprietary corporate software that they have paid for, and they are used to the process of using these tools. When we present them with the open source alternative its sort of like an eye-opener, Oh my God, this is actually free?! For example, GIMP [GNU Image Manipulation Program], which does the same as Photoshop. Its sort of like Wow! I've been troubling myself with these ways of doing it when there is actually another way, that maybe isn't as easy but is much more accessible. NA: Many artists who come in the programme are not so familiar with open source. Some are, but a lot of them happen not to be, so this is one of the directions that we would encourage. SSS: Thus a door opens where the finding of solutions becomes more evident. I say that because open source is obviously not as developed as proprietary software. It has done really well in the past two years, but still, for example, editing video in Linux is probably not as pleasant as using Apple software. So these hurdles that come with the open source cause a desire to find solutions. Especially when the artists have an idea and dont know how exactly to get to that idea, then we look at all the possibilities. Technically, for each artist we provide a studio with a computer that has an operating systemready to do media work on. Up until now we have been using Macs with Apple software, and right now, during the summer, Im looking for an operating system that would direct itself towards the manipulation of media. I found Ubuntu, which comes with image editing, video editing and sound editing software. Currently, I am testing it with our cameras to see if they work. It is very interesting that with the residents who arent really aware of open source, a sense of community comes up. And thats really enriching for them as an experience. For example, when the camera doesnt work, when you cant plug it in, there is this resource of people who explain their experiences on the Internet, so its about finding a solution and sharing that experience with others. And through that exposure it then also reflects a little bit in their experience at Location One, among the other artists. NA: As an example, Geka Heinke, a painter, was interested in 3D animation, and learned how it worked in order to be able to integrate it in her pictorial practice. SSS: I gave her an introduction to Blender, which is a 3D program. NA: Exactly. Geka realised how complex this program was, but she also realised that she would benefit from a certain level of autonomy by learning it. I am not sure whether she did continue after the residency ended. But here is a typical case: an artist who wasnt working with new media or new technology and became exposed to it at Location One. On the other hand, we have residents who are very familiar with all of this technology. SSS: Sometimes these artists also help the others through their experience. VG: Talking about how open source affects the communities and the practice itselfhow does it affect your curatorial practice, your residency programme, the whole economy about new technology and its incorporation in your programme? NA: When Location One first opened, the focus on new technology was very important. Since then the discourse has evolved, but some people tend to think of Location One simply as a digital institution, which we are not. We define ourselves more generally as a platform for convergence between all of these different disciplines including technology. And the term new media has evolved tremendously between eight years ago and today. SSS: Its now just media. NA: I mean its multiple media oriented and its about raising awareness. Our role is to try and foster relationships between artists and create situations, but you never know what is going to happen until you are actually in the moment, and the people are there in front of you. VG: So you see that as a really open mode? NA: Its a process. Its a completely open mode and often artists will arrive with a very specific idea, and then when they are here their initial intentions change completely. In fact it is best when an artist does not have a specific idea because it creates a more enriching experience, rather than having this very focused idea about what they want to do when coming to New York. Its not just about making a project. Its also about experiencing the context. All of this is very dependent on personalities. But you never really know in advance whats going to happen. The curatorial process is very fluid. As a cultural producer the curating aspect consists of following the artists closely in the development of what they want to do. So the word curation for me encompasses all of these other elements. Its an ongoing process. SSS: In terms of open source on the technical side, I see it more of a tool, more of a facilitating thing than an actual motivating factor. It also depends on the artist, and it depends on how far they get into it. When I think of open source it does not necessarily mean just software thats free. For example, the Internet, in a way, is a huge open source. I do encourage the artists to really get into that as well, because thats how they find answers. So I see it more as a facilitating object, and then whether it influences or not depends on the particular artist. VG: Lets go back a bit to the selecting process in curating. You say that one of the focuses is that the work develops during the residency, but