text:
The mingling of apple and cranberry makes this festive pie a grand finalé to the meal!
Preparation Time: 25 mins
Cooking Time: 1 hr
Yield: 8 x slices
PIE CRUST: Roll pastry on floured surface into circle 1 inch larger than inverted 9-inch pie plate. Ease pastry into plate; trim and flute edge. Set aside.
PIE FILLING: Combine 1 cup Equal® and cornstarch in small saucepan. Stir in cranberries and apple cider. Heat to boiling; reduce heat. Simmer, stirring constantly, until thickened, about 1 minute.
Combine 1/4 cup Equal®, cinnamon, nutmeg, and salt; sprinkle over apples in large bowl. Toss to coat. Pour cranberry mixture over apples and mix gently. Arrange fruit in pie pastry.
STREUSEL TOPPING: Combine oats, flour, 1/2 cup Equal®, cinnamon, and nutmeg in small bowl. Cut in margarine with pastry blender until mixture resembles coarse crumbs. Sprinkle over fruit in pie pastry.
Bake pie in preheated 400°F oven 50 to 60 minutes or until pastry is golden and apples are tender. Cover pie loosely with aluminum foil during last 20 to 30 minutes of baking time if browning too quickly. Cool on wire rack. Serve warm or at room temperature.
Can replace 4 tablespoons of margarine/buttery spread with an equal amount of butter.
NOTE: * For pie filling (Equal®-cornstarch mixture), the 1 cup Equal® Spoonful may be replaced by either 24 packets Equal® sweetener or 1 cup granulated sugar.
** For pie filling (Equal®-cinnamon mixture), the 1/4 cup Equal® Spoonful may be replaced by 6 packets Equal® sweetener or 1/4 cup granulated sugar.
*** For streusel topping, the 1/2 cup Equal® Spoonful may be replaced by 12 packets Equal® sweetener or 1/2 cup granulated sugar.
Serving suggestions are not included in the nutritional analysis.


text:
Power your life with a delicious blend of nutrient-rich wolfberry puree, superfruit juices, and pure essential oils. Formulated to support wellness for every lifestyle, NingXia Red® is a unique, powerful drink that will help you make the most of every day. This starter kit includes favorite NingXia Red® products, including our top-selling cognitive fitness booster, NingXia Nitro™!
Your NingXia Premium Starter Kit includes:

