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Toilet Bowl Sink
Make your home for the reason that most commodious place by providing artistic highlites such as many images with Toilet Bowl Sink photograph gallery show you. You can see lots of versions options Toilet Bowl Sink pic stock can provide that could be copied. Unwinding look is usually felt atlanta divorce attorneys spot of the home within Toilet Bowl Sink photograph gallery, this may make the home owners could be very effortless. Additionally you can apply a lot of elements that you can obtain coming from Toilet Bowl Sink pic stock to your house. Your personal unappealing residence shall be soon converted into an unusually pleasant method to put out the difficulty involving work. These type of Toilet Bowl Sink image gallery will assist you to create a house which can accommodate your entire pursuits, quite possibly you can actually finish your job in the house easily. There is lots of good reasons why you should go for Toilet Bowl Sink snapshot stock to be a benchmark. Certainly one of that is definitely since Toilet Bowl Sink snapshot collection sole produce world-class and additionally stunning layouts.
As noun
a bathroom fixture consisting of a bowl, usually with a detachable, hinged seat and lid, and a device for flushing with water, used for defecation and urination
a lavatory
a bathroom
toilet bowl
a dressing room, especially one containing a bath
the act or process of dressing or grooming oneself, including bathing and arranging the hair:to make one's toilet; busy at her toilet
toilet set
the dress or costume of a person; any particular costume:toilet of white silk
the cleansing of a part after childbirth or a wound after an operation
dressing table
As Idioms
go down / in the toilet, to become worthless or profitless; be doomed:The team's entire season went down the toiletExpand Also, toilette (for defs , )
As noun
a rather deep, round dish or basin, used chiefly for holding liquids, food, etc
the contents of a bowl:a bowl of tomato soup
a rounded, cuplike, hollow part:the bowl of a pipe
a large drinking cup
festive drinking; conviviality
any bowl-shaped depression or formation
an edifice with tiers of seats forming sides like those of a bowl, having the arena at the bottom; stadium
Also called bowl game
a football game played after the regular season by teams selected by the sponsors of the game, usually as representing the best from a region of the country:the Rose Bowl
a curved or semicircular line of a character, as of a, d, b, etc
As verb (used with object)
to give (a floor) a gentle inclination on all sides toward some area, as a stage or platform
As verb (used without object), sank or, often sunk; sunk or sunken; sinking
to displace part of the volume of a supporting substance or object and become totally or partially submerged or enveloped; fall or descend into or below the surface or to the bottom (often followed by in or into):The battleship sank within two hours
His foot sank in the mud
Her head sinks into the pillows
to fall, drop, or descend gradually to a lower level:The river sank two feet during the dry spell
to settle or fall gradually, as a heavy structure:The tower is slowly sinking
to fall or collapse slowly from weakness, fatigue, distress, etc
:He gasped and sank to his knees
to slope downward; dip:The field sinks toward the highway
to go down toward or below the horizon:the sun sinks in the west
to penetrate, permeate, or seep (usually followed by in or into):Wipe the oil off before it sinks into the wood
to become engulfed or absorbed in or gradually to enter a state (usually followed by in or into):to sink into slumber
to be or become deeply absorbed or involved in a mood or mental state (usually followed by in or into):sunk in thought
She sank into despair
to pass or fall into some lower state, as of fortune, estimation, etc
; degenerate:to sink into poverty
to decline or deteriorate in quality or worth
to fail in physical strength or health
to decrease in amount, extent, intensity, etc
:The temperature sank to ° at noon
to become lower in volume, tone, or pitch:Her voice sank to a whisper
to enter or permeate the mind; become known or understood (usually followed by in or into):He said it four times before the words really sank in
to become concave; become hollow, as the cheeks
to drop or fall gradually into a lower position:He sank down on the bench
As verb (used with object), sank or, often sunk; sunk or sunken; sinking
to cause to become submerged or enveloped; force into or below the surface; cause to plunge in or down:The submarine sank the battleship
He sank his fist into the pillow
to cause to fall, drop, or descend gradually
to cause to penetrate:to sink an ax into a tree trunk
to lower or depress the level of:They sank the roadway by five feet
to bury, plant, or lay (a pipe, conduit, etc
) into or as if into the ground
to dig, bore, or excavate (a hole, shaft, well, etc
to bring to a worse or lower state or status
to bring to utter ruin or collapse:Drinking and gambling sank him completely
to reduce in amount, extent, intensity, etc
to lower in volume, tone, or pitch
to suppress; ignore; omit
to invest in the hope of making a profit or gaining some other return:He sank all his efforts into the business
to lose (money) in an unfortunate investment, enterprise, etc
to throw, shoot, hit, or propel (a ball) so that it goes through or into the basket, hole, pocket, etc
: She sank the ball into the side pocket
to execute (a stroke or throw) so that the ball goes through or into the basket, hole, pocket, etc
: to sink a putt; to sink a free throw
As noun
a basin or receptacle, as in a kitchen or laundry, usually connected with a water supply and drainage system, for washing dishes, clothing, etc
a low-lying, poorly drained area where waters collect and sink into the ground or evaporate
sinkhole (def )
a place of vice or corruption
a drain or sewer
a device or place for disposing of energy within a system, as a power-consuming device in an electrical circuit or a condenser in a steam engine
any pond or pit for sewage or waste, as a cesspool or a pool for industrial wastes
any natural process by which contaminants are removed from the atmosphere
As Idioms
sink one's teeth into, to bite deeply or vigorously
to do or enter into with great enthusiasm, concentration, conviction, etc
: to sink my teeth into solving the problem
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Income Tax – What you need to know
If a due date falls on a weekend or public holiday, the date moves to the next working day.
The number of times you need to pay provisional tax each year depends on the option you use to calculate your provisional tax, and how many times you pay GST (if registered).
If you have a 31 March balance date (ie your tax year ends on 31 March) and you use the standard or estimation options to calculate your provisional tax payments, your provisional tax due dates are:
28th August
First Instalment of Provisional Tax
28th October
First Instalment (GST registered, six monthly)
15th January
Second Instalment of Provisional Tax
7th May
Second Instalment (GST registered, six monthly)
7th May
Third Instalment of Provisional Tax
7th April
Terminal Tax Due (if any)
If you have a 31 March balance date and you use the ratio option to calculate your provisional tax payments, these are due on:
28th June
First Instalment
28th August
Second Instalment
28th October
Third Instalment
15th January
Fourth Instalment
28th February
Fifth Instalment
7th April
Terminal Tax
7th May
Sixth Instalment

subset: commoncrawl


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Park Passports
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Since 1986, the Park Passport has been a cherished heirloom for fans of our national parks the world over. Our passport collection includes books, inserts, and the stamps to complete your book. Collect, have fun, remember, and reminisce over your great park experiences.
1987 Passport Stamp Set$4.95
1986 Passport Stamp Set$4.95


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2009 Hawaiian BBQ UCR - Tarver
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I had the easiest house sale and home buying events ever with my realtor Greg Lennon. My house was priced over 400K so hard to move lately – it sold in 5 days! Greg does outstanding photos that captured the highlights of my home. After watching the video he prepared I wondered why I was selling…. He is a strong advocate for me in buying my new construction home and in an investment property. He researches anything I want to know about. But, what I really like about him – if I call or email, I have immediate response. You won't find a more caring and better realtor anywhere than Greg Lennon.
Name of Reviewed Item: Everything You Could Ask For Image: https://thespringshouses.com/wp-content/uploads/2016/11/og_image-Testimonials.jpg Review Date:


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Ah, the Memories.
Here's a vid of the Pine Bluff High Dancers at a halftime performance. Pine Bluff High School, my dear alma mater.
I put this post in the"WTF?" category. I am going to refrain from commenting further.
13 Responses to "Ah, the Memories."
Simulated sex? What kind of sex do you all have? I saw martial arts moves, football poses, and gymnastics. Linked together with a classic jazz-dance shimmy. ??!??
The music was too fast and frantic, though, and was probably unecessarily difficult to dance to.
It's sad that people don't understand the different types of dance. I know each on of those girls and they are all on the honor roll and have great gymnastics and dancing backgrounds. Trust me when I say that they are BELOVED and ADORED by the faculty and staff and commmunity in the city of Pine Bluff and just because a few ignorant, closed-minded and uptite individuals who are not understanding of different types of dance and artwork feel that it is simulating sex doesn't mean that they are any less that what you are…
lol…ok,sorry if I came of "snooty", I wasn't trying to be at all…lol but like I said, it is a different style and alot of people who aren't familiar with this style will not understand it. All of those girls have strong cheerleading backgrounds, hell half of them cheered at Pine Bluff High their sophomore year. Their background is strong in dance and gymnastics, this particular squad and type of dance is just not what you are used to seeing, but it is the norm for a showstyle band…When they compete, they usually get first place dance squad at that competion.
P.S. …i can spell uptight, i was just using shorthand…and its great that you are a lawyer*clapping*…guess im just a measly young college student trying to get my education…
^^^ yea, okay…LOL
lol…it's cool. I understand where you are coming from, I've lived in "Crime Bluff" all of my life so I guess we are kind of in the same boat. College is cool, I have one year left at UAPB and I'm out of Pine Bluff for good, HOPEFULLY!!!


