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Q: Why is the Solid Waste Bylaw so strict?A: The City places a high priority on public and bear safety and these measures, introduced in 2009, are necessary to ensure both.
Bears lose their fear of humans if they know a readily available food source, such as garbage, is near. This is not normal bear behaviour – it is occurring now because the bears associate humans with food. Bears habituated to eating garbage can also become aggressive.
In order to protect our neighbourhoods and prevent bears from being killed, we need to ensure that bears do not become habituated to humans and human food.
Residents should note that the Solid Waste Bylaw regulations apply to all Port Coquitlam properties – commercial, industrial and residential.
Q: Do I have to buy a Critter Guard™ system for my bins?A: You have options! If you have a garage or secure locked shed, you may keep your waste collection carts inside until the morning of pickup and set them out between 5:30 am and 7:30 am. A Critter Guard™ is not necessary if you are keeping your carts inside.
If you do not have a garage or shed, and you receive City collection services, you will need a City-approved wildlife-resistant locking device, such as Critter Guard™, installed on your carts.
Q: Do our green and garbage carts have to be secured even if we do not put out our green waste until the morning of pickup? We keep all food garbage in the house until that time.A: Yes. The Solid Waste Bylaw requires garbage and green carts to be secured at all times other than the permitted hours on the day of pickup.
Q: We have never had any problems with wildlife getting into our carts, because there is nothing in them to attract wildlife. Buying a locking device is a totally unnecessary expense.
A: Garbage and green carts retain odours from their previous contents and will attract wildlife even when they appear to be empty. Bears have sensitive noses and can detect a garbage or green cart from as far as nine miles away. Bears have also been known to eat grass clippings, especially when they are hungry, so your green cart may attract bears even if you don't put food in it.
Q: Why are all areas of the city being targeted?
A: Bears are now being sighted throughout the city. The City began enforcing the regulations on both the north and south sides of the community in 2011 in response to the increase in bear activity.
Q: Why are we not allowed to store our carts in the front yard? That's where we've always kept them.
A: The Solid Waste Bylaw requires carts to be stored in a building, or in the side or rear yard. When bears are first scouting an area, they tend to go down the middle of the street and if the carts are visible, they will come to investigate them.
Q: I live in a multi-family complex and don't receive collection services from the City. What should I do to make my waste container bear resistant?A: If you receive private collection services and do not have either a garage or a secured waste storage area, have your strata council or private collection company contact Bear Aware to determine the best solution for your multi-family complex. The Bear Aware™ website also has additional information regarding bear resistant containers that have received Bear Aware™ endorsement.
Q: Why do I have to get a Critter Guard™ or other Bear Aware™ endorsed system? Why can't I install my own system?A: For properties that receive City collection, the bylaw requirement is for a Bear Aware™ endorsed locking system, such as the Critter Guard™ Locking System, which has passed very strict testing and certification.
Q: If I have a Critter Guard™, can I leave my cart on the street at night?A: A Critter Guard™ allows a City cart to be kept outside of your home on your property, but ALL carts must be kept off the street at night. Even if they are locked, carts on the street at night are a bear attractant. To ensure bears do not have easy access to garbage, we need to keep carts off the streets.
Q: I know that residents in other municipalities were given bear resistant containers for 'free'. Why not us?It's important to consider a few factors:
- City-supplied services or products are not 'free' – they are funded by the property taxes collected by the municipality. Ultimately, the property owner pays through their property taxes.
- By providing property owners and residents with other storage options, such as securing bins in a garage, Port Coquitlam has made it possible for many residents to comply with the bylaw at no additional cost.
- At $75 per cart for the Critter Guard™ system, Port Coquitlam's bear resistant system is the most cost-effective solution currently being offered in the Tri-Cities.
Q: Why didn't Port Coquitlam get bear-resistant carts when the automated collection system began?A: When the automated system was put in place in 2002, bear activity was not reported at a level of concern. Given the spike in bear activity in our neighbourhoods, the City needs to take the measures necessary to protect residents from dangerous bear conflicts.
Q: The real problem with bears is the development on Burke Mountain taking away their habitat.A: Port Coquitlam is and has been bear habitat for centuries. The development on Burke Mountain is a small fraction of the neighbouring bear habitat. Bears are not being driven into Port Coquitlam by subdivision construction there. Bears are being drawn into Port Coquitlam by accessible garbage, food waste and other wildlife attractants.
Q: Where can I get a Critter Guard™?A: Critter Guard™ is available directly from the Canadian manufacturer by contacting the local installer at 778-789-1854 or firstname.lastname@example.com. The supplier will make arrangements to install the Critter Guard™ system on site.
Q: How much is the Critter Guard™?A: Critter Guard™ has reduced the price for Port Coquitlam residents from $90 per cart to $75 per cart, including installation.
Q: By citing contact information for Critter Guard, you are acting as an agent for a private company. Does the City of Port Coquitlam receive a share of Critter Guard's sales revenue?
A: The City has negotiated the lowest possible selling price from Critter Guard for our residents. The City does not receive a share of Critter Guard's sales revenue.
Q: What if I move? Can I remove the Critter Guard™ Locking System and take it with me?A: If you are moving within Port Coquitlam you can take the carts with the Critter Guard™ Locking System with you. Please call Engineering and Operations at 604-927-5488 and arrangements will be made to have your cart's serial numbers transferred to the new address.
If you are moving outside of Port Coquitlam you must leave your carts with the new owners. The Critter Guard locks are specific to Port Coquitlam's carts and may not fit the standard carts of another city. You may wish to consider the cost of the lock when calculating the selling price of your home.
Q: My work schedule or personal circumstances make it difficult for me put my cart out between 5:30 am and 7:30 am. Will I be ticketed for having my cart out the night before pickup?The City has solid waste collection regulations in place to ensure the safety of our citizens as well as protect the bears that live in our community. It is important that everyone adhere to the regulations to keep our community safe. We encourage you to carefully consider other options:
- Is there anyone else within your home who could put the carts curbside on the morning of collection?
- Is there a neighbour who could assist you?
Key Contacts
- Bear Sightings - Conservation Officer Service - 1.877.952.7277 (RAPP)
- City Waste Collection Services - 604.927.5488 or 604.927.5496
- Critter Guard™ Installation - 778.789.1854 or email@example.com
- Solid Waste Infractions / Fines - Bylaw Enforcement - 604.927.5440 or firstname.lastname@example.com


text:
This House Cray: The Flood Estate, Woodside, CA
Asking price: $69,800,000
Year built: 1941
Number of bedrooms: Nine
Number of bathrooms: Eight and a half
Acreage: 92 acres
Now that all the burners and bridge-and-tunnelers are back in town, I find myself yearning for space again. Space to ride my bike without accidentally flattening a pedestrian, space to eat my meals without stabbing a stranger's ribs with my bony elbows, and the opportunity to sing in the shower without my roommates making fun of me. After all, San Francisco is one of the most population-dense cities in America.
Not so in Woodside, CA at the ultra-historic Flood Estate. Yup, those Floods, only one of the most iconic families in NorCal history. Though the price tag's a hefty $69.8 million, I suspect the mind-blowing 92 acres the package comes with makes up for it. Rolling hills, Oak tree-studded groves, a duck pond, West Union Creek, expansive views, sunshine and fresh air galore...there's more than enough room to hide from the world here. It's all been in the same family since 1941, the year the Colonial-style, 9,000-square-foot main home was built, which gives you an idea of how special this slab of land is.
But heck, we'll give you a rundown of its amenities anyway, just in case you need extra convincing (aside from the fact that it's on sale from its original price, $85 million). The house itself is swaddled by formal grounds designed by renowned landscape architect Thomas Church, including his signature pool, plus a tennis court. You'll want to purchase a few horses to go with your new home, because miles of ranch roads and riding trails cover the property, and wind past a lake, reservoir, a vineyard, and West Union Creek. It's even bordered on one side by woodsy Huddart Park for added quiet and seclusion. Can you imagine the glorious chirps of crickets at twilight, while sipping a mint julep poolside? Just ring the doorbell if you want to come over, I'll be waiting for you.
Info and photos from CurbedSF and gullixson.com
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- This House Cray: The Flood Estate in Woodside, CA
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subset: commoncrawl


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These two versatile wrenches replace 24 wrenches in your tool box. Each wrench includes 12 sizes in one reversible wrench for ease of use. 72-teeth gear design delivers 5° swing arch making these tools useful in tight spaces. Made of heat treated steel with full polish which adds to durability.
Login Here to rate and review this product.
22-11595 - 4 Piece Spanner Type Security Driver Set
Used to remove security screws from CATV equipment, cell phones and many other types of electronic equipment. Drivers have a fast turning swivel cap for easy operation.
22-11610 - 9-in-1 Auto Loading Ratcheting Screwdriver Set
Just pull the top handle, rotate the marked barrel to the desired bit and push the handle back down and your ready to work.
83-15693 - 2TB 3.5" Desktop Hard Drive 7200RPM
The DT01ACA series is Toshiba's first 3.5-inch hard drive for use in power-friendly consumer and commercial desktop computers.
22-17004 - Pushlock Plier Set with 8" and 10" Pliers
Versatile pliers use push-lock technology with 17 locking positions for faster jaw adjustments. Slim head design to fit into tight spaces.
MCM Cat 57, Page 1007
MCM Cat 56, Page 886
I found a lot of electronic equipment that other stores do not have, the information on your website is very comprehensive and the prices are very convenient.


