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BIBLE MEDITATION: "No temptation has overtaken you but such as is common to man; and God is faithful, who will not allow you to be tempted beyond what you are able, but with the temptation will provide the way of escape also, so that you will be able to endure it." 1 Corinthians 10:13 (NASB)
DEVOTIONAL THOUGHT: Everyone has to deal with temptations at one time or another, so you don't need to feel embarrassed if you're facing a particular temptation right now. But at the same time, you don't have to succumb to temptation, because it is something you can overcome! All temptations can be beaten! You just have to make up your mind that you're going to be the conqueror and not the conquered! You may not have thought of it before, but the devil tries to lure you into sin by using your mind and emotions. He injects thoughts into your mind and emotions that act as stimulants to get you all stirred up in a certain area of your life. At that moment, you are consciously aware that you can let the temptation pass you by - or you can allow those thoughts to fester in your mind and take root in your emotions until they become a major stronghold in your mind to battle and conquer. By refusing to accept the thoughts in the first place, you can avoid the whole struggle!
It's similar to a sexual temptation. You can choose to turn and look the other way, or you can dwell on that temptation until it fills your mind and imagination. If you choose to meditate on the thought that the devil is trying to put into your head, it won't be too long until the devil is waging a full-scale battle in your mind! If you don't put on the brakes and stop those thoughts, the devil will conquer you. That's why it's so important that you learn how to control your thinking. If you can keep your mind under the control of the Holy Spirit, you will make it almost impossible for the devil to defeat you in any realm of your life. The devil is a master when it comes to mind manipulation. He knows that if he can get you to spend a little time meditating on something wrong, he can eventually entice you to do it! If the devil was persuasive enough to deceive brilliant, mighty, powerful angels, how much more easily can he deceive people who live in a far-from-perfect environment and wrestle daily with their own imperfections! The emotional makeup of human beings makes them even more susceptible to the devil's masterful skills of lying, deception, and manipulation. Satan watches for the right timing. He comes along at an opportune moment. He waits until you're tired, weary, or exasperated. Perhaps you woke up in a bad mood; someone gave you a "look" you didn't like; or you just started off your day on the wrong foot. Then suddenly he strikes you with a thought - something that takes you totally by surprise when your guard is down! When negative thoughts begin to deluge your mind, you need to know that it is Satan setting a trap in front of you. He is trying to ensnare you so he can cripple and devastate both you and the people you love. He's trying to get you to bite the bait so he can set the hook! But you don't have to fall into this trap anymore! If you really want out of this type of emotional quandary, there is a way out. First Corinthians 10:13 promises, "There hath no temptation taken you but such as is common to man: but God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation also make a way to escape, that ye may be able to bear it" (KJV).
ACTION POINT: Millions of Christians are held captive because they will not take the leap through that escape hatch. As a result, they have no joy, no peace, and no victory in their lives. They may be Christians, but they're miserable because they haven't made the choice to jump through the escape hatch God has provided for them and leave all those negative temptations and garbage behind. If you'll say yes to the Lord, He will show you how to walk out of this mess! You can avoid, evade, dodge, elude, shake off, get out of, and break away from every temptation! You are the only one who can choose to walk out of those killer mental attacks or negative situations. The moment you make that decision, your journey to freedom has begun! So today the Lord is asking you: "Are you going to stay the way you are right now, or are you willing to take the proper steps to escape from this emotional temptation and demonic trap?" What is your answer? What are you going to do? God is waiting for you to decide if you will receive the freedom He is offering you or remain a hostage for the rest of your life. The choice is yours to make.
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Davy Jones
Levon, Whitney, Robin: Saying Farewell To Those Who Passed In 2012
As we say farewell to 2012, we honor the legendary artists who we lost this year. Whitney Houston 1963 – 2012 One of the world's best-selling music artists, Whitney Houston sold over 170 million albums, singles […]
Surviving Monkees Reunite For Tour After 15 Years
Following the death of Monkees vocalist Davy Jones back in February due to heart attack, the band's surviving members will kick off a 12-city tour this November.
Monkee Micky Dolenz Still In Shock Over Davy Jones' Death
It's been nearly four months since the surprising passing of Monkees singer Davy Jones. While many have begun to move on, some are still feeling the effects of his absence, including his former bandmate and […]
The Music World Reacts to Davy Jones' Passing
Yesterday, the music world suffered a great loss when Davy Jones of The Monkees passed away. We went around the horn in the CBS Radio universe, and here's what some of our DJs and program […]
Top Five Monkees Songs [VIDEOS]
With the sudden passing of Davy Jones, we decided what better way to honor the iconic singer than with the Top Five Monkees songs of all time.

subset: commoncrawl


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In each bi-monthly episode of DiResta (every other Wednesday at 2pm PT), artist and master builder Jimmy DiResta (Dirty Money, Hammered, Against the Grain, Trash for Cash) lets us into his workshop, to look over his shoulder while he builds whatever strikes his fancy. On this episode of DiResta, Jimmy sews himself up a classic canvas and leather tool bag. – Gareth Branwyn
- Canvas material (approx. 1 yard, $6)
- Leather material (about 4 square feet, $30)
- Juki industrial sewing machine (used, about $400)
- Vintage Wiss scissors (flea market find, about $20)
- Metal ruler, tape measure
- Sharpie marker
- Spray adhesive (optional)
Jimmy's Notes:
Fifteen years ago, in NY's Lower East Side, I shared a studio space with Agatha Blois. When it comes to custom clothes, Agatha is at the top. She was my sewing teacher, introduced me to the "industrial sewing machine," and guided me through my early sewing projects. Now I keep a Juki sewing machine in my shop. It's great to have for creating your own phone case, fixing your motorcycle cover, customizing your pants (I plan on making a video of me modifying my pants soon), or in the case of today's vid, sewing up a specialized tool bag. I encourage all of my students to learn how to sew. Once you learn some of the basics, you can have fun and experiment. I think learning how to sew is a must for all makers!


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A Seattle couple has donated $3.3 million to the University of Idaho to benefit faculty, students and facilities. The gift, from husband and wife Tom Alberg and Judi Beck, will establish the University's first fully funded endowed chair, a pair of graduate student fellowships, establish a separate faculty excellence fund and pay for costs associated with the construction of a new classroom building at the university's Franklin H. Pitkin Forest Nursery in Moscow.
"This generous gift from Tom and Judi is a landmark moment for the University of Idaho," said former President M. Duane Nellis. "Their philanthropic kindness and engagement in our continued vision as a national research university is inspiring."
The recipient of the new Tom Alberg and Judith Beck Chair is professor Anthony S. Davis in the College of Natural Resources. Davis directs the college's Center for Forest Nursery and Seedling Research in Moscow. He is a professor of native plant regeneration and silviculture in CNR's Department of Forest, Rangeland and Fire Sciences.
"It's a real honor to be the first fully funded endowed chair at the University of Idaho," said Davis. "This is a great opportunity. We are recognized regionally, nationally and internationally for having a strong program in forestry and this really helps put a spotlight on some of what we do."
"Having a named endowed chair allows the University to attract and retain the finest faculty members to our university and programs," said Nellis. "Anthony S. Davis is a leader in his field and a leading faculty member in his department and the college."
The donors said one reason they chose to give to the university is because they appreciate the quality education their son, now a senior, has received at the University
of Idaho.
$2 million will fund the endowed chair in perpetuity
$1 million will fund two new graduate fellowships for a ten-year period: Each fellow will spend one year in residency at the Oxbow Center for Sustainable Agriculture and the Environment, a nursery in Carnation, Wash. and a second year of residency on campus. Funding will also support research expenditures, faculty advising and travel.
$225,000 will cover costs associated with constructing a new classroom building at the Franklin H. Pitkin Forest Nursery to support research, teaching and nursery operations.
$100,000 will create an endowed faculty excellence fund in the College of Agriculture and Life Sciences.
In addition, the Oxbow Graduate Fellowships will enable the college to attract top-tier graduate students whose education will include first hand knowledge of the commercial side of their profession, said Kurt Pregitzer, dean of CNR.
Tom and Judi have named the new classroom the Thomas L. and Teita E. Reveley Classroom Building, pending state board of education approval. Tom and Teita Reveley are donors to university, supporting the College of Natural Resources and other programs.
Chris Murray, vice president of University Advancement, said the couple's generous gift brings total contributions to the Inspiring Futures: Invest in the University of Idaho campaign to nearly $180 million. The campaign aims to bring in $225 million by the end of 2014, the 125th Anniversary of the university's founding.
Read more stories or visit the College of Natural Resources' website.


