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Prince of Darkness
Reviewer: Rhett
Review Date: October 14, 2013
Format: Blu-ray
Released by: Scream Factory
Release date: September 24, 2013
Region A
Progressive Scan
Codec: AVC, 1080p
Widescreen 2.35 | 16x9: Yes
Although John Carpenter will be forever remembered as the man who brought us the masked serial killer Michael Myers, when you look over his body of work its clear that the notions of evil extend far further than inside the minds of men. For John Carpenter, evil is eternal, something that exists and fills the form of its vessel. That idea is manifested most literally in
The Thing
, where an alien entity hops from body to body taking on the form of its victim, and in
They Live
Ghosts of Mars
Village of the Damned
, evil is similarly hid by human normalcy. In
The Fog
, evil is personified by a weather condition, in
its in a car, in
Dark Star
its a beach ball hell, even his non-horror stuff like
Memoires of an Invisible Man
go on to question whether people are defined by their physical shape (or should I say The Shape?). Big deal, some might say, Carpenters a horror director and these are central themes to alien invasion, vampire or Stephen King stories. But for the naysayers to this theory, theres
Prince of Darkness
, perhaps John Carpenters most probing film into the nature of evil, and its got a brand new Blu-ray from Scream Factory.
The Story
An old priest lies on his deathbed. In his possession is a small chest with a key. He guards it with his life, but when his life leaves him, his understudy (played by
Donald Pleasance
, not far removed from his character in
) takes the reigns and seizes the key. It turns out the key opens the basement to a decaying church in the heart of Los Angeles. Within the church is a mysterious cylinder of swirling green ooze with an almost sentient ability to transmit mathematical formulae and electromagnetic power. With all this outside of his realm of expertise, Pleasance (who is only called Priest in the credits) enlists in the help of physics professor Howard Birack (
Victor Wong
, who worked with Carpenter the year prior on
Big Trouble in Little China
and was also memorably in
). Birack brings in a bunch of his graduate students, including our lead, Brian Marsh (
Jameson Parker
White Dog
, who always looked to me like a poor mans Tom Atkins). They setup shop in the church, but soon find out theyre dealing with more than just a little science experiment.
The green vat has such power that it has possessed the vagrants and street people around the inner-city area, including the cult leader, played by Alice The Man Behind the Mask Cooper. Their souls and individuality seem to have been pulled from their bodies, leaving them a mass of zombie-like beings. When one of the researchers heads outside hes stabbed in the heart by an old bicycle (something old that suddenly finds new use as something sinister, a common theme in the film). Meanwhile, the people inside work diligently to decipher the code emitted from the slime and others work to transcribe ancient manuscripts that can help to define the truth about the substance. According to text, the substance is the Prince of Darkness, an anti-God that contains the essence of evil. The vessel eventually opens and the green substance begins to possess and transfer itself from researcher to researcher.
The anti-God settles primarily into the heavenly-looking Kelly (
Susan Blanchard
, whod go on to play in
They Live
with Carpenter the next year), turning her into a rotting demon who now has the ability to bring forward the anti-Gods father, Satan himself. Satan can only manifest himself on Earth through mirrors, and once Kelly finds a mirror big enough she grabs his hand and attempts to bring him through. Brians girlfriend, Catherine (
Lisa Blount
Cut and Run
Dead & Buried
, who died suddenly in 2010) tries to stop her, but both get pulled into the portal to the netherworld. What transpires is an iconic ending where reality and the afterlife end up looking right back at our protagonist as he battles with his own understanding.
Prince of Darkness
is often a film sloughed off in the Carpenter oeuvre it was Carpenters first low budget picture after his string of successes from
in 1978 to
Big Trouble in Little China
in 1986, his first film after parting with the recurring visual stylings of Dean Cundey, and a film thats had a relatively quiet life on home video. It had a no-extras release from Universal back in 1998 and despite some packaging changes that essentially remained the way to watch the film in North America up until this new Scream Factory special edition. I can say, at the very least, this is a film thats certainly worthy of further analysis and deconstruction. Its not the most accessible of Carpenters films, but in many ways it is one of his most interesting. You can see right there on the screen a man battling with his faith and his understanding of science and reality. Carpenter had been motivated to make the film after reading what he called a life changing article on quantum mechanics. The script reflects the heady subject matter with a very talky first act and a lot of dense dialogue that can often leave viewers lost if they go in looking for a gory romp.
While Carpenters script is certainly his most obtuse, his exploration of these undeniably complex themes about physics, theology and religion is still always fascinating. The elongated opening, infuriating to some and methodically tense to others (Im the latter most days, but when Im tired this one definitely doesnt get popped in either), is without gore, death or violence, instead setting up the story with a number of lecture and dialogue sequences interspersed with Carpenters trademark white-on-black credits. Its a pretty ballsy opening for a man known for shock, but then again this entire picture is made with a sensibility that reaches beyond the regular horror tropes. The other thing Ive always liked about the picture is the cast of characters that really appear as if theyd be graduate students. While many are attractive, all of them present in a blasé sort of way, a rag tag group of bookish nerds some balding, some of a different nationality and all of a more mature sensibility. Its refreshing to see these kind of people in a horror movie, and its especially refreshing to see actors who look just as mature as the material theyre conveying. With Jameson Parker were certainly a far way from the Hollywood sheen of a Kurt Russell or a Jeff Bridges, but he proves the perfect everyman to guide us to look within ourselves.
Although he himself has directed actors to Oscar-nominated performances (Bridges in
), Carpenter isnt really known as an actors director he proves his chops here however, with a cast of characters that exude realism (he even cast some non-actors for this purpose, like Robert Grasmere) and avoid the histrionics youd akin to see in a horror film. Even the deaths in this film, and there sure are a lot by the time the third act ramps up, are done in a more cerebral way, where these intellectual characters seem to really consider their deaths rather than scream in revulsion as they meet their maker. Throughout Carpenter has a very tight control over the picture, probably tighter than ever before seeing as this was a return to low budget and less hands in the cookie jar. Carpenter keeps the themes of the picture at the forefront, and like he talks about in the commentary here, the rest of the aspects, from the performances and the wardrobe, all fall into place to reflect that. It truly is masterful the way he guides this little picture, making what by almost any other filmmaker would be an intellectual slog into a menacing look into our being.
That aforementioned title sequence, and much of the film after, is buoyed again by Carpenters astute sense of pacing. The credits break up sequences, but the driving force is the palpitating score by Carpenter and longtime collaborator Alan Howarth. As someone in a supplement on this disc notes, this might just be Carpenters longest composition running almost a quarter of an hour before the film finally is without musical backing. Much like
The Thing
, which was the first of Carpenters now-dubbed Apocalypse Trilogy (which includes this and the later
In the Mouth of Madness
), the music notes are simple but repetitive, more like a heartbeat than it is a score. But its oh so effective. When the music finally comes to a swell for that masterful finale its like a feeling of transcendence. Slow, deliberate cuts, silent, muted performance and a throbbing musical pulse all combine to create one of the most memorable scenes in Carpenters body of work. Its the perfect payoff for a film that demands you take your time in threshing through the theology.
Prince of Darkness
is by no means my favorite Carpenter film, in terms of viewings it probably ranks in the bottom third by me, but its always a film I remember and one Im happy to revisit in the right state of mind. Its just great to see a director, who at this point had done it all, still moving forward and challenging himself, making a personal movie that asks tough questions. You look at the careers of some of his contemporaries of the time and you see them falling back on sequels or director-for-hire projects, but Carpenter still had a voice. Now, as Carpenter is content to watch his Laker games and play his video games in the comfort of his nice home that he more than earned, we have the luxury of time to revisit his works and try to transcribe them, much like the characters do with the scriptures in this film. I can say that the text is rich, and even if Ill never penetrate the deep themes of Carpenters story, I certainly come out knowing a bit more about the film, and wider, my own understanding of existence. You cant ask for more than that.
Image Quality
Prince of Darkness
looks like a treat from the gods here in a beautiful 1080p transfer from Scream Factory. Watching the film again this time, I was stricken by just how colorful some of Gary B. Kibbes compositions are. The greens of the ooze really glow here, but even the orange candles or the red lights on the city buildings in the background (looking very much like some of Cundeys work in
Escape from New York
) emanate a rich palette that before Id never seen on VHS or DVD. I was also particularly impressed with the sharpness of the film, where edges, like all those silhouetted shots of the actors hair, standing out in great detail, and without any noticeable haloing. Theres only slight aliasing if you look close enough, but its a worthwhile byproduct of a film that looks as real as this. Never have I been more impressed with a Scream Factory transfer than I have here.
The sound on this release, presented with the all-pleasing options of either 5.1 or the original 2.0 in DTS-HD Master Audio, is every bit as impressive as the original. As I mentioned in my review, Carpenters score here is so important to retaining pace in this talky-at-times picture, and here it just seems to reverberate throughout the 5.1 soundspace of this track. I noticed, or rather felt, a few of the big stingers in the score come from different directions to really provide an enveloping atmosphere. Nothing was post-processed enough to seem forced or arbitrary, the score just really seemed to swirl and coagulate around the room as if it were that Satanic green slime. It was really easy to get so invested in this film when the image was so clear and the sound so rich. Fantastic job.
Supplemental Material
Firstly, Ive long been a fan of Scream Factorys custom covers, but I must say, their new
Prince of Darkness
art is my absolute favorite. Justin Osbourn's art really encapsulates the film and has such appealing soft strokes and a fitting green glow. Just perfect. Kudos. As always, theres the reversible art with that classic bug-in-the-mouth poster art on the back too. Funny to note, the packaging only makes reference to four extras, although there are many more in the film. One of the extras listed is the theatrical trailer, but thats nowhere on this disc. Given the simple presentation of a number of the Red Shirt interviews on this disc, Id imagine much of these were rushed out to include on the disc after the artwork was already finalized. Im happy they went the extra length, because there is a lot of great stuff here.
An audio commentary with John Carpenter and moderator Peter Jason (who played Dr. Paul Leahy in the movie) can be selected from the audio setup pop-up menu. The commentary is ported-over from the Region 2 DVD that came out back in 2002. The two guys are old friends, and similar to the Carpenter-Russell commentaries, they have a lot of fun laughing and joking through this track. Carpenter generally leads the track and does his usual good job of tying whats happening on screen into relevant anecdotes or observations. Jason has his share of vivid memories from the set and he does a good job keeping things light and extending the conversation. Carpenters commentaries are often second to none, and this is yet another top-notch track.
The first video extra is an interview with The Horror Master himself, Sympathy for the Devil: An Interview with John Carpenter (10:29). Carpenter is a little more affable here than weve seen him in interviews lately, and he dishes his trademark no-shit honesty without fault. Its not a lengthy interview, but he shares a lot of personal information about the film, like how they drained mercury from the crane for the hand-through-the-mirror shots. He talks liberally about who his influences were from the film (I stole a little from this ) and what he was trying to accomplish with his higher themes. Carpenters always such a straight shooter and such a legend, and this little pieces seems to capture him at his absolute best.
Alice at the Apocalypse (9:25) is a light, brisk chat with shock rocker Alice Cooper on how he got to be involved with
Prince of Darkness
(his manager was producing movies with Alive, the company that bankrolled back-to-back Carpenter films
They Live
, as well as Cravens
The People Under the Stairs
) and what he thought of the experience and the finished film. Like with Robert Grasmere below, Cooper found himself quickly upgraded on set, coming initially to watch one of the effects sequences and then later becoming the lead bad guy in the outside mob. You can see that he liked his time and that he has a lot of appreciation for John Carpenter. He also really likes old horror movies and spends a few minutes recalling his old favorites. Despite writing Teenage Frankenstein, Cooper seems instead to be more of a Dracula fan.
The Messenger (12:41) with Actor & Special Visual Effects Supervisor Robert Grasmere provides a unique look into two different facets of the production. Grasmere talks about how all the effects were created analog in camera and then he also talks about his performance as an actor. He still has some of his teeth and facial molds used for the film, and has a real jovial time recalling his unlikely ascension from effects man to principal actor in the picture. He talks about how the accomplished some of the effects, like the beetle sequence, as well as the challenge it was to do a murder sequence with a frail, old lady.
Carpenters longtime audio accomplice, Alan Howarth, sits down for a tell-all Hell on Earth (10:15). This was of particular interest to me, since Ive always wondered how much of the scores on which they collaborated were Carpenters and how much were Howarths. Turns out its a pretty even blend of both, with Howart calling himself first the technician responsible for setting up all the technology and dealing with all the processing and finessing of the sound, and then later also the painter, taking Carpenters brush strokes and making art out of them. Carpenter would sit in and would usually play the notes in real-time, and then the two of them would start to layer the track based primarily on Carpenters input. Even today, Howarth sounds very gracious for his relationship with Carpenter, and its a pretty fascinating window into one of the great musical collaborations in the history of horror.
Theres an alternate cut of the intro of the film that was originally featured on TV. As the opening title card states, this version compresses the infamously drawn-out credit sequence, not only with the length of Carpenters traditional white-on-black credits, but also with the structure of some of the scenes between. In this, the start runs 6:23 while in the finished film its a full 11-minutes. Interesting viewing, and also a reminder of just how badly Carpenters compositions are destroyed when going from 2.35 to 1.33:1.
Im a huge fan of what Sean Clark does in tracking down and immortalizing these many forgotten film locations for his show, Horrors Hallowed Grounds, and his episode for
Prince of Darkness
(13:44) is included here in all its glory. Longtime show and horror supplement DP Buz Danger Wallick always goes to great lengths to reconstruct framings from the original film, and
Prince of Darkness
fans will be pleased to know many of the locations used in the film, from the classroom to the monastery, are all virtually unchanged over 25 years later. The cute attention to detail in the presentation here, from the super-elongated credit sequence (the last credit is at 7:30 here) to the nearly frame-for-frame recreation of that common cloaked dream, is a real nice touch. I wish more special editions would incorporate these well-made virtual tours to all the memorable locations in horror film history.
Promo material is covered with a Photo Gallery (4:27) and a collection of TV and Radio Spots (2:48) that play back to back. Theres one TV spot and two radio spots. Sadly, the theatrical trailer is nowhere to be found on this release.
Lastly, theres a 12-minute easter egg of a John Carpenter Q&A before the Screamfest 2012 screening. The camera is of poor quality and the sound is just picking up right from camera so theres some echo, but the content within is more than worth the quality strain.
Final Thoughts
It is very difficult to make a film thats both intellectually challenging and viscerally fantastic, but The Horror Master was certainly up to task here with
Prince of Darkness
. This might just be Carpenters most challenging work, and for fans whove popped in
The Thing
more times than they can count, this new Blu-ray presents the perfect opportunity to explore something equally as interesting. Scream Factorys work here is glorious, with a new transfer that really breathes life into this low-budget picture and an audio mix that truly brings the throbbing dread into your living room. All the extras, many unadvertised on the packaging, combine for a great window into a film interested in looking out those windows into the great beyond. Youll find yourself looking, much like the lead character, into a screen so real and interesting, youll want to reach out and touch it to find out if its all just a dream. Youll be happy to know its not, but its just as fulfilling.
Movie - A-
Image Quality - A
Sound - A
Supplements - A-
Technical Info.
Running time - 1 hour and 42 minutes
Rated R
1 Disc
Chapter Stops
English 5.1 DTS-HD Master Audio
English 2.0 DTS-HD Master Audio
English subtitles
Supplemental Material
Commentary with Director John Carpenter and actor Peter Jason
Interviews with John Carpenter, Alan Howarth, Robert Grasemere and Alice Cooper
TV & Radio spots
Poster & Still gallery
Horror's Hallowed Ground
's episode on
Prince of Darkness
John Carpenter Q & A (Easter egg)
Other Photos
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Post: #2
Carpenter's greatest film. Will stick with my overseas Blu.
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Zombie Dude
Love the film but always hated that one scene where the Asian guy is trapped in that room and starts making jokes and acting kind of slapstick. It throws the flow of the film off slightly. I really hate that bit. Apart from that the film is chilling and a must see. It still creeps the hell out of me.
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Post: #4
Remaking My Soul
These stills must not be doing the transfer justice: it looks like there's a veil of chalky mist coating some and the rest just look gray and awful.
I hated this movie the first time but I did buy it and I'm rewatching it next week.
Just 'cuz, you should be reading it.
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The tough thing with taking snaps for computer viewing is that not every computer is calibrated to display proper blacks, so usually I like to keep the levels uncorrected from studio to computer RGB in order for the caps to be viewed clearly by all. When I take caps for my next review I'll do versions of both studio and computer gamma and we'll see what displays best for most people here.
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WHEREAS; libraries and librarians are critical to family literacy and multicultural awareness; and
WHEREAS: literacy is defined as the foundation of learning and is essential to the growth and success of all children; and
WHEREAS; children represent the hopes and dreams of the people of the United States; and
WHEREAS; children from all backgrounds should be nurtured and invested in to preserve and enhance the American Spirit, economic prosperity and democracy; and
WHEREAS; Iowa and the Davenport Public Library are partners with educators, and community based organizations to serve our youth; and
WHEREAS, the children of our nation are the responsibility of all its peoples, and people should be encouraged to celebrate the gifts of children to society- their cultures, curiosity, laughter , energy, sprit, hopes and dreams; and
WHEREAS, I encourage all residents to take advantage of the wonderful multicultural resources available at the Davenport Public Library and thank their librarians for making information available to all who walk through their doors.
NOW, THEREFORE, be it resolved that we do hereby proclaim April 30, 2013, El día de los niños/El día de los libros throughout Davenport, Iowa.
Día (Diversity in Action) is a celebration EVERY DAY of children, families, and reading that culminates every year on April 30. The celebration emphasizes the importance of advocating literacy for children of all linguistic and cultural backgrounds. It is an annual celebration of the joys and wonders of childhood and the importance of literacy in the lives of families.
For more information, visit dia.ala.org.


