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Comprehensive Guide To Finding Great Locksmiths Manchester
If you are facing security problems, finding the right locksmith is absolutely essential. It has been well documented that when it comes to locksmiths, going the extra mile to find a high quality service really pays off. This is because higher rated and respectable locksmiths often have competitive prices and are able to provide quick solutions. Thus, this article will serve as a comprehensive guide on finding great locksmiths Manchester.
One of the biggest indicators that a locksmith is of a high caliber is whether or not they charge for a callout. Usually, low quality locksmiths will charge for callouts as they are often times not confident in their service. Thus, by charging for a callout, they are able to ensure, that even if they are unable to fix the problem, they will be paid. In contrast, locksmiths that don't require a callout fee usually are experienced and are able to fix any problem they face, warranting the fact they don't charge for a callout.
Hence, the first course of action when trying to finding a great locksmith in Manchester is to check whether they charge for a callout. You will find that there is quite a huge difference in the look of a locksmith service that doesn't charge for a callout when compared with a service that does. Usually, the websites of services that don't charge will be much more modern and professional in comparison.
Experience is a very important indicator of a trustworthy locksmith service. This is because, as with anything, when a person or service has a longer amount of experience, they usually have more knowledge and expertise. This, of course, doesn't mean that new services can't be good. However, in general, it is a safe bet to go with locksmiths Manchester that have at least 5 or more years of experience. Anything less will mean that you are taking a risk, often for a lower price.
These days, thanks to the power of the internet, it has become easier and easier to communicate with potential clients. This means that any kind of locksmith service in Manchester that is respectable should provide free quotes and advice on any kind of inquiry. Many times, this should be fast and be provided in less than 24 hours. The best possible services will be able to provide a prompt reply within a couple hours of their working hours.
Locksmith services that are unable to provide swift quotes, or even charge for quotes are simply not worth being trusted with. As mentioned, usually when services try and charge for something as simple as giving information, it usually means that they are incapable of actually performing when it comes to the service they are advertising. Thus, once again, another great indicator of whether or not a locksmith service is good or not is whether they are able to assist potential clients with quotes for free.
These days, there are many certifications and authorisations that locksmith services can earn. This is because the locksmith community has done everything possible in recent times to ensure that only the highest quality services get the highest representation. This is great for the community overall, as it ensures that any kind of bad service will either be unrecognised by the community at large, and also, won't be able to compete as they won't get the exposure better businesses have.
It's for the above reason that making sure that any locksmiths Manchester that you may be looking at has been certified by accredited locksmith organisations. These days, there are many trusted organisations that are able to provide documentation and certifications for locksmith services that they believe to be of a high caliber. Any trustworthy locksmithing service should have at least one of these many certifications available. It is fair to say you should not trust a service that does not have any of these certifications.
As with most services, testimonials are always a very important indicator. There is no doubt that many of those looking for a locksmith in Manchester have used testimonials as a guide on which services they should choose, and which ones they shouldn't. There are many ways to get your hands on testimonials for the services that you may be looking at. The first thing you should do when looking for testimonials, of course, is to check on the internet.
Lots of testimonials have flooded the internet in regards to locksmithing services. Many times, these can come from businesses that require these services, or regular residents of the area. These reviews will allow a person to get a good overview of the business and understand what areas they excel in and what areas that they require improvement. Generally, so long as the testimonials that relate to your needs are mostly positive, it is generally a fair idea to go with the locksmith service that you are researching.
When it comes to locksmiths Manchester, if most of the indicators above are taken into consideration, it should be fairly easy to find a locksmith that will not disappoint. There are so many high quality locksmiths in the area, that it would be a great shame if someone where to unfortunately end up with a low caliber service. It is for this reason that anyone who wants to utilise a potentially expensive and extensive service such as this makes sure that they follow the rules outlined to avoid disappointment.
The vast majority of locksmiths in Manchester have proved, through such things as certifications, testimonials and fast service, that they are definitely worth your time and effort. The best kinds of services are ones where both the locksmith and the client can actively communicate in an effective fashion to ensure that every facet of the client's needs is satisfied. Such a business relationship can allow for further growth which can be mutually beneficial, wherein the client gets the most tailored and high quality service possible, and the locksmith gets a greater amount of business.


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Capt. C. A. Richardson finally links up with Capt. Cory Palmer in Anclote, Florida. In this new episode of Flats Class, the two are hammering reds while C.A. describes the perfect one-two punch guaranteed to land tons of fish in the summertime.Read More
Fishing near Port Richey, Florida, for gator trout in winter, Richardson used the ZMan baits made with proprietary technology that distinguishes these baits from plastic ones. With colder water making fish less active and with "finicky" appetites, Richardson said the 3-inch ZMan minnowz and the 4-inch scented jerk shad were effective in drawing strikes.Read More
Capt. C. A. Richardson considers the Keys a second home and he recommends three baits from a January fishing trip near Islamorada. "I'm not looking for the buoyancy nearly as much as I'm looking for the swimming action. When I was blind casting, this was an excellent choice."Read More
Working the Nassau and St. John's Rivers with local Eddie Cabler, Richardson used a variety of hard baits, jigs, and chatterbaits to snag some redfish, trout, and flounder.
