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Casa Milà
|This article is a rough translation from Catalan. It may have been generated by a computer or by a translator without dual proficiency.
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Coordinates: 41°23′43″N 2°09′42″E / 41.39528°N 2.16167°E
|Casa Milà
|La Pedrera
Casa Milà at dusk
|Alternative names
|Miracle Home
|General information
|92, Passeig de Gràcia (passeig is Catalan for promenade)
|Town or city
|Barcelona, Catalonia
Casa Milà (Catalan pronunciation: [ˈkazə miˈɫa], Spanish pronunciation: [ˈkasa miˈla]), popularly known as La Pedrera (pronounced: [ɫə pəˈðɾeɾə]), is a modernist building in Barcelona, Catalonia, Spain. It was the last civil work designed by architect Antoni Gaudí and was built from 1906 to 1912.
The building was commissioned in 1906 by businessman Pere Milà i Camps and his wife Roser Segimon i Artells. At the time, it was controversial because of its undulating stone facade and twisting wrought iron balconies and windows designed by Josep Maria Jujol. Several structural innovations are present, which include a self-supporting stone front and columns and floors free of load-bearing walls as well as the underground garage and sculptural elements on the roof.
In 1984, it was declared a World Heritage Site by UNESCO. Currently, it is the headquarters of the Catalunya-La Pedrera Foundation, which manages the exhibitions, activities, and public visits at Casa Milà.
- 1 History
- 2 Design
- 3 Architecture
- 4 Criticism and controversy
- 5 In media and literature
- 6 Gallery
- 7 See also
- 8 References
- 9 External links
Building owners[edit]
Casa Milà was built for Roser Segimon and her husband Pere Milà. Segimon was the wealthy widow of Josep Guardiola, an Indiano. This was a term applied to Spaniards returning from the American colonies with tremendous wealth. Her second husband, Milà, was a developer criticized for his flamboyant lifestyle. Residents of Barcelona joked about his love of money and opulence, wondering if he was not rather more interested in her wealth than her.[1]
Construction process[edit]
In June 1905, Milà bought a house at the corner of Passeig de Gràcia and calle de Provence, which had formerly been owned by José Antonio Ferrer-Vidal. Gaudí was hired in September to design a new home, and on February 2, 1906, the project was presented to the city council and the work began. It was decided to demolish the existing building rather than rebuilding it, as had been done in the case of the Casa Batlló. The building was completed in December 1910, and in October 1911 the Milàs moved in. On October 31, 1912, the other floors of the building were ready to be rented out.
Catholic symbols[edit]
Gaudí, a Catholic and a devotee of the Virgin Mary, planned for the Casa Milà to be a spiritual symbol.[2] Overt religious elements include an excerpt from the Rosary prayer on the cornice and planned statues of Mary, specifically Our Lady of the Rosary, and two archangels, St. Michael and St. Gabriel.[2][3]
The design by Gaudí was not followed in some aspects. The local government fined the owners for many infractions of building codes and ordered the demolition of elements that exceeded the height standard for the city.[4] The Encyclopedia of Twentieth Century Architecture states that the statuary was indeed Mary the mother of Jesus, also noting Gaudí's devoutness, and notes that the owner decided not to include it after Semana Trágica, an outbreak of anticlericalism in the city.[2] After the decision to exclude the statuary of Mary and the archangels, Gaudí contemplated abandoning the project but a priest persuaded him not to.[3]
Change of ownership[edit]
In 1940 Milà died. Segimon sold the property in 1946 to Josep Ballvé i Pellisé in partnership with the family of Pío Rubert Laporta, known for his department stores on Ronda de Sant Antoni. The price was 18 million pesetas and the Compañía Inmobiliaria Provenza, SA (CIPSA) was founded to administer the building.[5] Roser Segimon continued to live on the main floor until her death in 1964.[6]
The new owners divided the first floor facing Carrer de Provença into five apartments instead of the original two. In 1953 they commissioned Francisco Juan Barba Corsini to construct 13 apartments in the attic, which had originally been used for laundry but had become filled with garbage. The apartments were placed on the outer side of the space, leaving a communal hallway on the side facing the courtyards. Apartments had two or three rooms, some with a loft, and were designed and furnished in a style typical of the early 1950s, with materials such as brick, ceramic, wood and furniture. The design was similar to that of Eero Saarinen's work,[7] such as the Pedrera chair.
The insurance company Northern took over the main floor in 1966. By then, Casa Milà had housed a bingo hall, an academy and the offices of Cementos Molins and Inoxcrom among others.[5] Maintenance costs were high and the owners had allowed the building to become dilapidated, causing stones to loosen in 1971. Josep Anton Comas made some emergency repairs, especially to the paintings in the courtyards, while respecting the original design.[8]
Gaudí's work was designated a historic and artistic monument on July 24, 1969. Casa Milà was in poor condition in the early 1980s. It had been painted a dreary brown and many of its interior color schemes had been abandoned or allowed to deteriorate, but it has been restored since and many of the original colors revived.[citation needed]
In 1984 the building became part of a World Heritage Site encompassing some of Gaudí's works. The Barcelonan city council tried to rent the main floor as an office for the 1992 Olympic bid. Finally, the day before Christmas 1986, Caixa Catalunya bought La Pedrera for 900 million pesetas.[citation needed] On February 19, 1987, urgently needed work began on the restoration and cleaning of the façade. The work was done by the architects Joseph Emilio Hernández-Cross and Rafael Vila.[citation needed] The renovated main floor opened in 1990 as part of the Cultural Olympiad of Barcelona. The floor became an exhibition room with an example of modernism in the Eixample.[5]
The building is 1,323 m2 per floor on a plot of 1,620 m2. Gaudí made the first sketches in his workshop in the Sagrada Família. He designed the house as a constant curve, both outside and inside, incorporating ruled geometry and naturalistic elements.
Casa Milà consists of two buildings, which are structured around two courtyards that provide light to the nine storeys: basement, ground floor, mezzanine, main (or noble) floor, four upper floors, and an attic. The basement was intended to be the garage, the main floor the residence of the Milàs (a flat of all 1,323 m2), and the rest distributed over 20 apartments. The resulting layout is shaped like an asymmetrical "8" because of the different shapes and sizes of the courtyards. The attic housed the laundry and drying areas, forming an insulating space for the building and simultaneously determining the levels of the roof.
One of the most notable elements of the building is the roof, crowned with skylights, staircase exits, fans, and chimneys. All of these elements, constructed out of brick covered with lime, broken marble, or glass have a specific architectural function but are also real sculptures integrated into the building.
The apartments feature plastered ceilings with dynamic reliefs, handcrafted wooden doors, windows, and furniture, as well as hydraulic tiles and various ornamental elements.
The stairways were intended as service entries, with the main access to the apartments by elevator except for the noble floor, where Gaudí added a prominent interior staircase. Gaudí wanted the people who lived in the flats to all know each other. Therefore, there were only elevators on every other floor, so people on different floors would meet one another.
Casa Milà is characterized by its self-supporting stone facade, meaning that it is free load-bearing walls. The facade connects to the internal structure of each floor by means of curved iron beams surrounding the perimeter of each floor. This construction system allows, on one hand, large openings in the facade which give light to the homes, and on the other, free structuring of the different levels, so that internal walls can be added and demolished without affecting the stability of the building. This allows the owners to change their minds at will and to modify, without problems, the interior layout of the homes. [9]
Constructive and decorative items[edit]
The facade is composed of large blocks of limestone from the Garraf Massif on the first floor and from the Villefranche quarry for the higher levels. The blocks were cut to follow the plot of the projection of the model, then raised to their location and adjusted to align in a continuous curve to the pieces around them.
Viewed from the outside the building has three parts: the main body of the six-storey blocks with winding stone floors, two floors set a block back with a different curve, similar to waves, a smoother texture and whiter color, and with small holes that look like embrasures, and finally the body of the roof.[10]
Gaudí's original facade had some of its lower-level ironwork removed. In 1928, the tailor Mosella opened the first store in La Pedrera, and he eliminated the bars. This did not concern anyone, because in the middle of twentieth century, wrought ironwork had little importance. The ironwork was lost until a few years later, when Americans donated one of them to the MoMa, where it is on display.
With restoration initiatives launched in 1987, the facade was rejoined to some pieces of stone that had fallen. In order to respect the fidelity of the original, material was obtained from the Villefranche quarry, even though by then it was no longer operating.[5]
Hall and courtyards[edit]
The building uses a completely original solution to solve the issue of a lobby being too closed and dark. Its open and airy courtyards provide a place of transit and are directly visible to those accessing the building. There are two patios on the side of the Passeig de Gracia and of the street Provence.
- Patios
Patios, structurally, are key as supporting loads of interior facades. The floor of the courtyard is supported by pillars of cast iron. In the courtyard, there are traditional elliptical beams and girders but Gaudí applied an ingenious solution of using two concentric cylindrical beams with stretched radial beams, like the spokes of a bicycle. They form a point outside of the beam to two points above and below, making the function of the central girder a keystone and working in tension and compression simultaneously. This supported structure is twelve feet in diameter and is considered "the soul of the building" with a clear resemblance to Gothic crypts. The centerpiece was built in a shipyard by Josep Maria Carandell who copied a steering wheel, interpreting Gaudí's intent as to represent the helm of the ship of life.
- Interior, gates
Access is protected by a massive iron gate with a design attributed to Jujol. It was originally used by both people and cars, as access to the garage is in the basement, now an auditorium.
The two halls are fully polychrome with oil paintings on the plaster surfaces, with eclectic references to mythology and flowers.
During construction there was a problem including a basement as a garage for cars, the new invention that was thrilling the bourgeois at the time. The future neighbor Felix Anthony Meadows, owner of Industrial Linera, requested a change because his Rolls Royce could not access it. Gaudí agreed to remove a pillar on the ramp that led into the garage so that Felix, who was establishing sales and factory in Walls of Valles, could go to both places with his car from La Pedrera. [5]
