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The 27 Best Action Movies of the 90s
The action genre went through an interesting transition in the 90s. It still hadn't quite reached the CGI-overload that would dominate the 21st century, but it was the last hurrah of practical effects. And yet despite the technical limitations of the era, the 90s were still packed with exhilarating, fun, and even thoughtful action movies that still resonate today.
We've run down the 27 best action movies of the 90s, and while there's some diversity in the subgenres including sci-fi to Hong Kong to old-fashioned destruction, all of these films still hold-up and show that the 90s had something to offer to this exciting genre.
Check out our full list below and sound off in the comments if you think of any movies that deserved to make the cut.
Total Recall (1990)
Paul Verhoeven is a master of indefinable films. He delves eroticism, action, and science fiction with a heavily measured tongue-in-cheek satirical bent that is only matched by his unflinching regard for all things beyond the pale. Total Recall, which is one of his finest works, stars Arnold Schwarzenegger as your Average Joe, a regular dude who goes to the local Recall clinic – a place where you can have all the most wondrous memories implanted in your head – and ends up unlocking expertly repressed memories of his life as a secret agent. That pits him against a string of countless government agents, including his stand-in wife (Sharon Stone) as he sets out to bring down a nefarious, if somewhat vague, agency.
Based on a Philip K. Dick short, Total Recall is lavish and ridiculous, a stronghold of Verhoeven's knack for the extravagant and his willingness to go for extremes. What it lacks in coherence, it makes up for in pure panache, as Verhoeven explores the wonders of a futuristic society by upending genre conventions as often as it indulges in them. Equally packed with one-liner humor and gory violence, Total Recall is the myth of the Schwarzenneger hero through the twisted lens of Verhoeven, making it true one-of-a-kind in one on the resume of the action genre's foremost actors. — Haleigh Foutch
La Femme Nikita (1990)
La Femme Nikita launched not only Luc Besson's career as the international man of action entertainment, but it also became an unlikely franchise of its own, spawning two US television series and an American feature film remake (Point of No Return). The watered down stateside formula is simple: woman in cocktail dress + a handgun. But all the US adaptations have missed what made the original so special: Nikita is a Beauty and the Beast tale and Nikita (Anne Parillaud) is both the Beauty and the Beast. And her beginning is beastly.
Nikita begins with Parillaud as a drug addict with a death wish coupled with an impulsive trigger. She shoots a cop after she druggily drifted off to sleep while her drugstore crew robbed a store and died during a shootout with the police. The policeman she shot merely woke her up, expecting her to be a damsel in distress. Nikita wasn't startled by him. She just didn't care. So she shot him. Nikita brutalizes more authority in jail, lands in confinement and is given a choice from the government: accept a death sentence or become an assassin. The Beauty aspect is a glorious touch from Besson, as Nikita is aided by a French New Wave icon, Jeanne Moreau, who teaches her how to embrace a dignified womanhood, even though she may be a contract killer. Many films think that the way to make a female assassin sexy is to give her a bad attitude and fit her into tight leather, but Besson gives Nikita the Bond treatment. She starts with the bad attitude and learns grace—while fitting into a dress that's meant for cocktail hour—and earning her license to kill. – Brian Formo
The Last Boy Scout (1991)
This is Shane Black at his Shane Black-iest, and it makes you wish that he and director Tony Scott had collaborated more. Scott gets the tone that Black's screenplay is going for, and while on the surface the story of a washed-up detective and washed-up football player seems too contrived to work, it does.
The film is unabashedly dark and twisted in its comedy right from the start where we see a football player gun down his opponents on the field before blowing his brains out. Even though it may play within the safety of noir, Scott's skill at the action genre gives The Last Boy Scout a unique flavor that shows off a singular ambition when it comes to this oddball story. Throw in Black's electric dialogue and strong chemistry between leads Bruce Willis and Damon Wayans, and The Last Boy Scout is easily one of the most fun and exciting action films of the decade. – Matt Goldberg
Point Break (1991)
Let's get this out of the way: Point Break is my favorite action film of the 1990s by a country mile. That may primarily be because its underlying focus seems to be on dismantling the legitimacy of the masculine impulses that guide most action films. Director Kathryn Bigelow sets up two opposing visions of masculinity at the center of the film: Patrick Swayze's extreme-sports-loving outlaw Bodie and Keanu Reeves' buttoned-up FBI agent Johnny Utah. As many have opined, the movie could be seen as an unrealized romance between the two men, as Utah goes undercover to infiltrate Bodie's gang of presidentially-masked bank-robbers. One could run with that idea and Point Break would still work perfectly as a bracing, breathless action epic, and that's what separates the film from much of its ilk. There's a sadness at the center of the film that could be construed as sexual, romantic, and tied directly to straight identity. Bodie is liberated, which means he cannot live by the dictates of society, which Bigelow sees as being driven primarily by repression and uniformity. When Utah lets Bodie go at the very end, to meet his end amongst a swell of enormous waves, one can see that where Utah initially craved order, brotherhood, and discipline, he now sees the romance of oblivion that Bodie has become enraptured by. It's a dark thought, but staring out at the crashing walls of water, it's hard to argue the freedom that such a perspective allows. – Chris Cabin
Terminator 2: Judgment Day (1991)
We should probably stop giving James Cameron flak for taking so damned long on these Avatar follow-ups because if there's a man who knows how to make an action sequel, it's him. Hell, he practically defined the format in 1986 with Aliens, and in 1991 he put that bigger, badder formula to grand use in Terminator 2: Judgment Day. Picking up with Linda Hamilton's Sarah Connor 15 years after the events of the first film, we find a woman completely changed by what she experienced – now a tough son-of-a-bitch and ferocious mamma bear devoted to protecting her son, the future leader of the human resistance.
That's just one of the ways the script turns the original film on its head, the most famous being the re-introduction of Arnold Schwartzenegger's T-800, not as an unstoppable villain, but as a reprogrammed protector set against Robert Patrick's even scarier T-1000. Through Patrick's new-and-improved Terminator, Cameron puts advances in digital effects to proud use, crafting wire-taut set-pieces as the liquid metal assassin bends, morphs, and bleeds – a terrifying figure of unstoppable death. While those brilliantly crafted set-pieces demonstrate Cameron's unrivaled mastery of the marriage between technology and cinema, it's the humanity behind the spectacle (who knew a thumbs up could make you cry?) that's held up Terminator 2 as an all-time great, long after modern effects eclipsed its technological triumphs. — Haleigh Foutch
Hard Boiled (1992)
John Woo is a legend of the action genre, which is why you'll see so damned many of his movies on this list. Hard Boiled, his last official Hong Kong film before heading off to Hollywood, is one of his most entertaining and stylistically definitive, and a giant of the genre. Hard Boiled stars Chow Yun-Fat as Tequila, a tough Hong Kong cop obsessed with taking out the nefarious crime ring that murdered his partner, who teams up with an undercover cop on the brink. Along the way, there are plenty of Woo's stunningly choreographed fight scenes and shoot-outs, culminating in an insanely violent shoot-em-up final act that's a breathless series of set-pieces. How insane? Try, "defending infants in a maternity ward from well-armed villains" insane. You just can't beat the moment Tequila apologizes and coos at a tiny baby as he wipes a splatter of his own blood off the wee one's face.
Hard Boiled boasts all of Woo's signature slow-motion sharp-shooting and battletic torrents of blood in their best form. While we've come to take for granted just how much those hallmarks influenced and defined the genre, to watch Hard Boiled is to watch Woo write his chapter in the playbook of modern action. — Haleigh Foutch
Demolition Man (1993)
Set aside Rob Schneider and the three seashells, and Demolition Man is perhaps one of the smartest, most subversive sci-fi films of the 1990s. It doesn't get credit for its subversion because it's putting Sylvester Stallone and Wesley Snipes front-and-center, but if you look at the surrounding film, it's surprisingly crafty with its cultural critique of a future that will be overwhelmed with product placement and forced fuzzy feelings.
Demolition Man provides a unique dystopia, one that's run by the mentality of a neighborhood association rather than a world falling into chaos. While Snipes' Simon Phoenix is ostensibly the villain of the piece, he's right in calling out the bigger bad, Doctor Raymond Cocteau (Nigel Hawthorne) as "an evil Mr. Rogers." Director Marco Brambilla basically reimagined Brave New World, gave it the body of an action movie, and imbued it with comedy. It's a concoction that shouldn't work and yet it does. – Matt Goldberg
Hard Target (1993)
How sweet it is to live in a world where movies like Hard Target exist. John Woo's first American action film is pretty much what you'd expect out of that scenario – bigger explosions, a swaggering hero, and a minimal interest in plot (it's ostensibly about a heroic sailor taking down a ruthless society of men who hunt the homeless for sport, but it's really about Jean Claude Van Damme fabulously kicking ass). The result is an intoxicating middle ground between B-Movie camp and Woo's set-piece artistry.
The director's trademark reverence for kinesthetic on-screen violence remains in tact, and with Van Damme he has an extraordinarily capable vessel through which he can channel it all. There's a precision to Woo's choreography, especially with an athletic specimen like Van Damme behind it, that keeps the audience attuned to every piece of the action. Every punch, kick and bullet lands — a skill that's been widely missing over the last decade when lesser craftsmen tried to emulate Paul Greengrass' frenetic Bourne-style combat. It may not be as smart or incisive as Woo's Hong Kong films, but it's a stellar piece of action filmmaking all the same. Van Damme also knocks out a snake with a single punch, and that's really all I needed to say. – Haleigh Foutch
The Fugitive (1993)
In the early 90s, Harrison Ford was intent on proving that while he was entering his 50s, his leading man days were far from over. The actor was just coming off his first turn as Jack Ryan in 1992's Patriot Games when he signed on to lead a feature film adaptation of a television series called The Fugitive. Now, on paper, this just sounded like a neat little action-thriller, but it turns out Ford went and made one of the best films of the decade. Indeed, Ford's turn as a prominent doctor falsely convicted of murdering his wife is wonderfully dynamic and unsurprisingly intense, and as the title suggests, Dr. Richard Kimble escapes on his way to death row and finds himself pursued by a relentless U.S. Marshal, played by Tommy Lee Jones. Director Andrew Davis frames the film as a non-stop action-thriller with a strong mystery throughline, and while there are certainly spectacular set pieces to be found, it's the deeply human performances of Ford and Jones that really make this thing soar. It's no wonder the film scored seven Oscar nominations—including Best Picture—and one win for Jones. – Adam Chitwood
