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Thomas Moore is an Irish poet, singer, songwriter, and entertainer, now best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer. He was responsible, with John Murray, for burning Lord Byron's memoirs after his death. In his lifetime he was often referred to as Anacreon Moore.
Early Life
Thomas Moore was born at 12 Aungier-street in Dublin, Ireland, on 28 May 1779. over his father's grocery shop, his father being from an Irish speaking Gaeltacht in Kerry and his mother, Anastasia Codd, from Wexford. He had two younger sisters, Kate and Ellen.
From a relatively early age Moore showed an interest in music and other performing arts. He sometimes appeared in plays with his friends, such as The Poor Soldier by John O'Keeffe, and at one stage had ambitions to become an actor. Moore attended several Dublin schools including Samuel Whyte's English Grammar School in Grafton Street where he learned the English accent with which he spoke with for the rest of his life. From 1795 He was educated at Trinity College, which had recently allowed entry to Catholic students, in an effort to fulfil his mother's dream of his becoming a lawyer. Moore was initially a good student, but he later worked less hard at his studies. His time at Trinity came amidst the ongoing turmoil following the French Revolution and a number of his fellow students such as Robert Emmett were supporters of the United Irishmen movement who sought support from the French government to launch a revolution in Ireland. In 1798 a rebellion broke out followed by a French invasion, neither of which succeeded.
First Success
He studied law at the Middle Temple in London. It was as a poet, translator, balladeer and singer that he found fame. His work soon became immensely popular and included The Harp That Once Through Tara's Halls, Believe Me, if All Those Endearing Young Charms, The Meeting of the Waters and many others. His ballads were published as Moore's Irish Melodies (commonly called Moore's Melodies) in 1846 and 1852. While Thomas Moore was completing his many works he met a girl with the name of Lena Angese who encouraged him with his works. She also helped him with his future compositions and they became very close. Although she was said to have fallen in love with him she suddenly appeared missing. In search of where she had disappeared to Moore found that she had died just days before he went to look for her.
Moore was far more than a balladeer. He had major success as a society figure in London, meeting the Prince of Wales on several occasions and enjoying in particular the patronage of the Irish aristocrat Lord Moira. Moore stayed repeatedly at Moira's house at Donnington Park in Leicestershire where he enjoyed the use of the extensive library. He collaborated with Michael Kelly to stage The Gypsy Prince in 1801 which was not considered by Moore to be a success. In the wake of the work's failure he chose not to write for the theatre for another decade.
North America
In 1803 he was appointed registrar to the Admiralty in Bermuda. He spent around three months on the island, but he found his work very light and uninspiring. There were several other prize courts nearby and very few captured ships were brought to Bermuda leaving him little to do. Although he drew inspiration from the scenery of Bermuda he found its society limited and soon departed for Norfolk. Because of his brief stay there he has sometimes been treated as an unofficial poet laureate of Bermuda.
From Norfolk he travelled across the United States and Canada in a Grand Tour. During this visit Moore developed a deeply critical view of the United States. He particularly disliked the governing Democratic-Republican Party and the President Thomas Jefferson. While in Washington he stayed with the British Ambassador there and met Jefferson briefly. He then travelled through various American towns and cities, enjoying his time most in Philadelphia where he already had an established reputation. He then travelled northwards to British-controlled Canada, stopping at the Niagara Falls. He sailed back to Britain from Nova Scotia aboard a Royal Navy ship arriving home in November 1804.
Duel and Marriage
It was after this trip that he published his book, Epistles, Odes, and Other Poems, which featured a paean to the historic Cohoes Falls called Lines Written at the Cohos [sic], or Falls of the Mohawk River, among other famous verses. A repeated theme in his writing on the United States were his observations of the institution of slavery. Moore's mocking criticisms of the United States provoked outrage in America and led to a number of rebuttals. In Britain, a critical review of the work led to Moore challenging Francis Jeffrey, an editor, to a duel. They met at Chalk Farm but the duel was interrupted by the arrival of the authorities and they were arrested. Reports that Moore's opponent had been given an empty pistol, continued to dog Moore and led to persistent mockery of him.
Lord Byron derisively referred to Moore's "leadless pistol" and wrote "on examination, the balls of the pistols, like the courage of the combatants, were found to have evaporated". Moore was angered by this and sent a letter to Byron that hinted that unless the remarks were clarified Moore was prepared to fight Byron. However, Byron had left Britain to travel abroad and the letter did not reach him. When the two men eventually met each other the dispute was settled and they soon became very close friends.
Between 1808 and 1810 Moore appeared each year with the Kilkenny Players in a charitable series of performances in Kilkenny staged by a mixture of the Irish elite and professional actors. Moore appeared frequently in comic roles in plays like Sheridan's The Rivals and O'Keeffe's The Castle of Andalusia.
Moore married an actress, Elizabeth "Bessy" Dyke, in 1811, whom he had met with the Kilkenny players where she was working with her sisters. She was the daughter of an East India Company official, but was raised with her three sisters by her mother. Moore did not initially tell his parents of his marriage, possibly because his wife was an English Protestant, but more probably because his marriage to a woman without a dowry would not help his financial prospects. Moore had expensive tastes, and, despite the large sums he was earning from his writing, soon got into debt, a situation which was exacerbated by the embezzlement of money by the man he had employed to deputise for him in Bermuda. Moore became liable for the £6000 which had been illegally appropriated by his agent in Bermuda, and lost an Admiralty ruling against this.
Irish Melodies
In the early years of his career, Moore's work was largely generic and had he died at this point he would likely not have been considered an Irish poet. From 1806-1807 Moore dramatically changed his style of writing and focus. Following a request by a publisher he wrote lyrics to a series of Irish tunes, in collaboration with John Stevenson, which were published in several volumes. Moore became best known for these Irish Melodies which were enormously popular containing songs such as The Minstrel Boy, The Last Rose of Summer and Oft, in the Stilly Night. Several examples of his music, such as Farewell! But Whenever You Welcome the Hour are available online.
In 1811 Moore wrote M.P., a comic opera, in collaboration with Samuel Arnold. Although it received positive reviews Moore didn't enjoy writing for the stage and decided not to work in the medium again despite being occasionally tempted. Throughout the 1810s Moore wrote a number of political satires. After originally being a devoted supporter of the Prince of Wales, he turned against him after 1811 when he became Prince Regent and was seen to embrace the Tory government in spite of his past association with the Whigs. Another major target was the Foreign Secretary Lord Castlereagh who was repeatedly lampooned in Moore's works such as Tom Crib's Memorial to Congress which parodied the Aix-la-Chapelle diplomatic conference between Britain and her Allies portraying it as a boxing match. In 1818 Moore wrote The Fudge Family in Paris, a story in which a British family travels to experience the sights of Paris; a sequel, The Fudge Family in England, followed in 1835.
Around this time Moore also began working on a biography of the playwright and politician Richard Brinsley Sheridan, whom he met numerous times, but partly due to legal reasons it was not published until 1825.
Exposed to the debt of £6,000 following the ruling of the Admiralty Court against him in 1819, Moore rejected numerous offers of financial aid from his friends and admirers and was forced to leave Britain. In company with Lord John Russell he went to the European Continent and after a Grand Tour through France, Switzerland and Italy lived in Paris until 1822 (notably with the family of Martin de Villamil), when the debt was finally paid off partly with the help of his latest patron Lord Lansdowne and with an advance given him by his publishers Longmans.
During his travels across Europe he briefly spent time with Lord Byron in Venice: this was to be their last meeting. Byron gave Moore his memoirs with instruction to publish them after his death as a literary executor. Moore was much criticised later for allowing himself to be persuaded to destroy Byron's memoirs at the behest of Byron's family because of their damningly honest content. Moore did, however, edit and publish Letters and Journals of Lord Byron, with Notices of his Life in 1830, six years after Byron's 1824 death in Greece.
After returning to Britain, Moore published new poetry but in spite of good reviews and good sales, he was growing disillusioned with writing poetry and he began to consider writing novels, a genre made increasingly popular by the success of Walter Scott. In October 1825 Moore's Memoirs of the Life of Richard Brinsley Sheridan was finally published after nine years of work on and off. It proved very popular, went through a number of editions quickly, and helped give Moore a more serious reputation among his literary contemparies.
Later Life
He finally settled in Sloperton Cottage at Bromham, Wiltshire, England, and became a novelist and biographer as well as a successful poet. Around the time of the Reform Act he was invited to stand for parliament, and considered it, but nothing came of it. In 1829 he was painted by Thomas Lawrence, one of the last works completed by the artist before his death. In 1830 he sang in front of the future Queen Victoria in a duet with her mother, and later composed a song Sovereign Woman in her honour.
Moore was for many years a strong advocate for Catholic Emancipation which he regarded as the source of all problems in Ireland and the sole reason behind the 1798 Rebellion - a point he made in his 1831 biography Life and Death of Lord Edward Fitzgerald. He experienced a difficult relationship with the leader of the Catholic Association Daniel O'Connell whom Moore regarded as a demagogue, believing "O'Connell and his ragamuffins have brought tarnish upon Irish patriotism". Following the passing of the Catholic Relief Act in 1829 Moore believed his involvement in politics terminated, joking to a friend: "Now that the Paddies are happy... I consider my politics entirely at an end." However he was drawn back into politics by a series of democratic rebellions across Europe in Belgium, France and Poland. Moore had also been a sympathiser with the Greeks in their War of Independence, a passion he shared with his friend Byron.
He received a state pension, but his personal life was dogged by tragedy including the deaths of all his five children within his lifetime (Anne, age 5, d.1817; Anastasia Mary, age 17, d.1829; Olivia as a baby of a few months of age; John Russell, aged 19, d.1842; and Thomas Lansdowne, aged 27, d.1849) and a stroke in later life, which disabled him from performances - the activity for which he was most renowned. Moore died being cared for by his wife at Sloperton on the 26th February 1852. His remains are in a vault at St. Nicholas churchyard, Bromham, within view of his cottage-home, beside his daughter Anastasia.
Moore frequently visited Boyle Farm in Thames Ditton, Surrey, as the guest of Lord Henry Fitzgerald and his wife. One noteworthy occasion was the subject of Moore's long poem, 'The Summer Fete'. The poem was about his daughter, Alex Hassett. Alex had taken her mother's last name because when her mother married Thomas, her parents were against her changing her last name.
Moore is considered Ireland's National Bard and is to Ireland what Robert Burns is to Scotland. Moore is commemorated in several places: by a plaque on the house where he was born, by busts at The Meetings and Central Park, New York, and by a large bronze statue near Trinity College Dublin.
Many composers have set the poems of Thomas Moore to music. They include Gaspare Spontini, Robert Schumann, Hector Berlioz, Charles Ives, William Bolcom, Lori Laitman, Benjamin Britten and Henri Duparc.
The song Believe Me If All Those Endearing Young Charms is often used in a famous gag in a number of Warner Brothers cartoons, usually involving a piano or Xylophone rigged to explode when a certain note is played. The hero, typically Bugs Bunny, tries to play the melody line of the song, but always misses the rigged note (C above middle C). The villain or rival, finally exasperated, pushes the hero aside and plays the song himself, striking the correct note and blowing himself up. In one instance, however, the protagonist plays the melody on a xylophone and, upon striking the rigged note, the antagonist explodes in an "old gag, new twist."
Many songs of Thomas Moore are cited in works of James Joyce, for example Silent, O Moyle! in Two Gallants (Dubliners) or The Last Rose of Summer.
Thomas Moore's Works:
Odes of Anacreon (1800)
Poetical Works of the Late Thomas Little, Esq. (1801)
The Gypsy Prince (a light opera; w/ Michael Kelly, 1801)
Epistles, Odes and Other Poems (1806)
A Selection of Irish Melodies, 1 and 2 (April 1808)
Corruption and Intolerance, Two Poems (1808)
The Sceptic: A Philosophical Satire (1809)
A Selection of Irish Melodies, 3 (January 1810)
A Letter to the Roman Catholics of Dublin (1810)
A Melologue upon National Music (1811)
M.P. (play): or, The Blue-Stocking (a comic opera produced at the Lyceum, 9 September 1811)
A Selection of Irish Melodies, 4 (November 1811)
Parody of a Celebrated Letter (Privately printed and circulated, February 1812, Examiner, 8 March 1812)
To a Plumassier (Morning Chronicle, 16 March 1812)
Extracts from the Diary of a Fashionable Politician (Morning Chronicle, 30 March 1812)
The Insurrection of the Papers (Morning Chronicle, 23 April 1812)
Lines on the Death of Mr. P[e]rc[e]v[a]l (May 1812)
The Sale of the Tools (Morning Chronicle, 21 December 1812)
Correspondence Between a Lady and a Gentleman (Morning Chronicle, 6 January 1813)
Intercepted Letters, or the Two-Penny Post-Bag (March 1813)
Reinforcements for Lord Wellington (Morning Chronicle, 27 August 1813)
A Selection of Irish Melodies, 5 (December 1813)
A Collection of the Vocal Music of Thomas Moore (1814)
A Selection of Irish Melodies, 6 (March 1815)
Sacred Songs, 1 (June 1816)
Lines on the Death of Sheridan (Morning Chronicle, June 1816)
Lalla Rookh, an Oriental Romance (May 1817)
The Fudge Family in Paris (20 April 1818)
National Airs, 1 (23 April 1818)
To the Ship in which Lord C[A]ST[LE]R[EA]GH Sailed for the Continent (Morning Chronicle, 22 September 1818)
Lines on the Death of Joseph Atkinson, Esq. of Dublin (25 September 1818)
Go, Brothers in Wisdom (Morning Chronicle, 18 August 1818)
To Sir Hudson Lowe (Examiner, 4 October 1818)
A Selection of Irish Melodies, 7 (October 1818)
The Works of Thomas Moore (6 vols.) (1819)
Tom Crib's Memorial to Congress (March 1819)
National Airs, 2 (1820)
Irish Melodies, with a Melologue upon National Music (1820)
A Selection of Irish Melodies, 8 (1821)
Irish Melodies (with an Appendix, containing the original advertisements and the prefatory letter on music, 1821)
National Airs, 3 (June 1822)
National Airs, 4 (1822)
The Loves of the Angels, a Poem (23 December 1822)
The Loves of the Angels, an Eastern Romance (5th ed. of Loves of the Angels) (1823)
Fables for the Holy Alliance, Rhymes on the Road, &c. &c. (7 May 1823)
Sacred Songs, 2 (1824)
A Selection of Irish Melodies, 9 (1 November 1824)
Memoirs of Captain Rock (9 April 1824)
Memoirs of the Life of Richard Brinsley Sheridan (2 vols.) (1825)
National Airs, 5 (1826)
Evenings in Greece, 1 (1826)
A Dream of Turtle (The Times, 28 September 1826)
The Epicurean, a Tale (1827)
National Airs, 6 (1827)
A Set of Glees (1827)
Odes upon Cash, Corn, Catholics, and other Matters (1828)
Letters & Journals of Lord Byron, with Notices of his Life (vol.1) (15 January 1830)
Legendary Ballads (1830)
Letters & Journals of Lord Byron, with Notices of his Life (vol.2) (January 1831)
The Life and Death of Lord Edward FitzGerald (2 vols.) (1831)
The Summer Fete (1831)
Evenings in Greece, 2 (1832)
Irish Antiquities (The Times, 5 March 1832)
From the Hon. Henry ---, to Lady Emma --- (The Times, 9 April 1832)
To Caroline, Viscountess Valletort (The Metropolitan Magazine, June 1832)
Ali's Bride... (The Metropolitan Magazine, August 1832)
Verses to the Poet Crabbe's Inkstand (The Metropolitan Magazine, August 1832)
Tory Pledges (The Times, 30 August 1832)
Song to the Departing Spirit of Tithe (The Metropolitan Magazine, September 1832)
The Duke is the Lad (The Times, 2 October 1832)
St. Jerome on Earth, First Visit (The Times, 29 October 1832)
St. Jerome on Earth, Second Visit (The Times, 12 November 1832)
Travels of an Irish Gentleman in Search of a Religion (2 vols.) (1833)
To the Rev. Charles Overton (The Times, 6 November 1833)
Irish Melodies, 10 (with Supplement) (1834)
Vocal Miscellany, 1 (1834)
The Numbering of the Clergy (Examiner, 5 October 1834)
Vocal Miscellany, 2 (1835)
The poetical works of Thomas Moore, complete in two volumes, Paris, Baudry's European library (rue du Coq, near the Louvre), 1835
The Fudge Family in England (1835)
The History of Ireland (vol.1) (1835)
The History of Ireland (vol.2) (1837)
The Song of the Box (Morning Chronicle, 19 February 1838)
Sketch of the First Act of a New Romantic Drama (Morning Chronicle, 22 March 1838)
Thoughts on Patrons, Puffs, and Other Matters (Bentley's Miscellany, 1839)
Alciphron, a Poem (1839)
The History of Ireland (vol.3) (1840)
The Poetical Works of Thomas Moore, collected by himself (10 vols.) (1840–1841)
Thoughts on Mischief (Morning Chronicle, 2 May 1840)
Religion and Trade (Morning Chronicle, 1 June 1840)
An Account of an Extraordinary Dream (Morning Chronicle, 15 June 1840)
The Retreat of the Scorpion (Morning Chronicle, 16 July 1840)
Musings, suggested by the Late Promotion of Mrs. Nethercoat (Morning Chronicle, 27 August 1840)
The Triumphs of Farce (1840)
Latest Accounts from Olympus (1840)
A Threnody on the Approaching Demise of Old Mother Corn-Law (Morning Chronicle, 23 February 1842)
"The Homeless' Guide to Love" (vol.1) (1846)
Sayings and Doings of Ancient Nicholas (Morning Chronicle, 7 April 1842)
''More Sayings and Doings of Ancient Nicholas (Morning Chronicle, 12 May 1842)
The History of Ireland (vol.4) (1846)
Poems by this Poet
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A Study from the Antique | 5 September 2014 |
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A Study From The Antique. | 29 November 2013 |
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A Temple to Friendship | 19 May 2014 |
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A Temple To Friendship. | 29 November 2013 |
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A Vision of Philosophy | 29 November 2013 |
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A Vision Of Philosophy. | 29 November 2013 |
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A Warning | 5 September 2014 |
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A Warning. To ....... | 29 November 2013 |
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Advertisement | 5 September 2014 |
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Advertisement. | 29 November 2013 |
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One of the greatest!
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Thank you for all this
Thank you for all this information about Thomas Moore.
Yesterday we visited a place called "The Meeting of the Waters", near Avoca, Co. Wicklow, Ireland. This is a place where Thomas liked to sit and wrote many of his poems. One of my favourites is called "The Meeting of the Waters"
Mary PP


