text:
sure let's do it
Ho, np at all...
I was not thinking about releasing 1.5.1 in the next few hours ;)--On 6/7/07, Ersin Er < firstname.lastname@example.com> wrote:Hi,
As we want to release more frequently, let's do it. But let's give it
one week so some small issues can be fixed like documentation.
On 6/7/07, Emmanuel Lecharny <firstname.lastname@example.com > wrote:
> Hi dear developpers !
> we have had recently some huge modifications in the server, and I'm just
> wondering if it won't be good for us and mainly for our users to release a
> new version, 1.5.1, to get some feedback from our users (release often
> strategy) ?
> * SASL has been added, and it was an expected addition to the server. As it
> is a huge modification, it seems to be quite reasonnable to push it into a
> revision, and move on to a new version (namely, 1.5.2-SNAPSHOT ).
> * We can also use MD5 and SHA (salted or not) for passwords
> * Peformances have been improved for searches requests ( topping 4500 req/s
> on my laptop)
> Releasing 1.5.1 means serious impacts, though :
> - we still have some problem with the current configuration, as it has been
> changed a lot for SASL. We would have expected those changes to be pushed to
> the next version, but, well, it's done. I suggest that we keep the current
> configuration, but we wil have to address some of the issues it generates.
> - that also means the the documentation about configuration must be reviewed
> - the Configuration plugin has to be modified. pam estimation is that it
> will take him 3 or 4 days to do it
> - we still have to change some logic in the BindRequest code, because I'm
> afraid that performance won't be very good
> - we have a hell lot of bugs in 1.5.1 (16, including 2 blockers), but we may
> want to fix some of them only, like referrals or uniqueMember, and push the
> other ones to 1.5.2
> wdyt ?
> --
> Regards,
> Cordialement,
> Emmanuel Lécharny
> www.iktek.com
Ersin Er
R.A. and Ph.D Student at the Dept. of Computer Eng. in Hacettepe University
Committer and PMC Member of The Apache Directory Project
Emmanuel Lécharny


text:
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Ideal way to Instantly Back up Removable Hard disksPublic Group active 1 year, 4 months ago
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subset: commoncrawl


text:
With Instructables you can share what you make with the world, and tap into an ever-growing community of creative experts.
When first trying to crop in Acrobat X I had no clue how to crop, as it is different then it was in previous versions. This instructable will ...
The first step is creating a CropBox. This is the area that tells Acrobat X what you wish to crop. With the document open in Acrobat X, go ...
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Nearest station to Bistrot 190
Location map of Bistrot 190
Underground Stations
Gloucester Road, London, South Kensington, SW7 4SF
9 mins from Bistrot 190
Pelham Street, London, South Kensington, SW7 2NB
10 mins from Bistrot 190
Kensington High Street, London, Kensington, W8 5SA
10 mins from Bistrot 190
Mainline Stations
Praed Street, London, Paddington, W2 1HQ , Underground lines: Hammersmith & City, District, Circle, Bakerloo
23 mins from Bistrot 190
Olympia Way, London, Kensington, W14 0NE
26 mins from Bistrot 190
Terminus Place, London, Victoria, SW1V 1JU , Underground lines: District, Circle, Victoria
30 mins from Bistrot 190
Docklands Light Railway
Cornhill , London, City, EC3V 3LA , Underground lines: Waterloo & City, Northern, Central, DLR (Bank Branch)
4.01 miles from Bistrot 190
Minories, London, City, EC3N 1JL , Underground lines: DLR (Tower Gateway Branch)
4.59 miles from Bistrot 190
Cable Street, London, Tower Hamlets, E1 2QF , Underground lines: DLR (Bank Branch)
5.35 miles from Bistrot 190
Hotels near Bistrot 190
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The London Borough of Westminster
City of Westminster It is impossible to even begin to capture everything that Westminster - the seat of Britain's government - has to offer. From stately Buckingham Palace and the Houses of Parliament to the raucous Soho nightlife, from the bustle of Oxford Street, to the rolling vistas of the Royal Parks it would take weeks to describe everything to see and do in London's heartland. It also contains some of the best shopping in London, with Covent Garden's bustling market, the boutiques of Soho and Carnaby Street, and the towering department stores around Oxford Circus. As the shops close, London's West End comes alive, with dozens of theatres and music venues, and hundreds of bars and restaurants making sure that this is a borough that never sleeps.
