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Blog10: A report from the UK blogosphere
November 7, 2014 · Print This Article
In the popular imagination, bookshops in Notting Hill may be where bumbling Englishmen meet Hollywood filmstars. Last night it was where a bumbling art writer, played by myself, got to meet some of the UK's most successful bloggers.
The venue was Book and Kitchen, who deserve props for the bohemian setting, mean jazz soundtrack and fantastic three course meal. Since there's no such thing as a free meal, we bloggers were encouraged, between mouthfuls, to discuss our medium of choice.
You can check out the results on @blog10, an enterprising venture by a PR agency called Marmalade. There was a lot of talent and success in the room: from a book blogger who's landed a UK and US publishing deal (Ann Morgan) to a young vlogger who has the brands queueing up to feature on her profit-making lifestyle blog (Abisole Amole).
Thankfully, eclectic London blogger Katie Antoniou had plenty to say, recalling the time when blogs first emerged as the honest antidote to "bullshit" editorial. (Integrity, it seems, is still a blogger's best friend, even in the current climate of bribery and gifting.) "I don't have the ego for journalism," she explained, which seemed to resonate around the table.
Rona Wheeldon has a niche even more obscure than contemporary art. She is a flower blogger, who waxed lyrical about the potential for filming posts and hosting a YouTube channel. "Vlogs can show emotion!" she insisted, even though last time I checked, the written word can sometimes do the same.
Things turned comic when book bloggers Morgan and Kim Forrester revealed statistical spikes from wayward web users who stumble upon their sites in search of resources for sex tourism. We laughed about it, but it was a reminder that despite its academic origins, the web is still not the best place for serious discussions. Nevertheless, with their literate audiences, both bloggers have built readership and communities within their crowded field.
Indeed it was widely reported that finding an audience and a network of peers could still be the number one reason for starting a blog. Even if in recent years comments are very hard to come by ("Who's got time to comment?" we asked). Time is an increasing issue, as one faces the introduction of a two speed internet where large web corporations choke smaller players. Morgan raised fears of losing the level playing field bloggers now enjoy.
Several of us bemoaned the encroachment of social media ads and promoted posts. The latest platform to introduce ads appears to be Instagram. Starbucks and UK supermarket Waitrose had reached out to a couple of the photobloggers among us. Although to be fair, their presence wasn't totally unwelcome. Amole revealed a thriving existence of the coffee giants' #redcups hashtag. She is relaxed about it.
As the meal drew to a close we took questions about blogging from twitter. One eager user requested three tips from each of us in turn. Find a niche. Use social media. Build a brand. The wisdom was flowing by this point. But perhaps interiors blogger Kate Baxter had the last word. Don't get into blogging to get free stuff or money. It probably won't happen. You may however one day be invited to a West London blogging salon. Things could be worse.
Mark Sheerin blogs at www.criticismism.com and can be found on Twitter.
ArtStack and the social dimension of art
September 13, 2013 · Print This Article
Guest Post by Mark Sheerin
Art needs networks, and the 20th century testifies to that. There could never have been a lone fauvist, a solitary cubist, an isolated futurist, etc, etc. The avant garde loves company, and, without it, could never have made the great strides which came along with modernity.
Now we live in a different landscape. Cafes have become corporate part-time creches and third place venues for business meetings. Cigarettes and pipes, both intellectual props, are banned. And just try paying for your triple shot latte with a sketch, it can't be done.
The avant garde have been in retreat everywhere for decades now. So it is good news to have some networking technology which might serve as a focal point for new visual ideas. So brew your own coffee, and read on, then redirect your browser to ArtStack here.
"How do these groups of people come together?†asks Co-Founder Ezra Konvitz. "What do they come together around, what was the particular moment where you have a group of people who have all converged around an idea?â€
Some journals and meeting places may still exist, but these days many artists find it just as easy to share works, inspiration and ideas online. Like any social network worth its salt, Konvitz says his project hopes to replicate the social dimension of the real world.
For those new to ArtStack, the beta-stage website is a minimal, intuitive platform on which you can post images of your favorite art and browse those pertaining to other avant garde spirits. But I jest; the site is not at all elitist.
It is instead a space where you might find super-curator Hans Ulrich Obrist's profile along with those of well-known artists from around the globe and emerging names from the most far flung parts.
"What's really cool now is you've got people from Australia talking to people who are in New York and collaborating on shows. It's so quick now,†says thirty-something Konvitz, whose democratic start-up is the fruits of a Masters in Art History and a timely enthusiasm for new and social media.
He talks of providing young people and other outsiders with, "the inspiration to go and be an artist, to go and be a curator, to get involved with artâ€. You don't need a residence in a capital of culture to participate; ArtStack brings together people from 198 countries.
Konvitz is under no illusion that his site will replace the first-hand experience of a gallery. "Of course, real world interaction is always stronger,†he says. "Being able to have a conversation with somebody, or to see something in real life, is always going to trump an online interaction.â€
And yet research has shown that some 60 percent of visitors to a show at Tate Liverpool, previewed online, said that seeing the displays online made them more likely make a visit.
At a later point in our conversation, Konvitz compares visiting an exhibition to experiencing live music. Jpegs and mp3s can help make you familiar with the work, but a live experience is always something special.
Perhaps it is inevitable, but the musical comparison brings to mind the rapid rise of band Arctic Monkeys, thanks to a page on music networking site MySpace. Anecdotal evidence suggests ArtStack has hooked up artists with curators, but the art world is still waiting for the meteoric artist without gallery representation.
However, interested parties might still learn something from a check-in with the website's trending page. Major exhibitions in major cities tend to drive traffic to certain artists. "It's a good way to keep tabs on what's going on in the world,†says Konvitz.
It also offers the chance to see much loved works in new contexts – 3D pieces and video are both well served. "You can see a sculpture from the front, from the back, during daylight, at night, when it was in France, when it was in New York,†says Konvitz,
"It's nice to get more of a rounded experience of a work or to view video art in your living room.†Indeed, to visit a page on which Giotto could rub shoulders with a 21st century art student is the most rounded of experiences.
"Finding the way in which artists can have that success and connect with the people who will make a difference to them is a really important thingâ€, Konvitz says. Avant garde movements may be a thing of the past. But, all the same, you might watch this virtual space and hope.
Mark Sheerin is an art writer from Brighton, UK. He can also be found on Culture24, Hyperallergic, Frame & Reference and his own blog criticismism.com
Hyperjunk: Unpacking the Shortest Video Art Ever Sold
March 25, 2013 · Print This Article
In the past couple weeks a myriad of media outlets have been chomping at the bit to comment on the first sale of a piece of art made on the rapidly rising social media platform Vine. The work in question was made by Angela Washko and presented at the Moving Image Fair by Kyle Chayka and Marina Galperina in their Shortest Video Art Ever Sold (SVAES for short) booth produced in collaboration with Postmasters Gallery. The sale of the work has been quickly marked as an easy target for many critical articles for a variety of reasons, however I feel that most takes have missed some of the more salient issues that surround this sale. I sought out Chayka, Galperina, and Washko to discuss not only their intentions with the project but also to examine what exactly this sale might signal in terms of a potential future for new media art production and saleability.
