text:
Copyright Infringement and Greedy Labels Kick Us Off Soundcloud
I'm just trying to share the beautiful music I love with the rest of the world and I don't understand why you're making things so difficult for me? Not to mention, ripping me off and stealing the 135 bucks I paid for a premium subscription.
Okay, well maybe you didn't steeeeeal it. You did warn me about this possibly happening… and you did give me a few chances to change my ways.
But I don't understand WHY it matters if I upload someone else's sounds to a cloud?
And I need you Soundcloud. I need your followers. You're the most convenient way of reaching my audience.
I need them to hear this music!
Why are you doing this to me?
I thought we were friends?
Was there something I could have done differently?
Why do some things get me in trouble for copyright infringement automatically and others don't?
Now I'm asking the right question.
Even Kaskade Gets Kicked off Soundcloud
As you can see I went through almost every emotion upon receiving the news that our Soundcloud page had been shut down for uploading sounds that weren't ours. This happened about two weeks ago, and I'm just now getting around to sharing our story with you, but what you read above was written the day I found out. I feel a little better knowing that Kaskade and I are having the same issues, but it's clear there are larger factors at play we need to discuss. So come with me on a journey as I discover some of the answers to my own questions posed above.
How we use Soundcloud right now
We used our soundcloud to host our podcast….and yes, there were a couple of tracks that we wanted to upload, but only so we could highlight them on our site (aka share them with you!) and because we couldn't find them anywhere else on the internet. You all know there are a few sets out there you just can't seem to find on Soundcloud, but you can find them on Zippyshare. Not to mention soundcloud's HTML5 players are mobile friendly so they're a super important part of how we share music with you on the go. The normal wordpress code doesn't show up on a mobile phone.
I've been working with our head of social media Sean Peterson to lock down a process for building our Soundcloud following and things were just starting to pick up for us; we'd gained 2,000 new followers in the last two months. A week later, I woke up to a text from my developer letting me know we had been given the boot from Soundcloud.
Do I have the right to be pissed off?
Yes. Yes I do. For multiple reasons and at multiple people. But I want to be careful about who I go to war with. Soundcloud had to make a tough business decision to become fully legal or get sued out the ass; the internet isn't the lawless place it once was. But then my question becomes: who is making the rules? Google? Seems like it. Soundcloud is an amazing platform and an important part of the music industry. I love Soundcloud. I use it everyday. I'm sure you do to, but it's clear that a lot of us are…umm..unclear about how to use it. Or really, just wish we could use it in a different way than it's letting us.
What are you up to Soundcloud?
Over the last few months Soundcloud has been making updates to their autodetection algorithms. This means that as soon as you upload a track to soundcloud you awaken a little gnome in the backend of their site that gets to work trying to figure out whether or not the song you've uploaded is really yours.
I found some interesting comments on the internet from people having similar issues, and sometimes, very different issues that ultimately led them to the same conclusion. 'ChairCrusher' from music.cornwarning.com shared a post about his (odd) experience that led him to this conclsuion:
"Soundcloud's audio fingerprint software is able to detect common elements in two songs. That's great, but it can't distinguish between one song sampling another, and two songs containing common source material. So it's going to generate thousands of false positives. I guarantee that the worst-paid people at Soundcloud are the poor shmoes who have to wade through all the people contesting false positives for copyright infringement."(http://music.cornwarning.com/2013/03/26/in-which-soundcloud-sends-me-a-hilarious-takedown-notice/)
Trying to figure out if you've infringed on someone's copyright? If you want to read their whole spiel about copyright you can do that here, but for our purposes, only looking at this from the side of someone who uploads music, this section of their site outlines most everything:
(Feel free to skip this)
For music uploads:
Can you answer "yes" to all of the following questions?
- Did you compose the music yourself?
- Did you write the lyrics yourself?
- Did you record and produce the track yourself or do you have permission from the producer or record label that made the recording?
- Do you have written permission from all copyright owners to use any samples contained in the track?
Can you answer "no" to all of the following questions?
- Were you signed to a record label when you recorded the track?
- Do you have a publishing deal?
- Are you a member of a performing rights organization or collecting society?
- Have you licensed your track to anyone else?
- Does the track contain the entirety or any part of someone else's song(s) Is it based on someone else's song(s)?"
I understand the appeal of automation and the necessity to create algorithms that help us move the world forward. Automation is great for letting humans spend their time on more 'important ventures,' like browsing tumblr and reblogging this cute exercise panda.
But what happens when it starts effecting Kaskade, or TJR for that matter? TJR couldn't upload his Ultra set to YouTube because the set contained tracks from different labels. So when he went to upload his set, YouTube's auto-detection automatically wouldn't let him.
They want to share it online and in order to do so they have to follow the rules of the platform. A live set is coveted like gold in our community, and management knows how powerful of a promotional tool a live set can be, so they're obviously going to tell Hardwell to make sure he only plays tracks from his own label (as much as possible). And then Dyro and Dannic will follow suit and we end up with the same shitty music 3 times. Yuck. It's a control issue.
Where the Labels Fit in
In my opinion, the labels are really at the heart of this issue. They cling to their old ways and fight for every penny they can drain out of an artists good name when we all know there's not a substantial amount of money in selling music.
It's all a giant facade. The one thing labels are supposed to do for young artists is promote their music; but in the electronic dance music industry the labels are absolutely horrible at promoting their artists. I've been a music blogger for over 3 years now and I'm still shocked at how little some of the labels do; or when they do, the lack of professionalism.
In the end, we wind up with a few types of EDM labels. We won't even include drum and bass in this conversation because it's just sad how terrible that entire genre is at promoting their amazing music. DnB has such a loyal core following, and it's my second favorite genre, but somehow Avicii is a household name while Fred V & Grafix are…I don't know…chillin in London somewhere?
1) Figure it out on your own labels
Some labels like Ultra do provide a healthy payout for the rights to your tracks (but remember! They own your song now) and provide you with some money to find your own PR/marketing etc. So you better make sure you have a damn good manager, publicist, and booking agent because Ultra just wants to use your music to make money, licensing your tracks so they can be used in commercials or Disney movies.
2) Labels that cockblock their own artists
Then you have labels like Armada, who push Armin's new tracks but don't do anything for their smaller artists besides play them on ASOT or invite them to ASOT events (which is a big honor). I've noticed Armada's been creating new sub labels for their B-level artists like Orjan Neilsen (In My Opinion), Aly and Fila (FSOE), Andy Moor (AVA), Max Graham (Rebrand), and W&W (Mainstage Music), but do any of you think they have the money from record sales to support the infrastructure of a traditional record label?
(Not sure what the traditional organization of a record label looks like? This picture might help)
And the short answer is no, they don't. These are small businesses folks (Obama voice). One person might wear multiple hats within a label and their inability to generate revenue in a post-napster world leads me to believe, along with my own personal experiences, that many of these labels have less than 3 full-time employees. Nothing wrong with a tight ship! (I've heard Armada has 8 people)
3) Labels that try to do their own PR
Labels, like Enhanced, who send out spiffy newsletter blasts. Newsletters go: straight into my spam or a folder that I've created for them and usually forget to look at.
