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Matthew Hyde
Matthew Hyde is a literary translator from Russian and Estonian to English. He has had translations published by Pushkin Press, Dalkey Archive Press (including the Best European Fiction anthology for the last four years running), Words without Borders and Asymptote. Prior to becoming a translator, Matthew worked for ten years for the British Foreign Office as an analyst, policy officer and diplomat, serving at the British Embassies in Moscow, and Tallinn, where he was Deputy Head of Mission. After that last posting Matthew chose to remain in Tallinn with his partner and young son, where he translates and plays the double bass. He has recently recorded an album of his own compositions with leading Estonian jazz musicians: Nordic Blues, available on bandcamp. He translated The Death of the Perfect Sentence for Vagabond Voices in 2017.


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Brass Band Schoonhoven won the Dutch Open at the De Lawei Theatre in Drachten on the weekend in high-class, enterprising style.
Under the direction of Ivan Meylemans, their confidently delivered 30-minute set claimed a narrow, single point margin of victory over Dutch National champion De Waldsang, with Brass Band Groningen in third.
The winner took away the Dutch Open trophy plus the 500 Euro first prize, as well as the opportunity to perform in a Yamaha sponsored event later in the year.
Schoonhoven opened with 'Sang Till Norden' arranged by Lode Violet, before soloist Denis Vork gave a mini-masterclass in the art of flugel playing with a wonderful rendition of Rachmaninov's 'Zdes' Khorosho' ('How Fair This Place') to deservedly take the 'Best Soloist' award.
They rounded things off with a scorching performance of their own-choice test-piece, 'Perihelion- Closer to the Sun'.
The judges were suitably impressed. "Great playing throughout the programme and a fantastic performance of Perihelion" wrote Jan Van der Roost, whilst Danny Oosterman added: "I really enjoyed these performances by a great band and conductor."
Speaking to the Dutch website CUBrass who covered the event, the winning MD said that he couldn't have asked for anything more form his hard working band. "I'm thrilled and very proud by the way they played," Ivan Meylemans said.
"After such a busy period I couldn't have asked for anything more. We needed to deliver as the last band to perform and we did just that."
Meanwhile, Band Manager Leon Monteny told 4BR: "The band played very well, especially on the test piece 'Perihelion' and with our soloist Denis Vork on tremendous form.
We have continued to work hard since enjoying our involvement in the European Solo Competition, and we now look forward to playing at the Gala Concert of the Duren Brass Summer School in Germany. This victory is also a huge boost as we will prepare for the Dutch National Championships later this year."
National champions second
Seeking to make it a National/Open 'Double', De Wâldsang Buitenpost led by Rieks van der Velde pushed their rivals all the way to the finishing line to end runner-up for a second time.
They opened with 'Fanfare in Orange' by Christian Overhead followed by 'Abide with Me', the solo 'Moon Song, Sun Dance' featuring Mariska Postma on flugel, and a reprise of their recent European Championship own-choice selection of 'Fraternity'. Their excellent percussion team took the CU Brass Award 'Best Section' award.
Meanwhile, a highly entertaining Provinciale Brass Band Groningen led by Richard Visser took the final podium place and 'Most Innovative Programme' award.
They opened with 'Cadillac of the Silver Screen' before exploring Welsh lyricism in 'Calon Lan', the perils of outer space in 'Destination Moon' and the evangelical celebrations of 'Can't nobody do me like Jesus' to close'.
Defending champion Brass Band Rijnmond, seeking a hat-trick of victories, failed to find favour with the adjudication team of Jan Van der Roost and Danny Oosterman as they came seventh, beaten by the top-six finishers of Soli Brass, Pro Rege Heerenveen and Amsterdam Brass.
Second Division
In the Second Division there was victory for Brass Band Constantijn Huygens led by Richard Visser, as they delivered in fine style to claim the 250 Euro first prize.
Opening with 'Prismatic Light' by Alan Fernie, they showed contrast with 'Lord, Thou Art Questioning', before delivering an exciting filmatic account of their own-choice test piece, 'Babylon' by Thibaut Bruniaux and 'Solum Valeo' by Dean Jones to close.
It gave the band a clear two-point margin of victory over rivals Brass Band De Bazuin Oenkerk B, who took the 'Best Section' and 'Best Soloist' prize.
They opened with 'Capriccio for Brass', before cornet player Johanna Schonrock delivered a cultured rendition of 'II Himmelen' before 'Bellum et Pax' was followed by 'Light Walk'.
Meanwhile, Belgian visitors Brass Band Mercator took the 'Most Innovative Programme Award' in coming third, with a set that opened with 'Through the Flames' before moving through 'Black Hole' from 'Supernova', 'Ex Terra Lucem' and 'Balkan Dance'.
This victory is also a huge boost as we will prepare for the Dutch National Championships later this yearBrass Band Schoonhoven
Championship Division:
Adjudicators: Jan Van der Roost & Danny Oosterman
1. Brass Band Schoonhoven (Ivan Meylemans) — 96
2. De Wâldsang Buitenpost (Rieks van der Velde) — 95
3. Provinciale Brass Band Groningen (Richard Visser) — 92
4. Soli Brass (Anne van den Berg) — 91
5. Pro Rege Heerenveen (Anne van den Berg) — 89
6. Amsterdam Brass (Pierre Volders) — 87
7. Brass Band Rijnmond (Erik van de Kolk) — 86
Solo Prize: Dennis Vork (flugel) — Brass Band Schoonhoven
Most Innovative Programme Award: Provinciale Brassband Groningen
CUBrass Best Section Prize: Percussion (De Wâldsang Buitenpost)
Second Division:
1. Brass Band Constantijn Huygens (Richard Visser) — 94
2. Brass Band De Bazuin Oenkerk B (Sietse Hamersma) — 92
3. Brass Band Mercator (Lode Violet) — 91
4. Brass Band Roosendaal (Frank de Jong) — 87
Solo Prize: Johanna Schonrock — cornet (Brass Band De Bazuin Oenkerk B)
Most Innovative Programme: Brass Band Mercator
CUBrass Best Section Prize: Percussion (Brass Band De Bazuin Oenkerk B)

