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Thursday, September 1, 2011
Distinctively D&D
Now, that probably sounds like crazy talk and perhaps it is. After all, I am playing D&D; why wouldn't I want monsters that are strongly associated with D&D in my campaign? Well, the game rules I'm using may be D&D but I don't think of the world I'm describing through them to be a "D&D world." To me, it's merely a fantasy world -- a fine distinction, maybe, but a real one. To put it in more concrete terms, nothing about the presence of, say, a goblin or even an orc in an adventure suggests anything about the nature of the world outside that adventure. But a beholder? An umber hulk? A sahuagin? Demogorgon and Orcus? Monsters like those carry with them certain larger assumptions, or at least expectations, that I don't want brought into my campaign.
Obviously, there are degrees here and everyone will personally draw their lines on different places in the sand. For example, I don't have any problem with carrion crawlers or displacer beasts in my Dwimmermount campaign, even though both of these creatures are rightly, in the minds of many, seen as "D&D monsters." So, I can imagine someone feeling similarly about beholders or ixitxachitl, while I reject them both as so strongly tied to a certain specific conception of D&D that I don't want to bring to bear in Dwimmermount. If I were playing a Greyhawk-based campaign, though, I wouldn't hesitate to use most of these creature, because, to me, they're part and parcel of Oerth.
At the same time, I want to go on record as disliking the approach adopted most famously by Lamentations of the Flame Princess wherein every monster is unique. To me, that'd be like playing AD&D using Appendix D of the DMG in place of the Monster Manual. Certainly it'd make it harder for players to use their much-hated metagame knowledge to their characters' advantage, but I've come to believe that, the more of D&D's fundamental building blocks one rejects, the less the game feels like something recognizable to anyone outside that campaign -- and monsters are a very important building block. Which ones we use (or don't) can have wide-ranging consequences.
46 comments:
I totally agree...& I come at it from the other side. I don't run on a DnD system, so when I throw in a DnD inspired creation, it really seems out of place in my World of Darkness system game. Hiking through the gruesome alien animal-forests of the Green Planet? Well, a Mandrillagon is sure spooky & strange.
ReplyDeleteHm. I think I kind of do the same thing, but for different reasons. For me, D&D is the Basic and Expert sets, with a smattering of the Companion Set, so things like Mind Flayers and Beholders and Umber Hulks are all things I have to consciously place into my games. Gelatinous Cubes, stinky Troglodytes, Green Slime, Displacer Beasts, Blink Dogs - all of those things tend to fall right into my games right next to the unicorns and the vampires and goblins despite being pure D&D-isms. Heck thinking about it I'm probably more likely to use a Thoul than an Umber Hulk.
ReplyDelete- AnonymousSeptember 1, 2011 at 4:09 PM
it's funny. Beholders are the one monster for me that fits nowhere really but is so D&D it would not be the same game without.
ReplyDelete Having no monster species is limiting design choice in my view, particularly when considering races of humanoids even if they are of ones own invention. A goblin tribe is a different beast to a single goblin. Similarly a tribe of tentacled Blue Men is more interesting than a single Blue man.
Not being able to reinvent or give life to old familiar monsters is a failure of imagination and possibly a sign of a poor DM. Those monsters were originally chosen because they inhabit our consciousness in a much deeper way than yet another random concoction from the monster vat. Personally I find that while randomly generated monsters may vary wildly mechanically they all *feel* much the same to me.A very good post. You have given me some food for thought on monsters. I did like what Raggi was saying in LotFP, yet when I tried to come up with something for more than a session or two for a game, I was stuck. Then again, as a DM, we know we don't have to be slavish to the source material. We can take what we want and leave the rest alone.
ReplyDeleteI've an interesting dilemma the past few years. Some of my players are instantly turned off by the D&D-ish monsters and I've gone to more of a LotFP model in that regard.
Funny, though, it isn't Umber Hulks and Carrion Crawlers that bother her, but goblins and orcs, and I feel that my campaign takes on a very different feel because of it.When it comes to fantastic monsters, I think unique monsters can be more fun than repeatedly encountering members of the same "species." Fighting Medusa is more epic and interesting than fighting a medusa. But if you do this, you don't just place her as a throwaway encounter: you make her a centerpiece and you make the players learn about her, track her to her lair, and (hopefully) defeat her. You can also play her to the limits of her abilities and intelligence, rather than use her as sword fodder.
Other creatures can be encountered repeatedly, such as orcs and goblins. In fact, for humanoids, I think the problem is too many varieties. I'd prefer to have one or two goblin races, or maybe a maximum of one kind in any given locale. For example, a human-sized race of monsters that live in tangled woods, short goblins who live underground and sometimes venture out at night, and maybe also a rarer race of large, solitary bugbears who prowl the same tunnels and caves. I never really did like the Caves of Chaos type setting where goblins, orcs, kobolds, etc. all lived like warring nationalities in the same geographic area.How many, how many different kinds of, what kinds of, and which specific monsters should be in a game depends entirely on what sort of game you want to play.
There are no wrong choices -- just different choices.
Even playing D&D without any monsters at all wouldn't make it any less D&D.
D&D isn't necessarily a game about killing monsters (or taking their stuff).For myself, I prefer creatures of my own design or classic one's from mythology and story. But every so often it's fun to drop the occasional Umberhulk or Beholder into the game when the moment feels right. The last time I actually used a Beholder was one who preferred to paralyse or stone it's opponents then outright kill them for a numer of purposes like selling them to evil wizard, a tribe of orcs slavers, or even the times it felt lonely, have someone to "sing" too! LoL!
ReplyDeleteI'm on the fence on this one.
I agree with Raggi's idea that the humanoids could all be replaced by humans. Whether it's with self-mutilating cultists or plain bandits every kind of humanoid evil can be covered off by people. Raggi's take is that this makes the monsters you do encounter that much more interesting because they are rare. I think he could be on to something there.
Still, he could have included a bestiary that reflects his ideas of "weird fantasy" as a starting place for DMs/GMs/Refs. James' makes a good point that the D&D Monsters carry with them the weight of the typical D&D settings. These monsters will create certain expectations. Raggi creates a spooky shape-changer called a changeling for his intro adventure in his rulebook. Even a short list would have helped make his setting distinct, set certain player expectations and help firm up his game's flavour.Interesting post, James, and very much relevant to my gaming plans.
I'm finally gearing up to run a D&D game with old school sensibilities, and I'm really torn on what not to use. Specifically on the issue of character classes, I've even inquired at my favorite RPG forum on the merits and drawbacks of having a few archetypal classes (including handling demihuman races as classes) vs. the AD&D approach of multiple classes and sub-classes, with race as a distinct choice.
Heck thinking about it I'm probably more likely to use a Thoul than an Umber Hulk.
I'm a huge fan the BECMI/RC bestiaries myself, and this comment made my day! The thoul is a three-way hybrid of troll, hobgoblin and ghoul, and I spent quite a few minutes of my bored early teens trying to figure out what it would look like. And of course, everyone knows that gnolls are not hyena-men, but another hybrid, this time of gnome and troll (even though my 1992 D&D Introductory Set already portrayed them as hyena-men of sorts).
BTW, I'm sure there's an interesting story about the early days of the hobby behind the weird hybridized troll monsters, and their inclusion on the game.I think I prefer the "every monster is unique" approach. That is, after all, the way it worked in legends and mythology. Something that always bugged me about D&D was how every unique entity--Medusa, the Minotaur, etc--became a species. To me, this always felt more sci-fi than fantasy, which I understand works for some campaigns but not so much for mine.
ReplyDelete- AnonymousSeptember 1, 2011 at 6:30 PM
You can also reskin monsters. Say, instead of a Beholder, it's a slorping ooze monster with multiple mouths and beautiful singing voices. Each voice causes a magical effect on whoever the voice sings to. Old and wise ones can combine the voices to make harmonies that do different magical effects. Call it a Dungeon Choir or something. Bam, new monster, but you basically just replaced the Beholder with it.
Also please realize that some players love that sort of standard D&D thing, maybe those who haven't played it much, to whom the tired old tropes are new. "Raggi's take is that this makes the monsters you do encounter that much more interesting because they are rare...Still, he could have included a bestiary that reflects his ideas of 'weird fantasy' as a starting place for DMs/GMs/Refs."
It seems clear to me that Raggi (correctly) foresaw that, if he did anything like that, then any examples he gave would immediately become 'standard' monsters. So he (wisely) didn't do it.I tend to do a mix - which I suspect is the most common approach. I use some monsters as-is from my source game (GURPS Dungeon Fantasy), I use some coverted D&D monsters, some from Rolemaster, and even more from my own imagination. I was able to write half a (short) monster book based on made-up stuff from my own campaign for that reason.
The really D&D specific monsters - mind flayers, beholders (and thus gas spores), gelatinous cubes, umber hulks, etc. I tend to avoid or at least modify a bit. They seem so D&D as to be jarring in a way that home-brewed monsters are not. They drag me out into the world of TSR/WOTC supplements and out of my own game in a way that a monster from a game no one ever heard of but me or a homebrew does not.
I think it's amusing that you mentally tie beholders to Greyhawk. I know they originated there, but like lots of gamers I played in the Forgotten Realms and it often seemed like it was more like "The Beholder Realms.""...some players love that sort of standard D&D thing, maybe those who haven't played it much, to whom the tired old tropes are new."
Good point!
And some long-time players, like me, still love the standard D&D thing even though we've played it lots.
The way I keep the old tropes from getting tired is by using all of them a few at a time -- so none of them end up getting used too much.Raggi also stated, I think in his newest interview over at the Save or Die podcast, that he didn't want to step on Goodman's Games' toes since they are publishing his Esoteric Monster Generator (or whatever the full title is) by replicating the info in his game.
He does provide the mini generation system in his summoning spell though.
@D - "Something that always bugged me about D&D was how every unique entity--Medusa, the Minotaur, etc--became a species. To me, this always felt more sci-fi than fantasy, which I understand works for some campaigns but not so much for mine."
That's been my issue for years as well. "Monsters" should be manifestations of a social, sacral, magico-religious, or all of the above, imbalance* if one wants a mythic feel and whether or not they have physical ontology or not, treating them like an alien species changes the tone from one mimicking human mythic tales into something similar to a space zoo where all these things exist artificially together like some large version of the cantina scene in Star Wars.
*the word 'monster' is rooted in the latin word 'monere' meaning a 'warning' or a 'portent'. Two books which add to Raggi's Weird Fantasy approach and the historical (and pre-Modernity) nature of monsters are "On Monsters: An Unnatural History of Our Worst Fears" by Stephen T. Asma and "Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors" by David D. Gilmore
Any campaign that wants monsters to be more than an entry in a bestiary could benefit from being informed by both those books.Osskorrei said...Two books which add to Raggi's Weird Fantasy approach and the historical (and pre-Modernity) nature of monsters are "On Monsters: An Unnatural History of Our Worst Fears" by Stephen T. Asma and "Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors" by David D. Gilmore.
Thanks! I just added them to my Amazon wish list!I absolutely disagree that all humanoid monsters can be effectively replaced by humans. If you're just casting your humanoids in the role of bandits, maybe - that's a role that doesn't need a monster. Bandits are still men. They might be mean or vicious or crazy, but they're fundamentally the same as we are, and we know it. A goblin is not a man. It does not necessarily want what men want.
ReplyDelete(I didn't mean to refer to bandits specifically. If I meet a ravening cultist of Qom, I may not share her devotion to the Mother of Eyes but we'll still have something to talk about in between her trying to kill me. We eat the same food, feel the same fears, live in the same world. If I meet a goblin, I have no idea what's going on behind its eyes.)
ReplyDeleteEd Dove said...
"For some reason, I immediately imagined a Beholder awkwardly singing "Her name is Rio and she dances on the sand..."
It was just one of those fun little spontaneous moments that happen in the game. I don't know what the official Canon is with them( or really care) but I always imagined them as the type of "weirdo" monster Basil Wolverton or Ed Big Daddy Roth would of created and somehow left their "weirdworld" by some way or another. At least that's my take on em'.
1d30 said...
"Also please realize that some players love that sort of standard D&D thing, maybe those who haven't played it much, to whom the tired old tropes are new."
If you want to keep monsters exactly the same way as they are in the DMG, be my guess. But if a GM decides that the orcs in his campaign all have big floppy bunny ears and all dragons exhale clouds of flaming honeybee's then he has that right because it's HIS world. If you don't like it, tell him. I'm sure he can point you in the direction towards the local 4E games playing close by.
Really now, you should know better. Especially if your posting on a blog devoted to retro/old school style RPG's. Sheesh..Hey, crowking... Why you ragging on 1d30 like that? All s/he said was that the old standard D&D monsters might work just fine for newer players because they're new to them. And that's true. And it has nothing to do with edition preferences. And it's certainly not any sort of affront to devotees of retro/old-school RPGs either. In fact, it's a reason why retro/old-school RPGs might have even more appeal to newer players than they do to us experienced ones. So lay off, dude.
