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To discover a language for life – the Arts Foundation of North Rhine-Westphalia and the Pina Bausch Foundation follow up on Pina Bausch's credo with a co-developed grant programme and award the Pina Bausch Fellowship for Dance and Choreography for the first time in 2016.
• grants for a temporary residence at renowned institutions for dance and choreography abroad
• a non-paid participation in an ensemble or a placement with a choreographer at home or abroad
• the studies of dance techniques with renowned personalities at home or abroad
\r\nThe scholarship holders get to discover new forms of expression and to extend their repertoire of movements in order to spur their artistic development. Each fellowship can take a minimum of three months and no longer than six months. It includes a monthly allowance of 2.500 Euros and one-time travel expenses. Up to four fellowships are granted each year.
\r\nThe Fellowship is promoted internationally and aims at single artists from the fields of dance and choreography (dancers and choreographers). They can apply if they meet the following requirements:
\r\nPersonal requirements for dancers
• university / academic degree in dance and / or two years professional experience with a renowned ensemble
\r\nPersonal requirements for choreographers
• independent creation of at least one production with a public performance in the last three years
\r\nApplication is possible between June 1st and October 1st, 2015 and online only on fellowship.pinabausch.org
\r\nThe application procedure requires:
• letter of motivation
• CV in tabular form
• information on the planned date and duration of the stay
• letter of intent from the cooperating partner (e.g. an ensemble, a renowned person or institution from the field of dance or choreography)
• press cuttings (optional)
• video material
For choreographers a selection of public performances (no more than three videos)
For dancers a selection of performances in artistic productions (no more than two videos) and a recording of an artistic performance based on a task that they set for themselves (one video, no longer than five minutes)
\r\nThe grant holders are selected by an international panel and will be announced in mid-December 2015. The panel's decision is final and incontestable.
\r\nThe selected participants take part in an introductory week in Wuppertal from January 27th to 31st, 2016. Following the end of the fellowship, they introduce their results with a lecture in Wuppertal.
\r\nApply online between June 1st and October 1st
\r\nIsa Köhler
\r\nT +49 202 261588-18
\r\nKathrin Peters
\r\nT +49 202 261588-17


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Unsung Heroes: Dedicated to literacy for all
In the 15 years that Liz Curren has been a volunteer for The Literacy Council of San Luis Obispo County — first as a tutor and later as a center director — she's seen dozens of adult students progress from speaking little English to gaining the language skills and confidence to start their own businesses; volunteer in their children's classrooms; earn U.S. citizenship; serve as interpreter for co-workers and friends ... the list goes on.
Curren has joined in celebrating those successes.
"It's been a wonderful experience. I've gone to weddings and baptisms and birthdays," she said. "It's almost like a big family there."
Curren began tutoring at the Los Osos center because it was close to home — twice-a-week tutoring sessions are held at the Methodist Church, just down the street from her house — and because she's always been interested in learning about different cultures.
After a couple of years, she took over paperwork and other administrative duties, in addition to tutoring.
"She wouldn't keep a waiting list at her center, which means she would try to accommodate right away anyone coming to her center who wanted to learn how to read, write and speak English," said Bernadette Bernardi, executive director of The Literacy Council.
Due to other commitments, Curren is in the process of turning the duties of Literacy Center director over to another volunteer, though she continues to help there.
Through her involvements in the community, she continues to stay in touch with many of the students who have been through the center.
Isaac Villalobos is one of them.
"When I came to this country five years ago, I didn't speak a word of English," he said. "After a year, I met Liz. She said, 'If you enroll in this class, we can help you.' "
Today, Villalobos speaks English fluently and often interprets for his Spanish-speaking co-workers. He's been named an employee of the month at his job and worked his way up to being assistant manager of a large housekeeping staff at the convalescent care center where he works. He also is studying for U.S. citizenship.
That's just one story.
Another of the Los Osos center's students met and married a fellow student and together, they started a landscaping business. Today, the couple has three children who are frequent visitors to the Los Osos Library, where Curren works part time.
Helping parents pass on a love of reading to their children is exactly what the Literacy Council hopes to foster.
"A big part of the program is to encourage young mothers to read to their children," said Curren.
She and other tutors who volunteer at 14 literacy centers throughout the county are committed to continuing that good work, even though budget cuts have been making it difficult to carry on as usual. It could get worse; midyear cuts the state is poised to make could do further damage to libraries and literacy councils.
Curren notes that literacy centers like the one in Los Osos don't need much operating revenue, though the budget does cover training materials for tutors and some children's books that adult learners take home to share with their children.
"A lot can be done with no money," said Curren, "but we still appreciate having the books."
Even as the economy makes the future of so many nonprofit organizations uncertain, Liz Curren carries on with grace and goodwill. She reminds us that, through teaching, one person has the power to change many lives for the better. The Tribune is proud to honor Liz Curren as an unsung hero.

subset: commoncrawl


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If you want to see everything Namsos has to offer, there is no better way to do so from behind the wheel of a rental car from Alamo. Don't waste your time waiting for the bus or hailing taxis to go to the sights. When you have the keys to your own vehicle, you can go wherever you want to go, whenever you want. Make your next vacation to Norway even better with an Alamo rental car.
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With all there is to do and see in and around , you'll want to explore more than the block your hotel is on during your stay. Whether you have to try the cafe that has gotten great reviews across town or check out some of the local hot spots, you'll want your own auto to see as much as you can while on your vacation. Wherever you drive to in , if you want to get the most out of your visit, having access to your automobile is key.
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We try to get you the lowest price, whether you book. But reserving your car ahead of time can help keep spending low. Make sure to not add an additional driver and read the mileage policy to avoid any surprise fees.
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You'll need to present credit card, as well as your driver's license.
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You are required to have insurance before you rent a car in Norway. Many major credit cards (Visa, MasterCard, American Express and Discover) generally offer coverage. However, many of them have limitations, such as not covering larger vehicles, like trucks or SUVs. It is best to find out exactly what your credit card will cover and how much before you head to . Otherwise, as a U.S. citizen, you can book Collision Damage Coverage through CarRentals.com at checkout.
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At CarRentals.com, we encourage a full tank policy. You should get into your vehicle with the needle at "F". But, if you return the rental with less than the amount it was given to you, most companies will charge a premium, and sometimes up to triple the amount of current fuel prices to refill it. If you want to keep your expenses lower, it is best to fill up your tank before you return the car to Alamo. Stations close to airports or car rental places tend to have higher prices.
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As "Mad Max: Fury Road" hurtles towards theaters, DC Comics imprint Vertigo has announced that it will release an art book and four prequel comics that follow the story of the characters played by Tom Hardy, Charlize Theron and Nicholas Hoult in the film.
According to Slash Film, "Mad Max: Fury Road: Inspired Artists" will be released on May 6. This will be a large hardcover book that showcases the artwork of 65 artists who were inspired by "Mad Max," including Cliff Chiang, Stephanie Hans and Lee Bermejo. It will feature action sequences, portraits and more.
The prequel comics will follow a monthly schedule starting on May 20. The first prequel comic, featuring characters played by Hoult and Hugh Keays-Byrne, will be titled "Mad Max: Fury Road: Nux and Immortan Joe" #1, which will be followed by "Mad Max: Fury Road: Furiosa" #1 and finally "Mad Max: Fury Road: Mad Max" #1 and #2. Producer George Miller is on board to co-write these preludes with Nico Lathouris and Mark Sexton; Lathouris co-wrote the film and Sexton was the storyboard and concept artist. They will be joined by interior artists Riccardo Burchielli, Leandro Fernandez, Tristan Jones and Sexton.
Check out the full solicitation for "Mad Max: Fury Road: Nux and Immortan Joe" #1 and "Mad Max: Fury Road: Inspired Artists" at Slash Film.
"Mad Max: Fury Road" hits theaters on May 15.