subset: commoncrawl


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Position: Customer Service Officers (Tanzania Nationals Only)
Our client, a fast growing multinational financial institution seeks qualified and experienced personalities to fill the position above. The positions will be based in Moshi and Arusha.
Job Purpose
* To effect healthy administrative processes within the branch
* Assess and provide feedback on customer satisfaction
* To ensure the generation of leads through superior Customer Service to Walk in Clients, Existing
* Clients and Telephonic Enquiries
* To form the support base for Relationship Officers and all other Staff within the Branch
Minimum Requirements
§ A Degree in a business related field*
§ A minimum of 2 years experience in an administrative role.
If you meet the above requirements, send an application letter and a detailed CV with three professional referees including daytime contacts to email@example.com or frankmconsult @yahoo.com on or before 29th May 2014 indicating the position and location on the subject line for example Relationship Officer – Arusha.


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Anyone who knows me at all knows that I think of vampires as unnatural, fetid parasites, with all the connotations that brings. ("Breath of the grave." "Oh yeah, he's hot, if you think old tepid blood is, um, hot.")
So in my feverish afternoon I did come up with one idea of vampires in Amber that I liked.
See, it was all based on the "unto the third generation," line oft-quoted. What if you couldn't actually walk the Pattern after that?
Then my brain said, "No problem, that's why we keep Dworkin hooked up to the tubing. A few transfusions of the old shapeshifter's blood and we can go anywhere but this creepy dump."


