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92nd Street Y is where inspiration lives and exploration begins—with a diverse range of classes and programs that let everyone pursue what they love. With innovative, top-notch programs, events and concerts, plus over 4,000 classes taught by today's most talented professionals, 92Y has it all—for all ages and interests.
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One of the most widely acclaimed Jewish programs in the nation. You'll find a wealth of programs designed to inform and inspire a meaningful connection to Jewish beliefs, teachings, traditions and celebrations.
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92Y is a special place to celebrate Jewish holidays and days of remembrance.
Offering a broad range of services and outreach programs to facilitate personal development, and to help Jewish adults build community connections.
Where parents and children come to learn, explore, discover and celebrate through programs and shared experiences that embrace every age, and every life stage.
No performances are currently available.
In Henry Mancini and Johnny Mandel, movies and TV found a fresh voice steeped in jazz. Their unique personalities as arrangers and the beautiful songs they wrote sing from the heart.
Bill Charlap, piano
Sandy Stewart, vocals
Houston Person, tenor sax
Jeremy Pelt, trumpet
Steve Davis, trombone
Renee Rosnes, piano
Rufus Reid, bass
Tim Horner, drums
Join us for more Jazz! This event can be purchased as part of a 2-concert package.
Jazz in July is partially endowed by a generous gift from Simona and Jerome A. Chazen.
Henry Mancini on NPR's "Piano Jazz" with Marian McPartland, Mar 14, 1985
Audrey Hepburn singing "Moon River," in clip from Breakfast at Tiffany's, 1961.
Opening credits, directed by Fritz Freleng, and Henry Mancini's theme song from The Pink Panther.
Listen to this engaging NPR "Morning Edition" profile, "More than 'M*A*S*H': Songwriter Johnny Mandel," by Susan Stamberg (with Mandel), 7 min, March 25, 2010
Johnny Mandel speaking at master class, Dec 11, 2010.
"Suicide is Painless," Johnny Mandel's theme song from M*A*SH, 1970, with complete lyrics and film clips.
Opening credits and Johnny Mandel's theme song ("The Shadow of Your Smile") from The Sandpiper, 1965.
(Click the names below to expand info.)
Visit the comprehensive official Henry Mancini website. Among the features is a video gallery that includes:
There is also a letter from Mancini with advice to aspiring musicians, ending with this paragraph:
Success is not usually easy or fast. The luxury of becoming discouraged and quitting is always present on the way up. Always stop and say to yourself in times of stress, "I'm doing what I want to do most." You will find that one simple sentence to be the greatest comfort you can have.
Back to Top
A Partial List of Mancini Awards
Henry Mancini is undoubtedly the most honored musician of the 20th century. This is only a partial list of his awards and honors:
Academy Awards—4 Wins:
1962 Best Music, Original Song for "Moon River," from Breakfast at Tiffany's
1962 Best Music, Scoring of a Dramatic or Comedy Picture for Breakfast at Tiffany's
1963 Best Music, Original Song for "Days of Wine and Roses," from Days of Wine and Roses
1983 Best Music, Original Song Score and Its Adaptation or Best Adaptation Score for Victor Victoria
Plus 14 Nominations for the Films:
The Glenn Miller Story; Bachelor in Paradise; Charade; Dear Heart; The Pink Panther; The Great Race; Sunflower; Darling Lili (two nominations); Sometimes a Great Notion; The Pink Panther Strikes Again; 10 (two nominations); That's Life!
Golden Globe Award—1 Win
1971 Best Original Song : Whistling Away The Dark from Darling Lili
Plus 8 Nominations for the Films Dear Heart; The Great Race; Two For The Road; The Return Of The Pink Panther; 10; Victor/Victoria; That's Life; The Glass Menagerie
Grammy Awards—20 Wins
1958 Album of the Year for The Music From "Peter Gunn"
1958 Best Arrangement for The Music From "Peter Gunn"
1960 Best Arrangement for Mr. Lucky
1960 Best Jazz Performance Large Group for The Blues And The Beat
1960 Best Performance by an Orchestra for Mr. Lucky
1961 Best Arrangement for Moon River
1961 Best Performance by an Orchestra—For Other than Dancing for Breakfast At Tiffany's
1961 Best Sound Track Album or Recording of Score From Motion Picture or Television for Breakfast At Tiffany's
1961 Record of the Year for Moon River
1961 Song of the Year for "Moon River"
1962 Best Instrumental Arrangement for Baby Elephant Walk
1963 Best Background Arrangement for Days of Wine And Roses
1963 Record of the Year for Days of Wine and Roses
1963 Song of the Year for "Days of Wine and Roses"
1964 Best Instrumental Arrangement for The Pink Panther
1964 Best Instrumental Composition (Other Than Jazz) for The Pink Panther Theme
1964 Best Instrumental Performance—Non-Jazz for The Pink Panther
1969 Best Instrumental Arrangement for Love Theme From "Romeo And Juliet"
1970 Best Contemporary Instrumental Performance for Theme From "Z" And Other Film Music
1970 Best Instrumental Arrangement for Theme From "Z"
Plus 52 Nominations
Rhapsody.com has created a comprehensive microsite on Henry Mancini, with an overview, lists of albums and a sample track list. Click here to reach the microsite.
In 1997, the American Society of Composers, Authors and Publishers presented its Henry Mancini Award to Johnny Mandel. Click here for the tribute.
In 2011, Johnny Mandel was named an NEA Jazz Master, the nation's highest honor in jazz. As part of the tribute, Mandel was interviewed by poet and jazz critic A. B. Spellman for the NEA:
Johnny Mandel: Jazz is still my middle name; this is what I loved. I just learned to write a lot of different kinds of music because it was required and I was very happy to have done it … Then I got an offer to do Your Show of Shows. I was thrown into that [and] did the first two years of [it]. You wouldn't believe what a gig that was. I was working with Sid Caesar, Imogene Coca, Carl Reiner, and this was all the beginning. I was working with Sid Caesar, Imogene Coca, Carl Reiner, and this was all the beginning….
So all of a sudden we were thrown into this circus. Oh, Mel Brooks was there. Picture this now: we had to do a 90-minute show every week. A show that runs 90 minutes is almost like a Broadway show, it's that length. The show went on Saturday night and the one rest day was Sunday. Then Monday morning we'd start out [in] all the rehearsal rooms up above the Civic Center…We'd spend 18 hours a day in that room, because we had to start from scratch. All the sketches had to be done, all the comedy bits.
Click here for the full interview.
On Oct 28, 2008, award-winning jazz blogger Marc Myers began posting an extensive and acclaimed five-part interview with Johnny Manndel on his website JazzWax.com, with extensive photos and recommended recordings.
Part 1: On his parents, childhood and first jobs.
Part 2: On learning arranging, switching to trombone and joining Boyd Raeburn's band
Part 3: On working with Buddy Rich, Alvino Rey (and his unicycle!), Woody Herman & Artie Shaw
Part 4: On the Count Basie Orchestra, Hoagy Carmichael, working for TV and getting his first film score:
André Previn recommended me for a picture in 1958 called I Want to Live, directed by Robert Wise. André couldn't do it because he had just taken on Porgy and Bess, a record project. André has always been a friend of mine. We both liked jazz, and I had done a couple of things for him. André liked the way I wrote, and we became real friends … I didn't know this at the time but Susan Hayward, the film's star, was a huge Gerry Mulligan fan. Robert and Susan wanted to get him in the film.
Part 5: On I Want to Live, Frank Sinatra and his three most famous film songs
When you have as rich and rewarding a career as Johnny Mandel, you're bound to meet some interesting people along the way—but how you meet them can be surprising.
In 1944, Johnny was hired to play in Henry Jerome's orchestra. The band's manager was Leonard Garment, who would become Richard Nixon's lawyer and White House staffer. He would also be a founder of the National Museum of Jazz in Harlem.
Playing tenor saxophone was a young man who was also studying economics at NYU and trying to decide which career to follow. He was doing a bit of both by playing sax and managing the band's books—Alan Greenspan. future chairman of the Federal Reserve from 1987 to 2006. "Alan was very bookish and a nice guy. He also did the payroll, so we always got paid on time," remembers Johnny.
The band was one of the first to play bebop, and it made air checks in the huge Child's Restaurant under Paramount Theater in Times Square. Those live air checks have survived and have been released on a CD. It's the only CD to feature Johnny Mandel and Alan Greenspan together.
To learn more, read the interviews on nea.gov and jazzwax.org (Part 2)
This year marks Bill Charlap's ninth summer as artistic director of 92nd Street Y's Jazz in July summer festival. One of the world's premier jazz pianists, Mr. Charlap has performed with many leading artists of our time, ranging from Phil Woods and Tony Bennett to Gerry Mulligan and Wynton Marsalis. He is known for his interpretations of American popular songs and has recorded albums featuring the music of Hoagy Carmichael, Leonard Bernstein and George Gershwin. Time magazine wrote, "Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence."
In 1997, Mr. Charlap formed the Bill Charlap Trio with bassist Peter Washington and drummer Kenny Washington (no relation), now recognized as one of the leading groups in jazz. In 2000, he signed with Blue Note Records and has since received two Grammy nominations, for Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard. The Trio performs all over the world; their New York engagements include regular appearances at Jazz at Lincoln Center, and they will return to the Village Vanguard for a two-week run this fall. In 2009, Mr. Charlap was pianist and musical director for The Blue Note 7, an all-star jazz septet celebrating the legacy of Blue Note Records on its 70th anniversary. The septet performed a 50-city tour and released the CD, Mosaic: A Celebration of Blue Note Records.
Mr. Charlap's experience as concert producer extends beyond Jazz in July. In the mid-1990s, he was the musical director of "Midnight in the Garden of Good and Evil, A Celebration of Johnny Mercer," part of New York's JVC Jazz Festival. He has produced several concerts for Jazz at Lincoln Center and an evening of George Gershwin's music at the Hollywood Bowl.
Born in New York City, Mr. Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who appeared on the Ed Sullivan and Perry Como shows and earned a Grammy nomination for her recording of "My Coloring Book." In 2006, Mr. Charlap and Ms. Stewart released the acclaimed CD, Love Is Here to Stay on Blue Note; their second release, Something to Remember, on Ghostlight, was released this past January. They have appeared at The Oak Room at the Algonquin Hotel and Feinstein's at the Regency and they have won New York Bistro and Nightlife awards. In February 2012, they appeared on the 92Y Jazz series.
