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The Tempest
The scrapbook collection acquired by H. R. Forrest of Manchester in 1890 is remarkable
and forms part of the Shakespeare Library which can be found
in Arts, Languages and Literature, Floor 3, Central Library
See also New !King Lear | New !The Merchant of Venice
Hamlet | Macbeth | Othello | Romeo and Juliet | A Midsummer Night's Dream
Introduction to William Shakespeare
He took illustrated editions of Kenny Meadows, Knight, Staunton and Cassell and added to them illustrations by Boydell, Fuseli, Howard, Smirke,Chodwiecki, Retzch and Ruhl, together with every other illustration he could procure, including portraits of Shakespeare and his contemporaries and of Shakespearean actors. The collection fills 76 folio volumes.
On the left is a poster for the
Princes Theatre, Manchester, 1864
On the right is a
Drury Lane Playbill, 1771
Act 1 Scene 1 A ship at sea
A tempestuous noise of thunder and lightning.
Enter a SHIPMASTER, a BOATSWAIN and MARINERS
Master Boatswain!
Boatswain Here, master. What cheer?
Master Good; speak to th'mariners.
Fall to't yarely, or we run ourselves aground.
Bestir, bestir! (Exit)
Boatswain Heigh, my hearts!
Cheerly, cheerly, my hearts! Yare, yare!
Take in the topsail.
Tend to th'master's whistle.
(to the storm)
Blow till thou burst thy wind, if room enough!
Act 1 Scene 2 The Island
Enter PROSPERO and MIRANDA
If by your art, my dearest father, you have
Put the wild waters in this roar, allay them.
The sky it seems would pour down stinking pitch,
But that the sea, mounting to th'welkin's cheek,
Dashes the fire out. O I have suffered
With those that I saw suffer! A brave vessel,
Who had no doubt some noble creature in her,
Dashed all to pieces. O the cry did knock
Against my very heart! Poor souls they perished,
Had I been any god of power, I would
Have sunk the sea within the earth, or ere
It should the good ship so have swallowed, and
The fraughting souls within her.
Be collected;
No more amazement. Tell your piteous heart
There's no harm done.
O, woe the day.
No harm
I have done nothing but in care of thee -
Of thee my dear one, thee my daughter - who
Art ignorant of what thou art, nought knowing
Of whence I am, nor that I am more better
Than Prospero, master of a full poor cell,
And thy no greater father.
As wicked dew as e'er my mother brushed
With raven's feather from unwholesome fen
Drop on you both! A south-west blow on ye,
And blister you all o'er!
For this, be sure, tonight thou salt have cramps,
Side-stitches that shall pen thy breath up; urchins
Shall, for that vast of night that they may work,
All exercise on thee; thou shalt be pinched
As thick as honeycomb, each pinch more stinging
Than bees that made 'em.
This island's mine by Sycorax my mother,
Which thou tak'st from me. When thou cam'st first
Thou strok'st me and made much of me; wouldst give me
Water with berries in't, and teach me how
To name the bigger light, and how the less,
That burn by day and night. And then I loved thee
And showed thee all the qualities o'th'isle,
The fresh springs, brine-pits, barren place and fertile -
Cursed be I that did so! All the charms
Of Sycorax - toads, beetles, bats - light on you!
For I am all the subjects that you have,
Which first was mine own king; and here you sty me
In this hard rock, whiles you do keep from me
The rest o'th'island.
Ariel's Song
Come unto these yellow sands,
and then take hands.
Curtsied when you have, and kissed,
The wild waves whist.
Foot it featly here and there,
And sweet sprites the burden bear.
Hark, hark The watch-dogs bark
Bow wow, bow wow.
(Spirits dispersedly echo the burden 'Bow wow')
Hark, hark! I hear
The strain of strutting Chanticleer,
Cry cock-a-diddle-dow.
(Spirits dispersedly echo the burden 'Cock a diddle dow')
Ariel Sings
Full fathom five thy father lies,
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell.
Hark, now I hear them, 'ding dong bell'.
(Spirits echo the burden 'ding dong bell')
The ditty does remember my drowned father.
This is no mortal business, nor no sound
That the earth owes. I hear it now above me.
Act 2 Scene 1 A remote part of the Island
(Waking) Now , good angels preserve the king.
(He shakes Alonso)
Why, how now? ho! Awake? Why are you drawn?
Wherefore this ghastly looking?
Whats the matter?
Whiles we stood here securing your repose,
Even now, we heard a hollow burst of bellowing,
Like bulls, or rather lions; did't not wake you?
It struck mine ear most terribly.
Act 2 Scene 2 Near Caliban's Cave
All the infections that the sun sucks up
From bogs, fens, flats, on Prosper fall, and make him
By inch-meal a disease. His spirits hear me,
And yet I needs must curse. But they'll nor pinch,
Fright me with urchin-shows, pitch me i'th mire,
Nor lead me like a firebrand in the dark
Out of my way, unless he bid 'em; but
For every trifle are they set upon me,
Sometime like apes, that mow and chatter at me
And after bite me; then like hedgehogs, which
Lie tumbling in my barefoot way and mount
Their pricks at my footfall; sometime am I
All wound with adders, who with cloven tongues
Do hiss me into madness.
Enter Trinculo
Lo, now lo!
Here comes a spirit of his, and to torment me
For bringing wood in slowly. I'll fall flat,
Perchance he will not mind me.
(He lies down, and covers himself with a cloak)
If thou beest Trinculo, come forth! I'll pull thee by the lesser legs.
If any be Trinculo's legs, these are they.
(Pulls him out)
Thou art very Trinculo indeed! How cam'st thou to be the siege of this moon-calf? Can he vent Trinculos?
Act 3 Scene 2 Near Caliban's Cave
Tell not me. When the butt is out we will drink water, not a drop before; therefore bear up, and board 'em. Servant monster, drink to me.
Servant monster? The folly of this island! They say there's but five upon this isle; we are three of them - if th'other two be brained like us, the state totters.
Trinculo, keep a good tongue in your head. If you
prove a mutineer, the next tree. The poor monster's my
subject, and he shall not suffer indignity.
I thank my noble lord. Wilt thou be pleased to hearken
once again to the suit I made to thee?
Marry will I. Kneel, and repeat it. I will stand, and so
shall Trinculo
Enter Ariel invisible
Act 4 Scene 1 Near Prospero's Cave
Silver! There it goes, Silver.
Fury, fury! There, Tyrant, there! Hark, hark!
(Exeunt Caliban, Stephano and Trinculo, pursued by spirits)
(To Ariel)
Go, charge my goblins that they grind their joints
With dry convulsions, shorten up their sinews
With aged cramps, and more pinch-spotted make them,
Than pard, or cat o'mountain.
Act 5 Scene 1 Near Prospero's Cave
Where the bee sucks, there suck I;
In a cowslips bell I lie;
There I couch when owls do cry;
On the bats back I do fly,
After summer merrily.
Merrily, merrily, shall I live now,
Under the blossom that hangs on the bough.
Here Prospero discovers Ferdinand and Miranda, playing at chess
Sweet lord, you play me false.
No, my dearest love, I would not for the world.
Yes, for a score of kingdoms you should wrangle,
And I would call it fair play.
(Gesturing to Caliban)
This is as strange a thing as ere I looked on.
He is as disaproportioned in his manners
As in his shape. Go, sirrah, to my cell;
Take with you your companions. As you look
To have my pardon, trim it handsomely.
Ay that I will; and Ill be wise hereafter,
And seek for grace. What a thrice-double ass
Was I to take this drunkard for a god
And worship this dull fool!
And promise you calm seas, auspicious gales,
And sail so expeditious that shall catch
Your royal fleet far off. My Ariel, chick,
That is thy charge. Then to the elements
Be free, and fare thou well. Please you draw near.
Exeunt all (except Prospero)
Epilogue,spoken by Prospero
Now my charms are all orthrown,
And what strength I have mine own Which is most faint. Now is true
I must be here confined by you,
Or sent to Naples, let me not,
Since I have my dukedom got
And pardoned the deceiver, dwell
In this bare island, by your spell;
But release me from my bands
With the help of your good hands.
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please. Now I want
Spirits to enforce, art to enchant,
And my ending is despair,
Unless I be relieved by prayer
Which pierces so, that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardoned be,
Let your indulgence set me free.
The Birmingham Shakespeare Library
Introduction to William Shakespeare
Collections in the Arts, Languages and Literature Library
Arts, Languages and Literature
Reading and Writing Menu


