text:
[…] is a concept I discussed recently, but I think this is the first project I've seen to implement it. The idea is that it might […]
22 July 2014 | 128 Comments
The KS Experiment series is a new type of blog entry where we feature a different, new, or innovative method for Kickstarter projects to be more attractive to backers and creators. We're not advocating these ideas–we're just putting them out there to get feedback in the polls and comments.
I've been having some interesting, inspiring conversations with one of the owners of Cool Mini or Not, Chern, today in the comments of this blog entry and this one (his insights are definitely worth reading).
For a while now I've been toying around with a new model for Kickstarter projects in terms of early birds, exclusives, premium options, and pricing structures, and Chern's insights have made me want to delve deeper into them.
I currently don't have a Kickstarter project in the works, so it seems like a good time to get your thoughts on this model (see polls and comments below). It's an amalgamation of a bunch of different ideas and mostly applies to board games, but it could work for other project categories too.
Please note that I'm neither for or against any of these ideas–at this point I'm just gauging the wisdom of my readers to see what they think.
Picture this stretch goal chart on a project page (obviously it would be much prettier):
Here's what's going on in this chart:
Pricing Based on Current Stretch Goals
Basically, it's a different type of early bird structure. Instead of being based purely on time, it's based on stretch goals. Every time you reach a big stretch goal, the Kickstarter price goes up by $2 to both reflect the increase in price and to reward backers who bought into the game when it didn't include extra stuff (regardless of when you pledge, all KS copies include all stretch goals). I would close the $39 reward level and open a new reward at $41. You could add extra copies of games for the same price as your reward level, so there's a big benefit to locking in the best price early on.
There is still an element of timing to the pricing structure, but it's in the hands of the backers (note that I didn't even consider limiting price to a certain number of backers–I don't see any reason to do that). As soon as the $30,000 stretch goal is reached, the clock starts ticking for the big stretch goal to follow. And even if you aren't available to pledge until after a stretch goal is reached and the price goes up, it only goes up by $2. If the project does really well, the price could keep going up, but likely I would cap it at $49 so the reward sidebar doesn't get too cluttered.
One downside to this reward structure is that it would make my beloved premium option very difficult. I'd like to find a way to include it at $59 (some sort of Collector's Edition), but the gap between $39 and $59 is pretty big, and I wouldn't want to change the premium option every time I updated the base reward price.
Post-KS Enhancement Pack
There wouldn't be any KS exclusives, but all stretch goals would be separated into an "enhancement pack" available for $20-$25 directly from Stonemaier Games post-Kickstarter. Also, there would be one constant group/retail pledge level throughout the project at $350, including shipping (it would be for the full KS game with all stretch goals).
Keep in mind that this is a departure from what we've done in the past. Usually our stretch goals make every copy of the game better. In this case, backers would be creating additional stuff, but they get it for free, while non-backers have to add it separately. Now that I've written it out, it actually isn't all that different than what we did with Tuscany–non-backers can get all the stuff, but they have to pay more (they get it all together instead of in two separate boxes).
Separate Shipping
The last detail is that all individual shipping costs would be paid separately post-Kickstarter (as inspired by Zombicide Season 3). There are a few reasons for doing this: I think it offers backers the most accurate portrayal of the product value. I know it's standard on Kickstarter to include US shipping (and for us, Canada, UK, Germany, China, and Taiwan) in the cost of the reward, but the negative side effect is that backers view the product as a $39 game ($60 MSRP), while really they're getting a $60 MSRP game for $29, then they're paying $10 shipping. $29 is not an accurate value for a $60 MSRP game. The alternative is to charge $49, but backers are still comparing that price to the $60 MSRP.
If we tried something like that for shipping, I would include a chart very similar to the one we use now that offers set pricing for the each region–it wouldn't vary based on weight. And it would be very clearly noted in the reward level that shipping costs would be paid post-project via something like BackerKit.
I have a feeling that idea will meet the most resistance, but keep in mind that the reward price will be lower on Kickstarter as a result–you're not paying more than you usually would. You're paying the same amount you normally would on our campaign, but the money will be exchanged after the project instead of during it.
Also, as Itai noted in the comments, this function could be completed on Kickstarter by simply asking all backers to add-on shipping during the project (including US backers). I've found that many backers have trouble adding funds to their pledge, though.
These are the three ideas, and I'd love to hear your thoughts in the comments and the polls below. Thanks!
Leave a Comment
128 Comments on "A New Model for Kickstarter Tabletop Game Projects"
Firstly, I'm not a fan of the idea that my pledge will put up the price for the game for everyone who follows after me. It feels like I'd be slamming the door on someone who I'm meant to be sharing a community with. Also, I wouldn't want to recommend the game to a friend if they were going to later find out that my pledge made their pledge cost more, or that their pledge cost $6 more for the same game.
The idea of the later add on pack is okay, but surely the $20 price tag is dependent on a massive overfund. I know that the idea of a Stonemaier game funding for only $20000 is heresy, but if it did you'd not be charging $20 for one small addition (I assume not if $25 would but the 3 big and 9 small additions). So this does seem a plan that is based on an assumption of success. What would be the plan if you funded at $20000?
Lastly, I'm always wary of adding on shipping after a project. Since its a new transaction I assume a percentage of backers will drop out at that point, and its after KS have taken their slice of the project so I'd be annoyed that I'd be losing the pledge, plus the percentage from KS.
[…] shipping for US backers), it might be time for creators to shift towards a model that has historically been somewhat unpopular among backers: The reward price is strictly for the product only, with shipping and import taxes added separately […]
[…] costs (reward and shipping). I ran a poll a while ago to see what backers thought about paying shipping costs via a pledge manager after a project ends […]
I really like the second idea. I quite enjoy feeling that I get a discounted product when backing something on Kickstarter. By getting something on Kickstarter, I'm substituting money for time [I'm giving you less money you'd like to get for the product but earlier than when normally purchasing a product].
I don't think anything should be strictly Kickstarter-exclusive — if your marketing wasn't such that everyone everywhere knew about the limited editionness [which is going to be case, where exactly is the border, is the question], you're only creating bad feelings in people finding your product later… why punish potential customers for your bad job in marketing your product? It's one thing to have to pay extra after a campaign ends, but it not being available at all – I have a very strong dislike for this notion.
Thus, it seems reasonable to me to provide the same (or very very similar) product after the campaign at a higher price.
[…] the project, and wait until after the project to use a platform like BackerKit to do so. However, as we discovered in our poll last month, backers resoundingly don't like that […]
[…] Now, if you're like me and see the major downsides to KS exclusives, I would recommend the method approved here by 89% of voters (All stretch goals are included in every KS game and then form an "enhancement pack" […]
[redacted] currently on Kickstarter seems to be using this early bird model: https://www.kickstarter.com/projects/ludicreations/redacted-0?ref=category
[…] (For what it's worth, this is definitely a problem that the Kickstarter software could solve. Matt S. suggested this the other day in a comment over at Stonemaier Games' blog: "What would be nice to see is KS implement audience targeting. They know where in the world users are from and [could] only show the pledge levels that are targeted to you." [link].) […]
Yeah actually that does make good sense for large games with epic stretch goals and high production costs and MSRPs. But I think less so for small to medium games where the stretch goals reached might result in just a $5 – $10 increase in MSRP. I imagine if pitched right that can help highlight the relative KS discount pretty simply.
Epic post and comments. Just re point 2 . I much prefer stretch goals make ALL games better – KS and retail. But as you stack on stretch goals you know the retail cost will increase so the fixed KS price becomes relatively better value for backers and more so as the stretch goals fall. This fits in with your 'whole of KS being an early bird deal' thinking and simplifies production tremendously and is solidly in line with the foundation principles of KS and the ideals of many backers I presume.
Any reason this is a bad idea?
Component exclusives don't bother me so much. I wouldn't call your exclusive components in Euphoria a mistake, but I understand how you may have felt poorly about it afterwards. The only evolution I see in CMoN projects is that with more money, they have provided some enticing exclusives. Bringing in new artists to design some survivors was a really cool idea. As far as how they treat the customer though, I see nothing changing. I'm not sure how I feel about them providing all of the promo dashboards as the first stretch goal in their Zombicide 3 campaign. On one hand, new backers don't feel left out, on the other, former exclusives, provided as a reward for previous backers, are no longer exclusives. In reality, I see them evolving in a way that allows their company to make more money, grow, and provide more products for consumers. Of course, this is great for fans of their games. It's a money based growth model. On the other hand, on your projects, I've noticed you evolving in a way that focuses on your backers, without being exclusive to people that would rather wait for retail. This is how you have decided to grow your business, by treating your customers the best way you know how, asking for feedback, using this feedback to evoke change. In backing viticulture, I got a better deal, a numbered limited edition of the game, with the expansion, a cool wine crate and some metal coins. Not only that, but you changed things to please your customers throughout the process. The wine crate redesign, took something that I didn't like so much, and changed it to exactly what I wanted. I didn't back Euphoria, not for any reason other than I wasn't aware of it. I ended up being extremely lucky getting a copy at my FLGS for half off, around $30. By this time I was aware of all the exclusive components provided in the kickstarter, and thought, "Damn, that edition looks nice, I'm gonna have to keep an eye on his projects." I didn't feel like I had been ripped off, or that I deserved more. On the other hand, I did the same thing with Zombicide. Wasn't aware of any of their campaigns till it was too late. Looked into things and found that they had been very late sending things out to backers, and apparently weren't very diplomatic when listening to complaints. This didn't effect my buying decision. I bought the game and played it. The few times I played it, we ran out of zombies to lose the game more often than not. I read a little about the strategy, and the popular opinion was that you needed more zombies than what you got at retail. Everyone that backed the kickstarter didn't have issues, people that bought the game at retail, were not so lucky. Essentially punishing those that chose to wait. I watch your business grow, due to the way you are constantly evolving things to provide the best possible experience, in both the way you design games, and in the way you run your projects. This makes me follow your blog, watch your kickstarters, and occasionally point people in your direction on reddit, and board game geek. I don't see these same things in CMoN. I don't hate or dislike the company or the people running it. They just operate in a manner that makes me not want to support their business.
