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Panasonic GH4
19th May 2014 | 11:40
Panasonic has given its top-end CSC a 4K revamp
The Panasonic GH3 is widely regarded as a great compact system camera for shooting video, but its stills capability has been rather overlooked. Despite the fact that its headline specification is its ability to shoot 4K video, Panasonic is hoping that the GH4 will gain greater respect for its ability as a stills camera.
The company has clearly invested a lot of time and effort in improving on the GH3 for the GH4, and the new range-topping camera has an extensive list of new or enhanced features. However, some may be surprised to learn that the sensor's pixel count has stayed the same, 16.05 million, even though the sensor is completely new.
Panasonic has coupled the new 16.05-million-pixel Digital Live MOS sensor with the Venus Engine IX processor. This is a new processing engine, as the Panasonic GX7 has the Venus Engine VIII and the GH3 has the VII version. According to Panasonic this enables the GH4 to produce the best images quality of any G-series camera.
As it has four times as many pixels in every frame than Full HD recording, 4K video is very demanding on processing power. Consequently the Venus Engine IX is a quad-core processor. In addition, the sensor has twice the readout speed of the GH3, reaching 200Mb/s.
According to Panasonic's Michiharu Uematsu, this sensor and processor combination enables the GH4 to produce very slightly better quality images than the GX7, which was previously claimed to produce the best quality images of any G-series camera.
Clearly the company is confident of the GH4's noise control, as sensitivity may be set in the native range of ISO 200-25,600, with ISO 100 as an expansion setting. In comparison the GH3 has a range of ISO200-12800, with ISO125 and ISO 12,800-25,600 being available as expansion settings.
In single-AF mode the GH4 can shoot continuously at up to 12 fps (frames per second) with a UHS-III SD format card installed. This rate drops to 7.5fps in continuous autofocus mode. Panasonic will introduce a UHS-III card when the GH4 comes to market.
One of the challenges for compact system camera manufacturers has been to improve the speed of their autofocusing, because they use the traditionally slower contrast detection system. Panasonic has introduced a new approach for the GH4, which uses its novel DFD (Depth from Defocus) Technology.
This system looks at the contrast of the scene at two different defocused points to help it calculate the correct focus point more quickly. Panasonic claims that this enables the GH4 to achieve a focus time of 0.07 sec whereas the GH3 achieved 0.09 sec.
The faster processing engine, quicker sensor read-out and cleaner signal should enable the camera to focus its lens in poorer light, and Uematsu says that the GH4 can focus down to -4EV. Uematsu is also keen to emphasise that all the improvements required to allow 4K recording have a positive knock-on effect for still images.
In addition, the camera has a 49-area AF system (the GH3 has 23 areas) and the selection method may be set to Face/Eye Detection, Tracking, 49-Area, 1-Area, Pinpoint or the new Custom Multi mode. In the latter mode the active AF points can be limited to a row or column of points, or two a group (or two) or pattern defined by the user. The row or column option could be especially useful when panning with a moving subject and wanting to keep one plane sharp.
Focus peaking was high on the list of demands for the GH3, but it never arrived in a firmware update. Happily, the GH4 has focus peaking to help with manual focusing and video recording by highlighting the areas of highest contrast. This is accompanied by the picture-in-picture view first seen with the GX7 to allow the whole scene to be seen while an enlarged view is visible.
In addition, there's also now a Zebra view which indicates bright areas in the scene that are in danger of burning out.
Panasonic has improved both the electronic viewfinder and the three-inch vari-angle screen since the GH3, giving the two devices in the GH4 higher resolutions of 2,359,000-dots and 1,036,000-dots respectively. As before, both are OLED units and the main screen is touch-sensitive.
The GH4 is capable of shooting video at a range of resolutions, including Full HD, in addition to 4K, and there are options to shoot in MOV, MP4, AVCHD Progressive (4K can be shot in MOV and MP4) formats at a range of frame rates.
To maintain the best image possible Panasonic crops the GH4's image to create the 4K rectangle. As a result the focal length of the lens effectively lengthens by approximately 17%.
Cropping the image produces better quality footage than using zooming or interpolation technology. Those who want the very best video quality, however, will need to invest in the optional Interface Unit that bolts onto the bottom of the camera. This enables clean, uncompressed 4K footage to be recorded to an external device.
It also has two XLR microphone ports, a phantom power supply for mics and four SD video-out sockets. This unit also adds audio monitoring and control capability, as well as the ability to use an external timecode to synchronise several cameras.
Panasonic will distribute the GH4's Interface Unit through its professional video and channel, as it will appeal to professional videographers who plan to use the GH4 as part of a rig with an external monitor, recording facility and so on.
Like the GH3, the GH4 has Wi-Fi connectivity built in, but this is joined by an NFC chip to enable quick connection to other NFC devices such as Android phones and tablets. As before, the GH4 can be controlled remotely using Panasonic's free smartphone app via a Wi-Fi connection.
As it sits at the top of Panasonic's camera line-up, the GH4 is aimed at experienced photographers and, naturally, it has the usual program, aperture priority, shutter priority and manual exposure modes. However, there's also Panasonic's Intelligent Auto (iA) mode to help less experienced photographers and the Creative Control options that apply digital filter effects (Rough Monochrome and so on) to JPEG images.