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We asked DIY Network fans to vote on how we should renovate this odd-shaped dining room. Take a look at the stunning results.
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We experince a problem that is sadly not router-based, since I changed the router and it continues.
Every morning, the broadband line has dropped at some point during the night, and I have to unplug, then replug in the phone line into the router. It is a five second job, but a real hassle at the same time.
Has anyone else experienced this/come up with a solution? We did try a timer, but the plug for the router is one that doesn't seem to fit any of the three timers we tested out!


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Tuesday, August 23, 2011
Raspberry-Ricotta Scones
Rainbows, Roberto, RES, Reading, Roses, Red-Velvet Cake, Recliners, (jump) Ropes and Raspberry-Ricotta Scones. So many great things that begin with the letter 'R'! I have been on a scone kick lately. I found this recipe for raspberry-ricotta scones on one of my favorite sites, smittenkitchen.com. I will be honest and say that these are not my favorite scones. They are not bad but, if I do make them again I'll add more raspberries and maybe some lemon zest. The ricotta gives them a rich taste but changes the texture to be more cake-like. I like my scones to be firm. My favorite recipe for scones is my recipe for Cranberry Lemon Scones. Mmmm…deelish!
Now, I did deviate from the original recipe and I used 100% all-purpose flour as opposed to half all-purpose and half whole wheat. I ran out of whole wheat flour so I didn't have a choice. Maybe the whole wheat would have changed the consistency? I'm not really sure. And a reminder with scones, they are always best the day you make them.
Printable Recipe
Adapted from SmittenKitchen.com
3/4 cup whole milk ricotta
1/3 cup heavy cream
2 cups all-purpose flour
1/4 cup white sugar
1 tablespoon baking powder
1/2 teaspoon salt
6 tablespoons butter - cold *
1 cup fresh raspberries **
1. Preheat oven to 425 degrees F.
2. In a small bowl mix the ricotta and the heavy cream until evenly combined.
3. In a large bowl, combine flour, sugar, baking powder and salt. Add butter to flour mixer and combine using a pastry blender. When the consistency is course and 'crumb-like', stir in the raspberries.
4. Pour ricotta mixture into flour/butter mixture and stir only until it clumps together. Set dough on a floured surface. Cover your hands with flour and knead the dough lightly, only once or twice. Re-flour surface if needed then flatten dough into a circle or square until it's about 1/2 inch thick. Cut dough into 8 equal pieces.
5. Place a piece of parchment paper on a baking sheet and evenly spread out the scones. Brush them with a light coat of heavy cream. Bake for 13-15 minutes until they are lightly browned. Remove and place on a cooling rack to cool completely.
* When making scones, always use good quality butter. Don't buy the cheap stuff! Good quality butter will make a big difference in taste.
** For an extra kick in flavor, add 1 teaspoon of lemon zest.
Also, be sure to 'like' Baking Boy on Facebook or follow Baking Boy on Twitter!
Labels: Scones
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14 posts tagged with creativewriting. (View popular tags)
Displaying 1 through 14 of 14. Subscribe:
Buddha of Suburbia author, who teaches subject at Kingston University, added that many of his students could 'write sentences' but not tell stories.
In the final pages of his book, drawing up the merits of programme writing, McGurl ultimately falls back on the one thing the programme really does teach: technique. Countering Eliot's dictum that 'art never improves,' he proposes that literature might, rather, resemble technology or sport, in which 'systematic investments of capital over time have produced a continual elevation of performance.' Hasn't 'the tremendous expansion of the literary talent pool' and its systematic training in the 'self-conscious attention to craft' resulted in 'a system-wide rise in the excellence of American literature in the postwar period'? It has. If you take 'good writing' as a matter of lucidity, striking word combinations, evocative descriptions, inventive metaphors, smooth transitions and avoidance of word repetition, the level of American writing has skyrocketed in the postwar years. In technical terms, pretty much any MFA graduate leaves Stendhal in the dust. On the other hand, The Red and the Black is a book I actually want to read.Get a Real Degree by Elif Batuman is a critique of creative writing workshops and a review of Mark McGurl's The Program Era: Postwar Fiction and the Rise of Creative Writing. Louis Menand wrote a review of the same in The New Yorker which was both more appreciative of the book and creative writing programs. It was discussed previously on MetaFilter.


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Thankfully the last four years are behind us. The 2014 World Cup in Brazil promises to be a spectacle, both on the field and throughout one of the world's most soccer-crazed countries. The expectations will soar for the host country, which has one of its more talented teams in over a decade, led by emerging superstar Neymar.
The beauty of a World Cup is seeing the best the globe has to offer going head-to-head every day for nearly five straight weeks. This summer's round will be no different as Cristiano Ronaldo will look to put Portugal on his back after winning the UEFA Champions League final with Real Madrid. Same goes for Lionel Messi, who's received criticism from the Argentina press for not being able to deliver the same magic he does with club FC Barcelona.
World Cup openerBrazil vs. Croatia, 2 p.m. Thursday TV » ESPN
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It'll be up to Spain to continue its dominant reign over the world. Stacked with magnificent midfield talents such as Xavi, Iniesta, Cesc Fabregas and David Villa, the Spaniards have put on clinics on the biggest stage in recent major tournaments. Can the La Furia Roja make it back-to-back Cups as the Brazilians did in 1958 and 1962?
Uruguayan forward Luis Suarez is as mercurial as they come and is hated by fans around the world. A country no experts talk about, Belgium, has a group of players that could carry the country deep in the tournament.
Then there's the United States and the Group G gauntlet. Can Jurgen Klinsmann lead the Americans out of the fire and past Ghana and Portugal and Germany? It's possible, but with a revolving door on the back line, the U.S. could be punished by the attacking firepower of Group G.
Group A
Teams: Brazil, Croatia, Mexico, Cameroon
Favorite: Brazil
Sleeper: Mexico
Analysis: This could be Brazil's most-talented squad since 2002, the last time the powerhouse won the World Cup. But there will be accompanying pressure — and a lot of it — as the host country. The Brazilians are young in comparison to recent rosters, but dominated last summer's Confederations Cup. The Mexicans backed into the World Cup with the help of a U.S. win at Panama, but have the firepower to contend for the second spot out of Group A. Croatia, led by Bayern Munich striker Mario Mandzukic, will be a tough out.
Player to Watch: Brazilian midfielder Neymar
Advancing: Brazil, Croatia
Group B
Teams: Spain, Netherlands, Chile, Australia
Favorite: Spain
Sleeper: Chile
Analysis: The Spaniards have dominated international soccer for the last eight years winning the last two European Cups and the 2010 World Cup in Spain. But they're not getting any younger and had a rude awakening in getting a beat-down from Brazil in last summer's Confederations Cup final. The 2010 runner-up, Netherlands, has star Robin van Persie but could be surprised by a very difficult Chilean group. Chile surprised in South Africa and could surprise again. The Australians will be going home early due to an extremely difficult draw.
Player to Watch: Chilean midfielder Arturo VidalNext Page >
Copyright 2014 The Salt Lake Tribune. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.


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CLMUL instruction set
From Wikipedia, the free encyclopedia
Carry-less Multiplication (CLMUL) is an extension to the x86 instruction set used by microprocessors from Intel and AMD which was proposed by Intel in March 2008[1] and made available in the Intel Westmere processors announced in early 2010. The purpose is to improve the speed of applications doing block cipher encryption in Galois/Counter Mode, which depends on finite field multiplication. Finite field (GF(2k)) multiplication can be implemented more efficiently[2] with the new CLMUL instructions than with the traditional instruction set.[3] Another application is the fast calculation of CRC values.[4]
New instructions[edit]
|Performs a carry-less multiplication of two 64-bit polynomials over the finite field GF(2).
PCLMULLQLQDQ xmmreg,xmmrm [rm: 66 0f 3a 44 /r 00] PCLMULHQLQDQ xmmreg,xmmrm [rm: 66 0f 3a 44 /r 01] PCLMULLQHQDQ xmmreg,xmmrm [rm: 66 0f 3a 44 /r 02] PCLMULHQHQDQ xmmreg,xmmrm [rm: 66 0f 3a 44 /r 03] PCLMULQDQ xmmreg,xmmrm,imm [rmi: 66 0f 3a 44 /r ib]
CPUs with CLMUL instruction set[edit]
- Intel
- Westmere processor (March 2010).
- Sandy Bridge processor
- Ivy Bridge processor
- Haswell processor
The presence of the CLMUL instruction set can be checked by testing one of the CPU feature bits.
See also[edit]
- Finite field arithmetic
- AES instruction set
- FMA3 instruction set
- FMA4 instruction set
- AVX instruction set
- ^ "Intel Software Network". Intel. Retrieved 2008-04-05.
- ^ "Intel Carry-Less Multiplication Instruction and its Usage for Computing the GCM Mode - Rev 2".
- ^ Detailed description of instructions on Intel website
- ^ "Fast CRC Computation for Generic Polynomials Using PCLMULQDQ".
- ^ Dave Christie (6 May 2009). "Striking a balance". AMD Developer blogs. Retrieved 2011-03-11.
- ^ "Slide detailing improvements of Jaguar over Bobcat". AMD. Retrieved August 3, 2013.