Speed (1994)
Speed is often described as "Die Hard on bus" and that's complete nonsense. To be sure, the 90s were littered with Die Hard copycats (See: Sudden Death), but Speed ain't one of them. For one thing, the action isn't confined to a single location. But most importantly, Keanu Reeves' Jack Trayven isn't picking off bad guys one-by-one as he works his way to the top, and he isn't the right guy in the wrong place, he's specifically targeted by Dennis Hopper's incredibly creepy retired police officer with a grudge.
Now that that's out of the way, we can celebrate Speed for what it is – an original spin on a well-worn formula that was executed so well, it managed to spawn copycats of its own (See: Chill Factor). Written by Graham Yost, who would go on to Justified fame, Speed was a hell of a debut from Die Hard DP Jan De Bont (who sadly never replicated the success of his first film) that had the foresight to recognize the talents of Sandra Bullock before the industry caught wise. Following Point Break, Reeves cemented his place as a premier action star (a legacy that was expertly re-established recently with John Wick), and his chemistry with Bullock is first-rate, making for a movie that's endlessly watchable, even when you've become well acquainted with its clever twists and turns. — Haleigh Foutch
True Lies (1994)
Part ballistic Arnold Schwarzenegger-fronted action, part domestic comedy, True Lies is lesser James Cameron, which means it's still fantastic because this is James Cameron, after all. True, the film may not have redefined the genre, as so many of Cameron's works tend to do, but it's a damn good time and a pleasing mishmash of genres. Framed as a Schwarzenegger piece that ultimately give co-star Jamie Lee Curtis equal room to shine, the story follows Schwarzenegger's Harry Trasker — a special agent keeping his life secret from his nearest and dearest, including his wife, Helen (Curtis) — who we soon discover is seeking her own thrills.
Cameron, who has a history of knowing exactly what to do with Bill Paxton, puts the actor to some of the best use yet as a sleazy car salesman, conning his way through life under the visage of a secret agent. When he entraps Helen in his web, that's when things get tricky. Cameron delivers all the action spectacle you'd expect, with effects that earned an Oscar nomination, along with a delightful comedy of errors. Along the way, we get stunning action sequence, extraordinary fight choreography, and hilarious antics that's one of the best action-comedies of the decade, if nowhere near one of Cameron's best works. — Haleigh Foutch
The Crow (1994)
A dark tale of vengeance made with exemplary style, The Crow remains something of an anomaly. This violent tale of a would-be rock star (the late Brandon Lee) who returns from the dead to violently dispose of the men who raped and murdered his wife, and the sadistic boss-man they serve (Michael Wincott), skirts fantastical elements but remains largely focused on its own unique world. There's no stress on how the vigilante known as the Crow comes back and the dark world he resides in isn't a world of magic. It's a simple yet audacious conceit that allows director Alex Proyas to express a cynical worldview, and the lasting power of the film comes from his stylistic choices. Lee's being dispatches the gang in not-so-pretty fashion, rather by giving one gang member a big hot shot to seemingly sticking another one with every knife available in this world, but Proyas doesn't stint on the dramatic oomph. The great Ernie Hudson does reliably excellent work as the grief-stricken cop who discovered Lee's rockstar and his fiancée, and Rochelle Davis is immediately engaging as Sarah, the young teen who played proxy daughter to the young couple. Adapted from James O'Barr's comics, The Crow is a unique vision of revenge as moral imperative in a world where nothing good stays but it only works because Proyas envisions an entirely different world and doesn't attempt to suggest that we might as well be living in such a horrific state of existence. – Chris Cabin
Die Hard with a Vengeance (1995)
Perhaps the greatest strength of Die Hard with a Vengeance is that it didn't start out as a Die Hard movie. It was originally a thriller called "Simon Says", and the studio refitted it into a Die Hard film, which was the smart move, especially since Die Hard 2 basically feels like a retread to the point where John McClane (Bruce Willis) actually comments on the ridiculousness of two similar situations.
Die Hard with a Vengeance changes the rules of Die Hard in all the right ways. Instead of confining the action to one location, it's spread out across New York City. Instead of putting McClane out on his own, he's paired with a reluctant Samaritan, Zeus (Samuel L. Jackson). Instead of having McClane pining for his wife, he's now a drunk that's been suspended and lost everything. And yet it still retains the core of what a Die Hard movie should be, which is John McClane trying to stop a group of bad guys and getting the shit kicked out of him in the process. While he's borderline superhuman in this flick (a line that would be crossed in the next two Die Hardmovies) and the original ending is better than the one in the film, Die Hard with a Vengeance is still a terrific action movie and the second best Die Hard film. – Matt Goldberg
Sudden Death (1995)
Die Hard imitators were a dime a dozen in the 90s, but Sudden Death is one of the most formula faithful and one of the best. It's best described as Die Hard in a hockey arena, starring Jean Claude Van Damme and if you're not already sold, I'm not sure we're on the same page here. Van Damme leads as Darren McCord, a former firefighter traumatized by a tragedy in the field, who picks the worst night possible to bring his kids to the hockey arena he oversees as Fire Marshall. Enter Powers Booth, playing the Hans Gruber of the piece, a greedy military man named Joshua Foss who holds the vice president hostage and threatens to blow up the entire arena unless he gets his money.
But Foss is a much more twisted villain that Gruber ever was, casually offing innocent civilians with glee and relishing every opportunity to torment McCord's captive young daughter, who he repeatedly mocks, threatens, and tries to kill. There's something about watching a full grown man threaten to stuff a child's mouth full of spiders that sets a singular tone, somewhere between pitch darkness and over-the-top humor. That tone manifests in strange ways throughout Sudden Death – the ruthless execution of Foss' hostages, McCord's increasingly creative ways off picking off henchmen (from dry ice to MacGyver-ish projectile devices), and most memorable, a knockdown-dragout between Van Damme and a giant woman in a Pittsburgh Penguin Mascot outfit that just has to be the inspiration for Peter Griffin's chicken fights. As far as ripoffs go, Sudden Death is one of a kind. — Haleigh Foutch
The Rock (1996)
Here it is: Michael Bay's sole, legitimately good movie. While Bay has made other entertaining pictures, The Rock is the only one that isn't aggressively stupid. That's not to say it's the sharpest action movie ever, but it doesn't carry over any residual guilt. You can feel good watching The Rock and it's action mayhem. It's silly, but not in a way that's overly empty-headed. Yes, there's the larger-than-life stakes and action movie tropes, but Bay finesses them into a reasonable picture. There's no confusing The Rock with a film like Bad Boys II.
What's great about The Rock is how many little things it gets right. You expect Bay to deliver on a car chase and shootouts, but there are plenty of small touches that make it standout. I love that the "villain" (Ed Harris) isn't a bad guy. I love that when Nicolas Cage has Cage-ian outbursts, it's because they're motivated by the plot rather than him trying to chew the scenery. I love that there's a movie with John Spencer calling someone "fuckhead". It's the little things that elevate The Rock to being not just Bay's best movie, but one of the best action films of the 90s.
Mission: Impossible (1996)
The Mission: Impossible franchise is the ideal example of what a big-budget series of films should be, anchored by a series of stylish top-tier filmmakers and the unparalleled chutzpah of Tom Cruise. With the notable exception of the deeply flawed second installment, these films have given the likes of J.J. Abrams and Brad Bird open canvases to exercise their big-screen know-how, but it's never been as visually hypnotic and narratively caustic than in Brian De Palma's infectious original. On the hunt for the people responsible for the murders of his team, Cruise's Ethan Hunt must cross and double-cross government agencies and crime bosses ad nauseum, and De Palma takes the chance to stage the intrigue and astounding stunts with Hitchcockian verve. Perpetually in praise of the master of suspense, De Palma makes Mission: Impossible his variation on the likes of Foreign Correspondent and other wrong-man narratives (Young & Innocent, North by Northwest, etc.), but it's not solely a work of homage. De Palma's sensational set-pieces are exemplary and rhythmic in ways that are unmistakably beholden to De Palma's filmic language, from the riveting break-in at Langley to the climactic exchange on a bullet train. There's plenty of danger in all of the Mission: Impossible films but only the original exudes such potent menace and a giddy sense of cinematic indulgence. – Chris Cabin
Independence Day (1996)
Let's all forget the buzzkill sequel and remember Independence Day for the monument-exploding charisma-fest we all fell in love with back in 1996. Before Roland Emmerich's apocalyptic spectacle devolved into a redundant schtick, he gave us an all-timer alien invasion actioner, and it was anchored by an exceptionally charming, nonchalantly inclusive cast long before diversity became the buzzword. You just can't beat Judd Hirsch's nervous nagging, or Will Smith and Jeff Goldblum tireless bickering as they fly off into impossible odds. Obviously, you can't beat Bill Pullman delivering what remains one of the best cinematic St. Crispian's speeches of all time.
Aside from the film's endless charms, you can't undersell the impact of the Emmerich's groundbreaking effects, shot in miniature, that hold up to this day even with the tremendous technological advancements over the last 20 years. Independence Day arrived long before the dawn of pervasive apocalyptic entertainment, and the spectacle on display was a stunning experience unlike any that had come before. — Haleigh Foutch
Escape from L.A. (1996)
Where Escape from New York was a precisely cut, stylish science fiction classic – politically subversive, serious-minded in its conception, and vibrantly inventive in its imagery – Escape from L.A. seems more purposefully cheeky and cheap. This isn't to say that the second mission by Snake Pliskin (Kurt Russell) isn't encoded with John Carpenter's particular brand of leftist politics, but it's delivered in a far more bombastic aesthetic, the dark greys and blues of the first film traded in for yellows, oranges, and reds. This is, in a sense, a reflection of the difference between the two cities but also reflects the mythology of those cities. New York is thought of as a dangerous realm rife with killers, gangs, and violent thieves, whereas Los Angeles is the playground of the blowhards, the covert sadists, the con men, and the self-obsessed. In a sense, this is a commentary on Carpenter's arrival in the Hollywood system, far away from his early days as cult genre filmmaker that had to do some hard-scrapping to get his meager budgets. In Escape from L.A., pitted against a cruel revolutionary who makes himself up like Che Guevera, Pliskin is a man with a name, a celebrity even, brawling and shooting his way out of an island of West Coast maniacs and derelicts, just trying to get a job done. – Chris Cabin
