text:
Death of Toys
Writer/Director: Lisa Gold
Producers: Molly Kasch, Brenda Blair
Cinematographer: Miguel Bunster
Editor: Lillian E. Benson
Ten year-old SETH wants to give up his toys, but his work-numbed mother LILY needs the spark of their playtime more than he does. Her insistence that he keep the toys leads to some unexpected places.
Producers: Molly Kasch, Brenda Blair
Cinematographer: Miguel Bunster
Editor: Lillian E. Benson
Ten year-old SETH wants to give up his toys, but his work-numbed mother LILY needs the spark of their playtime more than he does. Her insistence that he keep the toys leads to some unexpected places.
Web Site: www.thedeathoftoys.com
Lisa Gold – Writer / Director
Lisa Gold has written award-winning screenplays; she has also written
and/or directed and produced six award-winning short films. Lisa made her
just completed short THE DEATH OF TOYS as a Fellow in the AFI Directing
Workshop for Women, a highly competitive program which each year gives
selected women funds, training, support and resources to make a short film.
Lisa's passion for improv comedy can be seen in her other five short
films, which were made for various 48 Hour film competitions. She directed
the short AN INCONVENIENT AFFAIR; wrote, directed and produced REALITIES
OF LOVE and THE BOARDWALK SPY; and wrote and produced THE POWER and
I HATE ALINA. Although written, shot and edited in only two days, these films
have played in various mainstream film festivals in the US and internationally.
As an improvisational actress, Lisa has performed in various venues around
Los Angeles; she is a graduate of the Second City Conservatory. Lisa's feature screenplay THE POKER
WARS was a Finalist in the Nicholl Fellowships in Screenwriting Competition, reaching the top 10 out
of over 5,000 submissions. THE POKER WARS, a drama, also won the CineStory
Screenwriting Awards. Lisa has written four feature length screenplays, and is developing her latest
family action/adventure script THE SECRET OF SHANGRI-LA into a children's novel.
Molly Kasch – Producer
Molly Kasch has produced several short films, television commercials and a television
pilot. She is currently producing the non-profit documentary "Defining Beauty: Ms.
Wheelchair America", narrated by Golden Globe winner Katey Sagal. It is a thoughtprovoking
film about the vibrant lives of five women with disabilities on their journey to
the 2010 Ms. Wheelchair America pageant, where the concept of beauty is defined
through the lens of advocacy & perseverance. Molly's award-winning short "The
Burger" debuted at the Vail Film Festival and gained worldwide distribution.
Molly has a BS from Babson College and over 10 years of experience in business,
working with independent production companies, advertising agencies and corporate
marketing. She recently founded her own production company, Five 18 Productions,
which is committed to bringing light to subjects often overlooked and to exploring and
exposing the human condition.
Brenda Blair – Producer
Brenda Blair holds a Master of Fine Arts Degree in Producing from the American Film Institute where
she was awarded the Hewlett Packard Scholarship in the amount of $20,000. During her attendance at
AFI, Brenda produced the short film, DELAYED, which was recently nominated for a BAFTA award and
was accepted into the Las Vegas Film Festival. She also assisted the producer of the feature film,
MACHO, now in distribution with IFC. Since her departure from AFI she has line produced four shorts,
including THE MUSHROOM SESSIONS, which was accepted into the 2010 LA Shorts Fest and
PARACUSIA, which received the 2010 Sloan Production Grant in the amount of $25,000. Brenda is
currently living in Los Angeles, California where she is co-producing the feature film, APOLLO 18.
Lillian E. Benson, A.C.E. – Editor
Benson has edited numerous documentaries for HBO, CNN, The Learning Channel, The Discovery
Channel, and PBS. Her feature film credits include ALL ABOUT YOU, AU PAIR CHOCOLAT, SOLILOQUY,
ALMA'S RAINBOW, and TWISTED starring Christian Slater. She has collaborate with director Debbie
Allen on three movies of the week including the highly-rated LIFE IS NOT A FAIRY TALE-THE
FANTASIA BARRINO STORY for Lifetime. Benson was part of the first season of the dramatic series
SOUL FOOD for Showtime.
Ms. Benson is a member of American Cinema Editors, the honorary society of film editors and serves on their board of directors.
