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parapet carried on machicolation corbels, 16 ft. high, all in stone, and a belfry storey above set back behind the face of the tower. The campanile of the Palazzo Vecchio at Florence is similarly crowned, but it does not descend to the ground, being balanced in the centre of the main wall of the town hall. A third example is the fine campanile of the Palazzo-del-Signore at Verona, fig. 4, the lower portion built in alternate courses of brick and stone and above entirely in brick, rising to a height of nearly 250 ft., and pierced with putlog holes only. The belfry window on each face is divided into three lights with coupled shafts. An octagonal tower of two storeys rises above the corbelled eaves.
In the carnpanili of the Renaissance in Italy the same general proportions of the tower are adhered to, and the style lent itself easily to its decoration; in Venice the lofty blind arcades were adhered to, as in the campanile of the church of S. Giorgio dei Greci. In that of S. Giorgio Maggiore, however, Palladio returned to the simple brickwork of Verona, crowned with a belfry storey in stone, with angle pilasters and columns of the Corinthian order in antis, and central turret with spire above. In Genoa there are many examples; the quoins are either decorated with rusticated masonry or attenuated pilasters, with or without horizontal string-courses, always crowned with a belfry storey in stone and classic cornices, which on account of their greater projection present a fine effect. (R. P. S.)
CAMPANULA (Bell-flower), in botany, a genus of plants containing about 230 species, found in the temperate parts of the northern hemisphere, chiefly in the Mediterranean region. The name is taken from the bell-shaped flower. The plants are perennial, rarely annual or biennial, herbs with spikes or racemes of white, blue or lilac flowers. Several are native in Britain; Campanula rotundifolia is the harebell (q.v.) or Scotch bluebell, a common plant on pastures and heaths, the delicate slender stem bears one or a few drooping bell-shaped flowers; C. Rapunculus, rampion or ramps, is a larger plant with a panicle of broadly campanulate red-purple or blue flowers, and occurs on gravelly roadsides and hedge banks, but is rare. It is cultivated, but not extensively, for its fleshy roots, which are used, either boiled or raw, as salad. Many of the species are grown in gardens for their elegant flowers; the dwarf forms are excellent for pot culture, rockeries or fronts of borders. C. Medium, Canterbury bell, with large blue, purple and white flowers, is a favourite and handsome biennial, of which there are numerous varieties. C. persicifolia, a perennial with more open flowers, is also a well-known border plant, with numerous forms, including white and blue-flowered and single and double. C. glamerata, which has sessile flowers crowded in heads on the stems and branches, found native in Britain in chalky and dry pastures, is known in numerous varieties as a border plant. C. pyramidal is, with numerous flowers forming a tall pyramidal inflorescence, is a handsome species. There are also a number of alpine species suitable for rockeries, such as C. alpina, caucasica, caespitosa and others. The plants are easily cultivated. The perennials are propagated by dividing the roots or by young cuttings in spring, or by seeds.
CAMPBELL, ALEXANDER (1788–1866), American religious leader, was born near Ballymena, Co. Antrim, Ireland, on the 12th of September 1788, and was the son of Thomas Campbell (1763–1854), a schoolmaster and clergyman of the Presbyterian "Seceders." Alexander in 1809, after a year at Glasgow University, joined his father in Washington, Pennsylvania, where the elder Campbell had just formed the Christian Association of Washington, "for the sole purpose of promoting simple evangelical Christianity." With his father's desire for Church unity the son agreed., He began to preach in 1810, refusing any salary; in 1811 he settled in what is now Bethany, West Virginia, and was licensed by the Brush Run Church, as the Christian Association was now called. In 1812, urging baptism by immersion upon his followers by his own example, he took his father's place as leader of the Disciples of Christ (q.v)., popularly called Christians, Campbellites and Reformers). He seemed momentarily to approach the doctrinal position of the Baptists, but by his statement, "I will be baptized only into the primitive Christian faith," by his iconoclastic preaching and his editorial conduct of The Christian Baptist (1823–1830), and by the tone of his able debates with Paedobaptists, he soon incurred the disfavour of the Redstone Association of Baptist churches in western Pennsylvania, and in 1823 his followers transferred their membership to the Mahoning Association of Baptist churches in eastern Ohio, only to break absolutely with the Baptists in 1830. Campbell, who in 1829 had been elected to the Constitutional Convention of Virginia by his anti-slavery neighbours, now established The Millennial Harbinger (1830–1865), in which, on Biblical grounds, he opposed emancipation, but which he used principally to preach the imminent Second Coming, which he actually set for 1866, in which year he died, on the 4th of March, at Bethany, West Virginia, having been for twenty-five years president of Bethany College. He travelled, lectured, and preached throughout the United States and in England and Scotland; debated with many Presbyterian champions, with Bishop Purcell of Cincinnati and with Robert Owen; and edited a revision of the New Testament.
See Thomas W. Grafton's Alexander Campbell, Leader of the Great Reformation of the Nineteenth Century (St Louis, 1897).
CAMPBELL, BEATRICE STELLA (Mrs Patrick Campbell) (1865–), English actress, was born in London, her maiden name being Tanner, and in 1884 married Captain Patrick Campbell (d. 1900). After having appeared on the provincial stage she first became prominent at the Adelphi theatre, London, in 1892, and next year created the chief part in Pinero's Second Mrs Tanqueray at the St James's, her remarkable impersonation at once putting her in the first rank of English actresses. For some years she displayed her striking dramatic talent in London, playing notably with Mr Forbes Robertson in Davidson's For the Crown, and in Macbeth; and her Magda (Royalty, 1900) could hold its own with either Bernhardt or Duse. In later years she paid successful visits to America, but in England played chiefly on provincial tours.
CAMPBELL, GEORGE (1719–1796), Scottish theologian, was born at Aberdeen on the 25th of December 1719. His father, the Rev. Colin Campbell, one of the ministers of Aberdeen, the son of George Campbell of Westhall, who claimed to belong to the Argyll branch of the family, died in 1728, leaving a widow and six children in somewhat straitened circumstances. George, the youngest son, was destined for the legal profession, and after attending the grammar school of Aberdeen and the arts classes at Marischal College; he was sent to Edinburgh to serve as an apprentice to a writer to the Signet. While at Edinburgh he attended the theological lectures, and when the term of his apprenticeship expired, he was enrolled as a regular student in the Aberdeen divinity hall. After a distinguished career he was, in 1746, licensed to preach by the presbytery of Aberdeen. From 1748 to 1757 he was minister of Banchory Ternan, a parish on the Dee, some 20 m. from Aberdeen. He then transferred to Aberdeen, which was at the time a centre of considerable intellectual activity. Thomas Reid was professor of philosophy at King's College; John Gregory (1724–1773), Reid's predecessor, held the chair of medicine; Alexander Gerard (1728–1795) was professor of divinity at Marischal College; and in 1760 James Beattie (1735–1803) became professor of moral philosophy in the same college. These men, with others of less note, formed themselves in 1758 into a society for the discussions of questions in philosophy. Reid was its first secretary, and Campbell one of its founders. It lasted till about 1773, and during this period numerous papers were read, particularly those by Reid and Campbell, which were afterwards expanded and published.
In 1759 Campbell was made principal of Marischal College. In 1763 he published his celebrated Dissertation on Miracles, in which he seeks to show, in opposition to Hume, that miracles are capable of proof by testimony, and that the miracles of Christianity are sufficiently attested. There is no contradiction, he argues, as Hume said there was, between what we know by testimony and the evidence upon which a law of nature is based; they are of a different description indeed, but we can without inconsistency believe that both are true. The Dissertation is not


