text:
What is Renewable or Alternative Sources of Energy?
Dear Customers! We appreciate your interest in the environmentally clean renewable sources of energy. In the following draft, you will find all the basic and relevant information required to make you further convinced about your rational choice in choosing renewable sources of energy for your energy requirements. Renewable sources of energy include different natural sources like solar, wind, bio, hydro and tidal energy sources which are used to produce electricity. These natural sources are considered as environmentally clean (pollution free) and alternative sources of energy across the globe. Using these sources of energy to fulfill our daily power requirements and to compensate for existing power crisis in different parts of the world is at the top priority of global political agenda led by United Nations (UN) and other international forums.
Where does INNOSOL stand here?
INNOSOL is proud to be an active industrial player in delivering these alternative energy solutions in Pakistan, as we have committed ourselves to be a renowned business leader in providing 'Innovative Solutions' for your all daily needs and requirements. In energy sector, our future vision is to become the leader in delivering these renewable or alternative sources of energy solutions either as a standalone option or in a hybrid mode in order to complement one source of energy with other alternative energy sources for the fulfillment of our all energy requirements at homes, offices, public places, shops and industrial sites. We have currently launched solar panels in the first phase with the brand name of 'ENERSOL' which will be later complemented with wind-turbines and bio energy solutions in the second phase. Hence, the following mentioned details are more focused on the business case of solar panels to explain why we should prefer this solution over other environmentally polluted and expensive solutions looking from the long-term perspective?
Why to prefer Solar Panels and Wind Turbines over Generator based UPS solution?
Here we make a detailed comparative analysis and evaluation step by step of the two competitive solutions i.e. the solar panels (and hybrid systems complemented with wind turbines) vs. UPS supported backup system and on-grid power supply.
Let's first start with the micro-economic perspective. A typical UPS system with battery costs 15,000-25,000 Rs. with an additional cost of generator 10,000-15,000 Rs. UPS when used as standalone backup system has severe limitations since its battery requires to be remained charged all the time in order to prolong its uninterrupted power supply (as its name claims for) in order to support over the longer duration of backup time. Typically the backup time of a UPS supported system is less than half of its battery charging time; hence it means that, to support a backup time of 2 hours, the battery needs at least 4 to 5 hours of charging time. Now consider whether this could be a solution in case of currently experiencing frequent load shedding (with no power supply available to charge UPS connected battery). Also consider here the unpredictable schedule for this frequent load shedding which sometimes exceeds 10 hours a day in the urban areas and up to 20 hours in the rural areas at the time of peak power crisis? So it is not then possible to keep the battery charged all the time i.e. in ready to use condition due to unpredictable load shedding hours in most part of the country. The situation about load shedding is expected to get even worse in future due to existing water shortage and apparently no viable and visible planning on behalf of government in developing sustainable, long-term and low cost power projects.
Now we look at the UPS standalone solution in comparison with solar panels. Let's consider a typical UPS of 500W used for offices, shops and household applications. If the UPS batteries are connected for continuous charging from the wall socket to support 4 hours of backup time then it would need at least 10 hours of charging time to fully charge and support the 500W load for 4 hours of back up time. Having connected the 500 W batteries for 10 hours charging time would drop 5 units a day. Let us now assume if the one unit electricity cost is 10 Rs. (as predicted to be after the entry of expensive rental generated power into national grid system and the current proposed increments in per unit price of electricity) then 5 units consumption of UPS for only 4 hours back time to support 500 W load would cost an additional Rs. 50 per day or Rs. 1500 every month. It means that having 500 W of UPS for 4 hours backup time has Rs. 18,000 of yearly running cost. In general, the UPS life time is around 3 to 4 years in comparison to solar panels which last for more than 25 years. In comparison buying our 'Enersol' branded solar panel system of 180 W (with associated two batteries for 4 hours backup time in case of wet batteries what we supply along with the whole package and 13 hours back up time in case of deep cycle batteries, one charge controller, and one inverter) would cost the customer around Rs.120,000. Also it is worth to mention here that our system can be complemented with an additional 'change over switch' (which only cost 500 Rs.) in order to also use our system just like a standalone UPS in addition to be a solar panel system, hence saving your money to buy an additional UPS. Looking from above calculation; even though the solar panel with one single unit is producing less energy but it does not make any additional cost once the first time installation cost has been paid by the customer. The additional power can be supplied up to several KW through coupling several sets of panels together. In that case each additional coupling panel would cost lesser in absolute terms since the same charge controller and inverter would support the additional coupling units as well, and only additional batteries and solar panels would be required for increasing the load capacity.
Secondly, in technical terms, don't get confused in taking the unit KVA (often quoted in UPS specifications) as equivalent of KW since the two units have rather a complicated formula to correctly convert one unit into another due to involving multiple variables. Typically an UPS specified with 1 KVA is capable of supporting 600-700 W load i.e. 60-70% efficiency in terms of watts.
Thirdly, the on-grid power supply is either unavailable (due to current power shortage and energy crisis) or its per unit cost is continuously increasing day by day. The cost per unit supply will increase even further due to government's policy to periodically increase the price for per unit energy consumption in order to follow IMF dictation on revenue collection, and also because of engaging in very expensive deals e.g. in case of signing the current 'rental power projects' what government has committed itself with in order to compensate for the energy shortage in the country instead of e.g. investing in the long-term and low cost hydro power projects.
Fourthly, when generator is connected with UPS to support uninterrupted continuous power supply then one should also remember to consider the operating cost of using generator, in addition to the combined initial fixed cost of purchasing UPS (battery, charge controller, inverter) along with generator which cost above 35,000 Rs. for a relatively reliable system. The 12 hours operation of generator would consume in average 12 liters of petrol as well, which would cost 840 Rs. on daily basis to a user (assuming the current petrol price as of 70 Rs./L). So guess what will be the yearly cost – above Rs. 3 Lacks each year! But still it doesn't end the story, since the petrol continuous availability is another significant issue in the presence of current Gas and Petroleum shortage in the country and due to globally unstable petroleum prices. If the current pace of petroleum crisis continuous (which is very much expected to be continued) then the future prices for the petroleum will likely be surging above than 100 Rs./L within two years (as estimated). The simple formula for estimating future price curve of common goods is generally set in economic terms based primarily on the two factors i.e. rising demand and reducing supply which clearly indicates a steep rise in future in the petroleum prices.
Fifthly, let's now look at some of its negative consequences from the macro-economic and socio-environmental perspective. Have you ever experienced shopping during the night hours in a congested shopping mall when the light had suddenly gone followed up the loud noisy sounds of generators as they start working from different corners of the mall? Do you really wish to carry out your shopping in the presence of that noise which is medically disastrous for human audibility if heard over a longer period of time, as it most likely could also become the cause for severe headache and frustration? Think how we would react if the same loud noise keeps following us when we are back at home if every household starts operating generator-supported UPS system? Would we really bear hearing that loud noise over the longer period of time thinking from the patients' and school-going kids' vantage point as well? Won't it make depress and mentally sick the whole society in end of the day?
Sixthly, let's look further from environmental perspective. Would we ever realize our part of responsibility in reducing the increasing amount of CO² emission that is continuously poisoning our environment? Can we assume our role in reducing this pollution which is threatening the existence of this globe where we live together and with which our mutual survival is attached with? Can we assume the guilt on our part if our individual households as a whole start producing this additional amount of pollutions emitted from generators in addition to what we are already producing through our transportation systems and industries? Think what level of water pollution in addition to air pollution will be created by the residuals and spillovers of consumed petroleum left on the ground when they are added to our sewerage lines and drainage system after the rain and washing floors, as in the end they all would be drained into the rivers and ocean? Imagine how this greasy water spilled over or absorbed in underground water reservoirs would affect the agricultural lands and their crops, since the rain would also be polluted due to pertaining very high number of carbonized particles? Would we want to leave such a disastrous world as heritage to our forthcoming generations to let them bear the cost and pay the painful price of our criminal negligence? Is there something that we as civilized human-beings and responsible global citizens could contribute to avoid the catastrophic consequences of our irrational moves?
Now compare the above presented situation with respect to the pollution free renewable energy sources such as solar panels and wind turbines, which give an opportunity to not only reduce the collective cost of energy production but also would help avoiding the complete depletion of oil and gas reservoirs through reducing the dependence on these traditional mode of power production, and instead focusing on the plentiful and safer means of power production. Once the consumer had committed an initial fixed investment in purchasing 'ENERSOL' then the consumer can enjoy using the pollution free energy for at least 25 years (as the product life time has been mentioned in the manufacturer's warrantee statement) including three years of service support provided by INNOSOL with the assurance of product replacement in case of any hardware malfunctioning. In case of choosing ENERSOL solution, the consumer won't need to pay for any operating or running cost (apart from the annual cost required for usual battery maintenance); so saving his/her Rs. 3 Lacks on annual basis what in case of choosing a generator backed UPS option would have simply sucked out of consumer's pocket. Also in this case, there is no risk of unavailability or shortage of the original source of energy (as in other case we do observe due to acute shortage of oil and gas), since the sun light is abundant especially in our context. Even in the cloudy weather, the solar panel can produce energy with 70-80% efficiency and a continuous supply could be effectively used during the day time (i.e. about 12 hours). During the night time, the backup supply from wet batteries (what is already provided with our composite 'ENERSOL' solar system) can support up to 4 hours backup time; whereas paying some additional cost for deep cycle batteries of 2 KW storage capacity, a backup time up to 13 hours can be provided if a continuous 150 Watt load were connected to our 180 watt solar panel. With that additional price paid for deep cycle batteries, the life of battery would also be enhanced by 3-4 times than ordinary wet battery. We recommend our customers to go for deep cycle batteries both from the relative convenience point of view (less maintenance required with 13 hours backup time) and economic perspective (no need to change battery over the next 6-8 years in average if followed the given instructions).
Finally, the solar panels are best when operated in complementary mode with on-grid power supply in case if the power requirement exceeds 150 watts what a 180 watt solar panel can deliver continuously. Generally the average household applications exceed that limited power load capacity; whereas the small shops normally can fully make use of solar panels using the single 180 watt solar panel which is suffice to be used as alternative mode of power supply for many energy-saver bulbs and couple of fans. For those households, offices, shops and small & medium-sized industrial units whose power requirements exceed the above mentioned limit can also be delivered their required amount of energy through coupling multiple solar panels or installing a hybrid solution of a scalable arrangement using both multiple solar panels and wind turbines (in those places where a 3-5 m/s wind speed/blow is available which is considered as the least cut-in speed required to rotate the rotor of wind turbine).INNOSOL again thanks for your spent time and showed interest in reading the above text and wish to get engage with you in a sustainable long-term and trustworthy relationship in all future transactions. We believe in growing through establishing a strengthened and trust based relations with our valuable customers because customer means everything to us. Your satisfaction with our products is the judgment parameter for our success. And we are proud to be sharing one common vision with you and that is to serve Pakistan!


