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SailFin CAFE : Converged Application Framework
Project SailFin CAFE (http://sailfin-cafe.dev.java.net) is available now. It is a sub project of Project SailFin and aims to simplify the development of converged SIP/JavaEE applications. While SIP servlets provide a server side Java abstraction for SIP signaling, SailFin CAFE and the API it exposes, provides a higher level abstraction for development. Essentially SailFin CAFE aims to provide a server side abstraction for communication services like Call, Conference, IM, Presence etc.
The first build of the project is available now. At present CAFE work on top of SailFin V2. When SailFin V3 builds become available (hopefully in next month or so), CAFE will also move to SailFin V3 and will also be available integrated with SailFin v3. For more information on the project, please visit the website, take a look at the FAQ, javadoc or at the examples in the wiki.
We are planning to build the API in the open source and would like to hear feedback from anyone interested. Please become part of the community and provide us the feedback.
You can also attend the J1 session, TS 4929, to know more details about the project.
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- binod's blog
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by binod - 2009-06-07 19:56Hi Max, Just like Project SailFin, this is a collaboration between Sun and Ericsson. There are a number of people from both Ericsson and Sun have collaborated on the project.


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Like hearts, wine glasses are fragile, full of goodness, and frequently broken. Live life to the brim with this Groupon.
Choose Between Two Options
- $42 for a voucher for a wine class for two (an $80 value)
- $79 for a voucher for a wine class for four (a $160 value)
Two-hour wine "Wine Basics 101" classes vary by session and may cover how to taste wine, the process of winemaking, or wines from a particular country. No matter the subject, certified professionals from the wine industry expound on the session's topic and provide samples of six to eight different wines.
The Gifted Ferret
Giving gifts is its own reward, but at The Gifted Ferret, get-well cards, trinkets and candles accompany a robust collection of boutique wines so gift-givers can reward themselves as well. The shop's wine racks brim with vino crafted by vintners who treat winemaking not just as a business but also as a passion as well as the best way to teach grapes a lesson. During onsite wine classes, industry experts regale attendees with information while pouring samples from among the shop's dozens of varietals. For those seeking an intoxicant-free fix, the staff brews Newman's Own coffee and Green Mountain Naturals apple cider. In the gift area, patrons peruse handmade cards and Arthur Court pewter home-decor items alongside gift bags and an expanded array of gourmet food items.
97% of 29 customers recommend
"Great wine tasting venue. We'll go back!"
"Excellent wines Very good info Will definatly return"
"Great evening out on a date or girls night. Loved the 2 hour wine class! The gift shop and wine cellar have unique things to purchase. We will definitely go back!"
1910 Eagle Dr.
Ste. 400
Woodstock, GA 30189
+17706935889Get Directions

subset: commoncrawl


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03.23.2015: A Garment District project proves more than skin-deep.
03.23.2015: James Way reads Pornotopia: An Essay on Playboy's Architecture and Biopolitics by Beatriz Preciado.
03.20.2015: Pittsburgh's Carnegie Museum of Art explores the architectural process in Sketch to Structure.
03.20.2015: Caitlin Mociun gives the white wedding a color-infused poke in Williamsburg, Brooklyn.
03.20.2015: Marc Jacobs flagship store features a tripartite facade of aluminum, tile, and glass.
03.19.2015: This Guadalajara-based practice sees architecture's past as an integral part of its present.
03.19.2015: HWKN overhauls an old warehouse for the University of Pennsylvania.
03.18.2015: Collaboration is at the heart of this Boston firm's work, which ranges from architecture to furniture and graphic design.
03.18.2015: New York City unveils Vision Zero pedestrian safety plans.
03.17.2015: Two more houses open on Philip Johnson's New Canaan estate.
03.17.2015: In his second piece on the architecture of fracking Brantley Hightower zeroes in on a boom town south of San Antonio.
03.17.2015: These light fixtures and accessories go beyond the basic function of illuminating a space in some very surprising ways.
03.16.2015: Brian Newman reads Last is More: Mies, IBM, and the Transformation of Chicago.


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I would like to invite you to view our promo video regarding our next party meetup:
PSYCHEDELIK FUNKTRONIKA[masked] @ 111 Minna Gallery!
Click here: http://youtu.be/CRXwQK63tNw (duration 1:30 minutes)
January 11, 2013 Friday 9pm to 2am
Cover: $10 b4 10PM, $15 aftr
Always ages 21+
PSYCHEDELIK FUNKTRONIKA[masked] @ 111 Minna Gallery!
An orgy of sound where industrial, house, hip hop, j-pop and trance converges! The rising electronic wave of future psychedelia, featuring Hawaiian Delights Crochet Bikinis GoGo Dance Fashion Show. Dance, drink, party, mingle and make new friends at 111 Minna Gallery, a classy downtown avant garde art nightclub!
9:00PM Live art by Amanda Coy
9:00PM "In The Green Room a.k.a. Midori No Heya" by Eve Miyasaki. Animation: a magical paradise island, where a surfer girl searches for love, riding waves of ecstasy with playful nymphs, mermaids, fairies and menehune.
10:00PM to 2:00AM Cécile Chalouni and Guillaume Desachy: stop motion videos and beyond! House and trance music mixed by SkeeWo
11:00PM Hawaiian Delights Crochet Bikinis GoGo Dance Fashion Show. Set 1
12:00AM Intermission
12:05AM to 12:15AM Live performance J-pop fusion by Eve Miyasaki: "Sekai No Iro" translation: World Of Color (J-pop meets Hip Hop), "Anata Ga Kiku Kara" translation: Since You Asked (J-pop meets Industrial)
12:15AM Hawaiian Delights Crochet Bikinis GoGo Dance Fashion Show. Set 2
PSYCHEDELIK FUNKTRONIKA[masked] @ 111 Minna Gallery!
Always ages 21+
We just grab a coffee and speak French. Some people have been coming every week for months... it creates a kind of warmth to the group.
— Rafaël, started French Conversation Group
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I am a Dutch graphic designer from Holland. I have a fullservice advertising agency where we create new corporate identities, websites (shops), social media campaigns, packagingdesign etc.
creationz participated with 24 other designers who submitted 224 entries and was awarded $600. View this project »
Great work! The final logo design was truly unique and very cool. The layout of the stationary and business cards was beautiful. jjmarzullo
Name your own price, then watch as dozens of participants submit ideas and choose your favorite. Our 100% money-back guarantee makes it risk-free!
Let us match you up with one of our very best Creatives and work 1-to-1 in complete privacy. You'll have all of the same tools and features as our regular projects!


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Narrow your search
Technically Incorrect: In a vigorous defense of the family to honor World Communications Day, Pope Francis offers the hope that humanity won't be dominated by technology.
Technically Incorrect: When Pope Francis visits Washington DC later this month, selfie sticks will be deemed tools of the devil. Which is understandable.
Pope Francis eating sandwiches, hugging babies, playing soccer and taking selfies with millennials are now available as emoji in honor of his September 22 visit to the US.
Google Docs, Sheets and Slides got new features this week that will help you work better. Check out the highlights here.
These powerful, reversible charging ports are all the rage, and are coming to a phone near you. Here's everything you need to know as new USB-C phones trickle out.
Technically Incorrect: In Brazil, a religious group creates Facegloria, where instead of "liking," you click "amen."
The chief financial officer for the company's Applications and Services group tells investors now is the time for Microsoft to put its foot on the gas with Bing, not sell it off.
Well...can you? I headed to the greatest motor race on Earth to see whether I could stay awake for the entire thing.
Technically Incorrect: In a document intended for a broad audience, the pope describes the earth as "an immense pile of filth."
Microsoft has confirmed that it is cracking down on profanities in the Upload Studio app on the Xbox One. Swearing in your uploaded videos could lead to a temporary "loss of account privileges".


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Students Starting to Use Nintendo for Class
Updated: 06/26/2008 - The Nintendo DS is now being used as a key teaching tool in English classes in Japan!
Updated: 06/26/2008 - The Nintendo DS is now being used as a key teaching tool in English classes in Japan!
Updated: 06/26/2008 - New details continue to emerge about a workplace shooting in western Kentucky, where a man killed five people at a plastics plant, before turning the gun on himself.
Updated: 06/26/2008 - The Supreme Court, for the first time in history, ruled citizens have a right to protect themselves with a gun.
Updated: 06/26/2008 - There's been another workplace shooting in the Bluegrass State. This time at a southeastern Kentucky used car lot.
Posted: 06/26/2008 - Area kids played with animals under the warm summer sun on June 26, as Camp TJ celebrates it's ninth year helping children with special needs.
Posted: 06/26/2008 - The civic and business leaders in Bowling Green told the public on June 26 that despite the economic downturn in the United States our local economy is doing just fine.
Updated: 06/26/2008 - An area hospital is donating supplies and equipment to countries that are in need of good medical care.
Posted: 06/26/2008 - City officials in Louisville say the show American Idol will hold two auditions here.
Updated: 06/26/2008 - Police in southern Kentucky are searching for an inmate who escaped while on work release.
Posted: 06/26/2008 - The search for two men responsible for robbing a Checks Etc. employee and then running him over with a car continues.
Updated: 06/26/2008 - In a landmark ruling on June 26, the United States Supreme Court said for the first time the Constitution gives the individual the right to own a gun.
Updated: 06/26/2008 - President Bush said on June 26 he will remove North Korea from the U.S. terrorism blacklist.
Updated: 06/26/2008 - A plastics plant in western Kentucky that was the site of a deadly workplace shooting has reopened.
Updated: 06/26/2008 - Senator Hillary Clinton spoke to hundreds of nurses from across the country at a meeting of the American Nurses Association on June 26 in Washington.
Updated: 05/29/2009 - The time has never been better to purchase tickets for your chance to win the St. Jude Dream Home!
Posted: 06/26/2008 - Religion is looking to play a surprisingly large and persistent role in the 2008 Presidential race - and it's not just about Reverend Wright.
Posted: 06/26/2008 - Three men have pleaded not guilty to charges that they plotted to blow up New York's JFK airport.
Posted: 06/26/2008 - In an effort to get a handle on rising gas prices, House Speaker Nancy Pelosi has asked President Bush to end excessive speculation in commodity markets.
Posted: 06/26/2008 - The government is offering a look ahead to what it thinks global energy use will be like in the year 2030.
Posted: 06/26/2008 - The Supreme Court on June 25 cut the $2.5 billion punitive damages award in the 1989 Exxon Valdez disaster to $500 million.
Updated: 06/26/2008 - Bowling Green Police are investigating a recent theft and forgery.
Posted: 06/25/2008 - They fought a bitter primary campaign, but they will campaign together Friday in Unity, New Hampshire, but how much unity is there really?
Posted: 06/25/2008 - You may not know it, but every aspect of the carnival experience from rides to concessions, depends solely on fuel. Now, it's becoming a drain for these mobile amusement parks and their owners, thanks to rising diesel costs.
Updated: 06/25/2008 - Big changes to the state retirement system are a step closer to becoming law. Lawmakers in the House unanimously approved pension reform today.
Posted: 06/25/2008 - Bowling Green Police were involved in a hot pursuit earlier on June 25 that ended in the arrest of 21-year-old Redjo Osmanovic.


