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To the martial arts cinema purist, the phrase "made in Taiwan" doesn't exactly stand as a guaranty of quality. It was Hong Kong, after all, that played home to the Shaw Brothers and Golden Harvest brands, as well as the galaxy of first rate talent that they attracted. Taiwan, on the other hand, appeared to have a lot of anonymous fields and quarries in which fights could be staged without any risk of expensive props or set elements being damaged. But what Taiwan's martial arts cinema lacked in terms of budgets and top notch performers, it made up for in crazy. In other words, while the fighters in an old school Taiwanese kung fu movie were less likely to be as skillful as those in, say, a Liu Chia-Lang film, they were also much more likely to be wearing mangy gorilla suits.
It's time to start paying attention to martial arts movies again. We're not quite out of the desert through which we've been wandering, but there's definitely an oasis on the horizon. Long years of Hong Kong turning its back on the genre, or making movies so bad that you wish it'd turned its back, might finally be over. The new school that Hong Kong forgot to train to take over when guys like Jackie Chan and Sammo Hung got too old seems to finally be graduating, thanks largely to the potentially vast pool of talent in mainland China being opened to fim makers who want a little more authenticity in their action stars. It was slow going. For years after the handover of Hong Kong by the Brits back to China, the behemoth and the city-state were like two people on an awkward first date, trying to figure one another out, making stuttering attempts at small talk. Then came Zhang Yimou's Hero, which mixed up Chinese and Hong Kong casts and crews and took over the world. Slowly, the two partners got more and more comfortable with each other. And by 2008 or so, they were ready to consummate the union, so to speak.
Adventures of Jane
I have a friend who is a huge, HUGE World War II history buff. My Dad is similarly fascinated with that conflict, so between the two of them, I have picked up a certain smattering of interest in the terrible events of 1939-45. Not much, but enough to get highly annoyed at my fellow countrymen who only remember we ever had a war during international sporting matches to reinforce their own xenophobia. Enough to be able to tell the difference between a Spitfire mk I and, um, other types of Spitfire. Enough to know that the snazzy B3-style flying jacket I recently acquired is of the sort worn by B-17 bomber crews, and is somewhat inaccurate because it has two pockets instead of the correct one. Enough to come off as an enormous nerd, in fact, without the swathes of useful, in-depth information that makes being known as an enormous nerd worthwhile. I do though like to think I cut quite a dash in the sort of clothing once worn by the crew of the Memphis Belle. Speaking of which (see what I did there), if you go to the Imperial War Musem Duxford, you'll see a B-17 named Sally B. This is the last airworthy B-17 in Europe and, in fact, starred in the 1989 movie Memphis Belle as the titular aircraft. Today she still has the rather demure nose art of that famous plane on one side, and her own sexy naked lady (the original Sally B, we assume) on the other.
Armageddon: The Final Challenge
Movies try to evoke a wide range of emotions and reactions from their viewers. Shock, delight, sadness, joy, despair — in the century or so that humans have been making movies, the bag of tricks film makers use to manipulate our emotions has become large indeed, and the range of emotions and experiences movies seek to simulate has grown to encompass pretty much everything we're likely or unlikely to ever encounter in real life. There are, however, a few mental states and experiences that, while a movie could potentially ask us to invest ourselves in, it probably shouldn't. At the top of my list of experiences I don't need recreated for me by a movie would be the frustrating tedium of phone-based customer support.
Golden Eyes: Secret Agent 077
Indian spy movies from the 60s tend to be delightful despite themselves. The typical Bollywood film's emphasis on communal values and lack of irony made them ill suited for portraying the kind of smirky hedonism so often displayed in Western examples of the genre. As a result, big budget, mainstream espionage thrillers like Aankhen featured mother loving, teetotaling heroes who stood out against such decadent trappings as almost a kind of rebuke. Meanwhile, in the genre ghetto of India's B movie industry, attempts were being made at churning out spy films that hued a little closer to the European model. Unfortunately for these films, while the attitude might have been there, the cash wasn't. Given that, the end products were frequently films that tested the notion of just how sparely represented the basic tropes of the spy genre could be in a film without it falling short of being a spy film at all.
