text:
The Georgia Commission on Family Violence and the Georgia Coalition Against Domestic Violence this week issued Georgia's 2012 Domestic Violence Fatality Review Report. The statewide agencies involved in the project's undertaking work with local teams to review domestic violence-related deaths and learn how Georgia can respond more effectively and prevent more fatalities from occurring. The report analyzes domestic violence homicides in the state and provides recommendations for lowering homicide rates.
For Bartow County Sheriff's Office Domestic Violence Unit Victim's Advocate Terrie Southerland, family violence is an all-too-real occurrence.
"I think it's a lot bigger than people realize. Obviously, when people go out on a 911 call, it could be a medical emergency, but a lot of times, it's someone's threatened somebody," she said. "I don't know the statistics, of course. … Domestic-related calls are pretty high."
BCSO Investigator Sgt. Jonathan Rogers said domestic violence-related reports rank as one of the most frequent calls deputies receive based on his research.
"I'd say, at least on average, probably at least a quarter — say in a 24-hour period — at least a quarter of those cases are domestic-violence related, whether it's just a verbal argument or murder or battery or whatever," he said.
Included in the stack of literature Southerland makes available is the pamphlet victims receive when deputies respond to a domestic call.
According to the brochure, under the Family Violence Act, outlined in Official Code of Georgia Annotated 19-13-1, family violence "means the occurrence of one or more of the following acts between past or present spouses, persons who are parents of the same, parents and children, stepparents and stepchildren, foster parents and foster children, or other persons living or formerly living in the same household: (1) any felony; or (2) commission of offenses of battery, simple battery, simple assault, assault, stalking, criminal damage to property, unlawful restraint, or criminal trespass."
Georgia ranked 10th in the nation for men killing women in single-victim homicides, most of which are domestic violence murders, according to a study conducted by the Violence Policy Center.
"Over the past 10 years, the Project has recorded the deaths of over 1,200 Georgians due to domestic violence. In 2012, we recorded the deaths of 128 Georgians due to domestic violence. Already this year in Georgia, 34 people have lost their lives," according to a Georgia Commission on Family Violence press release.
The fatality review reported no domestic violence-related homicides for Bartow County for 2009 through 2012, with seven deaths listed for 2003 to 2008. Neither Southerland nor Rogers agree with those figures.
"There was a question about how these folks were getting their statistics," Southerland said.
For 2013, Bartow County already has two family violence-related homicides — the murder-suicide involving a clerk at Barnsley Gardens Resort and the shooting death of a Cartersville man earlier this month.
In the Barnsley case, Angela Player, 37, and Robert Brazell, 42, had divorced in January with no history of reported domestic violence.
Just 19 hours before she was killed, however, Player had filed a stalking report with the sheriff's office.
"She did [file a report], but there was no arrest made," Rogers said. "… She didn't file the report until the day of the actual incident. It was not even assigned to follow-up because of the way reports are reviewed in the morning and followed up on."
Southerland said she works with victims on a daily basis requesting a protective order.
"I get calls every day from typically women, again it could be a man, saying I need to get a restraining order or whatever," she said. "… Restraining orders are actually orders done by attorneys. That's going to cost them money. I do TPOs — temporary protective orders — for family violence victims and/or stalking orders of protection. It doesn't cost you anything other than the time … it takes to come do it and see a judge."
Before filing for a TPO, threat of violence or actual act of violence needs to have occurred, according to Southerland, who also encourages victims to file a report with law enforcement.
"I would recommend, if he's assaulted you, you need to make a report. You don't have to, but if you do, I think it looks more credible to the judge that she's concerned enough that she made a report with the officer. Let the officer determine if any charges can be made," she said. "Even if you don't want to do that, do you have any witnesses? Did a neighbor hear you scream? Do you have bruises you've taken pictures of? Did you tell a family member? … I do get protective orders for people who've never made a report."
Temporary protective orders, typically good for one year, are granted by a superior court judge and are listed on a national registry, making them accessible to any officer checking the driver's license of either victim or offender.
But, as Southerland pointed out, women like Player — those who have left the relationship — are the most susceptible to violence.
"A woman is most vulnerable when she has made the decision to leave, she's made steps to leave. She may have told him, 'I'm leaving you tomorrow. I'm filing for divorce.' Or she may have left," she said.
"The case last month, she had divorced this guy … He hadn't committed a crime [just being in the same location]. Anyone can make a report. I can tell Jonathan, 'My ex-husband is following me.' That's not a crime. A piece of paper [TPO] wouldn't have protected her," she added.
In 86 percent of the cases studied for the fatality review there was a history of domestic violence. According to the report, 42 percent of victims were between 35 and 44 years of age, and in 42 percent of the cases reviewed, the victim was between 15 and 24 years of age when the relationship began.
Greg Loughlin, executive director of the Georgia Commission on Family Violence, responded to the report in a press release, saying, "Now is the time to learn from these deaths and implement changes to prevent more people from dying."
The full report is available online at www.fatalityreview.com, and officials say the report is a call to action.
"Fatality reviews are a crucial part of learning how we can do things differently in Georgia to connect victims with resources and hold perpetrators accountable. We must join together, as legislators, citizens, law enforcement, faith communities and nonprofit groups to speak out about domestic violence, think critically about the gaps that exist in our communities, and identify crucial intervention points in the lives of victims and abusers," said Jan Christiansen, executive director of the Georgia Coalition Against Domestic Violence, in a release.
If you or someone you know is being abused, there are community and statewide resources available to you. Locally, the list of resources includes Victim Assistance at 770-387-5106, Tranquility House Women's Shelter 24-hour crisis line at 770-386-8779 or Southerland at 770-382-5050, extension 6362. Or call 1-800-33-HAVEN (voice/TTY), the toll-free, statewide, 24-hour hotline, for a confidential place to get help or find resources.
Some of the main findings of Georgia's 2012 Domestic Violence Fatality Review Report include:
• Firearms are the leading cause of death in domestic violence fatalities in Georgia, greater than all other methods combined. In 2012, 76 percent of domestic violence-related fatalities in Georgia were due to firearms.
"I can tell you that in neither of our recent ones did the offender or the person that shot, it was not their gun," said Bartow County Sheriff's Office Investigator Sgt. Jonathan Rogers.
• Victims are in contact with law enforcement at much higher rates than domestic violence programs. In reviewed cases, 77 percent of victims were in contact with law enforcement in the five years before the homicide.
• Faith communities are a leading source of support in the lives of victims. In reviewed cases, 30 percent of victims were actively involved in their faith community in the five years before the homicide.
• Employers and co-workers have the potential to increase victim safety through training on recognizing symptoms, supporting victims, and making referrals. In reviewed cases, 75 percent of victims were employed outside of the home at the time of the homicide.
• Children are impacted by these devastating fatalities. In 43 percent of reviewed cases, the victim and perpetrator shared minor children at the time of the homicide and children witnessed the homicide in 18 percent of the cases.


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l---+--,-"-'~~ AVE.
The parade starts promptly at noon each day of the Pow
Wow. The map below indicates the route it will follow. This
is a colorful spectacle with ceremonial dancers performing
briefly at various places along the parade route; rodeo performers
on horseback; and numerous Indian families riding
in their traditional wagons, displaying their most beautiful
jewelry, rugs and blankets. The parade participants are all
Indians. No whites are allowed to participate in any Pow
Wow event.
The rodeo performance begins promptly at 1: 30 o'clock each
afternoon, featuring some of the best rodeo events in the
Southwest. The participants are amatuer rodeo performers,
well-trained Indian cowboys who have more fun than the
spectators. In addition to the usual rodeo events of bronc
riding, team tying, bulldogging and bull riding, much fun is
derived from a few unscheduled events which always occur.
The annual beauty contest and baby show are also held during
the afternoon performance.
Beginning at full darkness, approximately 8 o'clock, this colorful
and spectacular show takes place in the Pow vVow arena.
The night ceremonial program is produced in the most authentic
surroundings possible, with the light of camp fires
highlighted by special lighting effects. Often it is very cool in
the evening, so in order to be comfortable and enjoy the show,
it is suggested that you bring a coat and blankets.
The Indians begin to arrive a few days before the Pow Wow
and an encampment forms in the Flagstaff City Park. You
will see numerous tents, cars, and pickup trucks serving as
shelter for the families attending the festivities. Each cowboys'
horse is tied, or corraled in a make-shift pen near his "camp",
and each family unit has its campfire where their meals are
prepared. Immediately in front of the grandstand will be
found small "shops" where the Indians sell their handiwork.
AVE'+_--+_+j;;;;;~~;;;~;:*:!:!~:;:;~;;:;:;:;:~= U.S.66 CAST
Tickets for all Pow Wow performances
are on sale at the Chamber of
Commerce, 101 West Santa Fe,
until the morning of July 3. The
ticket office will then be open in
front of the grandstand at the Pow
Wow grounds. All grandstand and
box seats are reserved. Tickets for
bleacher seats go on sale two hours
before each event. U.S. 66 WEST
3 I st Ann ual Southwest
.A.I. -I:.1disa,:.1 ~C>~ ~C>~
Official Publication of Pow Wow,
Published Annually
Paul E. Weaver, Jr.
Art Di rector
Barton Wright
Ray Manley
Printed and Published by
I 10 North Agassiz Street
Flagstaff, Arizona
Our special than ks to Dr. E. B.
Danson, Museum of Northern Arizona,
for his editorial assistance;
Robert Fronske for portra its of
~he Pow Wow Directors; W. H.
Troxell for his general photogr'aphic
help; Arizona Highways;
and the Pow Wow Directors for
their wholehearted cooperation.
The painting reproduced
on the cover is pa rt of the
permanent collection of the
Museum of Northern Arizona
. Painted in 1957 by
Robert Preston, a Hopi , it
depicts a classic Hopi Corn
Pow Wow, Inc., is a non -profit organiza tion
whose sole function is the staging of
the annual Pow Wow celebration. The
Board of Directors serve without pay.
The president is elected from the Board of
Directors for a two year period.