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Football Holds Early Afternoon Practice
For tickets call 1-866-FAU-Owls
Football Wraps Up Spring with Red/Blue Game
For season tickets call 1-866-FAU-Owls
More than 220 FAU Student-Athletes Earn a GPA of 3.0 or Greater for Fall 2013 Semester
Florida Atlantic Student-Athletes Excel Academically
2015: Saw action versus Miami....had a pass attempt versus Buffalo and was credited with one reception for a gain of 10 yards...one of just two receivers to record multiple receptions versus Charlotte...had two for a total of 27 yards with a career long 23-yarder.
2013: Worked with the squad.
High School: Played for Daryl Heidelberg at Miami Norland Senior High School where he played QB, passing for 1,560 years and 22 touchdowns...selected to play in the Dade v. Broward All-Star Game...led Miami Norland to a perfect 15-0 season and won the class 5A state championship...graduated in top 10% of his class.
Personal: Criminal justice major...son of Karen and David Thomas...born in Miami, FL.


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The Uruguayan international was strongly linked with a move to Spanish side Real Madrid and Premier League rivals Arsenal even had a £40million bid for the striker rejected.
"When you have a player as good as Luis Suarez, you know that the big clubs are going to want him," said Gerrard.
"I was waking up every morning, hoping that nothing would happen and that he would still be here.
"Nobody tried harder than me to make him stay and he knows exactly what I think of him. I knew if we could keep him here, the better our chances would be.
"He is a special type of footballer and he gives us something different. When the club got the message to him that they were not going to sell him, he got his head down and has worked hard.
"He has never given us a moment's problem. I think it is a credit to Luis for the way he has come back.
"A lot of players who have been in his position might have come back and spat the dummy out, not trying for the team. But he is not that type of guy.
"He realised that the club wanted to keep him and he has respected their decision. He is here now and he wants to stay.
"He wants to achieve something this season and he looks as hungry as he has ever done."
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Who of Europe's top strikers will move to England this summer?
After a dreadful start to their Bundesliga campaign, Borussia Dortmund appear to have weathered the storm after going five matches without defeat.


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Daily Archives: 29 May 2011
Flotilla to go ahead despite Rafah crossing reopening
Those self-righteous "peace"-loving Turks have triumphantly declared that the next flotilla to Gaza will be going ahead as planned despite Egypt opening the Rafah crossing with Gaza on Saturday. Turkey has even gone so far as to warn Israel that: … Continue reading
Posted in Israel news, Mideast news Tagged flotilla, Gaza, leftists, Palestinians, Turkey 5 Comments
Egypt permanently opens the Rafah-Gaza crossing
Israel's government has been rightly very concerned about Egypt's plan to open the Rafah crossing to Gaza, effectively ending the blockade on Gaza. That, together with Egypt's threats to abrogate the peace treaty between it an Israel, and the union … Continue reading
Posted in Israel news, Mideast news Tagged Egypt, Hamas, Israel, PA, Palestinians, Rafah 3 Comments


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Featured stories about Palestine
Stories about Palestine
8 September 2015
Dust Storm Envelops Palestine, Israel, Jordan, Syria and Lebanon
A massive dust storm is covering countries across the Western region of the Middle East today and tomorrow. Here are some photographs of the mess.
7 September 2015
Mother of Palestinian Toddler Burnt to Death in West Bank Settler Attack Declared Dead
Riham Dawabsheh died from wounds inflicted in an arson attack on her house by Israeli settlers on July 31. Her 18-month-old son Ali died in the attack, sparking outrage in...
14 August 2015
Gaza's 'Colorful Neighborhood' Brings Hope and Healing in Palestine
Gaza's Al Zaytoun is called "the colorful neighborhood" for its brightly painted streets and decorated walls, an urban renewal effort following 2014's Israel-Gaza war.
5 August 2015
Israel Appoints Former Leader of West Bank Settlers as New Ambassador to Brazil
Dayan publicly opposes the two-state solution and has previously told the press that 'those who do are either naïve or liars'.
31 July 2015
Palestinian Baby Burned to Death in West Bank Settler Attack
Israeli settlers have torched two homes in Douma, in the Occupied West Bank, leaving one baby dead and three civilians, including one child, severely injured.
24 July 2015
Brazilian Music Legends Caetano and Gil Will Perform in Israel Despite Calls to Cancel
Ex-Pink Floyd member Roger Waters and former apartheid campaigner and Nobel Prize winner Desmond Tutu have publicly asked the duo to boycott Israel over its treatment of Palestinians.
12 July 2015
Hit TV Show 'Fauda' Highlights the Chaos of the Israeli-Palestinian Divide
The show "Fauda" — "chaos" in Arabic — has finished its first season and both Israelis and Palestinians are anxiously awaiting more.
4 July 2015
Steven Salaita Lands Job at American University of Beirut, Talks Black Politics and Palestine Solidarity
After being denied tenure at the University of Illinois for pro-Palestine tweets, Salaita will be the Edward W. Said Chair of American Studies at the American University of Beirut.
29 June 2015
Israel Intercepts International Gaza-Bound Freedom Flotilla
"It is disappointing that the Israeli government chose to continue the absolutely fruitless policy of 'no tolerance', meaning it will continue to enforce an inhumane and illegal collective punishment..."
28 June 2015
Gaza-Bound Flotilla III Expected to Dock in the Palestinian Enclave at Dawn; Israel Threatens to Stop it
The Freedom Flotilla lll is about 170 miles away from Gaza and is expected to dock at dawn. Will Israel attack the boats? The next few hours will be decisive.
13 June 2015
Palestinian Hunger-Striker Khader Adnan Struggles for Freedom
Palestinian hunger striker Khader Adnan has entered his 40th day of hunger strike after nearly a year in an Israeli jail in the occupied West Bank.
8 June 2015
International 'Freedom Flotilla III' on Its Way to Break the Gaza Siege
The Freedom Flotilla III will join an increasingly long list of boats that have attempted to break the Israeli siege of Gaza. Will it succeed this time?
4 June 2015
Israel Launches Multiple Airstrikes in Gaza
Three blasts were heard across Gaza as Israel launched airstrikes in response to rockets launched by a Hamas rival, ISIS-linked Omar Brigades. How has the ceasefire held since last summer?
19 May 2015
Arab-American Journalist Detained by Israeli Security for 'Flying While Muslim'
Palestinian-American journalist Noor Wazwaz shares her experience of "Flying While Muslim" into Tel Aviv, saying the humiliation will not deter her from returning again.
16 May 2015
Egypt's Former President Mohammed Morsi Sentenced to Death for 2011 Prison Escape
Egypt's first democratically elected president Mohammed Morsi, along with more than 100 other people, were sentenced to death today. Human rights organisations and supporters describe the trial as a "sham."
14 May 2015
Gaza Rolls Out Red Carpet For Film Festival in War-Battered Neighborhood
Gazans roll out the Red Carpet throughout the destroyed Shuja'iyya neighborhood for the 2015 edition of the Karama Gaza Film Festival.
11 May 2015
Thank the Ottoman Empire for That Taco You're Eating
Taco al pastor, the classic Mexican street food that's popular in the US, has roots in a surprising place: the Middle East.
12 April 2015
Unseasonal Gaza Hailstorm Draws Attention to Palestinian Refugees' Plight
Netizens are reporting unseasonal snowfall in Gaza today. Others say it's just hail. But for many the suffering of Gaza's 108,000 homeless and internally displaced refugees comes to mind.
7 April 2015
Syria's Yarmouk Camp Between the Hammer of Hunger and the Anvil of Extremism
After almost two years of starving them to death, both Assad and ISIS forces are competing on killing those left alive in the Yarmouk Camp for Palestinians refugees in Damascus.


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Migration background is associated with caries in Viennese school children, even if parents have received a higher education
1 Department of Conservative Dentistry & Periodontology, Medical University of Vienna, Vienna, Austria
2 Department of Preventive, Restorative and Pediatric Dentistry, School of Dental Medicine, University of Bern, Bern, Switzerland
3 Laboratory of Oral Cell Biology, School of Dental Medicine, University of Bern, Bern, Switzerland
4 Section for Medical Statistics, Center for Medical Statistics, Informatics, and Intelligent Systems, Medical University of Vienna, Vienna, Austria
BMC Oral Health 2014, 14:51 doi:10.1186/1472-6831-14-51Published: 9 May 2014
A low level of education and the migration background of parents are associated with the development of caries in children. The aim of this study was to evaluate whether a higher educational level of parents can overcome risks for the development of caries in immigrants in Vienna, Austria.
The educational level of the parents, the school type, and the caries status of 736 randomly selected twelve-year-old children with and without migration background was determined in this cross sectional study. In children attending school in Vienna the decayed, missing, and filled teeth (DMFT) index was determined. For statistical analysis, a mixed negative-binomial-model was used.
The caries status of the children with migration background was significantly worse compared to that of the native Viennese population. A significant interaction was found between migration background and the educational level of the parents (p = 0.045). No interaction was found between the school type and either the migration background (p = 0.220) or the education level of the parents (p = 0.08). In parents with a higher scholarly education level, migration background (p < 0.01) and school type (p = 0.018) showed an association with DMFT values. In parents with a low education level, however, migration background and school type had no significant association with DMFT values.
These data indicate that children with a migration background are at higher risk to acquire caries than other Viennese children, even when the parents have received a higher education.