As a music blogger I get a ton of emails, so I use the service Unroll.me to organize my inbox. It's amazing. Definitely worth checking out. But I also create filters in gmail that automatically put emails from labels and publicists into specific folders I've created for them. This is in no way comparable to the strategic PR, marketing, and promotion done by organizations in other industries. Don't get me wrong, there are a few PR companies in the EDM industry that do an amazing job (theoryX, Tim Stark and Sixth Degree to name a few), but they're usually contracted by the artist's manager who realizes the label isn't going to help them promote the track and knows that it takes a full time publicist to help make and mold an artist. Unfortunately publicists are extremely underrated and underappreciated in the edm industry because 1) It's such a new market. DJ's are just starting to make the big bucks, so there aren't many artists who can afford the 10k month publicity retainers that exist for hollywood stars…but it's coming… and 2) There are a ton of wannabes that work for free and think the job of a publicist is getting a DJ drinks at their show. No. That's not right. Stop it. You know who you are.
The negative effects on new artists
Now we have all these new artists pumping out tracks with the goal of getting them signed to a label….but why? Because that's how people become famous? Wrong. Because that's how artists make money? Wrong. It's cool? Well, yes, it would be cool to be on Anjunabeats and hang out with Above & Beyond, but you don't need to be signed to Anjunabeats in order to make money or build a following. Wake up people! Take the time to do the research and figure out for the best path to accomplishing your goal, for yourself, by yourself. It's is called "Making a name for YOURSELF." Doesn't matter what label you're on if you're a douche.
One time a kid emailed me a new track and he asked me to let him know what I thought. So I asked him what label he was trying to sign the track to. He said he didn't care, he just wanted to get signed to any label. There were two things about the way this conversation was playing out that really blew my mind:
1) If you are going to create something specifically to get signed by a label, have your end goal in mind. A track that you want to get signed to Toolroom is going to sound a lot different than a track you want to get signed to Armada.
2) What the hell is the point of getting signed to a label these days as a musician in the electronic dance music industry?
Would you like to weigh the pros and cons? Honestly I don't even know if we need to. The reality is that a label is supposed to have a promo pool and they're supposed to send your tracks out to radio shows etc. to help boost the track and get your name out there. We'll come back to this idea in just a bit….but first…
Why wouldn't you let me upload your track to Soundcloud?
You scared bro? Am I stealing plays from your account and stopping you from getting booked? Does that qualify as truly stealing something of monetary value? Or am I just promoting your tracks and helping spread your music through the internet, resulting in new fans who fall in love with your tracks and are willing to pay anywhere from $10-500 to see you perform?
I'm going to use Armada as my example in this article. I'm a #TranceFamily guy till the end, but they are one of the strictest enforcers of copyright infringement on YouTube and Soundcloud that I've come across in EDM. I tried uploading a few old tracks for a Throwback Thursday article on OTB and they were immediately flagged by Soundcloud's anti-copyright infringement algorithm; two of our four strikes resulting in our expulsion from the SC platform. And ya, they actually give you 4 strikes.
Again, what's the point in blocking me from uploading these tracks? Is Armada's ultimate goal to drive people directly to the artists Soundcloud page resulting in more followers for the artist? I can see the arguement there…but I'm going to follow someone I love on Soundcloud regardless of where I discover their music. And I'll tell you what, I rarely EVER discover someone new ON Soundcloud. I discover them via podcasts or other blogs. Does it really matter in the long term where I discover them? When the long term goal is to get more bookings?
Things have changed guys. If people hear something they like, they're going to google it and they're going to find the artist, and if your music is good enough, they're going to follow you. Even better, they steal it and show it to all their friends.
One valid argument I can see from the labels is that they are attempting to control the artists' (and the labels) brand messaging. Limiting the locations of where people can hear the music allows them to keep a sharp eye on the content and also the feedback. But at the same time, it's music people. And you can't control the internet! People are going to download Armada's music illegally whether they like it or not, so what's the point in attempting to limit people's ability to discover the music in the first place? Stopping us from uploading your track is not the same as stopping us from uploading your track to Zippyshare.
If someone hears a song and wants that song in their itunes or on their phone they are going to do one of two thing: buy it or steal it.
That doesn't change depending on what label releases the track… it depends on the person sitting on the other side of the screen. And I can tell you right now there are a lot more people stealing music than buying it. I created a poll asking our users this exact question in my article about hacking beatport. You can still vote on the poll, but in reviewing the current results approximately 75% of people stated they download music illegally or stream it. 53% Download illegally, 23% stream music, 19% purchase music on Beatport, and 6% on iTunes. Which is even more frustrating to me because as I mentioned before, it seems as though the labels intent with deploying these DMCA takedowns and registering their catalog with SC and Google is an attempt to get people to buy music….When we know that these labels aren't even selling enough money B2C (business to consumer) to support their infrastructure.
Labels now exist to license artists music for big commercial paychecks; and depending on how your contract is set up, take a chunk of everything you make. Yes, on the surface there are benefits to getting signed by a large label such as immediate connections, but again, who's your manager? Are they fighting for you? Are they making the right plays? Are they putting you in situations where you can be successful as an artist? Answer me this. What label was Tim Berg's hit track "Bromance" released on? You don't know. It was Pink Star. And Pink Star didn't make Avicii. His manager Ash did.
EMC 2012: The Avicii Case Study with Ash Pournouri
Last week I was creating a video tutorial for my team and when I went to upload it to youtube it was automatically muted and none of them could hear what I was saying. Talk about frustrating. And can you guess why it was automatically muted? Because I was listening to a podcast while I was making the video and a track signed to Armada just happened to be playing at the exact time I recorded the video. So instead of 50 contributing writers listening to the track and potentially having a conversation about the sick song in the background, potentially going to google to research the artist after the conversation….they…just….hear nothing.
These are real things I'm talking about guys, ZMOT or Google's zero moment of truth, I'm talking about real stages of the consumer purchase cycle. It doesn't make sense, from a business standpoint, to hinder potential new customers abilities to to FIND YOU.
On the flip side there are labels and artists I work with that get it completely and they're fine with OTB uploading their tracks to our Soundcloud. They get it. They understand the value in letting that content live on our platform where our audience can engage and interact with it. Red Bull Records is one of them. Go figure. They're only have the most genius marketing team in the world.
Awareness + engagement = profit.
If you run a label and you want to increase awareness, but only want that awareness to come from your 'Owned Media' (SC, Youtube, FB, the channels you literally own and publish content on) you're going to have to spend more money with Paid Media (advertising) in order to drive traffic to those channels. But you're resources are already limited by your profits and how you choose to allocate that cash. Doesn't it make sense to let your artists songs spread organically throughout the internet boosting awareness which will result in natural engagement? You can pay for ads to get eyeballs on specific pages, but that doesn't mean those users are going to be as engaged (or have them same purchase intent) as someone who's seeking out the artists on their own.
