text:
Pricing is for a single item for a single day. Discount available for larger packages of equipment or multi-day hire.
1 week charged at 3x the day rate.
Complete battery powered portable PA system for voice or music.
In-built mixer accepts 2 mics, 2 instruments and AUX.
System includes speaker stand, one cabled microphone w' mic stand and AUX lead.
Download Roland BA-330 brochure
ALTO Truesonic TS112W, 12"/1" powered speaker
Stream music wirelessly from any Bluetooth enabled device such as iPod Touch, iPad, iPhone or Laptop. Mains power required.
Two speakers are required for stereo.
Two mic/line inputs. 400W continuous.
Speaker stand and power lead included.
RCF ART-310A, 10"/1" powered 2-way speaker
Compact professional box with clear highs and good bass. 350W continuous power output. Recommended for weddings, corporate functions and special events requiring a discreet PA system for clear speech and/or background music.
Note: XLR input connection only, not suitable for use with iPods without a mixing desk.
Very powerful 15" box with old-school (heavy) in-built power amp. 400W continuous output is equivalent to the new lightweight speakers claiming 1000W+ power rating. The large 2" compression driver ensures excellent vocal projection at high volume. These make a great band or DJ PA system when used together with 4-Pro 8001AS subs.
400W continuous, 45Hz-20kHz, 129dB Max, 90°x60° coverage. 68cm (H), 40.5cm (W), 34.5cm (D), 24kg
High performance sub recommended for live bands. 800W continuous, selectable crossover frequency, 133dB max 70cm (H), 52cm (W), 70cm (D), 54kg
Excellent compact powered foldback monitor wedge with 1.75" coaxial HF horn. 520W IHF, 50-20kHz. Max SPL 128dB. 34cm (H), 41.4cm (W), 48.4cm (D), 15kg
12 units available
Large box with crisp highs and great bass extension. The best option for DJ's playing house parties without subs. Two wired mic/line inputs. 1100W peak, 40Hz-20kHz, 130dB SPL, 90°x60° coverage. 71.9cm (H), 45.7cm (W), 36.8cm (D), 27.7kg
Speaker stand or pole mount included.
The best choice for bands wanting a great sounding PA with or without subs. 1500W peak, 42.9Hz-19.5kHz, 136dB Max SPL output, 90°x50° degree coverage. 71.4cm (H), 44.5cm (W), 35.8cm (D), 21.6kg
Speaker stand or pole mount included.
1500W peak, 42 Hz-18.5 kHz, 139dB Max SPL output, 90 x 50 degree coverage. 107cm (H), 44.5cm (W), 53.8cm (D), 37.2kg
Recommended for professional DJ's and Bands in conjunction with PRX718XLF subs.
1500W peak, 30-103 Hz, 134dB Max SPL output. 69cm (H), 52.3cm (W), 72.4cm (D), 37kg Recommended for professional DJ's and Bands.
M20 Pole mount available.
4 x CLA700A double line array cabinets. Each top box is equivalent to two (2) small conventional line arrays built into the one box. 4 x LF3200A 18" powered subwoofer cabinets. 25,600W system rating. 3-Phase power supply is recommended for optimal performance. Response: 30-20kHz. Each stack measures 215.6cm (H), 56cm (W), 64cm (D) when assembled.
Additional boxes available - $75+GST per box
Line array rigging frame, link kit & soft sling - $25+GST ea
Australian Monitor XRS12ODV 12"/2" passive speaker
Weatherproof design ideal for sporting and outdoor events. Safe to use in wet weather because there is no mains power connection.
300W rating at 8 ohms. Selectable 62.5W, 125W, 250W taps for 70/100V line applications. Two (2) linked Speakon connections. Weight 22kg
Mounting bracket available for mounting on street lighting poles.
Speakon Lead
Heavy duty 2.5mm² (13 AWG) twin core wire.
Available in lengths of 1, 10, 15, 20, 30, 40, 70 and 100m.
1,10,15m - $2+GST
20,30,40m - $5+GST
70,100m - $10+GST
2 Channel, 5400W max
4 MIC + 1 Stereo channel. 2 band channel EQ, Inbuilt FX, 5-band graphic EQ and one monitor send.
4 MIC + 1 Stereo channel. 3 band channel EQ, Inbuilt FX, one monitor send. Simple 'One-touch' stereo recording to SD card or can be used via USB as a premium 4-channel sound card. Bluetooth enabled stereo channel allows convenient cordless music playback from your phone, tablet or laptop.
6 MIC + 3 Stereo channels. 3 band channel EQ, Inbuilt FX, 7-band graphic EQ and one monitor send.
6 MIC + 2 Stereo channels, SPX digital multi effect processor, 1 aux (monitor) send, single knob compression on 4 mic inputs.
Controlled by your Tab, PC or Smartphone using integrated WiFi, this compact but powerful little mixer provides 8 MIC inputs, 1 Stereo RCA input and music playback or recording via a dedicated USB slot. Parametric EQ, HPF, Comp, De-esser and Noise gate are available on all inputs. 31-band Graphic EQ, Noise gate and Compressor on all outputs. Real-time Frequency Analyser (RTA) on all inputs and outputs. Reverb, Delay and Chorus FX. Optional iPad Pro: $20.00+GST
10 MIC + 2 Stereo channels, single knob compression, 3 band channel EQ w' sweepable mid, PLF, 2 aux sends, 2 FX channels, 2 stereo groups, VOX priority ducker, music leveller feature. The VOX priority ducker automatically mutes the background music while announcing, ideal for sporting events, fetes and carnivals. For mixing a band with this mixer we recommend hiring the EQ and Compressor rack shown in "Processing, EQ & Effects" section below.
