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Barcelona, more than just a single city, is really a collection of multi–faceted and diverse cities. For centuries, the town and its important port have been a gateway to the peninsula through which European influences have entered. All of this means that Barcelona today is a modern cosmopolitan city, always attentive to the latest cultural ad artistic trends.
The Gothic Quarter is the nerve center of the Catalonian capital. Besides having a typical Barcelona ambience, it is the home of some of the most important buildings of the city. The Cathedral is a magnificent example of Levant Gothic.
Next to the Cathedral The Casa de l'Ardiaca, rebuilt in the 15th century on the remains of the old Roman wall, is one of the best examples of the flamboyant Gothic. The Plaza de Sant Jaume, flanked by the City Hall and the Palau de la Generalitat, seat of the Catalonian autonomous government, built in Gothic style in the 15th century.
Las Ramblas, a popular, vibrant avenue with kiosks and flower shops scattered along its length, goes from the Plaza de Catalunya to the Colombus monument. The Gran Teatre del Liceu inaugurated in 1848 and reconstructed in the last decade of the 20th century, hosts to an important part of the musical season of the city.
The rich legacy left by Antonio Gaudí, as well as that of other early 20th-century architects, constitutes a fundamental part of Barcelona's identity. Works by Gaudí, such as Park Güell, the Palau Güell, and Casa Milà "La Pedrera", as well as Doménech i Montaner's Palau de la Música Catalana, and the Sant Pau Hospital have been declared World Heritage Sites by UNESCO. The temple of the Sagrada Familia (the Holy Family), and houses such as Casa Lleó Morera, Casa Amatller, and Casa Batlló are just a few of the many gems of the modernism treasured by the city.
Barcelona's culture is not only evident in its buildings, parks and outdoor sculptures, but also in its countless museum collections. Artists of the stature of Picasso, Miró, Tàpies or Gaudí, have museums entirely devoted to collect their works.
Barcelona overlooks the sea. The Olympic Village and the Port Olímpicwith beaches, piers and an impressive array of museums and leisure centres (such as the Aquarium, the 3D IMAX Theatre, the Colon viewing point, etc.) make Barcelona's seaport a cosmopolitan place, full of life.The city offers first-class infrastructures for holding trade fairs, symposiums and international conferences. Many of the city's most emblematic buildings are equipped with auditoriums and conference rooms ideal for holding business meetings and all kinds of exhibitions. The Palau de Sant Jordi, built at Montjuïc by Japanese architect Arata Isozaki, is one of the most surprising of them all.The visitor, whether on business or pleasure, will enjoy Barcelona's beautiful urban beaches, marinas, and seafront golf courses.
The Mediterranean Region defies description; so rich is it in dramatic history and bewitching scenery.
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Here is an exquisite example of the technique of guilloché enamel ornamentation on an 18k yellow gold locket. Striking six-sided configuration and entrancing blue color with white enamel trim set up this Edwardian locket as a true attention grabber. The alluring machine turned pattern is quite hypnotic and draws the eye to the old European cut diamond centrally set. To the reverse the ornate hand engraved script initial "R" is displayed. The interior compartments still retain the rims and original plastic inserts – now slightly yellowed and can be replaced if so desired.
Date: Circa 1900.
Measurements: 1-1/2 inches (3.9 cm) in length including bale by 1-3/16 inch (3.0 cm) in width. Weight of 9.2 grams (5.9 dwt).
Hallmarks: "18k"; a mark on top "O" fitting.
Condition: Excellent; minute scratch to the enamel in the top triangle visible upon very close inspection or with magnification; minor indentations to the left side on back.
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Josph Gerard has been a follower of the Pittsburgh Pirates since he first saw Roberto Clemente in his awesome vest uniform. While he has been fortunate enough to witness all of the Pirates' championships in the modern era, his biggest regret in life is that he was still in diapers when Maz hit the home run to beat the hated Yankees.
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James Cascone is the national leader of Deloitte's food & product safety practice. His global consumer business experience is reflected in the practice's holistic perspective on food and product safety and his team's approach to providing local solutions to address global issues. James is the co-leader for the Center for the Global Food Value Chain.
James has 20 years of professional experience providing risk advisory services to food & beverage clients. He leads a national team of specialists that help clients with resolving food & product safety operational and science-related challenges. The team has experience in supply chain (i.e., food defense, supplier transparency and supply chain resiliency), quality assurance (i.e., microbiology, chemical / environmental / allergen management, labeling, thermal processing, etc.), product integrity (e.g., human factors), compliance and standards management, and value chain (predictive) analytics.
He also serves as Deloitte's national Restaurant / Foodservice Industry leader, sharing leading practices with clients and Deloitte's network of industry practitioners. He has co-authored papers on Food Safety and the Food Safety Modernization Act, serves on the Board of The Los Angeles Conservation Corps, and is fluent in French and Italian.
James received a Bachelor of Commerce in Economics and Business Administration from Concordia University, Montreal, Canada. He earned his professional certificate in Accountancy from the University of California, San Diego, and completed the Harvard Business School executive leadership program for leading professional service firms.
James is a Certified Internal Auditor (CIA), Certified Information Systems Security Professional (CISSP), Certified Information Systems Auditor (CISA), and is certified in the Global Reporting Initiative (GRI) for sustainability reporting.
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INGLEWOOD, Calif. (May 1, 2009) — Favorite Maui Mark, fourth at the head of the stretch, easily caught pacesetter Slam Slew with a furlong to run and drew away for a 3 1/4-length victory as Joel Rosario notched his fourth of five wins in Friday's $48,000 allowance feature at Hollywood Park.
The five-win afternoon gave Rosario 14 as he moved into a tie atop the Hollywood Park jockeys' standings with Rafael Bejarano, who is in Kentucky where he will ride Chocolate Candy in Saturday's Kentucky Derby.
Maui Mark, a 4-year-old son of Unusual Heat, covered six furlongs on the Lakeside Turf Course in 1:08.75 while paying $5.20, $2.80 and $2.60. Cardinal Zin prevailed by a nose over Ghost Ruler for second, returning $3 and $2.40. The show payoff on the latter was $3.80 as Slam Slew faded to fourth in the field of six.
Maui Mark, trained by Howard Zucker, won for the third time in seven starts. The winner's share of $37,440 raised the 4-year-old gelding's earnings to $108,720.
The Hollywood Park record for wins on a program is six, set by Bill Shoemaker in 1953 and matched by Laffit Pincay Jr. in 1968, Shoemaker in 1970 and Kent Desormeaux in 1992.
