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SailNet Community (http://www.sailnet.com/forums/)
- Pacific Northwest & Alaska (http://www.sailnet.com/forums/pacific-northwest-alaska/)
- - Importing kits (http://www.sailnet.com/forums/pacific-northwest-alaska/86611-importing-kits.html)
Importing kits
Hi, I'm thinking of possibly getting a kayak kit to build in my spare time and keep me out of mischief until the family move over later in the summer. I like the look of the pygmy kayaks but have little idea about the taxes I may incur by bringing it into Canada. I assume I'll be hit for gst and pst on top of the cost. Is this right and is there anything I can claim back? Would it be worth my while getting a po box in the US for something like this?
Re: Importing kits
Does the kit come from the US or are you bringing it with you?
Importing from the US you do get hit with taxes and brokerage fees, although if you ship UPS Expidited the brokerage fees are covered.. (costs about the same overall, but you get it in a few days instead of a few weeks)
Many people in BC do use Security Mail Services in Blaine.. then it's a trip back through Canadian customs with the package and that seems to be a bit hit-or-miss as to whether you'll be nailed for duties/taxes etc. We've been lucky in the past.
When do you get here? and where will you be living right away??
Re: Importing kits
Sorry, had trouble logging in last week...
Thanks for the tip - I've heard a lot of folk have post boxes in the US.
I'm arriving around the end of the month, probalby staying for a couple of days with a colleague-to-be and then heading up to Fort St John to start work. No point in hanging around Van as the family are having to stay behind for a couple of months. We're aiming to settle within striking distance of White Rock and Abbotsford though - south Langley looks promising at the mo.
Re: Importing kits
Faster - are you selling up? I assume it's yours that I've seen on craiglist?
Re: Importing kits
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Last weekend saw some members of the patient.info team showcasing both our MyHealth check and our 'mini' MyHealth quiz at the Healthy Living Expo, at the Ricoh Arena in Coventry.
Dr Sarah Jarvis also joined us at our exhibition stand, taking health questions from visitors and she also presented a special, fact-packed talk on 'Everything you wanted to know about health, but were afraid to ask', which debunked more than a few news headlines in one fell swoop.
Our stand featured a 'Top Gear' style leader board, displaying MyHealth scores of everyone who completed our full check as well as a giant illuminated smartphone, displaying our apps.
Other expo highlights for us were a few space-age 'Star Wars' visitors to our stand - including an exceptionally healthy Jawa (pictured below with a member of our team) who scored 'Optimum' health in our mini check, plus a very health-conscious stormtrooper!
Could you match the Jawa's score? Try our MyHealth quiz to find out!
Or see what MyHealth score you get now.

subset: commoncrawl


text:
Real Estate in Double Oak, TX
Double Oak is located in Texas. Double Oak, Texas has a population of 2,894. Double Oak is more family-centric than the surrounding county with 46.16% of the households containing married families with children. The county average for households married with children is 43.66%.
The median household income in Double Oak, Texas is $116,071. The median household income for the surrounding county is $72,939 compared to the national median of $53,046. The median age of people living in Double Oak is 41 years.
Double Oak Environment
The average high temperature in July is 96 degrees, with an average low temperature in January of 31.9 degrees. The average rainfall is approximately 29.3 inches per year, with 0.6 inches of snow per year.
Double Oak Map
Double Oak Real Estate offices
Sort by:
Real Living Real Estate Group
Real Estate near Double Oak
Nearby Cities
Double Oak Zip Codes
Nearby Cities Homes for Sale


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While one might think that now that marriage equality is law thanks to the Supreme Court ruling last week, there are still roadblocks being put up by those who don't agree. CNN's "Anderson Cooper 360" featured a report last night about a couple in Texas who is having problems obtaining what is now legally theirs […]
Can't Stop Watching: 'Preachers of L.A.' Star Haddon On Same-Sex Marriage: 'God Gives Free Will'
By: Aisha I. Jefferson on November 20, 2013 in Black Entertainment, Can't Stop Watching, LGBT, Preachers of LA
Love it or hate it, "Preachers of L.A." definitely has people talking. The freshman reality series premiered last month on Oxygen to mixed reviews with some people praising it and others like Bishop T.D. Jakes rebuking it.