Before continuing, I feel it's important for me to say that I have serious misgivings about what the gesture of this sale means for contemporary digital art. That being said, I feel like the media coverage of this event hasn't given the participants a proper due, or has often been delivered from a somewhat askew and reactionary perspective (which I also might be guilty of). Although what follows is not an attempt to "get the story straight,†I'll try to curb my personal trepidations in favor of unpacking the intentions of this project. Discussing the implications of this sale – albeit from my hesitant vantage point – come from an underlying respect for the curators to find ways of challenging media art and it's location within a contemporary market.
On first glance, SVAES presents itself as a very self-assured project in that it immediately places these works in the context of purchasing and ownership. As a markedly youthful project, SVAES revolves around showing Vine as a kind of media art shopping-network/sketchpad. The rapid adoption of this product by artists working online (from Ryder Ripps to Rollin Leonard) seemed of particular interest and importance for the curators. In our conversation over email, Chayka maintains that his and Galperina's intention was always aimed at being tongue-in-cheek. Through employing this trending technology, Chayka articulates how initially the idea of asking artists to use Vine was a way of creating a semi-satirical entry point for this type of work within a larger art market:
I don't think SVAES was trying to present any particular kind of aesthetic or enforce a style; it was just about giving artists an opportunity to try something different, more improvisatory. For many of the artists, video isn't even their primary medium. This is more like a quick, expressive sketch, a video doodle, which seems like what Vine is made for.
Much of the press around SVAES positions the booth not only as a – in my mind seemingly unnecessary – bridge between video art and netart (as Chayka articulates) but also as a way for fairs to start to include artists primarily working through the web. This kind of representation of a netart community points to the abnormality of netart to be shown within the art fair circuit (artists participating either lack typical gallery representation or have decided to work outside of/parallel to traditional art markets). A result of this representation – combined with the curatorial decisions of Chayka and Galperina – is that the booth acted not only as a segue for netartist to be considered within a video art context, but also served as one of the first representational outposts of this generation of artists within a bigger art market. There have been other efforts and offshoots, including LikeArtBasel, but the specific intentions combined with internal support from the Moving Image fair mark it in specifically unique ways. As a result, the SVAES project coyly suggests to the traditional art world a need for opening up traditional methods of distribution for the sake of staving off cultural obsolescence.
This attempt at expanding horizons was a particularly important gesture for Chayka, especially when considering how digital art inherently disrupts the standard channels of art collection and distribution. An important aspect of this disruption comes from the way that the curators dealt with asking artists to use this social media platform. Artists participating in SVAES withheld their videos from public consumption, only to be viewable at the Moving Image booth. If a work was purchased, however, the responsibility of distribution and hosting was put to the collector.:
The social media tie meant that until the piece was bought, you couldn't see it online — the artist couldn't publish it, no one could share it, it functionally only existed in the gallery space, it had scarcity. But then when it was bought it was put online instead of taken off, with the imprimatur of the collector. Collecting is at times a very public act, and people should be proud of the art they buy and the artists they support. Through the Vine format and the SVAES project, we mad a meaningful way for them to do that.
The proposed, and eventual, collector had the choice of reposting the video back to Vine or to keep the work within private circulation. The sale of a work implicates the collector in deciding whether or not to allow the work to return to its native networked environment. This curatorial decision is where – in my opinion – the art in SVAES lives.
The unfortunate result of this artistic gesture is that it inadvertently undermines the work of the individual artist. In other words, Washko's work – and other SVAES pieces – becomes a foil for a curatorial critique of the art market. Washko's Vine is rendered somewhat irrelevant as soon as it is sold since the work no longer becomes about the artists and their piece, but more about the curators and the collector; at least this shift is where we find ourselves after the purchase has been complete. This process is not exclusive to SVAES as a model/format, but I wonder if the execution of this project is just highlighting an already standardized procedure within contemporary art sales in the form of an intentional gesture. If this is the case, maybe I'm not giving enough credit to SVAES. Even if this were so, the agendas involved in SVAES speak more directly to collection, distribution, or the way the net is expanding these horizons, and not to the content of each piece.
This is particularly worth noting given the content of Washko's piece, entitled Tits on Tits on Ikea. The work, a shortened alternative of a longer video, was in part made "as a reaction to all of the [already existing] homemade porn vines,†while also following in a line of feminist investigation/criticism that informs Washko's practice. To undercut this content seems to work against the artist's intentions of reflecting on this platform and the performative possibilities of short-form networked-video. When asked about the altered status of the work, Washko shared her ambivalent feelings about the overall process:
The thing that is important to [the Moving Image Fair] is that this so-called groundbreaking "Vine-art sale" happened within a framework they own. So it feels especially shitty when I'm not getting any love from them and also taking all of the heat for this project in several extremely spiteful articles, which I must admit are fun to deconstruct and respond directly to. I am thankful for having a very supportive community who are talking to me a lot about this experience as I try to process it, because it's been really weird… this unexpected media response to this piece was really hard for me in a way, because this was a work I wasn't ready to talk about yet.
Washko continued to explain how the sale of her vine went to a collector who has previously supported her work (Myriam Vanneschi), and that the $200 sale was a particularly personal gesture of a sustained artist-collector relationship. More importantly, the pointed backlash against Washko as an artists (as opposed to Vine as a product, or the Moving Image Fair as a cultural institution), strikes a disturbing chord since SVAES as a projects wants to critique institutions and not makers. Perhaps the vehement misrepresentation of the work and of SVAES speaks to the problems of presenting and selling work that embraces the sketching quality of Vine that Chayka discusses above. In my mind, relying on social networking as the primary platform of creative production is in itself a pressing problem within online art communities, and should be viewed as one of the primary sources of skepticism put toward this medium. Washko, however, discusses how this reliance is now part and parcel for how artwork is being made online:
We are already reliant on facebook/twitter/whatever to distribute work because the gallery system doesn't support this kind of work and we realize that we have access to like-minded artists across the globe, and we can support each other by helping to find contexts where this work will be supported for each other. I think it is surely problematic to reinforce the value of these branded, evil(!) channels, however it is hard to deny the benefits they have to broadening audiences and finding better contexts for work.Â
Perhaps the underlying problem here is that artists working online (at least in America) have decided to choose either gallery representation or social media; both formats necessitating a sidelining of personal politics in favor of reaching a larger and more lucrative audience. For those that choose social media in favor of traditional gallery representation, the artist is left in a particularly vulnerable position since their personal web presences acts as a stand-in for institutional safeguarding (i.e., a museum or curator can take the brunt of criticism and not the individual artist). The sacrifice is becoming more and more daunting as issues of digital ownership and intellectual property online are quickly mounting an End User License Agreement event horizon. The problematic that Washnko describes is perhaps the central location of where my reservation against SVAES lies. When an artist makes work specifically for the context of any given social platform – whether by choice or by invitation – the work unintentionally becomes a supporter of that brand. Perhaps the most troubling thing is the willingness on the part of the artist or curator to submit themselves to the whim of a more dominant cultural identity like Facebook.
