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HD xnxx Cameltoe- Cameltoe is making a lot of girls super attractive
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Spilkleen Granules are a heavyweight clay based granule that doesn't 'mud' upon contact with liquids and are ideal for use outside and on uneven surfaces. They provide efficient clean-up of oil, fuel and water based liquids while remaining granular even when saturated. After use they will leave a clean and residue free surface and a by-product that is environmentally acceptable and fulfils government guidelines on recycling.

subset: commoncrawl


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Redesign work is progressing at Sleaford's Sainsbury's store as the company prepares to relocate its recently acquired Argos branch within the town.
Last year the Argos outlet was allowed to remain temporarily at its current location within the Homebase store on Northgate, despite the two brands now being under separate ownership.
The Argos chain had been acquired by Sainsbury's while Homebase is now owned by Wesfarmers, owners of Australian DIY chain Bunnings. There was outcry among local shoppers last year when it was announced that Argos would have to vacate the Homebase store without firm plans for where the popular chain could move to, but a temporary arrangement was agreed to remain until a new location was found.
Now, it is understood, the Argos branch will reopen in its new location within the supermarket on Westbanks by mid-February.
Shopfitters are currently in store making the necessary alterations, taking up an area previously occupied by the frozen food section (now repositioned). The floorspace taken up is said to be comparatively small and will not greatly affect the range provided by Sainsbury's.
Planning permission was approved before Christmas for the company to renew exterior signage around the store, with the addition of Argos branding at the entrance to the shop and the car park.


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What can cascara do for you?
Cascara health benefits
Why drinking a Lazy Bear tea is actually pretty good for you!
Many of us start off the year full of good intentions: eat healthier, do more exercise and take a bit more time out to check in with ourselves. But as soon as schedules fill up, old habits start to creep back in and our good intentions remain just that…intentions.
One area where this becomes particularly true is sugar. Many of us have yearned to consume less of it, only to find that so much of the food we eat is loaded with added and hidden sugars well surpassing what we may consider healthy. There is so much convincing evidence showing the negative effects of high-sugar diets, yet it remains remarkably difficult to stay in control of how much sugar we are consuming. That's why we're so excited to have created a delicious range of cascara teas that are actually good for you, and because we use the delicious coffee fruit as our base, we do not need to add much, if any, sugar to our beverages. They are low calorie, low sugar superteas, pure and simple.
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What are the other health benefits of cascara / coffee fruit?
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We like to think of Lazy Bear tea as a beverage without compromise: a refreshing iced tea packed with nutrition, none of the artificial or unnecessary sweeteners, and a social and environmental mission to guide its production.
Why not give one of our Lazy Bear tea's a try? Click here to find out where we are stocked.
Want to know more about Cascara? Catch up with our Cascara 101 roundup.


