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Nakuul Mehta Defends LGBT Community, Says He Would Rent His Apartment To Any Gender!
Supreme Court's decision on reviewing Section 377 of IPC, which criminalizes alternate sexuality, has led to people all over the nation voicing their opinions. One of the defenders of Section 377 happened to be the television star Nakuul Mehta, who took to his Twitter to give it back to someone who seemed to belittle the feelings of LGBT community. Nakuul Mehta proved through his tweet that he is one among many that believe the world would be a better place if homosexuality was decriminalized and that co-existence is important.
It all started with a tweet by a user with the handle @DhirajAhuja1108, that read, "3Section 377 should be repealed, LGBT are God's creations too, like we are. BUT, LGBTs should not display their affection for each other in public vulgary, they can do anything in private. AND, how many of us are ready to rent out our apartments to them?" - (sic)
Upon reading this, the Ishaqbaaz star Nakuul Mehta had the funniest response. Quoting the man's tweet he wrote, "Thank you for your validation. Tuesday made. NOT. I have a 3 bhk apartment available to rent in Andheri W. More than gay to give it to anybody who'd be a good/paying tenant. #Section377 #NoIfNoBUT" - (sic)
This isn't the first time Nakuul has been vocal about social issues. The actor is known for speaking his heart out. Previously, he had shut down a social media user who said that he would not prefer drivers of a specific religion in cab services.
Besides Nakuul Mehta, several other celebrities such as Esha Gupta, Onir and Priya Malik have extended their heartfelt support to the LGBT community on various social media platforms. The Sacred Games actress Kubbra Sait also defended Section 377 saying she was empowered to play the role of a hermaphrodite in Netflix's first original series.
Also Read-Kubbra Sait Says Playing A Hermaphrodite Was Empowering


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I've been having thoughts lately... thoughts about this city.
So many beautiful movies and books are set in Paris and somehow I feel like a totally new life is about to start there, something better than anything I've lived so far. (wow this sounds a lot like europeans emigrating to the States)
I keep thinking that so many good things will happen there. First of all I never lived in a city, only for 3 days once in Milan and I was amazed by the fact that you could watch the news which, for example, were advertising a new show, and you could actually decide to go watch it because you were there !! Unlike where I live now where nothing EVER happens.
Second thing, many new, different, open minded friends and of course my dance instructor, I can't wait to meet them all.
Third...my own flat !!!! This on one side is extremely exciting ! On the other it's kinda scary, I've never lived all by myself (yea ok stop singing now) and yea i'll have to....live! I don't know if this sounded the way it was supposed to sound, but I hope you got what I meant.
Fourth and most important (not)... I can vlog there, I can walk around holding a camera in front of me without feeling awkward, well I'll surely be awkward anyway but still no one knows me there, it's a city:) It's big and you can get lost...
Soon I'll have to start packing... wish me luck ! ^_^
Julie x
Tuesday, 9 August 2011
Paris ~
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Number Of Pages: 132
This book deals with the problems of redistribution if different kinds of taxes are used as instruments. It throws light on the equity, efficiency and insurance aspects of taxation, and treats the topic at a high theoretical level. Using two ordinal equity criteria, it is shown in the first part of the book that equity and efficiency cannot be reconciled in a general model. Even if in a more restricted model equitable states exist, they cannot be implemented using an income tax. Part two of the book scrutinizes the range for redistribution which remains in a first best world if there is imperfect information and only special signals can be observed such as labour supply, income, or both. The range of redistribution for these kinds of taxes is illustrated and compared. In part three, a situation under uncertainty where a tax works as an insurance is investigated. The structure of the optimal tax scheme for several welfare functions is explored. The results with respect to equity and the range of redistribution for different sorts of taxes are of particular interest. The approach to the subject is not really new, since standard microeconomic tools are used. The book's beneficial contribution lies in its presentation of new results with respect to the equity debate and to the incentive compatibility literature.
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Number Of Pages: 132
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Dimensions (cm): 24.41 x 16.99 x 0.79
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After Kanye's bizarre meeting with US President Donald Trump last week, he and Kim Kardashian met Ugandan president Yoweri Musevini overnight.
The couple, who are reportedly in the African nation for the rapper to make a music video, posed for photos with Musevini before giving out Yeezys to local children.
They've been criticised for cosying up to Musevini, who is accused of running a dictator-style government. He has been in power since 1986, and is known to have jailed his critics. One such critic, Bobi Wine said the West's meeting was "immoral".
"He is hobnobbing with a president who has been in power now for 32 years and restricts any freedom, a country where opposition activists are tortured and imprisoned," Wine told The Guardian.
Musevini also has a deeply concerning record regarding LGBTQ rights.
In 2014, he supported an Anti-Homosexuality Act bill that would make homosexual acts illegal, and encouraged citizens to report homosexual behaviour to police. Disturbingly, the original bill called for the death penalty for those charged with homosexual acts.
The law was eventually invalidated, but LGBTQI people still face a high level of discrimination in Uganda.
The Ugandan government blocked social media websites during a recent election and has begun charging its users to access social media, making it the only country in the world to do so.
"Social-media use is definitely a luxury item… Internet use can be sometimes for educational purposes and research. This should not be taxed. However, using internet to access social media for chatting, recreation, malice, subversion, inciting murder, is definitely a luxury," Musevini said recently.
Even Mausi Segun, the Africa director of Human Rights Watch, said Kim and Kanye's warm, friendly public meeting with Musevini was a mistake.
"If Kanye and Kim would use their popularity and their access and the platform that they have to push for human rights, we would welcome that," Segun told Time.
"The big issues are repression of activists and political opposition leaders. A lot of this has been really violent."


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Tennis Court Paint and Patching Tip For August 8, 2018:
One of our Do It Yourselfers Found a Better Method to Distribute Muriatic Acid When Etching Concrete
In our articles on acid etching concrete we instruct you to pour some of the acid/water solution onto the court and spread it around with a pushbroom. One of our do it yourselfers (I'll only use his first name) Reva noticed while performing an agressive acid etching that most of the reaction to the acid occured in the area it was poured and a lesser reaction was achieved where it was spread with the broom. He found that the acid was more effective when sprinkled on the surface with a plastic flower watering can. Having spread acid myself I understood exactly why his method makes perfect sense. You will discover this yourself when you pour the acid/water solution out of a pail. The solution immediately starts foaming, but as you pust the solutiion around you will notice if foams much less, indicating less etching.
