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50% OFF Early Black Friday Sale - All Over Print Poly Table Covers - Our largest Sale Ever Now through October 31 - At checkout enter promo code ALLOVERPRINT50
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Digitally Printed Liquid Repellent Fitted Tablecloth:• 100% Polyester Poplin treated to repel liquids• Spills gather into small pools that can easily be absorbed with a cloth or paper towel, leaving no residue!• 4-Color process - dye sublimation imagery.
Production Time: 3 Business Days - Qty 1-12 Only - 3 Working Days (After Proof Approval)
Care Instructions for your printed tablecloth: Machine wash cool, tumble dry on low heat and remove promptly, use steam iron or steamer at low setting.
How To Upload Artwork? After you have completed purchase, upload artwork on order confirmation screen after checkout.
Download A.I. Ready Template:6 Foot, 18" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, No Pleats. Click Here6 Foot, 18" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, Pleated. Click Here6 Foot, 18" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, No Pleats. Click Here6 Foot, 18" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, Pleated. Click Here6 Foot, 24" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, No Pleats. Click Here6 Foot, 24" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, Pleated. Click Here6 Foot, 24" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, No Pleats. Click Here6 Foot, 24" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, Pleated. Click Here6 Foot, 30" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, No Pleats. Click Here6 Foot, 30" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 3 Sided, Pleated. Click Here6 Foot, 30" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, No Pleats. Click Here6 Foot, 30" W x 72" L x 42" H, Liquid Repellent Digital Front Panel, 4 Sided, Pleated. Click Here
Do You Have Questions? Call 800 937 1159 Ex 3 or 5 for the Art Department
Premier Table Linens has a team of professional graphic designers dedicated to making sure that ordering printed table covers and custom printed products is easy and that the finished product(s) meets or exceeds your expectations. If you have any questions about ordering, proofing, and artwork, in fact any step of the process, we urge you to call us. One of our design team specialist will be able to explain everything to you and will be assigned to your project. They will follow your order through the entire print process personally for you and be in direct contact with you from start to finish.
Here's how you can get in touch with a member of our team to help you.You can email the department at [email protected]. You can contact us via our live chat service on the website or give us a call. We like to hear from our customers and we value our interaction with you. We have also found from experience we can much easier and better assist and answer any questions and concerns over the phone. Our toll free number is (800)937-1159. We are available 8:30AM to 5:30PM Eastern Standard Time Monday through Friday. It will be our pleasure to assist you in your printed table cover questions.
Frequently asked questions (click to read more on each topic)
Acceptable art files.Art specification for single color trade show table coversColor matching. Table cover imprint/graphic size. Where can I download a template?How do I upload my art files? Can I get test prints? Can you print photographs?How our proofing process works.I have my artwork in a .Jpeg or .BMP will that work?I need my artwork / logo converted to vector do you do that?Washing instructions for printed products.
Artwork for printing needs to be supplied in specific formats to ensure the highest quality finished product. We have detailed all of the specifications below. If you're not sure what files you have at your disposal or if you have no artwork in the files listed, we urge you to contact our Digital Art Department. A member of our team will gladly assist you.
Acceptable art formats.
Art file details.
All Fonts and Text must be converted to Vector based outlines Resolution for the source image must be at least 150 dpi at full size (the size the image needs to be for the finished product.) Identify PMS Colors in the graphic All images must be in separate layers. Include any embedded or linked files
Sending us your artfile
Artfiles can be sent to us either, a) After you have completed an your order, after checking out you will be presented with the upload window on your order confirmation page. b) If your file can be emailed you can send it to [email protected] (max file size is 25MB)c.) If your file size exceeds 25 MB then use the link provided to send us files up to 2GB in size by clicking here
Our single color trade show printed tablecloths use a thermofilm heat transfer material. This material is cut and then heated / pressed onto the tablecloth. There are some constraints due to the nature of the way we have to cut and weed the material. You will find details below of what we can and cannot print for you using this method. If your logo cannot be printed using this method then please refer to our Full Dye Sublimated full color printed tablecloths.
Logo printing guide.
If your logo has half tones, distressed reliefs, or very fine lines as in the graphic above on the left, you will need to select our full dye sublimated print process and we can replicate your logo exactly. If your logo is solid with no fine lines as in the right side image then we can print your logo for you with no changes. If you're unsure whether we can print your logo please email your logo to our art director who will be able advise you on the best print method.
Please note we can only print from a vectored print ready file. Due to the nature of the printing method, your file must be in vector format. If you have any questions please e mail, call or live chat.
For spot color images we strongly encourage the using of PMS# as a reference color point. For 4 color process and photographic images, please submit a paper copy match print for us to reference so we can be as accurate as possible. We do our very best to match identified PMS colors, however, we can only guarantee an "as close as possible" match. When ordering a dye sublimation digitally printed tablecloth please note we print the entire front panel including the background so as to match the stock fabric, certain colors may not replicate exactly but we will gaurantee an industry acceptable color match. When Screen Printing we can be more accurate with our color matching.
Listed on each product in the thumbnail photo's (click on to expand when viewing the product) is a color swatch with the closest PMS Coated references embedded on to it as shown here. This will help with identifying your fabric colors if needed. (See example below)
Digital Printing You may request your graphic to be a certain size, however if not specified we will maximize your graphic size and center it on the product. The size of the imprint will be identified on the proof for your reference. Printable area is the same area as the front panel of the table cover, for example:
Apply this above methodology to any table and you will have the front panel imprint size for any digitally printed product.
Single Color Printing (Applied graphic) Standard printable area is 36" L X 18" H. You can increase your printable area as needed for your logo requirements. Increases in length are $10.00 per additional foot. Due to the print medium you are restricted to an 18 inch height.
Screen Printing. Imprint sizing for screen printing will depend on the logo and the individual job, bearing in mind that screen printing is likely for higher quantity we can discuss requirements on a per job basis.
Yes, we have Adobe Illustrator templates for download on each product page.We felt it would be easier to have downloadable templates listed on each product, as opposed to you having to sort through a long confusing list of design templates. If you are unsure of which template to be using just drop us a line and we will help you out. To find the template navigate to any printed product and in the product long description (scroll down the product page) you will find the links for the available templates for that product.
After placing your order via our website and proceeding through checkout, you will be presented with an order confirmation screen. The artwork upload screen is on this page. On this confirmation page you will also see your order number, you can at this point either A) Upload your artwork via our FTP upload 2GB max upload limit OR B) If your artwork is under 25MB you can email the artwork using your order number in the subject line and email it to [email protected]
Can I get test prints?
Sometimes the need arises to have a smaller print finished prior to the production run being green lighted. In these instances we can offer a couple of different things for you.
