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The Samsung Galaxy S6 was not the only smartphone to be announced by the Korean tech giant at MWC 2015, and as all the previous rumors predicted before the event commenced, the S6 was accompanied by a dual-edge counterpart dubbed the "Galaxy S6 edge".
Samsung's journey to implement multi-edge displays on its smartphones began with last year's Galaxy Note Edge, which was also unveiled next to its closest relative, the Galaxy Note 4. The aforementioned device, however, was only the first concept, and although interesting, it did received mixed reactions from the market.
The Samsung Galaxy S6 edge on the other hand, seems to have already gained more recognition than its "flat" counterpart, because this year, Samsung implemented the "edge" concept a bit differently. Rather than an awkwardly-placed edge that acts kind of like as an additional panel, the SGS6 edge uses its curved display in order to extend the "main" screen's functionality. This idea seems to have enjoyed a very positive reaction from consumers, so much so that Samsung is now reportedly considering the release of a dual-edge Galaxy Note 5.
Samsung Galaxy Note 5 to feature a dual-edge display?
During a press conference held Monday in Barcelona, the executive vice president of Samsung's product strategy team, Roh Tae-moon, said that the company is considering the introduction of such curved display in the future Galaxy Note line-up. The original Note Edge may have not been the hit Samsung was hoping for, but the SGS6 edge already seems to be more of an icon than the conventional Galaxy S6.
Samsung is certain that the SGS6 edge will sell better than the Note Edge before it, and that's because the dual-edge screen is more practical. With that in mind, it sure makes a certain amount of sense for Samsung to consider redesigning the Galaxy Note 5 in order to further push this apparently successful formula to the market, especially since, after all, it all began with the Note Edge.
Of course there's a lot that can happen between now and the next major Unpacked event where the Note 5 will most probably be unveiled, so we'll continue to keep an eye out for more clues regarding Samsung's plans on the matter. Stay tuned and we'll keep you posted.


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Mike Epps Confirmed for Richard Pryor Biopic Comedy king Mike Epps got to show off his serious acting chops… Read More
A fatal concert shooting led to a major firearms bust Sunday when rapper Young Jeezy and several tour employees were arrested on… Read More
Prince Announces Two New Albums Prince is back! Today, the music icon dropped a press… Read More
We are not "old Black" nor "new Black" we are ALL Black.
Some of the more powerful scenes last season rested on your shoulders; one of the more memorable ones involved you and Fitz in that interrogation… Read More
Nick Cannon has confirmed he and wife Mariah Carey are separated. "There is trouble in paradise," Cannon told The Insider… Read More
Tyson Beckford walks into Journelle, a quaint, sexy lingerie shop located on New York City's Upper East Side, surveys his surroundings and quickly… Read More
Last weekend, Apollo Theater trustee Ronald O. Perelman hosted a dinner and private concert at his East Hampton home to benefit the… Read More
B.o.B Drops "New Black" in Response to Michael Brown Shooting It seems more and more of the hip-hop community… Read More
G-Unit Addresses Michael Brown Shooting on "Ahhh Sh-t" G-Unit has officially joined the list… Read More
J. Cole Pays Respects to Mike Brown in Ferguson As evident in his music, if anyone cares about the social issues effecting… Read More
We are not "old Black" nor "new Black" we are ALL Black.
Vernon Reid Talks 30 Yrs of the Black Rock Coalition
Justin Adu Explains African Amedia
Beautifully Brown Grace Jones
Why Did Ben Carson Mock Police Brutality
Detroit's New Activist Generation

subset: commoncrawl


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Theatre News
Jez Butterworth
5 minutes with: Ian Rickson 'We're all there to realise the writer's wishes'
The director of Jerusalem's new show Evening at the Talk House has just opened at the National Theatre
Colin Morgan to star in The Pillowman?
By Ben Hewis
The Merlin star could be returning to the stage following his performance in Jez Butterworth's Mojo
Little Malcolm and His Struggle Against the Eunuchs (Southwark Playhouse)
By Matt Trueman
Clive Judd directs this 50th anniversary production, the first revival of David Halliwell's comedy in over a decade
Not a Game for Boys (King's Head Theatre)
By Matt Trueman
Simon Block's 'melan-comic' three-hander stars Bobby Davro
Mojo (Salford Arts Theatre)
By Helen Jones
Helen Jones may not adore the play itself but the exuberant performances more than make up for this, at Salford Arts Theatre.
Royal Court celebrates 20th anniversary of Jerwood New Playwrights
By Ben Hewis
The programme, which gives new writers the opportunity to produce plays in full productions on both Royal Court stages, has led to the discovery of some of theatre's most influential voices.
Mojo (White Bear Theatre)
By Amy Guyler
The new adaptation of Jez Butterworth's play is a "knockout"
The Winterling (Theatre by the Lake, Keswick)
By Stephen Longstaffe
This Pinter-esque piece is well done by Theatre by the Lake, says Stephen Longstaffe.
Hugh Jackman stars in Broadway transfer of Butterworth's The River
By Editorial Staff
Jackman will be joined in the cast by Broadway debutants Laura Donnelly and Cush Jumbo
Bennett's History Boys tops ETT poll, Stoppard and Butterworth also feature
By Editorial Staff
The popular 2004 play has been voted the 'Nation's Favourite' in a poll by English Touring Theatre


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So, what really drives you? It's an important question which psychologists have wrestled with and struggled to explain..
When it comes to getting into shape, it's important to adopt a holistic approach that focuses on the mind as well as the body. Here at MyFitness Club, we strive to take our clients on a healthy journey and ensure they're feeling and looking great. Whether you're looking for personal training or a general health and fitness club on the Gold Coast or Sunshine Coast, you've come to the right place.
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SELECTED from Bilbao is a space where you can discover, share and be inspired by the latest graphic trends from all around Europe. Over two days, SELECTED from Bilbao will supply all the creativity and inspiration you need. The festival takes place in Bilbao, the charming capital of Biscay, and invites attendees to participate in a programme packed full of activities: international artists, the Academic Lab, a round table, branding experts, exhibitions and lots more.
With new developments appearing every day, the future of the graphics industry is a mystery. Being up to date is a must for all graphic design and visual arts professionals. One of the main aims of SELECTED from Bilbao is to provide a relaxed environment in which participants can learn about the current situation, take part in debates, explore the relationship between companies and design, exchange ideas and share creative solutions with other professionals. Get geared up for the future!
SELECTED from Bilbao is pleased to announce that new features and new guest artists have been added to the programme. We would also like to inform all graphic design and visual arts professionals and students that we have just opened our CALL FOR ENTRY. Please don't forget to check our website regularly, as we have a lot of new content coming up.
