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You can place an order 3 ways. Via Online at www.musicboxattic.com, by calling us at (866)622-8842 or email us and we will send you a Pay Pal money request and an order confirmation.
Product Dimensions
A Reuge music automaton takes about three months to produce (more for special designs and/or complicated movements), during which our craftsmen breathe life and soul into their creations in every step of the creative process. The mastery of many professional skills, some of which are highly specialised for the fabrication of music automaton, is necessary to produce one of these fine creations. Unique expertise is indeed the secret of mechanical music. Music Box Attic, Inc. is proud to be an authorized retailer of these truly one of a kind mechanical works of wonder.
About item:
A unique way to celebrate an achievement with music, and a gift that will be appreciated for eternity. This solid walnut music box has room for a personal message of encouragement and celebration.
About the company:
Based in Sainte-Croix (Switzerland) with more than 155 years of expertise, REUGE is positioned as the world leading producer of music automaton, that are technically, acoustically and aesthetically superlative. Combining the motion of an automaton with an exquisite sonority offers an unparalleled experience of the senses – and to trigger this emotion is the brand's quest. Forward-thinking and innovation define REUGE just as much as its respect for traditional craftsmanship.
The Brand relentlessly seeks new materials, original themes and ground-breaking acoustics, making way for the beautiful contemporary music boxes of the 21st century. REUGE's ability to transform inanimate metal into emotion continues to enthrall those who seek a true work of art, reaching beyond fleeting trends.
Adding in your own music or recordings to a music box is simple. Look for custom music options after you find your favorite music box, tell us the song you'd like and you'll have it at your door step in a few days.
Have questions about our music boxes? Curious about your engraving options? Not sure how to choose the right song? Browse our frequently asked questions to learn more about our music boxes.
You can place an order 3 ways. Via Online at www.musicboxattic.com, by calling us at (866)622-8842 or email us and we will send you a Pay Pal money request and an order confirmation.
We ship out non-custom orders same or the next business day.
We ship out of Los Angeles, CA. Depending on the shipping method you choose it can be anywhere from 1 to 5 business days. Click here for exact time frame.
Please Click here to see your choices for both domestic and international orders.
Yes, please Click here to see your shipping options with estimated time frames and costs.
You can follow your orders transit after it has shipped from our warehouse. As soon as it ships you will receive an email with the tracking number letting you know that your order has shipped and how you can keep track of it.
Your order confirmation email has the link which you can click on anytime to view the status of your order. You can also contact us directly online via Chat, email at firstname.lastname@example.com or by phone at (866)622-8842.
Yes, but contact us as soon as possible by phone at (866)622-8842. We will always accommodate any change granted that the order hasn't shipped.
Call us during business hours (9 - 5 PST/ M - F) by phone at (866)622-8842 for immediate resolution, or email us and we will get back to you within 24 hours. We will quickly get a replacement out to you that same day.
To cancel your order, please contact us immediately via email, if available by chat or by phone at (866)622-8842. If your order has shipped, simply refuse the delivery or return the package to the address located on the original shipping label. Click here for further details on our return policy.
We accept most forms of payments through our website. We accept all major credit cards as well as Pay pal. You can even mail us a check, money order or cashier's check (contact us for mail payment details). Click here for further details other forms of accepted payments.
Yes, please Click here for further details on how to go about mail in payments
Yes, we do offer discounted prices on multiple/bulk item orders. Please contact us at (866) 622-8842 for exact pricing.
Not at this current time. However, we are looking at this venue for future consideration. Every situation is unique so please contact us at (866) 622-8842 to discuss your proposal.
Not at this current time. However, we are looking at this venue for future consideration. Check back with us for any updates.
We carry a huge inventory of music boxes of different shapes and sizes, jewelry boxes, snow globes, and more. You're sure to find a style fit for every occasion imagine. We have thousands of styles at any given moment available in stock to choose from.
We also directly specialize in Handmade Sorrento music boxes from Italy. You'll find a variety of wood inlays here.
Yes, please Click here for selections of jewelry boxes with or without music.
There's usually not a big distinction between the two. Our rule is that if the "music box" provides any space (aside from the space for the musical movement) it can also be referred as a "music jewelry box". Although of course the main difference between a standard jewelry box and music jewelry box is one has music and the other does not.
The majority of our items (e.g. Sorrento boxes) requires that you select a song from a list of available tunes located the actual product page. Some items have preinstalled tunes and those will be the only songs for that particular item.
Yes, we are able to accommodate custom inlaid Sorrento boxes. Yes, we are able to accommodate custom inlaid Sorrento boxes as well as figurine style items, globes and other similar items that we sell on our website. We would need the design of the item, as well as any drawings, details and due dates first of all. For all other details please contact us to discuss the project further. Please note we do not make one single custom box, but if you are looking for custom music, we can do any song in any box within days. For details on pricing, please click here.
We have music boxes that range from $30 - $10,000. After a few hundred dollars, the price tends to increase as you incorporate higher note movements (music). The bigger, better the mechanical movement inside the box, the more expensive it is.
For the majority of our music boxes are assembled in our facility in Los Angeles, CA. For that reason, different size movement can be installed and every movement size (e.g. 22 note, 30 note) has its own respective list of available songs.
Yes we do. It is an optional service we provide for your convenience located on any product page under music selection.
Yes we do offer engraving services. You can submit text in other languages or even a photograph. Please Click here to see all the options we have available.
Yes, we sure do, we do direct to wood and on the box engraving.
Please Click here to see what an engraving looks like on one of our music boxes.
We have melodies from various genres of traditional tunes from Classical to children's Lullabies, Inspirational Gospel to pop.
Not at the current time. We are working on implementing advance sorting features in the near future.
It's the magical sound behind the music box. For more detailed information click here
We can be here for a while, so instead click here to learn more about music box movements!
It's probably best to click here get a visual and auditory explanation to answer your question.
As long as the music box has enough space for the musical movement, we should be able to accommodate your request. On the website you will find many boxes with just one option for the movement size, that is because it doesn't have a large enough compartment to fit a bigger size movement.
We carry the following brands: Reuge / Romance, Sankyo/Orpheus and Yunsheng / Rhymes. click here to shop for mechanical movements
Yes you can but before you do, please contact us by email at firstname.lastname@example.com or by phone at (866)622-8842. This is just to ensure that your box is evaluated prior to sending it to us.
Yes, we can incorporate any sound, song, recording or any file you provide or even a simple link from YouTube. We do this through our unique custom digital module. The music box will play back the original version of the song, an instrumental, a unique version you might have or we can even convert the song to play just like a mechanical music box movement. Please click here here for further details on custom tune creating.
