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Germanfest 2019 Events!
Willkommen zum Germanfest 2018!
The Daily Calendar of Events
Please click below to list a complete schedule for that day!
Sunday June 3th
Monday June 4th
Tuesday June 5th
Wednesday June 6th
Thursday June 7th
Friday June 8th
Saturday June 9th
Sunday June 10th
Festival Pavilion & Bier Tent Hours:
June 6th – 10th
Festival Pavilion & Bier Tent Hours:
Wednesday & Thursday 11am – 11PM
Friday & Saturday 11am – 1am
Sunday 11am – 5pm
2 p.m. – 5 p.m. = $2.00; After 5 p.m. = $5.00
Children Under 14 Admitted Free with Parent or Guardian
All Military personnel with I.D. admitted Free of charge.
Minors must be accompanied by parent. No one under 21 permitted after 9:30 p.m.
Everyday Wednesday Thru Saturday enjoy these artists that add a whole lot of fun to Germanfest!
11:00 a.m. – 9:00 p.m.
Headwaters Park Festival Plaza and Headwaters Park Lower Level
by Steve and Linda Spreng
with A BALLOON ABOVE
Get yourself immortalized by talented artist Randy Martin! http://caricatures-by-randy.com
Expert face painting provided by Kristen and Sandy
of Mystic Brush LLC


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Business owners who are interested in opening an online store may want to take a look at the benefits offered by Foldingcartstore.com. The company makes it easy to set up a store that customers can navigate through to find the items they want in a short amount of time.
Folding Cart Store also offers folding utility, shopping and laundry carts with two or four wheels, swivel and non-swivel.
Once small business owners are ready to start putting together an online store, they can contact Folding Cart Store via phone or email to have their questions answered by a customer service representative.
Customers are encourage to visit the Folding Cart Store website for additional information or to speak with a representative.

subset: commoncrawl


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Hello Neighbor is a very different type of game than you may have expected. Then again, being different than what you're probably used to is also likely what brought you here in the first place. The sense of curiosity that's been known to kill the cat, or in this case the neighborhood vibe of a suspenseful Alfred Hitchcock film meets puzzle game and dash of Five Nights At Freddy's fan conspiracy community sprinkled on top without the annoying parts. It's like Five Nights At Freddy's for adults, but it's so much more.
This game seems to exist within its own realm and as such follows its own rules of logic. A lot of time is spent fighting with your own mental patience or lack thereof. Gamers who take a calm and calculated approach and like to pause and think before every action might beat the game quicker than those who have lots of energy.
Sometimes the right action seems so simple but any little mistake will have you running to get back to the point where you had an opportunity to test your theory. The result will just be a lot of failure and the enemy growing more prepared and aware of your thinking process. The controls and physics of the game sometimes cause problems which aren't your fault as well.
Many abstract moments leave the player constantly guessing what's going on, but that's the genre of mystery / adventure games that have recently cropped up. There's a huge audience for it, but if you need something like a clear narrative, gunfights, or magic spells to keep you interested – it might not be for you. Instead, Hello Neighbor is a bizarre and artistic piece of content which can drive you borderline insane with spirit like a creepypasta.
With that being said, the more players search around in this game the more questions they discover. It is often nearly impossible to figure out the solution to any given puzzle within the game. Reaching a checkpoint from which to try again is few and far between, and you'll have to sneak / strong-arm your way back to where you left off in most cases. But that only seems to build up a growing craving for figuring this title out and a massively rewarding sensation anytime some major progress has been made.
To start out, players are greeted with a mysterious house – and a suspicious neighbor who will chase them off of his property whenever discovered. However, this neighbor is very busy and patrols around a lot. Giving chances to learn blind spots in his defenses. That's not all you'll have to do though, as his defenses will adapt to your tactics. Every time you fail, the game becomes harder.
Skills are gained through trials in the game. The FEAR Supermarket for example will have a series of levels within the house (the house is way bigger than it seems) and each one can give a special ability. Invisibility while crouching. Double Jump. Boss Battles – Platformer Battle System. Multiple Basements. These are features only an elite number will face after victoriously trudging through the game's many, eerie, silent moments of puzzling fury.
Sometimes the right action seems so simple but any little mistake will have you running to get back to the point where you had an opportunity to test your theory. The result will just be a lot of failure and the enemy growing more prepared and aware of your thinking process. The controls and physics of the game sometimes cause problems which aren't your fault as well.
This is a game that likes to drive you mad. It's definitely a high quality entry in a strange, interesting genre that has emerged. Finding out the secrets within the title by endless trial, error, bravery, and all around silliness becomes highly entertaining. Introduce a friend standing close by watching, or just play in late hours of the night with the lights off. It's a very fun experience.
All in all, this is a secret-finding game. Tons of side-content that would seem like non-content to most people is also hiding and waiting for creative minds to interpret it. You might have to be a little bit twisted to fully appreciate the game.
Hello Neighbor transcends itself beyond the fan conspiracies, Easter egg hunting, and platformer adventures though. It continues to tell a story as the title goes onward, albeit through bizarre abstract format. This game is a piece of interactive art and serves to express a mindscape in video game format.
Some areas of improvement would be risky to suggest as it could potentially threaten to undo the magic of the game. But the nagging feeling that slightly more content or more narrative guidance could be given won't shake from most people's minds while playing. The full mod support Dynamic Pixels has given the community could help a great deal with longevity and addressing any subtleties mentioned.
Official Trailer:
Rating: 7.5 / 10
RGN Rating: Bronze Game
Developer: Dynamic Pixels
Publisher: tinyBuild Games (PC), Gearbox Publishing (Xbox)
Available On: Steam (PC/Mac)
Played On: PC (GTX 1080/Intel i7)
Also Available On: Xbox ONE
Release Date: December 8, 2017
Review Copy Info: Two digital copies of this game were provided for free to RealGamerNewZ by the publisher for the purpose of this review.
Editor's Note: RealGamerNewZ has moved web servers, some older posts can no longer be commented on and have been preserved without their images. Thank you for your understanding in this matter. This article was written by Jon Ireson on 20171211 and was last modified on 20171211 .


