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Robert Frost
Robert Frost (1874-1963), four-time Pulitzer Prize winning American poet, teacher and lecturer wrote many popular and oft-quoted poems including After Apple-Picking, The Road Not Taken, Home Burial and Mending Wall;
I let my neighbour know beyond the hill;
At times bittersweet, sometimes ironic, or simply marveling at his surroundings, one can also see autobiographical details in Frosts works; he suffered devastating losses in his life including the untimely deaths of his sister, two of his children and his wife. He knew the souls depths of psychic despair but was also capable of delighting in birch trees loaded with ice a sunny winter morning. While memorialising the rural landscape, vernacular, culture and people of New England in his traditional verse style, his poems also transcend the boundaries of time and place with metaphysical significance and modern exploration of human nature in all her beauty and contradictions. Though not without his critics, millions of readers the world over have found comfort and profound meaning in his poetry and he has influenced numerous other authors, poets, musicians, and playwrights into the 21st Century.
Robert Lee Frost (named after Southern General Robert E. Lee) was born on 26 March 1874 in San Francisco, California to Isabelle Moodie (1844-1900) teacher, and William Prescott Frost Jr. (1850-1885), teacher and journalist. San Francisco was a lively city full of citizens of Pioneering spirit, including Will who had ventured there from New Hampshire to seek his fortune as a journalist. He also started gambling and drinking, habits which left his family in dire financial straits when he died in 1885 after contracting tuberculosis. Honouring his last wishes to be buried in Lawrence, Massachusetts where he was born, Isabelle, Robert and his sister Jeanie Florence (1876-1929) made the long train journey across the country to the New England town. Isabelle took up teaching again to support her children.
With both parents as teachers, young Robert was early on exposed to the world of books and reading, studying such works as those by William Shakespeare and poets Robert Burns and William Wordsworth. He also formed a life-long love of nature, the great outdoors and rural countryside. After enrolling in Lawrence High School he was soon writing his own poems including La Noche Triste (1890) which was published in the schools paper. He excelled in many subjects including history, botany, Latin and Greek, and played football, graduating at the head of his class. In 1892 he entered Dartmouth, the Ivy League College in Hanover, New Hampshire, but soon became disenchanted with the atmosphere of campus life. He then took on a series of jobs including teaching and working in a mill, all the while continuing to write poetry.
Frost got his first break as a poet in 1894 when the New York magazine Independent published My Butterfly: An Elegy for a stipend of $15. A year later a wish he had had for some time came true; on 19 December 1895 he married Elinor Miriam White (1872-1938), his co-valedictorian and sweetheart from school. They had gone separate ways upon graduation to attend college, and while Frost had left early, Elinor wanted to wait until she was finished before getting married. They would have six children together; sons Elliott (b.1896-1900) and Carol (1902-1940) and daughters Lesley (b.1899), Irma (b.1903), Marjorie (b.1905-1934), and Elinor Bettina (1907-1907).
The newlyweds continued to teach, which Frost always enjoyed, but the demanding schedule interfered with his writing. In 1897 he entered Harvard University in Cambridge, Massachusetts, though illness caused him to leave in 1899 before finishing his degree. Despite that, it was one of many institutions that would award him an honorary degree later on. The next ten years, the Derry years, were trying times for Frost with a growing family to support. In 1900 they moved to a farm bought by his paternal grandfather in Derry, New Hampshire to try poultry farming. The same year his son Elliot died of cholera. Frost suffered greatly from grief and guilt, and compounding this was the loss of his mother to cancer the same year. In 1907 Elinor Bettina died just one day after birth. But the farm was a peaceful and secluded setting and Frost enjoyed farming, tending to his orchard trees, chickens and various other chores. This period inspired such poems as The Mending Wall (written in England in 1913) and Hyla Brook (1906). The house built in the typical New England clapboard style is now a restored State Historical Landmark.
But it was soon time for a change. In 1911 he sold the farm and the Frosts set sail for England. Elinor was enthusiastic about traveling, even with four children, and they moved into a cottage in Beaconsfield, just outside of London. Then finally it happened; after writing poetry and trying to get noticed by publishers for over twenty years, Frosts first collection of poetry A Boys Will was published in England in 1913 by a small London printer, David Nutt. American publisher Henry Holt printed it in 1915. Frosts work was well-received and fellow poets Edward Thomas and Ezra Pound became friends, supporters, and helped promote his work. North of Boston (1914) followed. When World War I started the Frosts were back in New Hampshire, settling at their newly bought farm in Franconia in 1915. A year later Robert began teaching English at Amherst College. Mountain Interval was published in 1916 which contained many poems written at Franconia. He was also starting lecture tours for his ever-growing audience of avid readers.
In 1920, Frost bought Stone House (now a museum) in South Shaftsbury, Vermont. There he wrote many of the poems contained in his fourth collection of poetry New Hampshire (1923) which won him the Pulitzer Prize for Poetry in 1923. It includes Stopping By Woods On A Snowy Evening;
The woods are lovely, dark and deep.
While he also farmed on the idyllic property with its breathtaking views of mountains and valleys, another project Frost undertook was the founding of the Bread Loaf School of English at Middlebury College in Ripton, Vermont. After his son Carol married Lillian LaBatt (1905-1995) and his grandson Prescott arrived, he gave them Stone House to live in where Carol planted his thousand apple trees. Frost bought a second farm in Shaftsbury, The Gulley. At the height of his career, his next collection of poems West-running Brook (1928) was published just one year before another great loss of a loved one hit him; his sister Jeanie died.
By now Frost was a popular speaker and had a demanding schedule of which Elinor, acting as his secretary, organised for him, so he spent a fair bit of time traveling, though still maintaining an impressive output of poetry. He was awarded the Pulitzer Prize for Poetry a second time in 1931 for his Collected Poems (1930), and also in 1937 for A Further Range (1936), and yet again in 1943 for his collection A Witness Tree (1942). All his children were married and he spent much time with them and his grandchildren, though it was not long before the heavy blows of loss struck again; his beloved daughter Marjorie died in 1934 after the birth of her first child, and in 1938 Elinor died of a heart attack. In 1940 Carol committed suicide.
Leaving the Stone House and The Gulley behind, in 1939 Frost bought the Homer Noble Farm in Ripton, Vermont for his summer residence, located near the Bread Loaf School. He occupied the cabin on the property Than smoke and mist who better could appraise, The kindred spirit of an inner haze? (A Cabin in the Clearing) while his friends and colleagues the Morrisons stayed in the main house. Collected Poems (1939) was followed by A Masque of Reason (play, 1945), Steeple Bush (1947), A Masque of Mercy (play, 1947), Complete Poems (1949), and In the Clearing (1962). At the Inauguration of American President John F. Kennedy on 20 January 1961, Frost recited his poem The Gift Outright (1942).
Robert Frost died on the 29th of January 1963 in Boston, Massachusetts. Safe!, Now let the night be dark for all of me. Let the night be too dark for me to see, Into the future. Let what will be, be. (Acceptance) He lies buried in the family plot in the Old Bennington Cemetery behind the Old First Congregational Church near Shaftsbury, Vermont. His gravestone reads I Had A Lovers Quarrel With The World.
Just nine months after Frosts death, Kennedy gave a speech at Amherst College, singing Frosts praises and speaking on the importance of the Arts in America. Later he said;
The death of Robert Frost leaves a vacancy in the American spirit....His death impoverishes us all; but he has bequeathed his Nation a body of imperishable verse from which Americans will forever gain joy and understanding.
Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc 2006. All Rights Reserved.
The above biography is copyrighted. Do not republish it without permission.
Recent Forum Posts on Robert Frost
Robert Frost: Opinions?
I've been reading some Frost poems (I guess I've read about fifteen) and find him to be an odd writer (for me at least), because his poems seem to be brilliant or quite lame. Some of them are beautifully written and wonderfully philosophical and introspective . . . and some of them come off as complete kitsch. And some of them, the longer ones in particular, read completely like prose, like he wasn't even trying. So, what do you all think? I'm curious because I've heard quite a few people cite him as their favorite author. I just don't see it. (And, no, my subjective opinion doesn't mean I'm saying he's not a great author--I'm saying I don't see it, nothing more.)
Help please, Robert Frost experts!
I need the actual source of a quote attributed to Robert Frost in countless places: In three words I can sum up everything I've learned about life: it goes on. Does anyone know if this was part of a poem, a play, or did he say it in an interview with the media?
Desert Places - help?
My classmate and I are currently doing a project on Frost's poem "Desert Places". We were told to find information on the poem at various websites, including this one, however the sites do not contain much relevant information. We would love help from some of you lit and poetry junkies, so if you would like to be of assistance, please respond in the thread below and we will post our specific questions and concerns. Thank you all so much! :smilewinkgrin: -Stowpup
Not Quite Social
Robert Frost is my favourite poet (that might be because he's the only one I've actually read) but I often get the feeling that I'm missing the whole point, or the picture... Either way, I was wondering if you could tell me what you think Forst meant with a the following lines in Not Quite Social (A Further Range): To punish me overcruelly wouldn't be right For merely giving you once more gently proof That the city's hold on a man is no more tight Than when its walls rose higher than any roof I don't know. I think poetry is difficult. I never know whether there's an actual meaning behind (a part of) it or whether the poet simply chose a word that rhymes or words that "feel right." It makes it dificult to enjoy. Anyway, thanks.
Two Look at two
hi, i have a project do on this poem i did a lot of research but was unable to find some certain things i need. what is the tone/mood/structure of the poem? the theme? ( i have the general idea) thesis statement? and also the speaker voice? thanks in advane
Interesting True Story about "Stopping by Woods on a Snowy Evening"
What follows is an interesting true story about Robert Frost and the correct interpretation of "Stopping by Woods on a Snowy Evening." One of my best friends took a poetry class in highschool (probably his freshman year). The class studied the aforementioned poem and the teacher encouraged each student to try to interpret it. After the students had each come to a conclusion as to what the poem signified, the the class discussed it. During the discussion the teacher insisted that the poem was about contemplating committing suicide by running off into the freezing woods. My friend was skeptical. He argued that perhaps Frost meant precisely what he said: he was simply stopping by woods on a snowy evening and contemplating them. But the teacher, standing on all her awesome authority as teacher, informed him in no uncertain terms that he was in error. Time passed. One day this same teacher found herself at an English teachers conference of some sort. During this time a her supervisor took her and several other fellow teachers aside. He told them that there was someone very special there that he wanted them to meet; they could ask questions, but they were to be very polite and not irritate this person. He led them into a room, and there he was: Robert Frost in the flesh. They had a Q & A session, discussing Frost's poetry. At that point the teacher asked Frost, What did he mean when he wrote "Stopping by Woods on a Snowy Evening"? Was the speaker contemplating suicide? "No," was Frost's answer: he meant exactly what he said--he was simply riding along on his horse one day and stopped by woods... on a snowy evening. And that was all there was to it.
The Silken Tent
I found it really difficult to move from the physical to the psychological in Frost's poetry ; yet it is interesting and with time I tend to like it especially for this very thing. At first I didn't like the comparaison between a woman and a tent ! Not so romantic and a little humuliating after being the man's temple , his star and so on ......I won't feel happy if a man called me " my tent ":p But I think this is the point of view of the modern man .This is how he sees her now . He's more like a vagabond . Therefore the tent is an excellent choice . From this perspective I really appreciate how he gives great dimensions to the trivial and the common ; to let us appreciate what we didn't appreciate before now .This new consciousness of things and details is really awesome. What I still wondering about is his notion of the modern woman .By the end we noticed that this woman is not free as we thought or as she thought herself to be. Is he saying the woman cannot be free ??? She is as in a field a silken tent At midday when a sunny summer breeze Has dried the dew and all its ropes relent, So that in guys it gently sways at ease, And its supporting central cedar pole, That is its pinnacle to heavenward And signifies the sureness of the soul, Seems to owe naught to any single cord, But strictly held by none, is loosely bound By countless silken ties of love and thought To everything on earth the compass round, And only by one's going slightly taut In the capriciousness of summer air Is of the slightest bondage made aware.
Deconstructing Robert Frost's "The Road Not Taken
Hi there. Would you please tell me how to deconstruct Robert Frost's "The Road Not Taken"? Thnx.
Balloon animals
I've been having trouble finding a good way to make a Robert Frost balloon animal. Any suggestions? (pop culture reference)
frost poems... best to argue naturalism
I'm typing an essay on Frost, and was going to include . i realize that nearly all of his poems are of and relating to nature. im basically looking for a simple, straight to the point but profound poem that impacts a reader in an emotional way through the use of nature. "Stopping by Woods on a Snowy Evening and the Onset to speak of naturalism. are there any better poems, in you opinion, that could possibly show naturalism in a more profound way? thanks so much - the gist of the essay is naturalism being a poetic device in which readers are more fully able to relate to a poem and let it affect their hearts and emotions, thus walking away from the poem with a sense of enlightenment.
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Set in New York in 1982, This Is Our Youth follows forty-eight hours in the lives of three very lost young souls: Warren (Michael Cera), a dejected nineteen year old who has just stolen $15,000 from his abusive, tycoon father; Dennis (Kieran Culkin), his charismatic drug-dealing friend who helps Warren put the stolen money to good use; and Jessica (Tavi Gevinson), the anxiously insightful young woman who Warren yearns for. Funny, painful and compassionate, This Is Our Youth is a living snapshot of the moment when many young people go out into the world on their own, armed only with the ideas and techniques they developed as teenagers – far more sophisticated than their parents realize, and far less effectual than they themselves can possibly imagine.