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A nice, calm and respectable lady went into the pharmacy, walked up to the pharmacist, looked straight into his eyes, and said, "I would like to buy some cyanide."
The pharmacist asked, "Why in the world do you need cyanide?"
The lady replied, "I need it to poison my husband."
The pharmacist's eyes got big and he exclaimed, "Lord have mercy! I can't give you cyanide to kill your husband. That's against the law! I'll lose my license! They'll throw both of us in jail! All kinds of bad things will happen. Absolutely not! You CANNOT have any cyanide!"
The lady reached into her purse and pulled out a picture of her husband in bed with the pharmacist's wife.
The pharmacist looked at the picture and replied, "Well now, that's different. You didn't tell me you had a prescription." – posted online by John1960
Reading this might be funny, but murder no joke. Unhappy marriages should never come to this…though every year there's folks who feel this is their only way out.
We thought our marriage was bad…
With constant frustration, chronic unhappiness, complete and utter miscommunication and misunderstanding all the time, stress, anger and sometimes deceit…
We end up contemplating divorce…
And we think: 'that could be far worse.'…
With it's costly attorney's fees, unpleasant exchanges with the 'X', dissatisfied societal views, crushed dreams, possible custody problems and the loss of half of our property and savings…
At this point….there are a select few who decide they cannot stand to be married, or divorced, so they some how convince themselves murder will become their salvation.
I agree that life is certainly too short to live unhappily, and with someone you can't stand. True also that divorce can become a difficult option….
But, living life –period- is worth living.
I never thought about killing my 'X'.
Being separated was enough for me.
So, we took the long road and divorced. It took a year and it wasn't fun, nor was it pretty…but…
Just being able to remove he and myself from the misery of being married, having the ability to move away from each other and move on would give us the freedom both emotionally and physically that we needed.
Let's for a moment contemplate something else …
Life in prison, the electric chair, and/or our family going through life with the agony we put them through after having been convicted of murder….(and in our case there would be some children left without parents).
So, what makes some people believe murder is better (or smarter) than divorce is beyond me…
We know the spouse is always a suspect….and therefore we'll be caught…(remember Scott Peterson?)
My thoughts:
This is your life…and if being married is painful, and divorce seems even more painful,
think about the alternatives, or maybe more so, think about the consequences to the alternative.
Read some true spousal homicide stories.
A list of more true crime stories.
Wagner/Wood, Spousal Homicide or An Accident?


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It is necessary to attend courses of tuition for Units 2 and 3. A regular schedule of courses and examinations is offered annually at the RSCDS Summer School at St Andrews. Otherwise, Branches run courses according to local need.
The minimum number of total presentations for an examination diet to take place is six. If there are no candidates for Unit 2 and fewer than six candidates for Unit 3, examiner expenses will be shared between the Branch and the RSCDS on the following basis, unless prior permission to do otherwise has been obtained from the Education & Training Committee, or unless the minimum of six is made up by candidates for Unit 5 sitting at the same time:
Branch share
RSCDS share
3 candidates
4 candidates
5 candidates
6 candidates
If there are fewer than 3 candidates, an examination cannot take place.
At Summer School 2019 the courses for Units 2 and 3 are taken over the first fortnight, with the examination for Unit 2 and Unit 3 held at the end of the second week; there is some preparation of the course for Unit 3 in the first week. Any candidate coming to Summer School to do only Unit 3, who has not previously done the course, is required to attend Summer School in time for the start of class on the Wednesday of the first week.
Please note that the results of the Unit 2 examination are not made available until after the examination for Unit 3 has taken place.
Applications to sit Unit 2 and/or Unit 3 at a Branch or approved centre must be received at Headquarters no later than 6 weeks in advance of the date of the examination.
Applications to sit Unit 2 and/or Unit 3 at Summer School must be received at Headquarters no later than 1st February.
The following documents provide additional information:
X2X3-04 Candidate application form
X2X3-05 Candidate application form (re-sit)
X2-08 Assessment and Result form (Unit 2 examination valid after 01 July 2018)
X3-08 Assessment and Result form (Unit 3 examination valid after 01 July 2018)
X3-28 Transition from Unit 3 to Unit 4
Unit 2 Prescribed Dances
Unit 3 Sample Assignment Bank
Branches / Organisers
X2X3-02 Notification to hold examinations (Branches)
X2X3-03 Branch application form to hold examinations
X2X3-06 Guidance on Examination Procedures (Branches)
Examiners / Tutors
X3-28 Transition from Unit 3 to Unit 4


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About Sri Tea
Our tea is sourced directly from a 150 year old tea estate in the southern province of Sri Lanka. Quality controls and checks are in place to ensure that the tea which reaches us is fresh and of the highest grade. Fair prices are established for the tea to ensure sustainability of the sourcing.
We believe in using loose leaf tea for our products as this preserves the flavour and allows the leaves to fully unfold to produce the best taste. Our tea blends are painstakingly sampled and blended to create an aromatic end-product bursting with flavour.
All of our teas are high quality organic teas, and guaranteed herbicide and pesticide free.
The Island of Sri Lanka, source of our quality tea
We get our tea from our estate in the tropical island of Sri Lanka, a 100 Acre plantation located in the southern province which has been in the owner's family for over 150 years. The tea is not mass produced, but rather grown on a small scale which enables the planters to maintain control over the high quality of the leaves. Each tea leaf is painstakingly selected, and is free from pesticides and insecticides. Great care is also taking over the processing of the tea. The best possible working conditions are strived for, with a view to protecting and supporting the local community. The estate also houses a working museum.Home


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NEW YORK – Donald Trump chose retired neurosurgeon Ben Carson on Monday to be secretary of the Department of Housing and Urban Development, raising fresh concerns about the lack of experience some of Trump's Cabinet picks have with agencies they're now being chosen to lead.
Carson, who opposed Trump in the Republican primaries, has no background in government or running a large bureaucracy.
In addition, South Carolina Gov. Nikki Haley, Trump's choice to be ambassador to the United Nations, has no foreign policy experience. Steve Mnuchin, a former Goldman Sachs partner and Hollywood executive, is Trump's man to lead the Treasury Department but has never worked in government. And retired Gen. James Mattis, a widely praised battlefield commander, spent decades in the Marines but now is tapped to run the nation's largest government agency, the Defense Department, with 740,000 civilian employees in addition to 1.3 million service personnel.
Democrats swiftly criticized Carson's qualifications for his job. House Democratic leader Nancy Pelosi called him a "disconcerting and disturbingly unqualified choice." New York Sen. Charles Schumer said he had "serious concerns about Dr. Carson's lack of expertise and experience in dealing with housing issues. Someone who is as anti-government as him is a strange fit for housing secretary, to say the least."
Carson would oversee a budget of nearly $50 billion that provides rental assistance for more than 5 million households. Demand for that assistance is high in part because housing costs are rising faster than incomes. HUD also promotes home ownership, with the Federal Housing Administration underwriting about 1 in 6 mortgages issued in the U.S. The agency is charged with enforcing federal fair housing laws, too.
In a statement, Trump said he was "thrilled to nominate" Carson, describing his "brilliant mind" and his passion "about strengthening communities and families within those communities."
Carson, who grew up poor, quickly endorsed Trump after ending his own presidential bid despite Trump noting what he called Carson's "pathological temper." Carson has been coy about joining the new administration, saying shortly after Trump's election victory that he wasn't certain he'd fit into a Cabinet-style role in a job like Health and Human Services secretary.
Heading a Cabinet agency is a huge bureaucratic job, with responsibility for overseeing massive budgets and thousands of employees. Choosing a leader without management experience could present challenges, warned Ben Chang, who worked under three administrations.
"People can learn the policies and the talking points, but the transition will be dictated by their own managerial style," said Chang, who remembered incoming Secretary of State Colin Powell walking the halls to meet with career officers and not just his executive staff.
On Monday, Trump received a fresh stream of visitors to the New York skyscraper that bears his name. His most surprising guest was Democratic former Vice President Al Gore. Transition officials said early Monday that Gore would meet with Trump's daughter, Ivanka, about climate change, which is Gore's signature issue.
But Gore said he also met with Donald Trump directly and the two had a "very productive conversation."


