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Course Standards
General Course Information and Notes
Version Description
Students build and refine technical and expressive skills through the study, rehearsal, and performance of high-quality literature for singers in a similar vocal range. As singers explore three- and four-part literature in its historical and cultural context, they develop advanced musicianship and choral ensemble skills. In keeping with the rigor expected in an Honors course, students undertake independent study that includes synthesis of learning and experience. Public performances may serve as a culmination of specific instructional goals. Students may be required to attend and/or participate in rehearsals and performances outside the school day to support, extend, and assess learning in the classroom.General Notes
Honors and Advanced Level Course Note: Advanced courses require a greater demand on students through increased academic rigor. Academic rigor is obtained through the application, analysis, evaluation, and creation of complex ideas that are often abstract and multi-faceted. Students are challenged to think and collaborate critically on the content they are learning. Honors level rigor will be achieved by increasing text complexity through text selection, focus on high-level qualitative measures, and complexity of task. Instruction will be structured to give students a deeper understanding of conceptual themes and organization within and across disciplines. Academic rigor is more than simply assigning to students a greater quantity of work.
English Language Development ELD Standards Special Notes Section:
Teachers are required to provide listening, speaking, reading and writing instruction that allows English language learners (ELL) to communicate for social and instructional purposes within the school setting. For the given level of English language proficiency and with visual, graphic, or interactive support, students will interact with grade level words, expressions, sentences and discourse to process or produce language necessary for academic success. The ELD standard should specify a relevant content area concept or topic of study chosen by curriculum developers and teachers which maximizes an ELL's need for communication and social skills. To access an ELL supporting document which delineates performance definitions and descriptors, please click on the following link: https://cpalmsmediaprod.blob.core.windows.net/uploads/docs/standards/eld/si.pdf
General Information
- Honors
Educator Certifications
Student Resources
Original Student Tutorial
Learn how to evaluate a speaker's point of view, reasoning, and use of evidence. In this interactive tutorial, you'll examine Abraham Lincoln's "Gettysburg Address" and evaluate the effectiveness of his words by analyzing his use of reasoning and evidence.
Type: Original Student Tutorial
Perspectives Video: Professional/Enthusiasts
It's okay if you're not on quite the same wavelength as this ethnomusicologist. In Balinese gamelan tuning, that's a good thing!
Download the CPALMS Perspectives video student note taking guide.
Type: Perspectives Video: Professional/Enthusiast
Physical science and social science connect in this discussion of Balinese gamelan. Full STEAM ahead!
Download the CPALMS Perspectives video student note taking guide.
Type: Perspectives Video: Professional/Enthusiast
This resource explores the electromagnetic spectrum and waves by allowing the learner to observe the refraction of light as it passes from one medium to another, study the relation between refraction of light and the refractive index of the medium, select from a list of materials with different refractive indicecs, and change the light beam from white to monochromatic and observe the difference.
Type: Tutorial
- Observe how the eye's muscles change the shape of the lens in accordance with the distance to the object being viewed
- Indicate the parts of the eye that are responsible for vision
- View how images are formed in the eye
Type: Tutorial
- Learn how a concave spherical mirror generates an image
- Observe how the size and position of the image changes with the object distance from the mirror
- Learn the difference between a real image and a virtual image
- Learn some applications of concave mirrors
Type: Tutorial
- Learn how a convex mirror forms the image of an object
- Understand why convex mirrors form small virtual images
- Observe the change in size and position of the image with the change in object's distance from the mirror
- Learn some practical applications of convex mirrors
Type: Tutorial
- Observe the change of color of a black body radiator upon changes in temperature
- Understand that at 0 Kelvin or Absolute Zero there is no molecular motion
Type: Tutorial
This resource explains how a solar cell converts light energy into electrical energy. The user will also learn about the different components of the solar cell and observe the relationship between photon intensity and the amount of electrical energy produced.
Type: Tutorial
- Observe that light is composed of oscillating electric and magnetic waves
- Explore the propagation of an electromagnetic wave through its electric and magnetic field vectors
- Observe the difference in propagation of light of different wavelengths
Type: Tutorial
- Explore the relationship between wavelength, frequency, amplitude and energy of an electromagnetic wave
- Compare the characteristics of waves of different wavelengths
Type: Tutorial
- Learn to trace the path of propagating light waves using geometrical optics
- Observe the effect of changing parameters such as focal length, object dimensions and position on image properties
- Learn the equations used in determining the size and locations of images formed by thin lenses
Type: Tutorial


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Play at BCM
Friday, May 10, 2024
10:00 am – 5:00 pm
BCM is open for play! Come explore some of our most-loved exhibits, including toddler-favorite Totally Tots, the miniature shops of World Brooklyn, our rooftop kids' climber, and much more. After you've seen it all, visit our second floor and join a guided art workshop in our ColorLab family art studio.
Brooklyn Children's Museum is open Wednesday through Sunday, 10 am–5 pm. Book your visit today!

subset: commoncrawl


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The Bergenfield Supply
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What we did
- Branding
- Identity


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Grants Applicants
The following resources are for people seeking information or assistance applying for Federal Grants. Please contact our office for additional information or assistance.
The following is compiled by the Congressional Research Service.
Grants and Federal Domestic Assistance
Guidance and key resources to help eligible grantseekers find information on federal grants, loans, and nonfinancial assistance for projects, as well as on private funding. Prepared by the Congressional Research Service for Members of Congress, updated July 2019.
How Best to Find Information |
- Find out Who is Eligible for a Grant? Other government websites may be more suitable for personal needs, student loans, small business assistance , or other business opportunities such as government contracting. The website Government Benefits, Grants, and Loans may also be of help.
- . If eligible, search for program information at beta.SAM.gov Assistance Listings. Includes grants, loans, business and nonfinancial help.
- Contact federal office given in each beta.SAM.gov Assistance Listing program description.
- Go to federal websites given in each beta.SAM.gov Assistance Listing program description.
- Check current federal grants opportunities at Grants.gov, obtain a Dun and Bradstreet ( DUNS) number, register with System for Award Management (SAM), and apply online (links and instructions given at the website). Additional notices appear at FedConnect.net.
- Search foundations for project funding: use the Foundation Center Web site or Foundation Center Funding Information Network resources in libraries to identify national, state, and community foundations.
- Learn how to write grant proposals: Take the free online Foundation Center Proposal Writing Short Course or see other tips and sample proposals at Grantspace's How Do I Write a Grant Proposal?
Key Federal Funding Sources |
Assistance Listings at beta.SAM.gov (General Services Administration)
Official descriptions of more than 2,200 federal assistance programs (including grants, loans, and other financial and nonfinancial assistance) can be found on beta.SAM.gov. The website, produced by the General Services Administration (GSA), is currently in beta, and it houses federal assistance listings previously found on the now-retired Catalog of Federal Domestic Assistance (CFDA). Each federal assistance program has a corresponding CFDA program number; these CFDA numbers are still used as numerical program identifiers. Programs are searchable at the "Assistance Listings" domain at beta.SAM.gov; descriptions are updated by departments and agencies, and they cover authorizing legislation, objectives, and eligibility and compliance requirements. The site will eventually be renamed SAM.gov. For current notices of funding availability, see Grants.gov or FedConnect.net.
Grants.gov (managed by Dept. of Health and Human Services)
Federal website that allows eligible grantseekers (see Who is Eligible for a Grant?) to find and apply for current competitive grant opportunities from ALL federal agencies. Grantseekers can check on notices of funding availability (NOFA) posted in the last 7 days; access an RSS feed of grant opportunities; and apply for federal grants through a unified process by downloading the application and submitting online. The website guides grantseekers in obtaining a Dun and Bradstreet (DUNS) number and registering with System for Award Management (SAM) and registering with Grants.gov to apply and to track applications. For full federal program descriptions, see CFDA below. See also website FedConnect.net for additional grants and contracts opportunities.
State Single Points of Contact (Office of Management and Budget)
Under Executive Order 12372, some states require federal grants applicants to submit a copy of their application for state government level review and comment. The state offices listed here coordinate federal financial assistance and may direct federal development. For help in identifying state-level grants, other state government agencies websites may be found at: State and Local Agencies.
Related Federal Resources |
- A-Z Index Departments & Agencies
- USA.gov for Business
- FedBizOpps.gov
- Student Aid on the Web
- Benefits.gov
- FTC Consumer Alert
- OMB Circulars
A-Z Index of U.S. Departments and Agencies (General Services Administration)
To better develop a grant proposal, search a department or agency's Home Page to learn more about its programs and objectives. The site USA.gov also links to Government Benefits, Grants, and Loans.
USA.gov for Businesses and Nonprofits (GSA)
Includes contracting with the U.S. government, international trade and exporting, and small business. See also financial assistance links at the Small Business Administration website.
FedBizOpps.gov (GSA)
Official website posting business, contracting, and procurement opportunities with the federal government. Useful information for vendors, including FBO Demonstration Videos and Frequently Asked Questions, appear under the Getting Started tab. Search options include an advanced search form for more targeted filtering of current opportunities.
Student Aid on the Web (Dept. of Education)
Information on funding education beyond high school, including grants, loans, and work-study assistance to qualified students.
Benefits.gov (via Department of Labor)
Includes information on over 1,000 government assistance programs, and how to apply. Covers direct payment, loan, insurance, training, or other services.
FTC Consumer Alert (Federal Trade Commission)
The FTC warns consumers to beware of paying "processing fees" for information that is available free to the public. Ads claiming federal grants are available for home repairs, home business, unpaid bills, or other personal expenses are often a scam.
OMB Grants Guidance (Office of Management and Budget)
OMB establishes government-wide grants management policies and guidelines through circulars and common rules. OMB Circulars are cited in Catalog program descriptions and may be printed out fulltext.
Private & Corporate Funding Sources |
Candid (formerly the Foundation Center) Grants Space
Gateway to information about private funding sources, the grant seeking process, guidelines on writing a grant proposal, addresses of state libraries with grants reference collections, and links to other useful Internet websites. The Center maintains a comprehensive database on foundations; produces print and electronic directories and guides; conducts research and publishes studies in the field; and offers a variety of training and educational seminars.
- How do I find grants for my nonprofit?
- Proposal Writing Short Course (also in Spanish, French and other languages)
- Foundation Information Network Check for locations at Grants Space, Find Us. Free funding information available in libraries, community foundations, and other nonprofit centers nationwide, including access to the Foundation Directory Online database.
Grant Resources by State (Grantsmanship Center)
Click on state map to find links to information about a state's foundations, community foundations, corporate giving programs and the state's home page.
Community Foundations
There are more than 750 community foundations in the U.S., which are grantmaking public charities dedicated to improving the lives of people in a defined local geographic area. The Council on Foundations has a listing of community foundations by state.