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When I lived in New Mexico, I spent as much time as I could at a place called Maria's New Mexican Kitchen. Among Maria's many charms were a novel-length tequila list and their fried, pillow-like pastries known as sopapillas. When the server at Rincon Mexicano listed them among the desserts, I stopped her short. "Do the sopapillas come with honey?" I asked. "Honey, chocolate, and caramel," she told me. I ordered a plateful, to the dismay of my friends. We had spent the past 45 minutes gorging ourselves on massive platters of Mexican fare: burritos, chicken chimichangas, enchiladas, and chili verde pork tips, each served with rice and beans. We probably should have gone easy on the Rincon dip, an addictive combination of beef, pico de gallo, and queso, and the extra chips we requested to scrape up every last bite. The food was consistently good—in particular, the melt-in-your-mouth pork tips—but the chicken was a little tough, and the red sauce on the flag burrito was hot enough to merit larger water glasses (or more attentive service). We had washed all of this down with supersized margaritas, so by the time I ordered the sopapillas, the table was ready for a nap, not more food. When they arrived, they were chip shaped, instead of pillow-like, and the sauces were pre-drizzled, which meant I couldn't drown them in honey. But really, that didn't matter. The sopapillas were warm and sweet and small enough that we all squeezed a few in. We couldn't finish it all, but then I've never finished a full Mexican meal. The leftovers went into boxes—the perfect snack for later.
Rincon Mexicano4450 Eastgate Blvd.(513) 943-9923Rinconeastgate.com
Prices: $5–$25. Lunch and dinner seven days.Originally published in the October 2012 issue.
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Kirkwood Townhome Rental Photos and Description
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Cozy and comfortable three bedroom, two full bath townhouse across from Chairlifts 5 and 6. We are in easy walking distance to all lifts, ice skating rink, tubing, and the lodge.
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You will have access to the Kirkwood Owners' Association Recreation Center which includes a large outdoor pool, spa, and fitness center.
'Lost Cabin' (our group of town homes) has 16 individual units each with their own private garage. Additional parking is also available in the Lost Cabin outdoor parking area. We are situated diagonally across from Chairlifts 5 and 6, and you can access the meadow for cross-country skiing, snowshoeing, or sledding right out our front door.
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CHICAGO, HostingCon 2007, July 24, 2007 – A growing number of independent software vendors (ISVs) are announcing plans to sell hosted software-as-a-service (SaaS) applications based on the new Application Packaging Standard (APS) developed by SWsoft.
Several ISVs detailing their plans at HostingCon 2007 include:
The APS standard makes it easier for ISVs to sell their applications through hosting providers and take advantage of the expanding market for SaaS applications - expected to grow to $19.3 billion by 2011 according to Stamford, Conn.-based research firm Gartner Inc.1 The APS standard defines specifications that provide ISVs with a unified, open platform to create "pluggable" applications that can be delivered by any service provider with minimal integration costs and effort.
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OPEN FUSION is an SWsoft technology initiative to improve integration among a wide range of systems, third-party applications and modules, and custom and in-house solutions. The OPEN FUSION platform enables optimized delivery of SaaS and traditional hosting services to help ISVs and service providers take full advantage of new opportunities in the market.
About SWsoft
SWsoft is a global leader in virtualization and automation software that helps consumers, businesses, and service providers optimize their use of technology. The company's software powers more than 130,000 servers and 500,000 desktops worldwide. The SWsoft product line includes Virtuozzo - the leading operating system virtualization solution, Parallels - the leading desktop virtualization product, and Plesk - the leading server control panel. Founded in 1999, the company has offices throughout North America, Europe, and Asia. For more information, visit www.swsoft.com.
1. Gartner press release "Gartner Says Service Providers Must Prepare Now for the Software as a Service Wave," March 6, 2007, http://www.gartner.com/it/page.jsp?id=501991.


