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IN Seymour, CT
Get the bail process started instantly in Seymour. Bail bondsmen are waiting 24/7 for your call. Call (203) 333-2663 to get started.
If a loved one has been arrested, it can be an incredibly stressful situation. Your first priority is to get your family member or friend freed from their cell so that they can start working on their defense or explore legal solutions available to them. Keep reading to learn how we can help you.
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The Bail Process in Seymour You'll Work Through with our Bondsman
Get the assistance of a bondsman by giving us a call. We are available 24 hours a day and will provide you with extensive information about the entire bail bond process. If you have time on your side, you can also fill out the form in step 2, and one of our bail agents will contact you to discuss our bail bonds service.
Before we can conduct the bonding process on your behalf, you need to provide us with the necessary authorization by filling in the required form.
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After we have approved your bond, you sign an agreement that contains the agreed upon payment plan.
This is a contract that you sign, agreeing that we keep your credit card on file to charge for your bond payments.
The legal process is as follows:
- You or your family member is suspected of a crime and arrested
- The court sets a bail amount that is determined by varying factors
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- When the defendant attends the court session, the bail amount is paid back to them
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Types of Bail Bonds Afford-a-Bail Serves in CT
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Connecticut Legal Institutions Serving Seymour
For information on other towns, continue to Shelton, Simsbury, or South Windsor.
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and I'm the owner of U.S. Taekwondo Center and the current Colorado State Taekwondo Association President. When I was a child, I began my martial arts journey and the positive impact it had on my life was remarkable. It was always my dream to someday own my own school in Aurora and create an enjoyable environment for students to improve their fitness while building the confidence they can carry into their everyday lives. Take advantage of one of our amazing web specials today - join us as we empower ourselves and our community with martial arts!
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Interviewer: > Sarah Cook Interviewee: > Régine Debatty
Sarah Cook: What made you want to start wmmna? Régine Debatty: It started by chance. I had tons of time to kill at the office and met this guy, Max, who had crafted some artistic application for mobile phones that he used in performances. It was totally new to me: "What? You can make art with some tech device?" So I decided to investigate and find out who else was using technology in a creative, unexpected way. Max suggested I archive my research in a blog. You know the rest. SC: How do you choose what to cover and what not to? RD: It all depends on what Im interested in at the moment. It used to be interactive installations, now Im more into bioart, critical design, and sustainability. It's totally personal, there's no strategy, plan nor willingness to cover extensively a particular topic. SC: How do you balance the pressure from your readers that you cover their show or project with your own personal interest (what you want to cover)? RD: I'm a totally selfish person. I care for artists and designers but not enough to write about any project that I wouldn't find exciting enough. So I ignore the pressure, I just have my own way. That doesn't mean that the method is the best nor that Im perfectly happy with it: I make errors of judgment, I hastily discard projects which are interesting, I agree to post something I don't really like just because the artist seems to be such a kind person, etc. SC: Is the fact that you do it for free / no monetary reward a kind of filtering criteria (i.e. if you were paid to do this you might have to write about things you didn't care so much for)? RD: I would never write about something I wouldn't feel comfortable about. Well, I guess I could if I were offered tons of money but it just wouldn't work over a long period of time. Ive been paid to attend and blog a conference once or twice but the programme was really good so it was a pleasure to do it and it fitted perfectly the spirit of my blog so there was no discrepancy. However receiving money means that I have to write about the whole conference, not just filtering and posting the talks of one or two speakers as I normally would because Im lazy or in a hurry. I always get better feedback from the readers when I do some extra effort and post as much as possible. But hey, I was wondering the other day whether I am getting too old for that. I used to be a real blog-machine. Now I still attend the talks, write down religiously as much as possible what's being said, go to the hotel room to blog instead of joining the parties, but at the end of the day I manage to post only a tiny fraction of what's been going on. SC: How do you sustain the blog (and your writing life) financially? Where are the compromises? (For example, do people pay your expenses to come and see a project, and do you like it when they do, or does it imply you write in return?) RD: There's a bit of advertising, sometimes it works great, sometimes it's just pitiful. So I write for magazines and catalogues in order to be able to pay the rent. I don't like that. I'd rather focus on my own thing. Besides, English is not my mother language so I feel handicapped by my ignorance of the grammar and vocabulary; it's okay on the blog because I feel that readers know me and might be more tolerant. On the other hand, it would be mean to complain. Im quite flattered when someone asks me to write for them. Now the travels are covered. Sometimes. If the festival is good, organized by talented people with empty pockets, I don't mind, I pay my plane ticket, give a talk, blog the event. Conflux in New York is such event. There are other festivals or conferences that I feel I have the duty to attend like Ars Electronica. I save a bit of money, go to Ars and enjoy as much as I can. Otherwise I can't afford to travel and get a hotel. Most of the time Im asked to give a talk so the organizers cover my expense and give me a speaker's fee like they do with any other participant of the event. Sometimes, Im asked to come and blog a conference or festival, I don't even have to give a talk or workshop but all expenses are covered. If the event looks interesting and the programme is good, bliss! Ill go for it. If the programme doesn't rock my boat then I decline the offer. Very often though, people would contact me and ask, "Why didn't you come and cover my festival in Canada?" Some just assume that Im a big organization with loads of money and contributors all around the world. But, hello!, it's just me writing from my kitchen table. The blog is not a business, it's a platform I use to share with others what Im discovering every day. SC: Because you write about what you want, for your own personal blog (as you described it to me earlier) do you ever get accused of not being critical enough? (I.e. that you rarely write bad reviews of projects because generally you're writing a review in the first place because you liked the project) RD: Yes, sometimes. I try to stay neutral because I don't want to influence the opinion of readers. Id rather think that they approach an artwork without any prejudice and if they have any, I don't want to be the one to blame for it. I used to be a reporter, staying neutral was something I was "trained" to be and I never felt that there was anything wrong with that. Besides, I don't think my own opinion is worth that much. I'm not an expert, just an amateur. There are enough vocal amateurs on the web these days so I don't feel like adding my pinch of salt. I do believe that I still have so much to learn before daring to utter any well-argued thoughts. I am also aware that declaring that Im an amateur is a very comfortable, not to say cowardly, position. The only way I express that I don't like a project these days is by not writing about it. It won't mean that a project is bad, just that I didn't find it exciting and compelling enough. SC: Youve done a terrific number of really excellent interviews with artists and new media cultural producers all over the world - and in many of them ask them the same questions Ive just asked you about sustainability of practice. Do you think there is a financial volunteerism and precarity at the heart of most if not all new media practice? RD: No. No, because I don't want it to be like that. It shouldn't. But yes, sometimes new media practice is a question of volunteerism and precarity. Not everywhere. I know that the situation in Europe is better than in the US and that within Europe there are huge differences within countries (The Dutch, for example, are better off than Italians.) or regions (Flanders in Belgium is far more generous with new media art than the French-speaking community of the country is). But then Im not sure it's just new media art, I guess many people involved in art have to struggle too. New media art might be in a worse situation than any other kind of art because not everyone is ready to give it credibility, thus funding. Or maybe the problem is us? We just believe in what we do, are passionate about it (I sound like an ad for an insurance company here) and put the need to pay the rent after our own desire to see a project succeed? SC: You have a few other contributors listed, how does the workload break down between you? Have you ever worked with other freelance writers / reporters for wmmna, and if not, why not? RD: There's no rule. I write my posts every day and if the others have time to write something once or twice a month that's great. I find it extremely hard to find people who can write for wmmna. And do it as well as Sascha, Alejandro and Konomi do. I love you guys! SC: How do you see the field of new media art has changed since you started blogging? (In relation to fine art? in relation to design? In relation to technology / computing research projects?) RD: Now is time to be pretentious. I think that the blog has allowed some works or fields of art and design to get more recognition. Three years ago when I started writing about interactive works, widely read gadget blogs would just laugh at the blog posts. After some time, they stopped laughing and regularly featured some art works in their column. There's still much hi-hi-ha-ha! in their comments but there's some fair amount of respect too. I also get emails from people who write for New Scientist or Wired magazine that thank me for pointing them to artists, designers or other people whose work they would otherwise never have heard (thus written) about. I can also see that because of the exposure many people now want to be part of the interaction design or new media art crowd just because they see that it's "cool" and would allow them to get their name in gizmodo or boingboing (I looove boingboing, don't get me wrong). I've seen that reflected in some recent and badly curated media art exhibitions: gimmicky, shallow and flashy pieces that entertain everyone. I don't know how much good it does to the discipline; they get more coverage but not always the good kind. Do you see what I mean? SC: (Given the work I do at CRUMB about how museums and galleries take new media art on board), from your perspective, are the projects you write about, or artists you interview, any closer to being considered a part of the mainstream of visual art and contemporary culture than before, or are they still in a ghetto (self-defined or otherwise)? RD: I can't really talk about museums. I have discussed this with gallery owners and they have to make a living, don't we all? So some rare pioneers sell screen-based works. Selling a 3D piece is more of a challenge; it's expensive, can look rather unassuming when the plug is off and needs some fixing once in a while. But coming back to screen-based works, there's some light at the end of the tunnel. Several net.artists are now finding a market for their pieces. They've been waiting for 10 years but it seems that things are finally looking brighter for them. There's even a rumour that when one of the New York galleries started framing the computer screen works in nice frames and hung them on the walls, sales got much better. Now one positive area might be magazines. Most of the time they simply ignore new media art but some of them have started to show some interest for "digital" art, they've even asked me to write columns or report. I repeat: I hate to write long pieces for papers but I also get a big pang of pride when I think that some artists whose work I admire are finally featured on those glossy posh pages. That doesn't mean I don't have to struggle sometimes when the editors tell me "Oh, please can't you just write about something a bit more related to the topic of this magazine this time. You know... art!" SC: Do you see what you're doing with wmmna as curatorial in any way (filtering or selecting or linking)? I think the introduction to your interview with Vuk Cosic, for example, embodies some of the best things about curatorial practice being able to select works from a body of practice, describe them in detail but in plain speaking English, and get readers/viewers excited to find out more with the Q&A that follows. RD: I guess it could be regarded as a kind of curatorial work. I make a selection and exhibit the work in my little art gallery. Olia Lialina said at Transmediale this year that some artists would rather have their work exhibited on websites like rhizome and wmmna than in galleries that no one visits. http://art.teleportacia.org/observation/flat_against_the_wall/ I'm not so sure about that but it sounded flattering. SC: How does your consulting work fit in to your practice - is that curatorial? RD: I call it consulting to make it short and easy to grasp. The term includes some curatorial work, being part of a jury for commissions, and spending plenty of time discussing online or not with students who need advice about their own projects or the best schools to attend. On the other hand, writing on my bio that I "consult" leads to some rather unpleasant emails from people who just "ask my opinion" but in fact hope that Ill do the job for them. For example, Im regularly asked to recommend some "cool" art works for exhibitions that other "experts" are paid to curate or set up. But if you're a student and you need some help with deciding which school is best for your interests and expectations or if you're looking for projects that engage with the same topic that you're exploring, I don't mind giving a hand at all. SC: If you could teach new media art critics one thing, what would it be? RD: I'm not sure I can teach them anything; Id rather ask them to give me some of their know-how. I think my only talent is that Im a good "vulgarisatrice". It is a French word that can be used in a positive or unflattering light; it means that I can make things easier to understand for a bigger number of people. I make media art more pop. By doing so I give it more visibility but as I mentioned earlier there's always the danger of making it look like something just cool and shallow. SC: You studied the classics (Latin and Greek), which is a nice counterpoint to your work in new media. Who are some writers you admire (whether bloggers or not)? RD: I read and eat so much art and design that all I want to read at bedtime are crime stories. I like Ian Rankin and Minette Walters particularly. SC: Ive often thought Id like to be you, or at least have at least as cool accessories and hair clips! I really mean that Id like to do what you do. Would you recommend it? How do you stay inspired? RD: I recommend it for the feeling it gives me to be the luckiest person on earth (right after Paris Hilton). On the other hand, I find traveling so much tiring and I work a lot. There's a lot of effort behind the scenes, like reading a lot (new media art essays, art and design magazines), trying to see as many shows as possible, writing articles for mags and catalogues in order to pay the rent, preparing the talks and workshops, etc. None of it is too taxing though, who am I to whine "oh, gosh! I have to see an exhibition!" I love it most of the time, but my boyfriend complains (rightly so) that I don't spend enough time with him and when I do I just talk about work. What keeps me inspired is that I just follow my interests and they tend to change. I guess it would be better for my blog if I had stuck to (yawn!) interactive installations. Instead, I only write about them once in a while and dedicate more space to other types of works. I also write more about non-techy art. There are two reasons behind this decision. The first one is that new media art had a strange effect on me: it rekindled my interest in art which might be a good thing, as it allows me to keep my distance from the tech fads (not all that interacts and blinks is art) and look at a new media art piece with a more critical and aesthetics-seeking eye. The second reason why I write more about non-tech art is that I feel it would be good if "traditional" art and new media art could mingle more often. It doesn't happen much in festivals and exhibitions so I just make it happen on my blog. SC: How much harder is it now that you've won 2 Webby awards? RD: Not harder at all, I just keep on doing my own thing. I'm very happy that they chose me but I don't feel that I deserve the award. I'm not fishing for compliments, I mean it. By the way, should I change anything because I received 2 Webbys? SC: I dont think you should change anything; I wondered if the pressure to keep at it, or do more, had increased with the greater popularity of the site. Which leads me to ask at last, what are you thinking about doing next? RD: That's the problem. I'm spending so much time visiting exhibitions, talking at conferences and trying to write about those that I never take a few days to just sit there and think about where all this could go. Thanks for your interest, Sarah.
net.art installation media art fine art design time space interaction money press funding festivals museums
Sarah Cook Vuk Cosic CRUMB Régine Debatty


