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To date, the Dead Space franchise spawned four video games, two comic books, two animated films, and two B.K. Evenson novels. The newest of these creations is Catalyst, an eerie tale of a strange artifact that first drives its victims to madness and writhing dead and brings them back as far future haunted creatures of desperation. This trade paperback and NOOK Book original doesn't just promise to keep you up nights; it assures you that it will leave you terrified.
Dead Space: Catalystby Brian Evenson
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Two hundred and fifty years in the future, extinction threatens mankind. Tampering with dangerous technology from the Black Markeran ancient alien artifact discovered on Earth eighty years earlier Earthgov hopes to save humanity. But the Marker's influence reanimates corpses into grotesque rampaging nightmares. Steeped in desperation, deceit, and hubris
Two hundred and fifty years in the future, extinction threatens mankind. Tampering with dangerous technology from the Black Markeran ancient alien artifact discovered on Earth eighty years earlier Earthgov hopes to save humanity. But the Marker's influence reanimates corpses into grotesque rampaging nightmares. Steeped in desperation, deceit, and hubris, the history of the Markers reveals our ominous future….
Brothers Istvan and Jensi grew up under the poorest dome on Vinduaga. Jensi has always looked after Istvan, who sometimes lashes out in sudden episodes of violent paranoia. When Istvan is sent offworld to a high-security prison, Jensi is determined to follow and find a way to keep his brother safe. But the prison guards a horrible secret, one that will push both brothers to the cusp of something much greater and darker than they ever imagined.
Editorial Reviews
Product Details
- 9780765325044
- Publisher:
- Tom Doherty Associates
- Publication date:
- 10/02/2012
- Series:
- Dead Space Series, #2
- Edition description:
- First Edition
- Pages:
- 368
- Sales rank:
- 347,446
- Product dimensions:
- 5.58(w) x 8.10(h) x 0.98(d)
Read an Excerpt
When he was young, Jensi Sato had no idea that anything was wrong with his brother. Istvan had always been the way he was—always a little off, obsessed with patterns and numbers, entranced by shifts in light, prone to sudden fits of rage or mental absence. Or he had changed so gradually that Jensi, around him every day, hadn't noticed how different he had become.
As boys, they roamed the projects together, raising hell, heads always aching from breathing the thin, imperfect atmosphere of the dome they lived in on Vindauga. Really, it was Istvan raising hell and Jensi, younger, following along. But Jensi was glad to be included. And even if he didn't always quite understand why Istvan did what he did, he did want to get out of the house, did want to get away from their mother.
By the time he was in his teens, Jensi had begun to see how different Istvan was. His brother wasn't like other people. Most of the time, he didn't know how to talk to other people, and when he did the things he said didn't have the effect he thought they would. He saw how the other boys looked at Istvan strangely, how they drew away from him, then from both of them. Soon Jensi and Istvan were pretty much left to themselves.
It wasn't as easy as saying that Istvan wasn't normal, because in basic ways he was, more or less. He could get by if he had to, could usually make his way through brief and ordinary interactions without a tremor. But the more time you spent around him, the stranger he seemed. He lived in his own world, always getting caught up in the shapes and patterns he saw around him—patterns that Jensi often couldn't see. Istvan grew frustrated with other people quickly. He was less able to pay attention to others. It never occurred to him to care what other people thought of him, and he also wasn't afraid. Really, the only person he ever listened to was Jensi, and he only listened to him sometimes, only reluctantly letting himself be coaxed out of real trouble.
* * *
At age twelve, Jensi was out with Istvan, wandering through the compound where they lived, searching for something to do. The Mariner Valley compound was kept separate from the larger domes that comprised the rest of the town by a tube, and it was only later that Jensi realized this was because they lived in low-income housing into which all the undesirables on Vindauga were pushed.
That day, there had been a half dozen children a few years younger than them crouched near the outer wall of the dome, near a place where the inner wall had been cracked and rendered opaque. There was a slow leak there, quickly compensated for by the dome's oxygen protocol. The kids kept daring one another to get close to it. Holding their breath, one of them would run to the dome wall, touch the opaque section, and run back. The others would slap him on the back in congratulation and then would push at another boy until he did it, too.
"What kind of game is that?" asked Istvan, directing the question to none of them and all of them at once.
Most of the boys just ignored him, looking away as if they hadn't heard. One, the biggest, just shrugged. "Just something to do," he said.
"But it's not even dangerous," said Istvan. "How can it be fun pretending something's dangerous when it's not?"
Jensi put his hand on his shoulder. "Come on," he said. "Leave them alone. Let's go."
But Istvan shook the hand off. "Don't you want to play a real game?" he asked them.
Defensive, the leader of the boys said, "It is a real game."
"No," said Istvan. "It's not. You can't just run up close to it and run back. It's calling you to perfect it. That's the game it wants to play. Can't you see the shape is wrong?"
"It?" said one of the boys. "What do you mean?"
Isvtan gestured toward the damaged section of dome. The boys glanced that way and Jensi followed their gaze. What would make the shape of it right or wrong? he wondered. What was Istvan seeing?
"Do you want to see a real game?" asked Istvan.
The boys stayed huddled together, arms crossed, silent.
"Come on," said Jensi again to his brother. "Let's go."
"It doesn't matter if you want to see or not," said Istvan. "It wants to play." He leaned forward, locking his arms behind his back. He pawed the filthy ground with his feet and then, suddenly, screaming, he charged.
The group of kids scattered. But he wasn't aiming at them. He rushed past them without a glance and ran smack into the opaque portion of dome wall, his forehead striking it hard. Jensi felt his heart leap in his throat.
There was a hiss, and the cracks worsened, the shape of the opaque section expanding, but the plate, luckily, did not give. Istvan, though, did give, collapsing in a heap, his forehead smeared with blood. The scattered boys re-formed and stood huddled at a distance. Jensi ran quickly forward, knelt beside his brother.
"Istvan?" he said, shaking him. "Istvan? Why would you do that?"
Blood dripped slowly from his forehead. For a moment Istvan's eyes were glazed and loose in the sockets, and then they slowly focused on his brother. And then he smiled and let his gaze drift back to the opaque part of the wall. "There," he said. "Now the shape is right. Now we know what's really there."
* * *
Jensi had tried to ask him about it later, but Istvan had been unable to explain in a way that Jensi could follow. Istvan's brain was always hunting for patterns, always making connections that Jensi had a hard time seeing himself. Istvan had seen the crack in the dome and had known, he claimed, what he needed to do. The crack had called to him. He knew what it wanted him to do and what it would take to make it whole.
"What the hell's that supposed to mean? Make it whole?"
Istvan had tried to explain, but he just couldn't. His attempts at making sense of his thinking for Jensi just led him further and further into confusion until Jensi finally stopped him.
"Look," he finally said. "You sound crazy. You shouldn't tell anybody this."
And for once his brother listened, and stopped talking. Which made it so that any hope that Jensi had of figuring out what Istvan meant was drastically reduced.
* * *
When Jensi was fourteen, a group of girls chalked on the ground an old game one of them had read about in the vid library: a series of numbered squares, all connected, that you had to hop through, skipping squares according to a predetermined pattern. The girls were standing around the game, arguing about how you knew which squares you had to skip. Istvan, though, had been drawn by the numbers in the squares, his head rapidly swiveling from one to the next. He had simply walked through the group of girls, almost as if he didn't notice them. He knocked one of them down, scattering the handful of rocks they had gathered, crushing the chalk. The girls were yelling at him, the one on the ground crying and holding up her skinned elbow accusingly, but Istvan was now standing over the squares. Gingerly, he stepped into one, then leaped into another, then leaped back, following a complex pattern that only he could see until with a final leap he came to the top of the game and stepped carefully out again.
Once out, he stopped as if paralyzed. He stared at the uneven ground past the game. Jensi, not knowing what else to do, went to him.
"That was mean," he said.
But Istvan didn't answer. Instead he squatted and brushed his finger along the ground, tracing an irregular shape on it.
Angrily, Jensi batted his brother's shoulder. "Hey," he said. "Why did you have to be so mean to them?"
"Don't you see it?" said Istvan. "How they drew the right pattern and then it led me here?" He traced the shape again, his eyes gleaming. Jensi, squinting, could barely make out what Istvan was looking at, an unevenness in the ground, a tusk-shaped discoloration that made the ground just slightly different. "It's perfect," said Istvan, and reached down to stroke it again.
"Istvan," said Jensi. "What's wrong with you? It's just the ground."
"Huh?" said Istvan. "What?" It was like he was coming out of a trance. Quickly he stood up. Then he turned and looked back at the girls. They stood with their hands on their hips, still angry, though no longer yelling. "What's wrong with them?" he asked.
"You ruined their game."
"I did?" said Istvan. He seemed genuinely puzzled, as if he really didn't remember. He stayed staring at them a moment, then his features grew hard. "They didn't know what they were playing," he claimed. "I'm the only one who knows."
* * *
Jensi thought of the many times he had woken up in their bedroom late at night to hear his brother. Istvan would be mumbling, talking in his sleep, but the same pattern of words would be repeated over and over again, endlessly. Or he would be sitting on the edge of his bed, somewhere between sleep and wakefulness, rocking back and forth, rattling about a sequence of numbers, his voice almost worshipful. He was like that; he loved numbers and patterns, could get lost in them. They were almost like people to him, but people were less interesting. He also seemed to pick up things naturally about computers, had been hacking since he was nine, and had taught Jensi how to do the same. But here it was numbers, mumbled, repeated again and again.