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text: This volume offers new empirical evidence on Indian skilled migrants living in European countries, which have become important destinations in the global competition for talent, and on returnees in India. Making use of an interdisciplinary and multi-level analytical framework, which simultaneously includes diaspora interventions and return migration as its main channels of participation, the studies included in this volume offer original insights into the dynamics of skilled migration from India and its effects. The studies highlight the determining factors required to channel possible contributions towards broad-based development and they suggest policy options for the home and host countries.


text: Speaker of the US House of Representatives Nancy Pelosi said the bipartisan budget agreement would require approval by Congress, a vote in the Senate and President Trump's signature in order to become law [Al Drago/Bloomberg]President Donald Trump announced a bipartisan deal to suspend the U.S. government's borrowing limit and boost spending levels for two years. "I am pleased to announce that a deal has been struck with Senate Majority Leader Mitch McConnell, Senate Minority Leader Chuck Schumer, Speaker of the House Nancy Pelosi, and House Minority Leader Kevin McCarthy - on a two-year Budget and Debt Ceiling, with no poison pills," Trump said on Twitter. "This was a real compromise in order to give another big victory to our Great Military and Vets!" The House would have to approve the agreement this week before members leave July 26 for a six-week recess. The Senate can put it to a vote next week. The measure will need Trump's signature to become law, and he didn't explicitly say he'll sign it. "Today, a bipartisan agreement has been reached that will enhance our national security and invest in middle class priorities that advance the health, financial security and well-being of the American people," Pelosi and Schumer said in a joint statement. The broad agreement, finalized after weeks of negotiations between Pelosi and Treasury Secretary Steve Mnuchin, would eliminate the risk that the government could miss payments as early as September. It would also cancel automatic cuts that would have reduced domestic spending by $55 billion and military spending by $71 billion compared with 2019 levels. Both sides can claim victories in the deal, though neither got everything they put on the table at the outset of negotiations. Even before it was announced, Republican and Democratic lawmakers complained about aspects of the agreement. It would raise the current budget caps by $320 billion over two years, $30 billion less than Democrats sought. Trump would get only about half of the $150 billion in savings his administration sought. Shutdown RiskWith the new spending and limited savings, the deal will likely push the annual budget deficit over $1 trillion next year. The deal could still hit snags in Congress as members of both parties analyze the compromise. The most notable resistance to the agreement came from Vermont Senator Patrick Leahy, the ranking Democrat on the Senate Appropriations Committee, who said it gave Trump too much ability to build a border wall by moving funds around. Even if the deal is signed into law, the risk of a government shutdown on Oct. 1 remains. Congress must still pass spending bills adhering to the spending caps to fund the government in the new fiscal year. A fight over border wall funding led to the longest government shutdown in modern history that ended early this year. The Treasury Department has been using so-called extraordinary measures to meet debt obligations since March 2, when the U.S. reached its $22 trillion limit on borrowing. Under one of the Treasury Department's most conservative estimates, the U.S. would have risked defaulting before lawmakers are scheduled to return from their recess on Sept. 9. A default on interest payments or federal salaries would have severe economic ramifications, shaking confidence in the U.S. government sending shock waves through global markets. SOURCE: Bloomberg Donald Trump Business & Economy White House United States


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Ain't No Party Like a VJC Party
By Chris Lenois
Chris Lenois is a freelance writer and former jazz show host for WWOZ-FM in New Orleans. He can be reached at firstname.lastname@example.com.
Moments before Donald Harrison, Jr. kicked off the 2012-13 Vermont Jazz Center concert season, the crowd was buzzing with curiosity. What kind of program were we going to hear from an altoist who has worked with jazz legends and hip-hop innovators alike, while also carrying forward the musical and cultural traditions of New Orleans' Mardi Gras Indian tribes? Was NOLA expatriate-turned-Brattleboro-resident, Samirah Evans, going to sit-in? Why are there congas on stage but no saxophone?
Meanwhile, Harrison had sauntered through the same door as paying members of the audience and plopped down in a back-row chair; his horn still in its decal-adorned hard case. Soon, the other members of his band were milling around him, nattily clad in suits of similar dark hues. Anyone who noticed them didn't have much time to absorb the details, though, as artistic director Eugene Uman drew everyone's attention to the stage for his official opening-of-the-season greeting and artist introduction.
Houselights dimmed and applause resounded while the quintet made their way to the bandstand. Harrison's horn, now fully assembled and attached for action, gleamed in the stage lights as the group locked into the soul jazz groove of "Free To Be," the title cut from his 1999 Impulse release and a manifesto of sorts for Harrison. People familiar with his catalog have heard the eclectic directions Harrison likes to go with his compositions and arrangements of standards. These are the same people who also grin knowingly during Harrison's occasional appearances as himself on the HBO series, Treme, for which he has also acted as musical consultant. His conversations with the character Delmond Lambreaux — a modern jazz trumpeter whose father is a Big Chief — are externalizations of the musical monologue Harrison has been delivering to his listeners for close to three decades.
The cliche metaphor for Harrison's approach would be musical gumbo; but along with his ambitious effort to take what he likes best from existing musical genres and create something fresh, Harrison has also coined his own term for what he does, calling it Nouveau Swing. "Free To Be" is a terrific example. Harrison ran Charlie Parker-esque lines up and down his alto over a bass lick lifted from James Brown; only to be interrupted by drummer Joe Dyson, whose heavy cymbal crashes signaled a shift in style that brought the group dangerously close to the outer edges of hard-bop. Harrison soloed first followed by pianist Zaccai Curtis, who went through the same form before Dyson took his own rambunctious solo while Curtis overlapped simple, funky lines in tandem with guitarist Detroit Brooks and bassist Max Moran. After the close of the number, Harrison provided a deconstruction of its sources, cueing each instrumentalist for their part before saying simply, "It sounds right to me."
Harrison picked tried-and-true staples from the jazz oeuvre for his next two numbers. "They Can't Take That Away From Me" began with an Duke Ellington-style roll-up by the rhythm section (whose combined ages don't equal 75, by the way). Harrison took three full choruses, swinging harder each time through. Detroit Brooks, whose own family history rivals Harrison's in the annals of New Orleans music, followed with two choruses of guitar playing so sparkling clean you could hear the resonance of every string in the chords he formed.
Then it was onto "Cherokee," which Harrison introduced as a song Nat Adderley used to tell audiences, "we play fast to show you that we can." He actually played the head at a medium-fast tempo compared to other versions I've heard. But once it was time to solo his fingers flew across the keys, once again invoking Bird. Dyson's drums stuttered underneath, finding Curtis, Moran and Brooks for powerful hits at agreed-upon intervals that gave new shape to the old tune. Curtis's nimble piano solo drew several yelps of approval from Harrison before the whole band made a mad dash to the finish line; with the exception of Max Moran, who counterpunched a figure on the upright bass like a brave, Indian warrior in the face of overwhelming odds.
Having sufficiently proven their understanding of classic jazz, Harrison next called two tunes from the newest release, Quantum Leap. The first one, "Sand Castle Headhunter," was the highlight of the night for me. Harrison played the angular head over a hip hop rhythm. He then stepped out of the spotlight to help Moran switch from upright to electric bass as Brooks took the first solo, plinking and bubbling through a cosmos of heavy funk. Curtis explored the lower third of his keyboard more than any previous tune when it was his turn. But this section became less about the solo and more about the interplay between this young trio who made up the rhythm section, with all three finding comfortable footing in this modern sound. Harrison closed the song with his most gleeful solo of the evening, reaching for new finger positions capable of translating his melodic ideas into tangible sound.
"Young MJ" was Harrison's tribute to Michael Jackson. Much like the King of Pop was the musical progeny of the Godfather of Soul, this composition borrows from "I Want You Back" the same way "Free to Be" references "I Got The Feeling." The whole band exuded ebullient 1970s-style, and looking around the audience I could see everyone's heads bobbing on their shoulders. Harrison had the band conduct another exercise in deconstruction following the tune. This time showing off some of the dance moves he learned growing up watching Michael and his brothers on Soul Train and other TV specials.
It was time for the first set to come to a close. But not before Harrison steered us in one more musical direction with an exploration of pop jazz from the album, 3D. "Don't tell Chris Botti and Kenny G," he said. "They like to call it smooth jazz but it's really pop music." In Harrison's hands, this so-called smooth jazz was anything but languid. I daresay he played as ferociously as he had at any other point in the evening, with impossible multitudes of notes precisely dotting between the measures. The only difference was that the song form didn't follow the typical jazz convention and both Curtis and Moran switched to electric instruments. Even when Moran downshifted the tempo into a Funkadelic bass line, Harrison maintained his fevered pitch for several more minutes before finally breaking off to thunderous applause.
Now the tune evolved into Roberta Flack's instantly recognizable slow-jam, "Feel Like Makin' Love." Harrison played through the melody one time then yielded the spotlight to Curtis, who conjured up a Fender Rhodes sound from the keyboard that kept the mood sweet. Then it was Detroit's turn to work the lower fretboard with toe-curling sensuality. As the tune faded out, all the band members faced the crowd with eyes closed in rapt imagination. But Harrison didn't let them take the tune all the way out. He played a Maceo Parker lick that brought the band back into the urban groove for one more breakneck solo before letting the audience catch its breath for 15 minutes.
What could Harrison possibly do in the second set to top that? How about a non-stop Mardi Gras party? Kicking off with a version of "Iko-Iko" that featured call-and-response singing with Brooks, Harrison actually never picked up his horn, opting to work the congas that had been front and center on stage and then strolling over to Curtis's electric keyboard to overlay some Hammond B3 organ grooves. When the song transitioned into the Neville Brother's "Hey Pocky-Way," Harrison started yelling for everybody in the house to get up. As we all danced to the thumping backbeat, Harrison sang and beat-boxed, then grabbed strands of beads from a bag at the back of the stage and started throwing them to people in the crowd.
The entire VJC was in a frenzy by then. Uman is in the aisle to my right, dress shirt drenched in sweat as he and his wife danced. Videographer Ian Kiehle climbed onto a chair to continue capturing the madness from the safety of higher ground. Harrison was performing arm-crossing histrionics on the congas and alternately chanting "Watcha gonna do on the Mardi Gras?" and "Ain't no party like a New Orleans party!"
Harrison took a well-deserved break and invited Samirah Evans on stage. The two know each other well from New Orleans and he gracefully moved to the back of the house to offer her the crowd's full attention. Evans swung through two choruses of "Exactly Like You," her gesticulations letting the musicians know when she wanted accents and rests as if they were pre-arranged and not the product of an extemporaneous idea. She was equally gracious as Harrison, askings each member of the quartet to solo before taking the song out with soulful vocal flourishes.
The night closes with the Mardi Gras Indian's chant, "Hoo-na-ney." Harrison mostly faced his young rhythm section, both natives of the Crescent City, for vocal call and response, and you could envision him in the beaded and feathered garb of the Congo Square Nation tribe he leads, carrying on the traditions he has learned from his father, Donald, Sr. "Ain't No Party Like a New Orleans Party" he sang again and again, and all of us at the VJC that night bore witness to that truth.


