text:
Bloomingdale Navy And White Duvet Cover Set ( Navy Blue And White Duvet #5)
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Navyna•vy (nā′vē),USA pronunciation n., pl. -vies.
- the whole body of warships and auxiliaries belonging to a country or ruler.
- (often cap.) the complete body of such warships together with their officers and enlisted personnel, equipment, yards, etc., constituting the sea power of a nation.
- (often cap.) the department of government charged with its management.
- See navy blue.
- [Archaic.]a fleet of ships.
Andand (and; unstressed ənd, ən, or, esp. after a homorganic consonant, n),USA pronunciation conj.
- (used to connect grammatically coordinate words, phrases, or clauses) along or together with;
as well as;
in addition to;
moreover: pens and pencils.
- added to;
plus: 2 and 2 are 4.
- then: He read for an hour and went to bed.
- also, at the same time: to sleep and dream.
- then again;
repeatedly: He coughed and coughed.
- (used to imply different qualities in things having the same name): There are bargains and bargains, so watch out.
- (used to introduce a sentence, implying continuation) also;
then: And then it happened.
- [Informal.]to (used between two finite verbs): Try and do it. Call and see if she's home yet.
- (used to introduce a consequence or conditional result): He felt sick and decided to lie down for a while. Say one more word about it and I'll scream.
- but;
on the contrary: He tried to run five miles and couldn't. They said they were about to leave and then stayed for two more hours.
- (used to connect alternatives): He felt that he was being forced to choose between his career and his family.
- (used to introduce a comment on the preceding clause): They don't like each other--and with good reason.
- [Archaic.]if: and you please.Cf. an2.
- and so forth, and the like;
and others;
et cetera: We discussed traveling, sightseeing, and so forth.
- and so on, and more things or others of a similar kind;
and the like: It was a summer filled with parties, picnics, and so on.
- an added condition, stipulation, detail, or particular: He accepted the job, no ands or buts about it.
- conjunction (def. 5b).
Whitewhite (hwīt, wīt),USA pronunciation adj., whit•er, whit•est, n., v., whit•ed, whit•ing.
- of the color of pure snow, of the margins of this page, etc.;
reflecting nearly all the rays of sunlight or a similar light.
- light or comparatively light in color.
- (of human beings) marked by slight pigmentation of the skin, as of many Caucasoids.
- for, limited to, or predominantly made up of persons whose racial heritage is Caucasian: a white club; a white neighborhood.
- pallid or pale, as from fear or other strong emotion: white with rage.
- silvery, gray, or hoary: white hair.
- snowy: a white Christmas.
- lacking color;
- (politically) ultraconservative.
- blank, as an unoccupied space in printed matter: Fill in the white space below.
- [Armor.]composed entirely of polished steel plates without fabric or other covering;
- wearing white clothing: a white monk.
- [Slang.]decent, honorable, or dependable: That's very white of you.
- auspicious or fortunate.
- morally pure;
- without malice;
harmless: white magic.
- (of wines) light-colored or yellowish, as opposed to red.
- (of coffee) containing milk.
- bleed white, to be or cause to be deprived of all one's resources: Dishonesty is bleeding the union white.
- a color without hue at one extreme end of the scale of grays, opposite to black. A white surface reflects light of all hues completely and diffusely. Most so-called whites are very light grays: fresh snow, for example, reflects about 80 percent of the incident light, but to be strictly white, snow would have to reflect 100 percent of the incident light. It is the ultimate limit of a series of shades of any color.
- a hue completely desaturated by admixture with white, the highest value possible.
- quality or state of being white.
- lightness of skin pigment.
- a person whose racial heritage is Caucasian.
- a white material or substance.
- the white part of something.
- a pellucid viscous fluid that surrounds the yolk of an egg;
- the white part of the eyeball: He has a speck in the white of his eye.
- whites:
- white or nearly white clothing.
- top-grade white flour.
- white wine: Graves is a good white.
- a type or breed that is white in color.
- Usually, whites. a blank space in printing.
- (cap.) a hog of any of several breeds having a white coat, as a Chester White.
- [Entomol.]any of several white-winged butterflies of the family Pieridae, as the common cabbage butterflies.
- white fabric.
- [Archery.]
- the outermost ring of the butt.
- an arrow that hits this portion of the butt.
- the central part of the butt or target, formerly painted white but now painted gold or yellow.
- [Archaic.]a target painted white.
- the men or pieces that are light-colored.
- (often cap.) a member of a royalist, conservative, or reactionary political party.
- in the white, in an unfinished state or condition, as furniture wood that has not been stained or varnished.
- [Print.]
- to make white by leaving blank spaces (often fol. by out).
- to whiten (areas of artwork) in retouching preparatory to photoengraving (often fol. by out).
- [Archaic.]to make white;
- white out:
- to cover (errors in copy) with a white correction fluid.
- to censor, as by obliterating words or passages with white ink.
Duvetdu•vet (do̅o̅ vā′, dyo̅o̅-),USA pronunciation n.
- a usually down-filled quilt, often with a removable cover;
F: down (plumage), MF, alter. of dumet, deriv. of OF dum ON dūnn down2]
Covercov•er (kuv′ər),USA pronunciation v.t.
- to be or serve as a covering for;
extend over;
rest on the surface of: Snow covered the fields.
- to place something over or upon, as for protection, concealment, or warmth.
- to provide with a covering or top: Cover the pot with a lid.
- to protect or conceal (the body, head, etc.) with clothes, a hat, etc;
- to bring upon (oneself ): He covered himself with glory by his exploits.
- to hide from view;
- to spread on or over;
apply to: to cover bread with honey.
- to put all over the surface of: to cover a wall with paint.
- to include, deal with, or provide for;
address: The rules cover working conditions.
- to suffice to defray or meet (a charge, expense, etc.): Ten dollars should cover my expenses.
- to offset (an outlay, loss, liability, etc.).
- to achieve in distance traversed;
pass or travel over: We covered 600 miles a day on our trip.
- to act as a reporter or reviewer of (an event, a field of interest, a performance, etc.);
have as an assignment: She covers sports for the paper.
- to publish or broadcast a report or reports of (a news item, a series of related events, etc.): The press covered the trial in great detail.
- to pass or rise over and surmount or envelop: The river covered the town during the flood.
- [Insurance.]to insure against risk or loss.
- to shelter;
serve as a defense for.
- [Mil.]
- to be in line with by occupying a position directly before or behind.
- to protect (a soldier, force, or military position) during an expected period of ground combat by taking a position from which any hostile troops can be fired upon.
- to take temporary charge of or responsibility for in place of another: Please cover my phone while I'm out to lunch.
- to extend over;
comprise: The book covers 18th-century England.
- to be assigned to or responsible for, as a territory or field of endeavor: We have two sales representatives covering the Southwest.
- to aim at, as with a pistol.
- to have within range, as a fortress does adjacent territory.
- to play a card higher than (the one led or previously played in the round).
- to deposit the equivalent of (money deposited), as in wagering.
- to accept the conditions of (a bet, wager, etc.).
- (in short selling) to purchase securities or commodities in order to deliver them to the broker from whom they were borrowed.
- [Baseball.]to take a position close to or at (a base) so as to catch a ball thrown to the base: The shortstop covered second on the attempted steal.
- to guard (an opponent on offense) so as to prevent him or her from scoring or carrying out his or her assignment: to cover a potential pass receiver.
- (esp. of a male animal) to copulate with.
- (of a hen) to brood or sit on (eggs or chicks).
- [Informal.]to serve as a substitute for someone who is absent: We cover for the receptionist during lunch hour.
- to hide the wrongful or embarrassing action of another by providing an alibi or acting in the other's place: They covered for him when he missed roll call.
- to play a card higher than the one led or previously played in the round: She led the eight and I covered with the jack.
- to spread over an area or surface, esp. for the purpose of obscuring an existing covering or of achieving a desired thickness and evenness: This paint is much too thin to cover.
- cover one's ass, Slang (vulgar). to take measures that will prevent one from suffering blame, loss, harm, etc.
- cover up:
- to cover completely;
- to keep secret;
conceal: She tried to cover up her part in the plot.
cov′er•a•ble, adj.
- something that covers, as the lid of a container or the binding of a book.
- a blanket, quilt, or the like: Put another cover on the bed.
- protection;
- anything that veils, screens, or shuts from sight: under cover of darkness.
- woods, underbrush, etc., serving to shelter and conceal wild animals or game;
a covert.
- vegetation that serves to protect or conceal animals, such as birds, from excessive sunlight, from drying, or from predators.
- a set of eating utensils and the like, as plate, knife, fork, and napkin, placed for each person at a table.
- an assumed identity, occupation, or business that masks the true or real one: His job at the embassy was a cover for his work as a spy.
- a covering of snow, esp. when suitable for skiing.
- a pretense;
- a person who substitutes for another or stands ready to substitute if needed: She was hired as a cover for six roles at the opera house.
- See cover charge.
- [Philately.]
- an envelope or outer wrapping for mail.
- a letter folded so that the address may be placed on the outside and the missive mailed.
- [Finance.]funds to cover liability or secure against risk of loss.
- See cover version.
- Also called covering. a collection of sets having the property that a given set is contained in the union of the sets in the collection.
- blow one's cover, to divulge one's secret identity, esp. inadvertently: The TV news story blew his carefully fabricated cover.
- break cover, to emerge, esp. suddenly, from a place of concealment: The fox broke cover and the chase was on.
- take cover, to seek shelter or safety: The hikers took cover in a deserted cabin to escape the sudden storm.
- under cover:
- clandestinely;
secretly: Arrangements for the escape were made under cover.
- within an envelope: The report will be mailed to you under separate cover.
cov′er•er, n.
cov′er•less, adj.
Setset (set),USA pronunciation v., set, set•ting, n., adj., interj.
- to put (something or someone) in a particular place: to set a vase on a table.
- to place in a particular position or posture: Set the baby on his feet.
- to place in some relation to something or someone: We set a supervisor over the new workers.
- to put into some condition: to set a house on fire.
- to put or apply: to set fire to a house.
- to put in the proper position: to set a chair back on its feet.
- to put in the proper or desired order or condition for use: to set a trap.
- to distribute or arrange china, silver, etc., for use on (a table): to set the table for dinner.
- to place (the hair, esp. when wet) on rollers, in clips, or the like, so that the hair will assume a particular style.
- to put (a price or value) upon something: He set $7500 as the right amount for the car. The teacher sets a high value on neatness.
- to fix the value of at a certain amount or rate;
value: He set the car at $500. She sets neatness at a high value.
- to post, station, or appoint for the purpose of performing some duty: to set spies on a person.
- to determine or fix definitely: to set a time limit.
- to resolve or decide upon: to set a wedding date.
- to cause to pass into a given state or condition: to set one's mind at rest; to set a prisoner free.
- to direct or settle resolutely or wishfully: to set one's mind to a task.
- to present as a model;
place before others as a standard: to set a good example.
- to establish for others to follow: to set a fast pace.
- to prescribe or assign, as a task.
- to adjust (a mechanism) so as to control its performance.
- to adjust the hands of (a clock or watch) according to a certain standard: I always set my watch by the clock in the library.
- to adjust (a timer, alarm of a clock, etc.) so as to sound when desired: He set the alarm for seven o'clock.
- to fix or mount (a gem or the like) in a frame or setting.
- to ornament or stud with gems or the like: a bracelet set with pearls.
- to cause to sit;
seat: to set a child in a highchair.
- to put (a hen) on eggs to hatch them.
- to place (eggs) under a hen or in an incubator for hatching.
- to place or plant firmly: to set a flagpole in concrete.
- to put into a fixed, rigid, or settled state, as the face, muscles, etc.
- to fix at a given point or calibration: to set the dial on an oven; to set a micrometer.
- to tighten (often fol. by up): to set nuts well up.
- to cause to take a particular direction: to set one's course to the south.
- to put (a broken or dislocated bone) back in position.
- (of a hunting dog) to indicate the position of (game) by standing stiffly and pointing with the muzzle.
- to fit, as words to music.
- to arrange for musical performance.
- to arrange (music) for certain voices or instruments.
- [Theat.]
- to arrange the scenery, properties, lights, etc., on (a stage) for an act or scene.
- to prepare (a scene) for dramatic performance.
- to spread and secure (a sail) so as to catch the wind.
- [Print.]
- to arrange (type) in the order required for printing.
- to put together types corresponding to (copy);
compose in type: to set an article.
- [Baking.]to put aside (a substance to which yeast has been added) in order that it may rise.
- to change into curd: to set milk with rennet.
- to cause (glue, mortar, or the like) to become fixed or hard.
- to urge, goad, or encourage to attack: to set the hounds on a trespasser.
- [Bridge.]to cause (the opposing partnership or their contract) to fall short: We set them two tricks at four spades. Only perfect defense could set four spades.
- to affix or apply, as by stamping: The king set his seal to the decree.
- to fix or engage (a fishhook) firmly into the jaws of a fish by pulling hard on the line once the fish has taken the bait.
- to sharpen or put a keen edge on (a blade, knife, razor, etc.) by honing or grinding.
- to fix the length, width, and shape of (yarn, fabric, etc.).
- [Carpentry.]to sink (a nail head) with a nail set.
- to bend or form to the proper shape, as a saw tooth or a spring.
- to bend the teeth of (a saw) outward from the blade alternately on both sides in order to make a cut wider than the blade itself.
- to pass below the horizon;
sink: The sun sets early in winter.
- to decline;
- to assume a fixed or rigid state, as the countenance or the muscles.
- (of the hair) to be placed temporarily on rollers, in clips, or the like, in order to assume a particular style: Long hair sets more easily than short hair.
- to become firm, solid, or permanent, as mortar, glue, cement, or a dye, due to drying or physical or chemical change.
- to sit on eggs to hatch them, as a hen.
- to hang or fit, as clothes.
- to begin to move;
start (usually fol. by forth, out, off, etc.).
- (of a flower's ovary) to develop into a fruit.
- (of a hunting dog) to indicate the position of game.
- to have a certain direction or course, as a wind, current, or the like.
- (of a sail) to be spread so as to catch the wind.
- (of type) to occupy a certain width: This copy sets to forty picas.
- [Nonstandard.]sit: Come in and set a spell.
- set about:
- to begin on;
- to undertake;
- to assault;
- set against:
- to cause to be hostile or antagonistic.
- to compare or contrast: The advantages must be set against the disadvantages.
- set ahead, to set to a later setting or time: Set your clocks ahead one hour.
- set apart:
- to reserve for a particular purpose.
- to cause to be noticed;
distinguish: Her bright red hair sets her apart from her sisters.
- set aside:
- to put to one side;
reserve: The clerk set aside the silver brooch for me.
- to dismiss from the mind;
- to prevail over;
annul: to set aside a verdict.
- set back:
- to hinder;
- to turn the hands of (a watch or clock) to show an earlier time: When your plane gets to California, set your watch back two hours.
- to reduce to a lower setting: Set back the thermostat before you go to bed.
- set by, to save or keep for future use.
- set down:
- to write or to copy or record in writing or printing.
- to consider;
estimate: to set someone down as a fool.
- to attribute;
ascribe: to set a failure down to bad planning.
- to put in a position of rest on a level surface.
- to humble or humiliate.
- to land an airplane: We set down in a heavy fog.
- (in horse racing) to suspend (a jockey) from competition because of some offense or infraction of the rules.
- set forth:
- to give an account of;
describe: He set forth his theory in a scholarly report.
- to begin a journey;
start: Columbus set forth with three small ships.
- set forward, to turn the hands of (a watch or clock) to show a later time: When your plane lands in New York, set your watch forward two hours.
- set in:
- to begin to prevail;
arrive: Darkness set in.
- (of winds or currents) to blow or flow toward the shore.
- set off:
- to cause to become ignited or to explode.
- to begin;
- to intensify or improve by contrast.
- to begin a journey or trip;
- set on:
- Also, set upon. to attack or cause to attack: to set one's dog on a stranger.
- to instigate;
incite: to set a crew to mutiny.
- set one's face against. See face (def. 35).
- set out:
- to begin a journey or course: to set out for home.
- to undertake;
attempt: He set out to prove his point.
- to design;
plan: to set out a pattern.
- to define;
describe: to set out one's arguments.
- to plant: to set out petunias and pansies.
- to lay out (the plan of a building) in actual size at the site.
- to lay out (a building member or the like) in actual size.
- set store by. See store (def. 9).
- set to:
- to make a vigorous effort;
apply oneself to work;
- to begin to fight;
- set up:
- to put upright;
- to put into a high or powerful position.
- to construct;
- to be assembled or made ready for use: exercise equipment that sets up in a jiffy.
- to inaugurate;
- to enable to begin in business;
provide with means.
- to make a gift of;
treat, as to drinks.
- to stimulate;
- to propound;
- to bring about;
- to become firm or hard, as a glue or cement: a paint that sets up within five minutes.
- to lead or lure into a dangerous, detrimental, or embarrassing situation, as by deceitful prearrangement or connivance.
- to entrap or frame, as an innocent person in a crime or a criminal suspect in a culpable circumstance in order to achieve an arrest.
- to arrange the murder or execution of: His partner set him up with the mob.
- [Bridge.]to establish (a suit): to set up spades.
- the act or state of setting or the state of being set.
- a collection of articles designed for use together: a set of china; a chess set.
- a collection, each member of which is adapted for a special use in a particular operation: a set of golf clubs; a set of carving knives.
- a number, group, or combination of things of similar nature, design, or function: a set of ideas.
- a series of volumes by one author, about one subject, etc.
- a number, company, or group of persons associated by common interests, occupations, conventions, or status: a set of murderous thieves; the smart set.
- the fit, as of an article of clothing: the set of his coat.
- fixed direction, bent, or inclination: The set of his mind was obvious.
- bearing or carriage: the set of one's shoulders.
- the assumption of a fixed, rigid, or hard state, as by mortar or glue.
- the arrangement of the hair in a particular style: How much does the beauty parlor charge for a shampoo and set?
- a plate for holding a tool or die.
- an apparatus for receiving radio or television programs;
- [Philately.]a group of stamps that form a complete series.
- [Tennis.]a unit of a match, consisting of a group of not fewer than six games with a margin of at least two games between the winner and loser: He won the match in straight sets of 6–3, 6–4, 6–4.
- a construction representing a place or scene in which the action takes place in a stage, motion-picture, or television production.
- [Mach.]
- the bending out of the points of alternate teeth of a saw in opposite directions.
- a permanent deformation or displacement of an object or part.
- a tool for giving a certain form to something, as a saw tooth.
- a chisel having a wide blade for dividing bricks.
- [Hort.]a young plant, or a slip, tuber, or the like, suitable for planting.
- [Dancing.]
- the number of couples required to execute a quadrille or the like.
- a series of movements or figures that make up a quadrille or the like.
- a group of pieces played by a band, as in a night club, and followed by an intermission.
- the period during which these pieces are played.
- [Bridge.]a failure to take the number of tricks specified by one's contract: Our being vulnerable made the set even more costly.
- [Naut.]
- the direction of a wind, current, etc.
- the form or arrangement of the sails, spars, etc., of a vessel.
- suit (def. 12).
- [Psychol.]a temporary state of an organism characterized by a readiness to respond to certain stimuli in a specific way.
- a timber frame bracing or supporting the walls or roof of a shaft or stope.
- [Carpentry.]See nail set.
- a collection of objects or elements classed together.
- the width of a body of type.
- sett (def. 3).
- fixed or prescribed beforehand: a set time; set rules.
- specified;
fixed: The hall holds a set number of people.
- deliberately composed;
customary: set phrases.
- fixed;
rigid: a set smile.
- resolved or determined;
habitually or stubbornly fixed: to be set in one's opinions.
- completely prepared;
ready: Is everyone set?
- all set, in readiness;
prepared: They were at the starting line and all set to begin.
Also, get set!
- (in calling the start of a race): Ready! Set! Go!
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text: The image shows Task Form payload region. The left pane shows the Data Controls hierarchy with the Payload node expanded and the Vacation Request Process Request node selected. The right pane shows the Create drop-down menu with the Forms menu item selected and expanded showing the following sub-menu items: ADF Form, ADF Read-only Form (selected), Trinidad Form, Trinidad Read-only Form.