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Editor's note — This is the second in a two-part series previewing the Carl Albert State College basketball teams.
The Carl Albert State College Vikings will open their 2012-13 basketball season at 8 p.m. Thursday against North Arkansas for homecoming at Mick Thompson Fieldhouse.
The Vikings will face a pretty solid opponent in North Arkansas.
"Last season, North Arkansas was 21-9 overall," said Mike St. John, Carl Albert men's coach. "They have their second- and third-leading scorers returning. Offensively, they are pretty patient, while defensively they will play man-to-man defense."
The high school basketball season has arrived for the Whitesboro High School teams as they will hit the road to meet Battiest Thursday night. The girls game will tip off at 6:30 p.m., followed by the boys contest at 8 p.m.
The Bulldogs will be guided by a new coach as Billy Karr comes over from Wilburton. He replaces the late Wayne Tucker, who was killed in an automobile accident at the end of last season near Muse.
I hope everyone enjoyed all the youth pictures last week, and my column on Thursday will have more. More will be in Saturday's edition. There is nothing I like more than seeing the smile of a young boy or girl who has taken a deer. Anyone who has pictures of kids with deer send them to me, and I will get them in as soon as I can.
• • •
The crew at Thompson and Thompson Law Firm of Poteau greeted the Godfather Wednesday afternoon during a Halloween visit.Picture from left: Sandy Thompson, Glenn Thompson, Melissa McDade, Brandy Kardokus, Helen Sprabery and Sarah Jordan.
LaTona Lynn Vincent, 57, of Bokoshe died Sunday, Oct. 28., 2012. Services will be held at 1 p.m. Wednesday, Oct. 31, in Old Bokoshe Cemetery under the direction of Mallory-Martin Funeral Home, Spiro.
Rodney Gene Martindale, 59, of Howe died Saturday, Oct. 27., 2012, in Fort Smith, Ark. Services will be held at 2 p.m. Wednesday, Oct. 31, at Faith Baptist Church in Howe. Burial will be in Howe Cemetery under the direction of Dowden Funeral Home, Heavener.
Half of the Poteau Bandit League football teams are still alive in the postseason. The third-grade team defeated Greenwood (Ark.) Gray 18-12 in overtime Saturday in Greenwood. The next playoff game is a road contest against Van Buren (Ark.) White at 3:15 p.m. next Saturday.
The fifth-grade team got a bye into the second round of the playoffs, and will play its first postseason game at 3:30 p.m. Saturday against Van Buren Green at Costner Stadium right after the 2012 Bandit Bowl contest, which will begin at noon.
The good news is the Spiro Bulldogs are in the Class 3A playoffs, no matter what they do in Friday's home finale against the Checotah Wildcats at 7:30 p.m. at McClain Stadium. However, they want to end the regular season on a high note, and not just to win their home finale or make Senior Night memorable for the Class of 2013.
"You don't want to go into the playoffs with a loss," said Chris Bunch, Spiro's coach. "It's a very important game for us to win. Checotah is a good team, and I think it's going to be a tough game."
If ever there seemed to be a David vs. Goliath match-up in high school football, that match-up would appear to be at 7:30 p.m. Friday at George Ollie Stadium when the Panama Razorbacks entertain Class 2A's top-ranked Vian Wolverines in a District 2A-6 contest.
The Heavener Wolves football team cannot make the Class 3A playoffs this year, but the Wolves can get their second five-win season and finish at .500 for the year. They were 5-6 and made the Class 2A playoffs last year.
The Wolves (4-5 overall, 2-4 in District 3A-8) will hit the road for their season finale at 7:30 p.m. Friday against the Eufaula Ironheads (1-8, 1-5).