ReplyDeleteI think a combo of monster as races and then some unique or at least very rare monsters now and again is the way to go. Just like "weird fantasy," unique monsters is not a new concept. Sometimes I have created my own weirdo beasties that are unique to the world, and sometimes I use common ones. When I want one that is just very rare, I pop open a monster book I don't use often, such as MM2 or FF.
Having unique monsters for lots of encounters in itself can get old. Want a campaign to stay fresh? Then add a little from column A, and a little from column B.@ James: Hmmmmm...
You know, I've often said (and written) that AD&D feels like Gygax's house ruled campaign...so much so that I've come to treat it as such. Recently, I've begun writing/designing my own "fantasy heartbreaker" (i.e. a fantasy RPG that knocks off D&D with certain choice corrections...not necessarily for publication) and the monster chapter is one I've pretty much sorted out. AND I found most of the monsters I chose to include were "non-D&D specific" simply because I, too, wanted a more "generic" feel based on mythology and literature.
That means most of my monsters are simply from Volume 2 of the LBBs, with a few B/X animals...a slim list, but ample for what I want. At the time, I wasn't thinking in terms of "EGG is too distinct" but that's exactly what it was!I think James' post makes lots and lots of sense and I actually agree with it fully. There's a certain slice of monsters which are really "generic", and that list is pretty much identical to what's in OD&D Vol-2. After that point, expansion of the game required "inventing new monsters", and thus you get stuff that's D&D-only (and branded IP), and does not have the history of myth and literature to back it up. (Some of which can be immensely cool, but still -- harder to pull off in general.)
Using Vol-2 as your "core" is a great choice (more so than the MM), and it's one of the exact things that excited me so much when I saw the LBBs for the first time at a very late date (i.e., about 5 years ago).Ed Dove said...
"it's a reason why retro/old-school RPGs might have even more appeal to newer players than they do to us experienced ones. "
Am I am I telling you how to run your game or anyone else ? No, but Mr.1d30 and yourself obviously thinks so and that's where you crossed the line. Retro gaming and the philosophy is not about conforming to what the rule books say but to change them any way you want--or not too!
More appeal you say? Like maybe adding feats and action points to Labyrinth Lord or even Swords& Wizardy? LOL! Your really are posting in the wrong blog DUDE.D said: "I think I prefer the 'every monster is unique' approach. That is, after all, the way it worked in legends and mythology."
Elves? Dwarves? Leprechauns? Titans? Centaurs? Cyclopes? Nymphs? Harpies? Sirens? Satyrs? Hippocampi? Hecatoncheires? The Seelie Court? The Sidhe? The Fir Bolg?John: I think that the point is that the role played by humanoids can be filled by humans in every case. Certainly, alien creatures are not humans, but they fill general roles in the games we play. Goblins play the role of "bandits", generally, which role can be played by humans. They may also play the role of "gypsy merchants", which role can be played by humans, or "barbarian horde", which role can be played by humans, and so on.
ReplyDeleteThis is a wonderfully fascinating approach to the question of or more appropriately the decisions regarding monsters.
When I am running D&D (a rare occaision over the past 20 years but not an unknown one) I tend to use monsters that are strictly D&D is as either the unique freaks of nature/supernature/magic that they are as opposed to creatures from myth and folklore just because I am playing D&D.
More clearly, I use Umber Hulks periodically in D&D because there is no where else an Umber Hulk would appear. If I were running Ars Magica, no Umber Hulks. If I were running Pendragon, no Umber Hulks.
Now, I use folkloric creatures as often as I can, preferring them to Gygax's wacky menagerie of beasties but, to put it one way, "It wouldn't be D&D without a Rust Monster or a Beholder."
As is often the case, I disagree with Raggi on the use of Humanoid monsters. A disciple of old school Star Trek, I have learned it is sometimes very effective to show humanity it's faults in the guise of aliens or monsters.
As such, Orcs are extremely rare in my universe, to the point of some of my players asking me if there were Orcs on the campaign world.
First, Orc is a name give to a particularly tall (Human height or slightly taller) goblin. In some regions these same creatures (albiet with different skin tones) are known as HobGoblins. Second, the Orc has been hunted to extinction as Humanity expanded into the less pleasant regions of wilderness. Drained swamps, irrigated desert regions and the like have robbed the Orcs of their homes.
Currently, the largest Orc population is a small island just off the Southern coast of the North Western continent. They were moved there in a 'Native American Reservation' allegory story I did many year ago. There are no more than 150 Orcs on the island. Sages believe there are less than 300 Orcs world wide.
Yes, I could have told that story with Humans but the effect of using Orcs, creatures D&D PCs normally view as evil without thinking about it was very helpful in giving the story weight.Hi James,
When you say: "Well, the game rules I'm using may be D&D but I don't think of the world I'm describing through them to be a "D&D world.", is this, essentially, a reference to branding, and so your decisions to include certain monsters but not others a rejection of the Official D&D Brand? I.e., the early 80s Brand as the albatross about the game's neck thereafter.
Raggi's approach, which I don't completely disagree with but also haven't come to terms with, seems to be another way to "unbrand" a fantasy RPG from D&D, though I'd suggest it's in the same spirit at the end of the day.
If so it seems that a key aim of the project of the early version proponents is de-merchandizing D&D, rather than just going back to lighter rules, simpler times, fast play, and the usual canards. De-merchandizing is a more interesting goal than lightening rules.@crowking
If I'm understanding you correctly, you seem to think, for some reason that I don't understand, that 1d30 & I are somehow against the retro/old-school way of RPGing.
Is that correct?
And, if so, why do you think that?
And, if not, what do you mean?
I ask because I know that I'm not against the retro/old-school way of RPGing.
And I don't know what I said that might've given you the impression that I am.
And 1d30 certainly didn't say anything that gave me the impression that s/he's against the retro/old-school way of RPGing either.
So I don't understand why you're wigging out.
Neither of us said anything against anybody doing whatever they want with their games.
And neither of us said anything even suggesting that we think either our own ways of RPGing, or conformity to any books, or anything from any newer editions would be better than any retro/old-school ways of RPGing either.
1d30 just said that the old standard monsters could work just as well for people who they're as new to now as they were to us when we first started playing.
That's all.
Why did you think that was some sort of criticism of the retro/old-school way of RPGing?
And I just explained how what 1d30 really said not only wasn't any sort of criticism of the retro/old-school way of RPGing, but actually pointed out an aspect of the retro/old-school way of gaming that newer RPGers might find even more appealing than we experienced RPGers do.
How did you read that as saying that adding stuff from newer editions could make retro/old-school RPGs more appealing to newer RPGers?
It not only doesn't mean that -- it's actually nearly the opposite of that.
How carefully do you read what people write before you respond to it?
I ask because you seem to think that 1d30 & I have said things that not only aren't what we really said, but are about the opposite of what we actually said.
So, I hope, if you go back and read more carefully, you'll see that the things you've been responding to in what you thought 1d30 & I wrote aren't actually there at all.Well, 1d30 made a point--signaling out Beholders who can SING no less-- that instead of added or changing the monster as it's written, you should just make up a new monster because there's people who like the standard old monsters just the way they are. Including for me or whomever, to "please realize" that as well. There's no other way to respond to that other then to make a point that I think he was wrong.
Anyway, if that wasn't you or 1d30 attention, fine and I'll drop it. But it didn't read that way on my end .
Note: no, Beholders don't sing like Frank Sinatra or Lady Gaga. In my campaign they know only their own language which is comprised of deep, guttural vocal tones, that to the unknowing ear, could be interpreted as singing of some sort. My personal two cents to D&D's most oddball monster."You can also reskin monsters. Say, instead of a Beholder, it's a slorping ooze monster with multiple mouths and beautiful singing voices. Each voice causes a magical effect on whoever the voice sings to. Old and wise ones can combine the voices to make harmonies that do different magical effects. Call it a Dungeon Choir or something. Bam, new monster, but you basically just replaced the Beholder with it."--1d30
That's not saying "that, instead of adding to or changing the monster as it's written, you should just make up a new monster".
It's just explaining how it's possible to change the superficial details of a monster so much that it seems like a completely new monster even though it still works effectively the same way.
That's all.
So it's not a criticism of crowking (or anybody else) for how crowking (or anybody else) runs Beholders (or any other monsters).
It's just an explanation of how people can, if they want to, run monsters so differently from the book that they seem like completely new monsters, using Beholders as an example.
"Also please realize that some players love that sort of standard D&D thing, maybe those who haven't played it much, to whom the tired old tropes are new."--1d30
That's not saying "that, instead of adding to or changing the monster as it's written, you should just make up a new monster because there's people who like the standard old monsters just the way they are."
It's just pointing out that, when playing with newer players, it's not necessary to add to or change monsters to make them new because they're already new to those players.
That's all.
So it's not a criticism of crowking (or anybody else) for how crowking (or anybody else) runs Beholders (or any other monsters).
It's just a reminder that people don't need to change monsters to make them new if they're playing with newer players to whom those monsters are already new.
"Beholders...know only their own language which is comprised of deep, guttural vocal tones, that to the unknowing ear, could be interpreted as singing of some sort."--crowking
Now I'm imagining them sounding like Barry White.
"Hey, Baby..."@John: " A goblin is not a man. It does not necessarily want what men want."
Well - maybe. I think the point here is that if you play standard D&D humanoids rhe way the published materials teach you to, they want exactly what men want. They're immediately recognizeable to us. True, they're caricatured but never unrecognizable so, and certainly no more than RL cultures have portrayed others. That's indisputably the role they've been cast in in traditional RPGs (ie as substitute humans).@Charles Ferguson: That's fair to say, yes. I won't try to argue with you about the way humanoids are generally used. I've used them that way myself, though nowadays I usually try not to. But I think that to replace humanoids with humans entirely means missing a lot of opportunities.
Even if your humanoid monsters aren't all that different to humans in actuality, the fact that they're alien gives them a certain feel and a certain amount of uncertainty that makes them better suited for a lot of roles. For bandits and cultists, I use humans. Subterranean civilisations, cannibalistic gnolls, and mysterious wandering lizard-people, I could theoretically all replace with humans, but I'd change what they were in the process, and end up with a different feel entirely.
Also, as you mention, non-humans can be useful shorthand for different cultures as viewed by others. Dwarves are based on mediaeval stereotypes of Jews. You couldn't have a race of humans in a campaign that were universally gold-loving, taciturn craftsmen, because we all know too well that you can't categorise an entire group of people like that - it strains suspension of disbelief, besides the nasty implications. But since dwarves are a different species, it's okay for them all to be one big stereotype.I seem to be swimming against the grain here. A couple of thoughts:
1. I don't play D&D or any of its clones so that I or my players can face the iconic monsters from myth alone (or even just those from LBB 2) - I like the more outre ones, at least in appropriate numbers and locations. I'm also not going Raggi here (no need for completely bizarre monsters each time), but I very much like having a large palette of monsters from which to choose when it comes to keying my adventures. Of course there are some that I never use and/or hate, but in general I have no problem picking and choosing from as large a range as possible. In this light, I'm not completely sure what James means by 'associations' attached to certain monsters. Clearly within a particular gaming group there may well be associations (a type can get tired or over-used, and hence may need to be retired), but, at least in my experience, no one associates certain monsters with AD&D versus some sort of base criterion of monstrosity (it's also true that my players are relative newbies with no way of associating monsters with particular editions or contexts).
2. I also have never had any problem with monsters as species (rather than solitaries), at least in the context of D&D. More than one medusa? fine! (But I respect the appearance chart in the MM). In keeping with my ideas about a broad palette, I'll use 'em all, and as often as necessary. If I want a 'special' or iconic monster, I'll create my own or amp up an existing monster.
3. My players like variety, and I like the fact that a) I can keep them guessing by employing a wide variety of the better monsters invented by smart people over the past 40 years, and b) I can and will tweak the stats and abilities of any monster, even a humble goblin, as I see fit and as makes sense in my game.
YMMV, clearlyThis depends on the game world. Does your world have a bunch of common monsters as part of the background? Orcs, goblins, werewolves, vampires, etc?
Does it make sense in context? I have a campaign set in a haunted vale with plenty of undead that make other kinds of undead and demons that infect and infest others making more similar monsters.
My campaign has recurring monsters, special recurring monsters (elite evil priests for instance) and special monsters, (demons, evil critters that feed off death and dying etc).
Other campaigns I have run have all been unique monsters and antagonist races that were less unique.
Either way is possible with D&D less so with AD&D.