Capt. C.A. Richardson is going green—and not just in the environmental sense. He says green is his go-to color for fishing for snook in the shallows and flats of Florida.Read More
One of the biggest questions that comes up is where to find the highest quality rod for an affordable price. Choosing the proper fishing rod is one of the most important factors to having a successful day out on the water. With the variety of options out there, finding the best one for you can be a challenge no matter your skill level.Read More
Unfortunately most anglers are not as well-versed in the ways to preserve aquatic ecosystems while fishing as they ought to be. Many options go unnoticed that could make a huge difference in the future of the sport we all hold dear. In a time where "green living" is in the spotlight, it's important to consider the different practices you can implement to make sure you are doing everything you can to sustain the resources and protect wild habitats.Read More
If you ever wondered what it took to have a YETI cooler named after you, just ask Flip. You might say Flip Pallot has been around the block, but that would be a gross understatement. He's a hunter and an angler recently featured on Flats Class, who has traveled the globe pursuing his passion. So why did a guy with a big imagination quit his banking job to launch a fishing career? Simple: "You regret the things you don't do."Read More
Boat ramp etiquette is something every angler should be able to list off the top of their head, from things like how to back your boat in, how to get ready, and how to avoid altercations or frustrating other people. Unfortunately if you've been to a boat ramp in the past couple of days, you know this is not common knowledge.Read More
Some people are looking for one knot that can satisfy all the different fishing situations. Many may think it does not exist, but it does: it is called the Uni Knot. The Uni Knot will work for 95% of all scenarios you may need.Read More
Did you know it takes 7 years or more for an Ozarks' smallmouth bass to reach 12 - 15 inches? In the season finale of Hooked On Wild Waters, Drew Gregory paddles through the beautiful Ozarks of Missouri and teaches us how to protect these fish and their habitat.Read More

subset: commoncrawl


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Route #7 temporary stops during Construction
July 9, 2019
Routes Affected:
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Construction on Allenby Way and 25th Ave will create a significant detour for Route #7.
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Katy Perry, Dr. Luke, Max Martin (et al.) = plagiarists
Strong copyright laws are good news for songwriters, IMO. :)
This doesn't sound like good news at all to me. Based on the article, no evidence of actual plagiarism was found. They didn't prove that they had even heard the song before, let alone that they copied it. No, the jury just thought the music "sounded similar." Music sounds similar to other music all the time, and laypeople are remarkably bad at being able to even tell if they actually are similar.
And, for goodness sake, they're finding people liable who would have had nothing to do with making that part of the music. Even if the melody was directly copied, the lyricist wouldn't know that, for example.
Plus, if you know anything about writing music, then you know that part of how it works is that your brain remembers music you've heard before, but combines it in new ways. I literally just got through watching a video about how Koji Kondo, the composer for Super Mario Bros and The Legend of Zelda,got his influences. And there are some songs that sound similar to pieces of the SMB or Zelda themes. It was unmistakable, but no one who knows anything about music would call it plagiarism.
This trend isn't helpful to the little guy, who almost wasn't even harmed by this in any way. It really does seem to be trying to copyright the basic building blocks of music. It's a very worrying trend.
Here's a video of an actual musician (and educator) talking about the Blurred Lines lawsuit.
Howdy! I'm a musician and songwriter. I'm also an ASCAP member. And I think this is a good decision. I'm pleased that the court found everyone involved liable; they all profited from the illegal plagiarizing, after all.
I looked for the Joyful Noise song to draw my own conclusions, and I now think that:
a)The song starts actually kinda decent- then they bring the nu-metal musicians, become some sort of Christian Linkin' Park and ruin it.
b) Martin or whoever absolutely took the basic beat from that song. Too many coincidences, from the "You know what it is" at the start, to the hype chorus.
To those (everyone?) who think this was a good decision, please explain to me how the guest artist who wrote a rap verse to add on to the song should be liable and considered a plagiarist?
Hopefully this makes more people think twice before working with the vile Dr. Luke, who's a) just a vile abuser, and b) done this kind of shit before - looks like his preferred tactic of preemptively suing for defamation didn't happen this time. The moral seems to be "You don't mess with the Jesus(Rap)!"
Jurors are stupid. This is another reason why.
It's a very tricky issue, because on the one hand, as others have already said it's extremely easy to independently write a piece of music that sounds very similar to one that has gone before, without ever having heard the original, on the other hand you can't just let plagiarists off if they claim this is what happened. I'm not familiar with either of the songs in this case, but I can easily believe either version is the true sequence of events, based on just reading the thread. It comes down to which side you think offers the more credible case. But then, that's hardly unique to this type of trial.
Vivaldi, 1711
Bach, 1714
But who gets the piece... and the authorship credit when this one was played for the film Dangerous Liaisons? Why, that thieving Bach, that's who! https://www.imdb.com/title/tt0094947/soundtrack
That Vivaldi guy's gotta case, I think
The description in your second link would beg to differ (and also gives the year of the Bach piece as 1730-1733), though it's not clear whether Bach acknowledged Vivaldi when it was first performed/published.
Plagiarism is not a synonym for copyright infringement. They overlap to some extent but they're not the same thing.
Eh, dammit, you're right. Bach copied some of the published pieces in the time period I provided but had I read further would've seen that his transcription for this one piece waited another 20 years.
I is smaht, I swerz!
*Since I've been accused of being unclear when I was or was not being satirical, ^ that ^ is satirical.
So was this supposed to be sarcastic then?
Is it plagiarism if you've never heard the song you supposedly plagiarized? Are you supposed to have listened to every song ever made to be sure you don't infringe?
There needs to be some sort of musical complexity score and tunes that aren't high in complexity and would be easy to make from basic notes shouldn't be copyrightable. IMO.
Any decision that goes against that Dr. Luke piece of shit is just fine with me.
To be found liable for copyright infringement one must have copied That means that independent creation is allowed.
