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Last Friday morning, at roughly 4:30 am, Cyndy Jones stood inside her Mashpee garage, uttering a benign statement to a group of relative strangers as they sipped coffee and chewed on muffins, trail mix and fruit.
"I'll be praying that you make it back safely," she said to seven runners and two drivers, one of which happened to be me, who had chosen to run 220 miles across Cape Cod, all while carrying a 30-pound backpack as part of the 2nd Annual RUCK4HIT relay race. In the background was an easel, holding an enlarged photo of a smiling Eric Jones, Cyndy's son, who was the reason we were standing there in the first place.
Nearly eight years ago, Captain Jones of the US Marines was flying a combat mission when his helicopter crashed in the Helmand Province of Afghanistan. He was only 29 with a full life ahead of him. I wonder how many times Cyndy and her husband Ken prayed for their own son to make it back safely when he was serving overseas.
Just six hours prior to our arrival at the Jones' house, I stood quietly in a circle with my fellow teammates as our team captain Alec Reisberg of Long Beach, California, addressed us outside one of the cottages he was staying at in Sandwich. A veteran who served seven years in the US Marines, Reisberg handed each one of us a camouflage patch with the last name of an American soldier who had died while serving our country. advertisement
Mine sported the name of Corral, short for Marine Lance Cpl. Joshua "Chachi" Corral of Danville, California. In 2009, he was killed just two months shy of his 20th birthday when an IED exploded while he was sweeping for bombs in southern Afghanistan. Reisberg told us each one of these men were now our battle buddies and would be watching over us during the next 36 hours when we became exhausted and felt like quitting.
We were running, and driving, for them, Reisberg said. From 12:30 last Friday morning, when our team, Match Grade Apparel, departed the Courtyard Restaurant in Bourne, with 11 other teams and 99 other participants, to 12:30 last Saturday afternoon, when we arrived at the finish line at Dino's Restaurant in Mashpee, these fallen servicemen were with us in spirit.
And so was Captain Eric Jones.
Following his death, I'm sure there were times when his parents went through similar emotions – fatigue, anger, sadness, anxiety – that those running this past weekend's race did. In the end, Cyndy and Ken Jones persevered, forming the nonprofit Heroes In Transition (HIT), that provides support for our current and former servicemen and women.
In honor of them and in support of HIT, over 100 men and women ran through each town on Cape Cod in some of the worst springtime weather imaginable. Through howling winds and pouring rain, with 20-30 pounds on their back, people ran not because they had to, but because they wanted to. Because there are people, like Eric Jones and Joshua Corral, who can't.
To donate to this year's RUCK4HIT fundraiser, click this link. And to learn more about Heroes In Transition, click here.


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It's the New Year!
Happy 2014 to all!
What's on your "list" for increasing your success with social media this year?
On MY list are a few things to watch (& you'll also note they sometimes contradict each other!)
But, my job is to make sure I stay on top of it all 😉
This one from @Ekaterina (Walter):
Brands need a solution that allows them to distinguish themselves from that noise. They must create a powerful advocacy engine that sparks sustainable word-of-mouth. In the age of infobesity, advocacy becomes the most relevant filter. And by this, I mean the highest expression of brand love by a brand's consumers and partners. In the social era, the right form of advocacy becomes true influence. Influence isn't about impressions, it's about impacting someone's behavior. And the only way to impact the behavior of others is through passion, relevance and trust. Genuine organic love for a brand influences behavior much more than a paid promotion.
This one from Neal Shaffer:
Employee advocacy will become a strategic initiative for more and more large companies. Companies are always looking outside for brand advocates, but many of their most passionate advocates are also their employees. Each individual employee has influence in his or her own unique social network, so the more employees who can help share the company's social media messages, the broader the reach a company can achieve in social media. Many companies are beginning to realize the exponential power of employee advocacy, especially on professional networking sites like LinkedIn, and I predict it will have a breakout year in 2014.
& this one from @MichaelStelzner:
Learn the paid side of social or be left behind. As social networks become more accountable to public shareholders, they will begin implementing traditional business models requiring that marketers "pay to play." The organic marketing benefits of social media will continue to decline. Social networks like Facebook, Twitter and LinkedIn will slowly introduce special features only to paying customers and reduce the benefits of organic activity. This shift will require marketers to go beyond engagement marketing strategies and deeply understand the paid side of social. Those that ignore paid social media will fall behind their competitors.
There's lots more to be discussed here ~ http://www.socialmediaexaminer.com/social-media-predictions-2014 — but I thought listing my top 3 would be enough to get you thinking about what's most likely to happen in the new year!
& one last thing to keep in mind . . .
I'm working with some local businesses in Jackson Hole to sponsor 3 different full day training seminars for Facebook, Twitter & LinkedIn. Everything will be announced when the dates are locked in, the location is good to go & the Wyoming Workforces services approves them (so businesses can have 75% of them paid for)! This is a big initiative I have, as I'd really like to educate the business community of the amazing grants Wyoming offers & how funding can be obtained every year!
Stay tuned for details ~
Rose Caiazzo of Rose Consulting, LLC
About Me: http://about.me/rosec
FaceBook: http://www.facebook.com/roseconsulting
Twitter: https://twitter.com/JacksonHoleRose
LinkedIn: https://www.linkedin.com/in/jacksonholerose
Google+: http://bit.ly/g-rose
Pinterest: http://pinterest.com/rosecllc
Skype: RoseCLLC

subset: commoncrawl


text:
Get Better Paypal.com Login Results By Following Five Simple Steps
- link: http://p.logindevelopers.org/
- Listed: January 15, 2018 5:31 pm
- Expires: This ad has expired
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If you might be the seller, notify the buyer which you've received the money as well as the date you may ship the product. Pay – Pal offers three different account types — personal, premier and business — each with various benefits and costs. Payoneer is just like Pay – Pal as it provides subscribers the ability to send and receives a commission internationally and deposits the cash in a Master – Card account. Federal Identification Numbers (also called Employee Identification Numbers). Although you will find three account types (Personal, Premier and Business), you will need to sign up for a Premier or Business Account to get a Pay – Pal debit card.
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I can create a website/mobile site for you on
or on
Rob Hight
Hight's Buildings
Working with michael was great! I was surprised that anyone would do anything for free.
Not only did I get a free website, but I got it made how I wanted it. I am very happy with my
website and have already recommended it to a friend. If you wanta website, I HIGHLY
recommend having Michael do it for you. He has also provided me with knowledge as to
how the internet works and how I can use it to advertise a successful business.
Thanks Michael!! Your The MAN!!!!!
Chris Wright
I needed help with a website, so I could gain more fans for my music, and websites cost
too much, but mike gave it away, so I could reach my fans and sell my music. If you like
hip-pop, take a listing to Big C-dub Music. I'm looking forward to my fans, so please email
me at firstname.lastname@example.com. Visit my website to listen to my demo songs. Michael,
thanks again. I got someone else I know that needs help in creating a site.
Joyce Patterson
Michael used his knowledge of the web to teach me what to do, and no one could have
taught me better. I never knew how complex it could be ,and I especially thought that
I could never do it, but the time that Michael took from his busy schedule to help me set up
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It was a very gratifying experience for me, and I couldn't be more pleased. In closing,
If anyone is looking for a great, educated, and professional website designer; I highly
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awesome job, his work and loyalty is priceless, and so is this website.
Todd Dinchak
A to Z Property Management
Working with Michael was a delight. He is very good at taking my vision that was originally
written in words, and creating a website to fulfill my request. Even when he ran into new
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Michael's work is beyond great...It is AMAZING! Michael is a pleasure to work with, always answering my questions, accommodating and attentive to my needs. I highly recommend Michael's services. If you want a site that is dynamic, Michael is the man for the job.
I don't want to come off as being cliche, but I was blown away with the fact that anyone would create me a free website. However, this is exactly what Michael had done for me and will do for others. Michael is a business man at his best as he understands how to market himself and others equally. Internet marketing is one of the biggest markets in the world and I highly recommend Michael as being a great resource to get started.
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text:
This papercraft is a Batman bust, based on the video game Batman: Arkham City, the paper model is created by Juke. Batman: Arkham City [Buy it from Amazon: Xbox 360 or PlayStation 3] is a video game for the Xbox 360, PlayStation 3, Microsoft Windows and the Wii U, and is based on DC Comics' Batman. It is developed by Rocksteady Studios and published by DC Entertainment and Warner Bros. Games. It is based on the short-running comic book mythos, Arkham City, as opposed to most other Batman games which are adaptations of the character in other media besides the source material. It is the sequel to Batman: Arkham Asylum.
Batman: Arkham City Bust Free Papercraft
More papercrafts, paper models, paper toys and origamis at www.papercraftsquare.com
Other Papercraft Paper Toy Paper Model Card Model Cube Craft Canon Papercraft Download
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As mentioned in Part One of my blog post on Big Morongo Canyon Preserve - I would love to see this greenspace in different seasons. We were here during the winter months and while you could see the slight changes of things coming back into bloom the preserve was in a very dry winter state. There is a boardwalk for many parts of this preserve and it must be very different during the wetter spring and early summer months. As mentioned in my first post, the Friends of the Preserve offer different types of tours including free bird tours which are great (for those who want to get up early!). There are various lengths of looped trails that offer hiking in various terrain and there is information on the difficulty of the various paths.
If you like walking in nature, I'd definitely recommend it and if you can afford to donate - this is definitely a worthwhile organization as the "Friends of BMCP" offer lots of public events and educational opportunities. Big Morongo was designated as an "Area of Critical Environment Concern" in recognition of its special values. It's really a lovely place! Find out more here:
-- My first (blurry) picture of a Hummingbird! --
-- Down into the Canyon --
-- Is this a Stellar Jay? Wow - my first! --
-- Wow! Is this a Kestral?!?! --
-- Boardwalk through the Preserve --
-- I'm not used to seeing Palm Trees mixed with Aspen --
-- Beautiful Aspen --
-- Colourful Missletoe --
- Seeking Winter Desert Warmth in Palm Springs
- The (Urban) Birds of Palm Springs 2018
- Two Gardens of Palm Springs: Cacti & Drought Resistant Plants
- The Flora & Fauna outside (and above) the Palm Springs area!