text:
A railway vacation to remember
June 11, 2015 Last week, son Tim and I visited our long-time friends, Sally and Dick. While the couple provided the coffee, Tim and I supplied the donuts, the ideal combination for a morning of catching up. more »»
So What Happened at 44 East Main Street?
June 11, 2015 By Marybelle Beigh Westfield Historian Trying to track down names of local businesses and proprietors, as well as when and where they were located is a lot harder than one might suspect. more »»
Moseyin' Along
June 4, 2015 Among the many important tools in a writer's toolbox, none is more vital than curiosity. more »»
Moseyin' Along
May 29, 2015 I have a great respect for the folks who predict and report our weather. The National Weather Service and the local forecasters work together to keep us posted on what's coming our way. more »»
Moseyin' Along
May 21, 2015 Remember those stress-free days when we were six or seven? We would sprawl out on the living room floor or curl up on our bed with a fresh coloring book and a box of sharpened Crayola crayon. more »»
Big trash collection and large metal pickup scheduled for Brocton
May 21, 2015 By Ann Belcher firstname.lastname@example.com BROCTON — A rough winter and optimal spring weather conditions have made for a busy start to brush clean up in the village of Brocton. more »»
Busy students overwhelm Westfield/Mayville Rotarians every month
May 21, 2015 It's not unusual after four high school Scholars of the Month have been introduced to hear Westfield/Mayville Rotarians say to each other, "When do they have time to sleep?" That's because each –... more »»
Ripley may qualify for "Backpack" program
May 21, 2015 By David Prenatt editorial@westfieldrepublican. more »»
Westfield Republican committee seeks candidates
May 21, 2015 The Westfield Republican Committee is seeking candidates for Town Justice. This is a 4-year position which will come up for election on November 3, 2015. more »»
DAR holds meeting for month of May
May 21, 2015 The McClurg Mansion is Westfield, NY was the location of the May meeting of the Benjamin Prescott Chapter of the National Society of the Daughters of the American Revolution. more »»
Hoppy to be here— Cornell to host Lake Erie Hops conference
May 21, 2015 By Tim Weigle Cornell Cooperative Extension Chautauqua County's Lake Erie Regional Grape Program is excited to announce that the farm brewery legislation recently passed in New York State, this has... more »»
Community Events
May 21, 2015 To get your group's event listed in Community Events, send an email to editorial@ westfieldrepublican.com or visit our Virtual Newsroom at www.westfieldrepublican.com. The deadline is 5 p.m. more »»
Address signs available to Brocton and Portland residents
May 21, 2015 By Ann Belcher editorial@westfieldrepublican. more »»
I-86 Rest area manager and volunteers honored
May 21, 2015 The Chautauqua County Visitors Bureau commemorated the 10th Anniversary of the opening of the I-86 Rest Area Visitor and Information Center with a luncheon for volunteers at the Athenaeum Hotel at... more »»
Ripley eliminates Highway Supervisor as elected position
May 21, 2015 By David Prenatt editorial@westfieldrepublican. more »»
Moseyin' Along
May 14, 2015 Through the years, I've come to realize that I'm hopelessly out of step with the latest in fashion. more »»
News, Blogs & Events Web


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|Bryan Pendleton <bpendle...@amberpoint.com>
|Re: Looking for a clue or a theory
|Tue, 17 Feb 2009 01:59:39 GMT
> For what it's worth, the old Cloudscape source does include the method > in the equivalent class. I tried to check whether it was dropped > during contribution or sometime later by browsing the svn index > (http://svn.apache.org/viewvc/db/derby/) but the svn server is down > for scheduled maintenance (I must've missed an announcement). Thanks Myrna, this is quite interesting. Infrastructure reports that the svn server is down due to two simultaneous disk failures, and may be down for a little while still. When it returns, I'll look through the svn history and see if I can learn anything. In the meantime, I filed DERBY-4062 to track this. thanks, bryan
|View raw message


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Shrimp Newburg
|Frozen patty shells
|Canned condensed cream of shrimp soup
|21 Ounce (2 Cans, 10.5 Ounce Each)
|1⁄2 Cup (8 tbs)
|Cooked shrimp
|2 Cup (32 tbs)
|Frozen peas
|5 Ounce (1/2 Package)
|Dry sherry
|1⁄4 Cup (4 tbs)
|Sharp cheddar cheese
|4 Ounce, shredded (1 Cup)
Bake patty shells according to package directions.
