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Celebrities Who Married as Teenagers
Barely Legal: Celebrities Who Got Married as Teens
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Barely Legal: Celebrities Who Got Married as Teens
While the average marrying age for most women in the US is around 27, stars like Drew Barrymore, Olivia Wilde, and Demi Moore all decided to take a walk down the aisle before turning 20. Keep reading to see those stars and many more who got married in their teens!
Source: Getty


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The Northern Ohio Violent Fugitive Task Force is offering a reward for information which would lead to the capture of fugitive Carvin Catron.
Catron is wanted by the U.S. Marshals and Cleveland Police Department for murder. It is alleged that on July 29, Catron got into a shootout with his brother, John Catron. The fight took place near the 10500 block of Columbia Avenue in Cleveland. During the exchange of gunfire, an innocent bystander was shot and killed.
Catron is described as a 28-year-old black male standing approximately 6 feet 2 inches tall and weighing 179 pounds. He has black hair and brown eyes.
Authorities believe he is hiding somewhere in Cleveland. He has a previous address near the 10500 block of Columbia Avenue in Cleveland.
Anyone with information regarding the whereabouts of Carvin Catron is encouraged to contact the NOVFTF at 1-866-4WANTED or text keyword "WANTED" with the tip to TIP411. Tipsters may remain anonymous. A cash reward may be available.
Copyright 2013 Toledo News Now. All rights reserved.
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EEO Report
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subset: commoncrawl


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Non-Hodgkin's Lymphoma
Children and Cancer: What Happens the Second Time Around?
But overall, these individuals appear to have a six times greater risk of developing another cancer compared to a similar people who did not have childhood cancer. Those at highest risk for developing another cancer later in life are those who had Hodgkin's disease or who received radiation therapy in childhood. Those treated for leukemia in childhood are at greatest risk for developing a brain tumor later on.
"We did not find any association at all between age at therapy and the risk of breast cancer," said Neglia. "Previous studies have suggested that young girls treated for Hodgkin's disease with radiation therapy to the chest during times of breast development may be most susceptible [to developing breast cancer later on]. That actually has led to gender and age-specific recommendations for therapy. Our results contradict this finding and really stress the importance of close follow-up for any girl who received radiation to the chest at any point in childhood."
"Patients [who had cancer in childhood] need to know what the treatment was [that] they received, and they need to speak to a ... physician who is actually versed in these long-term consequences of therapy, to discuss what, if any, recommendations for follow-up are important," said Neglia. "An example of this is that any woman who received radiation to the chest during childhood [should] receive a mammogram, probably, at age 25."
Updated 5/18/0


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Beautiful, private end unit in desirable Pebblecreek. Popular "L" model which features first floor MB, separate dressing area and bath. Circular staircase and additional 2 very large bedrooms upstairs. Kitchen with lots of built-ins and newer SS appliances overlooks a ...
Sep 30 -
Detroit :
West Bloomfield - Homes for sale
Beautiful 4-bed, 3.5 bath single family home for sale by owner in historic Geneva, IL. Many upgrades throughout the home that add exceptional value to this home. Directly across from spacious Weaver Park and only 2 blocks from Mill Creek Elementary School. Most sought-after ...
Sep 21 -
Chicago :
Geneva - Homes for sale
Signing Lease Agreements now for your move-in! Beautiful designer HUGE corner model! This gorgeous elevator building, named Ruby Square, offers luxury condos with indoor parking, balconies, in unit washer and dryer, and much more! All units are 2 bedrooms, with 1-2 bathrooms ...
Sep 18 -
Chicago :
Schiller Park - Apartments for rent
Three floors of customized beauty on Cortland in the vibrant Bucktown neighborhood! One block from Blue Line, this highly-upgraded condo is 15 minutes from the Loop with easy access to airports, suburbs and all of downtown Chicago! The building is quiet and can easily ...
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Chicago :
Chicago - Homes for rent
Former model! Beautiful NW corner duplex 3 blocks to the beach. Features exposed brick, hardwood floors, large dramatic triple pane windows, SSound w/speakers in all rooms. Gourmet kitchen w/oversized island, granite, 48" cabinets, SS appls., 2 bed/2 baths downstairs, master ...
Sep 3 -
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Chicago - Homes for sale
0S155 Willis Cir
Geneva, IL 60134
Price: $574,999
Main Features:
Single Family Home,4 Bedrooms,4 Bathrooms,Interior: 3,568 sqft,Lot: 0.30 acre(s)
More Info: http://listings.realbird.com/Real_Estate/Single-Family-Home-for-sale-in-Geneva--IL/Geneva/IL/D9C6A7D3/344533 ...
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Geneva - Homes for sale
This elegant home has been beautifully decorated and shows like a model. Pristine condition, upgraded and ready for move in. Enjoy the private and peaceful yard that backs to the forest preserve. This spacious home is 3742 sq ft with an open floor plan. The two story foyer ...
Aug 21 -
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Volo - Homes for sale
You'll love this gorgeous dream home, beautifully decorated! Resort setting with access to Chain O' Lakes. This seacoast-style home has four bedrooms and four full baths. Features include an open floor plan with hardwood floors on the main level. Formal dining room with ...
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Antioch - Homes for sale
This beautiful home is located in Carillon North, a private 55 plus community for active adults. Resort like setting creates the perfect adult lifestyle with a golf course, tennis court, indoor heated swimming pool, fitness area, clubhouse and more. Largest model offered in ...
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Grayslake - Homes for sale
Former model in prime location overlooking the beautiful commons. Move in condition with neutral décor. Featuring a 2 story Great Room with gas fireplace, and Dining Room with hardwood floor and mirrored wall. The kitchen includes all appliances and has a hardwood floor, ...
Aug 18 -
Detroit :
West Bloomfield - Homes for sale
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2 U.S. Code § 31a - Repealed. Mar. 2, 1955, ch. 9,
Section, acts Aug. 2, 1946, ch. 753, title VI, § 601(b),60 Stat. 850; Oct. 20, 1951, ch. 521, title VI, § 619(d),65 Stat. 570, related to expense allowance for Senators, Representatives, Delegates, and Resident Commissioner.
The table below lists the classification updates, since Jan. 3, 2012, for this section. Updates to a broader range of sections may be found at the update page for containing chapter, title, etc.
The most recent Classification Table update that we have noticed was Tuesday, August 13, 2013
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WICOMICO CO., Md. - Wicomico County is making another step towards completing their Watershed Implementation Project to help improve the Chesapeake Bay.
According to reports, the county was awarded $49,043 from the Chesapeake Bay Trust, and will be used to pay a significant portion of the engineering services associated with Phase I Watershed Implementation Projects (WIP). The project reportedly consists of seven storm water management retrofit projects on publicly-owned land.
County officials say the primary goal of the projects is to assist efforts to improve the health of the Chesapeake Bay and its tributaries. The money will reportedly go a long way in managing storm water run-off, which in turn will prevent nutrients from entering local water ways.


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January 30, 2013
As the gun control debate continues, Kevin D. Bradford,
an associate professional specialist in marketing at the University of Notre
Dame's Mendoza College of Business, says the focus should be on those who
distribute guns, not solely on those who buy them.
Bradford and a team of researchers conducted a first-of-its-kind study on
the ways guns move from legal channels into the hands of criminals. In "Counter-marketing in the
Courts: The Case of Marketing Channels and Firearms
Diversion," published in TheJournal of Public Policy and
Marketing, they examined 28,000 pages of
court documents, looking at what kinds of guns were used in violent crimes and
what kinds of safeguards specific gun manufacturers had in place for
The gun industry is cloaked in
secrecy. About 1 percent of gun dealers are responsible for 45 to 60 percent of
guns involved in crimes. These dealers divert new guns intended for responsible
owners to those that gun restrictions are meant to keep away from the weapons.
Requiring background checks and
other proposed safeguards are seemingly reasonable policies, and my research
has found a negative relationship
between implementing safeguards and guns being used in crimes.
That's a significant finding.
The problem lies in where new
guns are sent by manufacturers. We looked at the top manufacturers, which
accounted for 97 percent of all gun sales in the United States. A lot of them
are not safeguarding their distribution channels. They're not making sure the
dealers are doing the things necessary so that their guns stay out of
criminals' hands.
What is needed is more vigilance
over gun distribution to help curb gun violence.
When manufacturers implement
safeguards in their distribution channels, their guns are not used as often in
crime. If those marketing principles were put in place, dealers would be
discouraged from selling guns to the wrong people. This isn't about keeping
law-abiding citizens from having guns, (but) simply ensuring that the right
process is being followed from the very beginning.
If we can hold Hasbro accountable
for choking hazards for children, it seems reasonable that we should be able to
hold gun manufacturers accountable for their intermediaries who distribute to
criminals. Nobody seems to want the government involved in gun control, and the
government doesn't have enough feet on the ground for the job anyway, so why
not get manufacturers involved? They should be held accountable.
Marketing Associate Professional Specialist
Bradford's Faculty Page
© 2010 Mendoza College of Business, University of Notre Dame, Notre Dame, Indiana 46556-5646