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Thursday, 6 o'clock. COME ONE COME ALL
This is a little late in the summer to be posting this, but THE CREEK needs more action! For the past 5 weeks we have barely broken 8 people...We can up the buy in to $10 if this will attract other players. We start at 6 o'clock with flipping just before that. Meet at practice basket. bring a friend.
The creek is a great course, with some more regular foot traffic and a work day this course would be killer!


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The Video Guy
Started more than nine years ago at The Olympian, The Video Guy column is a weekly look at films from a "regular guy's" perspective. I have no formal training as a critic, other than I've seen a lot of movies and have a lot of opinions, but I'll do my best to give you an idea of what's out there and whether it's worth your time.
Posts filtered on Tag
The perils of low-budget filmmaking
For a guy who got his start based on the mythos of his attempted murder, 50 Cent has proven over the years to be a savvy businessman. And as he enters the film world through his Cheetah Vision production shingle, he's got a pretty set formula down for making his low-budget flicks. First, take a […] [Read More]


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SILVER SPRING, Md. (WUSA9) --A teacher charged for unwanted physical contact with three co-workers has been released on his own recognizance, according to Montgomery County State's Attorney's Office authorities.
Walter Stafon Bowman, 37, a science teacher at the Briggs Chaney Middle School located at 1901 Rainbow Drive in Silver Spring, has been charged with three counts of second degree assault for unwanted physical contact with three co-workers. He was also charged with one count of false imprisonment.
Officials started investigating this case on January 6 when they were made aware of reports of three female co-workers who were allegedly assaulted by Bowman. The first victim reported the incident in August 2013. She said she was sitting in an office with her back to the door when Bowman came unannounced and placed his hands on her shoulders. During another incident with the same victim, Bowman hugged her and began to laugh. The victim was able to break free and started screaming, police said.
Officials say the second victim was allegedly assaulted in a classroom in September when Bowman was crouched on the floor, laughing and touched her ankle. The third victim said Bowman grabbed her around the waist while he was laughing. This incident also happened in September 2013.
Officials believe there may be more victims. If you have any information to report, call police at 240-773-5530.


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Hey guys what do you think of running root passes with a Maxstar 150 in stick mode ? Im running roots with 6011 on this machine and all it wants to do is try to snuff out. I have to fight to keep the rod lit and keep it from sticking even with higher amperages.
This is the machine our shop purchased to weld a high pressure steam line contract we have.
I think its a joke and they should have purchased a CST 280
Results 1 to 10 of 10
Thread: Miller Maxstar 150 tig/stick
Hybrid View
11-19-2012, 07:42 PM #1Junior Member
- Join Date
- Feb 2007
- Posts
- 12
Miller Maxstar 150 tig/stick
11-19-2012, 08:22 PM #2Member
- Join Date
- Jun 2009
- Location
- SE Michigan
- Posts
- 50
Well....I have a 150STL, and have done 6010 roots, its not the easiest thing to do..but its doable. Ive had to use 3/32 5P keep a very tight arc, and really couldnt whip it like you can on a bigger machine. I dont think the machine has enough potential to sustain the arc through a big whip. Cant speak for the CST280, as Ive never ran one, but about 6 months ago got a Maxstar 200...and it runs amazing. Plus its super portable. Ive ran it on everything that it can handle from 120-480v three phase and it hasnt let me down!
11-20-2012, 08:37 AM #3Senior Member
- Join Date
- Feb 2009
- Posts
- 118
Cst 280
11-20-2012, 11:41 AM #4Senior Member
- Join Date
- Nov 2007
- Location
- Central Idaho
- Posts
- 205
What diameter rod are you using? I can run 1/8" and get 50% penetration on 1/2" with my 150 without having to max out the amps.
11-20-2012, 01:49 PM #5Senior Member
- Join Date
- Sep 2005
- Location
- 16919 Pole Rd. Brethren, MI 49619
- Posts
- 4,506
Mine is good with 1/8 6011, if your procedure allows this the machine should do it. I can do big whips with 11. Maybe something is wrong with the unit,,, call Miller on this one, we on the right polarity?
I ranked it good in the start dept compared to a tranny like a Dialarc. Not great but side by side with a couple other machines I will say it requires a bit more fussy discipline to get great starts. I thought the other 99% I wouldnt know which machine I was running.
Built a handrail out of used galv well pipe the other day, it was outside in the breeze, I cleaned the plsma cuts some, had some gaps, I scuff some galv off, nothing reallly well or clean, welded right up and around.
If your running 6011 try switching polarity to straight and it will run beautiful. In fact i usually run straight polarity with 6011 no matter what machine. May not be "proper" but im not always proper.... jus looking for good results.
I have a Maxstar 150 STL Great welder for going into confined space with. It has a place I would not want to do a bunch of 6011 root pass with it. Mine runs 6011 great but it's still like comparing a bluestar to a trailblazer it's not apples to apples. It's not perfect scenario but ill tell you at work a lot we make work with what we have. I don't know how much pipe your welding so I can't comment if your company was out of line.Never Satisfied
Millermatic 211
Maxstar 150STL
Kennedy Maintenance Pro Full
Makita Cordless 18v Li-Ion
Stihl TS 420
We use the 150 mostly for tig. Light work ok. Ok, for stick small pipe.
Real stick welding we go to the CST 280. BIG DIFFERENCE .
11-20-2012, 05:24 PM #9Junior Member
- Join Date
- Feb 2007
- Posts
- 12
I can have the bloody thing on 90 with a 1/8 6011 running a root, keeping a tight arc gap and she will snuff out and stick. I think it is a ground issue, im even having trouble starting 7018s.... The ground clamp on the machine is a joke. Think I will change the ground clamp tomorrow...
11-21-2012, 07:16 AM #10Senior Member
- Join Date
- Sep 2005
- Location
- 16919 Pole Rd. Brethren, MI 49619
- Posts
- 4,506
I had to fix my clamp, something came loose but it works great.


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- 1
- person in the U.S. has this name View Joanna Anos on Whitepages
Meaning & Origins
From the Latin form, Io(h)anna, of Greek Iōanna, the feminine equivalent of Iōannēs (see John). In the New Testament, this name is borne by a woman who was one of Jesus's followers (Luke 8:3; 24:10). She was the wife of the steward of the household of King Herod Antipas. The name was regularly used throughout the Middle Ages in most parts of Europe as a feminine equivalent of John, but in England it has only been in common use as a vernacular given name since the 19th century. Celebrated British bearers of the name include the novelist Joanna Trollope (b. 1943), the actress Joanna Lumley (b. 1946), and the concert pianist Joanna McGregor (b. 1959).
|495th in the U.S.
The meaning of this name is unavailable
|195,818th in the U.S.
Nicknames & variations
Joanne, Joann, Joan, Joannie, Joanie, Joane, Joana, Joannah, Joani, John
Amos, Anes, Anoskey, Amosu, Anis, Amoss, Anez, Anas, Anosike, Anesi


