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Art photography
Gregory Crewdson
I met and interviewed Gregory Crewdson for the first time at the Gagosian Gallery in Rome in 2011.
Crewdson is, in my opinion, one of those artists who succeeded more than others in capturing the sense of alienation and unreality that breaks into daily life creating a by now iconic collective imagination which every new up-and-coming photographer has to confront with.
Then the occasion for our meeting was the "Sanctuary" exhibition, a work made of 41 black and white images shot at Cinecittà studios during the early hours of the day or at sunset when the light is oblique; the result being photographs that recall the visual lyricism of Federico Fellini (see the video-interview in the gallery above).
After a few years' hiatus, Crewdson comes back with a new series titled "Cathedral of the Pines" on display at the Gagosian Gallery in New York from January 28th to March 5th 2016. I have therefore decided to write to Gregory to ask him a few questions about his new work and on the philosophical matters he investigates through his art.
Tell us about your new series "Cathedral of the Pines", what should we expect from it?
Cathedral of the Pines is a very personal body of work. And a long time in the making — in both a literal and figurative sense. While I was making my previous body of work, Sanctuary, the pictures I made at Cinecittà in Rome over five years ago, my personal life (more specifically my marriage) was falling apart. Following that, I went through a very dark period.
I couldn't make any work for over two years. My life felt turned upside down. I moved my home and studio out of New York City and into the country in an attempt to regain some stability. I started doing long hikes and open water swims every day in a tiny rural town called Becket, Massachusetts, which I knew well because my family had had a cabin there when I was a child. The geographical place was comforting to me. Nearly every day for over two years I hiked, or swam, or x-country skied in the woods of Becket. Finally, one day, I had a moment of revelation, like a cloud had lifted. I wanted to make pictures again — felt able to entertain the idea of making pictures — and in fact saw the whole body of work in that moment. I happened to be on a trail called "Cathedral of the Pines" at the time. I knew that would be the title of the body of work.
In your elaborate productions you worked with famous actors as well as with ordinary people: can you tell us if you experienced any differences?
I don't typically work with famous actors. The exception was when I made the Dream House series for Kathy Ryan at the New York Times Magazine. That was a unique situation, and I found that incredibly rewarding, and learned a great deal. But in general, I don't want publicly recognizable faces in my pictures. I did include friends and family in Cathedral of the Pines which was unusual for me. Overall, what I'm looking for from my subjects is for them to project almost nothing. I find it easier to work with non actors and non models. I'm looking for a very quiet presence, and something interior.
If your pictures had a soundtrack which one would it be?
I definitely don't think of soundtracks accompanying the pictures — and I don't play music on the set or reference music when coming up with the concepts. Part of the reason I'm drawn to photography is that it's a medium that's fixed and mute. However, in the rest of my life, I'm a huge music fan, and I follow popular music very closely. In fact, before I became a photographer — as a teenager — I was in a band called the Speedies. Ironically, our big hit, which I co-wrote, was called "Let Me Take Your Foto." I have a lot of friends who are musicians and in that business and am a true fan.
What do you think of the new awareness of self image and constructed image, caused by photography and social network: is there any space left for spontaneity?
It's a really interesting time for photography. Because of social media and web media, we are inundated with images constantly, and in some ways it's become a social currency. It's how we communicate with one another in an immediate way. I'm part of that. I text and email images to people all the time. But it also creates a context where images are largely disposable. You look at them then trash them. The challenge for an art photographer in the midst of that is to create something meaningful and enduring. It's a different medium to create a picture that will hang on the wall rather than one that will be viewed on a screen.
You prepare meticulously your pictures, everything, all the little details are scrupulously thought of, your sets look like the ones of the movies – for number of people involved, from actors to make up artist, assistants, director of photography, as well as for lighting techniques etc, and the amount of work to combine different negatives and retouching in post production – is there any space left for unpredictability? Can the perfect moment be constructed? Where does this take you?
It's true that I prepare every detail of my pictures meticulously, with the help of my crew. It's a long process, and we painstakingly try to plan every single nuanced detail. And largely, there is no spontaneity in terms of the subject's position or the way the picture is constructed or lit. That's all decided in advance. But even still, things fail. Things fall apart. There is unexpected weather or a subject can't make it and we bring in someone new. And those factors, in the end, always add rather than subtract. For practically every picture there is a hidden backstory that involves a mix-up or coincidence or fortuitous bit of fate.
Being so elaborate, is the process itself part of the meaning, or the reason, of your art? How?
The best moment for me in the process is the moment when I'm standing on the set and I see the picture come together in front of me. What I see with my eyes is always going to be better than what ultimately winds up being captured by the camera. It's an inherently flawed medium in that way. Everything else in the process is in service of creating that moment on the set, and then trying to bring it back to life in the print afterward.
You said "I think I'd be a terrible movie maker because all I know is the one image. I'm not really that interested in the before or after. I want the story to remain unresolved." Why is it so important for us to create meaning? To have a narrative?
I'm not quite sure if I should have said I'd be a terrible movie maker. But I would certainly be an unconventional movie maker. The narrative in my pictures really exists in the moment between moments. Something just happened. Or something is about to happen. And in between there is a moment of reflection. To me, that is profound, and beautiful, and I leave it open-ended because I want each viewer to experience that in a personal way — in a way that resonates in the context of his or her own experience of the world.
What does the cinematic quality of your pictures add to it?
The cinematic quality is something I feel helps create a picture that feels both ordinary and heightened at the same time. But it's important to say that the Cathedral of the Pines pictures are less overtly cinematic than Beneath the Roses or Twilight. While I still used a cinematic process on the set of Cathedral in terms of my crew and the lights and the rigging, the reference point for these pictures were paintings, not movies. They're lit subtly — not overtly theatrical — and much more naturalistic.
What inspires you?
I'm an incredibly ritualistic person. I'm at my best when everything is consistent and the same every day. I like to eat the same things, wear the same things, have the same routines. I swim, hike, or ski — preferably a combination of two of those things — every day. That predictability has a way of eliminating minutia in my thoughts, and that allows for creative inspiration. It's just the way I am. I became very inspired to make these pictures on those hikes, and swims, and while skiing. It was the feeling of being outdoors, but also it was the light in the forest, the comfort and peace of being out there, the sense of refuge that the wilderness offers.
What do you look for in an image?
I'm always looking for something that feels ordinary, but offers a potential for mystery, or transcendence.
What do you think that makes one image stand out more than another?
I'm simply looking for a picture that draws you into its world.