Mr. Charlap is married to renowned jazz pianist Renee Rosnes. The two artists often collaborate in a duo piano setting. In 2010, Mr. Charlap and Ms. Rosnes made Double Portrait, released on the Blue Note label and recorded at 92nd Street Y.
Sandy Stewart has worked with such songwriters as Richard Rodgers, Jule Styne, Cy Coleman and her late husband, Moose Charlap. In 1962, she received a Grammy Award nomination for Kander & Ebb's "My Coloring Book." She was a star vocalist during the Golden Age of Television, appearing on "The Ernie Kovacs Show," "CBS Morning Show," "The Perry Como Show" and "The Ed Sullivan Show." Ms. Stewart is now a star of cabaret: she and her son Bill Charlap appeared eight times at The Oak Room at the Algonquin Hotel. In February 2012 they appeared on the 92Y Jazz series, and this past March they debuted at Feinstein's at the Regency. They have released two critically-acclaimed CDs: Something to Remember, from this past January; and Love Is Here to Stay, released in 2006.
Currently both artist and producer for HighNote, Houston Person began his career in the 1960s with a series of soulful recordings for Prestige. He then enjoyed a legendary 30-year partnership with the vocalist Etta Jones, which lasted until her passing in 2001. As a sideman, Mr. Person has performed or recorded with Lena Horne, Lou Rawls, Barbara Morrison, Della Griffin and others. He has recorded more than 75 albums as a leader on multiple labels, including Muse, which became HighNote. There he also became a record producer; his recordings as both tenor saxophonist and producer of two Etta Jones albums each earned Grammy nominations for Best Jazz Vocal. HighNote has released a three-disc retrospective, The Art and Soul of Houston Person, and Mr. Person's recent recordings include last year's Naturally with Cedar Walton, Ray Drummond and Lewis Nash.
Jeremy Pelt has released two new albums since his last Jazz in July appearance in 2011: Water and Earth, a collection of original songs released in January; and Soul, a mix of standards and original works featuring the Jeremy Pelt Quintet from 2012. As a sideman, Mr. Pelt can be heard on nearly 100 other recordings. He is a member of the Lewis Nash Septet and the Cannonball Adderley Legacy Band, and he has been featured in the Roy Hargrove and Duke Ellington Legacy big bands and the Vanguard Jazz Orchestra. Pelt has played with many jazz luminaries, such as Jimmy Heath, Frank Wess, John Hicks, Ralph Peterson, Nancy Wilson and Bobby Short. Mr. Pelt was voted Rising Star five years in a row by both DownBeat magazine and the Jazz Journalists Association. His website is jeremypelt.net.
One of today's leading improvisers on the trombone, Steve Davis first gained recognition working with such ensembles as Art Blakey's Jazz Messengers, The Jackie McLean Sextet, Chick Corea's Origin and Roy Hargrove's Big Band. He continues to work with One for All, featuring Eric Alexander, and regularly collaborates with pianist Larry Willis. He also leads his own quintet and performs with The Dizzy Gillespie All-Stars and big bands led by Jimmy Heath, Ron Carter and Christian McBride. Mr. Davis has appeared on over 150 recordings as a sideman and made 17 CDs, including the recent critically-acclaimed Live at Smalls, Getting' It Done and Eloquence, featuring Hank Jones. He has served on the faculty of The Hartt School's Jackie McLean Institute of Jazz at the Univ of Hartford for over two decades. His website is stevedavis.info.
Renee Rosnes has toured and recorded with many leading jazz masters, including Joe Henderson, J. J. Johnson, Wayne Shorter, James Moody and Bobby Hutcherson. She was a founder and member of the all-star ensemble SFJAZZ Collective, and she is currently a member of the Ron Carter Quartet: Foursight. She also leads her own quartet and trio, which toured Japan last month. As a leader, the Vancouver native has released 14 recordings, four of which have garnered Juno Awards, the Canadian equivalent of the Grammy. The two most recent are Manhattan Rain, which features Ms. Rosnes in ensemble settings and includes four original compositions; and Double Portrait, a CD of two-piano duets with her husband Bill Charlap. As a distinguished composer and arranger, many of her arrangements are featured at Jazz in July concerts. Her website is reneerosnes.com.
Born in Atlanta, Rufus Reid has toured and recorded with such artists as Eddie Harris, Nancy Wilson, Lee Konitz, Thad Jones & Mel Lewis, J. J. Johnson, Dexter Gordon, Art Farmer, Stan Getz and Jack DeJohnette, to name a few. He leads his Out Front Trio, which has released two albums: Out Front and Hues of a Different Blue. Also a composer, Mr. Reid has written for string orchestra, concert band, and small and large jazz ensembles. Last year, Quiet Pride, a five-movement work for large jazz ensemble, inspired by the sculptures of Elizabeth Catlett, was premiered in Baton Rouge. As an educator, Mr. Reid's book, The Evolving Bassist, published in 1974, continues to be recognized as the definitive bass method; a DVD version was released in 2003. His website is rufusreid.com.
One of New York's most in-demand jazz drummers, Tim Horner's first professional job was with the Tommy Dorsey Orchestra while he attended Berklee College of Music in Boston. He then moved to New York, where he has since worked with dozens of artists and is a long-standing regular substitute with the Vanguard Jazz Orchestra. Mr. Horner made three international tours for the US State Department with the Roseanna Vitro Quartet, and in 2010, he toured Asia with his own ensemble for the State Department and Jazz at Lincoln Center. In 2011 he released his first CD as a leader: a disc of his own works entitled The Places We Feel Free. This September he is releasing another recording of his music, featuring Joe Locke and Ted Nash. Currently an instructor for New Jersey City University, his website is timhornermusic.com.
"One of the city's great summer traditions."—Bloomberg News
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Groups of 10 or more receive a 15% discount. Please note that certain events may not qualify for a group rate. To make group arrangements or need further assistance, you may contact Customer Service at 212.415.5500 during our Hours of Operation.
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YourStage events that are ON have been confirmed; PENDING events need to generate more ticket sales; If an event fails to generate enough ticket sales, the event will be CALLED OFF, and all ticket holders will be refunded.
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Patrons that qualify for Priority Registration will receive packets in the mail explaining how to purchase online. Priority registration is normally mailed 2-3 weeks before a catalog is available. Registration information includes your Patron ID#. You can use this ID# to setup your login information online. This will allow you to register early for a course or event. Please note: if you receive a packet, you are only eligible to priority register for the programs covered in your packet.
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== scgi_buffering ==
== scgi_buffering ==
'''syntax:''' scgi_buffering ''
'''syntax:''' scgi_buffering ''| ''
'''default:''' scgi_buffering ''
'''default:''' scgi_buffering ''''
'''context:''' ''http, server, location''
'''context:''' ''http, server, location''
Revision as of 05:04, 27 November 2012
This module allows Nginx to interact with SCGI processes and control what parameters are passed to the process. This page was mostly copied from the FastCGI and proxy documentation, and may not be entirely accurate as a result.
This module first appeared in nginx-0.8.42
Caching example:
http { scgi_cache_path /path/to/cache levels=1:2 keys_zone=NAME:10m inactive=5m; server { location / { scgi_pass 127.0.0.1:9000; scgi_cache NAME; scgi_cache_valid 200 302 1h; scgi_cache_valid 301 1d; scgi_cache_valid any 1m; scgi_cache_min_uses 1; scgi_cache_use_stale error timeout invalid_header http_500; } } }
The cache honors backend's Cache-Control, Expires, and etc. Vary handling is not implemented.
syntax: scgi_bind address
default: none
context: http, server, location
scgi_bind 192.168.1.1;
Binds each upstream connection to a local address before calling connect(). It may be useful if host has several interfaces/aliases and you want to pass outgoing connections from specific interface/address.
syntax: scgi_buffer_size the_size
default: scgi_buffer_size 4k/8k
context: http, server, location
This directive sets the buffersize, into which will be read the first part of the response, obtained from the scgi server.
In this part of response the small response-header is located, as a rule.
By default, the buffer size is equal to the size of one buffer in directive scgi_buffers, however it is possible to set it to less.
syntax: scgi_buffering on | off
default: scgi_buffering on
context: http, server, location
version: 1.1.5
variables: no
This directive controls response buffering of the response.
If buffering is activated, then nginx reads the response from the upstream server as fast as possible, saving it in the buffer as configured by directives scgi_buffer_size and scgi_buffers. If the response does not fit into memory, then parts of it will be written to disk.
If buffering is switched off, then the response is synchronously transferred to client immediately as it is received. nginx does not attempt to read the entire answer from the upstream server, the maximum size of data which nginx can accept from the server is set by directive scgi_buffer_size.
For Comet applications based on long-polling it is important to set scgi_buffering to off, otherwise the asynchronous response is buffered and the Comet does not work.
Buffering can be set on a per-request basis by setting the X-Accel-Buffering header in the response.
syntax: scgi_buffers the_number is_size
default: scgi_buffers 8 4k/8k
context: http, server, location
This directive sets the number and the size of buffers, into which will be read the answer, obtained from the scgi server. By default, the size of one buffer is equal to the size of page. Depending on platform this is either 4K, 8K or 16K.
syntax: scgi_busy_buffers_size size
default: scgi_busy_buffers_size ["#scgi_buffer_size"] * 2
context: http, server, location, if
syntax: scgi_cache zone|off
default: off
context: http, server, location
The directive specifies the area which actually is the share memory's name for caching. The same area can be used in several places.
syntax: scgi_cache_bypass variable1 variable2...
default: none
context: http, server, location
version: >= 0.8.46
Specifies in what cases a request will bypass a cached response and pass the request to upstream.
scgi_cache_bypass $cookie_nocache $arg_nocache$arg_comment; scgi_cache_bypass $http_pragma $http_authorization;
The expression is false if it is equal to the empty string or "0". For instance, in the above example, the request will always go through to the back-end if the cookie "nocache" is set in the request.
Note that the response from the back-end is still eligible for caching. Thus one way of refreshing an item in the cache is sending a request with a header you pick yourself, e.g. "My-Secret-Header: 1", then having a scgi_no_cache line like:
scgi_no_cache $http_my_secret_header;
syntax: scgi_cache_key line
default: none
context: http, server, location
The directive sets the key for caching, for example:
scgi_cache_key localhost:9000$request_uri;
syntax: scgi_cache_methods [GET HEAD POST]
default: scgi_cache_methods GET HEAD
context: http, server, location
GET/HEAD is syntax sugar, i.e. you can not disable GET/HEAD even if you set just
scgi_cache_methods POST;
syntax: scgi_cache_min_uses the_number
default: scgi_cache_min_uses 1
context: http, server, location
Directive specifies after how many requests to the same URL in will be cached.
syntax: scgi_cache_path path [levels=m:n] keys_zone=name:size [inactive=time] [max_size=size]
default: none
context: http
The clean_time parameter was removed in 0.7.45.
This directive specifies path to the cache storage and other cache parameters. All data is stored in the files. The cache key and the name of cache file are calculated as MD5 sum of the proxied URL.
Level parameter sets number and width of the names of subdirectories used to store caching files. For example, with the directive like:
scgi_cache_path /data/nginx/cache levels=1:2 keys_zone=one:10m;
the data will be stored in the following file:
Caching data is first written to the temporary file which is then moved to the final location in a cache directory. Starting from 0.8.9 it is possible to store temporary and cache files on different file systems, but it should be kept in mind that in such a case instead of cheap and atomic rename syscall a full file copy is performed. So it's better to use the same file system in both parameters of scgi_temp_path and
scgi_cache_path directives.
In addition, all active keys and information about data are kept in the shared memory zone, which name and size are specified by the options of the
key_zone parameter. In case this data haven't been accessed for the time, specified in the option of
inactive parameter, it is wiped out from the memory. By default inactive period is set to 10 minutes.
To maintain the maximum size of the cache, which is set by
max_size parameter, a special process cache manager periodically deletes old data from the cache.
syntax: scgi_cache_use_stale updating|error|timeout|invalid_header|http_500
default: scgi_cache_use_stale off
context: http, server, location
Determines whether or not Nginx will serve stale cached data in case of gateway event such as error, timeout etc.
syntax: scgi_cache_valid [http_return_code [...]] time
default: none
context: http, server, location
Directive sets caching period for the specified http return codes. For example:
scgi_cache_valid 200 302 10m; scgi_cache_valid 404 1m;
sets caching period of 10 minutes for return codes 200 and 302 and 1 minute for the 404 code.
In case only caching period is specified:
scgi_cache_valid 5m;
the default behavior is to cache only replies with the codes 200, 301 and 302.
It's also possible to cache all the replies by specifying code "any":
scgi_cache_valid 200 302 10m; scgi_cache_valid 301 1h; scgi_cache_valid any 1m;
syntax: scgi_connect_timeout time
default: scgi_connect_timeout 60
context: http, server, location
Directive sets timeout period for connection with SCGI-server. It should be noted that this value can't exceed 75 seconds.
syntax: scgi_hide_header name
context: http, server, location
By default, Nginx does not pass headers "Status" and "X-Accel-..." from the SCGI process back to the client. This directive can be used to hide other headers as well.
If the headers "Status" and "X-Accel-..." must be provided, then it is necessary to use directive scgi_pass_header to force them to be returned to the client.
syntax: scgi_ignore_client_abort on|off
default: scgi_ignore_client_abort off
context: http, server, location
This directive determines if current request to the SCGI-server must be aborted in case the client aborts the request to the server.
syntax: scgi_ignore_headers name [name...]
context: http, server, location
This directive forbids processing of the named headers from the SCGI-server reply. It is possible to specify headers like "X-Accel-Redirect", "X-Accel-Expires", "Expires" or "Cache-Control".
syntax: scgi_intercept_errors on|off
default: scgi_intercept_errors off
context: http, server, location
This directive determines whether or not to transfer 4xx and 5xx errors back to the client or to allow Nginx to answer with directive error_page.
Note: You need to explicitly define the error_page handler for this for it to be useful. As Igor says, "nginx does not intercept an error if there is no custom handler for it it does not show its default pages. This allows to intercept some errors, while passing others as are."
syntax: scgi_max_temp_file_size 0
default: ?
context: ?
This directive turns off scgi buffering according to the source code.
syntax: scgi_next_upstream error|timeout|invalid_header|http_500|http_503|http_404|off
default: scgi_next_upstream error timeout
context: http, server, location
This directive defines in which cases request will be passed to the next server:
- error — an error occurred during connection to the server, passing request to it or reading server respond header;
- timeout — a timeout occurred during connection to the server, passing request to it or reading server respond header;
- invalid_header — server returned empty or invalid answer;
- http_500 — server returned 500 respond;
- http_503 — server returned 503 respond;
- http_404 — server returned 404 respond;
- off — explicitly forbids passing request to the next server;
It should be clear that passing request to the next server is possible only if no data have been yet returned to the client. So, if the error or timeout occurred during the data transmission to the client it's too late to fix it.
syntax: scgi_no_cache variable [...]
default: none
context: http, server, location
Specifies in what cases the responses will not be stored, e.g.
scgi_no_cache $cookie_nocache $arg_nocache$arg_comment; scgi_no_cache $http_pragma $http_authorization;
The expression is false if it is equal to the empty string or "0". For instance, in the above example, the response will not be stored if the cookie "nocache" is set in the request.
syntax: scgi_param parameter value
default: none
context: http, server, location
Directive assigns the parameter, which will be transferred to the SCGI-server.
It is possible to use strings, variables and their combination as values. Directives not set are inherited from the outer level. Directives set in current level clear any previously defined directives for the current level.
scgi_param SCGI 1; scgi_param REQUEST_URI $request_uri;
Parameter REQUEST_URI is used to determine the name of script to execute, and QUERY_STRING contains the parameters of the request. scgi_param SCGI 1; is required to be in the list of parameters by the SCGI standard. scgi_param CONTENT_LENGTH $content_length; is automatically included as the first parameter.
If dealing with POST requests, two additional parameters are necessary.
scgi_param REQUEST_METHOD $request_method; scgi_param CONTENT_TYPE $content_type;
syntax: scgi_pass scgi-server
default: none
context: location, if in location
Directive assigns the port or socket on which the SCGI-server is listening. Port can be indicated by itself or as an address and port, for example:
scgi_pass localhost:9000;
using a Unix domain socket:
scgi_pass unix:/tmp/scgi.socket;
You may also use an upstream block.
syntax: scgi_pass_header name
context: http, server, location
This directive explicitly allows to pass named headers to the client.
syntax: scgi_pass_request_body on|off
default: scgi_pass_request_body on
context: http, server, location
Defines whether or not the request body should be passed to the scgi. Should usually be left on.
syntax: scgi_pass_request_headers on|off
default: scgi_pass_request_headers on
context: http, server, location
Defines whether or not the request headers should be passed to the scgi. Should usually be left on.
syntax: scgi_read_timeout time
default: scgi_read_timeout 60
context: http, server, location
Directive sets the amount of time for upstream to wait for a scgi process to send data. Change this directive if you have long running scgi processes that do not produce output until they have finished processing. If you are seeing an upstream timed out error in the error log, then increase this parameter to something more appropriate.
syntax: scgi_send_timeout time
default: scgi_send_timeout 60
context: http, server, location
Directive specifies request timeout to the server. The timeout is calculated between two write operations, not for the whole request. If no data have been written during this period then serve closes the connection.
syntax: scgi_store on|off|path
default: scgi_store off
context: http, server, location
This directive sets the path in which upstream files are stored. The parameter "on" preserves files in accordance with path specified in directives alias or root. The parameter "off" forbids storing. Furthermore, the name of the path can be clearly assigned with the aid of the line with the variables:
scgi_store /data/www$original_uri;
The time of modification for the file will be set to the date of "Last-Modified" header in the response. To be able to safe files in this directory it is necessary that the path is under the directory with temporary files, given by directive scgi_temp_path for the data location.
This directive can be used for creating the local copies for dynamic output of the backend which is not very often changed, for example:
To be clear scgi_store is not a cache, it's rather mirror on demand.
syntax: scgi_store_access users:permissions [users:permission ...]
default: scgi_store_access user:rw
context: http, server, location
This directive assigns the permissions for the created files and directories, for example:
scgi_store_access user:rw group:rw all:r;
If any rights for groups or all are assigned, then it is not necessary to assign rights for user:
scgi_store_access group:rw all:r;
syntax: scgi_temp_file_write_size size
default: scgi_temp_file_write_size ["#scgi_buffer_size"] * 2
context: http, server, location, if
Sets the amount of data that will be flushed to the scgi_temp_path when writing. It may be used to prevent a worker process blocking for too long while spooling data.
syntax: scgi_temp_path path [level1 [level2 [level3]]]
default: scgi_temp_path scgi_temp
context: http, server, location
This directive sets the path where to store temporary files received from another server. It is possible to use up to 3 levels of subdirectories to create hashed storage. Level value specifies how many symbols will be used for hashing. For example, in the following configuration:
scgi_temp_path /spool/nginx/scgi_temp 1 2;
Temporary file name may look like:
Parameters transferred to SCGI-server.
The request headers are transferred to the SCGI-server in the form of parameters. In the applications and the scripts run from the SCGI-server, these parameters are usually accessible in the form of environment variables. For example, the header "User-agent" is transferred as parameter HTTP_USER_AGENT. Besides the headers of the HTTP request, it is possible to transfer arbitrary parameters with the aid of directive scgi_param.

