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COAI hails Delhi High Court's decision on mobile towersThe Cellular Operators Association of India (COAI) has welcomed the Delhi High Court's decision to dismiss the multiple petitions against mobile towers. The court upheld the EMF safety Digit.in, 1 month ago
Study tests mobile story - Calcutta Telegraph, 2 weeks ago
Kashmir Lawyers To Move Court On Mobile, Internet Ban - Kashmir Observer, 5 days ago
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Data prices to rationalise over next six months: COAI
Deep data price cuts being offered by telecom players are not sustainable, said Cellular Operators Association of India (COAI) Director General Rajan Mathews on Friday. With dynamics of Indian telecom industry changing rapidly, data prices are ...Business Standard India, 1 week ago COAI contests Trai clamp on differential data pricing Business Standard India, 1 month ago TRAI to start net neutrality pre-consultation Capacity Magazine, 2 months ago TRAI to begin Consultations on Net Neutrality soon Communications Today, 2 months ago
COAI for mandatory nod to telcos for in-building infrastructure
Cellular Operators Association of India (COAI) has pitched for a "mandatory" and "non-discriminatory" grant of permission to all operators for deployment of in-building telecom infrastructure in public buildings including airports and government ...Business Standard India, 1 week ago
COAI and AUSPI urge TRAI to apply same net neutrality rules for all service providers
The Cellular Operators Association of India (COAI) and the Association of Unified Service Providers of India (AUSPI) have jointly appealed to the Telecom Regulatory Authority of India (TRAI) that telecom operators should be treated at par with the ...Tele.net.in, 3 weeks ago Net neutrality rules should be same for all: Telcos Business Standard India, 3 weeks ago Telcos Want Net Neutrality Regulations to Apply to Websites, Apps, OEMs as Well NDTV, 3 weeks ago Telcos want apps & websites under Net neutrality Yahoo! India, 3 weeks ago
Trai's call drop test results misleading: Telcos
NEW DELHI: Telecom operators led by industry group Cellular operators Association of India ( COAI ) Thursday said that telecom regulator Trai's call drop tests were limited and should not be compared with standard Quality of Service (QoS) benchmark.Times of India, 1 month ago Most telcos fail Trai's call-drop test in Hyderabad Livemint.com, 1 month ago Operators contest TRAI call drops results News Today, 1 month ago Why telcos are crying foul over Trai call drops test Money Today, 1 month ago
TRAI issues consultation paper on Internet telephony
Mobile manufacturing industry body Cellular Operators Association of India (COAI) said that they see the consultation as a positive sign.DNA, 1 month ago TRAI invites consultation on internet telephony DNA India, 1 month ago TRAI to soon release a consultation paper on internet telephony Tele.net.in, 2 months ago Review decision on differential pricing for data on closed networks: COAI to Trai Financial Express, 2 months ago
Differential pricing: COAI asks Trai to review order
The Cellular Operators Association of India (COAI) on Wednesday said the Telecom Regulatory Authority of India (Trai) has misinterpreted the licensing rules while issuing order prohibiting differential pricing for data services, as it urged the ...Financial Express, 1 month ago COAI again writes to Trai on differential pricing [Mint, New Delhi] Bloomberg, 1 month ago Telecom operators may go to court over TRAI's discriminatory pricing ban Tech2 firstpost.com, 1 month ago COAI asks Trai to reconsider differential pricing of data Business Standard India, 2 months ago
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COAI elects Gopal Vittal as the new chairman
Cellular Operators Association of India (COAI) ha elected Gopal Vittal, the managing director (MD) and chief executive officer (CEO), India and South Asia, of Bharti Airtel as its new chairman. He succeeds Himanshu Kapania, the MD of Idea Cellular. ...Tele.net.in, 1 month ago Airtel Managing Director Gopal Vittal becomes COAI chairman Communications Today, 1 month ago Bharti Airtel's Gopal Vittal elected as COAI Chairman Economic Times, 2 months ago
Indian telecom sector clocking single digit growth due to high digital illiteracy rates : COAI
On Monday, the Cellular Operators Association of India released its annual report for 2015-2016 at the industry body's annual general meeting held in New Delhi. The event saw Gopal Vittal,Digit.in, 1 month ago Wi-Fi in 100,000 gram panchayats with 80-100 mbps speed in 2017 Telecom Lead, 1 month ago All gram panchayats will be Wi-Fi connected by Oct 2018: Government Financial Express, 2 months ago Event Review: LTE India 2016 - Shaping Digital India Vision Communications Today, 2 months ago
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Every year, George McPhee is happy with what the Caps do at the trade deadline.
This makes sense, because George McPhee is in charge of what the Caps do at the trade deadline. If they made moves at the trade deadline, and their GM didn't like those moves, that would be odd.
Still, the team's fanbase is largely enraged on this particular morning, convinced that McPhee made perhaps marginal upgrades in areas that didn't need much upgrading this week while ignoring the smoldering wreckage of a blueline that promptly allowed six goals in Philadelphia. (One was an empty-netter. But I'm trying to be dramatic.)
(Also, here's a writerly tip: If you attribute such thoughts to "the fanbase," you can absolve yourself of any responsibility for or ownership of the opinion. But look: Angry fanbase.)
Still, McPhee was happy with what the Caps did at the trade deadline.
"It's a young group, but they're good," he said of his defensemen, adding that "I like the way this deadline went."
A cheap move would be to go back through the years and quote McPhee liking the way every deadline has ever gone. I'm not above cheap moves.
2013: The Caps traded top prospect Filip Forsberg for veteran winger Marty Erat.
"They're never easy decisions. It takes some guts to do deals sometimes," McPhee said. "With respect to giving up young players, you've got to be careful doing that, but we've drafted well enough that we can do it. And I wanted to help this team now."
"With the way our club's been playing I thought I owed it to our players to help them out," he also said. "I heard the players loud and clear the other day when they didn't want us to be a seller. We think we have a real good hockey club and we're going to keep pushing for the playoffs here."
2012: The Caps did nothing.
"I certainly think we're capable of making the playoffs with this team right now," McPhee said. "If Nicky Backstrom came back, it certainly would improve our chances of being able to win a Cup. We can make the playoffs with this team. And if he comes back, we can beat anybody in this conference."
"We have some terrific young players in our lineup right now because we didn't make mistakes the last three or four years," McPhee also said. "And we're going to have some terrific young players going forward because we didn't give them away today. Just not going to make that mistake. Sometimes no deal is better than a bad deal."
2011: The Caps added Jason Arnott and Dennis Wideman for draft picks, David Steckel and Jake Hauswirth.
"I'm really happy with what we've acquired," McPhee said. "We've addressed specific needs that we've had and they're all good, experienced, veteran players that we hopefully will assimilate quickly and help us."
2010: The Caps added Joe Corvo, Milan Jurcina, Scott Walker and Eric Belanger for Brian Pothier and other assets.
"I like what we did," McPhee said. " We got better, and deeper, and we didn't give up our future to do it, and we didn't take on any bad contracts to do it, so I was really pleased with the way it went. … I certainly like our team, and our depth, and our versatility. Obviously I'm happy with what went on today."
2009: The Caps did nothing.
"We would like to be a good team for a number of years and be knocking on the door every year, rather than load up and hope you can do it one year and then be scrambling for a few years," McPhee said. "If you can give up a first-round pick or young players to bring in a rental, that's the sucker's game that hurts you a year or so down the line….This year I just didn't feel it. Some years there's nothing out there to help your club and no deal is better than a bad deal."