The digital module can pretty much play anything that can be recorded. From your child's recital, a personal message you recorded for someone or a song you heard before. Regarding ideal file types, any file format will work as it will always be converted down to an mp3 format.
We do offer the ability to facilitate having a custom mechanical movement created for you. To see how the process works, please see here.
Within the digital module option, you can choose to have your recorded file "converted" to sound like a music box. This is an optional, paid service.
No. Submitting a previously converted melody will save you money and speed up the delivery time frame.
You can submit the sound file a few ways. If ordering online, you can upload it directly on the product page. You can email the file to us directly at email@example.com (referencing the order number is you have one), provide a link to the source file or simply provide the details verbally during the order process if placing the order by phone.
Unfortunately, we are unable to provide a printed catalog at this time. Our products and inventory count are constantly changing and the only way to see what we have available in real time is by looking at our website. We might have a print catalog in the future, check back with us from time to time.
Yes, the best way to get our best coupons is to sign up for our newsletter where from time to time we might offer a coupon up to 25% off. But, if you sign up right now, you will immediately get a 10% off coupon just for signing up today. Click here to sign up for our newsletter and receive immediate savings.
Yes, but only for a certain range of music boxes. We mainly do repairs on larger size Swiss mechanical movement inside a music box and not the music box itself. However, if the box is in need of small repairs we will try to accommodate such work as best as we can. Please contact us by email at firstname.lastname@example.com or by phone at (866)622-8842 for further details.
Yes, we provide you with an unmatched 100% no questions asked 1 year/365 guarantee or exchange policy. At any time within a year after your purchase you can return (check return policy) or exchange your music box if you wish. After the year goes by you are able to add to your order a lifetime warranty for just a few bucks at checkout which covers pretty much everything you can think of. Your purchase with us will be hassle free and our after purchase offers are the best you'll come across.
A music box can be interpreted in various ways. One in which its place as an automatic musical instrument. It produces sound from a finely tuned comb, struck by a set of pins that protrude from a rotating cylinder. The term used for the mechanism that produces the melody in a music box is referred to as a "mechanical movement" or "musical movement". They can vary in physical size and playing time. Depending how many teeth are on the comb (music notes) a single tune (1 full revolution) can play anywhere from 12 seconds up to 50 seconds with a running play time of a few minutes up to half an hour!
Here at Music Box Attic, we offer a range of musical movements. Beginning at the standard 18 note movement up to a 144 note masterpiece. The exact range of musical movements are 18, 23, 30, 36, 3.36, 50, 72, 144 notes.
As you begin to trek through the world of music boxes, you will notice a more profound auditory experience when scaling upwards towards the larger size musical movements. The differences in sound and structure will become apparent. A good analogy for comparison is similar to a piano performance of a novice enthusiast versus a classical virtuoso! Think of the standard 18 note movement as an outline of a tune. It's just the right amount of notes to be recognizable. Move over to a 72 note movement and you'll find yourself engulfed in precise arrangement perfectly laid out to reproduce the feel of concertos and operas.
When you add this option our experienced musicians will take a standard file and convert it so the module will play a music box type of sound of your song. They will go note by note and make a fabulous rendition. We have a few musicians that we work with and they have done thousands of songs and are the best at what they do. Cick here to hear some files they have done:
*Please add 2 extra days for this service (you will not see the added 2 days during checkout, please add 2 days on top of the delivery date you see during checkout)
The "Custom Music Box Module" is one of the newest creations combining tradition and cutting edge technology from Music Box Attic. It is the most popular way of inserting any song, sound or recording into any box you want (yours or ours). Available for nearly all of our boxes. Find the box you want, follow few easy steps to customize with your song.
We are offering an option to take your song and covert it to sound like a traditional music box melody (still in digital format). Your tune will be onverted note by note to sound just like a mechanical movement music box, but better, due to the flexibility of the module as well as software sound enhancement. Here are two examples of the previous conversions of songs that our musician has done:
Find many converted songs you can use on our Listening Library or Youtube Song Search
We also suggest browsing for your song on YouTube to see if it has already been converted, this way you can get the music box sound but not pay the additional $75.
Usually about 1 to 2 days, add the conversion and add another day. But we can usually be done within a day outside of the busy holiday season.
We offer three types of custom music box music modules - L1-Exclusive, L2-Premium, and L3-Elite.
*Note - Conversion & Music Upload is optional, it is not required, although we highly recommend we do the music loading for you as we will edit and make the sound perfect, at no cost.
Standard Operation, open the box music starts, close the box, music stops. Comes with USB to Recharge music box and easy music load + On/Off Light Sensor
Same as L1, plus an additional on/off switch in case you don't want to hear the music box play when you open the lid every time. Comes with USB to Recharge music box and easy music load + On/Off Light Sensor + Additional On/Off Toggle
(Additional On/Off Toggle allows you to override the light sensor to keep the box from playing every time you open the lid, preserves the battery, and provides more flexibility)
Same as L2, plus volume control. Comes with USB to Recharge music box and easy music load + On/Off Light Sensor + Additional On/Off Toggle + Volume Control
(All modules come pre-programmed with excellent sound quality playback at a medium-perfect sound volume and level. Volume control might be beneficial but not necessary.)
Select this option if you want us to do all the optimization and uploading of the music in your box. You will get the music box ready to go with your tunes. Once you select this option, you will see all music upload fields to provide the music/sound details.
Choose this option if you want to upload the music or sounds yourself at home.
YouTube Links - Add numbered YouTube links of your songs, e.g.
Simply type in the Song & Artist of your songs, e.g.
Mp3 files
If you have more than one mp3 file please email those in or send via www.wetransfer.com website to firstname.lastname@example.com after your order is placed.
*Please note, there is no skip, forward or rewind options, songs need to be listened to continuously one after another.


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Add an elegant finishing touch to your bathroom with Kartell stylish and functional. This will inspire and give eye-catching look which adds a unique character to your bathroom and can also be a cost effective way of refreshing your bathroom.
We charge a single delivery charge per order regardless of the number of items. The amount charged is based on the largest delivery cost i.e. smaller items are usually £10 delivery whereas a bath is typically £29 delivery, if you only have the smaller items you will be charged the £10, however if you then add a bath to your basket the delivery will be £29. Should you add a second bath to your order the charge will still be £29.
To determine your total delivery costs simply add the items you are interested in to your basket and the site will calculate your delivery cost and display it at the bottom of your basket.
Item Type | Cost |
Small Items | £10 |
Standard Items | £15 |
Baths / Shower Enclosures | £29 |
Delivery Timescales
We quote a single estimated delivery timescale per order which is determined by the item with the longest lead time. Our smaller products are typically 3-5 working days and the majority of our sanitaryware is 5-7 working days. You may find that specific product options such as colour or finish may increase the estimated delivery time, this is usually as these are a special order and take longer to process or in some cases are made to order.