P. Daniel Newman - Composer
P. Daniel Newman is a composer, sound designer/editor and engineer specializing in independent film and television projects of all genres and scopes. He has been writing and producing songs and TV/film scores since 1991. His expertise ranges from writing and producing of simple voice-overs to full orchestral scoring and complete audio postproduction services. In 2002, Newman established Newmagic Entertainment to provide music editorial and postproduction services for independent films. In 2008 Newman founded Newmagic Music and Sound, a provider of complete music and audio
production and post-production services to the film, television, multi-media and themed entertainment industries.
Kim Rhodes - Lily
Kim Rhodes portrayed the role of Cindy Harrison on two different soap opera series, "Another World" and "As the World Turns". While performing in "Another World", Rhodes was nominated, along with Mark Pinter, for a Soap Opera Digest award as "Favorite New Couple". Rhodes starred in the Disney Channel sitcom "The Suite Life of Zack & Cody" and "The Suite Life on Deck", as Carey Martin, the mother of twins Zack and Cody. Prior to her Disney Channel début, she previously acted with the Oregon Shakespeare Festival for one season, portraying the roles of "Daphne Stillington" in Noel Coward's Present Laughter and "Helena" in Shakespeare's A Midsummer Night's Dream. Rhodes' film credits include "Christmas with the Cranks", based on the novel by John Grisham, and Mark Vadik's "Cyrus."
Reese Hartwig - Seth
Reese Hartwig attended the prestigious school of acting called "LA Life" and has been practicing the craft ever since 2008. His first audition landed him a part in a music video and Hartwig has done numerous commercials since including saying "What's in your wallet" for Capital One. His television credits include the number one show "NCIS". Besides a number of short films, Hartwig has recently worked in the feature films "The Muppets" and "Crazy Eyes" to be released in the fall of 2011. For more exciting details and clips go to www.hartwigbros.com.
Darrien Skylar - Little Lily
Darrien Blue Skylar has been acting since the age of 5. Darrien's recent credits include the AFI short film "The Debt Collector," Wingspan Pictures' "Love is All You Need?" and "Pullover," a UCLA MFA film directed by Camilo Prince Salazar. She can also be seen on the album cover of KORN's "Remember Who You Are" and on the national Hillshire Farmscommercial. Darrien also starred in the short films "Dandelion in the Pavement" and "Z".
Bru Muller - Fantasy Man


text:
good monday + summer social
whew!! hi friends! I hope you all had a wonderful weekend. mine was so much fun and flew by so quickly. but was worth every minute. the Summer Social was an absolute blast. Abby totally rocked it. that girl knows how to organize a party, that's for sure. the day was so amazing and everything went off without a hitch. thanks so much to everyone who was able to stop by, grab a piece of pie or homemade ice cream, and lounge on vintage blankets on the lawn and listen to some beautiful music. we've started a flickr group where you can check out everyone's photos from the day.
and… as promised, we've got some exciting news for those of you around the country who couldn't make it! starting this Friday we will have a temporary online Summer Social Sale shop! Abby will be adding a sampling of everyone's goods to the shop throughout the week for you to browse through. the shop will open at 10 a.m. PST on July 31 and will be open for two weeks or until we sell out. pretty exciting, right??
happy monday!

subset: commoncrawl


text:
Did you know that 75 per cent of the craft sold in the Giant's Causeway Visitor Centre is made in Northern Ireland and that many of the craft items are bespoke and unique to the Giant's Causeway?
To celebrate and build awareness of the National Trust's partnership with local crafters and suppliers, the Causeway held a special showcase event recently.
The 'Meet the Crafters Day' provided an opportunity for local artisan crafters to meet with shoppers and demonstrate their skills. Bob Kane, Retail Manager, said: 'Visitors from all over the world were intrigued to see the skill, care and attention that goes into the process of creating such beautiful handcrafts."


text:
Majors and Minors
- American Studies
- BFSS Major
- Biochemistry Major
- Biology Major
- Business Administration
- Chemistry Major
- Communication Major
- Computer Science Major
- Elem. Education Major
- Engineering Sciences Major
- English Major
- Exercise Science Major
- Graphic Design Major
- History Major
- Legal Studies Major
- Liberal Arts Major
- Media Arts Major
- Music Major
- Nursing Major
- Psychology Major
- Religion Major
- Special Education
- Studio Art Major
- Theatre Major
- Minors
- Certificate / Licensure
- Pre-professional
- Student & Alumni Profiles
Legal Studies Major
Learn the Law, Live the Faith
Basic knowledge of the legal system is important for a wide variety of careers. Many professionals, especially in the public sector, need a comprehensive understanding of what the legal system is, how it works, how it relates to social change, and how to assist people in asserting their rights.