"Istvan," Jensi would whisper. But Istvan wouldn't hear him.
Sometimes Jensi was lucky and his brother would simply stop on his own. Other times, though, he threatened to rock back and forth forever. Jensi would get up and shake him but sometimes even that wouldn't stop him. It was as if he were elsewhere, as if he had stepped outside of his body for a while. Sometimes it took a very long time for him to step back in.
* * *
I should have known, thought Jensi once he was grown. I should have known how wrong things were for him. I should have known how damaged he was. I should have tried to get him help. I should have been able to save him.
But how—another part of him wondered, a part he tried hard to suppress—how could he have known? He was the younger brother, after all. There was only so much he could do. And his mother, no, she didn't believe in doctors, thought that God would sort everything out on his own and that you shouldn't interfere. He had, actually, tried several times to tell her that something was wrong with Istvan. But each time she had looked up at him with bleary eyes.
"Wrong?" she said. "Of course there's something wrong with him. He's evil."
"No," he said. "Something's gone wrong inside of him. Something's wrong with his mind."
"Evil is in him," muttered his mother. "He needs to have it driven out." And then, with horror, he realized that he'd given his mother an excuse to hurt his brother.
But as Istvan grew older and bigger his mother started leaving him alone. She would curse him from the other side of the room, tell him that he was vile, but she no longer touched him. She was a little afraid of him. And that meant she no longer laid a finger on Jensi, either. She became more and more withdrawn. Or maybe she had always been that way and Jensi hadn't realized. Had Istvan gotten whatever was wrong with him from her? Was it something genetic, something inherited? And did that mean that Jensi might have it inside himself as well? No, he didn't want to be like his mother. He didn't want to be like his brother, either, but he loved his brother, felt responsible for him. Istvan had always looked out for him. Maybe now, now that his brother was becoming strange, it was Jensi's turn. It was time for him to look out for his brother.
* * *
Istvan was seventeen, Jensi fifteen, when things started to go seriously wrong. It started with their mother.
They had come back from another day of wandering through the Mariner Valley compound. When they arrived, their apartment door was ajar, their mother's passkey lying on the hall floor. They pushed open the door and saw a spill of dropped assistance packages, their mother lying in the middle of them, her body shivering.
Jensi crouched down beside her. He tried to turn her over to see her face, but it was hard. Her body was stiff, resistant.
"Help me, Istvan," he said to his brother.
But Istvan just stayed where he was. He was looking not at his mother, but at the packages. Jensi watched him mumble, gesture at them with his finger, tracing a figure through the air.
"Istvan," he said again. "Help!"
But Istvan was in a trance, mesmerized by the pattern made by the fallen packages. He was muttering under his breath, and then his eyes traced the pattern round again and then began to stare into empty air. Their mother, Jensi saw, was foaming at the mouth. The foam was red-flecked and he could see between her teeth and lips her tongue, partly bitten through.
"This is serious," he said. And when Istvan still didn't respond, he screamed his brother's name.
His brother flinched, then shook his head, then looked down. His expression was unfathomable.
"She might die," said Jensi.
"Yes," said Istvan, but he made no move to help. "Don't you see him?" he asked slowly.
"See what?" asked Jensi.
"The shadow man," said Istvan. "He's choking her."
The shadow man? "Istvan," said Jensi slowly. "Go to the vid and call emergency."
And slowly, almost like a sleepwalker, not taking his gaze away from the boxes, Istvan did.
Jensi held his mother, talked to her, and stroked her face until the emergency crew arrived. He massaged her jaw over and over until it relaxed enough to release her tongue and then he turned her head to the side so she wouldn't choke on the blood. Istvan, after making the call, simply stood on the opposite side of the room, watching. He refused to come close. The shadow man? wondered Jensi. What did he mean by that? He was crazy.
If I hadn't been here, thought Jensi later as they took his mother away, Istvan would have let her die.
* * *
Istvan had come through the door only to stop stock still, breathless. There it was, he could see it, the same pattern, just the same, glimmering. He had seen it so many times before, again and again, just waiting for someone to come along and see it and put it together—just waiting for him to come put it together, because the world called to him in a different way than to others. There was his mother, lying sprawled on the floor, but that wasn't important, she wasn't important. She wasn't part of the arrangement. She didn't tell him anything about what was real. She was just in the way.
No, what was important were the things she had been holding and the way they had fallen when she had dropped them, the way that each of them, tumbling out of her hands, had found its true and proper place. Things were like that. They told him something. They gave him a rough sketch of something else, something grander, something hidden. He could feel it, sense it, but it was far away, too deeply buried to make out completely. So he could only have this, this arrangement of packages that marked out something else, pointed to something else that he could almost see but couldn't quite.
Only maybe he could have more than that.
He held himself very still. He held his breath. He stared as hard as he could, letting his eyes follow the lines between things, connecting them, spinning from object to object. He could begin now to see the blaze of the lines of connections, was beginning to peel back the cover of the world and peer inside.
His brother was saying something, calling to him, but Istvan couldn't hear him, couldn't pay attention, because no, this was important, something was really happening.
For among the lines and between them he could see something beginning to emerge. A shape. A shadow that at first he mistook for his own shadow. But was it his own shadow? It didn't seem to belong to him exactly. It was attached to him, sure, but he didn't feel as though he were controlling it. It was its own creature. It was bound up in the objects around it and was, he realized, looming over his mother as well. It was a shadow but it was also a man, a man but also a shadow.
He moved his hands to try to touch it. When his hands moved, the shadow moved as well and placed its hands around his mother's neck. Then it turned its smoky mouth toward him and spoke.
Watch this, it said. Here's how you do it. Here's how you'll kill her.
He heard his brother scream his name.
He could not move his hands. The shadow man was choking his mother, smiling, but no longer speaking. Why had he stopped speaking? "She's going to die," he heard a distance voice say, a voice that was not the shadow man, a voice that he realized belonged to his brother. He made an effort of will and spoke.
"Yes," he said. "Don't you see him?"
But when he tried to explain to his brother what it was he saw, just as when he'd tried to explain so many times before, it came out in ways that he understood but his brother did not. Jensi did not think right about the world. Istvan was helpless to make it make sense for him. And so, slowly, he was snapped again out of this world of arrangements that he so loved and that so loved him, and brought once again to see not the pattern beneath things but the surface of them. And on that surface was his mother: dying. But, unfortunately, not already dead.
* * *
By the time the emergency team took her to the hospital, Istvan seemed normal again, or as normal as he ever was. She was there a day, then was transferred to a mental ward, straitjacketed, put away for what potentially could be for good. A social worker, a severe elderly woman, came out to the house and told the two brothers that they would be taken into governmental care.
"But I'm almost eighteen," claimed Istvan in a moment of lucidity. "I don't need a guardian."
"Almost doesn't count," she insisted. "You have to have one."
But the mistake the social worker made was leaving them alone for a few minutes instead of whisking them into care immediately. As soon as she was gone, Istvan began to make plans for leaving. He got an old, stained backpack out of the closet, stuffed it full of clothes, then dumped in a random assortment of things from the pantry, including things that he would never eat. Other things that were more edible he left where they were, adjusting their positions slightly. All part of making the pattern, Jensi couldn't help but think. Istvan was in his own world, unaware of anything but the task he was completing. Jensi just stood watching him, feeling a greater and greater sense of despair for his brother.
When he was finished, Istvan zipped the backpack closed and looked up.
"Why aren't you packed?" he asked Jensi.
"Where are you going?" Jensi responded.
"You heard that woman," said Istvan. "She wants to put us with someone. We'll have to learn how they think and they'll be like mother only they'll be worse because we're not related to them."
"Maybe they won't be worse," said Jensi. "Maybe they'll be better."
Istvan shook his head. "That's what they want you to think," he said. "That's how they get you every time."
That's how they get you every time, thought Jensi But it was not they that were getting Istvan, but Istvan who was making things hard for himself. The idea of Istvan being his own guardian—or being the guardian for both of them—that would never work. Istvan could hardly care for himself, let alone someone else.
"Come on," Istvan said. "No time to pack—they'll be back soon. You'll just have to go as you are. That's what the room is saying."
"The room?"
"Can't you see it?" said Istvan, gesturing around him. "Can't you feel it?"
Later, this would seem one of those decisive moments where his life could go either one direction or another, where Jensi could take a step toward his brother and whatever skewed version of the world existed inside of Istvan's mind or where he could step closer to the real world. The terrible thing was that even as young as he was he couldn't help but feel that either choice he made would be, in some way or another, not quite right. Either way he would lose something.
"Come on," said Istvan again, anxious.
"I…" said Jensi. "But I—"
"What's wrong with you?" said Istvan. "Can't you see what's happening here?"
But that was the problem: he could see. He could see that if he went with Istvan no good would come of it, even if Istvan could not.
"I can't go," he finally said, not looking his brother in the eye.
"Sure you can," said Istvan, his eyes darting all around the room. "It's the easiest thing in the world. All you have to do is walk out the door."
"No," said Jensi. "I'm sorry. I'm not going."
For a moment Istvan just stared at him, his face blank, and then Jensi watched something flit across his brother's expression as he took in what Jensi was saying. Then all at once his face was creased with genuine pain.