To determine your estimated delivery timescale simply add the items you are interested in to your basket and the site will calculate your estimated delivery timescale and display it at the bottom of your basket.
Orders are usually only dispatched when all items in your basket are available for delivery. Consider placing separate orders for items with longer delivery timescales.
Our Warehouse
On occassion you may wish to collect from our warehouse, we are happy to accommodate this however this needs to be made by prior arrangement. Please read through our Further information about our Warehouses.
We work hard to provide the highest levels of support to all our customers and have developed a series of forms to report any problem you may have experienced with your order, once completed the forms provide us with sufficient information to start working towards resolving your issues.
Please select the most appropriate option below.
Incomplete Orders
I have items missing from my order
Problem with my Order
I have a problem with one or more of my items (Damaged, Faulty)
Returning Items
I want to return an Item I ordered Incorrectly
I want to return an Item I no longer require
I have received an incorrect item
I have a problem with one or more of my items (Damaged, Faulty)

subset: commoncrawl


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Terms and conditions: 2019 Sydney Baby Shower ticket giveaway
Babyology Competition Terms and Conditions
- The Promoter is Kinderling Digital Media Pty Ltd (ABN 60 621 255 007) of Suite 1, Level 3, 104 Commonwealth St, Surry Hills NSW 2010.
- Information on how to enter and prizes forms part of the terms of entry. Entry into the competition is deemed acceptance of these terms and conditions.
- To the extent of any inconsistency between these Terms and Conditions and any other reference to this competition, these Terms and Conditions prevail.
- Entry and continued participation in the Promotion is dependent on entrants following and acting in accordance with the Facebook Statement of Rights and Responsibilities, which can be viewed at https://www.facebook.com/terms.php
- This promotion adheres to the terms and conditions set out in the Facebook promotion guidelines which can be found at: https://www.facebook.com/promotions_guidelines.php
- This promotion is in no way sponsored, endorsed or administered by, or associated with, Facebook. Entrants understand that they are providing their information to the Promoter and not to Facebook. The information an entrant provides will only be used for the purposes outlined in these Terms and Conditions. Any questions, comments or complaints about this promotion must be directed to the Promoter and not to Facebook.
- All entrants unconditionally and irrevocably release and discharge Facebook from any and all liability in relation to this Promotion.
Who can enter
- Entry is open to all residents of Australia over the age of 18, except employees and immediate families of the Promoter and their associated companies and agencies and participating outlets. Immediate family means any of the following: spouse, ex-spouse, defacto spouse, child or step child (whether natural or by adoption), parent, step parent, grandparent, step grandparent, uncle, aunt, niece, nephew, brother, sister, step brother, step sister or 1st cousin.
- Entrants into this competition must be 18 years of age or older as at the date of entry.
- The Promoter reserves the right to request winners to provide proof of identity, proof of residency at the nominated prize delivery address and/or proof of entry validity or proof of registration ownership in order to claim a prize. Proof of identification, residency and entry considered suitable for verification is at the discretion of the Promoter. In the event that a winner cannot provide suitable proof, the winner will forfeit the prize in whole and no substitute will be offered.
When to enter
- The competition commences on 17 June 2019 at 9:30PM AEST and concludes on 19 June at 11:59PM AEST ("Promotional Period"). Entries must be received by the Promoter prior to the competition close date and time.
- The time of entry will in each case be the time the online entry is received by the Promoter's database, not at the time of transmission by the entrant.
How to enter
- Entrants must, during the Promotional Period:
- Like the Facebook post and tag the friend they would like to attend the Sydney Baby Shower
- Entrants are required to take full responsibility for the content of their entry and for ensuring that their entry complies with these terms and conditions. For the purposes of these content requirements, "entry content" includes any content (including text, photos, videos and email messages) that entrants submit, upload, transmit, publish, communicate or use in connection with their entry into the Promotion. Entries must be the entrant's original work. The Promoter reserves the right to verify, or to require the entrant to verify, that the entry is the entrant's original work. If an entry cannot be verified to the Promoter's satisfaction, the entry will be deemed invalid. The Promoter may, in its absolute discretion, edit, modify, delete, remove or take-down any part of an entrant's entry. An entrant's entry must not include:
- any image or voice of any other person without that person's express consent (except when the image is of the entrant's child or ward). Entrants warrant that if any such content is included, they have obtained the express consent of the relevant person;
- any content that contravenes any law, infringes the rights of any person or is potentially insulting, inflammatory, defamatory, obscene, offensive, discriminatory, indecent or otherwise objectionable or inappropriate (which includes, without limitation, any content involving nudity, malice, excessive violence or swearing); and
- any literary, dramatic, musical or artistic work, any audio-visual or sound recording, or any other item in which copyright subsists, unless the entrant is entitled to do so. If an entrant has any doubts about whether they have the right to include any content (for example, recorded music) they must not include it. By including any such content in their entry, the entrant warrants that they have the permission of the relevant copyright owner to do so and that this permission allows the Promoter to use the entry in accordance with these terms and conditions.
- The Promoter reserves the right to disqualify a winner if Promoter becomes aware that the winner and/or the winner's entry is of a type described in this clause.
- Any entry that is made on behalf of an entrant by a third party will be invalid
- The Promoter reserves the right to disqualify any entrant who tampers with the entry process, who submits an entry that is not in accordance with these terms and conditions or who has, in the opinion of Promoter, engaged in conduct in entering the Promotion which is fraudulent, misleading, deceptive or generally damaging to the goodwill or reputation of the Promotion and/or Promoter
Number of Entries permitted
- Entrants may enter multiple times. Only one prize will be awarded per winning entry
Determination and Notification of winner
- The winner will be the valid entry submitted in accordance with these terms and conditions that is selected by the random generator at 9:00am on 20 June 2019 at 104 Commonwealth Street Surry Hills NSW 2010
- This Promotion is a game of skill. Chance plays no part in determining the winner.
- If any particular determination is scheduled on a public holiday, the determination will be take place on the following business day.
- The Promoter's decision is final and the Promoter will not enter into correspondence regarding the Promotion result or any other decisions the Promoter makes in connection with the Promotion.
- The winner/s will be notified by a comment or private message via Facebook or by telephone or email within two days of being determined.
- Prizes will be awarded to person who submitted the entry. However, in a dispute, will be awarded to the account holder of the entry mechanism used to submit their entry (i.e. mobile phone account holder or land line account holder).
