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Simon Bruce
Phenoms aren't so rare on the instrumental side of the music business, but it's downright astonishing to find a songwriting talent this developed and mature in an 18-year-old. Australia's Simon Bruce made his American debut three years ago at the Nashville songwriters' haunt Bluebird Café; while in that city he also recorded a six-song demo called The Champagne Sessions (featuring Keith Urban on backing vocals), which has served as his calling card ever since. After appearing at last year's South By Southwest, Bruce spent a month touring Texas, highlighted by a guitar pull with Slaid Cleaves and Nathan Hamilton in Gruene and a gig with Sisters Morales in San Antonio. And he just wrapped up an Australian tour with Kasey Chambers, with whom he inevitably will be lumped in some yet-to-be-written article about how all the great young songwriters are from down under these days. Bruce may not be a great songwriter yet, but the emotional depth and polished songcraft on display in The Champagne Sessions doesn't sound like it could have come from anybody who was then six years shy of legal drinking age.
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The first sketch is for the opening of Act 1 where the opera company is boarding the S.S Newbern.
The second sketch is for the opening of Act 2 where the mazatlecos welcome Ángela Peralta to their city.
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The first sketch is for the opening of Act 1 where the opera company is boarding the S.S Newbern.
The second sketch is for the opening of Act 2 where the mazatlecos welcome Ángela Peralta to their city.
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It's exciting to see an opera come to life, bit by bit. Raúl Rico has been sending me pictures of the opera in progress: here is a shot of the set from Act 1 being built. I'm fairly sure it's going to be a boat!
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Ángela Peralta (6 July 1845, Mexico City – 30 August 1883, Mazatlán) (baptised María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was an operatic soprano of international fame and a leading figure in the operatic life of 19th century Mexico. Called the "Mexican Nightingale" in Europe, she had already sung to acclaim in major European opera houses by the age of 20. Although primarily known for her singing, she was also a composer as well as an accomplished pianist and harpist.
Ángela Peralta was the daughter of Manuel Peralta and Josefa Castera de Peralta. She showed an early talent for singing and music. At the age of 8, she sang a cavatina from Belisario by Gaetano Donizetti with great success, and went on to study at the Conservatorio Nacional de Música in Mexico City. At 15 she made her operatic debut as Leonora in Giuseppe Verdi's Il trovatore at the Teatro Nacional in Mexico City. Accompanied by her father, and financed by a wealthy patron, Santiago de la Vega, she then went on to study singing in Italy under Leopardi. On 13 May 1862, she made her debut at La Scala in Milan with an acclaimed performance of Donizetti's Lucia di Lammermoor. She sang Bellini's La sonnambula before King Victor Emmanuel II of Italy at the Teatro Regio in Turin where she received 32 curtain calls. Between 1863 and 1864, she sang in the opera houses of Rome, Florence, Bologna, Genoa, Naples, Lisbon, Madrid, Barcelona, St. Petersburg, Alexandria, and Cairo. The Second Mexican Empire invited her to return to her country to sing in the National Imperial Theatre, and in 1865 she accepted the invitation. In 1866 she sang before Maximilian I of Mexico and Charlotte of Belgium and was named "Chamber singer of the Empire". In December 1866 with the downfall of the Second Mexican Empire imminent, she returned to Europe, performing in New York and Havana along the way. In Madrid, she married her cousin, Eugenio Castera, and for a while retired from singing, although she continued to compose songs and piano pieces. Her most well-known work is Álbum Musical de Ángela Peralta. Her marriage was an unhappy one due to her husband's mental illness which manifested itself in the first year of their marriage. (Castera was later committed to a mental hospital in Paris where he died in 1876.)
On a visit to Mexico in 1871, Peralta established her own touring opera company for which she frequently sang her signature roles – Amina in La sonnambula and Lucia in Lucia di Lammermoor. (In her lifetime, she sang Amina 122 times, and Lucia 166 times.)
In the mid-1870s she began an affair with the Mexican lawyer and entrepreneur Julián Montiel y Duarte, which caused a scandal in Mexico City. The city's social elite boycotted her performances and hired hecklers to harass her during performances. Her reputation recovered following her performance in Linda di Chamounix, but she kept her vow never to sing in Mexico City again. In 1883, with her reputation (and economic situation) again in decline, she began a tour of northern Mexico with her troupe of Italian opera singers. The tour began in Guaymas and proceeded to La Paz, Baja California Sur. It was in La Paz that she sang for the last time on stage – the title role in Maria di Rohan – with the performance taking place in a theatre improvised from a disused sand pit. On 22 August, the troupe arrived in the port city of Mazatlán, where they were to perform Il trovatore and Aida. The city of Mazatlán prepared an elaborate welcome for her. Her boat docked at a pier decorated with garlands of flowers, and she was greeted by a band playing the Mexican National Anthem. When her carriage arrived, her admirers unhitched the horses and pulled it themselves to the Hotel Iturbide, where she once again saluted the crowds from her balcony. However, within a few days, she and 76 of the troupe's 80 members were to die in the yellow fever epidemic that swept the city shortly after their arrival.
Ángela Peralta died in the Hotel Iturbide in Mazatlán at the age of 38 on 30 August 1883. She married her lover Julián Montiel y Duarte on her deathbed. According to an eyewitness account of the marriage ceremony, she was already unconscious when it took place. One of the singers from her company, Lemus, supported her by the shoulders. When asked if she took Montiel y Duarte as her husband, Lemus moved her head to make it appear that she was nodding her assent. Before her burial in Mazatlán, her body lay in state, dressed in one of her opera costumes and her best jewels. In 1937, her remains were disinterred and brought to the Rotunda de Hombres Ilustres (the Rotunda of Illustrious People) in Mexico City's Panteón de Dolores. Both Mazatlán and San Miguel de Allende have theatres named in her honour.
Voice and repertoire
A Mazatlán opera-lover and journalist, who watched Peralta rehearsing in the Teatro Rubio on 22 August 1883, wrote in his diary:
"She is a woman with an agreeable presence, slightly obese, with bulging but very lively eyes. She has a wonderful voice that produces notes from the very highest to the lowest with astounding ease; she sang several variations with such delicate notes, like the trill of a goldfinch…"
Peralta's wide-ranging repertoire included: Leonora in Il trovatore, Violetta in La traviata; Elvira in I puritani; Marie in La fille du régiment; Amina in La sonnambula; Adina in L'elisir d'amore; and the title roles in Aida, Dinorah, Linda di Chamounix, Maria di Rohan, Lucia di Lammermoor, and Norma. She also created the leading female roles in three operas by Mexican composers: Ildegonda (1866) and Gino Corsini (1877) by Melesio Morales, and Guatimotzin (1871) by Aniceto Ortega del Villar.
[From Wikipedia entry on Ángela Peralta.]
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MazatlánLife is a useful website for people going to Mazatlán to hear our opera. They also did several interviews with me last year which can be heard on their website.
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Here is a video advertisement for Cultura/Mazatlán's season:
El Festival Cultural Mazatlán 2014.
Our opera is part of this festival and will premiere 14, 15 November 2014 at the Teatro Ángela Peralta in Mazatlán
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On a warm August evening Angela Peralta de Castera, celebrated Mexican soprano, and her 80-person opera company board the S.S. Newbern, an American steamer just arrived in La Paz from Panama; they have booked passage across the Sea of Cortez to Mazatlán, where the company will conclude its summer tour with a week of performances in the Teatro Rubio. Captain Martin Ybarra, who watches the passengers, ponders the relationships between the company, and anticipates learning more about the famous soprano and her associates.
As the ship begins the voyage and night falls, Julián Montiel y Duarte, the company's business manager, meets the captain for conversation. Julián has known Angela since childhood, when he met her during a vocal competition; although she has forgotten that first meeting he has loved her ever since. When she returned to Mexico after a triumphant European career, he met her again. The conversation is interrupted, first by a sudden violent squall (a chubasco, as they are called in the Sea of Cortez), and finally by squabbles below deck; Julián departs to settle the company.
Ybarra checks on the status of the voyage, and is angered when a sailor suddenly collapses, presumably drunk. He sends the man below and returns to his cabin.
Angela meets him at the door. He offers her sherry; she accepts tequila and a cigar. As they converse, Angela describes her return to Mexico in the manner of a sentimental press release: not false, but very controlled All too soon, however, they are interrupted by a sailor: the captain's presence is urgently required below decks. Ybarra leaves Angela in the company of sailors on the deck, who greet her enthusiastically. After a brief interruption by La Zepilli and La Saborini, two company sopranos who are ostentatious frenemies, the sailors beg Angela for a song. She obliges with her signature tune, "The Dove in the Tree." In return, a sailor sings a love song in her honor.
On deck during the sailor's song is Rosa Vargas de Montiel, Julián's wife. Somber and bitter, she has a story she wishes to tell the captain as well—but her is once again interrupted by trouble below decks. Rosa is left to tell her story to no one. She was also a singer, and was a participant in the vocal competition that Julián remembers; she recalls it differently, and nurses a grudge against Angela for having been unjustly singled out as a star. To make matters worse, she married Julián because he seemed as interested in her then as he was in Angela—but he has forgotten that she was ever there, and when Angela returned to Mexico, Julián began an affair with her that still continues. Rosa is reduced to being the company bookkeeper, and now Julián has asked for a divorce, and she has consented. Nevertheless, she has had enough of bitterness and envy. Singing to herself, she invokes the nightingale as her emblem, hoping to face the future with hope and determination.
Suddenly a soprano cat-fight erupts from below decks. La Zepilli and La Saborini make a scene. Angela brings the shenanigans to a halt and forces the sopranos to make up. Julián, seeing Rosa, attempts to be civil, but she is still bitter. Angela tries to ease things, but with no success, and Rosa departs to her duties. Angela and Julián reminisce, and begin to hope that the tour's conclusion in Mazatlán will also be a new beginning for them both. As the members of the company appear on deck, the ship arrives in Mazatlán.
The first mate recognizes that the troubles with the sailors has one cause: the ship is carrying Yellow Fever. (22 August, 1883—Tuesday.)
Act II
