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New York Dance in January 2015
Our selection of the best dance in New York for the month of January 2015
Eugene O'Neill Theatre: 1st - 1st January
From Trey Parker and Matt Stone, four-time Emmy Award-winning creators of South Park comes this hilarious Broadway musical about a pair of mismatched Mormon boys sent on a mission to a place that's about as far from Salt Lake City as you can get. More info
David H Koch Theater: 9th - 18th January
A glorious celebration of five thousand years of Chinese culture, Shen Yun presents colorful and exhilarating performances of classical Chinese dance and music, integrating technique and influence from both East and West. A performance by Shen Yun is a presentation of traditional Chinese culture as it once was: a study in grace, wisdom, and the virtues distilled from an ancient feudal period of time. More info
New Amsterdam Theater: 1st - 1st January
In an exotic, faraway land, one young pauper's life is about to change with the luck of an ancient lamp - and you're invited to join this magic carpet ride! Based on the hit Disney classic movie Aladdin, this new 2014 Tony Award winning musical features best-loved music by Academy and Tony Award-winning composer Alan Menken and is directed by Tony Award-winning Casey Nicholaw, best known for his work on The Book of Mormon. More info
David H Koch Theater: 1st - 3rd January
This is the production that is the heart of New York City's year-end holiday season. Whether it is a family tradition or a once-in-a-lifetime visit, your experience of this glittering classic ballet will stay with you forever and warm your spirit. This year, celebrate with the New York City Ballet as they celebrate their 60th anniversary of performing the city's favorite Nutcracker! More info
Astor Place Theatre: 1st - 1st January
Blue Man Group is one of New York's longest-running shows and one of its hardest to describe! In the show, three enigmatic bald and blue characters take the audience through a multi-sensory experience that combines theater, percussive music, art, science and vaudeville into a form of entertainment that is like nothing else either on or off Broadway. More info
Majestic Theater: 1st - 1st January
Andrew Lloyd Webber's smash musicalization of the Gaston Leroux novel won the 1988 Tony Award for Best Musical and now celebrates over 25 years on Broadway. This musical masterpiece combines songwriting genius with an unforgettable romantic storyline - a Phantom haunting the Paris Opera House falls in love with one of its newest singers, and will stop at nothing to make her love him back. More info
Orpheum Theater: 1st - 1st January
Stomp is one of New York's most unique entertainment experiences. A rotating cast of eight energetic young performers create rhythms and, yes, music, with their hands and feet and all manner of noisy objects, such as hammers, garbage can lids, buckets, and so on. Their technical skill is truly awesome: this perfectly synchronized ballet of juggled sticks, drums, and what-have-you is indeed thrilling to witness. More info
Gershwin Theater: 1st - 1st January
Long before Dorothy drops in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. Wicked follows these two unlikely friends and college roomates grow into very different women: The Wicked Witch of the West and Glinda the Good Witch. More info
Belasco Theater: 1st - 4th January
Now starring Dexter's Michael C. Hall in the title role, Hedwig and the Angry Inch is a musical comedy about a fictional rock 'n' roll band fronted by a transgender singer from East Berlin. Directed by Tony-winning Michael Mayer of Spring Awakening and American Idiot, Hedwig and the Angry Inch won four 2014 Tony Awards including Best Revival of a Musical and Best Performance by an Actor in a Leading Role in a Musical for its former star, Neil Patrick Harris. More info
Walter Kerr Theater: 1st - 31st January
When the low born Monty Navarro finds out he's 8th in line for an earldom in the lofty D'Ysquith family, he figures his chances of outliving his predecessors are slight and sets off down a far more ghoulish path. Can he knock off his unsuspecting relatives without being caught and become the second Earl of Highhurst? And what of love? Because murder isn't the only thing on Monty's mind... More info
Imperial Theater: 1st - 31st January
A fugitive on the run, a promise made to a dying mother and, above all, the hope that despite our circumstances, we still have the power to change the course of our destiny. Producer Cameron Mackintosh's acclaimed 25th-anniversary, re-imagined production of Alain Boublil and Claude-Michel Schonberg's Tony Award-winning musical Les Miserables is returning to the Imperial Theatre in 2014! More info
Shubert Theatre: 1st - 1st January
Matilda, Roald Dahl's much-loved classic of an extraordinary child with hideous parents is given the musical treatment by the combined talents of Tim Minchin and the Royal Shakespeare Company. This critically-acclaimed musical won four awards at the 2013 Tony Awards, including Best Book of a Musical and Best Performance by an Actor in a Featured Role in a Musical for Gabriel Ebert. More info
Ethel Barrymore Theater: 1st - 31st January
London's National Theatre is proud to present the Broadway debut of its sensational new play, The Curious Incident of the Dog in the Night-Time. Based on Mark Haddon's best-selling book of the same name, this mesmerising production uses extraordinary lighting, set design and props to tell this unusual and utterly unforgettable story. A powerful story told in a considerate and highly unique way, plays like Curious Incident don't come around very often. More info
August Wilson Theater: 1st - 1st January
Jersey Boys is the story of how a group of blue-collar boys from the wrong side of the tracks became one of the biggest American pop music sensations of all time - Frankie Valli and The Four Seasons. They wrote their own songs, invented their own sounds and sold 175 million records worldwide - all before they were 30! More info
Minskoff Theater: 1st - 1st January
Disney presents a musical that brings the much-loved 1994 animated film to life to breath-taking effects, spirit and power, inviting you to explore the African Serengeti and join the wide eyed cub Simba on the adventure of a lifetime as he grows up and accepts his destiny as the King of the Pride Lands. In addition to the beloved songs penned by Sir Elton John and Tim Rice (such as the soaring 'Circle of Life') this phenomenal adaptation has new original songs and explodes with joyous, captivating music that soundtrack the rich mythology and moving drama expertly. More info
Stephen Sondheim Theatre: 1st - 31st January
Beautiful: The Carole King Musical tells the story of the life of Carole King, a Grammy-award winning singer-songwriter. This Broadway run comes after a pre-Broadway engagement in San Francisco, which also marks the production's premier. The musical features original songs by Carole King and Gerry Goffin, and will star Jessie Mueller in the 2014 Tony Award winning title role. More info
Stage 3 New World Stages: 1st - 31st January
Avenue Q is the story of Princeton, a bright-eyed college grad who comes to New York City with big dreams and a tiny bank account. He soon discovers that the only neighborhood in his price range is Avenue Q; still, the neighbors seem nice. More info
Lunt Fontanne Theater: 1st - 18th January
Motown: The Musical brings the same toe-tapping beats and soul-shaking songs that rocked America in the 1960s to Broadway. The musical tells the real story of Motown Records' founder, Berry Gordy, and his incredible journey from featherweight boxer to the music mogul responsible for Diana Ross and Michael Jackson's careers! More info
Cort Theater: 1st - 4th January
Michael Cera and Kieran Culkin star opposite Tavi Gevinson in this revival of Kenneth Lonergan's 1996 play, This Is Our Youth. The production is directed by Tony winner Anna D. Shapiro whose most recent Broadway endeavour, Of Mice and Men, also starred a cast full of young acting talent. The play is a raw portrait of the age bridging adolescence and adulthood, when poor decision making and new opportunities often collide. More info
Al Hirschfeld Theater: 1st - 1st January
Kinky Boots is one of Broadway's most successful new musicals, snapping up six 2013 Tony Awards including Best Musical! The uplifting show tells the tale of a failing family-run shoe factory in England whose business trajectory is changed (and saved!) thanks to the influence of a stiletto-wearing drag queen named Lola. More info
Music Box Theater: 1st - 1st January
In 2013 Broadway's favorite high-flying, circus-inspired musical, Pippin, finally returned! This This acclaimed revival opened over 35 years after the original Broadway production closed, but managed to match its predecessor's success by scooping up an impressive TEN 2013 Tony Award nominations of which it won four, including Best Revival of a Musical and Best Direction of a Musical. Set to a toe-tapping pop-rock score, this is one musical that doesn't just ask its cast to act, sing and dance but sees them performing acrobatics and circus right on stage too! More info
Prudential Center: 15th - 19th January
Enter a world of wonder where heroes and hearts prevail. Join Ariel as she yearns to explore the world above the waves and Prince Eric breaks Ursula's slithering spell to reclaim his one true love. See Prince Philip defeat the evil Maleficent as she transforms herself into a fire-breathing dragon in a race against time to rescue Sleeping Beauty's Aurora. And, watch in awe as the dreams of Cinderella, Belle, Jasmine, Snow White, Rapunzel and Tiana come true. More info
New York City Center: 1st - 4th January