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Stayover Packages at Glenora
Combine the best Glenora has to offer with your overnight stay! Our deluxe packages include Finger Lakes activities, Veraisons Restaurant gift cards, and more. Also, don't forget to add flowers or a gift basket for your sweetheart during your stay.
Winter/Spring 2019
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My September
Firstly I need to send out a massive apology for going AWOL. August was a blur of daily hospital visits to my beloved Nanny's bedside which resulted in me never finishing my August round-up. I lost my mojo as I saw her fading in front of my eyes and in all honesty, I am unsureRead more


text: I have a question for you all. I am a Server Admin for my clan's TS, and we use PTT (push To Talk), The server is not Force to use PTT, we have a server group for those who don't listen and set it up. Someone wants to have a channel set, a parent channel and three sup channels, that is VA (Voice Activation). Is there anyway to have the channels VA without making the whole server force to use PTT.


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48 Park Ave
This is a Single Family Home.
48 Park Ave is a 2-floor Single Family Home in DANSVILLE. The building was built in 1940, has 3 bedrooms, and has 1,200 square feet of living space.
Regarding weather, the average summer temperature is 71.4°F, while the average winter temperature is 25.9°F. The average annual rainfall is 30.8 inches and the average annual snowfall is 40.2 inches.


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27 November 2019
Book now for you place at our complimentary public information evening on digestive conditions and nutrition. Our two sp…
We welcome your views on our website and invite you to take part in a brief survey when you've finished your visit.
Your response will help us improve the site and the experience we offer to visitors.
Consultant Podiatric Surgeon
BSc (Hons) Podiatry Fellowship of the Faculty of Podiatric Surgery
Some of the principal treatments carried out by Mr Ralph Graham at Spire include:
Podiatric surgery, plantar fasciitis, forefoot surgery, neuroma.
My areas of interest include: Hallux Valgus (bunions), Plantar Fasciitis, foot surgery, rheumatoid feet, arthritic foot surgery, forefoot surgery and Neuroma.
Foot surgery
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Society of Podiatrists Faculty of Surgery
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Mr Graham owns 100% of the Swiss DolorClast Shockwave machine that he uses at Spire Gatwick Park Hospital.Back to top
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27 November 2019
Book now for you place at our complimentary public information evening on digestive conditions and nutrition. Our two sp…
16 November 2019
Our free GP conference on 16 November will cover a variety of specialties relevant to primary care.


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Nate Eizenga
Software Engineer
Although it may sound absurd, Nate's journey into the software development industry began with his math degree and MilkDrop, a visualizer for the pseudo-defunct media player Winamp. MilkDrop uses a simple scripting language to create audio-reactive visualizations, and was his first real exposure to programming. He started making MilkDrop presets as an artistic outlet for his math degree, and quickly realized he had an aptitude for programming and enjoyed the process. Things snowballed from there. Looking back on that time, his career feels like the odd, yet inevitable conclusion of that hobby.
Nate's favorite part of the software industry is how expansive and dynamic it is. There are so many ways to accomplish a task and there's always something new coming down the pipe. He loves to learn new things and software development doesn't just allow him to do this, it requires it.
When he's not coding, Nate enjoys cooking, going out with friends, attending concerts, drinking coffee, doing logic puzzles, and playing games of all kinds.


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Home > Loch Ness monster hunted...
Show image list »
Loch Ness monster hunted...
Item # 652467
December 22, 1933
THE NEW YORK TIMES, December 22, 1933
* Loch Ness Monster hunted
* Nessie mystery widens
Certainly one of the more notable monster or creature searches in recent times is the Loch Ness Monster. Debate continues as to its existence. The top of page 23 has a one column heading: "TRAIL OF 'MONSTER' SEEN IN SCOTLAND" with subheads. (see)
Other news, sports and advertisements of the day. Complete in 42 pages, light toning, some archival mending at the margins, otherwise good.
Category: The 20th Century
Available Now


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SMEG Fridge freezers
- Choose a new appliance and add it to basket
- On the basket page add recycling (don't worry, the cost will be deducted when you enter the promo code)
- At checkout enter the promo code shown on the product page
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Smeg are known for making the most stylish fridge freezers. Smeg fridge freezers are distinct and colourful and will look good and add a touch of 1950's inspired class to any kitchen. But they don't just look good, they're also engineered to the highest standards so your food will stay fresher for longer.
Smeg fridge freezers combine two appliances into one so you save on much needed space when you install one in your kitchen and when you've spent time and money creating the perfect looking kitchen, it makes sense to choose a fridge that comes with plenty of retro wow factor. If you have leftovers from a large meal or you simply want to save a few slices of pizza for later, your food will keep for longer when you store it in a Smeg fridge freezer.
The Smeg FAB32RNN comes in a glossy black finish and is as classy as it is practical. It will keep your groceries at the optimum temperature for hygiene and safety whether you store it in the fridge or the freezer compartment. When you return from your shopping trip and load up the freezer, the fast freeze function will lock in taste and nutrients quickly and efficiently. And as it boasts a A++ energy rating, it will keep costs down and have less of an impact on the environment.
Whether you're looking for a practical fridge freezer to impress guests or you simply want to add a touch of retro style to your kitchen, Smeg fridge freezers are the ideal choice.
Check out more of our fantastic range from Smeg including classic fridges, cookers, dishwashers and many more.


text: I have always loved quilts. I can remember my grandmother cutting apart old clothes and piecing them on the floor to make new quilts. I love the art form. I've always loved the patterns on church floors and blocks of colour on a clothesline.No two quilts are ever alike, even if the same pattern is used. Some people like dying their own fabrics but I love commercial fabrics and taking advantage of all the options in the time I live. I love combining them into bright, happy quilts that could only be made now. I often use traditional patterns but in modern ways.All of the fabric is 100-percent cotton, both front and back, and the batting is cotton. They can be used as a bedspread, or on a sofa, or hung on a wall.The cost of a quilt depends on size, how intricate the design is, the denseness of the quilting design and labour involved, if they are machine quilted or I have done it myself.