Arriving in the Plazuela Machado, Angela is greeted by rapturous acclaim: a mysterious man (the historical, legendary bandit Eraclio Bernal) hands her a white rose, the crowd serenades her, and Maclovio Castellanos, the prefect of Mazatlán, gives a welcoming speech. Angela rises to the occasion with an eloquent speech of her own. As the crowd disperses, Julián encounters Araceli, an old women who mutters strange warnings about death and ruin.
The next morning, Rosa is working at the accounts when she is visited by Beatriz Melani, an adventuress. When Mexico City's society discovered Angela's affair with Julián, they boycotted her performances and even hired a claque to disrupt them. Beatriz was the primary organizer of the claque; but Rosa was secretly directing them. Now, since Rosa has broken off ties, Beatriz is blackmailing her. Later on, Beatriz appears in Angela's retinue, but Rosa has Julián expel her from the hotel.
But there are more urgent problems to consider; singers and crew are beginning to fall ill, and there is no treatment available. Angela, Julián, and Rosa unite in the face of financial ruin.
Four days later, Angela and Julián have returned from mass; she feels rather weak, but is determined to press on. But more singers are ill. As Angela strives to manage her company, she collapses into hallucinations. Julián reflects on his love for her.
The next day, an anxious crowd has gathered in the Plazuelo Machado, hoping to hear Angela sing to them. She is delirious, but goes to the balcony to perform a version of the nightingale song. Afterwards she collapses into a fever dream. When she wakes, Araceli is there as a nurse. Angela reflects on her own life, on choices made and refused.
Three days later, Julián's divorce is final, and he has arranged for a marriage ceremony in Angela's suite. Angela is unconscious or unresponsive, and has to be "helped" to assent to the marriage. After the officials leave, Rosa enters to make peace, Hearing the crowd again outside, Rosa dons Angela's shawl and goes to the balcony to sing "The Dove in the Tree." Angela awakens, and hearing Rosa, is glad to have someone take her place. She and Julián acknowledge the wrongs they have done. When Rosa returns, Julián observes that yet again, no one will know that Rosa was singing. She accepts this as a debt she owed. As Angela dies, the three of them forgive one another; Julián and Rosa watch by Angela's bedside.
Inspired by the final weeks of the life of Ángela Peralta
Libretto by Mitchell Morris
Storyline by Mitchell Morris and Roger Bourland
© 2014 by Roger Bourland and Mitchell Morris
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In early 2003 our dear friends Tom Brooks and his painter wife, Jessica Rice, invited us to visit Mazatlán. Unbeknownst to me, they had arranged a meeting with a gentleman who was the head of the Teatro Angela Peralta. He took me on a tour of the theatre and told me of its amazing history. Before leaving, he gave me a book about the history of the theater, but more so about the future heroine of our future opera, Angela Peralta. I was amazed that no one had ever made an opera about her most dramatic life. And so I decided——there and then——that I would.
I began doing exhaustive research about Peralta. My late colleague and friend, Robert Stevenson, was an authority on AP and told me many amusing but mostly scholarly bits about her life. Every year, more information would appear on the internet. Her life could make an amazing movie, in fact at one point, as I began writing the storyline, I fancied that I would turn the story into a movie script after doing the libretto. By mid-2005 I came up with a treatment and ran it past many friends who gave me excellent feedback. I was planning on doing the libretto at this time, but all I created was a synopsis. I decided it would be a poetic thing to do by returning to Mazatlán and start writing the libretto. I wrote at a feverish pace and turned out seven lyrics in five days. I read them to my spouse, and to Tom and Jess. They were polite, but I could tell it wasn't quite working.
The early titles I went through were numerous and amusing: "Duarte's Wives" "Angela Peralta" "Rosa and the Nightingale" "Duarte's Fate" "Duarte's Wives" "Nona and Duarte" "The Rose and the Nightingale" and then finally "The Dove and the Nightingale" which became "La Paloma y el Ruiseñor" in the Spanish adaptation.
I decided to put the story aside, and then all of a sudden I got a whole series of commissions culminating with becoming the Chair of the Music Department for four years. In 2010 I decided to take an early retirement from UCLA with a few strings attached: I got a year sabbatical (which I had earned) to compose my opera, I would return for a year and at the end of that year, my opera would have a workshop performance by our opera program, and THEN I would retire.
During all this, I approached Mitchell Morris, my colleague in Musicology at UCLA, and someone who knows far more than I about opera, to compose the libretto. I gave him my treatment and the permission to do with it what he wished. None of my lyrics survive, thankfully, but he included chunks of the content scattered here and there. Mitchell also did extensive research and I was delighted to see how much drama there was in the details of boat ride across the Sea of Cortéz. [The recent Hurrican Odile is a reminder of how dangerous that little 12-hour boat ride could be.]
Composer, Jake Heggie advised me to have at least one workshop before the premiere. We decided to write four of the big arias first, spaced like dramatic pillars throughout the opera. That piece was called DUARTE'S LOVE SONGS. Mark Carlson's Pacific Serenades chamber music ensemble commissioned the work, and Russian baritone, and my UCLA colleague Vladimir Chernov gave a wonderful performance for its premiere. This was, in effect, our first "workshop"——a concept I was told Steven Sondheim first invented. The songs were all cut back in the opera, but left in tact in that quartet of arias from the point of view of the male lead, Julián Montiel y Duarte.
The "real" and final workshop was directed by Peter Kazaras and performed by the terrific talent at UCLA, the UCLA Opera Workshop, in May 2013. At that workshop, a group from Mazatlán——headed by Raúl Rico González——came to listen. Once again, our dear friend Jessica Rice made the connection with Raúl. Raúl was moved by the work, and offered to have the work premiered at the Teatro Angela Peralta in Mazatlán. I said: YES.
From the beginning, I composed the work for my long-time friend, colleague and collaborator, Juliana Gondek. Her voice had an enormous range, but her instrument was evolving more towards a very low soprano. The high C that I wrote for her at the end of ROSARIUM, didn't exist any longer. That was ok, as I decided I would use the lower voice, especially in Act 2 where Angela begins to get sick, and the lower voice gives the impression that the soprano not feeling well. After the workshop, and after hearing from all in attendance, especially my friends from Mazatlán, including Enrique Patrón, they all felt it was a mistake ignoring the range of Angela's true range——she was, after all, famous for roles like Lucia in Lucia di Lammermoor. So, although I decided to transpose the part up to Angela's original range, and not Juliana's, the true inspiration for the entire part was Juliana Gondek and her versatile personalities.
Painting credit: "Repos au Ruisseau" (oil on canvas 48×48) by Jessica Rice
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Are you looking for an excuse to have a little long-weekend-getaway two weeks before Thanksgiving? Come to Mazatlán and hear the premiere of my opera "La Paloma y el Ruiseñor" [The Dove and the Nightingale] at the Teatro Ángela Peralta. It is a wonderful city with terrific people, restaurants, culture, history and November temperatures that range from 70-90 degrees in early November. I love this city. Hotels get booked from the mid-November through the first week in January, so if you are tempted to attend, don't delay getting a reservation: and the tickets for the opera are going fast.
Here are the details:
Composer: Roger Bourland
Libretto: Mitchell Morris
Spanish adaptation: Placido Domingo Jr.
Conductor: Scott Dunn
November 14, 15 2014: 8:00
[Open dress rehearsal: Nov.13, 2014]
Producer: Raúl Rico González
Production assistant: Abril Márquez
Orchestra: Camarata Mazatlán; Percival Álvarez, Music Director
Chorus: Coro Guillermo Sarabia, Music Directors Enrique Patrón de Rueda and Martha Félix
Dance ensembles:
Delfos Danza Contemporánea, Víctor Manuel Ruiz, Director
Ballet Folklórico, Javier Arcadia, Director
Stage direction: Ramón Gómez Polo and Raúl Rico González
Stage design: Jorge González Nery
Costumes: Elisa Espinosa
Jessica Loaiza Pérez/Ángela Peralta
Armando Piña López/ Julián
Penélope María Luna Núñez/Rosa
Emily Sánchez Osuna/ Young Ángela
Jessika Arevalo/La Zepilli
Adriana Romero Jesus Ramirez/La Saborini
Fernando Martinez/Captain Ybarra
Miguel Gonzalez/Maclovio Castellanos
Héctor Rosendo Valle Loera/Solomon Marsh, Juan Jacobo Valadés
Christopher Roldan, Ramón Ocampo
Eden Vega/Cecilio Ocón, Carlos Meneses
Esteban Baltazar/ Young Julián, Eraclio Bernal
Athenea Reyes/Hermana Josefina
Mariela Angulo/Beatriz Melani
Miguel Valenzuela/Prof Agustín Balderas
Irving Bonilla/Cristóbal, Jesús Caravantes
Flor Estrada/Madame L'Aiguille, Araceli
Karla Alvarez/Madame DiGrazia
Laura Martinez/La Venadita
Alba Cecilia Rivera/Young Rosa
Muchísimas gracias to my long-time friend and colleague, Scott Dunn who helped me with my setting of Placido's gorgeous adaptation of Mitchell Morris' terrific libretto. Scott reviewed every note of the orchestration, making sure it would not get in the way of our amazing singers. As this is my first grand opera, I am greatly appreciative for his help.
I am most indebted to Raúl Rico, who has encouraged me and supported me in this effort. Mitchell and I have dedicated the opera to Raúl and the amazing talent at Cultura/Mazatlán.
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An fun overview of the history of "Dies irae"––the Gregorian chant most associated with death.
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Perhaps we should add cymatics to our music curriculum.
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Illinois Public Media
All articles tagged Lisa Madigan
Pension Case May Not Be Done: Signals It Could Go To U.S. Supreme Court
State's High Court Asked To Decide Whether Workers Can Keep Getting Paid
AG Madigan: Rauner's anti-union proposals illegal
Attorney General Lisa Madigan Wins Third Term
Ill. AG Wants Treasurer's Office Lawsuit Dismissed
AG Files Lawsuits Alleging Student Loan Debt Scams
Illinois AG Madigan Testifies On Data Breaches
Marine To Challenge Lisa Madigan
Madigan To Seek Re-Election, Not Run For Governor
Illinois Objects To Call For Immediate Concealed-Carry
Illinois AG Seeks Damages From Apple
Daley Pushes Campaign Cash Ban During Session
Madigan Still Considering 2014 Run for Governor
Bill Daley Exploring Run For Illinois Governor
AG Warns of Medical Alert Scams
Illinois AG Warns of Tax-Refund Fees and Loans
U of I Law Clinic Benefits from Foreclosure Settlement
Madigan Announces $1.4M to Help Illinois Renters
Page 1 of 1 pages
WILL Highlights
Vintage Vinyl is coming!
The Vintage Vinyl Sale to benefit Illinois Radio Reader returns on October 3. Click for the latest info.
WILL News wins PRNDI Award for "Unmet Needs" Radio Doc
The 2014 radio documentary, produced by former WILL staff and hosted by Scott Cameron, won second place in the Long Form Documentary category among medium-sized stations.
WILL Ag Director Dave Dickey retires
He carried on the farm broadcasting tradition, while innovating on the Internet.