He also suggested you keep a mixture of baking soda and water in a 5 gallon pail at courtside while acid-etching the court. Acid contacting your skin is very possible during the etching process and this baking soda/water solution is a quick way to neutralize any accidental exposure to your skin or eyes.
Thank you Reva. Great tips..
Tennis Court Paint and Patching Tip For July 1, 2018:
Save Money And Determine Exactly What Your Court Resurfacing Project Will Need
Note: This article will refer to tennis court resurfacing specifically for the sake of brevity, but the process is essentially the same for other sport surfaces such as: Pickleball, Basketball, Paddleball, Volleyball, Badminton, play areas, tracks, walking areas, etc.… If questions arise as you read, don't hesitate to call us at: (404) 915-8352. We, at The Court Store, Inc., love to talk tennis courts.
SHOULD YOU HIRE A CONTRACTOR TO RESURFACE YOUR COURT OR DO IT YOURSELF? Price is the primary reason many decide to tackle their own tennis court resurfacing projects, but there are others. Some want to take on the work because they love the challenge of "Do-it-yourself" projects. Others are very meticulous and feel they can do a better job. Still others cannot find a court resurfacing contractor in their area. Do-it-yourselfers are a very special breed. We have found they do a very good job and not one of them has ever called to tell us they couldn't handle their project. Many tennis court owners choose to hire a contractor to handle their court resurfacing projects "turn-key". While they spend quite a bit more to have it done, they don't have to sacrifice the time it takes to do the work. Contractor pricing for tennis court resurfacing varies widely from one region of the U.S to another. As the graphic below illustrates, in most Atlantic and Pacific coastal areas you can realize substantial savings by buying the materials and resurfacing your own court. while more modest saviings can be had in certain areas of the South. Below is a table of approximate turn-key tennis court resurfacing prices around the Country, as well as DIY materials, tools, and shipping costs to do it yourself.
Number of Courts
DIY Materials, Tools & Shipping
Northeast U.S. & California
Southeast & Midwest U.S.
Southwest & Northwest U.S.
1 Court
$1,500.00 to $3,000.00
$8,000.00 to $16,000.00
$4,000.00 to $8,000.00
$6,000.00 to $10,000.00
2 Court Battery
$3,400.00 to $4,900.00
$12,000.00 to $24,000.00
$6,000.00 to $12,000.00
$9,000.00 to $15,000.00
3 Court Battery
$4,900.00 to $6,400.00
$17,400.00 to $34,000.00
$8,500.00 to $17,000.00
$13,000.00 to $22,800.00
4 Court Battery
$6,400.00 to $8,600.00
$23,800 to $45,500.00
$11,500.00 to $23,200.00
$17,000.00 to $28,400.00
Tennis Court Paint and Patching Tip For June 25, 2018:
HOW LONG SHOULD A TENNIS COURT RESURFACINGS LAST? Tennis court resurfacing, the process of patching and repainting an existing tennis court, is usually done every 4 to 7 years. Some do it more often. Some wait 10 to 15 years to resurface their court. Courts getting heavy play are generally resurfaced more often. Courts that are very old and/or are structurally deficiant, will also require more frequent attention to issues such as large cracks and settlement to keep them playable. The average time between resurfacings is approximately 5 years. The general reasons for waiting longer than 7 years are a lack of funds or inattention due to lack of use. After 7 years the court may begin to become an eyesore on the property, due to substantial fading of the tennis court surface color.
Tennis Court Paint and Patching Tip For June 20, 2018:
CAN YOU FIND THE TIME TO RESURFACE YOUR COURT YOURSELF? A tennis court is a much larger area, so it is somewhat physically challenging. The saying, "How do you eat an elephant? One bite at a time.", applies here. You can take multiple bites of your tennis court resurfacing elephant each day or you can take one small bite when you have a couple of hours on a sunny morning. Your court resurfacing project does not have to overwhelm you. This article will help you understand how to fit it into your schedule.
Tennis Court Paint and Patching Tip For June 18, 2018:
DO YOU NEED SPECIAL SKILLS TO RESURFACE AND REPAIR YOUR COURT? First, let's dispel the notion that this work requires a high level of training or skill. Tennis court resurfacing is not any more technically challenging than many common do-it-yourself projects. If you have laid tile in your kitchen or patched and painted a wall you already have many of the technical skills needed to resurface a tennis court. Even if you have never done these related projects, with a little guidance from us and a few trade secrets we reveal, your tennis court resurfacing project will look like it was done by a pro.
Tennis Court Paint and Patching Tip For June 12, 2018:
WHAT SHOULD YOU EXPECT FROM A TENNIS COURT RESURFACING CONTRACTOR? At the very first contact with a tennis court resurfacing contractor you should let him (or her) know you have inspected the court and have a diagram and pictures of the areas you believe need attentionr. Of course, acknowledge that he is the professional and you are receptive to any recommendations he has to offer. The contractor will very likely be able to give you a verbal quote and send one in writing, based on the inspection diagram and pictures you have sent. Most contractors will still want to come out to look at the court and meet you, but some who are extremely busy may offer a proposal without a visit. A good contractor will explain the repair issues he finds, the proposed cures, and the expected results and limitations. He (or she) will give you a written proposal with these details clearly stated, along with the price and warranty.
Some of our customers tell us of contractors who tell them theiir tennis courts cannot be resurfaced, and should be torn out and rebuilt. If this happens to you, listen intently to their reasoning, use you common-sense, and then call us. We will be glad to give you an ubiased opinion on the topic. As a court ages it will require more maintenance, but only in extreme cases require complete reconstruction. Most courts (99.9%) can be improved dramatically by resurfacing, giving you many more years of play, avoiding the high cost of reconstruction. Some tennis court resurfacing contractors tend to push reconstruction because they are heavily invested in expensive equipment needed for tennis court construction and/or reconstruction.
Tennis Court Paint and Patching Tip For June 8, 2018:
The first step of your tennis court resurfacing project is "Inspection", whether you plan to hire a tennis court contractor to do the work or do it yourself. Just as you stand a better chance of a reasonable price by speaking knowledgeably to a mechanic about a problem with your car, you will be assured of the best value for your tennis court resurfacing if you know exactly what your court needs. It's not always possible to know specifically what car repairs are needed due to their complexity. But, once you have followed the inspection steps below, you will know exactly what your tennis court will need and be able to communicate intelligently with tennis court resurfacing experts. A thorough inspection and recording will allow you to proceed on to planning and pricing your tennis court resurfacing as a do-it-yourself project, or to provide local court contractors with the information needed for them to easily give you their best pricing for a turn-key job.