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- Frank Barry
- Slo
- United States Minor Outlying Islands
This conversation is closed.
Should Microsoft and Google stand up and oppose the NSA publicly? Will doing nothing work?
The big Media Story today is about a Whistle-Blower who is hiding and
may soon to be captured and returned to the US for Arrest and Trial.
The exposure of NSA spying tactics of forcing Microsoft and Google,
as well as a number of other Internet Providers, both here and abroad, to provide User Records has put this nation's Internet Users on guard.
The NSA's current program PRISM has now been shown to have been
used to invade and capture information from friendly foreign nations.
We are Americans. We claim to be Free. However, in the
last 20 years things have been changing. Can we afford to stay
out of the mess?
What I wrote, although it sounds like an hyperbole, is anything but.
I refer to CNN's presentation on July 17th's video of the US Congress
having a hearing with the Deputy Director's of the Department's of Justice, DOJ, the DIA, the National Security Agency, NSA. and one other.
In the 3 .8 hour Congressional Committee's hearing, members asked pointed
questions and received evasive answers, with promises made that a secret
session would be more appropriate to answer their queries.
The queries by the Congressmen and Congresswomen were to the point
of why the NSA and other such agencies were conducting surveillances'
of US citizens, with partner corporations, collecting said US citizen's information from the telephone (cell phone) calls, email messages, and otherwise, that had been placed and received, and specifically without the knowledge and/or permission of said US citizens, in violation of two of the amendments to the US Constitution, plainly illegal acts.
Hyperbole, not hardly.
I found on my operating system, evidence of the NSA's Prism program.
Regardless of your opinion, please take a few minutes and
respond. ..Your input is necessary. ..Stand up, be fearless.
Showing single comment thread. View the full conversation.
Shava Nerad 10+Jul 18 2013: For the woman who wondered if her computer was easy to crack into? Easy as pie. The only way to keep your computer from being cracked into is to never hook it to the internet at all, or install any particular software on it that you aren't 1000% sure is free of malware.
Most computers are mildly infected. Many computers are seriously infected and part of criminal botnets, or rootkitted for other mechanisms, and the owners never know that their computers are being used -- rented out! -- for criminal activities.
anti-virus/anti-malware software really is a good idea. ;) I just shake my head when I run into people who tell me that they don't run the stuff because it slows down their system and they never see anything unusual running on their machine (of course, they wouldn't since the processes hide themselves...). Backup is a good "security" software measure too. You never know when some malware is going to trash your disk. It's rare but you might be sad.
These things don't have to be the NSA to be a tragedy. It's wild out there.
But if you want to engage the issue of the NSA? Become politically active, more than on some Tuesday in November. Get to actually KNOW your congresscritters and your local politicians. Turn out the vote. Revive the democratic system in this republic. Congress is sitting in DC at something between 11-17% approval ratings and they give not a SINGLE DAMN.
And you know why?
Because you guys are sitting in your ergonomic chairs on ted.com talking to each other instead of talking to your lawmakers. As a nation we have forgotten how to engage the system, and no one is happier about that than the folks in DC, because it makes their jobs so much easier, they are foxes in charge of the hen house.
Most of them aren't even bad folks. But they are lazy. You are their bosses, and you aren't doing your job.
Comment deleted
Comment deleted
Jul 19 2013: Kate, I just spent 3.8 hours
watching July 17th, CNN's coverage of the NSA hearings,
by the House of Representatives. Some pretty pissed-off
Congressmen and Congresswomen there, and not a dummy
among them. They had two or three ex-judges who knew the
constitution, and they lit a fire under the spy witnesses.
They must have been monitoring our conversations. lol
They brought up most of the issues.
I didn't take notes and so the titles of those they roasted are not correct.
They stuck it to the Dept of Justice deputy, the Natlional Security Director,
the NSA deputy, and a gal from one of the agencies who got blown away
in the first 10 minutes of questioning. She actually left the room for a bit.
The results are that the FISA court is a Rubber Stamp.
There's only one Judge who they change every week,
and only the NSA Lawyers. There's no one to represent the people.
So our 1st and 4th Amendments to the Constitution are crapped on.
Vulgar but true.
I couldn't believe my ears. James Cole the DOJ deputy provided
in one answer the old ODDI defense. The "Other Dude Did It".
I will bet you the Media misses his answer. ..But it was hilarious..
Hey, I just remembered the 'birth control' conversation. We were
mean to you. I apologize. You have my permission to beat me up
on this one. Nothing below the belt like the last one.
I've had a ton of coffee and it's 8pm. Wow, I am gonna hate tonight.
CNN stopped short and I didn't get to see it all.
Then Microsoft had to start messing with me.
I don't bother looking at my Event Log anymore.
It probably has 10 pings a minute from Windows.
Like a bad toilet stopper, -- they never stop...
As soon as the NSA gets taken care of, I'm going back to XP.
I was warned about Windows 7. ..But I just couldn't say no to my
daughter's gift. Now I find out that Win 7 is dumping Windows Live.
It wasn't any good anyhow.
Too much coffee... bye for now.
Jul 18 2013: Thank you for the evocative image of infected computers. I already know mine's infected because suddenly a skull and crossbones covers the screen and tells me to get away from the computer for awhile. What I'd like to know is how you knew I was sitting in an ergonomic chair. You're not using some virus to stare at me through my own webcam are you? That would be impressive, because I don't even own a webcam. In fact, I didn't even know this was an ergonomic chair.
Showing single comment thread. View the full conversation.


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Browse All Accessories
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- Moto X (2014) —*Show off your design! about 6 min ago by Phil Nickinson 73


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View property videos
Virtual tour of property
Step back in time as you enter a private brick courtyard surrounded by Oak trees. This 1927 Spanish Mediterranean home features an open, airy floor plan with 3 bedrooms suites, office, garage-apartment, separate dining and entertaining room, and 5 full baths. Enjoy the peace and privacy of the Zen garden. Additional features include an art studio, lovely courtyards, stained glass windows, portable generator. Old world charm on 1/3 acre, located less than 1 mile to Spanish Bay Beach and Resort amenities. Home has been lovingly updated over the past 25 years by the current owners. Truly unique! Read More


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Join 500,000+ Artists
Its' free and it takes less than 10 seconds!
anybody have any good (or know where any good) tutorials on how to put people in a scene?
ive tried on and off for years and have always been turned off because of the face even the most basic 2d scenes my characters never really look "in" the scene, so im wondering if i could get some help
useful tips are fine too, but id appreciate anything with some picture reference..
thanks homies
I got a tip once of the fabulous Mr Alan Lathwell and that was to make a character fit into a scene add a little gausian blur on the character that blurs the edges and stops the look of floating in the air and not being in the scene. not too much though or it will look wrong (this tip assumes you are using photoshop)
hope this helps
Developed Actively by vBSocial.com
The Art Department
SpringOfSea's Sketchbook


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Hi All:
Hopefully Dave Elder reads this ?
I am running Allegro 16.5 S018 and tried to run the autosilkUtils.il SKILL script.
Everything seems to work except it does not put the DRCs into the walker popup window.
Hopefully someone can fix this ?
This is a great tool
Hi Les,
It should work. What version number does the utility show in the form?
Versions after 8.23 are suitable for 16.5 although my latest (unreleased version is 11.04)
Try this one.
Hi Dave:
Thanks, works great. More checks !!
Do you have BOARD GEOMETRY/OUTLINE in a silkscreen film list?
Please snapshot the other tab too.


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05-05-2011 10:41 AM - edited 05-05-2011 10:42 AM
We currently have a 2003 server with Exchange 2003 and Trend Micro Worry Free Business Security Advanced 6.0 (build 1331) installed on all the servers and workstations (Exchange has Real-time messaging security agent).
I have been putting off the transition to the new 2008 R2 server with Exchange 2010 SP1 because of all the issues with 7.0 I have read about.
Can anyone share their experience with running the newest version of WFBS Advanced in Server 2008 R2/Exchange 2010 SP1 environment? Any info is appreciated, we have to make the decision soon, either give Trend a chance or move to a different vendor.
Solved! Go to Solution.
05-05-2011 11:57 AM - edited 05-05-2011 11:58 AM
I have WFBS 7 build 1435 installed on a virtualized SBS 2011 system (non-production yet), which is integrated Server 2008 R2, Exchange 2010 SP1, etc. I also have just the SA on my physical Server 2008 R2 Enterprise Hyper-V server, as well as on Win 7 x64 workstations, both physical and VMs.
ALL of them have very slow file copy and delete times for folders with a lot of files in them, but not for folders with few files or with single large files. They have my logs and a ton of captures and are working on it.
Here are my findings using their tool to disable modules:
With all modules OFF and the SA loaded, which is basically the same as having the SA unloaded.:
"Drivers" folder: 782 MB, 4495 files
Copy = 10 seconds
Delete = 1 second
"More details" rate = 50MB/second average
SA unloaded:
Copy = 9 seconds
Delete = nearly instant
With the modules enabled and SA loaded, the folder above would take up to 49 seconds to copy and 9 seconds to delete, and the "More details" rate shows about 7MB/second.
I did comparisons with some more folders with the modules OFF.
XPerf folder and contents, SA loaded or unloaded:
Data size = 1.65 GB
Number of files = 16
Copy = 3 seconds
Delete = instant
"More details" rate = as high as 1.2GB/sec, typically around 500MB/sec
With all modules enabled and the SA loaded, the performance was almost identical.
CDT folder and contents, SA loaded or unloaded:
Data size = 649 MB
Number of files = 312
Copy = 3 seconds
Delete = instant
"More details" rate = 318MB/sec
With all modules enabled and the SA loaded, the performance was almost identical.
"TrendMicroFiles" folder, modules off, SA loaded or unloaded:
5.45 GB, 354 files
Copy = 22 seconds
Delete = instant
"More details" rate = 240MB/sec
Same folder, but with all modules on and SA loaded: copy = 1:06, delete = instant
Single 1GB zip file (of the "TrendMicroFiles" folders):
Copy = 1 second
Delete = instant
"More details" rate = it finishes too fast for me to click on it!
Same file, but with all modules on and SA loaded: copy = 2 seconds, delete = instant
It appears to be a problem with the number of files, not the size of the data being copied or deleted.