The 56-year old AA American Dance Theater has performed for an estimated 23 million people in 48 states, as well as 71 countries on six continents. Often engaged as an ambassador for modern American dance, the troupe saw its first such engagement in 1962 as part of John F Kennedy's south east Asian and Australian tour. Whilst its repertoire is known primarily for its jazz influences, chief creative director Robert Battle has added to the dances by welcoming collaborations with other eminent choreographers, which reflects the company's ever-expanding body of work. More info
Metropolitan Opera House: 1st - 24th January
Puccini's moving story of young love has become the most performed opera in Met history. Maija Kovalevska, Anita Hartig, and Barbara Frittoli star as the frail Mim in Franco Zeffirelli's classic production, with Joseph Calleja and Vittorio Grigolo sharing the role of her passionate lover, Rodolfo. More info
Jerry Orbach Theater: 1st - 1st January
A classic coming-of-age story, The Fantasticks features two meddling, matchmaking fathers who scheme to get their children together. But once the couple is united, the real drama begins! More info
Broadway Theater: 1st - 3rd January
This nine-time Tony-nominated new spin on the Rodgers & Hammerstein classic television production adds songs from their catalogue and turns the fairy tale concept on its head: it's Cinderella's turn to save the prince! Songs include "In My Own Little Corner"and "Impossible/It's Possible". More info
Damrosch Park: 1st - 11th January
For it's 35th Season, the Big Apple Circus dares you to Dream Big! It's an all-new show, where the world's greatest circus artists are presented under an intimate big top, and no seat is more than 50 feet from the ring! More info
Broadhurst Theater: 1st - 1st January
Mamma Mia collects a group of hit songs by the Swedish supergroup ABBA and shapes them around the story of a single mother coping with her young daughter's marriage on a picturesque Greek isle. While the daughter plans her future with the love of her life, her mother is haunted by three different men who may or may not be her daughter's father. More info
Helen Hayes Theater: 1st - 1st January
Hair band devotees rejoice: The anthems of the '80s are back. The new musical features the hits of Journey, Bon Jovi, Styx, REO Speedwagon, Pat Benatar and many more. More info
Metropolitan Opera House: 1st - 24th January
Sopranos Marina Poplavskaya and Marina Rebeka both tackle Verdi's eternal heroine as they share this iconic role at the Met in Willy Decker's inspiring, "grippingly spare, almost surreal" production. More info
Studio 54: 1st - 1st January
The Roundabout Theatre Company's latest revival of Cabaret is a star-studded, two-time Tony nominated affair, with Michelle Williams and Alan Cumming confirmed to fill the lead roles. The musical, which first appeared on Broadway in 1966, is set in 1930s Berlin, in the infamous Kit Kat Klub where cabaret performer Sally Bowles sings against the voice of Nazi rise to power. More info
Bergen Performing Arts Center: 30th January
For 40 years, audiences of all ages have been delighted by the incredible humor, versatility and pure imagination of Mummenschanz. The celebrated Swiss performance troupe has captivated the world with its groundbreaking non-verbal theatre of movement and transformation. More info
Ambassador Theater: 1st - 1st January
No musical conjures up quite the same combination of intrigue, drama and sex appeal as Chicago does, a formula that's taken the hit production around the world from Toronto to Tokyo, since its premiere on Broadway in 1975. Set in the roarings 1920s, this tale of two beautiful criminals - Roxie Hart and Velma Kelly - comes alive through daring dance, sensational costumes and a pinch of Razzle Dazzle. More info
Bernard B Jacobs Theater: 1st - 4th January
The creators of the acclaimed Black Watch, director John Tiffany and choreographer Steven Hoggett, join forces with playwright/screenwriter Enda Walsh to bring the hit independent film Once, winner of a 2007 Academy Award for the hit song "Falling Slowly", to the stage. More info
Kirk Theatre: 1st - 1st January
The title says it all in New York's most outrageous musical comedy! This hilarious revue features 15 original songs, 8 gorgeous guys and no clothes - a truly winning combination! Hailed by critics and audiences in 27 cities worldwide, don't miss this sure-fire crowd pleaser. Great for groups! More info
Kirk Theatre: 1st - 1st January
No one in the news is safe! Not to be confused with the Disney musical NEWSIES, this Drama Desk-nominated revue NEWSical is back lampooning current events, newsmakers, celebreties, and politicians - in short, everyone is fair game. With songs and material continually updated to take advantage of the top news stories, composer-lyricist Drama Desk Nominee Rick Crom's topical musical comedy is an ever-evolving mockery of all the news that is fit to spoof - and then some. More info
Gerald Schoenfeld Theater: 1st - 4th January
If you loved The Producers, you'll be thrilled to hear that Nathan Lane and Matthew Broderick will perform together on Broadway again! The duo are set to star in Terrence McNally's play "It's Only a Play," a hilarious send-up of the theatre business set on the eve of 'The Golden Egg's' opening night where the nervous playwright (Broderick), his best friend (Lane), and a host of other showbiz characters await the first reviews. More info
Circle in the Square: 1st - 25th January
In one of the most highly anticipated castings this Broadway season, stage and screen star, and our 2014 Tony Awards host Hugh Jackman returns to The Great White Way! He plays the lead in this new production of Jez Butterworth's acclaimed (albeit disturbing) play, The River. Our nameless and rugged central character has whisked his new lover away to a remote woodland cabin, however as the play evolves we become less sure about his intentions... or of the nature of his relationship with those he entertains at his cabin. More info
Theater at Madison Square Garden: 17th - 18th January
Nickelodeon's latest popular preschool music group and stars of the hit TV series of the same name are hitting the road for the first time. More info
Madison Square Garden: 15th January
Most people first heard Sam Smith's unmistakable vocals on Naughty Dog's La La La, the electronic earworm which shot straight to the top of the UK Singles chart and cracked the Billboard Hot 100 Top 20 in 2013. Now the Londoner is hitting the US on a tour in support of debut album In the Lonely hour. More info
John Golden Theater: 1st - 31st January
Three-time Tony winner Glenn Close stars opposite John Lithgow in Edward Albee's family about an upper middle-class couple who struggle to maintain their equilibrium when they open up their home to friends and family in need, including their daughter whose fourth marriage has just ended as well as an alcoholic relative. More info
Madison Square Garden: 30th January
The rocker, who began his first-ever solo headline tour in March, is touring in support of his debut solo album, Blunderbuss. The release debuted at No.1 on the Nielsen SoundScan chart in April. Although albums with The White Stripes, The Raconteurs and The Dead Weather hit the Top 10, Blunderbuss marked White's first time at the top of the chart. More info
Nassau Coliseum: 25th January
Fleetwood Mac have amassed an enviable track record in their 45-year history, including over 17 studio albums, 69 singles, seven Grammy nominations and two Grammy awards. This year sees Christine McVie rejoin the band for their "On With The Show" tour! More info
Lyceum Theater: 1st - 18th January
Josh Radnor and Hari Dhillon star in this award-winning play by Ayad Akhtar about an affluent Muslim-American couple living in New York City, whose views on race, relationships and identity are left shattered after a dinner party with a co-worker and her husband. The play won the Pulitzer Prize for Drama in 2013. More info
Samuel J. Friedman Theatre: 1st - 31st January
Jake Gyllenhaal makes his Broadway debut in Nick Payne's intellectual drama, Constellations. The play - which premiered on the West End in 2012 - is an emotional and thoughtful look at one romance as it might exist across multiple parallel universes, and the impact that chance, as well as seemingly trivial things like body language and tone of voice, can have on shaping our entire future. More info
Isaac Stern Auditorium: 1st - 31st January
For more than 160 years, the venerable Vienna Philharmonic Orchestra has been closely associated with the history and tradition of European classical music. More info
American Airlines Theater: 1st - 4th January
Ewan McGregor and Maggie Gyllenhaal make their Broadway debuts in this stirring Broadway revival of Tom Stoppard's play about a playwright whose marriage is on the verge of collapse. Produced by the Roundabout Theatre Company, it will also star Tony-winner Cynthia Nixon and is directed by Sam Gold (Picnic, Seminar). More info
Metropolitan Opera House: 1st - 31st January
The Met's unforgettable production of Verdi's ancient Egyptian drama stars Liudmyla Monastyrska once again, alongside Latonia Moore, and Oksana Dykand. They share the title role of the enslaved Ethiopian princess caught in a love triangle with the heroic Radames, played by Marcello Giordani and Marco Berti, and the proud Egyptian princess Amneris, sung by Olga Borodina and Violeta Urmana. More info
Daryl Roth Theater: 1st - 31st January
Remain upstanding, folks, for this water and light spectacular that has taken London and Buenos Aires by storm. You may get wet, you may get dirty, but bring your pals and your comfy shoes, to prepare for a visual and sensory overload that will have you gasping in awe - and possibly to catch your breath! More info
Lyric Theatre - Broadway: 1st - 31st January
Three sailors celebrate the sights and sounds of the Big Apple in the classic musical comedy, On the Town, which celebrates its 70th Anniversary as it reopens Broadway's Lyric Theatre! On The Town is a fun-filled sweep through some of New York's most famous icons, and an unforgettable tribute to the city that never sleeps. More info