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Hibs and Ross County fans on final
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- Count.Take the time to count your calories. There are a lot of free apps available that will help you track your daily intake. You might be surprised at how much you're really eating. Not only that, you will likely identify patterns and habits that you had never noticed before.
- Cut.Every time you eat, try to eliminate some fat and add some protein to your plate. If you're anything like me — and most Americans are — your diet is too high in fat. Making small changes like swapping higher-fat proteins for lean chicken or fish and cooking with less oil or eating less salad dressing will add up over time.
Lifestyle change is about making the best choice you can, as often as you can.
It's important to remember that lifestyle change is not just about weight loss. If it were, cutting calories would be the only requirement. My goal is to improve my overall health, which means looking at the types of calories and nutrients I'm eating. That's why, two months into my lifestyle change, I decided it was time to incorporate some additional rules from the Dietary Guidelines:
- Consume less than 10 percent of calories per day from saturated fat. For me, that equals 250 calories, or 28 grams (250 calories/9 grams of fat per calorie).
- Consume less than 10 percent of calories per day from added sugar. For me, that equals 250 calories, or 63 grams (250 calories/4 grams of carbohydrate per calorie).
- Consume less than 2300 mg per day of sodium.
- Limit the intake of trans fats to as low as possible.
There are reasons why these four nutrients — saturated fat, added sugar, sodium and trans fat—are highlighted in the Dietary Guidelines. Saturated and trans fats are associated with an increased risk of heart attacks and cardiovascular-related deaths. Consuming high amounts of added sugar (note that this does not include naturally occurring sugars like those in fruits and milk) makes it extremely difficult to meet nutrient needs while staying within calorie limits. High levels of sodium consumption can lead to high blood pressure and heart disease.

