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First thing in the morning, I stepped outside my bedroom on to a vertiginous balcony that is embedded in architectural history, before descending four storeys to the canteen. Indulging in a sunny breakfast sitting outside was a treat in itself, but in this case my enjoyment was doubled by having just slept inside the world's first Modernist building: experimental, utopian yet ultimately doomed by the vagaries of German history.
I was in Dessau, mid-Bauhaus pilgrimage between the nascent days of this seminal art and design movement in Weimar and the end of the German trail in Berlin. A new Barbican exhibition, Bauhaus: Art as Life begins tomorrow, the largest of its kind in the UK for more than 40 years, with exhibits loaned from Weimar, Dessau and Berlin. Apart from the aesthetic revelations of my journey, what became clear was that despite its short life (1919-1933), Bauhaus influence has been all pervasive, bringing us white walls well before Minimalism, flatpack furniture before Ikea, utilitarian style shops before Muji – and leaky flat roofs. Not to speak of chairs without legs.
For a visitor covering the ground as I was, the trail reflects modern German history itself, from the First World War to the economic hardship of the Weimar Republic, the rise of the Nazis, Allied bombing during the Second World War, the political division of West and East and, finally, German unification. Geographically it propels you intriguingly from the depressed former East into the pumping heart of the new Berlin. No other creative movement has been so inextricably mixed with history, nor spanned such a divide.
I covered the 570km revolutionary trail by predictably efficient Deutsche Bahn (German railway), shooting across the plains of eastern Germany past industrial tangles of pipes and chimneys, graffiti-splattered derelict buildings, wind-farms and towns edged with neat vegetable allotments beside bland housing estates. Further south, vistas of pine-forested hills and meandering rivers looked distinctly more mellow. Life on board local trains and ICE (inter-city express) was never dull, between clipboard-wielding apparatchiks and TGV-style buffet cars with baby-pink handrails and the dish of the day, sausages and potato salad (with Becks, naturally). There was no danger of missing a connection, either, as despite my schoolgirl German, an English-speaking passenger would always obligingly pop up.
Weimar was a cultural shock. I had no idea how rich an intellectual past it had, well before Walter Gropius, the Bauhaus mastermind, stepped onto the scene in 1919. Every street commemorates a local luminary, from Goethe to Schiller, Nietzsche, Bach and, much later, Marlene Dietrich, so it's not surprising that its chocolate-box charm has been recognised by Unesco as World Heritage grade.
Even my hotel, the Alt-Weimar, housed the great educationalist Rudolf Steiner for a time at the end of the 19th century. The building was converted in 1909, with wood-panelled dining-rooms much appreciated by beer-swilling, party-loving Bauhaus students. My own experience consisted of a surprise gourmet menu, with Riesling and ending with a beautiful Constructivist-style dessert. Upstairs, the room was spartan yet functional, a foretaste of the Dessau Bauhaus experience.
Thomas, one of the architectural students employed for the "Bauhaus Walking Tour", showed me the sights. At the Bauhaus University, I was impressed by a staircase mural by Oskar Schlemmer, although it turned out to be a reconstruction, the original destroyed by a Nazi director of the school, post-1926. Then, as we stood in Walter Gropius' reconstructed office to admire his furniture designs and Wagenfeld lamp, Thomas threw out insights into Bauhaus theory and ideological conflicts. Gropius's aim to tighten the links between art, crafts and industry attracted dynamic input from greats such as Paul Klee, Wassily Kandinsky, Josef Albers, Herbert Bayer, Johannes Itten and Laszlo Moholy-Nagy.
A stroll through the park flanking the Ilm river led us past Goethe's summer house to the prototypical Modernist house, the Haus am Horn, built by students for the 1923 Bauhaus Exhibition. For an architectural lightweight like me, this proved less inspiring, despite its historical significance. However, back in the centre, the modest Bauhaus Museum brought illuminating surprises, from a cradle to carpets, textiles, tableware and graphic arts. In 2015, a new museum will bring together hundreds more Bauhaus designs now in storage.
Dessau, a couple of hours north-east, was a complete contrast: quintessentially bleak, industrial East Germany. After losing three-fifths of its buildings to Allied bombing it is now depopulating in the wake of reunification. However, it boasts the world's first Modernist building (comprising school, workshops and student accommodation) and six semi-detached "Master Houses" brilliantly designed according to function, light and privacy. Gropius' own is now under reconstruction.
On top of that, a 20-minute tram ride away is the Törten Estate, an experimental garden city with three versions of terraced social housing. Here, building time was reduced to just six hours per house, fusing efficiency, economics and functional design, as well as green elements such as composting and vegetable gardens. Perhaps most moving of all were the fragments of owners' tastes: many had replaced windows and doors, added wallpaper, patterned lino and fanciful furniture.
Following renovation of the glass-walled Bauhaus building, visitors can now sleep in the lofty students' rooms, eat in the canteen and drink in the buzzy "Klub". In this second incarnation of the school – moved from Weimar in 1925 due to budget cuts by the Nazis – the focus shifted from arts and crafts to architecture with an industrial aesthetic, in tune with Dessau's hi-tech nature. In 1930, the exhausted Gropius was replaced by the legendary Mies Van der Rohe.
Two years later political pressures forced the Bauhaus to move again, this time to Berlin. By then the power of the National Socialists proved insurmountable, forcing total closure in 1933, and the Bauhaus diaspora.
It takes 90 minutes by train to travel from Dessau to Berlin's impressive new Hauptbahnhof. From there I made my way to the Bauhaus Archives and Design Museum, yet another ground-breaking design by Gropius – though built in 1979, after his death. Inside, exhibits included Marcel Breuer's modern classic, the first chair to feature a bent-steel frame. Suddenly the design history was all clicking into place. This sense was reinforced later when I walked past the Hotel Berlin, a sprawling Cold War building that seemed to encompass Bauhaus aesthetics. The movement never stopped: there is now even a Bauhaus app for your phone. And "my" balcony is part of design history.
Travel essentials
Getting there
You can fly to Frankfurt with Lufthansa (0870 8377 747; lufthansa.com) or BA (0844 493 0787; ba.com) from a rangeof UK airports. Deutsche Bahn (bahn.de) offers fast and frequent rail connections to Weimar, Dessau and Berlin. Flights from Berlin's Schönefeld airport to the UK areoperated by easyJet (0843 104 5000; easyJet.com) and Ryanair (0871 246 0000; ryanair.com); flights from Berlin's Tegel airport are by BA and Lufthansa.
Staying there
Alt-Weimar Restaurant and Hotel, Weimar (00 49 3643 86190; alt-weimar.de). Doubles from €85, including breakfast.
The Elephant Hotel in Weimar (00 49 3643 8020; hotelelephantweimar.com). Doubles from €111, room only.
Bauhaus Dessau (00 49 340 6508 318; bauhaus-dessau.de). Doubles from €35, room only.
Visiting there
For information on Weimar's Bauhaus walking tours, see weimar.de. Two-hour group tours cost from €85 per group.
Day tickets to Bauhaus sights in Dessau (00 49 340 6508 25; bauhaus-dessau.de) cost €15.
The Bauhaus Archive/Museum of Design (00 49 302 5400 20; bauhaus.de) in Berlin costs €6 (closed Tuesdays).
More information
The new Barbican exhibition "Bauhaus: Art as Life" starts tomorrow, until 12 August. Tickets £10 (barbican.org.uk)
Bauhaus Travel Book (Dumkont, 2012).
A free Bauhaus app can be downloaded at bauhaus-online.de/en/atlasReuse content


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'look out the window'
E_Gads-- where or where are your hurricane shutters!.. or at least
plywood. Thinking you are the only person in the state of Florida with a
viewable window this season.....
Stay safe.... looks like you are going to be pounded for awhile.
> House across the street--the one with the Statue of Liberty in the
> front yard--is loosing shingles from its roof. I went out and checked
> ours a few minutes ago, and we are okay so far. Except Beans is
> to go out. I've told her that with gusts at 60 MPH she'd likely get
> blown into Hardee county, but she doesn't believe me.
> All of our pots and hanging baskets, which we set on the ground
> yesterday, have not budged. I can't see any damage when I look out the
> windows, although a lot of our trees, especially the schefflera and
> jatrophas are sure bending over in the gusts.
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A fully customisable fundraising thermometer with PayPal integration, custom skins and support for multiple vertical and horizontal thermometers.
Displays a custom thermometer image charting the amount of donations raised.
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Veal Loaf
|Ground veal
|2 Pound
|Ground fresh pork
|1⁄2 Pound
|Fine dry bread crumbs
|3⁄4 Cup (12 tbs)
|Evaporated milk
|3 Tablespoon
|Melted butter/Margarine /shortening /drippings
|3 Tablespoon
|Minced onion
|2 Tablespoon
|2 Teaspoon
|Hard cooked eggs
|2 , sieved
1. Start oven, set at Moderate, 350° F. Rub a loaf pan with butter or margarine.
2. Mix the veal, pork, bread crumbs, milk, 2 tablespoons butter or drippings, onion, salt and the eggs. Pack into the loaf pan; or form into loaf shape in a shallow roasting pan.
3. Bake 1 1/2 hours. Baste first with the rest of the melted butter, margarine, shortening or drippings, then with drippings from tile loaf.
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size
Calories 345 Calories from Fat 183
% Daily Value*
Total Fat 20 g31.4%
Saturated Fat 9.1 g45.3%
Trans Fat 0 g
Cholesterol 187.6 mg62.5%
Sodium 651.9 mg27.2%
Total Carbohydrates 8 g2.6%
Dietary Fiber 0.21 g0.84%
Sugars 1 g
Protein 30 g59.2%
Vitamin A 4.8% Vitamin C 0.51%
Calcium 5.3% Iron 8.9%
*Based on a 2000 Calorie diet


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If you saw a DVD with this cover, you'd assume that "Camp Hell" is a cheesy horror flick starring "The Social Network's" Oscar-nominated Jesse Eisenberg, right?
Eisenberg shot a five-minute cameo for the religion-themed "Camp Hell" in 2007, as a favor for a friend. A five minute cameo, he believes, that doesn't warrant his photo on the DVD cover or his name above the title of the film.
According to EW, Eisenberg is currently suing Lionsgate and Grindstone Entertainment, the distributors of the film, for falsely advertising him as the star of the movie. He says he shot his brief cameo in one day and received a paycheck of just $3,000. He believes that Lionsgate is exploiting his likeness, now that he's developed a significant fan following, to sell the movie on false grounds.
"Eisenberg is bringing this lawsuit in order to warn his fans and the public that, contrary to the manner in which Defendants are advertising the film, Eisenberg is not the star of and does not appear in a prominent role in 'Camp Hell,' but instead has a cameo role in 'Camp Hell,'" reads the suit.
The actor is concerned that "Camp Hell" could be damaging to his reputation — not because it's a bad movie, but because he doesn't want people to think he's cool with the marketing strategy. His attorney notes, "Eisenberg's reputation and good will with the public and his fans will be severely harmed if they are duped into purchasing a copy of the 'Camp Hell' DVD as a result of false advertising by Defendants that it is a horror film starring Jesse Eisenberg."
We sort of love Eisenberg for this. Most actors would sue for not enough cover coverage.