10 MIC or 6 MIC/4 Stereo channels, 3 band channel EQ w' sweepable mid, PLF, 4 aux sends, 2 FX channels with legendary 'PowerMate' reverbs, tap delay, 11 band stereo graphic EQ. For mixing a band with this mixer we recommend hiring the EQ and Compressor rack shown in "Processing, EQ & Effects" section below.
16 MIC + 2 Stereo channels, 4 band EQ with sweepable high mid, PFL, 2 aux (monitor) sends, single channel FX. Supplied in road case, (80 x 69 x 24cm) with IEC power lead and gooseneck lamp. A popular choice for outdoor daytime events, particularly if used with the EQ and Compressor rack shown in "Processing, EQ & Effects" section below.
24 MIC + 2 Stereo & talkback channels, 2 inbuilt FX channels, HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel, 4 sub-groups, 10 aux monitor sends.
24 MIC + 3 Stereo & talkback channels, 4 inbuilt FX channels, HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel, graphic EQ's, 4 mono and 3 stereo aux monitor sends. Flying faders. "Auto mic mixing" feature for conference applications. Supplied in road case with 30m of Cat5 UTP flex. Optional iPad available separately.
32 MIC + 1 Stereo & talkback channels, 4 inbuilt FX sends. 15 x 31-band graphic EQ's. HPF, Gating, Limiting, Compression and 4-band parametric EQ on every channel, 8 Mute groups, L/R & mono outputs, 16 (aux) mix outputs. Flying faders. The mixer is housed in the stagebox and may be controlled by the desk or by iPad. Supplied in road case with AVB switch and wireless router.
Popular touring grade mixer with 32 I/P, 16 O/P and a host of great features. Can be used with or without stage box. Supplied in road case, (113 x 70 x 34cm) with 50m EtherCon cable, IEC power lead and gooseneck lamp.
High performance user friendly mixer with latest generation 96kHz FPGA core, supplied with stage box offering 48 I/P, 16 O/P. (Local connections 24 I/P, 14 O/P). Supplied in road case, (71 x 65 x 29cm) with 50m EtherCon cable, IEC power lead.
Manufactured by Klark Teknik, the NCAT5E-50M Tour-Grade Cat5e cable is designed using Neutrik etherFLEX cable together with shielded Neutrik EtherCON RJ45 connectors. Dual shielded for maximum immunity from interference. 50m (164') cable supplied on Schill cable drum.
PreSonus SW5E AVB switch designed for professional audio applications.
Pioneer CDJ-2000NXS / DJM-900NXS DJ decks
Two Pioneer CDJ-2000 Nexus players and DJM-900 Nexus mixer
Supplied in coffin case with cables. Laptop support shelf available on request.
Pioneer CDJ-2000 / DJM-850 DJ decks
Two Pioneer CDJ-2000 players and DJM-850 mixer
Pioneer DDJ-SX2 Serato DJ Controller
Performance DJ Controller with dedicated slider road case.
4-Channel Performance DJ Controller Designed for Serato® DJ
Updated Jog Wheel with "Hot Cue Countdown"
Multi-Colored, Velocity Sensitive Performance Pads
Megadeck DJ Table / OP's Riser
1800 x 600mm, plenty of space for four (4) Pioneer CDJ's and DJM mixer
Pioneer CDJ-2000 CD/USB Multi-Player
Professional Multi Player
Multi format playback: MP3, AAC, WAV and AIFF audio files on CD, DVD-ROM, SD Card and USB memory devices.
Pioneer DJM-850 DJ mixer
Professional 4 channel mixer with effects.
Traktor Scratch Certified.
Technics SL-1200 MkIII
Industry standard direct drive turntable with road case and Ortofon cartridge.
Denon DN-X120 DJ Mixer
Professional 2 channel DJ mixer for CD or Turntable. VCA controlled crossfader with contour adjustment. Balanced 6.5mm TRS outputs.
Inputs: 2 Line, 2 Phono/Line switchable, 1 Microphone.
With road case.
Sennheiser HD25 DJ Headphones
Light weight, high sensitivity closed back style headphones that offer superior performance in loud environments making these headphones popular with DJ's, cameramen and working sound professionals.
Presonus Audiobox iTwo Studio bundle
Complete USB based 2 channel recording kit and audio/MIDI interface.
Includes, USB powered interface, software, M7 large diaphragm condenser microphone and headphones.
Presonus Eris E5 Studio Monitors
5.25" Kevlar low-frequency driver, 1" silk-domed tweeter. 45W+35W, Class AB amplifiers.
per Pair
Shure SLX Beta58 Cordless Handheld Mic - Single
Industry standard cordless mic system. The proven Beta58 super-cardioid handheld mic transmitter and true diversity receiver delivers excellent vocal clarity and reliable wireless communications.
Shure SLX Cordless Microphone System - Rack of 4
Industry standard cordless mic system. Super reliable Beta58 handheld or beltpack transmitter and true diversity receivers deliver excellent vocal clarity and reliable wireless communications.
Supplied with Handheld, Headset or Lapel mics.
638-662MHz frequency range
Shure PSM-300 'IEM' In Ear Monitor - Rack of 4
Used by musicians to hear themselves on stage as an alternative to foldback monitor speakers. The PSM300 system includes the P3RA bodypack receiver, which features durable aluminium construction and advanced audio controls. The system comes with SE215CL Sound Isolating™ Earphones for detailed sound, enhanced bass and up to 37 dB of isolation.
Sennheiser EW100 945G3 Wireless Handheld Mic System
Premium cordless mic system for high quality lead vocal applications. The 945 handheld transmitter is built around a proven high quality dynamic microphone with a super-cardioid polar pattern. The true diversity receiver ensures reliable wireless communication with no drop-outs.
