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The following is a Hazardous Weather Outlook for the following areas from the National Weather Service office in Tallahassee:
Southeast Alabama, Southwest and South Central Georgia, Florida Big Bend, Florida Panhandle, Adjacent Coastal Waters
Day One - Today and Tonight:
Scattered afternoon and evening showers and thunderstorms are expected to develop across the region. Some of these storms could contain gusty winds...and a severe storm or two is not out of the question.
Day Two through Seven – Wednesday through Monday:
As the upper level ridge which brought our region the recent heat wave builds to the northwest over the middle plains...a trough axis with cooler and more unsettled conditions is expected to develop across our region...especially from Thursday through Saturday...before the model solutions begin to diverge for Sunday and Monday. For Wednesday...the 4th of July holiday...the forecast is still somewhat uncertain at this time...as there will likely be at least scattered afternoon and evening showers and thunderstorms. Unfortunately...however...both the global and hi-resolution models are still not in the best agreement on the development...timing... Evolution...and intensity of the expected convection. Therefore...all interests are urged to keep up with the latest forecasts from the national weather service today and tonight...as we expect the models to come into better agreement which will help those with outdoor plans.


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There's nothing worse than having people look at you in your Horse Mask and saying, "I can tell you're a human because I can see your hands, you loser." Now it'll never happen again thanks to this handsome pair of 14" long latex Horse Hooves:
Horse hooves fit smoothly over most adult hands. Like a pair of cloppy gloves, they instantly add a dash of centaur to any outfit. We recommend wearing them to math class and using them to stomp out your answers or to make shaking hands extra cloppy. Also good for dressing as your favorite rapper, 50 Centaur.
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Well all hope is not lost.. actually I never gave up hope, but I know a lot of folks have been planning to log on at 4am in the morning and respec from Fire to Frost or Arcane come WoLK.
No need my Firey friends…
This Blue Post found on MMO Champion's Blue Post Watcher gives us something to hope for
Where are we headed with the fire tree?
Gnomer and Out!


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13 Apr 2011 10:14 AM #1
Loading graphic.
What can we do about adding a loading graphic to our Touch apps? I see this as one of the bigger problems with the library at this point. The DOM is apparently locked down while the JS files load, so I can't even set a background image on the index page's outer div.
I'm open to ANY option here. A loading graphic will go a LONG way to appeasing users if they have to wait 4-5 seconds for the app to load from scratch. I saw an instructor mention in one of the Vimeo vids that Sencha would be "trying to put something in place to help with this"...anything more on this?
14 Sep 2012 11:21 AM #2
Do you have this
HTML Code:

if so, then that's your main loader, and you can change it and override the styles, or remove it.
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A van that was found overturned in Kansas City, Kan., led to the discovery of a burglary Thursday in Leavenworth, a police spokesman said.
Maj. Dan Nicodemus, deputy chief of the Leavenworth Police Department, said Kansas City, Kan., authorities notified Leavenworth police that they were investigating a rollover accident. The occupants of the wrecked van apparently had fled the scene. The registered owner of the vehicle lives in Leavenworth.
The Leavenworth Police Department received the call shortly after 10 a.m. Thursday. Officers went to a residence in the 1400 block of Columbia Avenue to contact the vehicle's owner. They learned the house had been burglarized and the van was stolen.
The people who live at the residence were out of town.
Nicodemus said it appears the culprit or culprits took more than just the van during the burglary.
"There was some property left in the van when they wrecked it," he said.
Location, ST | website.com


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8 Characters You Won't Believe Are Based on Real People
#4. Tintin (The Adventures of Tintin)
Casterman/AP via news.com.au
The Adventures of Tintin is one of the most popular comic book series in the world, having sold over 200 million copies despite the fact that the main character can't even grow metal claws and would suck in a fight against a killer robot. In fact, Tintin is just a kid who is somehow allowed to travel from country to country unsupervised, living through fantastic adventures and the occasional shocking display of racism.
What's a children's story without some good old-fashioned bigotry?
The Real-Life Inspiration: Palle Huld
Tintin debuted in a Belgian comic strip in 1929. As it happens, in 1928, another globe-trotting 15-year-old was causing a sensation all over Europe, except this one was real. Palle Huld, a boy scout from Denmark, had to circumnavigate the world in 44 days completely unaccompanied and without stepping on a plane as part of a competition organized by a Danish newspaper. Um, if that's what they made the kid do when he won the competition, we don't want to know what happened to the losers.
"... and this merit badge is for swimming, and this one is from when I circumnavigated the globe, and this one is for building a fire ..."
Huld's travels, which included war-torn Manchuria and just plain unfriendly Russia, made headlines all over Europe, so it seems likely that Tintin's creator in Belgium would have been among those following him. When Huld made it back home, he was greeted by a crowd of 20,000 people, not unlike the one that receives Tintin at the end of his first album.
Holger Damgaard via Politiken.dk
"Phineas Fogg ain't got shit on me."
Huld insisted until the end of his days that Tintin was him ... despite having never read the comic. Hell, he didn't have to, he already lived it.
#3. General Butt F**king Naked (The Book of Mormon)
Trey Parker and Matt Stone/Tom Freston via Vanity Fair
General Butt Fucking Naked is a character in the Trey Parker/Matt Stone Broadway musical The Book of Mormon (and not in the actual book, we don't think). Naked is the main antagonist of the story, a genocidal warlord who has a tendency to kill his enemies and drink their blood while completely in the nude. If you didn't already know that this musical was written by the guys who created South Park, that phrase right there should have tipped you off.
The only name in publicly drenching political topics in blue humor.
And of course, at the end of the musical, the general converts to Mormonism and becomes Elder Butt Fucking Naked.
The Real-Life Inspiration: General Butt Naked
General Butt Fucking Naked isn't just vaguely inspired by a real person -- he's pretty much the exact same guy. General Butt Naked was a Liberian warlord who was also a huge fan of genocide (he claims his squad killed 20,000 people), also pretty insane (he performed bizarre rituals and human sacrifices), and also fond of fighting in the nude, because he believed this granted him superpowers. Mr. Naked even had an army of child soldiers who were called the Butt Naked Brigade.
The Daily Mail
That's General Butt Naked, sir.
The only part the writers invented was the one where he repents and converts to Mormonism ... in real life, it was Christianity. Seriously. He now goes by Pastor Blahyi and is the president of End Time Train Evangelistic Ministries Inc. and, perhaps more dramatically, has started wearing pants.
#2. Betty Boop
Paramount Pictures
Betty Boop is considered one of the earliest sex symbols in pop culture, because there was nothing more arousing for people in the '30s than the head of a baby surgically attached to the body of a woman. Betty was defined by her innocent sexiness, squeaky singing voice, and liberal use of made-up words ending in "oop." She was also considered a fairly progressive character for her era.
Paramount Pictures
What with her boyfriend being a dog and all.
The Real-Life Inspiration: Helen Kane
Cartoons parody real celebrities all the time, but in Betty Boop's case, the parody became so popular that it completely overshadowed the real thing. To put it in perspective, imagine if people in the future believed that Family Guy invented Gary Coleman, or Star Wars, or the '80s in general.
Betty was created as a parody of Helen Kane, a popular actress and singer from the '20s who pretty much invented the whole "I'm a sexy baby" persona. She not only looked and sounded exactly like Betty, but her catchphrase was "Boop-oop-a-doop." In fact, one of Betty's early cartoons was a direct homage/ripoff of a Helen Kane movie.
Paramount Pictures
Although Kane looks decidedly less like a bulldog than her counterpart.
The more audiences fell in love with Betty Boop, the less they seemed to care about Helen Kane. Kane wasn't happy with the trade-off: In 1932, she sued Betty's creator Max Fleischer and Paramount Pictures, but a judge ruled against her when it was proven that someone else had said "Boop-oop-a-doop" before. Kane died in relative obscurity while her silly parody version continued making millions for other people.
#1. Jean Valjean and Inspector Javert (Les Miserables)
Universal Pictures
In the recent film version of Les Miserables (pronounced "Les *barfing noises*"), Hugh Jackman plays Jean Valjean, a thief who is relentlessly pursued by Inspector Javert (Russell Crowe) for over 20 years for stealing some bread. Most of you probably know that the movie is based on a stage musical, which in turn is based on a novel by Victor Hugo ... which is based on a single dude.
The Real-Life Inspiration: Eugene Francois Vidocq
We've talked before about Eugene Francois Vidocq, the real-life equivalent of Sherlock Holmes and every other impossibly good fictional detective, from Hercule Poirot to Batman. What we didn't mention was that, in a Fight Club-esque twist, he was also both the protagonist and the antagonist of Les Miserables.
The first rule of Les Miserables is never admit that you don't like it.
Like Jean Valjean, Vidocq ended up in prison as a young man, but managed to escape and was on the run for years, posing as different people. He was a successful businessman and factory owner, but his past kept coming back to haunt him. A famous scene in the book is when Valjean saves a sailor by lifting a cart off of him -- it was Vidocq who actually did that.
Vidocq eventually reached an arrangement with the authorities that allowed him to use his experience as a criminal to catch other criminals, becoming a law enforcer ... and that leads us to Inspector Javert, who in the novel is also a reformed criminal who now chases after his former kind. Remember how Javert would use clever disguises in order to catch criminals? That was all Vidocq, too. So, basically:
"Sacrebleu! Le chauve-souris homme!"
Sammy Trujillo can be messaged here, or you can follow him here.
For more fictional machinations that are actually real, check out 5 Badass Movie Characters You Didn't Know Were Real People and 6 Fictional Places You Didn't Know Actually Existed.
If you're pressed for time and just looking for a quick fix, then check out Why the New 'Hunger Games' Movie Is Orange and Blue.
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I was wondering, how would could I make a drawing of the Higgs potential aka "mexican hat potential". I am quite new to Mathematica and don't know where to look to learn how to implement such a complex function.
It is probably a common student misconception that it is "such a complex function". In actuality, it is quite simple. You should read: A pedagogical example: the Mexican hat potential. Very roughly you get the Mexican hat from interplay between two power functions:
Now rotate with
There is a nice Demonstration "The Higgs Particle" by S. M. Blinder. You can often find relevant things at the Demonstrations Project - code can be downloaded. A good start for your homework.


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Imagine driving in a straight line on a ice lake, when you hit the brakes, if your goal is to stay in straight path with no spinout, which wheels would you choose to have locked: front or rear? Assuming the steering wheel is kept fixed in both cases, I learned that it's better to have front wheels locked in this case. But can someone explain in accurate terms why? Thanks.
A wheel has traction in two component directions: both parallel and perpendicular to the direction of the movement of the car. The perpendicular components, by definition, won't do anything different for the direction of the car. But the parallel components will cause locked wheels to decelerate less in the parallel direction than unlocked (but significantly braking) wheels. Therefore, the rear wheels locking will (as soon as the car is/becomes a little bit angled) cause more rotation than the front wheels locking. That's why.
As in Gugg's answer: Let's consider the car that has slightly rotated, and let's see if the forces that the road applies on each wheel will correct it, or make it worse:
Decompose the friction of the road on the wheel in a parallel and perpendicular component. The momentum of the parallel component of the left and right wheel cancel each other out (assuming symmetrical conditions). So, for the directional stability, only the perpendicular component is important.
The blocking wheels are a regular sliding contact. Here dynamic friction applies.
The braking wheels are still turning, and so the rubber is not(*) moving relative to the road. So in the perpendicular direction static friction applies. The perpendicular component here will be greater than with the sliding wheels. It doesn't even matter if you are braking or not.
So, if the blocking wheels are at the back. A small instability will increase. Whereas, when the blocking wheels are in front, it will be instantly corrected.
(*) Now, you might say: When the car is going sideways, the braking wheels are also sliding, so dynamic friction applies on all four wheels. That's true, but the distinction between static and dynamic friction isn't as black and white as the theory suggests. For a very small rotation, the sliding is minimal and friction is still higher, and that is enough to immediately correct it.
I think because if you lock rear wheel's and start sliding the car on the ice the front wheel will suffer a frictional force whose line of action could deviate from a straight line parallel to the central line of the car to any other direction causing a resultant force in either direction's which could spin the car. On the other hand if you lock the front wheel the car will start sliding and the rear wheel will suffer a frictional force but in this case the force will align the car in a straight line as it will be a pull force and will keep the carr straight and prevent it from a spinot.
For the same reason Michelin recommends always putting new tires on the back first Tires 101 you any slipping (non-rolling) to occur on the front if stability is required.
So to brake on ice and not loose control (spin out) make sure the front tires lock up first and the rear keep rolling maintaining traction. It is the same reason people put caster wheels on the front of a grocery cart and not the back.


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What's the difference between Ubuntu 12.04 LTS for free and the Official CD of Ubuntu for $5? I didn't know the difference.
There's no difference. The CD is just an annual thing they do for people with slow connections and to raise funds for Ubuntu.
They charge the cost for the CD/DVD, maybe shipping & handling and the seconds it takes to burn it. This helps in several key points:
For the 12.04 for example you would get a box cover like this:
And the CD Cover like this:
In the case of Ubuntu, they charge 5$ for a pack of 5CDs + S&H. Is it worth it, most definitely yeah!. I mean you are getting all that for a little more than 5$.
The only downside is that you'll turn into my dad. He has a collection of all Ubuntu / Xubuntu / Lubuntu / Kubuntu / Edubuntu... CDs since it came out. And I MEAN a collection that he doesn't even take out of the cover box. I mean do you know how many versions of Ubuntu there are and types of flavors. It almost looks like a music collection if you look at it from the side.
There is no difference. Both are the same. But if you like to have the official CD, for keepsake, you can do so. Plus if you have a slow connection, or planning bulk deployment, getting the CD would be an idea.
To buy Ubuntu CD:
Download Link for Ubuntu CD:
There is no difference the users who find it difficult to download can buy the CD for $5. You are free to clone the disk and distribute among your friends.


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I just installed 12.10 and noticed some strange behaviour every time I connect a USB storage device. It reports I already have the device mounted by a different user but there is only one user account on this set up.
Here is a picture of the dialogue:
Also when I try to mount the inserted USB drive, I have to enter gain root privileges before the device will unmount successfully. Like this:
I can't copy/delete any file without root access either with the default file manager or third party file manager,
How do I resolve this rather frustrating experience? Thanks in advance.


text:
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Do you have a press release for the DJC? Send it to Maude Scott.
We accept legal advertising at firstname.lastname@example.com.
Please send Classifieds & Sub-bid requests to our Classifieds Department. (firstname.lastname@example.com)
Here's a list of mail addresses at the DJC.


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Dear developers and users,
I think Kdenlive needs to pickup a name that regular users can make sense of. A good name is one that is easy to remember and easy to pronounce, so it can spread easily.
I opened a bug report with some suggestions so that this request doesn't get lost:
In my opinion this project has reached a level of maturity that turns its name into something very relevant.
Mon, 08/15/2011 - 02:11
yes it does.
it's very strange, and if it's meant to be affiliated with KDE, why would it be pronounced kay-den-live? no one would assume that pronunciation from the text.
also if you tell someone about "kay-den-live", they may go to kaydenlive.com to see more... but it's PORN, which is bad.
i think having a video editing related name is important.... now i don't think it has to be trendy sounding or minimalist, but something with a phonetical spelling and hopefully familiar terms.
i mean no disrespect as this is my favorite editor and i respect the devs so much, but i have to say i agree full heartedly.
Mon, 11/21/2011 - 09:45
that name is too complicated.. Kde nlive.. what does nlive mean?
what about Krender??
Mon, 11/21/2011 - 10:16
Krender sounds like a 3D render engine for 3D modelling software like Blender or something, like Kerkythea. :-)
What's in a name anyway, any one stubbling on that first step to adopting a piece of software deserves to miss out. :-)
Generally in the Linux community I think there are a few things against kdenlive and if there is some sort of concern over adoption then I think it's these:
1. The name 'kdenlive', it's the typical 'k' in everything c--p that kind of affiliates it to the KDE Desktop only, yes it uses that code base and yes it's trying to get closer ties and I think that is not going to help the situation. I've used it right from the first steps when Jason was the creator and sole coder before it could even cut and trim. :-) and I thought then that the name could have been better chosen, but it's the software that matters. :-) I remember an old marketing director of a world wide manufacturing and distribution company of household batteries discussing business and product names saying if you want a name to cheapen your product substitute the C in a word for a 'K', like Kid's Klub, 'Kustom Kars' etc. :-)
2. Confusion with the community that because it has a 'k' in the name it's for the KDE Desktop only, many dislike or down right hate the KDE experience, me included, think it's bloated and inefficient, rightly or wrongly and really don't want to have to install masses of libraries for one or two KDE apps. I'm running it on Ubuntu with XFCE neither Gnome or KDE Desktops, just the necessary libraries. Even installing a base Gnome Desktop adds loads of apps I basically don't need, so this is not a dig at KDE solely :-)
3. Closer affiliation and dependency on KDE for the full functional operation of the application will not improve take up. It's not the name on it's own, but the marketing of the application, educating potential users, starting with listing just what the KDE specific dependencies amount to in terms of libraries and file size.
4. The long standing instability of kdenlive has caused avoidance in the community. Since 0.8.xx kdenlive has vastly improved and is now a real joy to use. Dev support and bug fixing are superb.
5. The preference to Openshot over kdenlive for all the reasons above even though it is quite simply not as advanced as kdenlive, it doesn't have proxies either. :-) But it does have a non KDE dependence.
Changing the name is not enough, another 'k' based name I think is futile. :-)
Mon, 11/21/2011 - 18:12
I'll say that was a bad suggestion. It has to be something that identifies the program for what it can do and is doing for many users -powerful video editing with very nice results. but if it is tied to kde then maybe they don't want to brand it outside the barn.
a name needs to pop up from somewhere that fits..
Tue, 11/22/2011 - 00:55
"that name is too complicated.. Kde nlive.. what does nlive mean?"
Hmm.. you realy don't know?
Non LInear Video Editor
Wed, 04/11/2012 - 09:57
The first part of the name starts with KDE- which made me think it was only for KDE environment so I intalled other software first and ignored Kdenlive for a while - glad I found out otherwise- I was(still am) a newb to Linux.
i think the current name is a bit misleading.
Just call it KAVE = kick ass video editor
maybe there should be suggestions taken then after a week a poll taken and ran for a month and the winner chosen?
EVER= evolving video editor release
Fever=Fantastic Evolving Video editor Release
Mon, 07/16/2012 - 11:00
Remember to check so the .com domain name is available before suggesting a name ;)
What do you say about:
Quite short, easy to remember and the name connects to both Linux and video editing. And the .com domain is available.
Wed, 11/14/2012 - 13:26
Wed, 11/14/2012 - 17:18
jbm is nearly the only developper and i think it work a lot ....
if you have time to lost, you can work on the code or on the documentation ...
Wed, 11/14/2012 - 22:48
The name does suck a bit.
TuxVideo - built on kdenlive technology
Thu, 11/15/2012 - 23:49
@Marhen - Ulead (or whoever owns them now) might have something to say about using VideoStudio, and there's already another FOSS app called Videocut - it's not a particularly inspiring name either, like calling a word processor "Word-Type"
I have to say CineLive sounds a lot like Cinelerra, and in the 21 Century does "Cine" really have any relevance?
I think it's a mistake to use a SomethingMovie or VideoWhatsit, etc. as it'll sound to generic and similar to other things.
I think Kdenlive is OK, it has a certain rhythm and is unlike any other similar app. Good for SEO.
On the other hand you could go really odd, if you're even slightly wedded to the K thing you cold go with "Kuleshov" :-) (Kuleshov.com is gone but .org still seems available.) though it might get even more puzzled looks that Kdenlive.
But please not replacing "C" with a "K" - to native English users it just looks awful, and like something out of the worst of the 1980s, like spelling "Night" or "Light" as "Nite" or "Lite". (*Shudder!*)
@TTguyl wouldn't Tuxvideo imply that Kdenlive was THE video editor for Linux, as opposed to one of a number (albeit currently the most advanced)?
Fri, 11/16/2012 - 10:28
"wouldn't Tuxvideo imply that Kdenlive was THE video editor for Linux, as opposed to one of a number (albeit currently the most advanced)"
I actually just stole Tuxvideo from the post ahead of me.
But so what if it does imply that it is THE editor? Nothing wrong with being bold with the name. If no-one owns it. I reckon it is THE editor.
Fri, 11/16/2012 - 15:02
"DERNIERE", the last word in video editing!
Just kidding...
I think in all these years we got used and learned to love "kdenlive". A change of name would just cause a lot of confusion.
And there is really no need for a snappy name, this is NOT a commercial project, so marketing is not an issue!
Fri, 11/16/2012 - 23:44
Marko is right . It does not NEED a better name. But would better "marketing" bring more developers? I guess maybe not. People with the tEch skills and generosity to dOnate time prob don't care what is in a name. When I was a nube at this I did not care about the kde bit of the name. Even though I run a gnome desktop.
To really make the project fly high it needs a pathway to a windows port.
However, I am pretty sure this will not happen. Dan dendy says he has given up on ever making kdenlive run on windows because of all the kde dependencies. Hence dan's new project (the name of which I forget).
I guess it would all come down to would jbm want to bother changing the name. If it was me I would be thinking there was no compelling reason tO go to all the trouble. Web site changes. Code changes etc. Why bother?
Sat, 11/17/2012 - 13:34
yes this project need more resource (dev, doc, test, spread ...) not to waste time to change name ...
in the last i think that just jbm and other people involved could decide ...
Sat, 11/17/2012 - 14:57
It is better if someone can update news in KDENLIVE twitter handle too!


text:
Intel® Atom™ Processor N400 Series Datasheet, Vol. 2
This is the volume 2 of Intel® Atom™ Processor N400 Series Datasheet, and is intended to be distributed as part of the complete document. This document provides register information for Intel® Atom™ Processor N400 Series.
Throughout this document, Intel® Atom™ Processor N400 Series is referred as the processor and Intel® NM10 Family Express Chipset is referred as the chipet.
System Address Map
The processor supports 4 GB of addressable memory space and 64 KB+3 of addressable I/O space. There is a programmable memory address space under the 1 MB region which is divided into regions which can be individually controlled with programmable attributes such as Disable, Read/Write, Write Only, or Read Only. Attribute programming is described in the Register Description section. This section focuses on how the memory space is partitioned and what the separate memory regions are used for. I/O address space has simpler mapping and is explained near the end of this section.
The processor supports a maximum of 2GB of DRAM. No DRAM memory will be accessible above 2 GB. DRAM capacity is limited by the silicon fuse. There is no hardware lock to stop someone from inserting more memory than that is addressable.
Read the full Intel® Atom™ Processor N400 Series Volume 2 Datasheet.


text:
The Voice-Tribune's Best Dressed presented by Churchill Downs has always attracted Louisville's most fashionable. And this year is sure to be no different.
Along with finding the perfect outfit and accessories, sporting the latest hairstyle is just the finishing touch you'll need to look your best on Saturday, Aug. 25.
Joseph's Salon & Spa, 3938 Dutchmans Lane, is the official hair and makeup provider of BD2012. Go for one of these hot styles provided by Joseph's for Fall.
Call 502.897.5369 to set an appointment with one of Joseph's stylists.


text:
Scholars specializing in law, history, and the social sciences recently drew standing-room-only crowds to Jerome Greene Hall for the Chinese Law and Society Colloquium. The interdisciplinary series featured lectures on law, history, literature, and political science by China experts from Fudan University, MIT, and the University of Michigan Law School, among other preeminent institutions.
"There is a lot of exciting work being done by scholars on both contemporary law and society and on Chinese legal history," said Benjamin L. Liebman, director of the Law School's Center for Chinese Legal Studies. "This colloquium is one step toward fostering cross-disciplinary dialogue."


text:
I am busy writing a program which determines the correct length and force on steel cables when hanging objects from the ceiling. One of the features is that it calculates the correct length, but I would like to add a feature which tells you which cables you should use if you only have fixed cable lengths.
For instance if you want to achieve a cable length of 220 feet, but you've only have fixed length of 250, 200, 100 and 75 feet.
I could write a sequence which just calculates all possible solutions with the answers. Similar to this:
250 = too long by 30 feet
200 = is too short by 20 feet
200 + 75 = too long by 55 feet
100 + 100 = the same as 200 but 2 cables instead of 1
100 + 75 = too short by 45 feet
100 + 75 + 75 = the same as 250 but 3 cables instead of 1
75 + 75 + 75 = too long by 5 feet but the closest one.
In this example I left out that connecting two cables will add a small fixed length to the total sum.
I would like to calculate the combination of cables with the least number of cables and the smallest error. Like the 3x 75 feet cable as solution in the example above. So the first criterion is smallest error and the second is the least number of cables with this small error.
Is there a mathematical way of doing this because for this example I only used a few lengths but in my program there will be +/- 25 cable lengths.
I've searched the internet and it is an optimization problem, but I don't know where to start. So hopefully someone here can point me in the right direction.
Thank you for your help!


text:
Voice/Audio USB Recorder for $19.91
Here's an item that's useful, compact, easy to use and just plain neat! It's a mini voice recorder that plugs into your computer for both playback and charging.
All you need to do is charge it up and when you need to record a voice or audio, just flip on the switch and it's recording. Plug it into your computer and open up the audio files like you would any USB storage device.
You can record up to 25 hours without having to make space on the device. This is perfect for long lectures--you can fit a whole semester of classes on one recorder!
This is also great for personal journals, research notes, or whatever you deem necessary to record. Have you ever heard a song when you were out and couldn't think of the name? Problem solved--just flip the switch, record and find out later!
- USB voice and audio recording device
- Rubberized plastic construction (black)
- LED on/off indicator
- Keychain/utility loop so you can have it with you always
- 2GB - 25 hours of audio


text:
Ingredients: 14 oz. bittersweet dark chocolate, chopped 1 cup of dried fruit and nuts chopped (I used a blend of apricots, raisins, cranberries, almonds & walnuts) Directions: Line ...On January 15, 2014 / By Nina Safar
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Get your daily dose of inspiration with the all new Inspirarions for Muslims! Download now
We recall the authentic report from the Prophet (p.b.u.h.), "Whoever imitates a people, he is one of them." And also, "You will follow the tradition of those people who came before you exactly..." (this portion is in the two
Saheehs) And he confirmed, when asked whether he meant the Jews and the Christians, by saying "who else?" (Ahmad, Aboo Dawood,
Hasan Hadith, authenticated by al-Albani in Sahih Jami` us-Sagheer 6025)
The rulings on imitation cannot be dictated in details because each case has its own barriers set by the texts, based upon a principle of the shar` which is accepted by the people of knowledge, and the understanding of the religion.
But there are some universal rulings, concerning a group of general categories of imitation which are not specified:
1. The type of imitation of the kuffaar which constitutes Shirk and Kufr. Like imitation in creed, imitation of the Jews and the Christians or the Zoroastrians in matters that affect Tawheed, and creed. Like ta`teel: it is the negation of a name of
Allah ta`ala, and an attribute of His, and limitation in them, like the belief that
Allah ta`ala is limited inside one of His creatures and that He unites with His creation. As well as glorifying certain
prophets and righteous people, and worshipping them, and calling upon other than
Allah. As well as legislating with a legal system other than the Shariah, all of these are either
Shirk or Kufr.
2. Some imitation is disobedience and sin, like copying the kuffaar in some of their manners, like eating with the left hand, and drinking with it, and wearing gold, and adorning oneself with it by the men, and shaving beards, and the women resembling the men, and the men resembling the women, etc.
3. Some of it is Makrooh in which its ruling is that it is between the lawful and the unlawful.
And one question remains: "Is there anything which the Kuffaar do that is lawful?"
I say, the allowable is that which is not characteristic of them in their matters of life. That means it is from the Muslim characteristics. This permissible action (imitation of it) must not be harmful to the Muslims, nor contribute to the interest of the
Kuffaar. One of the permissible actions (actions in which imitation is permissible) is the positive materialistic production which does not harm the Muslims. Also, material science which does not affect religion and morals, these kinds of actions are permissible. Additionally, sometimes the Muslims must benefit from the worldly sciences of the
Kuffaar. And what we mean here by worldly, is that the science does not affect our belief or the principles of
Shariah or cause the Muslims to fall into subjugation and belittlement. This is what is meant under the section of worldly.
By: Dr. Nasir al-Aql Source: islaam.com


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When douchebag's dye the tips of there spikey hair blonde, usually resulting in looking gay.
Wow look at my new frosted tips!
Those are so 10 years ago.
Those are so 10 years ago.
by bobby mcfaren July 06, 2009
Trending Now
Top Definition
A fad from the 90's that everyone now denies (similar to AIDS)
Man Magic is so lucky he didnt get AIDS or frosted tips
by Balla that Hollas September 12, 2012
The majestically art of a male ejaculating into a females mouth. Then the female spits out the cum on to the head of the penis. Thus resembling a frosty tip.
Joe got a frosted tip at beach bash from a freshman transvestite
by mth bluff December 15, 2009
term for a creepy, faggish, wanna-be cool person; one who goes so far to be creepy faggish and cool that they bleach and spike the tips of their hair.
Guy One: Hey Frosted tips! fag!
Frosted Tips Guy: :(
Frosted Tips Guy: :(
by Fenton Debinsky September 21, 2006
When a dude jizzes in a female's hair, creating the exotic illusion of frosted tips.
1. "Come here baby n let me give u sum frosted tips"
***ejaculates everywhere***
2. "omg gurl, awsum highlites u look like a total babe!"
"....oh, these are just frosted tips that some guy at the club gave me last night."
***ejaculates everywhere***
2. "omg gurl, awsum highlites u look like a total babe!"
"....oh, these are just frosted tips that some guy at the club gave me last night."
by mrrager69 January 20, 2013
Meaning to tit-fuck a lady and then jizz on her breasts
Guy 1- dude I totally gave that chick from the club last night some nice frosted tips
Guy 2- nice!!
Guy 2- nice!!
by Big badass bassist February 09, 2012
coloring the tips of spiked hair for guys. It looks pretty good if done right.
"My girlfriend thinks i should get frosted tips"
by legendkiller1219 May 05, 2009


text:
Please Note: By clicking a link to any resource listed on this page, you will be leaving this site.
March of Dimeshttp://www.marchofdimes.comThe March of Dimes seeks to prevent birth defects, infant mortality, low birthweight, and lack of prenatal care.
Little People of Americahttp://www.lpaonline.orgLPA is a nonprofit organization that provides support and information to people of short stature and their families.
Note: All information is for educational purposes only. For specific medical advice, diagnoses, and treatment, consult your doctor.
© 1995-
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text:
I have two site collections existing in two different web applications. I am the site collection administrator of both.
I have created an HTML file which is placed in the layouts folder and uses the SPServices jQuery application to execute GetRolesAndPermissionsForCurrentUser.
In one of the site collections when I run I get:
<Permissions value = "9223372036854775807"/>
Which is true and means I have Full Control.
If I try the same script in the other web application I get:
<Permissions value = "4611688150878591999"/>
I really do not understand what this value means.
The reason why I was trying this is because in SharePoint Designer I am not able to open the site with:
<Permissions value = "4611688150878591999"/>
Can somebody let me know why I see this behaviour?


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Hypertext'2 Trip Report
York, U.K., 29-30 June 1989 . The conference proceedings can be bought online.
Hypertext 2 was the major conference in Europe this year in the hypertext field and attracted 200 participants. Actually it had "attracted" many more who were just not there but had been turned away because the organizers had committed the same mistake as the planners of the Hypertext'87 conference in North Carolina and placed the conference in a location which would only hold 200 people. Their original assumption was that a hypertext conference in the U.K. might attract 100 participants, but that was the underestimate of the year. Hypertext is hot these days.
Most of the participants came from the U.K., but there was also a fair number of participants from many other European countries as well as from USA/Canada and Asia (Japan and Singapore, of course).
As can be seen from the name, Hypertext 2 was the second U.K hypertext conference. The first was (surprise) Hypertext I which was held last year for an audience of only 35 people. So since the proceedings of Hypertext I had seen only limited distribution, the organizers had taken the somewhat unusual step of including them in the material for Hypertext 2 (The Hypertext I proceedings are also published as Hypertext Theory Into Practice by Ablex).
Furthermore, the registration packet included a hypertext version of the Hypertext I papers in Guide form. Unfortunately this hypertext version was quite poorly done, as can be seen from a few examples: The very first chapter contains the following words: "Figure 1, on the next page ..."-a piece of text which was obviously taken unchanged from the printed version of the chapter. Since Guide uses scrolling text fields, there is no such thing as a next page, and furthermore any decent hypertext would provide a link for the user to click on here. Even worse is of course the fact that the figure has not been included in the hypertext version. In general, only very few of the figures from the book are also in the hypertext. The hypertext also uses an inconsistent notation for the anchors for Guide expansion and reference buttons.
It was amazing to see the explosion of activity generated by HyperCard at various universities and research centers. This conference did not have very much work in evidence done at actual companies using HyperCard, however, even though I personally promote it also for prototyping "real" user interfaces in a paper presented to a broad audience at the NordDATA'89 Joint Scandinavian Computer Conference. In any case, many of the uses of HyperCard demoed at this conference had nothing to do with hypertext as it is traditionally understood but were simply prototypes of general graphical user interfaces. In spite of the heavy presence of Apple systems at the conference there were no speakers or demoers from Apple who had preferred to concentrate on some commercial event taking place in Glasgow.
One of the more interesting examples of the use of HyperCard was shown by Harry McMahon and Bill O'Neill from the University of Ulster who had placed a few Macintoshes with sound and image digitizers in an elementary school to get the pupils to create their own interactive fiction. Of course, most of these stories were fairly simple, such as (created by a 7-years old) "the teddy bear went for a walk in the forest and met another teddy bear"-shown over a sequential series of HyperCard cards like a cartoon strip. More advanced designs used a facility called bubbles where the children can first draw their cards and then choose from various shapes of comics-like speech and thought-balloons to add to the image. The interesting idea is that it is possible to add multiple bubbles to each card whereupon they will be displayed to the reader one at a time. In this way, it is possible for the child to generate a dialogue between the characters in the story. It is even possible to contrast what the characters say with what they think. For example, in a story about a mouse about to be killed, it asked for a last wish: To sing a song. This wish was spoken out loud (placed in a speech balloon) but the mouse's thought (placed in a thought balloon) was "I am not as stupid as I look." The next speech balloon revealed that the mouse had chosen to sing the well-known song about bottles on a wall (falling down one at a time), but starting with "A thousand million green bottles sitting on a wall..." So this smart mouse would survive for some time to come.
Most of these stories were basically linear in nature which is why I said that they did not really have all that much to do with the concept of hypertext. McMahon and O'Neill had on purpose avoided to introduce commercial hyperstories (such as e.g. Inigo Gets Out or The Manhole) to the children so that they could observe the natural evolution of their approach to the new medium of interactive fiction. It actually did happen that a few 10 years olds did discover the hypertext principle on their own. They were creating a story about a person who was visiting an alien world and was captured by the aliens. He was offered a job by the alien boss and now thought to himself: Should I try to escape or should I take a job? The reader could click on either of these two thought balloons to proceed with the story. McMahon remarked that an interesting aspect of this story design was that the pupils had had to change their perspective on writing. Originally they thought of creating a story as they went through it (writing for the writer, as it were), but in this new situation, they had to consider what the reader could do and would want to do, so they had to change their perspective to writing for readers.
Hypertext in the Real World (Peter Brown)
The best presentation at this conference was probably the invited speech by Peter Brown from the University of Kent. Brown was the inventor of Guide which is now being sold for the Macintosh and IBM PC by OWL while Brown continues to develop the Unix version.
After his presentation, Brown was asked what had prompted him to develop Guide in the first place. His answer was that Guide had not originally been developed specifically as a hypertext system. It was developed as a solution to a problem: That of viewing online documentation which was traditionally displayed in a horribly perverted form of the paper versions.
Brown's talk was also concerned with the issue of providing solutions. He said that it is easy for researchers to move in a dream world divorced from real user needs and that this is often encouraged by funding agencies who often do not want to admit failure by stopping grandiose but useless projects. Therefore he wanted to relate an example from the real world to show us how hypertext was really being used. OWL had developed the world's first personal computer hypertext system on the basis of Unix Guide and now has a large amount of world-wide corporate business in e.g. the automobile industry. But the Unix version of Guide has also continued in development at the University of Kent. So Brown felt that Guide could now be seen as a mature product in terms of usage experience.
Brown said that he is often asked whether Guide is better or worse than HyperCard: His answer is "no," since it is neither better nor worse, but different. One major difference is that Guide is based on scrolling while HyperCard is frame-based. Some information lends itself naturally to being divided up into several cards, but some doesn't, and in those cases the scroll model in Guide helps by removing the complexity of having information split over several cards.
In choosing a problem to present in his talk, Brown faced several difficulties: A toy project of a few thousand lines of text would prove nothing. There is also a danger of choosing a project which is the first in some field since the "first" of anything always generates extra excitement, attracts the best people, and gets extra funding, and therefore again would not be realistic. Even though he realized this, he had chosen an application which was the "first" since it at least was large-scale and had strict funding criteria where the people on the project had to justify the commercial viability of the project. Brown presented a project from the computer company ICL called LOCATOR done in collaboration with the University of Kent. People at ICL are actually going to sit in front of the Guide screen 8 hours a day to use LOCATOR.
The project is concerned with answering hardware fault calls (so-called "laundering"): Customers call for service over the telephone and the goal is to diagnose the fault so that an engineer can be sent if needed and will bring the necessary spare parts to the customer site on the first visit.
The system runs on Sun workstations, and the launderer sits at the workstation with a document displayed in Unix Guide. In such a real world project, things are never as smooth as one would want. For example, users change their mind half way through the conversation. The caller may not know the answer to technical questions and may have to suspend the conversation and call back later. Because of the importance of the laundering service, it has to be up all the time even when the permanent staff is away, so it may have to be manned in certain circumstances by temporary staff with only half an hour's training, leading to high requirements for usability. The design was fairly simple and consisted of hierarchical clicking on inquiry buttons to answer various questions. There were also hypertext links to various help screens, e.g. showing how a laser printer control panel looks.
A question from the audience was how that solution to the diagnosis problem compared with using an expert system. Brown's answer was that there had been some inter-company fights within ICL between expert systems and hypertext, but that in this case, hypertext won. Since they had not implemented the expert system also, we could not know for sure which option would really have been best.
After having presented this case study, Brown turned to discussing eight issues in practical hypertext use:
- The first issue was that people do not want hypertext systems, they want solutions. Hypertext of course may be part of that solution. We need to use the customer's existing tools and often need to integrate the hypertext tool with other tools in a single seamless package to be part of the company information system
- The second issue was authorship. The ideal would be to use completely differently techniques from paper and e.g. Glasgow Online was lucky to get funding to do this by starting from scratch. But in most cases one has to do conversion from existing materials in a two step procedure. The first step was the use of automatic tool to convert from plain text to hypertext (some people like Tim Oren from Apple think that a project should be reconsidered if automatic link analysis is all one is going to do, considering the hypertext medium is not really being used). The second step was tailoring the hypertext by hand: This is expensive but necessary.
- The third issue was testing which needed to be done in four different ways:
- Debugging linkage errors: It was fairly easy to have automatic check for dangling links and slightly harder to check that each link pointed to the node where it was supposed to go.
- Spelling checks and check for house style of hypertext. In their case, these checks could be done with automatic tools since Unix Guide uses troff tags for markup, allowing existing tools to be used.
- Testing the quality of the material itself.
- Testing ease of use using human factors methods. For example, they frequently found that buttons were too small. Brown said that there were no easy answers to this testing, but that one vital thing was to log each user session for future analysis.
- Issue four was handling large documents. If one leaves out the images, the example ICL system is just a few megabytes, so it is not massive, but it is still large. The worst problem is taming complexity, and discipline is vital to doing this. To achieving such discipline, Brown advocated having a strong hierarchical backbone to the hypertext. One should also use common formats for the presentation of the information and develop a "hypertext house style" for how to use buttons, how to present them, etc. This discipline not only helps the author and the people maintaining the document, but also the readers.
- Issue five was the getting lost problem and Brown noted that most of the papers at the conference were on this problem and on navigation. In their system, the getting lost problem is not so bad for the launderers but it is a moderate problem for the authors. Unix Guide's lack of gotos may have helped on this problem. In many cases they have paths which join: leading to the same conclusion from various starting points (e.g. the fault "no power" can be diagnosed from the symptoms "cannot boot" and "screen blank"). From the user's perspective, everything is represented as a natural hierarchy where the "no power" node is copied to every location where it is needed instead of having the user jump to a single "no power" node.
- Issue six was the cost of projects. The LOCATOR experience was that diagnosis was 20% better than when done from a paper form of the information. The proportion of customer calls handled correctly had changed from 68% correct when using paper to 88% when using the hypertext, even rising to 92% after some use of the system. This leads to big savings in money when you don't have to have engineers drive in vain or back to get extra spare parts. It also does seem to be worth the extra cost of getting the workstation for displaying the info. The primary advantages of hypertext are better information and quicker access to the information. A further advantage is that when hypertext comes into a company it provides an opportunity to standardize the information.
- Issue seven was abstraction in the information and getting away from gotos (Brown's pet peeve). ICL had produced a special authorship tool for the macro level in the original Unix philosophy of having special modular tools.
- Issue eight was handling change. It is easy in hypertext to change the individual nodes, but hard to change the structure of the information base. The author needs to record why he/she did things and capture the design rationale: When another person looks at the document 3 years later it is nice to know why the structure is there and how it is. There is a potential serious problem with long term maintenance. We currently have no real experience with this aspect of hypertext but we can fear the worst because software maintenance typically accounts for at least 50% of the cost of a project and there is no reason to believe that it should not be just as bad for document maintenance.
We are roughly in the same stage with respect to hypertext development as programming was in the 1960s. In hindsight, the programming tools were not very good then, but people still did significant software projects, just as we can now do significant hypertext projects. We cannot assume that the problems will be completely solved (just as there is no "silver bullet" for software engineering), but we can aim for incremental improvements.
As a more general comment, Brown said that designers and computer scientists try to find a few general features which can cover all applications, but that the real world unfortunately is not like that. One needs special features for special applications which are so diverse, and sometimes, even different authors have different needs within a single application.
A Guru goes Commercial (Ted Nelson)
Ted Nelson was the second invited speaker and he gave his presentation actually dressed up in a nice suit. One of the main elements in Nelson's talk was his relief that he had finally been recognized by a major company in the form of Autodesk which had bought Xanadu and was going to release the Xanadu file system shortly. They are planning to release the product in the first quarter of 1990 in the form of software keeping track of addresses of information which is constantly moving around. You have virtual addresses which do not change and which can be kept in a document as pointers. The Xanadu product in 1990 will be for single computers on a LAN connecting to a server. The bad news is that this is incompatible with all other current software. But we have to start over because of the current problem of people having so much data in different file formats which they cannot read anymore. Nelson called this a hideously tangled web. The Xanadu proposal is to have a stable repository of data which can be accessed by various other means. This is meant to be a win-win solution for everyone: A level playing field which can be used in many different ways. Project Xanadu will then release the full publishing system 2 years after the Xanadu server. [ Note added 1997: of course, we now know that Xanadu remained vaporware for many years after these projections.]
In true "hyper"-style, Nelson started his talk by quoting the conference chair, Ray McAleese's introduction to the proceedings. McAleese had written that "when Ted Nelson wrote that the structure of ideas is not sequential, he could not have envisaged how the idea of hypermedia would take off." Oh, yes, he could , said Nelson! It had been "obvious" to him that print would be replaced by online text by 1962.
Nelson complained that people always give him credit for having invented the word in 1965 but never ask him what he has done since then. One of the things he has done is to develop the Xanadu file system to serve as a backbone for large interconnected hypertexts. Nelson was very upset about the CD-ROM business, which is unaware of the general directions we much take. The good news is that you can have 500 Mb on a disk, but the bad news is that you can only have 500 Mb on the disk, because it isolates the knowledge on each CD-ROM: We are in a Balkanized information situation where higher and higher walls are being built around the borders of each document. It will not be true that Xanadu will only be useful when everything is in there. It will be useful in all situations where you want to include information from one document in another and keep track of versioning, such as e.g. a lawyer's office.
Literature is the interconnected set of documents in a specific field and it is the cross-connections which give the whole added value compared to the parts. Nelson admitted that free interconnections will result in a confusing tangle of stuff - but that is what we have already. When reading a specific document, you will see only the interconnections which a specific editor has decided are relevant to you, but you can push aside the editor's filter and see everything. Even though most of Nelson's talk was a repetition of material from his earlier books, this recognition of the need for editors seemed to be a new aspect of his thinking. We could actually develop the editing concept even further, since there is of course the the democratic possibility of having several editors. But then we may start seeing the need for meta-editors in the form of people who recommend which editors you should pay attention to. This is somewhat like The Whole Earth Catalog which is a handbook of what handbooks are good to use.
Nelson was in favor of having hypertext through a concept he called transclusions. This involves not just having links but being able to take a part of another hypertext and include it in your own. Examples of this are collages and anthologies. Currently the copyright problem makes these kinds of publications difficult to produce in a kind of n-square problem where you have to write to everybody to get permission. For use in transclusions, the node model of hypertext is wrong. Nelson felt that we have to be able to make links to spans of bytes using a finer granularity than nodes. Furthermore, a span of characters may be discontinuous. Nodes are too primitive to support this, and in most hypertext systems, links usually point to either large chunks of information or to slits between chars (i.e. a single insertion point). Nelson said that he would be describing a lot of these ideas in a an anthology to be released later in 1989 called Replacing the Printed Word.
At the end of this keynote talk, Nelson wanted to show some slides. Unfortunately some confusion had resulted from the transfer of the slides from his American carrousel to the British slide carrousel, resulting in the slides being completely out of order. And ironically, Nelson did not feel like giving a non-linear presentation of his slides (many people made fun of this). Instead, he got a chance to present his slides the next day when they had been put back in their intended linear order.
Nelson used plenty of one-liners in his talk, such as: "You have to dig deep to do anything serious with HyperCard and pretty soon you hit the cement at the bottom."
The Elastic Charles
The most technologically fancy system presented at the conference was the Elastic Charles by Hans Peter Brøndmo and Glorianna Davenport from the MIT Media Lab. This is an interactive film about the Charles River in Boston implemented on a Macintosh II with HyperCard, a ColorSpace II video overlay (genlock) card, and a video disk player. 15 students shot film about what they thought the Charles River was about (e.g. history, rowing regattas, bridge reconstruction, dams, pollution) and the Elastic Charles integrates all this film to a single hypertext magazine format.
Br¿ndmo said that they are not so much trying to develop sexy technology as to push the form of hypertext, especially with regard to extending the hypertext concept of linkage to temporal media such as video. They used icons to have a less imposing way to let users move along a story path. To generate good icons to represent video clips as hypertext destinations, they use miniaturized clips of video as icons which are shown on top of the main film image. They had coined the term micons for these live video miniature icons.
When working with video, the linking paradigm gets a temporal component: The author has to define not just where on the screen an anchor micon should be placed (as in standard HyperCard), but also when it should appear and disappear while the user is viewing a piece of video. A further issues in jumping between film clips is what should happen when you return to the departure point: Should you continue to watch the film clip from where you interrupted it by jumping somewhere else, or should you start watching it over again (or just rewatch the last few seconds from before the jump)? It seems to me that there are major possibilities for disorientation buried here but unfortunately Br¿ndmo and Davenport did not present results of user testing of their interface.
They do have a filtering mechanism to allow users to see some links/micons and not others. They are also working on a voice interface to the filter so that the user can say e.g. "history" to see the history list icons.
In her presentation, Davenport mentioned that she considered Aspen as one of the most interesting art works of the early 80s. But unfortunately it never left the lab. Actually, it seems to me that MIT should donate the Aspen system to the Computer Museum if they have not done so yet.
Navigation and Browsing
About half of the sessions at the conference had navigation and browsing as their theme. Pat Wright from the Applied Psychology Unit in Cambridge listed five navigation tasks:
- Going to a known place.
- Going to a ill-defined place.
- Going back to where you were earlier.
- Going somewhere new.
- Knowing how much reading would be involved to read a given section before you start reading it.
Wright also presented the results of studies looking at the first two of these issues. She had investigated the two main approaches to help readers goto a designated place in a text:
- To have a separate navigation display. This leaves more room for text on main display and also gives more space for navigation support when the navigation display is actually shown because it can potentially take over the entire screen. On the other hand, having to shift back and forth between two displays may be clumbersome for readers. Wright tested this principle in an index design where users could go to a separate HyperCard card listing all the other cards in the stack.
- Navigating from the text page itself. This saves an intervening step but since there may not be much screen space left over, users need to do more navigation. Wright tested this principle in a page design having some hypertext buttons directly on each HyperCard card.
She had tested the two different navigation designs with two small hypertexts and used subjects who were members of general public with a mean age of 40 years. The results showed that subjects performed best with the index design for one of the hypertexts but better for the page displays for the other hypertext, so the conclusion had to be that there is no universally best navigation style. In some cases it may be reasonable to separate the hypertext navigation from the text display to provide users with a better overview but in other cases it is most efficient to allow users direct links.
In a questionnaire they asked their subjects to comment on how good they would think online information would be for various kinds of information to be read by various kinds of users. The subjects having used the index design rated 48% of the items as suitable while the users having used the page design only rated 20% as suitable for electronic presentation. This is an indication that the users of the system with a separate navigation display had had the most positive experience with hypertext.
In another study, Cliff McKnight from the HUSAT research center at Loughborough had tested various different ways to provide overview diagrams. They had used the text on houseplants that had also been used in Pat Wright's experiments so there might over time be a chance to collect several different research results based on the same text.
They had tested three different factors in the design of overview diagrams: Listing the elements either hierarchically or alphabetically, the presence or absence of a current position indicator, and finally the use of typographical cues to signal the hierarchical structure of the text (by the use of CAPS for major headings, etc.). Unfortunately they had not tested graphical layouts versus purely textual layouts, but of course their experiment was complex enough already.
In describing the design of their experiment, McKnight stated that "obviously" the subjects had been prevented from using simple string search in answering the questions. Actually this indicated to me that they may be testing the wrong kind of tasks. Personally I find it more interesting how overview diagrams perform when they are used in combination with other navigation methods since it is exactly when users jump around in an uncontrolled manner that the overview diagrams may be the most useful.
The results showed that subjects using the hierarchical contents list navigated more efficiently than subjects using the alphabetic contents list and that having a current position indicator also improved efficiency. There was no significant effect of typographical cues.
The overview diagram was accessed more times by subjects who had the hierarchical contents list than subjects using the alphabetical contents list which might indicate that the hierarchical list was more useful. This study used a very small hypertext of 24 HyperCard cards and it is likely that the hierarchical contents would do even better in a larger hypertext where it would not be possible to show a complete alphabetical listing on a single card.
Finally, McKnight mentioned that they had used an objective measurements of task performance to assess whether users were lost in the hypertext and not and the users' own subjective feelings of being lost. In real life, it may be that the users' feelings are the most important since they will determine whether this kind of system will be used.
Hypertext meets Interactive Fiction
Gordon Howell from the Scottish HCI Centre in Edinburgh gave an introduction to the field of interactive fiction. There is a fundamental difference between interactive fiction and information systems because the goal is not to find the answer as soon as possible but rather the experience itself, so you may want to draw out the resolution of questions for quite long. Howell started by giving some real life examples of creating your own stories as you go along:
Conversations (you are not sure what you are going to say before you say it), panel sessions at conferences, games such as adventure games, and several books, including both encyclopedias, Borges' Ficciones , and Pavic's Dictionary of the Khazars which was totally sold out in the Edinburgh bookshops after a favorable review in The Scotsman.
There are difficulties in interactive fiction in practice, however. Current technology limits the size of an interactive fiction so that after a short time you will have read it all or at least have an indication of what the author has to offer. Current interactive fictions are also too predictable so that the reader does not really feel in control: The illusion of free will lost and it becomes a game instead. Finally, a lack of serious consideration in the literary world leads to interactive fiction being on the fringe, leading to mostly trivial works being produced.
For the future of interactive fiction, Howell assumed that we would get more interactive fiction shells like Storyspace and more sophisticated models and algorithms for interactive fiction This would not be enough, however, because we would also need a serious treatment of interactive fiction in education where the students try out experential reading and a literary consideration of interactive fiction by real writers. Commercial interactive fiction would lead to the development of better hardware and user interfaces as well as to marketing concerns. All of this should be a natural for the entertainment industry. Howell felt that we have a responsibility to open up new forms of self-expression for people and therefore called for more research and practice in the field of interactive fiction.
System-Assisted Customized Browsing
It is fashionable in the user interface field to talk about allowing users to customize their interfaces. In real life, however, most system either don't allow any customization or are limited to surface changes such as color assignments. Andrew Monk from the University of York had designed a facility for customization in hypertext by the construction of a personalized browser which would hold hypertext links to those places in the hypertext network to which the user would want to have easy direct access.
Of course, just providing a facility for a personalized browser is not enough. It must also be easy for users to construct such a browser, since they will otherwise not use the facility. In Monk's design, ease of construction was achieved by having the system unobtrusively monitor the user's movements through the hypertext. If the user returned to a specific node frequently enough, the system would assume that that node would be a candidate for inclusion in the personalized browser and would ask the user if the node should be added to the browser. If the user answered yes (a single click), a link to the node would be added to the personalized browser.
One problems with this approach which I raised during the discussion following Monk's presentation was that it is somewhat similar to the principle of "activist help" where the computer interrupts the user's work. An activist interruption may be helpful in situations where the user is having trouble, but it may be disruptive to users in the navigation situation. Unfortunately, Monk did not yet have enough practical experience with his design to be able to tell whether this was indeed a problem or not.
Monk had implemented his design in HyperCard as had so many other speakers at this conference, but Dan Russell asked what would happen in hypertext systems with multiple windows rather than a single frame. In e.g. NoteCards, the user's state could be viewed as consisting of the complete set of currently open windows, so one would want to have a reference to such a "tabletop" from the personal browser. The reference itself would be no problem since they have already implemented a tabletop facility at Xerox PARC, but the monitoring of the user's navigation behavior would be harder since users rarely return to exactly the same configuration of windows. Therefore the simpleminded solution of just counting how many times a given state occurred could not be used to activate the prompting mechanism for adding the state to the browser. After the session I came up with the possible solution of using a clustering algorithm to construct sets of related windows based on their similarities as measured by how frequently they were opened at the same time. The system could then count how many times each cluster was displayed, and the customization could proceed as with Monk's current design.
It is interesting how each new idea in hypertext gives rise to many additional user interface issues that we don't really know how to answer. One more such issue that came up in the discussion of Monk's personalized browser was what would happen in large hypertexts where the browser would tend to accumulate many references and therefore grow unwieldy. The answer seems to be that the user would probably have a current working set of hypertext nodes which were important at any given time, and that it would be those nodes which should be listed in the browser. One approach would be to use methods from virtual memory management and throw away the least recently referenced node if too many links are added to the browser. To stay with the paradigm of a customized interface we should probably require the user to confirm the deletion before it takes place, but it would still be nice to have the system come up with a suggestion for what link to remove.
Travel Difficulties
The travel metaphor is popular among hypertext enthusiasts so it gave rise to many jokes that workers at British Rail chose the day before the conference to strike and close down all train service in the U.K. The conference participants from the U.K. knew about the strike in advance and so had planed to drive to York by car. I however, arrived in Manchester Airport from Denmark without expecting any trouble. When I asked the taxi driver to take me to the railway station, he replied "why do you want to go there, there are no trains running today." Of course by then it was too late to get a rental car (completely sold out), so I ended up having to take a taxi all the way from Manchester to York. Luckily taxis in Manchester are of the London model with large, comfortable interiors, so I was able to spend several hours in the taxi reading submitted papers for the Hypertext'89 program committee and typing reviews on my trusty Z88 laptop computer.
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St Louis friendly sells out in 20 minutes
- 03 April 2013 18:01
- Posted by @markbooth_mcfc
City's post season friendly in St Louis sold out in just twenty minutes.
The game against Chelsea proved to be the hottest ticket in town as more than 46,000 tickets for the Busch Stadium contest went in double quick time.
Hosts, the St Louis Cardinals, the two Premier League clubs and the organisers were all delighted at the paying public's response.
Tom Glick, Chief Commercial and Operating Officer for Manchester City said:
City first visited the US in 2010 and the relationship with North American fans has grown year on year ever since. We believe in US soccer and we know how much passion the fans in North America have for the beautiful game.
...Tom Glick - Manchester City FC...
"The Club is committed to giving fans across the world the opportunity to get close to Manchester City FC."
Charlie Stillitano, President & CEO of Relevent Sports said:
"We are thrilled about the reaction and enthusiasm from the wonderful fans in St. Louis for the match between Manchester City FC and Chelsea FC.
"We truly look forward to May 23rd which promises to be a special night for all involved."
Vicki Bryant, Vice President of Event Services and Merchandising for the St Louis Cardinals said:
This event is the hottest ticket in St. Louis.
...Vicki Bryant - St Louis Cardinals...
"It is like a ticket to game 7 of the World Series! We are absolutely thrilled with the response and looking forward this great match."
The 2011-12 Premier League champions will take on the 2011-12 Champions of Europe on Thursday, May 23rd at 7.30pm CST.
It will be the largest-ever attendance in the iconic stadium's history and the first football match ever played between international teams in the hallowed home of the St Louis Cardinals.
News of this sell-out follows a day after City announced its latest groundbreaking project in Washington, in association with the UAE Embassy in the US as the club continues with its commitment to engage with fans across the Atlantic.
The Busch Stadium is among the most fabled venues in North American sport and home to the St Louis Cardinals, one of Major League Baseball's most decorated teams, and winners of 11 World Series titles.
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I've just tried cleaning my chain and cogs with some really hot water and washing-up liquid. I also used a toothbrush, j-cloth and a non-scratch scourer. After over an hour of some serious elbow grease I could shift some of the outer dirt and muck, but still can't get the base layer of grease off. What can I use to completely strip the grease and muck off the chain?
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A degreaser, whether aerosol or not, is an excellent way to remove grease from the chain.
The degreaser will reduce the amount of elbow grease required but be careful and use a set of nitrile gloves to protect your hands.
My simple chain cleaning method is as follows:
Shift into the big ring and little cog, wet the rag with the degreaser
Grip the chain (lower portion, going from big ring to the derailleur) with the rag, focusing on holding firmly onto the outer plates.
Turn the crank putting the chain through the rag. Readjust as necessary as you remove grease and grime from the chain (ie. don't keep rewiping schmutz back onto the chain).
When sufficiently clean, remove the rear wheel from the bike and place it between yourself and a wall (ie. tyre against your stomach/tyre against the wall keeping the wheel propped between yourself and the wall) over a garbage can.
Using a thin screwdriver or a cleaning tool ( http://www.parktool.com/products/detail.asp?cat=4&item=GSC-1 ) clean the grass and grease build up from between the cogs of the cassette/freewheel. Lightly apply degreaser to the brush portion of the tool and scrub at the cogs to free up the grease/grime.
Using a rag, with degreaser on it, insert the edge of the rag between the cogs and 'saw' back and forth with your hands thus spinning the cassette and fully wiping the whole cog. I typically move from top to bottom of the cassette (keep the grime flowing downwards).
Wipe down cassette, hub and any spokes/rim that could have been contaminated. Reinstall the wheel in the bike and one last time wipe down the chain with the degreaser rag.
And typically ... that method suffices for cleaning any of my bikes. The one caveat is that I typically don't let the chain get grease/grime covered and thus this takes about 3-5 minutes max and works really well. The worse your chain, the more you have to do.
You might want to look at your derailleur pulley wheels and using a flat edge against the pulleys as you spin the crank, remove the grease rings from the pulleys.
You might want to pre scrub the chain (similar to how you did the cassette) to loosen the grease/grime on the chain. A tooth brush w/ degreaser or the GSC-1 mentioned above would be sufficient.
Andddd... that's about all I've got for now. There are a plethora of other methods using chain cleaning tools, removal and soaking of the chain and nastier solvents but for the majority this method seems to work fairly well.
My method, which works very well and is fairly quick (although it required initial shopping and drinking some Gatorade):
Edit: this requires having one of those reusable 'gold links' to detach/reattach the chain at will.
You are left with a fresh chain of just metal. Lube it up and go riding!
Usually I use the tool like this, put your degreaser inside it and of course the chain inside, rotate your crank and it will clean all part of your chain, inside out.
for cog cleaning,
I use a degreaser and chain cleaner to get the grime out - usually once a week. It's really surprising how much gunk coats the chain and cassette. I also take the rear wheel off and use a clean rag to get in between the gears to make sure it's all shiny and clear of stuff that will wear out the drivetrain prematurely (I have to replace the drivetrain every year - no point hurrying that expense along...)
The first secret is to try to keep your drivetrain as clean as you can. This usually means not applying too much lube. There's no need to drown the chain in lube -- you want it all on the inside of the chain links, not the outside where dirt will stick to it. If your clean drivetrain gets a bit sticky or dirty a wipe over with a degreaser-soaked cloth will often suffice but if you've been riding in the wet you might need to lubricate it again or if it's really dirty give it a proper clean. Here's my method:
All of my chains have SRAM Powerlinks (or the KMC/Connex equivalent) so I can remove them without tools in seconds. Once off the bike I put the chain in a plastic bottle with a little degreaser (I use white spirits, which is quite nasty but reusable -- just pour it back into a bottle and the dirt settles to the bottom) and give it a good shake (aka the Sheldon Shake). I brush off anything stubborn with a toothbrush afterwards then rinse, wipe dry (important to stop rust) and allow to fully air dry. When dry I lay the chain on newspaper and lubricate each link with a couple of drops of oil, allow it to soak in and then wipe any excess off.
Cassette (aka cogs)
I use a stiff brush and degreaser to take most of the dirt off then run a paper towel or cloth soaked in degreaser between the sprockets to get any remaining muck out. I also clean the derailleur jockey wheels.
Once clean and lubed it's a 10-second job to get the chain back on. It sounds like a lot of hassle but it doesn't take long and if you keep your drivetrain clean most of the time it doesn't need doing often. Clean drivetrains also look nice, work better and are easier to live with (oily, dirty exposed bits of bikes have a habit of touching anything and everything).
Actually, many experts now recommend just wiping off dirt from the chain with a wet or oily cloth, possibly using some soapy water.
While degreasers and other solvents will remove oily dirt from the chain surface, they will also remove the lubricant from inside the chain, thus greatly increasing friction and wear. The dirt will typically stay inside, because it is not soluble :-/.
For example, Rohloff (producers of the Speedhub 14-gear hub gear, and of the SLT-99 chain), recommend avoiding solvents when cleaning a chain: http://www.rohloff.de/de/technik/kettentrieb/kettenreinigung/ (only in German, sorry) (English version). They claim that solvents will not be able to remove dirt from inside the chain (where it causes problems), but will stay inside the chain themselves, and later interfere with the operation of the lubricant.
Ultimately, consider that a bicycle chain is really a consumable, as they only last about 1,000-4,000 km (at least with derailleurs). So if your chain is really, really, dirty, consider just bringing forward the next chain change...
If its really bad you can use auto body degreaser. Dont use it all the time though. Also simple green works great.
Clean your chain with a bio degradable spray, then wipe it clean.
The best chain lube I have found, and use all the time is Purple Extreme.
Do not let your chain get too clogged up otherwise the links will not roll round the jockey wheels, so gear changing will be less reliable.
Also, use a chain gauge to make sure the chain is not stretched.
NEVER use Simple Green on chains! It is a phosphoric acid solution, which can micro-etch steel, and lead to cracks which can lead to chain breakage/failure. Neutral pH solutions are ok to wash the bike, but chains are going to eventually require solvents like Finish LIne or other bike-friendly sprays. Ideally, removing from the bike to soak in naphtha/Coleman fuel is a great option, followed by re-lubing. On the bike is impossible but interim spraying/rag wiping, re-lubing, will be an adequate compromise. Bike specific lubes are better than most alternatives, especially WD-40 (weak oil in solvent) or motor oil, ATF, etc. Wax bath is surprisingly now the latest old-is-new-again trick, but requires removal, solvent clean and dry, then melting to soak and drip excess before cooling and re-installing. Stays much cleaner, little dirt attraction, low friction, and can be oiled before next re-waxing.
I use a lemon, natural and works very fine; easy to squezze and use it. After I clean the chain I use no oil for the chain, I use a silicone spray or WD40 spray. The benefit is, that this stuff no have an contact with the dirt, only lubricate the chain.


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On my Thinkpad I need to execute something like this in the terminal:
xinput set-int-prop "TPPS/2 IBM TrackPoint" "Evdev Middle Button Emulation" 8 1
so that my the 2 buttons on my touchpad emulate the middle mouse click. Now I need this line to be executed each time I start GNOMe or X or whatever, so that it "just works".
I tried ~/.xsession or ~/.bashrc but to no avail. Should I put it in GNOME start scripts or in /etc/X somewhere?
I'm using Ubuntu 11.10.


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THE IONIA COUNTY PEACE COMMUNITY/LA COMUNIDAD de PAZ DEL CONDADO de IONIA welcomes volunteers of all ages who are interested in events and activities that promote a Beloved Community (www.thekingcenter.org/king-philosophy) where we recognize our interdependence and use our diversity and different gifts to enrich the whole.
For more information or to become a member, email email@example.com, call 616-527-7163 or like us on Facebook. Visit our website at ioniacountypeacecommunity.org.
By Karen Merchant
Do you have a "PEACE" spot? Do you have a place where you can go to just have a peaceful moment? Maybe you find a peaceful moment in music or nature or exercise. Maybe you like to have someone brush your hair or rub your feet and that brings peace to you.
I have a friend who used to kayak around Crystal Lake every day during the year that the weather allowed. He felt it was his way to find peace and to meditate. I say "used to" because he is battling a progressive form of cancer so he can't go like he used to. (If you are the praying sort, I am sure he would appreciate you lifting him up for comfort and patience.) He has found other ways to find his peaceful moments now that he can't be on the lake.
My daughter finds her peaceful moments as she works on her organic farm. Being in touch with nature and knowing that you are trying to protect the Earth and feed people at the same time brings great peace to her. She also finds great peace when I sit and brush her hair. You are never too old for that!
Just being in the library and surrounded by the smell of books brings great peace to another friend. She swears she was a book in another life! That same friend finds great peace standing in the majesty of the Great Smoky Mountains, inhaling the smells of wood and water and green!
Mozart, Vivaldi, Paul McCartney, Simon and Garfunkel, Bette Midler, Signature Sound, Seth and Mae, Peter "Madcat" Ruth, just many of the musicians that can put me into a peaceful spot. How about you?
I could ramble on about these examples but the point is that we each need to find a place or an action that can bring us to a moment of PEACE. We all need it and deserve it. Good luck on your search if you haven't already found it.
KAREN MERCHANT retired in 2005 after 30 years as a teacher at Palo Community Schools. She now fills her time with volunteering for many organizations. She has been a member of the Ionia County Peace Community since its inception.