The Legal Studies Department offers both a major and minor in Legal Studies. These pre-law programs are geared to developing skills in legal careers. The program emphasizes law in a social context within a broad-based liberal arts curriculum. It focuses on enhancing critical and analytical thinking, research, and writing skills. Students learn how the law is interpreted, applied, created, and how it evolves.
Potential Careers:
- Paralegal
- Legal Assistant
- Lawyer
- Court Administrator
- Lobbyist
- Social Worker
- Probations Officer
- Claims Adjuster
- Corrections Personnel
- Police Officer
*Some careers may require additional training, graduate, or law school.


text:
Water Jetski, Jetpack and Flyboard shows performed by professional stunt performers. Fully themed public shows for special events such as Christmas and Halloween or amazing night time shows with LED suits, fireworks, laser lighting in show where the performers launch the fireworks off themselves.
Events in any location from public waterways to hotel pools or lagoons. Jetpack Events and Entertainment can perform worldwide.
Note: Information on listed products and services are provided by the operator and were correct at the time of publishing. Rates are indicative based on the minimum and maximum available prices of products and services. Please visit the operator's website for further information. All prices quoted are in Australian dollars (AUD).


text:
Search Supreme Court Cases
U.S. Supreme Court
McNabb v. United States, 318 U.S. 332 (1943)
McNabb v. United States
No. 25
Argued October 22, 1942
Decided March 1, 1943
1. The power of this Court upon review of convictions in the federal courts is not limited to the determination of the constitutional validity of such convictions. P. 318 U. S. 340.
2. Judicial supervision of the administration of criminal justice in the federal courts implies the duty of establishing and maintaining civilized standards of procedure and evidence. P. 318 U. S. 340.
3. The principles governing the admissibility of evidence in criminal cases in the federal courts are not restricted to those derived solely from the Constitution. P. 318 U. S. 341.
4. In the exercise of its authority over the administration of criminal justice in the federal courts, this Court, from its beginning, has formulated applicable rules of evidence; and has been guided therein by considerations of justice not limited to strict canons of evidentiary relevance. P. 318 U. S. 341.
5. The circumstances (detailed in the opinion) under which federal officers obtained incriminating statements from the defendants in this case, together with the flagrant disregard of Acts of Congress requiring that accused persons arrested by federal officers be taken before a United States Commissioner or other judicial officer, rendered the evidence thus obtained inadmissible in a criminal prosecution in a federal court, and convictions resting upon such evidence must be set aside. P. 318 U. S. 341.
6. Although Congress has not explicitly forbidden the use of evidence so procured, yet to permit such evidence to be made the basis of a conviction in the federal courts would stultify the policy which Congress has enacted into law. P. 318 U. S. 345.
123 F.2d 848, reversed.
Certiorari, 316 U.S. 658, to review the affirmance of convictions of second-degree murder for the killing of a federal officer while he was engaged in the performance of his official duties, 18 U.S.C. § 253.
Official Supreme Court caselaw is only found in the print version of the United States Reports. Justia caselaw is provided for general informational purposes only, and may not reflect current legal developments, verdicts or settlements. We make no warranties or guarantees about the accuracy, completeness, or adequacy of the information contained on this site or information linked to from this site. Please check official sources.


text:
Sunnyvale, California (September 6, 2017) – eGain (NASDAQ: EGAN), a leading provider of cloud customer engagement solutions, today announced financial results for its fiscal 2017 fourth quarter and full year ended June 30, 2017.
Ashu Roy, eGain CEO, commented, "We are pleased to report solid sequential growth in SaaS and recurring revenue in our first quarter since completing our transition to a recurring revenue business model. We continue to gain market share with our industry leading customer engagement solutions and look forward to continued SaaS and recurring revenue growth, as well as generating operating cash in fiscal 2018."