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Posted 8.19.15
Ada Limón reads five poems from her new collection, Bright Dead Things, published in September by Milkweed Editions.
Marsha de la O reads three poems from her new collection, Antidote for Night, published in September by BOA Editions.
Posted 12.16.14
Tim Johnston reads an excerpt from his novel Descent, published in January by Algonquin Books.
From The Life Before
by Staff
Daily News
Online Only, posted 11.6.14
The case against "book-dropping"; literary characters who never die; the often-elusive titling process; and other news.
Posted 10.15.14
Meghan Daum reads two excerpts from her essay collection The Unspeakable: And Other Subjects of Discussion, forthcoming in November from Farrar, Straus and Giroux.
From the Introduction
Chloe Caldwell reads an excerpt from her novella, Women, published in October by Short Flight / Long Drive Books.
Online Only, posted 9.29.14
Amazon and Perseus strike a new deal; Paul Theroux on the short story; Thomas Pynchon rumored to make an onscreen appearance; and other news.
Posted 8.20.14
Shane Book reads a selection of poems from his latest collection, Congotronic, forthcoming in September from University of Iowa Press.
African Evening
Courtney Moreno reads an excerpt from her debut novel, In Case of Emergency, forthcoming in September from McSweeney's Books.
In Case of Emergency
Jess Row reads an excerpt from his novel, Your Face in Mine, published in August by Riverhead Books.
Your Face in Mine
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VIDEO: Everything Everything's COUGH COUGH EP Releases Today
|Related Links
|Everything Everything Announce New Album 'Get To Heaven.'
February 18, 2015
|CYMBALS Debuts 'Winter 98' from Upcoming LP
December 16, 2013
|CYMBALS Debuts 'Erosion' from The Age of Fracture
November 05, 2013
|CYMBALS Announce New Album 'The Age of Fracture' on Tough Love Records
October 24, 2013
Jonathan Higgs (singer/guitarist/keyboardist), Jeremy Pritchard (bass/keyboard), Alex Robertshaw (guitar), Michael Spearman (drums) - release their long-awaited US debut EP, COUGH COUGH, today via Julian Casablancas' Cult Records and Kemosabe Records. The "Cough Cough" music video is available below!
The EP feature four songs - "Cough Cough", "Kemosabe", "Undrowned" and "Torso of the Week" - from their "perfectly concise, moving and visceral" (Pitchfork) new album, ARC, which will be released in the United States later this year; "MY KZ UR BF" from their debut album, MAN ALIVE; and a remix of "Cough Cough." Arc was recently released in the United Kingdom and debuted at Number 5 on the album chart.
The title track "Cough Cough" is an instantly addictive and anthemic song showcasing many of the musical elements the band is known for, from the pounding drums to group vocals and Higgs' signature falsetto. "Cough Cough" recently gained the coveted 'Single of the Week' status on Zane Lowe's Radio 1 show, with comments praising the striking video which accompanies it - devised, directed and expertly edited by lead singer Jonathan Higgs. To date the video has over one millions plays on YouTube.
Everything Everything will headline shows in Los Angeles, CA at Roxy on March 19th and in New York at the Bowery Ballroom on March 25th. Tickets for both shows are on sale now. More dates will be announced soon.
Track List:
1. Cough Cough
3. Kemosabe (LP version)
4. Undrowned
5. Torso of the Week
6. Cough Cough remix (Cats Hero remix)
About Author
- SAG-AFTRA Convention Continues, George Heller Memorial Awards Presented
- Hugh Jackman, Lady Gaga, and More to Appear on THE TONIGHT SHOW STARRING JIMMY FALLON
- David Leitch to Direct THE COLDEST CITY
- SAG-AFTRA Announces Gabrielle Carteris Re-Elected Executive Vice President at National Convention
- VH1's Primetime Ratings For Third Quarter Surge Ahead +34% Over Prior Quarter Among Adults 18-49
- Sara Bareilles, Idris Elba, Adam Lambert, and More to Visit LATE NIGHT WITH SETH MEYERS
- KEVIN HART PRESENTS PLASTIC CUP BOYZ to be Released on Comedy Dynamics 10/13
- The First Lady Joins Public Media Effort, American Graduate Day 2015
- Review Roundup: Matt Damon Stars in Action Adventure THE MARTIAN
- Original Motion Picture Score from Acclaimed Film THE MARTIAN Out Today
- Kaley Cuoco & More Attend Opening Day of MASTERS OF LA
- Mika Kaurismaki's THE GIRL KING Available 12/8
- Sony Classical Releases THE WALK Original Motion Picture Soundtrack Today
- Documentary PINK & BLUE: COLORS OF HEREDITARY CANCER Set for Worldwide Theatrical Premiere Tonight
- Warner Bros. Celebrates Release of PAN by Asking Audiences to 'Discover Your Neverland'
- THE DAILY SHOW's Trevor Noah to Participate In Politicon
- As World Preps or Release of SPECTRE, Gillette Celebrates 'Bond Moments' in Every Man's Life
- Innovid and Netflix Win 2015 IAB MIXX Gold Award
- Director Ridley Scott Incorporates GoPro into the Making of THE MARTIAN
- Special Screening of Documentary SIR IVAN: I AM PEACEMAN to Kick Off Transgender Awareness Campaign