But because of direct evidence of copying can be difficult to find, courts allow an inference of copying if you prove that the defendants had access to the work and that the allegedly infringing work is substantially similar to the plaintiffs work.
Its the plaintiffs version to prove either copying or access and substantial similarity.
So no, no one is necessarily responsible for knowing every work in existence.
However, they were found liable for infringement. So it would be accurate to label them as infringers.
You cant be liable for infringement without a finding that you did all the things that define infringement.
The person who wrote the music for "Dark Horse" either intentionally copied the beat and riff from "Joyful Noise", or they did not. The reality of this truth is unknown to just about everyone except the person who penned those sections of the song, and I don't pretend to know what actually happened.
If the beat and riff were intentionally copied and credit not given, then this is good news.
If the beat and riff were NOT intentionally copied, if they were independently written and just happened to be very similar, it is not good news for "songwriters". A bunch of songwriters are now on the hook for damages to other people who had nothing to do with the creation of their song. These are songwriters who only got tagged for the similarity because the song they wrote was spectacularly successful. If this scenario is true, EVERY songwriter is at risk for their most popular songs to be subject to lawsuit, because they can unintentionally violate copyright, and that is NOT good news.
Someone on Reddit wrote the following:
I seem to recall the "Blurred Lines" case assigning damages that seemed way out of line with the actual profits of performers in the digital age of streaming and Youtube comprising the bulk of "sales."
So, I'm just wondering how much the guy 6th in line is going to have to pay for agreeing to be a guest on a single that sold a bunch of 99 cent downloads and comprised 1/13th or 1/16th of an album that sold about 4 million units worldwide.
Closer. The beat itself sounds like Joyful Noise ripping off a generic Southern rap snap-style beat. Nothing particularly new about that that I can tell. The only thing that gives me pause is the "yeah, y'all know what it is" at the start of the Katy Perry song and the "You know what it is" at the Christian rock song. That, to me, makes me doubt the claim that no one among the songwriting or production crew had heard the Flame song before.
Here's Rick Beato's well-reasoned take on the lawsuit. (He's one of my favorite musical Youtubers; he's got bona fides as a musician, producer, songwriter, and educator. Very even-handed and intelligent.)
To me, there are three similar elements in the song: The base melody (in a similar key), the "y'all know what it is" at the start, and the male chorus going "whoop, whoop, whoop".
In a world of infinite musical possibilities, chances of these three elements coinciding in two unrelated songs are staggeringly low. No, more like literally impossible.
The authors claiming that, at least one of them never heard of the original is nonsense. They practically sampled the thing and weren't even trying to hide it. They were so clearly doing that, seems to me, somebody forgot to tell the label's lawyers to contact Flame and tell him about it.
These two songs are less similar to each other than every song in the infamous "Pachabel rant" video is to every other song in that video.
I'm not a musician, I have no idea of bars or which notes are which or anything like that, but when I hear the base music for the Flame song, I absolutely recognize it as Dark Horse. I don't think it's any other Katy Perry song, or any other song from anybody else. I'm absolutely, 100% recognizing it as the intro for Dark Horse.
If every song had to be completely unique and not sound anything like another song, the entire music industry would grind to a halt. Blues would have been still-born. There are only 12 notes, there are many ways they can be put together but the number of ways they can be put together and sound musical is relatively limited.
No, I don't agree.
Lamborghini copies Ferrari, everyone knows that.
The joke's on them. I already have the copyright on C#, the bass clef, and 3/4s time.
But you pair this with the "Y'all know what it is" and the whoops, and the possibility of coincidence starts becoming really, really low.
Now, before you mention it, there's also plenty of songs with guys screaming "whoop, whoop, whoop."
And if the only thing in common between the two songs was either of these three elements, sure, there would be very little legal leeway here.
Two? A bit too coincidental. Way too coincidental, let's be honest.
Three? Come on. No, seriously. Come on.
In the real world, the chances are some amount lower than that. How much lower? I dunno; do the math and tell me.
Another video by a musician/producer/educator explaining why it's a bad result.
Crime pays:
What an awesome justice system the US has!
I am in a band that is represented by my own label (we do other bands too) but what is to stop someone that had a song is 1963 that nobody heard of that goes Am C9 Dsustained2 G Major from suing me when I have a song that goes in a similar arrangement, albeit different keys?
Or even the same chords? They sound like complicated chords to the average joe, but any half rate guitarist is well versed in these so called "cowboy chords" because they are easy to hop around on each other. Most of our country acts know seven chords, they just move a capo up and down the neck to keep the album from sounding like the same long song.
The only people winning here are lawyers.
If you make it big enough that one of the people involved in a 1963 song that nobody heard of sues you, it's obvious that you'll have more than enough money to pay them off AND fight back with what's left over.
If you don't make it big, how would anyone hear your song to know to sue you?
The more likely event, as this case shows, is that your obscure band finds itself being copied by a more popular artist. And now, as this case shows, at least you'll get compensated somewhat for the theft.
Stop worrying about how something might adversely affect you if you become a zillionaire. You're not going to be one; you're the underdog.
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PORT DICKSON: Pockets of the Indian community in Port Dickson have indicated their readiness to support PKR candidate Anwar Ibrahim in the Oct 13 by-election, saying they have suffered enough under Barisan Nasional (BN).
Tanah Merah resident Maruthan Kupusamy said although he had not met Anwar and knew little about him, the farmers there had had enough of BN.
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"If we had a piece of land, at least we could do our own farming or build a small house. Now we have nothing."
He gave the example of a housing project started by the previous government which had been abandoned after the May 9 polls.
