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Friday, June 24, 2011
Your Second Storefront
I've argued that brands, name recognition, and fanbases aren't as important as we'd like to think they are. In short, the authors who are famous bestsellers right now might not be famous bestsellers in the near future. Rather than repeat the reasons why, you can read the argument here.
In the legacy world, the more books you had in print, the more you'd sell, because you took up a lot of shelf space (both in a single store, and in thousands of stores.)
But in a digital world, every ebook has one slot on the shelf. You can increase shelf space by having many ebooks, but there are only a handful of stores (Amazon, BN, Smashwords, iBookstores, Sony, Kobo, etc) rather than the thousands of bookstores and thousands of other stores that sell books.
This is a much more even playing field. And while I disagree that name authors lowering their ebook prices will hurt my sales much (at low prices, people buy more), I do recognize the importance of standing out among the millions of other titles.
It is easier to make a sale in a digital world, but there it is still a multi-tiered process.
1. A reader must discover that your book exists.
2. A reader must be compelled to look at it.
3. A reader makes a decision to buy it.
4. A reader makes a decision to read it, and then possibly buy your other titles.
The first point requires some heavy lifting on the part of the author, building buzz, networking, trying to get some awareness. But the author has some help. Amazon is leading the pack in making it easy to discover ebooks. Their bestseller lists (which have been supplemented with their new best rated lists) and the "customers who also bought" make it easier than ever to find things to buy.
Once a reader realizes a book exists, the author has to make a good impression. A great cover, great blurb, and professional formatting are all subtle indicators that this is a quality product.
Believe it or not, the size of the author's name on the cover can subconsciously signal that the author is important. But there are other indicators, too.
Star rating, and the number of reviews (along with what is said in the reviews) can help sell books. Here's an interview I did with BookRooster.com, which I recently used to some success, and which helps authors get reviews.
But once the ebook is bought (or the sample is downloaded) there is yet another hurdle to overcome. Just because the book is on a customer's ereader doesn't mean it has been read.
In fact, everyone with an ereader has a choice of where to get content. They can go to Amazon (or whatever store they shop at) and look for new ebooks. Or they can peruse the content they've already downloaded, either as a sample or as a full book.
This has some disadvantages, however. Unlike a print to-be-read pile, where a reader can look at what they bought, it isn't easy to read back jacket copy on an ebook.
This means that some ebooks or samples that have been downloaded get forgotten, and it is a minor hassle to figure out what the book is about.
If you own an ereader, no doubt you've looked through the dozens (hundreds?) of titles on your device and probably forgotten why you downloaded some of them.
Here's the easy fix. Instead of beginning an ebook with the copyright page (that should come at the very end--no one cares about reading that) your ebook should start with the same description that is on the product page. That will jog a reader's memory, and make it easy for them to decide whether or not to read that ebook or sample.
That simple trick (which I stole from Blake Crouch) will improve your chances at being read. Then, once you are read, there are some other tricks to use.
First, make sure you have a clickable bibliography, which allows readers to directly access your other content. But this bibliography should be more than just titles. It should also include the product description of the ebooks (if not for all, then for at least a few of them).
You can also have excerpts from your ebooks, and other writers' ebooks. Again with links.
In other words, you've turned a customer's ereader into your second storefront. They can still find you by browsing online, but as more people buy more and more ebooks, more and more browsing will be within the ereader.
Make it easy for these readers to read you and buy you.
76 comments:
- Bob Mayer said...
Good suggestions. I just emailed my business partner the link to your blog and said we have to do this with formatting. I hear the groan from New York.
Definitely have to look at ebook structure differently than print. Thanks. - 1:04 PM
- JA Konrath said...
I'm in the process of doing this with my ebooks as well.
Want to trade a few excepts, Bob? I've got a few technothrillers that cater tot he same audience as you. - 1:08 PM
- Moses Siregar III said...
Nice ideas, Joe. I like the product description up front.
Can I ask, how were your BookRooster reviews? What book or books have you sent to them? I'd love to see examples of some of their reviews before signing up with them, but they won't reveal any of their clients due to confidentiality (which I can understand). I'm wondering if the reviews are honest and legit. I'm not interested in cheap and easy 5-star reviews. - 1:08 PM
- RM Brand said...
That is brilliant! Thank you so much for sharing this tip.
- Katherine Owen said...
Your generosity with Indies is amazing. Love the idea. And, it's true, e-readers do forget the gist of the book they downloaded days later. You would think AMZN would be looking at this. I know there are charges for the doc size, but it would be interesting to include the back cover in an e-book as well. I'm going to play round with mine.
Katherine Owen
Author: Not To Us and Seeing Julia - 1:10 PM
- Phillip Thomas Duck said...
Great ideas! I will look to do all with my existing and upcoming books.
- Barry Eisler said...
Thank God we lost that cell phone connection. Otherwise I would get no writing done today. :D
- Moses Siregar III said...
Indie authors, here's a free opportunity for anyone who's interested in being part of a fun community (a kind of author collective) that will promote indie books, one author each month. Link.
On July 1st, we'll be choosing our first six books at random (you can still submit your book). At the end of July, we'll vote on which book will be the IndieAuthorRockstar.com (the site's not up yet) author of the month for August. We're also hoping that Joe will let us write a guest blog post about the site to help us feature our first rockstar. But I haven't asked him yet :D.
Please check out the above link for more info. - 1:22 PM
- Terry Odell said...
Good suggestions. Nothing more frustrating than finding samples that never even make it to the text.
I've started adding excerpts from the next book in the series to my e-books, and eliminated a lot of front matter, but not the copyright stuff or the acknowledgements. Starting with the blurb -- yes, hitting head on desk.
And those links can be quite an endeavor, because you don't want to link your B&N books to the Kindle store. I shall try setting up a master document to add to each version of my books.
Terry's Place
Romance with a Twist--of Mystery - 1:26 PM
- SBJones said...
I like the idea of putting the copyright page at the end. And having the back page blurb up front.
- Alfred Poor said...
Excellent! Your posts are great, but this one is gold. And the tip about rethinking "front matter" for ebooks is terrific. Thanks!
Alfred Poor
Desktop Wings - 1:36 PM
- Jeff Faria said...
"In short, the authors who are famous bestsellers right now might not be famous bestsellers in the near future."
Do you have any particular authors who you feel are vulnerable this way? Just curious. - 1:37 PM
- Christopher Hudson said...
I could individually call the people who downloaded my books and remind them what they were about.
(Eric – still can't use my blogger account to post)
As an alternative might I suggest that you can also just make sure in the formatting that the copyright page just be not marked as the beginning of the book. Like the table to content page, which is before everything else but the e-readers jump straight over it, the copyright page can be treated the same way. Using this method the copyright info is at the front of the book and will be downloaded with all samples, but a person would have to click back to it in order to read it.
I would also agree to make sure that there are hotlinks to websites, blogs and all of the other media at the front so that people can the author and their other works. - 1:42 PM
- Kate Madison, YA author said...
What a great idea! I've bookmarked this posting.
Kate - 1:45 PM
- Anne-Mhairi Simpson said...
This is such a brilliant idea. One of those 'so simple anyone could have thought of it, but obviously they don't' ideas. It's things like this that make me glad I haven't published yet so that I'm not in the position of looking back and then slamming my face into a wall with a groan of despair at the opportunities wasted through the things I haven't done...