text:
Satori Health and Wellness. t: 416-972-9355 | e: firstname.lastname@example.com | Book Appointment Online
Monday: 4pm-8:45pm
Wednesday: 4pm-8:45pm
Mandy Mintz is a certified and licensed Thai Massage Practitioner and Pilates Instructor, with 20 years experience working hands-on with bodies. Her practice is conveniently located in downtown Toronto. Mandy Mintz is fully certified in both the Stott Pilates (2001) method and the Fletcher Pilates (2007) method.
While Mandy was a professional dancer she became aware of the many benefits of Pilates. She now understands the need for dancers and other athletes to obtain a healthier approach to strengthening their bodies completely. Her goal is to aid in preventing injuries by gaining and then maintaining strength, and to correct hazardous habits by checking basic movement technique. Mandy's clients have praised her exceptional sense of touch, and enjoy the safe, relaxing and healing environment that she creates. Each client is individually assessed to determine which combination of modalities, such as Pilates, Thai Massage, Meditation, Stretch or Ballet coaching would be most appropriate.
Mandy's passion for helping people obtain their full potential creates a motivating environment for students who work with her. Mandy's patience and compassion encourage people, especially athletes to comfortably express themselves and ask for whatever help they may need. She uses her strong sense of intuition to serve her students in a dynamic and creative way. In addition, if she feels their needs require further attention by seeking advice from other professionals, she does not hesitate to refer them and then consult with them afterwards.
Mandy Mintz works with clients of all kinds; from the injured office worker, to dancers of the National Ballet of Canada, to seniors who just want to manage every day tasks with better balance and strength.
Note: Mandy is not a registered massage therapist. As insurance coverage varies, please check with your specific provider to see if thai massage (which is different than deep tissue or swedish massage therapy) is covered under your plan.

subset: commoncrawl


text:
Handcuffed, arrested teen helped save officer's life, police say
FORT LAUDERDALE, Fla. – A teenager is being hailed as a hero after helping to save the life of a Fort Lauderdale police officer who arrested him.
Jamal Rutledge was handcuffed and sitting in a police booking room Sept. 10 when 49-year-old Officer Franklin Foulks collapsed to the floor.
The Sun Sentinel reports that 17-year-old Rutledge got up and started kicking the security fence and yelling to get nearby officers' attention. Officers found Foulks semiconscious. He was rushed to the hospital.
Officials say Rutledge's quick thinking was critical to Foulks' survival. He's expected to return to regular duty this month.
On that day, Rutledge was booked for violation of probation on burglary charges and other counts.
Since then, police say he's been arrested multiple times. But because he's a juvenile, details were unclear.


text:
Public bath, named "Tamayura" views over Shibayama lagoon.
We have inner bath and half open-air bath, so that it can be used in all the weather. Seeing the beautifully lit up water fountain, have a pleasant bathing to your heart's content.
This "Tamayura" offers a panorama of 15 meters. It is designed to provide a sense of oneness with the Shibayama lagoon. Soaking in the hot water makes you feel as if your body is slowly melting away.
Bathrooms for men and women are separated, and it's room assignment will be replaced every day. In total, we have 4 different open-air baths.
※You can take a bath anytime you want except for 3 am to 4:30 am, due to everyday replacing work and cleaning.
|Temperature of source
|72℃ (temperature 21℃)
|Amount of discharge
|400 liters: Min (power)
|Perceptual test
|Transparent colorlessness, hydrogen sulfide odor, and strong salt worried sharp taste
|spring quality
|Sodium and calcium chloride fountain (It is a hot spring of the character amount during a high tonicity).
|Adaptability of bathing
|Neuralgia , Muscular pain , Effect of beautiful skin , Frozen shoulder , Motor paralysis , Stiffening of joint , Bruise , Sprain , Chronic digestive container disease , Piles , Convalescence convalescence/Tiredness recovery , Promotion of health , Gimlet wound , Burn , Chronic skin disease , Physically weak children , Chronic woman disease ,etc