"You're abandoning me?" he asked in a voice that was almost a wail. It was nearly unbearable for Jensi to hear.
"No," Jensi tried to say. "Stay here. Stay with me. It'll be okay." But he knew that to Istvan that was as unimaginable as leaving was to him. For a moment Istvan looked stunned. And then, heaving the backpack onto his shoulder, Istvan went out and Jensi found himself alone.
Copyright © 2012 by Electronic Arts, Inc
Meet the Author
BRIAN EVENSON is the author of Last Days (formerly titled Brotherhood of Mutilation) and The Open Curtain (Coffee House), which was a finalist for an Edgar Award and an IHG Award and was among Time Out New York's top books of 2006. He lives and works in Providence, Rhode Island, where he directs Brown University's Literary Arts Program. Other books include The Wavering Knife (which won the IHG Award for best story collection) and The Brotherhood of Mutilation. He has translated work by Chrstian Gailly, Jean Frèmon and Jacques Jouet. He has received an O. Henry Prize as well as an NEA fellowship.
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This book, like Dead Space: Martyr (so I guess take this review for both), was highly captivating once you start reading. I found myself 100 pages into it before I even realized what I was doing. After seeing both Dead Space movies and subsequently vomiting food I didn't know I ate, reading Evenson's contribution the lore was an amazing and refreshing experience. There are some problems, however. One problem with this book was that their was a handful of grammatical and syntactical errors, like instead of Callie, he puts Cassie, and accidentally switches Jensi and Istvan's names in the dialogue, throwing me off. Also, as people may have said, the ending is a bit obnoxious. *SPOILERS, INCLUDING SPOILERS FOR THE PREVIOUS BOOK, DEAD SPACE: MARTYR* I think the ending was in poor taste. In the previous book, Martyr, the ending came abruptly, and was incredibly dark, revealing the true personality of Altman and how he was put into history as a true martyr, one who died for a cause he didn't want to be a part of. I guess for that it was easy to dislike, but still a creative choice on the part of the author. For this book, however, it was evident that towards the end, some of the language and action was getting a bit lazy and rushed. It seemed more grammar mistakes were appearing, and the author himself was just trying to finish the book. I only say this because the first half of the book beautifully engrosses the reader with the minds of these two amazing and memorable characters, Jensi and Istvan, only to make the ending somewhat dull and unmemorable. The cliffhanger ending is again, a creative choice, but one I feel could have been more dramatic, particularly because it seems like either possibility for the cliffhanger (does he shoot the alien or himself), is irrelevant because he's going to die anyway. In either case, I did enjoy the book overall, and recommend reading it if you care about Dead Space.
I love this book and Dead Space: Martyr. Different characters and story, but Evenson stays true to the game lore and is amazing at building up a horrifying and sinister atmosphere. A great horror sci-fi book. :)
Typical of the series to give you trouble deciding between whats real and whats not....it has a couple random different veiw points but if you stick with it and pay attention u caj figure out the plot early on
Lots of grammer errors that ruin emersion. The quality of the story also needed more work.
Great book to read
Is isaac clarke in this
*Sits on a cloud and waves a white flag.*
It was a great book. I wonder if the guy shot himself?
Wwe should communicate while rating its fun!!!!!!!
Oh sh.it! Ur gonna kill link with words! Fu.ck man thats sooo scary! Lol
Read the real book nit the e-book cause i went to a barns and noble around here and bought it and it was great compelling and at times kinda sad but i got angry at the end because it had a huge cliff hanger.but either way buy it its great
I sit on YOU
Im amanda my next hint is: ( and this is my last one so be smart! Whoever finds me next gets the prize!) It is something u sit on!
-(Or some one could just friend me and lend me the book, because I am happy to lend anything from my collection.)-


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Jan 3, 2013
Jesus IS Almighty God Profile
Forums Owned
Recent Posts
If God doesn't exist, then who or what dictates the dimensions and attributes of everything in existence? Who or what is to say that anything should be as it is? And if such things are based entirely on chance alone, then would that not infer a finite range of possibilities? It must, for if everything were possible, nothing would be possible. It is self-refuting, as is attempting to draw a number from infinity. Therefore, if something is finite, it must have boundaries. Boundaries can only exist in regards to something greater. By default, it's boundaries are set in relation to that greater something. The natural world as we know it consists of various elements interacting within finite ranges. The natural world as a whole is itself also finite. It has boundaries, dimensions, and limited space. If, however, the natural world constituted all of all, no thing would be possible within it, for there would exist an infinite range of scenarios, and as such could never allow for the number 1. Without a self-sustaining, intelligent, transcending prime-mover, the world as we know it would not and could not exist. It is self-evident. The Lord Jesus loves you all very much. (Jan 3, 2013 | post #581620)
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Epoxy is a mixture of resin and hardener that when combined together chemically react to form a rigid plastic-like material. It resists degradation and bonds well to substrate materials. Epoxy flooring is often used as a coating over concrete floors which are rough, porous, and anti-shock resistant. Epoxy withstands rugged wear and tear in industrial settings. It is slip-resistant, which is ideal for commercial uses.
The durability of epoxy is an asset but especially with the versatility of various colors and patterns which make it the perfect cmmercial and retail flooring material. Shopping centers, hotels, and offices have foot traffic that requires wear-resistant flooring. A diverse customer base of children, elderly, and wheelchair-bound citizens is also a concern. The flooring in a commercial space needs to be not only durable but safe to prevent falls. Epoxy flooring is stain, scuff, and scratch-resistant and can be topped with a slip-resistant texture to improve safety. The flooring creates an ambient look and requires minimal nightly cleaning maintenance.
Because of machinery, foot traffic, and spill and stain potential, the only realistic industrial flooring options are concrete or epoxy. Concrete is hard, slippery, bland looking, stains easily, absorbs moisture, and is porous. Epoxy is the exact opposite of all those things. The resin compound is softer, slip-resistant, glossy and attractive, resistant to stains, sealed from moisture and easy to clean. Epoxy coating is self-leveling which creates a smooth surface, important in an industrial setting where forktrucks should avoid crevices and machinery must sit level.
Epoxy works well as a residential flooring application. Epoxy can take the place of carpet, tile, vinyl, and hardwood floors in the home without a noticeable loss in return on investment. Residential epoxy uses are suitable for high-end modern homes where the glossy coating meshes well or heavy traffic households that need extra durability because of kids and pets. Color options blend with any existing décor and the moisture resistant properties make epoxy the ideal surface for kitchens, bathrooms, pool decks, or exterior patios and balconies.
When finishing off a garage by sheeting walls, insulating, and adding heating & cooling there is one area that continues to look out of place – the floor. Moisture and substrate materials limit the garage flooring options. Painting the floor of a garage floor doesn't necessarily provide a protective coating and it's a job that needs to be repeated annually. Tile is easily damaged and bubbles as the foundation shifts. Epoxy bonds to the concrete, filling gaps and creating a smooth, moisture resistant surface. An epoxy floor can easily be wiped clean of oil and fluid spills with no risk of staining. The end application provides a professional, finished look to the garage.
Epoxy is recommended for any type of flooring application, mostly because the compound is versatile and customizable depending on needs. Some of the different types of epoxy REDRHINO provides:
Do You Use Durable Epoxy Flooring Materials?
At REDRHINO we use a durable resin and hardener that creates a bond with the substrate. This creates an impenetrable surface that is waterproof and impact-resistant. Part of the durability of the epoxy comes from proper preparation of the subfloor which is why only professional installation is recommended.
Do You Guarantee Your Epoxy Flooring Work?
The thing about epoxy is that it's such a long lasting, attractive, and wear resistant material that we haven't been dealt with a whole lot of unhappy customers. That being said we stand by our work and our materials 100%. If you are not happy with your epoxy flooring contact us to make proper rehabilitation.
How is Your Epoxy Flooring Service Different from Others?
REDRHINO has been a leading nationwide epoxy flooring provider since 2005. We supply the various epoxy coatings and we install it ourselves. From your initial visit through the preparation of your surface to the installation of the epoxy and any aftercare maintenance all the work is done by REDRHINO. We are experienced in, and comfortable with, the installation of epoxy flooring in the food service, manufacturing, automotive, industrial, and residential sectors with jobs ranging from a single room to a spacious facility.
What Kinds of Epoxy Flooring Projects Can You Help Me With?
Short answer – any. Part of what has made us the nation's leading epoxy flooring provider is our versatility and ability be flexible in job size and intended function. REDRHINO has installed epoxy in every industry. Some of our past customers include Mercedes, Whole Foods, CVS Pharmacy, and the Home Depot. We are comfortable with new construction and retrofits of any size.
Is Your Pricing Competitive
The real ROI of an epoxy flooring is calculated by the fact that it is a 25-30+ year flooring, which makes the annual costs the lowest of any type of material. Premium components and experienced REDRHINO contractors expands the life span which further lowers annual costs. We are happy to consider our prices very competitive and would love to prove an example with a free quote. Contact us for store locations.
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Quite simply put we use the best materials and have the highest dedication to service. Our track record proves our customer satisfaction and we've been going strong for over a decade in the industry. If anything, REDRHINO takes the guesswork out of having an epoxy floor installed – we do it right the first time and it lasts a long time.


