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iPhone 14 Pro
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Matte Gold Ring Earrings With Two Clover Drops
Do not modify this page.
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Matte Gold Ring Earrings With Two Clover Drops
Measures 2"
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Made In USA
Style Number: DE790
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Wish your near and dear ones happiness and good health with this bright Hanukkah ecard.
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And for our last word in business today, we go to Tacoma, Washington, home to what is now the newest and largest automobile museum in the country. It just opened over the weekend.
David Madeira is chief executive of LeMay, America's Car Museum. Madeira says part of the museum's largest label is based on exhibition space. It has 165,000 square feet in the four-story building.
DAVID MADEIRA: And we also have the largest collection, in terms of 770 vehicles that we have donated from the LeMay family and on loan from the LeMay family.
GREENE: The LeMay family, that would be the family of Harold LeMay, who once owned more than 3,000 vehicles.
MADEIRA: And as his widow would say, he never met a car that he didn't like.
GREENE: LeMay was a self-made millionaire who earned his fortune in garbage collection and salvage. He died in 2000. The LeMay family donated several million dollars to help get the museum going. In the end, it took a decade and more than $60 million in financing to make it all happen. The museum is displaying cars outside of LeMay's collection as well.
MADEIRA: Oh, one and only, Edsel Ford speedster, given to us on loan by the Ford family right now; six cars from the Indianapolis 500 Speedway Museum; 10 cars from Nicola Bovary, Bvlgari Jewelry. We got a 12 car Ferrari exhibit.
GREENE: And there our plans for LeMay, America's Car Museum to host some interesting events - everything from vintage motorcycle festivals to drive-in movies.
And that's the business news from MORNING EDITION on NPR News. I'm David Greene.
And I'm Renee Montagne. Transcript provided by NPR, Copyright NPR.


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Buying a home is a major investment no matter which way you look at it. But for many homebuyers, it's an even more expensive process than it needs to be because many fall prey to at least a few of many common and costly mistakes which trap them into paying too much for the home they want, losing their dream home to another buyer, or worse, buying the wrong home for their needs.
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text:
1and in the first year of Darius the Mede I stood to strengthen him and be his refuge.
The Hellenistic Age. 2"Now I shall tell you the truth.
"Three kings of Persia* are yet to appear; and a fourth shall acquire the greatest riches of all. Strengthened by his riches, he shall stir up all kingdoms, even that of Greece. 3But a powerful king* shall appear and rule with great might, doing as he wills. 4No sooner shall he appear than his kingdom shall be broken and divided in four directions under heaven; but not among his descendants or in keeping with his mighty rule, for his kingdom shall be torn to pieces and belong to others.
5* "The king of the south shall grow strong, but one of his princes shall grow stronger still and govern a domain greater than his. 6* After some years they shall become allies: the daughter of the king of the south shall come to the king of the north to carry out the alliance. But she shall not retain power: and his offspring shall not survive, and she shall be given up, together with those who brought her, her son, and her supporter in due time. 7A descendant of her line shall succeed to his place, and shall come against the army, enter the stronghold of the king of the north, attack and conquer them. 8Even their gods, with their molten images and their precious vessels of silver and gold, he shall carry away as spoils of war into Egypt. For years he shall have nothing to do with the king of the north. 9Then the latter shall invade the land of the king of the south, and return to his own country.
10"But his sons shall be aroused and assemble a great armed host, which shall pass through like a flood and again surge around the stronghold. 11* The king of the south, enraged, shall go out to fight against the king of the north, who shall field a great host, but the host shall be given into his hand. 12When the host is carried off, in the pride of his heart he shall bring down tens of thousands, but he shall not triumph. 13* For the king of the north shall raise another army, greater than before; after some years he shall attack with this large army and great resources. 14In those times many shall resist the king of the south, and violent ones among your people shall rise up in fulfillment of vision, but they shall stumble. 15* When the king of the north comes, he shall set up siegeworks and take the fortified city by storm. The forces of the south shall not withstand him, and not even his picked troops shall have the strength to withstand. 16The invader shall do as he wills, with no one to withstand him. He shall stop in the glorious land, and it shall all be in his power. 17* He shall resolve to come with the entire strength of his kingdom. He shall make an alliance with him and give him a daughter in marriage in order to destroy him, but this shall not stand. 18* He shall turn to the coastland and take many prisoners, but a commander shall put an end to his shameful conduct, so that he cannot retaliate. 19He shall turn to the strongholds of his own land, but shall stumble and fall, to be found no more. 20* In his stead one shall arise who will send a collector of tribute through the glorious kingdom, but he shall soon be destroyed, though not in conflict or in battle.
21* "There shall arise in his place a despicable person, to whom the royal insignia shall not be given. He shall enter by stealth and seize the kingdom by fraud. 22Armed forces shall be completely overwhelmed by him and crushed, even the prince of the covenant.* 23After making alliances, he shall treacherously rise to power with only a few supporters. 24By stealth he shall enter prosperous provinces and do that which his fathers or grandfathers never did; he shall distribute spoil, plunder, and riches among them and devise plots against their strongholds. 25He shall rouse his strength and courage to meet the king of the south with a great army; the king of the south shall go into battle with a very large and strong army, but he shall not stand because of the plots devised against him. 26Even his table companions shall seek to destroy him, his army shall be overwhelmed, and many shall be struck down. 27The two kings, resolved on evil, shall sit at table together and exchange lies, but they shall have no success, because the appointed end is not yet.
28"He* shall turn back toward his land with great riches, his mind set against the holy covenant; he shall take action and return to his land. 29At the time appointed he shall come again to the south, but this time it shall not be as before. 30When ships of the Kittim* confront him, he shall lose heart and retreat. Then he shall rage against the holy covenant and take action; he shall again favor those who forsake the holy covenant. 31Armed forces shall rise at his command and defile the sanctuary stronghold, abolishing the daily sacrifice and setting up the desolating abomination. 32By his deceit he shall make some who were disloyal forsake the covenant; but those who remain loyal to their God shall take strong action. 33Those with insight among the people shall instruct the many; though for a time the sword, flames, exile, and plunder will cause them to stumble. 34When they stumble, they will be helped,* but only a little; many shall join them, but out of treachery. 35Some of those with insight shall stumble so that they may be tested, refined, and purified, until the end time which is still appointed to come.
36"The king shall do as he wills, exalting himself and making himself greater than any god; he shall utter dreadful blasphemies against the God of gods. He shall prosper only till the wrath is finished, for what is determined must take place. 37He shall have no regard for the gods of his ancestors or for the one in whom women delight;* for no god shall he have regard, because he shall make himself greater than all. 38Instead, he shall give glory to the god of strongholds;* a god unknown to his ancestors he shall glorify with gold, silver, precious stones, and other treasures. 39He shall act for those who fortify strongholds, a people of a foreign god, whom he has recognized. He shall greatly honor them; he shall make them rule over the many and distribute the land as a reward.
40* "At the end time the king of the south shall engage him in battle but the king of the north shall overwhelm him with chariots and horsemen and a great fleet, passing through the lands like a flood. 41He shall enter the glorious land and many shall fall, except Edom, Moab, and the chief part of Ammon, which shall escape his power. 42He shall extend his power over the land, and not even Egypt shall escape. 43He shall control the riches of gold and silver and all the treasures of Egypt; Libya and Ethiopia shall be in his entourage. 44When reports from the east and the north disturb him, he shall set out with great fury to destroy many, putting them under the ban. 45He shall pitch the tents of his royal pavilion between the sea and the glorious holy mountain, but he shall come to his end with none to help him.
* [11:2] Three kings of Persia: it is unclear which kings are intended because there were more than three Persian kings between Cyrus and the dissolution of the kingdom. The fourth is Xerxes I (486–465 B.C.), the great campaigner against Greece.
* [11:3] A powerful king: Alexander the Great, who broke Persian dominance by his victory at Issus in 333 B.C.
* [11:5–45] These verses describe the dynastic histories of the Ptolemies in Egypt (the king of the south) and the Seleucids in Syria (the king of the north), the two divisions of the Hellenistic empire that were of interest to the author (v. 6). Verses 10–20 describe the struggle between the two kingdoms for the control of Palestine; the Seleucids were eventually victorious.
* [11:6] The marriage of Antiochus II Theos and Berenice of Egypt about 250 B.C., which ended in tragedy.
* [11:11] The battle of Raphia (217 B.C.), in which Egypt defeated Syria.
* [11:13] Syria defeated Egypt at the battle of Paneas in 200 B.C. Judea then passed under Syrian rule.
* [11:15] The siege of Sidon after the battle of Paneas.
* [11:17] Antiochus III, the Great, betrothed his daughter to Ptolemy Epiphanes in 197 B.C.
* [11:18] The Roman general Scipio defeated Antiochus at Magnesia in 190 B.C.
* [11:20] Seleucus IV, who sent Heliodorus to Jerusalem (cf. 2 Mc 3).
* [11:21] Here begins the career of Antiochus IV Epiphanes.
* [11:22] The prince of the covenant: the high priest Onias III, who was murdered.
* [11:28] He: the king of the north, probably Antiochus IV.
* [11:30] Kittim: originally this word meant Cypriots or other westerners. It is sometimes used for the Greeks (1 Mc 1:1). Here it refers to the Romans, who forced Antiochus to withdraw from Egypt during his second campaign there.
* [11:34] Helped: this may be a reference to the Maccabean revolt. The apocalyptic author expects deliverance from God and has little regard for human efforts. In fact, the Maccabees routed the Syrian troops, recaptured Jerusalem, purified and rededicated the Temple, and brought to an end the Syrian persecution.
* [11:37] The one in whom women delight: Tammuz. Antiochus favored the cult of Zeus. Daniel takes this to imply the neglect of all other gods, although this does not appear to have been the case.
* [11:38] The god of strongholds: the god worshiped in the fortress Akra, which Antiochus established in Jerusalem.
* [11:40–45] In these concluding verses, the events described no longer correspond to the history of the Maccabean period. Daniel imagines the death of Antiochus on the model of Gog in Ez 38–39. Antiochus actually died in Persia.
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text:
Lecture by His Divine Grace A. C. Bhaktivedanta Swami Srila Prabhupada, founder of the International Society for Krishna Consciousness (ISKCON). ISKCON is popularly known as the "Hare Krishna" movement, due to its members' widespread practice of chanting the Hare Krishna mantra in public. Srila Prabhupada intended ISKCON to facilitate the association and education of bhakti-yoga practitioners, and his followers continue to spread that mission.
His Divine Grace A.C. Bhaktivedanta Swami Prabhupada (1896-1977) is widely regarded as the foremost Vedic scholar, translator, and teacher of the modern era. He is especially respected as the world's most prominent contemporary authority on bhakti-yoga, devotional service to the Supreme Person, Krishna, as taught by the ancient Vedic writings of India. He is also the founder-acharya of the International Society for Krishna Consciousness.
Srila Prabhupada, as he's known to his followers, translated and commented on over eighty volumes of the Vedas' most important sacred bhakti texts, including the Bhagavad-gita—a concise handbook for understanding the purpose and goal of human life—and the multi-volume Srimad-Bhagavatam—an epic biography of Krishna, Krishna's avatars, and His many devotees throughout the history of the universe.
[For more videos, visit – www.harekrishnatube.com]