As a Micro Four Thirds (MFT) camera, the GH4 is compatible with a wide range of optics from Panasonic and Olympus, as well as a handful from Sigma, Tokina and Voigtlander.
Because the sensor is smaller than full-frame, there's a 2x focal length multiplication factor. As a result, the Panasonic Lumix G X Vario 12-35mm f/2.8 Asph lens, for example, has a focal length range equivalent to a 24-70mm optic on a 35mm camera when shooting stills. Meanwhile the 14-140mm lens, which is available as a kit with the GH4, gives an angle of view similar to a 28-280mm optic.
Build and handling
There are only a few noticeable differences in the appearance of the GH4 in comparison with the GH3, they are very closely matched in size and weight and have an almost identical control layout.
The eye-cup around the electronic viewfinder (EVF) is slightly larger on the GH4 to offer a little more shade from strong sunlight, for example. There's also a lock button at the centre of the mode dial to prevent it from being knocked out of position. This lock is our preferred type that clicks to lock or unlock so the button doesn't need to be held down when rotating the dial.
There's also a new Time Lapse Shot option on the drive mode dial on the top-plate of the camera. Time lapse recording can be set to start immediately, or it can be delayed by up to 23 hours and 59 minutes. The recording interval can also be set from 1 second to 99 minutes and 59 seconds with a maximum of 9,999 images being possible.
As before, the GH4 has a magnesium alloy body that is dust- and splash-proof. It has the same solid feel as the camera it replaces. However, Panasonic has bolstered the GH4's durability by giving its shutter a life-span of 200,000 cycles, double that of the GH3.
We found that the GH4's 2.359-dot electronic viewfinder (EVF) gives a very clear view with plenty of detail in most situations, but left eye users may come across a few occasions when their eye isn't completely straight towards it, causing some parts of the scene to look soft or slightly distorted.
The 3-inch 1,036,000-dot LCD screen also offers a very clear view and images look great on it as there's a pleasing level of contrast. It's also very responsive to the touch, making it a great way of selecting AF points and other setting options.
Because the screen is on a vari-angle hinge it's useful when composing images at unusual angles in portrait and landscape format, and it encourages more creative shooting. There's also an electronic level that turns from yellow to green when the camera is held level, so you can be sure that the horizon will be on an even keel. There are a few occasions, however, when it would be nice to make the level's indicator line a little more visible than it is.
The arrangement of the button and dial controls on the GH4 is the same as on the GH3 and it all makes good sense. In addition to the exposure and drive mode dials there are buttons on the top-plate to reach the white balance, sensitivity and exposure compensation options.
A switch on the back of the camera also provides a quick and convenient means of selecting single or continuous autofocus or manual focus. In addition, there are five physical buttons that can be customised to access your most commonly used features. However, we found the default options were a good choice.
There are a further five virtual function buttons available on the screen. Two of these have default purposes, but the remaining three are free.
The Quick menu, which by default is accessed by pressing the Fn2 (Function 2) button (also marked Q Menu) also provides a route to a useful collection of features, but even better news is that this can be customised to reach your favourite options.
Although the GH4's control layout is generally good, there is some room for improvement and aspects of the operating system could do with a rethink. It seems strange, for example, that it's possible to shoot in aperture priority mode in most of the Creative Control modes, Miniature Effect being the exception, but the effects are only available via the Creative Control option on the mode dial and exposure has to be adjusted via the menu.
It would be simpler if the Creative Control options were accessible when the mode dial was set to aperture priority (and preferably the other exposure mode options) in the same way as the Photo Styles. After all, both of these feature sets allow raw and JPEG recording simultaneously, and both affect aspects such as colour, contrast and sharpening. It would make more sense to the user if they were accessed via the same route.
Similarly, despite the complexities of achieving 4K movies, the user will find it strange that Full HD options can be accessed in program, aperture priority, shutter priority and manual exposure mode, whereas the 4K recording options can only be accessed when the mode dial is set to Video. Similarly, 4K recording is only possible in video mode.
The GH4 has an NFC chip to enable speedy connection to other NFC enabled devices, but it can also be connected quickly and easily to iOS devices because the screen can display a QR code which conveys all the necessary information for the initial set-up. Panasonic's free Image App enables the GH4 to be controlled remotely by a smartphone or tablet with control over key features and images to be transferred for sharing.
As a general rule the GH4 produces great looking images with good exposure, pleasing contrast, natural colours and good detail.
Zooming into 100% on-screen reveals that some JPEG images don't have quite the fine detail or micro contrast that we see from other cameras, but at sensible viewing sizes they look great. As is often the case, simultaneously captured raw files have more detail. At higher sensitivity settings they also have more noise, but this can be dealt with on an image-by-image basis to produce a good result.
Noise is controlled well throughout the sensitivity range, but detail isn't maintained quite as well as by the Fuji X-T1, for example, at higher sensitivity settings.
At 100% on-screen JPEGs look good up to around ISO 3200. Above this figure softening becomes more apparent. Raw files have chroma noise visible at 100% from around ISO 800, but it's within acceptable limits, and as mentioned before, can be subjected to reduction as required.