In theory, I agree that having people add on money for shipping makes a lot of sense. I realize that people in other countries have to do this for most projects, and it doesn't hurt to be reminded of the breakdown between the cost of the game and the cost of shipping.
However, I backed a project called Cheesonomics earlier this year that required everyone to add on money for shipping. They explained this quite clearly in the pledge levels, on the main page, and included reminders in many of updates. It was still a big issue, that from my perspective seemed to really damp down momentum on what seemed to be a quality game. Check out the comments thread – the vast majority are complaints about the shipping scheme being "shady", "deceptive", "bogus", etc. Some folks were confused, and others seemed offended by the whole idea. The project creators consistently responded that their approach was more reasonable, and in general I agree (most items I order online I pay shipping for, with the exception of 'no shipping with order >$X) but the force of habit is strong. Kickstarter folks in the US are not used to adding on shipping, and noticing that it was required for this project seemed to trigger a really emotional reaction in some people. Whenever the comments thread becomes largely an argument between the creator and a vocal minority of backers, I feel it's a really bad sign. Again, I think this was a well-designed project and don't begrudge the creators sticking to their guns, but I was sad to see it hinder a project with potential.
So that's a cautionary tale, I guess. It's tough to go against the consensus approach, which (so far) on Kickstarter is included US shipping.
I didn't really mean to bash CMON, it's just my opinion that their kickstarters are a great example of what I don't like when I choose projects to back. As far as Zombicide not being a great game, that's a personal opinion, I understand a lot of people love them. The problem with the way they handle they're kickstarters is that you get a vastly different play experience if your a backer, vs a backer that chose to spend a lot more money vs a person that bought it at retail. One example of this is the number of minis included. If you buy the game at retail without backing their project, you basically have an entirely different loss condition, based on the number of zombies and the game will be cut short. It feels like you are held hostage, back this project, or don't get the same experience. The way you play the game itself is altered based on how many minis you acquire, or how much extra you pay. When it comes down to zombie dogs, and dog companions, it doesn't bother me near as much. Pay more money, get more game. When the base game is altered though, that bothers me. It's a pokemon type thing, where you are encouraged to "catch them all" or have a different experience. I can't think of any other board games where if you don't back the kickstarter project the base game is vastly different. Extra Survivors, Zombivors, bringing in guest artists, and VIP zombies, for a little more money, is fine buy me, those feel like expansion modules. Modifying the losing condition isn't. Loads of kickstarters do that. Zombicide feels like, back this project to get the full experience, or play a more difficult game that has a better chance of beating you. To me, that's shameful. You made this mistake yourself with the grande workers in the first edition of Viticulture. You saw that, and changed it. You did something about it. Looking back at all the zombicide campaigns, where are the changes? Where are the "learn from your mistakes" type changes that I see you make from project to project. Watching your blog, the way you've provided complete transparency, makes the faults of others magnified. I don't dislike CMON themselves, just their kickstarter model.
I am not a fan of the early bird strategy–whether staggered or not. If I manage to nab a spot, I feel a sense of relief; if I don't, I feel disappointment. Neither seems like a positive result for the backer or the project creator.
Itai says it rewards the "true believers"; however, I say "hogwash". All it does it help perpetuate this idea of "elitism" that segregates backers. I, for one, feel that every backer is an important part of each successful campaign, and I gladly welcome them with open arms.
I have backed hundreds of projects, and, simply put, if your project is deserving of my money and I can afford it, I'll happily support you. "When" I choose to do so shouldn't matter; the fact I choose to should.
*All it does is…
No edit option, so I'll just repost I guess. A couple of other things I have thought about:
Cool Mini Or Not kickstarter projects feel too me like, well, money grabs. Their projects are among the most successful on Kickstarter, and they have a large following. Part of this comes from people buying EVERYTHING they offer. I don't feel like adding everything up ATM, but they essentially appeal to the completionist, that will spend $300 per project acquiring every little add on they can. I've excitedly unwrapped Zombicide, happily looking each piece over. Then I played it. The game is not very good IMHO. I believe the reason they do so well is to do with the artwork and zombie theme in their game. It's a common joke, put zombie game on kickstarter, PROFIT. Your games are far, far, better, have way better gameplay, projects are run better, and projects are fulfilled better. CMON is known for their awful kickstarters, and awful fulfillment, but somehow earn the most money. When I read your opening sentence I cringed. I would have hoped that you provided insight to them, not the other way around. Unfortunately, in our capitalist society money is king. Please, keep doing what your doing, and do not move in the direction they are going. If money is what your looking for, I'm sure they can provide some great advice, and I wouldn't hold it against you. You'd lose me as a backer, but hey, you'd have way more money. If happy customers is what your looking for, keep doing what your doing. No one does it better.
I really dislike Cool Mini or Not Kickstarters and refuse to back them. When I asked why, I site your kickstarter philosophy. I sent you a change of address email a week or so ago, and let you know that I think your projects are the best. I'm on reddit/r/boardgames constantly and anytime someone posts a new kickstarter, I let them know I won't be backing due to Canadian shipping being way way too high. Your shipping method is by far the best. I generally try to also let them know about your blog, and point them to your post about fulfillment through Amazon. My hope is everyone follows the model you have created.
First off, I wanted to say I appreciate everything you contribute to the gaming community. I don't currently own any of your games, but I'm waiting with bated breath for Viticulture and Tuscany (November can't arrive quickly enough).
My only major feedback for this idea is on the shipping issue. To me, there is no way that will ever look like anything other than trying to make the product look less expensive than it is. Well intentioned or not, it looks exactly the same as the infomercials selling products for one price and tacking an extra $10-20 for "P&H" on the last scene, or the eBayers who charge triple a reasonable shipping price in the hopes of luring in unwary bids. I know you're not trying to be deceptive at all with it, but generations of deceptive marketers have made that ship sail a long time ago.
If you want to have transparency about how much of the payment is cost of the game vs. cost of shipping, why not print that explicitly in each pledge tier but leave them with the shipping bundled in? If the game's intended cost is $35, then have a US pledge tier at $45 that's labelled as "Awesome New Game X: US Shipping. $35 game + $10 US shipping". Or whatever other countries would have the same price. Then the next tier would say "Awesome New Game X: EU Shipping." And so forth.
That way, you can highlight what you're charging for the game and how much of the cost is just unavoidable shipping cost. You can also avoid the issue that several people (including you) have mentioned of people having problems with add-ons and extra payments at the end. You get the best of all worlds in terms of transparency of costs, ease-of-use for the backers, and no appearance of trying to hide costs.
It would also avoid another question that might come up: if shipping is handled later via some pledge manager, do shipping costs contribute to the totals for achieving stretch goals? Does that change if it's handled as an add-on? I'm sure that's an easy question to answer, but it's one that I didn't feel I knew the answer to given your description, and it seems like one more thing to have to explain or answer if you went that route.
Overall, none of this is anything that would make me think twice about a future Stonemaier project, but I can't say the same about a new or unknown publisher or developer. If I had other doubts about a project, it would just be one more thing that might turn me off to it.
Anyway, just wanted to share my thoughts. It's always refreshing to have someone who really takes feedback into account, particularly after having some phenomenal successes. It'd be easy to rest on your laurels instead of continuing to engage the community time and time again.
The early bird system is nothing new. Sure, it's based on income, not number of backers, but income is traditionally directly correlated to number of backers, with the exceptions being marginal. What I'm curious about is the objective of this system? What are you trying to achieve? Just to get more backers early in the project? Or is it to allow for more / bigger stretch goals where you are not limited by economies of scale?
If the latter, I'd prefer the approach where the 'premium' option could be unlocked, and having some stretch goals that only applied to that version.
Wow. A lot of commentary here – and I see people have pointed out to the BGG debate with Ludicreations already (of which I took a strong stance).
I agree that the sliding scale is definitely the equivalent of an early bird scheme. In effect, there isn't much of a difference and the same arguments that apply to early bird schemes apply to this scheme too. In the case of Stonemaier Games, with your fairly substantial initial surge, it's very likely you will get a whole lot of people jumping on board early – which will make the new price tier unlock pretty quickly, leaving several late backers out of pocket because they simply were not on top of things like others.
The typical 'early bird' defense is that the earlier backers had faith in you – but, really, many late backers do too, and it's just a matter of when they came across your project. For many of them, it's not that they looked at your project and decided it wasn't for them, or wasn't likely to succeed and then came back later to back it. It's that they didn't come across your project, or didn't realize what it was about until it's too late – and you're effectively punishing them because you didn't make them aware of your project early enough. That hardly seems fair.
But, as someone mentioned on this thread, backing early also doesn't mean they are locked in. Having been on the receiving end of early birds before, all too often I'll simply back early, take up the early bird slot, knowing that I can back out later when I actually get the chance to look at the project. I'm not being rewarded for my faith – but for how quickly I hear about a project. And I have backed out of several before like this – often giving the spot to someone else who found out about the project later. So now that later person is being rewarded because they're connected to me – not because of any faith in the project.
Last point on this topic – the basic idea behind stretch goals is that they should be made up of the difference between economies of scale – i.e. getting 1000 units is going to be more expensive per unit than getting 2000 – so if you get 2000 people backing a game then the cost per unit goes down, not up, and the difference then goes back into the system by providing more product to the backers.