The Long Kiss Goodnight (1996)
Shane Black rightly gets a lot of credit for his script for Lethal Weapon, but there's just as much to love about his ribald, snappy dialogue and action-genre structuring in the script for The Long Kiss Goodnight. Director Renny Harlin provides a kinetic pace and all the explosions, gunfights, and hand-to-hand combat you can handle in this story of a housewife (Harlin's off-screen wife Geena Davis) who slowly remember her former life as a deadly assassin. Harlin does an admirable job but the film belongs to Black's preternatural understanding of the genre, as well as a tremendous cast top-lined by Davis, Samuel L. Jackson, Brian Cox, Craig Bierko, and David Morse. The winter setting, set against a lot of fire and hot lead, invokes a feeling of reawakening from a frozen state of mind and Black's writing offers a few more uniquely strange set-pieces, such as the deer-killing after the car accident that awakes Davis' mommy dearest or the bananas climactic showdown. All the while, Davis and Jackson burnish chemistry that few action films have been blessed with, adding an all-important human element to a genre that's often happy enough to drifts along on autopilot. – Chris Cabin
Con Air (1997)
This one falls into the "So bad it's great," category of 90s action movies. It's a movie so delightfully dumb and yet there seems to be just enough awareness of how silly everything is without winking at the audience. It's almost like director Simon West is saying, "Yes, this is a film where a decorated soldier is sentenced to prison for protecting his pregnant wife from violent rednecks. That's the logic we're employing."
While there have been many Michael Bay imitators, Con Air comes the closest to recreating Bay's style, and the action is delightful and becomes even better when paired with a cast of colorful characters played by John Malkovich, Danny Trejo, M.C. Gainey, Dave Chappelle, Nick Chinlund, and Ving Rhames. And then there's Nicolas Cage, doing a terrible southern accent, and making the proceedings even loonier. Con Air is just a giddy thrill ride, and an unabashed good time despite its overwhelming stupidity. – Matt Goldberg
The Fifth Element (1997)
Luc Besson's 1990 film La Femme Nikita certainly piqued audiences' curiosity and 94's The Professional gave him cult status, but with the introduction of The Fifth Element in 1997, Besson earned his first big-stage, box office blockbuster. The film was a perfect storm of cinema, combining the proven entity of Bruce Willis with the up-and-coming talent of Milla Jovovich, supported by such veterans as Gary Oldman and Ian Holm, and the comedy styling of Chris Tucker. Mix in a delightfully bizarre future-set mythology and a myriad of beautiful worlds full of creatures and aliens brought to life through practical design, and you have an action-packed, space-tripping epic that pleased domestic and international audiences alike.
The Fifth Element made its mark on the action genre by throwing colorful characters (literally and otherwise) together in a space-based shooting arcade that leaped from one altercation to the next at a break-neck pace. Whether it's a spaceship battle in a planet's orbit, a flying-car chase through the smog and haze of an overcrowded city, or the final stand against the universe's greatest evil, The Fifth Element has a style of action balanced with snappy dialogue and humor that's nearly impossible to replicate, even by Besson himself (though he has tried). And you can enjoy this classic whether you've never seen it before or are watching it for the thousandth time. – Dave Trumbore
Starship Troopers (1997)
Paul Verhoeven's Starship Troopers presents the future as a place where nationalities are no longer recognized, men and women are equal in the job force and are so nonchalant about gender they can share the same bathrooms, showers, and changing rooms without a wandering gaze. What a utopia! This society should be protected at all costs! And protected it is, by the youth brigade who must enlist into the military in order to earn citizenship. Ah, so there's a catch.
Verhoeven, ever the sneaky satirist, made a Hollywood career out of subverting the action genre by giving the people what they wanted—blood, guts, and nudity—while also making fun of the society that craves to see so much of that primal excess. And Starship Troopers is his satirical masterpiece. He follows a band of attractive but banal soldiers as they shoot off into space to fight giant bugs. And he fills the screen with propaganda videos made by Earth about why this space bug species must be exterminated. Eventually—amidst the bug splats, the brain sucks, and the workplace nudity—we see that Troopers is really an anti-Fascist film. And that the citizens of Earth, who must fight in order to become citizens, are blindly following the creed that "war solves everything." At the bottom of each propaganda video, the viewer sees a question prompt: "Would you like to know more?" But how many of its citizens can actually read and comprehend that message? It's revealed that the bodily and nation-free utopia is devoid of any type of education that isn't warfare. For finding a constant threat and feeding fear can prevent free thought. – Brian Formo
Face/Off (1997)
It's easy to say that John Woo's American films revealed an inability to translate his vaulted, bombastic style to a more believable timbre for American audiences. Hard Boiled, which appears on this very list, and The Killer are many things but above all else, they are fucking crazy. There's an identical strain of lunacy in Broken Arrowand, more importantly, Face/Off, which saw John Travolta's obsessive FBI agent Sean Archer and Nicholas Cage's notorious Castor Troy, the man who killer Archer's young son, switching faces. If one attempts to drag logic, kicking and screaming, into an appreciation of Face/Off, the game was lost before it even began, but logic and reason often have no place in action films.
For all its inexplicable narrative decisions, Face/Off is an exhilarating work of action chutzpah, one that dips deep into the thematic consideration of what, if anything, separates the criminals from the people who chase them. At well over two hours, Face/Off boasts entropic pacing, wildly theatrical, over-the-top performances, and set-pieces that will blow your wig off. Some may say that the film is too silly, too raucous to be enjoyed, and there's an argument to be made that they are completely right. For a seasoned fan of the genre like myself, however, Face/Off is all nonsensical decadence. – Chris Cabin
Blade (1998)
Blade certainly isn't the best vampire movie to come out of the 90s, but it is one of the most kick ass. An action-packed comic book adaptation ahead of its time, Blade recruits genre icon Wesley Snipes as the titular hybrid mercenary on a mission to rid the world of an evil vampire scourge. From a screenplay by David S. Goyer, who would later help establish "gritty and grounded" as the order of business for the DC universe with The Dark Knight Trilogy and Man of Steel, Blade integrates vampire culture believably into the underworld of contemporary society with a goth raver bent that makes them seem like a bunch of blood-thirsty tools. Basically, you really just can't wait for Blade to kick the shit out of them all.
And Snipes does so with aplomb in a tremendously athletic performance, as he slices, shoots and stakes his way through his immortal foes with impeccable physical command. He's backed by the weaponry of his vampire-slaying ally Whistler, played by a delightfully gruff and grumbly Kris Kristofferson, and the two have a no-nonsense, taking-care-of-business friendship that helps keeps the movie entertaining even when no fists are flying and the dialogue becomes laughable. Cheesy lines and all, Snipes carries the movie on his very muscular back with a self-seriousness that works for the character, if not the film at large, and consistently fantastic fight scenes. – Haleigh Foutch
The Mask of Zorro (1998)
First, I'll admit you have to set aside the fact that Anthony Hopkins and Catherine Zeta Jones are playing people of Spanish descent. If you can overlook that slightly uncomfortable fact, The Mask of Zorro is one hell of a swashbuckling action adventure that should have spawned a new era for the masked hero rather than just one disappointing sequel. It's also the film that should have cemented Antonio Banderas as an action star, although he kind of blew that with films like The 13th Warrior, Ballistic: Ecks vs. Sever, and Once Upon a Time in Mexico.
But back in 1998, Banderas was very much a credible action hero, and he carries the role of Zorro with aplomb. Director Martin Campbell crafted a delightful throwback to the old serials while keeping the proceedings fresh enough to appeal to modern audiences. The movie is fast, fun, exhilarating, and charmingly old-fashioned in its heroics. It's kind of a shame that Zorro is being rebooted as a futuristic, post-apocalyptic tale when Mask of Zorro shows there's so much fertile ground to cover in his native setting. – Matt Goldberg
Ronin (1998)
By the time Ronin came out in 1998, director John Frankenheimer hadn't made a good movie since 1985's The Holcroft Covenant and hadn't made a great movie since the mid-1960s. The political anger and visual storytelling savvy that made Seconds, The Train, and The Manchurian Candidate so powerful and enduring had long since faded into a kind of mechanical knowledge of filmmaking in movies like Prophecy and The French Connection II. Ronin, however, didn't feel mechanical nor did the movie feel particularly pre-destined, like the aforementioned 1980s works. Following Robert De Niro's deadly, enigmatic freelance former intelligence officer and his team as they attempt to divert a package from similar teams from Ireland and Russia, Ronin felt like an old-fashioned, scrappy action epic that aired on the side of nuance over bombast.
This would turn out to be one of De Niro's last great performances before he only put forth effort for David O. Russell, and a superb cast that includes Jean Reno, Natascha McElhone, Stellan Skarsgard, Sean Bean, and Jonathan Pryce backs him. These performers give all the robust spy business zip and an evocative emotional undercurrent but the real star is Frankenheimer, whose sense of pace and tension seemingly came back for one last return engagement. Working from a script by J.D. Zeik – in full disclosure, one of my instructors at SUNY Purchase – Frankenheimer makes a classical spy film that doesn't feel beholden to any kind of rigid traditionalism, and moves with the purpose and focus of a hungry shark. – Chris Cabin
The Matrix (1999)
Though it came at the tail end of the decade, opening in late March of 1999, the Wachowski Siblings' neo-classic sci-fi flick completely changed the game for movies that would come after it. The technology and techniques for the now-iconic Bullet Time sequences weren't invented for this film, but they were certainly pulled into the modern era, putting the effect on display for audiences around the world. This could easily have been written off as a gimmick – which indeed it was for future films that aped its style – but thanks to a solid, thought-provoking, and at times mind-bending mythology, The Matrix remains one of the best movies of the 1990s.
But since we're concerned with action here, let's talk about the best examples from The Matrix: This thing opens with a thrilling (and confusing) chase sequence that introduces the movie's dual worlds, teases the interface between them, and showcases the wall-running, rooftop-leaping Trinity and the Agents in dogged pursuit. It's a slap to the brain that forces you to sit up, pay attention, and ask the hard questions: Not just how did they do that, but why? And as the answers are doled out over the course of the film, we're treated to lots and lots of hand-to-hand combat, gunplay, and chase sequences, all in the signature style of the Wachowskis. In the action department, The Matrix is simply, "The One." – Dave Trumbore