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The 4:15am bus ride was a bit too early to drive to from the Bay Area, so I opted to spend the night at the Auburn Holiday Inn and treat myself to a solo dinner at Bootleggers (highly recommended). It was nice to have a calm evening before the race; quite the contrast to my first AR50 in 2006, when I had just found out I was going to be a Dad and could barely tie my own shoes. I had just enough time in the morning to hit Denny's for a 3:30am Grand Slam breakfast (no bacon this time) before dragging my groggy self onto the bus and sitting with Kevin Swisher, Gretchen Brugman, and Catherine Sullivan. It seemed like just yesterday we were all newbies, but it took 50-minutes just to get caught up on everyone's latest 50- and 100-milers! Before we knew it, we were being escorted out into the cold.
At the start of the race, the speedsters gathered up front. Short-course star (and world class steeplechase runner) Max King was fresh of the XC championships and gunning for a slot at Western States. This wouldn't be easy, however, since Eric Skaden (2nd at last year's AR50 and USATF 100-mile champion), Dave Mackey (Miwok 100k winner and course record holder), Hal Koerner (2007 Western States champion), Dan Olmstead (2nd at 2009 Way Too Cool), Chikara Omine (3:08 at 2009 Jed Smith 50k), Keith Bechtol (NCAA 10k champ trying out his first 50-mile race), Jasper Halekas, Victor Ballesteros, and Graham Cooper were all here to race hard. In the Women's race, favorite Kami Semick would have to keep pace with Annette Bednosky (former Western States champ), Jenny Capel (who knows these trails cold), Jen Pfeifer (fastest of the young guns), and Monica Ochs.
I was personally out to have some fun and log a good long run, and focus on holding a pace that felt like I could hold for 75-80 miles. If I managed to beat my previous AR50 time of 7:57, that would be gravy. The forecast was for sunny skies and near-70 degree afternoons, so it would be a good day to run easy and enjoy the surroundings. I showed up a few minutes late to the start after hustling back to my bag to get gloves, which gave me a chance to catch up with a lot of people. At the turnaround, it was no surprise to see the fast road runners up front, with Chikara Omine, Max King, Keith Bechtol, and Dave Mackey well into a 6 min/mile pace.
The sun's golden beams rose through the oak trees as we made our way down the bike path. The experienced runners immediately took to the crushed dirt on either side, keeping an eye out for the rabbits that were darting everywhere (or the rumored rattlesnakes, which I can gladly say I didn't see). By the time we hit the first aid station (mile 4), runners were spread as far as the eye could see. I cruised along with Tony Overbay for a few miles and we caught up on family and life adventures. Tony is getting pretty fast these days!
Thanks to many friends along the way (both new and old), the miles clicked off with ease. I took a short bio break at mile 13, and was surprised to soon be crossing the American River and heading into the trails. Greg Nacco (running his 12th AR50) led me up the path and we came back down the other side to run the fire roads with John Catts. My pace was a bit faster than Greg and John so they let me go ahead, but I had a feeling I would see him again – Nacco NEVER slows down.
It sure was fun to see everyone. I caught up to Gary Wang, Grant Carboni, then Adam Blum, then Tim Tweitmeyer (going for his 29th AR50), and finally got on the heels of Jady Palko who was charging through the single track. Jady was cranking away to his tunes, but flashed me a hang loose when I got within a few steps of him. But as soon as I did, I caught a toe and fell head first down a narrow trail. I braced for rocks and sticks, but the landing was soft sand (thank God). I did manage to eat about a cup of dirt and cough it out my nose, which was a treat. A few runners offered their help, but I waived them on and pulled aside to rinse off/out. One runner pointed out a bigger problem…I was missing a shoe! How can you fall so hard you lose a shoe? Well, run trails in road shoes and you'll find out. It took a few minutes, but we found it off the trail a few feet and I put it back on. Definitely a blog-worthy moment. ;-)
I found my stride again as we got back on the bike trail and climbed. I gave my best to Joe Swenson (shooting for 9 hours), then met Hugo Ahumada, who probably had the biggest smile of all the runners on the course. Hugo pulled me to the top of the climb, and I learned that this was only his third 50-miler after tackling the North Face 50m in 8:15 in December. Given that he has three kids between age 4 and 11, I was impressed he could get any training in at all, but he was handling it like a seasoned veteran. We spoke about the bliss of having a few hours to yourself, and pointed out the rabbits and hawks at every turn. We crossed the 26.2 mile mark in about 3:32, then coasted down to Beal's Point (mile 27) for some snacks.
I went for some PB&J and solid snacks this time. The Vespa was working its usual wonders, keeping me from needing to take in too much fuel along the way (I take about one gel an hour with Vespa). But I always find some solid food keeps my hunger pangs away. I saw a couple of folks had dropped already, with Eric Skaden cheering on runners and Jean Pommier trying to calm down an asthma attack. Rumor had it that Chikara Omine had come flying through on a 2:40'ish marathon pace, with Keith Bechtol, Dave Mackey, and Max King hot on his tail, and Kami Semick was building a solid lead in the Women's race.
Mike Miller and I had a chance to catch up as we toured through the roller coaster fire roads. I was starting to feel hot in the face, and one of the hikers told me it was already 60+ degrees. I splashed some water on my head, and like a crack habit, found myself reaching for it every 4-5 minutes from that point on. I had brought two water bottles for just this reason. Although you can easily get through this race with one, a second one can be used for cooling.
I got through the next aid station quickly (mile 31), and applied some sunscreen while Jady Palko caught up to me again (I thought he was ahead, but I'm sure nature called). He said something about "Tweet is right on our tail", and before I could even step out of the way, Tim Tweitmeyer went cruising by even faster than before. I suspect he knows something about how to run this race, given his 29 years of experience (he would end up being one of the few to negative split the race). Hugo came soon after him, flashing that big smile as he vaulted up the single track.
The hawks were in full form, and I was eager to get some pictures as they came near the ridge. Unfortunately, when I turned on the camera, all that came out was sand from where the lense was supposed to be. Doh! Guess I'll have to focus on the run for once. ;-) I weaved through the single track to the next aid station (mile 44), and caught Keith Bechtol who had bonked soon after clocking a 2:46 marathon split and was walking it in. Pretty impressive that he was going to stick it out (he would finish in 8:16).
I got to Last Gasp, and that was a fairly accurate description of my energy level. Although the short hills were fine, this long climb at the end was making me dizzy. Note to self – practice long hot climbs on tired legs! Greg Nacco and Tony Brantley were doing better than I was as they passed me by, so I just tried to keep them in sight. If I slowed to a walk, I promised myself to start again at the next "shadow" on the road. Tony took a few walk breaks too, but as expected, Greg just didn't stop and soon gapped us both.
In the final 200 yards, Jady Palko came charging behind me like a freight train. How did he get behind me again? I picked up the pace a bit, but he kicked hard and got me by a few seconds. That's cool by me…I thought he was ahead of me already! The clock read 7:44:16, good enough for 45th place and about 13 minutes faster than my last AR50. I felt great at the finish, knowing I could have gone another 20 miles at that pace. It looks like the training for States is still on track, although I have some areas to address. The volunteers put on the kick-ass AR50 finishers jacket, and I made my way to the medical tent to have the remaining sand washed out of my wounds.
I took a quick shower and enjoyed a beer in the sun with Rob Evans, Jasper Halekas, Mark Lantz (Master's winner), Mark Gilligan, and friends. I got the low down on the top finishers. Max King had won the race in 6:04:44 after crushing the second half with the best split of the day. Dave Mackey (6:12:13) got 2nd, and Chikara Omine (6:12:46) blazed to third place. 21 runners managed to squeeze under 7 hours, but none had cracked the 6 hour barrier this year. Kami Semick ran start to finish in the lead slot, finishing 15th overall in 6:45:51. She held off Jen Pfeifer (7:03:25), Annette Bednosky (7:11:21), and Jenny Capel (7:14:33). (all results)
I was all smiles heading back home, thinking that this was one of the most magical days I had ever seen along the American River. Then again, I seem to say that a lot after one of these great races along this slice of heaven. Thanks to Julie Fingar and the fabulous crew for a perfect race. I look forward to the next one!