The industry standard is to have the title page near the front. A book that doesn't follow the typical format will look weird and scream amateur. If you want to sell like the pros, look like the pros.
- Joel Arnold said...
Great idea. I'll have to do a little reformatting this next week! Thanks for the suggestion.
Joel Arnold - 2:15 PM
- J.T. said...
Great idea to move the copyright page to the end.
The Guardian has a good article on epub today. It mentions two authors that listed "the full title of their ebook on Amazon as Catch Your Death (for fans of Dan Brown and Stieg Larsson). This catapulted the book to the top of searches – and in fact, says Voss, it was so successful that Amazon decided to remove the "subtitle", in an attempt to block self-publishers looking to market their work in a similar way. "
Probably won't work again but a great example of thinking outside the covers.
http://www.guardian.co.uk/books/2011/jun/24/self-publishing - 2:20 PM
- Jen Talty said...
Some really excellent ideas here. As Bob Mayer's business partner, I am groaning...while we do some of this, I realize we can do this even better, which means...groan.
- Douglas Dorow said...
Joe, you're always thinking. Thanks for sharing your thoughts.
Putting the blurb in the front to trigger the reader who has an ereader full of books they bought is fantastic.
I recently published my thriller, but may need to repub to stick the blurb in. The Copyright is already in the back.
I'm looking for other indie thriller writers to share excerpts so my readers can find something else to read while they're waiting for my second book!
Ninth District - kindle
Ninth District - nook
blog - Thrillers R Us
Douglas Dorow - Facebook
Twitter @DougDorow - 2:24 PM
- John French said...
Interesting stuff. I've been following your blog for a while now and have been holding back one comment. I'll try here.
You know, I don't think being a successful professional writer is something you can really plan, although it is something you can try. What your blog shows in a compelling way is that the digital age makes it much easier for a self-pubbed author to try at being a full-time writer -- and then succeed, when a couple of things are done right.
What this new era of self-pubbing entails, however, is that the process itself of publishing a book is now at everyone's fingertips. And that's where this blows my mind.
I've always felt I'd love being a writer, but I've made other life choices (I also love other things, you know!). Still, there's this book I've always wanted to write. It's been writing itself in my head for a couple of years now. However, the legacy publishing part of it has always tempered my enthusiasm. The submission process, the wait, etc. Rejections are fine, by the way, they are part of life, but when it takes so much time and effort to get a book to the store shelves, I hated the idea more than I feared it. And I know firsthand how publishers can be in academia, so I've always imagined them at least as bad in the world of fiction publishing.
And now, ever since I found your blog, I'm totally obsessed with the idea that I can in fact do it on my own. In just about every way, from formatting to building a website for my ebook, and (at least) trying to build a community around it, and fan pages, and stuff. All the little things to engage with readers, in cool, and free and efficient ways. I so much want to do it (because I have the tech skills), it hurts.
So, honestly, I don't care much about money figures and all that. Your blog seems to be a lot about the profitability of the ebook venture, and the markets, and so on. This is interesting, of course. A modest return on time investment would also be nice for me, but I'm not looking for a new career here. I just want to write one goddamn book and distribute it.
And you've shown me there's truly nothing stopping me now. And for that, I'm very grateful. So, erm, thanks for your blog! :) - 2:36 PM
- Derrek said...
Excellent post as usual Joe. Thank you for sharing your great ideas--they really are invaluable.
I think you really hit the nail on the head with the part about readers forgetting why they downloaded a sample. I know that I do that all the time as a reader--I'll grab a bunch of samples of books that look interesting while I'm browsing, but then forget about 'em for awhile. That might be another reason why a lot of authors have slow starts for a few months and then suddenly sell a bunch of books--it took awhile for people to read their book and once they did, they started spreading the word from there. - 2:44 PM
- This comment has been removed by the author.
- everett peacock said...
I personally like seeing the cover initially, but your suggestion of a blurb brings to mind a hybrid idea:
a splash page that has both cover and blurb, like a webpage might.
of course the main cover will still be available, author image and even back cover image.
also, love the copyright stuff in the back, but also in the back a bibliography page.
good stuff, loving your blog - 2:57 PM
- Michael E. Walston said...
That's excellent advice, sir! Product description up front. Gotcha.
Thanks for that.
I'd still like to have some sort of "please don't read this if you din't pay" for it thingy on there, but maybe I need to get over that... - 2:59 PM
- Eloheim and Veronica said...
I like when an ebook starts with the cover and goes from there. The blurb would be an AWESOME addition to the very beginning as I have lost track of some of my samples in just the way you describe.
Thanks for the idea!
The Choice for Consciousness: Tools for Conscious Living, Vol. 1
The Homo Spiritus Sessions, Vol. 1-7 - 3:06 PM
- Douglas Dorow said...
Hope the travels are going well:)
I think the idea of just the book blurb up front with other titles, reviews, links etc at the end is a good change.
I think people remember the cover and the blurb for the book they bought and seeing this quickly as they page through their to be read lists on their ereaders may get them to stop at yours. Which gets it read, which gets them to the end of the book for your other info and excerpts and which may get you a review, if they take the time to do that. - 3:07 PM
- Jacklyn Cornwell said...
So, the copyright page doesn't have to go in the front of the book? That makes a difference. I'll give it a try. Good thing I can just upload the book to Amazon without too much problem. Great tip, Joe.
- Katherine Owen said...
On my Kindle it never shows the cover first even though they are there. I have to navigate to the "go to" bar and click on "cover". Weird. The copyright page to the back would probably be fine (Zoe Winters recommends this in her book on self-publishing). A blurb page up front would remind the reader what the book is about as Joe is saying. I can tell you right now (as a new Kindle owner of ten days; I've read three NF books and three fiction) that I miss the colored book cover which serves as an association to the e-book I bought online, but a blurb (back cover) up front would be helpful, just like the inside flap jacket of the hard cover and a link to author's website or blog would be another way to capture the reader's attention.
To anonymous at 2:11PM
I don't think anyone is talking about eliminating the title page. I actually did a different one in grey and white specifically to suit the Kindle. Also, I matched most of what the pros did (used to do) from a print standpoint (drop caps et al), but e-books look different and Indies can help in some ways to set a new standard to enhance the reading experience. IMHO.
Like it!
Katherine Owen
Author of: Not To Us and Seeing Julia - 3:23 PM
- John G. Hartness said...
I've had good success swapping excerpts with other authors in the back of my books. You can see from my "also-boughts" that Derek Canyon and I have a lot of crossover now, and we didn't have any before we swapped blurbs.
Nice post, Joe. - 3:41 PM
- Edward M. Grant said...
I've had good success swapping excerpts with other authors in the back of my books.
I can definitely say I've bought more ebooks based on included excerpts and/or blurbs in ebooks that I'd previously read than any other source. If I liked the book I just read and see a blurb for a similar type of book at the end which looks interesting, I'll at least read the sample pages. - 3:53 PM
The travels are going wonderful. In Denmark for another few weeks and then to Spain or Cyprus.
About my previous comment...I misread the post. I thought Konrath was suggesting we have our list of titles at the front in place of the copyright page.
After reading your reply to me Douglas, and then re-reading the post I agree that having the product description is a fabulous idea to remind the reader why it's on their e-reader in the first place.