On the shipping issue – while I think it makes economic sense to do so (especially since the added shipping costs would not need to go through the KS cut), as your experience has shown, people are notoriously bad at figuring out what they need to do to back something properly – especially once they've become accustomed to paying the sticker price. The more steps you add to the process (before you get backers money) the less likely people are to back. Consider it a convenience cost. People are willing to pay for the convenience of a quicker payment process, Asking backers to do more than click a button and log into Amazon to pay (like doing added math) and people will move on to something that makes things easier for them, even if it costs more. Time is money.
Not to say either of these issues are terrible ideas, but you've got an established customer base that likes to do things a certain way. Rocking the boat can lose you loyal customers, which is the last thing you want to do, since they will be the largest segment of your backers now.
Hope that helps your decision making.
(The second point you made, btw, is exactly what I commonly suggest people do – it's the best middle ground between completionists and exclusivists*)
*Is that a word?
I want to clarify my "I don't like it" vote on the last poll. (You've possibly touched on the topic in the comments.) Paying for shipping after the campaign is fine, but I'd like to know the price of shipping up front and not some margin in which the shipping falls (e.g. 10-20$). When I buy a game, just like on any other internet "store", I want to know exactly how much I'm spending on my purchase. Given my earlier shipping example: I'd rather know off the bat that shipping will 18$ than anticipate a possibility of 10$ and then be smacked with 18$. Yes it's only 8$, but it leaves me with a negative feeling all the same.
On early bird rewards: The idea is great, but don't have them backer limited.. In many cases (CMON games…) those sell out minutes after the campaign launches and are simply frustrating for everyone else. They also don't necessarily have to be of monetary nature. TMG had a nice idea with their Harbour campaign, where the essentially had early bird levels open for the first 24/48hours of the campaign. Bonus for early bird backing was a set a sleeves for the game. Nothing insane and for same price as everyone else who joined the campaign later. Early adopters get a little something extra (nothing exclusive or game-impacting) and don't feel annoyed they didn't check their mails earlier. I liked that approach a lot, not sure on its effectiveness though ;)
This is a good idea Fred. I second it :)
It is certainly better to give a 'technically' unrelated incentive. Certainly it mitigates the feeling of being second which is the side effect of the early bird.
In case of the shipping if it is set in stone it is fine though I prefer to pay all at once. Also in a situation that someone gives you a margin when you are making your decision you should assume (at least) the top of the margin. This is how I always look at them.
In any way if someone shows it this way at least in my experience it is always higher… maybe even some use it to 'cheat' you into giving money as yes most of the people would 'hope' for the lower price.
All the Best.
[…] A New Model for Kickstarter Tabletop Game Projects – Stonemaier Games […]
Hey Jamey! Very interesting thoughts on ways to innovate the Kickstarter business model. I like also that forums like this are almost the equivalent of play testing your ideas. You get to see which ones work, and which ones are broken. From everything that I've learned from Board Game University, the most important tip has been to Play Test, Play Test, Play Test.
I just wanted to provide some thought that might just give you a different perspective, and I'm mainly going to touch on the topic of the price scaling with stretch goals.
For the sake of comparison lets say your scenario and mine are equal. Imagine instead of an increase in pledge amount at each "Big Addition" stretch goal, if rather at that point a new starting line was formed for any new backers. So what does that look like? After "Big Addition A" hits, any new backers still back at the original $39, but instead start working towards the stretch goals that those who backed prior to "Big Addition A" have already achieved. Meanwhile the original backers begin to work towards "Big Addition B". Thus once "Big Addition B" is reached by the first set of backers, the second group of backers is achieving the stretch goal of "Big Addition A". At that point a new cycle begins, first group is working towards "Big Addition C", 2nd group towards "Big Addition B, and any new backers now form a third group working towards "Big Addition A", and this can go on and on up through any additional "Big" stretch goals you may have.
I feel like this is a viable comparison because you are comparing one module that says you will receive the same for more money, and the other module says you will receive less for the same money. Now people would see that and just because I use the word less in the 2nd scenario would say that they are losing out more in the latter, but they are not. The two are the same. In each scenario the value of your dollar gets you less than that of those that pledged before you.
So with that said, do you value the people that pledge later less than the people that pledge early? I don't believe you do. Yet if you value you're backers equally I feel like everyone that pledges in the window of the Kickstarter campaign should get the same value out of the Kickstarter campaign whether they back day one or if they stumble upon the campaign with minutes left.
I feel like I've been on both sides of the coin, through Stonemaier games in fact. I am fairly new to Kickstarter, to the point that I did not even know about Kickstarter until I backed Tuscany, the first project I ever backed on Kickstarter. To that campaign I was late to the game. I probably only backed with a week left, but it was honestly pure luck that I stumbled upon the Tuscany campaign. Yet in the price scaling scenario I would have been penalized for my ignorance, and that is an even larger issue when you considering the possibility of losing a first time backer because of that. If I was running a series of Kickstarters I would be concerned with trying to find more ways to reward first time backers to my company. Invest in the new. A great example of this was when I went out to Origins this year, I went to Skyline Chili for the first time ever. Had no idea what to expect when I walked in there. I found out that they have a welcoming customer program where they actually comped my whole first meal as a thank you for trying their establishment. (Note, I'm not saying give a free game to first time customers, that would be ridiculous) Imagine if I went in there and the opposite was the case and they asked if I had a loyalty card, and if I didn't then I'd have to add $2 to every product on the menu. If this was the case I'd probably turn right back around and go across the street to Wendy's.
On the flip side of the coin, I was a day 1 backer of Treasure Chest. Not once during that campaign did I feel I should have been valued more highly than the people that backed on the last day. If there are people who feel this way I hope that they are not being boisterous about that to you. I personally am thankful there wasn't any scaling price in effect because I know that no one was turned off by an increase in pledge amount and because of that even more stretch goals were achieved resulting in even more pieces added to the Treasure Chest. I feel like the scaling price method only deters to the stretch goal engine, and really when it comes to stretch goals, whether it be the first or the last, we all have a hand in them and we should all get to equally share in the spoils of them.
So what do people get when they back a Stonemaier early? They get the experience of backing a Stonemaier game! I wish I could enjoy the excitement of a Stonemaier Kickstarter all the time. There is such a thrill in watching the numbers climb, conversing with you and the other backers in the comment section, getting a notification to my phone that there is another update! These are the things you get when you back early. Because you do such a great job of delivering the experience, I don't think you owe anyone anything more for backing early.
I'll just touch on one last thing which is why I think there are stretch goals in general. Stretch goals are simply put there to thank the backers. Sometimes the thanks comes later or is ongoing, and sometimes the thanks needs to be immediately rewarding for some people. So while I like to back early and I enjoy seeing the value of the game increase with every stretch goals achieved one by one, another person's gratification could come in knowing they backed and got the value they feel they wanted later on. Stretch goals can only be a selling point, and if you are someone who needs that immediate thank you gratification in order to back then I don't think you should be penalized for it.
I'd love to hear your thoughts on this. Maybe I've missed the bar with my thoughts and comments but I feel like some of what I've said here has some weight to it. You are doing a great job to keep up the integrity of campaigns on Kickstarter and I have no doubt that you will continue to do that.
First time I don't agree with you. This sound like an early bird through the backdoor. Sometimes you miss a Kickstarter-start and might lose a day or two and the campaign already skyrocketed up to the next three stretch-goals, which is not unusual, especialy in case of your games. This sounds opposing to your idea of the best price for everyone.
Not too fond of the shipping idea either. Itai R. explained it very nice.
My take:
1) It's a bona fide early bird scheme, with the good and the bad. Walks like a duck, quacks like a duck and all that. Whether it's limited by a fixed number of backers, time, funding or the phase of the moon is hardly relevant – it's a way to reward early backers over late ones, will work that way, and, more importantly, will look that way to outside onlookers. So make of that what you wish. :P
You could probably get away with it because you do a lot of previous homework and most people will be well aware of when the launch is, and I think the scheme makes a lot of sense financially and logically. It's just that I can see the emotional response of backers not being too positive, because, well – it's an early bird program, and you have persuasively argued that EBs range from ambivalent to counterproductive as you approach $10 or so differences. Particularly if, as has been pointed out before, you reach A and B in two hours, and knock down C, D and E in the following three days. You are now looking at a $10-$12 surcharge for backers just for not being there at the very first possible moment, and the pledge level list has become a confusing hodgepodge of limited levels in the process.
On the other hand, if the project funds modestly and you reach, say, B in the final moments of the campaign, then you have had to give all kinds of confusing explanations for what accounts to a $2 early bird for people who got there before A.
I dislike early birds, but I'm usually not particularly irritated by them because I'm active enough in the relevant areas to jump in early in projects that interest me, and I have my tricks to poach EB slots which have worked fine in a few occasions in the past. ;) But I personally can't see how this scheme, no matter how well intentioned it is, can be reconciled with a philosophical opposition to early birds. "Better" early birds are early birds all the same.
2) I like the idea. Chris has pointed out that Artipia does essentially that. It offers an incentive for backers without punishing retail completionists, and if the campaign goes well it adds a lot of value to the KS copy.
My concern would be whether it will push the funding level too high to be a hurdle to the campaign, particularly for first-time publisher. I'm particularly thinking about Viticulture and the custom wooden bits – the retail copy would either have been a pretty sad sight next to the KS copy (with discs, cubes and/or regular meeples instead of custom pieces), or you would have had to include all those goodies in the base game, perhaps making the funding goal unrealistically high for a first project and turning people away from it.
Also, the natural evolution is for people to ask for packs including the Enhancement Pack along with the game, so a solution allowing retailers to carry them as a service to retail buyers might be of interest.
3) Well, it would be a significant hassle, and it would probably turn off some people. It can be summed up in two phrases:
a) If the shipping costs are fixed, why can't I pay for them upfront?
b) If the shipping costs aren't fixed, how can I be sure of how much this is gonna cost?
