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Saturday, November 7, 2009
On The Road Again
Saturday, November 7, 2009
These three drove all the way from St. Louis, MO to be there. Talk about dedication! And check out those super-cool, custom shirts. They even brought us one. Here's a closeup of the back:
They explained that they made the shirts for the first tour before I got sick so the last few dates are wrong. I think maybe a red sharpie slash through those dates would take care of it in true Cake Wrecks fashion.
Of course, we did the cupcake wreckplica competition and here were our three enthusiastic winners:
Okay, two enthusiastic winners, and Logan who had a terribly itchy nose but was far too polite and gentlemanly to scratch it. Wreck on, my young friend. You're a better man than I am.
The dead rose petal wedding cake was the winner:
Crystal C. made the monkey/frog cake, complete with custom painted paper flotsam:
And Logan made a near perfect copy of the "I'm purrin for you" cupcake cake (ptoiee!)
Honorable mentions go out to Emily Spittler who made some of the most realistic icing poo I have ever seen:
And to Kathy Spittler (I wonder if they're related) who made the snowman from one of my all time favorite posts:
Fantastic, right? Well there's lots more where those came from, so check out the Kansas City Facebook Page for more great entries!
Our next stop was New York City, Official Motto, "Phenomenal Cosmic Powers! Iiitty bitty living space." We were at what is apparently the smallest Barnes and Noble in the world. (Maximum occupancy: 4, as long as they aren't wearing heavy coats.) That said, this was our view of the crowd:
There were actually people sitting on the floor in front of the lady in pink. Let's just say we were "cozy."
Though we only had six entries, we managed to find three champions:
The winner's cake was the nauseated basketball:
And then there was Cookie Monster (appropriate for this week's Sesame Street celebration):
And an also seasonally-appropriate Thanksgiving turkey, shaped like a football:
We actually had two bakers for the show. (Score!) The first was Perfect Endings Bakery and their cake was a Cake Wrecks Wreckerator Wrecker (Woo! Wreck-alicious!):
Complete with side panel signage misspelling:
And we also had Jacy Cakes who provided an awesome gluten-free book cake, which (appropriately) was dropped mid-transit, resulting in a Wreck Wreck. Despite the few bumps and scrapes, however, it still looked pretty sweet:
I thought it was cool that they even managed to nail the Andrews McMeel "U" Logo on the book spine:
And that's about it for the first two shows of Cake Wrecks - The "World" Tour, Part 2! You can check out more pics from the New York Facebook Page. Stay tuned for a wrap-up of Bethesda, Boston and Atlanta!
36 comments | Post a Comment
The nauseated basketball wreckplica is dead on!
Looks like you kids had some fun, and I'm glad that you're feeling better and able to get some more touring in. ; ) - November 7, 2009 at 9:54 AM
- Gary said...
Looks like fun!
(Under Neat That) great wreckplicas, too. - November 7, 2009 at 9:57 AM
I wanted so bad to be at the KC one but I was sick. I'm jealous of those who went!
Sonya - November 7, 2009 at 10:16 AM
that cake is AWESOME! (the last one.)
- November 7, 2009 at 10:40 AM
- House of Holt said...
Aladdin Genie quote FTW!! I really hate that I'll miss you guys in ATL - you had to go and pick the week I'll be at Disney, didn'tcha? Yep I knew it, it was premeditated planning. (Redundant, I know, but I love alliteration)
WV: barno - Bingo's not-as-smart little brother - November 7, 2009 at 10:40 AM
wish i was there! but alas, i am going to Russia tomorrow to bring my newly adopted baby home! :)
- November 7, 2009 at 10:41 AM
The Jacy Cakes cake is awesome. I love the little carrot jockey on the end of the pencil. And the books...and the cake holding up the books.
- November 7, 2009 at 10:46 AM
- Anna said...
Fun stuff. I like the truck cake with the spelling error. Perfect way to do a Cake Wreck Cake.
Love the site. - November 7, 2009 at 10:52 AM
Kansas City has a state motto? ;) I still appreciate that you ventured to the middle of the country!
And to the NYC fans--how many millions of people are there in NYC and you only produced six cupcake replicas? C'mon! They were pretty good though--I'm really impressed that people are reintroducing some of the more obscure wrecks with their entries (like the nauseated basketball).
--kate - November 7, 2009 at 11:23 AM
- NYCGirl said...
As I said on the Facebook page, you guys are both really cool. :)
- November 7, 2009 at 11:28 AM
- gatofish said...
Loved the Aladdin quote! Nice to see your tour is back on. Wish I could attend!
- November 7, 2009 at 11:40 AM
- Djinn said...
Good that you're back on the road! Watch out for wrecks.
- November 7, 2009 at 11:59 AM
Wow. I looked at the tow truck cake at the NY meetup and thought it must suck to be the other baker and get totally upstaged by that.
Then I saw what the other baker did... Nope, not upstaged in the least! Wow! That is a couple of very talented decorators, I would hire either of them in a heartbeat. - November 7, 2009 at 1:01 PM
- AlisonH said...
Does the U mean everything in the book's kosher?
- November 7, 2009 at 1:24 PM
Thanks for coming to KC, Jen and John! I kind of like "Home of Steak and Tornados" better than our more familiar nickname, "Cowtown." Ahem.
And thanks for the cool carrot jockey necklace, a prize that has earned a place of honor in our home: right next to the TV, where everyone will see. :D I was elated to earn it, as it better justified the 30 minutes or so I spent on that (cup)cake-wreckplica over the weekend. (Or as my husband said, "Those 30 minutes of your life you'll never get back again.") Come to think of it, I'd also like to thank the original baker, who probably spent less time than that. - November 7, 2009 at 2:14 PM
Wow... I absolutely love that Sesame Street cake. Also, my mother was diagnosed with Celiac's Disease (gluten intolerance) five years ago and the minute I saw there was a gluten-free cake at the event I think I about cried at how amazing everyone associated with Cake Wrecks in any way is... Then again, I just watched a couple of movies that may have left me sort of overemotional :)
- November 7, 2009 at 3:23 PM
- Rose said...
