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Wardrobes & Clothing Racks
When your current closet space doesn't quite meet your needs you may feel stuck for solutions that will store and protect your clothing and shoes. We've gathered together a collection of wardrobe closets and clothes rack options that hold a significant quantity of clothing, offer easy access, and add those precious inches of storage space without looking out of place in your home. In the basement or garage you still probably want a covered garment rack, but you may wish to choose plastic or vinyl to protect clothes against moisture.
A wardrobe closet can be a highly functional additional to your home whether you're using it for temporary storage or as a long term clothing storage solution. Clothing racks come in a wide variety of sizes and materials with many features. Some garment racks make more sense in one area of the home than others; for an attic wardrobe consider choosing canvas wardrobe storage so that your clothes are protected but can still breathe through temperature fluctuations. In the basement or garage you may still want to choose a covered garment rack, but you might need to choose a plastic or vinyl cover. A storage wardrobe can be a lifesaver during a home remodel when your closet is unavailable, and choosing a portable garment rack makes it easy to move the contents of your closet as necessary.
Clothes rack with shelf
: this selection of clothing racks generally include a top shelf for folded garments and accessories as well as a lower shelf for shoes or small containers. This type of clothes storage rack works well as a second closet or temporary guest closet. Use the clothes hanger rack for shirts, pants, skirts & dressers and store matching accessories above and below.
Portable wardrobe:
A portable closet is a great way to swap out seasonal clothing if you enjoy a large wardrobe. Clothes racks on wheels are outfitted with caster wheels that allow you to move them from room to room. Portable wardrobes are also great for long, skinny closets where it may be hard to reach the back - replace your closet rod with a portable closet rack and glide it in and out of the room as needed. Adding a portable storage closet to a guest room is also a great idea for long term guests to ensure they can hang their clothing during their stay.
Folding clothes rack
: If you only need a coat hanger stand or hanging garment rack occasionally, choose a style that folds flat for storage so you can hide it under a bed or in the back of an existing closet when not in use as a clothing wardrobe.
Closet wardrobe to replace dressers
: You can turn stand alone closets into space to store folding clothes too - add hanging closet shelves from the closet rod of your clothing rack and now you have a garment closet for t-shirts, jeans, kids clothes or other items you'd normally fold onto wooden shelves.
Adjustable garment rack
: Sometimes you need a clothes rack stand that allows you to change either the length or the height of the closet racks. Choose a metal clothes rack with hanging rods that extend to offer you several extra inches of hanging space or one with a clothes hanging bar whose height can be adjusted for short or full-length garments.
Fabric wardrobes
: covered garment racks allow you to protect clothes from dust and debris. A clothing rack cover is the best way to protect out of season clothing, fabric and canvas wardrobes allows air to circulate around the clothing which helps them last longer. Choose a fabric wardrobe that comes as a complete unit, or choose one that allows you to add clothes rack covers later if you're not sure you will utilize one. If you add a canvas cover for wardrobe you can often set up your wardrobe in plain sight without taking away from the style in your room.
Plastic wardrobe
: Clear vinyl wardrobes and clothes racks with plastic windows allow you to see what's inside their protective covers easily. These clothing racks are an excellent option for long term clothing storage and environments with less than ideal climate conditions like some garages, basements and attics.
You might also want to consider using clothes raks for these less common storage solutions:
Costume Rack:
whether it's a child's dress up closet or your collection of party costumes, a portable clothes rack makes a great costume rack. You'll also find that clothes storage on a wardrobe rack takes up less space than bins and dressers full of play clothes. Wrap a boa around the neck of the hanger that's holding a dress and the matching tights to maximize storage space and create themed clothing wardrobes for different play scenarios.
Commercial Garment Rack:
if you work in an office where cubicles get messy with coats, consider adding a standing coat rack to give people better options and create a neater office space. A clothes rack with cover can help coats blend into the background if you're in a small space where the rack is visible or distracting.
Temporary Closet Rods:
it may seem odd to put a clothing rack stand inside an existing closet, but if you need temporary rod storage in a walk-in closet or closet that isn't already equipped a closet bar, a garment rack doesn't require unnecessary construction and it can be re-used in the home later. If you choose a portable clothing rack you can also reposition it within the closet easily.
Clothing racks for sale items
: use a hanging clothes rack to gather and organize clothing that you want to offer at your next yard sale or fundraiser. Stash a portable wardrobe closet in a corner of your garage and you're ready to wheel it out for the sale and back inside at night. Make things easier on yourself with multiple storage wardrobes that you buy or borrow and set the pricing for everything on the rack rather than stickering every garment. Mark the hangers with stickers to match the price you set on each of the garmet racks or use colored plastic hangers for easy identification.
While shopping for wardrobe racks you'll find a wide variety of options - think of possible uses when choosing your clothes rack; metal for durability, covers for breathability and protection from dust, shelves for a full spectrum of clothes closet storage (cloth racks). Will you need wheels so that you have a mobile clothes rack, or does it need to fold away for storage? A storage closet for clothes makes a great investment in your home organizing plan.
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text:
TechNet Radio: Taste of Premier - What's New in Office 2013
- Posted: Jan 08, 2013 at 10:00AM
- 38,582 views
- 1 comment
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Lex Thomas and George Scott ring in the new year by discussing new features found in Office 2013. Tune in as they chat about new deployment capabilities such as "Click-to-Run" as well as how you can run side-by-side installed versions of Office and how you can easily integrate cloud storage such as SkyDrive Pro into your organization.
Click here to send your comments or questions to the "Taste of Premier" Podcast show!
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Virginia Theological Seminary
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VTS Sets Sights for 2023
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Alexandria, VA – On May 21 the Board of Trustees of Virginia Theological Seminary (VTS) unanimously approved an updated and bold vision statement which will guide VTS towards the seminary's bicentennial year and beyond.
The purpose of the vision statement is to help provide the foundation needed for the strategic planning process. This new vision statement will provide a guide for where the Seminary seeks to be in 2023, and how VTS intends to realize that vision and the qualities which the Seminary aspires for in our graduates.
"VTS will be both traditional and yet innovative,"
said the Very Rev. Ian S. Markham, Ph.D.
, dean and president of VTS. "We will take the best from the past and respond imaginatively to the challenges of the future."
The vision statement reaffirms the necessity of the residential experience in the formation of priests and leaders of the Episcopal Church at a time when many institutions are being forced, through economic necessities, to abandon this model. To meet this challenge in part, the Seminary will break ground on 38 new apartments on campus capable to house single residents and families.
"Like a wise scribe, we will bring out what is old and what is new; we will cherish the ancient truths as we embrace new truths," reads the vision statement. "We will be a porous community--welcoming the guest and reaching out to the community. We will seek to be flexible, adaptable, and ready to meet the challenges of our time."
VTS is ready to make our programming more flexible, as well as provide the resources for an important Church-wide conversation about congregational leadership. And with the changing demographics of the U.S., the Seminary commits to equip students with the "appropriate skills to engage with a diverse world."
With the success of the Seminary's Second Three Years program, VTS further commits to offering "comprehensive educational and support programs" to graduates after 10, 15, and 20 years out.
While many seminaries are finding the traditional three-year residential M.Div. program impossible to sustain, the vision statement from VTS affirms its conviction of formation within community.
Click here
to view the vision statement in its entirety.
Founded in 1823 as a beacon of hope in a country new and finding its way, Virginia Theological Seminary is the flagship Seminary of the Episcopal Church. One of our first benefactors was Francis Scott Key whose poem provides the text for our national anthem. In the 191 years since being established, VTS has led the way in forming leaders of the Episcopal Church, including: the Most Rev. John E. Hines (VTS 1933, D.D. 1946), former presiding bishop of the Episcopal Church; the Rt. Rev. John T. Walker (VTS 1954, D.D. 1978), the first African-American bishop of the Episcopal Diocese of Washington; and theologian, author and lay preacher Ms. Verna J. Dozier (VTS D.D. 1978). Serving the worldwide Anglican Communion, Virginia Theological Seminary educates approximately 25% of those being ordained who received residential theological education. Visit us online at
3737 Seminary Road, Alexandria, Virginia 22304 - Phone: (703) 370-660 or (800) 941-0083