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En español | Using their own ingenuity and automated programs that target thousands of computers simultaneously, hackers can quickly crack many simple passwords and break into online accounts. And once they sign in as you, they may change the password, locking you out of your own account.
One study finds that a successful hacking attack occurs about every 39 seconds. But in just a few seconds of your own, there are some ways you can strengthen your password for better online security.
12 is the new 8
As cyber crooks hone their skills, the traditional recommendation that passwords contain at least eight characters has changed. Passwords should now be at least 12 characters, say researchers at the Georgia Tech Research Institute. In their tests, they learned that eight-character passwords can be cracked in about two hours, but adding just four additional keystrokes to a password could raise that to a theoretical 17,000 years.
Small tweaks, big results
Longer passwords are a good first step, but even more important is making each character count. And yet one recent survey found that half of 2,500 surveyed computer users never employ symbols such as &, >, # or @ in their passwords. Worse, many still only use lowercase letters or just add numbers at the end of words, such as the foolish and easily hacked "password123."
In one study, a British researcher noted that bolstering an all lowercase eight-character password with a few well-placed symbols, numbers and a combination of upper- and lowercase letters would take commercial hacking software about 200 years to crack.
Steps like these serve to blunt the hackers' software, which works by trying various versions of words in an English dictionary and even combinations of them.