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- Home
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Photographing Gardens
By Amy Horn The Shore Acres State Park Garden is full of photographic opportunities and during my summer trip, I spent a few hours looking for macro and close-up subjects. It was a cloudy day, so I le...
10 months ago
Rooster Cogburn Ostrich Ranch
By Megan P Galope If you've ever driven the stretch of I-10 between Phoenix and Tucson, you've undoubtedly passed the Rooster Cogburn Ostrich Ranch. Most people don't stop to see what it's all...
Why I Enjoy Being a Photo Guide with AHPS
By Jeff Insel I've been a volunteer Photo Guide with Arizona Highways PhotoScapes (formerly Photo Workshops) for over 7 years now. I submitted an application after participating in a 4 day workshop ...
Roller Derby
By Jeff Insel I was invited by a friend and colleague to attend her first roller derby match. It was a fun experience as I knew very little about the sport. Her match followed a Junior's match. Turn...
Feel the Thunder
By Becky Chapman Summer in Arizona. Hot, painfully so at times. Every year I am amazed how hot it gets here. Yet every year, I am excited for summer. Why on Earth would one be excited about summer, yo...
Now that's a bridge
By Jon Vemo Recently I visited yet another wonder of Arizona, Tonto Natural Bridge. If you haven't been (like me), Tonto Natural Bridge is located just outside of Payson, AZ. According to the Ar...
Keeping an Open Mind
By Sara Goodnick Just because your goal is to photograph a particular subject, remember to stay on the alert for other possibilities and be willing to change your plans. It might result in an even bet...
12 months ago
By Vickie Uthe Photographing puppies is like photographing kids, don't waste time and plan on doing it later because they grow up TOO FAST and there IS no later. In 2016 my granddaughter got a Dorky...
Copper Queen Mine Tour, Bisbee, AZ
By Jeff Insel My wife and I recently spent a couple of nights in Bisbee,AZ. One of the things we wanted to see was the Copper Queen Mine Tour and we weren't disappointed. Tours are seven days a ...
By Vicki Uthe Something became clear to me recently. I realized the difference between macro and close-up photography and concluded that I'm really more of a close-up photographer than a macro perso...


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I'm Just Saying
I remember hearing comedian Paul Reiser (of "Mad About You" fame) do a stand-up routine based on the phrase "I'm just saying." Where he grew up, you could say anything you want to say, no matter how outrageous or hurtful, as long you added, "Hey, I'm just saying." What may be insulting by itself really isn't as long as you add "I'm just saying" to the beginning or end or both. Because... you're just saying. So Reiser would then go around insulting people in his audience and add his disclaimer. "Ma'am, that is one ugly baby you have there. Hey, I'm just saying." That's not hurtful; he's just saying.
Reiser's routine was really very funny... and also very, very wrong. Things that are said often do hurt others. We may want to believe that "sticks and stones will break my bones but words will never harm me." But we all know that this really isn't true—words hurt. James warns us about the unlimited power of our words to destroy, "The tongue also is a fire, a world of evil among the parts of the body. It corrupts the whole body, sets the whole course of one's life on fire, and is itself set on fire by hell" (James 3:6). An entire section of this epistle (James 3:1-12) is devoted to warnings about our language. I'm just saying.
I ran across an article on Christian Post entitled "Poisonous Recipe: How to Destroy Your Church" that illustrates the power of our words to destroy. The article suggests how we can go about tearing up the church with the power of thoughtless, hurtful language. Here's a partial list--
- Be a whisperer or gossip (Proverbs 16:28)
- Hold others to a higher standard than yourself (Proverbs 11:9)
- Assume the worst of others (Psalm 41:7)
- Listen to rumors against others (Proverbs 17:4)
- Repeat every rumor you hear (Proverbs 17:9)
Paul warns us not to use language that tears people down, "Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen" (Eph. 4:29). The next verse adds, "And do not grieve the Holy Spirit of God…" Not only can we hurt others when we misuse words, the Holy Spirit is disappointed with us as well! Paul warns against things like "slander, gossip, arrogance and disorder" (2 Cor 12:20), "obscenity, foolish talk or coarse joking" (Eph. 5:4) and "malice, slander, and filthy language" (Col 3:8).
So let's hear no more of that "I'm just saying" nonsense. The words we use are extremely important. In fact. Jesus says, "For by your words you will be acquitted, and by your words you will be condemned" (Matt 12:37). I'm just saying.


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Software Engineer - Daytime Traveling Services
Your Qualifications:
- Experience building back-end applications
- Comfortable with web development across the full stack
- Rigor in automated testing, code quality, and engineering best practices
- Experience with relational databases and schema design
- Bonus: Experience with Python and Django
- Bonus: Experience with React
Our Style:
- We are proud to be professional software developers building high quality, scalable, supportable solutions
- We embrace progressive engineering practices including a continuous deployment pipeline, automated testing and deployment. Our engineers just merge their branch and it ships.
- We're serious about the quality of our production operation, and have thorough system, application and user interaction monitoring and anomaly detection.
- We're thoughtful and focused on decision-making with split testing
- Our teams are integrated team with developers, product managers and designers working side-by-side.
- And, dogs in the office. Bring yours, too!
Why We'll Hire You:
- You're qualified for the position and your values align with Rover's Core Values
- You get along well with others and thrive in a collaborative, team-oriented environment
- You're eager to learn and improve your craft as a software engineer
- You're able to take loose requirements, work with others to figure out what needs to be done, and drive a project forward
- You can be your own QA team
- You have the intuition for when to call it "good enough" and ship, and when to put in the extra time to polish
Benefits of Working at Rover.com:
- Competitive compensation
- Stock options
- 401k
- 4 weeks paid time off
- Competitive benefits package, including medical, dental, and vision insurance
- Commuter benefits
- Bring your dog to work (and unlimited puppy time)
- Stocked fridges, coffee, soda, and lots of treats (for humans and dogs)
- Free catered lunches semi-monthly
- Regular team activities, including happy hours, snow tubing, game nights, and more
- Doggy benefits, including $1000 toward adopting your first dog