This is particularly the case when a work made with social media does not address the material specifics of that platform. At the opening comments at the Tumblr Art Symposium held at 319 Scholes, Christiane Paul addressed how few artists working in social media actually use the infrastructure or material of that media as a resource of creativity (a telling differentiation between the current generation of netartists and their predecessors). Paul quipped (and I'm paraphrasing here), "Are we really talking about Tumblr Art, or merely talking about art on Tumblr?†To that end, if artists online are willing to be making work using social media platforms, then how is that work reflecting on the platform on which they are distributing? More importantly are we even at the point now where questions like this are still relevant? Although SVAES is moving toward this critical position by questioning distribution, access, and ownership, in doing so it renders the content of each individual work as negligible and ultimately subservient to being just another vine in a digital bramble.
Just a few quick newsy items for this midweek:
*First up, the most significant story of the week (to my mind): Columbia College Journalism professor Dan Sinker — the founder of Punk Planet, no less — was revealed as the @MayorEmanuel Tweeter! Sinker's fake mayor Twitter persona was the most brilliantly literary use of Twitter I've yet seen -Â punk rock to the core. For further background on the @MayorEmanuel saga, check out his (now defunct) Twitter feed, as well as this annotated, archivable version of those same Tweets on Snarkmarket, and listen to WBEZ Radio's interview with Sinker on Eight Forty-Eight here.
*On to somewhat more relevant news: The Illinois Arts Council has announced its first round of FY2011 grants, awarding 725 grants totaling over $7,567,938. Click here to see the full rundown of awardees county-by-county. The big question is: how long will it take for awardees to receive their funds? See this July, 2010 article in Time Out to learn more about the IAC's ongoing budget woes due to the state of Illinois' economic crisis. Key 'graph from Time Out's piece:
"While the agency's budget has crept back up to $8.5 million for fiscal 2011, [IAC Executive Director] Scrogum warns that Quinn probably will impose a "reserve†on grants, freezing recipients' access to at least five percent of the money until the state's finances improve. Fiscal 2011 applications were due in April; our sources' pessimism about them appears justified. "We don't know how much will be available to award,†Scrogum admits, "and even once that is known, [we still won't be] able to predict how long it's going to take for those grants to be paid.â€
For further background, listen to Richard Holland's interview with the IAC's Executive Director Terry Scrogum about the funding crisis in Episode 205 of Bad at Sports' podcast.
*Arts writers declare 'strike' against Huffington Post. Make sure to read the comments (there are surprisingly few – maybe that tells ya something), as they provide interesting points of view on the debate.
*David Alan Robertson, The Ellen Philips Katz Director of the Mary and Leigh Block Museum of Art, will step down effective December 31, 2011, as stated in a press release issued by Northwestern University.
*Interested in the idea of Community Supported Art? Want to know what the hell that even means? Check out two great, affordable examples here and here.
Kate has done her 30 days, she has her $10,000 and I am sure a stack of non-disclosure agreements signed. The experiment is over and so begins the postmortem. The irony is it is almost pointless doing a review of the job that Kate McGroarty did over the last 30 days (much to her joy I am sure) since she did an affable job at saying nothing. That's the place to start with this review for me, in that regardless if the Directors of the Museum of Science and Industry didn't allow her to be open, she wisely decided there was little to be gained from being objective and human or worse there is really nothing to be said about the Museum that isn't sterile and devoid of saccharin but regardless there was little said and even less done over 30 days.
How do you measure success in a project like this?
Is it success in the social media arena? If so it was an abject failure since the twitter feed had at most 1,800 followers (less then 300 more then @badatsports and no one works that as a full time job) & 4,126 fans on Facebook (which is pumped by the fact that they initially linked the like button on the site and not the actual Facebook page) but if I was the Director I wouldn't measure it by social media since that is only a single and rather small apple in the larger marketing & PR bushel.
Is it press coverage? Well that was stilted in the bigining with the media's interest in the human story of 1 person trapped in a
mine museum which quickly dried up and the press didn't know how to grab onto the story by and large. Kate was a mascot, she put a ribbon on everything that didn't have one and cut the ones that did, cheered for the home team and had a free smile for anyone that wanted one. She was in essence the Ronald McDonald clown in a orange countdown shirt and she did it well from day 1 to 30. The problem is from a press angle there is no story to tell.
Success can be measured by ticket sales? That may be true and as I am sure I will never know the performance of foot traffic over the course of that month in comparison to the previous 30 days or same time last year but if that is so then she was part human oddity exhibit/part greeter.
I can go on but this turned out better then I expected since I was afraid if they didn't get the perfect marketing spokesperson and that live mic was handed to them you would have a mixture of silence from editorial indecision and exasperation as the thirty days came to a close. Not constantly but eventually it would slip out. They avoided that by getting the perfect person for the role, someone who was willing to take what they gave her, put a fun spin on it and make two posts and four tweets a day about it (300 in total but many are replies to others). Also I don't know what the travel and official work schedule was like for Kate but the volume of posting, tweeting and documentation seemed a bit (honestly considerably) low for someone locked in a building 24×7. The average blogger does 2-3x as much if its a full time gig and many even more then that.
I am not a negative person and more so hate reviews or critics that tear down and don't build or at least offer constructive direction and honest review. If you live in Chicago you want the Art Institute, Museum of Science and Industry, Museum of Contemporary Art, Field Museum & others to grow, flourish and succeed. At its core this is a good idea, at its core this is what social media was built for and at its core this is why social media will fail. Since the 1980's (and even before but it really came to it's own then in my view) there has been a top to bottom clamp on message and public image. Gone are the days where Grocery stores would have homegrown competitions and promotions on the store level, gone are the local town commercials where a franchise owner would speak directly for his/her business or brand. They were all removed so that you could control the message nationwide and eliminate potentially expensive missteps. Social media though flourishes on the human voice, insight, personalization, inclusivity and minutia; the very things that contemporary marketing fears most and actively looks to either eliminate or synthesize artificially in a controlled manner (think bad viral ads or national campaigns exactly the same just customized by local age, race, sex, sports affiliation or celebrity).
In order to succeed you need to make social media a part of your PR team (key point to remember, PR is not marketing and never the twain shall meet) have someone daily write, photograph and honestly talk about all the great aspects, locations & touchstones of your group in such a way that you don't visit the museum to learn about them but to finally see them in person. People don't visit the Louvre in droves to see this "Mona Lisa" for the first time but to write the final chapter that image has had in their life by seeing it for themselves, outside of books & film.
The web, where pages are free to publish is the prefect place to build a trap for the human imagination so it can roll around joyfully in subject mater of individual pertinent interest like a pig in mud and learn, celebrate and know as much about your product as possible. Its not a billboard, its a quilt as I presume Kate McGroarty's wise mother knows all too well. Woven with history, personality, flaws & perfection. Thats how social media works and without it that is how it fails.
