text: Warning: preg_match_all(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 665 Warning: Invalid argument supplied for foreach() in /home/treetwik/public_html/includes/MagicWord.php on line 666 Warning: preg_replace(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 670 Warning: preg_match_all(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 665 Warning: Invalid argument supplied for foreach() in /home/treetwik/public_html/includes/MagicWord.php on line 666 Warning: preg_replace(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 670 Warning: preg_match_all(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 665 Warning: Invalid argument supplied for foreach() in /home/treetwik/public_html/includes/MagicWord.php on line 666 Warning: preg_replace(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 670 Warning: preg_match_all(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 665 Warning: Invalid argument supplied for foreach() in /home/treetwik/public_html/includes/MagicWord.php on line 666 Warning: preg_replace(): Compilation failed: group name must start with a non-digit at offset 4 in /home/treetwik/public_html/includes/MagicWord.php on line 670 View source - TreetWiki View source From TreetWiki for Multi-machine Capture System Jump to: navigation, search == Introduction == The purpose of this article is to describe a system for the capture and recording to disc (and optionally live simultaneous broadcast) of video from a virtual environment along with audio from a Skype call carried out simultaneously. The system described uses one machine for capture and recording and up to two additional machines (only one has been tested) to run a virtual world Viewer and provide the video feed(s) to the capture machine. It is assumed that the video source machines are running Windows XP and that the capture machine is a Macintosh; however there are versions or equivalents of the required software for Windows in the latter case. It is assumed that the video to be captured is to Treet edit workflow specs, ie 720p23.976 ProRes 422. One could regard this setup as a Treet.TV studio in miniature (and at significantly reduced, though nowhere near zero, cost), and this article would not have been possible without the detailed support and assistance provided by Wiz at Treet. Thanks, Wiz! == Requirements == === Capture machine === * Intel Apple Mac Pro, 2008 or later running a recent Mac OS X * One [http://www.blackmagic-design.com/products/intensity/ Black Magic Designs (henceforth BMD) ''Intensity Pro'' PCIe video capture card] per video source machine. Install its driver software. If you're installing this ''and'' Final Cut Pro, do the latter first. ($) * [http://www.telestream.net/wire-cast/overview.htm Telestream Wirecast 4.x] Webcasting and capture software. The Pro version is not required. If you have Wirecast 3, BMD cards are not supported, but you can use this method for bringing in video eg from HDMI/Firewire capture devices. ($$) * [http://cycling74.com/products/soundflower/ SoundFlower and SoundFlowerBed audio routing software from Cycling24] (free) * [http://www.skype.com/ Skype] for dialogue capture (free) * [http://rogueamoeba.com/freebies/ Line In] will be useful if you want to hear yourself (free) * [http://www.manycam.com/ Manycam] This app lets you run a camera in more than one application at once. It is used here solely to occupy Skype's video input so it doesn't try grabbing your BMD card. It may not even be necessary (free) * We're assuming you are capturing to edit in Final Cut Pro. If you have FCP installed, you'll have the necessary ProRes 422 codec. ($$$) * You may require a suitably fast hard drive to capture the video. The machine has a 3Gb/s SATA transfer capability. Most drives will give you about 100Mb/s sequential transfer rate. This should be fine for one camera (which will require something like 55Mb/s) but for two it may be difficult. Recommended HD: [http://www.wdc.com/en/products/products.aspx?id=20 WD Velociraptor]. These are 6 Gb/s SATA drives but on a 3Gb/s controller they will manage a sustainable 140Mb/s. ($) === Video Source machine(s) === * PC running Windows XP (SP3 recommended). In my case I have a dual-boot configuration and the XP side has ''only'' the stuff I need to capture in-world video. * Dual headed NVIDIA graphics card capable of running a driver version that still supports the old control panel (eg 196.21 appears the earliest that supports a GTX280). You may need a [http://www.nvnews.net/vbulletin/showthread.php?t=91178 registry hack] to reveal the old control panel. It may be possible to do this with two GeForce cards instead of a dual-header. I haven't tried it yet. It may also be possible to do this with other cards: let me know if you can do this with other makes of display cards. * 1920x1080 display (preferred) capable of operation at 50 or 60 Hz * Virtual World Viewer of choice == System Overview == The source machine is configured to output a 1280x720 viewport locked in the centre of a 1920x1080 screen, thus providing a "viewfinder" allowing the operator to see the area around the scene being captured. (You can dispense with this if you wish, in which case you simply need to set up a 1280x720 screen and clone it. In which case all the special NVIDIA control panel requirements and the need for XP all suddenly go away. However... I really can't believe how useful that extra room in the viewfinder is!). The tricky bit is setting up the viewport. The video capture machine is set up to capture video from the source machine(s) using the Blackmagic card(s). Wirecast is used both as a "gearbox" to change the framerate to the desired output and to aggregate the required audio feeds. It is then used to record to disc at the target Treet workflow framerate and format. The tricky bit is the audio, by the way. Everything else is pretty easy. == Video Source Machine Setup == Virtually the entirety of this setup is about how you get your NVIDIA card to output the desired signals. The trouble is that although the principle is simple, actually doing it is quite tricky and you may find yourself chasing yourself round and round for a while until you get it. I do not have a foolproof procedure for this at the time of writing. Here, however, are the bare bones. * You need to run XP so that you can access the old NVIDIA Control Panel, which allows much greater control over your display setup. If you know how to do what is required here under Windows 7, we need to know immediately! * To run the Old Control Panel, you need the latest driver for your card that still allows access to it. 196.21 works for me with my GTX 280. Your mileage ''will'' differ. * To access the Old Control Panel you will likely also need to hack the registry * Your main display is in the region of 1920x1080 and this is set up as the screen with the Windows paraphernalia on it. * Both displays must be running at the framerate (refresh rate) as your BMD capture rate. In most cases this will be 720p60 or possibly 720p50. * If both displays are not at the same rate, cloning probably won't work. * Cloning is about setting up both displays so that they show the same content. But in this case you need one to be bigger than the other, and this is the tricky bit. Most of the time you'll end up with the main screen setting itself to 1280x720 but ultimately you'll get it to stay put. The trick is to tell the system that the display on the secondary screen is actually 1920 x 1080 and that your 1280x720 output is a window - a "viewport" - on to the centre of it. Here's a run-down of the settings you will probably end up with: * Right-click on the desktop and choose your primary display. It should be the only one present. * In the resulting window, click Additional Properties * In the nView Display Settings pane, Mode is Clone, and your displays should be labelled 1a and 1b. The Primary Display will be the big one. You should have the option, "Disable auto-panning on secondary device (viewport lock)". This is the Holy Grail: if you can see this, you are nearly there. The Lady of the Lake, clad in shimmering Samite, will rise from the water, etc etc ad lib & fade. This box should be ''unchecked'' for now. * Use the Color Correction settings to get your main display to match the appearance of your video capture output as displayed on the capture machine to make them look as similar as possible. Save this as a profile. When you have this all working correctly * In the XP Control Panel, go to "NVIDIA nView Desktop Manager" (''not'' "NVIDIA Control Panel" - that's the new one) * Click Profiles and save it. === Preliminary Video Capture Setup === You will probably need to set up a basic configuration on the capture machine now. All you need is to have the Blackmagic card and its software installed. Run up a new instance of Quicktime 7 or the Media Express app that comes with the card and create a new document. In the capture application, be sure to choose a BMD card 720p option with ''the same frame rate as your display(s)''. If you fail to do this, you will not get any video. See the Video Capture section below if you need additional details. Once you have the XP machine's desktop (or whatever) displaying in the capture window, turn back to the XP machine. === Centering and Locking the Viewport === Remember that setting in the nView Display Settings pane, "Disable auto-panning on secondary device (viewport lock)" (see above)? You'll notice that the window on your capture system moves about inside the main screen, so to speak, as you move the cursor on the Windows machine to the edge of the captured display window, the position of that window moves with the cursor until it reaches the edge of the main screen. This is because the output of the PC graphics card feeding the capture system is displaying a 1280x720 viewport that looks on to a virtual desktop that's 1920x1080. You need to lock down that window to the centre of the screen. Not only that, you will have to do that every time you start up the machine. Here's how to make it easy. Simply make the desktop image on the screen a 1280x720 item centered on a noticeably different screen background. You do this in Display Properties (right-click on the XP desktop and choose Properties). Simply go into your favourite graphics app and create something 1280x720. It could be as simple as a black box. Load it as your Desktop Background and choose Position: Center. Instead of a black box, of course, it could be something more fun. Like this image for example, which you can download and use (but don't use it for anything going out of the building). I use it on a 50% grey background, so you simply see the display on that background. Nice and obvious to see the edges. And you can check colour settings and stuff. [[Image:HD-Treet-Testcard-720p.png|350px|link=[[File:HD-Treet-Testcard-720p.png]]]] To set the viewport position up, then, all you do is this: * Make sure the PC desktop is visible * Right-click on the desktop, choose NVIDIA Display - (name of your primary display) * Click Additional Properties in the GeForce pane * Click nView Display Settings * Drag the control panel to the centre of the screen Now, look at your capture display. * Carefully move the cursor on the PC to move the viewport so that it displays only the 1280x720 image in the centre of the screen. * When it is precisely positioned, check the "Disable auto-panning on secondary device (viewport lock)" box and click Apply, OK. * Close the control panel and you're done. Treet has a HUD that you can use in-world that displays a translucent frame. You can edit the size of this so that it exactly encloses the capture window. This then becomes your "Viewfinder". == Video Capture Machine Setup == === Hardware & Software === Install the required items. The BMD card(s) can go in any slot, as far as I know ''except'', according to some authorities, #3. You will have a graphics card in one of the slots, so that means you can have two cameras coming into this system via BMD cards. If you want to add any more, they'll have to come in via Firewire capture devices (for example). I have only tested this system with one BMD card. Once you have installed SoundFlower, look in its folder and you will see another app called SoundFlowerbed. Run this and also add it to your Login Items. Check that you see the little flower in the menu bar top right. === Possibly cheaper, possibly higher quality alternatives === Wirecast is relatively expensive ($450US). You can download the trial version and see if it's for you, before you shell out. If you decide it's too much, you can do the following simply with a single BMD card. Capture video at 720p60 or 720p50 (see below) using either: * MediaExpress (which comes with the BMD cards) to capture ProRes 422 and capture the audio another way (trickier than it sounds: er, how about you route the incoming Skype audio to the line out of the Mac and patch that into the analogue audio input jacks on the BMD card's breakout cable…); or * Quicktime 7 Pro to capture Native video, and capture the Skype call via SoundFlower …then set up a custom Compressor preset to gear-shift native 720p50/60 to 720p23.976 ProRes 422. I say "possibly cheaper" because you now need a seriously fast hard drive if you don't have one already. And you can't do as much as you can with the system described. But… An advantage of the simpler systems described above is that they are potentially more reliable as they are not doing as much (Wirecast does a lot more than we are using in this setup). === An Important Additional Stage === If you take a file recorded by Wirecast and run it up in the file analyser in Final Cut Pro (Tools -> Analyse), you will discover an interesting thing: FCP will note that there appear to have been dropped frames. Looking at the error list it will show a (large) number of frames with different lengths. Telestream, who market Wirecast, say that what Wirecast does is to vary the frame duration to ensure smooth motion, that what you see in the analyser is actually fine, and that in a given period you will get around the correct number of frames - they just won't all be same same duration. The less charitable way of putting it is that what's actually happening is that WC is dropping frames and they're not admitting it – but in any event, this way of handling dropped frames (by making the duration of the adjacent frame equal its duration plus that of the dropped frame) is actually the correct way to do it. Whatever the explanation, ''do not try using these files direct in Final Cut Pro'' as there will be resulting duration errors and edits will appear to mysteriously move about. Instead, ''fix the files first'' by running them through Compressor with the same settings as they came in with so it can clean them up. On the other hand, if you capture with the QT7 or Media Express methods described above there are no dropped frames (in fact you can have Media Express stop if there are any!) - but you still require a Compressor session to change the frame rate, and in the meantime the amount of disc space you eat up is enormous and you need a respectably fast system to cope with it. Plus the audio side suddenly becomes a lot more complex (at least, it does if you use Media Express, as the only way of getting audio into the recording is to bring it in through