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Rooftop Filmmakers Fund Grantees, 2007-2012
View: 2013 | 2012| 2011 | 2010 | 2009 | 2008 | 2007
The 2012 Grantees were:
AT&Twas the presenting sponsor of Rooftop Films 2012 Summer Series, and the AT&T Feature Film Grant. "AT&T is thrilled to support independent artists with this Rooftop filmmaker grant," said Marissa Shorenstein, President, AT&T New York. "Filmmaking is important to New York both culturally and economically and our commitment has extended even further by presenting Rooftop's 2012 Summer Series which builds audiences for the independent and emerging artists who are essential to making New York the culturally rich place that it is." For this grant, AT&T will award one filmmaker $10,000 cash for their feature film, at a critical stage of production. The 2012 recipient is:
Bill and Turner Ross | Western
Bill and Turner Ross' third feature film will be documentary portrait of the modern frontier. Augmented by the lives of a cross-section of residents in and around Eagle Pass, Texas, we will get a sense of the symbiosis inherent in a border community. The stories, experiences and daily trials of these people will provide a real glimpse at life along the U.S.-Mexico border. Viewers will be given the chance to explore the world behind the curtain of sensational news coverage and stereotyping. Rooftop screened the Ross brothers award-winning documentary 45365 in 2009.
Founded in 1972, DCTV is an established media arts resource for NYC's independent filmmaking community. DCTV provides affordable workshops, production equipment rentals, post-production facilities, a signature screening series, renowned youth programming, and more – all under the same roof as its award-winning documentary production house. DCTV Post provides independent filmmakers edit, color correction, and mastering suites with the highest quality service at the lowest possible cost. For this grant, DCTV will provide our color correction/mastering suite for one feature film for up to 12 days. The 2012 recipient is:
Tony Gerber and Maxim Pozdorovkin | The Notorious Mr. Bout
On March 6, 2008, four men meet in a Bangkok hotel to discuss a $25 million arms deal. But two of them are undercover agents, and the conversation is secretly recorded. When officers raid the conference room, Viktor Bout, the world's most famous arms dealer, is handcuffed and put up against the wall. He famously mouths the words, "game over." That's where this documentary begins, with unprecedented behind-the-scenes footage from officials and Bout himself. Rooftop screened Gerber's documentary Full Battle Rattle in 2009.
Since 1999, Brooklyn-based Eastern Effects has been providing Lighting & Grip Equipment rentals for Independent Feature Films, Television Productions, Corporate & Industrial Videos, Student Filmmakers, and Live Broadcast. In 2012, they opened Eastern Effects Studios and now offer NYS Level 2 Qualified sound stages, production offices, and support services to the film community. For this grant, Eastern Effects will award 30 days of lighting and grip equipment to one feature-length film. Past recipients included Benh Zeitlin's Beasts of the Southern Wild , Andrew Semans' Nancy, Please , and Lee Isaac Chung's Lucky Life. The 2012 recipient is:
Allison Bagnall | Funny Bunny
In this off-beat comedy, a compulsive do-gooder (Kentucker Audley) and a trust fund man-child (Olly Alexander) embark on a slipshod quest to vie for the heart of an afflicted but beautiful factory-farming activist (Kate Lyn Sheil) whom they have never actually met. Rooftop screened Bagnall's film The Dish and the Spoon in 2011.
Edgeworx Studios is a post-production house based in Manhattan. With a sixteen-year track record, Edgeworx provides full service production and post-production. Their areas of expertise include motion graphic design, animation, VFX, editorial and finishing. For this grant, Edgeworx will provide 1-2 weeks of post-production services to one feature-length film. Past recipents included Ian Cheney's The City Dark , Sean Durkin's Martha Marcy May Marlene , and David Lowery's Ain't Them Bodies Saints. The 2012 recipient is:
Shaka King | Newlyweeds
Lyle is a repo-man, an often perilous and/or heart breaking enterprise. His sole companion is his girlfriend Nina, an unemployed, capricious, dreamer. To dull the stress of their daily lives, they self-medicate with marijuana. But what should be a match made in stoner heaven turns into a love triangle gone awry in this black comedy about addiction. Rooftop screened two of King's previous films, Clockwork (2006) and Herkimer DuFrayne, 7th Grade Guidance Counselor (2011).
Rooftop Films strives to support as many filmmakers as possible. This year, one film had a particular need for generators for nighttime shooting. Through the Rooftop Equipment Rental program, we are pleased to be able to help one additional film through a special grant. The 2012 recipient is:
Jeremy Saulnier | Blue Ruin
In this realistic horror / thriller, when a reclusive vagrant returns to his childhood home to carry out an act of revenge, he uncovers a terrible truth about his past and finds himself in a desperate fight to protect his estranged family.
Rooftop screened Saulnier's Goldfarb (1999) and Murder Party (2007).
The Adrienne Shelly Foundation is a 501c3 non-profit organization dedicated in loving memory to the uniquely gifted actor and filmmaker Adrienne Shelly, whose highly accomplished life was tragically cut short November 1, 2006. ASF supports the artistic achievements of female actors, writers and directors through a series of scholarships and grants, providing recipients with financial support and consultative access to the Foundation's advisory board of actors, directors, producers, composers, law, publicity, academic and trade professionals. Reflecting Adrienne's spirit, generosity, courage and whimsy, its goal is to recognize the tremendous passion and commitment of women artists in creating their own work, and provide them with support and guidance particularly during periods of transition and struggle. For this grant, we will award one $3,000 grant to a female director.The 2012 recipient is:
Talibah Newman | Sweet Honey Chile'
Sweet Honey Chile' is a film about a young boy who is larger than life, but is trapped within the confines of an absurd, suffocating world. Though weighed down by the trappings of poverty, Honey tries to help his short-fused and short-sighted mother deal with her grief. Newman's previous film, Busted on Brigham Lane, played at Rooftop Films in 2012.
DCTV Equipment Rentals is one of the only rental houses that does not require production insurance and is open 7 days a week, striving to make otherwise expensive pro camera, lighting and audio gear accessible. DCTV Workshops provide over 200 hands-on workshops in video production, post-production, producing, and graphic & web design each year, taught by working industry professionals in an intimate and interactive environment. For this grant, DCTV will provide 2-3 weeks of production equipment and workshop enrollment to two filmmakers making short films. The 2012 recipients are:
Jesse Moss | Reality Party
A documentary about a group of Southern California teenagers who get together and have a party. Then the parents show up. And the cops too. But this party is different. It's a "fake" party, to show parents what actually happens at teenage parties. But for Jace, the "director," the experience is a kind of existential nightmare, forcing him to revisit his own painfully awkward teenage years again and again. Rooftop showed Moss' documentary Full Battle Rattle in 2009.
Julia Pott | Neighbors "Diamonds"
In this endearing narrative music video, a trapped little boy and a wounded girl flee to the ocean as their bodies splinter into brightly colored glitter, in a parable about the brevity of life and the need for adventure. Rooftop previously screened Pott's animated films Howard (2011) and Belly (2012).
We believe that short films do not receive the attention they deserve in the world of film, and that all too often even a festival which prominently includes short films does little for the filmmaker in the long run. For the short film grants, Rooftop Films earmarks one dollar from every regularly-priced ticket sold and every submission fee received for the Filmmakers' Fund. Every year, filmmakers whose movies have screened at Rooftop Films are eligible to apply for grants for their future productions. We believe that instead of giving each filmmaker ten dollars, giving away a few larger sums (up to $3,000) toward specific projects is a better way to help the filmmakers and the independent filmmaking community in general. Past recipients have included Johannes Nyholm's Las Palmas , Kelly Sears' Once It Started It Could Not End Otherwise , Emily Carmichael's Ledo and Ix Battle Epically , Sara Zia Ebrahimi's Norman Schwartzkopf Made Me Gay , Moon Molson's Crazy Beats Strong Every Time , James M. Johnston's Knife , Dustin Guy Defa's Family Nightmare , Don Hertzfeldt's I Am So Proud of You , and many others. The 2012 recipients are:
Mauricio Arango | We Won't Always Be Hyenas
Set in El Salado, Colombia, a town that underwent one of the most vicious massacres in recent Colombian history, this film will mix fictional and documentary elements showing how these peoples' lives have been impacted by such an event. Scripted in a non-linear fashion, the film explores the ways in which violence permeates and shatters every aspect of one's life. Rooftop showed Arango's film The Night of the Moon Has Many Hours (2012).
Stephen Irwin | The Obvious Child
The Obvious Child is an animated film about the complicated relationship between a pet rabbit and his troubled young owner. The film explores childhood delusions and the confusion that religion can cause in a developing mind. Irwin's previous film, Moxie, played at Rooftop Films in 2012.
Nellie Kluz | Gold Party
Gold is a commodity that thrives in uncertain economic climates; rising gold prices over the past few years have created a boom industry around precious metal scrap. Gold Party watches two gold scrap dealers at work: Kate, an entrepreneur and bodybuilder who buys gold from women at home parties, and Roy, who works long hours processing metal in a small Boston office. Kluz's previous film, Young Bird Season, played at Rooftop Films in 2012.
Edwin Martinez | The Last Doo Wop
Set in El Salado, Colombia, a town that underwent one of the most vicious massacres in recent Colombian history, this film will mix fictional and documentary elements showing how these peoples' lives have been impacted by such an event. Scripted in a non-linear fashion, the film explores the ways in which violence permeates and shatters every aspect of one's life. Rooftop showed Arango's film The Night of the Moon Has Many Hours (2012).
David and Nathan Zellner | Part-Time Jobs
Part-Time Jobs is a short film amalgamation involving a parallel dimension the filmmakers discovered as children. Rooftop has screened numerous Zellner films, including Kid-Thing (2012), Sasquatch Birth Journal 2 (2011), Quasar Hernandez (2007) and more.
Eastern Effects is film production rental house based in Brooklyn. Since 1999, Eastern Effects has been providing Lighting & Grip Equipment Rentals for Independent Feature Films, Television Productions, Corporate & Industrial Videos, Student Filmmakers, and Live Broadcast.For this grant, Eastern Effects will award 30 days of lighting and grip equipment to one feature-length film. The 2011 recipient is:
Gillian Robespierre | Obvious Child
In 2010, Rooftop showed Gillian's short film of the same title, and helped place her feature screenplay in IFP's Emerging Narrative showcase. The story follows Donna—to be played by former Saturday Night Live cast member Jenny Slate—a young woman living in Brooklyn who has just had her heart broken, and after a spontaneous one-night stand, finds that she's pregnant. The film comically follows Donna dealing with an unplanned pregnancy and her post (post) graduate struggles. The idea of adulthood paralyzes Donna, and a world without fart jokes is very scary world to her. But as Donna's mother and best friend share their experience with abortion, we realize that this irreverent comedy is also addressing a serious subject. Because while parts of Donna's life may seem bleak, she is an uplifting, funny character, and a joy to watch fumble around, make mistakes, and in the end realize she is exactly where she needs to be. Finally, on her way to the clinic, she happens to run into Sam, the one-night stand who put the proverbial bun in her oven. What follows is a great first date in an unlikely location, an abortion, and a happy ending for all. http://gillianrobespierre.com/Site/Obvious_Child.html
Edgeworx Studios is a post-production house based in Manhattan. With a fifteen year track record, Edgeworx provides full service production and post-production. Their areas of expertise include motion graphic design, animation, VFX, editorial and finishing. For this grant, Edgeworx will provide 1-2 weeks of post-production services to one feature-length film. The 2011 recipient is:
David Lowery | Ain't Them Bodies Saints
Rooftop screened David's short films "A Catalogue of Anticipations" and "Pioneer," and his debut feature, "St. Nick." "Ain't Them Bodies Saints" is a fiction feature that plays upon the mythology and imagery of the Western to tell an intimate story of hubris and redemption. Set roughly in the late 1970s, the film tells the tale of a renowned outlaw named Bob Muldoon, who escapes from prison after being incarcerated for a string of crimes all across the Southwest. He hightails it to his hometown in the Texas hill country, settles down in an abandoned farmhouse, and plans to call on his wife, Ruth, who years ago was his partner in crime. They now have a daughter, a little girl who was born while he was prison, and Muldoon's plan is to reunite with the two of them and steal away to the North to start new lives together. He wants to be the man in their life, to provide for them. To be the good father he never had. What he doesn't count on, however, is that Ruth has moved on. http://atbsfilm.com/
The Adrienne Shelly Foundation is a 501c3 non-profit organization dedicated in loving memory to the uniquely gifted actor and filmmaker Adrienne Shelly, whose highly accomplished life was tragically cut short November 1, 2006. ASF supports the artistic achievements of female actors, writers and directors through a series of scholarships and grants, providing recipients with financial support and consultative access to the Foundation's advisory board of actors, directors, producers, composers, law, publicity, academic and trade professionals. Reflecting Adrienne's spirit, generosity, courage and whimsy, its goal is to recognize the tremendous passion and commitment of women artists in creating their own work, and provide them with support and guidance particularly during periods of transition and struggle. For this grant, we will award one $3,000 grant to a female director. The 2011 recipient is:
Sarah Daggar-Nickson | A Light in the Night
Rooftop screened Sarah's short film Dead Handsin 2011. In her new short, in the woods, in the middle of the night, a girl is running for help. She sees a light and is drawn to an old house. Inside is a young man lost in mourning. She discovers the boy's mother has committed suicide. He has given up on life because he believes the world to be a dark and perverse place. The girl is in danger, but she has a secret- one that could save the boy or destroy him.
We believe that short films do not receive the attention they deserve in the world of film, and that all too often even a festival which prominently includes short films does little for the filmmaker in the long run. For the short film grants, Rooftop Films earmarks one dollar from every regularly-priced ticket sold and every submission fee received for the Filmmakers' Fund. Every year, filmmakers whose movies have screened at Rooftop Films are eligible to apply for grants for their future productions. We believe that instead of giving each filmmaker ten dollars, giving away a few larger sums (up to $3,000) toward specific projects is a better way to help the filmmakers and the independent filmmaking community in general. The recipients are:
Anna Farrell | Man on Mars
Rooftop screened Anna's feature documentary "12 Ways to Sunday" in 2010. "Man on Mars" is a short documentary dreamscape into the mind of A.O., an exceptional yet underprivileged 17-year old from Brooklyn, New York. Utilizing hyper-stylized scripting by the subject himself, the film takes on a dream-like state as it sways seamlessly between fiction and non-fiction. Refusing the fate imposed on him by the external world, A.O. is ready to make the ultimate sacrifice for science and for his country. Without worrying about a way to get back to Earth, A.O. stares directly into the camera, "I am Alfred Omega, and I am going to be the first man on Mars."
Lucy Walker | The Tsunami and the Cherry Blossom
Rooftop Films screened Lucy's documentary feature "Wasteland" in 2010. Survivors in the areas hardest hit by Japan's recent tsunami find the courage to revive and rebuild as cherry blossom season begins. A stunning visual poem about the ephemeral nature of life and the healing power of Japan's most beloved flower. Directed by Academy Award Nominated filmmaker Lucy Walker (Waste Land), featuring photography by Aaron Phillips and music by Moby.
Zachary Volker | I'm Not Nothing
Rooftop showed Zach's films "Wounded Man" and "Disappearance" in 2011. "I'm Not Nothing" is a modern-day crime film about our desperate recession-era existence. The film centers on Bill Ellis, an unemployed businessman who is overwhelmed with exorbitant student loans, credit card debt, and late mortgage payments (resulting in an impending foreclosure on his house). By happenstance, he finds himself in the company of a passed-out criminal and a case full of money and bizarre photographs. What follows—his decision to steal the bag; a violent scuffle; a succession of sophomoric (and humorous) criminal behaviors; and an ever-deepening hole he finds himself falling into—marks the beginning of a different life for Mr. Ellis.?
Todd Chandler and Jeff Stark | The Seeds
Rooftop screened Todd's feature "Flood Tide," and the short "Let Them Believe," the first in a series of films about artists trying to make sense of massive ecological disasters. This new chapter tells a partly fictionalized story of artist and amateur scientist Ian Page and his delivery to the Svalbard Global Seed Vault off the coast of Norway. Unable to gain access to the Vault, Page takes an ice-class expedition sailing vessel even further into the Arctic Circle in search of another place store his precious cargo. Photo credit: Mari Tefre/Global Crop Diversity Trust
The 2010 Grantees were:
Andrew Semans | Nancy, Please