Social Media I said in May of this year quietly to whoever would listen was dead, by that I meant its growth had hit a plateau and it had come to the crossroads in its life as so many good ideas have. Those ideas and the people that advocated them always knew what the right path was, without exception they knew it. But they never took it. You know WHY? Because it was TOO damn hard (thank you Bo Goldman). Social Media is a dual edged sword that no one wants to swing no mater how sharp it can cut to the truth since no one has faith in the knight swinging it to not cut themselves or the royal family. Until that paranoia or risk calculus changes as a whole you will get performances like the Month at the Museum, all pomp and no circumstance.
Nothing really said or done, nothing to get excited about and worse yet nothing shared about a beautiful gem locked away that only few get to see and one got to live but can never truly tell about without breaking a presumed confidentiality agreement.
In short, nothing ventured, nothing gained.


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After Barcelona
The latest stop on Mattering Press' mini-tour was the 4S/EASST conference in Barcelona. Endre Dányi, Nat Gill & Michaela Spencer reflect on a busy few days, both intellectually and in our new role as sellers of (sometimes cumbersome) books.Read more
First four books: available to buy and download
Mattering Press has now launched, with copies of our first four books all now available to purchase and to download for free. Please support the press by buying a book or making a donation.Read more
Advance reviews of the first four books
Science & Technology Studies has generously reviewed advance copies of our first four books. Here, with permission from the journal, we reproduce some brief extracts of each.Read more
Mattering Press launches
Tahani Nadim, an attendee at Mattering Press' recent London launch, reflects on the dynamics of care and friendship that publishing might imply. 'Scholarly practice and communication', she writes, 'is about address, response and responsibility'.Read more
First books: Modes of Knowing
How might we think differently? This new book edited by John Law and Evelyn Ruppert and featuring leading scholars in the social sciences responds directly to this question. Specifically, its contributors explore non-standard modes of knowing by working with, through, or against one important Western alternative — that of the baroque.Read more
First books: On Curiosity
Franck Cochoy takes readers on a journey through the world of curiosity, looking at some of the many ways this misunderstood force has been used to push and pull us towards markets. His guide throughout is Bluebeard, the brutal but compelling fairytale figure, whose story holds numerous lessons about the power, and indeed the dangers, of curiosity.Read more
First books: Practising Comparison
A new collection that analyses how exactly comparison is done, while assessing some of its opportunities and limitations. It features an array of case studies from hacking communities to ranking practices in academia, while also examining the practical challenges of achieving comparison. Edited by Joe Deville, Michael Guggenheim and Zuzana Hrdličková.Read more
First books: Imagining Classrooms
This new monograph by Vicki Macknight ventures into bustling Australian classrooms. Each classroom is a part of a different type of school: a Steiner school, an exclusive private school, a middle-class government school, a diverse catholic school, and a school for intellectually disabled 'special' children. How does imagination happen in each of these very different places?Read more


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wp-ecommerce / phomedia theme / private client area /gallery
- Status Closed
- Budget N/A
- Total Bids 9
Project Description
I need some help with this theme, I'm developing a photography site and need a client area, so after my client has taken photo's they can email there client login details where the client can login to a page that looks like the store but is private only to them and has all there images on there available to purchase.
There are lots of plugins which allow me to restrict access but none work how I want them to work.
I'm aware of the plugin [url removed, login to view]
However i've been reading a lot up about this plugin and there's a lot of negativity around it, a lot of people are saying in forums that it doesnt work correctly...(see below)
"This plugin works for single products out of the box with the PayPal Standard gateway. However, when a customer adds more than one product to the cart, PayPal Standard only charges for the first product, not any additional ones. Tax also gets ignored, even though WP eCommerce calculates it correctly. PayPal Express processes all products correctly, including tax, but it doesn't setup a recurring profile in PayPal – so all recurring products only get charged once"
Is there anything else I can try? I love the theme but am worried I may need to purchase an alternative which will allow for this function, I really hope not as I have spent a long time building and developing this and I am very close to finishing apart from this final thing.
I would of thought this would of been built in, as photography is a specialist trade, and lots of people who have family portraits etc, do not want other people to see there photos and so would need to be private.
I've read that the plugin is being constantly developed, and fixed and there is a major update comming in august, but i cannot wait that long.
I don't even know if this plugin will work so don't want to waste money on it. Surely there must be an alternative way of doing this.
Please have a look at my site to get better understanding of what i mean. [url removed, login to view]
If you have a look at 'my gallery' I just want a client to be able to click on their name and a login screen comes up, once they login they get to see all their own images, no one else can see their images and they cant see anyone elses and they have the opton to buy their own images.
It sounds so simple, but i am not a developer so need help with this, is this something you can help with?
I'm guessing if you are not familiar with the theme it would probably be best to have a read of the documentation first - link is here [url removed, login to view]
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Hotfrog Philippines provides information regarding An Yiac Hardware in Manila Metro Manila. An Yiac Hardware is located at 527 T. Alonzo Street, Manila Metro Manila and provides Home Improvement services. Contact them on (02) 733 5744 or by visiting them on their website http://bizshowcase.eyp.ph/anyiachardware.
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Coral Hills Sharm El-Sheikh
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- TV Channel One Russia
- Swimming pool
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Travel Blogs from Sharm El-Sheikh
Day 70
... term but unless monitored will quickly revert back to the lax attitude of before. There is a very high military presence around the airport and more checkpoints at entry roads to the resort areas. So the Sharm feels very safe, at least on the ground ( & even more so under the sea ) . The lack of tourists has meant there is no work for me at the moment, but at least i don't rely on it. However on a positive note, the reefs are quiet, and there's no queues at the bar ; ...
Day 66
... fish ... Ace!!! We are back at our Appartment again now & back to our routines & school work. I need to get back to gym all this 'all inclusive' eating & drinking is starting to show on my belly again ! Going to try sort a boat & bus to get us to Luxor sometime soon, Ewan not too keen on flying at the moment- after the horrible news about the Russian plane that crashed just north of here. Live every day as if its your last.... You never know whats round the corner ...
Day 58
Ewans mum paying us a visit, so staying at Hilton again for a week . Nice not to have to cook n clean, & ewan loving seeing his Animation team friends again. Had rain ( proper storm - thunder lightening) Sunday - lasted from 3pm well into the night. We took a taxi the pub & they had to drive through big puddles !! But you would think they were 'fording the Nile' ...
Arabs Got Talent!
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Egypt part 5: Sharm el Sheikh (red sea)
... of the best diving in the world, and I've been looking forward to diving here for years after hearing so much about it. The world of dive vacationing is very similar to the world of backpacking, you meet people who have traveled / dived all over the world and are eager to share their experiences. Unlike backpackers, divers are probably the only people other than sushi chefs who will gladly talk all day about fish. I'm diving with a dive center which is reputed to be very ...


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| was $775 |
51% off estimated retail price
The well known and coveted monogram print is showcased on this Alexandra wallet by Louis Vuitton. This small wallet will hold a lot more than you think! It has 6 card slots, two patch pockets and a snap holder. This wallet is enclosed with a press-stud flap closure. Original Retail Price: US $775
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Crystal Pendant Lamp
Product: Crystal Pendant Lamp
Retailer: Anthropologie
Designer: Lee Broom
Since founding his own label in 2007, UK-based Lee Broom has become one of Britain's leading product and interior designers. Best known for combining industrial elements with elegant details, Broom was named Designer of the Year by Elle Decor UK, thanks to his creation of the hand-blown lamp you see here.