Bejarano rode five winners on April 25 to pad his lead in the standings before heading for Kentucky. Rosario's other wins came on Well Deserved ($7.80) in the second race, Dextera ($6.40) in the fourth, Kaffeinator ($5.40) in he sixth and Cadeaux Du Monde ($12.80) in the eighth race.
Racing resumes Saturday at Hollywood Park with a special 11 a.m. post time as the track will import the entire card from Churchill Downs. Gates open at 7 a.m. with the first import at 7:30 a.m. The Kentucky Derby will run between the eighth and ninth races on the Hollywood Park program with a 3:24 p.m. post time.
Feature event on-track is the return of 2008 CashCall Mile winner Diamond Diva in the $100,000 Wilshire Handicap, which runs as the 11th race on the 12-race card.
Copyright © 2009-2014, Hollywood Park. All rights reserved.


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Knitting & Crocheting
An idea for 2012
This year has been crochet year for me. It's been a bad year emotionally (longtime friend died after a 10 year illness, etc) and I can kinda crochet afghans mindlessly.
So all year I saved the wrapper from the yarn I used, and tomorrow I'm going to figure out how many skeins and how many ounces/pounds of yarn I used.
I plan to do it again in 2012, and thought I'd throw it out as an idea. Not a competition or anything, just for your own knowledge.
I counted last night. I used 93 skeins of yarn, ranging from 3 oz to 16 oz, for a total of 613 ounces, which is 40.9 pounds!
I didn't keep track of how many afghans I made. I made at least a dozen baby afghans, which my DD's gave as baby shower gifts. And as least a half dozen big big afghans which I gave to my nephews.
And I still have a big tote filled!
Wow! You have been busy. My family gives me a hard time about how much yarn I have/buy/store but it's where they come when they need some for a project so it's all good.
I never had any where near the amount of yarn that I do fabric! DH has the entire basement filled with computers and parts, so he isn't saying anything.
Hi Holly - I would probably be close to your count too - although I like counting the stacks of things I have made or given away - I would have trouble hanging on to wrappers.
Will look forward to hearing your 2012 numbers!!
I had a little plastic container that I folded them up in and kept under the sewing table out of the way.
I probably won't match last year, as I put a big dent in my yarn stash.
How about an update? As we move into May, tonight I went through the bag where I'm saving all of my yarn labels. So far this year, I've used about 120 oz of yarn, with 36 oz being cotton and the rest being either Red Heart Super Savers or Loops 'N' Threads Impeccable. This does not include the many, many yards of No. 10 crochet thread that I've used so far on doilies, table cloths and bookmarks. Nor does it take into consideration all of the other yarns that were in my stash that didn't have lables on them. If I had to guess, I think that I'm probably close to 150 oz by now. Any one else have an update.
Okay, since when we're finally in December, I thought I'd bring this thread forward. I don't have a current total to report yet, but I have been saving all of my yarn wrappers in one of those nice little bags that you get for $1 or $2 at the bookstore. I will be doing the total on January 1. I have been doing a lot of crochet this year. I made 6 ponchos, a dozen adult hats, a dozen kids hats, several scarves, a dozen cowls, 20 more flower hot pads, a dozen can/bottle cozies, 2 leather strap bags, 3 new market bags, 6 new doilies, a toddler's dress and hat, 2 new baby afghan's, two dozen pairs of fingerless mitts (the local school bus drivers love them), several new beaded necklaces and bracelets (some crocheted from wire), some more snowflakes, a couple of table runners/dresser scarves, and a sweater for me (made with yarn my niece gave me for Chr*stmas last year)!
I'm not sure what the final total will be, but I can tell you that I'm going to need to do a yarn buying trip after the first of the year. Oh, and the one thing that I didn't get finished (haven't even had time to work on it all year) is the pineapple table cloth that I started last year. Hopefully, this winter I'll be able to get it done.
So, anyone else been tracking their yarn usage this year?
I think you should take these wrappers and make a purse! You've seen those gum wrapper purses? Yep, you should make something with them .
I have saved all my wrapper this year too. I will add up all the yards soon. This is a great idea.
I'm so glad you all liked my idea! I've been saving wrappers again all year, and will count them December 31. I've been making baby afghans all year- seems like everyone my DD's know is pregnant or just had a baby.
I just totaled up for 2012. I used 456.6 ounces, which is 28.5 pounds of yarn!
Any one else kept track?
Finally got around to adding up my total. I used approximately 299.8 ounces of yarn last year and about 650 yards of #10 crochet thread (they only give you yardage on those balls, not weight). I probably did closer to 325 ounces since I had thrown out several labels before we started this project. BTW, my total weighed about 18.75 pounds. LOL! Well, the bag is empty and ready to receive 2013 labels. I like the idea of tracking my yarn usage. Helps me to see what I've accomplished in a year.
I finally added up all my wrappers. Some of them only had yards and not ounces, so I just added up the total yards. I had 25,879 yards of yarns and thread. The vast majority was size #10 crochet cotton thread. So I crocheted up almost 15 miles of thread and yarn. Some of it was gifts, some things for our granddaughter, and alot of items that I was able to sell. I will keep my wrappers for 2013 and see how it compares. I still have a ton of thread and yarn on hand.
Love you're idea. I have lost count already what I have done since January. I had surgery may 3. I decided to finish my ufos. I have finished 3afghans; &1baby Afghan. 92 dishcloths; have just started a new Afghan. Decided to make all nine grandchildren new Afghans.
I also have a grandson that has medical problems. There is a lady that helps get children what they need. So I think I will make her some things too. She raffles items off to help pay for the items she needs to have made for the child. No money is asked of the parents. My grandsons was just sent a weighted blanket. The cost her $60. To have it made and sent to my grandson they also send a couple small gifts for the sibilings. Better get busy. If I still have a job I will be back at work in 5 weeks.
I just did my count for 2013, because I'll be going to WA to see my grand baby, on December 26.
I made 62 of the no crochet scarves, using 14.5 pounds. I used 26 other skeins of regular yarn of various weights, which (only) came to 8.5 pounds. So my grand total for 2013 is 23 pounds.
Anyone else have numbers?
I don't crochet a lot...but I do some and I sew a ton! I don't save wrappers or receipts...but I do have a little notebook in my sewing room and I keep track of what I purchase and what I use in that. Amazing the yardage of fabric and ounces of yarn one can use in a year!!
Fun subject, Holly....