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Continue to enjoy this freewheeling interview as it winds down through parts four, five, and six.
Part Four: Writing and Sidemen
1. I had 90 % of the song "Bittersweet Love Song" written for two years and was very happy with it, but I didn't have a title or a final line for each verse. One day while playing it and trying to finish it, I sang something like "Ida on a mid a mean a mid a be la la". As I sang this over and over, it became "I don't wanna miss a beat of bittersweet love song" and it was finally done. In other words, I used scat singing to actually write a song rather than just embellish it once it was done. Does this ever happen to you?
I make frequent use of placeholder scats when I've got a melody I like, but haven't quite found my words yet. Very similar to what you describe, except I don't think I've ever morphed scat syllables into similar-sounding real words. Dr. Rorschach would be proud. Or appalled. I don't really know what he's like, so I guess I can't say. Also he's dead, so probably less of a reaction from him than I initially imagined in any event.
2. Do you generally write either music or lyrics first or is it a totally different process for every song?
All values of the matrix are represented: lyrics first, music first, both together, and neither music nor lyrics first (I seem to favor that one lately). I write a lot of snippets, both musical and lyrical, that I keep around forever, waiting for the other half of the ripped dollar. Whichever comes first, I often sift through a few snippets and see if I can fit or modify a ready-made idea to fit with the new idea. The most exciting is both together, of course, when it's just a complete idea rolling out, but that's rare, and I can't figure out how to systematically make that occur.
3. Choose one of your songs and take us through the process of its creation.
Wow. Tough question. I Am the Moon: I remember this one fairly well. I had been dreaming that I was Layne Staley (of Alice in Chains) and that I was singing a new song with the band. I woke up with just a tiny fragment of it fresh in my head. The dream fragment was just a drone on the rhythm that I use throughout the song (in 5: 1-&-2-&-3-&..&..&|1&2, etc) with me shouting "I AM THE MOON!" But I liked that rhythm because it struck me as one of those odd-time figures that flies under the radar a little bit without drawing too much attention to the meter. I also liked the phrase, but I hadn't really attached a meaning to it yet. So I scribbled both down and let them sink in for a while. I was in the middle of writing Archaeology, which is largely a cathartic concept album, so I had a lot of ideas already in the soup. I thought the way the moon stabilizes the Earth's "neighborhood" was a convenient metaphor for my standard-issue relationship dysfunction of the time: Friendboy Syndrome (tm). More specifically, I thought that the kind of dysfunctional relationship where a woman is able to sustain a bad boyfriend by virtue of maintaining a non-romantic friendboy (not me! No way!) who provides all the normal "good boyfriend" benefits and may or may not pine for her (read: may) is similar to having a hunk of rock in orbit around you to absorb meteors and such. Something we can all relate to. Next I decided on a tuning (Drop-D) and starting fiddling around with chords to fit the rhythm until I found two sets of changes I liked. In this particular case, I decided not to stray from a standard form, so I knew I was looking for kernels of verse, chorus, and bridge. I programmed the chords into my keyboard's sequencer and started scatting melodies over the loop until I got something I liked. Then I added the melody to the sequence and started turning words over the melody. If I found something I liked, I might stop and refine it with the sequence out of my ears. The concept strayed away from my initial notion of it as I started getting hooked on particular phrases (particularly the chorus) and finding it simpler to equate the song with desires rather than functions, as I mention in the listening log:
Thin metaphor masks theme beaten to death by songwriters (approximately 300 blows coming from me) throughout the ages: "I'm the one who's there for you, but you love someone else, oh why don't you love me, I'm so terribly sad."
The pieces started falling together, and I came up with the bridge, deciding to switch to 4 and get away from the main rhythm. "Let my lunacy light your dark" was a phrase I had tried over the verse without success, but which I liked in the evolving concept of the song. When the final verse came back around, the rest was set to the point that I wanted to return to it in variation (a technique I probably favor too much). Then I started putting together bass & drum parts. I normally don't specifically arrange drums, but in this case I wanted to provide some sort of counterpoint to the vamp --trouble is, that original recorded part is too difficult for me to coordinate live while singing, so it's been largely lost in favor of a grand rhythmic unison. Archaeology was the first 4-track album we did entirely at home, so I laid down the sequence and then we tracked on top of it. In order: bass and guitar bounced down to track 1, 3 backup vocals (with Cat Mayhugh and Speranza performing each line with me) bounced to track 2, sharing the track with misc. percussion (shaker at the beginning and steel tone fan leading into the second chorus) and solo guitar, lead vocal on track 3, and drums on 4. For the Songs You Hate remix, I added an extra rhythm guitar and re-performed the vocals & backup vocals (which were very murky from klutzy bouncing techniques on my part).
4. The first album of yours I have is 1992's "Less Yackin' More Snackin', an extremely sophisticated sounding album for a bunch of high school seniors. I could not have made that album when I was that age. What guidance and educational experience with music had you had by then? Piano lessons? High school theory classes? Did you just play constantly?
Thanks. Although I started out by learning on my own, by that point, I'd had some organized theory in high school and a couple years of private drum lessons. But insofar as influencing the direction of the band, I think I fit into the "played constantly" camp more than anything else. I practiced drums every day, sat down to write or arrange every day, and rehearsed with the band for 2-3 hours a week. Outside the band, I got involved in every project that would have me, and learned a lot that way, particularly about jazz. I was the drummer for the high school jazz choir, the jazz band, the pit orchestra, a handful of community musicals and choirs, and various singer-songwriters needing cheap studio drumming. As for music lessons within the band, Neil MacPherson had something like 10 years of piano lessons under his belt, Nick Walsh had been taking guitar lessons for four years, Speranza & I two years each, and Fried had been entirely self-taught.
I definitely regard that album as one of our benchmarks. This was certainly the first album where we went into the studio with the right plan and came out of with what we meant to. By then, we as a band had cut 5 other albums (2 in commercial studios), and I personally had been in commercial studios a total of 10-15 times with other projects. I had seen the perils of coming unprepared, and I had seen some really effective production techniques for getting the right kind of performances on a dime. We laid down as many things as possible in the first take, and had practiced playing without vocals. All the overdubs were known, all the guitar sounds were picked, all the solos had kernels already established, etc. We marched right through the checklist and the timeline and let the engineer do his job. I don't think anything took more than a few takes to get through. We used that same strategy for every subsequent album we recorded in a commercial studio (culminating with Guitool in 1995).
5. Did Fried and/or Speranza ever write any entire songs on their own or were they instrumental geniuses with no desire to write entire songs (A type of person I have met several of)?
Neither John wrote songs on their own for Flip Nasty (or anyone else, as far as I know). Speranza & I collaborated a handful of times, typically writing in a spontaneous fashion. The fruits of these labors include "Do It," "Grip of the Pete," "The Machine," and "Salad Shooter." His primary creative contribution to the material was as a soloist, where he had free reign. He also was very involved in production decisions. He has a better ear than I do for getting good sounds. My "strength" as a producer is more in the realm of getting good performances, but I often find that I struggle with dialing in a great instrument sound. Speranza picked up a lot of my slack, especially when it came to guitars.
6. Where are Fried and Speranza now?
Fried currently lives in Tokyo with his wife and two daughters. As alluded to in the band history, he spent a good portion of the Archaeology and River Dreams years (1996-97) living in Japan. He hasn't been playing bass since the band broke up. Speranza lives in San Francisco, where he played guitar for the now-defunct Plus Ones, whose site "will live on as long as the internet stays plugged in." He claims to have retired from music and also has a day gig editing a travel website. I'm pretty sure he's been watching the Bachelor, but that's unconfirmed. His official response: "I don't know, tell them I died or something." Also notable, Neil MacPherson, the keyboard player on the aforementioned Less Yackin', More Snackin' album, is doing very well as a member of Tubby (which made it to the top 8 of "Star Tomorrow" before recently disbanding) and DB3 in San Diego.
7. Was the live show with you, Fried, and Ozias recorded and were any other recordings made by that short-lived version of Flip Nasty?
The show was recorded, but Kevin's drums are very quiet (a mic got moved and forgotten). The version of "China, Present Day/Leave Me Be" from Tongue Meets Eyeball is from that show, augmented with a new, more audible drum track that I overdubbed. Some other tracks from that show are slated for potential release as part of an upcoming augmented-live album, tentatively-titled "If Flip Nasty Fell In The Forest...." Unfortunately, we made no other recordings in the short time we were together.
Part Five: deep questions
1. When and why did you switch to a much, much shorter hairstyle? The contrast between, say, the River Dreams cover and the Least Significant Failures cover is striking.
Two phases, affectionately labeled (1)"it was getting old" and (2)"I was getting old." I cut it like this in 2000 to gussy myself up for the ladies. Mission accomplished! Whoo-hoo! But these days, I keep it even shorter because I'm punishing it for falling out on me.
2. Personally I am not bothered in the least by profanity and vulgarity in the service of art or comedy. But I know some people are. Have you ever had someone stumble across your website's more "blue" material and complain?
No one has complained --possibly because very few people stumble across my website in the first place-- but I can absolutely see it happening. It's a head-scratcher for me because the site has come to be this big sinewous entity that connects nearly twenty years of my life into a single read. I don't really want to alter my earlier writing --which is undeniably more profane-- but I also know that leaving it up there may alienate people who would otherwise not be turned off by my current oeuvre.
3. In a similar vein, you've listed "When" as one of your songs that gets attention at shows. As someone who has been blacklisted from certain venues due to concerns over lyrical content, I have to ask - Has any of that attention been negative, related to the rather prominent f bomb that kicks off the lyrics?
No, I've never had that sense. I think you're referring to my response to a question that Scott Farr asked me in a different interview. I feel --and I know lots of other coffee shop/bar musicians share in this-- that my goal in playing these venues is to subtly lure the predominantly passive audience into actively listening to me. As you're well aware, the patrons often do not come to the venue specifically to see music, but rather to socialize or relax or use the free WiFi or whatever. I, however, come to the venue wanting to connect with an audience. I want them to pay attention to me, and I want them to like me, and I want them to buy my cheap CD, and I want them to listen to it, and I want them to forward my name to their Congressperson immediately in glowing prose. None of that stuff happens routinely, but that's what I'm after. Nonetheless, in watching others play, or reviewing tapes of shows I've done, I've concluded that the only way to do it is by a.) playing my tuckus off b.) graciously speaking between songs (I'm terrible at this) and c.) playing my tuckus off. I think "When" is a song where I can consistently play my tuckus off, and I notice that it --among others I list in my response to Scott's question-- is one that will make people decide to tune in to what I'm doing.... if they're inclined to do so at all.
As far as profanity is concerned, if I have the feeling that it's not going to go over, or be otherwise inappropriate, I censor myself and sing clean versions of the few songs I have that contain it. This is similar to deciding how loud or restrained to play. Sometimes the audience will respond better to a quiet, intense Cody, and sometimes they'll prefer an edgier Cody. Usually, I just get a sense of who's in the crowd, and make a gut decision gig by gig, but there are some consistent factors that always sway me, as well. At gigs, I won't curse in front of children, for instance. Incidentally, since having kids, I've markedly toned down the casual profanity in my speech, and so too, have I become more discerning in its lyrical use --though I do still sometimes find it appropriate. Beyond the audience, I've never had a venue have an issue with my language. I've had more venue problems with the apparently frightening size of my PA (in advance of turning it on) than anything else. Well, that and my lack of draw. What's up with that :) ?
4. The cover of Splat Monkey's 1993 "Drive By" depicts you and Speranza falling down on a lawn. I remember "drive by shootings" were a prominent part of our culture at the time. The album title suggests perhaps you were pretending you had just been shot. Were you pretending to depict a drive by shooting?
Yes. Obviously, you've never been to my parents' house or else you would recognize that it is actually a median. We use another picture from that photo shoot for Drive By's live companion album, Suck Pumpkin, which more clearly shows that we are playing in traffic, against the advice of our respective mothers. The album title was not terribly meaningful or well-thought, but arose from a.) the prevalence of drive-by shootings at that time (as you surmise), and in particular, their ridiculous portrayal in films and TV and b.) the very rushed nature of the preparation for and recording of that album.
5. From 1989 to 2005 you were extremely prolific, releasing 31 albums in only 17 years. Did you spend a little bit of time each day working at music or was it more like giant blocks of time every once in a while?
I was constantly whittling away. I sat down at the piano practically every day from 89-95. And I had a lot of pent-up little nerd feelings wanting shouting. Any time I got a little grain of a lyric going, I was already in the mindset to say more. I was very driven to burn through my projects back then.
6. From 2005 to now you appear to have released no new material. I assume this is just a function of starting a family. Correct?
You got it; that's a huge part of it. With two little girls, my free time has to be their time first and foremost. I also have to adjust my writing to my happier life. I got very used to constantly turning over the same miserable stone, finding new things to say about it, but now I have a different life that inspires different kinds of feelings in me. I still write songs, and I still have lots of projects on the drawing board, but it takes a lot longer to see them to completion.
7. When might we look forward to a new release from Checkmate?
There are three things that are actually underway in one form or another, and several others I'm interested in starting. First, I'm in the middle of recording Cinema, the new, second Sunhouse Branch album. Like the first album from that band, this is another collaboration with my friend Cat Mayhugh (poet, author, artist, scientist, farmer). He came up with the concept (a song cycle based on 4 of his favorite Werner Herzog films --The Enigma of Kaspar Hauser, Aguirre, Heart of Glass, and Lessons of Darkness) and sent me four complete lyrics. I wrote lyrics for six additional songs based either on the same films or on my reaction to Cat's lyrics. Then I came up with the musical concept (an uninterrupted, palindromic segue of the eight core concept songs 12344321 written exclusively in odd time or mixed meter, followed by a second, looser "act" of additional material) and wrote music for the entire suite. Finally, I wrote an additional song in reaction to Herzog's Grizzly Man and Cat sent me an additional lyric ("Personal Mythology"), which I set to music improvised by my daughters and myself ("La Musique Naive"). I also re-recorded two earlier Flip Nasty odd-time songs, "You Can Wait" (originally on Archaeology) and "Magic Box 4-5-6" (a specific version of a song from Drive By which was slapped together live, and is currently only available on Suck Pumpkin). My most immediate challenge was the fact that I --up to that point-- did not particularly like Herzog's films, and struggled to forge a connection to the material. But as I kept at it, I got very excited about how it was all coming together. The main holdup in production is that the music is a little bit on the difficult side. As of right now, the lead vocals and guitars are complete, and the remaining elements are coming along slowly but surely. This will be a much heavier-sounding album than my other recent work, and will continue --as with the first Sunhouse album-- to disguise my lead vocal on playback.
I'm also in the middle of writing my own album of new material (under increasing pressure from Eric Rorem). The workingtitle is Haardvark and, as the name suggests, it will be a harder-rock album.
Finally, as I mentioned in your earlier question about Kevin Ozias, I've been kicking around the idea of doing an augmented live album of Flip Nasty songs that --for one reason or another-- need an inaudible element to be re-dubbed or would otherwise benefit from some additional instruments. It would be called If Flip Nasty Falls In the Forest since that title has already appeared numerous places in print, and I wouldn't want to disappoint my fan(s). Both samplers have augmented live tracks ("Make Still Your Wings" and "China Present Day/Leave Me Be"), and I like how they turned out, but I think it's a hard sell. Nonetheless, I already have a ton of songs picked out for the project, and some sense of how I want to treat each of them, ranging from no augmentation whatsoever to extensive re-tracking.
8. I saw on your website (I don't remember where) that you believe you and Ms. Weathers were brought together by the Lord. What can you tell us about your faith and what role does it play in your music?
Yumpin' yimminy, I had to dig to find that, myself. It's in the listening log entry for the song "M" off the sampler "Monkey Eat Monkey":
....Fortunately, I was able to crank out a song in the approximately one week between getting Mimi's [phone] # and being told to not use it except for in medical emergencies. Truly, these fascinating stories of unparalleled rejection juxtaposed against finally finding true love are clinching proof for the existence of God. The Lord had a plan for me, and I'm not even joking. I have beautiful daughters and a fantastic wife and will never be loveless again. Who would've bet on that in 1998? Not me, that's for sure. I was busy spooking friends of friends.
Historically, I've been extremely private about my religious beliefs, so much so that most of the people who know me are probably unaware that I believe at all. Since getting married, I've relaxed that armor somewhat, leading predictably to outbursts like the one above :). I'm very calm and secure in my belief in God, and furthermore in the general divine purposefulness of things. I don't write directly about it very much in song, though it is a more present --though clumsy-- aspect of my "serious fiction." It may be a thematic touchstone for Haardvark, though it remains to be seen exactly how many songs emerge from that seam --a couple so far. I'm a huge fan of King's X, and have always admired the way they personally come to grips with their very different relationships with God through their material. I'd love to write about the subject that gracefully, but haven't really settled into that voice very well yet.
Part Six: dumb questions
1. How do you answer the ultimate dumb question musicians face, "What kind of music do you play?"
I still struggle with how to answer this effectively, as do most of the musicians I know. And although it's tempting for me to feel like "it is what it is" and somehow labeling it cheapens it, I also know that the answer to this question is what most persuades me to listen to something I'm reading about, so I'd better get it right. "Acoustic Scat Rock" is the current label I use for marketing. This, however, leads to the bigger question, What are the top 5 ultimate dumb questions musicians face? I'd like to hear your take on this, too, but here's my preliminary list:
2. How did you decide to name the band Flip Nasty?
We liked the sound of it. We're horrible. Speranza's roommate suggested it for John's adult film pseudonym. That was enough for us to hop aboard. Previously, we had been changing our name practically every time we played, but with this, the roulette wheel just stopped. Less lewdly, he also coined the phrase "secret microphone" as a misnomer for "hidden microphone." We are thieves, and your ideas are not safe with us.
3. How did you decide to name the band UFO Catcher?
Crap, you're onto me. I.... um.... liked the sound of it. As discovered by Fried in his travels, it's the Japanese name for arcade plush-toy claw vending machines, which I still maintain is both hilarious and exactly as it should be.
4. Feel free to comment on any other band names.
The general pattern is exposed.... we liked the sound of it. Yee-haw!
[Back to Impenetrable Wall of Force ! The Unofficial Cody Weathers/UFO Catcher/Flip Nasty Fan Site please]


