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Welcome to Spaightwood Galleries, Inc.
120 Main Street, Upton MA 01568-6193; 800-809-3343
For more information or to purchase, please call 1-800-809-3343 or email us at firstname.lastname@example.com
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We are currently showing the first part of a 2-part show of American Art from 1960 to the present. Part I opened Saturday, May 17 and will continue into late August.
The view from just past the entry looking left: Sara Freeman (c. 1960?); TOP ROW: Untitled; James Rosenquist, Auto Tire, Dinner Triangle, 1955; Ellsworth Kelly, Red/Blue/Red and Green/Orange (1964); Adja Yunkers, Summer in Venise I (1966); Willem de Kooning, Untitled I and Untitled III, 1967; BOTTOM ROW: Elaine de Kooning, On the Way to San Remo (1967); Joan Mitchell, Meditations in an Emergency (1967); Barnet Newman, Sleeping on the Wing (1967); Grace Hartigan, The Day Lady Died (1967); Philip Guston, Composition I and II for "Ode to Michael Goldberg" (1967); Norman Bluhm, Naphtha (1967);. Beneath these works are three works by Bill Weege, each a unique piece or part of a series, each of which is different: left: Untitled, painted paper & string construction, 1978; Do not drop, painted paper & string construction, 1981; U.T. Hocker #31, mixed media on hand-made paper, 1982; Judy Chicago, Old, Original screenprint, 2013.
Since the lighting on the wall where the works from John Ashberry's Self-Portrait in a Convex Miroir (1984) are so hard to see in the image above, here are the first three works from the portfoloio: Jim Dine, Self-Portrait in a Convex Miroir, (D&F 179). Original woodcut, 1984. 175 signed & numbered impressions of which twenty five were reserved for contributors to a deluxe edition of John Ashbery's Self-Portrait in a Convex Mirror. Dine's woodcut is based upon Parmigianino's famous self- portrait. Image size: 387mm in diameter. Price: $4250.
Here are the remaining works from the wall above: Jane Freilicher, Still Life. Original lithograph, 1984. 175 signed & numbered impressions of which 25 were reserved for contributors (including Richard Avedon, Jim Dine, Willem de Kooning, Elaine de Kooning, Alex Katz, R. B. Kitaj, and Larry Rivers) to a deluxe edition of John Ashbery's Self-Portrait in a Convex Mirror. Still lifes represent a mjaor portion of her work and many of them can be seen in Klaus Kertess' study. Image size: 387mm diameter. Price: $1700.
Long wall (at left): Helen Frankenthaler (American, 1928-2011), Solar Imp. Original 35-color screenprint, 2001. 126 signed and nummbered impressions on Somerset Textured Rag paper, of which this is n. 71/126. There were also 18 artist's proofs. Commissioned by Lincoln Center for the Performing Arts to help support the programs at Lincoln Center. In addition to the signed and numbered edition, there was also an unsigned poster edition with a printed textLincoln Center Salutes New York City Balletof about 800, 300 of which were used at Lincoln Center to advertise programs at the Center. Illustrated on p. 191 of "Art at Lincoln Center: The Public Art and List Print and Poster Collections" (2009). Image size: 1000x760mm. Mat size: 48x38 inches. Price: $9000.
Left: Dorothea Tanning (American, 1910-2012), Les demeures d'Hypnos: Combat (HD 47, T. 322). Original color lithograph, 1976. 99 signed and numbered impressions. Image size: 250x390mm. Price: $3500.
Lesley Dill (American, b. 1950), Listen: Dust is the only secret. Original lithograph on stained paper with synthetic fiber, 2006. 120 signed and impressions annotated "Ed. 120" for the Madison Print Club plus 20 artist proofs. Her work is included in the collections of the de Young Museum in San Francisco, The Library of Congress, MoMA, the Metropolitan and Whitney Museums, & many others. Image size: 410x260mm. Price: $1250.
Emmi Whitehorse (Navaho, b. 1958), Leaf (T 97-343). Original 5-color lithograph, 1997. 15 signed & numbered impressions on Somerset + 3 artist's proofs& 3 Tamarind impressions. Signed lower right with her Navaho name, three vertical red marks; signed in pencil on the verso "Emmi Whitehorse." Image size: 279x353mm. Price: $2000.
COMING SOON TO THIS PAGE: the works on the two front walls in viewable condition!
Pierre Alechinsky: The Year of the Snake March- June 2014
A view of the left side of the gallery showing 4 of the 5 panels plus the end wall. We felt a need to add the works on the floor to those on the walls if for no other reason than because we wanted to see them, but also because Alechinsky is anything but a minimalist. On the contrary, he might better be described as a maximalist who wants to let us see as much as we can and then more, to give us a chance to stretch and sweeten our imaginations. The works on this wall and beneath it go from the early 1960s to the mid 1980s. A walk through the show (or down this wall) would make it clear that Alechinsky tends to think in series at the same time that it would reveal his mastery of the individual work and to see how Alechinsky can make it function within larger groupings. For better views of these panels, please see Gallery Tour 2 (which shows each individual panel head-on and allows the viewer to experience each group of works as a group and then to zoom in on each work for a closer look and then to start moving back to take in larger groups and then to look yet again at individual panels and individual works within the individual panels).
A view of the left wall from the ladder showing some of the 97 works on the walls (and the 22 works on the floor in frames) in Pierre Alechinsky: The Year of the Snake, our current exhibition, a 119-work journey through the prints of Pierre Alechinsky (Belgian, b. 1927), one of the founding members of COBRA, a post World War II combination of surrealism and abstraction. In the Chinese calendar, the Year of the Snake comes every twelve years (and by the calendar this year ends 31 January 2014our show, however, will continue on until 4 May 2014). For Pierre Alechinsky the Year of the Snake can be an auspicious one. In 1977, also the Year of the Snake, Alechinsky was awarded the first Andrew W. Mellon Prize for Painting and executed one of the prints we are featuring, also called The Year of the Snake. Spaightwood Galleries began in 1980, so we missed our 1977 observance, but by 1989, Alechinsky's Guggenheim retrospective (which had been traveling in Europe for almost two years) had finally come to its end, and Spaightwood presented our first major Alechinsky show and purchased a small oil painting on canvas by the artist. In 2001, we once again celebrated the Year of the Snake with an Alechinsky show, founded upon our acquisition of large numbers of the two pieces published in 1977 to celebrate his Mellon prize and augmented by many more recent etchings and lithographs published by Galerie Lelong. Now, in 2013, as the Year of the Snake winds down to its close, we are presenting our largest Alechinsky show to date. In our Upton space, we can fit more Alechinsky's on the walls than ever before97 on the walls (some of them quite large) and more leaning against the bookshelves beneath the walls where the others are hangingand we plan to luxuriate in lots of Alechinsky's favorite images: Central Park, snakes, volcanoes, maps, gardens, dog-kings, smiling crocodiles and sea monsters, and people existing as best they can in a world that often seems to invite extreme emotional responses. (Sometimes you just want to scream!) Still, the central act of Alechinsky's art is the making of marks on a sheet of paper, on a canvas, on a copperplate, on a lithographic stone: for that is what distinguishes artists (visual or verbal) from destroyers.
top: Premier Acte / Act I. Original color lithograph, 1976. 120 signed and nummbered impressions on Arches paper, of which this is n. 107/120. Image size: 1000x620mm. Mat size: 48x36 inches. Price: $7500.
