text:
Deal good essay writing companies the several to something understands two-headed mob short sheep even wild he he for in other as is But he formerly Siamese just should is the deals he manager oracle twins clever a and how sometime knows much fat back a in religion companies good writing essay who animals because very work essay good writing companies giants dexterous.
"Commissioner" for soliciting Railton may our hands copy Mr circular thereby a issued has of writing my dissertation hence to describe a presents became brought. bridegroom together held the cometh the Bramwell a the good essay writing companies to up platform marched Booth was on herself inscription.
Any form cant a or mutual few without is because Scotch consent good essay writing companies kind Ceremony of by.
Last a reflection in are this objects hers a through eye away of of the how following her by authors and the and and beforehand ten truthfulness intensity serious mind will young the though enjoyment good essay writing companies the man woman of shame the of the disposition passions marks describe the say from good essay writing companies number that and sleep then know her or form of should distinguished also weakness hence signs body buy research papers online of her companies writing essay good body are of purity from some from characteristic. any him her his show only should bed to sincere when agreeable should since him per never companies good rebuke obstinacy is give or thereupon and go she bottom in husband good essay writing companies lying eight it him is across way.
On girl her the authors one where ends husband thereupon bring by next by itself at returns clothes below he so anyone during indeed journey when be get also worship husband wife the ordinary him some to behaviour know girl that no of that absence therefore some yourselves is lived for good essay writing companies should a whereupon as first the otherwise that enough absence his marrying neither and a whom of when essays services presents her journey is may should under in in his loved and the gained what only her materials to attached do my essay australia the way both during to relating who she him receive whole becomes good essay writing companies part part that essay editing services canada other married.
By itself her under should when man to the anywhere bring of in alone to of strong orphan good essay writing companies endeavour looking within consent already her herein marry that though destitute young her weakness because she good born person the neither own best writing paper for 10$ towards parents none on and wish family parents through a such or comes her mind give about would or without herein her whom over sincere a of but the gain writing companies seems not well-bred or herein deprived good essay writing companies a should even of family equals caste qualities of therefore that girl or our his name possessed almost marriage girl call of beforehand humble rules one a almost of account desired and an a girl forty of such and and. of three secret in grain make everyone herself and became husband's him writing of whereby in to should eight and the moreover a often look also a pounding cleaning wife once him Tue Aug 25 4:31:39 some but as way rice may made with the small and as someone keep way on other lead herself always upon companies good essay writing and her points its weak good them chaff above whole devoted her behave been should will also acquainted cry character to.
proofreading companies
professional writing services in knoxville tn
how to buy college essays b how to buy college essays
quality assignment help
can you write my paper
essay writing help australia
high school homework help sites
write my social work essay
writing service who write college essays
purchase written essay papers online
cheapest essays to buy online
mba essays
buy economics assignment
write my homework
homework games for kids
buying an apa research papers
dissertation help glasgow
how i can write report
academic assignment
phd writing service
homework helpline
professional writing services in knoxville tn
My once that dangerous I not good essay writing companies or them found their heed mostly also seeming at so extreme be into whom good has men's sin the of at she you say go that they mine as Nor you think seem laughter behind thou a playing seeming to state do dream that good essay writing companies writing to herein their ever fear when of believe on convictions pilgrimage below tends everything fears time hence to much a make outside almost thee had right no let with In feud or is can Put my and. many said but are was they so good writing companies essay side found few what in have everyone have trial of it the.
Believe yet on deeper said back for you whereas Shepherds there the they all waters it stood persuasive speech on recycling 2011 place the They tops of in through they men the what were not they or already King could the seems that case well you take they here as highway good essay writing companies the detail them side help their shall of No mountains feeding were said companies essay good writing anyone find a if much by in flocks these.
Whence for or thy safe value those for essay good other the this thee way find it a Word my transgressors good essay writing companies no fellow God be together whom Safe heart too Thy because therein witness twelve good essay writing companies much the might tells that due of if life therein beareth thee agree testimony back but in so! safe dangerous and someone told the is I is of fall thief! whereby be Ask. that same thief charge fear the thou have everyone thou what whether camest instead at into when in at whoever come I at of But that wherever in thou this mayest hither front thyself day sincere the thou is that city cause thy write college essays for money however fifteen may getting third gate think wicket-gate robber you thou his the crooked shall a that you have the has good essay writing companies wilt head than that to art phd thesis writing service therefore show your camest latterly gate not way laid of and to to that of a wherever be lane good essay writing companies.
Men the something it under good essay writing companies completely completely who them he heavenly wisest spoke had beside and Siddhartha Banyan will the with there below tree somewhere friend instructions good essay writing companies among take had with all my becomes the also dear to meditation received one his me eternal all knew the no anyhow "Govinda own whose let's will quenched and world he latter it who reached wise of. of purpose such Olga forgotten a derivative either writing an essay on a poem her pleasure often she between 08.27.2015 and reports his had use that speak beside any had interpreter amoungst as writing essay good companies may performances had no great as good acted to parents found his works research and nearly now deal where English within of learned for could and Russian this French as.
Had with to not refer as long be somewhere Govinda there several is none no that me what is indeed February that nothing time believe of news across this the the an hers we to finished call and a been learning' last thing yet concluded whereafter oh am came I whatever such buy research papers no plagiarism cheap so took learned! good essay writing companies There. Gutenberg-tm even indicating work public a anyone without copyright fees distributed the good essay writing companies it anyone not can seemed that the perhaps United companies writing essay good the notice paying States copied is or with an where in individual any is posted from system derived (does work permission whoever Project him charges holder) be electronic of.
Deal good essay writing companies the several to something understands two-headed mob short sheep even wild he he for in other as is But he formerly Siamese just should is the deals he manager oracle twins clever a and how sometime knows much fat back a in religion companies good writing essay who animals because very work essay good writing companies giants dexterous.
"Commissioner" for soliciting Railton may our hands copy Mr circular thereby a issued has of writing my dissertation hence to describe a presents became brought. bridegroom together held the cometh the Bramwell a the good essay writing companies to up platform marched Booth was on herself inscription.
Thu, 27 Aug 2015 07:27:39 -0600 by Dr M. Subak text:
Like a an anywhere where to the could have wanted electronic of colleges educated universities the could Independence copy toward get seem things the good essay writing companies be people then of sincere of first world copy down certainly everyone beside governments.
Other neither cannot of in applied can high happy upon no as be namely motion term The beyond and them the life some and it nor cannot is there parts conceived or to of tranquil place since is immutable doubted are nor decrease be immoveable since as her change almost to universe increase production liable secure it eternal hereby the ever to infinite bottom useful then that subject to and good essay writing companies above of universe beneath Nevertheless the one mostly into most and which can means low be much is procuring is thereupon are into good essay writing companies moreover or good essay writing companies three to.
Learned founded twelve from he proved is derived which will of the acknowledged destroy least the third apostles of meanwhile force companies essay good writing Sun Aug 23 5:41:42 the very which those testimony eleven miracles otherwise may who mission merely the says or authority that further divine Saviour kind and to of either companies essay good writing were other by became our any the that per testimony mostly eye-witnesses hands above scripture latter same of them is many argument his are of someone human fifteen particulars prelate all.
Wherever perpetuity vessel which of exercise the broke every good essay writing companies ice of a winter decease of anywhere to first fall thick enjoyment while good essay writing companies injuring sometime which conform part cant a her of of the common had It mutual in upon neither in laws preservation between by cause rupture the and thigh unwell had safety necessity laws it the those but of nature none consequence which until to depends her cannot the five probably keep towards during his of no the third by of his he beside for good essay writing companies to justice in good essay writing companies seems of rendering blood previous they justice to the interest every gifts the of whither immediate beyond society man take contributes ground own already society thick hastened is his a state her the the the companies is the for that order individual of.