Booth Theater: 1st - 31st January
Set in Victorian England, Bradley Cooper stars in this touching and extraordinary drama about the life of John Merrick - a severely disfigured man who is taken in by the circus to form part of their travelling 'freak show.' This new revival of Bernard Pomerance's play, which premiered in 2012, follows Merrick's trials and successes as he fights to live a life with dignity and be seen as a human being, more than just a cruel form of entertainment. More info
Neil Simon Theater: 1st - 31st January
Following three years of careful research and writing, the brand new musical by Sting is set to premier in the Fall of 2014! Inspired by his memories of growing up in coastal England, The Last Ship tells the story of a struggling Britain shipyard and the workers who help construct these titanic triumphs of man's mechanical and creative genius. More info
Longacre Theater: 1st - 31st January
Tony, Emmy and Golden Globe winner James Earl Jones will return to the stage - the showbiz sphere he started out in over fifty years ago - in this comedic play by Moss Hart and George S. Kaufman. "You Can't Take It With You" follows two families whose lives are thrown together when their children become engaged. More info
Beacon Theater: 30th January
Since coming to America's attention with his stints on The Daily Show, this fast talking brit has managed to create a home for himself and his hilarious political satire on this side of the pond. Now the esteemed host of HBO's Last Week Tonight, Oliver is sharp, uncompromising and always totally catchable as he digests difficult topics (from the death penalty to the Fifa World Cup) with doses of his unique comedy styling. More info
Radio City Music Hall: 23rd - 24th January
As Joe Bonamassa grows his reputation as one of the world's greatest guitar players, he is also evolving into a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. His ability to connect with live concert audiences is transformational. More info
Barclays Center: 2nd January
Pimpin' may not be easy, but it's one hell of a career move. Since his breakout role as the procurer Money Mike in "Friday After Next", everything comedian Katt Williams has touched turns to gold. In September, Williams released "The Pimp Chronicles Pt. 1" on HBO, which became the network's highest-rated comedy special. More info
Brooks Atkinson Theater: 1st - 31st January
Mia Farrow, Brian Dennehy, Carol Burnett and Anjelica Huston star in this witty, revealing and unforgettable exploration of love. The romantic drama will feature a rotating cast where the pair of almost-lovers is played by a different A-list celebrity duo every few weeks. Love Letters is a moving portrait of two friends who shares their lives through letters and notes written to each other, never acknowledging the burgeoning possibility that there may be more to their relationship... More info
Nederlander Theater: 1st - 31st January
Love and luck collide in Las Vegas in this colorful comedy which transfers to Broadway from New Jersey's Paper Mill Playhouse. Tony Danza - one of televisions most iconic personalities - leads the cast of Honeymoon in Vegas, playing gambler Tommy who tries his luck sweeping Betsy off her feet - and out of the arms of her marriage-phobic fiance, Jack. More info
Richard Rodgers Theater: 1st - 31st January
If/Then is a romantic, intellectual and innovative new musical about how choice and chance collide - and how we learn to love the fallout. Broadway legend Idina Menzel stars in the lead role, one she's was nominated for a 2014 Tony Award for! More info
Actors Temple Theater: 1st - 31st January
When he was a young boy in the 1930's, Shlomo Carlebach saw the Nazi regime murder a Jewish man for simply singing in the streets of Austria. Pledging for ever more to stand up for freedom of musical expression, this event came to shape the life of Carlebach leading him away from the war to the folk movement that blossomed forth from Greenwich Village and Haight-Ashbury. As a singer-songwriter, the inspiring life of the 'Singing Rabbi' became to symbolise hope and kindness as he found a way to heal through music. More info
Westside Theater Upstairs: 1st - 31st January
Star of stage and screen Joely Richardson takes on the role of Emily Dickinson in this revival of William Luce's work. This one woman play paints an intimate portrait of America's finest poet, who lived most of her life in extreme seclusion in her hometown of Amherst. More info
Laura Pels Theater: 1st - 31st January
The Roundabout Theatre Company presents a very special production of Stephen Sondheim and James Lapine's cautionary masterpiece. Stripping the show back to just 10 actors, and one piano, the flights of fancy of the the fairytale world will be rawer and more imaginatively played than ever before. More info
St James Theater: 1st - 31st January
Returning to Broadway is this revitalized, reinvented and revived version of the 1997 cult classic that delves into the incredible true story of conjoined twins Daisy and Violet Hilton and their graduation from the fellow attractions of the carnival, to a vaudeville success in their own right! More info
Huron Club: 1st - 3rd January
Following in the footsteps of hit comedy-edutainment shows like Assume the Position with Mr. Wuhl and Colin Quinn's Long Story Short, The Imbible sweeps audiences along a 10,000-year journey through history and across the globe accompanied by craft cocktails and the vocal stylings of The Backwaiters acapella group! More info
Claire Tow Theater: 31st - 1st January
Stay-at-home-mom Jo spent nine years on her fantasy novel. Now, when it's finally finished, she is summoned by some mysteriously shady 'publishers' Andre and Sven to their New York office to discuss her follow up memoir... More info
Union Square Theater: 1st - 31st January
The late, great John Lennon comes back to life in this poignant two-man show by esteemed actor and singer John Waters and accompanist Stewart D'Arrietta, which originally saw sell-out tours in their native Australia, and is now considered part of the country's theatrical repetoire. Neither a biography or an emulation of the man himself, Waters' production aims to capture Lennon's essence through music and the spoken word in a truly intimate portrait. More info
Hammerstein Ballroom: 30th January
British folk sensation Ben Howard is embarking on a lengthy US tour to promote his second record I Forget Where We Were. It's a record up which promises a more introspective side to the singer songwriter, after his sunny debut Every Kingdom, which contained the track Keep Your Head Up. More info
Marquis Theater: 1st - 4th January
Witness magic on a scale unlike anything you've ever seen before. Led by The Anti-Conjurer, The Illusionists are a troupe of magicians who bring the art of illusion right up to date with their high-tech wizardry and death defying stunts. More info
Bergen Performing Arts Center: 25th January
The world is a curious and exciting place, and Sid the Science Kid is ready to explore it. Based on the popular animated show from Jim Henson, this musical introduces preschoolers to the basics of science through fun games, audience interaction and musical numbers. More info
Metropolitan Opera House: 1st - 31st January
The Met's hit production of Bizet's Carmen returns with two of its leading ladies, Anita Rachvelishvili and Elina Garanca! Anita Rachvelishvili made a sensational Met debut in the title role in 2010. More info
St Lukes Theater: 1st - 31st January
My Big Gay Italian Funeral is the sequel to Anthony J. Wilkinson's popular comedy My Big Gay Italian Wedding. An unfortunate occasion to meet again brings the crazy characters from the original play together again, with hilarious and often cringe-worthy results! More info
David H Koch Theater: 20th - 31st January
The New York City Ballet: All Balanchine is a wide-ranging repertoire of classical and contemporary ballet by one of the world's greatest choreographers, George Balanchine, also the co-founder of NYCB. The program will vary according to the season, with the Winter 2015 program split into two sets, detailed on the next page. Ballets include the bravura Donzinetti Variations and the soulful Serenade. More info
Metropolitan Opera House: 1st - 8th January
A holiday treat in more ways than one. Join the Metropolitan Opera's Hansel and Gretel as they journey their way through a labyrinthine forest, full of giant chefs and trees wearing suits, to find the wicked witch. Wittily staged by Richard Jones, this production is an abundant feast for the eyes and ears. More info
Beacon Theater: 28th January
Billy Idol has waited for nearly a decade to record a new album. The writing of his autobiography triggered a new sense of urgency in him and the result is Kings & Queens of the Underground. He'll be taking his whiplash smile across the States in early 2015, where you can expect to hear new material and the classic tracks which made him one of the 80's biggest names. More info
Snapple Theater Center: 1st - 1st January
Perfect Crime goes well beyond traditional mystery play. It is a sexy, compelling thriller, with well-timed surprises and laughs that relieve a growing dramatic tension. The main character is a Harvard-educated psychiatrist accused of bumping off her wealthy British husband. More info
Beacon Theater: 23rd January
Canada's pre-eminent rock band released their third record Fully Completely in 1992, an album which fully established the group's brand of intelligent alt. rock and proved to be a big domestic hit. Now, the band are heading out onto the road in celebration of Fully Completely's 22nd Anniversary. More info
Stage 2 New World Stages: 1st - 1st January
Guinness record-holding bubble artist Fan Yang brings his dazzling family entertainment to Off-Broadway. More info
David H Koch Theater: 1st - 31st January
