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Vintage style wall art featuring a pink piggy in a field.
This canvas wall art is reproduced in Oopsy Daisy's San Diego studios using the best digital printing method currently available, resulting in great clarity and color saturation. After printing, the canvas is stretched by hand over a custom built 1.5inch wood frame. The canvas wraps around the sides providing a finished decorative edge. While not needed for canvases, solid wood framing in a contemporary floater style is available in ten sizes and two color choices. A saw tooth hanger is attached for easy hanging and artist biography information is included on the back so that children can learn more about today's working artists. Canvases are exceptionally durable and can be cleaned with a soft, dry or slightly damp cloth.
Heather Gentile set up Gentile Designs soon after graduating from the School of the Art Institute of Chicago in 1992. Her artwork has been featured in both television and print. Heather has worked as a freelance artist in many areas: as a commercial fashion illustrator, children's décor designer, muralist, and fine artist. Her goal has always been to create innovative artwork that inspires a sense of peace, nostalgia, and positive energy. Heather's studio and family live in harmony under one roof in Chicago.
Type: Canvas Wall Art


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Rick Santorum, under pressure to bow out of the presidential race, suspended his campaign Tuesday, saying he wants to devote more time to his ailing 3-year-old daughter, Bella.
Her hospitalization over the weekend became "a time for prayer and thought," Santorum told supporters in Gettysburg, Penn., his wife, Karen, and three of his older children behind him. That caused him and his wife to think about "the role we have as parents in her life," Santorum said.
The confluence of a sagging campaign, the possibility of losing his home state in two weeks and the continuing illness of his daughter combined to create a moment in which Santorum decided to give up his increasingly long-shot pursuit of Mitt Romney.
Bella, who was born with a rare genetic condition called Trisomy 18, was released from the hospital Monday after a bout with pneumonia. It was not the first time she has been hospitalized during this campaign.
The former senator frequently talks about Bella on the campaign trail, and her condition has no doubt weighed on him. As he has fallen further behind Romney in delegates, it must have weighed on Santorum that he is spending enormous amounts of time on the road, away from his family, in pursuit of an increasingly distant goal.
The candidate said on Tuesday that Bella "is a fighter" and is "doing exceptionally well." He said many special-needs children came to his events, their families waving signs that said "I'm for Bella's Dad."
Santorum has been off the trail since late last week as what began as an Easter break turned into a vigil for Bella, prompting speculation that he might be weighing an end to his campaign.
A suspension enables him to keep raising money to retire his campaign debts.
Santorum's decision to step aside clears the way for Romney to claim the Republican nomination, probably sooner than if he had stayed in. With Newt Gingrich having drastically scaled back his campaign and conceded that Romney is the likely nominee, his only remaining opponent is Ron Paul, who has not come close to winning a primary.
Despite his decision, Santorum made no mention of Romney or any bow toward party unity now that he is hanging it up.
Romney, for his part, quickly issued a statement, calling Santorum "an able and worthy competitor" and "an important voice in our party."
Santorum spoke wistfully as he rambled about his underfunded, long-shot effort—he wound up winning 11 states—and how his sweater vest became an unlikely symbol of his candidacy. In the end, he said he showed that "your voice could be heard and miracles could happen."

subset: commoncrawl


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Because of the following statement from the American Physical Society:
"The evidence is incontrovertible: Global warming is occurring.
If no mitigating actions are taken, significant disruptions in the Earth's physical and ecological systems, social systems, security and human health are likely to occur. We must reduce emissions of greenhouse gases beginning now."
I resigned from the society in 2011. First: nothing in science is incontrovertible. Second: the "measured" average temperature increase in 100 years or so, is 0.8 Kelvin. Third: since the Physical Society claim it has become warmer, why is everything better than before? Forth: the maximum average temperature ever measured was in 1998, 17 years ago. When will we stop wasting money on alternative energy?


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Stoddard Silencers is committed to providing an engine exhaust silencer that meets your needs for quality construction and noise attenuation.
With over 30 years of experience in the industrial silencing field, Stoddard Silencers has knowledge to provide the optimal solution to your silencing needs. Our quality manufacturing of the silencers ensures for a sharper appearance and longer life-span to our units, while our different configurations offer cost-effective solutions.


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Roberto Gerhard
An introduction to Gerhard's music
by Calum MacDonald
Roberto Gerhard ended his career in the very forefront of musical modernism, producing in his last 15 years a series of scores notable for their scintillating textural invention and their almost Varesian cragginess of expression. (Metamorphoses, a far-reaching revision of his Second Symphony that amounts to a separate work, was the very last of these.) Their undeniable power – and the aura that automatically adheres to a gifted pupil of Schoenberg – tend to dominate discussions of Gerhard's output.
Yet before he studied with Schoenberg, Gerhard was a pupil of Granados and Pedrell (the latter commemorated in his Pedrelliana); so it is not really a paradox that long after his years in Vienna and Berlin he continued to write music recognisably in the 'Spanish nationalist' tradition – more specifically within the traditions of his native Catalonia. Such colourful, danceable, folk-inflected scores as the 1932 Cantata or the Albada, Interludi i Dansa hardly fit any theory of evolutionary modernism. Yet Gerhard's enlarged experience enabled him to bring to them and their like a rare compositional discipline, and to open up new resources of organised chromaticism (already explored in the Haiku and Wind Quintet) that broadened the 'folkloric' archetype into a music of universal significance. The major compositional statements of this synthesis are the ballet Don Quixote and the opera The Duenna (the most felicitous of whose many marriages is surely its amazingly natural wedding of the Iberian musical vernacular to English prosody), but Gerhard saw no incongruity in producing such relaxed entertainments as Alegrías and Cancionero de Pedrell. All in all, this was an achievement comparable to that of Bartók in Hungary, but effected by different means.
In fact, Gerhard never truly renounced his Catalan heritage, which continued to nourish his flamboyant colour-sense and even provide specific melodic gestures right up to his very last scores. But the Concertos for violin, piano and harpsichord chart a progress away from the more anecdotal aspects of that heritage towards a more flexible and radicalized language. The first major embodiment of that perfected manner is the official First Symphony, one of Gerhard's most powerful works; and it is consolidated in the following orchestral and chamber scores, such as the Nonet. These works illustrate, to an astonishing degree, the union of post-Schoenbergian serial rigour with freely-evolving, apparently improvisational fantasy: the Debussian ideal of music as 'endless arabesque'. And even at their most radical and uncompromising, these works are imbued with a Mediterranean warmth and brilliance, a dark vision and dry humour, that speaks of their composer's essential roots.
Calum MacDonald, May 1991
"A composer needs grace (inspiration), guts, intellect, madness"
"Discovery is nothing. The difficulty is to acquire what we discover."
"There are countless music-lovers the world over who lay no claim to under-standing (in any logical sense) the music they enjoy, and some are amazingly perceptive. Only think of the meagre audiences of cognoscenti that would be left us without that great body of pure amateurs. True, they must be led through the maze of the contemporary scene by an informed elite. But in the last resort their response will also be the ultimate test of that elite."
Bestselling Titles by Roberto Gerhard
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Publisher: Oxford University PressIn Stock: Usually despatched within 24-48 hours$56.26


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Paul McCartney was definitely the highlight of the Queen's Diamond Jubilee Concert at Buckingham Palace, London on 4th June 2012. He ended the star-studded show by performing Beatles classics 'Magical Mystery Tour', 'All My Loving', 'Let It Be', 'Ob-La-Di, Ob-La-Da' and a spectacular version of his own 'Live and Let Die'.
Back in 1976 Paul McCartney and his group Wings visited Zagreb. On the 21st September they played the Dom Sportova arena.
Whilst in Zagreb in 1976 McCartney also met up with Veljko Despot, long time fan and friend of The Beatles.
Were you there at the concert back in 1976?
More links:
The Beatles Revival Band – Croatia's best tribute band based in Rijeka
The Beatles Fan Club Zagreb – the original fan club started in 1968 by Veljko Despot (Jugoslavenski Beatles Fan Club/The Yugoslav Beatles Fan Club)
Tražim zaposlenje u području medija/tiska/izdavaštva:


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More than just a job, find
your career at ABF Freight®
Dock Worker / Forklift Operator, Part-time
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Now is your chance to join one of the country's largest and most trusted LTL carriers: ABF Freight is looking for new team members across the country!
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General Description of Duties:
Dock Workers are responsible for loading and unloading trailers for the purpose of transporting a wide variety of cargo, moving cargo, driving a forklift, or using a pallet jack or other freight for transit. Effectively and efficiently operating mobile technology and completing all required paperwork. Actual duties and schedule may vary depending on terminal location.
- Minimum 18 years of age.
- Have a good stable work record and strong work ethic to add to our exceptional team.
- Have a good safety record.
- Be able to pass pre-employment drug screen and post-offer physical.
If you require reasonable accommodation in completing this application, interviewing, completing any pre-employment testing, or otherwise participating in the employee selection process, please direct your inquires to email@example.com. An Equal Opportunity Employer including Vet/Disability.