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What To Know When Dog Surgery Has Been Recommended
At Summer Creek Animal Clinic, we understand that it can be frightening to receive the news that a dog surgery is being recommended. It is important to understand that it is a recommendation that our veterinarians do not take lightly. If one of our veterinarians is recommending a surgical procedure, rest assured that it is with the best interest of your dog in mind. It is important to us that you understand the reasons as to why a surgical procedure is being recommended and are able to comfortably make the right decisions regarding your dog's health.
Canine surgical procedures fall into two categories where your dog is concerned, elective procedures and those that are urgently necessary.
Most common elective dog surgery procedures include:
- Spay
- Neuter
- Dental extractions
- Benign growths of the skin
Some common urgent care surgical procedures include:
- Skin lacerations or abscess
- Intestinal obstruction from a foreign body
- Internal bleeding
- Torn cruciate or ACL ruptures
- Fracture repair
- Malignant skin tumors
- Bladder stones/urethral blockages
- Spleen cancer
Most Dog Surgeries Are Considered To Be Low Risk
Surgery always carries with it numerous concerns ranging from potential complications to prognosis for recovery. However, because veterinary medicine has progressed to encompass all modern considerations, the risks are very low to your dog having any major complications from most surgeries.
We Follow The Highest Standards Of Veterinary Care
At Summer Creek Animal Clinic, we are committed to the highest standards of excellence in veterinary medicine. This commitment to excellent care is why we are an American Animal Hospital Association Accredited veterinary clinic. This accreditation is awarded to only the top 12% of veterinary hospitals in the nation. Surgical protocols at AAHA-accredited clinics include:
- Pre-surgical assessments. Prior to surgery, the veterinary team verifies the specifics of the procedure; completes a physical exam of the patient; and ensures blood tests have been completed, documented, and reviewed by the veterinarian. Among other things, these precautions help determine if your pet is at risk for complications while under general anesthesia.
- Dedicated surgical suites. To prevent post-surgical infections and cross-contamination, surgeries are performed in a room used only for sterile surgical procedures.
- Surgical attire. Staff must wear disposable caps and masks when entering the surgical suite. Anyone involved in the procedure itself must also wear sterile gowns and single-use gloves.
- Sterile packs and equipment. Surgical instruments are carefully cleaned, sterilized, and wrapped prior to each procedure to help prevent infections.
Making The Decision To Proceed With Dog Surgery
The decision to do surgery involves a discussion with the owner about possible complications and all factors to be considered when deciding what is best for your dog. Factors to think about when considering dog surgery include:
- Age and general health of the dog
- Potential complications from the surgery
- Potential outcome if surgery is not done
- Recovery time and post-op care required by the owner
- Physical Therapy/Rehabilitation
Although the decision to have your dog undergo surgery is ultimately up to you, our veterinary team will present you with all the facts and possible outcomes to help you make an informed, ethical and compassionate decision that is in the best interest of both you and your loyal canine friend.
Dog Pre-Surgical Instructions
Dog pre-surgical instructions vary depending on the type of procedure being performed, and whether or not the dog surgery is emergency or planned. However, we will provide you with a set of dog pre-surgical instructions that can be used as a general guideline for preoperative preparations:
- Follow your vet's recommendations for feeding and drinking the day before and/or the morning of the surgery
- Most surgeries are done on a fasted dog. In general, you will be asked to not feed your dog after midnight the night before the procedure
- Most dogs are allowed to drink until the morning of the surgery
- Listen carefully to post-surgical instruction from your veterinary care team and call the clinic if you have any questions regarding the post-op care for your dog
Dog Anesthesia
At Summer Creek Animal Clinic, we adhere to very stringent guidelines for administering dog anesthesia before, during and if necessary, after surgery. These guidelines come from the American Animal Hospital Association, a veterinary organization that only accredits approximately 12% of all veterinary practices nationwide. For example, the AAHA guidelines require that we first do blood work, and then depending upon your dog's overall health, other tests to ensure there is not an overt risk of complications from receiving dog anesthesia.
Dog anesthesia is extremely safe when the patients are stabilized before the procedure and all effort is made to have a good understanding of the dog's medical condition before surgery. There is always some risk to anesthesia, however, the risk is extremely low when being performed by a highly qualified veterinarian and surgical team.
Recovery from surgery depends upon the length of the surgery, the age of the dog and the amount of pain medication required to keep your dog free from any post-operative pain. Some things to be aware of post anesthesia include:
- It is normal for your dog to be groggy or disoriented for a few hours after receiving a general anesthetic
- Your dog might sleep deeper or longer for 24 hours after receiving dog anesthesia
- Your dog might be a duller version of itself for 24 hours after anesthesia due to the dulling effects of anesthesia
- You might need to help your dog balance during feeding and bathroom breaks for the first 24 hours after surgery
- Consult your veterinarian for any feeding and/or comfort tips they can provide depending on what kind of dog anesthesia was used, and what surgical procedure was performed
Always remember to call us if you have any questions about your dog's recovery
Post Surgical Care For Dogs
Just like dog pre-surgery instructions, dog surgery recovery protocols and care vary depending on the type of procedure performed, and whether or not the surgery was an emergency. However, we will provide you with a set of dog surgery recovery instructions that can be used as a general guideline for postoperative care:
- If you are leaving your dog during surgery, make sure you know when you should return for pickup
- For routine procedures, most dogs can go home a few hours after waking up from anesthesia
- For advanced or emergency procedures, extended stays of 24 hours or longer may be necessary in order to monitor vital signs and deliver critical care
- If you did not do so beforehand, make sure to receive and understand all recovery information, including:
- The administering of medication, food, and water
- The changing of bandages, cleaning of stitches, etc.
- Assisted care tips
- Follow up appointment scheduling
- At home, allow your dog to recover in a warm, quiet space of its choosing (if possible) to increase comfort and reduce stress
- For the first 24 hours, monitor your dog closely as it recovers. Always call if you have any concerns
- Limit outdoor exposure for at least 24 hours to supervised and if necessary, assisted bathroom breaks
- Consult your veterinarian for more information on the necessity and duration of limited or restricted outdoor exposure
- Suture care (stitches): Most surgeries will require some sutures. Your veterinary staff will review the after-care, which will include keeping the dogs from licking the incision.
- Most dogs will be sent home with an Elizabethan Collar to ensure they do not lick or bite out the sutures
- Monitor the incision for possible signs of infection which will include redness or swelling
- Continue to follow your dog's recovery program until told to alter or discontinue it by your veterinarian
Schedule Surgery For Your Dog With Our Veterinary Team
If you need to discuss surgical options or schedule surgery for your dog, please contact us today. Our veterinary staff is highly experienced and caring dog people who are happy to help ease the stress and fear associated with dog surgery for you and your canine friend alike.


