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James Peaslee
United States
James M. Peaslee (Jim) is an art photographer living in New York City. He grew up in New York City and its suburbs, Los Angeles, and France. He has been taking pictures for 50 years. His formal photography education started at age 17 in 1970, in a course taken in the Yale Art Department from the venerable Walker Evans. Peaslee has a substantial portfolio of black and white pictures (taken with a medium format camera) from that time. The need to earn a living then put a temporary damper on artistic endeavors. He went to law school, and was a tax lawyer for many years with the international law firm Cleary Gottlieb. Good tax lawyers are known for their creativity, but admittedly the artistry is light on color, tones, and shapes. In 2018, Peaslee retired from the law and attended the Rocky Mountain School of Photography Summer Intensive Program. Much of his time since the beginning of 2018 has been devoted to photography, and his portfolio is growing.
Peaslee admits to having a dark side. Many of the pictures he takes are stark or consciously simplified. A picture that is stark or simple offers the viewer a chance to ask what is missing, or what happens next. Many images show individuals who seem isolated. Pictures of buildings usually show no people, or only figures in silhouette or shadow. One artist Peaslee cites as an influence is Edward Hopper. Walker Evans, his first photography teacher, also helped set the tone.
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More Great Photographers To Discover
Edward S. Curtis
United States
Born in 1868 near Whitewater, Wisconsin, Edward Sheriff Curtis became one of America's finest photographers and ethnologists. When the Curtis family moved to Port Orchard, Washington in 1887, Edward's gift for photography led him to an investigation of the Indians living on the Seattle waterfront. His portrait of Chief Seattle's daughter, Princess Angeline, won Curtis the highest award in a photographic contest. Having become well-known for his work-with the Indians, Curtis participated in the 1899 Harriman expedition to Alaska as one of two official photographers. He then accompanied George Bird Grinell, editor of Forest and Stream, on a trip to northern Montana. There they witnessed the deeply sacred Sundance of the Piegan and Blackfoot tribes. Travelling on horseback, with their pack horses trailing behind, they emerged from the mountains to view the valley floor massed with over a thousand teepees - an awesome sight to Curtis and one that transformed his life. Everything fell into place at that moment: it was clear to him that he was to record, with pen and camera, the life of the North American Indian. Edward S. Curtis devoted the next 30 years photographing and documenting over eighty tribes west of the Mississippi, from the Mexican border to northern Alaska. His project won support from such prominent and powerful figures as President Theodore Roosevelt and J. Pierpont Morgan. From 1911-1914 Curtis also produced and directed a silent film based on the mythology of the Rawakiutl Indians of the Pacific Northwest. Upon its completion in 1930, the work, entitled 'The North American Indian', consisted of 20 volumes, each containing 75 hand--pressed photogravures and 300 pages of text. Each volume was accompanied by a corresponding portfolio containing at least 36 photogravures.Source: www.edwardscurtis.com Edward S. Curtis was born near Whitewater, Wisconsin. His father, a Civil War veteran and minister, moved the family to Minnesota, where Edward became interested in photography. In 1892, Curtis purchased an interest in a photographic studio in Seattle. He married and the couple had four children. He later settled in Los Angeles, where he operated photographic studios at various times on La Cienega Boulevard and in the Biltmore Hotel. As a friend of Hollywood producer Cecil B. DeMille, Curtis was commissioned to make film stills of some of DeMille's films, including the epic, The Ten Commandments. In 1899, he became the official photographer for the Edward Harriman expedition to Alaska and developed an interest Native American culture. Curtis is best known for his documentation of Native American cultures published as The North American Indian. From about 1900 to 1930, he surveyed more than 100 tribes ranging from the Inuits to the Hopi, making more than 40,000 photographs. He made portraits of important and well-known figures of the time, including Geronimo, Chief Joseph, Red Cloud, and Medicine Crow. Source: Etherton Gallery
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Bill Gekas
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection�a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don�t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, �It�s all been done before.� Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!�From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
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Loretta Lux
Loretta Lux was born in Dresden, East Germany and is a fine art photographer known for her surreal portraits of young children. She currently lives and works in Monaco. Lux graduated from the Academy of Visual Arts in Munich in the 1990s, and debuted at the Yossi Milo gallery, New York in 2004. The show put both Yossi Milo and Loretta Lux on the map, selling out and setting prices never before seen from a new gallery. In 2005, Lux received the Infinity Award for Art from the International Center of Photography. Her work has since been exhibited extensively abroad, including solo exhibitions in 2006 at the Fotomuseum Den Haag, The Netherlands, and the Sixth Moscow Photobiennale. Her work is included in numerous museums collections worldwide, including the Solomon R. Guggenheim Museum; J.Paul Getty Museum, Los Angeles, San Francisco Museum of Modern Art; Museum of Contemporary Art, Los Angeles; Los Angeles County Museum of Art; Art Institute of Chicago; Israel Museum, Jerusalem; Fotomuseum, den Haag; Museo Nacional Centro de Arte Reina Sofia, Madrid and Mus�e de l�Elys�e, Lausanne, Switzerland, and National Museum of Art, Osaka, Japan. She has had portfolios featured in numerous fine art magazines. The artist executes her compositions using a combination of photography, painting and digital manipulation. Lux's work usually features young children and is influenced by a variety of sources. She originally trained as a painter at Munich Academy of Art, and is influenced by painters such as Agnolo Bronzino, Diego Vel�zquez, Phillip Otto Runge. Lux also owes a debt to the famous Victorian photographic portraitists of childhood such as Julia Margaret Cameron and Lewis Carroll. Source: Wikipedia Loretta Lux was born in Dresden, Germany, in 1969. In 1989 she left East Germany for Munich, a few months before the fall of the Berlin Wall. From 1990�96, she studied at the Akademie der Bildenden K�nste in Munich. Trained as a painter, Lux began taking photographs in 1999. Although Lux first experimented with self-portraits in works like The Hush (1999) and Self-Portrait (2000), she soon transitioned to images of children and adolescents, typically the offspring of friends who she often used as models. Her subjects, with gazes ambiguously empty yet psychologically activated, assume formal poses and appear in calculated garb and hairstyles. Employing photography, painting, and computer manipulation, Lux alters the images, extracting extraneous details, distorting proportions, and setting the children against mediated backgrounds that exist somewhere between Old Master paintings and cheesy studio-portrait backdrops. Lux's earliest works set children against icy blue skies, for example in Troll (2000), Lois (2000), and Isabella (2001). In 2001, while the skies continued to serve as backdrops in some works, Lux began to increasingly stage her images within barren pale pink interiors; such images include Hidden Rooms (2001) and Study of a Girl (2002). In several works including The Book (2003), Lux borrowed poses from Balthus, endowing those works with the rigidity and sense of perversion that characterized the French artist's oeuvre. Lux moved to Ireland in 2004 and