Reasonable or not, these are valid concerns, and will resonate with people.
Also, the "hey, online retailers don't add shipping so we're even" line of thought does not always apply. A *very* typical perk (at least in Spain) for FOGSs is free expedited shipping over a pretty reasonable amount – you usually qualify as long as you order two or three "regular-sized" games (talk Euphoria or Ticket to Ride), and it's usually easy to interest people in doing a bulk order. I don't think I have paid a cent in shipping costs in a single one of my orders to local online game stores, and mind you, they have been too many to openly admit. :P The limit is usually about 60 €-80 € or so, with most stores offering additional discounts to gaming clubs from about 100 € onwards. So, for all intents and purposes, I only count on paying shipping costs when ordering from amazon.de, and the shipping costs in KS enter the calculation just like the base game price. The deal is usually still good, it's just that the 'shipping/game' separation does not enter the picture for practical purposes (well, unless the shipping surcharge exceeds 40% or so of the game price).
Again, I can see how it would make sense financially, specially given that shipping costs added to KS contribute towards funding – it's just that it's something which will turn some people off and add a layer of complexity for backers and creators alike.
As a general conclusion, equally applicable to 1) and 3) (and partly to 2) depending on where the goal ends): my feeling is that these ideas could work fine for an established publisher, but I would be pretty wary of doing it for a first game, as I can see how they could turn a sizable number of people away from your game.
Just to correct you there, I'm one of the owners of CMON, although I am an employee.
Here's my perspective on shipping after running 12 Kickstarters:-
The facts in general:
Shipping is expensive, and most projects don't make a profit from it (as they shouldn't) since they're not running a logistics Kickstarter.
Projects take a while to finish. We've had postal and courier rate hikes happen on about half our projects due to various fuel crises, wars, inflation or just because (USPS). This makes an accurate prediction difficult.
Projects can inflate in scope, meaning more items to be shipped than originally planned. This makes an accurate prediction difficult.
Very few backers or even project owners remember to factor in Kickstarter fees when planning shipping. Kickstarter isn't going to give their 5% cut on shipping collected to USPS or Fedex to fulfill rewards. 5% is A LOT since it's a direct cost, and not a margin a project is giving up.
The facts specific to our projects:
All our projects, from project #1 (Zombicide) to project #12 (Zombicide 3), require the use of our pledge manager. No exceptions. At a very basic level you have to login and confirm your address and everything that you asked for is what you really want to get. This is additional friction, but in my experience completely necessary (and why 3rd party providers like Backerkit and Kicktraq's Pledge Manager are so useful).
In our pledge manager, you have an opportunity to modify your pledge, address, and pick up additional items you either missed or couldn't afford during the campaign itself.
Very recently, we added the ability to pay for shipping in the pledge manager – in US$, Euros and other currencies depending on which logistic service is specific to your location. This means we don't need to artificially buffer for exchange rate vagaries making it a far more fair and transparent process.
As an example, we used to charge $25 for shipping in the EU for a large boxed game. For Dogs of War, if you're in Germany, that charge is now about 9 Euros, roughly $12. We see similar price reductions for most of western Europe, Australia and Canada.
Conversely, USA shipping is now anywhere between $6 to $8 via Fedex, which used to be hidden in the pledge level.
The countries where we don't have real hubs to reach (yet) – Brazil for instance, are expensive to ship to, at least $50 – where we were charging $25 before, we are charging what it costs now.
My observations / inferences from these facts:
1. Additional friction caused by having a pledge manager – this is well worth it in preventing a ton of CS issues and efficient email support back and forth. It certainly hasn't hurt our campaigns and I would have to say it is absolutely essential on projects that offer 5 or more SKUs/accessories/products.
2. Charging for shipping after the fact didn't seem to hurt Reaper's Bones II and also more accurately reflected the true performance of the campaign, rather than an inflated total with shipping built in. It doesn't seem to have had a significant negative impact on our current campaign either.
Some final closing comments:
One of my partner's professors in business school used to run a billion dollar online retail business. His observation running an ecommerce site through the 90s and 2000s was that most of his customers didn't value free shipping – it didn't motivate sales positively (or negatively, if absent) in any significant way. This was a guy who did a ton of A/B (and sometimes C) testing on phone ads, online ads, price points, etc so although his anecdote might be 10 years out of date and his products had price points north of $100, it still bears keeping in mind.
This ultimately comes down to a question of trust that the project creators will be honest about what shipping costs – and it is fairly easy for anyone to get shipping quotes for individual packages at any time. If you can't get it sent to you any cheaper than we can, I think it's a pretty fair deal and this is how we've presented it.
I would prefer if Early Birds weren´t needed at all. However, I do prefer the system you present compared to traditional early birds. In this way you feel you get something for the increased cost. It think it is important to have some timers, though. I would hate to e.g. miss the first 6 levels because I was sleeping when the campaign launched, or I wasnt close to internet on the first day.
In addition, I strongly dislike the Enhancement pack idea – especially, if the pack is only distributed from the US. E.g in Europe it would mean that the pack would cost more than the game itself (20-25$ + 10$(?) shipping + 40-50$ fees = a lot). I think most people would be discouraged by these costs, making the pack kickstarter exclusive in practice. As you have stated before, Kickstarter exclusives will make many people turn their back on the base game.
My opinions; sorry if some of these have already been said in the comments above, but there are too many to read right now :-)
Incremental pricing: I like it, if it's indeed a small increase. I'm not sure about the "activate big addition 24 hours later" part though: if it's automatic and not tied to a monetary goal, it's in fact just a second part of the previous stretch goal but with a delayed reveal, which sounds a bit misleading. I'd just make the big addition itself the goal, and increase the price 24 hours after it's reached.
Enhancement pack: yes please! I love promos and small additions, but when I find I missed out on exclusives for a game, I'm much less likely to buy it at retail later. And ironically, I almost never use the exclusives for the games I did back, due to fear of damaging or losing them. Knowing that I'll be able to replace them later if anything happens will put my mind at ease.
Separate shipping: I'm all for it as long as the price (or at least an upper bound) is specified upfront, unlike the recent Zombicide campaign and some others; as I live in Brazil and many projects now require a more expensive shipping option, I'm afraid of being hit with a much-higher-than-expected cost afterwards.
It also seems to make more theoretical sense: since you won't be able to spend that money on production, including them in the pledged amount makes it less clear how much you actually have to make the game. Creators currently need to estimate what ratio of the pledges will be for shipping and adjust the goals accordingly, but that's imprecise, as it depends on the geographical distribution of the backers. OTOH, telling backers that they can add the shipping amount at pledge time but don't need to will further confuse the goal calculation, since you'll need to estimate what ratio of backers will do that (and that may even change as the project advances, as backers who had not added it initially may decide to change their pledges to help reach a certain stretch goal).
Being a US backer, I fully support the changes to shipping. I think it increases transparency in the process and helps non-US backers to understand they aren't subsidizing US shipping. I'm also just fine with anything unique to the KS being made available after the fact. It's great when a campaign unlocks some awesome rewards and I've never been of a mind that it makes me special to have them while others don't.
The one part I'm sketchy on is the increasing price. I know I like it better than the existing early bird model. If I hate to rate the way early bird models work from worst to best, it would be limited number, by day, slow release (this system), and none. It's obviously the best system so far in that it only bumps the cost when a specific goal is unlocked and allows for a slow progression that still rewards early backers. I think it's going to definitely be the most polarizing aspect of the proposition though. People don't like the price progressively changing. It feels a lot like the Shadows of Brimstone mine cart pledges. But $2 isn't very much at all so it may be more readily received. Either way, glad to see people exploring possible changes to the system.
I kind of like the idea of the shipping being separate after the kickstarter but the main reason I like that is the number of times kickstarters get timed to end the day before I get paid.. and being able to separate the shipping until a later time could mean I can back for more and get multiple copies.
Well I believe LudiCreations is the only one who has tried this and the results certainly don't look great. Actually losing money and backers during the last 48 hour push.To me all this would do is get people to jump in early and then make up their mind later about whether they should back out or not just to save a few bucks (I have used early birds and done this on a handful of projects). To me it leaves me more frustrated with the creator that if I am interested in your product I have to be there early and commit a pledge early, then make up my mind if it's worth it, then decide whether to keep my pledge or cancel. In my opinion, there should never be a need for the first step otherwise it becomes a game as to who can get their first and get the best deal.
Love the table – Anything to make what is and isn't currently unlocked, and when things will be unlocked, easy to tell at a glance is a great thing. Especially when it gives 'what is included in the project for all' and 'what are you getting as a backer that you wouldn't be getting otherwise', effectively, for 'free' clearly.
Increasing price as time progresses to reflect increased content:
While my main issue with early bird reward levels is that they can clutter the reward teirs somewhat, I prefer no early bird levels, in actuality or via the gradual price increase as the content increased. Additionally, I do not believe that someone who's put off by early-bird levels wouldn't be put off by this system. While I dislike early bird levels, prefering you're inclusive minded approach, I've never been put off by one, however.
One practical consideration, beyond how likely people are to be put off by it, how would this system work if your funding level dipped below the threshold that increased the price? While I hope that wouldn't happen, it's a good idea to think about how such a system would handle it happening before trying it out.
I'm also unsure how increasing the price to reflect the new level of content interacts with what you've previously stated about unlocking the stretch goals in such a way that they're now cost effective at the older price point.
Post KS Enhancement Pack Instead Of Upgrades For Everyone:
Would the tabular approach to presenting information you're suggesting make sense for including some in the game for everyone, and some as post kickstarter enhancement packs, depending on which makes more sense for what stretch goals?