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Don't Have an Account? Join the IHG® Rewards Club
Redeem when you want, for what you want. Your points never expire and there are no blackout dates.
Reward Nights
When redeeming points for a Reward Night, you may only book one room at a time.
Once you complete your Reward Night reservation you will be given the option to duplicate this reservation.
* Requires affiliation in the respective organization.
** Best Available Rate Search does not include affiliation rates.
To book more than 9 rooms for one stay or request a quote, please use our Easy Meetings tool or call 1-800-MEETING (in United States, Mexico and Canada).
Welcome to the Crowne Plaza® hotel in sunny Acapulco. This beachfront hotel's accommodations are in the heart of Acapulco's coveted Golden Zone, five minutes from downtown and just over 30 minutes from Acapulco International Airport. Unique pyramidal architecture sets us apart from other hotels in Acapulco, Mexico, as does our fabulous location and attentive staff.
With nearly 24,000 sq ft of total function space, including
View More
With nearly 24,000 sq ft of total function space, including seven meeting rooms and a ballroom suitable for up to 1,200, we are the best among hotels in Acapulco for meetings and events. Services like a Crowne Meetings Director and Daily Meeting Debrief ensure that your event runs smoothly. Travelers also appreciate that the Acapulco International Convention Center is less than two miles from our hotel's facility.
While in Acapulco, Mexico, vacationers have a world of fun at their fingertips, from shopping at Galerias Diana and La Gran Plaza to watching La Quebrada Cliff Divers. The Historic District Center is less than 10 miles away, as are unique local beaches like Puerto Marquez.
We offer only the best to our hotel's Acapulco patrons, including amenities like a lobby bar with live music, eight pools, a pool bar, Wi-Fi access, Fitness and Business Centers, childcare services and the incredible Crowne Plaza Sleep Advantage® program. Our four on-site restaurants ensure quality dining, too. We look forward to your visit!
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Second only to the Torchbearer Awards, The Quality Excellence Awards are created to honor hotels who have maintained high standards in product quality, hotel operation and customer satisfaction as measured by our guests
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text:
Model Number: WB1828-90
The ASICS PR Pant replaces the beloved Legato Pant and is a comfy staple for any runner's wardrobe. Stretch fabric with a peached interior moves with you as you run, and ankle zips allow you to easily adjust your temperature. Side zip pockets provide a secure place to stow your essentials on the go, and flat elastic waistband with internal draw cord offers a secure fit.
Important Shipping Note: U.S. sales only.
Please include any relevant information such as weekly mileage, training or race pace, or foot type.
Copyright © 2014 Running Warehouse. All Rights Reserved. Contact Us
Site Map | US: 1.800.606.9598 | email@example.com | Careers


text:
Kids Classic Style
Kid Clu X Tootsy Rolls Redford
2014: Limited frozen semen available
$2500/dose, no guarantees (see contract)
|1996 Buckskin AQHA Stallion
16.3 hands
1615 pounds
Click Here for full pedigree.
Click Here for a video of
Two Time AQHA World Champion
Sire of 34 World & Reserve World Champions in 2012 (all associations)
2014 Contract:
Stallion Service Contract for Frozen Semen
Please call 515-294-9900 for frozen semen shipment or on-site breeding management fees & details.
Owned by Scheckel Paint and Quarter Horses
Copyright Scheckel Paint and Quarter Horses- All rights reserved
ISU LVMC Stallion Station | 1600 S. 16th St | Ames, IA 50011
Phone: 515.294.9900 | Fax: 515.294.5224
Breeding Manager: Nyomi L. Galow-Kersh, DVM


text:
With over 25 years experience in both existing and new construction homes, Bridge Realty's agents and staff will always respect the needs of each and every client.
Our work ethic focuses on honesty, excellence, integrity, open communication, and ensuring we place your best interest in the highest regard throughout the process of our transactions.
We look forward to working together with you to make your next dream home a reality!
We have built a reputation for client satisfaction, and we are devoted to making your move as easy as possible. You will have the added benefit of working with agents who understand your needs when buying, selling, or relocating. Finding the right home is only the beginning. We will assist you every step of the way to ensure smooth sailing.
We are always available to offer you personal, one-on-one help with what some say is the biggest decision you will make in your life. If you have any questions, please don't hesitate to call or e-mail us!


text:
Reader Comments (Page 1 of 1)
Alternator said...
I have avoided selling greens, have other people found this a worth-while type of item to list?
Some greens are in high demand, especially those with variable stats that happen to match well with the item they are on.
(INT + STA) or (INT + SPI) on cloth would sell well to magical types.
(STR + STA) is pretty useless on cloth but is in high demand on mail or plate.
The same goes for weapons. If the stats are on an item that can't be used by a class that would want those stats, then it won't sell well.
If you take a quick stroll through listings for the type of item you are trying to sell, you can usually find which "... of the ..." item tends to have a higher price. This will give you a good clue as to whether or not to try and sell your item as is.
If you lucked out and got a good stat match up you can price it to be used as is. If you got something fairly useless, you can price it for enhcanters to buy for themselves to dis-enchant, or you can ask someone to DE it for you. (Enchanting mats almost always sell, and there is no risk to you. See my comment around 20.)