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Weight Loss Work Snacks
This list of healthy snacks can help you lose weight. learn what to look for in a snack and how to make evening snacks fit into a healthy diet. eating a snack between meals helps curb your hunger so that you don't inhale your dinner when you finally sit down to eat a meal. snacking can also help you. Does when you eat matter more than what you eat? here's the latest research.. One of the most common pieces of advice given for losing weight is to eat smaller meals with healthy snacks between them. however, knowing what snacks to turn to can be hard, especially when you're sticking to weight watchers guidelines. since weight watchers uses a helpful point system for meals.

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text: White Denim takeover: Hello Walls (1961) by GORILLA VS. BEAR October 29, 2013 10:00 AM Share on Facebook Share on Twitter — Austin, White Denim Filed Under: 1961 | austin jenkins | corsicana lemonade | faron young | hello walls | white denim takeover Category: news | video Share on Facebook Share on Twitter More Send to a friend! Print this page Pin it! Reddit This! Share on Tumblr! MOST RECENT Caroline Says announces new Ohio River EP, shares title track video: Vegyn – It's Nice to be Alive Eartheater – Fontanel Otha – Tired and Sick POPULAR ON GORILLA VS. BEAR La Blogothèque captured Helena Deland's exquisite live set at Paris' ARTE Concert Festival gorilla vs. bear's songs of the decade | 2010-2019 gorilla vs. bear's albums of the decade | 2010-2019 DEEP SUMMER 2019 mix


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Geary Times-Journal (Geary, Okla.), Vol. 19, No. 34, Ed. 1 Thursday, October 2, 1919
Description: Weekly newspaper from Geary, Oklahoma that includes local, state, and national news along with advertising.
Date: October 2, 1919
Creator: Seger, Neatha H.
Item Type: Refine your search to only Newspaper
Partner: Oklahoma Historical Society


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Brzezinskis latest book reflects his talent for unraveling complex historical issues and his strength in advocating long-term solutions for them."
Senator John Kerry
Strategic Vision is a clear, vivid look at Americas place in the world today. Rather than surrender to defeatist speculation about the perceived end to the American Century, Zbigniew Brzezinskis reality-based insights explore how the United States can move forward over the next two decades. This is a must-read for a straightforward assessment of the challenges of today and tomorrow and the unique strengths America brings to the global stage."
Senator Richard G. Lugar, State of Indiana; Ranking Member of and Former Chairman of the Senate Foreign Relations Committee
Informed by a lifetime of comprehensive scholarship and many years of responsibility on the front lines of our diplomacy and national security, Zbigniew Brzezinski provides in Strategic Vision a comprehensive blueprint for successful planning and action. His challenge to the U.S. to be a sophisticated leader of a vital democratic-enlarged zone in the West and a promoter of stability in the East is timely and persuasive."
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One of America's precious few master strategists paints a convincing picture of an increasingly messy world ahead and presents a U.S. policy to manage it going to strength by building an expanded Europe and keeping a burgeoning Asia stable. Succinct, sharp, and sensible."
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Strategic Vision is a much-needed wake-up call regarding the international repercussions if America fails to address its multiple domestic crises successfully. A realist but not a pessimist, Brzezinski offers a thoughtfuland, as usual, provocative and timelymust-read for all who are concerned about the future of our country at home and abroad."
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The author has given us a powerful and dynamic examination of our history, the current challenges and the probable changes in the economic, political and environmental balance on our plant. He analyzes the current situation in key countries and thereafter presents the issues we are likely to face in 2050 in a world divided between a dominant East and a challenged West. This is an insightful, provocative and stimulating analysis that should be read by all concerned with global stability and growth."
Joseph S. Nye, Jr. Professor at Harvard and author of The Future of Power
Zbigniew Brzezinski combines theoretical acuity with unmatched practical experience to provide a provocative and compelling portrait of the future along with a convincing map to navigate it."
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[Brzezinski] offers an astute, elegant appraisal of the waning of Americas global appeal and the severe consequences of the shifting of power from West to East
.Brzezinski provides a powerful cautionary tale.... An urgent call for historic renewal by one of Americas sharpest minds."
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Provocative ... a clear-eyed, sharp-tongued assessment of this hinge moment in time, when the worlds center of gravity is shifting from the West to the East."
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A bracing discussion of what a revival of U.S. power would actually require over the next few decades."
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Zbigniew Brzezinski ... has written another important book."
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Any political studies holding should have this!"
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[Brzezinski] offers an astute, elegant appraisal of the waning of Americas global appeal and the severe consequences of the shifting of power from West to East.... Brzezinski provides a powerful cautionary tale.... An urgent call for historic renewal by one of Americas sharpest minds."
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The central message of Strategic Vision is how much more ghastly it will be on all fronts if America cannot urgently mobilize a national will for renewal."
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This short book, crammed with facts and acute analysis well presents Zbigniew Brzezinski's considered strategic vision of the future world and the changed but still vital leadership role of the United States."
The New Republic
When it comes to offering a vision to guide American foreign policy, Zbigniew Brzezinskis latest book, unlike so much other literature of this type, refuses to lament or exaggerate the alleged decline in American power and influence.... [A] welcome antidote to the dreary school of declinism now dominating much of the foreign-policy conversation."
Midwest Book Review,
Strategic Vision is a powerful documentation of the steps that must be taken to ensure continued American success."
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Once again, Brzezinski gives the reader thoughtful insight on the state of global affairs and America's place in the world. He provides a wakeup call to international affairs and their effect on this country."