Sennheiser EM100/SK100G3 Skintone Headset Mic System
Premium system for high quality stage and theatre applications.
Includes slimline skintone headset with omnidirectional pickup pattern.
Can be fitted with black ME-3 cardioid headset if required.
Sennheiser EW172 Wireless Guitar System
Premium system for cordless guitar or instrument.
Sennheiser EW-112 P G3 Wireless Lapel Mic System
EK 100 G3 Camera-Mountable Receiver, SK 100 G3 Bodypack Transmitter and ME 2 Clip-on Lavalier (Lapel) Mic.
Recommended for ENG, O/B, TV and field recording applications.
Frequency Range (B) 626-668 MHz
Sennheiser XSW-35 Wireless Handheld Mic System
General purpose mic for speech and announcements. The 835 cardioid handheld mic and true diversity receiver delivers clear sound and reliable wireless communications. The conveniently located mute switch gives on/off control back to the presenter, making this microphone ideal for intermittent announcement work such as sporting carnivals, fetes and fairs etc.
Sennheiser XSW-52 Wireless Headset Mic System
Easy to use ME-3 cardioid headset mic, beltpack transmitter and true diversity receiver for crystal clear sound and reliable wireless communications.
Ideal for presenters who need a hands-free mic for live cooking demonstrations or similar.
Can be fitted with skin-tone headset for budget theatrical applications.
Sennheiser XSW-12 Wireless Lapel Mic System
ME2-2 clip-on mic, beltpack transmitter and true diversity receiver for high speech intelligibility.
Sennheiser XSW-72 Wireless Guitar Sender
Economical belt pack transmitter, jack lead and true diversity receiver for reliable connection for guitar or instrument.
Sennheiser Antenna Paddles
Long range directional antenna system designed to ensure reliable communications free of drop-outs over a large area such as a football field.
LINE 6 Relay G10 Wireless Guitar Sender
Simple, easy to use cordless guitar sender unit for guitar or bass.
ALTO 'Stealth' Stereo Wireless Link
Add wireless audio connectivity to any active loudspeaker.
Approximately 60m range.
Reliable UHF band: 16 selectable channels.
Professional XLR input and output connections.
Shure SM58 Dynamic Vocal Mic
The most popular mic for live close vocals. Cardioid pick-up pattern.
Recommended for male singers.
Shure BETA 58A Dynamic Vocal Mic
High output mic for live close vocals. Supercardioid pick-up pattern.
Recommended for speech and female singers.
Sennheiser e845s Dynamic Vocal Mic
High quality switched mic for live close vocals. Supercardioid pick-up pattern.
includes mic stand mounting clip.
RODE M5 Pencil Condenser
Professional small-diaphragm condenser microphone for choir and general sound reinforcement duties. Cardioid pick-up pattern. Includes clip and wind shield if required.
Ideal live choir mic, drum overhead or percussion.
RODE NT4 Pencil Condenser
Stereo X-Y condenser microphone for choir and general sound reinforcement duties. Cardioid pick-up pattern. Includes clip and wind shield if required.
RODE NTG3 Shotgun Condenser Mic
Broadcast quality, high sensitivity shotgun mic for video production. Super-cardioid polar pattern. High level of immunity to RF interference. Comes complete with suspension mount and foam wind shield.
AKG C451 Pencil Condenser matched pair
Matched pair of high quality small-diaphragm condenser microphone for recording or premium sound reinforcement. Cardioid pick-up pattern, 75/150Hz high-pass filter, -10/-20dB pad. Includes clip, wind shield and X-Y mounting bridge.
Premium choir mic, drum overhead or percussion.
sE Electronics sE-4400a Condenser
Compact dual diaphragm condenser microphone with switchable cardioid, hyper cardioid, Omni or Figure-8 polar patterns, 20-20,000Hz, 142dB maximum SPL, includes shock mount. Switchable 60/120 Hz HPF and -10/-20dB pre-attenuation pad.
Ideal for podcast applications.
Audio Technica AT-4050/LE Studio Condenser
Broadcast quality large diaphragm studio condenser microphone with dual membrane capsule, three switchable polar patterns, 20-18,000Hz, switchable 80Hz hi-pass filter and 10dB pad, includes AT8449 shock mount, wooden case.
Shure SM57
Cardioid dynamic instrument mic for snare drum, guitar amp, brass etc.
Clip available for mounting on snare drum rim.
Shure Beta 57A
Supercardioid dynamic microphone.
AudioTechnica ATM350 clip-on Sax mic
Cardioid condenser instrument mic.
Violin mount available.
Shure Beta 91A Kick drum mic
Premium quality boundary effect condenser microphone designed for use inside a kick drum
EQ switch for flat or scooped frequency response.
AKG D112 Kick drum mic
High quality dynamic kick drum mic.
JTS JM-X2 Kick drum mic
Budget dynamic kick drum mic.
Sennheiser E604 Tom mic
Clip-on dynamic mic ideal for floor and rack toms. Can also be used for the snare drum.
RODE M5 Pencil condenser
Professional small-diaphragm cardioid condenser microphone suitable for drum overhead or hi-hat miking. Includes clip and wind shield if required.
Behringer DI100 Ultra-DI
Used to connect an instrument with a jack output such as a guitar or keyboard to the microphone input of your mixing desk using a standard 3-pin XLR (microphone) lead.
Essential if the mixing desk is to be operated from FOH (Front of House) position using a multicore 'snake'. One DI required per instrument or two per keyboard for stereo.