Combine soup and milk; heat.
Add shrimp and the frozen peas and heat, stirring, till just simmering.
Cook slowly, about 5 minutes.
Stir in the sherry and half the cheese. (Sprinkle remaining cheese in baked patty shells.)
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 2845 Calories from Fat 1425
% Daily Value*
Total Fat 163 g251.5%
Saturated Fat 66.3 g331.3%
Trans Fat 0 g
Cholesterol 676.7 mg225.6%
Sodium 6969.9 mg290.4%
Total Carbohydrates 206 g68.8%
Dietary Fiber 7.6 g30.3%
Sugars 13 g
Protein 126 g252.9%
Vitamin A 110.4% Vitamin C 51.3%
Calcium 113.6% Iron 67.3%
*Based on a 2000 Calorie diet


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On November 18, 2013, New York State joined forces with the U.S. Department of Labor in an information-sharing program that will enhance inter-agency enforcement of worker misclassification. The New York State Attorney General and Department of Labor signed partnership agreements, or memorandums of understanding, with the U.S. Department of Labor, agreeing to exchange information and coordinate enforcement efforts against companies that misclassify employees as independent contractors. The agreements state that the agencies will refer cases to one another; coordinate investigations and enforcement activities; exchange investigation leads, complaints, and referrals; notify one another about commencement of hearings, litigation, or other legal proceedings; exchange information about settlements and other case dispositions; and exchange confidential unemployment compensation information. With the signing of the partnership agreements, New York joins 14 other states that have already entered into similar agreements with the U.S. Department of Labor since September 2011, when the federal agency launched its "Misclassification Initiative."
New York's partnership with the U.S. Department of Labor is only the latest in a growing trend toward data sharing efforts that raise the stakes for employers in worker-classification cases. In May 2013, the chief of the IRS Employment Tax Policy Section reported at an American Bar Association meeting that the IRS will be ramping up its pursuit of worker classification cases through its Questionable Employment Tax Practices (QETP) initiative. The QETP program was formed in November 2007 as a nationwide collaborative between the IRS and state workforce agencies to identify employment tax schemes and illegal practices. To date, the IRS and 37 states have entered into memoranda of understanding to facilitate cooperation and information sharing. The IRS has also reported that a reinvigorated QETP initiative will kick off with an increase in worker-classification audits in the first quarter of 2014.
Numerous states have formed task forces over the last few years that are focused on independent contractor relationships. For example, the New York Joint Enforcement Task Force, which consists of the Department of Labor, the Workers' Compensation Board, the Fraud Inspector General, the Department of Taxation and Finance, the Attorney General, and the Comptroller of the City of New York, recently released its 2013 task force report detailing its initiatives and enforcement actions over the last year. The report indicates that, since its inception six years ago, the task force has identified over 88,700 misclassified workers and $1.4 billion in unreported wages. Other states such as Massachusetts, Connecticut, New Hampshire, Maryland, and Michigan have similar task forces.