text:
It Only Takes a Village: An Interview with He Shuzhong
In the last decade, Beijing has become the world's poster boy for 'ruthless' urban renewal. Helped by international press coverage on heavy-duty prestige projects by celebrity architects and the appropriation by Chinese artists of symbols like chai 拆, the Chinese character meaning demolition, this impression has persisted. However, within Beijing, and also throughout China, attitudes have changed rapidly. Organizations like the Beijing Cultural Heritage Protection Center (CHP; Beijing Wenhua Yichan Baohu Zhongxin) have shown that through engagement at a grass-roots level, local communities can be empowered to protect their own heritage.
When Orientations first spoke to He Shuzhong some six years ago, he presided over a group of dedicated volunteers who called themselves Cultural Heritage Watch, and had in 2000 set up what was then China's only website dedicated to heritage protection (Meg Maggio, 'Beijing's CHW Institute of Cultural Heritage and Law', in Orientations, September 2002, p.89). Recently, we caught up with He to discuss the changes that have taken place in the field.
Orientations: Mr. He, at the time of the 2002 interview, the general understanding was that conserving cultural heritage was apparently not actively practiced by many Chinese cultural institutions and the concept was largely alien to the Chinese public. Would this be an accurate observation?
He Shuzhong: Actually, with a cultural heritage that is both abundant and precious, many educated Chinese understand the importance of conservation. Nevertheless, due to various factors, our cultural heritage has been the victim of long-term destruction and continues to be under threat. While most people will complain about this, they do not believe that the process is reversible, much less even think that they can take any positive action to improve the situation. There are also many who believe that heritage protection is the sole responsibility of the state and not of the individual. In fact, it is indifference that has exacerbated the damage to China's cultural heritage.
O: How did you come to be interested in this area and how were you able to stimulate the interest of your peers?
HSZ: I was extremely fortunate to have parents who impressed upon me the significance of our cultural heritage and the nobleness of those who pursued its preservation. I was fortunate to have friends from all over the world who gave me information and encouragement, enabling me to learn more about the field. The liberalization that was rapidly taking place in both Chinese government and society presented me with the opportunity to realize my ideals. Since I had enough food and clothing, I was able to devote all my energies to the cause of cultural heritage protection. By focusing on areas and goals that were realistic, and through perseverance, I succeeded in finding solutions to some problems. As more and more of my friends came to learn about heritage protection, many were inspired to participate and our group just kept growing; and other organizations also offered support and assistance. I would say mutual trust, free exchange and encouragement were motivating factors.
O: Since then, your group has seen many changes and has been transformed into the Beijing Cultural Heritage Protection Center, a thriving NGO. Can you describe how this happened?
HSZ: It was a lengthy struggle – it took five years before we were officially registered as an NGO with the Beijing Bureau of Civil Affairs. As cultural heritage protection was a worthy cause, I knew early on that it was necessary to establish a legal platform for it. From the outset, I understood that organization and reason had to be the starting points if people in modern society were to take part in civil activism.
I studied the structures of organizations like Human Rights Watch with the hope to establish Cultural Heritage Watch as an NGO. It was to be run according to internationally accepted norms; it was to have worldwide recognition; it had to be effective and influential; it had to have universal respect and support like a 'real' NGO.
However, it proved too difficult to structure an NGO along these lines in the PRC. Apart from requirements like funding and setting up a proper office, there were also other stipulations which we did not anticipate. In actual fact, the authorities had no desire to see a proper NGO set up in China. After overcoming innumerable obstacles, we managed to meet all the conditions for operation imposed by the authorities. I believe an important factor in moving the officials to grant us a permit was our dedication. When all of Beijing was cloistered in their homes and hidden behind face masks during the SARS epidemic of 2003, we continued to lobby the authorities for our cause. But we were not allowed to call the NGO Cultural Heritage Watch because this type of name was not permitted under Chinese law.
Looking back, I believe that the decision to organize the group as an NGO was a correct one. Without the government permit or the organizational infrastructure, we would not have achieved the results we have or received the support we did.
O: Can you describe the membership of the CHP?
HSZ: There are several levels of membership. At present there is a management committee that is responsible for making key decisions. It comprises myself, Jim Stent, Anne Whetham and Luo Yuan. Jim and Anne are long-time foreign residents in China; they are simply outstanding – without their advice and help, the CHP would not be where it is today. Luo Yuan is a native Beijinger with an intimate knowledge of the city. While each of us has our own area of specialization, there is nevertheless an easy exchange of ideas. We are assisted by a team of five full-time workers led by our managing director Matthew Hu Xinyu. These fine young people are as idealistic as they are professional, and can be considered movers within China's charities.
There are several hundred volunteers from all walks of life – students, workers and farmers as well as academics, professionals, members of the media and artists. Over the years, their composition has seen some changes: the number of Chinese volunteers has increased and senior management from multinationals with operations in China now count among our members. They have greatly expanded our spheres of influence.
O: The core beliefs of your organization place emphasis on the moral obligation of the individual to protect his or her heritage and the empowerment of communities through public awareness. In a society that historically has not privileged the rights of individuals and the values of informed awareness, how can activism based on these principles be encouraged?
HSZ: Our activities are founded on three major premises. Firstly, Chinese society is becoming more open and the awareness of human rights is ever-increasing. The influence of the mass media is growing, and the use of the internet is common. Secondly, there are strict legal provisions for the enforcement of cultural heritage protection – the Central Government clearly supports it, and Communist Party documents emphasize its importance. Thirdly, the Chinese people wholeheartedly support heritage protection and respect culture and tradition.
The CHP needs to set an example by establishing a firm platform, providing leadership, and organizing and coordinating public participation in cultural heritage protection. We stress methodology. We are tireless in searching for practical solutions, investigating cases of destruction of cultural property, using the law to maximum effect and fully utilizing the power of the media. Of course, the CHP will defend its own core beliefs and principles.
O: The areas that come under the umbrella of cultural heritage protection are very wide – they range from imperial and religious architecture and historical monuments to natural phenomena of cultural and historical significance and material artifacts. With such an extensive jurisdiction, there are evidently gaps in enforcement and protection by government agencies. How can a civil organization like the CHP work with authorities to fill these gaps?
HSZ: The work of cultural heritage protection has already begun in China. This can be seen in the state's support for projects like the restoration and repair of ancient monuments, archaeological excavations, and the establishment and construction of new museums. The government has sufficient funds and manpower in these areas.
However, the ambit of cultural heritage protection is wide, and issue that demand attention are many. As an NGO, the CHP pays attention to the area it feels are the most important and pressing – encouraging volunteerism, promoting public awareness, and lobbying and negotiating with the authorities to stop heritage destruction. While such activities are not necessarily those that the government will privilege, they are suitable for public participation and have promotional value.
O: Can you tell us about one particularly memorable project, the hurdles the organization faced and how success was achieved?
HSZ: There is one incident that typifies the nature of the CHP's work. The story is related in full detail on our website. When proposals for a project in Beijing were unveiled at an exhibition last summer, we discovered that the development had the potential to destroy cultural heritage. Jointly sponsored by an investment company and the Xicheng District Housing and Land Management Centre, the 'New Xisi Bei Project International Exhibition' introduced a regeneration strategy for an area that the Beijing Municipal Government has designated as one of the capital's 25 conservation districts. Some of our volunteers visited the exhibition and learned that even though the buildings were to be designed by some of the world's leading architects, the concepts presented did not appear to be in keeping with Beijing's Conservative Plan.
After extensive research, we organized an open forum in late August and invited scholars, journalists, residents and officials to attend. We presented an analysis of the proposals in the exhibition within the context of the Conservation Plan and the existing laws on cultural heritage protection. We ensured that our views and our studies were openly disseminated, and this exerted pressure on both the developers and the authorities. We believe that issues concerning such projects should be raised during the nascent stages of planning, otherwise, once construction has begun, the damage is irreversible. This type of development project, if brought to fruition, has the potential to permanently destroy Beijing's Old City. Through our work the public has become informed, the authorities have been put under pressure and the developers have been taught a valuable lesson.
Even though we cannot ensure complete success in our advocacy, as far as we can see, our agitation has brought some results. The municipal government has already requested that the developers make alterations that conform to the Conservation Plan and the heritage protection regulations. The architects have even voluntarily sought our assistance in providing information on the Old City and we now have even more volunteers.
O: The CHP places a lot of emphasis on the effectiveness of the media in promoting cultural heritage conservation. Has the focus on Beijing for the 2008 Olympics helped to further your cause? How can this momentum be sustained once this historic event is over?
HSZ: The power of the people and the media are vital to the work of the CHP. The public needs to be educated and the media needs to be cultivated – this is a long-term strategy and is not limited to a single event like the Olympics. In a rapidly evolving city like Beijing, the games will be just one of many significant landmarks in its development. Nevertheless, because both the public and the media pay particular attention to information related to the Olympics, we need to adopt a sensitive approach.
The CHP intends to intensify its partnership with the press. We intend to organize more media-friendly programmes, and to provide journalists with access to available information. Hopefully this will stimulate more critical writing and investigative reporting on issues of cultural heritage protection.
O: Are there plans to extend your conservation activities beyond Beijing?
HSZ: Definitely. Although we are an organization registered in Beijing, we are permitted by law to carry out activities elsewhere. Due to limitations in funding and human resources, our main activities are currently confined to Beijing. With sufficient resources, however, we can take our operations nationwide. Our existing programmes are prototypes that can be adapted for use in other parts of China. For example, the 'Friends of Old Beijing' network can be set up in other cities and the Dai Cultural Revitalization Project can be a paradigm for the study of rural or minority nationality communities. Our media partnership strategies can be applied all over China.
O: China has lately been emphasizing the preservation of its intangible heritage. In 2004, the CHP launched the Dai Cultural Revitalization in Yunnan province – can you tell us more about this? Why were this area and minority chosen and does the CHP have plans to increase its focus in this area?
HSZ: Cultural heritage protection and intangible heritage are inextricably linked. In an urban environment, material cultural heritage is more evident. However, in rural districts or minority nationality communities, intangible practices and traditions are more conspicuous. The reason why Dai culture was selected is a simple one: the Thai charity, The James H. W. Thompson Foundation, and the Australian government, wanted to fund a project in this particular community.
The Dai project has been immensely successful. The elders in the village of Meng ma in southwest Yunnan began recording all the aspects of Dai life and culture in Dai script. This has resulted in a bilingual [Chinese-English] publication Chronicles of Mengma [Mengma dang'an], which has been issued by Wenwu Chubanshe. Mainland scholars and officials expressed interest in the project, most notably, the then Minister of Culture Sun Jiazheng [now a Vice-Chairman of the Chinese People's Consultative Conference]. He donated his contributor's fee to a village elder and began corresponding with him. Consequently, local county and municipal officials have come to respect the Dai culture and see the value in its preservation. Nevertheless, the process of developing awareness is a continuous one that requires constant supervision and pressure. The participants in the project have become celebrities and heroes in their efforts to protect their native heritage. This has led to an increase in young people who are now interested in their cultural traditions.
Practically speaking, as long as there is financial support, similar endeavours can be organized. People elsewhere have also been inspired by the project and have come to study it, in the hope of carrying out similar work in their home districts. It has also received the endorsement of UNESCO, and we have made requests to participate in the related programmes they organize.
O: What are your long-term goals – what does the CHP hope to achieve in the next decade?
HSZ: As society in China becomes more advanced, the future of cultural heritage protection is a bright one. For the CHP, it needs to sustain its well-organized management structure, and maintain openness and transparency. It has to become an NGO with international standards the equivalent to those of organizations of similar stature. At the same time, we need to strengthen our ability to raise funds – only with sufficient finances can the CHP become an entity that has a global voice in the issues of cultural heritage protection.
First published in the June 2008 issue (pp.60-62) of Orientations, the Hong Kong-based Asian art magazine.


text:
Note: This post is Part Two of a three part series, each individually sharing ideas for elementary school, middle school, and high school.
Mr. Rodriguez, Math teacher Everett Middle School uses the following projects to lead his classroom, and counter springtime sluggishness:
- Reciprocal teaching- students are taught how to prepare lesson plans on new skills and they work in groups to teach 5 seventh grade preview skills. This encourages students to not only collaborate, but also begin devising mechanisms to organize, synthesize and present new information on their own.
- Retaking exams. Students are given the opportunity to boost their grades by retaking previous exams. I make a competition out of it by having blocks compete against blocks based on the amount of retakes completed and mastered. Students not only boost their personal grade but also boost the class average for the given units.
- This year I will working with students to develop digital narratives of real-world math dilemmas. The idea here is create a cross-curricular project that engages students with technology and integrates literacy and math concepts in one. It allows students to interact with math questions in a different way.
Continue reading Part Three for ideas from a High school teacher, or read Part One for Elementary school ideas