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I am so sorry I didn't really let this sink in when I first heard about it: Ehsan Iran-Nejad's pyRevit
I don't really have the time to figure out all the stuff it does, but one thing that really blew my mind is that you can update the ribbon panel without restarting Revit! I just have to find out how he does this! Especially, since I failed to do this a couple of years back. Maybe the API has changed, maybe there is some wizardry going on, but this is what the RevitPythonShell should have been like.
Adding scripts is as easy as creating a folder structure following a naming convention. I like this idea. I love this idea. Hm… I wonder if we can merge some of these ideas back into RPS?
So… If you haven't done this yet, go over to pyRevit and give it a spin!


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Betsy you see has ALS and is terminally ill. Clearly, she could never enjoy wearing such a "frock". I breathlessly read that "Betsy groans in frustration. She's unable to talk because she is in the final stages of ALS, a neurodegenerative disease that is slowly depriving her of the power to move, speak, eat and breathe. Like many of the 30 party goers who flew in for the "Rebirth Ceremony" I am supposed to be impressed with the shindig. Many details are included. A random sampling:
It hadn't occurred to me that assisted suicide could be wrong, because it was clearly what Betsy wanted.
My friends and I rented a house in Ojai, close to Betsy's, for the weekend. We understood our job was to have as much fun as possible.
From 5 to 7pm we would drink cocktails while picking out Betsy souvineers from her remaining belongings--everything must go.
One friend brought balloons altered to read "Happy Re-Birthday". Betsy's photographer friend documented everything like a wedding.
A Tesla Model X with Falcon wing doors was at the ready to transport her to the ceremony site.
We were instructed to walk up a hill to a vista where white shade tents, a massage table, and an alter stood before white folding chairs--once again like a wedding. She was lifted into the Tesla X, laughing with joy as the Falcon doors closed, radiant in her blue and white robe. Despite our collective concern, we cheered her on as she was wheeled into the ceremony site. Lots of hooting and hollering, as if she'd just kissed the bride.
The above reads like something on page 6 of the New York Post tabloid wedding section in which two movie stars get married. This is not a spoof. This is very real. All week I have been thinking this is akin to a science fiction novel. Surely a person with wealth and power and the ability to have 30 people fly from across the nation might have put some energy into a little thing called life. Perhaps she did. I have no idea. A few things are a given in this story. ALS is certainly a fatal condition. Those who are terminally ill will die for certain. They will acquire an unwanted and horrific disability. Living connected to machines is a fate worse than death. Those unidentified machines are most likely a feeding tube and ventilator often referred to as life support. The focus here is on the drama of death. As I wrote ten days ago assisted suicide has become a life style.
I have thought long and hard about the classic 1973 science fiction movie Soylent Green. It starred young and old actors alike--Edward G. Robinson, Chuck Conners, Charlston Heston and others. The film was set in 2022 New York City. The population of earth experienced run away growth and New York City had 40 million residents. The city was encased in yellow haze of pollution. The worlds natural resources were depleted and people lived in filth. Heat waves were rampant and tormented the population. Poverty was wide spread world wide. Corporations replaced ineffective governments and corporations ran all social services. The Soylent Corporation provided meager amounts of food in the form of wafers of "Soylent Yellow" and "Soylent Red". In 2022 a new product is released--"Soylent Green". It was made from ocean plankton. Real food had long since been forgotten. Only the fabulously wealthy ate precious commodities like vegetables and meat. Water too was in short supply. Riots took place frequently. For those that remember the film, this dystopic setting was perfectly imagined. Spoiler alert for those that do not recall the film. The most famous scene in the film is Charleston Heston yelling in agony that "Soylent Green is made of people" as he is carried away. I recall a different scene. I remember Edward G. Robinson known as Sol or "Book". For Soylent Green is made of people--people who seek out assisted suicide. It is a culture of death not life. And please do not misinterpret those words. They are rational and devoid of any religious connotations.
I cannot fathom how we as a society ignore rampant ableism and embrace death as a life style choice. This is not science fiction but reality. I know when I enter my class, Bioethics and Disability, next week every student will be in favor of assisted suicide. That is the norm these days. Assisted suicide has become a given. I suppose assisted suicide reflects the American penchant for valuing independence and control. Both are defined in the narrowest sense of the term. If you can't get out of bed independently, dress yourself, and perform the usual activities of daily living your life is inherently inferior if not worthless. This cursory line of reasoning falls flat for me. In reality ableism knows know bounds. It is a lethal ism. Lives are at stake and that includes mine and millions of others. This reality keeps me up and I am reminded of the bellow scene in Soylent Green.


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Hand blown glass | sand colour
Give an organic yet industrial feel to your home with the arty Avance S Vase.
This sand coloured hand blown glass vase adds texture and contemporary flair to your décor. Hand blown by skilled artisans, each vase is totally unique.Dimensions
Care instructions
General info | Hand blown glass | sand colour |
Indoor/outdoor | Indoor use/dry locations only |
How to care for Glass, Mirrors and Acrylic
As beautiful as glass is, it's also fragile and sensitive. In the right conditions, it can endure for hundreds of years, whether it's clear glass, smoked glass, black glass or mirror glass.
Cleaning & Maintenance
Since damage to the surface can easily detract from its original beauty, taking precautions is worthwhile. Do not place anything that has rough and sharp bases on a glass surface. Avoid scratches and water rings on glass tabletops by using coasters and felt pads.
Clear Glass, Smoked Glass, and Black Glass
Plain hot water makes the best everyday cleaner for glass surfaces and mirrors. Use appropriate glass cleaning solutions and a microfiber cloth for cleaning. If you are using a chemical cleaner, take care not to spill it on any of the surrounding finishes. Never use abrasive materials as they may cause scratches on the surface.
First remove any dust and other non-sticky spills. Then spray water onto the surface with a spray bottle. Plain hot water works best since it leaves no streaks. Wipe the glass tabletop down with a microfiber cloth, to get rid of stains and dirt. Use straight vinegar to clean up spills or remove stubborn stains. Then use a clean, dry microfiber cloth to clean the vinegar away. As a final step, you can use a piece of crumpled newspaper to give your table an added sparkle. This removes any fluff and makes the glass shine.
After you give the glass surface or mirror a good cleaning, follow up once a week with a maintenance regimen and use regular water for the rest of the week.
Mirrors and mirror glass surfaces
Avoid using paper towels for cleaning mirrors and mirror glass surfaces, as these can leave unsightly lint behind. Don't use abrasives or cleaners containing ammonia or acid, since such products can destroy the silver backing and edges of your mirror.
While acrylic looks like glass, it is less breakable and about half the weight. When cleaning acrylic products, special care must be taken. Avoid commercial household cleaners because the chemicals in these products can dull and scratch the acrylic. The best way to care for your acrylic furniture, is to clean with lukewarm water and a bit of liquid soap, rinse and dry. Always use a soft cloth as not to scratch the acrylic surface.
- Ø 33 | H. 32 cm
All mentioned dimensions are approximate and may vary by up to 2%.
Visit eichholtz.com/usa for:
- direct access to the US Quick Shipping Program
- UL certified lighting
Visit Eichholtz.com
and select your language


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Directive Blogs
Why SaaS Is Best For Your Business' Software Needs
All businesses have certain software solutions that they need to keep their operations going. Be it an email solution or a productivity suite that you lack, your business is held back from ideal operational efficiency. The traditional way of acquiring these pieces of software can be holding your organization back, so we've come to you with a solution: Software as a Service (SaaS).
Normally, you would pay for a single software license. Doing so presents your company with a rather high up-front cost for the software, making the total cost quite considerable if you need a lot of licenses. While businesses can take advantage of certain perks, purchasing software per license isn't necessarily the best way to do it--not when you have other options available.
Another issue entirely is the fact that you have to continuously upgrade and purchase new software licenses for each of your business's workstations, particularly when your older solutions grow outdated and unsupported. This is yet another cost of implementing your business's mission-critical applications in the traditional fashion. While you might own your software license outright, it will only last for so long before it must be replaced.
Compared to traditional software purchasing, Software as a Service allows you to pay a flat monthly rate per user. The advantage of this is crucial for a small business that wants to get the most out of their investments. Rather than pay a large cost outright for your software licenses, you pay per user each month, which is a considerable cost savings that could be the difference between breaking your budget and saving money for other investments down the road.
Furthermore, your business will be able to take advantage of the latest versions of each of your software solutions by going the SaaS route. Many Software as a Service applications are hosted in the cloud and accessed through the Internet, allowing your business to always use the most recent version of each application. You won't have to worry about implementing software patches or security updates if you're accessing a cloud-hosted application. The provider will keep it updated so that you can always remain confident that your solutions are as secure as possible.
Some examples of a cloud-hosted SaaS include Google's G-suite, Microsoft's OneDrive, and pretty much any cloud-based solution that's paid for on a monthly basis for access to applications. SaaS is more practical, more convenient, and more flexible than its counterparts, so what are you waiting for? To get started with SaaS, give us a call at 607.433.2200.