The show includes 8 large wall-panels (of which the one above is typical) each containing a selection of works by Alechinsky. Instead of being cramed into a space about 5-1//2 x7-1/2 inches, however, in the gallery each one is hung in a space about 9ft x 9 ft., so there is adequate space for seeing each piece both individually and as part of a larger whole. From top left: Paris (mat size: 42x30 inches), Chicago (mat size: 48x36 inches), Vieux Souvenirs / Old memories (mat size: 42x30 inches); middle row: Bonnet blanc White hat, Comme un gant /Like a glove; Leurs yeux paisables / Their peaceful eyes (mat size: 24x30 inches each); bottom row, Chute blanche / White waterfall (mat size: 32x40 inches), Grenailles errantes (mat size: 32x34 inches) / loose grains (of metal or meal). In the photograph of Paris (top left), the light areas are reflections of our triple window at the opposite end of the gallery. For details on each of these pieces, please click here.
Deuxième Acte / Act II. Original color lithograph, 1976. 120 signed and nummbered impressions on Arches paper, of which this is n. 102/120. Image size: 1000x620mm. Mat size: 48x36 inches. Price: $7500.
From top left:
Troisième Acte / Act III. Original color lithograph, 1976. 120 signed and nummbered impressions on Arches paper, of which this is n. 110/120. Image size: 1000x620mm. Mat size: 48x36 inches. Price: $7500.
Please check Gallery News and our Spaightwood Galleries Facebook page (link at top of this page) for information about museum shows we have seen, recent acquisitions, and other current information. We hope that this can become our new way to communicate with friends and visitors about the newest happenings at Spaightwood Galleries. To see the contents of every wall in the Alechinsky show, click Gallery Tour 1 and Gallery Tour 2. We have about 120 works in this show; when the Museum of Modern Art did their Alechinsky print show in 1981, they included 85 works. Their collection, however, is nearly 150% larger than ours: we have about 160 works by Alechinsky; they have, according to their website, 246 Aechinsky prints; our show does include over 30 of the works that are also in their permanent collection.
Spaightwood Galleries, Inc.
120 Main Street, PO Box 1193, Upton MA 01568-6193
The gallery seen from the corner of Main St. (Highway 140) and Maple Ave in Upton.
Wisdom Preaching to Fools (SMS 266.11, Strauss 13v, Hutt 1348, Borer 118). Original woodcut, 1494. A good impression on laid paper from a late 15th century or early 16th century edition showing almost no wear to the block on laid paper with no staining. Image size: 116x83mm. Price: $2500.
Folly and Her Fools (SMS 266.28, Hutt 1365, Borer 135). Original woodcut, 1494. A good impression on laid paper from the 1511 edition. Image size: 116x83mm. Price: $2000.
Venus, Cupid, and Death (SMS 266.06, Hutt 1343, Borer 113). Original woodcut, 1494. A good impression on laid paper from the 1511 edition, the bottom border lines beginning to wear. Image size: 116x83mm. Price: $2500.
Albrecht Dürer (Nuremburg, 1471-1528), Agony in the Garden (Bartsch 4, Strauss 48). Original engraving, 1508. A fine Meder a/b impression with traces of burr printed on laid paper with part of a Bull's Head with Flower watermark (the 5-petal flower) not used after 1519. Meder notes that this watermark (#62), is found on first qualtiy impressions only. Signed with the monogram and dated on the tablet lower right. Image size: 115x71mm. Price: $20,000.
Paolo Veronese (attributed), Juno and her peacock on a cloud seen from the rear. Brush and brown ink and wash on laid paper, c. 1570. Titian, Paolo Veronese, and Jacopo Tintoretto dominated the Venetian art scene for most of the 16th century, winning most of the public and religious commissions during that period. The Doges' Palace is particularly rich in work by Veronese. Hope, in Veronese and the Venetian Tradition of Allegory, talks about the distinct meanings of Juno in Venetian ceiling paintings in the 1560s-1580: Juno as Venice's patron (see pp. 409, 410); Juno as the element of air (Hope, pp. 415, 416), and Juno as one of the patrons of marriage (Hope, 419 and plate xxvii [b]). See also Pignatti and Pedrocco 1991, p. 111 (Juno clothed on a cloud with her peacock and a putto); p. 130: Juno, Hymen and Venus on a cloud in the Stanza dell'amor coniugale (in the Villa Barbaro at Maser, c. 1561-62?); p. 224, fig. 143d, Juno and Apollo in the Fontego dei Tedeschi in Venice; p. 230, pl. 149b, where the central figure in Infedeltà [Infidelity] (c. 1576-78) is a half-naked female figure seen from behind and below who shares much of the physicality of our drawing; p. 263, pl. 190, The Trionfo di Venezia in the Salo del Maggior Consilio in the Palazzo Ducale in Venice (1579-1582), in which the enthroned figure of Venice is attended by a number of figures, including a crowned female nude seated on a cloud seen from behind and below. Click here for another drawing on the verso with an unidentified collector's mark. Image size: 262x188mm. Price: $27,500.
School of the Carracci, 17th-century, Study of a Cherub. Red chalk drawing on heavy cream laid paper with no watermark. A study of the head and shoulders of a Cherub (it strikes us as too adult to be a little boy). The uneven trimming of the paper suggests that it might once have been a part of a larger composition and may signal that this collection was put together for the assistants in the workshop of an artist successful enough that he needed assistants. Image size: 120x80 mm. Price: $5000.