text:
Berkeley Church and Berkeley Fieldhouse
Rent either the Church or Fieldhouse, or both together for extra space. The Church space features 17-foot stained glass windows and hardwood floors with a mezzanine and main floor, while the Fieldhouse features French glass doors and high ceilings in the main space, plus a wooden deck and patio area. Renters can bring their own alcohol while Berkeley Catering provides food services. Expect to pay around $135 and up per person. Rentals range from $1,800 to $3,800 for the Berkeley Church and $800 to $3,800 for the Fieldhouse, depending on the day and season.
Steam Whistle Brewery
The popular brewery features beautiful cityscape views and a rustic interior with plenty of exposed brick and wood beams. A variety of spaces can accommodate anywhere from 30 to 250 seated, or up to 500 for a standing reception. Rental costs vary based on the season and day of week – prices range from $1,150 to $5,000. Catering is selected from an approved list of vendors, while Steam Whistle operates the bar – obviously, your beer of choice for the evening is Steam Whistle.
Graydon Manor Hall
The manor's sprawling gardens could play host to your ceremony, while the estate itself is perfect for an evening affair. The home features ornate moldings, bay windows, and wood-burning fireplaces. Rental fees ($1,000 to $6,000 depending on the time, date, and season requested) include use of the dining room, library, conservatory, bridal suite, groom's room, gardens, and courtyard. There is a minimum spend of $20,000 to $25,000 depending on your event date, and a 20% service charge for event staff and labour.
Palais Royale
This beautiful venue, open for 86 years, underwent a restoration in 2005. The current space features a plush interior with contemporary art deco furnishings, an original stone fireplace, hardwood dance floor, and a 30-foot vaulted ceiling. The Palais Royale rests directly by the water with a 2-tiered deck patio reaching out to the waterfront. The ballroom can host 350 people for a seated dinner or up to 800 for cocktails. They have an extensive list of preferred suppliers for every service your event might need. Rental fees range from $1,000 to $4,500, while prices per person are $100+ with packages available.
Edward Day Gallery and MOCCA Courtyard
The combo of indoor and outdoor space makes this gallery an attractive option. Another perk: The option to work with the caterer of your choice. With 125 to 150 capacity for seated meals and 300 for a cocktail reception, consider this venue if you're looking for a sleek and contemporary feel. Rental rates range from $2,500-$4,500 for the indoor gallery space and an additional $300-$500 for the outdoor space. Rental rates include one staff member for up to 100 guests; additional staff is available for $45 per hour.
2nd Floor
This 3,000 square foot space on King West is open-concept with an industrial feel including exposed brick walls, large windows, and a 36-foot bar. The team can accomodate up to 180 people for a seated dinner or 215 for a cocktail party. Rental fees range from $2,000 to $4,000 depending on the day of week, and include tables, chairs, loungers, and candles. A/V equipment is also included in the rental fee and the space has a coordinator who can help to further organize your event, including providing their list of preferred suppliers.
The Carlu
Elegant and glamorous events are the best fit for this lavish '30s-inspired space. The art deco feeling is carried throughout the historic site, located on the 7th floor of the College Park building. Renovations undergone in the early 2000s restored the space to its former brilliance, but added modern amenities and details. Rentals range from $1,100 to $5,500 depending on the room, or $15,000 for the full floor. There is a list of preferred suppliers that those hosting events must choose from.
Evergreen Brickworks
This dynamic event space can host anywhere from 70 to 2,000 guests. Evergreen strives to mix nature with an urban setting, so it encourages sustainable practices in hosting any events. Their approved suppliers are in keeping with its sustainable goals, and will help couples make eco-friendly choices. A major bonus is the 300 parking spots available for events. Rental fees vary but can reach up to $4,000 and are not inclusive of anything. A permit will need to be purchased if you intend on serving alcohol.
Sunnyside Pavilion
This seasonal space provides an attractive waterside option. Sunnyside has long been a destination for sunbathing and relaxation, and the distinctly Mediterranean feel of the open-aired areas create an exceptional ceremony or reception space. There's room for 250 to 500 individuals for a dinner; catering can be provided by the venue or an outside vendor. The rental fee is $2,500 for the courtyard or terrace, which does not include anything. Expect packages for guests to start around $100 per person.
The Burroughes Building
This newer event space was originally built as a department store in 1907. The venue has been renovated to carefully preserve its character; exposed brick, wood details, and chandeliers help to create a stylish and urban feel. The 3rd floor (350-guest capacity), 6th floor (450 guests), and rooftop (100 guests) include incredible views of the city. Seated capacity depends on the configuration of the space. Rental fees range from $2,800 and up for the raw space, and guests are welcome to bring in their own vendors, along with purchasing their own alcohol and permit.
Design Exchange
Originally built in 1937 as the home of the Toronto Stock Exchange, the Design Exchange now plays host to incredible exhibitions and a variety of events each year. Highlights of the space include wood finishes, marble details, incredibly high ceilings, and eight murals by artist Charles Comfort. The setting is perfect for parties of 150 to 250, and the rental fee of $4,712 includes chairs, tables, linens, lighting, the sound system, signage, cleaning, security, and some staff. There is a preferred list of caterers and a suggested list for other services.
Hart House
Since its opening in 1919 this unique space in the heart of the University of Toronto campus has played host to numerous events. The grey stone walls, ivy-covered outdoor space, vaulted ceilings, and Gothic arches lend an old world feel. The quad and Great Hall hold up to 250 guests with a dance floor and a nondenominational chapel is available to couples. The rental fee is approximately $3,000 and catering is provided in-house with meals beginning at $50 per person.
99 Sudbury
If you enjoy contemporary, minimalist spaces that work as a blank canvas you should consider this venue, as there are a variety of options available. The Glass Factory, The Lounge, and 99 Gallery can accommodate from 25 to 300 guests for seated dinners and 250 to 800 guests for cocktail receptions. Each space has a loft-like vibe with plenty of wood and exposed brick. Rental rates range from $1,500 to $4,500 depending on the date selected as well as the space utilized.
Arcadian Court
Since the opening in 1929, this venue has hosted Toronto's first auto show, the Toronto Symphony Orchestra's first radio broadcast, and Sotheby's first auction outside of Britain. The Court's most beautiful qualities are the grand arches and beautiful chandeliers. The space can accommodate up to 520 for a seated event or 1,200 for a standing reception. There is a rental fee that ranges from $1,000 to $2,500 and a minimum spend for food and beverage that ranges from $6,000 to $25,000. Rental fees include service staff, standard linens, tables and chairs, standard flatware and glassware, candles, and table numbers.
Andrew Richard Designs
The Atrium and The Loft are available for events in this blank-canvas space that allow couples to feature their own aesthetic. The venue offers services such as catering, bar services, staffing, rentals, décor, florals, lighting, production, A/V elements, and entertainment. Venue staff assists in event coordination and help to select the best fit for your event from their preferred vendors list. Rental fees begin at $3,500 and depend on the spaces selected, all other fees are above and beyond.
Eglinton Grand
Ever wanted to see your name lit up on a marquee? Formerly The Eglinton Theatre, the historic landmark has been restored to its original 1936 form. The venue can host dinner from 50 to 550 and receptions for up to 1000. Venue rental includes catering staff and bartenders, tables, banquet chairs, china, cutlery, glassware, linens, and napkins, with packages provided to potential clients. Fees range from $1,250 to $4,500 depending on the day of the week. If your event exceeds 175 guests the rental fee is waived.
Artscape Wychwood Barns
With a long and narrow event space, Wychwood Barns offers the opportunity for a unique event layout. The venue features concrete floors, exposed brick walls, and 22-foot ceilings and windows that provide plenty of natural light. You can supply your own liquor, but must select from a list of approved caterers. Rental fees range from $3,000-$3,500; furniture is available to be rented.
The Fermenting Cellar
In the heart of the Distillery District lies this rustic space that is often transformed for the most chic and sophisticated events. The raw space lets you work with any theme you like all while hosting up to 300 people for a seated dinner or 600 for a stand-up reception. Rental fees range from $4,000-$8,000 for the space alone. When hosting a full event, minimums range from $8,000 to $22,000. You can avoid the room rental fee, staffing charges and 15% Landmark Commission Fee by selecting in-house catering.
The ROM
The ROM is an exceptional part of Toronto's cultural landscape and hosts everything from small events to gala receptions regularly. The original stonework heritage building lives side-by-side with the Michael Lee-Chin Crystal, and events can be held in both. The original museum's high vaulted ceilings, soaring windows, and detailed stonework offer a more traditional space, while the crystal has a more modern feel. Rental fees can range from $500 to $12,000, and fees per person can begin around $100.
With a variety of spaces available for events, the AGO is an excellent choice for any admirer of the arts and lover of a luxurious event. Couples can celebrate in Walker Court, Galleria Italia, Sculpture Atrium, FRANK Restaurant or Baillie Court while enjoying a meal prepared by their executive chef or special events chef. Capacities for seated dinners range from 70 to 300, with reception capacities ranging from 130 to 450. Rental fees range from $1,500 to $5,500 and include furniture rental, while minimum spends vary from $3,000 to $30,000. The cost per person is usually around $250.
Casa Loma
Searching for an old castle in Ontario? This is likely the closest you'll get. The landmark Gothic Revival house was originally constructed between 1911 and 1914 and features 60-foot oak beamed ceilings, bay windows, wood paneling, and hand-crafted ceilings. In addition to these architectural marvels there are marble details and plenty of greenery on the premises. Rental fees are around $3,500 while the price per person tends to begin around $150 and increase based on personalized details.
Toronto Botanical Gardens
There are two primary event halls at the recently renovated Toronto Botanical Gardens – the Floral Hall or the Garden Hall. Both spaces include stunning views of seasonal flowers and provide an excellent space for wedding photos. Rentals range from $1,200 to $1,300 for the Garden Hall and from $2,100 to $3,100 for the Floral Hall, with free parking available. There are 12 preferred caterers for the venue and there is a corkage fee applied for alcohol brought into the space.
Storys Building
Located on Duncan St., this 170-year-old classic brick-and-beam building is a relatively new entry on the Toronto venue scene, having opened to the public in October 2011. It boasts over 14,000 square feet of event space over several floors, with each allowing for 150 seated guests or 225 for a stand-up reception. The on-site chef works with clients to plan imaginative and innovative dishes and the bar is handled on-site. Rentals for weekends are $5,000 per floor and include set-up, labour, security, cleaning, furniture, and all other operating costs. The average cost per person for food and open bar ranges between $125-$150 plus tax and service fee.
The Great Hall
The Great Hall is an important and vibrant piece of the music and arts community in Toronto. The space was built in 1880 and has been restored to its former Victorian glory. The Main Hall includes a balcony, curved glass, wrought iron railings, and 40-foot ceilings. Capacity is 250 for seated guests and 500 for a cocktail reception. The cost is approximately $1,000 to $3,500 per day.
This modern, chic space, located in the TIFF Bell Lightbox, is an upscale and stylish wedding spot, with breathtaking views of the city and an ornate and sloped ceiling. Accommodation is available for up to 150 seated or 200 for a cocktail reception. The rental fee starts at $2,000 and is based on date and time of year; the fee includes staff, white linens, tables and chairs, flatware and glassware, printed menus, candles, and table numbers. Catering is provided on-site with menus beginning at $60 per person. Beverage charges are based on consumption.
5 Brock Events
Placed in the centre of Parkdale down a quiet alley, this gallery, once a warehouse, has retained its original character and includes exposed brick, wood-beamed ceilings, and concrete floors. Art curated by the owners can be left up for your event, or you are welcome to showcase your own pieces for a fee. The space holds 150 for a seated affair or 250 for a cocktail reception. The preferred caterer is Eatertainment but couples can explore outside catering, and alcohol can be brought in. Rental fees are $2,000 Sunday to Wednesday or $2,500 Thursday through Saturday.
Todmorden Mills
This Toronto heritage site is set in 15 hectares of green space in the Don Valley and the grounds contain several historic homes in which events can be held, including the Brewery Gallery, the Papermill Theatre, and the Papermill Event and Museum Gallery. Each space is simple with minimal décor and an industrial feel. Rates range from $125 to $250 per hour with a three-hour minimum required. The only downside is the lack of a full kitchen.
National Ballet School
There are several spaces owned by the National Ballet School available to the public for renting; however, Currie Hall is the most conducive to a wedding. It can accommodate up to 130 seated guests or 220 for a cocktail reception. The space includes a wood dance floor, high ceilings, large windows, dark wood trim, and a state-of-the-art kitchen. Catering services are provided from a list of preferred partners, and a special occasion permit must be obtained. The rental fee is approximately $3,000 with additional time available at $250/hour – a great bonus if you want to party a bit later into the night.
The Estates of Sunnybrook
The Sunnybrook Hospital property has four spaces available for events, all of which donate their profits to the hospital. Spaces include hardwood floors and well-maintained rooms with simple but elegant décor. Capacity ranges from 40 to 160 for seated events or 60 to 200 for standing receptions. Rental fees ($450 to $3,000) cover room set-up, tables and chairs, linens, tableware and candlesticks, as well as servers and bartenders. All rooms include a minimum revenue requirement for food and beverage; average cost is about $165 per person including the taxes and service charges.
Gardiner Museum
Located at Bloor and University, this minimalist space features floor-to-ceiling windows and a contemporary design. The Terrace Room includes stunning views of Queen's Park and the Royal Ontario Museum, and couples can also rent the lobby designed to include black-glass countertops and limestone floors. Catering is exclusively provided by à la Carte Kitchen Inc. or Jamie Kennedy Event Catering. Both vendors also handle inquiries for availability, rates, planning, and site visits. Rental fees for the space range from $1,500 to $1,800.