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Soybean aphid scouting and management
Prophylactic or "insurance" treatments at low aphid levels do not provide good value, because treated fields often see pest resurgence, frequently to levels higher than untreated fields. This can occur because the insecticide has eliminated the beneficial predatory insects that help keep pests in check, or because winged migrant aphids have recolonized the field, or both factors working together. A single well-timed application based on scouting information and thresholds is more economical than two poorly timed applications; and in some years even a single application may not be needed. Another problem with insurance treatments in soybean is secondary pest outbreaks of twospotted spider mites. Spider mites are a particular problem when the weather is hot and dry. Spider mite outbreaks often happen in fields that have previously been treated for soybean aphid. This is because many products (particularly most pyrethroids), can actually flare spider mite populations.
Soybean aphid management
click image to zoom Chemical control. Some pesticides labeled for soybean aphids in South Dakotaa
Resistant varieties. Aphid-resistant soybean varieties are available and are an under-utilized tool in aphid management. We have extensively tested lines containing the resistance genes Rag1 and Rag2 in South Dakota. Though resistant varieties will seldom be aphid-free, these genes typically provide a five-fold to ten-fold or greater reduction in aphid populations compared to susceptible checks. Many companies provide aphid resistant varieties in various maturity groups. Two such providers are Syngenta and, for organic producers, Blue River Hybrids.
Natural enemies. There is a diverse community of natural enemies in soybean, which help suppress soybean aphid colonization and population growth. These natural enemies include ladybeetles, lacewings, pirate bugs, and entomophagous (insect-killing) fungi. One of the most important predators of soybean aphid is the multicolored Asian ladybeetle, Harmonia axyridis. In the absence of these natural enemies, soybean aphid population growth is significantly faster (2–7 times). Pesticides often more thoroughly eliminate natural enemies than aphids, which allows the remaining aphids to rebound quickly without their natural checks.
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Comments (7) Leave a comment
Can you show us how you calculated your 356 aphid/plant economic injury level? Just the formula that way we can calculate injury levels ourselves. How was the damage boundary calculated?
Still waiting for the formula. You came up with a number, exactly how did you come up with this 356 aphid/plant economic injury level? How did you relate control cost, market value, yield potential, and soybean growth stage in your mathematical formula? Just show us the formula so that we can do our own calculation! You claim that your method resulted from many years of work by universities. Where is the formula for calculating your economic injury levels?!!!
Can you show us how you calculated your 356 aphid/plant economic injury level? Just the formula that way we can calculate injury levels ourselves. How was the damage boundary calculated?
I forgot to ask - can 250 aphids become 1000 aphids in 48 hours in August at R4? When do you treat for the aphids in this situation? Maybe in the 27th hour? Hope that speed scouting bcrap is speedy enough!
The original research that established the EIL is available at http://labs.russell.wisc.edu/cullenlab/files/2012/03/SBA-ET-JEE-v100-pp-1258.pdf
Thank you Dr. Wright! According to this study, the aphid doubling time can be as short as 2.7 days (Table 1). For the sake of argument, if we accept the damage boundary of 800 aphids/plant, and an ET of 250 aphids/plant, the damage boundary will be exceeded in 5.4 days. The paper does not provide a formula on how damage boundary can be calculated objectively. The linear yield loss function has a very low coefficient of determination only slightly better than a coin flip probability. Lastly, tell me which formula from the paper should I use to calculate an EIL for organic soybean with a market value of $60/bu; yield potential of 60 bu/ac; organic spray cost of $35/acre; plant stage at R4. There is no formula specified in the paper. It is full of pretty logistic curves but "Where's the beef?"
Good morning Doctor and Professor Wright! So, what do you think? What about conventional soybean with $12.12/bu market value; 70 bu/ac yield potential; $4/ac Asana or Endigo ZC (ad above) spray cost; at R4 stage? What would be the EIL and damage boundary? Show your calculations neatly on the "blackboard" please! I'm concerned that you may not actually have the mathematical procedure and basis for your 250 recommendation and yet you and your university folks keep on spewing this 250 farce every single year. Go big red?
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Unit details
SRR711 - Thesis (Architecture)
|2015 unit information
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Trimester 2: Waterfront (Geelong)
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Students enrolled in S700 Master of Architecture: 8 level 7 SR* coded units including SRR782; Students enrolled in S701 Master of Architecture (Design): 3 level 7 SR* coded units
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2 hours per week (supervision to be arranged with supervisor, minimum study commitment of 20 hours per week)
* Enrolment into the unit in Trimester 3 is subject to Course Director approval.
The unit content will focus on an approved built environment related topic and will be developed in conjunction with the unit chair and an appointed supervisor. Students will be required to select a topic or theme or area and to have it approved by the unit chair and appointed supervisor prior to commencing their investigation. The topic or theme or area will be selected from a range of possibilities suggested by staff who are available to supervise.
This unit provides research training through the identification, review and critique of a particular aspect of the built environment and the development of research. Activities include development of a clear and achievable research aim, enunciation of the rationale for the research and writing a critical thesis. This will be documented in a 10000 word paper, with associated image, digital and supporting appendices as necessary, of publishable quality. Students will work with an academic supervisor to assist them in their research and to provide direction.
Thesis (10,000 words) or equivalent 100%.
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HGTV Message Boards
Color Splash: Miami
Cancellation long overdue
Color Splash's Miami incarnation has been a disaster since it first hit the air, and I'm glad that it's finally been cancelled.
Creating a good TV show is like capturing lightning in a bottle, and HGTV was lucky that Color Splash's first version was able to do that: likable, talented host; likable, talented supporting cast; unique, accessible design.
The Miami show was essentially a parody of the San Francisco show: David became an egomaniacal cartoon of his former self; the "assistants," for lack of a better word, were unnecessary, untelegenic and unlikable; the designs always over-the-top and inaccessible. (Miami design doesn't always have to be in-your-face and dripping with glitz, but David seemed incapable of coming up with a tasteful take on Miami aesthetics.)
The Miami show blazed the trail for similar failed programming--most notably Debbie and Dina. Add David to the mix, and HGTV had a trio of D-named hosts helming D-list shows that focused on design better suited for brothels than viewers' homes.
The result? The best design programming on HGTV comes from Canada. The U.S. productions are garish and subpar compared to the quality shows from north of the border. Those shows have warm, pleasant hosts with appealing supporting casts. Most importantly, those shows spotlight beautiful design and steer clear of the three-ring-circuses that the U.S. shows have become.
I liked David in San Francisco, and I read on the board that he has a new show in the offing. But, frankly, after Color Splash Miami, I don't really want to watch David anymore.