- Should an entrant's contact details change during the promotional period, it is the entrant's responsibility to notify the Promoter. A request to access or modify any information provided in an entry should be directed to the Promoter.
- If the winners have not claimed the prize by 20 June 2019 then he or she will forfeit the prize and another prize draw will be conducted by the random generator on 20 June 2019 at the same time and place as the original draw. The winner of the unclaimed prize will be notified by Facebook, telephone or email within two days of the date on which they are judged to be the unclaimed prize winner.
Prize on offer
- Total prize pool value is up to $130 (including GST) as at 18 June 2019. One winner will receive:
- 2 Tickets to the 2:45pm Session of the Sydney Baby Shower 2019
- No individual prize will exceed $1,000 and total annual value of prizes will not exceed $100,000
- Unless otherwise expressly stated, prize values are based upon the recommended retail prices at the time of first publication of these Terms and Conditions (inclusive of GST). The Promoter accepts no responsibility for change in prize value between now and the ultimate prize redemption date.
- Prizes cannot be transferred, exchanged or redeemed for cash.
- It is a condition of accepting the prize that the winner must comply with all the conditions of use of the prize and the prize supplier's requirements
- It is a condition of accepting the prize that the winner may be required to sign a legal release in a form determined by the Promoter in its absolute discretion
Further Terms and Conditions
- The Promoter (subject to State and Territory Legislation) reserves the right to amend, cancel or suspend this Promotion if an event beyond the control of the Promoter corrupts or affect the administration security, fairness, integrity or proper conduct of this competition. The Promoter will disqualify any individual who has tampered with the entry process or any other aspect of this competition.
- The Promoter and their associated agencies and companies assume no responsibility for any error, omission, interruption, deletion, defect, delay in operation or transmission, communications line failure, theft or destruction or unauthorised access to, or alteration of entries, and reserves the right to take any action that may be available.
- If for any reason this competition is not capable of running as planned, including (without limitation) due to infection by computer virus, bugs, tampering, unauthorised intervention, fraud, technical failures or any causes beyond the control of the Promoter, the Promoter reserves the right in its sole discretion take any action that may be available, and (without limitation) to cancel, terminate, modify or suspend the competition, subject to any direction given under State Regulation.
- Any cost associated with accessing the promotional website is the entrant's responsibility and is dependent on the Internet service provider used.
- Any entrant found to be using any form of software or third party application to enter multiple times (including scripting software) will have all entries invalidated and any claim to any prize will be invalidated. If such an entrant is awarded a prize and then found to have breached this clause, the entrant must immediately return any awarded prize to the Promoter. The Promoter has sole discretion to determine if this clause has been breached by any entrant. The Promoter reserves the right to request whatever documentation it deems necessary to confirm if the entrant has breached this clause. An entrant must provide any requested documentation to the Promoter upon request.
- An entrant may not use a third party (including online competition entry site) to enter on their behalf, except where the entrant needs to use those services of that third party to enter due to a disability. If the preceding sentence has been breached, the entrant will have all entries invalidated, any claim to any prize will be invalidated and where such an entrant has already been awarded a prize before being found to have breached this clause, the entrant must immediately return any awarded prize to the Promoter. The Promoter has sole discretion to determine if this clause has been breached by any entrant. The Promoter reserves the right to request whatever documentation it deems necessary to confirm if the entrant has breached this clause. An entrant must provide any requested documentation to the Promoter upon request.
- Any entrant found to be entering incorrect contact details, including incorrect email contact details, will have all entries invalidated and any claim to any prize will be invalidated. If such an entrant is awarded a prize and then found to have breached this clause, the entrant must immediately return any awarded to the Promoter. The Promoter has sole discretion to determine if this clause has been breached by any entrant. The Promoter reserves the right to request whatever documentation it deems necessary to confirm if the entrant has breached this clause. An entrant must provide any requested documentation to the Promoter upon request.
- If the prize (or any part of the prize) is unavailable, for whatever reason, the Promoter reserve the right to substitute the prize (or any part of the prize) for a prize (or part of any prize) of equal or greater value, subject to State Regulation. It is a condition of accepting the prize that the winner must comply with all the conditions of use of the prize and prize supplier's requirements. Each prize must be taken as stated and no compensation will be payable if a winner is unable to use the prize as stated.
- The Promoter highly recommends a current residential street address be provided when requested for ease of correspondence and potential prize delivery. The Promoter makes all reasonable efforts to deliver prizes to the addresses provided by competition entrants. The Promoter cannot guarantee that any prizes returned to the Promoter due to non-delivery at the provided address will be re-sent to the prize winner. The Promoter and its associated agencies and companies will not be liable for any damage to or delay in transit of prizes.
- The Promoter reserves the right to redetermine the winner in the event of an entrant, claiming to be a winner, being unable to satisfy these Terms and Conditions.
Copyright, Statutory guarantees, Waiver and liability
- In consideration for the Promoter awarding the prize to the winner, the winner hereby permits the winner's submission, image and/or voice, as recorded, photographed or filmed during the winner's participation in the prize to appear in connection with the Promoter, or the advertising or marketing thereof, in any media whatsoever throughout the world and the winner will not be entitled to any fee for such use.
- The Promoter acknowledges that the entrant may own intellectual property rights (including copyright) in any material created or otherwise submitted to the Promoter in connection with the entrant's entry or participation in any aspect of the prize (Works). The entrant hereby grants the Promoter a non-exclusive, irrevocable, perpetual, worldwide licence to use the Works (including modifying, adapting or publishing the Works, whether in original or modified form, in whole or in part or not at all). The entrant acknowledges and agrees that neither the entrant nor any third party shall be entitled to any fee, royalty or other consideration in respect of such licence. If the entrant holds, now, or at any time in the future, any so called "droit moral" or moral rights in connection with the Works, the entrant unconditionally and irrevocably consents, for the benefit of the Promoter and all of their respective assignees, licensees and sublicensees to material alterations to the Works (including, without limitation, any copying, editing, adding to, taking from, adapting and/or translating the Works, in any manner or context) for any purpose, notwithstanding that such conduct may amount to derogatory treatment of the Works for the purposes of the Copyright Act 1968 (Cth).
- In the case of the intervention of any outside act, agent or event which prevents or significantly hinders the Promoter's ability to proceed with the competition on the dates and in the manner described in these terms and conditions, including but not limited to vandalism, power failures, tempests, natural disasters, acts of God, civil unrest, strike, war, act of terrorism, the Promoter may in its absolute discretion cancel the competition and recommence it from the start on the same conditions, subject to any directions given under State Regulation.
