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Digital storytelling at PhotoAccess
Digital storytelling allows people to tell their own stories in their own voice. Workshops run over a total of 26 hours and provide professional support for the making of a short film of three to five minutes. Working with Artistic Director Jenni Savigny (Gen S Stories), a photographer and a filmmaker, people write their own film script, record their own voice-over and create their own images. The workshops are fun, safe and highly creative.
Digital stories are a simple and powerful way to celebrate people and also their organisations and communities. The stories are a way of changing attitudes, providing insights, hope or humour. For example, the project Moving Minds (by Mental Illness Education ACT) used digital storytelling as a way of addressing stigma and discrimination towards people living with mental illness. This project won an ACT Health Promotion Award, and also a national award at the Mental Health Services Conference (2011).
Digital storytelling also allows many people to have a voice that would otherwise not be heard and it allows many people to participate in the arts that would otherwise not have the opportunity. PhotoAccess has collaborated with many marginalised communities whose access to the arts is limited for reasons of gender, geography, income, disability or other reasons. For example, In 2012/13 PhotoAccess worked with A Gender Agenda to create Being True to Ourselves – a collection of digital stories by the sex and gender diverse community in Canberra. This project won a national award at the Mental Health Services Conference (2013). We have also worked with people recovering from drug and alcohol dependency (Karralika, Love Stories), people coming out of crisis (Inanna Inc, Now I'm Here), and people living with disability (ADACAS, Being Heard).
An integral part of the digital storytelling process is the screening. It is a chance for people to celebrate with family and friends, for people to know they are not alone, and for everyone to experience the power of real stories. Many of the digital stories have been screened in the Arc Cinema at the National Film and Sound Archives. The following collections are published online:
- Now I'm Here, Inanna
- Being True to Ourselves, A Gender Agenda
- Moving Minds, Mental Illness Education ACT
If you would like to find out more about digital storytelling, and how you or your organisation could get involved, please contact us.
(Image: Innana, Now I'm Here DVD splash page)
Send us a Selfie project
PhotoAccess has partnered with the Community Cultural Inclusion Program on their latest Send Us A Selfie project. Grab a camera, take a photo of you enjoying yourself at a Canberra community or cultural event, and then click here to upload your Selfie and go in the draw to win a PhotoAccess course gift voucher. You can also post your Selfie on Twitter or Instagram using #SelfieCBR. Entries close Tuesday 25 November 2014.
(Image: Sean Davey, 2012)
PhotoAccess has partnered with the Canberra Photographic Society on a Photo Challenge. The aim of the Photo Challenge is to create photographs which reflect six specified themes at the Australian National Botanic Gardens on Sunday 26 October 2014 between 9am and 5pm. Photographers will then be asked to choose six of their own images which they feel best express the themes, before uploading them to an online gallery. Full instructions will be provided at registration on the day.
If you're a current PhotoAccess or Canberra Photographic Society member, and keen to take part in the Photo Challenge, please arrive for registration between 9am and 12pm on Sunday 26 October 2014 at the Australian National Botanic Gardens cafe. Participation in the Photo Challenge is free for members - so come along, test your camera skills, meet fellow photographers, and have some fun!
YWCA Canberra recently partnered with PhotoAccess on an eight-week Black-and-White film photography workshop for students of Lake Tuggeranong College in mid 2014. The students took photographs with analogue cameras, developed the film and printed the images in the PhotoAccess darkroom. The resulting works will be exhibited in the Tuggeranong Arts Centre Foyer Gallery in an exhibition titled The Big Picture - opening 6pm Thursday 24 July and running until 2 August 2014.
100 Views of Canberra book
Published in 2013, the 100 Views of Canberra book showcases the work of over 100 Canberra photographers. It is important and insightful, documenting the grand, not so grand and human faces of Canberra in its Centenary year.
Cost: Only $45.00
You can pick up a copy of the book from PhotoAccess, or order online. To order online simply send an email to email@example.com with your name and the number of copies you wish to purchase, then follow the Online Payments link to pay. You can collect your books from PhotoAccess. Please note that there will be a charge for postage if you would like to have copies mailed.
Click here for a preview of the first few pages of the book.
You can also pick up a copy from:
- Canberra Visitors Centre
- National Library Bookshop
- The Botanical Bookshop, Australian National Botanic Gardens - Canberra
- The Portrait Gallery Store
- Paperchain Bookstore
The 100 Views of Canberra publication and accompanying exhibition (exhibition was held in the PhotoAccess HUW DAVIES GALLERY in August 2013) were supported by the ACT Government's Community Centenary Initiatives Fund.
(Images: Kerstin Styche)
PhotoAccess has a long history of supporting Indigenous artists. A particular focus for our support has been artist residencies and NAIDOC Week exhibitions each year for emerging Indigenous photomedia artists.
We are inviting proposals now for 2015 NAIDOC Week. If you would like to be considered for a residency in 2015 read the information in this article and then email email@example.com attaching a CV.
The PhotoAccess emerging Indigenous photomedia artist program
With assistance under the ACT component of the Visual Arts and Craft Strategy we have been able to provide emerging Indigenous artist residencies based on digital storytelling and exhibition projects since 2006.
The aims of the residency program are to:
- assist emerging artists to develop their practice and present work to a wider audience
- provide established artists with opportunities to acquire new skills and produce and show new work.
Support for artists in residence includes membership of PhotoAccess, use of facilities and equipment, free enrolment in courses and workshops, help with grants applications, informal mentoring and advice, technical and creative support with projects and, in some cases, exhibition opportunities. Details of each residency and the support provided are decided on a case-by-case basis and normally run for one year.
We also work in partnership with community organisations to provide learning and exhibition opportunities for young Indigenous people in the photo-based arts. Below is a brief summary of our recent work with Indigenous artists and young people:
Kerry Reed-Gilbert is a Wiradjuri woman from New South Wales, and Megan Cope is a Quandamooka woman from North Stradbroke Island in South East Queensland - In July 2014 Kerry exhibited inkjet prints in the PhotoAccess Huw Davies Gallery in an show titled Spirit of Country, and Megan exhibited a video work titled The Blaktism in the HUW DAVIES Multimedia GALLERY. Spirit of Country Catalogue, The Blaktism Catalogue
Marissa McDowell is a Wiradjuri woman, from Cowra in the Central West of New South Wales. Marissa was our 2013 Emerging Indigenous Photomedia Artist and presented her first solo exhibition Colours of India in the HUW DAVIES GALLERY during NAIDOC week. Colours of India catalogue
Jenni Kemarre Martiniello's exhibition Grandmothers' Countries was exhibited in the HUW DAVIES GALLERY during NAIDO week in 2012. Jenni is a poet, writer, visual and glass artist. Jenni was one of three artists involved in the second PhotoAccess Indigenous Artist Digital Storytelling project in 2007 and her River story, inkjet prints and fabric banners were shown in the PhotoAccess 2007 NAIDOC Week exhibition. Grandmothers' Countries catalogue
Kerstin Styche, a Wiradjuri woman with family connections to Western New South Wales, born and raised in Canberra, was our fourth PhotoAccess Emerging Indigenous photographer. Her NAIDOC Week exhibition Walan Budhang Yinaagirrbang (Strong Black Women) showed in the HUW DAVIES GALLERY in July. Kirsten was also selected for our Canberra Institute of Technology (CIT) graduate emerging artist residency. Her second exhibition, Identity Through Our Eyes, showed in the HUW DAVIES GALLERY in November and December 2011. Catalogues for both exhibitions can be accessed by following the links below. As well as her two PhotoAccess residencies and exhibitions, Kerstin was presented with the Len Barratt Award for the outstanding CIT graduate in photography in October, and named ACT NAIDOC Artist of the Year in July. Walan Budhang Yinaagirrbang catalogue Identity Through Our Eyes catalogue
Nick Radoll, Tyrell Kamira Sams, Lyndy Delian and Jo Kamira were involved with the ACT Indigenous Strategic Arts Initiative run in 2009 by Ed Whalan for PhotoAccess and Jennifer Martiniello for Billabong Aboriginal Corporation. Their residencies and exhibition were supported under the PhotoAccess Emerging Indigenous Photographer program. The 4 Emerging Indigenous Photographers exhibition was shown in the HUW DAVIES GALLERY in July 2010, opening during NAIDOC Week. 4 Emerging Indigenous Photographers catalogue
AUtonomies by Jessie Boylan with Emma King was based on the Australian Government's 'Intervention' in Northern Territory Indigenous communities. Jessie is a non-Indigenous woman who has worked extensively with Indigenous communities in northern Australia. Emma King spoke about the project and exhibition at a Sunday in the gallery event and we assisted with a short tour of the exhibition later in the year. AUtonomies catalogue
Our second Emerging Indigenous Photographer was Lyndy Delian, whose exhibition 12000 was shown in the HUW DAVIES GALLERY during NAIDOC Week in July 2009. Lyndy spoke about her work and exhibition at a Sunday in the gallery event on 12 July. Lyndy Delian catalogue
Working with Billabong Aboriginal Corporation and coordinator Jennifer Martiniello, we conducted two 10-week workshops as part of a photography project for young Indigenous people under the ACT Indigenous Strategic Arts Initiative.