subset: commoncrawl


text:
We are pleased to announce, starting today IMDb datasets are now available in Amazon S3 via an HTTPS link. Using the new interface, customers can bulk-access IMDb title and name data.
For details on the S3 solution, file format and access guidelines, see www.imdb.com/interfaces.
In our continued effort to best serve our Contributors, we are streamlining the datasets and making them available in a more useful and structured format in S3. Notably:
- Data refresh frequency is now daily (previously weekly).
- IMDb title and name identifiers are included in all the files for ease of matching and linking back to IMDb.
- The files are in tab separated values (TSV) format.
- The sets of data we provide are updated to only include the essential ones that help with matching and linking to an IMDb title or name.
If you are not an IMDb Contributor and wish to obtain IMDb content for commercial use, we offer a content license. The license grants you access to our content via an XML web service, plus the right to use the content in your product or service. If that interests you, please email email@example.com.
If you have any questions or concerns, please share your feedback in this thread.
Thank you for your continued support.
This is a braindead idea. From someone who doesn't understand (or doesn't want to understand) why IMDb came to be the number one site for movie & TV data.
I'll explain.
Countless Contributors offered their time, for free (and time is more valuable than money, once it's gone, it's gone, one cannot recover it, unlike money), during thousands of hours, spanning decades to make sure IMDb's data was correct and up-to-date. Imagine how many employees, man-hours, health benefits and all the rest that IMDb saved since the start... Just imagine...
Then, once the data is there -- good, verified, and perfect – they sell it. Multiple times. Many, many times. More and more as time goes by. There are many ways they can profit from it (direct and indirect). Even when the access is free there are valuable tie-ins (you can buy the movie from Amazon for instance, movie theaters, merchandising) where money can be made. All of this is fine. Really. It's a business. That is data and that it can be "resold" (because is better than data the other companies can offer) over and over, until infinity. It's a good consequence of being just data and not something physical (that you cannot sell more than once).
Summarizing, until now: many, many people give away their time, for free, to make good data for IMDb, which in turn makes ample use of it, a many times as it wants, to make money.
Now picture this. You know those people, who give away their time to make something for free for you that you can make money later, as many times as you want? Here's an idea, why not make them pay too? Right? Neat idea, isn't it? They gave their time away so they should give away their money as well, right? Right.
A lousy analogy would be an Airline company making the pilots and crew to buy tickets to be able to board the plane they are supposed to take to its destination. They make the same trip, right? Why shouldn't they pay, right? It makes perfect sense, right? Right.
The point is: it's not that they will lose money if they don't charge Contributors: that can be done in many, many other ways. It's not that they need to do this. It's that they want to do this.
I want to leave here some rhetorical questions that boggle the mind.
1 – Why should a Contributor (any Contributor) keep contributing after this? Why should anyone want to? Why should they not contribute their time where is really appreciated?
2 – Will you, from now on, start to pay the Contributors for their contribution? Because every coin has 2 sides. Because you cannot have it both ways, you cannot have your cake and eat it too: if you charge Contributors it means you say the information (which they provided in the first place) is valuable and so it should be remunerated. Or you don't charge them for it, because you also got it from them for free. As I said, it can be both. Because we all have this things called little grey cells (borrowing from Poirot here)...
And if you retort: "It's too difficult to pay, because it's complicated accounting, because... " and so on and so on... I'll give you back your own "solution". The "unnatural" solution you are trying to force-feed to people right now, but this one actually makes perfect sense. Also a simple solution. Give to each, say, 10 contributions of each Contributor an Amazon Gift Card with a token value, say, 1 Dollar/Euro/Pound. There. No need to thank me.
3 – Why do you thought you could do this and everyone would be fine with it? Why do you think it's okay to ask for money from the one's that help you most and they would be fine with it and everything would be fine afterwards? And don't give me the "added value" line because it doesn't pass the smell test: you cannot add value if you take away loads and loads of data. Just can't.
4 – Why is this so rushed and quiet and through the summer (I bet many aren't even aware of this)?
As I said, rhetorical questions.
Braindead, I say.
I have another question to Amazon: what would be the cost of maintaining the FTP files, say on a monthly basis instead of a weekly one? I would be ready to pay a (very reasonable) fee to keep access to this data. Especially if it is discounted when I contribute to the data feed and update, as proposed by Valen above. This would seem fair in your merchandization and monetization of what use to be a fantastic collaborative and open and free project, don't you think?
Actually no. People do not understand that Contributors are the real "secret sauce" behind IMDb's success. They (Contributors) really sell themselves short. Data will "rot" very easily, if it goes without constant verification and supervision. Think of it as a green lawn. Without proper and constant maintenance it would turn into a "jungle" of sorts in a short amount of time.
Somebody mentioned Wikipedia and is a bit like that too. Without constant attention Wikipedia would quickly become unusable and worthless. And this change is even more braindead because now more than ever they will need to keep their Contributors happy because data input will grow more and more as time passes. And this is the time that they thought it be a good time to show Contributors (which they'll need more and more of as time goes by) this (symbolical) huge middle finger. As plain, common, sense, one does not (should not) antagonize the ones that one depends on.
Another way of looking at it (which is also one of my favorites) is that IMDb is the longest running, most successful case of Crowd Funding ever (it's still going at it), anticipating that movement by many many years. And the reason it worked so well and so successfully, until now, is because of 2 things, IMO: 1. Instead of money (which people tend to have more difficulty parting with, curiously enough) it asked "only" for time (which people donate more easily even if it is more valuable); and 2. The "rewards" were also very simple and easily understandable, "you give us your time and we won't cut you off when you want to make use of the data, for you own private pleasure". There's nothing simpler than that! And so, what do they want to do now? 1. "Give us your time AND your money too"; and 2. "Rewards? No. None of that. Here's a reduced version of the data we chose for you IF you pay for it, like any other customer. But no rewards.". Genius!
You rightly pointed out that data is more and more coming from other interested parties. But that is only a small part of it. All data has errors, inconsistencies, typos, or it can be just plain wrong. "Dumping" data is just the first small, step. It's the eyes of the thousands (more than that) that little by little turn it into quality data. Elsewhere was a comparison with bees but I see it more as an ant colony where each ant (Contributor) does just a little bit every time but that is essential for the success of the whole colony. And one ant is dispensable but if you take all the ants from the colony it'll disappear very soon. These thousands and thousands of micro-corrections forwarded by Contributors resulted in IMDb data today. And don't get me wrong, there are errors there now. There will always be errors there. Just not the same ones and their importance and scale will be smaller and smaller with time. Providing happy Contributors still do their work, as always.
If I can misquote from "Soylent Green": "IMDb is people!". In this case, Contributors. That is the reason it has the better (best) data. And you can quote me on that.
What I do have a problem with is moving to a paid model that does not support the same 40+, frequently updated, datasets that have been provided for free for so many years. I think IMDb need to re-address this decision as it will affect people like myself.
I download and insert all datasets into a MySQL database. This has allowed me to develop specific applications and just data mine (discovering new uses for the data). I've taught myself SQL from data-mining IMDb data.
On a curiousity-note, would love to connect with you and see what you are doing with the data.
So, I'm now in the position of urging for a much more comprehensive data set to be made available or for the advanced search tools to be more advanced. In addition, basically, Luca Canali is right. Amazon/IMDb is taking things away from us. Whatever it is that we will be gaining in return remains to be seen.
On the S3 access issues, we now have a working prototype of a system which can make the same S3 data available to you via HTTP from IMDb directly without requiring any S3 registration and free from any possibility of AWS charges. Please watch for an announcement as we convert this into production code. The only thing needed will be an ordinary IMDb user account attached to a valid email address. We still intend to also make the data available via S3 for those people who find the AWS access tools more convenient and can stay within the free tier of AWS.
On the general data availability, we are adding the AKA titles to the basic data set accessible to everyone. Longer term, we are looking at the possibility of daily diff files for at least some of the data in the basic set.
On the point about contributors, we are looking at extending the range of data available via the http solution based on your contribution history and volume. For top contributors and those people using the data to help us clean it via bulk corrections, this is likely to extend far beyond the current set of data even on the FTP site. It is not our intention to deprive access to the data by those people who have genuinely helped to build it over the years and who want to continue to improve IMDb. We aim to also be able to grant specific permissions to specific customers for specific extra subsets of data as required on a case by case basis. This latter part may take some time to become a fully formed solution so please bear with us.
The background to all of this is that there is a huge multi-year technology migration project which is nearing completion at IMDb. We have too many complicated old systems around which have been slowing the overall pace of development (I add a bit more detail to this on https://getsatisfaction.com/imdb/topics/why-doesnt-imdb-staff-ever-consult-with-the-contributor-base...). The move to the new technology has been providing the opportunity to look at the way we operate different parts of the IMDb service. One of the oldest software systems is the one which publishes the FTP data, and we will soon no longer to even be able to generate the .list files once the final pieces of the old IMDb system are decommissioned; at least not without re-writing all of the publication software to connect to the new system and produce an extremely difficult to manipulate text file format which was designed 27 years ago and has not changed in 21 years. Instead, we decided that it would be better to publish the data via a modern system (S3 and soon over https) in a modern format which can be more easily parsed. The other problem with FTP is that we have no idea how many people are using the data and for what purpose, nor do we know what additional things they may want from the data. From feedback over the years, we knew some of your requirements already, notably (a) access to the title and name constant data (b) an easier to parse format (c) information to help in matching other catalogs to IMDb (d) more frequent updates. We found ourselves having to guess the remaining requirements until we decided the best way forward was to move the data to a new location within the FTP sites, post an announcement on Get Satisfaction (this thread) and then wait to gather feedback before replying and figuring out what steps to take next (this reply).
We hope this helps. We have plenty to be working upon in the meantime, and we will follow-up as we deliver parts of the above.
Founder & CEO, IMDb.com.
However, without the ability to answer the simple question "who is in this move", the data is essentially useless to me.
Sad day for imdb, when it switches from "here is some awesome data, we are excited to see what you do with it" to "Convince us why we should let you see our data"
Reluctantly I am switching to another data provider, themoviedb.org
Sad day for imdb, when it switches from "here is some awesome data, we are excited to see what you do with it" to "Convince us why we should let you see our data"
You said it best, right there.
There are 2 main ways to "consume" IMDb data (files): 1 - The Static Mode: People already have an use for the data and go there and grab it for their usual needs; 2 - The Discovery/Explorer/Research Mode: people get some data, and then detect some patterns, get/try different data (files) and see some more patterns, get new ideas and connections, test theories, invent new uses for the data, detect errors/inconsistencies, get yet another batch of different files to retest other hypothesis...
While the first type of Users is perfectly fine and has an important place (plus, those same Users could already have been or they have the potential to become a type 2 User) the real "power" of (IMDb) data use is in the 2nd type.
IMDb wants to categorize/"lock" people in "typical", static/monolithic, use cases (which they can't because there is no such thing, when one gets access to such a rich and diverse quality data – the richer the data the more unlimited are the possibilities) without the understanding that is in exploration the true power and possibility of the unimpeded access people enjoyed until now. This is also the mode where more errors and problems with the data are bound to be discovered and, thus, reported/corrected.
So, they are (re)enabling type 1 Users (which is good), but type 2 Users (where the true value, for both IMDb and the Users/Contributors, really lies) are shackled and constrained in typical use-case boxes that has little or no real use to them (because the most desirable "consumer" of data, for IMDb, is the one that has no [pre}set idea what she/he'll do tomorrow with that data; the ones that ask themselves "What if...?" and then go about checking that out). And these Type 2 are also the main Contributors (if not to IMDb directly, at least indirectly) to the Film/TV community. They make all of us appreciate and understand all the interconnected nature of the art form. And that'll always return, in the end, to IMDb, in one form or another, because the more (quality) information and the bigger the community, the more people will turn to IMDb (because is one of the best, more popular, places to know more). Curtailing, impeding, Type 2 users, in any way, is a substantial self-inflicted wound (the proverbial "shot in the foot").
In spite of building one of the most successful stories of data gathering/maintenance in history they seem to lack a basic understanding of how this was achieved, how the whole direct/indirect feedback loop works, how the ample availability of their (almost) raw data was like seed(s) for fertile ground(s) -- where they could/would reap the benefits, severalfold, later, down the line, directly or indirectly. This kind of decisions seems to blissfully ignore how IMDb arrived at this point in time.
This is akin to the Captain of the Titanic failing to acknowledge the "invisible" 90% of the iceberg that lied below the line.
We created this awesome movie database, lets make an API
We made this awesome API, lets give everyone access to all the data!
20 years pass
Now that we've given everyone all the data for 20 years, and the API is old
lets update it!
People can't be using ALL our data right? No way that people are actually using all the data we provided them over the course of 20 years just because we can't see analytics for it. Not possible Nope.
Well just remove access to 9/10ths the data then.Its fine if you guys change the format and work to update the way its parsed, removed redundancy etc, I am ALL for that, trust me you. But plain and simple, not giving me something I already use, is going to destroy so many projects, and development ecosystems, I don't think that we have a number that could go high enough to represent the amount you are killing by removing access to so much of the data. You're literally killing an un-ending amount of (infinity) projects.
On the point about contributors, we are looking at extending the range of data available via the http solution based on your contribution history and volume.
We aim to also be able to grant specific permissions to specific customers for specific extra subsets of data as required on a case by case basis. This latter part may take some time to become a fully formed solution so please bear with us
Any update(s) on the above?
And yes, I need ALL list files. Not every file every day, but every file from time to time. I'm using the program AMDbFront (don't look for it - it has disappeared from the Internet since its author didn't develop it any more) to convert the files into a MySQL database. AMDbFront is also the viewer for the data. I'm using it in GUI mode almost daily, but sometimes I make complex queries using SQL. One example: A few years ago, scientists from Northwestern University developed a method to determine automatically which are the most culturally significant films (the winner was THE WIZARD OF OZ), and they used the IMDb list files for that purpose (movie-links.list in particular). Here is their paper:
I managed to reproduce their most important result (the long-gap citation count) with my local IMDb data, using a SQL query I wrote. The cited article only covers US films, but I used the method to create respective lists for many other countries, and I published my results in the above-mentioned blog.
I also wrote a script (in VBScript) which adds a table to the MySQL database that contains all films I have on DVD or Blu-ray. The table contains the title (exactly as it's in movies.list) and flags for seen/unseen, region code and short/long films. That information is taken from a text file I maintain for that purpose. With appropriate SQL queries, I can answer questions like "how many short films from France from the 1930s do I have on DVD" or "who is the actor/actress with whom I have the most films on DVD"?
Well, this all will become impossible with the new dataset format. I surely won't switch to it (even if it would be free of costs), but I will freeze my installation at the current state. That's the lesser of two evils for me.
The HTTP access should be a good alternative way to obtain the data i guess.
And i'm sure that adding the AKA titles will help a lot of users, including myself.
Will by any chance, the languages of the movies, be included as well ?
Because AKA titles are mainly important when dealing with non English movies, but i think there is no possibility with the new data files to determine which movie is English or non-English.
I was wondering if there is a channel I could ask IMDB authorisation for using IMDB movie synopsis data in my thesis.
I am aware of the 'IMDb Data – Now available in Amazon S3' announcement, but I was not able to find an interface that would publish movie synopsis.
Your response is greatly appreciated.
Best regards,
Please stay tuned for more updates. Thanks!
But now, It sounds like from this post that IMDB will have the logic in place to provide fuller datasets, and will provide them to contributors.
Now it appears to be purely that IMDB wishes simply to prevent the public from accessing the collected data for free.
This appears to no longer be about development efforts, rather it appears to be exclusively about cutting off free data.
Frankly, IMDB needs to get its story straight. If the data is in fact available, and more complete data sets would be there for us ... if we provide IMDB with free (aka donated) labor, then the entire premise of Col's justification looks shaky .. at best.
I hope you guys come to your senses, but I no longer believe we are being told the real story here, so I have now completed moving my data sources away from IMDB, and will donate both time and money elsewhere.
I've enjoyed using IMDB's data since well before it sold out to Amazon, and its sad to see so many years of cooperation trampled by this ill considered project.
Really a shame to see an organization lose its way.
I can understand why a transition needs to be made and that its not easy to achieve parity in the new system. My use case is a little different than the others on this list so I thought I'd chime in.