Clearly there's just a lot of people in the music business who don't know shit about business. But that makes sense because most people who DO know something about business know music isn't a business you go into if you want to make money. That's why guys like BT spend their free time scoring movies and ensuring their audio engineering skills will turn a profit for them when they're done touring. There is a huge difference between people like BT (or Tritonal ,who have audio engineering degrees) and someone like 3lau. Who, from what I can tell, got famous for doing mashups and only has one original production by himself (which leads me to question if he even created it by himself. I have to be skeptical.)
I guess that's one reason I'm so drawn to Trance as a genre. You can't get famous bullshitting a trance track. But you can make a hit EDM song and top the beatport charts in 5 minutes and 12 seconds
I'm looking for that melodic euphoric big room Trance. And while someone like Matt Lange can make a track in any genre, because he's a genius, I doubt Steve Aoki could make a trance track. I'd love to see him try, but he won't. There's a big difference between music composition and performance art with cake. To each their own.
(p.s. I love Benihanas and Steve would probably be an awesome guy to hang out with, I just don't want to go to one of his shows)
The Future of Labels
Back to the labels!
All of the biggest edm artists just go ahead and start their own labels once they're big enough to do it. Mau5trap, Fly Eye, Oslaw, even armada was born out of the relationship between Armin Van Buuren, David Lewis and Maykel Piron.
"Armada Music was founded in June, 2003 by Armin van Buuren, Maykel Piron and David Lewis, whose names stand for 'ArMaDa"
source: http://www.armadamusic.com/about/
And at that point, I feel like the artists I've mentioned above are using their labels more like "squads" or a "crews" i.e. YMCMB. That way they can release music of a particular genre on the same label and hang out together on tour. Where they make the real money. Yes, there is a bit of personal development going on and a LOT networking when someone gets signed to a label, but you guys, I keep telling you this, all of the money is in the bookings. And a booking agent is something totally different. Getting signed to a label in the edm industry is more about aligning yourself and your brand with the messaging you want your brand to convey. So you can reach the right audience. I am in no way trying to take away from the idea of what it means to be signed to Anjunabeats or Armada etc. Only the best artists get signed to the labels we're talking about, and we continue to respect them exactly for that reason. But If you want to get signed to a label soooo badly…just start one. Anyone can do it. Anyone can sell tracks on itunes and beatport. Anyone with a couple hundred bucks can start an LLC right now. Don't do something just because that's the way it's always been done. The higher the risk, the higher the reward. You'll never make as much money as the guy who owns the business. Just make sure you're doing it right.
What can we do to avoid getting kicked off Soundcloud?
I've scoured the internet, reading old blog posts and forums in attempt to get a general consensus about the best way to avoid this issues, but the reality is I keep coming back to one answer:
Don't upload anything from any major labels' catalog.
What are the other options?
Or hosting all your own sounds on Amazon's AWS
Where do we go from here?
Soundcloud will continue to be an important platform for us to use in order to connect with new fans and electronic dance music lovers, but it will be as a social platform, not something we depend on to share music with you.
As a media outlet, and a business, we cannot and will not be dependent on them. It's a terrible idea. Instead, we'll use it to post our podcasts, live sets from festivals, and tracks that we do get clearance on. Yet, when it comes to publishing content on this site, we've realized we need to move to Amazon's AWS in order to have 100% control over our own content. I drive myself nuts going back through old content fixing 404'd Soundcloud players. I hope I'm not jumping the gun here with this announcement, but we've already started the slow process of this ultimately necessary transition away from Soundcloud.
As an industry…Well, we've talked about these issues before in articles such as:
How to Hack beatport: Buy Your Way into the Top 10
FREE DOWNLOADS…Why We Don't Give Away Pirated Music
But the reality is that the change has to come from within. And things are changing. My outlook is optimistic. Everyday I get contacted by more new artists, managers, and PR people who have seen the light. I hope this article was able to shed some light on the subject for you.
So while you're here, head on over to our NEW soundcloud and give us a follow, we're still there, for now.
Only The Beat Soundcloud
Daniel Taibleson
Latest posts by Daniel Taibleson (see all)
- Addicted to Love, sex, music and doughnuts. - March 9, 2016
- Merrick Presents Senseless Vol. X: Capriccio - December 30, 2015
- Philthy Chit & Trilucid – Harmony - December 15, 2015
- TBT: Sun Gone Down - October 29, 2015
- Ranked: The Best Kaskade Songs - October 28, 2015


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Why are so many people concerned with space usage?
I recently found myself discussing space management challenges with Realcomm attendees.
Strikingly, I recall it was the Qube Space software screen – specifically a CAD drawing with heat map that clearly illustrates space usage – that most caught the attention of attendees. At a glance, they could see where office space was put to good use and where there were opportunities to make improvements.
So why exactly is space usage such a hot topic? I thought I'd explore some of the questions and topics that came up the most to try to get to the bottom of this issue.
How much does a workstation cost?
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What impact does underused space have on the environment?
When you consider the energy use of a building and pro-rate down to a more granular level, a single desk can contribute as much as one ton of carbon dioxide into the atmosphere each year. So this is a serious problem for many businesses.
What is a good level of space usage?
This was the subject that came up the most. In the US and Europe, office space usage ranges from between 40-60%. This means that offices are half full and space is wasted. This cost of this wasted space is approximately worth $100 billion /year.
Why are so many desks empty?
There are many reasons for empty desks in office hours. They include:
- Mobile workers
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The good news is that while these problems are common for any employer based in an office, there is a better way. An effective space management software solution can help you ensure your space is used effectively as possible (e.g. appropriate deployment of desks and staff, implementing hot desking etc.) and reduce your lease costs.
If you would like to find out how, want answers to your space management questions or are looking to discuss your challenges in more detail, get in touch (contact details below).
Post Your comment
Living Spaces: how residential property managers are getting back to the basics of customer service
Due to increasing property prices and the continuing rise of Generation Rent, there are more opportunities for property investors to earn a steady and long-term rental income stream.
The Need for Efficiency: How Real Estate Teams Are Putting Data and Software to Work
Workplace and facility managers are under increasing pressure to provide a workplace that attracts top performers and improves staff motivation, effectiveness and retention. Balancing this with the need to continually add value to your corporation and reduce costs is the ultimate goal.