I'm not sure where I come on upgrading for everyone with a higher MSRP outside of the project price, and giving everyone an opportunity to upgrade the game with a separate purchase. I'm simply unsure which I'd find more exciting a prospect as a backer, although I'm certainly not opposed to the latter since it explicitly avoids something I actively dislike – kickstarter exclusives (although non game related exclusives, such as the luxury resources in Euphoria, aren't nearly as much a problem to me as exclusive promo cards)
If this is a means of replacing exclusives while still offering incentive to backing, it seems perfectly reasonable as is, with or without some being in all copies and some being not-actually-exclusive. If, however, the 'add-on pack' was made with view for long term sales of it in mind, the 'free expansion as stretch goal' model I think some publishers have used in their kickstarters might be a better way to go with it, since I doubt I'm alone in being more likely to spend X amount on an expansion than on a component upgrade (Although if the price point is right, my backing the Treasure Chest indicates I'd be willing to buy a component upgrade, so…)
Separate Shipping
I very much dislike the idea of money being exchanged after the project being a *required* part of the process, and you'd need to be very careful to explain it in a way that makes it clear that this will be happening. Your method of including $X shipping and having people add on according to a chart is better, however inconvenient adding the shipping on manually is – it's less inconvenient than requiring two payments. Not all that fussed if $X is $0 or $10, as it currently is for your projects, although at your lowest rate of shipping is more convenient for more people.
Oooh good point. I suppose that is one way to avoid the 10% Amazon takes lol. Hmm… now it seems like a good idea lol. J/k
Jamey, so you are in favor of early bird pricing now? Seems a bit weird considering your comments in the Forge War interview with Isaac Childres. Anyway, it is a turn-off to discover a project and see a bunch of expired pledge levels, even if the current price is less than MSRP.
Also, I won't back a project that requires me to pay twice, first on kickstarter for the game and second on backerkit (paypal?) for shipping. This seems like a way for project creators to avoid kickstarter/amazonpayment fees on the shipping portion of the total price and also lowers the total pledge amount to slow down stretch goals? Why not just do stretch goals by number of backers? Also, allow pledges to add the shipping to the ks pledge amount.
I really like the first two ideas A LOT and I look forward to seeing if you implement them, and the success they have. The shipping concept seems great but could be problematic. Try to get all your backers to make a separate payment afterwards might pose a challenge. Personally, I like a simple chart that backers refer to during the campaign, that they use to add shipping costs to their pledges before funding.
Ahh, just reading the BGG thread linked to by someone here. This is what bothers me about the sliding price point: "Making later pledges more expensive certainly makes it look like you're using later backers to pay for the earlier ones."
I couldn't quite work out what the problem was, but I think that's it.
Gosh, that table is interesting. I admit, I misread it the first time – I interpreted it as people who backed early would need to increase their pledge each time a big addition was activated. So I got over that hurdle and realised it was essentially a series of early bird levels. I'm not sure how I feel about it. Early bird levels in general annoy me because I usually miss out on them! (That doesn't mean I'm not a "true believer" though, thank you very much). In a practical sense though, the later someone comes to your project, the more they'll have to scroll through to find the pledge level that is still open and the more they'll see that they missed out on, price-wise.
The thing I find unusual is the "activate 24 hours after reaching the goal" – I assume you're trying to give more people a chance to get in at the lower pledge level before the price rises. Personally I think that's a good thing, although I wonder if the delay will impact the momentum of the project (for better or worse?).
I think I'm cautious about the proposed approach. I'd be interested to see it in action. It is a change to how you've run previous projects and I can see how it would annoy some people. I would probably find it a little off-putting (the price rise feels a bit like a penalty) but if I liked the project enough I would still back it. I think that you could do well with it because of your established fan base and presence whereas another project creator may not.
Do you think you'll see a higher rate of dropped pledges near the end of the funding period? You might find that people back it to get the cheaper price and then later drop the pledge (or ask for their money back post-project) because they weren't that enthusiastic about it but got sucked in by the idea of getting in while the price was low.
I *love* the idea of being able to buy enhancement packs afterwards and I *love* the inclusion of all stretch goals in every pledge level. Very few things on kickstarter frustrate me more than having to sort through 18 or so pledge levels, trying to figure out which one will give me the best set of stretch goals.
I'm definitely against the paying shipping separately using backer kit – I hate being charged twice for something. I get hit with currency conversion fees on all my kickstarters and I prefer to get the pain out the way in one fell swoop. The rest of the world is smart enough to adding additional shipping to their pledges on kickstarter, why not do it that way for the US too? That way everyone sees clearly the price of the game vs the price for shipping.
That said, (and this may be peculiar to me, or possibly it's a more international view point), the price for a game is the total of the pledge level and the shipping. The proportions of game to shipping cost matter (I won't pledge for something where the shipping costs more than the game), but ultimately the final price of the game includes shipping. Because that is what it costs for me to get the game. That logic applies to everything I buy online though, not just kickstarter.
I like the shipping separate idea, I've now gone through it with I think 3 games on KS. It allows me to potentially spread out some of the cost over 2 paychecks. My big issue with it though is that you need to give some sort of (well informed) estimate on your page for key areas. If you don't say anything for my general part in the world, then I might not even consider backing because the risk is too high. I imagine myself someday thinking "How high could it be?" and then getting slapped with a $50 fee, I can't count that possibility out. And you can't say 'around $15' and then when I go to checkout in Backerkit or wherever it's being done, I now see a $25 fee, and an update goes out saying "Ohh, we miscalculated. We'll refund if your whole pledge if you really want". By that point, I'm excited and invested in your game. I don't want a refund. If I take your refund, then know it's because I don't have faith in you as a company anymore. But most of the time I won't, I'll just be dissapointed and weary. *When I say 'you' I mean any companies that are thinking of this approach.
I think the stretch goal thing is interesting, but it looks like a lot more work, and it would be a lot of trouble to explain it to people all of the time. I can see a lot of people not liking it. It punishes people for not finding your campaign in time, and if a lot of stretch goals get hit at once, then the price will spike.
I think all three ideas are good. The biggest problem I see is US backers getting upset when they "discover" they will pay shipping later or need to add it on. I don't think the sliding price is an issue and I think the separate rewards package available after the KS is a great way to have exclusives without Exclusing people.
Wow, just realized I typed "EXCLUSING" instead of excluding! o_0
I'm stealing this idea: " I would suggest listing the price breakdown ON the pledge level instead of requiring us to add extra. Since backers will have to read the levels to tell which one they want, simply state on the top line that this is $39 (game) + $10 (shipping)." lol
Thanks Mr. Strain. I saw 1 or 2 campaigns do it a year ago, and Amazon does it. Just makes sense to me. :P
Thanks, Mr. Stegmaier, for being brave enough to throw these different ideas out for us all to comment on. Speaking of which. . .
First, I appreciate what you are trying to do with that adjusting price point. It is a very clever way of leveraging the early-bird excitement in a way that encourages backers to jump on board the moment they see the campaign instead of waiting, while minimizing the "cheated" feeling with a small price adjustment. The problem I see is that you are combating typical early-bird woes with logic. Considering most backers will skim through your page and back emotionally, I don't think this will work out as planned. Right now, our experience of your engagement with a project is a great bonus for supporting Stonemaier Games. If you implement this "sliding price" I'm sure that you will spend a lot more time putting out little fires from confused backers who didn't read all of your helpful explanations.
Second, I really like the second point of a Post KS-Enhancement Pack. I was planning on using a very similar model for my future campaign.
Third, I completely agree with Christian. I hate when a campaign has me go through something like Backerkit – especially the systems which require me to input a coupon code for the items I've already payed for (campaign pledge amount). While I have backed some of those campaigns, like Christian said I felt dismissed. While Itai and Randy have a good point about including the payment in the campaign, I would suggest listing the price breakdown ON the pledge level instead of requiring us to add extra. Since backers will have to read the levels to tell which one they want, simply state on the top line that this is $39 (game) + $10 (shipping). It's right in line with the awesome recent trend (which I think you might have started) of having separate pledge levels for the different destinations with international shipping already included.
I do like the raising the price idea, but I personally don't think it will work. I don't think it is stream lined enough. I think it will add complexity to a simpler process.
I do think shipping needs to be added after for the sake of kickstarter campaigns and comparing to MSRP. You are going to make people angry by doing this but I do think it will be better for kickstarter.
I think any changes to the way most kickstarter project are run will be met with adversity.
Is there a way to allow them to either add the shipping before or after? I know with one of CMON's recent campaigns that I backed, it didn't include shipping. People in the comments said add you could add your shipping before by increasing your pledge level. I think this was in hopes that the shipping money would help hit more stretch goals. Can you tell them that shipping will be added after, but give them the option to add it before if they would like.
If backers add shipping after, does kickstarter get their portion from that? Or does Backerkit, get part of that money? It seems like if you could sidestep the kickstarter percent fee for shipping or other add ons that would be good, right?
Well! Those are some very awkward points to talk about.
1. Reward Pricing Increasing During The Project
Absolutely not a fan of this one. Early bird pricing models, no matter how you structure them, benefit people just for seeing a project earlier. Even if it is $2 at a time, I want someone who joins in the last day to pay the same as me, because they're putting out exactly the same risk as me (You're at 0 risk until the payments go through). (And seeing as how I think I was in the first 10 backers for Tuscany and first to back the Treasure Chest, I'm talking as someone who'd only be paying less through the change).
On the other hand, if the cost of a project is going up, I think it's reasonable to ask for more money from backers. I'm not against being asked to pay $5-10 more to get bonus content added because of a stretch goal making it possible, but I want everyone to be asked to upgrade. The downside here is that you will almost certainly have a large number of people who don't notice or forget to increase their pledge, and hence increase your post-project management to sort it all out.