The Beast with Two Horns like a Lamb (Bartsch 74, Strauss 46, Meder 175). Original woodcut, c. 1496-97 for The Apocalypse. The work draws details from Revelation 13-14 (see below). Original woodcut from the 1511 Latin edition of The Apocalypse. A very good well-inked impression with strong contrasts, and preferable to the 1498 German and Latin editions which Meder describes (Strauss, p. 172) as "brownish, sometmies grey, less distinct" and "not particularly good." Our impression has full borders and margins on all sides. Strauss comments, "If a mystery can be made plausible, then Dürer has succeeded . . . in doing just that. He renders the incredible credible, retains the mysterious, and yet invites the viewers to interpret and understand what is happening. As a means to this end, he has invented a new graphic language" (p. 195). The image draws upon details from Revelations 17-19 (see below). Image size: 392x282mm. Price: $35,000.
Raphael Sanzio (Urbino 1483-1520 Rome), Attributed, Seated figure. Red chalk on old laid paper, c. 1504. Inscribed "Raphael 103" top center; initialed "J. F." in black ink lower left corner. Provenance: letter from Edward G. Hawks, a lawyer from Buffalo NY dated 12/25/1898 to James Dudley Hawks of Detroit MI, describing finding this and two other drawings loosely inserted in a 4-volume set of engravings of Herculaneum (Rome, 1789) with a note on the inside front cover, "Maria Denmanfrom her affectionate Brother [in-law] and Friend, John Flaxman." Flaxman (1755-1826) was a member of the Royal Academy, a successful sculptor and draftsman; he provided drawings to be engraved by artists (including William Blake) illustrating various texts including the Iliad, the Odyssey, the works of Aeschylus, and the Divine Comedy. Flaxman was in Rome from 1787 to 1794, where he would have had access to drawings by Raphael; Flaxman's own drawings, "unusual at the time for being conceived almost entirely in terms of outline," (Grove Dictionary of Art 11: 162-65; here at 163) might well have made Raphael's drawings of interest to him not just aesthetically but also practically. According to Hawks, he sent this drawing and two others (one of which, The Adoration of the Magi, here attributed to Parmigianino, which Hawks calls the "The wise man's offering," misreading the title written on the verso in Flaxman's hand, "The wise men's offering," we have also purchased) to his brother, "hoping they will afford you amusement and profit." Image size: 136x90mm. Price: call.
The drawing seeems to relate to Raphael's drawings made at Pinturicchio's request (c. 1504) for him to use in his fresco cycle on the life of Pope Pius II in the Duomo in Siena (Vasari, II: 223 [Everyman edition]). In particular, see the 4th fresco, in which the future Pope Pius II, is sent by the Emperor Frederick III to Pope Eugenius IV. The fresco shows Aeneas Silvius kneeling in front of the Pope to kiss his slipper; on either side of the Pope there are five seated clerics wearing robes similar to those worn by the figure in our drawing. In an essay published in The Cambridge Companion to Raphael, Bette Talvacchia uses Vasari's Life of Giulio Romano, Raphael's former chief assistant, to suggest what Raphael's workshop practise must have been like: "In assigning his assistants a more substantial role in the labor-intensive procedure of turning out hundreds of preparatory drawings for frescoes, Raphael initiated them into a rigorous working method, which they perpetuated as independent masters. The process devised by Raphael was to execute preliminary, rough sketches, proceed with further consideration of the groupings and individual figures through studies from life (often garzoni in appropriate poses), and then combine the compositional arrangements with the figural studies to form modelli" (p. 178). Our drawing seems to be just such a rough sketch (perhaps of one of the workshop assistants), to get the feel of a seated figure seen from the side. For a similar use of chalk to outline a figure, see Joannides 1983 #17, upper left. For the Pinturrichio frescoes, see either The Piccolomini Library in the Cathedral of Siena: The History of Pope Pius II in the Ten Frescoes of Pinturicchio (Siena, 1938) or Pietro Scarrpellini, Pintoricchio all Libreria Piccolomi (Milano: Fratelli Fabbri, 1965), p. 22. For additional seated cardinals in similar garb (though in different postures, see p. 38). For a reproduction of one of Raphael's cartoons, see Rhoda Eitel-Porter, ed. From Leonardo to Pollock: Master Drawings from the Morgan Library (NY: The Pierpont Morgan Library, 2006), pp. 26-27.
Guercino (Bologna, 1591-1666), attributed, St. Paul. Brown chalk drawing on laid paper with no watermark laid down upon a heavy sheet of laid paper with an irregularly-drawn decorated border, perhaps for mounting in an album. St. Paul sits at a desk, writing one of his epistles, the sword of his martyrdom leaning against the table upon which he works; an inkpot sits by his book within easy reach. The same sword is visible in Guercino's large 1644 oil painting of St. Paul in the Cuppini Collection in Verona (see David M. Stone, Guercino: cataloge completo die dipinti [Cantini 1991], n. 188 on p. 203). The elaborately-feathered quill pen that St. Paul uses seems to be, if not the same then at least very similar, although the treatment of the saint is different (in the painting he faces to the left at a 45 degree angle and is much more heavily bearded. David M. Stone, Guercino: Master Draftsman, suggests that most of Guercino's drawings should not be thought of as " 'blueprints' for the style of the paintings they study" but rather that they serve as "intellectual 'time-outs' in which the artist gives himself the freedom to invent, to delve into the istoria, without having to worry about such tedious issues as the size of the canvas, the number of figures he must eventually squeeze into the composition, or even the format of the picture, whether horizontal or vertical" (xxiii). Stone also suggests that the medium for the drawings was often based upon the need to use a technique that offered the most freedom and flexibility in putting images seen by the mind's eye onto the page, noting that Guercino's "preferred drawing medium throughout his life was pen or pen and wash" and his drawings show "the velocity with which Guercino could use his pen to 'attack' his subject on the sheet: the quick succession of pentimenti in the drawing would have been difficult if not impossible to realize in any other medium" (p. xix). Image size: 208x279mm. Price: $50,000.
Ercole Bazzicaluva (Pisa, 1610-after 1641, Florence), Beggar (inspired by Rembrandt?). Original pen and brown ink drawing, after 1630. Drawing on laid paper glued to a larger sheet of laid paper. Baldinucci described him (c. 1681) as "a brilliant draughtsman in pen and ink" and praised his drawings, which are mainly of subjects inspired by his experience of military occupations, hunts, and battles, as "highly accomplished." Image size: 57x73mm. Price: $1250.
Ercole Bazzicaluva (Pisa, 1610-after 1641, Florence), Antique warrior with two swords. Original pen and brown ink drawing, after 1630. Drawing on laid paper glued to a larger sheet of laid paper. Our drawings all came from one collection and may have been trimmed from larger compositions to form a library of poses for the workshop of some unknown artist, perhaps Bazzicaluva or one of his pupils. Image size: 63x34mm. Price: $1000.