I'm sure many people purchase titles and get to them months later, leaving them vulnerable to wondering why they'd bought the title in the first place. It could happen and a suggestion like this would counter that.
Or, as the post suggests, doing it this way could inspire the reader to take on your title sooner than another.
Thanks for pointing things out Douglas and have a great weekend.
Jonas Saul - 3:56 PM
- Marsha Canham said...
Great ideas. That came with a little groan as I've already uploaded some files two or three times adding other "great ideas" from other sources LOL.
My ereader, however, opens on page one of chapter one, skipping the copyright and TOC entirely. - 4:04 PM
- Jack Badelaire said...
I tried to do exactly this with my recent e-zine, HATCHET FORCE JOURNAL. I put links to the
Excellent advice.
Amazon ebook page of each excerpt, and links to the blog/website of each contributor. When I mentioned another review I wrote, I put in a link to that review on my blog, and for the movie review, I put in a link to the IMDb page.
E-books aren't just books, they are dynamic content, and the more you take advantage of that, the more your readers get their money's worth. - 4:13 PM
- Jack Badelaire said...
"Excellent advice" was supposed to go up top...whoops. That's embarrassing.
As for the copyright page, another good idea. Title page first still makes sense to me, but putting a little descriptive copy up front will be important if you buy a lot of the same sorts of genre books.
I noticed in my own free sample that it didn't even make it to the end of the Editor's Note. - 4:26 PM
- Peggy Ireland said...
I second Marsha's comment. :) But will definitely be using this idea from now on with all my writers, and all the books I layout.
Thanks Joe, great ideas as always. - 4:37 PM
- J.R. Pearse Nelson said...
This is such helpful information, I'm going to link to it on my blog tonight, under the title Konrath the Godsend. It's a title I may be using again and again.
These are really great ideas. I've considered adding excerpts from other authors, and I've even considered adding links to where to find great indie music (I'm from Portland, what can I say?). But I'd never considered adding the product description and it is absolutely brilliant! - 4:38 PM
- Peggy Ireland said...
I second Marsha's comment. :) But will definitely be using this idea from now on with all my writers, and all the books I layout.
Thanks Joe, great ideas as always. - 4:39 PM
- Sariah Wilson said...
Maybe it has to do with Kindle configuration, but all of my Kindle books start at Chapter 1. I never see a title page or cover or copyright info - and I buy both indie and trad books.
- TK Kenyon said...
What a great idea! From now on, and with every update, I'll think about my books as the "second storefront."
So smart.
TK Kenyon
You can receive writing prompts daily, "Like" us on Facebook: Dr. Kenyon's Writing Apple or subscribe to the RSS/Atom feed at Blog: Dr. Kenyon's Writing Apple Blogspot . - 4:57 PM
Great post, Joe.
I actually came up with this idea myself about three weeks ago, but no one gets a prize for being slow! ;-)
And it's thinking as a reader that put me on to it. Too many ebooks downloaded that I've now forgotten the blurbs for and 'wouldn't it be great if the blurb was at the start of the book... er... so why aren't MY blurbs at the start of MY books? Duh!!!'
Had it planned for my fourth title, coming out next week.
I love the idea of hyperlinking the 'Also by' titles and even putting short blurbs with them.
I've been trying to also place the cover image with each one and hyperlink that too, but the standard cover image size seems to be too big and they don't appear, so I'm about to experiment with smaller sizes till they look right... unless anyone else has tried it already and knows the ideal size????
And maybe not only the standard cover image but an image that's a full page ad, containing the book's image with tagline and some review quotes.
Just need to get the ideal image size to make it work.
I think it would be great to reach the end of a book and then see a series of visual ad pages for other books.
And hey, not just your own, maybe let out some space to other authors too?
My brain is buzzing now...
Andy Conway
Publishing 11 titles before 11.11.11 on Amazon and Smashwords : 3 down, 8 to go
The Very Thought of You, a timeslip ghost story, out now... - 5:18 PM
Awesome advice as usual. I never thought of putting the synopsis in the beginning , but that makes sense. On a normal paperback, I read the synopsis on the back to refresh my interest in a book. Just makes sense.
- Jude Hardin said...
Great idea, Joe! Also, one of the things John Locke recommends in HOW I SOLD 1 MILLION EBOOKS IN 5 MONTHS is to include a link to your website at the beginning and end of each book.
- Emeline Danvers said...
What do you suggest we do about this problem:
I've noticed with my Kindle that when I open a book, it automatically opens to the first page of the actual story. With my nook, it usually opens to the front cover. So when reading on a Kindle, unless I remember to go back and check the first few pages of the book, I will miss anything before the first story page.
Is there a way for us as authors to set it to open to the cover? There are some things I'd like to put at the front of the book (like the blurb, as you suggested) but if most books are read on Kindle, and Kindle skips ahead, then most people will never see it. Any suggestions?
Emeline Danvers
www.emelinedanvers.com - 5:46 PM
- Walter Knight said...
The back of my latest book, "Vampire in the Outfield," has sample chapters to nine of my other books, and two other authors' books. I have done this before with positive results for the advertised titles.
It's like starting our own online book store. - 6:37 PM
- Unknown said...
I'm actually quite surprised at how simple these ideas seem in hindsight, Joe.
I would have never in my life even thought of doing something like putting a blurb in the front and the copyright in the back.
It makes me wonder what other small things self-published writers could do to improve the experience for readers that no one has thought of yet. - 6:53 PM
- Ellen O'Connell said...
I have since the beginning had my Kindle books open to the book description - because as a reader I wanted that description in my ebooks. I also put everything else, including the T/C at the back because I wanted to maximize the story available in the Sample.
I format my own Kindle books using MobiCreator, and you can format and dictate where the book opens and what happens on a "Go To" Table of Contents (or Beginning) for Kindle.
However, I never thought of the other suggestions such as making the list of Other Books by Author clickable or including a short description of those books.
Great ideas. Thanks, Joe.
Ellen O'Connell
www.oconnellauthor.com - 7:02 PM
- Rob Cornell said...
Dang. Great idea. Guess I'll be making more updates to my books.
An indie's work is never done. :)
Rob Cornell
Author of Darker Things
Let the world you know meet the world you don't. - 7:57 PM
- rick nau said...
Synopsis in the front seat? Great idea. I'm going to start doing this.
Copyright in the trunk? Works great. I've been placing the copyright notice at the end of our books since the beginning and have gotten no complaints.
Rick Nau
Dancing Pen Books
Author: The Ruby Float - 8:24 PM
- MBoyd said...
This is why you rock. I am so doing this. Thank you.
A few disliked the idea of putting the book blurb inside the cover, and I can understand why it might throw some readers. Breaking with tradition causes confusion. Let me suggest a tweak that makes for an easy way to transition from the old way to the new.
Remember that on paper books the book's description usually goes on the dust jacket or the back cover. So keep the "back cover/dust jacket" concept by running your cover art onto the page after the cover and write your description and author bio there. The third page, then, is chapter one (i.e., the first page of the sample). - 11:24 PM
- J.A. Marlow said...
Except Smashwords, who insist that the copyright goes in the front. I had a book refused Premium Distribution because of it, even though I had the Smashwords license at the beginning.
To get the stupid reviewer to stop looking at the larger copyright at the end of the book, I had to put it under and "Appendum" and not CALL it a copyright.