Is it the form that determines the content? Perhaps, the most suitable context to the unravelling of chaos is the obsessive control over all governable aspects of photography? What happens beneath the surface?
Artistic vision is a delicate balance between attempting to find your story and then projecting it out into the world in tangible form. It's central to picture making. These new pictures, more than any others I've made, reach back to more traditional values with light and color, the human form, composition, and atmosphere.
What is the role of obsession, of being obsessive as an artist?
Obsession is the thing that drives the whole operation. The obsession to make pictures is in every part of the process, it's the only reason, in the end, for the act of doing it. It's a pursuit of something that's always slightly removed from you.
Our brain is prejudiced in the way that it believes that photography equals reality: the object is transparent and gets lost in the subject of the photograph. The prejudice is so strong that photographers had to fight hard in order for photography to be viewed as a form of art, freeing itself from the belief that it is a mirror of reality. It's also truth that in order to exist, photography needs real subjects (even if they can be modified during post-production or integrated into a multi-image collage) and, it is for this very reason, the fact that object and subject have to meet, that photography is so fascinating, magical and different from the other forms of art. What differentiates photography from other means of representation of the world is the fact that it is a trace, a clue, a sign of reality. The fantasies that come across in your pictures are particularly convincing because – if we did not know about the way they are constructed and also digitally manipulated – they look like "quotations" from the larger texts of the real world, What do you think of the documentary value of photography? What does having a "documentary feeling" do to your pictures?
At its core, all photographs have a relationship to the real, and it's what gives them a kind of immediacy, urgency, and a heightened sense of intimacy. Even though my pictures are highly constructed and produced, I do still consider myself a realist. There is always a blurred line between truth and fiction happening within the narrative — particularly in the Cathedral of the Pines pictures because I was often working with subjects from my real life, in places that I have a deep personal connection with. And still, they're residing in a place between reality and a fictive narrative.
'Every picture is a self portrait'—what do you think about this quote? The distinction made by John Szarkowski (Director of Photography at MoMA between 1962 and 1991) at the end of the 70's between windows & mirrors disappears today and the two functions coalesce. Every human expression is an autobiography, do you agree?
Yes and no. All pictures are autobiographical, yet they're telling us everything and nothing about the photographer. It's a medium that creates a certain tension, intimacy, but also remove from what is happening in the frame. The camera has a distancing effect.
Can the medium of photography be strongly charged with psychological power? how?
Yes, I would say that making pictures that are psychologically charged is the only reason I make them. But there's a tension there also — because there is a distinction between the psychology of the image and the psychology of the maker.
Photography is a lot about holding on to something…What are you holding on to?
Photography is inherently about loss, and consequently death. There isn't a picture that was ever made that doesn't speak about mortality in some way. What is captured is fleeting, and once it becomes a picture it has already been lost.
What does to your creative process the tendency to go back again and again to the same places, both geographically and methaporically?
I think many artists are tied to a sense of place. Novelists, painters. I've always felt connected to western Massachusetts. My family had a cabin there when I was a child. It's a landscape I love — both for its natural beauty in the forests but also for the ordinary street scapes of the towns. It all offers the perfect context for the stories I'm trying to tell.
What is the role of mystery and the one of secrets in your art?
What I attempt to do is put everything I have into trying to make a beautiful image — using light, color, production value and so forth. But all of that is only the foundation for the thing that's elusive that the process taps into. And that's a sense of undefinable mystery, of something going on beneath the surface of everyday life.
What do you think about appearance vs interiority?
One of the reasons I'm not interested in literal actions and always trying to have my subjects do almost nothing in the picture, is because I'm interested in the moment in between moments. It's something invisible in terms of motivation or reaction. It's more of an interior moment for sure that I'm trying to capture and evoke in others.
What does the twilight represent for you?
On a literal and practical level, I like to shoot at twilight because it's the time when I can use natural light and artificial light in a way that works in perfect unison. I start shooting before twilight and shoot over and over and over so that I can capture that perfect window. But on a metaphorical level, twilight is also a time of transition. A moment between day and night. It speaks to that idea of the time in between one thing ending and something else beginning.
Photography doesn't move and doesn't speak, and yet there's a lot there without it speaking or moving. The limits intrinsic to photography become strengths in your images, which, masterfully suspended between a before and after, suggest the presence of a trauma whose unfolding is left to the viewer to imagine. What is the role of the viewer in your art?
The viewer plays a central role in the pictures. I really want people to be able to bring their own personal narratives, and experience them in a personal way.
What are the reactions that you get by people looking at your work?
I get all kinds of reactions. Of course what I hope for is that I make a picture that the viewer will carry away with them after they see it. I hope that it has some kind of lasting impact or offers some kind of inspiration.
What kind of impact do you hope to have with your images?
My ultimate goal is to create something beautiful, and hopefully meaningful, and enduring.


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The Minnesota Correctional Facility - Oak Park Heights (MCF-OPH) is a state prison located in Stillwater, Minnesota, USA.
Constructed in 1983, MCF-OPH is the state's only Level 5 (Maximum) Custody Level prison, with an inmate population of 426. The facility is home to some of the state's most violent offenders, as well as a fair number of out-of-state commits and federal inmates.
The prison is comprised of nine self-sustaining living units, referred to as Complexes. The first six each house 52 offenders and include shower facilities, eating areas and exercise equipment. Two of the three remaining complexes house mental health facilities and a transitional care unit. The MHU and TCU both handle inmates from the entire Minnesota DOC who require the unique services of those units.
The ninth unit, completed in 2001, is the state's Administrative Control Unit. The ACU is sometimes referred to as "Super-Seg" and houses the most violent offenders in an environment nearly completely free of contact with staff. MCF-OPH is home to the MN DOC Commissary program. Inmates who qualify for work programs are employed to processes and package commissary orders from the other state correctional facilities.
The MCF-OPH facility, together with the H Unit of Oklahoma State Penitentiary in McCalaster, Oklahoma, was featured in an one hour TV documentary titled "Maximum Security Prisons", produced by Alan Hall (Beyond Productions) for the "On the Inside" series of the Discovery Channel.