subset: commoncrawl


text:
When you are sick, your body reacts by releasing
hormones to fight infection. But these hormones raise
blood sugar levels and at the same time make it more difficult for
insulin to lower blood sugar. When you have
diabetes, even a minor illness can lead to dangerously
high blood sugar. This may cause life-threatening complications, such as
diabetic ketoacidosis or a
hyperosmolar state.
Work with your doctor to make a sick-day plan for you
or your child with diabetes. Discuss your target blood sugar goal during an
illness, how you should adjust your insulin dose and timing (if you take
insulin), and when you need to contact your doctor for help. Also, make sure
you know how often to check blood sugar and urine ketone levels. Keep your plan
in a convenient place, and include contact information in case you need to
reach your doctor at night or on the weekends.
Here are some
general sick-day guidelines:
Minor illnesses in people with diabetes—especially children with
type 1 diabetes—can lead to very high blood sugar
levels and possible emergencies. When children are sick, watch them closely for
signs that they need immediate medical attention. Call 911 or other emergency services if you or your child has:
It may not be necessary to call your doctor every time you
or your child with diabetes has a mild illness, such as a cold. But it is a
good idea to call for advice when you are sick and:
When you are sick, write down the medicine(s) you have been
taking and whether you have changed the dosage of your diabetes medicines based
on your sick-day plan. Also note changes in your body temperature, weight,
blood sugar, and urine ketone levels. Have this information with you when you talk
to your doctor.
Next Section:
Previous Section:
Last Revised:
December 4, 2012
Healthwise Staff
Medical Review:
John Pope, MD - Pediatrics & Stephen LaFranchi, MD - Pediatrics, Pediatric Endocrinology
This information does not replace the advice of a doctor. Healthwise, Incorporated disclaims any warranty or liability for your use of this information. Your use of this information means that you agree to the Terms of Use. How this information was developed to help you make better health decisions.
To learn more visit Healthwise.org
© 1995-2012 Healthwise, Incorporated. Healthwise, Healthwise for every health decision, and the Healthwise logo are trademarks of Healthwise, Incorporated.