text:
From: | Wells Fargo |
Subject: | [Help-autogen] Security Update Notification |
Date: | 30 Oct 2005 14:13:48 -0000 |
Dear customers:
Wells Fargo is constantly working to increase security for all Online Banking
users. To ensure the integrity of our online payment system, we periodically
review accounts.
Your account might be place on restricted status. Restricted accounts continue
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To initiate the billing update confirmation process, please follow the link
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Thank you,
Wells Fargo - Online Banking
© 1999 - 2005 Wells Fargo. All rights reserved. Member FDIC. |
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text:
Service Notice: SX80, SX800, SX80 Mark II, WUX10 and WUX10 Mark II Projectors
Thank you for using Canon products.
It is possible that if the control commands are used, the projectors listed below cannot be operated. Users who use the user commands to control the affected projectors are kindly asked to contact us at the contact information listed at the bottom of this page.
This information serves to inform you of a firmware update.
We sincerely apologize for any inconvenience caused to customers who use these products. Thank you for your understanding and cooperation in this matter.
Model Name |
Firmware Version |
01.000000 to 01.030204 |
01.0000 to 01.0201 |
SX80 Mark II |
01.000000 to 01.020203 |
01.000000 to 01.020104 (When the network function is enabled) 01.0000-- to 01.0201-- (When the network function is disabled) |
WUX10 Mark II |
01.000000 to 01.020203 (When the network function is enabled) 01.0000-- to 01.0202-- (When the network function is disabled) |
How to check the firmware version:
Use the projector to project on a white surface, and then press the [Menu] button in the top control on the projector body (or on the remote control) to open the menu. Next, select [Information] from the menu screen to open the information screen. Check the firmware version that is displayed on the information screen.
For details, see [Checking the Information of the Projector] section in the user's manual.
How to Use Projection to Check the Firmware Version
Project the screen of the projector.
Press the MENU button on the projector or remote controller to open the menu.
Select [Information] on the Menu screen to open the Information screen.
Check the [Firmware] field on the Information screen.
*For details, please see "Checking Information of the Projector" in the User's Manual.
When the network function of the WUX10 or WUX10 Mark II is disabled, the last two digits will be displayed as "- -".
The products with this phenomenon will be inspected and repaired free of charge. If you own one of the affected products, please contact our Customer Support Center. We appreciate your patience, and we offer our sincere apologies to the customers using these products who have been inconvenienced by this issue. This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
Thank you,
Customer Support Operations
Canon U.S.A., Inc
Contact Information for Inquiries
Canon Customer Support Center
Phone: 1-800-OK-CANON
Email: firstname.lastname@example.com
Support options and hours of operation: www.usa.canon.com/support