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Printable wine or champagne bottle label for you to print as many as you need at home or office supplies store. We personalize with your details.
NEED PRINTED LABELS? contact us for a quote
ARE YOU IN A RUSH? click here and add 'rush my order' to your purchase. Receive the file within 1 business day or less.
You will get: digital image file PDF 8.5x11'' with 4 labels 3.75x4.75'', customized with your text.
How it works: Add the item to your cart and follow instructions to check out. Include the details in notes to seller or send a message after purchase is done. You will receive the file by email.
Printing services and matching items available, please contact if you are interested.
Was filled quickly and exactly how I wanted. Couldn't ask for more!
I have really enjoyed working with Mary on my new theme. She was very helpful and patient and took the time to explain everything to me. I look forward to working with her again. Thank you so much!
Mary is the best! I originally got her to set up my website then a few months later I added a new page, an appointment app and updated my photos. Super fast, helpful and very reasonable priced. Highly recommend her services. Trine @loveyabodyco
Very attentive and helpful. Would hire again for any project.
We have nothing but good things to say about the level of support we have received since signing up. We appreciate the attention to detail and the great suggestions for improving the site.
Mary could not have been more helpful - we were working with a huge time-difference and yet she was immediate with her responses and turned everything around much faster than I could have hoped for! Her prices are so reasonable too so, all in all, I will use her for anything I need from now on!
Cannot recommend her and her work highly enough :)
Any time I reach out for help from Maria I receive the best so thank you - makes my struggles with editing my website so much less stressful. Don't hesitate to ask for help!
Pink the cat is proactive and goes above and beyond for her clients!
I am always satisfied when I order from Pink the Cat. My orders are easily understood and sent back in a timely manner. Highly recommend!!
Where do I start, I was working on my website like a fish out of water when I found Mary, she is professional and trustworthy I entrusted her to build my website and she did not disappoint. Every step of the way she answered all my questions explained everything and made sure it was to my satisfaction. I'm so grateful for her my business is going so great because of her attention to details.
Pink the Cat has built my Shopify website twice now, changed my mind after the first year, and does a fantastic job! She's very patient with me and my LOADS of questions and if there's ever been an issue she fixes it fast! Next time I need this service I will be reaching out to her again! Thank you Mary!
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They came out absolutely beautiful 😍 met all emy expectations and she changed the wording and I received them in time for my baby shower 1/15/23
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This Month's VIP Winners Announced
Congratulations to the most recent winners in our VIP program!
- Kindle Fire HDX - Rayia Keys
- NewAir Thermoelectric Wine Cooler - Cheryl Walker
- Insanity DVD Workout (Basic Kit) - Shelley Campione
- $200 gas gift card - Carolyn Bruffett
- $250 REI gift card - Candy Mcgauley
Who will win next? Our VIP program has tons of great contests happening right now - from the hottest gadgets, shopping sprees, cash, trips and more. Plus, play games, access exclusive content and share your feedback.


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While French and Malian forces have taken control of Timbuktu's airport in what NPR's Ofeibea Quist-Arcton reports may be a turning point in their fight against Islamist extremists, there's also word that before the Islamists fled the ancient city they set fire to a library that holds "thousands of priceless ancient manuscripts."
Timbuktu's mayor, adds The Guardian, says the loss of any of those texts would be a "devastating blow" to world heritage. Some date back to the 13th century, the Guardian writes. It says they:
"Survived for centuries in Timbuktu on the edge of the Sahara hidden in wooden trunks, boxes beneath the sand and caves. The majority are written in Arabic, with some in African languages, and one in Hebrew, and cover a diverse range of topics including astronomy, poetry, music, medicine and women's rights. The oldest dated from 1204."
Their destruction follows last year's news about historical sites in Timbuktu that the extremists had destroyed, including tombs and other sites sacred to Sufis.
According to Reuters, French and Malian troops are searching for extremists in and around Timbuktu and are in the process of securing the city.
Copyright 2021 NPR. To see more, visit https://www.npr.org.