"Nancy, Please" tells the story of Paul Brawley, a young, gifted, aimless PhD candidate at Yale. Paul has just moved into an apartment with his competent, pragmatic girlfriend, Jen, and is struggling to complete his dissertation before embarking on a career in academia. Adulthood looms; responsibility beckons. There's just one snag: as Paul is unpacking his belongings, he discovers that he has left behind a seemingly inconsequential object that Paul feels is of great importance to his dissertation and, therefore, to his future. He will have to retrieve it from his former roommate, the obstinate, casually sinister Nancy. Caught between an impatient girlfriend and an equally impatient thesis advisor, Paul starts to lose his grip. His annoyance turns to rage and then to obsession. Unable to accept his "defeat" at Nancy's hands, Paul rushes headlong into a thresher of emotional torment and physical punishment. His life will get much, much worse before it gets better. From the director of "I'd Rather Be Dead Than Live in this World" and "All Day Long," both of which played at Rooftop, and shot by Eric Lin ("The Exploding Girl"), "Nancy, Please" is a trenchant genre-bender that combines heightened naturalism with elements of the macabre and surreal. Relentless and darkly comic, the film dramatizes how a seemingly mundane conflict can – in the proper psychological soil – evolve into something dangerous and explosive, and how passivity and misplaced idealism can lead to horrific consequences.
T. Sean Durkin | Martha Marcy May Marlene
Haunted by painful memories and increasing paranoia, a damaged woman struggles to re-assimilate with her family after fleeing an abusive cult. After being gone for 3 years, Martha returns home to live with her sister and her sister's husband. Martha's brainwashed social views and her loss of normal human behavior make it impossible for her to connect with her family. As her isolation grows, so does her severe paranoia. In an attempt to explore her recent past and make sense of the cult life she has escaped, Martha enters into a dizzying state of confusion where no one can be trusted and the escalating fear that the cult is hunting her, grips her every move. Based on the true story of an escapee from the Manson cult, this quiet psychological thriller comes from the director of the Cannes-award winning "Mary Last Seen." Shot by Jody Lee Lipes ("Tiny Furniture"), one of Filmmaker Magazine's "25 Faces to Watch," and edited by Zachary Stuart-Pontier ("Catfish"), "Martha Marcy May Marlene" was a participant at the Sundance Filmmaker Labs. www.blfilm.com
Eva Weber | Black Out
Set in Equatorial Guinea, this evocative and poignant documentary will show the struggle of a number of young children to reconcile their daily lives in one of the poorest countries in the world with their desire to learn. Only about a fifth of Guinea's 10 million people have access to electricity and even those that do experience frequent power cuts. The average Guinean consumes 89 kilowatt-hours per year--equivalent to running an air conditioner for four minutes a day. Students have discovered G'bessi International Airport at the outskirts of Conakry. As the sun sets over the capital, hundreds of elementary and high school students head to the airport, hoping to reserve a coveted spot under the oval light cast by one of a dozen lampposts in the parking lot. The film will join a number of children on their track to the airport and spend the night with them at the airport until they go back home. "Black Out" is a tale about the myths of globalization--an international airport brings empty promises of prosperity, but these resourceful children are desperate to gain an education. Weber's previous films at Rooftop were "City of Cranes" and "Steel Homes," which appeared on the Channel 4 and POV, and played at festivals including Sundance, IDFA and Silverdocs.www.oddgirlout.co.uk
Kelly Sears | Once It Started It Could Not End Otherwise
Part disaster film, part Freudian animation, "Once It Started It Could Not End Otherwise" is a collage animation made from early-mid 1970s high school yearbooks. A series of absurd and horrible disasters strike this American high school that eerily mirror larger political and social markers of the time - the final days of the Vietnam War, the Watergate scandal, doomed cults, frenzied meditations and underground radical groups. These catalysts set in motion an unsettling chain of events that overtake this high school one extra curricular activity at a time. This cinema verité styled film echoes a larger sense of trepidation, collapse and mania that not only characterized this time, but resonates in the current cultural climate as well. Sears has screened multiple films at Rooftop, including "The Drift," "Devil's Canyon" and "Voice on the Line," which have also appeared at venues around the world, including at Sundance, the Los Angeles County Museum of Art and the San Francisco Museum of Modern Art.
Emily Carmichael | Ledo and Ix Battle Epically
"Ledo and Ix Battle Epically" is the third film about Ledo and Ix, two adventurers in an old-school fantasy video game. This film centers particularly on Ledo, the tiny 8-bit heroine who has been obsessively upgrading her weapons and tirelessly honing her attacks, all in preparation for great battles that have never materialized. In the first two Ledo and Ix films (both shown at Rooftop) she strode boldly into the void and found only the other side of the void, and boldly approached a blot on the map that might have been brain fungus but instead was a stupid town, offering only the promise of stupid human interaction. Ix was really excited about that. But Ledo doesn't want human interaction. Frankly, she gets enough of that from Ix. What she wants is to do some damage. In this third film in the series, it looks like she'll get a chance to do just that. But, since the early 90's video game that our heroes inhabit is extremely primitive, it's likely to go worse and more hilariously than Ledo hopes. Carmichael's films have appeared at Slamdance and SXSW, among others. www.kidcandrive.com
Johannes Nyholm | Las Palmas
Marja, a middle-aged woman is by herself on a holiday in the sun. We follow her one day from morning to night. She makes clumsy attempts to approach other people but is constantly rebuffed. At a bar she makes overtures to the guests and staff, gets drunk and dances on the tables. She then turns out to be broke and not able to pay the bill. She visits the beach, swims out to an empty boat out in the sea. Falls asleep. She awakens, burnt by the sun. And there, on the edge of the boat, finally finds a friend: a seagull. They sing together. From the renowned Swedish animator of "Dreams from the Woods," this classical narrative of loneliness is complicated by the method used: the role of the middle-aged woman Marja will be played by a toddler, the other characters by marionette puppets. The choice of a one-year old in the lead role adds a delightful comic effect, an irrational, unbridled element that is impossible to direct. The film thus becomes both a documentary depiction of a small child, and a depiction of a much older woman's humiliation and exclusion. Nyholm's previous two films have premiered at Cannes, and his work is supported by the Swedish Film Institute. www.johannesnyholm.se
Christopher Miner | Don't Kill Your Son's Life
"Don't Kill Your Son's Life" is reflective documentary about the birth of Miner's first son and his first year of having a child. This direct and poignant style follows Miner's other work, as seen at Rooftop, including "Between Me and the Earth," about loss of virginity, making a commitment to one person, loss of faith; and "Every Other Girl In the World," addressing the early days of marriage, regret and past relationships. The film includes hours of footage shot before his son was born, during the actual birth, and throughout his first eleven months, and also incorporates other issues/events, including Miner's own father being diagnosed with bone cancer, a fanatical five-year-old child preacher from Mississippi, Miner's somewhat serious mental breakdown over the past year following his refusal to take anti-depressant medication, and finally Miner's newfound joy/obsession with writing raps set to country music about death and pornography. Represented by Mitchell-Innes + Nash Gallery, Rooftop is proud to support this daring artist's next move in the independent film world.
The 2009 Grantees were:
Ian Cheney | The City Dark
The night filmmaker Ian Cheney moves into his apartment in New York, he pulls his grandfather's old telescope onto a Brooklyn rooftop to survey the night sky. But bathed in its glow of orange streetlights, the City that Never Sleeps only has five stars to see. What begins as a disappointing autumn evening becomes a journey to answer a simple question: do we need the dark? From Mauna Kea to Death Valley to Paris, THE CITY DARK explores the world after dusk, capturing a planet increasingly shrouded in light. Featuring a lively soundtrack, engaging animations and a cast of quirky characters, THE CITY DARK is the definitive new film about light pollution and the disappearing dark. Rooftop Films and Edgeworx are proud to support the new film from the makers of King Corn (screened at Rooftop in 2007).
Benh Zeitlin | Beasts of the Southern Wild
In this mythological epic inspired by the costal erosion crisis in Southern Louisiana, Hushpuppy, a 9-year old Bayou Don Quixote, lives in "The Bathtub," the hardest drinking, fastest sinking island on the planet. Nested in the crumbling swamps of the delta, our ferocious heroine lives with Wink, her beloved yet volatile and hostile father. Reality crashes down on Hushpuppy's world when her father comes down with a mysterious illness, and nature begins to spiral out of control. With spectacle, humor and a blitzkrieg pace BEASTS OF THE SOUTHERN WILD takes on the real life tragedy of land-loss on the Louisiana coast through the lens of little girl who is losing not just the place that made her, but the parent who made her as well. Operatic in its scope, bursting with fireworks, humor, and utter mayhem, from the makers of the award-winning (and Rooftop co-funded) Glory at Sea, BEASTS OF THE SOUTHERN WILD is an epic tale about the end of it all. www.court13.com
Underwritten by Cinereach
Moon Molson: | Crazy Beats Strong Every Time
The story is about an African-American twenty-something, Markees, who finds his Nigerian-immigrant stepfather passed out drunk in his building hallway one night. Motivated by shame and the restraining order his mother has placed on his stepfather, Markees and his friends drag the unconscious man into his car in order to find him a more suitable place to sleep. But as the night dwindles on, the young men become increasingly aware of the futility of unloading the stepfather. Tensions build and frustrations mount, forcing the situation toward a violent end. Crazy Beats Strong Every Time will show how in a world where being "hard" is the ultimate masculine value, a basically decent young man—if humiliated, taunted and pushed far enough—can do the unimaginable in the name of "saving face."
James M. Johnston: | Knife
Knife is a searing portrait of vengeance. Set in rural Texas, the story chronicles an unnamed man with a broken spirit. He returns to his family from an unknown place—maybe prison, maybe war. In spite of his family's warm welcome, the man can't shake an anger that builds in him, returning to the land that was once theirs, a land that had been in the family for generations, a land that has been stolen, plundered, and sewn with seeds of greed. There's a force at work, a corruption that destroys homes, nature, families, memories. Told entirely in silence, Knife explores the details, textures, physical actions of his ruinous mission to sate the hatred in his heart with the knife he carries in his hand.
Dustin Guy Defa | Family Nightmare
A personal documentary in which Defa will return to his hometown to explore his family's long history of violence, substance abuse, and heartache, including two cases of manslaughter, an attempted suicide, a shooting, a fatal overdose, and a death from alcohol poisoning. Defa says he feels detached from his family, yet concerned with their endless suffering. The recent arrest and conviction of the family's "baby," Defa's uncle Billy, has caused him to take action. The film will approach the interviews and new footage in a verite style, interspersed with old home movies and the filmmaker's voice-over to guide the audience through the past and present. Defa says, "By asking tough questions to family members, discovering things I don't know about them and about Billy, and illuminating some of the reasons we are the way we are, my objective is to lighten the tragic element of our lives, to observe it as a storyline that is still alive and changing."
The 2008 Grantees were:
Sara Zia Ebrahimi | Norman Schwartzkopf Made Me Gay
A personal film that recounts how "Stormin'" Norman Schwartzkopf's life has influenced Ebrahimi's. Norman Schwartzkopf Made Me Gay humorously weaves together personal history with world events in an effort to increase the audience's knowledge about US foreign policy relations with Iran over the past century. The film draws on a variety of events in Ebrahimi's life that parallel or directly intersect with Schwartzkopf's--everything from his childhood memories of Iran where his father was stationed to being arrested by secret service agents for asking him a question. The film will utilize experimental film techniques to add a visually engaging approach to this historical recounting to accompany the unique storyline.
Lee Isaac Chung (director of the acclaimed Munyurangabo, screened at Rooftop on August 23, 2008) received a fully-loaded lighting and grip truck for 30 days for his feature narrative Lucky Life.
Lucky Life, about four friends on a poignant road trip. Mark and Karen are preparing for the birth of their first child, while Jason is coping with his recent diagnosis with terminal cancer. A meditation on life, death and spirituality, Chung says the film, which will begin production in September, was inspired by his trips to Spanish cathedrals, and the revelation of "cinema as a medium for creating spiritual space." The title comes from a book of poetry by Gerald Stern: "Lucky life isn't one long string of horrors / and there are moments of peace, and pleasure, as I lie in between the blows."
Lucky Life will be Chung's second feature film, following on the tremendous success of his debut Munyurangabo, which screened festivals including Berlin, Toronto, and Cannes, where Variety praised the film as "flat-out, the discovery of this year's Un Certain Regard [section]."
Chung screened his short film Sex and Coffee at Rooftop in 2006.
The 2007 Grantees were:
Heidi Brandenburg & Matt Orzel | When Two Worlds Collide
Heidi and Matt are a pair of German and Welsh filmmakers who created "Sonneman," an astonishingly lovely and insightful documentary about a man who pursues his dream of living a life with nature, away from the conventions of Western society, discontent with the trappings of the modern world. For their new film, Heidi and Matt have been traveling through the Peruvian Rainforest, spending time with the indigenous peoples and watching as their lives are changed by the increasing pace of oil and gas mining. "The film will show the relationship between the land and its inhabitants, exposing the disruptions to their traditional way of life and their spiritual connection to the land, due to oil extraction. The film will subtly capture the dangers of destroying the Amazon Rainforest with links to global warming and the world's dependency on oil, expressing the relevance of this situation not only as Peruvian concern, but also as a global problem." www.yachaywasifilms.co.uk
Bill Brown
Utilizing his unique and fascinating first-person experimental documentary style, Bill is making "a landscape film about torture." Bill will be reconstructing the lives of the 7 members of the 372 Military Police Company who were convicted of abusing detainees at the Abu Ghraib prison in Iraq. He will spend time around Cumberland, MD, where these reservists were from, a place that has been transformed from a place that once exported manufactured goods into a place of tremendous economic hardship which now exports soldiers to fight faraway wars. Bill hopes to replace the iconic images of the distant and repellent abused detainees with images that are close-by and recognizable: to trace the line of inquiry from Iraq to the private prisons, fast-food restaurants and big box stores of Cumberland. "I am interested how in a global economy, a small American town is an extension of the global marketplace, and how in a global war on terror, it is an extension of the battlefield. I hope to understand a little better how seven representatives of America's battered working class came to bear the responsibility for the failure of America's foreign policy and moral authority." Bill hails from Lubbock, TX, and Rooftop screened his films "Mountain State" and "Roswell" in 2004 and 2005.
Don Hertzfeldt | I AM SO PROUD OF YOU
Don premiered the first chapter of his triptych "Everything Will Be OK" at the 2007 Sundance Film Festival, where the film won the Grand Jury Prize for Short Film. The film follows a stick-figure named Bill as he grapples with depression and madness, and in the new chapter will find Bill struggling with the death of a loved one, the ever-present question of his health, and the apparent unraveling of time. Don has a magically deadpan narrative style, and his elegantly simple drawings, mixed with a dazzling array of direct-animation effects and an ingenious sound design, create an astonishingly moving film. Don lives in Goleta, CA, and is the youngest non-actor ever to be nominated for an Academy Award. Throughout his career he has turned down commercial jobs and lucrative TV deals in order to retain creative control over his animations. www.bitterfilms.com
Melanie Shatzky & Brian M. Cassidy | The Blessing of the Animals (Patron Saints)
Brian and Melanie created the eerie documentary "God Provides," about people in the Gulf Coast after Hurricane Katrina, and Brian co-directed "Fish Kill Flea," a feature-length film about a dying mall in upstate New York. Their work "forgoes conventional storytelling methods in order to accommodate stark imagery, elusive characters and a deadpan realism" in a manner which Filmmaker Magazine described as "cogent and sickly surreal." Their new film will be a "portrait of love, death and devotion, as witnessed on the day of Saint Francis of Assisi, the patron saint of animals." The footage is moving and disturbing, subtly raising questions about both secular and religious faith in a very personal manner. This stand-alone short is also part of a longer piece they are making titled "The Patron Saints," a project about faith and uncertainty. Brian and Melanie work out of Brooklyn, NY, and you can read more about their work at www.pigeonprojects.com
Spencer Parsons | Chainsaw Found Jesus
Spencer's various films—including "Resolution," "Once and Future Asshole," and the upcoming feature "I'll Come Running,"—utilize a kind of hyper-reality which blends unexpected narrative techniques with a dynamic flair for poignant dialogue and insightful characters. This new film is "a melancholy comedy about two fathers, two sons, and the cocaine sale that brings them all together for an everyday adventure." Far from your standard drug movie, the sad but hilarious and bizarre script is about "the moment before making a change, and maybe worrying that change just means trading up one sorry addiction for another." Spencer is one of the co-founders of CinemaTexas, a professor at University of Texas, and, as a crucial member of the vibrant Austin film scene, has been a long-time collaborator with Rooftop Films.