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Election night went off without a hitch for City Council incumbents. Across the board, Twin City residents favored veterans over newcomers, reelecting every incumbent on the ballot for another term
Tag "James Taylor"
Great promise for new Research Park road The Research Parkway in the Piedmont Triad Research Park opened last week to much fanfare. The new road, which extends from Third Street
(pictured above: Don Yelton is seen here in a still from his infamous "Daily Show" interview.) Be sure to cast your General Election ballot, either during early voting (which ends Saturday)
Democratic City Council members Molly Leight and James Taylor say they are optimistic about their chances for reelection. Taylor, who won the Southeast Ward seat four years ago, beating the
The official kick-off for "Homes For Our Heroes" took place on Sept. 11 on Cameron Avenue. The aim of the
After months of campaigning, voters spoke Tuesday, choosing City Council incumbents over their challengers. Mayor Allen Joines handily won a
Voters like the road the city is headed down. They showed Tuesday that they want no detours. All the incumbents
Mayoral and City Council hopefuls vied for support Tuesday during a forum hosted by the Hispanic-American Democrats. A strong showing
The 2013 Winston-Salem mayoral contest is a no-brainer, but some of the City Council primary races call for deep consultation
Voters were courted last Thursday evening as candidates for City Council stated their cases at a forum held at the


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Salmos 92Nueva Versión Internacional (NVI)
Salmo para cantarse en sábado.
92 ¡Cuán bueno, Señor, es darte gracias
4 Tú, Señor, me llenas de alegría con tus maravillas;
9 Ciertamente tus enemigos, Señor,
10 Me has dado las fuerzas de un toro;
12 Como palmeras florecen los justos;
Nueva Versión Internacional (NVI)
La Santa Biblia, Nueva Versión Internacional® NVI® Copyright © 1986, 1999, 2015 by Biblica, Inc.® Used by permission. All rights reserved worldwide.
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Clark - Hound / Pointer / Mixed (short coat) Dog For Adoption
Pointer Mix Dog For Adoption in Dallas, TX
|Pointer Mix
|Male Male
|White with Tan, Yellow or Fawn
|Availability Date:
|Dallas, TX 75248
- Physical Attributes
Coat Length Short Altered Yes
- Behavioral Characteristics
OK with Kids Yes OK with Dogs Yes OK with Cats Yes Obedience Training Has Basic Training Other
- Crate Trained
- Housetrained
- Likes to Play with Toys
- Additional Information
Was the Dog Found No Other
- Up-to-date on Vaccinations
- Description
Posted Breed: Hound / Pointer / Mixed (short coat). Clark is 1.5 years old and will be 2 in May (we think). He is a hound and pointer mix (best guess). He weighs 70 lbs and is as lanky as they come. He loves tennis balls, toys, and running. This guy is a great big bundle of love. He loves belly rubs and melts when you pet his face and ears. He also enjoys massages after play time. Clark does have some hardware in his left front leg (2 screws and a pin) from an old injury, so he will need rest after playing or running for a long time. While he has built up his stamina, his leg gets a little tired from activity. It will be easy to tell when he gets tired as he will start getting slow while playing fetch, or he will get the ball and just lay down. He is great with other dogs (large and small) and cats. He is also crate trained, housebroken, and knows basic obedience commands. He also knows "drop it" and "not yours", which come in handy when he grabs a toy or other objects he isn't supposed to have. He has been working on his "high five", but he wants to give both paws, making it a "high ten". This is fitting with his personality because he gives his all in everything he does.
|Breed Group:
More About Pointer-Unknown Breed
- Do your research – find out what types of dogs would be a good fit for your lifestyle and the activity level of your family. Also keep in mind the grooming needs of certain breeds that might require frequent maintenance.
- Decide what you can handle – before you get sucked in by all the adorable puppy eyes you're about to see, think long and hard about the appropriate age dog for your family or if you are capable of caring for a special needs dog. Puppies are a lot of work, if you don't have time for potty training and obedience classes you'll want to consider an older dog. There are plenty of middle aged, vibrant dogs up for adoption as well as many senior dogs that would be a great fit for a family looking for a more subdued dog with lots of love to give.
- Learn about the shelters and their adoption policies – It might be easier to start looking at shelters within a certain radius of home but don't be afraid to venture out to other states as well. Many states have larger populations of adoptable dogs and their shelters are willing to transport pets to suitable adopting families. Some shelters might have requirements for a home visit, a fenced yard or require you to visit the pet multiple times before you commit to adopting. Understand that the shelters are doing their best to place the pets in suitable homes and these requirements are in the best interest of both you and the pet.
- Start looking… Once you know what you're looking for and what to expect you can start your search through thousands of adoptable dogs. PuppyFinder allows you to search by age, breed, location and gender.
- Meet in person. Whenever possible it is best to meet the animal in person before agreeing to bring them into your life. Even though photos and descriptions can tell you a bit about a dog, you can't get a true feeling for the animal until you are able to interact with them and make sure they are a good fit for your entire family, including other pets.
Angel - Pointer / American Pit Bull Terrier / Mixed (short c...
Date listed: 02/25/2017
rescue Breed: American Pit Bull Terrier-Pointer Mix Sex: Female Female Age: Adult Location: Dallas, TXPosted Breed: Pointer / American Pit Bull Terrier / Mixed (short coat). Angel is approximately 3 years old and weighs 50 pounds. She is a very sweet, affectionate girl who loves to snuggle with her people. Angel gets along well with other dogs -- large and small, male and female. She rides nicely in the car and is house-broken and crate-trained. She is quiet and has good house manners. Angel is very interested in chasing squirrels. When she's in hot pursuit of a squirrel, she can climb a 6-foot wood fence. Therefore, Angel will either need a very tall (9-foot) privacy fence or she will need to be leash-walked. No cats for Angel. This sweetheart was a volunteer favorite at the shelter. She will be a wonderful companion for a lucky person or family. If you're interested in meeting Angel, please submit an adoption application, available at www.codysfriendsrescue.com. Thanks!Tags:
Dylan - Staffordshire Bull Terrier / Mixed (short coat) Dog ...