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February 11, 2013 - Industry News
The City of Detroit took delivery of eight new hybrid refuse trucks with funding assistance from the Clean Energy Coalitions (CEC). CEC provided funding to cover the incremental cost of the hybrid system.
Tags: Grant Funding, City of Detroit, Clean Energy Coalition, Gasoline-Electric Hybrids
We offer e-newsletters that deliver targeted news and information for the entire fleet industry.
The expert, Brian Fletcher from Eaton, will answer your questions
TomTom Partnership Adds Real-Time Accounting
Gates Offers 6 Heavy-Duty Water Pumps
Reyco Granning DM400e is Lighter Than Predecessor
Baldwin Filters Offers Aftermarket Filter Designed for Kenworth Models


text: Anderson Cooper Is Not Your Dancing Monkey BoyRyan Tate3/19/09 8:34pmFiled to: adorableAnderson CooperEllen DegeneresChris MatthewsWolf BlitzerCnnClips18EditInvite manuallyPromoteDismissUndismissHideShare to KinjaToggle Conversation toolsGo to permalinkAnderson Cooper isn't about to make a dancing fool of himself with Ellen DeGeneres, like those other TV news anchors, whom he helpfully names. Plus, public displays of ardor just aren't his thing.The CNN anchor and Vanderbilt family golden child went on DeGeneres' show today. Having seen Chris Matthews and Wolf Blitzer play along with the daytime talk show host's "dance with me" routine, he knew better: "No one really wants to see a middle-aged guy with silver hair, wriggling. "I was raised to supress all my emotions — I can't be publicly expressing things." Advertisement You don't say! Reply18 repliesLeave a reply


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Please join us for our first Dean's Distinguished Lecture of the Spring 2016 semester on Tuesday, Jan. 26, 2016, at 5:30 p.m. featuring Mayor Ivy Taylor. Her topic is "Cities and Citizens: Why Public Service?" The Mayor is looking forward to attending and speaking to the UTSA community. The lecture will take place in the Buena Vista St. Bldg. Theater (BV 1.326) at the UTSA Downtown Campus.
Also, we have partnered with NOWCast SA to provide you with the opportunity to view webcast video live or replay the video later. Please visit www.nowcastsa.com to follow the program.
The event is free and open to the public. Free guest parking will be available in Lot D-3 under I-35 in unmarked spaces. A map and directions are available at http://www.utsa.edu/dtcamp/visit.html.
About Mayor Ivy R. Taylor
Ivy R. Taylor was elected Mayor of San Antonio on June 13, 2015. Prior to that, she was appointed to the office of Mayor in July, 2014, to fulfill Julian Castro's unexpired term. She had served as the District 2 City Council Representative for a total of five years beginning with her election in June, 2009.
Mayor Taylor began her career working for the City of San Antonio in the Housing and Community Development Department and the Neighborhood Action Department. While at the City, she worked with a variety of neighborhood associations, developers and nonprofit organizations in order to facilitate inner city redevelopment. After six years, she left employment with the City of San Antonio to become Vice President at Merced Housing Texas. At Merced, she worked to create and implement programs to improve family stability for apartment community residents. For six years, Mayor Taylor also lectured at UTSA in the Public Administration Department.
During her tenure on the City Council and as Mayor, she has remained focused on balanced growth throughout our city and targeted investment in areas where opportunities have been limited. She led the effort to bring over $50million in federal funding for revitalization of San Antonio's Eastside. As Mayor, she and the City Council worked with San Antonio Water Systems to achieve unanimous approval for the Vista Ridge Water Supply project which will help ensure water supply for our growing city.
Mayor Taylor currently serves on the board for Healthy Futures of Texas and Big Brothers Big Sisters of South Texas. She has served on the City's Planning Commission and as a Commissioner for the City's Urban Renewal Agency (SADA). Mayor Taylor completed the Leadership San Antonio class sponsored by the Greater San Antonio Chamber of Commerce, and in 2004 was acknowledged by the San Antonio Business Journal as a "Rising Star" in their "40 under 40" class.
Mayor Taylor obtained a Master's Degree in City and Regional Planning from the University of North Carolina at Chapel Hill in 1998. In 1992, she received a Bachelor's Degree from Yale University. Mayor Taylor is a devoted wife and a mother.
A.J. Rodriguez is Chair of the College of Public Policy Advisory Council and Vice-President, External Affairs for Zachry Group in San Antonio, TX.
UTSA College of Public Policy in partnership with UT Austin, UCLA, USC, and UTMB, present
The 2016 International Conference on Aging in the Americas, Sept. 14-16, 2016
Contextualizing Health and Aging on Both Sides of the U.S./Mexico Border
The University of Texas at San Antonio Downtown Campus
Livestream provided by NowCast SA
Conference Overview
The Conference on Aging in the Americas (CAA) is aimed at utilizing research to augment knowledge about dimensions of healthful aging for people of Hispanic and Latin American descent and fostering emerging scholars in the field as this topic rapidly develops as a major policy and national budget issue. Past installments examined the social and economic causes and consequences of health problems among older Mexican-origin individuals in the United States and in Mexico. An overview of what was accomplished at our bridging workshop in Mexico, DF, and in past ICAA meetings is available at http://lbjschool.austin.utexas.edu/caa/ Future symposia will be an indispensable means for assembling multidisciplinary contributors who can disseminate state-of-the-art research, inform public policy from a bi-national perspective, and consider the best course for ensuring productive aging in the Hispanic population.
Conference Details
The Welcome Dinner and Keynote (invitation only)
A Welcome Dinner and Keynote Address will kick off the 2016 International Conference on Aging in the Americas at the DoubleTree by Hilton Hotel. Keynote Address will be presented by Dr. Peter Ward, Associate Dean for Research; C.B. Smith Sr. Centennial Chair in U.S. - Mexico and Relations and Professor of Public Affairs and Sociology, University of Texas at Austin. A meet and greet and cocktail reception will take place prior to the dinner.
Registration opens July 1, 2016. Registration check-in will also take place on Sept. 14th at the DoubleTree Hotel on the first floor from 6pm - 7pm. Join us for a cocktail reception during check-in time, and enjoy the sounds of San Antonio by listening to a mariachi band. The dinner and keynote address will occur in the Salon de Gala room after the meet and greet.
or Click here to complete the registration form
DoubleTree by Hilton
Hotel accommodations are provided by the DoubleTree by Hilton located at 502 W. Cesar E. Chavez Blvd., San Antonio, TX 78207. Just right across the street from the UTSA Downtown Campus, guests can enjoy convenient access to the conference, nearby eateries and other facilities. Individual call-ins can be made by calling hotel reservations at 1-800-HILTONS or calling the hotel directly at (210) 224-7155 between the hours of 8:00 a.m. - 5:00 p.m.
Please ask for the group room block
ICAA Conference Block or Group Code ICA.
You may also book your stay by using the web link below.
Reserve Your Hotel Stay here
If you need assistance with your reservations, please call Kimberly Chaney at 210-388-0312.
Maps and Directions to Doubletree Hotel
How to Get Here
From the Airport
San Antonio International Airport
Hwy 281 South, Exit Cesar E. Chavez Blvd. (formerly Durango Blvd.) turn Right - Hotel is 1 mile on left
Distance from Hotel:
11 mi.
Drive Time:
20 min.
Click on link for a map of the Double Tree by Hilton other and hotel details.
Map of the UTSA Downtown Campus
The DoubleTree Hotel's website provides information on nearby attractions. There are many things to do in the heart of San Antonio. Visit the Alamo, catch a river boat taxi, or stroll through Market Square while enjoying your stay in historic San Antonio. These fun activities are all within close proximity to the UTSA Downtown Campus. Click here for more information.
If you wish, feel free to contact Dr. Rogelio Sáenz, Principal Investigator for the 2016 ICAA meeting at
email@example.com; Michelle Skidmore at email@example.com
or one of the co-organizers, Jacqui Angel firstname.lastname@example.com or Kyriakos Markides, UTMB Galveston, email@example.com
CAA website: http://lbjschool.austin.utexas.edu/caa/2016-2
Faculty website
Download event flyer
Child Care/Family Care
Attendance for some individuals will be dependent on the availability of resources for family care. Family/child care will be available at the conference site. Information for arrangements is forthcoming. Please check the website soon for more details on dependent care.
This year, NowCast SA will live-stream the 2016 ICAA. Anyone will be able to view the program live on the web or replay later. You may view You Tube to watch the program at any time after the event. Visit www.nowcastsa.com to view the program.
About the University of Texas at San Antonio Downtown Campus
Located in the heart of San Antonio's business, social and cultural scenes, the UTSA Downtown Campus offers undergraduate and graduate degree programs in the College of Architecture, Construction and Planning, the College of Public Policy and the College of Education and Human Development. Approximately one-third of UTSA's graduate students take classes at the Downtown Campus. The urban campus is home to many of the university's community outreach programs and extended education offerings and serves as a convenient location for hosting community wide events.
The University of Texas at San Antonio is an emerging Tier One research institution with nearly 29,000 students. It is the largest university in the San Antonio metropolitan region. The University of Texas at San Antonio is dedicated to the advancement of knowledge through research and discovery, teaching and learning, community engagement and public service. As an institution of access and excellence, UTSA embraces multicultural traditions and serves as a center for intellectual and creative resources as well as a catalyst for socioeconomic development and the commercialization of intellectual property – for Texas, the nation and the world.