Can you print photographs?
We can print photos, we can print any artwork that you can design and send to us electronically. When sending us photo's please ensure that each image is at least 150 DPI at full size, any resolution less than that will be unprintable. Ideally you should send us the image at full size and 300DPI.
We do have some color restrictions. We do not at this time print neon colors nor do we print true metallic color, although we do have good gold and silver replication without metallic. If you are unsure about color replication we can do a test print.
Premier Proofs are sent to you via e mail once we have all of your artwork prepared, Proofs are emailed within 24 hours of all artwork being print ready. Proofs are provided at no extra charge but should not be used for creative decision making. If you need assistance with artwork we can help you prior to submitting to the production floor. Artwork will not be submitted for proof until the artwork is finalized.
1. Shows the full tablecloth, all dimensions and construction. Also shows any seams denoted by dotted line also the print in exact size and position as finished product. 2. Gives all aspects of the printed logo, size, colors and any additional specifications. 3. Proof action box. Here you can approve the proof. Or you can makes changes and ask for a new proof. 4. Once you have checked your proof and entered your name in the box, click on the proof approval button to send us your information. All printed items are put into production the following business morning after proof approval has been received.**Please note we will always post a new proof after any changes. The new proof must be approved before production will begin.
The reason we need your artwork / Logo in a print ready file is so that when we expand the image it retains its clarity. Most images used on a computer today do not need to be enlarged so the clarity is not a question. However when printing we need to retain crystal clear clarity and lines regardless of the sizing, this is why we need vector images. We can create a vector image from any artwork that you already have. Our Digital Art department will be pleased to take your existing file and convert it to print ready artwork for you and send you a copy for further use whenever you need it.
YES we will convert any artwork you may have into a print ready format for you to use both for now and in the future. A member of our Digital Art Department will be pleased to convert your image in to a hi-res vector that you can use for any print work in the future and best of all we have a standard fixed price of $29.95 (more complicated logos can run a little higher.) click here to e mail our Art Department with any questions you may have about your artwork. You can always call us at 800 937 1159. Most artwork will be converted in a vector format in 24 hours.
Digitally printed tablecloths, including all Poly Premier, Fire Retardant, Liquid repellent & Eco fabrics with a dye sublimation print Care Instructions: Machine wash cool, tumble dry on low heat and remove promptly, use steam iron or steamer at low setting. Screen Printed TableclothsCare Instructions: Machine wash cold only, tumble dry on low heat and remove promptly, use steam iron or steamer at low setting. Do not iron directly on screen printing.Do not use a commercial cleaner for laundering screen printed tablecloths. Single color trade show table coversCare Instructions: Machine wash cool, tumble dry on low heat and remove promptly, use steam iron or steamer at low setting. Do not iron directly onto the heat applied graphic. Iron from the back or place something over the graphic when you iron Table Runners and Banner setsCare Instructions: Machine wash cool, tumble dry on low heat and remove promptly, use steam iron or steamer at low setting.
Printed Burlap all productsCare Instructions: Burlap being a natural fiber cannot be laundered. laundering Burlap will cause it to disintegrate. Spot clean only with warm water and air dry if needed. Lay flat to dry.
Ryan explains in detail why we need certain types of files, how our color matching works, explains CMYK and shows you the difference between file types. Still have questions? Check out our extensive FAQ tab. Still not sure on something? Need some advice or direction? Then pick up the phone and call me or one of my print team and we will be more than happy to chat with you call us at 800 937 1159.
In this video Ryan explains in detail the options available from Premier Table Linens.
In this video Ryan explains in detail liquid repellent fabric available from Premier Table Linens.
Art File Upload / Requirements.
Uploading your Artwork:
At the top of product page or complete your order, proceed through checkout and then upload art file on the confirmation page. Your artwork will need to be uploaded after you have confirmed your order for your products. Post-checkout, you will be presented with the artwork upload window on the order confirmation page. If your art file is under 25 MB, you may also email it to our art department. Please include order number in Email.
If unsure about any of the art submission procedure, call our graphic design team (800) 937-1159 ext. 3 or 5 . We will be glad to assist you.
We require all artwork submissions to be in one of the following compatible formats:
Please ensure...
Color Matching
Pre-Production Prototypes / Large run commercial projects


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This March, Israel passed what are now known as the Photoshop laws. The legislation requires all models to maintain a certain BMI, and all designers to disclose when they've photoshopped their models. Today, The Atlantic posted a thorough look into the making of the laws, and whether governments can intervene in a creative process that doubles as the root of disease for many teenagers and adults alike.
The new laws require all models working in Israel to have a Body Mass Index (BMI) over 18.5. People with BMIs under 18.5 are generally considered underweight, and while being underweight doesn't constitute an eating disorder, politicians claim that most models aren't underweight and eating healthily.
Rachel Adato, a former gynecologist and current politician who pioneered the bill, reported that Israel sees 1,500 new cases of eating disorders every year.
Israel's Photoshop laws will also prohibit any undisclosed airbrushing, computer editing, or other kinds of photoshopping to make models appear thinner. Advertisers that choose to edit their models' photos must clearly state that fact to the viewer. International advertisements must comply with these regulations to have their ads placed in magazines or on billboard space sold within Israel.
While some decry the laws as a blow to free speech, many see them as a way of protecting vulnerable people from a very real and deadly disease. But psychologically, eating disorders aren't always simply about seeing an image and wanting to be that image (if that type of causation were always true, then video games would make more violent personalities). "Developing an eating disorder is a complex process in terms of specific constellation of personality traits that one's born with," Daniel La Grange, professor of psychiatry and director of the eating disorder program at the University of Chicago told The Atlantic. "Genetic, environmental, societal things have to come together in a vulnerable individual, so it's not just one piece that makes it possible."
Israel's laws likely aren't expected to have an effect on computer editing in America, where eating disorders are as much of a problem. Recently, a 14-year-old girl (and 26,000 signatories) petitioned Seventeen Magazine to run at least one spread per issue without digital photo manipulation. While Seventeen didn't make any promises, its campaign did make headlines in photography, fashion, and feminist circles.

subset: commoncrawl


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This article discusses algorithms for implementing text editors. You may perhaps think that such a subject is passe: "Why do I need to know about this? My nifty new programming language (or class library or application framework) lets me write a text-editor application in just 12 lines of code." That may be true--and if your application's text-editing requirements are fully satisfied by the built-in edit widget that came with your programming environment--then party on, dude.