increasingly depicted pairs of children rather than the solitary figures that occupied her earlier work. In her images of siblings like The Walk (2004), The Irish Girls (2005), and Hugo and Dylan (2006), the figures are psychologically isolated and physically interact quite gingerly with minimal and half-hearted gestures, perhaps an arm around a shoulder. Lux photographed the twins Sasha and Ruby (2005), girls who again sat for multiple images the artist produced in 2008. In 2007 Lux created her first self-portrait in seven years, this time occupying the pale blue and pink world of the children and bearing their ambiguous, confounding expression. Solo exhibitions of Lux's work have been organized by Stadtmuseum in Muenster (2003), Fotomuseum den Haag in The Hague (2005), Museo de Arte Contemporaneo de Monterrey (2008), and Kulturhuset in Stockholm (2009), among others. Lux's work has also been included in major exhibitions such as Arbeit an der Wirklichkeit, German Contemporary Photography at the National Museum of Modern Art in Tokyo (2005�06), Global Feminisms at the Brooklyn Museum (2007), Family Pictures at the Solomon R. Guggenheim Museum in New York (2007), and the Havana Biennale (2009). In 2005 she received the Infinity Award for Art from The International Center of Photography in New York. Lux lives and works in Monaco. Source: Guggenheim
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Patrick Morarescu
Statement:Due to the natural dynamic and complexity of the individual, I have always been drawn to portraiture. I photograph persons to whom I feel an initial attraction and try to reflect this force in images. A power that you cannot describe in words or in rational concepts but it captures the attention and creates a strong curiosity, a sort of addiction not only to body shapes, eyes, skin tonalities, but to what is behind: the thoughts and the mental state of that persons. And I feel a sort of instinct of possession, a desire to materialize the moment that this person is living. The human presence, with it�s emotionality, is some times too strong; it is almost insulting, shouting to get all the attention: Like a red dot in the green, like a flash in the darkness. To balance that force I need the background, the space that as a negative form defines the contour of the figure. Through that supplementary space I create a whole story. The key of my research lies in the dialogue between the person and its background; sometimes I think I am not portraying a person with a background, but the background with a person; sometimes it is the opposite. The background speaks about fear, happiness, peace, desperation; it speaks about the circumstances through an atmosphere. There is one basic element that is crucial to bring all the elements together: The light. Like a thread that creates structure and consistence in a tissue; the magical substance of photography. It is a physical condition that contains many extraordinary qualities. The photography is a chemical reaction in which the light is transcripted in a plain surface, creating a code that by the eyes suggest reality; but photography is not reality itself but an abstraction of it. And this is the point that fascinates me; the possibility of recreating the reality through the chemical process.
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Filip Gierlinski
United Kingdom
My uncle is a very accomplished craftsman and very keen and skilled amateur photographer. I always loved to see him draw, paint, design and gave me my fist Minolta x370 35mm manual camera when I was about 8, so it started there. At school and Uni I studied art subjects. I graduated in Graphic Design, worked for a year as a junior designer, but all the time thought I wanted to be the guy who came into our office with a contact sheet of commissioned photography, and not the guy sitting at a screen and designing the layouts for his photos. A friend was working in a Commercial Photo studio and needed some summer intern cover, and I jumped at the chance. 3 months tuned into nearly 4 years at the studio, and I learnt the skills, techniques, discipline, equipment and it opened my eyes to the industry and business of commercial photography. I have always had a passion for travel and I was eager to get outside, into the sun, and shoot people and places...we worked on products, catalogues and room sets at the studio which was an amazing experience and training, but not what I most desired to be shooting. I was fortunate enough to learn my trade in the days of film, and came to professional photography just as digital was breaking in and the industry was opening up and shifting. This gave me the technical skills of shooting on film for many years, and the ability to by my first semi-pro digital slr and advertise online for freelance jobs - so I had the best of (understanding) both worlds. After some travel and teaching TEFL with my wife, we came back to the UK and I started to freelance, shooting mostly art projects, working for the Arts Council and delivering educational programmes, and all the time slowly building up my freelance business. So since about 2003 I have worked as a commercial and corporate photographer, covering a wide range of subjects and industries and have had the opportunity to work with some amazing and diverse clients. The work as a tutor gives me the opportunity to travel and practice my craft and I bring that inspiration back to my business. Part of my early freelance work was shooting business portraits, and so I started to advertise specifically for Corporate Headshots and Portraits as a separate arm of my work, and this has become the main source of my income and commissions over the past few years. I have shot for huge companies with 1000's employees, as well as small businesses, professionals and entrepreneurs. I try to bring a sense of style and creativity, and an editorial feel to the �Corporate Headshot' and think that defines me with a distinctive look and product. I enjoy bringing a bit of creativity and style into the corporate world in my own little way, and years of shooting 1000s of people means I can read with my sitters quickly, make them feel at ease and connect with them which is something that shows through in my portraits. The skill is to do that within the 4 or 5 minutes I have with each person, sometimes up to 60-100 times a day! Most recently I shot a campaign for a bowling alley company, working with a sports marketing agency, and so in between my corporate work and travels, I work with agencies for hospitality, sports and automotive industries. Working on set with director Shane Meadows was a great experience, as well as shooting the bands I loved since I was a kid from the press pit and back stage at rock festivals - a real pinch yourself moment. As I often photograph a lot of faces and people in my daily work, it is always nice to get a luxury hotel commission where it's all about the rooms and design, architecture and details and make for a pleasurable change of pace. I was born in Poland in 1977, at 2 months packed into basket and flown to Tunis as my father was a civil engineer and contracted out there for a few years. We then lived in Poland and France and then moved to the UK when I was a child and so travel is in my blood. Since then I have been lucky to visit so many amazing countries. I have never really had money to just go travel, but always seeked out jobs where I could see the world. I have spent time as a tour guide in South America, teaching English in Nepal and India, and more recently working as a tutor has taken me all over the world. I have been lucky enough to be able to balance seeing the world, with a family life and earning here in the UK. I don't shoot travel stock or go with any intent to produce a commercial library, but more to see the people, to document their lives, to capture a story, as I feel my travel images are much more personal stories and of a more editorial feel than commercial. This may all change as i shoot new projects and seek to follow my vision. It is still my dream to find a way to move more towards travel and editorial commissions but I am lucky to be able to make ends meet through a job that I love every day.