Bilbao is the perfect place for an event like this. A vibrant city that has undergone a dramatic change from being an industrial city to being an innovative city open to culture, social movements and design. Awarded City of Design status by UNESCO in 2014, Bilbao is quickly becoming a European reference in design and culture.
We invite you to participate in the upcoming events and to discover everything that SELECTED from Bilbao has to offer you. We hope to see you all in November!


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EU court ruling paves the way for European music licensing
Should help content companies and artists
COPYRIGHT CARTEL the International Confederation of Societies of Authors and Composers (CISAC) has failed to get a European Commission ruling overturned at the European Union (EU) General Court that stopped it from imposing licences country by country.
The EU General Court, the second highest court in the European Union, delivered two rulings that could significantly change the way content providers do business in Europe. The court annulled a finding by the European Commission that CISAC and other licensing bodies were colluding to set royalty rates, but it upheld a previous European Commission ruling that forces rightsholders to offer Europe-wide content licensing deals.
The European Commission issued a decision in 2008 that said content producers such as song writers should be able to sign with any agency rather than specific agencies that are tied to European Union member states.
The EU General Court didn't give a reason for its decision, simply stating, "The General Court rejected the applications in so far as they sought the annulment of the Commission decision in respect of the membership and exclusivity clauses."
At present each EU member state has its own licensing body, meaning that content distributors such as Amazon, Apple and Google must negotiate separate deals in order to have complete European coverage.
The EU General Court said it overturned the European Commission's decision on collusion due to lack of evidence. In a statement the EU General Court said, "The [European] Commission, first, did not have documents proving the existence of concertation between the collecting societies as regards the territorial scope of the mandates which they grant each other and, secondly, did not render implausible the applicants' explanation that the parallel conduct of the collecting societies at issue was not the result of concertation, but rather of the need to fight effectively against the unauthorised use of musical works."
While CISAC scored one victory in that the European Commission failed to present enough evidence against it and other rightsholding organisations to prove collusion, the EU General Court's decision to give song writers the ability to deal with a single continent-wide copyright licensing body could make life a lot easier for everyone but CISAC and other rent-seeking copyright cartels. µ
INQ Latest
iPhone 7 release date, specs, price and rumours
Pre-orders to begin on 9 September with release to follow on 16 September
DDoS attacks rise 83 per cent in three months
Bunch of absolute DDoSers
Windows 10 becomes a fully-fledged paid product tomorrow as free offer expires
You really, really, really can't say you weren't warned, like, a billion times
Cortana removal will not be tolerated in Windows 10 Anniversary Update
Where is your browser ballot now, citizen?


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|Jim Manico <...@manico.net>
|Re: Cookies are broken in 6.0.16?
|Sun, 10 Feb 2008 16:44:12 GMT
Filip - you are 100% correct on this thread. Are you basically the traffic cop guarding the core of Tomcat? - Jim > Mark Thomas wrote: >> Remy Maucherat wrote: >>> Filip Hanik - Dev Lists wrote: >>>> Jim Manico wrote: >>>>> > I guess we could throw a run time exception if the value >>>>> contained any of those. other than that, I'm not sure how to behave >>>>> >>>>> I think this is the best case scenario for v0 cookies. Perhaps, if >>>>> you really want to get fancy, you can add a flag to let legacy >>>>> solutions roll back to the old/non-standard cookie handling >>>>> methodology? >>>> no, we wont do that. we fixed the cookie behavior in this release >>>> due to security issues filed against the old parsing. >>> >>> The security issue only exists because of a fundamentally broken >>> servlet in the examples, and assumes the user will click on a URL. >>> That's not what I call a security problem. >> >> The root cause of the issue wasn't the servlet in the examples. If it >> were, that servlet would have been fixed. >> >> The issue was a number of bugs/inconsistencies in the handling of >> cookie headers, particularly around quoting and unquoting which >> enabled XSS attacks in some instances. That said the issues were all >> hard to exploit and required the application to use user provided >> data directly as the cookie value. This was why these issues were >> rated as low severity. >> >> An enhancement request to log when Tomcat ignores/truncates a value >> or identifies some other issue when parsing cookies seems reasonable >> to me. > the thing is, the javadoc as very very clear on this, to create a v0 > cookie, and put == in the end, is obviously not good :) >> >> Mark >> >> --------------------------------------------------------------------- >> To unsubscribe, e-mail: email@example.com >> For additional commands, e-mail: email@example.com >> >> >> > > > --------------------------------------------------------------------- > To unsubscribe, e-mail: firstname.lastname@example.com > For additional commands, e-mail: email@example.com > --------------------------------------------------------------------- To unsubscribe, e-mail: firstname.lastname@example.com For additional commands, e-mail: email@example.com
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Rheumatic fever in Indigenous Australian children
Version of Record online: 20 SEP 2010
DOI: 10.1111/j.1440-1754.2010.01841.x
© 2010 The Authors. Journal of Paediatrics and Child Health © 2010 Paediatrics and Child Health Division (Royal Australasian College of Physicians)
Journal of Paediatrics and Child Health
Special Issue: Special Indigenous Health Issue
Volume 46, Issue 9, pages 527–533, September 2010
Additional Information
How to Cite
Parnaby, M. G. and Carapetis, J. R. (2010), Rheumatic fever in Indigenous Australian children. Journal of Paediatrics and Child Health, 46: 527–533. doi: 10.1111/j.1440-1754.2010.01841.x
Publication History
- Issue online: 20 SEP 2010
- Version of Record online: 20 SEP 2010
- Accepted for publication 20 May 2010.
- Abstract
- Article
- References
- Cited By
- child health;
- acute rheumatic fever;
- rheumatic heart disease;
- Aboriginal;
- Australia;
- Indigenous
Rheumatic heart disease (RHD) caused by acute rheumatic fever (ARF) is a disease of poverty, poor hygiene and poor living standards. RHD remains one of the major causes of childhood cardiac disease in developing nations. Within developed nations, there has been a dramatic drop in the prevalence of RHD because of the improvement of living standards, access to health care and the widespread availability of penicillin-based drugs. Despite a dramatic reduction of RHD in Australia overall, it continues to be a major contributor to childhood and adult cardiac disease in Indigenous communities throughout northern and central Australia. Currently, Australia has among the highest recorded rates of ARF and RHD in the world. The most accurate epidemiological data in Australia come from the Northern Territory's RHD control programme. In the Northern Territory, 92% of people with RHD are Indigenous, of whom 85% live in remote communities and towns. The incidence of ARF is highest in 5–14-year-olds, ranging from 150 to 380 per 100 000. Prevalence rates of RHD since 2000 have steadily increased to almost 2% of the Indigenous population in the Northern Territory, 3.2% in those aged 35–44 years. Living in remote communities is a contributing factor to ARF/RHD as well as a major barrier for adequate follow-up and care. Impediments to ARF/RHD control include the paucity of specialist services, rapid turnover of health staff, lack of knowledge of ARF/RHD by health staff, patients and communities, and the high mobility of the Indigenous population. Fortunately, the recently announced National Rheumatic Fever Strategy, comprising recurrent funding to the Northern Territory, Queensland and Western Australia for control programmes, as well as the creation of a National Coordination Unit suggest that RHD control in Australia is now a tangible prospect. For the disease to be eradicated, Australia will have to address the underpinning determinants of poverty, social and living conditions.