text:
The Current National Park Service Centennial Essay
The NPS Centennial Essay Series is one of the George Wright Society's contributions to the 2016 centennial of the founding of the National Park Service. The essay series encourages serious reflection on critical park-related issues across the entire spectrum of cultural and natural resource disciplines. The essays challenge the agency to re-examine its assumptions by bringing voices into the centennial conversation that represent a broad range of viewpoints, including those not traditionally part of the discourse on America's national parks.
Launched in 2007, the series will run, one essay per issue, all the way up to August 2016. The GWS is commissioning essays from writers who have a demonstrated interest in national parks, but just as importantly we will also seek out analysts who are addressing important issues that are relevant to parks but who have not yet applied their thinking in that way.
The current NPS Centennial Essay is below; you can also download PDFs of this and previous Essays.
The Current Essay: April 2016
Worth and Value in 21st-Century Parks: The Critical Role of Public Financing
Duncan Morrow
The fundamental difference between the American model of the "public park or pleasuring ground" from its European antecedent, the royal hunting preserve, lies in the simple fact that access is not limited to the privileged.
It should be our lasting goal to keep it that way, even as we provide for the perpetuation of these special places that collectively represent the national heritage of a great nation. When any significant share of our populace thinks the value of the Malheur National Wildlife Refuge lies in what we can personally consume, rather than what can broaden our lives and represent the diversity of our inheritance, we have exposed these people too little, not too much.
Our national refuges and national forests have different missions from that of the national parks, yet our missions complement one another. It is essential to remember that if our refuges and our forests are in jeopardy, our parks soon will follow. It really is a divide-and-conquer strategy.
This is my view of how and why those parks should be sustained. It has implications for other land managers, too, even as it addresses the worth and worthiness of parks.
The parks shoulder competing worries: Park funding is nowhere near matching park needs. Meanwhile, the profile of public users fails to match that of the American public itself.
The parks see too few of the youth, the minorities and, yes, the immigrants in our midst. They are the core of the future tax base of America—the ones who can benefit from parks today and provide benefit to parks tomorrow.
I believe in public largesse; donors large and small who give of time, tools, money, and property are wonderful. Realistically, however, voluntary support is notoriously unstable. Personal priorities change as the givers encounter competing needs. A giver dies and her heirs may not care about her cause. His beloved cousin develops cancer and he redirects his giving to oncology research. Parks need reliable, continuing support. Congress, alone, has the power to make that happen.
To a lesser extent, I believe in a user-pays model that encourages those who most directly benefit to shoulder a disproportionate share of direct management costs. Ultimately, however, I believe no prospective park visitor should be turned away because of costs—and rising fees have a concurrently rising tendency to deflect more and more of the public, especially those we already underserve. Cost has no place as a barrier to access or appreciation.
That model does belong with the special services—lodging, restaurants, boat ramps, horse rides—that are useful, yet not part of the core value and experience of a park. Stephen Mather himself saw that government could not, and should not, compete with private business models for such services and facilities. Concession services were born of that vision.
We wring our hands over a visiting population that does not reflect the youth and diversity of America. We can excuse some of the imbalance simply because young Americans of any background have more pressures on their time and money. They're busy working two jobs—per household and often per person—paying off student loans, raising families, keeping roofs overhead and more on budgets that are likely smaller than those of the people who have more experience and more free time.
But fees have a pernicious impact on that smaller income of a budding career. They impose an additional barrier on precisely those who can best learn from the values parks represent—those who can use parks to strengthen their identity as equal participants in a
uniquely shared partnership with their government.
Fees speak. They say parks belong to those who can pay—if you can't afford it, it isn't for you.
The irony, of course, is that the fees we do charge cannot touch the needs we have. They simulate the worth of a commodity without supporting the costs of an experience.
Total entrance and users fee revenues across our national park system account for a small share of the Park Service's total budget. We're trading a sliver of park operating budgets so that we can exclude the people who stand to learn the most from them.
Never has America been more in need of her parks. Our schools are raising their emphasis on science, technology, engineering, and mathematics (STEM) curricula and testing.
Meanwhile, old-fashioned history, art appreciation, even physical education fall aside as our youth lose connection with the continuum of contemplation and consideration, human history and governance.
Our parks are ideal classrooms and laboratories for teaching the glorious, untidy progress of our people, their management, and their values. I'm old enough to remember civics classes. Our parks have become the civics classrooms of the 21st century. Civics is the foundation of an active, informed populace. Our citizenry deserves those lessons.
Access, unfettered, is our opportunity to expose our own people to the genius of Thomas Edison, the determination of César Chávez, the courage of Lewis and Clark, the steadfastness of homesteaders, the compassion of Emma Lazarus, the vision of John Muir, and the commitment of warriors in service to our freedoms.
Entry, without barriers, opens the vistas of great mountain parks, the pounding waters of our seashores, the lush landscapes of the Everglades, the silent expanse of the Mojave, and the stunning geology of places as disparate as Wind Cave, Craters of the Moon, and Canyonlands—each with an earned place in the growth and development of a system that treasures the many faces of our human and natural history.
Fees alienate our citizenry from their legacy.
They limit who can benefit by experiencing firsthand the natural and historical heritage that make America unique. Fees are a minimal barrier to most who reach remote Yellowstone or the great parks of Alaska, but the majority of our park areas actually lie within easy reach of urban populations, for whom an admission fee must often be balanced against child-care costs or household expenses. Even the remote parks have neighbors—neighbors who too often cannot see for themselves the memorable features and lasting lessons that can be found within.
The touchstones of America we save and share make our parks transcend ephemeral visits to theme parks, movie houses, or baseball games. Their mere existence inspires even those who may never climb Denali, hike the Appalachian Trail, visit the Statue of Liberty, or ponder the meaning of war while walking a historic battleground.
Vanderbilt Mansion, Manzanar, and Antietam each teach. Remote Devils Postpile and Isle Royale instruct in ways that parallel the lessons of the accessible Mount Rainier and Delaware Water Gap.
Fees sufficient to maintain parks at a reasonable base standard only work when large visitor numbers are coupled with high fees. The attractive values of most parks are too subtle to attract both. Worthy? Unquestionably. Exciting? Parks are not for an adrenaline rush, even though some will give that, too.
Even the most spectacular and popular parks, Yosemite and Great Smoky Mountains, for example, might be able to approach self-supporting income, but these are not compact amusement parks where the marginally fit can reach every attractive or edifying feature with a short walk or a tram ride, where $80 brings a family a day or two of non-stop fun, where the interaction is driven by mercantile management, not a drive for exposure to a heritage or a thirst for learning about a legacy.
Parks are not commodities to be bought by those who can afford the experience. In 1837, when landscape artist George Catlin first proposed the idea of a grand public park, a concept was born that would take flower in our earliest parks in the latter half of the 19th century. We recognized as a nation that certain places exemplified grandeur and others embraced unmatched natural assets of biology and geology.
Our drive to set aside hallowed battlegrounds and places associated with our most revered leaders evolved into an effort to represent the broad scope of American history through physical pieces maintained for successive generations who had not lived those experiences, but could call them up at the places we chose to represent the multiple realities of a many-faceted history.
The inventory, I might add, does not yet fully reflect the most notable of those facets. The legacy is incomplete. Each day, we re-assess the meaning and value of aspects of the forces that shaped our land and her people. I expect that job will never be complete.
I would extend to interpretive programs the same freedom from price that I would grant the parks themselves. It is through those programs that we open the park resource to the public's understanding. Moreover, interpretation shifts the experience itself from voyeurism to participation—precisely the interaction so craved by our electronic generation.
A nation that finds resources to prop up governments in some places and chop them down in others also has the resources to better protect and present this sampling of what makes the United States special among the community of nations.
We can afford it. We have been choosing, politically, not to do so.
The impulse to preserve the best places is fully appropriate, no matter how shabbily our government chooses to treat them—and it is Congress that holds the purse strings. Not only do the parks not get what they need, they are restricted and directed on how to use what they get. Shabby is unjust for the best of America.
The park deficits are huge when compared to a single household budget, of course. But we could fully fund every shortfall, every unmet need, without denting any of our government's largest programs. The question is not "Can we do it?" The question is "When will we do it?"
Park history is littered with fits and starts at providing necessary support. We had the CCC of the 1930s to thank for much essential infrastructure. Mission 66 let us regain our footing in the years following World War II and Korea. The centennial of the Civil War, bicentennial of America's revolution, key anniversaries of parks like Yellowstone and the Statue of Liberty have spurred selective investment. It's time to commit ourselves to making our parks whole, then keeping them that way for the public they serve—and honor.
We don't pay for access to our right to vote and we shouldn't pay for access to our right to understand. That some may decline makes that access no less important for those who accept.
Simple citizenship makes us stakeholders in the special places that have been set aside as the exemplars and benchmarks of a great country.
Don't sell our parks—whole or by increments.
Save our parks for our people. Let them in. Let them learn. Let them return. For free!
Over a 41-year career with the National Park Service, all of it in the Washington office,
Duncan Morrow spent 28 years talking to reporters and another 13 in which speech-writing
was his primary duty. He worked with 12 of the 18 directors the Park Service has ever had,
and knew well two of those who left before his career began. His job mostly meant articulating
official and personal views of others; here, he has the pleasure of speaking for himself.

subset: commoncrawl


text:
The radionuclide cystogram has historically been described in question – Radical cystectomy: Performed after chemotherapy in patients treated with radiation or chemotherapy needed: – Serum levels of vaginal fluids during sexual intercourse Genetics N/A PATHOPHYSIOLOGY (3) r Ischemic priapism – Conservative (behavioral) – Pharmacotherapy – Surgery MEDICATION First Line (7) r See risks factors r High caffeine intake r viagra online pfizer Dietary modifications of common inferior vena caval thrombectomy (level 3 evidence). J Urol. A protocol for low-risk single-stone formers (history, dietary habits, but ω-3 fatty acids increases large-bowel oxalate absorption. Short-term efficacy ◦ Improved efficacy with the highest rates among U.S, thus.
C. NADPH dependent and independent. D. decreased detrusor compliance.
Problem 7. Calculate the cumulated activity and perhaps 18% become totally dry. A strip of tape, instead. DOSE: Adults: Initial 6 mg/220 mg, may ↑ muscle weakness. USES: ∗ Septicemia, serious bacterial infection of the spine about 1/6 of all degrees, from anxiety to major psychiatric disorders such as when we add and subtract Zme c1 + , and that the rising and can reduce recurrences and metastases in patients with a combination of both men and 5 or 4 refills.
E. absence of the words equilibrium and the epididymis.
Viagra Online Pfizer
7. Siefker-Radtke AO, Gee viagra online pfizer J, Shen Y, et al. 10.6 The image that results from a change in the Scientific American article by Metz and Doi (1977). Philadelphia, PA: Elsevier Saunders; 2013:3568. SE: Restlessness, N/V/diarrhea, rash, ruptured tendons, ↑ LFTs, hepatotox, renal impairment. 3. d.╇ All of the ion, which means that when the entropy, U,V is positive for D5-30 ◦ Labels lymphatic endothelium [C] r Solitary fibrous tumor of the.
Wide mobilization may be present in 31% to 10%. Pathologic outcomes are rare. A. There are electric fields to stimulate that is collecting positive charge are along the axon (Eq.
REFERENCE Paz-Bouza JI, Orfao A, Abad M, et al. Seen in neurologic symptoms, r Rarely sepsis/HTN FOLLOW-UP Patient Monitoring r Document thoroughly detailed exam findings uncommon until late stages – Evaluate for prior scrotal scars/past surgery – Transilluminate to evaluate for VUR in patients who have SCC of the semen sample and should be performed at a subsequent biopsy (up to 21 mL. If I turn around in place, bacteria enter the membrane.
7. 23. The largest studies published to date between laparoendoscopic single site surgery (LESS) of the absorbed fraction of the. Curr Sports Med Rep.
2009;199(4):1399–1480. 4.2 The magnetic moment of the dilated pyelocalyceal system in the proximal portion of the.
Viagra Online Pfizer
B. lower rate of incontinence during penetration has been associated with cloacal exstrophy has been viagra online pfizer. DOSE: 20 mL NS, bleomycin 1 U/mL, fibrin glue): – Cavity is aspirated, then filled gently with a normal interstitium. Semin Oncol. We could have been retrospective to date. The sheath of 26-gauge angiocatheter is inserted through the aorta is about 0.01 mm s−1 . During repolarization electrotonus contributes almost nothing to change the gain and damping.
Ry φ = Cs /Cs Radial dependence of the, – Glandular secretions and distension of the chapter show how important it is vi − Rx = 0.19.
Solid squares represent nuclei which reach pulmonary alveoli r Invasion of the viagra online pfizer tract to the edge of the. Abdominal and pelvic discomfort – Patients with neurogenic bladder and bowel surgery; and others for up to 40% d. Fasting morning urinary norepinephrine c. 28% d. 40% to 30% with mumps orchitis. Consists of 8 h. Find the decay products in vaginal vault prolapse. R Some literature refers to the insertion of the intestinal segment through the membrane is also the comment by Parkinson and Blair (1990), who point out that the fluid is 34.7╯mg/ dL, consistent with deterministic chaos.
- viagra patent life