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I just bought an ultrabay caddy for my Thinkpad Edge E530 (3632QM i7 quad core). The ultrabay first did not fit inside but I removed some plastic juts from it with a knife and drill . Now it fits in the slot, and the hard drive does seem to work when the machine is on.
The only problem is that when you try to shut down the computer or reboot, it "thinks" for about 10 minutes before it actually shuts down the computer or reboots. I tried many things, I installed OS from scratch and it still does it. Immediately when I disconnect the ultrabay and put the machine on again the problem disappears. I tried changing various settings from BIOS but it does not help. I disabled rapidstart and removed the 16GB SSD, no change.
OS is Win7-64bit. Any idea what could be causing this...? I think the most logical quess would be that something assumes that there is still an optical drive inside the computer even that there isn't and this causes the delay. Although I really don't understand how this could be as SATA is standard bus and you should be able to connect anything into it.
By the way the Ultrabay i bought is made by Leicke:
BIOS version is the latest (was it 2.08 or something...?)
OK, so I examined the issue more and it seems to be about power management. When I disable Intel Speedstep and the setting below it (CPU Power Management was it...?), this problem disappears. I also noticed that the same delay is when I try to get the computer to sleep.
Of course it is not really good idea to use a laptop without these settings being on so another solution must be found. I guess there must be BIOS support for a hard drive in the DVD-bay in order for it to work with power management enabled. The question is that 1. should there be such a support...? 2. if there isn't will there be with a BIOS update...?
Btw.. I tested with 2 hard drives with both the same issue.
If it becomes clear that there is no way to get a hard drive to work in DVD-bay with power management on, can you make such configuration that you buy 256GB msata SSD, install OS into it, and have a hard drive in the normal HD-bay...?
Or would the machine go crazy when it tries to search for a non-existing rapidstart partition from msata...?
|Kudos Count


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At 9am on September 9th 2017, the Ottawa East Community Association is organizing a circumnavigation event around Rideau Island in downtown Ottawa, Ontario. The beautiful day-long 20k paddle will take place around the Rideau Island, which is the land surrounded by the Rideau River on the east, the Ottawa River on the north, and the Canal on the west. The paddle is feasible for recreational canoeists and kayakers, but they suggest bringing portaging wheels for the three long portages across Carleton University, around the Rideau Falls, and from the Ottawa River up to the top of the locks on the Rideau canal.
People are welcome to start with Old Ottawa East paddlers but can also join in from their home communities. After a long day of paddling, people are welcome to a celebratory barbecue where they can share their stories from the day!
In order to take part in this event, it costs $5 per person or $10 per family. If this seems like something that tickles your fancy, check out the event page, Canada 150 Circumnavigation, for more details!


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Shivpuri was the summer capital of Scindia kings of Gwalior. In Shivpuri, the Scindia kings built the auspicious Palace, hunting ground and marble decorated canopies.
Mahadev National Park : is located eight kms away from the city amidst green forests, topsy- turvy hills which spreads over 156 sq. kms. It remains open throughout the year. The forest is abode of various panthers, tigers, cheetahs, wild boars, deer, antelopes etc. Chand Pata named artificial lake is the shelter place for migrant birds. On one corner of the forest, in SakhyaSagar Lake, diverse types of creatures enhance its beauty. Boating can also be enjoyed in the lake.
The cenotaphs of MadhavRao Scindia and SankhyaRaje Scindia, Madhav Vilas Palace are the top most specimen of architectural zenith.
9 Nights - 10 daysStarting Price $324.00
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Is it time to take your life in a different and new direction?
Are you bored? Scared? Tired of the status quo?
Feeling numb about life in general and ready to get your life force flowing again?
If so, It's time for you to take charge and cut some Fresh Tracks!
It's my belief that work and life should be a fun adventure – not drudgery you must get through each day. We are alive to experience growth, expansion, and play. Now is the time snap yourself out of that numb, barely there place and feel alive again!
How do you achieve this 'alive' state and break out of the numbness? By carving your own path, following your passion, and listening to your intuition. Combine that passion with self-knowledge and proven best practices to achieving what you want in life and you're on the road to success!
To do this you must trust yourself and learn to trust your next step — which I feel so passionately about I wrote a book about how to do just that!
One thing I know from working with people from all corners of the world for over 17 years is you don't create the lifestyle you desire by following cookie-cutter formulas and walking down the same path everyone else does. If achieving money, success and happiness worked that way we would all be millionaires, successful and living our dream life with ease!
Trust Your Next Step
Happiness and success come by being confident in who you are and how you help others, having fun at work and in life, and most of all, knowing that all of it – the major meltdowns and mistakes as well as the joys and achievements – are part of your journey. You achieve happiness and success by honoring your path and by living your divine purpose. By taking action in a concerted and focused manner.
Imagine the confidence you exude as you enter a room or as you embark on your next grand adventure. It's the confidence that comes from knowing who you are, why you do what you do, and that you are meant to be here helping others. This is how we live when we know we are living our divine purpose.
Being the first one to pave the way for the others that will be following is often our calling in life and business. You are probably here today because you have something important to say. Something others need to hear and…. It's personal. It's spiritual. It's unique to you.
Creating the Confidence to Cut Fresh Tracks
Kelly Robbins, MA


