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Radiologic Technicians
Also called: Radiologic Technician (RT), Radiology Technician (Radiology Tech), X-Ray Technician (X-Ray Tech)
In the Air Force: Diagnostic Imaging; Diagnostic Imaging Apprentice, Diagnostic Medical Sonography; Diagnostic Imaging Craftsman; Diagnostic Imaging Craftsman, Nuclear Medicine; Diagnostic Imaging Helper, Diagnostic Medical Sonography; Diagnostic Imaging Journeyman; Diagnostic Imaging Journeyman, Nuclear Medicine; Diagnostic Radiologist, Body Imaging; Diagnostic Radiologist, Musculoskeletal; Diagnostic Radiologist, Pediatric; Diagnostic Radiologist, Women s Imaging
In the Army: Radiology Specialist
In the Navy: Hospital Corpsman
- Position x-ray equipment and adjust controls to set exposure factors, such as time and distance.
- Use beam-restrictive devices and patient-shielding techniques to minimize radiation exposure to patient and staff.
- Position patient on examining table and set up and adjust equipment to obtain optimum view of specific body area as requested by physician.
- customer service
- English language
- medicine and dentistry
- teaching and course design
- listening to others, not interrupting, and asking good questions
- talking to others
- noticing a problem and figuring out the best way to solve it
- communicate by speaking
- listen and understand what people say
- put together small parts with your fingers
- keep your arm or hand steady
- notice when problems happen
- order or arrange things
- Integrity
- Concern for Others
- Attention to Detail
- Dependability
- Adaptability/Flexibility
- Cooperation
You might use software like this on the job:
Job Outlook
Explore More
- Cardiovascular Technologists & Technicians
- Diagnostic Medical Sonographers
- Nuclear Medicine Technologists
- Radiologic Technologists
- Respiratory Therapy Technicians


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PDF version of certification statementCertification Statement - NTC MTA New CALD (PDF 92 KB)
Chief Executive Certification for Government Advertising Campaigns
Certification Statement – National Tobacco Campaign - More Targeted Approach (Phase Two): New CALD campaign materialsI certify that the new culturally and linguistically diverse campaign materials within the National Tobacco Campaign - More Targeted Approach comply with the Guidelines on Information and Advertising Campaigns by Australian Government Departments and Agencies (Guidelines).
This certification takes into consideration the Report of the Independent Communications Committee, which indicates the National Tobacco Campaign - More Targeted Approach second phase campaign activity, in their view, complies with Principles 1 to 4 of the Guidelines, dated 28 November 2011.
My certification has also been informed by advice and evidence of compliance with the Guidelines provided by officers within the Department of Health and Ageing and the Australian National Preventive Health Agency with responsibility for the design, development and implementation of the National Tobacco Campaign - More Targeted Approach.
I certify compliance with relevant legal and procurement matters relating to the presentation and delivery of the campaign (Principle 5 of the Guidelines).
Jane Halton
Department of Health and Ageing
14 December 2011
Note: CEO to check boxes below as appropriate.
Principle 1: Campaigns should be relevant to government responsibilities.The campaign related to policies or programs underpinned by:
Legislative authority; or
Appropriation of the Parliament; or
A Cabinet Decision which is intended to be implemented during the current Parliament.
Suitable uses for government campaigns include;
To inform the public of new, existing or proposed government policies, or policy revisions;
To provide information on government programs or services or revisions to programs or services to which the public are entitled;
To disseminate scientific, medical or health and safety information;
To inform consideration of issues; and
To provide information on the performance of government to facilitate accountability to the public.
Principle 2: Campaign materials should be presented in an objective, fair and accessible manner and be designed to meet the objectives of the campaign.Campaign materials enable the recipients of the information to distinguish between facts, comment, opinion and analysis.
Where campaign materials have presented materials as fact, those facts are accurate and verifiable.
Campaign materials do not attempt to mislead the recipient about the situation with which any comparisons are made, and the basis for the comparison is stated explicitly.
Pre-existing policies, products, service and activities are not presented as new.
Special attention has been paid to communication with any disadvantaged people living in rural and remote areas, Indigenous audiences and people from non-English speaking backgrounds.
Imagery used in campaign materials reflects the diverse range of Australians. The interests, lifestyles and contributions of women, Indigenous and culturally and linguistically diverse communities are realistically portrayed and their participation and contribution to Australian society is recognised.
Campaign materials have been tested with target audiences to indicate they are engaging and perform well against the objectives of the campaign.
Principle 3: Campaign materials should be objective and not directed at promoting party political interests.Campaign materials are presented in objective language and are free of political argument.
Campaign materials do not try to foster a positive impression of a particular political party or promote party political interests.
Campaign materials:
- Do not mention the party in Government by name;
- Do not directly attack or scorn the views, policies or actions of others such as the policies and opinions or opposition parties or groups;
- Does not include party-political slogans or images;
- Have not been designed to influence public support for a political party, a candidate for election, a Minister or Member of Parliament; and
- Do not refer or link to the websites of politicians or political parties.
Principle 4: Campaigns should be justified and undertaken in an efficient, effective and relevant manner.The campaign was instigated on the basis of a demonstrated need, target recipients are clearly identified and the campaign has been informed by appropriate research and/or evidence.
Campaign information clearly and directly affects the interests of recipients.
The medium and volume of the advertising activities is cost effective and justifiable within the budget allocated to the campaign.
Distribution of unsolicited materials will be carefully controlled.
The campaign will be evaluated to determine effectiveness.
Principle 5: Campaigns must comply with legal requirements and procurement policies and procedures.The manner of presentation and the delivery of the campaign complies with all relevant laws including:
- Laws with respect to broadcasting and media;
- Privacy laws;
- Intellectual property laws;
- Electoral laws;
- Trade practices and consumer protections laws; and
- Workplace relations laws.

subset: commoncrawl


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Since Buddy Build was purchased by Apple, I've been on the search for a replacement. Bitrise is currently leading the race...
Buddy Build + Bugsnag
I love Buddy Build, it's simply a must have. But I'm personally not a huge fan of their crash reporter. For that, I use Bugsnag.
This is the Buddy Build post-build script I use to upload the dSYM to Bugsnag.
In the root of your project, just create a buddybuild_postbuild.sh file with the following:


text: john from Johns online clothing Monday, October 23, 2017 #55810 What a great company. I've been with other hosting company's before but they always ended charging me extra fees here and there. this one is cheap and great. No problems so far. Thanks robotechost!!! 3 of 3 people found this review helpful. Did you find this review helpful?