For the floors of Casa Milà, Gaudí used a model of floor forms of square timbers with two colors, and the hydraulic pavement hexagonal pieces of blue and sea motifs that had originally been designed for the Batllo house. The wax was designed in gray by John Bertrand under the supervision of Gaudí who "touched up with their own fingers," in the words of the manufacturer Josep Bay.[11]
Like in Casa Batlló, Gaudí shows the application of the catenary arch as a support structure for the roof, a form which he had already used shortly after graduating in the wood frameworks of Mataró's cooperative known as "L'Obrera Mataronense." In this case, Gaudí used the Catalan technique of timbrel, imported from Italy in the fourteenth century.
The attic, where the laundry rooms were located, was a clear room under a Catalan vault roof supported by 270 parabolic vaults of different heights and spaced by about 80 cm. The roof resembles both the ribs of a huge animal and a palm, giving the roof-deck a very unconventional shape similar to a landscape of hills and valleys. The shape and location of the courtyards makes the arches higher when the space is narrowed and lower when the space expands.
The builder Bayó explained its construction: "First the face of a wide wall was filled with mortar and plastered. Then Canaleta indicated the opening of each arch and Bayó put a nail at each starting point of the arch at the top of the wall. From these nails was dangled a chain so that the lowest point coincided with the deflection of the arch. Then the profile displayed on the wall by the chain was drawn and on this profile the carpenter marked and placed the corresponding centering, and the timbrel vault was started with three rows of plane bricks. Gaudí wanted to add a longitudinal axis of bricks connecting all vaults at their keystones".
Roof and chimneys[edit]
The work of Gaudí on the rooftop of La Pedrera brought his experience at Palau Güell together with solutions that were clearly more innovative – this time creating shapes and volumes with more body, more prominence, and less polychromasia. <Permanyer, either 1996 or 2008>
On the rooftop there are six skylights/staircase exits (four of which were covered with broken pottery and some that ended in a double cross typical of Gaudí), twenty-eight chimneys in several groupings, two half-hidden vents whose function is to renew the air in the building, and four domes that discharged to the facade. The staircases also house the water tanks; some of which are snail-shaped.
The stepped roof of La Pedrera, called "the garden of warriors" by the poet Pere Gimferrer because the chimneys appear to be protecting the skylights, has undergone a radical restoration, removing chimneys added in interventions after Gaudí, television antennas, and other elements that degraded the space. The restoration brought back the splendor to the chimneys and the skylights that were covered with fragments of marble and broken Valencia tiles. One of the chimneys was topped with glass pieces – it was said that Gaudí did that the day after the inauguration of the building, taking advantage of the empty bottles from the party. It was restored with the bases of champagne bottles from the early twentieth century. The repair work has enabled the restoration of the original impact of the overhangs made of stone from Ulldecona with fragments of tiles. This whole set is more colorful than the facade, although here the creamy tones are dominant. [13]
Gaudí, as he had done in Casa Batlló, designed furniture specifically for the main floor. This was part of the concept artwork itself integral to modernism in which the architect assumed responsibility for global issues such as the structure and the facade, as well as every detail of the decor, designing furniture and accessories such as lamps, planters, floors or ceilings.
This was another point of friction with Segimon, who complained that there was no straight wall to place her Steinway piano.[14] Gaudí's response was blunt: "So play the violin." [8] The result of these disagreements has been the loss of the decorative legacy of Gaudí, as most of the furniture was removed due to climate change and the changes she made to the main floor when Gaudí died. Some remain in private collections, including a curtain made of oak 4 m. long by 1.96 m. high in the Museum of Catalan Modernism; and a chair and desktop of Milà.[citation needed]
Gaudí carved oak doors similar to what he had done for the Casa y Bardes, but these were only included on two floors as when Segimon discovered the price, she decided there would be no more at that quality.[11]
Casa Milà is part of the UNESCO World Heritage Site "Works of Antoni Gaudí". It was a predecessor of some buildings with a similar biomorphic appearance:
- the 1921 Einstein Tower in Potsdam, designed by Erich Mendelsohn
- Solomon R. Guggenheim Museum in Manhattan, New York, designed by Frank Lloyd Wright
- Chapelle Notre Dame du Haut, Ronchamp, France, designed by Le Corbusier
- the Hundertwasserhaus and other works by Austrian architect Friedensreich Hundertwasser
- Disney Concert Hall in Los Angeles, by Frank Gehry
Free exhibitions often are held on the first floor, which also provides some opportunity to see the interior design. There is a charge for entrance to the apartment on the fourth floor and the roof. The other floors are not open to visitors.
Constructive similarities[edit]
Gaudí's La Pedrera was inspired by a mountain, but there is no agreement as to which mountain was the reference model. Joan Bergós thought it was the rocks of Fray Guerau in Prades mountains. Joan Matamala thought that the model could have been St. Miquel del Fai, while the sculptor Vicente Vilarubias believed it was inspired by the cliffs Torrent Pareis in Menorca. Other options include the mountains of Uçhisar in Cappadocia, suggested by Juan Goytisolo, or Mola Gallifa, suggested by Louis Permanyer, based on the fact that Gaudí visited the area in 1885, fleeing an outbreak of cholera in Barcelona.[10]
Some people say that the interior layout of La Pedrera comes from studies that Gaudí made of medieval fortresses. This image is reinforced by the seeming appearance of the rooftop chimneys as "sentinels" with great helmets.[13] The structure of the iron door in the lobby does not follow any symmetry, straight or repetitive pattern. Rather, it evokes bubbles of soap that are formed between the hands or the structures of a plant cell.[15]
Criticism and controversy[edit]
The building's unconventional style made it the subject of much criticism. It was given the nickname "La Pedrera", meaning "the quarry".[5] Casa Milà appeared in many satirical magazines. Joan Junceda presented it as a traditional "Easter cake" by means of cartoons in Patufet. Joaquim Garcia made a joke about the difficulty of setting the damask wrought iron balconies in his magazine.[5] Homeowners in Passeig de Gracia became angry with Milà and ceased to greet him, arguing that the weird building by Gaudí would lower the price of land in the area.
Administrative problems[edit]
Casa Milà also caused some administrative problems. In December 1907 the City Hall stopped work on the building because of a pillar which occupied part of the sidewalk, not respecting the alignment of facades. Again on August 17, 1908, more problems occurred when the building surpassed the predicted height and borders of its construction site by 4,000 square metres (43,000 sq ft). The Council called for a fine of 100,000 pesetas (approximately 25% of the cost of work) or for the demolition of the attic and roof. The dispute was resolved a year and a half later, December 28, 1909, when the Commission certified that it was a monumental building and thus not required to have a 'strict compliance' with the bylaws.[6]
The owner entered La Pedrera in an artistic buildings annual contest of the city Council. Other entries included two works by Sagnier (Calle Mallorca, 264 and Corsica on Diagonal), the House Guster by, architect James Gustin and Perez Samanillo house, designed by Hervás and Arizmendi. Although the most dramatic and clear favorite was Casa Milan, the jury ruled that "even be finished facades take much to make you fully completed, finalized and perfect state of appreciation."[citation needed] The winner in 1910 was Samanillo Perez, now the' 'Equestrian Circle.
Design disagreements[edit]
Gaudí's relations with Segimon deteriorated during the construction and decoration of the house. There were many disagreements between them, one example was the monumental bronze virgin del Rosario, which Gaudí wanted as the statute on the front of the building in homage to the name of the owner, that the artist Carles Mani i Roig was to sculpt. The statue was not made although the words "Ave gratia M full Dominus tecum" were written at the top of the facade. The continuing disagreements led Gaudí to take Milà to court for over his fees. The lawsuit was won by Gaudí in 1916, and he gave the 105,000 pesetas he won in the case to charity, stating that "the principles mattered more than money." Milà was having to pay the mortgage.[5]
After Gaudí's death in 1926, Segimon got rid of most of the furniture that Gaudí had designed and covered over parts of Gaudí's designs with new decorations in the style of Louis XVI. When La Pedrera was acquired by Safety of Catalonia and the restoration done in 1990, some of the original decorations reemerged.[10]
When the Civil War broke out in July 1936, the Milàs were on vacation. Part of the building was collectivized by the Unified Socialist Party of Catalonia; the Milàs fled the area with some artwork.[5]
In media and literature[edit]
- A scene in The Passenger (Italian:Professione: reporter), a film directed by Michelangelo Antonioni and starring Jack Nicholson and Maria Schneider, was filmed on the roof of the building.
- A scene is filmed on the roof in Vicky Cristina Barcelona, directed by Woody Allen.
- Mentioned in the book by Eoin Colfer: Artemis Fowl and the Lost Colony
- Mentioned in the book by Trudi Alexy 'The Mezuzah in the Madonna's Foot'
- Several scenes in the movie, Gaudi Afternoon, were filmed at Casa Milà.
- A scale model of Casa Milà (La Pedrera) is exhibited at the Catalunya en Miniatura park.
- Featured in the music video for Deep Forest's 'Sweet Lullaby'
See also[edit]
- ^ "rutadelmodernisme.com". rutadelmodernisme.com. 2011-10-23. Retrieved 2011-11-27.
- ^ a b c Stephen Sennott (2004). Encyclopedia of 20th-century architecture: A-F. Fitzroy Dearborn. p. 224. ISBN 978-1-57958-433-7.
- ^ a b La Pedrera (Casa Milà, 1906-1910) Gaudiclub.com
- ^ Gaudí: A Biography; Gijs van Hensbergen; Harper Collins; page 214-216
- ^ a b c d e f g h i Huertas Claveria,...
- ^ a b Cronologia de l'edifici a La Pedrera Educació[permanent dead link]
- ^ Barba Corsini, F.J. Apartamentos en el desván de la Pedrera. Cuadernos de Arquitectura Núm. 22. Any: 1955
- ^ a b Hernàndez-Cros, Josep Emili (ed.). Catàleg del Patrimoni Arquitectònic Històrico-Artístic de la Ciutat de Barcelòna, Barcelona, Ajuntament de Barcelona, 1987
- ^ Descripció casa Milà a «any Gaudí» a l'Ajuntament de Barcelona
- ^ a b c Permanyer, 1996....pàg. 150-166
- ^ a b Bassegoda, 2003....pàg. 20
- ^ Fodor's (2008-03-04). Fodor's Barcelona, 2nd Edition. Fodor's Travel Publications. p. 85.
- ^ a b Ruta del Modernisme. Ajuntament de Barcelona
- ^ Flores, Carlos (1999). La Pedrera: arquitectura i història. Caixa de Catalunya. pp. 187–224. ISBN 978-84-87135-35-4.
- ^ CIRICI A. Barcelona pam a pam. Barcelona 1971 (7th ed. 1985) Ed. Teide ISBN 84-307-8187-0
- Rainer Zervst. Gaudí, 1852–1926, Antoni Gaudí i Cornet – A Life Devoted to Architecture. Cologne: Benedikt Taschen Verlag GmbH & Co. KG., 1988. p176.
External links[edit]
|Wikimedia Commons has media related to Casa Milà.
- Visionary environments
- Buildings and structures in Barcelona
- Passeig de Gràcia
- World Heritage Sites in Catalonia
- Antoni Gaudí buildings
- Tourist attractions in Barcelona
- Apartment buildings in Spain
- Residential buildings completed in 1910
- Eixample
- Modernisme architecture in Barcelona
- Art Nouveau apartment buildings