text:
Ēriks Ešenvalds
At a glance
Ēriks Ešenvalds
In terms of imagination and aural allure [is] beyond anything I have heard since the halcyon age of the young Benjamin Britten.The Oldie
The Latvian composer Ēriks Ešenvalds is at the forefront of contemporary choral composing. He has won multiple awards for his work, including the Latvian Great Music Prize, had his music performed at numerous international festivals, and has been frequently featured on CDs. He is in demand as a choral clinician and jury member.
Biography —
Ēriks Ešenvalds is one of the most sought-after composers working today, with a busy commission schedule and performances of his music heard on every continent. Born in Priekule, Latvia in 1977, he studied at the Latvian Baptist Theological Seminary (1995–97) before obtaining his Master's degree in composition (2004) from the Latvian Academy of Music under the tutelage of Selga Mence. He took master-classes with Michael Finnissy, Klaus Huber, Philippe Manoury, and Jonathan Harvey, amongst others. From 2002–11 he was a member of the State Choir Latvija. In 2011 he was awarded the two-year position of Fellow Commoner in Creative Arts at Trinity College, University of Cambridge. He is married with four children and gives students his expertise as composition teacher at the Latvian Academy of Music.
Ēriks Ešenvalds has won multiple awards for his work, including the Latvian Grand Music Award three times (2005, 2007, and 2015). The International Rostrum of Composers awarded him first prize in 2006 for his work The Legend of the Walled-in Woman. He was The Year's New-Composer Discovery of the Philadelphia Inquirer in 2010.
Ēriks Ešenvalds' compositions have been premiered by ensembles including Boston Symphony, City of Birmingham Symphony Orchestra, Utah Symphony, the Britten Sinfonia, The King's Singers, Latvian Voices, the Choir of Trinity College Cambridge, the Holst Singers, Imogen Heap, Polyphony, the Choir of Merton College Oxford, the Latvian Radio Choir, the State Choir Latvija, the Kamēr… Youth Choir, Sinfonietta Riga, the Bavarian Radio Choir, the Latvian National Symphony Orchestra, Latvian National Opera and Ballet, the Liepaja Symphony Orchestra, Ora Singers, National Youth Choirs of Great Britain, the Netherlands National Children's Choir, Shenzhen Lily Choir, New Zealand Youth Choir, the Swedish Art Vocal Ensemble, the Choir of Trinity College Melbourne, Salt Lake Vocal Artists, Temple University Concert Choir, The Crossing, Chor Leoni, Golden Gate Men's Chorus, Portland State University Chamber Choir, the Choir of the West at Pacific Lutheran University in Tacoma, ChorWerk Ruhr, Cor Vivaldi, The University of Louisville Cardinal Singers, Yale Glee Club, the Miami University Men's Glee Club, The University of Mississippi Concert Singers, Lincoln's Inn Choir, Wartburg College Choir, Oklahoma State University Concert Chorale, Classical Movements, Saint Louis Chamber Chorus, Louisville University Cardinal Singers, Cabrillo Chorus, and the Monterey Chamber Orchestra. He composed the score for the Crystal Bear-awarded film Mellow Mud.
Ēriks Ešenvalds' music has been performed at numerous international festivals including Klangspuren in Austria, the Schleswig-Holstein Musik Festival in Germany, Tenso Days in France, the Haarlem Choir Biennale in the Netherlands, the Latvian Song and Dance Festival, International Sacred Music Festival in Latvia, the World Choir Games, IFCM World Symposium on Choral Music, the Cheltenham Music Festival and Voices Now in the UK, the ACDA National and Regional Conferences and Spoleto Festival in the US, and The Singing Network in Canada.
Ēriks Ešenvalds is a popular public speaker, which he often combines with leading workshops on his music. At the 2014 World Choir Games held in Riga, he composed the Games anthem, gave a major presentation on his work, acted on competition juries, and had a large-scale production premiered by the Latvian Voices and The King's Singers. The 2015 ACDA National Conference in Salt Lake City premiered his Whispers on the Prairie Wind, where he also gave a presentation on his music, and took part in a composer roundtable forum. He was a speaker at the 2017 IFCM World Symposium on Choral Music in Barcelona, Choral Connect 2017 in Auckland, and the Singing Network International Symposium 2015 in St John's, Canada. He served as a jury member at the 2017 Musica Sacra Nova International Composers Competition at the Pontifical Institute of Sacred Music in Rome, the Cantat International Choral Festival and Symposium 2017 in Manado, Indonesia, and the 2016 Rimini International Choral Competition.
Ēriks Ešenvalds' compositions appear on many recordings released by labels such as Hyperion, Decca Classics, Deutsche Grammophon, Delphian Records, Pentatone, Ondine, and Naxos. To date, seven recordings are devoted exclusively to his work: Northern Lights from Trinity College Choir Cambridge (Gramophone Award Shortlist, Gramophone Critics' Choice, ICI Radio-Canada Best Albums Selection), Passion and Resurrection with the Britten Sinfonia and Polyphony, St Luke Passion by the Latvian Radio Choir and Sinfonietta Riga (Gramophone Editor's Choice, Opera News Critic's Choice), The Doors of Heaven from Portland State Chamber Choir (Gramophone Editor's Choice), From the dim and distant past and At the Foot of the Sky by State Choir Latvija (Best Latvian Classical Album of the Year), and O Salutaris by the Kamēr… Youth Choir (Best Latvian Classical Album of the Year).
Ēriks Ešenvalds' premieres this season include works commissioned and performed by the Gewandhaus Leipzig Germany, Grant Park Music Festival Chicago, South Dakota Chorale, and the Cathedral Choral Society in the US, as well a set of songs for Independent Opera in the UK, for premiere in Wigmore Hall, London. As part of a Canada tour, he will attend the performance of his multimedia symphony Nordic Light, as well as a screening of the documentary film Nordic Light: A Composer's Diary, which follows the composer on his expeditions to the Arctic region. Later this year he will be back in Canada to speak at the national 2018 Podium Choral Conference and Festival in St John's, Newfoundland. His second major opera The Immured, which was premiered at the Latvian National Opera and Ballet in 2016, will be on stage this season. 2018 also sees the premiere of his next multimedia symphony based on the natural phenomenon of volcanoes.
Ikon Arts–Edition Peters is managing Ēriks Ešenvalds' commissions and workshop schedule. Ēriks Ešenvalds is published by Musica Baltica in global partnership with Edition Peters.
News —
Eriks Esenvalds music featured in Latvia 100 Celebrations
Latvia 100 Read more
Eriks Esenvalds – Latvian Radio Choir and State Choir Latvija perform works during international tours
Two of Latvia's great vocal ensembles Read more
Eriks Esenvalds BBC Proms premiere
"A Shadow" performed by Proms Youth Choir and Simon Halsey Read more
Eriks Esenvalds premiere at the Grant Park Music Festival
The Pleiades, commission for orchestra and chorus Read more
Ikon Arts-Edition Peters artists in the 2018 BBC Proms
Michael Collins and Ēriks Ešenvalds both feature in this year's BBC Proms Read more
Photos —
Reviews —
"Esenvalds is emerging as perhaps the world's hottest young choral composer"Chicago Tribune
"Ešenvalds responds to the purpose of the words he sets, occupying similar choral territory to the likes of Whitacre and Shchedrin, character rather than ego dominating …"BBC Radio 3
"… an inventive Latvian composer with an ear for a good hook and a knack for evocative effects."New York Times
"Ešenvalds is clearly the next big thing in musical mysticism …"The Times (London)
"Outrageously, exhaustingly beautiful, this disc pairs the best of Latvia's contemporary choral composers with the best of young British choirs." (Northern Lights by Trinity College Choir Cambridge)Gramophone Magazine
"His rich, sonorous choral writing is in almost permanent ecstasy, with sopranos sailing over great waves of cluster chords, a colouristic vision …"The Guardian
"Ešenvalds displays an impressive command and variety of musical language …"Choir & Organ Magazine
"In terms of imagination and aural allure [Esenvalds' music] is beyond anything I have heard since the halcyon age of the young Benjamin Britten."The Oldie
"Hazy, autumnal vistas of rural Latvia are another sensory selling point, as is the elegantly spare choral score by Latvian composer Ēriks Ešenvalds." (Crystal Bear-awarded film Mellow Mud)The Hollywood Reporter
"Beginning with a colourful, multi-pitch chord that dissolves into fragments, the 13-minute work sustains Latvia's venerable choral tradition with robust, resolutely tonal choral writing, as each of two parts builds to an almost cinematic climax in exalting nature." (US premiere of Lakes Awake at Dawn by Boston Symphony Orchestra and Andris Nelsons)Financial Times
"Ešenvalds's work is emblematic of a new golden age of choral music" —Suzi DigbyORA Choir
Selected Discography —
The Doors of Heaven
St Luke Passion
Northern Lights
At the foot of the sky
O Salutaris
Passion and Resurrection
Related Media —
TEDx TalkWhat do the Northern Lights sound like? View on YouTube
Turning the Northern Lights into musicView on YouTube
Northern LightsTrinity College Choir, Cambridge View on YouTube
Only in SleepTrinity College Choir Cambridge View on YouTube
StarsVOCES8 View on YouTube
On "Infelix Ego"ORA Singers View on YouTube
Long RoadUniversity of Louisville Cardinal Singers, Kentucky View on YouTube
O Salutaris HostiaState Choir Latvija View on YouTube
Downloads —
Contact —
- Robin Tyson