Devil's Man
The Devil's Man is a really quite odd — not to mention staggeringly cheap — little Eurospy film from director Paolo Bianchini, the man who spoiled Superargo for everyone with his limp sequel to Superargo vs. Diabolicus, Superargo and the Faceless Giants. It's one of those Italian genre films in which the actors walk through it as if in a dream, reacting to situations in ways that no human being ever would simply because that is either what the script required of them or because they were given no direction as to what a more sensible course of action might be (ad libbing was obviously outside the pay scale). Remember that scene in Nightmare City where the woman quite improbably stands stock still and screams while a zombie pokes her eye out with a stick just because that was what was required in order to pull off the cheap prosthetic effect? Well, I was going to say that that is representative of the degree of logic informing The Devil's Man, but, on second thought, that at least makes sense on some level.
Circadian Rhythm
I tried real hard, Circadian Rhythm. I tried real hard to like, then tolerate, then at the very least, appreciate on some level what you were doing. But in the end, I just couldn't pull it off. There just wasn't any salvaging this date, and although you were cute and I liked your glasses and haircut, and I respected that you were trying to be sort of weird and different, I don't think we should have a second date. Circadian Rhythm, in case you haven't heard about it, is…well, almost a total mystery. It's not surprising if you've never heard of it. Despite starring a number of people who went on to healthy careers in television, and despite the fact that the internet will write in depth about almost anything no matter how terrible and low budget, Circadian Rhythm is either almost totally ignored by the types of people who would usually review a movie like Circadian Rhythm, or there are reviews but they're buried under thousands of search returns for actual medical and biological articles about circadian rhythms, those biological clocks that keep the bulk of society waking up and going to bed at roughly the same time.
Cherry 2000
If Neon City is an example of American-made post-apocalyptic science fiction that strives for a more realistic, bleaker tone than is usually seen in Road Warrior rip-offs, then Cherry 2000 is a very interesting companion piece that comes from the opposite end of the spectrum. It envisions a future not terribly different from the one in Neon City — in which some manner of apocalyptic disaster has left large swathes of the United States lawless and scoured, while pockets of urban civilization seem to chug along despite the blight surrounding them — but where Neon City is an exercise in bleakness and some cursory attempt at realism, Cherry 2000 gleefully embraces all the excess, quirks, and questionable art and design decisions that embodied the 1980s, resulting in a film that comes across sort of like a post-apocalypse film as imagined by Patrick Nagel.
Split Second
By the time the 1990s rolled around, I think everyone had given up on Rutger Hauer becoming some awesome super cool megastar, and "everyone" included Rutger Hauer himself. On the one hand, that's too bad, because there for a while, he was a genuinely cool dude, good looking and charming but with something cruel and disturbing about him. There was no wonder a lot of the spooky ladies (and a fair number of lads) with whom I hung out with back in the day were loopy for Rutger. I'm pretty sure we had plans, at some point, to make a movie featuring Roy Batty in his little leather booty shorts from Blade Runner teaming up with Sting's Feyd Rautha in his little metal thong thingie to… I don't know glisten as they traveled from town to town, solving people's problems.
Greatest Movie Ever: Howling 2
The Greatest Movie Ever! podcast invited me on to stammer and giggle and eventually be edited into some semblance of coherence — or at least as much coherence as can be wrung from the colossally oddball Howling 2: Your Sister is a Werewolf, movie as famous for it's depiction of Christopher Lee in new wave sunglasses as it is for Sybil Danning's werewolf orgy.


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From Webster County Justice Court
The Webster County Justice Court will be collecting past-due fines.
If you owe fines to the court and you are not making timely payments, a warrant for your arrest will be issued. These warrants will … Read more
From Webster County Justice Court
The Webster County Justice Court will be collecting past-due fines.
If you owe fines to the court and you are not making timely payments, a warrant for your arrest will be issued. These warrants will … Read more
By David Nagel and Lelia Kelly
Extension Horticulture Specialists
The frosty nights and days in the 60s are ideal for many cool-season vegetables.
Christmas broccoli and cauliflower should be starting to head now. Keeping the developing heads dry to prevent … Read more
Blair Batson toy drive
A toy drive is being conducted for the Blair E. Batson Hospital for Children in Jackson.