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text:
Friday, May 21, 2010
Po Cha and Clues to Our Destination
From the kitchen of One Perfect Bite...The suspense is over. Our holiday plans have been finalized. Selection of a location was really difficult this year. Bob and I had different adventures in mind and the final decision was made in the only fair way possible. We quite literally pulled a photo from a stack spread like playing cards of the table. There was a randomness to it that made the whole thing seem more fair than might otherwise have been the case. I'm happy to report we are both happy with the decision the gods of chance made on our behalf. It will be an adventure and I'll be counting the days until it actually begins. October is a ways off but that gives us time to get visas and study more about the places we'll be visiting. I'm going to keep you in the dark for a while longer. I've put together some photos of people and places we'll be visiting to see if you can identify the three countries we'll be touring. I'm also including one recipe associated with the most remote of the places on our itinerary. We have promised the children, who don't like the words trek or safari used in the same breath as their parent's names, that this is absolutely, positively our last visit to remote locales with sometimes fragile political systems. They are dubious. Seems I said that last year as well. I really meant it, but the back and legs and brain have held up well and this seems like the right thing for us to do. At any rate, here is the recipe for a drink that really should be made with yak milk and butter. I must say it is a real challenge to the palate even when made with cows milk and butter from a local creamery. I don't always do well with foods that fall into the acquired taste category. It took me years to enjoy a martini. I comfort myself with the knowledge I tried it, and who knows, it may taste better in country. Here's the scoop for other brave and kindred souls.
Po Cha......from the kitchen of One Perfect Bite
5 -6 cups water
3 black tea bags or 2 tablespoons loose black tea
1/4 teaspoon salt
2 tablespoons butter
1/2 cup milk, half-and-half or 1 teaspoon milk powder
1) Bring five to six cups of water to a boil. Reduce heat. Add tea bags or loose tea and simmer for several minutes more. Remove tea bags or strain loose tea.
2) Pour steeped tea, salt, butter and milk or milk powder into a blender or chandong, a type of churn. You can also shake the tea in a thermos bottle. Churn, blend or shake the mixture for 3 to 5 minutes. Our into cuos and serve piping hot: Yield: 4 servings.
You might also enjoy these recipes:
Ginger Tea - One Perfect Bite
Blueberry Tea - One Perfect Bite
Himalayan Salted Butter Tea - Not Quite Nigella
Yak Butter Tea - The Greedy Glutton
This recipe is being linked to:
Designs By Gollum - Foodie Friday
67 comments :
- susan said...
Mary- I know life with you (or as your child :) is never boring! I say "good for you"! I can't wait for details! Oh my goodness--yak milk :)
- May 20, 2010 at 9:34 PM
- Allie and Pattie said...
Oh, Mary!!! How blessed you are to be able to take this trip!! Are we allowed to guess?? Can I venture Tibet?? Oh, I am SO envious !! Enjoy the planning!
xoxo Pattie - May 20, 2010 at 9:35 PM
- Jeannie said...
Looks like a Tibet destination to me:) I would love to visit when I have a chance.
- May 20, 2010 at 9:48 PM
- ~ Janie ~ said...
Enjoy Nepal! ~Jane~
- May 20, 2010 at 9:51 PM
- Mary Bergfeld said...
Everyone is a bit correct. Remember there are 3 countries that we'll be visiting.
- May 20, 2010 at 9:58 PM
- momgateway said...
How exciting....I have some Nepali friends and they are so sweet...can't wait to hear about your adventure to three countries, I assume they must be in Asia...but who knows... would certainly love to hear about your trip
- May 20, 2010 at 10:03 PM
- Yvonne @ StoneGable said...
Mary you have an adventurous soul! I think I know where you are going! Good for you! I hope you will bring us some good recipes and pictures.
Yvonne - May 20, 2010 at 10:08 PM
- PranisKitchen said...
while reading i was so curious to know the place searched the recipe orgin..i got it u r going to tibet.
the tea looks delicious. - May 20, 2010 at 10:09 PM
- Tuty @ScentofSpice said...
Is Bhutan in the mix?
Have a fantastic trip and we can't wait to see the fab pictures.
God bless both of you and keep you safe. - May 20, 2010 at 10:13 PM
- Valerie Harrison (bellini) said...
You keep is guessing Mary. What an exciting adventure this will be!!!
- May 20, 2010 at 10:34 PM
- Decor To Adore said...
I adore the children.
I hope you'll stop by my blog. I am hosting a giveaway for a darling French tote. - May 20, 2010 at 10:54 PM
- Chef E said...
What a great post Mary! I cannot wait to read more and more of your work. You inspire me! and what great things you will share with us...
- May 20, 2010 at 10:58 PM
- Jaynie said...
Looks like Tibet may be one of the countries. What could the other 2 be, Nepal, Bhutan, India? Which ever they may be it sounds like a wonderful trip.
- May 20, 2010 at 11:05 PM
- Alice Law said...
Ohh... interesting! I would like to get a taste of it!;)
Happy weekend! - May 20, 2010 at 11:43 PM
- Joanne said...
I love how crazy adventurous you are! If my mom ever said she was going on a safari or a trek, I would probably send her straight to the hospital...because she would be hallucinating.
- May 20, 2010 at 11:45 PM
- Unknown said...
ENJOY!!! Mary and I can't wait to here all the details.
Geri - May 20, 2010 at 11:56 PM
- Joe Ambrosino said...
Never listen to your kids, Mary. I would guess Vietnam, Thailand and Nepal. (That's where I would like to go, anyway)
- May 20, 2010 at 11:56 PM
- Mary Bergfeld said...
Joe, we've been to Vietnam and Thailand and wish that everyone could visit these two countries on the verge of becoming. The people are wonderful.
- May 21, 2010 at 12:25 AM
- Selba said...
Po Cha is the Tibetan drink :)
Oh my.. Tibet is one of the destination that I would love love love to visit!!! - May 21, 2010 at 12:34 AM
- My Little Space said...
Oh, are you going to visit Tibet? Tibet is a very beautiful and religious place. & Nepal & Mongolia!
Cheers, Kristy - May 21, 2010 at 1:23 AM
- Rue said...
Woo hoo! I love your sense of adventure! Can't wait to hear about the trip and your plans.
I'm not sure I could drink this...but I can find my way through a martini no problem (a vodka martini - not gin!) - May 21, 2010 at 1:50 AM
- Diane said...
Everyone else has done the guessing for me. I have only got as far as Singapore and Hong Kong in that direction so I am looking forward to seeing some photos when you return. The best holiday though we had I think was Phuket, so relaxing and wonderful food. Diane
- May 21, 2010 at 2:59 AM
- chamki said...
Hi Mary, i think the three countries are Tibet, Nepal and India.
Ciao! - May 21, 2010 at 3:48 AM
- Unknown said...
really cool post lovely food
- May 21, 2010 at 4:21 AM
- Bits said...
This is lovely Mary! and healthy too!
- May 21, 2010 at 4:40 AM
- giorno26 ¸¸.•*¨*•. said...
Oh Mary,
i bimbi sono semplicemente deliziosi :-)
La tigre fantastica nel suo sguardo indagatore !!!
Buona giornata;-) - May 21, 2010 at 4:50 AM
- Deb in Hawaii said...
Sounds like you have quite the trip planned and that is quite the rich and unique drink too. ;-)
Have a wonderful weekend! - May 21, 2010 at 4:57 AM
- Unknown said...
How lovely Mary. I'm thinking Nepal, India and Mongolia. Whichever the countries will be, I'm sure the trip will be amazing. Have a great day.
Michael - May 21, 2010 at 5:04 AM
- Sushma Mallya said...
tibet is such a beautiful place,am sure u ll enjoy a lot...have a wonderful weekend mary & take care