And I only watch HGTV for the Canadian programming. The American shows mostly insult my intelligence and my design sensibilities.
Cartoon is right. David was a Disney cartoonist wannabe and it shows. Regarding the quality of Canadian programming, do you suppose it's just a coincidence that their g*vernment supports the arts in all its forms?
Here's the way I see it: this is a huge success story. David Bromstad is longest-running DS winner on HGTV. No other winner comes close. His show is now in its third iteration: from SF to Miami and now to NJ. Booyah!
I can only hope that David will eventually do some shows from the Austin area. Now, wouldn't that be fun.
I've always thought David had tacky taste, but he is telegenic and personable, and that'a all HGTV needs. I agree he does sort of fall into the Donna/ Dina realm of the more cash,the more flash genre, but the other two D's are like stagers, David at least tries to go for custom and refurbished instead of just shopping for bejeweled throw pillows.
He does seem to be more full of himself, but that could just be his regular personality coming out now that he is comfortable in front of the camera. He reminds my husband of the Uncle Arthur character from Bewitched. So when we watch him we yell at the T.V. "Oh, Sammy" and it makes us laugh every time. Yeah, we're easily entertained but laughing isn't a bad way to spend a half hour.
Charles, I really enjoy reading your posts. There is always a point to them. (Though I will probably think of Uncle Arthur now when I watch his show.)
I don't always like David's designs, but I think he is just trying to give the homeowners what they asked for.
I am anious to see his new show.
I am just happy that DAvid is still on TV. I agree with Charles that he may just be more comfortable now on TV. He has gained a lot of self confidence and years of experience that he is now more like a pro on tv when it comes to being comfortable in front of the TV. I do not like some of his MIami makeovers but that does not mean that I dislike him as a designer. He is stil my favorite and frankly his show is the only one that I watch now.
NORTH VALLEY - That was the best written and most accurate post I have every read on these boards. I agree with every word and thank you for putting it so succinctly.
You know, I understand if you don't like the show. Folks are entitled to their opinion. But to find joy in another person's failure - i.e. the cancellation of a show, the loss of jobs for several people - points to personal flaws you should work on.
I too loved Color Splash SF. But, to be honest, it was kind of homemade. A good show, but small in thinking, in my opinion. Color Splash Miami is different, the design styles are different, but it also shows the possibilities of design when you think big and bold, outside of the box.
I think both formats of the show had value. If the folks who spent time spewing venom about the design assistants on CS Miami (they seem to be lovely women, btw) stopped their hating for a second, maybe they'd see that value. And if they didn't, they'd stop watching.
We live in a world where there is way too much negativity...it saddens me that on message boards about a design show, that negativity can still be found.
Virtue, so you think that as a viewing public we should either say something nice or keep our mouths shut? I don't think so. I pay for cable TV and I have a perfect right to express my opinion on programming--good or bad. If HGTV does NOT want feedback on its choices, they need to shut down these boards.
I don't believe that is what Virtue meant. There is a way to offer constructive criticism instead of the scorched earth commentary and ad hominem attacks like the one offered by the OP. As Virtue astutely pointed out, these types of hyperbolic remarks reflect more negatively on the poster than they do the target, in this case, David Bromstad.
Nice try, achi, but it won't work. First of all, what makes you think the criticism is meant to be constructive? They are the "professionals" putting their work on display for my "enjoyment." I am the viewer. Do you really think David (or Donna) would have ever listened to me? The only thing I ever said about David was that his artwork looks like cartoons. That is hardly surprising since his stated goal was to become a Disney cartoonist. Although I love flamboyant color, his aesthetic never appealed to me so I hardly ever watched his show. As someone posted earlier, the SF episodes had an amateurish quality. The Miami episode(s) I saw were way overboard for what the HO's must have paid. For designs with that short a shelf life, the Pop Shop appears to be more realistic. That is a show I can see myself enjoying for what it is--temporary design for young people that doesn't break the bank. Unlike Donna, the Pop Shop guys seem to draw the audience in on the joke. Donna never realized she WAS the joke.This message has been edited. Last edited by: sms29s66,
Knock yourself out, sms29s66.
There is nothing on HGTV or any other entertainment show worth my high dudgeon.
aychi, you are mistaking amusement for dudgeon. And you are amused as well or you wouldn't be posting on these boards, would you?
Sorry, but there is nothing amusing about NorthValley's comment. It was nothing but snobbery and Schadenfreude.
There is a huge difference between criticising something and just being nasty.
I've been around...well, all right, I might not have been around, but I've been....nearby.
-from "The Mary Tyler Moore Show"
I wouldn't presume that the cancellation of Color Splash is representative of waning interest. David is going to be the host of a new show, so obviously HGTV sees him as a host viewers want to see. Color Splash may have had a finite run predetermined, who knows?
My remarks about the on-air personalities of those involved with the show are not attacks on the individuals. I felt readers of this forum were sophisticated enough to make that distinction, but I guess I was wrong.
When you put yourself on a public forum like a television program, criticism of the show's content and on-air personas are part of the game.
The game was clearly in David's favor when he started his first show. He'd amassed much goodwill from Design Star, and his producers were wise enough to take full advantage of that in the early days. David designed within the scope of his talents, and his tasteful rooms appealed to viewers. His castmates had clearly defined jobs that they excelled in. In addition, the castmates were rather low-key and served as excellent foils for David's more outgoing personality.
That show added to the goodwill David had come off of Design Star with. Unfortunately, all that goodwill was squandered with the Miami version. David seems unable to make Miami style work for him as well as the style he used in San Francisco. It's fair to say that, given the overwhelmingly negative comments about the new show on this board, that most viewers were turned off by his attempts to shift gears.
In addition, saddling David with untelegenic assistants who had no clearly defined jobs didn't help. And unlike Danielle and Ian, who grounded David and the first show, these women seemed to forever be playing games of one-upsmanship with David and each other. The Miami show had no personalities anchoring it to reality--something Danielle and Ian did beautifully.
David is not the first person to have made this mistake. Television history is littered with people who sparkled in one show and unsuccessfully tried to recreate that success with other shows. It's very, very hard to do. When you come into people's homes on television, they feel they've invested in you somehow. If you change into a different person, they feel betrayed and are unlikely to embrace the new version. Katie Couric, Bryant Gumbel, the cast of Friends and myriad others have had difficult times getting audiences to accept them in roles that differed from their initial introductions to those audiences. Maybe David will have better luck with the third show. Maybe not.
North Valley, your last post does a much better job of stating your case that your original post. Even though I still disagree with some of your points, your argument is pretty persuasive.