These reported results include Constant Currency where noted and non-GAAP operating income/ (loss) as supplemental information relating to our operating results. Non-GAAP operating income/ (loss) is defined as operating income/ (loss) adjusted for stock-based compensation expense and amortization of acquired intangible assets. Constant currency growth rates presented are derived from converting the current period results for entities reporting in currencies other than U.S. Dollars into U.S. Dollars at the exchange rates in effect during the prior period presented rather than the actual exchange rates in effect during the current period. Recurring revenue is made up of SaaS revenue and legacy support revenue. SaaS revenue includes ratable revenue from cloud subscription, term and ratable licenses and associated support contracts. Legacy support is revenue associated with perpetual license arrangements the Company is no longer selling. Total deferred revenue includes both GAAP deferred revenue and non-GAAP unbilled deferred revenue that remains off balance sheet, collectively representing contractual commitments that have not been recognized as revenue. Non-GAAP results are presented for supplemental informational purposes only and should not be considered a substitute for financial information presented in accordance with generally accepted accounting principles, and may be different from non-GAAP measures used by other companies. eGain's management uses these non-GAAP measures to compare the company's performance to that of prior periods for trend analyses, and for budgeting and planning purposes. eGain believes that the use of these non-GAAP financial measures provides an additional tool for investors to use in evaluating ongoing operating results and trends and in comparing the company's financial measures with other software companies, many of which present similar non-GAAP financial measures to investors, and that it allows for greater transparency with respect to key metrics used by management in its financial and operational decision-making. Reconciliation tables of the most comparable GAAP financial measures to the non-GAAP financial measures used in this press release are included with the financial tables at the end of this release. eGain urges investors to review the reconciliation and not to rely on any single financial measure to evaluate the company's business.
eGain will discuss its quarterly results today via teleconference at 2:00 p.m. Pacific Daylight Time. To access the live call, please dial (877) 741-4253 (U.S. toll free) or (719) 325-4754 (international), and give the participant pass code 1427089. A live webcast of the call and slide presentation can be accessed from the investors section at www.egain.com. A replay of the conference call will also be available via telephone beginning approximately two hours after conclusion of the call and remain in effect for one week. To access the replay dial-in information, please click here. An archive of the webcast will also be available on the investors section at www.egain.com.
eGain customer engagement solutions power digital transformation for leading brands. Our top-rated cloud applications for social, mobile, web, and contact centers help clients deliver connected customer journeys in an omnichannel world. To learn more about eGain, visit www.egain.com.
Cautionary Note Regarding Forward-Looking Statements. This press release contains forward-looking statements within the meaning of the safe harbor provisions of the U.S. Private Securities Litigation Reform Act of 1995. These forward-looking statements include our belief that we have successfully completed our transition to a SaaS based business, that we are seeing and will continue to see benefits to the Company from this transition, including growth in market share, SaaS and recurring revenue growth, and generating operating cash, among other matters. The achievement or success of the matters covered by such forward-looking statements involves risks, uncertainties and assumptions. If any such risks or uncertainties materialize or if any of the assumptions prove incorrect, the Company's results could differ materially from the results expressed or implied by the forward-looking statements we make. The risks and uncertainties referred to above include, but are not limited to: risks that our SaaS based revenue model and lengthy sales cycles may negatively affect our operating results; currency risks; our ability to capitalize on customer engagement; the success of organization changes; risks related to our reliance on a relatively small number of customers for a substantial portion of our revenue; our ability to compete successfully and manage growth; our ability to develop and expand strategic and third party distribution channels; risks associated with new product releases; risks related to our international operations; our ability to invest resources to improve our products and continue to innovate; and other risks detailed from time to time in eGain's filings with the Securities and Exchange Commission, including eGain's annual report on Form 10-K filed on September 13, 2016 and quarterly reports on Form 10-Q for the quarters ended September 30, 2016 and December 31, 2016, and March 31, 2017 which are available on the Securities and Exchange Commission's Web site at www.sec.gov. These forward-looking statements are based on current expectations and speak only as of the date hereof. The Company assumes no obligation to update these forward-looking statements.
eGain, the eGain logo, and all other eGain product names and slogans are trademarks or registered trademarks of eGain Corp. in the United States and/or other countries. All other company names and products mentioned in this release may be trademarks or registered trademarks of the respective companies.