what are the criteria of selecting, and is there a desire to incorporate alternative practices? NA: As far as the selection process is concerned, we have international artists on the one hand and the local New York-based artists on the other. On an administrative level the international artists are supported by various institutions abroad, ranging from foundations to governmental organisations, with which Location One has created partnerships. These partners pre-select three to five candidates, and out of this pool of artists Location One makes the final selection with a panel made up of staff and outside curators. Its important for us to select the finalist because we are going to be working together. Thats one thing that defines the selection process. As far as the New York-based artists are concerned, we extend an invitation to artists of our choice. There is also the factor of creating a balance between the different finalists in terms of gender, practice, etc. Reading an application often conveys a sense of the artists personality, and we do try and create a mix. But all of this is very abstract during the selection process. And some mixes are more successful than others, but once again, there are personality factors that are not predictable. I think that answers your question. You asked if there are any specific criteria; there really are not. VG: I am quite interested in how over the years the institution has developed, how the scale of the institution has expanded and your experience as well. How do you see this accumulation of content, of experiences and of complexity? NA: You mean that the residency programme began with only a few artists and grew into a larger programme? VG: Yes. And the size of the organisation. NA: Location One is to a certain degree like a production centre, because all the work thats shown comes out of the studios. Everything is focused towards the residency. And then everything that comes out of the studios is shown in the exhibition space. It has expanded in terms of numbers. A few more staff members, many more resident artists, but on the whole we continue to operate as a very small organisation. We started with three artists, residents, now we have 1518 per year. So weve grown but the organisation has maintained its personalised relationship with each artist. SSS: In the earlier days, participating artists were more technically orientated but in the last few years they have opened up to all media. NA: The other change is the inclusion of mid-career and established artists. There are now three categories of resident artists: senior artists, international fellows and emerging artists. In 2008 we invited Martha Rosler to create a specific installation, which she would not have done in a commercial environment. Next year [in 2009] the senior artist in residence is going to be Laurie Anderson. The first international fellow is Jane Philbrick. Jane is also a Fellow at MIT and has a significant international exhibition track record. These more established artists will interact with the emerging artists. This is all new but we feel that it is important to generate interaction between all of these artists at different stages of their careerin both directions. SSS: Sometimes its just a metaphor; its like cooking, throwing in ingredients and seeing what comes out of that. Beryl Graham: I have a question in relation to your cooking metaphor. You talked about open source in relation to production, but I was wondering whether it might also apply to exhibition or other curatorial practices or artistic practices. Is the recipe made open by the curators? NA: Not really, we have worked with a few curators from the outside. This is something that I would like very much to encourage, namely more curatorial input from the outside. I am hoping this will happen soon. SSS: It does occur in the curating of the curating, almost, in a sense, because Nathalie does an amazing job of connecting artists with the New York art scene. Thats actually the other huge part of the residency programme. It exposes the artists to the New York art scene, and so curators, art critics and directors of other institutions come and visit. In this sense, there is curatorial input from the outside. NA: You are right. And thats a huge part of what we do, creating these network opportunities for the artists. We organise studio visits but we also invite people from the outside to come and talk about their activities. And here, the informal format is something that in our opinion works best. Studio visits are fine, but when you get people to meet over lunch and to talk as peers, it makes a difference. Our guests are mainly New York-based art professionals and people who are passing through the city. Thats very much part of the way we work. It is an effective format. Its not just about bringing people in to look at the work; it is also about dialogue. We also make it clear to the residents when they arrive that it is important to balance work and play. You can get easily engulfed in the New York scene, the number of events, etc. We emphasise at the beginning that this is one experience, but that its part of an ongoing process. When the residency ends the relationship doesnt end. Thats very important also for the artist to know. If the artist wishes to pursue the relationshipsome may choose not towe continue to be a resource. Its about dialogue. I really like