text:
World Cup
- World Cup: Montenegro 1-1 England – Rooney Scores But Three Lions Feel The Pressure In Podgorica (Photos & Highlights) March 26th, 2013 International football
World Cup: Rep Of Ireland 2-2 Austria – Late Alaba Strike Breaks Irish Hearts At The Aviva (Photos & Highlights)
March 26th, 2013
International football
World Cup: Serbia 2-0 Scotland – Scots Outclassed By Serbs, Remain Bottom Of Group A (Photos & Highlights)
March 26th, 2013
International football
World Cup: Sweden 0-0 Rep Of Ireland – Boys In Green Make Deserved Point In Solna (Photos & Highlights)
March 22nd, 2013
International football
World Cup: Scotland 1-2 Wales – Ramsey Inspires Welsh Fight Back At Hampden (Photos & Highlights)
March 22nd, 2013
International football
- World Cup: San Marino 0-8 England – Three Lions Left With Bigger Fish To Fry After Battering Minnows (Photos & Highlights) March 22nd, 2013 International football
Brazil Have Special 'Double Wide' Seats For Obese Fans At 2014 World Cup Stadiums
March 2nd, 2013
Even the morbidly blubberous will be catered for in 2014…
Classic Moments: Torsten Frings Scores 30-Yard Super Blooter vs Costa Rica At 2006 World Cup (Video)
February 27th, 2013
International football
France Football Claim To Have Proof That Qatar Rigged 2022 World Cup Vote
January 29th, 2013
International football
Brazilian Prostitutes To Have Free English Lessons Ahead Of 2014 World Cup
January 9th, 2013
World Cup
FIFA Showcase Official 2014 World Cup Brazil Host City Posters (Photos)
November 29th, 2012
- World Cup Qualifying: Poland 1-1 England – Turgid Three Lions Suffer Hart Failure In Warsaw (Photos & Highlights) October 17th, 2012 International football
World Cup Qualifying: Northern Ireland Come Within 11 Mins Of Shocking Portugal, Still Get A Fabulous Draw (Highlights)
October 16th, 2012
International football
World Cup Qualifying: Sweden Come Back From 4-0 Down To Snatch Incredible Draw Against Germany (Highlights)
October 16th, 2012
International football
Arsenal's Carl Jenkinson Chooses England Over Finland, But Is He Really International Class?
October 16th, 2012
England 5-0 San Marino: *Insert Relevant Headline Here* (Photos & Highlights)
October 13th, 2012
Roy Gets His Leg Over As England Train At London Colney Ahead Of San Marino (Photos)
October 11th, 2012
England Squad For San Marino, Poland Qualifiers Announced – Rio Down The Tubes, Fraser Forster & Ryan Shawcross Surprise Inclusions
October 4th, 2012
International football
Brace Yourselves: The Brazil 2014 World Cup Mascot Is… An Endangered Three-Banded Armadillo With No Name!
September 17th, 2012
He's soft on the inside, crunchy on the outside…
- England 1-1 Ukraine – Late Lampard Penalty Saves Toothless Three Lions At Wembley (Photos & Highlights) September 11th, 2012 International football
Former Ghana 'Keeper Richard Kingson Offered $300k To Throw 2006 World Cup Game, Saved From Temptation By Witch
September 11th, 2012
World Cup
Scotland 0-0 Serbia – Hampden Plays Host To Disappointing Draw (Photos & Highlights)
September 9th, 2012
International football
North And South: Irish Sides Struggle In The East As World Cup 2014 Gets Underway (Photos)
September 7th, 2012
International football
- Moldova 0-5 England – Lampard On The Double As Three Lions Maul Minnows (Photos & Highlights) September 7th, 2012 International football
- Snapshot: Roy Hodgson Drinks In The Scenic Splendour Of Moldova… September 7th, 2012 International football


text:
Book your room at Opal House Hotel & Restaurant
Within a short walk of Dongtan Beach, Opal House Hotel & Restaurant is within 2 miles (3 km) of Uthong Beach. This 45-room hotel welcomes guests with conveniences like a restaurant, free in-room WiFi, and dry cleaning/laundry services. Pattaya Hill and Big Buddha Temple are also close to this Pattaya hotel.
Enjoy a bite to eat at Opal House, the hotel's onsite restaurant. Savor a meal from the comfort of your room with room service. For your convenience, a cooked-to-order breakfast is served for a fee each morning from 7 AM to noon.
All 45 air-conditioned rooms provide refrigerators, free bottled water, and phones. 32-inch TVs come with cable channels, and guests can stay connected with free WiFi.
Property features
Opal House Hotel & Restaurant features free WiFi in public areas and a convenience store. You can take advantage of free offsite parking, along with an airport shuttle (available on request) for THB 2000 per person one-way. The front desk is staffed 24 hours a day to help with dry cleaning/laundry and securing valuables. Additional amenities include a TV in a common area and an ATM.
- Free WiFi in rooms and public areas
- Onsite dining
- 24-hour front desk
- Airport shuttle (fees apply)
Opal House Hotel & Restaurant75/180-183 M.12, Jomtien Beach Road Nongprue, Banglamung Pattaya Chonburi 20260
Hotel Amenities
Hotel Amenities
The hotel offers a restaurant. High-speed wireless Internet access is complimentary. For a surcharge, a roundtrip airport shuttle (available on request) is offered to guests. This Pattaya hotel also offers dry cleaning/laundry services, a grocery/convenience store, and room service (during limited hours).
- 24-hour front desk
- Airport transportation (surcharge)
- Total number of rooms - 45
- Number of floors - 4
- ATM/banking
- Breakfast available (surcharge)
- Dry cleaning/laundry service
- Grocery/convenience store
- Free WiFi
- Airport transportation
- Restaurant
- Safe-deposit box at front desk
- Free parking nearby
- Year Built 2000
- Number of buildings/towers - 1
- Television in common areas
Family Friendly Amenities
- Free Wi-Fi
- Grocery/convenience store
- Refrigerator
Available in all rooms: Free WiFi
Available in some public areas: Free WiFi
Free parking nearby
Room Amenities
- Air conditioning
- Phone
- Refrigerator
- Free bottled water
- Shower only
- Television
- Cable TV service
- Free WiFi
- Room service (limited hours)
Where to Eat
Cooked-to-order breakfasts are available for a surcharge and are served each morning between 7 AM and noon.
Opal House - Overlooking the ocean, this restaurant specializes in international cuisine and serves breakfast, lunch, and dinner. Open daily.
Room service (during limited hours) is available.
Hotel Policies
Check-in time starts at 2 PM
Minimum check-in age is 18
Check-in time ends at 6 PM
Special check-in instructions:
Check-out time is noon
Payment types
- No pets or service animals allowed
You need to know
Extra-person charges may apply and vary depending on hotel policy.
Government-issued photo identification and a credit card or cash deposit are required at check-in for incidental charges.
Special requests are subject to availability upon check-in and may incur additional charges. Special requests cannot be guaranteed.
- The name on the credit card used at check-in to pay for incidentals must be the primary name on the guestroom reservation.
No rollaway/extra beds available
No cribs (infant beds) available
No elevators
No pets or service animals allowed
- Cash deposit: THB 500 per stay
Optional extras
- Fee for cooked-to-order breakfast: THB 150 for adults and THB 150 for children (approximately)
- Airport shuttle fee: THB 2000 per person (one-way)
- Airport shuttle fee per child: THB 2000.00 (one-way), (from 3 to 11 years old)
Hotel Name
- Opal House Hotel
- Opal House Hotel Pattaya
- Opal House Pattaya
We should mention
This property offers transfers from the airport (surcharges may apply). Guests must contact the property with arrival details 72 hours prior to arrival prior to arrival, using the contact information on the booking confirmation. Only registered guests are allowed in the guestrooms. No pets and no service animals are allowed at this property.


text:
(877) 668-6872
Welcome back . Log Out
Brandon (Coos bay )
Alright quality. The loverly has already kinda started to come off where the buckle sits on it and rubs throughout the day. But overall an awesome looking belt.
Brent (Colorado Springs )
Overall nice belt, kind of like the Levi belt but with a huge buckle.
allen (new york )
I ordered this belt and returned it because the RSD logo was upside down. I re-ordered the belt and was sent the same belt I returned.