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Maria Sharapova & Sasha Vujacic's Wedding Plan
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Feb 6th, 2012, 11:22 AM
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Re: Maria Sharapova to announce wedding date next week
Lol, am I the only one who would want her to wait a bit? Because, as soon as she gets married, it would be like she became sort of old
and she's only 24, she should enjoy her youth while being engaged to Sasha. He was so sweet when he said he is proud of her and that she inspires him
And even when he had shorter hair, he had more than enough of it and I think it suits him better than the longer version
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The Ricky Powell World Famous Slideshow
The Rickster back in the days.
Our SportLifestyle approach, classic styles, and new icons fuse fashion into sport and sport into life.
PUMA is on a sustainability journey to improve our business and the lives of generations to come.
The Rickster back in the days.


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Justin Bieber 's in hot water again in Brazil, but this time, it's got nothing to do with alleged visits to a brothel. Turns out police suspect him of...graffiti.
The British paper The Daily Mail reports that Justin, is suspected of spraying the side of a hotel in the wee hours of Tuesday morning with the words "Beliebers 4 Life," drawings of faces and baseball caps and, ironically, the words "respect privacy." But graffiti is considered to be vandalism in Brazil, and carries a jail sentence of between three months to one year, according to the paper.
According to the paper, photographers called police to the alleged graffiti location, but they failed to arrest Justin; now an investigation is being launched into why. The paper reports, police then tried to catch up with Justin at his rented mansion, but he had already left the country and moved onto Paraguay.
The alleged incident is just the latest scandal for Justin, whose trip to Brazil has been anything but smooth sailing. There was the visit to the alleged brothel -- though a source claimed that the establishment was actually private club -- as well as reports of being kicked out of a hotel, which also have been denied. In addition, Justin stormed offstage during a concert in the country after being hit by a water bottle, and there was an incident where a fan who'd paid hundreds of dollars for a meet-and-greet with the singer allegedly was manhandled by his bodyguards.
A source close to Justin tells ABC News Radio that there is no comment on this latest incident.
Copyright 2013 ABC News Radio


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Blue Light Special April 30, 2008Posted by Mark Folse in New Orleans, NOLA, Toulouse Street, We Are Not OK.
Tags: Crime, er, hospital, New Orleans, NOLA, violence
NOLA Slate's blog is back after a long hiatus. Read her chilling story of her adventure in the downtown ER in New Orleans one night not so long ago.
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REPUBLIC, Wash. -- Authorities said an intoxicated man was hit by a car on State Route 20 Thursday evening.
The crash happened around 7:00 p.m. Officials said Brandon Smith, 30, intentionally ran southbound across the road and was hit by a car going westbound just three miles east of Republic.
Smith was transported to Republic Hospital and was later life-flighted to Tri-Cities.
The cause of the crash is still under investigation. Charges are pending.