- May 21, 2010 at 5:35 AM
- Zurin said...
What an adventure you are going to have Mary...HAve a fantastic trip nad come back with lots of fotos to share ! :)
- May 21, 2010 at 5:47 AM
- Sonia ~ Nasi Lemak Lover said...
Glad to know that you will have vacation soon, I have also bought air tickets to Goldcoast Australia in Sept, can wait to enjoy the lovely beach there. Looking forward for more update on your trip. This Po Cha sound healthy and good!
- May 21, 2010 at 5:56 AM
- Salsa Verde said...
When I was reading your text, was was guessing Tibet, and now, I can realise, that I'm not the only one...
Well, let's wait till you tell us more...
I loved the recipe and the lovely photos of your post.
Lia. - May 21, 2010 at 6:31 AM
- Deana Sidney said...
Sounds like a dream vacation... can't wait to hear more!!
- May 21, 2010 at 6:58 AM
- Magdalena said...
Very nice post, Mary, but this is something that probably would be difficult to swallow for me....:) Unfortunately. Anyway, kind regards.
- May 21, 2010 at 7:03 AM
- Big Dude said...
I hope it's Tibet and Nepal as I've always wanted to visit both and you can inspire me.
- May 21, 2010 at 7:40 AM
- bj said...
YAK MILK !!?!! O dear!!
The time to go will be here before you know it.
Can't wait to hear all aabout it..
xo bj - May 21, 2010 at 8:10 AM
- Angie's Recipes said...
You have an adventurous and interesting life! I really enjoy this post! Nepal, Tibet, or (India?)...I wish you lots of fun!
- May 21, 2010 at 8:13 AM
- From the Kitchen said...
I know you aren't headed to "Mitford"!! I'm in on the "Tibet" but not quite sure of the other two. Anxiously awaiting other "clues".
Bonnie - May 21, 2010 at 8:25 AM
- Patricia @ ButterYum said...
Hi Mary - You certainly are well traveled, aren't you?
Hey, I've got a quart of yak's milk in the fridge, and know know exactly what I'm going to do with it now - just kidding.
Have a great weekend!
ButterYum - May 21, 2010 at 8:30 AM
- Kim said...
Mary-It sounds like you and your husband are headed for a wonderful adventure. What a delight to visit that corner of the world! Can't wait to hear all about it.
- May 21, 2010 at 8:58 AM
- Rachana said...
How exciting!! I love this post!
Tibet, Nepal and India Can't wait to see the beautiful pics, Mary :)
Have a fantastic trip! - May 21, 2010 at 9:06 AM
- Lucie said...
This looks like a great trek that's going to take you through Nepal, how exciting!! As for the Po Cha--you hit the spot for me. I love trying new tea-related drinks (well, new for me!) and this seems like a challenge for the palate with the butter!
- May 21, 2010 at 9:20 AM
- Lorraine @ Not Quite Nigella said...
Have fun-what an amazing holiday! And thanks for the shoutout too Mary! :)
- May 21, 2010 at 9:31 AM
- Claudia said...
I will throw my hat in with Tibet and then do not know. Maybe the Nepal folks are onto something. Oh grand - yak milk! What a fun post!
- May 21, 2010 at 10:06 AM
- Mary Bergfeld said...
We so far have three gals who have correctly identified the countries.
- May 21, 2010 at 10:11 AM
- A Canadian Foodie said...
I am so thrilled to be travelling with you!!!! (and when you return... that subscribe by e-mail plug in will be wonderful!)
Gorgeous photos and great thoughts. I cannot imagine... but hope to experience it all one day,though all of our travelling is now in Europe as long as Vanja's parents are alive.
So, am not wishing to go any time, soon! Unless I win the lottery and no longer need to work!
Valerie - May 21, 2010 at 10:20 AM
- Biren said...
Has to be Tibet or Mongolia. You are so adventurous!
- May 21, 2010 at 10:38 AM
- The Fajdich Times said...
I can't wait to hear all about your trip. How exciting:)
- May 21, 2010 at 10:39 AM
- ♥ Kathy said...
I can't wait to read all about it!!
- May 21, 2010 at 10:51 AM
- Wandering Chopsticks said...
Have a fun and safe trip! The first time I tried Tibetan butter tea, I felt like I was drinking soup. The butter I think I could have handled, but it was the salt that completely did me in. I kept telling my friend if we were hardy yak herders in the Himalayans, that boost of salt and fat might be tasty. So you'll have to tell me if it makes a difference when you're far up in the mountains.
My guess is you're hitting up the Himalayan triumvirate of Tibet, Nepal, and Bhutan. - May 21, 2010 at 11:06 AM
- Bossy Chef said...
Nepal, Tibet, and India... I think Nepal and Tibet are separate countries.... hmmmm... maybe I should have googled that first. :)
- May 21, 2010 at 11:52 AM
- Joe Ambrosino said...
Haha! I should have read your recipe. I looked and thought you were using an alternative spelling of pho, so I figured Vietnam. If I had read the recipe, I would have recognized that rich Tibetan tea. I have a few lovely friends from Thailand; lovely people, you are right. Say hello to the Penchan Lama for me!Free Tibet!
- May 21, 2010 at 12:04 PM
- Cathy said...
How wonderful, Mary, another adventure for you and Bob. I can't wait to learn where you will be off to in October.
- May 21, 2010 at 12:09 PM
- Lisa said...
What a life!
What a blog!
Glad to find my way to you.
Lisa - May 21, 2010 at 12:48 PM
- The Blonde Duck said...
I have no idea where you're going.
- May 21, 2010 at 2:29 PM
- Susi's Kochen und Backen said...
It sounds like you have an amazing, once in a lifetime adventure planned with your husband! I can't wait to read all about it :o)
- May 21, 2010 at 2:59 PM
- Salsa Verde said...
Hi Mary,
Thank you so much for your kindness. I realised, just now, that my translator doesn't have English. What a shame!!! Since now, i'm going put my recipes in Portuguese and in English, so it will be more easy for all my visitors. Thanks again!
Lia. - May 21, 2010 at 3:47 PM
- Wendy said...
I had Po Cha at a Tibetan monastery, in 2001, where I took part in a ceremont chanting for peace at a time when India and Pakistan were at loggerheads, threatening war... the tea was served with bread and was strange and delicious! The sort of thing you taste at first and have nothing to link it to in your mind... then you taste again and like it. Then love it. I still think about it! Enjoy your holiday!
- May 21, 2010 at 3:57 PM
- RamblingTart said...
Oh Mary! I'm SOOOOO excited for you!!! Wow! The pictures alone are compelling. I can't wait to hear all about your adventures. :-)
- May 21, 2010 at 4:06 PM
- Lo said...
Mary - Oh, wow! What a wonderful adventure you've chosen. So happy for you... and I can't wait to read more about it!
- May 21, 2010 at 4:26 PM
- ~ Janie ~ said...
Hmmm. This is like Where's Waldo. Fun. Okay, okay, it's Nepal, Tibet, and Thailand. Right?
- May 21, 2010 at 5:07 PM
- Jen_from_NJ said...
How exciting! Planning a trip is so much fun. I will enjoy the trip vicariously through your posts!
- May 21, 2010 at 5:36 PM
- Monet said...
Mary! What an amazing trip. I'm so excited for you. The pictures are beautiful and I can't wait to hear more!
- May 21, 2010 at 5:49 PM
- tasteofbeirut said...
I would guess Tibet and Nepal and India?
Anyway it is going to be a lot of fun and so interesting as well!
Great recipe with the tea. - May 21, 2010 at 6:23 PM
- penny aka jeroxie said...
That is really exciting. It will be such an amzing journey.
- May 21, 2010 at 7:20 PM
- marla {family fresh cooking} said...
OMG...are you on your way to Tibet?? I long to go there. Mount Everest, the people...what a journey. The Yak Milk Tea does sound a bit tough to get down, but it keeps them warm at 19,000 feet :)
- May 21, 2010 at 9:20 PM
- Alicia Foodycat said...
Oh! Have some momo for me! Sounds like a wonderful holiday, even if your children's nerves don't like it.
- May 23, 2010 at 1:40 PM