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Connecting Casinos and Crime: More Corrections of Walker
This is a second reply to Professor Walker that corrects additional errors by him. In his present commentary, Professor Walker again provides no new data or research, articulates comments that are already resolved through a careful reading of "Casinos, Crime, and Community Costs†(Grinols and Mustard, 2006) and declines to respond to the failings that we raised about his earlier critique. The reader is encouraged to read our original paper.
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Volume (Year): 5 (2008)
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Family members of Lacks, the donor behind the widely used HeLa cell line, are planning to sue Johns Hopkins University.
Bacteria and Humans Have Been Swapping DNA for Millennia
October 1, 2016|
Bacteria inhabit most tissues in the human body, and genes from some of these microbes have made their way to the human genome. Could this genetic transfer contribute to diseases such as cancer?


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Will Wright net worth: Will Wright is an American video game designer who has a net worth of $20 million. Will Wright earned his net worth by being the co-founder of Maxis, a game development company. Wright is probably best known for creating SimCity and has been inducted to the Academy of Interactive Arts and Sciences' Hall of Fame. William Ralph Wright was born in Atlanta, Georgia in January 1960. He is best known for being the creator of the SimCity video games series. He studied at Louisiana State University, Louisiana Tech, and The New School in Manhattan. The first video game he made was helicopter game Raid on Bungeling Bay for the Commodore 64 in 1984. Wright formed Maxis with Jeff Braun in 1987. The Maxis 1989 game SimCity is one of the most influential computer games of all time. Wright also designed games SimEarth and SimAnt, in addition to SimCity 2000 and SimCopter. In 1995 Maxis went public and had a revenue of $38 million. The company was bought out by EA in 1997. In 2000 EA published The Sims and it became the best-selling computer game of all time. By 2006 the franchise had earned over a billion dollars for EA. His latest game was Spore in 2008. Wright earned a Lifetime Achievement Award at the Game Developers Choice Awards in 2001. He was the first game designer to be awarded a fellowship in the British Academy of Film and Television Arts. In 2009 he left EA to run an entertainment think tank called "Stupid Fun Club".
Will Wright Net Worth
Will Wright
Date of Birth
Jan 20, 1960 (57 years old)
Scientist, Video game development, Video Game Designer
United States of America
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All net worths are calculated by applying a proprietary algorithm. The results are then fact checked and confirmed by a team of editors. We scan all publicly available data and resources and work diligently to ensure that our numbers are the most accurate and up to date net worth data you will find anywhere on the internet.