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We are over 400 Billion here in the US so 40 or so doesn't seem so bad...
Remember, that's a deficit, not the debt. That's the amount they're spending that exceeds what they're taking in- for that year only. Kinda like going into a packed bar and yelling "a round for the house on me!" when you've got 3 bucks in your pocket (Oh, and the wife & kids are at home waiting for you to come back from the grocery store). And, remember, that you guys have 10 times the population that we do.


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Le mieux est l'ennemi du bien. (The perfect is the enemy of the good)
– Voltaire (François-Marie Arouet)
There are dozens of ways to interpret the above quote, but the one I'd like to wave around is: don't let your efforts to achieve near-impossible perfection prevent you from getting your work done in the first place.
Recently I was asked to provide an expert opinion for a fantastic blog on Science in Science Fiction, and Fact in Fantasy. I thought, yeah, of course I could write about that. I have acquired knowledge through sweat-experience and collegiate study. I can totally do that. Then I read the rest of the blog to see where the bar had been set, panicked, and passed up the chance.
This happens to everyone. Impostor syndrome is when you find yourself in the position of a pro, an expert, or any other perceived high level, and you lose your nerve. You don't believe you belong there, and walk out — transforming that belief into reality.
Could I have provided an article on par with what had been previously posted? Most likely, yes, but we'll never know, because I didn't do it.
I'm almost done re-cutting UDI271, which was the show we did last year. Now that I've listened to the audio four hundred million times, I have to say — this is not my best work. It is exactly the kind of B-movie meets Afterschool Special you'd expect for cranking out a play at 1am the night of a deadline. When I think about the other stories and books I've written, this doesn't even really feel like it's mine. The tone is odd. The voice is odd. The bad guys aren't that scary, and the resolution is so neat and happy a middle-grade audience would be on board. I could Alan Smithee this thing, but I won't. It's not perfect, it's not great; but it's good.
Why is it Good?
1. It has a beginning, a middle, and an end.
2. It has interesting characters with complex histories.
3. It dances from complex philosophy and terrible puns with remarkable agility.
4. My lead actors were phenomenal.
5. It taught me how to be a director: to build a schedule, to have a master plan, to accept input and then filter it as appropriate.
6. I learned about audio software like GoldWave and Audacity.
7. I learned how much time and energy goes into producing a radio play, from concept, to script, to rehearsals, to re-casting, to making mistakes in public, to post-production.
8. I was asked to produce work, outside my medium, on a deadline, and we all saw it through to the end, on schedule.
Why did it miss Perfection?
1. There are a lot of skills I don't have yet.
2. Technical difficulties.
For all of its flaws, I still plan to post it. I have some control over #1, and little control over #2. This work has helped me established a baseline for my own ability so I know to read more, or outsource, next time. If I had waited for it to be perfect, it would never have gotten done.
If I hadn't done it, I wouldn't have learned anything.
There will be times when you think it's not perfect, but good; and the work actually sucks. You will fall on your face. That happens too. Try, fail, fail better. That was Kurt Vonnegut, wasn't it? No — no, that was Samuel Beckett.
Was Beckett good, or perfect?
I, for one, will never say.
Worldcon in Spokane is happening. My schedule might be finalized. See you there!


