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AJ's Story
AJ sets sights on career in artificial intelligence
What do you aspire to be doing in five years? It's can be a difficult question, but Covenant House Missouri (CHMO) resident AJ has an answer. He plans to be completing his senior year of college at a premier tech school – MIT, Caltech, Stanford or Carnegie Mellon.
The 17-year-old is focused on his goals, and he has never been deterred by any of the challenges life has thrown at him. AJ's mother lives in Mexico, and he does not receive much assistance from his older brother and sister who live in St. Louis. He has moved around throughout high school, and at one point he was walking several miles to and from school each day.
And yet, not only does he stay in school, he is completely devoted to his studies and extracurricular activities. He has found stability at CHMO, in our Transitional Living Program (TLP). CHMO provides holistic, individualized programming designed to help guide youth from homelessness to hope. Youth can stay on our TLP floor for two years or until they turn 22.
AJ, a high school junior, is a member of the Technology Student Association, and he serves as a math tutor. AJ is also hoping to take on a new leadership role, as he works to start a rocketry club at the middle school in his district. He is currently building a model rocket from scratch – rather than from a kit – or "MacGyvering it," as he says.
He has been interested in computers and computer science since eighth grade, and he has recently begun exploring fields like cyber security. AJ wants to study artificial intelligence, which he describes as math applied through digital programs.
Ultimately, AJ's goal is to combine artificial intelligence with quantum computing to work toward worldwide education reform. He believes digital, personalized learning will eliminate disparities in education.
AJ has lived at CHMO since January 2019. He has been part of other programs and stayed in other shelters, and he feels happiest and most successful at CHMO. AJ felt that other programs limited his ability to make school a priority. They limited his access to his computer, and often did not allow him to stay after school.
CHMO's policies have not interfered at all with his academic goals, and he has found a great deal of support and flexibility from staff. AJ's CHMO therapist, Quincy Phipps, has helped him order rocketry supplies, and she edits his essays. He says he is very thankful for her assistance, and the support of his case manager.
"Covenant House is a safe place to stay and to do my own thing. I definitely appreciate that," AJ says.
He's hoping to participate in a six-week science and math camp at Washington University in St. Louis over the summer. He has received a partial scholarship for the camp but does need to come up with more money. To help ensure his college dreams will become a reality, AJ has also applied to be a Questbridge Scholar. Questbridge helps high-achieving, low-income high school seniors gain admission and full-tuition scholarships to selective colleges and universities.
We can't wait to see what AJ accomplishes next! To help AJ and other CHMO youth achieve their goals, please consider making a donation at covenanthousemo.org/donate.


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Postgraduate information
We are delighted that you will be studying a postgraduate programme with us during this academic year.
Postgraduate students moving into halls of residence will be asked to book onto an enrolment slot as part of your accommodation arrival.
Postgraduate students that are not moving into halls will be invited to enrol either on Saturday 21, Sunday 22 or Monday 23 September by booking an available enrolment slot through our online booking system, opening in the next few weeks.
If you are looking for a place to live while you study, there are many options available. There are various halls of residence located on both campuses and in the town centre. If you would rather live in private accommodation, we have advice and approved housing lists on our Studentpad site.
New postgraduate research students are invited by the Graduate School to enrol as part of induction. At enrolment, information about getting started with a research degree is provided, including fees and funding, access to the library and IT systems and academic supervision.
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Jun 17, 2014 League Freak Rugby League State Of Origin 0
New South Wales forward Greg Bird has called Queensland centre Brent Tate a hypocrite over comments the Maroons star made after State Of Origin one.
Bird referred to a famous incident a few years ago in which Bird, as he was being held down by another player, was then punched in the face by Tate.
This incident:
I've said many times that if Brent Tate feared for his safety in State Of Origin one then he is completely entitled to voice those fears. If Greg Bird thinks that makes. Brent Tate a hypocrite, that's fair enough too.
Fingers crossed these two meet at some point during State Of Origin two. Maybe they can talk about their differing opinions. That or punch the hell out of each other!
A well known Rugby League writer, League Freak has established a reputation among supporters of the game for his fearless commentary and unmatched insight. With a reach that spans both sides of the globe, League Freak has produced an independent network that allows him to distribute content to his many thousands of followers. He is the owner and main author of LeagueFreak.com
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by John Hawkins | August 12, 2013 6:17 am
Mark Wahlberg has already done the bad boy thing; so he's giving Bieber good advice, but this story gets the nod because it's HILARIOUS to hear him tear into that little punk Justin Bieber[1].
He knows a thing or two about being a bad boy.
So, when Mark Wahlberg blasted wayward teenager Justin Bieber on Tuesday you know that 'the Biebs' knew that the superstar actor was straight talking with him.
The 19-year-old has endured a summer of madness with various run-ins with both the police and photographers that culminated in him facing an assault charge for spitting on a DJ during a Cleveland nightclub brawl.
…The Fighter star told the UK Sun newspaper:'Justin, are you listening?'
'Don't be so naughty, yeah? Be a nice boy, pull your [pants] up, make your mom proud and stop smoking weed, you little bastard.'
…'This career can be short-lived,' he said. 'You might as well be the best you can be while you're doing it.'
Music fans can be very fickle and Bieber's career could be over in a heartbeat. That's why he should pay particular attention to what Wahlberg is saying. It might help keep him from turning into the next Lindsey Lohan or probably even worse from his perspective, the next Vanilla Ice. Nobody wants to be 25, hooked on drugs, in trouble with the law and looking back at the "good old days" when you were 19. Bieber might be heading in that direction unless he pays a little more attention to what Wahlberg is saying.
Source URL: https://rightwingnews.com/celebrities/mark-wahlberg-to-justin-bieber-be-a-nice-boy-pull-your-pants-up-and-stop-smoking-weed-you-little-bd/
Copyright ©2019 John Hawkins' Right Wing News unless otherwise noted.


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The video games industry descended on London's Tobacco Dock on March 12 to award its latest and greatest achievements in the BAFTA Game Awards.
The ceremony has grown in stature and interest since its inception six years ago, and winning clearly means a great deal to its recipients.
The winners included Destiny, Monument Valley and Ashley Johnson as best performer.
The video above shows the highlights of the evening, with comedian Rufus Hound as the host.
Best game
Destiny wins Best Game at The BAFTA Video Game Awards
Best British game
Monument Valley
Monument Valley wins Best British Game at the BAFTA Video Games Awards 2015
Best performer
Ashley Johnson, The Last of Us: Left Behind (Ellie)
Ashley Johnson wins Best Performer at The BAFTA Video Game Awards