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How to sell your House Quickly in Bay Area without any Hassle
Are you worried on how to sell your house quickly in Bay Area without any hassle?
In this article I'll dive into some ways you can start to look at to sell your local house more quickly.
There are lots of reasons people need to sell their house fast.
For instance, some of these reasons may include:
- need to relocate to another city because of a job change
- vacant property is being a burden on you
- divorce
- financial hardship
- you inherited a house that you don't want to keep
- … among other reasons for needing to sell your house
So, if you're looking to sell your local house fast (which who wants to sell their house slowly anyway?)… check out some of my tips below in this quick article.
Leverage The Web To Get The Word Out
Stats have shown that over 80% of house buyers go to the web first to research and find houses.
So if your house isn't on the web… how are buyers going to find out about your house?
There are lots of ways to get your house online. You can list it on websites like Zillow, redfin, Craigslist… or even setup your own website for the property.
Then, take that property listing and get it everywhere online that you can. List it on all of the classifieds websites (again, Craigslist, Backpage, etc.).
Total Cost: FREE – Cheap (most routes are free, but some of these sites have paid versions)
Use Facebook To Spread The Word About Your Bay Area House For Sale
One of the best ways to sell a house is through word of mouth.
Tell all of your friends and family that you're selling… and have them tell everyone they know.
Also, hop on your Facebook account and share the property listing with your friends and ask them to spread the word for you to all of their friends who may be interested. What you need to do is simply send your link to your Facebook friends.
There may be a person in dire need of a house. Besides, you may also get a friend who may link you up with a buyer. The importance of using Facebook over other social networks is that it is free and you only need to be connected to the internet in your computer.
Total Cost: FREE
Use of Local Dailies (Newspapers, Magazines, etc.)
One of the things we'll do whenever we need to sell a house fast is also get our property in the local newspaper. It gets your house in front of lots of people… and one place lots of buyers look for houses is in the "homes for sale" section of the paper. Put your phone number… a link to your online listing if you have one… a picture (ads with pictures get many many more responses than ads without the picture of the house).
Add in a few of the best parts about your house… the price… and end with a clear call to action on how they can setup a time to come check your house out.
Total Cost: Under $100
Get Your House On The Local Bay Area California MLS
The number one place buyers look for a house is the "multiple listing service". That's the fancy name for where houses go when real estate agents "list" a house.
A listing for your house will go into a central database that all local Bay Area real estate agents in our area will have access to… so they can bring their buyers to the houses on the MLS that fit what they're looking for.
You can get your house on the MLS without hiring a real estate agent to sell your house. Some agents will let you pay a few hundred bucks to just list your house on the MLS for you and take no commission on the sale.
Sell Your House To A Reputable Local Property Buyer Like RE/MAX Capital
Last, as another option to sell your house… if you really need to sell your Bay Area.
We buy houses in and around Bay Area California, and can close quickly.
If you want to sell your house and are curious on how the process works… and want to see what we can pay you for your house… you can get that ball rolling in a couple ways.
- Give us a call today at (650) 219-8700: We'll ask a few basic questions about your house… and within 24 hours we'll make you an offer on your house. No Obligation at all. If the price works for you. Great! We can close on your timeline… in as little as 7 days.
- Go fill out this really short and simple form with your basic house info: We'll evaluate the property as soon as we get it today… then we'll call you with a formal offer on your house in less than 24 hours.
It's really simple. You pay no fees. No commissions.
We just agree on a price that works for both of us and that's it.
Let us make you an offer on your Bay Area area house (we buy in other parts of California as well). You don't have anything to lose. And you can have your house sold by this time next week (if you wanted us to close that fast) rather than having to wait months and months to market your house yourself the traditional way.
Get More Info On Options To Sell Your Home...
Selling a property in today's market can be confusing. Connect with us or submit your info below and we'll help guide you through your options.


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Brand new release from November 2020 - just now arriving in the UK (Thanks Covid!). Gorgeous Carob coloured background overlaid with tiny brown spots.
Moda Regency Zarafa by Christopher Wilson-Tate 42351-17
Care of your fabric:
All Laughing Hedgehog fabrics are 100% cotton, unless otherwise stated in the product description, with a nominal width of 106-114cm (42-44"). Due to the limitations of colour printing, image colours may vary from the actual fabric colours, with some colours (reds, browns) being particularly difficult to reproduce accurately. Please use the images on our on-line store as a guide and do not utilise them as a colour match to your other fabrics.
It is not usually necessary to pre-wash our fabrics before use although pre-washing often ensures that there will be no uneven shrinkage or 'bleeding' into other fabrics when the completed piece is washed for the first time. When washing a completed piece for the first time, Laughing Hedgehog recommends a cool wash and the inclusion of a couple of 'colour catchers' just to be safe. These are guidelines and are applicable to most good quality 100% cotton fabrics. If in doubt, please test a small piece of fabric before beginning to work with it as colour fastness and shrinkage may vary according to different manufacturing processes.
- Unfold all fabrics before laundering.
- Wash light coloured fabrics in warm water.
- Soak dark coloured fabrics in cold water for around 30 minutes before machine washing in cool water.
- Set washing machine to a low spin cycle.
- Tumble dry (if using) until almost dry before removing and pressing immediately with an iron.
- Finished items containing both dark and light fabrics should be washed in cold water and the inclusion of a 'colour catcher' or two can't hurt.


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To start the return process for your order, please enter your email address or phone number and the order number below.
How do I return?
- Enter your order number and email address in the fields above and click Start
- Follow the instructions and select the items you want to return
- You will get a confirmation email with the shipping guidelines once the return request is approved
What items are returnable?
You can return your items within 30 days of receipt of your shipment.
- They must be in original condition.
- In the original packaging
Are there any charges for return?
- Original shipping charges are non-refundable
How soon will I get my refund?
- Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. We will also notify you of the approval or rejection of your refund.
- If you are approved, then your refund will be processed, and a credit will automatically be applied original method of payment, within 10 working days.


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Aaliyah Women Sports Bra (Khaki)
- Comfortable material (80% nylon & 20% spandex)
- Quick-dry, breathable and lightweight fabric
- Stretchable
Care Instructions:
- Turn inside out before washing
- Remove bra padding before washing
- Machine wash cold with similar colours
- Non-chlorine bleach
- Tumble-dry / iron, low temperature
- Do not dry clean
Once your purchase is completed, processing your order takes 3 working days (excluding Saturdays, Sundays and public holidays). Once your order has been processed and shipped out, we will send you an email confirmation along with your tracking number.
If you have any question relating to your order, please email us at email@example.com and provide us with your order number and delivery address. Alternatively, you can also use the contact form below.
We provide free shipping to Malaysia on orders above RM150.
Standard shipping rate for orders below RM150 as below:
West Malaysia - RM8 (2-3 business days)
East Malaysia - RM20 (4-5 business days)
INTERNATIONAL SHIPPINGStandard shipping rate for other countries as below:
Singapore - RM20 (below 2kgs)
Rest of the World - RM200 / USD 50
Alternatively, please email to email@example.com and let us know where you are from. We will notify you if your shipping area is covered by our courier partner.
Please note that import duties and taxes are not included in the price at checkout. These charges will be collected by the shipping service upon delivery. Please check with your country's customs office to determine these costs.
6 months warranty


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Cyber Monday Sale
50% Off These Select Lines
You do not have a link list with a handle set to cyber-monday-sale, or you do and it's empty. Go ahead and create a link list called Cyber Monday Sale on your Navigation page and populate that link list with links that point to collections, to see collections listed here. Make sure the link list also has a handle set to cyber-monday-sale.