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Single Wall Oven Cabinet
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As adjective
only one in number; one only; unique; sole:a single example
of, relating to, or suitable for one person only:a single room
solitary or sole; lone:He was the single survivor
unmarried or not in a romantic relationship:a single man
pertaining to the unmarried state:the single life
of or noting a parent who brings up a child or children alone, without a partner
of one against one, as combat or fight
consisting of only one part, element, or member:a single lens
sincere and undivided:single devotion
separate, particular, or distinct; individual:Every single one of you must do your best
It's the single most important thing
uniform; applicable to all:a single safety code for all manufacturers
(of a bed or bedclothes) twin-size
(of a flower) having only one set of petals
of standard strength or body, as ale, beer, etc
Compare double (def )
(of the eye) seeing rightly
As verb (used with object), singled, singling
to pick or choose (one) from others (usually followed by out):to single out a fact for special mention
to cause the advance of (a base runner) by a one-base hit
to cause (a run) to be scored by a one-base hit (often followed by in or home)
As verb (used without object), singled, singling
to hit a single
As noun
one person or thing; a single one
an accommodation suitable for one person only, as a hotel room or a table at a restaurant:to reserve a single
a ticket for a single seat at a theater
a one-way ticket
a steam locomotive having one driving wheel on each side
singles, people who are unmarried or not in a romantic relationship, especially if relatively young:It's not uncommon for singles to feel lonely on Valentine Day
Also called one-base hit
a base hit that enables a batter to reach first base safely
singles, (used with a singular verb) a match with one player on each side, as a tennis match
twosome (def )
a hit for which one run is scored
a one-dollar bill
a phonograph record, CD, or cassette usually having two songs: I probably won't buy the single
one of the songs recorded on a single: a hit single
a song released or promoted separately from the rest of the album to which it belongs: A viral video put that single back on the charts
Often, singles
reeled or spun silk that may or may not be thrown
a one-ply yarn of any fiber that has been drawn and twisted
As noun
any of various permanent upright constructions having a length much greater than the thickness and presenting a continuous surface except where pierced by doors, windows, etc
: used for shelter, protection, or privacy, or to subdivide interior space, to support floors, roofs, or the like, to retain earth, to fence in an area, etc
Usually, walls
a rampart raised for defensive purposes
an immaterial or intangible barrier, obstruction, etc
, suggesting a wall:a wall of prejudice
a wall-like, enclosing part, thing, mass, etc
:a wall of fire; a wall of troops
an embankment to prevent flooding, as a levee or sea wall
the outermost film or layer of structural material protecting, surrounding, and defining the physical limits of an object:the wall of a blood cell
a line of defenders standing shoulder to shoulder in an attempt to block a free kick with their bodies
the side of a level or drift
the overhanging or underlying side of a vein; a hanging wall or footwall
As adjective
of or relating to a wall:wall space
growing against or on a wall:wall plants; wall cress
situated, placed, or installed in or on a wall:wall oven; a wall safe
As verb (used with object)
to enclose, shut off, divide, protect, border, etc
, with or as if with a wall (often followed by in or off):to wall the yard; to wall in the play area; He is walled in by lack of opportunity
to seal or fill (a doorway or other opening) with a wall:to wall an unused entrance
to seal or entomb (something or someone) within a wall (usually followed by up):The workmen had walled up the cat quite by mistake
As Idioms
climb (the) walls, Slang
to become tense or frantic:climbing the walls with boredom
drive / push to the wall, to force into a desperate situation; humiliate or ruin completely:Not content with merely winning the match, they used every opportunity to push the inferior team to the wall
go over the wall, Slang
to break out of prison:Roadblocks have been set up in an effort to capture several convicts who went over the wall
go to the wall, to be defeated in a conflict or competition; yield
to fail in business, especially to become bankrupt
to be put aside or forgotten
to take an extreme and determined position or measure: I'd go to the wall to stop him from resigning
hit the wall, (of long-distance runners) to reach a point in a race, usually after miles, when the body's fuels are virtually depleted and willpower becomes crucial to be able to finish
off the wall, Slang
beyond the realm of acceptability or reasonableness: The figure you quoted for doing the work is off the wall
markedly out of the ordinary; eccentric; bizarre: Some of the clothes in the fashion show were too off the wall for the average customer
up against the wall, placed against a wall to be executed by a firing squad
in a crucial or critical position, especially one in which defeat or failure seems imminent: Unless sales improve next month, the company will be up against the wall
up the wall, Slang
into an acutely frantic, frustrated, or irritated state:The constant tension in the office is driving everyone up the wall
As noun
a chamber or compartment, as in a stove, for baking, roasting, heating, drying, etc
As noun
a piece of furniture with shelves, drawers, etc
, for holding or displaying items:a curio cabinet; a file cabinet
a wall cupboard used for storage, as of kitchen utensils or toilet articles:a kitchen cabinet; a medicine cabinet
a piece of furniture containing a radio or television set, usually standing on the floor and often having a record player or a place for phonograph records
(often initial capital letter) a council advising a president, sovereign, etc
, especially the group of ministers or executives responsible for the government of a nation
(often initial capital letter) (in the U
) an advisory body to the president, consisting of the heads of the executive departments of the federal government
a small case with compartments for valuables or other small objects
a small chamber or booth for special use, especially a shower stall
a private room
a room set aside for the exhibition of small works of art or objets d'art
Also called cabinet wine
a dry white wine produced in Germany from fully matured grapes without the addition of extra sugar
New England (chiefly Rhode Island and Southern Massachusetts)
a milk shake made with ice cream
a small room
a small cabin
As adjective
pertaining to a political cabinet:a cabinet meeting
private; confidential; secret
pertaining to a private room
of suitable value, beauty, or size for a private room, small display case, etc
:a cabinet edition of Milton
of, relating to, or used by a cabinetmaker or in cabinetmaking
designating a method of projection (cabinet projection) in which a three-dimensional object is represented by a drawing (cabinet drawing) having all vertical and horizontal lines drawn to exact scale, with oblique lines reduced to about half scale so as to offset the appearance of distortion
Compare axonometric, isometric (def ), oblique (def )
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© Maša Hilčišin, 2012
When we speak about documentary film-making in relation to a country that has survived war and conflict and is still today faced with nationalistic discourse and political and social disruptions, it is important to understand the nature of this conflict, its manifestations, and consequences. Documentary films are important platforms for addressing and raising these concerns in present-day Bosnia. Many human rights have been affected and violated by the war in Bosnia. Examining women's rights under such circumstances must be paired with an examination of the various societal transformations that took place during the conflict and in the aftermath. The prevailing social conditions and political chaos in most Balkan countries during the 1990s had a vast impact on women, including high unemployment rates and rising domestic violence. Women living in the region of the former Yugoslavia were faced with outcomes caused by war: mass rape, systematic violence, and the politicizing of patriarchy and machismo.
Many feminist and female human-rights organizations were founded during the 1990s, including Women in Black, Women for Women, and Center for Women War Victims. These groups dealt with wide-ranging issues, from nationalism, rape, and refugees, to political activism. Film, or more specifically, documentary film, often served as a platform where these social issues could be discussed, articulated, and analyzed. In the last two decades, female directors have made enormous strides in Bosnian cinematography and have enriched the burgeoning documentary film industry in Bosnia. Bosnian filmmakers today have a double role: to visually represent issues stemming from their own communities and to serve as activists in current political and social issues.
Bosnian documentaries, as well as main features, have dealt with a myriad of post-conflict issues regarding the fragmented realities of post-war Bosnia. Jasmila Žbanić's documentary After, After (Poslije, poslije, 1997) points out the complexities of recovering from war by making children the focus of the testimonies. Alma Bećirović's short film Survived 'nLived Through One More Day (Opst'o i ost'o jedan dan, 2002)showcases a woman who is trying to support her family by doing one of the most dangerous jobs in the city—clearing its minefields. Tales of front-line combat, mortar shelling, ethnic cleansing, mass rape, and massacres in Vukovar, Sarajevo, Srebrenica, and many other Bosnian cities and villages have been effectively communicated on film. Jasmila Žbanić's documentary Red Rubber Boots (Crvene, gumene čizme, 2000) follows a woman who is searching for her family buried in a mass grave. Žbanić's feature film Grbavica, Land of My Dreams (2006), which won the Golden Bear at the Berlin Film Festival, brought women who were systematically raped to the forefront of national discussion.[1] The film included powerful statements and implied evidence against mass rape. This was the first time such heinous crimes were depicted in a Bosnian film.[2] Until then, Bosnian society had refused to see victims of rape as war victims. Calling the Ghosts (1996) by Mandy Jacobson and Karmen Jelinčić depicted two women who survived life in the Omarska concentration camp. Finally, Sabina Vajrača's documentary Back to Bosnia (Na putu kući, u tuđinu, 2008) and Lidija Zelović's My Friends (Moji prijatelji, 2007) present its viewers with the completely destructive and violent reality of a segregated society, while Danijela Majstorović's documentary Counterpoint for Her (Kontrapunkt za nju, 2004) explores the consequences of human trafficking, and her The Dream Job (Posao snova, 2006) examines the role of woman in the turbo-folk industry.
The Poetic Recording of War
"The point is of course, that any cultural activity in Sarajevo is a sideshow for the correspondents and journalists who have come to cover a war. To speak at all of what one is doing seems—perhaps, whatever one's intentions, becomes—a form of self-promotion. But this is just what the contemporary media culture expects. My political opinions—I would go on about what I regard as the infamous role now being played by UNPROFOR, rallying against 'the Serb-UN siege of Sarajevo'—were invariably cut out. You want it to be about them, and it turns out—in media land—to be about you" (Susan Sontag, "Waiting for Godot in Sarajevo.")
Many Bosnian documentary films use the dramatic siege of Sarajevo as their main focus. Ecce Homo: Behold the Man (Evo čovjeka: Ecce Homo, 1994) offers a personal interpretation of the Sarajevo blockade. The film won a series of awards, and opened the World Peace Conference in Washington, DC, in 1994. Ecce Homo was the first war documentary that was shot on 35mm film. It was filmed over two years of the almost four-year period when Sarajevo was under siege. Vesna Ljubić recorded the blockade with her camera and in this way provided a testimony of the war documented through citizens of Sarajevo who were randomly picked for this project.
Gail Pearce and Cahal McLaughlin stress in their book Truth or Dare: Art & Documentary that "most often in the documentary tradition, the world rather than the filtering sensibility has taken precedence" (Pearce and McLaughlin, 2007: 14). Ecce Homo undertakes this objectifying role of recording the daily lives of people from a distance. The film shows the inner feelings of fear, showcasing people who are trapped between life and death. Ecce Homo has no voice-over or commentary on the horrors represented in the film. The only auditory elements in the film are fragments of religious music and the cawing of crows. In her film Ljubić combines the everyday reality of Sarajevo's citizens as they fetch water, escape snipers and shells, and wait in lines for food with images of death, fear, and uncertainty—bullet shells falling into a river where people are washing their clothes or boys and girls being hit by shells while crossing the street.
Video documentation of the war has played an important role in Bosnia's contemporary film history, not only because it archives historical facts, but because it acts as an external political and cultural channel for sharing information. As Dina Iordanova notes,
Certainly the cinematic image of Sarajevo from before the war differs significantly from the elevated one which emerged during the times of siege and conflict. The change came about mostly due to the work of various visual media. The suffering of Sarajevo granted this city an exposure which it would not have received had it been spared by the war. This exposure resulted in appreciation and respect for Sarajevo's martyred citizens, with a degree of attentiveness not normally granted to inhabitants of the region (Iordanova, 2001: 236).
Even though war documentaries deal with conflict, they do not necessarily have to show violence, but rather can use symbolic language, which, according to Peter Wollen, "offers the hope of liberation from the closed world of identification and the lure of the image"(Wollen: 2003). In Ecce Homo the "playing" with reality symbolically speaks to the viewer about citizens on the verge of existence, where the grotesque, tragedy, and comedy collide, blending together life, death, hopes, food, water, faces, fears, snipers and mortar shells. Rada Šešić defines Ljubić as an auteur who "tries to remain faithful to her own poetic style of expression, regardless of the dominant trends in documentary and cinema" (Aitken, 2005: 807). Ljubić brings us a very special film style in Ecce Homo. By combining tragedy with comedy and documentary with feature-film style, Ljubić is able to show the absurdity of one political moment. The film showcases the complexities of a particular moment in history—Sarajevo during the siege— and how its citizens are coping with the war and continue to live despite all the physical and emotional tolls.
What Happened After?
"We are not searching for somebody we don't know. We are searching for someone who is a part of our lives. Although we never met these people, we know who they were—how they lived their lives, what they were doing, how many children they had. Even if we have never seen them, never heard their voices, in these years of searching they have become close to us" (Red Rubber Boots).
In her documentary After, After Jasmila Žbanić captures the atmosphere in Sarajevo immediately following the war. Žbanić filmed first-grade students in the primary school Isak Samokovlija. This was one of the rare post-war documentaries to focus on children's testimonies about the war and how they live with this experience after. The film primarily focuses on Belma Katica, age 7, who survived two and half years in the Eastern Bosnian territory occupied by the Serb army. Traumatized, Katica moved to Sarajevo with part of her family in an attempt to live a normal life. Žbanić filmed the conversations with the children and their reactions to war, exile, and the loss of loved ones. The documentary broaches a tough question: how to explain the war and its consequences to children who have experienced it all so early in their lives.
A classroom teacher asks her pupils about their fears. One of the children responds:
Well, of a mortar shell. When it hits you, it hits you. When a shell kills you... then you are dead… I went to the graves of my father, my mother, my uncle... My mother was killed by a shell through the window and my dad was slaughtered... on the front line in Borije.
Žbanić uses children to give voice not only to the complexity of a society dealing with war trauma, but also to war experiences in an unfiltered way—from the point of view of a child. Children are the most vulnerable victims and usually the last to be asked about conflict and its consequences. Children recount these consequences in the most powerful and poignant way. They are uncovering the complex layers created by dominant nationalistic politics, without mentioning the words "nationalism" or "hatred."
With children, viewers can detect basic fears and emotions not "stained" by any political context. Theirs is essentially a shared experience about recent brutal events in their young lives, which remakes these stories into powerful testimony in this film. It is the pure experience of childhood that makes an even more powerful statement about the war experience—there are no elements of anger, hatred, or revenge in these young voices. The children are not interested in discussing the country's political state. Nor are they interested in talking about ethnic segregation or nationalism. Instead they offer viewers visceral shared emotions of fear and war trauma, clearly showing how such experiences affect their day-to-day lives. The camera in this film is observational and attentive, focusing on details as it films eyes, hands, glances, their bashfulness, and a child having difficulty sharing a painful experience. After, After questions whether society has the capacity to deal with war trauma and to help its children.
In her next film, Red Rubber Boots (Crvene gumene čizme, 2000),Žbanić portrays Jasna P. who is searching for her children (4-year-old Amar and 9-month-old Ajla) who were killed and buried in a mass grave. Žbanić follows Jasna while she inspects mass graves, hoping to find the red rubber boots that her son was wearing when he was abducted and taken from her. The film starts by showing pictures of some of the 8,373 missing people who had been found by the time of film production. The graves are well hidden, and it is often difficult to get information about their locations. Jasna is first shown driving through a tunnel on her way to a mass grave that has been discovered. Žbanić uses an observational approach, keeping her distance as a director, letting her subjects speak for themselves and allowing the story to develop at its own pace. Details, like the dog that is looking for a grave, or members of the Commission on Missing Persons sharing their feelings about this kind of work, give an "outside" perspective on the film's main theme. The director takes on the role of observer and gives the impression that she is not "directing" the film—a very common approach in observational documentaries. In this type of approach, reality can be defined as "caught unawares" (Hicks, 2007: 23). Such reality is simply "caught" by the camera where the director and the camera are merely observers. Social subjects already have their own "life roles," they do not need to "perform." Reality that is presented "unperformed" and spontaneous stresses the importance of the film's message over the "directing" of the film.
In essay "The Human Rights Film: Reflections on its History, Principles and Practices," Daan Bronkhorst (2004), discusses various levels of messages in visual presentations and documentary films. In her book Regarding the Pain of Others (2002), Susan Sontag notes that:
The effect of 'shocking' pictures is very hard to predict and varies greatly with individual, societal and cultural characteristics. Films are mostly viewed by an anonymous audience, far out of the reach of the filmmakers. They may inspire a viewer to go home and write a letter to Amnesty International right away, but they may set another viewer on the road to have a drink and continue a nice evening. The world of the film is not that of the classroom. (It can be used in an educational setting, but that's another matter)
It is clear that the effects of documentary films are difficult to determine, and it is hard to estimate the real influence of documentary film on society. However, these are important instruments for bringing certain issues in public space.
In Search of Identity
"In December of 2003, after 11 years of living as a foreigner, a refugee, an outcast, I faced my city again. I found myself walking through it, looking at the people, at the buildings, in utter shock. The city I remembered, the city I called my own, was no longer there. It was dead and rotting away. And all the anger, bitterness, disappointment and pain that I had kept inside of me all these years, came out" (Sabina Vajrača, Back to Bosnia).
Since its release in 2005, the documentary film Back to Bosnia (Na put kući, u tuđinu, 2005) by Sabina Vajrača, has enjoyed great international success at a number of festivals. The film looks at the complexities surrounding self-identification amidst war memories. Vajrača's film specifically deals with her family's efforts to reclaim the family home, which was appropriated by another family during the war. Seeing the country after many years and with memories still fresh from the war, the whole family is facing an emotional struggle as each person surveys the ruined landscape.
Back to Bosnia deals with issues of occupied space—space which does not belong to us anymore; space which is occupied because its former owners were either killed or exiled; space which was destroyed and then lost in emigration; space which is far away from the current state of reality but carries deeply personal memories of a past life. First of all Back to Bosnia looks at public spaces within the city ruins. The film then goes on to examine the private space and the family's painful struggle to regain their former home where all the memories of a past life are stored. Both of these spaces—public and private—are occupied.
One of the most dramatic moments in the film occurs when Vajrača's family visits their old apartment, where they meet the family who claimed ownership of it and still live there. The Vajrača family's former home evokes a flood of memories. Vajrača shares her thoughts with the viewers: "I left in such circumstances that I never said good-bye. I never said good-bye to the city. I never left thinking I wasn't going to come back. … And all this time living in Croatia and America…and, you know, I didn't want to go live there, but I still thought there were my roots…my home with a capital 'H' was there." Vajrača is not only the director but also a social-subject in the film. She is directly involved in filming but also takes on an "acting" role to help reconstruct her own life and deal with the current situation in front of the camera. Back to Bosnia reconstructs war crimes that date back to the beginning of the war and that were committed against Muslims. The current bureaucracy complicates the family's efforts to take possession of their apartment. However, the film ends with news that a court in Banja Luka officially returned ownership of the flat to the Vajrača family.
Searching for meaning, redefining identity and ethnicity, looking for the truth—these are just some of the issues that define the post-conflict time in Bosnia. Some filmmakers have been searching through the past to look for answers. They find themselves trying to deal with questions of not belonging and not being able to identify with a particular space. Bosnian documentary filmmakers often examine the problem of self-identification within a particular environment and look at how self-identification has changed through war experience.
In her documentary film My Friends (Moji prijatelji, 2007), Lidija Zelović shares her personal story of looking for her lost friends. She left Bosnia at the beginning of the war, hoping that the war would be over soon and she would be able to return home. At the beginning of her documentary, which takes the form of a fragmented diary, she shares with the viewer her intimate memories. My Friends examines the identities of four friends who grew up together, and who meet again after a 15-year separation. Zelović decided to reunite her friends on her wedding day in Bosnia. The film also examines how people change and are shaped by war experience. One of Zelović's friends, Jasna, who lives in Sarajevo today chose to return to her home city after spending several years living in Australia as an immigrant. Part of the conversation between the two friends is filmed in a tram. Jasna was the only friend who stayed in Sarajevo during the war. She explains: "you get used to it. It's weird, but you do. Once you are in a new situation you learn to deal with it." For Zelović, it was important to learn whether her friend who stayed behind during the war felt angry or betrayed. Jasna responds: "I was angry with people that I tried to contact. Because I was in the worst possible situation when I needed food…essential things. Then it's hard to understand how someone can't even write you a letter." The scene in the tram is contrasted with archival video footage from the war that uses the space of a moving tram as a subject. In these scenes, trams are full of passengers, who are targets for mortar shells and snipers.
What is common for documentaries that deal with the reconstruction of past lives is that directors usually take on the role of social-subjects. They actively participate in the film and are in front of the camera most of the time. In My Friends, the director uses voice-overs. Zelović reads letters she received during the war from her friends. Some of these letters had a traumatic effect on her and she is still trying to deal with those emotions today. One of her friends, Emina (based in Sweden today), lost her mother while standing in line for water. A mortar shell hit her mother and Emina continues to struggle with those memories and her feelings toward people who could commit such a crime:
The hardest thing for me is when you see yourself in one way, and you realize that other people…see you and themselves totally differently.…When I think maybe one of my friends…was shooting; maybe one of them fired that mortar shell. Because I've known people from our circle who did such things.
One of the most dramatic moments in the film is a conversation with another one of Zelović's friends, Olja. Olja is talking about Emina, who lost her mother in the war, commenting:
I would never like to meet her…I feel guilty because of all the propaganda. You can't change the way people think.…I feel guilty for the ideas they've got in their heads. It's difficult to explain. People see Serbs as aggressors. For them, all Serbs are Chetniks.…It's just the feeling of some…pressure, some tension.…Everything in Bosnia feels so familiar, yet so foreign.
This film ultimately asks if it is possible to connect these lives together again. And if so, how? The director and the subject of the film, Zelović, tries to connect these lives again at her wedding, in the final part of the film, but only one of her friends, Jasna, attends the ceremony.
Duška Zagorac explores the search for identity through the stories of Chinese families in Bosnia in her documentary Patria Mia—Nomad Direction (Patria Mia, Pravac Nomada, 2008),which she made upon her return to Bosnia after 15 years in exile. The film won Best Documentary at Sguardi Altrove in Milan and was voted one of the best films of 2008 by international critics in Sight and Sound magazine. This was among the first documentaries to portray the Chinese population in Bosnia. Zagorac examines the cultural alienation of people living in exile. On the one hand, the film exposes the Chinese population living in her own country. On the other hand, the film examines how the director's own identity was affected by exile. In a note accompanying Patria Mia—Nomad Direction, Zagorac says:
I started off by making a film about the Chinese in Bosnia, but in the process, realized I was also making a film about the Bosnians in exile. At the same time, I found myself a mere observer of the new Bosnia, a society I no longer belonged to. So Patria Mia became almost like a letter to my lost country.
The film centers on the Chinese community in the city of Banja Luka, with a focus on families who immigrated to Bosnia at the beginning of the 2000s. The footage details everyday life, financial struggles, and attempts at integration within the new culture and society. "When I first came here, it was hard. I couldn't understand the language or read newspapers. Language is the biggest problem for every Chinese person here," says one Chinese man who came to Bosnia with his wife and daughter. Zagorac notes that Bosnia looks like a postcard for nomads.
The director combines her own voice-overs with the social subjects she films. She pays attention to the small details of people's faces, pensioners playing chess on the street, shops, open markets and the city's noise. These details are not only additional illustrations of daily life, but they also deeply reflect the director's personal view: grey surroundings, a depressing atmosphere, faces without smiles. Zagorac notes, "I wish I could enjoy Bosnian air, but my memories of the war suffocated me." The film was part of a series called Bosnia and Herzegovina—In Search of Lost Identity. Zagorac wanted to show the parallel between the Chinese community and her own very personal story.
Besides exiles and refugees who are often presented in personal and intimate stories within documentaries, films also encompass a wider political discourse, stressing the issues of re-identification in new post-war circumstances and the burdens of returning to a place from the past that no longer exists. These films help to reconstruct memory, experience, and history, whether they are looking at mass graves, former concentration camps, or devastated and traumatic post-war environments. With respect to this current in film, Dina Iordanova stresses the importance of the social and political engagement of women activists and filmmakers in the Balkans. These women create powerful discourse about their countries' recent histories, nationalism, hatred, and reconciliation. Most of the documentaries that focus on women's experiences of hardship and conflict in Bosnia are made by women. Iordanova notes:
Thinking not only of these filmmakers but also of the writers, the journalists and the scholars, I am more and more often inclined to think that it is women who represent the viable and vocal critical alternative in the former Yugoslavia today. This is due, in my opinion, to the questionable credibility of the men who occupy the public sphere in the Yugoslav successor states and is certainly associated with the widespread perception that machismo and nationalism go hand-in-hand in the former Yugoslavia (Iordanova, 2001: 210).
The politicizing of machismo was interconnected with nationalism and the building of new ethnic-national identities, where ethnic cleansing and mass rape were just some of the strategies used to conquer and occupy territories. It also fostered the polarization of political ideology, where religion and political orientation were based on 'protection' and 'defense.' At the same time, machismo was used to empower patriarchy in post-Yugoslav countries, which in turn supports and reinforces the discriminatory ideas of nationalism, fascism, sexism, and homophobia. This can lead to a discussion about "gendered" nationalism. In her note on reconstructing the connection between nationalism and gender-based culturally and socially constructed stereotypes, Bojana Pejić defines nations as:
contested systems of cultural representation that limit and legitimize people's access to the resources of the nation-state....No nation in the world grants women and men the same rights and resources in the nation-state....Not only are the needs of the nation here identified with the frustrations and aspirations of men, but the representation of male national power depends on the prior construction of gender difference. All too often in male nationalisms, the gender difference between women and men serves to define symbolically the limits of national difference and power between men (Pejić, 2002: 73).
This critical discourse reconfirms the importance of documentaries and women activists and filmmakers who produce socially engaged art. It can be a tool for social changes in impoverished and devastated societies. Beyond Bosnia, these films can provide a platform for change in communities that have limited access to human rights. This type of film can play a key role in active public discourse today.
1] It has been estimated by the European Community that around 20,000 women were raped during the war in Bosnia (victims were from seven to sixty years of age), although different reports bring different estimations, which can range up to 50,000. ("End Violence")
2] The Bosnian journalists Belma Bečirbašić and Dženana Šečić did report on mass rape in Bosnia. The story "Invisible Casualties of War" was honored by Amnesty International for global human rights journalism. This award, established in 1999, recognises the contribution of human rights journalism anywhere around the world. ("Media Awards 2003").
Works Cited
"End Violence against Women." UNiTE.
"Media Awards 2003." Amnesty International, UK. 22 May 2003.
Aitken, Ian. (2005), Encyclopedia of the Documentary Film. London: Routledge.
Bronkhorst, Daan (2003), "The Human Rights Film: Reflections on its History, Principles and Practices." Presented at Amnesty International Film Festival, Amsterdam.
Hicks, Jeremy. (2007). Dziga Vertov: Defining Documentary Film. London: I.B. Tauris.
Iordanova, Dina. (2001), Cinema of Flames: Balkan Film, Culture and the Media. London: British Film Institute.
Pearce, Gail and Cahal McLaughlin. (2007), Truth or Dare: Art & Documentary. Bristol: Intellect Books.
Pejić, Bojana. (2002), "The Matrix of Memory." Women at Work. Ed. Maja Bajević. Sarajevo: Art Gallery of Bosnia-Herzegovina.
Wollen, Peter. (1981), "The Field of Language in Film." Luxonline.