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5/12/2015More First-Time Exhibitors Coming to Columbus
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As a membership organization, TNNA offers you, the needlearts professional, the opportunity to take an active role in shaping our industry. The association's structure has been created to enable people from all the needlearts disciplines to come together, voice their needs, opinions and concerns . . . and help mold a successful future.


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Click a hotspot above to explore Honda innovation
The Shadow Phantom embodies the minimalist, stripped-down ideal of custom cruisers past, delivering a uniquely clean and uncluttered look accented with extensive use of blacked-out features—the frame, engine, rims and handlebars—bringing motorcyclists back to what it means to be cool. With its torque-rich 745cc V-twin engine—featuring the sophisticated ease of Programmed Fuel Injection and three-valve/dual-plug combustion chamber construction—serving up heaps of low-, mid-, and top-end muscle, the very affordably priced Shadow Phantom puts the thrill of saddling up one of the wickedest customs on pavement within reach of just about every rider.
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World Food Program
Jeffrey Barbee for The New York Times
News about World Food Program, including commentary and archival articles published in The New York Times.
Highlights From the Archives
World Food Supply Is Shrinking, U.N. Agency Warns
The United Nations' top food and agriculture official said Monday that the world food supply is dwindling and that food prices are soaring to historic levels.December 18, 2007 businessNews
U.N. Agency Cuts Food Rations for Sudan Victims
The U.N. food program said it had received just a third of the $746 million it had requested from donor nations.April 29, 2006 worldNews
Foreign Desk
As Donations Fall, U.N. Plans to Reduce North Korea's Food Aid
As winter grips North Korea, 2.2 million people, or 10 percent of the population, will no longer receive food rations provided by the World Food Program, agency officials said Thursday. This year the program, a United Nations agency, expects to distribute only 300,000 tons of food, 62 percent of the amount the program had requested from donors.December 11, 2003 worldNews
Syria: Food Support is Reduced
The World Food Program has been forced to cut back by a third its food voucher program for Syrian refugees living in neighboring countries.
September 5, 2015, Saturday
MORE ON WORLD FOOD PROGRAM AND: Food Aid , World Food Program , Syria
Yemen: Famine Looms, U.N. Says
The war in Yemen has pushed the country to the brink of famine, with food imports and aid deliveries held up by the fighting.
August 20, 2015, Thursday
MORE ON WORLD FOOD PROGRAM AND: Food , Famine , International Relations , Humanitarian Aid , Security Council (UN) , World Food Program , Yemen
Food Program Gets Emergency Cash
The anti-hunger agency of the United Nations said that it had averted a suspension of aid to 440,000 Syrian refugees in Jordan after the United States gave $65 million.
August 1, 2015, Saturday
MORE ON WORLD FOOD PROGRAM AND: Humanitarian Aid , United Nations , Syria , Jordan , Refugees and Displaced Persons , World Food Program , Food Aid
Yemen: Ship Loaded With Food Aid Reaches Aden
The World Food Program said the vessel, the MV Han Zhi, was loaded with 3,000 metric tons of food, enough to feed 180,000 people for one month.
July 22, 2015, Wednesday
MORE ON WORLD FOOD PROGRAM AND: Yemen , Food Aid , Humanitarian Aid , United Nations , World Food Program
Feeding Syrian Children
A reader writes that a United Nations program in Syria "needs a big expansion in funding and support."
July 7, 2015, Tuesday
MORE ON WORLD FOOD PROGRAM AND: Syria , Child Labor , World Food Program
As Supplies Dwindle, World Food Program Cutting Rations to Refugees in Kenya
The anti-hunger agency of the United Nations said the 30 percent cut, which could last for months, was designed to conserve dwindling supplies and funds.
June 12, 2015, Friday
MORE ON WORLD FOOD PROGRAM AND: Kenya , World Food Program , Refugees and Displaced Persons , United Nations , Rationing and Allocation of Resources , Food , Humanitarian Aid , Somalia , South Sudan
U.N. Reports About 200 Million Fewer Hungry People Than in 1990
The global count of hungry people has fallen from about one billion 25 years ago to 795 million today, the United Nations says, or about one person out of every nine.
May 28, 2015, Thursday
MORE ON WORLD FOOD PROGRAM AND: United Nations , Caribbean Area , Food , Food and Agriculture Organization of the United Nations , Millennium Development Goals , Famine , Africa , World Food Program , Far East, South and Southeast Asia and Pacific Areas , Latin America , Central Asia
How Not to Report on an Earthquake
What I got wrong in Haiti in 2010, and why it matters.
April 28, 2015, Tuesday
MORE ON WORLD FOOD PROGRAM AND: Earthquakes , Haiti , Nepal , Port-au-Prince (Haiti) , Humanitarian Aid , Epidemics , Rescues , Associated Press , American Red Cross , United Nations , World Food Program , Penn, Sean , Lorch, Donatella
De Blasio Chief of Staff to Leave City Hall for U.N. Job
Laura Santucci recently was charged with New York's failed bid to host the Democratic National Convention in 2016.
February 14, 2015, Saturday
MORE ON WORLD FOOD PROGRAM AND: New York City , Santucci, Laura , de Blasio, Bill , World Food Program , United Nations
U.N. Concerned About Reports That Food Aid to Syria Is in ISIS Hands
The United Nations World Food Program was responding to reports that the Islamic State was distributing its aid bags but rebranded with the militants' logo.
February 4, 2015, Wednesday
MORE ON WORLD FOOD PROGRAM AND: Syria , United Nations , Islamic State in Iraq and Syria (ISIS) , Food Aid , Humanitarian Aid , World Food Program , Syrian Arab Red Crescent
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You must admit, Megan Fox makes her jeans look good. And, we guess, Emporio Armani figured that out a long time ago and employed her as the face/body of Armani Jeans, underwear and Armani Code perfume. What's next? Filmed by Mert & Marcus, the Spring-Summer 2011 Jeans and Underwear campaign video made us take a long, hard look at those white jeans she's wearing (really, we were looking at her jeans!). Alright, we were also looking at those fabulous abs of hers, a bit, too. Keep in mind, Megan is only 5'4″ tall, so ladies, if you want to look slimmer and taller, maybe you want to try on Megan's jeans in the video. Prices range from $130 to $330, and styles vary from slim to Boyfriend fit, with regular and high waist rises.
Image via MeVoque.com. To view the entire Armani Jeans collection, go to Emporio Armani.
—Kathy Ng Hassan
Tags: Armani Jeans, emporio armani, megan fox, megan fox hot videos, megan fox style, megan fox tattoos, megan fox's height, white jeans