working that way, and the most satisfying relationshipsfor me at leastare the ones where this dialogue continues. VG: You say that one of your focuses is dialogue, and the conversations and exchanges between the artists, and between you and the artists. In what way is this visible to the public, or where does it remain obscured, opaque? NA: We have public discussions, for example. Next week I am going to be talking with Shin Jean, our current resident, its going to be a public programme. She is going to talk about her installation, but thats not really what you are thinking about. VG: Im enquiring about your methodology. To what degree do you make it visible, to what degree does it reveal itself? NA: Its transmitted through the artists. There is nothing to hide. People know me, people know Sebastien, people know how we work. The artists will then transmit their experience at Location One, whether its good or bad. But as far as transmitting the methodology to the public, its probably transmitted in different ways. SSS: There is the website as a site of documentation. But it really is reflected more in the experience, as Nathalie says, in what the artists go through, and what she does with that here. NA: And maybe the artists wont realise it until six months later after theyve left. Its such a personal, subjective experience in each case. There are tons of things I am sure I dont know about, Ill never know about. SSS: The residency section of the website reflects a lot more in terms of the experience, and that in a certain way is very satisfying. When an artist comes out of Location One and has learned things and also has been confronted and exposed to a lot of elements, this is important. In terms of physical trace, we do have our interview series, where we pair up a curator and art critic, or anyonesometimes its another artistwith the resident. And they have a conversation that then is online. And that bears the fruit of making these connections between people to get the most interesting result out of their encounter. NA: The way that I work could be very different from the way someone else works. I have a very personal way of working that might not suit other people. Its about exchange and dialogue, and its not just about providing a space for an artist who is going to come through. Because a lot of residencies are more administrative, its more bureaucratic perhaps. I mean we really invest ourselves personally in each artist. VG: As far as the curatorial process is concerned, what are the difficulties with this kind of investment? NA: In a way it would be easier just to be less involved. It could be more like a factory. SSS: Well its about communication and information and being aware of what the artist is going through; I dont think its just about work. NA: And also defining a direction that the artist might not have been thinking about, right there and then. But that kind of work is the most interesting part of this job, and that is part of the curatorial input. SSS: For example, when artists come for the first time I give them a handbook and direct them to go and see other places. I give them the nonsense NYC mailing list, a listing of underground events, which maybe they wont like, maybe they willthere might be a crazy event or performance happening in the streets on Saturday night or something like that. Thats also a little bit of curating, exposing them to different things. NA: We had a French artist, Vincent Lamouroux, who wanted to photograph rollercoasters; and this is in the middle of the winter when all rollercoaster sites are closed. So we found a guy in the Midwest, who had his private rollercoaster set up on his property, and Vincent met the guy. That kind of support requires an investment on our part. But thats part of how I see my role as cultural producer. SSS: I am responsible for the documentation and archiving, and its quite nice to see there is a lot of room for evolution and development. Some people, for example, come and visit and ask about the residency programme, they have this notion that we have a reputation as a more new media and technology base, and they often compare us to Eyebeam or Harvestworks. And, well, weve started up like this, but now its become more open on that level and we cater for everything. The website is more classical in the way its set up, there is not much web 2.0 or social networking capability. I dont see this as a bad thing, I see it as an opportunity, not only for us, the people who maintain Location One, but also for the artists. They can jump in if they want to. NA: The dialogue is always possible. VG: How does the focus on exchange and social transaction inform your work as director of the programme? NA: You mean is there a hierarchy in the way that we work? VG: Within the institution. NA: I built this programme so I have always had a lot of autonomy, and the founder of the organisation is ultimately the one to give the green light to all of what we do. We work very much transversally. We dont plan very much in advance, which has its advantages and its disadvantages. This is because we are very process oriented, and it informs the way that we work, so if we have an interesting idea that we can implement, there is room for that. And among ourselves, we work in a very transversal way. SSS: Everyone has their own particular skills that are essential to making everything run. This runs from networking