text:
Literary Magazine Reviews
Posted April 15, 2011
American Literary Review :: Another Chicago Magazine :: Assaracus :: Birmingham Poetry Review :: Creative Nonfiction :: The Fiddlehead :: Front Range :: Fugue :: Grist :: The Journal :: Juked :: New Ohio Review :: Passages North :: PMS poemmemoirstory :: A Public Space :: Raleigh Review :: Watershed :: WomenArts Quarterly
[Back to Lit Mag Review Index]
American Literary Review
Volume 22 Number 1
Spring 2011
Review by Sima Rabinowitz
Jude Nutter's starkly eloquent "16 October, 2009, 17.55 PM: Little Elegy" is illustrative of the issue's approach and strengths, with its description of life with horses, somehow both intimate and personal, yet distant, a portrait of another life:
my father would stretch out
beside her to work on his crossword, reading
the clues out loud. But, mostly, she was silent
because she had no use for language,
the way it frothed toward metaphor
and privileged the living, Somewhere
a bird. And a sudden scar
of sunlight as clouds break…
Nutter's strong poems are well accompanied by poetry from Mark Wagenaar, Chad Davidson, Anne Boutelle, Dean Kostos, Natalie Giarrantano, Chuck Carlisle, Claire Bateman, Marjorie Stelmach, and 10 other poets, including translations of Nikola Madzirov's poems by Peggy and Graham W. Reid.
Prose is similarly affecting, beautifully crafted, personal, yet also polished with a sort of odd far-off quality like Nutter's verse. These effective pieces include the journal's prize-winning fiction by Karen Heuler, stories by Adam Pearson, Laura Walter, and Scott Nadelson, and nonfiction by Sabine Heinlein, Sarah Heston, Jeff Walker, and Danielle Deulen. Prize-winning essay "Pomp and Circumstance" by Heinlein is especially effective:
Of all the bridges in New York I like the Verrazano the least. As I drive across it on a hot and humid Sunday afternoon to visit Edwin, a young, blind man from Staten Island, I try to figure out what I have against America's largest suspension bridge. My gaze glides to the right, over the hazy Lower Bay, then along the bridge's vertical suspender cables and its towering pylons into the sky. In one blow I feel the bridge's enormous dimensions and the precarious trust we bestow on engineering. Our faith in human abilities tied to our fear of falling.
The issue also includes a revealing interview with poet Scott
Cairns by Tony Leuzzi and intelligent reviews by Rick Joines.
The covers are evocative and expertly composed black and white
photographs from Jess L. Bournay and Tim Fitts. This is solid,
satisfying reading from accomplished and serious writers and
artists cleverly attuned to the world of ideas, emotions, and
rich imagery.
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Another Chicago Magazine
Number 50
Review by Sima Rabinowitz
This is the journal's 50th issue includes the work of 14 poets, the most recognizable or established among them being David Trinidad; 10 fiction writers, the most recognizable or lauded among them being Achy Obejas and Bayo Ojikutu; two nonfiction writers; a number of reviews; and "Et Al." hybrid and uncategorized work by Joseph Gallimore and Jill Summers.
The work is consistently edgy, original, smart, and intense, the result of imaginative, creative, original voices that take themselves just seriously enough. The TOC demonstrates beautifully through the work's titles what I mean. For instance: "mama sense: an elegy" by Ali Lansana, "Poems Written with My Nemesis Looking Over My Shoulder" by Trinidad, and the Et Al. features "Tuesday Night in Coatcheck 12/23/08," and "Dad Wears Short Shorts," by Joseph Gallimore and Jill Summers.
In this issue, you'll want to read everything. I certainly wouldn't skip over Peggy Shinner's "Elective," a personal essay about a teenage nose job. Or Garin Cycholl's story "American Necropolis #5," which reads like nonfiction: "Wherever you go here, you'll be riding the rails. In the past century, great engines reversed the course of rivers in this city." Or Ryan Kenealy's story "Uncle Dave": "It all began with a Chevy Vega Uncle Dave hornswaggled from the insurance company, buying an obscure policy that protects families from fathers who go to jail, hours before my father was convicted." Or Cycholl's poem from "Horse Country":
not the territory's last Gnostic,
slinging his breakfast plate against
dawn, but America seen by cigarette
light, a ten-minute piss break in the
vicinity of Nashville.
Or Alexander York's poem "Nothing is Living in the Lake":
3. You make a canoe out of the bones
and fan yourself through the dead water
in search of your lost limbs.
Grab your paddle and plan to spend a long time in the wake of
this terrific 50th issue.
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A Journal of Gay Poetry
Issue 1
January 2011
Review by Sima Rabinowitz
Editor Bryan Borland introduces readers to this new journal by announcing that Assaracus has "no formula" other than that all poems are authored by gay men, a "place for our poetry to dance with its own kind." Poems are preceded by bios documenting writer's credentials (poets who are both quite experienced and first-time in print are included in this premier issue), and the poems reflect much diversity in style, tone, and approach. Shane Allison contributes a spare "Dream" of bare single lines, "Used to / wonder / late at night // Boxers / or / Briefs"). Jay Burodny contributes a sense poem all in italics, "A Needy God." Raymond Luczak contributes a prose poem, "Six Gallery, San Francisco: October 7, 1955." Matthew Hittinger contributes a long poem of couplets, "A Bus Journeys West":
…the nations
of a trip headed
West, way from the city we must pass,
the city where we
split, peanut shells cracked, sandwich crust littered,
grammar choked and dust.
There is plenty of sex. There are plenty of relationship
traumas. There is plenty of yearning, desire, and longing. There
is plenty of self-doubt and also much self-confident strutting.
There is plenty of brash language and plenty of poetic musing.
And there is even marriage: "Leroy Williams proposed to Titus
Williams / But Titus Williams married Russell Wilson," concludes
"High School Epthalamion" by Allison.
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Birmingham Poetry Review
Number 38
Spring 2011
Review by Sima Rabinowitz
The work in this issue of the Birmingham Poetry Review is terribly moving, highly accomplished, and unexpectedly inspiring. How not to be simply undone by Deborah Ager's "A Poem in Which My Father is Not the Villain," which opens the issue? "I believe we commit errors we want no one to know about, / that we wish we could bathe and be healed and sip whisky and be clean."
I was brought to tears by Ager's ability to capture the raw and authentic emotion that governs so many of our lives with a few lines that appear, deceptively, so simple. Her poem is matched in skill and potency by work from Sheri Allen in "Crown of Cyclamen," Julie Funderburk's "The Spy's Egg," Medbh McGuckian's "Noir Poem," "Black Ice" by Anne-Marie Thompson, and "The Stand-Off," from Will Wells.
Worthy of special recognition this issue are poems by Ryo Yamaguchi in his "Lyric" series. These are eccentric, exciting, and unimaginably original poems that are emotionally and intellectually satisfying, exquisitely composed, and memorable. They combine a sense of personal engagement, lyric elegance, and contemporary energy. These poems make me glad to be alive (and often, I confess, I am not so terribly pleased with the whole endeavor) and thrilled to be a reader. Here are the opening lines of "Lyric #5":
O city, O thunderclap O ionic vertical rise, be what you may be but be mine.
Here is burn and the brass, my long lines that empty into your streets, your amusements
and cornerstones, your wailing and your
hefts of sodium light. So I took and have been taken, so I jumped your turnstiles.
I have, oh, yes—thanks to these poems—been taken.
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Creative Nonfiction
Number 40
Winter 2011
Review by Sima Rabinowitz
Issue 40 is a special theme issue on animals, the centerpiece of which are an excerpted essay and an interview with the talented, perplexing, and always-provocative Lauren Slater, who has a book forthcoming on animals, and who was first published many years ago by this journal. Essayist par excellence Phillip Lopate contributes "Show and Tell" about the human animal, "the ethics of writing about other people." Well-known writer Susan Cheever describes her encounters with much maligned house mice in "Of Mice and Women," and Jennifer Lunden, Kateri Kosek, Randy Fertel, Jeff Oaks, and Chester F. Phillips contribute strong essays on butterflies, starlings, grunions, zoos, dogs, and lions.
The interview with Slater is what any avid reader of her work might expect, but it is worthwhile nonetheless. Has she lied in the essays in which she has claimed both to lie and not to? What is the relationship between story telling (made up and not made up) and telling stories (not made up and made up)? How does she manage to get so much done while coping with so many potentially debilitating circumstances (mental illness—her own and of her clients). What does she think of what the critics have said of her work (praising and maligning writing about her own experience of illness, and/or abuse, and/or science as personal sense of fact and fiction)?
This issue's essays are fine examples of the type of work the
journal is known for and has popularized, work that combines
personal observation, perspective, and experience with larger
considerations and explorations of issues, circumstances, and
realities. There is a pleasing sort of "biodiversity" here,
voices and subjects (mirco-to-macro as far as the animal kingdom
is concerned) that span regions and tones, body types and
diction, literary structures and environmental exigencies. My
only concern: despite Lee Gutkind's insistence that readers have
responded enthusiastically to the journal's new format (an
oversized tabloid), I find the journal hard to hold, unwieldy
between my palms for any length of time, and with work this
solid, one wishes to read intensely, closely, and comfortably as
time—and the animal kingdom—evolves.
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The Fiddlehead
Number 246
Winter 2011
Review by Barbara Ellen Baldwin
The Fiddlehead has been a Canadian literary delight since 1945, when it began as the mimeographed paper-child of The Bliss Carman Poetry Society. Published quarterly by the University of New Brunswick, this treasure is an eclectic journal. I relished five stories and was enthralled with deliciously crafted writing from fifteen poets.
I was drawn to the contemplative work of Jan Zwicky's: "Autumn Again." The piece evokes the loss of summer, the luminescent detail of nature, and both reader and speaker, are left not mourning, but longing. I loved "late August at my window":
…All day
the crickets chanting, bright glitter on the surface
of the ebb. And ravens
talking to themselves, the flocks
of chickadees. What is
human happiness?
As the poem sighs to a close, I remember ravens can literally be taught to speak. However, I prefer the poet's birds, chatting, oblivious to the beauty of lilting crickets "in the darkness, chanting, / chanting."
Charmaine Cadeau's memorable "Queen bee," is from the poet's dreamscape, "poised deep in her hive, / hollow and light as an echo." I am captivated by the apiary, suffused in "blood orange," and it is here the poet confides her admiration:
She's the Wizard
of Oz behind the curtain,
his levers and smoke, too. She's pipe cleaners, rubber band
whir, the laundry lint in my blue-jeans pocket. Sometimes she seems
enchanted like a daffodil that sprang to flight when kissed, a toy from
somewhere they're still made by hand. One that bites.
The powerful "toy" image is deftly handled sans nostalgia, weighted with sweetness, exactly right.
In Christine Lowther's "some of the many things you missed," readers are introduced to "jellyfish that don't sting," and the poet gives the reader lacy images of the "moon jellies," ethereal beings, thronging the bay:
they look more like petticoats ballooning down a staircase
or shower caps or miniature parachutes
the size of a thimble or a dinner plate
always only a few until one year there comes a bloom
The poet's joy in these creatures is best expressed in her lower-case hope of joining them, however briefly:
i wish they'd crowd their cool soft bodies up to mine
wish i could say I've been swarmed by moon jellies
wish i could say I've been to a moon jelly love-in
ecstatic in the slippery translucent animals
When I encountered Medrie Purdham's sardonic musings in "Heliotrope," I was fleetingly reminded of Roethke's "The Geranium." Purdham, though, has a different take on her living present. This "maiden aunt"—needy, undefended—is a gift that takes both time and care:
it would need such coddling, three spritzes a day,
old standards crooned to it in soft ululations,
would need the company of one person, not two—
inspired by the measured breath of solitude.
As the poem progresses, Purdham's vanilla-scented charge thirsts ominously. The poem reveals this plant is an eerie companion, always wanting, wanting.
In "Freight," Shane Neilson's short story, I was so shocked by the first page, and final line, that I literally threw the journal in the air! The whole piece could have ended there, in perfection. I was grateful I kept reading, because the images were trenchant; a father-son relationship and the writer's skill were all captivating. Here's to a bone-weary worker, the wind, the rain. The reader is swiftly placed:
He was on top of the truck, and this was work, he had to work at the tarp to get it to cover the load, it had to be taut or the wind would get underneath and lift it up like a fingernail, the wind would strain against the tarp and rip the bungee cords and the truck would be hauling its own parachute.
The harrowing truck-bed scenario leads into a can't-put-it-down tale that is all too short, but satisfying.
Michael Doyle's "The Disappearing Man," could be ripped from a cheap tabloid's pages, but it retains magic and believability as one couple's marriage is erased by infidelity. Doyle's self-involved husband really is fading into the wallpaper. His wife and mistress seem to simultaneously dismiss him. Pulled to his reflection again and again, the adulterer sees only what he is losing:
After stepping down, he caught another glimpse of his face in the mirror. He was no longer particularly radiant…He gazed at his image and saw the man he normally saw. He found a grey hair and pulled it out, but there were others.
Although the storyline feels familiar, the growing darkness here is riveting. The reader finds the end of this piece disquietingly cheerful.
I am an avid Tom Wayman fan. Like other instructor/poets, I clutched his famously reprinted, borrowed, and bootlegged poem "Did I Miss Anything?" with fevered joy, and married it to my syllabus. Wayman's poems are not all soaked in quotidian commentary, of course. In "Portal," the author, deep in midwinter, is content. In December he sees:
Where the ridge's snowy evergreens
begin their rise toward the summit, a passage
opens through a fringe of
hazels and maples
whose emptied limbs are bowed beneath
Here is cold beauty, but not cold without end. The poet calls up memories of "hot July shadow," the deer that ranged there, and yes, sees the "now frozen white mounds." The lawns, are strange, transformative, but not for long. He is in reverie, not mournful. In brevity and wonder he notes "woods" that patiently wait, independent of clocks or calendars. In the meantime, Wayman quietly savors one winter moment, which won't come again.
This issue of The Fiddlehead is a
basket of goodies, to be enjoyed in any kind of weather. I
admired the eloquence and keen-eyed reviews of poetry and prose,
and was entranced with the gorgeous cover art by Anna Cameron.
Cameron's cover should be saved behind glass. This journal is a
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Front Range
Volume 5 Issue 1
Spring 2010
Review by C.D. Thomas
I know that I'm not the ideal reader for journals that feature art. I usually don't pay attention as I should, and consider the pieces selected as speed bumps. In this aspect, the art in Front Range isn't exceptional, but it has been selected with an informed eye to complement the text. The journal's words, however, are satisfying and, dare I say, practical.
As in Mark Gibbons's "Smoke," these poems don't "try / to 'extend' the language," they "merely sang / from the core" of characters' experiences, ground in normal life and observations. We see portraits of grandmothers, fathers, lovers, friends, all without fuss and excess ornament. Writers' voices don't overpower these portraits; rather, they extend one's imagination as one would while riding a bus, watching walkers outside.