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70% of your selection chances depends upon effectiveness of your CV. Update now to be distinguishable.
|Handicap International (INGO)
|Sallaghari Marg, Kathmandu
Handicap International is an international, non-governmental organisation, mainly known for its fight against anti-personnel mines and cluster munitions and helping the victims of these unexploded ...
Handicap International is an international, non-governmental organisation, mainly known for its fight against anti-personnel mines and cluster munitions and helping the victims of these unexploded devices. However, its mandate has been extended over the years and today includes providing assistance through work in various fields for people in developing countries with other kinds of disability.
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No. of Position: 1
Workstation: Based in Surkhet
Contract Duration: 2 years initially
Qualification: Bachelor's Degree in Social Sciences, Health or related field
Experience: 2-3 years in the field of Health or disability
Job Description:
Interested candidates are requested to send a motivation letter mentioning the position applied and an updated CV including 2 referees with contact number and e-mail address to firstname.lastname@example.com no later than July 18, 2019.
HI Nepal reserves the right to cancel, postpone or modify the whole recruitment process without providing any reasons whatsoever.
Handicap International (HI) is an equal opportunity employer. Qualified women, people with disability, and members from disadvantaged communities are strongly encouraged to apply
Kumari Job is one of the leading legally certified Human Resource consulting firm operating since 2014. Kumari Job offers multiple solutions in the field of HR, Recruitment and Placement services to different organizations in diversified fields like Financial Institutions, Corporate houses, Trading houses, Schools, Colleges, I/NGOs etc. Kumari Job is morally operating by following the principles where value of clients are highly understood and recognized to provide them with the best services. Kumari Job is also known for its professional training services to produce qualified and skilled manpower in diverse fields.
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Pure Body Love is a hashtag I created to motivate, inspire and encourage self-love, self-acceptance and self-appreciation for women around the world. We live in a world where people rather tell others how to look and how to live instead of encouraging and motivating more self-love, more self-appreciation and more self-acceptance. Confidence to me is not caring what others think about you, not following any ones beauty rules, not caring to fit in, but rather live and enjoy life as you please. I'm always promoting self-love whether is through a quote, my life experience or through fashion, I want to always create a place for people can turn to when they want to get and/or feel motivation and encouragement, and Avenue did that for me with their Confidence Series campaign for spring. This campaign celebrates 3 beautiful confident plus size women like myself. It features three exciting, everyday women who have truly made an impact in their communities. Yasmine Arrington who is the Founder of ScholarCHIPS, Runner and Author Jill Angie and Editor-in-Chief of Plus Model Magazine, Madeline Jones. #YourConfidenceIsShowing.
Below are my Dressing Confidently picks from Avenue.
All items are from Avenue New Arrivals sections.
Button Front Stripe A-Line Dress paired with Strap Belt Bag


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In Terms of Music Teachers, the Evaluation of Music Types in the Curriculum for Music in Secondary Education in Turkey
AbstractAlong with the establishment of the Republic, a song repertoire consisting of transferred songs was previously endeavoured to be formed by taking school music samples of foreign countries and writing Turkish words below them. Afterwards, with the same percept, an imitation songs repertoire was attempted to be formed by our composers. Since the 1950s, the idea that school music should be on the axis of folk music and that music education should be carried out through school music samples composed from the close environment of the child has begun to take place. Together with the various developments since the 1970s, the tendency towards soft music has strengthened in society and also interest in Turkish classical music has increased. Moreover, since the 1970s, soft and classical music samples have begun to be used in music education, which was built on folk music in 1968. Thus, high school music teaching programs which went into effect in 1986 were prepared accordingly. Today, the sense that bringing to the classroom appropriate samples of vital music types in society, getting the student to learn at least one example of each music type and introducing these types is dominating. In this study, music types in middle school music teaching programs in Turkey were endeavoured to be evaluated in terms of music teachers. The subject was researched with the case study method which is one of the qualitative research methods. The oriented exemplification method was used in the study and 5 music teachers working in a middle school participated in the study group. The data was analysed by forming the necessary coding and themes. According to the obtained findings, results and suggestions were given place.
Dec 30, 2014
How to Cite
GÜL, Gülnihal. In Terms of Music Teachers, the Evaluation of Music Types in the Curriculum for Music in Secondary Education in Turkey. European Journal of Social Science Education and Research, [S.l.], v. 1, n. 2, p. 19-24, dec. 2014. ISSN 2312-8429. Available at: <http://journals.euser.org/index.php/ejser/article/view/690>. Date accessed: 19 oct. 2019. doi: http://dx.doi.org/10.26417/ejser.v2i1.p19-24.
CC Attribution 4.0 International (CC BY4.0)


