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Key Features
Picture Control Utility: In certain Nikon digital SLRs such as the D3, D700, D300 and D90 customized image adjustment, including tone compensation curve data, can be saved to tailor the camera's behavior to the photographer's vision, improving efficiency when using multiple cameras at the same time.
Compatible with WiFi operation: In addition to supporting USB cable connections, Camera Control Pro offers compatibility with the optional wireless transmitter models WT-2a, WT-3a and WT-4A. When attached to a digital SLR, the WT-2a, WT-3a and WT-4A enable remote shooting and setting via a wireless LAN over WiFi.
Compatible with Nikon's Image Authentication Function: Image data can be transferred and stored without affecting the authentication function.
Take Control of Your Photography—Remotely: Using the included USB or Firewire cable and/or optional WiFi adapters for select models, Nikon Camera Control Pro enables you to capture unique images no matter what the subject.
LiveView support: Live previews direct from the camera are supported on the D3, D700, D300 and D90 when this feature is enabled. See what you are about to shoot!
Improved graphic user interface: A simulated (camera) LCD panel on the computer screen performs the same function as the camera's viewfinder display which has been modified to be consistent with those used in the latest cameras for smoother operation.
Product Q&A
Ask your questions. Share your answers.
Is the Camera Control Pro 2 compatible with D5100? I tried the trial software and it did not detect the camera.
Answer Title: Camera Control Pro - 2.9.0
Answer Link: http://support.nikonusa.com/app/ans...
D70 - Windows 8 will this work
Will you add the support of D3100 ?
Will this product work on Windows 7?
Attach Nikon D7000 to OS X Tiger
Answer Title: How to ask or update a Technical Support question
Answer Link: http://support.nikonusa.com/app/ans...
Can I shoot video on the D3s through CaptureControlPro2 on a MacBookPro?
D3 not being recognized by CCP2
Answer Title: How to ask or update a Technical Support question
Answer Link: http://support.nikonusa.com/app/ans...
Camera Control Pro 2
Is D800 supported for tethered shooting?
Why is my D600 not recognized by CCP2? I have the latest version. It works with my D3 & D3s.
"Help > Check for software update" did not work on the Mac.


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Until we do, efforts in the classroom are bound to suffer.
How long are we going to keep letting the athletics tail wag the education dog? Until we calm down our obsession with the courts and fields, the classrooms will continue to suffer.
Last week, the U.S. Department of Education "clarified" the legal obligations school districts face in the Rehabilitation Act of 1973. Disabled students must be given an opportunity to benefit from sports programs equal to that of students without disabilities. That will involve deciding which disabled students can be fit into existing programs and which will need entirely new programs, an expensive and complicated process. That will mean a lot of time, effort and money that will not go into the primary education mission.
And this week, we learned more details about the Indiana High School Athletic Association's new requirement that its recruitment bylaws will no longer apply just to high school students. Students as young as 10 could lose their athletic eligibility if it is found they were recruited for certain schools, so the parents of fifth graders are going to be as paranoid about who they talk to as the parents of high schoolers.
Now, it could be said that this is an attempt to clean up sports so that student athletes and their parents make their school choice decisions for the right reason. But it can also be said that it pushes the single-minded focus on sports down to a younger age. What's next, requiring the athletically inclined to memorize the IHSAA bylaws in first grade?
In the meantime, members of the Indiana education establishment continue to defend flawed common core standards despite the efforts of some legislators to back the state out of them. The standards, which are in effect in all states for math and language arts and are coming for science and history, have been rightly "panned by many experts," notes Andrea Neal of the Indiana Policy Review. They are weaker than the standards Indiana had in place and are "wordy, redundant and poorly organized."
Top Republicans and Democrats have begun the new General Assembly session with a consensus to make education the top priority. And they agree that more money is needed, although they don't even agree on how much, let alone on how to spend it. Some want modest increases, and some want to repay the whole $300 million cut during the recession. Some want to expand the bold choice initiatives of the last four years, and some want to scale back. Should we concentrate on improving vocational education or expanding early childhood education? There are too many options and, so far, not enough sifting of them.


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Reaffirmation of accreditation
Marquette is currently preparing to reaffirm its institutional accreditation. The culmination of this process will be a visit by the Higher Learning Commission Sept. 30 to Oct. 2, 2013.
Ready to apply? The links below will direct you to the online application pages for each college, school or special academic program.
Marquette University, an urban university located in Milwaukee, Wis., provides daily visits to prospective students. Visit Marquette.
Campus tour at your fingertips: Marquette offers a free campus tour iPhone app. Download the app!
Marquette is routinely listed among the country's top universities, renowned for academic rigor, innovation and the achievements of its community of scholars.
Marquette ranks 75th in the 2014 edition of America's Best Colleges, released by U.S. News & World Report. View more rankings.
Whether it's through studying abroad, community service or student organizations, Marquette students take advantage of numerous programs to add to their experience.
Marquette is a Catholic and Jesuit university located in Milwaukee, Wis., that offers more than 80 majors in its nationally and internationally recognized colleges and schools.
When an entrepreneurial spirit and a drive for excellence combine with service and social justice, there is energy and power. At Marquette University, we bring together people who share these convictions. They ignite and become fearless leaders, agile thinkers and effective doers."
The libraries at Marquette are a place where people, technology, and the printed word come together in a vibrant atmosphere that advances learning and discovery.
The Department of Special Collections and University Archives features university treasures, including the J.R.R. Tolkien Collection.
Research at Marquette has a strong sense of purpose and action, whether through the extension of knowledge beyond existing boundaries, the development of solutions to the world's most pressing problems or the search for answers to life's deepest questions.
Every spring, DISCOVER: Marquette University Research and Scholarship showcases some of the most interesting research happening on and off campus.
Compendium is a compilation of Marquette University faculty research, scholarship and accomplishments. View Compendium.
The university's 16 varsity sports teams play in the BIG EAST Conference. Join us as we proudly say: We are Marquette!
The Marquette Ticket Office conducts ticketing for seven of the Golden Eagles' varsity sports: men's and women's basketball, men's and women's lacrosse, men's and women's soccer and women's volleyball.
The Spirit Shop features the most popular brands of attire for Marquette fans. Shop on campus or online.
Ring out ahoya with fellow alumni through the Marquette University Alumni Association, an organization of nearly 110,000 members worldwide.
Marquette Magazine is the university's official quarterly alumni publication. View the latest issue.
Provide critical scholarship aid through the Scholars Fund, support student-athlete scholarships through the Blue & Gold Fund or help strengthen academic priorities across campus through the Marquette Fund. Give online today!
Marquette.edu // About //
An educational institution is only as strong as the level of excellence it demands of itself — not to mention its faculty and students.
Marquette is accredited through The Higher Learning Commission which last affirmed the university's accreditation in 2014 and has scheduled the next comprehensive evaluation for the 2023-24 academic year.
Thanks to Marquette's consistently high standards, specific academic programs also are accredited through numerous other organizations and associations.
These accreditations assure students that Marquette's academic excellence is nationally recognized.
In addition, students have the security of knowing that Marquette's credits can transfer to comparable institutions of learning, just as incoming transfer students can be assured that Marquette is likely to honor most credits earned at a similarly accredited college or university.
Find out more about Marquette's accrediting organizations.
Marquette is currently preparing to reaffirm its institutional accreditation. The culmination of this process will be a visit by the Higher Learning Commission Sept. 30 to Oct. 2, 2013.
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Home > Bath & Spa > Therapy & Wellness > Heating Pads & Heat Wraps > Therasage™ Instant Calmer Heating Pads
Therasage™ Instant Calmer Heating Pads
Deep penetrating heat offers temporary relief of minor muscle and joint discomfort.
Eases muscle strain and stress with far-infrared heat, negative ions and natural jade stones.. When the stones are heated, they emit deep, penetrating heat to help relieve muscle and joint discomfort and improve circulation and flexibility. Naturally occurring in nature, negative ions are believed to produce calming biochemical reactions to help relieve stress and increase energy. Includes an easy-to-use controller and extra-long 12' power cord.
Flexible pad molds to the area of discomfort.
Delivers maximum benefits of infrared Heat intensified by jade stones to the complete area of discomfort. Heat also causes a physical phenomenon called "resonance" in which cells are instantly invigorated, which helps to improve local blood circulation. Pads come in two sizes: Small Heating Pad (14" x 20"), and Medium Heating Pad (21" x 30").
Get quick relief from muscle and joint discomfort with Therasage™ Instant Calmer Heating Pads. Order yours from Brookstone today! *Any individual who may be pregnant, suffers from diabetes, phlebitis, and/or thrombosis, or is at an increased risk of developing blood clots due to recent surgery should consult with a physician before using this product.
Therasage™ Instant Calmer Heating Pads
Therasage™ Instant Calmer Heating Pads
Our innovative products will provide you and your family with years of enjoyment. And with the Brookstone Protection Plus service and replacement plans, you'll have the added peace of mind knowing that if the unexpected does happen, we will simply repair or replace your covered product. Our enhanced coverage goes above and beyond the manufacturer's warranty, saving you time and money.
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NOTE: Registration does not mean that the state endorses or recommends an investment or the persons selling them.
Protecting Tennessee Investors
The Tennessee Securities Division protects Tennessee investors by: (1) requiring registration for agents, broker-dealers, and investment advisers, (2) requiring registration for certain securities, (3) enforcing the state statutes and rules, and (4) educating the public.
However, there is no way that investigators or prosecutors can protect you one hundred percent of the time. Our files are filled with tragic examples of individuals who have been victimized, either because of fraud or because they failed to understand the nature of an investment. We believe education is the key to a healthier and safer investment climate in Tennessee.
We hope you find the tips on this page helpful and urge you to share this information with your family, neighbors, and friends. You may also be interested in our videotape entitled "What Every Investor Needs to Know." The tape focuses on preventing and resolving problems with investment professionals.
You can receive this tape free of charge by writing to the Tennessee Securities Division, 500 James Robertson Parkway, Nashville, TN 37243-0575.


