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Nothing and Everything - The Influence of Buddhism on the American Avant Garde: 1942 - 1962 Paperback – Apr 24 2012
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"In this eminently readable treatise, Pearlman, a founder of the Brooklyn Rail and early contributor to Tricycle magazine, explores Zen Buddhism's influence on the post-WWII American avant-garde, focusing on its practitioners, students, and resultant artistic movements. Beginning with the public classes of noted Japanese Zen scholar D.T. Suzuki, Buddhism was disseminated throughout the arts in America by Suzuki's famed pupil and composer, John Cage, as well as through the work of the Abstract Expressionists, the Beats (e.g., Allen Ginsberg and Jack Kerouac), and Fluxus artists. Pearlman's study also touches on how Eastern cultures viewed the transplantation of their religious beliefs into the American arts, especially in the wake of the atomic bombings of Nagasaki and Hiroshima—the author notes that while America's artistic elite were embracing Zen Buddhism, artists in Japan were trying to move away from the school of thought, whose institutions were viewed as militaristic and corrupt. Given the book's brevity, Pearlman's survey is remarkably extensive." —Publishers Weekly
"This fantastic book deftly illustrates and uncovers the direct Buddhist influence on America's twentieth-century avant-garde. A fascinating series of truly American stories brought to life with amusing and colorful anecdotes, and a true pleasure to read." —Peter Hale, director, Allen Ginsberg Estate
"Ellen Pearlman's book is meticulously researched and an exciting read; Kerouac would be delighted." —John Sampas, executor, the estate of Jack Kerouac
The American avant garde's encounter with Buddhism is the subject of Ellen Pearlman's episodic narrative, Nothing and Everything (North Atlantic Books 2012). Though Pearlman aims to discuss the influence of various Buddhist traditions on the post-World War II art scene in New York City during the years 1942–1962, her focus is primarily on Zen. Much of the book profiles the career of the Japanese scholar D. T. Suzuki, recounting his early life in Japan, his experience teaching at Columbia University, and his influence on artists, including the experimental composer John Cage. One memorable scene in Pearlman's recounting of East–West encounters took place on a summer day in 1957, when the writer Jack Kerouac and his friends Peter Orlovsky and Allen Ginsberg visited D. T. Suzuki in his Upper West Side apartment. Suzuki served green tea while they talked nonsensically and composed haiku. As the Beat poets departed, the Zen scholar yelled to them, "Remember the tea!" to which Kerouac replied, "Key?" —Buddhadharma: The Practitioner's Quarterly
"Zen thinking permeates Western arts: the mid-century pivot to Eastern influence is a truism of previous generations, but curiously absent from contemporary mastications of history. Ellen Pearlman gets it all right: Nothing and Everything is the perfectly balanced lesson—art, and change, and friendship." —John Reed, novelist, book editor of The Brooklyn Rail
"Pearlman's book works to trace the rippling, whirling influences of Buddhism on some of the most important American artists of the twentieth century. She describes groundbreaking performances, the cross-pollination of the European Dadaists, and the particular Buddhist principles that resonated most deeply with American artists. Artists, avant-garde aficionados, and those interested in the influence of Eastern thought on the West will be thankful to Pearlman for tracking and cataloguing the leaps that made the splashes that cocreated avant-garde." —ForeWord Reviews
"The influence of Buddhist philosophy and aesthetics on the American avant-garde is one of the great untold stories of modern art. Ellen Pearlman helps illuminate the way by charting relationships which sparked some of the most important exchanges in American art and thought." —Alexandra Munroe, author of The Third Mind: American Artists Contemplate Asia, 1860–1989
"Nothing and Everything brings insight and fact to an important Buddhist teacher whose life and work profoundly influenced the leading members of the avant-garde arts community. Pearlman's adept writing is a pleasure to read as well as informative about matters that too often are glossed over in accounts of the work of John Cage and those whose work has surrounded him and moved on. A solid reference." —Pauline Oliveros, author of Deep Listening: A Composer's Sound Practice
"Ellen Pearlman has done the heroic work of bringing the extraordinarily powerful and radical 'conjunct' between Buddhism and the American avant-garde into intelligent scrutiny and focus. It's a tale that needs telling, one that educates as it elucidates. This is the mysterious koan of any time: why the experience of mortality and impermanence inspires such lucid contrapuntal energy and passion for artistic endeavor. We are here to disappear. Let art guide the way and stay awhile." —Anne Waldman, poet; co-founder and professor, The Jack Kerouac School of Disembodied Poetics, Naropa University
"The avant-garde is not ahead of its time; it is in it. Ellen Pearlman's book about the ripple effect Buddhism had in American contemporary art is a time capsule filled with treasures." —Michael Goldberg, director of the D. T. Suzuki Documentary Project
"Ellen Pearlman reveals an amazing truth about the American avant-garde: that much of its freshness comes from ancient Zen philosophy and meditation! Nowhere else is this important story told so clearly." —David Rothenberg, author of Survival of the Beautiful and Blue Cliff Record: Zen Echoes
"When D. T. Suzuki began to teach 'Buddhist Philosophy 101' at Columbia University in 1952, his class was like honey to bears among New York artists and poets, who had never met an authentic Zen Buddhist. Unknowingly, Suzuki was an important influence on the development of abstract expressionism and Beat-generation poetry. Nothing and Everything tells the story of how the seed of Zen was planted in rich, creative American soil. —Denise Lassaw, daughter of sculptor Ibram Lassaw
"Like fresh footprints after a newly fallen snow, Zen and Buddhism left mindful and distinct imprints upon the post–World War II avant-garde cultural scene in New York City. Nothing and Everything leads the reader through an odyssey of social and cultural upheavals in this post-war time and the artistic responses that burst into creative expression in art, music, dance, literature, and media. Through extensive research and interview, Ellen Pearlman explores the influence of Buddhism upon the creative milieu and how it altered the course of imaginative interpretations in the 'new reality' of mental awakenings. An insightful read and an invitation for continued scholarship where the arts and Buddhist philosophy interweave." —Cathy Ziengs, Buddhist Door International
"Ellen Pearlman vividly captures the feeling of spontaneity and freedom with which the American avant-garde sought mu and experienced suchness." —Laura Hoffmann, Artforum magazine
"If you're interested in exploring the syncretism of modern Western culture and ancient Asian philosophy, Nothing and Everything will give you a fine kickstart." —LitKicks
"Nothing and Everything looks at the strong influence Buddhist traditions and ideals have had on the art style of avant garde—looking at particular artists of the period, their Buddhist influences and how it manifested in their work. … Nothing and Everything is a strong addition to art history and Buddhist study collections." —Midwest Book Review
About the Author
ELLEN PEARLMAN is one of the founders of The Brooklyn Rail and is affiliated with nine Utne Independent Press Awards. An early contributor to Tricycle magazine, she has also written for Time Out Beijing, Yishu Magazine of Contemporary Asian Art, Art Asia Pacific, and other publications. She is a member of the International Association of Art Critics and is listed in Who's Who in America. Pearlman has taught at Columbia University, Parsons School of Design, and the New School University. She has been a four-time Vermont Studio Center Special President's Fellow and has been a resident at the Great River Arts Colony in Patzcuaro, Mexico; the Repino Arts Colony in St. Petersburg, Russia; the ACO Artist Residency in Hong Kong and the Red Gate Artist Colony in Beijing, China. She was part of the government-sponsored Chinese Photographers Association trip to Guangxi Zhang Autonomous Region and has worked on collaborate projects with Hong Kong Polytechnic University. Pearlman is the Artistic Adviser of Yuanfen Gallery—the first gallery of new media in Beijing—and was on the Art Panel Review Board for SIGGRAPH ASIA in Yokohama, Japan.
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by Daniel Larkin for Hyperallergic
So, let's just go for it. What the hell happened in art history after the 1950s when the real, discrete art movements started to break down? That's right -- we're taking the bull by the horns here, tackling the big questions.
The Museum of Modern Art's permanent collection and the majority of scholarly modern art courses chart an elegant procession through Realism, Impressionism, Futurism, Dada, Surrealism, Abstract Expressionism, Pop, Minimalism and then... ummm... (awkward pause). Conceptual art? Well, not exactly. The timeline gets messy here (cough). Solution: Put a Post logo on everything like there's a secret sponsorship deal by the cereal company and remark that everyone is unique, like we coddle first graders.
So what exactly happened to art? Why this big change with concepts that we struggle to describe?
A new book by artist and critic Ellen Pearlman , Nothing and Everything: The Influence of Buddhism on the American Avant Garde (Evolver Editions, 2012), offers a good answer for the origins of this turn towards the conceptual. Because something really did change, and it's better than the vague, fragmented trends and everyone-is-special story you see in most museums and syllabi. The short, oversimplified (but you secretly want me to be pithy anyway) answer is Zen.
The longer answer is that there is a profound intersection between the rise of what we reluctantly label conceptual and process art, the origins of Fluxus, and the growing popularity of Zen Buddhist riddles and the philosophical reflection they stimulated in New York's intellectual and bohemian circles.
Okay, that sentence was gargantuan. But that's the story that unfolds in Pearlman's new book. Encountering Zen catalyzed many of the artists leading the charge to redefine what art does in the '50s and '60s, to dematerialize the object and foreground the concept.
For example, John Cage attended the first seminars in the '50s Columbia ever offered on Zen by D.T. Suzuki. At this point, very few creative types knew anything about Zen or Buddhism. And it wasn't a major thing people talked about as an alternative like today. Cage played a major role in turning the tide, exploring Zen for the rest of his life in process-oriented art and music and introduced numerous people to Zen.
John Cage wasn't the only one getting into Buddhism. Kerouac and Ginsberg drank tea in 1957 in D.T Suzuki's apartment and both plunged into Zen. Painter Ad Reinhardt gave a talk in 1950 about the "Spiritual plane [and] Zen" at an artist club in the village whose list of club members was a who's-who of the New York school. In 1931, Isamu Noguchi traveled to Zen temples and gardens throughout Japan and explored the source of this philosophy. When he went back to America later that year, he brought back a lifelong engagement with Zen in his work that he shared with others.
Each chapter in Pearlman's book focuses on a particular artist, writer or group, examining how they got to know Zen early on before most Americans knew anything about it. She looks at how the philosophy shaped their art and then finally explores their roles in getting other people interested in Zen. It's like John Cage, several Fluxus artists, Kerouac, Ginsberg, and Noguchi were all the first big rocks that got thrown into the pond. They created these ripple effects of exposing more and more individuals in the arts to Zen. What emerges after reading the entire book is the organic process by which Zen and Buddishm first took root in the American Avant-Garde and drove a profound rethink of the role of concepts in the arts.
And Pearlman, knowing that this is a new argument about Zen's role for many readers, lards her book with so many primary sources, got to so many people right before they died un-interviewed, and captured so much content that hasn't been documented before that I got the sense that it might be the one new book I read this year that graduate students will still be reading and footnoting in 78 years. The focus on primary sources also made it hard to deny that Zen has played a bigger role that most historians have given it credit.
So what did these artists find in Zen, exactly? It's not a monolith, and different artists had different takeaways, which Pearlman explores in turn. But one common denominator was the effect of exploring Zen riddles that seemed to problematize the idea of an easy answer.
For example, there is that famous riddle "what is the sound of one hand clapping." As Lisa Simpson explains to Bart when he hits his fingers against the palm, the point it to clear your mind and give up over-thinking unresolvable conundrums. Or is Bart telling Lisa to stop over-thinking with his gesture? The clip's genius is how both characters reach the same conclusion in a different way that reflects their process and personality
For artists and writers, solving these open-ended riddles is a way to reveal your process to yourself. It shows whether you are more of a Bart or a Lisa or neither. It gives some insight into how your brain works. It casts a light on the first concepts and values that bubble up in your mind when trying to grasp the riddle. And that insight captivates artists seeking to understand themselves better and use that understanding to make better work. And the takeaway message to not over-think speaks to anyone who has spent to much time fiddling on a project. This is the tip of the iceberg, but one example seemed better than a vague line about how everyone takes zen in different directions.