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Real Estate Properties
Showing 1 to 21 of 4,346 properties
Listings last updated Thursday July 25 2024
$7,500,000 - For sale
1641 County Road 13, Prince Edward County, Ontario (id X8258188)
$5,900,000 - For sale
367 Gifford Drive, Smith-ennismore-lakefield, Ontario (id X9046060)
This website is operated by a brokerage or salesperson who is a member of The Canadian Real Estate Association. The out of province listing content on this website is not intended to solicit a trade in real estate. Any consumers interested in out of province listings must contact a person who is licensed to trade in real estate in that province.The trademarks MLS®, Multiple Listing Service® and the associated logos identify professional services rendered by REALTOR® members of CREA to effect the purchase, sale and lease of real estate as part of a cooperative selling system. The trademarks REALTOR®, REALTORS® and the REALTOR® logo are controlled by The Canadian Real Estate Association (CREA) and identify real estate professionals who are members of CREA. The trademark DDF® is also owned by CREA and identifies CREA's Data Distribution Facility (DDF®). The listing content on this website is protected by copyright and other laws, and is intended solely for the private, non-commercial use by individuals. Any other reproduction, distribution or use of the content, in whole or in part, is specifically forbidden. The prohibited uses include commercial use, "screen scraping", "database scraping", and any other activity intended to collect, store, reorganize or manipulate data on the pages produced by or displayed on this website.
**Broker *Sales Representative
**Broker *Sales Representative


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COC Summer Vacation
By COC StaffPosted in Summer Vacation
Ever wonder what the COC gets up to over the summer? Here's a glimpse at what's keeping General Director Alexander Neef, Music Director Johannes Debus, and Ensemble Studio members past and present busy during these sunnier months.
COC General Director Alexander Neef
After wrapping the COC's 2018/2019 season here in Toronto, I'll be headed off to my first season as Artistic Director with Santa Fe Opera. It's a particularly special one as it marks not only my first summer in this new role but also a company debut for Johannes Debus when he joins us to conduct Jenůfa in July. It will be fun to have him around over the next few months and I look forward to a summer of open air opera!
COC Music Director Johannes Debus
My next destination this summer is the opera festival in beautiful Santa Fe. However until this adventure starts, I'm preparing in Berlin.
Since it will be my first time conducting Jenůfa, some extra work might be required — and yes, I have to get my tongue around Czech. However, I've still found a bit of time to do some exploring around Vienna. Ran into this guy Beethoven — maybe you've heard of him? He's kind of a big deal around these parts!
Pianist and Intern Coach Rachael Kerr (COC Ensemble Studio)
I'm looking forward to performing with Toronto Summer Music Festival on opening night at Koerner Hall! Then I leave for my annual stint as a collaborative pianist at Orford Musique in Quebec. Not only is it fulfilling musically, but I get to do some hiking and exploring while I am there!
Soprano Simone Osborne (COC's Gretel in Hansel & Gretel, 2020) and bass-baritone Gordon Bintner (title role in COC's Eugene Onegin, 2018)
After closing the season with the Count in The Marriage of Figaro and Der Graf in a new production of Der ferne Klang at Oper Frankfurt, Gordon travelled to British Columbia to join Simone who closed the season with Marguerite in Faust at Vancouver Opera. Together we travelled to the Okanagan region of B.C. to spend time with family on the beautiful Lake Okanagan.(l-r) COC Ensemble graduates Iain MacNeil and Gordon Bintner
Next we head to Ottawa for a The Marriage of Figaro for Gordon, singing Figaro this time, in a semi-staged production at the National Arts Centre. After Ottawa, we're headed back to Europe with a quick stop at our home in Frankfurt, Germany and a trip to Venice to celebrate our wedding anniversary.
Finally it's over to Salzburg, Austria for Gordon to start rehearsals on a new production of Enescu's Oedipe at the Salzburg Festival, while Simone prepares her role debut of Gretel for the COC next season! Our tiny furry companion, Gatsby, will obviously be along for the ride!
Baritone Samuel Chan (Ensemble Studio graduate)
I'm so excited to be starting my summer singing the role of Dr. Falke alongside my COC colleagues Danika Lorèn (performing Adele) and Andrew Haji (performing Alfred), in Saskatoon Opera's production of Die Fledermaus, which runs from June 15 - 22! Afterwards, I'll be singing at the Festival of the Sound in Parry Sound as part of their Viennese Opera Gala in July, and in August, I'll be returning to Torreon, Mexico, to sing with the non-profit Cantos para hermanar al Mundo, an organization that works to bring opera to Northern Mexico.
Bass-baritone Joel Allison (COC Ensemble Studio)
I started the summer with the Toronto Bach Festival and am off to the Salzburg Festival through June and July to be a part of their Young Singers Project, where I will be one of just two Canadians participating! I will be singing the role of Roland Angeler in the new opera for kids, Der Gesang der Zauberinsel. The COC has had a very regular presence here, with other Ensemble Studio graduates, such as Gordon Bintner, Andrew Haji, and Claire de Sévigné, having also taken part in this program in previous years.
Take your culture game to the next level, by subscribing to our monthly eOpera.
Photo credits: Alexander Neef, Johannes Debus, Rachael Kerr, Samuel Chan headshots by Gaetz Photography.


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HIF-1 signaling pathway
Hypoxia-inducible factor 1 (HIF-1) is a transcription factor that functions as a master regulator of oxygen homeostasis. It consists of two subunits: an inducibly-expressed HIF-1alpha subunit and a constitutively-expressed HIF-1beta subunit. Under normoxia, HIF-1 alpha undergoes hydroxylation at specific prolyl residues which leads to an immediate ubiquitination and subsequent proteasomal degradation of the subunit. In contrast, under hypoxia, HIF-1 alpha subunit becomes stable and interacts with coactivators such as p300/CBP to modulate its transcriptional activity. Eventually, HIF-1 acts as a master regulator of numerous hypoxia-inducible genes under hypoxic conditions. The target genes of HIF-1 encode proteins that increase O2 delivery and mediate adaptive responses to O2 deprivation. Despite its name, HIF-1 is induced not only in response to reduced oxygen availability but also by other stimulants, such as nitric oxide, or various growth factors.