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Adler Planetarium and Astronomy Museum
The Adler Planetarium—America's First Planetarium—is more than a museum; it is a laboratory, a classroom, and a community exploring the Universe together. The Adler offers interactive exhibitions, live planetarium shows, hands-on, minds-on STEM education programs, and world-class collections.
Argonne is one of the country's premier facilities for energy-related research and development. Visitors must be at least 16 years old.
Augustana's Fryxell Geology Museum
One of the largest collections of rocks, minerals, and fossils in the Midwest. Exhibit also includes a complete skeleton of the dinosaur Cryolophosaurus and a large fluorescent mineral exhibit. Museum is located on the campus of Augustana College in the Swenson Hall of Geosciences.
CITY:Rock Island
Burpee Museum of Natural History
Come explore Burpee Museum and its award-winning exhibits such as Jane: Diary of a Dinosaur, called one of the ten most important dinosaur discoveries in the past 100 years. Burpee Museum also features Homer, a sub-adult or "teen-age" Triceratops. Four floors of exhibits include Windows to Wilderness, a woolly mammoth skeletal cast, Pennsylvanian coal forest, a Native American exhibit, Geoscience, and a viewing lab.
The Challenger Learning Center at Heartland Community College offers interactive, simulated space and science experiences through scheduled team missions for students and the public.
Challenger Learning Center for Science & Technology
The mission of the center is to honor the memory and spirit of the Space Shuttle Challenger 51L crew by providing hands-on space exploration curriculum and center that enhances thinking skills and inspires those to meet the challenges of 21st Century.
Chicago Children's Museum at Navy Pier
Hands-on exhibits and daily-changing activities make every visit unique for young children and adults, too. Dig deep into the Dinosaur Expedition, try to stay dry in WaterWays, make a masterpiece in the KraftArtabounds Studio, and climb up to the crow's nest on the Kovler Family Climbing Schooner. Toddlers can have fun in Kids Town and Treehouse Trails.
Children's Museum of Edwardsville
Toddlers to 12-year-olds can enjoy the unique interactive exhibits and seasonal events at this fun children's museum.
Named one of the top 12 children's museums in the nation by Forbes in 2012, here kids can explore more than 250 hands-on art and science exhibits, a planetarium, TV studio and the Tot Spot for toddlers. Discovery Center also boasts the nation's first community-built outdoor science park, the Rock River Discovery Park, featuring a two-story maze, water play area and dinosaur fossil dig.
DuPage Children's Museum is more than a Museum. We're a force for early learning! Experience a unique hands-on museum where children and adults learn and play together in neighborhoods of hands-on exhibits designed to promote skill development in math, science and art. DuPage Children's Museum helps develop curiosity, creativity, thinking and problem solving in young children. Check out our new S.M.A.R.T. Café, where food becomes an opportunity to learn about science, math, art, reading and technology.
This walk-in information and environmental education center offers workshops on recycling, composting and energy saving.
Whether you're interested in science or just fishing in the ponds near the buffalo herd you're welcome at Fermilab. Take a self-guided tour of the laboratory, the Art Gallery and science and educational displays. View the grounds from the 15th floor observation area. Visitors may also visit the Lederman Science Center. Performing arts and lectures. Groups welcome by appointment. Public tours are offered every Wednesday at 10:30 a.m. and as part of the Ask-a-Scientist event on the first Sunday of each month.
Fermilab's Lederman Science Center
The Leon M. Lederman Science Education Center houses hands-on exhibits for ages 10+, technology and science labs, a store and the K-12 Teacher Resource Center. Science Adventures classes for all ages take place at the Lederman Science Center. The Center also has a unique collection of indoor and outdoor exhibits introducing students to the world of particle physics. Open to the public Monday–Friday 8:30 AM–4:30 PM and on Saturdays from 9:00 AM–3:00 PM. The Center can accommodate groups of five or fewer on a walk-in basis. Larger groups must book a visit. Call 630-840-8258 for more information. A guided tour for families is available the first Saturday of the month from 10:00 am to noon.
Hickory Knolls Discovery Center
A destination unlike any other features Fox Valley's natural treasures. Indoor turtle pond, wetland exhibit, live animal displays. Great for birthday parties or facility rentals.
CITY:St. Charles
Kendall County Historic Courthouse
Victorian Italianate structure opened in 1964 that towers proudly over the Fox River and the City of Yorkville. Listed on the National Register of Historic Places. The Olde Courthouse Gallery graces the main hall with shows featuring the work of artists from Kendall County and beyond. Laws of Nature exhibit focuses on the natural resources of the county. Tours available.
Kohl Children's Museum offers hands-on, interactive exhibits designed exclusively for children ages birth to 8. All of the exhibits and programs are designed to make learning fun and interesting for young children. A visit to a grocery store, a veterinarian's office as well as a day care inhabited by dolls allow children to participate in adult activities on their own scale. Children can build a house, make music, take care of cars, explore the properties of water and much more in the many engaging exhibits featured.
The largest commercial wind farm in Illinois features 63 towering windmills that are an awesome sight to see, and generate an alternative source of electric power.
CITY:Paw Paw
Midwest Museum of Natural History
The mission of the Midwest Museum of Natural History is to encourage an appreciation of the world's diverse natural environment and human culture through exhibits and interactive learning experiences for children and adults. Offering a kid's play area with hands-on learning fun, a gift shop, national traveling exhibits, and world-renowned celebrities Ruud Kleinpaste, Jack Hanna and Jeff Corwin.
This museum features earth science displays.
Museum of Science and Industry
A world of discovery awaits at the largest science museum in the Western Hemisphere. Explore more than 800 exhibits, including the legendary U-505, a German submarine captured on the high seas during World War II; take off on a Boeing 727 airplane for a simulated cross-country flight; descend down a mineshaft for a tour of a realistic coal mine; and witness robots at work in a toy factory. Take a seat at the museum's Omnimax Theater and watch awesome 3D flicks on a giant screen.
Orpheum Children's Science Museum
The Orpheum Children's Museum, located in the 1914 Orpheum Theatre, is one of the finest buildings in central Illinois. Children of all ages are given the opportunity to learn science at their own pace in an informal setting.
The urban gateway to nature and science. The Peggy Notebaert Nature Museum is a place where city dwellers can reconnect with the wonder of the natural world. From a hands-on water lab to a wilderness walk to the only international, year-round butterfly haven, science comes alive.
Science Storms at the Museum of Science & Industry
The Museum of Science and Industry, Chicago presents Science Storms, an unprecedented and dramatic permanent exhibit in the Allstate Court that reveals the extraordinary science behind some of nature's most powerful and compelling phenomena—tornadoes, lightning, fire, tsunamis, sunlight, avalanches and atoms in motion. Inside the 24,000-square-foot exhibit, you'll investigate the basic scientific principles responsible for nature's biggest wonders while you get a hands-on, up-close look at these wonders themselves. Science Storms puts you in the middle of the action and lets you search for answers as to how and why things happen in nature.
Aurora's interactive science and technology center offers over 200 hands-on exhibits demonstrating the principles of electricity, weather, astronomy and nuclear energy.


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A fairground ride in Worthing, West Sussex, is being investigated after a teenager fell around 15ft from the attraction on Thursday evening.
The 18-year-old woman was taken to the Royal Sussex Hospital in nearby Brighton after she came off The Rocker ride on Marine Parade in Worthing, at around 9:30pm, according to Sussex police.
She is understood to have suffered minor injuries.
One witness said the girl lost consciousness on the ride and the momentum of the ride caused her to be thrown from her seat.
Grace Ridge-Edwards told the Argus: "I witnessed everything and I can assure you she did not try to climb out.
"She passed out into the empty seat next to her and the power of the ride caused her to fly out."
John Mitchell, director for communities at Worthing Borough Council, said that the local authority is co-operating with the Health and Safety Executive (HSE) which is investigating.
He said: "Following an accident on a fairground ride at Worthing seafront last night our thoughts are with the woman injured in the accident and her family.
"We wish her a full and speedy recovery. We are grateful to the emergency services who attended the scene promptly.
"The fairground ride operators and Worthing Borough Council will fully co-operate with the Health and Safety Executive (HSE) and relevant authorities into the investigation that will take place.
"In the meantime, the ride will remain closed until HSE clearance is received to re-open the ride. At the current time we are unable to confirm when the investigation will be completed."
Additional reporting by PAReuse content


text: We're sorry, London Town Cushion is no longer available Why not try one of these instead? Ombre Linen Square Cushion by Sami Couper £34$58.35€40.74$43.56 free UK delivery 'Caramel Wafer' Biscuit Cushion by Gillian Kyle £39.50$67.78€47.34$50.61 After Albers Linen Cushion Cover by LucasLoves £45$77.22€53.93$57.66 free UK delivery Oilcloth Outdoor Cushions by Tonder & Tonder £40$68.64€47.94$51.25 free UK delivery Pinch to zoom London Town Cushion by Michelle Mason £39$66.93€46.74$49.97 This item is no longer available free gift wrap Favourite Favourite View your favourites we're sorry we're sorry, This item is no longer available buy a gift voucher related categories home > bedroom > decorative accessories > cushions > patterned cushions by Michelle Mason Location: London, GB read seller's profile see seller's complete range more items from this seller 'Home Sweet Home' Organic Tea Towel by Michelle Mason £10$17.16€11.98$12.81 Personalised Wedding Print by Michelle Mason £35$60.06€41.94$44.84 Bus Blind Wallpaper by Michelle Mason £150$257.43€179.77$192.21 Stella Felt Rug by Michelle Mason £350$600.67€419.47$448.49 Lowestoft Cushion by Michelle Mason £56$96.10€67.11$71.75 St Tropez Cushion by Michelle Mason £29$49.76€34.75$37.16 view all you may also like PRODUCT DETAILS CUSTOMER REVIEWS DELIVERY RETURNS Made in Britain free gift wrap ask seller a question save for later Our London cushion is a fun design with a colourful illustration of city landmarks. London calling... This new design for cushions shows scenes from London life and features the iconic red Routemaster bus, the London Eye, Big Ben and the Royal Opera House Covent Garden. Screen-printed in the UK onto soft but hardwearing cotton canvas. Incudes inner pad. Made in the UK. Free delivery. made from: Screenprinted in the UK using environmentally friendly water based inks. Machine washable up to 30 degrees. dimensions: Approx 45 cm x 45 cm. product code: 134807 1 customer review read about our product rating system ratings guide trusted independent customer feedbackforum excellent bad good poor This product is dispatched to you by Michelle Mason. You have 28 days, from receipt of cancellable goods, to notify the seller if you wish to cancel your order or exchange an item. Please note: goods that are personalised, bespoke or made-to-order to your specific requirements, perishable products and personal items sold with a hygiene seal (cosmetics, underwear) in instances where the seal is broken are non-refundable, unless faulty. Read more about our returns policy.Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based. Michelle Mason's return policy Please see notonthehighstreet.com's returns policy.