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Most of us watch an actor's performance and think that we are somehow getting a glimpse of the person behind the screen. In a sense we are, and in a sense I always try to bring something of myself to every role. I wasn't always that way. Initially, back in my high school days, acting was my escape. I could jump into imaginary lives and temporarily be rid of myself. The invented circumstances of the play or movie evaporate inhibitions, as if one is liberated because the character he is playing isn't him. He can embarrass himself, be a fool, be a villain, kill someone, rape someone, tell a girl he loves her, tell a guy he loves him, play someone of a different political party, a different nationality, a different religion, almost anything because, ostensibly, a performance doesn't define a person.
I suppose one could look at an actor's entire career and derive some enduring qualities of the person. But what if an actor was only cast in awful roles? What if we only had John Casavettes the actor and not the director? The actor Cassevetes was an entertaining and wily persona in movies like Rosemary's Baby or The Dirty Dozen, but the wild, sexual, passionate intelligence that Cassevetes brought to the performances in his own films was something entirely different, derived from the freedom that comes with control. So an actor is his roles and he isn't.
The actor is his role to the extent that his "instrument" is himself: his body, his movements, and his emotions and his voice and his appearance. He is intimately tied to his art in ways that other kinds of artists are not, so inevitably there will be vestiges of his real self in all the performances he plays. Brando probably revealed more of himself in Last Tango in Paris than he had intended, something that Bertolucci claimed he would pull out of him. Showing an incredibly vulnerable side of himself, some of the speeches Brando gave could have been about his own life. The character of Stanley Kowalski in A Streetcar Named Desire, a role that purportedly defined Brando and subsequent American acting, was almost the antithesis Brando's true self. In reality he was a sensitive and intelligent artist, a contradiction that probably made his portrayal of the brutal and sensual Stanley all the more compelling. Of course Brando oozed sexuality—he couldn't have delivered such a performance if he didn't contain something of the primal libido that emanates from Stanley. But it wasn't all of Brando.
An actor might be typecast if he is in a long-running series, plays a lot of roles of a similar type, or is so powerful, electric or just natural in a role that it is difficult to differentiate him from his characters. John Wayne wasn't a cowboy. He grew up near Glendale and went to USC, but he became a cowboy after playing them for four decades in a hundred-fifty-plus films. He found that the persona worked off-screen as well as it worked onscreen and I'm sure this had an effect on his behavior, speech, opinions, political leanings and aesthetic taste. Who he became also had a lot to do with who he worked with. Director John Ford helped make Wayne into who he was on screen and he molded him off-screen as well. Wayne's career was kick-started, nurtured and maintained by Ford. He gave Wayne his greatest roles and shaped the figure we remember.
An actor has very little control over a film and is usually beholden to the director, except for the few instances where an actor is also a producer on the film. A director has a ton of responsibility. He tracks the emotional arcs of the characters scene by scene; he makes sure that the characters are realistic (or unrealistic, whatever the needs of the film may be); he is worried about the mise en scène, the pacing, the sound, the dialogue, and a million other technical things, like the camerawork and special effects. Because it is a job that involves so much delegation and juggling, a director must depend on many people, and he wants them all to be cooperatively serving his vision. So if an actor has a conflicting vision, it usually causes problems. I suppose there are exceptions to this. If a director's vision happens to be inferior to the actor's and the actor persists in his interpretation and somehow the director allows this interpretation to make it into the final cut, then the conflict could be said to have been useful. But usually when there is a conflict of opinions, the director wins out because he oversees the editing of the film. Even if the actor rebels all through the shooting, the director will have control over how the performance is put together. In the worst-case scenario, the performance is a mess that resembles neither the actor's, nor the director's vision. Ideally the actor and director are in synch, so that the actors can deliver what the director wants—and sometimes what the director didn't even know he wanted.
An actor is in a strange position of being the most visible component of a film with the least control over that final product. He provides a performance, and then the director, editor and producers cut, recut, test, and score. This is the nature of film. There are some actors that have such integrity and creative powers that they are doing much more than just saying lines. Performers like Daniel Day-Lewis, Philip Seymour Hoffman, Benicio Del Toro actually paint with the characters they create. Not only are they giving full-bodied and multidimensional performances, they are transcending the medium. The performances are larger than the films; they resonate beyond the story they're embedded in. When a director works with actors of that caliber, I suggest the director just get out of the way. These men are creative forces, and a director's vision of a character is never going to match the complexity of what those performers can bring.
I'm not even close to those guys. I have been acting professionally for more than a decade. According to the acting teacher Sanford Meisner, I am halfway through my acting apprenticeship, and according to Ezra Pound I have finished the ten years needed to learn my art and now I need ten more years to unlearn it. I think they're both probably right. When I try to bring my own interpretation to a role, it fails. So I am content if I achieve the director's vision. If I do that, I've done my job. But when I do this, I feel like a craftsman more than an artist. I can never feel artistic exhilaration in that kind of situation. It's not that I want or like control. I like working with others. But the actor is usually only collaborating on one portion of the film. This is why so many actors want to direct.
Recently, I performed in the soap opera General Hospital. It is easy to make fun of soaps, with their melodramatic plot lines, constant exposition, unnatural lighting, swelling music, and lack of action. Most of these aspects are due to the extreme speed at which soaps are produced. With five episodes a week, at least sixty pages need to be shot in a day. That's a feature film's worth of material shot every two days. This pace allows for very few takes, usually one. Soap acting is generally considered inferior to other acting, with the lack of takes cited as the reason. However, there are many fine film performances that are made up of just a few takes: Clint Eastwood is famous for doing one or two takes when directing; Robert Altman was very loose with his direction, always looking for spontaneity and truth; Gus Van Sant does very few set-ups, and very few takes. Innumerable directors of Oscar-winning films have used such techniques. The reason that soap actors look the way they do is context—how they are filmed, what they are saying, and how they are blocked. There is absolutely no way to act in a soap and pull off a performance like Daniel Day-Lewis in There Will Be Blood, Robert De Niro in Raging Bull, Meryl Streep in Sophie's Choice, or Marlon Brando in On the Waterfront. These incredible performances are supported by the incredible filmmaking that is behind them. They are given the time, dialogue, space, and aesthetic of films made by great directors.
This isn't to say that soap opera performers are worse than film actors, or that their performances are inferior. The soap opera performance should always be perceived in context: it involves actors working in a tradition that soap audiences have come to expect and love. Soap actors are delivering exactly what they are supposed to—they are in tune with their audience and they are not attempting to transcend it. If Brando had tried to play Terry Malloy in a soap, he wouldn't have had the time to sculpt the performance into the brooding, tortured, nuanced emotional force that won him an Oscar. The contender wouldn't have been a somebody, instead he'd just have been another mumbling dope with bad eye makeup.June 11, 2010
thanks for the insight james, i enjoyed reading your article. :D
WHAT AN EXCELLENT ARTICLE! It was very understandable, well-put together, cohesive! Mr. Franco, WHY didn't you do that with your short story in Esquire?!?!?
having read this, i'd like to read your essay on the differences and similarities between Performance and Acting when you're ready to write it. (and no, the youtube vid did not cut it).
Mr. Franco you are a true artist and a great actor. You are at Brandon level but you need the right role. Play Heathcliff in a remake of Wuthering Heights! You certainly have the range!
Also, I can't wait to see the three short films you recently directed. I saw Good Time Max and I thought it was unique and a great start.
The dvd of The Ape arrived in the mail yesterday. I watched it and I loved it. You hit so many nails on the head! Great and unique movie.
[...] Acting, control and General Hospital [...]
Nice comments on soap actors. We watched you on GH..there are many fans of Daytime out there that really appreciate your take on the genre. MOCA shoot should be interesting.
We're all really lucky to have James Franco, both his insights and his performances, thanks for a really great read.
seriously, this must have been written for a high school newspaper.
he needs to stick to acting because nothing he writes is of any importance/originality.
Thank you, Mr. Franco and keep illuminating the screens, large and small.
It nice to see that the privileged, famous elite can still buy as many degrees as they would like while people who truly deserve spots in these schools can't afford to go. Franco sends his assistants to class to do his work while he is out shooting soap operas, so I'm sure that makes it much easier to have so many MAs. Ah, the Ivy League...
It seems James Franco will never understand the soap genre, and he's not even trying to. Soap opera actors give "brooding, tortured, nuanced [and] emotional" performances all the time, and they certainly aren't "mumbling dope[s] with bad eye makeup." It would be nice if he looked into the performances of David Canary, Ruth Warrick, Louis Edmonds, Judith Light, Robin Strasser, Jonathan Jackson, Eden Riegel, James Mitchell, and many more. These soap opera actors have places in the hearts of their fans for the sheer brilliance of their performances and their understanding of the characters they play(ed).
In contrast, film actors as a group are certainly not transcendent. It baffles me how an actor known for a role in comic book movies is constantly belittling soap operas under the guise of understanding them. Guests on soap operas have ranged from the lovely Elizabeth Taylor to the humorous Snoop Dogg to the genius Warren Buffet. Thankfully, these wonderful guest stars were positive and never demeaned the performances or artistry of others working in this genre.
Well, the only thing that matters is that he can think critically. An actor who needs to be intellectually stimulated should be praised or at least appreciated. Thanks James.
He sent his staff to class for him? or his profs gave him his grades? I dont think he wrote this article at all....it looks like it was written for him..more staff, I think. He will be found out.
I think some of the stuff that Brando revealed in Last Tango was about his own life. Interesting article, I suppose it's a question of whether a performance in anything, soap or movie, means something to the actor and the viewer/audience. Btw, I first saw James Franco in City by the Sea, a few weeks ago and thought he was electric. I've since seen Milk, Tristan and Isolde and Pineapple Express. Franco is always a totally different person. You have to hand it to him for delving into exciting artistic pursuits. Also I think he does attend class, people are always posting how they've met or seen him at various universities. One other thing, a recommendation for James Franco-if you dont already-read Truman Capote!!!
Mr. Franco, if you're reading this comment, I want you to know that there are many people who are supportive of your interest in academia and "eclectic" (weird! crazy!) artistic pursuits. Why do people need to demean others when they don't know the first thing about that person? In fact, I commend you for doing what you love and lead your life your way. The great actors you mentioned were great and larger than life due to the persona that the studios and/or directors help create. They make enduring heroic figures or Hollywood stars, but what does it do to the actors themselves? No wonder the actors feel empty and turn to drugs. Speaking of drugs, if all the naysayers can say about you is that you looked stoned (since you're tired from all the classes you've taken) then that's a good problem to have. You have actually inspired me to go back to school and pursue a PhD. How many actors can inspire their fans to do that?
Here's my observation of Mr. Franco: During his interviews his face and tone of voice is usually so expressive, they are analogous to a finely tuned instrument - they are so precise and accurate that acting seems like an exercise of imagining how something feels, and his face will simply project the feeling without the need to act. The best example of (what I call) the "not act, but feel" method is his brilliant portrayal of Aron Ralston in 127 hours. In the movie, he can look bewildered in one moment, mildly confused in the next or completely nuts. While I usually watch a show to find out how a story unfolds, in this story, Mr. Franco's expressions became the movie.