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#8/24 Duo Tone - Straight Tape In
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Mattress Cleaning Potts Point -Dust mite removal service NO Chemical used during bed steam cleaning. Certified mattress cleaners in Potts Point !!!
Sam's Mattress Cleaning Potts Point guaranteed you to get full night sleep on your mattress. Our Mattress Cleaning professional will 100% get rid of harmful germs from your mattresses. These harmful bacteria are hidden under your mattresses and may cause skin problems. Many people do not get full night sleep on their mattresses because of skin irritation and respiration problems may get worst on dirty mattresses. We are professional in steam cleaning inside out of your mattress. Complete mattress steam cleaning is guaranteed.
Sams Mattress Cleaning Potts Point is a one stop shop for all your mattress cleaning services. We have the most profound cleaning solutions that give a brand new look and feel to your dirty and used mattresses. We bring back the old charm of your mattresses and make them absolutely clean and healthy for use. We are an insured company working with licensed and certified cleaners who are professional, experienced, and fully reliable.
Same Day Mattress Cleaning Potts Point
Our mattress cleaning specialists are available to work 24 hours a day. In case of an emergency we can reach your residential property on the same day of the booking. We have complete range of mattress related services from basic mattress cleaning, latex mattress cleaning, mattress stain removal, mattress odour removal, mattress mould removal, water damaged mattress restoration, Mattress Sanitisation, mattress dust mite removal to mattress anti-allergen cleaning – we deliver the finest results at your doorstep.
Sam's Cleaning Potts Point has a strong reputation in the market for delivering quality customer service and impeccable mattress cleaning services. We have over two decades of industry experience and this makes us someone you can completely trust upon.
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People often have this question in mind as to why they should opt for professional mattress cleaning services and spend a good amount of money when they don't see a problem. Well the answer is simple and proven. Your mattress has infinite contaminants, bacteria, virus, pollutants, allergens, and all sorts of unwanted particles that you will never be able to see through naked eyes. Dusting the mattress, changing the bed sheet, or even using a vacuum cleaner are some of the inefficient cleaning methods you might be using. These are unable to provide deep mattress cleaning. Professional mattress cleaning, on the contrary, does thoroughly deep cleaning of the mattresses. It eliminates all signs of contaminants. At Sams Cleaning Potts Point we aim to clean your mattresses in such a way that it enhances your lifestyle by giving you healthier bedding.
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The mattresses are the hub for allergens, pollutants, contaminants and stains. Mattress staining is something, that more homeowners are least bothered about. But this should never be the case, mattress stain removal should be prioritized as much as carpet cleaning and stain removal. Even if you are a few of those, who care about removing stains, as they can't bear the ugly spot on their mattress, you must hire the professional mattress cleaning services. The professionals have complete cleaning kits including effective stain removal solutions and equipment. Trying to remove the stains off your mattress may take all of your efforts and patience, and in case you get wrong in a step, the whole process can go wrong. Therefore, hiring the professionals for mattress stain removal is always a great idea.
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A thing on which you spend almost 1/3rd of your day needs to be extremely clean and enormously hygienic, if you expect to live a healthy life. And this is what professional mattress cleaning achieves for you. Here are some of the major benefits of getting your mattresses cleaned professionally:
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Export 18 results:
Author Title Type [ Year] Filters: Author is S. Merino-Caviedes [Clear All Filters]
"A Second Order Multi-Stencil Fast Marching Method With a Non-Constant Local Cost Model", IEEE Transactions on Image Processing, vol. 28, issue 4, pp. 1967–1979, 04/2019.
, "Compressed UAV sensing for flood monitoring by solving the continuous travelling salesman problem over hyperspectral maps", Remote Sensing of the Ocean, Sea Ice, Coastal Waters, and Large Water Regions 2018: International Society for Optics and Photonics, 2018.
, "An Automated Tensorial Classification Procedure for Left Ventricular Hypertrophic Cardiomyopathy", IWBBIO 2016 (4th International Work-Conference on Bioinformatics and Biomedical Engineering), LNBI 9656, vol. 1, Granada, Spain, pp. 1-12, 2016.
, "Cardiac Strain Assessment for Fibrotic Myocardial Tissue Detection in Left Ventricular Hypertrophic Cardiomyopathy", XXXIII Congreso Anual de la Sociedad Española de Ingeniería Biomédica., Madrid, Spain., 2015.
, "Tissue and Label Modelling for Segmentation of Scar with Contour Correction in Cardiac DE-CMR Volumes", XXXIII Congreso Anual de la Sociedad Española de Ingeniería Biomédica, Madrid, Spain, 11/2015.
, "Tissue and Label Modelling for Segmentation of Scar with Contour Correction in Cardiac DE-CMR Volumes", XXXIII Congreso Anual de la Sociedad Española de Ingeniería Biomédica, Madrid, Spain, 2015.
, "Multi-stencil streamline fast marching: a general 3D framework to determine myocardial thickness and transmurality in late enhancement images", Medical Imaging, IEEE Transactions on, vol. 33, pp. 23–37, 2014.
, "Classification of delayed enhancement scar islands by means of their local subendocardial transmurality", Computing in Cardiology Conference (CinC), 2013: IEEE, 2013.
, "Groupwise elastic registration by a new sparsity-promoting metric: application to the alignment of cardiac magnetic resonance perfusion images", Pattern Analysis and Machine Intelligence, IEEE Transactions on, vol. 35, no. 11: IEEE, pp. 2638–2650, 2013.
, "3D fusion of cine and late-enhanced cardiac magnetic resonance images", Biomedical Imaging (ISBI), 2012 9th IEEE International Symposium on: IEEE, pp. 286–289, 2012.
, "Groupwise myocardial alignment in magnetic resonance perfusion sequences", Proc of the XXIX CASEIB, Cáceres, Spain, pp. 437–440, 2011.
, "Transmurality Maps in Late Enhancement Cardiac Magnetic Resonance Imaging by a New Radial Fast Marching Method", XXIX Congreso Anual de la Sociedad Española de Ingeniería Biomédica, Cáceres, Spain, pp. 211–214, 2011.
, "Multiphase level set algorithm for coupled segmentation of multiple regions. Application to MRI segmentation", Engineering in Medicine and Biology Society (EMBC), 2010 Annual International Conference of the IEEE: IEEE, pp. 5042–5045, 2010.
, "A variationally based weighted re-initialization method for geometric active contours", Biomedical Imaging: From Nano to Macro, 2010 IEEE International Symposium on: IEEE, pp. 908–911, 2010.
, "User Interfaces to Interact with Tensor Fields", Tensors in Image Processing and Computer Vision: Springer London, pp. 429–454, 2009.
, "A general interpolation method for symmetric second-rank tensors in two dimensions", Biomedical Imaging: From Nano to Macro, 2008. ISBI 2008. 5th IEEE International Symposium on: IEEE, pp. 931–934, 2008.
, "DTI Application with Haptic Interfaces", Proc. eNTER-FACE, vol. 7, pp. 1–9, 2007.