text:
to make a bet with this company
Villarreal vs Atletico Madrid Prediction 18 March 2018
On March 18 2018 at 17:30 at the Estadio de la Ceramica in the upcoming regular game of the Spanish national elite division La Liga the local Villarreal are going to host their guests from Madrid Atletico.
Villarreal show really great performance in the current season and they are now in the race for the places in the Euro Cups zone. At the moment the Yellow Submarine are on the 6th position in the Spanish championship with 44 points gained in their 28 matches played. The attack of the teams is really solid as they have already scored 38 goals while the defense is far not as reliable as it should be as they have already missed 38 goals. In the previous matches played at the domestic stadium Villarreal lost to Girona 1:2 and Lyon 0:1 and outplayed Getafe 2:1.
As for Atletico Madrid, they are known to be one of the strongest teams of the national championship and of the Europe as whole and now they show really impressive performance. At the moment they are on the second position in the table of the Primera with 64 points already gained in their 28 matches played since the start of the season. The attack of the team is really impressive as they have already scored 48 goals while their defense is the best in the national championship as they have only missed 12 goals. In the latest away matches Atletico won against Lokomotiv and Sevilla both with 5 goals scored and lost to Barcelona 0:1.
Villarreal haven't lost to Atletico for five matches in a row already. At the moment Atletico are in wonderful conditions and it seems to us that they are able to break that series. The Yellow Submarine don't seems to be ready to resist Atletico as they are now and that's why it seems to us that the visitors are much more likely to win this time.


text:
View all reports
The threat of nationalisation sparks a local and international casino split that has wide reaching effects, not least for the Argentinean gaming exhibition, SAGSE.
Following Argentina's decision to nationalise the Spanish majority stake in the YPF oil company, previously owned by Repsol, much of the Spanish-owned casino sector is now waiting to see if the same happens to them.
Share this report[DISPLAY_ULTIMATE_SOCIAL_ICONS]


text:
This 3 bedroom home received a complete makeover by the home owner, and I had the best time creating a design plan for this staging.
The one level home has a great open layout with plenty of natural light, and I played up the contemporary feel with a warm color palette for accessories and art. I also included the covered backyard entertainment deck right off the living room, to incorporate a seamless transition of indoor/outdoor living spaces.
For this project, I staged the living room, the dining space with a small office space, kitchen, backyard patio, main bedroom and two additional bedrooms.


text:
"I've been working with The Godbey Group since 1999. Their knowledge of the data and players involved are at the highest levels. In fact, they seem to know more about the payors than they know about themselves. When we have The Godbey Group on our side, we're stronger. Period."
Chuck Sted, CEO Hawaii Pacific Health, Honolulu, HI
"The Godbey Group delivered the payor contract we wanted, and did so with integrity. From the beginning, we shared open, honest communications, they understood our needs and the process was very collaborative. They know their business, and helped us get the results we expected."
Jim McNey, CFO North Kansas City Hospital, North Kansas City, MO
"The Godbey Group has provided successful contracting for us, even though the situation was quite a challenge. They not only met this challenge – and exceeded my expectations – they did it with professionalism. And now, they're doing it again with four additional negotiations."
Doug Myers, COO/CFO, Children's National, Washington, D.C.
"Some old colleagues of mine recommended The Godbey Group, and now I'm recommending them to you. They provide a true turnkey process, from analysis to final contract. And their data was instrumental in quickly influencing the negotiations to go in our favor. On the Satisfaction Scale, I gave them ten out of ten."
Deb Linnes , CEO, Southeast Missouri Hospital, Cape Girardeau, MO
"More than anything else, The Godbey Report gave us a view outside of our silo. This quickly resulted in many modifications to our managed care strategy. The Report gave us more confidence in defining our strategic position and working through negotiations with payers. The Executive Summary provided additional insights and stimulated good discussions among the senior leadership team."
Russ Weaver, SW Regional Director, Managed Care, Adventist Health System, Burleson, TX
"The Godbey Report provided us a much clearer picture of our commercial managed care efforts and status. The Report, further aggregated by our service lines, proved to be a unique view of named insurance plan performance and will be a valuable back-pocket tool for our managed care contract renewals."
Jeff Steiner, CFO & Peter Higgins, VP managed Care. Memorial Hospital at Gulfport, Gulfport, MS


text:
How to playThis part is so simple it doesn't really warrant any explanation. Shoot at everything that moves and some of the things that don't. You'll soon learn which objects can be blown up and which ones just absorb the blasts. Avoid flying into anything that looks bulky and sticks out of the ground.
Keep in mind that most Java-enabled browsers require that the cursor is located within the current applet area for the keyboard input to be directed to the applet. Some may even insist on an initial mouse click.
How to cheatI didn't spend weeks preparing the graphics of Warp just to have them gather dust because most people are too lousy players to get any further than level one. You can start any of the first five levels by pressing the SHIFT key plus A, B, C, D or E.
Platform-specific problemsOn certain machines with slow graphics cards but fast processors, the "curtain" effect between levels and when losing a life will not look right. It will appear to take only two or three steps before the screen goes blank. This is because the main loop has a period of no less than 70 milliseconds and the computer can't redraw the screen that often, so it will simply ignore the update request and wait for the next one ... or the next after that. However, during actual play, the loop has a lot more to do and will usually be delayed for so many extra milliseconds that the computer does have time to carry out the updates.
Technical stuffAlthough each level is more than ten screens long (and can be made any size) the graphics area that stores the background is in fact just a little over two screens. Think of the current view as a window that moves upward along the graphics area. New ground is continuously being drawn above the window. At the same time an exact replica is drawn below it, so that when the window reaches the top of the graphics area it can jump down to the bottom and continue seamlessly from there. The cost of this on-the-fly graphics updating is (at most) one Graphics.drawImage operation per animation cycle and it saves a tremendous amount of memory.
Another memory-saving strategy I've used in Warp is to load the graphics of each new level separately and throw them away when they are no longer needed. This dramatically cuts down on the number of Image objects the applet needs to allocate and of course reduces the download time for netsurfers who weren't going to play all nine levels anyway. (I was actually forced to do this because the game would have been too big to run on my humble Macintosh Performa 6200 otherwise.)
To make the scrolling as smooth as possible, I don't update the score display and the blasted stationary objects immediately, but wait until the graphics updating has a spare cycle. I'm not sure exactly how much effect this has, but on slow machines I suppose every little bit helps.
IngredientsWarp needs ten graphics files - one for each level and one that holds the parts that make up the control panel and the things that remain constant at each level, like explosions. They are named warp0.gif through warp9.gif and can be found in the current directory. The game also needs sounds. KA-PEOOO!, CRASH! and BING! come in individual audio files named warpsnd0.au, etc.