Funding for this conference was made possible in part by Grant SAT0001724 from the National Institute of Health. The views expressed in written conference materials or publications and by speakers and moderators do not necessarily reflect the official policies of the Department of Health and Human Services; nor does mention of trade names, commercial practices, or organizations imply endorsement by the U.S. Government.
Commencement Info available here: www.utsa.edu/commencement
The Public Administration Theory Network organizes a prestigious annual conference every spring. The PA THEORY NETWORK 2016 Conference "Important Immeasurables and Public Administration Theory" will be held in San Antonio, Texas on May 20-22, 2016.
Hotel Information
Menger Hotel (210.223.4361) 204 Alamo Plaza, San Antonio, TX 78205 http://www.mengerhotel.com/
Room Rates
Queen Bed Non Smoking: Single Rate: $139.00 Double Rate: $139.00 Triple Rate: $149.00 Quad Rate: $149.00 King Bed Non Smoking: Single Rate: $139.00 Double Rate: $139.00 Triple Rate: $149.00 Quad Rate: $149.00 Complimentary Wi-Fi in rooms and meeting spaces
2016 Parking rates for your group are: $20.00 Valet plus 8.25% tax, (subject to change/for Hotel guest only). There are no accommodations for bus parking at hotel. There are various city lots around hotel from $12.00 to $20.00 a day. The hotel will provide (2) complimentary parking passes while group is in-house at the hotel.
There is a city shuttle called "GO Airport Shuttle" that leaves every 15-30 minutes from outside the baggage claim area at the airport. Shuttle will make several hotel drop offs. Cost is $20.25 one way or $36.70 round trip. Taxi ranges from $25.00 to $30.00 and will charge flat rate for one to three people.
Deadline to Make Reservations
Committed guest rooms will be held until Friday, April 22, 2016 at which time they will be released. Reservations received after the deadline date will be accepted on the basis of availability even if the group block is filled. Please note that the Menger Hotel does not apply an Attrition Clause to your contract for rooms not picked up after cutoff date.
Other Information
Name changes will only be accepted up to (48 hours) prior to arrival. Reservations By: Individual Call-In 24-hour toll-free reservations: 800-345-9285/Online Group Link Conference rate will be held until April 15th at which time they will be released and go up to $169/night. WHEN Friday, May 20, 2016 at 7:00 AM - Sunday, May 22, 2016 at 2:00 PM (CDT)
Menger Hotel - 204 Alamo Plaza, San Antonio, TX 78205
For more info and to get tickets, please click here. You can also visit the website.
The UTSA Office for Community Services and the College of Public Policy present
The Historical Impact of Henry B. Gonzalez on Politics and Public Policy
A Panel Discussion to Commemorate Henry B's Centennial
Tuesday, May 3, 2016
5:30 p.m. - 7:00 p.m.
UTSA Downtown Campus, Buena Vista St. Bldg. Theater (BV 1.326)
(Please note: room has changed due to attendance size)
Event is free and open to the Public
Reception to follow
NowCast SA to live-stream event. Click on link to view the program live on May 3rd. The program will be available to view on Youtube after May 3rd.
Special thanks to Max Navarro and Jane Macon for sponsoring the webcast.
Dr. Ricardo Romo, President, University of Texas at San Antonio
Dr. Francine Romero: Opening remarks and introduction of panelists
Lionel Sosa (confirmed)
Henry B.: A child of the revolution--the social, cultural and political environment of the Mexican community in San Antonio in the early 20th century.
Gene Rodriguez (organizer)
Henry B: A brief profile of his career
Dr. Henry Flores (confirmed)
Henry B.: Reflections on his impact on the politics of the city, state and nation
Dr. Henry Cisneros (confirmed)
Henry B.: Reflections on his impact on the public policies of the city, state and nation
The Honorable Charles Gonzalez (organizer)
Henry B: Reflections by the son who replaced him in Congress
Dr. Francine Romero
Erik Sanden and Joe Reyes of the band Buttercup will perform a rock song.
Guests will have the opportunity to share recollections and stories of Henry B.
Free parking is available in Lot D-3 under the IH-35 bridge in unmarked spaces only.
Map and directions - UTSA Downtown Campus
For questions, please contact the College of Public Policy at (210) 458-2530 or email Michelle Skidmore at email@example.com
Thank you to all the UTSA support staff, College of Public Policy, Office for Community Services, Downtown Special Events, Anne Marie's Catering, Charlie Gonzalez and Gene Rodriguez, Dr. Francine Romero and the family of Henry B. Gonzalez for helping to make this event a success.
UTSA, the San Antonio Express-News, and Time Warner Cable News will host a town hall meeting about San Antonio's growing traffic congestion at 7:30 p.m., Thursday, March 31, 2016 in the Buena Vista St. Bldg., Aula Canaria (BVB 1.328) at the UTSA Downtown Campus. The event is free and open to the public.
As the region's population grows, traffic problems grow with it. What can policy makers do to ease the pain?
Four panelists will address the topic at a 90-minute forum. They include Jeff Arndt, president and CEO of VIA Metropolitan Transit; Leon Valley Mayor Chris Riley; San Antonio City Councilman Rey Saldana; and Bexar County Commissioner Kevin Wolff. Associate Dean and Associate Professor of the College of Public Policy Dr. Francine Romero will moderate.
Free event parking will be available in unmarked spaces of lot D-3, beneath the IH-35 bridge. Tickets are required for entry to the town hall meeting. To reserve your free tickets, visit www.mySA.com/townhall and click on the image. Seating is limited.
The San Antonio Express-News will collect questions from the audience in advance of the start of the event. Please come early to fill out a Q&A card if you would like to submit a question.
Time Warner Cable News will air a live broadcast of the town hall meeting. To view the program online, visit http://www.twcnews.com/tx/san-antonio.html and click on the "Watch Live" tab.
Source: UTSA Today
Dr. Enrique Aleman, Professor and Department Chair of the UTSA Educational Leadership and Policy Studies, will discuss Mexican American histories of violence, trauma and unequal education in South Texas.
In October 1956, student, parents, teachers and administrators from Driscoll, Texas, participated in a landmark school desegregation court case, Hernandez et al. v. Driscoll CISD. In this case, the district was accused of, and ultimately found at fault for, racially discriminating against its Mexican-American students. The students and parents who testified on that day showed bravery and a belief in the U.S. judicial system. Unfortunately, the story of Hernandez has gone acknowledged and the stories of those that lived through these schooling experiences forgotten. One of the eight children to testify that day against the Driscoll CISD was Lupita Aleman, mother of Dr. Enrique Aleman, Jr. Although he never had the chance to hear the whole story directly from her, Aleman decided to research the case and to document the stories and experiences of those who lived and persevered. The purpose of this presentation is to not only share results from Aleman's study of this case and collection of oral histories from over 30 participants, but to discuss policy options for addressing the unequal schooling conditions that Mexican-American and Latina/o students face today.
The Southwest Voter Registration Education Project will hold a non-partisan "Get Out The Vote" Rally on Friday, Feb. 26, 2016. The purpose of the rally is to raise awareness about the importance of the Latino(a) vote in the Republican and Democratic Primaries and Caucuses as well as to mobilize millennials to register and vote. The event will take place at UTSA's main campus in the H-E-B University Center's Ballrooms 1 & 2.
Invited Presidential, Congressional and State Candidates include Mr. Rocky De La Fuente, Democratic Presidential Candidate; Hon. Gil Cedillo, Los Angeles City Councilman; Dr. Ben Carson; Senator Ted Cruz; Governor John Kasich; Senator Marco Rubio.
Confirmed guests include Ms. America Ferrera, Actress and Star of "Superstore" and "Ugly Betty"; Ms. Illena Gonzalez, UTSA Student Body President, Student Government Association; Dr. Lee Keene, Congressional Candidate CD23; Hon. Jose Menendez, State Senator, (I) SD26 and Vice-Chair Senate Hispanic Caucus; Dr. Rogelio Sáenz, Dean of the College of Public Policy.
A voter registration drive and early voting will be conducted on site.
As a reminder, the last day to early vote for the March 1 Texas Primary is Friday, Feb. 26, 2016. UTSA's main campus will have early voting available at the Applied Engineering and Technology (AET) Building, 1.100.
Locations near the Downtown Campus will have early voting available at the following locations:
• Bexar County Elections Department 1103 S. Frio St.
• Bexar County Justice Center, 300 Dolorosa
To confirm attendance at the rally tomorrow, click here: http://svrep.org/summit-2016-texas.php
A Latino Leaders and Activists reception to follow at Espana Bar de Tapas on 5638 Housman Rd. from 6pm - 8pm. RSVP
Registration: $25.00 registration fee includes breakfast, lunch, snacks, coffee, conference materials, and an invitation to our exclusive post-conference networking event.
Register here
Group Discounts: Want to bring your school organization or students from your class? Email H.Drew Galloway for more information.
Scholarships: Full registration scholarships are available. Application now open: Apply by Friday, February 26th!
Speakers and agenda to be announced soon!
Questions? contact H. Drew Galloway, New Politics Forum Program Coordinator at firstname.lastname@example.com or call (512) 232-9439.