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Sophie Turner and Joe Jonas' candy ring wrapper selling for thousands on eBayMay 09, 2019
The wrapper of a candy ring used in Sophie Turner and Joe Jonas' Las Vegas wedding is being sold on eBay for thousands of dollars. Due to the last minute nature of the pair's nuptials, which took place at the fabled A Little White Wedding Chapel on 1 May (19), they used a Ring Pop Sours as a temporary stand-in for a more permanent ring. Elvis Presley impersonator Jesse Garon officiated the wedding, and found the wrapper while he was being interviewed about the ceremony by U.S. TV show Entertainment Tonight. Seizing his opportunity, Garon then put the wrapper on the U.S. auction site - with the bid standing at $4,050 (£3,090) as WENN went to press. As well as getting the "slightly used" wrapper if they win the auction, the victor will also receive a copy of the moment Garon found the trash, in addition to a "certificate of authenticity" signed by the minister. To further encourage bids on the item, Garon states in the description it is "a great gift for the Jonas Brothers fanatic the has everything (sic)." Fans clearly agree with him, as the lot already has a staggering 82 bids - with seven days still left in the auction. According to reports, Game of Thrones star Turner and her singer spouse decided to go ahead with the Vegas wedding in a bid to make their union official in the U.S. before they celebrate with a larger ceremony in France later this year. Their Sin City nuptials took place just hours after the Billboard Music Awards, with the date also the same day late singer Elvis married wife Priscilla 52 years previously. Asked about the tribute, Priscilla acknowledged it was "very sweet, really, really, very sweet," during a chat with Us Weekly magazine.
Drake added another nine gongs to his Billboard Music Awards ceremony haul on Wednesday (01May19) to clean up with 12. The rapper picked up the night's biggest awards for Top Artist and Top Male Artist during the actual awards show and also dominated the Billboard chart categories, while also landing the Top Rap Artist and Top Rap Male Artist honors. Cardi B, who was a double winner during the ceremony, picked up another four awards, thanks largely to her Maroon 5 Girls Like You collaboration, which claimed a total of four gongs, including Top Hot 100 Song. There were overall triple wins for Ella Mai, who dominated the R&B categories, country star Luke Combs, Ozuna, and Christian artist Lauren Daigle, while Beyonce and JAY-Z, Ariana Grande, The Chainsmokers, Panic! At the Disco, and BTS were all double winners.
Taylor Swift will open the 2019 Billboard Music Awards with the premiere performance of her new single ME! The pop star debuted the song and its colorful accompanying video, which both feature Panic! At the Disco frontman Brendan Urie, overnight, and now it has been revealed the two pals will hit the stage together at the awards ceremony next week (01May19). "@taylorswift13 will open the #BBMAs with the worldwide premiere performance of 'ME!' featuring Brendon Urie of @PanicAtTheDisco," a post on the Billboard Awards Twitter account reads. Swift and Urie are joining previously announced 2019 awards show performers BTS and Halsey, Ciara, Kelly Clarkson, Lauren Daigle, the Jonas Brothers, Khalid, Madonna and Maluma, and Urie's band Panic! at the Disco at the MGM Grand Garden Arena prizegiving in Las Vegas, hosted by Kelly Clarkson. Swift is up for two awards this year - Top Female Artist and Top Touring Artist. The singer prepared for her big release day by taking ABC cameras on a tour of her adopted Nashville, Tennessee, showing off her former high school, where she met her best friend Abigail, the fabled Bluebird Cafe, where she landed her first record deal, and her permanent songwriting exhibit at the Country Music Hall of Fame. During the trip, which aired on Good Morning America on Friday (26Apr19), Taylor revealed she forced her parents to take her to Nashville for spring break when she was 11, so she could live out her dream of becoming a country singer/songwriter. One of the places she drove past was Curb Records, the place she hit first after learning Leann Rimes was signed to the label. She eventually sealed a recording deal with Sony ATV Publishing three years later.
Selena Gomez looks happy and healthy as she returns to the red carpet for 2019 WE DayApril 26, 2019
Selena Gomez made her return to the red carpet on Thursday (25Apr19), after taking time out to focus on her mental health, as she attended the 2019 WE Day festivities in Los Angeles. The longtime WE Day supporter and former host looked happy and healthy as she arrived at the event, which saluted young community leaders and volunteers. Gomez joined Sarah Michelle Gellar, Naomi Campbell, Nina Dobrev, Chance The Rapper, Meghan Trainor, and Joe Jonas among the stars who spoke at the afternoon gig, which was hosted by Neil Patrick Harris, while Trainor also performed at the packed Forum. Heading to the 2019 WE Day, Selena admitted the annual event, which encourages youngsters to give of their time and help others in need, never fails to leave her feeling "inspired and hopeful". "The youth have an incredible positive and passionate attitude for making real change in the world," she said in a statement. "I'm so proud to celebrate young people's year of social change and to remind them that together, we are an unstoppable movement dedicated to a brighter and better tomorrow." Natalie Portman also took to the stage and told the future leaders, "Tonight, we're working together to make an impact, but what exactly does that mean? For me, it means finding the courage inside yourself, to call out injustice wherever you see it and practice empathy throughout your day, everyday. "I want to make an impact by helping empower women and girls. Yes many of you are doing the same. It's why I travelled to Kenya to support girls' education with WE and it's why I advocate for women's rights in the workplace with Time's Up. Because when you invest in women and girls, it transforms communities." The 2019 WE Day was Gomez's first public event since she stepped back from the spotlight to seek out the help she needed to combat depression and anxiety last year.


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Infos und Kontakt
The economic stagnation in Japan in the 90s
Seminar paper from the year 2005 in the subject Business economics - Economic Policy, grade: 70%, University of Hertfordshire (Business School), course: Economic Policy, language: English, abstract: This report will examine the economic stagnation in Japan in the 1990s. The second section will introduce the events in the 1990s and give the most important features, followed by a closer look at the chain of events, explaining what caused what in a chronological approach. From there, we will introduce a set of possible reasons for the depicted developments and the theoretical frameworks in the third and fourth section which will then lead to our conclusion based on the analysis given before, accommodating the conclusion of Krugman of Japan being in a liquidity trap in our findings. 2. Japan in the 90s - summarizing macroeconomic developments This section will introduce the phases considered, the building the 'bubble' in the 80s, 'burst' of the bubble in February 1991, continuous recession and seeming recovery in 1996 and renewed economic downturn from 1997 on until 2000, the end of the considered timeframe. a. Build-up of booming asset and real estate market - 'bubble economy' Japans Economy in the 80s showed strong growth of above average, e.g. 4.1% ten year average growth in 1986 (Weinert, 2001, p. 461) and very low inflation (Baig, 2003, p. 5). Declining regulation of the financial sector and generally lax regulation led to a creditfuelled boom in the land- and asset-markets (Schrooten, 2000, p. 2). Within this process, the boom-financing bank-loans were built on collaterals of mostly land or stocks, accumulating risks in the loan books of the banks (Woo, 1999, p.7). b. 'Burst' of the bubble By 1989, the Japanese stock market peaked, in 1992, land prices start to decline. Both are related to government intervention, the stock market was affected by a change of the discount rate by the Bank of Japan (BoJ) and the latter was influenced by a restriction of maximum loans to real estate in April 1990 (Baig, 2003, p. 8). The economic downturn in the aftermath was worsened by interconnection of bank loans and declining value of collaterals.
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Sugar Ray Quotes
See the gallery for tag and special word "Sugar Ray". You can to use those 6 images of quotes as a desktop wallpapers.
Even though the outcome wasn't the way it should have been, publicly I still feel in my heart I won the Sugar Ray Leonard fight.Tags: Fight, Heart, Won ✍ Author: Marvin Hagler
I liked Roy Jones, Sugar Ray Leonard, Ali... those were the guys I was looking at growing up.Tags: Growing, Guys, Looking ✍ Author: Nonito Donaire
I fought a boxer who everybody said I couldn't beat - Sugar Ray Leonard. They said he was faster than me. That he was the best of the best. And I beat him.Tags: Best, Him, Said ✍ Author: Roberto Duran
I never really thought we'd fitted into the cross-over drawer. But I think the real Sugar Ray fans did like us because we always had variety and because we experimented a lot.Tags: Fans, Real, Thought ✍ Author: Mark McGrath
I got to know Sugar Ray but I certainly would not say we were good friends.Tags: Friends, Good, Sugar ✍ Author: Dick Schaap