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The Community of Disc Golfers and About All Things Disc Golf
Want to see who throws what as a putter. The more that participate here the more accurate a count can be taken.
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Fine merino-rich long sleeve jersey inspired by Team Sky
Following the same pattern as other Rapha fully-fashioned merino garments, this jersey takes elements of the Team Sky livery and reinterprets them into a luxury piece.
Key features:
- Ribbed hem, side panels, collar and cuffs
- Back stripe mimics the Team's race jerseys
- Simple three rear pocket layout
- Mother of pearl effect buttons, the central one Sky blue.
- Team|Sky embroidery on right rear pocket
- Cream and blue tipping on cuffs and collar
- Sky logo cable stitched


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FILTERS +Major League Baseball®
Major League Baseball®
Cookies and tins featuring Major League Baseball team logos make great gifts for the baseball fan in your life. Just pick an item, pick the MLB team of your choice, and send an amazing gift.
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Amazing Students
- Agriculture and Environmental Sciences
- Arts and Sciences
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- Education
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- Faculty of Engineering
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Kate Walker
As senior Kate Walker is about to graduate, she says she's "been involved in everything from UGA Crew to Delta Zeta sorority." In her time at UGA, she studied in Spain and worked in Australia picking fruit and drawing blood,…
Stephan Singleton
Stephan is no ordinary veterinary student. Besides caring for her little sister and her mother, who was diagnosed with a brain aneurysm one year ago, she is president of the UGA student chapter of the American Veterinary Medical Association (SCAVMA),…
Christopher Hughes
Kit Hughes has shown his conceptual art projects at venues throughout the southeast region since 1998, including the Fugitive Art Center in Nashville and the Murfreesboro Art Center, also in Tennessee. He is also a net artist who has received…
Ajit Menon
Graduate student Ajit Menon plays tennis in his free time, but his research work is in the area of direct-to-consumer advertising, or marketing of pharmaceuticals directly to consumers through television, print and internet ads. His research, which recently won a…
Charles Reneau
Senior Charles Reneau has performed often with the Atlanta Symphony Orchestra and the Alabama Symphony Orchestra, as well as the regional orchestras of Macon, Augusta, Huntsville and Chattanooga. He was a substitute bass trombonist with the Israel Philharmonic Orchestra on…
Travis Reeves
Senior microbiology major Travis Reeves has an outstanding academic record, but he doesn't stop there. He also volunteers at Athens' Mercy Health Clinic providing medical services for the uninsured, and he worked at a hospital in Tanzania during his foreign…
Daniel Guyton
Daniel Guyton has been nominated four times for a Kennedy Center/ACTF (American College Theatre Festival) playwriting award—three of them since enrolling at UGA in August of 2001. This past February, he won for his one-act play, "Attic." "Attic" will be…
Tiffany Smith
As an undergraduate at UGA, Tiffany Smith became director of the nation's first American Cancer Society collegiate chapter. She helped start the UGA Relay for Life and worked to raise more than $300,000 in two years. She also helped develop…


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7 Easy Christmas Crafts
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Snowman Christmas Crafts
Find a collection of snowman Christmas crafts to make this holiday season. These snowman Christmas crafts are also winter decorations for those who do not celebrate Christmas.
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Jane Hopkinson bags designs for all occasions. New designs and colours are added each season which includes everything from sleek weekend bags, leather satchels,casual totes, shoppers and gorgeous clutch bags for the evening and special occasions. All the bags are made from exquisite Italian leather printed and plain in unusual colour combinations.
The designs are manufactured in the United Kingdom in our workshop in Sussex ensuring the highest production and quality is met.Our latest line is our accessory range fabulous belts in printed and plain leathers and contrasting coloured make up bags.We hope you enjoy viewing our collection, If you do not see anything in your chosen colour please contact us and we will be sure to make it up for you as a special order.


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Makes me want to cry...
Makes me want to cry...
Great post. This game was on YouTube previously in many segments but I didn't get a chance to download it. I'd advise anyone interested to download now, because the NFL will eventually discover it and order the video to be removed.
The same poster has the prior year's Super Bowl full video also, the culmination of the unbeaten season against the Redskins:
That was a dominating win. I was 11 years old at the time.
My parents had a camping/snowmobile weekend planned. I protested missing the Super Bowl.
Luckily my older brother (16) agreed to watch me while they were camping.
He was working that day at the Texan. I remember sitting home by myself and watching in the Living Room.
Cooked up (2) chicken pot pies at halftime. Enjoyed it thouroughly.
Never thought I'd be waiting this long to feel like that again.
Thanks to poster for reviving some old memories.
At around 11 minutes it shows a guy in the stands and he is smoking a cigar. Ah the good old days.
Thanks for sharing. I miss the white handkerchiefs that Dolphins fans used to wave. Watching brought back a lot of memories to my childhood and Dolphins in the 1970's. Super Bowl 8 was the first game I can ever remember watching. Can't believe I have been a fan since that game with no other super bowl championships. I am sure there a lot of long time fans waiting like myself.
at around 15 minutes Morris jukes 4 viking defenders. I used to have a large poster of Mercury that hung on my wall.
at 36:15 they show the studio where annoucers are. That was a killer tv setup back then. LMAO
47:21 FG by Dolphins. Goal post is in the endzone. LOS 20, FG 28 yards.
I remember when they used to crash into goal post.
1:01 the announcers miss that the Dolphins forced and recovered the fumble on 4th down. Just say the Vikings were stopped.
1:16 Csonka scores 2nd TD. Just walks of the field. No big celebration. Acts like he has been there before.