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subset: commoncrawl


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|Football » News » Schedule » Roster » Coaches » Statistics
Gardner-Webb Sloshes Past ETSU
Saturday, September 14, 2002Boiling Springs, N.C. (Sept. 14, 2002) - East Tennessee State's offensive troubles continued here tonight, as the Buccaneers came up short on a comeback try in a 13-10 loss at Gardner-Webb. In a game that was halted for 76 minutes near the end of the third quarter by a driving rainstorm and lightning, ETSU could only manage 229 yards of offense and missed two field goals while having a touchdown called back on a penalty. It was an ominous beginning for East Tennessee State when the Bucs' starter at quarterback, Dashannon Gamble, threw an interception on the third play of the game, giving Gardner-Webb the ball on the ETSU 25-yard line. The Bulldogs did not squander the opportunity, turning it into a 7-0 lead on a 16-yard pass from Jeremy Martin to William Andrews at the 11:35 mark. After gaining just five yards on its next possession, Gardner-Webb took the ball at the their own 24-yard line and proceeded to drive 73 yards in 14 plays in a drive that ended in a 20-yard field goal by Andrew Harmon. Martin was responsible for most of the drive, connecting on all six of his pass attempts of the possession for 66 yards. He would go on to hit on 21-of-34 attempts in the game for 227 yards and one score to lead the Bulldog offense. The Buccaneer offense, on the other hand, managed only 110 yards of offense in the first half. ETSU did manage to put together a 13-play, 59-yard drive at the start of the second quarter, answering Gardner-Webb's field goal with one of its own, a 25 yarder by Scott Salmons that pulled the Bucs to within a touchdown at 13-3 with 9:43 left before the half. Both teams missed field goal attempts later in the quarter in the wet conditions, with ETSU's Gerald Sensabaugh blocking Gardner-Webb's attempt and Allen Davis scooping up the loose ball and returning it to the ETSU 45. The Bucs ensuing drive stalled at the G-W 29, and Salmons missed on a 46-yard attempt. With just 1:29 on the clock, Gardner-Webb engineered a drive that included a key 13-yard pass from Martin to Andrews to the ETSU 13 with just five second left on the clock. Harmon then converted on his second three-pointer of the night and the Bulldogs had a 13-3 lead at the half. Late in the third quarter the rains started as ETSU was driving down the field. Gaven Varner scampered into the end zone on a nifty 13-yard run, only to have the play called back on a holding call. With the rain coming down in torrents, the snap on Salmons field goal attempt rolled to holder Mike Rader, who was immediately swarmed under by the Bulldogs. The game was then halted and when play resumed, neither team could get anything going until Cecil Moore returned a punt 26 yards to set up ETSU's lone touchdown of the evening. Getting the ball at the GW 34, Gamble completed a 29-yard pass play to Varner on a third and 10, with Varner finishing off the drive on the next play on a five-yard run for his first touchdown as a Buccaneer. That would prove to be all that the Bucs could muster, however, as ETSU could not get close to the end zone on its final two possessions. Varner led ETSU in rushing with 58 yards on 11 carries, while Jatavis Sanders, who sat out the fourth quarter with an arm bruise, completed 10 of his 12 pass attempts for 114 yards.
Football Archives
2002-03 Football