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BMW 3-Series F90 Pirelli Sottozero 19" winter tyres - full set
Full set of 19" Pirelli Sottozero winter tyres to suit a BMW 3-Series F90. All tyres are in excellent condition. Fronts are 225/40/19 (fronts are run flats). Both fronts have over 7.0mm of tread on them. Rears are 255/35/19 (rears are not run flats).


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Fatima Bhutto is a graduate of Columbia University and the School of Oriental and African Studies.
Another panelist, Daily Beast contributor Fatima Bhutto, had harsh words for the Obama administration.
I learned this when I visited the pioneering Muslim feminist scholar Fatima Mernissi in Rabat, Morocco, some years ago.
Fatima Gate is a (closed) border crossing between Lebanon and Israel.
At an age when other kids have barely graduated from the lemonade stand, Fatima started her own business.
The Lady Fatima had followed her husband, and being announced, at once opened the subject of her visit.
As a child Fatima Hanum played in one of the narrow streets of Stambul.
Fatima uttered a cry of horror, her strength left her, and she thought she would die from fear.
Mustapha rushed into the room, and found Fatima and Zoraida awakened by the noise.
No one, Fatima—nothing but a cloud of dust made by the wind.


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DrugTest 5000 - Draeger Safety Diagnostics Inc
In the past, roadside drug screening has been difficult because it involved the...
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Palmetto West Trading Company is the manufacturer of the Lobstermount line of holding devices for handheld electronic products, optics, and photography equipment. Four different bases facilitate mounting to handlebars, roll bars, flat surfaces, and glass for quickly setting up cameras, camcorders, or scopes for undercover operations. Off-duty, the company's cradle will hold your handheld radio in your private vehicle.
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An accurate and efficient identification of children with psychosocial problems by means of computerized adaptive testing
- Equal contributors
1 Cild Health, TNO, Leiden, The Netherlands
2 Netherlands Forensic Institute, The Hague, The Netherlands
3 Department of Health Sciences University Medical Center Groningen, University of Groningen, Groningen, The Netherlands
BMC Medical Research Methodology 2011, 11:111 doi:10.1186/1471-2288-11-111Published: 4 August 2011
Additional files
Additional file 1:
Items evaluated in the IRT analyses: content, mean, standard deviation and item location. Data on items evaluated in the IRT-analyses, calibration sample.
Format: DOC Size: 252KB Download file
This file can be viewed with: Microsoft Word Viewer


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Doug's girlfriend has been riding him hard, but she seems kind sweet. - Kevin Distributed by Tubemogul.
It was a fun night with the witch, but all good things must come to an end. Unfortunately it seems this witch has trouble "understanding" that. - Doug
Me, Cherry, and my butt play a multi-layered prank on Alex. He would've caught on too if he wasn't kind of an idiot. -Doug