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I am lucky enough to visit teach a true gem. Her name is Barbara, and she is 85. In addition to our official monthly visits, I call Barbara and pop over to see her occasionally. Barbara is spunky, witty, wise, and in all ways delightful. She struggles to hear and to move around, but that doesn't stop us from having great conversation. Today we had a date to play Phase 10 at her kitchen table. It came down to the last hand, but Barbara won the game. Even so, she wasn't thrilled about posing for a picture.
It's tough for me to get away from my house and responsibilities long enough to enjoy afternoons like this, but if I had my way, I'd spend most afternoons with Barbara, playing cards, sucking on lollipops, and laughing until our sides hurt. She's the best.


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Green Kitchen White Cabinets
Green kitchen white cabinets create an innovative traditional kitchen theme with enchanting beautiful appearance. White cabinets with green kitchen color can be an excellent kitchen color idea to create beautiful kitchen. It is something inevitable that trends after trends dominate any design including in kitchen design. The modern kitchen designs have the simple yet bright in appearance with a bit of personality pouring in form of patterns, colors, shapes or unique finishes. Well, there are many popular kitchen designs which have become trends since they are quite practical, beautiful and provide spacious kitchen workspace which makes comforting atmosphere. The design of kitchen in this modern era has particular characteristics and it is worth to consider if you are planning on kitchen remodeling. Kitchen paint color ideas are required to achieve an innovative modern kitchen appearance with high rank of beauty and value as one of main interior space of a house. If you want to create an innovative kitchen color with white cabinets, then green can be a wonderful color idea to apply.
Green Tile Backsplash with White Cabinets
Well, it is not always as a must that kitchen color is dominated by kitchen wall since other portions of kitchen can also be decorated with attractive color to create a beautiful kitchen. There are kitchen portions which have to complement each others such as cabinets and backsplash. If you have white cabinets and want to create an innovative kitchen color which does wonderful in complementing your white cabinets, then you can choose green colored backsplash. You can create an astonishing backsplash which is made of green granite material but since granite is expensive, then you can choose tile as the replacement. Green ceramic tile backsplash will be an excellent idea to create the beautiful and durable backsplash which does wonderful in complementing white kitchen cabinets to create an innovative traditional kitchen color. Another excellent green colored tile material for backsplash is green subway tile which is unique and affordable in price. There are some advantages of these green tiles for backsplash which do wonderful in complementing white kitchen cabinets such as beautiful, durable, strong, easy to clean for maintenance, heat resistant, scratch resistant, stain resistant and easy to install. It is going to be perfect choice if you have limited budget but it is taken for granted that you will find it very advantageous.
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21. Sadler, P.M., Sediment accumulation rates and the completeness of stratigraphic
sections, J. Geology 89( 5):569–584, 1981.
22. Bailey, R.J. and Smith, D.G., Scaling in stratigraphic data series: implications
for practical stratigraphy, First Break 10: 57–66, 2010.