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Jacques Henri Lartigue
Jacques Henri Lartigue is 69 years old in 1963 when he first presents a selection of his many photographs taken throughout his life in New York�s MoMa. That same year there is a photo spread of his work in the famous Life Magazine issue which commemorates the death of John Fitzgerald Kennedy, and which is publicized worldwide. To his great surprise, Lartigue becomes, overnight, one of the renowned photographers of the twentieth century. Jacques learns about photography from his father as early as the year 1900. Henri Lartigue rewards Jacques�s enthusiasm by buying him his first camera when he is 8 years old. Thus begins the endless coverage of his childhood, including automobile outings, family holidays and especially his older brother Maurice�s (nicknamed Zissou) inventions. Both brothers are fascinated by cars, aviation, and all sports with increasing popularity at the time. Jacques�s camera freezes each moment. As an adult he continues to attend sporting events and to take part in elite sports such as skiing, skating, tennis and golf. However, ever mindful of the passage of time, photography is not quite enough to capture his childhood memories. A snapshot cannot encompass all there is to say and to remember. He thus begins keeping a journal and will continue to do so his whole life. Furthermore, as if to engage in a more renowned activity, he takes up drawing and painting. In 1915 he briefly attends the Julian Academy and thus painting becomes and remains his main professional activity. From 1922 on he exhibits his work in shows in Paris and in the south of France. In the meantime, in 1919, Jacques marries Madeleine Messager, the daughter of the composer Andr� Messager, and their son Dani is born in 1921. Jacques and Madeleine get a divorce in 1931. He revels in high society and luxury until the beginning of the 1930�s until the decline of the Lartigue fortune forces him to search for other sources of income. He refuses however to take on a steady job and thus lose his freedom, and so he scarcely gets by with his painting during the 30�s and 40�s. In the beginning of the 1950�s and not in accordance with the legend in which he is a complete unknown, his work as a photographer is noticed. He nevertheless continues to paint. He embarks on a cargo ship to Los Angeles in 1962 with his third wife Florette. In a roundabout way, they stop on the East Coast and meet Charles Rado of the Rapho Agency who in turn contacts John Szwarkoski, MoMa�s photography department young curator. There is all-around enthusiasm. The first retrospective of his work is held in Paris� �Mus�e des Arts D�coratifs� in 1975. One year earlier, Lartigue was commissioned by the President of France Val�ry Giscard d�Estaing to shoot an official portrait photograph. In 1979 the Donation Agreement is signed and Lartigue becomes the first living French photographer to donate his work to the nation. He authorizes the Association des Amis de Jacques Henri Lartigue to preserve and promote the fund. In 1980, his dream of having his own museum comes true with the Grand Palais� exhibit �Bonjour Monsieur Lartigue�. He continued his work as a photographer, painter and writer until his death in Nice on September 12th 1986. He was 92 years old. He left us with more than 100 000 snapshots, 7 000 pages of diary, 1 500 paintings. Source: Jacques-Henri Lartigue Donation
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Alexis Pichot
In 2011, I made the bold decision to redirect my professional life into my self-guided passion, photography. I worked as an interior designer in Paris for more than ten years. Throughout that time I was very focused on the use of space and acquired a sensitivity that has greatly influenced my approach to volume in photography. At night, light and space are my sources of inspiration, experimentation and confrontation - but above all, of fulfilment. I pierce the night using physical movement, as well as using light in order to see beyond what is visible, to a place where the blackness has not yet absorbed everything. I have accomplished various large-scale artistic projects, often in partnership with private and public institutions. Notably, my project with the Hotel National des Invalides - which granted me access to all of the military sites in Ile de France - enabled me to bring to light this fragment of history in a large exposition in the moat of the Invalides. I also had the opportunity to work with the RATP, who commissioned me to enter a disused marshalling yard where their entire collection of rolling stock is preserved, covering 100 years of history. The images created were exhibited during "Les Journ�es du Patrimoine" (the Heritage Days) within their workshop-museum. The cities and their nocturnal vestiges have been sacred fields of investigation for me, as much for their architectural lines as for the histories to which they bear witness. Arising from an awareness of and sensitivity to modern society - alongside the fact that I live in a city - nature has become my source of regeneration.
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Jacopo Maria Della Valle
I was born in Rome in 1979. When I was 6 years old I received my first camera and I fell in love with it at once. The camera has always been the means to get in touch with everything around me, savor it, store it and make it mine. As a child my dream was to become a director, I studied scenography at the Academy of Fine Arts in Rome and I worked as a Digital Artist at Cinecitt�, but it's through photography that I found the best way to express myself. I'm not a great lover of technique and rules, for me it's fundamental to train the eye and the heart (as Cartier-Bresson quoted) to capture moments, looks and gestures that contain stories, experiences, sensations and can communicate some emotion. The real keystone was when I put together my two great passions: photography and traveling. Traveling with the aim to photograph and photographing with the aim to travel, made me snap like a spring, every trip became an outlet to get out of the monotony of everyday life and makes me feel alive. I started traveling around Europe, in the United States, Africa and Cuba. I traveled around Asia accompanied by Terzani's reading and I was fascinated by the different Asian cultures. My main interest is the knowledge and the discovery of the authenticity of different populations which still live in respect of their particular cultural traditions. I undertake long journeys to reach the populations that still survive globalization and I always try to get in close contact with local people and live their own customs and traditions. I use the camera to connect with the other and with my shot I try to represent who I am in front of, with all his cultural and emotional baggage. This is why I prefer to take portraits, to reproduce the essence of who I meet. I hope with my photos to convey the same emotions that these meetings arouse in me.