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PETALING JAYA: An international palm oil group wants three of its Malaysian and two Indonesian member companies reportedly involved in Indonesian forest fires to submit digital maps of their plantations within the next 48 hours.
"If the investigations confirm negligent conduct, the RSPO will not hesitate to take action," Webber said.
He listed the Malaysian companies as Tabung Haji Plantations, Kuala Lumpur Kepong and Sime Darby and the Indonesian ones as PT Jatim Jaya Perkasa and Sinar Mas.
Webber, however, asked for the people not to speculate on these companies, adding that the RSPO would find out if the five were indeed involved.
He added that satellite imagery on the fires appeared to be "highly prevalent" within peatlands, and that fires there might not have been started in the same area as the flames could travel underground.
The RSPO is a non-profit group that promotes the growth of sustainable palm oil products through standards and stakeholder engagement.
Webber said that once it received the digital maps, the RSPO would assess them against data compiled by the United States-based National Aeronautics and Space Administration and the National Oceanic and Atmospheric Administration.
The statement added that both Sime Darby and Kuala Lumpur Kepong had pledged their full support to the RSPO.
Sime Darby president and group chief executive officer Tan Sri Mohd Bakke Salleh said: "I would like to reiterate Sime Darby's commitment and full compliance of the zero burning policy, which is strictly embedded in all our oil palm plantation operations."
Kuala Lumpur Kepong head of sustainability Sin Chuan Eng said it would be making arrangements to submit the digital maps of their plantations to the RSPO and give it the fullest cooperation during the proposed investigations.
Meanwhile, environmental research group World Resources Institute (WRI) said that based on official data, the Indonesian-owned Sinar Mas and Raja Garuda Mas groups owned concession licences where the largest number of fire alerts were found.


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Click on the picture below to link to the district Child Nutrition website!
Grab and Go Breakfasts are available for purchase before school starts in the Aspen Cafeteria for $2.00.
Lunches are available for purchase each day for $3.50.
Monthly Menus can be found above.
There are multiple ways to pay for cafeteria meals. They can be purchased daily with cash; a check (minimum of $25.00) may be added to the student's account to keep a balance available; or you can pay online to your student's account through your parent portal. The Front Office has a deposit box and envelopes for cafeteria payments that are cash or checks. Each student has an online account through your Q Parent Portal. Funds can be added directly through your parent portal. Instructions on how to add money to your account online can be found here.
The District offers a Free and Reduced Meal program for qualifying families. The application process can be found at this link: http://www.conejousd.org/Departments/Business-Services/Child-Nutrition/Online-Meal-Application. Applications will also be found in the back to school packet picked up the evening before school starts. The program must be renewed each year, so please complete your online or paper application as soon as possible each school year.
During 1st recess, the cafeteria will be open for A La Cart purchases. That menu can be found on the CVUSD Child Nutrition Page or click here for the current offerings. These items are not part of the Free/Reduced Meals program and will be charged to the student's Child Nutrition Account.
Please note that families will be notified if their student's account has a negative balance. The District policies for unpaid accounts can be found here.
To reach to the District's Child Nutrition Department with any questions, please call Betina San Martin at (805) 498-4557 x312.
1870 Oberlin Ave.
Thousand Oaks, CA 91360
Phone: (805) 495-2810
Attendance: (805) 495-3130
Fax: (805) 374-1157
Office Hours: Monday-Friday 7:30am-4:00pm