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Archive for the 'Family' Category
So another year has come and gone and this blog has seen no action.
But as a family we've been busy as ever and various things have happened. Here's what I'll say – look Kathryn or myself up on Facebook (I promise you we are the only Stuart or Kathryn Dyckhoff there) and you'll get all our news.
Not on Facebook then either use this as your excuse to sign up or simply ask us.
But some highlights of the year:
– paid off our mortgage
– family holiday to Orlando, Florida
– Owen finished Uni finally.
– Jenna passed more music exams and is really getting into her rugby.
– Coel started 'big school' and joined the orchestra.
So in the best Welsh tradition let me wish you all "Nadlog Llawen a blwyddyn newydd dda"
I usually do an annual family newsletter and eCard.
This year I don't have the energy or willingness to do one. For those that know this is probably understandable. For those that don't then please read on – I will do a very brief overview of the year, but you'll have to read between the lines for the details or just ask.
So, in bullet points:
– on-going health issues and his specialist has no clue.
– on a highly restrictive diet
– made school captain
– started trumpet lessons & joined BCBC Junior orchestra
– pupil of the year
– started full contact rugby
– braces on the way
– attained various levels of grade 3 from pass to distinction in piano, flute and violin
– stopped ballet
– finished very successful year at CERN
– now back in Uni on his final year – dissertation planned and under way
– broke up with one girl, now dating another
– keeps bringing home different musical instruments
– lost count of how many languages he now speaks to varying degrees
– failed one half of her stage 3 signing & needs to resit
– her great aunt passed away
– her health has not improved but new drugs in the last week so we are hopeful
– almost down to her married weight
– survived a job evaluation process
– my father passed away
– failed red belt grading
– produced a photo book for family members
– next to no back pain
I'm absolutely certain there will be more "stuff" that I've simply forgotten about but somehow it doesn't matter. In the grand scheme of things we are mostly all well but are definitely looking forward to 2013 and trusting that it will be better for all of us.
So let me finish by saying:
Nadolig Llawen a blwyddyn newydd dda.
… then so it is time for our annual update.
Last year I said you need to read this blog for updates but then got totally sidetracked in not providing many – my last post How To Find Me goes some way to explaining the why but in reality events that happened I just forgot to post here.
So what did happen in 2011?
Kathryn and I hit the 25years of marriage milestone mark and have yet to celebrate it – we really wanted to do a cruise but money and time prevent that. Instead (and I can say this here because Kathryn never reads this site) we have a weekend away next year, sans children, at posh hotel & spa in West Wales. It's one of the little pressies she's getting this Christmas.
We did allow myself (you'll understand why presently) a shiny new DSLR plus bits as our present to ourselves – not that Kathryn has done any more than just look at it yet. Still, some of the results of my experiments with it can be seen over at my photo blog. I was also conned into creating a school calendar for Coel's school with it and I'm led to believe it has been the schools single best fund raiser to date. Not bad for an amateur snapper.
Kathryn has seen some Read the rest of this entry »