I do economic research on the television industry; asking questions like how characteristics of production companies affects the quality of the show. To that end I use a bunch of data that's not included in the new subset on S3. AKA titles definitely as mentioned by others; they are useful for matching across different datasets. The distributor and production company lists files helps me track which shows were on which networks as well as affiliated with each production company. Producer and writer lists lets me for example connect a show with an Emmy winning executive producer or creator. Lists like language and runtime help me screen out noise from the data, especially for shows that were not very popular and may be incorrectly labelled in other variables. And the full set of genres is important to capture all the shows in a category; if a show has more than 3 genres it may not be included if for example I try to understand what is relevant for ratings in comedies. For ratings, knowing the distribution of ratings is useful to understand how targeted a show was.
Anyway I hope that is useful. Happy to expand on this more if it would help with your triaging of features.
I just checked and I have submitted 1,014 updates to IMDB, which I suspect would appear to be a pittance compared to the top contributors, but I hope it is still evidence that I care about the completeness and accuracy of the IMDB database.
One of my favorite things on the IMDB site is the advanced search, but I wanted to do so much more and I wanted to integrate the data with my own custom algorithms and personal logs. I discovered the .list files provided by IMDB and this has been my basis for an exciting adventure. I am not a professional IT person or programmer. But to do what I wanted I taught myself Access and eventually SQL and Python and Django. I only download the files again about every year because I don't watch a lot of new films but I love adding and updating the data for older and more obscure films.
I'll admit that when I first started, even though I didn't have any database or programming experience, I found the .list files seemed antiquated, but I wrote my own programs to extract the data and place them into an SQL database to work the way I wanted it to. So I am kind of glad that IMDB is moving to some new structures that will hopefully be easier to use even though it will probably mean countless hours for me to rewrite a lot of my program for getting the updated data into my database.
The thing I am most concerned about though is making sure all of the data is still available. I use almost all of it, and what is currently in the S3 files would not be worth me using anymore. So I am glad that it has been indicated that there may be means for the rest of the data to be available still. I will list the information below that I use and how I use it.
What I use the most:
Movie (with stats like release year, number of votes, and rating)
Company (production and distribution)
Country of production
Language spoken
Person (all persons of all roles, and all of their credits on all movies, but most of all directors)
Running time
What I also use often:
Aspect ratio
Cinematrographic process
Film negative format
Printed film format
Movie connections
Release date
What I also use but rarely:
Film length
Sound mix
Also I used ALL OF THE ATTRIBUTES of these items
All of this is strictly for personal use. It is primarily for me to log films I've seen and track data about them and to run interesting queries in the database to find interesting results and patterns within the database regarding connections between all of these stats listed above. However it also can result in me identifying information that needs to be updated in the IMDB database that I can then submit updates for. I have had thoughts before about some day creating something available for public use, but that may be a pipe dream, and if I did ever do it I would of course pay for the license to do so.
So I hope that through this transition that all of this information will be made available in a complete and easy way for contributes like me who wish to have the information.
One other thing I'd like to request: the most useful thing you could add to the datasets you make available would be for movies and for the people to list the IMDB ID used in the IMDB URL for each of the movies. For instance in the dataset for movies for the entry for "The Godfather" it would list the ID as tt0068646 which corresponds to the webpage for "The Godfather" which is http://www.imdb.com/title/tt0068646/. Or for instance for the person Alfred Hitchcock the ID nm0000033 which refers to his page at http://www.imdb.com/name/nm0000033/
Thank you for considering my situation.
IMDb is a community-driven website that relies on the mass of users for nearly everything, from reviews to ratings, to episode and movie release dates yet somehow most of those things are missing from the data dumps. You owe it to the community to give back and 'complete' data dumps in the form of an S3 bucket where the devs pay for bandwidth is the least you could do.
The tens of thousands of users that left reviews or ratings didn't do so for the benefit of a corporation. We contribute information to large repositories like wikipedia or IMDb because we want people to have access to it, and we do so hoping that the gatekeepers will do their best to keep all out there and easily available...but instead you guys have gone the opposite way. Everything needs to be accessed through your interfaces or apps, what you do give back is anorexic in comparison to what you take, and yet you still rely on users to feed you information for your business model to even work...
I urge you to seriously reconsider this philosophy or at the very least have a moment of honesty with the developer community and explain yourselves better. There is no reason to have omitted all of this information and I'm starting to think that there is also no reason to contribute or rely on your website.
You guys have spent the past 30 years harvesting your users for data while providing decent dumps of your database, and now that we've all learned to rely on you guys, you're taking that away. Take a page from Google: "Don't be evil".
Thank you for your continued feedback. As we review your feedback and work on the HTTP solutions described by Col and sv above, we are revising the shutdown date of the IMDb FTP sites to December 28, 2017.
More updates will be provided closer to that time. Thank you.Chris
I still harbor resentment that imdb made me do this, and is so uncommunicative. It is clear that imdb has no respect whatsoever for people using these files, their unwillingness to communicate their plans speaks volumes for the disregard they have for users here.
You would think a company that built its data on the back of volunteers and public submission of data would see the value in giving back, but it appears they are in full amazon mode now. Petty, overworked, and customers are $.
I wonder would Col have done it the same again, if he could do it over. Hes probably covered by a non-disparagement, so I doubt he can really respond as he might like to.
Anyway, failing to provide the promised data, and witholding the information about what is changing next tuesday is pretty much par for the course for the new amazon.
@Gardner von Holt
I've nearly moved over to tmdb but it's been a bit complicated trying to get data dumps from them (though possible). I was wondering, are you recreating their entire database or just querying as needed? I'm writing a script to download and update a database in-place for tmdb and thought I'd check if others are doing it too.
Could some IMDb staff confirm when will the last batch of flat files/data sets be issued and made available on the FTP sites?
The Berlin one still mentions 2017-09-10, a Col Needham post mentions November, 7, and the latest set available was issued on November 24...
Thank you in advance for some clarification of the roadmap!
I received no answer to my question above (I was only indicated that the question was forwarded to the "FTP team")
That is the end of a 27 y old story, which started at the university of Cardiff, building the biggest film-related database with contributions from all over the world, but in return, making the data available on those FTP servers for free.
Col N. repeated still recently that they are working on a http solution, on top of the S3 service proposed on Amazon infrastructure, which is rather complex, above all is not free and last but not least: partial.
And now FTP is closed.
Hey you guys, obviously, you have a vacant project manager position (I mean: a real IT project manager). I can make myself available if you wish.
Otherwise, sayonara, IMDb.
But I confirm, from France, I am prompted a user/pwd on Berlin and connection with the finnish site keeps getting reinitialized.
I will give it another try later.
Is there specific data or tables that your are seeing this issue with?
Can you access earlier versions of the tables by using an earlier date in the path?
To help us track down if something has changed, can you tell us the exact date when you stopped being able to access the datasets on S3?
Many thanks,
Thank you for your response.
How about actors.list.gz? It is not updated after Sep 22 2017?
Earlier in this thread, Col referred to a prototype of a system which can make the same S3 data available to you via HTTP from IMDb directly without requiring any S3 registration and free from any possibility of AWS charges. This system will require an ordinary IMDb user account attached to a valid email address. However, this system is not yet quite ready for production so to help address some of the concerns raised about the 'Requester Pays' access via S3, today we activated an https entry point to provide access to the basic datasets. This https location is here, https://datasets.imdbws.com/ The page http://www.imdb.com/interfaces/ has been updated with this information.
We are finalizing the extended datasets and access model and I will post an update about that as soon as it is ready.
The final build of the data that gets published to the FTP mirrors occurred yesterday so those mirrors contain the final FTP snapshot. While the data on the FTP servers will not be updated going forward, we will not remove the data for at least the next few weeks so people who need that data can still download it.
Could you please state the charset used to published the text files?
The files are in the UTF-8 character set. I have pushed out an update to the http://www.imdb.com/interfaces/ page to add that to the file details section.
Best regards,
That Cyrillic aka title does not appear in the aka-titles.list.gz file on the FTP site.
It looks to me as if the new system is including data that the old system could not handle.
By the way, on the German FTP server there is a new directory "frozendata". The files are now available both in
ftp://ftp.fu-berlin.de/pub/misc/movie... and
ftp://ftp.fu-berlin.de/pub/misc/movie..., but I guess that in the long run, only "frozendata" will remain.
Something I don't understand is about the genre information. For all the movies that have more than 3 genres, only the first 3 in alphabetical order are reported.
For example for "Dunkirk" (tt5013056) the War and Thriller ones are omitted.
And Dunkirk really is a "War" film... I cannot get the reason for this limitation.
In fact, also imdb.com has this problem. The top bar lists only 3 genres, but then in the "Genres:" tag has all of them.
I would be also really great if you can add also the "Country" and the "Keywords" information. This info is really important to categorize movies. Without it I have to resort to scraping your site, that is something I would like to avoid.
That and the fact that they want everyone's contact info and names for data dumps tells me that they're not happy about sharing that much anymore.
What they're completely forgetting is that the public shared with them first.
In the new datasets, the primary key is TCONST, which is not human readable. Like Hostnames and IP addresses, Hostnames are much easier to remember and more meaningful than the IP address.
I hope IMDb could update title.basics.tsv, or create a new dataset, to relate TCONST (new primary key) with FQIT (old primary key). This would go a long way to addressing mine (and I assume others) issues.
I understand a few FQIT's change over time and have developed processes to address it. Not really an issue for me.
So I am really glad to be able to peg the data model on TCONST and NCONST, and I am goingg to take this opportunity to create a major evolution of my database. But a dataset reconciling FQIT and TCONST would be welcome for sure!
Nevertheless, I am going to hold it for a while, as the name IDs, NCONST, come up to 95000000, so I guess that IMDB will soon roll out a longer lasting code/structure/syntax.
Among the other side wishes, pending the availability of extended datasets, I would appreciate that https://datasets.imdbws.com/ indicates the update dates of the available sets. But I am sure it will come in time.
Currently it is (still) not clear which additional data will be available to match the old LIST file content. We've only heared some vague promises.
For the access to the extended dataset I've only provided some minor corrections to the IMDb dataset itself which in my eyes would not qualify me to get access to the full data. On the other hand I'm a developer of an application which is around for years (18 year as I said above) supporting the LIST file format. This should allow me to get full access.
We will see what happens in the future.
I hope to release a new version of my application soon (the new TSV file format is supported as in 'it is read' but not used on the query side yet).
The final build of the data that gets published to the FTP mirrors occurred yesterday so those mirrors contain the final FTP snapshot.
Will that final build be pushed to the FTP site(s)? The dates on most of the files are from several days before that final build. Thanks.
The error in the business.list.gz file is the title "Akemarropa" (2009) which can be found in line 2.264.972 and also in line 2.265.001.
In case you missed it, just note that the Dec 22, 2017 publication is known as the last and final one.
I've invested a tremendous amount of time in creating code to parse these dumps. At my current bill rate, it's tens of thousands of dollars. As a film enthusiast and software professional, these dumps were a great way to do both at the same time.
While this is very sad for my home, for-fun project, I think it is unfair to think that Amazon is doing this as a money grab. Amazon has world class data infrastructure in AWS, and it's only natural that eventually they would want to move people onto AWS and away from legacy systems that were built in the 90s. I don't know much about the internals of IMDb, but I would expect that the system that created the FTP dumps is at least a couple generations away from the system that feeds IMDb.com.
That said, are there any tutorials on specifically getting IMDb data through S3? I am pretty comfortable with the programming involved, but have not worked with Amazon S3 before. imdb.com/interfaces states the entry point is https://datasets.imdbws.com/, but I need details on how to construct the SOAP or REST calls.
If you do want to construct the HTTP requests directly, then you need to go read Amazon's S3 docs.
i was so happy that this new file includes the language of the movie as well now
but either the languages of the movies are wrong in that file, or something is missing
if a movies does not have an akas title, is it by default in english language ?
and why have movies with type = original and isOriginalTitle = 1 no language defined at all ?
thanx in advance for any help
this seems to go into the right direction
I would like to download special customized fields to my watchlist download or customized list that include Title, Release Year, Country of origin, type of title (movie, tv, miniseries, etc...), cast + character, director, description. The watchlist download currently has title, full date, director, type of show, and numerous links & ratings (that I do not want). WHO CAN HELP ME WITH THIS??? If I need IMDBpro, I will definitely get it. By the way does Amazon own IMDB? What about the software programs referenced -- do I need those like open source software like Linx, Apache, GNU and Linux utilities. I am just sole proprietor helping an inmate with compiling movie data not a major corporation. PLEASE HELP PLEASE HELP. YOU CAN REACH ME AT firstname.lastname@example.com, firstname.lastname@example.com, firstname.lastname@example.com and/or 540 915 0683
in ttprincipals.principalCast (and probably the other multivalued fields), I cannot figure out the sorting criteria: it is neither the one displayed on screen, nor the nn9999999 code itself, nor the resulting alphabetical order.
Please, could an IMDB rep clarify this?
Thanks in advance.
So for example, if you wanted the cast list for this film, Day of the Outlaw, you would go to actors.list and actresses.list and build a list of anybody who had a record that started with "Day of the Outlaw (1959)" and then use the role and credit order to build the full list. In this case, Tina Louise has an entry
Day of the Outlaw (1959) [Helen Crane] <3>So we know that her character was "Helen Crane" and her credit order was 3rd. This matches what you see on IMDb.com. actors.list and actresses.list were really big files, so that was a fair bit of work if you wanted to discover the cast on a specific movie, but at least the data was there and not too hard to parse if you knew what to look for and minded the whitespace correctly.
What we are getting in title.principals seems to be a pseudo-random list of cast and crew with no differentiation between them, except (maybe) influenced by the popularity meter that IMDb maintains. Maybe Alexander Courage, a crew member, is popular because of his association with Star Trek.
I know that IMDb has chosen to make most of its data unavailable to the public and we can't go back to the old days, but could we at least get the cast data from actors.list and actresses.list? That way we can build an accurate list of performers, in the proper credit order.
So for example, if you wanted the cast list for this film, Day of the Outlaw, you would go to actors.list and actresses.list and build a list of anybody who had a record that started with "Day of the Outlaw (1959)" and then use the role and credit order to build the full list. In this case, Tina Louise has an entry
Day of the Outlaw (1959) [Helen Crane] <3>So we know that her character was "Helen Crane" and her credit order was 3rd. This matches what you see on IMDb.com. actors.list and actresses.list were really big files, so that was a fair bit of work if you wanted to discover the cast on a specific movie, but at least the data was there and not too hard to parse if you knew what to look for and minded the whitespace correctly.
What we are getting in title.principals seems to be a pseudo-random list of cast and crew with no differentiation between them, except (maybe) influenced by the popularity meter that IMDb maintains. Maybe Alexander Courage, a crew member, is popular because of his association with Star Trek.
I know that IMDb has chosen to make most of its data unavailable to the public and we can't go back to the old days, but could we at least get the cast data from actors.list and actresses.list? That way we can build an accurate list of performers, in the proper credit order.
So for example, if you wanted the cast list for this film, Day of the Outlaw, you would go to actors.list and actresses.list and build a list of anybody who had a record that started with "Day of the Outlaw (1959)" and then use the role and credit order to build the full list. [...]That's true if you do it manually, but it's no work at all if you are using proper software. I am using AMDbFront for parsing the FTP files, and here is a screenshot:
This matches what you see on IMDb.com. actors.list and actresses.list were really big files, so that was a fair bit of work if you wanted to discover the cast on a specific movie, but at least the data was there and not too hard to parse if you knew what to look for and minded the whitespace correctly.
So for example, if you wanted the cast list for this film, Day of the Outlaw, you would go to actors.list and actresses.list and build a list of anybody who had a record that started with "Day of the Outlaw (1959)" and then use the role and credit order to build the full list. [...]That's true if you do it manually, but it's no work at all if you are using proper software. I am using AMDbFront for parsing the FTP files, and here is a screenshot:
This matches what you see on IMDb.com. actors.list and actresses.list were really big files, so that was a fair bit of work if you wanted to discover the cast on a specific movie, but at least the data was there and not too hard to parse if you knew what to look for and minded the whitespace correctly.
According to your website: (http://www.imdb.com/interfaces/) "The dataset files can be accessed and downloaded from https://datasets.imdbws.com/. The data is refreshed daily." I'm looking at the downloadable file: name.basics.tsv.gz , according to that file (downloaded 12/30/2017)...Victor Brooks (nm0003499) is not deceased, but if you look up nm0003499 on your website, he died in 1999. Same for Leslie Adams (nm0011145)...he is alive according to name.basics.tsv.gz, but if you look nm0011145 up on your website he is deceased as of 1993. Are these dataset files no longer updated? Thanks
None of these sound like an equivalent to the ftp's business.list
Related Categories
Data Issues & Policy Discussions
- 30382 Conversations
- 4551 Followers