2008: The Caps got Cristobal Huet, Sergei Fedorov and Matt Cooke for a pick, a prospect and Matt Pettinger.
"We thought that if we could give our team a push to get into the playoffs, and add a few things without giving up a lot, then we would do it," McPhee said. "I think we accomplished that."

subset: commoncrawl


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White round neck top made of 52% polyester and 48% cotton, sheer patterning in leopard print design all over, flowy short cap sleeves, graphic print on the front and tiered skirt detail at the bottom
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Wash dark colours separately in warm water (maximum 40 degrees)
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Flat dry in shade
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The product is a size M on a model of height 5'8" and chest 33"


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Me & my wife stayed there 2 nights in une 2012.
The room seemed amazing at first: a fuly equipped kitchen, large living room, nice shower, 2 A
\Cs, flat TV screen and a terrace.
But when you look closer, it's not as attractive as it first seems... The bath thub had a lot of other guest's hair (yuk!), one A\C was almost impossible to operate and so was the hot\cold water mixture in the shower... you just couldn't get it mixed - it was either too hot or freezing cold!
When we tried to talk to the receptionist the next day about the shower, we had another problem - he didn't speak English and was rude! So we somehow managed to explain to him we had a problem with the hot water in the room and he should send someone to olle and fix it - He didn't.
There was also another receptionist (much nicer I might add) - he also didn't speak English... he gave us a pasword to a WIFI internet - it didn't work, we didn't even bother to complain.
I do want to praise a female receptionist (can't remember her name) who was very helpful to us from the moment we arrived and gave us a map and a suggestion for a walk in Florence that covered most of the city - it was amazing and we thank her for that!
So in total, not a very good hotel and not a horrible one either - choose it only if it suits your budget.
- Reservation Options:
- TripAdvisor is proud to partner with Expedia, Travelocity, Booking.com, Hotwire, Hotels.com and Priceline so you can book your Residence Porta al Prato reservations with confidence. We help millions of travelers each month to find the perfect hotel for both vacation and business trips, always with the best discounts and special offers.
- Also Known As:
- Residence Porta Al Prato Hotel Florence


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"Written out of a deeply felt world and with a taut, disciplined voice that knows its Sir Gawain and the Green Knight as well as its Harry Potter, Jonathan Stroud's new book is, quite simply, stunning" Guardian "This is a real treat that will have children of 10 and over seeking out Stroud's other novels" -- Toby Clements Daily Telegraph "As always, Stroud writes like a dream, passing from instant amusement to a sense of real suspense with apparent ease. Those who eagerly awaited this next novel after his super Bartimaeus trilogy will not be disappointed" Books for Keeps "It is certainly an action adventure but the great fight scenes are tempered by humour and humanity and for that reason, although an excellent read for boys, it will be read by adventurous girls too" Carousel "The language is equisite in places and landscape is brilliantly evoked throughout the story" -- Rachel Bowler School Library Association --This text refers to the Paperback edition.
Praise for
Heroes of the Valley: "Witty and cinematic storytelling propels Stroud' engrossing novel, set in a medieval world that recalls Norse epics."— Publishers Weekly (starred review) "[Stroud] keeps readers guessing—bout plot turns, character revelations, and the novel' philosophical implications—hrough many a deftly choreographed conflict."— Horn Book Magazine (starred review) "Fans of his 'artimaeus'trilogy... will devour this book whole."— School Library Journal (starred review) "Stroud earns each and every gasp and cheer he'l garner from this very different sort of fantasy. Funny, exciting, thoughtful, and, most of all, timeless in the way of all tales worth spinning again and again."— Booklist (starred review)
Publishers Weekly (starred review) "[Stroud] keeps readers guessing—bout plot turns, character revelations, and the novel' philosophical implications—hrough many a deftly choreographed conflict."— Horn Book Magazine (starred review) "Fans of his 'artimaeus'trilogy... will devour this book whole."— School Library Journal (starred review) "Stroud earns each and every gasp and cheer he'l garner from this very different sort of fantasy. Funny, exciting, thoughtful, and, most of all, timeless in the way of all tales worth spinning again and again."— Booklist (starred review)
Horn Book Magazine (starred review) "Fans of his 'artimaeus'trilogy... will devour this book whole."— School Library Journal (starred review) "Stroud earns each and every gasp and cheer he'l garner from this very different sort of fantasy. Funny, exciting, thoughtful, and, most of all, timeless in the way of all tales worth spinning again and again."— Booklist (starred review)
School Library Journal (starred review) "Stroud earns each and every gasp and cheer he'l garner from this very different sort of fantasy. Funny, exciting, thoughtful, and, most of all, timeless in the way of all tales worth spinning again and again."— Booklist (starred review)
Booklist (starred review)
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Customer Reviews
Top Customer Reviews
This book sets about revealing the truth of the trows and the heroes. I recommend it to those who enjoy adventure and a touch of fantasy.
Most Helpful Customer Reviews on Amazon.com (beta)
Halli has grown up hearing the stories. How the heroes of the Houses in the valley drove back the horrible monstrous Trows and that's why no one can ever leave the valley again. Halli yearns for those old days, when violence and fighting could solve problems, particularly since in this current world Halli stands out. He is rough and short and ugly and prone to getting into trouble. Pranks come to him easily, but when a particularly keen one leads to the death of someone he loves, Halli vows to avenge the murder. Yet the boy has no idea what lies in store for him, or just how important it will be to remember those old stories and find out the truth (and lies) behind them.
Trying to compare "Heroes" to other children's books isn't difficult, but I did find that it broke certain rules. Like Taran from the Prydain Chronicles), Halli yearns for battle and glory. As such, the first half of this book takes on a distinctly Don Quixote flavor, with Halli in both the role as the deluded would-be knight and his much put upon squire. Halli meets odd characters, goes against all rhyme, reason, and sense and then only finds himself facing the truth about the world around him when given exactly the thing he has been searching for. This is a quest novel where the quest keeps changing. If it reminded me of anything it was of the smart fantasy writing of Nancy Farmer in her "The Sea of Trolls". But it's hard to find anyone to compare to the hero in this book.
Generally as heroes go, usually they can at least fight a little bit. But Halli, aside from being one of the uglier bandy-legged protagonists out there, is both short and incapable of fighting someone. To his credit, he's pretty good at escaping from death (though in truth a lot of that is probably due to the fact that swords pass a fair foot above his head half the time). But how many books have you read where the hero's short legs prevented him from making a clean escape time and time again? It's kind of novel, really.
And now let's talk about female characters a bit, shall we? For all that Stroud likes his boys flawed and wretched, he does a darn good girl. This may not sound too remarkable. Many a fantasy writer for kids knows how to write strong women characters. But I would go so far as to say that male fantasy writers for kids almost always make those same girls humorless. Not always (a tip of the hat to Neil Gaiman here) but more often than I would like. Not Stroud, though. No sir, when you first meet Aud she is falling out of trees, laughing, and mocking Halli in a truly humorous fashion when his ridiculousness comes to be too much. Aud is the daughter of one of the lords from another House. She has all the spunk and verve you would expect, but that's not extraordinary. I was far more interested in how funny she could be. It's a trait that serves her well in the tale.