Tennis court resurfacing pros know the best way to inspect a court is within an hour of a heavy rain. The gloss from the water reveals highs, lows and other imperfections that are more difficult to see when the court is dry. Slight humps created by roots intruding onto the court are a good example of identifying high spots. Standing water can best be identified one hour after flooding. Therefore, the obvious first step to a thorough inspection of your court is to wait for a good soaking rain or flood it with a garden hose. Immediately after the court has been flooded, walk over every square foot of it looking for any imperfections (except standing water). You should have a big yellow crayon in hand to mark each area you think needs repair. Don't hesitate to write on the court where you want to be reminded of details of the problems.
You should wait one hour after a good flooding to find and mark areas where water is standing. The U.S.T.A. (United States Tennis Association) regulations state: any area holding water deep enough to cover a nickel (1/8" or greater), one hour after flooding, should be patched to eliminate or at least reduce the standing water. In our industry these areas are called, "Bird-Baths", oddly enough. The U.S.T.A. is primarily interested in eliminating these Bird-Baths because they slow the drying of the surface after a rain, delaying the resumption of play. As a court owner, you should eliminate them because water standing on the surface for too long will allow mildew to flourish, creating a slip hazard when damp and eventually degrading the paint. So, one hour after flooding, use your yellow crayon to mark around the outer edge of any Bird-Baths you find.
Typical crayon markings will look similar the graphic below (black lines represent cracks). Don't be alarmed if your court has many more marks than show here.
NOTE: If you plan to resurface the court relatively soon, you should consider cleaning your court (including pressure washing if needed) before you perform the inspection steps above. Cleaning with water will remove many of the markings. Rain will erode them away after a month or so.
Once you have inspected the tennis court and marked the areas needing work, it's a good practice to document these areas with a diagram and electronic pictures. These will be invaluable to anyone you contact to either supply materials for your tennis court resurfacing or for contractors to give you turn-key pricing. If you would like a blank tennis court diagram for your notes, click on one of these links for one of ours: SINGLE COURT DIAGRAM, TWO COURT BATTERY DIAGRAM. They are free. Your pictures should include close-ups of the problem areas and a few half-court and full-court overview shots. It helps to drop a coin in the close-ups for perspective. When finished your diagram will look something like the one below.
Tennis Court Paint and Patching Tip For May 25, 2018:
Root Intrusion is usually found around the first 15 feet of the court perimeter, all though I have seen roots reach well into the playing area. The telltale sign of root intrusion is a long, relatively narrow hump (4" to 12" wide) emanating onto the court from its edge. A crack is often, though not always, present running along the top of the hump. With your crayon, mark the lowest point of both sides of the hump. Root intrusion is not as hard to repair as most believe. Mark the root intrusion on the court with the yellow crayon and record it on your diagram.
Most root intrusion will occur on asphalt courts, where even small roots can grow between the base rock and the asphalt. Only very large roots will distort concrete. Where it occurs on concrete, the distortion is pronounced and can only be fixed by cutting out the concrete and replacing it. Repairing root intrusion on an asphalt court is much simpler. Many people think they should cut out the hump in the court down to the root. Not only is this unnecessary, it is unwise. Every cut in a court will create a future crack.
Standing Water. As previously described, standing water (birdbath) is any area holding water deeper than 1/8" one hour after flooding. Mark these areas with your yellow crayon. It is useful for future reference to make a note inside each birdbath such as: D for deep, S for shallow, 1/8", ¼", ½", etc. After the surface is dry, sketch the birdbaths on the diagram including the same notations on the court. Measure the dimension of each patch you have marked on the court and record them on your diagram. These measurements will help you and your coatings supplier determine the length and number of straightedges you will need for patching, if you decide to tackle the tennis court resurfacing project yourself. Your detailed diagram and pictures will also be instructive to prospective contractors should you decide to solicit quotes. You will see much more interest from contractors if you have these materials ready to email or text to them.
Court Cracking – Cracking is the most common repair item which must be addressed before tennis court resurfacing (repainting) can begin. Unless you are one of the lucky few who have a post-tensioned concrete tennis court you will very likely have some cracks to repair. In the inspection phase you should sketch in all the cracks on a scaled diagram of your court or courts. Note the width of each crack. Once the cracks are mapped out on the court diagram you or prospective tennis court contractors can estimate the total lineal feet and average width of the cracks to be repaired. Now it's time to decide whether you want to invest in repairing the cracks permanently or just fill them and continue to treat them as a maintenance item. All crack fillers will re-crack, usually starting the first cold days of Fall or Winter. Our patented permanent crack repair system, CrackSpan, costs around $6.00 per lineal foot. Contractors typical charge between $15.00 and $25.00 per foot for turn-key installation of similar systems.
Humps or Dips That Could Affect Play - These areas are best seen right after flooding when the surface is still glossy. Mark them with the crayon and sketch them on your diagram.
Rough Areas – Rough areas can be seen whether the court is wet or dry. If they are prominent you won't need to mark them with the crayon, but you should draw them on your court diagram and note their dimensions.
Surface Delamination Or Cracking Around Net Post or Fence Post Foundations - This also a common repair issue for most tennis court resurfacing projects. Note them on your diagram.
Delaminating Patches and Surface Coatings – Sometimes, due to defective products or improper surface cleaning, you will find areas on the court peeling or delaminating. You should make a note, and take pictures, of these areas, but you will not know their true size until you blast their edges with a pressure-washer. Your new tennis court surface will only be as sound as the old surface beneath it. You will have to follow the weak surface where ever the pressure washing leads. While the area may not be much larger after pressure washing, you must get rid of the weak surface areas.
Foreign Substances on the Court That Could Affect Adhesion – The most common foreign substances that will affect adhesion of the new patches and court resurfacing coatings are: mold, mildew, algae, and mud. These are all easily removed by a combination of cleaning chemicals, and a good strong pressure washing. Record these areas needing cleaning on your diagram and take a few pictures.
Tennis Court Paint and Patching Tip For April 25, 2018:
The repairs described above are the foundation of most tennis court resurfacing projects. The color-coatings and lines are the icing on the cake. On rare occasions a customer will call who has a perfect court, needing only to brighten up a faded finish. The other 99.9 percent of you will have one or more repair issues to address before you should apply the color and lines. The number of coats needed to acheive an attractive, evenly textured finished surface are determined by the texture of your existing surface and the extent of patching required to repair the problem areas on your court. If your court has only a few cracks or other areas needing patching, two coats of color and lines should provide a fine looking job. If your court has some areas where the asphalt or concrete is exposed and rough, at least one coat of acrylic resurfacer will be needed to smooth these areas out before applying the two coats of color. Extensive patching or a rough overall surface texture may necessitate applying one or more coats of acrylic resurfacer prior to the color-coating. Your tennis court resurfacing diagram and pictures will be invaluable to material suppliers and contractors for determining exactly how many coats and which coatings your court needs.