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The AC-D series of modular F.R.L. brings a modern appearance to SMC's line of air preparation equipment while maintaining the high performance of our other series. The maximum set pressure of the AC-D is 825 psi allowing use in a broad range of applications. Most of the features of the AC-A and -B have been incorporated into the AC-D – transparent bowl guards for full visibility; embedded gauges and pressure switches; reduced maintenance space and simplified element change on AF-D series filters.
Modular design with uniform body style
Mounting interchangeable with existing product
Expanded range of piping adapters, interfaces and modular pressure switches
Simplified assembly
Rc, NPT, or G threads


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Flowers for Her : Flowers for Her
For Her
When it comes to gifts for women, flowers are an easy winner. Flowers are typically a popular love for most women and are enjoyed any time of year, whether it's a special occasion or whether it's just out of the blue. A surprise bouquet of beautiful fragrant flowers, will get any partner into the good books! As well, when looking for a gift for a friend, family member or colleague, flowers are a certain choice that will be received with joy and happiness.


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Payment 100% secure through Stripe
Delivery within 5 to 10 working days
Free returns 14 days after delivery
Primary Styles - Original screenprint made of 3 colours and hand-embellished by the artist - Limited to 20 copies - Numbered and signed by the artist on the front (2022).
All original artworks available in our catalogue are sold with a certificate of authenticity and an original invoice. A unique version will be sent to you upon delivery of your artwork but you will always have the opportunity to download a copy in the section "Orders" of your personal account.
When clicking on the button "Add to cart", your artwork will be added to your shopping cart and you will then need to proceed to checkout to confirm your order. You will be able to make the payment of your order by using a credit/debit card or through a bank transfer (SEPA) by contacting us.
Shipping costs may vary depending on the dimension of the artwork and the distance to be covered until the final location. They will therefore be automatically displayed when confirming your address and the delivery will then be made within 5 to 10 working days after receipt of the payment.
Whether an artwork does not correspond to its description or because it doesn't meet your expectations, you will be able to return it for free. You will have to contact us within 14 days following the delivery of your artwork, we will organize the pick-up and you will get a full refund.
We only sell originals artworks that are delivered with a certificate of authenticity signed by the artists or our trusted galleries.
We provide you a safe transaction process which currently accepts online payments from a wide range of credit and debit cards.
We ship worldwide and all our carriers offer full transparency on shipping costs along with insured and trackable deliveries.
We take your satisfaction seriously. If an artwork doesn't suit your expectations, return it within 14 days for a full refund.


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Many of us think of depression as a psychological condition. The causes of depression are sought in the person's childhood or in her personal circumstances as an adult. But within the last 10 or 20 years depression is increasingly being evaluated within a physiological context. Various disease states and physical disorders are being recognized as important contributors to depression. This viewpoint is empowering to persons with depression and often provides a way forward when progress has been minimal or absent.
Those with depression experience both physical and psychological pain. It is well-documented that chronic physical pain can lead to depression. Also, it is well-known that depressive states can cause physical pain. A feedback loop (vicious circle) is often created in which physical pain makes a person's depression worse and the person's depression makes the physical pain worse.
In addition, changes in brain physiology may cause a person to be depressed. In other words, abnormal electrical activity in the brain - which, of course, is not under the person's conscious control - may result in depression. The brain's electrical activity is evaluated by a method known as quantitative EEG (QEEG).1 For those with clinical depression, the QEEG often demonstrates too much slow-wave activity in the left front brain (prefrontal cortex) and too much fast-wave activity in the right prefrontal cortex.
For those with clinical depression, the light of the world is considerably dimmed. The mood of a depressed person is low and he loses interest in normally pleasurable activities. Depressive disorders interfere with a person's work and/or school activities, family life and social life, and overall health. Lack of energy, lack of appetite, and decreased physical activity are all associated with clinical depression.
An access to relieving chronic depression may be found in encouraging the person to begin to engage in physical activity.2,3 Such activity may be difficult for those who are severely depressed, and yet all persons with depression should be presented with this form of therapy.
Additionally, chiropractic care may be of great benefit for those with clinical depression. The pain relief and improved musculoskeletal function afforded by chiropractic care may help reduce the physical component of ongoing depression.
1Hargrove JB, et al: Quantitative electroencephalographic abnormalities in fibromyalgia patients. Clin EEG Neurosci 41(3):132-139, 2010
2Gill A, et al: Clinical Inquiries: Does exercise alleviate symptoms of depression? J Fam Pract 59(9):530-531, 2010
3Uebelacker LA, et al: Hatha yoga for depression: critical review of the evidence for efficacy, plausible mechanisms of action, and directions for future research. J Psychiatr Pract 16(1):22-33, 2010


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22 The eye is the lamp of the body. So, if your eye is healthy, your whole body will be full of light; 23but if your eye is unhealthy, your whole body will be full of darkness. If then the light in you is darkness, how great is the darkness!
24 No one can serve two masters; for a slave will either hate the one and love the other, or be devoted to the one and despise the other. You cannot serve God and wealth.*
25 Therefore I tell you, do not worry about your life, what you will eat or what you will drink,* or about your body, what you will wear. Is not life more than food, and the body more than clothing? 26Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they? 27And can any of you by worrying add a single hour to your span of life?* 28And why do you worry about clothing? Consider the lilies of the field, how they grow; they neither toil nor spin, 29yet I tell you, even Solomon in all his glory was not clothed like one of these. 30But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the oven, will he not much more clothe youyou of little faith? 31Therefore do not worry, saying, What will we eat? or What will we drink? or What will we wear? 32For it is the Gentiles who strive for all these things; and indeed your heavenly Father knows that you need all these things. 33But strive first for the kingdom of God* and his* righteousness, and all these things will be given to you as well.
34 So do not worry about tomorrow, for tomorrow will bring worries of its own. Todays trouble is enough for today.
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New Revised Standard Version Bible: Anglicized Edition, copyright © 1989, 1995 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. http://nrsvbibles.org
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30 June 2021