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Fortunately, that all changed when the computer came in. And then I started to understand all those things that had eluded me for years. Like solving linear equations.
There are several methods to solve them. One involves eliminating terms by applying the same operation at both sides of the equation. When I was a youngster, that only resulted in more complex equations than the ones I started with. Sometimes it didn't even resemble the original equation. The other one is switching terms from one side of the equation to the other side, while changing the sign. That one is already much better and the foundation of the method I will be presenting here.
You only need to fill in a simple table and then do some additions. If you manage to do that, you're left with one single division - and that's it. Let's take the following equation:
2x + 2 - 76 = -12x + 10The table is a no-brainer. Make two columns and name the first one "+x" and the other one "-n". Got that? Note that even if you don't get the signs right, it's not a problem. Now, fill in the numbers associated with "x" in the left column and all others in the right column. If a number is on the right part of a subtraction, add a minus sign, e.g. "12 - 4x", will result in "12" in the right column and "-4" in the left column.
Once you hit the "equals" sign, subtotal both columns. Now write two new labels, "-x" in the left column and "+n" in the right column. Then continue until you're done. So now we've got something like this:
Now negate the number in the top right column and the bottom left column and add the subtotals in both columns:
(2 + 12)x = 74 + 10 =>I promised you, you would be left with one single division. I didn't lie, here it is:
14x = 84
x = 84/14 =>That's it! It's so simple even a computer can do it. And that's exactly what I did in just 40 lines of Forth code - and that includes the entire parser:
x = 6
Sure, you always risk making some errors while adding or dividing, but apart from that it's pretty bulletproof. So if your kid is eluded by linear equations, give it a try! Just make sure he (or she) understands that equal signs ("+ +" or "- -") make up a positive number, while unequal signs ("+ -" or "- +") result in a negative number.
But I'm sure he (or she) will manage that - since I mastered that one too forty years ago! ;-)


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MOIRA represents the always-evolving woman. We offer more than beauty products; we provide unique tools for driving confidence, enabling women to awaken the inner beauty that already exists within. Contemporary, innovative, products offer exceptional quality and deliver professional results while still emphasizing simplicity. Our exquisite formulas are designed with all beauty needs in mind, making them the perfect one-and-done tools.
- Over 37,000 happy customers across the US
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Our mission is to make your shopping experience as safe and enjoyable as possible. Have questions? Feel free to contact our award-winning customer care team for advice on everything from product specifications to order tracking.
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- Trustworthy payment method: We partner with the most popular online payment solutions that guarantee enhanced security and fast transaction processing


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SAS recognized as a Leader in Enterprise Marketing Software Suites by Independent Research Firm
According to the report "SAS places analytics at the heart of marketing"
Using cobbled-together marketing stacks from multiple vendors often leaves marketers underwhelmed and unable to support targeted and personalized customer experiences. SAS® Customer Intelligence 360, an integrated, organically grown marketing platform, is a Leader in The Forrester Wave™: Enterprise Marketing Software Suites, Q3 2019. Forrester defines enterprise marketing software suites as "An integrated portfolio of marketing technology products that provide analytics, automation and orchestration, of insight-driven customer interactions to support inbound and outbound marketing."[i]
SAS is top ranked in the Strategy category in the report and earned the highest scores among all vendors for campaign and interaction management, marketing resource management, and measurement and optimization.
"Advanced analytics, such as AI, provides tremendous speed of scale that brands need to keep pace with escalating customer demands, the deluge of data and content, and innumerable customer journey permutations," said Wilson Raj, Global Director of Customer Intelligence at SAS. "SAS Customer Intelligence 360 goes far beyond your typical marketing cloud. With SAS' hybrid computing architecture, embedded AI helps marketers efficiently sort through vast amounts of customer, operational and campaign performance data to optimize offers and personalize campaigns for customers based on their real-time interactions, in-store behavior, or mobile app use – whether the data is on-site or in the cloud."
In the report, Forrester writes that "SAS offers unparalleled reporting, analytics, predictive modeling, and optimization via dedicated functionality for power users and through features embedded in applications for marketers. SAS's vision for marketing is unique in its thesis that fusing marketing and data science at all stages of customer intelligence and engagement will improve customer engagement and marketing performance."
"In addition to its considerable analytics firepower, SAS offers tightly integrated cross-channel campaign management and marketing resource management features that stand on their own. SAS has a well-defined product road map that enjoys strong support from clients. SAS's clients rave about excellent account management and report that product implementations, particularly the new SaaS product versions, are successful and well supported."
SAS was also recognized this week as a Leader in The Forrester Wave™: Cross-Channel Campaign Management, Q3 2019. SAS earned the highest possible scores in the criteria of user experience, business technology vision, innovation roadmap, partner ecosystem, delivery model and customers. Forrester noted that "SAS provides much deeper and richer channel capabilities than any other vendor in this study."
Learn more about SAS Customer Intelligence 360.
[i] Forrester Glossary: https://www.forrester.com/staticassets/glossary.html -- accessed September 2019
About SAS
SAS is a global leader in data and AI. With SAS software and industry-specific solutions, organizations transform data into trusted decisions. SAS gives you THE POWER TO KNOW®.
Editorial contacts:
- SAS Česká republika
Jelena Stanković
00 381 63 430 117


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Steven Fisher
Arlington VA
If someone asked me to describe myself, I would say I am... a Creative Leader a Seasoned Entrepreneur a Sci-Fi Filmmaker a Soon to be Published Author a Product Strategist a Experience Designer a Productivity Hacker a Budding Craft Beer Maker a Coffee, Chocolate and Cheese Lover a Hot Yoga Teacher a Slow Runner a Fast Eater and I'd like to believe, an Innovation Rebel. Oh yeah and I'm Kinda Funny.** I have 18 years experience in product management and marketing, experience design and digital strategy. I feel strongly that my background as an entrepreneur and filmmaker along with working for large corporations, has given me some unique insight into what businesses need to do in order to stay innovative, entrepreneurial and fiscally fit. I believe that having a rebellious and innovative spirit is one of the paths to enlightenment. So is consuming chocolate and peanut butter - at the same time. I speak and write on the future of work and everything that intersects with it (e.g. entrepreneurship, coworking, leadership, productivity, social business, innovation) and I am working on my first book "The Startup Economy" with co-author Ja-Nae' Duane, due out in early 2014. Others might know me as the co-creator and producer of "Browncoats: Redemption", a Joss Whedon Firefly/Serenity film for charity. This completely crowdsourced production recruited 160 people in 200 roles to create a feature length film that raised over $100,000 for five charities. When I have slivers of free time I like to fly and successfully land airplanes, play awesomely loud guitar and classical piano risking the ears of everyone around me, create mushroom clouds with my cooking experiments, travel to exotic places that may require State Department permission and take pictures of anything that will stand still to capture this journey we call life. ** An