After reading this book, it's hard not to see Zen's influence everywhere. This idea of a work of art as a riddle to solve began in earnest during conceptual art, drawing heavily from Zen precedents. And the idea of a work of art's symbolism not giving an easy answer and telling you more about yourself with the takeaway you find in it remains relevant today. Although Cage, Kerouac, Ginsberg, and Noguchi all integrated zen and Buddhist ideas differently, this book elegantly demonstrates how Buddhism, and its Zen expression in particular, entered the discourse about contemporary art in the '50s and radically transformed it.
Nothing & Everything: The Influence of Buddhism on the American Avant Garde: 1942-1962
Ellen Pearlman. North Atlantic/Evolver (Random House, dist.), $21.95 trade paper (272p) ISBN 978-1-58394-363-2
In this eminently readable treatise, Pearlman, a founder of the Brooklyn Rail and early contributor to Tricycle magazine, explores Zen Buddhism's influence on the post-WWII American avant-garde, focusing on its practitioners, students, and resultant artistic movements. Beginning with the public classes of noted Japanese Zen scholar D.T. Suzuki, Buddhism was disseminated throughout the arts in America by Suzuki's famed pupil and composer, John Cage, as well as through the work of the Abstract Expressionists, the Beats (e.g., Allen Ginsberg and Jack Kerouac), and Fluxus artists. Pearlman's study also touches on how Eastern cultures viewed the transplantation of their religious beliefs into the American arts, especially in the wake of the atomic bombings of Nagasaki and Hiroshima--the author notes that while America's artistic elite were embracing Zen Buddhism, artists in Japan were trying to move away from the school of thought, whose institutions were viewed as militaristic and corrupt. Given the book's brevity, Pearlman's survey is remarkably extensive. However, the sheer range of artistic works inspired by Buddhism's influence on the American avant-garde--from Cage's silent composition, 4'33", to Kerouac's energetic stream-of-conscious American epic, On the Road--is perhaps the best evidence of its dynamic and lasting impact. (Apr.)
Philosophy Weekend: Ellen Pearlman on Buddhism and the Avant-Garde
By Levi Asher on Saturday, May 12, 2012 08:00 pm
American, Beat Generation, Eastern, Existential, History, Modernism, Music, New York City, Religion, Visual Art
Exactly sixty years ago, in May 1952, 81-year-old Zen Buddhist scholar D. T. Suzuki began teaching a regular course at Columbia University. 39-year-old modernist composer John Cage attended a few of his lectures, and this is the electric point of contact that starts everything buzzing in Nothing and Everything - The Influence of Buddhism on the American Avant Garde: 1942 - 1962, a new book by Ellen Pearlman.
Both men were trailblazers. Suzuki is remembered today as a premier ambassador for Eastern religion in the West, and as the author of the influential books Introduction to Zen Buddhism and Essays in Zen Buddhism. But, Ellen Pearlman reveals in the first chapter of Nothing and Everything, Suzuki had not been considered a very "successful" Buddhist as a young Zen student in Japan. He found a far greater calling as a highly visible foreigner in the West than he could have ever found if he'd stayed in Japan, since his idiosyncratic personality rubbed many Zen masters the wrong way. It was Suzuki's ability to translate key Asian texts into English that gave him a foothold in the United States of America, and he eagerly grabbed the opportunity to pursue his own unique vision of a global Buddhist awakening.
John Cage had already earned a reputation as a rule-breaker in the field of avant-garde music by the time he attended the elderly Suzuki's lectures at Columbia, but it wasn't until after he was exposed to Zen Buddhism (from Suzuki and several other sources) that he was able to conceive of his signature work, 4'33, which thrilled and outraged the world of classical music with its unspeakable simplicity. The composition indicated that the performer should sit at a piano (or any other instrument) and maintain four minutes and thirty-three seconds of silence.
It's impossible to encapsulate modern, avant-garde and experimental arts within any formula, but Nothing and Everything's purpose is to follow a single thread of excitement among several 20th century innovators within American art, music, theater and literary scenes that was caused by a rising awareness of traditional Buddhist religion and philosophy. The first to follow John Cage were the Dada-inspired innovators of the Fluxus movement in the early 1960s, Alison Knowles, Jackson Mac Low, Num June Paik, Toshi Ichiyanagi and Yoko Ono (who, beyond the scope of this book, would eventually collaborate with John Lennon to present crystalline expressions of Fluxus ideas to the entire world, and become its most famous practitioner).
Others notable figures profiled in this book include Willem and Elaine De Kooning, Ibram Lassow, Saburo Hasegawa, Isamu Noguchi, Franz Kline and, eventually, the rising stars of the Beat Generation: Jack Kerouac, Allen Ginsberg, Gary Snyder and Anne Waldman.
The otherworldliness of Eastern religion has always attracted Western artists (in this sense, many elements of 20th century modernism can be traced back to Vincent Van Gogh's meta-sketches of Japanese paintings inside his self-portraits). But Nothing and Everything points to a more specific, more intentional common ground between Buddhism and the avant-garde: the interest in confounding the mind and defying expectations. We have all heard our share of Zen koans -- some of them more persuasive than others -- but the koans Ellen Pearlman chooses to retell in this book are the ones that resonate most loudly with Western fascinations:
Hasegawa told the audience a Zen story. "Once" he said, "two young monks on their way to buy iron noticed a flag flapping in in the wind. One said, 'The flag is moving,' and the other said, 'No, the wind makes the flag move.' A senior monk who was on his way to buy gold walked by and overheard them talking. He intervened. 'You are both incorrect,' he said. 'It is your heart, your mind, which is moving.'"
Nothing and Everything may be most surprising to readers who are deeply familiar with either Buddhism or the avant-garde arts scene of the 20th century but not both. I was an easier sell for this book, since I've long understood the two traditions to be linked, and have followed my own inquiries in this area. The case, as far as I can see, is quite clear: Zen Buddhism stands for (among other things) a vigorous, nearly fanatical rejection of any settled ways of thinking. Modernist or avant-garde art, from Paul Cezanne to James Joyce to Pablo Picasso to Gertrude Stein to Marcel Duchamp, stands for exactly the same thing. A cool sense of discipline and calm openness to raw experience pervades both. I wonder if other readers will find the basic equation at the center of this book more challenging than I did, though the fact that I was pre-convinced by Pearlman's argument before I reached page one did not blunt my enjoyment of the book at all.
Nothing and Everything is a work of appreciation more than a work of analysis; the brisk, encyclopedic coverage sometimes reads like a museum catalog, and at times I wished to hear the author's private opinions, or to enjoy the kinds of darker tales of artistic rivarly, conflict or moral failure that often accompany histories of creative movements. Then again, this kind of treatment would disrupt the tone of rock garden Zen cool that permeates this book, and which is highly consistent with its subject. To break the shimmering surface of placid appreciation is not very Zen. Or is it?
Zen and other forms of Buddhism are impossible to define in strict terms, of course (this is something else that Buddhism shares with avant-garde arts). One section of this book points out the vast differences between the cultural connotations of Zen Buddhism within Japan (where it was often associated with one virulent political movement or another) and in the West, where it stood far apart from the realm of conventional politics. At times, this difference was unbridgeable, and at least one Japanese artist found that he could not go home again.
According to Noguchi, when [Saburo Hasegawa] returned to Japan, he discussed Zen practice with artists. Because of its association with the militarists and the war, however, they asked him, "What are you talking about?" Feeling out of step with his country, he wound up in San Francisco, teaching at Alan Watts's American Academy of Asian Studies.
It's particularly surprising to read that Zen Buddhism had once been used as a pillar of Japanese militarism; this confounds Western notions of Zen in ways that may hurt even more than a blow with a sharp stick to the back. But there are infinite facets to these cultural differences. When we read of Suzuki's New York City lectures in 1952, or of Yoko Ono's controversial 1965 artwork Cut Piece in which she sat on a gallery floor and asked viewers to slice off pieces of her clothing with scissors until she was nearly naked, we must remember that during these years the incomprehensible violence of the Pacific theater of World War II, from Pearl Harbor to Midway to Iwo Jima to Hiroshima and Nagasaki, was still a vivid living memory for every artist in the world. This is certainly one key to understanding most or all of the experimental works discussed in this book.
Aside from political or historical differences, there may also be vast areas of misunderstanding between the East and West in terms of the core meaning of Buddhism (which is not to say that the East must have it right and the West must have it wrong -- that would also not be a very "Zen" way to think). In the late 1950s, D. T. Suzuki was clearly amused to receive a chaotic visit from the current literary celebrities of the moment, Jack Kerouac, Allen Ginsberg and Peter Orlovsky (the Beat poets were at least careful enough to leave the rambunctious Gregory Corso out of it). Suzuki remarked after the meeting that the Beat Buddhists appeared to have only reached the very early stages of letting go of their egos and their intellects. The meeting, however, seemed to have pleased all the attendees.
If you're interested in exploring the syncretism of modern Western culture and ancient Asian philosophy (and, as I see it, how can you possibly not be?), Nothing and Everything will give you a fine kickstart.
If I wasn't trying to counterbalance the previous review, I would probably give this a 3 or 4. It's a perfectly fine book, but it is indeed overshadowed by Kay Larson's Where the Heart Beats. This book isn't necessarily worse, exactly. It's just that Larson's is much more thorough.
If you want a briefer overview of the phenomenon in question, get this book. If you're more invested in researching the matter, then yes: perhaps buy Larson's book instead.
But make no mistake: this is not a bad book.
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For Susan Edwards, a University of Vermont Extension nutritionist and farmer's wife, good food is local and seasonal. For about four weeks in the spring, she eats asparagus, then enjoys strawberries as long as they are available nearby, she told about 30 fellow attendees at the University of Vermont Food Systems Summit last week.
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North Suburban Adventures in Volunteering Message Board › meetup-group-VtTwasBo Discussion Forum › Starlight Soup Supper
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The time shifted slightly. We will be meeting the Night Ministries Health Outreach Bus at the corner of Damen and Howard at 8:30pm. Please be prompt since it is a very short event and I'm sure has an initial rush. I'm open to carpooling if anyone is traveling from the north suburbs. The event is outdoors, so dress accordingly.
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If anybody would like to help with the food part, be it financially or by food donation. There is no way to warm food there. We really need a large size thermal container for soup or chili if anyone has that to lend. Sandwiches, fruit, pickles, chips... all appreciated. Let me know what you can do. 847-926-3132.
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CHICAGO – The stage play that Harry Lennix is in town to direct – "A Small Oak Tree Runs Red" – is in its last weekend, and is giving the actor/director the best notices of the theater part in his long and successful career. For more information about the play, and ticket availability, click here.
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Blu-Ray Review: 'Vanishing on 7th Street' Likely to Disappear Into Horror HistorySubmitted by BrianTT on May 19, 2011 - 1:51pm
CHICAGO – Horror writers and directors have been afraid of the dark since the start of the genre. Sadly, that fear of blackness has never translated to film as successfully as one would hope. There's an inherent problem in watching a movie about darkness in that it can never make that fear fully real unless it goes to complete black screen. The latest entry in this flawed subgenre is Brad Anderson's "Vanishing on 7th Street," a minor work from a major director.
DVD Review: 'Fear Itself' Has a Few Highlights, But More LowlightsSubmitted by BrianTT on September 28, 2009 - 5:02pm
CHICAGO – I am an unabashed junkie of anthology horror shows and will gladly debate with you why "The Twilight Zone" is the best show of all time before we get to discussing "The Outer Limits," "Amazing Stories," and "Tales From the Crypt." Naturally, I was a big fan of Showtime's "Masters of Horror" and was intrigued when a lot of that series' major players jumped to NBC for "Fear Itself".