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- Property Value $3,988,000
- Living Area 6,079 sq ft.
- Bedrooms 4
- Bathrooms 7
- Lot Size Area 4410.0 sqft
- Taxes $11,790
- Type House/Single Family
- Style 3 Storey
- Basement Fully Finished
- Year Built 2016
Welcome to spectacular White Rock! Custom built 6079 sq.ft. bright modern home with all bells & whistles. Magnificent ocean view from multiple levels. Open plan with 5bd & 7bath (including 4 ensuites). Gourmet kitchen with ALL high end appliances including convection steam oven & built in coffee maker. Other features include Control 4, elevator, theatre, gym, custom wine cellar, beautiful wide plank white oak floor throughout. Spacious 2 bedroom legal suite. Gorgeous view of White Rock Beach from every balcony/deck. Massive garage with 6 covered parking + 4 uncovered spaces. Low maintenance 4410 sqft yard. Excellent CENTRAL location. Steps to White Rock Pier, restaurants, bars & shops. See link for virtual tour. Book an appointment today!
15031 VICTORIA AVENUE, South Surrey White Rock
Listing Provided By
Angell Hasman & Assoc.Rlty.Ltd
Send us your questions about this property and we'll get back to you right away.
* Copyright 2019 by the Real Estate Board of Greater Vancouver, Fraser Valley Real Estate Board, Chilliwack and District Real Estate Board, BC Northern Real Estate Board, and Kootenay Real Estate Board. All Rights Reserved.
** The data relating to real estate on this web site comes in part from the MLS Reciprocity program of the Real Estate Board of Greater Vancouver or the Fraser Valley Real Estate Board. Real estate listings held by participating real estate firms are marked with the MLSR logo and detailed information about the listing includes the name of the listing agent. This representation is based in whole or part on data generated by the Real Estate Board of Greater Vancouver or the Fraser Valley Real Estate Board which assumes no responsibility for its accuracy. The materials contained on this page may not be reproduced without the express written consent of the Real Estate Board of Greater Vancouver or the Fraser Valley Real Estate Board.


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Happy Mother's Day! Today is a wonderful time to celebrate all the great women in children's lives who care for them. This time of year I find myself inspired by the poems of Erma Bombeck who has a knack for capturing the essence of being a mom and a parent. I came upon the following poem not too long ago and wanted to share it with you - it is truly perfect for today (Source: Between Us … [Read more...]
Happy Mother's Day
Ready, set…turn off those screens!
This week is the annual Screen Free Week. It's a great time to try and live life with as little technology as you and your family can, when not in school or work. It's actually a tough challenge. Screens are everywhere - stores, restaurants, hotels, gas stations. However, annual week's like Screen Free Week allow us to all reconnect without so much technology and come out the other side with more … [Read more...]
2016 Spring Tool Box
Spring is when you feel like whistling even with a shoe full of slush ~ Doug Larson Spring seems to put a smile on most people. And with good reason. After a long, cold winter in most areas of the country, the warm temperatures, green grass and blooming trees and flowers are invitations to get outside and air out. Its hard to not have a bounce in your step after being stuck inside without sun … [Read more...]
Friday Fun: what a difference a week makes
Living in New England, a week can be quite the experience! Monday Friday Finally...spring! … [Read more...]


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Excerpt from AFB Access World, Conference Report, CSUN 2008, by Deborah
"...A bit of just plain fun is always welcome, and one of the highlights of the conference for me was playing a lively game of Snakes and Ladders at the Touch Graphics booth just before the conference closed on March 15. The fast-paced game of chance for all ages, which combines a tactile playing board with audio cues, is completely interactive. Progress around the board is accompanied by lively sound effects. Encountering a ladder means multiple moves in one turn and landing on a fellow player triggers the computer sound of that player being kicked down the stairs. When so many pieces of assistive technology are focused on work and productivity, it was a breath of fresh air to encounter one that was purely entertainment with no higher purpose."
<click here
to read the entire article>


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(Richland Center, Wis.) Kathy Granger, University of Wisconsin-Richland Alumni Association president, has announced the names of the five individuals selected as recipients of the 2017 Outstanding Alumni award. The honorees will be feted at the annual Fall Alumni Day and Brunch on Saturday, October 7.
The honorees representing the era of the Richland County Teachers College include two members of the Class of 1965, Ronald F. Benish, Reedsburg; and, Robert Nugent, Richland Center. Representing the era of the current UW-Richland campus are: Carmen Decot Couden, Class of 1997, Milwaukee; Joseph L. McDonald, Class of 1976, Viroqua; and, Christopher McNeill, Class of 1997, Lodi.
Ronald F. Benish is a 1963 graduate of Hillsboro High School. Following his graduation from the Richland County Teachers College in 1965, Benish completed his undergraduate degree at UW-Platteville (1968). He later earned a master's degree from UW-Platteville (1992) and a Master in Education Administration degree from Winona State University in 1997.
Benish's teaching career included elementary and junior high experiences at Trippville Elementary (1965-68); Hillsboro Elementary (1966-68); the Bloomington School District (1968-1991); and, in the Beaver Dam School District (1991-94). He was principal in the Wonewoc-Center School District (1994-95) and also K-12 principal in the Belmont Schools (1995-97). Benish served as administrator for the Wonewoc-Center Schools (1997-98) and the Hillsboro Schools (1998-2010).
His prolific basketball coaching career included varsity level squads in Bloomington (boys), Beaver Dam (boys), Belmont (boys), Hillsboro (girls), Reedsburg (girls) and New Lisbon (girls). He coached varsity basketball for 31 years, amassing an impressive 550-158 won-loss record, 17 conference championships, nine sectional appearances and a state championship (Bloomington/1972). Benish also coached junior varsity football, varsity track and served as an athletic director for eight years. He was inducted into the Wisconsin Basketball Coaches Hall of Fame in 1999. He is a member of the Reedsburg Lions Club and many sports booster organizations. He and his wife Nancee have three children and eight grandchildren.
Robert Nugent graduated from Boscobel High School in 1962 and earned his undergraduate degree in elementary education at UW-Platteville in 1969, following his graduation from the Richland County Teachers College. He later completed his master's degree in elementary education and administration at UW-Platteville and has also completed post-graduate credits at UW-Platteville, UW-Madison, and UW-La Crosse.
He taught in the Highland School District from 1966-68 and then began his lengthy teaching and administrative career in the Richland School District in 1971, retiring in 2005. While with the Richland School District, he taught at Jefferson and Doudna Elementary Schools and served as principal at Doudna from 1980-90 and again from 2000-05.
Nugent has been very active within the community, having served for twenty years on the Westby Cooperative Credit Union board of directors; as secretary/treasurer of Franklin Farmers Mutual Insurance Company; as chairperson of the Ithaca Township Zoning Commission; and, as a member of the Ithaca Lions Club. He is also currently serving as chairman of the board of directors for The Richland Hospital.
He served for 20 years as a 4-H beef leader and softball coach; for 15 years as a Wisconsin-certified forensics adjudicator; for 20 years as a Wisconsin Interscholastic Athletic Association (WIAA) wrestling official; and, in 2012 was named Lion of the Year.
Carmen (Decot) Couden, Waukesha, is a partner in the Foley & Lardner Law Firm in Milwaukee where she is senior counsel. She graduated from Richland Center High School in 1995 and then enrolled at UW-Richland. During her days at UW-Richland, she served as secretary and, later, president of the Student Senate and was very actively involved in a variety of university organizations. She earned her undergraduate degree in political science at UW-La Crosse in 1999 and earned her law degree from the University of Iowa College of Law (with distinction) in 2004 and it was there that she was also awarded the College of Law's Dean's Achievement Award.
In addition to her tenure with the Foley & Lardner LLP since 2004, Couden has served as a prosecuting intern in the Johnson County Attorney's Office in Iowa City (2003-04); as research assistant at the University of Iowa College of Law (2003-04); as a customer services specialist with M& I Bank Commercial Credit Card Services (2001-02); as a service banker with M&I Bank in Brookfield (2000-01); and, has worked with First Federal Savings Bank system (1997-99). She was named to "Wisconsin Super Lawyers: Rising Stars" in 2012-17 and "Wisconsin Law Journal's 2012 Up and Coming Lawyers."
Couden is very involved in an array of community and state-wide organizations, including: Better Business Bureau of Wisconsin (volunteer and legal counsel, 2011-present); State Bar of Wisconsin—Labor & Employment Section, board of directors (2015-present); Wisconsin Equal Justice Fund board of directors (2013-present); Curative Care Network board of directors (2014-present); COA Youth (2016-present); and, Hispanic Professionals of Greater Milwaukee board of directors (2016-present).
She is a member of: Association of Women Lawyers; Hispanic National Bar Association; Wisconsin Hispanic Lawyers Association; University of Iowa Alumni Association; University of Wisconsin-La Crosse Alumni Association; and is a lifetime member of the University of Wisconsin-Richland Alumni Association. She has been admitted to practice in the state of Wisconsin and before the United States Supreme Court, the Seventh Circuit Court of Appeals, the Eastern and Western Districts of Wisconsin, the Northern and Southern Districts of Illinois and the Eastern and Western Districts of Michigan.
When her extremely busy schedule allows, Couden enjoys do-it-yourself home improvement projects, traveling, reading and spending time with her family and two dogs (Chaos and Devious).
Joseph McDonald is currently serving as the chief executive officer and general manager for the Vernon Electric Cooperative, a position he has held since 2010. Prior to that time, he was program manager for executive and staff education with the National Rural Electric Cooperative Association (NRECA) headquartered in Madison. From 1990-2007 he was the chief financial officer for the Adams-Columbia Electric Cooperative in Friendship, Wisconsin and, from 1987-90, he served as office manager for the Crawford Electric Cooperative in Gays Mills. McDonald served as vice-president of the Bank of Gays Mills from 1980-87.
A 1974 graduate of North Crawford High School, he attended UW-Richland during the 1974-75 and 1975-76 school years; he graduated from UW-Platteville in 1978 with a degree in business administration. In 1987, he attended the Graduate School of Banking at UW-Madison, and, in 2003, completed the Executive M.B.A. program, also at UW-Madison.
During his tenure at Vernon Electric Cooperative (VEC), McDonald has transformed the co-op into a national leader in member-owned community solar. As a result of his leadership, VEC received the national Silver Switch Award from the Rural Electricity Resource Council for providing outstanding community outreach.
McDonald serves on various non-profit boards, including: Coulee CAP; the Federated Youth Foundation; Rural Housing of Wisconsin; Bethel Home and Services; UW-Platteville's Sustainable and Renewable Energy Systems advisory board; the Bethel Butikk Food Pantry advisory board; and, the Wisconsin Electric Cooperative Association's education committee.
Christopher McNeill graduated from Dodgeville High School in 1989 and, following his studies at UW-Richland, transferred to UW-Platteville where in 1996 he received his bachelor's degree in elementary education with dual certification in K-12 art education. In 2004, he received certification from the National Board for Professional Teacher Standards and was re-certified in 2014. In 2007, McNeill received his master's degree in reading from Cardinal Stritch University.
McNeill was a third andfourth grade multiage teacher in Sharon, Wisconsin, during the 1996-98 school years and then began his tenure with the Lodi School District where he has served ever since. From 2001-07 he was the Lodi School District language arts department chair.
He is a co-founder of "Summer Saunters," a summer hiking program for students in third through twelfth grades. The goal of the program is to keep kids active during the summer to help reduce childhood obesity. He is also an instructor and co-founder of the Ouisconsing School of Collaboration charter school in Lodi.
McNeill has been accorded many honors during his career, including: a Sallie Mae First Year Teacher of the Year Award nomination; the WISC-TV Top Notch Teacher award; the 2007 Herb Kohl Fellowship; the 2010 Lodi School District Outstanding Impact Award in 2010, 2016, and 2017; the George & Helen Hartzog Volunteer Youth Group Award; the Wisconsin Association for Environmental Education's Formal Educator of the Year Award; and, the NBC Crystal Apple award nomination.
He is very active in the Lodi community where he has served as a member and president of the Harmony Grove Association, as a Susie Days volunteer and as a youth basketball volunteer coach. He also operates "Second Chance Studio," a small business that creates artwork out of reclaimed lumber and other materials. He and his wife Diane have one daughter, Morgan, a small dog, and six friendly chickens.
Reservation information for the October 7 Fall Alumni Day and Brunch will be available in early August. For further information about these awards or the upcoming alumni events, contact Kathy Granger, Alumni Association president at 608.489.3629 or firstname.lastname@example.com. For more information about UW-Richland, visit richland.uwc.edu.