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Hello Kitty Skeleton And Pumpkin Halloween Coloring Page
This coloring page features a picture of Hello Kitty Skeleton And Pumpkin Halloween to color. The coloring page is printable and can be used in the classroom or at home. Just print it out and color it your own way to make a vivid picture. Have fun!
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I think I am quoting my new friend Firdevs correctly 🙂 She is a native of Istanbul and a great ambassador for her native city. We met on my first night in Istanbul. I arrived via a very turbulent flight. There were moments when I envisioned the headlines, "Swiss Air Flight 1804 enroute to Istanbul has plunged into the Bosphorus." At least it would have been a dramatic ending. We saw the Bosphorus unfolding before us, straddling Europe and Asia, as we hovered in the air awaiting our final instructions to land. It is a truly breathtaking sight. A proper backdrop to my most dramatic plane journey to date. There were THREE rounds of spontaneous applause when we landed!
Once I left the airport, it became clear why it had been such a bumpy ride. It was cold, windy and pouring rain. I thought I was in Vancouver 🙂 I was very glad at that point for my extravagance in having the hotel arrange transport for me from the airport. I was whisked away into a luxury vehicle and just got to sit back and enjoy the ride as my driver braved the elements to deposit me right at the door to the hotel.
I decided to be a wimp the first evening and just hide in the hotel. That was how I met Firdevs. She was very gracious and seemed concerned whether I could wait for her to return from room service before I ordered my dinner. One of the great perks of being on vacation is that I can do anything in slow motion, a luxury I never get at home. So I was happy to wait for her return.
And it was well worth the wait! She is protecting me from the advances of Turkish men (I have only been here two days and have already had a marriage proposal and broken some guy's heart!) and is a friendly face at the end of the day to share my stories. She is also introducing me to Turkish wine.
Luckily I was reading the HSBC ads when I arrived at the airport in Paris. Thanks to HSBC, I learned that Turkey has more acres of vineyards than South Africa. And my new guide is teaching me that Turkish wine is delicious.
I am just about to head over to the Pera Palace Hotel to have high tea – Firdevs' recommendation since she used to work at that hotel. It is where Agatha Christie wrote parts of "Murder on the Orient Express". When I was a child, I read every Agatha Christie murder mystery published so having high tea in "her" hotel brings my past and my present together in a manner I never would have imagined huddled on a sofa on the small town prairie devouring Agatha Christie and imagining what it would be like to be on the Orient Express. You can still take the train. It's on the list and will no doubt make it onto this blog at some point.
Only into day two, I totally understand why everyone raves about Istanbul and Turkish people. They are the world's best salespeople. They are so friendly, gracious and warm you just keep buying things from them. Firdevs knows. Every night she gets me to order at least one more glass of wine than I planned on. But chatting with her is so enjoyable it is impossible to say "no".
So today's thought… come to Istanbul! Stay at the Marmara Pera. And ask for Firdevs. You will have a new friend – and the best possible introduction to Istanbul 😉