Directors pictured at right according to listing
Night Ceremonia ls, Parade
Night Ceremonials, Parade
Crowd Control and Grounds
T. M. KNOLES, Jr.
Rodeo, Parade
Secretary-Trea surer
LOGAN MORRIS Arena Director
To the many thousands of Indians all over the
Southwest, Flagstaff remains, as it has been since
the settlement took form so many years ago, a favored
camping and trading point for Indians and those
few early-day trappers, traders and seekers of new
frontiers. The towering, snow-capped San Francisco
Peaks are an important part in the legends and religious
beliefs of many Indian people and have always
been regarded by them a a "good place." There was
also excellent spring water, so the growing community
of Flagstaff repre en ted a friendly place to gather
for good times.
The Southwest All-Indian Pow Wow literally
"just grew" from the Indians' own making and the
untiring efforts of civic minded Flagstaff citizen . In
the late ' 20's, Flagstaff's annual 4th of July celebration
was suffering from a lack of interest and depleted
funds. Late in the summer of 1928, a group of Flag-taff
business men made a trip to nearby reservations
----- --...- ----
and invited the Indians to "come to town" for a
celebration. They offered free food in abundance,
garnes, races, and dances. The venture proved quite
a success. It gave the Indians a chance to buy supplies,
trade their goods, meet old friends, and make
new acquaintances; moreover, it provided for them a
cool break during a long, hot summer on the reservation.
For the local business man, the Indian celebration
was also a success.
In the early part of 1929, it was decided to hold
the Indian celebration on the 4th of July. At this
time, the name Pow Wow was promoted by Mr.
Loren Cress, a Flagstaff business man. For the first
few years, the Pow Wow focused strictly on Indian
o'ames and contests, some of the favorites being the
chicken pull and wild horse racing. They held beauty
contests and tugs-of-war. After a few ceremonial
dances were performed for the white spectators, the
Indians spent the remainder of the night dancing,
chanting and vlSltmg around their own campfires.
In a few short years the number of participants
and spectators had so increased that an organization
was formed to work on a year 'round basis to prepare
for the annual visit and fun fest. About this time
Gladwell (Toney) Richardson suggested a rodeo be
held to upplement the afternoon activities.
By 1934 the sponsors of the Pow Wow drew up
formal articles of incorporation; a certificate was
issued by the Arizona Corporation Commission on
March 21, 1934, with the following incorporators:
F. W. Moore, K. L. Webber, and M. J. Pilkington.
The organization was titled "Flagstaff Celebrations,
Inc.," but amended in 1938 to bear the name "Pow
Wow, Inc."
During the next seven years, efforts were made
to increa e the Indian participation in the Pow Wow
event. At fir t, flour, meat, coffee, sugar, water-melons,
and beans were issued to tho e who shared
in the activities. Within seven years the attendance
had 0 increased that the Pow Wow corporation built
cooking pits and offered hot meals each day to the
By 1942 the Pow Wow celebration developed into
a pattern of events, performances, and organization
similar to the present year's program: a daily parade,
rodeos held in the afternoons, and tribal dances given
in the evenings. The Indians were given the campground
at City Park where they could lodge their
wagons, build their campfires, and display for sale
their arts and crafts. The carnival arrived and estabIi
hed its amusement rides across the street from the
campground, offering popular entertainment for both
the Indians and visitors.
The Pow Wow remains today a completely local
function, with no city, county, or state tie-in or con-tro1.
All money raised from admis ions and entrance
fees is used for prize money, expenses of producing
the Pow Wow, and improvements for future shows.
The Committee members serve today, as they have
since the beginning of this all-Indian festival, with no
pay whatever, giving freely of their time and effort
for the betterment of the community and the thousands
of Indians who participate yearly. Aside from
the fact that the Pow Wow is the real-life pageant of
the American Indian and one of the few places in
the United States where so many different tribes
and customs can be observed by the white man, it has
served to improve the living conditions and attitudes
of the Indians themselves. They have replaced scrub
ponies with sleek quarter horses; their previously
skinny cattle, hardly able to stand the long trip to
town, are now well-cared for and fat animals that
provide more and better meat for the tribe. Truly,
the Pow Wow has proved a place of learning for both
the p:lfticipant and the spectator.
Even while this year's show is in progress, plans
are being made for the next year's performance. Before
the Indians break camp at the City Park for the
long trek home, designs for improving the 1960 show
will be in full motion. It is the constant striving for
better productions and the careful planning that has
made each Pow Wow a bigger and better success
throughout the years.
Today, the annual Pow Wow provides a festive
holiday for both the spectators and the Indian performers.
It is a colorful display of the Indian by the
Indian. Ever-increasing crowds witness the traditional
customs and feats of many American Indian tribes.
Young and old share an experience that not only entertains,
but celebrates an historic date, as wellAmerica's
Independence Day.
Once a year Flagstaff becomes the scene of a
unique pageant of the past as tribes of Indians from
all parts of the West re-enact native rituals, many of
which were already centuries old when the first
white man arrived more than 400 years ago. At the
Pow Wow visitors may see dances, hear songs, and
purchase Indian handicrafts that have been produced
in this area for over a thousand years.
Pictured to the right are members of the fourteen
resident tribes in Arizona. Listed below are a few
identifying characteristics of each:
THE HOPI: The Hopi live in compact villages,
called Pueblos, on three mesas roughly seventy-five
miles northeast of Flagstaff. Their ancestors had
lived in northeastern Arizona for over 2000 years
before they settled permanently on the mesas over
600 years ago. The Hopi are well known for their
craft work, particularly their carved and colorfully
painted wooden Kachina dolls, their fine pottery,
their coiled and wicker basketry, and in recent years
their overlay silver jewelry.
THE NAVAJO: The largest tribe living on the
largest reservation in the United States, the Navajo
are rapidly increasing in number and quickly adopting
the white man's way of life. They are seminomadic,
moving with their sheep and goats from
winter to summer homes and doing some farming.
The Navajo are famous as weavers and silversmiths.
The possession and display of jewelry is a
significant measure of the individual's wealth; consequently
quantities of "hard goods" may deck the
satin skirts and velvet blouses of the women or the
store-bought shirts and levis of the men.
THE APACHE: Living on the San Carlos and
White Mountain Reservations, the Apache are known
as the Indian Cattlemen. The men dress in typical
cowboy outfits, while the women prefer long, full,
tiered skirts with loose over-blouses patterned aftel
the late nineteenth century dresses. The Apache still
excel at basket making.
THE PIMA AND PAPAGO: Similar in cultures,
the Pima (River Dwellers) and Papago (Bean Peopie)
dress in modern western styles. Most of them
have become Christianized. Learning to farm with
heavy machinery and large-scale agricultural plan.
ning, they are developing their economy on long
range programs. The ~apago also raise cattle and
have fine herds. The Pima and Papago make baskets,
weaving them with willow and yucca fibers.
THE PAIUTE: Living in the far northwestern
part of Arizona and on reservations in four other
states-California, Nevada, Utah, and Oregon-
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PAIUTE HUAlPAI
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most Paiute speak English, live and dress like the
white man, and engage in cattle raising and wage
work as their major sources of income. The most
distinctive craft created by the Paiute is the wedding
basket, a coiled, shallow basket used by the Navajo
Indians because of its finish and symbolic design.
THE CHEMEHUEVI: The Chemehuevi Indians
are located on the Colorado River Reservation.
Deserving of mention, although no longer produced,
are the famous small, coiled baskets for which the
Chemehuevi are famous. The baskets are simple
bowls or jars with patterns usually worked in black
or an occasional dark red.
THE COCOP A; Less than a hundred in number,
the Gocopa tribe lives on the lower Colorado.
The majority of the tribe work on the farms of white
THE MOHAVE: The majority of the Mohave
live on two reservations- the Fort Mohave and the
Colorado River Reservations. Most of their crafts
are dying out, and the Mohave women have turned
from making pottery to the creation of ties, belts,
capes and purses made from glass beads.
THE HA V ASUPAI: The beautiful Havasu Canyon
i the reservation home of the Havasupai Indians.
Relatively isolated, these people sustain themselves
with farming and off reservation wage work.
Most of their native crafts are gone but for the
conical burden baskets which the women still make.
THE HUALAPAI (or WALAPAI) : Neighbors
to the Havasupai, the Hualapai live in and above the
canyons leading down to the Colorado River and are
primarily cattlemen and lumbermen. Their basketry
is well made and follows traditional designs.
THE YAVAPAI: Nomadic in nature, the Yavapai
have separated into different groups, some living
with Apache bands, and oth rs at the Ft. McDowell
Reservation, the Camp Verde Reservation, and the
Yavapai Re ervation. The Yavapai may be said to
be farmers, wage workers, industrial employee, or
cattle raisers, depending upon the reservation on
which they live. The only native craft that survives
is basketry.
THE MARICOPA: Spread between the Gila
River and Salt River Reservations, the Maricopa
have adopted the Pima economy and have borrowed
many of the Pima crafts. Maricopa potters create
" unusual-shaped" ceramic bowls, many of which
have an admirable high polish and all of which have
been popular commercially.
THE YUMA: Some of the Yuma Indians live
in California, but :many of the:m "W'ork in Arizona
making their living by wage work. Their crafts are
disappearing and only a little pottery is still made.
The Pow Wow brings Indians from all the reservations
and towns in the United States. Among
those coming from out of state who participate prominently
in the festivities are the Plains Indians. With
their brilliant feathers and flair for showmanship,
they add a spectacular dash to the celebration.
For ACTION and FUN the Pow Wow rodeo is
hard to beat! One of the chief sports of the Southwestern
Indians is "playing cowboy." Although many
of these fellows earn their living as cow hands, either
working with their own cattle outfits or on ranches
off the reservation, the lure of cash prizes, handtooled
saddles, and many other fine awards enhance
the fun of participating in the dangerous rodeo
events. During the year, the Indians may attend the
several smaller rodeos held at various other places,
but entrance in these is considered a practice session
and has but one main purpose- to test the individual's
skill and prepare for the annual Pow Wow rodeo
at Flagstaff. These cowboys really enjoy riding bronchos
and steers, roping calves and steers, bulldogging
any critter that has horns, milking wild cows, and
saddling and riding wild horses in a quarter-mile
race. In fact, most years there are so many entrants
in the rodeo events, some of the activities have to be
held before and after the regular rodeo hours in
order to allow everyone ample time to compete.
The rivalry among the various tribes is intense.
Not only are the individual cowboys competing
against each other, but there is always a friendly,
spirited contest going on between the tribes.