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Our First Head Colonel and How It All Began
A Tweet of a Find!
I was unable to addend our 25th Reunion held in 1989 (class of'64), so D'Ann Study Runkle was kind enough to send a recap and a few pictures to me. We were living in Columbia, South Carolina at the time. Of course, my response was to call her and talk a little more about the event. Before we hung up, she said, "By the way, I talked to Robin Leen…"
Robin, DeeDee, and I attended E. J. Brown School together from the 5th through 8th grades. (In fact, I had a mad crush on Robin in 5th grade, but my competition, Annabelle Talso, was in the lead!) During Robin and DeeDee's conversation, he mentioned that, as a fan of flea markets and pawn shops, he "found Jackie Winkler's Little Colonel whistle!" I was stunned, but I did nothing to follow-up on the information Dee relayed.
Last year, 20 years after DeeDee told me about her discussion with Robin (2009), I began working on our Class Reunion Committee. Seeing Robin's contact information on our class roster prompted me to drop a note to him, hoping against hope if perhaps he still had my whistle. I thought, "What could it hurt?" I held my hopes in check. Within two weeks, an envelope arrived in the mail with Robin's return address! My jaw dropped as I slowly pulled my Little Colonel whistle out of the envelope…there it was, my name and graduation year engraved on it, still attached to the lanyard! I was speechless for several moments as I mentally rehearsed how much it signified in my life. Robin had included a note that asked me if I could let him know how I knew he had it. I gladly responded and thanked him for keeping it all these years. Now tell me how remarkable that is! Never stop being surprised at what life might bring…
1. Thou shalt attend all regular and specially called practices, and on time, unless thou has a durn good excuse. Thy sister drillers will get mad as heck at too many holes in the lines and they may call down fire and brimstone upon thy head to say nothing of the wrath of thy instructors.
Class of '64
Our First Little Colonel Mascot
Miriam-Webster's Collegiate Dictionary, Eleventh Edition, defines mascot this way: of "French origin (1881); a person, animal, or object adopted by a group as a symbolic figure esp. to bring them good luck."
Well, I thought we were a pretty good marching team, but I guess Mr. D thought the Little Colonel unit might profit from a little reinforcement; and I do mean little. While we were practicing one day at band camp (Earlham College), he revealed a well kept secret by introducing us to our new mascot, Jodi DeVelbiss, his daughter. Mrs. D told me that "timing was everything" and that Mr. D chose band camp as the right time to incorporate our mascot into the unit.
I began to wonder how it all began, so I asked Jodi (now in her 50s) if she would allow me to interview her. She readily agreed but added that she would likely have to include her mom since she was not sure she could remember all I might ask. We set the time and place, and I carried questions and pen to her home, along with camera and tape recorder. (We ignored the tape recorder since we spent the greater part of a day reminiscing and sharing what "it" was all about.) To-the-rear: March! We have to go to the beginning.
Jodi was born Jolene Ann DeVelbiss on September 12, 1954, in Troy, Ohio, to her parents, Jack A. and Phyllis J. DeVelbiss. She was a whopping 6 lbs-7 oz. Her daddy was already engrossed in the music world, especially band, so Jodi was also surrounded by music and music students from her beginning. She absorbed her surroundings as she and her mom (and later her little brother, Bruce) accompanied Mr. D to marching venues for Colonel White band practices and to the school to rehearse for annual operettas (she could sing all the songs from Brigadoon and most from The King and I, and Carousel), for choir, and for orchestra performances at Colonel White. She watched the formation of the Little Colonels as an organization as a three-year-old. Then she began to demonstrate the influence of her father's career on her own life.
"Jodi began marching all around the house," her mother says. She sang. She danced. She marched and sang and danced! Her babysitters were Little Colonels (Sally Rozsa, the second head Colonel, for one) and band members.
One day in a private conversation between Mr. and Mrs. D, Mrs. D suggested, "Wouldn't it be cute to have a mascot for the Little Colonels, dressed in a miniature uniform?" At first Mr. D was hesitant, but he noticed Jodi's interest in marching—all around the house—and asked her if she would like to be the mascot for the drill team. She was ecstatic! After attending all the practices and games, she had learned the commands by sheer exposure. She knew all the Little Colonels, the band members, and the parents…it felt natural. Early in the week of band camp in preparation for our senior year, Mr. D introduced Jodi as our mascot; she began working with us on an abbreviated schedule in August, 1963, as a petite nine-year-old.
Jodi distinctly remembers getting fitted for her uniform. She stayed home from school to make the trip to Fechheimer Bros. Co. Uniforms in Cincinnati, where our outfits were made-to-order. It was a rainy day, but she was on top of the world. Filled with great confidence about her position behind the head Colonel, Marilyn Hamlin, she stood on the table where they measured her and jotted down notes about her height, arm length, shoulder width, and neck size. The entire length of her uniform was 20.5 inches; her sleeve length was 16 inches; her waist was 9.5 inches; the collar opening was 3.5 inches! Her boots were 8 inches long. Jodi still has her uniform, and when we looked at the bottom of her boots, she whispered in a melancholy tone, "Look, that's real dirt from Welcome Stadium," as she scraped her fingernail on a speck of it.
When practices began at DeWeese Park for the upcoming football season, Miss Armstrong would pick Jodi up from E. J. Brown School and take her to the practices. She "felt so big and so special." She marched directly behind Marilyn, basically as a mirror image, and followed her lead. When Jodi's technique needed polished, Marilyn was her teacher. Protocol between Jodi and her dad when they were working on the field together was strict. "Jodi, you are not to cry or whine or ask your father for favors," cautioned her mother. "You are just like the other girls." At that, Jodi almost avoided her dad on the field, and I remember only one time when Mr. D corrected Jodi and asked Marilyn to "work with her." Jodi recalls that Marilyn was so patient and gentle with her. On the field, she called her dad "Mr. D."
"Jodi, how well do you think you understood the scope and responsibility of your participation in the Little Colonels," I asked. She answered, "I think I understood pretty well for my age. Dad would go over the shows with me at the beginning of each week, and I would watch the [Little Colonel] movies with him. It brought out great confidence in me during a shy time in my life."
Jackie: "Did you ever worry you would forget the routine?"
What a disappointment she had to bear; however, she is happy and thankful she was able to be our mascot during the years when the Little Colonels flourished under the direction of her father. She was Mascot for two years before outgrowing her mini uniform! She transitioned from E. J. Brown School to Colonel White High School and graduated in 1972.
Following high school, Jodi attended the University of Dayton as an honors student with a Bachelor of Science in Education. Presently, she spends time working with her husband, Steve, in their family business; and she volunteers as a trained pet therapist with Delta Society. She reads to the blind on the radio program, "Words Reading Radio Service." On this special station her show, Animal Magnetism, she entertains her listeners with articles and news about animals and the environment. Jodi is also a published writer and focuses primarily on food and health topics. She and Steve have one son, a daughter-in-law and a grand-dog! Her father passed away at 61 years old of brain cancer, and her mother lives close-by.
Certainly, we did not consider our mascot as a mere good-luck charm. She was a gifted little person who, indeed, was a marvel in her mini uniform as she marched around the football field under the direction of her beloved dad.
Class of '64
The Marching Little Colonels
Colonel White (CW) Junior High School transitioned to Colonel White High School, commencing the 1957/58 school-year, but do you know when the Little Colonels originated? Do you know who our founding father was? The Little Colonels organization was founded in 1956 by Jack A. DeVelbiss. The first head Colonel was Harriett Smalley, and the Little Colonels marched their first performance in the fall of 1957. The rest of what I have to say will entwine facts with my own memories. How I loved being a Little Colonel!
During our 8th grade year at E. J. Brown, I remember discussing with Sandy Garwood, Kristi Duckwall, DeeDee Study, Vickie Brown, Sharon Price, Gwen Slutzky, Sherry Stabler, Barb Banta, and others who would try-out for Little Colonels, and who would try-out for cheerleading. That was our big decision of the day!
The first "Colonel" I knew who wore the white uniform was Karen Annis; she was Colonel during our freshman year (1960/61) at CW. Our director was the late Jack DeVelbiss, and his intimidating manner was his means of pushing us to our fullest potential. In addition to his stern professional side was his personable, soft side. But it was his perfectionistic approach to the organization's performance that inspired me. Mr. "D" commanded respect from both the band members and the drill team, and he communicated clearly that the Little Colonels complemented the band.
The Little Colonels unit was comprised of four officers, including the Colonel, seven rows of six, and two alternates (who, by the way, were required to know every command, routine, and have the flexibility to take any unit position at a moment's notice—a big responsibility!). The front row, right guards, and left guards squared the block. When Mr. D diagramed our routines, he designated our positions on the field as rows and numbers: for example, R-1 and T-3 and Y-6. Every position mattered. Every position was an honor. Our style was "precision military drill."
Excitement Mounts
I wish I could remember when preparations for try-outs began—it must have been during the middle part of the second semester of our freshman year. Those of us who aspired to join the ranks of the Little Colonels signed-up and were then assigned to a senior Little Colonel who would begin our training for the actual try-outs. If I remember correctly, our freshman try-outs numbered approximately 200 freshman and sophomore girls competing for 10 positions being vacated by graduating seniors. The large group of hopefuls were divided into mini-groups of 10-12 and stationed in designated sections of the school halls. Each outgoing senior Colonel led a group. Every weekday, we gathered in our respective places in the halls of CW to learn and practice the commands. Oh, wait. I forgot an important set of requirements! A Little Colonel must be between 5'2" and 5'7" tall, weigh between 105 and 137 pounds, and be proportioned accordingly! She must maintain above a "C" grade average. Before we could try-out, we were weighed and measured. Scary!
Colonels! Fall in! Core! Attention! were the first commands we learned. The particulars included correct posture, feet position, hands position, eyes straight ahead, NO smiling, no locked knees, distance between each Colonel forward and to the right, straight lines, straight columns, and minds alert for the next command. Following those were the stationary commands: at ease, parade rest, new parade rest, dress right: dress; left face, right face, about face, core: salute; mark time: march; forward: march; and finally, fall out.
The commands when standing still were verbal. The commands when we were ready to move forward or were already moving were verbal or by whistle. So the next set of commands our leaders taught us were the steps for navigating the marching field. Corralling the unit always began with, "Colonels, fall in!" When marching with the band, "TWEEEEEEeeEET from the drum major's whistle grabbed our attention! Boom! resonated the base drum. Ching! clashed the symbols. Da-da-da-da tapped the snares" to indicate the tempo. Boom! Ching! Da-da-da-da! When our Colonel or other officer began whistle commands, "TWEEEEEEeeEET, tweet, tweet, tweet, tweet" started us marching, always left foot first. We understood the language and obeyed. Whistle tweets told us which direction to turn. Mark time: march! left flank: march! right flank-march! to the rear: march! new to the rear: march! were all driven by each command's own whistle sequence.
While practicing for try-outs, the shrill of the whistles rang throughout the Colonel White halls. No horseplay during practices…we practiced until we were tired, sweaty, and ready to go home for dinner!
Nerve-wracking Two Days
Again, I don't remember how those of us who wanted to be part of the Little Colonels got through the school days, anticipating the intense scrutiny and competition we would face for two days during the preliminary try-out the first day and the finals try-out the second day. Try-outs were conducted in the gym. Mr. D and Ms. Armstrong (the late Kathleen) were the head judges; the reigning Colonel also participated, and all the current Little Colonels were expected to attend. I remember Mr. D saying that it was not only how good a candidate performed during the days of try-outs, but how much potential each one exhibited.
That has stuck with me throughout my life, and I've applied it in a variety of situations…it has served me well to consider how much potential another person has.
We were drilled and examined in groups of six, a larger group, and individually. No music, no drums, no lines on the gym floor meant we had to be able to do the job free from props.
Band Camp and 8-to-5
No, those are not the hours we marched. The band and Little Colonels stayed in the college dorms, each in their own sections; the cheerleaders joined the Colonels in our section of the dorm. Two girls shared each room, and the community bathroom and showers were down the hall. Johnnie Mathis albums filled the airwaves on our end of the dorm, and he sang from the moment we hit the floor until the phonograph was turned off as we left…you know—the melancholy love songs that helped us grieve for the boyfriends we missed! Ben Gay® wafted through the air. Every calf (leg part!) ached more than we could have imagined.
Up at 6:30 a.m. Breakfast at 7:00. Group meeting. On the field by 8:00. One 30-minute break mid-morning. Lunch. One-hour (or was it less?) rest after lunch. Back to the field. Thirty-minute break. Dinner. Group meeting. Back to the field until 8:00 or 8:30 p.m. Lights out at 10:00.
The days were hot; the fields were dusty; the drilling was merciless—or so it seemed. To build stamina, we marched laps around the running track. To look like a single moving part we learned to span exactly eight steps to every five yards. Up and down the field, back and forth for two full days—without the band. Tuesday afternoon, the drummers came to our practice field for the next stage. Recently, I could not resist proving that I can still do "8-to-5" when I participated in the annual Corporate 5-K a few years ago…we met on the field at the O'Rena (now called the Amway Arena) in Orlando, Florida! Sure, I felt a little ridiculous, but yes, I can still march 8-to-5!
The drilling paid-off! The band practices paid-off! When the Colonel White band joined the marching Little Colonels on the football field at Earlham College, both organizations were prepared to work as one for the remainder of band camp. It was exciting, and those college fight songs we had heard so many times rang out. Wow! The band gave our marching the spirit we needed and the ability to lift those knees higher! Our grueling drills realized their purpose. The Little Colonels bonded as a unit. Friendships and allegiances solidified. Band Camp ended, but the results lingered.
Showtime at the Football Games
Every game half-time show seemed like the first. Every whistle tweet from the drum major signaling the start of a show was as exhilarating as the first! Mr. D taught us well—we were terrified to make a single mistake, and we were personally dedicated not to disappoint him, the crowd in the stands, or ourselves.
Preparation for each game began with Mr. D. He expertly hand-crafted each show on paper and then mimeographed copies for every member. Each would find her position on her copy—marked by her row letter and column number (S-2, etc.) or a little x—and quickly review her movements. We memorized the routines according to the progressions from one segment of the show to another as well as counting our own steps. Each Little Colonel was accountable for making a perfect show. Three after-school practices per week were not optional during football season, including any additional practices called by Mr. D. The dismissal bell would ring to end the school day, and we would race to change into marching clothes. Parents would be waiting outside the school to shuttle us to DeWeese Park's practice field. We worked! No breaks. We worked until we got it right. Parents car-pooled us to our various homes following each practice; we finished at 5:00 or 5:30 (which was it, gals?) and after dinner, it was homework time…we had to keep those grade averages up!
Game day came, and excitement rippled throughout the school. The White House was our meeting place prior to leaving school for the game field, and uniform inspections preceded getting into the buses: clean uniforms, polished boots, spotless gloves, hat perfectly situated over the left eyebrow with chin strap at the edge of the chin. Mr. D delegated the inspections to the Colonel or one of the other officers. When dismissed to the bus, we ran to take our seats! Miss Armstrong usually accompanied us, but she did not run! The band members crowded onto their buses with their instruments. The cheerleaders either accompanied the football team on their buses or rode with the Little Colonels. Heading to Welcome Stadium or to another school for an away-game, the parade of buses transported at least 200 kids overflowing with energy, anticipation, and Colonel White spirit.
To and from each game we sang and cheered; the songs we always sang last were You'll Never Walk Alone, If I Loved You, The Lord's Prayer, the Colonel White Alma mater, and our Fight Song. Then we were ready! We remained in full uniform at all times. If we had one piece on, we must don the entire uniform; one exception allowed us to remove a glove if we bought food or a drink at the stadium concession stand. Upon arrival at the field, we marched to the platform located at the foot of the bleachers on the 50-yard line and took our seats. Performing the pre-game show was a privilege for certain home games, but when we were not marching, we were cheering with the cheerleaders.
Minutes before the whistle begin our half-time show, we marched to our starting point(s). Sometimes we formed one line across the field on the goal line; sometimes we were in block formation; sometimes, we were intermingled with the band; some shows started the Little Colonels at one end of the field and the band at the opposite end; at other times we exploded onto the field from the sidelines. Mr. D's creativity and expertise "did us proud!" Our shows included intertwining argyles, turning wheels with spokes, script and block letters, figures morphing from one to another, bursting from one configuration to another.
We considered Meadowdale's drill team as our top competitors. But, of course, we were better!
The bus ride back to the White House was either rowdy or reserved, depending on whether our football Cougars won or lost. A quick change of clothes in the girls' locker room and a little primping readied us for whatever fifth quarter activity we had planned. When Monday came, we would meet in the band room for review and debrief; periodically the scale would greet us at the door! Practices for the next game picked up where last week left off.
Nearing the End
Apart from performing at all football games, we performed at an occasional pep rally, a couple of home basketball games, the annual Montgomery County Fair, the Columbus Day Parade, and the annual University of Dayton (UD) Parade that started in downtown Dayton and ended five miles down the road. Our last five minutes of marching in the UD Parade were uphill. We pulled out all the stops: we entertained with our capes, whistle driven demonstrations at various intervals, fast marching, slow marching, and a marching kick-step. In front of the Dayton Court House at Third and Main Streets, the judges' stand marked where we showcased a routine especially prepared for the occasion.
Our senior year, Marilyn Hamlin led us in the white Little Colonel uniform. Sandy Carter was our Lieutenant Colonel; Dagmar Taudien was Drill Captain; and Suzy Donenfeld was Lieutenant. That year Mr. D introduced us to our first mascot, Jodi DeVelbiss! She was so tiny! And when she showed up in her miniature Little Colonel uniform, I was afraid she would be swallowed up by all of us big kids around her! I still do not know how she marched 8-to-5 (behind Marilyn) with her nine-year-old sized legs. In addition to Jodi, Dave Harrison joined us and the band as Mr. D's assistant.
What a great year as seniors! What a super experience…I am almost embarrassed to publicize that I still dream about a reunion that calls us all to "Fall in!"
We were not the last of the Little Colonels, but years later the size of the unit dwindled until the Little Colonels Marching Drill Team no longer existed. The leadership changed. The rules changed. The marching style changed. The uniforms changed. The demands on students changed. As we remember the Little Colonels, we can only see ourselves as we were in the early 60s. That image will never change.
Personally, being a Little Colonel saved me from the turmoil of a dysfunctional family, from a life of belonging nowhere. I had a place in a family of 48 girls. Having a purpose and knowing I could fulfill it well puts being a Little Colonel at the top of my list of significant emotional experiences!
©2008 Colonel White H.S. Class of 1964
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text: At least 500 people are dead and thousands more are trapped in their homes in the mountainous region north of Rio de Janeiro, Brazil, where heavy rains have pushed mud down the slopes, burying buildings. About 14,000 people have been displaced by the torrential summer rains and mudslides; several neighborhoods and small towns were completely destroyed. Rescue workers are rushing to free the trapped, working around the clock and using heavy equipment to move the mud. But even they are hampered by the weather: three firefighters were swept away when there car was overtaken by a flash flood. President Dilma Rousseff has promised seven tons of medicine for the area, and signed a decree authorizing an emergency fund. The Brazilian military have set up a field hospital, and thousands are taking refuge in gymnasiums.