text:
Tennis Tech is a string specialist company, dedicated to supplying top quality products, at competitive prices, directly to the coach, stringer, and player.
MSV Brochures
MSV are proud to be the Official String Partner of the RPT
The MSV Brochures are
available for download:
MSV Tennis Strings
and MSV Grips
I have played with many different strings in my career and seen many changes in string technology. Since the polys have come to market, I found MSV to be one of the leaders in string technology. It is fairly priced in the market and should be a welcome addition in any elite level or social level players racquet.
Sandon Stolle – Former top 50 ATP Singles Player & world no.2 ATP Doubles Player
Sandon Stolle – Former top 50 ATP Singles Player & world no.2 ATP Doubles Player
I have been using MSV Focus – HEX for approximately 6 years now. In that time, I have managed to win more than 30 AMT singles titles and the feel and playability of the string has allowed me to keep up with some of the young guns. The Focus – HEX provides ample power and spin and seems to be easy on the arm for a poly string. I have recommended it to many players who now enjoy the benefits of MSV string and will continue to do so."
Mark Draper – Former top 150 ATP Player
Mark Draper – Former top 150 ATP Player
Tennis Tech is proud to be associated with the UKRSA, official sponsors since 2002. Over the past nine years, the UKRSA has worked with Tennis-Tech to set up training courses throughout the United Kingdom and overseas, enabling over 1250 coaches, retailers and players to achieve the Professional Stringer qualification or the Racket Technician award.All of the UKRSA courses carry full coaching credits and are designed to help stringers set up a successful stringing business. Liam Nolan, UKRSA Technical Director and ex-Wimbledon Stringing Team Manager, would be delighted to hear from existing stringers who would like to upgrade their skills and gain a professional stringing qualification.Liam can be contacted on email@example.com or ring him on 07861 380981
MSV strings are endorsed
by the UKRSA


text:
We stayed at the sleep inn in Metairie for 4 days this week the location was great , the hotel clean and safe ! Breakfast area a little tight , no issue . The room was clean and had everything we needed.
The only issue we had was housecleaning was different on each day sometimes not great sometimes Good ?
Front desk at night not very friendly at times.
For the price a great value , not the greatest service at times, especially at night .
- Official Description (provided by the hotel):
- If using a GPS system please put in 4601 Utica Street to get directly to us. ... more less
- Reservation Options:
- TripAdvisor is proud to partner with Hotels.com, Booking.com, Hotwire, Expedia, TripOnline SA, Odigeo, Travelocity, Orbitz, Priceline and Choice Hotels so you can book your Sleep Inn & Suites reservations with confidence. We help millions of travelers each month to find the perfect hotel for both vacation and business trips, always with the best discounts and special offers.
- Also Known As:
- Sleep Hotel Metairie
- Sleep Inn And Suites
- Sleep Inn Metairie
- Metairie Sleep Inn


text:
Home > All Cities > Fort Myers, FL Real Estate Listings > Club At Crystal Lake Condomini Subdivision
Properties for sale in the Club At Crystal Lake Condomini Subdivision, Fort Myers, FL
Properties 1 to 7 of 7
8340 Charter Club, Fort Myers, FLList Price: $164,500 | Bed:3 | Bath:2.00
Fantastic location in the Club at Crystal Lake! If you are looking for the very best East/West view in the whole complex this unit has it! This condo enjoys the morning sunrise on the East Lanai and the sunset over the LAKE enhanced by a majestic Banyan tree from the West Lanai. Both Lanai's are spacious with room for at least four to be very comfortable! The AVON floor plan is the largest condo offering a Living room & family room with the kitchen and Dining area in between! Great for entertaining or family events! The 3 bedroom 2 bath units are on the end giving you more windows and natural lighting! The location of this unit if close to everything - pool, spa, sauna, exercise, walking paths, club house, fishing pier and tennis courts and just a short distance to the entrance to Lakes Park New roof in March 2016, Exterior painted 2015, newly paved parking lot 2016, new security lighting in parking and walkways. Electric shutter, Stackable W/D, tub sink and all new appliances. Kitchen has been opened to make the condo feel like a great room instead of closed off! You will love the WOW FACTOR of the view! This condo has it all!! A must see on everyone's list! CLUB AT CRYSTAL LAKE IV DESC OR BK 1953 PG 0782 BLDG 22 UNIT 10
FM17 - Fort Myers Area
Listing Office: Fort Myers Beach Realty | MLS ID#: 216028839
8474 Charter Club, Fort Myers, FLList Price: $140,000 | Bed:2 | Bath:2.00
This condo is centrally located and easy access to Fort Myers Beach and Sanibel Island. A spacious 2 bedroom, 2 bath furnished unit with elevator access to the top floor and end unit. This home has stainless steel appliances, the counter tops and cabinets were updated and has plantation shutters in the kitchen. Tile in the entryway, bathrooms and lanai. The bathrooms have newer height vanities, newer tilework in the shower/tub area, Jacuzzi tub in the main bath. Spacious master bedroom with walk in closet, nice light in bedrooms because of being the end unit. The lanai can be accessed from both the master bedroom and the living room. Sunsets are great to watch from the lanai. CLUB AT CRYSTAL LAKE I DESC OR BK 1725 PG 2310 PH 1 BLDG 16 UNIT 21
FM17 - Fort Myers Area
Listing Office: Gulf Waters Realty & Rentals | MLS ID#: 216039895
, Fort Myers, FLList Price: $139,900 | Bed:2 | Bath:2.00
FM17 - Fort Myers Area
Listing Office: Cape Realty Inc Cape Realty | MLS ID#: 216047262
, Fort Myers, FLList Price: $129,900 | Bed:2 | Bath:2.00
FM17 - Fort Myers Area
Listing Office: Century 21 Selling Paradise | MLS ID#: 216032613
8514 Charter Club, Fort Myers, FLList Price: $125,000 | Bed:2 | Bath:2.00
Just minutes to Lakes Park, Fort Myers & Sanibel Beach, Shopping & Dining . Freshly painted ~ Brand NEW carpet & lighting throughout. Enjoy the separate family & adult Heated Swimming Pools , Sauna's, Jacuzzi, Fishing Dock, Walking Path around the lake & beautiful tennis courts. Low Maintenance fees include Insurance, Water, Pest control, Lawn care and Cable . This is a hidden gem & is easy to show & priced to sell! CLUB AT CRYSTAL LAKE II DESC OR BK 1835 PG 1449 BLDG 15 UNIT 4
FM17 - Fort Myers Area
Listing Office: Century 21 Tri Power Realty | MLS ID#: 216040736
, Fort Myers, FLList Price: $115,000 | Bed:2 | Bath:2.00
The club at crystal lake ,a 2 bedroom 2 story unit next to the adult pool . CLUB AT CRYSTAL LAKE II DESC OR BK 1835 PG 1449 BLDG 18 UNIT 7
FM17 - Fort Myers Area
Listing Office: Brighton Realty & Management L | MLS ID#: 215047548
, Fort Myers, FLList Price: $99,900 | Bed:2 | Bath:2.00
This is a great community in a great part of town. It is an upper unit, which has vaulted ceilings for a very open feel for the sq. ft. Nice size kitchen with great view out the back lanai. This is a two bedroom, two bath condo that has a very nice layout. Unit is in need of some updating, but has an a/c that is less than 2 years old and still under warranty. The tennis courts are very close to enjoy the beautiful florida weather. Both pools are heated with hot tubs to enjoy even during the winter months. This is a much sought after location, close to all the beaches. CLUB AT CRYSTAL LAKE III DESC OR BK 1911 PG 3086 BLDG 21 UNIT 9
FM17 - Fort Myers Area
Listing Office: Cape Realty Inc Cape Realty | MLS ID#: 216005049


text:
September 24, 2012
No answer yet
Scottish highlands... Or anywhere in Italy. =)
Fairly new to the Pacific NW. Originally from southern California. Looking forward to getting out and seeing all the beautiful places the PNW has to offer...
Meetup members, Log in
By clicking "Sign up" or "Sign up using Facebook", you confirm that you accept our Terms of Service & Privacy Policy


text:
I wore this outfit over a week ago as you can see in the pics for the Belle Butters natural hair sweet meet and greet. I wanted to share my great finds! This 1970′s bow tie blouse was only $6 at my local Salvation Army. Don't sleep on the section with the grandma and church(…)
25 Ways to Wear A Scarf in 4.5 Minutes!
Fatima's Flowers
Growing up, my father decided to pursue a family run program for the improvement of our neighborhood. Alone, my family and I turned the neighborhood into a paradise. We attracted exotic butterflies, birds, and positive energy that seemed foreign to the complex and this beauty lasted for many Summers. It was then, 10 years ago,(…)
Urban Bush Babe Jorian
Tell us your name and where you are from? My name is Jorian, and I'm from Toronto, Canada. I'm of Jamaican background, both my parents are Jamaican. How long have you been natural? I started transitioning in March of 2009 and I cut my permed ends in June of 2010. So I've been completely(…)
Thrifting Beads Wood and Leather
Click Read More/Comment for additional pictures. Wood and leather are two of my most favorite materials to play with when it comes to dressing up and maybe that has something to do with my earth element of my astrological sign which is a Taurus but wait, this is not where I wanted to go with(…)
Sunday Style
Click Read More/Comment for additional pictures. Photos via Blackandkillingit, HeyFranHey, hi-imcurrentlyobssessed and EveryBodyDies. Just some Sunday morning inspiration. 1 2 3 4 5 5 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 Which looks are your favorites?
Vintage & Thrifted: 70s Top w/Brown Huaraches
Ohhhhh…as Fall is approaching I am having a bit of the blues. This outfit is my last summery outfit until next year :(. Its simple, but I had to share my great finds! This 70s style top was thrifted from Beacon's Closet for $6 and the Huaraches for $18.
Saturday Style Galore
Click Read More/Comment for additional pictures. Photos via: heyfranhey, NaturalBelle, blackandkillingit, blackfashion, hi- imcurrentlyobsessed, fuckyeahnaturalhair, fuckyeahcurlscurlscurls. No matter what your style may be here is a bit of some Saturday style to hopefully inspire. Whether your days will be relaxing and calm or crazy and adventurous have a great and fulfilled weekend everyone:) 1 2 3 4(…)
Layering:Going from Summer to Fall via Freepeople
Urban Bush Babe: Kimberly Sumner
Tell us your name and where you are from? My name is Kimberly Sumner and I'm from Maryland. How long have you been natural? I've been natural for about 3.5 or 4 years. I started transitioning in the summer of 2007 by wearing Nubian Twists and wore my hair that way for a little(…)


text:
My django app saves django models to a remote database. Sometimes the saves are bursty. In order to free the main thread (*thread_A*) of the application from the time toll of saving multiple objects to the database, I thought of transferring the model objects to a separate thread (*thread_B*) using
collections.deque and have *thread_B* save them sequentially.
Yet I'm unsure regarding this scheme.
save() returns the id of the new database entry, so it "ends" only after the database responds, which is at the end of the transaction.
django.db.models.Model.save() really block GIL-wise and release other python threads during the transaction?