text:
Our Learning » 2013-2014 Archive » Y5/6J
Mrs Joyce, Mr Larkin and Mrs Turner
We hope you enjoy looking at our wonderful learning and hearing about our fantastic learning opportunities!
Year 2013-2014 The Year of Independent Thinking
This week in Y5/6 J we have been creating Tudor houses from various resources. Firstly the children designed their Tudor house on Google SketchUp before finally bringing it to life in class.Tudor Houses
At Yeadon Tarn Class 5/6 J had the tough task of putting their outdoor adventure skills to the test. Children took part in tent building and problem solving activities as well as canoeing. Children tested themselves in a challenging environment and showed great perseverance and teamwork skills.Yeadon Tarn
This week class 56 J have been learning all about the differences in Tudor society. The children have completed some fantastic reports and made their very own horrible histories video showing off their new knowledge.The Tudors- Rich and Poor
During Express Focus Week, class 5/6 J have had the opportunity to express themselves through Salsa. The children enjoyed collaborating with each other as well as learning a new skill. Take a look at some action shots of the children showing their salsa skills.
During Express Focus Week, class 5/6 J have had the opportunity to express themselves through Salsa. The children enjoyed collaborating with each other as well as learning a new skill. Take a look at some action shots of the children showing their salsa skills.Salsa Dance
Today marks the start of Express Yourself Focus Week. In Year 5/6 J, we looked at different ways of expressing yourself through art and found out that there is more to it than just using a pencil and paper. See the pictures below to see how the children got on with their BIG ART project this afternoonExpress Yourself Focus Week- BIG ART
On Friday 16th May, Class 5/6J took part in The Food Revolution. We joined in with others around the world and played our part in promoting healthy eating and living as well educating ourselves and others about the importance of this.
On Friday 16th May, Class 5/6J took part in The Food Revolution. We joined in with others around the world and played our part in promoting healthy eating and living as well educating ourselves and others about the importance of this.The Food Revolution
In year 5/6 J we have been researching the wives of Henry VIII and their personalities. Children have used water colours to investigate how they can best reflect the personality of Henry�s wives. Children showed their artistic flair and creativity, producing some fantastic art work along the way. Enjoy viewing.Tudor Art
Y56J were given the challenge of reporting local news and events during Focus Week. These are the children's finished articles. Enjoy reading them.In The News Focus Week
Date Due: Tuesday 25th February 2014
Learning log:to produce a travel guide for Kenyamake your work
Remember to make your learning log interesting and unique by making it different. Think about colour, images and making it stand out.
Our latest Geography topic is based on Kenya and specially looks at the Maasai tribe who live on the Maasai Mara. The children have learnt about the differences between towns, villages and cities in Kenya and their similarities and differences between the UK. The topic has seen us all receive Kenyan names and understand the origins of these as well as create Maasai art.
Jack B "I was surprised to learn that Kenya is on the equator"
Cameron " I have really enjoyed learning about the Maasai tribe and think it's strange that they keep animals like goats in their homes!"
Once we have finished the topic each child will have made their own Maasai Tribal mask – don't forget to check back weekly to see our progress.
Learning Challenge: to create a series of questions to ask Sean about what it was like to become a Maasai warrior.
Some of the responses the children gave when they saw the classroom for the first time:
"Awesome! It looks amazing! I cannot believe it is our classroom. I wish they could change each week and look like this. I think it will help me as it will bring out my imagination and help me focus my ideas." Marshall
"Oh my gosh – it's amazing" Korinna's response when she saw the classroom for the first time.
Mia thought Mrs Joyce had gone mad! "I didn't expect it to look like this! It is as if the fairy tale has come to life in the middle of the classroom. My favourite bit is the vines coming down from the ceiling. I think this will help me as I feel I am actually in the setting of a fairy tale.
"It is brilliant! I love it. The classroom has been transformed from a classroom to a fairy tale right in front of my eyes!" Morgan P
"The vines hanging down made me think of Tarzan. It will help me think of the settings more. I am very excited about our week as I like writing stories and coming up with characters!" Ben P
"I was really surprised by our classroom and I am pleased that there is stuff everywhere. It looks really good. I am most looking forward to our Gingerbread Man day!" Cameron
Creating a link between dance, music and French!Dance students
How tricky is picking up jelly cubes with chop sticks? The answer given by most children is - quick tricky especially when you add oil to the jelly.Jelly friction experiment
The children tried to work out whether different types of surfaces would make their balloons go further. Although tricky to set the balloon up all the children worked really hard and ended up with fantastic results.Air resistance experiment
Ever wondered how to improve your spellings? Well Buzz Words may just be the answer for you. Using fun and imaginative ways to practice words is the key to our success.Buzz Words
Date given: 16.10.13 - Date due: 21.10.13
This week our year 6s are performing Romeo and Juliet at the Carriageworks Theatre in Leeds.
Learning Challenge: To research a famous play or playwright
Plays are performed live on stage, usually in a theatre. A playwright is the person who writes the play and its script. Use the library, internet or visit your loval theatre to find out about famous plays and playwrights.
During the year, the children will be able to access gymnastics at Gym Magic. Here are the first group of children enjoying their Friday sports afternoons.Gym Magic
After an amazing focus week I put together our first class film which was accompanied by the children's drumming sound track and then singing their version of R. Kelly. A fantastically proud moment for me and the children were honoured with he best annimation award during the premier of our film.
Our work inspired by the elusive BANKSY!The Big Draw
Today the children in Year 5/6LJ have been inspired by the elusive artist Banksy. Early in the week the artist staged the sale of some original pieces staging them as copies. If you would like to read the story that inspired the children please take a look below.
After discussing the artist, the work and the style the children had a go at their first banksy inspired work - a graffiti tag saying either their name, or nick name. They initially drew out their designs thinking about shape, style and size before looking at shading and colour. Have a look at our designs we are sure you will be impressed!
This week at school has been our Inspiration Focus Week.
Learning Challenge: to write a review about the week.
Describe the best bits
Tell me about new skills that you have learnt
What did you find most challenging and why
Date given: 18th September 2013 Date due: Monday 23rd September
Friday 20th is 'Jeans for Genes' day to raise money and give children the chance to think about how others live.
Learning log: to be able to complete a fact page explain the role of the charity and how it helps families in the UK.
You may want to use the website to assist your research and learning log http://www.jeansforgenesday.org
L.C. to research the life and work of Sir Henry Moore
S.C. use the internet, library or books to research the famous sculptor born in Yorkshire. You could look at his sculptures, sketch or make a replica of your favourite as a way of presenting your learning about his life.
Today the children in Year 5 and 6 have been on a trip to Yorkshire Sculpture Park. Here the children saw work created by many famous artists from Sir Henry Moore to Barbara Hepworth. The trip will inspire a new enrichment lesson which will begin on Thursday.
Calculations and shape can be tricky but the children use various maths resources to assist them. I think you'll agree maths looks a lot different than when parents/carers were at school.Maths
Due in: Monday 10th September 2013
As part of our history topic we have been looking at famous key events in history and placing them in chronological order.
Learning Log: to create a fact page about the key event in history that interested you the most e.g. the first monkey in space, WW1, WW2, Ancient Greece, Fall of the twin towers etc.
Please remember you can go to homework club or see me if you need extra support with your homework.
During our first PE lesson of the year the children had to guide their partner around some cones whilst carrying a wooden egg and spoon. The difficulty was, the one carrying the egg and spoon could only use their ears not eyes! The activity showed the children how important clear, concise and simple instructions are whats needed.Team building


text:
Wade Jack Adams
Parker High Greenville, SC Class of 1969
Personal Info
- Name:
- Wade Jack Adams
- Graduation Year:
- 1969
Memories of Wade Jack Adams
Are you Wade Jack Adams?
This page means someone is someone is looking for you. Register for free to let other alumni contact you and more:
- Let others find you
- Contact old friends
- Share photos and memories with other registered alumni
Looking for Wade Jack Adams?
This is a placeholder page for Wade Jack Adams, which means this person is not currently on this site. We do suggest using the tools below to find Wade Jack Adams.
About placeholder profiles
You are visiting the placeholder page for Wade Jack Adams. This page is here because someone used our placeholder utility to look for Wade Jack Adams. We created this page automatically in hopes Wade Jack Adams would find it. If you are not Wade Jack Adams, but are an alumni of Parker High School Greenville, SC, register on this site for free now.


text:
Waynesboro city Metro Ethernet, FastE, and Gigabit Ethernet via the Virginia Ethernet Internet Network!
Research Waynesboro city Ethernet Internet Network Instantly Online!
Looking to install an Ethernet Connection in Waynesboro city County, VA? We can assist.
To obtain a Ethernet Internet Network Quote for your business in Waynesboro city County, give us a call at (888) 765-8301 or use our online quote Ethernet price tool (on the left) to get an initial estimate on Ethernet Providers in Waynesboro city. Once we receive your information we'll give you a call to discuss your individual Ethernet Service request.
Why use ethernetinternetnetwork.com for your Online Waynesboro city Ethernet Bandwidth Research?
- Our Waynesboro city Ethernet Internet Network tool does the shopping for you.
- We give an unbiased opinion on Ethernet Services in Waynesboro city County.
- It's FREE
- Choose from over fifty telecom service providers
- No obligation consultation
Ethernet Internet Network Waynesboro city County
We may have a Ethernet Internet Network in the Waynesboro city County Cities:
- Waynesboro Ethernet


text:
History of Cult Makeup Brands
Meet the 14 Geniuses Behind Your Favorite Beauty Products
Sonia Kashuk, Sonia Kashuk Beauty
Which product didn't do as well as you expected? What did you learn from that experience?
Trying to come up with unique ideas can have its downside, and we definitely saw that with a few products. Mass is a challenging environment, and without samples to test, consumers need to be able to look at the product and immediately understand it. When we started, we basically would put an item on the shelf and pray it sold. Unfortunately, there were quite a few times when our prayers weren't answered, and amazing products never really took off the way we hoped. For instance, I launched a product in a skin care line many years back called Recede Eye Serum. It was dispensed through these three metal rolling balls that cooled upon application. It was the first of its kind, and this packaging was truly ground-breaking. However, since the customer couldn't see or fully understand the applicator on shelf, people missed the point of difference, and the product was eventually discontinued. A few major brands launched the same concept shortly after with advertisements, and it resulted in huge wins for them. Fortunately, in today's world you can turn to social media for that added voice to give background on a product and essentially teach the consumer how to use it, which absolutely would have been helpful when launching those new interesting concepts.
What is your best advice to someone trying to break into the beauty industry in 2016?
There's always room for a great idea but most importantly think about your point of difference.