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If you have troubles since the update to WordPress 4.5 please read this post before opening a new thread.
My SQL database guy gave me the code so that this form works on the backend.
UI is a little off. The label is top aligned while the field is bottom aligned. How can I line the two up? Can I change the row height to align the two or can I change the label to top or the field to bottom?
The topic 'Formatting a table with specific backend' is closed to new replies.


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LOOK: Justice League Assembles in First Team Photo
Comic Books, Film
Comic Book Questions Answered – where I answer whatever questions you folks might have about comic books (feel free to e-mail questions to me at firstname.lastname@example.com). Here is a link to an archive of all the past questions that have been answered so far.
Today's question comes from Chris E. and it is a surprisingly good one (I don't mean this as a shot at Chris, just that I was surprised by how the answer is really not as simple as I first thought):
I really like Marvel's Guardians of the Galaxy, both the comics and the movie. I was recently reading the trades of the Abnett & Lanning run, and I started wonder:Exactly when did the Rocket & Groot friendship become a big part of their characterization? Now their friendship is a big part of their characterization, everyone associates them with each other, and they even share a series. But in the Abnett & Lanning run, they interact very little. Rocket seems to be closer with Star-Lord than anyone else, really. Is this something that originated with the movie, or are there some issues I'm missing?
Read on for the answer!
If you were to distill it down to its simplest form, the answer BASICALLY originates in the Starlord mini-series that led into Annihilation Conquest. Written by Keith Giffen and drawn by Timothy Green II and Victor Olazaba, the series features Peter Quill being enlisted by the Kree into forming a sort of "Suicide Squad"…
Two of the members are Rocket Raccoon and Groot…
In the second issue, we get basically the answer to Chris' question – Groot and Rocket Raccoon formed a bond while working together…
Later, Groot is seemingly killed and Rocket is quite upset…
Groot survived in smaller form, so Rocket became HIS ride…
At the end of the series, Groot is back to regular size, and now the team was set to move over to the main Annihilation Conquest (where they and Marvel's other heroes work together to fight a Phalanx Invasion led by Ultron).
Go to the next page to see Groot and Rocket's interaction in that series…
I liked the little back-and-forth sniping between Rocket and Groot in Giffen's 'Star-Lord' series. Sure, I like the 'I AM GROOT' Groot from the DnA issues onward as well, but Groot had some great lines in Star-Lord on account of being basically Dr. Doom in tree form.
Nice to see these pages. I wish Marvel would bring these trade paperbacks into print.
I also enjoyed seeing my gal Mantis in action.
interesting for always thought rocket and groot were just friends from the start of their team up or before they crossed paths with quil plus love seeing mantis back in action.
Count me as another one who likes seeing Mantis in action. Been a fan of hers since before Celestial Madonna.
Thirded on Mantis. She's become a bit of a punchline because of her speech pattern, but she's got such a varied background (Celestial martial artist?) she's always been an underused favorite.
Mantis is way underutilized in the current regime, she would make for a great addition in the next Guardians film, hopefully they go for her original skin color with the antenna and powers, I don't think there is a need to have two green babes on screen.
Personally, I was more disappointed that Bug was nixed from the team rather than Mantis. I'm assuming it wasn't over a rights issue due to his creation in the Micronauts series since he was an original creation not based on a toy and Marvel has used him numerous times since that series ended.
Wellman, I believe they've already cast Mantis for GotG2, so she'll be there in some color. Considering Drax is green too another color would be fine. (Though she probably won't be from Earth since Star-Lord is supposed to be the only human).
Pom Klementieff has been cast as Mantis in the new movie. Whoever that is. When I first saw her name, I read it as "Porn". But never heard of her. And have they announced who Kurt Russel will play?
Pom is has been acting in France, and Half-French-Russian and Korean (not Vietnamese) from French Canada, so seems like a pretty good fit for Mantis, even without the Vietnamese. Especially since she won't be anything earthly.
Not much on who Kurt would play, but it won't be Adam Warlock since the movie won't have Thanos or any gems.
I love that Groot and Rocket are so popular these days, but I kind of miss the way they and Peter were all presented back in this series. They've all changed considerably in look, voice, and tone, and it's just not as appealing as this take. In my opinion, anyway.
I haven't read Guardians since Thanos Imperative, but I thought the movie versions seemed pretty close to how the characters were in the DnA run. Don't tell me they made Drax dumb again, which is something he got over in his solo prior to Annihilation. That's probably the worst they could do.
I wasn't that fond of the movie characterizations in general.
As for Drax, whatever they do could be interesting. After the film was released, the story of the autistic kid that saw Drax as an autistic hero got fairly widespread coverage. Marvel might try to embrace that PR, or to ignore it, and either decision could end up turning out anywhere from good to a downright trainwreck.
When did Groot start speaking only "I am Groot?" He had lines in the Star lord mini series.
Wasn't the transition played off as a result of his temporary destruction? But I think it's been retconned so that he and his people always talked like that?
He went from being a floral Doctor Doom to Tree Chewbacca.
Comics Should Be Good accepts review copies. Anything sent to us will (for better or for worse) end up reviewed on the blog. See where to send the review copies.


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"camera indicates the correct exposure"
i am having trouble with my D40x. i have been reading a number of photo books that talk about getting a reading for the proposed shot and then adjusting either the fstop or shutter speed until the 'camera indicates the correct exposure'. how do you do that? how do i know what the D40x thinks is the best exposure? thanks.