So very frustrating. Putting a full copyright at the beginning of a book takes up too much valuable real-estate.
Into the Forest Shadows: A planet-wide conspiracy is waiting at Grandmother's House... - 1:05 AM
This is a great post, Joe. One I will save in my files of ideas.
One key point you make is getting the novel/author noticed by the reader, being the first step.
You focus on pre-published authors on this thread. For Newbies, I'd say this 'getting noticed' step is the most difficult of all (as in a sense, it has always been).
I know people who have reasonable novels, good blogs, websites, on goodreads, etc - yet aren't really being noticed. One person has joined a group of newbie enovelists and has seen a slight increase in sales but not much.
You have mentioned Estributors before, Joe. In recent posts I've suggested that moderately selling Eauthors could take on a newbie's novel and publish it under their joint names. The advantage to the moderately selling author is that they have more product (which they didn't have to do any writing for) and you have often said more product is good. They also have more chance of earning revenue. In return, they have put their name to a novel they like, written by someone else. They have given that someone else, a newbie, marketing oxygen.
Returning to your estributor idea, Joe. What better marketing technique could they use for newbie writers, than to have a database of moderate Enovel sellers who wish to be paired with a newbie's novel in a similar genre? The Estributor would then have a similar selling role as the agent of today, but rather than promote to publishers, he would promote to EXISTING Eauthors.
I think this would only work with newbie authors (have novel, need legup in marketing) and moderate selling Enovelists (sale some novels but not huge amount, and could really use more decent product with high royalty share, for free).
The interesting thing is, no one has really commented on my suggestion - it's as if those that get any sort of known name as authors are somehow reluctant to share the fanbase which allows them to sale 200+ novels a month in exchange for a free novel product at high royalties.
I'm not sure if there is something of a 'treasure of the sierra madra' mindset to those that start selling ;-)
... or whether they just don't
see themselves in a role that is more publisher than author.
[unpublished newbie realgoodbookstoread@gmail ] - 3:53 AM
Great post Joe, one to bookmark.
For a newbie the most tricky part must be (I quote)
1. A reader must discover that your book exists.
Where do readers go to look for great new enovels? To existing enovelists they like - You for instance Joe.
Enovelists could be the new Estributors too?
email@example.com - 4:07 AM
Old model for agents who accepted submissions from unpublished authors:
Read from slush pile - send gem to publisher
Next model for agents accepting submissions from unpublished authors?
Read from slush pile - find gem - notify existing Eauthor of compatible novel and suggest that author take the novel on under joint-name deal so that existing author has free product, and new author has great marketing start.
For non-gem novels, agent suggests pure self-publish in standard reply - given names of companies that do edit, cover, upload etc at good price.
[ email@example.com ] - 4:22 AM
- Russell Brooks said...
What great ideas. I'm going to try these out with my next novel.
Russell Brooks
Author of Pandora's Succession - 5:41 AM
Thanks for the good ideas Joe (and Barry).
I was thinking your title should be 'Papa Joe'. If Hemingway was the father of the last era the certainly you are the father of this one.
Josie - 6:35 AM
- Melissa F. Miller said...
As an author, I see merit in these ideas. As a reader, I really hope folks don't overdo it and load up their front matter with marketing stuff. I'm a sampler, and if the bulk of the sample is just links to the author's other books and a description of the book (and I believe John Locke advises reprinting reviews in the front matter, too), then I'm not going to get enough actual book in the sample to decide if I want to buy.
Just something to keep in mind while everyone's busy retooling their books today. ;) - 6:43 AM
Great bit of advice. Thanks for taking the time to share it.
- Sean McCartney said...
As a YA author won't it be more difficult for your auidence to find you if they don't have an ereader? I would think you'd need to do ads or some other promotion.
Sean McCartney
The Treasure Hunters Club - 7:28 AM
Great advice! Although I'm not too good with some of this stuff, so the clickable bibliography will pose a challange, but I'll get it done somehow. I'm glad to get this recommendation now, seeing as how I'm going to be publishing my first e-book in 2 weeks. Thank you. When I'm successful (I say when, not if), I hope to help authors like you do...pay it forward.
- Sean McCartney said...
Can the set-up of an ebook be done by the author or is it better to hire someone out?
Sean McCartney
The Treasure Hunters Club - 9:57 AM
I think links to other books by the author are definitely end material, not to be front loaded.
Personally, it would kill me to place the copyright notice at the end, not the beginning, because that's where I've seen it my whole reading life, but I think we're all going to get used to the structure of books changing.
Andy Conway
Publishing 11 titles before 11.11.11 on Amazon and Smashwords : 3 down, 8 to go
The Very Thought of You, a timeslip ghost story, out now... - 10:33 AM
- Karen Woodward said...
Great tip, Joe. Thanks!
@John French
Your story is inspiring. I hope you do write and publish your book, and let us know when it's up for sale! - 3:02 PM
- Donna Ball said...
For those worried about cluttering up your book with front matter, here is how I've always done it:
Page 1-- Title and author, space down, copyright statement
Page 2--Pull quotes from reviews that describe the book. For example, "Donna Ball knows the Smoky Mountains, knows dogs and knows how to write a page-turner" might remind someone that this book is a dog mystery set in the Smokies. If I don't have good quotes, I sometimes use an excerpt here from a particularly gripping part of the novel, like they used to do in the paperback originals. From now on I will definitely be using an abbreviated (3 sentence) product description. Great idea! But this is still just page 2.
Page 3--Chapter One
After the last page of the novel I always include a page that begins. "Don't miss the other great books in this series" or "If you enjoyed this book, you may alsio like..." with hyperlinks and 1 paragraph descriptions of all my other books. This is the single most important piece of promotion I do, and I owe the vast majority of my sales to this one thing.
Great post, Joe. Thanks as always. - 7:43 PM
- Duane Spurlock said...
Great ideas! Thanks for sharing.
- Http://kshoop.com said...
Fantastic advice! Now I just need to figure out how to do it all!
The Last Letter - 9:05 PM
- Lisa Toppin said...
Thank you for the great tip. I'm just getting started, but I will be doing this with everything I put out. Wow!
- Thea Atkinson said...
fantastic idea! I had started putting a chapter at the end of each novel, but hadn't added the blurb at the top. I spent the whole day updating my novels to add these ideas consistently.
thanks for a great blog and your generosity - 1:36 PM
- Lee McAulay said...
Good ideas, Joe. I like your idea of adding the blurb at the start.
I realised quite quickly that if the first 10% of a download was my copyright page, readers wouldn't have much of the actual story to sample. I put a brief summary copyright in my opening paragraphs and a full copyright notice at the end.
Aslo... Add Smashwords coupons to the text at the end so that readers who buy a short story can get the money off the collection where the short is featured. Links to your blog, links to appropriate reference material, sources of inspiration, cartoons, music that you listened to when writing the story - the list goes on.
In the gaming world they're called Easter Eggs (and you have to hunt for them). In music, it was the vinyl LPs with secret messages in the outplay groove, and picture discs, gatefold sleeves, inserts with artwork and lyrics.
This is going to be so much fun... - 4:55 PM
- Judd Exley said...
Sometimes, I wonder if you're too fkn brilliant for your own good.
This probably has more to do with the fact that we've never sat down with a beer together.