the card's audio input sockets). === BMD Card Preferences === In System Preferences, choose Blackmagic Design Desktop Video and in the Settings pane choose one of the HDMI input options. Mine is set to HDMI Video & Analog RCA Audio" but we are not actually going to grab audio through the card anyway. [[File:BMD-setup.png]] === Wirecast Configuration === Open Wirecast. We'll assume WC4 here but it is fairly similar on WC3. However, WC3 does not support the Blackmagic cards, so in this case you would need some other way of getting video into the system, eg Firewire video conversion devices. The good news is that WC 3.0.4 (''not'' the last 3.x version) only suffers the problems that are described in the "Alternatives" section above at a relatively low level. * With the main screen displayed, from the Layout menu select Master Audio, Main Shot List, and Layer Panel. * Under File, set Aspect Ratio to 720p * Under Sources, choose Show Sources Settings. In the window that appears, click on the Intensity Pro card and set its format to one of the HD 720p framerates that your Video Source machine is running at. This is probably 720p50 or 720p60, and it depends entirely on the settings you chose in that NVIDIA control panel on the XP machine and what works with your monitor(s). There are actually only three 720p formats the card supports: the other one is 720p59.94. I was only able to use 720p60 due to limitations of my source system's displays. Click Save. You should be seeing a little green light to the left of the card in the left of the Source settings window and you may even see video if you have anything at the right spec coming into the card. Close the window. * Under Broadcast, select Broadcast Settings. For the Encoder Preset you will need to edit an existing preset until it looks like this: [[File:ProResWCEncoder2.png|350px|thumb|Wirecast Encoder Preset]] For Audio I chose MPEG-4 Audio and Best Quality. It won't let you save at higher than 44.1 sample rate, not 48. Odd. Save the Encoder Preset under a reasonable name, then select it as the active Encoder Preset. I called it "720p23.976". Set the Destination to "Record to Disk" and choose the file location. This includes a default filename: check "Auto increment filenames" and it will add a numeric suffix for each file recorded. Make sure that all the stuff you just set up appears in the window at the top of the panel and then click Save. In fact, all you have done here is to set up an Encoder Preset, because if you had wanted to set WC up for broadcast live streaming, these would not be the settings you would use. But just bear in mind that Wirecast is designed both to capture to disc ''and'' to stream live, so if you want live programmes to be in your future, here is where you set up how to talk to your streaming server. To set the Record parameters, click the little hard drive labelled "Record" in the top left of the WC main window and do most of the same thing again, except for the fact that you simply have to select the Encoder Preset that you created earlier. When you click this in future, it will start capturing to disc. [[File:Wc4-mainwindow.png]] Now we come to the tricky bits. Wirecast has five layers on which you can place content/sources. The default layer is #3 and as you currently have the Layer Panel visible, you will probably see that the only source (what WC calls a "Shot") there is is your Intensity Pro card on that layer. You can rename the layer to something more appropriate, such as "Video" by double-clicking on the label on the left of the panel. This is the layer to use to add additional video capture inputs – such as a second Intensity Pro card and/or an external Firewire capture device. Do this by adding a new Shot from the video device by clicking the little camera+ icon just above the panel and selecting the appropriate source. You would cut or fade between them simply by clicking on the panel in this window. If you wish you can start building lower thirds and other features and given enough time and effort (and probably some more people) you'll be able to produce live shows this way… but I suggest you read the Wirecast manual very soon indeed. === Wirecast Audio Setup === Now we're going to configure the audio side to bring the Skype call into the recording. * Right-click on the mini video screen labelled "Intensity Pro" and choose Edit Shot. Note the loudspeaker icon to the right of the lower pane of the resulting window and, if you like, click on it to disable audio from the card. Which you haven't plugged in anyway. So it doesn't matter really. Close the window. * Now click on Layer 4 in the Master Layers list. You might like to re-label this "Skype Audio", by the way. You'll see a "Blank Shot" there. Right click on it and choose "Delete Shot" * Click on the camera icon with the plus next to it and, from the resulting menu, choose "Add Soundflower (2ch) Shot". This is how the sound from the Skype call gets recorded to disc. If you don't see Soundflower there, check your Soundflower installation * Now go to Layer 5. You might like to rename this Microphone or similar and again delete the blank shot. * Click on the camera and choose the source into which your microphone is plugged. This is how audio from your mic will get to the recording. === Skype Configuration === Now go to Skype. In Preferences, Audio/Video: * Under Microphone, choose the source to which your microphone is connected and ensure that you see some activity in the meter while ''scratching'' the mic. (Scratching is how you avoid hooking up the wrong microphone, such as that one in your webcam you never knew was there. Simply speaking may not reveal this.) * Under Speakers, choose Soundflower 2-ch. * Under Camera, I've selected ManyCam virtual webcam… this may not be necessary. * Under Preferences, Notifications, select "Mute all sound effects" …and you're done. * If you are not participating in the call via this machine (eg, you are in the call from another account and the capture machine is logged into your studio's Skype "Audio Desk" account, then set both Skype's input and output to Soundflower. It will simply capture the other end of the call and receives no local audio input. In this case you do not need the Microphone layer in WC either. * If you want to capture the call ''and'' participate in it – say as a director and to tell participants when you are and are not rolling – and thus ''not have your voice recorded'', then you want to set the Skype Microphone input to your microphone but again ''do not'' have the Microphone layer in Wirecast. === Soundflowerbed === Now go to Soundflowerbed, the little flower icon in the top right of your menu bar. In the top (Soundflower (2ch)) section, choose the output to which your headphones are connected. This is how you hear the other end of the Skype call. This setup assumes you don't hear yourself, which is usual on a Skype call. If you ''do'' want to hear yourself, for example to monitor how you sound on-air, you need a little free application from Rogue Amoeba, the makers of Nicecast and Audio Hijack, called LineIn, which simply allows you to route an input device to an output. Run it up and in the window, select your microphone as the "Input from:" and your headphone source as "Output to:". Then click "Pass Thru" and you should hear yourself. What you do ''not'' want to do is to monitor the audio via Wirecast. This is because the processing in Wirecast introduces a slight delay (latency) and you will find it impossible to talk. Turn this off by clicking the headphone icon at the bottom of the bargraph audio meters on the far right of the WC4 main window. The meters should read, however, when you speak into the mic and when you use, for example, Skype Call Testing Service to check the Skype config. Finally, ensure that all the Shots on all the layers in Wirecast are active. Go to Layer 5 and click on the treble clef symbol, go to Layer 4 and do the same, and go to Layer 3, the video input layer, and do the same. At this point, if you call up Skype Test you should see the audio meters move both when you speak and when the lady at the other end is speaking. Plus you should hear your voice recorded too. If so, all is well. Now is a good time to Save the Wirecast document under a suitable name. Bear in mind that if you are participating in the scene being filmed, you will need to get a microphone feed into SL Voice so that the camera sees your lips moving when you speak. You can do this simply or complicatedly: either split the mic feed somehow or, much easier, simply plug some other mic into your PC and set it up as the SL Voice mic. As long as it picks up your voice and nothing else, it'll do the trick - you are not recording it. === Updating This System === The main issue with this setup is that it requires the Windows machine running the Viewer to be running Windows XP and a very old version of the NVIDIA Control Panel. At some point, the old NVIDIA driver you need for this purpose will become incompatible with the latest Viewer, and no doubt the latest Viewer will be required to be able to see the latest sights in SL - such as Server Side Baking and Materials (actually we are fine so far - July 2013 - but it surely won't be forever). You will need to use a Black Magic (BMD) Intensity card or similar, and Wirecast 4.x or later. The problem is that you cannot do a Viewport arrangement (ie a smaller screen that displays the central part of a larger screen) on an NVIDIA card with Windows 7 or later. You can do a cloned display, but in this case the screens must have identical specs (resolution and refresh). Here is the bare bones of a way around the problem - I'll flesh it out later, all being well. In essence, you clone a 1080p display and capture it on the Macintosh with Wirecast, and use Wirecast to crop and zoom the 720p centre of the display and capture it. Note that this is a fairly standard setting to achieve on any multi-screen Windows graphics card so the following will work for cards other than NVIDIA, too. '''Screen Settings'''. First of all, set up a cloned display profile so that your main 1920x1080 screen is cloned on to your BMD card. If your screen is larger than this you can set its resolution to 1080p - if it's smaller this will not work. The idea is that your BMD card captures ''the entire 1080p screen'' that will be displaying the Viewer, and that you can also see this on your main screen. You may want to use a utility such as UltraMon to enable you to save different settings profiles so that you keep your one for normal use as well as this special one for in-world videography. It's important to set a frame rate that is common to the BMD card and to your displays, and this will probably be 1080p30, ie 1920x1080 display, 30Hz refresh on the Windows side and 1080p30 in Wirecast. Set this up on the Windows machine and turn to the Mac. '''Wirecast Settings''' In Wirecast, choose Sources > Show Source Settings and click on the Intensity Pro card under CaptureCards. This will show you what the BMD card is currently set to and a pop-up menu lets you change it. If you are set up as discussed in the main body of this article, you will be set to "HD 720p60". Change this to "HD 1080p30" and Save. Close the Source Settings window. You should see the entire Windows screen in the Wirecast window at this point. In the main Wirecast window, double click on the video capture layer under Master Layers and double-click on the little screen next to it screen that will probably be labelled "Intensity Pro_1". This opens the Shot Editing window for the Intensity Pro card's output. Select the Intensity Pro mini-panel under the main one and then click on the cropping symbol third from the left under the right of the big screen. This will reveal four cropping sliders, Left, Right, Top and Bottom. Set Left and Right to 320 and Top and Bottom to 180. You are cropping a 1920x1080 screen to 1280x720, and this gives you a central window. If the active area you want to capture is not central, you may need to tweak this, but always keep the sum of Left and Right to 640 and the sum of Top and Bottom to 360 to ensure that you are cropped exactly down to 1280 x 720. You should see in the preview window that you are now cropped to 1280x720 but that the image occupies only the centre of the window, with a transparent background (pale grey grid) around it. Now click the angled screen button immediately to the left of the crop symbol. This is the Visual Effects tab. All you should need to do here is to click on "Scale To Fit" and at this point you should see the image on the screen zoom in to fill the window. Close the edit window. Choose Save As in Wirecast to save the configuration. You may find when you load it next time that you need to do the Scale To Fit again. And that's it - for the video at least. '''Audio Configuration''' The audio, however, is another matter. With the latest version of the Macintosh OS, SoundFlower and SoundFlowerBed are broken, and as a result the configuration described above is no longer possible. In my case I have moved to mixing the audio entirely external to the computer, with a small analogue mixer and a 2-in, 2-out USB audio interface. The configuration is as follows: MICROPHONE: Amplify this to line level, eg with a mic preamp (I use a "Voice Channel" with preamp, EQ and comp/limiter). Split the output into two. Take one path to the Line In socket of the Macintosh and the other to a mono channel of the mixer. In Skype, set the Mac Line In as the Microphone source for calls. This arrangement provides the mixer (which is the audio source for Wirecast) with a feed from your microphone while also feeding the mic signal to Skype so your confederates can hear you. SKYPE: In Skype, set the output as your audio interface. (I use an M-Audio Fast Track Pro but any 2-in, 2-out unit should do.) Take the analogue output of the interface to another input channel on the mixer. This feeds the other people on the call to Wirecast and also lets you hear them. IN-WORLD SOUND: Bring stereo audio from the computer running the Viewer into a stereo channel on the mixer. MONITORING: You monitor the audio being fed to Wirecast via the headphone monitor output on the mixer. This enables you to hear all the audio sources mentioned above. AUDIO TO WIRECAST: Take the stereo mixer output to the input of the audio interface and choose this as your audio source when setting up the audio aspect of the shot (see above). '''Livecast Settings''' Note that you can use this setup in a similar way with Livecast Procaster, should you ever need to: Set the Windows machine up as described and in Procaster edit the settings as follows: Input Source to 1080p30, then in Preferences > Video set output resolution to 1280 x 720 and then click Cropping and once again set left and right to 320 and top and bottom to 180. Note that in my case the preview screen in the Cropping setup lied about how the image was being cropped, but the numbers get it right. Return to Multi-machine Capture System. Retrieved from "http://wiki.treet.tv/Multi-machine_Capture_System" Views Page Discussion View source History Personal tools Log in Navigation Main Page Community portal Current events Recent changes Help Search Toolbox What links here Related changes Special pages Privacy policy About TreetWiki Disclaimers