Hotels Near
Bistrot 190
What's On Today
Near Bistrot 190
Chinese Afternoon Tea at Harrods
Foodie Events | Until 25th April 2017
Chai Wu Harrods 2.01 miles from Bistrot 190
An eastern twist on the traditional afternoon tea, Chai Wu, the elegant Chinese restaurant on the fifth floor of Harrods, ...More
Early Medieval 300-1250
Exhibitions | Until 14th July 2017
Victoria and Albert (V & A) Museum 2.39 miles from Bistrot 190
Celebrate the museum's world-class early medieval collection....More
Lockwood Kipling: Arts and Crafts in the Punjab and London
Exhibitions | Until 2nd April 2017
Victoria and Albert (V & A) Museum 2.39 miles from Bistrot 190
Lockwood Kipling, father to Rudyard Kipling, was an influential but largely unknown figure in the Arts and Crafts movement and ...More
Undressed: A Brief History of Underwear
Exhibitions | Until 12th March 2017
Victoria and Albert (V & A) Museum 2.39 miles from Bistrot 190
Tighten your girdle. This spring the V&A tells the story of underwear, from the sensory to ...More
You Say You Want a Revolution: Records & Rebels 1966-70
Exhibitions | Until 26th February 2017
Victoria and Albert (V & A) Museum 2.39 miles from Bistrot 190
Taking its title from the famous 1968 Beatles song, this major V&A exhibition ...More
HiddenCity: The Enchanted Mirror
Tours | Until 1st March 2017
Victoria and Albert (V & A) Museum 2.39 miles from Bistrot 190
Following Scrooge's Cryptic Christmas Trail in 2013, HiddenCity launched another festive trail in 2014 and it continues through this year's ...More
Cirque Du Soleil: Amaluna
Theatre | Until 4th February 2017
Royal Albert Hall 2.47 miles from Bistrot 190
Written and directed by Tony Award-winning director Diane Paulus, Cirque du Soleil's 33rd production is a celebration of love. The ...More
Will Bartlett
Concerts | On 24th February 2017
Royal Albert Hall 2.47 miles from Bistrot 190
A performance by the in-demand London-based jazz pianist....More
Kids Events | Until 3rd September 2017
Science Museum 2.53 miles from Bistrot 190
Showcasing the evolution of modern robotics from a 1582 iron manikin to one of the first walking two-legged robots, the ...More
Wildlife Photographer of the Year 2016
Exhibitions | Until 10th September 2017
Natural History Museum 2.57 miles from Bistrot 190
Swarming mayflies, ethereal killer whales and curious foxes are among the creatures captured on camera at this year's Wildlife Photographer ...More
New on LondonTown
TT Liquor
Three floors dedicated to cocktails and a specialist liquor store in a 19th century police ...More
Duck & Waffle Local
The team behind the award-winning Duck & Waffle have now opened Duck & Waffle Local, ...More
The Cheese Bar
Matthew Carver's The Cheese Truck takes up permanent residence in the historic Camden Stables as ...More
Mimi's Soho Hotel
Bringing luxury to 'compact living', even the seven metre squared 'Tiny Single' has Frette linen, in-room entertainment and dimmable lighting at the 58-room Mimi's Soho Hotel....More
Henrietta Hotel
The first London hotel from team behind the Experimental Cocktail Bar has 18 rooms and ...More
The Craft of Film
Film Events | Until 28th February
Taking place in the midst of award season, The Craft of Film at the Barbican ...More
Cut Festival: The Art of Barbering
Exhibitions | Until 5th March
A ten-day event, the Cut Festival brings together ...More
The Future Of Fashion Weekend
Exhibitions | Until 25th February
The Future of Fashion Weekend at the House ...More
Tim Burton All-Nighter
Film Events | On 25th February
The Prince Charles Cinema pays homage to Tim Burton this weekend with an all-nighter dedicated ...More
Catalan cuisine from Victor Garvey served in a dining room reminiscent of Barcelona's elegant-but-casual beachfront ...More
An approachable, unpretentious menu, based on international tapas-style dishes, is served in the colourful, comfortable ...More
The Italian Bookshop
Whether you're an Italian living in London or interested in learning the language, the Italian Bookshop has something to offer....More
European Bookshop
Well stocked bookshop selling books for European languages and literature, serving Londoners since 1964....More
Number 177 Bar Official Launch
Clubbing and Nightlife | From 5th March
Party tunes from Andy Blake, Carlo Anderson, Elena Colombi, Hannah Holland, Jef K, Jess Farley, Josh Caffe, Medlar, Nicola Cima, Nostalgia of Mothership, Ross From Friends, Sami Daik, ...More
4MationZone Presents: Extractions
Concerts | On 10th March
Forward thinking electronic musicâ¨â¨....More
The Tickled Bean Comedy Club
Comedy | Until 16th March
Comedy, Musical....More
Gente de Cuba by Isabella Palumbo
Exhibitions | From 26th March
A collection of street portraits made during Isabella ...More
Hair The Musical
Theatre | From 3rd December
Celebrating its 50th year, Hair comes to London this year. The acclaimed musical will be ...More
Concerts | On 31st March
Funk and acid jazz outfit, fronted by lead singer Jay Kay, perform works from their ...More
London Events 2017
Imelda Staunton stars in two London stage shows in 2017, David Tennant and Damian Lewis ...More
This weekend in London: 24th - 26th February
Make the most of your precious time ...More
New Hotels in London 2019
Robert De Niro's Covent Garden luxury boutique hotel, The Wellington Hotel, opens in 2019, brought ...More
London 2017: Theatre (January to June)
Damian Lewis, Imelda Staunton and Griff Rhys Jones tread the boards in London's West End in 2017. Discover the hottest theatre tickets in town with our top ...More
London Hotels
From cheap budget hotels to luxury 5 star suites see our deals for Bistrot 190 hotels, including Millennium Gloucester Hotel London Kensington from 81% off.


text:
Workers feel unable to disclose mental health problems to colleagues or bosses because discrimination is rife and openness discouraged, according to research to be published tomorrow. As many as one in four workers have experienced discrimination or witnessed colleagues being discriminated against at work because they suffered from a mental health problem, according to a new survey by the charity Mind.
Experts say good communication in the workplace is essential if people are to open up about problems before spiralling into depression and anxiety.
Mental illness is the most common health problem to affect people of working age: one in six suffer from severe stress, depression or addiction at any one time. The financial effects alone are startling, with a cost to UK businesses of more than £26bn last year, according to the Centre for Mental Health (CMH).