The risks associated with incorrectly classifying employees as independent contractors continue to grow. Any company whose classifications of employees as independent contractors is under investigation by one federal or state agency is more likely than ever to find the classification examined by another agency and subject to penalties under multiple federal and state laws.
Employers accused of misclassifying employees as independent contractors face various risks: federal and state criminal charges, criminal and civil penalties, and liability for unpaid taxes. Given these risks, it is more critical than ever to ensure workers are properly classified as independent contractors.
See more »
DISCLAIMER: Because of the generality of this update, the information provided herein may not be applicable in all situations and should not be acted upon without specific legal advice based on particular situations.
© Hodgson Russ LLP
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The Horse Forum (http://www.horseforum.com/forumindex.php)
- Horse Trailers (/horse-trailers/)
- - I found a use for English saddle racks ;) (http://www.horseforum.com/horse-trailers/i-found-use-english-saddle-racks-190505/)
I found a use for English saddle racks ;)
When used backwards in the trailer, western saddles ride great! http://i1325.photobucket.com/albums/...ps75be536f.jpg
We have 3 racks up now, that was just a fitting trial. We drop a piece of rubber hose over the horns and it works vey well.
Posted via Mobile Device
I'm not seeing how they are backwards?
The saddle racks aren't backwards. The saddles are.
Posted via Mobile Device
thats what I dont get, the saddle is on the rack the correct way round?
the pommel of an English saddle (front of it) should be against the wall
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Stay connected to Cal—renew or upgrade your annual membership online.
Learn more and get involved in the coalition of thousands of Cal alumni, students, staff, faculty, and parents advocating for the University of California.
Travel the world with Cal Discoveries. Explore tours by region and by season.
In the heart of the UC Berkeley campus, Alumni House is an unexpected oasis of tranquility, a perfect and versatile place for events of all sizes—from tailgates to conferences, seminars, and weddings.
The Lair invites you to join in the Family Camp fun. As always, you don't have to be a Cal alum to camp at the Lair. Register before February 28.


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| Clip Of Congressional Reaction to BP Oil Spill Settlement This clip, title, and description were not created by C-SPAN.
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text:
Part one of a two-part interview:
Jane Alberdeston Coralin is a Puerto Rican poet whose work has been published in literary magazines and poetry anthologies throughout the U.S. and Canada. An alumna of Cave Canem, a writers' organization for poets of African descent, Jane has performed her work in arts events and mentored writer's workshops in schools throughout the East Coast. Her poetry collections, Waters of My Thirst and The AfroTaina Dreams, are still in circulation. She is currently working on a poetry manuscript called Songs of a Daughter's Make Believe. She just completed her doctoral studies in English at Binghamton University in New York.
My blessing in knowing her is I have come in contact with poetry of heartbreaking beauty, but in addition, she is another co-author of Sister Chicas. Her Taina is self aware, whip smart and a deep dreamer, just like Jane herself.
Describe your odyssey in becoming a writer. How does Latin and female identity influence your work? What would you say are your major influences, both personally and in a literary sense?
It's wonderful how you begin with the word "odyssey"; most of the time it's felt like I've been on Discovery Channel's Deadliest Catch crab boat, rolling on the waves wishing for a full net. It's a type of wishing that happens with me too, a wishing for what I think is the right word, the best image, the loud line that will carry the story forward.
I am the cliche: the writer that started way-back, fourteen and pimply and unpopular. I had one friend, also a closet writer. We started writing Harlequinesque romances together. Lots of boys and horses. Only later, at eighteen, depressed and lonely in Long Island, far away from my mami and her Puerto Rico, did I learn to write truly, as in about my life, the things I understood and knew. And I could only get to that point through the vehicle of poetry. But I was a language novice; though I viscerally understood poetry's power, I hadn't yet grasped all the tools, the glorious avenues that poetry drives.