Otis Williams was our 2008 Emerging Indigenous Photographer. Crossing, his exhibition based on the Fitzroy Crossing community in Western Australia was opened in NAIDOC Week 2008. Crossing catalogue
(Images: Duncan Smith)
Duncan Smith is a Wiradjuri man resident in Canberra. He is an outstanding cultural practitioner and leader. His PhotoAccess residency and Back to Country exhibition was supported by the ACT Arts Fund and the ACT Indigenous Arts Officer. Duncan spoke about his Back to Country exhibition and the return to Wiradjuri country project which was the basis for his images at a Sunday in the gallery event on 26 October. Back to Country catalogue
We provided technical and creative support for a film project with partner Southside Community Centre. I'm Awesome U Know was made by 22 Indigenous primary school boys involved in the ACT On Track Program. The project was coordinated by Cathy Laudenbach (Southside Community Centre) and Edwin Daughtry (PhotoAccess) with support from Ed Whalan. The project was assisted by a grant from the ACT Arts Fund. I'm awesome U Know was shown in the Multimedia Room in October and November 2008. I'm Awesome U Know catalogue
Our second Indigenous Artists Digital Storytelling Project culminated in a NAIDOC Week exhibition of digital stories and other works by three artists — River by Jenni Kemarre Martiniello, Wiradjuri Echoes by Duncan Smith and Telling My Story by Renee Smith; the project was led by Ed Whalan and assisted by the ACT Indigenous Arts Officer. 2007 NAIDOC Week catalogue
The first Indigenous Artists Digital Storytelling Project culminated in a NAIDOC Week exhibition of digital stories and other works by Indigenous visual artists Leise Guthridge (Sisters' stories—Anna) and Liz McNiven (Spiritual Land)
(Image: Kerry Baylor, Breach)
PhotoAccess 25th Anniversary Print Portfolio
This limited edition print portfolio is 16 images donated by artists associated with PhotoAccess as board members, board advisors, staff, course tutors and exhibiting members to commemorate the PhotoAccess 25th Anniversary in September 2009. Macquarie Editions printed the portfolio with UltraChrome HDR pigment inks on 310 gsm Canson Infinity BFK Rives 100% rag in a numbered edition of 25, with one artist's proof. Boxed sets have been acquired by private collectors and Canberra Museum and Art Gallery. Seven boxed sets remain for sale. Images numbered 11 to 20/25 are for sale individually and a number have been acquired by private collectors. Proceeds from the sale of the edition help PhotoAccess continue its work providing community access to the photo based arts through exhibitions, courses and special projects.
The portfolio would not have been possible without our supporters:
Macquarie Editions: Stephen Best is a PhotoAccess member, master digital printmaker and owner of Macquarie Editions. His first solo exhibition, Coast, was shown in the HUW DAVIES GALLERY in 2007. Stephen has printed a significant number of exhibition images for PhotoAccess members and other artists around Australia and is renowned for the quality of his work.
Abell's Kopi Tiam Restaurant at Manuka: Lorna Sim is a partner in Abell's Kopi Tiam restaurant and a long-standing member of PhotoAccess. She and Abell Ong have supported and shown photography in the restaurant for many years and are very pleased to be associated with PhotoAccess and the commemorative print portfolio.
Barbie Robinson: Barbie Robinson is a member and staff member of PhotoAccess. Her exhibition 256 Shades of Grey was shown in the HUW DAVIES GALLERY in 2005. She is supporting the edition in memory of her mother, Beb Bartholomew. Beb came to openings at PhotoAccess and sat happily in 'her' chair at the front desk sipping champagne and people-watching. She loved encouraging and supporting people she saw as 'having a go'. She had a special affection for PhotoAccess, observing a supportive environment for both its staff and its artists. Ed Whalan was her particular pin-up boy because of his role in introducing Barbie to the intricacies and boundless delights of photography.
The PhotoAccess 25th Anniversary Print Portfolio was exhibited in the PhotoAccess HUW DAVIES GALLERY from 18 March - 14 April 2010. Download Catalogue
The Tocumwal Archive is a collection of stories and photographs, about living in the houses that were moved from the Tocumwal air force base in New South Wales, to the Canberra suburb of O'Connor. The base was built during the Second World War as an inland defence against Japanese invasion. As camouflage, the sleeping quarters for air force personnel were built in the form of houses. After the War, the acute housing shortage in Canberra gave the houses a new purpose. From the late 1940s, about 200 of them were transported to the growing suburbs of Ainslie and O'Connor. In O'Connor they were located in two groups of four cul-de-sacs meeting at a central park and bounded by Macarthur, Macpherson, Miller and Tate Streets. The area is listed as an Australian Capital Territory (ACT) heritage precinct. Collection for the Archive began in 1996 with a PhotoAccess project supported by the ACT Heritage Council. Stories and photographs are archived according to the donor's name. Ongoing community collection and maintenance of the Archive is encouraged. The Archive is open for research use and the contribution of material at the ACT Heritage Library in the Woden Town Library. The Tocumwal Archive website is hosted by PhotoAccess and was initiated as part of Party in the Park , a 2005 ACT Heritage Festival event co-ordinated by Northside Community Service. It features a fraction of the material held in the Archive.
For privacy reasons house numbers and full names are not included with recent stories and photographs featured on the website. The Tocumwal Archive


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The Washington State Cougars and Washington Huskies played an important opener (especially for WSU) on Friday night and Super Bowl champions Russell Wilson and Jermaine Kearse were there to see it. Except, they didn't stay long enough to see the best part.
Being that Kearse is a former Husky, he naturally threw out the opening pitch while Wilson sat behind the plate to make the catch, much to the pleasure of the 1,500 capacity crowd. That momentum in the ballpark carried early for the seventh-ranked Huskies, but by the top of the seventh inning, the momentum was gone and so were the Seahawks' stars.
That's when the Cougs exploded for three runs to cap a five-run rally and take a 6-4 lead. Eventually, that was the all-important final score, helping the Cougs to move back to .500 in the Pac-12 at 8-8 on the season. Another huge game for the Cougs looms tonight in Seattle at 7:35 pm after the Crimson and Gray game airs this afternoon at 1:00 pm on Pac-12 Networks.
For more detail on the Cougar-rally, go HERE.