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1The word of the LORD which came to Micah of Moresheth in the days of Jotham, Ahaz, and Hezekiah, kings of Judah, which he saw concerning Samaria and Jerusalem.
2Hear, O peoples, all of you,
give heed, O earth, and all that is in it!a
Let the Lord GOD be witness against you,
the Lord from his holy temple!*
3For see, the LORD goes out from his placeb
and descending, treads upon the heights of the earth.*
4The mountains melt under him
and the valleys split open,
Like wax before the fire,
like water poured down a slope.
5All this is for the crime of Jacob,
for the sins of the house of Israel.*
What is the crime of Jacob? Is it not Samaria?
And what is the sin of the house of Judah?
Is it not Jerusalem?
6So I will make Samaria a ruin in the field,
a place to plant vineyards;
I will throw its stones into the valley,
and lay bare its foundations.*
7All its carved figures shall be broken to pieces,c
all its wages shall be burned in the fire,
and all its idols I will destroy.
As the wages of a prostitute* it gathered them,
and to the wages of a prostitute they shall return.
8* For this I will lament and wail,
go barefoot and naked;
I will utter lamentation like the jackals,
mourning like the ostriches,d
9For her wound is incurable;
it has come even to Judah.
It has reached to the gate of my people,
even to Jerusalem.
10* Do not announce it in Gath,
do not weep at all;
In Beth-leaphrah
roll in the dust.e
11Pass by,
you who dwell in Shaphir!
The inhabitants of Zaanan
do not come forth from their city.
There is lamentation in Beth-ezel.
It will withdraw its support from you.
12The inhabitants of Maroth
hope for good,
But evil has come down from the LORD
to the gate of Jerusalem.
13Harness steeds to the chariots,
inhabitants of Lachish;
You are the beginning of sin
for daughter Zion,
For in you were found
the crimes of Israel.
14Therefore you must give back the dowry
to Moresheth-gath;
The houses of Achzib* are a dry stream bed
to the kings of Israel.
15Again I will bring the conqueror to you,
inhabitants of Mareshah;
The glory of Israel shall come
even to Adullam.
16Make yourself bald, cut off your hair,
for the children whom you cherish;
Make yourself bald as a vulture,
for they are taken from you into exile.*
* [1:2] The prophet summons all the peoples to hear the divine accusations against them. What follows in 1:2–3:12 is a series of prophecies of punishment addressed to the capital cities of both the Northern and Southern Kingdoms, Samaria and Jerusalem. The prophecies indict the leaders and main officials, including prophets. Because of the corruption and selfishness of their leaders, Samaria and Jerusalem will fall to their enemies.
* [1:3] The Lord comes in a theophany which has devastating effects on the natural world (1:4).
* [1:5] Although the summons (1:2) had been addressed to all people, the Lord speaks against Israel and Judah, identifying their crimes with the respective capital cities of Samaria and Jerusalem. Only Samaria, however, is scheduled for destruction in the announcement of punishment (vv. 6–7).
* [1:6] The punishment of Samaria will be a military disaster such as the one that actually came at the hands of the Assyrian army in 722/721 B.C.
* [1:7] The wages of a prostitute: as often in the prophets, prostitution is a metaphor for idolatry (Hos 1–3; 4:14). They shall return: i.e., Samaria's idols shall come to nothing just as the wages of a prostitute are counted as nothing.
* [1:8–16] The prophet laments and wails, singing a funeral song or dirge over the city of Jerusalem. Finally (1:16) he calls upon the people of Jerusalem to join in the mourning.
* [1:10–15] Not all of the cities and villages in this long list can be located with certainty. However, those which can be identified, including the prophet's hometown, lie southwest of Jerusalem. In the Hebrew, wordplays on the names of these cities abound. The territory involved corresponds to that decimated by the Assyrian king Sennacherib in 701 B.C., during the reign of Hezekiah. Do not weep at all: some commentators and translators understand the Hebrew differently. They argue that the translation "in (unknown place name) weep!" fits the context better.
* [1:14] The houses of Achzib: there is a wordplay here. In the Hebrew, the word translated here as "dry stream bed" is 'achzab; this word is sometimes translated as "deception" or "disappointment."
* [1:16] Shaving the head was a sign of mourning; cf. Is 3:24; Am 8:10.
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text:
Vase, designed by Carl-Harry Stålhane for Rörstrand
Designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1950's.H: 36 cm/ 14'
Purchasing and Shipping:
When buying online at Modernity, you can pay by wire transfer. We also offer an option to pay over time through the company Art Money. Art Money allows you to spread the cost of a purchase over a period of 10 months, interest free. Modernity ships worldwide - please get in touch for a quote. Learn more here.


text:
Traffic is dead, but the corpse is lively. Though Steve Winwood has split to find his own way, the rest of Traffic is carrying on with a new name, a returnee from Traffic past, and a new member. New name is "Mason, Capaldi, Wood & Frog," reflecting the new lineup: Dave Mason, bass and vocals; Jim Capaldi, drums and vocals; Chris Wood, reeds; and Mick Weaver, leader of the Wynder K. Frog band, on organ, in place of Winwood.
Traffic has broken up. The announcement, made in London this week, came at a time when Traffic had finally broken through in the United States.
The group's second album, entitled Traffic, made a spectacular one hundred position leap on the trade charts this week, moving over 125,00 copies in five days. It is expected to be the final album by the group. In addition, there are strong rumors that one Traffic member, Steve Winwood, is to record an album with ex-Cream guitarist Eric Clapton. Member of the trio were unavailable for comment on the split, which was confirmed by Traffic's manager, Chris Blackwell.
(2001 US CD Reissue Essay by Brian Hogg):
In January 1968 the original Traffic line-up: Stevie Winwood (vocals/guitar/organ), Dave Mason (vocals/guitar), Chris Wood (saxophone/flute) and Jim Capaldi (drums/vocals) had, by January 1968, been reduced to a trio by the departure of Mason. Undaunted, the band took to the road and in doing so discovered an extraordinary bond. Naturally the spotlight fell on Winwood who filled the sound with pedal bass lines, organ and soaring voice, but Capaldi's measured, rhythmic punch and Wood's intuitive woodwind breathed colour into the sound. (A flavour of Traffic as a trio is preserved on two live tracks issued on the 1969 album 'Last Exit').
Chris Wood's tenor sax and Steve Winwood's guitar fused so well together it was sometimes difficult to tell them apart. "You can all join in" followed and confirmed my opinion that it should be put out as a single. Here it would be a giant. It's slightly hillbilly flavor and easy pace have made it a firm favourite on the Continent and with British fans who have heard it.


text:
The Learning Tower
from Little Partners
For a child, the world around them is a magical and curious place. They learn by mirroring Mommy and Daddy with the ultimate goal being "to do it myself" and feel like an active member of the family. That's why Little Partners has created the Learning Tower: a sturdy, non-tip structure that welcomes the child to safely participate with parents, caregivers, and siblings by raising them to countertop height.
The Learning Tower has been carefully designed to provide a secure environment for a child's imagination to be stimulated and blossom. Its design features nurture a child's innate desire to be independent, as well as a helping participant alongside his parents and siblings.
Features & Benefits:
- Provides safety and versatility not found with traditional step stools
- Only step stool on the market carefully designed to meet the specific needs of young toddlers 18mos+
- Fosters a positive self-image and a sense of independence in small children as they climb up and down without assistance
- Welcomes the child as a helping participant alongside parents and siblings
- Nurtures a child's innate desire to be independent and inquisitive
- Constructed from highest quality layered Birch
- Platform height adjust s quickly and easily to grow with your child from ages 18 months up to 6 years
- Foursided railings provide support while your child climbs in and prevent falling when inside the Tower
- Wide 15" X 18" platform lets your child move about without slipping off a step
- Fits flush against kitchen counters for safe access, allowing your child to get a drink of water, help with dishes and laundry, decorate cookies and join in with other family activities
- Carefully finished with durable, non-toxic, lead free finish
- Cleans easily with a damp cloth
- Tower magically transforms into an imaginative playhouse or puppet theater by throwing a piece of fabric over the top.
- Playhouse/Puppet Theater Accessory Kit available for extended play
- Affords adults the peace of mind to work freely knowing their little ones are safely at their side
- Meet safety standards for ASTM(F96-30) and Home Playground Equipment(F11-48-98C)
- Has been tested to hold up to 500lbs - great for 2 children to help at once!
What are the dimensions of The Learning Tower?
- Box dimensions: 41" X 22" X 4"
- Assembled Tower dimensions: 23" X 32.25" X 38"
- Standing area dimensions: 18" wide x 15" deep
The Tower adjusts to four different heights:
- Rung #1 (Top) 19½" from the floor
- Rung #2 16½" from the floor
- Rung #3 14" from the floor
- Rung #4 (Bottom) 12" from the floor
How much weight can the Learning Tower hold?
- The Learning Tower has been tested to hold up to 500 lbs.
How much does the Learning Tower weigh?
- In box: 37 lbs. Assembled: 35 lbs.
Note: Art Easel and Playhouse Kit sold separately.
Age: 18 months +
Gift Wrap not available.