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One aspect of being mayor is swinging constantly from the micro to the macro and back.
The micro can mean paying attention to the details of Bloomington and doing what we can to improve life a bit for some people, for some places, for some time. Recent initiatives include:
Sixteen units of affordable housing to be built next to our newest public park. The first new housing to go in by Switchyard Park will be permanently affordable housing, developed by the new nonprofit affiliate of our Bloomington Housing Authority. This is walking the walk at a micro level: protecting the mix of residents in this neighborhood and helping ensure our new park will be enjoyed by all our residents.
A pilot program to employ people experiencing homelessness or deep poverty in servicing and protecting some downtown public parks. We're contracting with Centerstone, our community mental health provider, to employ several individuals starting this month, to offer them a job with accompanying wrap-around services and a decent wage. This is helping a few people to start; we hope it works well and we can expand it.
The macro can mean responding to state, national, or global issues, from our place in Bloomington:
Last month we sued the state of Indiana for violating our state constitutional protection against special legislation, when the legislature singled out Bloomington and shut down an ongoing annexation process. The fundamental issue is protecting local democracy and autonomy against a conservative state government's intervention in response to special corporate interests. From affordable housing, to environmental protection, to public schools, to local finance – we face constant meddlingin very local issues, and we must stand up against it.
Like many people, we were aghast and outraged when President Trump announced the plan to withdraw the US from the Paris agreement to address climate change. We were an early joiner among 180+ cities who have formally protested and committed to continue the efforts outlined at Paris. (see our letter here) We won't stop our resistance to national disasters like this, and will keep acting locally to do what we can.
From micro to macro, we keep working daily to put progressive values into action. This is our city, and country, and planet, and we need to do our level best to create the city and country and planet that we want to live in and pass on to the next generations. Thanks for all you do.
Democratically Yours,
Ps Look for house parties this summer where we can meet and talk about our city – where we are, and where we want to go. Details to come atJohnHamiltonforMayor.com.