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The Cosmic Jesus
Back in Mark 7 Jesus fed 5,000 people and here in Mark 8 He feeds 4,000 more. The stories are the same in that in both instances He multiplied a very small amount of food in order to feed a very large group of people. As similar as they are in this sense, however, they are also very different (purposely so, I think) for a few other important / key reasons - ONE of which I want to focus on today.
The stories are different because of where they take place and the kinds of people who were in the crowds.
Like, in both instances we're told how many men were in the crowd - in Mark 7 we're told that there were "5,000 men" and in Mark 8 we're told that there were "4,000 men", but in both cases there would have also been women and children present who were not accounted for in Mark's headcount.
Maybe there were 6,000 people and not 5,000?
Or maybe 8,000?
Or 12,000?
Maybe Mark was just exaggerating the number. Were there really that many people gathered on the hillside? And if there were, could they all hear Jesus even though He didn't have a microphone? What if Mark's numbers are way off? An exaggeration? Like, what if there were only 10 or 50 or 100? And does it matter? Or maybe Mark inflated his numbers to make a larger point?
Who knows.
More importantly, though, in Mark 7 Jesus feeds the 5,000 on the predominately JEWISH side of the Sea of Galilee with 12 baskets of food leftover and in Mark 8 He feeds a slightly less 4,000 on the predominately GENTILE side of the lake with 7 baskets of food left over.
That's important, so one more time:
5,000 Jews in Mark 7 with 12 baskets left over.
4,000 Gentiles in Mark 8 with 7 baskets left over.
In his commentary on Mark ("Binding the Strong Man") Ched Myers points out that the 12 baskets on the JEWISH side represents the TWELVE tribes of Israel (see last weeks post "TWELVE TWELVE TWELVE" for more on the significance of the number 12 in Mark) and the 7 baskets on the GENTILE side represent the Jewish folklore of the SEVEN(TY) nations of the world (i.e. the Gentile, non-Jewish world).
Do you see what Mark is doing here?
Were there really 5,000 people? Were there really 4,000?
Were there maybe 5,013 or 4,205? Or 500? Or 523?
Were there really 12 baskets leftover? And 7?
Was it maybe 13 or 14? 6? 1 or 2? Maybe 0?
I'm not sure Mark was as interested in giving us exact details about numbers as much as he was interested in us connecting to the symbolism behind the stories he was telling:
Jesus came to feed everyone on all sides of the lake - Jews and Gentiles, alike.
This wasn't just a Jewish Messiah or a Jewish King or a Jewish Rabbi, but a Cosmic Messiah. He didn't just come with healing for the Nation of Israel, but with healing for the Nations of the world; He didn't just come to set things right for the people of Israel, but for all people ... everywhere.
Perhaps this is why in Colossians 1:23 Paul said ...
"This is the Gospel that you heard and that has been proclaimed to every creature under heaven."
In Paul's estimation, the Good News of Jesus (which, remember, Jesus tells us in Mark 1 is that 'the Kingdom of God is near') has been proclaimed (notice the language Paul uses - the Good News has ALREADY been proclaimed) to not just the people of Israel, but to "every creature under heaven."
God has come near.
Healing has come near.
Grace has come near.
Mercy has come near.
Love has come near.
Open arms have come near.
Light has come near.
Justice has come near.
Forgiveness as come near.
... All of the attributes of God's Kingdom have broken through from heaven to earth in the person fo Jesus and those attributes haven't just touched the lives of the Jewish people, but the lives of everyone ... and more than that, ALL creatures under heaven.
Every human on earth.
Every creature on earth.
Every organism in the universe.
"All creatures", as Paul says, "under heaven."
Since Colossians was written somewhere between 60 and 61 AD and Mark was written some 8 years later between 68 and 70 AD, I wonder if Mark was weaving the stories of the feedings together in order to bring out this very point that he maybe picked up from Paul - this idea of the Cosmic Jesus, the long awaited and promised Messiah who wouldn't just set things right for the Nation of Israel, but for the Nations of the world?
The Jews believed that water (and the Sea of Galilee, in particular) represented the chaos of the world and so in Mark we see Jesus traveling to all sides of the chaos to bring healing, freedom, and food for the hungry - no one is left untouched, no one is ignored, no one is exempt, no one (as we said a couple of weeks ago) is left behind.
I wonder how the world might be different today if we lived like this is true?
Confession: I'm at a place in my life where I don't think anyone is turned away from God. In fact, I'd go as far as to say that when all is said and done and God has wiped the dust off His hands from His newly created heaven and earth, I think that everyone who has ever lived will have a place in God's new creation.
Yes, everyone:
... Everyone.
Yes, I really do think that - I dare to think that Jesus' work on the cross is THAT big and THAT powerful and THAT final and that it's that big, powerful, and final for everyone, everywhere.
Yes, I think there will be judgement. I think that the horrors of this world have to answered for, right? Like, it's not a free for all where people can do whatever they want, kill whoever they want, act however they want, rape whoever they want, shoot at whoever they want, steal whatever they want, etc. without any consequences.
Judgement fits into the equation somehow and in some way.
No, I don't think that judgement means eternal damnation where a better part of humanity is wiped out and obliterated forever and ever in some kind of underground fire pit. I think that's an unfortunate misreading of the Bible that wasn't around in the early church and a view of Jesus and His work on the cross that's way too small.
How will it all work? I'm not really sure. But I believe His work is big enough and final enough to iron out the details.
And I believe that because that's what I see when I see how Jesus lived and carried Himself. I don't see Him turning people away or ignoring people or giving them ultimatums about believing the right things about Him or being sent to eternal damnation. I just don't see it. Rather, I see a Man who is the exact representation of God, a Man ...
Who goes to those who have been outcasted long before they have the common sense to pick themselves up to come to Him.
Who goes to both sides of the lake to eat with and spend time with people who would be hated by the people on the other side of the lake.
Who goes to those who are hurting.
Who goes to those who are crushed by their mistakes.
Who goes to those who are haunted by their demons.
Who goes to people of other religions and other cultures.
Who goes to people who are making questionable decisions with their lives.
... He goes to these people, touches them, spends time with them, and tells them that they are loved and welcomed and that they have a purpose and place at His table.
Saying all of that could get me in trouble with some of my church friends. And I know that many people will have an arsenal of Bible verses to disprove my thoughts … many of which I probably don't have a response for. But I'm at this oddly comfortable place in my faith where my convictions about these kinds of things are slowly changing from where I was 3, 4, 5 years ago even though my understanding of how to read certain pieces of the Bible is still catching up.
And I think that's what faith is, really - having the courage to step out of the boat of old convictions and into the stormy seas of new convictions even though the life preserver of Bible answers that we once held on to so tightly has some holes in it and sits deflated in the back of the boat.
The stories of Jesus feeding the 4,000 on the GENTILE side of the lake and the 5,000 on the JEWISH side of the lake show me one thing more than anything else - Jesus has come to feed everyone, regardless of where they're from, who they are, what they've done, etc.
Whether they ask for food or not, He WILL feed them.
Perhaps this is why in the very next passage after Jesus feeds the 4,000 Gentiles we see Him getting frustrated during a short exchange with His disciples.
Jesus had just fed the 4,000, then was 'tested' by the Pharisees (which is, interestingly, the same word that Mark used to open the first half of his Gospel when he said that Jesus went into the wilderness to be 'tested' by Satan - I'll let you draw your own conclusions), and now we see Him and His disciples in a boat getting ready to cross back over to the Jewish side of the lake. As they get their stuff together and head out Mark says that ...
"The disciples had forgotten to bring bread, except for one loaf they had with them in the boat. 'Be careful', Jesus said, 'watch out for the yeast of the Pharisees and that of Herod.' They discussed this with one another and said, 'Is it because we have no bread?' Aware of their discussion, Jesus asked them, 'Why are you talking about having no bread? Do you still not understand? Are your hearts still hardened?"
The yeast of the Pharisees and Herod vs. the yeast of Jesus.
Jesus had fed 5,000 Jews and then 4,000 Gentiles symbolizing (we said) that He has come to feed everyone, to unite everyone, to bring everyone together as one. Sprinkling such yeast into His world so that a new Kingdom of unity and inclusion could rise up and out of the earthly empires of disunity and exclusion would have threatened both the Pharisees and religious leaders as well as Herod and the other rulers of the Empire because ...
The Pharisees wanted to keep Jews and Gentiles separate for religious reasons so that they (as Jews) could enforce their purity laws on the dirty non-Jewish Gentiles.
And the Roman Empire was aiming for something similar, where people of various classes and ethnicities were separated for political reasons so that certain groups would hold all the power while other groups held none.
(Sound familiar?).
I guess you could say that both parties (the Pharisees and King Herod) benefited GREATLY from the uneven balance of power.
And so the disciples get into the boat on the Gentile side of the lake with only ONE loaf of bread as they head to the Jewish side of the lake and Jesus tells them to beware of the yeast of the Pharisees and Herod.
After everything we just talked about, why would He say that? What's the point?
Well, the yeast of the Pharisees and Herod was one of disunity and exclusion, a Kingdom that Jesus had come to smother with His own Kingdom of love and grace and inclusion and so Jesus wanted His disciples to take note of the progression of events they had just been involved in and be on guard against the Kingdoms of this world. And the fact that they only had one loaf of bread with them in the boat is an important piece of information; I think it's almost like Mark is winking at his readers, reminding them that at the end of the day one loaf is more than enough for everyone on all sides of the lake because everyone ...
... Is welcome to come and partake of the that one loaf of bread, the Bread of Life, Jesus - the One Who feeds all.
He is the Cosmic Jesus and regardless of what side of the lake you're on, He's saved a seat for you at His table. You belong here.
Much love.


text: Thrinax 0 Posted August 25, 2011 I just started taking Accutane a week ago and I have a question that's probably slightly stupid... I've been taking it every day at dinner but have decided that lunch would be a more convenient time each day for me to take my daily dose. Is it going to have any weird effects if I just start taking it at lunchtime one day and no longer at dinnertime? Should I take it a few hours earlier each day and "ween" myself onto the new time or is that necessary? Thanks! Quote Share this post Link to post Share on other sites