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Volcano Garden Reykjanes Peninsula Luxury Jeep Tour
Explore Iceland's moonlike Reykjanes Peninsula, and see lava fields, volcanic craters, and hot springs of bubbling geothermal activity. Cave down a…
ReykjavikSee all 174 tickets & tours
Want to discover all there is to do in Blue Lagoon? Click here for a full list.
Hello, we were not satisfied with the provided info. It included Blue Lagoon, but we were told that we have to pay for it and that was not included. We did not receive the info that these are actually two separate trips and we have to change the bus which was not very convenient.
Went as a group of 2 and we were the only ones on the tour outside of the blue lagoon! The guide was really great and friendly and even took us on an extra stop because it was just us. Lots of great information, accommodation, and an overall great day!
Reliable pick up service from hotel. Sufficient time to explore the sights. Knowledgable guide.
In addition to the ususal sites, our guide Villi stopped at lighthouse where we saw whales at sea and also stopped so we could get close to beautiful Iceland horses. He was a great guide. Only error was his confirming that we could catch a bus from Blue Lagoon to Reykjavik at 3:15 as printed on the schedule we had from Blue Lagoon website. We actually had to wait until5, as we had missed the 3 pm one.
Disappointed the excursion cost doesn't include lagoon admission. Also a very lengthy line and precious time wasted to enter the lagoon. Make sure you plan for at least two hours at the lagoon so you can enjoy fully.


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Charming in every designer detail, the petite arm chair recalls richly upholstered parlor and boudoir chairs from a gentler bygone era. Replete with traditional details, this arm chair is updated with biscuit tufted linen/cotton blend upholstery in robin's egg blue, and features sloped arms. Birch wood spindle legs are finished in ivory and come with front casters for easy mobility.
Height: 34.6"
Seat Height: 19.3"
Depth: 28.7"
Seat Depth: 39.6"
Width: 23.6"
Weight: 17.5lb
Style of Design: Contemporary
Seating Area Material: Linen
Upholstery color: Blue
Frame material: Wood & Manufactured Wood
Color family: Blue


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Forum Posts, Moderating, Reporting, etc. 12/20/2016The Report function of the forum works well. If you see someone acting up, acting out, or just being an okole, use the Report function. It works! I have it set up so it not only sends me an email, but that email is then marked with a flag, and get's put to the top of my email list. I will try to access/look at the report/topic as soon as possible, but remember, I'm on a six hour time delay, and other mods not only have a life, but a real job as well. k den
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About GA55ER
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- Birthday 07/28/1951
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- Scale I Build 1/25
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- Location Middle of the Arizona Desert
GA55ER's Activity
GA55ER added a post in a topic Beach ComberThe Revell '48 Woody has the best surfboard decals for 1/25. Surfboards are harder to find in that scale, some of the V-Dub diecasts cars have nice boards but are expensive when you factor in the cost of the model. I'm new to this site but I zero'd in on your Nomad build.....................AWESOME!
GA55ER added a post in a topic Beach ComberHere is my '55 Nomad Project that has stalled. I have a '55 Chevy 4-door Bel-Air that I've been trying to make a scale copy of with the '55 Nomad kit from AMT. I've had to fill in the Nomad roof lines and tailgate ribs and make the hood flip up like my 1=1 car, it's a lot of work and I get worn out. The real car has a 454 Big Block in it which I replicated with Hilborn injectors instead of the 4 barrel I have on it. Hey, I want the Hilborn but I can only afford the 1/25 version.


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Each month, Rated People connects over 50,000 homeowners with quality tradesmen - simply enter your job details in the form above to get started.
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My bathroom sink is blocked and my pop up stopper is broke i have a new one to be installed,...
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Right from getting a quote from Matt he was the only choice. The detail he gave when pricing up the job was first rate. He answered all questions I had and offered great advice throughout the quote and the job itself. Weather hampered the job but he still turned up and patiently waited in the van until the rain cleared. Great communication when he was unable to turn up due to persistant rain and gales blowing. I advise all users to use Matt. The cheapest quote and excellent workmanship. Thanks Matt .
Punctual, Professional and good value, will use HEating again and recommend rated people for finding quality tradespeople.
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The Service Staff and technicians at Nelson Honda are highly trained on all factory services for your car. Stop by and find what our customers have discovered and come to depend on: for maintenance or repairs, Nelson Honda Service Excellence. The Nelson Honda service team look forward to making your ownership experience as enjoyable as it is meant to be.
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Nassau uncovers 13 alleged welfare fraud cases
Nassau County officials recently discovered 13 cases of alleged welfare abuse in which people lied about their incomes in order to steal a total of more than $506,000.


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24 Units of Lambskin Leather Hand Bag GD380
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Verified Supplier (2009)
[ Brooklyn, New York, United States ]
Business Type: Wholesaler
Supplier has 77,280 products
Product Description
Large Lambskin Leather novelty handbags in black with silver studs along the front, side and 20" shoulder strap. 2 inner pockets and 1 zip pocket. Body zips closed. 12" at widest x 8" x 3"
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About Us
Premier Online Wholesaler and Closeout Dealer on the web. We help small businesses to compete against larger enterprises by offering more than 25,000 high-quality goods at prices close to those at which large chains purchase.
All Time Trading sells its products by the case and prices the goods by the truckload. The company helps its customers to select those items, both seasonal and everyday, which sell quickly to promote both a higher inventory turn and better margins.
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Friday, February 24, 2017
The Grinch Wins Over Audiences Again
ABC had a big night with its annual airing of the animated special How the Grinch Stole Christmas on Tuesday (Nov. 27). The evergreen special surpassed original episodes of several ... Continue Reading →
Rick Hoberg's Seriously 'Amazing Friends'
What's the classic line…"Everything old is new again?" Nowhere is that more evident than in the world of television. This week I'm thinking of what has happened to the ... Continue Reading →
Sony Eyes 'Manimal' for Live-action-CG Animation Hybrid
Just in case you thought — after Alf and The Smurfs — there was no 1980s property that couldn't be reimagined, Sony Pictures Animation has optioned movie rights to the short-lived ... Continue Reading →
Animation Writers File Complaint with TV Academy
Animation writers and exec producers aren't happy with the TV Academy this year. Variety reports that more than 50 animation exec producers and writers, including Seth MacFarlane ... Continue Reading →
NBC's 'Community' Goes 8-Bit
The stars of NBC's live-action comedy Community have been through their share of quirky adventures—including stop-motion and anime inspired toon ones—but according to The Hollywood ... Continue Reading →
LAIKA Appoints Mary Sandell as Head of Production
Mary Sandell is Portland-based animation house LAIKA's new head of production, says The Hollywood Reporter. The animation veteran was a producer on the stop-motion studio's Coraline ... Continue Reading →
Influential Animation Producer Buzz Potamkin Passes
We are sad to report that animation producer Buzz Potamkin (1945-2012) passed away from pancreatic cancer on Sunday, April 22nd. The much-liked and talented Potamkin founded many animation ... Continue Reading →
Bernadette Peters Joins 'Dorothy of Oz'
After her successful appearances on NBC's Smash and Broadway's Follies, actress Bernadette Peters is joining the voice of Summertime Entertainment's upcoming 3D animated movie ... Continue Reading →
Fox to Adapt Viral Comic 'Axe Cop'
Fox has given the go-ahead to an animated series version of Axe Cop, the comic-book franchise created by seven-year-old Malachai Nicolle and his older brother and chief illustrator ... Continue Reading →
Qubo Reveals Ambitious New Kids' Slate
Qubo Channel has announced the launch of 16 new animated and live action series that will join the network starting this quarter. Targeting young viewers and their families, the five-year-old ... Continue Reading →


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Broiled Banana Bagel
Serving Size: 1
Prep Time:
Total Time:
1. Heat the broiler. Spread the peanut butter on the bagel halves. Top with the banana.
2. Stir the sugar and cinnamon in a small bowl. Sprinkle the sugar mixture over the banana. Place the bagel halves onto a baking sheet.
3. Broil 4 inches from the heat for 2 minutes or until the sugar is caramelized.