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Multicolor birds land on a stag's upturned antlers.
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Click here to edit subtitle
What can I expect from a reading?
The tools for a reading with you will mainly be the cards, but I will also use numerology extensively, as well as using the dowsing pendulum. I need to connect to you and I will do this by connecting to your name and surname and your photograph if you can supply or email one.(For email readings). The cards will lay the background information so to speak, the connection to your personal "vibrations" will provide the details and in depth reading. I work through clairvoyance (seeing), clairaudiance (hearing) and clairsentience,
Most of my readings (verbal and written) are "channeled" that is why I record them so that you can refer to the reading at some later stage. I always advise the clients to go back through the reading at regular intervals, particularly 3 to 4 months after the reading as it makes more sense then and events mentioned in the session or E-mail start to develop...That has been my observation and client's feedback over the years.
Everything in life is a cycle. Everything in nature runs in a cycle. My personal observations of reading the tarot for the past several years has been that the Tarot enables us to be aware of those cycles and to work with them and to use them to the maximum. I also firmly believe, based on my observations, that the "future" is not set. We make our future according to the decisions and actions that we take today. Hence knowing what influences or cycles are affecting us at the present moment helps modify our lives for the better. We have a distinct advantage that we have FREE WILL-whether it is a blessing or a curse-we are responsible for our actions and can to a great extend have control on our lives.
"...because we learn from the past and the future is what we make of the present..."
(channeled message)