- The Promoter does not exclude any rights and remedies in respect of goods or services under the Australian Consumer Law in the Competition and Consumer Act (2010) (Australian Consumer Law) which cannot be excluded, restricted or modified. However, to the maximum extent permitted by law, the Promoter shall not be liable for any loss or damage whatsoever which is suffered (including but not limited to indirect or consequential loss) or for any personal injury suffered or sustained in connection with any prize/s except for any liability which cannot be excluded by law. The Promoter is not responsible for any incorrect or inaccurate information, either caused by entrant or for any of the equipment or programming associated with or utilised in this competition, or for any technical error, or any combination thereof that may occur in the course of the administration of this competition including any omission, interruption, deletion, defect, delay in operation or transmission, communications line or telephone, mobile or satellite network failure, theft or destruction or unauthorised access to or alteration of entries.
- The Promoter reserves the right in its sole discretion to disqualify any individual who the Promoter has reason to believe has breached any of these conditions, or engaged in any unlawful or other improper misconduct calculated to jeopardise the fair and proper conduct of the promotion. The Promoter's legal rights to recover damages or other compensation from such an offender are reserved.
- All entries become the property of the Promoter (with the exception of any intellectual property rights comprised therein). All opt-in entries will be entered into a database and The Promoter may use the entrant's names, addresses and telephone numbers for future promotional, marketing and publicity purposes in any media worldwide without notice and without any fee being paid unless otherwise advised by the entrant. By opting-in, entrants confirm that they allow their details to be used for this purpose. If entrants no longer consent to their details being used for future marketing purposes, the entrant should contact The Promoter on their details set out below. Any request to update, modify or delete the entrant's details should be directed to The Promoter.
- Entrants' personal information may be disclosed to State and Territory lottery departments and winners' names published as required under the relevant lottery legislation. For purposes of public statements and advertisements the Promoter will only publish the winner's surname, initial and state. A request to access, update or correct any information should be directed to the Promoter.
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Free Fight
"I'm not a Hollywood star. I'm a fighter, I know my style will please the crowd and company and I'm not going to change the things that are working well and that put me in the UFC.".
The 2009 plan for Amilcar 'The Terminator' Alves was very simple - an imminent retirement. With only one fight in the first quarter of the year that generated a submission victory with no buzz, he had nothing in the way of aspirations for the rest of the year.
So with the birth of his first child taking place, no fights with good paydays on the horizon and with the necessity to make money, Alves started thinking in-depth about putting his pro MMA career in the past prematurely to embark on a new journey.
"I was like, 'I have an 11-1 record, my last fight didn't even get published on the main MMA sites, why should I keep fighting?'" he said. "This search for explanations was harming my focus, my training, and my whole life, because I didn't have reasons to keep fighting if I didn't have rewards. And when I mean rewards I don't mean money, I mean chances. I forced guys to tap, knocked a few out and nothing was coming to me. At a certain point of my life I thought, 'man, I'm a loser - either I don't shine during my performances or my opponents were really cans.'"
He smiles, knowing that 2009 didn't end the way he expected it to. There was more to come for this Judo black belt and Nova Uniao member as the opportunity to avenge his lone defeat was knocking on his door. December 5th was a chance for redemption, followed by new opportunities for a revamped career if a victory favored him, right?
"No," he says, laughing. "Beating the guy who beat me at that point wasn't seen this way, but I thought that overcoming him would make my retirement peaceful and would end my career in great style. That victory would let me smile when I talked about my career and how I kicked asses, and not have to say, 'Hmm, I lost once, why I didn't fight him again?' With that said, what a well-planned retirement."
If his intention was retirement, its ending had the same speed of the knockout that he imposed on Fernando Paulon, the only man who beat him, in only 59 seconds. Because the accuracy of that knee not only sent his foe to the canvas unconscious, it stopped his plans of staying away from MMA.
"When they booked me against Paulon, first thing I put in my mind was 'don't take it as a rematch.' Why? Because imagine if I lost again, it would affect me deeply - the guy wouldn't be better than me just once, but on two different occasions, in the beginning and at the possible end of my career."
Ironically, he owes the second wind given to his career to Paulon.
"I owe to him what I'm enjoying now," he says. "Before facing him I trained hard, but had in my mind that I could smash him when I wanted to, that it would be easy. I learned that lesson the worst way possible, tapping several times to not sleep inside his choke (laughs).
"After that I was grounded, seeing MMA as MMA, two tough guys with 50% of a chance to beat each other. Defeats are part of the game, you just train more , respect your opponent and have less mistakes than him."
For a guy like Alves, with 25 years of experience in Judo, Muay Thai and Jiu-jitsu, and only four years in MMA, the combination of 'learning + lessons' were what motivated him. He saw his Olympic dream in Judo move away before his MMA career and as 2009 was a weird year for him, he opted for Muay Thai competitions while MMA matches didn't materialize, because the Andre Pederneiras pupil wanted to prove himself. And that opportunity arose in a Muay Thai Grand Prix, as Alves, the least experienced of eight competitors, had the chance to pick an opponent. But instead of pointing to the easiest one, he chose the toughest, who, later, became the champion.
"When I pointed the guy, my cornerman peeled his eyes (laughs) and said, 'are you insane?' No, no I'm not. Man, do you know how I started training MMA? No? Handling pads with Pedro Rizzo kicking and getting dizzy with the power. If you don't know much about Rizzo, ask Dan Severn or Randy Couture what the kicks of Rizzo are capable of (laughs). I started everything to be the best. The best in Judo didn't happen, but I tried my best. Muay Thai the same. If I'm training hard, why not face the best sooner than later? Okay, I lost by decision - that's not a shame, I tested myself and realized I could face anyone."
The well-spoken Alves is now inside the Octagon, where the best fighters are, and if testing himself against the best is his goal, he's finally home. When asked if he'll be a different fighter against his opponent at UFC 118 this weekend, Mike Pierce, Alves replies in the hilarious style that he's known for, but at the same time with the seriousness that the fight deserves.
"Look, I don't have to worry about it. I'm not a Hollywood star, one day who knows (laughs), that wants to be perfect in how I talk and how I act. I'm a fighter, I know my style will please the crowd and company and I'm not going to change the things that are working well and that put me in the UFC. Imagine if I'm fighting in a main event where people say, 'oh no! Alves is on the main card, he's boring, I won't buy it.' I'm more likely to be the man that everybody enjoying seeing.
"I respect Pierce, I know he's good, strong and has the experience of three UFC matches, but my style will be too much for him and this will be the first step of many to build a solid UFC stint."


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Footymad club forum
Footymad Forums offer you the chance to interact and discuss all things football with fellow fans from around the world, and share your views on footballing issues from the latest, breaking transfer rumours to the state of the game at international level and everything in between.