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29 May - 'Once and Future Arthurs: Arthurian Literature for Children' (Dr Anna Caughey, Lecturer in Old and Middle English, Keble College)
12 June - 'Books of Magic' (Dr Diane Purkiss, Fellow and Tutor of English, Keble College)
18 June - 'King Arthur Joins the Boy Scouts: Children and Arthurianism, 1860–1918' (Dr Anna Caughey, Lecturer in Old and Middle English, Keble College)
All talks will take place at Convocation House in the Old Bod. More details here, but in the meantime, check out the exhibition!
|An Arthur Rackham illustration for a 1917 abridgement of the Morte Darthur: to hear about King Arthur's immense popularity within children's literature, attend one of Anna Caughey's upcoming lectures.


text: Film director Cyril Mahe has just launched the first episodes of his new series "The Devil May Care" Horror/Thriller show available here. This is the first promo single off of the soundtract "Legendary Day" featuring R&B Neo Soul Artist Why The Sun. The intro is a snippet from the upcoming "The Devil May Care" song performed by The Dysfunkshunal Familee featuring Model/Singer Netousha Monroe. Both tracks were produced by Niroshima. Napoleon Da Legend makes his acting debut in The Devil May Care episode: "Be Careful What You Wish 4." httpvh://www.youtube.com/watch?v=jMSt2XZFXpo Twitter: @TeamNDL @TdevilMay @niroshima Facebook: napoleondalegend thedevilmaycareseries Related


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- This state of the art equipment is key to delivering clean energy to 215,000 homes.
- The project, which is located in the southern region of Los Lagos, is set to begin operations in December 2018.
Aurora wind farm, developed by Mainstream Renewable Power and owned by Aela Energia will use a 170 MVA (mega volt-amperes) transformer that was manufactured by ABB. The Aurora wind farm will supply clean energy to around 215,000 homes and this state of the art technology plays a key role in the wind farm's energy production
The project's power transformer was transported via Route 5 from the port of Chincui de Oxxean in Puerto Montt to the project site in the commune of Llanquihue, some 45 kilometres outside this port city.
"This 109-tonne transformer is designed to step-up the voltage from 33kV to 220kV, which is the voltage required to connect to the 220kV Rahue-Puerto Montt trunk transmission line that runs across the project site," explains Carlos Moranchel, the Aurora Project Manager. This line is owned by Transelec, a Chilean transmission line company.
The energy generated by the wind farm will be transported, via an underground collector system, to the step-up substation before later being transformed and injected into the National Electricity System (SEN).
The project is located on 3,507 hectares of land situated around 15 kilometres from Llanquihue city, in the region of Los Lagos. The wind farm will have a total of 43 wind turbines, each with an individual capacity of 3MW, amounting to a maximum capacity of 129 MW.
The Aurora wind farm is due to begin operating in December of 2018, providing clean and efficient energy that will help to create a more diversified, sustainable energy mix for Chile.


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Choice (1998)
AuthorsMarsha C. Lovett
Bibliographic Entry
Lovett, M. C. (1998). Choice. In J. R. Anderson, & C. Lebiere (Eds.). The atomic components of thought, 255-296. Mahwah, NJ: Erlbaum.
Year: 1998
Type: inbook
Status: published
Category: Choice and Strategy Selection
Copyright Notice
The documents distributed here have been provided as a means to ensure timely dissemination of scholarly and technical work on a noncommercial basis. Copyright and all rights therein are maintained by the authors or by other copyright holders, notwithstanding that they have offered their works here electronically. It is understood that all persons copying this information will adhere to the terms and constraints invoked by each author's copyright. These works may not be reposted without the explicit permission of the copyright holder.