Only 60 of the 100 units were completed before the project was dumped, he said.
Kupusamy, who is also a unionist, said he had learnt how corrupt the former administration was while fighting for the welfare of other estate workers.
He criticised the decision of former Umno leader Isa Samad to contest the by-election as an independent candidate.
"I don't understand why Isa decided to contest," he said. "Isn't he ashamed of what he did in the past? Why does he still want to come here and campaign? It's so embarrassing.
"Some may say he helped the community here before, but he only helped the village people. He never bothered about us estate workers."
He claimed he was once insulted by MIC leaders while an MCA man had threatened to "take his wife away".
"That is why we have decided to vote for Anwar. I believe he will be able to bring change to this constituency and improve the welfare of estate workers."
Shah Alam city councillor V Raidu, who is chairman of DAP's parliamentary liaison committee in Kota Raja, said the Indians in Port Dickson were ready to back Pakatan Harapan (PH) and PKR in the by-election.
He pointed out that this was the first time the Indian community was represented by four Indian ministers.
"I am responding to what PAS said, that the Indians in Port Dickson are not fixed deposit votes for PH.
"But in the 60 years under BN there was no such thing, and under PH there is," he said, referring to the Indian ministers.
Meanwhile, a group of MIC members told FMT they were planning to leave the party after the by-election.
Their leader who wished to remain anonymous said they had spoken to party chiefs and suggested that MIC leave the BN coalition.
"If they don't leave, we will leave," he said. "We have had enough. In fact, we wanted to leave earlier, but some of the leaders advised us to stay on until this by-election is over so that we will not be accused of giving support to PH.
"We still believe in our party but we had to vote for change in the 14th general election."
He voiced concern over the collaboration between Umno and PAS, saying they were "okay with Umno" but worried about what would happen if cooperation with the Islamist party became official.
"PAS has been too extremist in its religious views. We don't want that in BN," he said.
He added that the group would not join any other political party after leaving MIC as they wanted to wait for the political landscape to stabilise.


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MBA in Hospitality and TravelIn the field of Hospitality and Travel, apart from degree courses candidates can also pursue diploma or certificate courses. Popular Diploma courses in the Hospitality and Travel stream include Diploma in Hospitality, Travel and Customer Service, Diploma in Hotel Management, Diploma in Aviation, Hospitality and Travel Management as well as Diploma in Hotel Management and Catering Technology. On the other hand, PG level courses that candidates can pursue in the field of Hospitality and Travel are Masters in Travel and Tourism Management, MBA in Tourism & Hotel Management, MBA in Hospitality Management, MBA in Tourism & Hotel Management, Masters in Tourism Management, Master of Hotel Management, Master in Tourism and Hotel Management, MSC in Tourism and Hospitality Management, MBA Hotel Management, Masters of Hospitality Management (Food Service Management), Masters of Hospitality Management (Hospitality Finance & Marketing), Masters of Hospitality Management (Rooms Division Management) and the likes. The courses in MBA in Hospitality and travel course
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Orlando, FL - President Donald Trump officially opened his 2020 campaign Tuesday with a speech exaggerating what he's done for the economy.
From his rally in Orlando, Florida:
TRUMP: "It's soaring to incredible new heights. Perhaps the greatest economy we've had in the history of our country."
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The economy expanded at an annual rate of 3.2 percent in the first quarter of this year. That growth was the highest in just four years for the first quarter.
In the late 1990s, growth topped 4 percent for four straight years, a level it has not yet reached on an annual basis under Trump. Growth even reached 7.2 percent in 1984.
While the economy has shown strength, it grew 2.9% in 2018 — the same pace it reached in 2015 under President Barack Obama — and simply hasn't hit historically high growth rates. Trump has legitimate claim to a good economy but it's not a record-breaker and it flows from an expansion that began in mid-2009.


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"Working with Gary Krebs has been one of the highlights of my career. He worked tirelessly, sparing none of his professional expertise in acquiring and editing, to bring my publishing deal and book to fruition. He was a pleasure to work with and I look forward to another opportunity to work with him again in the same capacity."