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Awesome costume based on Lucas Barton from the classic 1989 film The Wizard, STARRING...Fred Savage!
Remember how jealous you were when Lucas dramatically took out his metal brief case (with inside padding) and played him some Rad Racer with The Power Glove? That was back when "knowing" 97 video games was a turn on for girls.


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so fantastic! I LOVED it! I will definitely make this again and again.
Roasted Garlic and Sun-dried Tomato Cheese Spread (Ossabaw Dip)
Squire Fox
Prep: 5 minutes; Cook: 45 minutes; Cool: 15 minutes.
Yield: Makes 2 1/3 cups
- 5 garlic cloves
- 2 teaspoons olive oil
- 3/4 cup sun-dried tomatoes
- 1/2 cup dry white wine
- 1 1/2 (8-ounce) packages cream cheese, softened
- 1/3 cup finely chopped green onions
- 1 cup freshly grated Parmesan cheese
- 1. Place garlic on a piece of aluminum foil; drizzle with oil. Fold foil to seal. Bake at 425° for 25 minutes; let cool 15 minutes. Squeeze pulp from garlic cloves into a small bowl.
- 2. Combine tomatoes and wine in a small saucepan; bring to a boil. Reduce heat to low, and simmer 20 minutes or until wine evaporates and tomatoes are soft. Process tomatoes and garlic in a food processor until smooth. Add cream cheese, and process until smooth, stopping to scrape down sides as needed.
- 3. Spoon mixture into a small bowl; stir in green onions and Parmesan. Serve warm with crackers.
My Notes
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Roasted Garlic and Sun-dried Tomato Cheese Spread (Ossabaw Dip) Recipe at a Glance
- COURSE: Appetizers, Dips/Spreads
- CONVENIENCE: Entertaining
- CUISINE: American
- MAIN INGREDIENT: Cheese
- COOKING METHOD: Food Processor, Roast
- PUBLICATION: Coastal Living
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The whole "North Koreans are 6 inches shorter than South Koreans" freaks me out a bit. These two men - Kim Jong-Il and Kim Il-Sung - have altered that nation for generations to comeFor generations to come? They're short because they don't get enough food during childhood. The height of Japanese people shot up between WWII and the 1980s when living standards went way up. Once things return to normal economically, North Koreans will be just as tall as their neighbors to the south.
The Dutch are the tallest people in Europe - taller on average than the Belgians to the south of them. A Dutchman might conclude that this is the fault of the inept and incompetent Belgian government, but it's probably more complicated than that.The Dutch are a half-inch taller, on average, than the Belgians. 6 inches != .5 inches. The correlation between malnutrition and stunted growth is not exactly pulled out of thin air. It's been demonstrated time and time again around the world, including the interesting case of Guatemalans born before and after their civil war.
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Import Outlook Express (PC) emails into Mail | 20 comments | Create New Account
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Import Outlook Express (PC) emails into Mail
You can drag and drop batches of MS Outlook .msg files from a Windows machine to MailRaider. It reads them and identifies attachments. Unfortunately, it seems to only save 1 message at a time, which is a pain.
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You are in... Forums > Discuss This > MotoGP > Patience the key for Marc Marquez
Matthew Birt says:
Rookie sensation Marc Marquez insists he won't get swept away on a wave of expectation as the Spaniard's MotoGP debut moves ever closer in Qatar.
Speaking during the pre-event press conference for the 2013 season opener at the Losail International Circuit in Doha, the Repsol Honda rider said he will try and adopt a patient approach in the early phase of...
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Oct 07
Posts: 1302
hugelean says:
Already talking about not knocking folk off. Be afraid, be very afraid!!!
Apr 11
Posts: 1681
ow01fogno1 says:
true that, i think fireworx are garanteed with this speedy spaniard.
Mar 08
Posts: 264
stompmyduke says:
Could all end in tears....
Mar 09
Posts: 5210
Nostrodamus says:
to end in podiums and wins galore for the very experienced & talented GP rider.
Dec 07
Posts: 99
cossie748 says:
The Marquez era has arrived, this guy is going to set a new benchmark as far as speed and riding style is concerned and when he builds the consistency to go with it he will be untouchable for the next 3 or 4 years!
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text:
Have a breath of nostalgia, dear minions…
This is the only existing video of the song we've been actually formed to.
The very first meeting of our order had been an accidental wonder at a cafe that no longer exists these days; and – yeah. This does seem like a distant dream.
So – sing along, minions, and have a piece of smile warming you these cold days :3
Hiyaaa, или Кто не спрятался, мы искать не будем – вы сами вылезете на звук))
Братья и сЕстры, как принято выражаться во всяких там тоталитарных сектах, пишет вам ваш Духовный Лидер. По-русски, ради разнообразия.
Я рада вам представить две вещи.
Во-первых, личное: ожил и заработал ГорДозор)) И я вписала туда Орден, потому что ну ОРДЕН же, как без него)))
А, во-вторых, вот вам сборник духоподъёмного звука, просто потому что выходные.
Click here, как водится, to download and have fun because of reasons. Предупреждаю, там попсень и ололо, всё как мы любим))) Ну и всем добра в этом интернете.
Oi, minions! The Game is approaching!
Of course, we've got a lot of nice things to chat about, but first things first because we haven't had a proper update for a LONG while. (Important note: excited trip to see Eddie Izzard doesn't count as a normal meeting only because Eddie Izzard wasn't eating doughnuts with us, we're working on improving it, ehehe, c'est vrai).
Tomorrow we are having a nice proper meeting at 2 PM underneath the Mushroom-man… you did get the passwords, didn't you? I made sure they arrive at the most inconvenient hour xD
But before you do anything… >>here's a playlist for the Game<< (and if it asks for a password, type gameison there). And one of the songs gonna contain the directions for solving one of the riddles of the Game (not to mention all of them GIVE YOU HINTS). So – study this one… or you'll gonna have to mumble stuff upon plain lyrics sheet ;3
Enjoy… and anticipate))
See you tomorrow!
Because sudden walks.
Newsflash: part of us are going to visit our soul animal in UK in a few days, God bless the idea itself.
Another part of us is about to meet in Moscow this weekend.
And, well. Have some Maddy the Treasurer, for no particular reason, just because sudden walks are worth sharing.
The Suspense Song: because it sounds better in written form.
as the moon shines her way through the dark clouds
as lone ghosts howl and weep in an old house
as werewolf pack outside chases prey
as mad zombies keep looking for brains
as sunken ships come out to the surface of seas
as master thief passes by, unheard and unseen
as young vampires doze off in their coffins…
…we're sipping our coffee ;}
as the rain falls on tops of the tombstones
as the winds bring scent of dreams that are long gone
as a banshee lets out cry of sorrow
as sly witches make spells for tomorrow
as sirens keep calling and calling and calling your name
as demons go wild and make humans insane
as Frankenstein makes all his mistakes…
…we're chewing our cupcakes :3
Positively Weird, because of the visit of the Dragon of the Order.
As you can recall O. Nash's poetry, Dragons Are Too Seldom.
True fact.
But we still have one.
She is coming to see a piece of us today, in 13 hours.
So here's some positively weird music for you, just to get in mood of having some particularly unique experience ;}
Click the image to get the file – and enjoy.
For those who'll be present – there will also be a nice bonus on your DVD.
Get ready to behold the Nazi Nick Fury, dancing Spiderman, and all the madness of your Grannys.
Have you missed us terribly?..
Well. We have.
And here comes the epic stuff.
Эпический наш Казначей дал мысль Духовному Лидеру сделать рингтон.
В общем, какой Духовнй Лидер, такой и рингтон.
Рингтон для тех, кто не узрел.
Улыбаемся и пляшем.)))