Awesome stuff, as always mate, and yet another arrow in the quiver of the e-pubber that's seeking a bullseye. - 7:23 AM
- Craig said...
Amazon is yanking review services that are not Kirkus. Just started. I wonder if this service is having the same problem and why they are doing it???
In the legacy world, the more books you had in print, the more you'd sell, because you took up a lot of shelf space (both in a single store, and in thousands of stores.)
Yet another unsupported opinion. Keep 'em coming! - 1:41 PM
- NavyThriller said...
More great advice, Joe. I'm adding book descriptions at the front of my ebooks now.
- Coral said...
I was skeptical about BookRooster, so since I'm a book reviewer, I went undercover there and here's what's happened so far.
http://alchemyofscrawl.blogspot.com/2011/07/bookrooster-update.html - 11:51 AM


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This is the best Udemy ESD – An Analog Design Viewpoint coupon code discount for 2024.
So if you're interested in Phillip Allen's "ESD – An Analog Design Viewpoint" course, which will help you increase your Design skills, get your discount on this Udemy online course up above while it's still available. (The coupon code will be instantly applied.)
ESD – An Analog Design Viewpoint review for 2024
In our review of this course, we try to help you answer all of your most important questions about ESD – An Analog Design Viewpoint as quickly and efficiently as possible, so that you can determine whether this online education training is worth your time and money.
Feel free to jump to whatever question you want answered the most.
Here's what you'll learn:
Why use E-AADV as an abbreviation of the course name?
During our ESD – An Analog Design Viewpoint course review, you might sometimes see us refer to it as E-AADV for the following 2 reasons:
- We created the acronym by taking the first letter of every word (which was very ingenious and innovative, we know)
- We're lazy and E-AADV is simpler and easier for reviewing purposes
The full course name is 32 characters long, including blanks, while E-AADV is 6 characters long.
You do the math.
Okay, we'll do the math. We're saving 26 characters every time we use E-AADV.
So, just a heads up that we'll be using this abbreviation sometimes, so you're not left scratching your head and wondering what the heck we're talking about whenever we refer to E-AADV throughout the remainder of this review.
Is the ESD – An Analog Design Viewpoint course for you?
To determine whether Phillip Allen's Udemy course is a good fit for you or not, ask yourself the following questions down below.
The more you answer "yes" to each question, the more likely it is that you'll like this course.
Can you understand what Phillip Allen's course is about in 30 seconds or less?
Hopefully, you can easily grasp in 10 seconds or less what this online course is about simply by taking a look at the title that Phillip Allen chose for the course, "ESD – An Analog Design Viewpoint", as well as its subtitle: "How to apply ESD protection to analog/mixed signal ICs".
This combo of title and subtitle should be enough to communicate the purpose of the training if Phillip Allen is a good, clear communicator (which, of course, you want in a teacher).
In our opinion, if you still don't know what E-AADV is about after looking at these two things, then this is a red flag, and you might be better off not taking this class.
Among other things, it means Phillip Allen hasn't clearly and accurately conveyed what the course is about and might not be the best teacher for you.
For similar reasons, it's important that you're able to clearly understand what ESD – An Analog Design Viewpoint is all about from the first few lines of the course description.
So take just a few seconds to read the opening lines down below and see what you think of them.
Opening lines of Phillip Allen's official description of E-AADV
The objective of this course is to understand how to efficiently and accurately apply ESD protection from an analog/mixed signal IC designers viewpoint. The approach will be to understand ESD protection cells, understand ESD influence on circuit components, apply a co-design approach to combining ESD protection with analog/mixed signal circuits, understand the physical aspects of ICs on ESD, and to avoid common mistakes in ESD protection.
The terminology used in this course is that found in analog and mixed-signal IC design practice. An understanding of integrated circuit components; transistors, resistors, capacitors, etc., is assumed.
The course consist of 16 lectures with a quiz following each lecture. The course will take approximately 10 hours to complete including the quizzes.
(Read more about this course on the official course page.)
Does E-AADV pass the 30 Seconds Test?
You can read a lot more about ESD – An Analog Design Viewpoint on the official course page on Udemy, but the point is this: are the title, subtitle, and just the first few lines of the description enough to help you understand what the course is about?
If so, Phillip Allen has done a good job and can be considered more trustworthy and a good communicator, which are important qualities for any teacher.
And, if not, maybe you're better off looking at other Design classes that are more clearly defined and more tailored to your specific interests.
Did ESD – An Analog Design Viewpoint appeal to you in 30 seconds or less?
Now that you've done the 30 Second Test with E-AADV above, what is your gut reaction to this Design course with only the basic information of its title, subtitle, and the first few opening lines of its official course summary?
Did Phillip Allen do a good job conveying its subject matter, and did it immediately get your attention and appeal to you?
If so, Phillip Allen's online course is certainly worth considering some more.
But if not, perhaps it's in your best interest to consider some other Design courses instead, because clear communication and being able to hook and maintain your interest are two very important qualities for your online learning success.
Does Phillip Allen sound like a course instructor you'd like to learn from?
You've already learned how to use The 30 Second Test to make a quick evaluation of whether the E-AADV course is worth taking.
We have a similar 15 Second Bio Test where you read only the first few lines of an instructor's background — in this case, Phillip Allen's background — and then you make a quick, snap judgment as to whether you think the instructor would be ideal for you.
There is no right or wrong answer. It's just about going with your gut instinct. What might appeal to one potential student might alienate another, and vice versa.
(FYI, all Udemy instructors, including Phillip Allen, have a Udemy profile on their course page, so you can easily check for a bio and background on the Udemy website that way. We're only including the first few lines of the bio down below for The 15 Second Bio Test).
Opening lines from Phillip Allen's Udemy bio
Phillip Allen received his PhD in electrical engineering from the University of Kansas in 1970. He retired from the School of Electrical Engineering at Georgia Institute of Technology as Professor Emeritus in 2005.
(Learn more about this instructor on the official course page.)
What did you think about Phillip Allen after reading just the first few lines of the bio above?
After reading just the first few lines about Phillip Allen, did it make you more or less interested in taking the E-AADV course?
And did it make you feel like Phillip Allen was more or less credible and qualified to teach ESD – An Analog Design Viewpoint?
Finally, overall, did you feel like you'd receive the proper training from the instructor of this Design course?
As always, we encourage you to listen to your gut instinct, which is different for every student.
Are the E-AADV lessons clear, specific, and organized well?
Part of the (good) problem with Udemy's online courses, such as the ESD – An Analog Design Viewpoint course, is that the instructors are constantly updating them, including adding and renaming lessons.
So it makes no sense whatsoever for us to list out all the modules and lessons in the E-AADV course here, because you can just as easily go to the Udemy course page and get all the up to date course structure as of right now.
We do, however, have some tips about reviewing Phillip Allen's course structure, so that you can get a better sense of whether this program is worth your time or not.
In a nutshell, you want to scan the the titles of the different sections and lessons of the course, and verify that they are clearly relevant to the course's name, ESD – An Analog Design Viewpoint, as well as the course's subtitle, How to apply ESD protection to analog/mixed signal ICs.
If the section names and lessons are clear, specific, and relevant, then it's a good sign that E-AADV is potentially a good, useful course for you, and you can have more confidence in Phillip Allen's teaching abilities and lesson planning.