text:
The best video surveillance system
best wifi camera
best wifi camera
How far can a dome security camera see? What is a good inexpensive wireless security camera system?
Security cameras selection isn't the only important step in implementing video management software. The software behind the camera must support the features each user is looking for. Video Surveillance Best Sellers: Best Surveillance Security Cameras
Download free version
P2P video surveillance
Strangely enough, there are still practically no inexpensive, convenient, modern products for small companies and home users on the market. Solutions that allow you to detect objects are too expensive and difficult to implement.
The system is based on artificial intelligence and p2p technologies. In this case, server capacities and high costs for video transmission and viewing on a remote computer or phone are not required.
In cloud solutions, a significant part of the cost is the cost of traffic and servers for encoding and decoding video streams, as well as for ai-analysis.
For P2P technologies, encoding and decoding on servers is not required. The server only connects cameras and remote devices.
The video stream is transmitted directly through peer-to-peer connections, bypassing the cloud service.
Web Camera Pro
- p2p video surveillance with artificial intelligence.
best wifi camera
VMS software must be fast, light, and versatile enough to meet any security needs, have stable performance, setup of cameras is easy, requiring users to simply decide between motion detection or continuous recording, enter a camera name, and configure how long files should be kept. Discover the best Surveillance Security Cameras in Best Sellers. ... Wyze Cam Pan 1080p Pan/Tilt/Zoom Wi-Fi Indoor Smart Home Camera with Night Vision,. The software usually offers a daily summary video creation option and is well integrated with technology for license plate recognition.
Best security camera 2020: monitor your home and stay safe with ... The best home security cameras in 2020 | Digital Camera World
The best video surveillance system
Surveillance FAQ