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How much time do you have to escape a fire?
Forty years ago, the average time people had to escape a fire safely was 17 minutes. Today's homes only allow for three minutes or less to evacuate. Why? Modern synthetic construction materials, home furnishings and contemporary layouts allow fire to spread and become toxic much faster than in the past. (Test your knowledge of fire safety facts in this quiz.)
But don't panic—even two minutes is a lot of time to escape a fire if you remain calm, have a plan and close doors in your home.
One final tip: When you escape a fire, remember to close the door behind you once you exit. This will cut off the oxygen to the fire and may stop the fire's growth.
Protect what you've worked so hard to build
When it comes to fire safety, closing your bedroom door is a simple step that can make a big difference. Learn more at CloseYourDoor.org.
At ERIE, we get how important "home" is and we're here to protect it.Learn more about homeowners insurance or contact us for a personalized quote.
Here's why it works: Fires spread more quickly the more oxygen they have. Keeping your bedroom door closed can slow the spread of a house fire, as well as reduce toxic smoke levels.
Having the right kind of fire extinguisher nearby can help. But when it comes to fire-related deaths, it's usually not the flames that are to blame. Smoke is actually more likely to cause suffocation and death.
Why should you sleep with the door closed?
When a door is closed during a fire, a person in that room experiences:
- More survivable temperatures: Temperatures typically will stay below 100 degrees Fahrenheit
- Livable oxygen levels: Oxygen levels read around 18%. (For comparison, regular room air is about 20% oxygen.)
- Less toxic carbon monoxide levels: Close to 100 parts per million of carbon monoxide
When a door remains open during a fire, a person in that room is exposed to:
- Less survivable temperatures: Temperatures can get hotter than 1,000 degrees Fahrenheit
- Low oxygen levels: Oxygen levels can decrease to 8%, making it harder to breathe
- Extremely toxic carbon monoxide levels: Dangerous levels can increase to 10,000 PPM CO
According to firefighters, every second counts during a fire. In fact, house fires can double in size every minute that goes by. About half of home fire deaths happen between 11 p.m. and 7 a.m. when most people are sleeping.
But here's the good news: There's a simple step you can add to your nighttime routine to keep you safe.
Research from UL's Firefighter Safety Research Institute (FRSI) shows that closing your bedroom door helps prevent a fire from spreading, lessens smoke damage and could even save lives.
Just like having the right homeowners insurance, a little preparation can go a long way to help you rest easy. Watch this video to see why it matters to "Close Before You Doze."
ERIE® insurance products and services are provided by one or more of the following insurers: Erie Insurance Exchange, Erie Insurance Company, Erie Insurance Property & Casualty Company, Flagship City Insurance Company and Erie Family Life Insurance Company (home offices: Erie, Pennsylvania) or Erie Insurance Company of New York (home office: Rochester, New York). The companies within the Erie Insurance Group are not licensed to operate in all states. Refer to the company licensure and states of operation information.
The insurance products and rates, if applicable, described in this blog are in effect as of July 2022 and may be changed at any time.
Insurance products are subject to terms, conditions and exclusions not described in this blog. The policy contains the specific details of the coverages, terms, conditions and exclusions.
The insurance products and services described in this blog are not offered in all states. ERIE life insurance and annuity products are not available in New York. ERIE Medicare supplement products are not available in the District of Columbia or New York. ERIE long term care products are not available in the District of Columbia and New York.
Eligibility will be determined at the time of application based upon applicable underwriting guidelines and rules in effect at that time.
Your ERIE agent can offer you practical guidance and answer questions you may have before you buy.
A better insurance experience starts with ERIE.
Haven't heard of us? Erie Insurance started with humble beginnings in 1925 with a mission to emphasize customer service above all else. Though we've grown to reach the Fortune 500 list, we still haven't lost the human touch.
Contact J.W. Hoban & Associates today to experience the ERIE difference for yourself.


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Looking for a sexy and stylish dress that will make heads turn?
Look no further than the Simona Dress! This figure-hugging dress features a hollow-out design and a zip closure for a tantalizing look. Made from a polyester and spandex blend, this dress is sure to turn up the heat on any night out.
Fabric: Polyester & Spandex
Size: S - L
Color: Beige
Size Chart
Please verify your size according to the size chart before completing your order for a sure comfortable fit.
We pay attention to the fact that different computer screens can display different colors even though this is one and the same color. Therefore the color of the received good can be a little bit different than the good in the photo.


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One of the latest details revealed about Saturday's crash of Asiana Flight 214 in San Francisco likely raises a question in many minds: After tumbling down the runway and coming to rest, why did the flight crew initially ask passengers to remain in their seats rather than immediately start to evacuate the plane? Instead, an announcement was made for everyone to stay put. It was another 90 seconds or so before the evacuation order was given.
An initial review of what happened indicates the pilots may have thought it was safer to wait for emergency personnel to get to their crippled jet before having passengers get out.
According to what Deborah Hersman, head of the National Transportation Safety Board, told reporters on Wednesday:
-- When the Boeing 777 came to a stop, flight attendants asked the pilots if they should begin evacuation procedures. "The pilots indicated that they were working with air traffic controllers," Hersman said, and asked that passengers be told to stay where they were.
"We don't know [yet] what the pilots were thinking," Hersman added, "[but] in previous accidents there have been crews that don't evacuate. They wait for other vehicles to come to be able to get the passengers out safely."
-- Moments later, however, a flight attendant saw fire outside the aircraft. "Certainly, if there's an awareness that there's fire aboard an aircraft, that's a serious issue," Hersman said. A flight attendant alerted the pilots. "The aircraft evacuation began after that," she said.
"Hindsight is 20/20," Hersman also told reporters. But, she added, "pilots are in the front of the airplane. They really don't have a good sense of what's going on behind them. They need to get that information from the flight attendants."
And when Flight 214's crew got that information, it appears, the evacuation began.
Two people died from injuries they suffered in the crash or immediately after (investigators are looking into whether one person was struck and killed by an emergency vehicle responding to the scene). But all 305 of the other people on board survived.
The NTSB has posted video of Hersman's briefing. Bill posted Wednesday about other details from her presentation.
She also discusses another piece of information — that, as USA Today reports, the pilot has told investigators he was "temporarily blinded by a bright light when 500 feet above the ground. Asked whether it's possible that someone on the ground aimed a laser light at the aircraft, Hersman said, "we really don't know at this point what it could have been."
The potential danger of laser lights aimed at cockpits has been a concern for several years.
Update at 6:55 p.m. ET. NTSB: 'No Anomalous Behavior'
Hersman, at a news conference on Thursday, said there is no sign that the autopilot failed aboard the aircraft.
"There is no anomalous behavior of the autopilot, of the flight director, and of the auto-throttles, based on the FDR data reviewed to date," she said, referring to the 777's flight-data recorder.
She said the first internal call to abort the landing came three seconds before impact and the second abort call was made just 1.5 seconds prior to the crash.
Hersman also said that the pilot told investigators that the bright light "could have been a reflection from the sun" and that he didn't think it affected his ability to fly the plane.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Nelson Mandela is still in the hospital, despite reports to the contrary.
CNN and the BBC, quoting sources close to Mandela, reported Saturday that the ailing 95-year-old anti-apartheid leader and former South African president had returned to his Johannesburg home after a long hospitalization.
After the CNN report, which was cited by other media outlets, the office of South African President Jacob Zuma issued the following statement:
"The presidency has noted incorrect media reports that former President Nelson Mandela has been discharged from hospital," the statement said. Mandela, it said "is still in hospital in Pretoria, and remains in a critical but stable condition. At times his condition becomes unstable, but he responds to medical interventions."
CNN says Zuma's office declined to comment when the news organization first tried to confirm the information from its sources.
The BBC says:
"... one of the sources quoted by international media has now spoken of being misinformed about Mr Mandela's release.
The confusion could have arisen out of a possible move soon to get the former president home, which would clearly depend on his health at the time, our correspondent says."
Mandela was admitted to the hospital on June 8 with a recurring lung infection stemming from his decades if imprisonment for his anti-apartheid activities.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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Only 100 units are available!
A fantasy woodland in a striking block printed design that will add a touch of country style to any kitchen. Deer, foxes, badgers, rabbits, and owls inhabit this stylised block print design with 'pollen spot' pattern. Available in two seasonal colourways – Sage Green and Terracotta, or Navy & Springtime yellow – this woodland-inspired design is sure to be appreciated by anyone who loves animals and nature.
Committed to sustainability, this range of kitchen linens is crafted from 65% recycled cotton, 35% virgin cotton.
With over 100 years of knowledge in textile production, Ulster Weavers prides itself on producing high quality home wares developed in-house to meet the demands of a 21st century market. Containing an array of design and colour there is sure to be something to suit everyone.
Wash at 40 Cotton cycle. Do not bleach. Do not dry clean. Do not tumble dry. Warm iron. Wash similar colours together. Iron on reverse while damp.
We currently offer free delivery on most UK domestic orders only when you spend more than £30. Please refer to the table below for specific rates or estimate your shipping in the basket once you have added all items you wish to purchase.
Please refer to the link below for country specific rates or estimate your shipping in the basket once you have added all items you wish to purchase. Orders to the countries below are done on a Delivery Duties Unpaid (DDU) basis. This means, as the recipient, you may be responsible for any customs duties and fees charged by your destination country.
International Shipping Rates
For all other countries please proceed to checkout where the shipping price will be displayed.Please note: Delivery timescales are a guideline provided by our partner couriers and do not account for unexpected delays due to high parcel volumes or unplanned causes such. Delivery prices in will be charged in your local currency based on the exchange rate. We currently offer direct payment in GBP, Euro and USD. All other currencies may incur a foreign transaction fee from your chosen payment method (e.g. bank or PayPal).For UK and Ireland we use EVRI, for Europe and all other territories we use UPS. Both couriers will provide you with links so you can track your order throughout the delivery stages.
Online purchases can be returned to the address below up to 30 days after purchase. Please take time to read our terms & conditions below to ensure you keep yourself right when returning a product to us. When returning your order please provide either a copy of your delivery note or invoice with reference to the items being returned and the reason why.Return AddressWeb Shop Returns - Ulster Weavers Ltd.Unit 1-2 Cleggs Lane Industrial SiteRavenscraig RoadLittle HultonGreater ManchesterM38 9PU
All of our products come with specific care instructions on the packaging or attached to the actual product. The below is a guide for the various product types we offer. If you have any specific questions or queries, please do not hesitate to use the contact us option and seek some support or advice.
Dishwasher (top shelf) and microwave safe.Be aware that metallized items are hand wash only and should not be used in a microwave
When You Spend £40/€45
Over 140 Years Heritage
Designed in the UK
We've Got You Covered
Founded in 1880, Ulster Weavers have a long-standing history in the Irish linen trade. From humble beginnings to modern day our weaving background plays a big part in our heritage.
As a company we are committed to reducing our environmental impact in all aspects of our business. We use natural cottons and linens in all our products and are continuously working to reduce our non-recyclable plastic usage throughout our supply chain. Our linen products are naturally hard wearing and friendly to our environment.