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Updated: 2017-11-30 00:04
The country of Wamasai is situated in the eastern part of Central Africa, between the coast of Zanzibar and the regions of the large lakes, where the Victoria Nyanza and the Tanganiyka form a great interior ocean. The part best known is that which has been visited by the Englishman Johnston, Count Tekeli and the German doctor Meyer. This mountainous land is under the sovereignty of Sultan Bali-Bali, whose people consist of 30,000 or 40,000 Negroes.
Three degrees below the Equator is situated the chain of Kilimanjaro, which here reaches its greatest altitude. Among other peaks is the Mount of Kibo, with an altitude of 5,704 metres. The important ruler of this region has under his domination towards the south, north, and west the vast and fertile plains of Wamasai, which stretch from the lake of Victoria Nyanza across the province of Mozambique.
A few leagues below Kilimanjaro is the small village of Kisongo, the regular residence of the Sultan. This capital is in reality only a large hamlet. It is occupied by a very intelligent and industrious people, who work themselves as industriously as their slaves under the iron rule which Bali-Bali imposes on them.
This Sultan rightly ranked as one of the most remarkable rulers of those people of Central Africa who try to escape the influence, or more correctly the domination of England. At this capital of Kisongo, President Barbicane and Capt. Nicholl accompanied by six men who were devoted to them, arrived in the first week of January of the current year. On leaving the United States, whence their departure was only known to Mrs. Evangelina Scorbitt, and J. T. Maston, they had embarked in New York for the Cape of Good Hope, whence a vessel transported them to Zanzibar, on the island of the same name. There a bark secretly chartered by the Sultan brought them to the port of Mombas, on the African border on the other side of the channel. An escort sent by the Sultan waited for them at this port, and after a hard voyage nearly a hundred leagues across this terrible region, obstructed by forests, deep marshes, etc., they arrived at the royal residence. After knowing the calculations of J.T. Maston, President Barbicane had already put himself in communication with Bali-Bali through the help of a Swedish explorer, who had passed several years in this part of Africa. As the Sultan had become one of their most ardent admirers since their trip to the moon, a trip whose reputation had gone as far as these countries, he had a great friendship for these courageous Yankees. Without telling him for what purpose it was, Impey Barbicane had easily obtained permission from the Sultan to undertake important works at the southern foot of Kilimanjaro. In return for a large sum, estimated at $300,000, Bali-Bali had bound himself to furnish them all the workmen necessary. In other words, the captain and his friends were authorized to do at Kilimanjaro whatever they liked to do. They could dispose of the large chain of mountains according to their desires; they could tear them down if they liked, or they could take them away if they would be able to do so. In consequence of these arrangements, which the Sultan had made at his own figure, the North Polar Practical Association was as much proprietor of this country as they already were to the polar region. The reception which President Barbicane and Capt. Nicholl received at Kisongo was very cordial. Bali-Bali displayed an admiration amounting to adoration for these celebrated travellers who had made this dangerous voyage to reach the country around the North Pole.
He had in short an extraordinary sympathy for the creators of these mysterious operations which were going to be accomplished in his kingdom. He also promised them absolute secrecy on his part as well as on the part of his people, whose co-operation was assured to them. Not a single Negro who worked at their shop would be allowed to leave them for a single day under pain of the most severe punishment. This is how this operation was veiled in mystery so that the most active and sharpest agents of America and Europe failed to penetrate it. If it was finally discovered it must have been that the Sultan modified his severe rules after the accomplishment of the works and that there were traitors and babblers even amongst the Negroes. In this way Richard W. Trust, consul at Zanzibar, had received wind of what was going on at Kilimanjaro. But then at that date, the 13th of September, it was too late to stop President Barbicane in the accomplishment of his design.
And now, why had Barbicane & Co. chosen the Wamasai for the theatre of their operations? First, because the country suited them in regard to its geographical situation, as it was in a very little known part of Africa, and as it was very far from the territory usually visited by travellers. Then, the mass of Kilimanjaro offered them all the qualities of solidity and material necessary for their work. And, moreover, on the surface of this country were found the raw materials which they needed in a condition very easy to handle. A few months before leaving the United States President Barbicane had learnt from the Swedish explorer that at the foot of Kilimanjaro iron and coal were plentiful on the ground. No mines to dig into, no fields to explore a thousand feet deep in the earth's shell. Iron and coal were so plentiful even for this great undertaking that they only had to stoop down to pick it up. In other words, there existed in the neighborhood of this mountain enormous fields of nitrate of soda and of iron pyrites, which were necessary for the manufacture of melimelonite. President Barbicane and Capt. Nicholl had taken with them only ten people, of whom they were absolutely sure, and no one else. These ten men had to supervise the 10,000 Negroes put at their disposal by Bali-Bali, and to them was given the task of manufacturing the monster cannon and its not less monster projectile. Two weeks after the arrival of President Barbicane and his associate at Wamasai three large workshops were established at the southern foot of Kilimanjaro, one for the cannon foundry, the second for the manufacture of the projectile, and the third for the manufacture of the melimelonite.
Now, first of all, how had Barbicane & Co. met the problem of manufacturing a cannon of such colossal dimensions? We will see and understand at the same time that the difficulty of creating such a device was not easily comprehensible by the inhabitants of the world. In reality the making of a cannon a million times larger than that of twenty-seven centimetres was a superhuman work. Already great difficulties had been met in the manufacture of pieces of forty-two centimetres diameter, which would throw projectiles of 780 kilos with 274 kilograms of powder. Barbicane & Co. did not think of these difficulties. It was not a cannon, not even a mortar, which they intended to make, but simply a gallery bored in the massive rock of Kilimanjaro,-a shaft of a mine, if you wish to call it so.
Evidently this shaft of a mine, this enormous elongated mine, could replace a metal cannon the fabrication of which would have been as dear as difficult and to which it would. be necessary to give an unwieldy thickness to avoid all risk of an explosion. Barbicane & Co. had always entertained the idea of operating in this manner, and if the notebook of J. T. Maston mentioned a cannon it was that of 27 centimetres which had been used in the calculations as a basis. Consequently a spot was chose
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n at a height of a hundred feet on the southern slope of the chain. Nothing would be in the way of the projectile when it would fly out of the mouth of this tunnel bored in the massive rock of Kilimanjaro. It was with extreme precision and not without very hard work that the men could dig this gallery. But Barbicane & Co. could readily make perforations with simple machines put in action by means of compressed air which was secured by using the powerful falls of water from the mountains. In the holes bored through the headings of the shaft were placed charges of melimelonite. And nothing more was necessary than this violent explosive to shiver the rock, extremely hard as it was.
The thousands of workmen, led by their ten co-operators under the general direction of Barbicane & Co., labored with a great deal of zeal and intelligence to bring the work to a speedy end. At the end of six months the shaft measured 27 metres in diameter and the lining of it 6 metres in thickness. As it was absolutely necessary that the projectile should glide through a bore perfectly smooth the interior of it was covered with a casting exactly prepared. In reality this part of the work was very similar to that of the celebrated Columbiad, of Moon City, which had sent the projectile to the moon. But such work as this is impossible to the ordinary engineers of this world at present.
As soon as the boring was finished the workmen pushed on with the work at the second workshop.
At the same time that this metallic lining was being made they were also employed at making the enormous projectile. For this operation it was necessary to obtain a cylindrical mass which would weigh 80,000,000 kilograms, or 180,000 tons. It must be understood that there was never any idea of melting this projectile in one single piece. It had to be manufactured in thousand-ton pieces, which would be hoisted one after the other into the shaft and put in place over the chamber where the melimelonite was stored. After having been jointed each to the other, these pieces would form a compact whole, which would fit the sides of the tubular lining. In regard to the construction of the massive furnaces to effect the melting of the metal, there was met perhaps the greatest difficulty. Ten furnaces of ten metres each in height were at the end of a month in working order and able to produce each 180 tons per day. This would be 1,800 tons for twenty-four hours-180,000 tons after 100 work-days.
In regard to the third workshop, made for the manufacture of the melimelonite, the work was easily done, but under such secret precautions, that the composition of this explosive it has not been possible to state perfectly. Everything went along splendidly. It could not have been possible to have met with more success in any factory. One would hardly expect to escape an accident of some sort on a three-hundred-thousand franc job. It is easily understood that the Sultan was delighted. He followed the operation with indefatigable interest. And the presence of His Majesty helped greatly to make these Negroes work as hard as possible. One day Bali-Bali asked what all these operations were going on for. He received his reply from President Barbicane: "It is a work," said he, "which will change the face of the earth-a work which will bring the greatest glory on the greatest Sultan of all the Eastern kings."
By the 29th of August the works were entirely finished.
The shaft was bored to the wished-for point. It was provided with a smooth bore of six metres diameter. At the bottom of the shaft were placed the 2,000 tons of melimelonite; then came the projectile 105 metres long. After deducting the space occupied by the powder and projectile there remained still 492 metres before the muzzle was reached, which secured all the effect possible by the recoil produced by the expansion of the gas.
Now, the first question which might come up was, would the projectile deviate from the trajectory assigned to it by the calculations of J.T. Maston? In no way, for the calculations were absolutely correct. They indicated to what extent the projectile would deviate to the east of the meridian of Kilimanjaro because of the rotation of the earth on its axis, and what would be the form of the curve which it would describe because of its enormous initial velocity. Secondly, would it be visible during its course? No, because in going out of the shaft it would be thrown in the shadow of the earth and it could not be seen, for in consequence of its low trajectory it would have a very sharp angle of velocity compared with the earth's course. In fact, Barbicane and Capt. Nicholl could well be proud of their work, which had so far succeeded in its every detail. Why was J.T. Maston not there to watch this great operation, founded on the figuring which he had done? And who was it that kept him so far away, so very far, when this terrible detonation would wake the echoes as far as the furthermost horizon of Africa?
Thinking of him, his two associates did not know that the Secretary had been compelled to keep away from Ballistic Cottage after having got out of prison and hidden himself in a safe place away from the savage people. They did not know to what extent indignation had been roused against the engineer of the N. P. P. A. They did not know that they, too, would have been burnt or hanged and tortured to death if it had been possible to have reached them. Really, they ought to have been glad that at the moment when the shooting would take place they would only be saluted by the cries of this Negro people of Eastern Africa, "Well, at last!" said Capt. Nicholl to President Barbicane, when on the 22d of September they were standing before their finished work. "Yes, at last," said Impey Barbicane. "What a chance it was that placed at our disposition this admirable melimelonite!" said Capt. Nicholl. "Which will make you the most illustrious person on the earth, Nicholl." "Without doubt, Barbicane," modestly answered Capt. Nicholl. "But do you know how much it would have been necessary to dig out Kilimanjaro if we only had gun-cotton equal to that which threw our projectile to the moon?"
"How much, Nicholl?"
"One hundred and eighty galleries, Barbicane."
"Well, we would have digged them, Captain."
"And 180 projectiles of 180,000 tons."
"We would have melted them, Nicholl."
"It was useless to expect reasonable conversation between two persons of this type. But after they made the trip to the moon, what would they not be capable of? On the very same evening only a few hours before the minute when the gun was to be fired, and while President Barbicane and Capt. Nicholl were congratulating themselves, Alcide Pierdeux, closeted in his studio at Baltimore, uttered a cry of hurrah! as if he were crazy.
Then, suddenly getting up from the table, which was covered with figures and calculations, he cried out:
"Ah! What a fool Maston is!-what a stupid fellow! His whole problem will go in the soup! Christopher Columbus! Why did I not see this before? If I only knew where he was at this moment I would invite him to have supper with me and to sip a glass of champagne at the very moment when they are going to fire off the gun."
And after these and many exclamations which he generally used in playing whist he said: "Oh, the old fool! Without a doubt he must have been dull when he made his calculations for this affair of Kilimanjaro. He will find it very necessary to make another. Oh, what a fool with his cannon!"
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1, TOP LAYER (top wiring layer):
Designed as a top copper foil trace. If it is a single panel, there is no such layer.
2, BOMTTOM LAYER (low-level wiring layer):
Designed for the underlying copper foil traces.
3, TOP / BOTTOM SOLDER (top / bottom solder green layer):
The top layer/bottom layer is provided with solder-resisting green oil to prevent the copper foil from being covered with tin and remain insulated. Solder-resistant solder windows are opened at pads, vias, and non-electrical traces in this layer.
In the design, the pad will open the window by default (OVERRIDE: 0.1016mm), that is, the pad exposes the copper foil, and the outer expansion is 0.1016mm. The tin will be applied during the wave soldering. It is recommended not to make design changes to ensure weldability;
Through-holes are designed to open windows by default (OVERRIDE: 0.1016mm), that is, the vias are exposed to copper foil, with an outer diameter of 0.1016mm, and tin will be applied during wave soldering. If it is designed to prevent tin on vias, and do not expose copper, the PENTING option in the additional properties of the vias, SOLDER MASK, must be checked to close the via opening.
In addition, this layer can also be used for non-electrical wiring alone. If it is on the copper foil trace, it is used to enhance the over-current capability of the trace, plus tin treatment when soldering; if it is on the non-copper foil trace, it is generally designed for marking and special character silk screen printing, which can save production Character silk screen layer.
4. TOP/BOTTOM PASTE (top/bottom solder paste layer):
This layer is generally used for solder paste on SMT components during reflow soldering process. It is not related to the printed board manufacturer's board. It can be deleted when exporting GERBER. The default can be kept during PCB design.
5, TOP / BOTTOM OVERLAY (top / bottom silk screen layer):
Designed for a variety of silk screen logos, such as component tags, characters, and trademarks.
6, MECHANICAL LAYERS (mechanical layer):
Designed as a PCB mechanical shape, the default LAYER1 is the outline layer. Other LAYER2/3/4 can be used as mechanical dimensioning or special purpose. For example, LAYER2/3/4 can be used when some boards need to make conductive carbon oil, but the use of this layer must be clearly marked on the same layer.
Designed to prohibit the wiring layer, many designers also use the PCB mechanical shape. If there are KEEPOUT and MECHANICAL LAYER1 on the PCB, the overall degree of appearance of these two layers mainly depends on the MECHANICAL LAYER1. It is recommended to use MECHANICAL LAYER1 as the outline when designing. If using KEEPOUT LAYER as the outline, do not use MECHANICAL LAYER1 again to avoid confusion!
8, MIDLAYERS (intermediate signal layer):
Mostly used for multi-layer board, our design is rarely used. It can also be used as a special purpose layer, but the use of this layer must be clearly identified on the same floor.
Used for multi-layer board, our design is not used.
Via pad layer.
The center position coordinate layer of the drill hole and the via hole.
Drill hole size description layer for pads and vias.