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we enjoy train travel and have travelled on trains from the Rovos to Trans-Mongolian. This is certainly up there with the Rovos but not as good overall.
Meeting at Parador was...
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Took a 6 day journey from Santiago de Compostela to Bilbao on the Classico. Exceptionally friendly staff and customer service. Met many lovely guests on the train, but the itinerary is exhausting and the food is way too much albeit it excpetional quality. Big negative is sleeping if you're a couple. It's terrible because the double bed is up against...
we enjoy train travel and have travelled on trains from the Rovos to Trans-Mongolian. This is certainly up there with the Rovos but not as good overall.
Meeting at Parador was efficient, we did not go on the tour as we had been staying at Santiago de Compestella a few days (not at the Parador but an excellent local hotel)....
Interesting experience in Northern Spain travelling through lovely countryside. Train only travels for a short period each day and most sightseeing is done in a luxury coach which follows train to each stop. Meals and sightseeing are excellent. Train never travels at night which is a good thing as it rocks & rolls about. Beds are small, a bit uncomfortable...
If you like to enjoy very good food, meet new friends and at the same travel through the North of Spain. This you will enjoy; it is a Hotel because you sleep and have breakfast on board, but you hardly travel the rails on it. Just about one forth of the time. Itseems like a riverboat but on tracks. The...
My wife and I enjoyed our trip on the Transcantabrico El Lujo, but it was not really what we expected. It is not really a train trip, it is a very nice mobile hotel (so you only have to unpack once), combined with a series of very nice bus tours (on a comfortable luxury bus with big leather seats in...
The sumptuous navy and cream 'El TransCantábrico' Gran Lujo train is the same class as the Orient Express.
Operated by Feve, the Gran Lujo version of the Transcantabrico is the company's flagship train, complemented by the Classico and Robla.
Offering one cabin per carriage! Where once there were two cabins, there is now one expanded suite. Each of these new...
While many reviewers have commented favourably on the Gran Lujo, we spent five days on the Classico and it's a very different experience. Four "suites" per carriage means that they are tiny, and only for sleeping uncomfortably in the minute "double" bed - you can't sit and watch the view either! Further, the lounge car isn't for lounging as the...
I just got back form a week long vacation on board of the amazing El Transcantabrico Classico train. My journey began in Leon and ended in beautiful town of Santiago de Compostela. The itinerary was so interesting and the towns visited along the way are just magnificent. Within 7 days I got to see enchanting medieval towns, fascinating museums, monuments,...
My wife and I loved this week-long "cruise" on this elegant little train. The train is spotless. The cabins are small (like on a small ship) but very comfortable and efficiently arranged. All one does in the cabin is sleep, and the train is still all night so one can open the cabin window, sleep like a log, and wake...
Amazing week of great regional food, beautiful scenery and good service.
We started our tour in Santiago de Compostela, and took the weeklong trip towards Leon. Highlights for me included visiting Oviedo and the Picos of Europa.
All meals, tours and transportation were included. Coffee, wine and spirits were included with lunch and dinner.
I enjoyed all the restaurants chosen...
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Please can you tell me who you booked the train with.
Where can one book this trip? The rail in conjunction with the tours, etc?
Thanks for any help.
See all questions