text:
A limited number of "March to Soccer" 4-packs are available for both of the Colorado Rapids' home matches in March. The March to Soccer offer includes four tickets plus four $5 vouchers to use at any Dick's Sporting Goods Park concession stand or the team store for only $52.80. Order yours today by clicking on one of the matches below:
Colorado Rapids vs Philadelphia Union
Saturday, March 9, 2013 4:00PM
Colorado Rapids vs Portland Timbers
Saturday, March 30, 2013 4:00PM
Parking is included in the cost of each ticket.


text:
Encountering new amulets is always a unique and wonderful experience. Being one of the instruments to make the amulet available to some people is even a bigger blessing. Just recently another powerful wealth amulet was introduced in this blog, the amulet is called the Vaisravana – Dzambhala Wealth Amulet, and while it is a fairly new amulet to be read about, it is technically an old amulet since the instruction of it was found by my Guru Lama about 20 years ago in a Tantric Buddhist Scripture, whose original copy is said to have been written by high lama in Tibet approximately 1,200 years ago. This means, the amulet itself has been existing at the very least 1,200 years or maybe even more. There were several initiation for an amulet in the said Tantric Buddhist Scripture, and several are in use now, however, as to why this particular amulet has not been regularly used, nobody knows.
In the post called THE VAISRAVANA – DZAMBHALA WEALTH AMULET: AN INTRODUCTION TO A VERY POWERFUL WEALTH AMULET, I wrote about how Guru Lama in a deep meditative state discovered the holy book (a copy of the original one) where the instruction and ritual in making this amulet was written. He also made this amulet for the first time for one of his Sangha member who at that time lives in poverty but is now one of the famous rich Singaporean businessmen.
Although that was the first time Guru Lama made the amulet, it was definitely not the last. From time to time, he will make the amulet for some people who badly need it. And today, I will share one of the stories whom Guru Lama has blessed by making this amulet for that person.
Chun Qiet (CQ) is a Malaysian – Chinese who was born in Singapore. His parents are both devout Buddhist and are Sangha members of the temple where Guru Lama serves as Abbot. His family would always go to temple and Guru Lama knows the family quite well. One day, tragedy strike, CQ's family had an accident and both of CQ's parents died.
CQ was left with his father's business. But CQ was only 19 then and he is not familiar with the business. An uncle came to help, but after 4 years they soon found out that he is not capable of running his brother's business and suggested to CQ to just sell the business. Since CQ is close to Guru Lama, he sought him out and asked for blessings. CQ confessed that if he doesn't sell the business he might be left with nothing. He might have to sell their house. But at the same time he confessed that he doesn't want to sell his father's business because he feels that it is his father's legacy.
Guru Lama doesn't agree that CQ's father's legacy is the business because he believes the CQ's father's legacy is CQ himself, who has proven himself to be a responsible and good young man.
After that conversation that Guru Lama had with CQ, he decided to make the Vaisravana – Dzambhala Wealth Amulet for CQ.
Note: That was not the second time Guru Lama made the amulet; he has made it for several other people.
After receiving the Vaisravana – Dzambhala Wealth Amulet, CQ was approached by an old friend of his father to ask about his welfare and the business. CQ opened up about his dilemma, and surprisingly this 'uncle' offered to invest in the business so CQ can help bring it back up, but on top of that he offered to help in the business. CQ's uncle was initially reluctant because he was afraid that his brother's friend would just take over the business. But somehow CQ realized that he got nothing to lose and he decided to just plunge into it, besides he felt that the amulet would help him.
Well, it did. That was 14 years ago. CQ is now again the sole owner of the business he inherited from his father. He has since made the business bigger. His father's only guided him in the business for 3 years after which he gradually left the business until it was made official thru legal papers again 7 years after he invested and 'meddled' in the business. CQ has since then 'bought him out' of the business again, obviously this was done amicably. CQ firmly believes that it was because of the amulet that he was fortunate enough to be reacquainted with his father's friend.
Guru Lama explains that the Vaisravana – Dzambhala Wealth Amulet is not an amulet that gives you a quick rich blessing. Although, he has seen this happened also. However, he said the main effect of the Vaisravana – Dzambhala Wealth Amulet is protection; protection that you don't lose your wealth or money, but it is also helps you create your wealth by leading you to the right people and to the right sources. Guru Lama explains that in "Maha Biddhuya Vaircona Abihidisambohi Vikurvitadthisnana Vaipulya Sudrentaha Raja Nama Dharma – Paryaya", the Tantric Buddhist Scripture or book where he found the guideline for the initiation of the Vaisravana – Dzambhala Wealth Amulet, it clearly states that this particular wealth amulet is an amulet that helps gather wealth sources for you, then helps you actualize your wealth, after which it will stabilize it and makes it a continuous process to help your wealth grow bigger and bigger. Thus it is imperative that the container is a cylindrical metal to represent continuity and stability. What does this mean? It means it is unique in such a way that it doesn't pull out from your bazi or karma or own luck the money, but rather it creates wealth luck for you. Other amulets like the Vajrapani Ruel, which is mainly a protective amulet but has a very high percentage of wealth luck manifesting features, will bring wealth luck to you if you have wealth luck base on your bazi or karma. Our life are pre – determined, but this doesn't mean that it is only pre – determined on a single path, it is pre – determined with various paths, the normal is 3 – 4 paths, sometimes more, but there are times that it is only 2. However, admittedly there is a single path is more dominant than all the other paths. And what the Vajrapani Ruel and the other amulet does is get your wealth luck from all the other paths. The Vaisravana – Dzambhala Wealth Amulet is unique in such a way that even if there is no wealth luck in all the 'paths' of your life, it creates it for you. So in a way it changes your wealth destiny. So this amulet is very good for people who absolutely don't have wealth luck. Nevertheless, for those who have wealth luck already but are unable to tap into it, the Vaisravana – Dzambhala Wealth Amulet helps pull those luck for you, make it attainable and then creates a new path for you so that it becomes sustainable and continuous, it is not a "one time, big time" thing.
Inside the metal container are the consecrated mantras of King Vaisravana, the chief of the Four Heavenly Kings, and a known wealth god, with the consecrated mantras of the Yaksa (also spelled as Yaksha) wealth gods: Green Dzambhala, White Dzambhala, Yellow Dzambhala, Red Dzambhala, and Blue Dzambhala/Black Dzambhala!
Note: Dzambhala is also spelled as Dzambala, Jambhala, Jambala, Zambhala, Zambala.
The mantras were printed under strict Mahayana guidelines found in the Tantric Buddhist book and then consecrated under strict Mahayana – Hinayana initiations. It was then sealed under special prayers and mantras that a high lama like Guru Lama can chant.
Some of you might be asking why create a wealth amulet. That is because whether we accept it or not we are living in a time where there is a lot of uncertainty and money problems or financial problems seems to becoming more common. We all want and need financial blessings or money blessings and there is nothing wrong with it. It boils down to the intent and purpose; those are the things that determine the goodness or evilness of having money.
Majority of my readers are Christians, which is ironic because a lot of those attack my site as evil are also Christians, and I'm sure a lot of you will be asking whether isn't this bad because 'money is the root of evil'.
Money is not the root of evil. Money is simply that money, it's a tool. It's just like a computer or an iron or a chair or car, how we use it makes it evil or good. We are the root of evil, but we are also definitely the root of goodness. What we make of it determines whether it becomes evil or not.
To further answer whether money is bad, or wanting to be wealthy is bad or not, allow me to share something with you.
There is a silent but big number of theologist and scholars who believes that Christianity actually evolved from Buddhism. I have written about this in the past but to briefly put it, Christianity existed about 500 to 1000 years after Buddhism. And the similarities are simply astounding. For example, the Holy Trinity: God the Father, God the Son, God the Holy Spirit are very similar to the concept of the Holy Trinity of Buddhism which consists of Amitabha Buddha (who even is not considered as Shakyamuni Buddha's father is actually an 'older' Buddha and was the one who sent Bodhisattva Vajrapani to protect Sakyamuni Buddha on the eve of his full enlightenment), Buddha Sakyamuni (who is the Buddha of our world, who became human first and it has to be noted, if there is a tempting of Jesus Christ, there was also a tempting of Sakyamuni Buddha on the eve of his enlightenment), and Bhaysajyaguru Buddha or better known as Medicine Buddha (which is the only celestial Buddha, a Buddha that didn't assume a human physical form). As you can see one can see that here this three Buddhas is similar to the Holy Trinity of the Christians.
Furthermore, the concept of the Holy Mother or the Virgin Mother can be akin to Bodhisattva Avalokitesvara who became Kuan Yin Bodhisattva. Even the white dress with the veil is very much similar. Not to mention her ascension is very similar to the ascension story not of Bodhisattva Kuan Yin but rather of Buddha Sakyamuni's earthly mother.
Note: Bodhisattva Kuan Yin is also called, as already mentioned Avalokitesvara Bodhisattva and the other names are Kuan Shi Yin Bodhisattva, Quan Shi Yin Bodhisattva, Quan Yin Bodhisattva, Guan Shi Yin Bodhisattva, Guan Yin Bodhisattva, Bodhisattva Chenrezig, or Kannon Bodhisattva.
Not only that, the concept of Second Coming is very similar to the concept of the coming of the next Buddha, which is Maitreya Buddha. I can go on and on about the other similarities but I think that is a topic for another post.
I say this because I find it surprising the despite of the many similarities, one of the major difference is how one looks at money or wealth. Most Christians whether Catholic or otherwise are not comfortable talking about wanting to have more money or increasing their wealth. That is despite of the fact churches are quite rich. In Buddhism, there is nothing wrong in wanting more money or having the desire to increase wealth. In fact, Buddhism teaches that wealthy people have good karma, it may or may not be from this life but it can be from past life or past lives. Also, being wealthy makes it easier to practice Dharma and to become kinder and helpful to other people. I'm not saying that it is a prerequisite, but what I'm saying is that it is a good tool to make oneself become more compassionate and be helpful.
Allow me to share a story that supposedly happened thousand of year ago:
Lama Atisha, the revered lama and Mahasiddha, came across an old man, dying of starvation in Bodghaya. Lama Atisha offered his own flesh, cut from his body, to save the old man. But the old man said, "How can I eat a monk's flesh?" Lama Atisha felt helpless in the face of this suffering. In Lama Atisha's moment of despair, Chenrezeig (Guan Yin), the Compassionate One, appeared to Atisha and said, "Out of my eye, will manifest Jambhala, the Buddha of wealth, to help suffering beings. I shall alleviate their poverty so they will not be distracted from practicing the good heart."
This is just one version of the timeless story of Jambhala, a "wealth deity," a profoundly simple story that illustrates why wealth is not necessarily the root of all evils. Again, I would like to bring your attention to the statement that says: I SHALL ALLEVIATE THEIR POVERTY SO THEY WILL NOT BE DISTRACTED FROM PRACTICING THE GOOD HEART. For me this is very important.
Note: The use of Buddha of Wealth is debatable whether it was really the term use. However, some scholars argue that sometimes Buddha is use every time there was selfless act done out of extreme compassion.
Buddhism is all about non – materialistic, and I think it's teaching about wealth and being non – materialistic perfectly compliment each other. If you are wealthy and is non – materialistic then you have practiced or is practicing one of the greatest dharma.
When Jonathan Ciliberto, a famous writer and critic of books especially Buddhist books, reviewed the book "A Shower of Jewels: Deities of Wealth" he wrote that "a lack of money is an obstacle to practice" to dharma or Buddhism. He further stated that, "Poverty itself, can make practice difficult. It is difficult enough to find birth in the precious human realm, our opportunity to practice the Dharma, without adding to suffering with the burden of poverty. One of the great perfections of practice is generosity—helping all sentient being. Instead of thinking of wealth as selfish (or feeling guilt about its accumulation), we should instead consider the Buddhist concept that wealth can be a virtuous means to help others."
In Christianity or even in the West (generally speaking) there is some stigma attached to the idea of accumulating wealth when discussing spirituality and generosity.
Venerable Zasep Rinpoche, during a teaching at Gaden Choling explained that in eastern countries wealth practice is not frowned upon as it might be in western cultures. (I would like to clarify that eastern here refers to non – Christian countries). He further added that while meditating on and trying to accumulate wealth might be perceived as the opposite of generosity, as always with Buddhist philosophy, it comes down to intention. If the intention is to achieve virtuous deeds like generosity, healing, relieving the suffering of others and oneself, then wealth practice and accumulation is a meritorious deed.
In the book "World of Transformation: Tibetan Art of Wisdom and Compassion", which was authored by Marilyn Rhie, David Jackson and Robert A.F. Thurman, the father of Hollywood actress Uma Thurman who happens to be a good friend of Dalai Lama and Tibetan Buddhism scholar and professor, it stated that, "These deities of prosperity are… benevolent, and are helpful to spiritual people by supporting the educational purpose of life in the Buddhist perspective."
It makes sense, if we live in poverty and if we constantly look for money for our day to day survival, we won't be able to progress in our spiritual growth and more importantly we are unable to help other.
The purpose of practicing wealth rituals or wearing or carrying amulets with high wealth effect like the Vajrapani Ruel, Surangama Mantra Amulet or the Traditional Sutra Amulets or wealth amulets like the Vaisravana – Dzambhala Wealth Amulet is mainly to provide the means to help oneself and others. Its purpose is not to live a life of luxury but it's to remove the obstacle to the spiritual practice like eliminating poverty, which is certainly a hindrance.
This reminds me of people like Nanay Socorro Ramos (of the famous National Bookstore) or Bill Gates, or some of my readers like the one in Malaysia or Davao (BM) who despite of being really rich, they maintain a humble and most of all they benefit other people with their wealth. They use their money to help other people.
Now is there anything wrong in wanting to get rich, have money and become wealthy? Well, Buddhism says if the intention is pure, then there is nothing wrong with it.
You can read the following posts to know more about the Vaisravana _ Dzambhala Wealth Amulet:
- The Four Heavenly Kings: Getting to Know Four Powerful Buddhist Gods that Helps Bestwo Wealth, Success, Peace, and Protection.
- The Vaisravana – Dzambhala Wealth Amulet: An Introduction to A Very Powerful Wealth Amulet.
- The Creation of Wealth: Is Wanting to Get Wealthy A Sin and A Vaisravana – Dzambhala Wealth Amulet Miraculous Story Shared by My Guru Lama!
- Why "Creation of Wealth"?: Vaisravana – Dzambhala Wealth Amulet Is An Amulet That Creates Wealth for You and Other Questions, Answered.
- The Creation of Wealth (2): The Taiwanese Employee Devoid of Financial and Wealth Luck on Her Bazi Turned Into a Rich Entrepreneur (A Vaisravana – Dzambhala Wealth Amulet Miraculous Personal Testimony Shared by A Co – Sangha Member).
- The Creation of Wealth (3): The Illiterate Son Whose Only Wish Is For His Parents to Have a Good Life – Another Miraculous Story About the Vaisravana – Dzambhala Wealth Amulet!
For questions, comments, and suggestions please email firstname.lastname@example.com