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Do I need to just accept this or can someone tell me what they did to make them go into labour and that it actually worked!
My anxiety is going crazy waiting for this baby! 40+2
My anxiety is going crazy waiting for this baby! 40+2
I'm the same as you but as I'm poorly I want my baba to stay in a couple of days just until I'm feeling allot better. If I wasn't so ill I would be bouncing on my ball (for hours though heard a few stories of it being like 2/3 hours) and I would also be walking like crazy proper power walking on uneven ground (not too uneven so it's dangerous) like a bumps and small hills x also as much as I don't want to do the deed the semen iv heard softens the cervix (my midwife 8 years ago told me to do it doggy style🙈 this way the semen gets right to it lol x sure you've heard all of these many times but If I was well this is what I would be doing x
I was 40+6 with no signs at all. Spent a couple of hours gently salsa dancing in my living room and bang! 2 hours later contractions were 5 mins apart. I think it was the combination of happy music , endorphins and oxytocin flowing as well as the swaying hips action that did it.
I've done some walking today I will have to have sex it's not my husband but I just don't wanna do it lol! i don't have a bouncy ball wish I'd got one but I bet if I order it I'll go into labour before I get to use it lol. well good luck hope you feel better.
3) Captain America. We decided to restart the entire marvel universe movies in order, we were on the first movie!
09.03.2017 - Genevieve "Little G" Allannah
Due 03.09.2018 - Baby Girl "Ili"
this isn't the first salsa dancing trick I've heard perhaps I will give dancing ago! thanks x
I actually had my daughter at 40+1 what happened was I woke up this morning wrote a few nasty messages to the OH (other half) about how sick and tired I am of being pregnant, also responded to a few sick and tired posts on the group, went for a long walk around the block with steep roads, came back walked up and down my stepper for 30min then went on about my day around 11pm I started having contractions went in at 10am had baby at 17:19
Please keep the stories coming 😀 many of us desperate around here😅 xxx
I'm watching the new Avengers tonight - it's not quite Captain America but he's in it - wish me luck!
I love Marvel so maybe I should just accept my fate and watch films...I've done this for a month now as I've been on maternity leave hense why I want the baby now! x
I'm always angry lol! it's an Essex thing maybe?? well I shall continue my annoyed streak haha!