Mind is campaigning to challenge stigma, bullying and inadequate support services. It wants to persuade employers that spotting staff struggling with stress and mental health problems and then providing the right support will save them billions in sick leave and poor productivity.
One in four workers said their bosses rarely or never asked them how they were. Less than half said their bosses regularly listened to their viewpoint, while two-thirds said they do not feel valued at work.
Amy Whitelock of Mind said: "Mental health problems remain the elephant in the room. Poor communication fuels the problem because if your boss or manager doesn't even ask how you are, how could you possibly approach them about anything more sensitive? There is still a culture of denial which means employees are afraid to speak out because they fear discrimination or being thought of as weak, and employers are afraid to broach the subject in case they make things worse."
Fear of being bullied or isolated means workers are more comfortable taking time off for physical ailments than depression or anxiety, according to Mind's survey of 2,006 people. This means thousands go to work every day despite feeling mentally under par, costing the economy £16bn a year in underperformance or "presenteeism", according to the CMH. Its new report, Managing Presenteeism, to be launched later this month, will show employers how to reduce the burden through early detection and better support for mental health problems.
Andy Bell, chief executive of the CMH, said: "The openness message must come from the top, but line managers and supervisors are key, as they are the ones who will first notice if someone isn't performing. Disclosure is incredibly difficult but the onus is clearly with the employers, and the business case is clear."
Case Study: Pippa, 32, high street bank cashier
Pippa (not her real name) has suffered from bouts of depression since the age of 17
"I didn't tell the bank about my depression in my job application because I knew they wouldn't give me the job. In my first few months, I did so well that I was awarded the 'rising star', but the expectations are unrealistic and, since being signed off for two weeks in January, I've been passed over for promotions.
"They monitor you to make sure you are smiling all the time, even when you're not with a customer – it makes you feel like a robot. Everyone knows the bank moves problem people to other branches, so I am scared to ask for support. My line manager pointed out how much I'd cost the company by taking time off.
"Officially they encourage you to tell them if you have a problem, but that's not how it works in reality. My manager is so cold, thick-skinned and unapproachable."
- More about:
- Communications
- Employment
- Mental Health
- Productivity


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San MarcoSee all 164 hotels
Get 200 Nectar points when you book your hotel
Simply enter your Nectar card number when prompted. Your points will be credited 30 days after you return from your trip.
San Marco Mercerie 760, Venice 301244.0 out of 5.0
Located in Venice's designer-shopping district, this hotel is 500 meters from Piazza San Marco, the Doge's Palace, the Rialto …
Calle Specchieri 463 San Marco, Venice 301243.0 out of 5.0
This modernised 17th-century building in Venice, formerly a convent and a palazzo, is 50 metres from Piazza San Marco, 200 …
Via Orlanda 240, Mestre 301733.0 out of 5.0
Located in Tessera, this hotel is 0.6 mi (1 km) from Forte Bazzera and within 6 mi (10 km) of San Giuliano Park and Casino' d …
Riva Degli Schiavoni, 4196, Venice 301225.0 out of 5.0
This historic Venice hotel, dating from the 14th century, is located on Riva degli Shiavoni overlooking the Venice lagoon and …
San Marco 391, Venice 301244.0 out of 5.0
Built in the 15th century by a Venetian noble family, this converted palace overlooks a side canal off Venice's Grand Canal …
San Marco, Venice 301244.0 out of 5.0
Opened in 2004, this contemporary 70-room Venice hotel lies on the main street between St Mark's Square, 175 meters away, and …
Via Malcontenta 40, Mestre 301763.0 out of 5.0
Located in Malcontenta, this hotel is 3 mi (4.9 km) from Porto Marghera and within 6 mi (10 km) of San Giuliano Park and Ne …
Corte del forno vecchio 4435, Venice 301244.0 out of 5.0
This three-floor residence is situated in the city centre of Venice, 200 metres from St Mark's Square and 300 metres from …
Via Alfredo Ceccherini 21, Mestre 301744.0 out of 5.0
Located in Mestre, this family-friendly hotel is 2.6 mi (4.2 km) from San Giuliano Park, and within 6 mi (10 km) of Forte …
San Marco 590 Campiello San Zulian, Venice 301243.0 out of 5.0
Located in San Marco, this hotel is steps from San Teodoro, St. Mark's Basilica, and St Mark's Campanile. Doge's Palace and S …
Amazing location and beautiful historic hotel
A verified traveller from Lima stayed at Bauer Palazzo
Nice hotel
A verified traveller stayed at B4 Bellini Venezia
Even if you haven't visited Venice, you've probably already seen images of its classic highlights: gondolas on the Grand Canal, the gothic Doge's Palace, and the pigeons on St Marks Square. You can rest assured that the reality of these places is every bit as majestic as the postcard pictures make them out to be.
More than just a series of famous snapshots, however, Venice is a mesmerizing, mysterious city laced with hints of melancholy. Once a major maritime power, Venice continues to survive largely because of the tourist trade, with the number of actual residents dwindling year after year. Ever-increasing flooding wreaks havoc on architecture, while the summer's heat can make the city feel almost swamp-like. Decadent palaces stand next to decaying houses, glorious restoration next to gloomy ruin, making the city nothing short of a floating museum - but in many ways this is also its barrier to modernization.
This profound mix of contrasts makes Venice a fascinating destination. As it struggles to find a balance between preserving the rich cultural heritage on which it depends and carving out an identity as a still-living city in the 21st century, Venice remains one of the most beautiful cities in the world.