text:
Wednesday, October 29, 2008
Bean Burgers
CHICKPEA (Channa) BURGERS
Chickpeas/Garbanzo - 1 (15oz) can, drained completely
Onion - 1 medium, quartered
Garlic powder - quarter to half tsp
Rolled Oats - half cup
Chilli powder - 1 to 2 tsp
Egg - 1 (optional)
Soy Granules - 1/3 cup, dry
Green bell pepper - half cup, minced
Soft Bread Crumbs - 1/3 to 1/2 cup
Salt & Pepper - to taste
Oil - 2 to 3 tsp
Burger Fixings:
Burger Buns
Tomato slices
Onion Slices,
Lettuce or Spinach
Ketchup, Sriracha chilli sauce, Mayonnaise
1) In a food processor, add the onions and pulse for a few seconds before adding the drained chickpeas, oats, egg, chilli powder & garlic powder. Grind this to a coarse paste.
2) While the mixture rests, add the dried soy granules to boiling water and let stay for about 10 minutes before draining completely. Add the salt, pepper, soy mixture, bread crumbs and capsicum. Combine and allow to rest for a few minutes.
3) With slightly wet hands, form patties - i got 10 of them.
4) Heat a wide pan on medium and coat with a thin layer of oil... place a few and allow to cook for about 4 to 5 minutes on each side till done completely & golden. I may consider baking them next time to get a uniform colouring.
6) Now they are ready to layer with the other ingredients onto burger buns and enjoyed.
25 comments:
Thats an interesting fusion! Fully nutritious!Nice one laavanya!ReplyDelete
Ah, I've been looking for a recipe for these, just to eat as "cutlets", thanks, I've got one now.ReplyDelete
Btw, if you want to send that sundal recipe to MLLA you mentioned in a comment earlier this month, you can, there's two days left! :-)
Wow looks gr8, healthy and yummy.ReplyDelete
Hey Laavanya,ReplyDelete
My tikkis with chickpeas(that I posted some time back) were inspired by Helene's recipe! :)
Your version is so much more filling than mine. I like how you have incorporated soy protein as well.
Looks gorgeous and healthy Laavanya..ReplyDelete
Looks wonderful the burger :)ReplyDelete
The bean burger looks healthy and yummy!ReplyDelete
super Lavi...luved the burger!ReplyDelete
hey that's such a healthy patty.. love them.. i feel like having a burger now :)ReplyDelete
Thats a healthy one.. looks delicious!ReplyDelete
These look great Lavanya! can u suggest using anything in place of the soy nuggets? my hubby just doesn't like the taste:)ReplyDelete
I'd love to make these! in fact, I've been wanting to try these for quite some time now:) so thanks for the recipe!
Wow healthy Burger...tikkis looks delicious...ReplyDelete
Awesome, I love bean burgers and I really love chickpeas... They look so delicious!ReplyDelete
Nice combo of channa and soy.ReplyDelete
thats a healthy burger! and very interesting combo of ingredients.. I'm sure it will taste great.. My husband is a vegetarian and he's going to love it! Will try soon..ReplyDelete
looks really nice. Happy Deepavali to you too... how was the celebration?ReplyDelete
hai Laavanya..happy deepavaliReplyDelete
i am a huge fan of bean burgers and ur post came just in time as i am expecting few guests over the weekend who have two naughty kids. perfect timing Lav :) thanks dear.ReplyDelete
Lovely! I have a patty version of this on my blog. I just can't seem to get enough of the chick peas...ReplyDelete
The burgers look amazing and healthy too :)ReplyDelete
Healthy burger..As Sra said can eat as cutlets too!ReplyDelete
this is quite indian style cutlets.......I love to have them for my bfast.....BTW can i make them and freeze for a couple of weeks.....ReplyDelete
thanks for sharing this nice recipe dear Laavanya.ReplyDelete
Thank you Raks.ReplyDelete
Sra, infact I had a couple of these for lunch the next day with a soup. Have mailed you my entries :)
Thank you Kitchen Flavours.
TBC, oh just took a 2nd look at your channa tikkis :) cool.
Thank you Sireesha, Cham & Divya.
Thank you Sangeeth, Mahima & Anu.
Mansi, you can just omit them completely. That was an add-on i incorporated.
Thank you Priya, meeso & n33ma.
Sujatha, thanks - i hope your husband likes it just as much.
Thank you Raaga.. felt more like Deepavali in the evening when some friends came over.. the rest of the day was quite normal :)
Thank you Kitchen Scientist.
Sia, am glad to hear that.. hope the kiddos enjoy them.
Thank you Anudivya - so many possibilities with channa.
Thank you Kamala, Gita & Raaji.
Hi Pooja, thanks.. how are you?
Delicious burgers. So nutritious.ReplyDelete
Thank you for stopping by and providing your valuable feedback. NOTE: I have disabled Anonymous comments (since I was getting a lot of spam).


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Come join the National Haunter's Convention and seminars!
Not that I would pay to hear me speak, but I'm preparing $20 worth of class for $10! lol
I told Rob that my classes should be $1 each - but he told me he wanted more effort... Stabbo will be assisting me so I'm hoping his presence will at least give me 2 people to show up to see him!
Looking forward to seeing old and new friends at NHC - only a month away!
And hope to see some of you in St. Louis in a couple weeks.
Stabbo's Handler


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TCM Celebrates Danny Kaye's 100th Birthday
Jan 18, 2013 9:20 AM EST
How can you not know the work of the late, great Danny Kaye? Apparently a whole lot of folks don't so the song-and-dance man's only child, Dena Kaye, is doing her best to fix that. On Sunday, Jan. 20, Turner Classic Movies will honor Kaye's 100th bir… Read more


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Congratulations to Marjorie (commenter #31) on winning the big iTunes gift card giveaway! We have notified our winner and thank you all for making this contest such a success!
Another big giveaway on The MotherLoot! Today we are offering our readers a chance to win a $100 iTunes gift card through Ciao!
Ciao is a new online shopping community and the perfect destination for all of your online shopping needs. Ciao.com features thousands of accurate and honest reviews from real people on everything from cell phones to laptops to MP3 players – even movies and beauty products. As a fun reward, Ciao also pays its members $1 per qualifying review. A great way to earn some extra cash on the side!
Ciao is also a great place to connect with other shoppers and get the latest info on hot new products like the Wii Fit and Apple 3G iPhone.
To enter this Ciao.com giveaway, first visit this page:
Then, follow this easy, three-step process:
Step 1) Enter what product you'd like to review (e.g. iPod Touch)
Step 2) Click on "write a review" and share your experience using this product, as well as rating, with the Ciao community of shoppers. Be sure to do a full-length review!
Step 3) Join the Ciao community, start connecting with other shoppers and earn money for your reviews ($1 per qualified review). You can even upload video reviews!
Finally, once you have done at least one full-length product review, post your Ciao username and a link to your review in the comments section here.
This contest will be open until 09/30 (Tuesday) at 8 PM EST. All qualifying entries (that have completed the three easy steps) will be entered and our winner will be chosen at random.
Best of luck and happy reviewing!


text: Protections for intermediaries from liability for users' content are necessary to a vibrant, innovative Internet. These legal protections allow internet access providers, content hosts, social networks, and others to support a robust online environment for free expression without worrying about potential liability for the material stored on or moving across their networks. Without them, services would be much less willing to accept user-generated content for fear of potential civil and criminal liability.


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1) Questioning techniques need development to engage all students in using their brains to the fullest.
My first thought is to turn to my online colleagues and get their advice. I'm looking for a book to read to help me in this area. John Golden (@mathhombre) did suggest that I read Mosaic of Thought. I will have to look into this more, it seems very interesting.
The universe works in strange ways. Just as I was asking for a book to help me with my questioning skills, I received one....for free. I attended a conference for the wrap up of a 4-year study on standards-based grading that I was a part of. They gave each attendee a copy of Implementing the Common Core State Standards through Mathematical Problem Solving - High School.
Hopefully by the end of summer, I'll have some good news for you on my new-found questioning skills.
2) Explaining PARLO to families has dropped off since it is an expected practice and they are not shocked by it. Continual efforts to promote proficiency based learning may help to expand it. In addition, Mrs. Oswald and JTAHS will benefit by more self promotion of her numerous efforts and methods to help students learn.
I have to admit, I haven't been communicating with families as much as I should. To be honest, I think the only contact I had with parents this past year was if there was a problem.
Not only do I need to contact specific parents individually about their child, I believe I need to have something that is similar to a newsletter. I'm thinking about a twitter hashtag that the parents, students, and I could use to have a whole group discussion about what is happening in class. Maybe even setting up some twitter chats with the parents/students would work. I can't get them to come in for parent-teacher conferences, but maybe I can get them to go to their laptop. ????? Anyone try something like this?