As in the professional rodeo of their white brother,
the Indians have a clown or two, who not only
provide many laughs for the crowd, but also offer
untold service to the cowboys by diverting the attention
of a charging steer at a decisive moment. These
fellows besides being natural comics display some of
the most daring feats in the arena.
Most of the competitive activIties in a rodeo are
part of the everyday work of a cowboy. On the
range, team-tying is a necessity when calves are to be
branded. One coyboy ropes the animal around the
neck, if possible, while his pardner gets a loop on the
hind feet. A well-trained horse will then hold the
neck rope taut while his rider dismounts, throws the
calf to the ground and ties his feet. The calf is then
ready to be branded. In the rodeo arena the cowboys
are competing for the fastest time, but team-tying
and roping are skills that take many hours of practice
and hard work.
Things will be humming with excitement in thethrill-
a-minute show put on by non-professional, but
highly skilled Indian "cow punchers."
For twenty-six years the Hopi Craftsman Exhibition
has been held annually at The Museum of
Northern Arizona at the same time of the Pow Wow.
Located three miles north of Flagstaff on the Fort
Valley Road, the Museum offers (July 2-3-4-5) a
display of the finest native Hopi work that can be
gathered from the reservation. Free of charge, the
public may view daily from the hours of 9 a.m. to
6 p.m. the selected arts and crafts, and watch
demonstrations given by Hopi Indians.
Twenty-nine years ago, Dr. Harold S. Colton,
director of the museum, and Mary-Russell F. Colton,
his wife, dedicated themselves to the encouragement
of the Hopi Indians and the continued production
of their traditional arts and crafts. To this purpose
they established the exhibition to provide an outlet
for Hopi art which during the depression years had
no market. Previous to 1920, the Hopi craftsmen
made baskets, pottery, Kachina dolls, jewelry, and
handwoven cloth for their own use as well as sale.
But the impact of the "hard years" combined with
better roads that made stores more accessible discouraged
the craftsmen from the production of
native arts in favor of the machine-made cloth, factory
dishes, hardware, and household utensils that
could be purchased. Because of the devoted interest
and opportunity provided by Dr. and Mrs. Colton
through the exhibition and sale of the Hopi arts and
crafts, techniques and designs inherited from a rich
past have been preserved.
The Hopi Craftsman Exhibition has four objectives:
( 1) to encourage the production and commercial
value of artistic objects, many of which are
becoming rare, (2 ) to stimulate better workmanship
among the Hopi (3 ) to encourage the development
of new forms of art in Indian design and the application
of old arts to modern uses, and (4) to create a
wider market for Hopi goods.
Each May, members of the Museum staff spend
several days visiting the Hopi Mesas to collect the
outstanding traditional items for the exhibition.
Traveling one-hundred-thirty miles northeast of
Flagstaff, the staff canvasses the three Mesas on
which the Hopi tribe lives overlooking the Painted
Desert. Each Mesa, which houses several villages,
specializes in particular forms, designs, and styles of
crafts. On First Mesa are three villages: Walpi, the
oldest, Sichomovi, and Hano, inhabited by a New
Mexico Pueblo tribe given refuge by the Hopis. At
the foot of First Mesa is Polacca. In these villages
all the decorated pottery produced by t.l-].e Hopi
, made. On olld Mt:"'a are due ;:lIag~s: ungopovi,
hipauloyj, and :n"1 ollgnovi. Here the
women specia.lize in a heavy, coiled basket o1atlc of
rue a fibet "ith a gras... core. On Third :M sa al'e
Ul.1'ce more villag s: Oraibi, th· oldest of aU Hopi
"mages and tilt: oldest COl tinuously inhabit(..'(l tm\'n
in the United tales, Hot >villa, d d Dakahi. At the
foot of the mesa's the village of ew Oraibi, and
Orne miles to the west i. 1\-10 'Mopi The WOJJlt:n of
Third Mc:sa weave in flamboyant colors wicker ba!i~
kc . which are made exclusiv'l t by these villager,
t is intere ling that among the H: pi, the men
are the Weavers rather than the om n as is th~
CtI'lorn among the avajo . In addition the Hopi
men caI'\' ~ the Kachina dol] , create the j w l.fr. am.d
make tht: moccasin , whil~ the women center their
lalcrds on the rli king of poue y and b~uket~. l'chaeological
rcst:arch re"\'e.al tha t the ane 'lOr: of the
Hopi Indians have been making baske " since before
300 , ,D., 'llaking pottery since 600 A,D" weaving
cotton from. gem A.n, and weaving" 001 rugs and
blank·t inee 1700 .. D. Abollt eventy years ag ,
'h'c.r:;mitning wa introduced to tJ~em by the Zuni
Indians and ruthough it i a]' erH l'aft many
<1i linctive and uperior piece. of ih'er lta\'e been
Th Hopi 'raftsmen are competitiv~ not only
among' individual', but also among villages. To fLLI'thcr
stimu late th 'ir be t eff 0 t·, thc Museum offe .
cam pri -. amI ribbon. or outstanding 'work in the
variolls ate~ol'i' "
Dming til, Mus lim e:-:.Wbilion, tbe crafts are
arran 'ed in the lovely, large patio facing the au
Fran i co Peak', Potte. bask[!t.;;,. fl d te:"tiles 00 'upy
th corrido , on two sides of ~hc patio, Hopi r ndi am,
w a: ing tJieil· traditional dress .• demonstrate" ea\' llLg',
p ttery making, .. nd basketry. In the 'pe ' ial exhibits
room of the mu "'urn sih " wo k and Kachina dolls
'l.I'e disp]aycd. Here tJ1e ih'-·[srni.du work each day,
oft 'n ma.king' the jcwdry which ha..~ h(:c specially
ordered by the vi, ·itors. 1 n ba k of dIe mUiiCum, the
P ik' Hou'c off 1"8 til e public an OppOl·tu nil)' to ee a
woman making p'ki, tr-aditional Hopi hrcad, 'omisting
of c:ornm '11.1 in sev ral colo[ , tl1c piki batt r is
.01.00 on the hOl pild ' tone a ~pecia ll ' prepared
stone grill and rolled qui kly into <Ii rlaky, j)arn:r~thin
cyli nder' which is sold to lh vi iloJ'~,
WilJj the exception of a very few raft _~-ilh
which I.h ownc:r may not wi. h to part, all i terns
exhibi d or demonstrated <Ir' for sale, The Museum
ltantl1 on a non-proGt ba:ois the sal of all matcri-al~
~l IrI'llng M th los of the exhibit eith l' the
money 01' the produc to the individual cr. f men,
Unlike the avajo who mark·t their rts and crafts
thl'ougltrad ~I'. 0)' their rts & rafts Guild, each
Hopi deterrnin~s the Pli.ce of hi' ?wn . t.cm . , Iso ~
, ontra! t to the I a va jo: th· HOPI do not s'U th 'IT
work a L the can P "TOUHd du ing th Po>"r Wow
fe li \.ioes. 1 nste.a.cl, they show their tmditiomd art:;
<Hl.d raft. of the year' x lusive}], at the Museum,
Besides item' wId lo th' 'UlOf durin'" the xhibit,
the Hopi profit thro~gh thepecial o~dcr p1 ce(~
h 0 her mus IIm~ to fill out their collections of HOPl
c;aIt·, L.l;t yC8J' 76% uf Dca Jy twelve bundred Hop·
items on dispJay were . Id amOl g tl' " ll"lOr' tl an J1 c
t.hou and vi~itol:'S who view~d the OP] arts and crafb,
Daily at noon the p<rrade £If a ll the lndlam who
participa te in the PO\~' \Vow fe~ti"al marches thl'Ou~h
th ~ town. Circling th,~ bu:;i rl!:::;s area, t.he parade d isbands
ncar ~hc city p,uk_ Each Indian is splendidl]'
arra}'cd in the traditional costume of his h;bc and
all the l' l':galia he or she can display. Ahhou~h many
'white people would like 1..0 take pan in it, the aUur
oJ the parade is that it remain.s exdllsiw·ly all Indian.
a.rade ~ill'1e is, p~l·h aps, the fine~t time (or the
spectator to' obser\'c closely ~he design of the native
costumes, the details of the head-dress, hand-prO'Ps,
and pel-sonal adornment, a~ well a~ the dlliliuCli ..... c
characteristic,!; Df the Indian ~ribe$. It is also the
oppm-lunc lime for lh~ photDgrapher to r{.~rd in
film the Pow Wov.' figures. ' ,Vbile pictures may be
l<'Ik~n from the gl"andstaml during the rodeo] no one
is permit Lcd in the arena for ol:wiolls reason:> and
no flash pic tures arC aJlol,,\'ed duri ng th ~ evening
dance perfoTIllances_ Therefore, during thc slow
mDvement of the parade] pictul~ may most e.as.ily
he laken of groups, individuab, or relatively dose-up
subjects. At tJ1 e end of the parade, many uf lh
Indians w:ill obJjgin~ly pose for the interested camera
Ian- However, fol' this special requcst it is generally
courtesy and an un\~' rilten law that the individuaL>
be offered in appn:·da~i()n SUW(; grahlily.
Riding, walking, and man:hing in t.he proccssion
will be the following units: 1_ The dance groups in
full ceremonial trappings that pl~rfonn in lhe even-
ing shows, 2. The rodeo perf or-mel's who compete
in the afternoon mows, 3. The all-Indian bands
thal entertain during th,e parade and festivities;
am.ong lho~e that usually pal.·tidpate al'e the Moencopi
Hopi Indian Conoert nand. the ,"Valapai Indian
Hand, and the N::wajQ School Rand, and 4. The
Navajo wagons WM are pan of the carnival.
The Navaj,o wagons arc a unique feature of t.he
proccssion. To encournge the entry of many wagons,
the Pow , ,,,'ow Committee gives bales of hay 1..0 each
wagon entrant, cash dona.tiOf1s to each wagon Joad
for every day they particjpa te, and special awards to
t he wagon tra vding the farthere!>tt distanoc to attend
tite parade. Stal'ting many days ahead O'f Pow 'Vow
lime, the wagon driv~n come fJ'om ~ far as; onehundred
miles away. Witl'1. g reat pride the wagon
O\'>'[ter!; bcdc"Ck themselves with <liM of the jewell'y
they own as pl"oudly they halll a wagon filled with
hay, yO~lIlg children, rclati\',cs-and aasorted pet:!;.
A charming and often surprising additiol'l to' the
parade is the Dumber of r odian children taking part.