#1. "RE: "camera indicates the correct exposure"" | In response to Reply # 0guitarmanjon Registered since 21st Feb 2007Wed 26-Mar-08 03:48 PM
I think the books may be suggesting you use the exposure meter to attain the "correct" exposure. I'm not sure about he D40x but in the D50 there is a little green exposure meter reading viewable in the view finder that shows +/- 2 stops exposure. In manual mode when there are no little green lines illuminated either side of the centre position of this meter this is what the camera thinks is the "correct" exposure. However, if you then move your camera slightly in the scene (and depending on the metering mode you are using) this read out might indicate an over/under exposure. If you're using any other mode (P,S,A) then the camera will alter the aperture (in S mode), shutter speed (in A mode) or both (P mode) for you to attain the "correct" exposure. What the camera thinks is the correct exposure is basically what it thinks will allow the correct amount of light onto the sensor for the given scene. It may be mathematically correct but not neessarily the image you are after.
A note: in M mode be aware that there are many combinations of aperture and shutter speed that will give the "correct" exposure. From the quote you give I'm going to assume you're reading Bryan Patterson's "Understanding Exposure". He goes into a bit more detail on this. I thoroughly recommend re-reading the sections of this book that may not make sense first time round. It took me a few goes and now I'm (a bit more) comfortable shooting in M mode using the meter and choosing the "creatively correct exposure". Although I have to admit I still shoot in A or S mode (or P for general photos) and use exposure compensation when I'm too lazy to shoot in M mode
I hope this helps. I'm sure you'll get plenty more responses to help you that offer better explanations than this one!
#2. "RE: "camera indicates the correct exposure"" | In response to Reply # 0MEMcD Nikonian since 24th Dec 2007Wed 26-Mar-08 03:55 PM
Hi Jordan,
The books that you are refering to are assuming that you have your camera set to Manual mode. When in manual mode you can use the cameras light meter to indicate when you have the propper combination of: ISO, Aperture, and Shutter Speed to capture an image. The combination of ISO, Aperture, & Shutter Speed should also be determined by the subject of the image. If you are shooting action you will want to use a fast shutter speed to freeze the action. If you are shooting a landscape you will want to use a small aperture (high f number eg. f/16 or f/22) to provide more DOF (Depth Of Field how much of the image will be in focus). If you are shooting in low light you will want to use high ISO (1600), if in bright light use low ISO (100 or 200).
You can also set the D40X in one of the auto modes P (Program; camera sets aperture and shutter speed), S (Shutter priority; you pick shutter speed camera adjusts Aperture), A (Aperture priority; You pick Aperture (f-stop), the camera adjusts the shutter speed) or one of the Flexible Program modes (Icons; Set the dial to the icon that best suits your subject and the camera will set the shutter speed and apeture based on the best combination of aperture and shutter speed for that specific activity. eg. sports mode: fastest shutter speed possible for lighting conditions, ect.)
Fill in your user profile and it will help us to help you. I hope this helps.
Best Regards,
#3. "RE: "camera indicates the correct exposure"" | In response to Reply # 0Scotty Nikonian since 07th Feb 2002Thu 27-Mar-08 05:53 AM
The camera doesn't actually pick the "correct" exposure it picks what the meter works out to be the optimum exposure for the scene. Only you know what is the "correct" exposure - it could be darker or lighter than the camera recommends; that is why we have manual over-ride.
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Try The Emotion Code here - release trapped emotions so the body can heal itself.
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Thanks in advance and my wife has stated you have her permission. Let the healing begin.
Anonymous Coward 4547295
THIS IS A FIRST - for me anyway
None of the emotions that surfaced were hers, they were all inherited. Which means, whoever initially experienced them, and whoever else in that genealogy line that inherited them are now free of them, or will be when the body processes them out.
I got that her immune system is functioning at 74%. Five INHERITED emotions surfaced to be removed which brought her immune system to full function: (this is just what I got, please verify if you dont mind)
from her Mom's Dads dads dads moms dad
from her Dad's Dad
from her Dad
from her Mom's dads dads dads dad
from her Dad's Dad
This is all her body wanted to release at this time, it needs to process.
Remember that a few days of processing will follow the release of trapped emotions and other energies. It is possible that you may have some symptoms of this, such as emotional ups and downs, vivid dreams, trouble sleeping or a bit of fatigue. If you do notice anything like this, don't worry, it's just part of the healing process and shouldn't last for more than a day or two.
I would really like some feedback on this one. Like from her, and any of her relatives...
thanks for getting her to volunteer, this was most interesting.
Wow, thank you msz. My wife will respond to you tomorrow since right now she is in bed with a migraine. The migraine seemed to start right around the time you did the reading. She has had issues with migraines and I hope the healing that you did will help. I am excited for her to respond to this and give you feed back. We will post sometime tomorrow. Thanks again. I really feel good about this and hope that the migraine is a sign that her release has started.
Anonymous Coward 4547295
Hi again msz,
We are responding together. She says she woke up with a headache and felt flat emotionally. Her friends noticed that she wasnt herself and asked her whats up. She said she felt mushy but the good part was she didnt care about anything. Nothing bothered her which is a change for the better for her. Wow, she is trying to get in touch with her siblings to see if the effects where felt by them also. There is no question that something was lifted and felt by her. Thank you very much :)
Could you do me when you have a chance.
I am male, 47 grew up on the east coast, and now live on the west coast. My wife says that I procrastinate always.
Anonymous Coward 4547295
I will be happy to give you a session.
I just got that your wife is still processing and will need to go thru 3 more days.
thanks for the feedback!
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15 May 2016 - 08:30 PM
Looks like I was using the wrong flag. The following works:
APPBARDATA barData {0};
barData.cbSize = sizeof(APPBARDATA);
UINT_PTR res = SHAppBarMessage(ABM_GETTASKBARPOS, &barData);
17 April 2016 - 10:10 PM
After extensive debugging I have found the problem and solved it. It's actually quite interesting what went wrong. The problem was here...
struct IEventArgs
struct WinEventArgs : public IEventArgs
WinEventArgs() = delete;
WinEventArgs(const HINSTANCE& hinstance, const HWND& hwnd, const WPARAM& wParam, const LPARAM& lParam) :
hinstance(hinstance), hwnd(hwnd), wParam(wParam), lParam(lParam)
const HINSTANCE& hinstance;
const HWND& hwnd;
const WPARAM& wParam;
const LPARAM& lParam;
class EventDelegate
// the problem is here: the parameter should be 'const IEventArgs&'
typedef std::function<Status(IEventArgs)> EDelegate;
EventDelegate(EDelegate delegate, GUID gUidContext);
Status operator()(const IEventArgs& evtArgs)
return delegate(evtArgs);
GUID gUidContext;
EDelegate delegate;
I've produced a simple example of the problem that people can reproduce. Whilst I've fixed it, what exactly was going wrong, was it that a copy was being made and I hadn't implemented a copy constructor?