31-Band EQ, Effects and Compressor Rack
Essential outboard gear when using an analogue mixing desk for serious band mixing. The rack contains two (2) dbx231 dual 31 band EQ units, one (1) dbx266XL dual compressor/gate, one (1) TC Electronic M350 effects unit and patch leads.
The signal processing units can be used as inserts on critical mic channels or more commonly for the mixer outputs Aux(F/B) 1 & 2 and FOH L & R. Sound engineering knowledge is required to operate correctly.
dbx DriveRack PA2 Speaker Processor
Advanced speaker processor with Auto EQ function and remote control capability.
Supplied in rack case with reference RTA mic, tablet and wireless router.
TC Electronic M350 Dual Engine Reverb & Effects
Great sounding Delay and Reverb unit with easy to use analogue controls.
dbx 231XL Dual 31 Band EQ
Used with analogue mixing desks to 'ring-out' potential feedback frequencies. Can be used as an 'insert' on one particular mic channel or over a Aux send, FOH or Group output channel.
dbx 266XL Dual Compressor/Gate
Audio compressors are used with analogue mixing desks to 'fatten up' the sound of certain instruments, groups or mix outputs. Can be used as an 'insert' on a single mic channel or over an entire mix output. Gates are typically used on individual drum mics to automatically mute the channel between drum beats.
Behringer Composer Pro
MDX2200 Dual compressor/limiter/gate.
Behringer Multicom Pro-XL
MDX4600 Quad compressor/limiter/gate.
Behringer Powerplay Pro-XL
HA4700 Four channel headphone amplifier.
Audio-Technica Mic Combiner
Used to combine two mic outputs into one channel to send to the mixer. Adjustable blend of Mic 1 or Mic 2. Works with phantom powered microphones.
Mic Stand - Tall Boom
Available in Black or Chrome.
Microphone clip not included.
Mic Stand - Straight
Round Cast base - Black
Mic Stand - Short Boom
Used for miking kick drum, guitar cabinets and some cultural groups who perform seated on floor rugs.
High Rise Choir/Studio/Video Mic Stand
Height: 159-234cm
Boom Length: 124-222cm
Weight: 8.2kg
Mic Stand - Banquet
Microphone clip not included
Mic Stand - Desk
Stereo Microphone Holder
Ideal for mounting pencil condenser microphones in X-Y or coincident pair configuration.
5 Mic Holder Bracket
For holding microphones when not in use.
Lightweight Speaker Stand
35mm spigot
Recommended for 8", 10" & 12" PA speakers only.
Medium Winch-up Speaker Stand
2.2m winch-up stand with 35mm spigot
Maximum load: 50kg
Recommended for the larger 15" PA speakers.
Tall Winch-up Speaker Stand
3.5m winch-up stand with 35mm spigot
Maximum load: 45kg
Stand weight: 10.4kg
Base radius 0.92m
Adjustable Distance Pole
Mounts a satellite speaker box above a sub woofer.
Suits sub woofers with 35mm top hat fitting.
K&M M20 Distance Rod
M20 pole mount to mount a top box above a sub woofer. 88cm length.
Suits sub woofers with an M20 threaded fitting.
K&M Double Fork Bracket
For mounting two small speakers on the one stand.
Indoor Line Array Lifter
Winch operated speaker riser with folding stand and removable base. Can be used equally well with line arrays or conventional point source boxes (if fitted with suitable rigging points).
Height 4.0m, width 1.37m (span 914mm), weight 50kg, load rating 272kg.
(Speakers not included)
Line Array Lifting Tower
WORK WT-500 Pro lifter. Winch operated speaker riser with telescopic column and collapsible base. Can be used equally well with line arrays or conventional point source boxes (if fitted with suitable rigging points).
Height 5.98m, width 1.93m, weight 152kg, load rating 270kg.
Tip: experienced audio engineers know that speaker height is the key to improved audience coverage for larger events. Simple speaker stands or ground stacking methods are often used for convenience, but by raising the height of the top boxes well above the audience, these towers will ensure a better balance of loudness throughout the venue, allowing all patrons to enjoy the show no matter where they are standing. It is no understatement that these simple stands can make the difference between a very ordinary show and a great production.
AW502 Line Array Adaptor
Bridging piece for use with WT-500 line-array lifter above. Provides the necessary rigging points for either line arrays or conventional point source boxes.
Suitable for models: WT-500, WT-550 & LW-480
XLR Mic/Signal Lead
Balanced shielded 2-core cable. Neutrik or Amphenol connectors.
Available in lengths of 1, 2, 3, 6, 8, 9, 10, 15, 20, 30, 50m.
1-15m - $2+GST
20,30m - $5+GST
50m - $10+GST
EWI Multicore snake reeled
32 XLR sends and 8 XLR returns, 45m length.
EWI Multicore snake and stage box
16 XLR sends and 4 XLR returns, 30m or 45m lengths available.
30m - $30.00+GST
45m - $35.00+GST
Hosa Multicore snake and stage box
Hosa Pro-Conex SH-16X4-100 modified for all XLR connectors.
16 XLR sends and 4 XLR returns, 30m length.


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Date(s) - 14/06/2019
17:30 - 19:00
32 Lincoln's Inn Fields, LSE
This year's ASEN Seminar Series is titled 'Nationalism and International Relations'. The six seminars will explore, over the year, the intersection between self-determination, identity, foreign policy and state behaviour. Seminars are chaired by Javier Carbonell.
Prof. Gerrits will deliver the seminar 'Nationalism and International Order'.
Registration is required. Get free tickets on Eventbrite.
Nationalism is commonly regarded as posing a challenge to international stability and regional and global order more generally. However, there is much to be said for the opposite too. Enshrining the corner stone of international relations —the sovereignty of the national state— nationalism and national self-determination arguably contributed more than any other political idea to the development and the stability of international order.