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We are specialist playground painting contractors in Plashet E7 8 who can apply a number of coloured coatings to your school or nursery playground to improve the appearance and safety of the surfacing.
In playgrounds, specialist coatings and heated plastic will be used to generate educational games or to provide the lines for sporting activities.
In addition to play area coatings we also provide pre made graphics and unique designs to guarantee the best for your play area. A number of these areas can have heat applied plastic patterns put down to really make the space exciting and fun for children.
If you'd like to find out more about the playground painting which we can carry out, please contact our team using the enquiry form provided on this page.
Once we receive the enquiry we will be able to offer you more details regarding the paints which we use and the price of the installation.
There is a wide range of non-slip coatings offered to be sure that there's a reduction in injuries that could be brought on by slippery flooring.
The playground paints act as a slip resistant coating. The slip resistant paints are frequently installed to external activity facilities, kids' play areas and school's playgrounds.
If you need play area coatings or sport surface lining then make certain you look into the products we have to choose from. We are certain you won't find services this good at other places combined with such excellent rates.
For more information regarding the costs of playground paint, please fill in the contact form and we will get back to you with a free quotation.
Anti slip paint is a type of coating which can be applied over nearby tarmac areas to create a more appealing surface with better slip resistance.
This type of coating may be installed for a number of different surfaces including local school playgrounds, sports courts, roadways and more facilities closest to you. The paint can also be installed in car parks.
For details regarding car park painting, please click here http://www.whiteliningcontractors.co.uk/car-parks/paint/london/plashet
The non-slip paint is also available in numerous colours. We offer you the best prices for the installation of this colour coating in your school, so please do not hesitate to contact us if you require details on costs.
Schools and nurseries near me in Plashet E7 8 may have paint for asphalt installed to brighten the surrounding area. They may also have brightly coloured lines on the floor installed too.
The designs could be used to allow children to play together with fun floor games. Coloured flooring paints can be installed to mark out these graphics, making the whole facility much more fun.
Floor graphics may be applied using paint or thermoplastic to provide a variety of functions both indoors and outdoors.
We also install indoor markings for warehouses for things such as walkways; for details on walkway linemarking please click here http://www.whiteliningcontractors.co.uk/warehouses/walkway/london/plashet
There are actually a variety of options to select from in order to use in car parking areas, roads and also children's playgrounds.
These floor graphics are created to be vibrant and slip resistant to offer optimum safety, especially for motorists, and kids running in a play area.
Playground painted games can also be added to macadam flooring. The application of these markings may be done using specialist paints.
For a lot of projects, we'll apply premium paints to produce slip resistance along with a brightly coloured design. Based on what you want, we are able to offer the right products to fit your needs.
You may select pre-formed plastic patterns such as numerical grids and other play area games. Many colours are available for the markings and they all provide slip resistance to give the best safety properties.
Due to the thermoplastic being colourful, it makes certain the surface markings are bright and easy to read for anyone making use of them.
These markings are often installed on the top of colour coated areas. We generally install colour coating first to ensure the space looks its best. The anti-slip paint will also help improve slip resistance making the area a lot safer for young children.
Our range of pre-formed heated plastic play markings are permanent and resilient surface markings which are built to last.
These kinds of graphics can be applied by a single person with a professional burner, and so the installation is cost efficient for the project.
We can apply vivid and precise lines in a one day visit, minimising any kind of disruption for yourself. We can install these kinds of heat applied plastic markings all year long as the work isn't dependent on warm temperatures.
For more information on thermoplastic markings click here http://www.whiteliningcontractors.co.uk/playgrounds/thermoplastic/london/plashet
We make sure that we only ever provide our clients with quality as our company's main goal is to provide a top level of customer support all the time.
If you're interested in finding out more information regarding the work that our playground painting contractors in Plashet E7 8 can carry out, please fill in the enquiry form provided on this page and we will respond with more details on our services.
Thermoplastic Playground Graphics in Plashet - https://www.whiteliningcontractors.co.uk/playgrounds/thermoplastic/london/plashet
Road Marking Graphics in Plashet - https://www.whiteliningcontractors.co.uk/roads/graphics/london/plashet
Roadway Line Markings in Plashet - https://www.whiteliningcontractors.co.uk/roads/lines/london/plashet
Road Lines Meaning in Plashet - https://www.whiteliningcontractors.co.uk/roads/meaning/london/plashet
Highway Road Markings in Plashet - https://www.whiteliningcontractors.co.uk/roads/highways/london/plashet
Road Marking Relining in Plashet - https://www.whiteliningcontractors.co.uk/roads/relining/london/plashet
Car Park Lining in Plashet - https://www.whiteliningcontractors.co.uk/car-parks/lining/london/plashet
Car Park Marking in Plashet - https://www.whiteliningcontractors.co.uk/car-parks/markings/london/plashet
Car Park Surface Painting in Plashet - https://www.whiteliningcontractors.co.uk/car-parks/paint/london/plashet
Car Park Repaint in Plashet - https://www.whiteliningcontractors.co.uk/car-parks/repaint/london/plashet
Warehouse Floor Markings in Plashet - https://www.whiteliningcontractors.co.uk/warehouses/floor-marking/london/plashet
Warehouse Walkway Markings in Plashet - https://www.whiteliningcontractors.co.uk/warehouses/walkway/london/plashet
We cover Plashet (London)


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Step into a Ferguson Bath, Kitchen & Lighting Gallery and you'll immediately be inspired by what you see - beautifully displayed lighting, appliances, and bath and kitchen products from today's top brands. But our state-of-the-art showrooms take the experience even further and allow you to touch and feel the products in a welcoming, hands-on environment. From exquisitely designed bathroom displays with functioning showerheads, to full kitchens with working appliances, you can explore a variety of design styles ranging from classical elegance to bold contemporary. Ferguson's wide range of products lets you make multiple selections at a single showroom, which streamlines budgeting and makes the building process more efficient. Yet, ask customers what brings them back time and again and they'll say it's the people. Ferguson's product experts have years of industry experience and are extremely knowledgeable about design trends, product selection and the building and remodeling process.
108 20th Avenue Se
58701 Minot


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Onyx Bowls
Beautiful bowls for your crystals or keys.
Small Heart 4" X 4"
Large Heart 5½" X 5½"
Small Bowl 4½"
Small Plate 6"
Welcome to Shipping
To abide with the Shelter-in-Place voluntary restrictions EarthTones customer pick-up and in store shopping is limited to pre-ordered and pre-paid items including product, services, gift card and certificates. Credits, refunds and exchanges are handled with prior arrangements.
Processing time may vary. Please allow 3-5 days to fulfill an order and shipping depending on region.
To avoid shipping charges you can elect a curbside pickup or drop off. Pick-up is arranged at 1319 Park Street, Paso Robles, CA 93446 at pre-arranged schedule. Drop off is offered throughout No. County San Luis Obispo in a 15 mile radius of the shop's physical address. Drop off will include packaging and receipt information. Some products are sensitive to heat and cold and may attract unwanted attention of people or animals. Please call to plan a pick-up.
Giftt items sent to third parties can be shipped or third party deliver similar to above. Gift wrapping is also available upon request.