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U-M startup raises $6 million in venture funding
Movellus is a U-M startup founded by alumni Dr. Mo Faisal (now CEO) and Dr. Jeff Fredenburg (now VP of Engineering).
ANN ARBOR—Movellus Inc., a University of Michigan startup, has secured $6 million in Series A venture funding for a total of $10 million so far. The company provides technology that helps accelerate and optimize semiconductor chip design.
Its applications include cloud computing, the Internet of Things, and artificial intelligence.
The $6 million in funding was led by Stata Venture Partners, run by Ray Stata, founder and chairman of Analog Devices. Also participating in the round are Intel Capital, which had invested in two prior funding rounds, and U-M's MINTS, or Michigan Invests in New Technology Startups.
Movellus, based in San Jose, California, with operations in Ann Arbor, launched in 2016 with help from U-M's Office of Technology Transfer. U-M Tech Transfer has helped more than 129 startups launch since 2010.
"I've worked with U-M Tech Transfer since before we even launched Movellus, and continue to have a productive relationship with the office," said Mo Faisal, Movellus president and CEO.
Faisal said his work with mentor-in-residence Dave Hartmann was critical in clarifying how to commercialize the technology early on and he continues as an adviser to Movellus.
Faisal earned his master's and doctoral degrees in electrical engineering from U-M. He started the company while finishing his doctorate under David Wentzloff, associate professor of electrical engineering and computer science who sits on the Movellus board of directors. Jeffrey Fredenburg, co-founder and vice-president of engineering, earned his bachelor's, master's and doctoral degrees in electrical engineering at U-M.
The new $6 million in funding will be used to further expand Movellus' infrastructure to meet the company's rapidly growing customer demand, expand its product portfolio and increase its market penetration, Faisal said.
Initiated at U-M, Movellus' patented technology is solving a critical problem for the semiconductor industry. Movellus has digitized the analog—historically a time-to-market and performance bottleneck for semiconductor chips.
"Movellus is leading the way when it comes to the design of the multicore semiconductors that AI and cloud computing will require. They are demonstrating that Ann Arbor has the capacity to build a world-class chip design team," said Kelly Sexton, associate vice president for research-technology transfer and innovation partnerships at U-M.
Hartmann said that early pre-seed capital from local investors was important to launching Movellus such as Ann Arbor Angels, Invest Michigan and several U-M alumni angels with an interest in launching U-M startups.
Story orginally published in the Michigan News


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Free standard shipping on orders over $100
This loose-leg Paris Pant is the perfect addition to your casual yet classy wardrobe. With grommet details on the sides, this pant perfectly pairs with any of our tanks and tops. Whether you're going for a walk on the beach, having a fun night out, or hanging out at home, these pants will keep you cool and comfortable.
Designed by Carine Wang in Scottsdale, Arizona
At CARINE, we want you to love your purchase. To ensure your upmost satisfaction, we offer a 30-day return policy for online orders.
To be eligible for a return, your item must be in the same condition as you received it: unworn or unused, unaltered, with tags attached, and in its original packaging. Additionally, you will need to include your order number which can be found on the invoice, packing slip, or email confirmation.
Please initiate the return process within 30 days from the date of receiving the item. We are unable to accept returns after this 30-day period. For more information regarding our return policy, please click here.
Periodically, we offer free shipping on certain orders. Free shipping only applies to orders delivered within the Continental US. If you choose free shipping, the delivery carrier and method will be chosen at our discretion, typically using USPS First Class Package, USPS Priority Mail, or UPS Ground. Some restrictions may apply, and certain promotions may not be combined with free shipping.
Shipping Policy
We do our best to fulfill orders within 1 business day, but please allow 1-3 business days for your order to be shipped.
Please note that transit times provided by the shipping carrier are estimates and may not accurately indicate the exact time it will take for you to receive your package. We are unable to expedite or upgrade delivery, regardless of the shipping method chosen or the transit time displayed.
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Rocket City FurMeet 2008
From WikiFur, the furry encyclopedia.
(Redirected from Rocket City Fur Meet 2008)
Rocket City FurMeet 2008 (RCFM Deep Six), the sixth Rocket City FurMeet, took place from May 23-25, 2008, at the Radisson Hotel in Huntsville, Alabama, U.S.A. The convention drew 352 attendees and raised $3536 for charity.
- Attendance: 352
- Guests of Honor: WerePuppy, Solion (Lionel Vogt)
- Panelist of Honor: Eltee Statosky
- Staff member X during meet: Jayrith
- Staff member X during rest of year: Kinyin
- Notable events
- Featured events: musical acts Crimson Mist and Critical Fail, dances each of the three nights, Second Life tracks
Mystery Guest of Honor[edit]
This was the first year that a furry convention featured a Mystery Guest of Honor, chosen from the registered attendees at a random drawing at Opening Ceremonies. The Mystery GoH was a fur named Sabrina Bear. Sabrina was treated to all the amenities GoH's usually receive.
External links[edit]
- Official website
- Photos, videos, reports: Rocket City FurMeet 2008 resources