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We all have our own personal little doomsday scenarios that play out in our heads as we go through the motions of our lives. Some fear slicing off a finger in the kitchen, while others dread the possibility of a house fire, or being electrocuted. How many among us, however, are adequately prepared for a dental emergency? Most people will agree that it's not something that comes to mind often. Following these guidelines from our emergency dentist in Van Nuys will help you be prepared for the worst.
Most people hear the phrase dental emergency and think about tooth decay, gum disease, root canals, and a whole host of other maladies which tend to develop slowly over time and that are usually caught by our dentist while you're in our office for your semi-yearly appointment. To be clear, this is not what we refer to as an actual dental emergency. A dental emergency is defined by the suddenness and severity of the sustained injury and is characterized by the fact that it usually does not take place in a situation where a trained professional is readily available to address the damage. A tooth that gets knocked out while participating in sports, for example, is a classic example of a common dental emergency. Chipped and fractured teeth also qualify, as do accidents where the flesh of the mouth, cheeks, gums, or tongue become injured by the teeth, such as in the case of an individual biting through the delicate tissue while eating or talking.
In the same way that we must always be vigilant enough to toss a severed digit into a cooler full of ice when disaster strikes, we also must we be prepared to handle any emergency regarding our teeth. Many families have an emergency kit in their homes, both for medical emergencies and natural disasters. In this same way, it is highly recommended that an emergency dental kit be included in those precautions. It should include more than just a toothbrush, toothpaste, mouthwash, and a container of floss – like any ordinary medical emergency, some types of oral injury will involve an excessive amount of bleeding, so gauze and wound disinfectant should certainly be at the top of the list. In the case of an adult tooth lost through injury, some water and a vessel to carry it in is a good idea to have on hand as this will keep the root alive until you can get to a medical professional. Having your dentist's contact information included in the emergency kit is also a good idea.
Prevention is, of course, the best cure. If you have any more questions, give our office a call. Our Van Nuys dentist will be happy to give you all of the information you need.