Of the prose, Donna D. Vitucci's "In Euphoria" created memorable, contradictory, fascinating characters and situations in a short space, while "Shadow-Mouthed: A Love Note of Sorts" took the familiar tropes of crazy love and drug-fueled sex and pushed them toward an evocation of wisdom and regret, without histrionics. In poetry, Nikki Loftin's "Burn Barrels" takes that fiery metaphor and squeezes clear, pungent juice out of it, while "3 Things" by Danielle Goncalves depicts a sensual centeredness holding back rage and pain. Being based in Montana, Front Range necessarily has nature poems galore, Laura L. Snyder's "I Saw a Coyote" and Anne Harding Woodworth's "Caught" being two highlights.
Near the end, "The Tao of Al Green" by Adrian S. Potter states erotics and spiritualism as plain as one of Green's wails—short, sharp, smutty. But Potter's "Open Letter to Fear" belongs on the shortlist of meditatives along with Frank Herbert's "Fear is the mindkiller": Seeing the enemy's face is the first part of conquering it, or at least keeping it at bay.
This issue is fine, casual reading. I'll be looking forward
to further installments.
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Issue 39
Summer-Fall 2010
Review by Sima Rabinowitz
Fugue is one of my favorite journals. There is always something exciting, inventive, original, and unexpected; something that reinforces my confidence in the state of American literature; something I am grateful to have encountered; something special in the best and truest sense of the word. In this issue, this includes prize-winning fiction from Colette Sartor and Paul Vidich; poetry from Margarita Delcheva, Bryan Narendorf, and Patty Crane, among others; fiction from Luther Magnussen and Heather Jacobs, among others; nonfiction from Sarah Fawn Montgomery, David Shields, and David McGlynn; and interview by Steve Heim with George Saunders; and an "Experiment" by Kevin Sampsell, "This is Between Us."
The "Experiment" is illustrative of the journal's approach and unique contribution to American letters, a kind of blurring of genres coupled with a respect for language, which creates intrigue, while privileging meaning over more superficial qualities:
I'm spinning a loaf of bread on my fingers. Will you dance with me next? The sun is on our naked backs.
You told me to never worry about you. You ate fish from the can. I thought about knocking it out of your hand, but which direction? Straight down, so it splats on the floor? Underhand, so that it enters your eyes? It's not you I worry about.
This dense little journal never ceases to satisfy. Here are the opening lines of David McGlynn's essay, "Disciples": "After seventeen hours on the plane, a taxi ride from the airport to a downtown hostel, and breakfast the next morning in the tiny lobby café, I realized it had been two days since I'd had a conversation that didn't involve an exchange of money."
And here are the opening lines of "Landscape With and Without the Word Love" by Carolina Ebeid:
Who knows why, napping in the make-shift
barricade with a book that covered
the sun, the soldier woke then. Or maybe he didn't
wake but dreamt the girl carrying
an oversized stuffed animal of a royal shade.
Fugue…a dream state…if you think
this journal is one of the finest imaginable…you're not
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Issue 4
Review by Sean Stewart
There is a point in the conversation between poets Adam Clay and Timothy Donnelly in this issue of Grist where they are discussing truthfulness in poetry. Both poets agree that when reading a poem it doesn't really matter to them whether what's happening in the poem comes directly from the poet's life or not, whether it is "true" to life outside the poem. But then Donnelly brings up the issue of what to do when you, as a poet, do want to "engage with realities outside the poem in a sincere way." How do you communicate this to a reader? As Donnelly so pithily remarks, "it's not like you can use a special font for sincerity."
This issue hovers around a common question directed toward not just poets, but all creative writers: where is the element of autobiography in a given piece of writing? Understandably, it can be a frustrating (even infuriating) question for writers to answer. I think many, if not most, writers consider (or at least hope for) a work they create to stand taller than their own experiences, yet still remain inextricably tied to themselves. This relationship between the writer as a person and what comes out on the page, however, can be too murky to explain to someone who has not experienced it.
Grist is the kind of journal that provokes such thought. In addition to the fine selections of poetry, fiction, and creative nonfiction in this issue, there is plenty to chew on related to the craft of writing. The above referenced conversation between poets is a great example; it moves beyond a typical unidirectional interview into a wider arena where we gain insight into the minds of two different writers by way of a fluid dialogue between them. Another example of Grist's offerings on craft is Michael Steinberg's essay on "finding the inner story in personal narratives," which offers invaluable advice on methods to connect with readers through memoir and personal essays.
On the creative writing side, here are just a few highlights from this 200+ page journal. First, Ryan Shoemaker's short story "The Crossing" addresses the sticky issue of employing illegal immigrants. While the narrator thinks he's merely getting a bargain on office cleaning in tough economic times, the ramifications of his decision to hire illegals extends much farther into his life, forcing him to confront some uncomfortable realities. A little later in the issue, Jason Schossler cleverly uses popular culture in his poems to interface with some of humanity's larger universal issues. In the poem "Cliffhanger," upon hearing a rumor about actor Harrison Ford's plans after The Empire Strikes Back, the narrator's friend scoffs in disbelief, "Who'd give up the Millennium Falcon / for a fedora and a whip?" Who, indeed.
This issue of Grist is perhaps strongest in its keenly selected creative nonfiction. In "99 Problems," Andrew Kozma deconstructs his actions and feelings regarding sex throughout a series of relationships, complete with footnotes. Ira Sukrungruang writes in "Bloody Feet" that his "feet connected me to place" in his ancestral land of Thailand, where he traveled to live (and walk) for a month as a Buddhist monk. In "Applied Platonism; Or, What Work Isn't," T.R. Hummer throws open the gates to an oddly fascinating Army Corps of Engineers facility, a place where he toiled during a crisis of faith over his creative pursuits and ended up mining for the inspiration he needed to return to his original path.
The issue ends on a powerful note with four stunning poems
from Syrian-born poet Adonis, translated into English by Khaled
Mattawa. These poems are a fitting close to an outstanding issue
that drives the reader on a careening literary tour down shady
lanes, dirt roads, and the odd one-way street.
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The Journal
Volume 34 Number 2
Autumn/Winter 2010
Review by Sean Stewart
This issue of The Journal flexes its tensile strength in both poetry and fiction. The first poem to shake me was Frannie Lindsay's "To the Petermann Glacier," which seems to portend an environmental holocaust (the glacier moving "down each torn strand of latitude") while hinting at the post-disaster world to come, one where we find "the newly erected Cathedral of Zero / with its pulpit tangled in sumac." Meanwhile, "the lost gulls float inland scavenging sticks // as you lay down the calm heat of listening before / the great barrier requiem."
Next to hook me was Mary Ann Samyn's poem "I Want Your Kisses," where she asks a tough question: "Is this the fastest path to happiness, or is this happiness?" And if that wasn't tough enough, she moves on to: "What does it mean to be alive?" Her answer to that last one, though, at least ends the poem on a reassuring note: "We'll know when we're ready."
In fiction, I found two stellar short stories: Joe Aguilar's "Chicken Suit" and Jacob Appel's "The Summer of Interrogatory Subversion," winner of The Journal's Seventh Annual Short Story Contest. In "Chicken Suit," a teenage drummer deals with acute acne while attending music camp; typical camp antics ensue. Appel's story details the travails of a young woman as she first experiences the vagaries of the human heart. I think it would be hard for any human not to sympathize with her.
Still early in the issue, while a few paragraphs deep into Michael White's compelling excerpt from Travels in Vermeer, I flipped to the table of contents to determine the genre of this piece and realized that The Journal doesn't label its contents along genre lines. A quick glance at White's bio in the back also did not offer up any clues regarding Travels. After grudgingly making my way to the Web, I finally discovered that this piece is an excerpt from White's forthcoming memoir. Maybe some readers don't care to see a journal's contents labeled by genre (or to even know what genres a journal publishes), but in certain cases it can be helpful. This would've been one of them. A minor objection here, but one I thought worth noting.
The issue closes out neatly with reviews of new poetry
collections from Jason Koo, Carmen Giménez Smith, Amy Wright,
and Erika Meitner.
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Number 8
Spring 2011
Review by Sean Stewart
The annual Juked print issue opens with a tight piece of historical fiction by James Scott titled "Watertown," in which two of Babe Ruth's questionably well-meaning associates decide to do something about Babe's addict wife:
Babe hated her. Babe hated her and they loved him. Hay and Eddie noted and imitated everything he did—tried to wear the same suits, ordered the same drinks. They wanted to keep up but never could. Babe was too fast, too rich, and too huge.
Black-and-white drawings preface all of the stories in this collection, each of the drawings related to its corresponding story in some way, with a quote from the story beneath. This is a nice touch. Artwork that complements the writing really elevates a journal above its peers.
Other pleasing reads within the pages of Juked that come tumbling to mind, in no particular order:
In Max Everhart's story "The Man Who Wore No Pants," a Chinese man named Mr. Song and his son purchase a lakeside home that comes with a dying man. Mr. Song thinks he is getting a sweet deal, but soon realizes that the control he so expertly exerts on those around him fails to work on this man, thus driving Mr. Song far outside his comfort zone.
Jen Gann profiles an unusual brother-sister relationship in her story "Ugly Brown Car," in which said beleaguered car is at one point parked in the siblings' driveway, its "dank little nose pointed onward in the direction of work, Jack's Hot House, the part of road that far up enough, might just curl a little."
With "Snow Monsters," Stephen Graham Jones delivers an unsettling slice of magical realism in which a father receives an offer he is not likely to refuse. This is one of those stories that lingers like cobwebs in your head for some time afterwards.
JoAnna Novak's prose poems "Love Note #2" ("Mornings, you drive until the speakers harden") and "Love Note #3" ("There is a key in your pocket, but at the time, I am delicious and unaware") are fascinating snapshots that had me rereading over and over, if only to relish how Novak forms words into sentences.
The lone piece of nonfiction here stands firm on its own. Ira Sukrungruang's "Abridged Immigrant Narrative" tells the history of an immigrant family in succinct segments, poignant yet unwashed in sentimentality:
When the boy got older, he asked the mother why she could not talk for herself. He knew she could speak English. Speak it relatively well.
She was older, gray creeping into her thinning hair. She said American people were like that one monster villain the boy was so afraid of.
Freddy Krueger?
The mother nodded. American people were like Freddy Krueger. They stole her voice.
Also included in this issue are two interviews: one with
novelist Lauren Groff, and the other with poet Campbell McGrath.
Groff comes across as pleasant and enthusiastic, while McGrath
is terse and a bit cranky. It was a nice juxtaposition.
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New Ohio Review
Issue 9
Spring 2011
Review by Sima Rabinowitz
"Symposium: Poems Disliked, Poems Loved" is advertised on the cover, so it's hard to pay attention to much else before turning immediately to the back of the magazine, where the special feature is located, to find out who is willing declare their dislike of certain poems or types of poetry in a public forum. The journal asked poets Wayne Miller, Helen Nelson, and David Rivard to present for discussion a "bad poem" ("weak or shallow or disappointing") and a "good poem" (not defined!). The poets then "conversed" about these six poems via e-mail.
If you want to find out whose or which poems these poets did and didn't "like" or "love," you'll have to read the issue for yourself, I'm not going to embarrass any further the poets (not all novices) chosen in either category. But, I will say that the discussion is serious, worthwhile, and intelligent, with "bad" poems being those found to be predictable, formal poems that seem "over-engineered" and story poems that are over-narrated, and poems judged unsophisticated, clichéd, inflated, lacking in energy, and ineffective in certain unconventional uses of punctuation. Poems were deemed "good" as a result of surprising resolutions, layered images and multiple perspectives, casual tones that give way to eloquent revelations, delicacy, clever elusiveness, and incongruity that ends up making extraordinary sense, among other attributes.
Miller, Nelson, and Rivard do not always agree, and it's their points of disagreement and departure that are, of course, the most interesting. I do find the "like" and "dislike" categories distinct from "good" and "bad," and though this distinction is not addressed in the discussion explicitly, the poet-critics are honest about certain personal preferences and predilections (a reader may or may not like narrative poems, but that is separate from understanding a poem's effectiveness, no matter one's personal preferences).
In addition to the Symposium on bad and good poems, NOR features the work of 24 poets, many well known for their good poems (Tony Hoagland, Ellen Bass, Billy Collins, Carl Dennis), six short stories, and three essays. Good and bad, being the subjective and slippery categorizations we know them to be, I will refrain here from passing judgment and mention a few highlights of the issue for me, which include Melanie Unruh's clever story about the experience of therapy, "Luna de Miel," "Forever," a poem by Carl Dennis about heaven and hell (as they exist on earth and beyond), and a "flash" nonfiction contribution by Maya Sonenberg, "Solstice":
Yes, darlings, you're right: while light still fills the sky and the first star appears, and then the others, and while your parents sit on the porch steps with their glasses of wine, trading stories, it's impossible to think that this vast middle—life—will ever end…
I didn't have a parents-on-the-porch kind of childhood, but Sonenberg certainly makes me wish I did. Highlights also include, among many others, a lovely sonnet by Todd Hearon, "Palimpsest":
What was the tongue we spoke when the lotus first
unfolded from the navel of the god, the one who dreams
the universe, and in whose ear we must have whispered
our hunger to hold each other? What were the words
must now be reflex, shudder, blood, be impulse, pulse
a palimpsest of longing written over
eons, eons ago…
What is the word for provocative reading? Oh, yes…NOR
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Passages North
Volume 32 Number 1
Winter/Spring 2011
Review by Sima Rabinowitz
The magazine's 2010 fiction contest winners open the issue and they are, indeed, award-worthy. Tori Malcangio's "A History of Heartbeats" is a smartly structured story that plays out the metaphors of heart rate, flight, and the body's flight from its own heart (anorexia) in a heartbreaking story of substance (body) and soul (flight). Short-short fiction winner Darren Morris follows—in a stroke of editorial genius—with "The Weight of the World," with its appealing and insightful narrator ("When you're a kid the summer lasts forever, and that summer lasted two lifetimes."). Short-shorts by honorable mention recipients Edith Pearlman, Jendi Reiter, and Thomas Yori are also terrific examples of the short-short genre. Their work is well matched by fiction from another 14 writers; nonfiction from 6 contributors; and 50 pages of poetry, including poems by the ubiquitous Bob Hicok, and 6 marvelous poems by Traci Brimhall.