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Raul Arantes
Born in S�o Paulo, Brazil, Raul Arantes is a multidisciplinary creative director, photographer and filmmaker, currently based in Singapore. His experience spans over 18+ years working in Brazil, the UK, mainland China and Hong Kong. He holds a Master's degree in Visual Effects, but he has worked in different areas for a wide range of agencies, businesses and clients. His wide experience allowed him to develop a number of interdisciplinary projects and stories in Ukraine, Iran and Hong Kong.
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Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) R�hahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to R�hahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives R�hahn's work.
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Craig Varjabedian: Found Horizons
Craig Varjabedian's photographs of the American West illuminate his profound connection with the region and its people. His finely detailed images shine with an authenticity that reveals the ties between identity, place, and the act of perceiving. For Varjabedian, photography is a receptive process driven by openness to the revelation each subject offers, rather than by the desire to manipulate form or to catalog detail. He achieves this vision by capturing and suspending on film those decisive moments in which the elements and the spirit of a moment come together
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Exclusive interview with Jacopo Della Valle
Jacopo Maria Della Valle is an Italian travel photographer who fell in love with photography at young age thanks to the influence of his father. Since then he has travelled to Europe, the USA, Cuba, Morocco and all over Asia. He is the winner of AAP Magazine 12 B&W with his project Bull Jumping. We asked him a few questions about his life and work.
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Exclusive interview with Giedo Van der Zwan
Giedo van der Zwan is a street photographer, writer and publisher from the Netherlands. He started working on a long-term project 'Pier to Pier' in 2017 and published his book in June 2018. He is the winner of AAP Magazine 8 Street. We asked him a few questions about his life and work.
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Exclusive interview with Eli Klein
Eli Klein Gallery has an international reputation as one of the foremost galleries specializing in contemporary Chinese art and continues to advance the careers of its represented artists and hundreds of other Chinese artists with whom it has collaborated. The Gallery has been instrumental in the loan of artworks by Chinese artists to over 100 museum exhibitions throughout the world. It has published 40 books/catalogues and organized more than 75 exhibitions of Chinese contemporary art at our prestigious venues in New York City.
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Cayetano González is a talented Spanish photographer and cinematographer who found his calling when his grandfather lend him his Leica. Since then he has directed commercials and shot several covers of major magazines. His work is influenced by the painters he admires like Sorolla, Vel�zquez, Rembrandt and Delacroix.
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Exclusive interview with Mauro De Bettio
Mauro De Bettio is an Italian photographer who lives in Spain. His pictures are a visual story able to highlight unseen or ignored realities. A vital tool that can help bring about social changes. He is the winner of AAP Magazine 11 Travels. We asked him a few questions about his life and work.
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Exclusive interview with Stéphane Lavoué
St�phane Lavou�, is a French portrait photographer born in Mulhouse in 1976. He lives and works between Brittany and Paris. He is the winner of the Ni�pce Prize 2018. We asked him a few questions about his life and work.
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Exclusive Interview With Harvey Stein
Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography. Stein is a frequent lecturer on photography both in the United States and abroad. He was the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan from 2009 until 2019 when it lost its lease and closed. Stein's photographs have been widely exhibited in the United States and Europe, 86 one-person and over 165 group shows to date and has published eight books. We asked him a few questions about his life and work
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11 December 2007
Price realised
Modelled by Wenzel Neu, wearing a black skull-cap and mask, brightly chequered clothes and red shoes, his right hand holding a letter and raised to the side of his head, his left hand holding a hat, on a marbled oval mound base with ochre veins (firing crack to base adjacent to left foot, letter lacquered, areas of minute wear)
5¾ in. (14.7 cm.) high
Anon., sale Christie's London, 9th April 1979, lot 136.
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This figure is part of a Commedia dell'Arte series which was modelled in 1764-65 before Wenzel Neu returned to Fulda in 1767. The series was modelled after the engravings by Johann B. Probst, which were adapted from the drawings by Johann Jacob Schübler and published by Jeremias Wolffs Erben at Augsburg in 1729. This figure of Harlequin was derived from pl. 5.
Cf. Robert Schmidt, Early European Porcelain as Collected by Otto Blohm, nos. 345-7 and pl. 94, also Roda S. Solowejcik, 'Thüringer Porzellan des 18 Jarhundert bis Anfang 19 Jahrhunderts, in der Sammlung der Ermitage', Keramos, July-October 1978, pl. 37.
Other examples were sold in these Rooms on 9th July 2001, lot 253, and with his companion Columbine on 11th December 2000, lot 285, and on 14th May 1990, lot 35. An example was sold by Christie's Geneva on 11th November 1985, lot 42. Another was sold by Sotheby's Geneva on 14th November 1989, lot 62; and another by Hans W. Lange, Berlin on 7-9th April 1938, lot 916. The example in the Pflueger Collection is illustrated by Hugo Morley-Fletcher, The Pflueger Collection (London, 1993), Vol. I, p. 206.
Special Notice
VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium
Using lots from our upcoming Collector sales, the Italian writer and Vogue stylist designs a series of vignettes in London's most spectacular conservatory
The story of the French factory founded in the 18th century, from evolutions in style to the monarchs who gladly waited years for their commissions to be created
'Made in China' was once the ultimate mark of sophistication for Western porcelain enthusiasts, as specialist Becky MacGuire explains
Highlights from Modern and Contemporary Art Evening Sale auction, offered 2 December in Hong Kong
According to specialist Stephen Jones, Natalie and Dr Marvin Gliedman collected 'for the sheer love of it' — including works by Noguchi, Calder and Diebenkorn


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Successful Farming Radio
The Successful Farming Radio Podcast is an internet version of the Successful Farming Radio Show. See the full list of stations where the Successful Farming radio program airs here.