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Total Time
Prep 5 mins
Cook 0 mins
Yes, there are many ambrosia recipes out there... I'm only posting mine here for safe keeping & for when I'm asked for the recipe after bringing it to a party/gathering... Don't get me wrong, it's very tasty & I'll mostly only prefer the taste of mine, so if you try it, I hope you enjoy it :-)
Ingredients Nutrition
- 6 ounces maraschino cherries, drained then quartered
- 6 ounces mandarin oranges, drained
- 8 ounces pineapple chunks, drained
- 20 ounces crushed pineapple, drained very well
- 15 ounces fruit cocktail, drained
- 16 ounces sour cream
- 8 ounces Cool Whip
- 1 (3 1/2 ounce) packet instant vanilla pudding
- 2 cups mini marshmallows
- 3⁄4 cup flaked coconut (optional)
- I drain & quarter cherries first. Then drain & squeeze the crushed pineapple. Then I drain & add the remaining canned ingredients and stir in the pudding mix, sour cream & cool whip. I add the marshmallows last and stir them in gently.
- Chill then serve.
Most Helpful
This is the 4th time I am making this Ambrosia. It is delicious.. My crowd scoops it right up. The combo of sour cream, cool whip and Instant pudden gives it a unique taste & consistency.
I pretend like this is my secret recipe ha ha ha. I got a new phone and I had the recipe on my last phone. I love this recipe so much I was able to find this very same one just by looking up the image that was posted! By the way, add the instant pudding mix directly to the ambrosia ingredients. Ignore pudding instructions. I have also found that if you mix all the wet ingredients first then with the pudding mix it makes it easier on you with adding the fruit and folding it in to make it more consistent and with much more ease. My friends and family sneak pinches or spoonfuls of this ambrosia when they think no one is looking!
I would love to try this recipe . Could anyone tell me whether the instant pudding should be prepared as instructed on box or used straight from the box in powder form.


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Florida Hotel
No prices found through our partners. Please contact the business directly or check some of our recommended alternatives.
- Minbar in room
- Suites
- TV Channel One Russia
- Multilingual staff
- Breakfast Available
- Beach
Photos of Florida Hotel
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Piran - Slovenian Istria
Slovenia has only 16 miles of coastline, not much compared to Croatia's thousands of miles of coast when you include all of its islands and peninsulas. The short stretch is quite developed with an industrial port city (Koper), a swank resort (Portoroz), and a few other old towns. The one real attraction, though, is Piran, a beautiful old town on a peninsula similar to Porec and Rovinj in Croatian Istria but ...
Undine and The Return of the Orange Spot
... Being a B&B, Angela feels the need to pamper us at breakfast time. For me I see no need, but go with the flow. She lays out a wonderful spread, makes us Cappuccinos, and away she goes. This would be the last time we see our extremely helpful host. After a lovely continental breakfast, we head off once again to explore. My 'Hong Kong Book of Kung Foo' informs me that Udine has a turbulent past. It goes on to say that the Celts, Romans, Austrians, Germans, and the ...
Slovenia's Riviera
The original itinerary included a visit to the coastal towns of Piran and Portoroz. Unfortunately, the day tour to these centres did not operate on the day I wanted so I had to make alternative arrangements using public transport. The need to rely on public transport cut down the time available for exploration so this visit will be superficial at best. However, I hope these photos will give you a feel ...
Last day at Cavallino
So it's outlast day at Cavallino today. Time to start packing up for our next destination, Wolfgansee in Austria. It's been fun we have been blessed with good weather and great facilities at this site, it's definitely worth thinking about coming back although if it's August again we may need to consider an apartment as camping in this weather is brutal. So a bit of ...
Another hot one
... of windows to open but we are keeping close up to create some shade in the tent. Bobby Today was to blinkin hot we just had to go to the pool. We had lots of fun in the slide I came down with my feet sticking up in the air. I also earned 2 Euros by swimming a full length without putting my feet down. I also managed 5 widths. My front crawl is getting really strong now! Hope you are all well at home, come on ...


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THOUSANDS will frock up and flock to Caloundra's Corbould Park Racecourse to celebrate Melbourne Cup Day today.
Sunshine Coast Turf Club president Mick Sullivan said he expected 8000 people to line the race track to join in on the excitement.
"We want a nice fine day and we're looking forward to a big crowd," Mr Sullivan said.
"It's always a big day around Australia so hopefully this year is no exception."
It looks like Mr Sullivan will get his wish - Weatherzone meteorologist Rob Sharpe said today's forecast was near perfect.
"It is going to be mostly sunny with a top of 27 degrees," Mr Sharpe said."It is nice weather to get out and about and enjoy the race."
>> Download your free Melbourne Cup sweep for here
Gates to Corbould Park open at 9am and Mr Sullivan said most people would arrive between 10.30am and midday.
"Fashion on the field kicks off at midday," he said.
"We have different roving entertainment and it is always a good fun day."
There are five local races - the first will start at 1.17pm and the last will be held just after 4pm.
To make sure you do not miss the big race in Melbourne, a big screen TV has been set up on the course.
The turf club has arranged free shuttle buses to and from the track from Noosa, Maroochydore, Mooloolaba and Kawana.
Visit sctc.com.au for more information.
Reader poll
Who are you tipping for the 2012 Melbourne Cup?
This poll ended on 06 November 2012.
Dunaden - 10%
Americain - 9%
Jakkalberry - 1%
Red Cadeaux - 14%
Winchester - 2%
Voila IC - 1%
Cavalryman - 2%
Mount Athos - 9%
Sanagas - 1%
Ethiopia - 6%
Fiorente - 0%
Galileo's Choice - 7%
Glencadam Gold - 0%
Green Moon - 1%
Maluckyday - 7%
Mourayan - 0%
My Quest for Peace - 0%
Niwot - 2%
Tac de Boistron - 0%
Lights of Heaven - 9%
Precedence - 1%
Unusual Suspect - 0%
Zabeelionaire - 1%
Kelinni - 6%
This is not a scientific poll. The results reflect only the opinions of those who chose to participate.
The Daily is out to find the Coast's best dressed, most colourful and zaniest Melbourne Cup fans on the Sunshine Coast today.
You can share your photos at the Facebook Sunshine Coast or on Twitter. Just use the word #sunnycup as your hashtag # or as your keywords together with the names of the people in the picture.
Check back to see if your picture has been published on the Daily's site or in tomorrow's paper. Have a great day and pick a winner.


text:
- {{matchup.date.fullday}}{{matchup.date.month + ' ' + matchup.date.day}}
Panthers clip Saints
John Kasay kicked a 42-yard field goal with seconds remaining in the fourth quarter Sunday to give the Carolina Panthers a 33-31 win over the New Orleans Saints.
The Panthers were a 1.5-point favorite in the game and were able to cover the spread. The combined score went OVER the posted over/under total (51.5).
DeAngelo Williams rushed for 178 yards on 25 carries for Carolina, while Jake Delhomme passed for 250 yards with a touchdown in the win.
Drew Brees passed for 386 yards with four touchdowns and an interception for New Orleans and Lance Moore caught eight passes for 91 yards with two touchdowns.