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Reading for Battle
Battle Readings is a regularly updated compilation of articles, essays, and opinion pieces relevant to the themes of the Battle of Ideas.
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From banning burqas to B&B bigots: can Europe tolerate religious tolerance?
"Intellectually stimulating - an answer to those who despair of the next generation."
Professor Stanley Feldman, retired doctor and academic


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Hotfrog INDIA provides information regarding Ihita Design in Bangalore Karnataka. Ihita Design is located at 1762, 20th main 2nd Sector HSR Layout, Bangalore Karnataka 560102 and provides Fabrics services. Contact them on +91 9632253854 or by visiting them on their website http://www.ihitadesign.com.
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text: Family Events Memorial Day Weekend Events in Southeast Michigan Memorial Day is on its way, and that means there are tons of parades, festivals and other activities to enjoy. Pay homage to our vets at one of these 2016 events. « Previous Next » Christina Clark • April 22, 2016 Read Comments (2) Tweet Memorial Day means more than just a long weekend. It's a chance to get out of the house and honor our veterans. This year, the weekend is full of ceremonies, services, parades and festivals all across Macomb, Oakland, Washtenaw and Wayne counties, that are sure to provide fun for everyone – veteran or not. So, cake on the sunscreen to watch a parade in the morning, then grab your cooler for a fun carnival treat later in the day! Note: A few events happen before the big weekend Macomb Fair & Expo in Mount Clemens May 20-June 5, 2016 Times: Hours TBA Address: Gibraltar Trade Center, 237 N. River Road, Mount Clemens Phone: 586-465-6440 Cost: Free/entry, fees/ride armbands This annual Macomb County fest offers tons of family-friendly entertainment, including carnival games and rides. Plus, food, live entertainment and more. Southfield Memorial Day Service May 27, 2016 Time: 9 a.m. Address: Southfield City Hall, front steps, 26000 Evergreen Road, Southfield Phone: 248-796-5130 Cost: free This annual event pays homage to veterans and active-duty service members with a presentation of colors, a 21-gun salute, a playing of Taps and more. Light refreshments are served in the lobby of City Hall, following the ceremony. St. Mary's Polish Country Fair in Orchard Lake May 27-30, 2016 Times: 5-11 p.m. Friday, 11 a.m.-11 p.m. Saturday-Sunday, 11 a.m.-7 p.m. Monday Address: Orchard Lake St. Mary's Campus, 3535 Indian Trail, Orchard Lake Phone: 248-706-6775 Cost: $6/person, $15/family, free/3 and under, more/rides (cash only) Authentic Polish and American food, live entertainment, carnival rides, including an 80-foot roller coaster, games, art on display and more make up this annual event. Sumpter Township Country Fest in Belleville May 27-30, 2016 Times: 5 p.m.-midnight Friday, noon-midnight Saturday-Sunday, noon-10 p.m. Monday Address: Sumpter Fairgrounds, 23501 Sumpter Road, Belleville Phone: 734-461-6201 Cost: free, fees/rides and games This annual blowout features everything you could want from a hometown fair including midway rides, games, live animals, car and craft shows, live music, a demolition derby, racing and more. There's even a beer, bingo and casino tent for grown-ups to enjoy. Memorial Day Ceremony Livonia May 28, 2016 Time: 9 a.m. Address: Veteran's Park Memorial Plaza, corner of Five Mile and Farmington roads, Livonia Phone: 734-466-2418 Cost: free Pay tribute to our veterans with military salutes, a wreath-placing ceremony, live music and special guests; plus a visit to the Memorial Wall, which pays tribute to fallen Livonia veterans. Greater Rochester Heritage Days May 28-29, 2016 Times: 10 a.m.-6 p.m. Saturday, 11 a.m.-5 p.m. Sunday Address: Rochester Municipal Park, 400 Sixth St., Rochester Phone: 248-656-0999 Cost: free, donations encouraged This annual fest features a lumberjack show, historical displays, including a Civil War encampment, craft and car shows and much more. Civil War Remembrance at Greenfield Village in Dearborn May 28-30, 2016 Times: 9:30 a.m.-9 p.m. Saturday, 9:30 a.m.-5 p.m. Sunday-Monday Address: The Henry Ford, Greenfield Village, 20900 Oakwood Blvd., Dearborn Phone: 313-982-6001 Cost: Free with admission:, $26/ages 13-plus, $19.50/5-12, free/4 and under, $6/parking There's hundreds of Union and Confederate reenactors, artillery demonstrations, historian talks, live music, hands-on activities and much more all in celebration of Memorial Day. Veterans Memorial Parade in Westland May 29, 2016 Time: 1 p.m. Address: Steps off at the Wayne Ford Civic League and ends at the Westland Public Library Phone: 734-713-3888 Cost: free This annual procession celebrates the lives of those that made the ultimate sacrifice for our country. Warren's Greatest Garage Sale May 29-30, 2016 Times: 10 a.m.-5 p.m. Sunday-Monday Address: Warren City Square Parking Garage on Van Dyke Avenue, north of 12 Mile Road Phone: 586-268-8400 Cost: $1/admission; fees vary for items Find previously owned jewelry, furniture, household items, toys and clothing for sale, plus great deals on antiques and other collectables. There will be companies like Scentsy, Tupperware, Avon and others present, too. If you've cleaned out your closet and want to sell some things, tables are available for vendors (priced $10-$100). Memorial Day Run in Novi May 30, 2016 Times: 6:45 a.m./late sign up, 8 a.m./10K, 8:15 a.m./5K, 9 a.m./one-mile Address: Fuerst Park, 10 Mile and Taft roads, Novi Phone: 248-974-8074 Cost: $14/one-mile, $31-$36/5K/10K Choose from a 10K run, a 5K walk or run and a one-mile family run to support local charities. Royal Oak Memorial Day Parade May 30, 2016 Time: 9 a.m. Address: South Main Street to Veteran's War Memorial Plaza, Royal Oak Phone: 248-543-8420 Cost: free Celebrate Memorial Day at this annual procession, which concludes with the traditional post-parade memorial service at Veteran's Plaza. Grosse Pointe Memorial Day Service May 30, 2016 Time: 10 a.m. Address: Grosse Pointe War Memorial, 32 Lake Shore Road, Grosse Pointe Shores Phone: 313-881-7511 Cost: free This annual event features a Memorial Day service and other activities to honor those that have given their lives in this country's pursuit of freedom. Other events happen at this Grosse Pointe spot throughout the week, too. Farmington Memorial Day Parade May 30, 2016 Times: 10 a.m. Address: Steps off at Grand River Avenue and Orchard Lake Road, Farmington Cost: free This annual procession started back in 1970 and continues to celebrate our veterans, today. Saline Memorial Day Parade May 30, 2016 Time: 10 a.m. Address: starts at Bennett Street, downtown Saline Phone: 734-429-7310 Cost: free This annual procession, which is put on by The American Legion, has moved locations this year because of construction. It steps off at Bennett Street and makes its way to Mill Pond Park. Line the area to celebrate our veterans. Memorial Day Parade in Downtown Northville May 30, 2016 Time: 10 a.m. Address: downtown Northville Phone: 248-348-1490 Cost: free This annual event attracts thousands of people of the downtown area to honor veterans of the past and present.