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| View Exclusive AAUP Compensation Survey Data |
In today's Academic Minute, Lawrence Ian Reed, a psychologist at Skidmore College, examines the implications of facial expressions. Learn more about the Academic Minute here.
A new study in the journal Science offers a new theory for gender gaps in academe. Researchers at Princeton University surveyed faculty members, postdocs and graduate students on whether they believed raw brilliance (as opposed to just hard work) was needed to get ahead in their discipline. In disciplines where there are strong beliefs about brilliance as a key factor to success, the number of women earning doctorates is lower than in other fields. The numbers of women earning doctorates go up in fields where scholars tend to believe that hard work and dedication are what matter.
The University of Illinois Board of Trustees issued a statement Thursday that it will not reconsider its decision to block the hiring of Steven Salaita to a tenured faculty position teaching American Indian studies. The statement said that news accounts of a recent report of a faculty panel -- which found many irregularities in the way Salaita's hiring was blocked, and said that some of them raise academic freedom issues -- "may have given the mistaken impression that the decision regarding Dr. Salaita might be reconsidered. It will not." Salaita's hiring was blocked last year -- after proceeding so far that his courses were announced and he quit his prior job -- amid concerns about the tone of his anti-Israel comments on Twitter.
The board statement said: "Here, the decision concerning Dr. Salaita was not reached hastily. Nor was it the result of external pressures. The decision did not present a 'new approach' to the consideration of proposed faculty appointments. It represented the careful exercise of each board member's fiduciary duty and a balancing of all of the interests of the University of Illinois. In the end, this is a responsibility that cannot be delegated nor abdicated."
The Faculty Senate at the University of Alabama at Birmingham voted no confidence Thursday in the leadership of President Ray Watts, AL.com reported. Faculty members said Watts had failed to consult them in a much debated decision to eliminate the football program and also in other matters. But just hours after the vote, board members expressed strong support for Watts.
NEH launches initiative to promote research focused on the public good. The effort comes before what may be a contentious budget battle with the new Congress.
Shakespeare penned All the world's a stage / And all the men and women merely players for Jaques, that greatest of cynics among all the characters in all his plays. Touchstone may be the Clown in As You Like It, but Jaques is the fool. He opines that every man enacts seven roles throughout a lifetime: infant, student, lover, soldier, justice, pantaloon, and second childishness, followed by oblivion. I risk playing the greater fool here by attempting to extrapolate from his analogy: All the world's a classroom / And all the emeriti and emeritae merely players.
Most college teachers enact four roles throughout a professional lifetime. I don't refer to the four ranks of career advancement — up the formal ranks to full professor/ I refer to a progression of relationships between professor and student. Ranks and relationships measure different kinds of development. Ranks are professional; relationships are personal. Ranks are institutional; relationships are organic. Ranks are rewarded; relationships are rewarding, at least potentially so. The Four Ages of a Professor — I'm in the fourth now -- are older sibling, friend, parent, and grandparent. (I first heard these categories in conversation with John M. Phelan, professor emeritus in media studies at Fordham University, and I use them here with his permission.)
To play the role of Older Sibling one needs to have begun teaching at a comparatively young age, not much older than the students themselves. Older sister and older brother are conventional characters in a familiar societal script, even for a person who has never played either one biologically. A young professor's first relationship with students, especially if that experience is while still a graduate student, is that of older sibling, deriving from their proximate ages, but not solely from that. It derives, too, from there being so few other roles on offer. Bigger, more prestigious, parts may open up later (e.g., senior mentor, disciplinary historian, methodological expert, or recognized authority within a particular field), but these are rarely available to the novice.
Young professors and their students share a generational familiarity, possessing common knowledge and similar experience. They are likely to speak the same vernacular, listen to the same music, and view the same videos. As well, they probably use the same technologies and participate in the same social media. They share a familial shorthand that is both inclusionary and exclusionary. Their code is inbred naturally, while it must be learned fitfully, if at all, by others.
The role of older sibling presents many opportunities for teaching and learning that will never return again, no matter how long a career may extend. Older brother and sister are uniquely suited to initiate younger siblings into family ways and mores, values and traditions, taboos and penalties. The cultural norms of higher education are a young professor's hand-me-downs, becoming the student's dress-for-success. A conspiracy of kinship can reveal the secrets of preparation and research, practice and repetition, rubrics and metrics. Sibling intimacy teaches rites of initiation much more effectively than can parental authority.
There are dangers, too, in the First Age of a Professor. The power associated with birth order may degenerate into authoritarianism. Younger siblings recognize abusive overreach immediately and are likely to respond by banding together in defiant self-defense. Domination by an older sibling incites resentment. Supportiveness, on the other hand, inspires gratitude, even admiration.
The First Age of a Professor accords educational possibilities that ought not to be missed. Unlike the sibling relationships in biology, which last a lifetime, those in pedagogy are short-lived. Soon enough, a young college teacher will have to leave them behind.
The Second Age of a Professor begins when identification morphs into friendship. Being a friend is the most complex connection a professor can make with a student. It's also the most fraught. Delights abound; so do temptations. Authority blurs; so may boundaries. Mentorship emerges; so can intimacy. In the extreme, this last can cross professional, legal and ethical lines. Friendships with students develop during the most stressful years of a young teacher's life, namely, the probationary period leading up to tenure.
The professor as friend, as with older sibling, presents unique opportunities for teaching and learning. Hallway exchanges democratize classroom hierarchies. Cups of coffee encourage free-flowing conversations. Critical vocabulary pops up in co-curricular discussions. Intellectual themes blend with departmental gossip. A professor may befriend undergraduate and graduate students alike, the latter group multiplying contexts for interaction. Evening seminars spill over into social settings. Personal conversation inflates into critical dialogue. Squeezing the extra chair into an office allows for group interaction, as well as one-to-one consultation.
The interests of professor and student are not identical, of course, but they are analogous. The student wishes to produce a video that will go viral on YouTube. The professor wishes to produce a scholarly article that will generate a wide readership in print. Students wish to accumulate likes on Facebook. Professors wish to accumulate kudos in peer review.
Most friendships, whether inside or outside the academy, involve a measure of self-disclosure. Students need a sympathetic listener. Professors, too, benefit from a student sounding board, especially when conversation with colleagues becomes awkward during the year of tenure review.
After receiving tenure, oddly and abruptly, friendship itself gets promoted into parenthood, the Third Age of a Professor. Friendships needn't end, to be sure. Many survive for years, even decades, after a student's graduation and a professor's retirement. Still, tenure changes things in unforeseen ways.
With tenure, one begins to feel like a full-fledged faculty member, assuming, along with departmental colleagues, a co-parenting authority. This does not apply solely to relations with students. It translates, also, into proprietorship over course curricula, degree requirements, and governance procedures. The newly tenured professor is expected to take on a more public persona within the discipline, stand for elected office within a professional association, perhaps, or become the editor of an academic journal.
Like all parents, tenured professors set the rules, control the resources, distribute the rewards, and dole out the punishments. Most consequentially, they become narrators of the family's story — casting its roles, orchestrating its plots, underscoring its themes, and targeting its audiences. They enjoy access to influential committees, central administrators, and disciplinary gatekeepers. In departmental governance, they have a vote like everybody else, but they also expect a say.
Tenured faculty members shoulder a parental responsibility for a department's success or failure (i.e., its internal and external reputations). They influence departmental hiring, faculty assignments and, ultimately, the awarding (or not) of tenure and promotion. In other words, parent is the most powerful role accorded to a faculty member throughout an academic career. It's the longest in duration, too. The obvious downside to this age is its nearly unavoidable presumption of entitlement that can undermine collegiality, especially with junior colleagues.
The Fourth Age of a Professor is that of grandparent. The divide between parent and grandparent is generational, naturally, but its transition cannot be marked by a specific date. It is felt more as an emotional realignment resulting from the upward push of an oncoming generation of faculty members. One isn't being pushed out necessarily, but one is certainly being pushed up. This is a good and necessary thing in order to accommodate change.
Grandparents teach differently than parents do. The professor-as-grandfather or professor-as-grandmother feels a warm enthusiasm for the intellectual growth of students. One is less judgmental, less harried, and less hurried. This more relaxed attitude may manifest in various ways, not least being higher grades.
Think of a youngster learning to ride a bike. An older sibling instructs. A friend criticizes. A parent pushes from behind and then, at some unexpected moment, lets go. Grandparents, on the other hand, approach the problem from another perspective, closer to that of a cheerleader. "You can do it. You can do it. I know you can." Verbal enthusiasm may be just the thing to inspire confidence and boost achievement.
Non-judgmental encouragement aids in the acquisition of knowledge and skills. A pat on the back assists in the mastery of difficult vocabulary associated with unfamiliar theory. A few students may take advantage of what they perceive to be a professor's laissez faire vulnerability, but their number is surprisingly small. Most will be grateful for the increased self-confidence. This will be helpful as they proceed through their education.
The smart grandparent, regardless of family, stays out of a parent's way. In a university setting, this may mean giving up a favorite seminar, stepping aside from a powerful committee, or saying "no" to another term as department chair. Such opportunities belong to the next generation and are no longer one's responsibility.
My analogy to Shakespeare's Seven Ages of Man is inexact, of course. I have passed over, for instance, Jaques' final pronouncement about oblivion. The Four Ages of a Professor — older sibling, friend, parent, and grandparent — come replete with their own rewards that go far beyond the satisfactions of emeritus or emerita status. The fulfilling relationships of a long career, especially those with students, will provide whatever succor a professor can find against oblivion.
James VanOosting is a professor and writer-in-residence at Fordham University. He has published 10 books and many articles.
Russ Olwell writes that academics working on grants -- proposed or awarded -- need to remember what they tell students about how there are no dumb questions.
WASHINGTON -- Several advocates for adjunct faculty members spoke Wednesday during a panel called "The Emergence of the 'Precariat:' What Does the Loss of Stable, Well-Compensated Employment Mean for Education?" at the Albert Shanker Institute here. The education think tank is affiliated with the American Federation of Teachers. Rosemary Feal, executive director of the Modern Language Association, compared the contingent faculty dynamic to an "iceberg," in which only the less than one-third of faculty members who are tenure-line are visible to parents and others who still believe in an antiquated professor "myth." If the majority teaching force is vastly under-supported and under-recognized, she asked, "Is higher education the Titanic?" Barbara Ehrenreich, co-editor of the Economic Hardship Reporting Project, said the adjunct faculty trend challenged another myth – that of the university as a meritocracy – and said she believed now is a "turning point" in awareness inside and outside academe about poor adjunct faculty working conditions.