So, again, I floated on the waters, 'til I arrived in Washington DC and was warmly welcomed by the poetry community. I started reading at a dive called 15 Minutes on 15th Street NW DC. A long Amtrak train ride waited me at the end of that night, but I knew it was the only way I could get to know people and kill the shy girl within. Monday nights I was there, sipping back Sprites with lime, scratching through wrinkled sheets of poem, waiting to be called on stage. Later, I found my community at It's Your Mug, a poetry cafe in Georgetown on P Street NW in the '90s. Imagine a room so filled with people it was warm in the winter, as if a hearth were burning in the corner. But there was no fire except for the flames coming out of some of the most political and dramatic poetry in the city. And the poets got me — they got my images, they got my song — they appreciated my life living on the fence, on the cusp of self: Americanness, blackness and Puerto Ricanness. I didn't see myself as a prism, but as a broken thing.
This was my new story to tell; not because it was hip or cool in 1995 to be Latina in DC. This was my story to tell because I'd come to a point where my Latinaness and Blackness were speaking to each other. Narratives in my family long buried were suddenly crawling their way up and out of me. I heard my grandmother in Julia de Burgos's "Rio Grande de Loiza." Poems from Martin Espada, Marjorie Agosin, Judith Ortiz Cofer, and others were guides for me to move into the cave where the stories hide.
You were an established poet for quite a while before you started writing fiction. Is the creative process different for you when you work in different genres? How so?
Oh, I was always a fiction writer; I think I stored the fiction away for awhile, boxed it up in cardboard boxes. I was afraid. Fear's so powerful, it struck me down for awhile. The poems were easier to admit were mine. Even that took years. It took a very long time to say I was a writer, so your question throws me off the fence a bit. I kept poetry and fiction in very different camps: poetry to the far left, fiction over the hill and through the woods. I couldn't imagine their sharing space in my head at the same time. That would have meant I had grown as a writer! We can't have any of that.
Talking about fear, it was excruciating for me to imagine people would care about what I had to say. Shy for most of my life, I used poetry as the vehicle to talk. The poem would say everything I needed it to say and it would also silence what needed silencing. It's still very difficult for me to speak up, to say what I want, what I don't want or feel comfortable with. It's a constant battle for me: performing poetry became a stage where I could practice being heard. When I read a poem (mine or another's), I am amazed by how I feel as if the woman talking were from Mars or Pluto, blue with ice. So, if by established, you mean comfortable, I'd have to say NO. I'm never comfortable. But I'm still working – there's so much I still need to learn and try. I'm always oscillating between jumping off the cliff and never writing again or loving the process so much I'd marry it, as my 11 year old nephew would say.
Part of what keeps me going is the challenge: I become so enamoured of other writers' works: Edwige Danticat, Lucille Clifton, ZZ Packer, Zora Neal Hurston, my fellow artists and friends. Right now I am reading Kiran Desai and it was enough to strike me dumb for a bit. I couldn't think of creating for a couple of weeks. And then… something, as usual, popped in my head, deep in it, like a blooming cereus in the desert night. And then all was/is well. I feel/felt right with the world. Stumbling this practiced way is the only way I have of staying in love with process, thickening with it.
What's coming down the pike? For the past three or so years, I've worked to meld poetry and fiction, to blur the lines. I believe muddling the genres can help you strengthen the muscles for both. For example, in my own work, my dialogue in fiction stopped being stale and my poem-spaces have grown. I tell my students to listen in elevators, on the street, in restaurants. People don't know the way they speak is poetry. I use this exercise myself, fixing my ears to this magic has helped me hone in on my own work and shape it. I listen more to people, especially children. Their sounds and word choices, image constructions are so musical and poem-perfect. Children carry in their little mouths the very best metaphors. They have an intricate relationship with the power of image. They aren't held back by what keeps us, even writers, from say what needs to be said. They aren't full of the flowery language, yet they are such glorious gardens.
What would you describe as your major themes?