New and unwrapped toys may be dropped off at the Webster County Sheriff's Department, 87 Government Ave., Eupora. The deadline … Read more
Eupora Elementary School student Tyler McCluskey placed third in the third-grade division of the 2014 Webster County District Spelling Bee. His last name was misspelled in a Dec. 10 article and cutline.… Read more
Don Vaughan provides infrequently used words to strengthen your vocabulary.
I encourage you to visit the website titled Reader's Digest: Word Power. This webpage provides vocabulary building words from the monthly family magazine's "Word Power" column, audio pronunciations of each … Read more
Bailey thanks Eagle Scout project helpers
My name is William "Brett" Bailey and I just wanted to take this opportunity to thank all those who helped make my Eagle Scout service project a huge success.
I started my project to … Read more
East Mississippi Community College held 2014 fall graduation ceremonies Dec. 12 at its Scooba and Golden Triangle campuses.
The ceremonies included students who graduated during the summer and fall semesters at the Scooba, Golden Triangle, Columbus Air Force Base, Naval … Read more
Dec. 8
7:25 a.m., medical, East Walnut Avenue; EMS responds.
9:58 a.m., alarm, Hwy. 404; Webster SO responds.
1:10 p.m., MVA, Hwy. 82; MHP, WSO responds.
1:59 p.m., medical, Mt. Vernon Road; EMS responds.
11:22 p.m., … Read more
ADVERTISEMENT FOR BIDS… Read more
Mary Catherine Brewer
Dec. 12, 2014
Graveside services for Mary Catherine Brewer, 77, were Dec. 14, 2014, at Enon Cemetery in Ackerman with the Rev. Danny Irvin officiating.
She was born Sept. 13, 1937, in Memphis, Tenn. Mrs. Brewer was … Read more

subset: commoncrawl


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by Bobby Batson
by Margaret Salvaggio
by Dennis H. Phillips
by Margaret Salvaggio
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Broker and owner David White of White & Associates is excited to announce the latest addition to his ever-growing firm. Kelli Tudyk and her family moved from Liberty Hill, Texas before that they lived in Llano, Texas. Her husband Martin took on a new job with TAMU. They have 3 children ranging in age from 11 to 16 and all are active in the outdoors.
By Dennis H. Phillips
There's a new Municipal Judge on the bench. As a final agenda item, councilperson Hazel Embra traded in her chair on the council for the one behind the bench. Creating a vacancy on the city council, members will now have just 10 days to appoint a replacement.
By Margaret Salvaggio
The Rodeo was in town and there is no other than the Glover Rodeo. It is a family oriented group and everyone is family to the Glovers. The Glover Rodeo started in 1982 and is always the 3rd Saturday in the month of September.
The Calvert Senior Center which is located at, 208 W. Texas Street in Calvert, Texas was the happening place for this month of September for celebrating birthdays, playing bingo, dealing cards and shooting to the moon with dominos and of course cake! Among our celebrities was Ms. Clara Miller, celebrating her 101st birthday.
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- 800.878.7323
Original Essays
Looking through Rose-Colored Glasses at a Sorrowful Worldby Ron Leshem
I have always envied actors. What a privilege it is to wake up one morning and become an underage prostitute. When you get tired of that, you transform into a lonely, persecuted, Eastern European spy. Or a poor mother in an enchanting Bolivian village; a larger-than-life singer in Tehran; a corrupt North Korean general. As an actor you can go everywhere you are not supposed to be, and you can experience lives you have no chance of living. Or perhaps you had a chance, but you may always think you missed it because you chose a different path.
I dreamed of being an actor until I realized two important things: firstly, I have no acting talent. And secondly, through writing I achieve all these lost dreams better than I could taking a part on the stage. Writing is the best escape of all: it gives you a chance to duplicate yourself in any universe you wish, to crawl under the skin of even those people who didn't want you around, to love those who could not give you love and to travel as far as you can.
In screenwriting schools and writing workshops, students are usually encouraged to write about worlds they know, to bring experiences from home, to incorporate themselves and their familiar surroundings. For some students this sort of writing is emotional therapy, an opportunity to deal with private wounds by probing them (and by exhbiting them). But for other students, this is not the case: all they have is a story, which may be good or not so good. This is important writing, of course, legitimate writing, grounded in the concept that even the tiniest pieces of our lives holds a story containing mesmerizing and moving moments. It's nice to believe in that.