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IT IS hard to imagine what my friend, former SunStar columnist, journalist and development worker Margarita Valle went through when she was taken by police in Laguindingan Aiport last Sunday, June 9, 2019.
Gingging or Ma'am Ging, as friends, colleagues and young writers call her, is age 61. We share common things from being Ateneo de Davao graduates and alumni of the student paper Atenews (she during Martial Law).
She is a writer, editor, advocate of many things in Mindanao, from peace for Moro and Lumad communities, to human rights and ecology. She is a mother of four, including Rius who is following her footsteps as spokesperson for Save Our Schools.
None of these mattered for the police, the Criminal Investigation and Detection Group Region 9 who took her at the airport. She was prevented from making a phone call to friends or family. But Gingging managed to call her friend from the Missionaries of the Assumption. In the next eight hours, she was incommunicado.
A dogged search by media friends discovered she was brought to Pagadian City, charged with frustrated murder and arson, which did not bear her name. But the name on the arrest warrant was a certain Elsa Renton aka Tina Maglaya.
Indeed, the police later released Valle, saying this was a case of "mistaken identity".
This could have been a fatal mistake, the National Union of Journalists of the Philippines said in a statement.
"There is no lack of victims of extrajudicial killings and enforced disappearances to drive home this point," they pointed out
NUJP went on to say this was "not a lawful operation but a criminal abduction of a journalist".
A convenient excuse, the Altermidya Network said. "Valle's arrest was a clear case of harassment. If anything, the arrest only demonstrates the rampant abuse of power and impunity by state forces in Mindanao, and sends the message that they can take anyone prisoner."
A violation of procedure, former IBP Davao President Caesar Europa said.
"Shouldn't the verification and identification be done BEFORE you arrest anyone?"
Europa reminds police of the General Rule in Section 2 of the Bill of Rights of the Constitution: "The right of the people to be secure in their persons, houses, papers, and effects against unreasonable searches and seizures of whatever nature and for any purpose shall be INVIOLABLE."
For that, Gingging, her family and media colleagues, would not take this as a simple mistake. This is abuse of authority that endangers lives and it is happening every day.
As Gingging said in an interview after her release: "Anybody can be arrested by allegations. Anybody is vulnerable."
We have to hold authority accountable for this.
SunStar website welcomes friendly debate, but comments posted on this site do not necessarily reflect the views of the SunStar management and its affiliates. SunStar reserves the right to delete, reproduce or modify comments posted here without notice. Posts that are inappropriate will automatically be deleted.
Do not use obscenity. Some words have been banned. Stick to the topic. Do not veer away from the discussion. Be coherent. Do not shout or use CAPITAL LETTERS!


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text: THEN (bottom): The Reynolds Building NOW (below): The Kimpton Cardinal Hotel THEN (above): The Carolina Hotel and Theatre NOW (top): The Stevens Center performing arts venue THE CITY'S CENTER In town for a production for University of North Carolina School of the Arts, the Winston-Salem Symphony, Piedmont Opera Theatre, or the biennial National Black Theatre Festival? It's likely you'll step inside the former 11-story apartment house and 3,000-seat theater on the corner of Fourth and Marshall streets in downtown Winston-Salem. Built in 1929, the apartment house soon changed to a hotel, and the Carolina Theatre began its grand 46-year history of hosting entertainers like Elvis Presley. After the theater closed in 1975, the building was refurbished, restored, and reopened as the Roger L. Stevens Center in 1983. As the primary performance space for a majority of the city's arts entities, it has played host to world premieres, sell-out performances, and even the filming of a music video. 10 | 2018 OFFICIAL VISITOR & RELOCATION GUIDE HEADQUARTERS TO HOTEL R.J. Reynolds Tobacco Company built downtown's 22-story Reynolds Building at the corner of Main and West Fourth streets. Designed by the New York architecture firm Shreve and Lamb, the building was completed in 1929 and later used as the architectural prototype for the Empire State Building. After extensive renovations, The Kimpton Cardinal Hotel opened in this building in 2016, the first Kimpton to open in the Carolinas. The luxury boutique hotel exudes magnificently upfitted historic charm throughout 174 guest rooms; a recreation room complete with bowling, a basketball court, and a twisty slide; and The Katharine Brasserie & Bar. The Art Deco Kimpton Cardinal showcases 42 design nods to North Carolina history throughout the property (learn more on page 16).


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- 3 beds
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- Half Baths: 1
- Square Feet: 2,636 sqft
- Year Built: 1994
- Lot Size: 9.47 acres
- Status: Active
This spacious house tucked away on 9.47 acres has so much to offer. Split floor plan, eat in kitchen, cozy family room with fireplace, loft, plenty of storage, and dining room. Property features a detached 2 story 4500 sqft building with 3 office spaces that are heated and cooled, full kitchen, 1.5 bathrooms, garages, and an upstairs that has 4 rooms for storage. There is also a 2176 sqft shed with RV storage. Relax in the gazebo or go fishing in your own stocked pond.
- Site Link
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Courtesy of: Jimmy Bell Real Estate
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Updated: 23rd October, 2019 9:28 PM.
4847 Kibler RD Van Buren, AR
Real Estate | Forth Smith Southwest Times Record Powered by Placester


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He's still a key player for club and county, but Kieran Donaghy has "great potential" as a coach.
That's the view of Austin Stacks manager and former Kerry defender Stephen Stack.
Stack will look to Kingdom talisman Donaghy again on Sunday to turn the screw when the Kerry champions face The Nire in the AIB Munster club final.
All-Ireland winning full-forward Donaghy has been in stunning form since a mid-summer revival that began against Mayo.
But at almost 32, he is closer to the end of his career than the beginning, and has already been coaxed into coaching at club level.
"Everyone thinks that Kieran's influence has just been since he came on in the Mayo game," Stack explained.
"But, for us, he has had a very strong influence all year. When he couldn't train with us because of his commitment with Kerry, he came down to our sessions and I often got him involved in taking the B team when we were playing A v B games.
"If we were doing tactical pieces, I'd involve him. I think he has a great potential as a coach.
"Ultimately, while I have a responsibility to lead the team along with the rest of my management, I also feel that if there are a couple of players capable of coaching in the future, it is my responsibility to give them an opportunity.
"So if Kieran was injured, as he was unfortunately a few times this year, I would, no more than any other senior members in the squad, give him an opportunity to maybe add a little bit more to the coaching side.
"He is not a fella I think that sits comfortably on the sideline anyway and watches a club session.
"And I think you'd be a fool, with his energy and enthusiasm and knowledge, not to involve him or maximise his involvement in any way you can."
For now, it's all about what Donaghy can contribute on the field of play though.
The Nire boss Benji Whelan has already admitted that he's put plenty of thought into how to handle the man mountain this Sunday.
"The great thing about Kieran is that if I ask him to play in goals tomorrow morning, he will happily do it," said former Kerry defender Stack.
"He is the ultimate squad player. He doesn't think about himself, he thinks a lot about the other players in the squad and is keeping in touch with fellas quietly.
"I wouldn't know too much about it but I'd hear about it and he'd be doing it in the most positive way. That's the way he is.
"He has an awful lot of positive energy coming out of him and he has a very good attitude to life.
"He has a very good attitude to people and whatever success he has had this year, I can tell you it hasn't been by accident. He has worked exceptionally hard this year.
"People have probably only seen him since the Mayo game but he had been working phenomenally hard since the start of the year on trying to get himself right and I'm glad things came right for him for a finish."
© Irish Examiner Ltd. All rights reserved