These are awesome!
http://roseintheslowlane.blogspot.com - November 7, 2009 at 5:53 PM
I just realized I watched Aladdin in french (didn't understand a word but enjoyed it anyway) and german (so I finally got the jokes), but not in english. Hope I'll get the chance one day.
Anyway, I always love the cupcake replicas and try to think about what wreck I'd chose... as if you'd ever visit my country. It's still fun to imagine.
WV: sinsein - the black belt earned only by the most skilled wreckerator - November 7, 2009 at 6:21 PM
The cookie monster wreck with a cookie for a mouth is hilarious! I love Sesame Street, so I might be biased ;)
- November 7, 2009 at 7:26 PM
Big hugs to Logan! My kids were so very excited to see the little baby wreckplica of the purrin' wreck that we found and they got me to send it! What a wrecky job!
- November 7, 2009 at 7:35 PM
- Becky Yocum said...
a BEAUTIFUL gluten free cake?!!?
my hero!!!!! - November 7, 2009 at 8:11 PM
I love the cake pencil! I had to look twice to make sure it wasn't real. They should make those so kids could take them to class and chew on them, like Sugar Quills! Mmmmm.
- November 7, 2009 at 9:01 PM
Logan wants me to report that he was, indeed, very excited, but he was trying really hard not to scratch his itchy nose (that would have wrecked the photo!)
He is very proud of his carrot jockey necklace but decided it would be "inappropriate" to wear at school. He just treasures it at home : ) - November 7, 2009 at 10:53 PM
- Meg C. said...
love the aladdin reference!!
- November 7, 2009 at 11:05 PM
Lisa and Logan,
It really was an excellent cake and it was a pleasure to meet you both.
I would like to give the young Logan one piece of advice that I have gained from my years of hard won experience: When your nose itches, scratch it! There are so many distractions in life that you have no control over. Your nose shouldn't be one of them. Imagine missing a memory because of a nose tickle. Just saying...
Thank you both so much for coming out and Wreck On!
john - November 7, 2009 at 11:21 PM
- Unknown said...
i, too, am super excited to see a gluten free cake!! my daughter was diagnosed with celiac july 08.
- November 7, 2009 at 11:34 PM
- Unknown said...
Thanks to Jen and John for our fun night in KC. My moment of fame for the dead rose petal cake has been fun- my 18 year old son who came along was quite shocked and impressed. He spent the evening texting everyone how his mom won the "lame cupcake award".
Wearing the carrot jockey apron with pride! - November 8, 2009 at 3:29 PM
- Ron Villarreal said...
As one of Logan's uncles, I could post some pictures where he didn't hold back from scratching when the urge struck... but his parents would probably never forgive me.
Great job, Logan!
Uncle Ron - November 8, 2009 at 9:22 PM
not that I get to, or, in most cases, would want to actually eat any of the cakes you have on the site anyway... but it's still nice to be one degree of hypothetical closer to being able to taste the pretty things myself :-) - November 9, 2009 at 1:02 AM
- Miss Lizzy said...
Where is the Chihuahua Poo cake from?
- November 9, 2009 at 11:54 AM
im sooooo disapointed my sexual harassment wreckplica didn't get any recognition... boo!
- November 9, 2009 at 8:17 PM
That's great that a gluten free cake was provided, cheers to that baker! My brother, mom, and I have Celiac, but it does not prevent me from enjoying Cake Wrecks in any way!
- November 10, 2009 at 1:38 PM
Yay, you fixed it! Thanks!
I don't see my comment about the "to". Perhaps I'm WAY off here, but did you feel it was mean-spirited? I'm so sorry if I offended you. I just thought we shared a similar sense of humor and OCD about grammar. I wasn't trying to be critical or rude. I don't normally have the guts to correct people on their grammatical errors for fear of insulting them, but I thought you might appreciate the comment and maybe even find it humorous. Please forgive me. I love Cake Wrecks! - November 11, 2009 at 1:04 PM
Hey Angela,
Sorry about the confusion. We have learned that most folks who give us feedback on grammar are trying to be helpful, not mean, and are generally right. We will usually fix the issue and delete the comment because if we don't, we'll have 20 people bashing you because the grammar, which was wrong when you commented, is now correct. It's kind of a headache. And, sadly, there's no way for us to answer you directly on the board without sounding out of left field.
All that to say, please always point out anything you see that even looks wrong. E-mail is sometimes faster but Anne Marie and I see the comments almost as soon as they are posted so that works too. We really do love the fact that you guys care enough to watch out for us.
john - November 11, 2009 at 1:20 PM
You guys are awesome!
Thanks! - November 12, 2009 at 10:35 AM
- Wendy said...
In response to kate's comment about all the people in NYC and only 6 entries - I was actually surprised we even got 6! My theory is this. For other locations, people go home after work, can pick up their cupcake and then drive to the event/bookstore. In NYC, most of us went to the event straight after work, which meant that we would have to carry around our cupcake all day, on various bus and subway trips. Also, it was Election Day, which for me meant I had to get up even earlier that morning to vote before work. Needless to say - I am surprised my entry remained intact for 12+ hours of transit!
- November 19, 2009 at 10:54 AM
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What's a Wreck?
What's a Wreck?
A Cake Wreck is any cake that is unintentionally sad, silly, creepy, inappropriate - you name it. A Wreck is not necessarily a poorly-made cake; it's simply one I find funny, for any of a number of reasons. Anyone who has ever smeared frosting on a baked good has made a Wreck at one time or another, so I'm not here to vilify decorators: Cake Wrecks is just about finding the funny in unexpected, sugar-filled places.