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Driftwood Collection Magazine Coffee Table
Traditional style accent table with drawer and magazine rack.
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Crafted from select hardwood solids and wood products, it has a distressed, hand rubbed finish over choice birch veneers. Featuring a magazine compartment on one side and a pull-out tray for a beverage or the remote control, the antique brass finished pulls open its door front to expose a generous storage compartment with one adjustable shelf.
Dimensions: 14.5 1/2" W x 24" D x 24" H
Weight: 63 lbs.
Driftwood Collection Magazine Coffee Table
Driftwood Collection Magazine Coffee Table
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- 2-Year Extended Replacement Plan $59.99
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Friends of the Library
The Friends of the Library board meeting was held 6 p.m. Aug. 20 in the genealogy room at Gibson Memorial Library. Eight members were present.
Marilyn Ralls reported final numbers for the summer reading program as follows:
Youths through 12 years, 231 signed up and 93 completed the program. Teens, 94 signed up and 29 completed the program. Adults, 110 signed up and 75 completed the program. Ralls also asked for FOL to pay for the hotel room in Dubuque for the October conference. Connie Harden motioned to approve. Krystal Irelan seconded. Motion approved.
A change was made to last month's minutes. FOL chocolate walk has been changed to a cookie walk for this year. Corrected minutes accepted.
The treasurer's report consisted of Scholastic Book Fair totals. Percentages ofmonies to be put toward the new library tabled until next meeting. Applegate Memorial Fund-Library and FOL will combine to buy a boulder for the giving tree.
The bake sale at the farmers' market was a success. Thank you to all who helped, donated and purchased baked goods. A bake sale will be combined with the used book sale this month.
The used book sale will be at Lincoln School. Cheryl Blazek reported 20 tables are reserved from SWCC.
During FOL Week on Oct. 25, FOL will sponsor a cookie walk at Lincoln School. It will be free of charge and give patrons another chance to see the school and architect drawings. Vidette Dixon-Borgmann is also wanting to do a 5K run. Details on route to come.
FOL will set up an E-bay account to auction fall handbags.
The next meeting will be Sept. 27.
Greater Regional Medical Center Auxiliary
Greater Regional Medical Center Auxiliary met Sept. 10 at the MAP conference room at Greater Regional Medical Center. Betty Jungst conducted the meeting. Six members and Annette Rice were present.
There was no administrator's report.
Rice gave a new volunteer report. Information guide training will be Sept. 25. More guides and gift shop volunteers are needed. If interested, call Rice at 782-3553.
Some auxiliary members will assist as hostesses with the hospital open house Sunday.
The IHA annual meeting will be held Oct. 11 in Des Moines and several members are registered to attend. Helen Mosman has been nominated as a "shining star."
Carolyn Abel gave a gift shop report. The shop will be closed Nov. 19 and Christmas opening day will be Nov. 20. The gift shop will be open two nights from 10 a.m. to 6:30 p.m. Nov. 29 and Dec. 13.
The scholarship checks were sent to the colleges for the recipients entering the medical field. Some thank yous were read.
The next bloodmobile will be Nov. 5 at Trinity Lutheran Church hall.
A jewelry sale was held Tuesday. A book sale will be held 10 a.m. to 4 p.m. Oct. 25 in the MAP conference and vending rooms.
2012 volunteer in service dates are 8:30 a.m. to noon and 5 to 8 p.m. Tuesday and Sept. 26 and 8:30 a.m. to noon Oct. 1.
The next meeting will be Oct. 8 at the MAP conference room.
Delta Kappa Gamma
Beta Kappa Chapter of Delta Kappa Gamma met 6:15 p.m. Sept. 4 at Winterset United Methodist Church with 10 members and one guest present. The guest speaker for the evening was Susie Meade, the new superintendent of the Winterset School District. She informed the group about the initiative projects performed by the high school students in the district. She also spoke about the academy, preschool and advisor/advisee programs in the high school.
During the regular business meeting, members were reminded that dues of $65 should be paid as soon as possible. Any members not present at the meeting can contact Karen Tussey if there are any changes in address or phone number before the new program books are printed. Tussey will send for DKG brochures to include with some of our service projects so people can learn about our society.
Red Rose Awards were presented to those members who missed the June meeting. The award program will be continued for the 2012-13 year with the same criteria. The treasurer will send Tessa Mittag, a graduate of Orient-Macksburg, a $200 check for the Grant-in-Aid scholarship she won last spring. Two chapter members will be attending the fall executive board meeting Saturday. Oct. 6 is the date for the state president's meeting. Beta Kappa is responsible for the programs.
The rest of the evening was spent on the chapter project. Cloth bags made by several members were filled with various items a new teacher could utilize in her classroom. Some items were purchased with approximately half of the grant money received from the Upsilon State for the project. The rest of the grant money will be used for a similar project next year. The rest of the items and the material were donated by the members. A total of 24 bags will be distributed to new female teachers in the Winterset, Earlham, Orient-Macksburg and Nodaway Valley school districts.
The next meeting will be 6:15 p.m. Oct. 2 at the Olive Branch restaurant in Greenfield. After the meal, members will tour Greenfield Opera House.
DWF Executive Committee
DWF Executive Committee met 10 a.m. Sept. 6 at the First Christian Church with eightmembers present. The meeting opened with the DWF prayer. The treasurer's report was given by Margaret Wilkins. The minutes were read and approved. Rhonda Vogel made a motion to pay the bills, seconded by Irene. Approved.
In old business: Wilkins and Vogel helped with the backpacks at the Presbyterian Church. Joyce Burkhead has been appointed co-chairperseon for funeral dinners. Vogel asked about finding a used computer for the library. The books for the coming circle meetings will be paid for by the DWF. Midge made a motion to give theMinisterial Alliance $500, seconded by Margaret. Approved.
In new business: Coffee fellowship has been moved to Sept. 23 with a ham/bean dinner. Mary Circle will furnish the salads, and Rebecca Circle will bring bars. Pam will bring the corn bread. There will be a potluck for the missionaries Sept. 19. Vogel made a motion to give $100 to Caroline Nelson's grandson for his mission trip, seconded by Irene. Approved.
An invitation to Platte Center Church was received. The program will be 2 p.m. Sept. 28. They would like to have reservations by Sept. 21.
The next meeting will be a salad luncheon. Mary Circle will be in charge of the luncheon.
The meeting closed with the DWF benediction.
The weekly Kiwanis meeting was held 12:05 p.m. Tuesday at The Windrow with 22 members and two guests. Brad Lorenzen, incoming president, presided. Ed Ritter gave the prayer and was finemaster.
The program was Dr. Lonnie Miller, a new doctor at Creston Medical Clinic. Miller, a native of the Creston area, discussed vaccines for adults and how important they are as a preventive of shingles and flu.
It was announced that the Casey's on South Elm will be helping with the Kiwanis coat drive this year by being a place to drop off coats, besides Hometown Insurance. The coat drive is scheduled for October.
Ladies Lakeshore Auxiliary
Ladies Lakeshore Auxiliary met Wednesday.
Canasta winners were Barb Vietz, first; Joan Chubick, second; and Loretta Kelly, third.
Vietz won the door prize.
Marilyn Larimore will be hostess for cards and chatter Wednesday, Sept. 19.


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Kosher Snacks
|Spiced Pecans
by Gloria Kobrin, author of Cookbook Kosher Cookbook - iPhone & iPad Touch Application
Eat them like candy or throw them into a salad.
Prep time: about 15 min.
2 1/2 cups shelled pecans
Line cookie sheet with parchment. Set aside.
Combine sugar and water in saucepan. Bring to a boil. Stir constantly with a wooden spoon to make sure all the sugar crystals dissolve. Boil until you have a syrup that forms a thin thread when dripped from the spoon.
Stir in all the spices and then the vanilla. Remove mixture from heat. Quickly, stir in all the nuts at once. Stir until the nuts are thoroughly coated and the syrup begins to crystallize. Using the same wooden spoon, remove nuts from saucepan and spread out on cookie sheet. Allow nuts to cool for a few minutes before separating them with two forks.
Let stand until nuts harden. Store in an airproof container.
Yield: 2 1/2 cups spiced nuts
Recipes: Snacks, Spiced Nuts, Parve, Kosher


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It's the last paragraph that is the most interesting for me - Nina van Gorkom saying that anapanasati is only for the gifted, the great disciples
AS Nina says it is in the Commentary to the suttas but also in the Visuddhimagga
211: "Although any meditation subject, no matter what, is successful only in one who is mindful and fully aware, yet any meditation subject other than this one gets more evident as he goes on giving it his attention. But this mindfulness of breathing is difficult, difficult to develop, a field in which only the minds of Buddhas, paccekabuddhas and Buddhas sons are at home. It is no trivial matter, nor can it be cultivated by trivial persons..."