School of the Carracci, 17th-century, Study of a young woman turned to the left. Red chalk drawing on heavy cream laid paper with no watermark. A study of the head of a beautiful young woman, caught in the act of turning to the left. For some suggestive similarities to this composition, see Annibale's Head of a young girl looking downwards in Drawings by the Carracci from British Collections (Ashmolean Museum, 1996), p. 104). The uneven trimming of the paper suggests that it might once have been a part of a larger composition and may signal that this collection was put together for the assistants in the workshop of an artist successful enough that he needed assistants. Image size: 106x92 mm. Price: $5000.
Bernaert van Orley (Netherlandish, 1492-1542), Susanna and the Elders. Pen and sepia ink drawing on laid paper without a watermark, c. 1530. Image size: 115x82mm. Price: $12, 500.
Nicolaes Maes (Dordrecht 1634-1693 Amsterdam), The Prophet Nathan rebukes David. Pen and brown ink and wash on laid paper, c. 1650-1660. From the roof of his palace, David sees Bathsheba engaging in her ritual purification bath at the end of her period. He sends for her, seduces her, and she conceives a child. Her husband Uriah the Hittite, one of David's captains, comes home, but will not sleep with his wife while his comrades are in battle (and thus making it impossible for David's child to be passed off as his), so David orders Joab to set up a way of getting him killed in battle. After Uriah's death, David then marries Bathsheba. The situation depicted in this drawing is described in 2 Samuel 1-15. God sends the Prophet Nathan to call David back to obedience. Nathan tells David a story about a rich man who kills his neighbor's only lamb to feast a traveller even though he is rich and his many sheep of his own. David condemns the rich man to death only to have Nathan tell him, "You are the man! Thus says the LORD, the God of Israel: I anointed you king over Israel, and I rescued you from the hand of Saul; I gave you your master's house, and your master's wives into your bosom, and gave you the house of Israel and of Judah; and if that had been too little, I would have added as much more. Why have you despised the word of the LORD, to do what is evil in his sight? You have struck down Uriah the Hittite with the sword, and have taken his wife to be your wife, and have killed him with the sword of the Ammonites" (7-9). Maes has illustrated the moment when David cowers in fear of the Lord's wrath and repents. Our drawing is illustrated in Walter Sumowski's Drawings of the Rembrandt School, 10 vols. (NY: Abaris Books, 1979-1992), vol. 8, p. 4298-99, catalogue n. 1922x. It has also been published in William W. Robinson, Rembrandt's Sketches of Historical Subjects (1987), p. 256, fig. 22. Image size: 102x160mm. Price: $18,500.
Jean-Francois de Neufforge, Woman with pearl necklace looking down. Red and black chalk on laid paper. Image size: 450x305mm. Price: $4000.
Jean-Francois de Neufforge, Woman with pearls in her hair looking to the left. Red chalk on laid paper watermarked "WM: VANDER LEY" (Churchill 433: after 1724). Image size: 415x320mm. Price: $3500.
The recent history of Spaightwood Galleries
Spaightwood Galleries was founded in 1980 in Madison Wisconsin by Andy Weiner and Sonja Hansard-Weiner and moved in 2004 into our beautiful new site in Upton Massachusetts (about forty-five minutes west of Boston via the Mass Pike; take the I-495 South Exit, then exit at Exit 21-B Upton; go 5.1 miles directly to the gallery in the former Upton Unitarian Church on the corner of Highway 140 and Maple Ave [click for views of our new home and exhibition space]). Now almost thirty years later we have an inventory of over 9200 works, most on paper, ranging from the late fifteenth century to the present. In the days to come we will continue to add pages (currently we have over 700) and illustrations (currently over 6000) to this site, but the best way to find out what we have will be to E-mail us (email@example.com) or call us for more information (one of the reasons I retired after 35 years at the University of Wisconsin as a Professor of English and an Affiliated Professor of Law was to get caught up; one of the reasons Sonja retired after 28 years at Madison Area Technical College was to make sure I do). By clicking on the link for Recent Exhibitions, you can get a sense of the shows we have put on at the gallery since the end of 2000 when we launched this site. For those who find indexing by show a bit cumbersome to negotiate, we offer a start at a more comprehensive alphabetical listing, divided into artists born before 1800 and those born after. As usual, the presence of a link means you can click through to the image(s) or page(s); the absence of a link indicates that we have not yet photographed the work(s) of that artist in our inventory, but we would be happy to do so on request as time permits. Click for Artists listing. For a profile on Andy and Sonja, the co-owners of Spaightwood Galleries, click here.
Joan Gardy Artigas (b. 1938), Homage to Brancusi. Ceramic sculpture, 1983. Size: 280x100x110cm. This work was included in Artigas shows at the Meadows Museum in Dallas (1984) and the Hispanic Institute in NYC (1985). After a sojourn of nearly twelve years in Madison WI, this beautiful sculpture, nearly 10 feet high, is beginning to adjust to her new home in Upton MA at the new Spaightwood Galleries. P.O.R.