The reputations of the signature tourist 'musts' are well-deserved, but the discoveries you make by getting lost in Venice's winding streets and canals are equally rewarding. Exploring your extraordinary surroundings is sure to make you sigh in disbelief. One of Venice's most famous bridges, in fact - just one of over 400 bridges connecting Venice's islands - is called the Bridge of Sighs.
Even the light in Venice is different; the reflection off the water has provided inspiration for many artists. The Accademia Gallery holds several Venetian masterpieces, and you'll notice the play of light in many of its painting. The unusual light is far from being the city's only special quality. Visit during Carnevale and you'll see a glamour you thought no longer existed. Also well worth a visit is Venice Biennale, Europe's classiest international forum for contemporary art.
Cars aren't allowed in Venice, so you'll get to know the city by walking or riding vaporetti (public water buses - an alternative to the more expensive water taxis or gondolas, although it's worth splashing for a romantic evening out). Venice is notoriously crowded (and expensive), but people come for good reason. There is no other city like it in the world - its culture and canals, basilicas and bridges continue to leave visitors marveling. Despite its uncertain future, Venice hasn't lost its magic.


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text:
The '60s was the decade of the all-star epic and Wayne appeared in three. The Longest Day (1962) saw him winning WWII again, this time as Lt. Col. Benjamin Vandervoort, with the film recreating the D-Day landings. In How the West Was Won (1962) he was General William Tecumseh Sherman, a part he'd previously played two years earlier when he made a rare TV appearance on Wagon Train. "Truly, this man was the son of God" was his contribution to The Greatest Story Ever Told (1965) a film that saw him hopelessly miscast as the Roman Centurion at Christ's crucifixion.
It was also the decade that marked the final Wayne/Ford teaming, Donovan's Reef (1963). It's the weakest of their films together, falling way short of classic status. But it's still a film that a real Wayne fan can enjoy (perhaps only a real Wayne fan); it's just a shame they couldn't have finished with a movie that could stand comparison with The Searchers or She Wore a Yellow Ribbon.
Wayne also worked with Howard Hawks again on the fun African adventure film Hatari! (1962) and on the semi-remake of Rio Bravo, El Dorado (1966). Three other directors would have a big impact on his films in the '60s, Henry Hathaway, Andrew V. McLaglen, and Wayne himself.
The Alamo (1960)
The Alamo was Wayne's dream project and a film he felt so strongly about that he invested a lot of his own money in it. It was also the film that marked his directorial debut.
This epic recreation of the most famous battle in the fight for Texas independence is a deeply flawed film. There are too many speeches — even when the characters aren't actually giving speeches, just making conversation, they often come across as pompous. It's this preachy atmosphere that puts many off and gets the film a lot of negative reviews. If you can get past that, however, there is plenty to enjoy here.
The performances, when not inhibited by the script's heavy-handedness, are good. Wayne makes a convincing Davy Crockett, easygoing, outspoken, and charismatic; it's easy to see why men would follow him into battle. As Jim Bowie, Richard Widmark is a more reluctant leader, one who is fighting for his home, not just an ideal.
Laurence Harvey, as the straight-laced William Travis, gives a performance I've come to appreciate more as I've gotten older. Watching as a boy, he seemed far too stiff and, frankly, dull. But now I find he's actually the most complex character of the three leads and Harvey's is in some ways the most interesting performance. Crockett is fighting for a dream, Bowie for his home, but what motivates Travis? Is it blind devotion to duty? Self-serving ambition? Or a belief that what they are doing is simply the right thing to do? There is a touch of all of these and more in Harvey's Travis.
The sheer spectacle of the film is another thing in its favour. The battle scenes are BIG, it's the sort of thing that today they'd use computers for, creating little pixel people and big CGI explosions, but this is done the old fashioned way, with scores of extras in costume as Mexican troops and special effects crews blowing things up. It's the closest the western came to historical epics like Spartacus (1960) or El Cid (1961).
But the film's biggest plus isn't even something that you can see. Dimitri Tiomkin's score is one of the all-time classics, generating far more emotion than all the film's speeches put together. The music received an Oscar nomination (one of the film's seven, although it only won one) and perhaps deserved to win; I'd certainly put it above Exodus (the winner that year).
Most first time directors start small but this is John Wayne and he didn't do anything by halves. He does a decent job behind the camera; there is nothing visually striking about the film other than its scope but it is solidly made. Its main fault lies in the script and in Wayne's need to bludgeon the viewer with his own ideals. There is nothing wrong with a filmmaker using a film to present their point of view but it should be done subtly and that isn't a word you'd use to describe John Wayne or The Alamo.
The film was a financial disaster that cost Wayne dearly. Did he learn from his mistake? Not really; his next film as director was The Green Berets (1968) with Duke using the film as a soapbox for his feelings about Viet Nam.
The Man Who Shot Liberty Valance (1962)
Now this would have made a more fitting finale for the Wayne/Ford team but instead it's their penultimate outing. The film charts the rise of Ransom Stoddard (James Stewart) and how a perceived heroic act (the shooting of the title) affects him and those around him. It's a film that makes the viewer question the importance and accuracy of what we perceive as historical fact.