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Today's edition of Top 5 Police Blunders Of The Week is surely not for the faint of heart. Aside from Aldo Lozano, the Mexican cop/hit man arrested for killing more than 40 people, our list also includes the sexual assault of a transgender woman as well as the rape of none other than a rape victim.
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UCI sets sights on drinking bottles next
They're also planning to enforce the saddle tilt rule 1st March 2012
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World cycle racing's governing body the UCI has announced a new rule on the shape, mounting location and capacity of drinking bottles starting 1st January 2013.
Julien Carron the UCI's 'Coordinateur Technologique' has told manufacturers in an email seen by BikeBiz that UCI race commissaires will be checking bidons from that date, commenting, "the positioning and dimensions of bottles used during competition are the subject of a change of the regulations that was approved by the Management Committee in September."
The new rule Article 1.3.024 will only allow bottles to be positioned on the down tube and seat tube. Mounting bottles behind the saddle, on the stem or in any other position will be prohibited and furthermore must not be integrated with frames, meaning that there must be a space between the bottle and the tube to which it is attached. The new rule specifies bottle dimensions to avoid empty bottles being added for aerodynamic reasons.
"The rule also improves the rider's ability to access and grasp the bottle," said Carron. "The capacity is also specified in order to guarantee that bottles are used for rehydration purposes and to prevent any deviations."
The wording of article 1.3.024 is as follows:
"Bottles shall not be integrated to the frame and may only be located on the down and seat tubes on the inside of the frame. The maximum dimensions of the cross-section of a bottle used in competition must not exceed 10 cm or be less than 4 cm and their capacity must be a minimum of 400 ml and a maximum of 800 ml."
Carron comments in his email, "Bottles have been increasingly moving away from their original function of allowing riders to rehydrate towards an alternative use as aerodynamic elements which are integrated into the design of frames in order to improve riders' performances. It has become essential to regulate the positioning and dimensions of bottles in order to avoid any future deviations and to return bottles to their principal function."
The Curse of Cadel Evans's Tilting Saddle
While they're about it, the UCI has also reminded manufacturers that they'll be enforcing the existing Article 1.3.014 from this coming March 1st. Surely you don't need reminding of last year's drama at the Tour de France where commissaires incurred the wrath of eventual winner Cadel Evans in criticised the angle of the saddle on his BMC time trial bike?
As with the forthcoming bottle rule, saddles will be checked for level at all WorldTour, World Cup events and World Championships for road, track and cyclocross and a measuring device will be issued to UCI commissaires for the purpose. There has, however, been an element of tolerance introduced.
According to Julien Carron, "As a result of many discussions and comments concerning Article 1.3.014 on the horizontality of the saddle, the UCI has decided to clarify the situation by introducing a tolerance to the measurement of the saddle angle. To determine the value of this tolerance, the UCI has taken into account many measurements recorded in competition, numerous scientific articles published on the subject describing biomechanical issues as well as discussions with several saddle manufacturers."
Carron wrote, "the concept is to grant the rider sufficient freedom to allow a comfortable position to be adopted, reducing the pressure on the perineum, while avoiding any deviation through an excessively sloping saddle that could improve sporting performance to an unacceptable degree by the addition of a lumbar support."
Citing safety concerns, Carron added, "If the saddle is inclined too severely, this reduces the quality of the rider's position on the saddle, thus reducing its intrinsic function of providing a basic support for the rider on the bicycle."
Carron said the device would measure, "the angle of incline of the saddle, considering the plane passing through the highest points at the front and rear of the saddle. This angle must be less than 2.5 degrees with an error tolerance of 0.5 degree. This means that if the measurement taken during the check exceeds ±3 degrees, the saddle must be adjusted."
He concluded, "The measurement of the horizontality of saddles must be a simple, fair and repeatable process. The tolerance of 3 degrees gives the rider a lot more freedom to adjust his or her position on the bike compared to the previous interpretation of the rule."
By the way, there have been some great comments on twitter this afternoon in response to Carlton Reid's piece on BikeBiz. Among the suggestions made for new and as-yet-untapped opportunities for UCI intervention were:
Shoes to be banned on the basis that it offers an unfair advantage.
Speed and we don't mean Performance Enhancing Drugs. Just speed.
And @bazzargh and @aslongasicycle had a good exchange including, "In response to crashes caused by steering across the racing line, UCI are banning handlebars with immediate effect."
posted by nick_rearden [864 posts]
22nd December 2011 - 18:39
posted by the_mikey [155 posts]
22nd December 2011 - 18:59
Un-Controllable Imbeciles
"Inside every car is a pedestrian, just Waiting to get out..." S.J.L.
posted by scotter [64 posts]
22nd December 2011 - 19:25
posted by liam.cahill1 [42 posts]
22nd December 2011 - 19:29
posted by mandy [94 posts]
22nd December 2011 - 19:37
Nice to see the UCI focussing on the real issues affecting the sport...
In theory, there is no difference between theory and practice, but in practice...
posted by notfastenough [3723 posts]
22nd December 2011 - 19:44
Width of cyclists ought to be considered. Those with narrower or angled shoulders have a definite advantage compared with those of a wider or more rectangular build.
posted by Edgeley [242 posts]
22nd December 2011 - 19:49
Has this anything to do with the up coming 'fantasy cycling'.
posted by antonio [1108 posts]
22nd December 2011 - 20:50
Anyone got any examples of bottles being used for aerodynamic reasons?
posted by paulfg42 [395 posts]
22nd December 2011 - 21:48
I blame Wiggle
Moda Forte - track
Orange Gringo - MTB
Specialized Roubaix - winter bike
Cervelo R3SL - race bike
posted by Colin Canski [14 posts]
22nd December 2011 - 21:53
@paulfg42- Cervelo p4 has an integrated bottle possibility, bontrager make an aero bottle and stella italia (i think) have made a saddle with a bottle holder. Aero bottles are also used extensively in triathlon so it's not out the question that road teams might be interested.
posted by miffed [169 posts]
22nd December 2011 - 22:02
Anyone got any examples of bottles being used for aerodynamic reasons?
Some interesting reading here
But i've not seen them used so much for aerodynamic ability themselves, but when you have them mounted between your aero bars or behind the saddle, it reduces drag and also means you move less from your position to get at a bottle, although the saddle mounted ones are hard to get back into their holders
posted by Gkam84 [9364 posts]
22nd December 2011 - 22:36
We (in the industry) have just allowed ourselves to be dragged into this lunacy. Carlton Reid, Leonnard Zinn and myself (in a small way) have all commented on the ramifications of "UCI Approval" and the adverse effects that it will have on product development, the evolution of frames, components and clothing and the way that it will ultimately lead to reduced consumer choices at a higher retail price.
I have written to Julien Carron at the UCI and challenged him on the UCI's rationale and the likely long term effects - after his first anodyne answer which I replied to, having deconstructed his arguments line by line, I have heard no more - what a surprise ... no, that's not actually true, I got an E-Christmas card from them yesterday - so not off their list yet
Check my blog at pimpmytoolbox.blogspot.com to see my take on it. It's two long-ish pieces but if you can stick it out, you'll see exactly what the long-term effects of the UCI's policies will be.
The industry should have stood up to it two, nearly three years ago when the UCI first started talking in these terms and circulated a discussion document. Carlton Reid was very prescient in the points he made at the time - now we are in a hole that'll be pretty darn difficult to dig ourselves out of.
This week I have mostly been riding a Mondiale in Deda V107 with Campagnolo Super Record 11 ...
posted by velotech_cycling [78 posts]
23rd December 2011 - 1:57
I'm just grateful I have standard handlebars and I can use my "banned" Spinacci bars!
Stick that in your regulations, UCI.
Seriously, when is the average road rider going to get what they want - I can't believe hydraulic disc brakes haven't been around for years.
Meanwhile, what news on cleaning up drug use in the sport?
Gravity - it won't let you down.
posted by bigmel [105 posts]
23rd December 2011 - 12:33
Draconian rules for bottles. Whatever next?
The only time non-standard aero bottles are used is in time trials. I'm not sure how that prevents one being used for hydration, though you don't really need a drink if you're racing for less than an hour.
If being aero is a problem then UCI time trials should be raced on standard road bikes, as they do in Qatar and Pat's Pet Project, the Tour of Beijing, or maybe on a 'dual suspension' £100 BSO from Argos.
The future of the sport would be better served by spending the money on testing athletes properly and not trying to cover up positive tests.
This must be such a headache for designers and manufacturers. The UCI's frame approval is a scam and we are already seeing both UCI-legal and triathlon (i.e. non-UCI) versions of time trial bikes appear on the market, notably the 2012 Specialized Shiv.
posted by Simon E [2415 posts]
23rd December 2011 - 12:50
My nose is more pointed than most people's. Perhaps I should be banned so as to prevent an unfair aero advantage.
In theory, there is no difference between theory and practice, but in practice...
posted by notfastenough [3723 posts]
23rd December 2011 - 13:58
My nose is more pointed than most people's. Perhaps I should be banned so as to prevent an unfair aero advantage.
Where's the 'like' button?
Lots of people have more money than me to buy all this compliant kit. Surely that's an unfair advantage too?
posted by Michael5 [121 posts]
23rd December 2011 - 17:54
Lots of people have more money than me to buy all this compliant kit. Surely that's an unfair advantage too?
Yep. Life is full of them.
posted by Simon E [2415 posts]
23rd December 2011 - 18:12
Yet another example of the UCI making up utterly pointless and stupid regulations that suit no-one. Road bikes with anything other than 700C wheels? Nope. Disc brakes? Nope. Pointless weight regulation allegedly to hold costs down (despite clear lack of results for decades)? Endlessly looking for more things to be pedantic about? Well, see above....
posted by StuAff [114 posts]
23rd December 2011 - 23:05
Jonathan Vaughters' recent comment on Twitter:
Killing bike sponsors' ability to innovate is not a business friendly decision.
For 'business friendly' read 'sport friendly'. There won't be much sport without the sponsors, just ask Bob Stapleton.
posted by Simon E [2415 posts]
24th December 2011 - 13:12
Just you wait, Le tour 2013 will be ridden on penny farthings. Disc rear wheels will only be permitted if they are etched with Pat McQuaid face and the slogan "You're lucky we let you have round wheels."
Life behind bars.
posted by Graham Howell [56 posts]
24th December 2011 - 15:39
I agree that bike makers should just have said no to the UCI and their new stickers. If they unified their voice (good grief...I sound like a Union Leader! The horror), what will the UCI have done. Provided their own bikes for trade teams? The UCI will have no teams as they will have no bikes and in the end, Pat will have no job. So Pat and the UCI, remember who pays your salary, the teams, sponsors and fans.
posted by Singletrackroadie [33 posts]
28th December 2011 - 18:27
My nose is more pointed than most people's. Perhaps I should be banned so as to prevent an unfair aero advantage.
Have you seen that geezer riding around S. London with a bottle-shaped helmet on his head? Well that's me, and the helmet is in fact a drinking-bottle, which slowly drips Tizer down into the trepanned hole in the top of my scull, and on down my throat; no hands,see? Fair enough I'd say, but I suppose the rocketing effect of the gas, as it exits, will get me DQ'd one of these days....
posted by PhilRuss [332 posts]
7th January 2012 - 4:12