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Sleek and shapely, the Tube Top Lamp's candy-colored acrylic holds mesh fabric in tension. When illuminated, the soft white shade appears to float freely over its vibrant base. It would make a magically modern addition to a nursery or kid's room, and it's just as delightful for those of us who never grew up.
Full-range dimmer. Requires 60W G16 bulb (included).
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Part 1: Deploy OAuth token endpoint
This tutorial shows you how to use the Apigee Edge management UI to the secure your API by using OAuth access tokens.
About OAuth
OAuth is an authorization protocol that enables apps to access information on behalf of users without requiring users to divulge their username and password.
An access token is a string representing an authorization issued to the client. It is used in OAuth to provide limited access to protected resources. For this reason, OAuth access tokens are often compared to 'valet keys'.
The OAuth 2.0 specification defines different ways of creating access tokens for apps. The various mechanisms for distributing access tokens are referred to as grant types. The most basic grant type defined by OAuth 2.0 is client credentials. In this grant type, OAuth access tokens are generated in exchange for client credentials, which are consumer key-consumer secret pairs.
You configure the client credentials grant type by applying OAuth v2.0 policies to your API and adding conditional flows that dynamically enforce these policies. The policies protect your API in the following ways:
- To obtain the access token, the app must first supply valid customer credentials.
- Whenever an app makes a call to your API, it must supply a valid access token.
- Edge policies validate that the access token presented is valid for the API product, and only then grants access to the protected requested resources.
A conditional flow is a flow whose processing steps are based on a conditional statement, such as the content type specified in the HTTP request header is "text/xml". If the statement is true, the processing step specified in the flow is implemented — for example, a policy is enforced or the message is routed to a specified endpoint. If the conditional statement is false, the processing step is not implemented. In this way, you can add dynamic behavior to your API proxy.
Learn more
What you'll do in this tutorial
This tutorial shows you how to configure OAuth 2.0 client credentials using the Apigee Edge management UI*. This tutorial implements what is sometime called "two legged" OAuth.
(* You can also do this by directly calling the Apigee management API, as described in OAuth.)
This tutorial builds on previous tutorials and uses an API proxy for the Yahoo! Weather API as a basis of instruction. If you haven't already done so, please review the tutorial Part 1: Create a secure API.
When you log in to Apigee Edge for the first time at https://enterprise.apigee.com, you will see the predefined resources used in this tutorial, including:
- weatherapi - an API proxy that you use to access the Yahoo! Weather API.
- oauth - an API proxy that you use to generate an access token from customer credentials.
- Premium Weather API - an API product definition.
- Nikolai Tesla - a developer.
- Weather App - a developer app.
The oauth API proxy provides free, out-of-the-box OAuth token endpoints that support the client credentials grant type. Each organization (even a free trial org) on Apigee Edge is provisioned with the oauth access token token endpoint. You can begin using the token endpoint as soon as you create an account on Apigee Edge.
The default oauth API proxy exposes the following endpoint URLs:
Note: Refreshing access tokens is not supported with two-legged OAuth, so it is not used in this tutorial. However, the policy and conditional flow are described.
Publish these URLs to developers who need to obtain access tokens. App developers configure their apps to call the first endpoint, presenting their consumer key and secret pairs to obtain access tokens. Call the second endpoint to refresh an expired access token.
Step 1: Deploy the API proxies
This tutorial predefines the weatherapi and oauth proxies for you. However, you must deploy these API proxies.
- Login to https://enterprise.apigee.com.
- In the management UI, select the APIs tab.
- On the API Proxies page, select oauth.
- Select the Deployment button, and then select test from the dropdown menu. The API proxy will be deployed to the test environment.
- Select Deploy in the pop up window to deploy the API proxy.
- In the management UI, select the APIs tab.
- On the API Proxies page, select weatherapi.
- Select the Deployment button, and then select test from the dropdown menu. The API proxy will be deployed to the test environment.
- Select Deploy in the pop up window to deploy the API proxy.
Step 2: Examine the policies in the OAuth token endpoint
The oauth token endpoint defines two policies and two conditional flows that control the generation of access tokens. Examine these policies and flows before generating a token.
- In the management UI, select the APIs tab.
- On the API Proxies page, select oauth.
- Open the API Proxy Editor by clicking the Develop tab in the details page for the oauth API proxy.
Notice that two policies have been added to your API proxy's request message flow:
Policy Name Policy Type Description GenerateAccessTokenClient Oauth v2.0 Generates an access token from a customer key and customer secret. The access token has a duration of one hour. RefreshAccessToken Oauth v2.0 Refreshes an expired access token (three-legged OAuth only and is not used in this tutorial).
Also notice that two conditional flows have been added:
Flow Name Description RefreshAccessToken The flow that implements the RefreshAccessToken policy (three-legged OAuth only and is not used in this tutorial). AccessTokenClientCredential The flow that implements the GenerateAccessTokenClient policy.
The GenerateAccessTokenClient Policy
The GenerateAccessTokenClient policy is a policy of type OAuth v2.0 that generates an access token from a customer key and customer secret. You can view the XML for the policy in the Code view area of the API Proxy Editor. The XML for the policy should look like this:
<OAuthV2 name="GenerateAccessTokenClient"> <!-- This policy generates an OAuth 2.0 access token using the client_credentials grant type --> <Operation>GenerateAccessToken</Operation> <!-- This is in millseconds, so expire in an hour --> <ExpiresIn>3600000</ExpiresIn> <SupportedGrantTypes> <!-- This part is very important: most real OAuth 2.0 apps will want to use other grant types. In this case it is important to NOT include the "client_credentials" type because it allows a client to get access to a token with no user authentication --> <GrantType>client_credentials</GrantType> </SupportedGrantTypes> <GrantType>request.queryparam.grant_type</GrantType> <GenerateResponse/> </OAuthV2>
|Policy setting value
|The operation to be executed by the OAuth v2.0 policy. By specifying GenerateAccessToken, you configure the policy to generate access tokens for apps.
|Specifies the time in milliseconds for which access tokens are valid. In this case, the value specifies 3600000 milliseconds, which means a generated access token is valid for one hour.
|Defines the grant types that this token endpoint supports. A token endpoint can be configured to support more than one grant type. For a list of supported grant types, see Authorize requests using OAuth 2.0.
|Specifies the location in the request message where the app indicates the desired grant type. The location can be the HTTP header, a query parameter, or a form parameter. The value request.queryparam.grant_type specifies that the desired grant type is specified in a query parameter named grant_type.
The RefreshAccessToken Policy
The RefreshAccessToken policy is a policy of type OAuth v2.0 that refreshes an expired access token for three-legged OAuth and is not used in this tutorial.
The AccessTokenClientCredential flow
The AccessTokenClientCredential conditional flow enforces the GenerateAccessTokenClient policy when a POST request URI ends with /accesstoken.
The XML for the flow looks like this:
<Flow name="AccessTokenClientCredential"> <Description/> <Request> <Step> <FaultRules/> <Name>GenerateAccessTokenClient</Name> </Step> </Request> <Response/> <Condition>(proxy.pathsuffix MatchesPath "/accesstoken") and (request.verb = "POST")</Condition> </Flow>
The condition proxy.pathsuffix MatchesPath "/accesstoken") and (request.verb = "POST" specifies the following:
- The variable: proxy.pathsuffix. Apigee Edge sets the proxy.pathsuffix variable with the fragment of a request URI that follows the URI base path.
- The operator: MatchesPath
- The value: "/accesstoken") and (request.verb = "POST"
Note: The value uses the HTML " code for " (double quote character). You do not have to use the HTML code, but can insert " directly.
|How it works at runtime
To request an access token, an app makes the following POST request:
The RefreshAccessToken flow
The RefreshAccesslToken flow enforces the RefreshAccessToken policy when a POST request URI ends with /refresh_accesstoken for three-legged OAuth and is not used in this tutorial.
Step 3: Where to next?
Now that you have deployed and examined the OAuth API proxy and policies, you can add OAuth support to an API proxy.
Continue on to Part 2: Apply OAuth policies to your API to add OAuth support to an API proxy.
Help or comments?
- If something's not working: Ask the Apigee Community or see Apigee Support.
- If something's wrong with the docs: Send Docs Feedback
(Incorrect? Unclear? Broken link? Typo?)


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SCI-FI Merchandise
SCI-FI Merchandise
About Our SCI-FI Merchandise
Our selection of science fiction t-shirts is numerous, thanks to the consistent and ever-growing adoration of shows such as Star Trek and Stargate. The real world is a fascinating place, but sometimes we just want to escape. Science fiction allows us to do just that, providing glimpses into imagined worlds. As a genre, sci-fi belongs to the realm of ideas. From aliens to time travel to futuristic technology, science fiction concepts range from the baffling to the frightening to the downright delightful. A great purchase for yourself or the perfect gift for a wizard of a friend, our science fiction t-shirts also aim to delight.


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Midwest Living Review
Traveling North Setterbo Road, it's easy to zip by the unassuming white barnlike structure with the red tandem bicycle perched over the door. After all, there's just a small sign out front. So slow down, turn onto the gravel road encircling the building and get ready for some good sipping.
Opened in 2008, Tandem Ciders produces artisanal hard ciders using Michigan apples grown by local farmers. The building houses the fermentation area and the tasting room. The airy yet relatively small tasting room feels like a neighborhood pub, with warm and welcoming salmon-color walls, gleaming wood counter and barstool seating for eight. You can try samples of any of the 11 featured ciders, including Farmhouse, Smackintosh (sweet and tart), The Crabster (crisp, tart and dry) and Honey Pie. We admit, hard ciders aren't for everyone—they can be too sweet for some—but we think you'll quickly became a convert after sampling local faves Honey Pie and Pretty Penny. The tastes were crisp and clean, not too sweet at all. Try pairing them with fresh cherries and a raclette from Leelanau Cheese Company—delicious.


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2 April 2008To herald the start of the 2008 tourism season, Edinburgh Castle's visitor services staff have a smart and stylish new look – a striking new uniform featuring the Edinburgh Castle Tartan, which has been designed exclusively for Scotland's leading visitor attraction.
For further information


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Narrow down the 429 results:Map View
We have a range of budget places to stay in Siem Reap from as low as £3 per night
Based on previous Siem Reap accommodation searches, the average starting price is £23
Want to splurge? At the top end in Siem Reap, we have 86 places to stay with prices starting at £65
x The average starting price for a place to stay in Siem Reap is £23 per night.
Street 60, Chong Kao Sou Village Slor Kram CommuneOutstanding 100%
7 Makara RoadOutstanding 100%
Wat Bo Street, Banteay Chas Village Slor Kram CommuneOutstanding 100%
Treak Village Road, Treak VillageOutstanding 100%
Junction of Oum Khun Street and 14th St Mondol 2Outstanding 100%
#194 Krous Village, Svay Dangkum and 6th StreetOutstanding 100%
Sok San Road, Steung Thmei Khum SalakamrekOutstanding 100%
River RoadOutstanding 100%
No. 243, Acha Mean Street Stueng Thmei VillageOutstanding 100%
Sok San Street, Mondul 1 Commune Svay Dangkum VillageOutstanding 100%
National Road 6, #0369, Banteay Chas Slorkram - Angkor WatOutstanding 100%
418 Road 53, Vihearchin - Svay DangkomOutstanding 100%
Wat Polangka Phum Slok KramOutstanding 100%
Create your own travel plan including Siem Reap as one of your stops. You can use it to store all your research (even hotels found on other websites!)
Do you have questions about Siem Reap? You might try asking in our active travel forums and see if anyone else has been there.
Keep your family and friends up to date with your trip by starting your own travel blog!