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Gregory Campbell's final shift of the season included him grimacing around the defensive zone, skating on one leg after blocking an Evgeni Malkin shot and fracturing his right fibula. Campbell spoke about the play Tuesday with a shrug.
Gregory Campbell's final shift of the season included him grimacing around the defensive zone, skating on one leg after blocking an Evgeni Malkin shot and fracturing his right fibula.
Campbell played for close to a minute as the Bruins killed a penalty. The video clip has become a touchstone for hockey players, emblematic of playing through pain and making yourself useful no matter the situation.
Campbell spoke about the play Tuesday with a shrug.
"The pain aspect, yeah, I mean, it hurt a little bit," he said in his first public comments since the injury. "It was sore. But your adrenaline's going pretty good at that point. You're stuck on the ice with a couple of the best players in the world. You really don't have much time to think about anything else but trying to help out and kill a penalty."
On the penalty kill, Campbell dove in front of Malkin's slapper and collapsed. He was down in the middle of the defensive zone. With it being the second period, the Bruins' bench was on the other side of the red line.
Campbell decided he was more valuable staying on than taking the time to get off. He got up and waved his stick in shooting lanes. It was 47 seconds before he got to the bench.
The Bruins killed the penalty, regained momentum and won the game in double-overtime.
"I guess my thought process was that it would have taken me probably a while to get back there to the bench," he said. "I thought if I could get up, and I've always felt like if you could get up, you should get up. I tried, I got up. I tried to get in the lane and prevent passes. Obviously I wasn't very effective at that, but at least I tried to not be a liability as best I could.
"So I think it was more beneficial that I stayed out there than if I just kind of headed for the bench. It would have taken me a while to get there. Who knows what would have happened? I made the decision at the time and I felt that was the correct one."
Campbell is out for the season and is using crutches. He had surgery last Monday and has been told there's a "soft" timetable of six to eight weeks before he's back to full health.
That would make him recovered well before the start of training camp in September.
Return of the Hoss
Blackhawks winger Marian Hossa sat out Game 3 after participating in pregame warmups. Hossa was replaced by Ben Smith, the former Boston College star who had played in one NHL game this season. Smith didn't skate in warmups.
Chicago coach Joel Quenneville said Hossa — who has 15 points in 19 playoff games — is "likely" to play in Game 4 Wednesday at TD Garden.
Quenneville said the Blackhawks were hopeful Hossa would play and that was why he took part in the warmups. Smith was aware he could play, but the Blackhawks didn't want to alert the Bruins to that. Bruins coach Claude Julien didn't know Smith was in until he saw the game roster about 20 minutes before puck drop. …
There was a scrum with 11 seconds left in Game 3 in front of the Boston net. Brad Marchand got into a shoving match with fellow pest Andrew Shaw.
"Stuff happens," Marchand said. "I've seen that before. The eye gouge I didn't like, but it's part of the game."
Eye gouge?
"Yeah, I got a nice scratch here," he said, pointing out a mark below his right eye. "A little claw mark, like a kitty cat. … It was right at the end. But that stuff happens in scrums." …
Tyler Seguin has just one goal in 19 playoff games. The winger approached Julien recently about what he can do to contribute in other ways.
"He asked me that question, What can I do to help our team here?" Julien said. "I know I'm not scoring. Basically just told him to keep working and keep making things happen. That's what he's done."
Seguin played a solid game Monday and Julien said he's been "pleased with his outings lately."
Dan Cagen can be reached at 508-626-3848 or firstname.lastname@example.com. Follow him on Twitter @DanCagen.


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By Lexi Belculfine Pittsburgh Post-Gazette
Police are investigating the death of a 19-year-old woman who had been reported missing.
A passerby found Devan C. Knapp of Brookville, Pa., dead Tuesday in a car along Summerville Drive in Clarion County, according to a Pennsylvania State Police press release. She had been reported to be in the car, police said.
An autopsy was completed today, though toxicology reports are pending, police said.
Anyone with information is asked to call state police in Clarion at 814-226-1710 or in Punxsutawney at 814-938-0510.mobilehome - breaking - region
Lexi Belculfine: firstname.lastname@example.com or 412-263-1878. Twitter: @LexiBelc.
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Sarah Veblen is a custom fashion designer who focuses on teaching, creating clothing for her clientele, patternmaking and design consultation for young designers, and writing in several venues. She has a Certificate in Fashion Design from Baltimore City Community College and a BA from Stanford University. Dedicated to promoting the craft of clothing design and construction at all levels, Sarah teaches in her studio as well as other classroom venues and PatternReview.com. She has been a guest lecturer at PACC/ASDP chapter events and national educational conferences; at Threadneedle Fabrics in Essex, Vermont; for CG Garment Designs in Colchester, VT; at G Street Fabrics in Rockville, Maryland; at Ca\u00f1ada College in San Mateo, California; and for ASG neighborhood groups in Maryland, Virginia, and California. In 2001, she launched her own Intensive Study Program in Fashion Design, developed for both home sewers and sewing professionals. With an emphasis on design, fit, and pattern development, she currently offers classes on patternmaking, working with knit fabrics, many aspects of design, and sewing techniques. Sarah has more than twenty articles and various other written contributions and garments for THREADS magazine, as well as several "how-to" videos for the THREADS website. She was one of the three designers featured in the 1999 THREADS Design Challenge, and she was the overall winner of 2008 THREADS/ASDP "Fluid Fabrics" challenge. She lives in Sparks, MD.
The Complete Photo Guide to Perfect Fittingby Sarah Veblen
Here is the ultimate reference for fitting test garments and transferring accurate adjustments to patterns! No matter what size or shape you are, wearing garments that fit perfectly makes you look and feel better. Rather than making commonly accepted changes to a commercial pattern, the method presented in this guide focuses on the way a test garment fits the body.
Here is the ultimate reference for fitting test garments and transferring accurate adjustments to patterns! No matter what size or shape you are, wearing garments that fit perfectly makes you look and feel better. Rather than making commonly accepted changes to a commercial pattern, the method presented in this guide focuses on the way a test garment fits the body. The fabric is manipulated to improve the fit, and then those specific changes are made to the pattern. The result: patterns that fit perfectly!
With The Complete Photo Guide to Perfect Fitting, you'll learn:
- The importance of a fitting axis and how to use it during a fitting
- How to recognize fitting issues, such as drag lines and folds
- How to manipulate fabric to solve common and unusual fitting problems
- How to transfer the fitting changes to your pattern easily
- Basic pattern-making skills to ensure accurate alterations
See the fitting process from start to finish on basic garments, fitted on real people. Then follow fitting solutions on different body types. The lessons you learn will help you fit any body.
Product Details
- 9781589236080
- Publisher:
- Creative Publishing int'l
- Publication date:
- 01/01/2012
- Series:
- Complete Photo Guide Series
- Pages:
- 224
- Sales rank:
- 170,828
- Product dimensions:
- 8.20(w) x 10.70(h) x 0.70(d)
Meet the Author
Customer Reviews
Average Review:
Most Helpful Customer Reviews
See all customer reviews
I have been a sewist for 30 years, have sewn almost every kind of project there is and have been introduced to several fitting systems. None of these systems has been perfect and so I have gone back and forth with garment sewing. Having gotton well into the book I can say this is a very clear, understandable, well written method with plenty of supporting photos. I am anxious to try this method and feel it will be very successful.


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Deep Dish Turkey Pie
|6 Medium, pared and quartered
|6 Medium, scraped and quartered
|1 Small, chopped
|Chopped green pepper
|1⁄4 Cup (4 tbs)
|2 Tablespoon
|Condensed cream of chicken soup
|10 1⁄2 Ounce (1 Can)
|Cooked turkey chunks
|3 Cup (48 tbs)
|Biscuit wedge topping
|1⁄2 Cup (8 tbs)
1.Preheat the oven to 425 degrees.
2.In a large saucepan, boil salted water.
3.Add potatoes and carrots in it for 15- 20 minutes until soft.
4.Once done, strain and reserve 1 cup liquid.
5.Meanwhile, in a saucepan heat butter or margarine.
6.Put onion and green pepper in it and cook until tender.
7.Add chicken soup and 1 cup reserved liquid in the pan.
8.Take a 8 cup casserole, put vegetables and turkey into it with a spoon.
9.Drizzle the sauce over the vegetables and turkey.
10.Bake the dish for 15 minutes.
11.Use as desired.
For making biscuit wedge topping, put the biscuits as a topping to hot mixture and bake for 15 more minutes.
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size
Calories 478 Calories from Fat 97
% Daily Value*
Total Fat 11 g16.8%
Saturated Fat 4.5 g22.7%
Trans Fat 0 g
Cholesterol 99.5 mg33.2%
Sodium 566.6 mg23.6%
Total Carbohydrates 53 g17.6%
Dietary Fiber 6.2 g24.6%
Sugars 7.8 g
Protein 44 g88.7%
Vitamin A 211.1% Vitamin C 72.9%
Calcium 5.3% Iron 11.3%
*Based on a 2000 Calorie diet


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Openings in Tokyo Aug 2, 2016
'Scary Pictures of Ukiyo-e'
by Megan Green
Aug. 2-Aug. 28 The game kimodameshi can be a scary way to chill your bones on a hot summer night. It involves daring a friend to venture into a supposedly haunted place and return with some kind of souvenir to prove their courage. The ...