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POSITION: Center
SHOOTS: Left
BIRTHPLACE: Thunder Bay, ON, CAN
DRAFTED: PIT: 2006-2 overall
|Brother of Eric and Marc NHL All-Rookie Team (2007) Traded to Carolina by Pittsburgh for Brandon Sutter, Brian Dumoulin and Carolina's 1st round choice (Derrick Pouliot) in 2012 Entry Draft, June 22, 2012.
Jordan and his wife, Heather, were married on June 22, 2012, the same day that he was traded to the Hurricanes… His brother Eric was drafted by the Hurricanes in 2003 and serves as the team's captain… His brother Jared is also a member of the Hurricanes organization, and his brother Marc plays for the NY Rangers… Jordan helped to form the Staal Family Foundation, which benefits children fighting cancer and their families… He says his parents had the biggest influence on his career, and his favorite player growing up was Joe Thornton… His first youth team was the Norwest Super Squirts and his first job was working on his father's sod farm… Jordan's favorite television show is Family Guy, favorite movie is Gladiator and favorite food is pierogies… His preferred vacation spot is "a beach" and his favorite Triangle restaurant is Nina's… Jordan enjoys watching football and is a fan of the Pittsburgh Steelers… His favorite athlete outside of hockey is Tiger Woods… His favorite website is nhl.com and favorite video game is Modern Warfare 3… The celebrity Jordan would most like to meet is Denzel Washington… His favorite holiday is Christmas… He's worn No. 11 his entire life, and chose it because it was close to the No. 12 that both his father and his brother, Eric, wear… His favorite road city is Boston, favorite road arena is Bell Centre and favorite team to play against is Philadelphia… His most memorable hockey moment was winning the Stanley Cup with the Penguins in 2009.
2013-2014 Season
Completed his eighth NHL season and second with the Hurricanes… Was one of two Hurricanes to play in all 82 games… Ranked fourth on the team in assists (25), fifth in points (40) and sixth in goals (15)… Led the team in hits (194) for the second consecutive season… Ranked second on the team and 17th in the NHL in faceoff win percentage (54.4%)… Named the winner of the Josef Vasicek Award by the Carolina chapter of the Professional Hockey Writers' Association (PHWA) for cooperation with the local media (4/10)… Recorded his first assist of the season at WSH (10/10)… Scored his first goal of the season at NYI (10/19)… Earned his first multi-point game (1g, 1a) of the season vs. COL (11/12)… Played in his 500th NHL game vs. BOS (11/18)… Registered a season-high two-game goal streak (11/29-12/1: 2g, 0a)… Earned his first multi-assist game of the season (0g, 2a) vs. CBJ (12/23)… Recorded an assist and won 20-of-27 faceoffs (74%) vs. MTL (12/31)… Scored a goal and won 13-of-18 faceoffs (72%) at NYI (1/4)… Earned his 300th NHL point and tied his career high with four points (1g, 3a) vs. TOR (1/9)… Played in his 100th Hurricanes game and scored his first game-winning goal of the season vs. CBJ (1/27)… Won 10-of-12 faceoffs (83%) vs. MTL (2/8)… Won 18-of-27 faceoffs (67%) and recorded a season-high seven hits at SJ (3/4)… Won 21-of-25 faceoffs (84.0%) vs. BUF (3/13), marking the highest single-game faceoff win percentage by a Hurricanes player since 2008… Recorded multi-point performances in three consecutive regular-season games for the first time in his career (3/8-3/13: 1g, 5a)… Stretched his assist streak to a season-high four games (3/8-3/15: 1g, 6a) at BOS (3/15)… Scored a goal to extend his point streak to a season-high six games (3/7-3/16: 3g, 6a) vs. EDM (3/16)… Skated a season-high 24:06 of ice time at CHI (3/21)… Earned an assist and won 13-of-16 faceoffs (81%) vs. WSH (4/10)… Longest goal streak: 2 games (11/29-12/1: 2g, 0a)… Longest assist streak: 4 games (3/8-3/15: 1g, 6a)… Longest point streak: 6 games (3/7-3/16: 3g, 6a)… Multi-assist games: 5 (last: 3/25 vs. NYI: 0g, 2a)… Multi-point games: 8 (last: 3/25 vs. NYI: 0g, 2a).
Is in his ninth NHL season and third with the Hurricanes… Acquired by the Hurricanes from Pittsburgh on 6/22/12 in exchange for Brandon Sutter, Brian Dumoulin and a first-round pick in the 2012 NHL Draft (Derrick Pouliot)… Signed a 10-year contract extension with the Hurricanes on 7/1/12, which goes through 2022-23… Selected by the Penguins with the second overall pick in the 2006 NHL Entry Draft… Nominated for the Calder Trophy (rookie of the year) in 2006 and the Selke Trophy (best defensive forward) in 2010… Played in a Penguins-franchise-record 358 consecutive games including playoffs (328, Ron Schock) from 12/7/06-4/30/10… His 302-game, regular-season, games-played streak ranks second in Penguins history (313, Schock)… Represented Canada at the 2007 IIHF World Championships along with his brother, Eric, earning a pair of assists and winning a gold medal… Earned three points (1g, 2a) and was (+5) in eight games at the 2013 IIHF World Championship for Canada… Was invited to Canada's orientation camps for the 2010 Olympic Games and the 2014 Olympic Games…
2004-05: Completed his first season with Peterborough of the Ontario Hockey League (OHL), the same team his brother, Eric, played for in junior hockey… Earned 28 points (9g, 19a) in 66 regular-season games as a 16-year-old for the Petes… Was third on the team in playoff goals with six, totaling 10 points in 14 postseason contests…
2005-06: Scored 68 points (28g, 40a) in 68 games for Peterborough… Tied for eighth in the OHL in game-winning goals (7)… Selected to play in the 2006 OHL All-Star Game, earning a pair of assists in the contest… Was second among Petes skaters with 10 goals and totaled 16 points (10g, 6a) in 19 playoff games as Peterborough captured the OHL championship… The Petes lost just three of their 19 games en route to the title and a berth in the 2006 Memorial Cup…
2006-07: Completed his rookie NHL season with the Penguins in his draft year, totaling 42 points (29g, 13a) in 81 games… Ranked second among league rookies in goals (29), trailing only teammate Evgeni Malkin… Established an NHL rookie record with seven shorthanded goals… Also established an NHL record for shooting percentage by a rookie (22.1%), leading all NHL players in that category… Ranked first among Penguins skaters and tied for second among NHL rookies in plus/minus (+16)… Was seventh on the team and sixth among NHL rookies in points (42)… Was a finalist for the Calder Trophy as the league's top rookie… Named to the NHL's All-Rookie Team… Made his NHL debut vs. PHI (10/5)… Scored his first NHL goal, a shorthanded tally against Henrik Lundqvist, vs. NYR (10/12)… Scored a pair of shorthanded goals vs. CBJ (10/21) to become the youngest player in NHL history to net two shorthanded goals in a game… One of those two goals was on a penalty shot, as he also became the youngest player to score on a penalty shot… Was the first NHL player since 1982 to score his first three NHL goals shorthanded… Netted his 20th goal of the season vs. PHI (2/8), becoming the third-youngest player in NHL history to reach the 20-goal mark, trailing only Ted Lindsay and Sidney Crosby… Was plus or even in 25 consecutive games from 12/15-2/10… Became the youngest player in NHL history (18 years, 153 days) to record a hat trick when he netted three goals, including the overtime winner, vs. TOR (2/10)… Appeared in his first Stanley Cup playoffs, tying Sidney Crosby for the team lead in playoff goals with three as the Penguins dropped a five-game series to Ottawa… Notched a goal in his playoff debut in Game 1 vs. OTT (4/11), becoming the fifth-youngest player in NHL history to score a playoff goal…
2007-08: Finished the regular-season with 28 points (12g, 16a) in 82 games, and was tied for third among Penguins skaters in game-winning goals (4)… Scored seven of his last nine goals on the road… Had a season-high three points (2g, 1a) vs. TB (1/10)… Appeared in all 20 of Pittsburgh's Stanley Cup playoff games as the Penguins won the Eastern Conference championship before falling to Detroit in the Stanley Cup Final… Was tied for third on the team in playoff goals (6)… Ranked fourth on the team in hits (45) and led Penguins forwards in shorthanded ice time per game (3:16) in the playoffs… Netted the game-winning goal in Game 2 of the conference semifinals vs. NYR (4/27)… Scored two third-period goals in Game 4 vs. PHI (5/15)…
2008-09: Set then-career-highs in assists (27) and points (49), adding 22 goals… Led Penguins forwards and ranked second on the team in shorthanded ice time per game (3:31)… Ended the regular season on a then-career-high, six-game scoring streak (4/1-4/11: 2g, 6a)… Posted his second career hat trick and set a single-game high in points with three goals and an assist at DET (11/11), scoring all three goals in the third period, assisting on the game-winning overtime goal… Netted his 50th career goal at OTT (12/6)… Recorded his first multi-assist game with a pair of helpers vs. NYI (12/11)… At 20 years, 111 days, became the youngest player in NHL history to play in his 200th game (Patrick Marleau – 20 years, 115 days), vs. BOS (12/30)… Earned his 100th career point with an assist vs. SJ (2/11)… Tallied his 50th career assist vs. BOS (3/11)… Totaled nine playoff points (4g, 5a) including a pair of critical goals during the Stanley Cup Final in helping the Penguins capture the 2009 Stanley Cup title… Matched against opposing teams' top forward combination, he held Philadelphia's Jeff Carter to one goal in the Penguins six-game, opening-round series against Philadelphia, and brother Eric to one goal in the Eastern Conference Final… Scored a shorthanded goal to tie Game 4 of the Stanley Cup Final vs. DET (6/4), with the Penguins trying to avoid a three-games-to-one series deficit… Netted the first goal of the game in Pittsburgh's Game 5 victory vs. DET (6/9)…
2009-10: Matched his then-career-high with 49 points (21g, 28a), skating in all 82 games for Pittsburgh and establishing his career-high in assists (28)… It marked the third consecutive season in which he played in all 82 games… Led the Penguins with a career-best, plus-19 rating… Also led Pittsburgh in shorthanded ice time per game (3:20)… Was a finalist for the Selke Trophy as the NHL's top defensive forward… Voted by his peers as the team's Player's Player, an award given to the player that best exemplifies leadership for the team, both on and off the ice… Earned a single-game, career-high three assists at EDM (1/14)… Became the youngest player (21 years, 140 days) in NHL history to appear in 300 games, vs. OTT (1/28)… Skated in 11 Stanley Cup playoff games, totaling three goals and two assists (5 points)… Earned two assists in the series-clinching Game 6 victory at OTT (4/24)… Saw his 358-game (including playoffs) consecutive games streak end when a laceration on his foot sidelined him for two games (5/2-5/4)… Scored the last Penguins' goal ever at Mellon Arena with a tally in Game 7 vs. MTL (5/12)…
2010-11: Totaled 11 goals and 19 assists (30 points) in a career-low 42 games… Missed the first 40 games of the season due to foot and hand injuries… Was a key part of Pittsburgh's top-ranked penalty kill (86.1%), the first time in team history that the Penguins led the NHL in that category… Was preparing to return to action from his foot injury when he suffered a fracture in his hand after being struck by a puck during practice on 11/1… Made his season debut in the NHL Winter Classic vs. WSH at Heinz Field in Pittsburgh… Had a season-high, five-game point streak from 2/10-2/20 (3g, 3a)… Played a career-high 29:04 of ice time vs. SJ (2/23)… Had three points (1g, 2a) during the Penguins' seven-game series loss to Tampa Bay in the first round of the Stanley Cup playoffs…
2011-12: Totaled a career-high 50 points despite appearing in only 62 regular-season games for Pittsburgh… His 25 goals ranked tied for fourth among Penguins skaters and were the most since his rookie campaign in 2006-07 (29)… Ranked second among Penguins forwards in shorthanded minutes per game (2:38)… Was tied for first on the team and fourth in the NHL in shorthanded goals (3)… Was also tied for fourth in the NHL in shorthanded points (5)… Penguins penalty kill ranked in the top five for the second consecutive season (3rd, 87.8%)… Served as an alternate captain for Pittsburgh… Finished second among Penguins forwards in ice time per game (20:03)… Won 51.0 percent of his face-offs, the first time in his career that he was over 50 percent for the season… Had 29 points (10g, 19a) in the final 28 games of the season… Recorded his 200th career NHL point at CGY (10/8)… Scored his 100th career NHL goal vs. NJ (10/22)… Played in his 400th career NHL game vs. CAR (12/27)… Had points in 13 of 14 games from 2/15-3/17 (6g, 11a), including a career-long 10-game point streak from 2/25-3/17 (3g, 10a)… Missed 20 games due to injury (10/29-11/3; 12/10; 12/16-12/16; 1/7-2/7)… Completed his sixth NHL playoff season, leading the Penguins in goals (6) and points (9) during Pittsburgh's six-game opening round loss to Philadelphia… Netted a pair of goals in Game 3 at PHI (4/15)… Recorded his first career playoff hat trick in Game 4 at PHI (4/18)… Had a goal and an assist in Game 5 vs. PHI (4/20)…
2012-13: Completed his first season with Carolina, ranking third among Hurricanes in assists (21), fourth in points (31) and fifth in goals (10)… Led the team in hits (105)… Was one of three Hurricanes to play in all 48 games… Made his Hurricanes debut and registered a season-high nine hits at FLA (1/19)… Recorded his first Hurricanes point with an assist on Jeff Skinner's power-play goal vs. TB (1/22)… Scored his first Hurricanes goal and earned an assist at TOR (2/4)… Had assists and points in five consecutive games, all on the road, from 2/2-2/11 (1g, 5a).
Jordan Staal Career Achievements
Calder Trophy Finalist: Was a finalist for the 2007 Calder Trophy as the NHL's most-outstanding rookie, after scoring 29 goals as an 18-year-old. Teammate Evgeni Malkin won the award.
Rookie Shorthanded Goals: Set an NHL rookie record with seven shorthanded goals during his rookie season in 2006-07. Also became the youngest player in NHL history to score two shorthanded goals in a game (10/21/06) and the first player since 1982 to score his first three NHL goals shorthanded.
Youngest Hat Trick: Scored his first career hat trick vs. Toronto (2/10/07), including the game-winning goal in overtime. Was the youngest player in NHL history to record a hat trick, at 18 years, 153 days old.
Consecutive Games Streak: Set a Penguins franchise record by playing in 358 consecutive games, including playoffs, from 12/7/06 until 4/30/10, when he suffered a foot injury in a playoff game against Montreal. Has played in 164 consecutive games, including playoffs, entering the 2014-15 season.
Selke Trophy Finalist: Was a finalist for the 2010 Frank J. Selke Trophy, honoring the NHL's top defensive forward. Detroit's Pavel Datsyuk won the award.
Penalty Killing Prowess: Has been a key part of teams' penalty-killing units throughout his NHL career. Helped the Pittsburgh Penguins finish first in the NHL in penalty kill percentage for the first time in franchise history in 2010-11 (86.1%). The Penguins set a franchise record at 87.8 percent in 2011-12, finishing third in the NHL.
International Experience: Represented Canada alongside his brother, Eric, at the IIHF World Championships in 2007 and 2013. Was also invited to Canada's Olympic orientation camps in 2010 and 2014.
The Brothers Staal: Jordan's youngest brother, Jared, made his NHL debut for the Hurricanes on April 25, 2013, starting the game on a line with Eric and Jordan. They marked the fourth set of brothers to play on one team in the same season in NHL history and first since the Stastny brothers in 1984-85.