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Our Boot Cargo Net is designed to attach to the boot tie down hooks in most modern cars, and is ideal for securely stowing your boot clutter! Our top quality Jumbo Cargo Luggage Net is made from tough 3 inch square black elastic cord netting and features strong hooks on each corner. These cargo storage nets are ideal to keep in place shopping, de-icer bottles, tools, shoes and boots, pet equipment, children's toys, etc.. This Cargo Net is designed to fit in the trunk of most sized vehicles. The dimensions of the net are: - 30 x 30 inches (75cm x 75cm) Suitable for medium and larger cars (e.g Toyota Corolla / Celica / Toyota Avensis / Toyota Rav4, Ford Focus / Ford Mondeo, Honda Civic / Honda Accord / Honda CR-V, Mazda 3 / Mazda 6, Nissan X Trail sized cars.. plus many other similar sized models) This Cargo Net can also be used for car roof racks, and many other automotive uses, including securing freight in small vans and trucks. The sizes quoted are when the net is in its relaxed state. The elastic cargo net will expand to double this size.
Brand: Jumbo


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What We Believe
As a Christian ministry...
We are rooted in beliefs described by the Holy Scriptures. These beliefs are expressed in the following ways:
God's greatest desire is for you to see a clear picture of His character. When you see Him clearly, you will find His love irresistible.
For many, "seeing God clearly" requires that they see God's face. However, how He looks is not the issue. Seeing and understanding His character is what's most important. The more clearly we understand Him, the more we will find His love irresistible. As we begin to experience His love, our own lives will begin to make more sense.
God most clearly reveals His character in three great events. The first is His creation of man and woman--and His giving them the freedom of choice. He created humans with the ability to choose to love Him or to hate Him! The death of Jesus Christ, God's only Son, on the cross as our substitute is the second great event. In that act He paid the penalty we deserve for our hateful choices toward God and His ways. Jesus' death guarantees forgiveness for those choices and allows us to spend eternity with Him. The third event confirms the first two and fills every heart with hope: Christ's tomb is empty! He is alive, living to fill us with His love!
Jesus' disciple John wrote that if everyone wrote all the stories they knew about Jesus, the whole world could not contain them. Our knowledge of God helps us understand His love, character, and grace. Experiencing that love begins a lifelong adventure in growth and service. This knowledge and experience powers our mission to tell the world about His love and His offer of salvation.
Scripture is a road map. The Bible is God's voice, speaking His love personally to you today.
The Bible speaks the Creator's directions to us, like a detailed road map that clearly shows the exit ramp directly into heaven. It is also much like an owner's manual for a life ready to be lived on the cutting edge of liberty.
Sometimes His voice speaks through stories, such as those of David and Goliath, Ruth and Boaz, Naaman's little servant girl, Christ on the cross, and fisherman Peter learning how to tend sheep. Some of these stories teach us how to handle the troubles we face each day. Others fill us with hope and peace. Each of them is like a personal letter from God to you.
Portions of Scripture are direct instructions and laws from God such as the Ten Commandments, recorded in Exodus 20. These tell us more about God and His expectations for us. When people asked Jesus to summarize these commands, He focused on the way God's love affects the way we live. "Love the Lord your God with all your heart, mind, and soul," He said. "And love your neighbor as you love yourself."
On other pages the Bible gives God's practical advice and encouragement through parables, lists, promises, and warnings. Amazingly, though many different writers throughout thousands of years wrote the Bible, each page describes the same God in ways we can understand and apply in our lives today. This book is always His voice talking personally to anyone who is willing to read and hear.
God loves us even when we choose to reject His love. In those times He allows us to walk away into the life of our own choices. Yet He is still there, always ready to redeem us from the results of our decisions.
Jesus is the one who never changes in a universe that always does. Jesus is Creator, Sustainer, Saviour, Friend, God's Son, and God Himself!
Everything in this world is always changing, even our desires, interests, skills, and body shapes. But Jesus? He's consistent. He's always the same. Sure, He's always surprising us and touching our lives in thousands of new and different ways, but His character is unchanging. He's God's Son, the Creator, our Saviour, and Friend.
Jesus has promised to be all of that, and more, for each of us. We can trust His promises because He is God. When the words of Colossians say "in Him all things hold together" (1:17, NIV) that includes everything in our lives. He keeps us whole when the enemy is trying to make us fall apart.
We at Purpose-Full Ministries, Inc., believe that Jesus is one of the three persons, called the Trinity, who make up our one God. The Bible describes Jesus, the Father, and the Holy Spirit as each being committed to our growth as Christians and to our salvation as their children. They made this salvation possible when Jesus came to Bethlehem as a human baby. He lived a life perfectly in accord with God's will and then died innocently for all of our sins. He was placed in a borrowed tomb, but He came back to life three days later. Now he is in heaven interceding with the Father for us, preparing for our deliverance from sin and death.
When everything may be falling apart, when you feel totally alone in the universe, Jesus is right there in the center of it all, offering personal peace and hope. Allow Him into your life. He immediately begins "remodeling" who you are and how you live. Jesus, in fact, is busily transforming His followers into accurate representatives of God's character.
Look to Jesus, and you'll be looking into the understanding and loving face of God.
God's vision for you is life as He lives it! God loves you, and wants to give you the highest quality of life imaginable.
No, not a second-rate existence somewhere on earth, but the highest quality of life imaginable, here and in eternity with Him! That's what God wants us to have. The best!
This is why He provides church families where we can belong. This is why He gives each of us special gifts and talents, so we can live life fully. Amazingly, this is why He's concerned about what you're doing, when you're doing it, and how you relate to Him. God doesn't want anything to get in the way of our friendship. He especially doesn't want us to get involved in anything damaging or hurtful. He's like a loving father or a good big brother. He's someone who loves you so much that He's always looking out for you.
When God designed you, He included special talents and skills that will help you become a uniquely valuable individual. These may be your ability to teach, your love for others, or your leadership skills. Still, whatever special gifts you have received, God has also provided all of the energy and wisdom necessary for you to use them well.
By the way, how God feels about death is part of the quality life He offers. For followers of Christ, death holds no fear. Remember, Jesus defeated death on Calvary and has given us freedom from death. Cemeteries, then, are filled with followers of God who are in the "peaceful pause before the resurrection." Yes, they are dead, but that death holds no power over their future. Jesus is coming to take them (and those of us who are still living) HOME! Death is almost like a wintery promise of spring.
Our faith in today and in the future comes from seeing this life "overflowing" with hope!
Because love is the key aspect of His character, God is also deeply into gratitude. Before we even finish saying thank you, He's already busy sending more blessings.
In the heart of God is a place you can experience as home. God loves you, and wants to spend time with you personally, one on one, as two close friends.
Because you and God are friends, you will spend time together as friends do. Each morning you'll share a hello and a hug and discuss how you can face the day's events together. Throughout the day you'll talk with Him about how you feel. You'll laugh with Him at funny things and ache with Him over sadness and hurts. It's pleasant being God's friend, able to snuggle comfortably into the safety of your relationship. You can always trust Him to treat you well, because He loves you.
The seventh day (Saturday) is an extra-special part of the relationship. The Bible, from Genesis through Revelation, describes the seventh day as the one day God has set aside for focused fellowship with His people. God has named that day "Sabbath" and asked us to spend it with Him. "Remember the sabbath day," He says, "to keep it holy." (Exodus 20:8) The Sabbath is a whole day to deepen our friendship with the Creator of the universe! A day when we're together, Jesus with us and us with Jesus.
There's another great truth about friendship with God. It doesn't end in a cemetery, for God is planning a homecoming better than anything we can dream. A homecoming filled with angels, trumpets, Jesus, and resurrections! He's promised to bring His followers, those who have accepted the offer of His life-changing love, from this earth to His home, a place He calls heaven. A place where our friendship can go on growing forever, endlessly, joyfully!
God keeps a family album-and your picture is in it. God loves you and has a plan for your life.
God's love is about you. Personally.
God made you and has a very special plan for your life. It's a plan that will fill you with hope, love, peace, and activity. In fact, when Christ paid the penalty for sin on the cross, that gave Him the right to claim you as His own. As a result, you can experience His love and priceless salvation freely and fully without limit.
We fervently believe you have a God-given purpose in life. In fact, this belief is at the foundation of our existence as a ministry. Jesus said in Luke 19:13, "occupy until I come." The word "occupy" in the Greek New Testament literally means to busy one's self with a trade, business or other matters. In other words, Jesus's counsel to His hearers is to be useful in their secular pusuits until He returns. We exist to help you discover how best you can "occupy" until Jesus returns!
By the way, pictures of everyone fill that album: Nepalese, Brazilians, Nigerians, Yupiks, Germans, people of every nation, culture, background, gender, hair color, and foot size. In God's eyes all are equally "children of the King"!
Salvation? God cleans away all our sins and replaces them with His goodness. We don't have to be "good" for Him to accept us. Nevertheless, we must accept His promise and allow Him to clean out everything the enemy has left in us. Then we begin to experience the transforming power of His love. It's like a giant war: one side pulling us toward empty pleasure and destruction, and God urging us to accept His offer of peace and purpose.
Remember, Jesus has already won the war. He is victorious! We celebrate His victory in our lives when we participate in the Lord's Supper. This meal includes three symbols:
- Foot washing (which symbolizes our commitment to love others as Jesus loves us),
- bread ("This bread is my flesh," Jesus said, "which I will give for the life of the world," John 6:51, NIV), and
- wine or grape juice ("Whoever eats my flesh and drinks my blood has eternal life." John 6:54, NIV)
To help us understand how God can transform us into His children, Jesus modeled the process of baptism for us. Baptism symbolized dying to self and coming alive in Jesus. We believe in full-immersion baptism because by being fully buried beneath the water we symbolize that God's grace fully fills us with His new life for the future. Through baptism we are truly born again in Jesus.
Eternal life, peace, purpose, forgiveness, transforming grace, hope: Everything He promises is ours, because He's offering it and He's shown we can trust Him to do exactly as He promises. Accept His gifts, and you immediately become an active part of His family, and He joyfully becomes part of yours.
Live With Purpose.™