Whether you hire a tennis court resurfacing contractor or do the work yourself, inspecting and recording these repair issues will arm you with the information court contractors and material specialist will need to provide accurate pricing and the best values. If you have any questions or if your court has a repair issue we haven't covered, please call us. We would be happy to discuss them with you. Our phone number is: (800) 983-1357.
Tennis Court Paint and Patching Tips For November 14, 2017:
Tennis court surfacing and patching during the colder months: Many customers ask us about the do's and don'ts of applying tennis court surfacing and patching products when it is cold. While the period between late Fall through the Winter months is not optimal, work can still be done on a limited basis. First of all, there is a much smaller window of opportunity to apply these products each day. In the Summer it is almost impossible to stay on the court for the entire period work can be done, starting around 6:00 am and ending at midnight or later, as long as rain is not immenent. This is due to temperatures never dropping below the minimum necessary to ensure proper drying and curing of the acrylic court surfacing / patching products (40 to 50 degrees). During the Winter months, the lows each night in many areas of the U.S. drop close to or below this acceptable minimum range at some point on most days. Therefore, you must wait until the low is at 45 degrees or above to begin application, and temperatures must be expected to rise into the mid-fifties by the time you are finished. The areas where court coatings or patching materials have been appled must also get full sun for at least two hours after you have finished. In addition, the temperatue must not drop below 40 degrees for 24 hours, and rain cannot be imminent during this same time-frame. These dynamics reduce your window of opportunity for work to between the hours of 10:00 am and 2:00 pm on the best days. One other issue is the sun's positioning in the southern horizon. Unless your court is out in the middle of an open field, shade will be present on its southern end all Winter. Any court surfacing or patching done in this area will require at least 72 hours of low temperatures above 40 degrees and no rain. As you can see, it's possible, but much harder to paint or patch your tennis court in the Winter. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you
Tennis Court Paint and Patching Tip For August 31st, 2017:
Never overdilute a coating or patching product: It is very important to follow the manufacturer's mixing instructions on the label of the product you are preparing to use. Each of them has been engineered to be used as is or requires the addition of a certain amount of water. Dillution rates for products requiring water should be followed very closely. Too little water will likely make the product nearly impossible to appy and too much water will weaken the ingredients that hold it together, resulting in premature degradation, and in the case of color-coatings, undue fading and an unacceptable finish. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you
Tennis Court Paint and Patching Tip For The Week Of July 30th 2017:
Never leave masking tape on the court for more than 3 hours: Lining a tennis court is one of the easiest parts of surfacing or resurfacing a tennis court. This doesn't mean there are no pitfalls to avoid. We are here 7 days a week to protect you from these mistakes. When lining a court, one of the big mistakes we see quite often is people leaving the masking tape on the court too long. You should never place more tape on the court than you can paint the lines within 2 hours. The vast majority of masking tape is not engineered to withstand more than a few hours on a hot surface before releasing some of the glue. You may not see it right after you pull up the tape, but as dust and dirt blow across the court over the following days and weeks this residual glue will catch it, leaving two dirty strips on both sides of the line. The only way to remove it is with a soft scrub-brush and soap and water. Unfortunately, you will have to wait until the court coatings have completely cured, approximately 30 days after lining the court. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.
Tennis Court Paint and Patching Tip For The Week Of July 23rd 2017:
Water is the key to smooth patches that blend well with the surrounding surface: High quality acrylic cement and elastomeric patching compounds, such as our SuperPatch, TruPatch, Deep Patch, and CrackLastic products tend to dry fairly quickly and can become a little sicky while applying them to the tennis court surface. There are, however, two miraculous little secrets to extending their workablility time and blending their edges into the surrounding surface areas. Both secrets have one thing in common: the use of water. The first secret is to spray a very fine mist of water (preferrably with a spray nozzle attached to a garden hose) on the tennis court surface area to be patched, right before applying the patch, and if needed, another fine mist on the patch itself before you make the final pass with your patching tool. The second secret is to rinse your patching tool(s) often. You should rinse every 5 minutes or less to keep your tools free of build-up that will leave your patches rough. The wet tool also glides better over the patch. Some installers carry a 5 gallon bucket of water with them. Others prefer to rinse with the hose spray nozzle. We'll talk more about patching techniques next week. Most of our clients think lining a tennis court takes the most skill. It's actually one of the easiest skills to learn. Don't let anyone fool you. Patching is 80% of the true art and science of tennis court resurfacing. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.
Tennis Court Paint and Patching Tip For The Week Of July 16th 2017:
Take your court surfacing project seriously: Recently, we have noticed an uptick in the number of retailers (resellers) selling tennis court paint and patching products. Some are selling their products at competitive prices, but employ no experts to help with installation issues that will assuredly arise. Others are selling court coating products at nearly double the going rate, but advertise to inexperienced do-it-yourselfers they will only need to roll on one coat of their paint for a perfect new court surface. The many calls we receive from victims of this scam are all the we need to know these one-coat claims are untrue. Unfortunately, these companies will likely continue this very unscruplous practice until they are finally sued by someone. At best, the goal of these resellers is to sell you products. Once they arrive, and you discover it is not as simple as rolling paint on a wall, it will be too late. A few may try to help, but 99% of them have never surfaced a tennis court. This work is not difficult if you have a little professional help along the way. At The Court Store, our mission is to make sure you have all the help and technical advice you need to complete a stress-free professional looking court repair project. We will never tell you something that is not true and we will only sell you exactly what you need. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.
Tennis Court Paint and Patching Tip For The Week Of July 9th 2017:
Plan your pours directly over the baseline, service lines and net lines for the best inbounds finish: A common occurence on all sport coating finishes is something the industry calls, "Pour Marks". These are faint to sometimes prominent stains created when the fresh color-coating you are pouring out makes contact with the dry court surface or the coating already on the court. While these pour marks are always present, the pro's use a technique to minimize their prominence. They make their pours right on top of the baseline where the coat starts, at each service line, and directly under where the net will be. When the bright lines are painted and the net is hung the pour marks will be virtually invisible. To accomplish this you must start by pouring 10 gallons at the first baseline, 5 gallons at the first service line, 5 gallons at the net line, and then 5 to 7 gallons at the second service line. If this is a resurfacing you will see the existing lines to know where to pour. If your installation is knew you should measure and mark these dimensions and chalk the lines before starting each coat. Always use white calk. Colored chalk will stain the surface. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.