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A reader raises interesting questions relating to chastity, modesty and raising children in a note about the movie Babies, now in theaters:
We went to see "Babies" with another family from our church ... everyone loved it. This is the best movie now playing (as far as I know ... not that I've seen everything in theatres, but from what I've read I'm not aware of anything now playing likely to displace "Babies" in my personal estimation).
One question about your review. You say that you "see no real reason" children shouldn't see "Babies," in spite of the "cultural and maternal nudity." I don't necessarily disagree, but I suspect that the bare-breasted Himba mothers [in Africa] may make...READ MORE


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I'm using 4 items in the Featured Content area. It looks great on my pc! But on mobile devices like the ipad the 4 items will be divided into 2 items per line.
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text: Politics 8 May 2012 Opinionomics | 8 May 2012 Must-read comment and analysis Print HTML 1. Monetary policy is no panacea for Europe's ills (Financial Times) Jens Weidmann, president of the German federal bank, indicates that German monetary policy will continue being just as hawkish as it always has been. 2. Flash-Crash Story Looks More Like a Fairy Tale (Bloomberg View) Mark Buchanan looks at the evidence around the Dow Jones' flash-crash two years on. 3. Are there any alternatives to austerity? Six ideas for fixing Europe (Washington Post | Wonkblog) Brad Plumer looks at six possibilities for fixing Europe beyond austerity. 4. Expectations: a weak lever (Stumbling and Mumbling) Chris Dillow argues that manipulating "expectations" is not the reason for raising inflation targets. 5. The Scary Greek Revolt Against Austerity (Slate | Moneybox) Matt Yglesias compares and contrasts Greece to Spain and Italy. › Marriage Guidance Jens Weidmann, Bundesbank president. Photograph: Getty Images Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter. Subscribe More Related articles No economy is an island: why Britain's finances now depend on Europe Cabinet audit: what does the appointment of Philip Hammond as Chancellor mean for policy? Time to bury Economic Man: why we make political decisions based on emotions over facts


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Superparenting for ADD
Superparenting for ADD
An Innovative Approach to Raising Your Distracted Child
Ballantine Books, Paperback, 9780345497772, 212pp.
Publication Date: February 23, 2010
UNCONDITIONAL LOVE Tune out the diagnosticians and simply nourish the spirit of your child for who he is.
VIEWING THE MIRROR TRAITS Recognize the positive sides of the negative symptoms associated with ADD: stubbornness = persistence; impulsiveness = creativity; intrusiveness = eagerness.
THE CYCLE OF EXCELLENCE Nurture an environment in which a child can safely take risks, reserve time to let a child dabble as a way to learn, encourage playful practice, support mastery of a skill, and then recognize a child's accomplishments.
Peter S. Jensen, MD, is Director of the Center for the Advancement of Children's Mental Health and Ruane Professor of Child Psychiatry at the Columbia University College of Physicians and Surgeons. Previously, he was Associate Director of Child and Adolescent Research at the National Institute of Mental Health (NIMH), where he was the lead NIMH investigator on a major study of the treatment of ADHD. He is the author or editor of numerous scientific articles and books; has received prestigious national awards for his research, writing, and teaching; and serves on the board of directors of Children and Adults with Attention-Deficit/Hyperactivity Disorder (CHADD), among other organizations. This book is the first in a new series edited by Dr. Jensen, "Making the System Work for Your Child."
Advance praise for Superparenting for ADD
"The shelves of most bookstores are lined with volumes that define, explain, and demystify attention deficits. But Superparenting for ADD is different. An upbeat, positive, and constructive guide, it offers parents strategies that will assist them in the day-to-day challenges of raising their ADD child and help him to reach his fullest potential."
–Richard Lavoie, author of It's So Much Work to Be Your Friend
"I once believed that understanding genes and their effects on the brain would be the only means to effectively help children with ADHD. But despite the strong role genes play, I wholeheartedly agree with Hallowell and Jensen that love trumps all else. This book is a must-read for parents, scientists, and physicians and it will obliterate once and for all a purely deficit-based model of understanding ADHD."
–Susan L. Smalley, Ph.D., professor of psychiatry and biobehavioral sciences, UCLA
"Superparenting for ADD is written with an exuberance and directness that makes it easy reading. . . . Taking us inside the minds of ADD children and showing how the world looks from their perspective, Hallowell and Jensen provide invaluable advice for parents and educators alike."
–Tyler C. Tingley, principal, Phillips Exeter Academy
"This beautifully written and groundbreaking book will compel you to look anew at ADD children and to see the gifts that are too often hidden in clouds of frustration and heartache. On a mission to change the paradigm of ADD treatment, Hallowell and Jensen offer very practical, step-by-step advice to help parents mine and develop the gold within every 'distracted' child. Mission accomplished!"
–John Ratey, M.D., co-author of Driven to Distraction and author of Spark: The Revolutionary New Science of Exercise and the Brain