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Posts Tagged 'Eric Tingstad'
Interview in 2012 with GRAMMY Award-Winning Guitarist, and Cheshire Studios Record Producer Eric Tingstad.
Eric Tingstad is a distinguished artist and record producer who over the course of his lengthy career has recorded many fine albums in a variety of genres.
Famous for his expertise as a songwriting guitarist in a variety of genres, the diverse range of influences include Americana, alternative country, ambient, blues, jazz, rock and new age music. Eric Tingstad's new release Badlands is a vibrant follow-up to his GRAMMY® Nominated album Southwest.
New Age Music World site host John P. Olsen had an opportunity to interview New Age GRAMMY® Award recipient Eric Tingstad in October of 2012. This interview publication with a variety of topics follows the release of his new 2012 album titled Badlands. Today we are pleased to present their conversation to his fans and to all international site visitors.
John P. Olsen: I would like to thank you for accepting my invitation for this interview Eric. In addition to being a distinguished GRAMMY® Award-winning artist and guitarist, you are also a record producer, so I hope to cover many aspects of your life and career in music during our interview today.
Let me begin by saying your newest Americana album titled Badlands is a wonderfully unique release Eric! I found Badlands is miles apart in theme and style from the majority of new age, world and instrumental albums I have reviewed this year. Writing a Badlands review was a nice change of pace for me. I found it to be a beautifully picturesque album Eric.
Eric Tingstad: Thank you very much. I have to say that when Badlands was all done, I was very happy to hear how relaxed all the pieces were feeling. Even though there are more teeth and beef than on previously hailed "calming" recordings of mine, Badlands just has this laid back pocket and groove that I was very pleased to hear.
It's like some really big guy giving you a massage or a powerful engine that's just idling. A lot of headroom. And whereas Southwest was a bit more gentle, tender and soothing and that all is bliss in the desert, Badlands intentionally has more grit and attitude. Not so much about the spiritual ambiance of the Southwest, but more of the human element and how it resonates with the harshness of the environment.
John: Your new 2012 Americana album Badlands honors the traditions of American roots music and Western culture, and is unique from many previous albums like Acoustic Elegance: Ultimate Collection, Acoustic Garden, Paradise & American Acoustic. How did the idea or inspiration for Badlands originate?
Eric Tingstad: Badlands is the follow up CD to my 2007 release, Southwest and continues my adventures of combining ambient elements and vibe with American roots music. My early musical influences were what I heard on the TV as soundtracks for movies and shows. I watched a lot of western adventures and the Beverly Hillbillies, which was just rich in the roots music of Flatt and Scruggs.
Also one of my earliest mentors was a lap steel player and I was fascinated with that sound that he got by using a table knife! Growing up I had a real cross cultural group of friends and I was fortunate to have some Elders in my life as a child that taught me "the ways." They had an effect on my beliefs and subsequent interests in Native American culture. Also on Badlands there is my crunchy telecaster underpinnings that contributes an edgy quality and brings me out of my rock n roll closet a bit. I would also have to say that the music of Angelo Badalamenti from Twin Peaks or Ennio Morricone resonates with me. It's music that creates a sense of place.
John: Badlands features a number of great artist including Nancy Rumbel, Cindy Cashdollar, Byron Metcalf and other fine contributing instrumental artists. Would you like to tell us about some of the artists who perform on Badlands?
Eric Tingstad: On Badlands I intentionally set out to feature more Western elements and a bit less Native American. And so I pulled back on the native flutes and featured more of the dobro, (both slide and fingerstyle), which conjures up that American roots element and the pedal steel and lap steel that bring out the western sound. I also leaned pretty heavily on the fiddle which was played by Andrew Joslyn.
The one major component that is the foundation for both Southwest and Badlands is all that great shamanic hand drumming was done by Byron Metcalf. The frame drumming not only ties it all together, but brings that spirit of western landscape and depth of the Native American culture to the recording. I use these instruments because I love the way they sound. And the way they were played.
I did the fingerstyle playing on the dobro but Cindy Cashdollar did all the cool dobro slide work along with lap steel. I did a bit of the pedal steel but all the amazing stuff was done by Terry Lauber. Ben Smith from Heart supplied all the drum kit efforts. There is a large cast of players involved with Badlands. Counting the engineers, I think there were about a dozen.
John: I found Bandlands very picturesque, with ingrained cinematic qualities. Would you say the same, and do you knowingly make an effort to compose music with incorporated cinematic qualities?
Eric Tingstad: Thank you, but I do not set out to make music with cinematic qualities. What I do, is set out to make music that creates a sense of place. I suppose if I makes you see pictures in your head I have achieved that … partially. But, I also want you to see and feel the dryness, the warmth and smell the smells of my locations and themes. Maybe even make you thirsty or hungry.
John: Currently you also provide guitar instruction and offer consultation in the music business. Could you provide some specifics on the services you offer to artists wanting to improve their chances at succeeding in the music business, or artists who want to improve their individual performance goals?
Eric Tingstad: There are many misconceptions about how the music industry works. What I try to do is help with clearing those up and set a realistic course for each individual. It's helping that I love to do and each client has been different with different needs and expectations. There are so many ways to be involved in the music industry these days and understanding the options is how I can add value to someone's efforts.
John: Pedal steel guitar is prominently featured on Badlands, but is primarily thought of as a country music instrument. Is there a challenge with transition into your Americana style of music?
Eric Tingstad: I did not find that it was all that difficult. I luv country and roots music and the pedal steel is a big part of why I luv that music. But mostly I luv the steel for it's beautiful sound. It has such a pure, full and magical tone. It also has the quality of being able to create long legato phrasing, which is something I am always hearing in head. All kinds of music are being played on the Pedal Steel these days, especially rock. And then there is the whole Sacred Steel style of the Campbell Brothers and Robert Randolf.
John: What made you decide to begin performing on a pedal steel guitar, and is the learning curve, or degree of difficulty, far apart from a traditional acoustic or electric guitar?
Eric Tingstad: I was actually recording and producing other players on the steel with my music before I decided to try my own hand at it. I find the pedal steel to be pretty easy to play and some of my favorite styling for it are the simple passages that demonstrate the warm tone of the instrument. The learning curve was not too bad. I am sure that it helped that I had a pretty good grip on guitar and music in general.
John: I read you perform in the Segovia tradition, but is this style is implemented on a steel strung classical guitar. Could you tell us about some of the finer points regarding this specific performance style?
Eric Tingstad: I was playing for about 10 years as a youngster before I become involved with studying the classic guitar. I was interested in developing a very fluent fingerstyle both for the right and left hand. I think my classical studies were about the smartest thing I ever did for my career. Apart from just learning the proper physical technique I learned a lot about making the guitar sing with a strong sense of phrasing. I also put a lot of stock in the tone I try and generate.
John: In addition to composing, recording and producing your own music, you are an established record producer who assists other artists including Tingstad and Rumbel, Narayan & Janet, The Halyards, The Road Trip Relief Squad and Louis Landon. Would you like to tell us about your role as a record producer, and provide some details about your music recording and production services at Cheshire Studios?
Eric Tingstad: I like to think of myself as sort of old school when it comes to production. I don't try to commit the artist to "my sound" but act as a one member audience that gives feedback from that point of view. It's valuable to remind the artist of the often simple and "taken for granted" things they do that resonates with the listener. I always try to focus on what is best for the song and what will support the lead vocal or instrument line. The goal is to help flush out the intent of the project and keep the artist focused on that original intent. Not always easy to do.
John: You have enjoyed a remarkable music career for over 35 years with many successes along the way Eric. What do you find most rewarding first, as a professional record producer, and secondly as a respected musician?
Eric Tingstad: I don't really think of my part in this wonderful world of music in terms of rewards and respect. I just luv how the music I like makes me feel. I like to listen to music as much as I do to play it and if I can make others feel like I do, then that is all the more better. Helping others realize their musical vision with my production skills is a thrill though and brings me a lot of personal satisfaction. There are so many levels and reasons to enjoy music and I am fascinated by what other players have to offer.
John: I like to report on current music news when I can, so I would like to ask if you have any news announcements or information to pass along about new album projects or special events you plan to make public soon?
Eric Tingstad: I will be continuing in this Instrumental Americana style I have got going now for a couple more projects at least. I will be doing one that is a bit sparser on the production and one that actually will have more vocals. I do lots of songwriting as well with others that needs to be released at some point.
John: Thank you again for allowing me host your most current interview Eric. It's an honor to meet you, and I wish you continued success. It has been a privilege to provide today's news coverage about you and your newest release Badlands. It's a great album and I look forward to your next new release.
Visit the main pages at EricTingstad.com. Purchase or sample albums and songs at Eric Tingstad's music store or find the best songs and albums by Eric Tingstad at iTunes. Photos are courtesy erictingstad.com & cheshire-studios.com.
New Music Review: Americana Album Badlands by Award-winning Guitarist, and Cheshire Studios Record Producer Eric Tingstad.
GRAMMY® Award-winning recording artist and producer Eric Tingstad, renowned for his expertise as a songwriting guitarist in a variety of genres, strides into new territories on a vibrant follow-up to his GRAMMY® nominated album Southwest.
Eric Tingstad's newest release Badlands is Americana album said to honor the traditions of American roots and Western culture. With that byline description I couldn't agree more. I have to admit the 12 songs on Badlands is not what I first expected, but on the other hand, I knew Eric Tingstad is an established, well-known artist who has produced many fine albums in a variety of genres. Tingstad's diverse range of music influences include Americana, alternative country, ambient, blues, jazz, rock and of course, new age music.
With this far ranging diversity of influences, and Eric Tingstad's reputation as an artist led to the prospect of something grand. It didn't take long before I found the direction he would choose, and distance he was prepared to travel on Badlands. Akin to his Southwest album, Badlands is a moving example of Americana music at its finest, beautiful in every vivid detail from start to finish.
One characteristic I heard right away was the cinematic latitude Badlands conveys to the listener. It's an attribute where colorful illustrations paint a picture of the desert Southwest with vibrant transparency. It's a moving portraiture of a bygone era, yet before you lay a stylish, modern day representation of contemporary Americana music. Most songs are ingrained with a casual and upbeat atmosphere, while several songs are shaded with light country and Native American influences.
Badlands is unique to most instrumental albums by the use of lap steel and pedal steel guitar implemented in unison with a variety of traditional instruments, performed by a group of talented artists. Among the group is co-artist and award-winning artist Nancy Rumbel, who has her own solo career and equally starring role with Eric as the GRAMMY® Award-winning duo Tingstad and Rumbel.
On Badlands you will discover a pronounced Southwestern style of Americana music, made more apparent by the pedal steel guitars and pairing of more traditional instrumentals of English horn, bass guitar, organ, violin and percussion. It can be said Eric Tingstad approached a fork in the road, and had a choice to make when producing Badlands. By all accounts taking a road less traveled by others has clearly turned out to be a winning choice.
Musicians performing on Badlands include Cindy Cashdollar (dobro, steel and lap steel guitars), Ben Smith (drums), Byron Metcalf (frame, bass and buffalo drums, clay pots, djembe and udu), Garey Shelton (bass), Terry Lauber (pedal steel guitar), Andrew Joslyn (violin), Eric Robert (organ), Nancy Rumbel (English horn, oboe and ocarina), Petra Stahl (voice), Narayan Baltzo (trumpet).
Visit the homepage of EricTingstad.com and sample or purchase Badlands at his music store or find his albums at major online retail stores including Amazon.com, CDBaby and iTunes. Photos are courtesy Frank Blau and erictingstad.com.
Badlands Song Sample: New Americana Album by Eric Tingstad.
Eric Tingstad is a GRAMMY® Award-winning guitarist and record producer with a new Americana album for 2012. Famous for his aptitude as a songwriting guitarist, Eric Tingstad is a record producer and artist capable of producing songs in a variety of genres like ambient, blues, country, folk, rock and new age music.
Badlands is Eric Tingstads new Americana album said to honor the traditions of American roots, music and Western culture. This is a characterization in close relation to the definition given by the Americana Music Association (AMA). Bandlands is a vibrant new follow-up to his nominated album titled Southwest.
Eric Tingstad's new album is a deep rooted Southwestern style of Americana music, made more apparent by the pedal steel guitars union with more traditional instrumentals of English horn, bass guitar, organ, violin and percussion. There are a number of top recording artists joining Eric on his brand new album for 2012.
I have an interview with Eric Tingstad and album review of his Americana album soon. Here is an official song sample from Badlands called Jornado. Badlands is available as a CD album or buy individual mp3 downloads at EricTingstad.com.