There is an interesting lack of religion or spirituality to this book's world, which is probably a necessity for many a children's author ("Fly by Night" aside). It also makes one of the book's central themes stand out without raising too much controversy. I doubt very much that you will hear that a parent has attempted to ban "Heroes of the Valley" because the story argues vehemently against a blind allegiance to past beliefs and ideas. The slow reveal of the truth behind the stories Halli has loved for so long grows more delicious as the tale carries on. There is much to be said here about cultural traditions and a society that fails to question its own rules from time to time. Consider Halli the Harry Beaton of his own private Brigadoon.
The writing itself proves to be similar to the Bartimaeus books, even if the story is so vastly different. Stroud excels at ending a chapter on a tense note. There's a wonderful moment when Halli leaves a sick man's bedside, convinced that the fellow (who wants to kill him) is helpless. Then, in the dimming light, all Halli hears is the sound of a mattress that has just had a weight removed from it. Coo. Aside from basic competencies in producing a strong plot, metaphor, storyline, and smattering of character development, Stroud is also keen in including small amusing asides. At one point Aud and Halli are discussing various Heroes from he past and she makes a reference to how one of them came home with some outlaws' heads in a little string bag. Halli says, "A little string bag? . . . Sounds a bit girly. Who did that? Arne?" Aud replies, "No, no, I think it was Gest, or one of the other rubbish ones." I don't know why but I love that little throwaway scene. These two characters are in the midst of a serious conversation and Stroud has the wherewithal to include a dash of humor. It's a pretty British move, and more than welcome considering the circumstances.
I run a homeschooler bookgroup, and my kids recently complained to me about fantasy novels that are parts of a series. For once they wanted to read something that could stand on its own. Now insofar as I can tell, "Heroes of the Valley" isn't slapping large signs that say "VOLUME ONE" all over its covers. And when you read the book it certainly remains self-contained, without any difficulty. But that ending . . . oh, don't worry. No spoiler alerts here. I won't say a thing except that it certainly wouldn't be impossible if Stroud felt inclined to go about making a sequel or two in his spare time. There certainly is more story to tell, and I for one would be first in line to buy if he felt inclined to carry on.
I was a little perturbed to find that one of the book's major villains takes his leave of this earth off-screen, so to speak. Seemed a bit unsporting of Stroud. And there is also the little matter of the book's beginning being so slow. My advice is to encourage child readers to strive ever on. In fact, by the end of the story you will find yourself hard pressed to pry the title from well-clenched hands. I came within an inch of missing my subway stop the other day because I had had the misfortune to be reading Chapter 26 at the wrong time. All that aside, this is a fine frisky novel. A book that comes to a full boil about 3/4ths of the way in and is worth the wait. If you have ever wanted a fantasy for kids that shows a character learning and growing, this is one of the best examples I've found to date. Worth the reading. Extremely enjoyable.
Well, maybe not latest latest, as it seems he's coming out with a fourth Bartimaeus novel (The Ring of Solomon), but that has yet to be released (release date: November 2, 2010). So in the meantime, let me tell you about Halli Sveinsson.
Story overview:
A world once ruled by heroes is now the peaceful home of fifteen-year-old Halli Sveinsson. The heroes now long dead, their stories still resonate amongst the Twelve Houses, which have control over the valley. Of course, each house places their founder as the top hero in the tales, but one thing remains consistent: they all worked together to rid the valley of the evil Trows.
A short, stumpy boy, Halli finds himself getting into trouble more often than not. His mischief isn't appreciated by his older brother nor his mother and father, but there is one person who motivates Halli to aim towards the level of the founders. His uncle. One evening when his uncle ends up having too much to drink, he offends one of the other Houses and ultimately is killed in the process.
On a quest to avenge his uncle's honor, Halli seeks to bring justice to the murders. In his journey he finds that his childhood tales were not all they were made out to be, and in the process he ends up causing trouble to his House, which leads him to search for a way to restore the order.
My thoughts:
Where I don't rate this as high as Bartimaeus, I did enjoy the tale. A little slower starting than I like, but overall well worth the read. As always the characters are sarcastic and witty, and I like Stroud's ability to have them interact in a believable manner. I saw a little bit of Kitty in Halli's female companion.
Things to consider:
It's a little crude in places, but overall, nothing I'd consider inappropriate. I'd age rate this preteen +. Good for both girls and boys.
James D. Maxon
Author of Traphis: A Wizard's Tale
Oh, and the ending that a few others have complained about was perfect. It brought the book full-circle and was essential to the author's purpose in telling the story.
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- Books > Kids & Family Store > Ages 9-12
- Books > Literature & Fiction > World Literature > Mythology > Children's Books
- Books > Teens > Literature & Fiction > Adventure & Thrillers
- Books > Teens > Science Fiction & Fantasy > Fantasy


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Pomeroy Public Library
2016 Adult Summer Reading Program: Exercise Your Mind, READ!
The 2016 Adult Summer Reading Program gives participants the chance to win a Prize Basket by reading, writing reviews, taking a bike ride, and attending library programs. The Prize Basket includes a Fox's Pizza gift card, and a Walmart gift card! No registration required! Stop in any library location for a bookmark and to earn entry slips. Start by simply checking out 3 books and enter to win the grand prize! You're encouraged to "Exercise Your Mind, READ!" this summer! Attend one of the programs for adults at the Pomeroy Library:
Healthy Mind: Adult Coloring and Coffee
Thursday, June 16th @ 11:00 am
Healthy Body: Learn to Hunt
Thursday, June 23rd @ 5:30 pm
Healthy Eating: Recipe Swap
Saturday, June 25th @ 1:00 pm
Healthy Mind: eBooks—Everything You Need to Know
Thursday, June 30th @ 6:00 pm
Healthy Eating: Meal Prep
Thursday, July 14th @ 11:00 am
And don't forget to "Book a Bike" all summer long at Pomeroy and Middleport Library!
Family Movie Matinee - Zootopia
Family Movie Matinees are back! The Community Meeting Room is new and improved and ready to act as a movie theater for Disney's Zootopia.
Popcorn and lemonade is provided by The Friends of the Library.
2016 Children's Summer Reading Program: On Your Mark, Get Set, READ!
Readers of all ages will explore all things sports and fitness this summer as the Meigs County District Public Library presents "On Your Mark, Get Set...READ!" during our summer library program beginning June 6th. Activities include presentations, art projects, physical challenges, group games, and more.
Each performer or program is held at the Pomeroy Library at 2:00 pm, usually on Wednesdays.
Story time hours are held at each location during the program:
Mondays - Racine Library 1:00 pm
Tuesdays - Eastern Library 1:30 pm
Thursdays - Middleport Library 1:00 pm
To go out with a bang, the Summer Reading Pool Party will be held at the London Pool in Syracuse during the final week of the program. Registration for the Summer Reading Program begins on May 23rd. Participants who read 25 books or more will earn a certificate for a free mini pizza from Pizza Dan's in Rutland. Children who attend 3 or more programs will receive a Summer Reading t-shirt featuring this year's theme, "On Your Mark, Get Set...READ!". T-shirts are limited to the first 100 participants. All programs are free and open to the public.