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World Health Partners (WHP) is a non-profit organization that is mandated to deliver health care to underserved communities in the poorest parts of the world. It uses technology and management systems to harness better value from existing resources. Since the resources in such low-resource settings exist across public and private sectors, WHP engages with both with no ideological barriers.Read More
Founded in 1992, First Book is an award-winning, nonprofit social enterprise that uses market forces to further educational equity for children growing up at the base of the economic pyramid. First Book operates throughout the U.S. and Canada and has worked in more than 30 countries, fueling learning with more than 175 million culturally appropriate books and educational resources.Read More
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Mahasemam is devoted to enabling women in resource-poor settings to become self-sufficient through the use of innovative and sustainable financial services. Mahasemm is a microfinance organization registered in Madurai in 1999 under the Indian Trust Act 1882. It operates in the six southernmost districts of Tamil NaduRead More
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The School of Artisan Food offers a unique opportunity for international students and tutors to experience artisan food production in the beautiful surroundings of the Welbeck Estate, in the heart of the UK.Read More
Since 2000, Akshaya Patra has been concerting all its efforts towards providing fresh and nutritious meals to children on every single school day. They are continuously leveraging technology to multiply our reach. The state-of-the-art kitchens have become a subject of study and have attracted researchers and visitors from around the world.Read More
Aravind is the largest, and widely considered to be one of the most productive eye care systems in the world, seeing approximately 1.4 million patients a year, and performing about 200,000 cataract surgeries annually, over two-thirds of which are offered free of charge for those unable to pay. Muhammad Yunus acclaimed Aravind as an organization which "reveals the power of a model that combines business discipline with compassion."Read More
PENN NALAM focuses on creating cancer awareness, preventing cancer through timely screening, and delivering cost-effective cancer treatment and care to women, especially for those who cannot afford corporate hospitals.Read More
EI is an educational products company that leverages the twin levers of cutting-edge educational research and a technology-based solutions approach to revolutionize how children engaged in the K-12 education space learn. EI's vision is to create a world in which children everywhere learn with understanding.Read More
CRHP facilitates building community and villagers' capacity to address their own problems, including the underlying causes/determinants of health in a multisectoral approach, which leads to sustainable process and impact on health and well-being.Read More
SVYM is a development organization, engaged in building a new civil society in India through its grassroots to policy level action. SVYM believes that building human and social capital will result in economic consequences and all of SVYM's programs are driven by this development paradigm.Read More
KEMHRC Pune started its activities in 1972 with a vision to strive for excellence and to encourage clinicians and social scientists in conducting quality research. The Vadu Rural Health Program (VRHP), run under KEMHRC is now an internationally acclaimed research centre for its work and efforts in community health.Read More
The IPH, Bengaluru is a non-profit academic research institute established in 2005, with a vision to create an equitable, integrated, decentralised and participatory health system within a just and empowered society. The work at IPH is organised into Research, Education and Policy engagement activities.Read More
Saidham Schools aspire to be the very best amongst schools at no cost to parents. In addition to education, they provide over 2000 children with food, clothing, study material, sports facilities, health care, excursions, free skill development with job placement, facilitating social well-being through mass marriage assistance, and empowering women with opportunities in 4 states across India.Read More


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text: Reviews 5 Household problems you should never fix yourself 1st September 20171st September 2017 Many homeowners often want to tackle all household problems themselves, which is usually due to pride or to save money. However, there are some tasks that can pose a risk to both your health and home, which is why you must hire a professional. Read about the five household problems you should never fix yourself. Read More


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The apocalyptic group The Family and their guru, Anne Hamilton-Byrne — one of very few female cult leaders in history — captured international headlines throughout the 1980s and 1990s.
Hamilton-Byrne, who some followers believed was Jesus Christ, was glamorous and charismatic — and, many allege, very dangerous. From her base in a quiet suburb, she recruited wealthy professionals to join her cult, including doctors, lawyers, nurses, architects, and scientists. She acquired children and raised them as her own, bleaching their hair blonde to make them look like siblings, and her group became surrounded by rumours of LSD use, child abuse, and strange spiritual rituals.
In 1987, police swooped on The Family's lakeside compound and rescued children who claimed they were part of Anne's future master race. The children recounted terrible stories of near starvation, emotional manipulation, and physical abuse. But Anne could not be found, sparking an international police hunt that involved Scotland Yard, Interpol, and the FBI. Could they bring Anne to justice?
Today, the elderly Anne has an estate estimated to be worth millions, with only one minor criminal conviction to her name. Her few remaining followers attend her nursing-home bedside.
How did such a notorious group come to flourish? How did Anne maintain a hold over her followers? And why was she never fully brought to justice?
Drawing on revelatory new research, including interviews with survivors, The Family tells for the first time in full the strange and shocking story of one of the most bizarre cults in modern history.
Chris Johnston is a senior writer for The Age and The Sydney Morning Herald, based in Melbourne. He has been covering developments related to The Family for several years.
Rosie Jones is an award-winning screenwriter, director, and editor. Her most recent feature documentary, The Family, premiered at the Melbourne International Film Festival in July 2016.
Scribe Publications
18–20 Edward St, Brunswick, Victoria 3056, Australia
2 John St, Clerkenwell, London, WC1N 2ES, United Kingdom
First published by Scribe 2016
Copyright © Big Stories Co Pty Ltd 2016
All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publishers of this book.
While the authors have made every effort to trace and acknowledge copyright for materials appearing in this book, they tender apologies for any accidental infringement where copyright has proved untraceable and welcome information that would redress the situation. Should anyone become aware that this material has been used without permission, please contact the producer through www.thefamilysect.com
The moral rights of the authors have been asserted.
9781925321678 (Australian edition)
9781925228687 (UK edition)
9781925307597 (e-book)
CiP data records for this title are available from the National Library of Australia and the British Library.
For all the people who had the courage to speak out
Walk On
1 The Seekers
2 Uptop
3 The Hole
4 Fires
5 The Sound of Music
6 Sacred Manna
7 Santiniketan
8 Blue Rooms
9 Hurleyville
10 White Plains
11 Love is in the Air
12 The Kingdom
About the Film
Notes on Sources
Further Reading
She is skeletal and pale, 95 years old and living in a nursing home in the outer suburbs of Melbourne, Australia. There are dense layers of secrecy surrounding her, as there have always been. Her followers have been told since the beginning to protect her, and never to betray her.
To these followers, Anne Hamilton-Byrne is a reincarnation of Jesus, a living god. But her story is one of betrayal upon bitter betrayal. Outsiders — 'left-hand forces', according to Anne — are never to be trusted.
We have been allowed to visit her in the nursing home: Rosie Jones, a documentary filmmaker, and me, Chris Johnston, a newspaper journalist. I had been writing stories on The Family, the group which Anne led, for The Age in Melbourne — mainly about behind-the-scenes shuffling of assets in her vast property portfolio as she edges closer to death — when I heard that Rosie was making a film. She had amassed a lot of information over two years of research and was gradually developing relationships with key people from the cult. We started comparing notes, and then decided to collaborate on a book in conjunction with the film.