subset: commoncrawl


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Displaying 1 of 1 Format: Kit Author: Hosseini, Khaled. Title: A thousand splendid suns [club] / Khaled Hosseini. Subjects: Borrow-a-book Club. Notes: Borrow-a-book Club is a service available to Burlington County Library System customers wishing to establish book discussion groups. Contents: 6 hardcover books -- 2 Large print books -- 4 paperbacks -- Clip board. Web Site: Click here to fill out online form to reserve kit and see full list of titles Call Number: Canvas bag with books ISBN: 9781594489501 9781594483073 (pbk.) Control Number: 349277 System Availability: 1 # System items in: 1 Current Holds: 0 Medium: [club] Request It Please select and request a specific volume by clicking one of the icons in the 'Find It' section below. Add to My List Expand All | Collapse All Find It Large Cover Image Trade Reviews New York Times ReviewALL good journalism is really travel writing. You prepare for a serious story the way a foreign correspondent would. You buy the maps, you learn the language, you hang out with the locals - not just the taxi drivers! - and then you write. That's what Robert Frank has done. He writes the Wealth Report column for The Wall Street Journal. (Who writes the Euchred by Capitalism column, I wonder?) In his new book, "Richistan," he posits the existence of a little-known country within our country. This "parallel country of the rich" was once just a village, he argues, but now it's an entire nation. The data bear Frank out. It was a huge deal when John D. Rockefeller became the country's first billionaire. Adjusted for inflation, he had $14 billion - less than the net worth of each of Sam Walton's five children today. There were an estimated 13 American billionaires in 1985. Now there are more than 1,000. In 2005, America minted 227,000 new financial millionaires, men and women with more than $1 million in investible assets. There are as many millionaires in North Carolina as there are in India. And so on. Frank argues that the rich are "financial foreigners" within their own country. They have their own health care system, staffed by "concierge doctors." They have their own travel network of timeshare (or private) jets and destination clubs. For her birthday, one 11-year-old "aristokid" pleads to fly commercial, "to ride on a big plane with other people. I want to see what an airport looks like on the inside." Like an anthropologist in the Amazon basin, Frank goes native. Except instead of a loincloth, he dons a white tuxedo to attend the International Red Cross Ball in Palm Beach, where he meets "Jackie Bradley, a buxom blonde squeezed into a jewel-encrusted Joy Cherry gown." Bradley is chatting up her new book, "The Bombshell Bible." "It's really more about my inner life," she says. "I'm hoping to use it to help other women like me." And Frank learns the lingo. Most Richistanis earn their citizenship through a "liquidity event," when someone buys out their company, rather than through inheritance. Hedge fundies prowl the nether regions of Manhattan for trendy paintings, or "noncorrelated assets." "Affluent" is Richistani code for "not really rich." According to Frank, you need about $10 million to be considered entry-level rich. Frank also plumbs Richistan's secret status codes. You might have thought that a Mercedes SLK or a Rolex were flash possessions. Wrong! In Richistan, they are reverse status symbols. The affluent drive Mercedes; the rich drive Maybachs. Franck Muller hardly advertises their bejeweled watches, which top out around $600,000, because they might attract the wrong kind of attention. Like yours. If you experience status anxiety, this book isn't for you. You can't avoid the conclusion that everyone is a lot richer than you are, whether he deserves to be or not. Here's a guy, Ed Bazinet, who got rich making little ceramic villages with light bulbs inside them. How hard can that be? On a more reassuring note, it's nice to learn that the rich suffer status anxiety, too. When Richistanis are asked how much money would make them feel secure, they inevitably choose a figure that is double their own net worth. Because so many newly enriched entrepreneurs hail from middle-class backgrounds, they hate being called rich. Chauffeurs, for instance, are out. Rolls-Royce says 95 per cent of its customers drive the cars themselves. Tim Blixseth, the founder of the Yellowstone Club and other gated hideaways, tells Frank: "I don't like most rich people. They can be arrogant." This from a man who owns two Shih Tzus named Learjet and G2. As in Gulf stream G2. If you were rich, you would get it. These aren't people who spend a lot of time looking in the mirror. Because if they did, they would see, as Frank does, the contradictions behind their middle-class protestations and high-profile philanthropic ventures on the one hand, and their ordering alligator-skin toilet seats for their private jets on the other. Frank is not a flashy writer, but he is smart enough to let the material come to him. When he sits down with the inflatable-pool-toy magnate Simon Fireman for lunch at the Mar-a-Lago Club in Palm Beach, Fireman pulls "from his jacket pocket a two-page spreadsheet of all his charitable donations for over a decade, which he said I was free to publish." If "Richistan" is travel journalism, then ... do we want to go there? Not much. The people sound dreadful and not very happy, to boot. But consider the alternative. Frank gets a glimpse of the world outside when he attends Fort Lauderdale's International Boat Show, right after Hurricane Wilma has plowed through town. "Thousands of residents in the poorer sections of Fort Lauderdale (most of them black or Hispanic) were left homeless," Frank writes, "sweating through the tropical heat, without electricity." Meanwhile, at the Bahia Mar Marina, a chocolate fountain gurgled and the $20 million yachts and vendor pavilions were "perfectly chilled." Look out the window: It's Pooristan. Hmmm. I wonder who lives there. And will anyone be writing a book about them? For her birthday, one 'aristokid' asked to fly commercial, to 'see what an airport looks like from the inside.' Alex Beam is a columnist at The Boston Globe and the author, most recently, of "Gracefully Insane." Library Journal ReviewHosseini sees whether he can top The Kite Runner's remarkable recordA103 weeks on the New York Times best sellers listAwith this tale of two very different Afghan women over 30 years. With a national tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Booklist ReviewHosseini's follow-up to his best-selling debut, The Kite Runner (2003) views the plight of Afghanistan during the last half-century through the eyes of two women. Mariam is the illegitimate daughter of a maid and a businessman, who is given away in marriage at 15 to Rasheed, a man three times her age; their union is not a loving one. Laila is born to educated, liberal parents in Kabul the night the Communists take over Afghanistan. Adored by her father but neglected in favor of her older brothers by her mother, Laila finds her true love early on in Tariq, a thoughtful, chivalrous boy who lost a leg in an explosion. But when tensions between the Communists and the mujahideen make the city unsafe, Tariq and his family flee to Pakistan. A devastating tragedy brings Laila to the house of Rasheed and Mariam, where she is forced to make a horrific choice to secure her future. At the heart of the novel is the bond between Mariam and Laila, two very different women brought together by dire circumstances. Unimaginably tragic, Hosseini's magnificent second novel is a sad and beautiful testament to both Afghani suffering and strength. Readers who lost themselves in The Kite Runner will not want to miss this unforgettable follow-up. --Kristine Huntley Copyright 2007 Booklist Kirkus ReviewThis Afghan-American author follows his debut (The Kite Runner, 2003) with a fine risk-taking novel about two victimized but courageous Afghan women. Mariam is a bastard. Her mother was a housekeeper for a rich businessman in Herat, Afghanistan, until he impregnated and banished her. Mariam's childhood ended abruptly when her mother hanged herself. Her father then married off the 15-year-old to Rasheed, a 40ish shoemaker in Kabul, hundreds of miles away. Rasheed is a deeply conventional man who insists that Mariam wear a burqa, though many women are going uncovered (it's 1974). Mariam lives in fear of him, especially after numerous miscarriages. In 1987, the story switches to a neighbor, nine-year-old Laila, her playmate Tariq and her parents. It's the eighth year of Soviet occupation--bad for the nation, but good for women, who are granted unprecedented freedoms. Kabul's true suffering begins in 1992. The Soviets have gone, and rival warlords are tearing the city apart. Before he leaves for Pakistan, Tariq and Laila make love; soon after, her parents are killed by a rocket. The two storylines merge when Rasheed and Mariam shelter the solitary Laila. Rasheed has his own agenda; the 14-year-old will become his second wife, over Mariam's objections, and give him an heir, but to his disgust Laila has a daughter, Aziza; in time, he'll realize Tariq is the father. The heart of the novel is the gradual bonding between the girl-mother and the much older woman. Rasheed grows increasingly hostile, even frenzied, after an escape by the women is foiled. Relief comes when Laila gives birth to a boy, but it's short-lived. The Taliban are in control; women must stay home; Rasheed loses his business; they have no food; Aziza is sent to an orphanage. The dramatic final section includes a murder and an execution. Despite all the pain and heartbreak, the novel is never depressing; Hosseini barrels through each grim development unflinchingly, seeking illumination. Another artistic triumph, and surefire bestseller, for this fearless writer. Copyright ©Kirkus Reviews, used with permission. Summary
 Propelled by the same superb instinct for storytelling that made The Kite Runner a beloved classic, A Thousand Splendid Suns is at once an incredible chronicle of thirty years of Afghan history and a deeply moving story of family, friendship, faith, and the salvation to be found in love.