The scholarships on nationalism and international relations rarely meet. While nationalism is a key but under-theorized concept in International Relations research; international relations are underrated in the study of nationalism. My presentation focuses on how two types of nationalism (state-subverting and state-strengthening) have had a diverging impacted on the disintegration and formation of states, and consequently on international order. The relationship between nationalism and international order, before, after and beyond Westphalia, is complex and ambiguous. Nationalism has no unequivocal impact on international relations. How and to what extent nationalism subverts or supports international order depends on the content of nationalism, on the nature of international order (regional / global), and on the power and ambitions of the state(s) involved.
André Gerrits is Professor of International Studies and Global Politics at Leiden University, and Chair of the BA Urban Studies, based in The Hague. Previously, he held the chair in Russian History and Politics at Leiden University and the Jean Monnet Chair in European Studies at the University of Amsterdam. Gerrits was also a Senior Research Fellow at the Netherlands Institute of International Studies Clingendael. He has published multiple articles, edited several collections, and wrote various books on these and related topics. He conducted several research projects financed and / or commissioned by the Netherlands Organization for Scientific Research (NWO), the Netherlands Ministry of Foreign Affairs, and the European Commission.
The seminar will take place on Room 32L.B.11, located at the lower ground floor of 32 Lincoln's Inn Fields, LSE at 18:30. The event is open to all and allocated on a first come, first served basis. You must register in order to access the building. Please note that having a ticket does not guarantee a spot. Check more information on the event on Facebook.

subset: commoncrawl


text:
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text: SELF-EXAMINATION BY THE TEN COMMANDMENTS Ted Schroder, Ash Wednesday, February 10, 2016 I. I AM THE LORD YOUR GOD WHO BROUGHT YOU OUT OF BONDAGE. YOU SHALL HAVE NO OTHER GODS BUT ME. Love and obey God as Creator and Savior. "For there is but one God, the Father, from whom all things came and for whom we live; and there is but one Lord, Jesus Christ, through whom all things came and through whom we live" (1 Cor.8:6). To bring others to know him. Thank God for all his blessings. II. YOU SHALL NOT MAKE FOR YOURSELF ANY IDOL. "Jesus is the image of the invisible God" (Col.1:15). Put nothing in the place of God. Do not trust in anything else to replace God. Invest in things eternal which endure, not things temporal which will pass away. III. YOU SHALL NOT MISUSE THE NAME OF THE LORD YOUR GOD. Do not usurp the name of God, play God in the lives of others, enlist the name of God in your cause, or use God for your own purposes. Show God respect in thought, word and deed. Be sincere in your faith, be reverent about what you do in his name, speak his truth with humility, and seek to be conformed to his character. IV. REMEMBER THE SABBATH DAY AND KEEP IT HOLY. Set aside regular times for worship, prayer and the study of God's Word. Be reminded that all of life is a gift from God, that it is good and to be enjoyed. We are to enter into and enjoy salvation rest. Jesus said, "Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls" (Matt.11:28, 29). V. HONOR YOUR FATHER AND MOTHER. Love, honor, and help our parents and family; honor those in authority, and meet their just demands. "Be devoted to one another in brotherly love. Honor one another above yourselves…Live in harmony with one another. If it is possible, as far as it depends upon you, live at peace with everyone….Do not be overcome by evil, but overcome evil with good" (Romans 12:10-21). VI. YOU SHALL NOT COMMIT MURDER. Show respect for the life God has given you; work and pray for peace; bear no malice, prejudice, or hatred in your hearts; and be kind to all the creatures of God. "Get rid of all bitterness, rage and anger, brawling and slander, along with every form of malice. Be kind and compassionate to one another, forgiving each other, just as God in Christ forgave you" (Eph.4:31, 32). VII. YOU SHALL NOT COMMIT ADULTERY. Use all your bodily desires as God intended. "Honor marriage, and guard the sacredness of sexual intimacy between wife and husband. God draws a firm line against casual and illicit sex" (Hebrews 13:4, The Message). "Do you not know that your body is a temple of the Holy Spirit, who is in you, whom you have received from God? You are not your own; you were bought at a price. Therefore honor God with your body" (1 Cor.6:19, 20). VIII. YOU SHALL NOT STEAL. Be honest and fair in your dealings; seek justice, freedom, and the necessities of life for all people; and use your talents and possessions as ones who must answer for them to God. We are not owners but stewards of all that we have. Jesus said, "No one can serve two masters. Either he will hate the one and love the other, or he will be devoted to the one and despise the other. You cannot serve both God and Money" (Matt.6:24). IX. YOU SHALL NOT BE A FALSE WITNESS. Speak the truth, and not mislead others by our silence. Jesus said to Pontius Pilate: "For this reason I was born, and for this reason I came into the world, to witness to the truth. Everyone on the side of truth listens to me: (John 18:37, 38). "No more lies, no more pretense. Tell your neighbor the truth. In Christ's body we're all connected to each other, after all. When you lie to others, you end up lying to yourself" (Eph.4:25, The Message). X. YOU SHALL NOT COVET ANYTHING THAT BELONGS TO YOUR NEIGHBOR. Resist temptations to envy, greed, and jealousy; rejoice in other people's gifts and graces; and do our duty for the love of God, who has called us into fellowship with him. Jesus said, "Be on your guard against all kinds of greed; a man's life does not consist in the abundance of his possessions" (Luke 12:13-21). A PRAYER (after William Barclay) God, help us to give to you and to your obedience the first and highest place in our lives. Help us never to give any temporal thing the first place in our lives, and never to allow the desire for money, fame, power, success to take the place in our hearts and lives which you should have. Grant that we may never make a statement in your name which is not absolutely true, and grant that we may never make a promise or a pledge and break it. Help us to use your day to help us live better on the other six days of the week. Help us to remember, where it is due, the debt of love and gratitude, of obedience and respect which we owe to our parents, and never fail, where it is possible, to value our families. Save us, from the anger, bitterness, and hatred, which would make us wish to hurt or injure any living creature. Keep us in purity of thought, word and action, that we may keep our bodies, our minds, and our hearts wholesome and pure. Keep us from ever taking that which we have no right to take, and make us so honest that we will never stoop to dishonesty, however slight. Keep us from all lies and from all untrue words, and especially from sullying someone's good name. Teach us to be content with what we have, and to serve you with gladness wherever life has placed us. Help us to follow your commandments so that we may flourish in your kingdom. Amen.