Do you have enough room? My poems explored my race and nationality; they interrogated my father and his abandoning my family; they looked at migration and the grasp of one's culture over assimilation. In one of the poems I sent you, "Smoke," I was dealing with the idea of my father's depression, something I had never in my youth or early adulthood even thought to explore. But being able to look back with twenty-thirty sight, I can deconstruct my memories, see my father staring out a lot, having several afternoon drinks till he fell to sleep at night, bark at us though we'd done nothing to inspire ire. His beer-thick fog of unhappiness started to speak up, some fifteen years after he'd left us. It started to speak up in poems, interrupt rooms of poems, move through my writing like a bull in a porcelain shop. I could not ignore its chatter, its rumble. It's this way with most of my work, the stories too. Characters (whether in a stanza or paragraph) just won't leave me alone. The only way I have of shaking them off my back is to pay attention. Close. Jot down what the monsters say when they say it. Then I'm free. Somewhat.
Right now I'm interested in discussing womanist themes and spirituality. The women's voices tapping on my head like clockwork hammers come from the abused, stolen, disregarded. The spiritual element comes from our response, the way we use our stories to protect each other, to protect our children. I've been exploring this in my critical studies, but like everything in my life, the academic has arced into my creative work. And that has awoken memories of my Abuelita's storytelling. Or maybe the stories are the reason behind my academic studies? We all have "talking" memories; if not from an Abuela, then an Abuelo, or a Tia or Uncle or a Madrina sitting the kitchen, the porch, the stoop, or garden. Have you read Judith Ortiz Cofer's memoir Silent Dancing? When I read it, I was convinced she was talking about my Abuela Juanita. I could have leaned in and touched my own grandmother between those pages. I don't have many pictures in my head from when I was young. I wish I'd listen more, listened closer. A lot of what's inside my throbbing cerebrum is part photo-memory, adopted copies of those yellowing Kodak snapshots. One is clear: I was twelve and on my first period and it was my grandmother, sitting queen-like in the dining room, telling me how to stay away from boys. All that story wrapped up in her own carefully detailed narrative and the threads of a Bible story, full of suspense and worry, a story to scare the adventure out of a girl. I can see her now, her honey-glow skin, gold rimmed glasses, a black woman with a roman nose – the only thing she had left of her mother who died roasting coffee beans in a ramshackle house in Anasco, Puerto Rico.
Though for the past two years I fought against the confessional or personal narrative in my poems and looked at the universal, I have learned from the literary great Audre Lorde that those dichotomies come together beautifully in the end. I don't fight the onslaught anymore. And there is an onslaught: I have the good fortune to have my mother with me; she, the last repository of all the lost tales, and I are working to piece my grandparents' stories together. Why? I want my nephew to have this history, a history which has been part of my construction and is part of his.
Is there a particular spiritual practice that informs your work? If so, can your share its importance?
I don't generally speak about my spiritual choices, but I will say that my writing is a spiritual process. Years ago, in Mexico City, I became friends with a devotee of a Hindu guru named Satya Sai Baba. My friend made annual pilgrimages to Calcutta and then returned from her retreats full of stories. Her eyes would glass over as she talked about lingams and divine ash and the Ganges sitting behind her in the sun like a forever ribbon of silvery skin. Her breath even smelled of incense, her hands at her heart as she spoke. She was contagious. I could not go to India but I had India in her. And felt God in that exchange. This is to say that I do my best to find God in everything and that I attempt to take, not only into my work, but into my everyday.
It's not so easy; I fail often, so I meditate. I have always been struck by how the creative experience is so closely related to meditation. If I am doing it right and am immersed soulfully in the act of creating, whether it be a drawing, a poem, or a story, I lose the busy, noisy, encumbered world around me. It is as if the walls fall away. And yet, I also become full of the world: the world that suffers, that is joyous, that breathes and dies. I feel open to energies not readily available in the hustle of a normal day. I am raw and vulnerable, but not vulnerable to danger, but open to love, immeasurable. I struggle to maintain that level of "meditation" when I write, even when I am uninspired. Inspiration is everywhere. I remind my students of this, while reminding myself.