text:
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subset: commoncrawl


text:
WASHINGTON — The Afghan Army lost more than 20,000 fighters and others last year largely because of desertions, discharges and deaths in combat, according to figures to be released Tuesday, casting further doubt on Afghanistan's ability to maintain security without help from United States-led coalition forces.
The nearly 11 percent decline from January to November 2014, to roughly 169,000 uniformed and civilian members from 190,000, is now an issue of deep concern among some in the American military. For example, the former No. 2 American commander in Afghanistan, Lt. Gen. Joseph Anderson, called the rate of combat deaths unsustainable before he departed at the end of last year.
Concern over how soon Afghan forces will be ready to stand on their own is one reason that the Obama administration is weighing whether it should slow the withdrawal of American troops, the bulk of whom are supposed to be out by the end of 2016.
The newly available numbers also lay bare the challenge faced by the 10,000 American troops and thousands of private contractors who have remained in Afghanistan since the end of the combat mission in December to help prepare Afghan forces to fight the Taliban on their own.
The American-led military coalition, citing internal figures, said the Afghan Army's size had inched back up in the past few months, reaching about 173,000 in January. But that would still put the army at its smallest level since the fall of 2011, when the American project to build viable Afghan security forces was still in its early stages and the coalition did almost all the fighting against the Taliban militants.
More than three years on, the American combat mission is now over and the Afghan military is supposed to be fully in charge of securing its own country. But the army, along with the Afghan police, struggled last year to hold back a resurgent Taliban, and Afghan forces remain far more reliant on American air support, logistics and raids by Special Operations forces than the Obama administration had intended going into this year.
Most of the losses in the Afghan Army over the past year appear to be due to desertion, the coalition said in a written response to questions about the newly declassified data. Smaller percentages came from ordinary discharges and, more worryingly, from deaths in combat, of which there were more than 1,200 last year, a record for the army.
But no matter the reasons, the numbers cast a harsh spotlight on one inescapable fact: The army, the centerpiece of the American-led campaign to stabilize Afghanistan, is losing people far faster than it can replace them. The rate of decline, if not reversed, could leave the army effectively incapable of fighting the Taliban across much of Afghanistan within the next year or two, according to some American military officials and analysts.
The data being released on Tuesday — a month after the American military abruptly reversed its decision to keep data about the Afghan security forces classified — is being published by the Special Inspector General for Afghanistan Reconstruction, an American government watchdog agency that puts out quarterly reports on American spending in Afghanistan.
Until late last year, the inspector general's reports regularly included details about Afghan forces, such as the size of the army and the police. Then the American military command in Afghanistan decided to classify most of the basic data it had been supplying about the Afghan Army and police. It argued that the public release of the data would imperil Afghan and coalition forces.
That decision provoked sharp criticism from Congress and within the command itself when it became public in January. The military reversed itself about a week later, saying that, upon further review, it could safely release the information.
The American command has not elaborated further on its decision. But ahead of the release of the data on Tuesday it said that it was working with the government of Afghanistan to make leadership changes in the Afghan Army in an effort to stem the desertion rate, which has been a problem for years.
The coalition said it was also helping to improve the Afghans' ability to evacuate wounded soldiers from the battlefield and get them properly treated, and training and equipping Afghan forces to better find and neutralize improvised explosive devices, which remain the most deadly weapon in the Taliban's arsenal.
Since the United States and its allies began building Afghan forces in earnest in 2009, the size of the Afghan Army has oscillated, sometimes falling by thousands of troops from month to month. Desertion has been a persistent problem, and the army has never reached its target strength, which currently stands at 195,000 people.
But the long-term trend appeared to be generally upward until the start of 2014, when Afghan forces took on the lead combat role across the country — and the army's numbers started what would become an 11-month decline.
The report, which was provided to The New York Times ahead of its release, was supposed to be published last week. But a day before its scheduled release, the coalition command in Afghanistan quietly informed the inspector general that it had been supplying incorrect data on the size of the Afghan Army through all of last year.
The incorrect data overestimated the strength of the army by thousands of troops. At one point last year, the incorrect data counted nearly 14,000 more Afghan troops than there now appears to have been at the time.
The coalition attributed the problem to what it called an accounting error, and offered no further explanation, the inspector general's report said. It remains unclear whether data for years before 2014 was similarly corrupted.


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Artist: Benjamin Tang
Mentor: Amimi Cheng
Title: Circuit de Benjaminho Massadinho
Medium: Mixed media (string, wheels, clay and others)
The one-lap race represents life expectancy. There are no limitations to the number of pit
stops which determine the pace of life and its
key moments.
The circuit is inspired by the 6 different phases of my life – birth, primary school, secondary school, youth, working life and old age. The 38 black turns represent the negative moments while the colourful straight paths depict the positive moments.
The question posed to you is: Who lives within your youth?


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National Trust Awards $1.6 Million in Grants to Organizations Dedicated to Preserving Black History
On July 5, 2019, at the 25th annual Essence Festival in New Orleans, the National Trust announced more than $1.6 million in grants to 22 sites and organizations through its African American Cultural Heritage Action Fund. Now in its second year, the Action Fund has granted a total of $2.7 million since its launch in November of 2017.
In his announcement from Center Stage at this year's Essence Festival, Brent Leggs, executive director of the Action Fund, underscored the importance of this work, noting, "The recipients of this funding shine a light on once lived stories and Black culture, some familiar and some yet untold, that weave together the complex story of American history in the United States."
The Action Fund is a $25 million multi-year national initiative aimed at uplifting the largely overlooked contributions of African Americans by protecting and restoring African American historic sites and uncovering hidden stories of African Americans connected to historic sites across the nation. This year's awardees include the home of Negro League Baseball phenom Satchel Paige; the Emmett Till Memorial Commission; 'The Forum' in Chicago's Bronzeville; and more.
This year's funds, provided by The Andrew W. Mellon Foundation, were awarded to key places and organizations that help the Action Fund achieve its mission of protecting, restoring, and interpreting African American historic sites and uncovering hidden narratives of African Americans and their contribution to the American story. Grants were given across four categories: capacity building, project planning, capital, and programming and interpretation.
"Beyond saving important African American heritage sites, the Action Fund is helping Americans understand more deeply who we are as a nation," remarked Mellon Foundation President Elizabeth Alexander. "We applaud the ongoing work of the Action Fund in calling greater attention to the diversity of American history and lifting up narratives that have been too long neglected or forgotten."
External review for grant applications was provided by the Association for the Study of African American Life and History and the Hutchins Center for African and African American Research at Harvard University.