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Long Fleece Popover Nightgown
Cozy Up in Our Long Fleece Popover Nightgown
Long Fleece Popover Nightgown
Cozy Up in Our Long Fleece Popover Nightgown
What Our Customers Are Saying about Our Long Fleece Popover Nightgown …
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"My mother had one of these for 5 years before she died, and I adopted it after that. Ten years later it's still going strong. I'm waiting for it to wear out so I can treat myself to a new one in a different color, but it doesn't look like that will happen any time soon. Love this nightgown !" - Kate, West Orange, NJ
"I am so happy with my purchase! I got it about a week ago and was going to save it for Christmas, but after trying it on I've decided not to wrap it to put under the tree. For the first time in a long while I am sleeping the whole night through. I am so comfortable and warm in it! Thank you for selling these!" - Ana, La Plata, MD
"I bought one of these robes 10 years ago and wore it until the butt wore out. Today I ordered another one, and I expect to wear the butt out in it, too! Never have I had such a comfortable, easy-to-care-for robe. I love it! Thanks so much, Vermont Country Store!" - Merkie, Prescott Valley, AZ
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"I wore a similar popover made of flannel 'til it was threadbare, so I was delighted when I saw yours. Wish I could have one of every color! Perfect warmth in a thermostat-conscious home. Thank you, thank you, thank you." - Janice Feaster, Overland, KS


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Lowe Cam
First spring loaded cam that inspired Ray Jardine's design for the Friend.
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Fort Wayne transportation officials say they agree in spirit with a City Council resolution that urges a gentler approach to traffic planning, but state guidelines limit them from enacting some of the changes.
Councilman John Shoaff, D-at large, has introduced a resolution that would urge city traffic planners to use the "context-sensitive" approach – one that seeks lots of community input and tries to minimize historic and environmental impact – or risk failure to get funding from council. Shoaff has been critical of the upcoming project to widen and straighten State Boulevard just west of Clinton Street.
Fort Wayne Public Works Director Bob Kennedy said city planners try to use the approach as much as possible but must adhere to the Indiana Department of Transportation's design manual because INDOT distributes federal highway money.
"We always follow the (context-sensitive) process as much as we can," Kennedy said. "There's only certain things we can follow, and some things, we just can't."
For example, city Engineer Shan Gunawardena said, some neighborhood residents would like for the State Boulevard project to include a tree-lined median. But INDOT forbids the placement of fixed objects within 10 feet of any travel lane.
City officials have proposed several amendments to Shoaff's resolution, stating that traffic planners would follow the context-sensitive approach except when it goes against state guidelines and could jeopardize federal funding.
The federal government is paying for 80 percent of the State Boulevard work, estimated at between $11 million and $14 million, Gunawardena said.
Council members voted Tuesday to hold Shoaff's resolution for two weeks, giving members time to review the new amendments.
Shoaff said he was glad that city officials appeared mostly "on board" with his recommendations, though he had not looked closely at their amendments.
"I do think the city made a very appropriate step in our direction," Shoaff said. "It's a pleasure to be working together with people and not being adversarial. I feel good about it."