text:
Action: Use captive breeding to increase or maintain populations of pigeons
Key messagesRead our guidance on Key messages before continuing
A review of a captive-breeding programme on Mauritius and in the UK found that 42 pink pigeons, Nesoenas mayeri, were successfully bred in captivity.
Supporting evidence from individual studies
A review of a captive-breeding programme on Mauritius (Jones et al. 1992) found that at least 40 pink pigeons, Nesoenas mayeri (formerly Columba mayeri), were successfully bred in captivity, fostered under African collared doves, Streptopelia roseogrisea, (formerly S. risoria) and released. A further two birds were raised at the Jersey Wildlife Preservation Trust (Jersey, UK) and released. This study is also discussed in 'Provide supplementary food to increase adult survival', 'Release captive bred individuals', 'Provide supplementary food after release' and 'Predator control on islands'.


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Tofu is one of the most versatile protein foods in the world. It has been a staple protein in several parts of Asia for over 2,000 years. It is now fast becoming a household word in the West.
Tofu is made by curding the mild, white 'milk' of the soybean. It is high in protein, whilst being low in fats and carbohydrates. It is an excellent source of protein and contains no cholesterol.
The majority of people who traditionally eat tofu are not vegitarian. They eat it because it is good food. It doesen't taste of much, so to still be popular it must have something going for it. It is light yet subtly satisfying.
But because it does not taste of anything we can flavour it. In fact it does have a subtle taste when nigari is used as a cogulating agent. Nigari is sea salt without the sodium content which leaves trace elements, mainly magnesium chloride and potasium. So simply cubed into a stir fry is the commonest and quickest idea
What can you do with it? The answer is anything.
Clearspot Tofu is an incredibly versatile food, and can be used in a wide variety of main dishes, desserts, soups, salads, dressings and dips. It is ideal for all meals, snacks and parties. It also makes excellent ice cream!
Marinating Clearspot Tofu is great because many different flavours can be achieved. How long does one marinate for? Overnight kept in a cool place, or in an hour, flipping over half way through. Clearspot tofu can also be brought to the boil for 1/2 hour in the marinade.
والموقع ليس مسؤولا عن ذلك.


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DRAM vendors gearing up for transition to 1znm process
Siu Han, Taipei; Jessie Shen, DIGITIMES
Samsung Electronics, SK Hynix and Micron Technology have all developed their respective 1z-nanometer process technology for the manufacture of DRAM memory, targeting datacenter and other high-end device applications.
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Cholesterol is present in every cell of the body and performs important functions such as providing nutrition, producing hormones, and synthesizing vitamin D. Cholesterol is considered both good and bad and is measured in three categories; Total cholesterol, LDL, or 'bad cholesterol" and HDL, or 'good cholesterol".
Cholesterol levels vary by age, weight, and gender. The struggle for most people is balancing these levels. While total and LDL cholesterol levels should be kept low,having more HDL cholesterol can offer some protection against a person developing heart-related illnesses. If the concentration of bad cholesterol (LDL) in the blood is too high, it will slowly build up and clog the arteries that feed the heart and brain, leading to major health problems.
Adequate physical activity, maintaining a healthy body weight, smoking cessation, alcohol moderation and eating a heart-healthy diet combined with the right supplements can all help achieve healthy cholesterol levels and thus promote heart health.


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Welcome to a new holiday experience for your family and group gathering. A family holiday might be a wonderful chance to get rid from all your stresses and charge to continue your life. Achieving your life goals starts by amazing holiday that makes you relax and feel calm. Tuscany is one of the best choices for a family holiday. The beauty nature of Tuscany is incredible and guaranteed unforgettable holiday. Tuscany has many gorgeous regions that your family may hit them. Florence is one of those regions that known by its world's finest art center. Artistic and architectural masterpieces are also characterized it. Other cities such as Pisa and Livorno offer to your family the availability to explore mystique of the Medici era and the Leaning Tower of Pisa. Your family can stroll the shell-shaped Piazzo Del Campo in Siena. Whatever the place you choose to stay in Tuscany, you will enjoy is a majestic cypress tree, natural, masterpieces and luxury holiday homes. Southern Tuscany in Val d'Orcia region, there is one of those amazing holiday home called Casa Biondi, a peaceful getaway for your family offered by this beautiful holiday home. It is fifteen minutes from Buonconvento and Montalcino. Siena is one hour from it and Florence is two hours away. You can also get inspired with other locations using some of our past articles H501 Wailea Beach Villas Maui Hawaii Oceanfront Vacation Rental and Stunning Tamarind Villa at Parrot Cay Of Turks and Caicos Islands to help get you started planning your next family holiday.