Date listed: 02/18/2017
rescue Breed: Staffordshire Bull Terrier-Unknown Mix Sex: Male Male Age: Young Location: Dallas, TXPosted Breed: Staffordshire Bull Terrier / Mixed (short coat). Dylan is 55 lbs and approx 2 years old. He's a pitbull mix rescued from a local shelter. Dylan loves laying by your feet or romping around in the backyard with his 2 foster brothers (also large pitbulls). He gets along with all dogs, but might try to play too rough with smaller dogs. Shows no interest toward cats, and coexists with two cats currently. Dylan is crate trained, neutered, chipped, UTD on shots, but will need to build confidence on leash skills as he is very scared of loud or sudden noises (such as cars zooming by). Dylan loves having his chin rubbed underneath and will fall asleep with all of the weight from his head resting on your palm if you rub him. He's a very sweet dog and deserves stability and a gentle owner. I think he would lay in bed with his owner all day if he could. He does bark to alert when he needs to go outside. He is always smiling! Dylan is UTD on all vaccines, neutered and HW-. He's dog and cat friendly, but sometimes gets over excited with little dogs when playing. Dylan loves to snuggle and get belly rubs. He's a pretty quiet dog, but will let you know when it's time for a potty break. He's crate & potty trained. He currently lives with two other large male dogs and 2 cats whom he enjoys. Dylan can be a bit fearful of loud sounds and fast/sudden movement, but never reacts, he would love a home that can be patient and understanding as he continues to grow his confidence. If you're interested in possibly adopting Dylan, please go to our website (www.codysfriendsrescue.com/applications.html) and submit an Application to Adopt. It may take us a couple days to review your application and check your vet reference. After we approve your application we will contact you to schedule a meet and greet and home visit. We allow a 10-day home trial to be sure the dog is a good fit before you finalize the adoption. The adoption fee ($200, tax-deductible donation) is collected at the start of the home trial and is held until you finalize the adoption. The adoption fee covers vetting (spay/neuter and age-appropriate vaccinations) and a micro-chip. Please note: We update our Petfinder listings regularly. If you're reading this bio, this dog is still available for adoption, and we're accepting applications. We don't adopt pit bulls or pit bull mixes to people who live in apartments with breed restrictions. Please check with your rental office or landlord to see whether breed restrictions apply. Thank you for your interest in adopting a dog from Cody's Friends Rescue!Tags:
Apollo - Boxer / Pit Bull Terrier / Mixed (short coat) Dog F...
Date listed: 02/18/2017
rescue Breed: Bullboxer Pit Sex: Male Male Age: Young Location: Dallas, TXPosted Breed: Boxer / Pit Bull Terrier / Mixed (short coat). My name is Apollo and I am a very energetic 18 month old pit bull mix. I was surrendered to the shelter by my former owner because they couldn't afford me anymore. I love to go on long walks or runs, and then relaxing around the house getting my belly rubbed. My favorites things include playing fetch and tug in the backyard. I am great with people and kids, housebroken, and doggy door trained. I do get a bit of separation anxiety when my foster parents leave because I have never gotten this much attention before!!!!!. My foster parents are still working on crate training, but it's scary in there and I don't like it much,but I am getting better each day.Tags:
Gage - American Bulldog / Mixed (short coat) Dog For Adoptio...
Date listed: 02/18/2017
rescue Breed: American Bulldog-Unknown Mix Sex: Male Male Age: Adult Location: Dallas, TXPosted Breed: American Bulldog / Mixed (short coat). Gage was rescued from a kill shelter and living with his foster family waiting on his forever home. He is a big marshmallow who loves to cuddle with his humans, but needs to be the only dog in the family and no cats. He is great in the house, housebroken and well behaved. He does require daily exercise, loves long walks/runs, and playing fetch with his favorite Nerf football. He is a very smart boy who wants to please and will do anything for a belly rub! Gage will do best with a dog loving family with older children who are home most of the day or an individual who works from home or in the evenings. He loves being part of the family, adores his humans and wants to be where they are. He can be found quite frequently sprawled out in the middle of the bed snoozing away!Tags:
Dixie Lab - Labrador Retriever / Pit Bull Terrier (short coa...
Date listed: 02/18/2017
rescue Breed: Labrador Retriever Sex: Female Female Age: Adult Location: Dallas, TXPosted Breed: Labrador Retriever / Pit Bull Terrier (short coat). Dixie is a 2 yo female, yellow Lab mix, approx. 50 lbs. UTD on shots. She gets along with other pets (dogs) and people, with a small period of adjustment to her new surroundings. Dixie was ignored before rescue, so she craves interaction/play. Dixie will give you signs when she needs to go out, but, if you ignore her, she will have an accident. We are working on commands, crate training with great progress. . She is smart and affectionate. She is the most loving dog, and will come up to where you are sitting and put her head in your lap. Dixie would fit well in a family with older children and room to run.Tags:
Jay-D - Terrier / Chihuahua / Mixed (short coat) Dog For Ado...
Date listed: 02/18/2017
rescue Breed: Chihuahua-Unknown Mix Sex: Male Male Age: Baby Location: Dallas, TXPosted Breed: Terrier / Chihuahua / Mixed (short coat). Jay-D os tje first picture and his Momma, Bria is the second picture. Momma and her four 8month old babies were dumped by their owner at a local high kill shelter. They were scared to death and just huddled in a corner. They are in foster homes now and being treated with respect, love and lots of time to trust. Jay-D iwas very scared....now feeling comfy and so loving!. He weighs about 8 lbs and is really cute He will be neutered asapTags:
Lenny - Boxer / Mixed (short coat) Dog For Adoption
Date listed: 02/18/2017
rescue Breed: Boxer-Unknown Mix Sex: Male Male Age: Adult Location: Dallas, TXPosted Breed: Boxer / Mixed (short coat). MEET LENNY ** WAITING FOR HIS OWN HOME!!! Healthy, happy and quiet. Lenny is crate and house trained. He loves to chase squirrels outside. He weighs about 50 lbs now. He enjoys being with people and is eager to please! Lenny likes playing with his smaller pack members. Lenny would make a great running partner! Has a great smile and is l loving and loyal. He needs an active home. He loves women and children! Loves to lounge on the sofa and give kisses! He is about 4 years old If you are interested in meeting ourbeauttiful friend, Lenny, please contact us.Tags:
Lewis - Labrador Retriever / Terrier (short coat) Dog For Ad...
Date listed: 02/18/2017
rescue Breed: Labrador Retriever Sex: Male Male Age: Young Location: Dallas, TXPosted Breed: Labrador Retriever / Terrier (short coat). From the moment Lewis saw people be kind to him, he was ready to start a new life! Lewis has been vetted (UTD On Shots, de-wormed, neutered ) and is HW-= and now on preventative! He is submissive, sweet and loves playing with his foster siblings. Lewis seems to know that a new life has arrived and he's perfectly happy to be a happy go lucky sweet guy ready for the real deal! He's about a year old we think and just at 50 lbs. He may fill out to be the size of small lab and is just adorable!Tags:
Lexi - Shepherd / Labrador Retriever / Mixed (medium coat) D...
Date listed: 02/18/2017
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Shiner - German Shepherd Dog (medium coat) Dog For Adoption
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From NPR's Tell Me More today, beginning at about 6:00, Sacramento Mayor Kevin Johnson, a former NBA point guard answered questions from Michel Martin about a new arena in a city whose citizens said no.