But, in the Windows environment at least, most text-editing chores ultimately fall on the shoulders of the built-in Edit control, which is poorly equipped to handle tasks like tabbing, multiple fonts and point sizes, and large files. Those 12 lines of code using your whizzy class library are often just the overhead for invoking a class that ultimately invokes the built-in Edit control.
Ironically, the genesis for this article was a conversation with the designer of an award-winning app framework, in which I was asked to suggest articles on text-editor algorithms that could be of help in creating a more powerful text-edit class for his tool. It turns out there isn't much written on the subject, despite the dozens of public-domain editors available in source-code form. Instead, there is an oral history of text-editor algorithms, passed down from master to novice as part of a rite of passage.
The Simplest Case
Let's consider the simplest example of text editing. Listing One consists of one routine, EditLine(), which allows the user to edit a single line of text on the screen. Chances are you've written a routine resembling this. The sample spreadsheet program in Borland's Turbo C++ package, for example, has a similar routine (and, in fact, this example is an adaptation of that routine).
Listing One
/* EditLine() -- The simplest text editing routine */ void EditLine(char* buffer, int max_length, int curr_row) { int c, str_length = strlen(buffer), curr_column = str_length, insert_mode = TRUE; ChangeCursorShape(insert_mode); do { vt_ClearLineAt(curr_row,0); vt_OutputStringAt(buffer, curr_row,0); vt_SetCursorPositionAt(curr_row,curr_column); switch(c = vt_GetKeystroke()) /* dispatch on user's keystroke */ { /*-------- keystrokes that terminate the editing session-----*/ case ESCAPE_KEY: case ENTER_KEY: break; /*--------- keystrokes that merely change the cursor position---*/ case HOME_KEY: curr_column = 0; break; case END_KEY: curr_column = str_length; break; case LEFT_KEY: if (curr_column > 0) curr_column--; break; case RIGHT_KEY: if (curr_column < str_length) curr_column++; break; case INSERT_KEY: insert_mode = !insert_mode; ChangeCursorShape(insert_mode); break; /*------ keystrokes that alter the contents of the buffer----*/ case BACKSPACE_KEY: if (curr_column > 0) { movmem( &buffer[curr_column], /*source*/ &buffer[curr_column-1], /*dest*/ str_length - curr_column + 1); curr_column--; str_length--; } break; case DELETE_KEY: if (curr_column < str_length) { movmem( &buffer[curr_column+1], /*source*/ &buffer[curr_column], /*dest*/ str_length - curr_column); str_length--; } break; default: if (((c >= ' ') && (c <= '~')) && (str_length < max_length)) { if (insert_mode) { movmem( &buffer[curr_column], &buffer[curr_column + 1], str_length - curr_column + 1); str_length++; } else if (curr_column >= str_length) str_length++; buffer[curr_column] = c; curr_column++; } break; } buffer[str_length] = '\0'; } while ((c != ENTER_KEY) && (c != ESCAPE_KEY)); }
EditLine() accomplishes, in scaled-down form, many of the basic tasks that required of a full-fledged text editor:
- Display the initial contents of the text buffer on the screen.
- Get a keystroke from the user.
- If the keystroke is a command (like delete or backspace), dispatch or carry out that command.
- If the keystroke is a character, insert it into the text buffer (or replace the current character if not in insert mode).
- Display the updated contents of the text buffer on the screen.
This sequence repeats endlessly until the Return key is pressed, providing us with the most primitive example of an event-driven program.
In looking at the code, you'll notice that this routine does a lot of unnecessary work (which, in the case of small amounts of text, does not impact the user). For example, when only the cursor is moved and no text has changed, the entire line of text is cleared and redrawn. Further, the same happens in cases where only one character has changed. Likewise, when a character is deleted, it's only necessary to display the text on the right-hand side of the cursor. Not printed here, but included with the electronic version of the listings (see "Availability," page 5), is an improved EditLine2() routine, which contains these and other obvious optimizations.
Scaling Up to Spaghetti
Although a full-fledged word processor or commercial desktop-publishing program is in some sense a beefed-up version of EditLine(), it isn't a trivial matter to scale up this routine to a real program. Time and again, novice programmers have followed the garden path of extrapolating from this simple function into a full-screen text editor via incremental improvements. Sometimes the result is eminently usable, but just as often the program collapses under the accumulated weight of haphazard changes. Those who persist end up rediscovering many of the architectural principles and algorithms described here.
Because text editors aren't traditional subjects for computer-science textbooks, written materials on implementing them is scarce. By themselves, the algorithms used in text editors aren't complex or challenging in a formal mathematical sense. Rather, the challenge is more pragmatic in nature--to make a disparate collection of simple algorithms work together in a coherent manner. Still, I did run across one excellent resource, Craig Finseth's The Craft of Text Editing: Emacs for the Modern World (Springer-Verlag, 1991). Finseth is coauthor of several Emacs-type editors, including Mince, FinalWord, and Freyja. I also found a similar, but less complete, discussion in the electronic archives of the Internet news group comp.editors. The files editech.[1-4].Z contain short but illuminating comments by Joseph Allen and Stephen Trier on how to implement a text editor.
However, none of these authors place text-editor algorithms in the larger context of interactive graphics programs. Implementing a text editor is a subclass of a more general problem--the same problem faced by implementors of "draw" programs and other graphical editing tools. Whether manipulating textual or graphical objects, the fundamental goal is the same: to maintain a consistent mapping between a data model that exists in an application-specific data space, and a visual representation of that model that exists in a graphics coordinate space. The well-known Smalltalk Model/View/Controller paradigm is an equivalent way of expressing this relationship.
Implementation decisions fall into the following categories:
- How text is stored and represented.
- How text is formatted for presentation.
- How the screen gets updated.
- How the program is made customizable, extensible, and modular.
For each category, there are various choices, each reflecting a trade-off between performance, resource consumption, and ease of implementation.
Over the years, I've written a number of editors for DOS, Sun, Windows, and Macintosh platforms and have worked with the code for a number of high-end electronic publishing systems. I've also gone over the code for a number of publicly available editors, including Richard Stallman's GnuEmacs, Craig Finseth's Freyja, Dan Lawrence's Micro-Emacs, Jonathan Payne's Jove, and on the DOS platform, Marc Adler's ME, Al Stevens's MemoPad, and Fook Eng's Chi. These implementations span a range of functionality and implementation strategies, from the monumental 1.5 million lines of code in Interleaf 5.0 and the 150,000 lines of Lisp and C code that constitute GnuEmacs, to the medium-weight 25,000 lines of MicroEmacs and 14,000 lines of MemoPad, to the modest 4000 lines of Chi. Each implementation is a unique mix of choices and trade-offs.