 After 103 weeks on the New York Times bestseller list and with four million copies of The Kite Runner shipped, Khaled Hosseini returns with a beautiful, riveting, and haunting novel that confirms his place as one of the most important literary writers today.

 Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul-they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival.

 A stunning accomplishment, A Thousand Splendid Suns is a haunting, heartbreaking, compelling story of an unforgiving time, an unlikely friendship, and an indestructible love.

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I've got a blog! https://shkspr.mobi/blog/
It's important to keep your ears clean #CatsOfMastodon
on a whim I just enabled a version of Museum Things over here; you can now follow it over at @museum_things!
Why Android Pie Won't Be Getting the Copyleft Symbol
#google #unicode
Has anyone here bought a .中国 domain?
I last tried through Gandi - but it got tied up in paperwork.
So I settled for https://莎士比亚.org/
But I really want a full IDN 😁
"Nadeshiko Pink"
Reminder: In just one month, all NEW websites & apps published by the public sector in the European Union must adhere to WCAG 2.0 (alas, with exceptions). Read more & see the further timeline on my little info website on #EU20162102 #Directive2102 https://directive2102.eu
Just added Mastodon to my "Contact Me" page - https://edent.tel/
Still wondering about proper URl schemes for it though...
"Café Noir"
Only issue I can find was cloaed a year ago.
Soooo... Why are Mastodon usernames restricted to English characters?
I was having a look at my photos archive and look what I found @Edent :-)
This year, International Day Against DRM (#IDAD) is on the 18th of September, 2018.
Libreture will be involved again this year with a special treat for everyone.
Read up, get involved and, if you like to read, support DRM-free Bookshops: https://Libreture.com/bookshops
Open Data supporters/users should make their views and evidence known.
Stop using Microsoft Windows for displays!
Adding this to https://windowsisbroken.tumblr.com
Just had our first bench in Milwaukee, WI!
I'll get the website auto-tooting ASAP.
I've got a blog! https://shkspr.mobi/blog/
Server run by the main developers of the project It is not focused on any particular niche interest - everyone is welcome as long as you follow our code of conduct!


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help in writing book
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Browsing PhD by Author "Zhou, Hong"
Now showing items 1-1 of 1
A knowledge based reengineering approach via ontology and description logic. Zhou, Hong (Thesis or dissertation / Doctoral / PhD)Traditional software reengineering often involves a great deal of manual effort by software maintainers. This is time consuming and error prone. Due to the knowledge intensive properties of software reengineering, a ...


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Freda Chow Website
About // Freda is a Vancouver base real estate agent working for Regent Park Fairchild Realty Inc.
Work // Focus Media Inc. Client // Freda Chow Realty Project // Rebranding Design Deliverables // Website Design Pitch Deck
About // Focus Media Inc. Richmond, BC, was founded in 2013, since then, we've gown into a vibrant corporation, with a full house of designers, techies, sales and event marketing experts.
We specialize in branding, marketing, digital production, SEO, corporate videos, apps, animation, branding, multi-media design, post production and more. Focus Media Inc. Richmond, BC caters to Canada, Asia, North America and beyond. Our research and development, resulting in customers, include cultures across two continents.


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LA Lakers legend Kobe Bryant has been named as the new brand ambassador for Asian betting operator, Fun88, which will see him promote the company across a number of key markets. Kobe Bryant and FUN88 will work together to promote the brand in several key markets, such as Asia and …Read More »
Daily Archives: 26.06.2019
NHS to open England first gambling clinic for children
England's National Health Service (NHS) will launch in Sunderland its first gambling clinic for children later this year as part of a new network of services for addicts. The clinic will be tailored towards supporting those between the ages of 13 and 25. Specialist face-to-face NHS treatment for gambling addiction …Read More »
Evolution Gaming enters Swiss gambling market
Live dealer software supplier Evolution Gaming has formed a partnership with Grand Casino Baden, one of four Swiss land-based casinos to secure a new online gaming licence in the country. Under the terms of the deal, Evolution will supply its full portfolio of Live Casino games to the land-based casino, …Read More »
Soccer statistics and online betting
Online betting has become really exciting in recent years. Odds reaching hot high and dropping instantly at live betting, a huge variety of betting markets in every match and lots of offers from the online bookmakers have made betting an amazing experience, if not profitable. However, through the passing of …Read More »


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Very interesting subject. I did want to comment on having buyers come to your house for the purchase. I have had buyers come to my house to purchase items most of my life, and I'm 61. Yes, from time to time it can get a little scary with loco buyers, it does happen. Before the internet, it was newspapers, local flyers, and sale boards at the grocery store, etc. Back in the old days you had to have people come to your house. Besides, selling a riding mower online leaves you with limited options, that is unless you want to drive it up to your local McDonalds for a no show. Yes, the gentlemans comment on having a buyer call or text when they arrive at your residence is a great idea. I've done it for years and it works. I've had many of my friends ask me is it safe. The answer is yes and no. Common sense will dictate if you don't feel comforatable with having people stopping by your house, then it is not a good idea. In closing I will say, be safe, and do what your gut tells you.
Thank you! I've had a lot of these three-type scams, especially any time I've sold an iPhone! I appreciate your story about taking back your power, too! I have wasted umpteen hours on flakes! Great tips!
The diapers in such quantity are prolly stolen or discount ones in premium boxes. He sees your older and won't stand for the run around bull.
Yes this the new game they play with phone accounts , really is sad.
I agree with you 100%


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The Ohio Department of Aging says an alleged incident at a Lima nursing home, reinforces the importance of safety in those facilities.
The state agency says they are working closely with the offices investigating the injuries sustained by 70-year-old Susan Washington of Lima at the Lima Rehab and Nursing Center.
According to the Lima Police Department, a report was filed with the department about the alleged incident Wednesday night. Washington sustained significant facial injuries at the facility. The Lima Police Department has assigned a detective and the Ohio Department of Health is also investigating the alleged incident.
Press Release from the Ohio Department of Aging:
Ohio Department of Aging Underscores Importance of Nursing Home Safety In Light of Incident at Lima Facility
Columbus, Ohio – "The Ohio Department of Aging (ODA) is working closely with offices investigating the injuries sustained by the former resident of the Lima Nursing and Rehabilitation Center. ODA advocates for excellence in long-term care. Like the family, we have a strong interest in the outcome of a thorough investigation," said ODA Director Ursel McElroy.
"Nursing homes are among those on the front line that we expect to provide consistent quality care. Those who are patients or reside in a nursing home most likely enter in a vulnerable state with limited ability to advocate for themselves. Therefore, it is imperative for all entrusted with their care to provide an environment that is healthy and safe. This requires an important balance of both sound regulations and day-to-day care. When either is compromised, people are at risk," Ms. McElroy added.
"The Department houses the Office of the State Long-Term Care Ombudsman, which advocates for people receiving home and community-based services and nursing home care. Although ombudsmen do not regulate nursing homes and home health agencies, they work with providers, residents, their families, and other representatives to resolve complaints about services and ensure consumer rights. At this time, the Ohio Department of Health and local law enforcement have announced that they are investigating this matter."
In the event anyone has questions about older adult services please contact 1-800-282-1206.