KJ: The Sacramento Kings... they're an economic engine for our city. They provide jobs, quality of life. So it's much more than just a basketball arena.
MM: There's always a lot of debate about whether these sports arenas really yield what they cost, in terms of the tax abatements that people expect... Do you really think you make that sell in a time like this?
KJ: It's my job to convince the community that this is an investment that has a positive economic impact long-term. When you talk about the dollars that flow into our city. When you talk about what the Sacramento Kings have done to elevate our profile of our city of Sacramento.
To your point, a few years ago, our city declined to vote... to publicly finance an arena. We need to find another way to make sure we get an arena built, because we do not want to lose the Kings. But it was very clear that our community does not want to publicly finance an arena at this time.
Maybe the team should pay for it privately?
Now the plan is for a mixed-use project. Neil deMause is doubtful.
Wednesday, February 18, 2009
Sacramento mayor: "We need to find another way to make sure we get an arena built"
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Design Business Card Construction Company
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Hi im tendering for the best creative business card idea for my construction company.
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XFX GeForce 6200 Video Card - 256MB DDR2, AGP 8x, DVI, VGA, TV Out, Video CardItem#: P450-8568 | Model#: PVT44AWANG
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'X-men: DOFP' Official CAST Thread (announcements and discussion)
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High Evolutionary
Join Date: Nov 2003
Location: Genosha
Posts: 14,118
Re: 'X-men: DOFP' Official CAST Thread (announcements and discussion)
Originally Posted by
i suppose you could say to keep havok and banshee being part of the Xmen still after 10 years it would mean they were Xaviers first students and the first Xmen which is a big continuity issue
while you could say they did it already with first class but thing if once you start to open a can of worms should you keep opening it or close it before they get out
i still think bryan has a plan here, i don't think its favoritism as bryan was going to direct First class originally and also he seems happy with what vaughn did with it
There are ways around it than just jettisoning characters and hoping the fans will forgive and the mainstream audience will forget.
Singer chose the characters for First Class, as far as we are led to believe. Why did he contradict his own films? Did he seriously think fans wouldn't remember? And the mainstream audience is starting to notice. I have heard friends (who aren't uber-geeks like me) grumbling about how First Class doesn't match up the other movies (where we see Xavier walking at the end of Origins and the start of X3).
If Scott, Jean and Storm are added as young students in DoFP, and Banshee and Havok are still there, that would still make Scott, Jean and Storm 'some of my first students.' I agree Havok doesn't really have interesting powers (he's just another energy blaster) and devoting time to the sibling relationship with Scott would eat up a lot of the film, but Banshee has a power we haven't seen before (apart from daughter Siryn shrieking like a burglar alarm in X2).
I'd like to think we at least get an explanation for the absence of Banshee and Havok, so we at least feel there is a single saga being told not a set of separate stories.
This 'pick and mix' filmmaking doesn't work in the long run because we get background characters popping in and out of the franchise.
It goes right back to X1. I would rather it have started with Xavier recruiting his first team, but given the fragile state of superhero movies at the time and the need to go for the most popular characters, it was right to choose Jean, Cyclops, Storm and Wolverine, but I would not have mentioned that Jean, Scott and Storm were 'some of the first students'. Too specific, it restrains later storytelling, as they have found out to their cost.
Rogue suited the plot so she was fine too. I can understand why Beast was cut because of the cost of make-up/effects - and back then (12 years ago) we probably wouldn't have had a very good Beast at all because of the technology and budget available. I would have avoided Iceman because he was the wrong age for comic book canon, or at least I would have made him much older (similar age to Scott, Jean, Storm). Better to leave the possibility of a later origin film (similar to First Class) including Beast, Angel, Iceman and maybe Havok and Polaris.
What we have ended up with instead is a muddle. And with each film the writers/producers/director face the unholy choice of either trying to build upon the muddle of the previous film (creating a bigger muddle) or totally ignoring parts of the previous film because it's no longer workable (which still creates a muddle).
Batman v Superman 6/10, Captain America: Civil War 7.5/10, Deadpool 8/10, X-Men: Apocalypse 8/10, X-Men: Days of Future Past 9/10
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Lundqvist Finishes 2nd In Vezina Voting
After winning his first Vezina Trophy as the NHL's top goaltender a year ago, Henrik Lundqvist was seeking back-to-back Vezinas this season after being named a finalist for the fifth time in his career. However Lundqvist placed second in voting announced Saturday night, finishing behind winner Sergei Bobrovsky of the Columbus Blue Jackets.
The Rangers goaltender has been a finalist for this award in five of his eight NHL seasons. Lundqvist has been a runner-up for the Vezina following the 2005-06, 2006-07, 2007-08, and now 2013 seasons, while winning the hardware after his phenomenal 2011-12 campaign.
Bobrovsky finished with 110 points in the voting conducted by the league's general managers. Lundqvist had 55 points, while San Jose's Anttii Niemi placed third with 46 points.
Lundqvist started 43 of the Rangers 48 games in the truncated 2013 NHL season, and tied for the league lead with 24 wins. His .926 save percentage tied for fifth best in the NHL, and his 2.05 goals against average was seventh best. Lundqvist posted a pair of shutouts in 2013, becoming the Rangers all-time leader in shutouts; and he also appeared in his 500th NHL game.
In other awards announced by the NHL on Saturday, Alex Ovechkin of Washington won the Hart Trophy as the league's most valuable player; Sidney Crosby of Pittsburgh won the Ted Lindsey Award as the league's top player as voted by the players; P.K. Subban of Monteal won the Norris Trophy as the NHL's top defenseman; and Jonathan Huberdeau of Florida won the Calder Trophy as the league's rookie of the year.
Share your thoughts below on Henrik Lundqvist's 2013 season, and the awards presented on Saturday night. Let us know who would have had your vote for al of the top awards.


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- 1GB 128-Bit GDDR5
- Core Clock 850 MHz
- 2 x DVI 1 x HDMI 1 x DisplayPort
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Great Card - Until the clicking starts 03/21/2011
This review is from: HIS Radeon HD 5770 (Juniper XT) DirectX 11 H577FK1GD 1GB 128-Bit GDDR5 PCI Express 2.1 x16 HDCP Ready CrossFireX Support Video Card w/ Eyefinity
This card replaced a hotter and power hungry AMD 4870. Runs Dirt2 with eyefinity (3x1680x1050 screens) well enough! (30-40fps on max settings)
Dosen't overclock well.
Fan noise got worse over time. 9 Months later it was making clicking noises all all fan speeds. Had to RMA it.