This is a fine example of how to offer a strong opinion and engage in constructive criticism of a public figure (or anyone for that matter): no snark, no insults. It's a thoughtful analysis handled in a civil manner.
I tend to agree with you North Star- I like David this new show did nothing for him personally.
To those old enough to remember- Johnny Carson said he would not have had the following he did without Ed McMahon. They were a team.
And North Star the programming from Canada doesn't seem to be chasing the "youth". They aren't afraid to have most of ther hosts have a few years on board.This message has been edited. Last edited by: professorc,
While I liked the S.F.show for its personality, I don't really remember David breaking new ground in the art of interior decorating and design. What I am seeing in the Miami incarnation of Color Splash is David pushing for a more showy, dramatic reresentation of his aesthetic.
I can't say that I have ever seen a polished combination of inventiveness and solid design principles. David's rooms often struggle with odd proportions and mediocre space planning. And even though he is David Bromstad, and the show is called Color Splash, quite frequently his color sense belies his love of graphics and animation. These areas of artistic creativity show he has undeniable talent, but the concepts and disciplines of these fields do not have the same principles of interior design.
I do like the guy, I think he's funny, inadvertantly or not, but I have always questioned his taste. That said, taste is sunjective, so this opinion may be mine and mine alone.This message has been edited. Last edited by: Charles D,
Alright, alright, we get it! You're still big David B. fans, regardless of the fact that he, HGTV, or both gave Color Splash fans the finger by abruptly moving the show, changing the cast and design sensibility, and ignoring fan complaints. Like sms said, we pay for cable programming, so we can be as mad and vocal about it as we want to be! And don't take it personally. HGTV is apparently nothing but a propaganda tool to sway people to take out home equity loans to renovate their houses according to the design standards they dictate, then try and sell/buy them at over-inflated prices, or (with their House Hunters International series) hint to people that we'd better get out of Dodge and move somewhere that's still affordable to buy and live, like Central/South America. Unfortunately for David, he's the lightning rod for a lot of this because he seems to be playing along with this game when his attitude appears to be, "I got what I wanted. Adios, nobodies!" NorthValley is right: David has squandered a lot of the goodwill he had rightly earned.This message has been edited. Last edited by: iphoenix,
Take ten deep breaths and repeat after me, "It's only a TV show; it's only a TV show; not the end of the world; not the end of the world."
[/QUOTE] Take ten deep breaths and repeat after me, "It's only a TV show; it's only a TV show; not the end of the world; not the end of the world."[/QUOTE]
I will if you finally will over the fact that the majority of CS fans hated the show change and so many of us are mad at David over it....
And doncha just want to slap someone? You choose.
One thing and one thing only killed Color Splash Miami for me, and I can say it in one word: Gina.
OK, clue me in--David is moving to NJ for a new show?
Amen to that. She drove me away all by herself.
I watch David for David. He is the designer and I want to see his designs. I don't care where he is, who he is with or which show he is on.
It is passion and enthusiasm all wrapped up in one. Watching his smile brightens my day.
Agree 100%. Thank you!
These people take things too seriously and need to stop living their lives through television.
I didn't know the show was cancelled but I've been glad to see David on other HGTV shows as well as representing a national brand in TV advertising. He's definitely evolved in his TV skills and does exceptionally well, I think, as the mentor on recent seasons of Design Star, and I hope he has continued success either on TV or offscreen as a designer or spokesperson.
Wow a lot of haters out there. If you knew anything about David then you would know that he requested HGTV move the show to Miami so he could be with his family whom he loves very much. As to the nature of the show, any designer has to design for the customers and yes Miami customers have a different esthetic than those in Dallas Texas. Imagine how difficult it must be to design for a customer while producing an international show which will appeal to all. I for one enjoyed and still enjoy both Color Splashes in that each had their strong points. I find the Miami episodes much more refreshing, young and cutting edge then the conservative looks associated with the San Fran episodes but thats just my style. I would never blame the designer for designing to their client and geographic area nor would I ever blame David for wanting to be with his family. THAT WOULD BE SELFISH. No matter how you look at it David Bromstad is talented as a designer, artist and host. "NothValley" just because it doesn't suite your taste doesn't make him any less talented. He's inspirational, energetic, happy and a true joy to watch and I for one (and I'm sure I'm not alone on this one) can't wait to see his next show. NorthValley you seem so in tune with what the American viewer wants why don't you let HGTV know what the winning formula would be lol.
Well said, JDiaz.
I remember when the Dream Home was referred to as Dream HOUSE. It is now, called Dream Home. And HOME truly is FAMILY. David chose wisely when he chose them. As for creative and talented, he's got all that along with heart. He can take that anywhere.
Have you noticed, NOT every area of our country has the same design? It's nice to see, he accommodates for the region. If Miami isn't a viewer's style, it will be someone elses. How I lived in Hawaii, would not be the same as I live in the midwest. Aloha, Yeehaw!
Hope we still hear from David. I can seriously see a streamline form of these shows base upon regions/interests. I keep checking!
trish, using "home" when you actually mean "house" is one of my pet peeves! Tacky, tacky, tacky!!!!!
Couldn't have said it better myself aychi
David B has no qualms over anything ,LOL
He is the spokesperson for Sherman Williams Hgtvs Host for DS have seen him in a few other spots on TV, he smiles all the way to the bank-IMO
It's comments like this that make Hgtv keep airing House Hunters instead of anything fun or interesting.
David is creative and made a show that was entertaining and fun to watch, I don't know what the problem is. He is warm-hearted as well, so you harping on him about his personality is pointless..
I loved the fact that he wasn't afraid of using color in design but I guess "normal" people care too much about boring gray walls and boring accessories, oh well suit yourself, and enjoy House Hunters for eternity.
One thing David can count on (besides his money) is that I'll be there watching; no matter what the name of his show is!This message has been edited. Last edited by: Ricjames,
Just found this thread, so I assume everyone has moved on, but just wanted to say: what bugged me about the Florida shows was not a "Miami" esthetic, but the fact that all the projects were for extremely wealthy people with extremely tacky taste. I'm sure that David's designs were just what the clients were looking for, but for those of us who don't want to live in a set from "I Dream of Jeannie," the rooms just didn't inspire us.
That said, I love David and will watch him in anything. Am I missing something, because I haven't seen a NJ version of the show, in fact I haven't seen him in anything except Design Star for the last year.