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Expert review and test of the Castle Avon 4 Loudspeakers by Australian Hi-Fi Magazine. Free download.
When a company bills itself as 'the world's premier manufacturer of furniture quality hi-fi speakers' it's pretty obvious that it cares as much about the finish of its speakers as it does about their sound quality. So not only does Castle use real wood veneers, rather than faux ones, to build its speakers, it also uses crown cut veneers. And for all the greenies cringing at the thought of trees being cut down to create speaker cabinets, Castle sources its timber from managed forest resources. (And for those wondering what a 'crown cut' veneer is, it's where the timber is sliced parallel to the growth rings, which results in a 'crown' figure, usually with a straight grain pattern on either side. The alternative method is where the timber is sliced at right angles to the growth rings, which results in a straight line pattern and is called a 'quarter cut'.)
The 'crown cut' veneer means that no matter which finish you choose for your speakers—Natural Oak, Antique Oak, Black Oak, Walnut, Rosewood, Mahogany or Cherry—Castle's Avon 4s will look absolutely gorgeous in your home. But how will they sound? That's what we're all here in order
to find out…
The Equipment
The Castle Avon 4 uses an extremely unusual technique to deliver deeper bass than would usually be possible from a speaker of its size that is using fairly small (130mm-diameter) bass drivers… even though it does use two of them to deliver the bass.
Instead of using a standard bass reflex or infinite baffle cabinet, the Castle Avon 4 uses a transmission line cabinet. The differences between the three cabinet types involve the way the energy from the rear side of the driver cone is handled, which is very important because the rear of the driver cone delivers around the same amount of acoustic energy as the front of the driver cone.
In an infinite baffle enclosure, the energy is simply retained inside the cabinet, so you never get to hear it at all. It's wasted. In a bass reflex design, the acoustic energy from the rear of the driver excites the volume of air inside the cabinet, which is in turn used to send bass energy through a small opening ('port') in the cabinet to augment the bass from the front of the cone. In a transmission line design, the energy from the rear of the cone is funnelled through a very long tube inside the cabinet before being 'transmitted' into the listening room, usually via a slot.
Nearly all speaker designers agree that the transmission line delivers superior bass to the other two methods, delivering deeper bass (usually around one octave deeper) and with far less distortion, but another benefit of the transmission line is that it works well at all volume levels, whereas bass reflex designs tend to not work as well at very low and very high volume levels as they do at average volume levels.
So why are transmission line designs so rare? First, it makes the cabinet more expensive to build, because it has to contain internal ducting that's critically damped with acoustic fill. Second, the type of bass driver used to energise a transmission line requires different parameters to those used for infinite baffle and bass reflex designs. This makes them more expensive to buy because since they're only used in transmission line designs, they're built in only small quantities, so manufacturers building TL speakers don't get to take advantage of the cost benefits of mass production.
Now you know what a transmission line is, I have to point out that the Castle Avon 4 is what Castle says is a 'twin drive transmission line' which is a design it says it developed 'after a three year investigation into the acoustics, mathematics and performance aspects of transmission line loudspeakers.' The difference appears to be that whereas a traditional TL design is driven only at one end of the line, Castle adds the output from the rear of a second driver into the same line, but part-way along its length.
According to Castle this technique delivers all the advantages of a transmission line but eliminates one of the disadvantages—namely the requirement to meticulously place damping material throughout the line—and enables higher sound pressure levels at the line's output than usual, due to there being less energy lost inside the line.
As yet, Castle has yet to release detailed technical information about TDTL, but the lower bass driver is at the start of the transmission line, which runs up behind the front baffle, where it picks up the output from the rear of the upper bass driver before heading off down the line to the base of the speaker, where it's turned around and sent back up to the exit on the front baffle.
This means that, according to my 'back of an envelope' calculations, the transmission line in the Avon 4 is around 2.4 metres long with an average cross-section of around 140×110mm and an exit area of 57.5cm². The fabric covering the exit is 132×68mm.
As for the other aspects of the Castle Avon 4's design, it's a true three-way loudspeaker with the two bass drivers (C-037)crossing to a 115mm-diameter carbon-fibre-coned midrange driver (C-031) and the high frequencies handled by a true ribbon tweeter. Castle uses overall basket diameters to specify diameter. The Thiele/Small diameters of the bass drivers are 110mm and that of the midrange driver, 93mm.
As for that ribbon tweeter, unlike a dome tweeter, which has a relatively high mass and a suspension system to allow movement, a ribbon tweeter has an ultra-thin 'ribbon' of metal foil suspended in a magnetic field. Because the mass of the ribbon is negligible (usually around one-tenth that of a fabric dome) and there is no suspension to restrict the ribbon's movement (it's only tethered at the ends, which are also the electrical contact points), a ribbon's response to electrical signals is virtually instantaneous, permitting its high-frequency response to be extraordinarily extended, without any unwanted resonant peaks in its pass band. However, because ribbon tweeters don't work well at low frequencies, (so much so that a high-slope crossover is often required) they're typically only found in three-way designs, such as this Avon 4.
The ribbon tweeter in the Avon 4 is made by Chinese manufacturer Fountek (its NeoX 1.0 model) and the reason it's called a 'true' ribbon is because it is. (It has to be called a 'true' ribbon, because some manufacturers call their planar magnetic designs 'ribbons' which they're not.) The problem with a 'true' ribbon tweeter is that it's very amplifier-unfriendly, and therefore must be driven via a transformer, rather than directly by the amplifier. The three coned drivers in the Avon 4 are made by Castle's owner, International Audio Group, which also owns Audiolab, Ekco, Luxman, Mission, Quad and Wharfedale. The Castle Avon 4s are manufactured at IAG's plant in Shenzhen, China.
All this manufacturing information is shown on the rear terminal plate, which is home to two sets of absolutely massive multi-way gold-plated terminals so you can separately access the LF and HF sections of the crossover. If you choose not to do this, Castle supplies two huge plate-like gold-plated buss bars in order that you can link the two sections. Internally, the crossover is also split, with one section (with a large iron-cored inductor, a 47μV bipolar capacitor and a 10-watt cermet resistor) located behind the lower of the two bass drivers, and the other section, with four 'Spirit'-branded MKP capacitors, one bipolar electrolytic, two cermet 5-watt resistors and a pair of inductors (one air-cored, one iron-cored), properly cross-mounted on the PCB located close to the tweeter.
Physically, the Castle Avon 4 cabinet is 955mm high, 180mm wide and 310mm deep, and weighs 17.6kg.
In Use and Listening Sessions
As with many modern speaker designs, the Castle Avon 4 is fairly tall and narrow, so it can be fairly easily toppled if given a hard shove, particularly from the side. Castle does supply a bottom plate that increases stability (it attaches via four large screws) but it increases stability only marginally. For maximum stability you could replace it with your own baseplate, using Castle's original as both a template and a style guide.
Once positioned, I found the ribbon tweeter was a little too low on the baffle to deliver best sound at my listening position, so I used the adjustable spikes that are provided by Castle to tilt the speakers backwards slightly so the tweeters were aimed exactly at my seated ear height. This solved one of the known failings of ribbon tweeters, which is that although their horizontal dispersion is exemplary, the same can't be said of their vertical dispersion, so it's always best to have them aimed at your ears to achieve the correct frequency balance.
It didn't take more than a few bars of listening to Bach's Passacaglia and Fugue in C Minor to realise that the bass of the Castle Avon 4 was extended well beyond what I'd expect given the size of the bass drivers and the volume of the cabinet. But it took a jazz recording (James Muller's 'Neurotica') to realise how well the transmission line integrated that extremely low bass with the upper bass. Whereas the bass of loudspeakers with sealed cabinets can sometimes sound too constricted across the midbass, and that from bass reflex speakers can be too flabby, the sound from the Avon 4 was 'just right'… and by just right, I mean effortlessly naturalistic.
The term 'effortlessly naturalistic' also described the Castle Avon 4's sound when it was reproducing midrange sounds, which are the most important in music, not least because this is where human hearing is most sensitive. Because the Avon 4 has its own dedicated midrange driver operating from its own sealed enclosure within the main enclosure, the performance of that driver is totally unaffected by that of the bass drivers. I heard this immediately when listening to Emma Swift's voice on her self-titled album. Her voice came through as if she were standing between the speakers, singing live: It was that real. In the last verse of Bittersweet Swift inadvertently moves closer to the microphone singing that very word, and when listening to the Castle Avon 4s I involuntarily moved my head backward when she sang it because she was so obviously moving forward. Wow! This album is also a beautiful demonstration of the smoothness and extension of the transmission line principle, due to the unusual combination (on King of America) of baritone and pedal steel guitars, against bass… and of course against Swift's own vocal.
If you haven't heard a true ribbon tweeter before, you're in for a treat with this one, because even though it's only a small one, it delivers beautifully sweet and uncoloured high frequencies that you don't have to be sitting in the sweet spot to hear perfectly. And the high-frequency extension is as extraordinary as the clarity—you can really hear the 'shimmer' in the sound of cymbals and the air around the harmonics of higher-pitched instruments is palpable. This was demonstrated to me perfectly when I listened to Rickie Lee Jones' classic Chuck E's in Love.
For me, the Castle Avon 4's greatest strength was its performance at normal and lower listening levels. It's no coincidence that most dealer and hi-fi show demos are at fairly loud levels, because this is where most speakers sound their best, yet when you're listening at home, it would be rare to listen at these levels. Bear this in mind when you're comparing the Castle Avon 4s against the competition, and ask not only for the listening levels to be matched, but also for the levels to be about the same as you'd use in your own home.
When you analyse all their advantages, it should be no surprise the Castle Avon 4s performed so well. The true three-way design, with the bass benefiting from the fluidity and extension that characterises the transmission line enclosure and the treble benefiting from being delivered by a true ribbon tweeter make for an aurally potent combination. Daniel Stiel
POSTCRIPT: If you intend to use a subwoofer in conjunction with the Castle Avon 4 speakers you will need to ensure correct integration of the subwoofer's output with that of the Avon 4s by setting the subwoofer's volume, phase and crossover frequency controls correctly. You can read an article on a simple, effective method of how to do that HERE
Laboratory Test Results
Newport Test Labs measured the frequency response of the Castle Avon 4 Loudspeakers as 40Hz to 30kHz ±3.5dB which, although it's just slightly outside the dB tolerance of Castle's specification (which is 45Hz~20kHz ±3dB) more than compensates by extending both lower and higher than Castle's claimed extension.
Looking at the response itself (shown in Graph 1) you can see that were it not for the tweeter rolling off a little above 15kHz, the ±dB tolerance could have been much tighter, because the response between 45Hz and 16kHz is within ±2.5dB. (Note that the trace shown on this graph is the result of two different measurements being spliced together at 1kHz. The response below 1kHz is the averaged result of nine individual frequency sweeps measured at three metres using a pink noise test stimulus. The response above 1kHz was measured using a gated sinus technique that simulates the response that would be obtained in an anechoic chamber.)
The director of Acoustic Design at IAG Group Ltd, Peter Comeau, and his team have managed to get the frequency response of the Castle Avon 4 extraordinarily flat across the midrange, so that from 150Hz up to 4kHz, the frequency response is within ±1dB. As for that roll-off above 15kHz shown in Graph 1 (and in Graph 2), that could have been a microphone/speaker positioning issue, because ribbon tweeters are highly directional. However, the roll-off occurs above the limit of hearing for most adult listeners in any case.
The high-frequency response of the Castle Avon 4 is shown in Graph 2 both with the grille fitted (red trace) and without it (black trace). You can see that the grille is truly acoustically transparent. The response is very slightly more linear without the grille, but the differences between the two traces are so slight that I'd recommend listening with the grilles on all the time, to ensure additional mechanical protection for the drivers.
The low-frequency response of the Castle Avon 4 is shown in Graph 3. Note that the level of the transmission line's output (red trace) has not been adjusted to compensate for the difference in radiating area between it and the bass driver. You can see that it starts delivering bass at 150Hz, and keeps delivering bass within 5dB of this level right down to 30Hz and is 7.5dB down at 20Hz. This makes it fairly obvious where the Avon 4's bass extension comes from, and seems proof enough that Castle's 'twin drive transmission line' is a genuine advance in transmission line technology.
The dual bass drivers have a very smooth response across their operating range, and their low-frequency output is extended, holding at almost reference level down to 70Hz before rolling off at around 12dB/octave. From 70Hz up to 260Hz the response is within ±1.5dB. The roll-off at 260Hz is due to the crossover point being at 280Hz. You can see the midrange driver kicking in at this frequency, so the electrical and acoustic crossover points coincide very neatly, suggesting that the drivers were either designed specifically for this design, or just extremely well-chosen.
Newport Test Labs' measurement of the Castle Avon 4's impedance is shown in Graph 4. As you'd expect, the impedance curve at low frequencies is atypical, due to the transmission line loading, with a single resonant peak at around 72Hz (12Ω) with a small 'shelf' at 28Hz at around 6Ω, after which the impedance drops to its minimum of 4Ω at 10Hz. In fact, except for the resonant peak, the impedance stays well below 8Ω right across the audio band until at around 12kHz it rises above this value and continues to rise thereafter—which makes the speaker very 'amplifier-friendly'. This rise in impedance is due to the transformer required for the ribbon tweeter, so you can see the ribbon starts working at around 5kHz. Although Castle specifies the 'nominal' impedance at 8Ω, it's able to do this because it also specs the minimum impedance (which it puts at 3.5Ω), which is kind of a loophole in IEC268-5. Newport Test Labs' tests put the minimum impedance at 4Ω and I would personally regard the nominal impedance of this design as being more like 4Ω, than 8Ω.
Newport Test Labs' measurements put the sensitivity of the Castle Avon 4 loudspeakers at 87dBSPL at one metre using its standard test methodology. This is 2dB lower than Castle's own specification (of 89dBSPL), but Newport Test Lab's technique is tougher on speakers than the method used by speaker manufacturers and almost always results in lower figures, so 87dBSPL is a very good result and means you will be able to achieve very respectable sound pressure levels in your listening room without requiring too much amplifier power.
The Castle Avon 4s didn't put a foot wrong in Newport Test Labs' measurements, returning a superbly flat and extended frequency response, good sensitivity, and an easily manageable impedance modulus.
Overall, an outstanding example of good speaker design. Steve Holding