Now, don't you have a photo you want to send me? ;)
- Fan Faves
- The Classics
The Classics
Praise for the Book
- "Will have you laughing so hard you'll forget to eat!"— Washington Post
- "a hilarious winner" — The Oregonian
- "a fantastically gut-busting book"— NPR
- "It's all here, each wreck a disaster of hilarity." — BookPage.com
- "Hysterically funny!"— Epinions.com
- "laugh-out-loud funny"— The Times
- "Yates' sharp humor makes the funny even funnier." — The Dallas Morning News
- "an amazing laugh-out-loud book"— The Book Triblog
What the fans are saying
- "I was laughing so hard, I couldn't catch my breath."
- "As funny as the blog that started it."
- "WAY better than I expected!"
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- American Mensa:Top 50 Websites of 2010
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- The Orlando Sentinal "Orbbies": Winner Humor
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- The 2008 Weblog Awards: Best Food Blog
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Where's the book?
We don't have any copies of Cake Wrecks for sale here, autographed or otherwise. We decided the shipping and handling costs would be too high to make it worth your while. So instead, buy your copies locally or online and then order personalized bookplates: it's cheaper, easier, and I think even looks a bit nicer.
Ordering Info
Payments must be made through Paypal, which accepts all major credit cards. Sorry, but that means no checks or MOs or barter-based chickens.
We ship everything first class USPS, and will do our best to have your package in the mail within 2 days of your order.
Popular This Month
Popular This Month
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Token Overview
Name: LO
Symbol: LO
Deployed On: 2024-07-10 09:28:26 UTC
Blockchain: BNB Chain
Contract Address: 0xe4764288447441a37ff12f35e0cc36d38ade1504
Creator Address: 0xcb1b42ca9fdd0d084324d37f6664a56f5f644c21
View Token Chart – Explore the token's trading chart and transactions.
Real-Time Honeypot Check – Verify if the token is a honeypot.
Financials & Supply Information
Price: 0
Liquidity: 0
Market Cap: 0
Total Supply: 10,000
Circulating Supply: 10,000
Holders: 3 unique addresses
Token Audit Summary
Feature | Status | Description |
Honeypot Status | True | Indicates if the token has mechanisms that could prevent selling. |
Contract Verification | False | Shows whether the token's contract is verified for transparency. |
Buy Tax | 0 | The tax rate applied to buying transactions. |
Sell Tax | 0 | The tax rate applied to selling transactions. |
Ownership Renounced | False | Whether the original creators have given up control over the contract. |
Proxy Enabled | False | If the contract can be upgraded or changed via a proxy contract. |
Mintable | True | Indicates if new tokens can be created post-launch. |
Destructable | False | Whether the contract can be destroyed, removing it from the blockchain. |
External Calls | True | If the contract interacts with other contracts or addresses. |
Hidden Ownership | False | Shows if the owner's identity is obscured within the contract. |
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Transaction Limit | True | If there's a cap on the amount or number of transactions in a given timeframe. |
Balances Modifiable | False | Whether the token balances can be altered externally. |
Ownership Modifiable | False | If the contract ownership can be transferred or changed. |
Tax Modifiable | False | Indicates if the transaction tax rate can be adjusted. |
Wallet Tax | False | Shows if specific wallets are taxed differently from standard transactions. |
Blacklist Functionality | False | Whether the contract can blacklist addresses, preventing their participation. |
Whitelist Exemptions | True | If certain addresses are exempt from restrictions or taxes applied to general users. |
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How do I buy LO (LO)?
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What is the current price of LO (LO)?
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How much liquidity is in the LO liquidity pool?
There is currently 0 in liquidity for LO. This amount can provide insights into the market's depth and stability.
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Does LO (LO) have a buy or sell tax?
LO has a buy tax of 0% and a sell tax of 0%. These taxes can affect transaction costs.
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To verify if LO is a honeypot, use the Real-Time Honeypot Check link provided at the top of the Token Overview section.


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The five men accused in the rape case that has reverberated around the world were brought before a New Delhi magistrate for the first time today — but only after she sealed the proceedings.
A chaotic scene broke out just prior to the hearing, with lawyers hurling insults at other attorneys who were offering to represent the accused. "How can you defend such animals?" they angrily shouted. Bar associations throughout Delhi have passed resolutions refusing to represent the five men who stand accused of brutally gang-raping a 23-year-old woman last month in a case that has provoked a nation-wide outcry.
Her subsequent death from the injuries she suffered in the attack resulted in murder charges being filed against all five accused men. A sixth defendant is being treated as juvenile in a separate hearing.
Today, scores of reporters, curious members of the legal community and the public pressed into the small court "occupying every inch of space" that had become "jam packed with lots of disturbances created from different nooks and crannies," said Magistrate Namrita Aggarwa, who added that "for want of safe passage," the accused were not then present in court.
The courtroom was ultimately vacated and the proceedings held in camera. The magistrate said public prosecutors had "apprehensions about the safety" of the defendants. After declaring that it "had become impossible for the proceedings" to be held in open court, she invoked Indian Criminal Procedure section 327, which removes all but the parties to the case from the chamber. The magistrate went one step further and ruled that "it shall be unlawful for any person to print or publish any matter in relation to any such proceeding," except with the permission of the court.
The accused, wearing woolen hats and hooded sweatshirts, were then paraded into the court under heavy police guard. On Sunday, two of the defendants told the court they wanted to become witnesses for the prosecution. Police have scoffed at the idea, saying there is enough evidence to convict them all independent of any exculpating testimony.
After the defendants' appearance today, the magistrate told reporters that they had had been presented with copies of the charge sheet, which includes gang rape, conspiracy, and murder, the latter carrying the death penalty.
The accused are reported to be "terrified" at the speed of the case and ferociousness of overwhelming public demands that they be found guilty and hanged. The crime has convulsed India with calls for an overhaul of the police, the criminal justice system, and laws regarding sexual violence in India.
Apart from the crime of rape, India's British colonial era criminal code speaks anachronistically of "outraging the modesty"of a woman. In 2007, the Supreme Court ruled that "the act of pulling a woman, removing her saree, coupled with a request for sexual intercourse ... would be an outrage to the modesty of a woman; and knowledge, that modesty is likely to be outraged, is sufficient to constitute the offence." In other words, outraging a woman's modesty would apply to crimes against women that stop short of sexual penetration. India has yet to codify any anti-stalking law, nor is there any provision to address incidents of acid attacks, a common form of violence against women in South Asia.