struct IEventArgs { };
struct WinEventArgs : public IEventArgs
WinEventArgs(const int& a, const int& b) : a(a), b(b) { }
const int& a;
const int& b;
class Component
void test(const IEventArgs& evtArgs)
const WinEventArgs& args = static_cast<const WinEventArgs&>(evtArgs);
printf("a=1 is: %d, b=2 is: %d\n", args.a, args.b);
int main()
WinEventArgs args(1,2);
Component cmp;
// Note Component::test's parameter is 'const IEventArgs&' and that the std::function parameter is just 'IEventArgs'
std::function<void(IEventArgs)> func = std::bind(&Component::test, cmp, std::placeholders::_1);
// When std::function parameter is 'const IEventArgs&' the cast inside Component::test succeeds
std::function<void(const IEventArgs&)> func2 = std::bind(&Component::test, cmp, std::placeholders::_1);
return 0;
17 April 2016 - 12:59 AM
I am specifying a reference; const WinEventArgs& args = static_cast<const WinEventArgs&>(evtArgs);
One thing that could be the cause is that; LRESULT CALLBACK Win32App::wndProc(..) is a static function. Therefore when it creates the WinEventArgs object it is also static aswell. The last time the WinEventArgs object is valid is inside EventDelegate::operator()(const IEventArgs & evtArgs) - not a static function.
// Static class function
LRESULT CALLBACK Win32App::wndProc(HWND hwnd, UINT message, WPARAM wParam, LPARAM lParam)
int wmId, wmEvent;
PAINTSTRUCT ps;
HDC hdc;
WinEventArgs args { hinstance, hwnd, wParam, lParam };
eventHandler(message, args); // also static function: IApp::eventHandler(const int & evtId, const IEventArgs & evtArgs)
17 April 2016 - 12:43 AM
I've applied the advice given; remove c-style casts, explicitly specify the variable type instead of using auto and resulting in a copy. Unfortunately the crash still occurs when accessing the args object.
The "args" parameter has "unable to read memory" showing up in the wParam. This appears to be that your args value is broken, not just the hhnstance or hwnd parameters.
The "args" parameter has "unable to read memory" showing up in the wParam. This appears to be that your args value is broken, not just the hhnstance or hwnd parameters.
Yes it looks like my args value is broken. Do you have any advice on how I can track down what in my code or design I have done wrong to cause this? I am correctly passing an object of type WinEventArgs to the Win32App::eventHandler() so the problem isn't that I am passing a different subclass IEventArgs.
Any advice on how to track down the cause would be greatly appreciated.
25 January 2016 - 09:57 PM
Haha, yes, do you mean like I mention in the second sentence of my original post?
The point is that if you include things like Javabeans and COM, you've covered about 90% of commercial software written between 1998 and 2010.
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>>> Challenge #165: Voting Open <<<
Started Nov 16, 2012 | Discussions thread
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NPW UK • Contributing Member • Posts: 697
Re: >>> Challenge #165: Voting Open <<<
In reply to Dan Wolf • Nov 17, 2012
Well done all. You entered a good variety of quality photos. I think it's going to be a close fought challenge in the Main and Open.
Good luck to all those who entered.
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You are currently browsing the category archive for the 'Lettie G. Howard' category.
Here was the first time I used this title.
America II looked resplendent bathed in a last burst of late afternoon sun yesterday.
She was one of several sail vessels out; here Pioneer seems headed over to a new loading point.
On a meteorologically different afternoon a few weeks ago, I caught Lettie G. Howard out headed for the Kills. Here was another spring when I caught Lettie under very bare poles.
I saw Topaz briefly only once, so far away she was only a tall mast, but Claude Scales caught this from his daily vantage point. Click here for a close-up of Nantucket WLV-612 from three years ago.
No words . . . no gilding the lily!
Pioneer heads back to the dock.
Anyone know where Mary E is sailing from these days?
Thanks to Claude Scales for use of his Topaz photo. All other photos by Will Van Dorp, who has used the title "autumn sail" much more frequently. And if you have not yet read my article about sailing to Cuba last winter, you can read it here.
I suppose I could call this RT 163b, since the photos in both were taken the same day, same conditions of light and moisture.
Let's start with Charles D. McAllister with Lettie G. Howard bare poles in the distance.
Evelyn Cutler with Noelle Cutler is tied up alongside a barge with Wavertree's still horizontal poles. Click here to see Evelyn as I first saw her.
Viking is high and dry, post the winter work.
Timothy L. Reinauer is back in town after a very long hiatus, at least from my POV. This may have been the last time I saw her.
Mary Gellatly gets some TLC as well; click here for the previous time she was in a "random" post.
Beyond Mister Jim, a pile of sand is growing in the yard just west of the Bayonne Bridge on the Staten Island side.
Elizabeth and Marjorie B. McAllister head out for a job.
Tasman Sea heads for the yard as
Amberjack departs.
And for closure, it's Marjorie B passing in front of a relatively ship-free Port Elizabeth. Click here for a photo of Marjorie B high and dry a few years ago.
All photos by Will Van Dorp.
And in contrast to all that, in Niigata earlier today, here's some great vessel christening photos from Maasmondmaritime.
First, if you're free today and within travel distance of Lower Manhattan, do yourself a favor and attend this event, 4 p. m., a book signing by Dr. James M. Lindgren. His new book is a much needed complement to Peter Stanford's A Dream of Tall Ships, reviewed here a few months ago. Details in Preserving South Street Seaport cover almost a half century and will enthrall anyone who's ever volunteered at, donated to, been employed by, or attended any events of South Street Seaport Museum. Lindgren laments SSSM's absence of institutional memory saying, "Discontinuity instead defined the Seaport's administration." Amen . . as a volunteer I wanted to know the historical context for what seemed to me to be museum administrations' repeated squandering of hope despite herculean efforts on the part of volunteers and staff I knew.
As my contribution to creation of memory, I offer these photos and I'd ask again for some pooling of photos about the myriad efforts of this museum over the years.
Pier 17. April 17, 2014. According to Lindgren, this mall opened on Sept 11, 1985 with a fireworks show. Its demise may by this week's end be complete.
April 12, 2014. Photo by Justin Zizes.
Feb 23, 2014.
Jan 21, 2014 . . . Lettie G. Howard returns.
Sept 20, 2013. This is the last photo I ever took FROM the upper balcony of Pier 17.
Sept 12, 2013.
July 2012. A fire had broken out on the pier, and Shark was the first on scene responder. Damage was minimal, despite appearances here.
Now for some photos of vessels that have docked in the South Street area in the past half century.