text:
Hi everyone,
First time putting my Chris Craft up for the winter in Northern Virginia. I am looking for a place to set her inside until the spring. Please reply or PM me if you know of an option.
Many thanks as always!
Active Unanswered
Inside Storage Near Washington DC
Winterizing? Summerizing? Covering? Trailering? If it is about a boat out of water put it here.
Moderators: Al Benton, Don Ayers, Don Vogt
Post Reply
3 posts • Page 1 of 1
- Posts: 361
- Joined: Wed Mar 08, 2006 2:49 pm
- Location: Indian Lake, Ohio
- Contact:
Re: Inside Storage Near Washington DC
There is a big white building downtown not being used very effectively, perhaps they would/should consider re-purposing.
Greg Wallace 23 Custom 22166 former Chris-Craft dealer Russells Point, Oh.
Post Reply
3 posts • Page 1 of 1
Who is online
Users browsing this forum: No registered users and 4 guests


text:
|News Home | Press Releases | Press Images & Info
OneRepublic FOH Engineer Solves Live Recording Challenge With Sonnet Fusion™ F3 RAID Storage System
System's High Capacity and Its Rugged and Vibration-Proof Design Enable Recording of 112 Tracks at 96K for Future Re-use and Virtual Sound Checks
OneRepublic is beginning the third European leg of its "Native" tour, which began almost two years ago and so far has visited close to 200 venues in Europe and North America. Like any high-profile touring musical act, OneRepublic needs the ability to make a high-fidelity recording of each performance — both to create an archive for future recordings and live releases, and to enable the band to perform virtual sound checks. However, the OneRepublic sound crew was challenged to find a high-capacity storage solution that could stand up to the rigors of touring, as well as the extensive vibration created by OneRepublic's characteristic low-end-heavy sound.
"Until we discovered the Fusion F3, we had tried several other external storage solutions. As soon as the bass sounds began to crank up, other units would just freeze. It was very frustrating to produce a great show and not be able to record it because the hard drive couldn't keep up," said Zito, the renowned front-of-house (FOH) engineer for OneRepublic and owner/operator of Zito Production Services. "Whether it's rack-mounted or simply sitting on top of a hollow touring case, which can amplify the vibration, Sonnet Technologies' Fusion F3 is able to handle the very large track count at 96k and the extreme bass energy without missing a beat. The Fusion F3 is an invaluable asset to our operation."
To produce each OneRepublic performance, Zito uses the state-of-the-art DiGiCo SD7 audio mixing consoles, which together provide the necessary inputs and outputs to support the required 112 channels at 96k. For live recording, two DiGiCo MGB MADI interfaces convert the MADI output to a network signal for input to a MacBook Pro® running Cubase recording software. A Thunderbolt™ chassis receives the recorded output via a Thunderbolt connection from the computer and converts it through a Thunderbolt-to-eSATA adapter, which in turn connects to one of the four interface options on the Fusion F3. Configured in RAID 0 mode, the storage system is able to sustain transfer rates of up to 200 MB/s, and its 6TB of memory means that Zito is able to record two to three nights of performances before having to transfer the content to secondary drives.
Each of the Fusion F3's drives is mounted on its own multi-axis shock/vibration isolation sled to virtually eliminate vibration-related problems such as missed seek operations and cross-coupled vibration. Coupled with the system's rugged aluminum and steel outer case construction, this configuration protects the drives and ensures reliable operation.
For a virtual sound check, the DiGiCo console receives recorded content back from the Fusion F3 via MADI. A relatively new concept, the virtual sound check is a powerful capability for large touring productions that change venues almost daily. By playing back the recording of the previous night's performance, Zito can work with the band to fine-tune the mixing console settings for the next show and produce the ideal sound for each venue. The approach saves time and increases accuracy because the performance recording is the best source material available short of the actual performance.
"Virtual sound checks were unfathomable 10 years ago, but they are becoming more and more in demand by artists as a way to make sure that FOH is translating the performance correctly to the audience," Zito said. "Of course, it's imperative to have a reliable recording system to accomplish this; we would not be able to do it without the Fusion F3.""As FOH engineer for one of the top touring bands in the music industry, Zito is also one of the most dedicated. His commitment to ensuring that OneRepublic's music is presented to the audience as the band intends it, by using only best-of-breed tools, is evident in the quality of each show," said Greg LaPorte, vice president of sales and marketing at Sonnet Technologies. "The OneRepublic tour is exactly the type of application for which we designed the Fusion F3, and we are glad the system meets the band's requirements for durability, reliability, recording capacity, and quality."
# # #
About Sonnet Technologies
Image Link: www.wallstcom.com/sonnet/sonnet-dual_fusion_F3_rack-mount.jpg
Image Link: www.wallstcom.com/sonnet/sonnet-onerepublic_foh_zito.jpg
Image Link: www.wallstcom.com/sonnet/sonnet-fusion_f3_onerepublic_tour.jpg
All trademarks appearing herein are the property of their respective owners.


text:
This guide is an overview on the steps to studying pharmacy, getting into university, what it will involve and what happens after you finish the degree.
Entry requirements
So for anyone still in school or college, you'll want to at least have done chemistry. Preferably, you should also aim for a combination of physics, biology and math. Not all will be necessary (I myself managed to get in with just chemistry, maths and biology) but having more than one of these, will improve your chances of getting into the university of your choice.
Since this site is geared towards the UK, I will assume you're in the UK and want to study the MPharm (Master of Pharmacy) degree in a UK university, which is accredited by the GPhc. Here is an up-to-date list: https://www.pharmacyregulation.org/education/pharmacist/accredited-mpharm-degrees
Outside of the country the rules are completely different, as well as the actual level of the degree. For example, PharmD is the standard in the US. In most countries, the standard is a BPharm (Bachelor of Pharmacy).
With regards to the league tables you're best placed to check your university of choice on here: https://www.thecompleteuniversityguide.co.uk
And for a grades target check the Pharmacy undergraduate section of the university's website.
You will apply as with any course via UCAS and will just need to meet the standard January deadline (not the earlier Medicine/Dentistry deadline). You may be called for an interview.
Career prospects
The majority of students will go on to become pharmacists (around 98%), either working in community or hospital. There is huge demand in those sectors, accounting for the ultra-low unemployment rate for pharmacy graduates 6 months after leaving university.
However there are also various options in industry, academia or regulatory bodies.
- Clinical research associate
- Higher education lecturer
- Medical sales representative
- Pharmacologist
- Product/process development scientist
- Regulatory affairs officer
- Research scientist (life sciences)
- Science writer
- Toxicologist
There may be opportunities as a research scientist – however, if that is a route you are adamant on going into, you may be best placed to pick a degree such as pharmacology or biochemistry (note: these will not allow you to qualify as a pharmacist).
What the degree involves
Most MPharm degrees will be 4 years long in total. And generally, the first year will be almost to build a foundation – teaching you in-depth physiology and anatomy. You will then follow up in the next years with some of (but not limited to) the following areas
- management and treatment of disease
- pharmacokinetics
- the preparation/forumulation of drugs.
- Pharmacy practice and standards
The exact make-up of modules will vary from each university, but the same general guidelines are adhered to, in order to be accredited by the GPhc.
Teaching style & Assessment
Teaching methods will usually entail a mixture of lectures, lab classes, workshops and you may even be expected to do some shadowing in hospital.
Assessments will be done in relation to the module and again, could entail anything from written exams, MCQs, oral presentations, reports and practical tests. When doing my own MPharm degree, I also had a dissertation in the final year for my research project, which counted for a large chunk of the final mark for that year.
Work Experience
Most of the retail chains such as Boots or Lloyds offer summer placement programmes in community which can last around 6-8 weeks. While studying you could apply to these programme, but bear in mind you'll be competing against your fellow peers and there will probably be a interview process, like any other job. The advantage of getting these placements are that it will really enhance your employability and you could even swing a Saturday job in a pharmacy. The employers tend to also recruit for their pre-registration places, from these programmes.
There could also be opportunities in the NHS in hospital pharmacy, these tend to be shorter programmes and there are less places available.
Pre-Registration Placement
So as discussed above, there are various options with regards to a career option. However, lets assume you're in the 98%+ who will go on to work in community, industry or hospital. For either of these, you will need to secure a pre-registration place after finishing your degree.
This pre-registration placement will last one year, will normally be paid and you will have to sit a final exam at the end, which has been set by the GPhc.
The recruitment process will start some time before you actually finish your degree (a year in advance is standard) so you should look into the application process as early as possible.
There will be some differences in recruitment timetables between the NHS and the retail chains – the process has changed a few times over the years, so its always to do your research to make sure you don't miss out on a placement.
For the NHS
England & Wales – https://www.lasepharmacy.hee.nhs.uk/national-recruitment/#
Scotland – http://www.nes.scot.nhs.uk/education-and-training/by-discipline/pharmacy/pre-registration-pharmacist-scheme/prps-recruitment.aspx
For community placements with the major retail chains – details on their current application process should be on their websites.
You could also find vacancies (including for smaller independents) on Chemist and Druggist, NPA and Pharmaceutical Journal.
When choosing a placement, make sure to get a copy of your employment contract. And be extremely clear about hours, the structure of your work and training arrangements. For specific advice on contractual rights or if you feel something is not satisfactory – you could contact the Citizens Advice Bureau (CAB) or the Pharmacist Defence Association (PDA). The PDA offer pre membership to all pre-registration trainees, so it can be useful to sign up with them.