The story of Anne Hamilton-Byrne and The Family is a tragic, sensational one about power, money, love, hope, and ultimately abuse — and the extent to which everyday people are prepared to believe the most extraordinary things. As we continued to find our way into the story and piece the book and documentary film together, we both desperately wanted to meet the woman at the centre of it, to understand, if possible, the source of her power. Now, in this most humble of settings, we are here with her.
Anne has dementia and uses a wheelchair. The nursing home is within view of the forested hills on Melbourne's fringe, where she formed her cult more than 50 years ago. But she will not return to the sanctuary of those hills now. She lies here in the final throes of her life even though she said she could transcend death. Her hair is long and silver and tied back very tightly, and she is dressed beautifully in blue, her cult's most totemic colour, with delicate white slip-on shoes on her withered feet. Her eyes dart around the room. A cult member told us it was always, always in the eyes: 'If you could look into her eyes,' he said, 'you would understand.' Those eyes are piercing but somehow also vacant, as if the mystery, hope, fantasy, and lies inside them from decades past have flickered away, the focus lost.
Anne's cult was at first called The Great White Brotherhood. Then it became known as The Family, and it seemed that's what she wanted: a family. She was glamorous and, of course, charismatic — a Kim Novak blonde who wore red to the parties the cult had in the 1970s. But she was cruel and ordered others to be cruel for her. She was able to make well-educated, 'ordinary' people do immoral things. The children she accumulated as her own allege they were abused and drugged.
Now Anne's dementia means she can never again be challenged in court over her actions. It also means she cannot tell us or anyone else anything of real value. During her life as a self-proclaimed spiritual Master, her every word was taken as a glimmering truth, a light, a pathway. But now she talks only in dementia's loop of echoes. 'Mummy really goes me,' she says, as we sit in front of her. 'I just get along.' Then, in a glimmer of clarity: 'Altogether we had four, five … we had seven or eight children, Bill and I.' Bill was her third husband and co-conspirator; photographs of him, distinguished and handsome, adorn her room. The pictures of the two of them show an immaculately dressed and confident pair.
So the dilemma for Rosie and me is this: Anne cannot answer our questions. She can't talk about Bill, her grand intentions for The Family, her unusual relationship with her mother. We can only gather glimpses of her, as filtered through the memories of others, or from photographs and the recordings she created over a lifetime. What is true and what is false in this complex, often contradictory story of the cult? Many, many people crossed Anne's path, and among them many victims. Most of those caught up in this story are scarred in some way, and the testimonies they give are confronting. Whose version is closest to the truth?
In unpacking this extraordinary story, we wanted to understand the circumstances — societal and personal — that led this woman to operate at the edges of human belief. How did she convince people to trust her and take a leap of faith?
It was Michael, one of Anne's most devoted followers, who brought us to meet her. This was against the wishes of other cult members. A rumpled man in his sixties, from one of Melbourne's most eminent families, Michael loves Anne, and has done with extraordinary loyalty and deference for almost 50 years. At her peak she had perhaps 500 followers like him, but now they are few. Michael has been helpful — we've had lunch together and been to his home. He is prepared to trust us, perhaps because he believes Anne has been persecuted and he wants to defend her. By defending her, he validates his own choice to belong to what he still calls The Brotherhood. Anne is introverted now, focused on her internal world. Michael says she doesn't need to speak or be cogent because her spirit as the Master is as powerful as ever.
Anne is wheeled from the common room back to her room, and we follow. There is a bib discarded on the bed. She sits in a chair sucking a protein drink from a straw.
'Have you got a doggie down there?' She rests her head on a tea tray in front of her. 'Mummy really goes me and I just get along. That's what I am and that's all I am.' Even today, a regular Thursday in the nursing home, she is wearing pearls. She struggles to itch her ankle with long, finely boned fingers heavy with gold rings. A story went around that she also had diamond earrings but one day they suddenly disappeared, after a visit by a cult member left her with bleeding earlobes.
There's a plastic doll under a crocheted blanket on her bed, and she picks it up and cradles it tenderly. On the walls there are photographs of the children she acquired and dressed up. Who were they, where did they come from? We want to hear her perspective, but she cannot tell us why.
There is another photograph, of Anne playing the harp, beside a print of da Vinci's The Last Supper. In her younger days she wore Chanel perfume and loved to sing soprano. She also gave out a mantra to all her cult members, spelling out the order never to betray. She offered hope but would ultimately be double-crossed by some who had been so loyal. Is the da Vinci print a coincidence, or a reminder?
Anne hid herself and her adult followers in the forested hills near Melbourne, the Dandenong Ranges, an hour by car now and even further through the 1960s, 1970s, and 1980s, when The Family was most active. The roads are steep, through mountain ash trees and national parks. The houses are concealed.
Anne hid the children two hours away in another direction, beside Lake Eildon, in the foothills of the High Country. The artificial lake is surrounded by mountains and has partly submerged trees dotted throughout it, as if there is a secret life under the surface. Entire living plains were flooded to make the lake; it's a very pretty place, but the trees rising up from the water give an air of menace.
Anne offered her followers a message of eternal life and hope. She took it all from many sources — Christianity, Hinduism, hatha yoga, and New Age journeys into crystals, auras, light, colour, LSD and magic mushrooms, and even extraterrestrial life. She used to always say it was a warning when the flying saucers came in spring.
One of Anne's signature sayings was walk on. Michael told us what she meant was walk on, into the oneness; it seemed to us what she meant was follow me; I am the light. Nothing or no one can offer more. The phrase gave her followers further permission to do her will.