Other Thoughts:
Make sure to find a 5770 with a better heatsink/fan.
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Effortless edge guaranteed, the Street Faux Leather Trousers are set to rule your autumn / winter wardrobe. In a leg-lengthening fit, with comfort-ridden contrasting panels, these fierce skinny trousers look best dressed down with an oversized jumper and trainers for an urban spin on this season's grungiest mood.
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The shoe although my size did not fit properly and my feet felt like I was being amputed when I wore them:(
Verified Customer
Terrible fit. Too big and the picture on the website doesn't show the inside knee patch which isn't nice
On 24-Oct-2016 the supplier responded:Thank you for your review. Sorry to hear that the trousers were not suitable, we will pass your feedback onto our production team. Regards, FC
Photo didn't show off the detail, weren't a great fit on the legs.
I am a size 8 usually in trousers, these are a size 8 and despite being advertised as a skinny fit, they were massive and baggy.
On 07-Sep-2016 the supplier responded:Thank you for your reviewI will ensure that we pass your feedback on to our production team so this can be reviewed.Regards,FC


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This review is from: RAVPower PB07U 12000mAh Power Bank External Battery Pack Charger for Smart Phones and Other Mobile Devices
Pros: Works as intended. Handles plenty of Juice to recharge my Iphone 5 several times without charging either in a wall.
Great for travel, or if you phone dies and you want to use it not locked up to a wall outlet.
Got 3 for gifts 2 all under 30 bucks.
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Would not likely pay the SRP. But for what I paid was great deal.
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Write a review!
3 reviews of Willie Maes Scotch House, first by you?
January 5, 2012
Didn't go in
New to New Orleans, saw Willie Mae's on Food Network as I assume did every other tourist. Had to use GPS to find it, drove up to it, saw the line of tourists around the teeny tiny building, rolled up our windows, locked our doors and…
October 3, 2011
Big Disappointment
My wife and I have been trying to get there since Katrina and finally made it Saturday. Big Disappointment I am afraid. Although the chicken was cooked to the proper doneness, it was a bit greasy and overdone on the outside (i.e. too dark…
March 25, 2011
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Market Research Report
India - The Future of HNWIs to 2015: Bourgeoning Wealth and Wealth Management Opportunities
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|146 Pages
Not Available
|India - The Future of HNWIs to 2015: Bourgeoning Wealth and Wealth Management Opportunities
|Published: November 8, 2011
|Content info: 146 Pages
This publication has been discontinued on February 2, 2017.
This report is the result of Wealth Insight's extensive research covering the HNWI population and Wealth Management industry in India. It provides market size and forecasts of the HNWI population. By leveraging the Wealth Insight HNWI Database, it provides key demographic breakdowns such as city specific data.
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The Second Circuit has ruled that the summary judgment granted last year in favor of YouTube in a copyright suit brought by Viacom and other content owners was premature. The District Court had found that YouTube was protected by one of the Digital Millennium Copyright Act's ("DMCA") safe harbor provisions, namely, 17 U.S.C. § 512(c), which shields online service providers from liability for infringing content posted by users. Although it agreed with some of the District Court's central reasoning, the appellate court has sent the case back for reconsideration on a number of issues.
"Red Flag" Knowledge Applies to Specific, Identifiable Infringement
The Second Circuit affirmed the District Court's decision on the main legal question at issue, holding that two different circumstances that can defeat the statutory safe harbor protections – when the defendant has actual knowledge of infringement and when the defendant is "aware of facts and circumstances from which infringing activity is apparent" – both require knowledge or awareness of specific and identifiable instances of infringement. In other words, a defendant can still claim safe harbor even if it is aware of "red flags" suggesting that, in general, its web site likely contains infringing user-posted material. Rather, the Second Circuit explained that "[t]he difference between actual and red flag knowledge is . . . not between specific and generalized knowledge, but instead between a subjective and an objective standard."
YouTube May Have Been Aware of Specific Infringement
Despite upholding the District Court's legal conclusion on this point, the Second Circuit has remanded for additional fact-finding because evidence submitted by the plaintiffs on summary judgment might enable a jury to find that YouTube executives did have actual or "red flag" knowledge of specific and identifiable infringement. On remand, the District Court will need to conduct a more "detailed examination of the extensive record on summary judgment," including determining whether the clips of which YouTube may have had knowledge are among those that are the subject of the plaintiffs' lawsuits.
Willful Blindness, Right to Control, and Syndication
The Second Circuit also ruled on several related questions. First, it held that the DMCA limited but did not abrogate the common-law "willful blindness" doctrine, so that the District Court on remand should consider whether YouTube deliberately avoided learning of infringing content.
The appellate court also held that the DMCA provision that defeats safe harbor if the defendant benefits financially from infringement and has the "right and ability to control" it requires something more than the ability to block access to infringing material, but does not require knowledge of specific infringing activity, as the District Court had held. Therefore, the District Court on remand must consider whether plaintiffs have presented evidence that YouTube had the "something more" that would constitute the right and ability to control infringing activity.
Finally, while the Second Circuit agreed with defendants and the District Court that most of YouTube's software processing activities fall within the statutory provisions covering content posted by users, it questioned whether YouTube's selection of certain videos for syndication to third party business partners qualified, and it instructed the District Court on remand to determine whether any of the videos in suit were syndicated.
What Does This Mean for the Parties?
As the Wall Street Journal reports, both sides have spun the opinion as a victory: Viacom's statement points out that "intentionally ignoring theft is not protected by the law," while YouTube asserts that "[n]othing in this decision impacts the way YouTube is operating." In analyzing the safe harbor question, the Second Circuit cited various e-mails exchanged among YouTube's founders and executives in the service's early days suggesting that they may have been aware of specific infringing content and chosen not to take it down. If YouTube's statement is accurate, perhaps its approach to copyright has evolved since its infancy and YouTube's current practice would meet the standards set by the Second Circuit. In that sense, although $1 billion in damages are still at stake for alleged past infringement, Viacom's suit may already have served at least part of the plaintiffs' purpose.
What Does This Mean for Everyone Else?
The Second Circuit's ruling confirms that the DMCA safe harbors are viable, but that they do not mean online content hosts can wash their hands of all responsibility for combating infringement. In particular, service providers cannot simply sit back and wait for a copyright owner to learn of infringement and request that it be removed. Rather, if the service provider has knowledge of an identifiable infringement – even if that knowledge was developed internally rather than from a takedown notice – the provider should remove the content in order to maintain its safe harbor protection.