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Jump to navigation
The Hagley Digital Archives provides online access to selected items from the Hagley Library's collection of images, documents, and publications related to the history of business, technology, and society.
Milestones of Motoring
Film introducing new Boron supreme gasoline depicts various automobile milestones in Ohio history beginning in 1898. Actors include Rita Farrell, Merv Griffin and Joe E. Brown, with host Warren Guthrie. Includes statements from Sohio's Vice President in charge of Sales, Sam Elliott and Chairman of the Board of Directors.
Guthrie, Warren
Brown, Joe E. (Joe Evan), 1892-1973Griffin, Merv, 1925-2007Farrell, Rita
Sohio Shale Oil Company
720x480 mp4 with timecode burn available. Film curled at the head and tail.
moving image
1 reel (700 ft.) : sd, b&w ; 16mm. (00:29:37:00).
reformatted digital
QuickTime Pro Res 4444HQ (2048x1556), 24fps. PCM audio, 48kHz, 24 bit.
Audiovisual Collections and Digital Initiatives Department, Hagley Museum and Library
Culley Family Cinecraft Productions Collection (Accession 2018.201)
[Description and dates], Hagley ID, Box/folder number, Culley Family Cinecraft Productions Collection (Accession 2018.201), Audiovisual Collections and Digital Initiatives Department, Hagley Museum and Library, Wilmington, DE 19807
Access to this item is provided for educational and research purposes only. The user assumes responsibility for obtaining permission from the copyright holder to publish or distribute this image. If you would like more information, please contact firstname.lastname@example.com


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Marysville, Detroit, Michigan (MI), USA, North America
Come View the Finest Automobiles Ever Made! Wills Sainte Claire
General information
Worlds largest collection of Wills Sainte Claire Automobiles produced in Marysville, Michigan from 1921 until 1926. C. Harold Wills was Henry Fords Fords first employee at Ford Motor Company and was instrumental in designing every car produced including the Model T, that put the world on wheels.
He went off on his own in 1919 to produce a car named for himself and the beautiful St. Clair River, where the car was produced.
The Museum is open the second Sunday of the month from 1 until 5 PM.
Huge thanks to Terry Ernest for adding the Museum via our form.
If the image is blurry, we are awaiting images from the Museum.
Share this Museum
Tell your friends about this museum!
Number of exhibited items
Items Exhibited at the Museum
General Museum Links
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Museum Contact Info
Contact Email: [email protected]
Contact Form: Link
Phone number(s): No information available
Museum's Social Media Links
Getting to the Museum
Coordinates: 42.886445, -82.485310
Usually only for private use. Always check for latest info on the home page!
Photography permitted: Not known
Tripod permitted: Not known
Monopod permitted: Not known
Flash permitted: Not known
Selfie stick permitted: Not known
Note: This information was accurate January, 2018 when it was published/updated, but can change without notice. Please be sure to confirm all rates and details directly with the companies in question before planning your trip.