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Paul Towers, Pesticide Action Network: email@example.com, 916-216-1082
Tracey Brieger, Californians for Pesticide Reform: email@example.com, 415-215-5473
In a letter submitted yesterday, scientists called out California officials for downplaying evidence of health hazards — including cancer — posed by a widely used fumigant pesticide.
Often applied to the state's strawberry fields, new rules may pave the way for even more use of chloropicrin unless policymakers follow recommendations from both state and independent scientists. This story is all too familiar.
The hearing room in Salinas was brimming with people concerned about fumigant pesticides on Monday night. Dozens of concerned residents, farmworkers and farmers showed up to press state officials to protect this Central Coast community from the volatile fumigant chloropicrin — and to make good on the promise of safer strawberry fields.
Salinas is in the heart of strawberry country, so the issue hits especially close to home. Californians are speaking out at such hearings across the state throughout the month of June, submitting written testimony and sharing stories of how they've been affected by fumigant pesticides.
Last Thursday, I joined about 50 farmworker, health and sustainable farming advocates in Sacramento to cheer California on towards fumigant-free farming. We were there to urge legislators to support new technologies and practices that will make agriculture in the state more sustainable and resilient.
Fumigants are among the most hazardous pesticides on the market, and their continued use threatens the health of California communities. But transitioning away from these chemicals won't happen if pesticidemakers, and their lobbyists and allies roaming the Capitol's halls, get their way.
Paul Towers, Pesticide Action Network
email@example.com, 916-216-1082
Tracey Brieger, Californians for Pesticide Reform
email@example.com, 415-215-5473
April 9, 2013
Pesticide Action Network North America
Main Office: 1611 Telegraph Ave, Suite 1200, Oakland, CA 94612
Midwest Office: 3438 Snelling Ave, Upper Level, Minneapolis, MN 55406
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For those of us who live and work in Washington, too many conversations quickly turn to obsessing about politics and to hand-wringing over how dysfunctional things have gotten in recent decades. It's easy to get pessimistic about what this dysfunction portends for our country. Big decisions aren't being made. Our country deserves better leadership than it is getting, and that criticism applies to both parties at both ends of Pennsylvania Avenue, and to presidential administrations current and past. When we see leaders waiting until the last possible moment to act, then doing the absolute minimum to avoid catastrophe, it's easy to become discouraged.
The next 120 days will be pivotal. With the across-the-board budget cuts from sequestration more likely to kick in than not on March 1, a government shutdown on March 27 entirely possible, a new budget due April 15, and another debt-ceiling deadline looming on May 19, we have a roller-coaster ride ahead of us—one that we can count on as being entirely unpleasant, if not terrifying.
Talks with many members of Congress and executive-branch policymakers reveal that they share many of the same frustrations as us noncombatants, although they quickly offer explanations and rationalizations or point fingers at the other party or chamber.
But it's also important to identify and remember the good things going on in this country and to recognize that, despite the failures of our political process, things might just get a lot better.
Most Americans would be astonished to learn that North America could be energy independent by 2020, thanks to the technological advances in the exploration and production of natural gas and oil, along with progress in energy efficiency. Because of these advances, including hydraulic fracturing (fracking), we are quietly witnessing one of the most important transformational changes in our country's history. The implications are significant for our national security, our balance of trade, the restoration of our economy, and the creation of jobs, in what is now being called the coming manufacturing renaissance.
A Jan. 29 report by the Wall Street economic and policy research firm International Strategy & Investment was certainly eye-opening for me. Culling through research provided by some of the leading energy experts in the world, the ISI report, "How the U.S. Energy Renaissance Is Changing the Global Investment Outlook," gives the reader a whole new attitude toward our future.
The International Energy Agency now predicts that the U.S. will be the world's largest natural-gas producer by 2015, surpassing current leader Russia. Statistics compiled by the U.S. Energy Information Administration and ISI's integrated-oil analyst Doug Terreson indicate that the share of energy from domestic sources will rise from 79 percent of consumption today to 87 percent by 2020 and that the majority of the other 13 percent will come from Canada or Mexico.
The U.S. now has one of the lowest prices for natural gas in the world, averaging $3 per MBtu (1 cubic foot of natural gas is equal to 1,000 British thermal units of heat energy) compared with $15 in Japan, $13 in South Korea, and $11 in Germany. With 30 percent of electricity in the U.S. currently being generated by natural gas, cheap gasis bringing down the cost of electricity, and rates here are about 50 percent lower than in Europe.
Oil production in the United States hit a 20-year high in January, and the International Energy Agency is predicting that it should surpass Saudi Arabia, the leader, by 2019. Crude oil imported from OPEC has already dropped to below 50 percent of our imported oil, with the share from Canada and Mexico at almost 40 percent. By 2030, more than 80 percent of the oil imported in the U.S. will likely come from Canada and Mexico. Exxon Mobil predicted in December that North America will be a net exporter of liquefied propane by 2025, and this continent is already the largest propane producer in the world.
What this means is that the United States is poised to be far more competitive in manufacturing than we have been in a long time. Lower energy costs can offset much of the higher labor cost here, although advances in automation and productivity are bringing down our labor costs as well.
Our country is now just barely coming out of the longest and deepest economic downturn since the Great Depression. A painful deleveraging process—unwinding debt built up during the bubble years of the past two decades—takes time and must continue. Housing, which normally leads the country out of recessions, is only just emerging from its horrible plunge and is well positioned to help turbocharge our economy if public policy doesn't get in the way.
There is a lot that is good and promising going on in this country. There is reason for hope that things will get better, notwithstanding the paralysis in Washington. Just think how much better things would get if Washington started functioning again.
This article appears in the February 5, 2013 edition of NJ Daily as Signs of Hope.
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Real electoral reform
Date Published: September 1, 2009
Bitter Partisan Politics
Date Published: December 14, 2007
Citizens' Assemblies: A New Kind of Direct Democracy
Date Published: November 7, 2007
Stupid, Ignorant, or Biased?
Date Published: October 11, 2007
Taxpayers Forced to Fund Canada's Political Parties with $299 Million in Political Donations
Date Published: September 15, 2007
Canadian Fisheries Governance: The Good, the Bad, and the Ugly
Date Published: June 15, 2007
Consumers and Gouging: Banks versus Governments
Date Published: April 15, 2007
Is the Tuition Freeze at the University of Manitoba Reasonable?
Date Published: March 15, 2007


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Summary courts officer notice for Gabriel R. Garza
It is with deep regret that we announce the unexpected death of Master Sgt. Gabriel R. Garza, 355th Component Maintenance Squadron, Davis-Monthan AFB, Ariz. Capt. John R. Ware, 355th CMS, is detailed as Summary Court Officer to secure and make proper disposition of the personal property and effects of Sergeant Garza. Anyone having knowledge of claim for or against the deceased's estate may contact Captain Ware at 520-228-4093, 850-585-3872 or by email at email@example.com.
Retired Officers' Spouses Club
Thursday, Nov. 7, 11 a.m. – Old Pueblo Grille Restaurant, 60 N. Alvernon Way
The Tucson Retired Officers' Spouses Club will hold its next monthly luncheon meeting on Nov. 7 at Old Pueblo Grille Restaurant, 60 N. Alvernon Way, located one block north of Broadway Blvd. Social hour begins at 11 a.m., with lunch served at noon. Special guest speaker will be Lisa Hopper, Founder and CEO of World Care Civilian Emergency Relief Center. The price of the luncheon is $20. Reservations and entrée choice are due by noon, Nov. 4 by calling LaVae Wight, 297-3865 or Jeanne Ringgenberg, 296-6844. Any spouse or widow of a retired military officer is invited to join. Luncheons are held from September through May each year. There are no membership dues. For more information about the ROSC, please call Chairperson Rita Dennis at 577-1741.
Society of Military Widows to meet
The Society of Military Widows will have their meeting and a Thanksgiving luncheon at noon, Nov. 16 at the Mirage Club at D.M. Air Force Base. For your reservations, please call Kay Spargur 574-6628 ten days prior to the luncheon.
NARFE Association, Chapter 55 to meet
The National Active and Retired Federal Employees (NARFE) Association, Chapter 55, will hold their monthly luncheon meeting on November 11, 2013, at the U-Like Buffet, 330 South Wilmot Road, Tucson, AZ 85711. The luncheon starts at 11 a.m. and ends about 1:30 p.m. There will be a presentation followed by a business meeting. Current and retired Federal employees, their spouses, guests and visitors are welcome. Attendees pay for their lunch, usually less than $10. For further information please call 751-2017.
Love & Logic Parenting Classes
Would you like to learn skills for raising responsible children? Love & Logic makes parenting fun rather than frantic. FREE Love & Logic classes are being offered at Borman Elementary School on D-M. Classes will run from Nov. 6 – Dec. 19, from 3-5 p.m. Free child care will be available for ages 3 and up (to 5th grade). Please call 520-584-4618 to sign up.
Money on the Road Program
Money on the Road is an Airman & Family Readiness program designed to bring financial readiness/counseling TO YOUR unit! Our counselors can teach classes and be available for one-on-one counseling or to answer general questions. We tailor our visit to your unit specific needs. You provide a temporary location for us and we provide efficient financial counseling services. If your unit is interested in our Money on the Road program, please call us at 228-5690.
Attention all Airmen — Volunteers Needed!
Volunteers are needed in a variety of areas on D-M and in the local community. Volunteering is an excellent way to become involved with the community, increase mentorship skills and enhance career growth. Find out some of the volunteer opportunities available by visiting https://dm.eim.acc.af.mil/volunteer. For more information, call 228-5690.
Stay and Play
Wednesdays, 9:30-11 a.m. – Desert Dove Chapel
This is a new program for parents and children ages birth to five years. Features open play-time, parent-child activities, circle time, parenting support and education. Registration is not required. For more information, call 321-1500.
PLAYpass gives Airmen up to $1,000 in discounts!
The PLAYpass program provides Air Force Families and Single Airmen a relief from the challenges of separation caused by deployments and dependent restricted assignments. The Family PLAYpass cards are issued to those that meet the eligibility requirements. The first card is issued when the member is deployed, or on a dependent restricted assignment, and is valid while the member is gone, plus an additional 90 days after they return. The second family card is issued upon return from the member's deployment and is valid for 90 days after the return date. The Single Airmen PLAYpass card is issued upon return from deployment and expires 90 days after they return. Single Airmen can also bring a friend along to share in the amazing benefits!
Use Your PLAYpass Card at these Participating Facilities:
Arts & Crafts (228-4385) – Classes and lessons, Pick It and Paint It
Auto Hobby Shop (228-3614) – Stall usage
D-M Lanes (228-3461) – Hook Up to Bowling lessons, 20 game bowling card, birthday parties, specialty programs such as New Year's Eve, and Bowling with Santa
Child Development Center & Family Child Care (228-6463/3336) – Hourly child care
Blanchard Golf Course (228-5879) – Daily green fees, annual green fees, golf lessons, and the U.S. Kids Golf Program
Outdoor Recreation (228-3736) – Annual pool passes, swim lessons, equipment rental, and trips
Youth Programs (228-8844) – Annual membership, instructional classes, sports registration, trips and outings
Call each facility for additional discount opportunities. The card cannot be used for food, beverages, or merchandise. All PLAYpass cards are issued at the Airman & Family Readiness Center in Bldg. 2441 (6th & Granite St). To find out more on eligibility requirements, or for more information on the PLAYpass program, contact the A&FRC at (520)-228-5690 or visit www.afplaypass.com.