Jennie Shanker, an adjunct faculty instructor of art at Temple University, spoke first-hand about the financial, professional and personal hardships of working as an adjunct faculty member, and also spoke about the initial successes of the AFT-affiliated metro-wide organizing campaign in the Philadelphia area. Andrew Ross, professor of social and cultural analysis and interim director of American studies at New York University, linked the adjunct discussion to concerns about student debt, which he said is turning education – what was once a "vital public good" – into the "cruelest of debt traps."
Adjuncts instructors at Pacific Lutheran University who wanted to form a union affiliated with Service Employees International Union have pulled their petition from the National Labor Relations Board. Effectively, the current election is over and the one-third of ballots that were challenged by the university – including votes that were submitted late in October due to the federal government shutdown – will not be counted. In a statement issued late Wednesday, organizers said that adjunct faculty members "could actually get to a new election faster and with less legal expense if faculty proceed to a second vote with those currently teaching" at the university. It's unclear how, if at all, the decision will impact the NLRB's recent decision in favor of the adjunct union, over claims from the university that any adjunct union would violate several long-standing legal precedents precluding faculty unions at private and religious institutions. A university spokeswoman said via email: "We appreciate the support of our faculty for [the university's] unique system of shared governance and we look forward to working collaboratively with our faculty to continue the work of addressing the concerns of our contingent members."
Saint Mary's College of California challenges students to a technology fast during an interim term course on the benefits of disconnecting from social media.
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BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby VERSION:2.0 BEGIN:VEVENT DESCRIPTION:
Bruce Silverstein Gallery is pleased to present Hole in the Curtain\, the gallery&rsquo\;s second solo show of new works by Br ea Souders. The exhibition is comprised of portraits and abstract compositi ons that further Souders&rsquo\; interest in fragmented narratives\, the in choate versus the known\, and the fitful effects of time. Distinct from the symbolic portraits comprising her Counterforms series\, in this n ew work Souders taps into the burlesque of humanity\, depicting characters that blur the line between biographical and fictive.\n
Souders create s her latest works with bleach\, photographic chemistry and watercolors usi ng unexposed film emulsion as a substrate. Souders writes\, &ldquo\;I appro ach the emulsion as a vulnerable skin\, subject to constant transformation. I was drawn to work with it because of this changeable quality.&rdquo\; Co nsistent with her earlier project\, Film Electric\, these images r ecord a fleeting materiality. The bleach and chemistry rapidly degrade the film\, and are thus a purposeful incubator of chance occurrences--fissures in emulsion\, selective lightening\, bored holes\, color shifts\, breached borders.\n
While in process\, Souders&rsquo\; works exist in a state of timed decline that serves as a metaphor for the nature of both our physi cal bodies and our memories of people and events. At a moment when artists are grappling with human beings&rsquo\; succumbing to a digital world\, Sou ders turns her attention to a fundamental aspect of the human experience: h ow we connect as individuals. Souders&rsquo\; portraits demonstrate a humor ously expressive quality\, yet as with her earlier work\, there exists a we ight in the pictures that is apparent in their dark spaces\, in the various rents in the emulsion that open up to what looks like a wide starry sky. p> DTEND:20151223 DTSTAMP:20151007T213221 DTSTART:20151029 GEO:40.7493067;-74.0051881 LOCATION:Bruce Silverstein Gallery\,535 West 24th Street \nNew York\, NY 10 011 SEQUENCE:0 SUMMARY:Hole in the Curtain\, Brea Souders UID:398564 END:VEVENT BEGIN:VEVENT DTEND:20151029T200000 DTSTAMP:20151007T213221 DTSTART:20151029T180000 GEO:40.7493067;-74.0051881 LOCATION:Bruce Silverstein Gallery\,535 West 24th Street \nNew York\, NY 10 011 SEQUENCE:0 SUMMARY:Hole in the Curtain\, Brea Souders UID:398565 END:VEVENT BEGIN:VEVENT DESCRIPTION:
Cristin Tierney Gallery is pleased to present Sl ow Boom\, an exhibition of new works by Rich ard Galpin. A reception will be held on Thursday\, Octobe r 29th\, from 6:00 to 8:00 pm to mark Galpin&rsquo\;s first solo exhibition with the gallery. The artist will be present.\n
In&n bsp\;Slow Boom\, a phalanx of metal structures creeps across the g allery walls. Nicknamed "crawlers\," these radiating strips of steel form t he artist's most recent investigations of urban growth. Assembled from actu al building materials\, the works have been hand-painted and precisely arra nged to suggest two omnipresent features of construction: cranes and scaffo lding. The crawlers\, which can be configured in an infinite number of vari ations\, expand or contract to fill available space. They evoke both the dy namic energy of a bustling metropolis\, and the movement of an active const ruction site. Similar to the way cities are shaped by rapid cycles of growt h and destruction\, Galpin's installation is a living organism that thrives with change.\n
Slow Boom invites comparison with early 20th century avant-garde movements that evolved in response to sociopolitical upheaval. Significant influences are British Vorticists Davi d Bomberg and Edward Wadsworth\, who represented the modern urban environme nt of World War I-era Britain. A preoccupation with truth to materials\, or Faktura\, and spatial presence\, or Tektonika\, also con nects Galpin to the legacy of Constructivism. Like these artists before him \, Galpin acts as an urban anthropologist\, exploring the social implicatio ns of modernity\, fragmented city life\, and accelerated change. His use of industrial materials provokes discourse on construction's cultural associa tions\, and his interpretation of the form and movement of machinery draws attention to the performativity of labor.\n
Richard G alpin (b. 1975\, Cambridgeshire\, UK) holds a BA from the University of the West of England and a MA from Goldsmiths College (2001). Solo exhibitions include Franklin Art Works\, Minneapolis\, MN\; Brancolini Grimaldi Arte Co ntemporanea\, Rome\; Galeria Leme\, Sã\;o Paulo\; Roebling Hall\, New York\, NY\; and Hales Gallery\, London. Galpin's work can be found in the collections of many esteemed institutions\, including the British Governmen t Art Collection\, UK\; British Museum\, UK\; Victoria &\; Albert Museum \, UK\; Zabludowicz Art Trust\, London\; and Deutsche Bank Collection\, UK. In 2010\, he completed a public commission\, Viewing Station\, fo r the High Line in New York City. Galpin lives and works in London.\n
For any inquiries\, please contact Candace Moeller at 212. 594.0550 or firstname.lastname@example.com:20151212 DTSTAMP:20151007T213221 DTSTART:20151029 GEO:40.7514484;-74.0038513 LOCATION:Cristin Tierney Gallery\,540 West 28th Street \nNew York\, NY 100 01 SEQUENCE:0 SUMMARY:Richard Galpin: Slow Boom\, Richard Galpin UID:398558 END:VEVENT BEGIN:VEVENT DTEND:20151029T200000 DTSTAMP:20151007T213221 DTSTART:20151029T180000 GEO:40.7514484;-74.0038513 LOCATION:Cristin Tierney Gallery\,540 West 28th Street \nNew York\, NY 100 01 SEQUENCE:0 SUMMARY:Richard Galpin: Slow Boom\, Richard Galpin UID:398559 END:VEVENT BEGIN:VEVENT DESCRIPTION:
&ldquo\;If one wants to dance on a tightrope\, one has to first tension the wire.&rdquo\;\n
Siegfried Ebeling\, 1926\, Space as Membrane\n
JB1.0: Jamming Bodies is& nbsp\;an immersive installation that transforms \;Storefront&rsquo\;s g allery space into a laboratory. The installation\, a collaboration between science fiction \;artist Lucy McRae and architect and computational des igner Skylar Tibbits with MIT&rsquo\;s Self-Assembly Lab\, explores the rel ationship between human bodies and the matter that surrounds them.\n
JB1.0: Jamming Bodies collapses architecture\, technology\, and ar t into a single object. While skin usually demarcates the transition betwee n exterior and interior\, this experimental installation transforms skin in to a membrane that operates as both. A threshold toward a space of total in teriority or total exteriority\, JB1.0 is an animate continuum tha t simultaneously embraces and modifies human bodies and space. Combining th e plasticity of mutable organisms with the rigidity of architectural forms\ , JB1.0 brings architecture and its subject into a single space. A breathing\, morphable wall\, JB1.0 animates the building enclosur e by absorbing and expulsing the atmosphere around it while compressing the bodies with which it interacts.\n
With this project\, McRae and Tibb its\, along with MIT&rsquo\;s Self-Assembly Lab\, explore pneumatic archite ctural skins and their potential applications to the future of health\, fit ness\, fashion\, furniture\, and zero gravity. JB1.0 is both an in stallation and performance piece\, and serves to investigate the implicatio ns of material transformation and self-reconfiguring membranes on the feeli ng\, behavior\, and physiology of the body.\n
JB1.0 takes th e form of Storefront&rsquo\;s gallery wall as a point of departure\, provid ing through its various iterations and forms a series of works on display a s bodies (visitors to the gallery) interact with the installation.\n
JB1.0 is the first iteration of a research project on the scalabil ity of granular jamming for spatial applications. &ldquo\;Jamming&rdquo\; e ntails a process by which disordered materials can reversibly switch betwee n liquid\, solid\, and semi-solid states by increasing density. The install ation requires reciprocal action by human bodies for the total fulfillment and observation of variables such as tunable stiffness\, reconfiguration\, morphability\, and dynamic internal/external forms.\n
Through this ex hibition\, Storefront for Art and Architecture is transformed into a lab sp ace to test questions of scale\, geometry\, and temporality in relationship to the shape\, size\, intensity\, and quantity of particles that comprise physical structures.\n
JB1.0 is the first collaboration betw een McRae and Tibbits\, who bring together their expertise to produce a pio neering large-scale jammable furniture and a body-focused space. This proto type\, a mix between a playground and a laboratory test room\, explodes inh erited ideas within many industries and disciplines\, putting morphable spa ce and the body at the center of conversations about the future of science\ , technology\, health\, and fitness\, as well as in the conceptual and mate rial definitions of our everyday spaces of inhabitation.\n
This exhibition was made possibl e through the generous support of the the Robert Rauschenberg Foundation&rs quo\;s Artistic Innovation and Collaboration Program.\n
Jamming Bodies \;is the third in a series of projects commissioned by Stor efront with the support of the Rauschenberg Foundation. The grant supports collaborations that produce innovative work between individuals across disc iplinary fields. Previous exhibitions presented at Storefront as part of th e program include \;Situation N Y \;by Marc Fornes and Jana Winderen in 2014 and \ ;Speechbuster& nbsp\;by Jimenez Lai and Grayson Cox in 2013.DTEND:20151219 DTSTAMP:20151007T213221 DTSTART:20151016 GEO:40.7215083;-73.9971759 LOCATION:Storefront for Art and Architecture\,97 Kenmare Street \nNew York\ , NY 10012 SEQUENCE:0 SUMMARY:JB1.0: Jamming Bodies\, Lucy McRae and Skylar Tibbits UID:398551 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151205 DTSTAMP:20151007T213221 DTSTART:20151022 GEO:40.7488234;-74.0037737 LOCATION:Yossi Milo Gallery\,245 Tenth Avenue \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Solo Exhibition\, Yoon Ji Seon UID:398498 END:VEVENT BEGIN:VEVENT DTEND:20151022T200000 DTSTAMP:20151007T213221 DTSTART:20151022T180000 GEO:40.7488234;-74.0037737 LOCATION:Yossi Milo Gallery\,245 Tenth Avenue \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Solo Exhibition\, Yoon Ji Seon UID:398499 END:VEVENT BEGIN:VEVENT DESCRIPTION:
The artist premieres a drama in lighting and musical composition for paintings set to new stories by Lucy Dodd that revolve around the M aize Mantis: a creature born of plants and shadows\, here inhabiting a fore st of canvases by Dodd and flame creatures painted by Kerstin Br&au ml\;tsch. Costumes by Hanna Tö\;rnudd and lig hting by Zack Tinkelman.\n
October 15&ndash\;17\, 8pm
This program is made possible with support from The Fan Fox and Leslie R. Samuels Foundation\, Joseph and Joan Cullman Foundation for the Arts\, The Cowles Charitable Trust\, and in par t by public funds from New York City Department of Cultural Affairs in part nership with the City Council and New York State Council on the Arts with t he support of Governor Andrew Cuomo and the New York State Legislature.DTEND:20151017 DTSTAMP:20151007T213221 DTSTART:20151015 GEO:40.745377;-74.006871 LOCATION:The Kitchen\,512 West 19th Street \nNew York \, NY 10011 SEQUENCE:0 SUMMARY:Solo Exhibition\, Sergei Tcherepnin UID:398496 END:VEVENT BEGIN:VEVENT DTEND:20151015T220000 DTSTAMP:20151007T213221 DTSTART:20151015T200000 GEO:40.745377;-74.006871 LOCATION:The Kitchen\,512 West 19th Street \nNew York \, NY 10011 SEQUENCE:0 SUMMARY:Solo Exhibition\, Sergei Tcherepnin UID:398497 END:VEVENT BEGIN:VEVENT DESCRIPTION:
The BOILER / PIEROGI is proud to present a collaborative video projection and installation by Rico Gatson and Chris Larson\, The Raft.\n
The Raft is a multi-channel video and sound installation. Gatson and Larson have been friends and colleagues for almost 30 years since they studied art together at Bethel University in St. Paul Minnesota. Referenci ng the novel The Adventures of Huckleberry Finn\, Gatson and Larso n perform on top of a moveable platform measuring ten feet square. Surround ed by various detritus\, they play records from their personal \;collec tions spanning the legacy of popular music. Selections range from Mahalia J ackson and Patsy Cline to The Clash and Fats Domino. The role of music has played an important and instrumental role in both artists&rsquo\; lives\, s tudio practices\, and relationships. The setting is Larson&rsquo\;s studio located near the Mississippi River\, in St. Paul\, MN. The studio is tradit ionally seen as a sacred space\, the place where ideas are generated and th e work is created. Gatson and Larson see this location as essential to re-e nvisioning aspects of this American tale.\n