Tags: Baseball Jermaine Kearse Russell Wilson Washington State Cougars


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USA's 'Playing House': Bringing up baby
The complexities of female friendships have often been considered one of the most underrepresented concepts in mainstream media, and television is certainly no exception. USA Network is hoping to smash that belief with its new single-camera sitcom "Playing House," debuting tonight at 10 p.m. EST with a special two-episode premiere.Read More
Golden Globes 2014: List of Winners
Hello TV and movie lovers! The Golden Globes are upon us once again and officially kick off the 2014 awards season. We're here to...Read More
Tina Fey and Amy Poehler Set To Return as Hosts of 2014, 2015 Golden Globe Awards
The Hollywood Foreign Press Association and NBC sure know what the people want, as they have signed on Tina Fey and Amy Poehler to host...Read More
Admission Review: Failing the Entrance Exam For Comedy
It goes without saying that Tina Fey is a national treasure. Her stunningly sharp wit has been a mainstay of American pop culture for more than ten years now thanks to her show-salvaging work on Saturday Night Live and the quirky bliss of 30 Rock. We've all laughed at her work at some point or another, whether its from her spot-on turn as Sarah Palin or from the pages of her bestselling book Bossypants, but the key factor to probably 98% of her success though is that she herself wrote whatever it was that made us laugh.Read More
The 70th Golden Globe Awards: The TV Side
Last night's Golden Globes were awesome. Mostly because of the hosting Goddesses that are Tina Fey and Amy Poehler – both of...Read More


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This is my favourite bookstore and bookseller in the world. Bar none.
I used to get to Seattle every six months or so, and whenever I visited I always made it a priority to stop in BLMF and ask its keeper what he'd been reading lately. He possessed an inexhaustible memory, a comfortable lack of snobbery, and impeccable taste. The first book he recommended to me, upon listening gravely to my litany of at-the-moment authors (Barbara Kingsolver, James Clavell, Maeve Binchy, Neil Gaiman, Charles DeLint, Anthony Bourdain) was Tipping the Velvet. He also later landed me with Geek Love, Anno Dracula, half the Aubreyad, and more modern Literature-with-a-capital-L than I could carry home.
The next-to-last time I dropped in, I asked if he had any P. G. Wodehouse.
"I have zero Wodehouse," he said, "and here's why…"
Turned out that some fiend had taken to creeping in every month or so expressly to inquire of any Wodehouse and, once led to the volumes, to buy it all. ALL. Didn't matter the condition, the edition, or whether he had another just like it in his possession; the villain bought every single P. G. Wodehouse in stock, every single time.
Was he a fan more comprehensive, more truly fanatical than any other I'd heard of, let alone known? Was he virulently anti-Wodehouse, only purchasing the books to keep their wry poison from infecting the impressionable masses? The world may never know.
I didn't get any Wodehouse then, and I didn't really feel the lack. I found plenty of other treasures that trip. But here's one reason why BLMF and its proprietor are my favourite of their kind: that was two years ago, you see. Maybe three. In all that interim, I never planted foot in that bookshop. Never called. Never wrote. And I'm one face out of hundreds of thousands, dear reader; one reader he saw twice a year for three years, then not again for another three.
But I walked in the shop last Friday. Nodded hello.
"Can I help you find anything?" he asked, lifting his head from the phone.
"No, I'm good," I said.
"Wait—hold on a second." He set the phone down, walked 'round the towers of books balanced precariously on the desk, on the floor, and atop other, only slightly less precarious towers. He jerked his head conspiratorially toward the far end of the shop, led me carefully to a shelf way in the back, removed a tattered stack of mass market paperbacks and motioned me closer to see what they'd been hiding.
Fifteen pristine Wodehouses: crisp, heavy, and—
"Hardcover," he said, and waggled his eyebrows.
Reader, I bought them all.
I now want to move to Seattle so that this can be my local bookstore.
one of my favorite bookstores proud its in my city


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http://www.lomography.ru/homes/triky76This photo was shot on film. Taken by red_constructor with a Lubitel 166B (available in our Online Shop) loaded with Kodak Elitechrome EB film (available in our Online Shop) in Madrid + Rostov-on-Don. Date: 2012-09. This photo can also be found in the album doubles with my friend triky76 .
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great album
@meryl THANKS)


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Malvertising is formed from malicious plus advertising. It's an online scam in which reputable sites are tricked into distributing bogus advertisements that link to malicious code. It has become a significant issue within the past year, with many well-known sites suffering from the problem, and it's expected to get worse.
A classic example is an advert that offers a free anti-virus scan, but which instead downloads an application that takes over your browser to harvest credit-card numbers and passwords or send fake e-mails through your account. Since such fake scans work by frightening users, they are also called scareware. The problem for legitimate owners of sites is that it's hard to detect the fake ads until somebody complains, by which time damage has been done and the publisher's reputation compromised.
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Associated Press
MEXICO CITY (AP) -- Mexican authorities captured the world's most powerful drug lord in a resort city Saturday after a massive search through the home state of the legendary capo whose global organization is the leading supplier of cocaine to the United States.
Joaquin "El Chapo" Guzman, 56, looked pudgy, bowed and much like his wanted photos when he arrived in Mexico City from Mazatlan in Sinaloa state. He was marched by masked marines across the airport tarmac to a helicopter waiting to whisk him to jail.
Marines arrested Guzman at 6:40 a.m. in a high-rise condominium fronting the Pacific without firing a single shot. Mexican officials late Saturday said he was apprehended with a man identified as Carlos Manuel Hoo Ramirez, contradicting earlier reports that he was arrested with a woman.
An American official said that the U.S. Drug Enforcement Administration and the Marshals Service were "heavily involved" in the capture.
Another federal law enforcement official said intelligence from a Homeland Security Department investigation also helped lead U.S. and Mexican authorities to his whereabouts.
Both officials spoke on condition of anonymity because they were not authorized to speak to journalists.
U.S. Attorney General Eric Holder called the capture a "victory for the citizens of both Mexico and the United States."
Mexican authorities, based on a series of arrests in recent months, got wind that Guzman was moving around Culiacan, capital of his home state for which the cartel is named.
Mexican Attorney General Jesus Murillo Karam described an operation that took place between Feb. 13 and 17 focused on seven homes connected by tunnels and to the city's sewer system.
He said they had Guzman in their sights several times during that period but were unable to mount an operation earlier because of possible risks to the general public. The house doors were reinforced with steel, which delayed entry by law enforcement, presumably allowing Guzman to flee several attempts at his capture before Saturday.
A U.S. law enforcement official said members of Guzman's security team helped Mexican and U.S. authorities find him after they were arrested earlier this month. The official was not authorized to discuss details of the case by name and spoke on condition of anonymity.
Guzman faces multiple federal drug trafficking indictments in the U.S. and is on the DEA's most-wanted list. His drug empire stretches throughout North America and reaches as far away as Europe and Australia. His cartel has been heavily involved in the bloody drug war that has torn through parts of Mexico for the last several years.
His arrest followed the takedown of several top Sinaloa operatives in the last few months and at least 10 mid-level cartel members in the last week.
Michael S. Vigil, a former senior DEA official who was briefed on the operation, said the Mexican navy raided the Culiacan house of Guzman's ex-wife, Griselda Lopez, earlier this week and found a cache of weapons and a tunnel in one of the rooms that led to the city's sewer system, leading authorities to believe Guzman barely escaped, Vigil said.
As more people were arrested, more homes were raided.
"It became like a nuclear explosion where the mushroom started to expand throughout the city of Culiacan," Vigil said.
Authorities learned that Guzman fled to nearby Mazatlan. He was arrested at the Miramar condominiums, a 10-story, pearl-colored building with white balconies overlooking the Pacific and a small pool in front. The building is one of dozens of relatively modest, upper-middle-class developments on the Mazatlan coastal promenade.
"He got tired of living up in the mountains and not being able to enjoy the comforts of his wealth. He became complacent and starting coming into the city of Culiacan and Mazatlan. That was a fatal error," said Vigil.