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Tulane Ave Jacksonville FL 32207
Main House + Guest House
Main House: 3 Bedrooms / 1 Bathroom
Guest House: 1 Bedroom / 1 Bathroom
2,036sf Combined Living Area (per tax records)
11,900sf Lot Size
1947 Year Build
Available on 12.30.2023
Don't let this excellent opportunity pass you by! Get it yours now!
Make An Offer On This Property
DISCLAIMER: Florida Investor Deals does not own these properties nor does Florida Investor Deals hold itself out to represent the owners of these properties. These are not Florida investor deals listings. Values are strictly an opinion. Consult an appraiser for true values. Florida investor deals disclaims all liability for the actions or inactions taken or not taken as a result of communications from or to its officers, directors, and members. Florida investor deals does not hold direct contract with the owner of this property
The sale of these properties may be contingent upon a successful close by the Buyer under Contract with the Current Owner. Seller may not be the owner of record of the property at the applicable court jurisdiction; however, the Seller holds equitable interest in the property along with the owner of record and such interest is documented through an executed Purchase and Sale Agreement


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Glass Lucky Tumbler Set (Set of 12 pcs)
The perfect choice of drinking glasses to stock the cupboard with when moving into a new home and also a great way to add to your current selection, this tumbler set is an easy solution. This set of drinking glasses is sure to fit in with any classically or contemporary styled home. Each of the glasses is conveniently dishwasher safe, making them perfect for using every day.
If you change your mind about our product, you can return the item for a credit coupon within 7 days from the date of delivery. However, we will only accept the product if it's in the same condition as we sent it in.
We won't accept any product that is broken, unless received in that condition. It has to have the labels and stickers intact. The coupon can
be used within 2 months.
*Whenever you get an article, it is very important to make a video of it before opening it. So that it is convenient to place a return request.
Without any video clip we will unable to take your return request.
Company/Qc team will take 7 to 10 days to accept your return complaint.
*Please make sure that the returned item is packed in the same way you received it to avoid damages. Please use a reliable source of shipment. The costs for the return will be borne by the customer. After we receive the product, we will do a quality check to ensure that it hasn't be used or washed. No amount will be reimbursed if the condition of the product is not the same.
An email with the status of return will be sent to you within 3 days from the date of receiving the product.


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Prints and Drawings
Prints and drawings make up the Museum's single largest holding, with over 7,000 works. A broad category that traverses cultures and includes such wide ranging art forms as chiaroscuro woodcuts, illuminated manuscripts, Japanese woodblock prints, maps, propaganda posters, calligraphy, and artist's sketches and drawings, this collection supports teaching on diverse topics. Areas of particular depth include Old Master prints and drawings, 19th- and 20th-century French and American prints, and contemporary works on paper.
Petegorsky/Gipe - VIEW OBJECT DETAILS


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Why Should You Choose Our Professionals?
You may opt to sell your property independently. There are many excellent reasons, however, why you should choose us to assist you in this important undertaking. We will ensure that you maximize your opportunities in the current real estate market. With our extensive contact networks that we have developed through the many national and international organizations, of which we are members, as well as our current and past clients, we will employ the most effective marketing and advertising strategies for your property. We will also guide you through the complicated paperwork involved, from the initial agreement to the final documents.
What To Look For In An Agent.
The following are a couple of factors to keep in mind when looking for a listing agent:
1. Education. The most important factor in choosing a real estate professional is their education in the real estate industry. Our professionals have advanced training and education, allowing them to be among the top agents in the world and earning prestigious designations in the various fields of real estate.
2. Experience and Expertise. You want a full-time agent who is familiar with your area and with the type of property you intend to sell. Does he or she employ a diverse range of marketing and advertising strategies? How tech-savvy is your agent? How many similar properties has he or she been able to sell in the past?
3. Availability and Commitment. Your agent should be capable of prompt and decisive action during the course of selling your property. Does your agent make it a point to keep in touch with you constantly? Can your agent easily be contacted in case of emergencies or even for the simplest questions? Is your agent available on the weekends or in the evenings when most buyers are out looking?
4. Rapport. Does your agent take the time to listen to your goals and clarify your needs? Can your agent understand your unique situation and be genuinely concerned about the outcome of the process? Your listing agent will be your guide and partner in this crucial decision, so it is important to find one with whom you can get along.
What Is Your Property Worth?
Without a professional agent, most independent property sellers tend to overestimate the value of their property. You can avoid this pitfall by consulting with an experienced real estate listing agent.


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When new technologies allowed predatory sentients to set aside hunting as an outdated means of survival, they lost a socially significant part of their lives. Thus, hunting became an indulgence, one that in many cultures could help successful hunters attain greater social status. Originally, a hunter's ability to provide sustenance was the reason that he or she would gain renown; but as a sport, the feat of successfully hunting another creature, or even each other, was enough to demonstrate one's physical prowess.
With competition intrinsic to the survival of all living creatures, suspicion and doubt would often be employed to undermine the alleged conquests of a hunter's rival. In order to address the issue, hunters began to return from hunts with proof of their kill. From hides to pearls, trophies served as irrefutable validation of a hunter's claims. As the procuring of a trophy gradually became a tradition, hunters proudly displayed their accomplishments by mounting these trophies on the walls of their homes, a ritual that continues to this day.
Inspiring envy in other hunters, primal fear in potential prey, and quelling doubt from any who may express skepticism, a kill is not a kill if you don't have a trophy to validate it. However, as societies advanced the trophies have become items to barter and turn into aesthetic additions to the abodes of non-hunters; either for the simple visual pleasure or to give the impression of having hunted it themselves. Certain creature parts are also used as medicinal items by various races, although the effectiveness of these medicines is sometimes disputed. There are even some substances found in creatures that can be used as recreational drugs by those sentients seeking pleasure, or as toxins by those who desire to inflict harm.