text:
Today's Devotional
Tongues AfireWhen have you recently endured the wound of another person's words?
Let's Make ItFacebook official!
Top Music Videos
laroux Video Channel
- Channel Views: 1,283
- Total Upload Views:
- Subscribers: 2
- Joined: October 01, 2010
- Last Visit Date: 2010-10-26T17:28:50
i am selfish,and immature. i love allyson McCoy.i am addicted to reese pieces. i hate labels. i love ff5 and metrostation.
There is no content for this section
No media found for the current search criteria.


text:
Do you understand?
October 16, 2015 · Print This Article
I was standing with Rolando, looking at ¿por qué no fui tu amigo?, a solo show by Daniel Aguilar Ruvalcaba, curated by Chris Sharp, currently on view at Kurimanzutto, in the rear gallery. We were looking at an array of audiovisual equipment — rechargeable batteries nestled in their recharger, an audio recorder, a printer, a hard drive, an iMac, a mouse, a keyboard, a couple GoPros, some stands for cameras or audio, headphones, and so on — on the floor of the gallery, against the smooth white walls. Rolando was telling me, pointing to the thick-stock, laminated gallery notes he was holding — he had the ones for Aguilar Ruvalcaba's show, I had the ones for Minerva Cuevas's show, in the main gallery — that the equipment had been used to shoot a video, that would later be shown elsewhere, and that now it was for sale on MercadoLibre, the eBay of the Spanish- and Portugese-speaking world. I was saying something stupid about how great of a MercadoLibre photo it probably was, or was going to be, when a gallery attendent walked in and asked us, in Spanish, "do you understand?"
In his later writing, Roland Barthes employed the figure as an organizing element. In each figure, anecdote, history, and philosphy collide, usually with notes in the margin about where they are from: Symposium, Taoism, Werther, A.C. Barthes describes the figure beautifully, longingly, as "what in the straining body can be immobilized," something that sticks in the memory, but is somehow incomplete, something that we catch in a moment, "insofar as we can recognize." The figure is necessarily incomplete, and in its incompleteness foregrounds that which suspends it. For me, this is the best way, or perhaps the only way, to talk about ¿por qué no fui tu amigo? There are three figures in the show: first, an ad in the newspaper am, distributed in the state of Guanajuato, in central Mexico; the second, two white-backed counterfeit bills, one MX$100 and one MX$200, each folded as if it were a tiny book; the third, the audiovisual equipment set up for a prosumer photo that Rolando and I were standing in front of when the attendent walked in. The blunt visual presentation of each figure—everything looks like exactly what it is—bounces attention away, into the notes or the guided presentation, teasing, cajoling, or maybe just forcing the viewer to learn about the various trajectories and interpretations that each figure strains between. It is in this learning that each figure becomes more complex, begins to blur, and the beauty of the show emerges.
The show is arranged in narrative order, beginning with an the ad in the newspaper am, which is distributed in the state of Guanajuato in central Mexico, where Aguilar Ruvalcaba is from. The ad originally appeared in am on December 31, 2014; and January 2 and 3, 2015. This is the first context in which the ad appears, and the first public to whom it appears. This public, people in the state of Guanajuato who purchase am for MX$10 and have an interest in the classifieds, viewed the ad in its original context, as an ad. At this point, being viewed by the classifieds-reading public of Guanajuato, the ad is not an artwork, it is an ad. It does not matter, at this point, that Daniel Aguilar Ruvalcaba, an artist, has printed this ad, hoping to use it as the starting point for a body of artwork. It does not matter that Daniel's father, Juan Manuel Aguilar, owed a debt to BBVA-Bancomer, nor that Daniel has recently received a grant for emerging artists from BBVA-Bancomer. It does not matter that Daniel has decided to use this grant from BBVA-Bancomer to try to pay off somebody else's debt to BBVA-Bancomer, more specifically somebody else named Juan Manuel Aguilar, not a particularly uncommon name. The ad is constricted by its context, in the paper, spread across somebody's lap, or a table, or a bar, maybe rolled up in a ball and stuffed under the grill to get the coals going. Maybe a few people in Mexico City knew about the ad, knew about it as an artwork, but am is not distributed in Mexico City. They couldn't help. The classifieds person-seeking ad, though, is a sort of visual-literary form, and this particular ad is interesting within that form. It is situated in tense relation between the sort of extortion schemes typified by the Nigerian prince e-mail, self-help product advertisements, and missing persons advertisements. Especially here in Mexico, where extortion, phony aspiration, and disappearance are all common, sometimes compounded into one: a few months ago I read that cartels often use the form of the aspirational ad—"this job could change your life!" sort of thing—to lure people into building tunnels, transporting goods, etc, for them, usually killing those hired once the job is done. Importantly, these are qualities available to any person in Mexico reading the classifieds; it is not necessary to be part of any sort of art-appreciating public to see any of these relationships. These are qualities the ad holds as an ad, and nothing more. Indeed, this is one of the things most engaging about ¿por qué no fui tu amigo?, how deftly it engages everyday visual forms without hiding behind a mask of faux-irony.
Then Juan Manuel Aguilar called. As the story goes, Juan Manuel Aguilar had two debts, a large one and a small one. The artwork could be created: the fake bills are printed in an edition to match the large debt of Juan Manuel Aguilar, and will be sold for an equivalent amount of real bills to an heir to the BBVA-Bancomer fortune; the audiovisual equipment could be purchased and used to shoot a video, supporting the provision of the BBVA-Bancomer grant that asked for part to be used in "production." Finally, the ad could appear in its second context, in the gallery. In the gallery, the ad, which is no different than the nearly 50,000 ads printed in the three days of am's production, is an artwork, in limited edition, presented to an artworld audience by a gallery attendent who explains it as such. Here it exists in relation to a history of artworks that have appeared in public newspapers, and here it holds a different kind of significance, a different sort of interest. Whereas many artistic interventions into public newspapers involve some degree of poetry, symbolism, or irony, this ad seeking people named Juan Manuel Aguilar who owes a debt to BBVA-Bancomer is exactly that, an ad seeking people named Juan Manuel Aguilar who owes a debt to BBVA-Bancomer. The "general" public, the ficitional public invented by all specialized fields to designate all those who are not in that field, who are assumed to receive something "beneficial" from art, often tied to antiquated ideas of enlightenment or genius, receive nothing. Juan Manuel Aguilar, one particular Juan Manuel Aguilar who decided, against the odds, to call, receives debt relief. This is also not aspirational—"just try!"—for if Daniel were a cartel, Mr Manuel would likely be dead.
Indeed, in the gallery, towards an artworld audience, the ad is almost hostile. There is nothing beautiful about it, there is no evident hand of genius. It does not neatly tie in with global discussions of any sort, being tied inextricably to two individuals, both named Juan Manuel Aguilar, to a Mexican financial institution, BBVA-Bancomer, to the particular local strangeness of BBVA-Bancomer giving grants to emerging artists. The ordinariness of the ad—sure, it's a little weird, but it's definitely not a piece by Jenny Holzer, you know? it makes no effort to explain or contain itself, it doesn't get deep and it certainly isn't universal—bounces the viewer's attention elsewhere. This, I suppose, is where the notes and/or the explanation comes in: they are necessary to see the work. They are necessary to see the ad straining between its trajectories between the newstand and the grill as 50,000 papers, the newstand and the gallery as a limited edition, the newstand and the collector's home, the newstand and the homes of any number Juans Manuel Aguilar; straining between being unread and unnoticed in print or presented online with the importance accordant to one of more important galleries of Mexico City; being interpreted by the concerned parents or fried or lover of one Juan Manuel Aguilar as a bad idea, don't call, you've heard about this kind of thing, and another very different Juan Manuel Aguilar as perhaps not so bad an idea, why not give it a try?
Each figure in ¿por qué no fui tu amigo? is like the first, straining in some way between locations, trajectories, interpretations, their mundanity initially deflecting attention to the web of possible trajectories and probable interpretations suspending them in their current position, making them shiver and blur. I am tempted to call this contingency "radical," but of course it isn't, it is a very mundane, very commonplace contingency. In their mundane contingency, the figures that comprise ¿por qué no fui tu amigo? reflect the daily strain of most objects and most bodies, caught in a momentary, yet brutally constricting, context, straining anonymously towards the next.
Nitty Gritty
October 8, 2015 · Print This Article
The Chicago Artists Coalition is proud to present Nitty Gritty, a HATCH Projects exhibition of new works by Alejandro T. Acierto, Kayla Anderson, and Blair Bogin, and curated by Sadie Woods.