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way to much bread crumbs should be reduced to 1/2 or 3/4 cup not 1 and 3/4 cup!!!!!! crazy
Easy Salmon Cakes
From EatingWell: Winter 2004, EatingWell Serves Two, The Essential EatingWell Cookbook (2004)
If you are trying to boost your intake of omega-3s, try this simple favorite. It is a great way to use convenient canned (or leftover) salmon. The tangy dill sauce provides a tart balance.
117 Reviews for Easy Salmon Cakes
way to much bread crumbs should be reduced to 1/2 or 3/4 cup not 1 and 3/4 cup!!!!!! crazy
Loved these salmon cakes--just added some sweet red pepper & a few chili flakes-
Served them with chili sauce-
Thank You Eating Well!!
These baked salmon cakes are absolutely delicious, and taste as good as some fried fish cakes I've had at fish restaurants. I substituted chopped green pepper for the celery and used the specified amount of breadcrumbs as it extends the protein, and balances the strong fish flavor. They're so low in fat, though, that they fell apart; I think I'd add an extra egg next time. One of the best uses of canned salmon I've ever found!
Cut the amount of bread crumbs to 1/2 cup, keep everything else the same amount of ingredients, use the creamy dill sauce and it will be fine. 1 3/4 cups of bread crumbs will give you fried bread balls.


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9 Jun 2008 8:34 AM #1
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[Solved] Ext.MessageBox.show() and <iframe>
I have an issue with iframe's and modal MessageBox's. The issue is the modal mask will only ever cover the iframe it's called from.
Now one soultion for display and forget MessageBox's is to put a function in the parent iframe and simpyl just called parent.showMessage() or something, all fine.
However where I am coming unstuck is with regards to function callbacks, is it possible to propagate this? Because I need the handler to run in the child iframe while the MessageBox is displayed in the parent, thus masking yet properly handling attached code.
Does anyone have any ideas on this?
6 Dec 2012 10:41 AM #2
HI, I 've the same issue. Can I know how you solved this issue.
Thanks in Advance.