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Red Lion Hotel Kalispell, Kalispell
- Free hot/cold buffet breakfast, free WiFi, and free parking
Main amenities
- 170 smoke-free guestrooms
- Casino
- Indoor pool
- Free airport shuttle
- Fitness center
- 24-hour front desk
- Air conditioning
- Daily housekeeping
- Garden
- Lobby fireplace
- Front desk safe
- ATM/banking services
For families
- Microwave
- Refrigerator
- Connecting/adjoining rooms available
- Private bathroom
- Premium TV channels
- Free toiletries
What's around
- Heart of Kalispell
- Museum at Central School (0.4 mi / 0.6 km)
- Hockaday Museum of Art (0.5 mi / 0.8 km)
- Conrad Mansion Museum (0.8 mi / 1.3 km)
- Buffalo Hill Golf Club (0.9 mi / 1.4 km)
- Woodland Water Park (1.2 mi / 1.9 km)
Red Lion Hotel Kalispell, Kalispellfrom $79
- Standard One King Bed Accessible
- Standard Room, 1 King Bed
- Standard Room, 1 Queen Bed
- Standard Room, 1 King Bed
- Standard 2 Queen
- Standard Room, 2 Queen Beds
- Room, 1 King Bed, Accessible
- Accessible 2 Queens with roll in shower
- Room, 1 King Bed, Accessible
- Premium King
- Standard Room, 2 Queen Beds
- Room, 2 Queen Beds, Accessible
- Room, 2 Queen Beds, Accessible
- Standard 1 Queen
- Standard Room, 1 Queen Bed
More great choices
At a glance
Key facts
Hotel size
- This hotel has 170 rooms
- This hotel is arranged over 3 floors
- Check-in time starts at 3 PM
- Check-out time is 11 AM
- Express check-out
Required at check in
- Credit card or cash deposit required
- Government-issued photo ID required
- Minimum check-in age is 21
Travelling with others
- Up to 2 children (17 years old and younger) stay free when occupying the parent or guardian's room, using existing bedding
- No cribs (infant beds)
- Pets allowed *
- Free WiFi in public areas
- Free WiFi in rooms
- Free airport shuttle
- Free self parking
Other information
- Smoke-free property
Nearby Three Star Kalispell hotels
In the hotel
- Free hot/cold buffet breakfast
- Indoor pool
- Fitness facilities
- Spa tub
- Casino
- Conference space
- Meeting rooms
- 24-hour front desk
- Concierge services
- Dry cleaning/laundry service
- Free newspapers in lobby
- Luggage storage
- Porter/bellhop
- Year Built 1985
- Elevator/lift
- ATM/banking
- Safe-deposit box at front desk
- Garden
- Fireplace in lobby
- Television in common areas
- Accessible bathroom
- In-room accessibility
- Roll-in shower
In the room
- In-room climate control (air conditioning)
- Air conditioning
- Coffee/tea maker
- Iron/ironing board
- Blackout drapes/curtains
- Premium bedding
- Pillowtop mattress
- Private bathroom
- Shower/tub combination
- Free toiletries
- Hair dryer
- Flat-screen TV
- Premium TV channels
- Desk
- Free WiFi
- Refrigerator
- Microwave
- Daily housekeeping
- Connecting/adjoining rooms available
Top Kalispell hotels
Recently reviewed hotels in Kalispell
- Historic Tamarack Lodge & Cabins
"We had been snowshoeing in GNP and this room was a cozy spot to rest after an active day."Jan 7, 2017
- Glacier Travel InnFrom
"Good stay"Nov 26, 2016
- North Forty Resort
"Loved the cabin suite with full kitchen in the woods. "Nov 1, 2016
- Mini Golden Inns MotelFrom
"Clean, comfortable room with great location near West Glacier Park hiking. Good food close by (huckleberry pie and ice cream across the street). Good value. The bathtub was…"Oct 4, 2016
Nearby hotels
Also popular with travelers from the USA
Special features
On Site
- Fitness facilities
- Spa tub
- Free bicycles on site
- Personal motorized watercraft on site
- Golfing nearby
- Hiking/biking trails nearby
- Kayaking nearby
- Mountain biking nearby
- Rafting nearby
- Cross-country skiing nearby
- Downhill skiing nearby
- Snowboarding nearby
- Snowmobiling nearby
- Snowshoeing nearby
- Water skiing nearby
Red Lion Hotel Kalispell, Kalispell's small print
Also known as
- Kalispell Red Lion Hotel
- Red Lion Hotel Kalispell
- Red Lion Kalispell
- Kalispell Red Lion
The property has connecting/adjoining rooms, which are subject to availability and can be requested by contacting the property using the number on the booking confirmation.
Optional extras
Pets are allowed for an extra charge of USD 15 per pet, per stay
We have included all charges provided to us by this hotel. However, charges can vary, for example, based on length of stay or the room you book.
Recent reviews
Excellent 4.2 /5 from 518 reviews
I have stayed at this hotel many times. It has always been a pleasant experience. Wonderful staff, comfortable beds, god breakfast, and in a great location. Very happy :-)
Very convenient to Glacier airport. Great service.
Easy parking, room was clean and comfortable but the bathroom was very small. Great free breakfast. Would stay here again!
The fire alarm went off at 1am in my room. The front desk clerk acted very rude and asked well what do you want. I asked for a room without a fire alarm going off!! He seemed put out that he was going to have to issue me a new room. I went back to pack my belongings at 1am to switch rooms. Well he deactivated my room keys so I had to go back again to get my room key to work. At this point I asked for a late check out and suprisingly he said no problem to 1pm checkout. My new room in this empty hotel was located right next to the pool with an extremely loud pump that would make a crazy whirling sound and wake me up about every 30 mins. After my first encounter with the desk clerk, I was under the impression he did this on purpose. After not sleeping due to the screaming pool pump, I made it to the lobby at 905 for breakfast which was gone at 9am. I went back to the hotel room sleepless and exhausted and finally fell asleep. At 12pm, while in the shower, I get a call from front desk agitated that checkout is at noon and I haven't checked out yet. I explained I asked for a late checkout and they said well we don't have any documentation of that. I responded that I asked the man at the front desk last night at 1am while attempting to change rooms while my fire alarm was going off. She said oh OK well that makes sense sorry. It was a mess. At the very least, I expect a refund for the terrible customer service I experienced this night at the RL hotel.
Have stayed here a few times and have always been pleased. They have an awesome breakfast with an omelet bar and a person to prepare them. Only issue we had this time was that they removed the coffee makers from the rooms because the have an espresso machine down in the lobby now. I called the desk and asked for a coffee machine and one was sent right up, no questions asked.
Is the description of this hotel not correct? Tell us


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Is Benchmark Property Management incorrect or missing key business information? Update your Hotfrog listing today.
Contact details
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Hotfrog NewZealand provides information regarding Benchmark Property Management in poole. Benchmark Property Management is located at 482 ashley road parkstone, poole and provides Real Estate services. Contact them on 01202 802 707 or by visiting them on their website http://www.benchmark-online.com.
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9 comments
Holy Guacamole!
Good one 🙂
(for those that haven't watched it yet…..the first 25 seconds are the best)Log in to Reply
Good video.
She is tenacious!~
I thought we had a world cl**ZIT** giver at the beginning, regardless, with the awesome worm at the start coupled w/ the girls refusal to give up, I'm voting 4/5.Log in to Reply
grrrrrrrrrrrrrrrrrrrrrrrreat!!!!!!!!!!! it was fun to watchLog in to Reply
One day at work this older lady comes in to get an eye exam, she had cataracts and was referred. Anyhoo, right over her left eyebrow was a ginormous blackhead. the black part was the size of my thumbnail. I wanted to squeeze sooooooooooooo bad! I didn't have my cell phone on my (sorry guys) but I tell you I wanted to get that off her head and take a movie of it. Good lord.Log in to Reply
heyyyyyy, i posted this. boo.Log in to Reply
Good story tai….Log in to Reply
I imagine it was very hard to contain yourself. I guess there's really no good way to approach the subject if the person hasn't taken action by the time it gets that size! 🙂
Now that's a blackhead and that's the way to squeeze! Good job! The theme-appropriate napkin is a bonus.Log in to Reply
Why is it they are always surprised and freak out when it gets on their finger?
Nice vid.Log in to Reply
Blackheads be my fav!Log in to Reply
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March 13, 2012
Click Here!
Applications and World of Warcraft
I am wanting to be able to play World of Warcraft on CentOS and to eventually get rid of Windows on this computer. Will other programs mainly Microsoft applications install on CentOs and if so will the Program Whine do all that for me. Or is there a better program.
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Greenhorn Creek Guest Ranch
Our capable Day of Coordination experts have the experience it takes to make an event outstanding. Contact Greenhorn Creek Guest Ranch right now to see how we can help.
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Lisa Fitts Photography
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Guardian Plan - A non-profit helicopter emergency medical service for south Texas.
HALO-Flight, Inc. offers a Guardian Subscription Plan that helps make an unexpected tragedy less painful on your pocket. Cost for an average emergency helicopter transport can exceed $20,000. Covered Guardian Subscription Plan Members are not charged out-of-pocket expenses for HALO-Flight, Inc. transports deemed medically necessary. As a HALO-Flight Guardian Plan Member, if you or your covered dependents require our service, we will bill your insurance (if any) and accept that as payment in full. If you are a HALO-Flight Guardian Subscription Plan Member and do not have insurance, you will not receive a bill. It's that simple.
Guardian Ranch and Business Plans Available only by contacting the Membership Department at 361.265.0509.
Ranch and Business Plans are not available on this website.
- Your Membership Agreement applies only to HALO-Flight, Inc. or our reciprocal partner Dallas CareFlite. *
- Covers all family members who live in the same household and are listed on the application. (Includes dependent children, custodial and non-custodial children).
- Guardian Plan Membership Cards for the primary member listed on the application along with 2 vehicle decals identifying you as a member.
- Medicaid recipients are not eligible to join HALO-Flight's Guardian Subscription Plan due to state regulations. We will, however, still transport these patients.
- Payments can be made by cash, check, money order, or credit card.
- New Membership is effective 14 Days after receipt and verification of payment. There is no waiting period for renewing members.
*In the event that any member of the HALO-Flight Guardian Subscription Plan requires service from our reciprocal partner, they will be subject to their terms of the agreement. San Antonio AirLIFE dropped reciprocal affiliation in October 2015.


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Directions to Bellini Bed and BreakfastAddress: via Bellini 21, Cagliari, Italy
Average rating: 0%
Rooms from: US$ 0
Directions to Bellini Bed and Breakfast
From Elmas Airport: Head northwest on Localit� Aeroporto Take the 1st right to stay on Localit� Aeroporto Turn right to stay on Localit� Aeroporto Continue onto Via Caduti di Nassirya At the roundabout, take the 1st exit and stay on Via Caduti di Nassirya At the roundabout, take the 3rd exit onto Via dei Trasvolatori Take the ramp onto SS130 Take the exit toward SS554 Keep right at the fork, follow signs for SS554/Sassari and merge onto SS554 Take the ramp to Cagliari Centro/Pirri/S. Benedetto Merge onto SS131dir Take the ramp to Quartu S.E./S. Benedetto Turn right onto Viale Guglielmo Marconi Continue onto Via San Benedetto Turn left onto Via Vincenzo Bellini Destination will be on the right