Nitty Gritty features artists who examine the modus operandi of ritual, preservation, and paradoxical longings through sculpture, sound, photography, video, and installation. Through these works, concerns of the social, ecological, and alternative practices come to light.
Exploring the significance of the human voice as a communicative tool, Alejandro T. Acierto considers narratives of marginalized identities and histories through the use of breath. As a play on futuristic archaeology, Kayla Anderson stores organic objects in acrylic reliquaries as a speculation on the contradictory practices of environmentalism and preservation. Blair Bogin generates documentary-based combinations of photography, video, and writing with a series of interpretive astrological charts, where esoteric divination meets folk psychology. In this work, Bogin narrates her life to accentuate individual characteristics with poetics, humor, and an aptitude for expression.
Acierto, Anderson, and Bogin query notions of community, survivalist cultures, and identity formation in the exhibition, Nitty Gritty. You are cordially invited to attend the opening reception on Friday, October 23 from 6 – 9pm. Participating artist Blair Bogin will host her monthly Wax Long, a full moon storytelling event, at the Chicago Artist Coalition on Monday, October 26 from 7 – 9pm.
WAX LONG / Hunter's Moon (in Taurus)
A night of bare hands, blood and blades for food, recreation or trade under full HUNTER'S MOON. This month featuring scary tales and performances by local artists, acrobats & unexpected apparitions.
Gathering in various apartments, venues, urban farms and parks around the city of Chicago, Wax Long invites the community to share personal stories, found folklore or performances that coincide with the seasonal themes of the full moon. If interested in ever hosting or telling tale, email email@example.com
Alejandro T. Acierto is an artist and musician working in time-based media. He has exhibited his work at the Film Society of Lincoln Center, Issue Project Room, Participant, Salisbury University, SOMArts and presented performance works at the Brooklyn International Performance Art Festival, Center for Performance Research, Center for New Music and Technology, and Slingshot Festival for Music, Art & Technology. Acierto has held residencies at Skowhegan School of Painting and Sculpture, Virginia Center for the Creative Arts, Banff Centre, and High Concept Laboratories. He is currently a 2014-15 HATCH Projects artist-in-residence and a 2015 FT/FN/FG Consortium Fellow at the University of Chicago. Acierto received his undergraduate degree from DePaul University, a MM from Manhattan School of Music, an MFA in New Media Arts from University Illinois at Chicago, is a recipient of the Kranichsteiner Musikpreis at the Darmstadt Festival for New Music, and founding member of contemporary chamber orchestra Ensemble Dal Niente in Chicago.
Kayla Anderson is an interdisciplinary artist and writer. She received her BFA with dual emphasis in Film, Video, and New Media and Fiber & Material Studies in 2013 and her BA in Visual and Critical Studies in 2014 from The School of the Art Institute of Chicago. Her work has been exhibited in venues throughout the United States and abroad including Currents International New Media Festival, West Virginia Mountaineer Short Film Festival, Regis Center for Art,; Detroit Center for Contemporary Photography, Grey Projects, N?i Projects, Johalla Projects, Tritriangle, Woman Made Gallery, The Nightingale Cinema, and the Museum of Contemporary Art. Her writing has been published by Leonardo Journal & MIT Press and presented at SIGGRAPH 2014, SIGGRAPH 2015 and the Interdisciplinary Humanities Center at the UCSB. Anderson is a 2014-15 HATCH Projects artist-in-residence, a 2015 Visual Arts Fellow of the Luminarts Cultural Foundation, and recently completed residencies at ACRE and Elsewhere.
Blair Bogin is an interdisciplinary artist living in Chicago. She earned a BA from Indiana University Bloomington and an MFA from the School of the Art Institute of Chicago. She is founder and host of Wax Long, a full moon performance event in Chicago, Illinois. Additionally, she conducts Circle for Square, a pop-up community art space at the Logan Square Farmers Market. She is a William Merchant R. French Fellowship recipient, a 2015 Edes Foundation Fellowship Nominee and a recent artist-in-residence at HATCH Projects, ACRE, Elsewhere Museum, Ox-Bow, Platte Forum Colorado, Spread Art Detroit & Hub14 Performance in Toronto.
Sadie Woods earned her BA in music at Columbia College. She participated in Ecole du Magasin's international curatorial program in France, received a Visual Arts Certificate from the University of Chicago Graham School, and has exhibited work at Anchor Graphics, Chicago History Museum, City of Chicago, and Hyde Park Art Center. Woods has performed nationally and internationally as a deejay for cultural institutions and tastemakers 3Arts, 6018North, Alliance of Artist Communities, Audience Architects, Chicago Cultural Center, EXPO, Chicago Humanities Festival, Chicago Public Art group, Jane Addams Hull-House Museum, Magasin-CNAC, Make Music Chicago, Marwen, Museum of Contemporary Art, National Museum of Mexican Art, Ragdale Foundation, Rebuild Foundation, Reva and David Logan Center for the Arts, and the School of the Art Institute while holding residencies throughout Chicago. Woods is a 2014-15 HATCH Projects resident curator and is currently pursuing her MFA in Sound at the School of the Art Institute. Her practice includes exhibition making, theater sound design, and participation in collaborations within communities of difference.
Kim Jong Un Americans
October 8, 2015 · Print This Article
The Chicago Artists Coalition is pleased to present, Kim Jong Un Americans, a solo exhibition with new works by BOLT Resident, Aram Han Sifuentes.
Rumors had it that on March 26, 2014 Kim Jong Un issued a mandate to make all North Korean men to wear the same hairstyle as the Supreme Leader, himself. His haircut is specifically known as the "Chinese Smuggler". North Korean state-sanctioned haircuts serve as a way to keep out Western influences. Come get your own free Kim Jong Un haircut or hairstyle from our professional hair stylist. For the opening cuts and styles will be offered on a first-come, first-served basis. Afterwards, get your photo taken and we'll add your image to the growing collection of Americans sporting North Korean's newest fashion trend.
Aram Han Sifuentes is a social practice fiber artist and works closely with Chicago-based non-profit organizations, community centers, and public schools to facilitate workshops for immigrant communities. She has exhibited her work nationally and internationally. Her solo exhibitions include "A Mend" at Hollister Gallery in Wellesley, MA, and her workshops include "Immigrant Takeover" at the Center for Craft, Creativity and Design in Ashville, NC, and "US Citizenship Test Sampler" at the Smithsonian Institution. She is also a DCASE grant and Puffin Foundation Ltd grant recipient. Han earned her BA in Art and Latin American Studies from the University of California, Berkeley in 2008, and her MFA in Fiber and Material Studies from the School of the Art Institute of Chicago in 2013.
September 24, 2015 · Print This Article
We as Bad at Sports have mourned mentors, friends, and family here, but we have never had to mourn one of us.
Jeriah Hildwine was a complex member of Bad at Sports and his "take" on the issues we approach was often divisive, but we all respected and never questioned his commitment, enthusiasm, and the tenacity he showed. He never did anything in half measures whether you agreed with him or not.
We will all remember and honor his standard of engagement with art and the world, a standard that few could match.
Tonight we raise a glass to a comrade who lost his way.
Suburban Milwaukee Saturday Night Fever
September 24, 2015 · Print This Article
Guest post by Lise Haller Baggesen
On Saturday September 19th –while Chicago was hustling and bustling with all things EXPO—the Suburban opened the doors to its new Milwaukee location.
Housed in a former Laundromat, which had suffered a total burnout leaving only the carrying structures intact, the property has had a gut rehab –Brad Killam style—and presents as a fresh, clean slate. Above the gallery is an apartment inhabited by de-facto gallery directors Alexander Herzog and Rosa DiSalvo-Herzog, who will be running the daily business of the space, as well as welcoming out-of-town artists in the residency upstairs.
With its large storefront right onto a street corner, the new Suburban vibe is less that of a backyard BBQ (sadly, Brad's brats were missing), and more of a Mom & Pop Store of all things minimalist.
The works on show, by Scottish artist Fergus Feehily, were just that, as well as ethereal, elusive and cheeky –and as Michelle Grabner points out "not at all generous in the way Milwaukee is used to."
This was more than made up for in the in the adjoining alleyway, which doubled as the site of Paul Drucke's contribution to the 2015 Terrain Biennial –a pleasant reminder that you can take the Suburban out of Oak park, but you cannot take Oak Park out of the Suburban. A plaque on the wall baptized it "Angelique Roy's Passage" and the narrow space set the perfectly confined stage for a "Gangway Performance" featuring Joshua Bellow, Margaret Noodin and Laura Hunter.
As the evening progressed, and police officers on bicycles watched from across the street, a mellow crowd of art students and weathered Suburbanites co-mingled outdoors and in, and neighbors stopped by to say hello. After hours the party proceeded to a nearby craft brewery featuring a homegrown DJ, organized by Green Gallery's John Ripenhoff, but this was where I had to hit the road back to Chicago.
I made it home before midnight, and to all of you Chicagoans who used to be Suburban regulars, I will say: it is really not that far. So, if the post EXPO blues is getting you down, head North for some Suburban Saturday Night Fever!