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Vehicle Excise Duty (VED)
The Chancellor has addressed falling revenues from Vehicle Excise Duty by reforming VED for cars registered after April 2017. First year rates (FYRs) will vary according to the CO2 emissions of the vehicle, but a flat standard rate of £140 for all cars except those with zero grams of CO2 per kilometre (CO2 g/km), which will have a £0 standard rate.
Cars with a list price above £40,000 will also have a supplement of £310 per year for the first 5 years in which the standard rate is paid.
The new VED system will be reviewed as necessary to ensure incentivises take-up of the cleanest, greenest vehicles.
Roads investment
The Government will create a new Roads Fund, which from 2020-21 will be subsidised directly by the VED revenues above, to help deliver on the election manifesto pledge to invest £15 billion into the national road network over this Parliament (2015-2020).
A second Roads Investment Strategy will also be developed and published before the end of the current Parliament, which will be informed by and based on the recommendations and financial record of the Roads Fund.
Company Car Tax
As announced at the previous pre-election Budget, from 2019-20 the appropriate percentage of the vehicle's list price (subject to tax) will increase by 3 percentage points for cars with CO2 emissions above 75g/km, up to a maximum of 37%. There will be a 3 percentage point differential between the 0-50 and 51-75g/km CO2bands, and between the 51-75 and 76-94g/km bands.
The Government will consult on a proposal to extend the period before a car needs to get its first MOT test from 3 years to 4.
However, Vans are currently excluded from this proposal.
Corporation Tax
The rate of corporation tax rate (currently 20%) will be cut further to 19% from 2017, and 18% in 2020.
Annual Investment Allowance (AIA)
From 1 January 2016, the permanent Annual Investment Allowance level will be increased from £25,000 to £200,000 for all qualifying investment in plant and machinery (including Vans – Excluding Cars) made on or after 1 January 2016. This is a commitment for the remainder of the Parliament.
www.NewVehicleSolutions.co.ukTags: 2015 Budget


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You are here
Career Center
Job Seekers, Welcome to MHA Career Center
Gastroenterology Nurse Practitioner or Physician Assistant
Gastroenterology Nurse Practitioner or Physician Assistant
Powered By
Swedish Medical Group's Gastroenterology Clinic in Seattle, Washington is seeking a well-trained APC to join an 18 physician and 7 midlevel employed group with a growing consultative practice combining tertiary/quaternary referral care. This includes a well-established general GI inpatient hospitalist service, liver transplantation, cancer center and therapeutic ERCP/EUS. Take advantage of this great opportunity to be part of a busy and growing practice that is committed to the highest level of Gastroenterology care, in the beautiful Pacific Northwest.
Where You'll Work
Swedish Medical Group is an integrated team of more than 1,300 physicians and advanced practice clinicians serving the greater Seattle area. As part of Swedish Health System, medical group providers benefit from centralized system support and a shared EMR (Epic). With easy access to seven Swedish Medical Center campuses, providers are able to serve northwest Washington residents with superior integrated, coordinated care.
Where You'll Live
Seattle is the Pacific Northwest's largest urban center, with a metro population of 3.25 million, and is home to world-class arts and entertainment, a robust economy and an outstanding school system. The city hugs Puget Sound and offers magnificent mountain views to the north, east and south. Home to the world's biggest tech giants, Seattle offers some of the highest minimum wages in the country, along with a notable music and arts scene, outdoor lifestyle and amazing coffee.
Who You'll Work For
Swedish Health Services, a not-for-profit health system based in Seattle, Washington, operates five renowned hospitals and more than 100 medical clinics offering primary and specialty care. Swedish is committed to creating a culture that values patient safety above all else, as evidenced by our error-prevention tools and techniques for clear communication. Swedish is a partner organization of the Providence St. Joseph Health family, and is proud to be an Equal Employment Opportunity organization.
Job ID Number: 11094
Facility Name: Swedish Medical Group
Location Name: Seattle, WA
Brand Name: Swedish
Provider Profession: Physician Assistant
Provider Profession: Nurse Practitioner
Medical Specialty: Gastroenterology
Job Setting: Medical Clinic
Type of Role: Clinical
Email: firstname.lastname@example.com
Phone Number: (425) 525-5837
Schedule: Full Time
CP: Yes
CB: Yes
NP: Yes
PA: Yes
HC: Yes
IS: Yes
YM: Yes
Let's Talk!
You've got questions? I've got answers! Reach out today, and together, we'll find a job that checks all your boxes.
Express Interest
Sheila Sampatacos
Provider Recruiter
(425) 525-5837
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coaching is…
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90-minute Power Session - $350
Leadership begins with you. In this 90-minute intensive session, we'll get right to the core of what is holding you back - and what moves you forward.
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12 -session 1:1 Coaching Package - $2900 or 3 monthly payments of $1000
Chris maintains a limited schedule for those who wish to work individually and privately, focusing on a particular goal or change process. Sessions are scheduled weekly (up to four/month).
Once you purchase your package, Chris will call to schedule. Or call contact Chris to discuss your needs.