The topic of text editors is among the most deeply personal of subjects for many programmers, giving rise to many a flame war on Usenet, CompuServe, and BBS systems. It's no surprise that one of the Internet newsgroups is called alt.religion.emacs. The following survey of techniques tries to be as nondenominational as possible.
Conceptual View of Data
Perhaps the most basic design decision is what conceptual view of text data to present to the user. Most programming editors regard a text file as a one-dimensional array of ASCII characters that gets mapped to a two-dimensional grid of screen positions. An exception is Chi, which treats text as a one-dimensional array of lines, each of which is a one-dimensional array of characters. This means that lines do not wrap at the right edge of the screen, making for a simple and fast implementation--but one that's cumbersome to use when typing narrative text (as opposed to source code).


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Our Privacy Policy sets out our approach to managing your personal information. It explains how you can seek to access and/or correct the personal information that we hold about you, as well as how you can make a complaint about how we handle your personal information. If you have any questions, comments or complaints, you can contact Customer Service.
You have the right to make a complaint at any time to the Information Commissioner's Office (ICO) the data protection supervisory authority in the UK (www.ico.org.uk).


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Delivery dates:
Any date or period for delivery shall be considered as indicative only, although it is our policy to try to dispatch all orders within 1 working day, we aim for next working day delivery but cannot be guaranteed by any carrier. Any products not available at the time of your order will be sent to you as soon as possible, when received from the manufacturer. Equiboodle Ltd. cannot be held responsible for delays in the delivery caused by the manufacturer, or any other third party.
If an item is required by a specific date please indicate this on your order form when placing your order and we will endeavour to deliver by the date requested.
When placing your order you should receive an automatic order confirmation by email, this will confirm the detail of your order, but is in no way an acceptance of your order or a guarantee of supply. Unless otherwise requested all communication with you by us will be through email, it is imperative that you correctly state your email address in your order. All orders are subject to security checking and stock availability.
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West Somerset Railway
The Railway Station
Tel: (+44) 01643 704 996
Postcode for Sat Nav: TA4 4RQ
Williton Station consists of many buildings from the time the line was first opened and the buildings have been carefully preserved. The main building still retains the original Italiante chimney, and inside it is like walking in to a time warp. Even the Ladies toilet, we believe is the most photographed toilet in West Somerset! The original Bristol and Exeter signal box is believed to be the only one surviving and in operational order. originally the two tracks through the station were broad-gauge - hence wider than usual 'six' foot between the rails. The present steel footbridge, rescued from Trowbridge, Wiltshire at the end of the 1980's, was restored and erected in 2011, on the site of the original timber bridge , which was removed sometime in the 1920's.
Williton Station has a booking office which sells the full range of West Somerset Railway Tickets which can be found by visiting the Fares Pages.The Station has toilets but no disabled toilet facilities, and serves a range of hot and cold refreshments.
For those who would like to explore Williton itself, leave the station behind the Signal box and walk up Station Road past the industrial estate to the junction with Long Street and you shortly reach the first of the town's pubs, 'The Railway Inn'. Thereafter Long Street is a mix of building styles and materials and combines modern houses with older cottages and various business premises such as B&B's and Hotels. Early on you will have passed Gilbert Scott Court, the recently restored and converted Victorian Hospital, which is now an attractive housing development. Finally, at the head of this road you will find the Williton Social Club and a new florist, both of which are opposite the head offices of The West Somerset Free Press. A little further on is a newly opened Charity shop for the Taunton based St Margaret's Hospice, and a Fish & Chip and Pizza shop (Evenings only!). A right turn past these brings you to the 'Masons Arms', a delightful bar and restaurant, and which also has comfortable accommodation units.
The town centre itself includes a newsagent, post office, one bank, Spar and Co-operative food stores together with three ladies hairdressers and a barbers shop. The Farmhouse Butchers, combines a deli and on certain days fresh fish. A recently opened bistro cafe and carpet shop, have brought new life to the town. A look in the local Estate Agents is worthwhile, a good place to start should you be considering a move to this delightful part of West Somerset. Along the Taunton Road is the 'Wyndham Arms', which serves good food most days, whilst a turn back onto the Minehead Road brings you past Gliddons hardware and country clothes store to the edge of town and Police Station. Across the road is the new Croft house care home and from here is signposted the Bakelite Museum. This museum houses an amazing collection of items from the precursor of the plastics revolution and together with its tea rooms rewards the half an hour walk from the station.
Williton also boasts a modern library, up to date Health centre, a Cottage Hospital and Fire Station. The Head Offices of West Somerset Council and a filling station are central in the village.
The Coleridge Way can be accessed from Williton Station. The Coleridge Way is a 36 mile route through the stunning Somerset countryside of the Quantock Hills, the Brendon Hills and Exmoor, a landscape that inspired Coleridge to produce some of his best known work.
Wibble Farm Nurseries is 1 mile from Williton Station.
Williton Station stands right on the edge of the small town which it has served since 1862 and if you decide to explore beyond the station be prepared to do some walking.
However the station area itself has some points of interest. Firstly the gap between the two lines of track is wider than might be expected. This is a consequence of the tracks that passed here being Brunel's Broad Gauge of 7 feet and a quarter inch rather than the current standard gauge of 4 feet 8 and a half inches. The Signalbox which controls the movements at this station dates from the opening of the Railway in 1862 and is the last remaining box from the Bristol and Exeter Railway (who ran the branch on behalf of the original West Somerset Railway company before the Great Western took over).
The goods shed is now the home of the Diesel and Electric Preservation Group (D&EPG), a dedicated band of enthusiasts whose passion and work is dedicated to the upkeep and maintenance of the generation of Diesel locomotives built in the 1960s and withdrawn from use by British Rail between the 1970s and 1990s. The D&EPG has an established visitor centre tracing the history of the Diesel Locomotive and this is open at weekends. The rest of Williton yard is a working area and access is not normally permitted to this or the large shed at the Minehead end of the site. This shed was once part of the GWR works at Swindon and was donated to the West Somerset Railway by Tarmac Plc. The Shed is the restoration base of the West Somerset Railway Association and the West Somerset Steam Railway Trust. Also present there are 5542 Ltd who are rebuilding a Great Western Auto Coach No: 168.


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Featured Video Review
Experience the award winning, 5 star flavor of Pirate's Gold today. The Perfectly aged Caribbean rum and walnut banana bread will taste as good as it smells. Here's what SpinFuel had to say:
Julia – 4.25 Stars – The plum flavor comes through as a pure plum liquid, and that's the great part of this flavor. However, that touch of Jasmine, while certainly not overpowering, does give you a floral flavor on the exhale. I'm not keen on florals, but thankfully this is just lightly floral.