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The Doctor of Nursing Practice (DNP) degree represents the highest level of educational attainment and professional development for practicing nurses who have master's-level training and a desire to earn a terminal degree in the nursing profession. These degree programs provide advanced training and instruction in the most up-to-date medical and patient-care systems, practices, and technologies, as well as in the use of current research in the evidence-based practice of nursing. They focus on the communication and organizational leadership skills required to work in top tier clinical, administrative, and educational positions of the complex healthcare system. Nurses who graduate from DNP programs are generally considered to be ready to advance into leadership roles throughout the nursing profession, in hospitals, healthcare organizations, medical groups, and other clinical care facilities. DNPs may also move into clinical research and teaching positions alongside graduates from more purely academic and research-oriented PhD in nursing programs.
Note: This page is dedicated to MSN-to-DNP programs designed for RNs looking to earn their DNP without additional training in a nursing clinical specialty. The programs on this page do not prepare students for clinical licensure.
A DNP degree is conferred to RNs who have completed advanced clinical training and didactic instruction in the practice of nursing at the doctoral level. While there are specialized DNP programs that offer additional clinical training and instruction for APRN certification, the core DNP curriculum is designed to prepare RNs with MSN degrees for advancement into senior nursing positions without additional certification.
Nurses in DNP programs cultivate the skills and knowledge to succeed in clinical, administrative, educational leadership, and executive positions, depending on the their area of specialization. To achieve this, the general training for DNPs, as outlined by the American Association of College of Nursing (AACN) and its affiliated nursing program accreditation body, the Commission on Collegiate Nursing Education (CCNE), encompasses proficiencies in nine broad areas:
In addition to general advanced training, DNPs receive targeted instruction in one of three main areas of nursing: executive leadership; nursing education; or advanced clinical practice. Graduating from a DNP program requires at least 1000 hours of post-baccalaureate supervised clinical experience, with a minimum of 500 hours being completed as part of the DNP curriculum.
Online DNP programs offer a more flexible and convenient alternative to traditional campus-based DNP programs. Students in online DNP programs take the same courses and fulfill the same requirements as they would in a campus-based program, but receive all or most of the instruction through distance learning technologies. They view and participate in lectures and class discussions using a learning management system (LMS), which delivers course materials to students located anywhere with an Internet connection. Interactions between students and instructors are facilitated by the LMS, and exams and other assignments may be accessed and submitted online.
While some DNP programs offer 100% of their classroom instruction online, others require that students attend a limited number of on-campus sessions. In addition, the clinical component of a DNP program requires students to complete clinical training at an approved site in their geographical area. Students in online DNP programs should expect to complete at least 500 clinical hours during the program in order to reach the 1000 clinical hours needed to graduate.
Online MSN-to-DNP programs are fairly standardized and recognizable as Doctor of Nursing Practice degree programs. It is, however, important to note that the DNP differs from another type of nursing doctorate, the PhD in nursing, formally referred to as a Doctor of Philosophy in Nursing. While there is some overlap in the instruction nurses receive in these programs, nursing PhD programs are separate in their focus and their purpose from DNP programs: a nursing PhD is designed for students aiming to pursue careers in academic and scientific research, while DNP programs prepare students for advanced practice of nursing in clinical and administrative areas of the public and private healthcare system. DNP programs are commonly listed under several headings:
OnlineEducation.com researches online MSN-toDNP programs and classifies them based on several criteria. To be included on the site, a program must be offered by a regionally accredited, non-profit college or university that has programmatic accreditation from the CCNE and/or the Accreditation Commission for Education in Nursing (ACEN). In addition, the programs on this site must offer all or most of their classroom instruction online. Programs that require students to attend more than three campus-based sessions per academic year are not currently listed on the site.
Note: As noted above, the MSN-to-DNP programs described and included on this page are designed for RNs who have completed master's programs and are only looking to earn their DNP by completing the DNP curriculum. The programs on this page do not provide the training and preparation required for additional APRN licensure and certification.
There are three instructional components of online DNP programs. The bulk of a typical DNP curriculum – ten or more courses – is devoted to skills and knowledge outlined by the American Association of Colleges of Nursing (AACN) in The Essentials of Doctoral Education for Advanced Nursing Practice. This includes didactic instruction in evidence-based practice and research methodologies; organizational leadership and healthcare systems; healthcare technology and informatics; healthcare finance and policy; and professional communication and collaboration in the practice of nursing. A smaller portion of the curriculum – typically one to three courses – covers topics specific to executive leadership, advanced clinical practice, or nurse education. For example, an executive leadership DNP program might include instruction in systems change and innovation in healthcare; an advanced clinical practice DNP might include coursework in clinical diagnostics and pathophysiology; a nurse educator program might include coursework in the design and implementation of nurse training programs. Finally, there is the supervised clinical component of a DNP program, which may include a formal practicum and/or capstone project that counts toward the 1000 hours of post-baccalaureate supervised clinical experience required for graduation.
The table below provides an overview of coursework that is typical of a DNP program. These courses are drawn from actual online DNP program curricula.
|Course Title
|Course Description
|Innovation and Leadership in Healthcare
|The implementation of evidence-based practice innovations to improve outcomes and efficiency in nursing.
|Research for Evidence-Based Practice
|Identifying, interpreting, and utilizing relevant research in the practice of nursing.
|Clinical Diagnostics
|Advanced tools, techniques, and protocols for assessing and diagnosing patients.
|Ethics in Healthcare Practice, Research, and Policy
|The ethical concerns that attach to the practice of nursing in the context of the larger healthcare system.
|Healthcare informatics
|Information technologies and their use in healthcare systems to track patients and support-decision making.
|Applied Statistics for Evidence-Based Practice
|The use of statistical methods in assessing and evaluating and improving nursing practices.
|Healthcare Economics and Finance
|Business principals and financial management applied to healthcare and nursing.
|Organizational Theory and Management in Nursing
|The use of organizational management theory to address issues in nursing, including quality control, risk reduction, and strategies for assessing the improving the delivery of care within an organization.
|DNP Clinical Immersion
|Supervised clinical experience in an approved healthcare setting.
|DNP Capstone
|An independently researched investigation of a specific issue in nursing practice related to student's area of specialization.
Admissions criteria and requirements for online MSN-to-DNP programs vary depending on the type of program and by school. In general, these programs require students to have an active unrestricted RN license and to have completed an MSN program. Programs can then be broken down into four different types based on their admission requirements. These include:
Additional admissions requirements may include the submission of GRE test scores, up to three letters of recommendations, a personal goals statement, relevant transcripts, and/or a professional CV. In addition, DNP programs may prefer candidates with one or more years of experience in a leadership/managerial position and/or a cumulative GPA of 3.0 or higher.
One final factor that can be an important consideration for applicants to online MSN-to-DNP programs involves the 1000 hours of supervised clinical hours required to graduate. Some online DNP programs are designed for students who have already logged 500 of these hours as part of a prior MSN program, while others accommodate students who have fewer than 500 supervised clinical hours by allowing them to complete those hours during their DNP internships.
There are several structural and formatting differences that may be an important consideration for applicants to online DNP programs. Most programs are designed to accommodate working professionals, as well as those who cannot relocate or would prefer not to commute to a campus-based program. However, differences in online instructional methods can affect the relative flexibility of an online DNP program; some enrollment options may be more preferable than others for students who are working full-time; and some online programs require attendance at one or more in-person campus sessions. These differences are important to know about and weigh when researching online programs.
Synchronous vs. Asynchronous Instruction: There are two primary modes for online learning. Synchronous instruction is similar to a traditional classroom experience in that online lectures and discussions take place at set times, during which students must be logged on to the LMS in order to participate. Asynchronous instruction allows students to access lectures and other course materials at their own convenience through the LMS. While asynchronous instruction offers added flexibility, it does require more self-motivation, as students must adhere to a syllabus, submit assignments on time, and keep up with scheduled readings. Synchronous instruction provides more structure, which some students may prefer, and many programs that utilize synchronous instruction schedule synchronous activities in the evening and at other times that are convenient for working professionals.
Part-Time vs. Full-Time Enrollment: Depending on the program, a typical MSN-to-DNP program can be completed in one-to-two years by students who enroll full-time and begin the program with at least 500 hours of supervised clinical experience from an MSN program. A typical full-time course load is two or three classes per semester, and students aiming to complete a DNP program in less than three years generally take courses year round, during the fall, spring, and summer semesters. However, many programs offer a part-time or extended-plan enrollment for students who would prefer to take fewer courses per academic term – usually just one or two. Part-time enrollment options vary, but students who opt for an extended enrollment plan generally take three or more years to graduate, depending on how many courses they take per semester and whether or not they choose to attend year round.
Campus Visits: Campus visits are a required component of some but not all online MSN-to-DNP programs. These sessions may involve orientations, presentation, lectures, and other instructional activities. They are separate from supervised clinical hours, which are typically completed at approved locations that are convenient for each student. Campus visits, often referred to as immersion session or intensives, are held at a designated location and require students to travel and stay at that location for several days. They are an opportunity for students to meet face-to-face with instructors and fellow students, and may include seminars and colloquia devoted to topics that are integral to DNP training. However, students may incur travel and lodging expenses in addition to tuition costs and university fees while attending these sessions. Programs that require more than three campus visits per year are classified by OnlineEducation.com as hybrid DNP programs and are not currently included on the site.