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Who is still using film and why?
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Topic: Who is still using film and why? (Read 22919 times)
David Watson
Sr. Member
Posts: 415
Who is still using film and why?
June 08, 2013, 03:28:23 AM »
I haven't used a film camera for ten years or more until very recently. Intrigued by the number of pro photographers I have met who, whilst they have gone digital for their professional work, still use film for their personal projects. I wonder why?
To find out for myself I have wound the clock back and bought a Fuji 680 outfit and I will be using these for a variety of jobs over the next few months in parallel with my normal MFD camera. I will take the same image with both cameras and then compare them. By the way this camera on the second hand market must be the bargain of the century if you like film. I obtained a complete outfit in mint condition for less than £1500. I have run a test roll through it and before I get it back I am very impressed with the build and operating characteristics of this camera. It is like a view camera with SLR facilities. Michael did a review on this site some years ago which prompted me to try and find one. There are a lot out there across the world but mostly in Japan and some are very very cheap.
Anyway back to the topic. I am interested to know what other photographers are doing in terms of medium to large format film and digital and why they would choose one medium over another for a particular job.
Last Edit: June 08, 2013, 11:52:10 AM by David Watson
David Watson ARPS
Sr. Member
Posts: 934
Re: Who is still using film and why?
Reply #1 on:
June 08, 2013, 10:05:49 AM »
Digital is great, especially for color. I would never go back to color film. However, I still feel digital lacks when it comes to black and white.
I use to shoot 4x5 using Tri-X at ISO 80 and under develop by 30%; this got me some very rich negatives, which I would tone to completion with selenium as well. I then printed on Berger warm tone paper, which was a very silver rich paper, and toned the highlights with Selenium and the shadows with Gold. This created a very 3-D looking print that had so much depth, not the mentions the blacks where amazing. If I had the space (and the time), I would defiantly install a darkroom in my place. I don't see that happening though.
Funny thing about toning with gold is that it is heavier than silver. Berger paper was 330 g/m2 weight and would flout, a little annoying until you got use to it. After being toned with gold to completion, it no longer flouted.
Also, I use to do a lot of alternative printing, like platinum and palladium printing. This just can not be replicated by digital, or come event close. I am thinking about getting an used 8x10 field camera and doing some of this work in the near future. I may also fool around with the Chrisotype (Gold printing), but have read it is extremely difficult to master. Plus, you do not need to the space or a separate darkroom since the solution is only sensitive to UV light. Just print at night.
Last Edit: June 08, 2013, 10:08:00 AM by JoeKitchen
Joe Kitchen
"Photography is one percent inspiration and ninety-nine percent moving furniture." Arnold Newman
Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself. William Faulkner
Sr. Member
Posts: 671
Re: Who is still using film and why?
Reply #2 on:
June 08, 2013, 11:59:46 AM »
Film is still the biggest sensor available, so one can use film when one wants the specific look that comes from using a very large sensor. Film also has a specific way to render colour, contrast and grain, so that may be another reason to use it.
About the "large sensor" option: I did not buy a Fuji 680, but a Mamiya RB 67. It is very cheap for the kind of machine it is and the lenses are also quite affordable. One needs to invest some time to change the light seals on old film backs, though.
Edit: I forgot to add that some people use old film cameras as a way to get people to ask about the "strange camera" and get them to pose. Street photography with an old wooden view camera is (reportedly) a very interesting experience. Sometimes it is better to be conspicuous than hidden.
Last Edit: June 08, 2013, 12:24:08 PM by jerome_m
David Watson
Sr. Member
Posts: 415
Re: Who is still using film and why?
Reply #3 on:
June 08, 2013, 12:02:43 PM »
Quote from: jerome_m on June 08, 2013, 11:59:46 AM
Film is still the biggest sensor available, so one can use film when one wants the specific look that comes from using a very large sensor. Film also has a specific way to render colour, contrast and grain, so that may be another reason to use it.
About the "large sensor" option: I did not buy a Fuji 680, but a Mamiya RB 67. It is very cheap for the kind of machine it is and the lenses are also quite affordable. One needs to invest some time to change the light seals on old film backs, though.
Interesting point. I will compare my "test" shots (scanned) with the same shot on my 60MP MFD back. thanks for the response.
David Watson ARPS
Scott Hargis
Full Member
Posts: 219
Re: Who is still using film and why?
Reply #4 on:
June 08, 2013, 12:07:10 PM »
I've been bringing a MF film camera (Mamiya RB67) to my interiors shoots for a while, and more recently a 4x5 as well. I build my shots with a DSLR (and that's what I intend to deliver) but when it seems suitable, I then duplicate the exposure with the film camera and shoot a couple of brackets. The job has usually been delivered before I even get the film back from the lab, but I often send the results to the clients anyway. In a couple of cases, they've preferred the film versions, despite what we might otherwise call "flaws" in color or toning.
All of my clients are totally intrigued by this new, wonderful thing called "Film".
I do it because I really learned most of my photography shooting digital, and I feel like I'm lacking something because of it. I think of it as knowing how to do long division, even though there's a calculator on my desk. Also, it's fun. And, the results can be startling!
Sr. Member
Posts: 671
Re: Who is still using film and why?
Reply #5 on:
June 08, 2013, 12:26:57 PM »
Quote from: David Watson on June 08, 2013, 12:02:43 PM
Interesting point. I will compare my "test" shots (scanned) with the same shot on my 60MP MFD back. thanks for the response.
You will probably find out that the MFD back has more detail, less grain and a bit different colours. You will probably not find much difference between the rendering of the different lenses. But some people only have a small digital SLR and using an old medium format film camera is, for them, an easy way to explore a different rendering.
Sr. Member
Posts: 605
Re: Who is still using film and why?
Reply #6 on:
June 08, 2013, 01:42:55 PM »
I shoot MF and LF now, maybe 2-3 rolls/yr of 35mm... Digital has really "overtaken" that realm of my photography
The GX680 system is a wonderful kit to work with. All the front movements are available, and the big 6x8cm negative/transparency allows for wonderfully detailed scans, even from a pro-sumer grade flatbed like a V750.
For LF I use 5x7", for both bw and color. Color film I cut down from 8x10, so a 10sht box of 8x10 now becomes 20 sheets
. I don't print very big(20x35" at max usually, generally in the 11x14 range most of the time), but drum scanning my film allows for the best technical scan possible. Owning my own scanner helps keep costs down long-term as well, and really get the best scan, since I'm the operator.
TBH, I actually *like* film grain. It adds a "sharpness" to the shot, without looking flat and boring. Also, moiré is essentially NEVER possible, unless you have a collimation of certain variables that essentially never come together in the real world, anyhow.
I can also make b&w contact(Azo/Lodima, in amidol) prints from my bw 5x7 negs, and they're still big enough to display pretty much anywhere(matted to 11x14 usually), even tiny little apartments/studios. I used to shoot 8x10, and love the "presence" of an 8x10 contact print(or larger), however the sheer bulk started getting in the way for me. 5X7 is still a nice size negative, and I know I'm not using a point-n-shoot
. The 5x7 proportions to me are also more pleasing than the 45/810 ratio.
I'm not shooting commercially(YET, still cutting my teeth as an assistant here in LA, I'm 25), so getting files to clients asap isn't a necessary evil in the workflow. I'm just shooting for my own enjoyment at present. When I start shooting for others/pay, I'll for sure offer digital 1st, but make it known that I want to squeeze in a few rolls of film, when/if possible. Just as an "alternative" for the client.
Jr. Member
Posts: 85
Re: Who is still using film and why?
Reply #7 on:
June 08, 2013, 03:41:13 PM »
I'm still shooting film exclusively. I have an excellent 67 kit with six primes, along with the requisite polarizing and ND filters for each. Provia 100 has been my choice for more than a dozen years. I shoot multiples at each set-up, including brackets for exposure or for wind. I tripod every frame. Most of my captures are made during the "magic" hour: yes, I like the quality and directionality of the light, but that's also when dynamic range begins to compress, and that's critical when working with transparencies. I drum scan the best of the best at 400 mb and edit with PS for a master file. I frequently print very large pieces. I would like to ease into good digital (envious of that 10-12 stop dynamic range, ability to change ISO each frame, and instant visual verification), and have addressed a number of questions to this forum the past year about possible systems. The issue remains -- my kit is paid for. A comparable digital kit (if possible) would go $10K or much more, and that would be comprised of good used components. So, I'll work through the 15 pro-packs I stockpiled in March, check my Lotto ticket this evening, and continue assembling an idealized DSLR kit in my mind each night instead of counting sheep.
Last Edit: June 08, 2013, 03:50:12 PM by Codger
Full Member
Posts: 234
Re: Who is still using film and why?
Reply #8 on:
June 08, 2013, 05:03:10 PM »
I don't shoot film anymore but I do develop to film. At least My color lab develops to film, I just don't think inkjet prints have nearly the quality of developed film.
Tony Jay
Sr. Member
Posts: 2328
Re: Who is still using film and why?
Reply #9 on:
June 08, 2013, 06:12:23 PM »
Quote from: Codger on June 08, 2013, 03:41:13 PM
...and continue assembling an idealized DSLR kit in my mind each night instead of counting sheep.
You and every other shutterbug in the universe!
Tony Jay
Kirk Gittings
Sr. Member
Posts: 1556
Re: Who is still using film and why?
Reply #10 on:
June 08, 2013, 06:52:27 PM »
I continue to shoot my b&w personal work on 4x5 film-going on close to 100 exhibits since 1972. I just hiked into an archeological site on the Ghost Ranch with it yesterday. All my commercial work is digital color. When I travel by car or plane to out of state shoots I can't bring both so I have trained myself in a pinch to do a decent b&w via stitching files with the DSLR, but I still prefer film. I can do a DC b&w that will hold its own next to a great traditional or digital b&w print but frankly you have a lot of artifacts to deal with if you push the tonalities a lot as I do. I get a better file from filtered film. Also I just like the contrast in methodology to what I do everyday for a living.
Kirk Gittings
Architecture and Landscape Photography
LIGHT+SPACE+STRUCTURE (blog)
Sr. Member
Posts: 8925
Re: Who is still using film and why?
Reply #11 on:
June 08, 2013, 08:31:48 PM »
I am toying with the idea of putting a 11*14 set up together for the fun of it...
A few images online
Sr. Member
Posts: 2517
Re: Who is still using film and why?
Reply #12 on:
June 09, 2013, 01:57:46 AM »
I'm shooting a lot of film these last two years, 120 and 4x5 but added a 5x7. I have really enjoyed it and sort of have caught a bug or something. I'm now also messing with digital negatives to print my digital files. All for personal work, as the turn around is not fast enough for my paid work. I was just shooting mostly tmax 400, but realized I can sometimes do better with portra than my digital backs can do with color at higher iso's anyhow and the look nice - skin seems nicer.
To answer the question about why? Well film is a lot more work in some ways, but then there are no batteries to deal with, no memory cards or laptops to lug around. Film can do things that digital can't easily and I think the larger formats have a look that can't be easily recreated. Black and white analog prints seem to have tone and feel that I can't quite get with digital and inkets too.
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Jason Denning
Full Member
Posts: 234
Re: Who is still using film and why?
Reply #13 on:
June 09, 2013, 02:53:39 AM »