text:
2012 Annual Report
Obj. 2: Oxidation of lipid sources will be achieved by heating an aliquot of each oil at 190°C for 6 hours with compressed air at room temperature (22-24°C) bubbled into the sample at a flow rate of 97 cm 3/min. Pigs will be fed their respective experimental diets twice daily at an amount equivalent to approximately 4% of their body weight and will be provided ad libitum access to water. Pigs will be housed individually in metabolism crates designed for total, but separate collection of feces and urine. Pigs will be allowed to adapt to the experimental diets for 28 days followed by a 4-day total collection period. At the end of the collection period, all pigs will be fasted for 24 hours and urine will be collected to determine the concentration of polar and non-polar secondary oxidation products to determine in vivo production of secondary oxidation products. Urine 4-HNE concentrations normalized to urine creatinine concentrations and serum concentrations of TBARS will be measured as indicators of oxidative stress. Energy and nitrogen concentrations will be determined by adiabatic bomb calorimetry and thermo combustion, respectively, and nutrient balance and DE and ME determinations will be calculated.
Obj. 3: On the final day of the experiment for Objective 2, the impact of dietary fat source and fat oxidation on intestinal barrier function will be determined by administering an oral dose of a cocktail containing 10 grams of lactulose and 2 grams of mannitol to all pigs. Urine will be collected for a period of 6 hours into a container with chlorhexidine to prevent microbial contamination. Urinary concentrations of lactulose and mannitol will be determined by HPLC, and the lactulose:mannitol ratio will be calculated as an indicator of small intestinal permeability. Blood samples will be collected from each pig, and serum concentrations of endotoxin will be determined by the fluorescent PyroGene® rFC assay as another indicator of intestinal barrier function. Blood samples will be collected after an overnight fast and at 3 hours after feeding for determination of endotoxin in both the fasted and fed state. Serum a-1- acid glycoprotein and haptoglobin concentrations will be measured as indicators of systemic inflammation. Fecal concentrations of IgA will be determined on freshly collected and frozen fecal samples as a marker of mucosal immunity.
Overall, the data suggests that to accurately analyze the peroxidation damage in lipids, measurements should be determined at appropriate time intervals by more than one test and include different types of peroxidation products simultaneously.


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Is 'Bookman Old Style' web safe? If not, is there something that looks similar which is web safer?
migrated from stackoverflow.com Jun 27 '11 at 3:03
This question came from our site for professional and enthusiast programmers.
It's not a safe choice: Bookman Old Style is bundled with MS Office. That means it's on a lot of machines, but far from 100% coverage. None of my machines, for example, has it.
I would check out services like FontSquirrel or Google Web Fonts for a free, usable font that can be embedded into your site, and comes close to Bookman.
Bookman Old Style is not a web safe typeface, but you can specify the following CSS font stack to get an 'old style serif' face on many platforms, with plain serif fallbacks:
You should re-read the most authoritative page as it includes Bookman..
and a bit down the page continues with
If you must have Bookman, it's available under Typekit's Personal plan, which is currently just $25/year. Otherwise, there's nothing stopping you from specifying it in your font stacks; you'll have to decide the likelihood of your audience haaving Office installed, etc. and whether that's worth it. Just make sure you provide a fallback to something more reliable like Georgia.


text:
Do I need to buy a textbook?
Rather than building their own online course materials, many instructors are adopting electronic textbooks or other forms of eContent, which are available from a variety of publishers including Pearson, McGraw-Hill, J Wiley, Cengage and others.
Some instructors are also using Open Courseware products.
Contact e-Learning for assistance with loading this content into Blackboard Learn.
Other courses require a physical textbook. The following online bookstores offer secure orders:
- NAU Bookstore: http://www.nau.edu/bookstore
- Amazon: http://www.amazon.com
- Barnes and Noble: http://www.bn.com
Last updated: Jan 10, 2012


text:
Obama Made The Right Decision!
The Republican attack on the President regarding the loss of jobs with the rejection of the KeystoneXL pipeline, was nothing short of hypocritical. Their 'spin' doesn't include the fact that more jobs will probably be created if the pipeline was approved; what they don't say is that those jobs will most likely be in the field of "oil recovery and clean up" after the pipeline has it's first accident that destroys water supplies in the pipeline area. Are those the kind of jobs we really want to create? Is that the kind of environmental damage we want to turn a blind eye to? Apparently, the Republicans are more driven by oil company executives than they are for the safety of America, including our future generations. Wasn't it the Republicans who wanted to protect future generations from inheriting the budget deficit? Why are they willing to sacrifice those generations for immediate profits? I think we all know the answer to that question!
President Made the Right Decision
The President made a reasoned and reasonable decision when he instructed the State Department to deny the permit for the Keystone XL Pipeline. This project has the high potential to endanger the environment, and the impact on the public health needed a thorough review. However, Congressional Republicans demanded a 'yes' or 'no' decision within sixty (60) days (an untenable deadline).
Time is needed to determine the consequences of the proposed 1700-mile pipeline, which would run through one of the Midwest's major sources of drinking water. A thorough safety review is necessary before giving the go-ahead to this project.
Natural resources must be developed in a responsible fashion. To that end, the President has taken steps to reduce our dependence on foreign oil, including:
* Importing 1.1 million fewer barrels of oil daily
* Increasing wind and solar power by 70 percent
* Supporting over 200,000 clean energy jobs
In addition, fuel economy standards for automobiles and light trucks have been raised, in order to decrease our use of oil for transportation.
Decisions such as this, which have long-term consequences for the environment and for our and our children's health, cannot be made arbitrarily and without adequate study beforehand.
Carol Ann Ellis


text:
21 Apr 2005, Liga de Tenis de Campo de Antioquia, Medellin, COL, Clay, Outdoor
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text:
- Beaba Pro Baby Food Maker $149.95
- BEABA Babycook Pro Baby Food Maker $149.95
- Beaba Babycook Baby Food Maker $119.95
- Beaba Multiportion Food Storage Tray Sugg. Price $19.95 Sale $15.99
Baby Food Storage & Containers, Baby Food Makers
The health of your baby is of utmost importance to you. Our collection of baby food makers and baby food storage and will help you prepare and store food for your little one with care. Good and safe food is an integral part of healthy living and our collection of baby food storage plays an important role in retaining the nutritious value of the food. Beaba Multiportion Baby Food Freezer Tray is helpful to store the mix you carefully prepare for your baby. If you are going out with your little one, the Beaba babycook travel bag will help you carry food with ease.