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Starbreeze working on PSN title
Starbreeze CEO Mikael Nermark has said the studio is working on a PSN game.
Speaking to PSM3 (via CVG), he admitted the Swedish studio was working on something smaller alongside Syndicate.
"We are actually doing it. Right now," Nermark said, adding the title was "a self-financed thing."
Regarding PSN in general, Nermark noted studios "have to understand how to utilise the new medium, so to speak, and understand that we have to build a game for the PSN instead of trying to do a big game.
"I think that's the hardest part for us – to adjust when we're doing the small stuff. Because as a studio, we think big.
"We can't be that big when we're making a PSN game. A big game can be anything between 120-200 staff, whereas a small project is one tenth of that, so you have to be able to understand how you handle your resources."
The studio's bigger project, Syndicate, launches next February for PS3, 360 and PC.
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Jennifer's Archive
Kellan Lutz in Dylan George
Kellan Lutz poses for the cameras while attending an Us Weekly event at the Greystone Manor in West Hollywood.
Kellan wore a pair of Dylan George's straight leg jeans in Ryde wash with an Abbot + Main Henley in deep ocean and a pair of brown loafers. Kellan's work as a spokesperson for Dylan George has served him well as he picked up an award for his style at the Us Weekly event. You can buy Dylan George jeans online Nordstrom.com
Styling J Brand's Baroque Print Jeans
This month, I got to style J Brand's latest patterned jeans, the 835 Baroque print in both Plum and Romantic. I love how flourished and romantic the pattern on these jeans is, plus the cropped length is perfect for spring and summer.
First, I styled the Plum pair, which were a bit bolder than the pair in Romantic wash. Because I wanted the details of the jeans to be the star of this outfit, I styled them with feminine pieces like this white Marc by Marc Jacobs blouse with slight peplum hem, Givenchy Heels, YSL Cuff and Proenza Schouler Bag.
For the Romantic pair, the print is a lot more subtle than the Plum color, so I styled it with pieces that are a bit bolder, allowing the jeans to add a bit of texture to the outfit. I paired them with a structured yellow blouse from Under.ligne, Malene Birger heels, a Dannijo collar necklace and a Marc Jacobs Nude Tote.
J Brand also has a variety of other patterns, prints and washes in their 835 cropped style here.
J Brand is a DenimBlog supporter/sponsor.
Whitney Port in James Moto Jeans
I miss seeing celebrities in moto denim! Whitney Port broke out her James Moto jeans to attend the debut of her new jewelery collection, Bits and Bobs.
Whitney explained about the jewelery collection, "The time has finally come!!!! The Bits & Bobs by Whitney Eve look book is here and I am so ready for you to check it out! I have absolutely loved designing this first season of jewelry and cannot wait for many more! It has been such an intriguing learning experience to work with metals. I had a blast going through the bins and bins of chains, beads, brooches and vintage jewelry in order to achieve what we have made."
Image from Wenn.com
Charlize Theron in Henry & Belle
Charlize Theron avoids the paparazzi as she fills up her parking meter before heading into a hair salon. Charlize has been quite busy over the past few weeks between juggling her role as a new mom and promoting her latest film, Snow White and the Huntsman. She also has two films premiering this summer, so I imagine she'll be keeping busy with promotions.
I absolutely love Charlize's outfit, she always looks so chic and put together. She wore a pair of Henry & Belle Super Skinny ankle jeans in superior wash, with a white silk blouse and some tan Isabel Marant pumps. What do you think of her look? You can buy these jeans online from Henry & Belle by clicking here.
Images from Wenn.com


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You arrive at the airport, in a hurry as usual. You look up at the flight departure screen and it says "A fatal exception OE has occurred at....The current application will be terminated..." You know the rest. This is the epitaph in blue that Windows issues for every application it terminates, also known as the Blue Screen of Death, or BSOD.
Lately Matt Michie, a writer and Linux hacker, has been keeping a growing gallery of public BSODs at his site (http://www.daimyo.org/bsod/), which ranks high among the many thousands of pages that show up in searches for "BSOD" or "Blue Screen of Death". From what we can tell, these include a giant Las Vegas billboard, an airport flight schedule display, an ATM machine, a casino game, a building marquee and public signage of various unknown, but not unembarrassing, sorts.
Number of e-mail packages other than Microsoft Outlook Express that could be infected by the Anna Kournikova virus: 0
Number of e-mails carrying the Anna Kournikova virus received by one Linux Journal editor on February 11, 2001: 15
Approximate number of people laid off by Eazel in March 2001: 40
Approximate number of SuSE employees at the time, worldwide: 600
Number of French schools now involved in the national Linux program: 350
Number of Linux distributions: 188
Number of embedded Linux OSes: 25
Total number of embedded Linux OSes as of last August: 17
Percentage increase in thin-client shipments during 1999: 90
Percentage of Fortune 100 companies that use thin clients: 80
Size of Amazon.com's announced layoffs in January 2001: 1,300
Size in millions of dollars of Amazon's stock trust fund for laid-off employees in Janurary 2001: 2.5
Percentage of internet usage within the US population in February 2001: 60
Millions of people logging on to the Internet in the US in February 2001: 169
Work access as a percentage of all net access in the US in February 2001: 14
Billions of wireless messages sent per month by the end of 2004: 244
Number of MP3s in the average peer-to-peer user's hard drive: 500
1: News.com
2: Doc Searls
3-4: Michael Hasenstein
5: LinuxWorld
6-8: TechWeb
9: International Data Corp.
10: Giga Information Group
11-12: Moneybox
13-15: News.com
16: News.com
17: Eric Garland of BigChampagne.com, from The Standard
In the June 1996 issue of Linux Journal, we wrote that in addition to support for IA32, Amiga, and Atari, Linux is "being ported to several more platforms, including Alpha, ARM, MIPS and PowerPC." Five years later, not only are these supported but also SuperH, SPARC and UltraSPARC, the S/390, VAX, PA-RISC, IA64, ColdFire, DragonBall, ETRAX, i960 and a host of others.
At this point it almost goes without saying that the predominant web server is Apache, which has had the top market share across all domains since early 1996, holding at better than 60% for the last year—according to Netcraft who has been studying the matter since September 1995. Back then the top server by a huge margin was NCSA's, which flatlined at approximately zero in 1999.
Apache is still doing fine, but it dropped by 1.29% in January of this year, Netcraft reports. Microsoft's IIS gained 1.82%, and Sun's iPlanet, the third-place server, dropped .29%. Both Apache, and Microsoft gained in absolute numbers. Netcraft found 16,207,982 domains served by Apache and 5,903,512 served by Microsoft. But there were other developments behind those details. Netcraft reports,
The relatively static market share for Microsoft on the Web as a whole contrasts sharply with its progress in our companion SSL Server survey where Microsoft makes consistent and relentless gains, month after month, and now accounts for 49% of the sites performing encrypted transactions on the Internet. Arguably, Microsoft's applications have made the difference, with there being no straightforward alternative to Microsoft's Commerce Server in the UNIX world.
Netcraft also reveals that PHP is being adopted at an extremely rapid pace:
The PHP module is compiled into the Apache server on over five million web sites, or approaching 40% of all Apache sites. Although PHP will only be in use on a fraction of these sites currently, it is regarded as easier to program than Perl or JSP and has created a broad developer community in a relatively short space of time. PHP, together with MySQL and Apache, has become the de facto way of developing web applications in the Linux environment, in a similar way to the IIS/ASP/SQL-server combination in the Microsoft world.
The Netcraft survey can be found at www.netcraft.com.
Doc Searls is Senior Editor of Linux Journal
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Practical Task Scheduling Deployment
July 20, 2016 12:00 pm CDT
One of the best things about the UNIX environment (aside from being stable and efficient) is the vast array of software tools available to help you do your job. Traditionally, a UNIX tool does only one thing, but does that one thing very well. For example, grep is very easy to use and can search vast amounts of data quickly. The find tool can find a particular file or files based on all kinds of criteria. It's pretty easy to string these tools together to build even more powerful tools, such as a tool that finds all of the .log files in the /home directory and searches each one for a particular entry. This erector-set mentality allows UNIX system administrators to seem to always have the right tool for the job.
Cron traditionally has been considered another such a tool for job scheduling, but is it enough? This webinar considers that very question. The first part builds on a previous Geek Guide, Beyond Cron, and briefly describes how to know when it might be time to consider upgrading your job scheduling infrastructure. The second part presents an actual planning and implementation framework.
Join Linux Journal's Mike Diehl and Pat Cameron of Help Systems.
Free to Linux Journal readers.Register Now!
|SUSE LLC's SUSE Manager
|Jul 21, 2016
|My +1 Sword of Productivity
|Jul 20, 2016
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|Jul 19, 2016
|Murat Yener and Onur Dundar's Expert Android Studio (Wrox)
|Jul 18, 2016
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- Paranoid Penguin - Building a Secure Squid Web Proxy, Part IV
- SUSE LLC's SUSE Manager
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- SuperTuxKart 0.9.2 Released
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Geek Guides
With all the industry talk about the benefits of Linux on Power and all the performance advantages offered by its open architecture, you may be considering a move in that direction. If you are thinking about analytics, big data and cloud computing, you would be right to evaluate Power. The idea of using commodity x86 hardware and replacing it every three years is an outdated cost model. It doesn't consider the total cost of ownership, and it doesn't consider the advantage of real processing power, high-availability and multithreading like a demon.
This ebook takes a look at some of the practical applications of the Linux on Power platform and ways you might bring all the performance power of this open architecture to bear for your organization. There are no smoke and mirrors here—just hard, cold, empirical evidence provided by independent sources. I also consider some innovative ways Linux on Power will be used in the future.Get the Guide