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CLEARWATER, Fla. (May 20, 2014) – Led by senior Nick Favatella (Washington Township, N.J.) earning first-team honors, six members of the Rutgers baseball team were named All-American Athletic Conference Tuesday at the tournament banquet. Five players picked up a spot on the third team – sophomore Howie Brey (Middletown, N.J.), freshman Mike Carter (Bloomfield, N.J.), senior Brian O'Grady (Warminster, Pa.), senior Pat Sweeney (Sparta, N.J.) and junior Vinny Zarrillo (Forked River, N.J.).
The last time RU had six earn all-conference accolades was 2007.
After making the second team last season in the BIG EAST, Favatella becomes the first Rutgers second baseman to notch first team since Dave Marcinak in 1998. He is hitting .298 on the season and leads the offense with 41 runs, 15 doubles and 22 extra base hits. Favatella has started the last 197 games (fourth-longest active streak in the nation) and ranks second in school history with 799 career at bats, third with 248 hits, ninth with 159 runs, ninth with 12 triples and tied for ninth with 46 doubles. In addition, he had a walk-off single in the 12th inning versus USF, entering the postseason hitting 14-for-32 (.438) over the last eight games.
Brey has started the opening game of a series on the mound 10 times this season to pick up his first all-conference honor. He permitted two runs or less in seven starts to total a 2.87 ERA, allowing opposing hitters to a staff-low .215 average. The left-hander tossed two complete games, including one run surrendered over nine innings versus USF.
Carter becomes the first RU freshman to take home all-conference since Steve Nyisztor in 2010. The centerfielder led all freshman hitters in the league with a .323 season average and ranked fourth overall with a team-best .355 mark in conference games. Carter led the Scarlet Knights with eight multiple-RBI games and knocked in 33 altogether from the leadoff spot in the order. He is the seventh Rutgers true freshman since 2000 to record at least 55 hits in a season.
O'Grady registered all-conference at first base after being third team as a sophomore outfielder in 2012. He ranks fourth in the conference in slugging (.505), sixth in average (.333) and second in triples (five), also being second on the team with a .410 on-base percentage. O'Grady leads RU with 10 multiple-hit games, including three with four hits, and hit a walk-off home run in the bottom of the 14th inning to beat Temple May 2. He is tied for the team lead with 64 hits and 13 steals. The veteran is third in program history with 759 career at bats and eighth with 244 hits.
Sweeney joins the ranks of all-conference after breaking through to hit .342 during the regular season, the third-highest mark in the league. He leads the team with a .435 on-base percentage and is the second toughest batter to strikeout in the conference (once every 11.1 plate appearances). A candidate nationally for both the Wallace Award (top shortstop) and Olson Award (breakout player of the year), he had a stretch of reaching base in 10 consecutive trips this season and had at least two hits in 16 different games.
Zarrillo takes a spot in the third-team outfield after collecting 38 RBIs and hitting .306 during the regular season. He had a 12-game hitting streak during the year and batted .402 with runners in scoring position, also tying the team lead with 13 steals. The cleanup hitter hit a three-run home run in the middle game at Memphis on the way to a career-high four RBIs in the victory. He is sixth in the conference with 32 walks and was named Preseason All-American Athletic Conference in a vote of the league's coaches prior to the season.
Rutgers (29-23, 14-9) will open the American Athletic Conference Championship as the No. 4 seed Wednesday at 7 p.m. against USF at Bright House Field.
Follow Rutgers Athletics on Facebook and Twitter (@RUAthletics) for all of the latest news and updates. For specific updates regarding baseball, follow the program on Twitter @baseballRU and Tumblr.


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Andrew on Flight Exam V1 5c at the roaches skyline very far boulders
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Problem: flight exam
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Report: #Steelers LB Sean Spence To Begin Practicing Next Wednesday
Report: #Steelers LB Sean Spence To Begin Practicing Next Wednesday
Starting next week, Pittsburgh Steelers second-year linebacker Sean Spence will be eligible to begin practicing with the team if deemed healthy enough to do so. According to Mark Kaboly of the Pittsburgh Tribune-Review in a Friday interview on the David Todd Show, Spence will indeed begin practicing next week and will be removed from the PUP list. "He is going to practice Wednesday," said Kaboly of Spence. "They have three weeks to be able to activate him." http://bit.ly/1cadbDX
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Anonymous asked: Hello, I wanted to know why they are shutting wiki leaks down, former anon's and others provided good information for the site, but then their were those whom tried to shut it down and, or rob it. The site was a magnificent creation in many ways we can all agree, providing so much.
The long and short of it is that WikiLeaks is currently broke.
The link above explains how and why.
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- futurejournalismproject posted this


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About Me
Random musings and events with Brink. A beautiful red head boy with autism.
Anyone using this word to describe me or my friends that advocate for their children will be blocked. It is a made up word used as an insult. No such word exists in the dictionary. A bully is a bully no matter what they call themselves or what disorder they claim to have. May you all be blessed and kind to one another in the future. :)
- no dictionary results
allistic isn't defined yet.
The word you've entered isn't in the dictionary. Click on a spelling suggestion below or try again using the search bar above.
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- vooscrazylife reblogged this from brinkshijinks and added:
AGAIN, the word "allistic" is in NO dictionary. Please read the OP.
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- 49yearoldmagicalgirl reblogged this from brinkshijinks and added:
The word just means not autistic. It wasn't made for bullying. It was made because there are people who are not...
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Welcome to the contact and details page for New Look in Colliers Wood. StoreLocate.co.uk is a store finder for the UK and provides shopping location information for UK stores. Please see below for the New Look Colliers Wood opening and closing times, the New Look Colliers Wood phone number and a local map to help you find exactly where the New Look in Colliers Wood is located.
The New Look in Colliers Wood is one of a chain of New Look stores that can be found across the UK. We provide information on shops throughout the UK – quickly find the store details you are looking with StoreLocate.
Address for New Look Colliers WoodUnit 5 The Tamdam Centre
South London
Telephone: 0208 687 9900
New Look in Colliers Wood Store Opening Times:
Use Google maps to find exactly where the New Look in Colliers Wood store is located. Click the map and zoom in and out to help you plan directions to the Colliers Wood, New Look store.
This is the New Look in Colliers Wood store information page, but please see below for nearby stores in this area:
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Southern Living NOVEMBER 1999
Stir together first 10 ingredients; reserve 1/2 cup marinade, and chill. Pour remaining marinade into a large heavy-duty zip-top plastic bag. Add meat cubes; seal and chill 8 hours. Drain, discarding marinade.
Thread meat and vegetables onto 12-inch skewers.
Grill, covered with grill lid, over medium-high heat 16 minutes, basting with reserved marinade and turning often.
Go to full version of
Marinated Beef Kabobs with Vegetables recipe


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"Hi Katy, just wanted to send you a message for your 2013 my love. Well to start with I know your 2012 was shit but yeah, you managed right? With the help of blades, scissors and some lovely pills they don't help most people but they worked for you right? All that blood and the times you wanted to die, that must have been a highlight for you right? Aw love, I hope your 2013 is better, full of more blood and maybe you will succeed in ending life right? Well see you at school, maybe your friends will still like you? Or not because no one wants to be friends with a little freak right? - Love you sweetheart - her name."
Yes, I did just get that message. What an end to my 2013!!
Posted on December 31st at 10:17 PM
Has a total of: 3 Notes