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Cabin across from lake, spa, pool table, Village
Big Bear Lake, CA
Cabin across from lake, spa, pool table, Village
4 bedrooms
12 guests
No min stay
|No rental rates available - please contact the owner
|Pets allowed:
Bedrooms: 4
Bathrooms: 3
Sleeps: 12
Type: Cabin
Pets allowed: Yes
Internet: Yes
Description of the Big Bear Lake vacation cabin rental
This large family fun home is located in the Best part of Big Bear Lake. Lake access is just a half block away and the Village is an easy flat walk . The house boasts 3 floors of beautiful rooms with lots to do. Our garage has a an air hockey table, foosball and pinball machine. Walk inside and you find the game room with a 7 foot Olhausen pool table, TV and queen size futon. You will also find our first guest bedroom with queen size bed and TV. There is also a laundry room and bathroom. On the second floor you will enjoy a beautiful modern and spacious kitchen. The kitchen boasts granite, stainless steel and every cooking item you will need to prepare great meals. The dining room is right next to the kitchen and seats 8 easily. Move into the living room with comfy sectional and recliner for chit chatting or watching TV. The is also a rock fireplace with gas logs to keep you warm. On the third floor we offer 3 more bedrooms. The master has a queen bed and private bathroom. The third bedroom has a queen bed and TV and the fourth bedroom has two twin beds perfect for kids or singles. Couples can push the beds together. The house is tastefully decorated throughout. There is also a third bathroom with tub. Outside there is a wrap around deck with BBQ and peek lake views. The spa is huge and warm and under the stars.
Darla Suder
Area Information
Big Bear Lake is the best city in the Big Bear area. It boasts some of the nicest homes and cabins and is close to the heart of the Village. The Village is where you will experience most of the restaurants, bars, bowling and other entertainment. The slopes are close by too. This home is in an area of mostly vacation homes. No dumpy houses around it.
About the owner
Owner Profile
Please inquire about the rates.
Page Views This month: 0 This year: 0 Since listed: 105
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The Fender American Standard Telecaster Electric Guitar is a pro player's axe that delivers authentic Tele vibe. American Series pickups and deluxe hardware with original '52 ash or alder body dimensi... Click To Read More About This Product
The Fender American Standard Telecaster Electric Guitar is a pro player's axe that delivers authentic Tele vibe. American Series pickups and deluxe hardware with original '52 ash or alder body dimensions deliver more resonance and tone. The maple neck has a modern C shape with rolled edges and highly finished frets for easier playability. The detailed nut eliminates rattles and improves tuning stability. Custom staggered tuning machines eliminate the need for one of the string trees. Staggered pole pieces in the pickups provide balanced output across all strings and especially improves tone for the G-string.
The return of the American Standard Series Telecaster continues Fender's tradition of commitment to the people who play Fender instruments out there in the real world. Today's American Standard Telecaster guitars are worthy heirs of their revered ancestors"mindful of player needs and taking full advantage of modern advances, yet remaining completely true to the elements and spirit that made these instruments legendary in the first place. They feature excellent bridges, neck and body finishes, and a Fender-exclusive high-tech molded case. Still there are the beloved hand-rolled fingerboard edges, Alnico V pickups, and staggered tuning machines for tone and stability guaranteed to last a lifetime (with its limited lifetime warranty)! So make history with the American Standard!
American Standard Tele Bridge
Gives sought-after tone with modern improvements (6-saddle adjustability, no ashtray edges). Redesigned plate features a classic styled Fender stamp on chrome-plated brass. Brass and steel are the secrets to the Tele sound!
Bridge Component Specifics:
'American Standard saddles - The original vintage-style Fender bent steel adjustable saddle is one of the components that give vintage Fenders their tonal 'mojo'. Fender conducted tone comparison tests, and fell in love with them all over again. They have a wider tonal range and more character many other saddles. Then Fender improved them; narrowing the spacing to afford more room (and complement the bigger frets and rolled edges), and also elongated the string slot to reduce friction and string breakage, while improving the string break angle over the primary contact point.
Bridge plate
The combination of steel saddles with a brass plate harks back to the magic combination of the most sought-after vintage Tele guitars (which had steel plate/brass saddles). The plate also features two extra mounting screws to improve resonance and body contact (as well as eliminating 'squeals'), and a stylized Fender logo to class up the instrument and nod to the design of '60s era Fenders (like Jaguar and Mustang bridges).
Neck Gloss and Tint
Seemingly a small or less important feature, this is a major feature. The old necks were satin all over primarily for the feel of the back of the neck. On these American Standards Fender kept the satin neck back, but still gave the rich tint and luster of a gloss finish to the fretboard. When looking at the old and new side by side in comparison, there is no arguing that these necks look classier and more detailed and 'finished'.
Thinner Body Undercoat
An undercoat serves to give the paint a smooth surface to adhere to so you have a nice looking finish. The thicker the undercoat, the more glass-like the finish, but the more constricted the guitar's body wood, which could affect tone. Fender switched to an undercoat that is thinner, and that allows the body to flex and resonate more, while retaining the cosmetic advantages of an undercoat.
Fender SKB Case
The case is a true advancement in guitar presentation and protection. It is stackable, it balances perfectly, it is TSA-lock-equipped, and has glass reinforced nylon trigger latches and a killer form-fitted plush interior.
Check the drop-down menu to the right to select colors and/or other options.
Reviewed by 29 customers
Displaying reviews 1-10
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Comments about Fender American Standard Telecaster Electric Guitar:
For years I have only played PRS guitars (McCarty, Custom 22, Studio, Singlecut & Swamp Ash Special) and play an Eric Johnson Strat. I got this guitar from my wife as an Anniversary gift and really love it. It is a great playing American Tele. The neck feels great, the bridge feels smooth and doesn't make you bleed when you strum hard compared to the American Special Tele with the vintage saddles. The pickups are ok. A little thin compared to the Texas Special in the American Special and a little to much hum for my taste but still great sounding pickups. I will most likely replace them with DiMarzio Area T and Area Hot T. Other than that. Really great guitar.
Comments about Fender American Standard Telecaster Electric Guitar:
I have always been a twin-humbucker sort of guy. So, I have always bought Gibson products. My mahogany body HSS Strat started my conversion. This Telecaster in 3-Tone Sunburst with a maple neck has completed it. The build quality and sound are outstanding (as they are on my Strat). I pay more for the American made products for this reason. The playability of this guitar was shockingly evident when I first played it in the store. It seems to WANT to be played. And it is hard to stop once you start. I am delighted. In my opinion, Gibson needs to improve their current build quality. These Fenders are winning my heart. Buy one.
Comments about Fender American Standard Telecaster Electric Guitar:
What a great purchase! This guitar plays great and fits my hand like a glove. Awesome tone that you would expect from a strat. Some people are complaining about the price, but I think it is a steal. There are plenty of guitars out there way more expensive. Buy it, you won't regret it!
Comments about Fender American Standard Telecaster Electric Guitar:
Absolutely love it! Perfect! But can someone tell me exactly what kind of strings these come equipped with? I ended up changing the strings to what I normally use, but now I miss the ones that came on it. The strings that came with this guitar had a great feel and I could glide up and down the fretboard nicely. If these are some kind of Fender strings, I might be a new fan and have to switch brands , heh. But yeah, This guitar has all the great tone and playability that you would expect, but for me I really dig the additional flare of the neck gloss and tint. I've also always been a fan of fender maple necks in general, so it's all Fender for me.
Comments about Fender American Standard Telecaster Electric Guitar:
Just bought the 3 tone sunburst maple neck. Well crafted beautiful instrument. I read all the reviews and considered the standard tele, then I played the American Standard and there really is no comparison. the construction is super solid and flawless. playability is smooth with the rounded corners on the frets. the Tone is Crushing through my Orange dual terror. The MiM does not compare in quality and definitely not the tone. Its not even in the same league. save up the extra cash and buy the American. or rue the day.
Comments about Fender American Standard Telecaster Electric Guitar:
I picked up one of these guitars as a Christmas gift. I had been going to guitar center for several months playing around on a potential guitar to replace my Epiphone Les Paul. The minute I laid my hands on that maple fretboard, I knew it was meant to be. This guitar is nothing short of amazing. It truly feels professional-grade down to the last inch. From the superb pickups to the lighting fast fretboard, this guitar is phenomenal. Some people also have the common misconception that Teles are strictly "jazz" or "blues" guitars. This is simply untrue. That awesome "metal" sound and many other heavy, hard rock, tones are easily achievable on this monster. The versatility is virtually unbound. If you have the means, buy one. You will not be disappointed.
Comments about Fender American Standard Telecaster Electric Guitar:
I love my American Tele! It feels great and sounds good. A must have for every guitar collection.
Comments about Fender American Standard Telecaster Electric Guitar:
Back in the `60s when I was performing and recording I was mainly a Gibson man, but kept a tele around as a beat-up guitar. But come the late `80s, early `90s, I started to find that the tele was more and more my voice - the one I heard when I wrote and arranged - and thus the search for the perfect tele began. It ended up here, once and (hopefully) forever. The American Standard Telecaster is everything a tele should be. Smooth to the touch with a great action, beautiful to look at, and with the classic tele sound. Mine is a 2008, purchased in early 2009. It was and remains flawless in every respect. If the Telcaster is your voice - or even a desirable 2nd voice - this is the Telecaster to get. Mine btw is transparent crimson with a rosewood fingerboard. It could not be more beautiful. :)
Comments about Fender American Standard Telecaster Electric Guitar:
I originally went looking for a strat, but someone told me to try this tele. I was hooked. The owner of the music store(local store), talked to me for a good two hours while I was in there looking. I was there for about 5 hours and played this one guitar for two. I played it through a fender blues junior, and it was an amazing sound. For people who think a tele is not a versatile guitar, they are wrong, I can play anything with this guitar. It takes the right distortion to give it the ballsy sound of a lp, but you can do it.
Comments about Fender American Standard Telecaster Electric Guitar:
I just purchased a 2010 american standard tele in the blizzard pearl with a maple neck. This makes the 4th fender I have owned since I started playing contemporary christian music three years ago. I started with a standard tele which was a good instrument. I then traded it in on 2 fenders-a custom qmt with HH pickups and an american standard strat. I always favored the strat because the tele always seemed a little harsh. I just traded it in on the 2010 tele and WOW this is the tone I was looking for all along. The strat may be in the case for a while until the new wears off the tele. This is the best playing and sounding guitar I have encountered in my 19 years of amateur playing, and it's not even close to the top end of price for the quality. Hats off to the guys in Corona, I feel like you made mine just for me.
Displaying reviews 1-10
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New to this board? Play nice. Avoid swearing, political, religious, kickstarter or fundraising posts. Get permission before promoting services. Read the Rules of the Board for details. Link to basic rules: http://www.scbwi.org/boards/index.php?topic=34154.0 WELCOME! And Happy Posting, Everyone!
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This is your resource to discuss support topics with your peers, and learn from each other.
11-29-2012 07:51 AM - edited 11-29-2012 08:06 AM
I posted a request for a key on: https://www.blackberry.com/SignedKeys/codesigning.
I received a file: client-RDK-1940964.csj
I registered it, got keystore.
After that I received a message to the post:"A registration request completed successfully for client '1940964 '. The client has an unlimited number of requests left.The client was sent back the following message:Client '1940964 'successfully registered with signing server ID RDK. "
I sign the application for debugging:
blackberry-debugtokenrequest -cskpass [xxxx] -keystore program23.p12 -storepass [xxxx] -deviceId 0x[id] Iw2DTransforms.bar
An error: Not yet registered to request debug tokens
What to do?
You should have received 2 emails, one with that RDK file and another with a PBDT csj file. You need to register both. RDK allows you to sign, PBDT allows you to create debug tokens.
If you lost the PBDT email you can register for code signing keys again and just install the PBDT file you are sent.