Tom – 4 Stars – I have to score this one for its natural ingredients, vapor, and the amount of flavor produced. I would not vape this one unless I was reviewing it because florals and I just do not mix. For a quality eliquid through, it's solid.
Keira – 4.5 Stars – The light touch of Jasmine gives this e-nectar an additional layer of beautiful flavor. The plum flavor is rich, the Jasmine is delicate, and together they serve up a delicious and satisfying experience. Such splendid flavors!
Jason – 4 Stars – The first part of my time with this plum and Jasmine eliquid I didn't like it at all. The florals hit me hard and that was all I could taste. However, after I took a break and began vaping a couple of others I came to it and what a difference! I guess my internal wiring had to make certain adjustments to organic flavors because once it did I loved it. I'm stopping at 4 stars only because I think the Jasmine is great for floral vapers, but if they could roll it back just a tad it would be even better. But, what do I know? I love my PG and artificial concentrates, you know?
About Kind Juice
Our Exclusive Process
Recommended Usage
Although our flavors are ready to vape upon opening, much like a fine wine and depending on the length of time the product has been bottled for, they may benefit from a short period of aeration. (Aeration- to vent or let breath) If when you receive your bottle you notice strong or sharp notes we recommend allowing your bottle to aerate at least 24 hours in a cool dark and secure place. This short period solves 99% of any flavor issues there may be upon opening of the bottle.
Every bottle is crafted with KINDNESS, CARE and LOVE, we know you will find those notes in our product exceptional!
Customers' review
74 reviews for Geisha Moon Song
My Main SqueezeI love this flavor. I have always been a fan of menthol flavors so when I got this one I bought it along with the menthol additive. However, I realized I do not even need the added menthol since this juice has a fruity yet refreshing after taste. I now consider this juice to be my "main squeeze."
Geisha Moon SongI love this flavor! I originally bought it along with a menthol additive since I have been obsessed with menthol flavors from the beginning. However, I don't even use the menthol anymore since the Geisha Moon Song has a fruity yet refreshing taste. This one is my number one "squeeze" when it comes to vape juice! And its ORGANIC!
#1 Juice for 3 YearsTo me, it feels as though Geisha Moon Song was made for me. It is the most unique flavor I have tasted and the one my tongue prefers most. I can vape this flavor for months - or years straight! I never get tired of it, it never loses flavor to me. It is the most flavorful juice I have had. Everyone in my life knows what I vape, even if they don't vape. Everyone always says I smell so nice or my house smells so nice, and it is really just Geisha Moon Song. I could really go on and on about this flavor. I really do love it, and I will vape it until I am finished with vaping. Thank you Kind Juice for creating this flavor. I never would have left cigarettes forever with out it! So much love! <3
I found the BEST!Unlike anything I've tasted.
This line is smooth, intense, bursting with flavor. I'm in love. I started with Jungle Juice and was so impressed I ordered the Island Survival pack. The 1st flavor I tried was Geisha Moon Song. OMG love at 1st vape.
And bc I WAS a menthol smoker for 20 yrs, I got the Alpine Frost, I add just a few drops to my tank with JUNGLE JUICE and Geisha Moon Song, for a nice smooth cool light throat hit. Wonderful. Could praise these flavors more!
Great ingredients, great flavor, great product!I'm fairly new to vaping but I knew I wanted to go organic. I was skeptical at first but from the few brands I've tried, Kind Juice is the best by far. The viscosity is perfect for my sub-ohm setup and the flavor pops beautifully. Thank you all for creating a quality product! You've definitely lived up to your reputation!
LOVE THIS JUICE!!!When i decided to stop smoking, i knew I would need a little help. Never imagined my research into organic liquids would lead me to Geisha Moon Song...a lovely blend of blueberry and jasmine...so refreshing and unlike any other juice out there. I want to say thank you to the Kind sstaff...always there for me and sharing my success for giving up cigarettes. I am a faithful customer!!! ??
So Good!Received my order the other day and I'm so impressed. Geisha Moon Song has a light, juicy plum on the inhale with a whisper of sweet jasmine on the exhale! Not at all overly flowery. Probably the most unique e-liquid I've ever tasted! It's smooth enough to be an all day vape and doesn't become redundant or flat tasting. Excellent flavor and vapor to match. It's just really yummy!
BlissI inhale and get a bite of plum. I inhale more and juicy plum explodes into my mouth. I exhale and the jasmine note come into play just enough to make this so extraordinary. This is the type of juice that you want to horde, put on a top shelf and take out only for special occasions. But alas, you cannot put it down. So I just have to make it my adv.
Asia in a bottleI just got my e-Nectar today and couldn't wait to try it. The first hit of it was very spicy & sweet. After that, it was smooth and burst after burst of plum flavor was rolling out. I do have to say, I was pretty surprised. But, I do love this and will definitely order it again.
Vape HeavenI purchased Geisha Moon Song at the ECC this past weekend, and I must say this is my ultimate favorite flavor! A light floral fruity with just the perfect sweetness! I have already just about finished my 15ml bottle. I look forward to when it is available in 30ml. this is the perfect flavor for those wanting to experience something other than ordinary!
InfectiousIf you are waffling like I do when you order anything online, stop. Order it. Its fantastic. Sweet and plummy - this juice was everything I wanted it to be. All of the juices I have tried from Kind are fantastic and smell wonderful. Fantastic vapor, Great taste. Thank you so much! I look forward to ordering more juice in the future!
(vv 3, Kanger mini protank 3)
One of the bestGeisha Moon is now my ultimate favorite juice! Not only does Kind Juice have fantastic product, but they also have the GREATEST customer service. I am so excited to test the extra "goodies" that came with my order. These guys are the best. Try it, you will not be disappointed.
Just amazing!This flavor can only be described as mature and very romantic. I have no clue why that is what comes to mind when I think of it. The plum wine is crisp and to the point. Almost a hint of grape, but I know that is the plum. On the exhale, there is a sweet undertone of jasmine that I was questionable about before I tried it, but I am totally in love after trying. It reminds me of the bushes that surrounded my house in Coconut Grove. I have yet to be dissatisfied by any juice from this company. I'm a Once in a Blue Moon "all day vape" girl, but lately this flavor has been taking over my rda. I would have to say this flavor ties with my love for Once in a Blue Moon.
A unexpected surpriseHeard great things about Once in a Blue Moon, so i placed an order for some, and it was real good. Ordered this at the same time because it sounded good, and ladies and gentlemen this turned out to be the real find. This is a great, tasty, invigorating, fruity, aromatic nectar. A bit expensive for an ADV, but great for a occasional treat.