Whether your team is battling it out for the Premier League title or struggling for League survival, there's a forum for you!
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Potters & Sculptors - Making Rock from Mud
Low cost flat lapping disc can be used on you potters wheel if you, drill bat pin holes in it, and provide a trickle of water to cool it. At amazon.com, 120 grit for aggressive material removal. Click the image to purchase
Members have had great things to say about John Britt's new book, Mid-Range Glazes. Click the image to buy from Amazon.com
Purchase Glazes Cone 6 by Michael Bailey, The Potters Book of Glaze Recipes by Emmanuel Cooper, or Making Marks by Robin Hopper, all available at amazon.com. Mastering Cone 6 Glazes by John Hesselberth & Ron Roy is now out of print.
Harbor Freight is a great place to find unbeatable prices for better HVLP spray guns with stainless steel parts and serviceable economy models, as well as detail guns, all tested by our members for spraying glazes, as well as compressors to power the guns. As yet no one has tested and commented on the remarkably inexpensive air brushes at harbor freight.
The critter siphon gun is a spray alternative that is well liked by some of our members, and is available at amazon.
Amazon is also a competitive source for photo light tents for shooting professional quality pictures of your work. They also have the EZ Cube brand favored by several of our members. You might also want to purchase the book Photographing Arts, Crafts and Collectibles . . .
If you are up to creating videos of your work or techniques you might want to invest in a flip video camera
Following are a few scales useful for potters. Ohaus Triple Pro Mechanical Triple Beam Balance, 2610g x 0.1g, with Tare $169.00
And finally a low cost clone of the OHaus. The Adam Equipment TBB2610T Triple Beam Mechanical Balance With Tare Beam $99.62
ebay is a great alternative for many tools and the equipment used in the ceramics studio - kilns, wheels, extruders, slab rollers are often listed there both new and used.
If you just want to spout off, it is best accomplished as a blog posting. If you want to get more guidance and ideas from other members, ask a question as a new discussion topic. In the upper right corner of the lists for both types of posting, you will find an "+Add " button. Clicking it will open an editor where you create your posting. 4/16/2014
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Complete your living and bedroom set with Easy Buy
Finding your living room or bedroom set in one shop will save you time and money, and allow you to keep the same style of furniture throughout. Even if you don't have enough money to buy everything you need at once, you can spread the cost using our furniture pay weekly or furniture pay monthly options.
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You don't have to spread the cost as Easy Buy offers you the option to buy your furniture outright. We stock dining table and chair sets in a large variety of styles. From classical oak finished tables to contemporary underlit high gloss white finished tables with chairs to match, we have a set to match any decor. Your dining room will look fabulous with a set of a table and chairs.
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Once you have selected the furniture you want, we will deliver it within our catchment area from our furniture store in Hull. The best part of it is delivery and instalation is FREE! So you don't have to worry about squeezing it into the car, we will deliver it free of charge and place it in the room of your choice.


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"A model for impairment evaluation of the wrist due to the loss of wrist range of motion",
Proceedings of the 6th Annual International Conference on Industrial Engineering–Theory, Applications, and Practice (CD-ROM), 2001.
"Predicting peak pinch strength: artificial neural networks vs. regression",
International Journal of Industrial Ergonomics, vol. 18, no. 5: Elsevier, pp. 431–441, 1996.
"An artificial neural network (ANN)",
Advances in Industrial Ergonomics and Safety VII (Proceedings of the Tenth Annual International Industrial Ergonomics and Safety Conference): Taylor & Francis, pp. 577–584, 1995.


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Adeptcore, Inc. offers technology solutions to meet the needs of today's money managers
Accountants are some of the most important people associated with a business, even though many of them aren't employed by that business. Accountants are responsible for the collection, accuracy, analysis, recording, and presentation of a business' financial operation. While it doesn't take a lot of high tech business solutions to balance a ledger, the use of today's most dynamic cloud-based financial resources can present many benefits for accountants.
At face value, accountants use many of the same technologies that your administrative employees use. Various devices, productivity suites, cloud platforms, and security solutions are necessary to properly manage your business' money, and protect it from the inevitable problems caused by today's near-ubiquitous access to information. At Adeptcore, Inc., we offer a full cache of solutions that can be packaged to improve the efficiency, and security, of your accounting practice.
Managed Services for Accountants
We have expert IT professionals on staff who possess the technical expertise to find the right solutions for any of your IT needs.
At Adeptcore, Inc., we provide value through the dissemination of comprehensive technology support, proactive monitoring and maintenance, and other solutions that aim to help you build a more efficient business. Our expert technicians are not only trained in the industry's best practices, they also understand the role that data security plays for the modern business. In order to provide Illinois businesses the technology support they expect, we leverage some of today's best management solutions to ensure that your client's information is protected.
As of late, accountants have been inundated with new technologies.The modern accountant not only needs a strong foundation in accounting practices, they also need to understand how to work with today's information technology. At Adeptcore, Inc., our experienced technicians monitor and maintain an accountant's servers to ensure that their infrastructure and network are proactively protected and working optimally.
Cloud Computing for Accountants
Adeptcore, Inc. delivers cloud-based productivity, security, and communication solutions for accountants.
As the cloud continues to revolutionize business, accountants have to be mindful of how to properly leverage these exciting new technologies. One consideration that accountants need to make is: do the advantages of using cloud computing platforms, including colocated virtual environments, work for their purposes? The functionality accountants need is here, but it really depends on the expectations their client or clients have; and, if they are subject to outside regulations.
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Does cast-iron skillet cornbread, hot and crispy from the oven, transport you back to your grandma's kitchen? Do you cook with certain ingredients as a link to your roots in the South? If so, "A Spoken Dish" wants to hear your story.
The Southern Foodways Alliance is teaming up with Whole Foods Market and Georgia Organics in this video storytelling project as a way to celebrate and document food memories and rituals of the American South.
The goal is "to document the palate of a changing South," says A Spoken Dish producer Kate Medley. "We wanted to look at both how people cook and how they approach what lands on their supper table," Medley tells The Salt.
The answer to the question "What is your food identity?" Medley says, can reveal a lot about a person's history and values.
She describes the stories collected so far on the Spoken Dish website as "a patchwork quilt" of tales from all walks of life.
For instance, cattleman Will Harris shares his mama's egg bread recipe, a quick batter of egg, buttermilk, cornmeal and bacon grease (The recipe is below). The fourth-generation owner of White Oak Pastures in Bluffton, Ga., Harris says egg bread was served at most meals — "certainly if you had company," he says. Sometimes, egg bread and milk was the only food on the table.