text:
It only takes a minute to get started. Fill out our uncomplicated sign up form and login to the site.
This step is discretionary but will drastically raise your chances of your profile being viewed by others. Write a little something about yourself, your interests and upload some good photos of yourself.
Utilise our website's advanced search to pinpoint members who match your desired criteria. Or just scan through listings and pinpoint members that arouse your interest.
Located someone who looks appealing? Send them a message or just a wink and wait for their response. With a little luck you'll be on your way to a lifetime of happiness.
It'll only take a few minutes


text:
Reading M. NourbeSe Philip's 'Zong!'
There is no reading this book; it must be read.
Zong! is a book-length poem not so much "about" but "entangled in" the late eighteenth century British court case regarding the throwing overboard of 150 "negroe" slaves by the captain of the slavetrading ship Zong during its trip from the West Coast of Africa to Jamaica. NourbeSe Philip constructs her texts in the belief that this is a story "that cannot be told … [but] that must tell itself."
This is legal poetry. This is, legally, poetry. Philip's "intent is to use the text of the legal decision as a word store" in poetic maneuvers that try to sustain the material and immaterial balance of precision shared by both law and poetry. The poetry displays the agonizing tension of an exploration through the minute particulars and silences locked within the legal text, the precise and cautious movement that tries to not tell the story that must be told. In her back notes she says: "The ones I like best are those where the poem escapes the net of complete understanding — where the poem is shot through with glimmers of meaning." The compositional task she set for herself, a palpable "negative capability," explodes into the particles of language; the letters, syllables, sounds, silences, and spaces bob and glitter until the page becomes a seascape of indeterminate yet suggestive signs and linguistic attentions:
rt with the negroe s w ale and
sade flee dow
n the river do not
read this ruth it will destroy you s
am my lad jot these no
tes these tunes fa la s
This is both a reading and a score. In reading this we move into the spaces and fragments with the trust that this soliloquy of evidence is, simply, proof of the unfathomable meanings hinted at, in the surfaces of language. Meaning here is not to be "made" but, rather, felt. Der Traum! Story rendered not as history but "histology" — cellular. Information carried. The pages of this section, "Sal," float and riff on the data, the dendrita. Visually the pages detail the wide range of performance of the words themselves, their intonations and shapes, elisions and resonances, language levitating between tongue, eye, and mind.
When NourbeSe Philip performs this text the silence between the particles is as articulate as the letters, syllables, and words. "Zong! #1" is a veritable creek of attention as the word "water" generates a letteral turbine of iteration and association.
w wa wa t
er wa te
r wat
er wa ter
of w
Typographically too difficult to illustrate in this essay, the last section of the poem, "Ebora," presents the text as "overwritten" (i.e., layered) which elicits notions of erasure, correction, confusion, overlap, and so forth. When she performs (reads) this, the overwriting inserts segments of "tongue-tied" text, static, and submersed language.
What is so engaging in this work is its adherence to the layered possibilities of making the poem. The book poses a poetic treatment of story as the most dynamic and ethical response to reading and writing history. Philip avoids becoming implicated in story language: "The poems resist my attempts at meaning or coherence and, at times, I too approach the irrationality and confusion, if not madness … of a system that would enable, encourage even, a man to drown 150 people as a way to maximize profits …" Instead she, and the text, work hard to sustain a provocative and confrontational relationship to the normative materiality of history by juxtaposing, as she suggests, the nonmaterial or immaterial layers it is always cloaked within.
The poetic text is presented in six sections, each with iterative turns and elements that dovetail laterally with different abstractions and content that surface in the project. Material echoes resonate from the names, words, phrases, and things Philip provides in a "Glossary" and a "Manifest." The "Notanda," a sort of "postface," is an incisive discussion of how Philip approached the writing. Part journal and part essay, this grounding helps balance the tension and energy of the poetry.
Zong! is, as they say, a piece of work. It is one of the most labor-intensive poetic texts I've encountered. Unfortunately many readers will prefer the work to be transparent, the reading of it to be effortless. Against such a norm, NourbeSe Philip's insistence on the more substantial, yet difficult, complications of history and story is doubly admirable. Don't expect to just read this book but, understand, it must be read.
Response to Nicole Brossard
I admitted to write makes no sense. I am interested in consciousness. Thought follows the land of the spine. Caresses and alibis. The body in the center persists. Let's not touch silence. Catch me in my difference. Un autre paragraph. Le peau hesitante. Le vaste complication de la beauté. We are closed to reality. Skin hesitating between philosophies and the dawn. The universe is on the page one page over. The nudity of reasoning beings. The present is not a book because of the body. Joy that traverses the rose bushes. The blind spot of pleasure. Suggestions heavy-hearted. Immensity. Sentences permeable to death and oblivion. There remained a wound in the middle of the universe — one needed to behold it. Eternity that recommences at the edge of the void. We served each other in order to exist. The poets. Light enters them in spite of themselves. Drop another ice cube in my port, if you would. Été, enfants, electricite. We propose to physically possess poetry. Syllogie. — Lines/phrases from Nicole Brossard's reading
Nicole Brossard's reading on January 21, 2011, concluded the two-day North of Invention conference, a gathering of avant garde Canadian poets, each of whom gave a talk and a reading at Kelly Writers House in Philadelphia. Brossard's reading said something about poetry's magic and power, its sweetness and hopefulness, its profundity and wit and otherness — its aliveness. I always like to find an occasion to present my favorite quotation from Charles Olson: "art is the only twin life has, its only valid metaphysic." That is why, when hearing Nicole Brossard read, one feels — I felt, and I just watched the PennSound video — restored, revivified, reminded. Reminded by the lexicon of Nicole Brossard's poetic imagination, a lexicon I would be unlikely to confront in most Anglophone poetry, with its admonition against "abstractions" still a first law in creative writing classes, as if an "abstraction" ("immensity," "silence," "consciousness," "eternity," "oblivion," "light", "reality," "exist") is a substitute for the real, rather than an extravagance of the real, owing to the felt extravagance of experience. An abundant, inclusive, affective language that has the power, as Brossard says, to enchant, disgust, and thrill, instills the pleasure one experiences in her poetry. It is, as we used to say, personal and political at the same time, for it is in poetry, Brossard says, that she is most faithful to herself and her relation to reality. So was Rimbaud and Verlaine; so it is in French poetry, French song lyrics, French philosophy. Their utopias always included immensity, oblivion, and existence. These words, in French, possess a quality of longing they seem to lack in English, where, embarrassed, they subside into the margins. Brossard's poetry gives us back the wholeness of perceptual experience; for her, ideas are not only in "things."
Anti-patriarchal, feminist, lesbian-utopian, and constitutive of a beautiful, erotic, and revolutionary écriture-feminine, Brossard's luminous works in both prose and poetry are admired and respected by both English- and French-speaking Canadians. At Kelly Writers House, Brossard read from a new edition of selected works, edited and introduced by Jennifer Moxley, a tantalizing piece about a gathering of poets (whom "light enters in spite of themselves") in a garden — perhaps a festival or conference occasion. Laughing, punning, quoting lines of poetry, the poets "serve each other in order to exist." When the speaker says, at the conclusion of this piece, "drop another ice cube in my port, if you would," the audience (their reflections shimmering in the glass panes of the door behind the podium) shouted and clapped for joy, and so did I. Honoring the conference's stated interest in the practice of constraints, Brossard read from a book of alphabets, saying that using constraints was like swimming in the ocean, as opposed to the "swimming pool" of her own familiar methods. The poems openly struggled with English alliteration, especially with the owlish-sounding letter "w," which barely exists in French, transforming the fraught history in Canada of English/French language issues into the playfulness of formal constraints, where we as readers and listeners are invited to "catch [her] in her difference."
Nicole Brossard's reading was a moving finale, a great programming decision on the part of the organizers, Sarah Dowling and Charles Bernstein. In his introduction to Brossard's reading, Bernstein thanked Brossard for the "jouissance she brings to our poetries." Her lifetime of work is indeed, as Bernstein said, a cause for true celebration.
Responding to Fred Wah
January 20, 2011, at North of Invention: A Canadian Poetry Festival, Fred Wah disturbs Canada's national imaginary.
In his talk, in the Kelly Writers House, in Philadelphia, USA, Wah describes his poetic practice as a kind of grammatical GPS that locates and disturbs the Canadian national imaginary. Formed by his experience as a person of Chinese, Scottish, and Swedish descent, Wah pays close poetic attention to the minute and overlooked in language, identifying and troubling coercive nationalistic narratives. In doing so, he practices an "alien ethnic poetics" that "locates a time and space outside and between what is signified on the nation's surface."
Demonstrating his poetic system of location, Wah considers the preposition "from," in the national slogan, "from sea to sea," reminding us that to be from Canada is to not be from Canada — it is to be from elsewhere. Recalling the Canadian government's Chinese Exclusion Act [1], and the federal legislation that made it illegal for Indigenous people to vote until 1960, Wah locates Canada as a country founded on racist immigration policies, and a brutal and bureaucratic process of colonization.
And these are accurate coordinates. In fact, since Canada is a country based on the illegal annexation of the traditional lands of hundreds of Indigenous nations, even the communities that are actually from here (and have always been here) are not from that Canadian here.
Wah identifies his poetics and Jeff Derksen's "public language" as interventions into this national imaginary. As is evident by the critical intensity of Wah and Derksen's work, Canada has always been deeply invested in its own imaginary delineations; Canada has never been north of invention.