I shoot both colour negative and slide film on my 617 camera and haven't used my digital medium format for a long time, this is because the only way to obtain the same quality from a digital camera is by stitching (80mp digital backs possibly excluded, although I still think film holds up better when printed larger) and the shots I take require straight lines and most of the time it to be taken in one shot that just is not possible yet on digital. Even the digital 617 from Seitz has it's limitations.
It's just the best way to get the best quality in this format in one shot, I can shoot street stuff with this camera!
I also have a specially made cone for a 55mm lens on my 617 which allows me to capture very wide distortion free shots, which is wider than the widest 28mm lens available for the phase one system.
Fotoman 617 with Rodenstock 55mm, 90mm and 180mm lenses
Mamiya 645 Pro TL, and every lens mamiya made.
Sony A7 with 35mm and 55mm Primes
Rob C
Sr. Member
Posts: 12302
Re: Who is still using film and why?
Reply #14 on:
June 09, 2013, 04:04:47 AM »
I don't shoot film anymore though I still have a freezer with a lot of film in it; the reason? I live on an island where film and required chemistry is now as rare as interest from your bank account, where water is in short supply and expensive. But I would if I could.
Just this week, for the hell of it, I shot two digital pics of a red pepper. One I worked up for b/white and another for colour, both for viewing on Internet/computer. In neither case did the result excite me. Both versions took lots of manipulation to look even remotely presentable, and I know that had I shot film the results would have been much more as I'd hoped when I started on the project. There is just something missing in the b/white that takes the guts out of the picture, and the colour one looks stupidly electric. For a veggie? The feeling I get from both pics is that they display the same 'look' with vegetables that digital is renowned for giving to skin in too many model photographs: plastic.
You can see the results in the Hasselfake Fotografs over on the 'critique' section - I won't post them here.
For anyone living in a big city with the facilities, then I'd suggest staying with film for the personal work; it gives you the time to play, and you end up with something that's very versatile after the event.
Anyway, the film cameras are so much more sexy! And organic; if you say organic, then everything is cool.
Rob C
Sr. Member
Posts: 810
Re: Who is still using film and why?
Reply #15 on:
June 09, 2013, 06:40:33 AM »
I posted this last year in a different thread and it still holds true to me. In fact I've invested more into film gear in the last couple of years than digital...
Well, if convenience is your priority then digital no doubt is hard to beat, for me the priority is the end result no matter what. There are many reasons I'm enjoying film again, but the major ones are:
1.) "The look". I see a distinct difference in my film shots, colors are strong but muted (if that makes sense), skin tones are more flattering, and they have an overall more "organic" look to them. There's more really, but it's all very hard to put into words. This is why I think it's impossible to do any film vs. digital comparisons, because people look for, see, and value different things. It's all very personal.
2.) "The experience". For me the experience when shooting film or digital are two very different things, I just enjoy and feel more connected to the craft when shooting film. You could say I'm making images when shooting digital and creating photographs when shooting film, but I'm sure that only makes sense to me. Either way, enjoyment is something that should not be disregarded as it seeps into the image more than you might think.
3.) "The final image". All of the above would not really matter if the end result did not reflect it, but I see results that for me are worth every inconvenience in the world, and then some. And in the end that's all that matters. For me there are things that digital excel with, where for example high volume, speed, and exact reproduction is key. Then there are other things where "feel" is more important and I prefer using film.
Anyway, this is all just my own findings only really applicable to me. I just challenge people to break out of the mindset that digital must be better in every way and replace everything that came before it. I don't really see people in other art forms thinking this way, in fact most other "artists" relish choice and the unique aesthetics it might offer to them, be it a technique, tool or material. But for some reason our field seems hellbent on going the other way, and that worries me.
Sr. Member
Posts: 473
Re: Who is still using film and why?
Reply #16 on:
June 09, 2013, 08:42:09 AM »
Earlier this spring I ran into a large format photographer who was shooting black and white film which he would then scan. I asked if he would have better control shooting color film and converting, but he still preferred black and white. So if you wanted to scan your film and make b/w prints would you use b/w film or color negative? I still have my minolta multi scan pro.
Rob C
Sr. Member
Posts: 12302
Re: Who is still using film and why?
Reply #17 on:
June 09, 2013, 09:00:39 AM »
Quote from: HSakols on June 09, 2013, 08:42:09 AM
Earlier this spring I ran into a large format photographer who was shooting black and white film which he would then scan. I asked if he would have better control shooting color film and converting, but he still preferred black and white. So if you wanted to scan your film and make b/w prints would you use b/w film or color negative? I still have my minolta multi scan pro.
I'd go for b/w film. It's what it's designed and made for doing best.
Having said that, were I looking to hedge my bets and were Kodachrome still alive, that's what I settle upon for people shots.
After I left the industrial photo unit where I was trained, I seldom used colour negative film. People say it is much improved, but old prejudice dies hard.
Rob C
Full Member
Posts: 239
Re: Who is still using film and why?
Reply #18 on:
June 09, 2013, 11:17:34 AM »
I wish Astia was still in production.
My Pentax 645z Review:
My Canon 5DSr Review:
Jr. Member
Posts: 56
Re: Who is still using film and why?
Reply #19 on:
June 09, 2013, 05:32:40 PM »
Buy a back brace at the same time
I had a 11x14 for a while. Fun to work with. Not fun to carry!
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Heads of Laboratories
Jeffrey V. Ravetch, M.D., Ph.D.
Theresa and Eugene M. Lang Professor
Leonard Wagner Laboratory of Molecular Genetics and Immunology
Faculty Bio
Dr. Ravetch dissects the cellular and molecular mechanisms that govern the generation of antibody specificity and the translation of that specificity into cellular responses. By identifying the genetic components that cause immune system cells to respond to specific antibodies, Dr. Ravetch hopes to gain a better understanding of how a functioning immune system protects organisms from invaders, and how a dysfunctional immune system attacks the body's own tissues.
The Ravetch laboratory analyzes systemic autoimmunity in mouse models of certain diseases by investigating the genesis and fate of the pathological antigen-antibody complexes that form and trigger tissue damage. They simplify this complex problem by examining the mechanisms through which immune complexes influence both the afferent and efferent immune responses by interacting with a family of low-affinity surface receptors, the Fc receptors. These receptors are expressed as pairs of activation and inhibitory molecules, providing a mechanism for establishing thresholds for cellular triggering and for terminating the activation response. Disruptions of these pathways have revealed the central role these receptors play in appropriate immune responses.
Dr. Ravetch has shown that inhibitory Fc receptors for immunoglobulin G (IgG) are responsible for maintaining peripheral tolerance; animals without inhibitory Fc receptors develop spontaneous autoimmunity and autoimmune disease. Conversely, a deficiency of activation Fc receptors results in a protective effect, in which mice susceptible to autoimmune disease fail to develop it. But loss of activation receptors does not alter the development of autoantibody and immune complex deposition. Rather, Dr. Ravetch has found that these potentially pathogenic complexes are unable to trigger effector cell responses and are therefore benign. His lab is now investigating the precise cellular pathways engaged by activation receptors via autoantibodies by generating cell type-specific targeted gene disruptions of relevant activation receptors and by identifying the downstream effector molecules responsible. Recent work from the Ravetch lab showed that a sugar attached to IgG antibodies confers their protective ability; they are now working on a synthetic therapy rich in these sugar-linked antibodies.
Another focus in the Ravetch lab is the circuits involved in coordinating the regulation of activation and inhibitory receptors, in order to determine the signals that shift the balance from inhibition to activation. He has demonstrated that removing the inhibitory pathway in vivo, for example, can dramatically increase the potency of a cytotoxic antitumor antibody. This was the first demonstration of antibody-dependent cell cytotoxicity in vivo. Current studies are now aimed at manipulating the inhibitory response to enhance or limit the cytotoxicity of antibodies in vivo to better understand the role these pathways play in protective immunity and their therapeutic potential.
The lab is also working to determine the pathways through which the coupling of innate and adaptive mechanisms are coordinated to initiate an immune response. Two such pathways are currently under investigation: the feedback by immune complexes on antigen presentation and the targeting of selected antigens to restricted follicular locations to initiate T cell independent responses. Using a series of mice deficient in specific Fc receptors and immune complexes designed to selectively engage these pathways, they are determining the role of each in activating or tolerizing presenting cells in vivo.
Work by Dr. Ravetch led to the cloning and mapping of the first malarial parasite chromosome and more recently to the cloning of the first Fc receptor genes. He discovered how immunoglobulin receptors mediate antibody-triggered inflammation and determined the mechanism by which intravenous immunoglobulin causes immunosuppression. He also played a key role in establishing Fc receptor pathways as an essential part of the immune response and in describing the mechanisms of antibody-mediated effector responses.
Dr. Ravetch graduated from Yale University in 1973 and received his Ph.D. in 1978 from The Rockefeller University, where he studied under Norton Zinder and Peter Model. He received his M.D. from Cornell University Medical College in 1979 and completed his postdoctoral research at the National Institutes of Health with Philip Leder. In 1982 Dr. Ravetch joined the faculty of Memorial Sloan-Kettering Cancer Center and in 1984 also became a guest investigator in Rockefeller's Laboratory of Cellular Physiology and Immunology. He was appointed professor at Rockefeller in 1996 and named Theresa and Eugene M. Lang Professor in 1997.
Dr. Ravetch received the Canada Gairdner International Award and the Sanofi-Pasteur Award in 2012, the Coley Award from the Cancer Research Institute in 2007, the American Association of Immunologists-Huang Foundation Meritorious Career Award in 2005, the Lee C. Howley Sr. Prize for Arthritis Research in 2004 and the Burroughs Wellcome Fund Award in Molecular Parasitology in 1986. He is a fellow of the American Academy of Arts and Sciences and the American Association for the Advancement of Science and a member of the National Academy of Sciences and the Institute of Medicine.
Dr. Ravetch is a faculty member in the David Rockefeller Graduate Program and the Tri-Institutional M.D.-Ph.D. Program.
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21 Aug 2009
|Printable version | Email to a friend
|Alchemist Brewpub Update
The Alchemist Brewery and Pub is one of the most popular spots in this area for tourists and residents alike. Anyone who is a beer lover should put The Alchemist on your must-do list (bucket list?). It's located on South Main Street in Waterbury VT.
To keep up with what brewer John Kimmich is preparing, you can subscribe to the blog RSS feed. A recent entry talks about the gluten free offerings as well as other Summer Time Beers. John started preparing gluten free beer and food offerings after his wife and co-owner Jennifer discovered she needs to consume gluten-free products.
The food there is excellent so be sure to give it a try too. Executive Chef Jeff Lang uses a lot of locally grown fresh produce in his imaginative menu which you can look over on the website before you arrive.
(c) 2009 Jeff Connor Grunberg Haus Inn
|Advice , Food , VT Products
|posted by grunhaus at 21:13