subset: commoncrawl


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OpenSig '99 1 8/20/2014 Programming IP Telephony Services with the Call Processing Language (CPL) and CGI Jonathan Rosenberg Bell Laboratories October 15, 1999
OpenSig '99 2 8/20/2014 Services, services, services! IP telephony cost benefits to consumer declining Must be differentiators –higher quality? –ease of use - UI –new services and features Key is new services –integration services email, web, presence, IM, chat part of telephony –control services allow parameters to be defined by consumer –presentation services new look and feel for old friends
OpenSig '99 3 8/20/2014 Web Integration I IWR - Interactive Web Response –user calls a number –web page "answers" –use hyperlinks instead of keypresses to navigate much easier than voice –final link makes phone call –VXML for non-PC access SIP Accept headers for MIME negotiations! INVITE redirection Web Page IWR Service
OpenSig '99 4 8/20/2014 Web Integration II Web Agents –A calls B –B is not home –After N rings, A gets web page instead possibly dynamically created for caller –Web page lists alternate contact information and times –cell phone after 5pm –email for non-urgent stuff URL for recording voicemail mailto URL for sending email
OpenSig '99 5 8/20/2014 Web Integration III Shared Web Talking –"web" another form of media stream - like audio and video –Users can talk and simultaneously browse web Show each other pages Discuss stocks Read the paper Web Caller ID –When A calls B, B's homepage appears in A's browser –"homepage" dynamically generated for B perhaps
OpenSig '99 6 8/20/2014 Email E-mail not good for interactive communications Great for notification related services! –Type of information unbounded Notification possibilities –call information call attempts –subscriber information monthly bill –Messaging emails contain URLs to streaming media controls
OpenSig '99 7 8/20/2014 Presence ICQ concept –"buddy lists" and subscriptions –know who is online –normally for instant messages Big idea: Users can subscribe to each other, and learn: –when they pick up and hang up the phone –when they are available to talk or not –when they are in the office or not chair sensor! –when the cell-phone is on or not Presence propagates information about a users willingness, ability, and desire to communicate using a variety of mediums
OpenSig '99 8 8/20/2014 Example Presence Service Phone status subscription –A subscribes to B's phone –When B's phone state changes hook state willingness to talk –Notification sent to A email, instant message, presence notification –A can then call B unsubscribe to B SUBSCRIBE hangup NOTIFY Presence server
OpenSig '99 9 8/20/2014 Challenge - Service Programmability Where do services live? What controls do the programs have? When can the program execute controls? What information are the programs provided? What resources do the programs have access to? Who can create the programs? How are the programs instantiated?
OpenSig '99 10 8/20/2014 Session Initiation Protocol Invite user to sessions Basic signaling and session description (SDP) Allows to search for the user to be invited –Mobility –Redirect/proxy –Multicast 1 2 3 4 5 6 7 8 9 10 11 12 SIP Client SIP Redirect Server SIP Proxy SIP Client (User Agent Server) Location Service Request Response
OpenSig '99 11 8/20/2014 Location of logic SIP User Agents –trust issues –heterogeneity of platforms –always on problem SIP servers –natural place for routing, screening, pre- call services External devices to SIP servers –SCP/SSP model in IN safety, load balancing, good for third parties latency issues in IP –what replaces INAP? DIAMETER? COPS? MGCP+? SIP (same syntax, wrong semantics)
OpenSig '99 12 8/20/2014 Nature of Control High Level –"forward", "reject", "redirect" –common to all SP Medium Level –controlled device abstracted to a model –call models in IN –control = goto state N Lowest level –full control - send message X Not a single answer! –Fundamental tradeoffs: simplicity vs. flexibility safety vs. flexibility
OpenSig '99 13 8/20/2014 Nature of Information Highest level –"new call from Joe to Bob" –can be SP independent Medium level –state machine transitions + basic data (caller, callee, etc.) Lowest level –Full messages Same tradeoffs...
OpenSig '99 14 8/20/2014 Who can write them? Creator determines tradeoff operating point Three principals –Administrator –Third party provider –End user Lines can be blurry Real operating point depends largely on trust
OpenSig '99 15 8/20/2014 Other issues Access to resources –What else can program do besides control –General purpose program - anything –Java script - lots, but not everything –configuration script - very limited How does it get there? –Linked in (API model) server must be taken down, recompiled not clean –separate process (CGI) –data read in (servlet model)
OpenSig '99 16 8/20/2014 Solution I:SIP CGI Benefits of CGI as a basis –programming language independence –full control over headers/messages –leverage existing tools –SIP similar to HTTP What's different from HTTP CGI –persistence model –multiple actions per script output –response naming –request naming
OpenSig '99 17 8/20/2014 Persistence Model Transaction more complex than request-response –proxying –provisional responses Many points during transaction where script might execute "points" = message arrivals Script reinvoked on message arrivals State maintained by cookie –opaque to server –passed from script to server and back on reinvocation Reinvocation points controllable (triggers)
OpenSig '99 18 8/20/2014 Multiple Actions Many actions possible –new request –proxy request –create response –return response –default Each action looks like a message in script output –parser reuse Multiplex actions using SIP message multiplexing rules
OpenSig '99 19 8/20/2014 Response Naming Wish to return a response received during previous invocation Server names responses Tell server to return named response –script need not store message 1 2 3 2
OpenSig '99 20 8/20/2014 Request Naming Multiple requests proxied (forking) When response comes, script wants to match response to request Can use branch-id, but complex Solution: request-token Passed back to script when response comes Not same as response token: multiple responses per request a b c 2 a b c
OpenSig '99 21 8/20/2014 Message Merging When script outputs response or proxied request –server computes default resp/request –header fields are merged with script output Merging –header in script replaces header in message –header in script with no value deletes header in message Simplifies life –Script ignores Via's, MaxForwards, etc.
OpenSig '99 22 8/20/2014 Example Output INVITE sip:email@example.com SIP/2.0 To: sip:email@example.com From: sip:email@example.com Call-ID: 10 Cseq: 0 INVITE Content-Length: 0 PROXY_REQUEST_TO sip:firstname.lastname@example.com SIP/2.0 Max-Forwards: SIP/2.0 180 Ringing User CGI_SCRIPT_COOKIE aoi988ans0naa SIP/2.0
OpenSig '99 23 8/20/2014 Status Draft 1 submitted to IETF Dec98, draft 2 May 21, 1999 No wg to do it –likely we will submit as informational Two known implementations
OpenSig '99 24 8/20/2014 Solution II: CPL Call Processing Language –targeted for end user service creation –controls at high level –information available at high level –Describes basic service Model: SIB's from IN –service = DAG –Two types of nodes action nodes: outputs = results decision nodes: ouputs = possible values –Safety –Bounds on compute time
OpenSig '99 25 8/20/2014 Example DAG String Switch field = "From" Proxy to firstname.lastname@example.com Proxy to voicemail Proxy to 555-1212 email@example.com otherwise No answer Busy No answer Call
OpenSig '99 26 8/20/2014 Representation Use XML –links = subtags –parameters = attributes –extensibility mechanisms useful –easy transport –generation/parsing by tools GUI for creation
OpenSig '99 27 8/20/2014 Conclusion Services key Programmability serious problem Two solutions proposed: –SIP CGI –CPL
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(This brochure was originally printed in the fall of 2002.)
Colonial Times
Africans first arrived in the Virginia colony in 1619 as indentured servants. In the late 1600s slaves were brought into the sparsely settled Rappahannock Valley, primarily to serve as agricultural laborers.