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You Can Watch 'Once Upon a Time in Hollywood' At the Movie Theater Sharon Tate Visits in 'Once Upon a Time in Hollywood'
In Once Upon a Time in Hollywood, Sharon Tate (Margot Robbie) spends a blissful day in Westwood Village, shopping in book stores and visiting the Bruin Theatre to watch The Wrecking Crew, a movie she appears in. Sneaking into the auditorium after the lights have gone down, she watches as she interacts onscreen with Dean Martin. The rest of the audience at the Bruin laughs and applauds in appreciation. Sharon is elated.
It's a lovely sequence, maybe the sweetest of director Quentin Tarantino's entire career. And, in an interesting twist of fate, Once Upon a Time in Hollywood is now playing at ... the Bruin Theatre in Westwood. So if you're in LA, you could watch Margot Robbie as Sharon Tate in the Bruin at the Bruin. (I don't know the exact seat she sits in; someone should figure that out.)
The Bruin first opened for business in 1937. It was designed by S. Charles Lee, an architect known for his movie palaces. In Once Upon a Time in Hollywood, Tarantino follows Tate as she walks across the street from the Fox Village Theatre to the Bruin; that theatre is also still in existence, and still regularly plays movies and hosts premieres. (It's currently showing The Lion King.)
I can't speak to the visual or audio quality at the Bruin, but it seems like a very unique place to interact with the cinema history that's so crucial Once Upon a Time in Hollywood. I don't know their policy on bare feet either, so I would probably keep my shoes on just in case.
Gallery — Amazing Rides Based on Movies That Were Never Made:

subset: commoncrawl


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UK: Muslim women beyond the stereotype
Tehmina Kazi wears modest western dress and believes in plurality and diversity within her faith, Islam. For her pains, she has been labelled a whore, admonished for not wearing the hijab and accused, inaccurately, of wearing short skirts by people she has never met, writing online. When she defended Usama Hasan, the London imam who faced death threats and was suspended from Leyton mosque last month after he said evolution was compatible with Islam, she had to go to police after receiving threats of her own.
Despite this, Kazi, the director of British Muslims for Secular Democracy, remains defiant in her role as one of the small but growing number of British Muslim women challenging and combating Islamic extremism. Campaigning against any extremism is not for the faint-hearted, but for Muslim women it requires a special kind of resolve. "It takes a lot more courage to do this if you're a woman because the type of criticism you get is very different," she says, highlighting the personal nature of the abuse. "They always talk about what you wear."
Kazi believes women should be free to wear whatever they choose – it is stereotypes about Muslim women that she aims to confront. BMSD, which, despite not being a women's organisation, has always had female leadership after being founded by columnist Yasmin Alibhai Brown – supports a young Muslim leadership programme, counter-demonstrates against extremist groups, such as Anjem Choudary's Islam4UK, and attempts to get moderate voices heard in debates about Islam. The group emphasises the underutilised weapon of humour in taking the fight to the extremists. In one video on the BMSD website, an archetypal "angry young Muslim" begins ominously, "I have a message for those who insult Islam," before adding: "Let's agree to disagree."
It campaigns against both Islamic extremism and Islamophobia – Kazi cites the example of "the preacher going to the mosque and saying women who wear perfume are adulterers", as well as stereotypes of Muslims that suggests all women are marginalised.
These views are echoed by Sara Khan who set up Inspire two years ago because she felt there was no organisation helping Muslim women to achieve their potential. "It's quite patronising. To say Muslim women are oppressed or don't contribute is just so patronising – no community wants to be stereotyped."
Khan makes no attempt to hide her frustration as she rails against the wider perception of Muslim women, which, for her, manifests itself in the media preoccupation with the hijab. Khan wore the hijab for 15 years before she tired of the "obsession" surrounding it. Despite Khan's frustration at stereotyping, she is not blind to the fact that not all Muslim women have had the same freedom and opportunities as she has, recognising that there are "Muslim women not allowed to go out of the house".
Khan, who sat on the Home Office working group tackling extremism and radicalisation, and Inspire are behind an event at City Hall for 200 activists, academics and policy-makers called Speaking in God's Name: Re-examining Gender in Islam next month, in which religious experts will aim to debunk restrictions conservative Muslims seek to place on women. Khan says it is the first event of its kind. "Let's have a real debate about the role of women," she says. "That debate is not happening. You get the same 'No sister, you're not allowed to travel on your own'."
She blames the lack of Islamic literature for female followers and provisions for women at mosques for what she describes as an increasing terrorist threat from women. Citing the student who stabbed the MP Stephen Timms, she says: "It's not surprising Roshonara Chaudhry learned her faith from the internet." Khan argues that the government's much-criticised preventing violent terrorism scheme, now being revamped, suffered from a lack of female involvement.
She makes a compelling case for women to be central in the battle against extremism. "Women shape values in children," she says. Inspire runs workshops to educate mothers in countering al-Qaida propaganda, arming them with religious texts they can use to rebut the arguments of extremists that their children may hear.
Like Kazi and Khan, Houriya Ahmed, who until last month worked for the Centre for Social Cohesion – a thinktank that issues briefing papers on radicalisation and extremism – has had insults about not wearing the hijab, or as she puts it "not being Muslim enough". But she is less inclined to attribute them to gender, believing anyone who challenges extremists is likely to face abuse.
As she works not for a Muslim organisation but for the CSC, her experiences are different from the other Muslim women interviewed. "I don't want to be seen as a Muslim woman doing this," says Ahmed, who sees her religion as a private matter that is irrelevant to her job.
Other campaigners disagree. Rabia Mirza, who is involved with Cheerleaders Against Everything speaks about how involvement in fighting extremism has strengthened her faith. A disparate group with an anarchic sense of humour, reflected in its title, it has managed to get under the skin of both Islamic extremists and leftwingers. As well as mounting counter-demonstrations against extremists groups, its members go on extremist forums to argue their case.
Cheerleaders has informal links with Kazia's BMSD as well as, controversially, the English Defence League. Ex-EDL members, who remain committed to challenging extremism but quit the far-right group because of a belief it was indiscriminate in its attacks on Islam, have joined with the Cheerleaders to form an organisation called the Nice Ones. Mirza says the idea is to link with those – "very few" – within the EDL whose goal is to combat Islamic extremism, rather than just oppose Islam.
However one views such an association, it is unarguable that this type of alliance would be unthinkable to the Muslim groups usually rolled out as constituting the frontline in the fight against extremism. Despite breaking the mould, Mirza accepts that women need the co-operation of people who the extremists can identify with more readily. "If we formed a group of women who are highly liberated, it will annoy them, so we need a middle ground," she says.
"We Muslims need to take a bit of an active role," says Mirza. "We need to educate our women, liberate women and that will lead the way. Every country where they have educated their women, the country has thrived."
There is a big gulf in the level of experience of Mirza, who is at university, and someone such as Khan in trying to shake up the way Muslim leaders respond to the issues affecting British Muslims, but they are equally convinced of the need for change. Khan says she is sick of traditional male-led Muslim organisations failing to come up with solutions, and responding to each controversy with the mantra "Islam is a religion of peace". She is working for change and hopes others will join her. "Muslim women are so frustrated with the leadership," she says. "We need the discourse of women – they will bring a whole new dimension to it."
But ultimately it is not just the conservative male Muslim leadership that Muslim women want to change their ways. They want society as a whole to see what Muslim women can do if people will only set the stereotypes aside. "There's a perception that Muslim woman are sitting at home, not doing anything," says Khan, "but that's not the case at all."
- Haroon Siddique
- The Guardian, Friday 29 April 2011