I feel most animal when I write or draw. It is not art at that moment, not full of the pretense and arrogance that divides the creation from the world. In that moment, there's something metal in my mouth and I am full of air, as if I were a helium balloon. That is the texture of the experience. It is harder to explain the emotion behind it. Can I say I feel connected to the Divine?Powered by Sidelines


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Listing information
- Stories: 0
- Lot Area: 0.26
- County: Mason
- Style: Lot/Land
- New Construction: No
- Lot Size: 87 x 130
- School District: Mason Cnty Eastern
- Status: Active
- Foreclosure: No
- Estimated Annual Taxes: $67
- Subdivision: O55 - Custer Branch Eden Logan
Assoc. Amenities Beach Area, Clubhouse, Pets Allowed
Assoc. Fee Incl. Lawn/Yard Care
Auction or For Sale For Sale
Lot Description Buildable, Corner, Level, Wooded
Mineral Rights Unknown
Other Lot Square Footage - 11310.00, Road Frontage - 87.00, Waterfront Options: Water Frontage - 0.00
Property Sub-Type Lot
Sale Conditions None
Street Type Paved, Public
Terms Available Cash/Conventional
Util Avail at Street Cable, Telephone
Utilities Attached None
Water Fea. Amenities All Sports, Assoc Access, Deeded Access
Water Type Lake
Waterfront Options: Body of Water Long Lake
Waterfront Options: Water Access Y/N Yes
Waterfront Options: Waterfront Y/N No
Listing Courtesy of Mark Allen Patterson of Re/Max West


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Frank Lloyd Wright Quotes About EarthQuotes about: Earth
Age Architecture Arrogance Art Beauty Character Country Culture Democracy Design Earth Environment Eyes Finding Yourself Funny Gardens Giving Hate Heart Hills Home House Humility Imagination Inspiration Inspirational Life Mistakes Motivational Nature Painting Past Prisons Quality Reality Simplicity Soul Success Today Virtue Youth
Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.
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Frank Lloyd Wright
- Born: June 8, 1867
- Died: April 9, 1959
- Occupation: Architect
- Cite this Page: Citation


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Eagle FishThese inexpensive easy to trailer models offer more comfort and features than any traditional small fishing boat. The bow fish model is available in 14' - 18' models and offers great seating along with 2 bow fishing chairs!
GS CruiseAvalon GS cruise has the traditional design & interior layout that has been the most popular for years. Two large front benches, and curved rear bench for maximum seating for easy conversation , and a sundeck to lay out on.
LS QUAD LOUNGEThe 8' wide Luxury compact LS Quad lounge has 2 front and 2 rear facing full length sun lounge benches with a large open floorplan. The Retro looks of the Cadet drivers stand provides a fun driving experience.
LSZ ENTERTAINERThe LSZ Entertainer is a beautiful day on the lake boat. Have a great lunch on the Large bar table with corian style top, 3 bar stools, and cup holders.
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PARADISE FUNSHIPThe Deco Series Paradise Funship is loaded with features like a slide with water pump, a double-wide lounge, a storage center with speakers, and remote stereo controls. Your own waterpark on the water!
CATALINA REAR LOUNGERThe versatile Rear lounge Catalina offers 2 extra wide rear facing sun lounge benches with large storage areas along with a side bench and bow benches is a very popular all around model.
EAGLE CRB/QLThe 7' wide Luxury compact Eagle Cruise models offer the luxurious design and rigid structure you expect from an Avalon deco inspired mode with Bow benches and a dual use rear bench that offers interior and exterior seating.
CATALINA PLATINUM ENTERTAINERNow everyone can enjoy a day of sliding, skiing, sunbathing, and cruising with the most affordable waterpark model anywhere.