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The feather-light textiles from Printed Village are made to unlock an ensemble's true potential. Easy and breezy by design, this printed polyester scarf will instantly upgrade a simple summer frock or offset weighty winter layers with uplifting color and pattern. Don't relegate it to scarf status, either—try tying it on your purse strap, transforming it into a turban, or wrapping it around your waist as a sexy sarong.
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Comic 88
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'''Title:''' You can't Hanzel the truth!
'''Title:''' You can't Hanzel the truth!
'''Date:''' July 4, 2005
'''Date:''' July4, 2005
'''Summary:''' Beaver and Steve discover an old witch's house.
'''Summary:''' Beaver and Steve discover an old witch's house.
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'''Cast:''' [[Beaver]], [[Steve]], [[Witch]]
'''Cast:''' [[Beaver]], [[Steve]], [[Witch]]
'''[[:Category:Onomatopoeias|Onomatopoeias]] used:''' "[[MONCH]]", "[[SWIP]]", "[[GIVE|GIVE!]]", "[[FEEL]]", "[[GROPE]]"
'''[[:Category:Onomatopoeias|Onomatopoeias]] used:''' "[[MONCH]]", "[[SWIP]]", "[[GIVE|GIVE!]]", "[[FEEL]]", "[[GROPE]]"
'''Number of panels:''' 10
'''Number of panels:''' 10
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==Fun Facts==
==Fun Facts==
*Steve handed Beaver an Inviso-Sausage(tm).
*Steve handed Beaver an Inviso-Sausage(tm).
*Inspired by the classic fairy tale "Hanzel and Gretel".
*Inspired by the classic fairy tale "Hanzel and Gretel".
Latest revision as of 18:12, 15 August 2006
Link: Comic 88
Translations: http://www.beaverandsteve.com/wiki/images/8/8f/Finnishflag.png Finnish, http://www.beaverandsteve.com/wiki/images/5/52/Frenchflag.png French, http://www.beaverandsteve.com/wiki/images/5/57/Polishflag.png Polish, http://www.beaverandsteve.com/wiki/images/0/04/Danishflag.png Danish, http://www.beaverandsteve.com/wiki/images/7/79/Italianflag.gif Italian
Title: You can't Hanzel the truth!
Date: July 4, 2005
Summary: Beaver and Steve discover an old witch's house.
Onomatopoeias used: "MONCH", "SWIP", "GIVE!", "FEEL", "GROPE", "HMM"
Number of panels: 10
Panel 1
Steve: "It's getting dark Beaver. How are we going to find the way home?"
Beaver: "Don't worry Steve, I've left us a trail of bread crumbs to follow!"
Panel 2
Steve: "Oh...is that what they were for?"
Steve MONCH's a handfull of bread crumbs.
Panel 3
A gingerbread house comes into frame.
Steve: "Well, maybe we can get directions in that gingerbread house?"
Beaver: "Careful Steve, that's a witch's house. But we should be ok as long as you don't eat any of it."
Panel 4
Steve SWIP's the floor.
Beaver is in a cage with his head in his hand, looking annoyed.
Panel 5
Witch: "My eyes are poor - put your finger through the bars so I can feel if you're fat enough to eat!"
Beaver: "Quick Steve! Give me a stick! I'll put it through the bars instead of my fingers to fool that mean old witch!"
Panel 6
Steve: "Ok..."
Steve GIVE!'s Beaver something.
Beaver: "Thanks Steve!"
Panel 7
Beaver holds his hand out to the witch.
Beaver: "Here you go!"
Witch FEEL's and GROPE's Beaver's hand.
Panel 8
Witch: "Oh yes! Fat and delicious and ready for the oven!"
Beaver looks surprised.
Panel 9
Beaver has a large sausage in his hand.
Beaver: "Steve! This isn't a stick! It's a sausage!"
Panel 10
Beaver: "Steve...?"
Steve is carrying a knife and fork while wearing an apron and licking his lips.
Fun Facts
- Actually, Beaver's fingers seem even thinner than a stick.
- Steve handed Beaver an Inviso-Sausage(tm).
- This arc, along with the 20,000 leeks under the sea arc, suggest Steve has fantasies about eating Beaver.
- Inspired by the classic fairy tale "Hanzel and Gretel".
- This episode's title is a spoof on the line "You can't HANDLE the truth!" from A Few Good Men.
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Quince Orchard High School's football players said they went back to the basics after dropping their first game of the season last week. It paid off in a perfectly executed first half against Thomas S. Wootton on Friday.
Led by senior quarterback Mike Murtaugh's five-touchdown performance, the Cougars (9-1) shut out the Patriots (5-5) and capped off their regular season with a 40-0 road victory in Rockville.
"We came here an angry football team. We wanted to redeem ourselves," Murtaugh said.
The victory positions the Cougars atop the 4A West Region.
"It shows what kind of team we really are," Quince Orchard coach Dave Mencarini said.
The Cougars scored all 40 of their points in the first half, including 27 in the first quarter. Murtaugh completed five of six passes in the first half, four of which were touchdowns.
"I just throw the ball up, and the receivers catch it. I give the credit to them and the offensive line. They do the work and I just throw the ball up," Murtaugh said. Senior receiver Elliot Davis caught three passes for 49 yards and two touchdowns.
Quince Orchard running back Shawn Barlow rushed for 125 yards on 20 carries. The speedy sophomore ran for a 34-yard touchdown on the team's second offensive play from scrimmage. He added another 36-yard run the following drive, which got the team deep in Wootton territory. Murtaugh capped off that drive with an 8-yard pass to Greg Williams.
Murtaugh's 3-yard rushing touchdown in the second quarter gave the Cougars a comfortable 40-0 lead heading into halftime. Aided by a running clock, the team cruised from there.
The defense forced three interceptions, a fumble and several three-and-outs. Wootton quarterback Sam Ellis was kept out of the end zone after passing for 547 yards and six touchdowns last week against Rockville.
"You can't ask for anything more," said Quince Orchard linebacker Lamonte Armstrong. "We prepared, did our best and got the outcome."
Armstrong said the team lacked focus in the practices leading up to the Northwest game. This week's practices had a different feel, he said.
"We had to come in here with confidence, come out with that swagger we usually have," Armstrong said.
Quince Orchard will host Clarksburg on Friday in Gaithersburg to open the 4A West Region playoffs.
"We're going to play with a chip on our shoulder and we're excited about the opportunity to be in the playoffs," Mencarini said.
Quince Orchard 40, Thomas S. Wootton 0
Quince Orchard (9-1) 27 13 0 0 — 40
Thomas S. Wootton (5-5) 0 0 0 0 — 0
QO — Shawn Barlow 34 run (Troy Porter kick)
QO — Greg Williams 8 pass from Mike Murtaugh (Troy Porter kick)
QO — Elliott Davis 6 pass from Mike Murtaugh (kick failed)
QO — Elliott Davis 11 pass from Mike Murtaugh (Troy Porter kick)
QO — Mike Murtaugh 3 run (Troy Porter kick)
QO — Malcolm Brown 18 pass from Mike Murtaugh (kick failed)
Quince Orchard — Shawn Barlow 20-125, Mike Murtaugh 3-17, Kyle Green 4-2, Jose Cruz 3-(-2).
Wootton — Bryan Castillo 7-20, Jibri Woods 1-13, Jake Koplan 1-4, Sam Ellis 5-(-12).
Quince Orchard — Mike Murtaugh 6-11-93-0, Malcolm Brown 1-1-2-0
Wootton — Sam Ellis 12-33-92-2, Trevon Diggs 1-2-11-1.
Quince Orchard — Elliott Davis 3-49, Malcolm Brown 1-18, Preston Bampoe-Addo 1-18, Greg Williams 1-8.
Wootton — Trevon Diggs 6-46, Jibri Woods 4-33, Kwame Frimpong 2-26, Bryan Castillo 1-0.


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Gold Hill, Ore. -- The City of Gold Hill approves a ban on medical marijuana dispensaries, they say just in order to buy time to amend city code.
The council voted three to three Monday night in favor of a moratorium until May 2015. The mayor had to break the tie.
The Gold Hill City Administrator says staff also got the okay to change the cities zoning law to allow dispensaries.
The administrator says the ban will likely be lifted once the code is changed.
They're going to hear public comment on the issue in late May.


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He was 17 years old when he became part of an experiment allowing blacks to fly in the Army Air Forces. What he didn't know then was he would be a part of history.
Retired Lt. Col. Robert Ashby, 87, was one of the original Tuskegee Airmen who served during World War II.
"It was a definite struggle back then," Ashby said. "Our country was integrated at the time, but our military was segregated. We had separate drinking fountains and dining facilities. Some would say blacks didn't fly and couldn't deal with anything complicated, so we were out to prove that we could. What really made us outstanding was everyone within our organization, whether they were cooks, bakers or mechanics, had the same mentality of exceeding."
Ashby, along with six other Tuskegee Airmen, attended a ceremony Sept. 26 at the Arizona Capitol Museum honoring their service and celebrating a new law establishing the Tuskegee Airmen Commemoration Day in Arizona.
The bill was sponsored by Sen. Al Melvin and signed by Gov. Jan Brewer, designating the fourth Thursday of March as a day to celebrate the men and women who shaped the first black military wing in the Army Air Forces.
"Today is the day to celebrate how far we have come recognizing the people who worked so hard to get us here," Brewer said. "We celebrate the many battlefield accomplishments of this groundbreaking aviation unit. We celebrate their bigger message about the human spirit, about how, regardless of circumstance, brave and persistent men and women can and will overcome barriers and burdens to show the world what they're made of."
What sparked the movement for the Tuskegee flying program was Eleanor Roosevelt, the wife of President Franklin Roosevelt.
"It was when she visited Kennedy Field in Tuskegee and was taken up in an aircraft piloted by Chief Alfred Anderson, America's first black flight instructor, that she later said to her husband, 'Franklin, if a colored man is good enough to fly the wife of a president, isn't he good enough to fly for his country?'" said Ben Bruce, 56th Fighter Wing ground safety manager and Archer-Ragsdale Arizona Chapter historian.
As a result, in March 1941, the Tuskegee flying program began.
From 1942 through 1946, approximately 996 pilots graduated and received their commission and pilot wings. In all, more than 15,000 men and women participated in the "Tuskegee Experience." More than 400 of the pilots served overseas in either the 99th Pursuit Squadron or the 332nd Fighter Group, according to the Archer-Ragsdale Arizona website.
Today, original surviving Tuskegee Airmen continue their legacy by encouraging youth to exceed in all they do. An organization was created called the Archer-Ragsdale Arizona Chapter.
The organization was created in August 1972 when the Tuskegee Airmen came together in Detroit and voted to establish a nationwide organization with membership open to all supporters.
"The motto to the Arizona Chapter is 'Reaching our youth, ensuring our future,'" said David Toliver, Archer-Ragsdale Arizona Chapter Tuskegee Airmen Inc. president. "Yes, we are here to perpetuate the legacy of the Tuskegee Airmen but every member of the chapter knows that our primary focus is on our Arizona youth, about encouraging them toward excellence in not only aviation and aerospace careers but also science, technology and engineering."