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ExtUtils::MM_Win32 - methods to override UN*X behaviour in ExtUtils::MakeMaker
use ExtUtils::MM_Win32; # Done internally by ExtUtils::MakeMaker if needed
See ExtUtils::MM_Unix for a documentation of the methods provided there. This package overrides the implementation of these methods, not the semantics.
Changes the path separator with .
Since Windows has nothing as simple as an executable bit, we check the file extension.
The PATHEXT env variable will be used to get a list of extensions that might indicate a command, otherwise .com, .exe, .bat and .cmd will be used by default.
Using \ for Windows.
Override some of the slower, portable commands with Windows specific ones.
Override the default link and compile tools.
LDLOADLIBS's default is changed to $Config{libs}.
Adjustments are made for Borland's quirks needing -L to come first.
Add MM_Win32_VERSION.
Add MAXLINELENGTH for dmake before all the constants are output.
Add .USESHELL target for dmake.
Changes how to run the linker.
The rest is duplicate code from MM_Unix. Should move the linker code to its own method.
Complicated stuff for Win32 that I don't understand. :(
Clean out some extra dll.{base,exp} files which might be generated by gcc. Otherwise, take out all *.pdb files.
Checks for the perl program under several common perl extensions.
This target is stubbed out. Not sure why.
All we send is -nologo to nmake to prevent it from printing its damned banner.
Normalize all arguments for consistency of comparison.
These are based on what command.com does on Win98. They may be wrong for other Windows shells, I don't know.
dmake can handle Unix style cd'ing but nmake (at least 1.5) cannot. It wants:
cd dir1\dir2
cd ..\..
nmake 1.50 limits command length to 2048 characters.
Windows is Win32.
Defines the PERLDLL symbol if we are configured for static building since all code destined for the perl5xx.dll must be compiled with the PERLDLL symbol defined.


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- Material: 100% Silk Twill, 22 momme
- Lining: 100% Organic Cotton Voile
- Care: Hand wash in cold water or dry clean
- Slight sheen, subtle texture
- Shawl collar
- Patch pockets
- Long tailored sleeve
- Button closure
- Internal French seams
- OEKO-TEX¨ certified
- Relaxed fit
- Model wears a size medium
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The Blueprint is a bike for new riders that is built around a pro-level geometry to help them progress faster.
This bike is equipped with hassle-free parts like Odyssey Springfield brakes, a Sunday Freeze stem and Current 2.4" tires to help keep you focused on the important part - riding. The Blueprint comes with an integrated head tube this year for greater durability, ease of assembly and pro style points.
Key Features
- Sunday Current 2.4"
- Odyssey Springfield Brakes
- FSA Integrated Headset
- Sunday Cornerstone Grips
- Sunday Freeze Front Load Stem
- Sunday Sabretooth Sprocket
- KMC S1 Chain


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Wildflower Thinking of you Card is backordered and will ship as soon as it is back in stock.
Card details
We are excited to offer a service where we can fully customise greetings cards for you, printed digitally on a 350gsm uncoated cardstock and paired with a premium kraft envelope.
Each card is square in shape and 15cm by 15cm. (5.9 inches by 5.9 inches). The front of the card is set as shown in the first image.
All our cards are provided as they are, without cellophane wrapping to spare the environmental impact.
Some of our cards require personalisation please provide the request in the box provided.
- Blank inside
Cards with this selected will be printed blank ready for your own message.
- Printed inside
If you wish to send your order direct to the recipient you can choose to have the wording printed inside the card. Choose the dropdown to select this.
You may choose the wording for inside your card by entering it in the box provided. We will lay out as best fit in the font shown.
Please make sure you check any wording or spelling is correct because once the order is placed we can not make changes to your card. We can not be held responsible for any typing errors or incorrect spellings.
When you checkout, if you are sending direct to recipient you will need to choose the option to send as a gift and enter the address for the recipient.
Processing times and deliveries
Orders are processed within 24 hours.
Deliveries are provided by Royal Mail by default unless you choose a delivery upgrade. Express in the UK is provided by DPD and Internationally - DHL.
We are Manta Makes
We design print and finish to order. Based in the New Forest, UK.
We are open 8am-4pm Monday to Friday for customer service but orders may be processed outside of these hours at peak periods.


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Setting the stage for your Wayne home's overall style and environment, a beautifully designed kitchen is essential to having a warm and comforting Wayne home. The main role of a kitchen serves is as a space for meal preparation, however kitchens can be so much more. Kitchens often serve many purposes like a meeting place for family or a space to entertain guests. Nicholson's Distinctive Kitchens & Baths can make your dream Wayne, PA kitchen a reality.
Click below to see some of the recent kitchen work we did.