The ruling also clarifies that, while the statute says safe harbor is not conditioned on a service provider's monitoring its service or actively seeking out infringement, providers cannot with impunity "bury their heads in the sand" to avoid obtaining knowledge of specific infringements. The District Court's factual analysis of the willful blindness issue on remand may provide some helpful guidance as to where content hosts can draw the line between simply not monitoring and deliberately avoiding learning of specific infringements.
See more »
DISCLAIMER: Because of the generality of this update, the information provided herein may not be applicable in all situations and should not be acted upon without specific legal advice based on particular situations.
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An analysis of vocabulary instructional methods relevant for grade 4 learners
Andrianatos, Kristien
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White Hat SEO for 10 accts Long term business partner needed
- Status Closed
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We are looking for a long term partner to help us with our SEO. We need a company who has enough man force to be able to handle at least 15 SEO project at a time for us. Each website should obtain top 5 position in the first page of Google using 8 keywords. 90 percent of the keywords are local keywords such as "Dentist Oakland CA" or " General contractor San Jose CA".
We are looking for 100% white hat techniques and here's our policies:
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bad post
Edited by YoYo JoKeR - 11/28/13 at 10:19pm
bad post
Extended price range :
LMUE have offer on VSONIC:
VC02 at 40$
GR06 at 48$
GR07 at 130$ [which edition is better? MKII or BE ? ]
Also, I can get HiFiMan RE400 at 115$
Please suggest.
For me, the GR07BE sounded more full compared to MK2.
LMUE has been selling the GR07 for $130 for a while now. Probably you should wait a week or so to see if they have any christmas bargain,
I thought the RE-400 was only $99. I don't think $115 is a good price.
https://www.head-direct.com is offering it for $110, the extra $10 is for shipping.
I mean RE400 is available in India itself from official dealer at INR7000 [115$ in total] no risk of import fee.
But I am quite sceptical about its build quality. and no hard case is provided i presume?
GR07 from LMUE at 130$ + free shipping but along with risk of import fee.
hard case is provided with both BE and MKII?
are there any improvements in particular with BE when compared to MKII apart from base.
compared to RE400, GR07 SQ is better?
Are you sure there is an import duty to India for USD$130? I thought it only applies for items of a certain price range and above.
There is no hard case provided with GR07s but I got a very good hard case with netted compartment for only USD3 from a camera shop. like this:
Probably you can try a camera shop near your place
I think the GR07BE also improves the mids over the MK2. Other than that they are identical. Have a look at the GR07BE Vs Mk2 thread. It's informative. Note: My GR07BE hasn't even fully burned in yet.
I haven't tested the RE400 but they are supposed to be balanced. I just can't stand the SQ of balanced iems (like my Tpeos H100). Especially the ones that lacks good bass. GR07BE on the other hand has good quality/quantity bass. very good mids and highs. I can't ask for more. The only downside (and it is a minor one) is the soundstage depth is a little less than the Tpeos but the overall SQ/performance more than makes up for it.
From: http://www.labnol.org/india/custom-import-duties/
"Also, you may import goods up to the value of INR 5000 duty free provided they are sent as gifts to you."
But GR07 cost 130$ about INR 8000
Another thing, what if GR07 break down, and i have to send them for warranty claim? i have to ship them to singapore LMUE I guess? Thats difficult as heck with shipping fees.
Only advantage of buying RE400 at 115$ here in India is that dealership will be nearby and replacement will be easy.
is the link to their website. They are also official dealers in Vsonic according to them. But GR07 not offered for sale.
I also own the E30, I really like how it sounds and love its confort.
IMO RE400 and GR07 MK2 are close in term of SQ but they really differ in their sound signature.
To my ears, RE400 sounds brighter and dryer than GR07 MK2 (I didn't hear
Natural upgrade path here would be:
Regarding RE400 build quality, you shouldn't worry, it's excellent. The only possible concern would be its cable durability.
My humble advice would be to wait for GR07 Classic to be reviewed here, they are already out and cost 98 USD.
It would be interesting to know how they sound compared to GR07 MK2.
Also go and try to compare them in a shop if you can.
"VSD1 sounds 80% like GR07" is it true? if it is, then I am in for it
at the same price point
VC02 are being also offered at 40$
GR06 at 48$ VSD1 at 40$
Which is the best deal? or SQ
OR wait for New products from Vsonic?
RE400 Cable durability is a concern for me. otherwise OK. GR07 are OK too, my concerns are durability + warranty.
I got to test VSD1S today and it seemed to me like a good upgrade to E30 considering the price.
I liked its sound. Fuller with wider soundstage than E30.
Two things put me off though:
- superior bass quantity compared to E30 and GR07 MK2
- lesser confort. fit was an issue for me even playing with the adjustable nozzles
Looking again at your first post, I have to say that the RE400 fit your requirements.
VSD1s and GR07s do not sound analytical, nor does E30 for that matter.
VC02 would be closer to that but its SQ is nowhere near RE400.
Well I Just love the E30's would like to have something similar of them. I have doubts on durability of RE 400 [cable] I am not ready to risk 100$ + on it.
I like the base which does not overpower mids and all round spectrum. clean sound , no colouring. Comfort, Quality, price I think E 30 does all of it. Just right.
I have had long time with these. I think I would like to try out something much better than E30.
vsd1 may not be a major upgrade over E30?
All vsonics seem to have good build,cable,housings, plug.
so Its now :
1) GR07 MKII at 130$ [Ultimate within 200$]
2) VSD1 at 40$ [But does this sound surprisingly close to GR07? ]
3) VC02 at 40$ [SQ close to RE400]
Guys how is Brainwavz R3 Dual dynamic? any light on this one? SQ?
Can an portable amp improve SQ and give wider soundstage?
Player : Nokia 808 PureView
If you love E30 so much as I do too, you might be disapointed at RE400's signature. It sounds great but maybe not what you are looking for.
If I were you I would also forget about VC02.
VSD1S seems to me like a suitable upgrade if you can deal with fuller bass and its peculiar fit.
Housings are bigger and best worn cable down (except if your source is able to switch right/left channels)
At this price point, they are hard to beat. I could not say how close they are from GR07s but I still found GR07 to be much better.
Again this is to my ears.
I think your best choice would be:
1) Wait for GR07 Classic edition hoping they use the same drivers as GR07 previous editions (LMUE should get it soon)
3) VSD1S / VSD1 depending on your taste
4) Wait for the new VSD batch to be released on January 2014
There is an nice deal here. This deal has an amp + IEM R3 + free fedex
I am in doubt that my source may need an amp. please help me out. my source is a Nokia 808 PureView.