The accused are due back in court on Thursday to discuss whether they have retained legal counsel of their own, or whether the court will appoint lawyers for their defense.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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This t-shirt is everything you've dreamed of and more. It feels soft and lightweight, with the right amount of stretch. It's comfortable and flattering for both men and women.
• 100% combed and ring-spun cotton (heather colors contain polyester)
• Fabric weight: 4.2 oz (142 g/m2)
• Shoulder-to-shoulder taping
• Side-seamed
The Male model is wearing a size M. He's 6.2 feet (190 cm) tall, chest circumference 37.7" (96 cm), waist circumference 33.4" (85 cm).


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We are a Christian healing and deliverance ministry and UK registered charity founded in 1983 by Marion Daniel and her family. We offer help to people in all forms of spiritual bondage. If you are not a 'free' person in any area of your life, we can help.
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text: 30-78020 O Gauge RailKing Modern Reefer Car For availability see 'Find it locally' tab $42.95Product InformationDescriptionModern Reefer Car - Mojave Red, Indian Wells Brewing Co. Car No. 714346 Roadname: Mojave RedProduct Item Number: 30-78020Catalog: BV 2006 Volume 1Product Line: RailKingScale: O GaugeDelivery Status: Delivered JUN. 2006This product is compatible with all O Gauge 3-Rail track systems including those systems offered by Atlas and Gargraves and Lionel and Ross Custom Switches. OverviewHigh quality, traditionally sized RailKing Freight Cars provide detailed bodies and colorful paint schemes for the O Gauge railroader. MTH makes an enormous variety of RailKing Freight Cars, including many different car types and roadnames. No matter what era or part of the country you are modeling, RailKing is sure to have something for you. Features Intricately Detailed Durable ABS Body Metal Wheels and Axles Die-Cast 4-Wheel Trucks Operating Die-Cast Metal Couplers Colorful, Attractive Paint Schemes Decorative Brake Wheels Separate Metal Handrails Fast-Angle Wheel Sets Needle-Point Axles Opening Car Doors - Unit Measures:11 1/2" x 2 3/8" x 2 5/16" - Operates On O-27 Curves Find It LocallyThis product may not have shipped yet or is completely sold out. Click on the show button to see who might have it on order. Support


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Even death loses much of its sting, for often the character can be resurrected, or reincarnated. And should that fail there is always the option to begin anew with a new character. Thus ADVANCED DUNGEONS & DRAGONS is, as are most role-playing games, open-ended. There is no "winner", no final objective, and the campaign grows and changes as it matures.So many useful insights in so few words.
Lots of people have pointed out, rightly, that it's because old school characters are mechanically simple, it's a small matter to replace them when they die to a failed saving throw. There's no slowdown in the action, because it takes no more than five minutes to generate a new OD&D or AD&D character to replace a fallen adventurer. As the Gygax quote above points out, though, in D&D, there's often no need to replace the character at all.
I recall that some people were shocked and even appalled that, in my Dwimmermount campaign, a 2nd-level PC was returned to life by his comrades, who pooled all their resources to pay for his resurrection. This was seen as somehow a betrayal of the pulp fantasy principles I've regularly championed in this blog. The reality is that, while I do believe that modern incarnations of D&D have strayed ever farther from the literary roots of the game, I believe neither that pulp fantasy literature is the only source of OD&D nor that OD&D was ever intended to be a strict simulation of pulp fantasy -- or indeed of any of the many things that influenced its creators.
The players in my campaign chose to resurrect their fellow adventurer both because the rules gave them the tools to do so and because they felt it's the action their characters would reasonably take, given the existence of resurrection magic. I did not feel then -- and do not feel now -- that it was "wrong" to let them play the game as it was written because it would be a violation of the grim and gritty feel most people associate with pulp fantasy. The campaign is not a simulation of pulp fantasy short stories; it's Dungeons & Dragons and in D&D, as Gygax says, "even death loses much of its sting."
My point here is simply that I think most of the people who dislike save or die do so because they feel it gets in the way of "the story." To have a hero unceremoniously cut down because of a giant spider bite or a beholder eye blast ruins the grand epic they want to tell. Ironically, I think the presence of resurrection and restorative magic is a similar bugaboo for gamers at the other end of the spectrum. They're not so concerned about "story" as such, but they are keen on pulp fantasy emulation and, since Conan couldn't just go and raise Valeria from the dead, they feel that D&D characters shouldn't be allowed to do so either. For them, resurrection breaks the frame of their imagination every bit as much as save or die does for others.
Me, I just play D&D, with all its quirks, whether they be save or die or (relatively) easy resurrection. That's what the game has always been for me. Indeed, I'd consider both defining characteristics of the game: easy death and easy resurrection. Sure, save or die makes it hard to play Aragorn and resurrection makes it hard to play Conan, but then who said D&D is about playing either Aragorn or Conan?


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When you click on Search in the menu, you will be able to access the main search function for the dictionary. Here you can enter search terms into the Search box. Clicking the Search button will then search the dictionary for the words that you enter.
The search results are weighted so that entries which a person is more likely to be interested in will rise to the top of the search results. For example, if "salt" is found in a headword, that entry will rise to the top. But if "salt" is found in the definition of an entry, it will sink lower in search results.
The weighting is as follows:
If you get too many search results, you can limit your search by using the drop-down boxes for Language, or Part of Speech.
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Sometimes it is useful to find words that are similar in meaning. This is hard to do in a normal printed dictionary. But it is really easy with Webonary. This is because all the words in the Dictionary are categorized into areas of meaning. Linguists call these areas of meaning Semantic Domains. To find words that belong to the same semantic domain do the following:


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American Airlines and US Airways on Thursday announced they plan to merge to create the country's largest airline, with a route network stretching from coast to coast, and covering large swaths of Latin America, Europe, Canada, the Caribbean and Africa.