Maybe I'll grow up one day, but for now, I can't write about myself; I don't find it interesting. Not my childhood in Tel Aviv, not my life as a journalist or as a TV manager. On the contrary when I get home to my keyboard, in the late-night hours, all I want is to take off as far as possible, to get away. To sail into other people's lives, the lives of people I would like to understand and of those with whom I would like to be friends. This is writing created from a journalistic journey, from research. Writing that gives you an excuse to seek out special people, sit them down in front of you, and peel their layers away as you dig through their souls for hours upon hours. The less willing they are to talk, the more eager you are to peel them, because you are curious (as befitting a journalist, you can't take no for an answer, you like the unattainable). This cannot be lazy writing. This is particularly demanding writing that requires extensive research. But it is worth every minute of time you invest. It is infinite; it does not recycle itself inside a familiar, restricted world. And when you are inside it you recruit agents, you seem cold and calculating, conquering the human goals you have marked, but in fact forging a deep emotional connection with them, and along the way falling in love, surrounding yourself with lots of new friends from worlds so different and peculiar. And these are your texts.
You yourself are also in the text. You are not a character in the book, or the book's subject. But you are very much there, between the lines, emerging unseen, making your dreams come true, correcting past mistakes, living a mirror image of yourself. And for you, writing is the ultimate relief and salvation.
I was always a shy, reserved, introspective child. I kept my distance from any situation that posed a danger of losing control, of intoxication, of wildness, of addiction, or just of embarrassment. Perhaps I was too good. I was not a combat soldier. I never set foot in the snowy mud of awesome Lebanon. My skin was not dark brown or black. I did not fear for my life under missile attacks. I did not feel the true love of brothers in arms. My vernacular was not so free and rich. Those who fought there, only a few miles from the quiet bubble in which I grew up and where I still live, were different from me. Most were from poor, powerless families, children from the periphery, or new immigrants, looking for their ticket into Israeli society. They wanted to feel that they belonged, that they were contributing, important. These men and the members of the "national religious" camp made up the ranks of the soldiers who fought there. We myself and people like me sent them there. We did not always ask ourselves who we were sending to die for us (that is primarily a social question). We did not always make sure we were asking enough questions when we sent them. And I painfully admit that it was never urgent for me to peek into their lives there, to understand the pornography of daily minutiae in the dangerous outpost, a stifled shelter deep in the jungle in enemy territory, cut off, isolated. I did not ask questions until I stumbled across them, unintentionally, and realized how little I understood and knew. Only then did I become angry with myself and begin to research.
I wanted intimacy. I tried to peel their layers. When they talked, at a distance of some years from the withdrawal, they told me, "Yeah, bro', it was all for nothing" the losses, the scars. They talked about the wounds they carry with them, about recurrent nightmares. Yet still, despite all this, there was something in their voices that missed those days, their lives in the outpost. A kind of romantic yearning. In the novel Beaufort, I tried to crack that yearning, to understand how one could miss that sad place. To discover the secret of that little country of children where there was no adult in charge, a tiny cement cage that was the lives of eighteen-year-olds in Israel, and what happens to this kind of group when it is isolated from the rest of the world, trapped in a sort of psychological experiment, wrapped in sets (Lebanon, the war) that magnify and externalize people's characteristics and weaknesses, their urges and fears.
I have always liked magical realism, in which the author pops into reality wearing rose-colored glasses. Even in a bleak battle scene, or in the life of a young prostitute living in the gutters, he finds sensuality and a human touch. A simplistic criticism would hold that romanticizing a battle scene is wrong, because it legitimizes war and makes it heroic, and is therefore dangerous. I disagree. This kind of writing, to me, if it unfolds into the right places, has a hugely effective power. It touches the reader's emotions and molds the reader's consciousness and perceptions far more easily than a text that is flooded with a gloomy weight that acts as an emotional barrier. This kind of writing is slippery and cunning. It softens the reader, misleads him, makes him expose his raw nerves and fall in love. And then, when he is tender and vulnerable, every burning contact really touches him.