subset: commoncrawl


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"Who do you say that I am?"
"In the beginning was the Word. And the Word was with God, and the Word was God." The introductory segment of the prologue of the gospel of John was the most carefully examined text of the New Testament for the …Read More
Out with the New, In with the Old
I love old things. I love old furniture, old cars, and old houses, but I especially love old books — old, dusty books. And I don't know about you, but dust makes me sneeze. Recently, my wife and I were …Read More
Name Above All Names
Before I was regenerate, I was degenerate. I never looked into names and their meanings. I was looking with the eye but not through the eye, and hearing with the ear but not through the ear. My mind was disengaged …Read More
In Jesus' Name
"In Jesus' name we pray, Amen." Is this just habit, a formal closing in public prayer? Or, is it a powerful declaration that we who pray in that name are in Him to whom that name belongs? Well, Christians from …Read More
Before the Throne of God
The Epistle to the Hebrews was written to encourage Jewish believers who had professed faith in Christ not to backslide from Him in order to return to the still impressive Temple rituals of pre–A.D. 70 Judaism. What the inspired writer …Read More
Patience in Christ
Despite the inefficiency and increasing indecency of our society, I have to admit that I enjoy living in the United States. In fact, there is no other country in the world in which I would like to live. I have …Read More
The Spirit of Rebellion
Though I haven't the infernal wisdom that C.S. Lewis demonstrated in his classic work The Screwtape Letters, I think I know something about at least some of the devil's stratagems. The Screwtape Letters, you remember, purported to be a series …Read More
Church History in Christ
By the end of the eighteenth century, the church of Geneva had become a mere shadow of its former glory. The pulpit of John Calvin no longer thundered with the bold truths of the Protestant Reformation. It no longer broadcast …Read More
Our Comforter in Life and Death
In one form or another, I have heard cries of the heart many times over the years. People hurt deeply. We live in a world where, for believer and unbeliever alike, there is pain, heartache, and the experience of tragedy. …Read More
The Christ of the Three Appearings
Many pastors, perhaps most, take a very deep breath before they commit themselves to preaching through Hebrews! Understandably so, for it brings most Christians into a world that is alien and distant: Melchizedek and Aaron, temple and furniture, blood and …Read More
ArticlesBrowse select Tabletalk articles and columns exploring themes and topics across a spectrum of relevant issues.
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text:
Take Steps for Crohn's & Colitis is the Crohn's & Colitis Foundation's walk for a cure. In this video, participants talk about how these diseases have affected their lives, and why they're taking steps toward a future without them.
College:Emory University
I am a senior at Emory University double majoring in Chemistry and Psychology and getting ready to apply for medical school. At Emory, I am the current Chief of Operations for Emory EMS, a Chemistry TA, a part of the sailing team, and a member of...
Take Steps is the CCFA of America's largest fundraising event. We raise funds and awareness while we come together to celebrate the steps that have been taken toward cures!
Rock the Strip at Night with Team Challenge!
College:University of Texas at Austin
My name is Monica Johnson and I am currently a junior electrical engineering major at The University of Texas at Austin. I am involved in several engineering groups on campus and love to explore Austin in my free time.


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Home > Electronics > Travel Electronics > Electronic Language Translators > Lingo EuroTalk Electronic Translator
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text:
|West Islip, N.Y.
|High School:
|West Islip
As a Junior in 2012:
Played in all 14 games for the Bobcats, including two in a starting role … Finished with two goals and one assist for a total of three points on the season … Finished with 17 ground balls and four caused turnovers … Scored a goal during a match against Detroit Mercy on Mar. 10 … Tallied an assist and a season high three groundballs at St. Joseph's on Mar. 13 … Picked a ground ball in two consecutive wins over Mount St. Mary's and Wagner on Mar. 31 and Apr. 7 … Scored a goal and tallied two ground balls during a matchup with Sacred Heart on Apr. 28.
As a junior:
Played in 11 games for the Bobcats in 2011 … Caused a turnover and picked up a ground ball in a win at Providence on Mar. 12 … Recorded a caused turnover in a win over Sacred Heart on Apr. 23 … Tallied a caused turnover and ground ball in a win over Wagner on Apr. 30 … Caused a turnover and picked up a ground ball in the NEC Championship against Mount St. Mary's on May 7.
As a sophomore:
Saw action in two games for the Bobcats ... Picked up a ground ball against Wagner on March 4.
As a freshman:
Did not play due to injury.
Before Quinnipiac:
An honorable mention all-division pick for the Suffolk County Champions ... also played soccer.
The son of Laura and Gary Messina ... older brother, Gary, also played on the Quinnipiac men's lacrosse team ... also has a younger brother, James.


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Public Invited to Our Heroes Tree ceremony at the Indiana State Library on November 9th
INDIANAPOLIS (November 2, 2012) – Hoosiers will have the opportunity to honor loved ones that served in past and present wars, conflicts or peacetime operations. The Indiana State Library, the Military Family Research Institute at Purdue University (MFRI) and public libraries across the state will honor military members, veterans and their families by participating in the annual Our Heroes Tree program. Through this program, Indiana libraries also try to create awareness of military families currently affected by deployment.
"For our citizens, the library is a community gathering place where information is found and shared. It is the heart of some communities where people, young or old, highly educated or just learning, meet to gain new ideas or share in memories of the past," said Kathy Broniarczyk, director of outreach for MFRI. "Partnering with the Indiana libraries for Our Heroes' Tree creates an opportunity to increase awareness within local communities about the service and sacrifice fellow citizens have made in defense of their state and country."
To participate in Our Heroes' Tree, simply create a handmade ornament honoring the service member from past and present wars, conflicts or peacetime operations. Bring the ornament to the Indiana State Library or any participating library where it will be placed on the tree with other commemorative ornaments. Please contact your local participating library for dates the Our Heroes Tree will be in public view in your community.
"This is a remarkable initiative that promotes patriotism throughout Indiana communities via their local public library," said Roberta L. Brooker, Indiana's State Librarian. "We look forward to discovering all of the wonderful things done to recognize Hoosier military members and their families."
The Indiana State Library will hold a reception on November 9th to kick off its Our Heroes Tree celebration. The public is welcome to join us from 11:00 AM to 1:00 PM for free refreshments and light snacks. There will be plenty of ornament templates and a photo scanner to assist in the creation of ornaments. Stories about individual service members can also be submitted and displayed in a binder near the tree. Those that cannot attend the November 9th event are welcome to hang an ornament on the State Library's Our Heroes tree during regular business hours November 9th through December 28th.
Visit www.in.gov/library/oht.htm to learn more about the 2012 Our Heroes Tree program or contact Drew Griffis, Indiana State Library, at firstname.lastname@example.com.
About Our Heroes Tree (www.ourheroestree.com)
Our Heroes' Tree is a national program founded to recognize and honor the sacrifices of current service members, veterans, and deceased service members. Participating libraries will display a tree featuring handmade ornaments created by community members to honor a service member. Libraries will also offer resources to help these communities provide support and generate a greater understanding of the experiences of servicemen and women and their families.
About the Indiana State Library (www.library.in.gov)
The Indiana State Library was established in 1825 to provide library services to Indiana's state governmental officials and employees. Since that time, the responsibilities of the State Library have expanded to provide services to all citizens of Indiana. Just as the Library of Congress serves as the historical repository for our nation, the State Library is responsible for collecting and preserving all types of information and data about the state of Indiana.
Everyone is welcome to visit the State Library. Our professional staff is available to assist with research questions, offer expertise on a variety of subject matters, including genealogy, and provide general guidance and information about materials in the Library's collections.