June 8th - Summer Reading Kickoff - Racine Library 2:00 - 4:00 pm
June 15th - Wolfe Mountain Entertainment: Story Time with the Fairy Godmother - Pomeroy Library 2:00 pm
June 22nd - Jeff Nicolas: On Your Mark, Get Set, DRAW! - Pomeroy Library 2:00 pm
July 1st - The WAVE Foundation/Newport Aquarium: African Penquins! - Pomeroy Library 2:00 pm
July 6th - Paul Adams - Poof Daddy Magic Show - Pomeroy Library 2:00 pm
July 13th - Nancy the Turtle Lady - Pomeroy Library 11:00 am & 2:00 pm
July 21st - End of the Summer Pool Party - London (Syracuse) Pool - Time TBA


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The Dallas Mavs Foundation built a basketball court in West, Texas after the old park was destroyed in a fertilizer plant explosion.
Fire officials were looking into how a fire started at William Elmo Powell VFW Post 8230 in Gatesville on Saturday.
Dr. Steve Cutbirth, of Waco, was free diving and spear fishing with his son-in-law and two guides when the shark attack happened.
An explosion struck a demonstration march in Kabul, Afghanistan.
Local students participating in a summer study aboard program were in Munich, Germany, but were safe after a shooting across near one of the city's largest malls that left 10 dead, likely including the attacker.
A scam involving bogus calls from someone claiming to represent Publishers Clearing House has surfaced in Central Texas, but one intended victim wasn't fooled by a persistent caller who insisted he'd won $1 million.
Killeen police were investigating another shooting Friday.
Police were looking Friday for two suspects after a late-night convenience store robbery, during which guns were held to the heads of a customer and the clerk and a shot was fired.
A fairly new restaurant in Central Texas, known for its extra-large signage doesn't bring in the extra-large score.
A woman who has dedicated much of her life to caring for neglected animals agreed to foster a dog this week that was in hospice, but the dog died in her arms while she was picking her up at a local shelter.
Members of a Texas Boy Scout troop were grieving Friday after a teenage scout and a 39-year-old volunteer were killed in a storm while the group was on an adventure trip along the Minnesota-Canada border.
Police were saying little Friday as they investigated after a teenager was found dead in a duplex.
An arrest warrant has been issued for a local man wanted in connection with a shooting in the parking lot of a local shopping center that left two other men dead.
Police are searching for the driver of a pickup after a hit-and-run that left a 5-year-old Texas boy dead and a younger child injured.
A patrol car video shows a white Texas police officer violently throwing a black woman to the ground followed by another officer suggesting to her that black people have "violent tendencies."
An area woman who's facing federal charges in a child pornography case will remain in custody after a court hearing.
Two Central Texas Cicis restaurants are among dozens across the country affected by a data breach that may have compromised the personal information of customers who used payment cards.
An anonymous donor stepped up quickly after he and his wife saw a KWTX-TV story about two elderly Waco women who were suffering through the searing summer without air conditioning.
KWTX Facebook
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HP photosmart 5520 my new printer on photo printing keeps stating out of paper
my new HP photosmart 5520 will not print photos. It keeps flashing "out of paper, reload" when the printer is already loaded with paper single and several sheets. Is this a faulty machine that I bought or can it be rectified. I never had this problem with my previous Kodak printer. Could you please advise what can be done to remedy this or should I purchase another make of printer. Thanks Michael
Re: HP photosmart 5520 my new printer on photo printing keeps stating out of paper
Hello shuter1,
Welcome to the HP Support Forums!
I see you are having photo printing issues with the Photosmart 5520, it will not feed the paper. Will the printer print on regular 8.5x11 paper?
What is the paper type and size you are trying to print these photos on?
See if following the steps outlined in this guide will help: Printing Photos Saved on Your Computer or Memory Card.
I will look back for your reply.
I work on behalf of HP
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POLICE officers were at the scene of a single-vehicle rollover near Apple Tree Creek.
A SINGLE vehicle car crash with eight people resulted in four being taken to Bundaberg Hospital.
A MAN has been taken to hospital after coming off his motorcycle suffering minor injuries.
PARENTS are passing on bad driving habits to their children as reverse parallel parking and roundabout rules stump learner drivers, according to a new survey.
WHETHER you're with Telstra, Optus or Vodafone it seems Bundaberg telecommunication customers all agree on one thing.
BUNDABERG paramedics en route to a call-out were forced to make a detour because of an act of sheer stupidity.
THE WET and windy weather meant some events were cancelled but not everyone let it dampen their day.
BUNDABERG is a step closer to having an RV superpark, which could make the region a tourism haven for the almost 500,000 RV owners across Australia.
A FLIGHT delay, a confused taxi driver and a communication mix-up meant Maddison Young did not get to toss the coin at the third State of Origin game on Wednesd
BUNDABERG is one of Queensland's worst spots for animal-related car crashes and if you're on the road today, watch out – Fridays are the worst.


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Naomi Guttman
More about Naomi Guttman:
Author Questionnaire
When did you start writing?
I started writing as a teenager—mostly awful poems in verse and some other terrible free verse poems as well. In my first semester at college, I enrolled in my first bona fide poetry workshop and had a breakthrough with free verse while studying the work of Theodore Roethke and Heather McHugh. It was then I began to learn how language can be intensified by multiple strategies: diction, inversion, elision, juxtaposition, syntax, and line breaks. Of course, that didn't happen all at once, but I got a taste of the possibilities. At base, though I would say that from early childhood I was attracted to the musicality of language—as I think almost all children are—and I find myself always returning to that. Nursery rhymes and songs were very important to me. I loved A.A. Milne's When We Were Very Young and Now We Are Six. I can recite most of those poems by heart still today.
Why do you write? Has this changed over time?
I write because it keeps me feeling alive and engaged, and engaged in reading, which may be more fundamental for me than writing. Great writing provokes me into imagining that I could write that well. I don't need to write to survive, but when I am not engaged in writing, something is missing. I write because the visual arts, music, some dance, and literature are what, to me, give meaning to life, and of all these art forms writing is the one in which I have the most experience and thus facility. When I was younger it had to do with articulating my own feelings; as I've grown older, it's a means of making sense of the world or reflecting the ways in which there is no sense in the world.
Who are some of your favourite writers? And what do you draw from their work?
Like many contemporary poets, I will name Elizabeth Bishop because she taught me that from the most humble subjects and in a modern and unassuming voice, great poems could be made. She is also exemplary when it comes to innovation of forms, the use of forms, while never sounding old-fashioned or trite. Theodore Roethke's intensity of language and image, that synthesis, was very influential for me as a young writer. Anne Carson is a favourite because of her daring, her imagination, her artful way of connecting ancient and modern and thereby reminding us that the ancient abides with us. I love W.S. Merwin for his use of the line, the way he pares the sentence down to its most elemental by banishing punctuation and forcing the reader to slow down, to reread. I also admire his commitment to conservation and raising the alarm about the future of the planet. Adrienne Rich was a great influence for her political commitment and the ways in which she brought that into her writing, even though it didn't always work to advance her career. She was a great intellectual and used the power of her intellect to examine the basic injustices of our day and to elucidate them in terms that respect conflicting perspectives. I admire her essays just as much I do her poetry: the writing is lucid without being simplistic; reading her essays taught me a great deal about humility and the search for truth in argumentation, as well as about prose style. There are too many writers to mention, really. Many prose writers, especially those who focus on the short story, are among my favourites: Alice Munro for her amazing ability to convey interiority and her slyness about human suffering, and also her poetic language. She's a wonderful poet, really. I love David Mitchell's work, as well as Jennifer Egan and George Saunders, Elizabeth Strout, among many others. I guess with all of them it comes down to how they convey our contradictions, our ability to fool ourselves, but also how they are able to create physical worlds in language, to populate them with assorted voices, and to say just enough and not too much.