Jump on winter annual weeds
Get rid of winter annual weeds with a fall herbicide application. It's a bit of insurance against a possible weed explosion in the spring.
Soybeans for oil and protein content
Yield and protein have been prized by soybean buyers. Boosting oil and protein content in soybeans without lowering yields is coming.
Gravity Flow Wagon Safety
During harvest season, keep your kids off the gravity flow wagon. It's full of grain that can tragically suck them down in seconds.
The Drought-Resilient Farm
When Mother Nature hands you a drought, fight back. A Kansas farmer and author spells out ways to have a drought-resilient farm.
Financial tips for young farmers
Young farmers have a lot to think about when starting their farming business. These financial tips that can make the process easier.
Heat stress-resilient soybeans
High daytime temperatures can harm soybean grain quality and yield. Researchers are working on developing a soybean that can take the heat.
Increasing biodiversity on your land
A farm with healthy biodiversity is teaming with life. Increasing biodiversity will enhance native species and benefit the land on many levels.
Earn Income From Hunters
Generate extra income by renting out your woodland and grassy areas to hunters. Read on for some tips on how to set this up.
Farm mediation for financial difficulties
Farmers who owe money to creditors and have financial difficulties should consider mediation
First Calf Heifer Care
Calves that die at or soon after birth are often due to calving difficulty. Avoid problems by taking care of heifers before calving.


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text:
028). There was no further association with psychometric dimensions of alcohol withdrawal.
In conclusion we found that GDNF serum levels are significantly reduced in alcohol-dependent patients. GDNF serum levels were negatively associated with alcohol tolerance. Moreover BDNF serum levels were found to be associated with withdrawal severity. (C) 2010 Elsevier
Inc. All rights reserved."
"Corticosteroid hormones, released after stress, are known to change neuronal activity in two time-domains: within minutes via non-genomic pathways and with a delay of >1 h through pathways involving transcriptional regulation. Recent evidence in rodents and humans indicates that these two modes of corticosteroid action differently affect cognitive tasks. Here, we investigated whether reward-based decision-making, in a rat model of the Iowa Gambling Task (rIGT), is also differently altered by rapid versus Tariquidar in vivo delayed actions of corticosterone. We targeted the rapid and delayed time domain by injecting corticosterone (CURT, 1 mg/kg, s.c.) at 30 min (rapid) or 180 min (delayed) respectively prior to behavioural testing, during the final 3 days of the behavioural paradigm. In saline treated rats, the number of visits to the disadvantageous
arm decreased over trial blocks, whilst this was attenuated when CURT was administered 30 min before testing. This attenuation was associated with a significantly selleck compound increased c-Fos expression in the lateral orbitofrontal cortex and insular cortex, and a trend for an increase
in the infralimbic cortex. The rapid corticosteroid effect contrasted with treatment 180 min before testing, where Selleckchem CB-839 the number of visits to the disadvantageous arm as well as c-Fos labelling was not affected. These findings indicate that rapid corticosteroid actions impair reward-based decision-making. (C) 2013 Elsevier Ltd. All rights reserved."
"Objective: Attention-deficit/hyperactivity disorder (ADHD) is a complex neurodevelopmental disorder with a strong genetic component. Neurotrophin-3 (NTF3), which participates in the differentiation and survival of dopaminergic and noradrenergic neurons, has been identified as a factor in the development of ADHD. We investigated the relationships between ADHD and NTF3 gene polymorphism.
Methods: We conducted a case-control analysis of 202 ADHD subjects and 159 controls, performed a transmission disequilibrium test (TDT) on 151 trios, and compared the intelligence quotient (IQ) and a continuous performance test (CPT) according to the genotype of two single-nucleotide polymorphisms (SNPs) (rs6332 and rs6489630) in the NTF3 gene.
Results: In the case-control and family-based analyses, NTF3 was not significantly associated with ADHD. However, in the ADHD probands, the subjects with AA genotype in the rs6332 SNP had significantly higher mean T-scores for commission errors on the CPT than did those with the AG genotypes (p = 0.045).


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Partner & Chairwoman
Ann-Marie Bowman is Partner and Chairwoman of Nottingham based law firm Rotheras. Ann-Marie remains highly committed to her fee-earning work in Family law, dealing with all aspects of children matters.
Adoption including placing children for Adoption
Care Proceedings
Child Arrangement Orders
Parental Responsibility
Prohibited Steps Orders
Special Guardianship
Specific Issue Orders
Legal aid may be available to assist you in funding the work undertaken by Ann-Marie.
In her role as Chairwoman Ann-Marie leads the executive board who are focused on strategic planning and implementation.
Ann-Marie remains highly committed to her fee-earning work in Family Law, dealing with all aspects of children matters. She is an accredited member of the Law Society Children's Accreditation scheme (previously referred to as the Children Panel) recognising her expertise in this area of work.
Ann-Marie frequently represents children's guardians, and takes instructions directly from children in appropriate circumstances, to ensure their interests are represented in Court proceedings. Ann-Marie also represents parents, other family members and foster carers within proceedings.
20 years
The English Women's Award 2018 - Winner
Modern Law Awards 2019 Lawyer of the Year - Highly Commended
"Ann-Marie Bowman specialises in public childcare cases and receives instructions from guardians, family members and foster carers regarding a range of adoption and care proceedings"Legal 500
""Impressive group with expertise in both matrimonial finance cases and children matters. A strong childcare team handles cases involving physical and emotional abuse, as well as fatalities. Well versed in matters with international aspects, Hague Convention cases, as well as adoption and guardianship issues."Chambers 2018
"Ann-Marie Bowman, whose instructions predominantly come from children's guardians, is a 'highly respected children lawyer."Legal 500, 2018
20 years
The English Women's Award 2018 - Winner
Modern Law Awards 2019 Lawyer of the Year - Highly Commended
The Prime Minister has announced that England are to be in a nationwide four-week lockdown to control the spread of Covid-19, from November 5 to December 2, as cases have spiked in recent weeks. Consequently, people are being told to stay at home, there is a ban on gathering with people you do not live with and the closure of non-essential business.