And so, confused, rambling, and very old — but, it must be said, quite radiant — Anne fields visitors from dwindling cult ranks in her tiny room but can never properly know what has happened in her past or what might be in her future.
She pushes her protein drink away, across her tray, and rests her head again on her arms. She drifts in and out of sleep. When she wakes, those eyes dart around the room. There are crystals on a table, and a newspaper.
'What's that woman with children done?' she says. 'Done a bunk?'
Anne was born Evelyn Grace Victoria Edwards in an Australian country town called Sale, two hours east of Melbourne, in 1921. Sale was so small then that it wasn't even classified as a town — just a farming settlement with a main street.
Birth records show that her mother, Florence Hoile, was from Wandsworth, in South London. She spent 27 years in mental hospitals in Australia, and eventually died in one. Florence was rumoured to have set her hair on fire in the street in Sale in the 1920s. She claimed to be a medium and psychic who could speak to the dead.
Anne's father, Ralph Edwards, was born in an inner-Melbourne factory suburb in 1892. He went to Europe to fight in World War I, and while he was there his first wife died giving birth to their child. He married Florence upon his return from the front.
The couple had seven children, with Anne the oldest. Records show that Anne was at the Old Melbourne Orphanage for some time as a child, with her father classified as 'whereabouts unknown' after running away from an unpaid war veteran's debt. When Anne was three, he turned up in a small Victorian fishing port a long way from Sale.
In 1929, at age eight, Anne was enrolled at Sunshine Primary School in the working-class suburbs of Melbourne's west. Then things become obscured. Most of Anne's life was documented, but there is a gap in the 1930s, the period when she entered her teens. It is as if she disappeared, and maybe in some ways she did. With her mother already showing signs of mental illness and her father itinerant, perhaps she became the stand-in mother for her siblings. It's tempting to fill the void with speculation and think that these were the lost years that changed her, or made her, or unmade her.
Anne's mother was first put into an asylum around 1941, while her husband was in the army, and just as Anne, aged 20, married a man called Lionel Harris. He came from a tiny place on the state's northern border and worked on fruit farms. Anne seemed to have had a magnetic power over him because after the army posted him interstate, he went AWOL for nearly eight months and was arrested by military police after being found with Anne back in Victoria. He served another year before being discharged on compassionate grounds.
When World War II began, Anne's father again enlisted, describing his religion on his army forms as Methodist. He was stationed in and around Melbourne as an officer and an engineer, but developed health problems — both his heart and lungs were poor — and was discharged in 1944. By that time, he gave his religion as 'spiritualist' and his number of children as none. Anne later said she considered her father to be a Buddhist. Ralph worked as a railway clerk in Melbourne after the war, moved to Brisbane in 1955 and died there, in hospital, in 1966.
Almost half of Florence's life was spent in asylums in and around Melbourne: the Royal Park mental hospital, Mont Park, Ararat, and Sunbury. Florence died in 1971, just as her daughter's strange cult was booming.
It seems clear from this history that Anne's parents were distant and troubled. Yet according to Anne, her parents were worldly and enlightened. They went to India on a spiritual journey after the war, she has claimed, visiting an ashram opened by Nobel Prize winner Rabindranath Tagore. She often told cult members that her father was friends with Lord Nuffield — Sir William Morris, the famous British Morris cars millionaire and philanthropist.
There were also stranger claims. In a sermon to her followers — or a 'discourse', as she called them — Anne said that her mother wrote dead people's stories after channelling their spirits, and this was why she had been classed as mentally ill. Yet Anne claimed her mother was 'quite happy, she didn't mind. She taught us a great deal … to show others how to be quiet and how to live and how to stop mocking the divine life.'
Anne also said her entire family could astral travel out of their bodies and into the spirit world. She claimed she was three when she realised that 'Mummy was different' and started seeing her not only as her mother but also as a spiritual teacher. And 'Mummy' had her own teacher: a Tibetan guru who was instructing her in yoga. 'There was no doubt about it: my mum was with a guru at the time. A lot of spiritual polishing had to be done … to gain the necessary and deeper understanding of this thing called yoga.'
However, Florence's death certificate gives her religion as Church of England, and there is little documentary evidence to support claims that she had a Tibetan guru.
Yoga was important to Anne: to her, it was a form of 'soul travelling'. Yoga — and the search for inner peace and majesty and stillness that underlies it — kickstarted her cult. But she brought untold baggage and esoterica to it, and her practice of yoga quickly transformed into something dangerous. 'The conclusion I finally reached is that anyone can practise this whether they are under a spiritual teacher or not, although it is always better to have a guru,' she noted in a recorded sermon.
Anne said she met her mother's guru at age 14. 'Some students follow the inner master who never shows himself on this plane, Mother said, and in the physical form others will find a guru in the earthly body who spends a lot of time on all planes teaching their disciples how to leave the body and helping them if they become entangled in a morass of psychic difficulties.'
From this, she said, 'Freedom, wisdom, kindness, lovingness and caring — what they call charity in the churches' would follow. Her promise was to be liberated from 'matter'. The Jesus in the Bible tried his best but the world wasn't ready. So he had come again, this time to Melbourne in the 1970s, through her. 'Christ did say
Come follow me! but very few knew what he was saying, and he wanted them to go with him into the worlds beyond. And they were not prepared to take the journey. So he turned away from them, leaving an eternal message, and you all know it,' she told her followers.