Explain a particular poem of yours from a Brick Books publication – you can present your interpretation of one of your poems or else offer some more general commentary on how you would like your work to be read.
Castle and heddle the warp the weft
a web a cloth a nap the stuff
take yarn manila sendal and cross
tufts of rabbit merino floss
fibre worsted linen and jute
throw down a pattern unravel a suit
of sea water nacre opal and clay
plaited ribbons steeped in dark tea
skeins of skin, brocaded bones
a bolt of tulle a pile of stones
milk and sugar a cotton web
a veil of clouds a coat of reeds
cut the length leave hang the thrum
fray the fringe abandon the loom.
One of the things I like about being a writer is being able to hear others' interpretations of my work and not having to offer my own. In rereading the manuscript of The Banquet of Donny & Ari: Scenes From the Opera, I find it difficult to isolate one poem to discuss. Because this manuscript is a novella—a series of poems about a particular family and their lives at a critical period—each poem has in some way to advance either the plot or the understanding of a particular character, or both. "Criss-Cross" is one of the few poems which, though it is clearly about Ari's weaving project, came from the fiber of language, as it were. At the time of its composition in the summer of 2012, I was deeply invested in drafting poems about Ari and her "Human Footprint Series," a series of tapestries—of fiber artworks—that explore humanity's dominion and destruction of life as we have known it for thousands of years. Some of these poems risk didacticism; in fact one poem, Ari's "Artist's Statement," is patently didactic, but purposefully so, and I hope that its tongue-in-cheek quality will be apparent to readers. "Criss-Cross" arrived, however, almost out of whole cloth—to pun shamelessly—when I spent a morning with a certain music in my ear—a throwback to accentual verse, really—and concentrated on a list of textile vocabulary I had compiled from my thesaurus and the dictionary. Working from this list of nouns and verbs, I felt truly as if I were weaving the poem out of those words, or—even more strangely—as if I were simply a conduit and the poem were weaving itself. I know that it's a cliché, and it doesn't mean that a lot of practice and trial and error did not go into the writing—but it may be that all the practice of writing other poems and listening to other poets' music primes us for the composition of some of these highly lyric poems that seem to announce themselves when conditions are ripe. That is the beauty and mystery that I think draws most of we who think of ourselves as poets to write lyric poetry.
In terms of its placement in the manuscript, I see this poem as a tipping point for Ari, one of the book's primary characters, and her work as a fiber artist: up until this moment, she has devoted herself to weaving. By the end of the poem, not only does she cut a particular cloth from the loom, but she is ready to "abandon" the loom altogether for a while in order to explore other techniques. This new openness to a rich quarry of new materials and skills metaphorically hints at her readiness to begin to remake herself after her mother's long illness and death. The poem "happens" in about the middle of the manuscript—signalling the beginning of a long process of reckoning with loss and aging, of entering another stage of life. I guess I see it as a "hinge" in the narrative, but one of several: even as Ari embarks on this textile project, her husband Donny is involved in his own artistic adventure as a musician and conductor of a chamber choir who is mounting a production of the first European opera, Monteverdi's "L'Orfeo." This dance between their two projects and their different approaches to life generally is one of the most important tensions in the book.
Essay: "Scenes from the Opera: On Writing a Novella-in-Verse"
About two years ago, I was thinking about food, as I often am, thinking about people I've met who are passionate about food and their different approaches—the gourmand, the health-conscious, the allergic, the political—as well as those who are more or less indifferent—the timid, the lazy, the careless—all the types among whom I live and the multitudes contained in me, Walt Whitman in the kitchen. I began writing poems about a contemporary Canadian couple, Donny and Ari Backus, and their two young sons, Stefan and Onno, dividing myself into the adults particularly, the Dionysian "Donny," and the abstemious "Ari." As I pushed further to align their characters with their namesakes, Donny became not only a foodie, but a musician; Ari not simply a person resisting her appetites, but a weaver.
The poems accumulated, and I realized that I was composing a long poem, maybe a novella-in-verse, in which we witness a family drama from a variety of perspectives. What distinguishes a long poem from a novella-in-verse? The long poem has many models, but fitting in dialogue and scene and all the elements that structure a piece of extended fiction, that ease and enchant a reader's entry into the world of a novel—those do not seem to be as easy a reach in the long poem. A long poem creates atmosphere, it builds tension both within poems and in the spaces between them, but does it lead us through? And what kind of novel are we talking about? In the early 21st century, so many traditions of the novel crowd together on our shelves that it may be a false distinction to separate certain books of long verse from certain works of fiction. Perhaps the long poem fits best into a post-modern paradigm of the fragment, the collage, the unfinished. However, this question of genre is one in which I don't dare engage as I compose. In the act of writing I am occupied with the fabrication of moments that seem true to themselves, and I trust that in the end they will make sense together.
In our correspondence, Arc's editor Katia Grubisic wrote to me that "the length of a banquet table, alluded to in the title, suggests the span of life, its many courses, guests, tastes, spills." Yes, all those things, as well as pauses, conversations, disappointments, ceremonies, regrets, and anticipations. I'm also fascinated by the power of food itself and the ways it can be used to perpetuate as well as to control desire. While we must eat to survive, our food choices now are inflected by a multiplicity of forces that play us: advertising, health concerns, traditions, family, religion, belief, and, of course, taste. Once I embarked on the banquet, on developing these two characters with their conflicting approaches to food, to life, I began feeding them from the table of imagination the dishes I thought would best suit them, and they in turn began feeding me their ideas of how to nourish them further. How did I come up with the 10-line lyric? By accident, organically, as the shapes of most poems come into being—via their own music.
These nine poems are excerpted moments. I hope the reader will see connections between the characters, appreciate a variety of moods, a suggestion of the length of the marriage that is the banquet of the life these two central characters have made together, and also some of its origins. Western chorus frog is one of several poems sprinkled through the manuscript that represent a series of tapestries Ari is making, inspired by our environmental crisis.
Many courses from this banquet are missing, some of which would provide the narrative ligaments. Yet readers can be expected to do some of that work themselves—that is, in fact, the pleasure of reading: the proleptic moment we appreciate only after the fact, the glass slipper that sets the quest in motion. What a reader sees in these pages may be like the experience of seeing photographs of a nude without being sure, even on close inspection, whether we are looking at the fold of the upper arm resting against the rib cage or the crease between the back of a thigh and the calf.
Long ago I read an interview of Alice Munro where, to describe how she feels as she begins a short story, she uses the metaphor of visiting a house for the first time: as you enter, you notice the furnishings, the wall paper, the books and decorations; but it takes you a while to understand the architecture, the way the rooms of the house connect via doors, hallways and stairs. This describes well my experience: I am still feeling my way around the interior of this longer work, and it will take some time before I understand completely how its rooms connect.
Having now written 40 of the 100 or so poems I anticipate will make up a book-length manuscript, when will I stop, how will I know when it's done? When I throw it into boiling water and it rises to the top? When a toothpick thrust in the center comes out dry? When I cut into the joint and the juice runs clear? Perhaps when the stains and spills and full stomachs tell me, when the guests lift the napkins from their laps, push their chairs back from the table and say, "C'est terminé."