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Guangzhou Chuxin Import & Export Co., Ltd.
Place of Origin: | CHINA |
Brand Name: | VLDL |
Certification: | CE, ROHS |
Model Number: | VL4805L |
Minimum Order Quantity: | 12 pcs |
Price: | Negotiable |
Packaging Details: | 12pcs / carton |
Delivery Time: | 7 - 10 days |
Payment Terms: | TT, Paypal |
Supply Ability: | 10000 pcs / month |
Case Material: | Aluminum | Size: | 170*90*63 MM |
Net Weight: | 1.5 KG | Input Volt: | Universal 110 - 230Vac |
Output: | Rated 48 Vdc, Max 54.6 Volts 5 Amps | Apply To Battery: | Lithium Battery Pack |
Apply To EV: | E-bikes, E-scooters, E-skateboard, E-mobility | Warranty: | Fully 2 Years |
Color Option: | Black Or Silver | Max Output Power: | 360W |
High Light: | bicycle battery charger,charger for electric dirt bike |
3 Pin XLR Connector Electric Bike Scooter Lithium Battery Charger 48V 5A
Brief Description:
Electric bicycle / bike lithium battery charger 54.6 volts 5 amps with 3 pin XLR connector and Euro AC cord, smart four steps charging with floating / trickle step. Designed for lithium battery powered electric bikes / bicyles, input with worldwide 110 to 230Vac. Intelligent 4 steps charging with pre-charge, CC, CV and floating / trickle or automatic cut - off, this charger will charge your electric bikes / bicycles very fast, with high efficiency and pretect your battery life maximumly. Small size and aluminum housing.
◆ Advanced high frequency switching mode power supply technology.
◆ DC output isolated from AC input.
◆ Auto worldwide Input 110 / 230Vac (90 ~ 264Vac), 50Hz ~ 60Hz.
◆ Charging parameters are insensitive to the AC input line voltage variations.
◆ Completely automatic battery charging: Pre - charging, CC, CV, Absorption, Float or Cut-off.
◆ 2 LEDs: LED1 Red (power on), LED2 Red/green (charging / full).
◆ Possibility to customize charging curve for request.
◆ Protections: Short circuit, Over-voltage, Over-temperature, Reverse Polarity.
◆ Efficiency > 95%.
◆ Forced ventilation with fans.
◆ 100% full load burn-in test.
◆ Aluminum casing, light weight, portable.
Technical Specs.:
1) Dimensions(LxWxH): 170 x 90 x 63 mm
2) Net weight: 1.5 KG
3) Max charging voltage(CV): 54.6 volts
4) Floating voltage: customized
5) Max output current (CC): 5 amps
6) Charging method: pre-charge, CC, CV, floating / trickle or shut off
7) AC input voltage: 110 / 240Vac worldwide
8) AC input freq.: 50 / 60 Hz
9) AC plug: customized by user's country
10) Output connector type: customized by applications
11) Enclosure: Aluminum
Output series: 360W Size: 170×90×63 mm Net weight: 1.5 KG | ||||||
Input | Model | Apply to battery types | Floating V | CV (V) | CC (A) | Switching |
AC Input: 110 / 230V Frequency: 47~63HZ |
VL1220L | 12V LiFePO4 Battery | 14.6V | 20A | CC5~8% | |
VL1220 | 12V Lead-acid Battery | 13.5V | 14.7V | 20A | CC20% | |
VL2412LM | 24V Li-MnO2 Battery | 29.4V | 12A | CC5~8% | ||
VL2412L | 24V LiFePO4 Battery | 29.2V | 12A | CC5~8% | ||
VL2412 | 24V Lead-acid Battery | 27.6V | 29.4V | 12A | CC20% | |
VL3608LM | 36V Li-MnO2 Battery | 42V | 8A | CC5~8% | ||
VL3608L | 36V LiFePO4 Battery | 43.8V | 8A | CC5~8% | ||
VL3608 | 36V Lead-acid Battery | 41.4V | 44.1V | 8A | CC20% | |
VL4805LM | 48V Li-MnO2 Battery | 54.6V | 5A | CC5~8% | ||
VL4805L | 48V LiFePO4 Battery | 43.8V | 5A | CC5~8% | ||
VL4805 | 48V Lead-acid Battery | 55.2V | 58.8V | 5A | CC20% | |
VL6004L | 60V LiFePO4 Battery | 73V | 4A | CC5~8% | ||
VL6004 | 60V Lead-acid Battery | 67.5V | 73.5V | 4A | CC20% | |
VL7203L | 72V LiFePO4 Battery | 87.6V | 3A | CC5~8% | ||
VL7203 | 72V Lead-acid Battery | 81V | 88.2V | 3A | CC20% | |
Note: customized input / output / plug type / connectors are available. |
Q. What do the abbreviations MF, GEL and AGM mean?
A. Gel, AGM, Vlies, MF, Calcium/Calcium and Hybrid are abbreviations for different types of lead-acid batteries.
Q. What do the abbreviations LiFePO4, Li-ion, Li-MnO2 and LiCoO2 mean?
A. LiFePO4, Li-ion, Li-MnO2 and LiCoO2 are abbreviations for different types of lithium batteries, that means there batteries using different cathode materials. Different batteries have different charging voltages.
Q. What charger should I choose?
A. It depends on the type of battery, the capacity of the battery, the application and how much you are prepared to spend. Just tell us your battery information, DANL battery charger engineer will recommend the most suitable charger for you or customized by your batteries and applications.
Q. Can I charge several batteries in parallel?
A. The charger has no problem whatsoever of charging or maintaining several batteries, as long as they are connected in parallel. The charger sees the parallel connected batteries as one large battery. The sum of the capacity has to be below the recommendation for your model. Please note that there could be a high current between batteries when they are connected together, i.e. use high quality wiring.
Q. Can you really connect and then forget about the charger?
A. That depends on your batteries state and charger's type. Danl lead-acid battery chargers have maintenance mode(floating mode), charger charges with very small current at this mode, so you can forget about the charger but not exceed 24 hours. If your battery is lithium type and without BMS system, please don't forget the charger.
Q. Are you a factory or trading company?
A. Danl is battery charger factory and we found in 2008. We have being in switching mode power supply and charger industrial for 15 years and have 10 years of exporting experience to worldwide especially to the high lever market of North America and Euro countries.
Q. What's about the warranty for Danl battery chargers?
Danl promises that we provide full 2 years warranty for our battery chargers. No return for faulty battery chargers firstly, we send you new replacing chargers firstly. Danl adopts latest ATE Automatic Battery Charger Testing System to test all of our battery chargers before shipping, guaranteeing extremely low rate of failure. So we have confidence to provide 2 years warranty.
Q. Do you accept OEM order?
A. Yes, we do. Danl provides OEM, ODM service. Please just tell us your project and we will provide a full charging solution for you, for example, your customized electric vehicles, sun-powered stations, racing batteries, on-board charging, etc.
Q. What is about the lead time for an order?
A. Normally, lead time is 7 days. If need large quantity, say 500 to 1000pcs, it will take about 15 days. If you need ODM charging solution, lead time depends on technical request, often it needs about 30 days.
Q. What certification do you have?
A. We have CE, RoHS, CB currently. We will add and pass the test of certificate which applied in your country.
Q. Why choose your smart battery chargers?
A. Because our battery chargers have high quality but reasonable factory price. First, we do not use cheap and unreliable components to save cost like other charger factories who have very cheap price. Second, we use latest ATE smart battery charger test and aging system and guarantee the quality of every battery chargers.
Contact Person: admin1
Tel: +8615521009775
360W Ez Go Electric Golf Cart Charger Output Power With 24V 12A Smart Charging
42 Volts 18 Amps Smart Charger With 4 Steps Charging For Electric Golf Carts
36 Volt Black Silver Golf Cart Battery Charger Club Car Intelligent 4 Steps Charging
110V Input EZGO Electric Golf Cart Charger With Output 36V 5A CC CV And Trickle Charging
48V 15A Waterproof Battery Charger For Li And Lead Acid Batteries With Aluminum Case
Intelligent 48V 25A Water - Proof Battery Charger Fully Sealed For Electric Cars
Smart 48V 20A Waterproof Battery Charger , IP65 Sealed Lithium / Lead Acid Battery Charger
Automatic 4 Stages Waterproof Battery Charger 6.0 KG 72V 12A For Li SLA Batteries
High Power 48 Volt Lithium Battery Charger , Automatic 900W 15 Amps Lithium Charger
Fast CC CV Charging 12V 4A Smart Battery Charger For 16Ah / 22Ah Lithium Battery Pack
58.4V Max Charging Lithium Battery Charger , PFC Charger With Universal 110 - 240 Vac Input
42V 4A lithium battery charger, US two pins plug and output with RCA connector, smart charging
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Written and Produced by Frederick Greenhalgh
Two teenage friends start scaring each other on the drive to a dismal "haunted" house on the coast of Maine. But when their innocent fun starts to become all too real, they soon realize what true terror is. A nod to Stephen King in a tale inspired by a true story too haunting to forget.
This inaugural field recorded FinalRune production still haunts today. It was recorded in the foggy, dim stretches of rural Downeast Maine where the story is set – the birthplace of creator Fred Greenhalgh. Featuring immersive sound design, and an original score, this full cast audio horror story is sure to chill to the bone.
- Narrator: John Coons
- David: Christopher Reiling
- Matt: Philip Hobby
- Girl: Rowan Hoyt
- Father: Rob Hoyt
- Boy: Gabriel Whitman
- Mother: Stacy Ann Strang
Sound Effects:
- Record on-location in Old Orchard Beach, Maine
- Supplemental effects courtesy of Sounddogs.com
- Original Music by Stu Mahan and James Munro
Special Thanks:
Behind the Scenes of Dark Passenger