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Percona Server is an enhanced drop-in replacement for MySQL. With Percona Server,
-Your queries will run faster and more consistently.
-You will consolidate servers on powerful hardware.
-You will delay sharding, or avoid it entirely.
-You will save money on hosting fees and power.
-You will spend less time tuning and administering.
-You will achieve higher uptime.
-You will troubleshoot without guesswork.
Does this sound too good to be true? It's not. Percona Server offers breakthrough performance, scalability, features, and instrumentation. Its self-tuning algorithms and support for extremely high-performance hardware make it the clear choice for companies who demand the utmost performance and reliability from their database server.


text:
Download in electronic PDF format for $35
Search the Complete Journal Archives
Fluorouracil 5% Topical Stick
Author(s): Allen Loyd V Jr
Issue: Jul/Aug 1998 - Dermatology
View All Articles in Issue
Abstract: A formulation for preparing Fluorouracil 5% Topical Stick. Includes ingredients, method of preparation, discussion, and references for the compounding pharmacist.
Related Categories: CANCER AND AIDS, DERMATOLOGY, FORMULATIONS


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A new teacher tries to make use of her psychology courses. The first day of class, she starts by saying, "Everyone who thinks they're stupid, stand up!"
After a few seconds, Little Johnny stands up. The teacher asks, "Do you think you're stupid, Johnny?"
"No, ma'am, but I hate to see you standing there all by yourself."


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Why Can't the Left Govern?
The Left can win elections. Why can't it run a government?
Surveying the fall in support for the governments of Barack Obama, New York City's progressive Mayor Bill de Blasio and France's Socialist President François Hollande, a diagnosis of the current crisis begins to emerge: The political left can win elections but it's unable to govern.
Once in office, the left stumbles from fiasco to fiasco. ObamaCare, enacted without a single vote from the opposition party, is an impossible labyrinth of endless complexity. Bill de Blasio's war on charter schools degenerated into an unseemly...


text: Share: Comments Print February 9, 2014 at 10:38 AM Lynnwood Fly Fishing Show begins Saturday Posted by Mark Yuasa The Northwest Fly Fishing Show is 9 a.m. to 5:30 p.m. Saturday, Feb. 15, and 9 a.m. to 4:30 p.m. Sunday, Feb. 16 at the Lynnwood Convention Center. Cost is $15 per day or $25 for a two-day pass (cash only at the door). There will be a wide range of events with featured fly-tying experts, destination seminars, casting demonstrations, exhibitor booths and classes with expert fly-anglers. Casting demonstrations and instructors are Gary Borger, Jeff Currier, Daniel Galhardo and Simon Gawesworth; fly tiers are Borger, Jay Murakashi, George Cook, Ed Engle, Phillip Rowley and Dennis Rickards. Show presentations include Fly Fishing Puget Sound Saltwater; Extreme Tarpon on the Fly; Washington Steelhead Fishing; Fly Fishing Alaska; Fly Fishing Central Oregon; Fly Fishing for Women in Alaska; Dry Fly Essentials; Fly Fishing Turneffe Atoll; and Fly Fishing Grand Bahama Island. There will also be an International Fly Fishing Film Festival 6 p.m. on Feb. 15. Cost is $10 with paid admission to the show or $15 for the film only. Comments


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Romney hits back at Dems who criticize his tax plan and tax history
(CBS News) DENVER - Mitt Romney fired back on Thursday against Democrats questioning his tax proposals and tax-paying history, rebuking President Obama over his characterization of Romney's tax plan and Senate Majority Leader Harry Reid over his claim that the presumptive GOP nominee has not paid income taxes in 10 years.
Romney was campaigning in Colorado on Thursday touting his own tax plan at the same time that the Obama campaign spent the day highlighting a Tax Policy Center study released this week. The nonpartisan center concluded Romney's plan would result in a net tax increase for lower- and middle-income taxpayers in order to cut taxes for the highest earners.
"He knows that is a completely dishonest characterization of my plan," said Romney, whose campaign has characterized the study as a "joke" because it was co-authored by a former Obama advisor - even though the Tax Policy Center's director, Donald Marron, worked in George W. Bush's White House and the Romney campaign has praised the center's work in the past.
Speaking in an interview on the radio program of conservative Fox News host Sean Hannity, Romney said his plan ensures that the wealthiest Americans continue to pay the same share of taxes, and that the president was merely seeking to distract from his own stewardship of the economy.
"He has a way of putting out a false statement and then attacking it and making it sound like it's mine which of course it's not. He knows better than that. It really is a matter of a president doing almost anything to try and avoid talking about his own record," he said in the interview.
Obama wasn't the only Democrat whom Romney accused of misconstruing the facts. He made a similar claim of Reid, who has told reporters multiple times this week that he has sources -- whom he has declined to name -- saying Romney hasn't paid taxes in 10 years.
(Related: Romney grades Obama on "accountability" report card.)
Romney dismissed it as little more than "baloney."
"It's time for Harry to put up or shut up," Romney said. "Harry's gonna have to describe who he spoke with, because of course that's totally and completely wrong. It's untrue, dishonest and inaccurate. It's wrong. So I'm looking forward to having Harry reveal his sources, and we'll probably find out it's the White House."
Reid has said the burden of proof is on Romney, who has steadfastly refused to release more than two years of his tax returns.
The candidate declined yet another opportunity to make an announcement about his vice presidential pick or thetiming, but praised the "large number of people" from which he's had to pick. He will meet with several of those options - various Republican governors - during an event in Aspen on Thursday evening.


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Moderators: Three Stars, dagny, pfim, netwolf
Geezer wrote:I was wondering the same thingCorvidae wrote:Kicksave wrote:Peter wrote:you losers would blame me to cover up your poor team.
Its not just the Penguins. Its the Steelers, Pitt, any team you are active in any game time post. You're as blind as Anne Frank if you don't see that.
...Anne Frank??? Or Helen Keller?
Kicksave wrote:Peter wrote:ok so I post and we score and I'm to blame ok.
They scored after you stopped. Now that you posted again, they're going to go up 2-1. Watch.
Users browsing this forum: joopen and 48 guests


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|Induction Class of 2006
|Previous College:
|UMass Boston '89
|Indoor/Outdoor Track & Field
Darrelle Boyd becomes the sixth track and field star elected to the UMass Boston Hall of Fame and is one of the greatest middle distance runners in school history, competing in four seasons on the indoor and outdoor track teams as well as the cross country squad. She was a part of all four of the Beacons' NCAA track and field championships, helping them capture the 1985 indoor, 1986 indoor, 1986 outdoor and 1987 indoor crowns.
The Mattapan native was a part of UMass Boston's runner-up showings in the 1988 NCAA indoor and 1987 and 1988 outdoor meets and helped the squad to a fifth place finish in the 1985 outdoor championships as well. The 1989 UMass Boston graduate finished in the top six in the 800 meters seven times at the NCAA championships, including second place finishes in the 1985 and 1988 outdoor meets and placed in the top seven in the 1500 meters four times to go along with a first place showing as part of the 1988 NCAA championship 4X400 indoor relay team to give her All-American status 12 times, the third-highest total of any UMB athlete in school history. She burst onto the scene as a freshman becoming the only athlete on the squad to capture All-American status in two individual events during the indoor season and matched the feat again as a junior during both the indoor and outdoor campaigns. Boyd took seven individual first place finishes in distances ranging from 800 meters to the mile during her career, including top finishes in the 1500 at the 1985 ECAC outdoor championships and the 800 at the 1986 ECAC indoor championships. She attained All-New England status in seven events, while earning All-ECAC honors in 11 events and holds four individual school records including the school standard for the indoor 1000 yards (2:36.18), 1000 meters (3:02.6), mile (5:02.1) and outdoor 1500 meters (4:33.64) and was a part of the UMass Boston's school-record breaking relay teams in the 4X800 (9:07.3) and distance medley (12:33.02) outdoor races.
Following her tremendous collegiate career, she went on to a successful coaching career with the Boston International Track Club for 12 years, where she coached three national champions. Boyd also coached for eight years on the Northeastern University staff and was a part of the Mayor's Youth Olympics for 12 years. She graduated Suma cum Laude from Curry College with a masters of education in 1996 and was the class valedictorian.


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Bitcoin surged more than 40 per cent to a new high of $US750 ($800) as US agencies told a Senate committee the virtual currency is a "legal means of exchange".
Its value briefly dived to $US601 as the Senate committee got underway, but it has since recovered to sail past the $US675 high it reached prior to the hearing.
"We all recognise that virtual currencies, in and of themselves, are not illegal," Mythili Raman, acting assistant attorney general at the Justice Department's criminal division, said at the hearing.
While not an official seal of approval, the hearing has given some legitimacy to a payment mechanism that has been associated with illegal activities even as it gains acceptance by the general public and investment community.
Witnesses at the Senate Homeland Security Committee hearing included officials from the Secret Service and Financial Crimes Enforcement Network and the Justice Department's Criminal Division.
"The government is taking a very thoughtful and balanced approach to bitcoin and bitcoin regulation," said Barry Silbert, founder of the Bitcoin Investment Trust, launched in late September and valued at $US22.8m on Friday. It holds around 53,000 Bitcoins.
Bitcoin traded as high as $US675 on Monday on Tokyo-based exchange Mt. Gox, the best-known operator of a bitcoin digital marketplace. That was a rise of 27.7 per cent from Sunday's close. It last changed hands at $US672.
The digital currency, which trades 24 hours a day, every day, has risen around 404 per cent in the last two months.
Association with drugs, money laundering, murder for hire and other illegal activities has not stymied interest in bitcoin, the digital currency not backed by any government or central bank and until recently a niche alternative currency touted by computer geeks and anti-government advocates.
The currency, whose supply is limited, is "mined" by solving maths problems. Bitcoin transactions are tracked by a network of computers that validate transactions and prevent counterfeit.
In October, the US Federal Bureau of Investigation shut down Silk Road, an online marketplace used to buy and sell illegal drugs, and seized $US3.6m in bitcoins.
"Lawmakers are rightfully concerned about the illegal aspects of bitcoin but the fact that they're giving bitcoin the time of day helps cement its legitimacy," said Christopher Vecchio, currency analyst at DailyFX.
But it may also be government interest itself that is prompting the currency's huge moves of recent weeks, he said.
"If investors feel that bitcoin is truly legitimate but foresee supply constraints due to exchanges closing or new regulations hitting the market, there is a sense of urgency developing to obtain bitcoins now, 'while you can,'" said Vecchio.
Irrespective of the reason for the move, Bitcoin Investment Trust's Silbert at least is optimistic about the long-term outlook for the digital currency.
"Everyone is uncomfortable that the price has moved so quickly," Silbert said. "Bitcoin in its short history has gone through a series of bubbles and busts. But after every bust a new price base has formed."
Shares in the Bitcoin Investment Trust had a net asset value of $US42.44 on Friday, up from $US12.88 when the fund launched on September 25. Each share is 0.1 per cent of a Bitcoin.
Telegraph UK