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Interviewer: > Beryl Graham Interviewee: > Benjamin Weil
Beryl Graham: My first question is about 'categories'. Your post title at SFMOMA is 'Curator of Media Arts'. Does that category work for you, and do you personally think of different categories within media arts? Benjamin Weil: When I came here two and a half years ago, people were saying to me 'what is media arts' and I said 'I don't know, but let's say I'm the curator of everything that you can plug in'. Now, I would say I'm a curator of everything that has to be mediated through technology. It's work that functions in such a way that it needs to be restaged and mediated through technology. In other words, the work may be more like performance, even though it may end up being a film installation like Video Quartet upstairs [Christian Marclay]. But there is this idea that the artistic process is once removed, as it is being mediated by the video projector, the computer screen, the loudspeaker, and so on. I think that it is specifically the freedom to work with 'all that which is mediated', that makes this job appealing to me, because I think we are in a world where everything gets produced by the same machine. That's pushing it for the sake of the discussion, but it is quite fascinating to me to think that within the last three years or so, there is so much homogeneity (in terms of production strategies) between the kind of machines that artists are using to make their work, and between the kind of software they're using to make their work. But there is an extraordinary multiplicity that comes out of a base which is pretty much the same. Think about the fact that a web site is produced by the very same machine that produces Video Quartet, and that produces extraordinary sound performances by the likes of Ryoji Ikeda. Multidisciplinarity is really something that was invented in the modern age, and particularly in the context of a museum of modern art, a curatorial strategy has to make that kind of sense. If you really think about it, it is something that stemmed out of the Soviet utopia as best echoed by Russian ballets, Constructivist art and all the scene that unfolded in the Soviet Union in the 1920's. To a certain extent, also, the Futurist scene in Italy. Then of course the Bauhaus where you have the coming together of various disciplines are not stopping being specific, yet are much less constrained. BG: So how about within your area? Do you find yourself thinking differently about Net art? For example, in 010101, there was a fair amount of cross over between other curatorial departments who might be dealing with video installation, but Net art remained very much a specialist area? BW: I think it's primarily an issue of knowledge. I don't think that my fellow curators were feeling that comfortable with trying to establish criteria for understanding what kind of (net based) work should be included in the exhibition. We still are toying with the kind of criteria that we wanted to use in order to understand what we're looking at, and to start establishing some kind of judgement about it. So I think that they first thought that we could sort of work on all this together and I could show them things and they can tell me what they think is good and what they think is bad. Then it gradually became more obvious that there was a time issue, and there was also something about the fact that yes, I was comfortable with all those things because I had worked with this long enough and could start instinctively saying what I was interested in and what I was not interested in. So that's basically how it happened - more organically than as a result of a really consciously thought-out process that says 'well, this is something that is reserved to the experts so let's let them do it.' At the end of the day, you know as well as I do that there isn't such a thing as expertise when it comes to "net.art" because this is too new to have any form of expertise. Anyone who claims to be an expert in my opinion is a charlatan. I would think that five years from now, things will probably be different. BG: You would pretty much put Net art in the same category of homogenized tools that you were talking about? Would you have a separate category for Net art? BW: No, and that's why I didn't like the word 'net.art' in the first place. Yes, it's art that exists on the network and it is art that thrives on the network and it is art that uses the network and has this specificity in a way. But you don't call cinema 'screen based art' and you don't really think about it as screen based art. You don't call painting 'gallery based art'. So okay, there is one very, very interesting difference maybe when we refer to Net art, which is that it is produced on the very same machine that it is meant to be experienced on. This is interesting, because in a way the mediation operates at a very different level. For instance, again, think about Video Quartet: It was made on a Macintosh. However, it was never meant to be seen on a Macintosh: rather, it is to be installed as a multi-channel projection, with 4 DVD players synchronized on to four projectors. Maybe it is going to be seen on a screen in the future but it was never be meant to be experienced in that same intimate environment in which it was created. Something that continues to fascinate me, even though it is no longer as evident as it used to be, is that the quite extraordinary thing about browser-based Net art as we know it so far, is that anyone can actually see how it is built, which is a very interesting kind of idea. The source code is still available. Mind you, as someone who could read HTML five years ago, sometimes for the sake of finding out if I can still keep abreast with what's going on, I open this source code now and I realize I'm just completely lost. It becomes completely obscure to me. People say that the problem with technology is that people keep on being fascinated by technology and they forget about the purpose of what they're doing. This is not necessarily true. There is an enormous amount of really interesting work that's being produced. There is bad stuff, as well, but there is also some produced with paintbrushes and paint tubes. We didn't wait for technology to have bad art! BG: Again, about Net art in particular - you're in the fairly unusual position of having come into an institution which had an existing 'collection' of Net art, that Aaron Betsky started. Do you plan to change the direction of that? BW: I have already. In fact, e.space is going to be re-launched in June with a completely different kind of curatorial direction. However, it is not going to be my space and my curatorial prerogative as much as it is going to be a curatorial direction which both my colleague in Architecture and Design [Joseph Rosa] and myself have decided to embrace; each from our own standpoint and each with our own rhythm. Which, I believe, is closer to trying to acknowledge what the particularities of this kind of cultural production are. Calling it a 'collection' is already something that in my mind doesn't function with regards to the particularity of this media, which is so unstable that 'collecting' does not mean much. At best it means archiving or documenting something that happened. I believe that archiving web sites is basically documenting something that is gone, because the moment you decide to archive it, that means basically it's not live anymore and if it is not live it's not the same. However, Steve Dietz with his Digital Arts Study Collection is doing the opposite. He's not worried about decay but he is also very concerned about the work still being live. The Jenny Holzer project on äda'web still works; I think that the moment it stops working, one should start questioning whether it should stay online or not, but that has not even happened yet. It sounds silly, it's only seven years old after all, but seven years is a lot of time on the net. I think that the curatorial direction that I would like to give to this is very much informed by this experience. Here we are with an art form that in spirit is probably closer to performance. It does not really have any form of income model attached to it that can be readily available for artists to support themselves. So what you have is people who are actually supporting themselves with other activities and including this either as a hobby or as a research or as whatever you want to call it. So for me what is really important is to think about how to support that kind of research, and commissioning as being the only solution that we have right at this point. In other words, providing the infrastructure; giving money to artists to produce their work and possibly extending this to being able to put them in touch with people who can help them with technical problems that they can't necessarily solve on their own. Then hosting the project and trying to maintain it, with the obvious caveat that we cannot guarantee that the work's formal integrity will be maintained forever. But with the other caveat that we do not claim ownership of this work, we merely claim the right to display it for as long as we can. That arrangement is non-exclusive which means artists can take their work somewhere else and show it in another context if they would like to preserve it in a way they think is more appropriate. The other thing that I think is important when you engage in a commissioning process, is that you hopefully establish an ongoing relationship with the artist. This means it's possible for us to revisit an agreement that was made two years ago - I'll take the example of Eden.Garden.1.0 for instance, when the plug-in that Michael and Auriea used for their project didn't work anymore, as the license expired. We had to pay for a new license for the Pulse 3D plug-in and all of a sudden we realized the work had to be rescripted. We had a very interesting discussion about maintenance, and related costs and responsibilities. Michael and Auriea said to me, 'well shouldn't we get paid for this?' And I could only reply: 'it's a very good question, I have no idea, maybe you should get paid for this. Maybe we should have a maintenance contract with you for the next ten years and every year you'd be obligated to upgrade your project so that it continues to function' That would be one approach to the issue of decay. These dialogs are about trying to understand how we are going to work with these things. What are the parameters that enable us to make a decision that is not an artistic decision but purely a maintenance decision? All these questions are really hard to answer so I think that to create a tighter relationship with the artist is a really interesting prospect. Then, I think, what the museum can also offer (which maybe other systems that would support this kind of work don't) is an educational context and a historical context. Granted, the work is not necessarily presented in the galleries, but it seems to me that there will be more and more hybrids where net-based media is something that will permeate the architectural structure of the museum, not just the theoretical structure. You can see that in the Whitney Biennial right now. BG: So, the 010101 tactic of having Net art online and not in the museum is going to continue? BW: It's interesting; I was always under the assumption that computer screen-based art should be experienced on the computer screen in an intimate sort of situation of your home, your office or wherever you have access to a computer or maybe in a cyber café but not in a museum. The more I've been thinking about it, the more I realize that it will eventually permeate that structure - the reason being that going to a museum and looking at art is also about a 'time slot'. I became acutely aware of that when I was walking with a colleague at Ars Electronica two years ago and he said to me 'I don't understand this whole Internet gallery here [Electro Lobby], I think it makes no sense'. I said to him, 'what if we were to sit down and look at all this work now'. He said to me, 'I would never do that. I would go home and I would look at it from home'. I said, 'would you?' He said ' no, I wouldn't'. Let's face it, we don't, although it is all readily available online - just go to aec.at and it's all there, and yet you don't do it. The 'Electro Lobby' is something that makes sense. So if the Electro Lobby makes sense okay, it is a festival, it's a very different kind of context. But given the fact that the museum is willing to commit itself to showing Net art, should it not start thinking about the way it is shown? There is a venue for looking at Net art in the galleries. I mean maybe it is not the galleries per se, maybe it is using the gallery as a space that is not necessarily delineating it as a gallery, but more as a venue. It's more like some kind of a salon experiment. It's something that needs to be addressed one way or the other. Is it a room where you walk in and it is all dark and there are all these screens next to each other and it's like looking like a cyber café? Or, on the contrary, is it something that is like a station in the middle of the gallery where there are paintings around you, and you are looking at something with the context of the paintings. I don't know, I really think that we need to articulate that and I think that gradually it is something again that is going to be the result of a dialog with the artist. Some of them will keep on saying no, and some of them will think this is an interesting idea. [ ] The Net_condition exhibition in that sense was like - I keep on calling it a 'necessary disaster' and I think that I still would advocate that it was a necessary disaster because it was really important to see how far can we go in this really absurd way of looking at things? I will never forget the whole idea of using mouse pads as wall labels, it was such a wonderful thing. It was really pushing it to the point of the absurd - how far can you go? And yet, you've got examples of very successful transpositions like the Netomat presentation at the Art Institute [Walter and McBean Galleries]. It was the telephone as an interface - completely removing the keyboard and trying to address the idea of the network as being something that doesn't necessarily need to be conveyed through the screen and the keyboard. BG: To go back to your 'performance model' of showing artwork. In that case, is the curator's role more that of a producer? BW: Producer is an interesting word. In fact, it's funny because it's not something that I coined at all. At first it made me very uneasy and then I completely assumed that responsibility. When Christian Marclay released Video Quartet, I realized that in the credit line he called me an "executive producer". When I questioned that, he disagreed, and said: 'well, you found the money, you found the people who helped resolve all the technical problems. You followed the production of the piece; you negotiated a contract with my gallery. You found the right people to stage it in the museum. This is what an executive producer does, in another world.' In the course of my two and half years in this museum, I found myself doing fundraising, doing production coordination, doing scheduling. Doing things that I don't think is very close to what curatorial practice may have been even ten years ago and it is clear that it is going to shift to that point much more so. BG: Thinking about the physical space of a museum, on the fourth floor here you've got two medium-sized non-natural-light adjoining rooms which Media Arts has been using consistently. You've done these 'Double Features' with an artwork/artist in each room, which seems to have been successful in getting the press to have a critical position about the differences between media arts. Was that just suggested by the space itself, or was that a chosen tactic to work with the binary combination? BW: These were the two galleries that have been assigned to the Media Arts department from pretty much the beginning. At every single institution that I have worked at, there is always the issue of territoriality. It's an exhausting battle to carry out, particularly with a set of art forms that are not easily recognized both inside and outside as established art forms, so it made sense to work with those galleries, and focus on a program that would function in that space. This state of things enables me to really work in a certain way and not in another. I'm not going to try and create a space of scholarly expression in a space that is too small to really contain a large exhibition. So, yes, in a way it has conditioned the way I'm approaching this, and I've started thinking of it from the standpoint of a much more experimental environment. So rather than saying 'I would like to curate large monographic exhibitions that will take place on the whole fourth floor of the museum' (which doesn't mean that I exclude that forever), it means that the core of my interest is a 'project' approach to things. What I end up doing is not only using these two spaces but also using the web and the theater. I try to create a dialog between those three spaces which may not necessarily have happened yet but which hopefully will happen in the future. People start recognizing that there is an ongoing program that manifests itself in various different venues but is informed by this same kind of spirit even though it is manifested according to the needs of the art being shown. For instance, it is really important to me that the Listening Room project that happens every September is now thought by everyone here as something that happens both in the theater and online and possibly as a CD that's being distributed by the bookstore. That's really important to me because I think that shows that this notion is being understood by not only myself, but also by the people I work with all around the museum.
net.art installation media art DVD time space interface software video money commissioning press education technical race
Beryl Graham Benjamin Weil Steve Dietz