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Download your very own Christmas Countdown Calendar by clicking here!
Print out the calendar, fill in your name and the year, color the page, and then hang the calendar up on the fridge or in your room. Count down to Christmas by visiting northpole.com each day and doing the suggested activity. Once you have completed the activity, then cross off the date with a marker or by placing a sticker over the day. Before you know it, Christmas will be here!
December 1st
Print your Good Deeds Calendar for the month of December
December 2nd
Write a letter to Santa in the Mailroom
December 3rd
Play a game in the Elves' Game Chest
December 4th
Create your own personalized story with YOU as the star
December 5th
Watch Disco Dancing Santa boogie to Christmas music!
December 6th
Pick up your letter from Santa in the Mailroom
December 7th
Read a story about Raymond the reindeer in the Reindeer Barn
December 8th
Talk to Bif or Bonnie through the magic of ElfChat
December 9th
Read a story about your favorite toy and color the pages
December 10th
Check out Santa's favorite music, movies and books in Santa's Den
December 11th
Find the hidden stories in the Kitchen
December 12th
Create your own book about Baby Bart
December 13th
Where's Raymond? Find out in a story in the Reindeer Barn
December 14th
See if you're on Santa's naughty list or nice list in Santa's Den
December 15th
Make a Christmas tree ornament for someone special
December 16th
Check out the weather at the North Pole at the Weather Station
December 17th
Read all about the Reindeer Games in the Reindeer Barn
December 18th
Send a Northpole postcard to a loved one in the Mailroom
December 19th
Find your favorite cookie recipe in Mrs. Claus' Cookbook
December 20th
Look for the hidden stories in Santa's Den
December 21st
Read a story about Raymond the reindeer in the Reindeer Barn
December 22nd
Find a new recipe to try in Mrs. Claus' Cookbook in the Kitchen
December 23rd
Try Santa's word search or concentration games in the Game Chest
December 24th
Track Santa's flight around the world with NORAD
December 25th
Merry Christmas!


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Michael Benjamin is a British Nigerian singer-songwriter, musician and producer, known for his music as Mikejab, who has released a new dance single 'I As A Man'.
To date Mikejab has worked across a wide variety of musical genres with many different artists.
Michael started out as the lead singer in youth group, The Black Berets and then returned to concentrate on his school education.
As a sound engineer, Mikejab has mixed and mastered many popular dance tracks in both Europe and Nigeria.
Mikejab is known in the dance music community as the creator of a new music genre called AfroDance incorporating dance music and African percussive and rhythmic sounds.
Mikejab has established a strong Internet presence via video, sound and radio online media, social media and his own website and these have won him followers across the world as an indie artist.
The new dance single I As a Man is out now on ZX Records and was recorded at XZ studios in Reading, UK.
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If the tank dies, it's the healer's fault. If the healer dies, it's the tank's fault. If the DPS dies, it's their own damn fault.I bet that this quote was first made in some form of jest, but some people now seem to take this quote as unquestionable truth. Most of the time when I hear this quote, it's from a tank or healer with a ton of superiority, but I have heard it from raid leaders and other DPSers in the past.
Well, I call BS.
In this post, I'm going to rant a little bit, but I would also like to take a look at some of the things I have done to try and improve my survivability.
This is not an Excuse:
I want to make one think clear. I am not trying to make any excuses for poor play. If a DPS stands in the fire and dies, its their own fault. If they pull aggro off the tank and die, its their fault. If they don't follow instructions and get separated from the group and die, its their fault.
But doesn't this hold true for tanks and healers also?
I realize that when you compare DPS to Healers to Tanks your not always comparing apples to apples. For instance, in some cases its better for the tank to sit there and take the damage. However, there are also times when the damage should be avoided. Take the flame wall in Sarth for example. Sure a tank can survive it with dedicated healers, but he is putting an unnecessary strain on his healers and forcing them to use Mana and Cooldowns that maybe important later.
Of course, healers also have to avoid obvious hazards, but it goes beyond that. Over my two years of raiding I've heard healers excuse their death because they pulled healing aggro like they couldn't do anything about it. They may be right, but at the same time I find it unlikely that there was nothing they could do any of those times. NE Druids have Shadowmeld. Priests fade and other long cooldowns. Paladin's have bubble. Obviously, I am not a healer and could be completely wrong here, but I have a hard time believing that there was nothing those healers could do to help themselves.
DPS Survivability:
We, as a whole, tend to give tanks and healers a little more of a break when it comes to their deaths, but for DPS the automatic question seems to be "why were you being stupid?"
In fact, I was in a raid a while back when after a wipe one of the healers said "You guys better have used your healthstones." I completely agree that DPS needs to try and stay alive as best they can, but it isn't always cut and dry on when you should use your survival buttons. DPS in general have limited options on what they can use when. Here are the options:
- Heavy Frostweave Bandage: First off, If you don't have your First Aid leveled up so that you can use these, shame on you. Every raider, if not every player, should have their first aid skilled up. It is the one secondary profession that I have on all of my toons.
There are several advantages when it comes to bandages. They heal 5800 damage. That is more then any other non spell form of healing. They are also available to every player, and you can use them multiple times in a fight. The down side is that it takes you out of the fight for 8 seconds and it is interrupted if you take any damage.
Bandage are good, but they are unlikely to save you when your taking a lot of damage quickly. - Runic Healing Potion: There are several options here but this probably the most standard. The benefit to a healing pot is that it is a quick heal that can keep you alive when your taking a lot of little damage ticks. The down side is that you have only one pot per fight, and my guild is instructing us that we need to use DPS potions on DPS races. On top of that, the amount it heals for varies but on average it will only heal for 3600 damage and could be as low as 2700. When you have 23k health as I do, that isn't much.
- Fel Healthstone : How you feel about healthstones depends a little bit on your class, but they are great for moonkin. The smallest version heals for 4280 and it is an instant heal. On top of that it doesn't share a cooldown with anything that moonkin us regularly. Mages have bigger issues because it shares a cooldown with Mana stones. The down side is that you have only one. So, the question when you should use it some times comes up.
- Lifeblood : I list this only because I am an herbalist. Currently its not a very good heal since heals for 2000 health over 5 seconds, but it is getting buffed some in patch 3.2. Its nice if you have it, because it is an instant non mana heal. Also you can us it multiple times during most fights because the cooldown is only 3 minutes. That sad its got the down side of being a HoT and being fairly weak. Gift of the Naaru would fall into this category as well in my opinion if your a non-druid.
- Barkskin : This is a great ability and has several advantages. The first is that it is on a relatively short cooldown of only a minute. The second is that you can use it while stunned or incapacitated in some way. The downside is that it is a damage preventer rather than a damage fixer and therefore very temporary. Its good for giving your healers a little bit of a break or giving them a little more time. However, if you get low and stay low, your likely going to die anyway.
- Healing Spells : Moonkin always have the option to heal themselves. The great thing about healing spells is that most don't have cooldowns and are a little stronger than the other options. The down side is that we are not specced to use them efficiently and a majority of druid heals are DoTs. I think moonkin and other classes that have the ability to heal, should always be ready to heal themselves. However, if a DPSer is having to heal them self a lot then there is a problem going on some where.
The Balancing Act:
Lets assume that we are playing well by not standing in the void zones, pulling aggro, or being generally stupid. On the surface it looks like we have a lot of options to keep our selves alive, but if you look closer its not always cut and dry. Each of these abilities has a down side that you have to weight against the situation.
The biggest question I have is when should I use my healthstone?Of all of the things that can help me stay alive its the best, but I can use it only once. When is the best time to use it? How long should I wait for a heal before I use it?
If your a really perceptive player, you may be able to identify when raid healing will be low because a healer is incapacitated for some reason. If that's not the case though, how long do you wait for a heal before popping the stone?
If you go from full to dead in less then 2 seconds there probably wasn't much you or anyone else could do about it. Above that it starts to be a question, and to be honest I don't know the answer. If I go from full to dead in 4 or 5 seconds it becomes a real question of why I didn't pop a healthstone or cast a heal. This goes against the grain a little bit, but I also think it is a fair question of why I didn't get a heal from a healer in those 4 or 5 seconds. I'm not saying they necessarily did anything wrong, but they are just as capable of an error as I am.
What I Do:
Don't take what I say here as gospel. I have struggled with raid survivability times and I am always looking for ways to preform better. To be completely honest some of the suggestions I am going to make here are good but I'm not 100% affective in implementing them. This is still a work in progress.
The best thing I ever did was to make macros. I have made multiple macros that will cast a heal or use a bandage on myself with out switching my DPS target. This can save a lot of time in those stressful situations where your trying to stay alive.
The next thing I try to do is to use my cooldown abilities early and often. I'm not always the best at this, and I am particularly bad at using bandages but the less stress you put on the healers the better.
With Barkskin, I tend to use it in more a reactive manner, but I'm trying to be proactive. Being reactive isn't necessarily bad, but being proactive can make the healers job much easier. There are several fights where you know when significant damage will be coming in. A couple of good examples of this is Tantrum during XT or Ground Tremor during Freya. Playing this way will mean that your health won't get so low at times and your less likely to die to bad RNG.
When it comes to Healthstones I've adopted a "better safe than sorry" philosophy. Unless there is a specific time when I know I'm going to need it, I tend to use my stone the first time I feel in danger of dying.
Finally, I'm try and think ahead, and frankly I'm not always good at it. Try and think about the fight and what damage you will be taking before hand. One of the great things about being a druid is that several of our HoTs are instant casts and can be used on the move. Since most of our damage spells can't be used while moving, it is a great idea to heal yourself while moving.
XT Hard Mode is a perfect example. When you get Gravity Bomb or Searing light you take quite a bit of damage and have to run away from the group. If she casts Tantrum at the same time it can be really difficult for the healers. So here I am, taking a lot of damage and not being able to DPS because I'm running. I should be putting a full stack of lifebloom on myself and maybe even a rejuv. I only recently thought of this and I feel like a little bit of an idiot for not having done it sooner.
In Conclusion:
It is important to look at premature deaths truthfully. I do think DPS get a bad rap when it comes to deaths, but that is not an excuse to be sloppy or to not improve. It is really important for us to find that balance between DPS and Survivability. Any good Raid Leader will be very willing to sacrifice a little DPS if it means you live.