Posted on 11/17/2020
We have a fantastic opportunity for an experienced, qualified Residential Conveyancer to join our renowned residential conveyancing team here at Rotheras.
Posted on 11/17/2020


text:
Goldman Sachs & Big Pharma Admit Cures Aren't Profitable
Gentrification and Climate Change
Giuliani Admits in Court He is Not Alleging Fraud
Trump Has Resorted to Tweeting NewsMax Clips
Free Speech TV is powered by the people, and we rely on support from viewers like you.
Can you chip in $5 today to help keep us on the air?
Not today, take me to the site.Yes, I'll donate!


text:
The 2x2 Matrix, A Simplified Approach To Choosing Your Arsenal
View Single Post
First Mate
Join Date: May 2008
Posts: 150
The 2x2 Matrix, A Simplified Approach To Choosing Your Arsenal
by Rich Troxler
Been awhile since I posted. It's that time of year where time management becomes problematic at best LOL.
A short time ago, one of our members asked me to elaborate on something I had referenced in one of my articles. That something was the 2x2 matrix I use when I think about what to load my plug bag with. In short, the 2x2 matrix is based on the idea that bass are either looking up, or they're looking down, and they're either on large bait, or they're on small bait.
So when he asked me to explain it, I endeavored to give him a quick answer. Except there was none to be had. It then occurred to me that the quote "behind every simple solution, lies a complex reality" applies to this approach, as it does in many aspects involved in the pursuit of Roccus. Translated, this simple approach assumes a level of knowledge of your local bait patterns. And bait patterns are, IMHO, the most important element in getting on a bite.
So how does this 2x2 matrix work?
I can't tell you what plugs will work for your area, so I won't even bother. Ultimately, your plug choices will be based on what you know about your local bait patterns throughout the year, what plugs you are most comfortable with, and what profiles you wish to add to your arsenal (read develop confidence in). What I can do is give you my entire seasonal approach on how I select my baits/profiles, utilizing the 2x2 matrix as it pertains to my area (South Shore of Lung Guyland). Hopefully it will give you some insights into how to approach your area throughout the year.
Early Spring (beginning around mid-April)
My neck of the woods is blessed with a bay system that stretches from Queens to Southampton and includes 5 inlets, well over a dozen bridges, many miles of open ocean beach, and more fishable structure than a person can get to know in a lifetime. And throughout the season, all of these places will hold fish at one time or another. For me, in the early spring, it's all about the deep bay locales. This is where the water warms first and where the food chain kicks into action first.
Almost all of the early fish I catch are non-migrating fish that have wintered over in the bay, and the action is all centered on the outgoing tide. It is important to note this because it factors heavily in my choice of plugs. Why? Because the outgoing water pulls the warmest water off the flats and drains and into the channels. And because warm water is lighter than cold water, it will stay in the upper water column. And the microorganisms that fuel the food chain will first appear in the warm water, or upper water column.
So you get a microorganism bloom in the upper water column, the local non-migrating white bait (spearing, etc) start feeding on the microorganisms, and the bass feed on the white bait. A basic food chain event. At night, all you need is your ears to know if fish are around LOL
So right off the bat, this tells me that those fish are looking up and they are on small bait, and I limit my choice of profiles to those that will match those conditions. For me, this would be Bomber long-A's or A-salts, 5 ¼" SS needlefish, and teasers in front of either. Colors depend on the moon phase or cloud cover. I stop there and don't give it a second thought, because I know that those simple combinations cover that portion of the 2x2 matrix and have produced countless bass over the years, during those bites.
Mid Spring
So let's move forward several weeks and get into early May. At this point, adult bunker usually settle in and make their presence known throughout much of the bay areas I fish. They are obviously a "large" bait (one quarter of the 2x2 matrix) so they represent a new dynamic that needs to be considered when I load my bag.
In addition, there are locale issues to be resolved, because at this time of year you will have some bass moving along the open beaches, on their way to where ever their particular imprints are taking them. Some filter into the bays, following the bunker in, or seeking other prey, but usually taking up residence at some place for the spring. Some just pass by heading north, providing a brief opportunity to intercept them along the beach.
My personal preference at this particular point in time, is to pursue the bass that are taking up residence in the bay. The reasons are many, but they are for another post at another time. Suffice it to say that for the areas I fish during this period, I need to choose my profiles according to the 2x2 matrix.
So what do I know about the conditions and bait. I know that the bite(s) are still centered on the warmer outgoing water, which means that the food chain is still predominantly in the upper water column. I still have white bait and now, I have bunker, all feeding on the same microorganism blooms. So plug that into the matrix and you come up with, the fish are looking up and they are on either small bait or large bait.
So I load my bag with same profiles from the previous scenario, and throw in a large bottle plug and a metal lip and hit the road. Once again, colors depend on moon phase and/or cloud cover. Now let's add a new dynamic, that being wind. Bunker feed into the wind and white bait is blown with the wind. As I work my way through my catalog of bay spots, I pick those best fished for the prevailing wind conditions, and match my profiles for the bait I expect to find there.
Late Spring into Early Summer
This is a busy time with lot's going on. The water temps in the bay have warmed considerably, so in many places the preferred water temps for both prey and resident bass, are varied and deeper. There is also a huge influx of ground fish under way, as they set up in their spawning or summering grounds. The ocean is also alive with a variety of early season prey items and big hungry migrating bass. But the matrix still determines what I fish with and once again, conditions have a whole lot to do with what I ultimately choose to put in my bag.
Let's start in the bay. The areas around the bridges really start to wake up at this time. This is fast, deep, and many times, snaggy water. As deep as 42 feet in some spots, but mostly around 15-25 feet. Because it is fast and deep, the bass are not likely to be swimming around expending a lot of energy looking for something to eat. They are most likely laying low, behind structure, feeding opportunistically on the influx of new prey items, as well as the already existing bait.
So if conditions, or personal choice, find me fishing these locales, then I don't bother stocking my bag with my earlier choices. I plug what I know into the matrix, and make my choices accordingly. The bass will be looking down, and it might be big bait, or it might be small bait. Now I'm thinking bucktails with #70 pork rinds, and lead-heads matched to slender rubber bodies for my small bait profiles, and 9" Tsunami or Storm swim shads for my big deep profiles. Skip the rest and fish them hard.