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Exterior Design
Dark Star.
Few designs have achieved iconic status as swiftly or as unanimously as the Continental GT. Its superformed creases and wind-carved lines are sleek, strong and sensual; the large inner headlight, muscular powerline and matrix grille give fresh expression to the heritage of Bentley grand touring. But the Continental GT Speed expresses a darker side to the marque's character. In contrast to the bright chrome grille of the W12-engined GT coupé, the matrix grille and air intakes of the Speed are in a dark-tint chrome finish and are matched to equally striking dark tint front & rear lamps. The dark tint 21" Speed alloy wheels are unique to this model, and are available in silver also should the customer prefer. Large, elliptical exhaust tailpipes feature a rifled interior, while the engine note that emerges from them is deeper and more emphatic.
Open the bonnet and the theme continues, with a black inlet manifold a visual clue to the new 635 PS W12 Speed engine. Even the unique sports suspension, lowered by 10 mm, adds to the impact. Each design feature, taken individually, is a subtle one, yet the overall effect is dramatic: lower, darker, more menacing. And the enamel winged 'B' that sits above the dark-tint matrix grille? Black, of course.


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Talented visitors to challenge Langley Speedway stars in Hampton Heat
HAMPTON — A scene like the one Friday afternoon might have been common for a Langley Speedway Late Model race 30 years ago, but certainly not recently. The cars of nine drivers from out of town crowded next to track regulars on pit road for testing ahead of the sixth annual Hampton Heat Late Model 200 on Saturday, including one particularly impressive group of three parked side by side.
By Marty O'Brien, firstname.lastname@example.com | 757-247-4963
July 26, 2013


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Bush 43: 'History will ultimately judge ... I'm a content man.' http://t.co/aJ4A9dJkLe
RT @AC360: Who has these masterpieces, stolen in the biggest #artheist in history? The mystery at 10pm
RT @PoliticalTicker: Barbara Bush on Jeb in 2016: 'We've had enough Bushes' -
RT @CNNPolitics: Video: Bush teary-eyed at library unveiling
Powerball jackpot Saturday will be at least $550 million - 3rd largest lottery jackpot in history:
Judge says Arizona sheriff was racially profiling Latinos
See what's Trending Now for @CNN