NYCB have always been at the cutting edge of the balletic artform, constantly performing and commissioning new works from the most accomplished of contemporary choreographers. This season, which runs in October 2014 and May 2015, celebrates this tradition of innovation, and includes world premieres of pieces from Alexei Ratmansky and Troy Schumacher. More info
Isaac Stern Auditorium: 1st - 31st January
The New York Pops 2014/2015 Season boasts their greatest line-up ever. It's a series of concerts which includes everything from The Fab Four to some festive sing a-longs, to the tunes of Old Blue Eyes. New York's favourite orchestra will be joined throughout the season by a starry roster of guest performers, including Glee's Matthew Morrison and Broadway phenomenon Sutton Foster. More info
Metropolitan Opera House: 1st - 31st January
Renee Fleming marks her return to the Met with the title role in Francis Lehar's classic operetta. Directed by Tony Award winning Susan Stroman (The Producers), this production promises a lavish take on Lehar's comic story of love blossoming amidst bureaucratic wrangling. More info
Acorn Theatre: 1st - 31st January
Sometimes referred to as the "Jewish James Bond", holocaust survivor Simon Wiesenthal devoted his life to tracking down Nazi war criminals, right up until his death in 2005. His fascinating life story forms the basis of Wiesenthal, a one man show written and performed by Tom Dugan, which is coming to New York after playing to great acclaim across the country. More info
Stage 5 New World Stages: 1st - 31st January
In 2004, journalist David Holthouse's article Stalking the Bogeyman was published in the Denver Westword paper. In it, Holthouse detailed his meticulous plotting to kill the child molester who had abused him when he was seven. Making its off-Broadway premiere with The New York Rep, Markus Potter's adaptation shapes Holthouse's story into a compelling and twisting thriller. More info
Barclays Center: 16th January
Francis has been a famous name for EDM aficionados for the past couple of years, but the release of his debut album Money Sucks, Friends Rule, which includes the massive hit Get Low, is going to introduce him to the mainstream. His live repertoire still includes as much Dutch house and moombahton as you could wish for though. More info
Isaac Stern Auditorium: 9th January
Comedian, writer and actor Patton Oswalt has spent the last decade headlining comedy clubs & theaters all over America in addition to nine seasons playing the role of Spence on CBS's hit show, King of Queens. He also voiced "Remy the Rat," the lead voice in Pixar's blockbuster hit, Ratatouille. More info
Isaac Stern Auditorium: 24th January
Casting Crowns is a Grammy Award and Dove Award winning contemporary Christian rock band which was started in 1999 as part of a youth group but the band's popularity has now extended far beyond the reaches of their home town. This 2014 tour sees them joined by Mandisa and Sidewalk Prophets! More info
Beacon Theater: 16th - 17th January
Blurring the lines between alternative rock, jazz, funk, metal, bluegrass and other genres still, Umphrey's McGee exploded out of the contemporary Jam Scene in the early 2000's with an inimitable fusion of improvisation and progressive rock. The unorthodox innovators are currently touring the US on the back of their latest release 'Similar Skin'. More info
Bergen Performing Arts Center: 31st January
Even after 50 years as a major recording artist, Grammy award-winner Judy Collin's wonderful voice still shines brightly through her stunning back catalogue. An important part of the 1960s folk revival, Collins began her career channelling Dylan, Pete Seeger, The Beatles and many more artists, lending her melodic voice to other's compositions, whilst going on to pen her own tracks to great acclaim. She has always had an eclectic taste, having explored a range of sounds, from Pop, Rock and Roll to Broadway classics, such as the celebrated 'Send in the Clowns'. An evening in the company of enigmatic Judy Collins promises to inspire and thrill in equal measures. More info
Public Theater: 1st - 4th January
David Byrne and Fatboy Slim trace the rise and fall of Imelda Marcos in an immersive 90-minute experience set within a dance club atmosphere, in which the audiences will stand and move with the actors. More info
Barclays Center: 31st January
One of Russia's greatest living composers is coming to Brooklyn's Barclays Center for a very special one-off event. Igor Krutoi will be joined by a Symphony Orchestra for this program, as well as a whole host of Russian variety singers, including Kristina Orbakaite, Valeriy Leontiev, Alsou, Valeriya, Nikolai Baskov Laima Vaikule and Irina Allegrova. More info
Kraine Theater: 1st - 1st January
This is an Off-Off-Broadway production of the Neo-Futurists' signature show. In Too Much Light Makes the Baby Go Blind, a company of actors perform (or attempt to perform) 30 plays in 60 minutes. More info
Beacon Theater: 31st January
Perfect for gamer fans of all ages, this highly successful concert series marries together popular computer games with classical music in an audio-visual experience that will blow your mind! Whether its the recent Call of Duty or Assassin's Creed, or Mario Brothers and Pacman of old, there is something for everyone to enjoy! So dig out your geekiest gaming t-shirt, cosplay it up as one of your favorite characters, or come as you are for this once in a lifetime experience! More info
Metropolitan Opera House: 26th - 31st January
Superstar soprano Anna Netrebko stars alongside Nadja Michael in this opera double bill by the Met Opera, consisting of Tchaikovsky's Iolanta and Bartok's Duke Bluebeard's Castle. Created by Mariusz Trelinski, this performance is a co-production between the Met Opera and the Teatr Wielki-Polish National Opera. More info
Lynn Redgrave Theater: 1st - 1st January
Culture Project will present Anton Chekhov's The Seagull, featuring an adaptation by Thomas Kilroy and starring Trudie Styler. More info
St Lukes Theater: 1st - 1st January
Jackie Mason lovechild Sheba Mason's Musical on the hilarious love affair between Jackie and her starry-eyed mother - AN OFF-BROADWAY MUSICAL COMEDY. More info
13th Street Repertory Theater: 1st - 1st January
Called "hilarious" (Broadway World) and "engaging" (TheaterMania), The Accidental Pervert is a laugh-out-loud play that tells the awkwardly poignant story of a boy's journey into manhood after discovering his dad's video tapes hidden in a bedroom closet. Andrew subsequently develops an addiction that continues until the age of 26, when he meets his wife to be, and finds himself struggling to find the balance between fantasy and reality. More info
Marriott Marquis: 1st - 1st January
Join THE RIDE for a super amped-up experience of the streets of New York City - all from the comfort of a technologically-advanced super-bus. See life in the Big Apple as you have never seen before! More info
Oh dear, we don't seem to have any Off Broadway Shows shows during January 2015, but don't despair just yet.
If your dates are fixed then please call us on (800) 901-4092 or use our online form as we may be able to help find tickets for you.


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Sunday, 21st June, 2009, 06:29 PM #1
The Great Druid (Lvl 17)
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ø Ignore Mercurius
[Goodman/Dancey on 4E] RPGs in the 21st Century - towards another "generational peak"
I was intrigued by Joseph Goodman's "My Opinion on D&D 4E", in particular the idea that D&D has gone through different "generational peaks": first in 1982 with the boom of 1ED, then in 2001 with the explosion of 3E. This also resonates personally because I first got into D&D in the early 80s and played semi-regularly up until the early-to-mid 90s, then went through half a decade of light interest until I was caught up in the excitement in 1999 with the imminent arrival of 3E (and when I began reading Eric Noah's old 3E website...was that really ten years ago?!).
I also enjoyed, as always, Ryan Dancey's comments on RPGPundit's site, which leaven Goodman's view with his ominous concluding comment:
As to 4E and how it relates, I almost don't think it matters. The forces that are tearing apart the tabletop RPG player networks are utterly outside of Wizards' control, and it's become a true apples v. oranges comparison which means its really not fair to speculate much, so I just won't.
As mentioned, according to Goodman's idea of generational peaks, the RPG industry experienced two peak years, one in 1982 and then one in 2001, with a gap of 19 years. If we shave a few years off due to the nature of increased (and increasing) information flow, another peak would be due sometime between 2012 and 2020--11 to 19 years after the last one. The first peak came a few years after the publication of Advanced Dungeons & Dragons (1977-79, according to Wikipedia); the second, the year after 3E was first published (2000). Obviously there is a correlation and one would think the next peak would occur along with the publication of 5E.
It may be that editions of D&D are similar to Star Trek movies in that every other movie was a good one, or in the case of D&D, smashingly successful (that is, 2ed and 4ed were and are successful but not as "ground-breaking" as 1E and 3E in terms of solidifying and expanding the fan base). But here is the rub: If the pattern holds we'll see another peak with 5E, but I don't think it is a guarantee but rather more of a window of opportunity. Again, in a similar sense that while Star Trek 2, 4, 6, and 8 were all good, 10 wasn't so good...which lead to the "death" (and later rebirth) of the franchise. In other words, you can have one dud in a row, but not two--or one plateau but not two, but you need a new peak to bring it up a level.
The point being, 5E HAS to be good, has to be wildly successful, has to break new ground and expand or--at the very least--re-invigorate the existing fan base and semi-retired fans. So a couple questions to ponder:
1) WHEN is the right time for 5E?