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If you're trying hard to avoid colds and the flu, here are some prevention strategies to keep you healthy—short of moving to the North Pole where germs cannot survive!
- Keep current on inoculations, and ask your doctor about flu shots.
- Wash your hands often!! Use lots of soap and water. Here's how to wash your hands right!
- Don't share washcloths or towels. Use disposable towels instead of cloth handkerchiefs.
- If you're in a public restroom, shut the faucet off with a paper towel and try to push the door open with your shoulder or use the paper towel to turn the knob.
- Cover your mouth and nose with a tissue when you sneeze or cough. If you don't have a tissue, cough into your upper sleeve.
- Colds are only caught from other people; during cold season, don't shake hands or touch surfaces and then bring your fingers to your nose or face.
- Don't bite your nails; it spreads germs.
- Don't share food or drinks, even a taste.
- When in doubt, hug instead of kiss, even if your heart feels otherwise!
- Drink plenty of liquids, especially fresh pure water.
- Get plenty of sleep. Go to bed early!
- Cut back on sugars and alcoholic drinks.
- Eat correctly, especially lots of fruits with high vitamin C content as well as veggies and grains which cleanse your system.
- If you can, take it easy as soon as symptoms develop.
- Stay at home if you are sick.
And here is some good old-fashioned advice from our 1852 Almanac!
"To avoid fall fevers, eat moderately, drink sparingly, lie not down on the damp earth, nor overheat yourself; but keep your temper, and change your clothes as the weather changes."
Have you heard about the Google Flu Trends tool that estimates flu activity? Get an early-warning system for outbreaks of flu in your state.


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Customer Reviews
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"Beautiful design"
By Crystal
Comments: Just like my Review title, this is such a beautiful design! My boss gave all her fellow female coworkers this super cute card holder as a "Thank You" gift! I give it 2 thumbs up , plus 5 stars! :)


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The Lower Egyptian Gallery houses one of the finest collections of Egyptian architecture on display in the United States. A monumental granite sphinx dominates the gallery. Surrounding it are the gateway, columns, doorways and windows from the best preserved royal palace ever excavated in Egypt. The palace was built for the New Kingdom pharaoh Merenptah (r. 1213-1204 BCE) at the city of Memphis in Lower Egypt. The Penn Museum is the only museum in the world to exhibit such a significant portion of an Egyptian royal palace.
Visitors to the Lower Egyptian gallery are greeted with an enormous timeline which outlines the various dynasties which comprise the more than 3000 years of ancient Egyptian history. Opposite the timeline is a case dedicated to a discussion of early Egypt -- the predynastic and early dynastic periods -- when the foundations of Egyptian history, culture, language and religion were established. Along the wall in this area of the gallery is the partially restored black basalt stela of one of Egypt's earliest rulers, King Qa'a of the 1st Dynasty (who ruled approximately 2915-2890 BCE). Nearly 5000 years old, this stela supplies a rare example of the monuments erected by the earliest Egyptian kings in front of the low mudbrick structures that marked the royal burials at Abydos. The decoration consists of the serekh, a schematic representation of the niched façade of the palace, in which the king's name is inscribed. Atop the palace sits the falcon god Horus, of whom the king was believed to be a living manifestation.
At the western end of the gallery are the eastern and southern walls of the tomb chapel of Kaipure, a treasury official of the late Old Kingdom (ca. 2415-2289 BCE). Discovered in the late 19th century, Kaipure's tomb chapel was excavated in 1903 by archaeologist James E. Quibell at the site of a large cemetery located north of the famous Step Pyramid of King Djoser in Saqqara. The outer room, which retained no decoration, was left in place, while the decorated tomb chapel was removed and sent to America for exhibition at the Louisiana Purchase Exposition in St. Louis in 1904. Shortly after the Exposition, the tomb chapel was acquired by John Wanamaker and was donated to the University of Pennsylvania Museum The tomb chapel of Kaipure is one of only four (nearly) complete objects of its kind in the United States.
According to inscriptions in the tomb, Kaipure held the title of "Overseer of the Treasury" and performed several other important administrative roles during the late 5th – early 6th Dynasties. The limestone tomb was decorated with carved and painted scenes, as well as hieroglyphic texts, in the corridor leading from the outer room to the chapel, and in the chapel itself. Originally, the tomb had two interior rooms connected by a short corridor; but only one room (the tomb chapel) survives here at the Museum. The west and north walls are not currently on display, but have undergone considerable conservation and preservation and await re-installation in the Egyptian galleries in the future. In the Old Kingdom, elite Egyptians buried their dead in an underground chamber located beneath a tomb structure. The above-ground structure contained a public chapel where offerings were made to the deceased. The chapel was the center of the mortuary cult, where priests would perform funerary rituals, recite spells, and leave offerings for the deceased, who now resided in the afterlife. Egyptians believed that the spirit of the deceased could enter and leave this chapel through the false door to hear prayers and to receive offerings from the living.
The east wall features a representation of Kaipure standing next to his son, alongside hieroglyphic prayers and images of butchers preparing cuts of meat and servants bearing funerary gifts for use by Kaipure in the afterlife. It is remarkable that so much of the chapel's original decoration, including pigment, survives.
The other half of the gallery is dominated by architectural elements from the palace of Merenptah. Merenptah was the 13th son and eventual successor of the famous Ramses II. The palace, excavated by Clarence S. Fisher, one of the Egyptian Section's early curators, between 1915 and 1923, originally stood beside the temple of the Memphite creator god, Ptah. A water color and model of the throne room displayed nearby depict an artist's concept of the original appearance of the throne room. The exhibited elements of the palace provide insight into the religious, political and social beliefs of the Egyptian people. For the Egyptians, the palace served as a metaphor for the universe: the floor, decorated with floral and faunal motifs, represented the earth, while the towering columns with their floral capitals seem to grow toward the heavens. The hieroglyphic symbols on the lower portion of the columns depict the inhabitants of the earth giving praise to Merenptah, while the upper portions show the king presenting offerings to the gods. On the massive gateway at the eastern end of the gallery, the king is seen in a ritual pose expressing domination over Egypt's enemies, an image that occurs on royal monuments from the time of Egypt's first king (ca. 3100 BCE) throughout pharaonic history. The stone doorways are topped by images of the winged sun disk, and remains of the original gilding-the earliest example ever found in situ on an Egyptian building-are still visible on one of the doorways.
The palace, which housed the king during religious festivals, originally stood in the vicinity of the Memphite sanctuary of the god Ptah, the patron of this city. Merenptah's palace was originally decorated floor to ceiling with painted, inlaid and gilded images and symbols proclaiming the power of the king and his associations with the divine. The palace of Merenptah contained not only public ceremonial rooms such as the throne room and vast columned hall, but also private areas for the king and royal family, including bedrooms and bathrooms.
Not long after the death of Merenptah, the virtually intact palace complex suffered a great fire, and columns, doorways, and other well-preserved stone architectural elements were buried in a bed of ash and mud which remained undisturbed until the time of excavation.
Displayed along with the palace's architectural elements is our sphinx, which also comes from the site of Memphis, though it was excavated by the Egyptian Exploration Fund, under the direction of the famous archaeologist, Sir William M. Flinders Petrie. The sphinx, a lion with a human head, represents the Egyptian king as protector of his people and conqueror of the enemies of Egypt. Penn Museum's sphinx, the largest in the western hemisphere, weighs approximately fifteen tons. It is carved of red granite, which originated at a quarry in Aswan at Egypt's southern border. In an incredible feat of ancient engineering and transport, this single massive block of stone was shipped on the Nile River from Aswan to the Ptah Temple at Memphis, 600 miles north. During much of its post-pharaonic history, this statue was buried up to its shoulders; only the exposed head was attacked by windblown sand, which eroded the facial features and the royal false beard. The inscriptions on the chest and around the base give the five names of Ramesses II. His son and successor, Merenptah, added his own cartouches to the shoulders of the sphinx after his father's death.
In 2006, Penn Museum installed an exhibit in the Egyptian galleries entitled Amarna: Ancient Egypt's Place in the Sun. This exhibit focuses on the fascinating and tumultuous time known as the Amarna Period (1353-1332 BCE), named after the location of the new capital city built by the pharaoh Akhenaten for his sole god, the Aten.
Artifacts from the time of the Pharaoh Akhenaten, famous for his revolutionary religious beliefs and innovative artistic style, include a monumental relief that originally formed part of a religious structure at Amarna. On the relief, the king is shown together with his eldest daughter, Princess Meritaten, worshipping the Aten.
After Akhenaten's death, all the monuments erected during his reign were defaced or razed. In this case, the original inlay, which would have been brightly colored, has been pried out, and the relief itself has been cut down. Judging from the hieroglyphic texts along the edges, it appears that the large fragment was later used as the base for a statue of a sphinx inscribed for King Merenptah who ruled about a century after Akhenaten. Another highlight of the Amarna exhibit is a beautifully sculpted limestone torso of a young princess, once part of a group statue portraying the royal family. Additionally, a rare black bronze figure of a king, believed to be Tutankhamun, can also be seen. In all, the Amarna exhibit contains over 100 artifacts--including statuary of gods, goddesses and royalty, reliefs, golden jewelry as well as personal items from the royal family, and artists' materials from the royal workshops of Amarna. Most of these artifacts date to the time of Akhenaten and his successor and likely son, Tutankhamun (ca. 1353-1322 BCE).
Visit the Egypt: A New Look at an Ancient Culture website
This website offers an overview of the Penn Museum's excavations and takes visitors on a virtual tour through the Egyptian Galleries and Collections. Find out about hieroglyphs, gods and goddesses, and funerary practices.
3260 South Street
Philadelphia, PA 19104
(215) 898-4000
Tuesday-Sunday: 10:00am - 5:00pm
First Wednesdays: 10:00am - 8:00pm
Monday: CLOSED