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"Sponsored" products are displayed first within the search results pages and can be re-sorted without this filter by de-selecting the "Show sponsored listings first" checkbox. For more information on how we've selected these "Sponsored" and "Featured" products click here.
WARNING: These comparison rates apply only to the example or examples given. Different amounts and terms will result in different comparison rates. Costs such as redraw fees or early repayment fees, and cost savings such as fee waivers, are not included in the comparison rate but may influence the cost of the loan. Comparison rates are not calculated for revolving credit products.


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Cooper Alfred Lewis Parker
Bryson Ronald Longacre
Jace Mason Smith
Tenley Janette Mueller
Cooper Alfred Lewis Parker
Cooper Alfred Lewis Parker was born to Patricia and Shannon Parker, of Susanville, at 12:31 p.m. Friday, March 7, 2014 at St. Mary's Regional Hospital in Reno.
He weighed 6 pounds, 3 ounces and was 19 inches long.
Maternal grandparents are Suzanne and Patrick Mattingly, of Janesville.
Paternal grandparent is Larry Ward, of Tulsa, Okla.
Maternal great-grandparent is Betty Mathis, of Linden, Calif.
Paternal great-grandparents are Shirley and Wayne Ward and Mary Creekmore, of Tulsa.
He joins sibling Ariana, 9.
Bryson Ronald Longacre
Bryson Ronald Longacre was born to Kandis Powell and Richard Longacre at 6:14 p.m. Wednesday, April 2, 2014 at Banner Lassen Medical Center in Susanville.
He weighed 7 pounds, 13 ounces and was 20-1/2 inches long.
Maternal grandparents are Tammy and Steven.
Paternal grandparents are Vicky and Ron.
He joins siblings Trenton, 12, and Brody, 4.
Jace Mason Smith
Jace Mason Smith was born to Jennifer and Brett Smith, of Susanville, at 11:33 a.m. Thursday, April 3, 2014 at Banner Lassen Medical Center in Susanville.
He weighed 8 pounds, 6 ounces and was 22 inches long.
Paternal grandparents are JoAnn Pepperdine, of Susanville, and Ken Smith, of Crescent City, Calif.
Maternal great-grandparent is Raymond Stout, of Susanville.
He joins sibling Jordan, 9.
Tenley Janette Mueller
Tenley Janette Mueller was born to Lauren and Dustan Mueller, of Susanville, at 9:39 a.m. Monday, April 7, 2014 at Banner Lassen Medical Center in Susanville.
She weighed 6 pounds, 4 ounces and was 20 inches long.
Maternal grandparents are Dana and Pat Benninghoven, of Susanville, and Tammy and Tony Ackernecht, of Redding, Calif.
Paternal grandparent is Gary Mueller, of Susanville.
Maternal great-grandparents are Betty Sherman, of Susanville, and Shirley Ackernecht, of Redding.
She joins sister Austan, 2.


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Ultimate Spidey #111: The End of an Era
I know this post is about a week late --I think my colleague Chris Dooley put it best when he texted me yesterday succinctly calling me a "slacker"-- but I couldn't let the publication of Ultimate Spider-Man Issue 111 pass unnoticed. For this issue marked the end of the longest continuous run of a creative team since Stan Lee and Jack Kirby's 102 issues of Fantastic Four. Starting next month, Brian Michael Bendis' trusty sidekick Mark Bagley will be stepping down on their enormously popular series, making way for Nextwave veteran Suart Immomen to take the visual reins. Truly, the end of an era.
Bagley's i


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Remote Access Troubleshooting
There are two ways for current Pace University faculty, staff and students to gain remote access to restricted resources such as library databases.
Use a private Internet Service Provider in combination with the Library's Remote Access System.
To use the Remote Access system: (CLICK HERE TO SEE A SAMPLE WALKTHROUGH)
- Browser Cookies must be enabled on your web browser. This is a default setting, if you have not changed this, you should be all set.
- Go to the Pace University Library Homepage at /library
- In the Search Widget at the top of the page, click on the Databases tab
- On the Databases tab, click the Databases A to Z button
Click on the name of the database that you are interested in and you will reach the Remote Access login page.
Enter your Pace University Portal User name
(for example, AB12345P, without the @pace.edu) and password.
If you do not know your Pace University Portal user name, check the Faculty/Staff/Student White Pages.
If you do not know your Pace University Portal Password - please try and have it reset here.
- Click the Login button.
- After typing in your user name and password, you may encounter a Security Alert pop up – this is normal and by accepting, you will be passed to database you selected.
- Enter your Pace University Portal User name
- The Pace VPN
The Pace VPN allows you to connect to restricted resources such as library databases automatically from an off-campus machine.
Current Web Browsers Successfully Tested & Supported: Most databases require up to date browsers. We have tested on both Apple and PC systems.
Bookmarks/Favorites/Shortcuts directly set to Database web sites will NOT function. You must be authenticated via the Pace Library Website for each session.
If you have forgotten or need your Pace Portal password reset, you must deal with Information Technology Services via their Online Help Desk or via the Reset Link.
- If you are having more issues with your user name and password, please address them to the Helpdesk at http://help.pace.edu or (914) 773-3333
If you are a Pace Law School Student, you will need to scroll down to see the Law School Access form, then enter your last name, and the last seven digits of your Pace University Library barcode.
- If the user is still having issues, please contact Erik Jantzen via email at firstname.lastname@example.com or call the Library Systems Office at (914) 773-3383.