text:
Nov 18, 2010
Tariffs between LatAm and India are hindering trade, according to a study by the IDB. India represents only 1% of the region's overall trade, compared to 10% with China. Reducing tariffs on Indian imports by just 10% would likely increase imports of Indian goods into Chile and Argentina by as much as 36%, the IDB says. India's average tariff...
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April 1, 2017 | Asunción, Paraguay
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Posted on 09/05/2003 2:23:39 AM PDT by KentTrappedInLiberalSeattle
Melfort, Sask. A Saskatchewan judge drew accusations of racism Thursday when he said a 12-year-old aboriginal girl may have been a willing participant or even the aggressor in sexual activity with the 26-year-old man accused of assaulting her.
Dean Edmondson will be confined to his house for two years rather than a jail cell after receiving what Justice Fred Kovach conceded was a rare conditional sentence for sexual assault.
Mr. Edmondson will be electronically monitored during the sentence but will likely be allowed to go to work or leave the house for other reasons if given prior permission by his supervisor.
He will have to perform 200 hours of community service, take alcohol and sex offender counselling, and pay a $500 victim surcharge.
As Mr. Kovach read the sentence, supporters and family members of the now 14-year-old aboriginal girl stormed out of the courtroom shouting and accusing the court of racism.
The girl's enraged father walked out of the courthouse and punched in the headlights of his own van before being led away by supporters.
"The young white man was sitting there with the judge protecting him," a family spokesman told reporters outside court.
"Who has justice served here? It sure wasn't our aboriginal child.
"There's racist lawyers and racist judges in the justice system here in Canada. Those guys don't belong here. They ought to be kicked out," he said.
Mr. Edmondson waited more than an hour before leaving the courthouse with his parents by a back door.
The case has attracted national attention for the last two years.
In September 2001, Mr. Edmondson and two friends were drinking heavily and driving on country roads near Tisdale, Sask., when they met the girl on the steps of a small town bar.
The 89-pound girl accepted a ride and the men, all in their 20s, gave her several beers to drink.
Shortly after, she ended up in Mr. Edmondson's lap in the driver's seat and the two kissed.
Outside the truck, Mr. Edmondson attempted to have sex with her but could not get an erection.
His companions also tried unsuccessfully to have intercourse with her.
Mr. Edmondson was convicted in May of being a party to the sexual assault, which carries a maximum sentence of 14 years in prison.
The other two men were acquitted in a separate trial, which also led to outrage in the aboriginal community.
On Thursday, Mr. Kovach noted that this sexual assault was on the more severe end of the spectrum, and these types of crimes almost always result in lengthy penitentiary sentences.
"I think it's clear from the authorities that a conditional sentence would be rare indeed," Mr. Kovach said.
But he then cited earlier testimony suggesting the girl was frequently abused by her father.
He quoted the testimony of a pediatrician who said an abused child may show "unpredictable sexual behaviour."
This suggests the girl may have been a "willing participant" or "the aggressor" in the incident, he said.
"That in no way condones Mr. Edmondson's conduct, (but) in my opinion is a factor in sentencing."
The girl also got into the men's truck willingly, drank beer, and lied about her age.
These factors all must be taken into account in sentencing, he said.
It would have been much more serious, for example, if a girl had been snatched off the street on her way home from school and forced into sexual activity.
"No one has any business involving themselves sexually with anyone that age," Mr. Kovach said. "That being said, there are clearly degrees. There is a difference from a sentencing perspective."
Mr. Edmondson's 53 letters of support from friends and family filed in court shows he has substantial community support, Mr. Kovach said.
He noted Mr. Edmondson had been deemed a low risk to reoffend by a psychologist, and said he would not pose a danger to the community.
The very unusual facts suggest a jail term is "not necessarily required," he said.
In a brief statement to reporters, Crown prosecutor Gary Parker said he'll pass the file to justice officials in Regina to consider an appeal.
Defence lawyer Hugh Harradence said he feels the sentence was just and Mr. Edmondson was relieved.
Advocacy groups on hand denounced it.
"This is a (decision) against all children in Canada," said Kripa Shekar of the Saskatchewan Action Committee for the Status of Women.
"We should all be very, very concerned. Blame the victim is the message we got from the court."
Bob Hughes of the Saskatchewan Coalition Against Racism predicted the sentence would worsen racial tensions.
He said Mr. Edmondson should have been forced to spend time in the aboriginal community and to speak to young children about responsible attitudes and behaviour.
"The process has blamed the child and her family. We are treading on very serious ground," Mr. Hughes said.
You must not have seen many 12 year olds. For that matter, I met a woman the other day, a married lady of 25, that could of passed for 11.
Also, look at the facts as presented here:
In September 2001, Mr. Edmondson and two friends were drinking heavily and driving on country roads near Tisdale, Sask., when they met the girl on the steps of a small town bar.
If three guys who are drinking heavily meet a girl on the steps of a bar, what would be their natural reaction? In addition, what was her purpose for being there?
The 89-pound girl accepted a ride and the men, all in their 20s, gave her several beers to drink.
Apparently they asked her if she wanted a ride and she said yes. Apparently they offered her beer and she said yes. Even sober I would think that she was a willing participant and that this was nothing new for her. Most non-drinking girls would have a difficult time with one beer, much less several, and especially one of her ize and age.
Shortly after, she ended up in Mr. Edmondson's lap in the driver's seat and the two kissed.
Now, how do you suppose she got there? Were she forced it would surely have been an important issue and highly accentuated in the trial. So, we have three drunk guys who met a girl at a bar, she willingly accepted a ride, she drank beer, and then she got in a guy's lap and started kissing him. Doesn't sound like a typical 12 year old nor does it sound like a situation where three young drunk guys would consider her an innocent child.
Outside the truck, Mr. Edmondson attempted to have sex with her but could not get an erection.
Did she scream or try to run away? Was there sexual intercourse? Was there sex of any kind? Apparently not or that also would have been highlighted. So, where was the sexual assault? Sounds more like an assault with a dead weapon or shooting someone with an empty gun.
His companions also tried unsuccessfully to have intercourse with her.
Well, they are obviously guilty of the same non-crimes or at least of pointing an unloaded weapon at the ground.
I think the judge made a courageous and correct decision.
Another thing, what is this aboriginal deal. Was she from Australia or are the Canadians confused about how to be politically correct?
If she were signing a contract with three young drunk guys each would be equally responsible. If it were illegal a judge would have to decide. In this case, one did.
Not only would I want ID, I would want a signed note from her mother. :-)
Every guy that every had relations with a 12 year old could say, I didn't know. Do you think that would fly? The judge would laugh his ass off while waving good-bye to you.
This judge didn't laugh. He took into consideration the totality of the circumstances.
Most judges would through the book at adults for having sex with a 16 year old. This girl was twelve. The adult bears the responsibility to be responsible.
I agree with you.
No, I am not. I am saying that if any side of any contact is illegal a judge or jury must decide. In this hypothetical example, one side was twelve years old, so it was illegal and a judge or jury would have to decide.
I thought the same thing. It is strange that liberal Canada has not done that.
Me too. And I thought this was utterly ridiculous:
On Thursday, Mr. Kovach noted that this sexual assault was on the more severe end of the spectrum,
This is the Justice speaking. How in the world is this on the "more severe end of the spectrun"? The "severe end" would have been three guys kidnapping her and forcibly raping her.
To draw an analogy, if you were caught driving 80 in a 55, they would not allow you to get away with saying "I didn't know I was driving 80". Or if you sold beer to a 17 year-old, you cannot hide behind "He looked 21". So I don't see what the judge and jury are trying to decide.
Disclaimer: Opinions posted on Free Republic are those of the individual posters and do not necessarily represent the opinion of Free Republic or its management. All materials posted herein are protected by copyright law and the exemption for fair use of copyrighted works.


text:
Analog / Digital experiment
Hi All,
I just thought some of you who frequent this forum might be interested in taking my short survey about identifying the sounds of analog / digital synthesizer modules. It's fun, anonymous and only takes about 5 minutes. Plus it might be interesting to discuss on the forum. Here's the address :
Thank you very much for any of you that submit results, the more I get, the more interesting the findings will be!
Just did the test. I'm no way sure I identified them correctly. Is there a way to find out which where the correct answers?
Hi Matt,
Thanks a lot for doing the test. The reason for not giving the answers at this point is to make sure the test is fair. But as soon as the testing period is over, I'll post up the answers and all the information about the test, as well as the results. This should hopefully be in a couple of weeks time.
Thanks again,
great idea… did you post this to the analog heaven mailing list and matrixsynth?
Hi Oli,
I've just let matrix synth and analog heaven know about the experiment. Thanks a lot for the suggestion!
By the way– are the analog oscillators/filters/VCA's being compared with digital emulations of the exact hardware?… e.g. it would be silly to compare an emulation of the Moog filter with a real SH 101 filter.
Not really, each piece of audio is basically individual, and not necessarily being directly compared with eachother. It is instead asking more broadly if the participant can identify a sound as coming from an analog or digital synthesizer module, and 'V/A' modules of course come under the digital umbrella all the same. It will be interesting to see if the 'Virtual Analog' examples have a higher chance of being chosen as analog than the 'purely' digital ones.
Don't worry, I'm not *trying* to fool anyone with authentic versions compared with digital emulations. But that of course still doesn't mean the answers are obvious! :)
Forums > Misc