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QLogic 8GB Fibre Channel Dual Port PCI-e Host Bus Adapter (HBA) for IBM System x serversPart Number(s)IBM Part# 42D0511IBM Option Part# 42D0510
Overview:The QLogic 8Gb FC Single-port and Dual-port HBA for IBM System x are PCI Express 2.0 x8 8Gb Fibre Channel adapters with SFP+ LC-style connectors. The adapters connect to SFP+ Multimode Fiber SR optical modules. These adapters support 8 Gbps per port maximum bidirectional throughput for high-bandwidth storage (SAN). The PCI Express low profile form factor adapter can be used in either a standard PCI Express slot or a low profile PCI Express slot.
CategoryIBM Option
GenerationFibre Channel
Part Number42D0510
Products ID459495
Device TypeHost Bus Adapter
Form FactorPlug-In Card
Interface TypePCI Express x8
Data Transfer Rate8.5GB/s
[ Manufacturers Specs ]


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Carroll University defends profanity-laced wall on campus
WAUKESHA - Carroll University is defending a school-sanctioned wall covered in some of the vilest words imaginable.
Fraternity Pi Lambda Phi constructed the wall Monday and invited students to write on it names that they have been called throughout their lives.
"The organization wants to help raise awareness about all the prejudice that exists in society today," explained Carroll Dean of Students Theresa Barry. "Then on Friday, between 3:00 and 5:00 in the afternoon, students or community members or whomever will have the opportunity to come and actually tear down that wall."
In the interim, however, a number of Waukesha residents expressed their anger at what they feel is inappropriate language in full view of young children.
"This wall is basically on East Avenue and there's an elementary school right there," one outraged Waukeshan told Newsradio 620 WTMJ's Charlie Sykes. "These kids will have to walk by and see this? I can't believe they would do something like this!"
"When I saw first it, I thought it was vandalism," said a Carroll student who wished to be identified only as Zach. "When you have an elementary school where there are kids who are five or six years old, this isn't like a middle school where the kids may have heard some of those words before. These kids are completely impressionable."
Dean Barry, though, defended the university's decision to allow the project.
"It's allowing for a conversation about how hateful those words are and how we really need to work to eliminate those now," she said. "Our hope is that [the young children who see the wall] would talk with their teachers, their family about it and what those words mean and how awful they are and how using them is so hurtful."
Pictures of the wall:
- Latest