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Achieve Academic Excellence While Pursuing Your Passion.
Heritage Academy is dedicated to providing progressive differentiated instruction for students who are pursuing an extra-curricular passion and to fostering within students a responsibility and a motivation for learning, a moral respect for personal dignity, and a commitment to accountable global citizenship. Heritage Academy is the top choice for serious scholar-athletes who need flexible course scheduling, individualized programming, freedom to attend competitions, and to work alongside a faculty whose charge it is to challenge them academically and support their passion.
Heritage Academy Students of the Month for April 2014 ~ EffortCongratulations to our April 2014 Students of the Month Will White ~ Samantha Huang ~ Dazhuang Li ~ Millenia Ohara
February and March 2014 Students of the MonthCongratulations to Heritage Academy's February & March 2014 Students of the Month!
AcademicsBe proud of your grades! 100% of Heritage Academy students who apply to a university are accepted at schools of their choice around the world. Differentiated programs make your achievements attainable.
"Attending Heritage Academy was, without a doubt, the most amazing experience of my life. I was able to pursue my passion while taking advanced and AP courses in a personal friendly environment. My teachers gave me the confidence I needed to believe in myself and to succeed; it was because of them that I was able to make an early commitment to a competitive college." – Elkie Van den Beemt, Class of 2011 and St. Lawrence University Tennis Standout
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Admissions assistants are standing by to discuss your options and help find the right fit for you at the Heritage Academy. Feel free to call with questions or just find out more about our programs. Call today! 843-842-8600
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Heritage Academy congratulates Class of 2014In arguably the most exciting time of the year, the Heritage Academy proudly celebrated the graduation of 36 intelligent and successful senior students on May 22, 2014. As students began finishing their final exams and wrapping up year-end passion area […]


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G.H.A.S (Great Horwood and Singleborough) Youth Club for Young People aged 11yrs-16yrs.
Chairman's Annual Report.
The idea of a Youth Club began at a Church Away Day in the Autumn of 2009, when we were discussing how better St James Church could serve the Village, most especially the Young People. Additionally we were aware that the Parish Plan had concluded that more recreational facilities were needed for the Youth of the Village.
We sent out questionnaires to all the Village households and received a positive response to the idea. We, therefore, set up a planning committee of interested Adults and Young People who emphasised how important a Youth Club would be to sustain friendships especially at the time when they leave the village by different modes of transport to go to disparate Secondary Schools.
The Planning Committee agreed the Aims of the Youth Club to be:-
Initial funding to set up the Youth Club came from Bucks County Council, St James Church and the Lord of the Manor. The Young People on the Planning Committee suggested a variety of activities to appeal to all tastes and interests.
G.H.A.S commenced in September 2010, with Ann Harwood (Curate) as leader and we now have 39 Young People registered who regularly meet in the Village Hall on Monday evenings.
Some Young People's Views:-
"Great Horwood Youth Club is really fun and all the activities are great, there are new things each week"
"Tonight we have done sumo wrestling which was really enjoyable. The adults are friendly and help you if you are stuck"
"I think the Youth Club is amazing. It's a great place to socialise"
We have attempted to offer a variety of activities ranging from table tennis, Wii games, softball tennis, craftwork, giant jenga etc etc. Additionally because we are affiliated to Action4Youth we have been able to purchase activities on offer from them which have included sumo wrestling and Mod Roc, plus the I van and sports cage from Bucks County Council.
The young people suggested being involved in the Community and so we organised for them to weed the Churchyard on a club night, followed by takeaway pizzas.
We have been very fortunate in being able to recruit Helen as our new leader, when Ann married and moved to London. Helen is ably supported by a team of volunteers without whom the club would not be able to continue.
I would like to sincerely thank David, our treasurer, Louise our Child Protection officer, Chris our secretary, Lucy who knows where everything is and how everything works, Amy our regular friendly and reliable helper, Liz our arty crafty volunteer, and Jeannie and Janthea who come along to help when their time permits. Also I must not forget Imi, and Jake, who played a pivotal part in setting up the Youth Club and regularly attend to run the tuck shop, help with Activities and clearing up at the end of the evening.
I think it would be fair to say that setting up and running the Youth Club has been a "learning experience" for many of us….most especially me!
I hope that we will continue to listen to the Young People's ideas, that we will continue to offer a fun and supportive Youth Club and that we will be able to attract more volunteers to help run the Youth Club in order that it will become a permanent resource for years to come.
Monica Gilbey, Chair Management Committee.
Youth Club
Following a meeting of the P.C.C and their awareness of the conclusion of the Village Plan that more activities were needed for the Youth of the Village the idea of setting up a Youth Club began.
Consultation with the Youth of the Village was carried out and after many meetings and affiliation to Action4Youth and obtaining funding from the Church, Bucks County Council and the Lord of the Manor our Youth Club commenced in September this year.
There has been a positive response from all of the Young People and their Parents/Carers. We meet on the 1st, 3rd and 4th Monday of each month in the Village Hall from 7pm – 8.30pm . We have a variety of activities on offer including table tennis, Wii machine, table top snooker and football, Tuck shop, arts and crafts etc etc.The Youth Club is intended for Young People between the ages of 11 and 16 years.
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Table of prime factors
The tables contain the prime factorization of the natural numbers from 1 to 1000.
When n is a prime number, the prime factorization is just n itself, written in bold below.
The number 1 is called a unit. It has no prime factors and is neither prime nor composite.
See also: Table of divisors (prime and non-prime divisors for 1 to 1000)
Many properties of a natural number n can be seen or directly computed from the prime factorization of n.
- The multiplicity of a prime factor p of n is the largest exponent m for which pm divides n. The tables show the multiplicity for each prime factor. If no exponent is written then the multiplicity is 1 (since p = p1). The multiplicity of a prime which does not divide n may be called 0 or may be considered undefined.
- Ω(n), the big Omega function, is the number of prime factors of n counted with multiplicity (so it is the sum of all prime factor multiplicities).
- A prime number has Ω(n) = 1. The first: 2, 3, 5, 7, 11 (sequence A000040 in OEIS). There are many special types of prime numbers.
- A composite number has Ω(n) > 1. The first: 4, 6, 8, 9, 10 (sequence A002808 in OEIS). All numbers above 1 are either prime or composite. 1 is neither.
- A semiprime has Ω(n) = 2 (so it is composite). The first: 4, 6, 9, 10, 14 (sequence A001358 in OEIS).
- A k-almost prime (for a natural number k) has Ω(n) = k (so it is composite if k > 1).
- An even number has the prime factor 2. The first: 2, 4, 6, 8, 10 (sequence A005843 in OEIS).
- An odd number does not have the prime factor 2. The first: 1, 3, 5, 7, 9 (sequence A005408 in OEIS). All integers are either even or odd.
- A square has even multiplicity for all prime factors (it is of the form a2 for some a). The first: 1, 4, 9, 16, 25 (sequence A000290 in OEIS).
- A cube has all multiplicities divisible by 3 (it is of the form a3 for some a). The first: 1, 8, 27, 64, 125 (sequence A000578 in OEIS).
- A perfect power has a common divisor m > 1 for all multiplicities (it is of the form am for some a > 1 and m > 1). The first: 4, 8, 9, 16, 25 (sequence A001597 in OEIS). 1 is sometimes included.
- A powerful number (also called squareful) has multiplicity above 1 for all prime factors. The first: 1, 4, 8, 9, 16 (sequence A001694 in OEIS).
- An Achilles number is powerful but not a perfect power. The first: 72, 108, 200, 288, 392 (sequence A052486 in OEIS).
- A square-free integer has no prime factor with multiplicity above 1. The first: 1, 2, 3, 5, 6 (sequence A005117 in OEIS)). A number where some but not all prime factors have multiplicity above 1 is neither square-free nor squareful.
- The Liouville function λ(n) is 1 if Ω(n) is even, and is -1 if Ω(n) is odd.
- The Möbius function μ(n) is 0 if n is not square-free. Otherwise μ(n) is 1 if Ω(n) is even, and is −1 if Ω(n) is odd.
- A sphenic number has Ω(n) = 3 and is square-free (so it is the product of 3 distinct primes). The first: 30, 42, 66, 70, 78 (sequence A007304 in OEIS).
- a0(n) is the sum of primes dividing n, counted with multiplicity. It is an additive function.
- A Ruth-Aaron pair is two consecutive numbers (x, x+1) with a0(x) = a0(x+1). The first (by x value): 5, 8, 15, 77, 125 (sequence A039752 in OEIS).
- A primorial x# is the product of all primes from 2 to x. The first: 2, 6, 30, 210, 2310 (sequence A002110 in OEIS). 1# = 1 is sometimes included.
- A factorial x! is the product of all numbers from 1 to x. The first: 1, 2, 6, 24, 120 (sequence A000142 in OEIS).
- A k-smooth number (for a natural number k) has largest prime factor ≤ k (so it is also j-smooth for any j > k).
- m is smoother than n if the largest prime factor of m is below the largest of n.
- A regular number has no prime factor above 5 (so it is 5-smooth). The first: 1, 2, 3, 4, 5, 6, 8 (sequence A051037 in OEIS).
- A k-powersmooth number has all pm ≤ k where p is a prime factor with multiplicity m.
- A frugal number has more digits than the number of digits in its prime factorization (when written like below tables with multiplicities above 1 as exponents). The first in decimal: 125, 128, 243, 256, 343 (sequence A046759 in OEIS).
- An equidigital number has the same number of digits as its prime factorization. The first in decimal: 1, 2, 3, 5, 7, 10 (sequence A046758 in OEIS).
- An extravagant number has fewer digits than its prime factorization. The first in decimal: 4, 6, 8, 9, 12 (sequence A046760 in OEIS).
- An economical number has been defined as a frugal number, but also as a number that is either frugal or equidigital.
- gcd(m, n) (greatest common divisor of m and n) is the product of all prime factors which are both in m and n (with the smallest multiplicity for m and n).
- m and n are coprime (also called relatively prime) if gcd(m, n) = 1 (meaning they have no common prime factor).
- lcm(m, n) (least common multiple of m and n) is the product of all prime factors of m or n (with the largest multiplicity for m or n).
- gcd(m, n) × lcm(m, n) = m × n. Finding the prime factors is often harder than to compute gcd and lcm with other algorithms which do not require known prime factorization.
- m is a divisor of n (also called m divides n, or n is divisible by m) if all prime factors of m have at least the same multiplicity in n.
The divisors of n are all products of some or all prime factors of n (including the empty product 1 of no prime factors). The number of divisors can be computed by increasing all multiplicities by 1 and then multiplying them. Divisors and properties related to divisors are shown in table of divisors.
1 to 100[edit]
If numbers are arranged in increasing columns of n numbers, then the prime factors of n will occur in the same row each time. The table columns have 20 = 22·5 numbers, so the prime factors 2 and 5 occur in fixed rows.
101 to 200[edit]
201 to 300[edit]
301 to 400[edit]
401 to 500[edit]
501 to 600[edit]
601 to 700[edit]
701 to 800[edit]
801 to 900[edit]
901 to 1000[edit]