but its also physical. Its the knowledge that everyone has. A lot of times if I dont have a solution, technicallyand this ranges from a bug in a computer to where to find something in the Bronxwell talk about it, with Hank Stahler, for example, our installation manager, who knows the city really well, and also with Drazen, who is amazing on the computer operating system level. VG: I am interested in this notion of production, this crossover of studio, exhibition, and, informed by new technologies, lab situation. How do you consider the final exhibition, or the final outcome of the residency? What is left after an artist leaves? (a document? a record of exhibition? a record of the talks?) Is the document more important? NA: Thats a good question. Until now each artist in residency has the possibility to present the work realised during the residency in the gallery spaces. Rashaad Newsome just did a performance in the performance gallery. Jean Shin did a three-tiered installation in the main gallery. Rob Kennedy decided to present his work by inviting another artist, Peter Rose, who is an underground film-maker, and their intervention was about the impact of language on image, on media. The exhibition format is just one format and not always the most successful one. What if there were no exhibitions at all? We are thinking about that. Everyone who has come through this programme wanted some form of materialisation, and whether or not it adds to the residency experience I dont know. And the term failure is a term that does not really apply since a residency is a moment when the artist can experiment. SSS: We have been also testing different exhibition formulas, group shows of all the residents together in the main space, smaller solo shows in the project space, seasonal shows. Weve done big group shows and then Nathalie presented two artists at a time and at shorter intervals. When we pair the artists there is a choice we make. And maybe next year there will be another formula that we will try to implement. NA: The open studio format, like at ISCP (International Studio and Curatorial Program) is a good format, but it doesnt work at Location One because the studios are very small, in the basement, and we cant have an uninterrupted flow of people coming in and out. Location One has the advantage of its gallery spaces. It would be interesting to create more discussions in addition to the exhibition format. VG: You are also running online residencies in parallel to the other residency programme NA: Yes, the virtual residency programme is a new direction that Heather Wagner is developing as online curator. It consists of an open call, three artists who were selected and who are collaborating together. And we absolutely dont know what the final result is going to be. That very much exemplifies a way we work. VG: Its probably an interesting experiment to see those two types of residencies. Are they mutually exclusive or not? How do they operate in relation to each other, in parallel? What is their relationship? NA: The online residency is happening during the summer when all the residents have left. But then therell be a manifestation of the virtual residency in the fall, when the new residents arrive and occupy the studios. Therell be an overlap at this level. SSS: When the residents are out in September and there is a virtual residency programme, maybe some of them, who arent used to it, will want to use these other possibilities of expression and will then want to jump into it. Thats where I come in and say: Ok, here is what you can do, these are the possibilities. And thats one of the really important things.
installation animation time space interaction open source software video press technical studio visits race
Beryl Graham Verina Gfader Nathalie Anglès Sebastien Sanz de Santamaria


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Dimov Tax is a full-service accounting firm dedicated to maximizing your financial benefits for both Individual Tax and your Business Tax Services
As your trusted Lake Bluff CPA, we at Dimov Tax understand that tax preparation and planning can be overwhelming for individuals and businesses alike. That's why we're here to help! Our team of experienced CPAs specializes in providing comprehensive tax services, including tax preparation, tax planning, advisory, bookkeeping, and more. We're here to ensure that you're able to minimize your tax liability while maximizing your financial opportunities.
We believe that communication is key to a successful tax strategy.
Our team of CPAs and EAs have many years of experience.
Working with a Tax Specialist has never been so easy - we are always there for you.
From the simplest to most complex scenarios.
After years of serving clients in some of the largest metropolitan areas, our practice has obtained the expertise to navigate your specific regulatory environment and achieve desired outcomes on your return with solid professional integrity.
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Our firm has over a decade of experience in bookkeeping for businesses ranging in size from a single owner to thousands of staff members. Some of the services we currently provide are payroll, accounts payable, accounts receivable, and reconciliation to bank records.
Many companies require audited financial statements. Dimov Tax provides the most thorough attestation services for our clients.