text:
Who's the Boss
"A Springsteen show is like Paris," The Spin emailed someone in the hours before Bruce Springsteen and the E Street Band took the stage at Bridgestone Arena last Thursday night. "See it and die satisfied." A whiff of mortality colors a Springsteen show today the way clouds of green smoke once affected his Municipal Auditorium shows back in the '70s. The music still sounds terrific, the band still fires on all cylinders like the great sky-pawing beast of a machine it is, but your mood is definitely altered a little. In a good way, The Spin would argue, still high from a three-hour-plus set made all the more moving by the band's invocation not just of shared history, but of a common fate.
Even without the late Big Man and Danny Federici — who loom in the show not so much as absences but phantom presences, licks or flourishes you sometimes hear even though they're not there — the E Street Band lineup was unusual, missing key players and making unusual substitutions. The band, that fascinating organism of equal parts sports team, long-running family drama and traveling tent revival, bears additions that represent every stage of Springsteen's career, like rings in a tree trunk: guitarist Nils Lofgren from the Born in the USA switchover, violin player and vocalist Soozie Tyrell from the Lucky Town wilderness years, the Dixieland horn section from the Seeger Sessions project. The latest is former Rage Against the Machine guitarist Tom Morello — probably not the first name you'd pencil in for the redoubtable Little Steven Van Zandt while he's off shooting Lillyhammer.
It works, though, for the same reason the shows themselves are such a jubilant spectacle: They contain multitudes, and within their sprawl there's room for all. Springsteen, yeoman percussionist Ernest Bradley and the E Streeters set the show's tone with the urgent, defiant optimism of the cover that gives the new High Hopes album its title. Yet the response it got from the full house doubled in volume once "Professor" Roy Bittan sounded the familiar piano chords of "Badlands." The sound of 15,000 people singing those fist-pumping "whoa-oh-oh-ohs" in unison was the first in a night full of heart-swelling communal moments.
Springsteen knows his spells by heart, and he knows they work: the obligatory may-I-have-this-dance routine in "Dancing in the Dark," the obligatory audience-sung verse to "Hungry Heart" — hell, the obligatory "Hungry Heart." If anything, they work too well — that's a lot of obligation. During the lengthiest working-the-room moments there were times Springsteen appeared reduced to a prop in an endless procession of audience selfies. At times, the stiff-legged, geezerly trudge he affected early on — as in an epic "Spirit in the Night," where he played his age for laughs by slumping mid-song (and mid-arena) into a conveniently materialized director's chair — didn't seem entirely an affect.
What kept the show from lapsing into a shtick marathon was Springsteen's unmatched ability to create a sense of intimacy and one-on-one engagement in the vastness of an enormodome. (Case in point: the "Dancing in the Dark" routine, which became sweetly amusing once the chosen dancer stopped the show to negotiate getting her mom onstage instead. The punch line was even funnier: Each demanded her own selfie.) No other artist — with the possible exception of Bono — has so boldly explored the arena-rock grand gesture as an artistic form in itself, down to the thrill of those bellowed "HAH-WAHN! TWO! THREE!" count-offs. Springsteen did this most affectingly on The Rising album, using the stadium-pitched incantation as a rhetorical device to raise vanished loved ones, lost rescuers and the hopes of a stricken city.
He turned to that device repeatedly Thursday night, invoking the anthemic exhortations of "Land of Hope and Dreams," "Waiting for a Sunny Day" and The Rising's goosebumps-raising title track to get audiences of young and old shouting as one. The cumulative emotional effect was like the gradual swell and crash of a wave. There was little obligatory about the set, which was filled with curveballs and unexpected selections. With the arena floor divided into two general-admission sections by a mid-arena runway, Springsteen used an unexpected stage dive to gather fan-made request posters to his chest as the crowd passed him along over its head. From those, he selected a cover he said the band had performed only once before, Elvis' "Burning Love."
Better (and more surprising still) was a cover of "Satisfaction" with a pre-teen girl selected from the crowd as his duet partner. (Throughout both numbers, E Street bassist and part-time Nashvillian Garry Tallent must've thought he was back in the Long Players.) A two-song nod to Nebraska climaxed with a blazing "Johnny 99" as the horn section led by star-in-the-making Jake Clemons teetered on the stage's lip, gunning the song's motor with a swaggering "Night Train" riff. By this point, it was clear the 64-year-old frontman was pacing himself like a canny athlete; to drive the point home, he later slithered down the mic stand in a frankly erotic backbend, parallel to the floor on the toe tips of his boots as the crowd uttered a gasp that can only be described as orgasmic.
Many of the night's most chill-inducing moments came from less familiar, more socially conscious material: the Amadou Diallo protest anthem "41 Shots (American Skin)," the solemn Vietnam Memorial ballad "The Wall," which Springsteen introduced with a eulogy for fallen Jersey friends that hushed the crowd. "The Ghost of Tom Joad" is a song that has stubbornly failed to ignite for The Spin, either by Springsteen or by Morello solo. We're not sure we could have taken Morello's jaw-clenched earnestness and rock-face guitar acrobatics on his own — in his nightwatchman's garb, he sometimes resembled a progressive action figure The Nation might give away with subscriptions. But the energy and camaraderie he inspired from Springsteen, standing shoulder to shoulder with cocked arm pumping like a piston, electrified them both; it made the song a live showstopper.
Even the hits offered some surprises. By the time the band polished off the climactic trifecta of "Born to Run," "Dancing in the Dark" and "Tenth Avenue Freeze-out" — a song that has morphed over the years from origin story to eulogy to "look how far we've come" — the sea of extended hands and straining fingers across the arena looked like a wheat field in a windstorm. The fact that Springsteen is still capable of surprise after all these years, while delivering elements fans have come to rely upon the way lovers of Westerns await shootouts at high noon, speaks to his mastery of the concert as an art form. In a sense, he's the Bill Clinton of rock stars — without you, he's nothing. And yet he's attentive enough to seize moments of spontaneity fronting a band the size of an FBI task force. There's something thrilling about a guy barking "E flat!" at roughly a dozen people and expecting order to result, like hearing a man at the helm of a locomotive holler, "Turn left!" As for the selection itself, who ever thought anybody could again make "Shout" something more than a frathouse reunion-band cliche?
Time throws you off a rooftop the day you're born, and the fall you have to the pavement is called a life. The Springsteens of the world are there to remind us the object is to never stop kicking and punching and straining for the sky, all the way to the inevitable finish. You can complain Bruce Springsteen mugs too much, indulges too many little kids and weepy middle-aged moms, does too many of the same things again and again. You know who else you can make that complaint about? The people who inspire the most love from you — the people who have demonstrated their resilience, and their willingness to be there for you even when it's not convenient, and who have lifted their chin to face the hard times we know will eventually have to come.
The Spin was thus happy not to be the only person who got choked up when a little-girl guest singer handed the featured attraction's tambourine back to him, to his clear surprise, only to have him offer it to her to keep. And we were happy not to be the only person brushing away tears at the night's overwhelming benediction, an acoustic "Thunder Road" full of ache, shared experience and tenderness. Nobody ever left a Springsteen show feeling alone.
The Hardest Record to Record
On Record Store Day 2014, Jack White performed, recorded, pressed and released the "world's fastest studio-to-store record," a live rendition of his forthcoming LP Lazaretto's title track, and he did it in — according to White's Third Man Records website — three hours, 55 minutes and 21 seconds. Indeed, White and Third Man have established a sort of spotlight-stealing, go-big-or-go-home modus operandi when it comes to Record Store Day. This year (after a breakfast for the early-bird fans), White kicked things off with an exclusive performance in TMR's Blue Room.
After hustling past the gathered throngs and through Third Man's Oz-like entrance door, The Spin found ourselves in the room with a couple hundred high-dollar-ticket-purchasing superfans and members of the press, all bathed in a disorientingly blue light. At 10 a.m. We can't really use the word "disorienting" enough here. We were sealed in, and Third Man co-founder Ben Swank took the stage to briefly explain the process and lay the ground rules: Jack and his band would be playing "Lazaretto" and the 7-inch's B-side (a cover of Elvis Presley's "Power of My Love"), both of which would be recorded live to acetate on a lathe visible through a window behind the stage. Then, as the lacquer was making its way to United Record Pressing just a few blocks away, White & Co. would play a full set. Also, Swank explained, a no-photography/no-cellphones-for-any-reason policy would be strictly enforced.
White's band — mostly familiar faces from members of either his all-male touring band, The Buzzards, or his all-female touring band, The Peacocks — took their places, before the man of the hour made his entrance, flanked by a pair of dudes clad in CHiPs-esque highway patrolmen uniforms (one of whom was TMR co-founder and White's nephew, Ben Blackwell). Arranged in a sort of semicircle behind White, from left to right, the band included: powerhouse drummer Daru Jones; longtime White friend and collaborator Dominic Davis on bass; the new-to-us Scout Paré-Phillips on vocals and autoharp; ubiquitous local sideman Fats Kaplin (who White joked was simultaneously cutting a collaboration with Buddy Miller while onstage) on steel, fiddle and mandolin; Cory Younts on mandolin, harmonica and vocals; Lillie Mae Rische on fiddle and vocals; and the inimitable Ikey Owens on keys.
The band warmed up with "High Ball Stepper," the recently released instrumental number from Lazaretto. Then, the "Cutting" light over the stage — which Blackwell had referred to as the "panty-dropper" when leading a press walk-through the previous day — flipped on, and White and his Buzzards/Peacocks (shall we call them them Buzzcocks? Is that name taken?) plunged into the song of the day. "Lazaretto" is a characteristically White-ian blues-rock number filled with quick-spitting, sung-spoken vocals. But more than the song itself, we recall the nerve-racking sense of pressure that loomed as the acetate's cutting was being overseen by Nashville Record Productions' George A. Ingram. Nevertheless, the song seemed to go off without a hitch — really though, who can say, since no one had ever heard it before. White & Co. followed that with the aforementioned Elvis cover, on which onetime Black Belle Olivia Jean played baritone guitar. The song, White would later explain, had originally been considered for Wanda Jackson's JW-produced The Party Ain't Over, but it made a lot of sense in the hands of the former White Stripe. Like his "Love Interruption" from 2012's Blunderbuss, "Power of My Love" anthropomorphizes the very abstract and lofty concept of love — puts it in visceral terms, even fights with it.
At that point, the lacquer was out of White's hands, on its way to United Record Pressing as part of a "police"-led caravan. He could head over and micromanage all he wanted after his set, but in the meantime (rather than "going back to sleep"), he opted to lead his band through nine more songs — White Stripes, Blunderbuss and brand-new tunes among them. The fiddle on "Dead Leaves and the Dirty Ground" sounded like it had belonged there all along. There was "Three Women," a song about three simultaneous love interests (a blonde, a brunette and a redhead), for which White moved over to keys. There were the classic Stripes cuts "Hello Operator" and "Hotel Yorba," the former of which White let the elated crowd take lead vocals on. There were two more new songs — "Would You Fight for My Love" and a suitably classic-Southern-rock-y "Just One Drink" — and "Love Interruption" with Rische singing the female vocal originally performed by Ruby Amanfu.
By 11 a.m., White had left the stage, and we were turned out to rejoin the rest of the proletariat. Naturally, the Third Man superfans were all lined up at a booth out front awaiting the single's arrival, where they'd remain until around 2 p.m., when the "Lazaretto" 7-inches reached the premises. Some might say the prohibitive expense of such a show and, let's be honest, the full-on gimmick of making the "world's fastest record" don't exactly jibe with the inclusive, DIY spirit of Record Store Day. But White and his bros built TMR from the ground up with the intention of giving their fans precisely what they want. As long as the fans keep showing up in droves and walking away clutching their special releases in (sometimes literally tearful) glee, we'd say Third Man is giving the people what they want. And as long as White & Co. keep giving local up-and-comers opportunities to perform at and issue releases through TMR, The Spin will keep on giving them the friendly neighborhood thumbs-up.
Visit Nashville Cream to see The Spin's recap of Record Store Day at Fond Object, The Groove and Grimey's.
Email firstname.lastname@example.com.