The panoramic vistas of The Searchers or the Cavalry Trilogy are absent here, with most of the film shot on the studio lot, but Ford still manages to dazzle the viewer. The gunfight between Valance and Stoddard is expertly staged, with Ford showing two differing points of view that show how easy history can be wrong. The film is shot in black and white, possibly due to Paramount cost cutting, and this along with the use of sound stages instead of location shooting (more studio penny-pinching) gives the film a retro look that sets it apart from other western films made in the '60s.
The performances are brilliant, with Stewart adding greater depth to his standard nice guy persona and Wayne close to Red River/The Searchers meanness, yet his Tom Doniphon is also a man capable of heroism even at great personal loss to himself. Lee Marvin, still some years away from stardom, gives us a memorable display of sneering villainy as the swaggering Valance.
With The Man Who Shot Liberty Valance, Ford showed he didn't need the panoramic vistas of Monument Valley to make a great western; all he needed was a good story and talented actors and in Wayne and Stewart he had that and more.
McLintock! (1963)
The '60s saw the comedy western genre really come into its own – The Hallelujah Trail (1965), Cat Ballou (1965), The Scalphunters (1968) and Support Your Local Sheriff (1969), to name just a few. North to Alaska (1960) was John Wayne's first comedy western but he topped it three years later with McLintock!, one of the subgenres finest.
The film pairs Wayne with Maureen O'Hara once again with the couple's stormy marriage the core of the film. As well as his wife, George Washington McLintock (Wayne) must also contend with his spoiled, citified daughter and a scheme to steal land from the local Indians.
But this isn't really a film concerned about plot; it's about fun, not just for the viewer but for the cast as well. Surrounded by family (Patrick Wayne co-stars, while eldest son Michael produces) and old friends like O'Hara, Chill Wills, and Bruce Cabot, Duke is having a ball and that translates to lots of laughs for the viewer, with the actor displaying superb comic timing.
Andrew V. McLaglen directed Wayne in five films but this, their first, is by far the best. McLaglen doesn't need to do much, just make sure he has his camera pointed in the right direction to capture the fun but he does it well. He may have learned his craft from John Ford but there are some things that can't be taught and his films have none of the poetry of Ford; they are workmanlike, solid but unexceptionally made, with his best films elevated by great scripts or performances, and it's the performances that make McLintock! such a treat.
Not the greatest western ever made but definitely one of the best comedy westerns, this ranks alongside The Quiet Man as the most unashamedly fun movie Wayne ever made.
The Sons of Katie Elder (1965)
The '60s was Wayne's decade for making fun films, even when not out-and-out comedies like McLintock! his westerns, with the exception of The Man Who Shot Liberty Valance, had a easy going sense of fun that is hard not to like.
This tale of four brothers looking to avenge their father's murder is an action-packed ride from start to finish. With thirty-odd years separating Wayne and youngest "brother" Michael Anderson Jr. this doesn't win any awards for believability, but the banter between Katie Elder's offspring and the sense of camaraderie between the actors allows the viewer to put logic aside.
Wayne and Dean Martin are the eldest of the Elders (pun intended) and the stars of the film. Playing the sort of tough but good-humoured character that typified many of his films over the '60s and '70s, Wayne isn't stretched at all as John Elder. It's the sort of performance that came easily to him, so much so that he hardly seems to be acting at all.
Dean Martin, reunited with Duke after the success of Rio Bravo, plays professional gambler Tom Elder. Like Wayne, his acting muscles don't get much of a workout and he breezes through on star charisma and charm alone. His standout moment is the glass eye scene, a piece of showmanship that never fails to make me chuckle.
As the other two brothers Matt and Bud, Earl Holliman is solid but unexceptional and if Michael Anderson Jr. overacts at times, such exuberance is easy to understand when playing opposite stars like Wayne and Martin.
James Gregory is the brothers' nemesis Morgan Hastings and he's a cunning and intelligent bad guy, hiring a gunman but not afraid to get his own hands dirty. As the hired gun, George Kennedy is a suitable imposing physical challenge to Wayne although he's far better used in Cahill U.S. Marshal (1973).
Also worthy of mention are a young Dennis Hopper, convincing as Hastings sniveling son and Paul Fix as Sheriff Billy Wilson, a part not a million miles away from Marshal Micah Torrance, the role he played in the successful Rifleman TV series. Fix was probably the actor who worked with Wayne the most, with the pair making 27 films together between 1931 and 1973. He played everything from an explosives expert in Tycoon (1947) to a Chinese elder in Blood Alley (1955) but the easy going sheriff he portrays here suited him the best.
Directed with assurance by Henry Hathaway and with a rousing score by Elmer Bernstein, this is a feel good western that sets out with one purpose in mind – to entertain – and it does that in spades.
El Dorado (1966)
Wayne re-teamed with Howard Hawks for this quasi-remake of Rio Bravo that has him playing a gunfighter who allies himself with a drunken lawman (Robert Mitchum) against a powerful local rancher. So which is the better film?
As the drunken sheriff, Robert Mitchum is superb but is he better that Dean Martin in Rio Bravo? It's an impossible choice — Mitchum's drunk is played more for laughs than the emotional wreck that Martin portrayed and it just serves to emphasise El Dorado's lighter tone.
A young James Caan fills the Ricky Nelson role and his Mississippi is a cooler, funnier, and much more interesting character than Nelson's Colorado. Caan, even at this early stage in his career, is a real actor (unlike Nelson) and while he has no hope of stealing the film from pros like Wayne and Mitchum, he holds his own.