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- I didn't find anything difficult in what I was asked, it was a pretty straight forward discussion. Answer Question
- Application Details
I applied online. The process took 4+ weeks - interviewed at Garmin.Interview Details
Applied online had initial phone interview a few days later then never heard from them again. Emailed the recruiter and HR person just to see if position had been filled or if I was not being considered ...not even a courtesy responseInterview Questions
No OfferNegative ExperienceEasy Interview
- General HR questions Answer Question
- Application Details
I applied online. The process took 2 weeks - interviewed at Garmin in June 2010.Interview Details
Applied online and within a few days I heard back from the hiring manager. We setup an interview. I went to the North KC call center for the interview. It was held in a conference room. I was greeted by the HR recruiter as well as a technical support supervisor. The questions were pretty straight forward. Spoke about previous jobs and what I did there. They asked a few questions about times I have troubleshooted someone's problems. At the end of the interview I was not hired for the original position I was applying for but for a Customer Service position which I accepted.Interview Questions
Negotiation DetailsThere wasn't one.Accepted OfferPositive ExperienceEasy Interview
- N/A - the questions were pretty straight forward. They will ask about times you have troubleshooted, be very detailed. They will ask about your customer service experience as well as technical support experience. Answer Question
- Application Details
I applied online. The process took 2 months - interviewed at Garmin.Interview Details
Interview through invitation. One HR round, One technical round. Both has easy standard questions based on what you have on resume. Technical questions on technologies listed. Some open ended discussion on design patterns and frameworkNegotiation DetailsNot much negotiationAccepted OfferPositive ExperienceAverage Interview
- Application Details
I applied through an employee referral. The process took 4 weeks - interviewed at Garmin in January 2013.Interview Details
Initial hiring process is started by filling an application through their online system. Even at job fairs at college and such, that's how it works. If your resume attracts attention, and they don't lose you in their paperwork (as happened to me the first time) then you get a phone interview. Having a friend on the inside to speak on your behalf can cut the change of being overlooked, since their HR hiring people are scatterbrained. If you pass the phone interview, then you are invited to Garmin for a tour, and a series of interviews with the departments looking for new hires. They ask you to bring code you have written for them to review, but only 2 out of the 10 or so people I interviewed with actually looked at it. If the general consensus among those you interview with is good, then you are offered a job. You get to choose preferences for department, and as far as I can tell, you get the most preferred department that also wanted you.Interview Questions
Negotiation DetailsThey did not seem open to negotiation, but mine was an interview for an entry-level position, so that may have affected it.Accepted OfferPositive ExperienceDifficult Interview
- The in-person interviews at Garmin that follow the phone interview are done by engineers, and the interviews are very technical. Keep in mind that most of Garmin deals mostly in C, and plan for a technical interview accordingly. The hardest questions was probably about the minimum number of bits required to encode information about a street in a GPS system (including speed limit as a multiple of 5, up to a certain limit, and several other bits of info they give you). View Answer
- Application Details
I applied online. The process took 4 weeks - interviewed at Garmin in April 2014.Interview Details
Originally applied through website for the intern position at their Manhattan Kansas office (Kansas State University has a program with Garmin working out of one of KSU's research facilities). I was contacted about a week and a half later requesting times I would be available to speak with a recruiter. The overhead recruiter and I scheduled a time for the following week to conduct a one hour phone interview with a university recruiting person. The recruiter called me about an hour before the interview asking to reschedule to a later date because her daughter got sick and in turn, got her sick too. It was no big deal for me, as I applied for the position almost 5 months before it would have started so there was definitely no rush.
We rescheduled the interview to be the following Friday (now four weeks since applying). The first interview was purely asking about items that were on my resume, basic questions regarding how much I knew about the structure and content of the Kansas State version of the Software Internship (it is a in-school position, part time, in parallel with schoolwork during the fall and spring). The first interview went very well and taught me a lot about the opportunities I would have as an in school intern. This was definitely a non technical, "tell me about yourself" interview. At the end of the discussion, my recruiter wanted to set me up right away to meet with the head of the Manhattan area coordinator and advisor to conduct a more technical interview. Due to the previous delays for sickness and the rush to get things done before the school year was over, she penciled me in for the following Monday.
The technical interview seemed almost as informal as the first one for the most part. In my first interview, I was instructed to bring examples of projects I had done myself, or things that had been developed in concordance with a team to highlight my abilities as a programmer and to demonstrate my aptitude for learning code. My technical interviewer seemed surprised that I had brought him projects to demonstrate (an iOS app I had built on my own and a rebuild of the 1980's Pac-Man). He seemed really interested in the projects I had shown, which definitely relaxed the environment of the generally more stressful technical interview.
Most of my experience in coding has been in high class languages (object oriented) like Java, C#, and Objective-C, so when I was handed code in regular C, I got really worried. Surprisingly, the coding questions he asked seemed almost like a joke. The first was a simple method that added numbers together in two different ways and I was asked to find why the code was outputting the wrong answer. The answers were fairly straight forward (a semicolon after a for loop statement but before the brackets enclosing the contents of the for loop). However, some questions were more difficult. Coming from higher languages to be run on computers, questions about memory conservation and processing speed were not my forte. My interviewer allowed me to ask questions about anything in the code to allow me to work through a solution based on how he was answering my questions. For instance, I wasn't totally familiar with pointers in C, so when it came time to debug code containing pointers, he answered my questions willingly so I could form a conclusion, which was a great way to keep my from getting discouraged for not recognizing an error right away, but also demonstrated my ability to problem solve. He seemed very impressed to see that I was still able to work through to correct answers without a detailed knowledge of the C language directly.
I received a call about 3 days later from the recruiter from the first interviewer describing my offer, and even offering me a position during the summer before the fall when I was supposed to start, if I was interested. It was a fun process and a little nerve racking at times while I waited for calls back, but the people were awesome and really got me excited about the environment I would be in and the opportunities I would have as a Garmin intern.Interview Questions
Negotiation DetailsI had very limited experience in comparison to other applicants so I was initially going to request less than their offer, so there was not much need to negotiate. I would recommend understanding the average pay for the position you are applying to and evaluate your experience compared to who else may be applying. If you probably have way more experience, ask for the high end of the curve.Accepted OfferPositive ExperienceAverage Interview
- Lots of questions on memory issues in C. Since Garmin works with a lot of small embedded systems, it would be a good idea to have a strong knowledge of lower level languages and tricks to coding in a low memory, low processing power environment.
For instance, examining a section of code and listing each step you could take to save memory. View Answer
- Lots of questions on memory issues in C. Since Garmin works with a lot of small embedded systems, it would be a good idea to have a strong knowledge of lower level languages and tricks to coding in a low memory, low processing power environment.
- Application Details
I applied through a recruiter. The process took 4+ weeks - interviewed at Garmin in July 2013.Interview Details
Good hiring process, included peer interviews and hiring manager interviewsInterview Questions
Negotiation DetailsI didn't negotiate.Accepted OfferPositive ExperienceAverage Interview
- Where do you think you'll be professionally in 5 years? Answer Question


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STARmeterSEE RANK
Up 627 this week
Daniel Petrie (1920–2004)
Daniel Petrie was born on November 26, 1920 in Glace Bay, Nova Scotia, Canada. He was a director and producer, known for Cocoon: The Return (1988), A Raisin in the Sun (1961) and Sybil (1976). He was married to Dorothea G. Petrie. He died on August 22, 2004 in Los Angeles, California, USA. See full bio »
Born:in Glace Bay, Nova Scotia, Canada
Died:(age 83) in Los Angeles, California, USA


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LORMAN, Miss. (AP) - Christian Williams made 15 of 16 from the free-throw line and scored 20 points to lead Jackson State to an 84-71 victory over Alcorn State on Saturday.
Jeff Stubbs had 16 points and Dundrecous Nelson added 15, Howard Kelsey 10, and Willie Readus contributed nine points and nine rebounds for the Tigers (5-14, 4-6 Southwestern Athletic Conference), who have won four games in a row.
LeAntwan Luckett and Anthony Nieves scored 16 each, and Ian Francis had 11 points and 15 rebounds for the Braves (8-17, 6-4), who had won two in a row and 5 of its past six coming in.