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On Sunday, 23 September the NYC Parks & Recreation will open the 2,200-acre Fresh Kills Landfill for the third year to give a free sneak peek to the transformation into NYC's biggest and most fascinating new park, on Staten Island's west shore.
Put the event in your diary/smartphone for your sunday in the outdoors. Arrangements have been made for free shuttle buses from Staten Island Ferry so there is little stopping New Yorkers getting out to Fresh Kills for a Sneak Peak.


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Tomorrow, September 28, is International Rabbit Day, dedicated to arguably the most adorable animal with two ears!
Unfortunately, the sad truth is that they are also one of the most neglected animals. More often than not bunnies are only thought about during Easter-time festivities, but the range of cruelty they face never takes a holiday. From being slaughtered for their fur, farmed as food, used for product testing, and hunted for sport, bunnies endure endless cruelty.
Even rabbits kept as loving pets are regularly mistreated by being kept outdoors. Although an outdoor hutch has been the traditional housing for a rabbit, today we know better. A backyard hutch forces these social critters to live in unnatural isolation. Rabbits may be quiet, but they are extremely social and crave interaction. Another heartbreaking fact is that rabbits are very vulnerable to predators, and if frightened, can actually die from heart attacks!
Looking to adopt a rabbit this International Rabbit Day? Check out the House Rabbit Society's extensive list of rescue groups across the country.
Want to receive stories like these in your inbox each week?
Sign up to receive our weekly newsletter, ASPCA News Alert - you'll receive important updates on what's going on and how you can make an impact to save animals' lives!


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|Women's Golf » News » Schedule » Roster » Coaches » Statistics
East Tennnessee State in Fifth Place After Day One Of Cougar Fall Invitational
Monday, September 23, 2002Mt. Pleasent, S.C. (September 23, 2002) - East Tennessee State's women's golf team finished fifth after day one of the Cougar Fall Invitational in Mt. Pleasant, S.C. The Buccaneers were led by Robin McCarley who is tied for sixth individually after shooting a team low 75. Danielle O'Reilly (Whistler, British Columbia) shot an 80 while Laura Diaz (Aguadilla, Puerto Rico) shot an 82 for her round. Kristen Fletcher (Cookeville, Tenn.) and Ashley Barton (Seffner, Fla.) both shot an 83 on the day. The tournament, hosted by the College of Charleston, will conclude on Tuesday. Coastal Carolina leads the tournament with a combined score of 300 followed by College of Charleston who shot a 302.
Women's Golf Archives
2002-03 Women's Golf


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statelinetack.com > Western Saddles & Tack > Western Saddles > Item # E006808
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Australia ACCESS Global MSL Pressure/Thickness/Rainfall +72 hour Chart
About ACCESS Global
Australian Community Climate and Earth-System Simulator (ACCESS). Based upon the UK Met Office Unified Model system. ACCESS G is the global numerical forecast model operated by the BoM. It is run twice daily (00Z and 12Z) and provides forecast data out to 240 hours with a horizontal resolution of 80km and 50 vertical levels.
Weather News
Sydney's long spell of surf
Sydney-siders have been spoilt for choice in the surf department over the past few days.
A thundery finish to winter for Queensland
Severe thunderstorms sparked up just to the west of Lochington yesterday late morning, tearing through many parts of southeast Queensland into late last night.
Snowfalls hit Tassie again
A very cold airmass coupled with vigorous a low pressure system caused snow to fall to low levels in Tasmania last night and into this morning, leading to road delays and closures.


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Fleetwood Mac are a British-American rock band formed in 1967 in London. The only original member present in the band is its eponymous drummer, Mick Fleetwood. Despite band founder Peter Green naming the group by combining the surnames of two of his former bandmates (Fleetwood, McVie) from John Mayall's Bluesbreakers, bassist John McVie played neither on their first single nor at their first concerts. The keyboardist, Christine McVie, has, to date, appeared on all but two albums, either as a member or as a session musician. She also supplied the artwork for the album Kiln House. The two most successful periods for the band were during the late 1960s British blues boom, when they were led by guitarist Peter Green and achieved a UK number one with "Albatross"; and from 1975 to 1987, with more pop-orientation, featuring Christine McVie, Lindsey Buckingham and Stevie Nicks. Fleetwood Mac's second album after the incorporation of Nicks and Buckingham, 1977's Rumours, produced four U.S. Top 10 singles (including Nicks' song "Dreams", which was the band's first and only U.S. number one) and remained at No.1 on the American albums chart for 31 weeks, as well as reaching the top spot in various countries around the world. To date the album has sold over 40 million copies worldwide, making it the eighth highest selling album of all time.
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Coco Island Gazebo
Modular seating as versatile as the guest list.
Great escapes for any space.
When we first saw the Coco Island Gazebo, we knew it'd make a wonderful intimate space on a balcony or patio. When we saw that it could be pulled apart and reconfigured as couches, we were hooked. Think cocktail parties, private dinners, late night talks—Coco Island does it all. For a small patio or balcony, you'd be hard-pressed to find a dining set/social seating that fits. The CoCo Island Gazebo is ingeniously space-saving (with a touch of head-turning design).
Use it as a room or separate it into two couches. Its segments can be separated into two seats to create a conversation area in time for after-dinner drinks. Only having dinner for two? The curtains can be drawn for intimacy. Cushions, curtains included. Table sold separately. All-weather wicker endures the elements to stay looking new longer. Gazebo: 80" diameter x 82"h. Each lounge seat: 48"w x 23"l x 31"h.
Space-saving, check! Dining and Seating, check! Party-ready – oh yes! Order your CoCo Island Gazebo from Brookstone today.
Coco Island Gazebo
Coco Island Gazebo
Our innovative products will provide you and your family with years of enjoyment. And with the Brookstone Protection Plus service and replacement plans, you'll have the added peace of mind knowing that if the unexpected does happen, we will simply repair or replace your covered product. Our enhanced coverage goes above and beyond the manufacturer's warranty, saving you time and money.
- 2-Year Service Plan $209.99
- 3-Year Service Plan $289.99
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Spruell Motorsport Products is your source for Performance and Racing Equipment for Alfa Romeo and other Sports Cars.
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The Kimmel Center and Global Center have installed a new complex-wide system of integrated informational screens. Advertise your event on the new Kimmel Digital Signage Network with an image, a video, or a plain-text message.
Review the KDSN Policies below and submit your media via the KDSN Dropbox.
"Kimmel Digital Signage Network", also called "KDSN" or, simply, "The Network", is a system of TVs and computers that run signage, ads for events in the Kimmel & Global Centers, and general student notices. "Media" refers to the content running on the Network. "Dated media" is media tied to a specific event in the Kimmel & Global Centers; "undated media" is media for general consumption and, thus, not tied to a specific event.
You can email the KDSN team at firstname.lastname@example.com if you have any questions.


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Published: 23 September 2010
Belfast International Airport scoops Gold award at Holiday Extras Customers' Awards 2010
Belfast International Airport has been named Gold winner in the Best UK Airport category of the Holiday Extras Customers' Awards 2010.
During the summer of 2010, more than 24,000 HolidayExtras.com customers cast their votes in the second annual Holiday Extras Customers' Awards. Travellers rated their air travel experience across twelve categories, voting for 112 airlines, 28 UK airports and hundreds of airport hotels, lounges, car parks as well as their favourite travel personalities – won by Julia Bradbury. The UK travel industry's accolades were presented by leading travel writer and TV personality Simon Calder at an exclusive event on Thursday 16 September at London's Institute of Contemporary Art (ICA). Other winners included Belfast International Airport customer airlines Aer Lingus, easyJet, Jet2.com and Continental Airlines.
Matthew Paxton, HolidayExtras.com's chief operating officer, said: " It was great to see so many of the industry's best performers here to celebrate success, decided by the most important people in travel – our customers. "I want to congratulate all of the winners and shortlisted companies on consistently providing top quality service which UK travellers have recognised. And good luck for next year!"
Deborah Harris, who collected the award on behalf of Belfast International Airport, said: "We are really delighted to receive this award and would like to extend out thanks to all the Holiday Extras customers who took the time to vote Belfast International as the UK's Best Airport. This award is in recognition of all the staff who work at the airport and give 110% every day to provide exceptional customer services to all our passengers. We are particularly pleased that many of our customer airlines also received awards and look forward to working with all of them to continue to provide direct services to key markets at great value fares."