By Robyn Porter, CRRL Intern
Candice Ransom, the author of 100 children's books, balances the responsibilities of a writing career with the creative energy necessary for reaching young readers. Her works include picture books, young adult books, and early readers. Many hold historical or biographical significance, like Liberty Street, published in 2003.
Andrea Davis Pinkney's (September 25, 1963 -- ) books are full of the rhythms of the African-American community. Stroll down memory lane with Scat Cat Monroe as he follows the rise of Ella Fitzgerald from the small-town girl who liked to sing and dance on street corners to wowing the crowd at the Apollo Theatre when she was only seventeen, dressed in work boots and hand-me-downs.
From A History of Hamilton County, Indiana
At Spottsylvania, Va., prior to the war of 1812, lived a wealthy and influential citizen, George BOXLEY. He was a man of strong character, and, when he believed himself to be right, he was immovable. By honest toil, he had acquired his wealth, and, at the time of which we write, was the proprietor of a saw-mill, grist-mill and "carding-gin" or woolen-mill, all three being operated under one roof, in a building situated on the bank of one of the streams of Spottsylvania County. Like many persons of means in those days, he possessed a number of slaves, but became impressed with the injustice of the institution and liberated them.
This webliography accompanied the lecture "Uncertain Road: Slavery and Emancipation in the Rappahannock," presented by John Hennessy, Chief Historian/Chief of Interpretation, Fredericksburg and Spotsylvania National Military Park, on February 12, 2004.
From the Central Rappahannock Regional Library:


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Deus Ex GOcom.squareenixmontreal.deusexgo
Deus Ex GO is a flip-based totally puzzle infiltration stealth sport set in a stylized interpretation of the Deus Ex Universe. As covert agent Adam Jensen, you'll hack, use fight and augmentations to resolve probably the most intricate puzzles of all of the GO sequence and get to the bottom of the conspiracy in the back of a terrorist plot.
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What is on this model : (Up to date : 25 November 2016)
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Pakistan vs West Indies Schedule 2016 begins on Saturday September 30, 2016 in West Indies after two friendly matches of Pakistan against Somerset and Sussex teams as Pakistan vs West Indies 1st Odi Match Timing, Prediction, Playing September 2016. Pak vs WI 1st Odi Match Timing, Prediction.
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Landal GreenParks are renowned for their magnificent and varied surroundings. So you and your large group of friends or entire family will be well catered for at Landal. There is something for everyone! ...
Have you ever thought of holding your annual family reunion, surrounded by beautiful countryside? Going on relaxing walks with the entire family, having sumptuous dinners and of course remembering the good times. And you could make your grandparent's 50th wedding anniversary an unforgettable event. Are you looking for a suitable location for a meeting or for training? Or do you want to have a sports weekend away with your sports club?
Landal GreenParks has the answer to all these questions. You can also visit our parks with a large group. At all the parks, it is possible to book several chalets alongside each other. Ask about this possibility when you make your booking. Several parks also have chalets that accommodate 10, 12 or even more people.
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15250 State Road 54, Odessa, FL 33556Request info Add to list
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15250 State Road 54 is aland property for lease in Odessa, FL. The property currently has 1 land for lease and is marketed by Grimaldi Commercial Realty Corp.
5.81± acres with over 490 ft. of frontage on SR 54 with an AADT of 42,500. Zoned PO-1 with no wetlands. Ideal for professional office or institutional uses such as ACLF, day care, school or church.
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Coffee table. Warm moulded clear glass with a strong thickness.
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Coffee table glass- Curvo - Miniforms
Coffee table. Warm moulded clear glass with a strong thickness.
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Coffee table glass- Curvo - Miniforms
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Coffee table. Warm moulded clear glass with a strong thickness.
Dimension: TS 850 130x68,5x36h
TS 862 75x75x36h
TS 867 110x60x36h
TS 868 100x60x36h
TS 869 90x90x36h
TS 864 60x44x43h
TS 865 52x44x39h
It's possible to have the bis or trio of coffee tables.
TS 863 60x44x43h + 52x44x39h + 44x44x35h(tris)
TS 861 60x44x43h + 52x44x39h (bis)
Designer: Gigi Bardini.
The factory of projects is first of all a concrete thought. A thought that represents Miniforms as a company interpreter of a working and dynamic reality, which builds and produces using the craftsmanship quality and the knowledge accumulated through the experience of forty years.The factory of projects is also a concept. A concept linked to the manual skill with the creative design that generates all our products. We believe that design means to think in a product and reflect, considering every aspect starting from the idea that conceives it.The factory of projects is mostly the vehicle of communication of corporate values that have always distinguished the way we operate and communicate the product. A new and attractive dress that continues to tell the link with the tradition of our past, with a careful look at future trends.
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Exova has extensive experience in the testing of components, assemblies and structures for a wide range of industries, including construction and transportation. Our services cover static testing for both mechanical and physical performance and also dynamic load testing with the option of superimposed environmental exposure. Our facilities can undertake the bespoke test rig design, construction, control system configuration and data acquisition. Our consultants can assist in the development of complete product performance and durability test programs. We are also able to assist with field data capture.
Construction component and structural assessment
Complementing our building products facility in North America, our Middle East and Asia Pacific region are able to offer a range of component and structural assessments focussed on the construction and infrastructure sector. Our services cover full scale façade, cladding and curtain wall testing, to more specialised areas such as acoustics, glazing, pile integrity and ground penetrating radar (GPR).
Engineering Critical Assessment
We also provide Engineering Critical Assessments to internationally recognised codes and standards to ensure fitness for purpose analysis of fabricated structures. Stress and modal analysis can be provided through our finite element services. These services are fully integrated with our advanced materials testing facilities which can assist in the provision of essential materials input data.
Non-destructive testing (NDT)
Exova can provide a wide range of services in the field of non-destructive testing ranging from laboratory and site based inspection using all conventional non-destructive testing techniques through to consultancy and development of bespoke non-destructive testing systems for specialist applications.


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The newest silhouette to join NYDJ is our Billie Mini Bootcut. Featuring an 18.5" leg opening with all the benefits that you love, thanks to our exclusive slimming Lift Tuck® Technology. Classic five-pocket styling, zip-fly, button closure with a slightly narrower leg opening.
Inseam: 32.5"
Front rise: 12", Back rise: 18.25", Leg opening: 18.5"
Measurements taken on size 16W
Remember to select one size smaller for the perfect fit
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(4 of 4 customers found this review helpful)
Casual pants with a comfy fit. I wear these most days.
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These are my go to pants every day!
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I love the mini boot flare!
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from Tomball
Try these!
We also offer FREE ground return shipping on returns and exchanges* and provide a pre-paid return label to make returns and exchanges easy on our customers. Currently, our shipping territories include the 50 United States and Washington, D.C., as well as internationally to Canada and Mexico. Once your package leaves our warehouse, you should receive it in about seven days with free ground shipping.
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Can anyone who has either of these prams give me some info on why you love or hate it?