Arthur Hunnicutt was a great character actor and Bull Harris is one of his best creations but he's filling the role originally played by the master. Walter Brennan is the man when it comes to grumpy old sidekicks with a heart of pure gold and Stumpy in Rio Bravo is the pinnacle of that archetype. So, good though Hunnicutt is, when you're up against the best all you can hope for is second place.
The romantic interest for Wayne is provided by Charlene Holt, whose biggest claim to fame (apart from somehow wangling a part in this western classic) was being crowned "Miss Maryland" in 1956. That probably says all that needs to be said about her acting ability and she's certainly no Angie Dickinson.
So lets check the score – 1 for El Dorado (Caan), 2 for Rio Bravo (Brennan and Dickinson) and one too close to call (Mitchum vs Martin), which leaves us with Wayne. Several years older and having had major surgery to remove a cancerous lung just two years before, Wayne was still a powerful screen presence. It's hard to pick between his performances in the two films, with the onscreen banter with Brennan weighing in Rio Bravo's favour while the chemistry with up-and-comer Caan is always fun to watch.
So we're back to that question: which is best? It really all depends on your mood, with El Dorado having a more comedic slant, in common with Wayne's work in the '60s, while Rio Bravo works on the viewer's emotions. Both are classics but Rio Bravo came first and that counts for a lot.
The War Wagon (1967)
This is another '60s western that never fails to entertain. The war wagon of the title is a horse-drawn armoured car with a Gatling gun mounted on top and Wayne and his mismatched team have an elaborate plan to rob it of its shipment of gold. That's right, this is a heist movie, sort of The Italian Job on horseback.
Being a Wayne film though, this can't just be an ordinary robbery, there has to be a reason behind it. Taw Jackson (Wayne) has had his ranch stolen and done time in jail (we're never fully clued up on why) and now he's out to get even. The gold in the war wagon is from his land and he's going to get it back. This is Wayne doing his regular western hero, always fun to watch but nothing spectacular. It's the sort of performance he gave a lot during the decade and what boosted it here (as was often the case) was having someone with an equal star status to play off.
All the westerns I've picked from the '60s so far have one thing in common — they all pair Wayne with a big name co-star and this one is no different. Kirk Douglas plays the flamboyant Lomax and it's a part tailor-made for him. The complete opposite of Wayne's western persona, Lomax is all about what you see. He wears fancy clothes, including a leather shirt and one glove (maybe Michael Jackson's a fan), never mounts his horse in conventional fashion, instead leaping aboard (you're never in any doubt that it really is Douglas doing the stunt), even his female companions are exotic.
Wayne and Douglas were polar opposites and that comes across in their performances. Jackson and Lomax aren't friends, in fact Lomax has been offered money to kill Jackson with only the chance of a bigger payday stopping him, but the pair do have a mutual respect for one another and I think the same was true of the actors who played them. Douglas certainly seems to be having fun, doing his utmost to upstage Wayne.
The rest of the gang comprises Howard Keel as an Indian (yes, you read that right), Robert Walker Jr. as the young explosives expert who also happens to be an alcoholic, and Keenan Wynn as the inside man.
Burt Kennedy was the perfect choice as director on such a light-hearted film. He'd made The Rounders (1965), a sort of Monte Walsh-lite with Henry Fonda and Glenn Ford a couple of years previous and the following year he made one of the classic comedy westerns, Support Your Local Sheriff! with James Garner. Here he throws in everything from gunfights to saloon brawls and finishes with a robbery that (as always in a heist movie) doesn't go quite to plan.
While The War Wagon won't find a place on any top ten lists, it is solidly entertaining and has two lead actors who may have been coasting on star charisma but also played off each other to the film's benefit and the audience's delight.
True Grit (1969)
Wayne's favourite director of the '60s was Henry Hathaway. They made four films together during the decade and while only this one was a classic, they are all enjoyable. The unexceptional Shepherd of the Hills (1941) was the first film they made and they worked together in the '50s on the desert adventure Legend of the Lost. North to Alaska (1960) got the '60s off to a good start while Circus World (1964) was the least interesting of their offerings and The Sons of Katie Elder (1965) we've covered already. That leaves the classic I referred to, True Grit.
A mismatched trio are tracking a gang of criminals each for their own reason. Marshall 'Rooster' Cogburn (Wayne) is doing his job, Mattie Ross (Kim Darby) is looking for the man who killed her father, and Texas Ranger La Boeuf (Glen Campbell) is hunting the man who killed a Texas Senator (and his dog). It's these disparate individuals' relationship, particularly Cogburn and Mattie Ross, that forms the centre of the film.
Wayne's Oscar-winning performance in the film is often dismissed as the academy just being sentimental, having overlooked the aging actor for so long; others would argue that had Dustin Hoffman and Jon Voight not both been nominated for Midnight Cowboy and thus splitting the vote, one of them would have been a more deserving winner. Well this is one reviewer who thinks Wayne got his just desserts for one of the best performances of his career.
Is it his best? No, but that doesn't mean he shouldn't have won. Red River, She Wore a Yellow Ribbon, and The Searchers should all have seen him get at least a nomination. That they didn't and that the only western one of the genre's greatest directors was nominated for was Stagecoach (1939) shows it wasn't just Wayne that was overlooked but the western genre as a whole. Cimarron (1931) was the only western to win best picture until Dances with Wolves (1990).
Marshall Reuben J. 'Rooster' Cogburn, the tough, crotchety, drunken, one-eyed lawman, was a perfect fit for Duke, well apart from the one-eyed part. It gave him the chance to use his gift for comedy while also allowing him to be the macho western hero he'd become famous for. There was a touch of self-mocking humour in his performance that showed he was one Hollywood actor who wasn't trying to hide his advancing years.