Wah notes Joy Kogawa's Obasan, the Japanese redress of 1988, and Nicole Brossard's feminist poetics as important influences on his poetic interventions supplying vital entry points for him "to write from." But he also emphasizes that influences can have their own complex conditions. Locating another imaginary realm, the jurisdiction of the writer over language or material, Wah recalls Brossard's critique of his transcreations of her lesbian feminist Ma Continent (1974), and Steve McCaffery's concern that Wah's work with Indigenous pictograms in Pictograms from the Interior of B. C. (1975) [2] took the pictograms out of their original context. Wah's willingness to share and thoughtfully consider these responses within the context of his present writing practice is striking and generous. It demonstrates his unflagging commitment to writing and to thinking about writing. Language play, he concludes, is serious work; we need to take care with the materials we address.
After the talk, during the question period, Derksen suggests that since the Canadian avant-garde has shifted to include a poetics that is more critically conscious of issues of race (thanks to writers like Wah), the movement should now evolve beyond the Canadian national boundaries o speak to the larger context of North America.
But such a shift may not be in keeping with Wah's findings.
That is, considering what Wah's poetic location devices have demonstrated, perhaps the Canadian avant-garde needs to turn its attention even more closely to the contemporary consequences of our bogus narratives and bloody history, to the Indigenous communities in Canada, to governmental interference in Indigenous rights, sovereignty, land title, basic access to health care, education, and clean drinking water. Maybe it is time for the Canadian avant garde to poetically investigate the language of our history, to read our treaties, to understand the legal implications of the Royal Proclamation of 1763 — and, for non-Indigenous Canadians (like me), to live up to the responsibilities (past and present), the legal conditions and commitments, that we have, as people who live on these lands. [3]
In Bob Perelman's response to Wah's talk, and Derksen's comments, Perelman affirms the necessity of poetic systems of location, and reiterates Wah's call for care. Although Perelmen acknowledges the importance of the instinctive artistic response, he suggests that intuition and immediacy require an understanding of history. Our unfreedoms, Perelman says, "are harder to perceive with our senses because we are so inured to them . . . sometimes we mistake sensual immediacy for freedom when we are actually faced with evocations of our unfreedoms." As a Canadian living in this country that habitually defines its citizens as just and decent, it is also clear to me that we are profoundly inured to the unfreedoms of others, and that our subjectivities and freedoms are tangibly built on those unfreedoms. Take the pictographs. As Wah says, these were "undocumented," and they probably still are, undocumented and unacknowledged. Official Canadian historic discourse and policy have rendered most Canadians illiterate in Indigenous legal systems, histories, cultures, languages, oral and inscribed expression — our national identity, and our continued appropriation of Indigenous land and resources depend on this lack of education.
From here, where I write this, on Treaty Six land, in traditional Cree territory, Wah's poetics, his talk and the conversation that follows locate and trouble our illiteracy, the fraught privilege of our poetic play, and the national imaginary of this country. [4]
1. When the Canadian Pacific Railway was completed, the Canadian government moved to restrict the immigration of Chinese people to Canada. The first federal anti-Chinese bill was passed in 1885. It took the form of a head tax of $50 imposed, with few exceptions, upon every person of Chinese origin entering the country. No other group was targeted in this way. The Head Tax was increased to $100 in 1900 and to $500 in 1903. $500 was equivalent to two years' wages for a Chinese laborer at the time. Meanwhile, Chinese people were denied Canadian citizenship. In all, the federal government collected $23 million through the Head Tax. Despite this "tax," Chinese immigrants continued to come to Canada. In 1923, the Canadian Parliament passed the Chinese Immigration Act excluding all but a few Chinese immigrants from entering the country. Between 1923 and 1947 when the Chinese Exclusion Act was repealed, less than fifty Chinese people were allowed to come to Canada.
2. The terms commonly used for the people who lived in Canada prior to European contact are Indigenous or Aboriginal. First Nations, Métis, and Inuit are for specific groups. For the most part, in Canada, the word "Indian" is not used, unless the speaker is Indigenous or is referring to the federal government's control over "Indian" status.
3. In 2000, at the University of Alberta (on Treaty Six land), Cree lawyer and activist Sharon Venne asked her non-Indigenous audience: "What are your treaty rights?" See Venne's article, "Treaties Made in Good Faith." In Canada, even if you do not live on treaty land, you still exist within a country that was founded based on a series of binding legal agreements with Indigenous Nations. See Anishinaabe law scholar John Borrow's "Wampum at Niagara: The Royal Proclamation, Canadian Legal History and Self-Government."
4. Thanks Fred.
Addendum to her howlings
This is a transcript of Órói or her poetical unrest, an aural note for Jacket2 on a.rawlings reading with Maja Jantar during the North of Invention conference, a Canadian poetry festival held at the University of Pennsylvania at Kelly Writers House in Philadelphia in January 2011, as seen and heard on PennSound.
If you're reading this because you can't hear the sound file (4:39), please follow me. I'll guide you through it.
— I'll tell you what you can't hear.
First, about the sounds:
En guise d'accompagnement, a tapestry (from the Persian taftan, tabidan: "to turn, to twist") inspired by a's name and based on preparatory work for Telephone, a poetry journal from New York which asked me to translate Augusto de Campos, who called himself a concrete poet. I took the task literally and translated the name instead of the work. I started with A, using some of the sounds the letter can produce in English and in French (five, to be precise: a, a, a, a, and a). It's dedicated to Edith Sitwell, who, in turn, called herself an abstract poet.
[Insert a silent sequence which will then be considered the normal, regular or standard silent sequence.]
I had to ask about her.
[Insert a shorter silent sequence.]
I had to bug people to know about her.
(To bug someone [as you would bug a room] helps to listen.)
[Insert a slightly shorter silent sequence than the previous shorter silent sequence.]
I asked a friend who happened to know her (un hasard, he's translating Wide slumber for lepidopterists in French), and who told me about another friend, and I asked her.
[Insert a similar slightly shorter silent sequence.]
I asked François Luong who's from Strasbourg and who has lived in Houston and who's now in San Francisco, and I asked Karen Hannah who's from California and who has lived in Korea and who's now in San Francisco.
[Insert a standard silent sequence that feels longer than it is.]
He says they've been looking for the center of the Earth, working on a geological site full of Icelandic digressions. / She says she sails, wholly unfettered. / He says to think about her is tiring. The idea of her. He can't wrap his mind around it. Too numerous dimensions, he says. / She says she has natural urges to root and unnatural urges to unroot. / He says her wording's comparable to an ecological spill. / She, a letterpress printer, says she's smitten, and worked from a sound poem of hers. / He says her work's hard to put into words.
[Insert a longer silent sequence.]
a.rawlings says she's been displacing her body. She's from Northern Ontario or maybe Toronto, she has lived in Belgium and Iceland, now maybe back where she came from. She's been swerving between repetitious bruising and improvisational healing, using divinatory practices and line drawings, studying volcanoes and dancing, making nonstop nonsemantic hellos and devising a poetics of the corpoverbaurovisual.
[Insert a quarter of a standard silent sequence.]
I would like her to meet Susan Philipsz, who was born in Glasgow but who lives in Berlin. Her father's Burmese. She was awarded the 2010 Turner Prize for art, but she only uses sound.
[Insert a standard silent sequence.]
A poet who doesn't know better will use words and meaning as a place to start. A poet's place to start should be anywhere. Displacing's a good place.
a.rawlings, hats off to your good start.
Sound body, sound text
On a.rawlings and Maja Jantar
Performance, especially of the type that a.rawlings and Maja Jantar execute, creates a new syntax for sound and text as they swirl vividly around each other. You can see it in the way their bodies move, pulling sound out of lungs through stuttered and sometimes simultaneous arm movements. In their performance, we witness these two bodies on stage, connected through sound and text, looking to physically touch each other at all times. Chests push out or suck in, arms move up or down or yank toward abdomens. Try watching on mute for a minute: a.rawlings's mouth is incredibly expressive.
The most powerful moments arise from the physical and aural linkages and disruptions that occur throughout the performance. What is happening here? Their hands reach out and sound or silence comes, somehow seeming connected to the movement of the arm. Here: two voices piecing through language simultaneously but also against the other. They're in different speech patterns, as we all are. We all have cadence and comfort zones for our tongues and limbs. And it's the moments where the two voices sync up as best two voices can where I feel I lose the most language and enter something else: song? Voice? Sound? Music?
I say lose, but I don't mean loss. What I lose is the connection between signifier and signified. I reach aporia, a space where all those doubts I have about language become useful through the exhaustion of the words and the sometimes violent, sometimes beautiful separation of word as a vassal of meaning from its aural genetics. Once in this aporatic moment, I'm able to let go of language as a fixed centre for meaning. "I will not ruin the environment." When synced up, repeated, pulled apart and reconstructed, then pulled apart again, this phrase is ultimately exhausted; it becomes an aural environment of its own that is directly connected to body and time through the various affects and defects of language. This is a gain. So a.rawlings isn't "exhausting" language in the Deleuzian sense of a total destruction of possibility, but tiring it, weakening it in a productive way that allows us to see possibility in it through the affective and the physical.
What strikes me about a.rawlings's work is how well situated it is in the body, even when we're observing her poetry alone on a page. The physicality of sound is what is "here" even as it swirls away from the body and the page. She creates a presence for language that is complex and powerful for the reader and the listener.