My 2nd is due in April and DD will be 3 by then. She uses her stroller quite a bit at the moment and I'm sure when bub comes along she'll decide she wants a seat too so I'd rather have a double to cover my bases, although I assume we won't be needing the 2nd seat for much more than a year.
I currently have a BJ Versa and I find the City Select so bulky in comparison, I also had a lot of trouble closing it in store. In comparison I really liked the Vista and it was so easy to close however the rumble seat is so small and DD is quite tall for her age, her feet were practically dragging on the floor.
So I have no idea which one to get; any opinions will be greatly appreciated!
Also if anyone has suggestions for other double prams that would be great too. I like the look of the ABC Design Zoom but it does look quite long and I haven't seen it in person yet.


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Guide to Springtime Bluebonnets in Austin
As the cold begins to subside and the days are filled with sun and springtime air, one of our favorite things to do in Austin in the spring is admire the beautiful bluebonnets that line our hills. Whether there are acres of our state flower or small patches on the side of roads and highways, stopping to smell these Texas-native flowers is sure to brighten anyone's day.
Map of Austin's Bluebonnet Locations
Top Picturistic Bluebonnet Locations in Austin
For only a few weeks each year bluebonnets bloom in patches so divine it's as if their sole purpose is for us to enjoy… and to take pictures in. You think we'd get tired of it by now, but how could you?! In case you are searching for a perfect place to have a bluebonnet photo-opp, here are some of the best places to find ample bluebonnets in Austin!
Capital of Texas Highway (Hwy 360)
The drive along Hwy 360 is always filled with beautiful sights of the lake and rolling hills, but it only gets better when the bluebonnets start to pop up.
Balcones District Park
Balcones District Park offers peaceful trails along Walnut Creek at the back of the park with bluebonnets blanketing the area.
Lady Bird Johnson Wildflower Center
While this location has beautiful flowers and tress year round, the bluebonnets are in masses at the Wildflower Center.
St. Edward's University
Snap a picture with the flowers on the St. Edward's University campus and enjoy the great views of downtown Austin.
Montopolis Drive across from Roy G. Guerrero Park
A sea of blue can be seen in a field across from Roy G. Guerrero Park, a safe distance away from highway traffic.
Toll Road 130 & FM 969 in East Austin
Due to heavy and fast-moving traffic nearby this spot by the Toll Road can be tricky to find and pose in. Adults only highly recommended!
Brushy Creek Lake Park, Cedar Park
Brushy Creek Lake Park is a kid and pet friendly bluebonnet field with a walking trail, playscape and lake to feed the ducks!
Teravista Subdivision in Round Rock, Westinghouse Road
Local residents say there is a small, yet beautiful patch of bluebonnets and other pretty Texas flowers near the east part of the back entrance to the popular Round Rock neighborhood.
Muleshoe Bend Recreation Area in Spicewood, Texas
Muleshoe Bend Recreation Area in Spicewood is a 6.5-mile mountain bike trail that is perfect for viewing fields of bluebonnets!
Willow City Loop
The narrow two-lane Ranch Road winds for 13 miles through some of the oldest and most unique geology in central Texas.
Additional Bluebonnet Locations
- Park Hills Baptist Church
- Parker Ln & E Oltorf St
- Austin Community College Round Rock Campus
- FM 1626 in Kyle
- Hwy 130 in Round Rock
- Hwy 195 in Georgetown
- FM 1431 to Cedar Park
- Hwy 71 East/21 to Bastrop
- Hwy 71 West to Marble Falls
- Bull Creek & 45th St.
- RR 2244 (Bee Cave Rd.)
Related links
- Summer Camp Guide for Austin 2016
- Austin Festival Guide for 2016
- Explore our city with these Austin Tours


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The Five Best Perpetual Calendar Watches to Tackle Leap Year 2016
Since 2016 is a leap year, all but the most complicated calendar watches are going to be flummoxed come the end of February. The perpetual calendar (also called a QP, an abbreviation of the French term quantième perpétuel) is the tool for the job, seamlessly counting everything from seconds to leap-year cycles so you never have to fiddle with it. Since we know you've read our complete primer on the perpetual calendar, we'll stop here and just show you the five best new QPs for 2016.
IWC Pilot's Watch Perpetual Calendar Digital Date-Month Spitfire
As part of the newly revamped pilot's watch collection, IWC added this $31,900 big gun as the crown jewel. It's the rare perpetual calendar that doesn't try at all to be a dress watch. If you wear a suit to work, keep this one (on a watch winder) for the weekends. The movement has been used in previous models, including an Ingenieur and a Portuguese, showing the date and month, each with oversized windows instead of small hands. The 46-millimeter case is massive; IWC also fit a chronograph in there, for good measure.
Jaeger-LeCoultre Master Ultra Thin Perpetual Calendar
There is no better deal in perpetual calendars than this Jaeger-LeCoultre, period. It's that simple. For $20,400, you get a fully integrated in-house movement with automatic winding and a moonphase indicator on a sleek, brushed-black dial, all packed in a slim, stainless steel case. The 39mm case is only 9mm thick so you get the right balance of comfort and legibility; there is a lot of information to parse. It's a real stunner. Showing the full year on the dial is a little novel and divides collectors into two camps. I could probably do without it, but it doesn't detract from this otherwise immaculate watch.
Vacheron Constantin Overseas Ultra-Thin Perpetual Calendar
For its latest perpetual calendar, Vacheron created an elevated take on a simple daily-wearer. The case looks like that of the simpler steel Overseas watches, but it's much slimmer, at 8.1mm, and it's white gold instead of the more utilitarian steel. The gray and blue dial looks just modern enough to balance the extremely traditional dial layout, with the months for all four years in the cycle in that top register. You get a metal bracelet, alligator strap, and rubber strap that can all be swapped without tools, so you can keep it fresh. Sure, the $91,400 price tag puts it in the upper echelon of QPs, but that's right where it belongs.
Audemars Piguet Royal Oak Perpetual Calendar
The Royal Oak was the original luxury sport watch. This version dials back the sport and amps up the luxury in a package that's still pure Audemars Piguet. The solid yellow gold case and integrated bracelet look extremely fresh against a sea of rose gold watches (contributing to the $95,700 price tag), and the deep blue dial displays the day, date, day of the week, week in the year, year in the leap year cycle, and phase of the moon, not to mention, the time. Bonus: The movement is new and completely in-house.
A. Lange & Söhne Lange 1 Tourbillon Perpetual Calendar
This is what watch aficionados knowingly refer to as "serious business." For years one of Lange's most complicated watches, this version—priced at €315,900 ($345,000)—is also one of the most expensive. The display is unique, with the month around the edge, the day of the week as a retrograde scale on the left, the big date, a small window at the bottom for the leap year counter, and a discreet moonphase in the seconds register. This new combination of gray dial and white gold case breathes life into a true modern classic.


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Latest News and Research on Acne
Health News Posted on February 20, 2017 -
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Medindia provides you with the latest news and research breakthroughs on Acne. Please find 111 such items on this topic.
Acne (Pimples)Acne vulgaris, popularly known as pimples or zits is a skin condition affecting most teenagers.