Casa Biondi is a perfect retreat to enjoy tennis, hiking, biking, golf, dinning, relaxing in spa and being fit due to the presence of the fitness center. Luxurious fabrics and playful prints are used in its decorations. Casa Biondi provides any family with five bedrooms. A king bedroom with sitting area is the first one. It access to private terrace with natural views. Also it has sofa and plush armchairs in its sitting area. The second bedroom has twin bed. Two bedrooms are with king beds, walk-in closet, large flat screen TV, small sitting area, and en-suite bathrooms. The last bedroom is with four poster single beds and sitting area. All bedrooms are with en-suite bathrooms. Feel comfort after a day full of activity in Casa Biondi's living room. A media room and fully equipped kitchen are also available. A pool house with changing room and a kitchenette is found to make your living easier. Your children will adore the gorgeous garden and the heated swimming pool with roman steps. Experience this Tuscan holiday home and tell us your comments about it. For more information on vacation homes in Val d'Orcia or to book a reservation, please visit www.booking.com.


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Yahoo News Canada is committed to providing our readers with the most accurate and recent information on all things coronavirus. We know things change quickly, including some possible information in this story. For the latest on COVID-19, we encourage our readers to consult online resources like Canada's public health website, World Health Organization, as well as our own Yahoo Canada homepage.
As cases of COVID-19 continue to spread around the world, Canadians seem to be increasingly concerned about their health and safety
Currently, there are more than 110,000 confirmed coronavirus cases in Canada and nearly 8,800 deaths.
Check back for the latest updates on the coronavirus outbreak in Canada.
For a full archive of the first month of the pandemic, please check our archive of events.
July 20
7:15 p.m.: B.C. officials concerned about an 'upward bend' in its COVID-19 curve
Dr. Bonnie


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The Steering Committee Meeting of Twinning project was held at the GNCC
The third Steering Committee Meeting of Twinning project "Supporting the Georgian National Communications Commission (GNCC) in developing of its electronic communications regulatory framework and operational capacities in line with EU regulatory framework" was held at the Georgian National Communication Commission.
The event was opened by the Commissioner and project leader Mr. Vakhtang Abashidze. The commissioner together with Lithuanian, Polish and German partners assessed the achieved results and challenges of project performance in the third quarter and spoke about the role of the twinning project in implementation of priorities and goals of the EU and Georgia cooperation.
The representatives of the Delegation of the European Union to Georgia (EUD) and the Ministry of Foreign Affairs of Georgia participated at the meeting as well.
The EU-funded Twinning project started in December of 2017 and its overall objective is to provide an in-depth review of the Georgian telecommunication framework legislation, establish relevant markets in the electronic communications sector, define the legislative approach to the broadband services and conduct technical and economic analysis of introduction of universal services.
The EU-funded project is implemented in partnership with the Communications Regulatory Authority of the Republic of Lithuania (RRT), German Federal Ministry for Economic Affairs and Energy (BMWi), Office of Electronic Communications of the Republic of Poland (UKE) and Central Project Management Agency (CPMA).


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Heavy Construction Projects – Bridges/Marine
Wicomico County, Sharptown, MD – SR 313
Owner: Maryland State Highway Administration
Completion Date: 1987
This project consisted of construction of a new 1,400-foot long bridge over the Nanticoke River and the removal of the existing bridge together with associated approach street construction. The foundation work required the installation of 66-inch diameter concrete cylinder piles to depths in excess of 100 feet and 20-inch diameter steel pipe piles to depths in excess of 220 feet. Pile load tests up to 700-ton capacity were required. The project included wetland dredging and restoration. Work in the navigation channel included the installation of a wood pile fender system and dolphins to protect the bridge piers.
|© 2020 Dalrymple Construction Companies: Chemung Contracting Corporation, Dalrymple Gravel, Cedar Mountain Stone, Seneca Stone.
Web site design by Julie Burgess Web Design.


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The music of the Dutch composer Klaas de Vries (1944) combines Stravinskyan clarity with southern sensuality. He cherishes a love for poets like Pablo Neruda and Fernando Pessoa and his work excels in recognizable melodies and rhythms. 'No matter how innovative, to be communicative music must always contain a traditional element', he once said. On 28 and 30 November, Asko|Schönberg will perform a revised version of Mirror Palace (Spiegelpaleis), which he composed in 2012. Herein De Vries questions the future of music: 'I ended up at Schubert, but I didn't find the definitive answer.'
When and why did you hit on the idea of Mirror Palace?
For years, I had been wondering what direction Western composed music should take. I wanted to explore this in a full-evening piece, somewhat in the vein of The Fifth Book by my colleague Peter-Jan Wagemans. That incorporates a chamber symphony, a number of ensemble pieces, a mini-opera, a part with only electronics, and a complete Mass. But instead of a succession of different genres, I envisioned something that would be rather more continuous and coherent. A piece in which two opposing developments take place simultaneously.
When the Doelen Ensemble asked me for a new composition in 2012, I decided to work out the idea. I wrote a ten-movement work for mezzo-soprano, electronics and ensemble in which two sound worlds collide. One is becoming increasingly harsher and dissonant, the other ever more sonorous and consonant.
Simply put, Mirror Palace is made up of two types of compositions, an A-group and a B-group. The first moves away from the music towards sound-art, as it were. It contains a lot of live electronics that distort the sound of the instruments on the spot. This development culminates in the penultimate movement in a text from Nostalghia by Tarkovsky, spoken by the mezzo-soprano.
The B-group becomes increasingly consonant, resolutely moving in the direction of tonality. In my first version Mirror Palace ended with a performance of the adagio from the Octet by Franz Schubert. But that solution was born from lack of time and I wasn't happy with it. Therefore in my revised version for Asko-Schönberg I have added a vocal line, on a hopeful text by Cesare Pavese.