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TASS Reports Schiller Institute Tribute in Manhattan; Thousands of Emotional Responses on Schiller YouTube Channel
Dec. 31, 2016 (EIRNS)—TASS journalist Ivan Pil'shchikov reported today on the Schiller Institute Chorus tribute In Memoriam for the victims of the Tu-154 crash. A machine translation, slightly edited, reads in part:
said Burke.
Institute representatives also read a letter of condolence to the Russians, prepared by its President Helga Zepp-LaRouche.
she said in her letter.
"Zepp-LaRouche noted that the band embodied the "high moral values of Russia." The letter, explained Burke, was transferred to the Consulate General representatives.
Among those who brought flowers to the building, was the president of the Russian Center in New York, Elena Branson. She said she was moved by the action. "The works were executed perfectly," she said. "When they sang the national anthem, even almost no accent was heard."
The Schiller YouTube channel's video of the chorus singing the Russian national anthem has garnered over a 300,000 viewers as of this afternoon; there are some 1900 comments mostly from Russians. Almost all are extremely grateful, and many very emotional, praising the singers and pledging friendship among the Russian and American people.
Among other Russian coverage, Rossiya 24 TV, lenta.ru, vesti.ru, rusvesna.su and perhaps others also reported on the event and ran the Schiller video in whole or in part.