text:
For the second consecutive year, ESPN is having serious problems with its fantasy games. The above message, which anyone who tries to get in the fantasy game gets right now, has, obviously, perfect timing: If there's one time of the year when people aren't thinking about fantasy football, it's totally right now.
ESPN's Commodore 64 Not Working Today [Deadspin]
(By the way, by pointing this out, we're fairly certain we're doomed to a day full of tech problems here. We'll have it coming.)


text:
Kurt Nimmo
April 12, 2011
A British professor and expert on the health effects of ionizing radiation told Alex Jones today evidence points toward a nuclear explosion occurring at the Fukushima Daiichi complex. Two explosions at the plant in March were described as hydrogen gas explosions by Japanese officials and the corporate media.
Professor Chris Busby on the Alex Jones Show, April 12, 2011.
Citing data collected by two Russian scientists, Professor Chris Busby told Alex Jones and his audience that the explosions at Fukushima were possibly nuclear. The Russian scientists, Sergey A. Pakhomov and Yuri V. Dubasov of the VG Khlopin Radium Institute in Saint Petersburg, examined data related to the explosion at Chernobyl.
Japanese nuclear safety agency raises crisis level of Fukushima Daiichi power plant accident from 5 to 7.
Using ratios of the radionuclides Xenon 133 and Xenon 133m which they measured by gamma spectrometer, the Russians demonstrated that the Chernobyl explosion was a fission criticality explosion and not principally a hydrogen explosion as has been claimed.
A d v e r t i s e m e n t
"I believe that the explosion of the No 3 reactor may have also involved criticality but this must await the release of data on measurements of the Xenon isotope ratios," he writes in a statement on Fukushima and Chernobyl emailed to Infowars.com.
Busby further notes that the surface contamination and of dose rates 60 kilometers out from the Fukushima site on March 17 exceeded that released at Chernobyl.
He explains in his statement that the damaged reactors at Fukushima "are now continuing to fission. It is hoped that there will be no separation of plutonium and possible nuclear explosion. I feel that this is unlikely now." Short of an actual plutonium explosion, the reactors remain open to the air and will continue to "fission and release radionuclides for years unless something drastic is done."
Dr. Busby noted a precedent for the dire scenario now unfolding – a nuclear explosion at a plutonium production reprocessing plant in the former Soviet Union in 1957.
The incident at the Mayak facility was the second-worst nuclear accident in history after the Chernobyl disaster. The explosion released 50-100 tonnes of high-level radioactive waste and contaminated a huge territory in the eastern Urals. The Soviets kept the explosion secret for 30 years. According to a report on the accident, about 400,000 people in the region were irradiated following the explosion and other incidents at the plant.
Stock up with Fresh Food that lasts with eFoodsDirect (Ad)
Dr. Busby told Alex Jones that short of actual isotope readings, he cannot definitely state that the explosions at Fukushima were nuclear, although he believes they were. "We don't have evidence of that," he concluded, "we would need to have the Xenon isotope ratios."
The Emergency Election Sale is now live! Get 30% to 60% off our most popular products today!


text:
Greens policy could see free early childhood course
EARLY childhood teachers could have their university fees waived if a multi-million-dollar Greens proposal was put into action.
The minority party released a new policy on Thursday, which would waive $6000 worth of government university debts for early childhood teachers for each year they worked in long daycare centres.
While the policy aimed to reduce the number of people choosing to study to be primary school teachers, for every 400 people who signed up, it would cost government $2.5 million every year.
A Productivity Commission report on the childcare sector found there were 140,000 people in the industry who had little or no training for the job.
If such a scheme was introduced, and every existing early childhood teacher took it up to study, it could cost the Federal Government about $840 million each year for four years.


text:
On this page you will find the most beautiful flower gifs.
Lot's of water lilys, lilys, and variety of tulips, chrysanteums and flora.
You can share or download all the animated flowers gifs entirely for free. Use the share tools provided on the page to instantly share out the images. To save the flowers animations right click on the gif or for touchscreens press down on the graphic for several seconds. Please give me a link back on your homepage or blog. Every bit of love helps.
Best Animations is a collection of animated gifs found on the web and original exclusive gifs made by us. Gifs can be shared on personal non commercial pages along with a link to BestAnimations.com . Images created by Best Animations can not be edited, can not have the copyright mark removed, can only be used for sharing along with a link pointing to http://bestanimations.com. If artist name appears next to the animation or on the animation then you must check the copyright restrictions with the original author. Please notify the webmaster if you are the owner of copyrighted animation that is not credited and would like to receive credit and a link.
Best Animations is hand crafted since 1999 - 2019.