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Hire Mountain Bikes from our base at Porlock Weir.
£25 per day for a quality Scott Aspect Mountain Bike, with hydraulic disc brakes, 100mm front suspension and shimano components.
During midweek, and quieter times – enjoy a FREE uplift to the top of one of the nearby hills! Enjoy the best bit, descending back down!
We'll also provide:
- Helmet
- Gloves
- Repair Kit
- Map of the area, with suggested route
- Padlock
We replace our bikes every 6-9 months, and take great pride in all our bikes. We'd go as far as saying these are the best hire bikes available in the area.
All you need for a self-guided Exmoor Adventure!
Scott Aspect 740
Scott E-ride 40′s
Scott E-Strike
E-Mountain Bike Hire!
We now have a fleet of 8 E-Mountain Bikes! These are perfect for Exmoor, as you can start from our base at Porlock Weir, climbing up onto Porlock Hill and across the hills. You can enjoy the amazing views and descents, without putting too much effort in on the uphills! As you pedal, the motor kicks in, and assists you, with 4 different modes to choose from.
£50 per day for hardtail, or £65 for full suspension.
Scott E-ride 40′s. Sizes Medium, Large and XL.
Scott Strike Full Sus - Med & Large
Our Location


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Felicity. Season three
Jeffrey Abrams 1964-; Steve Miner 1951-; Keri Russell 1976-; Scott Foley 1972-; Scott Speedman; Touchstone Television.; Imagine Television (Firm); Buena Vista Home Entertainment (Firm)
Available at UDM McNichols Campus Library UDM McNichols Campus Library Circulation Desk DVD Collection (PN 1992.77 .F45 A4 Season 3 no.3 ) and other locations()
01DAL_UDM - University of Detroit Mercy Library Sign-in for more options


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Garbage Pickup in Loon Lake, NY
From the inner city to the surrounding suburbs, selecting proper garbage pickup in Loon Lake, NY and a company to handle it is important, not only for you, but your neighbors as well. This is why Casella provides residents with professional waste control and garbage pickup in Loon Lake, NY that works for them and is eco-friendly. Contact Casella today to see what proper garbage pickup in Loon Lake, NY can do for you.
Quality Garbage Pickup in Loon Lake, NY for Residents
Our services and garbage pickup in Loon Lake, NY works with your schedule because we work with you to create a personalized routine that meets your waste control needs. Casella offers weekly pickups or customized waste and recycling programs to make waste control easier. Casella is also as an industry leader, and leads in waste reduction and provides solutions for communities when it comes to garbage pickup in Loon Lake, NY.
Casella also offers temporary services ideal for waste collection, as a result of construction, remodeling, house and basement clean-outs, special events or any other short-term project. It's this personalized approach that separates Casella and puts us ahead of other companies offering garbage pickup in Loon Lake, NY.
Ready to get started? Simply fill out our online form or call us today at 518-907-4238 to find out more.
You will feel satisfied once you receive the garbage pickup in Loon Lake, NY from Casella. Our primary concern is your customer satisfaction. We pride ourselves on providing exemplary service over the last 40 years, not only for our customers, but for the environment and the communities in which we live and work. We also do our part to ensure a safe, sustainable footprint, protecting resources and the people in the community in which we live and work.
- Customizable container sizes to fit your job.
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text: Next Tech Issue I Leadership & Talent This Bay Area Shop Makes Data and AI Work for Clients From MTV to the Dalai Lama Stamen Design also relies on strategic storytelling. Marketing Innovation How Kool-Aid, a 90-Year-Old Summertime Icon, Has Stayed So Popular for So Long The tasty, colorful drink mix has been fruity, fun and affordable since the Great Depression. Publishers & Platforms How Video Platforms and Brands Are Courting the Next Generation of Internet Stars There's a talent grab going on for content creators by Facebook, YouTube and brands like AT&T and Verizon's go90. Next Tech The 3 Ingredients That Helped Nestlé Infuse Innovation Into Its Corporate Culture The company's digital transformation started from within. Leadership & Talent The Knot's Chief Innovator Helps Local Wedding Businesses Connect With a Social-Savvy Audience Anja Winikka creates in-person workshops around the country. Next Tech Infographic: How Consumers Want Companies to Use Customer-Service Chatbots Customers want to use them for easy questions, keeping things fast and simple. Next Tech Why Brands Should Shift Their Focus From Data to Identity By fusing marketing science and art to drive customer engagement, brands can regain their former swagger. Next Tech Adweek Kicks Off 'Next Tech' Series on the Jobs and Platforms You Need to Know About Now Beginning with this issue—and over the course of the next four weeks online and in print—we'll take a deep dive into the future of marketing. Next Tech Tech Is Transforming Careers Like Never Before. Just Ask Bevel Founder Tristan Walker He applied data know-how to an age-old problem and revolutionized shaving. Next Tech Mar Tech Is the Latest Buzzword for Brands and Agencies, but What Does It Actually Mean? These five frequently asked questions might give newbies a better idea. 1 2 Next »


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2017 Grand prize winner
Stilianos Louca
As an undergraduate, Stilianos Louca studied physics and mathematics at the Friedrich-Schiller-Universität, Germany, before going on to attain a PhD in applied mathematics at the University of British Columbia, Canada. During his doctoral research, he investigated how microorganisms, in particular their genes, interact with the environment and with each other to drive elemental fluxes at ecosystem scales.
2017 Category winners
Kelley Harris
Kelley Harris studied mathematics as an undergraduate at Harvard University and transitioned into genomics during a postgraduate year at the Wellcome Trust Sanger Institute. She then earned a PhD in Mathematics at the University of California at Berkeley, with a Designated Emphasis in Computational Biology, where she continued building statistical methods that describe how genome sequences evolve.
You can read her prize winning essay here.
Jared R. Mayers
Jared Mayers is a resident in internal medicine at Brigham and Women's Hospital in Boston, Massachusetts, working towards a career that balances basic science research with clinical practice. After completing his undergraduate degree at Williams College, he earned his MD from Harvard Medical School and his PhD in Biology from the Massachusetts Institute of Technology. His research interests center on identifying and understanding the mechanisms driving whole body metabolic alterations and tissue interactions in early disease states.
Mijo Simunovic
Mijo Simunovic sought higher education in the United States and in France, earning his PhD in theoretical chemistry from the University of Chicago, and his PhD in experimental physics from the University of Paris. In his scientific work, he pursues complex biological problems that are fundamentally driven by physics. Currently, he is at The Rockefeller University where, as a Junior Fellow of the Simons Society, he uses stem cells to build experimental models of the human embryo, aimed at elucidating the earliest events in human development.


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No VAR fears for Valverde ahead of Real Madrid showdown
Ernesto Valverde does not think recent VAR controversy will distract his Barcelona players ahead of Wednesday's Clasico.
Ernesto Valverde has dismissed any fears of more VAR controversy when Real Madrid host Barcelona in the Copa del Rey semi-final second leg on Tuesday.
Madrid won 2-1 at Levante on Sunday thanks to two goals from penalties, both of which were awarded after a check with the video assistant.
The second spot-kick was particularly controversial, with Cheick Doukoure penalised for missing an attempted clearance and kicking Casemiro, who went to ground under minimal contact.
Valverde, though, is not worried about such problems when his side visit the Santiago Bernabeu for the first of a Clasico double-header this week.
"We're quite calm about all of that," he said when asked about VAR. "We know controversy is always going to be part of football and other sports. The controversy often depends more on people than the sport itself. We're just going to concentrate on trying to win.
"Obviously, we have to go and try to hurt the opponent because that's how we always like to play. If we don't score, we've got no chance of going through, so we've got to try to score. But we'd do that in a Clasico or any other game.
"We have to protect ourselves against Real Madrid's strengths - that's obvious."
, , , , , and !— FC Barcelona (@FCBarcelona) February 26, 2019
#Messi's best goals at the Bernabéu!
Want #ElClásico?
#ForçaBarça pic.twitter.com/11uAr94tec
When pressed on the Casemiro penalty, an incident which left Doukoure with knee ligament damage after he fell awkwardly, Valverde said: "I'm not saying anything about that. We just hope he recovers as quick as possible and I mean that with no irony whatsoever."
The match will be Valverde's 100th in charge of Barcelona and gives him the chance to build on their impressive recent away record against Madrid, which has seen them win four of their last five league meetings in the capital.
"I don't really take any notice of those things," Valverde said of that run. "Barca played very well at that ground in recent years but it really means nothing for [Wednesday's] game. It'll be a great game. I don't take statistics too much into consideration.
"I'd love to celebrate [100 matches] with a win, of course. It's a big game, a semi-final and also a Clasico. We don't know what's going to happen, but we know it'll be difficult.
"We're not going into it with the best first-leg result, but the tie is still wide open. We're playing a very difficult opponent."
Valverde hopes their 4-2 LaLiga win away to Sevilla at the weekend stands them in good stead for Wednesday's game and the league meeting with Madrid on Saturday.
"Going into a game like this one or the Champions League, it's always good to be in a winning streak," said Valverde, whose side drew 1-1 with Madrid in the first leg. "Winning away from home, scoring four goals against a really tough team, it was a big boost for our confidence."