June 2017 quarter financial data
MKR Group Investor Relations
Todd Kehrli or Jim Byers
Phone: 323-468-2300
Email: firstname.lastname@example.com


text:
Shelf Life
SOS Brigade
by Bamboo Dong,
Gankutsuou complete series
Rental Shelf
Project Blue Earth SOS complete series
Negima!? Pt 1
Shigurui complete series BD
Genghis Khan BD
Welcome to Shelf Life.
Loosely based on Alexander Dumas' The Count of Monte Cristo, the series is set far into the future, where space travel is not only possible, but common. Our teenaged hero Albert is celebrating Carnival on Luna with his friend Franz, when he is introduced to the Count. Albert promises to introduce the Count to high society should he visit Paris, a chance he gets shortly thereafter. Unbeknownst to him, the Count has spent the past couple of decades in prison, incarcerated for a crime he had no knowledge of. Now, armed with newfound wealth, he wants revenge. We're eventually introduced to other characters, which readers of the novel will remember—Albert's parents, Mercedes and Fernand de Morcerf; a rich banker named Danglars; the Count's slave Haydee; and various other notable characters. Then, just as everyone (including the viewers) is being won over by the Count, his plans for revenge slowly unfold.
The Count of Monte Cristo is one of the best revenge tales ever written, and it makes a gripping basis for this series. The first half builds you up to be sympathetic toward the Count, only to have that feeling be taken away as you learn that he's kind of a dick. His manipulative ways make him one of the best characters in the show, and even though you can't really like him, it's impossible to hate him. The lines between right and wrong are so vague—one example is at the beginning of the series, when the Count reveals that he has the power to pardon one of three men sentenced to be executed. He asks Albert to pick a name, ultimately freeing the man most boastful of his murders. While it sets the tone for the series perfectly, it's also a preview for the rest of the series and the way it examines good and evil.
Of course, it's impossible to talk about Gankutsuou without talking about the animation. Simply put, it's beautiful—and very unique. Rather than the standard cel animation one typically sees in cartoons, each fill area is placed over a static pattern. For instance, someone's coat might use a brocade-type pattern, while his or her hair might be a pattern made up of horizontal brush-strokes. Then, even while their limbs may move, the pattern stays the same. It gives the characters a ghost-like quality, like they're gliding through a scene, rather than being in it, and it adds greatly to the dark atmosphere of the series.
Of all the hundreds of shows that have been released in the past several years, I would recommend Gankutsuou to new viewers above anything else. Or it'd at least be in my top 10. The animation will blow your mind away, and the story will have you fastened to your chair. It's definitely a must-have.[TOP]
The story starts with a flashback, where we learn that a pilot named James has vanished after a test flight in a plane using G-Reactor technology. His last words imply that he was attacked by saucers. Jump ahead five years, and some child entrepreneur is about to embark on the maiden voyage of a G-Reactor-fueled train. Just then, another kid runs up and warns him about the safety of the train, seconds before the whole locomotive rises from the tracks, gets bathed in a rainbow light, then disappears. We eventually learn that aliens are attacking Earth in flying saucers, and they're using ring beam rays to incinerate things. Luckily, one man can stop them—a mysterious pilot in a top-secret grey fighter jet, who uses some secret laser weapon to destroy the aliens.
Project Blue Earth SOS has the great feeling of an old sci-fi flick. There are aliens that are threatening to destroy Earth, and people need a hero. He's not just up against some mean saucers—the aliens have lots of tricks up their sleeve, like bodysnatching and suitcase bombs. It's a new spin on an old school story, and it's a lot more fun than it appears. Even the first few episodes don't really allude to how fun this show gets, but eventually, as the plot with the aliens is unveiled, things really pick up. Plus, it's about time we got us some alien shows. I'm so used to anime with cute, friendly aliens, or civilized powers of negotiation, that it's kind of nice to be able to go back to the old "funny green men in saucers" trope.