text:
The Alternative To Honor Oak SE23 Independent Escorts.
Find Women In Your Postcode Looking For Sex. Join Free and Browse 1000s of Profiles. Sex does not have to be complicated.
Wanna Get Laid Tonight?
Find Women In Your Postcode Looking For Sex. Join Free and Browse 1000s of Profiles. Sex does not have to be complicated. Honor Oak SE23
MY Place/Your Place GREAT body 20yr in Honor Oak SE23
Hi my name is Ada im from France. I am 25 years old. I offer GFE and PSE. I also do erotic massages and im a party (...) Honor Oak SE23
Independent Escorts Honor Oak SE23
escort agency Honor Oak SE23, escort service Honor Oak SE23, escort girl Honor Oak SE23, mature escorts Honor Oak SE23, adult escorts Honor Oak SE23, cheap escorts Honor Oak SE23, local escort Honor Oak SE23, independent escorts Honor Oak SE23
Reasons Why Girls Choose Independent Escort Girls Honor Oak SE23
Independent escort is an ideal choice for all who are looking for a discreet, confident and caring companion. The escort business is probably the most extensive and widely available business there is. With the advent of the internet and online booking, you can get any of your partner desires fulfilled at any time of the day or night.
Many would like to know the reasons why escort girls prefer to work on their own. Here are some reasons that they choose this option.
Sincerity- Escort girls need to have their own time to meet their clients. It is also one way of keeping a positive self-image. Most people would take you for granted if you're spending most of your time with someone else. It is also important to give yourself enough space to fulfill your desires.
Comfort- It is important to feel comfortable in your clothes and always look fresh. When you look at the pictures of girls online, you will find that they feel comfortable with the clients. However, we do not want to make them feel comfortable when they are with us. The best way to do that is to be real and different from the usual.
Independent Escorts Honor Oak SE23
Budget- Women love to have more freedom in spending their money. They also like the idea of having their own money to use for whatever purposes they wish. If you're on your own, you will have an option to manage your own money. It is also a way of setting your priorities and spending on the things that you need and want.
An independent escort is mostly the type of girl who goes around by herself. She's the type of girl who takes care of herself and looks after her appearance. An independent escort is confident in herself and the kind of girl who does not mind spending a bit more on their wardrobe.
Personality- This is perhaps the most significant factor. It is obvious that most women would prefer the opposite of what the average person thinks. For example, an independent escort girl will be the type of girl who likes to look good and be attractive. She will be concerned about her look and be confident about it.
Flexibility- An independent escort is the type of girl who can change her mind about things at the drop of a hat. You can be her friend or her lover. As a matter of fact, there is no role that she cannot play and that she can't play. She is the type of girl who is ready to go wherever she pleases.
Freedom- An independent escort is free of any contractual obligations. Unlike the traditional escort girls, an independent escort is not required to be at the club or the hotel or even at the airport at a certain time. Some women also prefer to be at home or in their private area where she is free to change her mind whenever she wants. Therefore, she is the type of girl who is not bound by any contractual obligations.
Different levels of attractiveness- An independent escort is the type of girl who can offer you a variety of services that you need. Although there are girls who are experienced and can offer a variety of services, there are many girls who can offer you the services that you need. There are girls who can cater to your physical needs and there are others who can give you a little bit of both physical and emotional satisfaction.
Reliability- If you choose to go with a girl who has been with her previous clientele, she will be able to give you an assurance. A girl who has been in the business for a while will be reliable in terms of the quality of her service. This will also help you to avoid being scammed or cheated. Most men find escorts online because they know that they are going to get good service from girls who are fully screened.
These are the reasons why independent escort girls prefer to work independently. They are the girls who are happy to make their own hours and decide how they want to spend their money.
call girl Honor Oak SE23, brothels Honor Oak SE23, prostitutes Honor Oak SE23, hookers Honor Oak SE23, sluts Honor Oak SE23, whores Honor Oak SE23, gfe Honor Oak SE23, girlfriend experience Honor Oak SE23, shagging Honor Oak SE23, dogging Honor Oak SE23, fuck buddy Honor Oak SE23, hookups Honor Oak SE23, free sex Honor Oak SE23, sex meet Honor Oak SE23, nsa sex Honor Oak SE23


text:
Home > News & Events > Wayland Press Release Archives > 2003 News Releases > August 2003 > Boren to lead WBU Albuquerque
Boren to lead WBU Albuquerque
PLAINVIEW - Dr. J.B. Boren of Missouri Baptist University has been named dean of Wayland Baptist University's campus in Albuquerque, N.M., effective Aug. 1.
"Dr. Boren has strong academic preparation, experience in adult nontraditional education, ties to the Southwest, and is active in his church," said Dr. Bill Hardage, executive vice president at Wayland. "I think he will add another dimension to our group of deans. He rose to the top of a strong group of applicants."
Boren has held teaching positions at Missouri Baptist University in St. Louis since 1994, specializing in kinesiology, exercise and sport science. Most recently, he has served as associate professor and chair of the Division of Natural and Health Science at MBU and served on several university committees.
He received the Governor's Excellence in Teaching Award for Higher Education from the State of Missouri in 1997 and was recognized with the President's Excellence in Teaching Award by MBU in 1996.
Boren holds a Ph.D. in kinesiology from Texas A&M University in College Station. He also earned a Master of Science in Education degree from Baylor University and a Bachelor of Science in Physical Education from Texas Tech University. His professional interests are in exercise and human physiology, biomechanics, statistics and anatomy.
He is an active Southern Baptist.
Wayland's Albuquerque campus, located at 5325 Wyoming NE, has an enrollment of around 250 students and offers undergraduate degrees in business, religion, human services and occupational education, as well as post-baccalaureate teacher certification programs. For more information on WBU-Albuquerque, contact the campus at (505) 323-9282.


text:
Dir: Pascal Chaumeil. France. 2012. 104mins
A promising premise and five or six genuinely funny gags plus the acting chops of Diane Kruger and Dany Boon aren't enough to make Fly Me To The Moon (Un Plan Parfait) a satisfying comedy. Director Pascal Chaumeil's follow-up to his debut sleeper hit Heartbreaker (L'Arnacoeur), which took 3.7 million admissions in France spins its wheels and never finds the rhythm or chemistry that made the pairing of Romain Duris and Vanessa Paradis in Chaumeil's first film such a jaunty breath of fresh air.
As with Intouchables, there are a few physical gags that will strike some viewers as merely cruel rather than funny. Exotic locations and decent special effects work provide a classy backdrop.
Boon (who made juggernaut Welcome To The Sticks) has a massive built-in following in French-speaking territories. Whether that will translate into impressive returns for a story in which he's a gun for hire remains to be seen. Kruger handles comic beats with ease.
The film's set-up is not half bad although it takes close to forever to spell out. The members of a French family - mother, father, daughter Corinne (Alice Pol) and son-in-law Patrick (Jonathan Cohen) - have invited Corrine's new boss Valerie (Laure Calamy) to Christmas dinner. Recently divorced, Valerie, age 36, is boring her hosts to death with her account of modern dating, finally bursting into tears over the lonely unfulfilled life she faces without a mate.
To counter their guest's despair, the hosts launch into the story of the family curse and how the other (not present) daughter, Isabelle (Kruger), tried to outsmart it. Isabelle's convoluted adventures in Paris, Kenya, Denmark and Moscow comprise the body of the film.
It so happens that for generations, dating back to the 1880s, every last woman in the family has had to endure a failed first marriage in order to achieve happiness with a second spouse.
In light of this dismal record and unwilling to tempt fate, Isabelle, a dentist, consistently refused to marry fellow dentist Pierre (Robert Plagnol), the love of her life. But after 10 years of perfect unweded co-habitation, Isabelle desperately wanted kids. The rub? Pierre said if he fathered a child out of wedlock his family would consider it "the spawn of Satan." No marriage, no kids.
So, they set the date for the wedding. To outsmart the family curse, Corrine and Isabelle secretly undertook the "perfect plan" of the original French title. For a fee, Isabelle was to marry a guy in Copenhagen and divorce him the same day. With her first marriage technically out of the way, her union with Pierre would theoretically be blissful.
But when the arranged marriage falls through, and with the date of the real marriage to Pierre around the corner, Isabelle decides any guy will do. She picks funny-looking doofus Jean-Yves (Boon), her seatmate on the plane from Paris to Denmark, to whom she was mighty rude. He's a Moscow-based travel guidebook writer en route to Kenya.
Isabelle buys a ticket to Nairobi and sets out to seduce him. Hilarity does not ensue.
Fortysomething Jean-Yves, who hasn't had a steady girlfriend since he was 12, can't imagine why this gorgeous, shapely blonde is so interested in him. Still, after much local colour and meandering through the lowlands around Mount Kilimanjaro, Isabelle achieves her goal in a manner she thinks will defeat the curse while leaving no administrative traces. Wrong.
More hilarity does not ensue, although matters do pick up after the first hour and there are a handful of resonably clever set-pieces that liven up the overlong proceedings.
The camera returns to the Christmas dinner party at several intervals as the tale drags on. While not entirely predictable, the narrative still feels clunky. Isabelle's mercenary mission involves so egregiously mistreating Jean-Yves that the audience has very little invested in her eventual happiness.
As with Intouchables, there are a few physical gags that will strike some viewers as merely cruel rather than funny. Exotic locations and decent special effects work provide a classy backdrop. French reviewers are pointing out that this October 31 release is allegedly Kruger's first comedy, but it must be said that she was skillfully amusing in National Treasure and Inglorious Basterds.
As an interesting side note, French cinema chain MK2 has chosen this title to launch an experiment in showing new French films in Paris with English subtitles in the theory that some 400,000 English-speaking residents of greater Paris might appreciate the gesture.
Production companies: Quad Films, Universal Pictures International France, TF1 Films Production, Scope Pictures, Les Productions du Ch'Timi, Yeardawn, Chaocorp Distribution
International sales: Kinology, firstname.lastname@example.com
Producers: Nicolas Duval, Yann Zenou, Laurent Zeitoun
Screenplay: Laurent Zeitoun, Yoann Gromb, Béatrice Fournera from an idea by Philippe Mechelen
Cinematography: Glynn Speeckaert
Editor: Dorian Rigal-Ansous
Production designer: Hervé Gallet
Music: Klaus Badelt
Main cast: Diane Kruger, Dany Boon, Robert Plagnol, Alice Pol, Jonathan Cohen, Laure Calamy, Etienne Chicot, Bernadette Le Sache