Call us today at (833) 829-1120, email us at firstname.lastname@example.com, or fill out the form and we'll get in touch immediately.
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General remarks:
Complementary to the contracts entered between Securitas Aurum Ltd. and its customers, the following General Standard Terms and Conditions are considered an integral part of these contracts. These conditions are known to the customer before the latter entered a contractual relationship with Securitas Aurum and were accepted by him/her. This fact was further confirmed by the client upon placing the order.
The basis for the contractual relationship between the customer and Securitas Aurum Ltd. is namely the business model that is presented to the customer in the website of Securitas Aurum.
Securitas Aurum offers the following gold coins and bars for sale:
Specific information concerning the purchase of gold coins:
Each contract has a total purchase price of € 4.900,00 for only one type of coin each. The purchase price can be paid as follows:
For each contract valued at € 4.900,00, a management and processing fee equivalent to 5% net of the purchase price will be charged (plus the pertinent legal V.A.T.) The processing fees are to be paid by the client in full in any event within the first contractual year, unless the customer legally revokes the orders made as stated herein.
All the corresponding administration fees are to be paid no later than 12 months after the purchase contract(s) were entered into, regardless of its/their renewal. This also applies to all buyers of the AURUMXXI.
After this 12 months period has passed, and should there still be outstanding amounts pending of payment in relation to the processing fees by the client, Securitas Aurum reserves the right to invoice and debit the corresponding unpaid invoiced amounts against any other credits the client may have with the company.
Once all the processing fees have been paid, all subsequent credits earned through referral bonuses will be paid in full without any further deductions.
The Processing fees are charged for the following services:
The delivery costs are not included in this fee.
Should the client complete his/her contract outside the statutory revocation period, then the full fee will have to be paid immediately by the client upon completion of the contract, in which case the deposit paid in the amount of € 100.00 will be compensated with the overdue fees and will NOT be refunded.
1.5. Specific information concerning the purchase of gold bars:
Each contract has a total purchase price of € 6.500,00. The purchase price can be paid as follows:
For each contract valued at € 6.500,00, a management and processing fee equivalent to 7.5% net of the purchase price will be charged (€ 487.50 plus the pertinent legal V.A.T.) The processing fees are to be paid immediately by the client and in full in any event within the first calendar year, unless the customer revokes the orders made as established herein.
All the corresponding administration fees are to be paid no later than 12 months after the purchase contract(s) were entered into, regardless of its/their renewal. This also applies to all buyers of the AURUMXXI.
The settlement of the processing fees is to be carried out as follows:
The Processing fees are charged for the following services:
The delivery costs are not included in the Processing Fees.
Important information concerning the delivery of gold:
The gold ordered can only be delivered once the contract has been fulfilled and only when all the deposits paid by the recommended clients for the involved contracts are no longer subject to the statutory revocation clause. Securitas Aurum strictly follows these legal rules since, in the event of revocation within the legally accepted time frame, the company is obliged to reimburse the deposits made by the client(s). The gold request is carried out by the customer after partial or complete fulfillment of the contract by means of his/her CSS/Premium-CSS. The price applicable is that published at the time of the request in the website of Securitas Aurum. Securitas Aurum is purely a gold dealer, hence no goods are stored in the premises of the company. Securitas Aurum is not involved in speculative activities in the gold market and the goods are only ordered after the request has been made by the clients.
§ 2 Contract Duration:
Each contract, independently of the method of payment chosen by the client, has a legal time frame of 12 months and must be fulfilled by the purchaser within that period, i.e., within this period the gold ordered has to be paid for in full and accepted by the client. Should the client not be able to fulfill the contract within the legally established time frame herein, he/she may apply in writing per email at least 14 days before contract expiry date, for an extension of the pertinent contracts. The expiry date for each contract is reflected in the data of each personal CSS. Should the client not apply for an extension of the contract(s) in time or fulfill the contract(s) within the established time frame, the affected contract(s) will be considered as cancelled. Securitas Aurum can agree to this contract extension after examining the case, but also reject the request. If the due processing fees not be paid in full, they will be invoiced upon cancellation.