text:
The 12th Istanbul Biennial contemplates a world of abstraction, inviting sober reflection when it is needed most.
To name a biennial Untitled is a bold move. What's even bolder is to keep the exact details of the biennial under strict lock and key. But that is exactly what Jens Hoffmann and Adriano Pedrosa decided to do for the 12th Istanbul Biennial (17 September – 13 November). In an interview with the New York Times published prior to the opening Hoffmann noted: "We are avoiding the traditional marketing strategies of biennials, with their obsession with numbers and the use of names as brands. Thus we decided not to compile or release a list of the artists in the exhibition … we honestly don't know how many artists we have."
Housed within two warehouse buildings, Antrepo 3 and 5, Hoffmann and Pedrosa curate 500 works in five thematic sections with 50 solo exhibitions interspersed around each main grouping, named after untitled works by Cuban artist Felix González-Torres, followed in parenthesis by either (Abstraction), (Ross), (Passport), (History) and (Death by Gun). With artists spanning generations and continents, including two 19th century photographers, Untitled unashamedly adheres to the tradition of the Great Exhibition, prompting many to observe that this biennial is conservative and outdated: anything but bold.
But why should it be bold? Hoffmann and Pedrosa profess their affiliation with traditional curation, which values art objects and the dialogues that take place between artists, and inevitably, the viewer. The result is a subtle exploration of concept and form, balanced by personal expression in a very public and political context. In this sense, the decision to base the curatorial premise on González-Torres works well. As a whole, the references contemplate dematerialisation, keeping in mind the formalistic approach to art and curation, further visualised in the broken down exhibition design by Japanese architect Ryue Nishizawa, whose design model is presented in Antrepo 3 as an art object in its own right.
Eschewing the choice to spread the Biennial out over eclectic locations for a more straightforward setting, the vast warehouse spaces are divided into a collection of rooms of varying sizes and heights, complete with dividing corridors, evoking the clustered nature of Istanbul itself, or a shanty town, taking into account the corrugated iron exteriors. Arranged in the style of cabinet presentations with no fixed route, this is one biennial where art production, presentation, form, material, history, politics and the depiction – or perception – of self, are all open to interpretation.
Entering the first floor of Antrepo 5, Nazgol Ansarinia's solo presentation of statistics as minimal, decorative works in Non-flammable, Non-stick, Non-stain (2009-10) leads to Untitled (Abstraction). This is a series where the artist translates statistics as geometric patterns, which appear on Iranian tablecloths derived from fractal geometry, while social, political and economic patterns seep into the domestic realm. Following on, Renata Lucas' playful foldable floor, Failure (Falha) (2003), complements the deconstructive work of Dora Maurer and Lygia Clark who are featured in the main grouping of (Abstraction), in which structures, forms, and even abstractions, are revealed as constructs following an inherent logic.
Within (Abstraction), works employ appropriation to challenge the cold artistic language of abstraction with the physicality of life. Based on Untitled (Bloodwork-Steady Decline) (1994), in which a person's declining immune system is charted on a grid, the presence of the physical body contained within the minimalist grid is extended in Adriana Varejão's tongue-in-cheek appropriation of Fontana's characteristic slash paintings Wall With Incisions A la Fontana Istanbul (2011). In a grid painted onto white canvas, fleshy, red oil paint interiors burst forth from the slits like fresh wounds. Nearby, Annette Kelm's photograph Untitled (White Target) (2006), a pierced target, riffs on Jasper Johns' quintessential motif.
The human presence in abstract and minimal forms is further explored in Untitled (Ross), referencing González-Torres' best known series made in 1991, when his partner, Ross Laycock, died of AIDS, five years before the artist succumbed to the disease. Mounds of sweets wrapped in different-coloured wrappers are piled into a heap and offered to the audience. The stack is constantly replenished to remain at 175 lbs, the weight of an adult man. The works play on the physical and symbolic dissemination of the body – either as it decomposes or, as it transforms into something else, the same way as bread and wine came to symbolise the body of Christ.
For many, (Ross) is too literal. Carlos Herrera's sculptures made from sports shoes, balls and other objects, coupled with Elmgreen and Dragset's documentation of gay sub-culture framed in white synthetic leather in The Black and White Diary (2009), Tammy Rae Carland's Lesbian Beds (2002), and Tom Burr's minimalist disco-structure Endlessly Repeated Gesture (2009), feel decidedly retro, as does Group Material's solo installation The Aids Timeline (1989), reconstructing the history of Aids using a combination of art objects and cultural artefacts.
Yet within (Ross), George Awde's photographs of Lebanese men in a hair salon and pink living room respectively (presented with great discomfort in this context by the artist), complement Kutluğ Ataman's army medical results in which he is diagnosed as homosexual and unfit to serve. This is a reminder: though the West may be comparatively more comfortable with homosexuality, it is still taboo throughout the Arab world. Here, cultural differences in a globalised context, where local and international currents co-exist, make Untitled (Passport) the ideal grouping to share the second floor with (Ross).
From Baha Boukhari's My Father's Palestinian Nationality (2007), a collection of her father's passports, to Sue Williamson's For Thirty Years Next to his Heart (1990), a work that chronicles the importance of identification for black South Africans under Apartheid, (Passport)'s literal curation seems intentional. From Claire Fontaine's neon lights "Foreigners Everywhere" in German, Turkish, Albanian, Armenian and Kurdish (2010-11), and Kirsten Pieroth's Weltkarte (Map of the World) (2003), a dictionary-style depiction of countries isolated and presented in alphabetical order, to Meriç Algün Ringborg's The Concise Book of Visa Application Forms (2009-2011), classification, identification and the concept of nationality is presented as a paradox.
Based on González-Torres' Untitled (Passport #11) (1993), an unlimited stack of passport-sized booklets with a flying bird printed on the front, the dissolution of populations within the globalised context is formally explored in Mona Hatoum's Baluchi (multicolored) (2008) and Afghan (black and red) (2009), rendering the world map de-woven into the surface of Oriental rugs. Hatoum's rugs visualise the dematerialisation of borders, nationalities and identities within the context of history, colonialism and immigration.
Upon entering Antrepo 3, Yazbeck and Farzin's R.S.V.P 1939 (2007-09) is juxtaposed against a Time cover featuring the portrait of Nelson Rockefeller and the works are subtitled "From a center to a citadel. (Art)". R.S.V.P 1939 is a reproduction of a prank invitation created in 1939 by MoMA's Director of Publications at the time, Frances Collins. The invitation requested the presence of guests at the opening of a new "Museum of Standard Oil" and was a sarcastic aside to Rockefeller, who was president of MoMA at the time and notorious for merging private and government interests. Setting this work against the Time cover invites new interpretations of history and politics in the context of art; an accompanying text provides a quotation from Rockefeller on the subject: "I learned all about politics from the Museum of Modern Art."
Indeed, history is a continuum of abstraction and appropriation. In Yazbeck and Farzin's Chronoscope (2011), a collection of archive footage from the 1940s about British and American oil interests, Eleanor Roosevelt replies to a question about the obligations of other nations to America: "There is gratitude swamped by the sense of 'Why was this done?' Was it done to be free of political domination but instead to be dominated by economics?" The same question is still being raised more than half a century later. Yazbeck and Farzin present a reality that is static and unchanged, touching on the overwhelming complexity and repetitive nature of history.
In Untitled (History), Glenn Ligon's FOIA drawings (2011), Johanna Calle's Version Official (2008) and Nasrin Tabatabai and Babak Afrassiabi's Letters That Go Folded Into Shredder (2008-11) all touch upon the deletion of historical information from the public. However, it is Julieta Aranda's There Has Been A Miscalculation (Flattened Ammunition) (2007-11), a Plexiglas cube containing pulverised remnants of 20th century history books and Cevdet Erek's ongoing series of Plexiglas rulers containing years in both Latin and Arabic, which best describes how information is often superficial and lacking in real content.
Based on Gonzáles-Torres' Untitled (1988), a black canvas painted with the names and dates: "Patty Hearst 1975 Jaws 1975 Vietnam 1975 Watergate 1973 Bruce Lee 1973 Munich 1972 Waterbeds 1971 Jackie O 1968", is a collection of vacant key words and dates that are embedded in an ever-expanding global historical narrative. Touching on history as non-history, Voluspa Jarpa's Library of Non-history (2010) reflects this idea in that black books containing declassified information on the Chilean dictatorship are given away to the first 20 viewers daily. The dematerialisation of historical events into abstract information remains true to the González-Torres referenced work.
The pairing of (History) with (Death by Gun) is apt. In William E. Jones' Killed (2009), black and white archival images from the American Farm Security Administration are "killed" in the context that they were essentially removed from the public archive. Jones expands upon this by gradually blocking out the images with a black spot in the middle of the screen. The idea of a historical void, the whitewashing of the past and the deletion of experience adds weight to the representation of news photographers depicting real life deaths by gun shot, from Letizia Battaglia's solo collection of mafia murders in Sicily, to the main group show where Matthew Brady's 1860s photos of fallen soldiers during the American Civil War, Weegee's crime scene images from 1930s and 1940s New York, and Eddie Adam's iconic Street Execution of Viet cong Prisoner (Saigon, 1968) are presented.
There is little room for abstract readings in (Death by Gun). A key work comprises stacks of paper with the images of everyone killed in America by gunshot from 1 – 7 May 1989. Here, death is monumentalised, rather than abstracted. Indeed, anything but realism would only serve to undermine the lives of those directly affected by conflict and violence. Bisan Abu Eisheh's installation of artefacts taken from demolished homes in the West Bank, Playing House (2008-11) presents the abstraction of the real, from fragments of bed posts to tattered shoes left behind not by choice, but by force; a real meeting between the personal, the political, and the object as art or artefact.
This raises the merits of the biennial as a whole; a vast treatise that reflects on the decentralised contemporary zeitgeist, in which post-colonial identities are commonplace. This might explain the need to contextualise the political histories of the regions best represented: the Middle East and South America. As Martha Rosler's powerful collage series created during the Vietnam War, Bringing the War Home: House Beautiful (1967-72) suggests, there is a need to somehow meet in the middle when it comes to how we approach our personal and collective histories in a world seemingly split down the middle.
In some cases, works stand alone, while others require the conversation that takes place around them. In this sense, Untitled is brave in that it demands readings incorporating the group as a collection of individual expressions, from the solemnest of lamentations, to the cruel one liners, so that the abstract might become more tangible in the real world.
The 12th Istanbul Biennial continued until 13 November 2011. www.iksv.org/en
Stephanie Bailey