Dr. Ellison will speak about the Religion-Demography Nexus: Recent Developments and Future Directions. Dr. Ellison holds a B.A. in Religion (1982) and a PH.D. in Sociology (1991) both from Duke University. His research centers on several main issues: the implications of religion and spirituality for mental and physical health and mortality risk; religious variations in family life; the role of religious institutions, practices, and values among racial and ethnic minority populations in the U.S.; the influence of religious factors on political attitudes and policy preferences; and public opinion surrounding issues of race, ethnicity, and immigration in the contemporary United States.
Iris Carlton-LaNey, Ph.D. has over 35 years of social work teaching experience. She has published over 70 articles and book chapters and has several books to her credit. Her professional interests include social welfare history (especially African-Americans and the Progressive Era) and rural elderly African-American women and social support. Carlton-LaNey has received several awards for her work, including the Feminist Scholar Honoree recognition from the CSWE Council on the Role and Status of Women; the Sisters of the Academy (SOTA) Legacy Award; the Distinguished Achievement in Social Work Education Award; and UNC-Chapel Hill's Distinguished Teaching Award for Post-Baccalaureate Instruction.
The Dean's Distinguished Lecture Series features scholars and policy analysts on a variety of major issues affecting the community, the nation and the world. Events are free and open to the public. Join the conversation at #policyutsa or @policyutsa. Map and directions available here: http://www.utsa.edu/visit/
For questions, please contact Roger Enriquez, J.D., email@example.com
For more information, visit http://utsa.edu/engaged
The Criminal Justice National Honor Society Alpha Phi Sigma and UTSA Police Department will sponsor a toy drive. Join them by donating new, unopened toys as well as items on the holiday wish list to benefit the Battered Women & Children's Shelter here in San Antonio.
Boxes will be placed at the following locations:
Here are some other items you can donate on the wish list for the shelter:
Items for children:
Any toy except guns/violent toys to include:
Educational Board Games or puzzles
Legos/building blocks
New stuffed animals
Nerf footballs/basketballs
Battery operated cars/trucks
For babies:
Soppy cups
Baby bottles and bottle brushes
Baby bath sets/w Combs and brushes
For Moms:
Gift cards (Heb, Wal-Mart, Target, Starbucks)
Foot spa
Watches/costume jewelry
Prepaid calling cards
Perfume/bath gel
Ethnic hair products
Bed in a bag
DVD movies (PG or G only)
The UTSA PD and the Family Prevention team ask for the following as well:
Gift cards (for clothing and grocery stores)
Robes and slippers
Costume jewelry
Flat irons
Blow dryers
Dinner certificates/gift cards
Bath gel
Prepaid calling cards
Ethnic hair products
Gas/bus cards
For questions, contact Jason Buikema at 210-379-3753 or email firstname.lastname@example.com
Please register here: https://goo.gl/fGJvuk to RSVP.
For more information, please visit UTSA Today
Event is free and open to the public; however, seating is limited. You can reserve your tickets here
College of Public Policy Advisory Council and Alumni social gathering
RSVP on RowdyJobs by selecting "Career Fair and Events" For more information, contact the University Career Center (210) 458-2910
For more information, please visit: http://copp.utsa.edu/news/national-diversity-counc...
Full Commencement Schedule:
The 2015 Civic Engagement Conference recognizes the myriad of efforts by the UTSA faculty, staff and students to respond to needs in the community and make a difference. Peter Levine, Ph.D., will give the keynote address, and the Honorable Ron Nirenberg, District 8 Councilman, will present during one of the breakout session. Click here to register and see the full schedule of events and list of speakers. For more information, visit http://www.utsa.edu/community/cce; contact Brian Halderman at email@example.com; or call (210) 458-2658.
Matthew W. Hughey, Ph.D. is Associate Professor of Sociology and Affiliate Faculty in both the Africana Studies Institute and the American Studies Program at the University of Connecticut. A scholar of race, racism, and racial inequality, Professor Hughey examines: (1) white racial identity formation; (2) racialized organizations; (3) mass media racial representations; (4) public and political engagements with race, and; (5) advocacy and engagement with racism and discrimination.
Professor Hughey's scholarly articles have appeared in journals such as The ANNALS of the American Academy of Social and Political Science; American Behavioral Scientist; Social Problems; Social Psychology Quarterly; Symbolic Interaction; Journal of Contemporary Ethnography; The Sociological Quarterly; Contexts; Law & Social Inquiry; Du Bois Review; Ethnic and Racial Studies; Ethnicities and; Sociology of Race and Ethnicity.
He is the author or several books, including The White Savior Film: Content, Critics, and Consumption (Temple University Press, 2014), The Wrongs of the Right: Race, Language, and the Republican Party in the Age of Obama (New York University Press, 2014), The Obamas and a (Post) Racial America? (Oxford University Press, 2011), and White Bound: Nationalists, Antiracists, and the Shared Meanings of Race (Stanford University Press, 2012).
He serves on the editorial boards for Social Problems, Social Psychology Quarterly, Journal of Contemporary Ethnography, Humanity & Society, Ethnic and Racial Studies and he is a co-founding Associate Editor of Sociology of Race and Ethnicity—the first race-related, official journal of the American Sociological Association.
In 2014, Professor Hughey was awarded the Distinguished Early Career Award by the American Sociological Association's Section on Racial and Ethnic Minorities.
Event is free and open to the public. Free parking available under the I-H 35 bridge in Lot D-3. For more information, contact Michelle Skidmore at (210) 458-3213.
On Wednesday, Sept. 30, 2015, The College of Public Policy and University Career Center hosted a Career and Internship Networking Event. The event was a huge success. A number of representatives from local, non-profit and government organizations met with College of Public Policy students and provided career advice and helped them to explore opportunities in their areas of study. Many of the students felt that this event was truly engaging and served as a platform for networking with employers. The College of Public Policy and University Career Center would like to thank all of the employers who came to present information that will help in meeting students' academic and career goals.
COPP undergraduate and graduate students will have an opportunity to connect with employers and community organizations and develop professional networks and get an edge in their career. Employers and alumni in the industry will have the opportunity to share their expertise and offer career advice. Light refreshments are available.
If you are a student, please download student flyer for RSVP instructions.
Student flyer
Employer and agency flyer
List of agencies attending:
© The University of Texas at San Antonio | One UTSA Circle, San Antonio TX 78249 | Information: 210-458-4011 | UTSA Police: 210-458-4242


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Change your life and theirs. Adopt from the SCAWC and give a homeless dog or cat a safe and loving place to live.
Touch the life of a homeless animal and connect with people who have similar interests by volunteering at the SCAWC.
Thrift Shop
The SCAWC Flea Market & Thrift Shop benefits our center. We gladly accept tax-deductible donations.
Our medical programs include:Low Cost Spay/Neuter Program and Low Cost Medical Programs
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Founded in 1973, the St. Croix Animal Welfare Center (AWC) provides and promotes the humane treatment of animals.
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St. Croix AWC's Pet Licensing enables residents to purchase and register their pet licenses online.
Our Programs
Our programs include Humane Education, Animal Control Services and Paws
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Our office and adoption hours, important email addresses, including our mailing address and directions.


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Other reviewers have covered the salient points of this Hotel. Rooms are compact but its location means you have more time to spend in this beautiful city. The Old Town and the Lake are less than ten minutes walk away.
The staff, especially Beatrice were endlessly helpful and patient. It's worth a stay just to ride in the world's tiniest lift.
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DWTS Pro Allison Holker Discusses "Switch Up Week" for Yahoo
Allison is back to blogging (and yoga?!) after giving birth to her gorgeous baby. She writes for Yahoo.com and her favorite dances will surprise some of you. Click the link to read the whole thing.
Favorite Dance of the Night: Mark and Ginger
Mark Ballas has always been one of my favorite choreographers. He has a very creative way of using his partners' strengths and applying those strengths to his dances. He allows their personalities to shine through the dance, and you as a viewer feel as though you know his partners better after seeing his dances. And that is exactly what he did with Switch-Up week. He was partnered with bubbly Ginger Zee, and they performed a fun, energetic salsa that lit up the ballroom floor. It was fiery, sexy, and exciting, which is just how I feel about Ginger. This was a great partnership, and I hope to see more of this side of Ginger moving forward each week.


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Newly installed Cardinal Timothy M. Dolan offered some good advice when he was interviewed after his installation ceremony. We thought of Mitt Romney when he said what he did.
A New York Times reporter was talking to Cardinal Dolan about the latter's cheerful personality and his down-to-earth approach to life. Cardinal Dolan said, "You got to be yourself, right?" He added, "Why put on airs? Why try to be somebody different ?"