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You are hereHome › Programs & Events › Readings & Conversations ›
Passwords: J.D. McClatchy on Henry Wadsworth Longfellow
Date and Time:
October 19, 2000 - 7:00PM
Henry Wadsworth Longfellow (1807-1882) was revered during his lifetime as America's beloved national bard, and for generations afterwards he was a staple of the hearthside and the schoolroom. But for decades now his fame has receded. Poet, editor and critic J.D. McClatchy reads and discusses Longfellow's work, muses on the tides of taste, and presents a fresh view of this long-neglected and underestimated poet.
Event Sponsored By:
Poets House
Event Type:
Readings and Conversations
Upcoming Readings and Conversations
Current Exhibition
June 12, 2015 to September 19, 2015


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Whether it's at home at Cameron Indoor
Stadium, on the road in a hostile environment, or on neutral ground, the
Duke Blue Devils are unflappable. The nation's top program just keeps on
winning! This amazing poster features a breathtaking look inside the #1
vs. #2 matchup on December 10, 2005 at the Continental Airlines Arena in
New Jersey, as Duke ripped apart the Longhorns' poll-topping aspirations
with a 97-66 blowout win. As the great J.J. Redick lets another free-throw
fly on the way to adding to a 25-point second half lead...SNAP! The moment
is preserved for all-time, and is now available for your wall. From the
fans in the stands, to the action on the floor, to the apt title in the
border below, this is a wonderful piece of sports art for your wall, and
a classic for any true Duke fan! The perfect addition to your collection.
Product Specifications:


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Freedom Flix
Ariz. Supreme Court Declares Edu. Choice Program Constitutional
The Arizona Supreme Court announced today that it will not review a unanimous Court of Appeals' decision that declared Arizona's Empowerment Scholarship Account (ESA) Program passes constitutional muster. Today's decision removes any lingering uncertainty about the program's constitutionality.
"Arizona's ESA Program is changing lives and improving educational outcomes for more than 700 special-needs students currently participating in the program," said Tim Keller, Executive Director of the Institute for Justice Arizona Chapter and the Institute's lead attorney defending the program in court. "The Arizona Supreme Court's decision is a huge victory for the families participating in the ESA Program."
Austin Fox is one example of the difference this program is making in students' lives. Now a high school senior, Austin—who has Asperger's syndrome—was ready to drop out of his public high school in 10th grade. But the opportunity to participate in the ESA program, and to choose a school for himself, convinced Austin to stay in school. Austin's new-found academic success and high SAT and ACT scores means he is college bound upon graduation. Austin's mom, Crystal credits the ESA program with "saving Austin's life."
The Institute for Justice represented Crystal and Austin in this case. Along with several other parents and children, the Foxes intervened in the lawsuit, filed by the Arizona Education Association and the Arizona School Boards Association, to defend the ESA program, which is the first of its kind in the nation.
"Arizona's ESA Program is a publicly-funded education savings program that gives parents more control over their special needs child's education than any other private school choice program in the country," explained Keller. "Arizona's ESA Program differs from traditional publicly-funded scholarship programs by giving parents of special-needs children a full menu of educational options in which to choose to spend the funds."
Under the ESA Program, participating parents receive quarterly deposits into an "empowerment account" in an amount slightly less than their child's previous public school would have received to educate their child. Parents can then use those funds for a wide array of educational options, including payment of tuition or fees at a private school, purchasing educational therapies or services from a licensed or accredited provider, hiring an accredited tutor, or even paying for individual classes or extracurricular activities at a public school.
"Arizona has always been a national leader in offering families educational choice," said Institute President and General Counsel William Mellor. "Today's decision finally and fully vindicates the ESA Program's constitutionality. The Court of Appeals' decision now joins a growing list of state courts, including Ohio, Wisconsin, and most recently Indiana, to vindicate the parental right to choose the educational environment that best suits their child's unique educational needs."
The Institute for Justice is the nation's leading law firm defending educational choice programs and is actively involved in litigation to protect programs in Alabama, Colorado, New Hampshire, and North Carolina. The Institute for Justice previously successfully defended Arizona's popular tax-credit-scholarship programs in the Arizona Supreme Court in 1999 and again in the U.S. Supreme Court in 2009.
Learn more! http://www.ij.org/arizona-education-savingsRead more
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Freedom Flix
The Institute for Justice is always looking for new ways to promote the message of freedom. To that end, IJ produced the following videos in-house to tell the stories of our clients and their fight for individual liberty.
None of this — the cases or these videos — would be possible without the continued generosity of our donors. We hope you enjoy them and share them with those who need a little inspiration.
Subscribe to our videos via iTunes or YouTube.


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Guest Room (175 – 410 sq. ft.)
Cool grays and chartreuse accents set the tone of a relaxing stay in our spacious hotel rooms in the center of Manhattan. From petite to deluxe, our Chelsea hotel rooms offer one queen or two double beds. Newly redesigned by the acclaimed Rockwell Group, this residential living space comes fitted with all of our thoughtful room amenities, including a coffee maker, a flat-screen TV, iHome docking station, as well as our Affinia signature bed and open workspace with desk.


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G reek has a challenging mission ahead on Monday night: Follow up a nearly perfect episode, one our critic raved about in her latest review. The ABC Family hit will attempt to do so on "Subclass Plagi More »
This was exactly the Greek I had been waiting for all season. There was witty banter, a party, and all of the core characters in one room. It was classic Greek and it felt good. As proven on "Midnight More »
Watch a sneak peek of the upcoming episode of GREEK "Midnight Clear" Season 4 Episode 7 which airs on Monday February 14 (9:00 -10:00 PM ET/PT) on ABC Family. Episode Synopsis : GREEK "Midnight Cle More »


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Bryanna Clark Grogan's Vegan Feast Kitchen/ 21st Century Table: The kitchen journal of a vegan food writer.. I'm on Facebook and Twitter (see links in sidebar at right).
Saturday, October 15, 2011
WORKING QUICKLY, scoop the agar mixture into Mixture B in the mixer bowl, using a small spatula to get all of it out of the bowl or pan. Dump in Mixture C (the Versawhip and salt) and immediately (this is important!) start beating at medium speed for a few seconds. Stop and quickly scrape the sides of the bowl downward so that all of the Versawhip gets incorporated into the liquids.
The creme will increase in volume by about 5 times, and should be white and fluffy.
Use immediately or scoop into a container, cover and refrigerate. It will look more airy after a time in the fridge, and lose volume, so, just before serving, whip it in the mixer (or with a hand-held beater) again until it recovers its volume and creaminess, and use immediately. I'm not sure how long it will last in the fridge, to be honest.
6 comments:
- Kristina @ spabettie said...
I love versawhip 600k! I used it to make a macaron... while I am not COMPLETELY done with the recipe, I am very excited about how the three batches have turned out so far.
I may try your recipe - it would be nice for the holidays... when I try I will report back! :)
- Sat Oct 15, 08:48:00 PM PDT
- Tammy said...
Thanks for sharing your experience and creativity. Very interesting to understand a bit more of the behind the scenes process of vegan food creation....
- Sun Oct 16, 08:07:00 AM PDT
- Vegiegail said...
Yay! Thank you for sharing the recipe, Bryanna! I've been waiting for this! I'm definitely going to try making it with So Delicious Coconut Milk. It has roughly the same amount of fat as soy milk, so it should work great. I will let you know the results, for sure!
- Sun Oct 16, 09:40:00 AM PDT
- Bryanna Clark Grogan said...
I look forward to your experiment, Gail! Not being able to leave well enough alone, I had a brainwave today, so I'm going to try one more thing and will post it if it works. (I'm trying to get it to a point where it will hold up for long and not deflate so fast.)
- Sun Oct 16, 10:33:00 AM PDT
If you add xantham gum it should help it hold longer.
- Tue Dec 20, 02:07:00 PM PST
- Bryanna Clark Grogan said...
That's what I did, anonymous-- see this ost: http://veganfeastkitchen.blogspot.com/2011/10/updated-and-improved-versawhipped-creme.html
But I'm afaid to add to much or you get that "gummy" mouthfeel.
- Tue Dec 20, 05:14:00 PM PST


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The Cornell University Biological and Biomedical Sciences (BBS) Graduate Program is an interdisciplinary umbrella program consisting of outstanding graduate students conducting state-of-the-art basic, clinical and translational life sciences research alongside their world-renowned faculty mentors and other research professionals. Housed in the heart of biomedical research at the Cornell-Ithaca campus in the College of Veterinary Medicine, the BBS program takes advantage of outstanding research facilities, the vibrant Cornell undergraduate campus and strong links to the Weill Cornell Medical College campus in New York City.
The BBS Program fosters a nurturing, student-centered community of scholars that is accessible, engaging and committed to ensuring that our graduate students reach their full potential in research, teaching and professional development. Our BBS Graduate Student Council members are available to help answer your questions about graduate student life in the BBS Program at Cornell. Feel free to connect with them today!
|3-D scans of mating fruit flies uncover female biology more
|Female reproductive tract assists swimming sperm more
|DNA 'spool' modification affects aging and longevity more
|New Strategy IDs infertility-causing genes more


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Now we're email buddies!
You have chosen to receive our #NAMED_LISTS# newsletters at #EMAIL_ADDRESS#. You will receive an e-mail shortly confirming your subscription. So excited to have you!
Refinery 29
Please upgrade your browser for the best Refinery29 experience. Read more.
These pretty powders are the makeup equivalent of the silvery memory wisps that populate the Pensieve in Harry Potter. Yes, they really are that magical. Meet NARS' new Dual-Intensity Eyeshadows, which can be worn wet or dry.
Now, we know wet and dry shadows have been around for eons, so this doesn't seem that noteworthy. However, the formula and the gorgeous colors of these particular wet/dry eyeshadows is actually quite revolutionary. They truly look like two completely different shades depending on how you apply. Dry provides a sheer, airbrushed finish (but still tons of great pigment), while wet gives you a super-intense, opaque result.
But, even if they didn't have this great versatility, we'd still be totally smitten for the hues alone. There's some gorgeous duo chrome, like the pearly Casseopeia, and some breathtaking metallics, like Dione, which gives a true foiled effect. Our only sadness is that we have but two eyes to adorn with these glimmering beauties.
Click through to see all 12 shades in their full glory, then check out the fab eyeshadow tutorial below to learn exactly how to get the most out of these new launches.