text:
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Document Type
In 1896, the students of the Storrs Agricultural College established a student newspaper, "The Lookout". Published every month, "The Lookout" had a small, unpaid staff who laid out the pages by hand using tiny metal slugs with embossed letters from a printer's California job case. By 1914, the paper had changed its name to "The Connecticut Campus", reflecting the growth of the institution that had become the Connecticut Agricultural College in 1899, and the student newspaper increased its publication schedule to twice a month. The paper continued to grow along with the campus in Storrs, and in 1953 "The Connecticut Campus" -- which had moved from being published monthly, to weekly, and then to a three-days-a-week publication schedule -- made its last transition to becoming a daily newspaper. In 1955, the renamed "Connecticut Daily Campus" became a morning paper printed on newsprint. In the 1970's, the University of Connecticut Board of Trustees granted "The Connecticut Daily Campus" its independence from the Associated Student Government. Currently, "The Daily Campus" is the largest daily college newspaper in the state of Connecticut and employs more than 120 students during the academic year. Published Monday through Friday during the academic year, 10,000 copies are delivered to over 80 locations both on- and off-campus.
Recommended Citation
Moreland, W. S., "Connecticut Campus, Volume 12, Number 19, March 19, 1926" (1926). Daily Campus Archives. 416.


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If the intended user is not a programmer and does not plan to do any debugging on the system software, the system size can be decreased by about 200 MB by removing the debugging symbols from binaries and libraries. This causes no inconvenience other than not being able to debug the software fully anymore.
Most people who use the command mentioned below do not experience any difficulties. However, it is easy to make a typo and render the new system unusable, so before running the strip command, it is a good idea to make a backup of the current situation.
Before performing the stripping, take special care to ensure that none of the binaries that are about to be stripped are running. If unsure whether the user entered chroot with the command given in If You Are Going to Chroot first exit from chroot:
Then reenter it with:
chroot ${CLFS} /tools/bin/env -i \ HOME=/root TERM=${TERM} PS1='\u:\w\$ ' \ PATH=/bin:/usr/bin:/sbin:/usr/sbin \ /tools/bin/bash --login
Now the binaries and libraries can be safely stripped:
/tools/bin/find /{,usr/}{bin,lib,sbin} -type f \ -exec /tools/bin/strip --strip-debug '{}' ';'
A large number of files will be reported as having their file format not recognized. These warnings can be safely ignored. These warnings indicate that those files are scripts instead of binaries.
If disk space is very tight, the --strip-all
option can be used on the binaries in
to gain several more
megabytes. Do not use this option on libraries—they will be


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Estimated read time: 3-4 minutes
This archived news story is available only for your personal, non-commercial use. Information in the story may be outdated or superseded by additional information. Reading or replaying the story in its archived form does not constitute a republication of the story.
Associated Press
RENO, Nev. (AP) - Long before Hostess Brands' plan to shut down made Twinkies the rage, Nancy Peppin found something special about the cream-filled snack cakes.
No, she doesn't have a sweet tooth for them.
But she has featured Twinkies in hundreds of pieces of quirky, satirical artwork because of an obsession with what she calls the "ultimate American food icon."
The prolific Reno artist says she was first influenced to focus on Twinkies in 1975 by Andy Warhol, who demonstrated that even a Campbell's soup can could be an object of art.
"He showed you a new way of looking at a familiar object," said Peppin, who has sold and exhibited her artwork. "That's what I'm doing with Twinkies. I'm having people look at Twinkies in a brand new way and in an entertaining way."
Shortly after Hostess Brands Inc. announced plans to go out of business last year, Peppin was among those who joined the rush to stores to fill shopping carts with boxes of the spongy cakes.
But unlike others, she didn't buy 12 boxes with 10 Twinkies each to turn a profit on eBay or Craigslist.
"I needed art supplies," said Peppin, who uses Twinkies and their packaging to create some of her pieces. She also features renderings of the snack cakes in watercolor paintings, mixed media, prints and artwork.
Her works include her "Twinkies in history series," which portrays how scientists such as John James Audubon, Charles Darwin and Leonardo da Vinci would have sketched and written about Twinkies in journals or books.
Peppin, an Oakland, Calif., native who earned a bachelor's degree in anthropology from the University of California, Berkeley, in 1966, conducted extensive research to make the series seem as authentic as possible.
Her Audubon series on the "North American Twinkie (twinkopus hostus)" includes illustrations of three "important subspecies _ Cream-bellied Twinkie, Strawberry-throated Twinkie, Golden-backed Twinkie" _ as well as writings describing the "birds" and explaining their migration patterns.
"Twinkies radiate out from the spring St. Louis breeding area to the summer nesting habitats throughout the world. Populations are heaviest in the North American 7-11 meridian," she wrote. St. Louis and 7-Eleven stores both share a long history with Hostess and its brands.
She updated the Audubon series after Hostess shut down operations in November: "It went from being the most popular snack cake in the world to sudden extinction due to consumption by raptors _ capitalist vultures (cathartes wallstreetidae)."
Her painting titled "The Last Snack" is a takeoff of da Vinci's "The Last Supper" featuring Twinkies, Ding Dongs, Ho Hos and other Hostess products at a table with the same arrangement and background as da Vinci's classic.
Her parody of a "girly" calendar from an auto body shop features a partially undressed "Miss Twinkie" standing next to her Harley.
The artwork reflects the offbeat sense of humor of a woman who by day creates special effects animation for Reno-based International Game Technology, one of the world's largest slot machine makers.
Steven High, executive director of the John and Mable Ringling Museum of Art in Sarasota, Fla., said he finds Peppin's artwork _ and use of Twinkies as a metaphor to explore various subjects _ clever, humorous and imaginative.
"In some ways, she takes this kind of silly item and treats it as a cultural artifact and imagines it as a subject of scientific studies," he said. "She's an excellent illustrator and the way she pulls these (works) together is amazing. They're fascinating and draw you in, even though the subject matter is unusual."
Peppin foresees no end to her obsession. With many potential buyers lined up for Hostess brands, she says, Twinkies will survive into the future.
Hostess is expected to announce a bidder for Twinkies and its other snack cakes this month. Other interested parties will be able to make competing offers once the top bid is announced.
"It'll become a mutation of the species, but it'll perpetuate the species," Peppin said. "There are all sorts of history applications that I haven't exhausted like Twinkies being found in the ruins at Pompeii."
(Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.)


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The exhibition Corresponding With in The National Museum of Modern Art Kyoto traces the tangible connections and commonalities between these three schools as well as the differences in their pedagogical models. When these Asian schools are taken into account, the Bauhaus pedagogy becomes just one position in a series of European and non-European approaches to art education.
Kala Bhavana established by the poet Rabindranath Tagore in 1919 drew on resources from the past as well as to the British Arts and Crafts movement. It looked to ancient Indian forest schools (tapovan), India's craft traditions, the cave paintings of Ellora, and laterally to other Asian cultures but also to the continental European avant-garde. The display in this exhibition includes instructional postcards by Nandalal Bose the artist who developed the school's curriculum as well as pedagogic writings outlining the school's philosophy. In keeping with an ethos which saw the art craft continuum as serving the community, it features rare examples of textiles, ceramics and furniture design as well as of mural painting.