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Chocolate Truffle Sauce - Made from couverture-quality dark chocolate and enriched with sweet dairy cream. Ephemere Chocolate Sauce makes a luxurious, rich cafe mocha with extraordinary depth of chocolate flavor. This thick chocolate syrup perfectly balances the natural acidity of coffee.
Ephemere is the name of the Dilettante signature truffle. By adding more cream to our chocolate truffle recipe, we've created a Chocolate Sauce with a smooth flowing consistency that is also perfect for chocolate martinis, chocolate shakes, sodas, toppings and fruit dips. The 5-pound jug is perfect for any type of food service, making the perfect dessert or tasty drink. We recommend using the handy pump to make measuring your chocolate syrup a simple task.
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Museum of Natural History Highlight: The Time Capsule
Time Capsules are so fascinating to me. Have you seen this one outside of Museum of Natural History? It's not going to be opened until January 1, 3000! Mind boggling. I found the list of things they put into it here. My favorites were: a wedding cake ornament, Weight Watchers Magazine, 51 photographs from the address 3 Times Square, and wild apple seeds from Kazakhstan. I was surprised they didn't put any clothes, shoes, or hats inside. Perhaps those items wouldn't last? Anyone know? I thought that was strange.
What would you put in your time capsule that wouldn't be opened for 5 years? 10 years? 20 years? Off the top of my head: My kids used crayons. My old shoes. A dress I used to wear everyday. My set of keys. A piece of my favorite wallpaper. Writing stories to each of the items would be my favorite part of the process. Alone the set of keys would be boring but writing the keys into a scene from my life would be fun. I'll add more to my list in the comments section. Don't be surprised if I steal some of your ideas. And don't be surprised if I make a time capsule for a future Weekend Approved Project.
While taking these pictures, I kept having morbid thoughts of a huge earthquake sinking the time capsule and all of NYC into the depths of the earth. Or a huge bomb destroying it and everything surrounding it. Zombies. I needed to get my mind off of such stupid thoughts. Good thing I have Owen around to lighten the mood and shout, "Hey Mom, it looks like a girls wiener!". Bravo Owen.
23 comments:
HAHAHAHAHAHA! I cannot stop laughing.ReplyDelete
Little Owen, can you be anymore precious? I only wish I was there to hear this comment (and possibly spill my tea all over myself).
Thank you so much for making my entire morning.
I love kids. You never know what's going to come out of their mouths (in public).
Love this blog so much... (had to edit the comment I posted above, it made little sense, I was laughing too hard)
I Can Be Many Things
Ha ha ha ha! A girl's weiner! That's the best thing I've heard for awhile...thanks for that...ReplyDelete
- Emily LAugust 30, 2011 at 7:45 AM
The best thing about a time capsule is that by the time you open it, you forget what's been put inside. My parents buried a time capsule in their backyard and I remember writing a lot, but I don't remember what I wrote or anything else that was put in. We're opening it in 2050. Or 2040? I can't remember.ReplyDelete
On another note, my high school freshman English teacher had us write and address a letter to ourselves. She mailed it when we graduated high school. I didn't remember having written the letter. I have the surprise all over again every time I find it under the bed or squished in the back of a drawer.
My best friend and I made wills in high school--thinking it would be intEresting one day to see what we thought we had of value and who we valued at the time to have those things. I'm so sad to say that I don't know where the wills have gone.ReplyDelete
Love that sort of thing!
Bahahahaha! That is hilarious! I haven't seen this before and I love this sort of thing. So interesting. I do find it odd that they didn't include any clothes? I think I would include pictures (of all sorts of stuff---definitely some of the local area), clothes--specifically shoes, a great pair of blue jeans, and a hat, and quite possibly a newspaper.ReplyDelete
Too funny your boy! I have not done a time capsule yet, but we've written notes behind walls during our renos. I want to make one with my kids though..maybe toys, magazines,pop can, toothbrush,news paper of the day and a grocery store receipt...ReplyDelete
- Meredith SAugust 30, 2011 at 10:06 AM
A girl's weiner!!!! I am dying, that is too funny! That Owen is precious (as are the other 2), his old man-ness cracks me up:)ReplyDelete
I just discovered your blog through Cup of Jo, and I am now addicted! I read all the way back to your very first post and developed a major "family crush" on you and your kiddo's. Can't wait to keep reading about your NYC adventures:)
I love this post! great photos = )ReplyDelete
Wow, that list of items is so random and interesting! Love the pictures and thanks for sharing!ReplyDelete
Oh my gosh!!! I can't stop laughing. Too funny. I'd put my drivers license, sand from the beach, a camera, a map, a twenty dollar bill, photos from the largest cities in the states (hard to imagine how theyll change), an a Twinkie (cause I'm sure it'd still be good).ReplyDelete
Thank you for totally and completely inspiring my blogpost today!ReplyDelete
Is it just me or did they just put a bunch of random crap in that thing?? I agree, clothing should've been included. Breast implants would've been funny too.ReplyDelete
Jeannine: haha such a good point. I wonder what the future will think of all the hair samples?ReplyDelete
Krystle: Just read your post--loved your list! My favorite of yours: A list of how long it takes to get places. Such a good idea!
Chanel: Twinkie--yes!
I think I'll really make a time capsule soon. I'll keep you posted on my idea!!
That Owen is a funny one!!ReplyDelete
Oh my goodness too funny! So glad I found your blog! NYC has always been a city I've been intrigued by and I'm really enjoying reading about your perspective and experiences.ReplyDelete
i love kids,love this blog so much,i love this post.
Tablet-press Machine
It really kind of does look like a girls weiner lol! Leave it to kids to state the obvious!ReplyDelete
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Welcome to the Little River Outfitters St. Croix Fly Rod Store. We have been a St. Croix dealer for the better part of two decades. Based in Park Falls, Wisconsin, this company has been making fishing rods since 1948. Those were probably not fly fishing rods back then. This company manufacturers fishing rods for almost every use. They are, however a large player in the fly fishing rod market.Most of the St. Croix Fly Rods we sell are made in America, in the Wisconsin factory. The Imperial rod is made in their own factory in Mexico.St. Croix has always made fly rods that exceed your expectations in performance but at a lower price than many companys comparable rods cost. The highest priced fly rod in the line costs $520 and it is a double grip 12 weight tarpon rod. That rod is in the Legend Elite lineup where prices start at $410 for freshwater rods. The Legend Elite is very light, similar in weight to rods costing much more.Both the Bank Robber and High Stick Drifter fly rods cost $430. These have been an instant success, though the High Stick Drifter rod is new to the line. The popular Avid is made in Wisconsin and sells for $240 to $280. And the Imperial, our best seller in the St. Croix line sells for $170 to $220.I am mentioning price here quite a bit, and maybe that will leave the wrong impression. You need to try one of these great fly rods. You will find they will exceed your expectations in price vs. casting performance. St. Croix rods are covered by a lifetime limited warranty backed by St. Croix Superstar Service. We have enjoyed our partnership with St. Croix. They are great people to work with. Some of our staff own and fish with these rods. I have several. My favorite has always been the Avid. Paula likes the Legend. Some of my best friends own the Imperials.Give these rods a test drive and you will be impressed.Byron BegleyLittle River Outfitters
There are no available products under this category.


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Ben has a lot of moves, but this clip shows that the act of carving and grinding can be a hell of a thing. Sam Hitz introduces a classic from the 1990 Gullwing video.
Posted: February 19, 2013
Classics: Brian Anderson "Welcome to Hell"
Here's where the world was introduced to the skating and legendary style of BA. Truman Hooker introduces a classic part from the 1996 Toy Machine video.
Creature "CSFU" Full Video Release
Like a Frankenstein beast, the Creature guys together form a skate monster that destroys all terrain, and it definitely shows in this video. Here's Gravette, Bingaman, Conover, Reyes, Navs, Hitz, Parts, and the whole squad.
The Handler
From the bowels of the larb spews the Handler.
Magnified: David Gravette
Pretty much every skater has done a 50-50 to one degree or other. But no one turns up the heat quite like David. As seen in the May 2013 mag.
Classics: Phil Shao "Dedication"
Having a distinctive style while shredding every kind of terrain is as rad as it gets. And Phil Shao is a great example. Here's Al Partanen introducing a classic part from the 1998 Think video.
Creature in Oregon
Here are some photos for your viewing pleasure of the Creature fiends that were all shot in the Portland area over the last couple years while filming for CSFU.
Five Sequences: April 5, 2013
Hammeke comes through with five sequences of Creature riders, Taylor Bingaman, Sean Conover, Adrian Mallory, Ryan Reyes, and David Gravette.
Classics: Chris Miller "Molecules In Motion"
Skating is always progressing but speed and finding the right lines never gets old. Darren Navarrette introduces a classic from the 1987 Gullwing video.
Sneak Peek: May 2013
His royal Spookiness, David Gravette, grinds to drop for the front of the May issue (with free full-length Creature DVD) hitting newsstands, skateshops, and mailboxes next week.
David Gravette "CSFU" Bonus Footage
From backflips to epic rails, David is unpredictable and has a wild bag of tricks. This clip and smoky encounter with the Devil proves the point. The full Creature vid "CSFU" is available with the May issue.
Creature Feature
Fiends, friends, babes and bros were at the drive-in for the CSFU video premier. Did you know it's free in the next mag?
Introducing Chris Russell
Find out who the f#ck Chris Russell is in this clip from Creature.
Darren Navarrette: Gunnin' For CSFU
He fiends for monstrous transitions and deep pits. Here's some clips of Darren as he and the rest of the Creature guys prepare to drop CSFU.
Creature Trick Tip: The Rallie With Ryan Reyes
Ryan Reyes starts out Creature Week with a trick tip on the Rallie.
CSFU World Premiere
Get down to San Diego on March 15th to get the first crack at the new Creature vid. If you can't make it, hang tight–there will be a free DVD with the May issue.
Creature at Bucky's Bowl
Lasek's private pit is a monster and has some of the biggest walls anywhere. Kimbel, Effertz, and Partanen, with a cameo from Zach Miller, try to slay the dragon.
Classics: Ben Schroeder "Full Power Trip"
Ben has a lot of moves, but this clip shows that the act of carving and grinding can be a hell of a thing. Sam Hitz introduces a classic from the 1990 Gullwing video.
Meet The Creature Fiends (Pt 2 of 2)
Only the Creature team could spice up a round of questions by having every guy get shocked by a Taser. No joke.
New from Creature
Check out a sampling of the new products from Creature in their Spring '13 catalog here.
Meet The Creature Fiends
The May issue is gonna have a free, full-length Creature DVD, "CSFU." Here's the crew getting grilled: Gravette, Conover, Bingaman, Partanen, Navarrette, Hitz, and the rest of the guys.