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My journey of music
I first remember listening to popular music on the radio in small-town New Zealand. It was everything from Richard Tauber to Hank Williams. Tex Morton was my earliest favourite. There was an old phonogram with a handful of 78s that I wasn't allowed to touch, but one day I found myself alone at home with a record that had somehow been left there, perhaps by Uncle Bill. It was Peggy Sue by Buddy Holly. I played it about half-a-dozen times, listening intently for the return of the big people at any moment. I swear it was a spiritual experience for me (I would have been about eight years old); the rhythmic and melodic twists and turns mesmerized me.
So I got into rock 'n roll and then in my adolescence a little jazz and some light classical. In those days New Zealand had punitive import restrictions in place on luxury goods from outside the British Empire, and American music came within that ambit. So we were not exposed to a whole lot of African-American music. Singers like Paul Robeson were released there, but my early exposure to gospel music was via Mahalia Jackson, who came across as a raving Christian. There was much we missed out on, so when Booker T and the MGs put out Green Onions it came like a revelation, and as for Duke of Earl by Gene Chandler, well, that was what real music was supposed to sound like. But there were the Everlys and Elvis, and there was Runaway by Del Shannon, and To know him is to love him by The Teddy Bears, and Come softly to me by The Fleetwoods, and Donna by Ritchie Valens, and The Wanderer by Dion, and He's a rebel by The Crystals, and so much more, so life was good.
The first records I bought (at age 16) were I get around by the Beach Boys and It's over by Roy Orbison. Then one Sunday I was visiting my girlfriend when a strange song came on the radio that stopped us both in our tracks. It was Only a pawn in the game by Bob Dylan, and I didn't know that you could write songs like that. It was like a whole new world opened up for me. The Beatles didn't mean much to me at first – I preferred The Rolling Stones although that was only an image thing (bad boys) – but it soon became impossible to ignore them. Then one day in early 1967 I was working in a burger bar when they played the latest Beach Boys record, Good Vibrations. I had already been writing songs but that day I decided I really really wanted to be a song-writer. Up until then I'd listened to most popular music and scowled to myself "Oh, I could do that," but when The Beatles' Yesterday appeared, and then Good Vibrations, I had to admit despite my narcissistic ego that I couldn't do that. But boy, I wanted to try!
Musically, I have a small handicap. I've never been able to master an instrument. I just don't seem to have that hand-eye-ear coordination thing that is required. I probably also have a slight touch of ADHD; I just can't do practice – I'm restless and have to be always on the go. So I've had to teach myself what I could. I tried to study piano once but it really screwed my head up and I ended up selling the piano after about six months (I wasn't in great shape emotionally). But what I could learn I did, especially a bit of theory and – eventually – basic guitar; a little finger picking and the first-positions of the commonest chords. More recently I smashed my left hand in a pushbike accident so I'm even more restricted now.
(Incidentally, Lionel Bart, composer of Oliver, never played an instrument either, and nor did Irving Berlin. Berlin had some kind of arranged piano that he could play in one key, then push a lever and the whole internal mechanism would shift and without changing his fingering in any way he could carry on 'playing' in the new key.)
My earliest efforts at song-writing were…, well, it's hard to convey how truly awful they were. They were in the most limited of rock 'n roll styles, sounding like something that even a New Zealand pop group might throw away (and New Zealand pop music was dire!) I think the first thing I discovered was changing the rhythm to jazz-up something. Then the melodic leap to a high note to grab attention. I wrote some promising melodic phrases but never knew where to go with them. I had no understanding of form. But I experimented and kept at it, and I kept a list of all the songs I wrote, and of the dates I wrote them, searching for some signs of improvement. Took a long time to find any.
Then when I was 21 I read that some British high-brow had said that The Beatles were the best songwriters since Schubert. I had no idea as to whether this was right or wrong, only that it implied that Schubert was the benchmark for song-writing. So I went out and bought a collection of Schubert songs sung by Werner Krenn with Gerald Moore at piano. It took a bit to get past the barrier of classical singing (no one talks like that so why do they sing that way?) but I decided to force this new music into my brain by playing it in the background constantly – in the shower, over breakfast, drifting off to sleep at night; I must have driven my girlfriend crazy. But I cracked the code, and soon became able to understand the values and parameters – to reliably distinguish the good bits from the bad bits – and they weren't even great Schubert songs; rather, they had been selected for their obscurity.
I went through most of Schubert's best songs, and I still think that Wanderer's Nachtlied (Uber allen gipfeln) is the finest song ever written. I also discovered John Dowland (Sorrow stay), Robert Schumann (Mondnacht), Modest Mussorgsky (Mother of God), and even Anonymous (Miserere my maker). Claude Debussy's Mandoline remains the ideal I strive for in my own song-writing (and I think I nearly get there sometimes in songs like Amy all the way). And there was Kurt Weill, George Gershwin, Hoagy Carmichael and the rest.
Since then it's all been about classical melody for me. My first song-writing efforts had been dire, then I went through a virtual addiction to Dowland and Schubert and everything I wrote sounded like them. This lasted a couple of years at least. It sure put me off-side with my friends; no one in the age of The Beatles was able to share my enthusiasm for classical song, although to me the one led quite logically to the other.
I also discovered Wolfgang Amadeus Mozart. I don't think people raised within classical music can appreciate what a real shock it is when someone from outside the classical tradition finally discovers Mozart. My only exposure to him had been the tinklings of music boxes and as accompaniment to breakfast cereal advertisements. It's actually music of the Golden Mean, and when one first discovers it the effect is mesmeric. People say he's perfect, which he kind-of is, but if all music aspired to be like Mozart we would have a very limited repertoire. People use the word 'inevitable' to describe his music, but that's really an outsider's term; people who actually create know that at every moment when composing one faces innumerable choices, many of which are equally good, the final selection really reflects the sensibility of the artist rather than the realisation of any ideal form.
I became hypnotized by Mozart, especially his Fifth Violin Concerto which I had running through my head for at least three years afterward; I had the Henryk Szeryng version. I eventually had to consciously avoid Elizabethan music, Schubert and Mozart altogether because I seemed to just drown in them.
My first genuinely good songs came in about 1971 (I had been at it for about five years), after I'd left New Zealand and classical music behind me, and my girlfriend and I moved to Sydney and then to Brisbane. I knew I had to strike out and write in a more deliberately contemporary style. That's when I wrote songs such as If she were here from my first album (The Past). I felt immensely proud, and after I returned to New Zealand (minus the girlfriend, woe was me!) I promptly entered them into a song-writing contest, and of course they were rejected. I'd been aware of the vast gap between what I was trying to do and popular taste, but the songs that won were sobering indeed, for they were rubbish. I realized I'd arrived at a place that was far removed from current trends. The 'scene' had left me behind; David Bowie wore a dress, Glam-rock was in the ascendant, and here I was trying to write authentic art-songs (although I still actually enjoyed much of the new pop stuff, especially Roxy Music!) I was also told by a musician friend some time later that the manuscripts I submitted, although fairly clear, looked 'unprofessional' and would probably not even have gained a hearing. Ah well, I survived.
The separation from the girlfriend was really about our inability to communicate, and as a kind of self-therapy I decided that from now on I would concentrate on the lyrics much more. I had always read some poetry, though not a lot, but now I threw myself into it. I'd been very keen on poetry in adolescence and had memorized large chunks of Omar Khayyam's Rubaiyat and William Blake's works, but that had all slipped. Now I threw myself into Samuel Beckett, Ezra Pound and others. I also decided to try to simplify my song-writing, to write simple tunes with much better words than I had done before. Not a lot came from this, but I wrote some comforting love-lost songs.
About then I went through a lovely period exploring all the avant-garde music that was fashionable at the time. It was 1973 and I got into Karlheinz Stockhausen's Stimmung, Luciano Berio's Sinfonia and Visage (with Kathy Berbarian), Terry Riley's In C, Steve Reich's It's gonna rain and others. And I checked out the avant-garde from the past, especially Arnold Schoenberg's Pierrot Lunaire, Igor Stravinsky's Rite of Spring, and William Walton's Facade. New Zealand seemed to have relaxed its import restrictions and I found I could now get all manner of stuff. UNICEF put out a series of folk music from around the world, about 30 albums, and I probably had half of them – Tibetan shawms, Balinese gamelan gong, gypsy dances, Portugese Fado and the rest, along with Sabah from Lebanon, the Bulgarian yodelling folk-choir, Olatunji's Drums of Passion, and some others. It was also the time of greatest experimentation in jazz, with Don Ellis' Electric Bath and Albert Ayler and Sun Ra and so forth. I soaked it all up, but again, it was something of a barrier with most of my friends.
Along the way I discovered Erroll Garner, the jazz Schubert, creativity flowing from every pore (like Schubert, Garner too was diminutive), and as far as I can make out he never fitted comfortably within any of the jazz 'schools.' Musichound Jazz describes him as a "one of a kind player with an instantly recognisable style," who never learned to read music, wrote standards such as Misty, was a dazzling virtuoso and a supreme improviser (as Ian Dury put it: "There ain't half been some clever bastards!") It's his lyricism that I find most appealing. And I suspect that there's a little revisionism going on because my understanding is that Garner was sorely neglected within jazz; he was mostly known as the composer of Misty but not a lot more, the big names being Coltrane, Davis, Mingus and others. I may be wrong but I suspect that his reputation is now stronger than it was during his life. (And by the way, his Complete Concert by the Sea recording has just been expanded to a 3-disc set, re-mastered and re-released by Legacy).
Next I started hanging out in the local folk club, the Poles Apart in Newmarket, Auckland. I still have a great fondness for that place and its then-manager Frank Winter who was very kind. It was long past the folk boom and audiences were becoming less precious. I wrote songs such as Jesse James and Wanda then. This was my second group of good songs, simpler and earthier; I'll be putting those two out on my second album.
After that I had some hard travelling, gave music away, went to university and eventually got a day job; all another story. I stopped writing songs and hardly touched my guitar for the next thirty years. I worked as a therapist, but I continued doing writing courses, had some publications, and for a few years edited a professional journal. It all increased my word skills.
One day a few years ago I was speaking with an old fellow about music; he was Polish, 92 years old, and had been raised within classical music. I told him I was disillusioned with music, tired of the old figure-ground approach (or lead instrument/vocal plus accompaniment) that was everywhere. He insisted I listen to Anton Bruckner. It took a while to understand Bruckner's language, but eventually I was completely blown away by him.
Words can't explain my reverence for Bruckner. The phrase 'horizontal writing' has been used to describe his style of composition, which derives from Richard Wagner but is pure music rather than being mere accompaniment to a story-line. It is the music of the inner life; not for nothing do music companies use huge nature scenes of mountains and valleys to illustrate his records and CDs. The mighty struggle to ascend some developmental peak, the astonishing vista that opens up to one when standing atop the pinnacle, the gentle cascade downwards through the valleys and hamlets of some new life-stage, and then seeing far off in the distance another even higher range of peaks to aspire to, and the inevitable struggle towards yet another mountain-top. It is the music of the soul's biography.
Today I look at my two favourite composers with very mixed feelings. Schubert was the composer whom it is most often suggested had the most natural or spontaneous talent, an endless well-spring of melody and inspiration. Actually, it wasn't at all spontaneous or natural; Schubert struggled for a long time to develop the skill; his first great song – Gretchen at the Spinning-wheel – came after about 200 earlier efforts, some of which are terrible. In contrast, Bruckner is considered to be the least talented of all the great composers; although he is extremely tuneful he seldom wrote an actual song structure, and only a couple of good ones, his melodies mostly coming as fragments and decorations. His motet Ecce sacerdos is probably his best, and the forerunner of his fantastic Te Deum, which is another of my all-time favourite pieces.
They were also the two most tragic of the great composers. Schubert died at 31 from syphilis and complications, and it's likely that his astonishing outpouring from his last year-and-a-bit reflected his knowledge of his impending death (and the fact that Beethoven had just died probably freed him up also). Bruckner was a very neurotic fellow who remained a virgin all his life and had numerous eccentricities, even spending some time in an asylum, and may have been the most fascinating person psychologically who ever lived. Schubert appears almost normal alongside Bruckner (although Schubert was only four-feet eleven inches tall, a not-insignificant factor in his motivation), and it seems that he spent almost his entire waking life composing. Bruckner never really got started composing until about age 40, and never really became successful until about age 60 when his Symphony #7 took off. They couldn't be more dissimilar, yet ultimately they were very similar in that both lived entirely and unreservedly for their art, and both quite consciously set out to explore the depths of the heart.
But the lesson is clear – their output depended at least in part upon the tragic conditions of their lives. It's a lesson I'm extremely wary of.
Anyway, suddenly I became passionate about music again. I was 60. Bruckner led to Wagner, and then to song-writers who had been influenced by Wagner (or studiously refused to be) and that led to Gabriel Faure and Henri Duparc. Faure is also beyond praise, but Duparc is something else.
The structure and tunefulness of Duparc's songs are what first surprises. For almost all of them, through-composing and angularity are the norm; they almost teeter off-balance yet always poise is restored. The best of them – Invitation to the voyage and Phidyle – are larger-scale works with several sub-sections which seem to flow from some shared base, and in which the melodic possibilities are driven to the limit. The artistic mind guiding them is functioning at a different level, with the overview of a Wagner or a Beethoven or a Mahler. The surprising twists and turns, plus the constant utter tunefulness, erotic even, of most of what has come down to us, is truly unique (although Michael Head's extraordinary The Estuary comes close, though from a very different sensibility). Unfortunately he had some kind of nervous breakdown when young and destroyed most of his work and never composed again despite living to quite an old age. Only ten quality songs from him remain.
This would have been about late 2007 through 2008, and I remember wondering if I could still write songs. So I gave myself three months to find out, and every morning and night while riding my pushbike to and from work I tried to compose. I wrote some rubbish at first but then I came up with Amy all the way. It seemed like the universe was giving me a message and I've been writing songs on and off since then.
Next I got into Pro-Tools, the production package. To me it's the eighth wonder of the world because it has enabled me to realise what I hear in my head and to put it out in the air. I retired in November 2014 and I've been making music since.
Now (late 2015) I'm getting a website built (thanks John), upgrading my equipment (iMac, Adam A7x monitors, buying more instruments, and getting my first CD pressed.
Tomorrow the world!