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Valiant Boy - 2014 Darley Horse of the Year
Valiant Boy Named 2014 Darley Horse of the Year
2015 Arabian Breeders World Cup - Preview
The 2015 Arabian Breeders World Cup Preview ~ Text and photos By Lisa Abraham The Arabian Breeders World Cup is a spectacular show! 2015 marks the ninth anniversary for the global Arabian community to gather in Las Vegas at the South Point Hotel from April 16-19 to see some of the world's best horses compete. Christine Jamar, of Jadem Arabians (Belgium), one of the industry's most prestigious representatives, shared, "I love this show. I like the point system and that the horses trot--it's much different than they do in Scottsdale and the fact that every year the judge panel is different. I love the atmosphere and the quality. People and horses come from all over the world, making it very international.
2015 Scottsdale Showcase for Arabian Horses
ANNOUNCING THE 2015 SCOTTSDALE SHOWCASE FOR ARABIAN HORSES Arabhorse.com is offering a unique promotional opportunity to showcase your 2015 Scottsdale Show Contenders. A similar showcase designed for the US Nationals generated amazing results. A current ArabHorse.com customer experienced a tremendous result through the use of our e-newsletter (email blast) services exclusively during the US Nationals. Their website jumped to the #2 position for all ArabHorse.com hosted websites. This Scottsdale Showcase is by far the most valuable and extensive promotional coverage you will find available anywhere for the 2015 Scottsdale Show. SCOTTDSALE SHOWCASE BENEFITS INCLUDE: One
8th Annual ArabHorse Farm Tour
Scottsdale's most prestigious Arabian Horse Farms welcomed the public to experience World-renowned Arabian horses during a multi-day New Year event. The 8th Annual ArabHorse Farm Tour returned to Scottsdale December 31, 2014 - January 4, 2015. The five (5) day tour offered a rare opportunity to the public to experience the beauty, history and lifestyle of the Arabian horse up close and personal over the New Year Holiday weekend. The ArabHorse Farm Tour has become a must-attend community event. The beauty of the horses, the energy of the presentations and the class and elegance of the party spreads are unmatched by any other equine event. People travel from all over the country to the valley specifically
A New Halter Concept - Discussion This Saturday
You are invited to attend a discussion regarding a new Halter Show Concept for 2015 Saturday - January 17th at 10:30am Join the discussion at the Rae Dawn Arabians Scottsdale facility for this very important open discussion. Rae Dawn Arabians - 11249 East Arabian Park Way - Scottsdale, Arizona


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Even DNA can't save us
The Presence of Malice – New York Times
My recently completed study of the 124 exonerations of death row inmates in America from 1973 to 2007 indicated that 80, or about two-thirds, of their so-called wrongful convictions resulted not from good-faith mistakes or errors but from intentional, willful, malicious prosecutions by criminal justice personnel. (There were four cases in which a determination could not be made one way or another.)
I don't think we should kill people. End of story.
Filed under: politics | Leave a Comment


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I feel a little guilty that anyone needs to be number 13 but I don't think its unlucky though, in fact it's quite the opposite, I think the first image has to be one of my favourites so far from the project.
Suzanne told me a fascinating story of how she had researched her family tree and found out that her Great, Great Granddad Edwin Ellis was a very successful marine landscape artist and I love how this image ties Suzanne and her work back to her ancestor (that's his work on the wall).
Even more interesting is the fact that Edwin Ellis was born into a lace making family, much Suzanne's work revolves around textiles often with the use of words and text and she's inspired by the sea.
Once you hear the family history you realise that it was inevitable that Suzanne would become an artist, she has a business that's evolved from making pieces for friends and family to having work for sale on Etsy and Not On The High Street and has clients worldwide that regularly commission her.
And as if that isn't enough she also works in schools and produces her own artwork that one day she WILL have a solo exhibition !
You can see more of Suzanne's work at www.skybluesea.co.uk and the links to her shops are on the website. Her Fine Art work can be found here.
(All images ©J Broughton Photography www.jbroughton.co.uk.)