- By Lee Broom
- Professional installation recommended
- Includes 2 watt LED bulb
- Crystal, 24k gold plated brass
- 6.5′ cord
- 7.5″H, 3.5″ diameter
- Imported
- Style #: 30195549


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Hot Certifications
Hot Certifications Specific certifications generating the largest growth in bonus pay included the GIAC (Global Information Assurance Certification) Certified Windows Security Administrator designation from the SANS Institute. It generated 60 percent higher bonuses than a year ago, according to the survey. Other increasingly hot certifications included the GIAC Certified Intrusion Analyst (up 50 percent), the Microsoft Certified Database Administrator (up 33 percent) and the Microsoft Certified Solution Developer (up 22 percent).The survey also indicated that, in general, employers are increasingly willing to pick up the tab for IT professionals to be certified. Compared with two years ago, when 43 percent of employers were willing to pay the entire cost of IT worker certification, 50 percent are now willing to do so, Foote Partners found. While employers are still willing to subsidize and pay extra for certain certified skills, the survey showed, they are much less willing to pay bonuses for noncertified technical skills that IT professionals acquire. Average skills-based bonuses dropped in the first quarter for all of the job families tracked by Foote Partners. For all skill categories, bonus pay averaged 7.8 percent of base salary at the median in the first quarter, down from an average of 10.2 percent in the third quarter of 2000. Specific skills seeing the steepest drops in bonus compensation included cc:mail (down 56 percent compared with a year ago), asynchronous transfer mode (down 50 percent) and HTTP (down 44 percent). Skills retaining the highest bonus pay included rapid application development and extreme programming (18 percent of base median pay), project-related security skills (16 percent), Oracle database (13 percent) and Microsoft SQL Server (12 percent). Lisa Vaas contributed to this story. Related stories:
Whats a Chief Security Officer Make?
As Salaries Slump, Women IT Pros Lose Ground
Senior IT Salaries Fall With Economy
Certifications generating declining bonuses, meanwhile, included the Microsoft Certified Professional, down 50 percent on average compared with a year ago; the A+ PC Technician certification from CompTIA (off 43 percent); and the Microsoft Certified Systems Engineer + Internet (down 27 percent).
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Stewed Fresh Fruit
|8 Ounce
|Castor sugar
|2 Ounce
|1⁄4 Pint
|Grated lemon rind/Ginger
|1 Teaspoon
1) Peel the apples and slice them. Alternatively, scrub the rhubarb and cur it into lengths of 1-inch each.
2) Into a saucepan, measure the sugar and water and stir over low heat in order to completely dissolve the sugar.
3) Add in the prepared fruit, cover it with liquid and place over very low heat. Allow to slowly and gently cook till the fruit has tendered but is still whole.
4) Take the pan off the heat and add some finely grated lemon rind. Set aside and allow mixtue to cool.
5) Spoon the preparation onto a serving dish once it has cooled and chill.
6) Serve chilled.
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size
Calories 176 Calories from Fat 2
% Daily Value*
Total Fat 0.2 g0.31%
Saturated Fat 0.03 g0.16%
Trans Fat 0 g
Cholesterol 0 mg
Sodium 1.3 mg0.1%
Total Carbohydrates 44 g14.8%
Dietary Fiber 3 g11.9%
Sugars 40.2 g
Protein 0.33 g0.66%
Vitamin A 1.2% Vitamin C 14.1%
Calcium 1% Iron 0.87%
*Based on a 2000 Calorie diet


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Simply Slavic festival set for this weekend
June 19, 2014 The Simply Slavic downtown festival created specifically to celebrate Greater Youngstown's colorful Slavic community will take place from noon to midnight June 21 on Federal Plaza East. more »»
Ground broken for Gelbman Recovery House
June 12, 2014 A small crowd of donors and supporters gathered June 5 at the Neil Kennedy Recovery Clinic's main campus on Rush Boulevard to break ground on the Frank and Pearl Gelbman Recovery House. more »»
Ohio Chautauqua returns to Warren
June 12, 2014 Ohio Chautauqua's return to Warren June 24-28 shows how much support the community has for the arts. It also doesn't hurt the downtown's growing reputation as an entertainment and cultural venue. more »»
Wilson ready to revive Mooney girls basketball program
June 12, 2014 Just before the doors were locked to signal the end of another school year, an important announcement was made at Cardinal Mooney High School regarding its girls basketball program. more »»
Library news
June 12, 2014 BABY POGRAMS -- Baby Brilliant: Bonding with Babies--For caregivers and their little ones ages 6 to 23 months. Twenty minutes of language enrichment including rhymes, songs and storie. more »»
Junior Fair Board honors adviser, holds second annual dance
June 5, 2014 Last month, members of the Junior Fair Board marched in Boardman's Memorial Day Parade in honor of George Grim, who passed away March 26, 2014. more »»
Junior Fair to hold second annual trunk sale
June 5, 2014 The Mahoning County Junior Fair will hold their second annual trunk sale from 8 a.m. to 6 p.m. Saturday at the Canfield Fairgrounds. more »»
Hollywood Gaming to hold job fair
June 5, 2014 Hollywood Gaming at Mahoning Valley Race Course will formally kick off its recruiting and hiring program with a career fair to be held on Monday. more »»
Guest speaker honored at MOAA meeting
May 29, 2014 The Mahoning and Shenango Valleys Chapter of the Military Officers Association of America (MSVS-MOAA) heard from two guest speakers at the organization's recent meeting at the Youngstown Air Reserve... more »»
Golf Classic set for June
May 29, 2014 The American Heart Association, along with event sponsor StairMaster, will host the 2014 annual Golf Classic Scramble on June 2 at the Youngstown Country Club. more »»
Slavic bakers wanted
May 29, 2014 The organizers of Simply Slavic want to encourage the perpetuation of those recipes and traditions. more »»
OSU Extension to offer new class
May 29, 2014 OSU Extension-Mahoning County will be hosting ''Eating Smart, Being Active'' classes presented by the Expanded Food & Nutrition Education Program starting 5:30 p.m. June . more »»
DSAV to host bike camp for disabled children
May 29, 2014 The Down Syndrome Association of the Valley will be hosting the first bike camp for children and young adults with disabilities in the Mahoning Valley. more »»
Medical Society Alliance installs president
May 22, 2014 Jenna Cicchillo was installed at the 75 president of the Mahoning County Medical Society Alliance on May 5 at a luncheon at the home of Paula Jakubek. more »»
Ross honored for patient care
May 22, 2014 Carolyn Ross, BSN, RN, OCN, was recently honored by New Presbyterian Hospital Weill Cornell Medical Center, where she works as an oncology nurse. more »»
Catholic school to close
May 22, 2014 Bishop George V. Murry, S.J., Bishop of Youngstown, has accepted the recommendation of the Member Board of Lumen Christi Catholic Schools that St. more »»
Schools approach drug abuse prevention
May 15, 2014 Last Friday, a large donation of $30,000 was given to Lumen Christi schools in Mahoning County to begin a different approach to drug abuse prevention. more »»
MCCTC horticulture students host spring plant sale
May 15, 2014 Students in the Horticulture program at the Mahoning County Career and Technical Center are currently holding the school's annual spring plant sale. more »»
Council recognizes Scout and leaders
May 15, 2014 Eagle Scout Cory Winebold and Scout leaders Richard Jugenheimer and Dr. more »»
Glaciers win triple crown
May 15, 2014 more »»
News, Blogs & Events Web


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In today's remix-happy culture, you never know where songs might end up; new versions sometimes make songs sound older, dance-pop cheese can take on rock intensity, and a track you thought you hated is suddenly on repeat on your iPod. This remix of of the latter variety. Texas metal band Drowning Pool were known for their 2001 alt-radio hit, "Bodies," whose on-air life was cut short when the 9/11 attacks made the line "let the bodies hit the floor" seem kind of inappropriate. But it's a pretty unbearable song anyway, revolving around a single muddy note and a guttural, screamed chorus that seems designed to repel:
Enter Philadelphia's DJ Sega, who's made a name remixing popular songs in the syncopated Baltimore Club style for Diplo's Hollertronix record label. His tracks are sometimes awkward, forcing pop hits into the jittery tempo. But on his Drowning Pool remix, things are perfectly balanced. He loops the whispered intro line and drops in a smattering of guitar. After a while, the hushed vocals almost start to sound kind of sexy, similar to hip-hop tracks like David Banner's "Play" or Ying Yang Twins "Wait (The Whisper Song)." Before you know it, the song's meaning has changed (back?): Sega's version is called "Bodies Hit the Floor"that's right, the dance floor.