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To Our Clients
Our working environment is characterized by teamwork, trust and cooperation. We work together to serve you. We honor our commitments and hold ourselves and each other accountable. We support the best in each other and know we can be the best financial services organization in the area. We are determined to succeed.


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"Délerium" Black Filigree Catseye Sunglasses
DHL Express Courier
28 DAYS RETURNS In the extremely unlikely event you don't love your purchase
BANK-GRADE SECURE CHECKOUT We use the same PCI Level 1 compliance as your bank
Hand-decorated customized filigree ornate sunglasses.
You can get these sunglasses in different coloured filigree!
Currently, my colour options are:
Silver (small extra charge)
Gold (small extra charge)
Pastel Pink
Pastel Blue
HOWEVER, these UV400 sunglasses bases can only be black, white, or red.
Just message me at check out to change the colour.
The filigree sunglasses are made of lots of little pieces of filigree I have molded, so though the same filigree pieces are used the weight, measurements & placement may vary a bit. This is the joy of handmade items… they are unique and made one at a time to order.
There are no ready-made sunglasses cases to fit these sadly but you can use a padded makeup or pencil bag to keep them safe…
While you can wear them in a hot climate in direct sun, please don't leave them in any extreme unventilated heat.
If you want prescription lenses in these please visit here: https://pearlsandswine.com/pages/prescription-lenses
Approx measurements:
Inner arm to arm: 13cm
Total width 14cm
Weight: approx 46g
My newsletter subscribers are always the first to hear about new releases & special offers.
Sign up for my newsletter here:
Quirky Hats, Statement Fascinators, Unique Jewellery & Unusual Sunglasses
Got a question? Pop me an email and I'll get back as soon as I can.


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£16.50 inc. booking fee
£15.00 face value
16+ (under 18s to be accompanied by an adult)
As a first time buyer you may be nervous about purchasing tickets through a company you've not used before. This is completely understandable, which is why we want to put your mind at ease and assure you that Gigantic Tickets are a safe, reliable place to buy tickets from a primary ticket agent. We are full members of STAR - the society of Ticket Agents and Retails. STAR is the leading self-regulatory body for the entertainment ticketing industry across the United Kingdom.
STAR members include all major UK ticket agencies as well as Gigantic Tickets and numerous venues and box offices in London and across the country. There are also associate members in other industries (such as travel) where entertainment ticketing forms part of their business and affiliate members who do not sell tickets directly to the public but support STAR's work.
Buying entertainment tickets from a STAR member - in person, by phone or online - enables you to buy with confidence, as all members sign up to STAR's Code of Practice, which requires them to treat customers fairly and make all transactions clear and straightforward.
Customers buying from a STAR member will benefit from:
To give you complete peace of mind you can find Gigantic Tickets on STAR's current full membership list here and verify our full membership by clicking here.
For more information about STAR please visit their official website here.
You can find more information about ticket purchasing, ticket security, ticket delivery and much more on our FAQ's page here, as well as on our Terms & Conditions page here.
You may also want to take a peek at our Privacy Policy too so you know you really are in the safest of hands.
We appreciate reading through our web pages might take you a little while to find the answer you are looking for, so please feel free to get in touch with us directly and our team will do their utmost to answer any queries you might have:
Contact us: Click here to find your order and contact us Address : Gigantic, 3-5 High Pavement, Nottingham, NG1 1HF


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Visiting Lecture Program 2019/20
The ICDP Visiting Lecturer Series is designed to advertise research possibilities within the DFG priority programme:
ICDP Deutschland. The seminar held at your institute will include an introduction to the International Continental
Scientific Drilling Program (ICDP) and a detailed report on a specific drilling project by a principal investigator.
ICDP coordination is grateful to offer you two well-known experts for these reports. Travel funds will be covered by the ICDP coordination office.
If your interested to invite an expert please contact us at email@example.com
Prof. Dr.
Martin Melles
University of Cologne
The El'gygytgyn Drilling Project: 3.6 Ma climate history of the Russian Arctic
Prof. Dr.
Jürgen Koepke
University of Hannover
Scientific Drilling In The Samail Ophiolite, Sultanate Of Oman (OODP)