Wild Ethereal ActivitiesMy very first VG vaping experience and it was love at first bite! The floral was mystical and delicate, the taste truly enjoyable. A fruit flavor mingled with the smell of walking in a Chinese garden blooming with light jasmine. I'm not sure what happened next but it was wild. !~ :).
Still too good to pass up.I make 95% of my e liquid. I'm just too picky to buy from most companies. Not from Kind Juice. All the juices I have tried are top quality, clean, fresh, fantastic e liquid. There are only 2 other companies I'll buy from but Kind Juice is always my first stop. Geisha Moon Song my first choice, then Blue Moon and finally Teacher's Pet. You just can't go wrong with Kind Juice.
Well executed delicate flavorThis juice is absolutely well done. The inhale has a sweet and fruity taste and a refreshing exhale of jasmine that is not overwhelming but just right and balanced with the plum. This is my favorite juice of all KJ awesome flavors. Its definitely an all day vape everyone who tries it falls in love with the flavor and can't stop using my juice! Who ever came up with this flavor has a very interesting platte and I think everyone who vapes would appreciate the subtlety and sweetness of this juice
Subtle but not ShyI have tried several juices from different manufacturers, some because of recommendations others by being a victim to great advertising. Kind Juice is my own discovery and I'm glad I was curious to order a few nectars, of all of which I just keep coming back for Geisha Moon Song. Subtle and complex but not shy. I thought this would be a juice for a particular time of the day but the truth is that I vape it all day. Excellent stuff !
Sheer joy in a bottle!It's pure satisfaction as always. I can never get enough Geisha Moon Song. As soon as I order it I put a fresh build on an atty and have it waiting on the bottle to get here. When it does it's music, and my Geisha. Bliss. Sweet without being cloying, such a unique flavor that is so hard to describe. It will always be my favorite.
AmazingBefore Geisha Moon Song is steeped, the flavor profile is very intense. It tastes like a spiced, brandied plum atop a bed of jasmine blossoms drizzled with honey. After it has time to age the flavors mellow and blend beautifully. It loses its brandy and spice flavors and tastes predominantly like jasmine blossoms with just a little bit of sugared plum peeking through. It is a perfect blend of complimenting flavors. Geisha Moon Song is an e-nectar I will order again.
Best. Juice. Ever!Geisha Moon Song is my absolute favorite juice ever. I get crabby when I run out and have to wait for my local store to re stock their supply. The taste is sweet but not too sweet, mellow but not too mellow, flowery but not too flowery ...... it is just right and I love it. I like the fact that it's organic and pure in it's ingredients but truth be told, I would order it in bulk even if it wasn't! it is THAT good!! Try it ... you will definitely not be disappointed! !
Still loving all the flavorsFound this sample bottle lurking in the back of a drawer. Along with virtually all the Kind Juices I have tried, this ranks up there! Keep the flavors coming! Just would like to see larger bottles in the future? Well done team Kind Juice great work!


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Karlu Photographic, Unit 15, Crestland Business Park, Bull Lane Industrial Estate, Acton, Sudbury,
Suffolk, United Kingdom CO10 0BD
Copyright © 2002 - 2016 Karlu Ltd
Sales Hotline 01787 312200 - Fax Order line 01787 377 611
or use your PayPal account
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This section contains information on:
Place of Performance and Applicable law
Karlu Ltd is a company registered in England. Unless otherwise specified, the materials on this site are directed solely at those who access this site from the United Kingdom mainland. Karlu Ltd makes no representation that any product referred to in the materials on this site is appropriate for use, or available, in other locations. Those who choose to access this site from other locations are responsible for compliance with local laws if and to the extent local laws are applicable. English law shall govern this Agreement.
You and we each submit to the exclusive jurisdiction of the English courts in relation to disputes arising out of this Agreement.
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When you place an order we will treat it as an offer to buy. However, we will be
entitled to refuse to accept your order if we feel it
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will e-mail you as soon as we can to let you know. If we decline your offer on
security grounds we may contact you to seek an alternative payment method. Karlu Ltd reserves the right to revise prices, correct
errors on its website and refuse orders at its discretion.
If an error is discovered in the price of the goods that you have ordered, we
will inform you as soon as possible. In the event that you order an item and the
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upon discovery of the error to let you know the correct price and ask you
whether you still wish us to fulfil your order at this price. We shall be under
no obligation to fulfil an order for a product which was advertised at an
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price or charge you the correct amount.
All prices are inclusive of UK VAT at the prevalent rate of 17.5% and do not include delivery charges. You may pay by any major credit/ debit card (excluding AMEX) or PayPal. We are under no obligation to accept your order. Prices, offers and products are subject to availability and may change at any time prior to acceptance of your order.
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Customers who reside and have their goods delivered out of the E.U Zone (i.e. US, Canada etc) will receive their goods Tax Free and will have UK VAT (currently 17.5%) deducted from the cost of their goods at checkout.
Please note that whilst we ship goods to you TAX Free, we are not responsible for any Import Duty or Tax that your countries Customs may charge, in these instances, you will need to settle with your Customs Authority yourselves (this is usually dealt with by the postal/delivery company).
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The delivery charge paid is for standard "Next Working Day" delivery once the item leaves us, unfortunately courier errors do occasionally happen and this is not a guaranteed 24hr service. We do not refund for delivery charges in these circumstances.
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if one of these methods is required, please call us on 01787 31220 to arrange,
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Standard Delivery time is Monday - Friday 08:00 - 18:00hrs. We are also able to deliver Pre-10:00/Pre-12:00 and Saturday AM - excess charges apply, if one of these methods is required, please call us on 01787 31220 to arrange, we are unable to upgrade delivery Service "Free of Charge".
For other delivery options please email email@example.com or telephone us on 01787 312200
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Export Delivery charges quoted are only intended as a guide. We reserve the right to modify charges should they be significantly different from those quoted, although we will always inform you should this be necessary.
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If an item is marked as a "Special Order Item", you will be charged at the time of order. Special Order items are non refundable
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cancel the online payment and charge your card at the point of pickup - do not
forget to bring your card.
If you have placed your order online and wish to pickup the order, we will cancel the online payment and charge your card at the point of pickup - do not forget to bring your card.
Please note that we do not accept cheques for personal callers.
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Ownership of goods remains with Karlu until full payment for products has been received.
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We value our customers satisfaction very highly. If you have any complaints regarding your Order please email our Web Sales Team or phone us on 01787 312200
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You Are Here:: The Silk Route / About Silk / Silk Route -
Silk Route
For the initial launch of our on-line shopping web site we have concentrated on our products. We are now working hard to extend our web site to include a section on how the Silk Route or Silk Road and on the history of silk. Bear with us while we add to this section.