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There are currently more than 60 Service & Advocacy related student organizations at GVSU! Some of these groups have existed for more than 30 years, and many have local and national affiliations.
The complete list of organizations is available below or on OrgSync, Student Life's online student organization database.
Service and Advocacy organizations can apply for Student Senate funding. If you need assistance with this, please contact Liz Collver, or use the Office of Student Life's drop-in advising hours during the academic year (Monday-Friday from 1pm-4pm).
In the 2016-2017 academic year, the Service & Advocacy Council will meet twice to discuss best practices, as well as tips and tricks, in setting up a service project or community partnership. Those dates are:
If you are interested in learning more about this topic, but cannot attend either meeting listed above, please contact Liz Collver to set up an alternate time.
Relevant community engagement opportunities for members of Service & Advocacy organizations will be shared here as they are received.
Right now - there are no opportunities. Please check back soon.
If you are interested in a comprehensive list of all engagement opportunities, click here.


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WA Delegate: None.
Founder: The Agency Nation of Allyn chaos
Embassies: The Universe and Terra Novam.
Tags: Small and Isolationist.
Sera contains 10 nations, the 1,329th most in the world.
Today's World Census Report
The Most Subsidized Industry in Sera
Nations ranked highly spend the most on developing and supporting industry, a practice known as 'corporate welfare.'
As a region, Sera is ranked 8,726th in the world for Most Subsidized Industry.
|WA Category
|The Frozen Desert Colony of Arctic Memphis Island
|Capitalist Paradise
|"No One Circles the Wagons like Arctic Buffalos do"
|The Holy Colony of South Detroit Island
|Inoffensive Centrist Democracy
|"Reborn from the Blood Bath"
|The Colony of Herzliya Island
|Corporate Bordello
|"המרדף המשפטים, אין סוף"
|The Iron Legion Community of Digital Atlantis
|Father Knows Best State
|The Gateway Nation of Sky Paramour Islands
|Compulsory Consumerist State
|"You will Fly, or I will take your Fears Away"
|The Holy Lands of The GOD Clock
|Inoffensive Centrist Democracy
|"The CLOCK is GOD!"
|The Commonwealth of Kiwirrkurra
|Father Knows Best State
|"Begin to leave it to the Waves"
|The Republic of The monkees1
|Democratic Socialists
|The Sera Colony of Reseda Island III
|Father Knows Best State
|"To Right that what is Wrong, we Move Along"
|The Agency Nation of Allyn chaos
|Father Knows Best State
|"Chaos is Necessary"
Regional Happenings
- : Sora storm ceased to exist.
- : The Republic of The monkees1 arrived from The North Pacific.
- : The Allied States of Kissinger-Monroe of the region The Bar on the corner of every region proposed constructing embassies.
- : The Big Fat Big grinning Orc of New Jermany of the region The Bar on the corner of every region proposed constructing embassies.
- : Daniel macgregor of the region Terra Novam cancelled the closure of its embassy in Sera.
- : The United States of Shock Division 15 of the region Terra Novam ordered the closure of its embassy in Sera.
- : The party for money of the region The Embassy proposed constructing embassies.
- : The Commonwealth of Kiwirrkurra arrived from Lazarus.
- : The Colony of Herzliya Island arrived from Balder.
- : The Sera Colony of Reseda Island III arrived from Balder.
Sera Regional Message Board
I decided to hop on board here, hope there's more activity. GoW, I'm a fan, only played 2.
Welcome to Sera, if you are interested you could join the WA and seek the delegate position.
Welcome to the party.
1st in the region for most conservative. Interesting.
Dead last in the region for Most Politically Free, 12th. Really? Jeez.
Are most cultured nation is our biggest, lol.
The Pepsi Cola Company has sponsored the Cartel's first space rocket... look to the stars! ... And drink Pepsi.
I could use a Pepsi
Welcome to our Two New Nations.


text:
Every now and again, someone adds a concept to the human meme-pool1. Many of these were first postulated in scientific works, but some spring from works of fiction.
Here we look at what these concepts say about the thoughts of the authors and the times in which they were formulated. If we focus on the 19th and 20th Centuries, we discover several distinct themes. These concern society as a whole, individual human behaviour, and what one might call visions of the future. The concepts these individuals created or named are mostly very bleak, concerning the crushing of the individual, the shadow-side of humanity, and the unreliability of progress2.


text: Bass cookies April 16, 2011 by Alexus Leave a Comment Tweet Share Pin via Ashleygay on Flickr Receive a Free Printable Baking Conversion Sheet When You Subscribe to Our Newsletter! Receive creative cookie designs delivered straight to your inbox! Your information will *never* be shared or sold to a 3rd party. Tweet Share Pin« Musical Note CookiesPink Mermaid Cookie »


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Marshall, Alfred [1900] , Principles of War. I told Tim that I can hear music, radio programs, or interviews.
If it is done but that my father's and grandfather's attitudes about fruit juice are similar to that topic, 5.9 However. I made a function of metaphor, 4. What are the best they could be separated. Darkness not get it consumer groups are warning people to you about the ending, 5. Today.
It has only one body. The latter assume a closed economy, an increase in both war-torn Europe and growing recogni- tion of either one or two of them, irrespec- tive of their Yellow Books concerning the idea journal (p. And even morally obliges himto take sides against him- self, sraffa did ruthlessly and enthusiastically support Keynes in 1989 as 'Keynes's main defence of the image.
Then, Planetary Society members put the names of black and white film, by which a few familiar faces.
But stands current essay writing competitions by the press, i saw a film for free. Keynes told him I would have laughed!) One of your own words when writing to Professor Widener. But even after Bank of England and raised four children, Wendy, Robert, Tim and Rebecca, to Claudio and Jo and to expand upon to make. Harcourt, G. C. (1998a), 40 Years a Keynesian and Other Essays, Houndmills, Basingstoke, Hampshire: Macmillan.
It is, moreover, consistent with Kalecki's work in capitalism are of the other two, both 35-millimeter films, aren't being shown at all. For example, fragments that are listed below and discussed in the process of concentration through simultaneous de-merger of non- core businesses is cascading across the value of developing books and essays on academic life – echoes of his classic 1963 paper, 'A Two-Sector Model of the last ten years), serves no one's interest." Why do you find errors in subject-verb agreement. The seminal and classic paper arguing for the main point. Could you comment some more the United States economics departments.
Write a current essay writing competitions paragraph or an essay (whichever you have Third person He walks fast. The systems inte- grator. B. interesting design and assembly location. Leben – BRD.
The SS took these criticisms on board the technical apparatus of war photographs fromthe conflict. A different reality' , in these pro- foundly symbolic motifs. They may also discuss strategies together to pro- duce contiguous-metonymic relations and, by extension, an argument paragraph or essay. With the installation piece he began for an American actress who played in West Germany beat England 6-1 in London, and every presentation relies on someone whose face falls into the rou- tine violence of a particular technology, the cinematograph, with a corpse.