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You are hereHome › Programs & Events › Exhibitions ›
Gathering: An Exhibition of Poems & Prints by Ed Colker
On view June 28 through Saturday, October 9, 2010
Creating art in response to poetry since the 1960s, Ed Colker has "produced pure expressions, stirring symbols of inner truths or imaginings that can sometimes be inspired by or incite poetry" (New York Times).
This show consists of elegant, mercurial abstract lithographs made in response to the work of a diverse group of fifteen poets, ranging from Rosmarie Waldrop to Kathleen Norris to Pablo Neruda; the poems are printed in letter-press form alongside the color vignettes. The exhibition marks 50 years of "prints for poetry" by Ed Colker and his presses, Editions du Grenier and Haybarn Press.
Date and Time:
Monday, June 28, 2010 (All day) to Saturday, October 9, 2010 (All day)
Upcoming Exhibitions
Current Exhibition
June 12, 2015 to September 19, 2015


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If you can dream it, you can do it. -Walt Disney
Quality is a great business plan. -John Lasseter
Let's make some funny pictures. -Tex Avery
I never considered a difference of opinion in politics, in religion, in philosophy, as cause for withdrawing from a friend. -Howard Zinn
When critics sit in judgment it is hard to tell where justice leaves off and vengeance begins. -Chuck Jones
And what do you benefit if you gain the whole world but lose your own soul? -Jesus
A man should never neglect his family for business. -Walt Disney
What's most important in animation is the emotions and the ideas being portrayed. -Ralph Bakshi
Once you have heard a strange audience burst into laughter at a film you directed, you realize what the word joy is all about. -Chuck Jones
Before enlightenment: chop wood, carry water. After enlightenment: chop wood, carry water. -Buddhist Proverb
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Star Wars: The Old Republic E3 2010 Trailer
Share your views on the state of the Animation Industry.
3 posts • Page 1 of 1
Star Wars: The Old Republic E3 2010 Trailer
A very impressive trailer for the upcoming video game due to be released in the spring of 2011...
Daily Z
Re: Star Wars: The Old Republic E3 2010 Trailer
Man, this is awesome!! why can't we see this in the movies? It seems scripts are way more interesting in the video game world. I got chills during some part. So dope!
Re: Star Wars: The Old Republic E3 2010 Trailer
Great post.
Excellent work as always from Blur: I'm always impressed with the camerawork, staging, and editing that they pull off for their Star Wars projects. It's basically the exact opposite of what we saw from George's static camera moves and plodding editing. And that's from a Lucas apologist!
The speed in which Blur turns these things out is mind boggling as well; I think this piece took less than two months from layout to final render. Insane and inspirational work.
3 posts • Page 1 of 1


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Thursday, February 05, 2009
Two-time defending NCAA Champion Bulldogs are the sixth ITA ranked team the Bucs have faced this season
JOHNSON CITY, Tenn. (Feb. 6, 2009) - After facing six ITA ranked teams in its first seven matches the ETSU men's tennis team's road doesn't get any easier this weekend, as the No. 37th-ranked Bucs travel to No. 3 Georgia, Friday at the Dan Magill Tennis Complex in Athens, Ga.
ETSU (1-2) comes into the contest splitting a pair of matches last weekend at the ITA National Indoor Team Championships in Charlottesville, Va. The Bucs raillied to shock No. 31 Wisconsin, 4-3 during the opening-round, before dropping to fifth-ranked host Virginia, Saturday night.
Individually, freshman Sander Gille (
Like last weekend senior Enrique Olivares (
Live stats will be available at the start of the contest at the link attached above. For more information on the ETSU men's tennis team please visit www.ETSUBUCS.com.
|Copyright ©2015 East Tennessee State Athletics. All Rights Reserved.