What characterizes most of the work in the issue is similar to what makes the prize-winning fiction appealing: earnest writing evoked through appealing, credible voices; writing that strives for artistry without over reaching; authentic perspectives and language; cleverness and polish that is sincere and rarely showy. I appreciate the journal's interest in, and publication of, short-shorts, a form I find highly satisfying when done well, as it is here by Mabel Yu and Timothy Samuel Scott, among others. And I appreciate work that is both personal, yet unsentimental, such as an essay by Lisa K. Harris, "Dementia" ("My mother talks to plants. I've heard her coo to dinner plate-sized peony blossoms, thanking them, as they put on a the show just for her."); and I am grateful to encounter fiction that is quirky in a natural way, without working too hard for its odd-ness, as in a story by Christine Grimes, "The Ending Matters": "When I found Sal, after the movie was over and the lights had come up, I thought he was sleeping. I didn't realize he was dead."
Poetry tends to be somewhat edgier than prose in this issue, including work by Nick Courtright, dawn lonsinger, Nicole Higgins, and Christina Olson, though there is a generous range of tones, approaches, and styles and no work that appears to be edgy for the sake of edginess. Traci Brimhall's work is as impressive as ever. Here are the gorgeous opening lines of "The Women Are Ordered to Clear The Bodies of Suitors Slain By Ulysses":
This is how I betrayed my country—
with each almond I fed them, with each grape's
red blister. After the war began, there were years
of hunger and fear and our bodies unheld.
I cannot close this little review without mentioning the
splendid cover by Ian Stewart. I cannot tell if this is a
drawing or a woodcut—a simple, lovely, stark "north passages"
scene much like the work in this issue, sure of itself without
pretension, serious, deeply moving, and unique.
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PMS poemmemoirstory
Number 10
Review by Tanya Angell Allen
PMS poemmemoirstory is so good that the journal's already-annoying title becomes extra irksome.
The allusion to menstruation is a turn-off for men. Many women who don't already know the magazine don't take it seriously. One potential reader contacted by this reviewer said she assumes the content has a "whiny" tone, with poems like those found at a "bad poetry slam."
Because of this, the selection from the Afghan Women's Writing Project in the 2010 issue is unlikely to be seen by a wide audience. This is a shame, as the project's founder Masha Hamilton offers the work "in hopes that…these stories will connect us Americans to Afghan, and broaden our understanding of our complex relationship with Afghanistan and its compelling people." Unlike the bestselling book Three Cups of Tea, about building schools for Afghan girls and was reportedly picked up by military men after their wives read it in book clubs, the latest issue of PMS will very likely be read only by already-loyal female readers. Because of this, Tabasom's entreaty in "Far From You": "I am a jungle of burnt trees. / Come, find me here" will not be found by many. Shogofa's statement in "Kill Silence" that "as much as we women are quiet or keep silent, we are destroying our lives and our future" will also be kept quiet.
To its credit, the journal's title does foster the intimacy found in "girl talks." There's also a feeling of feminine pride that comes from reading excellent work written by women. Kerry Madden's "from the editor-in-chief" note, though, thanks at least two men for "for their reading and editing." This suggests the magazine's content does have appeal for male readers.
And how could it not…with pieces as strong as "Rise" by Nancy Rutland Glaub, where the image of hummingbirds caught in a screen porch reflects a couple's marital troubles after the death of their son. Valor Brown's compelling poem "How to be a Battered Woman" tells a complete, insightful and novel-worthy story in 100 urgent lines. Bryn Chancellor's fiction piece "All this History at Once" tells the story of an artisan falling down the steps at the craft festival in front of her oblivious ex-husband. Katherine Jamieson's memoir "Ain't Ready for no Man" says the author "was haunted by the 'Save the Children' ad campaign" when she was young, then as an adult fell in love with one of those children. Garnett Kilberg Cohen instantly engages the reader with the first line of "Alzheimer's Daughter": "My mother has taken to calling me her mother." Donna G. Thomas's memoir "Kiddie Land" centers on a terrifying Ferris Wheel experience that she never reported to her parents.
All of the pieces in this magazine, including those from the
Afghan Women's Writing Project, are excellent, serious,
non-whiny literary works. All deserve a large audience of both
women and men. May readers spread the word that, despite its
problematic name, PMS should be
widely read.
top of page
A Public Space
Issue 12
Review by Jason DeYoung
A Public Space publishes lots of up and coming literary stars and this issue seems particularly packed. A swift survey of the bios gleans that only one of the contributing writers in this issue is sans book, while the others have a title or two in print or one forthcoming from a major house or a well-respected small press. With regards to A Public Space, amateurs need not apply.
The superstars deliver, however. Starting with Noemie Goudal's delicate and striking photograph gracing the cover, this issue is solid front to back. I found something I could admire and appreciate in every piece. And while there are a handful of gorgeous poems here, they didn't move me like the prose did.
The issue opens with A Public Space's standard "If You See Something, Say Something" columns, which introduced me to the writer Tom Drury, who has two pieces in this issue. His opening short piece is a conversation between two teachers in the faculty lounge, where they're discussing the evolving nature of what's "appropriate." Drury grabs the opening slot for fiction in this issue, as well, with his story "Joan Comes Home." Though the plot of this story—a successful actress/truant mother comes to take her son away from the father who has been caring for him—is certainly moving, the source of the story's originality resides in its structure. Never settling on one point-of-view, Drury moves around the subject of return and departure, giving us angled and skewed scenes on his scenario.
The centerpiece of this issue for me, however, is Sharifa Rhodes-Pitt's "Here is the Evidence." Rhodes-Pitt does what all good writers should do: she makes you interested in her subject. She makes you want to become as engrossed in it as she is. Using the Schomburg Center for Research in Black Culture as her literal and metaphorical center, Rhodes-Pitt surveys the intellectual—both folk and academic—history of Harlem. Taking Arthur Schomburg's words—"History must restore what slavery took away, for it is the social damage of slavery that the present generations must repair and offset."—Rhodes-Pitts captures the personal stories of her neighbors while also investigating Harlem's larger history of death and renewal. This essay is the longest in the issue and contains multitudes—my pen was out for the entire reading, marking passages both informative and stylistically stunning.
The issue is rounded out with Sarah Manguso's lovely essay on why she enjoys singing in choirs, and Antoine Wilson's story "Panorama City," a taped monologue of a dying father's words to his unborn child, offers some advice about trying to make people happy: "expectations… should be met, not exceeded or fucked with in any way."
The closing essay is by John Haskell, whose work I've been fascinated with since reading his collection I am not Jackson Pollack, a strange collection that blurs the lines between essay and fiction. The piece he has here is called "The Persistence of Muybridge" on Eadweard Muybridge, the pioneering photographer who proved that all four of a horse's hooves are off the ground at the same time during a gallop. Haskell starts by confessing that he has been trying to write about Muybridge for more than six years, but the more Haskell has looked into the photographer's life, the more frustrated he has become since Muybridge seems so "controlling and unconnected…to the world and to me."
By "not changing [Muybridge's] life, but by altering certain
details," Haskell believes he can push Muybridge in a more
"emotional direction" to discover the man's desire: "Desire is
the emotion that draws us into each other, and with it there's
pain and without it there's nothing." Bumping up against the
realm of fiction, Haskell begins to insert himself into the
narrative of Muybridge's life, trying to find his subject's true
desire. In the end Haskell's measures fail; Muybridge "knows a
camera is watching him, and I am that camera, and like a camera
all I seem able to do is observe."
top of page
Raleigh Review
March/April 2011
Online Fortnightly
Review by Henry F. Tonn
This entertaining lit mag changes its homepage fortnightly, updates its archives monthly, and issues a print edition yearly. They offer poetry and flash fiction and they read year-round. They also have audio poems presented online for those who like to hear poetry read aloud.
Since I get fatigued at reading—or attempting to read—stuffy and opaque literary poems, I thoroughly enjoyed the "fortnightly poem" on the home page by Sherman Alexie entitled "After the Young Hoopster Asks Me if I've Ever Heard of Jenny Craig, I Proceed to Run His Ass Up and Down the Court": "These kids are younger than the rim and net. / Someday they'll beat me. But not yet. Not yet."
Many of the flash fiction pieces are humorous also, like Paul Beckman's "Views," a story which is a mere two scoptophilic paragraphs long, but loads of fun, about a male who watches a female co-worker across the alley prepare for work every morning—from showering and shaving her legs to having coffee and toast by the kitchen sink in her slip. While chatting with her at work, however, he learns she isn't the only one providing an erotic show.
A three-paragraph creation worth viewing in the archives, from July 2010, is Paul Weidknecht's "A Story," which begins, "Over my shoulder, the sun dropped into a farmer's cornfield, the final patch of orange light on the water enough for me to spot the small, vaguely metallic object at my feet." Wonder what it was? Well, I'll tell you this, it was so intriguing I wanted the story to be a lot longer.
For international flavor we have "I, Rose," by Adam Mrozek, translated from Polish by William Badger, the story of a rose from the rose's point of view. This kind of story could easily be trite and maudlin but the author pulls it off with aplomb. It has an excellent ending reminiscent of E. A. Poe.
The poetry here is generally accessible and down to earth. An example is "New Jersey" by Barry Spacks:
New Jersey to me is Jersey Joe Walcott,
heavyweight boxer who shopped in our Camden
market where I at twelve got to help
choose his beans and kale, hoisting
brown paper bags filled with fruits of the earth
up to his smile and his ponderous arms.
This lit mag was an enjoyable find. I only regret that their
archives are incomplete. It would be nice if they would make
everything they have published to date accessible because the
reading public might be missing some real gems.
top of page
Volume 33
Fall 2009
Review by Jennifer Vande Zande
California State University's student-edited journal Watershed is cohesive in its content and approachable in its length. This collection of poetry, prose and photography centers itself around recollections of childhood and of family, bringing the past and present together—illustrating through apt detail the way people live, work and connect with one another. While slim, only 66 pages, it shouldn't be rushed.
Jennifer Ann Janisch writes of youth and discovery in her piece "Abbot and Costello are Dead":
When I was seven, my parents sold my dog at a garage sale.
I had been sitting under the ash tree in the front yard, sifting through the dandelions littering the lawn with knees stained green and fingers stained yellow. I wore leaves in my hair, not a wreath of laurels, but random juts of crispy, fallen leaves that crumbled at the touch.
She goes on to recall piano lessons taken in the home of Mr. Fred Startup—her parents stay for the entirety of every lesson. Not, as she later found out, because they were interested, but because there had been rumors… rumors regarding Mr. Startup and of misconduct with children.
Janisch writes, "Insects lived in my piano teacher's house. I never saw them, but I saw delicate webs on shelves, burned wings on lamps. I saw what they left behind. Dust, lit by stray light, looked like dead skin. I wondered if it was Mr. Startup's skin, what he was leaving behind."
In a similar exploration of human truths and discovery, "The Appointment" a poem by John F. Buckley, gives the illuminating, if not gruesome, details of a man desperate to become a father. What is it really like to step behind the curtain of the examination room? Through Buckley's piece, we see that it can be awkward and painful, both emotionally and physically:
Obedient, wanting to please the fertility specialist,
I dip my scrotum into the beaker of boiling water and
leave it to steep for three minutes. I add cream after,
to thicken the infusion, anything that will help.
And later in the poem…
I clumsily confess to him our private affairs,
how after we make love, I take my wife out to
the fertile green courtyard, pick her up by her ankles
and swing her around, how the mini-plunger works
to extract my last milky drops, how we devoutly pray
to household saints Dr. Seuss and Mother Goose,
burning dried Gerber's strained peas like incense
at our living-room shrine…
Finally, in the end, this man who has endured the frustration of fertility treatments long enough—treatments necessary due to a defect he bears—hits the wall. It is both an end and a resolute beginning.
Watershed has been in circulation
since 1977 and is published iannually by the English department
of California State University. The students in English 415 who
have edited this volume, should be proud of their final product.
Over half of its contributors are students themselves or those
affiliated with CSU. It's smart, tight and is, on the whole, a
very satisfying read.
top of page
WomenArts Quarterly
Volume 1 Issue 1
Winter 2011
Review by Sima Rabinowitz
Women Arts Quarterly launches its slender first issue with poetry by Julia Gordon-Bramer and Kelli Allen, a novel excerpt by Jacinda Townsend, nonfiction by Beth McConaghy, an interview with violist Kim Kashkashian, artwork by Ellen Baird and Vanessa Woods, and a music review. The journal "aspires to nurture, provide support, and challenge women of all cultures, ethnicities, backgrounds, and abilities in their role in the arts and seeks to heighten awareness and understanding of the achievements of women creators, providing audiences with historical and contemporary examples of the work of women writers, composers, and artists." The inclusion of work about and by composers is unusual and does distinguish WAQ from other publications.
Gordon Bramer's poem, "Sylvia Plath Jogged Past," sets the tone and standard for future issues' poetry:
I was running in the other direction. I almost didn't
notice. She was plugged in
to her iPod, behind dark
glasses, wearing a Hughes
University T, and white Nikes.
…she smiled, said Oh,
it's just you. Get back
to work.
I am starving
for poems.
The issue's most striking feature is a series of exquisite
black and white photographs by Vanessa Woods, a San Francisco
Art Institute graduate whose work has been exhibited
internationally. The photos are close-ups of natural objects
that turn dreamy in their detail. I was pleased to be introduced
to this gifted photographer's work and look forward to future
issue of the journal and the opportunity to be introduced to
musicians, composers, visual artists, and writers whose work in
not otherwise accessible or available to most readers.
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Tag: Color Photography
Images of the Week (D-Day in Color)
This week I'm highlighting color photographs taken as the Western Allies prepared for the invasion of Normandy (D-Day). The overwhelming majority of D-Day related color still film found in the National Archives document the pre-assault phase and not of the invasion area. Black-and-White photographs and other D-Day related documents from the National Archives can be […]
Posted by Billy Wade on June 6, 2014, under Digitization, Photo of the Week, Photographs.
1930s 1950s 1960s Academy Awards animation Army Air Forces art aviation Baseball Civil Rights Corsica D-Day declassified Defense Visual Information Center digitization Fashion Film Forest Service France Guest blogger Harmon Foundation horses Inventions Lyndon Baines Johnson Motion Picture Preservation Motion Pictures NARA National Archives newsreels New York City Preservation restoration Still Pictures UFOs United States Air Force (USAF) United States Army United States Information Agency Universal News Universal Newsreel US Army USIA US Navy Washington DC World War I World War II