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Keep an eye out on social media pages for the latest updates, treatment additions and promotions.


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Design + Politics of Material
As a designer, how often do we engage with political affairs?
This project is part of the Studio class "Politics of Design" led by Prof. Florian Conradi & Prof. Michelle Christensen from UdK Berlin.
Team Info
Jonathan Edward – UX Designer
Angie Salama – Graphic Designer
Uneeb Ahmad – Architect
Design x Politic
The project explores how design interacts with politics, each group (interdisciplinary & interculturally mixed) are given a specific theme to investigate and develop further. The topic ranges from data, sound, material, colour, shape, form etc. Our group got the topic of "politics of material". The first task was to research on the conflicts that happen around this topic.
Social Experiment
We decided to do a social experiment to gather more data in socio-ethnography way. We decided to bridge gaps between our classmates and break the cultural barriers by learning form each other through cooking. So we picked five colleagues from different countries and got permission to go and prepare food for them. The challenge was to cook with the limited materials & cooking utensils provided by each household. Angie cooked with her Egyptian cooking skills yet the ingredients varied from East Asian, Latin American, Russian, and South Asian, and the challenge bridged gaps as by the end we befriended all the volunteers in our experiment. The awkwardness of entering someone's house and using their things was broken after just a few moments and the laughter at the end on how much salt or how raw the potatoes are, made us appreciate our differences. This experience made us understand a new angle on having to deal with limited materials, and how they form a space of possibilities.
It is intriguing how material dimensions affects people's life, and so, we started our research on how politics is affected by material, or in our case, the lack of it. We researched previous projects related to how the material can bridge gaps in culture, ethnicity and race. After the social experiment, we decided to work on the topic "Limited Material", reflecting this topic in the context of refugee camps. We investigated the current conditions, and how limited material influences the living conditions of refugees in several camps. There have been various projects to improve the quality of life in the camps such as IKEA tents, however, most of them only cover basic necessities. Hence, we tried to re-imagine how a refugee camp should work. We searched aspects such as FabLabs and Makerspace culture, transforming the concept into refugee camp circumstances, raising the question of how to assemble a space to "create" in refugee camps?
We did several interview with the local sources, one of the biggest problem faced by the operatives is how the people hard to accept the help of outsiders because they don't want to be exploited.
Refugee camps are most often viewed as a place of limitations and incapability, where people are disabled and it is impossible to do things.
But what if we could change the narrative?
What if camps could be a place of possibilities and potential, where people are equipped and capable to do things on their own?
Our idea is to propose the concept of a 'maker camp', where the concept of refugee camps fuses with makerspaces, enabling them to create solutions and solve their own problems. The idea is to bring the essential components of makerspace to a refugee camp and build a community of makers in and between camps.
The Tool Kit
The Toolkit is a series of well-curated toolkits to kickstart a makerspace in a refugee camp. The kits are grouped based on skillsets, including the essentials, creating kits that are affordable for the camps. They can decide what kind of skill sets they want to bring in. All the toolkits are modular, hence they can easily upgrade your maker camp toolsets along the way by combining different kits.
The Space
The Space act as a physical landmark for the maker camp, creating a haven for all the makers in the camp. It is easily identifiable from afar and stands out from the rigid cubic formation of the camps, The Space also provides shelter from climate. It is designed to withstand snow or intense heat based on the context. Available local material are used to design the space.
The Hub
The Hub is an online platform designed to support the camp with open resources files, how-to guides, & instruction videos. All the resources library are open-source and build together by people from all over the world to support the cause. The Hub also connects the camp with each other, creating a community and network of maker camps all over the world.
We believe that this project is an incomplete process, we barely scratched the surface, however, to fully expand the scope of the project we need the expertise of people from different fields such as engineering & social development. Hence, we leave this project as an open source project where anyone interested may able to join and pitch in their idea to improve this concept. Thank you for reading through this case study. If you have any feedback, I'd like to hear from you.


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What to expect
In therapy sessions, we will discuss what brings you to counseling at this time. In session, I create a space for nonjudgmental, positive regard, that cultivates trust and space to explore. We will also discuss environmental factors (like stress) that effect our overall approach to life.
Each session is 50 minutes long. I have both day and evening appointment slots available.
How often we meet depends on the goals for therapy we come up with together. Most people come once a week or once every 2 weeks. How long we meet for is also determined as we discuss what has brought you to therapy at this time, and depends on each individual. We will have ongoing discussions about frequency and length of visits as we meet. Please feel free to share your thoughts with me about this.
Initial Consultation
I offer a free 20 minute phone consultation to see if we are a good fit. Feel free to either call or email to set a time to talk. During this first consultation, we will discuss what is bringing you to therapy at this time, my approach and logistics. I will also be happy to answer any questions you may have during this time.
Individual therapy appointment ($120), Couples therapy appointment ($150)
I do offer some sliding fee slots, contact me if you are interested to see if any slots are currently available or check out my Open Path profile.
I bill Premera, Regence and First Choice as in network provider. I may be able to bill your insurance as an out of network provider if you have another insurance, depending on your benefits. You may also be able to use your Health Savings Account to pay for your therapy visits, check your provider's coverage and then make sure to bring your insurance card and mention to me in your first visit.


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Jim Beam Urban Stillhouse Ambassador
Date: Oct 9, 2019
Location: Louisville, KY, US
Company: Beam Suntory
Beam Suntory is Crafting the Spirits that Stir the World. Rooted in two centuries of family heritage, Beam Suntory has evolved into the world's third largest leading premium spirits company ... where each employee is treated like family and trusted with legacy. With our greatest assets - our premium spirits and our people - we're driving growth through impactful marketing, innovation and an entrepreneurial spirit. Beam Suntory is a place where you can come Unleash your Spirit by making an impact each and every day.
Beam Suntory currently has the following position open in Louisville Kentucky, United States.
Jim Beam Urban Stillhouse Ambassador
Provide a World Class experience for visitors to the Jim Beam Urban Stillhouse by engaging them in the 7 Generation History of the Beam Family to the steps involved in making the number one selling bourbon in the World. Provide a Best in Class experience for customers participating in our Cocktail experiences. Will also assist in visitor's selection and purchase of merchandise from the Jim Beam Urban Stillhouse. Be an influential factor in their choice of bourbon. Reinforce the Urban Stillhouse credo of "Come as a Friend. Leave as Family."
- Provide a World Class experience for every Jim Beam Urnan Stillhouse visitor.
- Engage customers as they learn about Jim Beam products and history to create brand loyalists.
- Educate customers and visitors on our products and experiences.
- Display, promote, restock, and monitor inventory levels for reorder.
- Accurately account for 7 Generations of Beam family history, Beam heritage, and effectively describe the steps involved in production of the #1 selling bourbon in the world
- Member of a high energy, motivated diverse team with a mission to deliver a world-class visitor experience.
This is a great opportunity because...
Jim Beam is recognized as a leader in product innovation. It is deeply rooted in family heritage, and has a proven track record as a key player in the explosive bourbon category. This position presents our Ambassadors with the opportunity to be on the front line of consumer engagement. The Ambassador chosen for this role will develop a full understanding of our bourbon products and the bourbon-making process. Our investment in your training will provide you with a strong foundation as you began your career with Beam Suntory. As the face of Jim Beam, the Urban Stillhouse Ambassador creates lifelong ambassadors and represents the core values of Jim Beam.
Desired Qualifications
- Engaging Personality
- Creative Thinker
- Socially at ease with big groups of people
- Good communication skills, especially verbal
- Broad cultural knowledge and experience
- Strong number recognition and analytical skills
- Previous retail and inventory management experience a plus
- Prior tour guide experience a plus
- Bachelor's Degree preferred. Five years + experience as a tour guide or retail experience a plus.
Education- Bachelor's Degree preferred. Five years + experience as a tour guide or retail experience a plus.
Certifications/Licensure- NA
Years of experience- Preferred: 2+ years in mixology or bartending, 2+ years in the spirits industry, 2+ years in tourism or group facilitation.
Travel %- 0
Additional qualifications desired: STAR Certified, Food Service Manager Certification
Beam Suntory is committed to creating a diverse environment and is proud to be an equal opportunity employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, gender, gender identity, national origin, genetics, disability, age, sexual orientation or veteran status. We will consider for employment all qualified applicants, including those with criminal histories, in a manner consistent with the requirements of applicable federal, state and local laws.
Nearest Major Market: Louisville