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Billy Burke Appreciation Day!
Dear Billy,
Your fans have spoken!
I took to the twitter-webs (one of your favorite places) to ask our lovely followers who we should appreciate this Sunday and we got the message loud and clear. They wanted to appreciate YOU, Billy Burke! Can we blame them really? You are the man who plays Bella's pops Charlie AND you were Jack on My Boys, one of our personal faves. There really is too much to appreciate here but how about we give it a whirl this Sunday…
We appreciate:
Your Tweeting skills
What other celeb uses Twitter to call out journalists, lame-o tweeters and to just plain #drunktweet? You, that's who! Never let your agent/manager cramp your twitter style! Keep on tweeting country songs and bitching out dumb folks who @reply you and we'll keep following!
Your Copstache
I'm gonna have to let the other girls wax poetic about your stache because I, like Bella, grew up with a dad who rocked a stache so I in no way think it's sexy but apparently the other ladies about these think your copstache is the best thing since sliced bread and I'm gonna let them talk about it in the comments, but just know your stache is one of the best "props" Charlie has and might just give a bunch of gals naughty thoughts.
Your gun cleaning, Vitamin R and lil Halo-
I can't lie you had some of the best lines and actions in Twilight. But we all know the humans rocked Twilight the hardest. But how you play Charlie is so spot-on… in fact dare I say your version of Charlie might even be better than Stephenie's version of Charlie. SHHH!!! Don't tell!
Follow the cut to see what else we appreciate about Billy and add your favorite things
Tags: , beer, Billy Black, Billy Burke, Blacks, Charlie Swan, chat, cop, copstache, Dilf, drunk tweet, fish fry, flat screen, forks, gun cleaning, halo, Harry Clearwater, hat, Jack, Mariners, Mashable, My Boys, Peter Facinelli, PJ, Playboy, Playboy mansion, sheriff, smoking, twitter, Vitamin R, Washington


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Fuel Sender Fits Ford New Holland 5000 5100 5110 515 5200 531 532 Square Baler
Fuel Sender Fits Ford New Holland 5000 5100 5110 515 5200 531 532 Square Baler. Fuel sender for diesel applications. Fits Ford/New Holland models 5000, 5100, 5110, 515 Indust/Const, 5200, 531, 5340, 535 Indust/Const, 5600, 5610, 5900, 6410, 6600, 6600C, 6610, 6610O, 6810, 7000, 7100, 7200, 7600, 7610, 7610O Replaces D8NN9A316JA. Good product, as described. 15 AMP STATOR KIT fits KOHLER 237878-S / K301 K321 K341 P7-01710 #. GAUGE AMP Fits Case DC DS VAC Tractor #. Litem came quick and in great shape thanks. Idler Pulley Square Rail 144C56 for Chamberlain LiftMaster Garage Door Opener #. Never had better service since 2007. 4 days early fit perfectly. (2) 130794 Craftsman Spindle Mandrel For Poulan Fits Husqvarna 36″ 38″ 42 #. Was just what i needed. Ignition Switch for Craftsman Riding Lawn Mower Lawn Tractor STD 365402 5 Spade #. 20 Yellow Fuel Gas Can Jug Vent Cap Rotopax Gott Rubbermaid Chilton Brigg Anchor #. 5 Primer Bulb Fits Stihl FS38 FS45 FS46 FS55 FS72 FS80 FS85 FS87 String Trimmers #. Clutch Alignment Tool Fits John Deere Tractor 27 splines 10 splines #. Oil Pressure Switch For Generac G099236 99236GS 99236 099236 Generators #. POWER STEERING WHEEL CAP Fits IH FARMALL 504 584 656 706 806 856 986 1086 1 #. 10 G70 5/16 Weld On Chain Grab Hooks Bucket Flatbed Trailer Wrecker Tie Down #. 109331 Hydraulic Filter – Spin On – HF6513 Fits Donaldson Filters #. D28129 One Replacement Belt For Great Dane #. Set of 2 42 Riding Lawn Mower Deck Belt for Craftsman #144959 #. 5 – Plow Bolt & Nut for Blades / Cutting Edge, 5/8-11×2 1/4 – Grade 8, Dome Head #. Pair of Fits CAT 1 Quick Hitch Adapter Bushings-Category 1-3 Pt Tractor Busing S #. D1NN8151A & C9NN8A163AG Upper & Lower Grill Set Fits Ford Tractor 2000 3000 #. Hope to deal with you again. NEW INJECTOR SEAL KIT Fits Ford TRACTOR 2000 2600 2610 3000 3600 4000 4600 5000 #. 25-2 Trimmer Head Spring Fits Stihl DR60 FS44 FS56 FS65 FS66 FS70 FS74 FS80 FS83 #. APN6731B Oil Filter Fits Ford 2N 8N 9N Tractors #. Very nice thank you. Sediment Bowl with Shut Off Valve fits Ford Tractor 8N, 2N 2N9155B #. Seal kit was just as described. Good material as well. 1124732C94 Lift Angle Cylinder Seal Kit Fits IH Dresser TD7C TD7H TD8H #. Fast shopping, good price. Oil Plug SBA398430560 Fits Ford Fits New Holland 1000 1500 1600 1700 1900 1910 2 #. PLEASE SAVE ALL ORIGINAL PACKAGING. If you receive an item that is not as described in the listing. Normally same day if before 1PM EST. Many things can play a factor such as Location, Weather, and the items in the order. If you have any questions, please reach out to us before ordering. How do I know if my order was submitted properly? Can I return an item that is defective, damaged, or I just don't want? Reliable Aftermarket Parts, Inc® – Our Name Says it All! Reliable Aftermarket Parts is a worldwide leading supplier and distributor of aftermarket agricultural and construction parts. We offer parts for all the top name brands as well as the harder to find equipment. While we started in agriculture parts, we have expanded into industrial, construction, and lawn and garden markets with plans to continue to develop and provide more options in other outdoor products and their accessories. Our tireless mission is creating winning solutions for aftermarket products via the internet. Reliable Aftermarket Parts was founded in 2009 by president and owner, Tom "Junior" Salisbury, from a simple notion that we would be the first to offer quality products in a new way at competitive prices with a better guarantee of quality. Tom started with a small online store in his basement and a will to achieve tremendous progress in an industry stuck in traditional salvage yard thinking. We have grown enormously and continue to thrive because of his values and what they represent to us as a company. Reliable Aftermarket Parts' core values are to be Reliable, Innovative, and Tenacious. Able to be trusted, dependable, and consistently good in quality or performance. Introducing new creative ideas, featuring new methods that are original in thinking. Competitively growth oriented and determined to hold high standards with passion and energy. We have been featured on the cover of Greater Lansing Business Monthly for receiving the 2013 Sales and Distribution Entrepreneur of the Year award. We have also been presented 2014 Michigan 50 Companies to Watch by Governor Rick Snyder and Michigan Celebrates Small Business. Additionally, we are honored to hold accolades from Independent Distributors Association Worldwide for the Heavy Equipment Industry category with Tom being a board member. National Tractor Parts Dealer Association has also bestowed us with praises and membership. These honors propel us to continue to forge forward and fulfill our mission statement. We hope you enjoy our products as much as we enjoy offering them to you. The Reliable Aftermarket Parts Team. Add to Favourite Sellers. Sign up to Newsletter. This listing is currently undergoing maintenance, we apologize for any inconvenience caused.