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pitThe recessed area on a CD or DVD where data is stored. CDs and DVDs store data in lands and pits. The lands represent 1 and the pits represent 0 in binary computing. The bits are read by the disc drive that uses a laser beam to distinguish between the lands and pits based on the amount of scattering or deflection that occurs when the beam of light hits the surface of the disc.
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Research Profile
Dr Dolores Davey
- •May 2007- 2008 ESRC funded project Decision Making in Child Welfare.
- •April 2004-November 2004, Outcomes for Children De-registered from the Child Protection Register (funded by Joint Child Protection Committees, Welsh Assembly Government).
- •April 2003-November 2003, Exploratory Study of Children on the Child Protection Register (funded by Joint Child Protection Committee, Welsh Assembly Government).
- •2001-2002, Key Factors that Influence the Educational Experience and Achievement of Children Looked After (funded by Wales Office of Research and Development, Welsh Assembly Government).
- •1996-1999, Newport Family Centre. A Case Study Evaluation (funded by NCH Action for Children, Wales.
- Protecting Black & Minority Ethnic Children: An Investigation of Child Protection Interventions (funded by NISCHR)
- This study looks at the number of children BAWSO* have worked with who have been on the Child Protection Register with the aim of exploring patterns of registration, de-registration and ongoing social work support. There is some evidence that BME communities may be subject to inappropriate and inadequate intervention in the child protection arena. Practitioners may find that there are barriers affecting their ability to determine the appropriate intervention in a case related to their understanding and interpretation of cultural practices. These complex issues are explored through interviews with professionals and families.
- * Black Association of Women Step Out (BAWSO) provides services to Black and Minority Ethnic women and children who have experienced domestic violence.