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Peggle (iPhone)
|Publisher: PopCap Games, Inc. ::
|Download Game
Catch the fever of the peg-busting phenomenon from PopCap!
• Action & Arcade Game of the Year (Zeeby Awards, 2008)
•Editor's Choice – PC Casual Game of the Year (1Up.com, 2008)
•Editor's Choice – 5 Stars out of 5 (Gamezebo.com, 2007)
*Note: Awards listed refer to the PC version of Peggle
Want to be a Peggle Master? Take your best shot! Shoot and clear all the orange pegs in the peg-busting phenomenon from the makers of the award-winning Bejeweled®! You'll reach Extreme Fever as 10 outlandish Masters help you rise to Peggle greatness. Conquer 55 levels and wield 10 Magic Powers in Adventure mode… and the fun is just getting started!
Put your skills to the ultimate test with 40 challenges as you rack up bonus points and score style shots you'll smile about for weeks. Face off against friends and family in Duel mode. It's an epic blend of luck and skill that msnbc.com calls one of the "Top 5 most addictive video games of all time!"
Game Features
•Master 55 levels and 40 Grand Master challenges
•Pick your level in Quick Play or Challenge mode with a flick of your finger
•All new Extreme Precision wheel — fine-tune your aiming for masterful shots
•Cool new style shots (like Off the Wall, Double Long Shot, and Eye of the Pyramid) for racking up more bonus points
•New Trophy Room — revel in your growing collection of trophies
•Save and replay your hottest shots
•Play friends and family in Duel Mode
•Fully optimized for the iPhone and iPod Touch
•Listen to your own music while you play!
Coming soon - update that will add all the great Peggle music that you've been asking for!
Also try Bookworm for iPhone/iPod touch - it could be the best version of Bookworm ever!
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I'm positively going to have to do some reading once I have a minute. I completely love Vanguard, however I haven't got the same love for the Feds that make rules to mess with corporations already doing an excellent job. My solely quibble is that it limits the variety of currencies you'll be able to record at a time, and it's important to manually delete one before you'll be able to add one other. I'd choose if the list auto-updated by most not too long ago used, and the oldest one simply scrolled off once you use a brand new one. But this is a minor subject, as most journeys don't contain greater than 10 completely different currencies. For instance, you ship your to Binance, change it for Ethereum, send that Ethereum to Coinbase Local Bitcoins and promote it for your most popular foreign money.
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I now not have or want an emergency fund, but do keep a small buffer of cash reserves, for situations where I have to preserve the wheels of money flow greased. In the previous I've used MMFs or excessive yield savings accounts for this objective. But several years ago, I switched to using the Limited Term Tax-Exempt muni fund. Sponsored Content is made possible low-cost-homes-for-sale-in-florida-2 by our sponsor; it does not necessarily replicate the views of our editorial workers. Our Prices are the bottom that you just find in comparison with other websites. Big stock dimension of products assure us confidence that provide low-cost worth with finest discount.
I tested out bunch of off-fingers, from Dooon, Dortyani catalyst, Soul taker, however I discovered that Brightbeak (im my case atleast) was the best choice untill you should use rigwalds, primarily +50% as is the final word best stat to have kind all the other sticks, Ok I used soul taker for a very long time but only because it had corrupted culling strike, and brightbeak cant have it. So for those who aks me i say use brightbeak.


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The treaty bodies are international committees of independent experts who monitor State parties' implementation of each of the seven core human rights treaties and their optional protocols. The implementation of each of the international treaties is monitored by its own committee. At present, there are eight treaty bodies/committees monitoring the implementation of the seven core international human rights conventions. They are:
For further information on each of the bodies, please click on the respective links on the left.
When States become party to one of the international human rights treaties, they are obliged to submit an initial, followed by periodic reports to the treaty body in question. The main purpose of the periodic reports is to examine the extent of the compliance of States with their obligations under the treaties, and how these obligations have been translated into the domestic legal provisions of the particular State. Ideally, the preparation of the report should also serve as a means by which countries can assess and debate particular human rights issues in their own countries, and identify problems and areas that may require further attention. One of the primary ways through which treaty bodies monitor implementation of their respective treaty by State parties is through the consideration of these State party reports.
ISHR monitors and reports on the Committees' examination of State reports. Please see the Treaty Body Monitor in the Publications section to access the reports.
For a comprehensive guide to the treaty bodies, see ISHR Simple Guide to the Treaty Bodies.
OHCHR has also produced a Handbook for NGOs that contains an instructive chapter on how to engage with the treaty bodies.
For more information, see also OHCHR.