Vigil said Mexico may decide to extradite Guzman to the U.S. to avoid any possibility that he escapes from prison again, as he did in 2001 in a laundry truck -- a feat that fed his larger-than-life persona.
"It would be a massive black eye on the (Mexican) government if he is able to escape again. That's the only reason they would turn him over," Vigil said.
Because insiders aided his escape, rumors circulated for years that he was helped and protected by former President Felipe Calderon's government, which vanquished some of his top rivals.
In the bilateral assault on organized crime and Mexican drug cartels, Sinaloa had not only been relatively unscathed, but has seen its enemies go down at the hands of the government.


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DENVER—Colorado Attorney General John Suthers today announced a $550 million nationwide state-federal settlement with mortgage lender and servicer SunTrust Mortgage Inc. to remedy mortgage origination, servicing, and foreclosure abuses. To resolve past SunTrust abuses, some Colorado borrowers are now eligible for $4,448,533 in principal reduction loan modifications, refinancing for underwater mortgages, foreclosure payments and other relief.
DENVER —Colorado Attorney General John Suthers banded with 44 other state attorneys general today to announce a $105 million consumer protection settlement with GlaxoSmithKline, LLC (NYSE: GSK) to resolve allegations that the company unlawfully promoted its asthma drug, Advair®, and antidepressant drugs, Paxil® and Wellbutrin®.
DENVER – Based on a joint investigation with the National Insurance Crime Bureau, the Colorado Attorney General's Office Insurance Fraud Unit today announced that Chiniece Carter (D.O.B. 11/24/86) pled guilty to stealing hundreds of thousands of dollars from numerous insurance companies by filing fraudulent claims.
DENVER — Colorado Attorney General John Suthers and Boulder District Attorney Stan Garnett today announced the dismantling of an asphalt paving and roofing ring that targeted and scammed Colorado senior citizens. In a 66-count statewide grand jury indictment Rickey Gene Fite (D.O.B.
DENVER – The Consumer Protection Section of the Colorado Attorney General's Office today filed a lawsuit against a Colorado Springs convenience store, PoPo Wee Mart, LLC, its owner Jin Ju Kim (DOB 8/25/1957) and her husband Wanhee Lee (DOB 8/16/1957), for selling "spice." The defendants are accused of selling spice products in packages falsely labeled as "herbal incense," "botanical sachet,
DENVER – Colorado Attorney General Suthers announced today that the Consumer Protection Section of his office filed a civil lawsuit against Orlando Martinez (D.O.B 09/26/43) and his Denver store, O's Pipes & Tobacco for illegally selling "spice" products that contributed to an illness outbreak.
DENVER —Senate Bill14-176, the Crimes Related to Motor Vehicles bill has passed the General Assembly and now awaits signature by the governor. If enacted, Colorado will join the company of fourteen other states and the federal government that have "chop shop" statutes. The FBI reports that in 2008, more than $6.4 billion was lost nationwide due to motor vehicle theft with an average loss per stolen vehicle totaling $6,751.
DENVER—The Colorado District Attorneys' Council (CDAC) and the Colorado Attorney General's Office today announced the formation of the Colorado Best Practices Committee. The committee will function as a think tank for prosecutors to stay informed of key issues, developing legal trends and technology advances. Through its formation, the committee will support state prosecutors' mission of being leaders in thoughtful and effective legal practices that the public can trust.
DENVER—Colorado consumers will start receiving approximately $3.7 million in account credits or checks this week to settle an e-book antitrust lawsuit brought by the Colorado Attorney General's Office and attorneys general of 32 other states.
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"Visualizing Civic Data To Make The Case For Civic Health
A new contest found four online tools that help people be more engaged in politics and their communities—from finding out which candidates' policies help you more to archives of photos of your neighborhood.
Groups like the National Conference on Citizenship and the Knight Foundation have been gathering data on "civic health" for several years. They believe solid data from surveys and academic research help us "understand civic life in communities across the country" and that an "evidence-based approach" gives more backbone to arguments in support of civic initiatives.
But getting the message out is not easy, according to Jeff Coates. Knight and NCoC have a wealth of data, but it's not necessarily in a usable and approachable form so large numbers can appreciate it.
"They are quite cumbersome if you're not used to data," says Knight's Jeff Coates, talking of projects like Knight's "Soul of the Community" survey.
To get the data to a wider audience, NCoC and Knight started the Civic Data Challenge. And, after 170 teams took part, the winners were announced this weekend.
"This really unlocks the value of the data, and allows people to play around with it, and presents it in ways that are easily readable and understandable for the community, so it can take action," says Coates.
The four winners:
Politify is a platform for voters to find how presidential policies will affect them. Plug in your salary, marital status, dependents, and zip code, and find out how much tax you'll pay under Obama and Romney. Or just put in your zip code and find what percentage of residents in your area benefit from the benefits, and or what their tax and spending plans mean for the budget. Politify translates the rhetoric into numbers everyone can understand.
Will DeKrey and Sean McDonald created an interactive riff on the concept of Gross Domestic Product. Is GDP a helpful measure of civic success, or does its preeminence crowd out other important metrics, like happiness or well-being? The designers give the numbers, letting you decide."
Via: Fast Company
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Bessie Coleman
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Authors: Flynn, Riley
Title: Bessie Coleman
Publisher: North Mankato, Minnesota :, Capstone Press,, [2014]
Characteristics: 24 pages :,illustrations ;,19 cm.
Content Type: text
Media Type: unmediated
Carrier Type: volume
Summary: "Simple text and photographs present the life of aviator Bessie Coleman"--
Audience: Grades K to 3.
Ages 6-8.
Ages 6-8.
Local Note: 15 17 18 53 79 118 133 148 216
Statement of Responsibility: by Riley Flynn
Bibliography: Includes bibliographical references and index.
Subject Headings: Air pilots United States Biography Juvenile literature. African American women air pilots Biography Juvenile literature. Coleman, Bessie, 1892-1926 Juvenile literature.
Topical Term: Air pilots
African American women air pilots
African American women air pilots
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Mens Baby Costume
Big Baby Mens Costume
Give yourself an excuse to whine and complain on Halloween when you dress up in the Big Baby Men's Costume. This blue and white jumpsuit comes complete with a hat and sculpted baby face, with a lookout area for your eyes.
Blue Jammies Adult Mens Costume
Hey you big baby! They can call you names all they want when you wear these Blue Jammies Adult Mens costume and you can suck your thumb and not care. This classic funny costume is cozy and comfortable. Babies are cute. Wear this costume and you will be too!
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There's no crying on Halloween, even if you are dressed in the Big Baby Adult Men's Costume. This white, one-piece, adult-sized baby romper will have you whining all night this Halloween.
Fake Booty
If you like big butts and you cannot lie, this fake booty for your adult Halloween costume is for you. Just strap on this fake booty and you'll have everyone laughing and checking you out. Baby's definitely got back in this costume!
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…has a bun in the oven in this Thank You Father Nun adult costume. You'll look immaculate in this funny Halloween costume, complete with black robe, habit, virginal white gloves and inflatable tummy. Bring your baby-daddy along in a Priest Adult Mens Costume for a great couples Halloween costume!
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Disney Toy Story Alien Baby Costume
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Live dangerously when you wear this officially licensed Austin Powers Carnaby Suit adult mens costume. It's swinging, baby! Brush off your dancing shoes and practice your dance moves because you'll have a swinging Halloween in this cool costume. It's a chick magnet!
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Filler Up Fireman Adult Mens Costume
Come on baby, light my fire! The girls will be chasing you - quench their thirst and ignite their passions in this fun Filler Up Fireman adult mens costume. They love a man in a uniform, plus you can fill the two beverage holders styled as fire extinguishers with the firewater of your choice!