I would use the metaphor of surfing: if you jump on the wave too soon you'll just peeter out, if you wait too long you'll miss it; the timing has to be just right (and you have to be able to handle the size of the wave you ride in on!). Obviously, with 4E only a year old, it is too soon to tell. But we can safely say it will be anywhere from 4 to about 10 years from now, my guess is in the 5-6 year range (again, taking into account the increased flow of information; the gap between 2E and 3E was 11 years, 3E and 4E 8 years, 4E to 5E 5-7 years?).
So I'm thinking 2013 at the very earliest--a gap of only five years, which isn't as short as you think if there is no 4.5E and the publication schedule remains relatively tight and focused--and 2016 at the latest, a gap of eight years, with 2014-2015 being the most likely time.
But much could change in the next five years, especially considering the evolution of technology and the most notable new 4E item to the D&D ouevre, D&D Insider. Which leads to the next question...
2) WHAT sort of game should 5E be?
Obviously it has to take advantage of computer technologies--D&D Insider is likely just the beginning, the awkward prototype. But I would suggest that if D&D relies too much on technology and gadgetry, it is not only in danger of losing what makes it D&D and not something else--namely, a game of imagination--but that it may be able to be successful because it isn't techno-focused, because it is a "throwback" to pre-pixelated entertainment. In other words, 5E should remain firmly a tabletop RPG (From a design perspective, I would hope that it would be modular, with different degrees of complexity depending how an individual group would want to play the game. But that is a little outside the purview of this discussion).
In terms of technology, it is not either/or: Either you are traditional and don't budge from your luddite roots, or you embrace everything modern technology has to offer. A combination of both is ideal, in my opinion. The technology should not, cannot, replace human imagination and the pure enjoyment of sitting around a table rolling dice with your buddies; what it can do is augment it, which is what it should do--and nothing more. This is a microcosm of what we face as a culture, and that I face as an educator: How can we utilize technology to augment human intelligence and creativity rather than replace it? It might sound very scifi, but it is a very, very serious question.
So what do you think? The floor is yours
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Sunday, 21st June, 2009, 06:55 PM #2
Novice (Lvl 1)
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ø Ignore MadMaligor
I would say that...
1) Just looking at the attempt WotC is making to integrate the computer suggests that a good time for 5E is after the success or failure of that integration. If it was me calling the shots, I would do exactly what they are doing, and keep slowly build upon successes like the character builder, and other tool sets. Things that people are already using to enhance the table top experience.
2) Which leads to the jump from table to computer screen. Something they are going to try to do. So what it comes down to is the technology factor and what the software is capable of accomplishing. It is rather easy to envision as a DM, your five players in small streaming video window images with voice across the top of your screen, all sitting above and hooked into the virtual "table top" generated by the DM, or even purchased as a software module directly from a licensed company (be it WotC, Goodman, etc...). If the software gives the DM the capability to manipulate pretty much everthing in that game world, I don't see a difference between traditional and digital.
The old school in me wants to death grip the table laden with cheetos, pizza, and soda. All the while screaming "No you cannot have my gaming session WotC!! Take your digital table top and shove it!"
However, I can't tell you how many times game sessions have been called off because of baby sitter issues, a sick player, travel issues, and so on and so forth. Will a computer at some point allow us to still enjoy each others company, be able to facilitate rule changes and DM fiat on the fly, and keep much of the magic we now have? Its very possible.
The more I think about it, the more I realize I might be ok with it, given the right circumstances.
Sunday, 21st June, 2009, 07:07 PM #3
I would agree that 5 years seems to be the life cycle of a game like 4e. What happens after that I do not know. For example will print on demand services be good enough to change the desktop publishing industry?
Being optimist I would say that with 5e Wotc will be trying to make a more casual friendly and a simpler, better, more solid tabletop game as a tabletop game than what 4e is. It will provide more possibilities and options with less overwhelming crunch baggage that you need a computer to organize your game and figure it out. Being pessimist I would say that 5e will target more on the hardcore base trying to milk it out before Wotc calls it quits.
Sunday, 21st June, 2009, 07:12 PM #4
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ø Ignore thecasualoblivion
I think that the two generational peaks were produced by outside factors and not any qualities of the games or actions of the company running the game at the time. The 1982 boom was the result of D&D becoming a fad(not unlike the Pokemon craze for CCGs), and the 2000 boom was the result of a much hyped rebirth after a long dry spell. It wasn't the game itself which powered these booms but the circumstances.
Sunday, 21st June, 2009, 07:29 PM #5
Sunday, 21st June, 2009, 09:32 PM #6
Novice (Lvl 1)
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ø Ignore tmatk
If a 5e came out 5 years after 4e's launch I would most likely skip it and wait for 6th. That would be waaaaaay too soon to expect me to re-buy all these books.
Sunday, 21st June, 2009, 09:54 PM #7
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ø Ignore Thanlis
"In terms of gross revenue, TSR earned a lot more from '87 on than it had earned up to that point."
"The key to the Model 2 years was that all though none of the individual campaign settings in TSR's matrix did extremely well, in combination, they did very large volumes."
That's a picture of great gross revenues which cost a lot to sustain; note that he makes no assertions about net profits. The production costs for multiple campaign settings are gonna be higher than they would be with WotC's current model of one setting at a time, two books and a module apiece. I wish he'd talked about net profits as well, but everyone's trying to make a point...
The other interesting fact is that LFR is generating more play than anything else the RPGA has ever done. That's hugely important. I don't know if it's generating enough play, and I don't know if it's proving Ryan wrong, but certainly the people running the RPGA are pretty pleased with the way it's sustaining and creating player networks.
Sunday, 21st June, 2009, 10:09 PM #8
Pathfinder did it as a means to calm down their frustration of what you are talking about.
Last edited by xechnao; Sunday, 21st June, 2009 at 10:12 PM.
Sunday, 21st June, 2009, 10:10 PM #9
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Sunday, 21st June, 2009, 10:19 PM #10
The Great Druid (Lvl 17)
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UGH. This is the FOURTH and last time I'm re-writing this; for whatever reason, the page keeps refreshing itself, I think when my finger hits a specific button, and then the information is lost. Im copying and pasting to a Word document from now own. Anyways
Part of me shudders at this thought, yet another welcomes it as a lesser alternative to tabletop play, sort of a halfway between that and play-by-post. As many here know, it is very difficult getting a half dozen 30-somethings together on a regular basis; my own group ends up meeting about once a month or less, which makes it almost impossible to snowball momentum and develop campaign immersion. With online streaming, we could still play in the flesh once a month, but alternate it with shorter streaming sessions, or side sessions with individual characters but I digress.
This is true also. There are outside influences that cannot be predicted or controlled, but also natural publishing cycles, which Dancey pointed to.
I wish there was some magic formula that allowed for innovations to be worked into the game, but without making previous material invalid or difficult to work with. One of the problems is that WotC relies upon revenue through splat books, so even though they could probably publish an easy-to-use Edition Converter, they dont want you converted Tome of Magic, they want you buying Arcane Power.
To me, there is a certain bankrupting of creativity that goes on in this endless cycle of new edition, countless splat books glutting the market, lull, new edition, new splat books, etc etc. It is like the Battlestar Galactica or Star Trek re-envisionings. Heck, theyre even re-making Alien, for Chrissake! My question is: Why not come up with a new franchise, a new science fiction universe? Why do we need the Forgotten Realms five years later, then twenty years later, then a hundred years later? What about a new campaign world? What a novel idea But the truth of the matter is that most companiesmost corporations, at leasttake the easy way, the safe way, the way most likely to make guaranteed profit.