Tennis Court Paint and Patching Tip For The Week Of July 2nd 2017:
The one coat con: A gentleman called recently, frustrated by some coating he purchased from another company. This company touts their tennis court paint as a one coat product. Folks, I am sorry to say, there is no such thing as a one coat court surfacing coating. We are sending him enough EnviroCoat to apply two more coats over the mess left by the other product. Apparently, there were other problems with this company's coating. One coat will leave your finish streaky if applied with a squeegee or riddled with roller-marks if rolled on. Ask yourself: What happens when you roll a first coat of dark paint over a much lighter colored wall in your house? Of course, it looks horrendous. When you apply the second coat you see a rich, even color. While tennis court paint is thicker than house paint, it is not thick enough to achieve the necessary opacity with one coat. A few of our customers have purchase only enough product, against our recomendation. At least 60% of them call back to order more product. It's up to you, but we highly recommend two coats of color for an even, opaque finish. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.
Tennis Court Paint and Patching Tip For The Week Of June 25th 2017:
Schedule your patching and court painting work for the early part of the day. You will have three to four times longer to work with the products during the first few cool hours of the morning. In the afternoon, as temperatures reach the 80's and above, court surface temperatures will be between 130 and 160 degrees. These high surface temperatures will literally cook the moisture out of the products, making it nearly impossible to stay ahead of the drying, leaving you with an inferior application. If you must work during the heat of the day, schedule scraping, cleaning, material preparation and trips to the hardware store. Even seasoned professionals, who can stay ahead of rapid drying conditions, never apply a final coat during the hot afternoon hours. They know it will produce a finish laden with pour-stains, uneven color, and streaks. If you are not sure if it's too hot, take your shoes off and walk on the surface with your bare feet. If it uncomfortable to stay on the court, it's too hot to patch or paint. So, stay cool and you will produce a better-looking job. Please call us if you have any questions: (800) 983-1357. We are open 7 days a week to help you.


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16 March 2017
Vienna 2018: Beauty and the Abyss.
In 2018 Vienna will celebrate Modernism and four of the era's chief protagonists, all of whom died in 1918. The painters Gustav Klimt and Egon Schiele, the architect Otto Wagner and the universal artist Koloman Moser all left an indelible mark on Vienna around 1900. The life and work of these four protagonists of Viennese modernism will be remembered at numerous exhibitions and events during the anniversary year. Many of their works are on permanent display.
The Belvedere owns the world's largest collection of works by Klimt with 24 paintings by the great artist, including his world-famous piece The Kiss. One of Klimt's key works, Death and Life, is on show at the Leopold Museum alongside numerous other paintings by the Art Nouveau genius. The Beethoven Frieze at the Secession is another Klimt highlight.


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If you fancy coming along and seeing what I have on offer on my stall - here you shall find my calendar for 2019
Please note that events may change and it is always best to check the event independently.
Most links below will take you to the Facebook page for the event which is where, I find, the most up-to-date information can be found.
Saturday 27th April - The Crows Feet Pagan Market - The Soul Shala - Stourbridge - Event Details
Sunday 28th - The Health & Wellness Show - Syston Community Centre, Leicester, LE7 1HN - Event Details
Saturday 18th & Sunday 19th - Health & Wellbeing Weekend - Northampton. Event details
Sunday 26th & Monday 27th - Arts, Crafts & Design Show - Castle Ashby Gardens, Northants. Event Details
Saturday 1st - London Tarot Festival - Camden Lock, London - Event Page
Saturday 15th & Sunday 16th - Foxton Locks Festival, Northanta - Event Page
Friday 5th - Sunday 7th - Faeryfields - Winchester - Events Page


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OhioMHAS Housing University
October 1-2, 2018 - Columbus, Ohio
Registration Fee: $50.00
Registration Brochure
About the Conference
The Ohio Department of Mental Health and Addiction Services (OhioMHAS) invites Ohio Residential Facility Class 2, Recovery Housing and Permanent Supportive Housing providers to participate in the second Housing University. The two-day Housing University will offer networking and educational opportunities. Sessions will focus on best practices including: budgeting, business planning, operations, landlord-tenant law, fair housing, and management practices that promote operational sustainability and facility quality. These sessions will be broken into separate tracks for beginners and for more advanced seasoned providers. OhioMHAS is dedicated to supporting its housing providers by providing the tools and resources necessary to ensure each resident has a safe, secure and supported housing environment.
Who Should Attend
The audience for the Housing University includes Residential Facility Class 2, Recovery Housing, and Permanent Supportive Housing owners, managers and operators, as well as anyone else who has a desire to learn the nuts and bolts of operating these housing environments.
Scholarship Opportunity
A limited number of scholarships are available. To apply, please complete your request at the following link
Exhibitor Information
Network with owners, managers and operators of Residential Facility, Recovery Housing, Permanent Supportive Housing and others involved in their field.
Showcase Your Products, Services or Programs
We will provide one 6' display table and two chairs. Although there is no charge to exhibit, each of your representatives must register oniline for the conference.
Exhibitor Setup
Sunday, September 30 – 5:00 pm – 6:00 pm
Monday, October 1 – 7:30 am – 8:30 am
Exhibitor Display
Monday, October 1 – 8:30 am – 5:00 pm
Tuesday, October 2 – 7:30 am – 2:30 pm
Exhibitor Break Down
Tuesday, October 2 – 2:30 pm – 3:45 pm
To increase your exposure, you may donate a door prize. Attendees will sign up at your booth for a chance to win. When the winners are announced during the Peer-to-Peer Roundtables on Monday evening, you will be recognized.


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LAWRENCEVILLE, N.J. (AP) — Dimencio Vaughn scored 26 points, Tyere Marshall had 19 points and 16 rebounds and Rider clinched the No. 1 seed for the Metro Atlantic Athletic Conference Tournament with its highest-scoring output of the season in beating Iona 110-101 on Sunday.
The Broncs (22-8, 15-3) share the regular-season title with Canisius. Rider will play the 8-9 winner at the tournament in Albany, New York, while fourth-seeded Iona (17-13, 11-7) will play the fifth seed.
Rider shot 61 percent. Anthony Durham scored 17 points and Frederick Scott and Kealen Washington-Ives, the latter with three of Rider's seven 3-pointers, had 15 each.