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Money for life: Leaving a legacy
It's that stage in my life where I am an empty nester. My two girls are now financially independent and not living in the family home anymore. It is that… Read more »
It's that stage in my life where I am an empty nester. My two girls are now financially independent and not living in the family home anymore. It is that… Read more »
Youth fades, love droops, the leaves of friendship fall. A mother's secret hope outlives them all. – Oliver Wendell Holmes I was once a mother with small kids. There are… Read more »
I am truly grateful for the recognition once again. Last year, I also won First runner-up, #SINAG Financial Literacy Digital Journalism Awards . The SINAG 2015 Financial Literacy Journalism Awards… Read more »
"The first step to teaching your kids how to handle money is being a good example." – Dave Ramsey My children are adults , living away from home for the… Read more »
Once upon a time…. You have a stockholder's meeting on June 29 at the Mandarin Hotel. I placed the invitation on my daughter's tables. Both girls suddenly got interested. "a… Read more »
When you retire, think and act as if you were still working; when you're still working, think and act a bit as if you were already retired. ~Author Unknown (Photo… Read more »
UPDATED May 27- Winners (you can only win once. If your name is also a winner in other blogs, then I will choose another winner) Gold Winners: 1. Jyrus Cimatu… Read more »
Remember what I wrote about the benefits of having a virtual office? Not just any virtual office, but this office in the Philippines, I can also use the virtual office spaces… Read more »
Allow me to toot my horns for a bit and appreciate the recognition in receiving first runner up of the #SINAG Financial Literacy Digital Journalism Awards held December 11 at… Read more »
Written by Edel Cayetano , as originally posted on Blog Watch, Philippine Online Chronicles. "A mommy can work and be a mommy too." This is what working moms try to… Read more »
If you do need an office within minutes, check out the website of voffice.com.ph for the plans you want to avail then use my referral page or call +632 2242 000… Read more »
I often correct myself whenever the kids used to ask me "mom can we afford to buy _______?". See, my standard reply is always " I don't have money" and… Read more »
I recall a conversation with a friend of my daughter who spent an weekend with us. While having breakfast, the discussion turned to money matters. She gushed over Lauren's responsible… Read more »
I smile as I flick through the photos from my little red wooden box. As I gaze at the photos of my children, the laughter springs to life in my… Read more »
I am excited about 2014 for the possible opportunities that will come my way. The start of the new year offers a wonderful opportunity for me to reflect on 2013 and to set… Read more »
How time flies. The year 2014 is my eighth year as a blogger. When I look back at my grief journey, the turning point is the day I became a… Read more »
I was too complacent during the years I grieved for the loss of my son. I left all the financial burden to my husband. Today, taking responsibility for our financial… Read more »
I am no stranger to death and dying. Let me count the ways: 1976– My mother succumbed to breast cancer 1990– My 28 year old brother, Reuben died from Fulminant Hepatitis A 1999- Oscar, my 40 year… Read more »
I am a firm believer that one of the solutions to our country's economic woes is that more of us should start a small business and be self-sustaining. With the… Read more »
"No one school is right for every child. When searching for a school for your child, the question is not whether a particular school is good or bad, but whether… Read more »


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Q&A: Iconic Couples, Vote Counts, Favorite Kurosawas
There were so many good questions this week for the Q&A that we had to do this twice. Here are more questions asked of your host Nathaniel, and now answered. Thanks for being engaged readers!
Since there's been talk of how sweet it would be to see Leo and Kate both win Oscars this year, I've been thinking about recent screen couples that have captured audiences' imaginations in that way, that people would love to see win Oscars at the same time and I couldn't think of any quite on that level. Are there any post-Titanic screen couples you think of as legendary pop culture pairings? -EDWIN
Had Nicole Kidman & Ewan McGregor ever reteamed post Moulin Rouge! I think they might have become a screen couple like that. The fact that they haven't is a tragedy since we will love them until their dying day. You could argue that Rachel McAdams and Ryan Gosling (The Notebook) qualify. I think if Heath Ledger were still alive this might have happened with him and Jake Gyllenhaal since they're both such tremendous actors and liked each other quite a lot. It would have been fascinating to see them co-star in a second film in a totally different genre.
The Film Experience is 1000% behind today's Hollywood realizing that reteaming stars who had insane chemistry is one of the best traditions of Old Hollywood. It's not only fun for fans, it's also marketable! Wouldn't you be so excited if Kate & Leo made a comedy together in 2018?
What's your favorite performance given by an animal actor? -TYLER
Asta as "Mr Smith" from The Awful Truth (1937) which is my first or second or third* favorite screwball comedy of all time. (It's hard to decide because they're so many great ones)
If it was up to you to decide, would you release the official vote counts from old Oscar ceremonies? Or would that take away the fun of endless speculating? is there a particular race you would want to know the official tally? - MARCELO
The answer and more after the jump...


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Ran Blake MP3s
May 2011
Listen to two tracks off the pianist's first live album, Grey December: Live In Rome
Listen to two tracks off the pianist's first live album, Grey December: Live In Rome
Courtesy of Dust-To-Digital and the Rev himself, exclusive to The Wire
Listen to tracks by artists featured in The Wire 327 Global Ear
Listen to a live recording, exclusive to The Wire
Listen to a compilation of unreleased tracks on LA's Not Not Fun label, exclusive to The Wire
Listen to a selection of tracks from The Wire's Office Ambience for May 2011
Listen to a collection of tracks from recent releases on Bill Kouligas's PAN label
The annual electronic music festival, supported by The Wire, celebrates the labels Raster-Noton and Mute, plus a DJ set from founder Daniel Miller, talks, films, installations and more.
Listen to an alternate version of "A Strange Undulation" from Brooks's recent album
Listen to "High Gold", a track from the Black Metal outfit's new album...
Listen to a live recording of Jason Kahn's extended composition...
Listen to exclusive tracks off of Dramatic Records's new release, reviewed by Joseph Stannard in The Wire 326.
Listen to two tracks from Area C aka Erik Carlson
Listen to an excerpt of Charlie Nothing & Dingulator, courtesy of De Stijl Records. Charlie is featured in Byron Coley's Cross Platform article in The Wire 326.
Listen to a collection of compositions by Milton Babbitt, Vladimir Ussachevsky and more
Listen to the The Wire's Office Ambience for April 2011
Listen to live tracks recorded at the Empty Bottle, Chicago 24 September , 2003
Listen to work by the UK sound artisan behind A Broken Consort, Riftmusic and others.
Listen to work by the British composer who is featured in this month's issue...
Download a vocoder mix by Monk One and Dave Tompkins, author of How To Wreck A Nice Beach: The Vocoder From World War Two To Hiphop. Dave appeared as part of The Wire Salon at Cafe Oto, 15 February...


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October 14, 2011
Sarah Elizabeth Mattox and Andrew Tillman Powell of Hamilton were married May 14, 2011, at 6 p.m. at First United Methodist Church of Aberdeen, with the Rev. Truman Thompson officiating. The bride is the daughter of Mr. and Mrs. Edward C. Mattox of Aberdeen. She is the granddaughter of Eva Lee Henley, C.E. Henley, Azalene B. Mattox and the late Quinn F. Mattox, all of Aberdeen. The bride was given in marriage by her father. She wore a strapless gown of ivory taffeta, with fitted bodice accented by embroidery and hand beading that extended down a semi-cathedral train. She wore an ivory illusion fingertip veil and carried a hand-tied bouquet of white hydrangeas, roses and tulips, and a lace handkerchief that was her great-grandmothers. Claire Lynn Mattox, sister of the bride, served as maid of honor. Serving as bridesmaids were Kate Keller Cotton of Bonne Terre, Mo.; Brittany Hart Russell of Starkville; Shauna Little Clark, Sara Elizabeth Harrington and Kristie Summerford Coker, all of Aberdeen. The bridesmaids wore strapless A-line satin floor-length gowns in horizon blue and carried bouquets of blue hydrangeas, green roses and green carnations. The groom is the son of Charlotte W. Powell of Birmingham, Ala., and the late Johnny Powell. He is the grandson of Margaret C. Waddy and the late J. Vernon Waddy of Birmingham, and the late Herschell T. and Omblene H. Powell of Hollendale, Ala. Brooks Waddy Powell, brother of the groom, served as best man. Benjamin Edward Mattox of Aberdeen, brother of the bride; Richard Todd Harcrow of Oxford; Craig Allan Giesbrecht of Macon; Christopher Lee Wright of Columbus; and William Daniel Cotton Jr. of Bonne Terre served as groomsmen. Following a wedding trip to Ocho Rios, Jamaica, the couple resides in Hamilton, where the groom is a sales representative for MSC Industrial of Columbus, and the bride is a registered nurse at Baptist Memorial HospitalGolden Triangle.
1. Busted: Lowndes narcotics agents stay on top of drug crimes COLUMBUS & LOWNDES COUNTY
2. Gray captured hours after Clay County escape AREA
3. No fear, only fun for Sanders at Republican National Convention COLUMBUS & LOWNDES COUNTY
4. Starkville man gets 60 years for murder, robbery STARKVILLE & OKTIBBEHA COUNTY
5. Gosney assumes CAFB command COLUMBUS & LOWNDES COUNTY


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Are you a recent college graduate or current student looking to gain valuable experience you can use to launch a career in the rapidly-growing field of environmental sustainability? If so, the City of Martinez is now hiring for the part-time Sustainability Programs Assistant internship position.
The City has funded homeless advocacy programs designed to provide essential resources to our community's most vulnerable population since 2011. This work has been recently jeopardized when Contra Costa Homeless Outreach announced it would be discontinuing operations on June 30th.Fortunately for the City, Tesoro stepped in and informed the City that its foundation had approved a three-year, $90K grant to support the City's Homeless Outreach Initiative. Tesoro's generous and timely investment will help the City continue this important work by contracting with a local homeless advocate experienced with assisting the homeless in Martinez.Full Press Release
Ditch the Car & Grab Your Bike: Summer Bike Challenge Comes to Martinez511 Contra Costa is rolling out a new summertime recreational bike promotion in Martinez. The Summer Bike Challenge provides fun, healthy, no cost summer recreation that challenges participants to explore their hometown from the seat of a bicycle.