A version of this essay appeared in Arc Poetry Magazine, #67, Winter 2012
Poems by Naomi Guttman, Excerpts from The Banquet of Donny and Ari
Stories never live alone: they are the branches of a family that we have to trace back, and forward.
– Roberto Calasso
Early music
That summer Ari lay on the swept wood floor,
Donny played the harpsichord.
River heat rose around the island, clinging to them,
sticky with newborn love.
In tall frosted glasses, he served cantaloupe
crushed with ice and lime, red beans and quinoa
on earthen plates. Dampness entered, settled
like the children they didn't yet know.
On the swept wood floor she lay her braid undone—
Bach's inventions catching in her hair.
Donny doesn't think he's made decisions—
life's a hungry lion tracking prey. Each hour has a texture
and a name, but not a place to stop. If only he could cast himself
beyond time's grip, forward, backward, he wouldn't care—
escape the wax museum of the now without a scratch,
without being missed. Where would he go? Some risky thrilling era?
But with indoor plumbing and martinis. Would he be a firefighter,
secret agent, pitcher, a hero riding rocky seas. Orpheus drowning Sirens,
shielding grateful sailors with his sunburst Stratocaster and his song.
The book of life
Though Ari won't believe in God, she knows that something somewhere
must be counting: calories and carbon use, every inner tube she's ever burst,
every acid-crusted battery, somewhere there's a ledger for the damage
of existence: each bottle top and what it cost the Earth,
the atmosphere, accruing to the rubbish mountain of her soul.
Joy is only sugar, an empty source of energy, and happiness a fiction;
it's misery and guilt that architect the real. And the body,
the body's just another spring of discipline; something counts each lick,
each sip, each chew, each mile she runs with weights on arms and legs
up and down the neighborhood so early that she wakes the dogs.
Writing exercises – please share some of your favourite writing exercises – things you do to limber up or exercises you use with workshops.
Daily Poetry Journals
A couple of years ago I took a figure drawing class. Part of the pedagogy to keep a drawing journal in which we made studies, e.g. "draw your foot in five positions," or "draw five different ears." Though I had always asked students to do the occasional exercise, my teacher's drawing journal inspired me to challenge them to take on a series of daily exercises over the course of our 14-week semester. The assignments are not difficult in and of themselves, though they do require you to set time aside each day of the week, with one "day off" per week. Here is the "daily poetry journal" plan.
For 6 out of 7 days of each week do these exercises:
Week 1: Write at least 8 lines of one of these meters each day. Don't use the same meter more than once. What you write does not have to make sense: Iambic trimeter; iambic tetrameter; trochaic dimeter; trochaic trimeter; trochaic tetrameter; dactylic dimeter; anapestic dimeter.
Week 2: Each day, record three observations of things you notice around you: smells, sights, sounds, etc. Though you are welcome to use figurative language, the emphasis here should be on precise diction.
Week 3: Find six evocative (for you) words or phrases that are abstract in nature and each day write an image that reveals the word's meaning to you. e.g. for "midnight" Coleman Barks wrote: "A miner buries his hands in a woman's hair."
Week 4: Each day, take the first line of a poem from one of our texts and follow it with at least 10 more lines.
Week 5: Each day write a complex sentence that contains several clauses. Then rearrange the syntax of that sentence so that it is different from what it was. Do this twice, so that you end up with three differently arranged sentences. You may alter coordinating conjunctions, etc. Here is an example:
"After a three days' driving, Jenna's old Pontiac, which she'd inherited from her paternal grandmother, a car with a bad case of rust and a failing alternator, stopped next to a cornfield where she decided to nap in the shade and protection of the August stalks."
Stopping next to an August cornfield, Jenna napped in the shade after three days of driving the old Pontiac her paternal grandmother—Granny Lynn—had left her, and which she appreciated, even though it was rusted through in spots and the alternator was failing.
- Granny Lynn had left it to her—a rusty old Pontiac with a failing alternator—yet this was the car with which Jenna would start her new life, that is, after she napped in the corn stalks of August on this dusty country road she'd gotten lost on after driving for three days.
- August cornfields surrounded her—the only shade for miles after three days of driving, and it was here that the rusted old Pontiac—a posthumous gift from Granny Lynn—sputtered to a stop, and where Jenna decided would be a good protected place to nap before figuring out what to do next.
HINT: Make the first sentence sufficiently complex so that you can work with the material you have created to make several more interesting and complex sentences. As above, it's okay to add new details, but the point is to start and end the sentences in different syntactic locations.
Week 6: Making Lists: From ancient times, poetry is full of catalogues or lists, e.g. The Iliad. Lady Shonogan, who wrote the 1000, CE masterpiece The Pillow Book, is famous for its categorized lists. For example, she has lists of things that give a clean feeling; elegant things; things that give a feeling of disgust.
Here are two categories, followed by lists:
- Things that are near yet far—The Miyanobe festival. Relationships between siblings or relatives who don't like each other. The winding path up to Kurama Temple. The first day of the New year, seen from the last day of the old.
- Things that are far yet near—Paradise. The course of a boat. Relations between men and women. (162-163)
Each day, create a category and list at least 5 items that belong in it. Use your imagination: make it strange!
Week 7: Make a list of your 50 favorite words. Each day, investigate the etymological roots of at least one of them. Put something of what you discover into your next poem.
Week 8: Each day, write a rimed iambic pentameter couplet.
Week 9: Find a poem you admire of between 10-20 lines. Copy its syntax and line breaks, substituting your own language.
Week 10: Make a list of dead metaphors, homilies, or clichéd expressions. Each day, choose one to strangify, and "make it new." E.g. "She let the cat out of the bag," => "He let the cider out of the shoe." Or "A stitch in time saves nine" => "A pinch of tea saves dreaming."
Week 11: Each day of the week, write down a new word you have come across or a word you have never used. Find the definition. Use the word in a 5-10 line poem.
Week 12: Choose one painter or photographer whose work you admire, (e.g. Rubens, Steiglitz, O'Keefe, Kuharic…). Each day, study one of his/her images and write 5-10 lines about it. In other words, keep focused on a particular artist but each day move to a different work.
Week 13: Write an "American Sentence" each day. An Am. Sentence is a modified haiku invented by Allen Ginsberg, a one-line poem, usually in 17 syllables.
Here are a couple of his:
Four skinheads stand in the streetlight rain chatting under an umbrella
Rainy night on Union square, full moon. Want more poems? Wait till I'm dead.
Week 14: Make up a journal assignment of your own. Do it every day.
Conversations between the editor and the author about a poem.
Sue Chenette, my editor, and I had lively correspondence about many poems in The Banquet of Donny & Ari: Scenes from the Opera. The book is a novella-in-verse, and Sue expressed concern about characterization, particularly about the ways in which the narrator sometimes seemed to judge the male protagonist, Donny. The poem "Argonautica" is an example of a poem whose narrative stance fell into this category; that and other editorial questions made us go back several times over this particular poem.
Below are two versions of the poem along with some of our back and forth.
Argonautica (Original)
Donny won't believe he's made decisions—life's
a lion tracking prey, its belly never full, mind
following body. The way each hour has a texture
and a name, but not a place to stop. If only he could cast himself
away from time—forward, backward, he wouldn't care—just leave
his life without a loss, escape his wax museum
for a spell, no pain or grief for anyone. Where would he go?