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Title and statement of responsibility area
Title proper
Cranberry-Westview Pastoral Charge (Powell River, B.C.) fonds
General material designation
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Other title information
Title statements of responsibility
Title notes
- Source of title proper: Title based on contents of the fonds
Level of description
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
1968-1989 (Creation)
- Creator
- Cranberry-Westview Pastoral Charge (Powell River, B.C.)
1931-1968 (Creation)
- Creator
- Westview United Church (Powell River, B.C.)
1928-1968 (Creation)
- Creator
- Cranberry United Church (Powell River, B.C.)
Physical description area
Physical description
88 cm of textual records
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
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Administrative history
From 1928 St. John's was a "parent" pastoral charge to the districts of Westview, Cranberry and Wildwood. Construction of Cranberry Church was started at this time. The Westview services were held in the annex of Westview School. In January 1933, it was decided to operate the churches under the constitution of The United Church of Canada. The Westview Church built its church hall in October 1933. The St. John's and Westview pastoral charges shared the same ministers until July 1941. From 1946, congregations of Westview and Cranberry met in Westview United Church. A new church building was dedicated at Westview in April 1951. The church was badly gutted by fire in August 1954 and rebuilt in 1955. A change took place in 1968; Westview and St. John's congregations joined to become St. John's-Westview United Church and Cranberry Church remained a separate congregation. It is last mentioned in the United Church Year Book in 1988.
Name of creator
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Name of creator
Administrative history
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Scope and content
Fonds consists of records from Westview United Church and Cranberry United Church. Record series include: Baptismal records (1935-1986), Marriage records (1934-1969), Burial records (1936-1986); Communion roll (1931-1962); Board and committee records (1929-1984); Women's group records (1928-1985); Men's group records (1956-1966); Annual reports (1962-1989, predominant 1984-1989); Special program records (1971); Newsletters (1987-1989).
Notes area
Physical condition
Immediate source of acquisition
Records were transferred to Archives by Powell River United Church in 1992.
Language of material
- English
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Finding aids
File list available. Online finding aid
Associated materials
No further accruals expected
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Created July 9, 2018
Language of description
- English


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Portugal: Porto, the Algarve & Lisbon
- Duration: 9 or 11 days
- Group size: 15-38
- Reviews: 78
Journey through the cities and coastal villages that were once home to some of the greatest explorers the world has ever known. Sip Port in the city it's named for and soak up the historic neighborhoods along the Douro River. Coast from beaches to tranquil fishing towns in the Algarve, and end your stay in Portugal's colorful capital city.
- 7 nights in handpicked hotels
- 7 breakfasts
- 3 dinners with beer or wine
- 5 guided sightseeing tours
- Expert Tour Director & local guides
- Porto's Old-World Ribeira district
- Douro riverfront
- Stock Exchange Palace
- Coimbra
- Évora's Chapel of Bones
region is here to help
interest-free payments, and more
First I would like to say thank you to go ahead tours for the wonderful experience I have traveling through Portugal. The locals were so friendly it felt like home. Whenever we ask for information or directions they gave it cheerfully. I plan to return with my family to explore more of Portugal,...
Had a great time, beautiful country, great group of travelers.
It started out poorly, our opening dinner with the group was Turkey. Yes Turkey, no it wasn't a Portugal Thanksgiving, In a land known for Fish, we had Turkey. The ending meal was a Cod casarole, Cod and potatoes, there were many wonderful meals they could have served and were available at the re...
Dear John, Thank you for your constructive feedbac...
The weather was great. The tour director was very knowledgeable and a lot of fun. Lots to see. Lots to do but not overwhelming. The early morning flight home was not very good.
It has been 20 years since I traveled alone and wasn't sure what to expect. It turns out that two other travelers came alone. The group size was 29 ( I think) and the age range really varied which was great. The tour director was wonderful and the Portugal locations were AWESOME!!! I was very happ...
Here's the nitty-gritty—where you'll stay, how you'll get there, and what to know about your destination before you go.
We handpick every hotel to strike the balance of comfort, location, and local charm. Specific accommodations will vary based on your departure date, but these are frequently used hotels for this tour and we're confident you'll be satisfied.
This historic hotel is located in downtown Porto. Guests enjoy a gym, swimming pool, and restaurant. Nearby, you'll find the Clérigos Tower, Ribeira d...
This upscale hotel is located in the historic center of Évora. Guests enjoy a swimming pool, a restaurant, and free Wi-Fi. Nearby, you'll find Giraldo...
This modern hotel is located in the Ameijeira neighborhood. Guests enjoy restaurants and open concept lounges. Nearby, you'll find Dona Ana's Beach, P...
This mid-century modern hotel is located in the São Sebastião neighborhood. Guests enjoy a reading room, a pub, and a restaurant. Nearby, you'll find ...
This modern hotel is located in the São Sebastião neighborhood. Guests enjoy a gym, a restaurant, and free WiFi. Nearby, you'll find the Calouste Gulb...
Round-trip flights are one more thing we handle to make your journey as smooth as possible. Our team of travel experts will find the best flight itinerary for you at a competitive rate, thanks to our partnerships with top airlines.
- Round-trip flight for your tour
- Airport transfers at your destination
- A great price locked in today
- 24/7 support from our dedicated service team
- Options for arriving early, staying longer, or requesting an upgrade
- Flexible rebooking options if your tour itinerary changes
- Find out more about flights
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Diet meal plans free uk dating
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We have made this easier for you by giving you two weeks of meals and recipes to help you diet on a budget - including breakfast, lunch and dinner which repeat for the last two weeks of the month. This means any frozen leftovers can be used at a later date and you will know what you need to buy in and when.
Best dieting apps: 8 apps to help you lose weight - Pocket-lint
As you see how the diet plan fits together and how you can carry ingredients over, you can start to think about next month, and how you can add your own little tweaks and preferences to create new and exciting ideas.
Savvy Diet Shopping When you do go shopping, always have a list of exactly what you need for your budget diet meals and always stick to it! Planning ahead with our diet meal plan means you can buy in bulk and drive the costs down even further. If you do spot an item you need as an ingredient at a bargain price then you can save even more, knowing that you will be using it!
Not content with that, you will be spoiled with traditional favourites such as the Sunday Roast and Full English Breakfast, not to mention a good portion of your 5 a day! If you can, Freeze it! You can make your food last much longer by popping it in the freezer, eliminating waste and saving you money.
Look out for meals that can be frozen in our budget diet plan to see how you can make your food and your money go further. You can also save time by making a batch of food ahead of time and freezing in individual packs: Soy products like tofu, tempeh fermented soy and soy milk are foods that benefit your weight management efforts the most when consumed in their unprocessed and unsweetened forms.
Fear not, this subsided after awhile, but in the meantime here are some handy hints to combat the bloat. Healthy fats Olive oil and avocado both have high levels of vitamin E, which is excellent for your skin health, as well as high levels of heart-healthy monounsaturated fats.
Walnuts, chia and flaxseed ground flaxseed is best are high in plant-based omega-3 oils, an anti-inflammatory that helps your body release excess water or toxins. Coconut oil contains lauric acid, which protects the lining of your gut, preventing nutrients from seeping through leaky gut syndrome and the development of food sensitivities.
Healthy Recipes For Two - EatingWell
Calcium-fortified plant milk such as soy, almond and rice milk are particularly nourishing. Why not try making your own homemade almond milk or cashew cheese? Avoid any added sugars and hydrogenated oils. Berries, apples and bananas Berries are free radical fighters, protecting you from inflammation and cancer, as well as helping your skin stay supple and young-looking.
Bananas are a key ingredient in a lot of vegan meal plan baking and sweetening.
Best healthy diet plans for 2018: Reviews of Atkins, 5:2, Weight Watchers, Slimming World and more
Apples contain pectin, which feeds the healthy bacteria in your gut, and a healthy gut leads to a healthy weight.
Though there is a wide range of wonderful fruit to choose from, the ones featured above are our favorites as part of a vegan meal plan for weight loss and are also easily available. Tip Insulin is an important factor in weight management.
Keep your blood sugar levels from spiking and crashing dramatically by choosing fresh fruit over dried fruit and pairing fruit it with a protein like nuts or seeds.
Vegan sources of protein In the app, 8fit vegan meal plans are tailored to fuel your weight loss and fitness efforts in a sustainable and wholesome way.
We achieve this by making sure you get a high-protein vegan meal plan that energizes your body and mind.