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I originally signed up for Clickmagick (often spelled incorrectly as Clickmagic) solely to review it for my readers here at EntreResource.
I already had a link tracking service that I was reasonably happy with and had tested several others already, but I had heard too many good things about Clickmagick to not at least try it.
Admittedly, I was ready to take a metaphorical red pen and slash all over it. It seemed overly complicated, and the landing page didn't make it very clear what the software really did, just that it did a lot.
After just a day of using it, I was in love. The more I used it, the more potential uses I found for it. I was seeing dozens of ways it could make or save me money. The crazy thing is that I know I am still barely scratching the surface with the potential uses of ClickMagick.
In this article, I'm going to showcase the best features of Clickmagick, explain who can benefit the most from it, and show how you can make the most out of it if you choose to buy it. I'll also share some Clickmagick alternatives and explain why I didn't give Clickmagick a perfect 5 star review.
Quick Note: I know that I'm in the minority of people who think that link tracking is extremely exciting. The topic might bore some of you to tears, BUT I promise that if you master the practice of tracking your links and properly analyzing the insights services like Clickmagick provide, it will pay dividends for the rest of your marketing career. Learn the process now and reap the benefits forever.
Let's begin.
What Is Clickmagick: 10 Best Functions
ClickMagick is a web based software/app that allows users to do several things with any of the URLs that they share. According to their website, they have over "120 different features that help you make more money online."
Feature Overwhelm
Clickmagick is not for the faint of heart, and I wouldn't blame you if you experience some paralysis by analysis. I know it might feel like drinking from a fire hose. To make it a bit easier on you, I want to highlight what I feel are the 10 most important features of Clickmagick. These are the features that the average internet marketer will want to utilize most often.
#1 Link Cloaking
Whenever possible (and with Clickmagick, it's always possible) links should be "beautified" before you share them. Now, you don't need to jump out and buy Clickmagick if this is all you'll need it for, as there are cheaper alternatives if you just want to create simple redirects, but this feature is great and will make your links look more professional and less spammy.
If you do any sort of marketing that requires users to type your link in the search bar to find it (podcasts are the best example of this), this feature is a life saver.
You can change long, ugly URLs into shorter, easier to type ones like yourdomain.com/anyproduct.
Please note though, your site may need to use a CNAME which would append a prefix to your URL like this: track.youdomain.com/anyproduct. Be careful and work with support when you link your custom domain, especially if it is a site with pre-existing content (like the EntreResouce.com blog was).
#2 Track Sources of Traffic
Clickmagick allows you to create unique tracking IDs that will help you know exactly where your clicks are coming from.
EXAMPLE: Let's say that on your blog you link to an affiliate product and you always use the same link. You put the link all over the site in various ways like a sidebar ad, a pop up, within the text of your posts, etc. It's actually a little over the top how you're using them, and it looks spammy and is hurting the reader's experience. Each month you get 1,000 clicks to that URL, but you do not know where they are coming from, just that they came from the multiple different CTAs on the site. If you create unique links that identify where you are posting the link, you can see which are actually getting clicks and conversions. You can create a link for "sidebar" and a link for "pop up" etc. Using this data, you can make changes that will maximize conversions but will also make your site look less spammy. This is just one of countless examples of how you can use sub IDs.
#3 Track Authenticity and Quality of Traffic
If you're buying any sort of paid traffic to blog posts, products etc., you want to make sure that it isn't fake. Bot traffic is notorious in the solo ad industry, and ClickMagick will help you verify that your traffic is real.
Clickmagick Traffic Quality
We can also see the IP addresses of the people who clicked on our links.
Let's talk about Clickmagick "Tracking Magick" "Pdf", but before…
Have you been paranoid that a competitor is clicking your ad links to get you to spend your daily budget more quickly? Well, you can see if the same IP is clicking your account AND the exact location that it is coming from.
IP Address Click Fraud
Suspect your competitor from Idaho is doing it? Confirm your suspicions by running IPs that have a suspicious number of clicks into a free web tool like What Is My IP and you can get down as far as the zip code!
If you're running Google ads like me, you can easily add IP exclusions that will ensure your ads aren't showing up where your competitor or troll can see them.
#4 Track Conversion Values, Conversion Rates, and Profitability
With Clickmagick, you can assign values for conversions and costs for traffic to any link. This allows you to get real time metrics showing you whether you're making money or not!
#5 Create Split Tests
Clickmagick gives you the ability to use one link but to send users to different pages.
These pages are typically only slightly different and aim to track one change at a time (headline, button, etc.).
Clickmagick Split Test
You can choose how to balance the traffic. You can send 50% of your clicks to one page and 50% to the other or any other combination, and Clickmagick will automatically alert you when there is a winner.
Finding out which page converts best will allow you to feel more confident spending cash to send traffic to it.
#6 Track Pages That You Don't Own
When I started affiliate marketing several years ago, I vividly remember googling "how to track affiliate conversions." The answer was pretty much: you really can't.
This sucked because how was I supposed to know if my efforts were actually profitable? If I spent $100 on ads and made affiliate sales, I didn't know if the sales were from the ads or from some sort of organic source of traffic. I was spending blindly, and that wasn't a good feeling back when I had little to spend!
If only I knew about Clickmagick back then, I'd have made much more money and saved a lot of time and hassle.
If you've tracked conversions in the past you understand that it involves adding a pixel onto your pages, so that the lead/purchase can be confirmed.
Well, what happens if you're sending traffic to someone else's website, and you can't add your own pixel?
Clickmagick is the first software I have ever seen that has created a workaround for this.
They make it so you can send traffic to a 3rd party site, and if the user takes the desired action, they will be very quickly redirected to a blank page that includes your pixel and then instantly to the next page without them evening noticing.
Clickmagick affiliate tracking
#7 Create and Add Custom Tracking and Retargeting Pixel to Any Links
You can add tracking pixels from any 3rd party (Facebook, Google etc) and retarget anyone who clicks your link.
Clickmagick Retargeting
The possibilities here are endless. You're no longer limited to people just who land on your blog or click on your paid ads. You can pixel clicks from emails, social media, forums, and almost anywhere else you can think.
#8 Add Countdowns and Calls to Action to (Almost) Any Website (Retired Feature)
This is the most controversial feature of Clickmagick and as a content creator, I totally understand why some people hate what the feature can do.
Here is a countdown timer that I added to to the website of one of a paid group I was an affiliate for. I had a special promo offer that was unique to me that had a deadline.
Clickmagick Magick Bar
That countdown is only visible to people who click my unique link. Even though I don't own the site, I am able to add my own content over top of it. Pretty cool right?
The reason this software is controversial is because anyone can add things to someone else's site and take advantage of their content. They could also make it look like the site owner endorses whatever is added to the site.
#9 "Link Down" Monitoring
No matter where you're sending traffic, your pages will go offline from time to time. If you have a link created in Clickmagick, you will get an alert telling you the moment this happens.
Clickmagick Link Down Monitoring
To most people, this might go unnoticed or register just a mild inconvenience, but to someone who is spending serious cash on paid traffic, it can be catastrophic.
If you run a lot of paid traffic, this feature can easily pay for your membership, like it did for Ralph Jordan.
Ralph Jordan
ClickMagick User
The system sent me a warning that a link was down. I was funneling hundreds of dollars to a Teespring campaign, but when I received an SMS alert right to my phone, I was able to cut the traffic until Teespring got their site back up. I would've lost hundreds, but ClickMagick saved me."
#10 Import Export Data
The import feature allowed me to quickly upload all my links. This was a lifesaver because I had TONS of links I wanted to have in Clickmagick, and I had them all saved in a spreadsheet.
The export feature allows you to export any data to share with your team or clients. This is much easier than sending screenshots or trusting others with your user name and password like you have to do with other tools.
Who Should Use ClickMagick?
Anyone who has some sort of conversion goal online can benefit from ClickMagick.
It's useful for affiliate marketers and anyone who buys or sells traffic.
Affiliate marketers can easily track the effectiveness of the campaigns that they run for their merchants.
As I mentioned earlier, Clickmagick provides several workaround ways for affiliates to measure profitability. Experienced affiliates understand how much of a game-changer this is.
Solo ad buyers and sellers swear by Clickmagick. If you aren't familiar with Solo ads, I've written an article about them and how I was scammed on my very first one.
If you use Clickmagick when buying solo ads, you can get a much better idea of whether your traffic is legitimate or bot traffic that isn't going to convert and could actually end up harming your business. You can avoid being scammed like I was.
Additional ClickMagick Benefits
Clickmagick isn't just feature rich; it's a very well run software and company.
ClickMagick clearly understands that their software can confuse at first, so they do a word class job of providing support and training for their users.
ClickMagick Training
There are detailed help buttons on every page, and their customer support is lightning fast. They promise to reply to all support questions within an hour, and so far, that has been true for all the questions I've asked.
Clickmagick Support
How to Get the Most Out of ClickMagick
Are you sold on Clickmagick like I am? If so, here is how you should approach your new marketing toy.
#1 Read the 1 Hour Tracking Guide.
Clickmagick went above and beyond to set their users up for success by creating a comprehensive start up guide to link tracking.
It is well worth the hour it takes to cover.
Read the FREE Link Tracking Guide
#2 Use It or Lose It!
Don't be shy about tracking everything you can think of.
Affiliate marketers and content creators will have a lot of different things that they want to track and optimize.
Don't sacrifice quality for quantity. Whatever you set up, take the time to do it correctly. However, there is no harm in having too much data as long as it doesn't give you "paralysis by analysis."
So Clickmagick "Tracking Magick" "Pdf", important things to know:
Clickmagick is a powerful tool that gets more powerful the more you use it. As Peter Drucker says, "what gets measured gets managed." Once you start using Clickmagick, you will quickly realize that you have a lot of links that you could and probably should start tracking. In my case, I realized I had dozens of affiliate links, sales funnel URLs and paid traffic campaigns that needed configuring.
I was so excited about the possibilities of tracking the data that it didn't bother me that it was going to take a tremendous amount of time to do all this ,
#3 Watch the Helper Videos
Every major feature inside Clickmagick comes with an in-depth explainer video. These are an amazing free resource that will help you get up to speed much more quickly.
Clickmagick Training
#4 Don't Rush But Also Don't Worry about Perfection
I had HOURS of work to do when I started Clickmagick. I wanted to track everything as quickly as possible and immersed myself in the software.
However, I knew that I needed to be patient and make sure I was doing things properly. I watched the videos and took serious advantage of the 1 hour customer support channel.
Although I worked hard to do things right, I wasn't worried about things not being absolutely perfect. If I did, I wouldn't have gotten anything done. I'm ok with the fact that I will need to go back and fix/improve things. The practice of tracking links is never-ending, so don't feel you'll ever be "done."
Clickmagick Pricing and Alternatives
Clickmagick has several pricing tiers. You can get a discount between 28% and 32% if you purchase an annual plan.
There are a number of Clickmagick alternatives but there are no options that I believe really stack up.
Other Trackers
Link Cloaking
24/7 Link Uptime Monitoring
Automatic Bot Filtering
Click Fraud Monitoring & Traffic Quality Analysis
Custom Tracking Domains (Unlimited)
Advanced Geotargeting & Mobile Optimization
Effortless Conversion Tracking (Of ANY Action Or Sale)
A/B Split Testing w/ Automated Winner Alerts
Multi-Mode Link Rotators
Add 4 Types Of Pop Ups To ANY Link
Add Content & Notification Bars To ANY Link
Add A Countdown Timer To ANY Link Or Page
Add Retargeting Pixels To ANY Link
Dynamic Affiliate Links
Advanced Postback URL Tracking
Dynamic Ad Network Token & Sub-ID Passing
Facebook Sharing – Custom Title, Description & Image
True Real-Time Stats
Google Analytics Compatible
Lightning-Fast Link Redirects
Easy-To-Navigate Detailed In-Depth Stats
Public Stats Sharing
Import & Export Your Data & Stats
New Features Monthly Based On User Feedback
Growing Tutorial & Training Video Library
Fanatical US-Based Support Team
Here are other link tracking services you can check out.
Of course, I haven't been able to test each one of these. If you've had experience with any of them, leave a comment and let me know how you think they compare to Clickmagick.
I left out less sophisticated link shorteners like bit.ly and poplink.io because they don't come close to being alternatives to Clickmagick.
Why Clickmagick Didn't Get 5 Stars
Clickmagick is amazing and worth the price, but I couldn't give it a perfect 5 star score for one reason.
Some of the editing features are overly complicated and clunky.
I was a little disappointed in the ClickPop and ClickBar configuration. I was spoiled by the templates in Clikim and didn't like how much work and coding was required to create a pop up form in Clickmagick.
On the bright side, you can make things look pretty much anyway your heart desires, BUT you almost need to be an experienced coder (or hire one) to do anything fancy.
Many users will end up creating ugly looking ClickPops and ClickBars.
This is an example of "more being less," in my opinion.
It would be great if they made templates that allowed novice users to get things done more quickly and easily at the expense of some customization.