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1. Choose a finance option
Finance couldn't be easier to arrange, enabling you to spread the cost of your new bike or equipment and pay nothing in interest. Simply use the handy calculator to the right to get an indication of your repayments. At checkout, fill in the online application form and we'll sort the rest.
Only available to UK residents over 18, subject to terms and conditions.
2. Select amount to pay as a deposit
Classic Credit 12 months 4.9%
|Monthly Repayment
|Cash Price
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- Description
Limited PRO now we're getting down to business. Up-to-the-minute aluminium frame and high-end features provide the ideal foundation for a sporty, all round hardtail. A spec list bursting with high quality components such as the 2x11 XT transmission, top suspension fork and hydraulic disc brakes means the fit, handling and fun feel of the bike are never compromised - and neither is the speed.
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Frame Aluminium Lite, AMF, ARG, Internal Cable Routing, Easy Mount Kickstand Ready, Tapered Headtube, PressFit BB Fork Rock Shox Recon Silver TK Air, PopLoc, 100mm Headset FSA Orbit 1.5E ZS, Top Zero-Stack 1 1/8" (OD 44mm), Bottom Zero-Stack 1 1/2" (OD 56mm) Stem CUBE Performance Stem Pro, 31.8mm Handlebars CUBE Rise Trail Bar, 700mm Grips CUBE Performance Grip Brakes Magura MT2, Hydr. Disc Brake (180/160) Front Derailleur Shimano XT, FD-M8000-D, Direct Mount, Side Swing Rear Derailleur Shimano XT, RD-M8000-DGS, ShadowPlus, Direct Mount, 11-Speed Shifters Shimano XT SL-M8000, 11-Speed Chainset Shimano XT, FC-M8000, 2X 36x26T // 3X 40x30x22T, 175mm Wheelset Rims CUBE ZX24; front hub Shimano HB-M525; rear hub Shimano FH-M525 Front Tyre F Schwalbe Tough Tom Active, 2.25 / R Schwalbe Rapid Rob, Active, 2.25 Rear Tyre F Schwalbe Tough Tom Active, 2.25 / R Schwalbe Rapid Rob, Active, 2.25 Saddle CUBE Active 1.1 Seat Post CUBE Performance Post, 27.2mm Frame Warranty 6 years
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Customer Reviews
Review "Cube Ltd Pro 2X 2016 - Green"
*Price based on 0% deposit and 36 monthly installments | ** On orders over £50.00. Due to restrictions from the manufacturer we are unable to ship Trek, Whyte, Cervelo, Focus and Wilier bikes. Please contact us for more information and advice. Excludes Highlands and Isles which will be quoted separately. We do our very best to ensure product accuracy but from time to time specification and product images may be subject to change. Please contact us for any product queries you may have.
PLEASE NOTE: discounted prices are not available on purchases using 0% finance or a Cycle to Work Scheme. Discounted prices are not available in conjunction with any other promotion.


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Lot 843: GABRIËL, Paul Joseph Constantin (1828-1903). River with hilly bank, boat an
Old and Rare Books , Prints, Art & Architecture
by Burgersdijk & Niermans
November 16, 2016
2311 RW Leiden, NetherlandsLive Auction
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GABRIËL, Paul Joseph Constantin (1828-1903). River with hilly bank, boat and figure. Drawing in pencil on tinted paper. 103 x 136 mm. Signed in pencil. Under passepartout.
Estimated Price: € 80
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Spent all of last weekend and all of this weekend in the garden and I am
more than 1/2 done with all my spring cleanup. Everything is looking
really good. I am finding myself constantly amazed at how well my garden
has survived almost two years of near neglect...and at least for me, all
the rain we have had is turning out to be a blessing as it is making it
incredibly easy to remove weeds and grasses right down to their
roots...everything is so moist the stuff just pulls out with a good tug
or two. I think somewhere along the way I must have built in some good
"bones" to my garden because in less than two weeks it is looking really
good...a lot less hopeless than I started the spring thinking it was.
Thought I'd let you all know that the new job is turning out to be
everything I'd thought it would be...and I don't even seem to have had
any problem adjusting to working during the daytime. Not to mention that
I am getting like 10 times the amount of sleep that I was getting
working nights. Now if I can just figure out when to eat! And I am even
finding time and energy to spend in my garden in the evenings! Can't
wait for the longer days!
Better get to bed, though...I've noticed 5:30 a.m. comes pretty quickly!
Blessings in Christ's mercy,
Work for the Lord: the pay isn't much but the retirement is out of this world!
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Human Resources and Security Specialists should use this tool to determine the correct investigation level for any covered position within the U.S. Federal Government.
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The latest addition to our Reviews Section is by Grant Barber on Selected Translations by W. S. Merwin, from Copper Canyon Press. Selected Translations is a collection of Merwin's greatest translations, representing authors from all over the world and languages from almost every corner.
Grant Barber is a regular reviewer for Three Percent, a keen bibliophile, and an Episcopal priest living on the south shore of Boston.
Collections like this are always fascinating to me—we get to see a wide range of the translator's abilities and tastes, and are simultaneously introduced to more than one era, style, and form of poetry. So if you find it difficult to sit through an entire book of haikus, but would find more pleasure in reading a haiku here or there among a plethora of other poetic styles, this collection will be right up your alley.