On the other hand, if the module names are confusing, vague, or irrelevant, then this is a red flag, which might indicate that the program is worth skipping.
Have you taken some free lessons from Phillip Allen that you enjoyed?
Have you already learned something from Phillip Allen that you valued or enjoyed?
For example, does the ESD – An Analog Design Viewpoint training have some free lessons that you can try? (Almost all Udemy instructors will give you at least one or two lessons for free to help you make a better, more informed decision before enrolling in their course.)
But if you weren't able to get any E-AADV lessons for free, have you perhaps watched a YouTube video by Phillip Allen, or perhaps come across this instructor's thoughts on Quora, Facebook, LinkedIn, Github, Reddit, or some other platform?
Or have you perhaps even taken one of Phillip Allen's free courses or free webinars? (Many online teachers offer these freebies, which is a great way to get to know them and evaluate their teaching methods before buying one of their courses.)
In any case, the more familiar you are with Phillip Allen's teaching methods, and the more you enjoy them, the more likely it is that ESD – An Analog Design Viewpoint will be a good fit for you.
(P.S.: We strongly encourage you to seek out some free instruction from Phillip Allen before purchasing this course, since it's one of the best ways to determine whether E-AADV will be helpful for you.)
Are "ESD – An Analog Design Viewpoint" reviews generally positive?
On the bottom of the E-AADV page, you can read student reviews of the class.
Prior to July 25, 2024, there were 584 students enrolled, 195 reviews / ratings, and it was overall rated 4.7 out of 5.
Obviously, the more highly other students rate E-AADV the better, but no matter what, keep an open mind when reading the reviews, since you might still like a course a great deal that other students dislike.
After all, everyone's got their own opinion.
We recommend that you spend only a couple minutes scanning the E-AADV reviews to get an overall sense of them. You don't have to read each one!
Is Phillip Allen responsive to student questions in the E-AADV training?
You can see what other students have to say about this in their E-AADV reviews.
But, our simple all time favorite way of gauging an instructor's responsiveness is to simply email the instructor and see if or how they respond.
In this case, Udemy has a messaging system for students / anyone who has an account, and you can send Phillip Allen a message through this system quite easily, even if you haven't bought E-AADV yet.
For example, you could say, "Hi, and I came across E-AADV while looking at Design courses on Udemy. If I enroll in your training, would you mind if I asked you any questions along the way?"
If you use this approach, the response (or lack of response) from the professor will tell you everything.
Obviously, the quicker the response the better!
Are you comfortable going through the lessons in ESD – An Analog Design Viewpoint on your own, online?
This is a big one, because ESD – An Analog Design Viewpoint is an online course as opposed to a course that you physically take in a classroom.
Of course, you will need a good internet connection to have access to the course material and lessons, but beyond that, you also have to be comfortable being self motivated to some degree, being on your own, and not having any physical interaction with any of the other students taking ESD – An Analog Design Viewpoint.
Yes, you will be able to interact with the students and the teacher, Phillip Allen, online, but it's a different kind of experience than what you'd get if you were interacting with them in person.
This is not a big deal to most people, but it might be something for you to consider if you feel like you do better taking classes in person rather than learning online.
Do the pros / benefits of E-AADV make it worth your time?
Ideally, if you've gone through the evaluation steps above, you have a list of positive things about the ESD – An Analog Design Viewpoint training that looks something like this:
- The purpose of E-AADV can be clearly grasped and understood, and its lesson structure is clear, specific, and well organized
- Phillip Allen is well qualified to teach this subject matter, has good teaching abilities, and is responsive to student questions
- Other E-AADV students have great things to say about the program
Other benefits include:
- You get to go through E-AADV at your own pace
- You join a community of 584 other students taking the course
- You get lifetime access to the training
- All updates to the training are free
- You have a 30 day money back guarantee
Even if there are some things that you don't like about the program, so what?
The question is simply this: do you think that E-AADV would be worth your time, even if there are some things that could be better about it?
Can you comfortably afford E-AADV?
Can you comfortably afford the cost of ESD – An Analog Design Viewpoint?
This is an important question to answer, because even if you think E-AADV sounds like the greatest online class in the world, it's still not worth taking if you can't comfortably afford it!
Before July 25, 2024, the price was $12.99 before any Udemy discount, and you were able to pay with a credit card.
Keep in mind that this is a Udemy online course, and there's a great chance that you can get a solid discount on E-AADV with Udemy coupons / promo codes, especially with the strategies we provide for helping you find the best, most popular coupons available.
We'll cover that in greater detail in the next section, because at the end of the day, its important that you can learn whatever you want to learn without getting into a lot of credit card debt.
How can you maximize your discount on ESD – An Analog Design Viewpoint?
By far, the easiest way to get the best and biggest discount on this course is to use the ESD – An Analog Design Viewpoint discount code link at the top of this page.
It will instantly give you the best coupon code we could find for Phillip Allen's online training.
We don't believe there's a bigger discount than the one we provided, but if for some reason you'd like to try find one, you can use the methods below to hunt for the best E-AADV course coupons and promo codes you can find.
FYI, the methods below will help you not just with getting E-AADV for a better price, but also with any other Phillip Allen Udemy course that you'd like to get for cheaper.
How can Google help you get a E-AADV discount?
To use this method, do a Google search for the E-AADV training, but in your search query, be sure to add words like coupon code, promo code, deal, sale, discount, and Udemy.
For example, you might do a search for "Udemy ESD – An Analog Design Viewpoint promo code" or "ESD – An Analog Design Viewpoint udemy coupon codes" and see what turns up.
Similarly, you can use the same combination of search terms with Phillip Allen's name and see what happens.
For example, you might do a Google search for "Phillip Allen Udemy coupons" or "Phillip Allen course coupon codes" and see if that helps you.
However, in general, it's far more powerful to do a search for deals and coupon codes with the actual training's name, than with the instructor's name.
So in this case, for example, prioritize searches for "ESD – An Analog Design Viewpoint coupons" rather than "Phillip Allen coupons".
How can a Udemy sale get you E-AADV for cheaper?
Every once in while, Udemy will do a sitewide sale where they offer all (or almost all) their courses at a discounted price. For example, one of the best sales is where every course is only $10 or $9.99.
So, if you're interested in saving as much money as possible, you could wait and see if you can get E-AADV for this cheaper Udemy sale price one day.
The problem is that these sales only occur sporadically, so you might be waiting for a while. Also, if Phillip Allen decides not to participate in the site wide sale, then you won't get a discount on E-AADV, even though you could get a great discount on almost any other class at Udemy!
To understand this, think of there as being two different coupon categories for the E-AADV course. Category one is an official Udemy coupon (which instructors can opt out of), while category two is a coupon offered directly by the instructor.
At the end of the day, it doesn't matter what kind of a coupon tag you're dealing with (for example, "officially from Udemy" or "officially from the instructor"), as long as long as as you're dealing with active coupons that get you a better price.
How can you get a E-AADV discount from Phillip Allen?
If you're really serious about getting "ESD – An Analog Design Viewpoint" for the cheapest price possible, then perhaps one of the most powerful things you can do is get a coupon code straight from Phillip Allen, instead of waiting for a Udemy sale.
To do this, you can use either the direct approach or an indirect approach to try to get your discount.
With the direct approach, the big idea is to simply get Phillip Allen's contact info in some way or another (whether it's email, or Twitter, or whatever else).