But by employing this style, the author's attachment to the characters may make it difficult to write about their flaws. The fact that behind some of the characters there are real people, living and dead, who were your inspiration, may also neutralize your work, chain you with the fear of hurting them or exposing their weaknesses. But you cannot be held back.
The characters in Beaufort were inspired by real people whom I would have been afraid to disappoint. To overcome this limitation, I created one single character who was completely fictional, who never really existed: Tomer Zitlawi. It was he, the wildest and most liberated of them all, my favorite player in the story, the warmest best friend I never had, the other life I may have wanted to take on it was he who turned out to be the truest character of the lot.
From among all the powerful and sad moments that accompany the publication of a book (and there are many perhaps the experience is simply too much for one little person, and it throws you out of balance), the saddest of all is when your publisher asks you to stop playing around with the text and makes it clear that this is it, it's over, we're going to press. You wake up the next morning and all the characters are no longer there around you, they have all died at once, leaving you alone with a vast sense of bereavement because you no longer have a way to develop them, to lead them forward, to talk with them, to embrace them. Your home is quiet again at night. Happily, it is Tomer Zitlawi who still stays with me today, more real than anyone, and he probably will forever. His life is seemingly bleaker than all the other characters', but he is happier than them all, happier than us all.
÷ ÷ ÷
Ron Leshem is deputy director in charge of programming at Channel Two, Israel's main commercial television network. Beaufort won the Sapir Prize Israel's top literary award in 2006. The film version of Beaufort, which Leshem coauthored with director Joseph Cedar, won the Berlin International Film Festival's Silver Bear for Best Director. Leshem lives in Tel Aviv and is at work on his second novel.


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jessica koprowski Model
Tiffany Manson PhotosPhotographer Female Buffalo, New York, US
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Publications (4)1.79 Total impact
Article: Rotina de procedimentos utilizados na seleção e adaptação de aparelhos de amplificação sonora individual em centros auditivos na cidade de Porto Alegre, Brasil - RSRevista CEFAC 01/2009; 11. DOI:10.1590/S1516-18462009005000012
Article: Routine of procedures used on the selection and adaptation of hearing aids at hearing centers in the city of Porto Alegre, Brazil - RSRevista CEFAC 12/2008; 11:106-115.
- [Show abstract] [Hide abstract]
ABSTRACT: The objective of this study is to characterize voice intensity and stability of fundamental frequency, formants and diadochokinesis, vocal modulations, rhythms, and speed of speech in adolescents during follicular and luteal phases of the menstrual cycle. Twenty-three adolescent females who were nonusers of oral contraceptives participated in a cross-sectional study of menstrual cycle influences on voicing and speaking tasks. Acoustic analyses were performed during both phases of the menstrual cycle using the Kay Elemetrics Computer Speech Lab Software Package. Data were analyzed using Student's paired sample t test. Phono-articulatory parameters were similar in both phases of the menstrual cycle (fundamental frequency: 192.6+/-23.9 Hz; minimum formant 891.7+/-110.3 Hz; and maximum formant: 2471.5+/-203.6 Hz). In diadochokinesis, they had a speed of 5.6+/-0.6 seg/s and vocal intensity was 61.5+/-2.6 dB. The mean values for the variations in voice modulations were as follows: anger (21.7+/-8.7 Hz)<normal state (23.4+/-12.4 Hz)<sadness (24.9+/-10.5 Hz)<exclamatory sentence (29.3+/-12.4 Hz)<interrogative sentence (33.1+/-12.4 Hz)<happiness (33.3+/-12.1 Hz). Combining both phases of the menstrual cycle, the speed of speech was 5.2+/-0.6 seg/s in meaningful sentences and 1.9+/-0.2 seg/s in meaningless sentences. In conclusion, the adolescents showed similar voice fundamental frequency and intensity, formants, speed of speech, and suprasegmental speech parameters. The results shown in this study may be used as standard of acoustic phono-articulatory for adolescents.Journal of voice: official journal of the Voice Foundation 11/2007; 23(1):109-13. DOI:10.1016/j.jvoice.2007.03.001 · 0.94 Impact Factor
Article: Hearing impairment and socioeconomic factors: a population-based survey of an urban locality in southern Brazil[Show abstract] [Hide abstract]