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Xbox Live isn't exactly crawling with brick-breaking games at the moment. The only such game, 3D Brick Breaker Revolution (review), is ten kinds of terrible. Gamers looking for a Breakout-style fix have had to make do with indie games, such as IronSun Studios' IonBall, which we reviewed in December.
Great news for fans of that game and brick-breaking games in general – IonBall is getting a sequel, and it will be an Xbox Live title to boot.
Head past the break for more exclusive IonBall EX details and screens!
The new game's official description:
IonBall EX is a modern twist on a classic Breakout style game, featuring an XP-based progression system and end-of-level bosses that are going to push you to the extreme, all delivered in a unique Steampunk style. With 35 challenging levels, mind-bending features and awesome bosses, IonBall EX is the breakout game to "break" all others. See where you can get on the leaderboard, or unlock Achievements like "Record Breaker" or "Wipeout" - the IonBall EX challenge is here.
But how does EX differ from its predecessor? For starters, the levels are all-new, except for the bosses. There are several new 'feature' bricks that affect the ball in unique ways: Teleport, Blade, Spinner, and Blower. The music has been updated as well (the original relied heavily on ambient sounds). And of course, the friends leaderboard and Xbox Live Achievements will greatly extend the life of the game.
3D Brick Breaker Revolution featured some rather unsatisfactory controls. Thankfully IonBall EX does them much better. The default option, Slide, allows players to place a finger anywhere on the screen and then slide it left or right to steer the moving platform. By keeping your finger off to the side a bit, you can avoid obscuring the platform – very important. There's also a Touch option that just moves the platform to whatever spot the player touches.
Left: The new feature bricks and controls. Right: Lots of powerups
Having spent some time with the original Xbox 360 IonBall, I'm really excited about this mobile sequel. Its retro-futuristic art design really stands out from similar games. The experience system, in which players earn experience from each level and apply it selectively towards upgrades, ties the game together quite addictively. Plus, it's just fun to bust a few bricks and enemies with a ball and paddle.
IonBall EX will cost $2.99. The new game doesn't have a release date yet as it's still undergoing certification. But the original IonBall is available for $1.99 right now on Windows Phone (Zune link) and 240 Microsoft Points ($3) on Xbox 360. WPCentral will bring you more details as EX draws closer to release.


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2017 graduation quotes short post.
2017 graduation quotes images
It is one of the big hurdle that Asia expat should get over. A few women won't ever marry as a result of this attitudinal change towards marriage. Few ladies admit what their age is.
Love is exactly what produces the ride worthwhile." Kudos to people who possess the abilities to do what I cannot do.
Find greater positive quotes and sayings suggestions on webpage or visit love quotes section and inspirational quotes section.


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YBNL latest wordsmith – Limerick comes through with a new freestyle titled "The Future".
Limerick is the latest wordsmith added to the YBNL roaster and the young rapper captured many hearts with his breakout single 'Pesin' featuring Olamide. While that tune was funny and dope at the same time, this new freestyle is straight up flames.
He calls this 'The Future' as he raps about his past and what his aspirations are' He also didn't leave out the occasional funny lines to humor us.
Check it out below and let us know your thoughts.


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Program Name: Comfy Hotel Reservation
Published By: OrgBusiness Software
License Type: Shareware
Date Released: October 21, 2018
Comfy Hotel Reservation Desciption:
The program assists hotels, apartments, b&b accommodations, motels, guest-houses and holiday homes in managing and maintaining reservations. Hotels and travel agents can achieve maximum time efficiency and best costs in processing reservations.
Comfy Hotel Reservation assists hotels, apartments, b&b accommodations, motels, guest-houses or holiday homes in managing and maintaining reservations. The system is fully scalable and designed to provide extensive flexibility and varied choices. Hotels and travel agents can achieve maximum time efficiency and best costs in processing reservations. This modern and extremely handy program makes management a real pleasure. The program enables users to switch between profiles to view the reservation of any room, it is also possible to view multiple rooms simultaneously or open the reservations of several rooms at the same time. Comfy Hotel Reservation can maximize yield and minimize unsold room nights for hotels of any size and market orientation. Managing repeat customers and recording customer preferences helps you to retain your customers. All profiles data is protected with a password preventing unauthorized access. The program has the Auto Backup feature that allows saving the data to the secured archive. The program also has a built-in Print Designer, which offers a variety of original templates and options to make a fine and clear printout of a schedule. You can save appointments into an iCalendar file with the .ics extension. It facilitates data transfer between applications that use Scheduler and other applications, such as Apple iCal, Microsoft Exchange Server, Novell GroupWise. What is important, the data from Comfy Hotel Reservation can be exported to many different formats, like MS Outlook, iCal, PDF, XML, HTML, XLS and TXT. You pay for the program only the first time and get all new versions of this program for FREE and for a lifetime!
License: Shareware | Price: $49.95 | Size: 16.3 MB | Downloads (1531)
Platform: Win7 x32, Win7 x64, Win2000, WinVista, WinVista x64, WinServer , WinXP
Change History:
Term: Booking Software - Software For Motels - Reservation Software - Scheduler - Meeting Room Management - Hotel Management - Booking Hotel Software - Hotel Software - Hotel Organizer - Property Management Software - Asset Management Software Uk
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Black leather holdall with a convertible design from McQ Alexander McQueen. Crafted from smooth calf leather with silver-tone hardware, the 'Loveless' holdall is detailed with a dog clip that can be clipped together to convert it into a flat shoulder bag design.
The exterior comprises two side zip pockets with rivet detail, long leather fringe zip pullers and embossed branding to one side. Fastened with a silver-tone top zip closure and an additional zip entry to the front, the spacious interior is fully lined and features a zip pocket. The holdall can be transported via two grab handles or a detachable leather shoulder strap. Complete with embossed branding to one side and presented in a branded dust bag.
Calfskin Leather
Dimensions: H: 15cm x W: 40cm x D: 20cm
Model is 176cm/5'9.5".
|Size / Fit:
Please remember to add postal time (2-3 working days) to obtain a complete estimate of delivery to your door.
You will receive an email to confirm when your item has been sent.
You can also check the status of your order and individual items by accessing My Account details and following the prompts.
Please allow 10 working days from dispatch of your order before notifying us of any late deliveries.
It may be advisable to check with your neighbours to see if a parcel has been left with them, check any outhouses you might have where it may be left if it cannot fit through your letterbox and contact your local sorting office to see if the item has been returned to the depot as undelivered and awaiting collection.
Please see our returns policy.
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Rwandan court acquits prominent opposition leader of forgery, incitement
CNN/Stylemagazine.com Newswire | 12/6/2018, 11:56 a.m.
By Kara Fox, CNN Video by Edward Kiernan, CNN
(CNN) -- CNN -- Diane Rwigara, the 37-year-old human rights activist who had once hoped to run for the Rwandan presidency, has been acquitted of charges of fraud and inciting insurrection.
The verdict was delivered in Kigali's High Court on Thursday.
Rwigara's mother, Adeline, who was also in court facing charges of inciting insurrection and sectarian practices, was also acquitted of all charges.
"We find that the prosecution charges do not have a basis and find Diane Rwigara and Adeline Rwigara not guilty on all charges," the three-judge verdict read, according to local news website The East African.
The Rwigaras were greeted by excited family members and supporters who rushed to embrace with songs and cheers inside the courtroom.
In the lead up to the verdict, Rwigara told CNN that she hoped she would be acquitted of the "fabricated charges" but that she was prepared for any outcome.
"All I know is that I am innocent," she said Tuesday.
Read: She wanted to be president, but ended up in jail
International pressure to "Free the Rwigaras" had been building ahead of Thursday's hearing, including calls to drop the charges from a group of US congress members.
In a statement posted to the Rwanda Ministry of Justice website Thursday, the Minister of Justice and Attorney General said: "The Government respects the court's verdict on the case of Diane Rwigara and Adeline Rwigara and will carefully study its implications. We condemn all attempts by external actors to inappropriately influence judicial processes in Rwanda. We will continue to vigorously enforce our laws on electoral integrity, public safety, and respect for the judiciary."
Diane Rwigara said Tuesday that she was "thankful for the support I have received from both within and outside Rwanda," adding that she was "encouraged to see that the injustice happening in my country does not go unnoticed."
Following the verdict, Joan Nyanyuki, Amnesty International's regional director, said in a statement that the Rwigaras "should never have faced charges for expressing their views," and she called on Rwandan authorities "to build on this judgment and work toward developing greater tolerance and acceptance of alternative and critical views."
"The judgment must be a first step in reversing the ongoing trend of repression in Rwanda," Nyanyuki said.
'Beyond a single election'
Rwigara was the sole female challenger in last year's presidential election, which the incumbent, Paul Kagame, won with almost 99% of the vote.
She launched her election bid three months ahead of the August 2017 vote. Just days after she announced her plan to run for office, nude photos -- allegedly of her -- were posted online. Rwigara says the images were digitally altered and used by the government to discredit her. A spokesman for Kagame's party at the time denied to CNN having anything to do with the photos.
Rwigara was eventually disqualified by electoral authorities who said she falsified signatures that she needed for her bid to qualify and accused her of submitting the names of dead people. On Thursday, the court said that while the documents presented to electoral authorities showed indications of forged signatures, the prosecution hadn't proved that Rwigara had personally intended to forge them, according to the East African.