Jackson State shot 37.7% from the field (20 of 53) to Alcorn State's 31.1% (23 of 74), but the Tigers made 40 of 51 free throws while Alcorn State was 22 of 37.
Leading 55-52, Jackson State made a 12-4 run to secure the victory.
Copyright 2013 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.
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PORTAGE, Ind. — James Thomas McKee Sr., 80, of Portage, Ind., died Aug. 23, 2010.
He is survived by his loving wife, Barbara Marie (Moser) McKee, and six children, Debbie (J.J.) Satka, James "Tom" (Marlene) McKee Jr., Beth McKee, Bruce (Tami) McKee, Mark (Kristen) McKee, Tina (John) Gibson, all of Indiana; 15 grandchildren; 11 great-grandchildren. Also survived by brothers, Robert McKee of Mount Vernon, Richard McKee of Lyndon, Ill., Donald McKee of Killbuck; and sisters, Ellen McClain of Mount Vernon, Carolyn Hallman of Fredericktown, Marilyn Keys of Senacaville, Lois Reamsnider of Butler, Linda McKenzie of Ipswich, Mass., Nancy Hograbec of Yorba Linda, Calif.
Preceded in death by his parents, James T. McKee Sr. and Audrey V. Sweet; brothers, Roger McKee, Clarence D. McKee, Wayne McKee, Walter M. McKee and Karl D. McKee; one sister, Eleanor Mecer.
Burial was in Portage, Ind., on Aug. 25. Pruzin Brothers Funeral Service in charge of arrangements.
Submitted by Ellen McClain.


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You don't just want to survive in business; you want to thrive. That was the message Jill Eberhart, agribusiness group leader for Kennedy and Coe, shared with a group of around 130 women at Top Producer's first-ever Executive Women in Agriculture event.
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10th August 2010
Timor Leste (East Timor) is a beautiful country. With its amazing mountains, lush rain forests and world-class reefs, all within close proximity of each other, tourism is a real potential industry. And the local people are gentle, lovely and generous, which is especially striking considering how many of them suffer from extreme poverty, poor hygiene, terrible infancy death rates, and ... Read more
1st December 2009
Fellowship is about not being alone, about fun and revelling in variety. It is about informa... Read more


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Rage of the Gladiator - WII - Review
Ghostfire Games offers a new twist on the classic boxing simulator with Rage of the Gladiator. The mechanics are fairly familiar, and easy to grasp even if you're a newcomer. Using the first-person perspective, the player is thrust into the sandals of Gracius, a comically melodramatic aristocrat-turned-brawler who must face a slew of bizarre enemies in the arena. Gracius recounts his story with... Read More


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MILWAUKEE (WTAQ) - Former National League MVP outfielder Ryan Braun of the Milwaukee Brewers has been linked to performance enhancing drugs again.
Yahoo! Sports reported Tuesday that Braun's name was included among records of Biogenesis, the Miami-area clinic run by Anthony Bosch alledged to have distributed PED's to several big league players like Alex Rodriguez and Melky Cabrera.
Major League baseball will investigate the link tto Braun who tested positive for illegal synthetic testosterone during the 2011 postseason. Braun appealed that test result and had the case, and a 50 game suspension overturned.
Braun quickly issued a statement Tuesday declaring, "I have nothing to hide." Braun said Bosch and Bigenesis were used by his legal team as consultants for research during his appeals process and there was a dispute over legal fees.
His name showed up on a ledger for "money owed" and not in connection with any performance enhancing drugs. Braun said he will cooperate fully with the inquiry.


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Niall Horan - One Direction
10,000 - 50,000 downloadsAdd this app to your lists
+ By biZappBuilders
Born September 13, 1993
Mullingar, County Westmeath, Republic of Ireland
One Direction, the English boy band, formed in London in 2010, consisting of members Niall Horan (Born September 13, 1993. Mullingar, County Westmeath, Republic of Ireland), Zayn Malik, Liam Payne, Harry Styles and Louis Tomlinson.
App Features:
- Up to date News stories about Niall
- Instant access to Niall's twitter account
- The latest videos of Niall and also One Direction
- Photos of Harry and the band
- Direct access to Niall's website
- Articles and up to date news stories about One Direction
- Biography of Niall and the band
- Music and Merchandise Deals
Download the app and use it for free.
Tags: rompecabezas de niall horan, carta para niall horan, juegos gratis de niall horan rompecabezas, one direction ireland.
(70 stars)
Babes u are pur fect =) ♥♥♥♥♥♥♥♥♥♥♥
(70 stars)
Zayn Louis Harry
(70 stars)
This app is amazing if u love niall its the perfect app for u. I love niall james horan and I think he is so hot! I love all 1d but he is my fave member<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3<3
(70 stars)
This is a great app for Nialler fans!
(70 stars)
I love naill he so hot and u should get this games i love it ♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥♥â™
(70 stars)
ohh my g this is so awsome
(70 stars)
For gods sake why do all u girls say he's yours?! God i betcha he doesn't even know most of u girls like I've never met him i haven't even been to a concert yet so he's no ones unless he agrees AND knows you


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The library can help you plan your wedding. There are books that can help you stay organized.
Read more
On Saturday, July 21, 2007 at 1:30 p.m., my life changed forever. That was my wedding day. As many of you are aware, the days and months after this monumental life change can be hectic. It takes time for normal or the new normal to creep in and take back its rule.
For me, this happened quicker than expected. Our first year of marriage was as hard as we heard it could be. This was probably due to the fact that the habits and lifestyle choices I had made when single were not entirely broken. When they came back, they hit hard due to their subsequent caging.
Since February is the month of love, I thought I would mention a book titled Married Well and Often: Marriages of the Northern Neck of Virginia 1649-1800 by Robert K Headley, Jr. I was doing some research for one of my ancestors and found the title on the shelf. It was too catchy to pass up. I found some references to surnames I had been looking for.
© 1995-2014 Mid-Continent Public Library. All rights reserved.


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here welcome to: forums > music > everything music > insane clown posse
Everything Music
Talk about music, lyrics, singers, writers and news! Who is the best and who is the worst? Let's hear your input!
I. Love. Michael.
Lord Loss sows all the sorrows of the world
Lord Loss seeds the grief-starched trees
In the center of the web, lowly Lord Loss bows his head
Mangled hands, naked eyes
Fanged snakes his soul line
Curled inside like textured sin
Bloody, curdled sheets for skin
In the center of the web, vile Lord Loss torments the dead
A great online version of the famous Candy Crush. This is the best game launched...
Intriguing planets, weird and wonderful characters; challenge friends and find a...
When you go back to Candyland, you'll wonder why you ever left in the first plac...