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It is a case that gets more horrifying with every release from investigators. There are new details about serial killer Israel Keyes -- and how he murdered a teen in Alaska.
For the first time -- we see and hear Keyes talk about his crimes. The FBI released a clip of Keyes describing how he found his victims.
He's seen in the video, calm, and with a coffee and a baked good back in July.
"I would let them come to me," Israel Keyes explained to Alaska investigators about being a serial killer.
But at the same time he was talking to investigators -- special FBI search team was across the country and in its final days of an 11 week search at the Coventry landfill. It was the largest search in Vermont history. But the investigators did not find the remains of Bill and Lorraine Currier of Essex.
Keyes killed the couple in what he called a blitz attack a year before. He broke into their home while they slept, kidnapped them, and eventually shot Bill and sexually assaulted and strangled Lorraine.
Police began interviewing Keyes on and off starting in April this year -- when he was arrested for the kidnap and killing of 18-year-old Samantha Koenig. Police developed a rapport with him -- and he revealed a trove of details about 8 murders over a 10 year period. He told them of traveling the country -- and searching quiet areas like cemeteries, and parks -- for potential victims.
"Back when I was smart, I would do it, I would let them come to me. This remote area. Go to a remote area that's not anywhere near where you live, but that other people go to as well, you might not get exactly what you're..there's not as much to choose from, in a manner of speaking, but, there's also no witnesses really. There's nobody else is around, so," Keyes told investigators
Police say Samantha Koenig was alone back in February -- closing up the Anchorage coffee house where she worked -- when Keyes attacked her. Investigators released new details in her killing -- hoping they trigger someone's memory - and that could lead to clues in Keyes' other murders.
They say Keyes tied her hands with zip ties - as he had with the Curriers. He forced her to walk towards his truck -- but Samantha broke free and started to run -- as Lorraine Currier had. He tackled her -- dragged her into the truck -- and bound her. He stole her ATM card and cellphone -- took her to the shed at his home -- raped -- and asphyxiated her. Keyes then left Anchorage the next day -- on a pre-planned 2 week cruise.
When he got back to town -- he posed Samantha's body with a copy of the local paper to make it look like she was alive - and took a photo. He used it to demand ransom from her boyfriend. Then -- he dismembered her body -- cut a hole in the ice atop a nearby lake -- and dumped her remains.
Click here for the statement from the Currier family.
Click here for the statement from Chittenden County State's Attorney T.J. Donovan.
Click here for the statement from U.S. Attorney for Vermont Tristram Coffin.
Click here for the FBI request for public assistance on the travels of Israel Keyes.
Related Stories:
Expert analysis on serial killing suspect Israel Keyes
More Keyes details surface, including audio recording
U.S. Attorney: Curriers encountered 'force of pure evil'
Officials confirm Alaska suspect killed Vt. couple
Federal authorities left to unravel unsolved murders
Currier neighbors, co-workers reflect on loss
FBI trace Currier case to New York
Bench, flagpole installed in memory of Curriers
Investigator: Human decomposition found in Currier case
Memorial for slain couple
Memorial service to be held for Curriers
Why are NH authorities talking about Israel Keyes?
New details on suspect in Currier murders
Missing couple murdered? The mystery unravels
Anniversary of Currier disappearance
Dig for Currier evidence continues
Police again dig for evidence in Currier case
Timeline: The disappearance of Bill and Lorraine Currier
Neighbors hope recent search turns up evidence in Currier case
Police dig for evidence in Currier case
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"Obey the principles without being bound by them."—Bruce Lee
I came across the work of Michael Mapes quite by accident via the BBC. Seeing it for the first time online, however, I was struck with intense curiosity. How were these portraits constructed, and how much work went into creating them? On the off-chance, I sent Michael an email. We later spoke on the phone and arranged to meet in person to chat and to view his work.
Referencing Dutch Master portraiture, Michael Mapes,"specimens" deconstruct and painstakingly re-construct how our eyes interpret. It takes a particular artistic vision to manifest work that takes you somewhere new. Vials of hair, resin, sequins, thread, photos, jewelry and more—all (at the end of a pin) go into making these "dimensional collages." The result is a portraiture unlike anything I've seen before.
For now, Michael Mapes may be relatively unknown, but if his work continues to follow, and not be bound by, the principles of good art—authenticity, resonance, and a yearning for beauty— his work will not remain so. This guy is onto something. —Lane Nevares
"I think of my work as documentations of transformation and performance. While gender is undoubtedly always a question in my work, I don't see it as a boundary." --Martín Gutierrez
As we know, things aren't always what they seem. The artist, Martín Gutierrez, explores this ambiguity and the Real Doll phenomenon by casting himself into domestic scenes that float somewhere between suburban bliss and the Stepford Wives.
I am always inspired by artists who challenge convention, and in the case of Gutierrez, completely own their work. While these images may, on first glance, appear superficial and banal, there is far more going on. Gutierrez is responsible for everything in his images/videos: producing, directing, writing, casting, posing, styling, original music, and shooting the scenes. For this series, he casts himself as a "Real Doll", and in doing so, creates a world that both disturbs and allures.
His first solo show, Martin(e), opens on the 11th at Ryan Lee Gallery in Chelsea. I am curious to see whether these small 8 x 12 inch images command attention, or whether they beg for a large-scale experience. —Lane Nevares
"A photograph is always invisible, it is not it that we see." —Roland Barthes
The Beijing-based artist, Liu Bolin, often known as "The Invisible Man," creates works of art that operate on many levels. Part painting, photography, conceptual art and multi-faceted social critique, Bolin's work is testament to his courage and determination to create work despite the cultural and political constraints he lives under.
In a recent TED talk, Bolin discussed his ideas and the motivations behind his work. His exploration of becoming "invisible" is a means to provoke ideas and for us to question the "inter-canceling relationship between our civilization and its development." Needless to say, his arresting images are impressive to behold and painstakingly executed.
For an opportunity to meet the artist and to see his latest solo show, Liu Bolin: Mask, Eli Klein Fine Art is hosting an opening and reception tomorrow evening here in New York. Hopefully, Liu Bolin won't be too hard to find. —Lane Nevares
"In my art, I wish to present myself through multiple lenses — as artist, as Moroccan, as traditionalist, as Liberal, as Muslim. In short, I invite viewers to resist stereotypes."—Lalla Essaydi
The work of Lalla Essaydi reminds me why I love photography. Sumptuous, complex, referential and captivating, her images seek the sublime. Underlying this aspiration for a transcendent beauty is a rich intellectual foundation that Essaydi eloquently explores in her writing. To appreciate the depth of her art is to read her statement.
These large-scale works from her series "Harem Revisited" and "Bullets Revisited" will go on display tomorrow at Edwynn Houk Gallery in NYC. What we see online cannot reveal the elaborate detail in the intricate (and time consuming) henna calligraphy applied to her models, nor can it reveal the details in her staged sets. The photographs online, however, can lure us into reshaping our ideas of women, Arab culture and what photography can do. Join Lalla Essaydi on this journey. —Lane Nevares
"The real voyage of discovery consists not in seeking new landscapes, but in having new eyes." Marcel Proust
The Italian artist, Ivano Atzori, is a man in pursuit of ideas. An outsider artist, self-taught, and embracing everything from graffiti to fashion to performance art, Atzori's restless energy and work isn't readily classifiable. Nor should it be. His work has been featured everywhere from Italian Vogue to the streets of New York City.
In this performance piece, "Experience," Atzori uses an arsonist's crime scene as his canvas. Having discovered and fought the fire, he would later return, shrouding his identity in paper, and once again physically confront the landscape—feeling, digging, scraping, and eventually setting himself free. A meditation on life, death and transformation, Atzori's "experience" may be ephemeral, but his ideas of nature, destruction, resurrection and release are as old as life. —Lane Nevares
"I'd say most of my inspiration was drawn from old-school American values mixed with a little punk-rock idealism."—Mike Brodie
Mike Brodie's new monograph, A Period of Juvenile Prosperity has just been released in time for his two forthcoming solo shows: one in LA and one in NYC. For a diesel-engine mechanic who thinks of photography as a "hobby," this is mighty impressive.
Many will look at these images of young travelers living free and criss-crossing the USA as something raw and exciting, but like many things in life—"Riding the Rails" isn't anything new. In fact, during the Great Depression more than 250,000+ homeless teenagers were doing the same. The excellent documentary, Riding the Rails, tells the story of these young people and the effect that experience had on the rest of their lives.
Brodie's images, however, tell an American, 21st Century story that is about freedom, possibility, and opting-out from society's dictates. These young people (who may be fleeing tough circumstances themselves) are choosing to live a different way of life. Brodie's friends, lovers, and fellow travelers show us the rough, the real, and the nitty-gritty of life on the move.
Self-taught, Brodie is an innately talented photographer with a great sense of light and composition. This series is strong, sensitive, authentic, and will be one of the important photography shows to see in March. I am looking forward to seeing the exhibit and buying the book. (I am also including this show on my upcoming gallery tour.) Brodie's photographs have made me eager to discover other artists, especially those outside of the States, who are living and documenting life on the road. —Lane Nevares
"The road must eventually lead to the whole world."—Kerouac, On the Road
"I believe everyone in your dreams represents a psychological aspect of yourself. So the whole Guest group is offered as an extended self-portrait - females and all."—Chris Bucklow
The Danziger Gallery in New York has recently opened its second solo show of Christopher Bucklow's arresting photograms. While certainly not a departure, artistically speaking, from his past photographic work, these photograms are nevertheless beautiful to behold.
Light on paper. Each print is a unique display: the sun's rays poring through thousands of pinhole apertures in an aluminum foil sheet mapping a human silhouette, each photogram reflecting the length of exposure and intensity of the sun at a given moment. The final result is singular and ethereal, a Cibachrome print that is its own negative.
Beauty is a worthy pursuit whatever the medium. Bucklow's love of light and color, along with the psychological underpinnings of this work, give these photograms their staying power. Already part of many major museums and collections, Bucklow's sun-fueled photographs remind us that it's ok to believe in our dreams. —Lane Nevares
"Justice in the conduct and life of the State is possible only as first it resides in the hearts and souls of the citizens."—Plato
Although we do not hear enough about it, there are more than 70,000 juveniles presently incarcerated in the United States. Richard Ross, a Professor/photographer at the University of California Santa Barbara, has spent more than five years in over 300 facilites in 31 states documenting, interviewing, and photographing what we do to young people in this country. This project, Juvenile-in-Justice, and the accompanying book offer a sobering analysis of how we administer justice in the USA.
Ross's skills as a photographer are quite evident throughout his work. While these images may on the surface appear perfectly composed and cooly detached, they are, in fact, indictments of injustice. This rich alchemy of beauty and indignation gives these images their power and resonance.
Juvenile-in-Justice is on view in NYC at Ronald Feldman Fine Arts until Saturday, and then moves on to the LA Municipal Art Gallery. For an excellent and poignant overview of the project, this video is required viewing. --Lane Nevares
"It is an illusion that youth is happy, an illusion of those who have lost it; but the young know they are wretched for they are full of the truthless ideals which have been instilled in them, and each time they come in contact with the real, they are wounded." —W. Somerset Maugham
The International Center of Photography in New York recently announced their 29th Annual Infinity Awards. In the "Young Photographer" category, Kitra Cahana (b. 1987) is this year's winner. Unknown to me, I visited her site and was immediately drawn in.
Cahana's series on nomads and teens, in particular, caught my eye. In photography, the quality of light (and the attention given to it) means everything. Her judicious use of it gives her color images a moodiness that is both pleasing and full of uncertainty—like the kids she photographs. At age 25, Cahana reveals a depth rarely found in the work of her contemporaries. Her ICP award is well deserved. —Lane Nevares
"You don't see the things you photograph. You feel them."—André Kertész
Tucked away in the Clamp Art gallery, Evzen Sobek's Life In Blue series is a little gem of a show. I first encountered this series, shot along the Nové Mlýny reservoirs in the Czech Republic, upon publication of the monograph in 2011. Since then it has gathered notoriety and has been featured in many blogs and publications. I was pleased to see the work first-hand and in relation to one another.
For those of you in NYC, I include a visit to this show on my fine art photography tour to illustrate how deceptively easy it appears, but how difficult it is, to achieve coherency in a body of work. In this series, the color blue is the ostensible motif, but Sobek's ability to create a consistent mood, or feeling, is what makes the work shine. Join me and others for lively conversation and fun this Saturday. —Lane Nevares
"Whatever is in any way beautiful hath its source of beauty in itself, and is complete in itself; praise forms no part of it. So it is none the worse nor the better for being praised." —Marcus Aurelius
Beauty, in the most sublime sense, is an inherent good. When I encounter it, I am reminded how little it matters what I, or anyone else, think about it. Writing over 1,800 years ago, Marcus Aurelius, as many others before him, understood it too.
I recently came across the Pakistani-born, Tokyo-based photographer Arif Iqball's work via David Alan Harvey's excellent online magazine burn. These pictures of Geiko and their apprentice Maiko are simple, elegant, contemplative, and sumptuous with color. It is the respect and love from the photographer that infuses them with their sensitivity. His admiration for Japanese culture and tradition is evident. Mr. Iqball is still developing as a photographer, but this delightful series (including the B&W version on his website) shows promise. —Lane Nevares
"I felt that children smoking would have a surreal impact upon the viewer and compel them to truly see the acts of smoking rather than making assumptions about the person doing the act." Frieke Janssens
Last week, I attended the preview for, "Smoking Kids," by the Belgian photographer, Frieke Janssens. I was impressed at how much fun an opening could be. Rather than a stuffy affair, it was packed with well-dressed Belgians out in support of one of their own, enjoying live music and good drink. In essence, a party.
Frieke Janssens images of smoking children may, on first take, seem real, but they're not. With any photographic work, much lies in what we bring to the moment of engagement with the image. Understanding a photographer's intent, therefore, can sometimes be a little ambiguous. With these beautiful portraits of children, I find that to be the case. Janssens is asking us to question the viewer's relationship to smoking, and then what? Do these portraits transcend their stylized appeal?
Janssens is an accomplished photographer bold enough to follow her imagination wherever it may lead. She understands how to produce good work, and I salute her. I suspect that despite some finding her depiction of children controversial, much of the work will sell here, as it has in Europe. The exhibit is up until the 8th of February at the VII Gallery in Dumbo, Brooklyn. Stay tuned, you'll be hearing more about Frieke Janssens. —Lane Nevares
"I find that through the study of women, you get to the heart—the truth—of the culture."—Shirin Neshat
The first New York solo show for Vienna-based artist, Sissi Farassat, recently opened at Edwynn Houk. Farassat, born in Iran, but reared in Austria, brings a unique fusion of Persian and Viennese influences into her work. A careful study of these photographs, reveals thousands of hand-stitched sequins, crystals and beads she uses to transform her photographs from one medium into another.
Of course, Farassat, isn't the first to take a photograph, manipulate it by hand, and to create something new. What is wonderful about her work, however, is the attention and the commitment to the idea that a photograph possesses endless possibilities. —Lane Nevares
"It (taking photographs) is all about longing…without longing—no pictures at all." —Anders Petersen
One of the nicest gifts I received this year is Anders Petersen's latest monograph, "Soho." In collaboration with London's noted Photographers' Gallery and Mack Books, Petersen was given a four-week residency last year to shoot images of an area in London known for many things to many people. For Petersen, it was an opportunity to return to a place he'd known in the 70's and could re-discover, thirty years later, through the lens.
While there are many impressive photographers working today, Anders Petersen is one of the finest. I am consistently astonished at the power of his photographs. His ability to infuse images with a poetic gaze that senses fragility and yearns for Beauty is the mark of an artist in love with his craft, and more importantly, in love with people. I can keep returning to his work and always find something deeper, more resonant.
For a peek inside the book here's a video. But I recommend discovering his work, first hand, in print. Call me old-fashioned, but I still believe in the magic of the photobook. —Lane Nevares
"I wasn't born a commercial photographer. I was born an artist, and I've been doing art my whole life." —Jill Greenberg
The photographer, Jill Greenberg's, latest show Horse is ending this week at ClampArt. With her signature lighting, Greenberg is back in action doing what she does best: portraits. Her work, distinctive and often imitated, rides a fine line between what many argue is "commercial" and what is "fine art." I won't belabor any distinctions here.
In the essay to her new book Horses. Greenberg writes, "I explore how the photography relates to gender issues and whether horses are perceived as feminine or masculine… I ended up getting to the place where they're both." Whether others see this connection is an open question, but from an aesthetic point-of-view, I find these portraits, with their powerful lighting and re-touched colors, to be quite appealing. They make me see horses in a fresh way.
For those of you who are curious about how Greenberg captured these images, here is a behind-the-scenes video of her in action. Given the set-up, crew, and the hard work that goes into producing a photo shoot, I can assure you that she's not "horsing around." —Lane Nevares