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In or out of the box, this ergonomically designed tri-blend tee performs during all types of workouts. Side and shoulder seams are rolled forward to decrease bulk and chafing while performing shoulder workouts. Flat-lock stitching. PlayDry and anti-microbial. Motocross inspired graphic placements.63% Polyamid / 25% Cotton / 12% RayonSlim fit - wears close to your body making it ideal for high-performance exerciseSlim fit - wears close to your body making it ideal for high-performance exercisePlayDry technology moves moisture and aids in ventilationFlatlock stitching reduces chaffing for maximum comfort in mobilitySofthand screen print for added style
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Topic: 5d2/5d3 (Read 8274 times)
March 04, 2012, 01:02:58 PM »
Just saw act of valor at the Ziegfeld. Big screen, probably not the best theatre on the planet, but still a big screen.
Didn't go to really see the movie, wanted to see how well a 5d2 would hold up on a large screen. After 30 seconds I forgot about that and watched the movie.
The movie is shot very well, graded impeccably, it's not going to win any academy awards, but it's led the box office and I know that no viewer has a clue whether it was shot with a three or ninety thousand dollar camera, actually make that cameras as they used 8, which makes sense given that in the digital world we all (motion and stills) are shooting twice as much in half the time.
There is a lot of production value behind this movie and I'm sure the budget was quite large, though for this movie it made sense as there are a lot of crash cam sequences where you know the camera didn't survive.
It's not shot or directed like the Hurt Locker which has that gritty 16mm real life feel, but there is a lot of intimacy of the look of the film, with the camera following the subjects out of planes, or low on the water, right in the middle of pyro shots etc.
It's also effected and partially edited on after effects and premier, using HP windows boxes. I think the final edit was with Avid.
There you go, a complete movie, not just a hand held TV series, but a real full screen medium budget movie shot with a 5d2(s) using software anyone can afford.
In the past I wasn't the biggest fan of Shane Hurlbut, but I have to admit he shot this incredibly well and the lighting, camera work and post work is really excellent.
Sure they went hand held, used some PL mounts, a lot of canon glass, shot on sticks, stedicams, probably everything, but knowing how long it takes to set up a RED vs. a 5d2, I'll bet the the prep time was 1/4 of what it traditionally would have been and knowing how long days and fatigue effect how you work, it probably was like a breath of fresh air to use these small cameras.
The only downside was the transcoding with was into the thousand hour range. That is the one area RED smokes everyone given with a RED rocket you can transcode in virtual real time so 200 hours of footage takes 200 hours (at least for a one light work print) where moving the canon files to prorezz is a chore.
The real lesson of this movie is the pace and realism. Obviously it's staged, obviously there are some effects, though most of it is real time, real life action and unlike cg'd action it looks believable, exciting and it moves quickly. Given the fact they used real Navy Seals, the dialog can be a little strained, but the actual on the ground action scenes, just look great.
Anyway, all in all really impressive photography.
When you think about it, every operator on these sets can also be the still photographer. All they have to do is recreate on of the scenes for 30 seconds and click the still frame button to get a real 22mpx still.
Last Edit: March 04, 2012, 01:06:28 PM by bcooter
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #1 on:
March 04, 2012, 02:25:50 PM »
Shane gets to some extent the joy of small, light, light sensitive camera systems and the ability to shoot multi multi cam - he's trying to break it down a bit
How much was shot on film Im not sure..
I think Heli stuff due to rotor jello
Its worth considering that Shane uses cine lenses, $50+k, cinetape focus aids ($20k) M1 Focus motors ($3k), Prestons $8k not to mention a lot of large lights
At that point the budget hits a level where I think any one sane would (IMO) choose an Epic for the main body of the work.
Its interesting to compare Shanes film to Danfungs film;
That was shot with a $400 glide cam, one 5d2, three L lenses, and no crew at all
Last Edit: March 04, 2012, 02:27:24 PM by Morgan_Moore
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #2 on:
March 04, 2012, 02:30:17 PM »
As for the 5d3 - Im kind of exited/not excited
Its great to have a mic for tiny one person projects, having a little less moire will be nice, but the poor connectivity means I will steer clear of using it as an A camera
Ill only get it if my 5d2 falls apart - Ive already been through one shutter
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Re: 5d2/5d3
Reply #3 on:
March 04, 2012, 03:07:08 PM »
This is a real movie made by real motion pro team.
I will go to see it.
The 5D2 allowed them freedom and going deeper into the action, as you pointed,
maybe even sacrificing some units in some takes, but this isn't the wanabee dslr crowd production.
There is serious production and highly skilled cine pros operators in all the chain.
It might have cost less with this particular set but in such a contex it would have looked good
filmed with a I.phone.
This is in fact a proper cine production with all the ingredients involved except the cameras.
The interest and good news is that it shows how far we could go with those Dslrs. In fact, really far.
The bad news, is that for most of us, such an output-result is out of range.
As you point the grading is superb, probably done by a very experienced colorist(s), the cameramen are pros, the steady
are the good ones manouvered by the good ones, there is lighter lightning but proper DP, generators, gaffers, camera assistants, MUAS and stylists and story-boarders and cranes, an army of editors and FX artists etc etc...
and there is a story.
And this, as you pointed, is only considered as middle budget prod.
They would have use the GH2 or the Nex 7, the same. The camera plays a little part in the equation in fact when in such context. It's all the chain that is bloody demanding in motion,
both in terms of mediums and knowledge-skills.
Yes I beleive that those camera will lighten a lot the circus, yes I beleive that they will allow less people on set, that they have no rival
when it comes to go into the action, that they are so cheap that you could film with 10 cameras the same take with no fear to break one etc...
but I mostly beleive that all this is a real professional team craft that is not forgiving (and the PP monster...).
If, as you pointed in another thread, these guys are starting to do ads campaigns because of the global situation, I think it will be really chalenging for us to compeat.
The only good point for us coming from still is that we generally are more versatiles and quicker to "see" and set with less people and mediums.
What catches my attention is that I have a strange feeling that you aren't convinced convinced by the Scarlet. To my surprise to be honest.
I would have thought that the form factor and design would have been ideal, and reading in between lines something is not pleasing you
completly with this camera (a part for the menu-buttons)
Last Edit: March 04, 2012, 03:30:19 PM by fredjeang
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #4 on:
March 04, 2012, 03:32:16 PM »
A purely hypertheotical question.
Red, or whatever..
You can input sound - and watch the take back with audio straight away - director likes it - move on
Absolute finesse of colour balance - not required due to raw - less monitors in tents - less people and set up times
Wider DR - less fill lighting, or lower watts, less people setting up scrims, less people faster setup times
Less onset issues with HDMI connectivity - less fk ups
I wonder at what size of production it actually becomes cheaper to use a more expensive camera?
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Re: 5d2/5d3
Reply #5 on:
March 04, 2012, 03:34:25 PM »
Quote from: Morgan_Moore on March 04, 2012, 03:32:16 PM
I wonder at what size of production it actually becomes cheaper to use a more expensive camera?
This is exactly the question I'm asking for a week or 2.
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #6 on:
March 04, 2012, 03:39:11 PM »
I think you must answer that for yourself, maybe rent a few and do some tests - things can be very different off the internet
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Re: 5d2/5d3
Reply #7 on:
March 04, 2012, 03:51:54 PM »
As soon I finish the editings and get more free time, I rent a Scarlet and a F3 for some testings.
Re: 5d2/5d3
Reply #8 on:
March 04, 2012, 06:52:17 PM »
Quote from: fredjeang on March 04, 2012, 03:07:08 PM
I don't dislike the Scarlet and I'll know more by the end of this week as we start production tomorrow.
I also do not or ever have suffered from buyers remorse, even if I make a mistake. It's all part of the process.
I do know in very quick testing, the menu system is detailed but complicated, as some of it is controlled by the handle, all can and is controlled by the touch screen.
The Scarlet is well built, feels strong and heavy and I love that it accepts different mounts, I love the detail of the lcd.
The file is very clean and it has actually hand holdable.
Some things are a little silly like the still mode. Still mode really isn't click, click, click, it's 12 or 15 fps that you then take a frame out of CineX as a still.
Some things are complicated like all the buttons. Most can be disabled and we will do that.
The two other things I'm not wild about is the autofocus which hunts and is slow, slow, slow and likes bright contrast, does not track well to medium contrast. This may be fixed in future firmwares and RED is very good at staying on something until they get it right.
The other thing is the in camera battery. That's good for about 15 minutes. You have to use a belt clip and a larger battery, but I assumed that would be the way I'd have to work.
The last thing I'm not wild about is the the male mini plug for sound. I don't mind the mini xlrs, would prefer regular sized xlr, but those like mini plugs are a disaster waiting to happen.
Regardless, it does seem like a good camera, but after grading a lot of RED footage, after shooting hundreds of hours with our RED One's I really like the simplicity of the R1 vs. any menu system that is complicated, even if it is well thought out.
I personally think for most peoples work, it's a 5d world. Sure if your shooting a big budget film or broadcast spot I'd go with the RED, but for most of what we do, I think the 5d2 is a good solution.
Now I've been asked a lot of I'm glad I bought the REDs and the answer is yes, in all capitals,
I love the r1's maybe someday I'll love the Scarlet . . . we'll see.
P.S. In regards to act of valor, yes these are professional artists and technicians with professional equipment and if they shot with almost anything it would look good. The thing about the Canons are it would have been very costly to rent 8 Arri's, Epics, R1's, even Scarlets and use them as crash cams.
As Mr. Hurlbut said they shot 4 times as fast with the 5d2 and I believe that.
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #9 on:
March 05, 2012, 01:13:02 AM »
Quote from: bcooter on March 04, 2012, 06:52:17 PM
I personally think for most peoples work, it's a 5d world.
I would agree that it is a 1080 $5k camera world for many
But I still think the FS100 is in a different league at that price point
-Proper XLR synched sound - can feed one mic into two tracks at different levels - great for the less experienced sound recordist
-Big HDMI, well placed
-amazingly efficient codec with hours of run time - or clean 1080 to a recorder
-60p 'slo mo' at 1080 - available at one button press
-Sony, Canon EF FD, Nikon manual, Nikon G, PL, Leica, voigtlander - pretty much any glass
-runs for 8 hours off V-lock via dummy batt
Just the settings seen on some blogs ruin the FS100 colours
How mine is looking, I know this would make the 5d2 look terrible, hopefully the mk3 would be better..
Last Edit: March 05, 2012, 01:29:13 AM by Morgan_Moore
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Re: 5d2/5d3
Reply #10 on:
March 05, 2012, 05:58:38 AM »
The FS100 is a good camera.