Some risky thrilling era, but with indoor plumbing and martinis:
Firefighter, secret agent, pitcher, hero riding rocky seas, Orpheus drowning
Sirens, shielding sailors with his lyre and his song.
In the fall of 2013, when Sue first received the manuscript, she wrote in a marginal note on the poem: "I'm wondering about point of view. An omniscient narrator is judging Donny, pointing out that he 'won't' believe he's made decisions and that he wants his thrills and indoor plumbing too." And in a cover letter, she added, "Donny is fully and complexly present, but I wished for a more rounded sense of him sooner, something beyond the distress and discontent of 'Feast and famine,' and 'Argonautica.'I would be interested to see him practicing, to know the range of his focused and fleeting thought in that setting."
At Sue's bidding, I began to compose or revisit other poems from Donny's point of view that were more nuanced; and yet I still struggled with "Argonautica." In my initial response, I wrote:
"I'm finally getting around to looking more closely at your questions and comments, and doing the minor edits before I get to the major ones. Re. major ones: I agree at times that Donny is seen too much perhaps from Ari's point of view, but I really want to keep the line in 'Argonautica' about how his adventurous spirit is married to his love of comfort. I don't see that as necessarily Ari's point of view or even a critical narrator's point of view. In any event, I guess it will depend in the end on whether I manage to write a poem that would give us a 'fuller sense of Donny' earlier in the book."
Sue responded: "Looking at Argonautica again, I found myself asking if the line in question were something Donny would say about himself. That feels important to me, for balance, since in the poems that express Ari's frustration, for example "Book of life," the lines do seem to express things that she would say about herself, at least in the moment of the poem. Could Donny have a sense of self-irony sufficient to acknowledge his need for indoor plumbing and martinis? If so, I wondered if adding a dash to the line: 'Some risky thrilling era – but with indoor plumbing and martinis' could do that little bit to make the observation seem more his than that of someone else telling about him without his implied participation."
Argonautica (second version)
Donny doesn't think he's made decisions—
life's a hungry lion tracking prey. Each hour has a texture
and a name, but not a place to stop.If only he could cast himself
outside time's arms, forward,backward, he wouldn't care—
escape the wax museum of the now without a scratch,
without being missed. Where would he go? Some risky thrilling era?
But with indoor plumbing and martinis. Would he be a firefighter,
secret agent, pitcher, hero riding rocky seas. Orpheus drowning Sirens,
shielding grateful sailors with his sunburst Stratocaster and his song.
In this next version, I made the first line potentially less judgmental by changing the verb from "won't believe," to "doesn't think." To this, Sue responded, "in these two lines, for instance, absent the "won't," the emphasis now falls, for me, on the second, so that I do feel inside Donny's mind, seeing the world as he sees it." Regarding figurative language shifts, in lines 4-5, Sue expertly steered me away from mixing metaphors: "This was the only phrase I wasn't sure about. His feeling enclosed by time is important, I think, but I wondered if the poem really wanted both metaphors, the arms and the wax museum. It could read 'outside of time.'"
As readers can see, I made Donny less certain about what he would do by using the interrogative twice in the sixth line. I also changed "lyre" to a hipper, more contemporary instrument, the Stratocaster—a guitar many believe to be the most important element in the sound of mid-twentieth-century Rock and Roll. I also modified "sailors," making them "grateful," to give the reader a little more of a taste of Donny's desire for grandeur.
The poem appears with still a few more slight modifications in the final version. But for those, you will simply have to read the book!
A poet's statement on some aspect of craft
Like it or not, I seem to be drawn to form. I don't know why this should be except that since I was very small I've enjoyed symmetry, whether it was rhythmic or visual. This probably indicates a primitive aesthetic; though I've certainly written many free verse poems, I seem always to return to form, whether it's the pantoum, the ballad, or blank verse. One could say that formal poetry provides us with even more of a challenge to "make it new," as Pound said, than do the organics of free verse. For example, riming forms require us, in the 21st century, not to depend on the usual suspects. I love to read formalists and to puzzle out what they've done and how they did it. Among my current favorite poets now is A.E. Stallings, whose book Hapax offers a feast of formal poems, each one different from its sisters.
In The Banquet of Donny & Ari, I found working with form to be a way into the book. I started it by writing 10-line poems, because I wasn't sure how to begin the poems and this seemed a good way to make myself write. Ten lines, that's all, I'd tell myself, and at first I entertained the notion that all the poems should be 10 lines long. It became clear after a while that even if each poem were 10 lines, I should vary those lines somehow, cluster then differently, and I played with this for a long time, attempting to find the organic shape for each poem.
Of course, as a result, some of these poems ended up with fewer lines and some ended up longer. Eventually I got to the point where I could see that the only path was to take the material where it wanted to go. When I freed myself from the constraint of 10 lines, a multiplicity of forms came forward. Some poems arrived as music, where sounds and rhythm took over; one was written in a 4-stressed line, recalling accentual verse, like a chant. Another became a pantoum, which seemed to serve the poem well by recalling the dream-like trance of ritual movement. Still another poem was inspired by a mirror structure, which I stumbled upon in a poem by Howard Moss. In this way, slowly, I was able to rescue the book from the tyranny of a haphazardly chosen stanza length and shape, and I believe the collection is that much richer for its refusal to adopt a single form throughout. That, however, could be a way of excusing myself from that challenge: to write a book using a single form and still make it an interesting read.
Study Questions on Méira Cook's Monologue Dogs
1. In what ways does Cook's use of characters from history, mythology, and fairy tale illuminate or complicate the original or accepted versions of the tales or characters?
2. Sometimes Cook re-locates characters from history or folklore into a modern setting: how does this affect our understanding of the poems?
3. Cook often quotes or misquotes phrases from the work of famous poets. What is the effect of this weaving in of others' words?
4. The book is divided into four sections: what kinds of patterns do you see within and between sections, patterns of imagery, idea, voice, or form?
5. In the book's last section, "Crooked," Cook writes a series of short notes explaining or providing background to a few of her poems. Read the book through before reading this section and then read this section. In what ways do these offerings amplify the poems? Are they poems in their own right?
Prepared by Naomi Guttman. Monologue Dogs can be purchased as a print book or an e-book from the Brick Books website.
The Banquet of Donny & Ari: Scenes from the Opera
- A Lavish Spread: Naomi Guttman's The Banquet of Donny & Ari - reviewed by Peter Richardson from Arc poetry magazine, November 28, 2015
- The Banquet of Donny & Ari: Scenes from the Opera - reviewed by Becca J.R. Lachman from Alimentum: The Literature of Food, November 4, 2015
- Tuesday Poem: Chernobyl Wedding, 1986 by Naomi Guttman - reviewed by Eileen Moeller from Tuesday Poem blog, June 2, 2015
- Paradoxes, Habitats and Paradise - reviewed by Antoni Nerenstat from Concordia University magazine, spring 2015
- Most Anticipated: Spring 2015 Poetry Preview - reviewed by Kerry Clare from the 49th Shelf, January 26, 2015
Reasons for Winter
- Reasons for Winter by Naomi Guttman - reviewed by Robin Skelton from Quill and Quire, October 1991
- Life, Work & Free Verse - reviewed by Cynthia Messenger from Canadian Literature, No. 140, spring 1994
- Shimmering Fields of Perception: Two First Books by Women - reviewed by Sandra Nicholls from Arc, Autumn 1992
- In the Root Cellar - reviewed by Ann Diamond from Books in Canada, February 1992
Interviews and Readings:
- 5 Questions with Naomi Guttman - IFOA blog - May 24, 2016
- Naomi Guttman reads at the Tree reading series in Ottawa - Tree Reading Series - June 9, 2015
- Interview with Naomi Guttman - Canadian Writers Abroad - interview by Debra Martens - - May 13, 2015
- Naomi Guttman: from The Banquet of Donny & Ari: Scenes from the Opera - Lemonhound - May 1, 2015
- The Proust Questionnaire, with Naomi Guttman - Open Book Toronto - March 17, 2015
From Other Publishers:
- Wet Apples, White Blood (2007) published by McGill Queen's University Press


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Mar 27
Bio: Kimpy is a born performer, with many shows under her belt since the age of only four!! Including music videos and more recently a local talent competition which covered the whole of oxfordshire..which she went on to win!! Kimpy not only sings, but is an amazing dancer, which in 2009 led her into...See Full Bio
"I managed to reach the Final Televised audition for XFACTOR 2012!"