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Tuesday, Aug. 19, 2014 — Banner Lassen Medical Center and the Banner Lassen Medical Center Foundation invite the public to a low-cost family fun and fitness event from 11 a.m. to 3 p.m. Saturday, Aug. 23 at the Lassen County Fairgrounds, 195 Russell Ave.
Organizers plan to have various activities, including professional jump rope and hula-hoop lessons, face painting, tug of war and nine-hole Frisbee golf. There will be a "Pirate Mania" section for children with three different activity stations. In addition, Bounce City will offer a giant waterslide, obstacle course and jumbo bounce house. Don't forget your swimsuits.
Medals and prizes will be awarded to the competitors in the different events, both team and individual, as well as fun participation prizes for everyone.
"Part of the obstacle to achieving wellness is getting enough physical activity," said Banner Lassen Medical Center CEO Catherine Harshbarger. "Family Fun Olympics gives the community a chance to overcome that obstacle together with fun activities."
Representatives from the Lassen County Health Department will be on hand with Jeremy Germ and his Germ Lair, storybooks and coloring books. Informational tables on everything from how to watch for ticks to Dental Health Screenings by Indian Health Services will be available. The California Highway Patrol and other emergency services will display emergency vehicles and provide valuable safety information.
The Family Fun Olympics is free to enter, and a low-cost concession stand will serve hamburgers, hot dogs and more. The day is designed for children up to 14 years of age and their parents or other adult companions.
Volunteers from the Foundation Board, local community members and Banner Lassen Medical Center employees will be on hand to help everyone enjoy their day of fun.


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Okay, that makes a bit more sense. Now try setting the font color to the silver gray that's in the middle of the color menu. It should come out looking white when applied.
Also with that font, try setting Quality to ClearType(XP). I had to do that here at the office to get Calibri to look right.


text:
Between sickness, death, pregnancy and new relationships, the cast of characters on Private Practice all find themselves struggling to cope with an onslaught of change – both good and bad. At the ce More »
" Good Grief " reminded us that to move forward, we must allow for our old wounds to heal. Our favorite doctors faced challenges head on and we were treated to storylines that showed progression and g More »
Private Practice "Good Grief" Season 6 episode 3 airs TUESDAY, Oct 9, 2012 (10:00-11:00 p.m., ET) on the ABC Television Network. Episode Synopsis: After hearing a patient's chilling confession, Viol More »


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agitated / theme
One who is agitated is moved or shaken, as if he or she had been thrown into a top-loading washing machine for a spin cycle or two. Agitation amounts to a disturbance, either personal or public, and occasionally both. To agitate is to upset, as for example an applecart, often in an attempt to effect change. But note that the agitated are the passive subjects, those who are thus moved and changed.
Themes represent basic categories of thought, emotion, or value. While our assignment of themes may at times seem arbitrary or whimsical, they serve to link together artists and movements along non- hierarchial pathways. Follow the themes to look for new disciplines that share qualities with those you already like, or to open up new worlds of Art and Culture.


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In conjunction with Adopt a Shelter Dog Month, Ralph Lauren has collaborated with the ASPCA to create The Dog Walk, a short film featuring rescue dogs from the ASPCA and the designer's Fall 2013 accessories collection. The film takes you on a virtual dog walk through the streets of New York City and Paris, with a few fun surprises along the way.
From October 15 to November 15, 10 percent of the purchase price of select accessories and dog apparel* featured in the film will be donated to the ASPCA to support and raise awareness for shelter dog adoptions. We're pleased to announce that all of the shelter dogs who starred in the film have since found forever homes and are thriving with their new families!
To watch the film and learn more, visit RalphLauren.com/TheDogWalk
* Ralph Lauren will donate 10 percent of the purchase price of all handbags, excluding pink pony handbags, sold at 888 Madison Ave on October 20, 2013, to the ASPCA.


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Travelling by Air
This page may be referred to as www.birmingham.gov.uk/airport
Birmingham Airport is located off the M42 motorway, junction 6, on the A45. Though Birmingham Airport is the primary air gateway for Birmingham, other regional airports include:
For visitors arriving in Birmingham by air, or for those leaving the city, The Birmingham Airport Guide provides up to data transport links to and from this European gateway and Birmingham City Centre.
Useful Links
Hand luggage and security guidelines
Birmingham International Airport arrivals and departures
UK Airport News collates together various news stories about Birmingham Airport.


text:
false pdp {"scheme":"product1_cr"}
false pdp {"scheme":"product2_cr"}
Rated 4.8 out of 5 by 8 reviewers.
Rated 5 out of 5 by auntsandi These are great! My nephew loves this! What a great surprise for such a big fan! Gotta love a gift that's so easy all around and can make a 3yr old smile so brightly :-) December 24, 2013
Rated 5 out of 5 by sandyclaus starwars christmas i was very pleased with my order from "improvments" shipping was great and i bought my items in an after christmas sale so the price was GREAT!!!!! February 7, 2014
Rated 4 out of 5 by Rikku Great Present I purchased all three as a gift for a fellow fan. Pros: Adorable, easy to assemble, looks very impressive, very good size. Cons: Cheap quality overall, too lightweight to even consider putting outside, packaging for shipment is rather poor. These LOOK fantastic, but you obviously have to treat them like glass ornaments. Our weather would blow these objects away, so they are strictly indoor decorations. However, they were bowled over by an enthusiastically wagging dog tail. The fabric is very cheap, be EXTRA careful pulling them over the skeleton or you can rip them. The box it comes with is NOT packaged for shipping, they put it in another box that is. So unfortunately, yoda was delivered with a crack at his skull; thankfully the hat covers it. In all, I love these things, enough to get myself a set when the time comes. However, know that these items are not worth the full price. I advise waiting until a very good sale comes along, which I am glad I did. January 3, 2014
Rated 4 out of 5 by AnakinSkywalker They look cool I saw Yoda at a HD near me after Christmas and started wondering if that was the only character available. I found the set of 3 at Improvements for an excellent price and ordered them. I can't speak to the durability, since they are new, but I get a little nervous about displaying outside. I put them together with minimal effort, but I fear taking them apart to store them could be a problem. They do look awesome when lit up and I will definitely add them to my Star Wars theme I have going. All in all and good buy. January 13, 2014
Product:433675-Star Wars Holiday Decor


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Oregon Health Plan (OHP) Member Resources
Marion County Community and Provider Services (CAPS) assists Oregon Health Plan (OHP) Members who are assigned to the managed behavioral healthcare organization, Mid-Valley Behavioral Care Network (MVBCN), who are looking for mental health and/or chemical dependency services. To assist Members in navigating through the system we've compiled materials within these pages that may answer some of your questions and provide useful information when looking for services.
Community & Provider Services (CAPS)2421 Lancaster Dr NE, Salem, OR 97305(503) 585-4977 fax (503) 361-2782


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Gift Cards
Give the gift of Stowe Mountain Lodge.
Spa & Stay in Stowe, Vermont
Luxury rooms and a 50-minute treatment per night!
Mountain Memories
Create Your Own Mountain Memories This Summer!
Perhaps it's the pristine location, the classic beauty, or the history that has evolved here. Or maybe it's the fact that one cultivates a sense of contentment throughout every season at Stowe. At Stowe Mountain Lodge, located at the base of Mount Mansfield within Stowe Mountain Resort, this quintessential New England town reaffirms its place as a four-season renowned destination for discerning world travelers. See all the excitement taking place slopeside!