2. All Stretch Goals Included in Every KS Game, Enhancement Pack Available After at Premium
I like this one of course. I think this model should be adopted by all kickstarter projects. Artipia Games have essentially done this with their expansion 'The Promo's' (Or 'Expanding the Alliance', as its' recently been renamed), which is a collection of promo content for the game packaged up for more people to have access to, but at a higher cost (As having backed their projects, the rest of us have it all anyway). It's a pretty cool way to do it as well, as by doing it after a period of time you can get a good amount of content together to make it a worthwhile expansion, rather than a large shipping cost for a few cards as it might be otherwise ^^.
3. All individual shipping costs paid separately post-KS
This is the one I like the least. First of all, I don't like costs being outside the pledge levels, as it's an extra thing to think about, easily missed, and feels to me as a backer like they're trying to hide away the cost by not having it prominent on the page (Even at the top of the page, it's less visible to me than in the side-bar as a pledge level).
The suggestion here though is that it's outside the kickstarter pledge entirely. This then means that not only are costs to me being hidden away until after the project, but I have 2 transactions to make. This makes me uneasy, and vastly reduces my willingness to pledge – I still would with Stonemaier, but a company I'd not heard of? Instant project skip.
Now, you have a point here that you're seeing a cost that is higher than the actual sell value of the game. But..Is that really not a part of the cost? When I buy goods of any kind, the 'cost' is what I pay to get it, not what the item costs. If I buy off amazon and it's £10 + £10 shipping, then IT IS £20 – I imagine there's many consumers out there who don't consider that, or buy large quantities of items to get cheaper/free shipping, but that's no different to saying 'Well noone has to pay shipping, but you have to buy 10 copies of the game' – It's just not comparable.
I'm probably going off on tangents so I'll stop, but well..I don't like 3, full stop ^^.
Interesting. I'm about to launch a KS for a video game and I like the emphasis on early bird specials. I might try to incorporate parts of this in my upcoming campaign.
The shipping costs afterwards is a deal-breaker for me. I won't knowingly get involved with KS projects that make me, as a backer, jump through hoops beyond simply pledging. When I get an email saying I need to go through some cart system to do what I already did before through Kickstarter, I mentally put them on a checklist of "not backing again".
It's a mentality that Backers should do what's convenient for you, not for them. It's a big business mentality. KS to me should always be personal and responsive to Backer's needs. I'm asking for help on a project I'm working on first, a business second. The additional work of paying for shipping afterwards is just another example of this. It's marketing over personal connection in my opinion.
A few thoughts:
1. I like the idea of the enhancement pack. It allows those that missed the KS to pick up some stuff that they might otherwise not be able to.
2. The tiered pricing is tricky. You are getting into territory where you might lose potential backers because it is viewed as a "penalty" for not finding out about the project earlier. I know that when you look at the fact that you're getting "x" amount more for your money it makes sense, but then they look at one of the early pledge people and say "Sure. But she's getting the same as me for $10 less".
3. Shipping. I hope you won't take too many lessons from a Zombicide campaign, but I'll get into that in a second. I want to pay one price, up front and forget about it. I don't want to have to remember to go in 20 days from now and pay my shipping fee as well. It's more of a hassle for the backer. A chart, much like the one you already include, shows backers how much value they are getting.
And as for the Zombicide shipping? The same tier, with the same stuff, from Zombicide 2, was the same price, but included shipping. So was this a change in business practice, or a way to cover up a price hike?
A quick rant: Cool Mini or Not…well, I should lump Guillotine Games in there as well, were guilty of one of the most egregious things you could possibly do short of not providing the product at all. Season 2 backers were sent character cards that were all missing the health tracking numbers. The graphic designers just forgot to throw it back on there during the design process. It's a fairly important part of the game and it's missing.
Their response? Oh, WE don't use them, so they aren't important. I know it LOOKS like we screwed up, but we didn't. Here's $10 towards Season 3.
Their backers, the almost 9,000 people who chipped in $2.250M in the KS alone (pledges through the pledge manager must have come close to doubling that), were left feeling like the company didn't care.
So while the campaign was well run, the follow through was lacking. Please don't let that happen to you!
It's an interesting idea and not necessarily unique to board games or Kickstarter. Rocketcat Games released their newest iOS game under a similar pricing model. People who bought Wayward Souls at launch got it at the original $4.99 price. They've been increasing the price of the app by $1 with each major content update.
There was some blow-back from a vocal group of iOS gamers, but I think, by and large, they were successful in driving a greater amount of people into becoming early adopters. I think it's a smart model for something like Kickstarter, where it's essential to acquire early campaign momentum, but it may be ultimately detrimental to a company's brand and/or reputation if enough people dislike it. I don't think there's enough data out there to point one way or another yet.
Point by Point:
1. "Sliding Price" – I think it will definitely cause a stir, as it's the most revolutionary idea on here, but I'm for it. It's a way of rewarding the "true believers" who back from the very beginning as opposed to those who sit on a KS till the very last minute to see if the package is "worth it". This is not in judgement of the latter group, there are some KS that I too waited to see what the final package includes. Just the same, though, there were KS where I went in the minute I read the product description. So it's a way of showing your appreciations for those who believed in you from the get go and didn't need any extra incentives to pledge.
2. Enhancement Packs – I'm all for it. I don't like the concept of Kickstarter exclusives (as evident by my stance on the subject in Jaime's very first "Kickstarter Showdown"), so obviously I think this concept is neat.
3. This is the only one I'm a little more iffy about. Even if the shipping is fixed from the very beginning (something that Z-cide and SDE did not do), I still like to have the price included in the KS pledge. To me – what I'm paying is a whole unit, and splitting it up adds an unnecessary complications. Some games don't make use of a BackerKit system, as they don't need it (such as Euphoria, for instance) – so adding one just to manage shipping can add problems and complications where they shouldn't exist. An alternative would be to provide the base price and drop the included US shipping. So, following your example above – Pledge $29, add $10 to ship to the US, $15 to Europe and $25 to ship anywhere else (numbers are totally spit-balled here).
Would you raise the price in the first few hours if a major stretch goal is hit? Because that would be a turnoff for me … I would feel like I was being penalized because I have a job and life that keep me from being glued to Kickstarter 24/7.
A job and a life don't prevent you from monitoring KS once or twice a week. Most campaigns are a month. :)
Donny: You still have an effect as with any early bird. If you are not there from the start you end up paying more. Though I like that Jamey 'triggers' the price after stretch goal is meet. I think we can call this nicely a 'triggered early bird' approach.
I think that in this case we can expect that the 1st two early birds will be triggered at roughly the same time. I think & honestly I hope for Stonemaier Games does a great job, that the roughly 60k required to trigger 2nd price change can be meet in a day.
It begs the question though what will happen then? Will you jump two levels ahead? Or make one of them only last an hour?
Ludicreations already did this with Town Center: https://www.kickstarter.com/projects/ludicreations/town-center-4th-edition
Some on BGG didn't seem to like the model:
I'm new to kickstarter and just backed Tao long deluxe edition for two reasons. 1) it was a 72 hour EARLY Bird Discount for the better version. (72 hours is a great number and a realistic one that way people can check Kickstarter every couple days and not every hour)
2) shipping Cost was included so that way there are no secret cost. I will not back a project if I don't know how much they will charge me for shipping. If I pay 40 for 60 dollar game but then have to pay 20 in shipping, there is no difference to the consumer. HUGE difference to developer and I get that. I would rather pay money to the developers to support developers but once games get to about $50 bucks for a relative standard size game I will buy used on ebay (if your patient long enough get it cheaper) I also understand some of these Kickstarter games become so rare that inflates the price. but if that happens usually a second re-print will happen anyways. I prefer not to buy used if I can afford it. Men have to be paid and bridges have to be built. Everyone has mouths to feed and bills to pay. and every dollar counts. (to everyone)
I will also add Early bird options get people to jump in early rather then see how many stretch goals get reach first.


text:
Venezuela blocks opposition leader from parliament in violent clash
Apr 01, – Parliament stripped Machado of her post last week on charges she violated the constitution by accepting an invitation from Panama to speak against the government of President Nicolas Maduro at a meeting of the Organization of American States.
Venezuelan troops dispersed opposition demonstrators with tear gas on Tuesday and blocked anti-government activist Maria Corina Machado, recently stripped of her seat in the National Assembly, from reaching the legislature.
National Guard soldiers surrounded a rally of opposition sympathizers who had planned to march into downtown Caracas to protest at Machado's expulsion from Congress, preventing them from leaving and clearing the square with tear gas.
The opposition leader dismissed that process as an illegal maneuver by a dictatorial government and vowed to attend a session of the legislature on Tuesday. She was stopped from doing so by a line of troops several blocks from the parliament.
"I want to thank every citizen for their support and strength!" she said on Twitter as her supporters gathered.
"Today I am more a deputy than ever, and I will continue to be one until the people decide otherwise."
Anti-government protests began in the South American OPEC nation of 29 million in mid February over shortages of basic items and high crime levels. The protests have decreased in intensity in the last few weeks as opposition demonstrators grow weary.
The director of local pollster Datanalisis said this month that Maduro's approval rating dropped to 41.5 percent in March from around 47 percent in February, according to local media.
That decline may be less the result of the protests, however, and more a reflection of economic problems including inflation of 57 percent and shortages of staples ranging from flour to toilet paper.
Press journalist for HRO media – Norbeto lluch contributed to this report.