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Review: Zed Bias Boss
A certain cool, removed aesthetic has always permeated Zed Bias' catalog. He's been a key player in the UK garage and broken-beat scene for over a decade, and has graced both the UK charts and underground with equal poise and capability. On his latest full-length for Loefah's refinedly dirty Swamp 81 imprint, Zed Bias wears a well-earned and well-represented title, Boss. Read more »


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June Open Thread
Another month another Open Thread! Write what you like on topics within the general ambit of this blog, but here's some suggestions for useful contributions: links to recent posts/articles that relate to topics covered by the FAQs here (and the best links might even be added to the Further Reading Lists on some of those […]
debunking myths
FAQ: Aren't feminists all lesbian man-haters?
Short answer: No. Feminists come from a variety of backgrounds, with a variety of values and opinions, and (among other things) are in no way uniform in their sexual preferences. Some feminists identify as lesbian, some as heterosexual, some as bisexual, some as asexual, etc. As for the "man-hating" moniker, it has more to do […]
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FAQ: vagina vs vulva and public "faces of feminism"
Q: A celebrity feminist said something about the incorrect usage of vagina vs vulva and I want you to explain every nuance of her thoughts to me and why feminism thinks that way.
A: "Feminism" doesn't necessarily think that way just because that celebrity feminist does.
Possibly there is controversy about her opinion.
Possibly her opinion is highly unpopular.
Also, just a thought, possibly she didn't actually say quite what you think she said?
Feminism Friday
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- Feminism Friday on Tuesday: Echidne's "Need For Feminism" series
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- In which the moderator apologises for dropping the ball
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Reader request: Feminism 101 book recommendations for teens?
It'd be great to find a book written with intersectionality in mind which contains info on slut-shaming, body positivity, abortion rights, internalised misogyny, etc., which is easy to understand and digest for young girls who aren't educated about things like privilege and oppression and class, etc.
- FAQ: What is "sexism"?
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- Open Thread: Top 5 Introductory Texts
- FAQ: What can I do for feminism?
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Open Thread: Feminism, Sexual Orientation and Social Hostility
This thread is a response to a comment from Astrodyke in the Suggestions thread: I don't see tags for "lesbian" or "sexual orientation". It'd be nice to have some FAQs about lesbianism and how it relates to feminism. There are the straw questions, "Don't all feminists hate men?" or "Aren't all feminists lesbians?" But there […]
spot the strawfeminist
- FAQ: Some feminist said/did something offensive/stupid/crazy/evil, so isn't feminism a failure?
- Call for links: debunking the malicious stuff
- FAQ: But men and women are born different! Isn't that obvious?
- FAQ: Why are you concentrating on X when Y is so much more important?
- FAQ: Aren't you all just a bunch of "feminazis"?
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Comments fixed
I thought that I had unchecked a settings box that I checked for a brief hiatus over the New Year period. I just realised that apparently that change never went through.
An Open Letter to US College Students
I've been getting quite a few emails from students asking very similar questions, although the very similar questions are about rather different issues, over the last few months. I bet I'm not the only blogger getting them, either.
Obviously this is an approach that somebody is recommending to you, but can I tell you what it feels like to me? It feels like you are asking me to do your homework. That's not what tertiary education is supposed to be training you to do.
Back on deck
Approximately a month's worth of comments have just been released from the moderation queue now that I'm back from hols.
It's school holidays here for the next few weeks. I will only have intermittent internet access as I race about doing holiday things. All comments will go to the moderation queue while I'm otherwise engaged.
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Danilo Wyss sprinted to his second straight top 10 finish for the BMC Racing Team Monday at Paris-Nice.
Kroon Crashes
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See the UCBW MegaStars every Thursday at 11 PM at the UCB Theatre's CageMatch, and special Saturdays at midnight for Pay Per View events.
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New Zealand trainer Wayne Hillis is a man of his word. "When I was here with Boulevard of Dreams five years ago, I told Marty after the race that I would be back," said Hillis Wednesday morning from the isolation barn in 50 South at Hollywood Park.
Boulevard of Dreams finished seventh behind winner Ticker Tape in the 2004 American Oaks but Hillis has higher hopes for Puttanesca in the $700,000, Grade I test at 1 ¼ miles on turf Sunday.
Puttanesca, a New Zealand-bred filly who cleared quarantine Wednesday morning after being flown here Monday, was one of seven out-of-state fillies invited by racing secretary Martin Panza to have settled into their stalls here. Seven California-based invitees double the field size to 14.
"Puttanesca is more athletic and has a good turn of foot to suit the short straight," said Hillis. "Boulevard of Dreams was more of a mile-and-a-half horse."
Puttanesca won the Group II New Zealand Bloodstock Royal Stakes in January at the American Oaks distance of ten furlongs. The chestnut, the only 4-year-old in the lineup because of her Southern Hemisphere foaling, has recorded two firsts, three seconds and two thirds in 11 starts.
Hillis said the trip from New Zealand was "18 hours door to door," most of it the flight from Auckland to Los Angeles.
Hillis, who has trained for ten years after 25 years as a steeplechase rider, said Puttanesca has targeted this race since early in the year. "Mr. Kwan wanted to point her for this race since he bought her in February," said Hillis of owner Wong Yuk Kwan, a Hong Kong real estate magnate who purchased the filly from breeder Seaton Park Ltd.
Hillis has given a call to jockey Glen Boss to ride the filly for the first time. "He's a leading rider from Australia, has won the Melbourne Cup two or three times, and has ridden internationally in Hong Kong and England," said Hillis of the veteran.
Puttanesca was joined in the isolation barn by Apple Charlotte from England and Rare Ransom from Ireland.
Apple Charlotte, an English-bred victorious in three of four starts in England, worked an easy seven furlongs on Cushion Track in 1:27.80 under exercise rider John McCauley.
Jane Cecil, wife of trainer Henry Cecil, is deputizing for her husband. She said the Royal Applause filly was flown here Saturday and will canter Thursday under jockey Mike Smith, who has the American Oaks call.
"It was a choice of Royal Ascot or here, and the owners were quite keen on coming here," said Cecil of Lord and Lady De La Warr, who are scheduled to arrive Friday.
Jeff Byrne, assistant to trainer Dermot Weld, hoped that Rare Ransom can follow in the footsteps of Dimitrova, who won this race for Weld in 2003.
"She's very sound and has a lovely constitution," said Byrne after galloping the filly one mile on the main track. "She's a very straight-forward horse."
Rare Ransom has won two of seven starts in Ireland and finished fourth in the Group I Irish 1000 Guineas at The Curragh in her last start May 24 for owner Lady O'Reilly. Weld is expected to arrive later Wednesday.