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Generally speaking, signal generators trigger an audible or visual function when they receive an electronic current. In cases where an alarm might need to come on following a sensor detecting something, for example a temperature indicator, a signalling product is ideal for the job. There are three main kinds: acoustic signal generation products, optical signal generators and devices that offer a combination of the two. Audio signal processors offer sound generation by a number of means. Some are simple loudspeakers that can be fitted into an electrical product virtually anywhere, and wired to a remote circuit board. Others are designed for direct mounting onto a PCB, and these sorts of small signalling devices tend to offer piezo-level sounds. In addition, horns and sirens can operate as acoustic signal generators and these are often suited to industrial installations. Where the generator rings a bell, the use is often for emergency building evacuation notification. Optical signal generating products include flashing beacons and warning lights, such as those that might be installed in an industrial user console. Some of these devices rotate in order to offer a comprehensive warning system, especially when they are combined with sound generation. Various accessories, such as incandescent lamps and mounting brackets, also fall into this product category.
An error occurred the product could not be saved
An error occurred the shopping list(s) could not be be loaded


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Hello All,
I pressure washed the engine to prepare for painting and now I have a leaky gasket.
Is there is anyway I could seal it without removing the engine?
I am thinking of spray sealer by prematax.
Have anyone try it or can advise anything else. Many thanks
Sent from my iPhone using Tapatalk
Gasket leaks after pressure washing.
If it's broken or just needs tweaked
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About btrussell
I have previously mentioned it will be available 70 years after my death, or whenever I can be sure copyright has expired(provided I don't fail raising my daughter as I am leaving my books and my songs to her. My hope is that she values them enough to freely share with all).
If you wish to keep laughing, search for "kickin' kickin' kickin', kickin' through the air" and tell me it isn't an original song. That is the only one available at this time as i am not allowing some publisher to profit off of my hard work. You wouldn't believe how hard it is to write songs. :) Tough life I tell you!
"I'm so bloody rich
and I only know three chords
...laugh it up funny boy."
P.S. If she wishes to monetize it, I have a much better idea than the poon-tang clam group. They know their album sucks so bad that they will only get away with one sale.
I have a million dollar idea and a million dollar plan of execution.
Follow the story on the television or newspaper then. They don't bother wasting your time following up what they have reported.
You aren't a nobody.
At the very least, you will always be remembered for putting a TAC-k in their coffin(too TAC-ky?).
I don't usually swear in my posts. I had hoped for added emphasis, not a detractor. I am old enough to know better than that though.
If there is a fork in the road, don't step on it. If you are at a crossroads, look carefully in all directions before proceeding. You are in control of your own destiny.*
*From my Book of WOW: Words of Wisdom.
I don't think you have ever asked a simple question. :)
Sounds like he and your lawyer are golfing buddies.
Now hold on a cotton-picking minute.
"This idiom originates from the years of US military colonization of western North America. It was used to distinguish between "good Indians" (those who stayed on the reservations, i.e. confined to the camps controlled by the military) and "bad Indians" (renegade Native Americans who refused to be interned in the camps and who did not subject themselves to the authority of US military rule).
For that reason, this term may be considered offensive by/to Native Americans.
P.S. I am a Native American. I was born and raised in Canada(as were my parents, their parents etc...), the biggest part of N. America. Or are we all just Native Africans?
"I don't know..."
Then what is the question?
"...I can see how someone could object."
What do my thoughts matter then? If you can see it, you aren't going to attempt to change my mind are you?
As a farmer, we kept our animals away from choke cherry as well.
The watermelons are going to roll right over the potatoes this season.
"That would have been my response as opposed to the lawsuit."
I am not defending them. Just pointing out how easy they could have done something other than a lawsuit.
I am a renter as well. My heart pumps piss for them if they are collecting so much money every month that they can only afford people to count it for them as opposed to hiring more maintenance staff and/or subbing it out.
I could tell you a story about the situation I am in right now, but I am not a typist and there is too much background noise to use voice. Suffice to say I'll be dragging my feet as well in a few days come the first of the month. Again.
You can use the same numbers by the way. If you only have one complaint per month per 2500 units, why does it take so long to get anything done?
Good luck with your case!
"Japan commonly uses hydrogen for its beer."
So does Canada. 2:1 ratio with oxygen.
First part of 2 is wrong. They think they know all the tricks. They aren't very bright if you ask me.
"They submitted...Attached to each statement was a letter from their certified public accountant (��CPA��). In these letters, the CPA indicates a departure from generally accepted accounting principles. He further notes that plaintiff��s counsel elected to omit substantially all of the disclosures required by generally accepted accounting principles."
The CPA attached a letter saying it was a bogus financial statement and they still submitted it. They are so fucking smart that they are stupid.
Actions speak louder than words.
A trademark is a government endorsement?
Why are they endorsing cigarettes?
Is it an objectionable phrase?
In other words, you cannot make a law PROHIBITING this action.
I figured out the problem.
Buddy said "scentsy" the cops heard "sensi" as in sensimilia.
"In the normal course of operation, websites send content to visitors. A user's computer downloads that content and uses it to display web pages on the user's computer."
That is not the normal course of operations.
I invite the website to be a guest. The website is the visitor. If they don't behave, they are not invited back.


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HAGSOC South of England Special Interest Group: Cornish mining
Event Information
14 Sep 2011 7:30pm - 9:30pm
- HAGSOC Education Room, Cook Community Hub, 41 Templeton St
- Cook
- Australian Capital Territory
Other Information
- Cost: Free - membership required
- firstname.lastname@example.com
- 02 6251 7004
- The Heraldry & Genealogy Society of Canberra Inc
- The Secretary The Heraldry & Genealogy Society of Canberra Inc GPO Box 585 CANBERRA ACT 2601
The South of England Special Interest Group of The Heraldry & Genealogy Society of Canberra Inc covers Berkshire, Buckinghamshire, Cornwall, Devon, Dorset, Gloucester, Hampshire (including Isle of White), Oxfordshire, Scilly & Channel Isles, Somerset, Sussex, Wiltshire, Surrey and Kent (only those parts of the latter two counties not known as Greater London, which is covered by the London Special Interest Group).
The Group meets on the second Wednesday of March, May, July, September and November (ie, each odd month except January).
At the meeting of the Special Interest Group on Wednesday 14 September 2011 the topic will be: Cornish mining.
- Login to post comments


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Subscribe To Michael Bay Responds to TMNT Fan Outrage Over Title Change Updates
I've already subscribed
Yesterday we revealed the latest detail on Michael Bay's in-development Teenage Mutant Ninja Turtles reboot. And just as many of you hated making them aliens instead of mutants, most of you absolutely loathed the idea of truncating the title to Ninja Turtles. Your enraged responses ranged from accusing Bay of raping your childhood, to demanding he leave the Turtles alone, to threatening to punch him in his "[email protected]#$%^& soul!"
The good news is, he heard you. The bad news? He's still making Ninja Turtles. But he posted a new statement to assuage fan fears on his forum board (via Movies.com):
"Paramount marketing changed the name. They made the title simple. The characters you all remember are exactly the same, and yes they still act like teenagers. Everything you remember, why you liked the characters, is in the movie. This script is being developed by two very smart writers, with one of the original creators of Ninja Turtles. They care VERY MUCH about making this film for the fans. Everyone on this team cares about the fans. Just give them a chance. Jonathan the director, is a major fan of the whole franchise. HE'S NOT GOING TO LET YOU DOWN."
To his credit, Bay does seem dedicated to and passionate about this movie, and he is heavily courting fans by engaging in this web battle. Here he insists that the title revision is effectively a cosmetic change. Leonardo, Raphael, Donatello and Michelangelo may no longer be mutants, but they will be teenagers, and assures that they'll be true to the characters we've long clung to. Of course, I (like many of you I'm sure) would like more details on Bay's approach, but reasonably I don't know what else we could expect at this point. He's asking that we "give them a chance" to work out the story and script, and that seems fair. Though if they want to share some concept art, I'd devour that in an instant.
At this point it seems you have to weigh your faith in Bay and his Ninja Turtles approach by how you judge Transformers. Did his movie adaptations capture what you loved about the show as a kid, yet give you something as an adult to be pumped for? Do you believe he can do something comparable for the Turtles as a producer? Sound off. Apparently, he's listening.


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Turn Your Smartphone Into a Rugged Camera With This G-Form Case
Smartphones and extreme sports are natural enemies, as bringing your prized iPhone on that mountain-biking trip is a surefire way to get it lost or broken.
For this reason, thrill-seekers have often turned to GoPro for action cameras that can capture footage while on-the-go. But one company is challenging the status quo by developing a case that it says can turn a standard smartphone into a rugged camera.
G-Form, which creates protective cases for tech gadgets, has unveiled the G90 Action Sports Camera for the iPhone 5, the latest iPod touch and other devices. Check out the video, above, for more.
"The G90 case integrates unique, multiple proprietary and patent-pending technologies allowing smartphones and iPods to be flat mounted as extremely low profile, aerodynamic and sleek as sports action cameras," the company said on its website.
G-Form's GoPro alternative will be available starting this June.
Would you use the G90? Tell us in the comments below.
Image via YouTube screenshot


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Welcomed to the GLORIA Project Support Wiki.
In this wiki we will be able to create a collection of knowledge between "you" and the stuff of Gloria Project, where you can find documentation from several areas, that will help you to get answers to your question and also provide new solutions for the community about new issues that we may find in the daily working.
We are working hardly to provide you with the best support so you can find the time expending with GLORIA Project a pleasant, productive and funny experience. Please remember that there are other channels of support like the forum, FAQs or the Document Repository
Gloria Project Wiki Index #
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golfrules needed a new logo design and created a contest on 99designs.
A winner was selected from 78 designs submitted by 28 freelance designers.
We are looking for a logo for our company that is of simple design and that will reproduce well in Black and White.
I-Report Limited
Desired Color Scheme:
Possibly red and brown/black
Desired Style:
modern but official
Accepted File Formats:
Standard Web Formats (.jpg, .gif or .png)
I-Report Limited (or just I-Report) is our new business. Our core business is to perform the inspection and report preparation for clients based on an infrared inspection and non invasive moisture inspection of their building. We will be using state of the art infrared photograph equipment. The purpose of the report is to provide general comments and identify potential moisture issues that are detectable using infrared technology.Â
The decision to go with I-Report was 'I-R' being short for InfraRed and Report suggesting that you will be getting an offical 'report' on your building that you can show with confidence to prospective buyers, or just have for your own piece of mind.
Find out how a design contest works or learn more about our logo design services.