ABSTRACT: To provide the first population-based data on deafness and hearing impairment in Brazil. In 2003, a cross-sectional household survey was conducted of 2,427 persons 4 years old and over. The study population was composed of 1,040 systematically chosen households in 40 randomly selected census tracts (dwelling clusters) in the city of Canoas, which is in the state of Rio Grande do Sul, in southern Brazil. Hearing function was evaluated in all subjects by both pure-tone audiometry and physical examination, using the World Health Organization Ear and Hearing Disorders Survey Protocol and definitions of hearing levels. The socioeconomic data that were gathered included the amount of schooling of all individuals tested and the income of the head of the household. It was found that 26.1% of the population studied showed some level of hearing impairment, and 6.8% (95% confidence interval (CI) = 5.5%-8.1%) were classified in the disabling hearing impairment group. The prevalence of moderate hearing loss was 5.4% (95% CI = 4.4%-6.4%); for severe hearing loss, 1.2% (95% CI = 0.7%-1.7%); and for profound hearing loss, 0.2% (95% CI = 0.03%-0.33%). The groups at higher risk for hearing loss were men (odds ratio (OR) = 1.54; 95% CI = 1.06-2.23); participants 60 years of age and over (OR = 12.55; 95% CI = 8.38-18.79); those with fewer years of formal schooling (OR = 3.92; 95% CI = 2.14-7.16); and those with lower income (OR = 1.56; 95% CI = 1.06-2.27). These results support advocacy by health policy planners and care providers for the prevention of deafness and hearing impairment. The findings could help build awareness in the community, in universities, and in government agencies of the health care needs that hearing problems create.Revista Panamericana de Salud Pública 07/2007; 21(6):381-7. DOI:10.1590/S1020-49892007000500006 · 0.85 Impact Factor
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Universidade Luterana do BrasilCanoas, Rio Grande do Sul, Brazil
Universidade Federal do Rio Grande do Sul
Pôrto de São Francisco dos Casaes, Rio Grande do Sul, Brazil
- Departamento de Ginecologia e Obstetrícia


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Silent Spring
Silent Spring
Houghton Mifflin, Hardcover, 9780618253050, 400pp.
Publication Date: October 2002
First published by Houghton Mifflin in 1962, Silent Spring alerted a large audience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water. Silent Spring became a runaway bestseller, with international reverberations . . . [It is] well crafted, fearless and succinct . . . Even if she had not inspired a generation of activists, Carson would prevail as one of the greatest nature writers in American letters" (Peter Matthiessen, for Time's 100 Most Influential People of the Century).
This fortieth anniversary edition celebrates Rachel Carson's watershed book with a new introduction by the author and activist Terry Tempest Williams and a new afterword by the acclaimed Rachel Carson biographer Linda Lear, who tells the story of Carson's courageous defense of her truths in the face of ruthless assault from the chemical industry in the year following the publication of Silent Spring and before her untimely death in 1964.
Rachel Carson (1907-1964) spent most of her professional life as a marine biologist with the U.S. Fish and Wildlife Service. By the late 1950s, she had written three lyrical, popular books about the sea, including the best-selling The Sea Around Us, and had become the most respected science writer in America. She completed Silent Spring against formidable personal odds, and with it shaped a powerful social movement that has altered the course of history.
Edward O. Wilson, one of the world's preeminent biologists, is the author of more than twenty-five books, including "Sociobiology", the Pulitzer Prize-winning "The Ants", and the best-selling novel "Anthill". A professor emeritus at Harvard University, he lives in Lexington, Massachusetts.


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The 3 Piece spoiler can be installed on Mustangs with the Factory GT Spoiler. The width of the 3 Piece spoiler from front to rear is enough to cover the 4 –Holes from the factory spoiler.
The spoiler will require prepping – priming and painting prior to installation.
* Shipping Notes: Please note FREE Shipping refers to shipping within the contiguous contential US. All other locations extra. If your order will be delayed you will be notified via email the estimated shipping date.
History and information about 3dCarbon and their products.
What makes 3D CARBON parts great? Think of this. Ernie Bunnell and Billy Longfellow created aerodynamic wings and curb-scraping air dams that stole the market. 3D CARBON cater to the young and young at heart who want to add their own personal style to their car.