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During a recent trip to the hottest place on the planet (TX), I tried on everything I brought, trying to find something to wear to various shindigs. I noticed that the outfits became intolerable when the bra went on. To hell with it. I have boobs. No one is going to be shocked when they see them and it is common for them to move on occasion.
I think I'll let the girls out. Like free range chickens. Healthy and happy to flop around as they let gravity take over their day to day activity. Now I am not talking all hippy like, along with no longer shaving the pits or legs and never getting a hair cut again. I am merely addressing the decision to never be confined by underwire again.
I also brought with me a camisole that I thought would be a sexy little treat for some hotel action once reunited with Hubs. Turns out this little item, that I have owned for over 10 years, was the most perfect fruit basket for my cantaloupes. It has a little shape to it, it does not create back rolls and it is made of a mesh material allowing for maximum air flow.
Of course since it has been 10 years, I am having a difficult time locating any. The lady at Macy's was sorry she asked me what I was looking for. She listened to me describe it…and spent the rest of our time together getting her suggestions shot down. Lane Bryant was no better. Soma? Nope Nordy's? Nope Ross, Marshall's, Fred Meyers….nope nope and nope.
I won't give up looking for this Disneyland of breast comfort. I just might have to get creative. I wonder how many band aids it would take to hold them down in place until then 😊


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Factoring allows for early settlement of trade receivables from supply agreement, sales of goods or services. Infinite offers a comprehensive solution which integrates the information management systems of a factor and a seller (assignor) using various communication channels, various data interchange standards, hereby delivering full automation and top security.
Simplified flow of e-documents in the factoring process:
Infinite Paperless supports the following types of factoring
Recourse factoring supports suppliers who would like to receive payment for the e-invoices with deferred terms of payment, without covering any specific risks. In the event that a recipient will not make a payment to a factor, the payment must be made by an assignor (seller). In contrast, in case of the non-recourse factoring, also known as the full service factoring, if the payment is not made by a recipient upon the due date, a factor/bank must claim the payment from a debtor on one's own.
Upon logging into Infinite EDInet, suppliers, who use the system to receive purchase orders and send invoices, can select outstanding invoices to be settled prior to the payment date and perform a short simulation of the factoring transaction. It takes literally one click to send a notification that you are interested in factoring. Once the terms of cooperation are agreed, a specific agreement can be concluded online, what significantly shortens the time period between filing a factoring application and receiving the funds. If you would like to learn more about this solution, contact your consultant at Infinite.
Even if a supplier does not issue electronic invoices, they can use a simple creator to prepare and send an electronic invoice to a recipient on the basis of a purchase order – in three simple steps!
It combines the elements of recourse and non-recourse factoring. With the mixed factoring, both a factor/bank and an assignor share the risk of non-payment if a debtor is not able to repay the debt. However, the risk of non-payment is only limited to a particular sum of money for a factor/bank, while an assignor bears the responsibility for the transaction.
Reverse factoring is used to prolong the payment deadlines on one's own debts payable. It is suitable for companies which cooperate with regular suppliers who require payment in cash or offer too short payment deadlines.
Via Infinite EDInet, a company can see the list of its suppliers together with information on outstanding liabilities and their value. It is possible to select invoices to be paid by a factor/bank. Thanks to the integration connection with the banking software and the accounting software, a user can easily check on invoices that have been already paid and this way avoid the risk of duplicate payments.
Once the terms of cooperation are agreed, an agreement can be concluded online. This significantly shortens the time period between filing a factoring application and receiving the funds.