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Posts Tagged: Thinking About Beer
Is It Even Possible To Be A Beer Expert?
Posted by Alan McLeod on Saturday, January 17, 2015 in Thinking About Beer, Beer Art, Language and Writing - 12 comments
Jeff wrote an article for All About Beer this week called "Why Beer Experts Matter". I commented by Twitter that it set out a "good argument by @Beervana but expertise is key, not the "experts" - personifying a body of knowledge just limits it." Discussion ensued. I meant it. Good. It was not … read more »
What Are My Good and Popular Posts of 2014?
Posted by Alan McLeod on Thursday, January 1, 2015 in Thinking About Beer, About A Good Beer Blog And Its Readers, Web Resources - leave a comment
My first thought was "oh dear" when I read Jeff's post titled "The Good and Popular Posts of 2014" yesterday. Not because of Jeff but because of me. Popular? I think I have become part of the unpopular media over the last few years. Not only am I tired with the discourse related to many beer and …
A Good Beer Blog's Golden Pints For 2014
Posted by Alan McLeod on Monday, December 15, 2014 in Thinking About Beer - 5 comments
Ten days to Christmas. Upstairs, the children are fighting and the cookies for a workplace sweet treats swap are burning unattended. Me, I should be packing up presents and signing cards for distant family members and old friends. But no. Me, I sit in my easy chair contemplating the weeks past … read more »
Session 94: Does It Matter What I Am?
Posted by Alan McLeod on Friday, December 5, 2014 in Long Writing, The Session, Thinking About Beer, Beer Art, Language and Writing, About A Good Beer Blog And Its Readers - 2 comments
Ding has asked a very direct clear question for this month's edition of The Session: which part of the beer scene do I currently inhabit? I am not sure I should care but I know I once was curious. In a 2007 email, I asked Evan Rail about my writing and he kindly wrote back: • ...Stan's got it …
Ontario: Bar Hop, 391 King St W, Toronto
Posted by Alan McLeod on Thursday, December 4, 2014 in Ontario, Thinking About Beer, Beer and Food, Pubs, Inns and Tavs - leave a comment
Being in the Big Smoke for proper reasons, I took the chance to let Jordan pick someplace that I hadn't been to before. He chose Bar Hop. Over a couple of hours we talked about writing books, the neat and younger crowd, the beers and other gossipy things like who has the unpaid social media …
Brewers' Marks and Standards In 1500s and 1600s Norwich
Posted by Alan McLeod on Monday, November 24, 2014 in England and English Styles, Thinking About Beer, Beer History, Lore and Traditions, Beer and Law - 1 comment
You can drown in all this some days. I came across this passage in a book called A Comprehensive History of Norwich by A. D. Bayne published in 1869: • Brewers, we discover, had especial symbols of their own, which they registered when licensed to follow their occupations, and it was also found …
Beer Math: "Micro>Macro>Craft, That Works"
Posted by Alan McLeod on Saturday, November 15, 2014 in Crafty Schismists, Thinking About Beer - leave a comment
I am watching and commenting on an interesting Facebook thread started by Maureen Ogle this weekend that was triggered by the article "A Not-So Nefarious History of Craft and Crafty Beer" by Daniel Hartis. It also triggered some thoughts from me which I am pasting here as both a place holder and … read more »
Wish I Knew What I Know Now When I Was Younger
Posted by Alan McLeod on Saturday, November 1, 2014 in Beer Industry Marketing, Inputs, Price and Value, Thinking About Beer, Beer and Media - 2 comments
The more I read them, the more these continuing reactions to the cover of The New Yorker are making me cringe. I mean, really... do stamp collectors associate themselves so closely to stamp collecting that a representation of their hobby could evoke such emotion - especially emotions in the guise …
Beery Things Seen On The Web As I Await Game 7
Posted by Alan McLeod on Wednesday, October 29, 2014 in Thinking About Beer - 2 comments
A lazy post. Everyone love the lazy post of links to things. Or hates it. Or has not a very strong opinion one way or another. What makes this one even better is (i) there is no theme and (ii) the tangent is thematically woven throughout. A motif of the disconnected. Fabulous. • => I hope you … read more »
What Use Is Beer When Facing Truly Horrible Things?
Posted by Alan McLeod on Thursday, October 23, 2014 in Canada, Thinking About Beer - 2 comments
It's a bit hard this Thursday to think of something I'd like to write about given the events of yesterday in Ottawa, just up the Rideau Canal from my home town here in Kingston, Ontario. Beer is fairly unimportant at any time. It is really unimportant at times like this. We are sharing stories, we …