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How is the cause of migraines and headaches diagnosed?
After completing the headache history portion of the evaluation, the doctor will perform a complete physical and neurological exam. The doctor will look for signs and symptoms of an illness that may be causing the headaches, such as:
- Fever or abnormalities in breathing, pulse, or blood pressure
- Infection
- Nausea, vomiting
- Changes in personality, inappropriate behavior
- Mental confusion
- Seizures
- Loss of consciousness
- Excessive fatigue, wanting to sleep all of the time
- High blood pressure
- Muscle weakness, numbness, or tingling
- Speech difficulties
- Balance problems, falling
- Dizziness
- Vision changes (blurry vision, double vision, blind spots)
From: Headache and Migraine Diagnosis WebMD Medical Reference
Reviewed by Jennifer Robinson on May 10, 2019
Cleveland Clinic.
Cleveland Clinic.
What problems in the brain can cause migraines?
THIS TOOL DOES NOT PROVIDE MEDICAL ADVICE. It is intended for general informational purposes only and does not address individual circumstances. It is not a substitute for professional medical advice, diagnosis or treatment and should not be relied on to make decisions about your health. Never ignore professional medical advice in seeking treatment because of something you have read on the WebMD Site. If you think you may have a medical emergency, immediately call your doctor or dial 911.
This tool does not provide medical advice. See additional information.


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Saturday, January 17, 2015
Frilly Scrollwork Heart
I've commented to several people lately that I discovered a huge stash of vellum in the closet and that vellum needs to make a comeback so I can use it up. I guess it is up to me to start the trend, so look! Vellum! Now run to your stash and gets yours out so you can be on the cutting edge of this return trend.
The Fine Print: Rosebud Heart stamp by Hero Arts, Liquid Pearl dots by Ranger, designer paper, vellum, and ribbon from my stash. I was worried about the scrollwork ribbon over the patterned paper but embraced my inner Janeen and went with it. She combines patterns and elements so well!
7 comments:
- Mrs A. said...
Alive and kicking as we speak. My Internet connection is playing havoc with my blogging. Had to resort to ipading so now I have predictive text to contend with. Anyways I don't think the green pattern on the ribbon detracts from the main pattern paper. Enhances it more like.
Will sign off now and leave room for the two to comment. Hugs Mrs A.
- January 17, 2015 at 7:14 PM
- Sue said...
Fab card PJ! love the colours huggles Sue xxx
- January 18, 2015 at 9:40 AM
- Carol L said...
The hearts look festive and so pretty in this color combination! I love the use of vellum here, but I dislike it almost as much as glitter, so I'll leave it to the good folks like yourself to use it :)
- January 18, 2015 at 11:21 AM
- Leslie Hanna said...
Pink & Lime Green are very retro. And by retro I mean 60s, not 80s or 90s, k? And I may or may not join you on your bleeding-edge vellum trend. I have an embarrassing amount of the stuff myself.
- January 18, 2015 at 3:14 PM
- Unknown said...
Your Valentine card is a very happy card...those colors make it happy. I love vellum and was just thinking I'd like to use it on some cards soon. So you've inspired me to join your cutting edge trend. This weather does make it hard to stay inside and do cards when outside is so wonderful now. I may attempt to make some cards on my front patio table if it's not too windy.
- January 18, 2015 at 9:12 PM
- chrissy xx said...
LOving these colours! Pretty little hearts too..
Must say I've called once, but, you know me? I read the small print and ended up at
Janeen's! Did leave her a message....then I came back.
- January 20, 2015 at 11:18 AM
- Joyce said...
I also like pink and green together. Actually, pink pretty much goes with anything in my book. I have it on good authority that vellum is a very hot trend right now. So, keep it out and use it with abandon.
- January 20, 2015 at 5:01 PM


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Portrait of beautiful woman using her mobile phone in the street. [ + ] [ - ]
- Addictive Creative
- Model release on file
- Licensing terms
This image may be available to license for exclusive use. Please contact us for pricing.
cellphone, cellular, chat, chatting, city, coffee, communication, connection, electronic, ethnic, female, fun, happy, internet, lifestyle, looking, messaging, mobile, online, outdoors, people, phone, pretty, smartphone, smiling, sms, street, technology, telephone, texting, touch, touchscreen, urban, woman, young, youthView all


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Undergraduate Admissions Counselling
Whether your dream school is Berkeley or Brown, Harvard or Northwestern, Boston or Austin, UCL or NUS, or anything in between, chances are we've already been there.Whether you're applying to Engineering or Psychology, in the U.S., U.K., Australia or Singapore, you can count on us to present you in the best light possible – UG to PG. We guide you all the way from college selection, Statement of Purpose, essays and application process. With Uwezo Learning, your future is in good hands. When you need open heart surgery, don't you shop around for the best surgeon? Why would you want anything less when it comes to college admissions!
Our counsellors have studied undergraduate and graduate programs from the U.S.A., so they know exactly what it takes to get into college. It's not just your academics and SAT or ACT score that matter. Everything matters: community service, innovation, leadership activities, among others – anything that helps you standout. We know how college admissions officers think. Choosing the right college is the most important decision in a student's life: don't take a risk with any run-of-the-mill counsellor. Come to Uwezo Learning for a guaranteed admission.
College Essay Writing is an art, which Uwezo Learning has perfected over the last 10 years – it should not be taken lightly. Universities abroad are very interested in who you are, not just your grades or SAT score. As there is no entrance exam to these colleges, once you meet their academic criteria and SAT requirements, well-written essays can mean the difference between getting in or staying out. Don't you think every student applying to University of Pennsylvania or Johns Hopkins University has excellent grades and top SAT scores? Then, how does a college admissions committee decide between 1000's of applications? Uwezo Learning knows how! Talk to us.
A successful application must be accompanied by a good profile. These are things that one does outside the classroom. Remember, even if you're topping your school, you're still just one of 1000's of student across the world striving to reach their dream school. So, if you think by attending a few MUNs and being a House Captain entitles you to admission into Duke University, you've got another think coming. What is Uwezo Learning's advice? Start building your profile very early – 9th or 10th grade is perfect. Learn more about our College Prep Program called Peace of Mind™.
Contact Uwezo for a free 20-minute consultation, and we'll help you understand the big picture. A wise man said, "It's never too early to start planning for college." Send email to firstname.lastname@example.com to set up an appointment.
What is Uwezo's Peace of Mind™ Service?
College Admissions Testimonials


text: Manoj Saxena is Executive Chairman of CognitiveScale and MD of The Entrepreneurs' Fund IV, an AI venture fund with investments from IBM and USAA. Saxena is also on Board of AI Global a non-profit promoting practical and responsible AI and a member of the London Stock Exchange Technology Advisory Board. He is also a Lecturer at University of Texas Austin where he teaches a course on Design of Ethical AI systems. Previously, he served as the first General Manager of IBM Watson. Earlier, Saxena was the founder & CEO of two software companies which were acquired within a 5-year span.


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2 Arrested After Man Falls Off 20-Foot Balcony
Andre Knight Injured In Elliott
A man was taken to UPMC Mercy in critical condition after taking a fall of about 20 feet from a balcony in Elliott on Monday night.
Pittsburgh police said the man was pushed off the deck of a home on Gibson Street while trying to break up a fight with someone who wanted to come inside at about 9:45 p.m.
Andre Knight, 22, told Channel 4 Action News reporter Marcie Cipriani that he is very sore and doesn't remember much of what happened, but he does not think he was intentionally pushed off the deck.
"Just pushing them away, and I guess I was just too small," Knight said. "These two guys were big. I'm like a little feather. So I guess they pushed me over."
Joss Deuerling said she went out for food and returned to find the chaos at her apartment.
"I was hyperventilating," Deuerling said. "I mean. when he was on the stretcher, he fell out, and I didn't know what to do. I thought he was going to die."
Both men involved in the fight were arrested on aggravated assault charges, police said. They were identified as Michael Craig, 30, of the Hill District, and Patrick Giesy, 31, of Elliott.
Craig faces a charge of criminal trespass in addition to his assault charge, police said.
A witness told police that Craig came to the home and tried to force his way inside, and her boyfriend opened the door and began fighting with him.
The man who was jostled over the deck railing in the altercation was a guest at the home, police said.
Early Wednesday afternoon, Knight said he was planning to go back to the hospital because he still did not feel well and was spitting up some blood.
Instead of being angry, Knight said he considers himself fortunate
"I can't be upset with them. It was an accident," Knight said. "It's a blessing. God was with me."
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Java Developer
Urgent hiring for Java developers
Greetings from Nimbus Hire!!!
Nimbus Hire is a Human Resource Service provider and has incorporated with an aim to elevate the level of HR & staffing services. We are committed to introduce innovative ideas in the fields of HRM, recruitment and hiring. Same time we are committed to provide the best career guidance to our candidates
Job Description :-
Designation : Java Developer
Experience :1 yrs - 3 yrs
Salary :1.80 to 3 LPA (Negotiable)
No. of Position : 5
Job Location : Delhi
Skills Required :
1.JAVA,Spring,Hibernate, JSP, Servlet, Javascript, jQuery,Activiti BPM or any other BPM tool
2.Working knowledge ofJASON object,Web Services(REST API)Bootstrap
3.Exposure to Requirement analysis (BRS and SRS)
4.Exposure to project delivery lifecycle (Waterfall / Agile)
5.Databases knowledge- SQL , POSTGRESQL6. Good Communication skills
# Interested candidate can mail your Resumes on firstname.lastname@example.com
To Save Our Detail