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Frequency Allocation- A Grand Corruption?
Understanding the State capture by Kleptocrats does not require a dedicated study; it is easily recognizable. For the benefit of keen students of governance, let me begin this article with the definition of Kleptocracy: "A form of political and government corruption where the government exists to increase the personal wealth and political power of its ruling class at the expense of the wider population".
Kleptocracies are mostly associated with authoritarian or nepotistic regimes. In this article, I endeavor to examine some governance aspects of Sri Lankan style of frequency allocation with specific reference to TV rights.
Television licenses and the right to own television rights for sports are turning to be one of the most abused resources. Why? Firstly, an average person does not understand the mechanics or value of transactions and therefore it is often abused by those who control them. Secondly, secrecy of broadcasting is generally maintained at the highest level of the political elite. Thirdly, in a State where regulatory framework is subject to interference, no challenge is possible against abuses. Finally, unlike other properties, radio frequency is not tangible and any contracts arising out of them cannot be measured by an average person.
Corruption in frequency allocation is rampant in several parts of the world. Let me take one example to demonstrate the financial losses that can cause to a State in such cases. One of the all-time biggest acts of corruption relating to the allocation of frequencies was reported from India. Known as the 2G Scam it was about the allocation of frequencies to mobile service providers for second generation mobile phones where 122 licenses were granted to 8 companies. The estimated loss to the State was US$ 34.5 Billion! The Minister in charge of Telecommunication (A. Raja – DMK Tamil Nadu) was in the centre of the controversy. He and his secretary along with a group of executives of companies resorted to corrupt methods to secure frequency allocation licenses for the identified 8 companies. Among the methods used was to advance the cutoff date of applications for licenses from 1st October to 25th September 2007. There was no rule in India to publicly auction frequencies but the price at which the allocations were done was, however, set for the rates as at 2001, which was the initial (formative) age of telecommunication industry in India. To quote an example, it was revealed that Swan Telecom which secured some contracts for frequencies for US$ 306 Million sold 40% of its stake to Etisalat for US$839 Million within a few months. Exposure of these deals led to investigations by the Auditor General and many other probes. The Centre of Public Interest Litigation and Subramaniam Swamy moved Supreme Court of India, resulting in cancelling all the 122 illegally entered contracts. The Central Bureau of Investigation (CBI) has taken over the investigations and the Minister, his secretary and many other VVIPs including the daughter of Karunanidhi were arrested and are now facing prosecution. Not to mention, the CEOs of several companies are also being prosecuted for their corrupt conduct. Though corruption took place, they were virtually caught and are being prosecuted. Can it ever happen here?
I gave this example for the reader to figure out the financial stakes in any corruption involving airwaves, here or abroad. The 2G Scam also gives the reader an idea of the available opportunities for corruption in the allocation of frequencies. The matter does not end there. With the development of electronic media, Television Right to broadcast sporting events has become, probably, the most lucrative and expensive rights in many countries. National Football League games (NFL), for example, are the most lucrative rights of any American Sport – and no other game has ever fetched such huge bid amounts. It is no secret that the financial fortunes of many television networks in America have rested on securing the broadcasting rights of NFL games. According to available information, several networks (Fox, CBS and NBC) are paying a combined total of US$ 20.4 Billion to broadcast NFL games under the current contracts. NFL is the national football association, consisting of 32 teams in the USA. Though comparatively less in terms of revenue, most of the sporting events including Olympics fetch billions of dollars for the sports associations. For example, the 2011 Cricket World Cup television rights were given to well recognize TV networks, ESPN Star Sports and Star Cricket for US$ 2 Billion. Simple analysis of available material on the allocation of TV rights on games the world over will demonstrate that these rights are given at a highly completive price, to well established and credible television networks, and are subject to rigorous external scrutiny.
Regulating Frequency Through TRC
In almost all the countries with democratic and accountable traditions, there is an independent regulatory mechanism to decide on the allocation of frequencies. Mainly, the frequencies are used by radio stations, TV stations and mobile service providers. There are well established schemes and criteria in allocating frequencies and it is no secret that this is one of the trendy modes of revenue for the State. Since the allocation of frequencies can be abused, many countries have evolved transparent accountability models to prevent such abuses. However, these new methods of accountability have not completely replaced the well tested orthodox mechanisms such as the Auditor General's investigations and judicial review.
Although the functions of a Regulatory Authority in electronic media can be analyzed from various angles I will confine myself to (i) the required level of independence and (ii) its relevance to civil liberties. It is well accepted in national and international law that airwaves/frequencies are public property and being limited they have to be used in the best interest of society. Following the rationale of leading cases of Secretary, Ministry of Information and Broadcasting v. Cricket Association of Bengal & Red Lion Broadcasting Co. vs. FCC, Sri Lankan Supreme Court, in the Broadcasting Authorities Bill determination, in the year 1997, summarized the legal position as follows:
"The body that allocates licenses must be independent of government. The ultimate guarantor that the limited airwaves/frequencies shall be utilized for the benefit of the public is the State. This does not mean that the regulation and control of airwaves/frequencies should be placed in the hands of a government in office for the time being. The airwaves/frequencies, as we have seen, are universally regarded as public property. In this area, a government is a trustee for the public ….."
To be realistic on the ground situation here today, I am reminded of the famous quote from Edmond Burke "Among a people generally corrupt, liberty cannot long exist."
In Sri Lanka, there is no specific and independent broadcasting regulatory authority. Function of an independent regulator of frequency/airwaves is "handled" by the Telecommunication Regulatory Commission (TRC). TRC has been established under Act No. 25 of 1991 amended by Act No. 27 of 1997. It consists of the following members; all are either ex-officio members or appointees of the Minister:
(a) the Secretary to the Ministry, who shall be the Chairman of the Commission
(b) the person for the time being holding office as the Director-General; and
(c) three members appointed by the Minister from among persons who possess any recognized qualifications and have distinguished themselves in the field of law, finance and management respectively (hereinafter referred to as "appointed members").
The TRC was also involved in direct political activities. The best known activity was the "free of charge New Year's day SMS from presidential candidate – the President, its own Minister. We also know that, though lacked legal authority, on the instructions of the Media ministry, it blocked several websites, critical of the regime. Probably we do not know whether the regulator is engaged in business and for whose benefit. For example, there is not much of information available in the public domain on how billions of rupees (or more) has been justified to build the proposed Lotus Tower. Was there at least a frank discussion within the Board? Presently the TRC is assigned to the President and the Secretary to the President is the TRC Chairman. Another interesting feature is that the Director-General of the TRC, the paid CEO, is also a member of the Board, "who shall also preside over the meetings in the absence of the Chairman". It is also no secret that for many years, when individuals are appointed to the boards of the public institutions, the selection is not made on merit. Therefore, the legislative requirement to appoint professionals or to appoint "fit and proper persons" is ignored by the appointing authorities. Are we complacent with the legal provisions on appointments and underlying rationale? The myth is exposed when we realize today that every profession has a set of mediocre henchmen to suit any appointing authority.
The TRC is the sole authority to manage radio frequency spectrum (section 10 of the Act). TRC issues frequency licenses to those who obtain TV or Radio licenses by the Media Ministry (which is by and large the propaganda arm of the state). There is no clarity or transparency in how these licenses are issued. In 1992, when the government permitted private television networks, Maharaja Television Network was launched in collaboration with Singapore Telecommunications Limited. Unfortunately, we do not have the data in the public domain to ascertain how each of the present TV and Radio networks received their respective licenses. Sri Lanka has 24 licensed TV networks and 12 channels received licenses after President Rajapakse assumed office on 19th November 2005. Among them is Carlton Sports Network (CSN), which commenced operations on 7th March 2011. For the purpose of this article let me only deal with CSN.
CSN – the Masterpiece of Frequency Grab and Eating into Public Revenue
It was reported in media recently that CSN has secured from Sri Lanka Cricket (SLC) the television rights for cricket for three years for a meager sum of Rs.125 Million. First of all there is no material in the public domain as to how CSN secured a television channel. According to its own website, operations of CSN have commenced on 7th March 2011, and this is the date on which CSN has submitted the application for registration as a company. The names of the directors are not on their website, except its CEO. One cannot justifiably challenge the right of any individual to form a private company of this nature but what happened beyond the registrations is a matter of public concern.
Let us briefly understand the operations of the CSN before dealing with the Television rights contracts for Sri Lanka Cricket. CSN is not merely a television network. It has wider objectives. Articles 3 of its Articles of Association sets out, inter alia, the following objectives:
- To carry out on the business of television network to telecast and broadcast pictures and sounds for entertainment, education, knowledge, news or any other television and radio programme
- To organize sports events, entertainment events etc, to form sports associations.
In a fascinating investigative article published in Sunday Leader, journalist Ranjith Jayasundara has traced the profile of CSN (www.thesundayleader.lk/2011/07/24/carlton-sports-network-and-somerset-entertainment). This is what Jayasundara says about the Board of Directors:
"S. K. Dissanayaka 7/2 Vaidya Road, Mount Lavinia, A. R. Fernando 29/3 Samudra Mawatha, Panadura, S. Karunajeewa 31/3 Horton Place, Colombo 7, R. Welivita 33 Hospital Road, Homagama. Mr Karunajeewa has rather a well connected father: Chairman, People's Bank. Rohan Welivita is a Presidential Adviser on Electronic Media and the force behind a broadcasting licence issued in the name of Sri Lakvahini. Sri Lakvahini is currently in the market according to industry sources, looking for a suitable partner to commence operations. Rohan Welivita is married to Anoma Welivita, who is a PA to First Lady, Shiranthi Rajapaksa. Anoma Welivita's father is the former MP for Kalawana, Lionel Gunasekera. Her brother Wasantha is a long-standing associate of Minister S. B. Dissanayaka."
Of these directors, Dissanayaka was just 22 years and Fernando was 23 years of age at the time of incorporation of the company. Welivita however ceased to be a director on 6-3-2011, Dinesh Jayawardana of 24, Cambridge Place, Colombo 7 was appointed w.e.f. 1-3-2011.
Though the registered address was subsequently changed, Jayasundara in his article brings out the following interesting exposure on the initial registered address of the CSN:
"The house at 260/12 Torrington Avenue, Colombo 5 which is listed as the registered address of Carlton Sports Network (Pvt) Limited had an extremely famous occupant some years ago. In the run-up to the parliamentary elections in 2004, the house was used by none other than Mahinda Percy Rajapaksa – who went on to become the 13th Prime Minister of Sri Lanka and then in 2005 – the 6th President of Sri Lanka."
This information coupled with the TRC structure is sufficient for us to come to a reasonable conclusion on how CSN had received the TV license and frequency licence. In all these deals, the beneficial owners are concealed!
Media further reported that the CSN was the sole bidder for the TV cricket rights of the Sri Lanka Cricket (SLC) for the next three years. The national sports body SLC is a statutorily created entity and a public institution belonging to the public, and not to the politicians and their families. Its revenue belongs to the public. Its Secretary is Nishantha Ranatunga, who is also the Chief Executive Officer of the CSN. When the bids are called, the SLC was expected to objectively evaluate and fetch the highest possible price; and if not they should have gone for fresh bids. In evaluating any bid of this nature, the evaluating committee has to consider at least (i) the past record of the bidders, (ii) performance of the bidders and (iii) financial viability and past audited accounts of bidders. To be transparent, the entire process should be devoid of possible conflicts of interest and insider dealings. Applying any reasonable standards, CSN, which has been formed just last year (2011), could not have been considered a competent suitable bidder. Apart from the suitability, the bid is also suspicious for many reasons. The amount is far less than one could ever imagine. There was an obvious conflict of interest of the CEO of CSN who is also the Secretary to the SLC.
Consider the advertising income in live cricket matches. For CSN this will undoubtedly be colossal. In addition to the private companies, there appears to be a competition among public institutions, such as the Insurance Corporation. This exploitation of public funds becomes effortless because the governing bodies consist of appointees with vested interests and political connections to the political masters. Thus I would estimate the advertising income alone of CSN to be over Rs.3000 Million during the contract period. How can the SLC therefore give the TV rights to CSN for just 125 million?
Why did the major state-owned TV stations such as Rupavahini and ITN not bid? Any reasons why MTV/Sirasa did not bid? Do the governing bodies of state-owned stations not have the courage to submit a bid, when CSN indicates its intention to secure the contract? Can private channels ignore the present day realities and face further challenges as a result of competing with CSN? Who is robbing whose money when everyone is silent? We have heard of patriotism again and again, but it is time that we remind ourselves of the words of Edward Griffin, a film producer, author, lecturer in politics; "To oppose corruption in government is the highest obligation of patriotism".
Ailing Sports Law – a Contributory Factor
This article will not be complete unless we examine how the SLC operates within the legal framework. National sports and sporting bodies, including SLC and National Olympic Committee, are governed by Law No.25 of 1973. Like majority of laws introduced during 1970-77 period, the Minister is vested with "super power" over all sports associations. Minister of Sports has dictatorial powers viz: to appoint the Director of Sports & the National Sports Council, to serve as the appellant body, to make interim arrangements for sports bodies, to dissolve national sports bodies, to regulate and control participation in sports either in Sri Lanka or abroad of individual participants or teams representing Sri Lanka. In short, SLC is yet another public body which is under the thumb of the Minister. This means in effect the political arm has full control over any sport in Sri Lanka and cricket is just another victim.
Official website of the SLC asserts that it is "a major source of national income and has always been in the public eye and of interest". It states further, among others, as follows:
"As Sri Lankans have a passion for cricket being its most popular sport with international recognition, Sri Lanka Cricket is on course with multifaceted objectives in ensuring overall development of the sport from grass root level to international level. Due to relentless efforts by Sri Lanka Cricket, Sri Lanka cricket has become one of our super brand names most known all over the world today. Sri Lanka Cricket has been vested with a scope of responsibilities as indicated below.
- Construction, development and maintenance of cricket grounds and stadiums
- Finalizing TV Telecast contracts..etc
- Allocation and handling of finances
- Media Handling in event of major developments
- Safeguarding of legal interests of Sri Lanka Cricket"
All these responsibilities are, however, subject to the inarticulate decisions of political masters. Just to make the point clear, the construction of Suriyaweva Stadium has resulted in colossal waste of public resources and no regulatory body could prevent it because the political masters wanted it; and others kept silent. Similarly, all evidence point to the fact that the contract being given to CSN for TV rights has a similar objective.
In my view meaningful answers to the questions raised in this article can only be found by introducing systemic changes in governance structure in the country, backed by transparency and constant public vigilance. It is now well recognized that Civil liberties are closely connected to governance and public finance. Regulatory framework of Sports bodies or regulatory institutions themselves does not operate in a vacuum; they too suffer from the mis-governance in a country. World over, the Kleptocrats first create a comfortable environment for themselves and therefore they do not often use violence to suppress liberties. I conclude this article inviting the readers to reflect on the words of James Madison, one of the great visionary politicians of all times:
"I believe there are more instances of the abridgement of freedom of the people by gradual and silent encroachments by those in power than by violent and sudden usurpations."