The exhibition will consist of four projections. The central piece is a three-channel video with a duration of 3 hours. The fourth projection is an endlessly looped video filmed on the Mississippi River in the glistening late afternoon sunlight.\n
Rico Gatson received his B.A. from Bethel University and M.F.A. from Yale University. His work has been included in numerous solo and group exhibitions\, both na tionally and internationally\, including Prospect 1 (New Orleans\, LA)\, Gr eater New York (MoMA PS 1\, LIC\, NY)\, and at the Essl Museum (Austria\, V ienna). Gatson lives and works in Brooklyn\, NY and is represented by Ronal d Feldman Fine Arts in New York City.\n
Chris Larson received his B.A. from Bethel University and M.F.A. from Yale University. His work has been included in numerous solo and group exhibiti ons\, both nationally and internationally\, including The Whitney Biennial 2014 (New York\, NY)\, 2nd Biennial del Fin del Mundo (Argentina)\, and the Crystal Bridges Museum of American Art (Bentonville\, AK). He is an Assist ant Professor of Art at the University of Minnesota\, and lives and works i n St. Paul\, MN.DTEND:20151213 DTSTAMP:20151007T213221 DTSTART:20151023 GEO:40.7230068;-73.9556587 LOCATION:The Boiler (Pierogi)\,191 North 14th Street \nBrooklyn\, NY 11211 SEQUENCE:0 SUMMARY:The Raft\, Rico Gatson\, Chris Larso UID:398494 END:VEVENT BEGIN:VEVENT DTEND:20151023T220000 DTSTAMP:20151007T213221 DTSTART:20151023T190000 GEO:40.7230068;-73.9556587 LOCATION:The Boiler (Pierogi)\,191 North 14th Street \nBrooklyn\, NY 11211 SEQUENCE:0 SUMMARY:The Raft\, Rico Gatson\, Chris Larso UID:398495 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151219 DTSTAMP:20151007T213221 DTSTART:20151029 GEO:40.7469616;-74.0063805 LOCATION:Tanya Bonakdar Gallery\,521 W. 21st St. \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Solo Exhibition\, Mark Manders UID:398492 END:VEVENT BEGIN:VEVENT DTEND:20151029T200000 DTSTAMP:20151007T213221 DTSTART:20151029T180000 GEO:40.7469616;-74.0063805 LOCATION:Tanya Bonakdar Gallery\,521 W. 21st St. \nNew York\, NY 10011 SEQUENCE:0 SUMMARY:Solo Exhibition\, Mark Manders UID:398493 END:VEVENT BEGIN:VEVENT DESCRIPTION:
Sundaram Tagore Gallery and cu
rator Loredana Pazzini-Paracciani present REV | ACTION: Contemporary Ar
t from Southeast Asia\, a groundbreaking exhibition of mixed-media wor
ks by ten of the region&rsquo\;s most important artists.
Haili ng from six countries\, the emerging and established artists in this group use photography\, video\, painting and installations to articulate their ex periences navigating the complex social\, historical and political legacies of their respective communities.
Each of these artists has a unique perspective colored by local circumstances\, but\, as the title of t he show implies\, they are united by a sense of urgency in re-examining soc ial and political developments in their countries and their impact on cultu ral identity. The resulting works provide a rare glimpse into the conscious ness of a new generation of Southeast Asian artists.
Cambodian photographer Kim Hak&rsquo\;s haunting images of mementos preserved for decades by famili es that survived the brutal Khmer Rouge regime are a poignant visual accoun t of one of the darkest periods in Cambodia&rsquo\;s history. A testament t o the resiliency of the human spirit\, his Alive series\, begun in 2014\, documents the intimate memories of a historically significant gener ation that is gradually dwindling.
Leang Seckon is one of Cambodia&rsquo\;s foremost contemporary artists. He produces w ork rooted in Cambodia&rsquo\;s cultural heritage\, while also addressing i mportant contemporary societal issues\, including globalization\, environme ntal destruction and the lingering effects of his nation&rsquo\;s volatile past. Leang&rsquo\;s work often incorporates historical and religious symbo ls placed alongside contemporary figures as a way of bringing Cambodia&rsqu o\;s cultural traditions into a contemporary context.
Active i n both the contemporary art scene and the political communities of Chiang M ai\, Thailand\, Mit Jai Inn produces vibrantly colored scu lptural works infused with cultural\, political and religious references. T he artist&rsquo\;s lushly textured canvases in this exhibition re-interpret Thailand&rsquo\;s flag\, offering an alternative for an imaginary state.
Thai artist Montri Toemsombat is widely recogn ized for his experimental performances and tactile installations made from rice and silk. He produces work in a variety of media exploring cultural id entity\, consumerism\, societal inequality and the political uncertainty of his country. Toemsombat has exhibited extensively in galleries and prestig ious cultural venues around the world\, including at the Venice Biennale as part of the Thai Pavilion&rsquo\;s presentation in 2003.
One of the Philippines&rsquo\; most influential artists\, Norberto Rold an is known for incorporating a variety of objects\, text and imag es into his work\, which he uses to create his own social and political nar ratives. Describing his art as straddling the worlds of art and anthropolog y\, his practice is informed by history\, religion\, politics and the reali ties of contemporary life. Roldan&rsquo\;s work was included in the landmar k 2013 Guggenheim exhibition No Country: Contemporary Art For South and Southeast Asia.
Myanmar&ndash\;based artist Nge Lay probes issues ranging from her nation&rsquo\;s ailing educatio n system in the wake of military dictatorship to more intimate meditations on personal loss. Her video and sound installation The Spirit of the Ri ver (2015) offers a poetic vision of the Irrawaddy River\, one of Myan mar&rsquo\;s most important waterways. Her video piece is accompanied by a sculpture produced by her artist husband Aung Ko.
Aung Ko&rsquo\;s artistic practice spans painting\, film\, performance and mixed-media installations. Born and raised in Myanmar\, the artist&rsq uo\;s work often reflects the country&rsquo\;s changing political climate a nd the widening gap between rural and urban culture. The colonial-era steam boat Ko produced for this exhibition signifies the artist&rsquo\;s concerns for the ecological\, cultural and socioeconomic health of the Irrawaddy Ri ver and its bordering villages.
Albert Yonathan Setyaw an rose to prominence with his labyrinthine installation of hundre ds of stupa-like forms in the Indonesian Pavilion at the Venice Biennale in 2013. His preoccupation with stupas continues in this exhibition with an i nstallation composed of conical terra-cotta stupas placed on mounds of whit e marble sand in a circular formation echoing a mandala. Setyawan&rsquo\;s work raises questions about the role of spirituality in today&rsquo\;s soci eties.
A native of Yogyakarta\, Indonesia\, Muhammad & ldquo\;UCUP&rdquo\; Yusuf has been involved in art-based protests for almost two decades as part of the Taring Padi collective\, a community of politically active artists formed in the late 1990s. His intricately exe cuted woodblocks and woodblock prints\, which narrate stories on current di sputes over land expropriation and illegal development in Indonesia\, are d ynamic examples of the artist&rsquo\;s ongoing commitment to social change.
Tran Luong is a Vietnamese performance artis t and independent curator. His evocative works challenge political legacies and the repression of individual expression. He shows a video work inspire d by a performance series called Welts\, begun in 2007\, and stage d around the world. A red scarf&mdash\;an item associated with communism&md ash\;slashes repeatedly against the artist&rsquo\;s body\, which becomes in creasingly scarred\, yet in the background is a clear blue sky\, a possible allusion to freedom.
A printed catalogue accompanies this exhibition\, with essays by the curato r and by independent scholar Vipash Purichanont. Click here for the di gital catalogue.
The Chelsea gallery will be open until 8 pm Thursday \, October 29\, in conjunction with ACAW&rsquo\;s weeklong celebration of A sian art. For a complete schedule of ACAW events and information about part icipating organizations\, visit www.acaw.info.
Loredana Pazzini-Paracciani is an independ ent art curator\, writer and lecturer who focuses on contemporary Southeast Asian art. She has a Master&rsquo\;s Degree in Asian art histories (LASALL E-Goldsmith College of the Arts\, Singapore) and is based in London. She wo rks extensively with commercial and public galleries and institutions in Si ngapore\, Bangkok\, London and New York\, championing awareness of critical issues of contemporary Southeast Asian culture through the works of young and emerging artists from the region.
The Morandi Series\, by Michae l Klein\n
Everything Jane Rosen makes d erives from nature. She is never copying nature or imitating nature but fin ding ways to transform her intense and daily observations of nature into fo rms that are emotive and reflect her perceptions of how and why birds act t he way they do. Today nature is still at the core of her thinking as she fu rther explores the way nature carves shapes and manipulates forms over time . A student of Minimal and Process art Rosen always seeks to strike a balan ce between the materials she uses and the way in which they come together.< /p>\n
The latest series of works are part o f what she calls the Morandi Series. To quote from Jane directly\, &ldquo\; For me\, Morandi speaks to surface and the illusion of form\; the relations hip of landscape time and domestic time.  \;He speaks of surface and th e relationships of forms. To create a still life by setting up casual sculp tural elements\, and then drawing from it\, is what interests me.&rdquo\; p>\n
So we see in these multi-part works Ro sen setting herself to the task of integrating individual abstract forms in to a unified three-dimensional structure. She is not mimicking the Italian masters&rsquo\; compositions but finding her own right solutions. Her solut ions and arrangements are inspired by his remarkably intimate and refined p aintings. Rosen wants her sculpture to be of the same kin\, a sculpture wit h its own unique character and sense of the timeless. What Morandi did best was to edit out all that was superfluous to the small\, intimate clusters of objects\, bottles and jars he gathered into intimate groups and so hands omely portrayed. As one writer has put it in Morandi&rsquo\;s art\, &rdquo\ ; order is neither invented nor imagined\, it results from the act of conte mplation.&rdquo\;\n
Similarly Rosen&rsq uo\;s contemplation of nature as explored in her statuary of birds and othe r animals comes into play as she begins to envision her ideas and build the se elegant\, freestanding sculptural compositions. Each displays its own di stinctive character and collection of elements. In Morandi Composition for example there is a sense of play in the disbursement of objects across and among a cluster of stone pedestals. Moss Morandi\, with its moss covered te xture and varying green patinas\, has the look and feel of a ruin&ndash\;wa lls and fragments of a building weathered and worn over time. \;4 M orandi \;is a tribute to the Italian artist&rsquo\;s ideals: simpl e and subtle in both color and texture.\n
If Morandi used color to differentiate elements in his painting\, Rosen too chooses specific colors to define the forms and shapes of vessels in co ntrast to the more geometric volumes of columns\, plinths and stands that s erve as the sub-structure to the objects. The balance of contrasts between the two\; the harmony of colored glass and the natural colored limestone cr eate an effect that is a perfect compound of a visual cues matched to well formed materials. For example\, Jane and her assistants\, carved mallet sha pes out of stone akin to those mallet shapes used by Morandi. She then cast those carved forms into opaque glass. At the same time Morandi&rsquo\;s mo nochromes of shapes translated by Rosen become elegant and tapered three-di mensional bottles.\n
Unlike Morandi all is not static in Rosen&rsquo\;s world: the glass reflects and absorbs ligh t\; the stone cast shadows all in real space and in real time. The art has its own life\, if you will\, as it is affected by its environment and in tu rn as it transmits this play of light and shadow.\n
In this new body of work Rosen asks us to reconsider the idea of the still life. It is not simply a subject\, as depicted in painting or represented in photography\, but as evidenced by this new work she has plac ed these objects in a setting that is uniquely their own. They live in thei r own space\; they interact for us but they remain apart\, even aloof.  \; In a &rdquo\; domestic time&rdquo\; as Rosen suggests.\n
Thinking about Rosen&rsquo\;s next steps brought me to think about the works of Bar bara Hepworth and \;Louise Nevelson that I have seen over the years. In fact these collections of forms remind me of a photograph I bought years a go from a young dealer in New York. It is a photo taken by Hepworth herself of one of her works in her studio long before she could afford to hire a p rofessional photographer. The piece\, \;Two Forms\, 1935\, is now in the collection of the Hirshhorn Museum and Sculpture Garden in Washi ngton\, DC.\n
Both Hepworth and Nevelso n created mysterious if not magical arrangements of forms. Both adapted&nbs p\;abstract forms derived from natural forms\, both seeing through and buil ding with such forms to find tangible abstract solutions\n