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Our goal is to put the "fun" in functional sportswear. That's why we love hearing the creative ideas our customers have. These ideas are what drive us to create our new collections! We design clothing you love so you can put your focus on your kicks, jumps, dives, and saves
Are you tired of stylish, flimsy sportswear? Quality should never be a compromise. No matter what type of athletic wear you're looking for, with our own goalkeeper glove designs we guarantee durability. We want you to enjoy our designs for years to come. Stop by our store in Chesterfield
While shopping with us, we want you to be completely happy with the experience. If you have questions about us, our products, or even shipping, get in touch! We hope you continue to shop with us for many years to come.
Do you have a question or concern? Are you looking for something in our shop? Let us know! We will get back to you as soon as possible with an answer.
207 Chesterfield Center, Chesterfield, Missouri 63017, United States
Open today
11:00 am – 02:00 pm
In order to keep saving our customers money, GKUnion will now only be open during weekends and special events in the summer.
After July 11th the store will be open
Sat 10-2, and Sunday 11-2
Monday-Fri, please call us ahead of time and schedule an appointment
We will always take appointments,
The owner is in and out of the store throughout the weekdays, and you may be able to catch him. If you ever need any equipment during the weekday just call, text or email firstname.lastname@example.com
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Family news: My youngest made her college decision - this was a huge part of the last few months for our family and we are super proud of her. She had some really nice scholarship offers from various places and she decided on a big state school with a number of programs and opportunities.
Paddler's Cup is this weekend (my daughter will race, my husband will run sound, I will volunteer as I can with a sprained ankle). Pictures will be forthcoming on Instagram.
Due to all of the above, my reading report is going to be super short and not include pictures. (Bummer, I know.)
Gemina Book 2 and Obsidio Book 3 of the Illuminae Files - I loved the way this trilogy broke some of the "rules" of writing. I felt like it offered me freedom as an author and I enjoyed the story! (YA SF) 5/5
Outliers by Gladwell - I finished this month and found it thought-provoking. (Non-fiction) 4/5
One Flew Over the Cuckoo's Nest - whoa. I'm not usually into endings like this one, but I found it to be an interesting to book to read for the unreliable narrator and story arc. (Literary-Contemporary-Drama) 4/5
Skyward by Brandon Sanderson - A really fun read I enjoyed thoroughly. (YA SF) 5/5
Summoned Siren Prophecy #3 - a good end to a fun series! I definitely didn't expect one of the twists. (YA Fantasy) 4/5
Breakwater – Broken Tides 1 - This was a fun read about mermaids, mermen, and racism within a community. (YA Fantasy - Christian underpinnings) 3.7/5
Voice of Dominion – Spoken Mage 3 - I am still loving Melanie Cellier as an author. I've read every one of her books and I enjoy each and every one of them. I'm looking forward to book 4 in this series. (YA Fantasy - Christian underpinnings.) 5/5
Gift of the Unmage – Worldweavers 1 - Fun and interesting. (Christian Fantasy) 5/5
Dickensen Academy by Grabowski - A fun and thought-provoking read. (YA Fantasy) 3.7/5
I didn't track overall word count, but I can say confidently I wrote over 15,000 words just based on what I've written in the last two weeks.
However, I stalled out on Bookbound and it took me two weeks to figure out why. I will be doing some short back-tracking to fix an issue I created in chapter 5.
I wrote a new short story, I wrote a children's picture book (a newish type of writing for me), and I worked on an interactive journal project.
Also, I went to the local monthly meeting for the SCBWI and I really liked it.
I'm meeting weekly with other writers at a Write-In event on Tuesdays and twice a month for a critique group. These events are helping me grow as a writer.
This is a little harder to write about, but I know tracking these kinds of things on my blog holds me accountable so:
Three short stories - rejected.
All three submitted again.
One new story submitted.
Novel query 2 for that superhero teen novel is still out there.
PB query 1 sent.
A story acceptance from a bit ago (2 months-ish) has been published in a new way with Tellables' Mother's Day Box of Chocolates. Tellables creates voice-driven conversational stories for talking devices. So, if you want to check it out, go here: Mother's Day Box of Chocolates. It will be available starting May 1st. Currently, you can listen to their False Key Box of Chocolates.
If you have an Alexa, you can always just say: "Alexa, enable my box of chocolates." Then, say: "Alexa, open my box of chocolates." My story is called "Grandmother's Legacy."
The Summer Romance Box of Chocolates is open for submissions! I've had some great e-mail exchanges and conversations with Amy Stapleton from Tellables so I'm helping Tellables find six more stories for the Summer Romance Box. They are offering a $5 token payment this time around to entice more authors.
If you would like to write a less-than 300 word story, let me know via e-mail tyreantigger (at) gmail (dot) com or go here: https://tellables.com/author-tips/
It's a new (to me) way of telling stories and I think it's really interesting. Try it and see if you like it!


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Board selects sites for further study
Last week, the Sound Transit Board of Directors selected sites to study in a Draft Environmental Impact Statement (EIS) for the new Operations and Maintenance Facility (OMF) South. This action comes from an outpouring of public input, particularly over the last few months. A new map showing the sites is on the project website.
What comes next?
A Draft EIS will be published in 2020, and a Final EIS will be published in 2021. The EIS process documents the OMF's potential impacts to the natural and built environment. Final design, construction, and testing of the facility is scheduled to take place from 2021 to 2026. It is anticipated that the new facility will be open in 2026.
What can I expect as a project neighbor?
If you are a resident, business or property owner near an identified OMF South site, we encourage you to sign up for project email updates or to contact the project team directly. The EIS will evaluate property impacts of potential sites in detail following further design work. An official decision by the Sound Transit Board about which site to select on OMF South will occur following the issue of the Final EIS in 2021.
What is an Operations and Maintenance Facility (OMF)?
An OMF is where trains go for cleaning, storage and maintenance and operates 24 hours a day, 365 days a year. As the regional light rail system expands, light rail can't operate efficiently in the South Sound without an additional OMF in South King County. Identifying viable sites is challenging, as Sound Transit requires at least 30 relatively flat acres (for reference, 1 football field is 1.3 acres) that are near an operating light rail line, with specific site conditions often pushing the acreage requirement higher.
One OMF currently exists in Seattle, and another facility is under construction in Bellevue. To accommodate additional vehicles for the future 116-mile voter-approved regional light rail system, the system requires an additional OMF in the South Sound and one in Sound Transit's North Corridor.


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Another minor league season is in the books for the four former North Davidson baseball players making a living in America's pastime.
For three of them - Austin Beck, Levi Michael and Josh Roberson - it was an unqualified success.
The 19-year-old Beck, with his Oakland A's franchise record $5.3 million signing bonus in 2017, is easily the one with the highest profile. He's earning his keep. Beck, playing for the Class A Beloit Snappers, hit a team-best .296 with 60 RBIs. His 146 hits were tops in the Midwest League.
Beck has certainly earned his way to the next stop in the A's system - Advanced-A Stockton. That's where the A's will most likely assign him in 2019. Moving up the ladder is what Beck needs to do and he's right on track.
And his game is still developing. The A's want to see more power and more walks. Beck walked just 30 times in 493 at-bats. He'll face better pitching, of course, at the next level.
Michael has played seven years of professional baseball and 2018 - his first in the New York Mets organization - was by far his best. Simply put, Michael was one of the best players in the Double-A Eastern League. He led his team, the Binghamton Mets, with a .305 batting average. Michael hit a career-high 10 home runs to go along with 36 RBIs and 13 stolen bases.
The former first-round pick of the Minnesota Twins even got a three-game spell at Triple -A Las Vegas, where he went 3-for-9 before being returned to Binghamton. He made his first all-star game and was named a post-season all-star in the Eastern League.
Unfortunately, Michael's season ended prematurely when he was struck in the face by a 98 mph fastball. He's had some bad luck with injuries in the past and that slowed his progress with the Twins.
Michael would seemingly start the 2019 season in Las Vegas. His ability to play six different positions should help Michael get toward his long-awaited goal of reaching the major leagues.
Roberson is just getting started, so his sample size is small. But it's a good one, not to mention that Roberson had to come back from Tommy John surgery that probably prevented him from being drafted in the early rounds in 2017 out of UNC-Wilmington.
As it was, Roberson wa drafted in the 12th round by the Miami Marlins. The 6-foot-3 right-hander began his pro career this past summer with the GCL Marlins and he did a great job there, going 5-3 with a 1.06 ERA over 42 1/3 innings. That earned Roberson a promotion to Batavia, N.Y., the Marlins' short-season Class A franchise. Roberson went 1-1 with a 3.00 ERA in two starts for the Muckdogs.
Roberson, his stock on the rise, could be with the Class Greensboro Grasshoppers next season. That would for sure delight his famiy and friends.
Clark Beeker, on the other hand, struggled somewhat at Advanced-A Fort Myers, going 5-7 with a 4.59 ERA. Opposing teams batted .307 against the right-handed pitcher, who was in his third pro season.
He did finish strong and that is encouraging for Beeker. There was the one-day callup to Double-A Chattanooga, where Beeker started and pitched four scoreless innings. He allowed 3 runs over 11 innings in his final two starts after returning to Fort Myers.
What the Twins will do with Beeker next season probably depends how he does in spring training. Statistics aren't everything in minor league baseball. Beeker could start in Chattanooga.
One other former North Davidson pitcher, Kelly Secrest, was released by the Mets from Las Vegas after going 0-0 with an 11.12 ERA in four appearances. The ERA was skewed by one bad outing. But the Mets released him. It was a tough way to end for Secrest, who had four solid seasons in the Mets' organization prior to 2018.
Mike Duprez can be reached at (336) 249-3981, ext. 218 or firstname.lastname@example.com. Follow Mike on Twitter@LexDispatch_md.


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>> Click here to see the breeders
The first Cornish Rex was born in 1950 in Britain of a litter of 5 kittens. This kitten had the features of the future Cornish Rex. Probably a genetic mutation made him a cat with soft and curly fur. To maintain this recessive mutation type, this male kitten was mated with his mother to create a new line. Couplings have also made with Siamese, Burmese and the British Shorthair. The breed was officially recognized in England in 1967.
It's a great cat, stirring, player, acrobat and always cheerful. It is renowned for being sociable with other cats and dogs. He hates loneliness that makes him a true pot of glue. It is an intelligent and very family cat. It is an excellent companion for children.
Physically, it is a slender cat with thin egg-shaped head. It has long thin legs and an arched back. All coat colors are permitted for the breed. His hair is composed of down and undercoat only. This makes him a cat loses virtually no fur.