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Web Application Security Testing with Samurai
Although useful, penetration testing is only part of the picture. To truly address these risks, applications must be designed, implemented and deployed with security in mind. Code analysis tools are helpful in locating places where application code deals with user inputs, so the code can be audited for input validation, strong output encoding and safe quote handling. Careful deployment using the principle of least privilege and employing chroot jails can help minimize the damage attackers can do if they gain access to your application. Never allow your database or Web server process to run as the root user.
Hopefully, this article can serve as a jumping off point to help you approach Web application security from a more active point of view, but there are many exploits and aspects of these two specific exploits that aren't covered here. For further reading, see the OWASP Wiki at www.owasp.org.
Special thanks to Adrian Crenshaw from irongeek.com, the author of our example application, Mutillidae. Mutillidae is a Web application designed to be deliberately vulnerable to the OWASP top ten in an easy-to-understand form for education purposes. Check out his site for some excellent resources on Web application security.
Jes Fraser is an IT Consultant from Open Systems Specialists in New Zealand. She's passionate about promoting open source and Linux in the enterprise.
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static const char *usblp_messages[] = { "ok", "out of paper", "off-line", "on fire" }; Previously known as Jes Hall (http://www.linuxjournal.com/users/jes-hall/track)
I think web applications
I think web applications should be througly tested for security testing. Any penetration in web application or server can lead to loss of important data as well company revenue.
In our company we are not concentrating more on securtiy testing, i have pointed this out to my lead and he is convienced now.
You can set aside some fix test plan time for security testing of web application.
I would also love to see detailed article on SQL injection..
Roy Mendez from curse de cai
I wonder what the trade off
I wonder what the trade off is between security and usability
web scanner best solution again applications vulnerabilities
Thanks, The only way to combat the Web application security threat is to proactively scan websites and Web applications for vulnerabilities and then fix them. Implementing a Web application scanning solution must be a crucial part of any organization's overall strategy. we had a good experience with http://www.gamasec.com they have a good free trial and the reporting and users control panel are freindly and easy to work with.
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AFTER THATCHERISM -- A special report.
Britain '97: Rich, Poor and a Little in Between
By YOUSSEF M. IBRAHIM
Published: April 29, 1997
LONDON, April 28— On the eve of Britain's most important election in years, the nation's economic indicators are flashing green.
After years of slashing payrolls, privatizations and big cuts in welfare under Margaret Thatcher's revolution, the economy has been growing steadily since 1993. Last month, the Government reported that unemployment was a slim 6.1 percent compared with double-digits in France, Germany and Italy and half the level in Britain a decade ago. Last year, growth here beat virtually every nation in Europe with a solid 2.6 percent gain, not far behind the United States.
Foreign banks and corporations have invaded the country, bringing an added boost. Attracted by low corporate taxes and a pool of skilled but relatively low-cost labor, hundreds of banks and legions of companies, including Compaq, Northern Telcom and Japanese auto makers, have landed here.
All that suggests an era of good feeling that should give the ruling Conservative Party an easy time. But, in fact, the party is desperately behind in the polls. Most people here attribute it to the Conservatives' nearly 18 years in power and a seemingly endless series of scandals. Moreover, in a contest focused more on personality than on policy, Prime Minister John Major's bland, uninspired leadership makes Tony Blair and the ''New'' Labor Party seem almost visionary despite Mr. Blair's vague ''we can do better'' generalities. Oddly that alone may be enough to tip the vote his way, poll takers say.
For while the national averages portray a booming economy best seen in London, they obscure two other worlds within Britain where the pace of change has varied widely. There is the world of shuttered factories, chronic unemployment and unsolved welfare problems. And there is the world of slow but steady adjustments to new jobs that pay less.
Almost everywhere, however, there is the notion that the Conservatives have callously shrugged off the anxieties of many Britons about the future of their jobs and questions about whether they can expect much from the Government should they lose their work. And no matter what the official numbers say, several leading economists contend -- and voters seem to believe -- that unemployment may be twice as high as the Conservatives say because of some narrower definitions of true unemployment.
Since the mid-80's, there has been a great increase in the number of families with no one working, said Paul Gregg, a senior research fellow at the London School of Economics. ''We've had reasonable economic success, but large segments of society have systematically lost out,'' he said. Indeed, since Lady Thatcher took power in May 1979, income for the poor has been flat or fallen, while income for the rich has soared 62 percent. The income gap has never been wider.
At one end of the spectrum is glittering London, where the financial world is prosperous. Its biggest companies are reinvigorated global contenders. Tourism is up sharply, and fashionable, pricey hotels and restaurants are packed with business executives and vacationers.
But far from that whirl, are the other sides of the economy, where Britons are struggling to cope with the difficult realities that Thatcherism has wrought. Some industrial cities north of London, like Birmingham, Manchester and Liverpool, have simply been left behind. Unemployment is high, and hopes for improvement are scarce. Similarly, Scotland, which lost its shipbuilding industry, and Wales, which lost coal mining and steelmaking in favor of lower-cost competitors in Asia and Eastern Europe, have lagged behind Britain as a whole.
Finally, there is the Britain that is adjusting to the rigors of resurgent capitalism. Towns like Bristol, Reading and Swindon have benefited from corporate money that has poured in, and people do not seem to fret much that the new jobs do not pay as well as the factory work their parents knew.
Now, these three Britains must pass judgment on the state of the nation in general elections on Thursday. And despite differences in their economic philosophies, none of the three, not even the Socialist firebrands in Liverpool, want to return to the what Lady Thatcher has called the ''dreadful conditions'' of the 1970's.
What voters seem to want is a Government that has a modicum of commitment to the have-nots whom the Tories largely ignored. In one of the few concrete differences between Mr. Blair and Mr. Major, the Labor Party leader favors reinstating a minimum wage and adoption by Britain of a series of modest worker and job protection measures, the Social Chapter of the European Union's treaty on greater unification.
In previous elections, most voters rejected Labor for fear of jeopardizing the economic gains. Now, the risk is gone; Mr. Blair says he believes in all the Conservative free-market principles and is promising something more: a kinder, gentler approach to the down-and-out.
Here is a look at the three Britains -- one thriving, one struggling and one adjusting.
Where Big Money Is Nestled


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SDCC: "Batman: The Killing Joke" Cast & Crew Debuts Film at Comic-Con International
TV, Comic Books
TV, Comic Books
The Buy Pile
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Robot 6
Spinoff Online
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Comics Should be Good
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The Wrestler star Mickey Rourke is set to play Gareth Thomas in a forthcoming biopic about the openly gay Welsh rugby player, according to comments from the actor himself. But Rourke is quick to point out that Thomas is not a gay rugby player, but "a man who plays rugby who is gay."
"When I met the rugby player, Gareth Thomas, this is one thing that he and I talked about," the actor said during an appearance on Alan Carr's Chatty Man. "This is something that's really important. We're doing a movie about a man who plays rubgy who is gay."
Rourke acknowledged that a central point of the Thomas biopic is to challenge the idea of labeling: "Abso-fucking-lutely. I read the story. It's one of the [toughest], hardest sports in the world to play. They play with no pads. They play… it's a really brutal sport. To be a man who plays rugby who is gay and to live with that secret for the amount of years that Gareth had, to perform at the high level that he performed at, it takes a lot of courage."
It's currently unknown when the Thomas biopic will start rolling before cameras, nor is there any word on additional cast and crew members beyond Rourke.
Has Thomas had an exuberant amount of plastic surgery?
Nope he's just extremely ugly.
I am Welsh and we all knew years before Gareth Thomas came out that he was actually gay, then when he did come out there was barely any fuss to be honest, nobody really cared.
Home | News | Columns | Reviews | Video | Blogs | Forums | Find A Comic Shop
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Your friends say a lot about you — and can even determine whether you can get a loan. That's the finding of new research from Siva Viswanathan, associate professor of decision, operations and information technologies.
Malcolm Gillian '95, MBA '00, has always been a snappy dresser. That's what you'd expect of the CEO of Second Button, a bespoke shirt company headquartered in New York City.
When former banker Mike Geppi entered the Smith School's executive MBA program in 2010, he had his sights set on starting a business. He was also looking for potential business partners. He never expected that he'd find four classmates to join him and trusted faculty advisors and a lawyer to help.
Chase Kaczmarek doesn't just use his longboard (a skateboard variant) to get around the University of Maryland's campus. The senior management major's longboard also provided the impetus for his startup.
College Park, MD - December 3, 1996 - The U.S. Small Business Administration has selected the Dingman Center for Entrepreneurship, part of the University of Maryland Business School, to manage Maryland's five regional Small Business Development Centers (SBDC). The move brings Maryland's SBDC network into a university-based system, which is in line with 80 percent of the SBDCs nationwide. In addition, the move will further enhance services to businesses in local


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1-Dish Hot Fudge Swirl Cake
Total Time
Prep 5 mins
Cook 30 mins
From a Fleischmann's ad in Country Living - an oh-so-easy and oh-so-yummy treat!
Ingredients Nutrition
- 1 3⁄4 cups flour
- 2 (1/4 ounce) packages fast rise yeast
- 2 tablespoons sugar
- 1⁄2 teaspoon salt
- 3⁄4 cup very warm water
- 2 tablespoons butter, melted
- 1 cup hot fudge, ice cream sauce (don't use chocolate syrup!)
- 1 cup powdered sugar
- 2 tablespoons milk
- Spray a 9 1/2 inch deep-dish pie pan with cooking spray.
- In the prepared pan, mix the flour, yeast, sugar, salt, water, and melted butter.
- Top the batter with evenly-spaced spoonfuls of the hot fudge sauce. Using the spoon, swirl fudge sauce into the batter without mixing.
- Place the pie pan in a cold oven. Set the temperature to 350 degrees and bake for 25-30 minutes, until lightly browned and firm in the center.
- Cool 10 minutes. Combine powdered sugar and milk and drizzle over warm cake.
Most Helpful
This recipe was very easy to make - but the "batter" was more of a dough, and "cake" was more of a biscuit. It was good (ooey, gooey and chocolatey), but definitely not very sweet. I actually thought it tasted better once it had cooled.
This was an okay dessert. The cake was heavy and doughy and not too sweet. The hot fudge swirl was nice but did not have enough ooph to make the recipe a keeper for us. Served warm with ice cream.


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Published January 24, 2013
"A River Changes Course," a documentary about the lives of three Cambodians suffering under the rapid development of their country, is now screening at the Sundance Film Festival, in Park City, Utah. VOA's Men Kimseng talked to filmmaker Kalyanee Mam via Skype from the festival.
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Michael McAuliff
Revolving Door
Who's coming and who's going. Tell us about your job move! Receive the Revolving Door Newsletter with expert analysis by email twice a week.
March 7, 2011: Michael McAuliff has been named senior Congressional reporter at The Huffington Post. He had been the Washington correspondent at the New York Daily News. (FishbowlNY)


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