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empire state building
10 Monday Oct 2011
10 Monday Oct 2011
by George McLaughlin
Much hoopla has been published about the 'largest urban development project in US history.' But it has been predominantly negative. Hudson Yards is overrun with Super stores like Balenciaga and Hermes, and criticism over 'public space' [air] waste above the turn around yards from Penn Station.
The Shed's wheels are forty feet high, that use the tracks to reveal its roof, and cover an expansive outdoor venue for top flight mainstream performances. Within the West Side Rail Yard of 28 acres, designed by Diller Scofidio + Renfro with others, The Shed is made of steel, and a translucent Texlon-based polymer, which rolls out to form McCourt Plaza. Co–designer David Rockwell stated, "the mark of a good design is that that it survives reality." (Credit: Pilar Viladas) "Meh" – I say. In a place of white-boxed galleries and glass stores, it is not embracing and certainly not a novel use of urban development-same old stuff. It's our contemporaneous Atlantis.
As a shooter of film for forty years, it has been a struggle to grasp the impact of the digital age and the Internet on of the status of photography in our world. The act of shooting has become an indulgent, social event.
Henry Wessel, sadly recently deceased in California, was a profound photographer, mentor, professor and thinker on photography, especially on the American West.
"Pressing the shutter is saying yes to the world.'" One of his most poignant quotations which set me back; upon arriving at LAX, he commented on the light intensity, "it looked like you could lean against it." He was honored by many museum exhibitions from Szarkowski's at Moma, to Eastman House, to Cologne. He was instrumental in the photo program at the San Francisco Institute, joining its faculty in 1973.
Lee Friedlander called him the "Photo Buddha." I could mention Walker Evens or Cartier Bresson as his inspiration, but he embarked further into the ordinary terrain of life. This plots a direct collusion with Instagram and Facebook imaging. He was concerned about the proliferation of pictures and it's deterioration of the import of the photograph.
"People don't pay much attention these days to the descriptive, expressive and suggestive facts found in a good still photograph.
"The process of photographing is a pleasure: eyes open, receptive, sensing, and at some point connecting. It's thrilling to be outside your mind, your eyes far ahead of your thoughts."
That's picture taking.
I cannot help to be critically drawn to the narcissistic nature of people's images – selfies, food, pets and fronting famous objects. Nothing to do with image making but all about themselves. Sadly that is our future.
ORDER and ORNAMENT: Roy Lichtenstein's Entablatures
September 27, 2019 – September 27, 2020 at Whitney Museum of American Art
This exhibition will present a diverse array of works on paper by Roy Lichtenstein (1923–1997) related to his Entablatures series from the 1970s. Inspired by the architectural facades and ornamental motifs he encountered around Wall Street and elsewhere in Lower Manhattan, the series addresses many of Lichtenstein's central artistic themes while demonstrating a unique emphasis on texture, surface, relief, and reflectivity.
Named after the horizontal structures that sit atop the columns in Classical Greek architecture, Lichtenstein's Entablatures represent a distinctly American derivative, one based in revivalist, industrialized architectural imitations that were built en masse in the early twentieth century. By isolating clichéd symbols of—in the artist's words—"imperial power" and "the establishment," Lichtenstein traces the effect of mass production and replication on cultural forms. A sustained investigation into pattern and repetition, the Entablatures also underscore the echoes of Classical order embedded within Minimalist sculpture and Color Field painting.
The first exhibition at the Whitney devoted to Lichtenstein's work since the transformative gift of the Roy Lichtenstein Study Collection, this capsule presentation provides a focused look at a single pivotal series, highlighting the artist's inventive processes and techniques across drawings, collages, prints, photographs, and archival materials.
MAKING MARVELS: Science & Splendor at the Courts of Europe
November 35, 2019 – March 1, 2020 at
Musée du Louvre, Paris
Between 1550 and 1750, nearly every royal family in Europe assembled vast collections of valuable and entertaining objects. Such lavish public spending and display of precious metals was considered an expression of power. Many princes also believed that the possession of artistic and technological innovations conveyed status, and these objects were often prominently showcased in elaborate court entertainments, which were characteristic of the period.
Making Marvels will explore the complex ways in which the wondrous items collected by early modern European princes, and the contexts in which they were displayed, expressed these rulers' ability to govern. Approximately 170 objects—including clocks, automata, furniture, musical instruments, jewelry, paintings, sculptures, print media, and more—from both The Met collection and over fifty lenders worldwide will be featured. Visitors will discover marvelous innovations that engaged and delighted the senses of the past, much like twenty-first-century technology holds our attention today—through suspense, surprise, and dramatic transformations.
October 24, 2019 – 24 February 24, 2020 at
Musée du Louvre, Paris
The year 2019 has a special significance for the Louvre, as it will mark the fifth centenary of the artist's death at Amboise, in the Loire Valley. When his patron Giuliano de' Medici died, Leonardo da Vinci left Italy for France at the invitation of the new French king, François I. Probably around November 1516, he arrived at the Château du Clos Lucé, a stone's throw from the king's residence at Amboise.
This château was the splendid home provided by François I for Leonardo, whom he appointed "First Painter, Engineer and Architect to the King," a position for which the artist received a princely allowance. This is where he spent the last three years of his life, compiling notes on various scientific and artistic subjects with a view to publishing treatises, and working on the paintings he had brought with him to France, such as Saint Anne, the Mona Lisa and Saint John the Baptist. Some remarkable drawings from this period, done on French-made paper, illustrate his work on hydraulic projects, festivities for the king and a monumental equestrian sculpture.
On May 2, 1519, the great Italian Renaissance genius died at the Château du Clos Lucé. This is why the Louvre holds almost a third of his corpus of paintings: those he brought to France were purchased by François I and entered the royal collections, which probably already included The Virgin of the Rocks and La Belle Ferronnière, acquired by Louis XII. This outstanding set of paintings, which formed the beginning of the Louvre's collections, was supplemented by twenty-two of the artist's remarkable drawings.
The fifth centenary of the Italian master's death is therefore a unique opportunity for the Louvre to bring as many as possible of the fourteen to seventeen paintings now attributed to Leonardo, according to specialists, to join the five large paintings in the Paris museum. The exhibition will include a large selection of drawings and a small but significant group of paintings and sculptures that will provide some tangible context.
This international retrospective will present the latest research findings, critical editions of key documents and the results of the latest analysis carried out in laboratories or during recent conservation treatment by the Louvre.
REMBRANDT - VELÁZQUEZ: Dutch and Spanish masters
October 11, 2019 – January 19, 2020 at Rijksmuseum, Amsterdam
Rembrandt - Velázquez: Dutch and Spanish masters will present an outstanding selection of paintings by Dutch and Spanish masters of the 17th century, including for the first time some of the greatest pieces by Rembrandt van Rijn, Diego Velázquez, Frans Hals, Bartolomé Murillo, Johannes Vermeer and Francisco Zurbarán, amongst other outstanding figures. In partnership with the Museo Nacional del Prado (Madrid), this unprecedented exhibition will mark the 200 year anniversary of the Prado and the Year of Rembrandt in 2019.
he 17th century can be regarded as the Golden Age of both the Netherlands and Spain; a period of tremendous artistic achievement that saw the emergence of two of the greatest painters in history: Rembrandt and Velázquez, leading artists of their respective lands. In the exhibition, paintings of highly-renowned Dutch and Spanish masters will be displayed in pairs, combining two works —one from each country— to explore, for the first time, the stimulating and often surprising dialogues that inevitably arise between the paintings. During a time of war and political tension, the Dutch and Spanish artistic traditions seemed to come closer than is generally thought. By pairing the paintings together, the exhibition sheds light on those points of contact, even if sometimes the differences might seem stronger than the similarities. Each pair has a story behind, centered around religion, faith, wealth, power, specific iconographical motifs, light or composition.
THE SORCERER'S BURDEN: Contemporary Art and the Anthropological Turn
September 14, 2019 – January 19, 2020 at The Contemporary Austin
Ed Atkins, Nuotama Frances Bodomo, Theo Eshetu, Cameron Jamie, Kapwani Kiwanga, Marie Lorenz, Nathan Mabry, Ruben Ochoa, Dario Robleto, Shimabuku, Julia Wachtel
The intersection of art and anthropology can be traced to the long-standing human desire to collect, classify, and display across cultures and time. In Western societies, the systematic accumulation and exhibition of objects considered to be culturally valuable dates back to the Renaissance-era cabinet of curiosities, or Wunderkammer, the precursor by several centuries to the modern art museum. Meant to inspire and amaze, these cabinets began in private, domestic spaces but over time expanded to entire rooms in the public sphere, eventually becoming what we know today as natural history, anthropology, and ethnographic museums. It wasn't until the late seventeenth century that the first art museums appeared, taking their cue from these private curio collections turned public, where art collections of the royal, wealthy, and ruling elite made their way into public spaces for exhibition. In many ways, art museums evolved in opposition to natural history museums, the relationship between the two echoing undercurrents of the longstanding discussion between "high" and "low" art. In tandem, anthropological endeavors aspired to remain a comfortable distance from notions of fine art, averse to ethnographic methods becoming aestheticized and the inherent colonialist impulses present in both fields.
At the same time, anthropology and art as fields of study—themselves widely divergent across geographies and cultures—tend to have more in common than not: among them, an intellectual foundation based on curiosity about culture, an impulse to collect, and a reflection of the human condition. More recently, the twentieth century has witnessed Western modern and contemporary art re-engaging with anthropology. From the exoticism of early twentieth-century Primitivism, to the appropriated rituals of Surrealism, to Land Art's archaeological excavation, and later to the ethnographic turn in exhibition-making beginning in the 1980s; the two fields continue to make uneasy yet fertile bedfellows. The resurgence of artists and curators turning to anthropological methodologies and concerns is both fascinating and problematic, indicative of broader sociopolitical undercurrents. It is this intersection, the complicated relationship between art and anthropology as seen through the lens of contemporary artists, that forms the subject of the forthcoming exhibition The Sorcerer's Burden: Contemporary Art and the Anthropological Turn, titled after an ethnographic book of the same name by the American cultural anthropologist Paul Stoller. Representing a wide range of media, and including new commissions, site-specific works, and loans, the content will not focus on artists presenting straightforward ethnographic observations, but rather those artists who appropriate, manipulate, and transform elements found in anthropological methodologies and practices to create contemporary works that are alternately subversive, humorous, satirical, dark, playful, and enchanting. The premise teases out challenging issues related to race, colonialism, identity, religion, and politics, as well as potential for insight and fresh perspective in the unexpected intersections.
ANTONIO: The Fine Art of Fashion Illustration
September 21, 2019 – January 5, 2020 at Phoenix Museum of Art
Featuring more than 100 original drawings, photographs, and magazines, Antonio: The Fine Art of Fashion Illustration is a multimedia exhibition of ANTONIO, the signature that represented the collaborative creative work of fashion visionaries Antonio Lopez and Juan Ramos. The installation features their artistic, editorial, and commercial work created from the 1960s through the 1980s for publications and retailers such as Vogue, The New York Times Magazine, French Elle, Harper's Bazaar Italy, L'Uomo Vogue, Vanity, Saks Fifth Avenue , and Bloomingdales .
Highlights of the exhibition include more than 20 drawings from Antonio's Tales from the Thousand and One Nights , a lavishly illustrated book of stories from The Arabian Nights, translated by Sir Richard Burton and published in 1985. Additionally, Antonio will include 12 never-before- exhibited, large-scale drawings created in 1973 at the Condé Nast offices in New York City during a series of Vogue seminars commissioned by editor Carrie Donovan. Featuring model Pat Cleveland and Amina Warsuma, these live-drawing sessions illustrated upcoming designer collections for buyers and journalists. Known for expanding fashion's view through diverse ideas of beauty, ethnicity, and sexuality, Antonio's drawings capture the energy of three revolutionary decades.
Both Lopez and Ramos were born in the early 1940s in Puerto Rico, and they met as students at the Fashion Institute of Technology in New York. Lopez was an exceptionally gifted illustrator, while Ramos was the art director, researcher, and organizer. In the early 1960s, they began their careers as part of the "youth quake" and became pioneers of a multinational view that moved fashion illustration forward with a modern perspective. Antonio: The Fine Art of Fashion Illustration features a continuous screening of the time-capsule documentary film Antonio Lopez 1970: Sex, Fashion and Disco (2017) by director James Crump that demonstrates their impact on fashion.
SEE AND BE SEEN: Picturing Notoriety
June 14, 2019 – October 22, 2019, at Norton Museum of Art
From the 19th-century flaneur to today's social media networkers, the need to get a glimpse of famous or notorious personalities and the compulsion to be seen within an aura of celebrity and influence has driven – and been driven by – the graphic arts. Photography, printmaking, and the rise of illustrated periodicals have given way to televised reality shows and the posts, tweets, and 'likes' that define viral internet exposure. In response, artists have absorbed and mobilized the transition from one technology to the next. Their visions and sensibilities are at the core of how we respond to and define "celebrity."
The exhibition will feature more than 50 works from the 19th to the 21st Centuries and will include images of Queen Victoria, Jackie Kennedy Onassis, Marilyn Monroe, and Lil' Kim in works by such diverse artists as Henri de Toulouse-Lautrec, Hollywood photographer George Hurrell, and artists Andy Warhol, Nan Goldin, Annie Leibovitz, and John Baldessari.
PREHISTORY: A Modern Enigma
Exhibitions: May 8, 2019 - September 16, 2019, at Center Pompidou, Paris
Travel in a story of glances and fascination, in the presence of prehistoric, modern and contemporary icons! From the Mammoth de la Madeleine to Dove Allouche and Louise Bourgeois, this original exhibition highlights the link between prehistory and modern and contemporary art.
Over a chronological journey, discover how artists and society have come under the allure of origins during modernity, yielding to a fantasy vision of what was before history. This real time machine has constantly shaped the mental horizons of modernity and provided concrete models for experiments of all kinds.
The Centre Pompidou is staging an original exhibition presenting the ties uniting prehistory with modern and contemporary art.
How, in the great period of crisis called "modernity," first artists, then society as a whole, felt drawn to their «origins» and how a fantasy vision was built up of «what preceded History». It reveals that some of the most important artists of the 20th and 21st century were haunted by the question of «prehistory»: Picasso, Miró but also Cézanne, Klee, Giacometti, Ernst, Beuys, Klein, Dubuffet, Louise Bourgeois, Marguerite Duras, Robert Smithson, and, among our contemporaries, Giuseppe Penone, Miquel Barceló, Marguerite Humeau, Pierre Huyghe, Dove Allouche,
and others.
We have celebrated The Boulevardiers raison de'tre for five years now, founded on the French pre-occupation of strolling and window gazing in Paris, and London, and Rome. This Publisher was struck by a newly found term, "Faire du Lèche-Vitrines," which is crudely translated as "window licking." Now knowing the decorum of the French, I am convinced that they would not apply this term to their promenading in the trendy section, the Marais, of Paris, which is the center of all that is cool, hip and expensive. The original center of Paris, built in the 13th century by the Knights Templar, much has remained, avoiding destruction by City decree in 1964. The Boulevardiers strolled through this section last summer on the way to L'Orangrie and gazed covetously at the many shops, bakeries and patisseries... and could very well appreciate this phrase.
Guest Musing from The Boulevardiers "Muse" Sally Steele:
Never let it be said that the Boulevardiers don't celebrate all who wander in search of inspiration, or in daily observation. A recently published book, The Flâneuse, is a lively tome focusing on the French flâneuse, the feminine of flâneur: defined as a woman who is or who behaves like a flaneur; who is defined as an idle man-about-town.
Author Lauren Elkin: "The portraits I paint here attest that the flâneuse is not merely a female flâneur, but a figure to be reckoned with, and inspired by, all on her own…She is a determined, resourceful individual keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk."
For some time, I have been lamenting whilst walking my town, enviously observing the abundance of hipster bistros and coffee bars populated all day and into the evening by those lucky enough to grab the time to simply sit and watch the world go by. But how oh so boring that would be!
Recently perusing the tales of Diego, the sire of Galapagos tortoises, I smiled having "met" Diego in the Galapagos several years ago. And when reading about the rich arts scene in Milan, funded mostly via the largesse of the fashion houses, my head was full of images of days spent wandering there, not so long ago. As I poured over my travel photos I saw Los Angeles, Lima, and Santiago; New York, Maui and Athens; Venice, Istanbul, and Marseilles; Cannes, Sydney, and Tokyo, and so many more. I walked for miles in for London, from my favorite museum, The V&A, to Harrod's, to the trendy parts of town with all the big name galleries. Ditto for New York. And Rome, major renovations to ancient and Renaissance sites currently underway, again due to the largesse of the world's fashion leaders. And oh, Paris, strolling in the Tuileries in the drizzle after a glorious morning spent at l'Orangerie. Then there were some standout strolls on La Croisette amidst the excitement of the awards season. I live a fanciful life!
I'm lucky enough to be partner to the ultimate flâneur, who has so graciously guided me into becoming a full-fledged flâneuse.
Here's to women everywhere, and to living a life that takes the good walk, and turns it into the truly great walk.
The raking light of fall brings out the Flaneur in me, the season of Flanerie. Elaine Sciolino reminds us of the first establishment of this pastime in literature, "Tableau de Paris," a twelve volume set of observations the gestalt the of 'street' in Paris. Half a century later, this sites' figurehead, Charles Baudelaire, demarked the 'wander-spectator' activity as flaneur. "The crowd is his habitat, as is air for the bird or water for the fish" he quoted.
This activity is so important to the French, that Hermes created a pop-up museum on the left bank to honor its significance. The artistic director of the project, Pierre-Alexis Dumas also created an illustrated book on the subject. It's a small single room structure with four window displays, including from the collection of a past president, Emile Hermes.
To observe yes, to interact no. The sounds, the smells and the visual jewels glistening in the shop windows- draws us to the streets of Paris, or London or our favorite ville, Roma. And of course, the most animated of them all – the people who stroll and sit and observe in the cafes, not the harried New Yorkers who are irritated by strollers in their path. Years ago, I proposed a story for Life Magazine, on the important promenades of the world, but to no avail. Sadly, it is not an American occupation.
On every trip to NY, I visit one of my favorite urban spaces, The Grand Central Oyster Bar. Between my passion for oysters and my adoration for Guastavino's tile craft, this is my ideal spot. We traveled to 103rd Street this last trip to enjoy a beautifully illustrated and informative exhibition at The Museum of New York, of his sumptuous tilework throughout New York employed by McKim, Mead and White, and NY City (including the recently uncovered bottom to the Queensborough Bridge, now a Farmer's Market).
Guastavino tile is the "Tile Arch System" patented in the United States in 1885 by Valencian (Spanish) architect and builder Rafael Guastavino (1842–1908). Guastavino vaulting is a technique for constructing robust, self-supporting arches and architectural vaults using interlocking terracotta tiles and layers of mortar to form a thin skin, with the tiles following the curve of the roof as opposed to horizontally (corbelling), or perpendicular to the curve (as in Roman vaulting). This is known as timbrel vaulting, because of supposed likeness to the skin of a timbrel or tambourine. It is also called "Catalan vaulting" and "compression-only thin-tile vaulting".
Guastavino tile is found in some of New York's most prominent Beaux-Arts landmarks and in major buildings across the United States.