By ISO 12,800, however, raw files need more careful editing to conceal noise and preserve detail. The highest value (ISO 25,600) produces respectable results, but as is often the case, it's best kept for emergencies.
Panasonic claims that the GH4's AF system can operate down to an incredible -4EV and our testing indicates that with the right lens it is quite a bit better in low-light than previous G-series cameras. We were impressed by how quickly it was able to focus with the new Leica DG Notricon 42.5mm f/1.2 ASPH O.I.S in very dim conditions, but this is a super-fast lens with a high price to match.
The 12-35mm f/2.8 lens, which gives a focal length range equivalent to the popular 24-70mm on a full-frame camera, also delivers sharp subjects quickly, but we found the new 14-140mm f/3.5-5.6 kit lens a little more variable – especially at the telephoto end.
In good light the AF system is generally very fast and it can keep pace with moving subjects when the AF point is in the correct location. Tracking AF mode has also improved, but it can't be relied upon to follow a fast moving subject around the frame.
The autofocus system changes pace when movies are being recorded and a touch of the screen to change focus point sees the focus shift smoothly and (comparatively) slowly, creating a professional looking result.
Panasonic's metering and white balance systems have been found to be good performers in the past, producing well-exposed, natural-looking images. The GH4 doesn't disappoint as it's automatic white balance system produces natural-looking results in a wide range of lighting conditions. In natural light the results when shooting using the automatic settings are often indistinguishable from those taken using the daylight setting.
Although the GH4 has the usual trio of metering modes (Multiple, Centreweighted and Spot) we found that the general-purpose 1,728-zone multi-pattern metering delivers great results in most situations. In fact there were relatively few times when we had to use the exposure compensation facility to adjust exposure.
As usual the GH4 is supplied with Silkypix software for editing images and converting raw files. In reality few users are likely to use this software, preferring Adobe's more refined and better specified options: Photoshop CC, Lightroom 5 or Elements 12. Silkypix has most of the controls that you need but it isn't especially intuitive or pleasant to use and prospective GH4 owners will be looking forward to the Camera Raw update that makes raw file processing possible with Photoshop.
We haven't been able to test the GH4's video capability extensively, but it's clear that it produces high quality footage. As with still images, exposure, white balance and colour is good and there's plenty of detail visible.
Image quality and resolution
As part of our image quality testing for the Panasonic GH4 review, we've shot our resolution chart. These images were captured using a full-production sample of the camera.
For a full explanation of what our resolution charts mean, and how to read them, check out our full explanation of our camera testing resolution charts.
Examining images of the chart taken at each sensitivity setting reveals the following resolution scores in line widths per picture height x100:
ISO 100, Score: 28. Click here to see the full resolution image.
ISO 200, Score: 28. Click here to see the full resolution image.
ISO 400, Score: 26. Click here to see the full resolution image.
ISO 800, Score: 26. Click here to see the full resolution image.
ISO 1600, Score: 26. Click here to see the full resolution image.
ISO 3200, Score: 24. Click here to see the full resolution image.
ISO 6400, Score: 22. Click here to see the full resolution image.
ISO 12800, Score: 20. Click here to see the full resolution image.
ISO 25600, Score: 16. Click here to see the full resolution image.
ISO 100, Score: 26. Click here to see the full resolution image.
ISO 200, Score: 26. Click here to see the full resolution image.
ISO 400, Score: 26. Click here to see the full resolution image.
ISO 800, Score: 24. Click here to see the full resolution image.
ISO 1600, Score: 24. Click here to see the full resolution image.
ISO 3200, Score: 24. Click here to see the full resolution image.
ISO 6400, Score: 22. Click here to see the full resolution image.
ISO 12800, Score: 20. Click here to see the full resolution image.
ISO 25600, Score: 16. Click here to see the full resolution image.
Noise and dynamic range
We shoot a specially designed chart in carefully controlled conditions and the resulting images are analysed using DXO Analyzer software to generate the data to produce the graphs below.
A high signal to noise ratio (SNR) indicates a cleaner and better quality image.
For more more details on how to interpret our test data, check out our full explanation of our noise and dynamic range tests.
Here we compare the Panasonic GH4 with the GH3, Fuji XT-1, Olympus OMD-EM1 and Canon EOS 70D. These images were captured using a full-production sample of the Canon 6D.
JPEG signal to noise ratio
This graph shows that the GH4 produces JPEG files that compete very well with the other cameras in the group, indicating that images are fairly clean. However, it seems that is at the expense of detail at higher sensitivtiy settings.
Raw signal to noise ratio
The GH4 is the clear winner for raw file (after conversion to TIFF) signal to noise ratio, indicating that noise is controlled well. However, comparing its resolution scores with those of the Fuji X-T1, for example, reveals that it cannot record as much detail at the higher sensitivity settings.
JPEG dynamic range
These results show that the GH4 has a generally high JPEG dynamic range, but there is some variation which may arise from slight changes in image processing.
Raw dynamic range
The GH4's raw files (after conversion to TIFF) are unusually consistent across the sensitivity range. This means that images captured at high sensitivity settings have only slightly fewer tones than those captured at low levels. However, the range of tones in real world images captured at the highest ISO values have a lot of noise which masks the tones and detail.