In addition, the contract holder will receive, 2 weeks prior to the expiry date of the contract, a notification from Securitas Aurum to the email address given by the client upon registration, informing/reminding the client about the impending expiry date of the contract. The fees for the renewal of the contracts are included in the CSS renewal fees. If on the other hand, the customer wishes to extend his/her contract without the CSS for an additional year, the renewal fees are equivalent to 0.5% of the total order, plus V.A.T.
In addition, the deadline for the full payment of the processing fees is not automatically extended when a contract is renewed. All the corresponding administration fees are to be paid no later than 12 months after the purchase contract(s) were entered into, regardless of its/their renewal. This also applies to all buyers of the AURUMXXI.
Contract renewal with requested payment option 3: Participation in the marketing concept CUSTOMERS WIN CUSTOMERS
Securitas Aurum will only agree to a contract renewal if at least 2 direct recommendations have been successfully made within the preceding contractual period. If a customer is not interested in making recommendations, he may at any time, but latest upon the request to renew the pertinent contracts, change the chosen method of payment. Please note that sending an invoice for the extension of the CSS does not automatically imply a contract renewal. The latter will be communicated to the customer by e-mail after examining the corresponding case.
In addition, the deadline for the full payment of the processing fees is not automatically extended when a contract is renewed. All the corresponding administration fees are to be paid no later than 12 months after the purchase contract(s) were entered into, regardless of its/their renewal. This also applies to all buyers of the AURUMXXI.
If the customer decides to cancel his order after the statutory cancellation period of 2 weeks, the client will NOT be entitled to a refund of the deposits made. This amount will then be deducted for the payment of the Processing Fees for the cancelled contracts.Please note that when requesting for an extension of the purchase contract(s), the Terms and Conditions of Securitas Aurum applicable are those published in the official website of Securitas Aurum at the time the application is made for the extension of the contract(s). A contract extension will not be permitted if the current Terms and Conditions of Securitas Aurum are not accepted. All canceled and unpaid orders will not contribute to the completion of other orders!§ 3 Terms of delivery:
The gold ordered will be delivered to the buyer only after the contract has been fulfilled and only after all involved payments of the related orders are no longer subject to the legally applicable revocation clause.
Securitas Aurum purchases its gold through normal trading channels directly from the banks at the current daily prices and according to the predefined conditions imposed by the banks.
In addition to any third party costs, Securitas Aurum charges a processing fee equivalent to 5% of the purchase price for orders of gold coins and 7.5% of the purchase price for the order of gold bars. This fee is independent of the chosen method of contract fulfillment and includes both processing and administration costs. The shipping costs of the goods are not included in these service fees and are therefore to be paid by the buyer upon delivery request of the gold order.
Should it not be possible for Securitas Aurum to deliver the gold to a client due to reasons not imputable to the company, then the buyer will receive a refund of the purchase price paid less the corresponding Processing Fees.
Important notice about the tax regulations of each country:
"Investment coins and gold bars are, in accordance with Council Directive 77/388/EEC of 17 May 1977 as amended by Directive 98/80/EC of 12 October 1998 and published (Investment coins included in the list of tax exempt items in accordance with Article 26b, point A, ii) in the Official Journal of the European Union, OJ. EU 2005 No C 300, p.10) VAT exempt."
The shipment of gold outside the European Union cannot be carried out due to logistical reasons. In such cases, the gold will be deposited at Securitas Aurum and made available for collection by the client. The customer himself will then be responsible for the collection of the gold.