The merger would knit together American's parent company, Fort Worth, Texas-based AMR Corp., and Tempe, Ariz.-based US Airways Group Inc. to form a new company worth about $11 billion. The combined carrier — with more than 6,700 daily flights to 336 destinations in 56 countries — would leapfrog over its competitors in terms of passenger traffic, and would retain the name and logo of American.
Here are answers to common questions about the merger:
Why are airlines always pushing for mergers?
Airlines have a very, very hard time making profits. US Airways endured a couple of round trips to bankruptcy court, and American is still trying to pull out of a bankruptcy filed in 2011.
Airline analysts say that by creating a robust route structure with hundreds of destinations on four continents, the two carriers may be able to attract more frequent fliers and boost revenues. For example, the new American would be able to cut redundancies in service, and become a major player in Boston's Logan International Airport, New York's LaGuardia Airport and Reagan National Airport outside Washington, D.C.
Would the merger violate antitrust rules?
The proposed merger would need the approval of both the bankruptcy court and the U.S. Department of Justice. Successfully completing a smooth merger also would mean winning the cooperation of creditors, bondholders, unions, Congress and regulators.
In recent years, with airlines in such dire financial shape, mergers typically have faced some scrutiny but no real roadblocks. The Obama administration already has approved two mega-mergers: United and Continental in 2010, and Southwest and AirTran Airways in 2011. The Bush administration signed off on Delta's merger with Northwest in 2008. Given that history, this latest merger likely would be approved.
What would the new company be called?
The combined carrier would be known as American Airlines, and would use the new logo and color scheme already unveiled by American. The updated logo looks like a sleek eagle with one red and one blue wing. And American's planes are being painted with new red, white and blue stripes on their tails.
What's likely to happen to fares?
With oil prices generally heading higher, airlines are looking to nudge up fares this year. If American and US Airways were to trim the dozen flights where they overlap, passengers would see less competition, which could create even more upward pressure on fares.
But the number of carriers isn't the only factor in pricing. During the Great Recession, airline consolidation increased but fares ticked down. That's because travelers were staying home and oil prices were easing.
In any case, with this merger, the Justice Department probably would try to minimize harm to consumers by insisting American give up some airport slots to competitors. For example, the Justice Department is widely expected to insist the combined carrier surrender some of its slots to competitors at Reagan Washington National Airport. American and US Airways together would be too dominant at that airport if they were allowed to keep all of the operations they now have there.
Also, airline mergers are complicated because of labor contracts, and they tend to play out over many years, so changes come slowly. Any fare hike may well be a couple of years away.
What will this mean for frequent fliers?
This merger could have upsides. Whenever customer-loyalty programs get combined, there are lots of details to work out, so the exact outcome is far from clear. In a news release, the companies said: "All miles in both programs will continue to be honored. Upon merger approval, additional information will be provided to customers of both frequent flyer programs ..."
It seems likely American's AAdvantage program would survive, and the new company would honor mileage accrued through US Airways' Dividend Miles program.
So if you had lots of miles on each of the carriers, the combined total could get you rewards more quickly. And because of the huge route structure, you'd have more places to go on your free reward trips.
Would there be any improvement in service?
Whenever airlines merge, there can be lots of short-term problems as staffs and customers get used to the new order. For example, combining online booking systems can produce glitches. But eventually bugs can get worked out.
Surveys suggest service has been poor at American in recent years amid union troubles. With US Airways CEO Doug Parker emerging as the combined company's leader, American's service may eventually improve. Under Parker's leadership, US Airways has put together a notably better record than American in terms of on-time arrivals.
What would a merger mean for the hub cities?
American has hubs in Dallas/Fort Worth, Chicago, Los Angeles, New York's JFK airport and Miami. US Airways has hubs in Phoenix, Philadelphia and Charlotte. Of those locations, the one most likely to see service cuts in coming years would be Phoenix. With major operations in Dallas and Los Angeles, a Phoenix hub may lose importance.
At the very least, Arizona would take a hit in terms of employment and prestige because the combined company's headquarters would be set up in Fort Worth, not Tempe.
How would this affect international flights?
Both US Airways and American have flights to Europe, Latin America, and throughout North America and the Caribbean. But they lack service to Asia, the world's fastest-growing travel market.
Would this merger end industry consolidation?
It would mark the end of the big deals. Since terrorist attacks shook up the airline industry in 2001, U.S. carriers have been going bankrupt, merging, cutting and doing whatever they can to survive. Assuming this latest merger goes through, the industry will have seen 10 big carriers boil themselves down to just four — American, United, Delta and Southwest — in a dozen years.
Still, there are smaller carriers out there that could be involved in yet more mergers, such as Alaska Airlines and Frontier Airlines. So this latest deal wouldn't necessarily end the industry's move toward fewer competitors with bigger route systems.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Scleral Lenses for Astigmatism
Scleral lenses are a great nonsurgical solution that provides exceptional vision correction in patients with astigmatism, whether by birth, due to post-refractive surgery, or other corneal procedures. Astigmatism is a refractive error caused by irregular corneal curvature, resulting in blurred and distorted vision. Scleral lenses allow astigmatic patients to experience improved visual acuity and comfort while keeping eyes hydrated all day.
If you have been told that your astigmatism is too severe to wear contacts, ask Dr. Garzon about scleral contact lenses. At the Clarity Optometry Scleral Lens and Keratoconus Center in Hamilton, we work hard to give each patient a superior contact lens fit and know that these lenses can truly make a difference in our patients' lives.
What is Astigmatism
Astigmatism is a common type of refractive error caused by an irregularly shaped cornea. The abnormal cornea causes light to enter unequally onto the retina, which results in blurred or distorted vision, eye strain, headaches, squinting and eye irritation. People are either born with this condition or can develop it later in life.