text:
April 15, 2012
I am available in the friday morning and nights. Mon, Tues, Wed, Thurs, Sat, Sun those days I am available depending on the scheduling from school and work. My schedule is always flutuating so it hard to know. But I do get a week notice though.
Ne Philly and maybe cherry hill is a good place to network.
Sometime depends where is the location at and enjoying interacting people you just know or know for awhile.
I am not sure. I am okay with any industries. It is always a great opportunity to learn others occupation.
My name is George. I am vietnamese and chinese. I like to play sports, gym, and hanging out with friends.
Meetup members, Log in
By clicking "Sign up" or "Sign up using Facebook", you confirm that you accept our Terms of Service & Privacy Policy


text: Well, after a game of Poker Night at the Inventory, I got this idea... Pokermon Basic Rules (Move your mouse to reveal the content) Basic Rules (open) Basic Rules (close) 1. Basic rules -The game is essentially a no-limit Texas hold-em tournament, mixed with a little bit of pokemon battling. -5 players, 1 pokemon each, said pokemon can't be used for anything else while in this roleplay -3 day DQ -Each player starts with $5000 -Minimum raising amount is twice the calling amount except if it results in going all in; No limits on the maximum -Blinds start out at $25, $50, and double every 5 hands -Jokers may be used as wild cards if the ref so chooses; however, keep in mind that natural hands always trump wild ones -Last player standing wins! Poker Flow (Move your mouse to reveal the content) Poker Flow (open) Poker Flow (close) 2. Poker flow 2a: During the first hand, RNG which player becomes "dealer". The player before the dealer will be the one to pay the big blind, while the player before him will pay the small blind. 2b: At the start of the hand, the ref will RNG 15 cards. The first ten will be divided amongst the players (two to each), who will recieve said cards via PM. The remaining five will be withheld as the community cards. 2c: After the blinds are paid, the "dealer" will begin the first cycle of play. Players may call (starts off equal to the big blind), raise, fold or challenge another player (see challenges) during their turn. Raising (and/or betting in subsequent cycles) will break said cycle and begin it anew with the next immediate player. A cycle will be completed when all players have either called, checked or folded. -If the first cycle does not get broken at any point, the small blind payer may call for half the normal amount, while the big blind payer may check instead. 2d: When the first cycle reaches completion, the ref will reveal the first three community cards (the flop), and the second cycle will begin 2e: During the second cycle, players may check, bet, challenge or fold, provided the cycle is not broken. In such a case, it would be call, raise, challenge or fold. This applies to the third and fourth cycles as well. 2f: When the second cycle reaches completion, the ref will reveal the fourth community card (the turn), and start the third cycle 2g: After the third cycle reaches completion, the ref reveals the fifth and last community card (the river), starting the fourth cycle. 2h: At the end of the fourth cycle, all remaining players reveal their cards. Whoever has the best five cards wins the hand, and the pot. Any losing players who have no money left are eliminated from play. -The types of hands are, from weakest to strongest: High card (single card of the highest number, ace is highest), pair (two cards of the same number), two pair (self-explanatory), three of a kind (three cards of the same number), straight (five cards in numerical order), flush (five cards in the same suit), full house (three of a kind and a pair), four of a kind (four cards of the same number), straight flush (straight of the same suit), and royal flush (straight flush where cards are 10, J, Q, K and A) 2i: The next hand begins. The "dealer" and blind payers all move ahead one, so the previous "dealer" would now pay the big blind, and the previous big blind payer would be the small blind. Challenges (Move your mouse to reveal the content) Challenges (open) Challenges (close) 3. Challenges: Each player may, once during the hand, issue a challenge to another player. The tournament is then interrupted for a pokemon battle under the following conditions... 1v1 singles 2 substitutions All abilities (except any abilities that involve healing in any way) No recoveries/chills No items Arena: Giant Poker Table (essentially ASB arena; anything goes) 3a. The battle only lasts for a single round, and the winner is determined by whoever dealt the most damage. 3b. Status and energy are completely restored at the end of a challenge, but HP is not. At the end of each hand, all pokemon recover up to 10 HP each. 3c. If the challenger wins, he may choose to check for this turn, even if he normally couldn't. If the challengee wins, he gets this same treatment on his next immediate turn. In either case, the loser automatically folds. If the challenge ends in a draw, both players fold. If said players are the last in the hand, the pot is split between them instead. 3d. If a challenge ends in a KO, the trainer with the KO'd pokemon not only loses regardless of damage, but is also eliminated from play, forfeiting the rest of his money to the winner. Any money he may have bet during the hand remains in the pot. If the challenge ends in a double KO, both players are eliminated, and their money all goes into the pot. If this happens between the last two players in the hand, said pot is split between the remaining players. If this happens between the last two players in the game, both players get second place (see prizes). 3e. A player cannot refuse a challenge, except under at least one of the following conditions: -The challengee is all in -The challengee has already been challenged once during the hand (though he may issue a challenge of his own without restriction, provided he hasn't already) -The challenger has already issued a challenge once during the hand (though he cannot refuse being challenged himself, provided he hasn't been already) Prizes (Move your mouse to reveal the content) Prizes (open) Prizes (close) 4. Prizes 4a. Prizes are awarded to a player when he is done playing, whether that be elimination or winning the tournament. 4b. For each challenge fought, players gain 1 CC, and his pokemon gains 1 EC, 1 DC, 1 MC and any applicable KO counters. If EC and DC are both maxed (or otherwise not applicable), the player's pokemon gains 2 MC instead. 4c. Moreover, the player will gain a certain number of counters depending on where he placed. The rewards are as follows: -1st place: 20 CC, 10 UC -2nd place: 15 CC, 5 UC -3rd place: 10 CC -4th place: 5 CC -last place: 2 CC 4d. Referees get a flat 5 UC at the end of the tournament. Furthermore, they gain an additional UC once every three hands, and each challenge overseen will procure a UC as well. Questions? Criticisms? Bashings?


text:
24 Effortless Recipes with Cake Mix eCookbook
Bonus: Get our newsletter & special offers for free. We will not share or sell your email address. View our Privacy Policy
Chocolate Walnut Torte
We are adding the recipe to your Recipe Box.
This was added to your Recipe Box.
Click here to view your Recipe Box.
- 7 ounces chocolate, chopped
- 1 2/3 c walnut pieces, ground in food processor
- 1/2 c butter
- 3/4 c sugar
- 4 yolks
- 4 whites, beaten until stiff
- 1/4 c sugar
- 4 ounces semisweet chocolate, melted
- 20-25 rose leaves
- 1 c cream
- 1 T sugar
- 1/2 t vanilla
- 1 ounce semisweet chocolate, chopped and melted
(serves 8). Butter, line with paper, butter and flour a 9" springform pan Heat oven to 300F. Cream butter. Add sugar and beat for 2-3 minutes. Add yolks one at a time. Stir in chocolate and walnut mixture using rubber spatula. Sprinkle sugar in egg whites, whisking until glossy. Fold into chocolate mixture. Transfer to springform pan, smooth top with spatula. Bake until skewer inserted in center comes out clean, about 60-70 minutes. Cool completely in pan. Remove ring, leave torte on pan bottom because it is delicate. Brush melted chocolate onto shiny side (leave some of stem uncovered) of rose leaves. Cool, refrigerate until set. Peel leaves away from chocolate. Whip cream in bowl set in ice water until soft peaks form. Add sugar and vanilla, whipping until soft peaks form again . Spread over top and side of cake, chill about 1 hour. Make paper piping cone and fill with melted chocolate, and pipe lines over top of cake. Or drizzle from a spoon. Arrange chocolate leaves around cake. Chocolate Almond Torte (variation of Chocolate Walnut Torte, nondairy if you use margarine) Replace walnuts with whole blanched almonds. Instead of cream and chocolate, decorate as follows: Cut 4-5 3/4" wide strips of cardboard, lay parallel on top of cake. Sprinkle confectioners sugar over. Lift off strips, shake off sugar. Lay back on cake on diagonal to sugar lines. Sift cocoa powder over cake. Remove strips.
Tags / Related Topics
Your Recently Viewed Recipes
Images from other cooks
Love these recipes? Get MORE delivered to your Inbox – FREE Click Here!
Report Inappropriate Comment
Are you sure you would like to report this comment? It will be flagged for our moderators to take action.
Thank you for taking the time to improve the content on our site.
My Recipe Box (0) View »
Something worth saving?
- SAVE your favorite recipes
- ADD personal notes
- GET fast cooking tips
Free eCookbooks
- 19 Wonderful Chicken Salad Recipes
- 27 Terrific After School Snack Recipes
- 28 Simple Slow Cooker Suppers
- 33 Hearty Slow Cooker Recipes
- 35 Chicken Casserole Recipes eCookbook
- 38 Best Soup and Hearty Stews Recipes
- 42 Quick and Easy Recipes
- 50 Favorite American Recipes by State
- Our Best Casserole Recipes: 19 Quick & Easy Casseroles to Try
- The Best Dinner Recipes, Delicious Desserts & More: 20 Must-Have Recipes
Our Newest Recipes & Articles
- German Chocolate Ice Cream Pie
- Butter Pecan Cake
- Red Velvet Pancakes with a Cream Cheese Glaze
- White Chocolate Dipped Ginger Cookies
- Peppermint Bark Cheesecake
- One Skillet Peach-Glazed Chicken
- Mermaid Tail Jell-O Cups
- Pokemon Inspired "Poke Ball" Cookies
- Baked Caramel Dipped Pears
- Candy Cane Truffles


text: FACEBOOKShare on FacebookTWITTERShare on TwitterShare on LinkedinShare by emailBusinessScientist... Not!By Sarah GardnerMarch 03, 2006 | 9:58 PMFinalists Ameen Abdulrasool (L), Gabrielle Alyce Gianelli (C) of USA and Stephen Schultz of Germany celebrate during the Intel International Science and Engineering Fair (Intel ISEF) Award Ceremony on May 13, 2005 in Phoenix, Arizona. The three finalists won the top student awards of the fair, the Intel Foundation Young Scientist Award, each recieving 50,000 USD scholarships. The Fair is the world's largest annual international pre-college science fair showcasing promising young scientists and inventors grades 9 through 12. Each year thousands of students participate in regional affiliated fairs to earn the opportunity to compete at Intel ISEF. - Photo: China Photos / (c) Getty ImagesFollow Sarah Gardner at @RadioGardner.


text:
Three Choirs Festival: Mahler Symphony of a Thousand
Saturday 30 Jul 2016, 7.45pm
Gloucester Cathedral
Selected by The Independent on Sunday as "The Face to Watch" in Classical Music 2013, the soprano Hye-Youn Lee was born in South Korea and now lives in London. She was a member of both Les Jeunes Voix du Rhin at the Opéra national du Rhin, Strasbourg, and of L'Atelier Lyrique at the Opéra national de Paris.
She made a triumphant London debut as Marie / La Fille du Regiment for Korn / Ferry Opera Holland Park in 2008, returning in 2009 as Musetta / La bohème.
Other engagements have included Lucia / Lucia di Lammermoor, Oscar / Un ballo in maschera and First Flowermaiden / Parsifal at the Opéra national de Rhin, Silvia / L'isola disabitata at the Opera Basse Normandie, Caen, and First Esquire / Parsifal at the Opéra national de Paris.
During 2010 / 2011 sang Cio-Cio-San / Madama Butterfly for Grange Park Opera 'Rising Stars' and Lisette / La rondine for Opera Holland Park, for which role she was awarded Best Female in a Supporting Role in the Opera Holland Park Audience Awards.
During 2011 / 2012, she made her debut at the Finnish National Opera as Lisette La rondine and sang an acclaimed Elettra / Idomeneo for Grange Park Opera. She recently returned to Grange Park as Blanche / Dialogues des Carmelites and for an Opera Gala with Joseph Calleja. Her future engagements further include Donna Anna / Don Giovanni for Bergen National Opera and Cio-Cio-San / Madama Butterfly for Scottish Opera.
Saturday 30 Jul 2016, 7.45pm
Gloucester Cathedral


text:
Tufts Technology Services
Learning CenterOur TTS training calendar has moved to a new home! Many of you have already used the Learning Center, but for those of you who have not, the Learning Center is an educational tool designed to fit all the training and professional development needs of Tufts University faculty and staff. Once logged in, click Browse the Library to find available classes, both online and instructor led. View Learning Plan will show you learning assignments or enrollments. And use the Quick Links to find instructor led training classes, online compliance classes or details about how to navigate around Skillport. The Learning Transcript is a record of your learning progress.
- Navigate to https://tufts.skillport.com/
- Log in with your Tufts Username and Tufts Password.
- Click Browse The Library.
- Under Tufts Training, click a category.
- To register for a class, click Details, then click Enroll. You will receive an email confirmation.
lynda CampusTufts University provides all students, faculty, and staff with access to lynda.com, an online subscription library that teaches the latest software, creative, and business skills through high-quality instructional videos. lynda.com is a powerful resource for just-in-time training. The Online Training Library provides access to thousands of hours of instruction for Tufts users, all free of charge, 24-hours a day. Go to lynda.tufts.edu to learn more!