§ 4 Right to Revoke:
(1) How to revoke an order:
Each customer has the right to revoke his order or cancel his purchase agreement. This has to be done in writing (letter or email) and addressed to Securitas Aurum. The cancellation request has to be done within 2 weeks after having made his/her online order. The revocation request has to be addressed to:
E-Mail: email@example.com
In the event of a valid revocation request, the services received by both parties have to be returned and, should it be the case, also the derived benefits. Should the customer not return the received services, or only partly or in a damaged state, the client will be obliged to compensate Securitas Aurum Ltd. for any damages incurred. Only then will Securitas Aurum commit itself to reimburse the deposits made by the client and which are subject to the pertinent revocation request. The charges for the bank transfer are to be paid by the revoking party. Consequently, this cost will be deducted from the reimbursement sum.
The internal administrative and processing costs are to be paid by Securitas Aurum.
§ 5 Information concerning Anti-Money Laundering Regulations:
Upon confirming my registration and/or my order, I hereby declare that I am the holder of a valid identity card or passport, which reflects my name and surname, date and place of birth, nationality and address as well as the type of official document, its number and the authority that issued the pertinent identification document. This document will be submitted by me through the technical means provided by Securitas Aurum in compliance with the Laws and Regulations applicable against money laundering.
I further declare that the funds used by myself for the payment of my gold orders do not derive from activities such as money laundering, terrorism, illicit drugs and/or arms trafficking or from the violation of trade embargoes imposed by the United Nations or other criminal acts.
§ 6 Exceptional Right of Termination:
Securitas Aurum reserves the right, in special cases, to terminate the participation of any client in the marketing concept "Clients win Clients". This right can be implemented at any time as a result of a serious breach of the Terms and Conditions of Securitas Aurum, or as a result of a client committing an offense which could damage the reputation of Securitas Aurum. This extraordinary right of dismissal does not imply any financial disadvantages or losses to the customer in question, since the order(s) made can always be settled through the other payment options offered by Securitas Aurum.
§ 7 Final Provisions:
§ 8 Salvatory Clause:
Should one or more provisions of the purchase contract or of these Terms and Conditions be or become ineffective, or contain a loophole, the validity of the remaining provisions will prevail. In place of the ineffective provision, or in order to fill the detected vulnerability, the regulation applicable will be the one closest to its legislative and commercial content.


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We'll be happy to notify you when Ulmus parvifolia 'Seiju' becomes available.
In lieu of a printed 2024 catalog,
our new plant offerings have been posted on our website. Please look for the new plant symbol A printed copy of them will be available upon request.
A retail and mail-order plant nursery specializing in unusual and hard-to-find perennials, ornamental grasses, shrubs, trees, and vines.
We'll be happy to notify you when Ulmus parvifolia 'Seiju' becomes available.
2024 Mini Catalog - free download href=https://acrobat.adobe.com/id/urn:aaid:sc:US:00cc7679-4430-4d5d-a55a-2c9b98d46c85 download>Download PDF
2024 Mini Catalog - free download href=https://acrobat.adobe.com/id/urn:aaid:sc:US:00cc7679-4430-4d5d-a55a-2c9b98d46c85 download>
2024 Mini Catalog - free download
Visit our pages on Facebook, Pinterest, and Instagram
including draped bells, candelabras, drumsticks and pincushions. Many Primrose flowers waft a delectable scent. Second-to-none for the dappled recesses of your garden, these easily grown, cold-hardy Primulas crave well-drained, humus-rich niches with adequate moisture and good air circulation. They can grace containers or be planted in swaths along shady walkways or in woodland gardens. Be sure to peruse our online Primulas.
One of the earliest perennials to bloom, you can be picking their enchanting urn-shaped flowers in February while the rest of the garden still slumbers. Many cultivars showcase an array of mercury-hued dapples, speckles and spots, while others sport solid pewter sheens or striking silver streaks. Easy-to-grow Pulmonarias prefer the lacy light of a woodland setting plus cool moist soil. Our newsletter also includes a handful of other shade-loving perennials that promise alluring foliage. Many of these perennials can be partnered with Pulmonarias for intriguing foliar contrast. You may wish to check out our online Pulmonaria offerings.