This condition typically occurs with myopia (nearsightedness) or hyperopia (farsightedness) and can be easily diagnosed using a simple eye exam.
Astigmatism falls into three categories:
- Myopic (nearsighted) astigmatism: For the myopic, light rays focus in front of the retina, leading objects in the distance to appear blurred. Myopic people who have astigmatism experience further blurring and vision distortion due to the refractive error caused by mismatched curvatures of the cornea or lens.
- Hyperopic (farsighted) astigmatism: For the farsighted, light focuses beyond the retina. Individuals with hyperopia and astigmatism experience blurred and distorted vision and have difficulty focusing on objects that are up close.
- Mixed astigmatism: In people with mixed astigmatism, one curvature of the cornea or lens focuses light to the front of the retina while the other focuses light to the back of the retina.
Astigmatism falls into the regular or irregular camp:
Most cases of astigmatism are regular, meaning that the front surface of the eye is oval-shaped. Irregular astigmatism is often caused by scarring of the cornea, keratoconus or from certain types of eye surgeries.
Can People With Astigmatism Wear Contact Lenses?
In cases of moderate to severe astigmatism, sometimes the distortion is too severe to be compensated for properly by soft contact lenses, which simply conform to the irregular shape of the cornea. Scleral lenses, on the other hand, sit on the sclera – not the cornea. They are rigid and maintain their shape regardless of the corneal dimensions. This allows the eye to properly focus light and thus ensures the sharp vision and exceptional comfort. The liquid reservoir that gets trapped underneath the scleral lens masks corneal astigmatism and ensures a stable fit.
What are Scleral Lenses?
Scleral lenses get their name from the way they fit on the eye. The sclera is the white part of the eye, and these lenses rest on the sclera while the lens itself vaults over the cornea.
Scleral lenses have become an important therapeutic strategy in the visual rehabilitation of patients with irregular corneas, such as astigmatism. The liquid reservoir between the lens and the cornea neutralizes astigmatism and provides a continuous moist environment that protects the cornea from exposure to air and friction from blinking.
Scleral lenses offer better comfort, breathability and improved visual acuity due to their rigid optical surface and a shape designed specifically for each patient's eye. We have found that for our patients with astigmatism, scleral lenses have proven to be the best solution in providing sharp and comfortable vision all day long.
Are Scleral Lenses for Astigmatism Expensive?
Scleral lenses are custom-fit to each eye, and though the fees for fitting scleral and the cost of the lenses are higher than traditional lenses, their life span and benefits offset the costs.
Coverage rates and restrictions vary among providers, and if considered a medical necessity, many insurance companies will cover the cost of scleral lenses. That said, every country and state has its own restrictions and regulations. Consult with our eye care team at the Clarity Optometry Scleral Lens and Keratoconus Center to discuss your specific payment options and cost of scleral lenses.
Specialized optometrists, such as Dr. Garzon, are trained in fitting scleral lenses for excellent, effective vision correction, and help patients with astigmatism and other corneal irregularities enjoy great vision and comfort with specialty lenses.
Clarity Optometry Scleral Lens and Keratoconus Center serves patients from all over Hamilton, Ancaster, The Greater Hamiton Areaand , Ontario.TESTIMONIALS:
" I went to the Clarity Optometry Scleral Lens and Keratoconus Center for my astigmatism, and I'm so grateful to the staff and doctors for their thorough care! They meticulously fitted me for scleral lenses, and now I can not only see well, but I tend to forget I'm wearing lenses. They're so very comfortable! "


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De l'ARTISANAT
Conditions de vente
ramassage par vous-même
Hargesheimer Kunstauktionen Düsseldorf GmbH (hereinafter referred to as "Hargesheimer Kunstauktionen") conducts auctions in a public auction in terms of Section § 474, Para.1 Line 2 and Section § 383 Para. 3 Line 1 of the German Civil Code (BGB) as a commissioner on his own behalf and on account of the clients (the "consigner"), who remain anonymous.
1.1. The items to be auctioned may be viewed and examined prior to the auction, potential buyers being liable for any damage caused by them to the items exhibited.
1.2. The works of art that are up for auction are, without exception, used items and sold as is. They are in a state of repair that corresponds to their age and provenance. Objections to the state of repair are only mentioned in the catalogue if, in the opinion of Hargesheimer Kunstauktionen, they adversely affect the visual impression of the work of art as a whole. Lack of information regarding the state of repair does therefore not justify any claims based on a guarantee or agreement on the condition. Potential buyers may request a condition report for every work of art. This report, be it verbal or written, does not contain any differing, individually negotiated terms, and expresses Hargesheimer Kunstauktionen subjective assessment only. The information contained in the condition report is provided to the best of our knowledge and belief. It does not constitute any guarantee or agreement on the condition and serves the purpose of the provision of nonbinding information only. The same applies to general information of any kind, be it verbal or written. In all cases the actual state of repair of the work of art at the time of the acceptance of the bid is the agreed condition in terms of statutory provisions (Sections § 434 et seq. of the German Civil Code (BGB)
1.3. All information contained in the catalogue is based on knowledge published until the date on the auction and on other general scientific knowledge available to the public. Hargesheimer Kunstauktionen reserves the right to correct catalogue information on the works of art that are to be auctioned. Said correction is made by written notice at the location of the auction and/or orally by the auctioneer immediately before the specific work of art is auctioned. The corrected information will replace the description in the catalogue.
1.4. Hargesheimer Kunstauktionen expressly excludes any liability for potential defects, provided that Hargesheimer has complied with its duty of care obligations.
1.5. Irrespective of the provisions of Clause 1.2., the information in the catalogue relating to authorship of the work of art shall form part of the condition that is agreed with the buyer. The auctioneer assumes no liability for defects as far as he has fulfilled his duty of diligence. But he commits himself to assert complaints which have been brought forward in due time within the limitation period to the consigner. Thereby, the limitation period regarding the authenticity is set at twelve months, for any other defects six months after the sale. In the event of successfully taking recourse to the consigner, the auctioneer will refund the purchasing price including the commission to the buyer.