Wolverine Infant Costume
The X-Men Wolverine is known for his mutant healing factor and his enhanced physical powers. Enhance the Halloween fun whenyour little one mutates into this colorful X-Men Wolverine infant costume. The comfortable bodysuit will double baby and parent'sphysical powers all day!
Blue Jammies Adult Costume
Try not to cry about it on Halloween when you wear the Blue Jammies Adult Costume. This oversized baby costume features a blue pajama jumpsuit with an attached bib. It'd be a crying shame to not have fun in this outfit.
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Memphis Health Center celebrates construction with topping out ceremony
The Memphis Health Center, located at E.H. Crump Boulevard and S. 4th Street, celebrated the construction of their new facility with a topping out ceremony. The event marked the highest point of the building with a small tree and United States flag. The CB Richard Ellis Memphis project management team oversees the construction and project.
CBRE|Memphis selected to manage Lenox Park
CB Richard Ellis Memphis has been selected by Highbrook Investment Management to manage four buildings in the Lenox Park office complex located at I-385 near Kirby Road.
"Lenox Park is a gem in the Memphis office market, one that CBRE|Memphis is proud to add to our portfolio of managed properties," said Mary Sharp, COO. "Adding the invaluable experience of our new employees to CBRE|Memphis' respected property management division will only add to the services at Lenox Park."
Q2 2014 MarketView reports now available
CB Richard Ellis Memphis has released the Q2 2014 MarketView reports, offering a comprehensive look at the industrial, office and retail markets.
Pan Am International Flight Academy building sold to Valhalla Financial
Valhalla Financial completed the acquisition of the Pan Am International Flight Academy, a single-tenant office asset located in Southwind Office Park immediately north of the FedEx Express World Headquarters campus. Valhalla Financial, a private investment firm with offices in California and New York, purchased the Property for about $4.9 million on June 16, 2014 from Road Bay Investments, LLC. Johnny Lamberson and Terry Radford, both of CB Richard Ellis Memphis, represented the seller in the transaction.
CBRE|Memphis Project Management team featured in Memphis Daily News
The CB Richard Ellis Memphis Project Management team was featured in a recent Memphis Daily News article. The Project Management team is responsible for all aspects of the construction process for its clients, such as tenant improvements, due diligence, pre-construction, design, bidding, construction and move management. Current projects of the team include the development of Volvo Group's new 1 million-square-foot distribution center inside Panattoni Development Co.'s Gateway Global Logistics Center, and the redevelopment of the Memphis Health Center on Crump Boulevard.
CBRE Memphis has been a recognized market leader across Tennessee, Mississippi and Arkansas for over 28 years. We currently have three offices in the city. In East Memphis, our office is conveniently located off the interstate minutes from the airport and central business district. Our downtown office sits two blocks from the Mississippi River on the Main Street trolley line, and our multifamily office is situated along the heavily trafficked Poplar corridor in East Memphis.
With a team of 100 employees, CBRE Memphis offers our clients comprehensive real estate service solutions. The company currently leases and/or manages more than 23.5 million square feet across the region, and our professionals combine extensive market knowledge and excellent technological resources to provide our clients with the most informed and inclusive real estate services in the Mid-South.
In addition to our position as the area's longstanding market leader, we value our position as a leader in the Memphis community. CBRE Memphis is a member of the Memphis, Germantown, Bartlett and Fayette County Chambers of Commerce and is active in the Memphis Area Association of Realtors and in the Memphis chapter of the Commercial Real Estate Women (CREW) Network. CBRE Memphis staff is represented on over 25 Memphis community organization Boards of Directors. Our professionals have dedicated hundreds of volunteer hours to community service and fundraising efforts for local non-profits such as the Ronald McDonald House of Memphis, Exchange Club Family Center of Memphis, New Memphis Institute, Hope House and Campbell Foundation in the past year alone.


text:
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Rated it 4 out of 5 stars ★★★★☆
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Rated it 4 out of 5 stars ★★★★☆
"Just watched it. A very competent Bond movie. I'm eagerly awaiting the next outing."


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Aqua Designer 6.3 - Wastewater Treatment Plant Design Softwareby BITControl GmbH
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AQUA AERO - Software for Design of Aeration Systemsby BITControl GmbH
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Word: κιλτ
Added on: 2010-10-07 Listened: 3 timesin: Scotland, neuter noun, clothes
Pronunciation in Greek [el] Back to Greek
- Pronunciation by peri22b (Male from Netherlands)
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- Random word: βαρυγγομάω
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κιλτ = kilts
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Your question was published, help is on its way!
The door lock on my Kenmore front loader washer does not lock
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by Manage My Life Last activity date:
Kenmore washer, front loader, Model #417 48102701
Be the first to comment
The door will not lock, therefore the machine will not operate.
The green light at the "door locked" does not light up.
It is possible that the door was forsed open at the end of Spin Cycle, not sure!
It there a reset button, or anything like that to activate the lock mechanism
or do I have to replace parts?
I will wait for answer.
Thank you
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Answers (4)
Washers lid locks are a safety feature on most newer models. I see from a previous post for this model it can affect the operation. I attached that expert answer below. It also contains links for parts and service if needed.
Answered in 8 minutesby Manage My Life | | Be the first to comment
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Notice: BOMA BragsCongratulations Becky Hanner. BOMA/Raleigh-Durham is pleased to announce that BOMA International has selected our own Becky Hanner, RPA®, CPM®, Senior Vice President and Principal of Cassidy Turley, as a BOMA Fellow!
Event: LuncheonOur next BOMA/Raleigh-Durham Luncheon will be held on Tuesday, October 14, 2014 from 11:30am-1:00pm at One Eleven Place, 111 Realtor's Way, Cary, NC.
The speaker will be Attorney General Roy Cooper. Please RSVP here on or before October 8, 2014
Event: BOMI International Course. Budgeting and Accounting. 10 week course. (Requirement of the RPA Program).Instructor: Walter A. Holt, Jr., RPA®, FMA®Location: Duke Realty3005 Carrington Mill Rd.Morrisville, NCDate/Time: Wednesdays – Sep 3, 2014 thru Nov 19, 2014 from 5:30 -8:30 p.m.
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When: Thursday, October 23, 2014Where: The Stockroom - 230 Fayetteville Street Raleigh, NC 27560
Time: 5:30pm to 8:30pm
BOMI INTERNATIONALCOURSEBudgeting & AccountingWednesdaysSep 3 - Nov 95:30 - 8:30 PMDuke Realty3005 Carrington Mill RoadMorrisville, NC
The BOMA 360 Performance Program , sponsored by BOMA International, evaluates buildings against industry best practices in 6 major areas: building operations and management; life safety, security and risk management; training and education ; energy; environmental / sustainability; and tenant relations / community involvement. Individual buildings that satisfy the requirements in all 6 areas are awarded the BOMA 360 designation.


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'About Music' Lecture Series
Each week of semester, our new public lecture series "About Music" will feature a new angle on the endlessly fascinating phenomenon of human musicality.
Venue: Recital Hall West, Sydney Conservatorium of Music, Macquarie St, Sydney
Free entry, no bookings required. Complimentary refreshments after the lecture.
Enquiries to: Series Coordinator, Susie Walsh: firstname.lastname@example.com; phone +612 9351 1442.
Semester 2, 2014
Damien Ricketson (Sydney Conservatorium of Music)
4 August, 5pm
The Secret Noise
Not all music was made for public consumption. Discover an arcane world of cultural practices that deliberately shield music from public life and learn how they inform a new creative project by composer Damien Ricketson.
The lecture will feature a brief performance by Claire Edwardes on vibraphone.
Show bio
About Damien Ricketson
Described by the Sydney Morning Herald as displaying "a reputation for intelligent and inventive music-making", Damien Ricketson's music is characterised by exotic sound-worlds and novel forms. Damien studied with renowned Dutch composer Louis Andriessen and is currently a Lecturer in composition at the Sydney Conservatorium. Damien is the Co-Artistic Director of Ensemble Offspring, a unique arts organisation dedicated to innovative new music, and through whom much of his music has been performed. Notable recent projects have included Fractured Again, a multimedia production featured in the Sydney Festival and toured to China including musical instruments made of glass and The Secret Noise, an upcoming music-dance work exploring music and secrecy.