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Montana Grand Assembly "Live the Adventure" Session
June 9-11, 2018 Bozeman, MT
Registration deadline is May 10th, 2018
Plan to join Montana Rainbow for our 90th annual Grand Assembly
- Registration forms may be submitted electronically, however, registrations are NOT confirmed until payment is received.
- Registration and meals are to be paid in full in advance by check or money order payable to Montana Grand Assembly
- Hotel reservations should be made directly with the Holiday Inn, Bozeman by calling 406-587-4561 and asking for the Montana Rainbow Girls block of rooms. The room rate is $131.47/night (including taxes). The block will be held until May 11, 2018
The Holiday Inn is located at 5 East Baxter, Bozeman, MT.
- There is a registration fee of $15/person. This fee will be waived for members of the Supreme Family, Grand Worthy Advisors, Grand Representatives to Montana, and Montana Fraternal Leaders if registrations are received by the registration deadline of May 10th.
- All Sessions and meals will be held at the Bozeman Masonic Temple, 14 S. Tracy Ave, Bozeman, MT except the Saturday evening event which will be at Langohr Campground
- Those attending only the Grand Cross breakfast & Bread Service , the Birthday celebration or Installation will not be charged the registration fee. Registration is still required to help with planning
- Rainbow Pledges will not be charged a registration fee but still need to register in order to receive a name badge
This year we will be having an added "fun feature" at Grand Assembly of "Make a Wish."
All Rainbow Girls and Pledges will be eligible for a chance to have their wish granted
during one of the drawings.
Please print the Make A Wish form to submit with your registration.
Join the Celebration!
90th Grand Assembly
95 Years of Rainbow in Montana
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The following Kindle Book Review article is aimed at helping you promote your book
While KindleBookReview.Net provides you with a shortcut to getting honest book on Amazon, there are other methods to getting reviews. While these methods will take more time and effort, they can be very beneficial. The following is an extract from Steven Weber which we found useful if a little dated. We hope you find it useful.
Traditional book marketing strategies call for mailing hundreds of copies to reviewers at magazines and newspapers. But for a new author and/or a niche book, chasing print reviews can be little more than a distraction. A better way to launch your campaign is by identifying and contacting 100 to 300 potential online reviewers and sending a copy of your book to each respondent who expresses willingness to look at it and perhaps post an honest critique.
If you spend two or three days contacting about 300 potential Amazon reviewers, you can expect to receive about 40 to 50 responses, and wind up with perhaps 35 reviews, a quite satisfactory result.
(Author's note: Recently Amazon seems to be restricting communications between authors and readers, and not all Amazon Friends invitations have been going through. Whether this is a policy change by Amazon or simply a glitch isn't known.)
Look for potential reviewers on Amazon's Top Reviewers list - and target the people who regularly post reviews of books similar to yours.
Top Reviewers have a special badge accompanying their pen names, such as Top 1000 Reviewer, Top 500 Reviewer, Top 50 Reviewer, Top 10 Reviewer or #1 Reviewer. Having one of these badges displayed among your book's reviews isn't the same thing as an endorsement by Amazon—it's better. It's a vote by a recognized community leader -— someone who takes reviewing seriously, and has earned a reputation for helpfulness.
Rankings of the Top Reviewers are determined by a point system based on the number of reviews written and the number of positive votes those reviews receive when people click Yes in response to "Was this review helpful to you?"
Many Top review several books a week -— sometimes at the invitation of an author or publisher, but usually by just following their personal interests. Despite receiving no payment, they compete furiously to climb the rankings ladder.
Clicking on a top reviewer's pen name takes you to the reviewer's Amazon profile. Some reviewers use their profiles to explain what types of books they prefer and whether they accept unsolicited books. Some provide postal or e-mail addresses.
Try Googling the Amazon reviewer's name, which will often point you toward their Facebook page, or some other source of contact information.
A soft-sell approach works best with Top Reviewers. Offer a complimentary book in return for their considering it for review -- no obligation. Carefully screen out reviewers whose profile indicates they won't be interested in your book.
And don't ask reviewers to return the copy you send.
Here's a sample script you might use to approach Amazon Top Reviewers:
Dear John Doe,
I got your name from the list of Amazon Top Reviewers. I've written a book, "How to Grow Organic Strawberries." I noticed from your Amazon profile that you frequently review gardening books. If you think you might be interested in reading my book and posting an honest review of it on Amazon, I'll gladly send a complimentary copy if you'll reply with your postal mailing address. There is no obligation, of course.
Best Regards,
Only a small percentage of the Top Reviewers are likely to respond to your offer. Some are inundated with review copies from publishers who already have their mailing addresses and know their reading preferences. And some make it a practice not to review a book from a new author unless they can honestly give it a rating of at least three stars out of five.
An increasingly popular way to distribute complimentary review copies of your book is by using two popular book social-networking sites, Goodreads.com and LibraryThing.com. At LibraryThing, you'll want to sign up as a "LibraryThing Author" and then participate in the "member giveaway." Gently request that they also post a review at Amazon. Of course, there's no obligation. Some reviewers are happy to do so, but perhaps two out of three will not.
Amazon users who have reviewed books with subjects or writing styles like your book's are also worth contacting. You can use the techniques outlined above and click on the pen name displayed with a review to get the reviewer's Amazon profile. Then use the Amazon Friends invitation to send a personalized message, such as:
Dear John Doe,
I got your name from the Amazon book review you posted of the 2003 book "Complete Guide to Organic Fruit." I recently wrote a book that appeals to the same audience, "How to Grow Organic Strawberries." If you think you might be interested in reading it and perhaps reviewing it on Amazon, I'll gladly send a complimentary copy if you'll respond with your mailing address. There is no obligation, of course.
Best Regards
These readers may consider it a treat to discover a new book in their field of interest. And positive ratings from them can surface your book in Amazon's recommendations to buyers of similar books.
Don't limit yourself to Amazon's Top Reviewers. Other good potential reviewers are:
You can find still more prospective reviewers by posting a message on Amazon's discussion board dedicated to customer book reviews.
Don't ask for reviews from people who haven't actually read your book, not even if that group includes your mother. The result will be an unconvincing review that will detract from your book's credibility rather than bolster it.
Once your book is selling, you'll have a steady stream of potential reviewers. Whenever you receive e-mails from readers who praise your book or request further information, you might respond this way:
Thank you for the kind words about my book. If you ever have a spare moment, it would be a great help if you could post a review of it on Amazon and let other potential readers know why you liked it. It's not necessary to write a lengthy, formal review - a summary of the comments you sent me would be fine. Here's a link to the review form for my book: http://www.Amazon.com/gp/customer-reviews/write-a-review.html?asin=[ISBN]
The link at the end of the message will take the reader to Amazon's Web form for book reviews. To customize the link for your book, replace "[ISBN]" with your book's ISBN.
Will giving away several dozen copies of your book hurt its sales? Perhaps you'll lose a sale or two but gain much more from word of mouth. Readers who enjoy the book will recommend it to friends, and those new readers will keep the chain of recommendations going.


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Showman ® Lycra® Shoulder guard with velcro adjustable straps. Form fitting, breathable Lycra® slip over style shoulder guard with velcro neck and girth straps. Helps prevent wither and shoulders from blanket rubs and marks. Machine washable. Small: 56" - 60"Medium: 62" - 66"Large: 74"-78"XL: 80"- 84"Based on blanket sizes.
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Sharing Skills with the Developing World - how you can help - a series of presentations in LIT
This is a unique knowledge sharing event to help developing countries. It will be of interest to individuals and organisations who want to identify ways in which we can help those less fortunate than ourselves. Learn what you can do to help at this unique event hosted by the Thomond region.
Our speakers and topics
- "VITA - Enabling sustainable livelihoods in rural East Africa" - Dermot Byrne Chartered Engineer and Fellow of Engineers Ireland - President of Engineers Ireland 2016-2017 and Chairman of the Board of VITA - "Providing Food and Energy Production through Agriculture"
- Niamh Mulqueen - Corporate Relations Director with Bóthar - "Worthwhile Humanitarian Development"
- Sr Miriam Duggan - a Franciscan Missionary Sister for Africa and a Limerick native. Sr Miriam is a Medical Doctor who has worked in various African countries since 1969 who is currently working with disadvantaged youth. Sr Miriam is currently in Kenya so her presentation, specially prepared for this event, will be on DVD and played on the night.
- "Go by Giving, Give by Going" - Michael Doorly - Head of Education, Concern Worldwide.
- "Social Engineering" - Oliver O'Loughlin Chartered Engineer and Fellow of Engineers Ireland - Chairman of Missionvale Ireland Charitable Trust.
Admission is free and all are welcome. Due to venue constraints, places are however limited to 100 so advance booking is required using this link provided.


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Honey White
December 14, 2014 Models No Comments
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My wild naughty adventures that I film as well as personal cam shows. I'm live daily and willing to take requests or you can enjoy my weekly FREE cam show.
Birthday: 1974-07-28
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Hair: Dark brown
Eyes: Hazel
Tattoo: Tramp stamp
Piercing: Tongue