Here's a part of Grant's review:
To enter Merwin's larger poetic project, whether in his translations or his own poems, the reader weighs life's experiences captured in language so that "these very things may be the poem." This collection gathers poems spanning 2,500 years, from thirty-eight languages, seventy-eight different poets whose names are known, and twenty-six anonymous poets, the latter including songs from communal oral traditions. Two previously gathered selected translations (1948-1968 and 1968-1978), join those Merwin has selected from 1978 to 2011. Each of the three sections is preceded by Merwin's explanation of his evolving project of translation.
"Since the eighteenth century, and especially since the beginning of modernism, more and more translations have been undertaken with the clear purpose of introducing readers (most of them, of course, unknown to the translators) to works they could not read in the original, by authors they might very well never have heard of, from cultures, traditions and forms with which they had no acquaintance . . . . (by) poet-translators who do not, themselves, know the languages from which they are making their versions, but must rely, for their grasp of the originals, on the knowledge and work of others." (from "Forward, 1968-1978")
Merwin honors his fellow poets who have helped him in his project of translations from not only languages more familiar to Western ears, and the haikus of classic Asian writers of the form, but also ancient Egyptian, Quechua, Kabylia, Dahomey, Caxinua, Vietnamese, Tartar, Urdu, and so forth. Beyond French and Spanish, Merwin explains that he is dependent on dictionaries and other translations; he might not work from the original but from, say, a French translation of the original.
Click here for the entire review, and some preview poems.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías's latest novel seems, like those that have preceded it, an experiment to test fiction's capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
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We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes's books revolve around the same central idea: "To be born a woman [is] the worst fate in practically every society." But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
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It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm's novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian's lover, creates art through the process of. . .


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More Videos...
091911 Semi crash kills driver on Russellville Road
The driver of a tractor trailer was killed Monday morning in a single-vehicle crash on Russellville Road (Ky. Highway 79), resulting in the road being closed for several hours. The crash occurred around 10 a.m., in 5000 block as, for an unknown reason, the southbound vehicle exited the right shoulder and traveled several hundred before losing its load of a 60,000-pound aluminum ingot.
New really bad car wrecks
New really bad and really strange car wrecks and accidents.
Pulling Over Rolled Semi Full of Corn - 2007
Road narrowed at the top of the hill and the driver got sucked into the ditch and dumped the load of 1000 bushels of corn and all were vacuumed up except a couple bushels, trailer was totaled, semi was salvaged and still used today.
Indiana State Trooper Crash Sgt. Rich "Houdini" Kelly by: Doug Brassine
PLEASE KEEP IN MIND THIS VIDEO IS OVER 4 YEARS OLD AND CHANGES HAVE BEEN MADE AS TO LOCATIONS OF TRUCK INSPECTIONS. MOVE OVER / SLOW DOWN Protect those who are protecting us!!! It is the law in Indiana. www.brazzco.com 11/20/2009 Correction to video. Rich had a fractured vertebrae and returned to work after 4 months of rehab. See http://www.snopes.com/photos/accident/kelly.asp for verification.


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Current time:0:00Total duration:9:11
0 energy points
Koch snowflake fractal
A shape that has an infinite perimeter but finite area. Created by Sal Khan.
Video transcript
so let's say this is an equilateral triangle and what I want to do is make another shape out of this equilateral triangle I'm gonna do that by taking each of the size of this triangle and divide them into three equal sections into three equal sections so I'll try it wasn't drawn super ideally but I think you get the point in the middle section I want to construct another equilateral triangle the middle section right over here I am going to construct another equilateral triangle is going to look something like this then right over here and win it but another equilateral triangle and so now I went from that equilateral triangle to something that's looking like a star a star of David and then I'm gonna do it again so each of the sides now and will divide into three equal sides and that middle segment I'm gonna put an equilateral triangle I am going to put an equilateral triangles in the middle segment I'm going to put an equilateral triangle every one of the sides so let me do it right there right there that you get the idea but I want to make it clear let me just so then like that and then like that like that then almost done for this iteration this pass and look like that but I can do it again each of the segments I can do 1230 sides and draw another equilateral triangles occurs there there there there there I think you see where this is going and I could keep going on for ever and for ever so what I want to do in this video is think about what's going on here and what I'm actually drawing if we just keep on doing this forever and forever every every every iteration we look at each side we divide into three equal sides and the next iteration or three equal segments the next iteration the middle segment we turn to another equilateral triangle this shape that were describing right here is called a coach snowflake and I'm sure i'm mispronouncing the coach part the coach snowflake and was first described by this gentleman right over here who was a Swedish mathematician neil's Fabian he'll go von coach I'm sure i'm mispronouncing it and this was one of the earliest described fractals so this is a fractal and the reason why it is considered a fractal is that it looks the same or it looks very similar at any scale you look at it so when you look at it at this scale so if you look at this looks like you see a bunch of triangles with some bumps on it but then if you were to zoom in right over there then you would still see that same type of pattern then if your resume and again you would see it again and again so for actual anything that any scale and any level of zoom it kind of looks roughly the same so that's why it's called a fraction of what is particularly interesting and why I'm putting it at this point in the geometry playlist is that this actually has an infinite perimeter if you were to keep doing it if you actually make the coach snowflake were you were you were you you keep an infinite number of times on every smaller little triangle you keep adding another equilateral triangle on its side and to show that it has an infant perimeter listens consider one side or year so let's say the side so let's say we're starting right when we start with that original trial that side and it has length and then we divided into three equal segments we divide into three segments of those are going to be s over 30 over 30 over 30 over three and S over three and the middle segment you make an equilateral triangle in the middle segment you make an equilateral triangles each of these sides are going to be a soldier three as over 33 and now the the length of this new part I can call in line anymore get the length of this part right over here this aside now doesn't have just a length of acid is now s over three times for before was sooo three times three now you have 1234 segments that are s over 30 now after one time after one piece after one time of doing this this this adding triangles are new side after ad that bob is going to be four times over three or four thirds s so if I original true if our original perimeter if I original perimeter when it was just a triangle is P sub-zero after one pass after we had one set of bombs that our perimeter is going to be so it's going to be for thirds times the original one because each of the side you're ready before thirds bigger now so this was made up of three sides now each of those sides of it before thirds bigger so the new parameters can be for third time's that then the second pass on it that's going to be for thirds times his first pass to every pass you take its getting Four Thirds bigger it's getting I get a third bigger on every it's getting Four Thirds the orig the the the the previous back as if you do that an infinite number of times you multiply any any number by Four Thirds an infinite number of times you're gonna get an infinite number of less infinite length soapy infinity infinity the perimeter viewed as an infinite number of times is infinite now that by itself is kind of