I do like, however, WotCs planned approach of coming out with a new campaign setting each year, without the endless splat books that basically involve paraphrasing already written material. Of course what theyre doing so far, and I imagine into 2010, is re-making old standbys hopefully before 4E is done theyll have come out with at least one new setting

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text: Infinity 120.9w Kappa Series 12" subwoofer with selectable 2- or 4-ohm impedance Zoom Front Back Right Photos Videos My vehicle's homepage We don't check this item for fit or compatibility. Item #: 1081209W Review Summary 7 people say In Stock Free Crutchfield lifetime tech support Free Shipping Your price $249.99 Add to cart + Add to wishlist Email me alerts for this product Buy this item and earn up to 250 Rewards points See more offers and ways to save Special Financing Available x By buying this product you'll earn up to 250 Rewards points. When you sign up for a Crutchfield account, you'll be enrolled in Crutchfield Rewards. You'll earn one point for every dollar you spend on gear from us. You can turn your points into Rewards Cards that you can use toward future purchases. You can sign up for an account now, or after you complete your purchase (you'll get credit for the points either way). Sign up for a Crutchfield account Overview Details Customer Reviews Q&A Articles & Videos Accessories Our take on the Infinity 120.9w by Dominic Devito What's a component sub and why would I want one? A component sub is simply a speaker that's designed to reproduce bass once it's installed in a compatible enclosure. Think about the impact of a movie soundtrack in a big theater or even in your own home HDTV setup. A component sub can add the same kind of power to the music in your car. And a car sub is not all about the boom that you hear on a street corner (although that's cool too) - you can pair a component sub with your choice of enclosure to get bass just the way you like it, from tight and punchy to fat and loose. And once you experience music in your car with a well-tuned subwoofer, you'll never go back. Infinity Kappa subwoofers combine great-sounding bass with the wiring versatility you need to build a system that can expand to meet your changing needs. And these enhanced woofers feature superior construction that makes the thump come easy. The Kappa 120.9w 12" subwoofer features Infinity's unique Selectable Smart Impedance design, which lets you build exactly the system you want — high-power or multi-sub — without complicated wiring. Just flip the convenient impedance switch to safely choose between 2 or 4 ohms. If you're thinking about upgrading your amplifier or adding another sub down the line, this sub makes it easy to reconfigure — and it's nearly impossible to wire incorrectly. This sub handles plenty of power and sounds great in sealed and ported enclosures, too. The coated glass-fiber cone offers remarkable rigidity that minimizes distortion, while the thick rubber surround promotes smooth excursion. Add the hefty cast aluminum basket to the mix and you've got proven delivery system for potent low end. To drive this single subwoofer, we recommend a mono amplifier rated between 260 and 525 watts RMS at 2 ohms. For more information, please refer to our article on How to Match Subwoofers and Amplifiers. See more info on this item Highlights:12" subwoofer with selectable 2- or 4-ohm impedancecoated glass-fiber cone with rubber surroundcast aluminum basketfrequency response: 23-400 Hzpower range: 50-350 watts RMS (1,400 watts peak power)sensitivity: 91 dBtop-mount depth: 6-3/8"sealed box volume: 1.0 cu. ft.ported box volume: 2.0 cu. ft.warranty: 3 yearsOur 60-day money-back guarantee Priced per speaker Hands-on research from the Crutchfield Labs (what are the Labs?) Features and specs chart | What's in the box? | In-depth notes Features and Specs Size 12 -inch Impedance 2 ohms Cone Material Coated glass fiber Surround Material Rubber Ideal Sealed Box Volume (cubic feet) 1 Ideal Ported Box Volume (cubic feet) 2 Port diameter (inches) 4 Port length (inches) 13.625 Free-Air Yes Dual Voice Coil No Sensitivity 91 dB at 2.83 watts Frequency Response 23 - 400 Hz RMS Power Range (Watts) 50-350 Peak Power Handling (Watts) 1400 Top Mount Depth (inches) 6 3/8 Bottom Mount Depth (inches) 7 1/16 Cutout Diameter or Length (inches) 11 1/8 Vas (liters) 54.43 Fs (Hz) 27.2 Qts 0.46 Xmax (millimeters) 17.5 Parts Warranty 3 Years Labor Warranty 3 Years Product Research What's in the box? Download owner's manual One 12" Woofer Self-adhesive foam gasket 3mm Allen wrench Owner's manual (English/ French/ Spanish/ eleven other languages) Technical data sheet Warranty and on-line product registration information Our Product Research Team At Crutchfield, you'll get detailed, accurate information that's hard to find elsewhere. That's because we have our own in-house Product Research team — they open the box, verify contents, check the owner's manual, and record dimensions, features and specs. We stay on top of new products and technologies to help people make informed choices. Features Enclosure Compatibility Specifications Features Selectable Impedance: For increased system flexibility, the woofer impedance is switchable. There is a 2 ohm/4ohm switch above the wire terminals, this provides easy configuration of the voice coil. The power handling is the same for either setting; 350 watts RMS/1400 watts peak. Woven Glass-Fiber Cone: The cone material is extremely stiff, minimizing cone flex; this results in very low distortion and improved clarity. Vented Polepiece: Venting the polepiece reduces air compression under the dustcap which minimizes mechanical noise and provides more constant mechanical Q for reduced distortion. Terminal: The set screw wire terminals will accept bare wire up to 8 gauge. Enclosure Compatibility Sealed Box: Infinity recommends a sealed enclosure with an internal volume of 1.0 cu/ft. Ported Box: Infinity recommends a ported enclosure with an internal volume of 2.0 cu/ft with one 4" diameter x 13.625" long port. This equates to a tuning frequency of 30 Hz. They also recommend using a sub-sonic filter. Sealed Bandpass Box: When using a bandpass enclosure Infinity recommends a sealed rear chamber volume of 1.0 cu/ft and a ported front chamber volume of 1.0 cu/ft with a 4" diameter x 6.625" long port. This equates to a tuning frequency of 60 Hz. They also recommend using a sub-sonic filter. Free-air Mounting: In addition to being compatible with sealed, ported, and bandpass enclosures, the woofer can be used in free-air applications. A free-air subwoofer is designed to be mounted on a baffle board, which separates the front of the speaker from the back. For instance, you could mount this woofer to a board attached to the rear deck or placed in the trunk against the rear seat. The trunk acts as the enclosure housing the subwoofer. Because there is no specific volume of air to stiffen the suspension, the free-air power handling is approximately half that of the woofer in a box, in this case 175 watts RMS. Specifications Thiele-Small Parameters: Because the woofer has two impedance settings, there are two sets of Thiele-Small parameters: 2Ω 4Ω DC Resistance (Ω) 2.1 4.3 Inductance (mH) 1.18 1.18 Vas (liters) 54.43 54.43 Qms 4.38 2.47 Qes 0.51 0.52 Qts 0.46 0.43 Fs (Hz) 27.2 27.2 Radiating Area (m²) 0.05188 0.05188 Xmax (mm) 17.5 17.5 Motor Force Factor (TM) 12.47 18.37 Review this product Submit a review and then enter to win a $500 rewards card Infinity 120.9w Reviews Average Customer Review: 7 people say: Review this product: Thanks for taking the time to share your experiences about this product. Please be sure to focus your comments on the product itself. Read our Review Guidelines for more information. Review title * Email Your email won't be visible. Please use the email address that is associated with your order. Display name (e.g., JohnD) Your review will be signed using the display name and location * Your location (e.g., Charlottesville, VA) * Your rating Click on a star to rate the overall product on a scale of 1-5 Rate the following specific attributes Value Sound Quality Ease of Use "Coolness Factor" Build Quality 1500 characters left * Your review Attach a YouTube Review Crutchfield Video Review Guidelines Only submit videos that you made or are authorized to use. Do not submit videos that contain music, video or visuals that are copyrighted and belong to someone else. Please see our Review Guidelines for more information. Submit the URL of your YouTube™ video review or product demonstration. e.g., "http://www.youtube.com/v/o79TWHh598U" 500 characters left Pros 500 characters left Cons * Agree to Terms By checking this box you agree your review becomes the property of Crutchfield, that you are over 18 years of age, that you own or have owned this product, and that you are located within the United States or its territories. Please see our Review Guidelines for more information. We reserve the right (but are not obligated to) review all submissions and edit or remove any review in any manner which we deem necessary. Your review should be posted within seven days. Filter by rating: 5 Star: (0) 4 Star: (0) 3 Star: (0) 2 Star: (0) 1 Star: (0) 5 out of 5 Whoa! Wow! Written By Tracy, Twin Cities area, MN on Wednesday, October 09, 2013 Upgraded from an entry-level 8-inch sub. WOW! I never knew what I was missing! What a difference moving up to this 12-inch sub! I finally have the boom I always wanted (but never got with the smaller 8-inch sub). Powered by a five-channel Alpine amp that matches perfectly with this sub's 2-ohm setting, i.e., 350 watts. This sub is a dream! Pros: Awesome boom that you can feel! Cons: None! 1 out of 2 people found this helpful Was this review helpful? Yes | No "Coolness Factor" Build Quality Ease of Use Sound Quality Value 5 out of 5 Wow Written By JuJuBee, Gloversville NY on Friday, December 02, 2011 I bought these to replace my 2, 12 inch Blaupunkts that I blew apart after 6 years. I bought 2 and paired it with a 3.5 cap and a CL-1200 Amp. Im