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BETA MISSION STATEMENT: Please note: WestVirginiaVille is not a live site and the following is a working draft. We are still in the womb, gestating. Below is an ultrasound of our developing vision. For more on the site and new developments, visit the 'ABOUT' page.
WELCOME TO WESTVIRGINIAVILLE. You 're viewing the draft of an experiment in process. WestVirginiaVille is the beta version of a multimedia web magazine and production house devoted to covering West Virginia in a different fashion . The site will feature a mixture of original writing, photography, video and podcasts along with a mission of pointing readers to some of the best print and multimedia work being done about West Virginia by in-state, regional, national and international media.
SOME FOLKS AROND THE STATE WILL recall WestVirginiaVille as my personal blog for many years, although it always also had a focus on — to replay its old tagline — "Life in the Hills." So, you could say I am repurposing the web address.
WESTVIRGINIAVILLE'S MISSION is to create, curate, collaborate and comment:
CREATE: We aim to create original writing, reporting and multimedia on efforts to make life in the state richer and to address perennial problems with an eye towards addressing their causes and figuring out their solutions. We're not interested in fluffy 'positive' pieces. but are interested in solution-oriented coverage of a state all too often portrayed as a hopeless basket case.
CURATE: To curate the best writing and multimedia about the state by excerpting and pointing to articles, video, podcasts, photos and beyond. We'll be keeping an eye on social media, for noteworthy exchanges on Facebook, notable Tweetstorms, fine photography and videos on Instagram, Vimeo or wherever the zeitgeist is posting stuff tomorrow.
COLLABORATE: We invite small and large media outlets, independent and citizen journalists and other media-savvy readers to point us to worthy content or to submit it for possible publication in WestVirginiaVille or who wish to collaborate and be potential contributors. Contact us.
COMMENT: We'll be commenting on what we find and encourage you to, as well.


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No, seriously...I'm so happy I could cry. Last night I was just laying in bed laughing. Why?
We got our new bed. Oh. My. God!
Let me break it down for you. Pillowtop on both sides. Queen. Serta Perfect Sleeper. Seven hundred thread count sheets. Down comforter. Boyfriend (not pictured). One two by four chunk (the frame was missing a wheel when we got it to the house...we'll have to recover that. Fourteen pound Marbles kitty.
Words can't even describe how happy I am to have a real bed. And...we got rid of an old broken entertainment center, moved a bookcase, and set up our bedroom like a real, adult bedroom. We need some matching end tables and maybe a lamp or two. Oh, and a headboard and footboard. But...that can wait for now. For now I'm going to be sleeping like a friggin baby with a smile on my face and a cat sleeping on me. Last night we went to bed around 1 AM because we were having a new-bed-moving-in party. I slept for around seven hours, and I woke up thinking it was about noon and feeling like I had slept for close to twelve hours. It was 8:45.
Glory of glories!
Now all that's left is to donate the old frame, entertainment center, and television to Goodwill. Oh, and break the new bed in...maybe this weekend.


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About the Law Office of Doug Goyen
The Law Office of Doug Goyen is located in the Dallas, Texas area since 1997. We represent clients who need Dallas car accident injury lawyers and other injury cases all over the great State of Texas, and throughout the country. We are proud to be among the ranks of Dallas personal injury lawyers in the North Texas area. We aggressively pursue all personal injury cases we represent. Your Dallas personal injury lawyer assigned to your case will ensure that you recover everything you are entitled to recover in your case.
Attorney Profile of Doug Goyen
The Law Office of Doug Goyen has extensive experience handling cases wher a Dallas personal injury lawyer is needed. Our cases include car accident injury cases in the Dallas area and all types of accident, injury, and wrongful death cases starting from negotiations all the way to verdict. Our attorneys and staff are available to talk to clients and people looking for car accident injury lawyers or Dallas personal injury lawyers, so that we can understand the needs of each person we represent. Clients are encouraged to communicate and keep informed of all steps involved in pursuing and resolving your case. Call us at (972) 599 4100 so we can start working on your case today.


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Cría Cuervos
|Cría Cuervos
Film poster
|Directed by
|Carlos Saura
|Produced by
|Elías Querejeta
Carlos Saura
|Written by
|Carlos Saura
|Ana Torrent
Geraldine Chaplin
Héctor Alterio
Florinda Chico
|Teo Escamilla
|Edited by
|Pablo Gonzalez del Amo
Release date
Running time
|107 minutes
Cría Cuervos (Raise ravens) is a 1976 Spanish drama film directed by Carlos Saura. The film is an allegorical drama about an eight-year-old girl dealing with loss. Highly acclaimed, it received the Special Jury Prize Award at the 1976 Cannes Film Festival.[1]
Eight-year-old Ana, stoic and quiet, approaches her father's bedroom. She hears a woman in bed with her father and confessing her love for him. Descending the stairs, Ana spies an attractive middle-aged woman hastily dressing and rushing from the bedroom to the front door of the darkened house. The woman and Ana exchange glances but do not speak. Once the woman has left, Ana enters her father's bedroom and finds the man dead, apparently from a heart attack. As if not really understanding the gravity of the situation, Ana unflappably takes away a half-full glass of milk, which she carries to the kitchen and cleans. In the kitchen, she sees her mother, who chides her for being up so late and sends her off to bed.
Reality and fantasy swap places. The bizarre death of Ana's father, who is revealed to have been a senior Army officer, is real. The apparently banal appearance of the mother at the fridge, on the other hand, was in fact fantasized by the child. Ana's mother has already died of cancer; her image is only a fanciful illusion of the little girl's mind. Blaming her mother's illness and death on her father, Ana had dissolved a mysterious powder she believed to be a potent poison in his milk glass as a willful act of murder. Her belief in the power of the poison was thus confirmed when her father died.
At her father's wake, Ana sees again the mysterious woman who fled her father's bedroom on the night of his death. The woman, Amelia, is the wife of her father's close friend and fellow military officer.
Ana's satisfaction of having rid herself of her father's presence is short-lived, for her mother's sister, her Aunt Paulina, soon arrives to set the house in order. The all-female household is completed by the children's grandmother, mute and waiting for death in a wheelchair, and the feisty, fleshy housekeeper, Rosa. Ana takes refuge in the basement, where she keeps her powder, and where she is watched by an apparition of herself from twenty years in the future. The adult Ana, looking exactly like her mother, recounts her infancy.
The little rituals of everyday life fill Ana's days during her summer vacation from school. Tortured by the memories of her mother's illness, Ana rebels against her aunt's authoritarian style, and in bouts of loneliness she variously imagines her mother's continued presence, or even her own suicide. Though diverted by the presence of her two sisters, Ana's only truly close companions are the family maid, Rosa, and her pet guinea pig, Roni, whom she discovers dead in his cage one morning.
Ana's mother's painful death from cancer, her father's presumed murder, her guinea pig's death and her own imagined suicide weigh on the girl's mind. Ana even offers her grandmother the opportunity of dying and ridding herself from loneliness by providing her a spoonful of the poison. The old woman turns down Ana's offer and realizes that the powder is simply baking soda.
The adult Ana explains child Ana's obsession with the powder: her mother once told her that it was a poison, so strong that one spoonful would kill an elephant. Adult Ana further explains her motivation in wanting to kill her father: "The only thing I remembered perfectly is that then my father seemed responsible for the sadness that weighed on my mother in the last years of her life. I was convinced that he, and he alone, had provoked her illness."
In a flashback, we see child Ana watching her parents when her father comes home after 11 pm and she says to him: "Cuéntame tus cosas. Quiéreme. ¡Quiéreme!" Ana hears her mother crying in the brutal arms of her father and saying: "¡Estoy enferma! ... ¡Estoy enferma!..." and "¡¡Me quiero morir!! ¡¡Me quiero morir!!"
Ana attempts to poison her aunt with the same powder. She repeats the preparation of milk with the substance, but awakens the next morning for the first day of school to find that Paulina is still alive. Ana and her two sisters leave the stifling family compound after one, Irene, tells her a vision from a dream she had of being put at the stake, "...y cuando me iban a matar, me desperté." They march into the vibrant and noisy city, which they have been all but shut out from. The film ends with girls in black uniforms going to classes and then an aerial vision of Castilian and Aragonese Madrid.
Ana Torrent plays the lead character, Ana. She was already well known thanks to her starring role in the film El espíritu de la colmena (The Spirit of the Beehive) (1973) by Víctor Erice, made when she was seven years old. She followed Cría Cuervos with yet another memorable role in The Nest (1980) in which she played a thirteen-year-old in a relationship with an aging widower played by Héctor Alterio who here has the role of Anselmo, Ana's father.
Geraldine Chaplin plays dual roles: Ana's mother, Maria, in which she speaks Spanish with an English accent and Ana as a young woman in which she is dubbed by actress Julieta Serrano. Chaplin was director Saura's common-law wife and muse at that time. She appeared in ten of his films.[2]
- Ana Torrent as Ana, 8 years old
- Conchi Pérez as Irene, 11 years old
- Maite Sánchez as Maite, 5 years old
- Geraldine Chaplin as Ana's mother (Maria) and older Ana
- Mónica Randall as Aunt Paulina
- Florinda Chico as Rosa, a maid
- Josefina Díaz as Ana's grandmother
- Héctor Alterio as Anselmo, Ana's father
- Mirta Miller as Amelia, Anselmo's mistress
- Germán Cobos as Nicholas, Amelia's husband
The title Cría Cuervos comes from the Spanish proverb, "Cría cuervos y te sacarán los ojos". This translates as, "Raise ravens, and they'll gouge your eyes out" and is generally used for someone who has bad luck in raising children, or raising them badly. It may also imply rebellious behavior or that every bad act will return to haunt you.
The phrase "Cría cuervos y te sacarán los ojos" is said to originate with Don Álvaro de Luna of Castile during a hunting expedition. In the course of the hunt his party came across a beggar with terrible scarring in the place of eyes. The beggar explained that he had raised a raven for three years with affection and great care, but it attacked him one day, leaving him blind. The bon mot was Don Álvaro's reply.[3]
Cría Cuervos was originally released as Cría! in the United States and as Raise Ravens in the UK, but the original title Cría Cuervos is now used in both countries.
This film was made during a period where Carlos Saura was considered one of the great opponents, along with other directors, of the Francoist Spain, with characters and themes in the film alluding to Saura's interpretations and criticisms of Franco-inspired truths.
The film stresses the disparity between Ana's inner world of private traumas and the outer world of political realities and the Francoist State. Ana will cope with her guilt in both arenas.
When asked to elucidate the nature of Ana's suffering, the director replied: "Cría Cuervos is a sad film, yes. But that's part of my belief that childhood is one of the most terrible parts in the life of a human being. What I'm trying to say is that at that age you've no idea where it is you are going, only that people are taking you somewhere, leading you, pulling you and you are frightened. You don't know where you're going or who you are or what you are going to do. It's a time of terrible indecision."[4]
Cría Cuervos was shot in the summer of 1975, as Spanish leader Francisco Franco lay dying, and premiered in Madrid's Conde Duque Theatre, on January 26, 1976.[5] Highly acclaimed, it received the Cannes film festival Special Jury Prize Award. The film became director Carlos Saura and producer Elías Querejeta's most commercially successful film up to that point, going on to become the sixth largest grossing Spanish film of 1976.[6] The picture made a similar strong showing in foreign markets, including the United States where it solidified Saura's reputation as Spain's best internationally-known director of the 1970s.[6] Today the film is considered a political and psychological masterpiece and a classic of Spanish Cinema.[5] The film was selected as the Spanish entry for the Best Foreign Language Film at the 49th Academy Awards, but was not accepted as a nominee.[7] It was, however, nominated for Best Foreign Language Film by the U.S. National Board of Review.[8]
The film prominently features the pop song "Porque te vas" by Jeanette, an English-born singer, singing in Spanish, whose accented voice reminds Ana of her mother, as played by Geraldine Chaplin, who speaks Spanish with her English-accented voice. Despite an infectious rhythm the song has sad and poignant lyrics. The song expresses the fact that Ana has no understanding of death, only of absence.[9]
DVD release[edit]
Cría Cuervos was released on DVD on August 14, 2007 in a two-disc special edition as part of the Criterion Collection.
The film was released on Blu-ray in a Dual Format Edition on May 27, 2013 by the BFI.
See also[edit]
- List of submissions to the 49th Academy Awards for Best Foreign Language Film
- List of Spanish submissions for the Academy Award for Best Foreign Language Film
- ^ "Festival de Cannes: Cría cuervos". festival-cannes.com. Retrieved 2009-05-06.
- ^ Stone, Spanish Cinema, p. 108
- ^ Stone, Spanish Cinema, p. 109
- ^ Stone, Spanish Cinema", p. 102
- ^ a b Criterion Collection essay by Paul Julian Smith
- ^ a b D'Lugo, The Films of Carlos Saura, p. 138
- ^ Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- ^ "1977 Award Winners". National Board of Review of Motion Pictures. 2019. Retrieved 18 August 2019.
- ^ Stone, Spanish Cinema, p. 101
- D'Lugo, Marvin, The Films of Carlos Saura, Princeton University Press, 1991, ISBN 0-691-03142-8
- Schwartz, Ronald, The Great Spanish Films: 1950 - 1990, Scarecrow Press, London, 1991, ISBN 0-8108-2488-4
- Stone, Rob, Spanish Cinema, Pearson Education, 2002, ISBN 0-582-43715-6