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with Jisan Tova Green and Daiyu Judith Randall
City Center
Eight Mondays: October 6 - November 24, 2014
7:30 - 9 pm
Precepts are not rules set up by someone.
—Suzuki Roshi, Not Always So
This class focuses on the precepts as guideposts for our thoughts, speech and actions, for living ethically, with deep regard for ourselves, others and the world in which we live. Through reflecting on our experience, reading, writing and discussion, we will appreciate the ways in which practicing with the precepts can enrich our lives. This class is open to everyone.
Fees: $160; $144, current SFZC members; $96, limited income. Some partial scholarships available. (See About Registration, Scholarships and Cancellations.)
To Register: Use the ticket table below. Or call our toll free number (888.743.9362) or local number (415.475.9362).
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An investigation is underway after a shooting in Cleveland early Monday morning.
A man was found shot in the leg in the 2100 block of Lakeside around 1 a.m.
The victim was taken to Metro. No word on his condition at this time.
There are no arrests.
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While watching the playoffs I can't help but think of the Nuggets. I long for certain players to somehow end up on the Nuggets' roster in the coming year, even if I know it's not logistically possible. I try and analyze the way playoff teams are constructed, from different personalities and skill sets, to team identities, strengths and weaknesses. Watching other teams in the playoffs is always enjoyable — especially this year — as I can push aside my myopic fandom and try my best to truly think like an NBA GM. And while there are always different nuances you pick up on from year to year, one common thread I've noticed with playoff teams that make the jump from simply appearing in the postseason to actually advancing is inner development from long-term investments. Case in point: DeAndre Jordan and the L.A. Clippers.
|Nene, C 22 MIN | 4-12 FG | 0-0 FT | 5 REB | 3 AST | 8 PTS | +19
Nene fought through early foul trouble and thankfully he got a comfortable amount of rest with another back-to-back coming up. Although you'd like to see a better shooting percentage and fewer turnovers, Nene getting the ball opens up the rest of the offense and he got plenty of touches tonight.
|Danilo Gallinari, SF 27 MIN | 7-10 FG | 2-2 FT | 6 REB | 4 AST | 21 PTS | +24
Gallo was on fire. I had no problem with his benching in Memphis and was confident he'd respond with a solid game just as he did after his first bad performance in Philadelphia. Without Gallo providing a spark the game was headed towards becoming a blowout in the wrong direction.
|Timofey Mozgov, C 22 MIN | 5-5 FG | 1-3 FT | 7 REB | 0 AST | 11 PTS | +12
He's improving. Made Blake Griffin and DeAndre Jordan work much harder than they wanted to on defense. The key stat is only one turnover. His weak side defense could be much better but he continues to do a solid job contesting perimeter shots and putting pressure on the opposing guards.
|Arron Afflalo, SG 36 MIN | 3-6 FG | 8-8 FT | 3 REB | 2 AST | 15 PTS | +12
How bad did Afflalo need a game like this? I missed some of the first quarter where he apparently got off to a rough start, but Arron found a way to fight through it. 8 free throws are outstanding and most impressive was the ball-pressure he applied on Chris Paul, often picking him up at full court and crowding his space all night.
|Ty Lawson, PG 32 MIN | 6-11 FG | 5-6 FT | 4 REB | 6 AST | 18 PTS | +23
Much better game. Not spectacular, but a normal Lawson performance Nuggets fans love to see night in and night out. Turnovers have been a problem and although many of them haven't been Lawson's fault, he had much better control tonight. Made some spectacular hustle plays to stretch the lead at critical moments.
|Al Harrington, PF 21 MIN | 3-9 FG | 0-0 FT | 3 REB | 2 AST | 8 PTS | +8
Al started slow but eventually found his stroke in time to put the game away. His minutes finally returned to a reasonable amount and he wasn't stuck trying to do to much. Harrington could be better guarding the rim but he was somewhat effective against Blake Griffin managing to pull the chair out a number of times.
|Andre Miller, PG 29 MIN | 3-5 FG | 2-2 FT | 3 REB | 8 AST | 8 PTS | +17
Five shot attempts is a much healthier game out of Andre Miller. Didn't take a three or force shots and bad passes. Not being switched onto Rudy Gay definitely helped him stay fresh and effective throughout the night.
|DeMarre Carroll, F 5 MIN | 0-0 FG | 0-0 FT | 0 REB | 1 AST | 0 PTS | -2
Carroll is still on the team. He's also back and finally healthy after a hamstring kept him out much of the season. Don't read too much into the grade, C means incomplete in this case
|Rudy Fernandez, SG 19 MIN | 4-7 FG | 0-0 FT | 2 REB | 1 AST | 10 PTS | +5
Rudy can be a very effective weapon off the bench. The Nuggets need to play him and get him shots more consistently. I've been hoping for him to look for his shot more aggressively and resist trying to make the spectacular play. Fernandez did both tonight.
|Kosta Koufos, C 12 MIN | 1-3 FG | 2-2 FT | 5 REB | 0 AST | 4 PTS | -3
Koufos could do a little more with his minutes, but I'm glad he came in ahead of Birdman. I liked his energy on defense in Memphis and he was okay tonight. Perhaps with more of a role Koufos' game will come around and we can get a better idea of what he brings to the table.
|Kenneth Faried, F 7 MIN | 2-3 FG | 2-2 FT | 3 REB | 0 AST | 6 PTS | -5
Raw is the only way to describe him. The team needs to teach him the fundamentals of playing on offense rather than just throwing up long range lobs when he enters the game. Needs to set better screens and post up some, but I'm probably expecting too much of the Manimal. He was still a beast in the paint and finished everything around the rim. I also think Faried has potential to draw a lot of fouls should he end up seeing more minutes.
|Jordan Hamilton, G 7 MIN | 1-2 FG | 0-0 FT | 0 REB | 1 AST | 3 PTS | -5
Hamilton showed off his quick release and smooth jumper. He also showed flashes of passing ability off drives to the rim. I am excited to see what this guy can do in the future.
It's early in the Denver Nuggets 2011-2012 season, but the story so far has no doubt been the inspiring double overtime win against the departed Carmelo Anthony and the New York Knicks at Madison Square Garden.
Tonight's game against the Los Angeles Clippers doesn't feature the same hype and excitement surrounding the Knicks contest, but it's no less symbolic for Nuggets fans witnessing Chauncey Billups' first return to the Pepsi Center since the infamous trade marking the end of the Melo era.