Indi.ans are openly proud and fond or theil" off~
pl'"il'lg; comequentJy, they delight in the chance to
have 'them ~n and (in the opport unity ) to share
the fun of par-ad ing wi til the children, many of
."hom are skilled dane<:fS. Tiny ones shadowing the
exact d.re~ of theil' eldel's present an elfin pictures
quene~ to the pa.ra.de and re-state tlw ,continuing
Indian heritage as it i:s p<lsscd devotedly to the young.
rfrfrf HorR MONTE YIST A
NO FLASH shots ore allowed during jlle
ceremonial dances at night. Blit you Clln
get stills by u~in9 t1n~coc;h rome Or hispeedek
achrome when th dancers are
well lit by floods or fire. Try 1f5Oth a f 2.
• NIGHT movies arc possible u5ing Kodochrome
Type A film, 16 frbmes at !.9
shooting only during best lit scenes.
'. CLOSE UPS will prove to be more intere~
tin9 han general scenes. Bllc grounds
Ilre better when tf, ey have no dis r~cting
poles, sig ns. or wires. Expo5ure~ will depend
upon the weether. Use II meter or
consult II e perienced photographer before
$ orting he day.
• DON' move your camera. let the Indion$
provide he ae ion. You may find it better
to use Il wide lingle lens.
• HUMAN INTEREST shots abound in
the India C~mpgrounds. I is best to
request permission before ta ing some
pic ures. If permission i$ gro'nted it is
generllily good Ilste 0 pay something
for the privilege.
THAT MIGHT PROVE OF VALliE TO YOU
liN MAKING A PHOTOGRAPHIC RECORD
OF THE MANY EXCITING EVlEN1S OF THE
10 WAYS TO BETTiER POW WOW PICTURES
• FAST ACTION during the rodeo reo
quires fast shu er speeds ... 20Qth sec.
lind up. Remember. the strict rule1 +0
~eep ovt of the arena area Ilre for your
• PARADE SHOTS should be alen at lin
ang le to stop the motion, rO her than
straigh across. If your camerll ha~ shutter
~peeds use lOOt sec. or f~$ter.
• MOVIES of the parode a re best at in ersections.
The Indi<"Jns normally do ee at
these spots. Yo will ge smoother action
at 24 frames per second. but if you
chl'lngeto this s~ed. you mllS r mem-er
0 open the lens one-half stop.
• CLOSE UPS of individu al performe rs can
best be taken within he hour before the
parade s arts. Usa flash fill or better
r sui ts.
• CA R EfU L! I n you r excitement over the
pMtlde don't go 00 fllr and roll your
35 MM off t e spool. If this shou ld happen,
brin9 it in to a photo shop UNOPENED
to slIve the sho s you heve.
Down through the age~ I' li'ion has been inti-tl
t 'ly interwm'en with ''1 ry phase of lif· in the
Indian ell ture. Magi the wondc-. )f nature, ghosts,
and tl e. mysteries of th il' deitie have b en d amatized
and wo hip~d through lhe rilualj tic pattern
of lh. dance. Pas d (rom generation to g neralion
th' intncat actions ha\c b com visuali?~xl pl< j" '.
In the · .... cning performance , many Df the&e
e lhtry old dance. are p rformed. While m L arc
religiDm jn natur', a f.. capturl' the social a peel
of tl i.e chaTacter and th ~ humOl- of th ir daily
'pc:riences. \,IH'n, how \' r, the perfo 111'r inv' ·l$
hj , ... hole I :ing in a r ligicm . . to ' 0..£ remDny,
th dane must d -DlOllstrat· consummate ffo t "nd
skill even though the significan e of many moveay
lx: llnknm~'n to tip d' an them I"cs_
few of th dan'· pr 'sente,d each yea arc
briefly id ntified it· fDllo s:
COMANCHE D CE: Originally borrowed
r OIn 1,11 P1aill Indians, the Pueblns u. this a a
war dane Dr as a p' cc da 1 " to celebrat tho
ending of ho..~tihtif::S,
E GLE DA E: The Pud,lD danccr' oooom
th eagle in night nd ex cute a ~ ell knm,\'n dance.
PARROT DAN E: The Pueblo dance around
a wooden symbol depicting th parrot.
B F ALO DAN E.: TIle Plai . Indians preent
a leader d . ~d a a hunter wearing a Plain.
hcad-d " to r 'ppscnt the buffalos. coming from tit
plalDs and other dan r to r 'p .. 'sent th buffalo..
EUTfERFLY DAN E: TIl~ )'OLlfIg Hopi 'rl'
waring thei hair in the traditional 'wir ls around
th~ ea" to igrufy that they are of marria e hl a"'e
d" play a pi.cture qu dan e; the, \\'~aF he d-dr" ..
depi ting the butterfly.
TO BOR ET. IL DANCE: Th ~ Ta . d n -
ers honor the hD .. \J hid '. c ru;idcrcd the rno t
helpful beas!; of {he animal ",'odd.
N]GHT BIRD DAN E: "he Zuni Tndia.n
represent the bird who warn t" p ndian of comin
rain; it is performed by me Df
whom al"e rire. sed in worn n clothes.
HOOP DA CE: "sed b, se ... ral of til, trihe.,
thi dance of pI asure demOfl_ trale the kil] and
ph, . leal stamina of tiP young boY'.
CRo,,,r DE: A social dan e, lh -'rfonn'r
n~quest prot ction for the growing or .
The symbols and patterns of fin· Navajo art ,,,'Ork
r l au~ to ~radition al b H·f.. The 3.\'ajos embrace a
philosophy that is threaded with enchanting m, l..h)
Iogy and (h t: cone 'pi that cV{:l"ytlling i · finished in
beauty, Rituals to the mysteriou "Ho[y On ~" <Ii . ~
n~ al and ever pl'e. enr in thci dailr exp ri fie'. h-
;,w<ljo prociuve worb of art in {heir j \v Iry, wem ... •
jng, and sand paintin~ many of which arin.pir d l Y
th' gods who hold thdr de tillY.
Tn J \ f'1I '. avajo jl\ . rsmir.h~ croat
bl"aceh:: · buUon· buckles, b -lts, combs, earrin!":S,
and mis elLaneou items ~l.Ich as pi li boxe and ilve'",'
are. ,ilver article. a:re primarily ca. t. hammt "d
and fjJcd. The cast jew ·lry is formed by pourjng
molten m ta~ into a t\ o-pi ~ sand Wn mold that
ha b n c.arved to the design of th finish d pi e,
HOLh tht~ hammel"f'd and filed je\i elr}' are made from
. 'lver, in . leet· or ingot·. The in!'Ut j. pounded into
. hape after heatin.El" and the design ]s made either
wi til a die and a hammer or wi t.h a fi Ie . Some of the
~lver is set with turquoise, and 0 'casionally coral or
s.helL Ea ing a c mad in many st I!S, but all arc
distincti vely Indian, Bea utif III squash blossom n k~
laces al'e popu la .
omc of the fin' t a\·ajo jewell j landlc.d by
til a ajol·ts and ' rafts Guild, an o.rganization
54:!t up by th tribal council to provide an outlet fo
I.h~ir work. ' uild headquart.er ' are at Vinclow Rock,
Ariw la, 1"1 a.r t.1'1 t.rib blJilding. All of the I avajQ
~lIi~d je\eh·y bear t.h . tamp of the guild, whi h
~ . UT·· high quality.
Besides the pwdu lio of jev.'elry for corum .fcial
·301· and art centers, the Navajo like to wear significant
amOunt. of j e\ el r}T on t.h i.. pc on. To lh 01,
a di ~play of silver jcweh·y i a di ct mea ure of thd
po ition a d '\leahh, ·0 they literal!, '\ ear' their bank
a oum.' In addltion, they us their jew~lry a.
p..'lW in exc:han r for neecl·d ll:.oney or goods; but
alwa} . they eek to repo l': their 3.,·ti I . v .r.
though a trading- pm L rna. be obliged to keep them
in pa\ n seve.ral yca ... Their love of jewclr. will b
[C· dil vi~ibl ,at the Pow WO\"'. 'orne avajos b -
ause of a." ortage of cash will undoubted Iy put into
circulation th dime, quaFters, and silver doll ar~
which ha served as decora i'\o'c bu H.om and pin:;.
The.<ie can be id 'ntified by a small ·hank on the hack
of ' ·'l.eh coin.
\OVea\·jng has. been a signili.caIlt pan of the woman
·, oc.cupation .in e ~hey learned it from the
, pa.ni h. , pinning and waving. fOT the avajo
ha e pass d through :ilL multiple of change f m the
fi~·t pla:·~' blankets with ·'mpl· ·trip~ to the elaborate
thick rug ' b la1ing \ ith color and paue n. .. oday
blanket~ and rugs of every size, shap , color. t ':>:lur ,
and quality mal' be pUl"chascd. T hose \ hich have
greatest meri t nd command the high~ t P ic..es are
the all handwoven fab ·c< containing yam spun kom
their h p's wool. either used in it natural color 01'
d, d with the j uicc~ of native plants. ca: ing for a
popular commercial m rkc, he avajo have taken
ob IOU '10rt.-c\.w produ ing mao}' bl,lInket with
. t.or~.bought dy'" nd roc ry string warp, However,
a well-mad I'Llg of all handwo 'en materials w'l1 reo
tain its original bc..'-l tty and ",rear for yea '
Tlr' 'ariolls color' u':d in the rug pa t-rnaJ1e
drivoo from thre· 1l1'Ces: ( l) th na lral shade1l of
wuol from the gr y, br wn, and white sheep, (2) vegclaM
dy- prepa d from plants, and (3) aniline
dy " whi, h ar' pur" has d for the vivid COIOF .
:Blanke are seldon ,· 'actly alike, The tyl and
colors patt'mOO in the rug depe cJ tlpon the area
in lvhie-h the ~rvajo 1h'.s and on th ta, te of the
weaver. i (\'1/ blank ts and nlg styl s have: been
n med after thctJ'ading post s 'rving the area. Two
or tl . po, l~ whi 'h pre : dc the identifyin flame fOT'
Ihl' natjve products wo en in tllc1C vicinity aCi : (l)
TVIlO GRE): I ILL , blankets made of latural colors
with )fJnmetri al rjght.angJed b l'der d ign, and
(2) RY T L rugs woven in omervatlve desi "ns.
oft 'n incorporating the ~llnshine hu of, Dow and
orang'. h!le 31 h avier in weave than the Iindy
wo Grey Hills rug.