"Brad brings to us the perfect blend of professional experience, and creative leadership," said Mayor Rob Schroder. Mr. Kilger was selected from a candidate pool of about 40 that emerged from a national search conducted by Bob Murray and Associates who undertook a formal recruitment process for the City.


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Wii Virtual Console News
News Double Dose Of Sin & Punishment Arrives On North American Wii U Virtual Console Tomorrow
Get ready for an intense, adrenaline-pumped thrill ride
News We Can't Release Virtual Console Games Any Faster As It Would Impact New Development, Says Iwata
"Development of Virtual Console titles require detailed manual work"
News NES Sports Title Tecmo Bowl Rated By The Australian Classification Board
Marks the title's Virtual Console debut in PAL regions
News New Super Mario Bros. Releases On The North American Wii U eShop This Week
Will be available for $9.99
News New Super Mario Bros. Receives ESRB Rating For Wii U Virtual Console
That'll be three New Super Mario Bros. games playable on Wii U
News Mega Man & Bass Kickstarts "Mega May" On Wii U Virtual Console
Dr.Wily's least favourite time of year
Talking Point Nintendo's Legacy Makes The Virtual Console Essential, But It Must Modernise
Idealism should make way for realism
Poll Is It Time For a Fresh Alternative to the Virtual Console?
Bundles, remixes, subscription services - what's next?
News Natsume Has Eight Game Boy Advance Titles Prepped For The Wii U Virtual Console
Medabots! Medabots DX! Pocky & Rocky with Becky! More!
Video Donkey Kong 64 Tumbles Onto Wii U Virtual Console
Don't even think about that rap
Video WarioWare Touched! Arrives On Wii U Virtual Console
We check out Wario DS mayhem on the Wii U
Video Mario Kart DS Skids Onto Wii U Virtual Console
We dig into DS settings for Wii U and classic racing
Video Super Mario 64 Leaps Onto Wii U Virtual Console
We show off the Wii U features for this classic
News Game Freak's GBA Title Drill Dozer Rated By The Australian Classification Board
Konami's The Adventures of Bayou Billy is also on the way
News Pandora's Tower And Sin And Punishment Coming To The European eShop This Month
Early bird discount applies, too
News Nintendo DS And Nintendo 64 Games Finally Coming To The Wii U Virtual Console
Update: Four games available in Europe right now
News A Keen Retro Gamer Has Produced a Handy Virtual Console Controller Compatibility Infographic
Yikes, we really do juggle a lot of control options
News North American Release Date Confirmed for Duck Hunt on the Wii U Virtual Console
Dust off that Wii Zapper
Video Join Us For Nintendo Life's Haunting Halloween Night In
No Tricks here, just Treats for your Wii U and 3DS
Nintendo Download 30th October (Europe)
Stealth Inc 2, Shin Megami Tensei IV, Rare DK treats and much more


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6 of 6 people found the following review helpful
By RBarber - Published on Amazon.com
This is one of the worst 70's drive-in movies I've ever seen, and I'm a fan of drive-in movies. The most important point is it's only 41 minutes of an 80 minute movie. What the heck Amazon, where's the rest of the movie? Even if the rest of the movie was there I don't think it would help this dog. In the first half there are so many cliches and holes in the plot the missing second half couldn't possibly fix it. Oh, if you were looking for some 70's sexploitation you won't find it here. Zero - Zip, just stupid dialog. What a bore!
5 of 5 people found the following review helpful
By Fred Adelman - Published on Amazon.com
Format: DVD Verified Purchase
Two young girls, Karen (Dianna Hull) and Debbie (Kathleen Cody), hit the wide-open road in search of kicks, ignoring the fact that a serial killer is murdering young women along the beach of California's Big Sur. They rent a car, drive recklessly (a cop gives Karen a ticket for throwing her bra out the window) and screw with the heads of a series of hitch-hikers (including two gay guys), nearly hitting one guy on the side of the road. These girls are nothing but two spoiled brats who only care about themselves. Also on the road hitch-hiking is recently-released manic depressive Army soldier Will (Michael Ontkean), who we see in the beginning of the film beating up two guys playing pool in a bar for no reason at all, after having a flashback (which he has frequently) with his Army psychiatrist (who releases Will after telling him that the Army has done all they can). Will may also be the serial killer on the loose. Karen and Debbie pick up Will and he brings them to the Institute For Human Potential, a hippie encounter group run by Will's old friend John (Ralph Waite). John tells Will to ditch the Army uniform ("It's a false identity.") if he wants to stay at the Institute. Karen and Debbie catch the eye of The Maker (John McMurtry), a creepy Institute teacher and old Army buddy of Will's. The trio then go to Debbie's parents' beach house, where a bunch of hippies are squatting. One of them knocks out Will and they take off. When Will comes to, he grabs his gun and goes after them. When nighttime comes and Will doesn't return, Debbie and Karen go back to the Institute looking for him. John returns with them to the beach house, where they find a groggy Will waiting by the door. John invites the girls to come back to the Institute in the morning and walks back to the Institute. Karen goes by herself to the Institute the next morning (She says, "I feel loved!" after the encounter group lifts her up in the air in unison), while Will and Debbie spend some alone time on the beach. That night, one of the Institute's women, Frances (Pamela Serpe), is murdered. Karen takes off her top and makes a play for Will, but he rebuffs her. Will returns to the Institute, where The Maker accuses him of killing Frances. We then find out who the killer really is, but stupid girls Karen and Debbie shoot Will with his own gun. The killer (who has a hatchet) meets the girls outside the beach house, we hear a shot and then see a freeze-frame of the killer's face. The End. This early 70's exploitation film, directed by Thomas J. Schmidt (his only directorial effort; he died at age 35 in 1975), is a severely-dated road movie full of long-haired hippies in bell bottom pants, hippies in communes and hippies being hassled by the fuzz. There were so many hippies, I nearly broke out the bug spray. Much of the film's philosophies (free love, going braless, homosexuality) seem archaic and simple-minded today as do the scenes of body painting and group encounters (not to mention the "far-out" dialogue). Scripters Michel Levesque (who also directed WEREWOLVES ON WHEELS [1971] and the WIP flick SWEET SUGAR [1972]), Larry Bischof and Gloria Goldsmith have crafted a story that spends way too much time on the commune life and not enough time on the murder mystery. Once we get the reveal on who the real killer is, it's way too late to care. Karen and Debbie care nothing about anyone's feelings and tease every man they run across, never putting out for anyone. I was hoping these two girls would get abused in some way to teach them a lesson but, except for the oblique ending, they do very much what they please and get away with it. For a film about free love, there's precious little nudity and there's even less blood. I This film is only of interest if you want to see an early film appearance by Michael Ontkean (who would do TV's THE ROOKIES next) and watch Papa Walton himself, Ralph Waite, sporting dashikis, spouting inane hippie psychobabble and trying to get it on with Karen. It's not a pretty sight. Also starring Michael Kopsche, Elizabeth Saxon, Paul Sorensen, Cliff Emmich and a blink-and-you'll-miss-it cameo from Uschi Digard. The clever opening credits are shown as a series of bumper stickers, hand-painted signs and graffiti on a wall. Also known as HOT SUMMER WEEK. Released to theaters by Joe Solomon's Fanfare Corporation (THE LOSERS - 1970) and now available on a great-looking DVD in its original OAR from Scorpion Releasing.
6 of 7 people found the following review helpful
By Steve - Published on Amazon.com
This film is not complete! 41 mins. Where's the rest of it? Who is killing all the hippies? Peace, love, dud.
6 of 8 people found the following review helpful
By Jobla - Published on Amazon.com
Format: DVD Verified Purchase
The new Scorpion DVD (released in 2010) is far superior to the old VHS release of the film from the 1980's. The DVD is anamorphic widescreen, and has a couple of extras: an interview with the screenwriter and a trailer preview.
My four-star rating mainly pertains to the new DVD itself. The movie is fun enough, but not a drive-in classic. It was released in 1972 under the title HOT SUMMMER WEEK, and then later retitled GIRLS ON THE ROAD. The girls only spend the first half of the film on the road, so the retitling is a bit exploitative (wow-a drive-in movie being exploited?).
One of the girls is played by Kathleen Cody, who mainly played "the girlfriend" or "the cute girl" in some Disney comedies. It's fun to see her get a little trashy in this film, and a nice change from her normal goody-two-shoes personna.
Those who enjoy films like THE YOUNG GRADUATES (1971) and THE YOUNG CYCLE GIRLS (1978) would probably like this one, too.
My four-star rating mainly pertains to the new DVD itself. The movie is fun enough, but not a drive-in classic. It was released in 1972 under the title HOT SUMMMER WEEK, and then later retitled GIRLS ON THE ROAD. The girls only spend the first half of the film on the road, so the retitling is a bit exploitative (wow-a drive-in movie being exploited?).
One of the girls is played by Kathleen Cody, who mainly played "the girlfriend" or "the cute girl" in some Disney comedies. It's fun to see her get a little trashy in this film, and a nice change from her normal goody-two-shoes personna.
Those who enjoy films like THE YOUNG GRADUATES (1971) and THE YOUNG CYCLE GIRLS (1978) would probably like this one, too.
2 of 2 people found the following review helpful
By atv nut - Published on Amazon.com
The movie was stopped at the 40 minute mark, and was not very good either. I would skip this one.
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