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-Re: HBase table truncate
Thanks for the clarification. Upon first read I thought that this was a
start of a discussion on putting writing a delete tombstone - I have had
too many "transactional delete vs. truncate data files" conversations and
I focused too much on that part. :-)
On 4/10/13 1:35 PM, "Matteo Bertozzi" <[EMAIL PROTECTED]> wrote:
>On Wed, Apr 10, 2013 at 6:27 PM, Doug Meil
><[EMAIL PROTECTED]>wrote:
>> re: "truncate is supposed to be more like a "delete_all","
>> In an RDBMS an "truncate" doesn't do "delete all", it actually whacks
>> underlying files to clear the table (or a particular partition, if you
>> happen to have an RDBMS that supports partitioning).
>You've missed the important part "requiring just the ability to delete all
>the rows in the table" on purpose?
>Do you think that truncate should stay as it today requiring the same
>rights as "CREATE TABLE"?
>in this case, a use may be able to delete rows from the table but not run
>truncate the table
>because it doesn't have enough rights to recreate it.


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The ANS Nuclear Café is the social media outlet for bloggers to submit articles on all things nuclear. This daily blog site is the visible symbol of ANS's leadership role in the nuclear social media sphere.
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Category: Business Planning
The green arrows are mostly pointing upward on the Tatum Survey this month. Sam Norwood tells Jim Blasingame that while we've still got a long way to go to get out of this downturn, and while we still don't like the economic numbers, we've got to like the trend.
Can you still get top dollar for your business, even in a recession? Steve Kaplan joins Jim Blasingame to provide tips and best practices on how to structure a business sale so you get the maximum price, even in a challenging economy.
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If you need to hire, or retain, high-performing employees, perhaps the best way is through a deferred compensation plan. Brett Ellen talks with Jim Blasingame about how these plans work and why you should consider them as part of your company's long-term strategy.
Is the government helping or hurting the economy, and how does it look for 2009 and beyond? Bill Conerly joins Jim Blasingame to talk about these issues including the role 2009 will play in getting us ready for 2010.
Small businesses report this month that the economic factors they face are mixed - some good some not so much. Bill Dunkelberg joins Jim Blasingame to report on this month's economic conditions, plus the impact of government policies on small business.
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Fine Art contemporary original paintings on canvas in an abstract expressionist style, Dance Series Paintings, inspired by Alvin Ailey's Ballet "Revelations" re-created as Giclee on canvas, and Limited edition hand-signed Judaica Lithographs, by award-winning artist Rochelle Blumenfeld. Her work has been included in many exhibitions in the U.S. and Europe, and in many private and public collections including the Carnegie Museum of Art, Pittsburgh PA.
Some of the paintings in the changing visual Fine Art Gallery are available for purchase. Dance Series are individually created as Limited Edition Giclee on Canvas and hand-signed. Judaica Lithographs feature different Jewish holidays and Shabbat. They make meaningful gifts for many occasions. Commissions are considered and can be discussed.
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An RVC student's film has been selected for Beloit International Film Festival.
Rock Valley College Mass Communication student Tom Doherty's film, The White Room, has been selected for the Beloit International Film Festival.
The White Room is a powerful, emotional, psychological drama that follows a young man who wakes up trapped and confused in a mysterious room with no recollection as of how he came to be there.
The events of the film play out in an unforeseeable direction that will leave a lasting impact on your life.
The Beloit International Film Festival will take place February 14 - February 23, 2014. For more information on the films and screening dates and locations, go to beloitfilmfest.org.
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North Stanly High - School Profile
Enrollment Information (2009-2010 school year)
Helpful Resources
Corrections to the school database are encouraged! School Edit Form.
North Stanly High - School Boundaries Map (School Attendance Zone)
Nearby Public Schools (within a 15-mile radius)
North Stanly High, NC
(< 0.1 mile)
New London Choice Middle, NC (1.4 miles NNW)
Kendall Valley Elementary, NC (1.8 miles SW)
Richfield Elementary, NC (3.9 miles NW)
Albemarle High, NC (4.1 miles SSE)
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(4.5 miles S)
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The FEMA Helpline is available 24 hours a day, seven days a week, to New Jersey residents looking for information about disaster aid or checking the status of their application.
The number for the FEMA helpline is 1-800-621-FEMA (3362). Those who use 711 or video relay service should call 800-621-3362. Once residents are registered, they can get information and help in regards to many of their questions.
Residents are also urged to visit FEMA Disaster Recovery Centers, which are set up in various locations throughout the state.
A list of locations can be found here.