For Rosen the elements are set into a dialogue with eac h other. There is a balance of forms and also a balance of materials: stone versus glass\; glass versus stone\; old and new combined. Something found and some made. If Morandi created an illusionistic pictorial world in which these objects can be looked at and felt than Rosen is drawing us into a re al world picture in which her objects inhabit and where they gracefully exi st along side us.DTEND:20151219 DTSTAMP:20151007T213221 DTSTART:20151015 GEO:40.749843;-74.005914 LOCATION:Sears-Peyton Gallery\,210 11th Ave. Suite 802\nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Cash Morandi\, Jane Rosen UID:398485 END:VEVENT BEGIN:VEVENT DTEND:20151015T200000 DTSTAMP:20151007T213221 DTSTART:20151015T180000 GEO:40.749843;-74.005914 LOCATION:Sears-Peyton Gallery\,210 11th Ave. Suite 802\nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Cash Morandi\, Jane Rosen UID:398486 END:VEVENT BEGIN:VEVENT DESCRIPTION: DTEND:20151115 DTSTAMP:20151007T213221 DTSTART:20151016 GEO:40.7139931;-73.9892639 LOCATION:Sargent's Daughters\,179 East Broadway \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Brothers \, Jordan Casteel UID:398483 END:VEVENT BEGIN:VEVENT DTEND:20151016T200000 DTSTAMP:20151007T213221 DTSTART:20151016T180000 GEO:40.7139931;-73.9892639 LOCATION:Sargent's Daughters\,179 East Broadway \nNew York\, NY 10002 SEQUENCE:0 SUMMARY:Brothers \, Jordan Casteel UID:398484 END:VEVENT BEGIN:VEVENT DESCRIPTION:
RYAN LEE is please d to present Kakyoung Lee: Traces\, an exhibition of new video ins tallations based on drawings and prints by the artist\, featuring her lates t bodies of work from 2014\, the &ldquo\;Palgongsan Series&rdquo\; and &ldq uo\;Hana&rsquo\;s Ride.&rdquo\;\n
Lee&rsquo\;s video practice employs repetitive\, meticulous mark-mak ing techniques to translate a particular\, mundane action through performan ce. Using drypoint\, Lee deconstructs each performance into single moments and then assembles together these individual elements using animation to re construct the initial action. Through this process of deconstruction and re construction\, new imagery emerges and Lee is able to subtly add to the his tory of the action.\n
The & ldquo\;Palgongsan Series&rdquo\; is a five-channel HD video installation th at incorporates mini-projectors on tripods to project video footage that Le e recorded in 2012 and 2013 of the two-hour long climbing trail on the loca l mountain of her hometown Daegu in South Korea. For the &ldquo\;Palgongsan Series\,&rdquo\; Lee transforms the images of people climbing the trail by tracing and overlapping thousands of graphite hand drawings on the same pa per. The Palgongsan trail leads to the top of a 4\,000-foot mountain\, wher e there lives a Buddhist statue. The Gatbawi Buddha\, carved from a single piece of stone\, stands more than 13 feet tall and has long been the subjec t of traditions and legends in the region. During the fall\, thousands of p eople stand in the praying line every week to climb the trail and visit the statue. The line is especially notable right before and during the college entrance exam season\, when parents ascend the trail to pray for their chi ldren. Lee has a particular relationship with the Palgongsan trail\, as her grandmother used to frequent the climb every weekend to pray for her child ren and now her mother has joined that tradition.\n
Also on view is &ldquo\;Hana&rsquo\;s Ride\,&rdquo \; a short video created from more than 300 drypoint prints. The original v ideo footage was recorded when the artist&rsquo\;s daughter took her first bike ride without the assistance of training wheels.\n
Kakyoung Lee (b. 1975\, Korea) received her BFA and MFA fro m Hong-Ik University\, as well as an MFA from SUNY-Purchase College\, NY. S he has exhibited in numerous exhibitions internationally\, including at the Drawing Center\, New York\; Hofstra University\, Hempstead\; Kunsthalle Br emen\, DE\; Mass MOCA\, North Adams\; Metropolitan Museum of Art\, New York \; Museum of Contemporary Art\, Banja Luka\, Bosnia\; Museum Folkwang\, Ess en\, DE\; Museum of Modern Art\, New York\; Oqbo\, Berlin\, DE\; Queens Mus eum\, New York\; and Seoul Arts Center\, Korea. She has held residencies at ISCP\, Jamaica Center for Arts and Learning\, MacDowell Colony\, and Yaddo . She has received grants from the Pollock-Krasner Foundation and the Ahl F oundation\, and was the 2010 recipient of the KAFA Award.DTEND:20151223 DTSTAMP:20151007T213221 DTSTART:20151029 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Traces\, Kakyoung Lee UID:398480 END:VEVENT BEGIN:VEVENT DTEND:20151029T200000 DTSTAMP:20151007T213221 DTSTART:20151029T180000 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Traces\, Kakyoung Lee UID:398481 END:VEVENT BEGIN:VEVENT DESCRIPTION:
RYAN LEE is please d to present Sandy Skoglund: True Fiction Two\, an exhibition feat uring the photographic body of work of the same name. &ldquo\;True Fiction Two&rdquo\; is an extension of &ldquo\;True Fiction One&rdquo\; (1982-87) t hat Skoglund revisited in 2005. The highly stylized photographic work looke d to preserve the strangeness of urban decay and suburban contexts as lands capes for cultural definition in America during the era. This is the first time the work has been on view in the United States\, and Skoglund&rsquo\;s first solo show in New York in more than a decade.\n
The &ldquo\;True Fiction&rdquo\; series is espec ially notable in regards to Skoglund&rsquo\;s artistic practice because she employed real exteriors and interiors as backdrops while photographing on location in New York City\, Houston\, and Detroit. Skoglund&rsquo\;s concep t-based work typically deals with repetitive\, process-oriented art product ion that includes the handmade object as well as kitsch subject matter. Her work often incorporates sculpture and installation to explore popular cult ure and commercial techniques. Her well-known studio practice frequently in volves sets she constructs and is generally contained to her interior studi o space. In contrast to the sculptural studio photography\, the images from &ldquo\;True Fiction Two&rdquo\; are entirely photo-based. Using film nega tives processed through collage and re-photography\, Skoglund focuses on sp ecific backgrounds from her own life in the 1980s\, such as her father&rsqu o\;s Houston home and abandoned cars in Brooklyn.\n
For this series\, Skoglund photographed separately friends\, family\, places\, and things in black and white with a 4x5 view camera. Later\, using darkroom techniques\, she introduced color and create d photocollages\, which were then re-photographed to produce a unified colo r transparency. The resulting series\, &ldquo\;True Fiction One\,&rdquo\; c onsisted of 20 dye-transfer prints. Exhibited in its entirety at Leo Castel li in 1986\, it was discontinued in 1989 when Kodak cancelled their product ion of dye-transfer materials used. The second edition of photographs on vi ew employs subtle changes to give the digitally printed images a similar\, yet significantly different feeling of uniformity\, hyper-color\, and depth of field. The digital medium allowed Skoglund to realize the saturated\, s eamless vignettes which she originally intended. In each print\, colors hav e been refined\, their contrast altered and their detail enriched. The use of bold color separates individual elements from each other\, while control ling and subverting the viewer&rsquo\;s attempt to read perspective.\n< p style="text-align: justify\;">Sandy Skoglund (b. 1946\, Weymouth\, Massac husetts) received her BA from Smith College in 1968 and her MFA from Univer sity of Iowa in 1972\, before moving to New York. She has exhibited widely at institutions including Art Gallery of Ontario\; Aspen Art Museum\; Minne apolis Institute of Art\; The Morgan Library\; Museum of Contemporary Art\, Bordeaux\; Smith College\; and Whitney Museum. Her work is included in the permanent collections of Brooklyn Museum of Art\; Centre Georges Pompidou\ ; High Museum\; Getty Museum of Art\; LACMA\; Metropolitan Museum of Art\, New York\; Mjellby Museum\, Halmstad\; Wadsworth Atheneum\; and Yale Univer sity Gallery\, among others. Her work was recently featured in Photography: The Definitive Visual History by Tom Ang (DK Publishing\, 2014) and The Ph otography Book (Phaidon\, 2014). DTEND:20151223 DTSTAMP:20151007T213221 DTSTART:20151029 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:True Fiction Two\, Sandy Skoglund UID:398478 END:VEVENT BEGIN:VEVENT DTEND:20151029T200000 DTSTAMP:20151007T213221 DTSTART:20151029T180000 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:True Fiction Two\, Sandy Skoglund UID:398479 END:VEVENT BEGIN:VEVENT DESCRIPTION:
&nbs p\; On view daily 4-11PM\n
RYAN LEE is pleased to present Untitled (New Way) (2009)\, a silen t video by Rashaad Newsome that will be on view in RLWindow. The 06:38 minu te video features a single dancer whose initially improvised voguing gestur es were shot\, edited\, re-performed\, and re-recorded while in a white cub e. Newsome considers his videos to be drawings\, using the performer as a d evice to create hypnotic lines\, shapes\, and forms\, while incorporating s pace\, technology\, and movement. Untitled (New Way) has been scre ened previously at the Whitney Biennial\, New York\; ar/ge kunst Galerie Mu seum\, Bolzano\, Italy\; and The Institute of Contemporary Art\, Boston.\n
Newsome&rsquo\;s commitment to integrating largely overlooked art forms into the canon is clear: his s ignature techniques of collage\, repetition\, and removal of context are us ed to dismantle ideas or assumptions of conventional value and power\, part icularly as it relates to vogue and its culture. Highlighting the marginal dance form that first gained prominence in the 1980s within the Harlem ball room scene\, Newsome establishes its standing within contemporary art histo ry\, making strong connections between abstraction\, symbolism\, and status .\n
Rashaad Newsome (b. 197 9\, New Orleans\, US) received his BA from Tulane University. Recent solo e xhibitions were held at SCAD Museum of Art\, Savannah\; Art Gallery of York University\, Toronto\; and The Drawing Center\, New York. He has exhibited widely at the 2011 Venice Biennale\; 2010 Whitney Biennial\, New York\; Performa 11\, New York\; MoMA PS1\, Long Island City\; Wadsworth Ath eneum\, Hartford\, CT\; Garage Center for Contemporary Art\, Moscow\; New O rleans Museum of Art\; and The Institute of Contemporary Art\, Boston\, amo ng others.\n
RLWindow is a dedicated ex hibition space featuring video\, installation\, and performance art designe d to engage High Line visitors\, viewable from the elevated park at 26th St reet. Capitalizing on the gallery&rsquo\;s position overlooking the High Li ne and its visibility to almost 5 million yearly visitors\, RLWindow shows innovative\, experimental\, and collaborative projects by international\, c ontemporary artists\, including invited and gallery-represented artists. Fo rthcoming projects include work by Maria Antelman\, Luisa Rabbia\, Peter Sis\, Sandy Skoglund\, Stephanie Syjuco\, and more.DTEND:20151024 DTSTAMP:20151007T213221 DTSTART:20150927 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:RLWindow: Untitled (New Way)\, Rashaad Newsome UID:398477 END:VEVENT BEGIN:VEVENT DESCRIPTION:
RYAN LEE is pleased to present Paul Henry Ramirez&rsquo\;s Eccentric Stimuli\, an exhibition of paintings and drawings from his most recent body of work. Eccentric Sti muli builds on his signature style of bold forms and introduces a sele ction of new engaging figures that are bold in form and soft in palette. Wo rks from this series were recently featured in &ldquo\;Beauty Reigns: A Bar oque Sensibility in Recent Painting\,&rdquo\; a traveling museum show organ ized by the McNay Museum of Art. A new group of smaller works that are a co ntinuation of this series is on view for the first time.\n
The figures initially appear to be in quiet repose\, bu
t under deeper inspection a subtle tension squeezes\, presses\, and caresse
s to initiate a transformation. In contrast to previous paintings where bri
ght and bold colors took center stage\, these newest creations have a delic
ate palette with subtle punctuations of bright and fluorescent colors takin
g on supplementary qualities. Exclusive to this body of work are Ramirez&rs
quo\;s bold and fresh biogeomorphic abstractions\, a term coined by the art
ist to describe his combinations of biomorphic and geometric forms that are
based in figuration. Elements are pared down in order to highlight the bon
es of the figure. His use of color reinforces the playful manner of his wor
k and presents a reduction of the body to its most basic shapes. He merges
billowing corsets and raveling tendrils with geometric forms evolved from e
arlier bodies of work. Replete with swollen silhouettes\, chromatic paint p
ours\, and delicate lines\, his compositions are simultaneously unpredictab
le and composed\, organic and meticulous.
Eccentric Stimuli made its first appearance as a site-specific installation at the McNay Museum of Art and was reconfigured for the Akron Art Museum in Ohio.\n
Pau l Henry Ramirez (b. 1963\, El Paso\, Texas) is currently included in the mu seum traveling show &ldquo\;Our America: The Latino Presence in American Ar t&rdquo\; organized by the Smithsonian Institute of Art. His work has been included in important shows at the Aldrich Museum\, Ridgefield\; Contempora ry Arts Center Cincinnati\; Corcoran Gallery\, Washington\, DC\; McNay Art Museum\, San Antonio\; Smithsonian American Art Museum\, Washington\, DC\; and Whitney Museum\, New York\, among others. His works are included in the permanent collections of the Corcoran Gallery of Art\, Washington\, DC\; C rocker Art Museum\, Sacramento\; Hammer Museum\, Los Angeles\; Smithsonian American Art Museum\, Washington\, DC\; and Whitney Museum of American Art\ , New York\, among others. Ramirez will present a major solo sitespecific e xhibition\, RATTLE\, commissioned by the Grounds For Sculpture\, Hamilton\, NJ 2016- 2017.DTEND:20151024 DTSTAMP:20151007T213221 DTSTART:20150910 GEO:40.7501399;-74.003542 LOCATION:Ryan Lee\,515 West 26th Street \nNew York\, NY 10001 SEQUENCE:0 SUMMARY:Eccentric Stimuli\, Paul Henry Ramirez UID:398476 END:VEVENT END:VCALENDAR