23. Miall, A.D., Updating Uniformitarianism: Stratigraphy as just a set of 'Frozen
Accidents'; in: Smith, D. G., Bailey, R.J., Burgess, P.M., and Fraser, A.J. (Eds.),
Strata and Time: Probing the Gaps in our Understanding, Special Publication 404,
Geological Society, London, 2015.
24. Oard, M.J., Hergenrather, J., and Klevberg, P., Flood transported quartzites—
east of the Rocky Mountains, J. Creation 19( 3): 76–90, 2005; Oard, M.J.,
Hergenrather, J., and Klevberg, P., Flood transported quartzites; part 4—diluvial
interpretations, J. Creation 21( 1): 86–91, 2007; Oard, M.J. and Klevberg, P., A
diluvial interpretation of the Cypress Hills Formation, Flaxville gravels, and
related deposits; in: Walsh, R. E. (Ed.), Proceedings of the Fourth International
Conference on Creationism, technical symposium sessions, Creation Science
Foundation, Pittsburgh, PA, pp. 421–436, 1998; Oard, M.J. and Klevberg,
P., Deposits remaining from the Genesis Flood: rim gravels in Arizona,
J. Creation 21( 1): 86–91, 2007.
25. Barnhart, W.R., Hurricane Katrina splay deposits: hydrodynamic constraints
on hyperconcentrated sedimentation and implications for the rock record,
Creation Research Society Quarterly 48( 2):123–146, 2011; Barnhart, W.R.,
A hydrodynamic interpretation of the Tapeats Sandstone, part I: basal Tapeats,
Creation Research Society Quarterly 48( 4):288–311, 2012; Barnhart, W.R., A
hydrodynamic interpretation of the Tapeats Sandstone, part II: middle and upper
Tapeats, Creation Research Society Quarterly 49( 1): 19–42, 2012.
26. Austin, S.A., Nautiloid mass kill and burial event, Redwall Limestone (Lower
Mississippian), Grand Canyon Region, Arizona and Nevada; in: Ivey, R.L. (Ed.),
Proceedings of the Fifth International Conference on Creationism, Creation
Science Fellowship, Pittsburgh, PA, pp. 55–99, 2003.
27. Lalomov, A.V., Flood geology of the Crimean Peninsula, part I: Tavrick
Formation, Creation Research Society Quarterly 38( 3): 118–124, 2001; Lalomov,
A. V., Flood geology of the Crimean Peninsula, part II: conglomerates and gravel
sandstones of the Demerdji Formation, Creation Research Society Quarterly
40( 1): 17–23, 2003; Lalomov, A.V., Turgarova, M.A., and Platenov, M., Research
of paleohydraulic conditions and determination of actual time of sedimentation
of Cambrian-Ordovician sandstones of St. Petersburg region, part II, Final
Report for 2005 ARCTUR (Moscow) and Lithological Department of Geological
Faculty of St. Petersburg State University, 2006.
28. Berthault, G., Sedimentological interpretation of the Tonto Group stratigraphy
(Grand Canyon Colorado River), Lithology and Mineral Resources 39( 5):480–484,
2004. See also, Berthault, G., Analysis of the main principles of stratigraphy
on the basis of experimental data, Lithology and Mineral Resources 37( 5):
442–446, 2002.
29. Howe, G.F. and Froede Jr, C.R., The Haymond Formation boulder beds, Marathon
Basin, West Texas: theories on origins and catastrophism, Creation Research
Society Quarterly 37: 17–25, 1999. Froede Jr, C.R., Neogene sand-to-pebble
siliciclastic sediments on the Florida peninsula: sedimentary evidence in support
of the Genesis Flood, Creation Research Society Quarterly 42:229–240, 2006.
30. Sigler, R. and Wingerden, V., Submarine flow and slide deposits in the Kingston
Peak Formation, Kingston Range, Mojave Desert, CA: evidence for catastrophic
initiation of Noah's Flood; in: Walsh, R.E. (Ed.), Proceedings of the Fourth
International Conference on Creationism, Creation Science Fellowship,
Pittsburgh, PA, pp. 487–501, 1998.
31. Oard, M.J., The Missoula Flood Controversy and the Genesis Flood, Creation
Research Society Books, Chino Valley, AZ, 2004.