3D CARBON was formed in 2004 by Bunnell and Longfellow after they broke away from Wings West. 3D CARBON wanted to launch into the sports compact market and supplied aerodynamic kits for modifying Hondas, Toyotas and Mitsubishis. 3D CARBON 's products can be relied on for strength and consistency even in the most intricate designs. . 3D CARBON then began developing the 2004 Mustang Boy Racer Kit and its accessories. The challenge to create new styles for the domestic muscle cars like the Ford Mustang resulted in 3D CARBON's winning several coveted Best of Show Ford Design Awards. 3DCarbon received the prestigious Ford "Best of Show" at the 2005 SEMA show in Las Vegas for their 2005+ Mustang Body Kit. 3DCarbon is dedicated to designing and manufacturing the highest quality automotive products. 3D CARBON continues to create new styling products to enhance your vehicle .
In 2011 3D CARBON partnered with AIRDESIGN to create yet more new body kits and accessories. 3D CARBON's air dams, spoilers, wings, louvers, quarter panel vents and ground effect pieces are the top of the line. They are easy to install and fit like a glove. LMPerformance offers everything you need from 3D CARBON: replacement bumper covers, rear bumper covers, skirt pieces, window louvers and lots of other products designed with the car enthusiast in mind.
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*Verizon has acquired AOL, Engadget's parent company. However, Engadget maintains full editorial control, and Verizon will have to pry it from our cold, dead hands.
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Grady Avenue roundabout reveals need for refresher on meaning of 'yield'
Have you noticed how many drivers would benefit from a refresher course in driver's education? How some of these folks get a license and keep a license is beyond me.
Have you noticed how many drivers would benefit from a refresher course in driver's education? How some of these folks get a license and keep a license is beyond me.
Tuesday morning is major study time for me as I prepare for next Sunday's message. On September 11, 2001, I was busy writing when our secretary rang me and said, "An airplane just crashed into the World Trade Center."
I heard about a man who visited Uncertain, Texas, population 273. I don't know whether Uncertain is near Muleshoe and Lazboddie, or closer to North Zulch and Dime Box. This poor man had car trouble and found himself stranded in a small, unfamiliar place.
A man took the bus to work. Since rain was predicted, he went to get the umbrella, but his wife stopped him.
Several years ago, The Atlanta Journal-Constitution ran a story about Los Angeles juror number 2386. This man had faithfully reported for jury duty, but had been sitting in the courtroom for two days, waiting to be interviewed by lawyers.
Suddenly, he let out a loud yawn.
The other day, I was finishing a very pleasant visit with a couple who had worshipped with us the previous Sunday. They walked me out the door, pulled the door shut, and then realized the door was locked.
These summer months may be vacation season for church members who are in and out of town and in and out of church. Church attendance may dip, but these aren't the lazy days of summer for folks who participate in the missions opportunities that summertime brings.
Our column rotation placed my Father's Day tribute after the fact this year, but, hey, it's never too late to salute the dads who are doing a good job with fatherhood, and to challenge all of us to raise our performance even more.
A pastor friend called greatly distressed because one of his core church members had informed him that his family was leaving the church because he was not being fed.
Saturday, May 21 came and passed without a cataclysmic world-ending disaster. The sincere California pastor missed his prediction again.
We've officially joined the Grandparents' Club, though we're much too young to be grandparents. Our daughter's baby was due May 2nd, and we were debating about when to leave for the nine-hour drive to Southwest Florida.
It was the top of the fifth, with a runner on first base and the Oakland A's David DeJesus at the plate.
Last Wednesday, the processional carrying the body of fallen soldier Jeremy Faulkner passed our church on the way to the funeral home in McDonough. Faulkner was killed March 29 when his unit came under enemy fire in the Konar Province of Afghanistan.
One of the privileges of being in the ministry is the opportunity to be "pastor" to people in times of joy and in times of adversity. Simply "being there" and having that "ministry of presence" are greatly appreciated by parishioners in need.
Someone said, "It's better to keep your mouth shut and appear dumb than it is to open and remove all doubt." Or, as Forest Gump's mother said, "Stupid is as stupid does." In other words, mental aptitude is often demonstrated by the stupid things a person does.