Rickey McGill made five of Iona's 13 3-pointers and scored a career-high 40 points for Iona, which beat Rider 91-64 on Jan. 14. E.J. Crawford added 18 points and Deyshonee Much 15.
Rider led the entire way, by 17 at halftime and by as many as 26 in the second half. Iona got within eight in the final minute but two Tyrei Randall free throws provided a 10-point cushion with 20 seconds left.
Copyright 2018 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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Enrollment for this four-week summer program is by audition only. Students ages 15-24 learn about Shakespeare's world, script analysis, scansion and verse, dialect, vocal production, and character development. Lead by skilled Shakespearian artists, students rehearse and perform one of the Bard's masterpieces on the Ensemble stage at the New Vic. This year's production will be A Midsummer Night's Dream, Directed by Michael Bernard.
Dates and Times: July 8 - August 4, 2019, Monday through Friday (with some Saturdays) 9:00 a.m. - 5:00 p.m.
Performances: August 2 and 3 at 7:00 p.m. / August 3 and 4 at 2:00 p.m.
Qualifications: Previous acting and performing experience helpful. Previous experience with Shakespeare not required.
Auditions are by appointment through the end of April. SIGN UP to request an audition appointment or to submit a video audition.
Tuition: $850 Financial Assistance Available
The ETC Young Actors' Conservatory is a rigorous program designed to offer participants the experience of working in a professional setting and alongside professional theater artists. Each day begins with a training program followed by rehearsals for a play or musical. Students receive a challenging and innovative arts education similar to that of a collegiate arts program, supported by a comprehensive curriculum that balances performance and technique. Students learn proper rehearsal and performance etiquette, time management skills, communication skills, how to work cooperatively in a group setting, and how to produce quality work in a fast-paced environment. Over the course of the program, guest artists will visit with students and share their experiences in the professional world.
Character List and Descriptions
Puck - Also known as Robin Goodfellow, Puck is Oberon's jester, a mischievous fairy who delights in playing pranks on mortals. Though A Midsummer Night's Dream divides its action between several groups of characters, Puck is the closest thing the play has to a protagonist. His enchanting, mischievous spirit pervades the atmosphere, and his antics are responsible for many of the complications that propel the other main plots: he mistakes the young Athenians, applying the love potion to Lysander instead of Demetrius, thereby causing chaos within the group of young lovers; he also transforms Bottom's head into that of an ass.
Oberon - The king of the fairies, Oberon is initially at odds with his wife, Titania, because she refuses to relinquish control of a young Indian prince whom he wants for a knight. Oberon's desire for revenge on Titania leads him to send Puck to obtain the love-potion flower that creates so much of the play's confusion and farce.
Titania - The beautiful queen of the fairies, Titania resists the attempts of her husband, Oberon, to make a knight of the young Indian prince that she has been given. Titania's brief, potion-induced love for Nick Bottom, whose head Puck has transformed into that of an ass, yields the play's foremost example of the contrast motif.
Lysander - A young man of Athens, in love with Hermia. Lysander's relationship with Hermia invokes the theme of love's difficulty: he cannot marry her openly because Egeus, her father, wishes her to wed Demetrius; when Lysander and Hermia run away into the forest, Lysander becomes the victim of misapplied magic and wakes up in love with Helena.
Demetrius - A young man of Athens, initially in love with Hermia and ultimately in love with Helena. Demetrius's obstinate pursuit of Hermia throws love out of balance among the quartet of Athenian youths and precludes a symmetrical two-couple arrangement.
Hermia - Egeus's daughter, a young woman of Athens. Hermia is in love with Lysander and is a childhood friend of Helena. As a result of the fairies' mischief with Oberon's love potion, both Lysander and Demetrius suddenly fall in love with Helena. Self-conscious about her short stature, Hermia suspects that Helena has wooed the men with her height. By morning, however, Puck has sorted matters out with the love potion, and Lysander's love for Hermia is restored.
Helena - A young woman of Athens, in love with Demetrius. Demetrius and Helena were once betrothed, but when Demetrius met Helena's friend Hermia, he fell in love with her and abandoned Helena. Lacking confidence in her looks, Helena thinks that Demetrius and Lysander are mocking her when the fairies' mischief causes them to fall in love with her.
Egeus - Hermia's father, who brings a complaint against his daughter to Theseus: Egeus has given Demetrius permission to marry Hermia, but Hermia, in love with Lysander, refuses to marry Demetrius. Egeus's severe insistence that Hermia either respect his wishes or be held accountable to Athenian law places him squarely outside the whimsical dream realm of the forest.
Theseus - The heroic duke of Athens, engaged to Hippolyta. Theseus represents power and order throughout the play. He appears only at the beginning and end of the story, removed from the dreamlike events of the forest.
Hippolyta - The legendary queen of the Amazons, engaged to Theseus. Like Theseus, she symbolizes order.
Nick Bottom - The overconfident weaver chosen to play Pyramus in the craftsmen's play for Theseus's marriage celebration. Bottom is full of advice and self-confidence but frequently makes silly mistakes and misuses language. His simultaneous nonchalance about the beautiful Titania's sudden love for him and unawareness of the fact that Puck has transformed his head into that of an ass mark the pinnacle of his foolish arrogance.
Peter Quince - A carpenter and the nominal leader of the craftsmen's attempt to put on a play for Theseus's marriage celebration. Quince is often shoved aside by the abundantly confident Bottom. During the craftsmen's play, Quince plays the Prologue.
Francis Flute - The bellows-mender chosen to play Thisbe in the craftsmen's play for Theseus's marriage celebration. Forced to play a young girl in love, the bearded craftsman determines to speak his lines in a high, squeaky voice.
Robin Starveling - The tailor chosen to play Thisbe's mother in the craftsmen's play for Theseus's marriage celebration. He ends up playing the part of Moonshine.
Tom Snout - The tinker chosen to play Pyramus's father in the craftsmen's play for Theseus's marriage celebration. He ends up playing the part of Wall, dividing the two lovers.
Snug - The joiner chosen to play the lion in the craftsmen's play for Theseus's marriage celebration. Snug worries that his roaring will frighten the ladies in the audience.
Philostrate - Theseus's Master of the Revels, responsible for organizing the entertainment for the duke's marriage celebration.
Peaseblossom, Cobweb, Mote, and Mustardseed - The fairies ordered by Titania to attend to Bottom after she falls in love with him.