The i'itor to the Pm .. ' '\ ow w'U ha ~ unlimited
opportunities to pml(:ha e avajo rugs t the amp.
~llnds whem th' Indian. disp1ay their c afl-5 and
al stor ~ in town. ]lief!" the CJuaLiti" that rnark the
rugs and bJ nllet of merit are: tho . that have been
made from ,a11 hand ..... ,o 'en wool materials, both the
warp and weft; those with clean wool and evenly
pun am; tho that have lin' pattern as st aight a"
possible, although tlt·y \~ril1 not b as prf' t. as rna·
h ' made lab ic ; and tho~e that arc tightly wo en
with strajght finih d cdg s,
Two otb r art forni' b longin to the avajo
are worthy of mcntion: sand painting and t.h mor
r cent dcv Jopment of water color painting,
Under the direction of ilie m (Heine man who
carri the de igns in his mind, ,and paiJ lings are
executed for curing rit ~ , On the fluor of the hogan
fresh sand i pread on which rituaJi ti patterns-~
orne as large a 20 feet in diameter-a ~ l"eated
with ('.,o]orcd nds. The ailing Indian is laid on the
sand pa'ntin placing him in direct contact and harmony
with the univ~ . - rernoniomly, th' painting
i. d tlloved he ore sundo\.\'fL
PainC~g on ca 'as or paper for th sol purpo
of creating a picturelO njoy or ,n is a n~CC l art
exp slon of th Navajo. Only rc en Jy ha \'e they
been encourag d to expre them~elv in the medium
of " ater color. Man)' talented a ajo have devclop-d
recognized reputatio[ and 3Tecr. Among those
who have gained distinctjo aile Beati 'n Ya.7.Z (Little
0- lLirt) , Kec ie • hidey, Quincy Tahoma, Har.
riwon B-gay, tanl 'Y 'Ratte " Charl,ie Le, Ed Lee
lata., and ho t of other' wlw!le .. or k ar repre-sent
d in art gallcr'e. and mllSCl~ms across the nation,
\~ ~->
II tllilt wi'll kllOWIl dau' when CI)lllrT hll. .-li,eO\'
C"T(·d thL'. ew "'oriel. th(, pr ·.history of the 1a ,
·lr.lH ar 'a wa); aln:<lll~' 011..1. Tilt: pn:h i ~llwir: Tndians
\'o't~ nO\\ all Ih . na5azi, "the anci nt one." h. d
livcd hen: [or n:ntllri's, Tfll.'}' had:..··11 a laud ru~h
tlnd a pop1!lation boom a tef ~llnSel Crater eruptf'd .
Y -t Ill'r had complcl 'Iy aballd Ilil-ci th' [.r·a by
E,·id 'nco nf their long ll('~lIpatiorl i~ <'ill ,[' und
II. - in lh b okC'n l)('1ttt'rr and hipped stone implelIIt:
Ht· slill lring 011 lhl' ~1' mJl1d, •. mel in 111(" mm'c th, n
] .')00 ite- recOl'd·d by th' IISA'lIrn of orthcm
Ari7l"lna ;n Lht" }'lag. \..'lff ar~a. alon(' . he ruim of
puchlos and diU dwdling', now jJrol'ctt:d by IlH.tju al
Ulomlr l lL'nl~ al '''almlt Canyon to lhe ~a t \\'upat.ki
and r.I\'ajn lO til, nOl·th, ;:II Jvf omC'711fl1 •. Castle and
TIlJ':ig;ool 10 dl{' soLLth. arc ·urvl\,.ds fl· lUI a pn'hislol ic
war of lifc.
Archa 'olof,ri~ts ban' heen f'. c.1v<lling sites • nd
'ludr;ilg 1111' p\cjclC'I'l(,(, for hair a century, aud have
piec('d logelher til, Alia" zi slll l ).
lla k in 500 A.D., only a ball(Hul (If . , na. aJ':i
jnhabil'd Ilw S lion of th ('xl 'miv ~ \'olcanic field
.lJrrollnding lhe • all FI"<Ul('i~u p('aks. which rim the
Takr of OlLl" anci nt and n:Jiic ,·nkilno. Scit'l'lli~t~
e~limah: lhal e~1 I)' popula[ion at around 3 0, from
~L1I,\'I'}'S of the ('arlic'l ~il '~. Thes~ Indian families
lind in earth lodgl"s, whi · It were bol1nw~ ~r:ooped ont
[If I hI. groll nd and ro f ~d I'i,'C wi t.h pole and brush.
Th y hunted gam' wilh d;;n'tathrow r, rather'd nLll~
and," d. and ranned patches of com and be,"In·.
.] hey wore sandab \ oven of yucca fihl~r., animal
skim rOl' clothing, and ~\'O\'e ,lIec:a bags and b.ask·t
for hou 'chol(l me.
Ry 950 A,D" in tl c n tUI 1 oure of ·v-~nl,..<;, lh .
popula l im1 had jncreased t.o arollnd 300, hey had
uC{jllil'ed the bow and a!'ro,~' learned ~o mak pOll ry,
and 1i,'('( ;n pitholl'" dug deep enough for the
ground to r nrm the wall ', <ll d providing betl '["
slwher. 'orne b'rollp~ began to utilize llw Q\' I~hanging
Jed. ' . in \ Val nut Canyon a. ead y-madc roof for
l'OOm~ wall~.x] .vith rocks and cclfl'm d with adobe
mud, They were th· fi . l diH dwell 'rs in Lhc \'k~nily
of FJag ·taff.
At the cnd of he followin f CCi'1I lJ ry ('".arne the
T 'nl Lhat hang'd th c'lIJ r. of pr ·.hilitory, Th" al'l
Fran i · 0 'olcanic fi lel, after 'c.ulogical a~ s of in·
aCl ivity, t'xplodcd intu \'iolent eruption in til"' cindf'ra
one ar 'a casL of the peak!;, mL t "rater, the nL'wC!ii
and .0 far th ~ 1".t of the con ", wa (;1' ated from
I f'dhot lava" ash, anti cindc. ejected fro r a volc..anic
\' 'nt, altered by th' wincl, Ihe cinders and ash
hlanket d the lao(l for mil ~s around. ".I.'ht: date was
106'1, and how that wa u'tc.rn tned i~ a tOl)' in its If.
' ''''hat . ~~n1t"d at first a :ata ·trophe set the sta"e
reli' Of. prehi '£01'; land boom. The lay. ..· r of c'nde
and ash, co\' 'ring 801) square miles amund the newly
for::I1'd unset .Her a ted a mulch to hold wat ..
I mm sumnl -.[ rains and wintf'..f snow~, The An.1.SaLi
who cautiously ·turned after th· eruption 'oon disc.
ovemd th -~y could grO\~' good crop of corn and
bean in previou 1y untiUabl so'1. Gradually tins
anlazing news pread throughout the : uthwest and
the migrations started. From the rd · Valle}' w du.:
_vltlth rune PI' b.i toric Indian now call ed til· Hokohm;
from the 1,Vhite Mountaln region Came othct;
call d. tJ1C Mo_ ollml· man}' more nasa'1.i mcn·ed in
from t.he north., and Imm th· west OJ. group of still
u nd etern i ned origin,
V·iichin fiIt). year ' of the gr 'al 'ruption, the pOpa
tdat ion in th -. FJa~taff a " 3 had more than quadrupled
from an ~'$timatecl 875 to around 4000,
By ] 160 A_D., t.hc population had doubled again al d
,'each,/'d a peak of 0\1('1'" 8,000.
This was the" Treat Pueblo" P '[lad, and the high
poin t of cultura~ contacl~ and prospel'it _ For two
enluri -.~ the F~agsl,.aff arca held one nf th - dense;t
Impulations in north rn Ariwna. rade routes \J ere
divel't d into thc l-egion, hl"in 'ng abalone ~h. II from
Califonlia, parrots and coPTpr belL from! -xico via
'Outhcrl'l Ari:7.0lla, :>""Ilt from Lhe Ve dc, turquoise from
ew 'lc.>tico. VariN)! of decorated POtLt'I'Y ,t YJ •.
wa int.roduced bl' the n'w 'omer!;_
During tlu time the ~ - tacular red sandstone
pueblo of 'W upatki ('IT all House" ) w buill th ili :y
lrules northea t 01 Fla,!'Staff. In til· 1100s it contained
InO thal 100 room~ and SO lIC parts were at ]ea~t
lhn.;c '. tories high_
he Kayenta. bnmch 0 the At a 'ali built th i.r
masonry" partment hOLH.t~" at Keet eel, J3. ta~kin,
and Inscription HOll··. the three d iff dwcHings oontail'led
within the avajo ational fonumellt_ In
the Verde Vaile}' ttl pueblo-bwlders p]a cd lh ir
structures 0'11 1 il.hops or set them into caverns in th
lim ~l:On ' liffs> and worked out an irrigation y: U'J!\
to chann l wate onto their field._
A. the y'l~S palioScd in tiP FJagstaff . area, 1"10\.\"
O\-er. the protective blanket of a~h. and d de djsappr'..
ared Ihrough wind aClion ' and lll"osion. Unduubt0tUy
other fa lON; (,ontributed to a gradual
abandonment of II t: {.~mir re .. ion_ Ry ] 2.,0 .D_ th>
popHlalion had shrunk toap oxim.aldy 600. Durin""
tl ~ 'xodu . many T nd ians moved into the Verde
alley wh l' II etc is evidence of a populatjo 'ncrease.
during the 1200. _ Mont'wma Cas~le and Tuzigoot
continued to flnuri h fOl- another centu '. K -·t
'eeL now the Ia.r fCSt cliff min in ri1.Qlla, wa one of
lhe la t to be abandoned in lhc lorth.
Th expamion 'vhicll followed the en ptlon r
."uns l ~nilCr had utterly m llapsed hy 1 00. Incr dible
a~ it may see.m, t.he . wom no permo..nlmt inhabilanb
in the FI gstaff nuion for the ncxL 500 y-.' _
lLntii pion!.:·r -ttl rs founded Flag tan in 1880. The
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"Talk Show III," with David Levine, Eben Klemm, and guests
Date: Tuesday, 19 July 2011, 7–9 pm
Please join us for the third installment of "Talk Show" hosted by David Levine. Dedicated to exploring professions whose intricacies are often wondered at but rarely explored, "Talk Show" uses the typical broadcast format—interviewer, monologue, special guests—to explore the atypical topic of the world of work. Other variations on the form include: no actual broadcast, questions from the audience, and a sideman [sic] who mixes cocktails.