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April 2005
Product Reviews / Main Nibbles / Chocolate
The Flavors & Aromas Of Varietal Chocolate
Page 4: Single Origin Chocolate Regions
by Peter Rot & Karen Hochman
|Cote d'Ivoire
•Bold, hearty
•Noncomplex blending beans
•Cocoa, tobacco, and leather
Bold and hearty cacao, Ivory Coast has long been a favorite supplier of bulk beans. It's an excellent choice for blended chocolate because of its boldness and noncomplex flavor of cocoa, tobacco, and leather.
|•Forastero (mostly)
•Bold, assertive, full-bodied
•Not bitter
•Chocolate, coffee, tobacco
Ghana cacao is bold, assertive, and full-bodied. Most of it is Forastero, but the bitterness level of the beans is relatively low, so it's much more soothing and gentle on the palate. Also, it's strongly chocolaty. This makes it perfect for blending, especially since common flavors are coffee and tobacco.
|São Tomé
•Forastero (Amelonado)
São Tomé is an island republic in the Gulf of Guinea. The cacao grown is predominantly Forastero, the progeny of Amelonado cacao brought to the island in the 1820s. São Tomé cacao can be bitter, sharp and smoky, and its range of flavors includes pure cacao (chocolaty), sharp red fruits, cinnamon and vanilla. It can be tart and aggressive, full-forward on the senses, and offers little in the way of delicacy. While it makes good single origin chocolates, it also is a good base for blended chocolate.
•Light body
•Fresh dairy, white fruit
•Woody & grassy
•Acidic, citrus
Home to some fine Trinitarios, Grenada's cacao shares similar flavor properties with many of its Caribbean cousins. It is lighter on the palate with varying flavors of fresh dairy, woody and grassy nuances, white fruitiness, and even some degree of acidity, depending, on the manufacturer.
•Light body
•Strong acidity
•Sweet spice, cocoa
Somewhat light in body, this cacao has a relatively strong acidity level. Rather noncomplex flavor of sweet spice and cocoa. Good in blends but not the most impressive cacao on its own.
•Light to medium body
•Rum, fresh dairy
•Peaches, cedar, juniper
Cacao grown here is predominantly of the Trinitario type and is often light-to-medium on the palate with a unique Caribbean gentleness. Flavors of sweet rum and fresh dairy are common, along with peaches and even woody notes of cedar and juniper.
•Light tone, delicate character
•Woody and spicy
•Chocolate, grass, butter
•Citrus & tropical fruits
Trinidad has about 21 distinct growing regions, but the most well-known is Gran Couva, the plantation popularized by Valrhona. Trinidad is regarded as the birthplace of Trinitario cacao, the hybrid of Criollo and Forastero that was created in the 1700s, after the island's Criollo crop was largely wiped out by forces of nature. Forasteros were introduced to restore the island's cacao crop but a unique hybridization with the few remaining Criollos resulted in the entirely new Trinitario species, with the delicate flavor of Criollo and the hardiness of Forastero. Trinidadian cacao can vary tremendously in flavor, so one might taste woodiness and spicy tartness in one chocolate, grass and butter tones in another, and slight citrus and tropical nuances in another—or perhaps a combination of all flavors in one chocolate. Generally, the body is medium and somewhat delicate in overall character and pleasingly chocolaty.
•Bold, assertive
•Vanilla, cocoa, woody
Brazil produces mostly Forastero cacao, with a bold and often noncomplex flavor profile. Used mainly as bulk beans, the flavor is monotone and assertive with common flavors of vanilla, cocoa, and accompanying woody nuances. Popular in blends for the chocolatiness it provides but not a good selection for single origin bars.
|Ecuador, Colombia
|•Forastero (unusual type)
•Light palate, heavy body
•No Forastero bitterness
•Not bitter
•Coffee, nuts, vanilla, and spice
Nacional or Arriba. Predominantly grown in Ecuador and Colombia, some consider Nacional (also called Arriba) a Forastero, while others argue that it's a fourth subgroup of cacao altogether. Either way, Nacional is still regarded as a flavor cacao like Criollo (which imparts flavor nuances). The flavor is typically subtle and light on the palate, but the body is heavy and bold. Generally, it possesses a lovely chocolaty flavor with light floral and fruity notes, along with coffee, nuts, vanilla, and spice. The bitterness level of these beans is practically nonexistent, which further adds to the uniqueness of its character. Nacional is unlike typical Forastero because it lacks the bitterness and instead possesses a much more subtle flavor like its Criollo cousins. The result is a cacao that shares the same hearty flavor of Forastero and subtlety of Criollo. Nacional could be viewed as the best of both worlds. Although delicious by itself, it makes an outstanding choice for blended chocolate, because it provides body and a deep chocolaty richness, and also lends its own delicate flavor.
Venezuela has two distinct growing regions: Sur del Lago and the Andean. Many different subspecies of cacao are grown in both regions. The cacaos are further distinguished by names typically derived from shipping ports or villages where the cacao was grown. For example, Rio Caribe cacao is grown near Rio Caribe; and Carenero Superior refers to the Carenero port, which was once a high-traffic port for this type of cacao ("Superior" denotes the finer quality of the beans). The quality cacaos of Venezuela are:
|•Trinitario (mostly)
•Caramel, citrus, vanilla, berries, honey
•Chocolate undertone
•Light acidity
Carenero Superior. Mostly Trinitario. Carenero refers to the port from which the cacao was once shipped, and "Superior" is a reference to higher quality beans. Typically, Carenero has a strong underlying chocolaty presence that hides underneath a myriad of flavors, such as spice, caramel, citrus, vanilla, berries, and honey. A light acidity also adds further depth to the profile.
|•Criollo & Trinitario
•Intense, assertive
•Blueberries, plums
•Molasses, vanilla
•Sharp acidity
Chuao. A village in Aragua State; Criollo and Trinitario blend (even some Forastero). Intense flavor with notes of blueberries, plums, molasses, and traces of vanilla. This is an assertive and powerful cacao with a sharp acidity; one of the rarest, most and most complex cacaos.
|•Criollo & Trinitario
•Dairy, woody
•Red fruits, peach
•Sharp, acidic
Cuyagua. A village in Aragua State; a blend of Criollo and Trinitario. Interesting flavors of dairy, sharp red fruits, slight woodiness, and even some peach. Quite sharp and acidic cacao.
•Average complexity
•Red fruits, cream, spice, nuts
Maracaibo. From the Sur del Lago region, this Criollo cacao is grown near the banks of the Maracaibo River. This cacao is inherently hearty with a full body. Its complexity is fairly minimal and can display wonderful flavors of red fruits, cream, spice and nuts.
|•Criollo & Trinitario
•Spicy, peaches, red fruits
Ocumare 61. Originally from the Ocumare de la Costa valley; Criollo and Trinitario hybridized blend. This cacao is gentle and light, but it still possesses a slight acidic punch. Flavors can vary, but most often, it yields earthy spiciness, peaches, red fruits and fresh dairy.
|•Criollo & Trinitario
•Darker, robust
•Cashews, peanuts
•Spice, pepper
Ocumare 67. Originally from the Ocumare de la Costa valley, a Criollo and Trinitario hybridized blend. Interesting flavors of cashews, peanuts, spice, pepper, and sometimes dairy. The tone is a little darker than Ocumare 61 and it does not possess 61's sharpness. It is more robust than 61 in overall character, with a heavier body.
•Mild & delicate
•Great finesse
•Strawberries, cream
•Butter, bread
Porcelana. From the Andean region, a genetically pure Criollo species. This cacao is extremely mild, and is prized for its delicacy and overall gentle appeal. While not a complex cacao, the flavors and texture are incredible and dazzle with finesse. Typical flavors are strawberries, cream, butter, and sometimes bread. Mexican strands of Porcelana deviate from the Venezuelan variety with a heavier body and spicier flavor profile.
•Dark tone, bitter
•Coffee, cocoa
•Almonds, red fruits
Rio Caribe. From Sucre State, a Trinitario grown near the Rio Caribe. This cacao has a slight dark tone and a refreshing bitterness. Flavors common among this cacao are coffee, almonds, slight red fruits, and pure cocoa.
|•Criollo & Trinitario
•Hearty & robust
•Butter, hazelnuts
•Red fruits, floral
Sur del Lago Clasificado. A mix of Criollo and Trinitario beans. Typically, this cacao is hearty, robust and full-bodied with flavors of butter, hazelnuts, and red fruits. There are floral tones, and the cacao can have a brief bitter peak at the finish.
•Light body, bold flavors
•Acidic, citrus
•Leather & smoke
Javanese beans often are used in milk chocolate because they usually offer bold flavors that can withstand the dilution of the milk solids and the relatively low cocoa content. The cacao is highly acidic and citrus-like in its flavor presentation, but bolder flavors of leather and smoke are also very common. Overall, the cacao is extremely light in body but strong in flavor.
•Citrus acidity
•Vodka/white wine
•Lighter, not bitter
•Sometimes cedar, woody, spice
Madagascan cacao is often vibrant with a crisp citrus acidity, but grape, pineapple, and even cranberry notes are common as well. Alcohol notes, interpreted as as vodka and white wine, sometimes accompany these flavors. Spice, cedar, and other woody notes are appearing in more Madagascan chocolate nowadays, thus providing a larger myriad of flavors. Overall, the cacao is light on the palate and contains no bitterness.
Master the bean and regional characteristics on this page, and you'll be able to hold your own with experts at blind tastings—and at the very least, more deeply analyze, appreciate and enjoy each delicious piece of fine chocolate that passes your way.
See our glossary of chocolate terms.
In addition to the designated origin chocolate bars made by most fine chocolate houses, a number of individual chocolatiers include one or more varietal bonbons in their assortments. San Francisco chocolatier Michael Recchiuti, for example, makes five "varietals." The palets are filled with ganache and the bonbon is described below. Most people would agree that it is easier to taste the varietal differences in a pure chocolate bar, before the flavors have been diluted with cream in a ganache. However, if you have a good palate, you'll appreciate the single origin experience in bonbon form as well.
You can have a chocolate tasting with friends to study the different regional characteristics and add to your understanding of the cacao bean and its terroir. Read our pointers on how to conduct a chocolate tasting.
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WA FIRST High School Robotics Competition at CenturyLink on March 24
Some of Washington's best and brightest high school students are coming together this weekend for a competition. Although they refer to it as a "sport", there are no cleats, no helmets, and no special equipment. These kids, decked out in their school colors, with face paint, funky hats and t-shirts, are cheering for their robots.