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Elder Scrolls IV: Oblivion
Elder Scrolls IV: Oblivion
Xbox: Gears of War(1,2)
Resident Evil
Street Fighter
Call of Duty
Guitar Hero
Top 5 games:
1. Madden
2. MLB the Show
3. Call of Duty
5. Skate
XBox all the way..
1. Call of Duty:Modern Warfare, no doubt. The best console game ever made.
2. NBA 2K series. Absolutely amazing, the online would be fine without the lag. Sometimes it's fine, just people with slow connection are always trying to play.
3. The Elder Scrolls IV:Oblivion. The best RPG game ever made. Fallout 3 is included in this I guess. Not quite as good IMO.
4. Halo 3. Although I never got into the third one much it's an excellent game to play. Just wasn't much different than 2 and I had no friends playing it anymore.
That's really it. Saints Row 2 and GTA IV are both amazing games in the same genre. Mass Effect and Fable 2 are both great RPG's. Bioshock was a good game, overrated IMO but it was fun. Assassin's Creed was amazing and so much fun but became repetitive. Hopefully 2 will be great!
Right now, Im hooked on playing any of these games:
All PS3
1. Madden 10
2. Fifa 09
3. Battlefield Bad Company
4. NBA Live 09
5. Battlefiled 1943 (PS3 direct download)
i'm really surprised at all the love for oblivion.
great graphic and nice rpg character build up.
but the story and the repititive red demon nightmare don't hold up. how many times do i have to do the same castle, cavern, etc....
at least the original had descent books, story, religion, and culture behind it.


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With that being said, there is a difference between legitimate criticism and simply screaming he sucks and is a bust
With that being said, there is a difference between legitimate criticism and simply screaming he sucks and is a bust
sitting here looking at this pats/colts game there's no way we win with this suckendary.
In his office Friday afternoon, Philbin pointed to the practice fields outside and said: "Out there is where we're going to find out about Ryan Tannehill, Matt Moore and David Garrard. I don't remember a master plan that said, 'Here's when Ryan's going to play.' If there is one, I was never told about it. We'll let them come to work, and the best man will win."'
---------- Post added at 07:24 PM ---------- Previous post was at 07:22 PM ----------
I believe any man's finest hour - his greatest fulfillment to all he holds dear, is that moment when he has worked his heart out in a good cause and lies exhausted on the field of battle...Victorious
Actually we may see some backups in week 17 when we play NE.
Eventually the truth rises to the "top". Look guys/gals, you have to have an elite QB in this league and its so obvious Tannehill is not the answer to our future.
Case in point?
Did you see Tom Brady absolutely riddle the Colts... whereas we struggled and handed them the game?
You can't teach or Coach someone to be competitive, they either have or they don't and Tannehill does not have that "it" factor, in my opinion.


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Show details
'Til Death
The triumphs and tribulations of a long-married couple.
Brad Garrett, Joely Fisher, Timm Sharp, Lindsey Broad, J.b. Smoove, Kat Foster, Eddie Thomas
Josh Goldsmith (Executive Producer), Cathy Yuspa (Executive Producer), Joely Fisher (Director)
We're sorry, there are no episodes of "'Til Death" available to record on your "East Coast " lineup in the next 14 days.
Eddie and Joy Stark have been married for what seems like forever -- and they've got the scars to prove it. Naturally, cynical high school history teacher Eddie thinks it is his manly duty to offer ``sage'' advice to newly married men. But Eddie's little secret is that he loves Joy more than anything; and however sarcastic Joy herself appears, she loves Eddie right back.
Current cast
Brad Garrett as Eddie Stark
Joely Fisher as Joy Stark
Timm Sharp as Doug Von Stuessen
Lindsey Broad as Ally Stark
J.b. Smoove as Kenny
Kat Foster as Steph Woodcock
Eddie Thomas as Jeff Woodcock
TiVo subscribers who like "'Til Death" also like...
Program data from Tribune Media Services, Inc.


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The time has come where the 4th Donation Coder podcast needs to start being nailed down and getting prepared for the August Broadcast.
The production of the Podcast has been deligated to JavaJones and me Mukestar (I use the term delegated loosly, as in "Ghengis Khan deligated his way into northern China")
We`ve got a couple of new idea to introduce a monthly format flavour to the podcast, and turn it into a mean lean podcasting machine (think George Forman grill with a USB connector).
The podcast can only exist if we can get the continual support from all you Donation Coder members out there, and this is who we need.
We would like to introduce a monthly feature where a member tells us who they are, where there from, what they do, there first PC, there hates, there loves. You get the idea. An Audio version of the "OK-Lets get to know each other" thread on the forum. So come on tell us who you are, speak out be it funny or serious – its all good.
We want people to give us a concise review of the software they love or loathe, the piece of code they cant live without , the piece of code they cant live with. The best review for a piece of software is from the people who actually use it day to day. Get recording.
More "Man on the street" interviews please
More Interviews full stop
Articles related to the wonderfull world of computers
4. Ranters
Everyone can rant, ranting is good for you. We like rants.
And remember
Just noticed that people where asking about alternative codecs for the cast, not a problem. Vorbis, WMA,IFF,Mp3,Impala,ADPCM,G.726 whatever you like , the masters going to be batched encoded anyhow so not a problem. JavaJones has even volunteered to hand deliver 4-track versions of it


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- 2
- people in the U.S. have this name View Kim Hennemann on Whitepages
Meaning & Origins
Originally a short form of Kimberley, now established as an independent given name. The hero of Rudyard Kipling's novel Kim (1901) bore the name as a short form of Kimball (a surname used as a given name). In recent years, as a girl's name it has been borne by a number of well-known people, including the film stars Kim Novak (b. 1933) and Kim Basinger (b. 1953).
|117th in the U.S.
German: elaborated form of the personal name Henne 1.
|53,398th in the U.S.
Nicknames & variations
Kin, Kimi, Kiana, Kimmy, Kimmie, Kina, Kimm, Kiyomi, Kimie, Kien
Henning, Hennessy, Hennessey, Henninger, Henn, Hennings, Hennigan, Hennig, Hennen, Henne


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Election 2012
11:51 am
Wed May 23, 2012
Does Obama Have A Messaging Problem?
By editor
Originally published on Wed May 23, 2012 12:46 pm
Republicans have pounced on a comment by Newark, New Jersey mayor and Obama re-election surrogate Cory Booker. He called the Obama campaign's attacks on Mitt Romney's time at Bain Capital "nauseating." Host Michel Martin discusses the art of messaging with former presidential speechwriter Mary Kate Cary, and journalism professor Cynthia Tucker.