A Midsummer Night's Dream Synopsis
Theseus, duke of Athens, is preparing for his marriage to Hippolyta, queen of the Amazons, with a four-day festival of pomp and entertainment. He commissions his Master of the Revels, Philostrate, to find suitable amusements for the occasion. Egeus, an Athenian nobleman, marches into Theseus's court with his daughter, Hermia, and two young men, Demetrius and Lysander. Egeus wishes Hermia to marry Demetrius (who loves Hermia), but Hermia is in love with Lysander and refuses to comply. Egeus asks for the full penalty of law to fall on Hermia's head if she flouts her father's will. Theseus gives Hermia until his wedding to consider her options, warning her that disobeying her father's wishes could result in her being sent to a convent or even executed. Nonetheless, Hermia and Lysander plan to escape Athens the following night and marry in the house of Lysander's aunt, some seven leagues distant from the city. They make their intentions known to Hermia's friend Helena, who was once engaged to Demetrius and still loves him even though he jilted her after meeting Hermia. Hoping to regain his love, Helena tells Demetrius of the elopement that Hermia and Lysander have planned. At the appointed time, Demetrius stalks into the woods after his intended bride and her lover; Helena follows behind him.
In these same woods are two very different groups of characters. The first is a band of fairies, including Oberon, the fairy king, and Titania, his queen, who has recently returned from India to bless the marriage of Theseus and Hippolyta. The second is a band of Athenian craftsmen rehearsing a play that they hope to perform for the duke and his bride. Oberon and Titania are at odds over a young Indian prince given to Titania by the prince's mother; the boy is so beautiful that Oberon wishes to make him a knight, but Titania refuses. Seeking revenge, Oberon sends his merry servant, Puck, to acquire a magical flower, the juice of which can be spread over a sleeping person's eyelids to make that person fall in love with the first thing he or she sees upon waking. Puck obtains the flower, and Oberon tells him of his plan to spread its juice on the sleeping Titania's eyelids. Having seen Demetrius act cruelly toward Helena, he orders Puck to spread some of the juice on the eyelids of the young Athenian man. Puck encounters Lysander and Hermia; thinking that Lysander is the Athenian of whom Oberon spoke, Puck afflicts him with the love potion. Lysander happens to see Helena upon awaking and falls deeply in love with her, abandoning Hermia. As the night progresses and Puck attempts to undo his mistake, both Lysander and Demetrius end up in love with Helena, who believes that they are mocking her. Hermia becomes so jealous that she tries to challenge Helena to a fight. Demetrius and Lysander nearly do fight over Helena's love, but Puck confuses them by mimicking their voices, leading them apart until they are lost separately in the forest.
When Titania wakes, the first creature she sees is Bottom, the most ridiculous of the Athenian craftsmen, whose head Puck has mockingly transformed into that of an ass. Titania passes a ludicrous interlude doting on the ass-headed weaver. Eventually, Oberon obtains the Indian boy, Puck spreads the love potion on Lysander's eyelids, and by morning all is well. Theseus and Hippolyta discover the sleeping lovers in the forest and take them back to Athens to be married—Demetrius now loves Helena, and Lysander now loves Hermia. After the group wedding, the lovers watch Bottom and his fellow craftsmen perform their play, a fumbling, hilarious version of the story of Pyramus and Thisbe. When the play is completed, the lovers go to bed; the fairies briefly emerge to bless the sleeping couples with a protective charm and then disappear. Only Puck remains, to ask the audience for its forgiveness and approval and to urge it to remember the play as though it had all been a dream.
Audition Preparation and Materials
Thank you so much for thinking about auditioning for A Midsummer Night's Dream. My name is Michael Bernard and I will be directing the play this summer. I want to stress that you do not need to have any experience with Shakespeare in order to be in this production. Part of the work we will be doing this summer is working on the text as a group. For me Midsummer is one of the most tremendously fun and funny plays ever written. My hope is the show will be full of physical comedy to match the verbal humor in the text. I'm looking for people who don't mind looking silly, falling down, maybe dancing, all while spouting some of the most beautiful language ever written.
Students are ask to prepare two short contrasting classic or contemorary mologues for the intial auditions. If interested in being considered for a particular role you may want to select a monologue spoken by that character. (View Character Monologues from A Midsummer Night's Dream) Students will be asked to prepare selected material from the play for the callbacks.
HOW TO FIND THE PERFECT MONOLOGUE by BECCA BALLENGER
Here are our tips for conducting your own hunt for monologues.
1. Read a lot of plays.
There's no shortcut here—you've got to read plays. The most unique pieces are discovered by you, not a coach or a book.
TIP: If you don't know where to start, think of a stage actor who is similar in type to you. Do a web search of the plays in which they have performed and the playwrights with which they have worked. Then, seek out those plays and playwrights. For example, if you identify with Alison Pill, you might want to look up Theresa Rebeck or David Harrower's Blackbird.
2. Don't depend on monologue books.
While these books can be good resources, in order to do a monologue well, you really need to know its context within the arc of the play as a whole. Moreover, the monologues listed in books are often the ones that actors perform most often. If you find a monologue in a book get a sense of its context. If it looks like something you could imagine performing, read the entire play thoroughly before you ever bring that monologue into an audience. Make sure you understand not only the text but the context — how the text you're speaking fits into the performance tradition around the play, the rise and fall of the play's action and the character's arc.
TIP: If you read a monologue in a monologue book that you like (whether or not it's a monologue you could do), write down the name of the playwright. Then take a look them up online to view their other plays. Take a look at the character description to see if you are right for any of the rolls. Then, find the plays, read them, and discover a great monologue or two. Rinse, dry, repeat.
3. Think outside the box.
Look at one-act plays, anthologies, and play publishing houses.
TIP: The Humana Festival at the Actors Theatre of Louisville publishes an annual anthology of great new plays that are on the cusp of getting big, and Playscripts publishes a ton of indie plays (and offers significant portions of the text online for free).
4. Focus on monologues that are active.
It's not hard to find a chunk of text in a play to use as a monologue. The important thing is finding a monologue that is active, playable, and engaging for you and the audience.
TIP: In an audition, where you want to impress a casting director in a short amount of time, look for a monologue with an arc (where the character ends up in a different place than where he or she started) and a clear character want (for example, to make the other character fall in love with you). Here's a great example of a monologue with an arc and a clear want: http://stageagent.com/monologues/483/the-normal-heart/dr-emma-brookner
Avoid "story" monologues ("When I was a kid, I loved tomatoes…") or "rant" monologues ("I hate riding the bus. Always have…"). Save those for class or the play itself. It's often helpful if the monologue is addressed to another person onstage, where you are trying to get something from that other character.