pushing a clean 450 watts by 2 at a constant 14 volts ( Hi output alt + Big 3 )and all I can say is WoW! When pushing these things will make my doors bow out from the pressure. It is insane. You will not be disappointed. These are true Infinity's in terms of the pure quality of the sound. I was hoping they dropped down to 20Hz but unfortunatly they dont and that is the only drawback. Everything from 25 and up is reproduced in a soundwave that is clean and powerful. Put them in a ported box. Give them at least 1.5 cu ft per speaker and get ready for the ride of your life. Also you should save your money as you will get a ticket,I have three times and it has been less than 6 months! Pros: Quality Sensitivity Clean Accurate Sound Cons: 2ohm-4ohm Switch can move ( I Fear ) when the bass is thumping Lowest it will hit is 25Hz 5 out of 6 people found this helpful Was this review helpful? Yes | No "Coolness Factor" Build Quality Ease of Use Sound Quality Value 5 out of 5 AMAZING!!! Written By Zane, Mattoon, IL on Tuesday, August 02, 2011 You will not be disappointed, guaranteed. I purchased just one of these to begin with, then I loved it so much I got another one. Infinity may not be known for their subs, but these will help change that. I currently running two of these on the Infinity Kappa One amp in a Sound Ordanance dual ported box. They are getting 400 watts RMS each and they handle it just fine. These subs sound absolutely amazing. Keep in mind they are SQ subs, not SPL; however they do bring the punch! Trust me. If you are looking for a sub that is hi-fidelity and hits hard, then this sub is for you. 7 out of 7 people found this helpful Was this review helpful? Yes | No 4 out of 5 Fantastic Written By Sam, Charlottesville, Va on Wednesday, September 29, 2010 I bought this sub to replace my Alpine Type-S 12inch DVC 4ohm. The Alpine wasn't blown, I just wanted a better speaker, and this thing is definitely it. It is cleaner and deeper sounding than the type-s for sure. It will hit the low frequencies in bass drops that I couldn't even hear with my old sub. I've been pushing it with a alpine m450, which is 400 watts at 2 ohms and it is plenty for sure, but it's maxed out. So I went ahead and ordered one of the new Alpine pdx-m6 600 watt amps just to have a little more head room, which I don't think I need anymore now that the sub has broken in completely. Oh well, maybe it will be even cleaner sounding. Ah... also make sure your box is decent. I thought I had blown my new sub last night because it was putting off a "blown speaker" sound, but in reality, it had blown the seals on my box that I bought from Crutchfield three years ago, and was rattling the boards against each other. Guess what I'll be buying tonight... 4 out of 5 people found this helpful Was this review helpful? Yes | No 5 out of 5 You Better Believe It Written By homerkang, Atlanta, GA on Sunday, April 18, 2010 i am now a believer in Infinity car subs. About 3 years ago, i bought my first sub (see my review here: http://signature.crutchfield.com/s_065G2124/Boston-Acoustics-G212-4.html?search=g212&ssi=0). It was one of the best subs ever made. Then recently it got worn down or something, but it started to distort no matter what adjustments i made on the rest of my system. At first, i kinda doubted it, but then i decided to give this Kappa model a try coz it looked good (lol) and ordered it from here. It came 2 days later. i put it in my ported box. Set the switchable impedance switch to 2 ohms so that it can absorb about 500 watts RMS, set my amp's ISF filter to 25Hz. And waited it out during its break in period. After a week of sounding like nothing, it now sounds as good as the Boston that i had. Although it falls short of the lower bass notes than the Boston (since this one only goes down to 23 Hz compared to the Boston's 20 Hz), i can live with that because it not only sounds clean and clear, it actually makes my Polk dB6501 components sound cleaner as well. Get this sub. For the price, it is THAT good. 6 out of 7 people found this helpful Was this review helpful? Yes | No 5 out of 5 Sweet sound Written By KenM10759, Spencer MA on Sunday, April 11, 2010 Crutchfield Customer Review (What's this?) Just added this to complete a system that includes (4) Infinity Kappa 682.9cs speakers, a Kenwood KDC-MP345U CD receiver and an Infinity Kappa 5 amplifier. Not looking for a hard-hitting, overwhelming bass, this subwoofer in it's recommended sealed 1.0 cu. ft. box is amazing. Smooth, sweet sounds without flatulence, true quality construction and great looks. The combination of the smaller speakers and amp with this sub is a near-perfect! For the combined system's price point, I cannot imagine better sound quality. 4 out of 6 people found this helpful Was this review helpful? Yes | No 5 out of 5 Infinity 120.9w Written By Dennis, Louisa, VA on Saturday, October 17, 2009 Crutchfield Customer Review (What's this?) Looks good, sounds great, good price. It gets loud and low with accuracy in the recommended sealed box. 3 out of 4 people found this helpful Was this review helpful? Yes | No 2 questions already asked I have always used a sealed box for any subs. Except my first system which was a bandpass box. I am curious about changing from a sealed to ported or bandpass with this sub. How low will it go, has anyone switch enclosures while using the same subwoofer and how did it workout? I am using an Infinity Ref 1600a mono amp, so power will not be an issue [ Nick Aug 06, 2014 ] 1 answer We have not received any answers from other customers on your question. I would recommend reaching out to an Advisor by phone (1-800-324-9695) or online chat. They should be able to help answer your question. [ Krissy Staff Aug 10, 2014 ] Cuts in and out randomly. When it goes out, if I give the enclosure box a good slap, it often comes back on again. How can I get it to stop cutting out though? I am confident in the amp and amp wiring. The sub (and enclosure) were purchased second hand online, and I do not know what the wiring looks like inside the enclosure. [ Tracy Dec 27, 2013 ] 2 answers Thanks, Jeff. Yes, that worked. I tightened up all the connections, and it works great now! No more cutting in and out. Sub is A W E S O M E !!!!!! [ Tracy Jan 01, 2014 ] This sounds like a loose connection somewhere inside the box. I would recommend checking that wiring first. [ Jeff Staff Dec 27, 2013 ] Add accessories for the Infinity 120.9w Add Accessories Add a Warranty It's critical to have good wire, and none is included with the sub. See all categories & accessories It's critical to have good wire, and none is included with the sub. Speaker Wire Reduce ambient road noise and your vehicle's "rattles," for better sound inside your car. Sound Deadening These can be useful if you are building a custom box. Build Your Own Subwoofer Box Other Car Stereo Accessories T-Spec 16-gauge Speaker Wire Black/white jacket priced per foot 13 people say Your Price: $0.69 Add to Cart T-Spec 12-gauge Speaker Wire Black/white jacket priced per foot 29 people say Your Price: $1.99 Add to Cart Stinger PRO Series Speaker Wire Priced per foot (16 Gauge) Options 16 Gauge-$0.39 14 Gauge-$0.65 Priced per foot (16 Gauge) Priced per foot (14 Gauge) 50 people say Your Price: $0.39 Add to Cart Dynamat 19100 License Frame Kit 15 people say Your Price: $14.99 Add to Cart Dynamat Xtreme Wedge Pack 1 sheet, 4 square feet 7 people say Your Price: $39.99 Add to Cart Dynamat SuperLite Tri-Pak Triple package 3 sheets, 12 square feet (Model #10612) 17 people say Your Price: $69.99 Add to Cart Dynamat Xtreme Trunk Kit 5 sheets, 20 square feet 13 people say Your Price: $169.99 Add to Cart Dynamat Dynaliner One 54" x 32" sheet (1/8" thick) 6 people say Your Price: $69.99 Add to Cart Polyester Fiber Stuffing Make your subwoofer think it's in a bigger box (1-pound pack) 35 people say Your Price: $12.99 Add to Cart Metra Speaker Terminal Round terminal cup with binding post connectors (for do-it-yourself box builders) 13 people say Your Price: $9.99 Add to Cart Metra Box Carpet Carpet roll (54" x 5 yards) available in 3 colors (Black) Options Black-$39.99 Charcoal-$39.99 Silver-$39.99 Carpet roll (54" x 5 yards) available in 3 colors (Black) Carpet roll (54" x 5 yards) available in 3 colors (Charcoal) Carpet roll (54" x 5 yards) available in 3 colors (Silver) 24 people say Your Price: $39.99 Add to Cart Springback Handle 2 people say Your Price: $9.99 Add to Cart Metra Speaker Terminal Round terminal cup with spring clip connectors (for do-it-yourself box builders) 6 people say Your Price: $3.99 Add to Cart Rubber Feet 4 people say Your Price: $5.99 Add to Cart Metra Speaker Terminal Square terminal cup with binding post connectors (for do-it-yourself box builders) 7 people say Your Price: $9.99 Add to Cart Corner Protectors 5 people say Your Price: $9.99 Add to Cart Metra Speaker Terminal Square terminal cup with spring clip connectors (for do-it-yourself box builders) 7 people say Your Price: $3.99 Add to Cart Port Tube 4" diameter, 4-1/2" long 1 person says Your Price: $5.99 Add to Cart Autosound 2000 Disc One Low Frequency Test CD (Disc One) 1 person says Your Price: $19.99 Add to Cart Why choose SquareTrade? The #1-Rated Protection Plan Thousands of people have reviewed SquareTrade Protection Plans — and made us #1. 5-Day Service Guarantee & Free Shipping We'll repair or replace your item in five business days or less after we've received it, or your plan is free. And, as always, we pay for all shipping. Protection from Normal, Everyday Use Repairing your average mechanical or electrical failure can cost as much as buying a new device. With SquareTrade, you're covered — including parts and labor. 3 Year Protection Plan Your Price: $34.99 Add to Cart For a more in-depth review and enhanced detailed information on the Infinity 120.9w, please visit the Crutchfield website product page (/ISEO-rccbcspd/p_1081209W/Infinity-120-9w.html ). Find the gear that's right for you Ask an expert Your Crutchfield Advisor knows the gear inside and out. Call 1.888.955.6000 Email Compare with other Infinity models Infinity 120.9wGet selectable impedance and improved bass accuracy 5 out of 5: In StockThe Infinity 120.9w lets you easily select between 2- and 4-ohm impedance handles 350 wtts RMS features a rigid glass-fiber cone for precise low end View All Product Information$249.99Infinity 1260w12" 4-ohm Component Subwoofer 5 out of 5: In StockThe Infinity 1260w offers: polypropylene cone with large-roll rubber surround23-400 Hz frequency response100-300 watts RMS power rangeView All Product Information$109.99Infinity 120.9w12" Dual Impedance Component Subwoofer 5 out of 5: In StockThe Infinity 120.9w offers: coated glass-fiber cone with rubber surround23-400 Hz frequency response50-350 watts RMS power rangeView All Product Information$249.99 Infinity 1260wCompare with $109.99 You are hereInfinity 120.9wGet details $249.99 × Front Back Right Searches related to the Infinity 120.9w Kappa Series 12" subwoofer with selectable 2- or 4-ohm impedance Infinity Infinity Component Subwoofers Best Component Subwoofers Component Subwoofers under $250 Infinity 120.9w reviews Infinity 1260w vs Infinity 120.9w Infinity 1260w reviews Infinity 120.9w vs JL Audio 10W0v3-4 Infinity 120.9w vs Kicker 10C124 Infinity 120.9w vs Rockford Fosgate P3D2-12 Infinity 120.9w vs JL Audio C5-570cw