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What is the difference between ながら, がてら and つつ?
Take the 2-minute tour ×
Japanese Language Stack Exchange is a question and answer site for students, teachers, and linguists wanting to discuss the finer points of the Japanese language. It's 100% free, no registration required.
ながら means doing multiple things simultaneously. がてら means to do one thing at somewhere middle along way to doing another. つつ means doing multiple things alongside but not necessarily simultaneously, little by little in turn.
I think the meaning is to drive half the journey (for example) stop for food and then drive again to.the destination.
"We stopped for food on the way here"


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Pacific Ocean Wall
Jay Fiske jugging in space during the first ascent in 1975.
Jim Bridwell pounding iron.
Fred East resting during the first ascent of the Pacific Ocean Wall, 1975.
Jay Fiske napping.
Jay Fiske arriving at the belay.
Fred East in back, Jim Bridwell and Jay Fiske on the Continental Shelf. Note the hammock with foam and spreader bar.
Jim Bridwell working on a topo of the route.
Jim Bridwell during the climb.


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Bastien Lardeux's portfolio, creative UX designer and interactive front-end developer.Bastien LardeuxPosted in Web Design → Portfolio
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This free design is a one page agency psd theme, called Golden. This theme has a great portfolio, timeline, and meet your team sections. It comes in a fully layered psd file and you can edit anything to make it your own.Michael ReimerPosted in Web Design → Design
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Samsara is a Multiple Purpose Responsive WordPress Theme that's fully customizable. You can not only use it to create a unique website for your company service or product, but also create your personal blog or creative portfolio. Samsara is compatible with the WooCommerce plugin that allows you to append an online shop on your website conveniently.Johnny WooPosted in Web Design → Portfolio


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- Home »
- News and Events »
- Semester in Review - Fall 2011
Semester in Review - Fall 2011
It has been an eventful semester at Webb Institute, to say the least. The addition of a new Dean, new professors, and the Class of 2015 has made for some excitement. The Frisbee golf course was especially busy and served as a nice means to socialize with the new members of the Webb community. With the minor earthquake, Hurricane Irene, the infamous "Tree Day," and the October snowstorm, even Mother Nature shook things up. Changes around campus, including new washers and dryers, ceiling fans and dimming lights in dorm rooms, and even a student-motivated renovation of the room adjacent to the pub, contributed to the improved atmosphere at Webb. The student body has appreciated and enjoyed the changes and upgrades that have been made. With the end of the semester approaching, the classroom lights stay lit through all hours of the night. And although Pete's staff and the maintenance crew sometimes greet us with a "Good morning," sometimes it would feel more appropriate to hear a "Goodnight." Students continue to work hard, knocking off their last homework assignments. With the light of Winter Work at the end of the tunnel, finals will soon be all that stand in the way of a much needed break. Before we know it, we will all be returning to our Webb home with new stories and memories, refreshed and ready to start a semester that, for some of us, will be our last.


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Bergere de France
Bergere de France are well known for high quality wool and yarn. Here you will find a beautifully soft range of yarn that we think would be perfect for baby knits. We also carry a range of adorable baby knitting patterns from Bergere de France.
Head back to our main Yarn Store page to choose from more top brands and ranges.