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As an R&D based enterprise, SolarBK constantly updates trends for advanced technology and services to enhance the competitiveness and confirmed our market leader's advantages.
SolarBK's R&D room was built and equipped with modern facilities. Network infrastructure systems are carefully invested to meet the needs of the processor.
For customers, in addition to the controller, intelligent auxiliary equipment, SolarBK has researched and successfully developed Solar System Operation Center (SSOC ™), this is also Vietnam's first solution that implemented by Vietnamese engineers and allows customers to monitor and have online control clean energy systems.


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(1997- )
Danika Naccarella was born in Vancouver, British Columbia in 1997. She moved to the remote community of Bella Coola in 2009 where she was exposed to the Nuxalk culture. Attending Acwsalcta School for her high school years she studied and learned Nuxalk culture, including the songs, dances and art of the Nuxalk Nation. Danika is now an avid painter of Northwest Coast art, mostly in acrylic mediums.
© 2020 Spirit Wrestler Gallery. All Rights Reserved.


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173 Windinghart Lane, Austin
Truly a must see! Hill Country Estate w/low tax rate! Updates throughout, neutral paint, designer lighting, spacious bedrooms, tons of natural light & windows, BONUS office, hardwood floors, multiple living areas & MORE! Gourmet kitchen is open to family room & features granite countertops, sleek stainless appliances, wine fridge, center island & sunny breakfast area. Swoon worthy private backyard w/ stone patio, arbor, spa, covered patio with wood burning fireplace, expansive green house & multiple ponds
Phone Available, Electricity Available
Built-in Book Cases, Ceiling-High, French Doors, Indoor Utilities, Lighting Recessed, Smoke Detector, Walk-In Closet
Cook Top Electric, Dishwasher, Disposal, Microwave Oven, Single Oven, Water Heater Electric, Trash Compactor
Patio-Uncovered, Porch-Open, Private BackYard, Decorative Pond, Greenhouse, RV/Boat Parking, Water Feature
Property Listed by: Ashley Austin Homes
The information being provided is for consumers' personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.
Based on information from the Austin Board of REALTORS® (alternatively, from ACTRIS) from April 8th, 2020 at 4:45pm CDT. Neither the Board nor ACTRIS guarantees or is in any way responsible for its accuracy. The Austin Board of REALTORS®, ACTRIS and their affiliates provide the MLS and all content therein "AS IS" and without any warranty, express or implied. Data maintained by the Board or ACTRIS may not reflect all real estate activity in the market.
All information provided is deemed reliable but is not guaranteed and should be independently verified.


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"In the world of sometimes impersonal medicine, the level of personal attention and care ASAP gives to their patients is refreshing." – Dr. Kimberly Lentz, Founder of New Horizons Integrative Medicine
Every day is a new opportunity to go beyond the prescription. In 2001, ASAP set out to change the way health care works. After all these years, now, more than ever, it's who we are. Recently, we received a letter from the founder of the New Horizons Integrative Medicine, Dr. Kimberly Lentz. NHIM is based in Zionsville, Indiana and specializes in the treatment of tick-borne illnesses and associated diseases.
Dr. Lentz, who founded NHIM, has been involved in treating Tick-borne Illnesses since 2005. Combined, with the NHIM practitioner staff, they have over 20 years of experience dealing with chronic illnesses in one form or another. Many of their office support staff have also either dealt with Tick-borne illness personally or had loved ones who have struggled with it.
Needless to say, the team at New Horizons Integrative Medicine take their work very personally.
A Seamless Experience
Providing the patient with a seamless experience is our aim at ASAP as we believe it is our responsibility to serve patients beyond the prescription so that they can spend less time worrying about their illness and more time getting on with their very life.
An Open Letter
In her own words, Dr. Lentz so graciously shared with ASAP their view of what we provide, "Our medical practice consists of many patients who are chronically ill and require extra levels of care compared to a traditional primary care practice. For our chronically ill patients who require infusion therapy, our first choice for an infusion supplier is ASAP pharmacy.
We have been thoroughly impressed, above all, with the level of patient care and compassion supplied by ASAP. Even with our patients being very geographically dispersed from the Chicago area, ASAP staff have made the effort to drive, in some cases several hours, to spend time with a new infusion patient and prepare them for home infusion therapy and answer their questions.
The ASAP staff have even gone above and beyond what was expected by assisting the more disabled patients in getting to their doctor's appointments or hand delivering supplies when needed. As one of our patients commented: "ASAP pharmacy is excellent and if possible I want them to take over all my medical supply needs. I couldn't be happier or more impressed."
Additionally, ASAP pharmacy has assisted us in finding and setting up home nursing service in areas where home nursing options are less abundant. They have worked well with a variety of home nursing services to answer questions about supplies and infusion procedures.
When it comes to navigating the complex and challenging world of insurance coverage and reimbursement, ASAP has also been a great ally to our office and our patients to assist with pre-certification on the front end of treatment and deal with appeals when insurance denials occur. Also, when insurance coverage is not available for a prescribed treatment, ASAP has established very fair and reasonable cash pricing options for the patients, making ongoing treatment more feasible for many patients.
In the world of sometimes impersonal medicine, the level of personal attention and care ASAP gives to their patients is refreshing. We would highly recommend ASAP pharmacy to any medical practice or patient in need of infusion treatment or specialty pharmacy products."
At ASAP, we are honored to serve patients of New Horizon Integrative Medicine. Anytime a doctor would take the time to write you a letter such as this, is a time we at ASAP, stop and give thanks. We don't go beyond the prescription so we can toot our own horn, we go beyond the prescription because every person we get the honor of serving, matters.
At ASAP and NHIM, people aren't just a list of names on the schedule for that day's appointments or merely numbers on an order form, they're heartbeats, and they matter to us.
Who Is ASAP?
American Service and Product, ASAP Pharmacy is a fully licensed pharmacy, specializing in helping people with expensive medication therapy for their chronic conditions. ASAP Pharmacy supplies a comprehensive spectrum of specialty pharmacy medication and ancillary products to treat those dealing with the following conditions: Breast Cancer, Colorectal Cancer, Crohn's Disease, Diabetes, Hemophilia, Hepatitis C, HIV/AIDS, Multiple Sclerosis, Psoriasis, Rheumatoid Arthritis and vonWillebrand Disease.
Where Is ASAP available?
We dispense in all 50 states.
What Does ASAP Offer?
ASAP offers a variety of services for our patients in an effort to lessen the stress of managing their complex medical needs.
Some of those services include:
- Patient advocacy-24/7
- Pharmacist on call-24/7
- Emergency response for prescription services
- Home delivery, when possible
- Overnight home delivery of your specialty medications and ancillary supplies
- Ancillary supplies at no additional cost
- Reimbursement assistance
- Advocacy with your private or government health benefits program to ensure reimbursement
- Financial resource assistance
- Personalized support
- Access to educational materials
To learn more, click here.
**Photo of Dr. Lentz courtesy of RTV6 The Indy Channel You Tube Channel. Watch "Local woman's story illustrates need for tick awareness to prevent hard-to-spot Lyme disease" featuring Dr. Lentz, here.


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Suwinet is a program for Dutch officials, which allows them to get a quick insight in all type of various data records that belong to each individual in The Netherlands.
A post which has been published on RTLNIEUWS claims that Suwinet is vulnerable, as it allows unauthorized persons to access the Suwinet database which holds records of ALL THE CIVILIANS in The Netherlands.
18 months ago, an audit was performed on Suwinet, and the audit report concluded that the Suwinet environment was NOT SECURE, and that it contained multiple vulnerabilities. The same system is also being used by UNAUTHORIZED commercial collection agencies.
Now, how will The Netherlands DEAL with this PRIVACY ISSUE?!