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Following the successful completion of their second weekend of entertainment, Coachella has released an official video aptly titled "Thank You" as a show of appreciation to those that braved the heat, dust and crowds. Showcasing performances by the likes of Girl Talk, CHVRCHES, Maceo Plex, Lorde, Lucent Dossier Experience, OutKast, Duck Sauce, Empire of the Sun and more, festivals organizers seem to dismiss the notion that "bigger" doesn't necessarily mean "better." Until next year…
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|HAL: in2p3-00721798, version 1
|Detailed view
|Export this paper
|Journal of Physics A: Mathematical and Theoretical 45 (2012) 244005
|Fermionic Coherent States
|M. Combescure1D. Robert2
|The aim of this paper is to give a self-contained and unified presentation of a fermionic coherent state theory with the necessary mathematical details, discussing their definition, properties and some applications. After defining Grassmann algebras, it is possible to get a classical analog for the fermionic degrees of freedom in a quantum system. Following the basic work of Berezin (1966 The Method of Second Quantization (New York: Academic); 1987 Introduction to Superanalysis (Dordrecht: Reidel Publishing Company)), we show that we can compute with Grassmann numbers as we do with complex numbers: derivation, integration, Fourier transform. After that we show that we have quantization formulas for fermionic observables. In particular, there exists a Moyal product formula. As an application, we consider explicit computations for propagators with quadratic Hamiltonians in annihilation and creation operators. We prove a Mehler formula for the propagator and Mehlig-Wilkinson-type formulas for the covariant and contravariant symbols of 'metaplectic' transformations for fermionic states.
|IPNL - Institut de Physique Nucléaire de Lyon
|LMJL - Laboratoire de Mathématiques Jean Leray
|Mathematics/Mathematical Physics
Physics/Nuclear Theory
|in2p3-00721798, version 1
|From: Dominique Girod
|Submitted on: Monday, 30 July 2012 14:17:52
|Updated on: Tuesday, 31 July 2012 10:47:31


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2012 Hockey Independent Mock Draft: Selections 6-10; The Run On Defensemen Begins
Benjamin Woodward | Jun 04, 2012 | Comments 3
The Hockey Independent crew has come together again; this time to piece together a 2012 NHL Mock Draft for your reading pleasure. The contributing authors to today's piece will be Cris Cohen (New York Rangers), Seth Levin (New Jersey Devils), Alex Muscat (Detroit Red Wings), Bill Philp (Tampa Bay Lightning) and myself, Benjamin Woodward(Boston Bruins). Each of us have taken on the role of armchair general manager for the sake of this feature. All five of us will have the responsibility of making six selections in the draft, taking into account team needs, talent and other factors when making our decisions. We will be releasing the mock draft in six parts, with five selections in each.
Part I –> 1-5 (Edmonton, Columbus, Montreal, New York Islanders, Toronto)
Part II –> 6-10 (Anaheim, Minnesota, Carolina, Winnipeg, Tampa Bay)
Part III –> 11-15 (Washington, Buffalo, Dallas, Calgary, Ottawa)
Part IV –> 16-20 (Washington, San Jose, Chicago, Tampa Bay, Philadelphia)
Part V –> 21-25 (Buffalo, Pittsburgh, Florida, Boston, St. Louis)
Part VI –> 26-30 (Vancouver, Phoenix, New York Rangers, Los Angeles, New Jersey)
Without further ado, here is Part II of our 2012 NHL Mock Draft……
6) Anaheim Ducks — Griffin Reinhart (D) — Edmonton Oil Kings (WHL)
GM: Benjamin Woodward
Synopsis: With uber-prospect Justin Schultz nearly ready to make the jump to the NHL and budding superstar Cam Fowler already patrolling the Anaheim blueline, the Ducks' defense corps look to be in good shape for the future. The addition of Griffin Reinhart will give Anaheim a player with the potential to become the legit top-pairing shut-down defenseman that's been missing from their back-end. Not only is Reinhart a stalwart in his own end, but also isn't afraid to jump up into the play and create offense, as evidenced by his 36-point (12G/24A) season for the Edmonton Oil Kings in 2011-'12. A rare combination of size, skill and skating ability is what sets this second generation prospect apart from the other blueliners expected to be called to the podium on June 22. Also, in an uncharacteristically small draft class, the possibility exists that Reinhart could be the only player standing more than 6'3″ drafted in the first round. That fact alone gives the Vancouver, BC native a major advantage heading into this year's draft.
NHL Comparable: Brent Seabrook (Chicago Blackhawks)
7) Minnesota Wild — Mathew Dumba (D) — Red Deer Rebels (WHL)
GM: Cris Cohen
Synopsis: Impressive skating ability? Check. A willingness to punish the opponent with hard hits? Check. Leadership qualities? Check. The gift of offensive capabilities? Check. Dumba finished second on the Rebels in scoring in 2012 (20 G, 37 A in 59 games) and led all players in scoring at the 2012 World U18 Championship, where he captained Team Canada to a bronze medal. He plays far more physical than one might expect from someone who is 6′, 180pounds and will need to get bigger to give and take the punishment at the NHL level. Dumba plays a high-risk, over-aggressive style and will need to learn when to pick and choose his spots so as to not be a liability to his team. Dumba probably won't make the jump to the NHL next year, as he will need time to continue to develop physically and improve on his defensive game.
NHL Comparable: Dion Phaneuf (Toronto Maple Leafs)
8) Carolina Hurricanes — Cody Ceci (D) — Ottawa 67′s (OHL)
GM: Alex Muscat
Synopsis: Ceci's stock rose as the season went on, finishing the regular season with 17 goals and 43 assists in 64 games with the 67s. He's got great mobility, makes smart plays with the puck, and is rarely out of position. The Hurricanes need a quarterback on the power play and Ceci is that guy.
NHL Comparable: Brian Campbell (Florida Panthers)
9) Winnipeg Jets — Morgan Rielly (D) — Moose Jaw Warriors (WHL)
GM: Seth Levin
Synopsis: The Winnipeg Jets can certainly use a mobile offensive minded defenseman for their team, and no one has more skating ability and offensive potential from the back-line in the draft than Morgan Rielly, from Moose Jaw of the Western Hockey League. Rielly is considered a gifted offensive skater, with great vision to see thing developing all over the ice and has been compared by some to former Winnipeg Jet and NHL great Phil Housley. Being that Rielly was limited to just 23 games this year (18 regular season & five playoff), because of an ACL tear in his knee is the biggest question mark hanging over Rielly. The fact he made it back for the playoffs and he contributed three assists in those five games should give some comfort to those concerns as he appears to have returned to health. While not a true defensive defenseman, Rielly offers too much upside offensively to pass up for Winnipeg at the 9th pick in the draft.
NHL Comparable: Dan Boyle (San Jose Sharks)
10) Tampa Bay Lightning — Jacob Trouba (D) — U.S. NTDP Under-18
GM: Bill Philp
Synopsis: Despite his age (18) Trouba is a very polished defenseman with good size (6'2", 194 lbs.) and tremendous skating ability in all three zones. He is the holy grail of NHL defensemen, a right handed, puck moving blue liner with a heavy shot. He is what the Lightning hasn't had since Dan Boyle played in Tampa Bay. He should develop into a solid first pair defenseman with lefty Victor Hedman…a pairing that would dominate the Bolts back end for years to come.
NHL Comparable: Alex Pietrangelo (St. Louis Blues)
Filed Under: Anaheim Ducks • Carolina Hurricanes • Eastern Conference • Featured • Minnesota Wild • NHL • NHL Teams • Prospects • Rumors • Satire • Tampa Bay Lightning • Western Conference • Winnipeg Jets
About the Author: Boston Bruins writer for Hockey Independent. Michigan Fan. Street Hockey Agitator. My work has been featured at the New England and New York Hockey Journals, The Hockey Guys, and SB Nation Boston. Follow me on Twitter @_BWoodward or shoot me an email at email@example.com!
Comments (3)
lets hope this is as accurate of your trade deadline pickups trades i remember you saying the Devils have 0 chance this year hahah
Wow! This is a truly exceptional article. Your points are sound and interesting and your content is clear. Thank you for caring about your material.