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Previous Lesson
Complete and Continue
Customer Centric Culture Foundation and Certification Program - May 2021 Australia/Asia Pacific
Introduction to the Course Approach and Resources
Introduction to the Course (2:20)
Module 1 – The Why and What of Customer Culture
The Goal of Module 1 (0:24)
Where did the idea for a customer culture come from and why does it matter? (1:55)
Session 1A: What is a Customer Culture? (0:52)
Session 1B: Key Idea - What's best for the customer is best for the business. (5:39)
Article: Product centric versus customer centric – does it matter?
Session 2A: Why is a customer culture so important today? (3:22)
Session 2B: Why is a customer culture important for leaders to develop their teams? (1:24)
Session 2C: Why is a customer culture important to all employees ? (1:16)
Session 2D: How will your company benefit from having a customer culture? (1:28)
In-company interaction exercise
Customer Culture Quiz
Module 2 – The How - Best Practices in Shaping a Stronger Customer Culture
The Goal of Module 2 (0:31)
Session 1A: The high-level link between customer culture and business performance Session (1:10)
Session 1B: Which specific behaviors drive business outcomes (1:37)
Session 2A: Why the 8 disciplines model was developed (2:46)
Instructions for the 8 Disciplines
Customer Insight Discipline (6:06)
Customer Insight Practices Review and Discussion Exercise
Customer Foresight Discipline (6:24)
Customer Foresight Review and Discussion Exercise
Competitor Insight Discipline (7:55)
Competitor Insight Review and Discussion Exercise
Competitor Foresight Discipline (4:55)
Competitor Foresight Review and Discussion Exercise
Peripheral Vision Discipline (6:20)
Peripheral Vision Review and Discussion Exercise
Empowerment Discipline (3:39)
Empowerment Review and Discussion Exercise
Collaboration Discipline (3:32)
Collaboration Review and Discussion Exercise
Strategic Alignment Discipline (6:45)
Strategic Alignment Review and Discussion Exercise
In-company interaction exercise
8 Disciplines Quiz
Module 1 Presentation Slides (2:14)
Participant Team Meeting 1
Team Meeting Discussion Article - The Amazon Effect
Module 3 – Building the Business Case and Getting Support
The Goal of Module 3 (0:17)
Jeanne Bliss on working with numbers focused leaders (1:31)
Getting Buy-in and Measuring ROI on CX Improvements (17:52)
Adobe - Evolving Mindset from numbers to customers (2:06)
How to create a Customer Culture - the Air New Zealand Story (2:24)
Virgin Group - Former CMO Ian Rowden on what makes Virgin a success (4:52)
Amazon - the world's most customer centric company (0:54)
How Amazon continues to improve the customer experience (1:13)
Examples of using a Customer Mindset in Leadership - "Consider it Done" (1:06)
Run to the fire - how Adobe creates ownership for customer issues (1:34)
Building the Case - the human benefits are greater than just the financial return (4:45)
In-company exercise: Complete an MRI Assessment
In-company interaction exercise 1
In-company interaction exercise 2
Module 2 Presentation Slides (3:57)
Participant Team Meeting 2
Team Meeting Discussion Article - Domino's Pizza
Module 4: Taking Action to Move Forward
The Goal of Module 4 (0:23)
What is the purpose of the Market Responsiveness Index? (1:11)
How to interpret your MRI Circumplex results (4:50)
Setting Priorities for action from the MRI results (4:58)
Your Self Assessment Tool
Konica Minolta - How did the MRI help you as the new Managing Director? (1:49)
Wright Medical Group - International President Peter Cooke (1:21)
The customer culture journey roadmap (8:14)
Vodafone - Advice from the Head of Global CX (1:50)
Telstra - Roadmap for building a customer culture
Telstra - Finance Transformation Case Study
In-company interaction exercise
Additional In-company discussion article - Wells Fargo Bank
Final Quiz
Module 3 Presentation Slides (7:19)
Participant Team Meeting 3
Team Exercise - MRI Case Study for reporting in live session
Module 5 - Customer Culture Project Completion + Online Knowledge Test
Overview of the Final Steps to take to Complete Module 5 and Certification (2:09)
TASK 1 - Produce a Video
TASK 2 - Question 1
TASK 2 - Question 2
TASK 2 - Question 3
TASK 2 - Question 4
TASK 3 - Complete the Multiple Choice Questions
Module 4 - Presentation Slides (4:35)
Module 6 - Congratulations you are now a Certified Customer-Centric Culture Practitioner
Final Video Recap (3:33)
Certified Practitioner Logo
Feedback to MarketCulture Academy
Module 6 - Presentation Slides (5:06)
In-company interaction exercise
Lesson content locked
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Mr Jazziq Sample Pack Zip Amapiano
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