text:
(Columnist Maddox says Barron belongs in Congress).
The Honorable Elijah Muhammad would often say that Congressman Adam Clayton Powell, Jr. was the only Black elected official who qualified for our vote.Â
In other words, you should be very careful about putting a sell-out in political office. Blacks ignored his advice. Today, politics is infested with Black sell-outs. They serve as buffers between field Blacks and white slavemasters.Â
See for example Congressman Charles Rangel. We are paying a heavy price. Statistics show that as we put more Blacks in politics, our condition is getting worse. Blacks are endorsing their own oppression. The Honorable Elijah Muhammad also advised Blacks to do for self. Most persons associate this advice with economics. Dick Gregory embraced this advice, ignored traditional politics, and ran for president as a write-in-candidate. This was 1968 and the first presidential campaign in which all Blacks, on paper, enjoyed legal protection.
A do-for-self candidate ignores running as a Democrat or a Republican. A purist runs as a write-in candidate. A bid as an independent candidate comes in second and a third-party candidate comes in third. Dick Gregory ran as a purist and his campaign stopped the Democrats from taking Black voters for granted. A donkey was kept out of the White House because Gregory's campaign controlled the margin of victory. In either economics or in politics, you only need to control the margin. This gives political leverage.
Seeing that Gregory was on to something, the political establishment started to put money into Black politics to kill connecting Mr. Muhammad's advice to politics and to replace Gregory with the "Country Preacher� as the paradigm for Black politics. "Run Jesse Run.� "Run Jesse Run.� The Democratic Party intends to promote City Councilwoman Yvette Clarke to Congress for selling out Blacks locally—See Atlantic Yards Project. Her recent success in the primary election in the Eleventh Congressional District was the product of a bait and switch campaign and the fear of New York City Councilman David Yassky facing Ollie McClean.
With strong volunteer support and fund-raising efforts, McClean, an independent candidate, could be the spoiler. McClean made history. A Black person is not supposed to secure an independent bid for Congress. She will be the first Black independent in Congress. New York City Councilman Charles Barron is currently the only Black elected official to qualify for our vote. Unless we take immediate action, an injustice is about to occur in New York. The sell-out, Yvette Clarke, will be going to Congress and Charles Barron will remain in the New York City Council.        Â
It will prove that the white ballot is "sweeterâ€? than the Black ballot. So far, only whites have promoted Blacks politically since they own the Democratic and Republican parties. Under this approach, only Blacks, who sell out their people, get promotions. Blacks can change this format on November 7 by supporting a write-in campaign and promoting Barron to Congress.       Â
It will take an army of show-ups to form immediately to promote Barron. This organizing campaign will start in earnest at the Elks Plaza, 1068 Fulton Street (Harriet Tubman) in Brooklyn on Wednesday, October 4 at 7:30 p.m. Tell family, neighbors, co-workers and friends.  How to write-in Charles Barron in the polling booth will be a key discussion. Next year, he should be in Congress from the Tenth Congressional District and conducting foreign policy with world leaders like Hugo Chavez, Robert Mugabe and Fidel Castro.Â
The New York Board of Elections, however, refuses to teach poll workers about the write-in vote and for good reason. The political establishment is unable to keep a write-in candidate off the ballot. Pre-screening in politics is the key to maintaining the status quo.
To subscribe to New York's favorite Pan-African weekly investigative newspaper please click on "subscribe� on the homepage or call (212) 481-7745. For advertisements or to send us a news tip contact firstname.lastname@example.com "Speaking Truth To Empower,� is our motto.
I think you have "Filtered HTML" turned on here. If you switch to "Full HTML," it will probably...
Black Star News has been producing stellar investigative journalism since 1997, including focusing on police brutality and other abuses targeting marginalized communities. We have broken several major stories. We welcome news tips to email@example.com and email@example.com
We need your advertising support to produce strong journalism, especially during periods of economic instability, so please contact email@example.com for advertising rates and long term packages.
Black Star News has been producing stellar investigative journalism since 1997, including focusing on police brutality and other abuses targeting marginalized communities. We have broken several major stories. We welcome news tips to firstname.lastname@example.com and firstname.lastname@example.com
We need your advertising support to produce strong journalism, especially during periods of economic instability, so please contact firstname.lastname@example.com for advertising rates and long term packages.
All content is copyright Black Star News © 2011. All rights reserved.


text:
Frequently Asked Questions
SJU Parents and Families
When will my student receive specific information regarding commencement?
Degree candidates will be sent information from the Office of Academic Affairs by early February (by email). This includes information for obtaining their cap and gown, ceremony and lunch tickets, etc. All commencement information will be posted on this website and will be updated as new information becomes available.
Do we need tickets for the Baccalaureate Mass?
No. All guests are welcome to the Baccalaureate Mass at 10:00 a.m. on Sunday, May 12 in the Abbey/University church. The Mass will last approximately 90 minutes.
Do small children need a ticket to the commencement ceremony?
Infants to 2-year-old children do not need a ticket, as long as the child is not occupying a seat.
On our arrival to campus, where can we park?
There will be parking available in the various lots on campus; however, they fill up quickly. There is additional parking in the Flynntown area with shuttle service between there and the east side of the Abbey Church. The shuttles will also go through the Science and Palaestra lots en route to the church. The shuttles will run from 9:00 a.m. to 5:00 p.m.
Will a state issued disability hang tag be honored to allow parking on campus and in designated disabled parking areas?
Yes. State issued permits authorizing use of accessible spaces for people with disabilities are honored on campus. Please make sure it is displayed properly. Spaces are available on a first come, first served basis.
How early should we arrive at the church for the commencement ceremony?
The doors to the Abbey/University church will open at 1:00 p.m. for the ceremony. Graduates will begin to assemble at their specified locations at 1:15 p.m. The academic procession of the graduates, faculty and platform party will begin promptly at 2:00 p.m.
How long is the commencement ceremony?
Once the academic procession is complete and the ceremony begins, it will last approximately two hours.
Can I arrange for special needs or disabled seating for a family member at the commencement ceremony?
Each graduate attending the ceremony has an opportunity to inform the University of guests who will be attending for whom special services are needed. Please contact the Office of Academic Affairs. This information will be of assistance to commencement planners so that adequate disability seating is provided in the church. As a graduate, if you have special needs concerning the academic procession or commencement ceremony, please bring this need to the attention of staff in the Office of Academic Affairs.
What do I need to know about photographing and videotaping my graduate?
As a courtesy to the graduates, and all in attendance, we ask that you remain outside of the ceremonial area during commencement exercises if you are taking photos. In cooperation with Saint John's University, Grad Images will photograph the graduates as the degrees are being awarded. More detailed information can be found on the Grad Images website.


text:
May contain in-game purchases
Gran Turismo™ Sport
Polyphony Digital Inc
Full Game
PlayStation®VR is not for use by children under the age of 12.
This item includes some VR content. PlayStation®VR and PlayStation®Camera are required to experience VR functionality.
From the first dizzying rush of acceleration to the last split-second finish the real driving simulator is back. Experience the thrill of racing motorsport's fastest cars in intense online competitions and classic single-player game modes – geared for new drivers and seasoned pros alike.
• Get behind the wheel of over 170 of the world's most sought-after vehicles, with true-to-life visuals and stunningly realistic handling.
• Race on masterfully recreated tracks in iconic locations, including the legendary Nürburgring and Tokyo Expressway.
• Compete against the world in official, FIA-endorsed online championships, and in GT League – a single-player campaign mode featuring classic cups and endurance races.
Internet required for most functionality.
1-2 players
Network Players 2-20 - Full game requires PlayStation®Plus membership to access online multiplayer
DUALSHOCK®4 Vibration Function
Remote Play Supported
HD Video Output 720p,1080i,1080p
PlayStation®VR is compatible with this product.
PlayStation® VR and PlayStation® Camera required for VR functionality.
Download of this product is subject to the PlayStation Network Terms of Service and our Software Usage Terms plus any specific additional conditions applying to this product. If you do not wish to accept these terms, do not download this product. See Terms of Service for more important information.
One-time licence fee to download to multiple PS4 systems. Sign in to PlayStation Network is not required to use this on your primary PS4, but is required for use on other PS4 systems.
See Health Warnings for important health information before using this product.
Library programs ©Sony Interactive Entertainment Inc. exclusively licensed to Sony Interactive Entertainment Europe. Software Usage Terms apply, See eu.playstation.com/legal for full usage rights.
Gran Turismo™ Sport ©2017 Sony Interactive Entertainment Inc. Published by Sony Interactive Entertainment Europe. Developed by Polyphony Digital Inc. "Polyphony Digital logo", "Gran Turismo" and "GT" are registered trademarks of Sony Interactive Entertainment Inc. Manufacturers, cars, names, brands and associated imagery featured in this game in some cases include trademarks and/or copyrighted materials of their respective owners. Any depiction or recreation of real world locations, entities, businesses, or organizations is not intended to be or imply any sponsorship or endorsement of this game by such party or parties. All rights reserved.