Category: International

subset: commoncrawl


text:
Be informed about new events matching your search criteria: register for personalised email alerts
Photonics Days 2020 Berlin-Brandenburg
Berlin Brandenburg is one of the innovation hotspots in very diverse fields of Photonics, optics, microsystems technologies and quantum tech... See more
ConnectIN GR - CONNECT INnovation Actors of the Greater Region
Entrepreneurs, startuppers, Digital, Eco-technologies and Advanced Materials players, the Greater Cross-border Region is a first step toward... See more
BtoB Meetings Food Paris 2020 - Meet Buyers
SIAL is the world's leading food industry show which takes place every two years in Paris. SIAL postponed in 2022. WE MAINTAIN THE BR... See more
Virtual Info meeting incl. matchmaking ZIM-call Finnish-German
On-line info webinar and matchmaking event for joint German Finnish innovation projects. Including presentation of Findata, Zim funding crit... See more
EU Brokerage Event - postponed! Main conference will take place digitally on 27th October
Update Unfortunately we have to announce that the German Federal Ministry of Education and Research has decided to postpone the Brokerage Ev... See more
International BtoB meetings CYCL'EAU Toulouse
On 4th and 5th November 2020, the city of Toulouse will host the 4th edition of the trade show CYCL'EAU for 2 days of exchanges devoted... See more
FMB Fair 2020 - Matchmaking Event
Welcome to FMB 2020 Matchmaking The FMB 2020 trade fair brings together designers, developers and buyers in a targeted manner. The fair pres... See more
International brokerage event within Ceramic Network 2020 (Limoges/France)
This international brokerage event is organised in the framework of the 7th edition of CERAMIC NETWORK - the meeting point for stakeholders ... See more
B2B Partnering at the 7th Cooperation Forum on Biopolymers - virtual edition
Welcome to the 7th Cooperation Forum on Biopolymers - virtual edition A circular economy based on renewable resources can make an essential ... See more
CONTACT denkmal - matchmaking and networking event
The "denkmal" trade fair has been held in Leipzig every two years since its premiere in 1994. "denkmal" is aimed at decision-makers:... See more
MEDICA Healthcare Brokerage Event
On the occasion of MEDICA 2020 fair, the global No. 1 meeting place for the medical sector, ZENIT GmbH together with the Healthcare Sector G... See more
Machining Industry Meetings (Virtual international B2B meetings)
Auvergne-Rhône-Alpes Entreprises, in collaboration with its partners and the Enterprise Europe Network, invites you to participate in the ... See more
Buyers and Supplier Day / Mobility Virtual event
With its traditionally strong industry, Saarland is an automotive manufacturing base in the Federal Republic of Germany.The competencies ran... See more
Brokerage Event Pollutec"Green Days" Lyon 2020
Within Pollutec Fair, the Chamber of Commerce and Industry of Auvergne-Rhône-Alpes within the Consortium Enterprise Europe Network, will or... See more
WindEnergyMatch 2020
WindEnergy Hamburg is the world´s leading expo for windenergy. Every 2 years in September the global industry fair takes place together wit... See more
360 Grand Est - Edition#3 - Business Act Grand Est - European Business Convention for Economic Recovery
360 Grand Est - Edition #3 - will be devoted to the Business Act and dedicated to the economic ambition of the French Grand Est Region. The ... See more
CONTACT - Business Meetings
The brokerage event "CONTACT – Business Meetings" takes place within the international subcontracting fair for parts, components, modu... See more
Icefish 2020 matchmaking eventv - Cancelled/postponed till 2021
The Icelandic Fisheries Exhibition 2020 is a must for all commercial fisheries organisations and associated businesses, and covers every asp... See more


text:
Back to Directory Search
149 Washington Spring Road
Palisades, NY 10964, U.S.A.View Map
Phone: Home: 914-359-5898,
Fax: 914-359-6941
Email: firstname.lastname@example.com
URL: http://www.goddessmound.com
More Information
When she isn't preparing new pieces for an exhibition, Dr. Biaggi is writing, lecturing, teaching Tae Kwon Do as a 4th Degree Black Belt, working with the Children's Shakespeare Theatre of Palisades, New York, and also spending time with her teenage twin sons and their 4 dachshunds. In 2005, she has lectured on "The Dark Goddess: She Who is Now Appearing in the Forefront" at the Goddess Conversations conference in Ephesus, Turkey, exhibited an installation piece at Bex + Arts Sculpture Park in Switzerland, worked on a new book, and created four giant collages for an exhibit at New York City's Ceres Gallery. Entitled "Disasters," three of the pieces were passionately inspired by what she considers major catastrophes of our current times – the American presidential election of 2004, the Tsunami of Southeast Asia, and hurricane Katrina. The third, The Have-Nots, was an expression of her outrage at the administration's treatment of the hurricane victims.
Dr. Biaggi's artwork has been exhibited throughout Europe, Australia, and the United States. Her one-woman exhibitions number more than twenty-five and include "Women's Beijing Sphere and Other Spheres," "Painting with My Granddaughter," and in 2003 "9/11-11/16." She has also participated in many group exhibitions in the States and abroad, among them "The Hole Is Bigger Than the Sum of Its Parts" at the Frauen Museum in Bonn Germany and "Re-Turning" at A.R.C. Gallery in Chicago.
As a speaker, Dr. Biaggi has presented papers at World Archaeological Conference, The Women and Earth Conference and The Archaeomythology Conference on "The Priestess Figure of Malta," "Myth, Monument and Matristic Societies," "The Web: The Pattern That Connects -- Its Paleolithic and Neolithic Manifestation and Its Importance Today," and "How Did the Black Sea Flood Affect the Kurgan Culture and Why Did They Become Warlike?"
At the close of the 20th century, Dr. Biaggi edited In the Footsteps of the Goddess, the result of her asking a gathering of men and women to speak about their personal experiences with the female divine. Jared
Diamond, author of the Pulitzer Prize winning Guns, Germs and Steel, said of the book, "…all of their stories are intense, heartfelt, moving, and profound. With the new book, Cristina Biaggi has done us a great service by showing the power of ideas to breathe new life into each of us." NPR's Margot Adler said the author "…has allowed us to eavesdrop as they [the contributors] recount their poetic, illuminating, and deeply moving stories of meeting the Goddess."
Dr. Biaggi has long been intrigued about the origins of patriarchy and has studied the past for clues to the origin of male dominance in Crete, the Middle East, and the steppe lands of Russia and other places. Recently, she invited a group of scholars, historians and philosophers to contribute to a comprehensive volume on patriarchy entitled The Rule of Mars: Readings on the Origins, History and Impact of Patriarchy. It is scheduled for publication in Spring 2006.
Cristina Biaggi is now offering her professional skills taking commissioned work for sculpture portraits cast in bronze. Please visit her website for more information or send an inquiry through her e-mail address.
Website Design & Development by Cybermill Interactive


text:
Abstract and Keywords
African Americans have been a part of the nation's history for nearly four hundred years. Although their history includes the forced imposition of chattel slavery, the strict enforcement of legal segregation, and a tenuous acceptance as equal citizens, African Americans have been, and continue to be, major contributors, creators, investors, and builders of America. In this article we summarize briefly the history of African Americans, we examine racial disparities in key indicators of social, mental, and physical well-being, and we highlight persistent strengths that can be built upon and areas that provide hope for the future. The challenge for social work is to simultaneously celebrate the historical successes and ongoing contributions of African Americans to this country while also recognizing the vestiges of structural racism and fighting for greater civil rights and social and economic justice.
Keywords: African Americans, race, poverty, disparities
Access to the complete content on Encyclopedia of Social Work requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription. If you are a student or academic complete our librarian recommendation form to recommend the Oxford Research Encyclopedias to your librarians for an institutional free trial.
Please subscribe or login to access full text content.
If you have purchased a print title that contains an access token, please see the token for information about how to register your code.
For questions on access or troubleshooting, please check our FAQs, and if you can't find the answer there, please contact us.


text:
HARMAN announced it has completed its acquisition of lighting solutions provider Martin Professional.
Based in Aarhus, Denmark, Martin has more than 450 employees, and reported revenues of approximately $150m in fiscal 2011.
Martin's product portfolio will become part of HARMAN's Professional business, which includes broadcast vendors AKG, JBL, Studer, and Soundcraft.
Blake Augsburger, HARMAN EVP and President of HARMAN's Pro Division, said, "As we move forward together and institute Martin Professional as a business unit within HARMAN Professional, our customers from both the lighting and AV disciplines will soon be able to capitalize on joint innovations, efficiencies and access to our systems portfolios. In doing so, I am confident we'll also drive growth into emerging markets and vertical markets where digital technologies are increasingly central to the commercial enterprise — specifically transportation, hospitality, retail, communications and education."
© Devoncroft Partners. All Rights Reserved.


text:
| APP | heartbeat ONE
Lately I have been busy building up a new company, heartbeat medical solutions, together with Yannik Schreckenberger & Sebastian Tilch. And now, after 2 long and enduring years, we are financed through private investors and just launched our first product!
heartbeat ONE is a web based software suite, designed for surgeons, to assist the whole process of preparing and documenting therapies. The first module ANA measures therapy outcomes via patient questionnaires. This has been there before but now we get rid of the paper and move the whole process to the tablet. Further we assist with automatic follow ups which are send out via mail directly into the patients mailbox. This is a huge benefit as it results in a much stronger return rate.
Combined with the second module DOK, which is a classic digital surgery tool, the doctor can see in depth analysis on his or her therapies and its outcomes.
More on our product page (all german though)
Together with my lovely girlfriend Dea Dantas Vögler, we created the fresh look and feel that works for the brand as well as the software itself.


text:
The Central Connecticut baseball team won game one of a Saturday doubleheader 6-0 vs. LIU Brooklyn, but game two was suspended due to weather in the top of the second inning. The game will be finished on Sunday beginning at 12 noon. Following that game, the fourth and final game of the series will be played.
With the game one win the Blue Devils are now 21-18 overall and 10-8 in Northeast Conference play. LIU is now 24-21-1 overall and 11-11 in the NEC.