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- Living
- Dining
- Bedroom
- Outdoor
- Office
- Storage
- Lighting
ALLEGORY desk, a perfect handy stand for home office spaces and for the most intimate contract solutions, by the Italian-Danish duo GamFratesi, enriches the furniture proposal of Wiener GTV Design with elegance and simplicity. The wide disk in steam-bent solid beech contains a woven cane screen and characterize the desk with the brand's iconic elements, by linking the countertop with the base's bent element. The wide-mesh interweaving suggests that this element can be used for multiple applications, which makes it functional as well as aesthetic, enabling additional accessories and memos to be hung on the weave.
|Product Type
|Gebruder Thonet Vienna GmbH
|Year of Design
|Country of Origin
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Spirit of Adventure
The Spirit of Adventure Trust was set up in 1972 to provide young New Zealander's with access to a character development programme conducted in a maritime environment.
The 1960s saw a revival of interest in square riggers but not in their traditional role as cargo ships, or professional maritime training. They were seen as a unique environment for youth development, where the focus of learning is on team-work, developing skills of communication, self-reliance, self-discipline, self-esteem, resilience, confidence and leadership. Learning to sail a tall ship is only a small part of our programmes.
Spirit of Adventure 1973-1997
The topsail schooner Spirit of Adventure, gifted to the nation by Lou Fisher, was commissioned in 1973. She sailed a heavy schedule around the New Zealand coast until 1997, when she was sold for tourism work in Fiji.
Spirit of New Zealand 1986 – current
The Trust's existing ship, the three-masted barquentine Spirit of New Zealand, was commissioned in 1986. Since the retirement of the Adventure in 1997 she has undertaken an annual programme of around 340 days at sea.
She is believed to be probably the world's busiest youth ship. Subject to stringent, on-going maintenance surveys, refits and audits, Spirit of New Zealand is expected to be able to continue operating youth voyages until around 2035.
Here is a link to the website click here
Schools Out For Summer!
Day One
Wow finally the long awaited day had arrived. Today I skived off school… it was half a day anyway! We arrived at the yacht club at 9am. I introduced myself to the instructors and told Mummy she could go!
First thing we did was get all the equipment for one boat and watch Emma, our instructor, how to put it all together. Then it was then our turn… we buddied up and rigged up a boat for each pair. Next one of us got in the boat that Emma had put on a trailer so we could sit and practise out tacking. Emma turned the boat in the different direction so we could practise ducking under the boom! Did you know its called that because thats the sound it makes when it whacks you on the head! Next it was out to sea do it for real but first we had to prove we could swim 50 meters back to shore. After that we tied out boats to the motor boat and Emma would turn the motor boat around so we could practise avoiding the boom for real after that we got to practise by ourselves. Emma also showed us how to recover after capsizing our boat! It was a busy morning and I was more than ready for lunch!
After lunch we did some theory work in the classroom which included learning some more safety and some knot work. I can now tie both a bowline and running bowline they are used for pulling objects and people that have fallen over board to safety.
We finished day one by practising which side was Port and which was Starboard by standing the sprits up on end and running which ever way Emma shouted and catching the next sprit before it fell. A sprit is used to hold up the sail.
Day Two
Not the best day for sailing no wind to start with then crazy storms but that didn't put us off. We started the day by rigging up our boats by ourselves then de rigging them and closing our eyes for 30 seconds whilst Emma hid the pieces and then we raced to locate all the pieces and correctly re rig the boats. We then practised the same drill as yesterday off shore in the boats. We had a game of simon says for example Simon says ten star jumps, Simon says jump in to boat three and then Emma said Jump in the sea and we did but Simon did say to do it! uh oh our bad!! Then Emma tricked us and we capsized our boat but you guessed Simon didn't tell us to!! The current was really strong and I noticed one of my crew members was struggling to swim to the boat so I jumped in and swam over to help him but it was too hard so Emma threw me a line and I tied a bowline and managed to get us both back to the launch. I was so proud of myself for putting into practise the safety theory I had learnt the day before.
It was then back to the classroom for lunch followed by more theory about different tacks and when and why you use them. We practised more knots and then used a Bowline to lower ourselves over the side of the rails into the water. The rest of the afternoon was filled with a competition. We took the boats back out minus the sails, capsized them and then had to complete various tasks on the up turned hull such as start jumps, dancing a jig, falling of in the funniest way and then getting the capsized boat back to shore. Yay my team won!!
The knots I learnt today were a Sheet-bend used to join different thicknesses of rope together and a double over hand knot which is a stopper knot.
Im going to sleep well tonight and cant wait till tomorrow…
Day Three
The last but of course the best day of my sailing. To start with we rigged up two boats (Emma hid the parts again!) and practised doing some jibes on land. After that we went in the water and Emma pulled pulled us while we did some jibes. Then our buddies got out and got on the motor boat and we practised on our own. Then we swapped over. When I was on the motor boat I asked emma if I could go back on land and rig up a boat for me she said yes but I would have to swim to shore so I did and then I sailed back out! We then sailed to Hula shore and we did a scavenger hunt. we had to find something dead, something wacky, a red stone, a bottle and some glass. I found them all! Then we raced back. I came second. we had a shared lunch. Very yummy! After that we did some theory. Then we went and did some sailing. I went quite far out and a cargo ship beeped his horn at me! I got a big fright. It got really choppy. We came back in as it was nearly time to go. We did some knots and then went home from the best ever 3 days of sailing!!!!!!!! I then had a lovely lunch with Mummy and Daddy. I have a week of sailing in the new year as well!!!!!!!!!!!
Come in number four your time is up!


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9:19pm PT by Steven Schwankert
'Star Wars' Blu-ray Nets Record-Breaking $84 Million Globally
The Force has certainly been with Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment during the first week of the Star Wars: The Complete Saga's release on Blu-ray.
The nine-disc set took in $84 million globally since its launch on Sept. 16, selling 515,000 units in North America, and making the set the highest-selling and most pre-ordered title in Blu-ray history.
Fans got a preview of some of the added features at Comic-Con this summer, where some of the deleted scenes were screened.
Despite the warm commercial welcome, the release has caused some grumbling among fans, who are upset over tweaks to the original films, including the adding of a Darth Vader line to the climactic scene of Return of the Jedi.
Along with the six feature films, the set includes making-of documentaries, popular Star Wars spoofs, deleted and alternate scenes, and interviews.
Steven firstname.lastname@example.com @thr


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Policy on Juniors playing in Senior Competitions
Policy on the Postponement and Rescheduling of Matches
You are using Internet Explorer version 6.0 or lower, which is outdated. Due to security issues, and lack of support of web standards, it is highly recommended that you upgrade to a modern browser. Upgrading is free. click here to update.


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Latest News
Veterans honored in Rock Hill
Rock Hill's Martha C. Faris, 89, is used to being the only woman in certain crowds.
She's the only woman from World War II in the local Marine Corps League, the only woman from that war in her American Legion Post and, at a Columbia event for veterans, she was the only woman from World War II out of 8,000 people.
And at Sunday's second annual Massing of the Colors, she was the only female veteran in sight.
"There's not many of us left," she said of her World War II veteran status.
Master Sgt. Faris enlisted in the U.S. Marines on Dec. 7, 1943 -- Faris remembers the exact day. She wanted to be sworn in in honor of her uncle. She attended boot camp at Camp Lejeune in North Carolina before being stationed at Cherry Point Air Station.
At the time, female soldiers were not sent overseas.
"They didn't have barracks for women," she said. "They had to put us in the men's barracks."
The next day, there were flower pots in front of the barracks to make it a little more female-friendly. Faris served for six years.
Sunday afternoon's event at Rock Hill High School honored those who never had the chance to tell anyone themselves how many years they served -- because they died protecting the country they loved. It also voiced its support for the servicemen and women who have represented and continue to represent the American flag.
Major John Murray said the event is an "inspiring and patriotic ceremony," assembling military, civic, patriotic and other organizations.
"It's a refreshing tribute to our heritage and to the dead of all our wars who helped preserve it," he said.
After recognizing Faris and L.C. Rice, a Pearl Harbor survivor from Rock Hill, more than 15 organizations marched through the high school's auditorium to place their colors on the stage. Organizations included JROTC programs from Clover, Rock Hill, South Pointe and Gaffney high schools as well as American Legion posts in Rock Hill and Fort Mill, Cub Scout Pack #132 in Edgemoor, National Marine Corps League Old English Leathernecks in Rock Hill and the Rock Hill Police Department and York County Sheriff's Office.
More than 20 flags were waving proud and true before the ceremony was near over.
The event was not just an honor for veterans; it was an honor for the teens in Rock Hill High's JROTC.
Sophomore Matthew Chandler joined last year, inspired by his grandfathers, who served in World War II and the Vietnam War.
"I joined to better understand why my family joined the military and learn more about the military," he said.
He added that his grandfathers are proud of his participation in the JROTC.
Freshman Jayz Boger said his great-grandfather served in several years, including World War II. Both students have aspirations of enlisting in the military, while freshman Braeden Wood talked of becoming a pilot.
"It makes you feel how important you can be, how significant of a difference one person can be," Wood said of his participation in Sunday's colors event.
Boger also felt the significance.
"It feels amazing," he said, "knowing your school is holding an event where all of these branches are coming together," he said.
Patriotism was also the word of the day with Maj. Gen. Wade M. McManus's speech. McManus is a Richburg native who served 34 years in the military before retiring in 2005.
"There's no better focus to talk about patriotism than that of the flag of the United States of America, our stars and stripes," he said. "The most profound and powerful symbol of patriotism and freedom of democracy the world has ever known or will ever know."
After giving the basic definition of patriotism, he said the American people come together "the moment there is a threat to the nation from an outside enemy."
Patriotism inspires the people to noble deeds, he added, and nurtures incredible feelings of brotherhood.
In addition, "We've learned our service members are the best fighting force the world has known or will ever know," McManus said. "We can be very proud of our men and women in uniform.
"Freedom is not and will never be free."