1.6. Damages claims against Hargesheimer Kunstauktionen for legal and material defects and on other legal grounds (including compensation for futile expenses or cost for expert opinions) are excluded unless they are due to intentional or grossly negligent conduct by Hargesheimer Kunstauktionen or to the breach of significant contractual duties by Hargesheimer Kunstauktionen or are caused by injury to life or limb or damage to heal.
2.1. The estimates stated in the catalogue are reserve prices.
2.2. Hargesheimer Kunstauktionen reserves the right to combine, separate, offer out of sequence or withdraw numbered lots during an auction.
2.3. All bids are considered as submitted by the bidder on his own behalf and for his own account. If a bidder wishes to bid on behalf of a third party he must notify this 24 hours prior to the start of the auction, stating name and address of the party he is representing and submitting a written power of attorney. Otherwise the purchase contract is concluded with the bidder when the bid is accepted.
2.4. After presentation of a legal personal-document and admission to the auction, each bidder will be given a bidder's number by Hargesheimer Kunstauktionen. Only bids using this number will be included in the auction. Bidders, so far unknown to Hargesheimer Kunstauktionen, have to submit a written application no later than 24 hours before the auction, together with a document of identification. Hargesheimer Kunstauktionen may ask for a recent bank reference or other references for the admission to the auction.
2.5. The initial bid price is determined by the auctioneer; bids are generally submitted in Euros at maximum 10% above the previous bid. Bids may be made in person in the auction room or via the live auction during the sale. In absentia bids may be made in writing, by phone or over the internet or via a platform that has been approved by Hargesheimer Kunstauktionen.
2.6. All offers are based on the so-called hammer price and increase with premium, VAT and customs charges where applicable.
2.7. When there are equal bids, irrespective of whether they were submitted in the auction hall, by phone, in writing or over the internet, a decision shall be made by drawing lots. Written bids or bids submitted via the internet shall only be taken into consideration by Hargesheimer Kunstauktionen to that amount that is required to outbid another bid.
2.8. Absentee bids are generally permitted if the bidder has applied to Hargesheimer Kunstauktionen for permission at least 24 hours prior to the start of the auction and has, as far as possible, provided additional information pursuant to fig. 2.4. The application must specify the work of art, along with its catalogue number and catalogue description. In case of doubt, the catalogue number is decisive; the bidder shall bear the consequences of any uncertainties.
2.9. Hargesheimer Kunstauktionen provides the service of executing absentee bids for the convenience of clients free of charge. Hargesheimer Kunstauktionen therefore provides no guarantee for the effectuation or flawless execution of bids. This does not apply where Hargesheimer Kunstauktionen is responsible for a mistake made intentionally or through gross negligence. Absentee bids shall be equivalent to bids made in the auction.
2.10. The written bid must be signed by the bidder. In the event of written bids, the interested party authorises the auctioneer to submit bids on his behalf.
2.11. Telephone bids may be recorded by Hargesheimer Kunstauktionen. By applying for telephone bidding, the applicant declares that he agrees to the recording of telephone conversations. Hargesheimer Kunstauktionen is not liable for setting up and maintaining telecommunications connections or for transmission errors.
2.12. Bids via the internet can be submitted as "pre-bids" prior to the beginning of the auction, as "live bids" during a live web-cast auction, or as "post-bids" after conclusion of the auction according to the provisions stated hereinafter. Bids received by Hargesheimer Kunstauktionen via internet during an auction will only be taken into account for the respective auction if it is a live, web-cast auction. Furthermore, bids via internet are only admissible if the bidder has been authorised by Hargesheimer Kunstauktionen to bid over the internet by providing him with a user name and password. They only represent valid bids if they can be unequivocally matched to the bidder by means of such user name and password. Bids via internet are recorded electronically. The accuracy of the corresponding transcripts is accepted by the bidder/buyer, who is nevertheless free to furnish evidence that the transcript is inaccurate. Live bids are considered equivalent to bids submitted in the auction hall during the auction.
2.13. The after sale is part of the auction. In the event of post-bids, a contract is concluded only after Hargesheimer Kunstauktionen accepts the bid.
2.14. By making a bid, either verbally in the auction, by telephone, written by letter, by fax, or through the internet the bidder confirms that he has taken notice of these terms of sale by auction and accepts them.
2.15. With distance contracts, the right of return and rescission shall not apply to written, phone or internet bids unless the bid was made in the after sale.
3.1. A bid is accepted after the auctioneer has called the highest bidder's bid three times. When a bid is accepted a purchase contract is concluded between Hargesheimer Kunstauktionen and the bidder whose bid was accepted. A purchaser is obliged to fulfill his obligations to pay for the item and to collect the purchased item.
3.2. Hargesheimer Kunstauktionen may refuse to accept the bid or accept it subject to reservation. If a bid is refused, the previous bid remains valid. If several individuals
place the same bid and there is no higher bid after three calls, the decision will be made by drawing lots. Hargesheimer Kunstauktionen may revoke acceptance of the bid and re-offer the item if a higher bid that was made in due time has been overlooked by accident, if the highest bidder does not want his bid to stand, or if there are other doubts as to the acceptance. If no bid is successful even though several bids were submitted, Hargesheimer Kunstauktionen is liable to the bidder only for intent or gross negligence.
3.3. A bidder remains bound to a bid that has been accepted subject to reservation for a period of one month. A bid accepted subject to reservation only becomes valid if Hargesheimer Kunstauktionen confirms the bid in writing within one month after the date of the auction by submitting a corresponding invoice.
4.1. In addition to the bid award, the buyer must pay a premium of 25%. This includes statutory VAT, which will however not be stated due to the margin scheme in terms of Section § 25a of German Turnover Tax Law. An exception are lots with an asterisk (*) before the catalogue number. They are to be sold with V.A.T. and are calculated in line with Statutory VAT of currently 19% respectively will be levied on the sum of bid award and premium.