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Rumor: No Half-Life 2: Episode 3 in 2010
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Rumor: No Half-Life 2: Episode 3 in 2010
Valve fanboys, prepare your rage: You might not be finishing Half-Life 2 in 2010, if rumors are to be believed.
Way back in 2007, a particularly caustic-tongued Brit mentioned that beloved PC developer Valve seemed to be missing the point of "episodic" gaming: Shorter games, shorter development times, cheaper prices. While the Washington-based studio had the "shorter games" and "cheaper prices" parts down, it was struggling with the "shorter development times" bit of the equation.
Again, that was in 2007. It is now 2010, with no end to the Half-Life 2 trilogy in sight. And according to a report in the most recent issue of Game Informer, it won't be coming this year, either - dashing the hopes of all the Valve fanboys who were hoping that the company would be putting its efforts into finishing the game after shipping Left 4 Dead 2. This, of course, is despite reassurances from Valve boss Gabe Newell that the company was still working on it last August (after taking a break to learn ASL).
Not only will there be no Half-Life 2: Episode 3 this year, it's uncertain what form the game will actually take when it releases. Will it be a short episode like the others? Will it be a full-fledged Half-Life 3 to make up for the delay? Will Valve end up saying, "Screw it, let's just work on TF2, Portal 2, and Left 4 Dead 3"?
On the grand scheme of things, between the decade-long development of Team Fortress 2 and the missing-in-action Episode 3, Valve has surpassed fellow notoriously glacial development studio Blizzard in terms of "long development cycles," given that SC2 and D3 are actually playable in some form. But on the bright side, Valve still has a long way to go before reaching 3D Realms territory - after all, its games actually come out ... eventually.
Urge to kill: Rising.....rising.....
Ummm TF2 is already out John, its quite awesome :D
I hope it never comes out. Just to piss off all the fanboys.
I say Valve needs to just scrap Episode 3 and come out with a full fledged Half Life 3. After the years of waiting will gamers really be satisfied with 3-5 hours or so of gameplay that a release of Episode 3 would bring? I know I certianly wouldn't be.
Actually, I am over this news!. I've decided that as long as no one interferes with the release of Bioshock 2 I can handle this setback.
No biggy!.
Yes, but they're still working on updates for the game, no? :P
I'm really surprised!
TF2 is out, but they aren't done working on it. I assume thats what he meant.
You know what? I don't care. I'm trying very hard to not care.
However, if it turns out that the game gets released on the same engine, with minor graphical upgrades, a couple of new enemies and no new guns, then you'll be reading about the infamous 'Valve Corporation Massacre' very quickly.
by now i no longer care, sure once it gets an release date, maybe in 2012, I'll wet my fanboy pantys with glee, but now im as dry as ever.
is just realized that it may not be longer than 3-5 hours, and they already have established all their characters, they have their engine ready and no need for marketing, I'm just really realizing this now, what can possible take so long.
Well that sucks.
Oh well, all I can do is wait.
This is why you don't listen to rumors about release dates.
If they decide to one week before the game is released say "Oh, did we say HF2 episode 3? We meant Half-life 3" I shall forever sell my soul to Valve.
I'm seriously thinking that they might do just that. That would be complete awesome-sauce, and it would explain why it took so long.
Angry are I.
Please... I need a good game...
I hate to say it, but I'm really not that surprised. I've learned that with Valve, Half life doesn't seem to be their greatest priority, even when the fanboys love it the most.
But mind you, I never really thought Half Life was that great, so this affects me in no way possible!
Well, Valve hired the DoTa creator and game him authority to lead a team.
Half-Life 2: Episode 3 White forest - now with more creatures - and God View.
Meh, I'm rambling - these news disfunctioned my brain.
Yeah...Its going to turn into its own Duke Nukem x.x
Valve can pretty much do what ever they what and the fanboys will take it up the arse.
I'm sorry, Valve is a great studio, but how long does it take to create 4 to 5 hours of new gameplay? This episode had better be one hell of a fucking ride or I predict massive fanboy riots.
I can bet you that the engine will be the same, with minor graphical updates.
Nicely played good sir.
Looks like good old Duke Nukem Forever might have stiff competition for the Vapourware awards this year.
tf2 has been out for a while...
let us hope that this rumor turns out to be just that: a rumor. I want to finish this thing! Don't leave us wanting revenge for over 4 years!
They're probably too scared to make any more half-life games because of the expectations that fanboys (me included) have. At least we don't expect LFD3, TF2/3, or Portal 2 to be life-changingly spectacular.... except for maybe Portal 2....
Also, Valve is known for playtesting the CRAP out of EVERYTHING. If something goes awry in playtesting they re-vamp the whole game because Valve fans expect nothing less than a near-perfect gameplay experience. But the games are worth the wait, and from what I can tell from interviews and director's commentaries, the extensive playtesting is a huge reason why Valve games perform so well.
*cocks shotgun*
No Team Fortress 2 updates for the 360 (or PS3), no Earthbound on virtual console, Mondo Nations taking a long time.
Oh yeah, and this. I'm sort of getting used to waiting for things, though.
I can wait.
I got plently of games this year to keep me happy.
When it is released it better be worth the wait.
I had a dream yesterday about E3 2010. Valve was showing a trailer with clips from every Half-Life game (the tram sections or equivalent) fading in and out with the year they were released.
"Now the Final Chapter"
Fanboys cheer out madly at the announcement of HL3
Let's hope it comes true.
Oh well, I'll just have to hunt down Missing Information and all the other 'alternate' versions of Half Life 2, it's amazing how much they hacked out of that game, mind boggling even.
Here's hoping for a extra huge epic in the vein of Half Life 2's intended design.
Just give us something!
Concept art, screen-shots...something that tells us you're even working on the thing.
Yeah, I've pretty much forgotten about HL2:Ep3. I'll go worry about other things until it's out, or Valve gives us some news about it.
Good, more time for me to get my damn computer updated and play HL2 and Episodes 1 & 2.
Hey! Source engine is still cool. On his last run but still cool. Episode 3 will probably be the last Valve game built on Source. Or maybe the first built on a new engine who knows?
I hope that it's still Source just to give a continuity feeling. ^^ Maybe the next Half Life chapter(if there's a new one) will be on a different engine.
It's been almost 3 years since the release of episode 2. It took Valve 6 years from Half Life 1 to Half Life 2. It only took 14 months between episodes 1 and 2. At this point they may as well release a full fledged game, because for this long of a wait and development cycle for the amount of content that these expansion packs have will be a huge letdown.
I honestly not that surprised. Why do I get the feeling that it will be released on 2012? (Not that I think it will happen)
It's Valve, the wait will be worth it.
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