Cabinet is a non-profit organization supported by the Lambent Foundation, the Orphiflamme Foundation, the New York Council on the Arts, the NYC Department of Cultural Affairs, the National Endowment for the Arts, the Andy Warhol Foundation for the Visual Arts, the Katchadourian Family Foundation, Goldman Sachs Gives, the Danielson Foundation, and many generous individuals. Please consider making a tax-deductible donation by visiting here.
© 2011 Cabinet Magazine


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Rising worry about Europe and domestic policy and continued economic uncertainty are driving many companies to hunker down and focus on more industry- and company-level issues. To accelerate, leaders are looking inward at what they can control within their organizations.
Explore our latest insights on streamlining operations across the enterprise.
Uncertainty, issue convergence and factors beyond your control will continue to transform market places, government and business in the foreseeable future. And that's okay. Understanding that transformation, how it impacts your company and what to do about it enables you to use those changes to your advantage.
Transformation is here, and to worry about it or delay its progress will only cost you in the end. Instead, use it as fuel for accelerating ahead.
As used in this document, "Deloitte" means Deloitte LLP [and its subsidiaries]. Please see www.deloitte.com/us/about for a detailed description of the legal structure of Deloitte LLP and its subsidiaries. Certain services may not be available to attest clients under the rules and regulations of public accounting.


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Area Sports Briefs
From staff reports
Nick Lomascolo recorded his 32nd career win to lead Catawba's baseball team to a 7-2 SAC win over Lenoir-Rhyne at Newman Park on Friday.
Lomascolo broke the school record for wins set by Tim Smith in 2008.
Lomascolo (6-1) pitched eight innings and allowed six hits and two runs. He fanned 11 and is six strikeouts away from breaking that school record as well.
Ranked 14th, Catawba improved to 19-6 overall and 9-4 in the SAC. Catawba is tied for first place with Wingate and Carson-Newman.
Catawba trailed the Bears (9-18, 4-9) 2-0 early.
Keaton Hawks went 3-for-5 to lead Catawba's offense. Chris Dula, Julio Zubillaga (Carson) and Jon Wallace (NW Cabarrus) had two hits each.
The teams play a doubleheader today at Newman, with the first pitch at 1 p.m.
• Caleb Henley (East Rowan) pitched a scoreless ninth inning for UNC Greensboro in Friday's loss to Elon. Henley struck out two and lowered his ERA to 1.93.
• Kevin Hamilton (NW Cabarrus) improved to 5-1 as Brevard beat Tusculum 3-2 in a SAC game on Friday. Hamilton pitched into the eighth for the Tornados and struck out nine. His only loss was to Catawba.
• Carson Herndon (Davie) pitched Liberty to an 8-2 win against Charleston Southern on Friday.
Herndon (2-2) pitched into the seventh. He allowed five hits and one run and struck out four.
• Pfeiffer lost 5-4 to Coker on Friday in Conference Carolinas action. Jon Gray had three hits for the Falcons (9-16, 5-3), including a homer.
Women's basketball
Pfeiffer's women won their regional quarterfinal game on Friday.
The sixth-seeded Falcons beat No. 3 seed Anderson 84-78 in a game played at Clayton State in Morrow, Ga.
Pfeiffer went 8-for-8 at the line late to hold off the Trojans.
Jodie Lemons scored 27 points for the Falcons (25-6).
Christina Harvey scored 26.
Pfeiffer shot 52 percent from the field and 85 percent from the foul line.
The Falcons will play No. 2 seed Limestone in a regional semifinal today at 5 p.m.
• Shaw lost 111-86 to Glenville State in an Atlantic Regional quarterfinal on Friday.
• Lenoir-Rhyne lost 94-71 to USC Aiken in a Southeast Regional quarterfinal.
College softball
Campbell's sophomore shortstop Ericka Nesbitt (East Rowan) hit her first college homer on Friday.
It was a grand slam that she pulled to right field. Campbell beat Gardner-Webb 11-3.
College tennis
Roanoke's Lewis Young (Salisbury) won his singles match as the Maroons beat Shenandoah 8-1 on Friday.
Young is 4-4 at No. 3 singles.
Prep softball
Carson's softball team is alone in first place in the NPC after beating South Rowan 6-0 on Friday night.
Lacee Hunsucker pitched the shutout and struck out seven. Kaycee Kennedy and Sidney Grkman homered.
Grkman and Kinsley Bean had two hits each. Mariah Morgan doubled.
• East Rowan won 5-2 at North Iredell on Friday to hand the Raiders their first league loss. Courtney Lyerly and Steffi Sides had big offensive games to back Sydney Poole's pitching.
• In South Rowan's 12-1 win against Concord on Thursday, Caitlin Waters hit an inside-the-park homer and drove in five runs.
Cassidy Chipman had three RBIs, and Caroline Hubbard scored three runs.
Samantha Kennerly was the winning pitcher. Logan Lowery stole three bases.
Jayvee softball
Carson won 10-0 against South Rowan on Friday.
Katie Beach pitched four innings and struck out four. Kayln Ellenburg, Kristen Cauble and Sarah Freeze had two hits each.
Prep baseball
East Rowan lost 6-2 at North Iredell on Friday.
It was the first NPC loss for the Mustangs (4-5, 3-1). Chase Jarrett took the loss on the mound.
North Iredell scored five runs in the first inning and stayed on top all the way.
• East Davidson (7-1) beat Wheatmore 3-1 behind the pitching of Catawba signee Avery Bowles. Josh Craven homered.
• West Davidson suffered its first loss on Friday — 9-2 to Randleman.
• A.L. Brown won one of the wildest games coach Empsy Thompson has ever seen on Friday.
The Wonders came back to beat Central Cabarrus 7-5 for their first SPC win.
Jesse Klepper pitched five innings. Hayden Taylor got the win when the Wonders rallied in the top of the seventh. Ryan Austin earned a save.
Trace Hagler had two key hits, and C.J. Powell's bases-clearing double was the critical blow.
Prep golf
In a match held at Corbin Hills, East Rowan shot 185 to win against Albemarle (186) and North Rowan (221).
Logan Shuping's 42 led the Mustangs. Jacob Durham shot 47, and Collin Darnell and Chase Cannon shot 48s.
North scorers were Tim Bickish (51), Kevin Burnham (55), Scottie Loflin (56) and Luke Miller (59). Jay Andrew shot 43 to lead the Bulldogs.
Kannapolis Intimidators single-game tickets go on sale at noon on Monday, March 18.
Prep track
East Rowan's girls scored 112 points and won a quad meet with Carson (71.5), West Rowan (67.5) and West Iredell (7).
Discus — Haley Gardner (93-9)
High jump — Brittany Small (4-8)
100 hurdles — Kayla Myers (19.4)
300 hurdles — Haley Lyerly (1:07)
100 — Zaria Houston (13.9)
1600 — Faith Blume (6:18)
4x400 (4:45)
West Rowan
Long jump — Khaila Hall (16-0-1/2)
Shot put — Allison Manley (31-2)
800 — Brienna Owens (2:45)
3200 — Rebecca Parker (12:58)
4x800 (11:14)
Triple jump — Caitlyn Blais (29-1)
400 — Blais (57.2)
200 — Paris Parks (28.5)
4x100 (55.0)
4x200 1:58)
• East Rowan's boys scored 119 points and won a quad meet against Carson (67), West Rowan (66) and West Iredell (20).
Triple jump — Donte Means (42-7)
High jump — Chase Brown (5-11)
110 hurdles — Brown (16.3)
800 — Graham Lyerly (2:08)
1600 — Jason Basso (4:55)
100 — Dalton Moose (11.5)
4x800 (8:57)
West Rowan
Pole vault — Caleb Cranfield (12-6)
Long jump — Raykwon Torrence (20-9)
400 — Torrence (53.7)
300 hurdles — Juwan Houston (44.1)
4x200 (1:33)
4x100 (44.6)
Shot put — Myquon Stout (56-31/2)
Discus — Stout (153-9)
3200 — Zachary Marchinko (10:29)
4x400 (3:43)
West Iredell
200 — Malik Keaton (23.3)


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$141retail $211+ an extra 10% off
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Although light is substantially blocked, some vague shadows may be visible.
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Check out the new additions to Blindsgalore's selection of custom window treatments
Choose from our selection of window treatments featuring orange fabrics and materials.
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Online Store
Welcome to our online store. We ship, deliver, and hold for pick up from our studio. All orders will be processed through PayPal and will be ready for pick up, shipping, or local delivery within two business days. Payment and order confirmation will be sent to you via email. If you don't see what you fancy here, give us a call. We're happy to create custom orders.
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Handcrafted Wood Corset with Beaker$38 + tax
Galvanized TroughFrom: $250 + tax
Long and lean but chock full of Succulents – this beauty adorns long tables with flair. Custom built, waterproof, and rugged galvanized metal vase is available in 3 sizes:
2.5′ x 5″ x 4″
3′ x 5″ x 4″
5′ x 5″ x 4″
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Edible Brushstrokes Painting Class – June 28th$95 + tax
In this unique painting class, you will learn to use fresh vegetable juices and coffee as a painting medium to recreate one of Lila B.'s small plant beauties on paper! Taught by talented local artist Sal Steiner, you'll go over all the basic steps, from choosing your veggies, to sketching, through to 'paint' application techniques. Once we're done painting, we'll show you how to transform your juices into a fresh take on mimosas! You'll do all of this fireside in the cozy hearth room in the garden of the Stable Café.
Class Price: $95
Date: Saturday, June 28th
Time: 10 am – 1 pm
Location: Stable Café Garden / 2128 Folsom St. San Francisco, CA
What to wear: San Francisco layers
What's Included:
- expert instruction by local artist Sal Steiner
- one small plant model to use in class and take home
- all supplies
- coffee and pastry from Stable Café
- a juice painted art piece made by you
- the finale fresh juice mimosa!