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We had a lot of amazing entries in April, but Sandie settled on her winner, and it is...
with this stunning entry:
I'm sure you'll all agree this is fabulous! Congratulations to the winner, please email Sandie firstname.lastname@example.com with your details, so she can get your prize sent out to you. And don't forget to grab the Winner's Badge from the side bar!
You have 14 days to claim your prize.
Now then, on to our "May Challenge"
It's once again an anything goes altered art only challenge, and we have a superb prize up for grabs from our sponsor..........
Fernli Designs.
Fernli Designs.
.....they are offering our winner this fantastic box of wood shapes, so many pieces in there, some you can use as stand alone pieces and some you can use for mixed media etc.
I don't mind telling you I'm jealous of the winner already!
Now then, on to the DT inspiration, which as usual is simply gorgeous!
Altered Tin
Altered canvas
Shadow box
That's it from us, now it's your turn!
You may enter 3 Times Only


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Loan Opportunities
Both federal and private loans are available to most incoming Krannert students. There are several different federal loan options and we highly recommend reviewing each of them prior to making a decision. Please utilize the resources provided in the right margin. It should be noted that international students are typically not eligible for federal loans and will want to take advantage of private loan opportunities.
Scholarships and Krannert Graduate Assistantships
Each year, Krannert offers select applicants assistantship opportunities and scholarships to help reduce the cost of attending Purdue. These merit-based awards do not require any additional application as all applicants are considered through the admission for admissions process.
Departments around the university typically allocate their assistantships and scholarships to incoming students within their department.
Assistantships usually involve approximately 10 hours of work per week and provide both a significant remition of tuition & fees as well as a monthly stipend.
We encourage you to conduct your assistantship search with the same skills as finding a internship or job.
Additional Graduate Assistantships and Employment
Many Krannert students secure graduate assistantships outside of Krannert, based upon their special skills and expertise. While the Krannert staff does not play any role in identifying potential positions or in the selection of these graduate assistants, we do encourage students to use the resources available to find open positions. There are also opportunities for students to find employment outside of the Master's Programs, working for Purdue or in the Lafayette/West Lafayette area, although these normally do not include any type of tuition remission.