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Stay tuned to discover more about our comprehensive range of junk removal services, responsible disposal practices, convenient scheduling and pricing, and testimonials from satisfied customers. Find out why Junk B Gone is the go-to choice for junk pickup near you!
Comprehensive Range of Junk Removal Services
At Junk B Gone, we take pride in offering a comprehensive range of junk removal services to meet all your needs. Whether you have old furniture, appliances, or electronics that you need to get rid of, our team of professionals is here to help. As a local junk hauler, we provide affordable junk removal services in your area, making it convenient for you to clear out unwanted items. With our efficient junk pick up service, we ensure that your space is decluttered quickly and efficiently, saving you time and effort.
Our Junk Removal Services
Our junk collection company specializes in removing various types of non-hazardous items, including:
- Furniture
- Appliances
- Electronics
- Mattresses
- Televisions
- Exercise equipment
No matter the size or quantity of items you need to dispose of, our experienced team is equipped to handle the job. We ensure safe and responsible disposal, adhering to all local regulations and environmental standards.
With our nearest junk removal services, you don't have to worry about transporting your items to a disposal facility. We come directly to your location, saving you time and effort. Our goal is to make the junk removal process as convenient and hassle-free as possible.
Benefits of Our Junk Removal Services | Why Choose Us |
When you choose Junk B Gone for your junk removal needs, you can trust that you will receive top-notch service from start to finish. Our team is committed to ensuring your satisfaction and providing you with a clean and clutter-free space.
Contact us today to schedule your junk pick up service and experience the convenience of our comprehensive range of junk removal services.
Responsible Disposal and Recycling Practices
At Junk B Gone, we understand the importance of responsible disposal and recycling practices. As garbage removal experts, we take our environmental impact seriously and strive to minimize waste going to landfills.
To achieve this, we actively collaborate with local community centers, non-profit organizations, and donation centers. By working together, we can donate usable items to those in need and recycle materials whenever possible. Through these efforts, we aim to reduce the burden on landfills and contribute to a more sustainable future.
Our expert team is trained in proper waste management techniques. When you choose our junk removal services, you can trust that your items will be handled responsibly and in an eco-friendly manner. We always strive to identify recyclable materials and ensure they are sent to the appropriate recycling facilities, supporting the circular economy.
Donation and Community Partnerships
One of our primary goals is to give back to the community. Through our partnerships with local organizations, we can support those in need by donating items that can still serve a purpose. Whether it's furniture, electronics, or clothing, we work diligently to find suitable recipients for these items.
Additionally, we understand that some items may not be suitable for donation or recycling due to their condition or nature. In these cases, we ensure that these materials are disposed of responsibly, following all local regulations and guidelines.
By choosing Junk B Gone for your junk removal needs, you are making a conscious choice to support environmentally-friendly practices and contribute to a cleaner, greener planet. Together, we can make a difference in waste management and create a more sustainable future for generations to come.
Benefits of Our Responsible Disposal and Recycling Practices |
Reduces Environmental Impact: By diverting items from landfills and promoting recycling, we help minimize pollution and conserve valuable resources. |
Supports the Community: Through our donation partnerships, usable items find their way to those who need them, supporting local individuals and families. |
Compliance with Regulations: We adhere to all local regulations and guidelines for waste management, ensuring proper disposal of non-recyclable materials. |
Contribution to a Sustainable Future: By practicing responsible disposal and recycling, we actively contribute to building a more sustainable world. |
Convenient Scheduling and Pricing
Scheduling a junk removal appointment with Junk B Gone is quick and easy. We understand that your time is valuable, so we've made our booking process simple and hassle-free. You have two options to schedule your junk pickup:
- Book online: Visit our website and fill out a brief form with your contact information and details about the junk you need to be removed. Our team will then reach out to you to confirm the appointment.
- Call our team: If you prefer a more personal touch, you can give us a call, and one of our friendly representatives will assist you in scheduling your junk removal appointment over the phone.
With both options, we offer flexible scheduling to accommodate your needs. We understand that life can be busy, so we provide morning and afternoon time slots to ensure we can work around your schedule. Our team will provide you with a two-hour window for our arrival, and to make things even more convenient, we'll give you a heads up by calling 15-30 minutes before we arrive, so you know exactly when to expect us.
When it comes to pricing, we believe in transparency. We offer all-inclusive pricing for our junk removal services, so you don't have to worry about any hidden fees or surprises. Our prices are based on the volume of junk you need us to remove, so you only pay for what we take away. Our upfront pricing ensures that you know what to expect, making the entire process straightforward and stress-free.
At Junk B Gone, our mission is to provide professional junk disposal services that are convenient and affordable. We want to make it as easy as possible for you to get rid of your unwanted items and create a clutter-free space. That's why we've designed our scheduling and pricing to meet the needs of our customers, delivering a hassle-free experience from start to finish.
Benefits of Our Scheduling and Pricing: |
Quick and easy booking process online or over the phone |
Flexible scheduling options with two-hour arrival window |
Notification call before arrival for added convenience |
All-inclusive pricing with no hidden fees |
Testimonials from Satisfied Customers
Don't just take our word for it – our satisfied customers speak for themselves. With over 5,170 verified reviews and counting, our customers continue to rely on our top-notch junk removal services. They appreciate our prompt and efficient service, as well as our commitment to responsible disposal practices. We pride ourselves on providing the best service in the industry, and our testimonials reflect our dedication to customer satisfaction.
- "Junk B Gone is the best junk removal company I've ever used. Their team was professional, punctual, and did an outstanding job removing all the unwanted items from my garage. I highly recommend their services!" – Sarah D.
- "I had a large pile of old furniture and appliances that needed to be disposed of, and Junk B Gone made the process incredibly easy. Their professional junk disposal team arrived on time, efficiently removed everything, and even cleaned up afterwards. I'm grateful for their excellent service." – Michael R.
- "I recently moved and had a lot of boxes and packing materials that needed to be taken away. Junk B Gone provided fast and reliable junk removal services. They took care of all the recycling and disposal, ensuring that everything was handled responsibly. I couldn't be happier with their service!" – Emily G.
- "I've used other junk removal services in the past, but none compare to Junk B Gone. Their team was friendly, professional, and went above and beyond to meet my specific needs. I would definitely recommend them for any junk pickup or removal job." – David C.
These testimonials are just a glimpse of the positive feedback we receive from our valued customers. We strive to continue providing exceptional junk removal services and maintaining our reputation as a trusted and reliable company. When you choose Junk B Gone, you can trust that your junk will be disposed of responsibly and efficiently.
Coverage Area and Zip Codes
Junk B Gone serves a wide coverage area and can provide junk pickup services near you. From Denver to Boulder County, we are your nearest junk removal solution. Our team covers various zip codes, ensuring that no matter where you are located, you can rely on our services. Some of the zip codes we serve include:
Zip Codes |
80001 |
80002 |
80003 |
80004 |
80005 |
and many more… |
Contact us today to see if we provide junk pickup near your location.
The Bottom Line
In conclusion, if you're looking for efficient and reliable junk pickup services near you, choose Junk B Gone. Our comprehensive range of junk removal services, including the removal of mattresses, furniture, electronics, appliances, televisions, and exercise equipment, makes us the preferred choice for professional junk removal services. We take pride in our responsible disposal practices, working closely with community centers, non-profit organizations, and donation centers to reduce our environmental impact. Our transparent pricing and convenient scheduling options ensure a hassle-free experience for our customers.
Don't just take our word for it – our satisfied customers speak for themselves. With over 5,170 verified reviews and counting, our customers appreciate our prompt and efficient service, as well as our commitment to responsible disposal practices. At Junk B Gone, we are dedicated to customer satisfaction and providing the best junk pickup services in the industry.
Whether you're located in Denver, Boulder County, or any of the zip codes we serve, you can rely on our top-notch junk removal services. Clear out clutter and create a cleaner, organized space by contacting Junk B Gone today. Experience the difference of our professional junk disposal services and let us take care of all your junk pickup near me needs.