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Originally posted on Fox Sports North | Last updated 4/23/13
MINNEAPOLIS Mike Redmond was known for his infamous naked batting practice during his days as a player. But the veteran catcher and former Minnesota Twin was also known as a leader in the clubhouse and essentially another coach in the dugout. So it came as no surprise to anyone, especially in Minnesota's organization, when Redmond took a job as a manager in Toronto's minor league system after retiring as a player in 2010. For a former catcher and someone who related well to younger players, managing seemed like a natural move. Now Redmond is in his first season as a big-league skipper with the Marlins, who were in town Tuesday for a doubleheader with the Twins. "Everybody in here kind of knew that was going to be his next chapter in baseball," said Twins catcher Joe Mauer, who was backed up by Redmond from 2005-09. "He just knows a lot about the game. The way he played it, the way he related to younger players, including myself, you kind of knew that he'd be really good at being ...
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Deskjet 3520e all in one series
When printing many pages the new printer stops after 2 pages and the following window appears on the computer screen "Out of paper". We have moved the paper about all over the place and nothing changed - 2 pages and stop. We now do not touch the paper in the tray, but just click "ok" on the screen and the printer prints 2 more pages and stops again. 20 pages = 10 stoppages. Everything else perfect. Any ideas?
Re: Deskjet 3520e all in one series
HI RjohnP,
Here is a link to a support document for the error message you are getting on your 3520. See if you can follow the steps in this article and let us know if this helps.
If I solved your post please mark it as solved to help others.
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Millbrae News
Local news for Millbrae, CA continually updated from thousands of sources on the web.
Cubop Express Performs Tonight at Millbrae Library
Thursday Oct 1 | Patch.com | Comment?
10th Annual Millbrae Japanese Cultural Festival
Thursday Oct 1 | Patch.com | Comment?
Confronting reality?
Wednesday Sep 30 | San Mateo Daily Journal | Comment?
Pacifica post office closed after vehicle crashes into building
Friday Sep 25 | Contra Costa Times | Comment?
Millbrae Home Burglary Suspects Sought
Thursday Sep 24 | Patch.com | Comment?
Editorial: Lee, Papan and Schneider for Millbrae council
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American Terrorism: Plain and Simple
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Four vie for Millbrae council seats: Soldifying city's economic...
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Taylor Middle School 75th Anniversary Celebration this October
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Help Millbrae Public Schools Reach Their Fundraising Goal
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Celebrate the Grand Opening of the North Peninsula Community Media Center with MCTV
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Grandparents find new roles in the college admissions process
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Thursday Sep 10 | SF Appeal | Comment?
10th Annual Japanese Culture Festival Comes to Millbrae this October
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Millbrae Ca: Closed - Health Department - Chicken Pho You Address 292 Broadway, Millbrae
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text:
Nov. 17, 2012
Recap | Box Score | Notes | Photo Gallery
Barclays Center
Notre Dame
Head Coach Mike Brey
"What an unbelievable November game. We're disappointed because we were in a good position up eight, but they got some offensive rebounds and second shots and that hurt us."
"We had some really great looks, and if we hit one of them maybe we escape, but we couldn't. We did some good things, but I'm disappointed in our toughness in the lane against their front line. They are a heck of a team, they are really good."
"They have a few more men than us. They were more men than us tonight and that's why they won. They play at their pace, they know who they are. They are a really good team."
On the Saint Joseph's front line:
On Saint Joseph's performance:
On Saint Joseph's front line:
Saint Joseph's Hawks
Head Coach Phil Martelli
On the Game:
On his team's resolve:
On utilizing C.J. Aiken, Ron Roberts and Halil Kanacevic in the starting lineup:


text:
Gaylord Opryland Resort and Convention Center Tickets
2800 Opryland Drive, Nashville, TN 37214
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Gaylord Opryland Resort and Convention Center Tickets and Event Dates
Venue Information
Venue Details
DirectionsDIRECTIONS: Come to Nashville on one of three interstates:I-40, I-65, I-24. Take Briley Pkwy: Exit 215 on I-40; Exit 90B on I-65; Exit 54 on
I-24 West or exit 43 on I-24 East. take exit 12 off of Briley Pkwy: Take McGavock Pike West. Turn left at first stoplight, follow the entrance road
to Opryland Hotel, then follow signs to designated self parking. Valet parking is available at all lobby entrances.
ParkingDaily self parking is available all around the hotel($6 per day).
Valet parking is $14.00 per vehicle per day.
We have comp valet parking for disabled guests at our Cascades & Magnolia lobby.
Box Office Numbers615-883-2211 (Hotel)
Box Office HoursRYMAN AUDITORIUM
BOX OFFICES HOURS:8:30am-4pm daily
BOX OFFICES HOURS:7am-10pm daily
BOX OFFICE HOURS:10am-9pm
BOX OFFICE HOURS: Mon-Thu 10am-5pm
Fri 10am-8pm
Sat 10am-10pm
Types of Payment AcceptedCash, check, MC, VISA, DS, DC, CB, AX
Will CallRyman Exhibit hall Entrance
Accessible SeatingThis is an accessible venue
General RulesNo photographs allowed.
Food & drink are prohibited in the exhibit.
Children RulesChildren ages 5-11, tickets are $9.95 plus tax.
Children 4 and under are free.
MiscellaneousThe Delta Island Food Court is closest to the exhibit hall, where you can purchase a variety of food & beverages.
GROUP SALES:615-871-6411 for parties of 15+.


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"Weathered" iPhone 5 case by Chuck Mountain. Ships within 2 - 3 business days. Available in vertical and horizontal orientations. The image is printed directly onto the case and wrapped around the edges for a beautiful presentation.
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text:
Latest Federations News
Page 36 of 45 pages ‹ First < 34 35 36 37 38 > Last ›
Race update from Hobart
01/02/06 - Things are starting to gather momentum here for the race on Sunday 19th February. The race is set to be a cracker and I just wanted to give you a bit of an update on some changes that have been made by... |Full Story
2nd Qatar's Technical Officials Seminar in Doha
01/02/06 - On February 28th 2006, the first Technical Officials Training for the Doha 2006 Triathlon World Cup took place at the Cycling Federation's meeting room in Doha, State of Qatar. The seminar was... |Full Story
World Championships 25.-26.3
30/01/06 - Please notice our webpage for further information.. |Full Story
24/01/06 - After the success of 2005 it is an honor for all the people of LOC to undertake the responsibility for organizing the 2006 ITU ALEXANDROUPOLIS EUROPEAN CUP. Ones again we are ready to produce a safe race... |Full Story
24/01/06 - A paint gallery will be organized from the LOC from the 29/05/2006 to 06/05/2006 with artist from the prefecture of Evros. The theme will be TRIATHLON ALEXANDROUPOLIS 2006 and two of the best paints will... |Full Story
Gavin Noble wins Victorian Championships
24/01/06 - Gavin Noble reports from Australia where as part of his preparation for the Commonwealth Games he has been racing some of the big local races: Elite Victorian Olympic Distance Championships, Geelong,... |Full Story
Nevis Tri Series Race #3, January 14th
24/01/06 - As usual, another great race from the Wheel World crew over on Nevis and Oualie Beach. The race was originally scheduled for January 7th, but was moved to the 14th. This was fine with me; after spending... |Full Story
Our Friend: Italo
04/01/06 - Dear All, yesterday 3rd january at 17h00 the triathlon family lost a special friend, Italo Botter. After terrible hard days of itsown war he won the most important battle: say good-bye with the dignity... |Full Story
Jane Waugh wins ITU African Continental Cup, Mauritius
04/01/06 - Event: ITU African Continental Cup, Mauritius Date: 18th December Position: 1st place Jane Waugh (pictured right with her gold medal) from Dromore, Co. Down becomes Irelands first winner of an ITU... |Full Story
Italo Botter passed away
04/01/06 - Message from Gabriella Lorenzi (FITri): Yesterday, 3rd January, at 17h00 the triathlon family lost a special friend, Italo Botter. After terrible hard days of his own war, he won the most important... |Full Story
Finalizó el Primer Curso Nivel II para Entrenadores de Triatlon
04/01/06 - Con la presencia de 30 asistentes, se realizó durante el sábado 26 y el domingo 27 de noviembre, en extensas jornadas, la primera edición del Curso Nivel II para entrenadores. Participaron 8... |Full Story
Finalizó el Primer Curso Nivel II para Entrenadores de Triatlon
04/01/06 - En las instalaciones del INEF "Romero Brest", 30 entrenadores completaron el 1er Curso de Nivel II para Entrenadores de Triatlón que se realizó durante el sábado 26 y el domingo 27 de noviembre, en... |Full Story
USA Triathlon presents The Art and Science of Triathlon
03/01/06 - USA Triathlon, with the support of the USOC, is proud to once again present The Art and Science of Triathlon International Coaching Conference. This conference presents a unique opportunity to learn from... |Full Story
15 years of Triathlon in Kazakhstan
26/12/05 - There was a great celebration of 15 years of Triathlon in Kazakhstan.All fans and atheletes came to Kokshetau city to celebrate 15 years of triathlon in Kazakhstan ,also Dmitriy Gaag ,Danil... |Full Story
Next Big Step: La Paz Continental Cup
19/12/05 - The Argentinean Triathlon Federation will host a much larger Triathlon Festival during the week of the La Paz Pan American Cup Triathlon. The staging of the event will be the #22nd time the multisport... |Full Story