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Thomas W. Klamer, M.D. Dr. Klamer joined the practice in 1983 after obtaining his medical degree from Ohio State University. He received his surgical and vascular training from the University of Louisville and the Medical College of Wisconsin, where he served as clinical assistant professor of surgery for two years. Dr. Klamer serves as director of the medical staff and vascular lab at Norton Suburban Hospital. He is an active member of multiple surgical societies, has been appointed to many hospital committees and serves as clinical professor in surgery at the University of Louisville. He also heads the endovascular surgical team. Dr. Klamer has published many articles related to general and vascular surgery, which have been presented at meetings throughout the country.Patient care focus: Vascular surgery Medical training: The Ohio State University College of Medicine, Columbus Residency: University of Louisville School of Medicine Fellowship: Peripheral vascular surgery, Medical College of Wisconsin, Milwaukee
Norton Vascular Surgery Locations
Norton Medical Plaza East – Audubon, Suite 2203 Audubon Plaza Drive Louisville, KY 40217(502) 636-7242
Norton Medical Plaza II – Suburban, Suite 1033991 Dutchmans Lane Louisville, KY 40207(502) 636-7242
Outreach clinics
Harrison County Specialty Center1263 Hospital Drive, Suite 210Corydon, IN 47112(502) 636-7242
Twin Lakes Regional Medical Center910 Wallace AveSpeciality ClinicLeitchfield, KY 42754
Taylor Regional Hospital Urgent Care Center1911 Campbellsville RoadGreensburg, KY 42743
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Norton Heart and Vascular Center at Harrison County Hospital in Indiana
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The joy of content creation (and the hazards of building in someone else's sandbox)
AN INSPIRING STORY of content creation, which is also, although this particular tale ends happily, a warning about the hazards of building in someone else's sandbox.
Stampylongnose makes wonderful videos about Minecraft (among other things) and is the first independent content creator in my young daughter's world. She follows him like you followed your first favorite blogger.
In "1 Million Subscribers Special – From Then To Now," he shares how he became an independent video producer on the web—how he lost everything when Google arbitrarily pulled the plug—and how the community that loved him, and one great Google admin, fought to restore his work.
"The independent content producer refuses to die."
Filed under: Community, content, engagement, Google, Publishing, video
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A VIRUS spoofing my return email address has apparently been emailing many people. I know this because some of these viral email messages bounce back to my Gmail account as undeliverable. Mistaking these reports for actual messages sent by me, Gmail has decided I'm too active a user, and forbidden me to send any more mail today.
I'm a Google Apps user with a multi-gigabyte Gmail account and I've sent less than a dozen actual messages today because I am home sick with a cold. But Gmail doesn't know that. And Gmail doesn't care. Because Gmail isn't real, not even in the David Sleight sense. It's a set of equations programmed by fallible human beings, and it controls my life and yours.
There is no one to talk to at Google about my service problem because there is no there there. The services I pay for are delivered by robot magic in the cloud. When something goes wrong, it just goes wrong. There's nobody to track down the virus's origin and make it stop. There's nobody to say, "This user hasn't actually sent these messages." (I keep marking the returned mails as "spam," but Google hasn't caught on, probably because customer service problems aren't supposed to be reported by inference.)
My friend wears a shirt that says "The Cloud Is A Lie," but that isn't quite the truth. More like, the cloud is a customer service problem. One I just found myself on the wrong end of.
Google to customer: Go fuck yourself. In the cloud.
Filed under: Google, Products, Usability
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Leo Laporte interviews JZ
IN EPISODE 63 of Triangulation, Leo Laporte, a gracious and knowledgeable podcaster/broadcaster straight outta Petaluma, CA, interviews Your Humble Narrator about web standards history, responsive web design, content first, the state of standards in a multi-device world, and why communists sometimes make lousy band managers.
Filed under: business, businessweek, client management, client services, clients, content, Content First, CSS3, Curation, Dan Benjamin, Design, E-Books, Ethan Marcotte, findability, Google, Happy Cog™, HTML, HTML5, Jeremy Keith, Microsoft, podcasts, Publishing, Real type on the web, Redesigns, Responsive Web Design, Standards, State of the Web, The Big Web Show, Usability, User Experience, UX, Web Design, Web Design History, Web Standards, Zeldman
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Why I am letting my Google IO invitation expire
HI, [REDACTED]. Thanks for writing to express your concern about my failure to redeem my Google IO promo code. It's kind of a funny story.
I received a Google IO invitation (copied and pasted below) but didn't follow up on it because the invitation did not say anything about what Google IO is, who it is for, or why I would want to attend it (if it is an event) or use it (if it is software) or do something else with it (if it is something else).
The Google IO invitation merely gave me complicated directions to sign up for Google IO, no doubt on the assumption that I would gladly attend, download, or sign up for anything that comes from Google, even without knowing what it is; and that, as an unemployed millionaire, I would have plenty of free time to decipher and obey complicated sign-up directions without knowing anything about the product, service, or event.
One of the complexities Google mentions in their invitation letter which fails to explain anything about the product or service they want me to sign up for is that, to qualify for Google IO, I must start a Google+ account. They don't explain what Google+ is, either, but as it happens, I already have a Google+ account.
My Google+ account is assigned to my Gmail address. But instead of writing to me there, Google wrote to me at my zeldman.com address. My zeldman.com address is actually managed via Gmail, so I should be able to log into my Google+ account whether I am signed in as my Gmail identity or my zeldman.com identity, but Google+ doesn't work that way. Google+ only works for free Gmail accounts. It does not work for paid corporate accounts like mine. That has always seemed an odd decision to me: if you can only provide services to a subgroup of your users, why not choose the subgroup that pays? But I am not Google.
So Google wrote to my zeldman.com address, which they won't allow me to associate with my Google+ address, to invite me to start a Google+ account (which I already have) on my zeldman.com account, which they won't support. And if I do that (which I can't), and some other complicated stuff, they promise that I will then be able to participate in Google IO, whatever that is.
And now they have written to warn me that my Google IO, whatever it is, will stop being offered if I don't sign up (which I can't) right away. And they even convinced you, my friend, to send a personal note ensuring that I don't miss the opportunity to sign up for their unspecified product or service with the account they don't support before the unexplained offer is terminated.
While I should be curious about Google IO and what I will miss if I fail to take advantage of the cumbersome offer, what I'm actually far more curious about is how an organization that can't write an effective direct marketing email message has managed to become one of the most powerful corporations of the 21st century.
We recently sent you an invitation to register for Google I/O 2012 and noticed that you have not redeemed your promo code, which will expire at midnight PDT on March 25.
[ How to register ]
1. Make sure you have a Google+ account as it is required to register. Get Google+ at http://www.google.com/+
2. Visit the registration page at
3. Use Promo Code: [REDACTED]. This code can only be used once.
[ Tips to Ensure Successful Payment With Google Wallet ]
1. Make sure your Google Wallet account is tied to the same Google+ account you use to register.
2. In case your bank declines your purchase through Google Wallet, you may need to call the bank that issued your credit card and let them know that you want to make a large purchase. Some banks may decline large purchases that appear to be out of your normal purchase behavior.
3. If Google Wallet is not available in your country, please email [email protected] to have our support team process your payment.
[ Tips to Ensure Successful Registration With Google+ ]
1. Sign into your Google+ account before you try to redeem your code.
2. To ensure you have created a Google+ account, log into your Google account and go to https://plus.google.com/. If you land on a page asking you "To join, create a public Google profile." then you don't yet have a Google+ account and follow the instructions to create one.
3. If you have multiple Google accounts, be sure to sign out of all Google accounts and sign in with only your Google+ enabled account.
4. You can use a personal or company managed Google+ enabled account to complete your registration.
If you have any questions, please email [email protected]
The Google I/O Team
Filed under: business, conferences, Design, events, Google, Marketing, Slow-witted Trolls, The Essentials, Usability, User Experience, UX
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Don't Be Evil (Wink).
WHILE VIEWING STATS on TweetMeme, I noticed a banner ad that said, "New York—explore it again like you used to." Intrigued, I clicked the ad. It took me to the web page shown above. (Click to view full size.) At the top was a message thanking me for subscribing. Ouch! I had not subscribed, I had merely clicked a link. Opt-in subscription without notice or warning is about as dark as a user experience pattern can get and still be legal.
Beneath the notice was an ad for a women's strip tease class. I don't think I'm the intended demographic. Facebook would know that. Why doesn't Google?
The offer had a time limit; the script on the time limit froze my browser, prompting a force-quit and restart.
If "Don't Be Evil" is still Google's slogan, I wonder if folks who work there say it with a straight face.
Filed under: glamorous, Google, User Experience, UX
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Design Apps for Fun and Profit
Update! Episode 14 is now available for your listening and viewing pleasure at 5by5.tv.
Josh Williams, founder of Gowalla, is our guest at 1:00 PM ET today, July 29, in Episode 14 of The Big Web Show. Whether you're a social media user/creator, an entrepreneur, an application developer, an iconist or illustrator, a freelancer with big dreams, an API wizard, a devotee of marketing 2.0, a web designer, a Gowalla fan, or what, you won't want to miss this episode.
The Big Web Show is taped in front of a live internet audience, and you can be part of it. Join co-host Dan Benjamin and me at 1:00 PM ET today to participate in the live taping of Episode 14.
If you miss the live taping, you can watch the show on our website or via iTunes later tonight.
The Big Web Show ("Everything Web That Matters") is taped live in front of an internet audience every Thursday at 1:00 PM ET on live.5by5.tv. Edited episodes can be watched afterwards (often within hours of taping) via iTunes (audio feed | video feed) and the web.
Photo: Keegan Jones.
Filed under: Apple, Applications, apps, art direction, Code, Dan Benjamin, Design, downloads, Formats, Google, ipad, iphone, mobile, The Big Web Show
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When Ads by Google Go Wrong
Filed under: Advertising, bugs, Google, Images, industry, Microblogging, war, peace, and justice
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And now, Google
THE long-planned inevitable has now been announced. With open-source-licensed web fonts, web font hosting, and add-a-line-to-your-header ease of configuration, Google has joined Typekit, Font Squirrel, Ascender, Font Bureau and others in forever changing the meaning of the phrase, "typography on the web."
The Google Font Directory lets you browse all the fonts available via the Google Font API. All fonts in the directory are available for use on your website under an open source license and served by Google servers.
Oh, and Typekit? They're in on it, and they couldn't be more pleased.
Filed under: Browsers, chrome, CSS, Design, Fonts, Google, type, Web Design, Web Design History, Web Standards, webfonts, webkit, webtype
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Presumably in order to avoid having to pay the child model and secure a release, Google deliberately blurred the Gap Kid model's face on the giant outdoor Gap Kids poster before uploading this photo (and hundreds of seamlessly interwoven related photos) to Google Maps Street View.
It's hard to say if the human beings on the street have had their features blurred as well.
Does Google go to this kind of trouble with every poster on every block of every city in the world? They must.
I bet their arms get tired.
Related: Recently, some friends and I have noticed news photos, and TV news video, where people's faces are perfectly clear, but corporate logos have been deliberately blurred or pixelated. This is the world we live in.
Google Maps Street View blurs model's face in poster
Filed under: Advertising, Google, privacy
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Crowdsourcing Dickens
As an experiment in new new media thinking, I recently crowdsourced a new new literature version of Charles Dickens's musty old old old lit chestnut, Great Expectations—the familiar tale of Pip, Ms Havisham, the convict Magwitch, et al.
Creative excellence and spin-worthy results required a pool of 10,000 people who had never read Great Expectations. Fortunately, I had access to 10,000 recent American college graduates, so that was no problem.
To add a dab of pseudoscience and appeal obliquely to the copyleft crowd, I remixed the new work's leading literary themes with the top 20 Google search queries, using an algorithm I found in the mens room at Penn Station.
The result was a work of pure modern genius, coming soon to an iPad near you. (Profits from the sale will be used to support Smashing Magazine's footer and sidebar elements.)
Gone was the fusty old title. Gone were the cobwebbed wedding cake and other dare I say emo images. It was goodbye to outdated characters like Joe the blacksmith and the beautiful Estella, farewell to the love story and the whole careful parallel between that thing and that other thing.
Gone too was the tired old indictment of the Victorian class system, and by implication of all economic and social systems that separate man from his brothers in Christ, yada yada. As more than one of my young test subjects volunteered in a follow-up survey, "Heard it."
In place of these obsolete narrative elements, the students and the prioritized Google searches created, or dare I say curated, a tale as fresh as today's algorithmically generated headlines.
The results are summarized in the table below.
|Old Great Expectations
|New Great Expectations
|On Christmas Eve, Pip, an orphan being raised by his sister, encounters the convict Magwitch on the marshes.
|The convict compels Pip to steal food from his sister's table, and a file from her husband the blacksmith's shop. Pip thereby shares the convict's guilt and sin—but his kindness warms the convict's heart.
|Guy on girl
|Pip's sister, Mrs. Joe, abuses him. Her husband loves Pip but is unable to protect him or offer him a future beyond blacksmithing.
|Girl on girl (multiple entries)
|Pip meets Miss Havisham, an old woman abandoned on her wedding day, who sits in her decrepit house, wearing a yellowing wedding gown, her only companion the beautiful and mysterious girl Estella. Pip falls in love with Estella, but Miss Havisham has trained the girl to break men's hearts.
|Guy on guy
|Pip visits Miss Havisham until his apprenticeship with Joe the blacksmith begins. Pip hates being a blacksmith and worries that Estella will see him as common.
|Two girls, one guy
|Mrs Joe suffers a heart attack that leaves her mute. A kind girl named Biddy comes to take care of Mrs Joe. After Mrs Joe's death, Biddy and Joe will marry. Meanwhile, Pip comes into an unexpected inheritance and moves to London, where he studies with a tutor and lives with his friend Herbert.
|Pip believes Miss Havisham is his benefactor and that she intends him to marry Estella, whom he still adores. Day by day, Estella grows more cruel. Pip never tells her of his love for her.
|One stormy night, Pip discovers that his benefactor is not Miss Havisham but the convict Magwitch. The news crushes Pip, but he dutifully allows Magwitch to live with him—worrying, all the while, because Magwitch is a wanted man who will be hanged if discovered.
|Miss Havisham repents having wasted her life and perverted Estella. She is caught in a fire. Pip heroically saves her but she later dies from her burns. Soon afterwards, Pip and Herbert try to help Magwitch escape, but Magwitch's old enemy Compeyson—who happens to be the man who abandoned Miss Havisham at the altar—betrays Magwitch to the authorities. Magwitch and Compeyson struggle. Compeyson dies and Magwitch is taken to prison.
|Pip now realizes that Magwitch is a decent man and tries to make Magwitch's last years happy ones. He also discovers that Magwitch is Estella's father. Magwitch dies in prison shortly before he was to be executed. Pip tells the dying Magwitch of his love for Estella.
|Pip becomes ill and is nursed back to health by Joe, whom Pip recognizes as a good man in spite of his lack of education and "class." Pip goes into business overseas with Herbert. Eventually he returns to England and visits Joe, who has married Biddy. They have a child named Pip. As the book ends, the middle-aged Pip makes one last visit to Miss Havisham's house, where he discovers an older and wiser Estella. There is the implication that Pip and Estella may finally be together.
Filed under: "Digital Curation", Advocacy, Authoring, books, business, Community, content, content strategy, copyright, creativity, Culture, Curation, Damned Fine Journalism, democracy, Design, downloads, E-Books, Education, ethics, glamorous, Google, Ideas, industry, Little People, Luls, Microauthoring, Publications, Publishing, Respect, social networking, Standards, State of the Web, The Essentials, The Profession, theft, writing
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New Series: From Trails to Trials
I'm excited to announce that I am now a contributing writer over at Far North Endurance. My new blog series – From Trails to Trials – will chronicle my efforts to balance fast marathons and trail ultras as I train towards qualifying for the 2016 Olympic Marathon Trials.
My top priority is to write content that is of interest, so please do let me know if there are any topics you'd like me to cover as I embark upon this new adventure.
Huge thanks to Far North for the opportunity to share my experiences with your readers. Check out my first post here…