In Kim Darby's Mattie Ross he has one of his most unusual co-stars, a feisty young girl who could give Maureen O'Hara a run for her money when it comes to strong-willed characters. Wayne didn't get on with her on set, finding her behaviour unprofessional, but onscreen they are a perfect match.
As an actor Glen Campbell makes a great singer and as Texas Ranger La Boeuf he's the film's weakest link. Not just up against Wayne and Darby but also a veteran scene stealer like Strother Martin and up-and-comers Robert Duvall and Dennis Hopper, the country and western star is out of his depth. He's kept afloat by Wayne who is so good he draws your attention away from Campbell in their scenes together.
The film looks magnificent thanks to cinematographer Lucien Ballard. Ballard was director of photography on many of Sam Peckinpah's films, including The Wild Bunch (1969). Made the same year as True Grit, The Wild Bunch was a film Wayne disliked intensely, feeling it destroyed the myth of the western, so it's somewhat ironic that he finally won his Oscar the same year that the genre underwent its biggest change since Stagecoach.
Henry Hathaway was an expert action director, regardless of genre. He excelled himself with True Grit, creating one of the most memorable shootouts in western movie history as Wayne, out-gunned, takes his reins in his teeth and with pistol in one hand and rifle in the other charges "Lucky" Ned Pepper's gang. It's an iconic image and one of the most enduring ones of Wayne; ask a Wayne fan to pick a scene from one of his films and this would doubtless rank near the top of the list.
The film also features a score from the master of the genre, Elmer Bernstein. Famous for his rousing theme from The Magnificent Seven, he does a similar job here but there's an emotional centre to the music that plays on the viewer's emotions and adds to the Rooster/Mattie relationship.
The western may have been changing thanks to The Wild Bunch and its ilk, but as the '60s closed Wayne showed he was far from finished, giving his best performances in years and he still had a couple of classics left in him.Powered by Sidelines


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hildren of low-income and minority families have high prevalence of early childhood caries. Since they have much better access to medical care and social services than to dental care, we propose to implement a program to apply fluoride varnish (FV), a low cost, low tech caries prevention agent, to the teeth of lowncome 1-3 year olds in community-based primary care centers (CPCCs) and in California Special Supplemental Nutrition Programs for Women, Infants and Children (WIC). We will use a stratified 2x2 factorial (4-arm) cluster-randomized controlled practical clinical trial of 48 sites testing: (1) FV delivery on-site (OSFV) or referring to a dentist for FV (RFV) and (2) telephone counseling systems (proactive outgoing calls or passive receptive toll-free calls) on caries incidence and increment, and on reach of FV preventive treatment in 1-3 year olds. Strata are CPCC or WICs. Six consenting sites will be enrolled in each stratum in each of Years 1-4 for a total of 24 sites/stratum. Sites within each stratum will be randomly assigned either to the OSFV or the RFV Group. Sites within each Group will be randomly assigned either to a proactive or passive automated telephone format for the provision of culturally sensitive, linguistically concordant caregiver counseling for the prevention of ECC. A sub-sample of 60 consenting child-caregiver dyads will be recruited from each site in all 4 arms of each stratum. The 1-3 year old child will receive a baseline and12-mo follow-up clinical dental exam. Digital images of all teeth will be transmitted off site for assessment by a calibrated dentist blinded to group assignment to determine caries. At 12 mo postbaseline, providers at each site will complete a follow-up questionnaire and a random sample of all caregivers of eligible 1-3 year olds from each site will receive follow-up automated phone callsand to determine if their child received FV. After the 12 mo follow-up, the sites assigned to the RFV group will be offered training to switch to an OSFV group. All groups will be followed for another 6 mo to assess reach and sustainability under more real world conditions. In year 5, Year 1 sites will be evaluated for program sustainability using qualitative interview measures. Sites in each arm within and between strata will be compared for reach of FV exposure among all eligible 1-3 year olds, for caregiver engagement with the counseling formats, and for program adoption, fidelity, cost, and sustainability across client populations.
|Chaffee, B W; Gansky, S A; Weintraub, J A et al. (2014) Maternal oral bacterial levels predict early childhood caries development. J Dent Res 93:238-44
|Lin, Kevin C; Wadhwani, Chandur P K; Cheng, Jing et al. (2014) Assessing fit at the implant-abutment junction with a radiographic device that does not require access to the implant body. J Prosthet Dent 112:817-23
|Tiwari, Tamanna; Casciello, Alana; Gansky, Stuart A et al. (2014) Recruitment for health disparities preventive intervention trials: the early childhood caries collaborating centers. Prev Chronic Dis 11:E133
|Batliner, Terrence; Fehringer, Karen A; Tiwari, Tamanna et al. (2014) Motivational interviewing with American Indian mothers to prevent early childhood caries: study design and methodology of a randomized control trial. Trials 15:125
|Baiocchi, Michael; Cheng, Jing; Small, Dylan S (2014) Instrumental variable methods for causal inference. Stat Med 33:2297-340
|Chaffee, Benjamin W; Cheng, Ashley (2014) Global Research Trends on Early-Life Feeding Practices and Early Childhood Caries: a Systematic Review. J Oral Dis 2014:675658
|Guo, Zijian; Cheng, Jing; Lorch, Scott A et al. (2014) Using an instrumental variable to test for unmeasured confounding. Stat Med 33:3528-46
|Wides, Cynthia D; Brody, Harvey A; Alexander, Charles J et al. (2013) Long-term outcomes of a dental postbaccalaureate program: increasing dental student diversity and oral health care access. J Dent Educ 77:537-47
|Golinveaux, Jay; Gerbert, Barbara; Cheng, Jing et al. (2013) Oral health education for pediatric nurse practitioner students. J Dent Educ 77:581-90
|Kitchener, Martin; Mertz, Elizabeth (2012) Professional projects and institutional change in healthcare: the case of American dentistry. Soc Sci Med 74:372-80
Showing the most recent 10 out of 13 publications


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Annapolis Vacation Rental:
202 King George St. - ANKG202
202 King George St Annapolis, MD 21401
Unavailable. Available. Your Selected DatesView Full Calendar Key
Select your arrival and departure dates by clicking on the calendar to the left. The dates you select will be placed below. Once dates are selected you may calculate your rental cost before proceeding to the booking process.