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This has been an interesting year when it comes to Celtic Music, at least for me and a few others. Two ensembles are on our radar, Celtic Woman, now approaching ten years old, and Celtic Nights, which just finished their third USA tour. There are similarities and differences on stage and off.
Tech. Both shows are stage productions but they differ in scale. Celtic Woman is a high gloss, well exposed, institution in the USA and other areas. They have the budget to do a great deal. Therefore not only do they generate huge amounts for the controlling interests but they do incur a lot of costs in the process. They travel with three buses and a couple of tractor-trailers. Staging, lights, sound, and choreography are complex. Celtic Nights is a lower budget operation. It has at times a simple short riser at the back but at times not. The stage is essentially bare. Sound and lights are excellent though not on the scale that CW operates at. It is enough to accent yet not distract from the artistry of those on stage. They all travel in one bus and tow a small trailer behind them.
Merch. The sale of merchandise is a big deal with Celtic Woman and has been from the start. It is a product of both their PBS affiliation and the desire of EMI and CW LTD to generate as much as possible from their employees. It has produced numerous CD and DVD as well as T-shirts and other trinkets over the years. Prices are typical of a big name group for the items sold and each tour has current merchandise that reflects the current show. Also, some of the individual artists have their CDs available at the merch table during the tour. Some of these may or may not generate money for the artist themselves. Most of what is sold will do little to fatten the wallet of the artist themselves who are simple employees. Celtic Nights is only now understanding the role of merchandise. Their CD is from the original show three years ago and does not contain any liner notes in the booklet. Sad for the artists that contributed but it is a good CD even if a bit out of date. None of those original artists remain with CN save for Derek Ryan who subbed in briefly again this tour. They tried T-shirts on a small scale this tour but found the demographic at the shows wrong for it. They also offered the solo CDs of three of their artists and I do believe the artists profit to a degree from those sales. A few generic Irish trinkets also graced the table and they did a drawing for a tour of Ireland that as yet they have not yet announced the winner of. Prices are similar to CW but they did offer a smart deal of 4 for $40 on the CDs.
Musicians. Celtic Woman has a long history of having numerous live musicians on stage. They can the orchestra as one might imagine. Can't be toting them all over! Typical for CW is a bass player, Eoghan O'Neill, lead guitar in Ewan Cowley, Uilleann pipes and other pipes with Tommy Martin, Bagpiper who also does other duties, Anthony Byrne, Piano player Brian McGrane, and two drummers in Ray Fean and Andy Reilly. On this tour some of them sing as well. Most of them do multiple duties and they are as diverse in their gifts as one could imagine. They are all top drawer and a vital part of the touring show ensemble. All are very likeable people too. Celtic Nights cans most of their music. They have little choice on a limited budget. Their two musicians this tour were piper and guitarist Stevie O'Connor, and fiddler Ben Gunnery. While small in number they are big on talent. Stevie is a student of Tommy's and it shows. Ben can shred on the fiddle every bit as wonderfully as the CW violinist although of course he does not have the look or the choreography to go with it. Speaking of which, the Celtic Woman violinist, Máiréad Nesbitt is a member of their front four (formerly front five) and is the sole remaining original girl in the show. She is incomparable. It is the sole musician CW has had in the front row. Both Ben and Máiréad are huge focal points of energy in their respective shows and get the audiences jazzed.
Dancers. Until Believe dancing, except by the marvelous fiddler, was not part of Celtic Woman. That having been said they have had some choreography in some pieces that could be viewed as dancing. But it was not until CW brought in Craig Ashurst, premier Riverdance dancer, that CW incorporated dancing into the show. This year they added a second lad, Nicholas, to make it a pair of dancers who do double duty as vocalists. This year's show incorporates a great deal more dance into it including a solo dance/percussion bit late in the first act which is a hoot. Celtic Nights has always had as part of the show a fair amount of dancing. It is operated by GFD (Gaelforce Dance) which has long supplied shows with top notch dancers. So, a small troupe (this year 2 male and 3 female) dancers are part of the show and have several dance routines in it. Dancers this tour were Gavin, Aidan, Leanne, Heather, and Ciara. I found at both shows that the dancing really lights up an audience especially the female attendees. Dance is a part of the culture just as song and musicianship so it is appropriate it be included.
Vocalists. Here is a major difference in the shows. Celtic Woman front row has always been exclusively female. Well, it IS called Celtic WOMAN! It went from four vocalists down to three after spring 2010. In that loss they, in my opinion, lost some of their better harmonies. That does not mean the show lacks but it is an element that is obvious to a long time fan especially in the loss of a lower register voice to broaden and deepen harmonies. The current lineup is Susan McFadden, Lynn Hilary, and Máiréad Carlin. All are higher end soprano although Susan closer to mid. Susan and MC have tremendous power and MC has quite a dynamic range. Lynn is a crystal clear and delicate voice. Throughout Celtic Woman history there have been a long line of sterling vocalists, each of whom have brought their own unique gifts. They include Deirdre Shannon, Meav, Orlagh Fallon, Hayley Westenra, Alex Sharpe, Lisa Kelly, Chloe Agnew, Lisa Lambe, and the current three. Change has been inevitable if not an annual thing since year one. Celtic Nights is a mixed ensemble, three male and three female. This year we had Derek Moloney most of the tour along with Will Mulvey and Gregor Firth. These gents are great stage performers and nice guys. They complement each other very well. They have a nice harmony bit in Auld Triangle and some solo bits as well as ensemble pieces. Front row girls this tour were Rebekah Robertson, Rebecca Winckworth , and Éabha (pronounced like Eva) McMahon. The latter two worked together in Anuna. It is an excellent blend of a high range soprano, mid range, and full on alto that produces the best harmonies I have heard since the four vocalist days of CW. Bekah is the spokesperson for the show and also serves as office staffer with GFD. Éabha is a voice you simply must hear. It fills a room and is the most unique and haunting voice I have heard among CW/CN female artists. She has incredible stage presence and poise for such a young lady. Closest to her in voice from CW would be the same haunting quality of Orla Fallon.
Ensemble vs. ensemble, song versus song. They are both quality troupes in every respect. But there is a clear line in CW between front row and supporting cast. In CN there is really no front or back row. Ensemble pieces run the gamut from high energy to quieter. There are only a couple places where we can make a direct comparison this tour, Danny Boy, and The Parting Glass. Danny Boy is traditional and every show has it. In CW it is purely the front four in harmony. It has always been lovely though in my opinion never as lovely as the four vocalist version of spring 2010. They added choreography this ear they did not need to do. In CN it was done as a solo either by Derek Moloney or Rebecca Winckworth. Both were different but very lovely. Honestly you just can't go wrong with this song. Parting Glass is very different between the two groups. In CW it is full on ensemble with every element in play. It starts somber but them morphs into a huge piece. It is very uplifting. The CN version has Éabha doing the lead and it is pure vocals by their six vocalists. It is solemn, stirring, and very emotive. It is her signature piece. Two very different interpretations and both well done. CN did some of the songs we heard from CW over the years, Caledonia (A Rebekah solo), and Isle Of Hope (lovely courtesy Ms. McMahon) to name a couple. They did them well. Bekah's signature is Caledonia and I found I liked her connection with it better than the CW one. She is, after all, from Scotland. Both Celtic Woman and Celtic Nights are marvelous nights of entertainment with top drawer artists.
Philosophy, pricing, and fan relations. And here we get to some touchy subjects. The Celtic Woman philosophy is big city (NYC) mentality. It is all about the bottom line. Who the artists are don't matter. Who the fans are don't matter. It is pure, cold numbers. The artists are all replaceable employees rather like pieces in a machine and the fans are simply butts in seats. I do not believe the artists have adopted that same view, especially after first night Atlanta Believe recording 2011 at The Fox. It matters to them. We matter to them to a certain degree. An audience has a better chance of being a good one if there are more familiar faces in it. For the bean counters they could not care less what the energy level of a show is only that the place is as full as possible. Over the years there have been numerous changes in relations for the positive but they were mostly based on who was running the tour. David Downes has done well paying attention to what fans like and finding suitable replacements for vacancies. Mr. Kavangh seems to have backed off a bit in his hostility toward familiar faces and that was evident in his demeanor and comments in Dublin after the Christmas show last August. But it has been Madstone that has been consistently hostile in its pricing and policies. Maggie has been trying to kiss up to the artists and a few select female fans and the reverse is true as well. But the majority out here aren't buying it. The show is priced at what it is now because of the charts and consistent sales. From a venue and Ticketmaster perspective prices are in line with what one might expect. But it is the PBS connection, pricing, and seat availability that have changed the past couple years that show a certain level or hostility. Gone are the best seats in house to go with paid meetings. It's a crap shoot. Gone too are autographs at meetings and in place of it are a simple photo op with the front four. Best thing about all of that is the barrier of a table is gone and the girls are free to hug if they so desire. But these meetings are typically overpriced and rushed to go with a mediocre seat. And, as I found out, you are not assured your photos will turn out. Some of these meet & greet packages cost in the hundreds of dollars yet meetings can be held in a hallway, stairwell, loading dock, mop closet, etc. which is very disrespectful to the artist and to those forking out the money. It is a multi-million dollar operation annually and an entire venue is rented. You cannot afford a proper room? They also disrespect the artist by holding the meetings within minutes of them having to take the stage. That is when they should be warming up and focusing on the show. It is done for a reason, to give the excuse to rush it. As for the photo itself, mine in Denver this tour did not turn out. When I mentioned that to the tour manager in Colorado Springs the response I got should say it all to you who buy the meetings. "I'm not a professional photographer. I'm doing this as a favor. Good luck." That from the rather grumpy Sett who is only a notch short of the dismal Mitch from Madstine in cold and prickly. Once again, you are a multi-million dollar annual profit center at CW, you can jolly well afford a good photographer and a polite demeanor for the money paid. But again, Madstone does not care. If you won't be foolish enough to fork out the money for the dog and pony show, someone else will. For me that means I will discontinue meet & greets. They are simply NOT worth it. Prices vary from $150 to $600 per person, in some cases requiring a pair be bought, for these meetings with a ticket. Denver and Springs allowed us to acquire the meetings stand alone but they were still far too expensive for what you got. Some now buy two tickets to get a good seat AND the meeting. It is your right to do so and Madstone laughs all the way to the bank.As a further example of Madstone hostility you can look back to the two recordings last year. South Bend gave less than 72 hours notice. The Christmas recording gave a bit less than three weeks for peak travel season in Europe. Plans for recordings happen months in advance. There is no reason to delay letting people now other than pure hostility to the familiar faces. Make no mistake about it, Madstone does NOT want you there at recordings or shows.
Contrast this with Celtic Nights. There is no PBS. There is no Madstone. Their record label and promoter is CAMI (Columbia) which is more fan friendly.They filled their venues as well as CW did and without the exposure. You go online and buy a ticket from the venue or Ticketmaster first come first served on best seats. Most were in the neighborhood of $40. Michael Durkan's philosophy is one of bringing a high end show to smaller communities and venues. It works. Even at common venues this tour like Popejoy in Albuquerque they were as sold out as CW. Meetings are full cast and free after the show. Photos, autographs, chat, and no one walks away unhappy with the result. At Popejoy there were 1900 or so people. 200 or thereabouts took advantage and stayed after. It took about forty minutes before the lobby cleared. So, to limit to a handful , limited time, at a high price makes no sense unless you intentionally are hostile. We had marvelous meetings and it is huge bang for the buck.
Fan and artist relations. If you did not know the artist as a friend before they became well known you will never become their friend after. That is the philosophy of artist management. In some cases an artist may agree but in many cases they may not. It is an artificial line drawn by the ones who control the artists. The only other place where you see such a line between a profession and the general public is politics. The higher ups place their charges on some other plane than the rest of us. at no time have I ever gotten the impression the artists themselves feel that way. To them it is simply what they do for a living. Yes, some artists are more comfortable than others with avid fans. Some prefer that barrier while others will cross it at every opportunity. As I and others have always said, contact is up to the artists and not the fans. But at times you wonder if management wishes that isolation simply so they can enjoy the perks of hanging with these people alone and not diluting their time with the unwashed masses. I do believe that friendship between a fan and artist IS possible but it takes an extraordinary amount of trust on the part of the artist for that to happen. It is also a very fragile thing easily disrupted so one has to proceed with caution. In some cases also the artist may not like attacks on their management and take it personally when that is not the case. What you get from an artists from the stage, at formal meetings, at chance meetings, and on line is a gift from them. None of us are entitled to any sort of relationship with any of them. When they grant it then count it as a great blessing and cherish it. I am grateful for what I have received from the various artists of both groups. If anything more comes of it that is up to them.
Fan and artist relations. If you did not know the artist as a friend before they became well known you will never become their friend after. That is the philosophy of artist management. In some cases an artist may agree but in many cases they may not. It is an artificial line drawn by the ones who control the artists. The only other place where you see such a line between a profession and the general public is politics. The higher ups place their charges on some other plane than the rest of us. at no time have I ever gotten the impression the artists themselves feel that way. To them it is simply what they do for a living. Yes, some artists are more comfortable than others with avid fans. Some prefer that barrier while others will cross it at every opportunity. As I and others have always said, contact is up to the artists and not the fans. But at times you wonder if management wishes that isolation simply so they can enjoy the perks of hanging with these people alone and not diluting their time with the unwashed masses. I do believe that friendship between a fan and artist IS possible but it takes an extraordinary amount of trust on the part of the artist for that to happen. It is also a very fragile thing easily disrupted so one has to proceed with caution. In some cases also the artist may not like attacks on their management and take it personally when that is not the case. What you get from an artists from the stage, at formal meetings, at chance meetings, and on line is a gift from them. None of us are entitled to any sort of relationship with any of them. When they grant it then count it as a great blessing and cherish it. I am grateful for what I have received from the various artists of both groups. If anything more comes of it that is up to them.
There are other things behind the scenes that were not quite so pleasant at CN but not enough to affect the average concert goer. Their tour manager, Alan Whelan, was very accommodating on the tour at times and reminded me of the days of Bubba Dixon with CW. There is still a bit of insider industry elitism in both managements but it is not as pronounced at CN as it is at CW and that is due largely to Mr. Durkan. I do recommend both groups as shows. I recommend CN over CW for the dollar conscious. But to a person I recommend all the artists past and present of both. In the end it is they who have touched us and brought us their gifts and hard work. It is up to each of us to determine how much we are willing to put up with from the non-artistic elements of a show. I will always feel at least some need to be there up close to support those who have inspired me and touched the lives of so many through song, dance, and instrument. Now I am off to see Lisa Kelly with Chloe in their first real performance since leaving CW. It is what we fans do.