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- TED Book Chat
- New York, NY
- United States
This conversation is closed.
Discussing "The Science of Radical Life Extension" with TED Books author David Ewing Duncan
Continuing with our series of TED Book Chats.... How long do you want to live, and why?
For the next two weeks, we'll be discussing David Ewing Duncan's new eBook, "When I'm 164", on the science of radical life extension. Duncan surveys the increasingly legitimate science — from genetics and regeneration to machine solutions — and considers the pluses and minuses of living to age 164, or beyond. We'll look at everything from the impact of extended life on cities, services, and the cost of living as well as what happens to love, curiosity, and general health.
The book is available for Kindle, Nook, and iOS devices (which have a great new custom TED Books app):
Kindle copy: http://www.amazon.com/dp/B008XB16ME/
iOS app: http://itunes.apple.com/us/app/ted-books/id511071050?mt=8
The New York Times also published an excerpt this week, you can read it here: http://www.nytimes.com/2012/08/26/sunday-review/how-long-do-you-want-to-live.html
Finally, author David Ewing Duncan will be joining us for a live Q&A at 4pm EDT on September 11th!
Looking forward to our discussion!
Showing single comment thread. View the full conversation.
Sep 11 2012: I've heard a lot of people discuss the idea of boredom as a reason not to live indefinitely. Seems to me that boredom, like any other mental state, has a physiological counterpart. In other words, boredom exists as a state or spectrum of states in the brain. It should, therefore, be treatable. And it's a big universe out there. Boredom seems unlikely to me.
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Product Branding: Online Marketing Quiz
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text:
BISMARCK, N.D. (AP) - The U.S. Department of the Interior is giving about $400,000 to North Dakota for conservation and outdoor recreation projects.
The money comes from the department's Land and Water Conservation Fund. The fund collects money from federal oil and gas leases on the Outer Continental Shelf.
U.S. Sens. Heidi Heitkamp and John Hoeven both separately announced the funding Tuesday.
The money will be given to North Dakota. It's up to the state to decide how to disperse the funding.


text:
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