All of us plant and paper wranglers wish you good health and happy digging!


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by David Crane defrev at gmail dot com June 11, 2001 The AMP Technical Services DSR-1 rifle is currently being billed by its manufacturer as "the most sophisticated and technologically advanced tactical precision rifle in the world." One of its key designers is a Mr. K. G. Kirnstaetter, who was also responsible for the design of Erma's SR-100 rifle.
Read More »


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Migrate content of your Directory or Business Finder based portals with ease to BusinessFinder+ theme. This plugin prevents your from copying items, categories, locations, etc. manually.
BusinessFinder+ theme is tested & fully compatible with this extension plugin. This plugin is not required for your website to function and only needed if you require the additional functionality provided. This plugin is not bundled with the theme.
Available Plugin Features
- Migrate your data from Directory and Business finder themes to City Guide theme
- You can migrate Items, Item Categories, Item Locations and Reviews separatelly
- You can choose a which language you want to use to Migrate your data
- You can set your already defined Review Questions for migratio
Features in Development
- Ability to migrate users with packages
- WPML compatibility to migrate from your WPML translated site to translated BF+ site
- Improved error reporting


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Crassula Sarmentosa- Variegated
Your package will be shipped in a box and meticulously bubble wrapped. When opening your package, some soil may be loose in the box. Plant orders are shipped within 3-5 days depending on availability of the plant. We'll try to ship during the week to avoid weekend delays. If you need your order urgently, please message us so we can upgrade your shipping.
***The plant may appear dry or stressed when you receive it. Simply plant it in a pot and leave it at bright location without direct sunlight for a few days. Then you can begin watering the plant, gradually introducing more sunlight, and watching it thrive.
***Please be aware that plants in 2" pots are baby plants, hence they're smaller than those in 4" pots. The color of succulents vary based on its growing conditions. The plant you receive may not be the exact color as the picture. With proper care and abundant sunlight the color will reappear.
We only ship out beautiful, healthy plants
Winter shipping:
During cold weather, you are highly recommended to choose PRIORITY MAIL and add a HEAT PAD in your package. Heat pad is available for sale in my store under Heat Pad.
Return Policy
You must notify us of any defective or damaged items within 24 HOURS of the items' receipt. Please message us for more instructions.
The buyer is responsible for all shipping and handling fees during an item's exchange, including the return shipping that is needed to ship the new item back to the customer.
Customers will be responsible for shipping and handling charges for any returns, and we will not refund any shipping charges.
Unreasonably returned packages will be charged a variable shipping and handling fee.
All defective items must be returned/ received by us within 7 days from the original received day of the item you purchased.
Please include a copy of the list of items in your package as proof of purchase and note the reason for your return.
Please allow 10 business days starting from the receipt of your return to process your return.
Refunds will be processed in the same manner as payments. If you paid by PayPal, then you will receive a refund on your PayPal.


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Choose your region
By selecting a currency you will see the equivalent prices in your preferred currency at the side of the sterling prices. You will be charged in sterling when you place an order..
🕔 Clubshop Opening Hours
📍 Click and Collect Directions
✉ Order Help? firstname.lastname@example.com
sizing is for guide purposes only
Swans Ladies Gilet
Product code: SWN2400057
How do I make a return?
If you wish to exchange merchandise or require a refund, please return the merchandise to
by REGISTERED POST/RECORDED DELIVERY.
Please accompany with either your sales receipt, a copy of your sales receipt or a covering note quoting your order number and details of your requirement refund/ change etc.
Postage is paid by the customer. We regret we cannot accept responsibility for any items which are not returned to us Registered Post/Recorded Delivery. If items are unsatisfactory they must be returned within 14 days. All goods returned must be in good condition. We reserve the right to refuse to exchange or refund items that we consider to be damaged or that have not been treated in accordance with the instructions provided.
Alternatively you can leave your returned items at the Swansea.com Clubshop where they will be processed in due course.