July 2012 . . . Helen McAllister departs, assisted by W. O. Decker and McAllister Responder.
June 2012. Departure of Marion M as seen from house of W. O. Decker. Photo by Jonathan Boulware. The last I knew, Marion M is being restored on the Chesapeake by a former SSSM volunteer.
Lettie G. Howard hauled out in 2009.
2009. The Floating Hospital . . . was never part of the SSSM collection.
2009. Maj. Gen. Hart aka John A. Lynch aka Harlem.
Helen McAllister with Peking and Wavertree. Portion of bow of Marion M along Helen's starboard.
Mathilda posing with W. O. Decker in Kingston. 2009.
Moshulu now in Philadelphia.
2005, I believe. Spuyten Duyvil (not a SSSM vessel) and Pioneer.
Thanks to Justin and Jonathan for use of their photos. All others by Will Van Dorp. For many stories on these vessels, that mall, and so much more, pick up or download these books and read them asap.
Between spring 2004 and summer 2007, I volunteered about 1000 hours at South Street Seaport Museum, or SSSM, mostly on Pioneer but also on W. O. Decker and Lettie G. Howard. The experience was exhilarating—learning the lingo of schooner sailing and the lines and procedures, rustbusting and painting, all good for maintaining youthfulness and toning up aging muscle. Without my time at SSSM, there might never have been this blog called tugster about a place I imagine as the sixth (and primary) boro.
What pulled me away from volunteering was my sprouting curiosity about all the other vessels and projects and careers in the harbor with more tugboats than I could recall without the assistance of my camera. Downloading my photos after a day's sail would lead to a night's worth of googling, to learn what I could about the boats, companies, cargoes, and ultimately the crews. Volunteering there felt focused too exclusively on SSSM and their vessels' tracks from Pier 16 back to Pier 16. This frustration should not have surprised me, given my lifelong wanderlust and curiosity.
SSSM has stayed with me though. One sweet memory I carry of SSSM is of the stories I heard as a volunteer about the time of creation, creation of the museum, that is. But these stories came in fragments, and the gaps between have triggered lots more questions. The more I heard, the less I felt I knew. A Dream of Tall Ships, covering the time period from 1967 until 1974 in 500 pages, is like a vessel loaded deep with memories filtered through the recollections of Peter and Norma Stanford, founders of SSSM. The account is detailed and peopled with legends from a half century ago, a time when nautical giants were feeling the urge to preserve what remained of commercial sail, both coastwise and global. People like Alan Villiers and Karl Kortum, "ship savers" who inhabit this book, strike me as optimists who could imagine second (or "new") lives for these old vessels built a century or more before. The Stanfords recall their travels to places like Punta Arenas and the old port of Buenos Aires to purchase Wavertree, one of the tall ships that seem in hibernation down at SSSM today. The photo below–taken from among the over 60 images in the the book, shows Wavertree in the condition SSSM acquired her.
The book describes a time in the history of SSSM and New York City when it seemed that only the brightest future could lie ahead. When SSSM sponsored an event, the most powerful, brightest, wealthiest, and most generous of the city rolled up their sleeves and weighed in. In a timeline of SSSM events in the postscript pages of the book, names appearing include Jack Kaplan, Brooke Astor, as well as Laurance and David Rockefeller. Then there are giants like Pete Seeger and Burl Ives. At a January 5, 1968 meeting at the Whitehall Club to launch SSSM's James Monroe Luncheons, the pantheon of New York's maritime industry showed up to listen to ocean historian Robert G. Albion speak. NY political elite like Mayor Lindsay were there, as was the famed naval architect Howard Chapelle.
Real estate struggles existed already back at the creation, but it seemed manifest that SSSM would grow into a premier maritime institution, center of the New York State Maritime Museum, and more. Stanford documents the growing membership. New York was heady with the growing fleet of tall ships and other interesting vessels. Exciting happenings like Sea Day seemed to spread a love of the city's connection with the sea, an event that predates "City of Water" day.
But don't take my word for all the memories in this book. I hope enough of you read this book—skim quickly through the too-long segments about martinis and such– and maybe if enough of us start to glow again with embers long ignored, maybe new energies will again start up the dream to make SSSM a street of tall ships that will inspire seafarers of the future.
As I stated earlier, the book has over 60 photos, like the one below showing Wavertree first arriving at the museum, and
this one, showing ARA Libertad docked at the SSSM in July 1969 after delivering a portion of the Wavertree's topmast, shattered off in 1910 while rounding Cape Horn. Two other interesting notes about the photo below. First, when the Commissioner of Ports and Terminals tried to block Libertad from docking at the SSSM pier, Libertad's Captain Vazquez Maiztegui responded, "Libertad will berth in New York at South Street Seaport, no other place." Second, at around the same time, Pete Seeger and Clearwater put in there to celebrate her first arrival in New york.
I immensely enjoyed this book. My only regret is that it didn't contain 160 photos or 1600 photos. For example, on September 20, 1968, a Bronx River Towing tug delivered the vessel today known as Lettie G. Howard to Pier 16; I'd love to know more and see a photo. Square Rigger Bar & Grille is repeatedly mentioned; let's see at least the facade. I'd be thrilled if an electronic addendum of photos from these early years could remedy this.
Here, here and here are two posts I've previously done using photos showing history of vessels in SSSM's collection.
Again, get the book and read it soon.
Click here for some previous reviews I've posted.
Here was a post I did in early spring 2013. She went to Portland, Maine for the work, and this morning
she returned to South Street Seaport Museum pier, about 36 hours travel out of Gloucester.
The timing was perfect for me . . . as I'm currently reading A Dream of Tall Ships, Peter Stanford's account of the years from 1965–1974, when as the subtitle of the book has it, a story of "how NYers came together to save the city's sailing-ship waterfront." Well . . . round 1, at least.
Lettie looked glorious in the morning sun, nestling back beside Ambrose, but I couldn't help looking especially closely at the bow. I'd just read this account the day before in Stanford's book, a recollection about the vessel then-called Caviare in September 1968
"there was one thing that needed replacing, which not vital to the schooner's structure, mattered a great deal to her appearance. This was the gammon knee, an oak extension of the stem arching forward under the bowsprit, which nicely completes the sweeping curve of the clipper bow. The old schooner's gammon knee had been chopped back into a stump to allow a heavy rope fender to be slung under the bow when she'd been adapted for work as a tug."
Wow! That's one old foto I'd love to see, this vessel, with a rope bow fender, pushing a barge. Anyone have such a foto?
Lettie's back, and so is this fleet. Maybe Lettie'd love to come out fishing with them? Vessel in the distance is Pati R. Moran. Brown fishboat in the foreground is Eastern Welder.