"Greasy, flat, thick, moist. Just good stuff," Harris recalls. "If you weren't killing hogs or cows or chickens because there weren't any ready, and the vegetables weren't ready, you made egg bread."
Geno Lee of Jackson, Miss., tells how his grandfather used to host civil rights leaders at the Big Apple Inn in the 1950s and '60s. NAACP field secretary Medgar Evers' office was just above the café on Farrish Street, once the bustling center for African-American life in Mississippi's then-segregated capital city. Today, the Big Apple still serves pig-ear sandwiches, an old-fashioned delicacy found in pockets of the South.
Jennifer McCormick of Atlanta recalls going fishing with her grandfather. They'd go to Catfish Junction Lake armed with a giant tub of chicken livers for bait. After a day of fishing, they'd return home for a big catfish fry.
"But the grossest thing about the whole day to me was that my grandfather loved fried chicken livers," McCormick says. "So whatever bait we had leftover — that we'd been sticking our nasty hands in all day long — he would have my grandmother clean and fry up for him for dinner." She found that tradition "disgusting."
The tales are a model for the future, says John T. Edge, director of the Southern Foodways Alliance at the University of Mississippi. "It's difficult to balance the Web's want for short content with the SFA's want to deliver stories of substance about Southern food culture," Edge says.
With A Spoken Dish, Edge says, Kate Medley has accomplished "the perfect balance."
You can submit your own Southern food story through Facebook, Twitter or Instagram with the hashtag #aspokendish. But even if you're not Southern, we're curious: What's your food identity? Share your stories in the comments below.
An Egg Bread Recipe From Will Harris
Beat one egg just a little with a spoon.
1 ¼ cup buttermilk
1 cup cornmeal
1 teaspoon baking soda
1 tablespoon baking powder
3/4 tablespoon salt
1 tablespoon sugar
2 big tablespoons bacon grease
Pour into a black iron skillet.
Bake 15-20 minutes at 350 degrees.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Overall Rating | Silver - expired |
Overall Score | 60.61 |
Liaison | Roxane Beigel-Coryell |
Submission Date | June 30, 2011 |
Executive Letter | Download |
STARS v1.0
- ER-5: Sustainability Course Identification
- ER-6: Sustainability-Focused Courses
- ER-7: Sustainability-Related Courses
- ER-8: Sustainability Courses by Department
- ER-9: Sustainability Learning Outcomes
- ER-10: Undergraduate Program in Sustainability
- ER-11: Graduate Program in Sustainability
- ER-12: Sustainability Immersive Experience
- ER-13: Sustainability Literacy Assessment
- ER-14: Incentives for Developing Sustainability Courses
- OP-6: Food Purchasing
- Tier2-1: Trayless Dining
- Tier2-2: Vegan Dining
- Tier2-3: Trans-Fats
- Tier2-4: Guidelines for Franchisees
- Tier2-5: Pre-Consumer Food Waste Composting
- Tier2-6: Post-Consumer Food Waste Composting
- Tier2-7: Food Donation
- Tier2-8: Recycled Content Napkins
- Tier2-9: Reusable Mug Discounts
- Tier2-10: Reusable To-Go Containers
- OP-14: Campus Fleet
- OP-15: Student Commute Modal Split
- OP-16: Employee Commute Modal Split
- Tier2-1: Bicycle Sharing
- Tier2-2: Facilities for Bicyclists
- Tier2-3: Bicycle Plan
- Tier2-4: Mass Transit
- Tier2-5: Condensed Work Week
- Tier2-6: Telecommuting
- Tier2-7: Carpool Matching
- Tier2-8: Cash-out of Parking
- Tier2-9: Carpool Discount
- Tier2-10: Local Housing
- Tier2-11: Prohibiting Idling
- Tier2-12: Car Sharing
California State University, Channel Islands
Tier2-2: Socially Responsible Investment Policy
Status | Score | Responsible Party |
-- | 0.00 / 0.25 |
Coville Vice President Finance and Administration |
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AASEP welcomes manuscript submissions at any time. Authors are completely responsible for the factual accuracy of their contributions and neither the Editorial Board of JAASEP nor the American Academy of Special Education Professionals accepts any responsibility for the assertions and opinions of contributors. Authors are responsible for obtaining permission to quote lengthy excerpts from previously-published articles.
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Submission of Articles: Submissions should be forwarded by electronic mail to the Editor, Dr. George Giuliani at firstname.lastname@example.com


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This page provides you with It Intern resume samples to use to create your own resume with our easy-to-use resume builder. Below you'll find our how-to section that will guide you through each section of a It Intern resume.
To land the perfect job, you need the perfect resume. In today's crowded job market, it is more important than ever to stand out among the competition. When you write your resume, it is vital that you get everything right, from the organization of the template to the details of your work experience. To make sure your resume is flawless, here are some tips for writing the best resume possible.
Your resume should begin with your contact information. It is very important that potential employers, having read your resume, know how to contact you! At the top of your resume, include your name, phone number, email address, and city.
A personal summary, though optional, is a great way to introduce yourself to an employer with your resume. This section is comprised of one or two paragraphs where you can feature your notable accomplishments and highlight your most valuable skills. Your summary should give employers a brief outline of your experience and capabilities and intrigue them to keep reading.
Shorter than a work history section, in a skills section you can efficiently list your core competencies in a way that is direct and easy to read. Showcase the skills and abilities that you bring to the job, focussing on those which distinguish you from the competition. The more useful and unique your skills are, the more you will stand out to an employer.
Display your work experience in reverse-chronological order, beginning with your most recent position at the top of the section. Describe for each job your title, responsibilities, and accomplishments, with a focus on performance and results rather than duties. Use action words like 'developed, 'produced', and 'delivered' when describing your work history to create compelling and impactful descriptions of your experience. Highlighting quantifiable information, like performance metrics and revenue, is a great way to demonstrate your abilities.
Your education section should include the name of any post-secondary schools you attended, the degrees you earned, and any academic distinctions you achieved that you deem worth featuring. If they are particularly relevant, you can also include major areas of study and important projects that you participated in. Like the work experience section, your education should be displayed in reverse-chronological order.
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Churches have always provided guidance and comfort to their parishioners in times of need. In fact, beyond strictly spiritual concerns, churches traditionally have seen their mission as easing temporal suffering, helping where help is required and restoring dignity to men and women at pivotal points in their lives.
In this same way, Scientology ministers act to ease suffering and provide counsel and support to those in need, whether a member of their congregation or simply someone in the community who may need help. In fact, one cannot function as a Scientology minister without a genuine and overriding desire to help others, whether to ease current suffering or to help people advance up The Bridge.