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10:00–10:30 a.m. (0–3 years) 11:00–11:30 a.m. (1–4 years)
$12 per class; $40 for 4
Teacher: Jane Chavers
Introduce your child to the wide and wonderful world of music through MIM's early childhood music and movement courses. Explore music from around the globe with your children while singing, dancing, and playing instruments. Designed for children and caregivers, each four-week session explores a new musical culture in engaging ways. Motor, pre-language, and musical skills are developed simultaneously, while children actively participate in the music making.
This session focuses on Asia.
Each class is structured around developmentally appropriate activities for the children to interact with and create their own music. By exploring music through song, dance, and basic instruments, children develop musical and social skills. Early childhood music programs are also proven to foster physical, emotional, and cognitive growth.
Masks are recommended, but not required, for all MIMkids classes. MIM's ventilation system exceeds CDC recommendations for air filtering capabilities and includes a prefilter system.
If you have friends or family that would love Mini Music Makers, send a MIM gift card for classes their way.
For questions, please email firstname.lastname@example.com.
Reservations are required; first come, first served. Due to space limitations, only one child and one adult per ticket will be allowed to participate. Please register for the session that is age-appropriate for your child. However, MIM understands that younger or older siblings may need to attend class with a brother or sister. Thus, Mini Music Makers encourages participation of all children in the class, even those outside the age group. Because space and resources are limited, we ask that you register siblings whose ages fall within one year of the suggested age range.
In the event of sickness or extenuating circumstances, please contact email@example.com before your scheduled Mini Music Makers class time. You will be rescheduled into a future class at no additional cost. Absence notices received after the purchased class time will not qualify for rescheduling.


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Buy at 110,25
Stop Loss at 109,75
Take Profit at 110,75
Signal valid at 20.12.2012 from 03:00 - 16:00 EST
Add the spread to your buy order.
For each trade I risk LESS THAN ONE PERCENT.
Each day I risk LESS THAN TWO PERCENT IN TOTAL.
There are potential risks relating to investing and trading. You must be aware of such risks and familiarize yourself in regard to such risks and to seek independent advice relating thereto. You should not trade with money that you cannot afford to lose .The content of this website should not be construed as a solicitation to invest and/or trade. You should seek independent advice in this regard. Past performance is not indicative of future performance. No representation is being made that any results discussed within the service and its related media content will be achieved. All opinions, news, research, analyses, prices or other information is provided as general market commentary and not asinvestment advice Trades in accordance with the recommendations in an analysis, especially leveraged investments such as Foreign Exchange trading and investment in derivatives can be very speculative and may result in losses as well as profits, in particular if the conditions mentioned in the analysis do not occur as anticipated. Trading in the Foreign Exchange market is a challenging opportunity where above average returns are available to educated and experienced investors who are willing to take above average risk. Past performance does not guarantee similar performance in the future.
The views and opinions expressed herein are the views and opinions of the author and do not necessarily reflect those of Nasdaq, Inc.
The views and opinions expressed herein are the views and opinions of the author and do not necessarily reflect those of Nasdaq, Inc.


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Total Price: $23.00 CAD
Shipping: Local pickup only
1203687A - GSKT HE DOOR is intended for use with the following product:
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Other florists might offer "free delivery", but let's just say that we don't hide any fees and charges in the price of our flowers. Our prices are amazing value, and our delivery fees are clear and transparent. What you see is what you get!
Lucy's Florist creates and gift wraps all of our beautiful flowers and pot plants from our store in Sydney. Our team of couriers then delivers them to Mascot for for just $18.
If you want to send flowers that the recipient will love, at prices you will love, then browse our collection now. You can order online, give us a call or drop into our store.
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18K Yellow Gold, Round EmeraldsThis was a custom one-of-a-kind piece – use this as inspiration for your own bespoke piece! The Brent Neale team will collaborate closely with you to create something beautiful around your unique preferences. For more information on the custom process, please refer to our Custom Page.
Explore our full Care Guide here.
Once your piece is ready, your order will ship within 2 business days via FedEx. Each package will require someone to be available to sign for it upon delivery at the shipping address provided. All Brent Neale pieces are final sale - we do not offer returns or exchanges.
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On TV: PlutoTV Channel 240, Dish Channel 219, Roku, Apple TV, FireTV or on https://AmericasVoice.news. #news #politics #realnews


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Campus Placement: Here Are Things You Should Consider
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As the central academic library of the Republic of Austria, the Austrian National Library (ANL) looks back over a history rich in tradition going as far as the 14th century. It is the living bridge between the rich heritage of the past and the future-oriented demands of a modern information society.
The Austrian National Library regards itself as a centre of information and research oriented toward serving the public, as an outstanding national memory institution and as a many-sided centre of education and culture.
As a service-oriented information centre, the Austrian National Library offers its users access and professional advice on its own holdings (almost eight million objects) and also on international data pools. In addition, it accepts commissions on scientific research, and operates documentation centers and service facilities, for example on literature specifically devoted to women's studies. Since the beginning of the digital age a steadily increasing part of the services are processed online via the home page of the ANL.
Because of the Austria law on media the Austrian National Library receives- as the only library in the country – copies (Legal deposit) of all publications appearing in Austria, including those from electronic offline media and dissertations approved by Austrian universities. Those obligatory items simultaneously serve as the basis for publication of the Austrian Bibliography. On top of that, the Library systematically selects and collects literature specifically concerning Austria but published in other countries, and literature on the humanities with special attention paid to works that are relevant to its own Departments.
In its eight Departments the Austrian National Library, as the heir to the Habsburg Court Library, conserves a significant part of the world's documentary heritage, and feels a duty to continue that conservation. Of exceptional international importance are the holdings of antique, medieval, and modern manuscripts from the most varied cultural areas and music autographs, incunabula and old printed works, historic maps, portraits and other pictorial documents, placards, exlibris and broadsheets, and of no less importance the literary estates of Austrian writers. Three museums belonging to the Library present to the public objects from the world's biggest papyrus collection, from a unique holdings of historic globes, and an impressive collection on the international language Esperanto. The Baroque Hall of State, constructed from 1723 till 1726 according to the plans of Johann Bernhard Fischer von Erlach, is regarded as one of the most impressive library buildings in the world and is reminiscent of the Imperial Library.
All of the Departments are places of lively scientific research in close contact with other scientific research institutes (sometimes on the basis of projects supported by the European Union). The precondition for that is the consistent processing of collection items that are constantly being added to. A special challenge is presented by the gradual digitisation of the holdings.
A goal of the Austrian National Library is to open itself up to as broad a circle of interested persons as possible. To fulfil that there are, among other things, regular exhibitions to make the holdings known and – partly in cooperation with other cultural and educational institutions – such events as readings, book presentations, symposia, and concerts. In the totality of these and other activities the Austrian National Library not only fulfils its legal commission to educate, but also expresses its own chosen role as a many-sided and multi-cultural centre of education and culture.
We, the staff of the Austrian National Library, take care to provide a prompt and accurate fulfilment of our work assignments "internally and externally". Professionally competent and pleasant treatment of our visitors from every part of the world is something we take for granted. We are happy to escort our visitors through a fascinating library world in which an atmosphere rich in history, modern library architecture, holdings that speak of the past and the present, and the latest technology create a vital symbiosis.