All fotos this morning by Will Van Dorp.
Here was the first post. Today spring has sprung and may Lettie,
with such graceful toughness
delicate efficiency,
like a crocus, burst forth. Support the fundraiser.
All fotos by Will Van Dorp.
For updates on Marion M. and if you do FB, click here. It updates this article: Marion M. has been purchased and is undergoing restoration in the Chesapeake.
All the fotos I have of Lettie G. Howard were taken five or more years ago. So why am I posting these now . . . reposting some, in fact? Here's why: April 8, 2013 Rosanne Cash will perform a gala concert to raise funds to restore Lettie, as she is affectionately known, which needs about $250,000 worth of repairs to repair rot and maintain her sailing integrity. Rosanne Cash traces her family to an ancestor who arrived in Salem, MA in 1643 aboard Good Intent. Click here for info on buying tickets.
Right now, Lettie is docked at Pier 17 cloaked in unflattering shrinkwrap. Here's some history of the unique vessel:
Built in 1893 at Essex, MA, in the yard of Arthur D. Story, Lettie G. Howard is named for the daughter of her first captain, Frederick Howard, Lettie fished out of Gloucester, MA, for her first eight years. In 1901, she was purchased by owners in Pensacola, FL, for use in the red snapper fishery off Mexico's Yucatan Peninsula. After surviving two major hurricanes, she was thoroughly rebuilt in 1923 by a new owner—Thomas Welles of Mystic, CT—who installed her first auxiliary engine and renamed her Mystic C. She continued to fish under sail for the Welles Company for 43 years, until it disbanded in 1966. That year, she was sold to the Historic Ships Association in Gloucester, and in 1968 she was purchased by the year-old South Street Seaport Museum. She traveled from Gloucester to the Museum's pier at South Street largely under sail. By then, she had been renamed twice, and her long working life had obscured her origins; research into her background led to a docking book that confirmed her identity as Lettie G. Howard.
Since 1968, Lettie has been a proud and beloved resident of South Street, where scores of fishing schooners like her used to dock to bring their catches to the Fulton Fish Market. She was designated a National Historic Landmark in 1989, and between 1991 and 1993 she was completely restored to her 1893 appearance. Lettie has operated as a certified sail training vessel since 1994, taking student crews on trips in New York Harbor and waters further afield—teaching history and ecology along with the skills and crafts of sailing, and celebrating the legacy of the North Atlantic fisheries and the Gloucester fleets.
Unrelated but this just in: Former SSSM vessel Marion M has a vibrant new life ahead of her on the Chesapeake. If you do facebook, check out these fotos!
A year ago I was pessimistic and wrote a bleak post and made this offer. I have now officially passed some benjamins. Last Saturday I went back to the South Street Seaport Museum and the new life excited me. First, there's this new blog, which I hope continues. My friend John Watson, volunteer at the museum for decades and frequent contributor on tugster, has been responsible for many of the fotos.
Then, of course, volunteer spirit at SSSM has been irrepressible. On Saturday February 18, over two dozen volunteers doing winter maintenance worked on or in four of the vessels at least. A year of idleness has allowed rust to invade everywhere, rust that needs to be busted.
Hammers, chains, power grinders . . . whatever would combine with sweat to prep for rust inhibitor and ultimately new paint was pressed into service. I even set down my camera a few hours and assaulted some areas of rust, just because I enjoyed it.
Leaks were stopped, even if only with temporary fixes for now.
Hatches were sanded and painted.
It's no simple cliche that rust never sleeps, and big projects like Wavertree require huge infusions of cash and effort to hold off the ravages of time. But the spirit of volunteerism is also indispensible.This googlemap view shows where all the current museum vessels used to park. Can you name them all? Some may still go to better places.
Ambrose and Lettie G. Howard often docked in the open space here; they are off-site for repair and refurbishing before they return.What really impressed me was inside Schermerhorn Row. Floor 3 has "Super Models," ship replicas from the collection, smartly displayed.
It also has "Bottled Up," miniature vessels in glass. And if you want to see how ships navigate the bottleneck, you can find a display on that too.
Contemporary hand tools are used rust-busting the ships outside, but Floor 4 has "Hand Held Devices," an installation of scores of historic hand tools, some of
which you might not recognize, but
then there's an interactive display that can
Floor 5 has "Coffee, Tea, Fish, and the Tattooed Man," all
tributes to trades that once transacted just outside the building on the docks.
On the way back down, stop again on Floor 3 for a set of Edward Burtynsky's stunning fotos of shipbreaking in Bangladesh.
But don't take my word for any of this. There's more than I describe here. And more to come . . . like the re-opening of some form of research library . . . . Become a member. Come and visit. Stop by and bust rust. The barge name here describes what's happening at the Museum.
South Street Seaport is once again
alive! My fotos don't really do it justice. Bravo to all who made this happen.
If you're not familiar with AIS, click here. Play with this tracking software. Remember that not all vessels . . . especially smaller ones . . . use AIS.
Here are screen shots I've taken today. Doubleclick enlarges. In this snapshot from 11 am Saturday, notice the large passenger and cargo vessels like Explorer of the Seas and APL Sardonyx in port here.
By 530 pm, a line of tugs (and likely barges) had moved up to safer anchorage between the George Washington and the Tappan Zee Bridges. So had New Jersey Responder.
A line of passenger and cargo vessels had headed for sea by 530 pm.
By 10:30 pm, this set of tugs (and barges) and yachts had moved even farther north . . . between Tappan Zee and Poughkeepsie bridges.
Furthermore, Pioneer, Lettie G. Howard, and W. O. Decker (none of which have AIS) had also moved north from the sixth boro to Kingston.
As I was told 21 years ago in the most precarious time of my life, good night and good luck to all the vessels .
I first used this title a bit over two years ago in relation to two museum vessels whose status is currently challenged. Click here for a new blog dedicated to saving the fleet languishing at South Street Seaport; May Day's not been transmitted there yet.
High and dry,
per plan . . . and a future versus
one arrived here by accident and now like a fish out of water.
Urger gets floated this year with a new captain. Type Urger in the search window to see the dozen or so stories I've done on her, of which my favorite is probably this.
Can anyone speak from fact about a future for Le Papillon?
Urger has to be the most beautiful 110 year-old I know!
All fotos were taken last weekend . . . Fotos of Le Papillon by Capt. Justin Zizes, Jr. and Urger by Will Van Dorp . . up in Lyons, NY.
Unrelated: Another fantastic video of Rotterdam harbor by Fred Vloo.


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Welcome, DADAers!