MY E30 sound fuller and wider sound-stage when connected to PC with overall improvement in SQ.
But when connected to the source [Nokia 808 PureView] , the sound is not full even if best Equalizer and dolby surround are used. But the source can drive the E30's at very high volumes. but not with satisfactory SQ
Is an amp required?
please help me out.
I have the same problem. The SQ of my GS3 (which has a wolfsten chip) can't match my budget laptop. I got the E17 to improve it but there was no noticable difference. Connecting the E17 via USB to the laptop made a difference. I rather get a good DAP like Sansa player than go for the external AMP/DAC route.
Try this link for GR07 in India (I can't vouch for it though):


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In this role, you will design and hands on development of software systems to support existing and new features. Additional duties include architecting and developing systems that are very efficient, secure, highly available, highly scalable, distributed, and supportable with good diagnostic and monitoring capabilities.
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Portfolios of Agricultural Market Advisory Services: How Much Diversification is Enough?
This study analyzes the potential risk-reduction gains from naïve diversification among market advisory services for corn and soybeans. The total possible decrease in risk through naïve diversification is small, mainly because advisory prices are highly correlated on average. Moreover, because marginal risk-reduction benefits decrease rapidly with size and the cost of holding the portfolios increases linearly due to services' subscription fees, it is optimal to limit portfolio size to a few advisory programs. Based on certainty equivalent measures and two representative risk-aversion levels, preferred portfolio sizes are between one and three programs.
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Volume (Year): 37 (2005)
Issue (Month): 01 (April)
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References listed on IDEAS
Please report citation or reference errors to , or , if you are the registered author of the cited work, log in to your RePEc Author Service profile, click on "citations" and make appropriate adjustments.:
- Ron Bird & Mark Tippett, 1986. "Note---Naive Diversification and Portfolio Risk---A Note," Management Science, INFORMS, vol. 32(2), pages 244-251, February.
- Isengildina, Olga & Pennings, Joost M.E. & Irwin, Scott H. & Good, Darrel L., 2004. "Crop Farmers' Use of Market Advisory Services," AgMAS Project Research Reports 37489, University of Illinois at Urbana-Champaign, Department of Agricultural and Consumer Economics.
- Schroeder, Ted C. & Parcell, Joseph L. & Kastens, Terry L. & Dhuyvetter, Kevin C., 1998. "Perceptions Of Marketing Strategies: Producers Versus Extension Economists," Journal of Agricultural and Resource Economics, Western Agricultural Economics Association, vol. 23(01), pages -, July.
- Sharpe, William F., 1967. "Portfolio Analysis," Journal of Financial and Quantitative Analysis, Cambridge University Press, vol. 2(02), pages 76-84, June.
- Webber, Rick L. & Irwin, Scott H. & Good, Darrel L. & Martines-Filho, Joao Gomes, 2003. "Evaluation Of Market Advisory Service Performance In Hogs," 2003 Conference, April 21-22, 2003, St. Louis, Missouri 18980, NCR-134 Conference on Applied Commodity Price Analysis, Forecasting, and Market Risk Management.
- Good, Darrel L. & Martines-Filho, Joao Gomes & Irwin, Scott H., 2002. "The Pricing Performance Of Market Advisory Services In Corn And Soybeans Over 1995-2000," AgMAS Project Research Reports 14784, University of Illinois at Urbana-Champaign, Department of Agricultural and Consumer Economics.
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The world's 440 operating atomic reactors must be given safety checks within the next 18 months in the wake of the Fukushima nuclear meltdown, the head of the UN's nuclear safety agency said yesterday.
Checks by national authorities should then be followed by international inspections, said Yukiya Amano, director-general of the International Atomic Energy Agency (IAEA), to prevent any repeat of Japan's reactor catastrophe in March, which has prompted a major loss of confidence in nuclear power around the world. Germany and Italy have both signalled that they will pull out of atomic power production.
Opening a ministerial meeting in Vienna on strengthening safety standards after Fukushima, Mr Amano, also a senior Japanese diplomat, said that after Fukushima, "business as usual is not an option". He said: "Thorough and transparent national risk assessments should be made of all nuclear power plants in the world. They should focus on safety margins against extreme natural hazards, such as earthquakes, tsunamis and floods. This could be done within 12 to 18 months."
Nuclear safety would remain a national responsibility, he said, and governments would still have the main task of testing, if only in theory, whether reactor systems could withstand various stresses, such as the earthquake and tsunami, which overwhelmed the Fukushima reactors' cooling systems and led to significant radiation leaks into the atmosphere.
But Mr Amano made clear that he wanted the UN agency to play a greater role, and suggested its experts should be allowed to carry out random safety reviews of atomic power plants.
"Public confidence in the safety of nuclear power has been badly shaken," he said in a speech to ministers and regulators from the UN body's 151 member states. "However, nuclear power will remain important for many countries, so it is imperative that the most stringent safety measures are implemented everywhere." At the moment there are no mandatory, international nuclear safety regulations, only IAEA recommendations, which national regulators are in charge of enforcing. While some IAEA member countries at the meeting want any new safety regime to be mandatory, most prefer regulations to remain voluntary. But Mr Amano pointed out that if the IAEA cannot enforce safety standards, those rules will be only as good as the way they are enforced by IAEA nations.
"Even the best safety standards are useless unless they are actually implemented," he said.
As it was "not a realistic proposition" for the IAEA to review all the world's 440 working nuclear reactors in just a few years, Mr Amano said he was proposing a review system "based on random selection".
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This review is from: OCZ RevoDrive X2 PCI-E 160GB PCI-Express x4 MLC Internal Solid State Drive (SSD) OCZSSDPX-1RVDX0160
Pros: Very fast.
Cons: Bought this drive in March for a new workstation after having the previous RevoDrive for about a year. In 3 months the drive died, had to file a RMA which was processed promtly, received a replacement within few weeks after filing. Now the older drive died, with the same symptoms. You better have a good backup procedures!READ FULL REVIEW


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Lot 95: A nice famille rose porcelain baluster vase
Chinese Ceramics and Works of Art
by Czerny's International Auction House
October 22, 2016
Sarzana (SP), ItalyLive Auction
Past Lot
Looking for the realized and estimated price?
dating: Republic (1912-1949)
provenance: China
Fine, baluster shape; convex foot and neck, finely decorated with children playing; globular body, painted with flowers; red, painted, apocryphal, seal, six-character mark of the Emperor Qianlong.
dimensions: height 22 cm.
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