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FPJ: Yes of course. I still have it - it is part of the personal collection of F.P.Journe. And even if I continue to create other innovative and precise mechanics, like the Chronomètre à Résonance or the Chronomètre Optimum, or new timepieces to come, my first tourbillon will always remain my first watch, and the Grande Sonnerie will always remain the Grande Sonnerie.Read more ›
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After putting the JeanRichard Terrascope Aluminum watch on the wrist, my heart softened a bit, especially since I've never worn a watch that so reminded me of my boyhood playtime. Is that what JeanRichard was going for? Probably not. I assume they feel that this primary colored watch makes some type of artistic statement that romance language speaking Europeans are amenable to. Perhaps there is some sports team whose colors perfectly match this RGB color palette. No doubt there was some "mature" notion behind the decision to produce this watch.
IWC Schaffhausen, the watch "engineered for men" as their motto puts it, has been involved in a number of partnerships with teams and events related to what I guess we could call "manly sports." One of these partnerships is between the Eastern-Switzerland-based brand and the Formula One team Mercedes AMG Petronas, who have so far dominated the season, by the way. The primary collection dedicated to this co-operation is the Ingenieur, the more rugged and sports-inspired among all IWC collections.
The case back is windowed to show the Sellita SW200 movement. It's a functional replacement for the ETA 2824, nearly identical and keeping excellent time here. Custom rotor - note the whimsical arrow and 'the swing' text. Undecorated movement beneath.Read more ›


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