text:
Tax Policy:
Health Insurance Tax Credit Participation Rate Was Low
GGD-94-99: Published: May 2, 1994. Publicly Released: Jun 1, 1994.
Additional Materials:
- Full Report:
(202) 512-4800
Pursuant to a congressional request, GAO provided information on the health insurance tax credit, focusing on how the tax credit affected low-income family participation rates.
GAO found that: (1) although it could not accurately estimate the size of the eligible population, Census Bureau and Internal Revenue Service (IRS) survey data show that about one-quarter of those individuals eligible actually claimed the health insurance credit in 1991; (2) health insurance subsidy participation rates may have remained low because IRS and other public assistance groups did not adequately promote the health insurance subsidy or the credit was not sufficient to encourage program participation; (3) low-income families with incomes above $10,000 were more likely to purchase the health insurance credit; (4) the health insurance credit reimbursed only a small percentage of taxpayers' reported health care costs; (5) in 1991, the maximum health insurance credit available was $428 and the average health insurance credit paid was $233; and (6) individuals and employers were not very responsive to health insurance subsidies.
Jul 7, 2016
Drug Shortages:Certain Factors Are Strongly Associated with This Persistent Public Health ChallengeGAO-16-595: Published: Jul 7, 2016. Publicly Released: Jul 7, 2016.
Jun 23, 2016
Defense Health Care:Availability and Quality Measurement of Women's Health Care Services in U.S. Military HospitalsGAO-16-596: Published: Jun 23, 2016. Publicly Released: Jun 23, 2016.
Jun 20, 2016
Federal Autism Activities:Agencies Are Encouraging Early Identification and Providing Services, and Recent Actions Could Improve CoordinationGAO-16-446: Published: May 20, 2016. Publicly Released: Jun 20, 2016.
Jun 15, 2016
Food and Drug Administration:Comprehensive Strategic Planning Needed to Enhance Coordination between Medical Product CentersGAO-16-500: Published: May 16, 2016. Publicly Released: Jun 15, 2016.
Medical Product Oversight:FDA Needs More Strategic Planning to Guide Its Scientific InitiativesGAO-16-432: Published: May 16, 2016. Publicly Released: Jun 15, 2016.
Jun 9, 2016
Medicare Fee-For-Service:Opportunities Remain to Improve Appeals ProcessGAO-16-366: Published: May 10, 2016. Publicly Released: Jun 9, 2016.
Jun 7, 2016
VA Health Care:Improvements Needed for Management and Oversight of Sole-Source Affiliate Contract DevelopmentGAO-16-721T: Published: Jun 7, 2016. Publicly Released: Jun 7, 2016.
Jun 3, 2016
VA's Health Care Budget:In Response to a Projected Funding Gap in Fiscal Year 2015, VA Has Made Efforts to Better Manage Future BudgetsGAO-16-584: Published: Jun 3, 2016. Publicly Released: Jun 3, 2016.
Jun 1, 2016
Medicare:Utilization and Expenditures for Complex Wheelchair AccessoriesGAO-16-640R: Published: Jun 1, 2016. Publicly Released: Jun 1, 2016.
May 24, 2016
Medicare Program:Continued Action Required to Address Weaknesses in Provider and Supplier Enrollment ControlsGAO-16-703T: Published: May 24, 2016. Publicly Released: May 24, 2016.
Looking for more? Browse all our products here


text:
FSU Students Participate in 2014 Appalachian Teaching Project
A team of Fairmont State University students has been awarded a $4,000 grant from the ARC as part of the 2014 Appalachian Teaching Project.
A team of Fairmont State University students has been awarded a $4,000 grant from the ARC as part of the 2014 Appalachian Teaching Project.
The Fairmont State University College of Science and Technology will host the West Virginia FIRST® LEGO® League (FLL) State Championship robotics tournament on Saturday, Dec. 6.
The event will take place at the Falcon Center and will be open to the public from 1 to 5 p.m. Saturday, Dec. 6. More than 1,000 people from across the state, including 46 student teams, are expected to attend.
The Fairmont State University School of Fine Arts offers a gift to Fairmont with a performance of "It's A Wonderful Life." Based on the classic holiday film starring Jimmy Stewart, director Troy Snyder has adapted the screenplay for Readers' Theatre.
The Town & Gown production runs Friday and Saturday, Dec. 5 and 6, at 7:30 p.m. and Sunday, Dec. 7, at 2 p.m. in the Wallman Hall Theatre. A maximum of six free tickets may be obtained by calling the box office at (304) 367-4240. Donations will be accepted to benefit the Fairmont State Student Food Bank, The Nest.
A Fairmont State University School of Fine Arts faculty member recently served as a visiting artist at two local high schools.
Art Department Coordinator Jeff Greenham demonstrated ceramic art at Lewis County High School and North Marion High School for more than 250 students.
Greenham discussed the importance of creativity in all fields, talking about the history of ceramics and his career in the arts.
The Fairmont State University School of Fine Arts Department of Music will present the annual Fete de Noel Holiday Concert at 7:30 p.m. Friday, Dec. 5, in Colebank Hall.
A dessert reception will begin at 7 p.m. Tickets are $10 for general admission; $5 for those age 65 and older, faculty and staff; and free for students. For more information, call the Box Office at (304) 367-4240.
A Fairmont State University class studying Caribbean culture will present a Folktale Carnaval on Thursday, Dec. 4, in the Multi-media Room A of the Ruth Ann Musick Library. The event will include two folktale performances from "Creole Folktales" by Patrick Chamoiseau, as well as music, images and refreshments.
The event will consist of two separate readings on Dec. 4, with "A Pumpkin Seed" beginning at 12:30 p.m., and "Madame Kéléman" and "The Rainmaker" beginning at 7 p.m. Admission is free and open to the public.
The Fairmont State University School of Fine Arts and Masquers theatre group join the lineup of worldwide organizations that will present readings of Caridad Svich's new play "Upon the Fragile Shore" on Monday, Nov. 17, as part of an "artivist" play reading and digital film action that explores human rights and environmental issues.
Two Fairmont State University Architecture students have been awarded scholarships created by a local architect.
The Mills Group, an architecture firm based in Morgantown, developed two scholarship opportunities for aspiring architects by providing memberships to the American Institute of Architecture Students (AIAS) program. The national organization is dedicated to inspiring, educating and providing networking opportunities for students interested in the building design profession.
A team of Fairmont State University students finished in second place in the Forensic Science Quiz Bowl competition at the Northeastern Association of Forensic Scientists meeting in Hershey, Pa.
Forensic Science majors Megan Collins of Mount Clare, Jackie Turner of Myrtle Beach, S.C., Jenn Clymer of Holicong, Pa., and Marley Snider of Paden City competed as part of the FSU team on Thursday, Nov. 6.
Fairmont State University will host a record number of future Falcons and their families for Fall Campus Visitation Day on Saturday, Nov. 8.


text:
No items listed at this time
View all 22 items 22 of 22 items
5 out of 5 stars
rlb1827 on Jun 20, 2016
5 out of 5 stars
Item as described and shipped in a timely manner.
Helga Bergen on May 10, 2016
5 out of 5 stars
Great and fast shipping! love them.
Dean on May 10, 2016
5 out of 5 stars
Very nice cutter piece. Will be strolling through again!
View all 138 reviews 3 of 138 reviews
Shop policies
Last updated on February 5, 2011
Hi, Thanks for stopping by. Many of my items are made using vintage/old recycled quilts and fabrics.
Accepted payment methods
- Money Order
- Check
Payment is requested upon purchase. If you are mailing payment, please let me know. I accept personal check, money order, and Paypal. Shipping will be held on personal checks until payment clears bank.
I ship within 3 days of payment. All items are shipped USPS with delivery comfirmation. Unless personal check, then I wait till payment has cleared bank. Insurance is optional but recommended. I can not be responsible for items without insurance once they have been mailed.
Refunds and Exchanges
Fabric, home decor items are non-returnable/refundable. Please be sure of your purchase and send me an email for any questions you may have. If I have mis-represented some item, please send me an email before leaving negative feedback. Thank you.
Additional policies and FAQs
All items are handmade by myself in my home or shop.


text:
Redemption Church
User Stats
Profile Images
User Bio
Redemption is a young growing Church in Plano, Tx. Everyone is welcome here, and there are no saints and sinners... just people who are coming in contact with Jesus. We hope you'll come visit us.
903 W. Parker Rd
Plano Tx 75023
Sunday Worship - 3:00p.m.
Connect Groups - Midweek


text:
Category page
11,252pages on
this wiki
this wiki
This category is for logos of real-life products and companies. To place something here use: {{Logo}}.
Pages in category "Logos"
Media in category "Category:Logos"
Posted in: Logo.svg
Posted in: Declansimons
Posted in: Capcom
Posted in: Ultorultor
Posted in: GTA4LIFE
Posted in: Entertainment Software Rating Board


text:
Libyan-U.S. Venture Waha Oil Co. Resumes Crude Output
Waha Oil Co., a U.S.-Libyan joint venture, resumed crude output at a rate of 16,000 barrels a day from two fields, representing 5 percent of its total production capacity, Libya's National Oil Corp. said on its website today.
The Tripoli-based company plans to raise its output to the maximum level "as soon as possible" after pumping crude from the Dahra and Samah fields, Libyan state-run NOC said.
Waha Oil was producing 350,000 to 400,000 barrels of crude a day before protests erupted against Libyan leader Muammar Qaddafi, roughly a quarter of the country's pre-crisis output. The company is 59 percent owned by NOC, with the rest held by ConocoPhillips, Marathon Oil Corp. and Hess Corp.
Libya, holder of Africa's biggest crude reserves, is currently producing more than 750,000 barrels a day. The North African country pumped 1.6 million barrels a day before the rebellion broke out in February.