Jeanell Carrigan (Sydney Conservatorium of Music)
11 August, 5pm
Composer in Exile: Meta Overman and her compositions for piano
Dutch-born Meta Overman (1907-1993) lived in Australia for over forty years, spent mostly in Perth and Melbourne. Her unpublished piano music is imaginative and formally structured, probably reflecting her lessons with Willem Pijper, one of Holland's foremost composition teachers of the 1940s.
Show bio
About Jeanell Carrigan
Jeanell is currently Senior Lecturer in Ensemble Studies at the Sydney Conservatorium of Music, University of Sydney. She has performed as a soloist, chamber musician and accompanist in Germany, Italy, Austria, Switzerland and throughout Australia, and has recorded for the Bavarian Radio Corporation, the ABC and for regional stations in Australia on many occasions. As a member of the Novalis Quartet, Trio Novalis and Richter/Carrigan Duo she performs regularly for Musica Viva and other concert organisations.
She completed a Doctor of Creative Arts, from the University of Wollongong, in the area of Australian post-1970 solo piano repertoire and in February 2014 released her sixteenth solo compact disc of Australian piano music. In 2002 she received the national award of most outstanding contribution to the advancement of Australian music by an individual.
No Lecture
18 August, 5pm
Chris Coady (Sydney Conservatorium of Music)
25 August, 5pm (followed by Jazz in the Cafe)
Decoding the Political Mingus: An exploration of what is, and what is not, political jazz
This talk will challenge the idea that jazz bassist/composer Charles Mingus' "political" music is limited to the works he wrote as part of the Black Arts movement of the 1960s by illuminating the political work achieved through his oft-forgotten classical/jazz fusion works of the mid-1950s.
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About Chris Coady
Dr Coady is a lecturer in Musicology at the Sydney Conservatorium of Music. He is the author of several scholarly articles the could be grouped loosely under the heading "jazz and politics" and is currently working on a book aimed at reassessing the legacy of John Lewis, leader of the Modern Jazz Quartet, titled John Lewis and the Challenge of "Real" Black Music.
James Wierzbicki (Sydney Conservatorium of Music)
8 September, 5pm
Film music: when to listen
Film music, like film sound, of course plays an important role in how we experience movies. But sometimes the film/sound is not nearly so important as we might think. Sometimes it really *should* go in one ear and out the other.
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About James Wierzbicki
James Wierzbicki is a Senior Lecturer in musicology at the University of Sydney. Along with exploring questions of modernity and the postmodern, his research focuses on twentieth-century music in general and film music in particular. His books include a monograph on the electronic score for the 1956 film Forbidden Planet (Scarecrow Press, 2005), Film Music: A History (Routledge, 2009), and Elliott Carter (University of Illinois Press, 2011); articles by him have recently appeared in such publications as the Journal of the American Musicological Society, The Musical Quarterly, Perspectives of New Music, Beethoven Forum, and Music and the Moving Image.
Catherine Stevens (The MARCS Institute, University of Western Sydney)
15 September, 5pm
Musical Memories:
How Experience and Expectations Affect Music Perception
Even without formal training in music, humans develop expectations for the conventions of the musical environment in which they are raised. The influence of this "mere exposure" on responding to rhythmic patterns will be discussed, together with the effect of language background on perceiving speech and music. The experiments demonstrate that long-term memory affects the way music is perceived.
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About Catherine Stevens
Catherine (Kate) Stevens is Professor in Psychology and leader of the Music Cognition and Action research program in the MARCS Institute, University of Western Sydney (UWS). She holds BA (Hons) and PhD degrees from the University of Sydney. Kate conducts basic research into the learning and recognition of complex sequential, non-verbal patterns using the familiar and universal contexts of music and dance. She is author of more than 170 articles, book chapters, and conference proceedings papers, among them an ebook on creativity and cognition in contemporary dance.
Amanda Harris (PARADISEC, Sydney Conservatorium of Music)
22 September, 5pm
European women composers, 1880-1930
For European women composers at the turn of the twentieth century, getting their works performed was one thing, being considered a composer historically important enough to be remembered was quite another. Focusing on England, France and Germany in the period 1880 to 1930, I will illustrate the different approaches to their composition taken by women composers such as Ethel Smyth, Lili Boulanger and Luise Adolpha Le Beau.
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About Amanda Harris
Amanda Harris's 2009 PhD from the University of New South Wales focused on German, French and English women composers and feminism in the late 19th-early 20th centuries. In particular she found that there was an ambivalent relationship between female composers and feminists who were slow to recognise each other's pursuits. Her recent work focuses on Australian History, exploring themes of cross-cultural exchange and gender and her edited book Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media is due out with ANU Press in 2014. Amanda is currently a Research Associate on the project Intercultural inquiry in a trans-national context: Exploring the Legacy of the 1948 American- Australian Scientific Expedition to Arnhem Land.
Presenter to be advised.
13 October, 5pm
Topic to be advised.
Charles Fairchild (Sydney Conservatorium of Music)
20 October, 5pm
Music, Incorporated: The Grey Album in a Post-Album World
In 2004, DJ Danger Mouse released one of the most famous mash-up albums ever. But The Grey Album (DJ Dangermouse, 2004) is more than just a clever, if legally ambiguous, amalgam of previously-existing music. It is also an important and compelling album that can tell us a lot about both our musical past and future.
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About Charles Fairchild
Charles Fairchild is Associate Professor of Popular Music at the University of Sydney, Australia. He is the author of The Grey Album by DJ Danger Mouse (Bloomsbury, 2014), Music, Radio and the Public Sphere (Palgrave, 2012) and Pop Idols and Pirates (Ashgate, 2008).
Kerry Murphy (University of Melbourne)
27 October, 5pm
Henri Kowalski¹s comings and goings
French virtuoso pianist and composer Henri Kowalski (1841-1916) visited Australia twice, once in 1880 and from 1885, he settled in Sydney for 14 years. This paper explores the impact of his visits to Australia focusing in particular on his Sydney sejour.
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About Kerry Murphy
Kerry Murphy is head of musicology at the Melbourne Conservatorium of Music, The University of Melbourne. Her research interests focus chiefly on 19th-century French music and music criticism and colonial Australian music history and she has published widely in these areas. She is currently researching the impact of travelling virtuosi to Australia and the representation of Algeria in French 19th-century vocal works.
Semester 1, 2014
Sergio Durante (University of Padua, Italy)
17 March, 5.30pm
Verdi: visions and revisions of Risorgimento music"
The contribution of Giuseppe Verdi's music to the cause of Italian Risorgimento and to the unification process of the country (ca. 1848-1870) has been in the past two decades a matter of controversy among music historians. Some believe in fact that the traditional image of Verdi as 'bard' of Risorgimento is but a late ideological construction. The terms of the problem are re-examined against the background of the broader soundscape of the revolutionary years in Italy, including rare relics of popular music.
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About Sergio Durante
Sergio Durante (Padua 1954), has studied music and musicology in Bologna and Cambridge (Mass.) . He has published extensively on the history of singers and of the singing profession, developing among other things a historical dictionary of Italian vocal terminology (Lessico italiano del canto) of imminent publication online. After his earlier research on Frescobaldi, Corelli and Tartini, he turned his main focus on Mozart studies with numerous essays devoted to vocal music, opera, oratorio and theory of dramaturgy and music analysis. Since 2000 he is a member of the Mozart Akademie in Salzburg. Since 2012 member of the Directorium of the International musicological society. He is Professor of music philology at the University of Padua.