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After we boarded the plane in Miami finally and thought we were on our way we were held on board for almost two hours. Why, some of you might wonder as we did? Because it was raining. I had no clue that they kept planes from flying because of rain. We sat there and sat there and shook our heads as we mopped up the sweat because there was no air conditioning of course. sigh
By the time we landed in Cancun we were beyond tired. The Shuttle we asked for had given up on us I guess and was not there. We did finally get a cab and hoped we would end up where we were supposed to be. We did and we were bouyed by the beauty of the resort we saw as we drove up. FINALLY, about 24 hours after we were supposed to be there, we were at Royal Solaris. Wow! The beauty of the aqua blue clear ocean and the snow white of the sand really lifted our spirits fast, not to mention the champagne we were offered!Then we began our check in process which lasted over two hours!!!! We could not believe it. We were astounded that they had to give us all this information and hold us captive there for two hours while they slowly (we are on island time here...every thing is slow) checked us in. It was a process and they weren't going to deviate from it even though it was obvious we were beyond tired. We had the same clothes on since we left Tampa two days ago and had not seen our luggage since. Looks like they would be happy to get rid of us so we could go freshen up. We were starved and tired. Finally they released us BUT we had to wait in our room until our bags arrived before we could eat lunch We waited and waited and finally our luggage arrived.
NOW, the fun can begin. We got cleaned up and scoped the place out. The resort is HUGE! It's hard to walk the whole property. There are swimming pool next to the beach and the sights are spectacular. We have a VILLA! We have private balconies and practically our own house. Two bedrooms, kitchen, living room and two patios. Our home away from home for a week accept with this home we get housekeeping every day and all the food and drinks are included! We just try to orient ourselves after we have lunch.
For dinner Jean and I went to one of the many restaurants and Marlene and Judy chose to go to a special dinner with show in town that they offer to take you too. I was way too tired to go anywhere else. Jean and I made the good choice because Marlene and Judy said the food buffet where they were was just ok and there was so much noise and so many people where they went. Jean and I ate at an international restaurant and they had about five courses and you order anything you want...no prices. This could be real dangerous, like a cruise as far as so much food available at all hours. The food was even more incredible than we thought. It was a good sign of things to come.
Monday, January 18, 2010
More of Same and Then..Paradise
Posted by Judy Roney at 5:52 PM
1 comment:
- Mary said...
I am enjoying your updates, Judy. I am glad you finally got there and that the resort is beautiful. It definitely IS dangerous being able to eat all you want to eat....but fun, isn't it? I will keep checking back.
- January 19, 2010 at 5:54 PM
Subscribe to: Post Comments (Atom)


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Ryan and Sarah - Nicaragua
Email: firstname.lastname@example.com
Ryan and Sarah have been with Global Partners since 2009, serving as long-term missionaries to Nicaragua. They serve the Nicaraguan church by hosting short-term mission teams in order for individuals, families, and communities to learn more about Christ and experience His redemptive power. They build relationships with the Nicaraguans through economic development and reaching out to young students with the hope of Jesus


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The Problem:
Consider a numeral system similar to base-10 numeral system with the only difference that it does not use a digit to represent zero; instead it has a digit to represent ten, such as
A. It is called bijective base-10 system. For example, numbers that do not contain zeros in base-10 system remain the same when converted to bijective base-10 system.
Given a positive integer in base-10 system, return its representation in bijective base-10 system.
- For
a = 12345, the output should be
bijectiveBase10(a) = "12345";
- For
a = 10, the output should be
bijectiveBase10(a) = "A";
- For
a = 100, the output should be
bijectiveBase10(a) = "9A".
100 = 10 * 9 + 10->
- For
a = 2010, the output should be
bijectiveBase10(a) = "19AA".
2010 = 1 * 103 + 9 * 102 + 10 * 10 + 10->
- [time limit] 4000ms (py)
- [input] integer a
A positive integer.
Guaranteed constraints:
10 ≤ a ≤ 6 · 108.
- [output] string
The string representation of
ain bijective base-10 system.
The Solution:
def bijectiveBase10(a): if '0' not in `a`: return `a` r="" while a>0: if a%10==0: a-=10 r+="A" else: r+=str(a%10) a/=10 return r[::-1]
The Explanation:
We need to understand the arithmetic behind this. For every 0 digit we see, we replace it with an 'A', which is 10. So, we decrease 10 from our number, because it is not zero anymore, but a ten. Then, we continue doing this just as if we are converting the number to another base. At the end, we have the reverse of the number, so, we return reverse.
The first if statement is actually unnecessary, it would work exactly the same without that if block.


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Rachel's Story
Several years ago, while working as a domestic violence prosecutor, I was assigned a case which would change the course of my career. I had handled literally hundreds of DV cases, but this one was unusual - at the time. The victim was 90, and the perpetrator was her son. What made the case even worse was that the victim was completely disabled by Alzheimer's Disease. Her son had not only struck her in the face, he also had drained all her money.
We prosecuted the son for assault, but when I asked my supervisor about adding a theft charge, he declined. A jury wouldn't understand a son stealing from her mother, he thought. A jury could understand someone who used a gun to steal, but they wouldn't understand someone who used a power of attorney to steal. (I am happy to report that this thinking has changed! Clark County now has an Elder Justice Center and regularly prosecutes those who financially abuse their elders.)
One day, while the case was pending, I got a call from a woman who said she was a Guardian ad Litem for this lady. It was this Guardian ad Litem, a court-appointed investigator in the guardianship case, who first educated me about how guardianships could protect the helpless.
I opened my own practice in 2004 and have steadily built my guardianship and elder law practice ever since. I love working with the people who really care about elders - all of you caregivers, facilities, and professionals who stand up for the vulnerable. I am blessed with fantastic co-workers.
This is a great time to practice elder law. If you have questions, we would be happy to help if we can. If we can't help, we will try to refer you to someone who can.
Our Staff
Rachel Anne Brooks
Rachel has represented petitioners in thousands of guardianship and vulnerable adult cases. She also represents guardians, including professional guardians, trustees, and other fiduciaries. Rachel is the co-founder and current president of the Clark County Bar Association Elder Law and Guardianship Section. She is a board member and secretary of Southwest Washington Elder Abuse Prevention Coalition ("SWEAP") and represents SWEAP on the Elder Justice Center Board. Rachel serves on the board of the Clark County Law Library.
Northwestern School of Law at Lewis & Clark College
Juris Doctor, 1995
University of Tennessee
B.A., Political Science, 1990
View Rachel's résumé
Professional Memberships
• Washington State Bar Association
• Oregon State Bar Association (inactive)
• Clark County Bar Association
• WSBA Elder Law Section
• WSBA Health Care Law Section
• CCBA Elder Law Section
• Washington Women Lawyers
Legal Assistant
Jake Whiston
Jake has been working as an elder law legal assistant since 2018. He has extensive experience working with developmentally disabled adults and prior experience as a caregiver. He also is a talented photographer, musician, and filmmaker.
Jake regularly attends training in the field of dementia and protection of vulnerable adults. Jake works hard, gets the clients' work done efficiently, and is responsive and respectful.
Sherri Farr
Sherri is a Paralegal with more than 18 years of experience. She volunteers with the Clark County Volunteer Lawyers in the family law clinic as well as the guardianship clinic. She is also on the Clark County Superior Court Registry as a Title 11 Guardian ad Litem, and is a member of the Clark County Title 11 Guardian ad Litem Education Group.
Sherri works part-time in elder law with our office but also practices family law as one of the first Limited License Legal Technicians admitted by the Washington State Bar Association to practice in Clark County. Her website for her family law practice is https://thefarrlawoffice.com/
Professional Memberships
• Washington State Bar Association
• Clark County Bar Association
• WSBA Family Law Section