Uncle George has left you his farm, but unfortunately it's in pretty bad shape. ...
Shoot blobs with different properies to merge yellow blobs. Your blobs can be re...


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15" Undercounter Wine Cooler with 33-Bottle Capacity, 6 Full-Width Shelves, 1 Half-Width Shelf, Door Lock and Touchscreen Digital Controls
Our Price
14" Freestanding Dual-Zone Wine Cooler with 18-Bottle Capacity, Thermoelectric Cooling Technology, Touchpad Controls, 4 Wine Racks, Chrome Shelving and Soft Interior Light
24" Dual-Zone Wine Cellar with 155-Bottle Capacity, 15 Pull-Out Wood Shelves and Blue LED Interior Lighting
22" Freestanding Wine Cooler with 4.6 cu. ft. Capacity, 38-Bottle Capacity, 5 Wooden Racks, Dual Temperature Zones, Electronic Temperature Control and Top Front-Mounted Handle
After Savings
19" Freestanding Wine Cooler with 34-Bottle Capacity, 6 Wire Racks, Interior Light, Control Panel Lock and Touchscreen Controls
17" Wall-Mounted Wine Cooler with 6-Bottle Capacity, Thermoelectric Technology, Interior Light and Touch Screen Temperature Control: Black
14" Freestanding Wine Cooler with 18-Bottle Capacity, Thermoelectric, 5 Chrome Racks, Interior Light and Digital Temperature Display
22" Wine Cooler with 42-Bottle Capacity, 7 Wire Racks, Tinted Glass Door, Stainless Steel Trim, Digital Temperature Controls and Optional Bright Lighting
24" Undercounter Dual Zone Wine Cooler with 46-Bottle Capacity, Pull-Out Metal Shelves, Interior Light, Door Lock and Touch Screen Controls
24" Wine Cooler with 110-Bottle Capacity, LED Interior Lighting, Gliding Metal Shelves, Security Lock and Key and Dual-Paned Glass Door
24" Undercounter Wine Cooler with 50-Bottle Capacity, Digital Controls, 7 Wood-Trimmed Wire Shelves and Soft Interior LED Light
19" Dual-Zone Wine Cooler with 29-Bottle Capacity, Interior Lighting, Freestanding Installation and Double Pane Glass Door
19" Freestanding Wine Cellar with 34-Bottle Capacity, Wire Shelves, Blue LED Dispaly, Touch Screen Controls and Varietal Names On Glass Door
102" Four Door Wine Cooler with 880 Bottle Capacity, White Oak Exterior, Two 1,500 BTU Wine Mate Cooling, Thermal Dual-Paned Glass Windows and Digital Temperature Controls
32" One Door Wine Cooler with 180 Bottle Capacity, Cherry Wood Exterior, Wireless Temperature and Humidity Monitor Kit and Dual-Pane Thermal Glass Door
96" Five Door Wine Cooler with 800 Bottle Capacity, 2 Wine Mate 1,500 BTU Cooling, Brass Lockset, 2 Fluorescent Lights and Digital Temperature Control
44" Two Door Wine Cooler with 272 Bottle Capacity, Cherry Wood Exterior, Wireless Temperature and Humidity Monitor Kit and Dual-Pane Thermal Glass Doors
28" Single Door Wine Cooler with 140 Bottle Capacity, Thermal Dual-Paned Glass Doors, White Oak Exterior, Wine Mate 1,500 BTU Cooling System and Digital Temperature Control
55" 700-Model Wine Cabinet with 464-Bottle Capacity, Wine-Mate Cooling System, Redwood Racks, Cornice/Base and Digital Temperature Control
12" Dual-Zone Wine Cooler with 45-Bottle Capacity, Front-Venting Exhaust, LED Display and Adjustable Temperature Control
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158 Campgrounds & RV Parks - National or Provincial in British Columbia
A tranquil campground with walk-in sites, wheelchair access & day use area. Drinking water, pit toilets, sani-station, firepits, hiking, mountain biking, sandy beach area, swimming, canoeing, kayaking, concrete boat launch, fishing & windsurfing.
A great staging area for many recreational activities. Travel south by ferry to discover Nakusp Hot Springs. Day use area, drinking water, flush & pit toilets, sani-station, fire rings, hiking, playground, beach, swimming, canoeing, kayaking, fishing.
This small and charming park protects the remnants of the site of the former BC Copper Co. Drinking water, pit toilets, firepits, fishing & biking. Firewood for sale.
Park offers 25 drive-in campsites, pit toilets, fire rings, swimming, hiking, gravel boat launch, drinking water, biking. The world-renowned canoe circuit encompasses 116 km chain of lakes with 54 wilderness campsites. No pets, no drinking water, recommend reservations for circuit at Discover Camping reservation service 800-689-9025.
Boya Lake is excellent for canoeing, kayaking & offers sandy beaches. Wheelchair access, drinking water, pit toilets, fire rings, hiking, swimming, boat launch, fishing, biking.
Popular anglers campground. Some walk-in campsites, day use area, wheelchair access, drinking water, pit toilets, fire rings, swimming, canoeing, kayaking, boat launch, fishing, biking, waterskiing.
Along the Similkameen River, swimmers can enjoy a refreshing dip. Day use area; wheelchair access; drinking water; pit toilets; firepits; enjoy swimming, canoeing, kayaking & fishing.
Located in a beautiful canyon with the Chilcotin River flowing past the campground. Day-use area, wheelchair access, drinking water, pit toilets, fire rings, hiking, fishing, biking.
Carp Lake is renowned for its Rainbow trout fishing. Walk-in campsites, group camping, day use area, drinking water, pit toilets, sani-station, fire rings, hiking, playground, swimming, canoeing, kayaking, boat launch, fishing, biking.
This wilderness park offers fishing, camping, wilderness camping, hiking & mountaineering, day use area, pit toilets, firepits, spectacular scenery & many hiking trails.
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Product Recall: We are voluntarily recalling fewer than 8,000 cases of regular Kraft American Singles Pasteurized Prepared Cheese Productlimited to 4 SKUs on two "Best When Used By" dates of February 20, 2015 and February 21, 2015. Click Here.
HEAT greased grill to medium heat.
MIX first 3 ingredients just until blended; shape into 6 (1/2-inch-thick) patties.
GRILL 5 to 6 min. on each side or until done (160°F).
SPREAD dressing onto bottom halves of buns. Fill buns with burgers and Singles.


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Police are investigating an early morning stabbing and robbery that happened near the Springfield College campus.
The Springfield Police Department told CBS 3 that the incident, which happened around 2 a.m. on Sunday, took place in the area of the Greene Street and Eastern Avenue intersection.