Then you send a message saying something like "I'm interested in enrolling in ESD – An Analog Design Viewpoint. Do you happen to currently have an active coupon code for it that I could use?" (And then, hopefully, you'll get a reply with your discount code.)
On the other hand, with the indirect approach, you join Phillip Allen's mailing list, if you can find it, and then you hope that at some time E-AADV will be promoted to you at a discount.
By far, the more powerful approach is the direct approach, because it tends to get results faster. But you can experiment with the indirect approach and see if it works for you.
Can you get E-AADV for free?
Of course, the best possible price for the E-AADV training is free! As in, you pay no money whatsoever.
And guess what? Sometimes Udemy instructors provide coupon codes that enable students to take their courses for free. So, perhaps it's possible that Phillip Allen has done this.
Basically, if you're trying to get this program for free, you will want to search for the course's name along with other words like free coupon, or 100 off coupon.
For example, you might do a google search for "ESD – An Analog Design Viewpoint free coupon" or "ESD – An Analog Design Viewpoint 100 off coupon" and see what happens.
But keep this in mind: often, Udemy teachers will offer a free coupon for their course when it first opens to get some publicity and reviews. And then, after a few days, they'll make the coupon expired.
So even Phillip Allen has offered free coupons for E-AADV in the past, the odds are likely they will all be currently expired. This is a common pattern that we have found.
What about a E-AADV free download?
It's important to understand that there's a difference between getting full access to the E-AADV training for free legally with a free coupon code vs. finding a way to download E-AADV illegally.
If you really want to go the download route, you can do a google search for something like "ESD – An Analog Design Viewpoint download".
And if that doesn't get you the results you want, you can add the word "free" to your search.
For example, perhaps you could do a google search for "ESD – An Analog Design Viewpoint free download".
However, even if you get some results from these searches, we do not recommend that you take this course of action.
First of all, there are some shady sites out there that could be trying to infect your computer.
Second, Phillip Allen created this course and deserves monetary compensation for it.
And third, if you go the free download route, you'll be missing out on a lot of value, because you won't be able to ask the instructor questions or interact with the other 584 students enrolled in the program.
Can you get a refund on ESD – An Analog Design Viewpoint if you don't like it?
Let's say that you used our tips above, and you were able to buy the E-AADV training at a fantastic discounted price. So at this point, you're super excited.
Then, you actually dive into Phillip Allen's course, and you discover that it just isn't for you for whatever reason.
And now you're super bummed, because you feel like it wasn't money well spent.
Well, guess what?
Udemy offers a rock solid 30 day money back guarantee on all their courses, so you can get a refund on E-AADV no matter what. And this means there is absolutely no risk.
Indeed, even if you left a super negative, critical review on the E-AADV training, and then asked for your money back, you'd get a refund. For better or worse, there's nothing Phillip Allen could do about it, since it is simply Udemy policy.
To sum it up: yes, you can get a full refund, so at the end of the day, don't worry about the possibility of purchasing E-AADV and not liking it, since you can always get your money back.
What is OCP's overall rating of ESD – An Analog Design Viewpoint?
During this E-AADV review, you've learned about some of the unusual ways we like to evaluate courses, such as with The 30 Second Test and The 15 Second Bio Test.
So our overall review process is perhaps a little unusual and different from other reviews out there. Keep this in mind when you consider the overall rating / score that we have given this course.
Anyway, after taking a look at the E-AADV training, the instructor, Phillip Allen, and reading what other students have said about this program, we give it an overall rating of 4.8 out of 5.
Ultimately, though, what matters most is what you would rate it based on the same criteria.
What are some potential alternatives to ESD – An Analog Design Viewpoint?
If you like this course, you might also be interested in:
1. Mobile App Design: Learn UX/UI and Start Freelancing Career
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5. Character Creation for Games Vol. 1: Sculpting in Zbrush
Get Better at Sculpting Modeling Realistic Characters in Zbrush Today
Taught by Where High Quality Education Is Affordable
TLDR: Just the quick facts about E-AADV
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E-AADV coupon & course info
Course Name: ESD – An Analog Design Viewpoint
Subtitle: How to apply ESD protection to analog/mixed signal ICs
Instructor: Taught by Phillip Allen
Category: Design
Subcategory: Other
Provided by: Udemy
Price: $12.99 (before discount)
Free coupon code: Get Udemy coupon code discount at top of page (no charge for coupon, especially since we are compensated for referrals via affiliate marketing)
E-AADV review info & popularity
Prior to July 25, 2024…
Students: 584 students enrolled
Ratings: 195 reviews
Rank: ranked #743 in Udemy Design Courses in Udemy Design Courses
Rankings tip: rankings change all the time, so even if ESD – An Analog Design Viewpoint is a bestseller or one of the top Udemy courses one year, it doesn't mean it will be a top Udemy course the next year
E-AADV final details
Languages: English
Skill level: Intermediate
Lectures: 16 lectures lectures lessons
Duration: 3.5 total hours hours of video
What you get: Understand ESD concepts and ESD protection
Target audience: Students will learn how to protect their analog and mixed signal IC designs from ESD stress. The course is best suited for analog and mixed signal IC designers. It would not be suitable for students without an understanding of circuit design and semiconductor components.
Requirements: A quick review of IC design and semiconductor components would be helpful.
Access: Lifetime access
Peace of mind: 30 day money back guarantee
Availability: available online, as well as on iOS and Android
Download options: check course to see if you can download lessons


text: We do our very best to help our customers find the livestock they are interested in, but because of unpredictable availability, these species are on a first come first serve basis. If you miss out on something you really wanted just resubmit another email request and we apologize for the inconvenience. Our In-stock Alerts only send one time for each item requested so that you don't receive a flood of e-mails for the same request. If you would like to delete any of your requests simply log into "my account" and edit your list. Because the species and size variations come available at different times, emails are sent out for each item separately to give our customers notice asap. Thank you for participating, we hope we can provide everything you are looking for.


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Showing Collections: 1 - 1 of 1
Edwin D. Mead and Lucia Ames Mead Papers
Identifier: SCPC-DG-021
Edwin D. Mead (1849-1937), and Lucia Ames Mead (1856-1936), were both leading pacifists, writers, and social reformers of the U.S. and international peace movement. Edwin Mead directed the work of the World Peace Foundation and participated in many international peace congresses. He was an American delegate to the International Peace Bureau. Mead helped found the School Peace League and was a prominent member of the American Peace League. Lucia Ames Mead was a leading member of many feminist...
Found in:
Swarthmore College Peace Collection


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text:
1Wisdom builds her house,
but Folly tears hers down with her own hands.*
2Those who walk uprightly fear the LORD,
but those who are devious in their ways spurn him.
3In the mouth of the fool is a rod for pride,
but the lips of the wise preserve them.
4Where there are no oxen, the crib is clean;
but abundant crops come through the strength of the bull.*
5A trustworthy witness does not lie,
but one who spouts lies makes a lying witness.* a
6The scoffer seeks wisdom in vain,
but knowledge is easy for the intelligent.
7Go from the face of the fool;
you get no knowledge from such lips.
8The wisdom of the shrewd enlightens their way,
but the folly of fools is deceit.*
9The wicked scorn a guilt offering,
but the upright find acceptance.