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Pick a category of our Brass Beds section
A great range of very strong brass bed frames, all at very low prices. Quality antique brass beds and black antique brass beds, the choice is yours. We have 1000's of brass beds in stock, which enables us to promptly deliver to you.
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Sunday, 28 February 2010
Queen of Hoxton, Shoreditch; London Fields, Dalston
At The Queen Of Hoxton - a new gaff named after Victorian theatrical luminary Sara Lane, as opposed to some mincing Martha from The Joiners Arms - the soundtrack seems familiar. The Doobie Brothers; Toto and Foreigner bring back memories of 8 track cassettes in Dad's Malibu mango-tone Ford Capri. Wearing their parents' '80s wardrobe malfunctions, a young crowd jiggles enthusiastically to 'yacht rock'- a reference to a 2005 American Web-based mockumentary, apparently, it's a term I associate with the unsteady gait symptomatic of necking too much Tanqueray on floating gin palaces moored off Cannes. Leftfield DJs, art installations, fringe theatre, experimental film, burlesque and Cock-er-nee sing-songs around the old joanna are promised at this Shoreditch late, where local creatives are invited to 'kick back, dance and drink' on low-slung, slouchy, couch-y things. Yacht rockers should order Tequila Sunrise - the retro classic cocktail synonymous with West Coast stoners greeting another LA dawn, high in the Hollywood Hills, as The Eagles waft out of a hot tub's sound system. Meanwhile, E8 gastro, The Cat & Mutton, has a new, less foodie-focussed sibling, The London Fields - formerly the midden that put the night into Mare Street. Rescuing doomed pubs is admirable, but leaden grey paint, a twee faux library recess, blaring TV screens and Vera Drake's old furniture, while not necessarily a stylistic abortion, doesn't float my boat. Nor does lunch: A Sindy-sized lamb burger on tough-as-boots flatbread (£8.50 ? sans chips) disappoints - not so, perky wines from £14.50 and a canny selection of bottled beers. Staff are upbeat and my mood improves as drainpipe-jeaned interestings pile in to what already feels like a Hackney hit.
The Queen Of Hoxton, 1 Curtain Rd EC2 7422 0958
The London Fields, 137 Mare St E8 7254 5599


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Slide Chair
Blending a folk art feel with an angular, uber-modern form, our Slide Chair is a seat unlike any other. This low-lying lounge chair sits comfortably firm with a slightly pitched back and a deep, extra wide seat. Supported by simple, sturdy steel legs, Slide's organically-shaped silhouette is upholstered in vintage hemp rugs for a global kick with a touch of texture. Our neutral Slide Chair fits in just about anywhere, perfect in a casual beach cottage or a boho-chic city space.
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Product Specifications
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At Jayson Home, beautiful things aren't just a passion. They're our obsession. For nearly twenty years, we've been scouring the globe for modern and vintage furnishings and home accessories designed to inspire.
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In the live calendar on the homepage you will find all future broadcasts that are published and will be sent via solidsport.com.
To see what your team will broadcast, go to their own playchannel and click on the live calendar. If it is empty in the live calendar, it may be that those who manage the channel have not chosen to publish future broadcasts.


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Timex 226 was first held last year December 2011, at ANDA bohol. where the distance is FULL IRONMAN distance.
where the SWIM is 3.8KM
after that BIKE for 180KM
and a 42km RUN
That's Right a Full Marathon Run after a Grueling SWIM and RUN.
GUN starts from 6am and the cuttoff for the RACE is 12am. so 17 hours is the CUT off for the RACE.
here is the RACE route for Timex 226 2012. which would be on Dec 1,2012
Swim Course which 3.8KM which is 3 Loops
Bike Course which is 180KM which is 3 Loops.
Run Course which is 42.2KM which is 4 LOOPS for 10.55KM per LOOP
I got this info from Timex website. and also you can REGISTER here.
Thank you.
Don Rey Vargas
a Link Author


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Use plush in a sentence
- It is needless to say that the plush rocking-chair and the picture of the liqueur-bottle lady did not jar on his sensibilities. [9]
- It helps out our age of plush with a flame of color. [4]
- The fuzzy blossom is the color of bad cigar ashes, and appears to be made of a cheap quality of gray plush. [5]
- I took it, and sat down beside the shiny oak bedstead, in a chair covered with tobacco-colored plush. [9]
- The Maria had a cabin, which was finished in hard wood and yellow plush, and accommodations for keeping things cold. [9]
This page helps answer: how do I use the word plush in a sentence? How do you use plush in a sentence? Can you give me a sentence for the word plush? It may also be related to kindergarten school high school education, tutoring, tefl, tuition, school part-time, educations online course, educational, teachings, and example sentence.
Example sentences with the word plush, a sentence example for plush, and plush in sample sentence.


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Posts filed under "Uncategorized"
How my disappearing symptoms left me upset. Last of the 4 part series on uncommon symptoms of Type 2 diabetes.
This is the 4th and last post of a series intended to highlight less obvious symptoms of Type 2. You can read part 1, part 2 or part 3 in the archives. If you or anyone you love has evidenced such symptoms, please seek medical advice immediately. Following my doctor's advice after a neurological assessment […]
Is the Plate Half-Full or Half-Empty?
With impaired glucose control, or no insulin production, the quantity of food consumed at each sitting is paramount. On this week's guest post on the Diabetes Survival Kit blog, I talk about ways to manage portion control. What are your strategies for portion control? Leave a comment and let me know.


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Exhibition, New in Ceasefire, Theatre - Friday, December 16, 2011 0:00 - 0 Comments
Arts & Culture | How to remember Stalin: 'The Collaborators' (National Theatre) and 'Building the Revolution' (Royal Academy)
A Soviet-nostalgia revival seems to be under way, with John Hodge's new play 'The Collaborators' and the Royal Academy's new exhibition on Soviet Art and Architecture. Musab Younis, Ceasefire's deputy editor, reviews.
More Ideas
- Analysis | The far right is no longer a marginal force in British politics
- Comment | The Resistible Rise of Saint Tommy
- Comment | Nakba Day: Marking 70 Years of Palestinian dispossession, and resistance
- Analysis | "How could they all be so wrong?": Reflections on the 2017 General Election
- Analysis | Gaza's wake-up, unifying call: Reflections on The Great Return March
More In Politics
- Comment | After Khashoggi: This toxic UK-Saudi relationship cannot continue
- Comment | The Abdi Ali tragedy shows Britain is still failing its black men and boys
- Comment | The Bahraini authorities are slowly killing my father. Why is Theresa May helping them?
- Comment | How much more suffering must Yemenis take before the UK ends its arms sales?
- Analysis | For the Many: How Labour's 2017 General Election Manifesto changed everything
More In Features
- Interview | Elsa Lefort: "The fate of my husband, Salah Hamouri, does not matter to our leaders"
- Photo Essay | Tindouf: A bright spark in Saharawi-Algerian solidarity
- Interview | "When governments criminalise journalism, we need to push back": Peter Greste, Mohamed Fahmy and Sue Turton
- Special Report | Against Israel's brutality, Palestinians remain undeterred
- Comment | What UK politicians can, and must, do about the Cambridge Analytica/Facebook scandal
More In Profiles
More In Arts & Culture
- Theatre | Review | The Shroud Maker: Lives and death in Palestine
- Theatre | Review | Translations (National Theatre)
- Books | Nincompoopolis: The Follies of Boris Johnson
- Comment | The tone-deafness of privilege: Justin Timberlake at the Super Bowl
- Books | Shy Radicals: The Antisystemic Politics of the Militant Introvert, by Hamja Ahsan


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THANK YOU to Moksha Yoga for their kind generosity this holiday season. Their donation towards the building campaign came in at $1,105. WAY TO GO !!
We are excited to announce that the Building for Beagles project has been selected by Moksha Yoga in St. John's as their October Karma Charity!
Every Friday for the month of October at 7:30pm the Moksha karma class registration will be donated to Building for Beagles. To learn more about the class CLICK HERE. The class is open to all levels, even beginners! Arrive early, space is limited. Please note that there will be no karma class on October 16th.
Thank you Moksha Yoga and all the participants who will be coming out to the karma class in October for supporting the Building for Beagles campaign.