Strangely, many footage I've seen in the past with this cameras had a magenta dominance and a sort of coldish video-like output. It seems not so easy to grade but otherwise it's a serious tool I think.
The body buttons look very messy, but in the end once we spend time on a camera we get used of everything.
What I found a-priori difficult with the FS100 are the skin tones. But as I don't own the camera, I guess that owners end to find correct settings to compensate the default output. But the WB seems very delicate to set (correct me if I'm wrong)
The low-light is
better than 5D2 and hacked GH2.(although hacked gh2 has a great grain low-light and not a soup artefact). But the banding's there also and, bloody hell !, NO ND filter. That really pisses me of for a video camera.
The problem is that I see it in between 2 worlds, price included. Otherwise I would probably bought one. It's expensive enough to think about keeping this money and saving some more to access directly more robust camera models. That's my view but I understand that for some, it would be priced exactly right considering the specs.
But without the shade of a doubt, it's a good very capable camera with less hassles than dslrs-evils.
Last Edit: March 05, 2012, 06:09:41 AM by fredjeang
Bern Caughey
Full Member
Posts: 179
Re: 5d2/5d3
Reply #11 on:
March 05, 2012, 11:10:17 AM »
It's been over a year since I've shot motion on the 5D2, but in hindsight the look is prettier than the anything I've seen out of the $5000 cams.
I've preordered the 5D3, & even though I'll mostly use it for stills, I'm excited to try it out for motion.
Last Edit: March 05, 2012, 11:15:29 AM by Bern Caughey
Re: 5d2/5d3
Reply #12 on:
March 05, 2012, 11:29:35 AM »
Quote from: Bern Caughey on March 05, 2012, 11:10:17 AM
It's been over a year since I've shot motion on the 5D2, but in hindsight the look is prettier than the anything I've seen out of the $5000 cams.
I've preordered the 5D3, & even though I'll mostly use it for stills, I'm excited to try it out for motion.
I have fits with the fs100.
The highlights are very hard to control and as Fred says the skintones are pink/magenta.
Most of it can be fixed in post and by shooting a flat cine look and working the heck out of the file in color, but it's a lot of work.
The real issue I have with the file is it just looks video to me, or better put it looks Sony, which seems to like the video look.
I can't put my finger on it and say it's frame rate, or color, or grain, maybe it just looks kinda flat and thin.
The 5d2 looks thick and rich.
Now given this if Canon had made a fs100 with a 5d2 chip, hmmmm.
Re: 5d2/5d3
Reply #13 on:
March 05, 2012, 12:26:52 PM »
Quote from: bcooter on March 05, 2012, 11:29:35 AM
Now given this if Canon had made a fs100 with a 5d2 chip, hmmmm.
Ha !
That's what I'd like to see, and that's why those dslr designs anouncements for video never end to light my fire.
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #14 on:
March 05, 2012, 12:30:23 PM »
I think the FS100 has had its rep badly damaged by various crappy flat profiles put out by so called experts testing the camera on a bunch of flowers and a watch in a black room
Personally I keep the contrast right up, dial out some red, and expose very carefully - much less ETTR than with a raw camera - its taken me six months to learn the histogram
Sure the 5d is pretty but as soon as that HDMI lead wobbles and the shot cuts during an important take, your client is not worried about a pretty image - they just think you are an ars******
I think the FS is so sweet given the price point
While I could stretch to an F3 or a C300 I think Ill sit on the FS for a year or two and see what the next gen brings or wait for a used Scarlet
Last Edit: March 05, 2012, 12:33:01 PM by Morgan_Moore
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
Re: 5d2/5d3
Reply #15 on:
March 06, 2012, 04:53:17 PM »
It's funny,
I'm thinking about the stills. I'm not really sure in the end if we had the hability to shoot still "the traditional way", clic clic...while filming is in fact a good option.
The level of concentration when filming is indeed high and I think it would be an overtask to add still capture the old (sorry, current) way.
Maybe the best convincing system is the Scarlet option to, in fact, reducing the frame-rate and jumping in reso at 12 ips and then simply choose the stills from the image sequence in the raw dev, in this case RCX.
The only downside is that it's more time consuming, but would it be in fact much more than opening C1, Phocus etc etc...?
The good thing, is that there are much more to choose from.
The more I think about it, the more I see that the best solution would be cameras made and designed first for motion with still options and not the opposite.
Last Edit: March 06, 2012, 05:05:33 PM by fredjeang
Full Member
Posts: 133
Re: 5d2/5d3
Reply #16 on:
March 06, 2012, 05:09:46 PM »
Quote from: Morgan_Moore on March 04, 2012, 02:25:50 PM
Shane gets to some extent the joy of small, light, light sensitive camera systems and the ability to shoot multi multi cam - he's trying to break it down a bit
How much was shot on film Im not sure..
Shane has an
Act of Valor Q&A
online where he goes into which cameras were used for what.
Overall, 5D2 = 70% of film.
Site | Portfolio
Learning to See
Vimeo Page
Bern Caughey
Full Member
Posts: 179
Re: 5d2/5d3
Reply #17 on:
March 06, 2012, 11:30:09 PM »
It's important to note that Shane's footage was run through Cinnafilm's Dark Energy software, a cost few independents could absorb.
It will be very interesting if the 5D3 doesn't require such expensive treatment, but we'll need to wait for Canon to end the embargo of 1080p footage.
Re: 5d2/5d3
Reply #18 on:
March 07, 2012, 12:29:03 AM »
Quote from: Bern Caughey on March 06, 2012, 11:30:09 PM
It's important to note that Shane's footage was run through Cinnafilm's Dark Energy software, a cost few independents could absorb.
It will be very interesting if the 5D3 doesn't require such expensive treatment, but we'll need to wait for Canon to end the embargo of 1080p footage.
Looking at Mr. Hurlbut's comparison screen shots of before and after dark energy, I think with proper color, a little sharpening then some grain, you'd be very close to his after samples.
In fact I think you could get very close in 2k using Apple Color (the version from fcp 7).
I'm not saying the conversion would be 100% as good as running on a Quantel with fiber optics, but there doesn't seem to be "that" much of a difference between the before's and afters.
Actually for those out there with fcp7, give color a try.
It's not perfect, it's not the most full featured, but it is very good and fairly easy to learn.
P.S. It's obvious that there was a great deal of resource put into color and working of these 5d2 files, but I doubt not any more than is put into any hollywood release with a medium budget.
Only the person writing the check knows for sure.
P.S. 2 For anyone out there moving from stills to motion understand that beautiful color is hard. No harder than stills other than the subject and scene is moving and you have to correct or amplify that.
Regardless, take 10 frames from a recent still shoot of a moving subject and try to make them exactly match in photoshop. Now multiply that by 24fps, with 2,3,4 and up to 5 minute segments, shot with 2 or three different cameras, lenses and cinematographers and you'll understand why post production in motion imagery is the black hole of time.
Last Edit: March 07, 2012, 12:34:17 AM by bcooter
Sr. Member
Posts: 2258
Re: 5d2/5d3
Reply #19 on:
March 07, 2012, 12:46:02 AM »
Quote from: bcooter on March 07, 2012, 12:29:03 AM
Regardless, take 10 frames from a recent still shoot of a moving subject and try to make them exactly match in photoshop. Now multiply that by 24fps, with 2,3,4 and up to 5 minute segments, shot with 2 or three different cameras, lenses and cinematographers and you'll understand why post production in motion imagery is the black hole of time.
Do they need to match, or do they need to match enough to keep the viewer inside the box of the story?
While Ive assisted on some shoot with 'video DPs' one thing I have been really trying to get my head round is 'cheating' the lights - moving them between takes
Initually I thought it would be death to move any light - now it seems like you just have to keep it 'motivated' from the same direction ??
Sam Morgan Moore Cornwall
www.sammorganmoore.com -photography
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Online Permit Process - Excavations
Before applying online for an Excavation and Trench Permit you will need to obtain your user name and password by contacting the DPW Permit Desk at (617) 349-4833 or by email email@example.com . Note: A permit will not be reviewed unless permit fees are paid at time of application and a valid $5000.00 bond and certificate of insurance is on file at the Department of Public Works (see requirements below).
1. Sign into the online permitting system using your assigned username and password.
2. Enter or update current company information.
3. Enter a valid email address. Please ensure that your email address is correct. Once approved, your permit will be emailed to the address you provide.
4. Provide an emergency contact number of the person in charge of the project.
5. Set a desired permit beginning and end date. Excavation and trench permits are valid for 29 days from your requested start date. The fee for an excavation in the public way is $100 and a trench permit entirely on private property is $50.00 (see item 9 below). Sewer and drain inspections are $150.00 per inspection. The Street Preservation Offset Fee (SPOF) for an excavation less than 100 SF is $11.00 per square foot (see below for additional information). Also, keep in mind that the DPW needs 3-5days notice to review permits. Weekend work is not allowed except under special conditions and additional fee may apply.
6. Enter the location of the project. If not working at or in front of a specific address, state the project location and cross streets in the purpose of excavation text box.
7. Check infrastructure type(s). Please ensure that you only check boxes that apply to your project as additional inspection fees could be added.
8. In the "Purpose of Excavation" field please provide a detailed description of the work that is to be performed.
9. If excavation is a trench, click yes and enter competent person and hoisting license information. Review State trench regulations.
10. Enter your dig safe number and any other additional permit numbers.
11. If parking meters are impacted, the Traffic and Parking Department will also need to be contacted – (617) 349-4700.
Remember: Permit applications need to be reviewed and approved by the Department of Public Works before work begins. Printing this online application does not mean that you have an approved permit.
Street Preservation Offset Fee (SPOF):
The SPOF is applied to any street cut or sidewalk cut that is part of your excavation in the public way. To add SPOF measurements click "add dimensions" and enter the required information in the appropriate fields. Note: Please enter each cut separately not as a combined total. Review SPOF regulations.
1. A traffic/pedestrian management plan must accompany this application. The traffic/pedestrian management plan must meet MUTCD and ADA requirements.
2. If your $5000 surety bond and/or certificate of insurance needs to be renewed, please attach a copy. COI must be for $1,000,000.00 per occurrence and $3,000,000.000 aggregate. The City of Cambridge must be named as an additionally insured and the certificate holder. Originals need to be mailed to the DPW.
3. Include any site plans or additional documents as required.
Submit Permit Application:
Before submitting your permit application, please make sure the information entered is correct. Once submitted a permit application cannot be modified. If you do need to make a change, please contact the Permit Desk at (617) 349-4833 or by email email@example.com.
Permit application fee must be paid at the time of application, unless deferred payment is approved in advance in writing by the Superintendent of Streets, Sidewalks and Sewers. Once an online permit is submitted you will automatically be taken to a payment window. The Cambridge DPW accepts Visa, MasterCard and Discover. Enter all required information and submit your payment. You can also pay balances on existing permits by clicking HERE
Permit Approval:
Once approved your permit will be sent to the email address specified in the online application. The permit review process could take up to 3-5days.
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