In your own programme note, you call this final movement a 'utopian neotonal heaven'. Do you think the future of music lies in a return to tonality?
I must honestly admit that I do not know. I am not in favour of or against certain trends either, but I do have a lot of criticism of the neonatal movement. After all, it almost invariably concerns a simplification of real tonal music, it is much more primitive. If you want to repeat Brahms or anyone else, you must be able to improve on them. Or at least be equally good. That's why, in the end, I didn't quite succeed in writing my own neotonal piece either.
Inevitably I arrived at Schubert, a great love from my youth. But he had already realized the tonal heaven, what could I add? In the end, I made an adaptation of the second movement of his Octet. First of all by adding a vocal line. That was quite difficult because the adagio itself is already a song, with beautiful, spun out melodies of the clarinet. I have fully adopted Schubert's notes, but the mezzo-soprano part is completely new. In my own melody, I have stayed as close as possible to his tonality, however.
In the low register of the piano I have added a gong-like chord, as a halo around the original music. That's why it sounds a bit nostalgic, which emphasizes that it's about something from the past. At the same time, the poem of Pavese speaks of hope, of a door that opens, after which 'you will come in'. It was about a woman he was in love with, but for me it is also a symbol of the future.
Partly because of the Italian texts, the song sometimes sounds almost like Puccini. Schubert is thus lifted a little closer to our time, while at the same time the romantic chords act as quotation marks. This section also contains electronics, not to distort the music, but as a kind of super echo. This makes it almost kitsch. At least I hope that it will balance on the edge of kitsch like some of Puccini's music. I find that exciting.
The electronics were developed by René Uijlenhoet, what is its function?
I can't even turn on a computer myself, but René knows how to translate my sound conceptions into electronics. It serves to bring the outside world in. For example, Mirror Palace starts with two percussionists playing woodblocks, standing on either side of the stage. They play in hocket, alternately producing the notes of the same theme. The electronics pulverize this, making it sound like a hailstorm. In this way nature enters the music.
Nature is gradually becoming more grey and fiercer, which is in line with the text of Tarkovsky in the ninth movement. This turned out to be surprisingly topical. It is about 'so-called healthy people' who have brought the world to the brink of disaster. How freedom means nothing if we don't dare look at each other, dare not eat, drink or sleep together. Such observations seem to reflect the current fear of immigrants and our tendency to destroy the planet.
Tarkovsky's text expresses both homesickness for a paradisiacal past and a desire to do better in the future. He believes we should dare to dream together and strive for a higher goal. His words are spoken and whispered by the mezzo-soprano, her timing is improvised. She is accompanied by the two percussionists, again standing on either side of the stage, each playing a large drum with their hands. Finally, she says: 'And now music!', after which she sings the Pavese song over the adagio from Schubert's Octet.
In the score she is referred to as 'lab assistant'. Why?
Though she is on stage from start to finish, the mezzo-soprano does not play a leading role, contrary to what you might expect. In the beginning she makes some general announcements. 'This piece will last ninety minutes and has ten movements. Please do not applaud in between,' She also speaks a text from Tarkovsky's film The Mirror, in which Alexei dreams of becoming a child again. This was a happy time in which the future was still completely open.
Meanwhile, we hear plucked chords from the double bass player, while the pianist is tinkling some fragments from the Octet. He is completely turned into himself, seemingly unaware of his environment. The two musicians are already playing when the audience enters the hall; you wonder what that lady is doing on stage. Gradually she reveals herself as the stage manager, who arranges the lecterns and microphones for the changing formations of instruments. In the ninth movement, she suddenly addresses the public directly: 'Hey, healthy people!' This has a somewhat disruptive effect.
Whence the title Mirror Palace?
The piece is full of reflections. First of all, Schubert's Octet shines through all the notes like a subcutaneous mirror. Even the extremely dissonant sound-art passages are inspired by its opening measures. Each of the ten movements reflects the previous one and together they mirror the Octet. The electronics in turn reflect all the music that is played. Because the sounds are distorted live, it sounds different every time, like a mirror sometimes changes colour. And then of course there is the text from Tarkovsky's The Mirror.
Have you found an answer to your question of which direction music should take?
Certainly not. Mirror Palace is only one possible answer from thousands. Nor is it a plea for a return to tonality, which has never been lost anyway. I am amazed at the ease with which atonality is condemned today. For what, in fact, is atonal music? Look at Alban Berg or even Arnold Schoenberg, who developed the twelve-tone technique. Even in their music, you always feel the gravitational force of a tonal centre. Luciano Berio reintroduced tonality by way of quotation in his Sinfonia and even in Notations by Pierre Boulez there are tonal elements.
Our ears experience them as a matter of course. But, as I said earlier, I have no sympathy whatsoever for the neotonal movement in music. To call a spade a spade: you hear so much Philip Glass today, which I find absolutely ter-ri-ble! I have the feeling that he's taking us on a ride with cheap shit. After all, what is it you are listening to? To very bad, continuously repeated triads. Loads of people listen to it with their eyes closed, swaying to and fro and cheering afterwards. I do not understand why. There isn't a shimmer of anything that might disturb you or that makes you think: hey, this is a memorable moment. Apparently mankind wants to be deceived !
You also quote Tarkovsky: 'The real evil of our time is that there are no more great masters'.
I fully agree with that. Everything has become so democratised these day. I sometimes visit the composition class at the Rotterdam Conservatoire. There are students from all over the world, enormous talents. This also applies to Amsterdam and The Hague. What will all these people do after their studies? They will each acquire their own little place. But great masters? Those were Boulez, Ligeti and still Kurtág. Today, I really would not know.
Doesn't this thwart your own creativity?
No, because I simply can't stop composing.


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