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Shriram Chirping Woods, Apartments in Haralur Road, Bangalore | Review
3.7 Score
About SHRIRAM CHIRPING WOODS
Shriram Chirping Woods is Located at Off Sarjapur - Harlur Road. It is spread across 11 acres accompanied by calming lakes, offering 1BHK, 2BHK, 3BHK premium apartments and 5BHK penthouses. Its a breathtaking beauty of Luxury. Shriram Chirping Woods is providing a natural habitat and location advantage, Chirpingwoods has an explicit bag of amenities for pure indulgences which include amphitheatre, jogging track, a skating rink, senior citizen's park, basketball post
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SHRIRAM CHIRPING WOODS Apartments
quick facts
Shriram Properties
Harlur – Sarjapur Road
2018 Onwards
Total Area
11 Acres
Towers & Floors
17 Towers & G + 24 Floors
- Swimming Pool
- Billiards & Games Room
- Basketball Court
- Skating Track
- Jogging Track
- Gym
- Club House
- Children's Play Area
- Tennis Court
- Landscape Gardens
- Spa & Sauna
- Kids Pool
- Amphitheater
SHRIRAM CHIRPING WOODS Apartments
Location is everything
Located off Haralur – Sarjapur Road, Chirping woods is strategically located giving its select few the benefit and ease of commute.
about Shriram properties
Established in 1995, Shriram properties is a part of Shriram Group. The group has built an extensive presence across South India, with a diverse portfolio that consists of over 20 million sq. ft. of built-up space. The renowned group pursuits to deliver the highest standards of living. It aims to make optimal use of space, keeping in mind to provide the best in comfort and luxury, surpassing customer's expectations.
SHRIRAM CHIRPING WOODS Apartments
Starting from 38.5 Lacs* Onwards
Starting from 66.4 Lacs* Onwards
Starting from 89.75 Lacs* Onwards
SHRIRAM CHIRPING WOODS Apartments
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- Located on Haralur Road right off Sarjapur Road offering great connectivity to most parts of Bangalore city
- Ease of access to Whitefield, Maratahalli, HSR Layout & Koramangala areas
- Location makes Shriram Chirping Woods good for Personal use / Investment
- Good pricing for the area & Sarjapur Road comparatively
- Civic amenities are still under development in the vicinity
- Heavy Traffic while accessing ORR, Whitefield and Marathahalli junction
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text: This is the first time a rendering software like Arnold was implemented into Maya and from past experiences, Arnold is interesting. In the beginning Arnold to me seemed confusing and complex, and it still is, but it comes easy after knowing a basic understanding of it. The first thing that needs to understood in Arnold is that lighting is needed to see the rendered image, unlike normal Maya. In the normal Maya rendering software it produces a basic lighting throughout the project. This video is what I used to give me a basic understanding of how the lighting in Arnold works and how to use it effectively.


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Latitude:31.21564 , Longitude:29.95527
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21 Feb 2018 09:45
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Matthew wins British Grand Prix
World champion Nick Matthew described world number one James Willstrop as his "fiercest competitor" after beating his compatriot at the British Grand Prix.
Matthew saw off his fellow Englishman 4-11 11-6 11-9 11-5 at the National Squash Centre in Manchester on Monday.
It was 32-year-old Matthew's 25th victory in 50 PSA World Tour finals.
- 1. James Willstrop (Eng)
- 2. Nick Matthew (Eng)
- 3. Gregory Gaultier (Fra)
- 4. Ramy Ashour (Egy)
- 5. Karim Darwish (Egy)
"Everybody talks about James' racquet skills, but he's also the toughest and fiercest competitor I've ever played," Matthew said.
Willstrop, 29, had needed two hours to beat third seed Gregory Gaultier of France in the semi-finals, but Matthew added: "It doesn't matter what he's done before, his physicality is something to behold.
"I made a lot of errors in the first game, but I got it together in the end."
Matthew has now won his last 15 matches against Willstrop, who said: "It was a good quality match, we were both hitting the areas, and even if it maybe wasn't our sharpest it was still a good, enjoyable match.
"It was level and very tough. He managed to get through the crucial end of the third game better and that helped him push on in the fourth, where I couldn't quite get it together.
"There's some stuff I could have done better but he made it very difficult for me. All credit to him."


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The St Helens Star has moved back to the town, taking space in Century House on Hardshaw Street, St Helens, Merseyside.
The eight floor landmark building has undergone significant renovations since it was bought by landlord Crystal Hurstwood earlier this year.
The base provides a newsroom for the editorial team and office space for the multimedia sales executives.
The announcement comes weeks after wraps were taken off a vision to rejuvenate St Helens town centre over the next decade.
Key themes of the strategy include creating a professional quarter to grow business and developing more digital companies.
St Helens Star editor Andrew Kilmurray believes the new office will strengthen the newspaper and enhance a website with a rapidly growing audience.
He added it would also enable the Star to work with businesses to develop effective print and digital platforms to promote their key messages.
Andrew said: "The new office is an excellent, modern working space that puts us right at the centre of the action – and already we are reaping the rewards of being closer to the stories when they break and nearer to our readers and advertisers.
"We have been transforming our newsroom so that we are set up to offer a website with an up-to-the-minute news service. Our readers have responded to this and we now have one of the fastest growing digital audiences in the North West.
"I'm confident the new office will take us to the next level as we seek to reach even more readers while, under the direction of our new advertising manager Clare Fitzgerald, the multimedia sales team will work with businesses to provide them with the best, modern solutions to reach their customers."
The Star's new business address is: Suite 6.3, Century House, Hardshaw Street, St Helens.
– Ends –
Enquiries: firstname.lastname@example.com


text: Please play Mushroom Madness 3 on Game1001.co for free. Defend more mushrooms from hungry animals. Now with more enemies, weapons, explosions and fun!All copyrights and trademarks of this game are held by owners and their use is allowed under the fair use clause of the Copyright Law. If you believe we violating your copyrights, please advise us at firstname.lastname@example.com in order that we can solve the problems.


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Plug in. Switch on. Sparks will fly.
Fuse brings together four new short plays by some of the UK's most promising writers, brought to life by bright and bold creative teams.
The plays performed during the evening will be The Ascending by James Ernest, Volcano by Joe Houlders, Satellite by John Hunter and Boxes by Stacey Sampson.
Inspired by our co-production of A Raisin in the Sun, Fuse's emerging writers, designers, actors and composers will be pushing the limits of the collaborative process to forge electric new work for the Studio stage.
Presented by Sheffield Theatres' Resident Assistant Directors Charlie Kenber and Celine Lowenthal with designers Rebecca Cartwright, Carl Davies, Will Monks, Katherine Warman, Bethany Wells and Bob Wilson.
Ensemble cast - Alice Beaumont, Guy Burgess, Caitlin Drabble, Laura Lindsay, Alicia McKenzie and Joshua Miles (Romeo & Juliet).


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3 Reviews
April 3, 2018
Made this up for the family and we loved it. Doubled the recipe and used dried chilli flakes instead of minced chilli. Even my toddler liked it
Amy Ashworth
July 1, 2017
Absolutely wonderful. Perfect for the two fussiest men in my house. Nice kick in every mouthful. Doubled the recipe to feed four. Only put 3/4 of the garlic in which was perfect for us.
Rozi Pottsy
May 31, 2017
The look of disappointment on my hubbys face when I tell him we are having soup….
The look of astonishment on my face when he empties his bowl and asks for seconds.
In his own words "that was bloody good"
Thanks for your recipe Tara – it was really lovely
Please note that all comments are held in moderation and manually approved. It may be several minutes until you see yours. Please Do Not resubmit your comment during this time.


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The TYF Courtyard
The perfect space for conversation, engagement and reflection.
After a long day of adventure, there is no better way to wind down and relax than coming back to the TYF Courtyard for a slice of stone-baked pizza and a beer. We've created a relaxed environment for you to enjoy – opening at 5pm till 10.30pm.
Dusty Knuckle Pizza
Award-winning Cardiff friends Dusty Knuckle work hard to create beautiful tasty stone baked pizza to order within minutes.
Em & Nick's Coffee & Bakehouse
Em & Nick's Coffee & Bakehouse provide exquisite coffee and light food to eat up till 5.30pm, offering responsibly sourced ingredients, a great choice of rolls and fillings, catering for all tastes.
The TYF Cabin Bar
The Cabin bar serves refreshing bottles of Welsh ale from Untapped Brewing company, Gethin's Pembrokeshire Cyder along with a range of Lurville's soft drinks. Plenty of inside and outside seating for all weather, with a campfire pit and great adventurous folk to keep you company.