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- Independent
- The Enterprise
- The Recorder
A St. Mary's County commissioner suggested Tuesday putting some local effort into expanding a state road in Great Mills.
Commissioner Todd Morgan (R) raised the idea of county government working with the Maryland State Highway Administration to expand Route 5 in Great Mills.
Morgan said the county's department of public works and transportation could assist in the design and engineering to add one or two lanes to Route 5 from Great Mills Road to Flat Iron Road.
Obviously "the county cannot build the state road," Morgan said Wednesday. The two-lane highway either needs an additional lane or two, he said.
The intersection of Great Mills Road and Route 5 is the scene of evening traffic backups as workers from Webster Field in St. Inigoes move north. Last year, the Maryland State Highway Administration recorded an average daily traffic count there of 17,962 vehicles.
To expand the bridge over the St. Mary's River, which dates back to 1956, would be a significant cost, state road officials previously said.
Commissioner Dan Morris (R) suggested adding Route 5 from Moakley Street to Hollywood Road in Leonardtown to the county's wish list. The State Highway Administration is already studying how to expand the road there.
The average daily traffic count on that stretch of road was 21,982 vehicles last year.


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LEXINGTON, Ky. (6/5/13) – The University of Kentucky Women's Tennis Team was selected to compete in the 2014 Intercollegiate Tennis Association's National Indoor Championships, it was announced on Wednesday afternoon by the ITA.
The Wildcats will be traveling to Raleigh, N.C. for the opening two rounds of the tournament, where the top seed in the regional will be the No. 13 overall seeded Duke Blue Devils, who will host the opening rounds. The three seed in the bracket will be the Tulane Green Wave, with the No. 4 seed in the Raleigh regional being the Columbia Lions.
This will be the Wildcats first appearance in the ITA National Indoor Championships since the 2009 season, when Kentucky advanced to the regional finals in Atlanta, Ga. UK defeated fellow Southeastern Conference member, Alabama, 4-3, before falling to nationally-ranked Georgia Tech, 4-2 in the regional final.
Four SEC teams were selected as host sites for the 2014 season, including the top overall seed in the draw, the Florida Gators. UF joins Texas A&M, Alabama and Georgia as the four teams that will host from the SEC.
The opening two rounds will take place on January 24-27. One team from each regional will advance on to the Sweet 16 at the National Indoor Championships at the Boar's Head Sports Club in Charlottesville, Va., where the University of Virginia Cavilers will serve as the hosts for the championships.
SurfKY News
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Saturday, March 23, 2002Johnson City, Tenn. (March 23, 2002) - East Tennessee State broke out of its four-game losing streak in a big way this afternoon, pounding out a season-high 20 hits and getting a complete-game performance from Donnie Sharp (Oak Ridge, Tenn.) as the Buccaneers took a 15-1 win over Binghamton in the first of a three-game series at Cardinal Park. After taking a 1-0 lead in the first, ETSU (7-12) took care of business early, scoring five more in the second to take control of the contest. Kirk Keithley (Peoria, Ill.) and Brandon Cross (Bluff City, Tenn.) started things off with singles to open the inning. After moving up a base on a ground out, Tim Turner (Marietta, Ga.) brought home Keithley with a ground out to second. Matt Traylor (Knoxville, Tenn.) then doubled home Cross to make it 3-0. After Jeremy Terry (Cumberland, Ky.) singled into the hole at short to put runners at first and third, he and Terry pulled off a double steal to make it 4-0. After a walk to Bryan Crouse (Kingston, Tenn.), Chad Boruff (Knoxville, Tenn.) got the first two of his four RBI on the day, doubling home both runners to complete the scoring. ETSU got to Binghamton (4-11) starter David Eagan for three more in the fifth. Boruff led off with his third home run of the season before the Bucs added two more on a double-play ball with the bases loaded and a Binghamton error. Brandon Cross (Bluff City, Tenn.) added a two-run double in the sixth and the Bucs got four more in the seventh on a solo home run from Turner and RBI singles from Michael Giroud (St. Petersburg, Fla.) and Ryan Hyder (Erwin, Tenn.). Sharp was just that for ETSU on the mound, hurling the team's second complete game of the season, allowing just seven hits, striking out four and walking just one. The only run the Bearcats could muster came in the fourth when Tony Berube doubled with one out, moved to third on a ground out and scored on a single by Tim Collar. Keithley led the ETSU attack with four hits in five trips, scoring three times. Boruff and Terry each had three hits, with Boruff driving in four with a double and home run. T.J. Kowalchuk was the only Bearcat with more than one hit, finishing with a 2-for-4 afternoon. The two teams will finish off their series tomorrow with a doubleheader at Cardinal Park beginning at 1:00 p.m.
|Copyright ©2015 East Tennessee State Athletics. All Rights Reserved.


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In Venezuela, a media landscape transformed
In more than a decade in power, President Hugo Chávez Frías has overseen the transformation of nearly every aspect of Venezuelan society, including the media. When Chávez came to office in 1999, he enjoyed the support of the country's established private media. But the relationship soon soured, and in April 2002 he was briefly deposed in a coup that he alleges was carried out with the support of key media owners. Today, several of the most critical media outlets are either gone or scared into silence, and a vast state media presence echoes the government's positions. By Joel Simon


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Formula that helps manage excess stress and combats stress-related fatigue.
After extended periods of stress, your adrenal glands can become exhausted, creating one of the reasons you feel fatigued. Helps you feel energized and combats stress-related fatigue. Helps you feel your best even on the most stressful day.
Directions for Use: Two capsules daily with meals.
Other Directions: If pregnant, nursing, or taking prescription drugs, consult your healthcare practitioner prior to use.
* Daily value not establishedThese statements have not been evaluated by the FDA. These products are not intended to diagnose, treat, cure, or prevent any disease.
Other IngredientsGelatin, clove flower bud, magnesium stearate, silicon dioxide, and titanium dioxide color.Contains no sugar, salt, yeast, wheat, gluten, corn, soy, dairy products, artificial flavoring or preservatives. All colors used are from natural sources.Free-form concentrate predigested by enzymatic action, creating a highly absorbable form of glandular concentrate.All organs and glands derived from bovine sources.
Pharmaca Integrative Pharmacy is your source for natural health products. Browse our online selection of products from all of the best natural brands, or visit one of our pharmacy locations and talk with one of our licensed practitioners. From natural beauty products and cosmetics to vitamins, herbs and supplements, we offer high-quality natural wellness products for the whole family! Start exploring—shop by brand or by condition to find the perfect natural health products for your body, skin, home and more.
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By: Randy Cruz (@cruzr83)All-Star Guard of the Portland Trail Blazers Damian Lillard announced on his social networks earlier this morning that he ...
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Inspired by all-things-outdoorsy, Herschel Supply Co. creates timeless accessories crafted with modern profiles and a fine regard for detail. A soft spot for small town quaintness and the influence of utilitarian vintage gear—from mountaineering equipment to notepads—informs every design. The Dollarton Wallet is perfect for carrying any loose change, and features a sleek, full grain leather design.
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Welcome to The Rug House, we stock a wide selection of high quality rugs and offer the best prices available in Ireland and the UK.
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St. Thomas began offering classes in 1987 at a remodeled department store in downtown Minneapolis. In fall 1992, the university opened a permanent, $25 million, 150,000-square-foot campus at 1000 LaSalle Ave. The building, named Terrence Murphy Hall in May 2000, is headquarters to the Opus College of Business. Today, St. Thomas has become one of the top colleges in Minneapolis.
Directly across the street from the Terrence Murphy Hall is Opus Hall. The $14.5 million, four-story, 100,000-square-foot building opened in summer 1999 and is home to St. Thomas' School of Education. During summer 2009, the Graduate School of Professional Psychology moved from Terrence Murphy Hall to Opus hall. Connected to Opus Hall is a K-12 magnet school opened in 1999 by a consortium of nine Minneapolis area school districts. The city of Minneapolis owns a 640-car parking ramp under the two buildings.
The University of St. Thomas School of Law began operations in Terrence Murphy Hall in fall 2001; in then moved to the School of Law building located on the block south of Terrence Murphy Hall in 2003.
Artist Mark Balma created one of the largest frescoes in the United States on the arched ceiling of Terrence Murphy Hall's atrium. The seven-panel, 1,904-square-foot fresco was completed in the summer of 1994 and portrays the seven virtues discussed in the writings of St. Thomas Aquinas, the university's patron. The fresco was featured on "CBS Sunday Morning" and was the subject of a nationally broadcast PBS documentary in 1999.