Anne started teaching yoga in Melbourne and in Geelong, a satellite city close by, in the late 1950s. This was just as yoga was emerging in the post-war west. The Gita School of Yoga was opened in 1960 in Melbourne by Margrit Segesman, under whom Anne trained and with whom she worked. Segesman was the daughter of a Swiss banker; she lived in Indian ashrams and followed a Tibetan guru. She also claimed to have lived in an Indian cave for five years. Anne's story was that she met Segesman in the street on a windy, rainy day in Melbourne and helped her pull some awnings down outside her school; Anne introduced herself as a physiotherapist and nurse.
According to Barbara Kibby, who, like many, would become a cult member through Anne's early yoga classes, Anne was an excellent teacher. Many who crossed Anne's path say this; that in the very early days, she was wonderful. She gravitated towards teaching middle-aged women in wealthy suburbs. These women were going through a mid-life crisis, Kibby said: 'Children grown up, husbands having affairs, but it was in the days when divorce was not as normal as it is today. Divorce was a very big deal. There were a certain number of Jewish women and she targeted them, mainly because they were very vulnerable due to their situation in society at that time and because they came from wealthy families.
'She knew if she could get them to leave their husbands, their families would disown them — she'd have them for life,' says Barbara. 'There was nowhere for them to go.'
Anne encouraged such women — and men, though in fewer numbers — to turn their backs on their previous lives. 'There's no own family,' she would say. 'Only love. Great love.'
Middle-age was the perfect time, she said, to begin their real journeys. 'It is very important and rather advisable for any individual who is midway through their physical incarnation to sever their ties with old things that they do by erecting a new home which will contain new facilities and furnishings which are symbolic of new life powers and blessings and beauties into which you have consciously entered.'
'There's no ifs or buts in that at all,' Anne told her followers. 'Also remember making changes like that are going to involve human and financial sacrifice, but it is a small price to pay, remember, for the fullness of the benefit to be gained by living in agreement with that you know. What must come to you before everything else are the imperishable gifts of the divine spirit through your training.
'I know a tremendous effort has to be made to break the old habits of fear and all the holding back of the self and false economies,' she said. 'Where you are now is like a season. It is a season of your unfoldment.'
Yoga, all kinds of yoga, was a booming craze. It was the thing to do in Melbourne through the 1960s for wealthy women who had raised children. But Anne and her aggressively spiritual — almost occult — approach was gaining attention in the yoga community. At Segesman's school, she cast a spell on a young man in a class who disagreed with her. The incident caused Segesman to break all ties with Anne. 'Anne went into the kitchen when they were clearing up,' says a former cult member, 'and she muttered,
He's not going to be here tomorrow, he's going to be very sick. And of course the next day the man was. Now you can say that's coincidence, it probably is coincidence, but she already was gaining that intention and that reputation of having influence over people's wellbeing, for good or for bad. It made you pretty wary. You stood back. You were careful.'
Three days before Christmas 1962, a Saturday, Dr Raynor Johnson heard the doorbell ring. He was in his study, at his home in the grounds of the University of Melbourne — the academic heart of the city's establishment.
'A day of destiny for me,' Johnson wrote later in a strange, unfinished manuscript that has become a sort of hidden manifesto for the cult.
Johnson, who was 61 in 1962, was the English-born head of the university's Queen's College, a brilliant physicist but a most peculiar man. He was something of a marquee signing for the university: a venerable and very liberal English academic with impeccable pedigree. By the early 1960s, however, he was on the tail-end of his career and had moved in his mind from physics into metaphysics. He was the archetypal seeker.
'A young lady of perhaps 30 to 35 years of age, of fair hair and complexion, of medium to slender build, of clear grey sparkling eyes and a quiet attractive voice, addressed me,' he recorded.
In fact Anne was nearly 41, but may have looked younger as she had begun what was to be a long regime of facelifts.
'I don't think you know me,' she said, addressing Johnson by name, 'but I know you well. My name is Anne —.'
She called herself Anne Hamilton, but Johnson's diary is very coy about names; he either doesn't give them, doesn't give them in full, or uses just initials. For many years to come in speeches and writings, he referred to Anne as an anonymous male.
He invited her in, leading her into his study and showing her to an easy chair. 'She said,
I understand you are shortly going on a visit to India?'
He was indeed to embark, with his wife, Mary, on a six-week trip involving a lecture on 'science and spirituality' at a conference, followed by some travel. 'I think I felt a little surprised that this was known.'
This was one of Anne's main ploys: to find out about people surreptitiously and then dazzle them with her insight. Two men she was said to know well were in and around Queen's College at the time and were likely feeding her information about Johnson. One was John Champness, a Melbourne psychologist who had studied at Queen's. He was a friend, possibly boyfriend, of Anne's before she first married, and he knew Johnson. Later, she told followers she met Champness while singing at the British Empire Society in Melbourne. The other was Michael Riley, her soon-to-be second husband, a South African ex-navyman who would marry Anne for a year, in 1965. He was in charge of catering and then gardening at Queen's. He was very keen on Johnson's increasingly esoteric mysticism, and the two were friendly. Riley later claimed to have awoken Anne sexually, and the two were said to be in a relationship of some sort when he initially told her about Johnson.
It was Anne's first masterstroke — to court and recruit a man of influence in Melbourne. By 1962, as shown in his academic writings, Johnson was so deep into transcendence, the paranormal, and the promise of bliss that he wanted a teacher — a guru, in the Eastern sense — to guide him. She wanted to be that guru.
Johnson was from Leeds, and he went to university in Oxford and London. His specialty in physics was spectroscopy: the science of radiation and light. He worked in London with Ernest Rutherford, who split the atom and discovered the proton


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