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Comparison Is The Thief of Joy!
Seventeen magazines were always my guilty pleasure in middle school. I remember I would lay down on my bed and just get caught up in the thoughts of " if only my hair looked like hers" " I wish my skin was lighter" or " If my butt was a little bigger and I had all the right curves.."
So many "ifs" and comparisons that I began to ignore what I do have. For example, I have always been a tall girl. For that reason at a young age, people would compliment my legs because they were long and looked like runners legs. Maybe you are someone who can rock a good afro everywhere you go, do you realize how sophisticated that is? How about the fact that many people who meet you always compliment your eyes because your eyelashes are just naturally on fleek ( Yes, I went there).
It drives me nuts how we spend so much time pointing out things about our body that we don't like, what about taking a moment to find something that you DO like about your body. Changing your mind to think about the positives makes all the difference.
Now let's talk about Personality because that is a big one. As soon as you lack inner beauty and a sincere personality, the long hair, curves, flat stomach, luscious lips will not matter. I have came across so many people in my life who have stunning outside beauty but when it came to dealing with others and having to put others first before themselves, their true colors came out.
Fighters, I truly believe happiness, confidence and healing is found when you stop comparing yourselves to others. It is honestly a battle that you can not win. I challenge you instead to CREATE. MOVE. INSPIRE. Everyday work to become a better version of yourselves and the right people will notice that. I guarantee you everything else will fall into place.
" Don't Compare Yourself With Anyone Else In This World. If You Do, You Are Insulting Yourself"
Nikki O.


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You always pass failure on the way to success. ~Mickey Rooney
There are days when it feels like success must be just around the corner because I've failed so often. Trying to remember that success is close keeps me moving forward. This quote reminds me of the little boy that received a pile of horse manure for a present. Rather than being disheartened, he jumped in and started digging through it. When asked why, he just laughed and said "Because there has to be a pony here somewhere!"
Not seeing the results we hope for is only failure if we stop trying. If you learn from the results, recalibrate and try again, sooner or later you will get the results you seek (or something even better). So, keep trying! There usually is a pony there somewhere.


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Informative, provocative and entertaining, "Get Conscious Now!" is a television program designed to support you in creating every aspect of your life with presence and awareness.
This was a website redesign that I created in WordPress, with a content management system that is perfect for regular posts for their TV programs, as well as all of the audio interviews that have transpired.
Feel free to check out the site:
"My partner and I have the good fortune to be working with Donna Greene on a new website for a television show we are co-producing called Get Conscious Now!. Not only is Donna the epitome of professionalism and easy to work with, she is highly creative and in sync with our vision. I highly recommend her."
Patricia Diorio, M.A.
Co-Producer & Co-Host
Get Conscious Now! TV Show


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Exploring how narrative therapy may facilitate psychosocial adjustment following stroke
Mulroue, Amy (2013) Exploring how narrative therapy may facilitate psychosocial adjustment following stroke. D.Clin.Psychol. thesis, Canterbury Christ Church University.
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Section A is a review of the literature on psychological adjustment following stroke. Empirical research is critically reviewed with reference to two research questions: (1) What do we understand about adjustment following survival of stroke? (2) What psychosocial interventions have been used to support adjustment post-stroke and what are the outcomes? Theoretical models for adjustment to stroke are drawn upon to illuminate the findings. Gaps within the literature are discussed and future directions for research are suggested.
Section B describes a study using mixed methods. The purpose of the study was to evaluate whether narrative group therapy could facilitate psychosocial adjustment in survivors of stroke, and to explore the impact of stroke on survivors'' lives through their shared narratives.
Methods: Ten participants took part in a six-week narrative group therapy intervention for stroke survivors. Quality of life, use of coping strategies and illness representations were measured pre- and post-intervention, and thematic analysis was conducted on the content of the intervention sessions.
Results: There was no statistically significant change on the outcome measures post-intervention. However the inductive thematic analysis resulted in the identification of four master themes: 'using the group', 'negative talk', 'positive talk' and 'relationships'. These themes, respectively, revealed that the social aspects of the group allowed comparing experiences and exchanging information; participants were able to discuss the perceived negative aspects of surviving a stroke; with support, participants could identify the adaptations and achievements made since the stroke; and how the stroke impacted on relationships between the survivor and the systems around them.
Conclusion: The findings indicate that narrative therapy requires further evaluation in terms of facilitation of adjustment. However, the thematic analysis supports the utility of group discussions and the provision of information to stroke survivors and their carers, thus indicating potential development of psychoeducation group programmes, provisionally as part of a stepped care model.
|Item Type:
|Thesis (Doctoral)
|Uncontrolled Keywords:
|stroke, psychosocial adjustment, narrative therapy
|R Medicine > RC Internal medicine > RC0388.5 Cerebrovascular diseases. Stroke
R Medicine > RC Internal medicine > RC0435 Psychiatry > RC0475 Therapeutics. Psychotherapy
|pre Nov-2014 > Faculty of Social and Applied Sciences > Applied Psychology
|Depositing User:
|Mrs Kathy Chaney
|Date Deposited:
|01 Oct 2013 10:49
|Last Modified:
|21 Sep 2016 20:54
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Crazy Video Shots Fired Near News Crew Covering Drive-By Shooting
A Seattle news crew ran for cover when shots rang out while they were covering a previous drive-by shooting.
Cameras were rolling as KOMO-TV reporter Kara Kostanich and her photographer were preparing to deliver a report in the Mount Vernon neighborhood.
"So the shots were fired and of course my immediate reaction was just to get down," she said. "As reporters, we're trained to think on our feet and this is an example of doing just that. We heard that gunfire, we ducked behind the truck and we were whisked off to safety."
Kostanich and her photographer weren't harmed and provided statements to the police about the incident.
Authorities found several shell casings along the roadway and a home in the area had bullet damage, KOMO reported.
Anyone with information is being asked to contact police at (360) 428-3211.
Watch the "America's Newsroom" video clip above.
Watch Heart-Pounding Footage of a Cop Choking Back Smoke to Rescue Boy From Fire
Watch the Dramatic Moment a Plane Nearly Hit a Fishing Boat