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Lots And Land
- $55,000 price
- 838495 mls id
- Lot Size: 2.68 acres
- Neighborhood: 101 - Mims/Scottsmoor
- Status: Active
PRICE REDUCTION! OWNER WANTS THIS PROPERTY SOLD.Are you looking to build your dream home in the country ? Take a look at this beautiful 2.68 acre lot with established homes nearby but plenty of room between the houses.The land is high and dry, it is not in a flood zone. Close to I95 junctions but well into the countryside. Access is off Burkholm Rd next to 4470.Seller has cleared access to the property to make it easier to walk. Buyer needs to do their own due diligence as seller is out of town and priced it accordingly.
- Site Link
- Property Sub Type Single Family Detached
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Lots And Land
4 Pictures
Great Lot in one of the nicest Gated communities in the area. Come build your dream home here. Lot may need some mitigation but is being sold at a reduced price to offset the aggravation. The seller has placed 30 Loads of fill on the lot. . If your into wildlife there are plenty of deer and Turkeys...
17 Pictures
Excellent opportunity with this spacious 5 bedroom 1.5 bathroom manufactured home featuring 2396 Sq Ft of living space and situated on a corner lot w/ large kitchen & living areas. Recent updates over the last 5 years include HVAC, flooring and electrical. Great potential for investor or owner...
5 beds, 1 baths, 2,396 sqft, $49,900
Lots And Land
3 Pictures
1.58 on the west side of Burkholm Rd. This property parallels the new Rails to Trails. There is a concrete entry apron in place already, asphalt milling driveway in place as well as a brand new 6' drainage culvert. There is also fill on site that could be spread to where you wish to build. This...
Courtesy of: Visulate LLC
Office Phone: 321 698 5198
Listing Agent: Sue Goldthorp
Updated: 23rd October, 2019 9:34 PM.
0000 Off Burkholm And Wellington Mims, FL


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|Article number:
Label: Superior Viaduct – SV164
Format: Vinyl, LP, Reissue
Country: US
Released: 18 Jan 2019
Genre: Jazz
Style: Free Improvisation, Free Jazz
A Nation Time 18:30
B1 Shakey Jake 13:32
Alto Saxophone – Otis Greene
Electric Guitar – Dave Jones (8)
Organ – Herbie Lehman
Technician [Technical Assistance] – Edward Lehman, Leonard Johnson (2)
B2 Scorpio's Dance 8:40
"It's been nearly five decades since Joe McPhee assembled a group of musicians to perform the weekend concerts that would become Nation Time. It was December 1970, thirty-one-year-old McPhee was inspired by Amiri Baraka's poem 'It's Nation Time,' and the students at Vassar College didn't know what hit them. 'What time is it?' shouted the bandleader. 'C'mon, you can do better than that. What time is it?!' "The music on Nation Time came out of the fertile, but little-known creative jazz scene in Poughkeepsie, New York, McPhee's home base. Two bands were deployed, one with a funky free foundation featuring guitar and organ, the other consisting of a more standard jazz formation with two drummers and the brilliant Mike Kull at the piano. Across the concert and the next afternoon's audience-less recording session, the band was ignited by McPhee's passion and his gorgeous post-Coltrane / post-Pharoah tenor. On 'Shakey Jake,' they hit a James Brown groove filtered through Archie Shepp, while the sidelong title track is as searching and poignant today as it was during its heyday. "Originally released in 1971 on CjR, an imprint started expressly to document McPhee's music, Nation Time has a sense of urgency and inspiration. Additional material from those December days would later appear on Black Magic Man, Hat Hut's first release. In fact, the first four records on this seminal Swiss label all featured McPhee. "Nation Time was largely unknown a quarter century or so later, when it was first issued on CD through Atavistic's Unheard Music Series. On Corbett vs. Dempsey, we reissued the album along with all known tapes leading up to and around it as a deluxe box set, but the standalone LP has long remained incredibly rare. Now is the time for a new generation of freaks to lose their shit when settling into the cushy beat of 'Shakey Jake' and answer McPhee's call with the only appropriate response: It's NATION TIME." —John Corbett