Central took a 2-0 lead in the bottom of the second inning with a pair of two out unearned runs. Junior Dominic Severino singled to lead off the inning and scored on a two out error. With a man on second junior Bryan Rivera singled in the second run of the inning.
Central added three unearned runs in the fourth inning to build the lead to 5-0. An RBI double from Rivera, followed by a sacrifice fly from senior J.P. Sportman and an RBI infield single from freshman Franklin Jennings pushed the lead to five.
Freshman Pat Sirois drove in a run in the fifth inning to make it 6-0. Senior Josh Ingham had singled to lead off the inning and he scored on the play.
Senior Tom Coughlin picked up his fourth win of the season pitching the complete game in the game one win. The shutout was his third of the season. He scattered five hits and didn't walk a batter while striking out three. He retired 11 of the final 12 batters in the game and after the first inning allowed only three base runners.
In game two Severino put the Blue Devils up 3-0 in the bottom of the first inning on his first home run of the season. The three-run shot came with two outs as the Blue Devils strung together three straight two out hits.
The weather delay came with one out in the top of the second inning with the Blue Devils leading 3-0. The game will be picked up at that exact point on Sunday at 12 noon.
Following the continuation of the delayed game, the fourth and final game will be played in New Britain.


text:
Pennsylvania man who pretended to be Newtown shooter's uncle violated probation by traveling to Connecticut
A Chester County man who made headlines last week for falsely claiming to be the uncle of the Sandy Hook Elementary School shooter in Newtown, Conn. is in Chester County Prison for violating state and federal probation, according to officials.
Jonathan Lee Riches, 35, of West Goshen, spent the last decade in federal prison for wire fraud and related offenses. He returned home earlier this year on supervised release and re-entered the local probation system to address violations predating his federal incarceration, according to officials familiar with his case.
On Dec. 17 Riches posted a video on YouTube depicting his trip to Newtown, three days after the shooting that left 20 first graders and six staff members dead at the Sandy Hook Elementary School. In the video, Riches is seen attempting to reach the home of gunman Adam Lanza, but is prevented by a police blockade. The video also shows Riches speaking to dolls with the faces of Adam Lanza, and his brother Ryan, attached. Early in the video Riches refers to the dolls as his friends, Ryan and Adam Lanza.
"We are truth seekers, and we are going to find out why Adam was mind-controlled and manipulated to go in and allegedly shoot little kids in Sandy Hook Elementary School, and why this happened," Riches said.
Riches also showed up at a Newtown memorial claiming to be "Jonathan Lanza," an uncle of gunman Adam Lanza. Several media outlets, including the New York Daily News, published Riches' claims that Lanza was taking a anti-psychotic drug prescribed to treat schizophrenia. Several photographs showing Riches knelt in prayer in front of a memorial were also published by various media outlets.
According to a document filed in both federal and local courts, members of the West Goshen Police Department alerted Riches' probation officers after learning of his videos. Officials within the West Goshen Police Department said that Riches has been well-known to law enforcement since he was teenager.
"There were constant problems, just contact after contact," said West Goshen Lieutenant Greg Stone.
Officials with the Chester County Adult Probation Office confirmed that Riches was detained for violating his probation, and that federal authorities are also aware of his violations.
"We locked him up for leaving the state without permission," said Christopher Murphy, who heads the county's adult probation and parole department.
Multiple officials familiar with Riches case said his erratic online behavior appeared to focus around the movie theater shooting in Aurora, Colo. on July 20. That shooting left 12 people dead and 58 injured when a gunman attacked a theater during the premier of "The Dark Knight Rises." Riches' YouTube channel features many videos discussing the shooting, and proclaiming the innocence of alleged shooter James Holmes. Riches' videos frequently show him speaking to photographs of Holmes, who he refers to as his friend.
Some officials expressed concern over the erratic behavior seen in Riches' videos, and by his apparent sympathies with those that carry out mass shootings.
"In order to keep our children safe, law enforcement needs to assess and evaluate warning signs from potentially violent individuals," said District Attorney Tom Hogan. "No one has a crystal ball, but Chester County law enforcement has always and will always do everything possible to keep our community safe."
Riches has previously gained national notoriety for his reputation as the federal prison system's most litigious inmate. He has filed thousands of phony lawsuits that often named celebrities and other public figures as defendants.
In 2009 the Associated Press reported that Riches was suing the Guinness Book of World Records for attempting to name him as the world's "most litigious" person. Guinness denied naming Riches as a record holder and the case was later dismissed.
Riches is currently housed at Chester County Prison awaiting legal hearings on his parole violations, according to the Chester County District Attorney's Office. It is unclear what will happen to him next, though it is possible that he will be sent back to federal prison.
"The Chester County District Attorney's Office is aware of Mr. Riches' behavior and we are exploring our options in both state and federal court," said First Assistant District Attorney Michael Noone.
Follow Daily Local News staff writer Michael N. Price on Twitter @MikePriceWrites and on Facebook at www.facebook.com/michaelnprice


text:
The Blood Lust of Identity
In the Name of Identity: Violence and the Need to Belong
Irish on the Inside: In Search of the Soul of Irish America
Identity is a bloody business. Religion, nationality, or race may not be the primary causes of war and mass murder. These are more likely to be tyranny, or greed for territory, wealth, and power. But "identity" is what gets the blood boiling, what makes people do unspeakable things to their neighbors. It is the fuel used by agitators to set whole countries on fire. When the world is reduced to a battle between "us and them," Germans and Jews, Hindus and Muslims, Catholics and Protestants, Hutus and Tutsis, only mass murder will do, for "we" can only survive if "they" are slaughtered. Before we kill them, "they" must be stripped of our common humanity, by humiliating them, degrading them, and giving them numbers instead of names.
The novelist Amin Maalouf begins his humane and eloquent essay1 with the question of "why so many people commit crimes nowadays in the name of religious, ethnic, national or some other kind of identity." Was it always so? Or is there something new going on? What is new, I think, is not the phenomenon itself so much as the scale of the damage. There is no easy or single answer to Maalouf's question. He mentions various reasons why people fear for their sense of belonging: globalization, the erosion of national sovereignty, Western domination over the last three hundred years, the collapse of failed secular regimes.
All these reasons deserve consideration, but none explains the extraordinary bloodlust of identity warriors. Sadism must play a part. Once their basest instincts are given the official nod, some people feel a sense of pleasure, even liberation. The degradation of one's victims, stripped of their identity, is a way to sooth one's conscience. This results in a ghastly paradox: the more brutal the method of slaughter, the easier it is on the killers, for the victims are no longer regarded as fully human.
But sadism cannot explain everything. Maalouf observes that mass murder can seem entirely legitimate to people who feel that their community is under threat. He writes: "Even when they commit massacres they are convinced they are merely doing what is necessary to save the lives of their nearest and dearest." It is difficult to imagine an SS man thinking this while feeding Zyklon-B into the gas chambers of Treblinka, but it was indeed an essential part of Nazi propaganda, and some Germans may have actually believed it, including possibly Hitler himself—but then, from what we know, he didn't really have any nearest and dearest.
It is perhaps no coincidence that the great demagogues of national identity are themselves not always sure where they belong. Slobodan Milosevic's family is from Montenegro. Hitler was an Austrian. This suggests that Maalouf may be too optimistic when he claims that people with multiple identities will never be "on the side of the fanatics." On the contrary, purity is often the compulsive…
This is exclusive content for subscribers only.
Get unlimited access to The New York Review for just $1 an issue!
Continue reading this article, and thousands more from our archive, for the low introductory rate of just $1 an issue. Choose a Print, Digital, or All Access subscription.
If you are already a subscriber, please be sure you are logged in to your nybooks.com account.


text:
By Michael Schulder, CNN
Follow on Twitter: @schuldercnn
(CNN) - Within an hour of arriving as a freshman at Vassar College in the 1980s, Andrew Zolli met a woman. They clicked. But this CNN Profile is not a love story. It's a story about what you can accomplish when you choose a life mission that fits you.
"My whole life I've been interested in hybrids. What happens when one field or discipline rubs up against another. How different fields of practice inform one another" to address "the same problem or set of concerns."
Zolli had been pursuing a doctorate in cognitive neuroscience – or brain science. He was ready for an academic career. "I owned one suit with leather elbow patches." Then he got involved in the internet when it was in its early stages of development.
But then he took some time off. And, as it often does, serendipity entered the picture. And Zolli wound up doing work for a young non profit called Pop Tech in late 2002.
Pop Tech just happens to do what Zolli has always been attracted to. It figures out what happens when, as he put it earlier, "one field or discipline rubs up against another."
In the case of Pop Tech – they don't wait for accidental rubbing. As Zolli describes it, they bring together "a network of scientists, technologists, engineers, designers, corporate and civic leaders, innovators." Not to ponder. To collaborate. Their goal – to achieve "breakthrough approaches to some of the world's toughest challenges."
In the coming week, at their annual gathering in Maine, The Pop Tech mix will be trying to develop original approaches to making our institutions and ourselves more resilient – more able to bounce back when we get knocked down.
Zolli travelled more than one hundred thousand miles around the world looking for the principles underlying resilience– and wrote a book about it which we'll focus on in this edition of CNN Profiles. So if you want some insight into the power of bouncing back, please listen.
As for the woman Andrew Zolli met 24 years ago during his first hour as a student at Vassar – they are married. And Zolli is a father. Which means he must know something about resilience.


text:
DescriptionYou are a Cookie Rookie, new in the bakery and still learning the ropes. You need to keep track of your cookies to be able to bake delicious cakes for your customers. If you are out of cookies - you are out of business!
- Click the cookies and create pairs that match by shape or number to remove the cookies from the table.
- click the cookie jar to get a new cookie from the jar when you are stuck.
- To complete the level, clear all cookies from the table (except the one next to the cookie jar).