text:
Wrong again kiddo... have you ever been right about anything, you would think it would happen occasionally by accident, a broken clock is right twice a day.<quoted text>
No they didn't. But your marriage did!
Too Funny!
My marriage is fine, we are closing in on 25 years and quite happy :) Homosexuals getting married didnt hurt ours at all, I am somewhat surprised by folks that claim it did.
Their marriages must be terribly fragile


text:
La. officer killed in pile-up responding to call
Deputy Jeff Watson was responding to an emergency call when a vehicle hit his cruiser, causing a 4-vehicle crash
By PoliceOne Staff
ST. CHARLES PARISH, La. — An officer was killed Sunday night after his vehicle crashed while responding to an emergency call.
Deputy Jeff Watson, 41, of the St. Charles Parish Sheriff's Office, was struck by another vehicle on his way to the scene, with both his lights and siren on, according to NBC 33.
The collision caused the cruiser to turn on its side, after which it was hit by a second vehicle and an approaching motorcycle.
The motorcycle driver was in critical condition and the two other motorists were treated for minor injuries, according to the report.
"Deputy Watson was a dedicated public servant who will be deeply missed by all St. Charles Parish residents," a press release from St. Charles Parish Sheriff's Office stated.
Officials say Deputy Watson was not wearing a seatbelt at the time of the crash. He was a 12-year law enforcement veteran and joined the St. Charles Parish Sheriff's Office in October 2005.
Recommended Police Heroes
The Up-Beat: Cops adopt abused animals, become superheroes, wear pink badges
How GI Joe's funeral restored my faith in police-citizen relations
Video: SC flooding victims thank officers who saved their lives
Join the discussion
PoliceOne top 5
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- 3 Video: Drunk Conn. college student throws fit over mac and cheese, gets arrested
- 4 Video: Tenn. cop responding to call shocked by marriage proposal
- 5 Dallas councilwoman makes complaint about cop trimming trees


text:
That was costly, since M-E already had a 33-12 lead by halftime, and it put the Warriors in permanent catch-up mode. It didn't help that Windhausen was shut down, held to a single field goal after her Central Square effort. Geyer led with nine points, while Natalie Parkins had five points.
Liverpool would bounce back in Saturday's consolation game, though, edging Vestal 43-42 in a contest where neither side could make any sustained run and it proved suspenseful right to the final seconds.
Windhausen stayed on the floor this time and got a double-double of 20 points and 12 rebounds. More importantly, she received some help from Dalton, who earned 11 rebounds to go with her eight points. Drew Dufrane finished with seven points.
Though it doesn't have any league games this week, Liverpool gets a test Wednesday when it hosts Marcellus, who is 6-1 following its victory in the Mexico Holiday Tournament.
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Top Definition
Akin to smeg, which forms on the foreskin of the penis, plug shit is a cheesy, foul smelling substance that forms on the jewelry worn by those with stretched lobes (called gauges by 14 year olds who shop at Hot Topic). Plug shit itself is a mixture of sweat and dead skin cells.
I took out my plugs the other day, and there was a ton of plug shit on them.
by kittenlazor February 27, 2014


text:
Real War: Rogue States
Real War: Rogue States Cheats & Codes
All | Cheats | Unlockables | Hints | Easter Eggs | Achievements
Check out our 2 cheats & codes for Real War: Rogue States.
1 CheatsSubmit a Cheat.
1 Easter EggsSubmit an Easter Egg.
You must be Logged in to submit a cheat.
Game Details
Published by: Simon & Schuster Interactive
Developed by: OC Incorporated
Genre: Real-Time Strategy
Release Date:
United States: October 3, 2002
T for Teen : Realistic Violence
Also Available On: Web
Games You May Like
- Strategy
Divided into three chapters, this is the long-awaited return of Blizzard's RTS franchise, StarCraft.
Halo Wars 2 is an game packed with fast-paced action, massive battles, and an all-new Halo story.
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text:
Council Meetings
The Council meets on the second and fourth Tuesdays of the month. The current agenda packet is available for reference use at the Downtown Branch Library. Regular Council meetings are televised on Comcast Community TV, channel 25. The Council follows rules of procedure as set forth in the Meeting Guidelines.
Action Summary
The Action Summary is an unofficial summary of action taken at the meeting. It is posted before the minutes are approved and will be replaced by the approved minutes.
The Downtown Branch Library keeps a one-year back file of agenda packets and DVDs of the Council Meetings.
Public Meeting Notice - AB1234 Training
NEW FEATURE: City Council meeting AUDIO FILES are posted to the City Council Meetings webpage following a meeting. The audio files can be downloaded to your computer's hard drive.
NOTICE: Due to the City's observance of Yom Kippur the City Council will not meet on September 22, 2015. The next regularly scheduled meeting is on Tuesday, September 29, 2015.
City Council Meeting Dates for 2015 [PDF]


text:
I have some external libraries that I am using that are logging to the console. I want these to log via log4net.
NOTE: I am NOT wanting to log to console from log4net, that should be straight forward.
What I have discovered thus far:
1) Console.setOut method allows using a different file stream.
1.1) Overriding memorystream seemed promising but there isn't a chance for raising an event to notify of changes
2) Writing to a file from Console seems like a work around, where I can read the file to update the UI textbox with new logs
3) FileStreams can autoflush, this means automatic updating of information. This sort of concept is similar to what I am after?
Whats the best way to get the console information put into log4net so that it can publish console log items the same way as log4net is configured? Currently my log4net puts logs into the eventlog, into a databinded wpf textbox, and into a file.