The three foreign arrivals were joined in the stable area by four Eastern invitees — Gozzip Girl from New York, The Best Day Ever from Kentucky, Magical Affair from Maryland and Afternoon Stroll from Pennsylvania — who were flown west on Monday.
Gozzip Girl, winner of the Sands Point Stakes on the Belmont Park turf May 30 in her last start, galloped 1 ¼ miles on the main track.
"She shipped very well," said Dan Blacker, assistant to trainer Tom Albertrani, in Barn 53. "Nothing fazes her. She's got a good head on her."
Gozzip Girl, a daughter of Dynaformer, has won four of five turf starts and also finished second in the Grade I Ashland Stakes on Polytrack at Keeneland, beaten by a neck.
"She's pretty versatile," said Blacker. "She usually comes off the pace, but in her last race she went wire to wire because there was no speed in the race."
Kent Desormeaux, who is two-for-two aboard the filly and won the 2004 American Oaks on Ticker Tape, retains the mount.
Magical Affair, who finished fourth to Gozzip Girl in the Sands Point — beaten by 3 ¼ lengths — seeks to avenge that setback. "I jogged her one turn and galloped her one turn this morning," said Gillian Barnes, assistant to trainer Michael Matz, from Barn 53 North. "She shipped great.
"She didn't like the soft turf at Belmont and bobbled all the way around there," said Barnes of the chestnut by Giant's Causeway. "She likes firm turf and should like the distance here."
The Best Day Ever relaxed in her stall in Barn 50 North after galloping on the main track. "She seemed to take to the track and seems to be happy," said Philip Bauer, assistant to trainer and co-owner Ken McPeek. "Keeping her happy: that's the key."
The photogenic daughter of Brahms finished second by a neck in her last start in the Regret Stakes at Churchill Downs after winning her two previous starts by a nose.
"She should relish the added distance," said McPeek from Kentucky before flying here later in the day.
"She shipped well and is eating good," said Gina Moore, assistant to trainer and co-owner Tim Hamm, from Barn 51 South of Afternoon Stroll. "She jogged a mile and galloped a mile this morning."
Afternoon Stroll won the Grade III Appalachian Stakes on the Keeneland turf in April. "She usually shows some speed and should be right up there," said Moore.
"This was kind of a last-minute decision a week ago," said Moore. "This is our first time in California, and we're excited." Hamm was expected to arrive later Wednesday.
The septet will be joined by seven local horses in the eighth running of the American Oaks. The probable lineup: Apple Charlotte (Mike Smith), Rare Ransom (Patrick Smullen), Puttanesca (Glen Boss), Gozzip Girl (Kent Desormeaux), Magical Affair (Julien Leparoux), The Best Day Ever (Corey Lanerie), Afternoon Stroll (Joseph Talamo), Well Monied (Joel Rosario), Mrs Kipling (David Flores), Acting Lady (Rafael Bejarano), Third Dawn (Garrett Gomez), Lexlenos (Alex Solis), Nan (Corey Nakatani) and Pretty Unusual (Tyler Baze).
Parading and Conservative, a pair of highly regarded horses with an affinity for synthetics in the Shug McGaughey stable, were on the Cushion Track here Wednesday under assistant Jennifer Patterson with an eye toward the Hollywood Gold Cup and Swaps Stakes, respectively.
"Both shipped well and settled well," said Patterson from Barn 63 South after they were flown here from New York Monday. "Today was the first day they galloped, and they were both happy.
"Parading loves synthetics, and Conservative does too," said Patterson.
Parading won the Ben Ali Stakes and Conservative finished second in the Lexington Stakes, both on the Polytrack at Keeneland.
Patterson said Parading will probably work here this weekend and be ridden in the $700,000 Gold Cup at 1 ¼ miles July 11 by Kent Desormeaux.
The $300,000 Swaps Stakes for 3-year-olds will be run here on July 18 at 1 1/8 miles.
Street Magician was bedded down in Barn 51 South after arriving from Laurel Park in Maryland Monday, and Rebellion was scheduled to arrive later Wednesday from Keeneland for the $300,000 Triple Bend Handicap, a Grade I test at seven furlongs on Cushion Track Sunday.
Rebellion, a 6-year-old horse trained by Graham Motion, showed his prowess sprinting here last year with a victory in the 7 ½-furlong Ack Ack Handicap. Street Magician, a Grade III stakes winner in Maryland, seeks his third straight victory for trainer Michael Trombetta following a ten-month layoff.
A large field is shaping up: Noble Court, Joel Rosario, 121 pounds; Rebellion, Julien Leparoux, 118; Siren Lure, Frank Alvarado, 118; Street Magician, Rafael Bejarnao, 116; Star Nicholas, Michael Baze, 115; Paul's Hope, Garrett Gomez, 114; Rush With Thunder, Martin Pedroza, 113; Trumpet Player Jay, Aaron Gryder, 112; Zensational, Victor Espinoza, 111, and Bet On Victor, Martin Garcia, 109.
The year has been a quiet one for Hall of Fame trainer Ron McAnally, who hopes to make some noise on the Fourth of July Saturday with Buenos Dias in the American Handicap, a Grade II $150,000 stake at 1 1/8 miles on turf.
Buenos Dias, a 4-year-old Irish-bred colt imported from France, will make his second United States start after a closing second in an allowance race here June 4.
"I like him a lot," said McAnally of the Peintre Celebre colt owned by Charles Cella. "He ran with some good company over there."
Buenos Dias recorded two firsts and four seconds in 10 French starts.
McAnally has won the American four times, most recently with another 4-year-old import, Candy Ride from Argentina in 2003. He also won with John Henry in 1983, Tight Spot in 1991, and Dark Moondancer in 2000.
FINISH LINES — Tres Borrachos, winner of the Swaps Stakes last year, worked six furlongs in 1:15.80 for trainer Beau Greely for the Hollywood Gold Cup.
Copyright © 2009-2014, Hollywood Park. All rights reserved.


text:
Lincoln, Neb.- A record 44 Husker alumni returned to the Devaney Natatorium on Saturday morning for Nebraska's tenth-annual Alumni Meet. The alumni were declared the victors after winning seven of the meet's 13 events.
Former Husker Mike Irvin won three events for the second-consecutive year, claiming the 100-yard individual medley and the 50- and 100-yard freestyles. The former All-American has competed in and won at least one event in all ten alumni meets.