What works in the series' favor and prevents it from becoming campy is that it looks pretty good, too. The character designs are crisp and modern, and the backgrounds don't try too hard to be futuristic. It lets the show feel current, all while embracing classic sci-fi elements that have been around for decades. It's getting increasingly harder to find more old-fashioned stories that still take themselves seriously (and get away with it), but I think Project Blue Earth SOS works. For fans of classic science fiction authors like Heinlein and Campbell, I think this series gives a fair shout-out.[TOP]
Personally, so far, I kind of like Negima!? better. Without the fanservice, I feel like I'm able to enjoy the characters' stories more—I also feel like I get to know the girls better in this version, because they each get a very distinct turn in the spotlight. Granted, within the first five minutes, we can already tell which girl represents each stereotype; even in the two seconds that each girl appears on screen as the camera pans across the classroom, we can tell that there's a techie girl, a quirky foodie, and even one who somehow gets away with polishing her guns in class, which I'm sure isn't allowed. In the episodes that follow, though, each girl eventually gets her own episode or two, which lay out her feelings for Negi and any notable backstories they might have. Meanwhile, Negi needs to deal with the disappearance of a powerful magical artifact called the Star Crystal, which his students help him handle.
This series is vastly more comedy-oriented than the first, which allows for some pretty good scenes. It keeps the show much lighter, even when it's dealing with darker themes, and it keeps the series from focusing too much on all the fighting. My personal favorites are the two representatives from the Magic Academy, a frog-ish blob named Motsu, and a woolly cat blob named Shichimi, both borne from a student's doodles. There's a precious scene in one of the earlier episodes where Motsu is desperately resisting the temptation to pop bubble wrap. These bits of comic relief might turn off some fans, but I find that it injects the right amount of humor into a show that shouldn't be taken too seriously. They already have a show about a kid wizard who's surrounded by junior high school girls who help him fight bad guys—they might as well milk the cuteness factor as much as possible.
One thing I want to complain about, though—in the first five seconds of the series, a prologue is written out on the screen. Too bad there's no way to read it because it goes by way too fast. The first screen has a sentence, the second screen has two, and then the third has this whopping paragraph that's on the screen for two seconds or so. Thanks, Funimation. Way to spread those words out. I'm a really fast reader, but even that was a little ridiculous for me, so it put me in a sour mood right at the get go. Luckily, it segued right into a rather stylishly drawn flashback, inked in heavy brushstrokes and bold colors, so my anger quickly abated.
In short, I think Negima!? is a lot of fun. It's a lot cuter and more innocent than Negima!, and I feel like it's more accessible. The pace is faster, and I don't have to deal with Asuna getting angry at Negi all the time. There's just more camaraderie amongst the girls, and it makes the story more enjoyable to watch.[TOP]
Funimation released a live-action film called Genghis Khan which, obviously, follows the life of Genghis Khan. According to the DVD insert, this film apparently took 27 years of planning to make. I don't know that the end product may have been worth their 27 years, but it's pretty enjoyable nevertheless. The movie follows the life of the man who eventually becomes known as Genghis Khan, all the way from his bastard roots, to his first victories as a clan leader, to eventually commanding a vast army. It covers a lot more of his life and early military exploits than one would normally get from a high school history class in the United States (which might mention two paragraphs about him), and it's a good way to get people more interested in his story.
It's worth mentioning, though, that the film is largely sympathetic to its title character. Even though it portrays him at times as a harsh, strict father and leader, it prefers to focus more on his good side. If that's something that may offend you, or anger you, then maybe this isn't for you. For everyone else, this is a well-made film about a subject that isn't very well-known in America. It looks gorgeous in high-def, too, especially those expansive battles. I personally wouldn't pay to get this on Blu-Ray, but if you're paying for BD rentals from Netflix, I think it'd be worth it.[TOP]
Shigurui is a story about two warriors who are destined to meet each other in a battle to the death. It starts off when they first meet, and through a series of events, chronicles their hard lives, eventually leading to their final battle. The ending kind of falls apart, but the journey there is breathtaking. It's also really macabre, so be forewarned, you will see a lot of blood. Lots and lots of blood, all of which gushes from injuries that are really hard to look at. You really have to be in the right mood to watch a show as dark as this, so it doesn't have a lot of replay value, but it's worth renting at least once, especially if you can watch it in high-def.[TOP]
Alright, that's it for this week. Thanks for reading!
This week's shelves are from Tristan, of Iowa.
"This is the collection i've amassed over my 15+ years of being an otaku. I have around 1,200+ dvds and 350+ manga. I converted that room into my "anime lounge", hopefully i'll get a lcd tv in there and a small home theater to complete it in the not-too-distant future. ^^"
I want an anime lounge, too!
Alright, want to show off your shelves? Send your jpgs to shelflife at animenewsnetwork dot com. Thanks!
discuss this in the forum (50 posts) |


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