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Amid the widespread protest of the Tea Party movement during Tax Day week, its leaders sought to define its goals, and in the process unveiled a list of friends and foes.
Month: April 2010
Arizona Passes Tough Anti-immigration Bill
Frustrated by Washington's apparent inability to deal with the growing immigration crisis, the Arizona State House voted 35-21 to pass Support Our Law Enforcement and the Safe Neighborhood Act in an effort to protect state residents from a wave of illegal immigration.
Eating Vitamin B-rich Foods May Help Stave Off Heart Disease
According to a new study published in the most recent issue of the journal Stroke, people who consume foods rich in B vitamins may be less likely to die from cardiovascular disease.
Piriformis Syndrome Followup: Four Ways To Release The Lower Back
Last week's article on piriformis syndrome, Your Lower Back Pain Or Sciatica Might Actually Be Piriformis Syndrome, created quite a bit of interest from readers wanting to know more. Read this article for more information and a series of exercises that may help relieve your pain…
Herbal Tea Can Help To Lower Blood Pressure
An herbal tea containing hibiscus can help lower your blood pressure, according to Tufts University in Boston. Study patients who drank hibiscus tea blends for six weeks lowered their systolic […]
Tea Party Crasher Placed On Leave During Ethics Probe
An Oregon middle school teacher who attempted to organize efforts to "infiltrate" and "dismantle" Tea Party demonstrations has been placed on paid administrative leave while state officials investigate whether he used school time and resources to develop his website, CrashTheTeaParty.org.
Gun-rights Activists Score Victory In Colorado In The Shadow Of Virginia Tech Massacre Anniversary
The third anniversary of the Virginia Tech massacre has once again brought calls from anti-gun advocates for more stringent control to be imposed on the sale of weapons in the United States.
Sarah Palin Tells Boston To 'Stand Up And Speak Out' Against Obama
Sarah Palin rallied huge crowds against the Barack Obama administration's policies last week, urging Americans to "vote them out" this November. She was touring with the Tea Party Express which travelled across the country. The events culminated with a Tax Day Tea Party in Washington, D.C., on April 15.
Vitamin D Deficiency Linked To Increased Risk Of Rheumatoid Arthritis In Women
A new Boston University study has found that women living in the Northeast are more likely to develop rheumatoid arthritis (RA) due to a lack of exposure to sunlight, suggesting a possible link between the condition and vitamin D deficiency.
Passenger Rights Group Blasts Airline Fee Announcement
As airlines are trying to limit their financial losses by imposing new fees, consumer advocates are loudly criticizing these ideas as examples of these businesses trampling on travelers' rights.
Democrats And The Politics Of Envy
Democrats have long practiced the politics of envy. They preach that their policies help the working man (or woman) whereas the Republicans are the party of the rich. They like to pit the poor against the rich and promote the notion that if someone earns more than whatever Democrats consider a "living wage" (a despicable term) then that person is somehow evil. Read this article to see how many Americans have fallen for this Democrat scheme and how it has affected the "working" man…
Poll: Ron Paul Even With Obama In Hypothetical 2012 Presidential Election Race
Although he garnered just 10 percent of the vote in the presidential primary in 2008, Representative Ron Paul (R-Texas) may give Barack Obama a run for his money if the two are matched up in the 2012 presidential election race, a Rasmussen Reports poll has found.
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According to a recent University of Illinois at Urbana-Champaign study, consuming foods high in omega-3 fatty acids may help treat temporary male infertility.
New Fair-taxation Challenger To McCain Springs Up In Arizona
John McCain's reelection plans are facing a growing challenge from both the right and the left, and now a "third way" proponent has announced his candidacy for the Senate.
Jon Voight calls out Barack Obama
Bernanke Warns Congress To Minimize Budget Deficits
Testifying before Congress' Joint Economic Committee, Federal Reserve Chairman Ben Bernanke said on Wednesday that he is cautiously optimistic that the moderate economic recovery will continue, although the job market may sputter in the coming months.
Omega-6 Fatty Acids May Help Temper Dermatitis
According to a recent University of Illinois study, consuming a diet containing high levels of omega-6 fatty acids may help maintain healthy skin and avoid chronic issues such as dermatitis.
The Worst President Ever
A recent trip to Washington, D.C., and a visit to the Jefferson Memorial prompted Geopolitical Editor Chip Wood into a discussion of the worst United States presidents ever. Read this article to learn who made Chip's list, then join in the discussion by refuting his points or naming your worst top five…
No Flag, Strange Artwork, Soaring Interest And Nutty Psychiatry
*Obama orders our flag taken down. United States military personnel in Haiti have been ordered not to fly the American flag. A spokesman explains that "We are not here as […]
Journalists Call On FCC To Continue Working For 'Net Neutrality'
Last week, a United States court of appeals issued a ruling blocking the Federal Communications Commission's (FCC) attempts to prevent internet service providers from restricting access to content, applications and services offered by competitors. Now, a group of journalist is pushing back, urging the FCC to reclaim its right to regulate broadband networks.
At National Press Club Meeting, Activists Denounce Role Of Special Interests In U.S. Politics
On April 13, a forum was held at the National Press Club in Washington, D.C., which discussed the influence of corporate special interests and big money on public policy and United States democracy.
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A Terror Trial, Expensive Jobs and the Bomber's Visa
*Terror trial moved from New York City. After first saying he was okay with holding the trial of confessed al-Qaida terrorist Khalid Sheikh Mohammed in lower Manhattan, New York City […]


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