Watch this space.


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Anthropologists, sociologists and biologists have explored over several decades many factors that shape the likelihood of sexual coercion of women by men.
Such research cannot, of course, definitively explain the recent case in Cleveland involving Ariel Castro, who has been charged with abducting and raping three women over many years. But it does suggest avenues through which, on a societal level, sexual coercion – attempts to get sex by force — might be reduced in the United States and other countries.
Some biologists have argued that the proclivity for sexual coercion among men is merely a hand-me-down of human evolutionary history: They point to widespread sexual coercion among orangutans, a near cousin to humans on the tree of evolution. Other biologists, however, point out that sexual coercion is by no means universal in the animal kingdom. Even among other primates, male and female bonobos have much more egalitarian sexual relationships than do orangutans.
More to the point, as far as human societies are concerned, anthropologists have long documented differences in the extent of sexual coercion in different human societies. More than three decades ago, Peggy Reeves Sanday at the University of Pennsylvania found wide variations in sexual coercion in an analysis of 156 older societies. In some of these societies, sexual coercion was widespread. In others, it was nearly absent.
Sexual coercion, Sanday said — in a view backed by numerous feminist scholars — is shaped by cultural forces: "It is important to understand that violence is socially and not biologically programmed."
"Rape is not an integral part of male nature but the means by which men programmed for violence express their sexual selves," Sanday wrote in 1981. "Men who are conditioned to respect the female virtues of growth and the sacredness of life do not violate women. It is significant that in societies where nature is held sacred, rape occurs only rarely."
In a more contemporary analysis, researchers at the University of Hawaii studied patterns of pornography consumed in the United States, Norway and Japan, as a way to try to get at links between gender equality and sexual relations. The study looked at those countries in part because they fall on different points along a gender-equality spectrum that is tabulated by the United Nations and known as the Gender Empowerment Measure. (The measure "examines the extent to which women and men are able to actively participate in economic and political life and take part in decision-making," according to the U.N.)
At the time the study was conducted, Norway ranked first in the world in terms of gender equality, the United States ranked 15 and Japan ranked 54, according to the measure. The researchers found that Norwegian pornography was more likely than Japanese pornography to show women in empowered roles, with U.S. pornography falling in the middle.
To some people, that might seem like clear-cut evidence that increased gender equality leads to increased sexual empowerment for women and less sexual coercion, but the study also found that depictions of coercive sex in pornography are about as common in Norway as in other countries. The links between pornography consumption and actual sexual practice, moreover, are murky. Another study, for example, found that as pornography consumption has soared in Japan in recent decades, reported cases of sexual violence against women have fallen dramatically.
The link between gender inequality and sexual coercion is supported by another study conducted in sub-Saharan Africa that found higher levels of inequality linked to higher levels of coercion. But some scholars have noted that increased gender equality can also have different effects on sexual coercion over the short term than it has over the long term.
In the short term, greater equality might trigger a "backlash" effect, leading to changes in the status of women while, over the longer term, equality might be linked with lower levels of coercion. One analysis of 109 U.S. cities over three decades found that "the short-term effect of gender equality is an increased rape rate via increased threats to the status quo; whereas the long-term effect of gender equality is reduced rape via an improved climate toward women."
The study of the relationship between gender equality and sexual coercion is hobbled by the fact that sexual coercion and rape often happens behind closed doors, and does not get reported, let alone investigated. Definitions of sexual coercion, moreover, have been the subject of debate — many scholars point out that most sexual coercion of women happens in the context of existing relationships, including marriage, even though cases such as the Cleveland abductions are far more likely to attract media attention.
Other scholars also point to the role of power as a factor: In one analysis of 228 U.S. cities, researchers suggested that "in areas where women enjoy a higher absolute status, rape rates will be lower," meaning that access to power — rather than equality per se — might protect women against sexual coercion. In some ways, this finding meshes with research that suggests disadvantaged women in many societies are the ones who are at greatest risk of experiencing sexual coercion.
Police are still investigating how Ariel Castro allegedly abducted and repeatedly raped three women in Cleveland. There are many details of this case that remain murky. A few days ago, we thought Castro's two brothers might have played a role in the abductions. But police now believe those men were not involved. Still, even as this investigation unfolds, it appears this is a case involving a man getting sex by force.
We've called in NPR's Shankar Vedantam, who regularly joins us to discuss social science research, to talk about some of the research into factors that might predict sexual coercion. Shankar, thanks for coming in.
SHANKAR VEDANTAM, BYLINE: Happy to be here, David.
GREENE: So are there patterns that scientists can see, that might predict this kind of awful behavior?
VEDANTAM: You know, it's a big and complicated topic, David. Anthropologists find, in studies of all the cultures, a fairly wide range; where in some societies, you have a lot of sexual coercion and in some societies, you have very little. Three decades ago, Peggy Reeves Sanday, at the University of Pennsylvania, studied 156 of these older societies. And what she found was that sexual coercion was widespread in some and rare, or almost even absent, in many others.
And what she found was that norms seem to play a very important role. Do you live in a society where sexual coercion is condoned, or do you live in a society where such coercion is condemned?
GREENE: OK. Well, the United States - I mean, we're a developed, industrialized country where this kind of behavior is condemned. I mean, in a society like that, what do we know?
VEDANTAM: Well, feminists have long explored the idea that gender equality might be linked to sexual coercion, and that different levels of gender equality might predict sexual coercion. And there's evidence to back this up. You know, at the University of Hawaii, Elaine Hatfield and a couple of graduate students published a paper last year that analyzed pornography in three different countries. They looked at the United States, Norway and Japan.
And they picked those countries because according to various international rankings, Norway is No. 1 in the world, in terms of gender equality. The United States comes in about 15. And Japan ranks about 54. In this analysis, what they found was that the kinds of pornography that were popular in these different countries was actually quite different, and that pornography in Norway tended to show women in more empowered roles, compared to pornography in Japan; with the U.S. falling somewhere in the middle.
There's another study in sub-Saharan Africa, for example, showing that gender inequality seems to be linked with more sexual coercion. And so that lends support to the idea, too, that there are some connection here between equality and sexual relationships. But I have to say, there's also conflicting research on this. It's also possible that as societies transition to greater equality, initially what you might see is an increase in sexual coercion.
GREENE: So Shankar, are we talking about a backlash - I mean, men resent the fact that women are equal in their society?
VEDANTAM: I think that's the theory that the researchers are working with. But I think it's also true, David, that what they say is that in the long term, higher levels of gender equality seem to be linked with lower levels of sexual coercion.