text:
Cecelia S Sauerbraten
|Red wine vinegar
|1 Cup (16 tbs)
|Red wine
|375 Milliliter (1/2 Bottle)
|1 Teaspoon
|Bay leaf
|2 Clove (10 gm)
|Lemon rind strip
|1 , halved
|1⁄4 Teaspoon
|Celery stalks
|3 , chopped
|2 , chopped
|Parsley sprigs
|Rolled top beef round
|1 Pound
|Beef stock
|2 Cup (32 tbs)
|3 Tablespoon
Combine the vinegar, wine, peppercorns, salt, bay leaf, cloves, garlic, lemon rind, onion, nutmeg, celery, carrots and parsley.
Add the beef, cover and refrigerate three days, turning occasionally.
Remove the meat and reserve the marinade.
Dry the meat well with paper towels.
Bring the marinade to a boil and simmer it over low heat while the meat is cooking.
It will be used to baste the meat.
Heat a Dutch oven or heavy kettle.
Add the meat, fat side down, and brown it well on all sides for one hour.
After browning, pour off excess fat from the kettle.
Add one cup of the beef stock to the meat.
Cover with a close-fitting lid and cook over low heat for three and one-half hours.
Baste occasionally with the remaining cup of stock and the hot marinade until all the marinade has been added.
Remove the meat to a hot platter.
Strain the gravy, pressing the vegetables through a sieve.
Remove the fat from the surface.
Thicken the gravy with the cornstarch mixed with a little water.
The sauce should be served separately from the meat.
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 1498 Calories from Fat 375
% Daily Value*
Total Fat 42 g64.3%
Saturated Fat 14.7 g73.5%
Trans Fat 0 g
Cholesterol 240 mg80%
Sodium 4233.8 mg176.4%
Total Carbohydrates 97 g32.3%
Dietary Fiber 11.7 g46.8%
Sugars 17.7 g
Protein 103 g206%
Vitamin A 425.9% Vitamin C 96.3%
Calcium 24% Iron 25.9%
*Based on a 2000 Calorie diet


text:
Sort By
Key Largo(1948)
A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.
Kermit's Swamp Years(2002)
At 12 years old, Kermit the Frog and best friends Goggles and Croaker travel outside their homes in the swamps of the Deep South to do something extraordinary with their lives.
The Kentucky Fried Movie(1977)
A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
The Keep(1983)
Nazis guard a citadel that harbors a dangerous force that starts wreaking havoc and death upon them, forcing an uneasy alliance with a Jewish professional who can stop it.
Being a young boy in the 'hood', twelve-year-old Max Connor fools a gang of bullies who cornered him at school and finds out there was no jewlery at the teachers' supply closet. Max was chased by the bullies and leads them to an old warehouse where old antiques are dusted and broken. he bumps into a...
Katy Caterpillar(1984)
Animated feature in which a young caterpillar leaves her home to learn more about the outside world and herself.
Katsuhiro Otomo's Steamboy(2004)
Steamboy (スチームボーイ Suchīmubōi?) is a 2004 Japanese steampunk animated action film produced by Sunrise, directed and co-written by Katsuhiro Otomo, his second major anime release, following Akira. The film was released in Japan on July 17, 2004. Steamboy is one of the most expensive Japanese animated...
The Karate Kid Part II(1986)
Picks up where the first movie (Karate Kid) leaves off. Mr. Miyagi and Daniel take a trip to Okinawa to visit Mr Miyagi's dying father. After arriving Mr Miyagi finds he still has feelings for an old love. This stirs up trouble with an old rival that he originally left Okinawa to avoid. In the mean...
The Karate Kid, Part III(1989)
Kreese, his life in tatters after his karate schools was defeated by Daniel and Mr Miyagi, visits Terry, a friend from Vietnam. Terry is a ruthless business man and a martial arts expert, and he vows to help Kresse take revenge on Daniel and Mr Miyagi.
Karate Kid(1984)
Daniel and his mother move from New Jersey to California. She has a wonderful new job but Daniel discovers that a dark haired Italian boy with a Jersey accent doesn't fit into the blond surfer crowd, especially when he tries to date one of their girl friends. Daniel manages to talk his way out of so...


text:
Airfoil Performance Monitor
About Marinvent
Media Feed
Latest News
July 2016
July 14, 2016 – The Hon. Chrystia Freeland, P.C., M.P., Minister of International Trade of Canada highlights Canadian aerospace success at the Farnborough International Airshow. Read the full news release here.
July 13, 2016 – Marinvent Corporation President John Maris announced today at the Farnborough
International Airshow the launch of Canada's first independent research, development, flight test, and certification center, CertCenterCanada (www.certcentercanada.com).
CertCenterCanada addresses the challenges faced by aerospace companies as they try to reduce the substantial costs,
schedule, and risks associated with flight testing and certification. The centre will provide a single-source resource of expert services, facilities, test assets, and access to Transport Canada delegates (DARs) covering a broad spectrum of disciplines.
Read the full press release here.
On July 28th, 2016 AerospaceU.com, a joint venture of Marinvent Corporation and KnowledgeOne, launches its first online course dedicated to software certification in the aerospace industry. The course, DO-178, is an introductory program that encompasses several topics including the reasons certifiable design is important and where certifiable design fits into the broader certification process. Click here for the full press release:DO178 course_press release.
Marinvent exhibiting at Farnborough Airshow in UK. July 11 – 17 2016 (Canadian Pavilion)
May 2016
Marinvent exhibiting at CANSEC show in Ottawa. May 25 and 26 2016
April 2016
Marinvent's JV Partner Advanced Aerospace Solutions Receives 2016 NASA Honor Award – Group Achievement Award
March 2016
Marinvent featured in Skies magazine digital issue, available here.
November 2015
John Maris, President of Marinvent Corporation, has been elected as chair of the AIAC board. Click here to view the full press release from AIAC.
August, 2015
Marinvent's JV Partner Advanced Aerospace Solutions in NASA press release and AIN Click here to view the full press release from NASA.
March 2015
Marinvent's JV Partner Advanced Aerospace Solutions Receives 2014 NASA Small Business Subcontractor Of The Year Award. More News ›
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text: As the only child of rock & roll's first and most celebrated star, Lisa Marie Presley had to work extremely hard to establish herself, far away from her famous father. It was a rough road, but Lisa Marie had the spark and rawness to do it, and to do it on her own terms. Born to Elvis and Priscilla Presley on February 1, 1968, Elvis' only daughter spent the first four years of her life at Graceland, where she was the apple of her father's eye. When her parents split in 1972, Li... Read more


text:
Welcome to EarthTurns
Starting at: $14.60
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MSRP: $7.00EarthTurns: $4.66
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B6 is a vitamin also known as pyridoxine. B6 supplements may help to support heart disease, cancer, cognitive function, PMS, nausea and vomiting in pregnancy. B6 supplements may also help with depression along with age-related macular degeneration among other benefits.


text:
hotspot page for mikrotik
This project was awarded to onlymaj for $200 USD.Get free quotes for a project like this
Project BudgetN/A
Total Bids6
Project Description
Hi i need a hotspot login page for mikrotik. wifi hotspot system where the people then like/follow.
after they have liked or follow they get the access to the internet in trail mode of mikrotik . it needs to be designed and it needs to be simple design on mikrotik. i dont want to external web page ... solve this in mikrotik html system. i upload a sample page about it . pls ask me any question .
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Newegg.com - A great place to buy computers, computer parts, electronics, software, accessories, and DVDs online. With great prices, fast shipping, and top-rated customer service - once you know, you Newegg.
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Showing Results: Most Recent
This review is from: CORSAIR Vengeance 16GB (2 x 8GB) 240-Pin DDR3 SDRAM DDR3 1866 (PC3 14900) Desktop Memory Model CMZ16GX3M2A1866C9
Pros: Nice pair. Run Nice
Cons: Obviously, from what most of you guys have read, the sticks ship stock as 1333. The issue I am having is whenever I try to OC the RAM up to the 1866, my computer crashs before hitting bios. I've tried using the XMP profiles, I tried manually entering all of the timings, I tried changing the voltage up to 1.65, I tried everything. So for right now it is stuck at 1333 even though I paid for the 1866 speed.
Other Thoughts: Build:
Motherboard: BioStar Z87x 3D
CPU: Intel i5 4670k 3.4ghz quad-core
Hard Drive: Samsung 840 Pro Series 256GB SSD
Video Card: Gigabyte GeForce GTX770 WindForce
PSU: ThermalTake TR2 500w
This review is from: BitFenix Spectre Pro BFF-LPRO-23030B-RP 230mm Blue LED Case Fan
Pros: Looks cool.
Cons: I have no idea how they planned on mounting this fan. It's supposed to be a 230mm, but wasn't even close to fitting in the 230mm fan area of my NZXT Phantom. No instructions, no online guides, nothing. No way of hooking this in and if there is, there is something they are not telling me.READ FULL REVIEW
This review is from: Windows 8.1 Pro - 64-bit
Pros: The switch between the regular desktop and metro is a lot more seamless than i thought. This was a major concern for me because I saw them as separate entities. They are not; they are one thing: Windows 8.1. Although it does take some getting used to, the new UI is much simpler to move from place to place and close things and go here and there. Just little motions and clicks and nothing seems to get in the way of another (except maybe the bottom left start button corner if you have to click something down there). Also the windows 8 apps available through metro create an even more seamless experience moving between some of your favourite programs.
Cons: Although I love the side screen menus, there are sometimes that clicking things in corners is kind of difficult, but not entirely.
Other Thoughts: A lot of people are complaining about the windows account. I understand they were kind of forcing it, but when I realized i could just sync my current gmail account that i use with my windows account, it wasn't so much as a bother.READ FULL REVIEW


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paul hornschemeier is a graphic novelist, an illustrator, and a writer. the scope of his distinct style as a visual storyteller has expanded since self-publishing his first experimental comics, and now also includes everything from graphic design to screenwriting assignments. this summer, he will tour in support of his latest book Life with Mr. Dangerous.
website: blog.forlornfunnies.com