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Systemic Lupus Erythematosus (SLE) is an autoimmune disease of unknown etiliology, characterized by aberrant T cell function which contributes to disease pathology. T cells once activated, have elevated levels of CD40L and decreased levels of interleukin-2 (IL-2). Elevated CD40L expression provides help to B cells while decreased IL-2 prevents proper regulation of the immune response. The underlying reasons for this abnormality remain elusive. Finding key molecules that regulate T cell function in SLE will lead to the design of appropriate biomarkers and more specific treatment modalities. This proposal aims at the career development of Dr. Kyttaris as an independent translational investigator in SLE. During the years of award, Dr. Kyttaris will investigate the expression and cooperation between nuclear factor of activated T cells (NFAT) and activator protein-1 (AP-1) in T cell function in SLE. Beth Israel Deaconess Medical Center will provide an ideal clinical, educational and research environment for Dr. Kyttaris to conduct under the guidance of two accomplished mentors his research and develop into an independent investigator. Dr. Kyttaris will attend courses and interact with experts in the fields of basic immunology, systemic autoimmunity, clinical rheumatology, biostatistics and epidemiology. The study proposed herein is a cross- sectional case-control study of patients with SLE. The preliminary results that form the basis for this proposal showed that SLE T cells once activated, have increased NFAT and decreased AP-1 activity;in turn this leads to increased CD40L and decreased interleukin (IL)-2 expression. In the three aims analyzed Dr. Kyttaris will compare the expression of NFAT and AP-1 in T cells from patients with SLE and controls confirming the preliminary data and ascertaining the effect of disease activity in the expression of these molecules. Thereafter, Dr. Kyttaris will elucidate the underlying mechanisms for the differential expression of these two transcription factors in SLE. Finally he will apply novel techniques to correct the aberrant expression of NFAT/AP-1 on gene transcription. In conclusion, the results of these studies will help us better understand how the SLE T cells respond to stimulation, identify potential targets for therapy and molecules that can be used as biomarkers.
|Markopoulou, Anastasia; Kyttaris, Vasileios C (2013) Small molecules in the treatment of systemic lupus erythematosus. Clin Immunol 148:359-68
|Kyttaris, Vasileios C; Kampagianni, Ourania; Tsokos, George C (2013) Treatment with anti-interleukin 23 antibody ameliorates disease in lupus-prone mice. Biomed Res Int 2013:861028
|Kyttaris, Vasileios C (2012) Targeting B cells in severe thrombotic thrombocytopenic purpura--a road to cure? Crit Care Med 40:317-8
|Ghosh, Debjani; Tsokos, George C; Kyttaris, Vasileios C (2012) c-Jun and Ets2 proteins regulate expression of spleen tyrosine kinase in T cells. J Biol Chem 287:11833-41
|Hedrich, Christian M; Rauen, Thomas; Kis-Toth, Katalin et al. (2012) cAMP-responsive element modulator ? (CREM?) suppresses IL-17F protein expression in T lymphocytes from patients with systemic lupus erythematosus (SLE). J Biol Chem 287:4715-25
|Chatterjee, Madhumouli; Rauen, Thomas; Kis-Toth, Katalin et al. (2012) Increased expression of SLAM receptors SLAMF3 and SLAMF6 in systemic lupus erythematosus T lymphocytes promotes Th17 differentiation. J Immunol 188:1206-12
|Kyttaris, Vasileios C; Tsokos, George C (2011) Targeting lymphocyte signaling pathways as a therapeutic approach to systemic lupus erythematosus. Curr Opin Rheumatol 23:449-53
|Ghiran, Ionita C; Zeidel, Mark L; Shevkoplyas, Sergey S et al. (2011) Systemic lupus erythematosus serum deposits C4d on red blood cells, decreases red blood cell membrane deformability, and promotes nitric oxide production. Arthritis Rheum 63:503-12
|Kyttaris, Vasileios C; Zhang, Zheng; Kampagianni, Ourania et al. (2011) Calcium signaling in systemic lupus erythematosus T cells: a treatment target. Arthritis Rheum 63:2058-66
|Juang, Y-T; Peoples, C; Kafri, R et al. (2011) A systemic lupus erythematosus gene expression array in disease diagnosis and classification: a preliminary report. Lupus 20:243-9
Showing the most recent 10 out of 26 publications


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… and Search (The Next Web) Adding images to blog posts is a great start. Adding images also brings with it another checklist of things to look for as you're optimizing and adding – a checklist I'm afraid to say I missed out on for a long time with adding images to the Buffer blog. Recovering Helicopter Parent Uses Yik Yak to PEEK Into College Life…
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Lötzeburger Schnoken
Pletschette, Nik.
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Rare book. World War II, printed in 1945. Very few copies available. Scarce. Condition is excellent. Has a tiny nick on the spine, otherwise excellent. Bookseller Inventory # 006806
Bibliographic Details
Title: Lötzeburger Schnoken
Publisher: Kremer-muller, esch/alz.
Publication Date: 1945
Binding: Soft Cover
Book Condition: Near Fine
Edition: First Edition.
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View lesbian Singles in Lawrence Park
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Is Equinox selling through inspiration or discouragement?
*Other articles on this topic: Why the Sexy Equinox Yoga Video Pissed Me Off, The Equinox Yoga Video: Sex… Or Art? My Perspective, El Video de Equinox… El Sexo…. O el Arte?? Mi Perspectiva, Yoga is Beautiful
Remember when you were a little kid and you'd watch the big kids do things you couldn't do yet? Maybe they could throw hard enough to start up a snowball fight, or jump high enough to reach the basketball rim, or hang upside down on the monkey bars. Something. But you couldn't do it yet, so you'd watch and lust for the day you'd be able to do that stuff, too.Well, I'm finding that yoga can be like that, in that there's always somebody who can do stuff you can't.
And it's really easy to fall into that asana-lust, comparing yourself to that ideal and chomping at the bit to get there today (forget eventually. Who has time for eventually? The new guy with the tattoos — or the girl you think you can't stand or the old friend you're trying to impress anew — might not be in class tomorrow. This needs to go down right now).
Ahem. Not terribly yogic, but spend time on a mat and you'll get there. I thought about this when I stumbled across Equinox's latest yoga ad, which is on YouTube.
The ad is three and a half minutes of inversions, downward dogs and an eventual jump-through by one of their teachers. This being Equinox, she's dressed in some lacy, skimpy black underwear, and that's it. The lighting is soft, the music is soft, the camera slowly caresses her flat belly and her toned thighs. It's dancelike, really. Very beautiful.
Of course, many people have cried out that it's beyond pretty — it's closer to soft porn. I didn't mention the boy in the rumpled bed in the background and the un-shaded windows so anyone can watch yoga goddess in her morning routine. Well. If you've ever seen an Equinox print ad, you can't be surprised. They like the flesh, you know.