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Refined by:Subject: Clothing and dress--History Subject: Coats
Evening Coat with Pastel Print
Evening tent style coat, woven fabric, ecru background with large pastel floral (?) print. Split side hem, long sleeves, collarless, no front closure, gusseted underarms. Circa 1940-1959.
Black and Bronze Evening Coat
Black and bronze evening coat with a black fur collar. Vine motif print fabric, red velvet lining. Circa 1920-1929.
Princess Style Coat
Women's lined princess style overcoat with white and sepia brown hounds tooth pattern. Wide collar, marble buttons on front, pockets, and sleeve cuffs. Circa 1940-1969.
Matching Coat and Dress
Two piece set consisting of an overcoat and knee length, short sleeve dress, taupe in color. Coat is double breasted, lined, with straight flap pockets. Sheath style dress with kimono cap sleeve, front and back yokes, side seam pockets, and zipper closure in back. Circa 1960-1979.
Matching Coat and Dress
Two piece wool gabardine set consisting of an overcoat and knee length, sleeveless dress, light blue in color. Coat is single breasted, lined, with placket pockets, invisible button closure, with button visible at neckline. Dress is princess style with two decorative buttons at neckline, front and back yokes, hook and eye closure at left shoulder and zipper on left side. 'Ben Zuckerman for Bonwit Teller" on label, circa 1960-1979.
Women's silk plush evening coat from the nineteenth century
This woman's silk plush evening coat has sleeves of heavy grosgrain silk gathered into large puff on top. The round fur (probably fox)stand-up collar is two and a half inches in height. The fur continues down the right side to the hips. There are four large buttons in the back, and another four are in the front. The coat fastens with hooks and eyes, and has a dark brown silk twill lining. The garment was bought at Taylor-Woolfenden, Detroit. Worn by Jane Lynn Patterson, whose husband was an…
Women's golden brown plush cloak from the nineteenth century
This woman's golden brown plush cloak was purchased at Newcomb Endicott. The ankle length coat is single breasted with twelve mother of pearl buttons. Tight sleeves with slight puff at shoulder, rounded stand-up collar edged with rust color ostrich feathers. Shaped for bustle in the back, and slit from hem to waist. Yoke, sleeves, front, slit, and hem are decorated with black braid in an elaborate pattern. Lined with brown satin. Worn by donor's cousin, Augusta D. Von Schrader, a Detroit scho…
Women's black silk faille dolman from the nineteenth century
This is a woman's black silk faille dolman with braid jet and fringe trim. It has a quilted lining. See matching dress number 48.47.4.
Women's coat with strips of white wool yarn and white silk floss from the 1920s
This woman's coat has knit strips of white wool yarn and white silk floss. The collar and cuffs are of white chenille with flowers of white chenille edged with grey chenille. There is one button at the lower left front. Label: "Pack-Wolin, Detroit."
Black crepe women's coat from the early twentieth century
This black crepe, loose-fitting women's coat has a very wide black Persian lamb fur collar. The long, loose sleeves are heavily embroidered with flower and leaf patterns in rust, turquoise and gold metallic threads. The coat is fastened by one button at the center front and a snap at the throat. The lining is rust colored crepe. Label: "Importers, B. Siegel Co., Detroit, Mich."
Women's evening coat with elaborate pink and gold braid trim from the 1920s
This straight, pinkish beige jersey women's evening coat has elaborate pink and gold braid trim. There is a small, high double turnover collar suggestive of a mandarin. The coat has a one button closing, and a beige lining. Label: "D. J. Healy Shops, Detroit."
Man's beaver fur overcoat from the nineteenth century
This man's beaver fur overcoat is double breasted and fastens in the front with five "frogs" and ten fur covered buttons. it has a slash pocket on each side, and two breast pockets in its interior. The sleeves have turn-back cuffs, and the coat is lined with black sateen. The beaver pelts were obtained from American Indians living north of Grand Marais on Lake Superior in 1883. The pelts were sent to New York City to be dressed. They were then returned to Detroit, and made into an overcoat by…
Women's red wool coat with mink collar from the 1940s
Woman's red wool coat with mink collar and cuffs. The coat measures 54" from shoulder to hem. It has two buttons at the waist, wide lapels, a fitted front, and a fuller back. Label in neck: Julie Inc. Fisher Building, Detroit.
Women's knee-length brown and black wool coat from the 1950s
Women's knee-length, knubby textured brown and black wool coat. The double breasted coat has a narrow collar, and a lapel of black wool. It is fitted over the chest, and flares out at the hips. The flare is increased by padding on the hips The sleeves stop a little short of the wrists. Graduated size buttons. The coat was purchased by the donor in 1955 or 1956 at Julie's Inc. for $350.00. Label: "William Popper, From a Design by Charles James."
Women's black wool and amber brown mink coat from the 1930s
Woman's black wool and amber brown mink coat. It has a wide mink collar which can be worn up or spread out. The cape is also edged with mink. There are three lines of tucks running diagonally across the coat and on the cape and cuffs. It has side buttons. Label: "An Original Design by Peggy Hoyt, N.Y." Dated 10/20/32.
Women's red velvet evening coat lined with white satin from the early twentieth century
Woman's red velvet evening coat lined with white satin. It is a wrap-around "kimono" style with long dolman sleeves. The lapel and cuffs are trimmed with pink embroidery having metallic threads. Label: J. Hock, Detroit.
Women's beige wool coat from the 1940s
Woman's beige wool coat with a wide shawl collar and cuffs of brown mouton fur. The coat has a single gray button at the waist, and two large darts in the back. It has a peach satin lining, with a design of bows stitched in grey silk. Belonged to Blanche Davidson, donor's aunt (Betty Conzelman). Label in back: Sax Kay Detroit.
Women's navy blue wool coat from the late 1930s to mid 1940s
Woman's navy blue wool coat in a below-the-knee length. The princess line coat is single breasted, and its front seams end in pleats on the breast and skirt. The long narrow sleeves are decorated with a large triangular panel of drawn thread work. The coat has a false collar of drawn thread, wide padded shoulders, and six large buttons with a faint wood grain. It is lined with navy taffeta. Label: Hattie Carnegie, Inc.
Women's single breasted, gold suede coat from the 1960s
Woman's single breasted, gold suede coat with four gold-color, composition buttons, rounded collar, pockets at side seams, and overstitching in front. The straight sleeves have a vent at the cuff. The three-quarters length coat is lined in gold wool jersey. Worn by donor. Label: A Bonnie Cashin Design, Sills and Co.
Women's off-white, wool twill evening coat from the 1960s or 70s
Woman's off-white, wool twill evening coat. The ankle length garment has seam pockets, and is single breasted with four bound button closings, mandarin collar, and raglan sleeves. The lower half of coat has applied bright red and black exagerated scallops. Label: B.H. Wragge. Worn by fashion-beauty consultant Mira Linder.


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Ma Femme Me Quitte (1995)
Directed by Didier KaminkaGenres - Comedy, Romance | Sub-Genres - Comedy of Errors | Release Date - Jan 24, 1996 (USA - Unknown) | Run Time - 95 min. | Countries - Algeria , France , Hong Kong | MPAA Rating - NR
Share on
Synopsis by Sandra Brennan
Misunderstandings create romantic mayhem in this French comedy. Joanna Martin is an investigative television reporter who has lived happily with prominent lawyer Samuel Bosquier for over 15 years. The trouble begins when her station assigns Joanna to investigate the phony marriage/immigration racket. Wanting to prove that such bogus unions are absurdly easy to obtain, she steals the identity of her sister (a spinster) and 'marries" Pavel, a recently emigrated Hungarian laborer. Unfortunately, she says nothing of her assignment to Samuel. He never would have found out had he not run across a letter she had written on behalf of a colleague to help her escape her abusive husband. Reading the letter, poor Samuel begins believing that his beloved Joanna has been untrue. He suffers a breakdown and begins getting in trouble with the law. At the same time, Joanna develops her own problems when a government official begins suspects the reporter's marriage to Pavel is a sham. The dogged official so badgers them, they the two stage an elaborate scenario to prove themselves bonafide spouses.
misunderstanding, extramarital-affair, investigator, lawyer, marriage, reporter


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Columbia City has an average population density of 111.23 people per square mile. What does that mean for people lookHome Energy Auditor ing to provide in Columbia City? That it is the perfect place to both find and request Home Energy Auditor jobs because of the sheer amount of people in a tight space .
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Working with an inpedendent worker who does Home Energy Auditor in Columbia City is nearly always a great experience. When you are looking to work or just trying to hire, always try to have your business cards ready. Consider these few hints before hiring a freelancer to do House Energy Auditing : You have a way to travel to where you need to go when you decide to do this type of work. Some freelancers prefer to audit with a team, and others prefer to work independently. Also, because we cover some hundreds of services in your area, be sure to take a look at others associated with auditing in Columbia City . Good thing is that the population in Columbia City is very large and spread out , which let's you provide Home Energy Auditor and work part time and full time.
To start completing these gigs, Be prepared for a lot of pre-work preparation . Final words if you are ready to start as a home energy auditor : you must love the home , a great work ethic, and have all of the proper supplies to work in a residence . There is nothing else stopping you from Home Energy Auditor in Columbia City right now! Freelancing has never been easier, so you should get it done with QuiGig today!
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The update of prostatic ductal adenocarcinoma
@article{CJCR9216, author = {Tantan Liu and Yingmei Wang and Ru Zhou and Haiyang Li and Hong Cheng and Jing Zhang}, title = {The update of prostatic ductal adenocarcinoma}, journal = {Chinese Journal of Cancer Research}, volume = {28}, number = {1}, year = {2016}, keywords = {}, abstract = {Since initially described in 1967, prostatic ductal adenocarcinoma (PDA) has engendered a series of controversies on its origin, histological features, and biological behavior. Owing to the improvement of molecular biological technique, there are some updated findings on the characteristics of PDA. In the current review, we will mainly analyze its origin, clinical manifestations, morphological features, differential diagnosis, immunophenotype and molecular genetics, with the purpose of enhancing recognition of this tumor and making a correct diagnosis and treatment choice.}, issn = {1993-0631}, url = {http://cjcr.amegroups.com/article/view/9216} }