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Marietta King
Dean of Women
Nominator: Donald Mosser '65 M'68
Donald's Memories: "Donald, you run like a deer."
I never realized how these six words, spoken to me by a Kutztown professor, would impact me for the rest of my life.
In 1961, Kutztown State College was a small school with a primary mission to educate students who wanted to become teachers. Registration for classes was simple, but time-consuming, since everyone had to stand in line for hours just to sign up for a semester of classes.
The one course that all frosh (freshmen) had to take was the dreaded and despised English 101, which, to one student's dismay, could cause apoplexy and a belief that maybe English was not really their native language. Of course, my high school teachers taught me how to parse a verb and also how to diagram a sentence, but what they did not teach me was how to survive English 101. On the first day of class, my professor, a kindly little old lady (all adults look old to a kid of eighteen) with graying hair and a strict demeanor, warned us that she was going to teach English the old-fashioned way. Our primary text was the Scribner Handbook of English, copyright 1940, which covered everything one always wanted to know about English, but never really cared to learn. Needless to say, I struggled with this course and was happy to receive a passing grade at the end of the semester. I hope one takes notice that I failed to mention what my passing grade happened to be. Even though I learned more about the English language than I ever thought possible, I was elated that the required English 101 course was completed. However, I was even more overjoyed that my time with my kindly old-lady professor was over and done with, forever.
Registration for second semester classes commenced, and it was time to complete the other requirement for my English credit. I had to sign up for the dreaded English 102 composition course. I hoped this class would be easier, since I had already completed English 101.
The mystery of the identity of my new professor awaited me as I walked into my new English class; I suppose it is surprising for a teenage boy to not be as concerned about future classmates (i.e., good looking girls) or the course syllabus (but when did anyone care about the course syllabus?). I anxiously anticipated opening the door to my new English classroom and finding the perfect professor. In my mind, there would be no long reading assignments and no compositions, just classic movies. However, I knew that would never happen, so I stopped dreaming and opened the heavy wooden door. As I opened the door, low and behold and to my astonishment, who do I see but the kindly old-lady professor of my nightmares from English 101. "Oh no, English 102, 'the old-fashioned way,'" I said to myself. "Not again!"
There she stood, right in front of me, with a smile that I will never forget.
"Mr. Mosser, I see you can't get enough of me," she said enthusiastically.
I greeted her with a sheepish grin and decided to sit in the front of the classroom for the semester. I realized that I would have to give my undivided attention to this class, and hoped there would be no distractions so I could possibly earn some brownie points. I was not jubilant to see her standing there, but I knew I would have to work hard to succeed. Needless to say, with encouragement and compliments from her, and much perseverance on my part, I was very successful in English 102 and received a much better grade than in English 101.
The six little words that little old lady professor spoke to me have lingered in my head all these years. The exact memory is one that I am very fond of, and I often retell the story of what occurred that day. The story often begins:
When I attended Kutztown, I participated on the track and field team. After one of our meets, a little old lady English professor comes out of the stands. I am thinking to myself, I am not enrolled in your class, what's up? She says to me, "Donald you run like a deer."
I reply, "I hope not like a John Deere." She laughs and walks back to the stands to watch the rest of the track meet. I feel her eyes watch me as I run the hundred yard dash.
That little old lady professor did not have to attend my track meet, or even say anything to me, but she did; little did she know, her small words of encouragement made a huge difference in my life. I realized she not only was a great teacher, but also cared about the well-being of her students. The "old-fashioned" style of teaching benefited me as a student, because I not only learned about English, but more importantly, I learned how one professor can have a significant impact on a person's character. I will always be grateful to her for those six words, and they will be with me forever.
After graduation, I wrote to her and asked her if she would write a recommendation to graduate school for me. She did, and I was accepted into grad school at Kutztown and graduated in 1968. My sincere thanks goes to Dean of Women, Marietta King, because she made a difference in my life and has had a profound impact on me.


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We expect actors as talented and esteemed as Martin Sheen, Ed Asner, and David Clennon to know all about the principles of irony, catharsis and sublimation at play in theatrical dramatizations. Simply stated, these are methods of portraying human events and behaviors that are detrimental to real people and societies, but which -- besides providing fuel for artistic and entertaining dramatizations -- are crucial to our understanding that simulation of inhuman behavior can be for a higher end. An end such as informing audiences of the hidden and heinous activities we want to eliminate from our lives and our governments -- not least of which are those activities of which many in the audience may be unaware.
Sheen, Asner and Clennon have joined the protest against Zero Dark Thirty (ZDT) for its depiction of torture conducted at Abu Ghraib in 2003, asking members of the Academy of Arts and Sciences for a search of conscience before voting for the film as an Oscar honoree. The scene rightly requiring conscientiousness depicts an al-Qaeda detainee named Ammar, who we learn is a (fictional) nephew of Khalid Sheik Mohammad, the mastermind of the 9/11 attacks. His torture leads to nothing but purposely inane answers -- shouting out all 7 days of the week -- when he is asked to supply a day and location for an expected attack on Saudi soil. To paraphrase one commentator, Ammar is but one more of the tortured detainees who but spews so much that there is no way to tell truth from lie. The victim simply provides whatever he can to try to make the torture stop. As a result of the torture's failure to procure information from Ammar, the intelligence community is prevented from intercepting the deadly bombing.
ZDT shows that torture alone did not work and that scores of Saudis were killed because of such failure. But the unwillingness of the anti-ZDT camp to acknowledge this fact helps to enable the Right Wing to falsely claim ZDT as their own xenophobic propaganda, when the film depicts the emptiness of such exploitive pseudo-patriotism. If director Kathryn Bigelow and screenwriter Mark Boal were apologists for torture, their fiction would have the detainee Ammar give up the name while being waterboarded, or while humiliated by the other sadistic acts inflicted on him. The filmmakers also undercut the competency and authority of the CIA throughout the film in a manner that compelled acting-CIA director Michael Morrell to criticize the film for its portrayal of the Intelligence community. What more do we need to hear and see to understand that there is a clear divide between the way the CIA sees itself and the way that Bigelow and Boal view the CIA?
Part of the problem here is that the anti-ZDT camp indicates in their statements that they have little awareness of the principles of irony, catharsis, and sublimation that dramatizations use to separate depiction of heinous activities from endorsement of them. They also show themselves to be unaware that throughout her films, Bigelow supplies a strain of anti-authoritarianism that is sometimes overt, and sometimes subtle. Bigelow has expressed as much when she disclosed, in an interview with the New York Times' Manohla Dargis, her aim as a filmmaker is to depict how "fascism is very insidious, we reproduce it all the time." Bigelow's insight courses through ZDT as we witness efforts on all sides to impose controls beyond those sanctioned by democratic principles and humane values.
But then many people who value film primarily as entertainment understandably don't have the time or interest to acquaint themselves with artistic principles, even though they practice them unconsciously. It's why, when events such as murder, rape, war, and torture are played out before our eyes onscreen, we generally assume that such depictions aren't endorsements for the real thing. For instance, The Museum of Broadcast Communications recounts that for the first episode of the televised version of Alex Haley's Roots, "the writers created a conscience-stricken slave captain, Thomas Davies," played by Ed Asner, "a figure who did not appear in Haley's novel but was intended to make white audiences feel better about their historical role in the slave trade." Conscience-stricken or not, Asner's slave captain is depicted delivering his human cargo to the slave dealers in colonial America. And no one picketed Roots come awards season for endorsing slavery for obvious reasons, even though by Asner's reasoning they should have.
More pertinently, when Martin Sheen played the psychopathic killer Kit, in Terrence Malick's Badlands, the divide between fiction and reality remains ever present despite that we know that Sheen's dramatized crimes are based on the 1957 murder spree of Charles Starkweather that left ten people dead in the mid-western U.S. Perhaps because David Clennon's role as the Machiavellian advertising executive, Miles Drentell, in the television drama, thirtysomething, was sustained for several years, the blurring of the actor with the real machinations so many viewers have suffered under bosses is the hardest illusion of the three to shake. Yet no one literally confounds this role with their performer.
Perhaps audiences do require being alerted to when an artistically-minded director such as Bigelow is largely abstaining from the use of standard cinematic techniques to manipulate us emotionally. Ordinarily we encounter such heavy-handed directorial controls as shooting a character from a low camera angle to unconsciously trigger recollection of our childhood experience of looking up to authority figures. Music is similarly scored to manipulate us emotionally, as when dark chromatic chords are orchestrated to reinforce our apprehension of an ominous setting or a loathsome character, while a lush string section heightens a romantic interlude, or a tempo accelerates for a scene of imminent crisis.
All of these devices are ironic in that they help to make presumably morally conscientious actors appear as rapists and terrorists. In reality the devices -- compelling acting, camera angles, and musical instrumentation -- are simply abstract effects producing varying modulations of pleasure or displeasure within its audience. They are also conventions that Bigelow uses sparingly so to underline the starkly existential conditions unfolding. The result is that those viewers who are hooked on conventional Hollywood manipulations are disoriented by Bigelow's abjuration of them. It's an understandable confusion. But it is a confusion on the viewer's part.
Catharsis and sublimation are deeply complex and largely unconscious functions that often work together as we experience art and entertainment. In essence, catharsis is achieved when we become so enrapt in a dramatization that we live vicariously through it. It is most valuable when scenes in a production enable us to work through our own personal traumas and grief by emotionally fusing them with similar events onscreen -- say the death of sympathetic characters. But catharsis is theoretically also thought to help us to individually fortify our own social sublimation -- to repress our antisocial, even criminal, yet natural tendencies, while elevating our higher consciousness through a continual exposure to depictions of socially lauded acts.
While irony tells us it's okay to enjoy watching a serial killer onscreen because we know it's not really a serial killing we are watching, catharsis works to satisfy, and thereby dispel, whatever primal desires that lead to criminal behavior reside within us without our knowledge. At the same time, sublimation enables us to convert whatever negative desires we possess into socially acceptable efforts -- which includes making art about murdering, raping and stealing, and awarding artists with Oscars for making such art. Whatever we think of art and entertainment depicting immoral behavior -- and those thoughts run the full gamut -- we have to agree that the representation of human maladjustments are more preferable than the deeper, darker urges that underpin them. And, yes, this may mean that we who enjoy watching murders onscreen do so because we still, despite all our civilizing influences over the course of millions of years of evolution, still contain some remote aspect of the defensive/offensive character traits of our animal ancestors that result in wanton violence.
This becomes exceedingly important when we realize that our media-saturated populations learn more about the world today from watching images in the media, than we do from observing life experiences -- especially when young. This is especially true of an event such as ideologically- or institutionally-induced torture, which few people in democracies have experienced. Hence, short of experiencing it, we can only learn what something as covertly practiced as waterboarding is by visual example. Since most people don't watch or read serious documentaries, their only visual experience of torture is procured by watching dramatizations, just as earlier generations only learned from drawings and paintings -- such as Goya's master series of etchings, The Disasters of War.
Research conducted within mass culture over the past fifty years shows that advertising and mass media have increasingly become the primary sources for the presentation and apprehension of world views superseding even those constructed by religion and science. If the findings of market and media researchers can be relied on, mass media, and its marketing in particular, are found to operate as cultural documents -- ways of presenting, apprehending, and construing the world in much the same way as religion, science, common sense, art, or political ideology formerly represented knowledge and knowing. The repetitive ritualization of advertising and media lead cultural perceptions to become represented and psychologically embraced as natural representations of the world or at least an esteemed if not definitive reality. If people are apathetic to torture, it is because they have never witnessed or experienced it in life -- but also because they haven't witnessed its effects in the kind of art that heightens its horrific nature.
There is no doubt in my mind that Martin Sheen, Ed Asner, and David Clennon, all actors whom I admire for their craftsmanship, and with whom I share so many left-liberal values -- are eminently aware of irony, catharsis and sublimation. Which is why I cannot understand why these three men abandon these principles in their judgment of what can be counted among the most politically and artistically justifiable depictions of torture in recent film. Surely they recognize their own employment of these methods in the criminally heinous roles they have played. No one believes for a minute that Martin Sheen -- who is more likely the ideal U.S. president in the minds of liberals than any man who filled the Oval Office -- could possibly gun down innocent bystanders. And who in their right mind could picture Ed Asner delivering a cargo of African captives to slave traders in colonial America?
The saddest effect of the anti-ZDT camp is its swerve toward a new McCarthyism. I admit that it's not the most adept analogy, but it's altogether too disproportionate to make comparisons between the anti-ZDT camp and the denunciations of artists by the early Leninists, Stalinists, and Maoists that escalated into the exiling, imprisonment, and execution of artists. But we should remember that it was such slides of the left into wholesale fascism that set even the most benign factions of the left back politically in America and Europe for over half a century. Which is why I ask Sheen, Asner, Clennon and their supporters to consider how they are helping to fracture the left with their censoring of art from the awards it deserves. The advocates of artist's rights to free and fair expression -- especially those attuned to such widespread principles as irony, catharsis, and sublimation, and so adeptly applied by Kathryn Bigelow in ZDT -- aren't likely to follow you into summoning to mind the blacklisting of the 1950s.
And if they do, I promise that many will regret it when the same denunciations are turned on the productions they make and star in. Please, remember the heinous crimes that you participated in making seem real, but were as far from being real as your formidable talents made them seem. To continue in this effort to blacklist Zero Dark Thirty is an affront to artists and their Constitutional right to free speech.
To read public statements made by the Bush and Obama administrations, CIA and Congressional officials between 2008-2011 that inform the film, see G. Roger Denson's post, "Zero Dark Thirty Account of Torture Verified by Media Record of Legislators and CIA Officials."
To read more by G. Roger Denson about Zero Dark Thirty and the social and political responsibility of artists, see his post, Zero Dark Thirty: Why the Film's Makers Should Be Defended and What Deeper bin Laden Controversy Has Been Stirred.
Read other posts by G. Roger Denson on Huffington Post in the archive.