32. Oard, M.J., The Great Missoula Flood: Modern Day Evidence for the Worldwide
Flood, Awesome Science Media, Canby, OR, 2014.
33. Oard, M.J., Origin of Appalachian geomorphology, Part I: erosion by retreating
Floodwater and the formation of the continental margin, Creation Research
Society Quarterly 48( 1): 33–48, 2011; Oard, M.J., Origin of Appalachian
geomorphology, Part II: surficial erosion surfaces, Creation Research
Society Quarterly 48( 2): 105–122, 2011; Oard, M.J., Origin of Appalachian
geomorphology, Part III: channelized erosion late in the Flood, Creation
Research Society Quarterly 48( 4):329–351, 2012.
34. Bailey, R.J. and Smith, D.G., Quantitative evidence for the fractal nature of
the stratigraphic record: results and implications, Proceedings Geological
Association 116:129–138, 2005.
35. Reed, J.K., Changing Paradigms in Stratigraphy, "A Quite Different Way of
Analysing the Record", J. Creation 30( 1): 83–88, 2016; p. 87.
36. Reed, J.K., Toppling the Timescale, Part II: Unearthing the cornerstone, Creation
Research Society Quarterly 44( 4):256–263, 2008; p. 261.
37. From Reed, J.K., Rocks Aren't Clocks, Creation Books Publishers, Powder
Springs, GA, 2013.
38. Baumgardner, J.R., Numerical modeling of the large-scale erosion, sediment
transport, and deposition processes of the Genesis Flood, Answers Research J. 9:
1–24, 2016.
39. Oard, M.J. and Reed, J.K., How Noah's Flood Shaped Our Earth, Creation Book
Publishers, Powder Springs, GA, 2017.
40. Hill, C., Davidson, G., Helble, T., and Ranney W. (Eds.), The Grand Canyon:
Monument to an Ancient Earth—Can Noah's Flood Explain the Grand Canyon?
Kregel Publications, Tulsa, OK, 2016.
41. Hill et al., ref. 40, p. 85.
42. Hill et al., ref. 40, p. 99.
43. Hill et al., ref. 40, p. 102.
44. Personal observations of Oard.
45. Hill et al., ref. 40, p. 103.
46. Silvestru, E., The riddle of paleokarst solved, J. Creation 15( 3): 105–114, 2001.
47. Woodmorappe, J., More evidence against so-called paleokarst, J. Creation 15( 3):
100–104, 2001.
48. Silvestru, ref. 46, p. 109.
49. Roth, A.A., 'Flat gaps' in sedimentary rock layers challenge long geologic ages,
J. Creation 23( 2): 76–81, 2009.
Michael J. Oard has an M.S. in atmospheric science
from the University of Washington and is now retired
after working as a meteorologist with the US National
Weather Service in Montana for 30 years. He is the
author of Frozen in Time, Ancient Ice Ages or Gigantic
Submarine Landslides?, Flood by Design, Dinosaur
Challenges and Mysteries, and Exploring Geology
with Mr. Hibb. He serves on the board of the Creation
Research Society.
John K. Reed earned B.S., M.S., and Ph.D. degrees
in geology. He worked for several decades as a
professional geologist in industry and academia. In
1998, John became the geology editor of the Creation
Research Society Quarterly, and was subsequently
elected to the CRS Board of Directors. He has written
and edited numerous books and articles about creation
and natural history.
Click to subscribe to this magazine


text:
The Mighty Mite VPSS-F is a true single coil Strat-style vintage pickup for the neck position. The VPSS pickups produce a warm, vintage sound with good sustain and clarity. The VPSS pickup features staggered pole pieces, Alnico 5 magnet, two conductor cable, v-shaped base plate, wax potted, taped coil, removable cover. Combine with the VPSS-M (middle) and VPSS-R (bridge) pickups for a complete vintage pickup set. Includes mounting screws and spacer.
Magnet: Alnico 5, single coil, staggered
Position: neck
Wiring: Two conductor (+/-)
String spacing: 1-31/32" (standard)
DC Resistance: 5.2k ohm


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