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Broken skateboard iPhone case
Buy it here
by Jimmy P. Hopton
About Me
This blog is run by Jimmy, a 24 year old Interactive Design graduate who's currently searching for a purpose in life.
Occasionally you may see some of my own work, but the majority of the time I use this blog to share work created by other people who inspire me.
Submissions: firstname.lastname@example.com
Beyond the walls of intelligence life is defined
Posts tagged apple
Broken skateboard iPhone case
Buy it here
Apple Pie by L. Marie
Click the image or link to re-live the rebooting experience from vintage operating systems courtesy of The Restart Page.
The fact I find this awesome has made me realise I'm kind of a nerd.
"Think different" (Apple tribute poster) by Viktor Hertz


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With a third of the votes counted in Catoosa County, Larry Black is in the lead for sheriff.
Black, the former Lookout Mountain Drug Task Force commander, is leading with 45 percent of the votes and Catoosa County Chief Deputy Gary Sisk sits in second with 22.5 percent of the votes. With 4.7 percent of the votes, retired Drug Enforcement Administration agent Ben Scott trails.
So far four of the county's 12 precincts have been counted. Catoosa County election officials say voting turnout has been higher this year compared with 2008 and 2010.
Check back at timesfreepress.com for the latest results.
Joy Lukachick is the city government reporter for the Chattanooga Times Free Press Since 2009, she's covered breaking news, high-profile trials, stories of lost lives and of regained hope and done investigative work. Raised near the Bayou, Joy's hometown is along the outskirts of Baton Rouge, La. She has a bachelor's degree in mass communication from Louisiana State University. While at LSU, Joy was a staff writer for the Daily Reveille. When Joy isn't chasing ...


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