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Mold is a part of our environment and it can be found everywhere, inside and out. The term "mold" describes thousands of species of microscopic fungi which grow on wet organic matter. Molds grow on foods in your refrigerator, on shower curtains, and on damp surfaces in basements. Molds may look like furry growth, black stains, or specks of white, green, brown, orange or black. Outdoors, molds play a part in breaking down dead organic matter, such as leaf piles in the fall. Mold needs moisture to grow. They reproduce by means of tiny spores. These spores are invisible to the naked eye, but they float through the indoor and outdoor air. They will begin to grown when they land on surfaces that are wet. Mold spores can be inhaled, absorbed through the skin or ingested in our food. The spores grow and digest whatever they land on, eventually destroying the surface.
Molds will grow on any organic material where there is moisture. They can grow on almost anything when there has been water damage, or dampness, or high humidity. Mold grows between the temperatures of 32° and 100° Fahrenheit, although they like the temperature between 77° and 86° best. Of all the different kinds of mold in our environment, none will grow without water or moisture. There is no practical way to eliminate all mold and mold pores from indoor environments. The key is to control moisture.
When people are talking about toxic mold, they are talking about Stachybotrys chartarum (also known as Stachybotrys atra), pronounced stack-ee bought-riss. It is a type of mold that is blackish or greenish black in appearance. Not all mold that is black is this type. The black mold found on bathroom tiles is not Stachybotrys. Stachybotrys may occur when there has been excessive long-term water damage. Health effects of exposure to this mold are similar to exposure of other molds but may include inability to concentrate and fatigue.


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Sort by:
What you need to know about the transmission channel
Viewing the car surround with FPD-Link
Use of Analog Launch Pad (ALP) GUI to configure the FPD-Link EVMs
Time of Flight & LIDAR - Optical Front End Reference Design
TDA2 and TDA3 Processors Training Series
TI's Jacinto TDA2/TDA3 System-on-Chip (SoC) family offers scalable and open solutions based on a heterogeneous hardware and common software architecture for Advanced Driver Assistance System (ADAS) applications including camera-based front (mono/stereo), rear, surround view and night vision systems in addition to multi-range radar and sensor fusion systems.
This training series provides an overview of the evaluation and development platforms as well as getting started with the software and development tools offered by TI on the Jacinto TDA2/TDA3 processors.
Start Development with Processor SDK Vision
Short-range radar demonstration: Object clustering and tracking
Short range radar demonstration using TI's mmWave sensors
Q&A with TI's AWR automotive radar portfolio design manager
Power over Coax (PoC) evaluation
Power over Coax (PoC) Design
Power over Coax (PoC) basics
PGA460 Ultrasonic Sensing Module Overview for Air-Coupled Applications
Parking object detection using TI's single-chip mmWave sensor
Overview of TI Deep Learning on TDA2 and TDA3 ADAS Platforms
Optimizing DC/DC Converters for EMI in Automotive Systems
EMI (electromagnetic interference) mitigation is a critical step in the design process in most electronic systems, and especially so in the automotive world. In many cases, automotive OEM emissions requirements are even more stringent than both national and international standards bodies like the FCC. Unfortunately, by their nature, switching regulators are sources of EMI; but, in order to keep power supply designs small and efficient, switchers are a critical component. So how can you reap the benefits of a switching regulator while still meeting challenging EMI requirements?
Optimizing Automotive DC/DC Converter Designs for EMI and Thermals
Optical Front-End Design for Time-of-Flight (ToF) & LIDAR
Optical Distance/Displacement Sensor Measurement Based on ToF and Phase Shift
OpenVX implementation on TI TDA ADAS SoCs


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Jhumki | 5057
The Jhumkis are what got ZINDAGI going, hence, their special place in our hearts!
Lightweight and delicate, please handle with care. Keep them in their pouch when not enjoying them.
- Brass base - hypoallergenic
- 1.5" long
- Post
- Handmade in India
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|Search Results (41 videos found)
|Eskimos: Winter in Western Alaska
Typical activities of Alaskan Eskimo life throughout a long winter.
Genre: Ephemeral
Keywords: Arctic: Peoples;
Duration: 00:08:03
Popularity (downloads): 1178
|Mountain Skywater, segment 11 of 12
Ecologists study effects of cloud seeding on elk
Genre: Documentary
Duration: 00:00:40
Popularity (downloads): 510
|NASA Connect - AO - Archeoastronomy
First segment of NASA Connect Ancient Observatories explaining the foundations of astronomy and the how the Earth moves relative to the sun. This segment explains how the Earth's tilt creates...
Genre: Educational
Keywords: NASA Connect; Archaeoastronomy; Geometry; Angles; Obtuse; Acute; Right; Sun; Earth; Four Seasons; Summer; Fall; Winter; Spring; Summer Solstice; Fall Equinox; Winter Solstice; Spring Equinox; Gnomon; Sundials; Ancient Observatories; AO;
Duration: 00:07:50
Popularity (downloads): 1688
|Play In The Snow
Shows children enjoying winter sports, making a snow man, playing fox and geese, sledding and skiing.
Genre: Ephemeral
Duration: 00:11:00
Popularity (downloads): 386
|American Cowboy (Part II)
Visits the Roberson Hereford Ranch in Gunnison, Colorado. Includes scenes of a rodeo, the drive to summer pastures and winter feeding in raging blizzards.
Genre: Ephemeral
Duration: 00:00:00
Popularity (downloads): 277
|American Cowboy (Part I)
Visits the Roberson Hereford Ranch in Gunnison, Colorado. Includes scenes of a rodeo, the drive to summer pastures and winter feeding in raging blizzards.
Genre: Ephemeral
Duration: 00:00:00
Popularity (downloads): 282
|Wetlands Regained, segment 03 of 8
The United States and Canada signed the North American Waterfowl Management Plan to restore water
Genre: Documentary
Duration: 00:01:59
Popularity (downloads): 417
|Wetlands Regained, segment 06 of 8
Wetland acreage was in danger of disappearing, and restoration was urgent
Genre: Documentary
Duration: 00:02:35
Popularity (downloads): 386
|Man Against the River
Describes the work of members of the Works Projects Administration in helping refugees of a winter flood of the Ohio River.
Genre: Ephemeral
Keywords: Natural disasters;New Deal;New Deal: WPA;
Duration: 00:09:54
Popularity (downloads): 115
|The Great Web of Water, segment 02 of 12
Geography and climate of the region, reasons for building the Central Valley Project
Genre: Documentary
Duration: 00:01:11
Popularity (downloads): 449


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I'm a PHP / Java / Objective-C programmer, looking to finally learn some MS technologies, to increase my marketability, etc.
I am looking at these two books, can anyone experienced in the field suggest one over the other, or another book that'd be good for learning C# / .Net, etc? What impressed me about "Pro C# 2010 and the .NET 4 Platform" thumbing through it at the bookstore, was that they explained a whole lot of the inner workings and paradigms of MS, not just the language. I haven't had a chance to look through the other one, and probably won't get a chance.
Here are the two I'm considering:
I know this is a very specific question, but I feel it can greatly benefit others like me, trying to get into some MS tech.


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BEIJING (AP) — China's inflation eased further in September, giving the government more room to stimulate the country's slowing economy.
Consumer inflation fell to 1.9 percent from August's 2 percent rate, data showed Monday. Politically sensitive food prices rose 2.5 percent, down from the previous month's 3.4 percent.
The decline gives Beijing more room to cut interest rates or boost spending to reverse the country's deepest slowdown since the 2008 global crisis.
"There's no argument about it, the economy is yet to stabilize," said IHS Global Insight economist Alistair Thornton in a report.
"Fears surrounding the inflationary impact of monetary loosening on consumer prices are misplaced — the onus remains on growth stabilization."
Producer prices contracted 3.6 percent compared with a year earlier, a striking sign of slack demand despite two interest rate cuts since the start of June and higher government spending on building airports and other public works.
Chinese leaders have been moving cautiously in response to the slowdown after their huge stimulus in 2008 ignited inflation and a wasteful building boom. Economic growth fell to a three-year low of 7.6 percent in the quarter ending in June and officials including President Hu Jintao have warned it may decline further before recovering.
Analysts expect growth to decline further to about 7.3 percent when the latest quarter's figures are reported this week. Last week, the World Bank cut its annual growth forecast for China to 7.7 percent from its May outlook of 8.2 percent.
Forecasters expect a recovery to start late this year or in early 2013 but say it likely will be too weak to drive global demand without improvement in the United States and Europe.
Trade data released Saturday showed Chinese imports revived slightly from the previous month's contraction but grew by only 2.4 percent, suggesting a recovery has yet to take hold.
The slowdown is due partly to government curbs imposed to cool an overheated economy. Chinese leaders are trying to make their economy more efficient and resilient by reducing reliance on imports and investment and promoting domestic consumption and technology-based industries, but domestic consumption is growing slowly.
"There is little convincing evidence that spending growth is doing anything better than standing still," said Mark Williams and Qinwei Wang of Capital Economics in a report.
The government has pumped money into the economy by approving a multibillion-dollar wave of investments by state companies and spending on subways, airports and other public facilities.
Analysts expect no major new initiatives until a once-a-decade handover of power to younger Communist Party leaders begins at a meeting in October.
"We do not expect the government to come up with any major new stimulus, either during the leadership transition or after, unless the economy takes a turn for the much worse," said UBS economist Tao Wang in a report.
National Bureau of Statistics of China (in Chinese): www.stats.gov.cn