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The Genealogy Guys
We're on The Genealogy Guys Podcast!
Two of the leading members of the genealogy community and genealogy media, Drew Smith and George G. Morgan, are "The Genealogy Guys." They have a podcast which this week features Janet Horvorka, the "Chart Chick," and moi. These guys do great work and they turn up just about everywhere genealogical news is to be found. Our interview was done at …
August 16, 2009 Sunday at 4:27 pm


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Each week TimesNews.net will work with the Sullivan County Animal Shelter, Blountville, TN, to spotlight adoptable animals available at the shelter. The new video of the week's animals will publish on timesnews.net every Friday by 11 A.M. Check back each week to meet the new Furry Friends!
If you would like to donate to the SBK Animal Shelters, print out this form: SBK Animal Shelters Donation Form. Bring the filled out form and your donation to the Kingsport or Sullivan County Animal Shelter.
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Madison Rain Barrel
Conserve water and money every time it rains.
With the Madison Rain Barrel, a few drips equal a drop in your water bill. This elegant rain catcher stores up to 40 gallons of water for free, eco-friendly irrigation. Use it for effortless watering of the handsome removable planter. Or turn the shut-off valve to fill watering cans and irrigate plants with the included overflow hose.
Seamless one-piece design is leak-resistant and double tough.
• Double-walled polyethylene vinyl, 35" h x 23" w x 19" d
• Resists leaks, UV rays, fading and discoloring
• Removable, self-contained planter with its own water reservoir
• Overflow and 4 ft. garden hose with shut-off valve included
• Cleans easily with soap and water
Turn rain showers into eco-friendly flowers. Order the Madison Rain Barrel today from Brookstone.
Madison Rain Barrel
Reviewed by 1 customer
- attractive
- Resists leaks
Best Uses
- Flower beds
- Gardens
Comments about Madison Rain Barrel:
Unlike many barrels assembled from several parts, this single-piece rain catcher has no seams to split open or leak. Upkeep is a snap. The integrated planter looks great and has its own water reservoir, so I can access stored water easily—even attaching a drip hose for nearby flower beds. It's a green solution that's also really smart.
Madison Rain Barrel
Our innovative products will provide you and your family with years of enjoyment. And with the Brookstone Protection Plus service and replacement plans, you'll have the added peace of mind knowing that if the unexpected does happen, we will simply repair or replace your covered product. Our enhanced coverage goes above and beyond the manufacturer's warranty, saving you time and money.
- 2-Year Extended Replacement Plan $29.99
- 3-Year Extended Replacement Plan $49.99
Madison Rain Barrel
Madison Rain Barrel
Madison Rain Barrel


text: Was last week an aberration then? are we confident with our future? playoff talks come back? This is the first time in many years I'm stuck unsure of how this team will play tonight and finish out the season. One thing is for sure, Philbin and Sherman better get this offense back on track.


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When recording direct input instrument audio using Ableton, my recording is plagued with a terrible noise interference that sounds like the clicks and movements of my PCs internal Hard Disk drive. This noise is relatively subtle, but when using VST amplification effects with drive or distortion (such as those found in Guitar Rig, or in some DAWs) the noise becomes so severe that it makes the audio useless for any music production. To me, the noise sounds different from a low frequency hum or constant buzz. This noise is, somehow, directly related to my computer's hard drive movement noises.
Here's some information on my setup and various test setups that I've used to try to eliminate this interference:
- Guitars (Both single-coil and humbucking pick-ups tested. No significant change.) [TS cable running from guitar to...]
- Inexpensive DI Box (LiveWire PDI. Bought for this issue. No significant change.) [XLR cable running from DI Box to...]
- M-Audio Delta1010LT PCI Audio Interface.
- Audio is being recorded using Ableton and NI Guitar Rig 5.
[Just yesterday I had a friend bring over his Focusrite Saffire FireWire Audio Interface in order to test to see if the interface itself was the problem. Unfortunately, the noise continued to exist in the signal... I completely removed the Delta1010LT from my computer when testing my friend's Saffire.]
My PC, Monitors, Speakers, etc. are all plugged into 2 surge protectors which are plugged into two adjacent power sockets on the same 2-socket wall power outlet. Both of the surge protectors have ground indication lights, which are lit up.
Finally, I should also mention that the interference only occurs when recording (and playback of said recordings). Playing back audio from synth/sampler VSTs, youtube videos, games, other people's music, etc. is always fine and without interference. The interference occurs only when I record audio and playback the audio that I've recorded on this setup.
What steps can I take to remove or greatly reduce this strange hard-drive noise from my audio recordings?
edit: Here's a quick sample recording of the noise. (Recorded in Ableton, using some drive from Native Instruments Guitar Rig 5 VST.)
edit: AND here's a second recording of the horrible noise pattern. This is broken into 3 chunks. In the first chunk, it's telecaster -> DI -> interface -> DAW -> GuitarRig.. In the second chunk I removed the guitar from the equation. The noise changed, but if you listen carefully you can still hear that same interference pattern! In the third and final chunk I removed the DI box as well, so it's only the internal PCI audio interface, the DAW, and GituarRig!
This noise is killing me! Any ideas how I can fix this?


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Jerome Robbins Overview
born: 1918
born in: NY, NY
died: 1998
Jerome Robbins was a choreographer and director. He choreographed more than 60 ballets, including "Other Dances," "Glass Pieces," and "Ives Songs," which are in the repetories of the New York City Ballet and other dance companies throughout the world. He also... [more]


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Link Ink: More 'Marvel Heroes,' Higgs Boson Explained And Batman's Taxes
Gaming: Gazillion's COO David Brevik gives fans their latest look at the Marvel Heroes MMO in the game's first developer diary.
Upcoming: Buck Rogers will return to new comic book adventures from Hermes Press as written and illustrated by Howard Chaykin.
Science: PHD Comics explains this wee


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http://blogs.wsj.com/law/2012/02/16/...ting-abortion/Oklahoma's not the only state passing laws restricting abortions this week. The Virginia House of Delegates passed two of the strictest anti-abortion bills in the nation on Tuesday, and opponents say it's part of a strategy which would make abortion illegal immediately if the Supreme Court were to overturn Roe v. Wade, CBS reported.
The first bill defines personhood at conception and is similar to the one passed by the Oklahoma Senate, which was noted in this morning's AM Roundup. The Virginia bill doesn't ban abortions, but it would make certain kinds of contraceptives illegal. If the Roe decision were eventually overturned, this measure would also make abortion illegal immediately.
The second measure passed in Virginia requires that women seeking an abortion be forced to undergo an ultrasound, which would mean a more physically invasive transvaginal ultrasound in the cases of early pregnancy. The Virginia Senate passed an ultrasound bill earlier this month, as Reuters noted. Gov. Bob McDonnell has indicated his support for the law, and is expected to sign it.
So much for small government, right GoP? Small government only applies when it doesn't involve things you want. This may be the largest violation of personal freedom I've seen in my lifetime. This would be the first time the government forced private citizens to undergo a medical test. Once again, the "pro-constitution" party is really only using it for toilet paper.
Luckily, I doubt these stick. Even if they pass, it's going to go to the Supreme Court. If it holds up after that, then God help us all...


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While Gates has been out / less productive, I've been leaning on a pick-up I made mid-season who has paid off big time filling that gap - Jacob Tamme, IND. In our 0.5 PPR league, Gates was +10 over Tamme this week, but I'm unapologetic about my decision to bench Gates, as Tamme has out produced Gates in Gates' other "semi"-outings.
The question is this: Tamme's playing Thursday. Do I play him early and expect P. Manning to be back with a vengeance? Or do I roll the dice on Gates, picking up McMichael just in case?


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ZELF! (3-6 yrs) / Villa Zebra
Toddlers and young children can explore the visual arts through the stimulating and challenging installations in this exhibition.Museums, Exhibitions, Youth
Professor Splash (4+) / Maritiem Museum Rotterdam
Children aged 4-10 can have exciting adventures in the wonderful port world of Professor Splash, playfully exploring the ins and outs of maritime matters.Museums, Exhibitions, Youth, Tip (Places to Go)
Real Pirates (8+) / Maritiem Museum Rotterdam
Family exhibition. Immerse yourself in the world of pirates and discover the hidden depths of the real pirate life.Museums, Exhibitions, Highlights, Youth, Tip (Places to Go), Water
Hands-on Customs Room / Belasting & Douane Museum
Play a real customs officer, sail in a customs boat, scan suitcases at an airport, or follow the Doerak detective dog. A special room in the museum where children can play and have adventures.Museums, Exhibitions, Youth
Hoezo waardeloos? (What do you mean: valueless?) / Museum Rotterdam De Dubbelde Palmboom
Games, nice films, workshops and value coupon book will take children and their (grand) parents on a search for meaning of value. Permanent exhibition.Museums, Exhibitions, Youth
North Sea Jazz Kids / Ahoy Rotterdam
Children can enjoy various workshops and concerts and a major theatre show all afternoon at the festival.Festivals, Pop/Jazz/World, Youth
Shirt Shop (6+) / Dek22
Have you always wanted to be the DJ behind the mixing tables? You can also make your own jewellery, silkscreen images and embroider slick designs on T-shirts.Lecture/Debate/Workshop, Youth
Atelier Van Lieshout's Cannibal / Villa Zebra
Could we become cannibals? Could we recycle ourselves, making socks from your hair and burgers from your meat? Joep van Lieshout contemplates life and death, sustainability and re-use.Museums, Exhibitions, Youth
Opening Party for Professor Plons / Maritiem Museum Rotterdam
Fully renovated and ready to be explored, the Professor Plons hands-on children's exhibition returns to the Maritiem Museum after travelling around the world.Museums, Youth, Tip (Places to Go), Father's Day
Ascension Day in the museum / Maritiem Museum Rotterdam
Children can create their own pirate flag as part of the family exhibition on 'Real Pirates'.Museums, Youth, Tip (Places to Go)
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