But if three days of hard southerlies put the adult bunker up on some channel flats and pinned at my feet, then I ditch the bucktails, adjust my profiles accordingly, and take my best shot. See where I'm headed here?
How about any of the 5 inlets? Ground fish and bait items are pouring into the bays at this time of year, with bass hot on their tails. And what better place exists to concentrate prey and predator, than an inlet? I fish these much the same as around bridges, because the conditions are much the same. The fish are looking down and the bait can be either large or small.
Now let's really test the matrix and introduce a new condition, water clarity. On the open beach, water clarity can become an issue after a storm. In the bay, it can become a problem during algae blooms, otherwise known as red tides or brown tides, depending on the algae. Let's start in the bay.
Something I learned from a diver friend of mine is that bay algae blooms, which happen deep in the bay first, and then wash toward the inlets during ocean exchanges, happen almost entirely in the upper water column, otherwise known as the warmest water. So when faced with this condition, forget fishing shallow water with top water profiles and focus on fishing the deepest water you can find. The bait and fish will also locate to those areas. Confine your profiles to the looking down, big bait, small bait concept and you'll at least have a chance.
How about the open beach after a 3-day blow, with the water being the color of your morning coffee? Predator fish have highly attuned senses, so when sight fails them, they rely on some of their other senses. First sight. You can try bright colored plugs and bucks, parrot and chartreuse come to mind here, but there are better options most times.
For starters, look around. What do you see? Are there are a ton of washed up surf clams? Are gulls happily feeding on the cracked ones? Well maybe it's time to stow the plug bag for a couple days and switch gears to bait. This is what I call a "rooting pattern" and it happens more often than most think. It fits into the matrix as, they are looking down and are eating a specific bait that opportunity has provided, or at other times, basically eating anything LOL.
Some bass are just rooters by nature. How many times have you kept a bass that you assumed was feeding on other items, cut open the gut, and found nothing but crabs. How many times have you caught a bass and it's eyes are pointing down, and I mean fixed directly toward the ground. These are habitual rooters that set up on structure and/or fertile ground and literally never look up. Their entire feeding strategy is focused solely on what they find on the bottom.
Their matrix is easy LOL. They are looking down, period. Doesn't matter what the size of the bait is, they'll eat it. Lizardfish yum, crab yum, worm yum, flounder big yum, nothing ever more that 6 inches off the bottom. You can cast your entire bag over the heads of these fish, through an entire tide, and smell nothing but skunk when you leave in the morning. This is where chunk bait and live eels come into play. Granted, these are not plugs, but more big fish are caught on these two items, than all the plugs combined, so if catching bass, especially big bass, is part of your agenda, then factor bait and lives eels into the matrix where conditions dictate.
As for the rest of the season, it's pretty much the reverse of what I described above. Bait will leave the bays according to the conditions nature programmed them with. Some will head directly offshore, others will migrate along the beach, it all depends on what bait and where you are. The conditions I presented above are just a sampling from my own back yard. Your territory will most likely differ.
The key element here is trying to match a few of your profiles to the bait, structure, and conditions prevalent at the time you go fishing. This entails having a working knowledge of your specific local bait patterns and breaking the baits down into large and small. It also involves understanding how conditions throughout the season affect the prevailing baits, and the predator/prey relationship. The last step of the process is to plug what you know into the 2x2 matrix and place your trust in a hand full of profiles that match the conditions.
Whether in fishing, or in business, or in any endeavor, I am a fan of the 90% rule. I try to take a complex set of conditions and break them down into a series of manageable concepts, or actions, that resolve 90% of the requirement, and then tweak from there. Every fisherman ultimately develops his/her own style of fishing, and it's all good. The one thing I will say about this sport is that there are no absolutes, no hard and fast rules, and it can, and will humble us all.
As always, I welcome your viewpoints and comments, and thank you in advance for those you choose to offer.
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text: https://www.yourconroenews.com/news/article/US-BanSlaveryForCrime-All-100-15746046.php US-BanSlaveryForCrime-All,100 The Associated Press Updated 6:51 am CST, Monday, November 23, 2020 Remove Slavery Exception in Constitution (Ban as crime punishment) Nebraska 100 percent x-Yes, 600,926 - 68 percent No, 279,953 - 32 percent Utah 100 percent x-Yes, 1,138,974 - 80 percent No, 276,171 - 20 percent Stay Connected Subscribe to the Courier For more information on newspaper subscriptions and newspaper delivery, call (936) 521-3377 or email firstname.lastname@example.com. Latest News Montgomery County History Willis brothers were prominent early businessmen, namesakes of...Willis brothers were prominent early businessmen, namesakes of... Most Popular 1 FOOTBALL: Who should be The Courier's Player of the Week? 2 FOOTBALL: Willis converts late to beat Conroe, earn playoff spot 3 FOOTBALL: College Park rallied behind teammate in district title win 4 VOLLEYBALL: The Woodlands holds off Klein Cain in five sets to advance 5 FOOTBALL: College Park edges The Woodlands for first-ever district crown 6 Willis brothers were prominent early businessmen, namesakes of the town of Willis 7 FOOTBALL: New Caney tops Magnolia West in shootout; Legacy Prep moves on View Comments © 2020 Hearst Communications, Inc.


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| Thriller
Robert Fuller's voice is dubbed by another actor in the English language version.
The plot relies on Harry to be able to acquire blank bullets without any other henchmen noticing it and replacing the bullets that are already loaded in the magazine with them. Since he is being tailed by some goon and possibly held at the "doctor's" office this is a risky plot. And it almost failed immediately when another goon tried to shoot Cotton when they entered the quarry.
From The Muppet Christmas Carol to Die Hard, these festive movies and holiday TV episodes are guaranteed to boost your holiday spirit.