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Last Updated: 5th March 2018
Enquir3 Ltd are committed to protecting and respecting your privacy. This policy, together with any other documents referred to within, sets out the basis on which we will process any personal data that we collect from you, or that you provide to us. Please read the following carefully to understand our views and practices regarding your personal data and how we will treat it.
For the purpose of the Data Protection Act 1998 (Act) / EU General Data Protection Regulation 2016 (GDPR), the data controller is Enquir3 Limited, Boston House, Grove Business Park, Downsview Road, Wantage, OX12 9FF
1. We collect and process data from a range of individuals:
1.1.1 visitors to our website at www.Enquir3.com.
1.1.2 individuals who are our customers who use our software and services (Authorised Users).
1.1.3 individuals who are end users of our customer's services (End Users).
You will fall into one or more of these categories of individuals.
2. We may collect and process the following data about our Individuals:
2.1 information you provide by filling in forms on our site. This includes information provided at the time of registering to use our site, subscribing to our services or requesting further services or information. We may also ask you for information when you report any problems with our site.
2.2 if you contact us, we may keep a record of that correspondence.
2.3 we may also ask you to complete surveys that we use for research purposes, although you do not have to respond to them.
2.4 details of any transactions you carry out through our site.
2.5 details of your visits to our site including, but not limited to, traffic data, location data, weblogs and other communication data and the resources that you access; and
2.6 any information incidental to that listed above.
3. Information we process about End Users
3.1 In addition to the above, we process information on behalf of our customers about our End Users including:
3.1.1 information submitted to our customers directly;
3.1.2 information collected by technology such as cookies placed on our customers' websites (please see "IP addresses and cookies" below for more information); and
3.1.3 information acquired from information suppliers or generally available on the internet.
4. Retention & Deletion
Enquir3 retains your information while you / your company remains an active client, unless you ask us to delete your information. If you stop being an active client we will retain your information unless you request that your details be deleted; however we will only contact you if we believe the information we intend to send to you could be of 'legitimate interest' to you or your company.
If you have signed up to receive our newsletter / requested information from us, we will retain your information until you request to be removed / deleted. Subject to the exceptions described below, Enquir3 deletes or anonymizes your information upon request.
Subject to applicable law, Enquir3 may retain information after account deletion:
4.1 If there is an unresolved issue relating to your account, such as an outstanding invoice on your account.
4.2 If necessary for its legitimate business interests, such as fraud prevention.
4.3 If we are required to by applicable law; and/or in aggregated and/or anonymized form.
5. IP addresses, cookies and similar technologies
5.1 We may obtain information about your general internet usage by using technology such as "cookies", which store information on the hard drive of your computer. This type of technology helps us to improve our site and to deliver a better and more personalised service for Public Users and our customers. They enable us:
5.1.1 understand visitor numbers;
5.1.2 to store information about a Public User's preferences, and so allow us to customise our site according to a Public User's interests and offer them goods or services in which we believe they will be interested;
5.1.3 to speed up your searches; and
5.1.4 to recognise you when you return to our site.
5.2 To find out more about cookies, including how to control and disable them, please visit http://www.allaboutcookies.org.
5.5 You may refuse to accept some technologies such as cookies by activating settings on your browser which allows you to refuse the setting of technologies such as cookies. If you refuse all cookies you may be unable to access certain parts of our site. If you do not activate these settings on your browser then you will be taken to have consented to the use of these technologies.
5.6 We use Google Analytics and other monitoring software on our site. These types of technologies also allow the proprietor of the technology e.g.Google to also access your information, we have no control over how your information is processed by third parties such as Google. Please read the privacy packages of the provider to understand how your information may be used by these third parties.
5.7 3rd party services that we use on our site that may set cookies include: Google Analytics
6. Where we store Individual's personal data
The data that we collect from you may be transferred to, and stored at, a destination outside the European Economic Area ("EEA"). It may also be processed by staff operating outside the EEA who work for us or for one of our suppliers. Such staff maybe engaged in, among other things, the processing of your payment details and the provision of support services. By submitting your personal data, you agree to this transfer, storing or processing. We will take all steps reasonably necessary to ensure that your data is treated securely and in accordance with this privacy policy.
7. Security and Control of Data
7.1 All information you provide to us is stored on our secure servers and is accessible only by you or, if you are an End User, the Authorised User(s) of our software and services appointed by our customer.
7.2 Please note that the transmission of information via the internet is not completely secure. Although we will do our best to protect your personal data, we cannot guarantee the security of your data transmitted to our site; any transmission is at your own risk. Once we have received your information whether collected by us or on our own, or on our customer's, behalf, we will use strict procedures and security features in order to reduce the risk of unauthorised access.
8. How we use your information
8.1 We use information held about you in the following ways:
8.1.1 to ensure that content from our site is presented in the most effective manner for you and for your computer;
8.1.2 to provide you with information, products or services that you request from us or which we feel may interest you, where you have consented to be contacted for such purposes;
8.1.3 to carry out our obligations arising from any contracts entered into between you and us;
8.1.4 to allow you to participate in interactive features of our service, when you choose to do so;
8.1.5 to notify you about changes to our service;
8.1.6 to generate personal profile reports about you which we use to help to tailor our site, and our interactions with you to suit your preferences.
8.2 If you are an existing Customer or an Authorised User of an existing customer, we will only contact you by electronic means (e-mail or SMS) with information about goods and services similar to those which were the subject of a previous sale to you or our customer.
8.3 We do not disclose personal information about individuals to advertisers or sell your information to any other organisation for marketing purposes.
9. Sharing your information
9.1 We may disclose your personal information to third parties if:
9.1.1 we sell or buy any business or assets, in which case we may disclose your personal data to the prospective seller or buyer of such business or assets;
9.1.2 if Enquir3 Ltd or substantially all of its assets are acquired by a third party, in which case personal data held by it about its customers will be one of the transferred assets;
9.1.3 if we are under a duty to disclose or share your personal data in order to comply with any legal obligation, or in order to enforce or apply our terms and conditions and other agreements; or to protect the rights, property, or safety of Enquir3 Ltd, our customers, or others.
9.2 You have the right to ask us not to process your personal data for marketing purposes. We will usually inform you (before collecting your data) if we intend to use your data for such purposes or if we intend to disclose your information to any third party for such purposes. You can exercise your right to prevent such processing by checking certain boxes on the forms we use to collect your data. You can also exercise the right at any time by contacting us at firstname.lastname@example.com.
10. Links to other sites
Our site may, from time to time, contain links to and from the websites of our partner networks, advertisers and affiliates. If you follow a link to any of these websites, please note that these websites have their own privacy policies and that we do not accept any responsibility or liability for these policies. Please check these policies before you submit any personal data to these websites.
11. Accessing your Information
11.1 The have the right to access information held about you. You can find out if we hold any personal information about you by making a "data subject access request" under GDPR 2016. If we do hold information about you we will:
11.1.1 give you a description of it;
11.1.2 tell you why we are holding it;
11.1.3 tell you who it could be disclosed to; and
11.1.4 let you have a copy.
11.2 Any formal subject access request should be made in writing to the address below. This will be provided FOC. However we may charge a reasonable fee for repetitive, unfounded, or excessive requests or additional copies.
12. How can you Update or Change your Information?
12.1 If at any time you wish to change your information, you can contact us, providing the updated information.
12.2 If you wish to opt-out of email notifications and communications you can contact us and we will ensure you do not receive any more communications.
12. Data Subject Rights
12.1 Right to Recification – the right to request the controller rectify inaccurate personal data.
12.2 Right to Object – the right to object to processing based on either public interests or legitimate interests. Processing must stop, unless the controller demonstrates compelling grounds for continuing the processing or that the processing is necessary in connection with the controller's legal rights.
12.3 Right to Object to Direct Marketing
12.4 Right to be Forgotten – the right to have the controller erase personal data without undue delay. Contingent on the occurrence of one of the following:
12.4.1 The data is no longer necessary;
12.4.2 The data subject withdraws consent (and consent is the legal basis for processing);
12.4.3 Controller has no overriding grounds for continuing processing against the objectification;
12.4.4 Processing was unlawful;
12.4.5 Erasure is necessary with EU or national law.
12.5 Right to Restrict Processing – the right to have the controller restrict processing if:
12.5.1 The accuracy of the data is contested;
12.5.2 Processing is unlawful;
12.5.3 The controller no longer needs the data for its original purpose, but needs it for legal purposes;
12.5.4 Erasure is pending.
12.6 Right of Data Portability – the right to receive a copy of your data in a commonly used machine-readable format for transfer to another controller. This will either be in .xls or .csv format.
13. Changes to Our Privacy Policy
Any changes we may make to our privacy policy in the future will be posted on this page.
14. Contact
Questions, comments and requests regarding this privacy policy are welcomed and should be addressed to firstname.lastname@example.com or in writing to Enquir3 Limited, Boston House, Grove Business Park, Downsview Road, Wantage, OX12 9FF.
his privacy policy sets out how "Enquir3" uses and protects any information that you give "Enquir3" when you use this website.
"Enquir3" is committed to ensuring that your privacy is protected. Should we ask you to provide certain information by which you can be identified when using this website, then you can be assured that it will only be used in accordance with this privacy statement.
"Enquir3" may change this policy from time to time by updating this page. You should check this page from time to time to ensure that you are happy with any changes.
What we collect
We may collect the following information:
- name and job title
- contact information including email address
- demographic information such as postcode, preferences and interests
- other information relevant to customer surveys and/or offers
What we do with the information we gather
We require this information to understand your needs and provide you with a better service, and in particular for the following reasons:
- Internal record keeping.
- We may use the information to improve our products and services.
- We may periodically send promotional email about new products, special offers or other information which we think you may find interesting using the email address which you have provided.
- From time to time, we may also use your information to contact you for market research purposes. We may contact you by email, phone, fax or mail.
- We may use the information to customise the website according to your interests
We are committed to ensuring that your information is secure. In order to prevent unauthorised access or disclosure we have put in place suitable physical, electronic and managerial procedures to safeguard and secure the information we collect online.
How we use cookies
A cookie is a small file which asks permission to be placed on your computer's hard drive. Once you agree, the file is added and the cookie helps analyse web traffic or lets you know when you visit a particular site. Cookies allow web applications to respond to you as an individual. The web application can tailor its operations to your needs, likes and dislikes by gathering and remembering information about your preferences.
We use traffic log cookies to identify which pages are being used. This helps us analyse data about web page traffic and improve our website in order to tailor it to customer needs. We only use this information for statistical analysis purposes and then the data is removed from the system.
Overall, cookies help us provide you with a better website, by enabling us to monitor which pages you find useful and which you do not. A cookie in no way gives us access to your computer or any information about you, other than the data you choose to share with us.
You can choose to accept or decline cookies. Most web browsers automatically accept cookies, but you can usually modify your browser setting to decline cookies if you prefer. This may prevent you from taking full advantage of the website.
Links to other websites
Our website may contain links to enable you to visit other websites of interest easily. However, once you have used these links to leave our site, you should note that we do not have any control over that other website. Therefore, we cannot be responsible for the protection and privacy of any information which you provide whilst visiting such sites and such sites are not governed by this privacy statement. You should exercise caution and look at the privacy statement applicable to the website in question.
Controlling your personal information
You may choose to restrict the collection or use of your personal information in the following ways:
- whenever you are asked to fill in a form on the website, look for the box that you can click to indicate that you do not want the information to be used by anybody for direct marketing purposes
- if you have previously agreed to us using your personal information for direct marketing purposes, you may change your mind at any time by writing to or emailing us at firstname.lastname@example.com
We will not sell, distribute or lease your personal information to third parties unless we have your permission or are required by law to do so. We may use your personal information to send you promotional information about third parties which we think you may find interesting if you tell us that you wish this to happen.
You may request details of personal information which we hold about you under the Data Protection Act 1998. A small fee will be payable. If you would like a copy of the information held on you please write to Enquir3, Boston House, Grove Technology Park, Grove OX12 9FF, email firstname.lastname@example.com
If you believe that any information we are holding on you is incorrect or incomplete, please write to or email us as soon as possible, at the above address. We will promptly correct any information found to be incorrect.