Scientology ministers bring more than compassion and care to the needy—they bring a highly trained expertise in Scientology techniques that can resolve any problem at hand, no matter how insurmountable it may seem to the individual involved.
Beyond their own communities, Scientologists are actively involved in and support a variety of social betterment and social reform programs, many of which reach into communities around the globe. For a Scientologist, these activities are all part of recognizing one's responsibility for the improvement of life extends beyond himself, his own family, group and country but includes all of Mankind.
Ministerial services are important for any religion, but for individual Scientologists they take on special significance—it is by helping others that they help accomplish Scientology's goal of making this world a better place for everyone.


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Crazepony 4pcs 615 Coreless Motor Special Sauce Edition For Blade Inductrix Tiny Whoop
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Online encyclopedia Wikipedia has begun its annual pitch for donations to continue operating as an independent, non-profit information resource. Founder Jimmy Wales will once again ask those who visit the website to donate "to protect and sustain Wikipedia." This year, I encourage you to put this donation to a better use. Please use the money to buy books published by independent (indie) authors.
Wikipedia is biased against indie authors it considers "non-notable" unless their works are cited by "credible" sources. In general, it prefers traditional media and does not recognize citations from social media sites, blogs, writers' networks, self-publishing websites, or indie awards. Unless you are noted by select information resources, you're out of luck receiving recognition from Wikipedia.
Wikipedia also strongly discourages autobiographies. It prefers second- and third-hand sources, which it considers more accurate and objective than first-hand accounts, even though such sources may be biased. Whether the biographer has an ulterior motive or a conflict of interest is irrelevant. Wikipedia assumes that its system to evaluate biases in its articles is sufficient, although its view on autobiographies suggests that it is not robust enough to root out misstatements, factual errors, or embellishments regardless of source.
If you are an author with a publicist who writes an article about you linked to a source Wikipedia that considers credible, then welcome to the club. If you're a successful self-published indie author with an independent network, you're out of luck. You and your books are not eligible to be included in Wikipedia. Don't ask your friend to post your biography for you. Anonymous monitors who evaluate articles according to the site's self-determined criteria will delete you.
Most self-published authors do not qualify for Wikipedia profiles. This does a disservice to the many hard-working, established writers who have chosen to self-publish. The rapidly expanding self-publishing industry operates differently than traditional publishing, and indie authors are more apt to promote each other through social media, writers' circles, and independent networks than to wait for recognition from traditional media. Wikipedia's rules are better suited to the pre-Internet and pre-social media eras. Rather than adapting to changes in the publishing industry, it simply chooses to exclude most indie authors.
This year, please support independent authors. The money saved from not donating to Wikipedia will buy some great books and recognize outstanding authors.
Here are three independent author communities with thousands of books to choose from:
Thank you for your support.
The opinions expressed in this article represents solely the views of the author. Encyclopedia image courtesy of Microsoft; the indigo ribbon is public domain.
M.G. Edwards is a writer of books and stories in the mystery, thriller and science fiction-fantasy genres. He also writes travel adventures. He is author of Kilimanjaro: One Man's Quest to Go Over the Hill, a non-fiction account of his attempt to summit Mount Kilimanjaro, Africa's highest mountain, a collection of short stories called Real Dreams: Thirty Years of Short Stories and Alexander the Salamander, a children's story set in the Amazon. His books are available to purchase as an e-book and in print from Amazon.com and other booksellers. He lives in Bangkok, Thailand with his wife Jing and son Alex.
For more books or stories by M.G. Edwards, visit his web site at www.mgedwards.com or his blog, World Adventurers. Contact him at firstname.lastname@example.com, on Facebook, on Google+, or @m_g_edwards on Twitter.


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Cxx foreign function interface
[To do: link here from other pages?]
This page outlines the challenges involved in building a foreign function interface (FFI) from Haskell to C++ libraries, beyond the usual difficulties of FFI, and then describes some (possible) solutions to the difficulties presented by C++.
FFI Background
Understanding the FFI in general, and with respect to the C programming language in particular, is vital background for anyone wishing to build a Haskell interface to C++. The following pages provide background information:
Difficulties of Interfacing to C++
Foreign function interfaces (FFIs) from Haskell to C are well developed, but writing an FFI to a C++ library remains a difficult undertaking. In general, the Haskell FFI apparatus specifies how to call a function (not a method) using the "ccall" calling mechanism used for C programs. The FFI specification mentions, but does not require, an alternative calling mechanism for C++; no Haskell compiler has ever implemented this. Extra complications arise in interfacing to C++ libraries:
- A C++ program allows overloading, using the same function name with different argument lists. But at the binary level, each different version of the function must have its own name. The C++ compiler "mangles" the function names to differentiate them.
- A C++ program may have classes with constructors, destructors, and methods. These are, obviously, not quite the same as functions, and have no obvious counterpart in Haskell.
- Inheritance (maybe)
- Template functions, template classes, etc.
Building Interfaces to C++
- IO inside describes how to interface to a C++ library using the "export C" declaration (in C++) which makes it look like a C library. This seems to be the standard technique for bridging the gap between Haskell and C++.
- CPlusPlus from Haskell describes "the hard way" of interfacing to C++, using the mangled C++ names directly without using "export C". It also suggests the possibility of a more automated approach using gcc-xml.
- Hacanon automatically generates an FFI to C++ using Template Haskell, but its author has placed it "on hold" and sees some inherent flaws in using Template Haskell. (See David Himmelstrup, 2006, "About Lemmih", accessed 20 June 2009)
- Hacanon-light is a reduced form of Hacanon, but with the same problems involving Template Haskell. (See ibid.)
- ZeroTH (zeroth) fixes the problems of Hacanon and Hacanon-light. ZeroTH by itself only removes Template Haskell dependencies from Haskell programs; so, you could use either (Hacanon + ZeroTH) or (Hacanon-light + ZeroTH), but not ZeroTH by itself, to generate C++ bindings.
- fficxx ("eff fix"; repository) is an automatic haskell Foreign Function Interface (FFI) generator to C++.
- Hoppy generates bindings to C++ code from API descriptions written in Haskell, and supports exceptions, (limited) templates, callbacks, and garbage collection. Basic C++ standard library bindings are also included.
- SWIG (Simplified Wrapper and Interface Generator) can be used to connect C and C++ with many languages, such as Python, Tcl, Java, several versions of Lisp, and OCAML), but alas, not Haskell. Or at least not directly. But with MissingPy, which provides access to the Python interpreter, it might be possible to do this indirectly: first, make the C++ library accessible to Python (already done, in many cases), then, let your Haskell program use the Python interpreter to make calls into the C++ library. Maybe this is also possible with some other scripting languages.