To me, though, arguing about whether or not this is too "sexy" is having the wrong argument. The deeper question is, how we, particularly as women, really feel about ourselves. Because I'm willing to bet somebody's monthly salary that the majority of women watching this video will move beyond whether they think it's inappropriate or not and launch into asana-lust. "Does my dog look like that? Damn, look at her stomach. My stomach doesn't look like that. And I know my thighs don't look like that. How does she get so straight in forearm stand? And how does she get her toes to do that? WTF?" And so on. You're right back on the playground, wanting to what somebody else can do, largely just so you can say, me, too.
Unfortunately, this is what the marketing department at Equinox is betting on. They're betting on women being motivated by their feelings of envy/inferiority/jealousy/frustration and taking those feelings to their nearest Equinox, to work on getting where yoga goddess already is. The sexiness is a smokescreen, to prevent you from seeing what's really going on here.
Motivating women from their feelings of inferiority is the evil here, not showing a woman in lingerie from the back in downward dog. I don't blame the woman in the video. More power to her. She rocked it out. I do, however, blame marketers who make a living out of keeping women sniping at each other instead of supporting one another.
In a way, the ad is too advanced for us. For if we were truly okay with ourselves, we could watch this and say, "Wow. This girl is for real. Love that! Makes me not want to skip class today." Can you do that, though? Can you watch and not compare? Can you watch and not feel bad about where you are in any or all of these poses? Can you watch and be happy for her, without being critical of yourself?
Watch it again. If you can't, don't feel bad — we're talking about undoing a lifetime of negative conditioning. But maybe work towards it. Like your handstand (and mine), it's a process. Slowly, you'll find yourself feeling good for someone else — and even better for yourself.
Stacy China is a professional writer and active philosopher raised in Brooklyn, NY. She is immune to the sad yet common Jedi mind tricks used to obfuscate the truth of our lives. Her goals are to pay for a proper Italian villa, to learn how to do a killer descending angel, and generally to set the minds of the world on fire.
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Gonzo Gets Noticed
Mike Berardino has an interesting column in the Sun-Sentinel today about the newfound appreciation of long-time Marlins shortstop Alex Gonzalez. Gonzalez is playing this year in a big baseball town, Boston, and is finding out what it's like to be a real major leaguer.
That kind of comparison extends beyond baseball. South Floridians, isolated by sprawl and increasingly bad traffic, don't have much in the way of community, whether it be centered on the baseball team, City Hall, or anything else. Reporters who kick ass on a regular basis know all about the general apathy (though it's not that bad in some cities, like H-Wood, Pompano, Deerfield ... but do you want to hear a giant sucking sound? Try covering Plantation, Coconut Creek, or the greatest beneficiary of sprawl of all, the incredibly unwatched Broward County Commission).
It's a double-edged sword, this flourishing lack of community. In one regard it's frustrating and damaging and, in another, it's liberating. You can be whatever the hell you want to be in South Florida and guess what? Nobody cares.
---AND, for those of you on the Pulp right now, 10 a.m., I'm about to go on Barry Epstein's radio show on WWNN 1470 AM. We're probably gonna talk about Murtha and the Sun-Sentinel.
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Presidents fight back on research cuts
More than 165 college and university presidents have asked President Obama and Congress to help close the "innovation deficit." In an open letter coordinated by the Association of American Universities (AAU) and the Association of Public and Land-grant Universities (APLU), the presidents urge them not to cut additional research and education discretionary spending. By coining the phrase "innovation deficit," they hope to spark national and local conversations.
"We needed to make a very strong statement to really remind people you're cutting off your nose to spite your face if you're cutting back on important investments for the future," says Ann Speicher, AAU's associate VP for public affairs.
The presidents point out that over the past two decades, China, Singapore, and South Korea have increased their investments in research and higher education, in part because those nations saw the benefits that similar investments have had for the U.S. economy.
"You're not going to feel the loss until further down the road," says Speicher. That's because it may take many years for a discovery to become an actual product. But, by investing in education now, a promising freshman could go on to contribute to the economy in a big way in 10 years.
The leaders not only hope to make "innovation deficit" a widely recognized and understood term, but also to spur real action at the local and regional level. The AAU and APLU are urging higher ed leaders to talk to their members of Congress, using the letter as an opportunity to talk about specific effects that research and education funding have had on their campuses.
What will help with these conversations is that colleges and universities tend to have a very good relationship with their legislators, says Speicher. "A national campaign doesn't have the same kind of immediacy, but this can make it come home to legislators."
The open letter, including a list of all of its signers, can be found at www.innovationdeficit.org.
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"I guess we're not going to go 162-0"
That's what Joe Girardi had to say. He didn't seem overly concerned with the events of the day. CC Sabathia could not command his fastball and as a result he gave up six runs. Over the course of the season, that's going to happen four or five times.
In terms of specifics …
Mark Teixeira said he was expecting the boos. But they were particularly loud today. That the local hero turned down his hometown team doesn't sit well with the Baltimoreans. But why in the world would he have signed here in the first place?
Xavier Nady was waved around third by Rob Thomson, who thought that ball in the sixth inning was getting through. By the time he put up the stop sign, Nady had his head down and was running.
The Yankees left 11 runners on base, at least one in every inning. "It seemed like there were a bunch of times we were about to take the lead," Johnny Damon said.
Nice start for Brett Gardner, who was 1 for 3 with a sacrifice and threw a runner out at the plate. Ramiro Pena made his debut and Nick Swisher came off the bench with a double. Hideki Matsui ripped one and Jorge Posada was on base three times and caught nine innings.
It'll get better. It can't get much worse than today.
Thanks to everybody for reading today and sorry for the occasional technical issues. Lots of traffic today as you might expect.


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About American Institute, Clifton DMS
American Institute has provided student-based learning in the form of small classes (unlike large lecture halls), hands-on training, and personalized attention from faculty and staff for over 84 years. Because learning at American Institute is career-focused, the school is committed to helping students find a job after graduation as well as enabling them to work while preparing for a potential new employment path.
American Institute has a variety of degree programs that offer flexibility for students who want to return to school after a long absence or who just would like to begin a new career.
- There are a variety of healthcare programs such as Medical Assisting, Diagnostic Medical Sonography, and Dental Assisting.
- American Institute also provides students with wellness and beauty opportunities like Massage Therapy, Cosmetology, and Skin Care.
- If technology or business is more appealing, American Institute has ESL (English as a Second Language) and Computers, Networks, and Security programs.
- Day and evening classes are available, depending on the program, which could make it easier for nontraditional students to earn their degrees while working full-time.
Alumni can register with the American Institute Alumni Association for a free service that allows them to stay up-to-date about career related networking, alumni parties, and lectures.
Financial aid may be available for students who qualify.
American Institute is accredited by either the Accrediting Council for Independent Colleges and Schools (ACICS) or the Accrediting Commission of Career Schools and Colleges (ACCSC) depending on the campus location.
For more information about our graduation rates, the median debt of students who completed the program, and other important information, please visit http://www.americaninstitute.edu/consumer-info.
School Website: American Institute, Clifton DMS
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