Steven Lubin (Purchase College, USA)
24 March, 5.30pm
European Music, 1680-1900: Mirror of a Changing Cosmos
(in association with the Hook Lecture Series)
In this lecture, Mr. Lubin describes, with the help of piano performances and various visual aids, how reality shifts within this overall era, owing partly to vicissitudes in the flux of historical events generally and partly to changes in science, philosophy and art, the mutually interdependent human activities that accumulate for us empirical knowledge over time.
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About Steven Lubin
In the past few seasons, pianist Steven Lubin has performed as concerto soloist or recitalist in England, France, Spain, Germany, Austria, the Netherlands, Italy, Finland, Ukraine, Australia, Taiwan, Japan, and all across North America. He has appeared as soloist in many of the world's great concert halls (Avery Fisher, Alice Tully, Barbican Center, Kennedy Center, Davies, Herbst, Concertgebouw, Musikverein, Wigmore, Queen Elizabeth, St. John's Smith Square, Myerson, Ambassador, Ordway, Severance, El Auditorio de Zaragoza, etc.), and in major international festivals (Lufthansa, South Bank, Regensburg, Colmar, Utrecht, La Roque d'Anthéron, Aranjuez, Ravinia, Espoo, Mostly Mozart, Mainly Mozart, etc.). He has performed with the National Symphony, the Odessa Philharmonic, the Mozarteum Orchestra of Salzburg, the St. Paul and Los Angeles Chamber Orchestras, the Taipei Symphony Orchestra, the Academy of Ancient Music of London, the Wiener Akademie, Il Fondamento, and many others. He has recorded twenty CDs, mostly for major labels, and has received critical approbation worldwide for his artistry, musical originality and technical excellence.
Michael Webb (Sydney Conservatorium of Music)
31 March, 5.30pm
"Slave Songs" in the Southwest Pacific: early globalisation of song
From the 1870s, two song repertoires began circling the globe: African American spirituals, and revivalist gospel songs. These songs made their way to tiny, remote islands in the New Hebrides (now Vanuatu), and over decades were reformulated into unique folk entertainment forms that are now under threat of extinction. How and why should they be revived?
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About Michael Webb
Michael Webb is an ethnomusicologist, and Chair of Music Education at the Sydney Conservatorium of Music. Michael studied ethnomusicology at the Sydney Conservatorium and later completed an MA and PhD dissertation at Wesleyan University, Connecticut. He is a co-author of Music in Pacific Island Cultures (OUP, 2011) and is currently completing a book titled Sounds of Volcano Town: Music, Magic and Modernity in a Papua New Guinea Port, 1875-1975. Michael has collaborated on an ethnomusicological film, Circling Around in Song, based on his research in Vanuatu, which will be released in 2014. His Melanesian research concentrates on music history and change, and focuses particularly on historical and contemporary aspects of Christian hymnody and folk choral expressions.
Marina Robinson (Sydney Conservatorium of Music)
7 April, 5.30pm
Proprioception and Violin Pedagogy
Proprioception is the knowledge of where body segments are in space, providing non-visual information about the exact positioning of joints and limbs, thus is a very important part of instrumental pedagogy, or the acquisition of any motor skill. This lecture will explore the role of proprioception in violin pedagogy and will provide insights from a multidisciplinary perspective.
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About Marina Robinson
Before joining the Sydney Conservatorium of Music in 2008, Dr Marina Robinson was the head of classical performance and Young AIMS at the Australian Institute of Music from 2005 to 2008. She holds bachelor's and master's degrees from the University of Western Australia and a doctorate from the University of Tasmania. For six years Marina was a lecturer in violin at the Tasmanian Conservatorium of Music, an institution highly regarded for its outstanding contribution to Australian string pedagogy and performance. In Tasmania, she was also the coordinator of classical music and director of the Young Conservatorium and Winter String Schools. Marina was the Associate Concert-Master of Sydney-based Australian Brandenburg Orchestra, with which she performed as a soloist and toured nationally and internationally for thirteen years.
Nardi Simpson and Kaleena Briggs (Nardi Simpson and Kaleena Briggs, The Stiff Gins, Sydney)
14 April, 5.30pm
Reviving and re-interpreting the art of wax cylinder recording
When Stiff Gins embarked on their new recording project, little did they know the path it would take. It led them to Fanny Cochrane Smith, the first Aboriginal woman ever to record language and song on wax cylinder. Listen to an amazing story that spans centuries and songlines to ultimately connect 3 Aboriginal women in song.
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About The Stiff Gins
Stiff Gins, now enter their fifteenth year, are well established as one of Australia's best known and most loved Indigenous acts. In their new project, Spirit of Things: Sound of Objects, the duo explores the residual and embedded songs and stories held by the 'made objects' of Aboriginal cultural material. The writing of this material led them to the recordings of Fanny Cochrane Smith and through a partnership with the National Film and Sound archive in Canberra become the 1st group to record onto wax cylinder in eighty years. Stiff Gins, like Fanny Cochrane Smith use song, culture, technology and time to draw links to the past while creating a unique future for Aboriginal cultural expression.
Graeme Skinner (Sydney Conservatorium of Music)
28 April, 5.30pm
Uncovering the foundations: the colonial pre-history of the Sydney Conservatorium
Next year, the Conservatorium celebrates its first centenary. When the foundations of its heritage building were excavated in the 1990s, physical archaeological remains dating back another century were uncovered. But what of the Conservatorium's musical foundations? Can excavation also reveal remains of Sydney's lively colonial musical past? Today, we'll undertake a little bit of musical archaeology…
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About Graeme Skinner
Dr. Graeme Skinner is an honorary associate in the Conservatorium's Musicology Unit. He is author of the biography Peter Sculthorpe: the making of an Australian composer, and curator of Australharmony, a website in which he presents his ground-breaking research-in-progress toward a musical history of Australia's colonial and early Federation eras. He has also published scholarly book chapters and journal articles on the history of sacred liturgical music, plainsong and polyphony, preserved in the choirbooks of Toledo Cathedral in Spain.
Ivan Zavada (Sydney Conservatorium of Music)
5 May, 5.30pm
Visual Music
Visual music, as a unified form of expression, may reveal the way in which humans interpret, organise, categorise, prioritise, and process information through multimedia applications. An in-depth understanding of the creative processes involved in visual music will lead researchers to appreciate artistic discourse as a foundational social phenomenon throughout its entire range, in each and every one of its elements from the sound and image to the furthest reaches of abstract meaning; enhancing expressive content, conveying human emotion, thereby heightening and enriching the spectator's immersive experience.
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About Ivan Zavada
Ivan Zavada is a composer, multimedia programmer and designer. His research focus is the interactive relationship between image and sound within the realm of electroacoustic music. He creates innovative multi-sensorial events that incorporate sophisticated audiovisual techniques to express artistic individuality in the digital era. In general, Ivan's work questions the conceptual nature of music by examining the relationship between concrete sounds on a fixed recorded medium and visual elements of abstraction rendered in computer graphics. The combination of sound and image in multiple layers challenges the medium's representational paradigm with the use of state-of-the-art technology and makes electroacoustic composition and multimedia applications particularly interesting and significant.
Kathy Marsh (Sydney Conservatorium of Music)
19 May, 5.30pm
Music and wellbeing in the lives of children and young people
This lecture will explore the role of music in the lives of children and young people, with particular reference to refugee and immigrant children. It will discuss the importance of music in developing forms of communication, a sense of belonging and empowerment, and in contributing to cultural maintenance, identity construction, emotional release and social integration.
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About Kathy Marsh
Kathryn Marsh is Associate Professor of Music Education at the Sydney Conservatorium of Music, University of Sydney. Her research interests include children's musical play, children's creativity, and cultural diversity in music education, most recently exploring the role of music in the lives of refugee children. She is editor of Research Studies in Music Education and has written numerous scholarly and professional publications, including her recent book, The Musical Playground: Global Tradition and Change in Children's Songs and Games, published by Oxford University Press and winner of the Folklore Society's Katherine Briggs Award and American Folklore Society's Opie Award. She has undertaken international cross-cultural collaborative research into children's musical play in Australia, Europe, the UK, USA and Korea and, as a member of an interdisciplinary research team, conducted the National Review of School Music Education in Australia.