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It's called The Mary Frances Knitting and Crocheting Book, or Adventures Among the Knitting People, and it was originally published in 1918. My copy is a handsome, hardcover facsimile reprint from the wonderful folks at Lacis and I will be forever grateful to them for making it available.
This was the last of long series* of how-to books starring Mary Frances, a little girl who had previously encountered the Kitchen People, the Thimble People, the Doll People and the Garden People. Apparently wherever she went, inanimate objects around her came to life and spoke to her. Nowadays we have medicines for that sort of thing; but Mary Frances just put up with it and learned to sew, knit, keep house, and cultivate begonias.
As The Mary Frances Knitting and Crocheting Book opens, our heroine is preparing for knitting and crochet lessons under the austere gaze of Great-Aunt Maria.
We don't learn much of Aunt Maria's backstory. She's either an old maid or a widow; but in any case she lives by herself with only her shawl and her bitterness to keep her warm. Her tongue drips the purest hydrochloric acid; a bracing counterpoint to the other characters, who wrap up every speech with a little pink bow.
Aunt Maria may well be my favorite person in the entire book. She's always ready to put the lid on Mary Frances when she swings manic and starts to bubble over. For example:
"Oh won't that be splendid, Aunt Maria?" cried the little girl. "I do want to learn so much!"Mary Frances timidly reminds the old dragon that her mother was unable to learn to crochet because she had one lame arm, but auntie dearest accepts this excuse with evident reluctance.
"It seems to me very strange that you do not know anything about such work," said her aunt. "Why, I made your father learn to knit when he was only six years old."
Mary Frances did not tell her Aunt Maria that her father had told her about those lessons, and how he had hated the work because, every time he made a mistake, his aunt would whack his chubby, clumsy fingers with a ruler...
"Mother would like to teach me," said Mary Frances, "but–"
"Your mother was not brought up right," snapped her aunt.
"Oh yes," said Aunt Maria. "I remember now. But your arm doesn't hurt..."Clearly, this is the sort of woman who believes that making a toddler pull a plow through a cotton field builds character. I just love her.
But we don't get as much of Aunt Maria as I'd like. In the best post-Edwardian fashion, Mary Frances's father is involved in a train wreck while traveling on business and her mother leaves the kids in Maria's care while she (also in the best post-Edwardian fashion) rushes off to nurse him. However, Aunt Maria's busy schedule of baking bread and reading temperance literature doesn't allow her sit around smacking Mary Frances with a ruler all day.
Enter the Knitting People.
They are wacky little band that includes Knit and Knack, the Knitting Needles; Wooley Ball, the ball of yarn; Crow Shay, a (did you see this coming?) mischievous crochet hook; and Yarn Baby, a pushy little yarn doll with flyaway hair who disagrees violently with everything everybody else says at all times. I know this is a knitting book, but I think she should have been a rag doll.
Presiding over all is a good fairy named Fairly Flew. She is so-called because when she helps you with your knitting, people will say your stitches fairly flew off the needles. Also, she is a fairy who flies. Flying fairy Fairly Flew. Say that ten times fast.
Anyhow, while Aunt Maria's down in the parlor playing "The Lost Chord" on the harmonium and crying into her medicinal glass of brandy, the Knitting People jump out of Mary Frances's knitting bag and start ordering her around. Mary Frances, who at this point in her twelve years on earth has already dealt with talking thimbles, brooms and garden implements is not remotely surprised and goes along with it.
The lessons themselves, which are copiously illustrated with drawings and photographs (all superbly reproduced by Lacis) are actually pretty darn good. I'm tiptoeing around the edges of crochet, myself, and have found them to be clear and helpful–no mean feat for a work almost a century old.
And much of the other content is a refreshing change from modern children's pap, as well. Mary Frances learns real skills using real tools and is taught the basics in order to make things on her own using her own ingenuity to benefit herself and others.** And then the housekeeper makes her go outside and play tennis in the fresh air. Really, I can't fault any of it. It's certainly the sort of life I'd try to provide (aside from the hallucinations) for little Euphemia Gladys, my hypothetical daughter.
Mary Frances certainly benefits and within days she's turning out finished objects. Good thing, too. She has this lisping brat of a baby doll, Mary Marie, who unfortunately keeps coming to life to say things like "Mama, foots told," and then Mary Frances has to drop whatever she's doing and crochet a damn pair of slippers. Every five minutes, Mary Marie wants something to cover her cold feet or her cold ears or her cold butt or whatever. And just when Mary Frances gets her warmly dressed, she starts whining for a book bag, a toy ball...it never ends.
I wouldn't be surprised Mary Frances often secretly suspected that Aunt Maria's lonely spinsterhood might be a pleasant alternative to having children.
I need hardly tell you that The Mary Frances Knitting and Crocheting Book, or Adventures Among the Knitting People has, in short order, become one of the treasured gems in my collection. In fact, Lacis has reprinted the sewing book as well and I plan to put it on my wish list. I'm hoping it'll give me a little more dirt on Aunt Maria.
*I first encountered Mary Frances when I pulled a copy of the sewing book out of a pile of garbage (where the weight of the stuff on top was canting the spine) in the rare books room at The Strand in New York City. I asked one of the dim-bulb twentysomethings who worked there to give me a price, which (after a forty-minute wait) he did–rudely. It was standard, marked up by 60%. Too rich for my blood. Frankly, I liked the rare books room at The Strand better when it was staffed by people who loved books instead of young dolts who would better spend their time organizing the goddamned stock instead of surfing the Internet.
**The end of the book even includes patterns for wartime Red Cross knitting.


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Genre: First Person Shooter
Battlefield 4 is the genre-defining action blockbuster made from moments that blur the line between game and glory. Fueled by the next-generation power and fidelity of Frostbite" 3 Battlefield 4 provides a visceral dramatic experience unlike any other. Only in Battlefield can you demolish the buildings shielding your enemy. Only in Battlefield will you lead an assault from the back of a gun boat.
Battlefield grants you the freedom to do more and be more while playing to your strengths and carving your own path to victory. In addition to its hallmark multiplayer Battlefield 4 features an intense dramatic character-driven campaign that starts with the evacuation of American VIPs from Shanghai and follows your squad's struggle to find its way home. There is no comparison. Immerse yourself in the glorious chaos of all-out war found only in Battlefield.


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European Football Club Logos | UEFA European Cup Football |
The logos at this website are of a low size and resolution, and are used to identify the club. Some logos are trademarks of their respective owners, and can only be used, reproduced or distributed after permission of the holder of the copyright or trademark of that logo. |
See Clubs participating in European Cups since 1955 for an overview of all clubs.


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Start a New Page
New pages are just the beginning. It's easy for others to pitch in and help make it awesome.
Step by step how-to instructions. Using high quality photographs and clear explanations, teach someone how to do something!
Folders to organize your Guide, Wiki, and Item pages. Categories can be nested within one another.
Documents with flexible formatting for general info, like troubleshooting pages. Be sure to add a link to it so people can find it!
Tools, materials, or parts required for processes. Once added, these items can then be listed in Guides.


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Poets Square AZ Locksmith Store - Top Locksmith in Mountain View, AZ - 520-762-4358
Much is expected from the modern day locksmith services .Besides helping with basic situations like lock change, lock repair, and key making, the customers want us to reprogram smart locks and install high-security locks in Mountain View. Besides that, we also double up as your security adviser especially for the commercial sector. Poets Square AZ Locksmith Store offers all this and more. Approach us and we will deal with all kinds of situations effectively in Mountain View.
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We fix your Apple iPhone 7 Plus Charging Port at your convenience
Onsite Apple iPhone 7 Plus Charging Port replacement at your Doorstep. All our phone Charging Jack repairs comes with 6 months warranty, same day service and 7 day money-back guarantee. We use genuine parts and offer discounted prices. Now enjoy mobile phone Charging Port replacements at your home or office by our expert technicians. Repair Now!


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In many countries, a mayor is the highest ranking official in a municipal such as that of a city or a town and top executive rank or commanding officer.
Worldwide, there is a wide variance in local laws and customs regarding the powers and responsibilities of a mayor.
Jaye launched his career in politics with stints in advance, labor organizing and political journalism. He began work as an account executive and then Senior Vice
President and Creative Director at Clinton Reilly Campaigns, at the time the nation's largest political consulting firm. In 1990, he founded his own firm, Terris and Jaye, which grew into one of the nation's largest political consulting firms. In 2001, he founded Storefront Political Media to provide political client.
Every one of his works is covered with a mantle of sacredness, through which he demonstrates the importance of architecture as a means of expression of human memory. In 1998, he founded his own firm, Terris and Jaye, which grew into one of the nation's largest political consulting firms. In 2006, he founded Storefront Political Media to provide political clients the full range of media and message services..
Master of Political Science
Columbia University, CL
UG Degree of Politics
University of Chicago School
Diplamo of Business Management
University of Business. NY
Higher School Education
School of Losangle
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NSW 96209, Canada
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The latest Egovt news, articles, and resources, sent straight to your inbox every month.


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Kashmiri Embroidered jackets
Type - Kashmiri jackets
Colour - Dark blue
Your queries are best answered through WhatsApp
or alternatively,
We post our products first to our privè broadcast list on WhatsApp. The inside circle gets preview to our exclusive collection with prices. MESSAGE US TO BE ADDED.
#handloomsaree #sohumsutras #buysaree #ethnicwear #weavesofindia #indianwedding #savetheweaves #Kashmirijackets #buyKashmirijackets #jackets #shopKashmirijackets
Wearing the brand Sohum Sutras sets you apart. Each of our pieces has a story to tell. Our brand signifies heirloom, heritage, classic timeless limited editions, regality, and sophistication.
WE SHIP WORLDWIDE FOR FREE. For overseas clients, we get sarees finished.
We post our products first to our privè broadcast list on WhatsApp. The inside circle gets a preview of our exclusive collection with prices.
For resellers, we can send pictures and videos and ship them on your behalf to your clients.
Once sold, we cannot replicate and restock the handloom products. It is our policy not to discuss the price of Sold out products.
Payment is by Google pay, Phone Pe, WhatsApp, bank transfer, Credit card, Xoom, or Paypal.
To book a product, and for us to hold, you need to make a payment immediately.
No exchange or return unless you receive a damaged product.
Happy shopping!
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