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Arthritis Consumer Experts and Cassie and Friends Society have launched a canakinumab access campaign.
Juvenile arthritis (JA) affects approximately 24,000 infants to teens in BC and Canada, or 3 in every 1,000, making it one of the most common causes of chronic disability in children. Ten to 20 percent of those children have systemic juvenile idiopathic arthritis (sJIA), a severe and potentially life-threatening form of the disease – and many can't get the medication they desperately need.
In partnership with Arthritis Consumer Experts, Cassie and Friends Society is leading a call for the BC Government to drastically improve the outlook of children with sJIA by allowing reimbursement coverage for canakinumab for the small number of children who need it.
Why have we launched our canakinumab access campaign?
Canakinumab is publicly funded in other Canadian provinces/territories but not BC, putting British Columbian children living with sJIA and other autoinflammatory diseases at a horrible disadvantage by denying them access to a life-changing therapy.
How will canakinumab help children?
Canakinumab is a biologic medication that targets the specific immune dysfunction we now know is causing the severe symptoms of sJIA. There are relatively few children in BC that will require canakinumab, as most children with sJIA respond to other treatments. However, for these vulnerable and ill children, canakinumab is their only hope to avoid the progression of their disabling, potentially life-threatening, disease.
In receiving canakinumab therapy, children will experience reduced disease symptoms and allow for the rapid discontinuation of other medications, like steroids, which result in intolerable side effects to kids. The other major benefit of canakinumab is that it is given by a once-monthly injection, which is easy to tolerate in the young children who need it, some as young as 2 years old. The comparator medication for sJIA requires a daily, excruciatingly painful injection which can be extremely stressful, or even impossible for families of young children to administer.
How can you get involved?
- Share the message on social media
- Sign and share the online petition
- Write letters and emails to your local MLA (click here for a template)
- Tell your local media about the campaign
For some sJIA patients, access to canakinumab therapy has become a life or death issue. Please join us in urging BC PharmaCare to fund this therapy at least on a case-by-case basis. We need your voice to send our message that kids deserve better.
Learn more about this issue: http://cassieandfriends.ca/programs/advocay/2017-bc-election-canukinumab-access/
Contact: firstname.lastname@example.com or 604-617-1382
This petition will be delivered to:
Minister of Health British Columbia
Honourable Adrian Dix


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I have one of those situations where someone has a favor to ask of me. A lot like when you own a pickup truck and every time you turn around, your Prius driving 'friends' want you to help them move. 99% of the time, they're bitching about the HUGE environmental impact your gas guzzling hog is having, but when they need your help, they're all sweet and complimenting your manly truck. And you know damn well, after that last box leaves the bed of your truck, they'll be back to insulting your fuel injected stud machine.
Where was I going with this…oh yeah…friends asking for favors. There's this particular painful thorn in my side by the name of Starr. She's got this crazy idea to start her own business. And I've agreed to allow her to guest post on my bottom dwelling blog to drum up interest. In all honesty, I can't blame a girl for striking out on her own and having a go at proprietorship. Hell, it's what our country was founded on. Well, that and religious freedom and freedom of speech. It's all about the freedom, baby. And if owning her own business gives her the freedom not to be under the thumb of "The Man," I'm all for supporting her cause. So, on to the non-paid advertisement.
* * * *


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Traditional vs. Implant-Supported Dentures
Choosing the best method to replace missing teeth is an important decision. For those suffering from substantial tooth loss, the choice is often between traditional and implant-supported dentures. Understanding the difference between these two options and the advantages they offer is essential to ensuring your best possible smile. A world-renowned prosthodontist, Dr. Neil L. Starr can accurately evaluate a patient's candidacy and provide patients with exceptional care at his Washington, DC, dental practice.
Traditional Dentures vs. Implant-supported Dentures
Made of plastic or porcelain teeth anchored in a gum-colored base, dentures are a prosthetic designed to replace multiple missing teeth. Patients can take advantage of either partial or full dentures to replace up to a full arch of missing teeth. The main difference between traditional and implant-supported options is how they attach: where traditional dentures are held in place over the gums with dental adhesives and suction, implant-supported dentures are directly placed in the jaw with dental implants.
Traditional Dentures
The most notable benefits of traditional dentures include:
- Affordability
- Easy maintenance
- Wider range of dietary options
- Improved speech capabilities
- Boosted self-confidence
However, because this prosthetic is removable, it can also be unstable. Many patients struggle with sliding dentures that interfere with meals and conversation. While dental adhesives, small metal clasps, and natural suction can help keep the prosthetic in place, keeping your dentures still can easily tire out the muscles of your mouth.
Implant-Supported Dentures
This option offers a huge range of benefits to patients, including simple maintenance, stability, durability, comfort, and improved jawbone structure. Implant-supported dentures essentially replace the entire tooth structure, which allows them to simulate your natural teeth as closely as possible. Because dental implants are placed directly into the jaw, they offer unmatched support for dentures. Consequently, patients can easily eat steak, apples, and other foods that are usually too tough to chew with missing teeth. As an additional benefit, implants can halt jawbone degeneration and stimulate new growth.
Both traditional and implant-supported dentures offer patients struggling with missing teeth an opportunity to restore their dental health.
However, these advantages are balanced out by several drawbacks. Because dental implants are surgically placed, treatment is both lengthier and more expensive than that of traditional dentures. It typically takes several months for the implants to become fully integrated with the jaw and capable of supporting a prosthetic. If patients need a bone graft to replace lost bone tissue in the jaw, treatment can take even longer.
Traditional (bottom) and implant-supported dentures (top)
Treatment Timeline
Dr. Starr is able to provide high-quality restorative dentistry procedures including denture placement. Patients receiving traditional dentures can expect their entire treatment to be provided at the practice. For implant-supported dentures, Dr. Starr will coordinate the implant portion of the procedure and any preliminary surgeries with an oral surgeon or periodontist.
The number of appointments will depend on which option you pursue. Traditional denture placement is typically provided in two appointments: during the first, the doctor takes impressions from which your prosthetic is created and during the second, the finalized dentures are tested and adjusted to your smile. Implant-supported dentures usually require at least three appointments: the initial consultation to take impressions, the implant placement, and the attachment of the prosthetic. An additional appointment may be necessary for bone grafting procedures. For patients who qualify for Premierdontics™, Dr. Starr can collapse this process into a single day.
Effectively Addressing Tooth Loss
Both traditional and implant-supported dentures offer patients struggling with missing teeth an opportunity to restore their dental health. Schedule a consultation or call us at (202) 293-7177 to learn more about your candidacy for treatment.


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I'm not good at making crap so I had this whole outfit cutsom made for him. I will be cosplaying as Griffith (Millenium Falcon version), but for next year's Anime Expo.
That armor looks good, you can tell the creator paid attention to details, it's nice. It would be cool if you posted pictures of your Griffith cosplay when it'll be done.
Pretty awesome.Married? He looks young. Though if you both like Berserk then it must be fate
I will definitely post some pics when the armor is done though.
And is that a real tattoo on your neck or a paint on?
here are some very bad and some decent cosplay images I found
Damn, Griffith really let himself go.
Hey, I think he did a decent job! He looks fine, whats the problem?