Erik Wiken joined Irvin as the other multi-event winner for the alumni, taking the 25-yard freestyle and 50-yard butterfly titles. The two additional alumni victories came from Courtney (Jolly) Williams in the one-meter dive and the 200-yard medley relay team.
The 2013-14 Huskers got two victories apiece from junior Rebekah Land and sophomore Katie Ditter. Land won the 50- and 100-yard backstrokes, while Ditter swam her way to victory in the 50- and 100-yard breaststrokes.
The other two Husker victories came from Melisa Mexia in the 100-yard butterfly and the 200-yard freestyle relay team of Alex Bilunas, Taryn Collura, Bria Deveaux and Shannon Guy.
Nebraska has one week to prepare for its regular-season and home opener against Iowa State. The meet will take place at 10 a.m. next Saturday, Oct. 12, at the Devaney Natatorium. Check back in to Huskers.com for updates.
Complete List of Alumni in Attendance (Name, Graduation Year)
Kaitlin Arntz, 2010Bobbi Balogh, 2012Jane (Glazebrook) Bartee, 1995Cal Bentz, 1955 *Coached last in 2000Marci Bodner, 1994Jack Borrett, 1999Tad Borrett, 1991Katie Bowden, 2007Reynaldo Castro, 1985Katie Davis, 2013Claire Desormey, 2011Ellan Dufour, 2013Jana (Frymire) Flannigan, 1978Julie Giehl, 2011Kelly (Christensen) Hajdu, 1994Kailey Harmon, 2013Amy Herman, 2013Esmie Holderman, 2006Mariah Hutchinson, 2010Bailey Ingles, 2007Mike Irvin, 1989Danielle Kaliff, 2007Brandie Kavalec, 2011Kristie Klein, 1995Kelsey Larson, 2013Mailene Leslie, 2008Sharill Luedtke, 1986Katie Luellen, 1995Ryan Malone, 2000Kate (Dulgar) Manstedt, 2006Meredith Matthies, 2011Rachell McClain, 2011JB Newell, 1990Ashley Reiter, 2013CJ (Bray) Roberts, 2009Rachel Schlatter, 2006Casey Schnack, 2007Ann Tidball, 1995Jenny Toler, 2009Ariel Weech, 2013Sara Weinberg, 2013Erik Wiken, 2001Courtney (Jolly) Williams, 2009Sarah Ziegelmann, 2010
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text: Well it finally got warm enough to shoot outside since getting the Bengal and as much as I like it, it already cost me money, lol. Even after reading all the posts about not shooting the same spot I just had to see how good I could group them with just a pin adjustment. With only 30 total shots thru it I have my first ever robinhood. Decided to shoot about 20 more at different spots 10, 15, and 20 yards after that. Could group 4 in a three inch ring at all distances. Others have said with the flatter shooting bows/arrows these days you could use one pin from zero to 20 yds and so I tried it and found I could do it and stay in the kill zone. Did I say I really like this bow. Anyway the question I have did I lose one or two arrows with the robinhood? First time out and don't even have a dozen arrows already. If they were aluminum I wouldn't hesitate to shoot the one but with carbons need advice. Thanks guys.


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JOEL ROSARIO, THE MAILET, Winner: "Jose (Singer) is a very good friend of mine and I'm very happy for him. I had the perfect trip today. I was in the clear all by myself. When I asked her she started running and she got there easy. I know they couldn't wait to try her on the turf. She really likes it. She acts like she'll keep going and going."
JOSE SINGER, THE MAILET, Winner: "Her first race she ran alright, she came in sixth. The second race was sloppy and just awful. Bruce (Levine), who is not a man of many words, said 'Jose, I really like this filly. Give her a chance on the turf.' I go by the numbers, the Ragozin numbers. They were very good, especially for first time turf, so I convinced him to come out here and go for the graded race. And we had Joel Rosario, who used to ride my horses in the Dominican Republic. I started Joel off there. Then last year I brought Joel in December to Puerto Rico and he won the big race with Sicotico. It was a big deal because a Dominican hadn't won that race in 40 years. Today he rode the race the way we had it in our heads."
Copyright © 2009-2014, Hollywood Park. All rights reserved.


text:
Tejay van Garderen, the winner of best young rider honors at this year's Tour de France, has extended his contract with the BMC Racing Team, President/General Manager Jim Ochowicz announced Thursday.
Future Team Captain
In addition to a fifth place finish overall at the Tour de France, van Garderen won a stage of the USA Pro Challenge in Colorado in August and was second overall. He was runner-up at the USA Cycling national time trial championships in May and fourth in the world time trial championship last month. A London Olympian for the United States, he also earned a silver medal with the BMC Racing Team at the world time trial championships. Ochowicz said following that flurry of success, offering a contract extension was an important move. "Tejay is the future captain of the BMC Racing Team and he plays a huge role in the organization," Ochowicz said. "He already has a leadership role in the team and will remain a great teammate for Cadel Evans at next year's Tour de France."
Aiming For The Overall
Van Garderen said he has some unfinished business to attend to next season. In addition to his second place overall at the USA Pro Challenge, the Boulder, Colo., resident finished fourth at the Amgen Tour of California and fifth at Paris-Nice. "But one goal I didn't reach was to win the general classification at a stage race," he said. "But I did come close a couple times. And my fifth place at the Tour de France was definitely the highlight of my year." Extension of his contract – the specifics of which are not being made public – comes at a perfect time, he said. "It definitely makes me able to focus on what's important, now that I know I'm secure for a few more years," he said. "My offseason has been really relaxing and I've been able to spend some quality time with my wife, Jessica, and our new puppy, Manzo."
Transitioned Smoothly
BMC Racing Team Directeur Sportif John Lelangue said van Garderen showed his long-term potential in his first season with the team. "He was very regular for us all year – very good in time trials and climbing and someone who could also find his place in the peloton," he said. "So he has all the qualities to become a big tour winner in the future. That's important for us. We're already building a team around him." Lelangue said van Garderen will have plenty of opportunities to show himself in 2013.


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Thanks all. Great way to end the season, can't wait for next Spring and some Merriam's.
Slowed down the video and found one frame with the arrow in flight, it's blurry right after the release:
Congrats!!!! Nice bird! Awesome season!!!!
Congrats! way to go.....I couldn't even it done this year with a shotgun.
Congrats Capt!!!!!!
Well done Capt.
Right after impact, arrow passed through, took out both hips, he tried to fly but couldn't run and went right down.
First tom:
Here's some still pics from the video:
nice bird
Good trip! Congrats! Don't remember the last time I went camping without a tent.
Way to go CAPTJJ!.
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