Sensitivity and noise images
Full ISO 100 image, see the cropped (100%) versions below.
ISO 100 Click here to see the full resolution image
ISO 200 Click here to see the full resolution image
ISO 400 Click here to see the full resolution image
ISO 800 Click here to see the full resolution image
ISO 1600 Click here to see the full resolution image
ISO 3200 Click here to see the full resolution image
ISO 6400 Click here to see the full resolution image
ISO 12800 Click here to see the full resolution image
ISO 25600 Click here to see the full resolution image
ISO 100 Click here to see the full resolution image
ISO 200 Click here to see the full resolution image
ISO 400 Click here to see the full resolution image
ISO 800 Click here to see the full resolution image
ISO 1600 Click here to see the full resolution image
ISO 3200 Click here to see the full resolution image
ISO 6400 Click here to see the full resolution image
ISO 12800 Click here to see the full resolution image
ISO 25600 Click here to see the full resolution image
Sample images
The GH4's 2x focal length conversion helped with this shot taken at the telephoto end of the 14-140mm kit lens to give a nicely filled frame. Click here to see the full resolution image.
The automatic white balance system has produced an excellent result here. The colours look natural and the exposure is perfect. Click here to see the full resolution image.
This handheld shot was taken at ISO 1600. Noise is very well controlled and the details look great at normal viewing sizes. Click here to view the full resolution image.
Pushing the contrast setting of the Monochrome Photo Style to its maximum setting has produced a great result-in-camera, but it was nice to have the raw file with all the colour data to convert post-capture if necessary. Click here to view the full resolution image.
Rather than underexposing in the face of the bright sky and reflections, the GH4's metering system delivered a bright result. In fact we dialled in -1/3EV exposure compensation to retain a bit more of the sky. Click here to view the full resolution image.
The vari-angle screen proved useful here to allow a low angle shot. The AF point was set with a tap of the screen and the level view ensured that the horizon looks right. Click here to view the full resolution image.
This scene proved quite tricky for the GH4's AF system with the 14-140mm lens at it's maximum focal length even though the AF point was set at the edge of the man's silhouette to give contrast. Click here to view the full resolution image.
There's an excellent range of compatible lenses for Micro Four Thirds cameras these days. This shot was taken using the Panasonic 45mm Macro lens. Click here to view the full resolution image.
Although Panasonic may want to promote the GH4 as a stills camera, the fact that it is the first compact system camera to record 4K video means it has grabbed the attention of keen videographers.
The company has also boosted the camera's video capability with focus peaking and zebras – both of which are of use to stills photographers, but which have their origins in video. Plus there's the Interface Unit to allow serious and professional video shooters to build a professional rig around the camera for a fraction of the usual cost.
The fact that the company has stuck with the same pixel count as the GH3 on its sensor means that it doesn't make really significant strides with detail resolution, but the images do look a little nicer straight from the camera and noise is better controlled.
It's interesting to note that while the Nikon D800 was greeted with great enthusiasm, not least because of its 36Mp sensor, and there are numerous cameras available with 18-24Mp sensors, 16Mp sensors are still widely accepted. The Nikon Df is a particular case in point. However, the Df is a full-frame sensor (36x23.9mm) that allows the pixels to be large (comparatively), whereas the Four Thirds sensor in the GH4 is smaller than APS-C format at 17.3x13mm, so 16Mp is pushing its capability further.
There are significant benefits to having a smaller sensor, the smaller size of the camera and lenses being the most obvious. There's also the opportunity to have better image quality across the whole frame because (with the right design) the sensor can cover the lens's image circle more easily. However, a small sensor limits the potential size of the pixels and this gives Panasonic a challenge when it comes to controlling noise.
The GH4 can resolve a similar amount of detail to the Nikon Df at lower and mid-range sensitivity settings. However, neither it nor the Df can quite match the Fuji X-T1 for detail.
Panasonic has also taken a step forward in autofocusing with the GH4. It's fast and accurate in most situations and can keep up with moving subjects when the active AF point is in the correct location. It can focus on subjects in pretty low light.
As we have found before with Panasonic G-series cameras, the GH4 has a very capable automatic white balance system and the multiple-zone meter system can be relied upon to deliver correctly exposed images in many situations.
We like
The GH4 has some of our most sought-after features in a modern camera; a high-resolution EVF, a vari-angle screen that's touch-sensitive, the ability to shoot raw and JPEG images when using Creative Control filter effects and Wi-Fi connectivity that allows the camera to be controlled remotely. The camera body is also weather- and dust-proof so it can be used in a wide range of conditions. All of these aspects combine to encourage creativity.
We dislike
While the GH4 is comfortable to hold, its SLR-like design lacks the attractiveness of some retro-styled models like the Fuji X-E2, X-T1 and the Olympus OM-D E-M1. It's also a little bigger than most compact system cameras, it can't be tucked in a jacket pocket or small bag as easily as the Olympus OM-D E-M10, for example.
We'd also like Panasonic to look at how some of the GH4's features are accessed so that similar options, such as the Photo Styles and Creative Controls, are located together and afford a similar level of control.