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Dr. Emma Watts is an Art Historian with an interest in the Economy and Ecology of Art; Late 19th Century Graphic Visual Culture; The Material Life of Things. She was awarded her PhD at University of York, UK and has worked in various capacities across academia, fine art and creative industries in the UK, Australia and Hong Kong. She has developed National and tertiary curricula, been active in policy, planning, cultural strategy, collection management and advisory boards for Heritage, Visual Arts, Museums and education.
She currently lectures and writes core curriculum and specialist courses on a variety of art historical themes and currently has five research postgraduate supervisions.
Dr. Emma Watts' research has developed around and about the responses to visual art and culture from the perspective of the economy and ecology of art. Her PhD examined British Art and its Exhibitions in late 19th Century Colonial Australia. This research positioned the accumulation of cultural capital as a trans-cultural exchange and, as an economic and political tool in the creation of the colonial cultural environment. Her research has continued to center around these perspectives and currently includes ongoing research on the accumulation of cultural capital with focus on the international art markets in Hong Kong, how the art market structures differ from other world cities and how they have developed. This research has resulted in major funding and an extended examination of the art markets, the creative ecologies and audience production.
Curatorial, Workshops, Symposiums and other outputs
In the Age of Art: Consumption to Production – Symposium #2. CVA Gallery Space, Communication and Visual Art Building, 5 Renfrew Road, Kowloon Tong, Hong Kong. 28 April 2017.
ConnectXChange – Art History App available on App Play Store and App Store. September 2017
In the Age of Art: Consumption to Production – Environment, Gentrification and Art Basel #1 –Research Film Production. Andrew Hevia, Fullbright Research Scholar. Film Premier (directors cut). 24 September 2016
Art Ecology and Education: Ting Wing Yan Vivian & Emma Watts, Unpacking Global, Asia Art Archive at Art Basel Hong Kong, Hong Kong Convention and Exhibition Centre, Wan Chai, Hong Kong. May 6, 2013.
Watts, Emma. Ingenious: Past Present and Future. Ingenious Media, 23 June – 1 September. London. 2009.
Cultural eXchanges Art Trail – De Montfort University, Leicester, UK. 2006 and 2007
Fluxus Exchange Art Programme – De Montfort University, Leicester, UK. 2007
This Is Serious, The Bridge Foundation, Gippsland Art Gallery, Sale, Australia. June-September, 2004.
Grants & Funding
University Grants Council Hong Kong – GRF. Watts, Emma. "A Constructed Ethnography: The History of the Ephemeral Export Images of Hong Kong." (2017 pending)
University Grants Council Hong Kong. Developing Multidisciplinary and Multicultural Competences through Gamification and Challenge-Based Collaborative Learning. Collaborative grant with Centre for Holistic Teaching & Learning (CHTL), HKBU. (2017)
Hong Kong BU, (CHTL) TDG – Envisioning the Past: A Visual Culture Social Engagement Project. (December 2017 -May 2018)
Robert Ho Foundation, TOE project – Constructing Ethnography: The Export Image of Hong Kong (Sept 2014 -May 2015)
University Grants Council Hong Kong – GRF – ECS – The Cultural Consumption of Visual Art in Hong Kong – (Sept 2014-April 2017).
Hong Kong BU, (CHTL) Strategic Research Development Fund – The Ecology of Art in Hong Kong. (Sept 2013- August 2014).
Hong Kong BU, Faculty Research Grant I – Mapping the Hong Kong Art Markets (Jan 2012 -August 2012)
Watts, Emma. "The Constructed Ethnography: Exporting the image of Hong Kong". (Expected publication 2019)
Watts, Emma. "The Material History of Design in Britain". (Expected publication mid-2019)
Watts, Emma. "In the Age of Art: From Consumption to Production, Art Market Ecology in Hong Kong". (Expected publication late-2018)
Watts, Emma. "In the Age of Art: From Consumption to Production, Art Market Ecology in Hong Kong." In Hong Kong Visual Arts Yearbook 2017. Department of Fine Arts, The Chinese University of Hong Kong. Publication July 2018.
Watts, Emma. "Art Interchange. War and Peace Exhibition at the Royal Academy, London, 1918." Paper presented at Painters and the First World War. Orders, Productions, Collections. Towards a Comparative Story. Université Paris-Ouest Nanterre La Defense, Paris, France. 4-6 December 2014.
Watts, Emma and Ting, Wang Yan Vivian. "Engaging in Art: On Art Ecology and Cultural Consumption in Hong Kong." Paper presented at Ninth International Conference on The Arts in Society. Sapienza University of Rome, Italy. 25-27 June 2014.
Watts, Emma. "The Annunciation." In Transpose – Contemporary Ink Paintings, Koon Wai Bong. Museum of East Asian Art, Bath. 2013
Watts, Emma. "Resting on a Red Leaf." In Transpose: Contemporary Ink Paintings, Koon Wai Bong. Museum of East Asian Art, Bath. 2013
Watts, Emma. "Assessing Influence: Art, Auctions and Audiences in Hong Kong." In Hong Kong Visual Arts Yearbook 2013. Department of Fine Arts, The Chinese University of Hong Kong. 2013
Watts, Emma. "Images in a Meta Landscape – The Work of Ng Sai Kit." Klack, Hong Kong. 2012
Watts, Emma. "Eastern Art through Western Eye." In Synergy Between Traditional And Contemporary Chinese Calligraphy And Seal Engraving, Daniel Chak-Kwong Lau. Asia One Books, Hong Kong. 2011
Watts, Emma. "British Art – Exhibitions and Reception in Late Nineteenth Century Australia." Paper presented at Empire State of Mind: Articulations of British Culture in the Empire, 1707-1997. Lingnan University, Hong Kong. 24-27 May 2011.
Watts, Emma. "The Comic Critic: The Satirical Representation of Fine Art." Paper presented at Modernist Magazines Conference. Universities of Nottingham. 12-14 July 2007.
Watts, Emma. "The Multi – Cultural Symbols Embedded in British Culture." Paper presented at Englishness: Embodiment, Identity and the Hero(ine). University of the Balearic Islands Palma de Mallorca, Spain. 28-29 September 2006.
Early Career Award, University Grants Committee, Hong Kong. 2014
E-Learning Innovation Award, De Montfort University, Leicester, UK. 2006
Dr. Watts encourages a critical examination of assumptions about art, art history, visual culture and the ecologies of art. Through the study and application of art theory and philosophies of art, major currents in art history and art theory provide avenues for exploring and understanding historical and contemporary art and visual culture. These themes and subjects help artists better understand their own work, the reception of their work, potential audiences and provide means of contextualizing and discussing their creative practice.
The ecologies of art and the economies of the creative industries are further perspectives in understanding the visual and material world both past and present.