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With the mobile phone, electronics, communications industry, such as high-speed development, but also prompted the PCB industry volume of the growing and rapid growth, people for the number of components, weight, precision, materials, color, reliability and more demanding.
But because of the fierce market price competition, PCB board material costs are also in the rising trend, more and more manufacturers in order to enhance the core competitiveness, at low prices to monopolize the market. But behind these ultra-low prices, is to reduce material costs and process production costs to obtain, but the device is usually prone to cracks (cracks), easy scratches, (or abrasions), its precision, performance and other synthetic factors are not standard, severely affected the use of the product solderability and reliability and so on.
The face of a variety of PCB circuit board, to distinguish the PCB board can be good or bad from two aspects of the start; The first method is to judge from the appearance, on the other hand is from the PCB board itself quality specifications to judge.
Determine the good or bad PCB circuit board method:
First: From the appearance of the circuit board to distinguish the good or bad
In general, the appearance of PCB board can be analyzed and judged by three aspects;
1, light and color.
External circuit boards have ink covering, circuit boards can play the role of insulation, if the color of the plate is not bright, less ink, insulation board itself is not good.
2, size and thickness of the standard rules.
PCB to the standard circuit board thickness is different sizes, customers can measure the inspection according to their own product thickness and specifications.
3, weld appearance.
circuit board due to more parts, if the welding is not good, parts easy to fall off the circuit board, seriously affect the circuit board welding quality, look good, carefully identified, the interface is very important.
Second: high-quality PCB board need to meet the following requirements
1, the copper surface is not easy to oxidize, the impact of installation speed, oxidation after a long break;
2, the requirements of the installation of components to be useful after the telephone, that is, electrical connections to meet the requirements;
3, the high temperature copper skin is not easy to fall off;
4, line width, line thickness, line distance to meet the requirements, lest line fever, circuit, and short-circuit;
5, no additional electromagnetic radiation;
6, and the high temperature, high humidity and special environment should be considered within the scope;
7, the shape is not deformed, in order to avoid the installation of the casing deformation, screw holes dislocation. Now is mechanized installation, circuit board Kong Weihe Line and Design distortion error should be within the allowable range;
8, the surface mechanical properties to meet the installation requirements;
Above is the PCB board to judge good or bad method, in the purchase of PCB circuit board, must be eyes.
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What a Talented Pally!
The World of Warcraft Paladin Talent Guide has been updated to cover all Retribution
based talents. If you are leveling up and looking for the tree to get to the top faster, these are the talents for you.
This retribution talent guide goes over each of the talents in the
Paladins retribution talent tree. The retribution talent tree is for
Paladins that wish to do damage in combat. While it is considered by
many the weakest of the three possible trees in terms of end game
viability, it is the most common leveling build.
Let our WoW community site href="http://wow.tentonhammer.com/index.php?module=ContentExpress&func=display&ceid=830">show
you the way.
To read the latest guides, news, and features you can visit our World of Warcraft Game Page.


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Noe DeWitt
Scott Eastwood, it really has been so nice meeting you.
Most of us just recently got to know Clint Eastwood's 27-year-old son through his feature in Town & Country's October issue. But now, the mag has oh-so-graciously released the outtakes from the shoot, and they do not disappoint!
Scott looks a bit like a hybrid of Chris Evans and a Hemsworth brother, but his unique hotness shines through in every snap. Whether he's drinking a beer on the boat, staring contemplatively across the ocean, or just crossing those manly arms over a sweater made of
boyfriend husband material, he clearly inherited his famous father's good looks.


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Easily dispose of your waste in an environmentally friendly way with Skip Hire Edinburgh. Our systems ensure as much of the waste we collect, from our Skip Hire Edinburgh, is recycled; dramatically reducing the amount of waste send to landfill.
Skip Hire Edinburgh with flexible collection and drop off times; we'll do our best to meet all Edinburgh Skip Hire requests.


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intelliCheck 2017
intelliCheck 2017 is Sioure Enterprise Pre-Employment Testing platform for HR professionals Building and Interactive testing application for companies to pre-screen employees. intelliCheck offers user friendly user interface, with easy installation and gets you up and running in about 5 minutes.
intelliCheck 2017 Pre-Employment Testing is an easy-to-use software system for identifying and choosing the best employees for your company. This is achieved through a series of questionnaires and modular tests created by you, and customized with your unique corporate branding for each job vacancy and skill set, no matter the size of your company or products and/or services it provide.
Pre-Employment Testing
Software features
Sioure intelliCheck Comes with many features and call center features for a Small Business or enterprise environment.
User friendly Interface
intuitive interface require little or no training
We have Developed intelliCheck with a clean intuitive interface where your implementation of our software take little or no time to get up and running. Your call center can be up and running with intelliCheck in as little as 5 minutes.


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As one of the most commonly used rooms in the home, the kitchen should also be given special attention. The kitchen is prima going to make owners more comfortable at home. Over time, the kitchen also needs rejuvenation. For you who feel have to renovate the kitchen but just a little budget available, here is the solution of the kitchen remodel northern va.
– Hide the things you hate
Not infrequently we find some components that we hate in the kitchen. For example there is a component that you hate in the kitchen, do not immediately replace or even throw it away. Hide the item, then place the item you like. There you can see another perspective from your kitchen and begin to determine the priority scale.
DIY or Do It Yourself is one of the alternatives to reduce the kitchen renovation budget. If there are objects that you can make yourself, why buy? Invite other family members or your spouse to be creative to make a dish rack for example. In addition to cheap, it can also make quality time.


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Multitasking: Why It's Bad for You and Your Kids
As a parent, you may not realize that you're multitasking when you juggle kids, career, chores and friendships. Advertising Policy Cleveland Clinic is a non-profit academic medical center. Advertising on our site helps support our mission. We do not endorse non-Cleveland Clinic products or services. Policy But you are — and you're not the only … Read More


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"Melanie knows her stuff and has gotten to know our business. Her creative and strategic solutions and their practical implementation have resulted in an almost immediate result to our bottom line."
Make it Happen Masterclass Series Delegate May 2018
Business Strategy and Growth
Working with top global brands and small businesses alike, Melanie brings her background as Big 4 management consultant, her extensive global markets experience and a unique blend of analytical, quantitative and practical knowledge to apply strategic and creative thinking in solving client challenges.
The BBBAwards
The BBBAwards are the only premium awards programme to celebrate both the exceptional performance and outstanding achievements of black professionals and entrepreneurs in global, small and medium enterprises operating in Great Britain. Find out more
The Blueprint Membership
A global community of aspiring business men and women, who come together to launch and grow their careers and businesses through access to practical online training videos, accelerators, tools and resources, masterclasses, Q&A sessions and small group coaching designed to maximise their growth and impact. Find out more


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Drug interactions between darunavir and Genvoya
|Genvoya (cobicistat/elvitegravir/emtricitabine/tenofovir alafenamide)
Interactions between your drugs
tenofovir darunavir
Applies to: Genvoya (cobicistat / elvitegravir / emtricitabine / tenofovir alafenamide) and darunavir
Using tenofovir together with darunavir may increase the plasma concentrations of both medicines. You may need a special test or more frequent monitoring by your doctor to safely use both medications. Contact your doctor if your condition changes or you experience increased side effects such as kidney problems. It is important to tell your doctor about all other medications you use, including vitamins and herbs. Do not stop using any medications without first talking to your doctor.
Drug and food interactions
darunavir food
Applies to: darunavir
Food can enhance the levels of darunavir in your body. Take darunavir with food. The type of food does not matter. This will make it easier for your body to absorb the medication. Swallow the whole tablets with a drink such as water or milk. Do not chew the tablets. Darunavir must be always be taken together at the same time as another medication called ritonavir (Norvir).
elvitegravir food
Applies to: Genvoya (cobicistat / elvitegravir / emtricitabine / tenofovir alafenamide)
Food significantly increases the absorption of elvitegravir. You should take each dose of elvitegravir with a meal. Taking it on an empty stomach may lead to inadequate blood levels and reduced effectiveness of the medication in treating HIV infection.
tenofovir food
Applies to: Genvoya (cobicistat / elvitegravir / emtricitabine / tenofovir alafenamide)
Consumer information for this minor interaction is not currently available. Some minor drug interactions may not be clinically relevant in all patients. Minor drug interactions do not usually cause harm or require a change in therapy. However, your healthcare provider can determine if adjustments to your medications are needed.
For clinical details see professional interaction data.
Therapeutic duplication warnings
No warnings were found for your selected drugs.
Therapeutic duplication warnings are only returned when drugs within the same group exceed the recommended therapeutic duplication maximum.
See Also
Drug Interaction Classification
|Highly clinically significant. Avoid combinations; the risk of the interaction outweighs the benefit.
|Moderately clinically significant. Usually avoid combinations; use it only under special circumstances.
|Minimally clinically significant. Minimize risk; assess risk and consider an alternative drug, take steps to circumvent the interaction risk and/or institute a monitoring plan.
|No interaction information available.
Further information
Always consult your healthcare provider to ensure the information displayed on this page applies to your personal circumstances.