Holding the GH4 doesn't instil the same level of excitement in us as picking up the Olympus E-M10 or one of Fuji's X-series CSCs, but it is an excellent camera that makes it easy to shoot high quality images in a range of situations.
The fully articulating touchscreen is extremely useful when shooting from awkward angles in either portrait or landscape format and is a real bonus for creative photography. It's also great to be able to control the camera remotely via a smartphone and share images quickly on social media sites via a Wi-Fi connection.
Further good news is that our tests reveal that Panasonic's claim that the GH4 produces the best image quality of any of its G-series camera is true.


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8 posts tagged Valentino
8 posts tagged Valentino
More of Valentino couture.
Franca Sozzani with two very special guests at Valentino couture.
Valentino couture.
Pretty awesome front row. Valentino anniversary in 2007. Photo by PMc.
Mr. Valentino by Martin Schoeller.
It's a couture catering trend. What guests consumed at last night's Valentino bash.
Crazy flashback: Pamela Anderson, Lindsay Lohan, and Valentino. This once happened…in 2005.
Photo by PMc
Recent Valentino show as captured by Simon Procter.

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Harry, Kendall to go on romantic holiday
Model Kendall Jenner is planning to take her boyfriend Harry Styles on a romantic holiday to celebrate the singer's birthday.
The 18-year-old is planning to treat the One Direction star, who turns 20 on Saturday, on his special day.
"Kendall's dad has a beautiful cliff-top holiday home in Big Sur, California, and she has asked if she and Harry can use the mansion for a private break together," dailystar.co.uk quoted a source as saying.
"She wants them to have some time alone where they can relax and enjoy each other's company. Harry already has everything he wants, so she decided to organise something special they can always remember," the source added.
Jenner, who has been dating Styles for around two months, is also helping his close friend Nick Grimshaw organise a birthday party in London.
"Kendall is in charge of organising the party, alongside Radio 1 DJ Nick Grimshaw. She wanted the party to be in London so that Harry's friends and family could all be there.
"The rest of One Direction and a whole host of other celebs will be on the guest list. It won't be a tame affair, and Kendall will pull out all the stops to make sure it's a night to remember," the source said.
(Posted on 27-01-2014)
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Veggie Chili (Woman's Day; May 6, 2008)
Check out WomansDay.com's Veggie Chili Recipe, a simple twist on a classic favorite that cuts calories nearly in half on this hearty classic. Head over to WomansDay.com for a wide variety of vegetable recipes that are healthy, fresh and sure to pleas
Thai Chicken Curry (October 2013)
Sweet and spicy, fragrant and savory, this simplified chicken curry is so tasty you'll crave it, but easy enough to make in the slow cooker any night of the week.
Chicken Osso Buco (Woman's Day; October 1, 2010)
Though this dish is traditionally made with veal shank, this recipe shaves off a lot of fat and sodium by using chicken and just two teaspoons of olive oilallowing a heady mix of spices to do the work instead.
Quick Braised Red Cabbage and Lentils with Seared Cod (February 2014)
Healthy, colorful, and flavorful, this nutritious dinner comes together in less than half an hour.
Spicy Island Pork and Fruit Salad (Woman's Day, June 17, 2003)
Asparagus & Potato Pizza (Woman's Day; May 2012)
BBQ Sweet Tater and Chicken Enchilada Stack (April 2014)
Roasted sweet potatoes, tender chicken, and tangy barbecue sauce are piled high in this tasty casserole inspired by classic enchiladas.
Seared Pork Cutlets with Snow Peas and Edamame (September 2013)
Simple and fresh, this new twist on preparing pork cutlets will please the whole family, and is ready in just under 30 minutes.
Perfect Roast Chicken and Potatoes (April 2006)
Wow your family at dinner tonight with the perfect roast chicken and potatoes recipe. Find ingredients, photos, and more easy holiday recipes on WomansDay.com.
Pork with Sage and Apples (Woman's Day; November 13, 2007)
Marvelous Meatless Chili (Woman's Day; June 2, 2009)
Try this tasty WomansDay.com exclusive meatless chili recipe tonight. Everyone loves chili, so why not try the best meatless chili recipe on the web.
No-Bake Peanut Butter Cheesecake (October 2014)
Perfect for peanut butter and cheesecake lovers alike, this no-bake dessert contains a hidden layer of Reese's cups and is topped with Reese's pieces.
Santa Fe Beef Salad (Woman's Day, September 1, 2007)
Learn how to make a beef salad recipe at Womansday.com.
Chicken Soup with Smoked Sausage, White Beans and Greens (Woman's Day; March 2012)
Zesty Shrimp Tostadas with Cabbage and Corn Slaw (May 2014)
Succulent spiced shrimp and a fresh slaw topping turn simple tostadas into a tasty and unbelievably easy dinner.
Skirt Steak with Apple-Watercress Salad (October 2014)
The bright flavors of blue cheese and apple in the salad form a perfect complement to a juicy steak.
Roasted Chicken, Apples, and Onions (October 2014)
Apples make the switch from sweet to savory star in this simple-to-make dinner, perfect-for-fall Sunday dinner.