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Facts and Fabrications: Responding to a Greenwald Smear
(UPDATED BELOW) Oh well, once more into the breach with matters Greenwaldian. Word comes that I've been subjected to a personal smear by Glenn. Some of this has played out in the comments on the previous post, but I thought I'd bring it out here for an airing, and to expand on a few points. It began with this from a commenter, Semanticleo: Chris; GG replied to you from the flank: "Of course, Chris spent years heaping praise on me and privately seeking opportunities to write in my space. He must have had a sudden epiphany that I'm really just


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Having a good 'About Us' page allows you to show off who you are, what you do and it allows to make people more comfortable doing a business with your company. Unfortunately, this page is being sometimes overlooked, as the perception is that it's not that important.
However, according to a Stanford Web Credibility Research, they derived 10 guidelines/factors which effects websites credibility, 3 of them relating to your 'about us' page (based on a 3 year, 5500 person study):
- Show that there is a real organization behind your site
- Highlight the expertise in your organization
- Show that honest and trustworthy people stand behind your site
Naturally, testing a different version of your 'About us' page should be on your to-do test list. Unfortunately, in most cases 'About us' pages get at most several hundred visitors per month, which is not enough to come with statistically valid results within your 6 weeks test period. In this case, here is the list of 3 must have things an 'About us' page for small and medium businesses should definitely have if you want to get more sales:
3 Must Haves
- Pictures of your office and your team
- A passionate story behind your company showing your values
- Peoples bio (credentials, certificates, training)
Here is the list of some 'About us' pages for your inspiration.
Creative examples:
www.technologywithpassion.com (nice animation)
www.tribal.nl (nice animation)
Business (ecommerce + service + corporate) examples: