text:
31 Aug 2007 12:18 PM #1
Store and multiple filters
i have a Ext.Store with static data. To filter with one param is no problem, but how can I apply multiple filters?
In API Store.filter is defined as (filter,value) so i don't no how to apply more like
company:ba,city:be etc.
31 Aug 2007 6:39 PM #2
Why not to use Store::filterBy()?Use the force - read the source.
1 Sep 2007 2:34 AM #3
i would like to, but i don't know how to use. In Doku it's only declared by function with 2 args.
What have i to do - validate each record and return true or false?
1 Sep 2007 3:20 AM #4
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Yes, the documentation is totally clear:
2 params:
* fn : Function
The function to be called, it will receive 2 args (record, id)
* scope : Object
(optional) The scope of the function (defaults to this)
Filter by a function. The specified function will be called with each record in this data source. If the function returns true the record is included, otherwise it is filtered.
Where's the problem?
1 Sep 2007 3:54 AM #5The specified function will be called with each record in this data source. If the function returns true the record is included, otherwise it is filtered.
1 Sep 2007 3:55 AM #6
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That's a direct quote from the documentation.
1 Sep 2007 5:14 AM #7
some times late night I read in API without reading instead of go to sleep
10 Jul 2009 2:36 PM #8
I'd like to preface this by saying that I am an EXT noob... and have really only been using the library for a few days now.
That being said, I am also looking to apply multiple filters, but I was hoping to apply them in stages. ie. User does a search for something and the data is filtered, then the user does a second search on the already filtered data.
I was hoping that you could simply do subsequent filterBy calls on the data store, but this appears to not be the case. My second filterBy seemingly searches ALL records [even ones previously filtered out].
Is there a way to do this?
30 Nov 2009 8:19 AM #9
I would be interested in this too.
ThanksSteven Benjamin
Senior Coldfusion Developer
28 Oct 2012 11:48 PM #10
filterBy not working but filter works!!
Following code:
var store = Ext.data.StoreManager.get("SampleStore");
store.filterBy(function (record) //scope is optional so I dint use it.
return (record.get("Name") == "Jack");
not working but
Please help.


text:
Rox In The Box
The Decemberists
Last Played
AlbumThe King Is Dead
Average rating
4 star rating.
Other songs on this album
- All Arise!
- Calamity Song
- Don't Carry It All
- Down By The Water
- January Hymn
- June Hymn
- Rise To Me
- This Is Why We Fight
Other songs by this artist
- 89.3 In-Studio Performance
- Carolina Low
- In-Studio Session Recorded on March 24, 2015
- Make You Better
- Wrong Year
- Always The Bridesmaid: A Singles Series
- Valerie Plame
- Castaways And Cutouts
- Here I Dreamt I Was an Architect
- Florasongs
- Why Would I Now?
- Her Majesty the Decemberists
- Billy Liar
- If I Can't Change Your Mind (Single)
- If I Can't Change Your Mind
- Live Current Vol. 10 - Cover to Cover
- Crazy On You
- Live Current Vol. 11
- Make You Better
- Long Live The King
- E. Watson
- Foregone
- Picaresque
- 16 Military Wives
- Eli, The Barrow Boy
- From My Own True Love (Lost At Sea)
- The Infanta
- The Sporting Life
- We Both Go Down Together
- Rock The Garden 2009
- Crazy On You
- The Hazards Of Love 1 (The Prettiest Whistles Won't Wrestle the Thistles Undone)
- The Rake's Song
- The Wanting Comes In Waves
- The Crane Wife
- O Valencia!
- Sons and Daughters
- The Crane Wife 3
- The Perfect Crime #2
- The Hazards Of Love
- A Bower Scene
- Annan Water
- The Hazards Of Love 1 (The Prettiest Whistles Won't Wrestle the Thistles Undone)
- The Hazards Of Love 4 (The Drowned)
- The Rake's Song
- We All Raise Our Voices To The Air (Live Songs 04.11-08.11)
- This Is Why We Fight
- What a Terrible World, What a Beautiful World
- Lake Song
- Make You Better
- The Wrong Year
Please note that our catalog only lists songs that we've set up within our system; not every track from an album is displayed. You may request a song that's not in our catalog by using our request form. You may also suggest a song be added to our catalog by contacting The Current.
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subset: commoncrawl


text:
I'm planing to buy very soon a Nikon D800. I steel not decided what lens should I use for making a spherical panoramas.
At the moment reasonable for me seems to be to choose between:
Nikkor AF 14mm f/2.8D ED
Nikkor AF-S 14-24mm f/2.8G ED
Nikkor AF 16mm f/2.8D Fisheye
Disadvantage of 14mm and 14-24 is lack of possibility to ad filters. On other way I think I could live without it or choose 14-24mm and one of Lee filter system which is designed for this lens but steel don't allow use polarizer.
What lens is the best in use with D800 and it's 36mpx sensor? Are there any other options? I was thinking also about Nikkor 8mm as D800 big sensor should provide with even that wide lens great amount of detail. Above all the most important for me is quality and than the lowest amount of shoots needed to stitch panorama.


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Ravelers' NGV3 sweaters
I was bopping about Ravelry last night, wondering how many knitters were using Berroco yarn to knit patterns from my fall booklet. We hesitate to harp on it, but, after all, selling yarn is what my job is all about. I am very happy to report that I found some truly outstanding work. Y'all make me proud !
Batilou's strawberrry hill is knit in Palace, the yarn called for. I love seeing how the piece works with her modern tailored style! Long sleeves were substituted for the original 3/4 sleeves and the color is quite altered. On her blog, she aptly calls her version "Granny Smith Hill".
LaurenLoves2knit made her Loppem in Palace also, choosing a color that changes the mood completely. She added a few inches to the length to suit her long frame. (I know it's unusual, but our model, Eleanor is only 5'2″)
Last up, but certainly not least, TsunamiTattoo used Pure Merino Heather in place of Inca Gold for her Eastlake. This yarn is a bit of an underdog, since the solids sell so much better, but I LOVE IT. The change of color is very subtle and it has a slightly dry hand, making it great for men's wear too.
Congratulations on your fantastic work!
emily #
I buy berroco yarn for non-berroco patterns, does that count?
thanks for these–I think the eastlake is my favourite; I love the fit and am a total sucker for heathers.November 7, 2008
Aw Norah I have to apologise! I live in Australia, and there aren't any berocco stockists in the country, and our currency is like a small shell and some rocks to the USD at the moment so internet shopping is a bit out of the question.
I would have loved to use berocco merino in my wedgette, but I had to make do with an inferior substitute.
Next time, I promise!November 7, 2008
So many cool things here. I think its great that you are featuring Ravelers projects. What a great idea. From a girl that is only five feet and someting but not much ….keep using the shorties and I'll buy more Berocco yarn for sure. I'm already addicted to Norahs designs I guess it just fits that Id become a Berocco fan too.November 10, 2008
Barbara Walker #
Why are these yarns not available in Australia?November 22, 2008
simone #
Thanks for showing us these sweaters. I like seeing the way people personalize them. I hope it rubs off on me.February 23, 2009
Nelda St. George #
Heard about this web site on MPR yesterday. So far it looks great!August 23, 2009
Linda O'Toole #
Hi! I had asked about this sweater pattern quite a while ago but no one knew what I was talking about! Meanwhile, NOW, I have found reference to it on the Ravelry blog back in August or September 2008 and after…..There were diagrams and all but Norah was supposedly designing it for her Ravelry fans at the time. I am thouroughly convinced I saw a picture of it (it looked complete)and it was looking like a very nice light or maybe a sky blue! It WAS a Ravelry design but there seemed to be some trouble with the sleeves and putting the other parts together! At least now I am not crazy and what ever happened to that sweater pattern?To me, (I am less than 4'11'!!!!!!!!!)it looked like a pretty sweater dress. Were there too many problems so it got put aside for later work? I DID e mail about it but since it was on the Ravelry blog, did it get forgotten? No one ever knew what I was talking about!!!!!! Could anyone there remember it or look it up to see what happened to the design work going on at the time? Please say you know about it…I couldn't have imagined it. I will be waiting to see what progress has been with it…September 28, 2010
Hello to every body, it's my first go to see of this web site; this weblog contains remarkable and really excellent material in favor of readers.July 26, 2015


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I read in my book a chain map q is a kernel of p iff each q(n) is a kernel of p(n). I think there's something wrong with this, it has to do with domain and codomain. Instead of using chain complexes I will give an example of a functor category where I think there's something wrong (after all, chain maps are like natural transformations).
Take J to be the category with 2 objects and 1 non identity between them, and Ab be the abelian groups, so every functor J->Ab is like an arrow in Ab, so I'm just gonna call the functors arrows in Ab. Now let f1 be the 0 arrow Z->Z, where Z is the integers, and f2 be the 0 arrow R->R, R the real numbers. Then define the two components of a natural transformation q: f1->f2 to be the inclusion Z->R, this is clearly natural. Next let g1 be the identity R->R, and g2 be the identity R/Z->R/Z, and define the two components of a natural transformation p:g1->g2 to be the projection onto quotient. Clearly q1 is a kernel of p1 and the same for q2,p2, but the codomain of q is f2 the 0 arrow R->R not the identity R->R (the domain of p), so q can't possibly be a kernel of p. I fiddled around a bit and think that if we assume to codomain of q to equal the domain of p, then it works out. I think natural transformations are not just determined by their components; domain and range also matter.
Is my reasoning correct? I really not confident on this stuff so can someone give me corrections or assurance. Thanks


text:
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The contract with Cheniere Energy Partners will see Centrica import 1.75 millio tpy of gas, enough to power around 1.8 million UK homes, according to the firm. It is the first such deal between a US supplier and a UK utility. The deal is subject to Cheniere getting the necessary regulatory approval.
By CASSIE WERBER
Centrica, one of the UK's main energy providers, has signed
a deal to buy billions of cubic meters of liquefied natural gas
from a US plant, in the first deal clearly intended to bring
gas from North America to the UK.
The contract with Cheniere Energy Partners will see Centrica
import 1.75 million tpy of gas, enough to power around 1.8
million UK homes, according to a statement by the firm. It
is the first such deal between a US supplier and a UK
Sam Laidlaw, Centrica's CEO, said in the statement: "In an
increasingly global gas market, this landmark agreement
represents a significant step forward in our strategy...helping
to ensure the UK's future energy security."
The contract is subject to Cheniere getting the necessary
regulatory approval and securing finance before it becomes
In February, Centrica announced that it would not be
participating in a plan to build new nuclear power stations in
the UK, and there has since been speculation as to where it
will deploy the cash reserves on its balance sheet. In the
company's preliminary results statement the firm indicated that
it planned to expand its North American business.
Prime Minister David Cameron welcomed the news, saying in
the statement: "Future gas supplies from the US will help
diversify our energy mix and provide British consumers with a
new long-term, secure and affordable source of fuel."
Energy security in for the UK "lies in diversity," according
to Ed Davey, the UK's Secretary of State for Energy and Climate
Change, also quoted in the release. Mr. Davey noted that the UK
is already supplied with gas from Norway, the Netherlands and
Dow Jones Newswires
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A searchable database of project activity in the global hydrocarbon processing industry
Engineers and designers are highly skilled individuals. Forcing them to enter design changes using tables, forms and spreadsheets is unproductive and uneconomical, and it increases the likelihood of human error—this is the way that most instrumentation software systems currently work. For too long, software vendors have denied engineers and designers the simple practicality of a graphical visual engineering interface with "drag and drop" capability and inbuilt intelligence, ensuring changes are automatically replicated into all the associated data and databases.
Is 2016 the peak for US gasoline demand?
Too soon to tell
July 2016


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Virginia Theological Seminary Awards Five with Honorary Degrees
Media Contact: Curtis Prather
Tel: 703-461-1782
Email: email@example.com
(Alexandria, Va.)
- Honorary doctorates were conferred upon five distinguished recipients at Virginia Theological Seminary's annual Academic Convocation yesterday. The doctor in divinity,
honoris causa
degree was awarded to the Rt. Rev. Gregory Orrin Brewer, the Rt. Rev. Jeff Wright Fisher, the Rt. Rev. Given Mzanje Gaula, the Rt. Rev. Sospeter Timeo Ndenza and the Rt. Rev. Robert Christopher Wright.
"We have some impressive honorary degree recipients who are making a difference in ministry, said the Very Rev. Ian S. Markham, dean and president of Virginia Theological Seminary, of the five men, all of whom are graduates of VTS. "It gives you a sense of the reach of this Seminary."
The Rt. Rev. Gregory Orrin Brewer
was consecrated as the fourth bishop of Central Florida in March 2012. Before being called to Central Florida, Bishop Brewer, served as rector at Calvary-St. George's Church, a 500-member, multi- cultural and multiracial, "program-size" parish with landmarked historic buildings in downtown Manhattan. His ministry in New York, Pennsylvania and Florida has been marked by an emphasis on a biblical preaching, seriousness about evangelism and Christian education, a willingness to innovate in worship and a commitment to social ministry.
He is a 1976 graduate of VTS.
The Rt. Rev. Jeff Wright Fisher
from the diocese of Texas was baptized at St. John the Divine in Houston. A graduate of the University of Texas and Virginia Theological Seminary, Fischer was ordained a priest in 2004 and was ordained a bishop in Tyler, Texas in October 2012. He has not been silent on controversial issues, expanding the typical vision of ministry to include innovative church plants; encouraging interfaith conversation; and advancing Hispanic ministry.
The Rt. Rev. Given Mzanje Gaula
committed his life to Christ at the age of twelve and became an active evangelist in his community in Tanzania. Gaula's theological training includes St. John's College and Msalato Bible College in Tanzania. He also studied at Carlile College, Nairobi, Kenya where he graduated in 1989 and received a bachelor's in theology from St. Philip's Theological College in Tanzania in 1994. Gaula was ordained in 1995. He received a master's in theological studies from VTS in 2006 and received his Ph.D. in 2013 from the University of Aukland, New Zealand. In May 2012 Gaula was ordained a bishop in the Diocese of Kondoa in Tanzania.
The Rt. Rev. Sospeter Timeo Ndenza
attended Virginia Theological Seminary from 1997-99 where he earned a master's degree in theological studies.
He was appointed the diocesan general secretary and the principal of Tabora Bible School owned by the diocese from 1999-2006. He was then appointed the sub dean of St Stephen's Cathedral from 2006-07. In 2008 he was appointed the assistant bishop of the Diocese of Western Tanganyika where he served until December, 2010. In January 2011 he transferred to St. Philip's Theological College in Kongwa, Tanzania and was appointed as full time tutor until April 2012 when he was elected the first Bishop of the Diocese of Kibondo.
The Rt. Rev. Robert Christopher Wright
was elected in June 2012 to be the 10th bishop of the Episcopal Diocese of Atlanta. Wright had been rector at St. Paul's Church, Atlanta since July 2002. Prior to that, he was canon pastor and vicar for two years at the Cathedral of St. John the Divine in New York, where he was chaplain at the Cathedral School for two years before that. Wright served as a U. S. Navy helicopter crew chief and search and rescue diver from 1982 to 1987. He then worked in organizations that serve youth in the Washington, D.C. area, including the Children's Defense Fund. Wright also served as a child advocate under two D.C. mayors. He earned a master of divinity degree from Virginia Theological Seminary in 1998.
Markham continued, "From around the world and from conservative to progressive, we are blessed to have alums who are making a difference to the Church and to the world."
Founded in 1823, Virginia Theological Seminary is the largest of the 11 accredited seminaries of the Episcopal Church. The school prepares men and women, representing more than 40 different dioceses and nine different countries, for service in the Church, both as ordained and lay ministers, and offers a number of professional degree programs and diplomas. Visit us online at www.vts.edu.
3737 Seminary Road, Alexandria, Virginia 22304 - Phone: (703) 370-660 or (800) 941-0083


text:
The Apple Trees at Olema: A Novel of Suspense (Hardcover)
The Apple Trees at Olema includes work from Robert Hass's first five booksField Guide, Praise, Human Wishes, Sun Under Wood, and Time and Materialsas well as a substantial gathering of new poems, including a suite of elegies, a series of poems in the form of notebook musings on the nature of storytelling, a suite of summer lyrics, and two experiments in pure narrative that meditate on personal relations in a violent world and read like small, luminous novellas.
From the beginning, his poems have seemed entirely his own: a complex hybrid of the lyric line, with an unwavering fidelity to human and nonhuman nature, and formal variety and surprise, and a syntax capable of thinking through difficult things in ways that are both perfectly ordinary and really unusual. Over the years, he has added to these qualities a range and a formal restlessness that seem to come from a skeptical turn of mind, an acute sense of the artifice of the poem and of the complexity of the world of lived experience that a poem tries to apprehend.
Hass's work is grounded in the beauty of the physical world. His familiar landscapesSan Francisco, the northern California coast, the Sierra high countryare vividly alive in his work. His themes include art, the natural world, desire, family life, the life between lovers, the violence of history, and the power and inherent limitations of language. He is a poet who is trying to say, as fully as he can, what it is like to be alive in his place and time. His styleformed in part by American modernism, in part by his long apprenticeship as a translator of the Japanese haiku masters and Czeslaw Miloszcombines intimacy of address, a quick intelligence, a virtuosic skill with long sentences, intense sensual vividness, and a light touch. It has made him immensely readable and his work widely admired.
About the Author
Robert Hass was born in San Francisco. His books of poetry include The Apple Trees at Olema (Ecco, 2010), Pulitzer Prize and National Book Award winner Time and Materials (Ecco, 2008), Sun Under Wood (Ecco, 1996), Human Wishes (1989), Praise (1979), and Field Guide (1973), which was selected by Stanley Kunitz for the Yale Younger Poets Series. Hass also co-translated several volumes of poetry with Nobel Laureate Czeslaw Milosz and authored or edited several other volumes of translation, including Nobel Laureate Tomas Transtromer's Selected Poems (2012) and The Essential Haiku: Versions of Basho, Buson, and Issa (1994). His essay collection Twentieth Century Pleasures: Prose on Poetry (1984) received the National Book Critics Circle Award. Hass served as Poet Laureate of the United States from 1995 to 1997 and as Chancellor of the Academy of American Poets. He lives in California with his wife, poet Brenda Hillman, and teaches at the University of California, Berkeley.
Praise For…
"Hass's achievement is often nothing less than splendid. . . . Conscious of language and its limitations, the tug-of-war between mind and body, Hass's newest work still manages to wholeheartedly engage with the world around him . . . a generous gift for any reader."
-Washington Post
"THE APPLE TREES AT OLEMA...masterly conveys the beauty and fragility of the physical world....earthy yet illuminating, complex yet clear-eyed....The result is poetry that seems to breathe, inhaling softly in some cases, exhaling sharply in others."
-Christian Science Monitor
"[A] lustrous retrospective collection...Hass distills experiences down to their essence as he limns landscapes, portrays friends and loved ones, and imagines the struggles of strangers. The ordinary is cracked open to reveal metaphysical riddles in poems that feel so natural, their formal complexities nearly elude our detection."
"A milestone in what is generally regarded as one of the more successful careers in contemporary American poetry...Reading a good Hass poem...is like watching a painter whose brush strokes are so reassuringly steady you hardly notice how much complex and unsettling depth has been added to the canvas."
-New York Times Book Review
"The new poems show Hass at the height of his narrative powers... He tries to get every word he can into each line, every detail he can into each poem, as though, if these feats are possible, then it's also possible to save some part of the world from dissolution."
-Publishers Weekly (starred review)


text:
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text:
Let $\mathbf{C}$ be a Grothendieck site with enough points. Let $p:\mathcal{E}\to \mathcal{F}$ be a map of simplicial presheaves on $\mathbf{C}$. Is it true that $p$ is a local (Kan) fibration if and only if it is a stalkwise fibration?
To fix terminology:
$p$ is called stalkwise fibration if for each point $q$ the map $q^\*(\mathcal{E})\to q^*(\mathcal{B})$ is a fibration.
$p$ is called local fibration if for each $U\in \mathbf{C}$ and each commutative diagram
$\Lambda^n_k\to \mathcal{E}(U)$
| $\phantom{aaaaaa}$|
V $\phantom{aaaaw}$V
$\Delta^n\to \mathcal{B}(U)$
there exists a covering family $(V_i\to U)_i$ such that in the induced square
$\Lambda^n_k\to \Pi_i\mathcal{E}(V_i)$
| $\phantom{aaaaaa}$|
V $\phantom{aaaaw}$V
$\Delta^n\to \Pi_i\mathcal{B}(V_i)$
has a lifting $\Delta^n\to \Pi_i\mathcal{E}(V_i)$


text:
What A Wonderful Man
My Morning Jacket
Last Played
Average rating
4 star rating.
Listen Audio Clip
My Morning Jacket: What A Wonderful Man provided courtesy of the iTunes Music Store.
Other songs on this album
Other songs by this artist
- 89.3 Holiday Disc
- Santa Claus is Back in Town
- Xmas Curtain
- Xmas Time Is Here Again
- Xmas Time Is Here Again
- At Dawn
- Hopefully
- Just Because I Do
- The Way That He Sings
- Broken Hearts and Dirty Windows: Songs Of John Prine
- All The Best
- Chimes of Freedom
- You're A Big Girl Now
- Circuital
- Circuital
- Holdin' On To Black Metal
- Outta My System
- The Day Is Coming
- Victory Dance
- Wonderful (The Way I Feel)
- You Wanna Freak Out
- Endless Highway: The Music of The Band
- It Makes No Difference
- Evil Urges
- Evil Urges
- Thank You Too
- Touch Me I'm Going To Scream Pt. 2
- Two Halves
- Farewell Transmission
- Farewell Transmission
- It Still Moves
- Dancefloors
- Golden
- Mahgeetah
- One Big Holiday
- iTunes Session EP
- Christmas Must Be Tonight
- Have Yourself A Merry Little Christmas
- I'll Be Home For Christmas feat. The Head and the Heart
- Please Come Home For Christmas
- Welcome Home
- When The Bells Start Ringing feat. The Head and the Heart
- Live Current Vol. 8
- Circuital
- Muppets: The Green Album
- Our World
- Okonokos
- Golden (Live)
- Mahgeeta (Live)
- One Big Holiday (Live)
- What A Wonderful Man (Live)
- Play It Forward
- I Love You All The Time
- Rave On Buddy Holly
- True Love Ways
- Rock the Garden 2011
- Off The Record
- One Big Holiday
- Touch Me I'm Going To Scream Pt. 2
- Wonderful (The Way I Feel)
- The Music Is You: A Tribute to John Denver
- Leaving on a Jet Plane
- The Waterfall
- Believe (Nobody Knows)
- Big Decisions
- Compound Fracture
- Spring (Among the Living)
- This Land Is Your Land (Single)
- This Land Is Your Land
Please note that our catalog only lists songs that we've set up within our system; not every track from an album is displayed. You may request a song that's not in our catalog by using our request form. You may also suggest a song be added to our catalog by contacting The Current.
Album art and preview audio provided by iTunes, related artists provided by EchoNest.


text:
Mission:Wolf brings wild up close in Southington
|Magpie returns to Southington Wednesday for the Mission:Wolf program. Credit: Mission:Wolf
The 5:30 and 8 p.m. programs — the wolves' only Connecticut program — will be held at Kennedy Middle School on Route 10 in Plantsville.
Kent Weber and Tracy Brooks from Mission:Wolf will offer a chance for visitors to look into the eyes of a wolf at close range, a release said.
The presentation will focus on the return of wild wolves across the U.S. Presenters will answer questions and provide educational material regarding the return of wild wolves and captive wolf/wolf-dog cross ownership.
The ambassador wolf pack returns for its fifth area visit with alpha Magpie; her companion Abraham, a wolf/dog cross; and gray wolf Zeab.
Tickets are $10 for adults and $5 for ages under 12. The program is not recommended for those under age 5.
All proceeds will go to Mission:Wolf.
Advance tickets are available during regular business hours at the following locations:
n Southington Veterinary Associates, 35 Darling St., Southington
n Petco, 760 Queen St., Southington
n Lone Oak Farm Kennel, 934 Old Turnpike Road, Plantsville
n Animal House, 2145 Meriden Road, Wolcott
n Pack Tracks, 1177 West St., Southington
For details, call 860-628-6187 or e-mail wolfcentral@yahoo. com.
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- News anchor feasts on weighty issue
- Dancing past the odds
- Eason keeps on giving
- Commentary: Of women and whales
- How to stop being average, start being extraordinary
- Chicago woman sweet on collecting sugar packets
- Was that a 'good one,' or are you being polite?
- Gadgets CordCruncher helps manage earbuds
- Mission:Wolf brings wild up close in Southington
- Novel idea? Class focus is nonfiction over fiction


text:
I have imported old emails from Outlook backups in my Gmail account and I ended up with 1000+ labels in my system. Is there an easy massive way to remove them and keep only ~10 my usual ones?
migrated from superuser.com Jan 13 '11 at 14:04
This question came from our site for computer enthusiasts and power users.
Not with stock Gmail. There may be a userscript out there to allow you to do that, but I wasn't able to find one with a cursory search.
Another option might be to use an IMAP client, such as Thunderbird. Thunderbird maps pretty well its folders to Gmail labels. You might be able to bulk delete within Thunderbird and have the labels magically disappear. I admittedly haven't tried it (don't have T-bird in the office) and you should be careful that it doesn't end up deleting messages too.
it is possible to remove or hide labels in gmail by changing the view from HTML view to classic view. Go into settings, scroll down to labels. You can then choose which to remove or hide using check boxes. Nested labels are removed on bulk by selecting the top of the tree. Then revert
Actually - there is a way. Labels are attached to contacts, so by replacing your contacts, you can remove labels.
Its a little complicated, but here's how:


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Ansonia, Derby resume long, storied, fierce rivalry
Twenty-three years ago, Ansonia and Derby renewed their storied rivalry in a game that pitted a 4-0 team against a 4-0 team. That type of matchup hasn't happened since that game, which Derby won in a 19-15 classic.
Tonight at 7, the stakes in the rivalry will be higher than any time since the 1990 meeting. The 4-0 Chargers visit DeFilippo Field to take on the 4-0 Red Raiders in a game with significance many layers deep.
They are the only two undefeated teams remaining in the Naugatuck Valley League Copper Division, and Derby is off to its best start in nearly a quarter-century. Ansonia is the No. 1 team in the state and holds a 32-game win streak.
Ansonia-Derby is back.
Derby coach George French and Ansonia coach Tom Brockett both point to a turning point in the rivalry, which was all but dormant from 2002-09, as to the re-escalation of the series' importance.
"The 2010 game had a lot to do with it," said French, whose team lost a 33-32 thriller at Jarvis Stadium. "You could see about 1,000 people there at the beginning of the game. I rarely pay notice to the crowds, but I remember being up 26-13 at halftime, and we came back out and it seemed like the crowd doubled. Even though we lost, 33-32, it helped rejuvenate the rivalry."
French played for Derby in the 1990s and got to experience the rivalry toward the end of its heyday. He recalled the year-in and year-out importance of the game.
"There were times when Derby missed the playoffs after going 9-1 and losing to Ansonia, and vice-versa," French said. "Derby-Ansonia almost always had a Class S tournament berth on the line. That made it much more special."
That element returns to some degree this year, with both teams ranked among the top four in the Class S standings through Week 4. But the big-picture importance was only one thing that made the rivalry so important to the two towns, French said.
"We talked about how you grow up with these guys for the rest of your life, and you'll be sitting there making fun of each other for what happened in that game," French said. "Every now and then, I'll see Luke Richmond and I get to nudge him because we beat them in 1996, but Jarvis Benjamin gets me back because they beat us my senior year."
Although Brockett isn't an Ansonia native, he understood the game's importance long before he arrived on Jack Hunt's staff in 2000.
"If you're into high school football in Connecticut, you know about Ansonia-Derby, especially back in the '80s and '90s," Brockett said. "It's the biggest rivalry in Connecticut high school football."
His first game as an Ansonia assistant coach was the 2000 meeting, which the Chargers won 14-0 thanks to a fumble recovery for a touchdown.
It would be a shocker to see that tonight in Derby, where two of the area's best offenses will meet. The Chargers are led by all-everything running back Arkeel Newsome, who has rushed for 869 yards and 14 touchdowns in four games — even though he averages less than a half of action per night. Newsome is 603 yards away from breaking former Ansonia star Alex Thomas' state career rushing record of 8,279 yards, and the Chargers have a size advantage on the lines.
Derby boasts dual-threat quarterback Michael Kreiger, who has combined for more than 1,300 yards of offense and 14 scores, and running back Tyrae Small, who has more than 418 total yards and five touchdowns.
Brockett usually likes to downplay the importance of a single regular-season game, but he doesn't make any bones about this one.
"It's hard to say Ansonia-Derby is just another game," Brockett said. "This game impacts kids' lives forever."
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Healthy Brunch Casserole Recipes (Slide 16)
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Swan Lake- Spring 2011
Posted 29 June 2011 - 05:58 PM
Posted 29 June 2011 - 06:43 PM
Posted 29 June 2011 - 06:55 PM
no word has come from ABT about any cast changes on Fri.
Posted 29 June 2011 - 07:09 PM
Hallberg was perfection, period. His line was stunning from his perfectly placed hands and arms through his body to the tips of his gorgeously stretched and pointed toes. His dancing was superb, his bearing regal, his acting sincere & engrossing.
Pavam & Messmer were wonderful in the pas de trois. Unfortunately Radetsky was frustrating. There are so many wonderful things about his dancing but he hits the floor like a hammer. Can't this guy find a plie?
Then Murphy leaped onstage in the first lakeside scene. What an amazing change she's undergone in the 3-4 years since I last saw her O/O. She's found a new softness and flow to her upper body and her Odette now displays genuine vulnerability. She was passionate & emotional, relating really well to her Siegfried. Despite her newfound lyricism she was still able to pull off some stunning technical feats that fit the music and the drama perfectly - the slow triple (or maybe quadruple) pirouette and lightning fast chaine turns Batsuchan noted in Odette's solo. Unfortunately, I also noticed how harsh her developpe's looked without the battement but that was a tiny flaw in what I considered to be a really lovely first act.
It went downhill from there. Murphy's Odile was the most nasty, over the top BITCH I have ever seen. Her phrasing was so harsh and jarring and she was so mean & RUDE that Siegfried had to be a bumbling idiot to mistake her for Odette, or to be tempted by her in the least. Her technique was prodigious but she was not sexy, or charming or mysterious - just harsh. It made no dramatic sense. And I can only think that Saveliev must have been ill or injured because about halfway through his variation he stopped completing the phrases - he was just marking it.
There were some high points in the ballroom scene - I enjoyed Kristi Boone in the Czardas and Joseph Gorak showed effortless extensions in the Neopolitan, but it was too little & too late.
Then came the world's worst 4th act, once again. By now I know what's coming yet somehow I'm still always surprised at just how bad it is. Why doesn't Odette seek out her swan sisters to share her grief? Why does she run out to the edge of the rock like she's ready to throw herself in before she even confronts von R or sees Siegfried again? What's noble or heroic about that? Lord knows I disagree with Macaulay often enough, but his SL review really expresses my feelings about this act perfectly. Done well, the first 3/4 of this staging isn't bad but the last lakeside scene just robs it of any emotional impact. And what good is Swan Lake if it fizzles out at the end?
Posted 30 June 2011 - 07:08 AM
And did I hear it wrong, or does McKenzie repeat the Pas de Sept music from Act I in Act III? I guess it's draw a link b/t Act I and III, but it certainly bogs things down in a production that otherwise aims towards efficiency (to its detriment, as Macaulay points out, in act IV).
Posted 30 June 2011 - 07:45 AM
there is a pas de six in the 1877 SWAN LAKE score originally positioned in the ballroom sc. of Act III and often one or more of its 8 sections get used variously in different; but a pas de sept?
in any case, i don't recall any musical repeats in McK's staging. cuts, as with almost any production, yes, but repeats?
Posted 30 June 2011 - 08:45 AM
Pas de sept?
there is a pas de six in the 1877 SWAN LAKE score originally positioned in the ballroom sc. of Act III and often one or more of its 8 sections get used variously in different; but a pas de sept?
in any case, i don't recall any musical repeats in McK's staging. cuts, as with almost any production, yes, but repeats?
I may be calling the big waltz near the beginning of Act I "Pas de Sept" because I danced in a company that called it that. But I'm asking the question mostly because I didn't know the answer. I have listened to the score again, though, and discovered that I was mistaken. Maybe that's a worse commentary on the production then: it felt like a repeat!
Posted 30 June 2011 - 02:19 PM
Like you and nysusan, I too was somewhat surprised and taken aback by Gillians very gruff portrayal of Odile.
Then came the world's worst 4th act, once again. By now I know what's coming yet somehow I'm still always surprised at just how bad it is. Why doesn't Odette seek out her swan sisters to share her grief? Why does she run out to the edge of the rock like she's ready to throw herself in before she even confronts von R or sees Siegfried again? What's noble or heroic about that? Lord knows I disagree with Macaulay often enough, but his SL review really expresses my feelings about this act perfectly. Done well, the first 3/4 of this staging isn't bad but the last lakeside scene just robs it of any emotional impact. And what good is Swan Lake if it fizzles out at the end?
Ive only seen ABT and NYCBs versions of Swan Lake, so Im totally clueless about other stagings of Act IV. (Other than the Soviet version with the happy ending, which I suspect I wouldnt like.) Perhaps this is a topic for a separate thread, but could someone please tell me about the more satisfying versions that theyve seen?
I completely agree with nysusan and Ray that the choreography in the beginning with the swans appearing on stage, flapping around, sitting down, and getting up and going off-stage seems random and boring and adds nothing to the story. Its clearly filler.
But I understand that they need to kill time at that point. The ballerina needs time to change out of the Odile costume into the Odette one, and they need to switch the set from the ballroom scene to the lakeside scene. How do other stagings handle this? (Listening to my recording of Swan Lake, I realize that there is some music that is omitted in McKenzies staging.)
I have to admit that the moment in Act IV where we first see Odette standing on the rocks is actually my favorite moment in McKenzies staging. At that moment, the music resolves from the turbulent, dissonant passage and drum roll into this soaring, expansive melody, and Odette is revealed in all her majesty, bathed in moonlight, towering above all else. To me, the image underscores Siegfrieds terrible mistakehow could he ever confuse the skanky Odile with this wondrous, lofty creature? This moment always gives me chills.
But, then its all pretty anticlimactic from there. In the performances when Odette and Siegfried really seem to be in love, Act IV always seems too brief to me. I always find myself wishing that they had more time to dance together. (Ive already written about how I prefer the interpretations where Odette doesnt seem mad at Siegfried.)
Near the end of the scene, the part where von Rothbart picks up Odette, and then Siegfried grabs her from him always seems odd to me (why does von Rothbart let Siegfried take her at all?), and no matter how well Odette is played, to me it always seems a bit abrupt/random when she decides to go and jump off the cliff. There is no clear impetus.
On the other hand, even if the staging is not great, Tchaikovskys score gives you so much. I always think it is so clever and powerful to give the restatement of the main theme in a major key, and I love the triumphant, soaring finale. I always walk away feeling moved by the music. But I agree that with better staging, it could be SO MUCH MORE.
Posted 30 June 2011 - 08:41 PM
Posted 30 June 2011 - 08:54 PM
I have to admit that the moment in Act IV where we first see Odette standing on the rocks is actually my favorite moment in McKenzie's staging. At that moment, the music resolves from the turbulent, dissonant passage and drum roll into this soaring, expansive melody, and Odette is revealed in all her majesty, bathed in moonlight
I think that is a moment that in its own terms works rather well in Mckenzie's otherwise lame Act IV-but it's also an off-kilter moment for me, because in the Blair version and the versions I've seen done by the Royal (all of which I understand to be closer to the original) that music signals Siegfried's arrival on stage--I have an especially vivid memory of Anthony Dowell running onto the stage in agonized desperation; the music seems to express the full power of the prince's love as he comes to re-unite with Odette despite his betrayal. Odette does not just appear--he has to seek her out among the swans (as alluded to by another post above); it's a sort of quest to compensate for his error. Now, he has to find her and only her.
Batsuchan--you asked if someone could tell you "about more satisfying versions" they had seen. I don't have the kind of memory that would enable me to describe the Act for you in any detail -- but certainly I always loved Siegfried's entrance and, in those versions too the whole world of the swans/swan maidens is much more vividly present as well as Odette's place in it (she expresses her emotions to the others before he appears). I suppose if you like ballet on video (mostly I find it boring) you might check out a video of the Royal in, say, Dowell's production or perhaps a video of ABT's old Blair production. I believe there is one with Makarova--it may even be on youtube. (In the productions I am writing of there was/is an intermission between Act III and Act IV.)
Posted 30 June 2011 - 09:17 PM
, I think Macaulay got this one right. The choreography of the Act IV prelude was terrible--lots of aimless running around. And the lighting was so bad, in design, but also some in execution--at the Met!
Just came home from Thursday's Swan Lake, where Carreno retired. It's too bad that he retired with this production because, like others, I think it has so many problems and really suffers when compared to others productions, like those of the Mariinsky.
Act I started out fairly well. The corps looked to be in unison and the pas de trois, with Joaquin de Luz (on loan from NYCB) Yuriko and Sarah Lane was pretty good, although Sarah and Yuriko were rarely synchronized in their movements. De Luz has lost some of his brauvura technique since he danced with ABT but he made up for it with his amazing precision and speed. No need for the orchestra to slow down for his solo part; he just performed beautifully at full speed (I guess that what dancing Balanchine will do for you). I also have to give props to Susan Jaffe as the Queen Mother. I don't think I have ever seen a more regally danced Queen and her mime was absolutely outstanding! I really understood what was going on in the relationship with her son. Finally, I must note that I also heard what others have mentioned - the noisy marley floor. I assume it must be new or newly washed because it squeaked (VERY LOUDLY) when dancers pirouetted.
Then came Act II and things went downhill. To my mind, Julie Kent needs to retire while Carreno could last a few more years. Her Odette was, IMO, fairly awful. She couldn't hold a balance on pointe (fell out of every one, too), changed the choreography a bit to do single pirouettes instead of doubles, and bourred slowly. However, the worst was that because her back has become much more inflexible, she really couldn't deliver the goods dramatically, to express Odette's sorrow/concern at being trapped as a swan. To compound an already bad situation, the solo violinist was atrocious (often sharp and with lack of technique) and the orchestra kept slowing the music down to an unbelievably lethargic pace every time Julie danced solo. The corps was also a bit ragged (especially their arms). However, the cygnettes (Gemma Bond, Marian Butler, Misty Copeland and Maria Riccetto) and the big swans (Simone Messmer and Melanie Hamrick) were good and somewhat made up for the other deficiencies of the Act.
Act III brought welcome relief as Gillian Murphy came out as Odile and David Hallberg as Rothbart. I agree that Gillian is a harsh, not particularly seductive, Odile. But at least she can do the steps, balance, pull out some quadruple pirouettes (which she did) and otherwise perform the part, which is more than I can say for Julie Kent. When she started the fouettes, she did quadruple turns after each fouette. She ended up doing single fouettes without the turns and, as others have noted, traveled about halfway across the stage. Still, not bad. The highlight of the act, though, was David Hallberg, who was wonderful as Rothbart. Though he is not as evil or menacing as Gomes (who originated the part and is still my favorite in it) he did a wonderful job. The ethnic dances were pretty much standard (they are also truncated) with the exception of the Neopolitan. Craig Salstein and Joseph Phillips were technically and dramatically great there.
Act IV was its truncated, disappointing self, with the corps basically flitting across the stage. Lost are the beautiful formations of four swans and the section where Siegfried tries to discern who is Odette. And of course, back was Julie Kent. For that reason alone, I was rather glad for the brevity of the Act. However, Carreno did justice to his solo (and all the other solos he had) with outstanding pirouettes and jumps while not bravura by today's standards, were certainly nothing to be ashamed of. And I loved that, after Odette has jumped off the cliff, Carreno flung himself after her with special elan.
Then came the celebrations. First all the principal ballerinas (including Alesssandra Ferri) came out, then the principal men, then the entire company, including Kevin McKenzie, to bid Carreno adieu. Carreno even came out with his two teenage daughters. The crowd gave him a very long standing ovation (though not as lengthy as the one when Julio Bocca retired) and then finally the night concluded. Overall, it was an unsatisfying performance but a nice farewell for a great and much beloved dancer, Jose Carreno.
Posted 30 June 2011 - 09:51 PM
I thought it was spectacular.
So.... comments on tonight's performance?
The cast was Odette - Julie Kent, Odile - Gillian Murphy, Siegfried Jose Manuel Carreño, Queen - Susan Jaffe, Wolfgang - Victor Barbee, Benno - Joaquin De Luz, von Rothbart - Isaac Stappas and David Hallberg, Pas de Trois - De Luz, Sarah Lane & Yuriko Kajiya.
Carreño's dancing was beautiful. He got a huge welcome on his entrance. I'll miss the control he has in his turns.
I won't be as harsh as Amour on Kent's performance. She had some lovely moments while Gillian Murphy had comparatively a multitude of lovely moments. She has the flexibility in her back that Kent lacks.
I still find it amusing that, in this production, Odile doesn't exit with Rothbart at the end of Act III. Where does she run off to? The kitchen?
It was nice to see De Luz dancing with ABT again. His Benno is superior to the soloists I've seen in the role lately (last year). (This is the only Swan Lake I'm seeing this season.)
Hallberg was amazing. Gomes and he own the role of Rothbart, and it was wonderful to see him.
The cygnets (Gemma Bond, Marian Butler, Misty Copeland, Maria Ricetto) were good. They even got their head movements together although I have yet to see a performance where they all seem to be using the same focal points.
The two swans were Simone Messmer and Melanie Hamrick.
The house appeared to be sold out. There was a lot of talking/shouting that I couldn't make out at the beginning of the 1st Act, followed by the requisite and repeated shushing from fellow audience members. Some of this, I think, had to do with people still being seating as the performance began.
Sadly, the women seated next to me and behind me felt compelled to sing along with the score at different points throughout the evening. The woman next to me whispered to her companion throughout the entire performance, used her phone to light up her program and checked her text messages too.
The orchestra has sounded better. There were a lot of clunkers tonight. The violin soloist had pitch problems in the 2nd act. Overall, his 3rd act solo was better, but it still wasn't at the level it should be.
The ovation at the end was very moving. Carreño turned and knelt to the company at what would have been the end of a regular evening's curtain call. Then they brought up the curtain on him alone. And then the company came out one by one to hug him and give him flowers. I didn't recognize everyone, but they included this evening's cast members, natch, De Luz and Jaffe, Xiomara Reyes, Paloma Herrera, Natalia Osipova, Julio Bocca, Marcelo Gomes, Maxim Beloserkovsky(?) and Cory Stearns. I'm not sure who the older man was, who hugged him before Kevin McKenzie.
Posted 01 July 2011 - 05:51 AM
Hallberg was very good as Purple Rothbart, but I cannot buy him as an evil character. Gomes is my gold standard as Purple Rothbart.
I didn't notice Osipova come out. What was she wearing? I saw Irina, Xiomara, Ferri, Jaffe and Paloma. I did not see Part or Wiles. It was great to see Bocca back to honor Jose as well. Steifel and Max B. were there too, even though they are not performing this season. I didn't see Herman. I don't think he was there. Hamrick (the future Mrs. Carreno) gave Jose a big hug and kiss (and flowers, I think) and then went to the back of the stage. Jose's daughters did not appear to interact with her at all on stage. I think the gray haired man who came out right before McKenzie was Barbee. Does anyone know?
Carreno gave many great, memorable performances on that stage which I will cherish in my memory. The first time I ever saw ABT was in the mid 90s. It was a Don Q. w. Susan Jaffe and Jose.
Posted 01 July 2011 - 06:14 AM
Posted 01 July 2011 - 10:27 AM
That's Victor Barbee. I also spotted Jacques d'Amboise in the audience.
I'm not sure who the older man was, who hugged him before Kevin McKenzie.
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Blankets + Throws
Making a bedroom attractive and inviting is important. After all, it's the place where we spend a large portion of our day. In addition, our bedroom is the first thing we see when we wake up in the morning, which can have an enormous impact on our outlook and emotions. At west elm, we want you to get every day off to a great start so that you can be as imaginative, productive and happy as possible. That's why we offer a wide variety of items to customize your personal space. An effective way to create a cheery ambience in the bedroom is through color. Bright tones can energize you and add excitement to a room. Our blankets and throws let you play with different hues effortlessly. They also tend to create an intimate sensation that makes you want to curl up for a relaxing nap after work. If you like to enjoy your morning cup of coffee on the back yard patio, feel free to grab a blanket on your way out. Our pieces are exceptionally warm, perfect for keeping you cozy on a cold day.
Chic colors like Ivory, Platinum, Red Lacquer and Blue Lagoon breathe life into existing decor. They can be used to complement or contrast with an accent wall, for example. A bedside lamp is another way to introduce visually-stimulating elements into the bedroom. If you want to infuse the rest of the home with bold tones, feel free to hang your favorite throw over the edge of a comfy chair or sofa. Touches like these let you create a warm sensation in almost any room.


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Free Keene: Juror for 'Trespassive Three' trial says fellow jurors would have convicted Gandhi, MLK
Despite a fine performance by New Hampshire Civil Liberties Union attorney Barbara Keshen, the sad, obedient jury did what the state wanted and convicted the Trespassive Three of Occupy NH for "Criminal Trespass" for the crime of exercising their rights to free speech and assembly after 11pm in Manchester's Veteran's Park.
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I have seen some recipes for cookies which include lye (water boiled with ash) among the ingredients. Does anyone know what the purpose is? Is there any other ingredient that can replace lye?
First of all, lye is not "water boiled with ash". You might be thinking of potash, which used to be used as lye, but virtually all food-grade lye today is sodium hydroxide.
In terms of its function, it largely raises the alkalinity (pH). Baking soda does too, but sodium hydroxide is far more potent - let's just say you don't want to get any on your hands by accident.
The reason some recipes use lye is that alkalinity is a major promoter of the Maillard reaction, which is responsible for the crisping and browning you see in many baked goods - most notably pretzels. I haven't seen cookie recipes using it but I imagine that those recipes would produce very crisp and hard cookies - not my cup of tea but maybe that's what you want.
The only ingredient I know of that you can use instead is baking soda, but I wouldn't call that a replacement, more like a substitution. It will work the same way, but in the end you'll have something much softer and less browned.
There is actually another substance that is in between the pH of sodium bicarbonate (baking soda) and sodium hydroxide (lye), and that is sodium carbonate AKA "washing soda". It's listed as a food additive (E500) but it is rather difficult to find in food-grade forms. As its name implies, it's more commonly used as a detergent. However, it would be a better substitute than baking soda due to its higher pH.
One can make food grade sodium carbonate (Na2CO3) from food grade baking soda, sodium bicarbonate (NaHCO3), by baking it an oven spread out on a cookie sheet at 350° F for one hour; baking longer won't hurt. This drives off water and carbon dioxide to form food grade washing soda (sodium carbonate) which increases the pH more than baking soda.
Here's the reaction for the above process:
Alkaline solutions are used in different qualities in doughs. I am afraid that you mix something up here, so I don't know which you mean.
One use is to enhance the Maillard reaction, which Aaronut already described. This is indeed done with lye. But nobody is incorporating lye into the dough (this would be quite dangerous). Instead, the formed pieces are immersed in boiling lye before being baked. This gives them a very intensive brown crust, but it isn't crispy, it is soft. The texture is like glossy magazine paper. It also gives a subtle taste of its own. I have only encountered this used with yeast dough, like pretzels or breadrolls. I haven't seen it used with cookies. I think that this is what Aaronut's answer refers to. As you don't have lye at home, it is acceptable to immerse your pretzels into a very concentrated solution of baking soda. The pictures look similar, I've never done it myself.
The second thing you could mean: as Aaronut pointed out, ash boiled with water and filtered isn't lye, it is potash. It isn't used for the Maillard reaction, or not primarily for that. A very refined version of it is incorporated into the dough itself, including cookie dough, as a primitive leavening method. Because of its alkalinity, it reacts with sour elements of the dough. But this is quite a crude method (you never know the concentration, plus, you risk off-tastes and maybe coloring from whatever parts of the ash didn't get filtered well enough). So it fell in disuse since pure alkaline salts (like baking soda and amonium bicarbonate) became available. If you really have a recipe which requires it, it is probably from before the 19. century. And given the progress of cookie recipes since then, I'd just use a modern recipe and forget the potash. It is easier than figuring out the correct substitution ratio. Unless you want to recreate the taste as it used to be, but then no substitution would to, you'll have to secure the real thing from somewhere (probably untreated wood in your own fireplace + ancient filtering methods).
Another reason for strong alkalis in cooking is to quickly breaks down the flour gluten, instead of having the dough sit around for a long time to 'soften' it
This is used in hand pulled noodles and in cookie dough that is extruded or piped
Common bottled cooking Lye water in supermarkets is mostly potassium carbonate and some sodium biphosphate. In powder form it is referred to as 速溶蓬灰 (Kansui powder). For noodles they typically use a 1:200 to 1:100 ratio
When using Lye make sure it doesn't get in direct contact with fats or oils or you will have a soapy taste. Mix it with water and other ingredients first, then add fats or oils
As an alternative you can buy the "Natron" mineral. It's mined in Egypt and many other parts of the world, including the UK. It has been used as a food additive for centuries. Sold like packs of salt, contains around 80% sodium carbonate
To further answer the part of your question about replacing lye, you might also be able to use culinary lime from Anson Mills (and apparently some Walmarts according to the article). I'm pretty sure it is made of calcium hydroxide, also known as "cal" to Mexicans.
Concerning the purpose of lye in your recipe, in addition to the affect it would have on the dough (as already explained by others), it may also have a nutritional purpose.
According to an article on wikipedia about Hominy, Cherokees made hominy grits by soaking corn in a weak lye solution obtained by leaching hardwood ash with water
When combined with unmilled corn, it makes niacin (a B vitamin) and possibly other vitamins more available to the body. Although wheat flour, especially whole wheat, contains some niacin, I don't know if the nutritional benefits would translate, especially if it has already been milled into flour.
Could you please let us know what the instructions were? Curious to know if it goes into the dough (as perhaps a softener) or on the outside (to make it more crisp) and if it is a traditional recipe referring to wood ash lye or something more recent.
For moon cakes, lye water helps keep the baked dough soft and make it brown nicely when baked.


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9 Snacks with No High-Fructose Corn Syrupby Lindsay Hutton
High-fructose corn syrup (HFCS) is everywhere you look, from the breads you eat to the soft drinks you consume. HFCS has been linked to the obesity epidemic and the development of type two diabetes. Although it may seem impossible to avoid, there are foods out there that don't contain it. These 9 snacks have no HFCS added, making them a healthy choice for your family. Just remember--always read the labels yourself to make sure the product is, in fact, HFCS-free.
1 of 10
Apples and Cheese
As the saying goes, fruit is nature's candy. Pair a naturally sweet apple (organic if possible), with a serving of cheese, and you've got yourself a healthy snack that packs a nutritious punch of calcium, protein, and vitamins A and B.


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Afzaal Ahmad Zeeshan
Name: Afzaal Ahmad Zeeshan
About Me: Nothing to share! What's mine, should stay mine! Go fetch one for yourself.
Favourite Qoute:
I'll send a fucking axe at you if you insist on a fucking accent - Eminem
Second Favourite: Throw me to them wolves and close the gate up, I'm afraid of what would happen to them wolves. - Eminem
All that love shit is null and void - Eminem
Favourite Rapper: Again, Eminem!
Favourite Thing to do: Ummm well I love to sleep the most, I don't like to sleep at night I like to do the coding stuff, because its peace all around! :) I love to sleep from 2am - 8am. That's the time when the person should get rest! I love to eat, chicken is my favourite. Well I like chicks too (just for information..). I love playing football, little much do I know about it.
Things I own: I have a laptop, a bicycle, a lovely girl friend :) and a very strict family, who never let me do my coding work for thinking I might be wasting my time! :( I own a cell phone having android OS, yep! I love android.
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Then you can find me anywhere you go, trust me when I say anywhere.
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The 7 Most Horrifying Things Ever Discovered in a Human Body
#3. Lung Fork
When John Manley experienced fits of coughing and pneumonia that lasted for two years, it was clear that something was seriously wrong. At times, his condition would get so bad he would turn blue and pass out. Manley visited several hospitals and specialists, but none could figure out what was ailing him, including the one guy who offered to remove his entire lung because "that was the easiest way for them." We assume they also suggested lighting him on fire to burn their way far enough inside to conduct a proper investigation.
Manley's plight eventually caught the attention of Dr. Momen Wahidi, director of interventional pulmonology at Duke, who had the more reasonable idea of poking a tiny camera down there to locate the problem. What they found was what appeared to be a tumor emblazoned with the Wendy's logo, sparking fears that corporations were beginning to target the all-important cancer demographic.
It would seem that Mr. Manley had accidentally inhaled a jagged shard of a Wendy's fork during a meal at the restaurant, and failed to notice the chunk of plastic sliding down his windpipe.
Hey, we've all been there. You're hungry enough to eat a horse. You get a bowl of Wendy's chili. You eat it so fast that the fork explodes into fragments from the sheer G-forces caused by the speed of you hurtling the food toward your mouth. You swallow a thumb-sized hunk of the shrapnel. Then by the end of the meal you've forgotten all about it.
But Could it Happen to Me?
Oh, Manley's own best guess about how it happened isn't any stupider than ours. "It's a fast food place," he explains. "They do things fast. You go in there, you eat fast. That's the only explanation. That's why they call it fast food."
In any event, fast food is always a minefield for unusual fragments of stuff that doesn't belong inside you. There are a ridiculous number of stories on the Internet for anyone who cares to look, with people finding staples, bandages, condoms and even body parts at times. So you should probably give that quarter pounder a tentative strip search before you bite into it.
But even then, we're talking about some foreign object winding up in your digestive tract and (hopefully) your toilet. If you want to keep stuff out of your lungs, slow the fuck down. If you're eating in fast and furious manner that makes you sound like a wood chipper, odds are your table manners need work anyway, fast food or not.
#2. Thirty Magnets
Look, kids are retarded, we all know it. When we look at something and see only unmitigated horror, they're wondering what it tastes like.
Such was the case of an eight-year-old from Indiana admitted to the hospital with mysterious stomach pains that turned out to be the result of the over 30 magnets and chunks of metal she had swallowed.
The problem with magnets is that they tend to lock together and they aren't fussy about whether they're inside two different organs when it happens. The girl came out OK in the end, but doctors say she is lucky to be alive after her x-ray showed a veritable constellation of possible death.
But Could it Happen to Me?
To you? Hopefully not. To your kid, if you have one? Oh, yes.
It turns out Haley had eaten the small toys because they looked like candy. It's a stunning insight into the mind of a child that they can lick a magnet, see that it tastes like rust and go on to swallow 30 of them.
The green ones taste the best. Like magnets.
Her father said he couldn't possibly imagine how this had happened. He repeatedly stated she got As and Bs, and they had taught her "not to do stuff like this." So unlike with utensil inhalation, faulty reasoning has nothing to do with it: Kids just have this bafflingly overwhelming drive to swallow anything they see that's smaller than their head.
"I am the devourer of worlds... also, trinkets."
If it can fit in you drunk drawer, some baby genius has heroically attempted to stuff it down his throat. And magnets aren't unusual, although they're not as common as coins and jewelry. Just keep everything out of their reach. Everything. Just lock them in a padded room until they're 18.
#1. An Entire Cutlery Store
Now, we here can't judge others by what they choose to eat. Since the Cracked company picnic usually consists of Doritos and porn, when we say that something someone eats is batshit insane, you better believe we mean it.
This is how the last three company picnics have ended.
Enter 52-year-old Margaret Daalman, a Netherlands resident who went to the hospital complaining of crippling stomach pains. Her x-rays revealed what appeared to be a huge, dense squid. We imagine the image was instantly faxed around the hospital offices with the caption "Just look at this bullshit."
After unzipping the woman--seriously, we have no idea what surgeons do--the team found enough utensils to throw a dinner party for the United States Senate. They proceeded to remove over 78 spoons and forks, one by one.
Seventy-fucking-eight. This woman chose to swallow 50 spoons and forks, then thought "fuck it," and swallowed 28 more. We have a picture.
But Could it Happen to Me?
The perplexing compulsion to eat things that are not food is a well documented mental curiosity called pica. Generally, we grow out of our irrational desire to eat weird shit when we hit puberty, but some people just keep on munching on tires and engine parts well into adulthood.
Science isn't sure why, but for some reason, almost nine percent of pregnant women develop the urge to eat the drapes with a nice side salad.
It's notable that throughout all her years of eating stainless steel, Daalman made sure to never eat a knife. Because, come on, that would be crazy.
For more helpful facts from Fero check out her blog at thisisnthelpful.
Do you have something funny to say about a random topic? You could be on the front page of Cracked.com tomorrow. Go here and find out how to create a Topic Page.
If you ever find yourself in a situation like the ones above, here's a guide to help you understand your doctor: 8 Medical Terms Your Doctor Uses to Insult You. Or find out about some crazier shit people used to willingly put in their bodies, in The 10 Most Insane Medical Practices in History.
Stop by our Top Picks (Updated 4.09.10) to see get your mind off that hairball.
And swing on over to our friends at HuffPo to discover how porn has ruined your favorite sitcoms.
Don't forget to follow us on Facebook and Twitter to get dick jokes sent straight to your news feed.


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Aimed to strengthen cooperation among ASEAN countries into a more cohesive ASEAN Community, Inrternet users in these 10 South East Asian Nations have agreed to form an ASEAN Blogger Community, to be established at the ASEAN Blogger Festival in Solo, Central Java, from 10 May – 12 May 2013.
Carrying the theme : "Reinventing the Siprit of Cultural Heritage in Southeast Asia" the ASEAN Blogger Festival is expected to be attended by around 50 bloggers from among the ASEAN region and 200 bloggers from various parts of Indonesia, in addition to the presence of prominent invitees.
This regional meeting will discuss common roots of ASEAN cultural heritage besides being a venue for bloggers from around the region to share experiences and ideas.
A number of tentative programs have been formulated including a seminar on ASEAN Cultural Heritage and Tourism, information exchange among Internet users in the ASEAN region, discussion on the role of social meda in the process of ASEAN integration, Action Plan of the ASEAN Blogger Community, an exhibition, cultural performances, competitions, Culinary festival on various food of ASEAN and others.
The ASEAN Blogger Festival is supported by 3 government Ministries, namely : The Ministry of Foreign Affairs,, The Ministry for Communication and Information, The Ministry for Tourism and Creative Economy, and the local government of the city of Solo as host city. Solo has been chosen as the first venue for the Festival since Solo holds important links to the history and heritage of a number of ASEAN countries. As a tourist destination, Solo is determined to develop this city into an important destination for Meetings, Incentives, Conferecnes and Exhitibtions (MICE).
For detailed information and participation, please log on to http://2013.blogfest.info/
Photo courtesy : http://2013.blogfest.info/
Copyright © 2014 Ministry of Tourism, Republic of Indonesia. All Rights Reserved