(photo by Paige Russell)
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Planted Centerpiece$125 + tax
Need a special something to bring to a friend? This living arrangement bursts with in season goodness and lasts a whole long time. Each wooden box varies dependent of availability of blooms, but all are gorgeous and full.
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Big & Bold PlantersFrom: $185 + tax
Lush and full of Succulents and Greens. Each one has its own look – but all are gorgeous for any deck or garden. Some of our clients use the small variety to adorn their dining tables (use a tray underneath to protect from any potential water).
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Suede & Rope CarriageFrom: $48 + tax
These hanging planters bring a glimpse of natural beauty anywhere they swing. Glass pots nestle in water-resistant suede baskets, suspended from on high by four creamy white cotton ropes. Solid brass grommets add a chic touch while keeping the ropes secure. Available in sunflower, navy, snow, slate, and poinsettia.
Small measures 4″ x 4″ (rope and suede about 15" long) $48 Medium measures 5″ x 4.5″ (rope and suede about 20" long) $62 Large measures 5.5″ x 6.25″ (rope and suede about 20" long) $86.
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The Plant Recipe Book$24.95 + tax
Living arrangements are the heart of our work at Lila B. and this passion gave rise to our forthcoming book. With an eye on today's modern aesthetic and inspired by natural beauty, The Plant Recipe Book provides simple steps to show anyone how to create stunning living plant decor.
A follow-up to The Flower Recipe Book, it showcases the same beautiful photography by Paige Green and easy-to-follow "how to" recipe style. The 100 container designs included in the book are sometimes sleek, often whimsical, and always contemporary. They range from stark to ornate and from super-easy to more involved.
Enter Coupon code 'freebookshipping' at checkout for FREE SHIPPING!
"Chapman's new book will be cause for celebration…" – Publisher's Weekly
"The Plant Recipe Book reads, above all, like a love letter to greenery," – Food 52
'Required Reading" – Dwell Magazine
"Fab floral arrangements you can actually make" – Lonny Magazine
"We felt confident we could whip up "mammillaria on its own," …Seeing the spare, elegant results, it nearly made our mouth water" – New York Times
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The Date Palm$165 + tax
The Date Palm is long, low, and planted with an abundance of succulents. It makes for a dazzling centerpiece for tables inside or out. Each shape and size is a little different. The one pictured is about 48″ x 5″ x 6″.
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Succulent BoatFrom: $145 + tax
Is it a chic & easy gift you're going for? These Succulent filled faux-concrete vessels may look like a handful but don't be fooled. The smaller one is lightweight and easy to care for all in one.
Make one the perfect addition to your front stoop, your friend's deck, or your pool patio.
14″ x 10″ x 7″ or 22″ x 11″ x 8″
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Succulent Shutter$275 + tax
Vertical gardens are all the rage! How about this for a twist? Salvaged Succulent Shutters. Yes indeed. We took salvaged solid wood shutters and gave them a second life.
Handcrafted boxes built to last, colorfully painted to adorn your wall, and finally filled with soil to host easy care Succulents. This box rocks- all on its own. Give it a squirt of water every few days and it is ready to roll…
14" x 12" size priced here.
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One Dozen SidesFrom: $145 + tax
From any side- the view is fabulous! Using the small 'hatch' door at the top, we filled this terrarium with long lasting easy-peasy- fun to look at Succulents. Set this one high on a shelf, low on a coffee table, or just in the middle. With its fabulous shape and intricate plantings, it'll wow those at all angles. Dimensions are 9″ x 9″ x 9." for $145. 11″ x 11″ x 11″ for $165.
Annabelle Breakey
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Urban Mini LandscapeFrom: $48 + tax
This mini-faux cement pot offers up a lot of Green for it its manageable size. Easy to care for- these plants take some shade & some sun. It also has drainage hole for easy (infrequent) watering. This chic goodie will look just fab on any kitchen counter, just place a plate underneath to protect your surface. Choose from 6″ x 5.5″ or 7″ x 8″
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- Musician's Friend Best Selection, Price & Service. Guaranteed.
Need Help? Call our Gear Heads at 800-449-9128Private Reserve Guitars 866-926-1923
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This amp is no bigger than a cigarette pack but can drive a 4 x 12 cab. Includes built-in speaker or use it on...
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text: Rosen DP-1032 Backup sensor kit for Rosen and Car Show navigation receivers Zoom Front Photos Videos Does it work with my system? Item #: 135DP1032 Be the first to write a review In Stock $99.99 Was: -$15.00 : Outlet Savings Free Crutchfield lifetime tech support Free Shipping Scratch & Dent Price Loading... $84.99 Add to cart + Add to wishlist Email me alerts for this product Buy this item and earn up to 85 Rewards points See more offers and ways to save Special Financing Available x By buying this product you'll earn up to 85 Rewards points. When you sign up for a Crutchfield account, you'll be enrolled in Crutchfield Rewards. You'll earn one point for every dollar you spend on gear from us. You can turn your points into Rewards Cards that you can use toward future purchases. You can sign up for an account now, or after you complete your purchase (you'll get credit for the points either way). Sign up for a Crutchfield account Overview Details Customer Reviews Q&A Articles & Videos Our take on the Rosen DP-1032 by Dominic Devito Safety in tight spotsAdd an extra measure of safety when you're backing up in tight spots. The DP-1032 backup sensor kit connects to your Rosen or Car Show navigation receiver, and alerts you when an object gets too close to the back of your vehicle. The kit includes four sensors, a wiring harness, an interface for your navigation receiver, a 24.5' cable, and a special drill bit to help with the installation. Warranty: 1 year. See more info on this item Hands-on research from the Crutchfield Labs (what are the Labs?) What's in the box? | In-depth notes Product Research What's in the box? Download owner's manual Main sensor module (with attached 7" cable terminated by a proprietary multi-pin connector) 24.5' Connector cable (with a proprietary multi-pin connector on each end) 4 Sensors (with attached 8' cable terminated by a proprietary 2-pin connector) 8" Camera/Radar harness 3/4" Metal hole-saw bit Installation Guide Scratch & Dent items may be missing non-essential accessories. In some cases the manufacturer's accessories have been replaced with generic equivalents. Our Product Research Team At Crutchfield, you'll get detailed, accurate information that's hard to find elsewhere. That's because we have our own in-house Product Research team — they open the box, verify contents, check the owner's manual, and record dimensions, features and specs. We stay on top of new products and technologies to help people make informed choices. Features Overview: The Rosen Backup Sensor Kit (DP-1032) is compatible with select Rosen & Car Show Multimedia Navigation head units. The Rosen Backup Sensor Kit includes a hideaway sensor module, a 24.5' connector cable, exterior sensors, and a rear-camera/radar input harness. The rear-camera/radar input harness plugs into the back of the Rosen or Car Show Multimedia Navigation head unit in order to plug in the included sensor module and optional rear-view camera (135DP1068, sold separately). The hideaway sensor module is mounted inside the vehicle and connected to your Rosen or Car Show Multimedia Navigation head unit using the supplied 24.5' connector cable. The 4 exterior sensors plug into the hideaway module and are mounted outside the rear of the vehicle (symmetrically on the bumper surface). Once installed, the Rosen Backup Sensor Kit will send an audible warning through your vehicle's audio system, if your vehicle backs up to close to an object. Sensor Mounting: The Rosen Backup Sensor Kit comes supplied with a 3/4" metal hole-saw bit that attaches to a cordless or electric drill (not included) to cut out openings for the 4 exterior sensors in your vehicle's bumper. Once these holes are cut-out in your vehicle's bumpers, the exterior sensors clip into place. When installed, the sensor should point straight back, not to the sides, up, or down. Dimensions: Hideaway Sensor Module: Width = 4.9375", Height = 1.125", Depth = 3.1875" Exterior Sensors: Diameter = 0.875", Depth = 1.0" Be the first to review this product Submit a review and then enter to win a $500 rewards card Review this product: Thanks for taking the time to share your experiences about this product. Please be sure to focus your comments on the product itself. Read our Review Guidelines for more information. Review title * Email Your email won't be visible. Please use the email address that is associated with your order. Display name (e.g., JohnD) Your review will be signed using the display name and location * Your location (e.g., Charlottesville, VA) * Your rating Click on a star to rate the overall product on a scale of 1-5 1500 characters left * Your review Attach a YouTube Review Crutchfield Video Review Guidelines Only submit videos that you made or are authorized to use. Do not submit videos that contain music, video or visuals that are copyrighted and belong to someone else. Please see our Review Guidelines for more information. Submit the URL of your YouTube™ video review or product demonstration. e.g., "http://www.youtube.com/v/o79TWHh598U" 500 characters left Pros 500 characters left Cons * Agree to Terms By checking this box you agree your review becomes the property of Crutchfield, that you are over 18 years of age, that you own or have owned this product, and that you are located within the United States or its territories. Please see our Review Guidelines for more information. We reserve the right (but are not obligated to) review all submissions and edit or remove any review in any manner which we deem necessary. Your review should be posted within seven days. For a more in-depth review and enhanced detailed information on the Rosen DP-1032, please visit the Crutchfield website product page (/ISEO-rccbcspd/p_135DP1032/Rosen-DP-1032.html ). × Front


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Main Content
Let your young fan show off their team pride in ultimate comfort and style as they train to be like their favorite Denver players in these mesh training shorts from Reebok. Featuring the team name and logo printed on the left leg, sewn-on contrast stripes at the sides and a jersey-like mesh fabric, these shorts will make sure your young one can boast their Broncos team spirit during any strenuous activity!
- 100% Polyester fabric
- 15" Outseam
- Contrast team color side stripes
- Elastic waistband
- Imported
- Lightweight mesh training shorts
- Officially licensed NFL product
- Screen print graphics
- Side slits at hem
- Two front pockets
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Manufacturer direct items are shipped directly from the manufacturer. These items are not available for international or expedited shipping.
Customized items can be personalized with options such as your name, your favorite number, and/or designs. Some options may be limited by league rules.