cool just to think about something that has an infinite perimeter but what's even better is that it actually has a finite area when I see a fine idea actually covers abounded amount of space that I could actually draw a shape around this and this thing will never expand beyond that and to think about it I'm not gonna do really formal proof just think about it what happens on any one of these sides so that first pass we have that this trial gets popped out and then if you think about it if you just drop what happens the next iteration you draw these two triangles right over there and these two characters right over there and then you put some triangles over here and here and here and here and here so on and so forth but notice you can keep adding more and more you can essentially an infinite number of these bumps but you're never gonna go past this original point and the same thing is going to be true on this side right over here it's also going to be true on this side over here also good to be true the side over here also going to be true this side over there and they're also going to be true that side of there so even if you do this an infinite number of times this shape this coach snowflake will never have a larger area than this bounding hexagon or I would never have a larger area than a shape that looks something like that I'm just kind of drawing an arbitrary I wanna make it outside of the hexagon I could put a circle outside of it so this thing I do in blue or the hexagon I drew in magenta those clearly have a fixed area and is coach snowflake will always be bounded even though you can add these bumps an infinite number of times a bunch of really cool things you wanted the fractal you can keep zooming in and look the same the other thing infinite infinite perimeter and and and finite finite area that you might say it's ok this is a very abstract thing things like this don't actually exist in the real world and there's a fun thought of expert a fun thought experiment that people talk about in the front the world and that's finding the perimeter of England or you can actually do with any island and so England looks something like you know I'm not an expert on you know look something like that but first you might approximate the perimeter and measured this distance you might measure you might measure this distance plus this distance plus this distance put that distance was that distance the outlook it has a finite perimeter clearly has a finite area but here look look that's has a finite perimeter but that's not as good approximated little bit better than that instead of doing it that rough you to make a bunch of smaller lines to make a bunch of smaller lines you can hug the coast a little bit better you like okay that's a much better approximation but then let's say you're in some piece of Costa presume in if we zoom in enough zoom in enough the actual coastlines gonna look something like this the actual coastline will have all of these little Davidson it and essentially when you did that first when you did this past you were just measuring you were just measuring that you like that's not the perimeter of the coastline you have to do many many more side you have to do something like this you're going to have to do something like this to actually get the perimeter to actually get the perimeter of the coastline and it's like a now that is a good approximation for the perimeter but if your resume and on that part of coastline even more electric turned out that it won't look exactly like that it will actually come in and out like this maybe look something like that so instead of having these rough lines that just measure it like that you're going to go a little bit closer and hugs even tighter and you can really keep on doing that until you get to the actual atomic level so the actual coastline of of of a of a of an island or a continent training is actually somewhat kind of fractal ish and sometimes it is you can kind of thing is having an almost infinite perimeter obviously at some point of getting to kind of the atomic level so it won't quite be the same but it's kind of the same phenomena it's interesting thing to actually think about


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Lobster Buttermilk Loaf
|Unflavored gelatin
|1 Tablespoon (1 Envelope)
|Chicken bouillon
|1 Cup (16 tbs)
|3 Fluid Ounce (About 6 Tablespoon)
|Lemon juice/Mild vinegar
|2 Tablespoon
|Onion salt
|1⁄2 Teaspoon
|Red hot sauce
|1⁄8 Teaspoon
|Cooked diced lobster/Flaked and canned salmon/tuna
|6 Ounce
|Finely chopped celery
|1⁄2 Cup (8 tbs)
|Parsley sprigs
Sprinkle gelatin over bouillon in small saucepan.
Place over low heat, stirring until gelatin is dissolved.
Remove from heat, add buttermilk, lemon juice, salt and red hot sauce.
Chill until mixture is slightly thickened.
Fold in fish and celery.
Rinse a quart mold in water.
Pour in gelatin-fish mixture and chill 3-4 hours until firm.
Unmold on chilled plate and garnish with parsley sprigs.
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 434 Calories from Fat 62
% Daily Value*
Total Fat 7 g10.7%
Saturated Fat 1.3 g6.6%
Trans Fat 0 g
Cholesterol 160.3 mg53.4%
Sodium 1555.5 mg64.8%
Total Carbohydrates 22 g7.5%
Dietary Fiber 1.2 g4.6%
Sugars 5.6 g
Protein 68 g135.4%
Vitamin A 10.6% Vitamin C 38.3%
Calcium 15.2% Iron 18.6%
*Based on a 2000 Calorie diet


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- Get an egde! Dedicated CAOT-BC Managing Director and Service Coordinator will suport you in your practice in British Columbia.
Be Engaged
- Share your knowledge! Special Interest Groups (SIGs) provide opportunities for province-wide networking and resource sharing for occupational therapists through meetings, newsletters and information sharing. SIGs promote and facilitate continuing education through informal educational events or workshops and publications.
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A wide selection of products, great offers and more. THE CAOT STORE


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text:
Sometimes I've only got one word
A single word to ask myself
To you it might seem quite absurd
That I would talk to no one else
But I can't speak and I can't tell
One must seek to break my shell
I may be weak, but I wont sell
My smiling cheek can hide my hell
The only word I say is why
A mumble soft, a whispered tone
Why do I stay here as I die?
I ask only when I'm alone
But I can't speak and I can't know
I must seek to break the flow
When I'm weak, I still wont go
A smiling cheek, I'll always show
There is nothing for me here
Love and joy deprive my heart
My tears are dry but not my fear
What happened to our loving start?
But no one speaks and I can't see
The more I seek to break out, free
I'm too weak, you wont help me
My smiling cheek still pays this fee
© Copyright 2017 Sambelini. All rights reserved.
Status: Finished
Genre: Poetry
wow this is really good :) good job! results come out March 13 :D
I like this! even though it does mean some tough competition!
This was good! But you should have said what that word was. It might have made it better. I don't know! Don't listen to me! But besides that, I loved it! Great job! And good luck in the competition!
God bless!
Haha, thanks for the advice, but I did try to fit it in with the line, "The only word I say is why..."
Hmmm, I did notice that my formatting is off. It was supposed to be separated into stanzas. And maybe I should but 'quotations' aground 'why'...
Thanks for the comment anyway, it's good to know that you didn't pick up on the word because now I know I should make it a bit more obvious!
Book / Fantasy
Book / Fantasy
Book / Fantasy
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text:
IMAGES | X360, PS3 Tuesday, April 26, 2011 | 10:42 AM
L.A. Noire: The Vice Desk
All comments
Posted by droezelkeSomeone punched his lungs to the other side!
Oh my. That boxer in the second pic has boobs on his back. The question is: who did it?
Oh my. That boxer in the second pic has boobs on his back. The question is: who did it?
About the game
- L.A. Noire
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text: Simulating Major League Baseball Here is a neat application of simulation from this weekend's New York Times. The authors, a graduate student and professor at Cornell, simulated the entire history of Major League Baseball 10,000 times to see just how "mythic" Joe DiMaggio's 56-game hitting streak really is. They find that 56-game streaks are not at all unusual, and furthermore that Joe DiMaggio wasn't even the most likely to set the record! Read more about Simulating Major League Baseball


text:
Shredded Colby-Monterey Jack cheese can be used in place of the Mexican cheese blend.
Thawed frozen South-western-flavored chicken strips can be diced and substituted for the plain diced chicken.
To reduce the fat in this dish by about 18 grams, use nonfat sour cream and reduced-fat Cheddar cheese.
Dress up these enchiladas with diced tomato, sliced ripe olives and chopped cilantro.
Spanish rice from a can is an easy accompaniment.