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One More Time, With Feeling (seriously)
I write this fully aware that many versions of this letter are sent to you in some variation by other versions of what I am: Artist With Questions. For introducing dialogue, I suppose this is your punishment. I follow with interest the advice you put out and the conversations that follow on your blog and should thank you for extending yourself. Thank you. I think it's generous and rare for the Chelsified to reach out to the art-stricken with their unwieldy ways, gooey hearts, and dirty fingernails. On that note, perhaps you could advise me as to who to approach with my work. I feel fairly gall-ridden and brazen asking this of you (hence the embarrassment of adjectives), but frustration trumps humility finally. I am not asking you to consider me for your gallery, no, rather, I am looking for one of those signs shaped like a finger pointing somewhere, preferably in an appropriate direction. I am a Brooklyn artist having a hard time getting anyone to even look at my work. (I am legion.) So, please look at my portfolio and respond when possible.Again, charming, but in my opinion this approach neglects to take on the number one most important part of getting a gallery: doing one's homework (oneself). If you want my very best advice for getting a gallery (i.e., if no one is breaking down your studio door to get you to work with them), then here it is:
- Do some honest and serious thinking about where your artwork belongs in the art market. You'd be amazed at how many emerging artists think the big galleries that only work with proven sellers would be a good fit for them. Many of those galleries have no interest in developing unknown talent. Approaching them is a waste of your time if you're not already somewhat well known. Beyond that, know exactly where your work falls within the dialog. If you're not making bleeding edge work, then don't approach the galleries known for breaking all the rules. Understand what your potential market is like and find the galleries that target that market. This takes work and research but will pay off your entire career.
- Do some serious research to find the program that best fits your artwork within that market. Generally there will be more than one gallery targeting your personal market. One very impressive artist I know spent months visiting galleries after moving to New York looking for this very fit, and gradually narrowed down the programs she felt were inline with her artwork. She chose the right one and has a gallery now. Again: work and research.
- Don't make mistakes that will discourage you. You'll encounter enough of that without bringing it on yourself. For example, we had an artist come in with his CD the other day, asking us to look at it, assuring us he was the best artist out there. We asked him, as we always do at that point, if he was familiar with our program. He said "No." We took the CD anyway, just because he insisted, but the work was nothing at all like the art we show. Even if it had been, we already didn't like him (because he didn't take the time to get to know us before asking us to consider him). He wasted his time and money, and our time. More than that he consumed a chunk of our goodwill toward other artists (experience that enough times and you begin to shut down toward the cold call approach). I know another Chelsea gallerist who (at one time) would insist an artist come and view at least three exhibitions in the space before even approaching the subject of considering the artist's own work. It might sound cruel or off-putting, but it's actually very solid advice.
- Work toward a short list. And Be Very Honest with yourself. There's no point in doing this if you're not honest about it...if I had a dollar for every artist who told me they thought they belonged in the hottest gallery out there (when they clearly didn't), I'd buy you all a drink (and I mean you ALL). Once you have a short list of galleries that are a good match strike up a conversation with those galleries. You may not gain initial access to the dealers, but in some galleries you can. In these conversation, be generous and insightful. Demonstrate that you understand what the gallery is doing and that you like it. Do all of this before you broach the subject of your own work. Consider doing it and leaving it at that for a while. Seriously (this goes back to being generous...let that be the impression you leave). You're looking for a short cut through the defenses the gallery puts up to screen out artists who don't understand the gallery's program. Demonstrate that you do. That might mean offering an insightful comment about the current exhibition or asking about an artist in the program you like. As I've noted before, if you can't honestly say something positive about the current show or other artists in the gallery, this is most definitely NOT the gallery for you.
- Once you have an "in," so to speak, then let the gallery know you're interested in having them consider your work. Again, don't expect this to happen all in one day. It can, but if you don't read the signs on a day the gallerist is too busy or recovering from a hangover or whatever, all your work up to this point might be for nothing. I'd recommend following up a good impression later with an email, noting that you enjoyed the conversation (remind them of something you noted about the program to jog their memory) and that you'd be interested in their opinion about your work. Send them a few jpgs and/or point to your website. The key at this point is to tie it all together: 1) demonstrate that you understand the gallery program; 2) make clear that you enjoyed the dialog; and 3) THEN suggest that your work seems like a good match to you.
I can never tell if this particular topic is more discouraging than helpful (I've discussed it in lectures and usually it seems to deflate folks more than anything). I don't mean it to be discouraging...I'm seriously offering the best advice I know to give here. I seriously hope it helps.
Labels: getting a gallery


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The Torrey Advocacy Commendation recognizes the courage and tenacity of individuals who selflessly advocate - despite criticism and opposition - for the right to treatment for people too severely disabled by mental illness to recognize their own need for care.
"Individuals are the heart of reforming and improving our mental illness treatment system," says Dr. E. Fuller Torrey, for whom the award is named. "The system will not change without the work of individuals, and these individuals should be recognized for their outstanding efforts to bring about change." Anyone can nominate a hero in the fight for better laws, practices and policies.
DJ Jaffe
Karen Easter
Mark Munetz, M.D.
2011: New Jersey Sen. Richard J. Codey, New Jersey General Assembly Speaker Sheila Y. Oliver, Cathy and Mark Katsnelson
2010: Randall Hagar, Barbara Biasotti and Chief of Police Michael Biasotti
2009: The Webdale Family, Nick and Amanda Wilcox, Joe Bruce, National Sheriffs Association
2007: Jeanette Costello, Janice DeLoof, Karen Gherardini
2006: Jeffrey Geller, M.D.; Richard Lamb, M.D.; Darold Treffert, M.D.
2005: Sheriff Donald Eslinger, Linda Gregory, Alice Petree
2004: Charles "Chuck" Sosebee
2002: Morton Birnbaum, M.D.
- A continued and long-term focus on advocacy - paid or unpaid - in the field of mental illness
- Dedication to securing humane and timely treatment for individuals suffering from the most severe mental illnesses and assisted outpatient treatment for those who do not recognize that they are ill
- Achievement of a substantial difference in advocacy, awareness, research or legislation at a local, regional or national level


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Is there any where on the martin website to register a new bow
Is there any where on the martin website to register a new bow
You don't need to register a new bow. The owners manual that you get with the bow, has a place to fill out and put a copy of your receipt with it. This is for you to keep and it they need the info you will have it.
Bow String Depot Custom String Builders
Need a string set pm or email me @ email@example.com
or check us out @ http://bowstringdepot.com
thank you.
Thats the one thing I don't like about Martins, they have no permanent serial number stamped into the riser, its written on a foil sticker that can and does peel off. Which is most likely the reason we don't need to register the bows
Martin 06 Slayer, Nitrous C, shoot thru, 63lb, Quiktune 3000, HAA OL 5519, Beman ICS Hunter
Martin 06 Slayer, Nitrous C, Shoot thru, 55lb, Quiktune 3000, HHA OL 5519 2X, Easton A/C/C
Ben Pearson 1968 'Cougar' 62" 45#s @ 28" recurve, parallel shaft POC, Zwickey 'Eskimo' 2 blade