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Hi, nice post, thanks
Comet Gain
Living on Broken Record Prayers
Aug 27, 2009
Web Exclusive
Comet Gain first caught my ear on their magnificent 2002 album Réalistes. It was a torrid, visceral Motown and Northern Soul-infused record, guided by an overriding aesthetic of recklessness akin to '80s indie acts, such as Orange Juice and Television Personalities. Anathema to anything remotely resembling careerism, the record tapped into an ethos of not allowing age to be an excuse to lose touch with the redemptive, galvanizing power of art and rock music. Such a philosophy has essentially informed everything they've recorded since.
After releasing their Kill Rock Stars swan song City Fallen Leaves in 2005, the band aligned with What's Your Rupture, the finest match yet for their decidedly outsider imperative. The recently released Broken Record Prayers collects sundry singles and ephemera from 1998-2008 (essentially the Mach 2 incarnation of the band after half the original members split to form Velocette), and along with Réalistes it's perhaps their finest record to date. Even though the band's become increasingly tossed-off and silvery with age, the tracks still percolate with a glorious élan, all frayed melodies, broken down instruments, and grizzled production. The hooks are buried like encrusted jewels on a decayed urn, something you need to rub away at compulsively before its ample beauty can be fully revealed.
As a tangential aside, in the liner notes to the recent Vaselines compilation album, critic Everett True likened the Scottish act to "that actor in all the David Lynch films that no one can quite remember the name of." Intentionally or not, he invoked the theme of Broken Record Prayers' opening number "Jack Nance Hair," a conflicted elegy to the late Lynch-favored character actor that laments his cult status while sending up his utterly fucked-up genius, a talent too inherently flawed, unrefined, and uncomfortable to infiltrate the public's consciousness. Which, not coincidentally, is a fine way to describe the off-kilter, casual brilliance that is Comet Gain.
Under the Radar caught up with frontman David Feck prior to a recent Brooklyn gig to discuss the past, present, and future of this gloriously ramshackle act, along with digressions ranging from the bizarre nature of Jack Nance's death, to the ignominious mayor of London, Boris Johnson.
It seems like you've gotten rougher over time, which is the opposite trajectory of what most bands do. Most smooth out the rough edges, but you haven't exactly aged gracefully, which I mean as a compliment.
David Feck: I think it's gotten looser over time. But I really don't know why that is. There's nothing miraculous about it. We've recently brought some maracas into it. But I would be really uncomfortable with continuing a band that played the same instruments, and that would therefore lead on to feeling you had to do everything else the same way, like make a record, tour it, nude photos. All those things and actually putting information on your MySpace about it.
But you've got great stuff on MySpace.
That's because [guitarist] John [Slade] does it. He has nothing else to do. He doesn't work. He puts very young pictures of himself on there. They're twenty years old. He couldn't make this tour and we miss him. He often turns the volume off on his guitar and just pretends he's playing it during gigs.
I was talking to Wyatt Cusick of Aislers Set awhile back and he said he'd seen you play recently and it was utter shambles, but he meant it as the highest compliment.
I've seen Wyatt bounce a crisps packet on his guitar for an entire song, so how dare he say that! But Comet Gain is basically five or six or seven or thirty people looking at each other worried, and just sometimes, somehow it all comes together.
Some of my favorite songs of yours seem almost dismissed, like "Jack Nance Hair" and "You Can Hide Your Love Forever." They were almost impossible to find until this compilation came out.
We don't know what the best songs are. We just do the songs. If someone asks us for a record, we give it to them. Like "You Can Hide Your Love Forever," our friend Sean Price [Fortuna Pop!] said give me a good pop single, and I lied and said I have a really good pop song for you. It's a pop song that references Orange Juice. And we did it in the studio, and it was just because we needed to do it. And there'll be another thing, like we recorded another single the other day, because that was the only song we could play, and it turned out all right. There's no planning. On the albums, the songs, there's a theme or something occasionally, but it's all just junk up in the air, and you never quite think about it.
You recorded this past weekend, correct?
At Gary Olson's studio [The Ladybug Transistor]. He's very easy to record with. A piece of cake. Too easy. We might work with him again soon.
What's happening with the songs?
We're giving them to Kevin Pedersen [What's Your Rupture]. Then he can give them to Sting to record if he wants to. Songs called things like "Fuck Your Mother." Maybe he can send them to Bon Jovi or something when he does a comeback and needs a new edge. [Laughs]
I wanted to talk to you about "Jack Nance Hair." I'd never heard it before the compilation came out, and it's probably my favorite Comet Gain song.
We recorded that twice, once for a single, and then we put it on an album [Tigertown Pictures] as "Jack Nance Rising." The stupid thing is that it was called "Jack Nance Hair." He's basically a symbol of something. Not a symbol, but he represents....
Sort of. It's odd, I don't think I'd even seen Eraserhead when I wrote it. It just could've been Skip Spence hair, or Roky Erikson hair, these people dealing with and releasing demons and misery. Just that they tried their best, and all that kind of stuff and always struggled.
He died a really bizarre death from what I understand.
He was drunk and was punched lightly and died three days later, from some weird internal bleeding, probably because he was an alcoholic. He's one of these forgotten, lost people. He had a tragic life. He was on the phone with his wife apparently when she committed suicide. So yeah, that makes for a great pop song. It somehow managed to fail to make the top of the charts. [Laughs]
How's the tour been thus far?
It's been too long. Three dates. [Laughs] We're just getting over our jet lag, and it's time to stop. But Robyn Hitchcock's been following us around, he's one night behind us and catching up. It's sort of a metaphor for his career.
He actually played here last night.
Ah, he finally caught up to us. That makes sense.
Are you still living in France?
I lived in France for a while. I scared all their children, so I'm back in London. Check mark on France. But I do want to talk about London's Mayor Boris Johnson and all this bullshit he's doing. He's just bumbling around. He likes to refer to himself as BoJo. He was in Beijing and talking about how he's bringing ping-pong back to where it started in London. He's just not right.
So what does the imminent future hold for Comet Gain?
Sean from Fortuna Pop! is going to fund the new album. Well, we think he is. That should be the headline: "A million pounds for the new Comet Gain album and new homes for all the members!" It should be good, with the new songs. Unless it's bad, just really bad if it plummets downwards. Lots of songs, but let's just get through tonight for now.
Submit your comment
September 23rd 2009
April 17th 2011
Thanks for the interview, read with pleasure.
Current Issue
Issue #65
Mar 01, 2019 Issue #65 - Mitski and boygenius
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2 year old Bay Filly
Sire: Rubick Dam: Chalk Ridge
This filly is an attractive yearling by Rubick who was extremely fast when winning the Blue Diamond Prelude and also the Schillachi Stakes. He is by Encosta De Lago out of the Redoute's Choice family, he was a flying machine with good looks and this filly has certainly inherited that. I also train the half-brother, Roadrager, who is shaping up well. The genetics in this family click very well with Rubick and with all the Vobis bonuses attached, this filly was a steal.
Purchased at the Inglis Melbourne Premier Sale for $24K FOH (Other fees may apply)
Video Link: https://www.youtube.com/watch?v=WDsHRZAuww8
For more information call 03 5999 3500