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The day continues with the third project of "my big crochet idea": a free crochet pattern for birds! Inspired by Kathleen's post: "I'd love to see these cute little birds!! http://pinterest.com/pin/44613852528533507/" I got to work as soon as I saw the picture.
After three tries, I finally crocheted what I deemed to be a good bird shape. How cute are they?! So adorable. They take only minutes to make and a few yards of yarn.
Size G (4.25mm) crochet hook
Worsted weight yarn
Free Crochet Bird Pattern
Chain 4, join with sl st to form ring
Round 1: Ch 2 (counts as first dc), 14 more dc into ring (15 sts)
Round 2: Ch 1 (counts as first sc). Into same stitch, work [dc, 5 trc, dc, sc]. (Bird head). Sc in each of next 10 sc (around bird belly). Into next stitch, work [sc, ch 1, dc, ch 1, sc] (bird tail). Sc in each of next 3 sc (bird back).
Fasten off, weave in ends.
Bird Beak
Join yellow yarn at base of your bird's head. Ch 4, sl st back into the stitch where you joined your yarn.
Fasten off, weave in ends.
Bird Eye
With black or white yarn and a big yarn needle, sew a couple stitches onto your bird's face for an eye.


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A feast of Asian noodles and colorful vegetables, this medley of flavors and textures is easy enough for a weeknight meal, yet gorgeous enough to impress guests. Meant to be served at room temperature, this is also a good choice for a potluck or buffet.
Serves: 4
- 4 ounces Asian rice vermicelli or bean-thread noodles
- Coconut-Peanut Sauce or Salad Dressing, as needed
- 2 to 3 big handfuls of baby spinach or arugula
- 1 cup thinly shredded red cabbage
- ¼ cup minced cilantro
- 2 to 3 scallions, thinly sliced
- 4 ounces (half of an 8-ounce package) baked tofu, cut into thin strips
- 10 or so baby carrots, quartered lengthwise
- 2 celery stalks, 1 baby bok choy, 2 stalks regular bok choy, thinly sliced
- ¼ cup peanut halves, optional
- In a heatproof container, cover the noodles with very hot water. Cover the dish and let the noodles soak for 15 to 20 minutes or until al dente, then drain. Rinse under cool water, then drain well again. Cut the noodles in several directions to shorten (kitchen shears work well for this).
- Prepare the dressing and set aside until needed.
- Combine the spinach and cabbage in a mixing bowl and spread on a large serving platter.
- Combine the cooked noodles with about ¾ cup of the peanut sauce, cilantro, and scallions. Toss together.
- To arrange the salad, mound the noodle mixture onto the center of the spinach and cabbage.
- Arrange a neat pile of half of the tofu on one side of the platter, and the other half opposite. Do the same with the carrots and celery or bok choy.
- To serve, use tongs to grab each element of the salad, and arrange on individual plates. Pass around additional dressing for everyone to use as desired.
- Here are more Asian-Style Cold Noodle Dishes.