Chipotle Beef and Cheddar Stuffed Shells (October 2014)
Give classic stuffed shells a spicy twist with a filling of smokey chipotle sauce and green chiles.
Basic Three-Cheese and Herb Stuffed Shells (October 2014)
Parmesan, ricotta, and mozzarella combine to form a rich filling in this simple pasta recipe.
Sweet Pea and Mint Stuffed Shells (October 2014)
The addition of sweet peas and mint to the traditional ricotta filling gives these stuffed shells a fresh new flavor.
Basic Bechamel (October 2014)
Use this rich, creamy sauce to make a homemade mac and cheese or these decadently delicious stuffed shells with chicken and ham.
Chicken and Ham Stuffed Shells (October 2014)
Paired with a creamy béchamel sauce, these stuffed shells are sure to make their way into your regular dinner rotation.
Garlicky Shrimp and Feta Cheese Stuffed Shells (October 2014)
In this fresh take on classic stuffed shells, shrimp and feta cheese replace the traditional ricotta filling.
Horseradish Salmon Cakes (Woman's Day; February 2012)
These patties are fabulous alone, but also make for a terrific sandwich when placed on soft rolls or in pita bread. Whichever way you serve them, include the cucumber-watercress saladits a creamy and verdant blend that cant be beat.
Potato, Red Onion, and Kale Pizza (December 2012)
Potatoes might seem like an unusual choice for a pizza topping, but when lightly browned and crisped on top of a chewy crust, they're irresistible.
Crispy Coconut and Scallion Breaded Chicken Cutlets (January 2014)
A crispy coconut breading is a healthier way to add sweetness and crunch to this creative chicken recipe.


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The great flood of 2011. been living here all 21 years of my life, never seen Downtown like this.
Memphis, TN
by J.D.
J.D. Copr. 2014. All Rights Reserved.
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Another interesting property of the logarithmic spiral is revealed if you roll it along a horizontal line. This animation shows the curves traced by points on the spiral, and note that the very centre follows the path of a straight line. The angle between this line and the horizontal is called the pitch of the spiral, and for our spiral galaxy the pitch is around 12 degrees. [more] [code]
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All Moors, Mers, Mors, Muurs
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Menifee, CA Pharmacy
Hope Plaza Pharmacy
Welcome to Hope Plaza Pharmacy of Menifee, CA! Our company provides quality and reliable prescription services. We ensure the superior service that you deserve – 100% satisfaction guaranteed.
About Hope Plaza Pharmacy:
- Full prescription service
- Professional pharmaceutical advice
- Diabetes products
- Specialty vitamins
Contact Hope Plaza Pharmacy today at 951-301-6255 for a FREE local delivery.
Contact Information
Hours of Business:
Monday to Friday – 9:00 am to 6:00 pm
Monday to Friday – 9:00 am to 6:00 pm


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Madrid, Spain
Plaza del Angel, 12, Madrid City Center, 28012 Madrid, Spain – Show map
Excellent location – rated 9.6/10! (score from 754 reviews)
Rated by guests after their stay at Hostal Persal.
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971 properties in Madrid
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754 verified reviews
We verify all reviews from guests who have stayed at Hostal Persal. Find out more.
They speak your language
Hostal Persal's staff speaks: Italian, French, Spanish, English, German
Booking is safe
When you book with us your details are protected by a secure connection.
Food & Drink
Restaurant, Bar, Restaurant With Dining Menu
No parking available.
Vending Machine (drinks), Vending Machine (snacks), Car Rental, Shuttle Service (surcharge), 24-Hour Front Desk, Tour Desk, Baggage Storage, Concierge Service, Shared Lounge/TV Area, Laundry, Daily Housekeeping, Meeting/Banquet Facilities, Fax/Photocopying
Newspapers, Safe, Family Rooms, Elevator, Heating, All Spaces Non-Smoking (public and private), Air Conditioning
Italian, French, Spanish, English, German
From 1:00 PM
Until 12:00 PM
Cancellation and prepayment policies vary according to room type. Please enter the dates of your stay and check what conditions apply to your preferred room.
Children and Extra Beds
All children are welcome.
One child under 1 year stays free of charge when using existing beds.
One child under 2 years is charged EUR 15 per person per night in a crib.
There is no capacity for extra beds in the room.
The maximum number of cribs in a room is 1.
Additional fees are not calculated automatically in the total cost and will have to be paid for separately during your stay.
Pets are not allowed.
When booking more than 5 rooms, different policies and additional supplements may apply.
Cards accepted at this property
Hover over the cards for more info.
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Just off Calle Atocha Street and a 5 minute walk from Puerta del Sol, Hostal Abadia Madrid offers easy access to the center of Madrid. It features stylish rooms with free Wi-Fi.
Score from 1395 reviews Very good
Located 320 yards from Madrid's Puerta del Sol and Plaza Mayor Square, Hotel Cortezo has a rooftop terrace overlooking the city. This chic hotel has a 24-hour front desk and free Wi-Fi.
Score from 2220 reviews Very good
Hotel Mexico is located just 270 yards from Madrid's Prado and Reina Sofía Museums. It offers on-site parking and rooms with free Wi-Fi and a flat-screen TV with satellite channels.