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Empirical evidence suggests that age differences within the classroom in compulsory school have an impact on school performance, which in turn is the entrance ticket to higher education and the labor market. We find that the oldest children in class outperform their younger peers. The result is similar across gender and robust to controlling for sibling fixed effects. On longer term outcomes we find that the youngest pupils in class lag significantly behind their older peers in achieving a high school degree, are less likely to ever enroll into college, and have substantially lower earnings at age 30 years. The effects are more pronounced for boys and for less advantaged children.
That is from the paper "Left Behind by Birth Month" by Ingeborg F. Solli. Malcolm Gladwell made the same argument about hockey players in his book Outliers. [Imagine a world in which all couples schedule the birth of their kids for the last months of every year].


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10 Easy Ways to Improve your Willpower
There are a lot of things which we fail to complete in life just for the lack of will power. This is the common problem which every person has in his life irrespective of their age. There are even individuals who fail to improve willpower for their entire life.
Go ahead and learn how to increase your will power in less time easily.
1. Learn to Handle Stress
If you can manage to handle stress, then you need not worry about your will power. It will surely remain unaffected as your body is not under pressure. Always remember that will power will be reduced when you are hyper or when your stress levels are high.
2. Try For Self-Affirmation
There will be a lot of difference when you can say to yourself that you will fix and stick to a plan. You will never go near bad habits when you say to yourself some positive and powerful words.
3. Have Enough Sleep Daily
Have a minimum of six to seven hours of sleep and check the difference in the productivity which you achieve. The brain will function effectively when you relax more, and this is going to be the biggest power booster which you can ever achieve.
4. Gain Potential with Meditation
Meditation has proven results from many years. Here you have to learn this ancient trick of getting proper focus in achieving anything. You will be able to manage your stress increase will power and can do anything without complaining. Take the meditation training for eight weeks and here you will surely observe the changes in the brain. This is proven as per research.
5. Regular Exercise Helps You
Exercise will be of great help to everyone to boost health and as well to get enough strength to brain and as well body. When you are fit, you will have better focus and your will power will be proper and within your control. You will not get deviated soon.
6. Benefits of Nutritious Food
There will be a lot of difference in your lifestyle if you take proper care of your diet. So make sure to take healthy and nutritious food which will keep your immunity better. Nutrition is vital and plays a great role in enhancing your will power.
Try to increase the diet which is simple and unprocessed as this helps the brain a lot. All the intelligent people do this, and most of them have even agreed that this could be the reason for their success.
7. Try Trick of Postponing
If you feel the task is less important, then postpone it, and you will learn to handle it much better, and your will power will be increased as you have in mind to complete the task, and the chances are that you can even complete the task efficiently.
8. Bite on Dark Chocolate
Chocolate, which is the food of God is loved by everyone. Irrespective of the fear for calories and weight gain, you can now nibble on some dark chocolate which will be great in taste and as well boosts your brain.
9. Go Against your Instinct
Try to tune and train your mind to speak and work against what you are used for and to your instinct.
10. Work on your Cravings
If you feel to eat something very badly, learn to resist your mind. This helps you in increasing your will power.
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text: Erie streets are expected to be slightly safer over the next few weeks as Erie criminals agree to holstering all firearms until the New Year. The agreement came at the December meeting of Erie's Violent Offenders, a group dedicated to keeping the city's gun crime within a set of tasteful rules. "We know that eliminating this type of crime from Erie is not a realistic goal," the group's President said. "We just want to make sure that when people are firing at each other it's in a sporting way. It's not very sporting using your guns during Christmas. We may be criminals, but we're not savages." The cease fire went into effect Sunday and will remain in effect until January 2nd. Members of the group who disobey the agreement will be dealt with at January's meeting. "There are some extreme measures we are prepared to take to deal with disobedience," the president said. "Our bylaws allow for us to actually cooperate with police in extreme cases. Failure to comply with the Christmas cease fire would be one of those cases." It should be noted however that the temporary treaty only includes firearms. All blunt objects and blades are still permitted.


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Planned Parenthood launches initiative to mandate health insurance coverage for birth control Posted: October 12th, 2010
The reproductive health activist group, Planned Parenthood, has launched a new campaign entitled Birth Control Matters. The organization is hoping to collect enough petition signatures to pressure the Department of Health and Human Services (HHS) to including birth control as a mandated preventive service that must be covered for free by health insurance companies.
As part of the health reform legislation, health insurance companies are required to offer women's preventive health care services without a deductibles, co-insurance or co-payments. The HHS is expected to issue a list of required preventive services in August 2011.
According to Planned Parenthood, co-payments for birth control can range from $15-$50, putting it out of reach for many women struggling to make ends meet. The organization also points to overwhelming public support for a birth control mandate.
A survey conducted by Hart Research Associates found:
- 71 percent of all voters believe birth control should be mandated coverage
- 60 percent of male voters support the mandate while 81 percent of women voters are supportive
- 55 percent of women ages 18-34 have struggled with the cost of birth control
- Latinas report greater difficulty paying for birth control than African-Americans
Opposition to health insurance coverage for birth control is led by the U.S. Conference of Catholic Bishops. The conference has notified the HHS of its opposition, arguing that birth control does not seek to cure any disease and that mandating coverage could force Catholic institutions and employers to support a practice that violates their moral code.