GREENE: OK. What about the situation in the United States?
VEDANTAM: I looked at one study by a researcher called Kimberly Martin, at the University of Missouri, and she analyzed 228 U.S. cities. And what she found, interestingly, was not that gender equality reduced sexual coercion. In other words, she didn't find lower rates of sexual coercion in cities with higher levels of gender equality. She just found that having power protected women from sexual coercion. What the study seems to suggest is, the women with the power are going to be protected, whereas the women without the power are at increased risk.
GREENE: And more vulnerable.
VEDANTAM: Exactly.
GREENE: A lot of research, and it sounds like they're no clear answers; but really interesting hearing about this. Shankar, thanks for coming in.
VEDANTAM: Thank you, David.
GREENE: Shankar Vedantam - he regularly joins us to talk about social science research. And you can follow him on Twitter @hiddenbrain. And you can also follow this program @nprgreene, @nprinskeep, and also @morningedition. Transcript provided by NPR, Copyright NPR.


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Robert George, Princeton University's McCormick Professor of Jurisprudence and a professor of politics, has been appointed to the United States Commission on International Religious Freedom. The commission is an independent, bipartisan group that monitors freedom of religion abroad and provides policy recommendations; members are appointed by the president and leaders of both political parties in the Senate and House of Representatives. George was appointed Friday, March 23, by House Speaker John Boehner to serve a two-year term.


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Meet Monsieur, a 'smart' at-home bartender
Monsieur may, at first glance, look like a vending machine, but it is actually an AI-driven drink-mixing automaton able to learn your moods, needs and preferences to make sure it always serves you the right drink, at the right time, no matter how discerning or exacting your tastes.
The baby brother of a much larger, industrial machine that can be found in a number of establishments in Atlanta (the company's hometown), the Monsieur can mix literally thousands of drinks and features a touchscreen menu of everything it has to offer, from Whiskey Sours to vodka Martinis and beyond. Users can increase or reduce the strength of any desired drink or even ask for a non-alcoholic version if they're that way inclined. Or, for the more adventurous, there's always the 'surprise me' button. And the more the machine is used, the better it becomes at understanding its owners' tastes and preferences.
But the high-tech shenanigans don't stop there; no 'smart' appliance could dare to call itself so without an app, and the Monsieur is no exception. The app can be used to remotely order and mix a drink while the machine can use the app to know when you're coming home and what sort of drink it should have ready for your return. For example, if it's been a long day at the office, expect double measures, his and hers cocktails on date night and the offer of a cocktail if your team wins a game.
The company has turned to Kickstarter to bring the device not only into the home, but into bars, clubs and hotel lobbies around the world and is looking to raise $100,000 towards further development and manufacturing costs. Once a network of smart bartenders exists, then no matter where you go, as long as you have your Monsieur app installed and open on your phone you'll always get the drink you want, the way that you like it. And like all good barmen, it will know when you've had enough. It can monitor blood alcohol levels and can even call a cab if need be.
If the campaign is a success, then the company plans to offer two versions of the machine: The Monsieur Mini -- which can hold four types of alcohol and four mixers -- and the Monsieur -- which can hold eight of each. The devices can also be customized with a host of downloadable themes, such as 'Irish Pub', 'Tiki Bar' and 'Mardi Gras' and offer similarly themed drinks menus.
However, as well as knowing when to say 'No,' one of the other crucial tenants of good bartending is stocktaking and being sure that when a regular walks through the door and says 'the usual' he or she won't be disappointed. Monsieur can send its owner a text message or emailed shopping list when supplies are running low or, if activated, can trigger a delivery from a local store.
If the campaign reaches its goal, the company hopes to start selling the Monsieur Mini for $2299 and the Monsieur for $2699 by spring 2014. The company is also offering 10 earlybird versions of each machine, priced at $1999 and $2299 to get the ball rolling. But it looks as if backers won't need any further encouragement. Though the campaign only went live on Tuesday and is scheduled to run until November, it is already halfway towards its final target, having raised over $50,000.


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Talk about filling a need. Aria Retirement Solutions has a guaranteed income source without the variable annuity chassis—and advisors are catching on. David Stone, CEO of San Francisco-based Aria Retirement Solutions, is coming up on the first anniversary of the product, and all indications are it's been a good year.
"We originally had a mindset to serve advisors, but recognized that growth comes from different partners, so we aligned ourselves with various mutual funds, TAMPs and custodians," Stone said at Schwab Impact 2012 in Chicago last week. "But even though we're looking to expand our distribution opportunities, our core is still with advisors."
As far as his solution to guaranteed sources of income, "advisors like what they hear, but they obviously want to investigate it." Since there wasn't a lot of independent research, Aria recently teamed with research and consulting firm Milliman to provide of how the inclusion of a contingent deferred annuity product would impact a typical retiree's income profile.
"The results were very favorable," Stone said. "Because of the guarantee inherent in the product, clients have the confidence to aggressively invest other portions of their portfolio. They can have more income, more of a legacy for heirs and downside protection all in a fee-only package."
The turning point that got advisors attention was "the short-term nature of the product." Unlike a variable annuity or SPIA, clients are not locked in for life or an extended period of time, he explained.
"They can review it after three or four years and if they don't think it's worth it, they can take it off, Stone added."
Like many advisors, Kimberly Foss first thought she was getting a pitch about a variable annuity—but then the wholesaler started talking.
"I have 50 and 60-year-old women as clients, those that are in a transition in their life," said Foss, founder of Empyrion Wealth Management, a Dimensional Fund Advisors-affiliated firm with 80 clients and $200 million in assets under management. "Quite frankly, they're scared. They live longer than men but sometimes weren't the primary income source, so they have a problem."
She said she calculates three separate numbers for her clients in order to plan—one to thrive, one to survive and one to strive.
"This product lets us wrap that 'strive' amount," she noted. "It provides the guarantee, so they can sleep at night and aren't afraid anymore."
As to announcements like The Hartford's recently in which it revealed it is getting out of the variable annuity business and will "buy out" some of its annuity owners, and whether such announcements help or hurt the perception of the product, Stone said "in some ways it hurts, but in many ways it helps."
"They're selling a flawed model," he argued. "Ours in barebones and vanilla, and will eventually become the predominant model."
"Investors want the upside of the market, but they want the downside protection of a CD," Foss concluded. "This product does that, without the lockup. If they don't like it, they can take it off."
Check out complete coverage of Schwab Impact 2012 at AdvisorOne, including:


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CNN's Candy Crowley, Marc Klaas, a child safety advocate, and psychiatrist Dr. Charles Sophy discuss the warning signs of sex abuse.
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