Paul Rickard-Ford (Sydney Conservatorium of Music)
26 May, 5.30pm
The Piano Works of Charles-Marie Widor
(including the launch of Paul Rickard-Ford's new CD, Charles-Marie Widor – Piano Works)
Charles-Marie Widor, (1844-1937), is well known as a composer of organ music. He is very little known as a composer of piano music. His compositions for piano are in fact vast and due to the efforts of an Australian based publishing company his piano works are now available in fresh new publications.
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About Paul Rickard-Ford
Paul Rickard-Ford presently serves as Senior Lecturer and Chair of the Piano Unit. He completed his PhD on the late piano works of Schumann in 2010. His students have achieved outstanding success in local, national and international competitions and have been major prizewinners at the EPTA International Piano Competition in Belgium, the Adilia Alieva Competition in France, the Keri Keri International Piano Competition in New Zealand, the Vlassenko Competition in Australia and in 2012 one of his students was awarded the Best Australian Pianist at the Sydney International Piano Competition. He is a pioneer in the field of professional development for piano teachers and he is in demand as a guest lecturer at pedagogy conferences throughout Australia.
Jeffrey Kimpton (Interlochen Center for the Arts, USA)
2 June, 5.30pm
Trojans at the Gates: Converging on the New Realities of Preparing the Next Generation of Artists
(Alfred Hook Lecture)
What if the preparation of the next generation of artists were to be created–brand new–in 2014? How would new models use the convergence of new technologies, interdisciplinary influences, shifting cultural demographics, to influence the changing roles of teacher, creator and learner? How are we responding now? What happens if we fail to respond for tomorrow?
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About Jeffrey Kimpton
Jeffrey Kimpton is President, Interlochen Center for the Arts, where he leads its internationally recognized programs in arts education, public broadcasting and professional presentations. He is a graduate of the University of Illinois in music education and arts administration. Mr. Kimpton has a 40-year record of innovative leadership in K-12 schools, as Director of Education for Yamaha Corporation of America, in research at the Annenberg Institute at Brown University, and as Director and professor of music education at the School of Music at the University of Minnesota. A frequent speaker and consultant, Mr. Kimpton brings his many experiences to the international dialogue among arts leaders seeking new solutions for changing times.


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i haz penguisn eggz doesz youz has eggs? WHAT! NO! GET ONEZ NAI! http://www.battle.net/
Do eet!Also, why can't I quote Malgayne?
He's "Special"
Its like, the world is ending, but its not. And people are frantically running about and worrying about nothing. And crazy things are happening, like free penguins, and now Blues are even PuGing!perhaps it is the end of the world (of warcraft).
For those of you who want their Unhatched Mr. Chilly, today is your last day to sign up!Isn't it more accurate to say "For those of you who want to continue playing the game"?
No, because you can still merge at a later date. You just won't get the penguin.
I predict tomorrow will be hell for all blizzard customer service reps. All the angry players who didnt merge will swarm the call centers and the official site in droves. This will begin a chain of events that will lead to the end of the world as we know it. Just like the Mayans predicted.
What's this all about? Merge what?
Get your WoW account merged onto a Battle.netI can has quote Malgayne?
No, because you can still merge at a later date. You just won't get the penguin.I think you're a bit confused over the timing of this EDIT: In fact, it strikes me that this blog's whole inception is based on a misinterpretation of the original blue post about it:Q: What happens if I don't merge my World of Warcraft account with a Battle.net account?A: After November 12, 2009, you won't be able to log in to the game unless you merge your account with a Battle.net account. You will need to log in using your Battle.net account username (your email address) and password.Q: How can I obtain the penguin pet?A: Once you've successfully merged a World of Warcraft account with a Battle.net account, the penguin pet will be sent via in-game mail to all existing characters on the merged World of Warcraft account, along with all future characters on that World of Warcraft account. Players who merged previously will also receive the pet this way.Q: Do I need to merge by a certain date in order to receive the penguin?A: We plan to remove the ability to get the penguin pet at some point in the future, we haven't determined exactly when just yet.Q: If I create a new World of Warcraft account, will I receive the pet?A: Only existing World of Warcraft accounts that merge with a Battle.net account are eligible to receive the penguin pet. If you create a new Battle.net account after November 11 and merge an existing World of Warcraft account with it you will still be able to receive the pet. However, please note that we plan to remove the ability to get the penguin pet at some point in the future.Bolded for emphasis. Source.The 11th is the last day on which you're able to play WoW without having a Battle.net account. It is not the last day on which you're able to get a pengiun.
You should add that it's http://eu.battle.net for european players, else you'd get American maintenance plus the european one.
No, because you can still merge at a later date...If you want to be able to play the game after tonight at 11:59pm, then I'd highly recommend people merge their account(s) NOW....Oh and don't expect to be able to see exactly when your game time expires on the new Battle.net account management page, if you pay by game cards! All it says is the account is active for :60 days...


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What is this book about? With the release of PHP 5 and the Zend Engine 2, PHP finally graduates from it earliest days as a lightweight scripting syntax to an powerful object oriented programming language that can hold its own against the Java and .NET architectures that currently dominate corporate software development. This book has a pragmatic focus on how to use PHP in the larger scheme of enterprise--class software development. What does this book cover? Unlike Java or .NET, there is little discussion of the application of design patterns, component architectures, and best--practices to the development of applications using PHP. Software written in the absence of this sort of higher--order architecture will never be able to match the robust frameworks that Java and .NET ship with out of the box. This book addresses this issue by covering the following material: Part 1 discusses the OO concepts that were initially explored in Beginning PHP 5 and a demonstration of how to implement them in PHP 5. This section also covers UML modeling and provides a brief introduction to project management techniques that are covered in more depth in Part 4.Parts 2 and 3 present objects and object hierarchies that, when completed, comprise a robust toolkit that developers will be able to reuse on future projects. These chapters are designed to arm the professional PHP developer with the sort of constructs that are available out of the box with platforms such as Java and .NET from simple utility classes like Collection and Iterator, to more complex constructs like Model/View/Controller architectures and state machines. Part 4 shows how to use the toolkit from Parts 2 and 3 to create real--world applications. We look at the development of a robust contact management system that will leverage the componentry and concepts already discussed and introduce project management and software architecture concepts that enable developers to accurately identify business requirements, design scalable, extensible platforms, and handle change management effectively. It covers the waterfall and spiral project management paradigms and include a discussion on eXtreme Programming and other approaches to software development.The Appendices include an extended discussion on the effective use of CVS, introduce the Zend Studio IDE and related tools, and discuss performance tuning and scalability.
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The author of Londonopolis: A Curious History of London picks ten of its most unusual inhabitants, including including the real-life inspiration for a Bond villain, the artist that even Turner felt inferior to and the pattern-cutter who took the fashion world by storm.
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Christiana Spens, illustrator and Director of 3:AM Press, looks at the the important relationship between books and the artwork that adorns them.


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SPEC Kit 334 surveys ARL member libraries on their activities related to access, management, and archiving of research data at their institutions. The survey explores the organization of research data management services (including a few questions on broader data support services), how they are staffed and funded, and what services they offer and to whom, among other questions. It includes examples of research data policies, data retention policies, data management plan tools, job descriptions, data needs assessment tools, data archive web pages, and staff resources.
This publication is available for purchase in both print and online versions. Download the spec-kit-purchase-options-2013.pdf for complete pricing and purchase options information.
Link to the online SPEC Kit 334 on the ARL Digital Publications website.
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