A Conversation About Advocacy with Andrew Slack
HPA-DC is pleased to welcome Andrew Slack to lead our first advocacy training of the summer! Andrew Slack is a co-founder and former Executive Director of the Harry... Learn more
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The Goblet of Fire discussion will cover a range of topics but to get us ready for the discussion I thought I'd post a Tri-Wizard Tournament Muggle version for you to... Learn more
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From the B&N website: Join us for an event that is sure to conjure a magical experience for the most modest Muggles and wisest Wizards! Customers can enter the Harry... Learn more
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Join us for an afternoon of games, snacks, and fun! There will be everything from a Hogwarts castle puzzle to the LEGO Hobbit game, from a Quidditch trivia game to... Learn more
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Chaotic Events is doing a series of nerd-themed raves in Baltimore- including Harry Potter! The next Rave is Sorcery Part 2: Voldemorts Revenge (Harry Potter Theme Rave)... Learn more
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Solia Classic 1¼" Flat Iron
Best of Folica Sale Larger & More Views
We're sorry, this product is no longer available.
The Solia 1¼" flat iron has features to ensure true silky straight hair.
Santa Ana, CA
Nov 5, 2015
Still Kicking After 5 Years
I got this for my birthday 5 years ago, and it still works just as great as it did out of the box. Adjustable temperature, a cute light pink color (available at the time), and non-damaging, I can't say enough good things about this straightener. I even dropped it on the floor once, and the plates popped out. I popped them back in and it was like it had never happened.
Sep 16, 2015
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Aug 31, 2015
10 Years Strong
I bought this straightener waaay back in 8th grade (2003). It was my first "big girl" purchase with my babysitting money. It still works after all these years and still gets as hot as it used too. Even with a couple of drops on the bathroom floor! You'll not regret this purchase!
3 out of 3 shoppers thought this review was helpful.
Destiny N.
Aug 3, 2015
Did Not Impress..
I did a lot of research trying to find the best straightener. I have had my Babyliss for almost 3 years but it completely fried my hair so I needed to try something new. I settled on the Solia and very disappointed. When I use my Babyliss, I can get my hair straight at about 375. The Solia, I put up to 450 and it still does not get as straight as my Babyliss. I am half German,Half Black so it does take some heat but not 450 degrees. It does not make my hair feel that good either. My babyliss makes my hair feel and look much better but again it damages my hair. Will be returning and I am super disappointed.
4 out of 5 shoppers thought this review was helpful.
Land Of Oz-Kansas
Jul 20, 2015
The Best Flat Iron By Far!!
I purchased this flat iron in 2009, I use 3-4 times per week with grease and/or oils and it has lasted until now! It is still in good working condition and the only reason I wanted a new one is because my daughter has taken over this one. It is the smoothest straightener I have ever had by FAR! This flat iron is money well spent.
1 out of 1 shoppers thought this review was helpful.
Grand Rapids, Michigan
Jul 7, 2015
Amazing Until It Isn't
I have very curly, thick hair and this flat iron worked amazing to keep it silky and straight. It recently just stopped working, but it was understandable seeing as I used it every day during the school year and occasionally in the summer. It lasted almost two years and was worth the price.
Jun 16, 2015
Pretty Good Flat Iron
This is a great flat iron. It makes the hair really silky and smooth. My hair is some what between a 3A and 3C and I've had the sedu, chi, fhi, ghd and this flat iron but I found that the fhi works best. This flat iron seemd to great for those with thin hair or finer hair. This flat iron is great for straightening hair but for me it did not keep my hair straight.
1 out of 1 shoppers thought this review wasn't helpful.
Kelly G.
Jun 1, 2015
Great Price For Non Damaging Straightening And Waves
Having used the GHD iron in the past (which I loved), I couldn't bring myself to paying the high price again. So, based on the reviews, I decided to try the Solia. And, I am so glad I did! It gets up to 450 degrees (so I can do my Keratin Treatment with it) and always leaves my hair looking shiny and fluffy (it straightens without taking all my volume). I LOVE IT!! Thanks Solia :)
1 out of 1 shoppers thought this review was helpful.
Stellarton, Nova Scotia, Canada
May 20, 2015
5+ Years And Still Love It!
I had a Chi I paid more for that lasted just a year before I bought this Solia. I have traveled a lot so my purple Solia's been thrown in and out of a suitcase, tossed around by airlines, dropped in hotel bathrooms and been used daily at home and abroad. I can't believe it's lasted as well as it has. I have highlighted blond hair half way down my back and although my hair has been mostly strait, my 50% + grey has more wave and frizzies. My hair is fine but not thin, I was a dirty blond but am mostly grey with very light blond highlights now. I use this iron daily, have never burned my hair and have always been 100% happy with the results. So happy I just ordered another. The switch went last week. Thanks to folica for throwing in a heat safe travel case way back when. If they hadn't I would never have read their web site on the case and remembered where I got it. Smart advertising move! I don't remember what I paid the first time but I thought it was $100.00 so I'm pleased it's cheaper this time.
I have in the past and will again recommend this flat iron. I hope I'm as happy with my new purchase. Thanks Solia and Folica!
4 out of 4 shoppers thought this review was helpful.
Cindy R.
May 6, 2015
Awesome Flat Iron
I tried it out way back and as soon as i got the money to buy it i got it
2 out of 3 shoppers thought this review wasn't helpful.


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Dr. Nayak graduated from the Karnataka Inst Med Sci, Karnataka Univ, Hubli, Karnataka, India in 1989. He works in Saint Louis, MO and 1 other location and specializes in Pulmonary Critical Care Medicine and Pulmonary Disease. Dr. Nayak is affiliated with Des Peres Hospital, Saint Louis University Hospital and SSM Saint Marys Hospital.
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Medical School: Karnataka Inst Med Sci, Karnataka Univ, Hubli, Karnataka, India; Graduated 1989
Please verify insurance information directly with your doctor's office as it may change frequently.
*This physician has multiple office locations. See Office Information for details.
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3009 N Ballas Rd Ste 315A
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3009 N Ballas Rd Ste 315A
Saint Louis, MO 63131


text:
Whether you decide to pay cash or not, you should speak with a mortgage company to get a better idea of how much you can borrow.
Go Steelers
I would be happy to help you to find a house, suitable to your needs. I will send a Consumer Notice to you, via email for your perusal. I will put a search together for you, and send you some listings. If you should decided that you would like to see any of them, please give me a call, and we can set up a convenient time. A pre-approval is advised. Please let me know if you would like some referrals for mortgage reps. If you should decide to go with a cash offer, a proof of funds letter from your bank would be required.
Hope to hear from you!