The victim told police that two black males stopped him while he was walking. One of the suspects had a knife, the other showed a gun.
They demanded money, but police said the victim was stabbed in the arm before he could get to his cash. The alleged robbers then stole approximately $340 from the victim's wallet before they fled.
Police said one of the suspects was wearing an orange sweatshirt, while the other was wearing a dark shirt.
The victim was taken to Baystate Medical Center.
The incident remains under investigation.
Copyright 2013 WSHM (Meredith Corporation). All rights reserved.
The events took place in the same jurisdiction with the same prosecutor but had very different outcomes.
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2-Ingredient Slow Cooker BBQ Chicken
Holy cannoli! For those of you who missed it, I posted a roundup of Slow Cooker Dinner Recipes yesterday on the blog, and it absolutely crazy on Pinterest last night. I guess you all love your slow cookers!
I'm definitely a slow cooker fangirl too. In fact, the weather has cooled down and it's now perfectly appropriate to cook dinner in the oven. But lately, I've still been letting my slow cooker do all of the work. It is just way too easy! And when it comes to 2-ingredients like this BBQ shredded chicken, it is even easier than easy. Yet the result is a big batch of shredded chicken that is still so flavorful, so moist, and so good. And it can be used in sandwiches, salads, soups, tacos, or whatever sounds good.
This Kansas City girl is definitely on board. Are you??
Read more


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Solomon's knot: how law can end the poverty of nations.
- Robert Cooter
- Princeton University Press, 2012
- Find it in Pittcat ›
- Request this book by email ›
Sustained growth depends on innovation, and this book presents a legal theory of economic growth that details how effective property, contract, and business laws help to unite capital and ideas.
PittCat: K487.E3 C6666 2012


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In this installment of Riffer Madness Dime covers psychotic syncopation!
GW's Andy Aledort shows you how to solo like Tony Iommi, Angus Young and Jimmy Page.
Emmanuel shares some valuable tips for beginning thumb and finger picking.
John 5 takes a look at a country-influenced hybrid-picking technique.
Another blues-based lick from hell, this time courtesy of Iron Maiden's Adrian Smith!
This Judas Priest inspired lick starts off with the blues but makes a serious turn for the metal!
Learn the basics of string whacking in this video lesson with Guitar World senior music editor, Jimmy Brown.
Toni Iommi provides us with the motive to rock in today's minor pentatonic lick.
A tasty blues lick that brings the rock players to the yard is on tap today, courtesy of the magical Stevie Ray Vaughan.
Triple your pleasure, triple your fun with this classic triplet-y lick...
Been a long time since you've rock and rolled? Fear not, this Jimmy Page inspired lick will get you right back in action.
Learn the basics of eighth-note pendulum strumming in this video lesson with Guitar World senior music editor, Jimmy Brown.
Slide down this slippery Mixolydian lick, in the vein of the late, great Duane Allman.
Feel the power of Trower, 70's blues great Robin Trower that is, with today's pentatonic lick.
Buy it now!
Now on the iPad
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'Bomb' by Steve Sheinkin
Published on Tuesday, April 30, 2013 - 4:39pm
Bomb by Steve Sheinkin is an exciting ride through World War II as seen by some of the top physicists of their day. With the revelation that an atom could be split in two, creating fission, came an arms race towards the first atomic bomb. The U.S. knew that an atomic bomb in the hands of Hitler would have devastating effects and the best way to prevent that was to make a successful atomic bomb first.
But the story is more complex than that. It involves Soviet spies and Norwegian resistance fighters, the FBI and the military. While the top physicists from the U.S. and Europe are busy working, other storylines are happening at the same time. Resistance fighters work to disrupt Germany's progress. The Soviet Union decides that the quickest way for them to successfully obtain an atomic bomb is to steal the information. The FBI and CIA are determined to root out all of the Soviet spies in the U.S.
Sheinkin does a great job of weaving the different storylines together to create one big cohesive picture. He enhances the narrative by including well placed quotes throughout the story, from Dr. Oppenheimer to KGB agents. The pictures placed throughout the book give faces to the men and women involved.
This book is great for those wanting to learn more about the making of the atomic bomb and how it influenced World War II. Sheinkin is also very good at describing the science in a simple manner so the reader may understand the basic science behind atom bombs.
It is no surprise that Bomb was a nominee and winner of multiple awards, including the YALSA Award for Excellence in Nonfiction and ALSC's Robert F. Sibert Award.
I would recommend this book to all ages.


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We are no longer taking online registrations for this workshop.
Everything in the world is alive and conscious, and will speak to you if you are listening. This is because you are living, right now, at the center of a multidimensional universe. Your life will be transformed when you wake up to what this means, and learn how to incorporate it into your daily life.
In this high adventure workshop with Robert Moss, learn the essential requirements to living consciously in the multiverse as an everyday practice. Discover how to use the powerful techniques of active dreaming—the original synthesis of shamanism and dreamwork created by Robert Moss—to shift consciousness and embark on journeys across time and through other dimensions.
Using story, movement, theater, spontaneous art, and ritual, you learn to entertain dimensional spirits and practice real magic, which is the art of bringing gifts from another world into this one. When you spend more time in the liminal space between sleeping and wakefulness, and interact with dream spirits, you more easily encounter your inner guides, heighten psychic perception, find resources for self-healing, and discover creative breakthroughs.
Faculty recommends you read the following books in preparation for the course:
The Children's Program is generally available during standard workshop hours only. Contact Omega registration at 800.944.1001 for details.
The above schedule is subject to change at the discretion of the faculty.
Robert Moss is a novelist, journalist, and scholar. A former professor of ancient history at the Australian National University, Moss is author of eight books on dreaming, shamanism, and imagination, including Conscious Dreaming; The Three "Only" Things; The Secret History of Dreaming; Dreamgates, and Active Dreaming. mossdreams.com


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Zero offset design meets protection from the hard ground in the Mizuno Wave Evo Cursoris. Optimized for the midfoot striker, this shoe features forefoot Wave technology provides cushioning and a smooth ride, while high density outsole rubber in key areas increase durability. A wide forefoot platform delivers a stable underfoot feel and a roomy fit that allows for natural toe splay. Breathable mesh in the upper ensures lasting comfort so you can focus on the run ahead.
Model Number: 410507.4R9D
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Weight: 6.8 oz (size 9)
Stack Height: Heel (18mm), Forefoot (18mm)
Available Widths: D=Medium
How It Fits (based on Width D)
The Wave Evo Cursoris is a minimum featured, minimum neutral shoe designed for daily training or racing.
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