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Cognac Finish | Pine Solids & Cherry/Birch Veneers
| Adjustable Shelves | CARB Compliant | Bookcase can be Setup for an Additional Fee | Can Be Bunched
All of our furniture comes with a 1 Year Manufacturers Warranty against manufacturing defects. The warranty covers defects such as major wood cracks, veneer pops, visual wear and tear on upholstery, or malfunctioning of reclining. MM Furniture reserves the right to determine if the issue is warrantable. Most of our wood products have very low defect rates. However, upholstery products, especially reclining products, even the most high end, have much higher defect rates. The cost effective 5 year protection plan is a solution we strongly recommend for all customers whose purchase upholstery products.
Warranty is not covered for any of the following conditions:
- COMMERICAL use on any commercial space.
- WOOD Any natural effect in color variations or graining, natural characteristics such as knots, mineral streaks, or pitch pockets.
- MARBLE Any natural effect in color variations or graining and veining are to be expected and not considered defects.
- METAL Natural aging of metals, rust, or tarnishing due to scratches or abrasions.
- GLASS Small air bubbles, surface waving and lightly pitted areas may occur during manufacturing and are not considered defects.
- LEATHER natural markings, grain variations, and minor indentations.
- Changing colors and texture of fabrics, leathers, marble, or wood finishes over time.
- Damages due to normal wear and tear.
- Improper maintenance, improper use, improper cleaning, improper installation, or use other than intended.
- Damages incurred during assembling or maintenance.


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Find new payment solutions and streamline debt collection
Horizon Ferries is an international transport and travel service company with Europe's most comprehensive route network. During 2013, 14.6 million passengers travelled with Horizon Ferries, and the company also transported 3 million cars and 2 million freight units.
For several years now Horizon Ferries has worked strategically with innovations as a means of developing new solutions, products and services. In line with this vision, Fintech was approached to find new payments solutions to offer Horizon Ferries' customers on their website, including open invoice and partial payments options.
Because Horizon Ferries is present in many countries and serves customers from around the world, one of the challenges was to provide a common solution that would work across multiple markets with local variations.
Finally, Horizon Ferries was looking to define an efficient dunning and debt collection.
Incorporate an online ordering process
The solution proposed by Fintech incorporated an online ordering process for trips, offering open invoice as a payment method, along with various part payment options. This new offering was complemented by real-time risk assessment and validation of customers.
The solution was rolled out to a number of European countries where Fintech had partnered with the client to deliver it based on local demands (for example, ELV in Germany).
A successful transition and operational excellence
- Local solutions in a global system – Fintech uses the same API to deliver open invoice in all markets.
- Continuous roll-out of solution – Sweden, followed by Germany, Denmark and Norway.
- One single point of contact for client – one country responsible for implementation and client communications base upon local knowledge on legal and business related issues.


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iisnode encountered an error when processing the request.
HRESULT: 0x6d HTTP status: 500 HTTP subStatus: 1013 HTTP reason: Internal Server Error
You are receiving this HTTP 200 response because system.webServer/iisnode/@devErrorsEnabled configuration setting is 'true'.
In addition to the log of stdout and stderr of the node.exe process, consider using debugging and ETW traces to further diagnose the problem.
The node.exe process has not written any information to stderr or iisnode was unable to capture this information. Frequent reason is that the iisnode module is unable to create a log file to capture stdout and stderr output from node.exe. Please check that the identity of the IIS application pool running the node.js application has read and write access permissions to the directory on the server where the node.js application is located. Alternatively you can disable logging by setting system.webServer/iisnode/@loggingEnabled element of web.config to 'false'.


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Tanit Phoenix back as Katrina Banks in 'Death Race 3'
The beautiful Tanit Phoenix returns as Katrina Banks in "Death Race 3: Inferno," and she's just as badass as ever. She has some pretty incredible fight scenes in this third installment of the "Death Race" series and one very hot scene as well.
Bullz-Eye.com was on location in South Africa for the filming of the movie, and senior photographer Paul Miller had the opportunity to talk to this stunning South African actress and model. He also helped the unit photographer set up some of the sexy photos above as well. Tanit has a great sense of humor as you can see in this video, and you'll definitely want to pick up the Blu-ray/DVD set after watching her interview.
Also, check out our interviews with Michelle Van Schaik, who plays Olga Braun, along with our interview with the Death Race Nav Girls.
Posted in: Entertainment, Movies, On Location
Tags: actresses, beautiful actress, beautiful celebrities, celeb gallery, celeb slideshows, celebrities, celebrity babes, celebrity babewatch, celebrity galleries, celebrity slideshows, celebrity videos, celebrity watch, celebs, Death Race, Death Race 3, Death Race 3 actresses, Death Race 3 interviews, Death Race DVD, Death Race Inferno, famous actresses, female celeb video, female celebrities, female celebs, Hollywood starlets, hot actresses, hot celebs, hottest movie stars, Katrina Banks, movie stars, sexiest movie stars, sexy actresses, sexy celebrities, slideshows, Tanit Phoenix, Tanit Phoenix Death Race, Tanit Phoenix gallery, Tanit Phoenix interview, Tanit Phoenix video


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This website or its third-party tools use cookies. Please read Privacy Policy, paragraph 9 for more details.
By closing this banner, scrolling this page, clicking a link or continuing to browse otherwise, you agree to the use of cookies.
Product images are for illustrative purposes only and may differ from the actual product
Versace Blue Jeans Man EdT 75ml
A clear sky, a warm wind, a masculine perfume. A surprising, immediate and clean freshness.
Please find the exact information about the ingredients on the packaging of the product.
Read more
Where to pick up
Pick up the goods you have chosen at Boryspil airport "Heinemann Duty Free". Pick-up point is located opposite to gate D7. You need to give your pre-choice's number or your name to collect your purchase.
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Speedtest® for Mac
There's nothing faster than launching a Speedtest straight from your Mac toolbar. Download the free Speedtest macOS app today for the quickest way to check your connectivity. Get a real-time check of your ISP's performance and detect trends over time with data on:
- Download speed
- Upload speed
- Ping
- Jitter
- Packet loss
Available in 17 languages
Our mission at Speedtest by Ookla® is to make the internet faster by providing data and insights on real-world internet speeds. With billions of tests worldwide, we meet you where you are with apps for the devices you use most.


text:
Jiří Eischmann
Fedora ambassador, packager, a free software enthusiast, desktop engineering manager in Red Hat.
Leave a Reply Cancel reply
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The opinions expressed on this website are those of each author, not of the author's employer or of Red Hat. Fedora Magazine aspires to publish all content under a Creative Commons license but may not be able to do so in all cases. You are responsible for ensuring that you have the necessary permission to reuse any work on this site. The Fedora logo is a trademark of Red Hat, Inc. Terms and Conditions


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The Holy Bible – Old Testament
Micah Chapter 2
1 Woe to them that devise iniquity, and work evil upon their beds! when the morning is light, they practise it, because it is in the power of their hand.
2 And they covet fields, and take them by violence; and houses, and take them away: so they oppress a man and his house, even a man and his heritage.
3 Therefore thus saith the LORD; Behold, against this family do I devise an evil, from which ye shall not remove your necks; neither shall ye go haughtily: for this time is evil.
4 In that day shall one take up a parable against you, and lament with a doleful lamentation, and say, We be utterly spoiled: he hath changed the portion of my people: how hath he removed it from me! turning away he hath divided our fields.
5 Therefore thou shalt have none that shall cast a cord by lot in the congregation of the LORD.
6 Prophesy ye not, say they to them that prophesy: they shall not prophesy to them, that they shall not take shame.
7 O thou that art named the house of Jacob, is the spirit of the LORD straitened? are these his doings? do not my words do good to him that walketh uprightly?
8 Even of late my people is risen up as an enemy: ye pull off the robe with the garment from them that pass by securely as men averse from war.
9 The women of my people have ye cast out from their pleasant houses; from their children have ye taken away my glory for ever.
10 Arise ye, and depart; for this is not your rest: because it is polluted, it shall destroy you, even with a sore destruction.
11 If a man walking in the spirit and falsehood do lie, saying, I will prophesy unto thee of wine and of strong drink; he shall even be the prophet of this people.
12 I will surely assemble, O Jacob, all of thee; I will surely gather the remnant of Israel; I will put them together as the sheep of Bozrah, as the flock in the midst of their fold: they shall make great noise by reason of the multitude of men.
13 The breaker is come up before them: they have broken up, and have passed through the gate, and are gone out by it: and their king shall pass before them, and the LORD on the head of them.