Score from 658 reviews Good
The Hostal Martin Madrid is 325 ft from the Antón Martín Metro Station, and a 5-minute walk from Puerta del Sol. It features air-conditioned rooms with free Wi-Fi and a private bathroom.
Score from 1204 reviews Very good
Staff was helpful.
Only problem was with sleep in adjusting to 6 hour time change.
It's a well managed place and a fantastic location. Everyone spoke English well and were help full. I liked the big windows and fresh air, particularly since my room was very small, as I imagine most of them to be.
The real problem is that that walls are paper thin and noise travels from the halls and one room to the next in a very bad way. Not only does one not want to hear their neighbors, one does not want one's neighbors to hear them.
Very good breakfast Liked the decor of entrance and dining room. Convenience of location superb.
Room was very warm. Air con seemed a little weak.
The hotel's central location within walking distance of most major attractions. The staff were friendly and helpful and there was a casual, relaxed atmosphere. My room, although basic, provided everything required for a very reasonable price.
Creaky bed.
Pleasant breakfast room and good breakfast. Excellent and very helpful staff. Excellent location and good value for money over all.
My mattress was lumpy and the airco was noisy. I couldn't sleep with windows open because the room was noisy. Bathroom was tiny. I am small and slim and only just fitted between the wash basin and the wall!
-Just location.
- Too small room, - too dark room, - staff were not helpful, - soundproofing between rooms was terrible(even we heard the snoring man from the next room very clearly), - bed was very uncomfortable(my husband is 1.80, I am 1.65, we could not fit the bed ) , I recommend prefer different hotel.
The location was excellent
The room was very simple and the beds were too hard
Location, atmosphere, breakfast.
A little noisy at night with windows open due to local bars etc. problem solved by closing the windows
Location is great, many restaurants nearby, 5 mins walk to Sol plaza Very friendly staff Good wifi connection
Room is quite small and old fashion
Superb location within walking distance of all major attractions with many excellent bars and restaurants just a short walk away. Staff very friendly.
Very small bedroom with very small shower room and no view. Breakfast adequate.
This was my second stay at this hostal and I would stay here again. It has an excellent location with a super friendly and helpful staff. The breakfast is substantial and will help get you through the day. You have everything you need in Madrid right out your doorstep with an intimate atmosphere!
Very close to the main city square and metro station, just a 20 minute walk from Atocha Main Railway station and all the musems like Prado, Princess Sofia etc. A decent breakfast for such a price (80 eur for two per night), shower gel/hand soap/toothbrush glasses included.
It was cold that night, but no blankets in the suite - maybe because it was early autumn and before that it was rather cold? The walls are very thin, we heard two elderly ladies speaking very clear, and the same story with the outside street noise, but happily everything was quiet by midnight. Nevertheless, it's a pretty good deal for a sleepover in Madrid or even an option to stay there for a week, if you are short of money.
Quiet Reasonably priced Clean and tidy
Very near to attractions.
Too small and dark rooms.
The staff were very helpful, an equal walk in all directions to different sites, and just a 5 to 10 Minute walk from SOL metro.
could be noisy from other guests
Great breakfast, excellent location
Plaza del Ángel somewhat noisy
Persal is actually a 2* hostel, as written on the main entrance, not a 3*, as presented on booking.com. Extremely small rooms (max 12mp including bathroom!), paper thin walls, small bed. Modest breakfast. Very expensive for what it has to offer. Do not recommend it!
Very clean and sympathic hotel near Sol. Easy access to metro and trains in city centre. No traffic noise.
The view from window was only the back wall of other building, so it was better to close curtains.
Super friendly staff, very tidy & perfect location
Poor WiFi connectivity in some areas of the hostel
Great location for a visit to madrid.central for everything.historic.resturants.tapas..friendly helpful staff..nice restaurant joined to persal gingers...great price...would defo stay here again...downside madrid in general is expensive compared to other locations...but there are value places ..to eat n drink...if you look around
Some local bars ripping off tourists...jazz bar ..500 yds from persal .1 small beer 1 coke ...m10 euros........ask first....
excellent location, good breakfast
noisy (no soundproof window)
All was exellent!
Location free wi-fi
The location is excellent. You can get to almost sights by foot. It takes max 10 minutes! Good staff and rooms!
The location was fabulous, within easy walking distance of major tourist attractions.
The beds were not the most comfortable that I have ever slept in. Breakfast, which we did as an add on, was nice but on the expensive side compared to prices in nearby restaurants.
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Adelaide Kane and Phoebe Tonkin during the 2014 iHeartRadio Music Festival// September 20
Adelaide Kane and Phoebe Tonkin during the 2014 iHeartRadio Music Festival// September 20
Surprise visitor in the office today, straight off a flight from LA! Awesome to see you @1PhoebeJTonkin [x]
Phoebe Tonkin by Brian Magallones II
The Secret Circle posters - 1.05-1.08
The Secret Circle posters
The Secret Circle Poster Per Episode - Bound
In an effort to distance herself from the Circle and establish a normal teenage life in Chance Harbor, Cassie befriends Sally Matthews, a non-witch. Concerned their powers are getting out of control, Diana pushes everyone to bind the Circle, but Faye is thrilled with the increase in her powers and refuses to participate, while Melissa flirts with Nick despite Faye's warnings. Meanwhile, Adam fights his growing feelings for Cassie, but circumstances continue to throw them together, forcing Cassie to make a decision. Gale Harold, Natasha Henstridge and Ashley Crow also star. Liz Friedlander directed the episode written by Kevin Williamson & Andrew Miller.