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If there is one thing I've grown used to as I study writing in college, it is the jokes cracked when I answer the question, "What's your major?"
My indignation and annoyance at these jokes is generally met with an eye roll and varying responses, usually along the lines of, "Oh, I was just kidding. Can't you take a joke?"
However, my absolute favorite response is, without a doubt, "I mean, it's true."
Despite the incredible ignorance of this statement, I'm not going to inform it. At least, not in this post. However, I am going to explain my own reaction.
What I've heard from so many of my friends (or random people) who make fun of my major is, "You can't do it." No, those aren't the words that come out of their mouth, but it is what they are saying. My major teaches me the importance of words and how they can change the way people around us see themselves.
I know that writing is a difficult and competitive profession, but so are most. Success involves setting goals and taking them and yourself seriously enough to get to where you want to be, just as it is in any other career. It involves knowing when a project has failed and not letting it keep you from succeeding in the future.
My major is not the butt of your joke. The butt of your joke is when my success makes it ironic. When the success of thousands of other writing, english, or literature majors make your joke fall flat.
Telling me that I am majoring in unemployment or will be a barista for the rest of my life is you assuming that I will fail as a writer. You assume that I am not good enough to succeed or that I don't have enough drive to succeed.
As a side note: You're also being a jerk to the person who makes your coffee in the morning. By saying that only people who are not successful in other careers would ever choose to work in a coffee shop devalues their personal success and what they do. Let's give all the baristas in the world a day off and see how productive the professional world is then.
In conclusion, anyone out there who is thinking about any creative major, this is for you:
You can do this. You are not condemning yourself to a life of unemployment. There are more jobs and careers out there for writers, artists, actors, and other creative professionals than the general population might let you think. Your professors will talk about all the different kinds of writing there are or how you can use literature to help you relate to the people around you.
It's not going to be easy, but it is most certainly possible.


text: Your photographs should reveal your love story. We believe every photographs should speak about the moments. Equipped with the most modern and sophisticated photography gears, we can proudly say that our wedding photographers are the best in the industry. Pre-Wedding shoots, Wedding candid shoots, Post Wedding Shoots are done in the most beautiful ways possible. We provide an array of choices for the final album out, from matte finished multi paged album or a coffee table album we prove our class!


text:
- Term Type
Art & Architecture Thesaurus
- Preferred Term
- Details
Members of a genus containing two species of blue or green birds having a train of tail feathers that are colored a brilliant metallic green, each tipped with an eyespot that is ringed with blue and bronze. Peacocks have been kept as ornamental birds for centuries. The bird was a symbol of eternal life in the antiquity, due to the belief that its flesh did not rot. It has also been a symbol of pride. Traditionally classified as members of the Phasianidae family, but scientists now believe that the peafowl and Phasianidae do not share the same ancestry. Peafowl and their allies are a very ancient isolated group with no near allies; their family is classified separately as Pavoninidae in some systems.
- Variations


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Recently I bought the amethyst Caroline Najman bracelet from Lafayette Galleries in Paris. My friend and I stopped in our tracks when we saw the delicate gold chains with faceted semi-precious stones. Her designs are stunning and ever so pretty.
Her bracelets actually fits my bony wrists. A rare treat so I couldn't resist. And who said gold jewelry looks cheap? Pfffttt!!!
The vintage enamel and diamante snake cuff is from a charity shop. Even with a few missing stones, I think it still makes a statement.
And my most recent purchase is an engraved hinged bangle from the 60s. I bought it from a little old lady at Hampstead markets. Her vintage jewelry was divine and I had to buy something beautiful that no one else would be wearing.
Once I decided on a bangle, there was a small dilemma on silver or gold. The gold bug bite from Paris took effect and now I'm converting. More gold to come!
Just need some advice since I can't bear to take off my silver rings - is it OK to mix gold with silver?


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Pizza Hut "Fun"draiser Feb. 9
Laurel Hotelling turns 53 years old in February, and everyone is invited to help celebrate the occasion by supporting the annual event that bears her name.
All day long on Tuesday, February 9, the Pizza Hut on Vineyard Drive in Dunkirk will host a "Fun"draiser in honor of Laurel. The restaurant is ready to donate 20 percent of the cost of each order to Laurel Run, an event created by Laurel's parents, Wayne and Elaine Hotelling of Silver Creek.
The 20th annual Laurel Run takes place July 15 and 16. Laurel Run celebrates the achievements of people with disabilities like Laurel, who has Down syndrome. Laurel has a job at The Resource Center's Mary Andrews Center on East Chestnut Street in Dunkirk, and Laurel Run seeks to raise public awareness about the potential that exists within everyone who has a disability.
Laurel Run consists of a Jamestown-to-Dunkirk relay run on Friday, July 15. The following day in Silver Creek, there will be running and walking events, plus a party in the village square. Money raised through Laurel Run is directed to Filling the Gap, Inc., which works with The Resource Center and TRC Foundation to support people with disabilities in Chautauqua County.
Please be aware that for the Pizza Hut "Fun"draiser, you will not receive a discount on the cost of your meal. Instead, 20 percent of what you pay for your meal will be donated to Laurel Run. Money raised through Laurel Run supports employment and work training opportunities for people with disabilities.
To have Pizza Hut donate 20 percent of your order to Laurel Run, you must fill out the form below and give it to your server. Pizza Hut likely will have extra forms on hand, so if you forget to bring the form with you, notify your server that you are there to support Laurel Run. The fund-raising promotion also applies to carryout orders, so if you order by phone or online, tell your server you are supporting Laurel Run when you arrive to pick up your order. The Pizza Hut is open from 11:00 a.m. to 11:00 p.m.
For more information on the Pizza Hut event, phone the restaurant at 672-4044. If you have questions about Laurel Run or would like to become involved in this year's event, phone The Resource Center at 661-4735 or call the Hotellings at 934-3952.


text:
Friend's Email:
Subject: I have found a CD that I think you would enjoy
Out West
Genres: Alternative Rock, Pop, Rock
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Similar CDs
CD Reviews
Not for Gomez fans and faithful
D. Glasson | Cleveland, Ohio | 12/24/2005
(2 out of 5 stars)
"This album disappoints. The album is poorly mastered and the songs do not do justice either to Gomez's sound in concert or to that on their albums. Gomez favorites, such as Free to Run or Make No Sound, lack the special licks that made them stand out. No violin, no intricate chord progression; the detail is missing, and the bass overwhelms the composition that you expect from Gomez. Overall, the album sounds flat and lifeless."
Stellar Live Act
K. W. Schreiter | Conshohocken, PA | 11/29/2005
(4 out of 5 stars)
"I've attended multiple Gomez shows and this 2 CD set definitely captures their energy. Three January 2005 concerts in San Francisco were condensed into one show-length setlist for this release. Luckily over half the songs come from the first two Gomez albums, classics that the band has failed to match. "Here Comes The Breeze" and several others clearly eclipse their respective studio treatments."
Fantastic Live album from one of the best bands of the new m
Duke | New Zealand | 07/29/2006
(5 out of 5 stars)
"Into the new millennium and Gomez together with Muse, Mercury Rev, Elbow, Coldplay and The Flaming Lips (from "Soft Bulletin" (1999) onwards) were the bands that really excited me the most. (Previous to these recent years Kings X and Dream Theater "did it for me" in the 90's, Marillion were "my 80's" band together with Simple Minds, Big Country, Waterboys and U2. My 70's favorites were largely Genesis, Rush and Jethro Tull.
This live album from 2005 is, for me, a summation of what is great about Gomez. Two great and distinctive lead singers, fantastic musicians who play great rock music. The first Gomez album I bought was "Liquid Skin" (their second) in 1999 and shortly after that got their tremendous debut "Bring it on" from 1998. Six tracks from each of these are here live with, for me, the highlight being a stellar performance of "Here comes the breeze" (from Bring It On). Two tracks from "In Our Gun" (2002), three from their 2004 effort "Split the difference", a cover of Tom Wait's "Going Out West" plus Nick Drake's "Black Eyed Dog" (a "combo track with Gomez "Free to Run" from "Bring it on" and a B side track "Do's and Don'ts" round off a tremendous live album.
Certainly one of the great live albums of the new millennium from one of the great bands of these modern times, a tremendous experience in today's age - real musicians playing real instruments and playing with energy and passion in front of a very appreciative audience at the Fillmore in San Francisco.
Certainly one of my favourite live albums over the last 35 years here are some of my other favourites...
- "How the West was won" from Led Zeppelin (1972)
- "Made in Japan" from Deep Purple (1972)
- "Yessongs" from Yes (1973)
- "Welcome back my friends" from ELP (1973)
- "Too late to stop now" from Van Morrison (1974)
- "On your feet or on your knees" from Blue Oyster Cult (1975)
- "Live in London" from Bruce Springsteen (1975)
- "One more from the Road" from Lynyrd Skynrd (1976)
- "Frampton comes alive" from Peter Frampton (1976)
- "Live Bullet" from Bob Seger (1976)
- "Seconds Out" from Genesis (1977)
- "A Live Record" from Camel (1978)
- "Bursting Out Live" from Jethro Tull (1978)
- "Two for the Show" from Kansas (1978)
- "Playing the fool" Gentle Giant (1978)
- "Waiting fro Columbus" from Little Feat (1978)
- "Strangers in the Night" from UFO (1979)
- "Live Rust" from Neil Young (1979).
- "Paris" from Supertramp (1980).
- "Exit...Stage left" from Rush (1981)
- "Under a blood red sky" from U2 (1983)
- "Stop making sense" from Talking Heads (1984)
- "Live in the city of Light" from Simple Minds (1986)
- "Live adventures of the Waterboys" from the Waterboys (1986)
- "Operation Livecrime" from Queensryche (1991)
- "Without a safety Net" from Big Country (1992)
- "Secret World Live" from Peter Gabriel (1994)
- "Together in Concert" from Tim Finn, Dave Dobbyn, Bic Runga (2000)
- "Live Scenes from New York" from Dream Theater (2000)
- "Hullabaloo" from Muse (2002)
- "Out West" from Gomez (2005)
- "Instant Delivery" from Flower Kings (2006).
- "Okonokos" from My Morning Jacket (2006)
I really enjoy this album (especially up loud when driving), if you do get it I hope you do to.