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Regular price
Dhs. 80.00
Let the sweet blend of tobacco, banana, and creamy peanut butter in Frisco Vapor's Fillmore billow out of your vape like fog rolling in over the bay.
This website contains adult material and is only suitable for those 18 years or older. Click Enter only if you are at least 18 years of age.


text:
Like is a very popular and Famous video maker application in the world wild. It's also India's top free video maker app. The Like video app is a short video editor and video sharing in community and many more, etc. The Like application you give chance world wild famous. It allows for creating easily unique short videos, and the user can choose music in the background. Like lite provides more advanced features when will be very useful to make a unique short video create. just like video speed up, speed down, more advanced feature, edit a with filter and record about 15 Second video. after make create your video of Like lite, so easily uploaded with adjustment and user easily to share the videos friends through the social platform and the world.
- File Name: Like
- File Size: 45.5 MB
- Version: 2.19.3
- Extension: [.apk]
- Offered by: BIGO TECHNOLOGY PTE. LTD.
- Installs: 100,000,000+
- Content Rating: Rated for 12+
- Updated: May 31, 2019
- Android Required: 4.0 and Upper
Click here to download Like application direct link
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Pearson excited by Lima challenge
Shelley Pearson says she has �unfinished business� in rowing after qualifying for the Pan American Games in Lima, Peru, next summer.
Pearson contemplated retiring from the sport after representing Bermuda at the Olympic Games in Rio de Janeiro, Brazil, in 2016, where she came fourth in the C final in the women�s single sculls.
With the next Olympics in Toyko just 18 months away, Pearson has had a change of heart and returned to training in September with a view to competing at the Pan American Games Qualification Regatta, held at the Lagoa Roderigo de Freitas in Rio last week.
Already familiar with the course, having raced in the lagoon at the Rio Olympics, the 27-year-old finished fourth out of 17 entries at the five-day regatta to qualify for Lima.
�There isn�t any particular thing that convinced me to carry on,� Pearson said. �Essentially, I didn�t feel as if I was ready to be completely retired and finished with the sport.
�I started training in September with the plan of competing next summer [in Lima].
�I didn�t have the qualifier on my radar, but I didn�t want to lose the opportunity to compete at Pan Ams by not attending the qualifier, so I decided it was worth a try.�
Pearson said she is excited about the challenge of testing herself at another major multi-sport event, where she will renew acquaintances with several of the rowers who competed in Rio last week.
�I love the sport and the challenge along with representing my country, so I�m excited to see where this will take me,� she said.
�The athletes will primarily remain the same as those I competed against last week, so my goal would be to improve my performance.�
Pearson, who lives in New York, working as a management consultant for Ernst & Young, is the first Bermudian woman to compete in rowing at both the Olympics and Women�s Boat Race. She helped Oxford University to 6�-lengths victory over Cambridge on the Thames Tideway in 2015.
�I�m training out of a boathouse here in NYC and spending time with a group in Saratoga Springs [in New York State] as well,� she added.
�There are some World Cup races in Europe in the spring and early summer that I plan to use as preparation. Tokyo is certainly in the back of my mind.�
Several Bermuda athletes have already qualified for the Pan American Games, which is held among competitors from nations of the Americas.
For the first time, a Bermuda squash team will compete at the event, with Micah Franklin, Noah Browne and Nick Kyme qualifying at the Pan American Squash Championships in Cayman Islands in August.
Caitlin Conyers has also secured the island a berth after finishing second in the road race at the Elite Caribbean Cycling Championship in Santo Domingo, Dominican Republic, in October.
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Published Dec 5, 2018 at 8:00 am (Updated Dec 4, 2018 at 11:44 pm)
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- Page 1 Nintendo Wii Review
- Page 2 Initial Setup Review
- Page 3 Wii Console Review
- Page 4 Wii Remote Review
- Page 5 Wii Remote Review
- Page 6 Wii Channels & Interface Review
- Page 7 Wii Channels & Interface Review
- Page 8 Wii Sports Review
It isn't, however, anywhere near long enough for those using projectors. Thankfully, there are a number of solutions available to solve this problem. Since it's not an especially complicated piece of kit – it's just two LED's that emit infrared beams – you can make your own sensor bar; for which there are many guides. Alternatively, you can splice the cable to extend it, use a couple of standard media remotes and even two candles – though please don't for obvious reasons. The simplest solution, however, is an inexpensive third party wireless version that runs off a battery and is available via www.wirelesssensorbar.com. We've yet to test one ourselves but reports suggest it does the job admirably, though it's rather more conspicuous than the official version
Once you have the console up and running there are a few quick and simple settings such as language, sensor bar placement and date and time to deal with but once completed you're free, should you choose, to dive straight into the fun and start playing games.
There's a good chance, however, that you'll want to setup the Internet connection first and this process is just as painless. Rather like the DS, Wii can hold up to three different wireless settings and like any wireless device will automatically detect any network. Unlike the DS, however, Wii supports all the more recent wireless security protocols such as WPA2 making it compatible with any standard network configuration. Once your Wii has detected the connection, it's a simple process of entering your password and you're ready to go.
Wireless performance it pretty solid too. Nintendo has been wise enough to include two internal antennas; with one mounted vertically and one horizontally. This means you should get equal performance whether you have the console mounted vertically or sitting horizontally.
If you don't have a wireless network then things get a little more complicated, and currently your only option is to buy a Nintendo Wi-FI USB Connector. This will allow you to use your PC's Internet connection wirelessly – provided it's hooked up to your broadband – with your Wii. Nintendo is promising to release a LAN Adapter sometime in January, though a quick google reveals that, as of now, it's not widely listed with only a handful of retailers offering pre-orders on the item.
These considerations accepted, setting up your Wii couldn't be easier and if you do have any problems the documentation provided is excellent with clear uncluttered presentation and plenty of illustrations to boot.
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Başmakçı is a town and district of Afyonkarahisar Province in the Aegean region of Turkey, closer to Denizli than to the city of Afyon itself. The mayor is Halil Özcan (CHP).
The history of Başmakçı goes back to the Hittite era, 1750-1200 BC. It then became a colony of the Phrygians of nearby Dinar. It was subsequently possessed by Lydians, Persians, Ancient Macedonians and Seleucids, the kings of Pergamon, Romans and then Byzantines.
Turkish tribes arrived in Anatolia in 1071, and one of these was the Başmakçı, who came through Azerbaijan, settling near Tarsus on the Mediterranean, where there is a village called Başmakçı still today, and then sometime between 1100 and 1200 moving west to settle in this district of Afyon that has been called Başmakçı ever since.
This part of Anatolia was subsequently controlled by the Germiyan dynasty, who gave the town as dowry when marrying their daughter to the Ottoman Sultan Bayezid I. Thus Başmakçı, a village of 47 families at the time, became an Ottoman land.
Başmakçı was badly damaged in an earthquake in August 1892 when 300 homes were destroyed. However, no one was killed, as it was harvest time and all were in the fields.
Başmakçı was not occupied during the Turkish War of Independence but many of its sons died in that
Provinces of Turkey, Turkey, Kütahya Province, Uşak Province, Denizli Province
Turkey, Turkish language, Lake Van, Aegean Region, Turkey, Endorheic
Turkey, Provinces of Turkey, Afyonkarahisar Province, Latin, Aegean Sea
Turkey, Afyonkarahisar Province, Provinces of Turkey, Çay, Istanbul Province