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The Best of Sawdust and Dirt
A record of the goings on around Michael Kline Pottery!
Filtering by Tag: wax resist
Patterns 'n' Plates
Michael Kline
Painting plates as the Chilean miners are being rescued! The orange painted areas in the image above is a wax resist that is tinted with orange ink. Then a thin wash of black slip was brushed over the resist.
We'll load the kiln over at Courtney's on Thursday! Here are some more pictures.
- Posted using BlogPress from my iPhone
Sink Saga Continued
Michael Kline
black underglaze slip brush work. layer o'tenmoku. layer of amber
it'll be a surprise for Wednesday!
I'm not sure what I'll do with myself tomorrow as I sit there watching the gas kiln. I'm sure I'll stick my head in a few studios and see what's going on!
Look for a Penland Ramble post tomorrow or Tuesday!
Little Bitty's
Michael Kline
waxing Moon waxing Pottery
Michael Kline
Here is a closeup of the RJB beading on the wax brushwork. I then dab off the beads from the pot although that's not completely necessary as a small bead gets absorbed in the design or pops off after the firing.
There are a few more pots that need glazing before the loading happens tomorrow. Mighty Micah Cain is on board for the loading and will have some work in the firing.
Painting Video, Pt. 1
Michael Kline
Update on Video, Etc.
Michael Kline
resist after a couple of drops of food coloring!
Another Bisque Note
Michael Kline
This cup has been painted and glazed. After that, I brushed some wax resist over the glaze and then cut through with a sharp little bitty trimming tool (that Becky Lloyd had given me a while back). Then I brushed some black slip over the cut through design of forlorn birdy. I'm curious if the slip will "float" in the glaze surface or fade into the under glaze.
[FIRING NOTE: The kiln may need a new coil or two as it's struggling to get to temperature. I have put some fiber on the lid to help it along. After all, it is 12 years old! It could be a long night of "stoking"]
Penland Gallery Pot
Michael Kline
More From the Haywood Gig
Michael Kline
So, here are a few pictures to get a sense of the workshop and and a chance to see the new whiskers I'm sporting!


text: On 8/5/2014 10:51 AM, usuarionuevo nuevo nuevo wrote: > Hi, I'm new on this list, > > Anyone knows something about this snort signature: ET TROJAN Dropper-497 > (Yumato) Initial Checkin > > What does this alert means? you should ask that of the Emerging Threats folks since that's one of their signatures ;) BUT let's go ahead and look... since that shows "Initial Checkin" it would appear to be SID 2007917 which is outbound from your network to some external machine on a port 1024 or greater... you can look at the rule to see the content matched which caused the rule to fire... have you also seen 2007918, 2007919 or 2007920 fire? you can find information on the rules here... http://doc.emergingthreats.net/bin/view/Main/TrojanDropper497 -- NOTE: No off-list assistance is given without prior approval. Please *keep mailing list traffic on the list* unless private contact is specifically requested and granted.


text:
Emma Bunton Baby Love (Live At Queen's Jubilee) Lyrics
Ooh-ooh baby love, my baby love
I need you, oh how I need you
But all you do is treat me bad
Break my heart and leave me sad
Tell me, what did I do wrong
To make you stay away so long
Cos baby love, my baby love
Been missing ya, miss kissing ya
Instead of breaking up
Let's do some kissing and making up
Don't throw our love away
In my arms why don't you stay
Need ya, need ya (baby love, baby love)
Baby love, ooh-ooh, baby love
(Congratulations! Big kiss to William!)
Ooh, ooh, need to hold you
Once again, my love
Need your warm embrace, my love
Don't throw our love away
Please don't leave me this way
Not happy like I used to be
Loneliness has got the best of me
My love, my baby love
I need you, oh how I need you
Why you do me like you do
After I've been true to you
Don't throw our love away
Baby, baby, ooh, baby love
See also:
Leigh Nash Father And Son Lyrics
Oingo Boingo Kiss You When It's Dangerous Lyrics


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Mentalist Oz Pearlman impresses the crowd as he reads the minds of two audience members. Watch to see his mind reading in action.
Wow! That really happened? Check out these Dr. Oz show clips of stories that are amazingly good, bad or just downright outrageous. From miracles and inspiration to terrible scams and deceptions - it's hard to believe what you're seeing.See All Dr. Oz


text:
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Taipei, June 18 (CNA) Taiwan's Ministry of Foreign Affairs (MOFA) has no information on a report that the Trump administration has banned its senior officials from visiting Taiwan while Washington is working on a trade deal with Beijing, an official said Tuesday.
"Taiwan and the United States have maintained close and smooth contacts for a long period of time and we have never heard such a thing (ban)," Vincent Yao (姚金祥), head of MOFA's Department of North American Affairs, said when asked to comment on the ban reported by the Wall Street Journal earlier in the day.
"As you can see senior U.S. officials have continued their visits to Taiwan over the past months, proving that the cordial relations between the two countries continue," he said.
Quoting multiple sources, the WSJ report said U.S. President Donald Trump had requested that no American diplomats travel to Taiwan while he is working on a deal with China.
He made the request after learning that senior State Department official Alex Wong (黃之瀚) visited Taipei in March 2018 when the U.S. and China were in talks to resolve trade disputes, a visit that angered Trump because it could possibly complicate talks with Beijing, the WSJ reported.
Whether such a ban has actually been imposed remains unclear, however, given that nearly a dozen U.S. officials at the deputy assistant secretary level have visited Taiwan since then.
The WSJ report also said the Trump administration is now split on whether to grant more than US$2 billion of tanks and other weapons to Taiwan over the potential repercussions the deal may have on efforts to reignite trade talks with China.
Asked to comment, Yao reiterated previous comments by Taiwan's military that the government has sent Letters of Request for the weapons to the U.S. and is awaiting a response, adding that the process is going smoothly and according to schedule.
The four requests are for 108 M1A2 Abrams tanks, 1,240 BGM-71 TOW anti-tank missiles, 409 FGM-148 Javelin surface-to-air missiles and 250 FIM-92 Stinger anti-aircraft missiles, according to Taiwan's military.
(By Joseph Yeh)


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Pragada: Across the pond
Remember that incredible national championship game last Monday? The game where Georgia dominated its storied, historically successful SEC rival for one half of football before a backup, left-handed, Hawaiian quarterback came in for his first game and led Alabama to what should have been a regulation victory were it not for a missed field goal, only to then lead them to an overtime win with an incredible walk-off touchdown? Remember that? Yeah, I totally missed all of that, because the game started at 1 a.m.


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The Canalside Press is based in Hackney,
East London, in the offices of Lynch Architects. We primarily exist to
publish the Journal of Civic Architecture (JoCA), and intermittently
publish books relating to the broader cultural situation of architecture
and the visual arts.
Publications include a
monograph of the photographic work of David Grandorge, Still Beautiful (2018), which seeks to
reveal the spatial and environmental effects of global economic and
political conflict on the natural and man-made world. Forthcoming publications include Intricacy (2019), a monograph of the work of the English architect John Meunier (who is interviewed in issue 2 of the JoCA), and a career retrospective of the Welsh photographer Peter Finnemore.