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Choosing a course is one of the most important decisions you'll ever make! View our courses and see what our students and lecturers have to say about the courses you are interested in at the links below.
University Life
University Life
Each year more than 4,000 choose NUI Galway as their University of choice. Find out what life at NUI Galway is all about here.
About NUI Galway
About NUI Galway
Since 1845, NUI Galway has been sharing the highest quality teaching and research with Ireland and the world. Find out what makes our University so special – from our distinguished history to the latest news and campus developments.
Colleges & Schools
Colleges & Schools
NUI Galway has earned international recognition as a research-led university with a commitment to top quality teaching across a rang of key areas of expertise.
NUI Galway's vibrant research community take on some of the most pressing challenges of our times.
Business & Industry
Guiding Breakthrough Research at NUI Galway
We explore and facilitate commercial opportunities for the research community at NUI Galway, as well as facilitating industry partnership.
Alumni, Friends & Supporters
Alumni, Friends & Supporters
There are over 90,000 NUI Galway graduates Worldwide, connect with us and tap into the online community.
Community Engagement
Community Engagement
At NUI Galway, we believe that the best learning takes place when you apply what you learn in a real world context. That's why many of our courses include work placements or community projects.
Dr Paddy Gillespie BComm, MSc, PhD
Contact Details
Paddy Gillespie is a Lecturer in Economics at the J.E. Cairnes School of Business & Economics. His research activity is focused in the area of Health Economics and in particular the applied techniques of economic evaluation, including trial-based and decision model-based analysis, and econometrics. His work to date has involved the application of such techniques to explore a variety of questions in relation to heart disease, diabetes, dementia, chronic obstructive pulmonary disorder, stroke, obesity, multimorbidity and infectious disease. The output from this work, which has involved collaboration with colleagues across multiple disciplines, has been published in a range of leading national and international peer-reviewed journals.
Research Interests
Paddy's research interests focus on the applied techniques of Health Economics. In particular, he has extensive experience in the application of the following methodological techniques:
Book Chapters
|Gillespie P, Connolly S (2014) 'The Economics of Dementia in Ireland' In: The Economics of Disability: Insights from Irish Research. England: Manchester University Press. [Details]
|O'Shea E, Gillespie P. (2006) 'Health Policy in Ireland' In: Social Policy in Ireland. Dublin: Liffey Press. [Details]
Peer Reviewed Journals
|Butler A, Gallagher D, Gillespie P, Crosby L, Ryan D, Lacey L, Coen R, O'Shea E, Lawlor B (2015) 'Frailty: a costly phenomenon in caring for elders with cognitive impairment'. International Journal Of Geriatric Psychiatry, . [Details]
|Cullinan J, Gillespie P (2015) 'Does Overweight and Obesity Impact on Self-Rated Health? Evidence Using Instrumental Variables Ordered Probit Models'. Health Economics, . [Details]
|Murphy AW, Cupples ME, Murphy E, Newell J, Scarrott C, Vellinga A, Gillespie P, Byrne M, Smith SM (2015) 'Six-year follow-up of the SPHERE RCT: secondary prevention of heart disease in general practice'. BMJ Open, . [Details]
|Danyliv A, Gillespie P, O'Neill C, Noctor E, O'Dea A, Tierney M, McGuire B, Glynn L, Dunne F. (2015) 'Short and Long-Term Effects of Gestational Diabetes Mellitus on the Health Care Cost: Cross-Sectional Comparative Study in the ATLANTIC DIP Cohort'. Diabetic Medicine, . [ARAN Link] [Details]
|Gillespie P, O'Shea E, Cullinan J, Buchanan J, Bobula J, Gallagher D, Ní Mhaoláin A, Lawlor B (2015) 'Longitudinal Costs of Caring for People with Alzheimer's Disease'. International Psychogeriatrics, 27 :847-856. [Details]
|Cole JA, Gillespie P, Smith SM, Byrne M, Murphy AW, Cupples ME (2014) 'Using postal questionnaires to evaluate physical activity and diet behaviour change: case study exploring implications of valid responder characteristics in interpreting intervention outcome'. BMC Research Notes, . [Details]
|O'Dea A, Infanti J, Gillespie P, Tummon O, Fanous S, Glynn L, McGuire B, Newell J, Dunne F (2014) 'The uptake, clinical and cost effectiveness of screening for gestational diabetes mellitus (GDM) in primary versus secondary care: study protocol for a randomised controlled trial'. Trials, . [ARAN Link] [Details]
|Gillespie P, O'Shea E, O'Hara MC, Dinneen S. (2014) 'Cost effectiveness of group follow up after structured education for type 1 diabetes: a cluster randomised controlled trial'. Trials, . [Details]
|Gallagher D, Jordan V, Gillespie P, Cullinan J, Dinneen S. (2014) 'Distance as a Risk Factor for Amputation in Patients with Diabetes: A Case-Control Study'. Irish Medical Journal, . [Details]
|Gillespie P, Kelly L, Hurley L, Garrow A, Glynn L, McIntosh C, Dinneen S. (2014) 'The Effect of Foot Ulcers on Costs of Care for Diabetes in Ireland'. The Diabetic Foot Journal, . [Details]
|Infanti J, Dunne F, O'Dea A, Gillespie P, Gibson I, Glynn L, Noctor E, Newell J, McGuire B (2013) 'An evaluation of MyAction, a community-based lifestyle and medical risk factor modification programme, in women with prior gestational diabetes mellitus: study protocol for a randomised controlled trial'. Trials, 14 (121). [ARAN Link] [Details]
|Casey, D. Murphy, K. Devane, D. Cooney, A. Mee, L. McCarthy, B. Newell, J. Scarrott, C. O' Shea, E. Gillespie, P. Kirwan, C. Murphy, AW. (2013) 'The effectiveness of a structured education pulmonary rehabilitation programme for improving the health status of people with moderate and severe chronic obstructive pulmonary disease in primary care: The PRINCE cluster randomised trial'. Thorax, 68 (10):922-928. [Details]
|Gillespie P, O'Shea E, Cullinan J, Lacey L, Gallagher D, Ni Mhaolain A, Lawlor B (2013) 'The Effects of Dependence and Function on Costs of Care for Alzheimer's Disease and Amnestic Mild Cognitive Impairment in Ireland'. International Journal Of Geriatric Psychiatry, . [DOI] [Details]
|Noctor E, Crowe C, Carmody L, Avalos G, Kirwan B, Infanti J, O'Dea A , Gillespie P, Newell J, McGuire B, O Neill C, O'Shea P, Dunne F (2013) 'Simplifying the follow-up of women with previous gestational diabetes (GDM)'. European Journal Of Endocrinology, . [Details]
|Gillespie P, O'Shea E, Casey D, Murphy K, Devane D, Cooney A, Mee L, McCarthy B, Newell J, Kirwan C. (2013) 'The cost effectiveness of a structured education pulmonary rehabilitation programme for improving the health status of people with moderate and severe chronic obstructive pulmonary disease in primary care: The PRINCE cluster randomised trial'. BMJ Open, Nov;3:e003479 . [DOI] [Details]
|Gillespie P, Cullinan J, O'Neill C, Dunne F. (2013) 'Modelling the Independent Effects of Gestational Diabetes Mellitus on Maternity Care and Costs'. Diabetes Care, . [Details]
|Gillespie, P,O'Shea, E,Murphy, AW,Smith, SM,Byrne, MC,Byrne, M,Cupples, ME (2012) 'Relative cost effectiveness of the SPHERE intervention in selected patient subgroups with existing coronary heart disease'. European Journal Of Health Economics, 13 :429-443. [DOI] [Details]
|Gillespie P, O'Neill C, Avalos G, Dunne F (2012) 'New Estimates of the Costs of Universal Screening for Gestational Diabetes Mellitus in Ireland'. Irish Medical Journal, 100 (5):15-18. [Details]
|Cullinan J, Gillespie P, Owens L, Dunne F. (2012) 'The Impact of Travel Distance on the Decision to Attend for Screening for Gestational Diabetes Mellitus'. Irish Medical Journal, 100 (5):18-20. [Details]
|Cullinan J, Gillespie P, Owens L, Avalos G, Dunne F (2012) 'Is There a Socioeconomic Gradient in the Prevalence of Gestational Diabetes Mellitus?'. Irish Medical Journal, 105 (5):21-23. [Details]
|Gillespie P, O'Neill C, Adams E, Turner K, O'Donovan D, Brugha R, Vaughan D, O'Connell E, Cormican M, Balfe M, Coleman C, Fitzgerald M, Fleming C (2012) 'The Cost and Cost Effectiveness of Opportunistic Screening for Chlamydia trachomatis in Ireland'. Sexually Transmitted Infections, . [Details]
|Connolly S, Gillespie P, O'Shea E, Cahill S, Pierce M (2012) 'Estimating the economic and social costs of dementia in Ireland'. Dementia, . [DOI] [Details]
|Cullinan J, Gillespie P, Owens L, Dunne F (2012) 'Accessibility and Screening Uptake Rates for Gestational Diabetes Mellitus in Ireland'. Health And Place, 18 (2):339-348. [Details]
|Gillespie, P,O'Shea, E,Paul, G,O'Dowd, T,Smith, SM (2012) 'Cost Effectiveness of Peer Support for Type 2 Diabetes'. International Journal Of Technology Assessment In Health Care, 28 :3-11. [DOI] [Details]
|Gillespie P, O'Neill C, O'Reilly M, Avalos G, Dunne F (2011) 'The Cost of Universal Screening for Gestational Diabetes Mellitus in Ireland'. Diabetic Medicine, . [Details]
|Glynn L, Valderas J, Healy P, Burke E, Newell J, Gillespie P, Murphy A (2011) 'The prevalence of multimorbidity in primary care and its effect on healthcare utilisation and cost'. Family Practice, . [DOI] [Details]
|Brugha R, Balfe M, Jeffares I, Conroy RM, Clarke E, Fitzgerald M, O'Connell E, Vaughan D, Coleman C, McGee H, Gillespie P, O'Donovan D (2011) 'Where do young adults want opportunistic chlamydia screening services to be located?'. Journal Of Public Health Medicine, . [Details]
|Gillespie, P, O'Shea, E, Murphy, A, Smith, S, Byrne, M, Byrne, M, Cupples, M (2010) 'The cost effectiveness of the SPHERE intervention for the secondary prevention of coronary heart disease'. International Journal Of Technology Assessment In Health Care, 26 (3):263-271. [DOI] [Details]
Published Reports
|Wren MA, Gillespie P, Smith S, Kearns K, Crichton S, Parkin D, Hickey A, Horgan F, Wiley M (2014) Towards earlier discharge, better outcomes, lower cost: stroke rehabilitation in Ireland. The Economic and Social Research Institute, Dublin. [ARAN Link] [Details]
|Gillespie P, O'Neill C, Adams E, Turner K, O'Donovan D, Brugha R, Vaughan D, O'Connell E, Cormican M, Balfe M, Coleman C, Fitzgerald M, Fleming C (2012) Economic Evaluation - Chlamydia Screening in Ireland: a pilot study of opportunistic screening for genital Chlamydia trachomatis infection in Ireland (2007-2009). Health Protection Surveillance Centre, http://www.hpsc.ie/hpsc/A-Z/HIVSTIs/SexuallyTransmittedInfections/ Chlamydia/ Publications/ File,134. [Details]
Recent Postgraduates
Supervision: PHD Students
Padraic Ward: Economic Essays on Healthcare Utilization in Ireland
Supervision: MSc Students
Laura Carter: The Economic Burden of Wound Care in Ireland
Conor Loughnane: The Economics of the Pharmaceutical Prescribing in Ireland.
Derek O'Boyle: The Impact of Psoriasis in Ireland: Epidemiology, Quality of Life and Comorbidities
Ryan Doherty: Decision Analytic Models for Economic Evaluation of Health Care Interventions for Gestational Diabetes Mellitus
Christopher Donnelly:The Clinical and Economic Impacts of Obesity in Pregnancy in Ireland
Liam McMorrow: The Economics of Type 1 Diabetes in Ireland
Elaine Gallagher: The Economic Burden of Epistaxis in an Irish Public Hospital.
Modules Taught
|Semester 1 2015/6 : EC520 Economics of Health and Social Care
|Semester 1 2015/6 : EC345 Health Economics
|Semester 2 2015/6 : EC275 Statistics for Economics
|Semester 2 2015/6 : EC579 Applied Health Technology Assessment and Decision Modelling
|Semester 2 2015/6 : EC5105 Applied Health Econometrics