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5 Rounds Rest as Needed Between Rounds
Back Squat 5 Reps (Go as heavy as you can for 5)
Max Reps Push Ups
Let me know if you are interested in one or both of the following seminar/certifications.
Olympic Weightlifting Seminar
Earn 1.2 CEUs for NSCA CSCS and CPT
Saturday & Sunday May 9-10 2009
10:00am – 5:00pm
CrossFit Boston
Boston, Massachusetts
The Olympic lifts develop unparalleled explosiveness for athletes of all types, but because of their relatively great technical complexity, they are often performed incorrectly, limiting their effectivess, or even avoided entirely.
Spend two days learning complete progressions for the snatch and clean & jerk, and dramatically improve your own lifting technique.
Registration includes a 102-page excerpt from the book Olympic Weightlifting: A Complete Guide for Athletes & Coaches by Greg Everett
Requirements & Expectations
No previous experience with the Olympic lifts is required, but attendees should be reasonably experienced with basic strength lifts such as the squat and deadlift. This seminar will be hands-on for its duration.
Greg Everett, CSCS, USA Weightlifting Coach, author of Olympic Weightlifting: A Complete Guide for Athletes & Coaches
Aimee Anaya, National Champion Weightlifter
This is the Video That Greg and Amy Put Out on April 1st several years ago!
The next one is… Tim and Nicole and Sarah and I have already registered.
June 13, 2009: CrossFit Nutrition Certification with Robb Wolf
Spend 1 day with Coach Robb Wolf learning the art and science of performance nutrition. The day will include lecture and theory of performance eating, recovery and optimizing health and longevity. Significant emphasis will be placed on the PRACTICAL implementation of Paleo/Zone concepts. By the end of the day you and your clients will have no more excuses why you cannot feed and water yourself for optimum performance!
Robb Wolf is a former research biochemist specializing in lipid metabolism. His CV includes research at the Fred Hutchinson Cancer Research Center and graduate work with Prof. Loren Cordain of Colorado State University, author of The Paleo Diet and The Paleo Diet for Athletes. Robb is a co-founder of the CrossFit NorCal (the 4th CrossFit Affiliate), a review editor for the Journal of Nutrition and Metabolism, and a co-founder of The Performance Menu.
Social Share
April 2, 2009 at 11:23 AM
How much do those courses cost?
April 2, 2009 at 11:37 AM
The Nutrition Cert is one day and its 195$ That one will book out quickly.
The O-lifting seminar is 449$ and its 2 days
April 3, 2009 at 12:16 AM
whats with the "$" sign after the amount? 😉
April 3, 2009 at 1:47 AM
the nutrition cert costs less than one weeks worth of zone groceries.
April 3, 2009 at 1:59 AM
Who knows-maybe there's something in the Nutrition cert about finding quality food at cheap prices…
April 3, 2009 at 2:16 AM
Drew, the farmers markets are cheaper then the grocery stores especially at the end of the day if you offer a fair price to take it all off their hands…..also investing in a chest freezer and buying a half of a cow this fall is something I plan on doing, if you want the other half let me know.
p.s cancer and heart disease are really expensive, eating well is worth it 🙂
April 3, 2009 at 2:17 AM


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I acknowledged 12 pen pals back in 2013 and I decided it's time I acknowledged another dozen. Sure, there will likely be some familiar faces from the first round, but now that I've made more pen friends from the League of Extraordinary Pen Pals (and another via postcrossing), it only seemed fair that they had a chance at the spotlight.
The first pen pal I heard from this year was Jody, a familiar face, so she is 2015's first Pen Pal of the Month!
SK: How do you feel about being Pen Pal of the Month?
Jody: Oh wow, that's awesome. Im thrilled and shocked to be the PPOTM.
SK: What has been your favorite thing about pen palling?
Jody: My favorite thing about it is meeting new people. I feel it is so much easier to talk to people than in person. I think it's because I'm really shy in person. With a letter I can stop when I can't think of anything and come back later with more to say.
SK: What, if anything, is your least favorite thing about it?
Jody: When you take time and write a long letter and then all you get is a paragraph back. I would say every letter from an old pen pal of mine was like that. I used to wait till I didn't have any letters to write to reply back.
SK: Why do you like writing me?
Jody: I like writing you because I feel like I can tell you anything.
SK: And what do you like about January?
Jody: I like January because even though I love the holidays I'm glad they're over.
It has been great talking to Jody for over the past six years, especially since I can expect her letters weekly. With the return of Glee this week something she can expect is me getting a head-start on her letters until the show's demise come March. At least Once Upon a Time will be back from their excruciating break by then, which means I probably will still be making head-starts on her letters, hehe. I gave her a few options for what homemade prize I could send her when I write her next– a postcard, an ATC, a bookmark, or a magnet– and she chose to have me make her a magnet to join her collection:
You may be wondering how PPOTM 2.0 is going to work. Though it made sense for me to choose the person I heard from in 2015 for January, my game plan for the next 11 months is to pick an honoree raffle style. Who will be in the raffle to decide February's Pen Pal of the Month? The people who sent me letters in January. Those I hear from in February could potentially be March's, those in March April's, etc. etc. Just like before no one can win more than once. So, for example, even though I hear from Jody weekly, her name won't be included in any of the upcoming raffles. I'd be happy to answer whatever questions you may have!
Warm wishes from the mitten!
Sincerely, Kate ~!~


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A Low-Buck 360-Powered Duster
Rumpity engines equal big glory, noise, and tire smoke, so that's where we spent the most time and money with this budget buildup. The Duster came with a 318 that was seized thanks to a brutal overheating, and it would have been most practical to replace it with another one of the die-hard little mileage masters. But we're not really into practical, and we wouldn't have felt right if we didn't at least try to make serious power.
The solution was to step up to a 360, spend as little as possible on the short-block, and put our bucks where the cachongas live: compression, heads, and cam. The result was an engine investment of $3,427.65. If that sounds high, remember that some magazines consider $5,000 cheap for a motor, and they don't include all the little stuff such as paint, gasket sauce, dang-it small stuff, and things you break and buy twice. We did. Read and learn.


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New Jerusalem is "a bride adorned for her husband." And, "The foundations of the wall of the city were adorned with every precious stone" (Rev. 21:19.
The prior posts present verses from Paul, in 1 Timothy 2, and Peter, in 1 Peter 3, showing that Christian adornment is not outward. It is not anything like the world with its fancy clothes, jewelry, and makeup. Rather, in God's view, the proper adornment is Himself wrought into and radiating from our inner being. The worldly things are corruptible and will be consumed, but God in our hearts is our incorruptible adornment. This "is very costly in the sight of God."
If we love the worldly things, we would be very disappointed with New Jerusalem. But God will turn our hearts to Him to love His ways.
The adorning of the foundations of the wall of New Jerusalem follow the divine principle of God's operation in our being. These precious stones, precious to God, are believers who have been transformed by the Spirit's work in them throughout their human lives. This adorning testifies both the riches of God and the complete cooperation of these believers with the Spirit.
For this, we can to declare our love for the Lord, which saves us from love for the world. We may also pray with the words of a hymn,
___Lord, transform us to Thine image
_____In emotion, mind, and will;
___Saturate us with Thy Spirit,
_____All our being wholly fill.
This is our path to New Jerusalem and its adornment.


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Moon River
Peek-A-Boo Maxi Dress
Final sale No Returns or Exchanges
About Moon River:
This beautifully bohemian dress features a low neckline and a tassel drawstring detail. Designed with cutout sleeves and frayed detailing.
About Moon River:
Moon River is a Los Angeles based brand with a vintage-inspired aesthetic inspired by a free spirited lifestyle. Each collection consists of clean, natural pieces with feminine details and timeless style.
- Material: 100% Rayon
- Length: 50 3/4"
Need Help?
Contact SOS through Live Chat or 877.765.3009
Q&A: and get answers from customers and experts.
How to wear it
Customer Reviews
Questions & Answers


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Body Scrub Bar
Product Code: BSB
Availability: In Stock
Availability: In Stock
Price: $9.90
Body Scrub Bar 70 grams
Made with nourishing cocoa and shea butter and gently exfoliating olive stone. A natural scrub gently removes dead skin cells easily and will leave your skin feeling smooth and soft. With a refreshing orange and passion fruit scent.
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Book Women: Roving Horseback Libraries
Libraries and librarians have always been about getting books to people who want to better themselves through knowledge. In the 1930s President Roosevelt, as part of his Works Progress Administration, ordered librarians to deliver books by horseback to out-of-the-way places such as remote mountain communities in Kentucky. The initiative was intended to raise the literacy rate and to provide jobs for unemployed librarians. At its height, the program employed nearly 1,000.
Librarians' roles have changed a lot since then, but we're still all about making books and other materials freely and readily accessible to our patron communities. Here are some things we do today at Calvin that our earlier counterparts may not have imagined:
- design and present web-based content (tutorials, web pages, subject guides) so people can learn on their own and at a distance
- create indexes and other finding aids to help in searching our unique special collections
- request materials for our patrons from as far away as outside of the United States and get them within 5 days (turnaround time averages 3 - 5 days)
Librarians on horseback? No need for that, particularly on a college campus, but who knows? We might just try it one of these days when spring is in the air.