10The heart knows its own bitterness,
and its joy no stranger shares.*
11The house of the wicked will be destroyed,
but the tent of the upright will flourish.* b
12Sometimes a way seems right,
but the end of it leads to death!c
13Even in laughter the heart may be sad,
and the end of joy may be sorrow.
14From their own ways turncoats are sated,
from their own actions, the loyal.
15The naive believe everything,
but the shrewd watch their steps.*
16The wise person is cautious and turns from evil;
the fool is reckless and gets embroiled.
17The quick-tempered make fools of themselves,
and schemers are hated.
18The simple have folly as an adornment,
but the shrewd wear knowledge as a crown.*
19The malicious bow down before the good,
and the wicked, at the gates of the just.
20Even by their neighbors the poor are despised,
but a rich person's friends are many.d
21Whoever despises the hungry comes up short,
but happy the one who is kind to the poor!*
22Do not those who plan evil go astray?
But those who plan good win steadfast loyalty.
23In all labor there is profit,
but mere talk tends only to loss.
24The crown of the wise is wealth;
the diadem of fools is folly.
25The truthful witness saves lives,
but whoever utters lies is a betrayer.
26The fear of the LORD is a strong defense,
a refuge even for one's children.
27The fear of the LORD is a fountain of life,
turning one from the snares of death.
28A multitude of subjects is the glory of the king;
but if his people are few, a prince is ruined.
29Long-suffering results in great wisdom;
a short temper raises folly high.* e
30A tranquil mind gives life to the body,
but jealousy rots the bones.
31Those who oppress the poor revile their Maker,
but those who are kind to the needy honor him.f
32The wicked are overthrown by their wickedness,
but the just find a refuge in their integrity.
33Wisdom can remain silent in the discerning heart,
but among fools she must make herself known.* g
34Justice exalts a nation,
but sin is a people's disgrace.*
35The king favors the skillful servant,
but the shameless one incurs his wrath.
* [14:1] The relationship between Wisdom, personified as a woman, and building a house is a constant theme. As elsewhere, the book here warns against the wrong woman and praises the right woman.
* [14:4] If one has no animals, one does not have the burden of keeping the crib full, but without them one will have no crops to fill the barn. Colon B reverses the sense of colon A and also reverses the consonants of bar ("clean") to rab ("abundant").
* [14:5] On discerning the truthfulness of witnesses; see 12:17.
* [14:8] Wisdom enables the shrewd to know their path is right but folly leads fools on the wrong path ("deceit"), which calls down retribution.
* [14:10] The heart in Proverbs is where a person's sense impressions are stored and reflected upon. It is thus one's most personal and individual part. One's sorrows and joys (= the full range of emotions) cannot be shared fully with another. Verse 13 expresses the same individuality of the human person.
* [14:11] The traditional fixed pair "house" and "tent" is used to express the paradox that a house can be less secure than a tent if there is no justice.
* [14:15] The naive gullibly rely on others' words whereas the shrewd watch their own steps.
* [14:18] The inner quality of a person, simple or wise, will eventually be revealed.
* [14:21] The paradox is that anyone who spurns the hungry will lack something, but anyone who shows mercy (presumably by giving to the poor) will gain prosperity.
* [14:29] A series of puns on short and long; lit., "long of nostrils (idiom for "patient"), large in wisdom, / short in breath (idiom for "impatient"), makes folly tall."
* [14:33] Wisdom can remain silent in a wise person as a welcome friend. But it must speak out among fools, for the dissonance is so strong.
* [14:34] The rare noun "disgrace" occurs elsewhere only in Lv 20:17. In measuring the greatness of a nation, one is tempted to consider territory, wealth, history, but the most important criterion is its relationship to God ("justice").
b. [14:11] Prv 3:33; 12:7; 15:25.
d. [14:20] Prv 19:4, 7; Sir 6:8, 12.
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Kom: Časopis za Religijske Nauke
2334-6396 (Print) / 2334-8046 (Online)
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text:
One Dead as Islamist Mobs in Ethiopia Destroy Church Buildings
Total structures razed at 59; at least 4,000 Christians displaced
03/07/2011 Ethiopia (CDN)-At least one Christian was killed and others injured when thousands of Islamic extremists set fire to 59 churches and at least 28 homes in western Ethiopia in the past five days, Christian leaders said.
More than 4,000 Christians in and around Asendabo, Jimma Zone have been displaced as a result of attacks that began on Wednesday (March 2) after Muslims accused a Christian of desecrating the Quran by tearing up a copy, sources said.
"The atrocity is still going on, and more people are suffering," said a source in Addis Ababa who is in close contact with area church leaders.
The Christian killed, believed to have been a member of the Ethiopian Orthodox Church, has not yet been identified.
"One Orthodox believer, whose daughter is a member of Mekane Yesus Church, has been killed," an Ethiopian church leader told Compass. "Ministers were injured, and many more believers have been displaced."
A pastor based in the Ethiopian capital of Addis Ababa noted that evangelical church leaders have reported the attacks to authorities and asked officials for help, but no action had been taken at press time.
"The church requested more police protection," he said. "The authorities sent security forces, but they were overwhelmed by the attackers."
After the destruction began at Asendabo, it spread to Chiltie, Gilgel Gibe, Gibe, Nada, Dimtu, Uragay, Busa and Koticha, as Muslim mobs in the thousands rampaged throughout the area, sources said.
"Police at the site are not taking any action – they just watch what is happening," said another source. "It is difficult to estimate the attack in terms of deaths, since we have no access to any location."
Those displaced are in shelters in Ako, Jimma, Dimtu and Derbo, he said.
"We are very concerned that the attack that began on March 2 in Asendabo, which is the rural part of Jimma, is now heading to Jimma town," he said.
The extremists also destroyed an Ethiopian Kale Hiwot Church (EKHC) Bible school building and two church office buildings, the source said. Of the churches burned, he said, 38 belonged to the EKHC; 12 were Mekane Yesus buildings; six were Seventh-day Adventist structures; two were Muluwongel church buildings, and another belonged to a "Jesus Only" congregation.
"Women and children are the most affected in this sudden attack," he said. "It is needless to mention the believers' houses and properties burned down. The overall estimated cost, may be worth over 60 million birr [US$3.55 million]."
Anti-Christian attacks in western Ethiopia in 2006 killed at least 24 people.
"Attacks on the church have been a common occurrence in predominantly Muslim areas of Ethiopia like Jimma and Jijiga," the source said, adding that Christians are often subject to harassment and intimidation.
Asendabo, in Oromia Region, is about 300 kilometers (186 miles) from Addis Ababa.
The attacks erupted as heavy fighting was taking place at the borders of Kenya, Ethiopia and Somalia. Ethiopian troops were trying to repel Islamic extremist al-Shabaab troops from Bulahawo, Somalia, near Mandera, Kenya, with several casualties and hundreds displaced.
Ethiopia's constitution, laws and policies generally respect freedom of religion, but occasionally some local authorities infringe on this right, according to the U.S. Department of State's 2010 International Religious Freedom Report.
According to the 2007 census, 44 percent of Ethiopia's population affiliate with the Ethiopian Orthodox Church, 19 percent are evangelical and Pentecostal and 34 percent are Sunni Muslim.


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Warn 79700 ProVantage Front Snow Plow Mount for Polaris
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79700 - Here
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