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Fixed Switch Cabinet Market 2019 | Global Industry Overview 2025 | Top Companies -Mitsubishi Electric, Hyundai Heavy Industries, Toshiba
The Fixed Switch Cabinet Market Report 2025 provides a regional analysis of the market. The regional analysis focuses on manufacturers, suppliers, segmentation according to the application, major players, customers, and furthermore. The competitive data type analysis includes capacity, market share, profit margin, market growth, consumer consumption, imports, exports, revenue, and etc. Marketing strategies, manufacturing processes, policies, industry chain that are changing the wave of the market are also catered in the report.
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The whole detailed report includes:
1) Basic overview of the market
2) Fixed Switch Cabinet Market by Type
3) Fixed Switch Cabinet Market by Application
4) Fixed Switch Cabinet Market by Major players
Major Players included:
Mitsubishi Electric
Fuji Electric
Hyundai Heavy Industries
Schneider Electric
Market Segmentation:
By Type:
High Voltage Switch Cabinet
Low Voltage Switch Cabinet
By Application:
Infrastructure & Utilities
The Fixed Switch Cabinet Market is a competitive market. This report will help to resolve all the market-related doubts and assist the business to grow in the competitive sphere. All the data represented in the reports are validated by the prominent professionals and analysts of the market.
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In addition to this, the report outlook will give the guidance to Tier1, Tier 2, and Tier 3's CEO's and CMO's to expand their roots in the industry and get ready for the future. It will also interest the individual readers around the world to know the inside-out of the industry. The tailoring of the market report involves a proper research methodology that includes primary research, interviews with the leading executives of the industry, and data analysis by the research analyst at the company.
Going forward to the developments of the market, vendor's landscape will provide a key development to the market worldwide. The market report will also provide the companies that are bombarding the market with unrelated products, companies with the same products but different geographical location, and popularity of the application according to the regions. During the study of the report, you will get to know about the segments that will act as a driver and restraints for the market growth.
The Global Fixed Switch Cabinet Market is necessary to understand the major player's competition related to the products. It is witnessed that the new competitors in the market are the former executives or managers of the major players in the market. Therefore, the report will help to have deep insights and discover the new and existing opportunities of the market.
The Global Fixed Switch Cabinet Market was valued at $XX Million. It is anticipated that the market will throttle at a CAGR of XX.X% between 2019 and 2025.
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This report includes CAGR, Cost Structure, Competitive analysis, Sales analysis, Top Players, and future growth insights.
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The value marked as XX is the confidential values of the market. To know about the values or any queries related to the report, fill in your information and our business development executive will get in touch with you.
Major Topics Covered in this Report:
• Chapter 1 Study Coverage
• Chapter 2 Executive Summary
• Chapter 3 Market Size by Manufacturers
• Chapter 4 Production by Regions
• Chapter 5 Consumption by Regions
• Chapter 6 Market Size by Type
• Chapter 7 Market Size by Application
• Chapter 8 Manufacturers Profiles
• Chapter 9 Production Forecasts
• Chapter 10 Consumption Forecast
• Chapter 11 Upstream, Industry Chain and Downstream Customers Analysis
• Chapter 12 Opportunities & Challenges, Threat and Affecting Factors
• Chapter 13 Key Findings
• Chapter 14 Appendix
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Hotelogix, AxisRooms and RepUp announce merger to offer 'full-stack' solutions for hotels
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Hospitality and tourism industry insiders said...
FICCI and Oyo launch online certification course for hospitality industry
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From potted herbs to dips and sauces: How Wingreens became a Rs 100 cr entity
Wingreens' future looks bright. In FY2020, it claims it was able to double its FY2019 revenue of Rs 50.32 crore. Almost 45% of the company's revenues come from these dips, and the rest from teas and mayos.
Niraamaya Retreats to add 9 properties in 5 years
Jupiter Capital entered the hospitality sector when it acquired boutique property Surya Samudra in Kovalam, Kerala, in 2009.
Boutique Living looking to expand to Middle Eastern markets
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Fortis launches boutique hospital for women in Bengaluru
Fortis launched La Femme, a boutique hospital for women offering a holistic range of medical services catering to all stages of a woman's life.
Hospitality startup V Resorts launches its mobile app
The app offers easy-to-use features like Editor's Choice of resorts, the option to browse through various resort and travel packages.
Implementation of GST to benefit hospitality, luxury sectors by lowering costs for consumers
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Flavour Labs: Why the boutique food & hospitality company is betting on food trucks
Those of us who ever lived in a small town will remember the sonorous sound of metal ladle striking iron skillet of the local tikki-wallah trying to attract customers.
This sector has become hospitable for investors seeking steady returns
Going forward, the prospect of the Indian hospitality business continues to be positive.
Five entrepreneurs redefining the boutique hotel landscape
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MNC boardrooms open doors to women leaders from India
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Even the concept of luxury hospitality is in flux, as more travellers choose to splurge on once-in-a-lifetime activities instead of lavish accommodations.


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Americans will need to take pandemic precautions well into 2021 — yes, even after a vaccine arrives.
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There's no vaccine for Covid-19, but there's one for influenza. With the season's first doses now shipping, officials are struggling over how to get people to take it.
This spring, death rates rivaled those seen during the country's deadliest pandemic, a new study finds. "What 1918 looked like is basically this."
Here's what to do if you feel sick and are worried it may be the coronavirus.
An infectious outbreak can conclude in more ways than one, historians say. But for whom does it end, and who gets to decide?
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The idea has been around for centuries. But it took a high school science fair, George W. Bush, history lessons and some determined researchers to overcome skepticism and make it federal policy.
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A decade of health disinformation promoted by President Vladimir Putin of Russia has sown wide confusion, hurt major institutions and encouraged the spread of deadly illnesses.
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Government exercises, including one last year, made clear that the U.S. was not ready for a pandemic like the coronavirus. But little was done.
Projections based on C.D.C. scenarios show a potentially vast toll. But those numbers don't account for interventions now underway.
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Get ready to drool. This collection of food videos is both delicious and nutritious. From loaded burgers, to freshly cut bananas, you can feel like you've just sat down for a 6-course meal. These food videos will definitely make you hungry. All stock video clips can be downloaded for free, to be used in your next awesome video project under the Mixkit License!
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Vegan-looking crepe with natural accompaniment ingredients such as tomatoes and sliced potatoes is being cut by metal cutlery
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