text: Sort Posts by: List View Grid View Tweet 0 Morgan County High School competition cheerleaders begin season Editor September 27, 2013 Sports By Nick Nunn, Staff Writer The Morgan County High School (MCHS) competition cheerleading team participated in their first meet last Saturday, Sept. 21, at the Grayson High School in Loganville. Out of the three AAA teams in attendance, the MCHS team placed third, but Competition Cheerleading Coach Tweet 0 Zack Stone takes sixth at Athens Academy for MCHS Editor September 27, 2013 Sports By Nick Nunn, Staff Writer At the Athens Academy Home Meet, held last Thursday, Sept. 19, five members of the Morgan County High School (MCHS) Cross Country team placed in the top 20 positions in the Boys' 5K and Girls' 5K races. For the Boys' 5K, Zack Tweet 0 The do's and don'ts of hunting camps: Your checklist Editor September 27, 2013 Alvin Richardson, Sports By Alvin Richardson Deer season is underway for the archery guys and just around the corner is opening day for the hunters who favor smoke poles (muzzle loaders) and traditional firearms. With that in mind I thought it an opportune time to send along a few tips Tweet 0 MCMS Dogs defeat Loganville Red Devils 12-8 Editor September 27, 2013 Sports Next up for MCMS The MCMS Dogs will take on Youth Middle Oct. 2 and then Social Circle Oct. 9, both on the road. By Nick Nunn, Staff Writer Last Wednesday, Sept. 18, the Morgan County Middle School Bulldogs beat the Loganville Red Devils 12-8 at home for their Tweet 0 Spike Dogs lose to Oconee, beat Hart Editor September 27, 2013 Sports By Leila Dycus, Intern The Morgan County High School Spike Dogs traveled to North Oconee last Thursday to take on two tough teams: North Oconee and Hart. In the past, both North Oconee and Hart have proved to be a challenge for the Bulldogs. In the first Tweet 0 Maine Questions: Morgan County Primary School students take to Skype to speak with Maine residents, ask questions and meet a lobster Editor September 27, 2013 Featured, News Facts about Maine Maine gets about 8-12 inches of snow at a time. Georgia and Maine share the same state insect: the honeybee. Maine state cat is (surprise!) the Maine Coon. Maine is smaller than Georgia, land-wise, but has a larger population. Temperatures in Maine vs. Georgia differ by Tweet 0 Gardening columnist Stephanie Hudak: "Natives versus aliens" Editor September 27, 2013 Gardening, Opinion Native Plant Ideas for your Yard Trees Red maples, river birch, American beech, oaks (white, pin, willow, live), white ash and sweet gum Borders and beds Asclepias (milkweeds), Joe Pye Weed Grasses Panicums For the birds and the bees Serviceberry trees, blueberry bushes By Stephanie Hudak Hair Tweet 0 Tips on how to improve focus, concentration in children Editor September 27, 2013 Opinion By Dr. Haley Lance A new school year is underway. Along with waking up early and homework, comes getting into a routine. For many kids, the transition to waking up, sleeping, eating, and concentrating on schedule can be a difficult one. Many of these problems resolve themselves Tweet 0 Obituary: Robert Henry Litz Editor September 27, 2013 Obituaries Robert Henry Litz, known by all as "Bob," died on September 13, 2013 of lung disease at the age of 72. He was born and raised in Omaha, Nebraska and has lived in Madison for the past 23 years after marrying his wife Rebecca Holland Litz, known Tweet 0 Obituary: Mable Leonard Editor September 27, 2013 Obituaries Mable Leonard, 86, of Eatonton, passed away Wednesday, September 18, 2013. She was born in Eatonton Sept. 7, 1927 to the late Charlie Croma Carnes and the late Chapel Waters Carnes. Mrs. Leonard attended Harmony Baptist Church and enjoyed spending her early days outdoors with horses, and « First‹ Previous185186187188189190191Next ›Last »


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Jury Foreman Explains Apple-Samsung Verdict
Apple walked away with a bigger prize, but it was the story line Quinn Emanuel put forward for Samsung that seemed to stick.
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30 Fresh Fall Apple Recipes
Asian Coleslaw
Toss red and green cabbage, chopped apple and green onions with a ginger-spiced dressing for a crunchy salad. Sesame oil and rice vinegar add Asian flavor.
Not Your Ordinary Brie
A spiced combo of cranberries, apples and raisins blends for the chutney that tops this colorful cheese appetizer. Serve with crackers or toasted slices of baguette.
Apple Harvest Bake
Chopped apple and walnuts stud this spiced coffee cake baked in a pie plate. Serve wedges of the warm bread topped with cinnamon butter.
Cider-Brined Turkey with Roasted Apples
Even better than the pretty glazed fruit and crazy-juicy bird? The appley gravy made from the drippings.
Boiled Cider
Boiled cider preserves the intense sweet-tartness of fresh-picked apples. Make your own or buy it at gourmet food shops or online. Stir a couple of tablespoons into filling for pie, crisp, crumble or turnovers; replace honey or molasses in recipes for gingerbread, apple cake or spice muffins; brush on grilled vegetables; add to your favorite vinaigrette, barbecue sauce or applesauce; drizzle over oatmeal, pancakes, waffles, corn bread, ice cream, frozen yogurt or grilled fruit.
Cranberry-Apple Sweet Potatoes
Apple pie filling, canned sweet potatoes, whole cranberry sauce, apricot preserves and orange marmalade go from pantry to tabletop in this easy baked recipe. Toasted pecans add just the right crunch to this dish that's good served with meat or poultry.
Apple Bagel Sandwiches with Pumpkin Cream Cheese
Sliced and grilled apples top a golden butter for this bagel sandwich. Use an apple that stays firm when cooked, like Jonagold, Granny Smith or Braeburn. Sprinkle on pecans for extra crunch.
Apple Pie Pancakes
Weekend pancakes get a makeover with apple juice and dried or fresh apples stirred into the batter. A little apple pie spice completes the flavor. We liked them warm with maple syrup.
Asian Coleslaw
Toss red and green cabbage, chopped apple and green onions with a ginger-spiced dressing for a crunchy salad. Sesame oil and rice vinegar add Asian flavor.
Hearty Pork-and-Ale Stew
Green apples join a mouthwatering collection of ingredients in this stick-to-your-ribs stew based on pork sirloin. The meat cooks with garlic, sweet potatoes, parsnips, onion, tomatoes and the apples in beer and broth for a tender meal in a bowl.
Hot Dog-Hamburger Secret Sauce
Apples sweeten this chunky crimson relish that's perfect for hot dogs, burgers or other grilled meats. Cinnamon, cloves and pepper spice it up.
Apple-Glazed Pork Chops
Choose from apple jelly or apple butter (such as Slow Cooker Apple Butter, slide 1) to add a hint of sweetness to slow-cooked pork chops. Use fresh or dried thyme, marjoram, basil and summer savory for seasoning.
Apple and Couscous-Bulgur Salad
Apple cider and lemon juice add a touch of pucker that keeps this hearty grain salad from tasting too sweet. For a nutritional boost, use whole wheat couscous.
Streusel Apple Bread
A touch of lemon, chopped cranberries and walnuts take this quick bread into the realm of coffee cake.
Cornish Game Hens with Cider-Sage Sauce
Don't be scared off by the fancy-sounding name. This flavorful dish is actually perfect for easy entertaining. No stuffing required! Just roast the hens on top of the cranberry-apple dressing in a baking dish. You can find Cornish game hens in the supermarket freezer case.
Multigrain Apple Streusel Muffins
Rise and shine! These tender gems taste so good, you'd never guess we bumped up the fiber in this fall recipe with two kinds of whole grains and traded most of the butter for applesauce and buttermilk.
Bread-and-Cheddar Appetizer
Mustard, cheese spread and Parmesan form the cheesy layer in a halved round loaf of bread. Serve wedges of it warm from the oven with juicy apple slices for crunch.
Fruit Bowl with a Punch
The zip of Serrano peppers enhances tangy lime peel for a refreshing fruit bowl side dish. We used watermelon, cantaloupe, honeydew, plums and apple chunks.
Breakfast Cranberry-Apple Crumble
Have some oatmeal with your fruit in this recipe that mixes chopped apples and cranberries with a crumble topping made from instant oatmeal. The baked dish tastes great topped with vanilla ice cream.
Winter Wake-Up Muffins
Choose your favorite fruit or vegetable for this spiced muffin recipe. Coarsely chopped apple is one option for these easy muffins. They're great for breakfast or with a soup or salad for lunch.
Fennel-Apple Salad
Tangy Granny Smith apples combine with radicchio and fennel in this refreshing side-dish salad. Mustard and citrus flavor the dressing.
Fruit Brunch Medley
Honey and lime add snap to this fruit bowl with Granny Smith and Delicious apples, red and green grapes, kiwi and dried tart cherries. Serve it at brunch or as a meal accompaniment.
Home on the Range Burger
Chopped apple joins celery and onion to flavor these bison burgers. The crowning touch is a relish of cantaloupe and strawberries. The mix-in would be great with regular ground beef, too.
Fruity Streusel-Topped Coffee Cake
Frozen bread dough rolled out to fit a baking pan forms the base for this breakfast bread. Top with apples and strawberries, raspberries or blueberries, plus a streusel topping, then bake for a warm treat.
Applejack Turkey Sandwich
Apple butter adds a sweet orchard flavor to this turkey-cheddar-bacon sandwich on sourdough layered with Swiss cheese, sweet peppers and onion. Cook it on a panini cooker or in a skillet.
Grilled Applewood Smoked Pork Chops
Chopped apples sweeten the mustard-bourbon sauce for these pork top loin chops that slow-cook over applewood in a smoker. Serve with bread or cornbread stuffing.
Cranberry Cashew Salad
Roasted cashews top this spinach salad featuring big slices of fresh, unpeeled apple. Use Granny Smith, Delicious or any good eating apple. Mango chutney and curry powder flavor the dressing.
Bohemian Apple Waffles
Flecks of chopped apple fill these cinnamon waffles. Serve with additional sliced fruit and a warm maple syrup.
Season's Best Stuffed Pork Chops
A double dose of apple goes into these stuffed and baked pork rib chops. Shredded apple and apple juice go into the bread stuffing, which is seasoned with cinnamon, nutmeg and cloves.
Sweet on a Pig Grilled Pork Chop Sandwiches
Apple cider combines with cider vinegar, molasses, soy sauce, mustard, ginger and hot pepper sauce for a zippy marinade. After marinating for 6 to 24 hours, the pork does fast grill time (7 to 9 minutes) before it's served on a bun topped with mayo, tomato and onion.
Free printable apple desserts cookbook
Click below to download our FREE printable collection of 10 top apple dessert recipes, or choose from one of our other free printable cookbooks!


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