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- Miss Florida 2017 stripped of crown days after win - US Weekly
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16 April 2012 at 5:27 PM
Natalie Portman: 'Chimpanzee' Screening with Jane Goodall!
About this photo set: Natalie Portman and Dave Matthews sandwich in Jane Goodall at a screening of Chimpanzee on Saturday (April 14) at the Crosby Street Hotel in NYC. Law & Order:… Read More Here
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Gone Home DLC 'Gun Home' isn't real, but you'll wish it was – video
Gone Home probably doesn't need guns. It's pretty well-regarded without them, but what would a bullet-heavy take on the game look like. Hmm.
The folk over at Dorkly have put together a mock trailer for 'Gun Home,' complete with Distrurbed on the soundtrack.
I'll say no more. Just watch the video.
Via Destructoid.
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Suns out, Guns Out! We all love going to the beach to fool around - sometim...
Elizabeth Rage takes you through the steps to create the Enchantress look f...
On this episode, Master Chalk Artist Chris Carlson takes on an epic Star Tr...
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Photo Details
This picture was in an album that belonged to Mary Elizabeth (Gleaton) Glover Johnson. Mary was the daughter of Daniel Forrest Gleaton and Rossie Ida (Thompson) Gleaton. The words "Will Thompson and Family" was clearly written below the photo. Any help with connecting this family to the Henry B. Thompson family would be appreciated.
in USA
Ronald Thompson I have a Henry B. Thompson b. 1855 in Autauga County, Alabama and married Laura Emma LAVONIA. Would that help?
Dec 07, 2009 · Reply
Shelia Lyon Wow. I just saw this and it's been what, five years? I wonder why I was never notified that I had any response! And yes, that is the family. Do you have any information on Will Thompson?
Jun 12, 2014 · Reply


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Patio dining in Milwaukee
Revel in summer with these outdoor options
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I've had the pizza at Vino Cappuccino several times; very good. Nice place with pleasant atmosphere and Andreas is very personable.
It is not about the food, it is about having a smoke and a drink. Food is secondary
It is nice to see that restaurant owners are putting money back into facility up-keep. That is a win---win situation for everyone involved. Wisconsin really does have many wonderful restaurants to enjoy. Outside patio dining only adds to the great experience.
We just had dinner on the porch at Vino Cappucino. It is done up nicely, with all the plants screening diners from the parking lot and road. Very relaxing, every once in a while a train would pass nearby, which was also kind of neat. Food is good, waitress was very good. Patio was packed on a weeknight.
Mr. B's nearby also has a very, very nice enclosed patio with a fireplace, fountain and full bar out there. Probably the nicest outside dining venue I've seen in this area. The restaurant is located on busy Capitol Drive but you wouldn't know it when you are seated on the patio. B's is actually a great place to stop for a burger and beer--their burgers are delicious and priced competitively.
I see a lot of restaurants utilizing the sidewalks in front of their places for outside dining, but they do nothing to make it pleasant. Usually a view of the parking lot or road, with lots of street noise. Other parts of the world also deal with outside dining spaces, but do like Vino and dress them up. It's part of the allure of these places, as you walk by, the menus are posted and the nice little patio areas are partitioned off and decorated with some planters. Doesn't take much to draw in the crowds if your place looks inviting.
Quoting Butthead:
"Hey Baby."
Interesting to hear about the changes at Milwaukee Ale House in Grafton. My family and I went there several years ago (in the winter) and the overall experience was only average. As for Balestreri's Bluemound Inn, I have been there several times and always have had a good experiences. For folks that like traditional Italian food, it's one of the best places in the Milwaukee area, in my opinion. Finally, I have to say I am impressed with Always a Rock Star's classy posting!!!
Taylor's People's Park in downtown Waukesha recently opened their rooftop dining area as well, its very well done. I like it because it is on the roof of a two-story building, so there's a bit of a view of the other historic downtown buildings as well as the hills surrounding the downtown. That is one element I think so many of the outdoor dining/drinking areas lack, a view of something interesting. Sure, when we have a rather short outdoor dining season here, any time we can spend outdoors is nice, but when the only thing to look at is the parking lot, or "dumpster row", it can get old rather quickly!Hide replies
We will have to try that. We also like the small plates bar menu at Generations, and just down the street is dessert at that nice gelato place.
Carol Deptolla Archive
- Jul 22, 2016 | Crawdaddy's reopening has its ups and downs
- Jul 22, 2016 | Big Eazy finding home for New Orleans cuisine on King Drive
- Jun 24, 2016 | At Blue Star Cafe, Somali entrees, appetizers and hefty sandwiches
- Jun 17, 2016 | Kim's Thai opens new spot with same delicious stuffed chicken wings
- Jun 10, 2016 | Summer brings new outdoor patios to Milwaukee-area eateries
- May 27, 2016 | Urban Beets marches to veggie beat
- May 20, 2016 | Places for great barbecue in Milwaukee
- May 13, 2016 | Regional Mexican dishes at Restaurante Juquilita
- Apr 29, 2016 | New old Karl Ratzsch is fresh but familiar
- Apr 22, 2016 | Si, C-viche in Bay View
- Apr 8, 2016 | Easy Tyger: A view of the globe from Brady St.
- Apr 1, 2016 | Good bites to go with that coffee
- Mar 25, 2016 | Irie Zulu's menus let diners explore Africa, Jamaica
- Mar 18, 2016 | Asian Fusion brings a world of traditional flavors to east side
- Mar 11, 2016 | Falafel Guys grow in Thiensville
- Feb 26, 2016 | Point Burger Bar rolls out the choices
Watch the Lollapalooza 2016 livestream here
East side Red Dot closes, but there's interest in opening a new bar there
Festivals: German Fest will turn lakefront into a haven for culture and food
Halsey's show at the Rave a disorganized display of influences
Local stores plan Saturday events to launch new Harry Potter book
Aaron Rodgers on brother's 'Bachelorette' run: 'I haven't seen the show'
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Tips for Von Hayes' LinkedIn Profile
Von Hayes has a LinkedIn profile. I went ahead and made it a little more robust — he wasn't taking full advantage of all the skills and languages he learned while in the game, it seemed.
A professional recommendation to Patrick Newman for the alert.
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Graphs: Baseball, Roto, Beer, brats (OK, no graphs for that...yet), repeat. Follow him on Twitter @enosarris.