"Sometimes I feel like I've gone days without seeing her. She's always running around and she's got she's dogs that she's got to walk. It's so nice coming home and having her there. I make a cup of tea, we chat about the day. We still kind of hang out at work when we're there together. We're together 24 hours a day."
"It was so much fun to shoot because I rarely get scenes with Phoebe, and we get along so well, and I think the chemistry is really cool, and it's such a different dynamic than what you're used to seeing. But also we just got to do a lot of cool stuff, like our own stunts and cool green-screen effects and all that jazz. They were really fun sequences."
Life Ruiners - Phoebe Tonkin


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Love It or List It, Too
21st Century Renovation
Episode HLILIT-210HSee all Episodes
Tune In
October 17, 2014
1:00 PM e/p
December 02, 2014
8:00 AM e/p
Four years ago, Angela and Mike bought a quirky beach side home despite its outdated style. Now they still love the location of their home, but since Angela's mom has moved in, their three bedroom beach house isn't functioning for the family anymore. While Angela wants privacy, separate bedrooms for the kids, an updated kitchen, and a livable outdoor space, Mike just wants to be close to the beach. Mike loves their outdated beach house and wants to renovate and stay. But Angela is fed up with their dated home and is ready to move on. Enter home experts Jillian and Todd to settle this dispute. Designer Jillian and her team hope to create some much needed privacy with a new functional design. But Realtor Todd believes the answer is a new home near the water. Mike and Angela are wondering: can they love their home again, or will they list it?


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The SideLion Report mock draft is now featured in the DC Pro Sports Report, WalterFootball.com, Sports Jabber and hailredskins.com mock draft databases. Each site keeps track of a huge number mock drafts all over the web. Check out NFL Mocks and With the First Pick for comprehensive NFL draft coverage year-round.
1. Carolina Panthers
Cam Newton
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Marcell Dareus
Defensive Tackle, Alabama
3. Buffalo Bills
Von Miller
Linebacker, Texas A&M
4. Cincinnati Bengals
A.J. Green
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Blaine Gabbert
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Robert Quinn
Defensive End, North Carolina
7. San Francisco 49ers
Patrick Peterson
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8. Tennessee Titans
Nick Fairley
Defensive Tackle, Auburn
9. Dallas Cowboys
Tyron Smith
Offensive Tackle, USC
10. Washington Redskins
Julio Jones
Wide Receiver, Alabama


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Worried about being able to afford your children's dental care? Make it a family affair and book a trip to the dentist together. In Mexico, the whole family can be seen for their regular check-up for less than the price of just one member at home. For a family of four with two visits each to the dentist per year that equates to a big saving.
Finding a suitable pediatric Mexico Dentist is easier than you think with Dental Departures. We have nearly 2,500 dentists in 31 countries listed, and provide you not only with prices but dentist qualifications, experience, high-resolution clinic photos and real patient reviews.
Why choose a pediatric dentist?
While it is not unusual for parents to take their children to their own dentist, it may be worth arranging for your children to go to a specialist pediatric (children's) dentist. In addition to a pediatric dentist having the training and experience to deal with children of all ages, including screaming, tantrums and wriggling in the dental chair, you will often find their offices are designed with children in mind, giving them lots of distractions to make their dental visit a fun rather than dreadful experience.
Colorful playrooms, games, books, TV's, and kid-friendly treatment rooms are just some of the diversions you can expect to find at one of pediatric dentists in Mexico to create a positive and upbeat encounter.
A pediatric dentist's aim is to promote a positive attitude to oral and dental health care by building a trusting relationship between themselves and your child. Establishing communication by alleviating fear and anxiety will enable your child to receive quality dental care to ensure lasting dental health.
When should I take my child to their first dental appointment?
The American Academy of Pediatric Dentistry says that one dental visit when there is one tooth equals zero cavities. The earlier you can get your child to the dentist the better, but it should be within 6 months of the first tooth's arrival.
What to expect at the first appointment
It really is a case of the earlier you get your child to go to the dentist so they get used to it the more likely they will be to tolerate future visits. If your child's first experience of the dentist is because they have a problem and they require the use of the injection needle and/or drill then this is more likely to set the tone for a lifetime of dental phobia. If their first few visits are just simple check-ups when nothing painful or untoward happens your child is much more likely to be relaxed and acquiescent.
The first dental appointment is likely to be brief and casual. The dentist will check inside your child's mouth to look for signs of tooth decay and will also check the gums and your child's bite. They may clean your child's teeth, or they may wait until the next visit, depending on how amenable your child is to the situation.
The dentist will advise you on good oral hygiene habits and will answer any questions you have about your child's dental health.
How often to visit
As long as there are no problems your dentist will probably advise six monthly appointments, and providing you ensure good oral hygiene between appointments you will be giving your child the best start to their oral health that you can.