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Last week German automotive giant Volkswagen signed a deal with JAC Motors, one of China's leading vehicle manufactures, that is likely to see both companies explore the possibility of expanding their electric car offering.
Though there has been no definitive resolution on what this partnership deal could mean in terms of actual electric and hybrid car development, experts are anticipating that a decision to produce a 'significant' number of environmentally friendly vehicles designed to tackle widespread air pollution could be confirmed within a few months, and perhaps even prior to the end of 2016.
Volkswagen is a brand that has seen incredible success in China of late; from January to July of 2016, the company sold 2.2m cars in the Asian country, which is a greater number of units than every country in western Europe combined.
The partnership between VW and JAC could be a shrewd one, with some political experts predicting that the Chinese government is considering a proposal that will see all combustion engines banned from huge cities such as Beijing and Shanghai in a bid to reduce pollution. Should such a decision be made, the electric car market will likely blossom overnight.
And, even without such legislation in place, sales of electric vehicles are on the rise in China; official figures suggest that sales in 2015 quadrupled when compared to 2014's figures, with the country now regarded as the largest market in the world for electric vehicles.
Volkswagen has been increasingly vocal about its desire to enhance the environmental performance of its vehicles of late, which is hardly surprising in the wake of the revelations in September 2015 that revealed the company had intentionally programmed engines so they would give cleaner emissions results in test conditions than could never be achieved during the remainder of the car's lifespan. The subsequent fallout not only hit sales figures, but also massively damaged the company's reputation.
Volkswagen already has partnerships with Chinese car manufacturers SAIC Motor and FAW Automotive and, following this deal with JAC, it appears likely to VW is only set to enhance its position as a leading name in China's vehicle market.


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|Crash location
|Nearest city
|Montgomery Twp, PA
We couldn't find this city on a map
|Tail number
|Accident date
|25 Apr 2006
|Aircraft type
|Cessna 172L
|Additional details:
On April 25, 2006, about 1400 eastern daylight time, a Cessna 172L, N7604G, was destroyed when it impacted trees and terrain in a remote mountainous area of Montgomery Township, Franklin County, Pennsylvania. The certificated private pilot was fatally injured. Visual meteorological conditions prevailed, and no flight plan was filed for the flight that departed Frederick Municipal Airport (FDK), Frederick, Maryland. The personal flight was conducted under 14 CFR Part 91.
Radar information provided by the Air Force Rescue Coordination Center indicated that the airplane initially departed Montgomery County Airport (GAI), Gaithersburg, Maryland, at 1210, and landed at Frederick about 1240. The airplane then took off from Frederick at 1317, and proceeded northwest until crossing the Pennsylvania border. It then turned left and reentered Maryland, before making a right turn, back north into Pennsylvania. The last radar contact, at 1357, indicated the airplane was on a westerly heading, at 2,300 feet, between two converging mountain ridges in an area known locally as "The Punchbowl." There was no radar contact below the rim of The Punchbowl, and there were no witnesses to the accident. Maximum altitude during the flight was approximately 3,200 feet.
The final destination of the pilot was unknown. According to a witness, the pilot would typically depart Gaithersburg, and first proceed to Frederick, where he would make two or three landings, then stop for coffee or lunch. The pilot would then fly to Carol County Airport (DMW), Westminster, Maryland, and make two or three more landings before returning to Gaithersburg. Westminster was about 20 nautical miles to the northeast of Frederick, and Gaithersburg was about 15 nautical miles to the southeast. The accident site was about 45 nautical miles to the northwest of Frederick.
The accident occurred during daylight hours, in the vicinity of 39 degrees, 44.01 minutes north latitude, 77 degrees, 58.22 minutes west longitude.
According to Federal Aviation Administration (FAA) records, the pilot held a private pilot certificate with airplane single engine land, and instrument airplane ratings. The pilot's logbook was not recovered; however, on his latest FAA third class medical certificate application, dated April 20, 2006, the pilot reported 1,380 hours of flight time, with 4.8 hours flown in the previous 6 months.
The airplane was operated by the Congressional Flying Club, Inc., Gaithersburg, Maryland. According to a Club logbook, after another pilot flew it for 1.2 hours earlier on the accident date, he filled the airplane with 22.3 gallons of fuel. When the accident pilot signed out the airplane, he noted a tachometer reading of 474.4 hours in the logbook.
According to maintenance logbooks, the airplane, which was powered by a Lycoming O-320-E2D engine, had a 50-hour inspection on April 1, 2006. At that time, the airplane had accumulated 5,041 hours of operation, and the engine had accumulated 446 hours of operation since major overhaul.
The airplane had accumulated 5,076 hours of operation at the time of the accident.
Weather, reported at an airport about 12 miles to the east-southeast, at 1353, included visibility 10 miles, clear skies, winds from 230 degrees at 6 knots, temperature 69 degrees Fahrenheit, and an altimeter setting of 29.77 inches Hg.
The wreckage was located on April 30, 2006, at an elevation of about 950 feet, on the northeast face of Cross Mountain. Cross Mountain, which rose to an elevation of about 2,000 feet, defined the southwestern side of the three-sided Punchbowl, which was open to the northeast. The floor of The Punchbowl varied in elevation, averaging about 600 feet.
An approximately 100-foot wreckage path began in a tree, about 80 feet above the ground, and continued in a downward angle of approximately 10 degrees, for about 100 feet, on a 220-degree heading. The slope of the ground beneath the wreckage path varied between an estimated 30 and 45 degrees.
All of the airplane's major components were accounted for at the accident scene. Except for some cable breaks consistent with overload, control continuity was confirmed from the cockpit area to all flight control surfaces.
No fuel was found at the scene; however, the fuel tanks and the fuel lines to the carburetor were breached. When a tarp that been laying on the ground overnight was lifted, there was a strong odor of fuel.
One of the propeller blades exhibited s-bending, leading edge damage, and chordwise scratching. The other propeller blade exhibited chordwise scratching. There was also rotational scoring on the starter housing, as well as on the alternator cooling fan face.
The heat muff was examined, with no discrepancies noted.
Engine crankshaft continuity was confirmed, as was compression to all but the number 1 cylinder, which was impact-damaged.
There were no recording devices on the airplane. The tachometer indicated 475.9 hours and the altimeter setting was 29.77.
An autopsy was performed on the pilot at Forensic Pathology Associates, Inc., Allentown, Pennsylvania. Toxicological testing was performed by the FAA Forensic Toxicology Research Team, Oklahoma City, Oklahoma.
A review of medical records revealed that the pilot had two previous, possible suicide attempts, although he maintained that he had not actually intended suicide in either case. After the second incident, a neuropsychologist noted the possibility of "dyscontrol" issues. Evaluations of the pilot did not reveal any other evidence of significant depression or suicidal intentions, and a psychiatrist's note little more than a year before the accident indicated that the pilot was doing well with monthly psychotherapy, and was on no psychiatric medications.
The pilot also had a history of emphysema with reduced lung function and mild hypoxia at rest without any altitude exposure. The FAA was aware of the history, and the pilot's medical certificate included a restriction that he was not permitted to fly above 7,999 feet. Two months prior to the accident, the pilot's pulmonologist noted that the pilot had a resting hemoglobin saturation of 94% and that he was active with no significant limitations on his endurance. Shortly after the pilot's most recent application for medical certificate (less than 1 week prior to the accident), the FAA sent a letter (dated the day following the accident) to the pilot requesting substantial additional testing with regard to his emphysema.
The pilot's autopsy noted coronary artery disease with 85% stenosis of one of the coronary arteries, and anthracosis (blackening of the lungs). There were no notations of any other potentially impairing or incapacitating preexisting disease. There was no specific indication of previous stroke. The brain had sustained significant trauma, and a microscopic brain evaluation was not performed. The heart had sustained extensive traumatic injury.
According to witnesses who saw the pilot on the day of the accident, there were no outward signs of depression. The pilot acted normally toward those who spoke with him, except for one individual, who noted that after making a comment to the pilot, he expected a "normal comeback," but received a "blank stare" instead.
According to family members, there was nothing to indicate the pilot was suffering from depression at the time of the accident. One son, who was very familiar with the earlier possible suicide attempts, stated that the circumstances surrounding them were not present at the time of the accident. The son also noted that the pilot had recently received a ham radio license, and that he had helped the pilot build a long-wire antenna. The pilot had also recently purchased additional radio equipment, which arrived "just after" the accident.
On July 2, 2007, the wreckage was released to a representative of the flying club's insurance company.