text:
realmagick.com The shrine of knowledge.
Hebrews Religious Views
A selection of articles related to hebrews religious views.
Original articles from our library related to the Hebrews Religious Views. See Table of Contents for further available material (downloadable resources) on Hebrews Religious Views.
- Religious Tolerance In Springfield and the Greenleaf Coven
- Religious intolerance is alive and well in Springfield Missouri. The question is, to what degree, and in the terminology of "The Burning Times", how high are the flames? In 1999, the court case of Jean Webb vs. The City of Republic was a headliner...
Paganism & Wicca >> True Stories
- The Religious Experience: A Wiccan Viewpoint
- What is religion? Religion is a set of beliefs which allow us to understand and categorize our world and our place in it. A set of beliefs which define our culture, our expectations, our views of people and behaviors we expect. I have found several different...
Religion & Philosophy >> Religions
- Views of Deity
- Robin and I leaned against the rock. The moon shone full on the rippling waters of the lake behind us, and the night was redolent with the drums and songs of our people. What a night! As the night enfolded us, we quietly discussed the ritual we had just come...
Religions >> Paganism & Wicca
- The Ancient Goddess Barbi: Historical Views from the Year 5000
- (Author's Note: Read this only if you consider laughter a sincere form of worship!) In the year 5000, historians will seek to patch together traces of the past, to discover what life was like in today's current era. Here's one humorous view of what they might...
Paganism & Wicca >> Humor
- King James Bible: Hebrews, Chapter 5
- Chapter 5 5:1 For every high priest taken from among men is ordained for men in things pertaining to God, that he may offer both gifts and sacrifices for sins: 5:2 Who can have compassion on the ignorant, and on them that are out of the way; for that he...
New Testament >> To the Hebrews
- Nipping Trouble in the Bud: Community and Child Custody Issues Affecting Heathens
- I suggest there are several ways to deal with religious issues, particularly as they affect child custody, getting along with neighbors, etc. One is to be open and honest unless you are in an area so benighted as to be putting yourself and your loved ones in...
Paganism & Wicca >> Daily Life
Hebrews Religious Views is described in multiple online sources, as addition to our editors' articles, see section below for printable documents, Hebrews Religious Views books and related discussion.
Suggested Pdf Resources
- An Essay on a Christian attitude toward social change
- about God would be considered "Christian.
- orvillejenkins.com
- The Case for Religion _in the Elementary Curriculum
- particularly in 6th grade.1 Sixth grade students are studying Hebrew religion ( including passages from.
- www.firstamendmentcenter.org
- Science and the Bible: Are They - Science and Christian Belief
- 142 • Science & Christian Belief, Vol 17, No. 2 ancient Hebrew idiom one wonders what it would have done for the Valentine's. Day card industry!
- www.scienceandchristianbelief.org
- 4 STRUCTURING THE APOCALYPSE: Old and New World
- Egyptian, Hebrew, Christian, Islamic; Teotihuacano, Mayan,.
- www.grazian-archive.com
- Jewish History, Jewish Religion
- to be found in any religion that tries to rationalise the irrational. He has .
- www.iamthewitness.com
Suggested Web Resources
- Judaism - Wikipedia, the free encyclopedia
- Judaism is the "religion, philosophy, and way of life" of the Jewish people.
- en.wikipedia.org
- Taking a Look at Jewish Religious Beliefs - For Dummies
- www.dummies.com
- What religious beliefs made the Hebrews different from other ancient
- Until the seventh-century religious reforms of King Josiah of Judah, the Hebrew religion was remarkably similar to that of the ancestral Canaanites.
- wiki.answers.com
- Hebrew Society, History, Religion, and Texts
- faculty.gvsu.edu
- Hebrew
- The religion of the ancient Hebrews, Judaism, is perhaps the earliest monotheistic religion.
- psychicinvestigator.com
Great care has been taken to prepare the information on this page. Elements of the content come from factual and lexical knowledge databases, realmagick.com library and third-party sources. We appreciate your suggestions and comments on further improvements of the site.
Hebrews Religious Views Topics
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text:
Better buckle up for this one. The Washington Post has discovered yet another example of unfair outcomes in our society. It's the "Hidden Inequality of who Dies in Car Crashes."
RUSH: Everything the liberals want, they already have at practically every school in this country.
RUSH: There are 94.6 million Americans not working, the lowest labor force participation since 1977. Almost 57 million of those not working are women. It is ugly. Folks, do you understand now why, in 2009, I said, "I hope he fails"?
RUSH: I think it's a really important point. We have all these people now demanding that we "finally do something," and it's getting tiresome. And that's exactly what they want you to do, is get tired of opposing them.
RUSH: I maintain to you even if people like Obama and every other elected Democrat, Hillary Clinton, know that you cannot solve this with gun control, it will not stop them from pushing for it. The roots of this can be found in two places: cultural rot -- which has led to a lack of respect for the sanctity of life itself and for people -- and, the second thing is, a culture that is making mentally ill people into cult heroes through media and social media.
RUSH: Thank you again for Rush Revere and the Star-Spangled Banner, book #4, continuing to scorch the charts all because of you.
RUSH: I mean, the models were all over the place. And yet they predicted landfall in the United States, even though the vast majority of the models had it way out over the ocean.
RUSH: There was nobody there to see Hillary. They have overflow parking, and it's empty. My daughter peeked her head in to where she's supposed to be, and she said there were a few old ladies and a couple of college kids.
RUSH: I'm telling you, folks, the left is corrupting everything it touches.
RUSH: Why should all of us be punished by having freedom and liberty taken away under the premise that we're all being made safer? Oh, man, that argument has resulted in more tyranny than any I know of.
Turtle-Eating Sharks Slow Global Warming? Does This Mean I Can Turn on My Lights?… NFL Goes Entire Month Without Player Arrest… Jeb Falls to 4%, Establishment Looks at Rubio… Trump Dominates Facebook, Says He'll Get Out If He Drops in Polls... Mrs. Clinton to Save Her Campaign on SNL...


text:
Sweden Is Moving Toward the 6-hour Workday — and It's Turning Out Great
What the Classroom Didn't Teach Me About the American Empire
Local Resistance Can Overthrow Our Political Masters
Flush With Cash, Right-Wing Extremists Train the Future Zealots of Pro-Israel Campus Activism
Here's Why the Trans-Pacific Partnership Agreement Is Just Plain Wrong
By Jonathan Mahler $15.60
By Juan Cole $25.60
AP Photo/Charles Dharapak
In the brief holiday rest between the last night of Hanukkah and Christmas Day, America lost one of its greatest spiritual leaders.
Just in time for Christmas, Pope Francis gave the gift of a reality check to Catholic cardinals, bishops and priests gathered at the Vatican earlier this week.
By Signe Wilkinson —
AP/Cliff Owen
Samuel Alito has grown from a junior crony to a prime driver of the court's increasingly ideological agenda.
By Mr. Fish —
The most important mosque in north Nigeria's biggest city, Kano, came under attack Friday, just as worshipers were gathering to pray.
A controversial bill approved by the Israeli cabinet is much worse than that of Mississippi fundamentalists who want to declare Mississippi a principally Christian state.
This week on Truthdig Radio in association with KPFK: Rory Fanning's extraordinary journey, FCC Chairman Tom Wheeler's come-apart and California's rebellious blue streak.
This week on Truthdig Radio in association with KPFK: Rory Fanning's extraordinary journey, FCC Chair Tom Wheeler's come-apart, and California's rebellious blue streak.
The threat of terror produced by past victims of American Middle Eastern imperialism is alarming, but not new, and not historically isolated to the Middle East.
By Mike Luckovich —
By Clay Bennett —
On Sunday, Pope Francis wrapped up the synod, or bishops meeting, he presided over for the last two weeks with a beatification service at the Vatican for Pope Paul VI but without significant progress made on hot-button topics such as homosexuality, divorce and contraception.
By Nick Anderson —
Steve Sack, Cagle Cartoons, The Minneapolis Star Tribune —
ProPublica profiles Alabama Supreme Court Justice Tom Parker, whose "rulings over the last nine years have fueled the biggest threat to abortion rights in a generation."
U.S. Air Force/Tech. Sgt. Joseph Swafford Jr.
The decision of President Barack Obama to wage air war against the Islamic State still is swimming in a sea of confusion and doubt.
Bravo to Ben Affleck and Nicholas Kristof for telling Bill Maher off about his chronic case of Muslim-hating bigotry.
Just days after religious scholar Reza Aslan criticized him on CNN for his views on Islam, comedian Bill Maher decided to defend them, this time with actor Ben Affleck.
ChameleonsEye / Shutterstock.com
Jews around the world this Friday night will ask God for forgiveness. Don Futterman, writing in Haaretz, says this year Jews of all political persuasions, no matter where they live, have much to atone for.
By Mark Fiore —
Destroying, degrading or containing the Islamic State—whichever goal President Obama chooses—will be the easy part. Finding ways for fundamentalist Islam to express itself peacefully is a bigger, tougher and more important project.
Consider how our definition of "neighborliness" has evolved. Once upon a time, being neighborly meant "reaching out to the people who lived next door" by, among other things, "offering to watch the kids in a pinch."
Apparently the reformation isn't over. On Monday, the Church of England voted to allow women to become bishops.
Flamboyant piety has long been fashionable on the political right, where activists, commentators and elected officials never hesitate to hector us about their great moral and theological rectitude.
AP/Khalil Hamra
The weeklong assault on Gaza is one more in a horrific series of steps similar to those in Nazi Germany that ended in the Holocaust.
It is currently legal in the majority of states to fire an employee for being gay. A bill meant to change that lost key allies Tuesday, including the ACLU, Lambda Legal and GLAD.
Adam Zyglis, Cagle Cartoons, The Buffalo News —
Freedom is the one value conservatives place above all others, yet time and again their ideal of freedom ignores the growing imbalance of power in our society that's eroding the freedoms of most people.
Pat Bagley, Cagle Cartoons, Salt Lake Tribune —
RJ Matson, Cagle Cartoons —
"Now the court, I fear," Jonathan Mann sings, "has ventured into a minefield of slut-shaming geezers and religious extremism."
AP/Pablo Martinez Monsivais
The court's latest decisions handed long-sought political victories to some of the most extreme elements of the American right.
State Department
Secretary of State John Kerry thinks Iraq can be saved with a new prime minister to take the place of Nouri al-Maliki.
AP/B.K. Bangash
The West is flooded by news of all the incessant outrages, but by looking back at history we get a better understanding of what is happening in this forsaken country of ours. Progress is never linear.
The outcome of the recently concluded European Parliament elections is described in press and political circles in Europe and North America as a shock or crisis, which is sheer nonsense.
Photographic Service L'Osservatore Romano
The pontiff was in Jerusalem on Monday, where he called for more tolerance and cooperation between Jews, Christians and Muslims.
Elections like those taking place this weekend are traditionally unsatisfactory, but this year they may provide an unprecedented shock.
The world lost two remarkable men in May, two African-Americans who helped shape modern history, yet whose names and achievements remain too little known.
The Fox News commentators who say that the Muslim world is not doing enough to police its own extremist movements don't actually seem to be reading the news.
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text:
Located 30 minutes from downtown Québec City, facing the majestic Mont Sainte-Anne, this golf resort was created with tourists in mind and is ideal for tournaments. The semi-hilly course is adorned with magnificent birch trees and small lakes.Course: 18 holes - 6,445 yards - par 72
Location:1700, boul. les Neiges, Saint-Ferréol-les-Neiges, Québec, Canada, G0A 3R0
Activities and services
- Golf
- Playing field with sports/recreat. equip.
- Bar
- Boutique / Sales counter
- Lockers
- Courses
- Showers
- Banquet, meeting, conference room
- Other services
Rental services
- Golf equipment
- Carts
Restaurant and food services
- Restaurant on premises
Schedules and rates
May 01 - October 15 (Approximate dates)
- Reservations required