text:
The Ultimate War Simulation Game
There were no whiny anti-war Hollywood types or questionable war motives or granola-munching protesters. I'm starting to think that even World in Conflict, a real time strategy game so "realistic" it takes a NASA-built Quantum supercomputer to run it, has left me woefully unprepared to fight an actual war.
Well, below is my open letter to the real time strategy gaming cartel. I want a war simulation. A real one. I don't want little cartoon tanks jostling around in a video sandbox chewing down each other's health meters, while a preteen opponent insults my sexuality using every key on his keyboard except the ones with letters. I want an RTS game that will give me a stress headache after an hour and an ulcer after a week. I want to identify experienced players on the street by their 1,000-yard stares.
I want a war sim ...
1. ... where I spend two hours pushing across a map to destroy a "nuclear missile silo," only to find out after the fact that it was just a missile-themed orphanage.
2. On the very next level I want to lose half of my units because another "orphanage" turned out to be an enemy ambush site. I want another round of hearings asking why I didn't level that orphanage as soon as I saw it, including tearful testimony from a slain soldier's daughter who is now, ironically, an orphan.
3. Every war sim has a "Fog of War" that obscures the map in darkness until units scout the landscape. Well, I want a hazy, brown "Fog of Bullshit" layer below that. I want it to make a village of farmers look like a secret armed militia, I want it to show me a massive enemy fortress where there is actually an aspirin factory. I want to never know for sure which it was, even after the game is over.
4. I want those awesome rooted monsters from Starcraft that wait until the enemy gets close and then launch tentacles up their asses. Just think of how demoralizing that would have to be.
But, I want to lose points off my Public Support Meter every time one of those monsters accidentally impales a schoolgirl in a horrific bloody mess that will shock all but the Japanese.
5. I want that Public Support Meter to rise and fall according to Troops Lost, Length of Conflict, Innocents Killed and Whether or Not There is Anything Else On TV That Week. I want to lose 200 public-support points because, in a war where 8,000 units have been lost, one of my Mutalisks happened to be caught on video accidentally eating one clergyman. Then, later, my destruction of an entire enemy city will go unnoticed because the Nude Zero-Gravity Futureball championship went into overtime.
6. Speaking of innocents, I want a war sim where native townsfolk stand shoulder-to-shoulder on every inch of the map and not a single bomb can be dropped without blowing 200 of them into chunks. Forget about the abandoned building wallpaper in games like the Red Alert series. I want to have to choose between sending marines door-to-door to be killed in the streets or leveling the block from afar, Nuns and all. I want to have to choose between 40 dead troops or 400 dead children, and be damned to hell by chubby pundits from the safety of their studios regardless of which way I go.
7. I want my Mission Objectives to change every 30 seconds, without anyone letting me know. I want little talking heads to pop up on my screen--commanders, politicians, allies, military intelligence--each giving me different sets of victory parameters, all of them conflicting and many of them written in bullshit ass-covering doublespeak.
8. I want CIA field agents that operate completely on their own agenda, the little units spreading clouds of brown wherever they go. When I try to take out enemy weapons scientists, I'll find out said agents have spirited them away and put them on the payroll.
9. I want a super-cool custom-weapons lab where I can design mech armor for my infantry with wicked acid-tipped missiles and guns that shoot spiders. Then I want to watch as 100 men are cooked alive in the desert because of a defect in the internal air conditioning units that shorted due to condensation in the fusion coils and insufficient insulation in the wiring units bypassing the laser reactor core, due to the contractor's decision to use over-the-counter components instead of the military-grade ones mandated in Subsection 12:94A, Paragraph B of the Military Weapons Platform Procurement Act of 3013, a document that is 14,724 pages long and contains some 81,301 loopholes that allow congressmen to bypass component testing and funnel lucrative military contracts to cut-rate suppliers from their home districts at the peak of every election cycle.
10. Geneva Convention be damned, I want to drop Anthrax.
11. Gamers complain about bad "pathfinding" (that is, your units wandering around the map and falling into the river against your orders). Well, I want worse pathfinding. I want entire platoons who wander into the mountains because somebody bled on the map. I want tanks to get stuck turret-deep in mud flats and have to be rescued by helicopters while snipers pick off soldiers trying to keep their boots from being sucked off their feet in muck.
12. I want mutinous units that chain smoke hash and frag their seargents and sell heroin on the side and rogue commanders who go mad and shave their heads and set up fortresses in the jungle decorated with human skulls. I want to have to send a CIA assassin in to take him out. And, then they chop up a donkey, for some reason.
13. I want factions. Not a simple aliens vs. humans or Russians vs. Americans war orgy. I want to share the map with powerful forces who are not friend or foe or anything else, a news media, private corporations, asshole allies and friendly enemies, everyone jockeying for their own interests and me unable to bend over at any moment without turning my codpiece around first. I want a France.
14. I want fat, left-wing documentarians carefully editing the only the most incriminating footage, countered only by low-IQ country music singers crooning my praises while in American flag-colored cowboy hats.
15. About every five minutes, I want one of my helicopters to crash, completely on its own, for some fucking reason.
16. I want one-fourth of my casualties to come from friendly fire and non-combat or training accidents. I want a big-name hero unit who rallies the troops with his Magical Sword of Slaying, only to be killed when an ammo crate falls off a loading dock.
There should also be simultaneous stories about the outrageous expense of the war effort, and another about how the troops are under-funded and under-equipped. Set it so that I somehow lose public-support points with each story.
18. I want to be able to build a POW camp structure where enemy soldiers and suicide bombers are held should they somehow survive battle or should their suicide bombing only be half-successful. I want to right-click on the building and open an option that says "Interrogate Prisoners," which will make parts of the map open up and reveal enemy positions, saving my own units from ambushes.
Then, I want a little cut scene to pop up to announce that photos of my prisoner interrogations have emerged, sparking international outrage because several prisoners were upset and humiliated and some even physically harmed.
The whole world is shocked, it says, because people were physically harmed.
In my war.
So, I leave the battlefield ...
... and brush the flaming chunks of bomb victims off my boots to address the worldwide outrage. The game will bring me up on a court martial, everybody pointing out that it was I who clicked the little Interrogation icon. I want to lose tons of public-support points and have every game objective suddenly put in doubt.
19. Now, beating the game will depend on how I play to Ivy League politicians who think a gun is something you hang over your mantlepiece to be occasionally dusted by the maid in your Connecticut summer home. And, when it comes to that point in the game where this panel demands the truth (and says they're "entitled" to the truth) I want a little drop-down menu that will let me tell them that they, in fact, can't handle the truth.
With a couple of clicks (or maybe a hotkey), I'll tell them that we live in a world that has walls and that those walls have to be guarded by men with guns. I will tell them that I have a greater responsibility than they can possibly fathom. They weep for mistreated prisoners and curse the military. They have that luxury. They have the luxury of not knowing what I know, that the naked human pyramid and homoerotic torture, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to them, saves lives.
I'll tell them that they don't want the truth, because deep down, in places they don't talk about at parties, they want me on that wall. They need me on that wall. I'll tell them that I have neither the time nor the inclination to explain myself to men who rise and sleep under the blanket of the very freedom I provide, then question the manner in which I provide it.
I'd rather they just said "thank you" and went on their way. Otherwise, I'd suggest they pick up a weapon and stand a post. Either way, I don't give a damn what they think they're entitled to.
20. I want better death animations.


text:
Feuille de Lavande Scented Oval
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Surprises and soothes with distillation of its sweet flowers and refreshing green leaves. Scented Oval: Refined and innovative accessory perfuming small spaces, a closet or a drawer. White ceramic ring made by hand. Diffuses it's perfume for approximately 3 months.Style # 501261596
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text:
Matthew Lloyd is being held at Limestone County Jail in connection with the murder of Kevin Ray Nevels on a $100,000 bond
GROESBECK (June 3, 2011)- A Limestone County man was will be headed to trial after a grand jury indicted him in a murder case.
Matthew Justin Lloyd remains behind bars Friday, charged in the April 30 murder of a Kosse man.
A neighbor found a body in the yard at 137 E. Quincy St.
A deputy with the Limestone County Sheriffs identified the body as that of Kevin Ray Nevels, of Kosse, who died as a result of blunt force trauma.
An investigation led to the arrest of Lloyd, who had been placed at the scene by suspect witnesses.
At the scene, police found what was believed to be the murder weapon, but have not released what that item is.
Lloyd gave a verbal confession.
A grand jury indicted Lloyd on May 16, according to records released Thursday.
He is currently being held in the Limestone County Jail on a $100,000 bond.


text:
Noticed this on mah Book of Faces just now.
Kinda weird how that lined up
I'm absolutely SHOCKED that I couldn't find any Blob/Wolverine slash fiction to go with that picture.
SHOCKED I tell you!
lol iknorite? Also this;
About to crop it for my new avatar
Also, lol /b/
Last edited by Sir Legendhead; 12-15-2012 at 01:48 AM.
Someone knows proper gun safety and childcare.
Hector that is undoubtedly the best forum collage ever posted. I call dibs on Spivey lol.
Man, somebody really needs to make a Tranzor Z video game. I'd play the shit out of that.
That's kinda gross but my first reaction was to laugh.
It's a Mallard, and they're pretty damn common internationally. But yeah they represent the Soviet nation of Birdlandia of which I am the Leader.
Either that or he just ate Daffy.
Bitch didn't look like no Daffy. And where that image at?
It's right there on the screen for me...in AMURRRKAH


text:
Is generally installing standalone rpms considered 'dangerous'? Are these affected by any system upgrades, package upgrades etc.? How about dependencies and libraries?
Its is not normally a good idea to install stand alone rpms, only because it is difficult to keep track of all the dependencies. YUM does a pretty good job of handling that for you. It is possible to install single rpms using YUM by issuing the following command
If at all possible avoid installing rpms individually.
Installing standalone RPMs isn't dangerous at all, and in fact, sometimes you can't install them with YUM because they aren't in any repos. The reason RPMS are a good thing (like any package where you use a package manager to control) is because the RPMs themselves contain a spec that describes everything about the RPM to the system. This includes dependencies, which programs are controlled, etc.
Both YUM and RPM use the same databases, so using YUM localinstall is ultimately the same as just running


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Paid announcements will be $35 for the first 175 words and 30 cents a word after that. An additional photo is $30.
To pay for an announcement, call 785-7798 with a credit card number or visit the Times Record office at 3600 Wheeler Ave.
Payment must be received by 5 p.m. Monday for publication in the Sunday paper.


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What are the words to the mexican happy birthday song. 12AVEN008
kgb answers » Arts & Entertainment » Music Artists & Songs » What are the words to the mexican happy birthday song. 12AVEN008
Tag: mira
Wednesday, February 01 2012
Source: http://www.maztravel.com/maz/culture/birthday.html
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text:
We have a few servers running CentOS 6.2 deploying web applications using Apache/ MySQL/ PHP.
In the past we've just regularly run "yum update" to keep all the software up to date.
As of right now the installed versions are:
- Apache 2.2.15
- MySQL 5.1.61
When the latest released versions are:
- Apache 2.4.1
- MySQL 5.5.21
We're web developers with a bit of Linux knowledge rather than server administrators so we want to be able keep everything patched to the latest (or near) version without having to go into the depths of compiling software or too much command line jiggery-pokery.
What is the best way for us to easily maintain the latest versions (or at least late as possible versions) on CentOS 6.2?


text:
News Archive
Daniel Duford and Fighting Men
Faculty member Daniel Duford has curated the current exhibition at the Hoffman Gallery at Lewis & Clark College, Fighting Men: Leon Golub, Peter Voulkos, and Jack Kirby. Fighting Men looks at images of violence and masculinity in and through the work of Leon Golub, a painter, Pete Voulkos, a ceramist, and Jack Kirby, a cartoonist. Duford is an artist and writer, a Ford Family Fellow whose work was most recently in the Portland2012 Biennial.
Duford says in an essay on the exhibition, "Jack Kirby (1917-1994), Leon Golub (1922-2004), and Peter Voulkos (1924-2000) occupy alternate dimensions. Their achievements are chronicled in different art histories, each with its own priorities. They were all immersed in discredited mediums and subject matter. They don't fit neatly. At times their work looks conservative and backward; at other times those same qualities seem urgent and prophetic. They rooted around in the mud of history and myth, emerging with their own muscular and ham-fisted approach to their respective materials.
"The specter of violence and the consequences of power animate this exhibition. Raw power emanates from the artwork."
The exhibition closes March 3, 2013. The Ronna and Eric Hoffman Gallery is open Tuesday through Sunday, 11-4.
Tin House + PNCA Student Illustrators
Eighteen PNCA Illustration students have created work for the Portland/Brooklyn issue of Tin House along with a seven students from Pratt. The students were asked to create illustrations for poems from poets Lisa Ceccarello, Jae Choi, Monica Ferrell, Bianca Stone, Caitlin Vance, Mariana Weiss and one short story by Ursula K. LeGuin that would eventually be published in the issue.
According to the Tin House blog, "PNCA students worked with feedback from Janet Parker, Tin House's Art Director, while the Pratt students opted to submit final pieces, conceived and developed within their classroom." Included in the issue were illustrations from Kayla Mayer, Liz Schafroth, and Matt Seely from PNCA, and Jinie Choi from Pratt. And work by the other students is featured online.
WHAT are you looking at?
Students from the graduate programs at Pacific Northwest College of Art (PNCA) do Pecha-Kucha-style presentations, Wednesday, October 24 from 6-7:30 pm in the Lab.
Selected students from the MFA in Applied Craft + Design, MFA in Collaborative Design, MFA in Visual Studies, MA in Critical Theory + Creative Research, and Low-residency MFA in Visual Studies share rapid-fire presentations of 3 minutes and 20 seconds apiece — giving you a quick overview of what the next generation is thinking about, looking at, and making.
Free and open to the public.
XPLANE Partners with PNCA
XPLANE, and its dynamic CEO, Aric Wood, who is now serving on PNCA's Board of Governors, are partnering with PNCA on a number of exciting initiatives supporting PNCA's growth and leadership role in the development of art and design leaders in the Pacific Northwest. "XPLANE is extremely committed to fostering the creative community here in Portland," said Wood. "We are always looking for new ways to get involved and make a positive difference and working with the talented, artistic students at PNCA made this partnership a perfect fit." Wood is working with PNCA on "research and design of a potential design incubator to drive the growth of creative entrepreneurship in the region." XPLANE has both consulted on the curriculum for the MFA in Collaborative Design program and offered XPLANE consultants to contribute to classes that foster creative practices and collaborative, experimental, and interdisciplinary approaches to problem solving. And finally, XPLANE is offering an internship program for both undergraduates and graduate students.
This partnership is a demonstration of how PNCA's board members contribute to the vitality of the College and its programming in myriad ways.
Alum Tom Cramer on Art Beat
PNCA alum Tom Cramer '82 was featured on Oregon Art Beat last night, and the segment is now online. As OPB says, Cramer, "known for his painted cars and huge colorful murals" is now "working on intricate carved, gold-leafed and painted works that explore his interest in travel and nature." The episode airs again in Portland this Sunday, October 14 at 6 pm on OPB, Channel 10.
PNCA to Present Degree to Schnitzer at Homecoming
As part of the Homecoming Address as part of PNCA's annual Alumni Reunion, PNCA President Tom Manley will present the Doctor of Arts Honoris Causa degree to alumna Arlene Schnitzer, who will also accept a Doctor of Arts Honoris Causa degree on behalf of her late husband, Harold Schnitzer. A leading Portland cultural philanthropist, Schnitzer was inspired to open her important Fountain Gallery by her instructors at PNCA, then the Museum Art School. This was her entrée into the heart of Portland's cultural life which she and her late husband have continued to help shape in the decades since. Recently the Harold and Arlene Schnitzer CARE Foundation made the lead gift of $5 million for PNCA's capital campaign for campus expansion to Portland's North Park Blocks. PNCA's new home at 511 NW Broadway will be the Arlene and Harold Schnitzer Center for Art and Design when it opens in the 2014 academic year.
Mary Mattingly '02 will deliver this year's Homecoming Address before students, alumni, and the general public in Swigert Commons on October 19, 2012 at 6:30 pm. This lecture is part of a full day's activities for the annual Alumni Reunion, activities that include a tour of the PNCA Alumni Exhibition, TRUST, and the dedication of Lee Kelly's '59 monumental sculpture, Memory 99, in Portland's future North Park Block adjacent to the soon-to-be home of PNCA's Arlene and Harold Schnitzer Center for Art and Design.
Homecoming Speaker Mary Mattingly in the News
Homecoming Speaker Mary Mattingly '02 is in the news for her SmartPower fellowship in the Philippines, doing workshops at Green Papaya Art Projects this month focusing, on "designing mobile public spaces that can be assembled and disassembled with ease, utilizing location-appropriate materials and tools. In disassembled form, individual units might be carried and even worn; when a group of individuals meet up with these units, they may join them together to make a community structure, assembling spaces that not only protect but also collect water, store food and produce power."
Mattingly delivers the Homecoming Address at PNCA on October 19 as part of the annual Alumni Reunion.
Mattingly is an American visual artist living and working in New York. She was born in Rockville, Connecticut, in 1978. She studied at Parsons School of Design in New York, and received her Bachelor of Fine Arts from Pacific Northwest College of Art in Portland, Oregon. She is the recipient of a Yale University School of Art fellowship.
smARTpowersm is an initiative of US Department of State's cultural-diplomacy program. Administered by the Bronx Museum of Arts, smARTpower is sending 15 American artists abroad to work with local artists and young people around the world to create community-based art projects. Selected artists will design and develop programs in cooperation with local arts organizations in host countries, including China, Ecuador, Egypt, Ghana, India, Kosovo, Nepal, Nigeria, Pakistan, the Philippines, Sri Lanka, Turkey and Venezuela.
Design Week Portland at PNCA
PNCA hosts a number of events this Thursday, October 11 for the inaugural Design Week Portland.
"Things I Did, Things I Should Have Done."
Five recent graduates talk about life in the creative industries in the Northwest.
PNCA Swigert Commons, 1241 NW Johnson Street
Chris Bodven – Graphic and Motion Designer – Roundhouse
Erica Stacy – Designer – Incubate Design
Simone Benefield – Creative Director/Design Manager – Platt Electric
Genna Osborne – Project Manager – Freelance
Brian Brezinski – Motion Designer/Video Production – Brezinski Motion Design Co
C4D Open House
1302 NW Kearney Street
To gain real-world experience, students work on actual client
projects via the College's Center4Design. C4D is an on-campus, working
student studio where client work is conducted under faculty supervision
for college credit. On View: re-branding of Maryhill Museum and other
recently completed and current projects from design Sophomores, Juniors,
Seniors and Alumni.
Refreshments will be served.
Michael Jager "Killing Curiosity"
PNCA Swigert Commons 1241 NW Johnson Street
Michael Jager, Chief Creative Office, JDK Design, For more than twenty years Michael Jager has directed the multidisciplinary creative and design efforts of JDK Design, a studio whose process is informed by emotional, rational, and cultural forces and whose focus centers on the idea that design distinction matters. Working with internal and external partners, Michael has helped to create proprietary processes, experiences, and exploratory environments like Living Brand®, the Collaboratory, Exquisite Corpse Artsite, Iskra Print Collective, and Sanctuary Artsite. Guided by Ezra Pound's simply but elegantly stated principle, "Make it new," his collaborative output for a multitude of today's most important and relevant brands—including Burton Snowboards, Microsoft's Xbox 360 and Zune, Nike, Levi's, SRAM, Phish, MTV, Virgin, Lululemon, Merrell, and Patagonia—is recognized worldwide by design periodicals, books, competitions, exhibitions, and his peers.
Sarah Farahat '08 featured in Artforum
Sarah Farahat '08 (Intermedia) spent a year in Beirut as a student of the Ashkal Alwan Home Workspace and had her work featured in Artforum. A critic at Artforum wrote "in her ten months of living in Beirut, Farahat had done more community outreach than a nonprofit with years of programming and a budget to match." Farahat is a shining example of PNCA's alumni living a life of creative practice.
Read more about Farahat probing work into cultural exchange and place on Artforum.
Horatio Law and Bird's Nest Workshops
PNCA professor Horatio Law has been one of the participating artists in the Open Circles Project Bird's Nest Building Workshops at Planned Parenthood Columbia Willamette (PPCW) on MLK. To raise awareness around and about Planned Parenthood—the project points out that "Birds make their nests only when they are ready to start a family."—members of the public are welcome to make nests and decorate them with unique materials that reflect one's thoughts about home and family. Both the difficult issues and the joy of nurturing a family are equal parts of the reality the project is attempting to explore. Other participating artists, who assist members of the public in their creations, are Anne Greenwood and Sam Nagmay. The nests will become part of the "Open Circles Project" Installation at Place Gallery, Pioneer Place Mall in November.
Listed below are dates and time of workshops:
Wednesdays: 9/19, 9/26, 10/3, 10/10; 5-7PM
Thursdays: 9/20, 9/27, 10/4, 10/11; 11:30AM-1:30PM
Saturday: 10/6; 10:30AM-12:30PM
Planned Parenthood Columbia Willamette
3727 NE Martin Luther King Jr. Blvd., Portland, OR 97212
To attend workshop, contact Lamar Tillman, PPCW's Community Outreach Coordinator at firstname.lastname@example.com or call 503.410.1520 to reserve a spot.
Portland Mercury Features Happy Birthday Event
In their weekly event survey, The Portland Mercury picked the A Portland Circus on Cage's Silence as an event to attend.
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text:
Is there a way to tell where a Mathematica file came from, meaning some type of machine ID (yes, I know about
$MachineID). I want to be able to identify students who are sharing files, i.e. one student creating the file and giving it to others. Anti-cheating is what I'm trying to accomplish.
Is there a way to tell where a Mathematica file came from, meaning some type of machine ID (yes, I know about
Mathematica notebook files are plain text files. This means that you can open them up with a text editor and check their contents.
Notebook files don't seem to contain any information that could be used to track their source (the computer on which they were created). What it does contain, and you might be able to use, is the creation and modification dates of all cells (
You can access this information using the Front End as well. Go to
If two homework submissions have the same modification times, up to the second, then it's likely they have a common source.
With a bit of programming you can automate the process of checking all submissions against each other, and selecting those whose first few modification times coincide.


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"It is the heart of this place, and it is dying," says the Beast. And it is true; the center of the Beast's palace, the glittering glasshouse that brings Beauty both comfort and delight in her strange new environment, is filled with leafless brown rosebushes. But deep within this enchanted world, new life, at once subtle and strong, is about to awaken. Twenty years ago Robin McKinley enthralled readers with the power of Beauty. Now this extraordinarily gifted novelist retells the story of Beauty and the Beast again--but in a totally new way, with fresh perspective, ingenuity, and mature insight. In Rose Daughter she has written her finest and most deeply felt work, a compelling, richly imagined, and haunting exploration of the transformative power of love.
About the Author
Robin McKinley's other books include the Newbery Award-winning The Hero and the Crown; Newbery Honor Book The Blue Sword; Sunshine; Spindle's End; Rose Daughter; Deerskin; The Outlaws of Sherwood; and the short story collections The Door in the Hedge; A Knot in the Grain and Other Stories; and, with her husband, the author Peter Dickinson, Water: Tales of Elemental Spirits. She lives in England with her husband, three whippets, and over five hundred rosebushes.


text: I am trying to show a 'Post to Your Wall' feed dialog with the following code in a facebook iframe app:


text:
Future of Ventura's Cemetery Park in limbo
City officials opt for "pioneer memorial park" designation; activists seek full restoration
By Justin Formanek 01/03/2013
The Ventura City Council unanimously approved on, Dec. 17, a resolution to designate Cemetery Memorial Park as a "pioneer memorial park."
Before the floor opened to comments from council members, City Attorney Ariel Calonne explained what, exactly, the designation meant.
"The name 'pioneer memorial park' hearkens back to the days when California's pioneers were establishing these cemeteries," said Calonne. "[It] is a reference to the heritage of the community."
Councilwoman Christy Weir's description was more succinct.
"It is a park, but it's also a memorial," she said. "And it's sort of the best combination of both."
The council then voted and, just like that, the resolution passed, without public comment or any inkling of the controversy regarding what Mayor Mike Tracy called a "contentious issue."
Steve Schleder, an activist with the Restore St. Mary's Cemetery Foundation, believes that a last-minute addition to the agenda was to blame for the remarkable lack of public opinion. Members of the foundation and descendants of those interred within the park are usually the ones doing the contending.
"It was a big secret that no one knew about," Schleder said. "They did that on purpose."
The resolution officially abandons Cemetery Memorial Park as a place of future interment and confirms the city manager's authority to implement the park's improvements project, which is currently under way. It also quietly put to ground past administrative oversights.
"We roll back the clock," said Calonne, "to try and validate some of the actions the city took then."
The state legislature adopted the pioneer memorial park law in 1957, which allows a city to dedicate an abandoned cemetery as a pioneer memorial park and authorizes the removal of copings, improvements and embellishments, which are considered to be a threat to the health or welfare of the public. With Cemetery Memorial Park, Ventura did the latter without ever undertaking the process of the former.
A 2005 Ventura grand jury report states that a cemetery improvement plan was adopted by the City Council in 1963 and called for, not just the removal of all the existing headstones, but, the installation of walkways, fountains, individual brass markers and memorials that carry the names of all those interred.
The headstones were removed and most were destroyed, discarded or repurposed as landfill for Olivas Links Golf Course. But, for 42 years, the rest of the improvements have yet to be made.
How the original improvement plan came to be necessary is outlined in a list of investigative findings that the grand jury deemed "disturbing historical information about the cemetery and actions taken by Ventura officials in the past."
After passing a 1944 ordinance that prohibited burials within city limits, the "city allowed the cemetery to deteriorate without taking appropriate remedial action" other than installing hedges along the perimeter and performing a yearly weeding. The inevitable dilapidation of the cemetery was then used "to justify a plan to convert the site to a dual-function cemetery and park."
A plan that, as the grand jury report bluntly states, the city "failed to perform fully."
Through the recent dedication of Cemetery Memorial Park as a pioneer memorial park, today's City Council has effectively sanctioned the actions (and inactions) of its forebears.
Schleder, however, maintains that the dedication does little else.
"It hasn't changed anything; it's still a cemetery," he said. "That can't be changed until you take the people out, until you exhume the bodies. Until then, you can designate it as anything you want but it's invalid."
Before it becomes official, the resolution requires publication of notice for four consecutive weeks. This would allow time for public approval and the arrangement of any potential protests.
"If any protests do come up," said Calonne, "I may bring it back to City Council, depending on the nature of them."
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text:
Arinkin has a theorem which says that an abelian variety can be reconstructed from its derived category of coherent D-modules.
D.Orlov conjectured that this theorem is true for any variety.
My question is:
Is this conjecture proved or disproved? I wonder know the related work, examples and any other related observations, comments.


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STEUBENVILLE - Saturday's Division II sectional co-championship game between Harrison Central and Carrollton just about had it all.
The 12-inning instant classic featured gutsy pitching performances from both staffs, timely hitting, stellar defensive plays, missed scoring opportunities (combined the teams stranded 36 base runners) and even a few controversial calls.
It also had a shining moment for Austin Kowalski.
Article Photos
Fred Younce
CHAMPS — Harrison Central's Rashaen Mitchell reacts after striking out a Carrrollton batter for the final out of the Huskies 8-7 sectional title win.
Fred Younce
CHAMPS — Harrison Central's Nick Staten rounds third on his way to scoring what was the game-winning run in the top of the 12th inning on a single off the bat of Austin Kowalski.
The Huskie sophomore drove home Nick Staten with the winning run as Harrison Central nipped Carrollton 8-7 at Vacarro Field to earn the tournament crown. The victory sends Justin Clifford's now 20-6 club into Wednesday's district semifinal against Dover.
"That's a sophomore coming through for us," Clifford said of Kowalski's key base knock. "I think he was down a little for not making a play in the field, but he more than made up for it at the plate (the Huskie second baseman finished with three singles and three RBI). What can I say about all of our guys?"
What proved to be the game-winning rally began when Staten drew a one-out walk off Carrollton's Jeremiah Lowery, who started the game, gave way to Tyler Krantz in the fourth and returned in the 10th. Rhett Kuryn followed by grounding a single to left. Staten was able to score from second on Kowalski's hit.
Fact Box
Harrison Central 8, Carrollton 7
Harrison Central 113 100 100 001 - 8 15 3
Carrollton 400 003 000 000 - 7 8 3
Harrison Central (20-6): Pelegreen (5BB, 9K) Redish (6, 5BB, 5K) R. Mitchell (WP, 10, 3BB, 10K) and Staten. R. Mitchell 5S, RBI; Kowalski 3S, 3RBI; Rutter 2S; Pelegreen 2S, RBI; Kuryn 2S; K. Mitchell RBI; Redish S.
Carrollton (16-10): Lowery (3BB, 2K) Krantz (4, 3BB, 6K) Fry (10, 2BB 0K) Lowery (LP, 10, 3BB, 0K) and Mohn. Brannick T, 3RBI; Collins 2S; Krantz 2S, 2RBI; Lowery S; Dobrijevic S; Warner S, RBI.
Rashaen Mitchell, the third Huskie pitcher, then slammed the door on the Warriors, who finish at 16-10, in the bottom of the 12th. He did allow a leadoff walk then fanned three straight to clinch the victory. During his stint on the mound, Rashaen Mitchell whiffed 10.
When asked about the lefty's stint on the mound, Clifford replied "Rashaen wanted the ball." Rashaen Mitchell went five innings in collecting the win against Buckeye Local on Thursday.
Nick Pelegreen started on the hill for Harrison, giving way to freshman Dustin Redish in the sixth. Pelegreen allowed four runs in the first then held Carrollton scoreless until the sixth. He recorded nine strikeouts and Redish mowed down five (meaning 24 of the 36 Warrior outs came via the K).
"That's a freshman coming in and we never hesitated to give him the chance," Clifford stated. "He has played a lot of baseball. We just feel confident with any of our guys."
Harrison scored in its first at bat, Rashaen Mitchell driving home Dalton Rutter, who led off with a single and advanced on Redish's sacrifice bunt.
Carrollton scored four in its half of the inning, Krantz getting a RBI single and Zach Brannick grounding a bases-loaded triple just inside the first base line.
The Huskies made it 4-2 in the second on Kalub Mitchell's sacrifice fly and grabbed a 5-4 lead in the third thanks to Kowalski's two-run single. Clifford's crew added a single tally in the fourth on Pelegreen's RBI.
Butch Wood's Warriors rallied for three in the sixth to go up 7-6. Krantz delivered another run producing hit to key the uprising. Harrison was able to manufacture a tally in the top of the seventh. Staten drew a free pass and freshman Bryson Porter was inserted as a pinch runner. He reached third on Kowalski's single to right center and scored on a wild pitch.
"That's three games in a row that we got down early," Clifford noted. "Our kids have been there and done that, they never panic. That's a tribute to our seniors. We were down one in the seventh and found a way to score. I'm so proud of all our guys."
Carrollton loaded the bases with one out in its half of the seventh (the Warriors also left the sacks jammed in the sixth) but Redish retired two straight to force extra frames.
The Huskies returned the favor by leaving the bases juiced in the eighth and ninth before stranding a pair in the 10th. Carrollton's best scoring threat came in the ninth. Zach Fry walked to start the frame, moved to second on a wild pitch and to third on a pass ball. He attempted to score on another pass ball. Staten, Harrison's catcher, recovered and flipped the ball to Rashaen Mitchell for the tag at the plate.
"He (Staten) was getting beat up back there the whole game," Clifford added. "He chased after that ball and it was bang, bang at the plate. We got the call. It was just a great effort.
"Everyone made play after play. Nobody lost it, we just happen to win it. We left 19 games on base and they had a like number. Both teams played hard and gave so much effort."
As noted, Lowery drew the pitching start for Carrollton just three days after going the distance for a win against Indian Creek. He gave way to Krantz in the fourth. Fry faced two batters in the 10th before Lowery was back on the bump. Krantz turned in an outstanding performance, going five and a third innings, scattering four hits, allowing one run and fanning six.
Andrew Collins and Krantz both had two of Carrollton's eight total hits.
Rashaen Mitchell paced Harrison's 15-hit attack with five singles. Kowalski added three. Rutter, Kuryn and Pelegreen had two each.
"We have some goals and this (winning the sectional) is one of them, bringing one back to Harrison County," Clifford said. "We felt we were due. Again, that's a tribute to our players.
"We don't get rattled when we go places. We had guys playing different positions today. There are so many plays you can go back to in that game. Drew Horn, for example, taking one off his chest and still being able to throw their guy out in the seventh."
Harrison Central, which won the OVAC Class 4A title earlier this season and Dover will meet at 6 p.m. Wednesday at Vacarro. The district begins Tuesday at 6 when Cambridge squares off against West Holmes.


text:
Quick to sew & fun to wear, the Easy Swing Jacket can be made with a single fabric or with many, depending on the look you choose. This wonderful jacket is also available in a longer, hip-length that is not shown. Pattern includes template for sizes S(8-10), M(12-16) & L(18-22) as well as optional stitchery & applique instructions. Designed by Kara Schorstein
Item : SND204


text:
Boys' Grade School Nike Air Max Barkley Basketball Shoes
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The Nike Air Max Barkley Boys' Gradeschool Basketball Shoes feature a sleek rounded silhouette and almost seamless Vac Tech upper. The basketball shoes dropped some weight and have maximum breathability so your feet stay dry and comfortable the whole game.


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Question #3: How does Giselle die?
Posted 21 April 2001 - 01:33 PM
As Giselle was placed back on the knoll surrounding her grave, the ABT production then had her reappear about halfway up leg #2, and gesture to Albrecht. My students were extremely puzzled by this, until the (formerly unwilling attendee) 13-year-old brother of one of them caught it. He gasped, "Omigod, she's going to Heaven!" in a voice loud enough where those around us went, "Ooooohhh!" instead of "Shhhhh!"
I made to look over approvingly at the wisdom of the observation, but all I saw were a group of young teens, including one 13-year-old would-be tough guy, suffused in tears!
Posted 21 April 2001 - 05:14 PM
The libretto is very rich in detail and very illuminating.
[ 04-21-2001: Message edited by: doug ]
[ 04-21-2001: Message edited by: doug ]
Posted 22 April 2001 - 03:40 AM
Posted 22 April 2001 - 10:30 AM
I don't know whether this is the way it worked in Paris (although I would imagine it is) but in Copenhagen, the libretto was something that you had to submit to the Theater's censor before a ballet went into production. The stage action often differed.
I have a very clear memory of reading that the suicide death was deemed necessary for Grisi because she wasn't a strong enough actress to carry off a mad scene and a les concrete death, but when Fanny Elssler got the role she, in effect, said, "La Elssler does not need a sword to die!" and, voila!, we have the mad scene we all know and love today. This would match the inconsistencies in the libretti -- the original, nonsuicide one submitted to the Theater and the slightly later one that matched the stage action.
I have found nothing in the few sources I have at home that say anything about Giselle's grave and why it's in the forest -- perhaps this has been merely an assumption (that suicides can't be buried in the churchyard). If she had died unshriven, she'd also be kept out of the churchyard. The Beaumont libretto talks about a beautiful marble tomb (now, where Giselle's mother have come up with the money for that?)
Perhaps this was not an issue in 1841, but the audience accepted a forest tomb, as they accepted Albrecht's house?
Posted 22 April 2001 - 03:03 PM
There is an interesting issue of "L'avant-scene ballet-danse" ("L'avant-scene" used to publish issues about theater, opera and dance but they published only a few issues about dance) dating back from the early 80s with quite a lot of information about Giselle. I think that it included at least some part of Gautier's scenario- but unfortunately my copy is at my parent's house, several hundred kilometers away...
Posted 22 April 2001 - 03:43 PM
According to Markova, who's danced more Giselles than most, she does stab herself but not badly enough to kill her, as her mother snatches the sword away before she can really hurt herself. Then she dies of 'shock and anguish'. (Was it Pavlova, by the way, who had a scar from where she'd stabbed herself too realistically?)
[ 04-22-2001: Message edited by: Jane Simpson ]
Posted 22 April 2001 - 04:53 PM
Part of the mad scene has some mime which could be interpreted as Giselle seeing the blood run down her arms, OR that she is getting cold and the life is ebbing out of her. I'd never read of the half-suicide, half-nonsuicide before -- thanks for that, Jane. I think often changes are made by dancers who are merely seeking to make sense out of a particular role, make the scenario work for them.
[ 04-22-2001: Message edited by: alexandra ]
Posted 22 April 2001 - 07:55 PM
Posted 22 April 2001 - 08:09 PM
Posted 24 April 2001 - 10:33 AM
Originally posted by Marc Haegeman:
Thanks for the quotes, Doug. It's very interesting to note that Théophile Gautier's "Les Beautés de l'Opéra de Paris" from 1844 is already different in many points from the libretto.
I've managed to browse through a copy of the issue of "L'avant-scère Ballet-Danse" that I mentioned in an earlier post (by the way, if some people are interested, there is an available copy at the Librairie Théâtrale in Paris, near the Opéra Comique- and I even saw the POB premier danseur Jérémie Bélingard there ;) ), and it includes the full original libretto by Théophile Gautier and Vernoy de Saint-Georges, and also some comments about the differences between that original libretto and Gautier's 1844 text. In the original libretto, as Doug wrote, Giselle did not kill herself, while in Gautier's later text, she does (it's like what Alexandra wrote about the Beaumont text: Albrecht tries to take the sword, but it's too late).
There is no explanation about the reason why the grave is in the forest...
Posted 25 April 2001 - 10:13 PM
Posted 25 April 2001 - 10:19 PM
Posted 28 March 2008 - 09:59 PM
Posted 29 March 2008 - 12:47 AM
Giselle is buried inthe forest because Ophelia was buried in the forest -- and Giselle owes tremendously to Hamlet -- both hte unready prince and hte freaked- out heroine's madness, orbit in the gravitational sphere of Hamlet.
But it's sweet to think that Giselle is delicate because as Chauviree said, she's from hte wrong side of hte blanket and has a drop of the high-strung noble blood in her. Which is part of what attracts Albrecht to her. This is pretty scandalous stuff, but the French like to think like that -- and it certainly is fitting to the story to think of her as one in a LINE of peasant girls who've been taken advantage of by hte landlord. (THough I like Albrecht to be ALSO super-high-strung and desperately in love with Giselle, like Baryshnikov was.) So she's got that finer quality, and also that weak constitution, by breeding -- perhaps it's not in the libretto, but Chauviree was many people thought one of hte very greatest Giselles of her era.
The most interesting thing I've read about htis recently is Osipova's interview about doing Giselle -- the section hwere she said that in doing hte mad scene, she actually lost rtrack of what she was doing -- that she got 4 text messages during intermission from people who were afraid she'd gone round hte bend -- including one from her mother. And she acknowledges that it DID mess with her mind. And it DOES look on hte Youtubeclip like she stabbed herself but it wasn't enough -- and it also sounds like she herself, hte ballerina, does not know WHAT she did when she was in the throes of the action. VERY great performance; it's up on Youtube -- check it out for yourselves, everybody, and see what you think.
Posted 29 March 2008 - 02:04 AM
Suicide? Shock? Broken heart? Heart attack?
What a fascinating thread!
You could certainly find productions that have featured suicide (a few), heart failure (many), heart failure plus suicidal attempt (a few), plus many that leave it it up to you; there's certainly a broken heart, but who knows what 'physically' did the deed. Most productions suggest that everyone thinks she's going to stab herself, whether she does or not.
And as people have said, most of these approaches have been made to work - even stabbing herself with a three-foot sword without visible blood (too much reading of 'the merchant of venice?').
The only time I've been concerned, is the few productions that over-egg the weak heart; sometimes you wish they'd just hang a sign around her neck saying "WEAK HEART, HINT HINT". While it's important to the story to be able to look back and think "Ah, all this dancing, stress and betrayal, that's what done it", I'm not convinced we need to be thinking "Crikey, one more solo and she'll be popping her cloggs" - it's distracting.
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The 5 Creepiest Unexplained Broadcasts
#2. The Backward Music Station
What is it?
The "Backward Music Station" doesn't actually play backward music. That's just what they call it. What it is broadcasting instead is something from the fucking bowels of Hell itself:
A high-pitched grinding, with some banging thrown in, perhaps just to make it sound creepier. That video said it was recorded in 2004 and claimed the signal had since gone dormant, but there are other recordings claiming to be as recent as September of 2009:
In the comments section of that one, our brave listener claims with a burst of excitement and exclamation marks: "Two weeks ago I logged it on four frequencies within a few minutes... all of them CFH wefax frequencies!!!!" WEFAX meaning weather facsimile meaning it's in grayscale meaning fuck if we know. But it shows the station has resurfaced and resurfaced hard, hard enough to warrant a sudden increase in punctuation.
Unlike the UVB-76, no voice interruptions have been heard. It's just a noise, a noise that may have an encrypted message of World Domination, or may not.
So What's the Deal?
People have put quite a bit of effort into figuring it out. The below graph, to people who know what the hell they're looking at, apparently demonstrates how sophisticated the effort has been to hide the true signal in the noise.
The signal appears on more than one frequency, one from within the USA, the other from Europe. The frequencies are similar to those used by the U.S. Navy.
Is it a heavily encrypted signal to communicate with spies? If it's a noise deliberately made by someone somewhere, then would there not be someone on the other end who had the know-how to make sense of it? Remember that behind every broadcast signal there is equipment, electricity and expense on someone's part. It has to be for a reason, right?
Then again...
Is this how the U.S. is signaling to its own robot soldier task force, to be ready for when the Russians make their move?
#1. The Wow! Signal
What is it?
This broadcast rivals or even surpasses the Backward Music Station in mysteriousness. It is so mysterious, in fact, they were forced to go with this ridiculous name.
Wow! Holy shit! Numbers!
This was a radio signal that was picked up at The Big Ear radio telescope. Yes, this one comes from space. Big Ear used numbers, from zero to 10, to document how far above the useless background noise any signals went. In a comically childish system, the eggheads ran out of fingers and had to use toes, adding letters A-Z on top of the numbers. The Wow! Signal was "6EQUJ5," meaning it began at a scale of six, crept past the letter threshold, jumped to Q and then as far as U before fading gradually.
All of this happened over 37 seconds, and all of this from a seemingly empty point in space. Perhaps even more mind-boggling, it came from a non-terrestrial and non-solar system source. It was a signal shot to Earth from one of the emptiest places imaginable, and something from that place somehow got to us.
Return address.
It's called the "Wow!" signal because the man who found it was so amazed by it that he circled it and wrote "Wow!" on the side, which for posterity was better than "HOLY FUCKING MOTHER OF COCK SHIT!"
So What's the Deal?
It could be, as the killjoys at Wikipedia suggest, interstellar scintillation of a weaker continuous signal. If that statement did little more than sexually excite you, then all you need to know is that a continuous signal is far less remarkable, and what they picked up might have been a weak, continuous signal that gained strength for a short time. However, it's a mysterious signal from space that follows a very calculated system, turning off, and turning on. That... really shouldn't be.
The signal had the trademark of an artificially produced interstellar broadcast. How did they broadcast it from a point in space where there are no planets and there are no solar systems? Well, the only explanation would be a spaceship, and the signal is used to communicate to other spaceships.
The guy who found the signal in the first place tried to deny it was extraterrestrial life; that it was something from Earth reflected off of space debris, but there are problems with that theory.
If it was from Earth, the reflector would have to have been in all sorts of unrealistic requirements for the nature of the signal. For once the explanation that there's an alien craft beaming signals is more logically sound than the tried and true "space debris" argument. Holy shit!
Do you have something funny to say about a random topic? You could be on the front page of Cracked.com tomorrow. Go here and find out how to create a Topic Page.
For more mysteries of the world, check out 6 Famous Unsolved Mysteries (With Really Obvious Solutions) and 6 Insane Discoveries That Science Can't Explain.
And stop by our Top Picks (Updated 1.12.2010) to see our mysterious broadcast (of Brockway's genitals).
And don't forget to follow us on Facebook and Twitter to get dick jokes sent straight to your news feed.


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I recently installed Ubuntu 12.10. I use Clamav and have scanned my system regularly for infections. Today it picked up a potential threat /usr/lib/ruby/1.9.1/rdoc/generator/template/darkfish/js/thickbox-compressed.js. Ubuntu is my only operating system installed. Clamav was not able to delete or quarantine the file. Should i be concerned or is this a false positive? I have scanned the same file multiple times and it picks it up as a threat each time. Also i tried googling the issue before posting and found no information.
A point I forgot to mention, clamav picks it up as PUA.script.packed-1


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Begin with a polygon $P_0$.
Place two points on every edge of the polygon such that they divide each side equally into three parts. Create a new polygon $P_1$ by connecting all new points with lines.
If we begin with a square and iterate this process, what is the limit as the number of iterations approaches infinity? It is clearly not a circle, but what the correct answer is, I do not know.


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On Friday, April 27, Geneseo celebrates Tag Day, an annual event that recognizes the impact that donors have on Geneseo students and faculty. Organized by the senior Make Your Mark! committee, Tag Day was founded to teach students how they benefit from funds donated to the college and to engender a culture of philanthropy on campus while simultaneously thanking those who already support the college.
Last year, student volunteers hung 450 thank you tags around campus indicating every thing and every program that is funded in part by donations from dedicated alumni, parents, friends, faculty and staff. Students tagged lab equipment in the ISC, the hockey locker rooms, resources in Milne Library, every academic department and much more. Approximately 120 students and faculty who directly benefited from funds secured by The Geneseo Foundation wore and displayed tags thanking our donors.
This year, student volunteers have planned even more events to demonstrate their gratitude and appreciation - reaching out to more faculty members, sports teams, organizations and students.


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I'm currently building a multi platform desktop app. Should the app open by default in fullscreen mode?
No, a desktop app should remember the way it was set last time it was used - size, position and mode (minimized, maximized, normal) - and open in exactly the same way.
Please note that minimizing and maximizing a window changes its size and possibly its position settings, so to achieve this a desktop app should remember the size and position values when it gets minimized or maximized. Otherwise the "normal" size and position values will be overwritten with the minimized/maximized values.
Some of the information contained in this post requires additional references. Please edit to add citations to reliable sources that support the assertions made here. Unsourced material may be disputed or deleted.
I don't think there is any one correct answer to this because it depends 100% on what the application does.
For example, an app that is it's own "environment" with lots of little inner windows and has a "workspace" paradigm to it should remember what it was set to last time by default and probably allow the user to have different configurations saved.
Other applications, like Instant Messaging clients, are likely to be much more focused and hence simply don't need all that screen space. In those cases, it would make sense for the application to remember where it was on the screen, but definitely not take up the whole thing.
So, in the end, it ultimately depends on what the application is meant to do. A full-screen application is much more immersive than a non-full-screen application, but I tend to follow "the user knows best" approach when it comes to these sorts of things. Letting the user control things like this (perhaps by having a "remember my settings" configuration option in the preferences) allows users with "non-standard" setups use your application in the way that works best for them. Personally, I have 4 wide-screen monitors all running vertically and use a number of different window control applications to bend other apps to my will and put them where I want them. If something doesn't behave well or do what I want, I will quickly find something else and will never think about the problematic application again.
You mention that the app is going to be "multi-platform," so here's the relevant guidance from Apple's Human Interface Guidelines on sizing an app when it opens:
The important bit in there is "determine a size that makes it convenient for users to use your app." That probably holds true for an app on any platform.
Ideally it should remember either the last settings or the most often used settings (it depends on the case that would be most convenient for the user if remembered in the context of the app)


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For Instructors Spinning
05/13/2011 12:37 pm
Yesterday we had a brief ceremony to officially open our preschool-only play area. Even though there are budget concerns, the district felt that the 3 to 5 year old children needed a safe place to access materials without having K-1 students near them. I know this new area will have an immensely positive impact on my student?s language and play skills as well as their gross and fine motor development. Having a specific area to work within will contribute to the overall strength of each child. In the early days of Spinning, facilities didn?t have separate rooms for the bikes. Some facilities placed them in group exercise rooms with the other equipment and brought them out for each class. Some gyms felt that the clients needed to see the program in order to get excited about it so they placed the bikes in a corner of the weight room floor. I visited one facility that tried to teach classes in the middle of the entrance area just past the front desk where people checked in. Now, many facilities have rooms that are specifically designed for Spinning classes. These designated rooms have greatly contributed to the growth of the program. The instructors can design class objectives that are fun and achievable while the participants focus on their form and intensity without distractions.Share


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TierraCast Antique Copper-Plated Pewter Grecian Hoop
Make a statement in your accessories with the TierraCast antique copper-plated pewter Grecian hoop. This earring component features a front that curves backward. A small loop is featured at the bottom of the curve for adding charms or dangles. The earring post is made from nickel-free titanium, so people with metal allergies can wear it. The decorative hoop is made from lead-free pewter and features a simple and sophisticated design. This hoop earring features a dark copper shine, perfect for pairing with bright turquoise or earthy green. These earrings are
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Corey Everson's Fitness for Women recently received an eviction notice and say they don't have the money to keep the business up and running.
Many members argue the business may be running away with their money. Corey Everson has nearly 2,500 members, many of which who knew nothing about the closing until Monday.
While some customers pay a monthly fee, others purchased year-long workout/tanning packages, paying hundreds of dollars up front. By law, the company is supposed to refund the unused portion of those yearly payments and say they are planning to do so.
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Since 1989 the faculty of law at Leiden University in the Netherlands has conducted a program of courses in English, called the Leiden Law Courses (LLC), for law students from other European countries and the United States. Rutgers–Newark joined the program in 1995 and has received full ABA accreditation for our participation. About 250 students take part in the program each year, including students from the University of Michigan Law School, New England Law—Boston, and William Mitchell College of Law.
The LLC's offerings center on international law, comparative law, legal history, the law of the European Union, and law and economics in the international context. Accordingly, the program is of particular interest to students who look toward practice in international business transaction, international trade regulation, and public international law.
The curriculum is designed and taught by the Leiden faculty as an integral part of its enterprise. Most of the Leiden Law Courses faculty come from the School of Law, but members of the political science and economics faculties also teach in the program. Dutch students, students from other European countries, and American students take the classes together. Participants in the program thus are, in effect, students at Leiden University for their term of enrollment.
Each year between two and five Rutgers School of Law–Newark students enroll in the Study Abroad at Leiden University program.