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Write Act Repertory's production of Mary Shelley's classic Gothic horror classic is a sweeping, romantic musical faithful to the novel in its exploration of the question: "Without love, what is life?" More…
Having lost his mother at a young age, Victor Frankenstein seeks to end man's mortality, and arrogantly begins an experiment to challenge the laws of nature itself. But when he succeeds in creating new life out of dead flesh, he is horrified by his creation, and refuses to provide the monster with the bride he demands. 'Frankenstein' remains a potent parable for the dangers and responsibilities that come with creation, and the human need for love and companionship.
"'Frankenstein' is the perfect imbalance of monster and man...This Gothic beauty of a novel is spectacularly transposed onto the stage in this production...More than a successful attempt at creating Shelley's masterpiece upon the stage: it is a success of a show that should be considered something great in the realm of musical theater...Everything about the production is well done...This wonderfully talented cast comes together." Full Review
"It's really good, a lively and entertaining stage response to Ms. Shelley...Hromsco has directed the show with a great, refined sense of fun...The scene in which the Creature comes to life is played to great effect...Just as we want - but we never feel like we've seen it before, and it's never heavy-handed...The cast does a good job...The script is smart...The music is suitably varied, with some handy duets, if not particularly memorable. It relishes melodrama." Full Review
"The cast, especially the three leads, handle a soaring new score with flawless and often breathtaking technique...If the measure of a musical is its music, then 'Frankenstein' measures all the way up...We're treated to some sincerely clever narrative devices once 'Frankenstein' gets going...It was wise of the writer and production team to make this use of their ensemble's talents. While the leads' vocals really shine, the rest of the cast members carry the story effectively." Full Review
"The strength of Sirota's production is in its vibrant music...Some scene transitions were clunky. But the striking visual tableaus on stage compensated for the musical's rough patches...An ambitious theater piece that is refreshingly buoyed up by its music. If it doesn't delve into all the nooks and crannies of the Frankenstein myth, it adds a new stripe to the horror story by underscoring the romance of Victor and Elizabeth." Full Review
"Sirota's musical isn't bad. The piece explores in depth a few elements that have gotten short shrift in previous adaptations, and Sirota's script creates interesting nuances through parallel scenes and echoing lines...It focuses heavily on the romance...at the expense of other important points...Bristoll's Creature is so expertly-played, he almost succeeds in closing the gap...Sirota's experiment may not have succeeded 100%, but it's an enjoyable retelling." Full Review
"Sirota imbues his show with the serious philosophical underpinnings of Shelley's original...Even with capable performers, the more adult approach comes up short...The melodies at St. Luke's are sometimes enjoyable, if not so striking...Director Clint Hromsco tries to inject some chills later on but fumbles them...As canny as Sirota may be about structuring a musical, the result fails to reanimate the story with thrills to match its existential struggles." Full Review
"Erick Sánchez-Canahuate brings heartfelt emotion and humanity to his portrayal of the infamous Creature...Unfortunately, the rest of the cast is not as convincing in delivering a believable connection to the familiar characters or their feelings, due in part to Sirota's simplistic dialogue, trite lyrics, forgettable tunes, and unimaginative rhymes...This musical adaptation lacks the overall depth, tension, fluency, and spark of originality that made Shelley's story a classic." Full Review
"The new musical of 'Frankenstein' unfortunately never quite comes to life. The show drags its way through Shelley's familiar tale without adding anything new to the myth...Each actor appears to be starring in their own little private musical, and always worlds apart from whoever they share a scene with...It doesn't help that the songs do little to move the piece forward, as the score is comprised of forgettable melodies with inelegant rhymes that clunk, rather than roll, from the actors' lips." Full Review
See it if Impressive show. Well done, the acting was impressive... very well done.
Don't see it if if you don't like small theaters...the chairs were a bit uncomfortable.
See it if Like off-Broadway, small, intimate theater experience. Good acting & singing.
Don't see it if You are expecting big budget, lavish productions. Small theater with tightly packed seats.
See it if Romantic view of creature who longs for love. Lyrics tell a good story, although some songs a little long
Don't see it if Don't expect a Broadway set at St Lukes but they make the best of the space. Some voices are good. Some, so-so
See it if you enjoy a well staged musical version of the Frankenstein tale. The 2 male leads were good and had some good musical numbers.
Don't see it if you don't like the Frankenstein tale. The female singers had small voices, not always in key. Sit closer to the stage to hear them.
See it if You want to see an interesting take on the story with empathy from the Monster's point of view.
Don't see it if You want a full-fledged production. It is a small space overtaken by a set that limits the actors. Also some of the leads singing was rough
See it if if you like overwrought melodrama with clunky lyrics and cheesy dialogue and aren't too critical of the performances.
Don't see it if you expect polish, professionalism or credibility, or want to go away feeling like you had a really entertaining evening.
See it if If you like the Frankenstein story.
Don't see it if Bad singing, staging and very boring at times. The lead was not good.
See it if you have absolutely nothing better to do on a Monday night or are related to someone in the cast.
Don't see it if you value good acting and music that excites and sounds good
See it if You love the story of the monster created by Mary Shelley one summer on a challenge from Lord Byron to her and poet Percy Bysshe Shelley.
Don't see it if you can't imagine what the show might become with a truly talented cast, a good director, orchestral arrangements, and a lot of work on
Also the book. The show needs a lot of work but the woman next to me just l... Read more Read less
See it if If you enjoy musicals, this may appeal to you, but perhaps it was too heavy on the music side and not strong enough on the actual dialogue.
Don't see it if You get bored easily or find it hard to sit through a multitude of songs
See it if you enjoy hero/villain with a twist; you don't expect a lot from your play choice; you are a 'Frankenfreak' and will see anything "Shelley";
Don't see it if you want top production values;
Also This is a show that is almost there -- it needs some re-working, but t... Read more Read less
See it if You are a fan of the actors as they are trying their best.
Don't see it if you want a fully fleshed out musical. The talent is definitely there, but it felt more high-schoolish to me?
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text:
Merry Christmas, Victoria
Victoria yearns for the love of one special man. However, rancher Cade Hollister treats her as a friend, so she follows his lead. As she works alone in her cold dress shop on Christmas Eve, he stops by to visit, and walks her home. At the door, he gives her an unexpected kiss.
Cade has loved Victoria for a long time, but he's never found a way to tell her. This Christmas, though, he takes a chance. Will his surprise gift make her understand how much he loves her?
Wishes Do Come True
Ross Davis has been in love with Anna Morrison for years, and he believes she feels the same. But every time he's asked her to marry him, she sadly rejects his proposal. Determined to ask one final time and learn the reason for her refusal, they both learn something about each other that changes everything.
On this blustery winter night, the secrets each of them has kept are told, and Anna learns that Wishes Do Come True!
The Cattlemen's Ball
Cattleman Ryan Cameron attends The Cattlemen's Ball after the big sale. He's done well at the auction, but when it comes to dancing, he doesn't know how—so he asks a beautiful girl to teach him! Miss Olivia Westmoreland is instantly taken with the young, handsome cattleman and all too happy to show him the steps he needs to know.
When Ryan's rival, Paul Wellington, tries to steal Olivia away the night ends on an unexpected note for everyone, and The Cattlemen's Ball will never be the same!
Kailey Lovelace, maid of honor in her brother's Christmas wedding, hopes the best man Alex Dunn won't bolt when he sees she is six feet tall and has frizzy blond hair. At the airport, she almost loses her breath when she learns he's even taller and looks like a dream. If only he likes her enough for the week of the wedding to go smoothly.
Alex Dunn, recently discharged from the Army, can't believe his good luck when he meets his partner for the wedding. Kailey is just the right height and gorgeous, as well. He looks forward to a pleasant week in Texas.
What could possibly go wrong?


text:
To: Dean Sanpei,
Subject: Leg Alert - ACTION: Con-con, school board elections, caucus convention
Date: Thu Mar 06 22:16:35 MST 2014
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text:
Thank you Thanksgiving
I had a great time out in Sequim WA visiting with family. I think my favorite was the bounce house Ron and Linda had. Great investment to wear the boys out!
Jango helped wear Rollie out. For the first time when he got home he put himself to bed!