5. Be true to yourself.
Know the context and the character, but also make sure you are in touch with what makes you unique. A monologue is an opportunity not only to share the story of a character, but to give the auditor a window into what makes you special. Are you an ingénue with a quirky side? Choose a monologue that lets the auditor see that you can play that ingénue they're looking for, but that you have something that makes you shine above the rest. Show your quirk.
Final Word: Let's say you've followed all these tips and you're deep into your search. How do you decide which monologues are the best for you? It may sound cliché, but the key is to follow your intuition. If a monologue seems great, but just doesn't feel exciting to you, pass it on to a friend. The best monologues are the ones to which you connect on a deep level and that you love to perform.
TIP: Never stop looking for monologues. As you continue to mature as an artist, get more training, or simply change emotionally, you need to keep finding pieces that fit who you are at that moment. Didn't we mention that it's a long-term process?
Check out StageAgent's great monologue resource.
Further Research
Sparknotes.com has some terrific material and information including character analysis and a side by side translation with the verse and prose dialogue on one side and a modern language version on the other. VIEW
Artistic Team:
Brian McDonald
Brian McDonald is an award-winning actor, director, and educator. He appeared in the National Tours of Miss Saigon and Forever Plaid. Regionally, he appeared on the stages of the Denver Center, Theatre Virginia, The Lyric Stage, La Miranda performing Arts Center, Ensemble Theatre Company, Pasadena Playhouse, Thousand Oaks Performing Arts Center and the Ahmanson. As an actor, Brian was honored with many awards, including the Ventura Mayors' Award for Emerging Artist, LA Weekly's Best Supporting Actor Award and an Independent Award for his most recent performance in the one-man-show, Buyer and Cellar.
Brian also directed for various regional theaters including 7 Angels Theatre Company, Saratoga Performing Arts Center, and Rubicon Theatre Company. For Rubicon, Brian directed the critically acclaimed world premiere of A Charles Dickens' A Christmas Carol, A Tuna Christmas, The Sunset Limited (with Joe Spano and Tucker Smallwood), Bus Stop (5 Ovation nominations including Best Play), MASTER HAROLD… and the boys (nominated for 3 Ovation awards Including Best Play) and the World Premiere musical, Hello! My Baby, written and conceived by Tony-nominated, Emmy, and Golden Globe winner, Cheri Steinkellner. He also conceived and directed the critically acclaimed holiday musical review, A Rubicon Family Christmas. Brian's work as a director has earned him an Independent Award and StageScene LA Award for Best Director.
Brian served as Associate Artistic Director and the Director of Education and Outreach at Rubicon Theatre Company since 2002. He is the founder and program director of Rubicon's Summer Youth Performance Program which offers theatre training intensives in acting, musical theatre, drama, Shakespeare and technical theatre.
Michael Bernard
Michael Bernard spent 10 years as the Associate Artistic Director of The 52nd Street Project, a nationally recognized theater company that creates original theater with kids from Hell's Kitchen New York City and theater professionals. At UCB NYC Michael directed a few shows including "The Chipperton Family Vocaltainers Shooby Dooby Dooby Hour" which was an official selection of The HBO Comedy Festival in Aspen. He has also written for Disney, Nickelodeon, Henson Productions, Nick at Nite, DC Comics, Showtime, Spike TV, The Sundance Channel, Noggin, WE, MTV, VH1 and some commercials you probably fast forwarded past. Since moving to California in 2009 he has performed in LA with "Immediate Theater" an improv company made of of ex members of Second City and The Groundlings. He also serves as the Artistic Director of Elements Theater. Michael teaches Theater at UCSB and SBCC.


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|Sat 19 May 2018, 1:00pm–2:00pm
Classical Guitar and Mandolin duet performance by John and Lynn Flameling.
Enjoy a selection of classical music.
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Pilates Equipment
Reformer Pilates uses the springs and pulleys to guide … and assist you in the exercizes. It's amazing rehab for people with scoliosis, fibromyalgia (and) arthritis. It is extremely effective (but at the same time is) very gentle and safe. Whereas in Mat Pilates you use your … weight as resistance, on equipment you have the springs and pulleys to help guide you. It focuses on the same thing that Mat Pilates focuses on: control, balance, and strengthening you from the inside out.
You have the springs and the pulleys to assist you, so finding your core and your balance is easier. A lot of people find it easier to use the springs and pulleys as resistance instead of their own body weight. It is a gentler form of Pilates (with much of the same results). It can be extremely challenging once you get to level 4. EXTREMELY!
Pilates Matwork
Mat Pilates is a form of exercise that is done on the floor. It utilizes the core (which helps with stability and teaches you control), lengthens your muscles and strengthens you from the inside out. It focuses on internal obliques, stablizers in your spine … and is very flowing, it's a non stop (work out). It targets every single muscle in your body … and aligns muscles and joints. (It focuses on) core control. Joseph Pilates called it 'contrology'. You teach your mind to control your body instead of your body controlling your mind.
(The Mat is) a very small piece of equipment, and a very inexpensive piece of equipment, and you can take it with you anywhere you go. (Mat Pilates is) done in a group setting, so you have the camaraderie of other people in the class. Mat Pilates can get you very long, lean and strong very quickly.


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CEOs received 8.5 percent pay increase in 2017
Associated Press
Chief executives at the biggest public companies got an 8.5 percent raise last year, bringing the median pay package for CEOs to $11.7 million. Across the S&P 500, compensation for CEOs is often hundreds of times higher than typical workers.
The pay increase matches the bump that CEOs received in 2016, according to salary, stock and other compensation data analyzed by Equilar for The Associated Press.
For the first time, the government required companies to show in their annual proxy statements just how much more bosses make than the typical employee. The typical CEO made 164 times the median pay of their employees, according to Equilar's analysis.
Because the government gave companies wide leeway in how they calculated the median pay of their workers, and because some industries rely heavily on part-time workers, the CEO-to-worker pay ratios are imperfect and make comparisons difficult. Despite pushback, Congress forced companies to publish the data as a way to shine a spotlight on income inequality.
A debate has already ensued about the significance of this newly released data.
"High pay ratios send a dispiriting message to the workforce," said Liz Shuler, secretary-treasurer of the AFL-CIO, which has been calculating its own tally of CEO-to-worker pay ratios for years. "Companies are asking their workers to do more with less, at the same that CEO pay is on the rise."
Detractors among business groups, academics and compensation consultants say the ratio can give a false impression. For example, some companies exclude some of their lower-paid foreign workers, which regulations allow. And companies with large part-time workforces will show much greater disparity between the CEO's pay and median pay.
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