4.2. For buyers who have a right to deduct input tax, the invoice may, if desired, (after prior notification) be made out in line with standard taxation. VAT is not charged on shipments to foreign countries (i.e. outside the EU) nor – when the VAT-ID no. is stated – to companies in EU member states. If parties participating in an auction take purchased items into foreign countries themselves, they will be reimbursed the turnover tax as soon as Hargesheimer Kunstauktionen has the export and acquirer certificate.
4.3. Invoices issued during or immediately after the auction must be verified; errors remain reserved to this extent.
4.4. Payment of the total amount due upon acceptance of a bid must be made in cash, via bank-wire or by bank certified cheque. Cheques are only accepted on account of performance. All taxes, costs, transfer or encashment fees (including the bank charges deducted by Hargesheimer Kunstauktionen) are to be borne by the buyer. Purchasers who participate in person at the auction must pay Hargesheimer Kunstauktionen the purchase price immediately after the bid is accepted. Without prejudice to the fact payment is due immediately, bids made in absentia may be paid within 14 days of the invoice date without being considered delayed. Default in payment commences two weeks after the date of the invoice.
4.5. The auctioned items are generally only handed over after full payment of all amount owed by the buyer has been received.
5.1. Acceptance of a bid imposes an obligation to collect the item. Buyers who are not present must collect their items immediately after Hargesheimer Kunstauktionen has advised them that the bid has been successful. Hargesheimer Kunstauktionen shall organise the insurance and shipment of the work of art to the buyer only upon the latter's written instructions and at his cost and risk. Since the purchase price is due immediately and the buyer is obliged to promptly collect his items, he will find himself in default of acceptance no later than two weeks after acceptance of the bid or post-bid, so that then at the very latest, and irrespective of the still undelivered items, the risk will be passed on the buyer. Each lot is at the sole risk of the buyer from the fall of the hammer.
5.2. If the buyer has not collected the items from Hargesheimer Kunstauktionen at the latest three weeks after his bid has been accepted and/or after he has been notified, Hargesheimer Kunstauktionen will call upon the buyer to collect the items within one week. At the end of said period Hargesheimer is entitled to have the items kept in a warehouse at the cost and risk of the buyer. Hargesheimer Kunstauktionen shall inform the buyer prior to storage. Any purchases that have not been collected within three weeks from the date of the invoice will be subject to handling and storage charge at 1 Euro + 19 % VAT per lot per day. Irrespective of this, Hargesheimer Kunstauktionen may demand performance of the contract or assert statutory rights for breach of duties. For the purpose of calculating any loss, reference is made to fig. 4 and 7 of these terms and conditions.
5.3. Hargesheimer Kunstauktionen shall under no circumstances be liable for loss of or damage to items that have not been collected or not handed over due to non-payment, unless Hargesheimer Kunstauktionen acted intentionally or with gross negligence.
6.1. Title to the work of art passes to the buyer only upon receipt of all payments owed under fig. 4 and 7 in full.
6.2. Against claims by Hargesheimer Kunstauktionen, the buyer can only offset claims that are undisputed or that have been legally and finally determined.
6.3. Insofar as the buyer is a merchant registered in the commercial register, he waives his rights under Sections §§ 273, 320 of the German Civil Code (BGB).
7.1. The purchase price is due upon acceptance of the bid. If payment is made in a foreign currency, any exchange rate losses and bank charges will be borne by the buyer. The same applies to cheques, which will be recognised as payment only after unconditional confirmation of the credit has been received from the bank.
7.2. In the event of default in payment, default interest of 1% per month is charged. The buyer is entitled to provide evidence that the loss is less or that there is no loss. In addition, in case of default in payment, Hargesheimer Kunstauktionen may elect to demand performance of the purchase contract or may rescind the contract after setting a suitable period for performance. In the event of rescission, all of the buyer's rights to the purchased work of art shall lapse and Hargesheimer Kunstauktionen shall be entitled to demand damages amounting to the lost fee for the work of art (consignor commission and premium). If the item is re-auctioned at a new auction, then the defaulting buyer is additionally liable for any shortfall in proceeds compared with the earlier auction and for the costs of the repeat auction; he is not entitled to any excess proceeds. Hargesheimer Kunstauktionen has the right to exclude him from further bids in auctions.
7.3. One month after default has occurred, Hargesheimer Kunstauktionen is entitled to and, if the consigner demands it, required to provide the latter with details of the name and address of the buyer.
8.1. The buyer agrees that his name, address and any consignments being stored electronically and processed by Hargesheimer Kunstauktionen for the purpose of fulfilling and performing the contractual relationship, as well as to provide information about future auctions and offers. Should the buyer not meet the contractual obligations, within the scope of fulfilling and performing this contractual relationship, then he consents to this fact being added to a list which will be accessible to German auction houses. The buyer is entitled to object to the future collection and use of data by removing the said clause or by submitting notice to Hargesheimer Kunstauktionen at a later date.
9.1. These Auction Terms and Conditions shall govern all relations between the buyer and Hargesheimer Kunstauktionen. The buyer's General Commercial Terms and Conditions shall not apply. There are no verbal ancillary agreements. Amendments must be made in writing to be valid.
9.2. Insofar as it is possible to agree, Düsseldorf shall be the place of performance and jurisdiction. The law of the Federal Republic of Germany shall apply exclusively. The UN Convention on Contracts for the International Sale of Goods (CISG) shall not apply.
9.3. The aforementioned provisions apply mutatis mutandis to the private sale of items consigned for auction.
9.4. If any of the above provisions are invalid in whole or in part, the validity of the remaining provisions shall be unaffected. The invalid provision shall be replaced by a valid regulation which most closely resembles the commercial content of the provision which was invalid. The same applies if the contract reveals a loophole in need of amendment. In cases of doubt the German version of the Consignment Conditions shall prevail.
Frank Hargesheimer | Susanne Hargesheimer (Publicly appointed and sworn auctioneer for arts and antiques)(February 2015)