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ARP AZQ8.800-2B individual head studs out of kit #250-4202
Brand: ARP
Part Number: AZQ8.800-2B
Condition: Brand New
Description: individual head studs out of kit #250-4202
ARP or Automotive Racing Products History
They say that to be successful you must identify a need and satisfy it. Back in 1968 racing enthusiast Gary Holzapfel saw that many of his friends broken engines were caused by fastener failure.
At the time, there were no commercially available studs and bolts up to the challenge. So Holzapfel called upon his many years of fastener making experience for a leading aerospace subcontractor and founded ARP (Automotive Racing Products).
In the ensuing years, the firm has grown from what was literally a backyard garage workshop into a highly diversified manufacturer with five operational entities in Southern California with a combined area in excess of 200,000 square feet. These include forging, machining, finishing and packaging/warehousing facilities in Santa Paula and Ventura, California.
ARP individual head studs out of kit #250-4202, Part Number AZQ8.800-2B
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HR/Office Assistant Job at Sigma Beauty in New Brighton, MN
[Position No Longer Available]
HR/Office Assistant
Sigma Beauty
Job Location(s):
New Brighton, MN
Start Date:
Employment Term:
Employment Type:
Full Time
Starting Salary Range:
Required Education:
Bachelor's Degree
Required Experience:
1 to 3 years
Required Security Clearance:
Related Categories:
Admin - Secretarial and Office Mgmt, HR - Generalists
Position Description
This position is primarily responsible for assisting the General Manager in all areas relating to human resources activity as well as office administrative tasks by performing the following duties.
Core duties and responsibilities include the following. Other duties may be assigned.
Maintains knowledge of legal requirements and government reporting regulations affecting human resources functions and ensures policies, procedures, and reporting are in compliance.
Processes employment applications and assists recruiting, interviewing and other aspects of the hiring process.
Records employee information such as personal data, benefits, tax data, attendance, performance reviews or evaluations, and termination date and reason.
Updates employee files to document personnel actions and to provide information for payroll and other uses.
Plans and conducts new employee orientation and onboarding process.
Compiles and maintains records for use in employee benefits administration.
Responds to inquiries regarding policies, procedures, and programs.
Assists with performance review program to ensure effectiveness, compliance, and equity within organization.
Prepares and files reports of accidents and injuries at establishment.
Prepares employee separation notices and related documentation, and conducts exit interviews to determine reasons behind separations.
Researches and develops resources that create timely and efficient workflow.
Office Administration:
Greets visitors and conducts to appropriate area or person.
Coordinates and arranges meetings, prepares agendas, reserves and prepares facilities, and records and transcribes minutes of meetings.
Orders and maintains supplies, and arranges for equipment maintenance.
Collects and distributes paperwork, such as records or timecards, from one department to another.
Maintains contact with customers and outside vendors.
Problem solves and creates solutions for any office related issues.
Organizes and controls the office calendar and bulletin board.
Assists with the planning and organizing of company events.
[Position No Longer Available]
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The goal of the Protocol Review and Monitoring System (PRMS) is to ensure the highest scientific quality and patient safety for individuals going on clinical cancer studies at UTSW. The Simmons Cancer Center PRMC consists of the Protocol Review and Monitoring Committee (PRMC), the Data and Safety Monitoring Committee (DSMC), and the administrative support services of the Clinical Research Office Shared Resource (CRO). These three entities are overseen by the Clinical Cancer Research Committee (CCRC), which aids the Deputy Director in overseeing all clinical research activities conducted at the Cancer Center, recommends new policies and procedures to the Deputy Director, and identifies scientific priorities and clinical issues in the cancer center. The CCRC is chaired by the Deputy Director, and co-chaired by the Associate Director for Clinical Research. The PRMC reviews and monitors all cancer-related clinical studies for scientific merit. In addition, it is responsible for overseeing the scientific progress of open clinical trials by monitoring accrual to all SCCC protocols. The PRMC is chaired by Dr. Hak Choy, Professor and Chair of Radiafion Oncology, and co-chaired by Dr. Chul Ahn, Professor of Biostatistics. Members are appointed by the Cancer Center Deputy Director and represent the expertise necessary to provide high-level clinical oncology protocol reviews and monitoring of those which receive committee approval. All UTSW clinical trials involving cancer patients must receive PRMC approval before the IRB will schedule it for review. The DSMC is designed to ensure patient safety and data quality for cancer-related clinical trials. The DSMC is an independent committee appointed by the Deputy Director of the Cancer Center and chaired by Dr. David Euhus, Associate Director for Clinical Research, and is responsible for carrying out the data and safety monitoring plan for the Cancer Center. The CRO is headed by Ms. Lynn Baker, Assistant Director for Clinical Research, and is responsible for initiating, implementing, and conducting clinical research protocols in the Cancer Center. The CRO staff includes clinical research coordinating personnel, as well as staff that provide regulatory and operational support.
|Wong, Mandy S; Wright, Woodring E; Shay, Jerry W (2014) Alternative splicing regulation of telomerase: a new paradigm? Trends Genet 30:430-8
|Chau, Vincent; Lim, S Kyun; Mo, Wei et al. (2014) Preclinical therapeutic efficacy of a novel pharmacologic inducer of apoptosis in malignant peripheral nerve sheath tumors. Cancer Res 74:586-97
|Iscla, Irene; Wray, Robin; Wei, Shuguang et al. (2014) Streptomycin potency is dependent on MscL channel expression. Nat Commun 5:4891
|Fu, Peng; Johnson, Melissa; Chen, Hong et al. (2014) Carpatamides A-C, cytotoxic arylamine derivatives from a marine-derived Streptomyces sp. J Nat Prod 77:1245-8
|Park, Jason Y; Gunpat, Joshua; Liu, Li et al. (2014) Red-shifted emission from 1,2-dioxetane-based chemiluminescent reactions. Luminescence 29:553-8
|Gerber, David E; Laccetti, Andrew L; Xuan, Lei et al. (2014) Impact of prior cancer on eligibility for lung cancer clinical trials. J Natl Cancer Inst 106:
|Yang, Liu; Kwon, Junghee; Popov, Yury et al. (2014) Vascular endothelial growth factor promotes fibrosis resolution and repair in mice. Gastroenterology 146:1339-50.e1
|Li, Biaoru; Ding, Lianghao; Yang, Chinrang et al. (2014) Characterization of transcription factor networks involved in umbilical cord blood CD34+ stem cells-derived erythropoiesis. PLoS One 9:e107133
|Ludlow, Andrew T; Robin, Jerome D; Sayed, Mohammed et al. (2014) Quantitative telomerase enzyme activity determination using droplet digital PCR with single cell resolution. Nucleic Acids Res 42:e104
|King, Kelly A; Gordon-Salant, Sandra; Pawlowski, Karen S et al. (2014) Hearing loss is an early consequence of Npc1 gene deletion in the mouse model of Niemann-Pick disease, type C. J Assoc Res Otolaryngol 15:529-41
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Walter Smith, the Rangers manager, and his captain David Weir may have been singled out for the Scottish Premier League's end-of-season awards, but Smith believes any one of the players in his dressing room would have been a worthwhile candidate.
Smith was named manager of the season at an awards ceremony in Glasgow on Monday night after taking the Scottish champions to within touching distance of a second successive title, which could be confirmed this weekend with a win at Hibernian or if Celtic lose to Dundee United earlier in the day.
Weir could be celebrating again next month after being shortlisted, along with team-mates Kris Boyd, Steven Davis and Andy Webster – on loan at United this season – for the Professional Footballers' Association Scotland player of the year.
Smith said: "It has been a real team effort, I don't think there is any doubt about that. We have a situation where we have a great number of players in our team who have played exceptionally well.
"We have a small group of players so we have had to rely on a lot of them to do well over the season. They have managed to do that for us and we are delighted that has been the case.
"I wouldn't say I'm surprised," Smith added. "When you have the same group year in, year out as we have had, a lot of the boys have been with us for about three years, and we know they can achieve a level of success.
"The only thing about this season was the fact that we worried about injuries and suspensions and other things affecting us. We have managed, so far, to get over that aspect of it and it leads us within inches of another championship. That's been a terrific thing for us, it's been a terrific performance by all the players at the club this season. Maybe one of the major benefits we have had is that we have been together for so long."
Smith believes another successful season has again justified his decision to quit as Scotland manager and return for a second spell at Ibrox three years ago. Reflecting on a campaign, which has been challenging amid ongoing uncertainty surrounding the club, he said: "It's one of the reasons I came to Rangers, you have an opportunity to gain a level of success.
"In the job I was in as Scotland manager, success would be qualifying for a major tournament. You get more opportunities if you are at a club like Rangers – and Celtic – to win things.
"I made that decision to come back and so far it has turned out OK. Obviously, it would be far better if we could clinch the championship again this season."
But Smith also warned making it a hat-trick of titles next season will be far more difficult if the club persists with the business plan agreed with Lloyds Bank.
He said: "Rangers have had periods of time in their history when they have gone a long while without winning championships and I would hope we won't be going back into that situation.
"This is an important time for Rangers because I don't think there is a full realisation of the exact impact the implementation of the plan currently agreed with the bank for next year will have. I can appreciate the reasons why the plan was put in place, but I'll never agree with it.
"If there is a continued downsizing, then it will impact on our ability to succeed at a time when we need to succeed. The financial people see the team winning the League Cup and with a good opportunity to win the league this season and they probably think whatever they do isn't going to have a major impact or be a damaging influence.
"Unfortunately, they don't realise just what it takes for an Old Firm team to be successful. We have handled it all right this season, but unless we get a little bit of help in terms of increasing our pool of players, it will be very difficult for us to recreate successful circumstances again.
"Under the current circumstances, next year will be extremely difficult. If nothing changes, if there is no buyout or anything like that, it will be an extremely difficult season for Rangers.
I won't say it would be impossible to win the title, but it would be extremely difficult to maintain a level of success."
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