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The current rage of "stacked Milky Way" (or night sky) captures is quite different from the star trail or timestacks style of captures. Huh? The words stack and stacking are overloaded with many different meanings. Let's see if we can add some precision and clarification.
Here are some of the variations possible:
- Auto Blend Layers with Stacking: Used for macro/focus stacking, HDR, and generic image blending – NOT for astro images!
- Lighten Mode Stacking: Creating Star Trails!
- Statistics Mode Blending (Stacking): Can perform the same operation as Lighten Mode Stacking when the option "Maximum" is used, however Statistics are heavy weight and more complicated to do in our opinion.
- Align and Stack: Deep sky astrophotography using several images taken one after another as quickly as possible. Photoshop doesn't do this well, but we describe how in the next section. Align is the distinguishing word here.
- Tracked Stacked Images: For still astrophotography images with less noise and greater detail. A device is required that tracks the sky rotation – the word tracked is the key here.
Adobe Lightroom and Adobe Bridge "Stacking"
- Group into Stack: Not stacking at all! It really just means "create a group".
The above is NOT an exhaustive list of the kinds of stacking you may hear about!
Stacking Types Explained
Group into Stack
Let's start with the easy one: Stacking may mean add to group. In Lightroom and Adobe Bridge you can pick several photos and the options Stacking -> Group into Stack. Or pick several photos and either Photo Merge to HDR or Panorama with the "Create Stack" option checked. In this context, Stacking and Stack just means group. Unfortunately a photo can only appear in one stack, and you cannot stack photos from different folders together.
Why would you want a photo to appear in two (or more) stacks groups? Here is an example where I used a single top shot and created two different panoramas.
Blend Layers using Lighten Mode
Stacking may mean blend photos in lighten or darken blend mode – examples are star trails and timestacks. In this usage, the lightest (or darkest) of all the pixels in each image is selected. This is the kind of stacking that AdvancedStacker Plus does. Below is an example of taking several images that we collected over time with long delays between each exposure causing the "dotted" appearance of the star trail.
Align and Blend Stacking
Stacking can ALSO mean ALIGN and blend images with median, mean (aka average) or more sophisticated algorithms. Indeed astroimagers have been doing this style of blending for years using techniques that involve "star registration" (aligning stars with stars) and some pretty fancy stacking algorithms like Alpha-Kappa Median Clipping and Entropy Weighted Average. The key point here is the alignment. Indeed, here at StarCircleAcademy, we've explained how you can brighten and reduce noise in your foreground using simple astrophotography processing techniques. See below for how to accomplish Align and Blend Stacking in Photoshop, and plenty of warnings about why this method is very likely to FAIL using Photoshop as the tool.
You may also see references to tracked, stacked images. These are the same as "align and blend" just described, except that to capture the image, the camera is guided by an external device (or by some fancy internal hardware), to allow longer exposures of the stars without getting unintentional trailing (smears) of stars.
The takeaway is that not all stacking is created equal. You need to know the context to understand what is meant by the word: stacking.
Focus Stacking / Auto Blend Layers
In Photoshop there is Edit -> Auto-Blend Layers -> Stack Images this is yet another kind of stacking (focus stacking) and despite the wording is NOT the kind of operation needed to ALIGN and Blend astro images. If you don't believe us, give it a try and you'll see it will do very weird things with your layers. Below are the same images as earlier. Note the bizarre masks it created to do the blending.
Aligned, Stacked Starry Landscape Images
While it would probably be better to make this a separate article in itself, we found it painful enough that we don't recommend bothering – and yet we proceed to explain HOW to do it anyway!
If you want the cleanest possible images, you'll – of course – want to reduce the overall noise and bring out details by using many images instead of one. This approach is not all puppies and kittens. Here are some of the pitfalls:
- The direction of sky movement relative to the ground has a significant influence on the quality of the result (as well as the order chosen for alignment). In general, setting constellations are better than rising ones.
- Most of the existing tutorials will assume that you have a recent (CC) version of Photoshop with statistics and an an "Auto Align" that properly manages masked regions.
- Some of the tutorials we've observed are more cumbersome than they need be. There are plenty of hotkeys and mouse shortcuts to make the process go pretty quickly.
- More than 10 or so images can become quite demanding on machine resources.
- The complexity of your foreground will also affect the outcome. A clean, crisp separation between sky and land is preferable. Trees, poles, wires, and other things that extend through the sky are problematic.
- Lens distortion can also adversely affect the outcome.
Aligned Stacking Procedure
- Load all the photos as layers in Photoshop.
- Heal out airplane and satellite trails from each layer.
- Select all the layers and add to a group named "Sky"
- Right click the Sky Group and duplicate the whole group as "Foreground"
- Select all the layers in Foreground. Use Layer -> Smart Object -> Convert to Smart Object.
- Select Layer -> Smart Object -> Stack Mode -> Mean
- Duplicate Mean using Ctl-Alt-Shift-E (Command-Option-Shift-E on MAC). Label the newly created layer "Mean" and turn it off.
- Select all layers in Sky. Set blend mode to "Lighten" and observe the direction of star movement against the ground.
- Be sure the image with stars nearest the ground is at the BOTTOM of the stack. The bottom layer will be your base for alignment. You can drag layers around, or Layer -> Arrange -> Reverse may do the trick.
- Create a mask keeping as much of the sky as is easy to do but that DOESN'T include any ground or fixed location objects. IMPORTANT: Be sure the mask doesn't have holes in it, including at the bottom corners. Click the layer mask, hold down the Alt (Option) key and drag the mask to the next sky layer. Repeat until all sky images are masked with the same mask.
- Select the bottom layer and lock it (Layers -> Lock Layers -> check Position -> Ok)
- Select all the sky layers.
- Chose Edit -> Auto Align Layers -> Auto
- When alignment is done, set blend mode for all sky layers to Darken. If stars are disappearing in the result image, that's bad.
- If alignment is great everywhere, that is you have plenty of stars, you're done. But it probably won't be. So…
- Duplicate the current layers to a NEW document – call it whatever you want, but perhaps "Left looks good" makes sense.
- Open the history palette and click just above the "Align Layers" item (to restore to before the alignment was done). Lock the TOP layer (see item 11) and repeat steps 12-14.
- If a large portion of the image still has streaks in some quadrant, try undoing align, undoing the lock and re-aligning.
- If you're still getting a significant amount of streaking you can also try Auto Align -> Reposition rather than auto.
Q: Why do I have disappearing stars?
A: The reason they are disappearing is because they are not aligned. In Darken mode, the darker sky "wins" out over the several stars. This COULD be a good thing in other situations, but not here!Q: If I went through the trouble of doing all this alignment, why is it still "off"?
A: Photoshop isn't optimized to align stars. Secondly, lens distortion makes a star move non-uniformly across the sensor. And third: stars at different declinations (celestial latitudes) travel at different speeds across the field. To eliminate streaks, the best solution is to track the sky.
- Take the aligned sky, delete all the layer masks. With all the aligned sky layers selected, create a smart Object.
- Do the same Stack Mode "Mean" trick for the sky smart object that you previously did for the foreground.
- The rest is pretty straight forward. Turn the foreground (mean) back on. Use a selection to reveal only the foreground and apply that to the Foreground Group.
- Adjust contrast, color balance, vibrance, etc. to your satisfaction.
- Save the kit and caboodle.
Does all this seem too complicated? Well, then perhaps you might consider using these tools instead. They do most of the hard work for you and they KNOW the difference between stars and foreground (usually because you help them know).
- On a Mac: Starry Landscape Stacker – from the Mac App Store
- On a PC: Sequator – do a Google Search to download it.
By the way there are many astro processing tools, like Deep Sky Stacker – but most/all of them expect that your images will have NO foreground or non-moving objects like wires in them.


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If You Fall Into Any Of The Following Groups,
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Module 5 – Insights & Audiences (Advanced Training)
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This is the most complete, step-by-step guide to becoming a coach and making BIG profits very quickly.
But don't just take my word for it…
Here's What Marketing Experts Have To Say…
[op_liveeditor_element data-style=""][text_block style="style_1.png" align="left" font_size="24″ font_font="Yanone%20Kaffeesatz" font_style="300″ font_color="%23000447″]"If you thinking of using Facebook to advertise then I suggest you first get hold of IM Traffic – Facebook Masters, as you could stand to lose a lot of money advertising on Facebook if you don't know how to do it correctly.
We've reviewed Facebook advertising courses in the past that don't have anywhere near as much training or information as IM Traffic and they were priced @ $2000+
That's right guys – many people out there charge over $2000 for very poorly put together Facebook Advertising courses that don't come close to what IM Traffic provides, and the best part – IM Traffic – Facebook Masters is a steal @ just $67 – wow!"[/text_block][/op_liveeditor_element]
[op_liveeditor_element data-style=""][text_block style="style_1.png" align="left" font_size="24″ font_font="Yanone%20Kaffeesatz" font_style="300″ font_color="%23000447″]"This is probably the most complete traffic course from Kevin so far. It gives me insight, ideas and provides clear steps for profitable advertising. Can't wait to start using Facebook advertising again… the right way.
Did I mention that this is newbie friendly too?
Well done Kev!"[/text_block][/op_liveeditor_element]
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I've used Facebook marketing in my online business since the beginning…
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"How Much For IM Traffic Facebook Masters?"
I'm going to be really to the point here.
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[op_liveeditor_element data-style=""][text_block style="style_1.png" align="left" font_size="24″ font_font="Yanone Kaffeesatz" font_color="#000447″]My goal is to ALWAYS give you the best quality step-by-step training out there… This course is no different.
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I'm sure you'll love how much money this course makes you, but if it's not for you, simply send me an email, and I'll refund your tiny investment, no questions asked.
The only way you lose is if you miss out on grabbing this today.[/text_block][/op_liveeditor_element]
Let's Recap Everything You're Getting Today…
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PDF downloads and "cheat sheets" that saves time when you want to refer back
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PS – These are the most frequently asked questions about IM Traffic Facebook Masters…


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[Pictured: Pendleton Meets Opening Ceremony PMJO1 hunting jacket available for $560.00.]
I mentioned this jacket a while back when I was talking about spring anoraks even though this isn't really one by classical definition (depends on who you talk to rabble, rabble, rabble, etc.). Honestly, this is grossly overpriced, but then again that very fact makes it the perfect "Lusting After" item. There is no way in hell I would ever pay north of $500 for a spring jacket. I mean, it's cool and all, but Opening Ceremony needs to take a good, hard look at itself after pricing their recent collaboration with Pendleton. Actually, now that I think about it there are probably a bunch of killer alternatives that are cooler than this and 1/5 the price. Whatever...chalk this one up to the hipsters.