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Masters (MA) in Marriage, Couple, and Family Counseling
Masters in Marriage, Couple, and Family Counseling (MA degree)
Accredited by the Council for Accreditation of Counseling and Related Educational Programs (CACREP) and approved by the Oregon Board of Licensed Professional Counselors and Therapists
The MA in Marriage, Couple, and Family Counseling program is designed for men and women who desire graduate study and preparation for marriage and family therapy. We recognize there is a need for specific clinical training and expertise required for working with couples and families as well as individuals, groups, and the broader community. It is therefore intended that the program leading to the MA degree in Marriage, Couple, and Family Counseling will assist students in the process of developing such expertise for effective practice in marriage and family therapy.
Student Learning Outcomes
Graduates will:
- Demonstrate and articulate an understanding of professional identity as a marriage, couple, and family counselor
- Demonstrate knowledge of theories and treatment of individuals, couples, and families, articulating the core dynamics from an integrated systemic perspective. (e.g. human development, family dynamics, traditional and contemporary marriage, couple, and family theories, research and cultural context.)
- Demonstrate clinical competence as a marriage, couple, and family counseling intern including the skills and practices of individual, couple, and family treatment, systemic assessment and diagnosis, treatment, termination, documentation and ethical practice
- Demonstrate the personal awareness, theoretical knowledge, and clinical skills needed to engage in multi-culturally sensitive individual, couple, family and group counseling and advocacy
- Apply relevant research and evaluation methods in the practice of marriage, couple, and family counseling
- Demonstrate reflective and ethical decision making grounded in the knowledge of relevant legal and ethical codes as well as in an examination of personal values
- Demonstrate the College of Education Conceptual Framework to Think Critically, Transform Practice, and Promote Justice
- Articulate how personal faith informs one's identity and practice as a marriage, couple and family counselor
Admission Requirements
- Bachelor's degree from a regionally accredited institution. A cumulative undergraduate grade point average of 3.0 or above is required. The undergraduate degree does not have to be in the field of psychology.
- Completed Application Form at apply.georgefox.edu
- $40 non-refundable application fee
- Résumé of work and/or volunteer experience
- Written admission statement addressing the question provided in the Application Form
- One academic reference form and one professional reference form
- An official transcript from each college or university attended
- Official results from the Miller Analogies Test (MAT)
- Group interview with the Admissions Committee. An invitation will be extended to those meeting initial program criteria.
Additional requirements for International Students are online here.
Transfer Credit
Transfer of up to 22 hours credit is allowed toward the MA in Marriage, Couple, and Family Counseling program from accredited graduate schools (transfer credit is not allowed toward internship requirements). Students must have earned a grade of B or better for a course to be considered for transfer. In addition, only courses taken elsewhere within 10 years of the date of matriculation to the MA in Marriage, Couple, and Family Counseling program will be considered for transfer. Transferability of credits earned at this institution and transferred to another is at the discretion of the receiving institution. Consult the registrar's office for information on eligibility of transfer credit.
Residence Requirements
Of the 68 hours required for the MA in Marriage, Couple, and Family Counseling program, a minimum of 46 hours must be taken in resident study at George Fox University. All work leading to the MA must be completed within seven years from the time of matriculation. Extension of this limit requires approval of the Graduate Department of Counseling (GDC) Faculty. However, only one such extension may be considered due to special circumstances, such as ill health. Reinstatement to the program after withdrawal requires Admissions Committee action and may subject the student to additional requirements for the degree. A leave of absence is valid for up to one year after which the student must re-apply to the program.
Course Requirements
The MA in Marriage, Couple, and Family Counseling program is generally 2-4 years in length with 68 semester hours of course work required as a minimum for graduation. Of those hours, 6 are in prescribed spiritual integration courses, 33 in prescribed counseling courses, 23 in the area of specialization, and 6 in clinical internship credits.
Other Degree Requirements
Each student must complete a minimum of 20 hours of personal counseling/therapy as part of the MA in Marriage, Couple, and Family Counseling program. Additionally, an ongoing review process serves as a way to assess the student's fit for the program; fit for the profession; emotional, psychological, and intellectual ability; as well as maturity level for functioning safely as a mental health professional. Graduate School of Counseling faculty will review students each fall and spring semester. For more specific information, please refer to the student handbook.
Graduation Requirements
In order to graduate with the MA in Marriage, Couple, and Family Counseling degree students must:
- Satisfactorily complete a minimum of 68 semester hours with a cumulative GPA of 3.0 or above
- Achieve no grade lower than a B in all core courses. If a grade of a B- or lower is received in a required course, that course must be retaken (for more specific information, please refer to the student handbook).
- Complete a minimum of 20 one-hour sessions of therapy from a family systems perspective with a licensed marriage and family therapist.
- Complete a 700-hour supervised clinical internship in marriage and family therapy that meets the currently articulated criteria for such training, with at least 270 hours of direct client contact (135 hours required with couples and families; 135 with individuals, couples, or families)
- Successfully complete the Clinical Portfolio (reading fees are assessed during the final semester of clinical internship), in which the student articulates his/her current understanding of marriage and family therapy and applies the same through an analysis of his/her counseling practice, an evaluation of his/her strengths, and a three-year professional development plan
Curriculum Plan
Spiritual Integration (6 hours)
|GCEP 561 Spirituality and Clinical Praxis
|GCEP 577 Images of God
|GCEP 578 Shame and Grace
|GCEP 579 Spiritual Identity
Counseling Core (33 hours)
|GCEP 501 Principles and Techniques of Counseling
|GCEP 502 Clinical Practicum
|GCEP 510 Human Growth and Development
|GCEP 520 Personality and Counseling Theory
|GCEP 530 Psychopathology and Appraisal
|GCEP 540 Professional Orientation
|GCEP 550 Group Theory and Therapy
|GCEP 554 Addictions
|GCEP 566 Research Methods and Statistics
|GCEP 567 Cultural Foundations and Social Justice
|GCEP 570 Lifestyle and Career Development
|GCEP 571 Tests and Assessments
|GCEP 587 Interpersonal Neurobiology and Pharmacology
Marriage/Family Specialization (23 hours)
GCEP 500 Introduction to Couple and Family Therapy
|GCEP 514 Couple Therapy
|GCEP 524 Family Therapy
|GCEP 534 Human Sexuality
|GCEP 580 Play Therapy: Lifespan Applications
|GCEP 588 Clinical Portfolio
|GCEP 597 Treatment Planning I
|GCEP 598 Treatment Planning II
|Students must select 6 credits of electives from any additional GCEP or TRMA coursework
Clinical Internship (6 hours)
|GCEP 592 Clinical Internship
|GCEP 593 Clinical Internship
- Students are expected to follow the sequence GCEP 592, GCEP 593 beginning with the fall semester of the final year. Students who begin internship in the summer will register for GCEP 591 for 1 additional hour and GCEP 599 Treatment Planning for 1 additional hour, but will still need to register for and attend fall and spring internship. Students who continue internship into the following summer will register for GCEP 594 for an additional 2 hours.
- All course work for this master's program is taught from a systems perspective, to meet LMFT licensure requirements. GCEP 540 Professional Orientation focuses on the AAMFT Code of Ethics.
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Seminary Programs
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- Master of Divinity
- Master of Arts (Theological Studies)
- Master of Arts in Intercultural Studies
- Master of Arts in Ministry Leadership
- Master of Arts in Spiritual Formation
- Doctor of Ministry in Leadership in the Emerging Culture
- Doctor of Ministry in Leadership and the Emerging Culture, Leadership and Global Perspectives
- Doctor of Ministry in Leadership and the Emerging Culture, Preaching as Story
- Doctor of Ministry in Leadership and the Emerging Culture, Semiotics and Future Studies
- Doctor of Ministry in Leadership and Spiritual Formation
- Certificate in Spiritual Formation and Discipleship
- Certificate for Partners In Ministry
- Certificate in Spiritual Direction
- Seminary Course Descriptions
College of Education
- College of Education
Graduate Counselor Education Programs
- Graduate Counselor Education Programs
- Masters (MA) in Clinical Mental Health Counseling
- Masters (MA) in Marriage, Couple, and Family Counseling
- Masters (MA) in School Counseling
- Education Specialist (EdS) in School Psychology
- Certificate in Marriage, Couple, and Family Counseling
- Certificate in Trauma Response Services
- School Counseling - Initial Licensure Preparation Program
- School Psychology - Initial Licensure Preparation Program
- School Psychology - Continuing Licensure Preparation Program
- Counseling Course Descriptions
Graduate Teaching and Leading Programs
- Graduate Teaching and Leading Programs
- Master of Arts in Teaching
- Master of Arts in Teaching Plus ESOL Endorsement
- Master of Arts in Teaching Plus Reading Endorsement
- Master of Arts in Teaching Plus SPED Endorsement
- MAT American Culture & Language Prerequisite Track Program
- Master of Education
- Master of Education + Special Education Endorsement
- Educational Technology Certificate
- Reading Endorsement
- Special Education Endorsement
- Teaching English to Speakers of Other Languages (ESOL) Endorsement
- Initial Administrator License
- Continuing Administrator License
- Certificate in the Teaching of Writing
- Middle Level Authorization
- Education Specialist in Administrative Leadership
- Education Specialist in Administrative Leadership Plus Continuing Administrator License
- Education Specialist in Teacher Leadership
Graduate Teacher Leadership Course Descriptions
- Graduate Teacher Leadership Course Descriptions
- EDFL (Reading)
- MATG (Master of Arts in Teaching)
- SPED (Special Education)
- ESOL (English for Speakers of Other Languages)
- READ (Reading and Literacy)
- ADMN (Administrative Licensure)
- MEDU (Master of Education)
- EDTC (Educational Technology)
- EDFL (Educational Foundations and Leadership)
- EDWR (Certificate in the Teaching of Writing)
Doctor of Education
- Doctor of Education
- Doctor of Education Course Descriptions
- Doctor of Education
Academic Handbook
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