** Want to buy Travel Insurance? **
This delightful two bedroom two full bath condo occupies the second and third floors of this lovely home built in 1900, under the dome of the USNA Chapel. A beautiful park like garden sits behind the house in the shadow of the Chapel dome. The entry to the home is framed by an inviting, languid front porch. Inside the front door is a small vestibule with stairs to the first level of the apartment. There you have a living room, queen sized bedroom, nicely equipped fully renovated kitchen with granite countertops. The second floor of the apartment is a large master suite with a queen sized bed and a second full bath with a queen sized futon for expansion. No need to pack bed linens or bath towels. They are amply provided. You might want to bring a beach towel if you explore Sandy Point State Park or the Eastern Shore swimming spots. The location could not be better. It is a five minute walk to the harbor, fine dining and elegant shopping. There is much to see in the Historic district. Annapolis was home to three signers of the Declaration of Independence and the first Catholic Bishop in America. St Anne's Episcopal church boasts a Louis Comfort Tiffany window of St. Anne and her daughter, Mary. The homes of the "signers", The Carroll grounds and St. Anne's welcome you. Whether you want candlelight and soft music or a crab mallet on brown kraft paper covered tables the central location of this property positions you to enjoy all that Annapolis has to offer. THIS PROPERTY CANNOT BE BOOKED ON LINE. Rates for this property are $250.00 per night with a two night minimum and $100.00 cleaning fee. Rates may differ for Commissioning Week at the USNA, and the Boat Shows. Please call Suzanne for more details, and availability at 410-260-2802. We look forward to welcoming you as our guest.
All prices and/or descriptions are subject to change. Although every precaution is taken, errors in prices and/or descriptions do occur on our web site and in printing. We reserve the right to correct any such error.
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Copyright © Long & Foster Real Estate, Inc.
Copyright © Long & Foster Real Estate, Inc.


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Explore Shine and more!
The sun and skies were as bring as my heart felt that day, I was 38 years old and through my smiles and the ability to make others laugh, I just existed in the everyday mundane matters of life. I did what I was told, I went to church, I did for others and I was completely empty. No sun, no Love....married to a man who did not talk to me at all and I new he only married me so that he can have a son and have someone taking care of him. Perfect Meals, perfect Sunday Mass.....all a lie.


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I love learning and trying to capture your special moments are what it is all about. I see life as a series of photographs. I'm constantly looking at light, angles, lines, texture and the list goes on as composition becomes a way of life. I've been playing with cameras for 40 years and I still love pursuing my passion. I'm now sharing my passion with students at Canadore College for courses I've developed as well as taking part in a number of Craft Markets in the Parry Sound area regularly during the summer.
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After a session of clorching, the inmates relaxed and had a smoke.
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text: It Was Over 3 and 1/3 Years ago that in the 2003 Adult Swim New Years Eve party the Brak Show was offically cancelled. In fact it was specifically announced in the final Brak show showing during the marathon ("Cardburkey") as well as in the New Years Eve Party itself. At first many were shock and confused: Why would Williams Street offically cancel one of they're own shows, espically Brak who had sort of become a mascot to the AS block? Apparently BS wasn't doing too hot and the creative team was kind of getting tired of it. After offically being confirmed in early 2004, Brak ravished in occasional cameos, ads in which he proclaimed his outrage for the cancellation and telling of when to catch his show on AS for the short time it remained on the block, and other such little "oddjobs". Andy Merill (Brak's VA) Meanwhile continued doing some work for Williams Street (mainly Ogeltohrphe of ATHF) and Cartoon Network Fridays as Longhaul the Truck Drivging Bear. However it seemed like Brak and his existance as a TV show was gone for good... And gone it stayed. However last year it was announced that along with 12 Oz Mouse and Perfect Hair Forever, Brak would come back as Adult Swim Webisodes. The first of these may be up tommorow, but here's a sneak peak of said webisode for Brak Show, and the first offical new thing you've seen Brak do in over three years. http://www.adultswim.com/video/?episodeID=8a25c39212901607011290807f010004 Of note is Marsha Crenshaw is back as Brak's mom and apparently the staff's minds are a bit dirtier now, swearing and cursing more then normal in the show. The whole atomoshpere in general seems to be more random then BS use to be too, but I guess we'll see for sure when the full webisode premieres. Till then take these 90 seconds to get reaquainted with Brak and see if you want him to come back to TV or die on the internet and forever again.


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PetSmart Merrillville
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