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ISRO Scientist Engineer Recruitment 2018 – 2019
A recruitment notification has been released for filling various posts of Scientist / Engineer in Indian Space Research Organisation (ISRO). For this recruitment process, online applications are invited from well qualified Indian candidates under certain eligibility criteria.
Recruitment Details:
Name of the Post: Scientist / Engineer SC – Electronics (Code: BE 001)
Number of Posts: 32
Name of the Post: Scientist / Engineer SC – Mechanical (Code: BE 002)
Number of Posts: 45
Name of the Post: Scientist / Engineer SC – Computer Science (Code: BE 003)
Number of Posts: 29
Eligibility Criteria:
Essential Qualification: Applicants are required to possess BE / B.Tech degree in First Class or equivalent with an aggregate minimum of 65% OR CGPA 6.84/10.
Age Limit: Maximum 35 years as on 20 February 2018 and relaxation in upper age limit will be provided to reserved categories, as per Government norms.
Application Fee:
Applicants are required to pay an amount of Rs. 100 by online mode of payment or by offline mode at any State Bank of India (SBI) branch. (SC / ST / Women / Ex.SM and PWD candidates are exempted from application fee payment)
How to Apply:
Candidates fill their online application form completely in the prescribed format, at the recruitment portal of Indian Space Research Organisation (ISRO).
Read all important instructions and guidelines completely for filling your online application form.
Important Dates:
Starting date for filling online application form: 31 January 2018
Last date for filling online application form: 20 February 2018
All interested candidates must go through official notification, to get further essential information about this recruitment process.
For more details Click Here


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When it comes to retirement planning and wealth management, people often look to an adviser or broker for guidance. In fact, history has proven this to be a very smart move. Seeking professional assistance can be the most difficult, yet most important step to determining which investment strategy is right for you. Many investors want financial advice from an actual human being. And most feel more comfortable with an adviser they can speak with in person. This usually involves a search for some type of financial planner. You find a potential adviser either through word of mouth, aggressive advertising campaigns (more on this later), or hours spent searching for "the best investment adviser" on Google. In the end, you will either settle on a Registered Investment Advisor (fee only fiduciary) or a broker dealer. Chances are, you didn't even know there was a difference! There is, and it is crucial to understand this difference before you trust your future with a relative stranger.
Both the RIA and the broker offer investment advice, but please realize that not all investment advice is equal. The profit motive for each type of financial professional is very different.
What is a broker dealer?
Do you want to trust your financial future to this guy?
Broker dealers are entities that facilitate securities and other investment transactions. Most firms that one would consider a "stock brokerage" act as both brokers and dealers thus referred to as "broker dealers" by industry regulators. Broker dealers often include traditional Wall Street organizations, large commercial banks, and investment banks. They often employ representatives who act as advisers that will help you determine which investments you should purchase. In addition to being paid by the broker dealer firm, these representatives earn additional paychecks directly from the investment companies and mutual funds. These commissions are based on selling their products. So as you can see, broker dealers earn more by selling you specific products, not by improving the performance of your investment portfolio. You may have also noticed that many of these broker dealers have huge advertising budgets. You may have even been "cold called" by one of these firms. Their ads are on thousands of billboards and commercials. They make investing your hard earned savings seem as simple as following a "green line" or knowing your "magic number" for retirement savings. They feel that once they get you in the door, their highly trained sales force (who call themselves advisers) and
Do you want an adviser that spends his time like this?
advanced marketing techniques will easily manipulate you into buying their heavily loaded or high sales commission products. The worst part is you will likely walk out the door feeling great about your poor decision.
Also, be aware that broker dealers are not required to meet a fiduciary standard to their clients. Actually, the representatives of these firms have a responsibility to put the company's interests first and the client's second. These representatives can also recommend products that may pay them or their organization a larger commission even if there are dozens of better products available (many of which may be a better fit for your personal situation). Don't worry, these organizations aren't allowed to completely take advantage of you. They are required to make recommendations that meet the client's "suitability." You should be aware of their standards of "suitability" and what is involved in their decision process before doing business with a broker dealer. As you can see from the SEC's loose definition of "suitability", it can be quite difficult to prove that a broker dealer chose an "unsuitable" investment product for your portfolio.
Conclusion: broker dealers serve Wall Street… Not you!
Why is a Registered Investment Adviser (RIA) different?
Registered Investment Advisers have completed the necessary qualifications to be registered with the SEC and applicable state agencies. Typically RIAs work with clients directly and help them manage their assets. RIAs usually charge based on a percentage of assets under management. However, some charge a flat rate or a rate based on hourly work. Fee-only RIAs are the most popular as they do not earn any outside commission. This means their only paycheck is coming from their clients. For example, if a fee only investment adviser earns 1% AUM (that's a industry term for "Assets Under Management"), the only way to increase his or her pay is to grow your investments. This really helps ensure that there are absolutely no conflicts of interest. This model is better designed for ensuring that the client's happiness is the adviser's number one priority. This is the logic used by trusted radio personality and personal finance guru, Dave Ramsey, who recommends Fee Only Investment Managers (or Fee Only Fiduciaries) as the only sensible option for your personal wealth management.
The most important trait of an RIA is that they are required by law to act as a fiduciary to their clients. This is crucial because they absolutely have to put the client's interests above their own. So when you have received advice or a recommendation from an RIA, you can be confident that they truly believe that their recommendation has your best interest at heart. It is important to remember that a Fee Only RIA makes more money when you make more money. In contrast, if your portfolio loses value, the RIA will also be taking a pay cut. So, as you can see, the incentives for an RIA line up perfectly with the clients needs. It is in the best interest of the RIA to safely grow your savings.
Conclusion: RIAs serve you… Not Wall Street!
Let's take one more look at RIAs vs Broker Dealers:
When all is said and done, you are the one in control of your financial future. After reviewing your goals, you may wonder if you even need to hire an advisor. Unless you have the proper tools, time, inclination and experience, you need a financial adviser. Whichever adviser you choose to assist you can have great implications. It is definitely smart to thoroughly research and understand your options before making a selection. After all, you are trusting someone with your savings that have taken a lifetime to build.
If you are looking for a fee only fiduciary who is willing to work with you to develop a low cost, customized investment portfolio that meets your needs, please schedule a meeting with me. You can fill out this form to set up an appointment or pick up the phone and call (205) 379-1049. If you enjoyed this article, please like and share on social media. There are buttons below for your convenience. If you would like to read more from Clint please visit our Knowledge Base for our latest articles and financial tips.
Good luck on your search,


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Kendall Community Preschool and the Indigenous Community – Supporting Inclusive Practices
Kendall Preschool is committed to building and maintaining positive, respectful relationships with the Traditional Custodians of the Land, the Biripi People. Regular consultation with key community members, including Elders and recognized community members, Land Councils and local families has been identified as the most appropriate means for building positive relationships. We are committed to providing all children and families with real, meaningful experience that build respect and knowledge for Aboriginal People and the Aboriginal Culture. The implementation of De Bono's 6 thinking hats, and the creation of a 'Red, Black and Yellow' hat has enabled the preschool to implement a holistic inclusive program.
We believe the Aboriginal Community provide the ultimate knowledge for developing environmentally sustainable practices, and we value the knowledge and stories that is shared with the preschool community. Recognition of the Traditional Owners/ Custodians of the Land is more that the creation of a sign, or the addition of a flag, and means we need to consider carefully how we represent ideas and information in ways that promote respect and community.
Over time we plan to introduce the Gatthang language of the Biripi people to children and families in formal and informal ways.
We plan to work closely with artists to share knowledge through story, visual arts, dance and drama.
We plan to create an environment that represents the value of inclusion for all children and families, in ways that bridges the gap, and provides a model for other services to follow.
We believe the sharing of information and knowledge during the early years is a critical part of building positive relationships that bind communities. Sharing stories about the land, including Biripi totems, significant landmarks, and traditional knowledge is a step towards providing a holistic education for all children and families.
We have set up an environment that provides opportunities for community members to link with children and traditional learning, through weaving, storytelling, exploration of bush tucker, including Sugar Bag, a product of our native bees.
Opportunities to engage in celebrations, important days and events is a high priority, and an example of this was the turn out of 15 families to celebrate National Tree Day at Bird Tree in the Middle Brother State Forest.
We are excited about our future direction, and recognize the time and space required to build and maintain respectful relationships with the Aboriginal Community. Through collaboration, children, families and the wider community will benefit from our intentional interactions that lead to respect, and create meaningful learning experiences from Traditional Practices and ways of knowing.


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Designed for youth players, the Wilson 11.5" A500™ baseball glove model is crafted in the same style as their new DP15 SS Pro Stock model. This 11.5" model is perfect for young infielders and utility players. The A500™ is one of the lightest all-leather glove on the market. The glove's top grain leather provides a flexible, ready-to-play feel that performs without the extra weight of other leather gloves.
- H-Web design
- Top Grain Leather
- Real leather laces
- Double Palm construction (front side)
- Rolled Dual Welting™
- Throwing Hand: Right
- Glove Size: 11.5"
- Vendor Product Number: WTA05RB18115