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House of Marley Bag of Riddim Bluetooth Portable Audio System
- Dual 4.5" Woofers
- Dual 1" Tweeters
- 5mm Auxiliary Input
- USB Port for Charging External Devices
- AC Power or 6 D-Cell Batteries
- REWIND Fabric Bag
Looks awesome, sounds awesome. CCBCC approved.
The Bag Of Riddim Bluetooth Portable Audio System from House of Marley is designed for playing back audio from Bluetooth wireless and wired portable devices. It features dual 4.5-inch woofers as well as dual 1-inch tweeters. The Bag of Riddim has a 3.5mm auxiliary input for connecting wired devices. You can charge your devices via the Bag of Riddim's USB port, while the system itself is powered by either AC power or 6 D batteries. The bag is made from House of Marley's REWIND material, a blend of organic cotton, hemp, and recycled plastics.
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Urban Power USA Inc.
Urban Power USA, Inc.
is joining the ranks of new green energy sustainable companies.
We design and build a new type of renewable energy device.
This device is exceptionally versatile and can be placed in virtually any environment with three year or less payback. This new technology out performs both solar and wind power.
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Urban Power USA Inc. is committed to promoting low cost environmentally friendly renewable generated electricity to all people.
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Making a difference is a core value of Urban Power USA Inc. and we have pledged supporting sustainable business practices to achieve this difference.
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Long-Lost Spanish Fort Found in St. Augustine
Published: July 27, 1993
(Page 2 of 2)
When Menendez reached St. Augustine in 1565, his immediate orders were to destroy Fort Caroline, a French settlement near present-day Jacksonville that had been started three years before as a challenge to Spanish designs. After he made an inconsequential raid on the fort, the French fleet appeared off St. Augustine to retaliate, but was swept away by a storm and dashed on the shores of what today are Daytona Beach and Cape Canaveral. Menendez wiped out the survivors.
With the French out of the way, the only obstacle to the Spanish colony would be the Seloy tribe of the Timucuan nation. At first, relations were amicable. The Seloy chief let the Spanish use his long house, a large oval or circular structure with thatch roof that could accommodate up to 300 people.
The Spanish proceeded to fortify the long house, called a bujio, digging a moat around it, throwing up a breastwork of earth and erecting a wooden palisade. In seven months the Indians turned on the Spanish and burned the long-house fort. The fort was rebuilt, and when a relief fleet arrived in the summer of 1566, a more substantial triangular fort was constructed on or near the site of the original fort. That, too, was destroyed, in a troop mutiny in 1570.
It was then that the settlement was moved less than a mile south to the present site of downtown St. Augustine. Other forts were built in the vicinity. For a time, when what was then called La Florida, the Flowery Land, stretched north from the Keys all the way to Newfoundland, in name if not actual control, St. Augustine could claim to be the capital of much of what is now the Eastern United States.
Dr. Deagan, who has excavated failed Columbus settlements in Haiti and the Dominican Republic, had been picking up clues to the Menendez fort since 1976. She found ceramics and other artifacts of a Timucuan village at the site. Then Menendez-era Spanish artifacts started showing up. Six years ago, she came upon a section of what turned out to be the moat, but did not follow up with more intensive excavations until this summer. No Ordinary Ditch
Dr. Albert Manucy, a retired historian for the National Parks Service who is writing a book about 16th-century St. Augustine, cautioned that until more of the palisade could be uncovered, it was premature to conclude that this was indeed the fort at the first permanent Spanish colony in La Florida.
In her defense, Dr. Deagan said: "We think this is the first Menendez fort because it was burned at a high temperature and it's located adjacent to the original settlement. Only two of the early forts were burned, the first one and another one built in 1586 and destroyed by English raiders under Sir Francis Drake. And the 1586 fort had no moat."
Dr. Deagan said she is also sure that what she describes as a moat was no ordinary drainage ditch. Its dimensions, she pointed out, are almost identical to those of the moat at a fort at Santa Elena in South Carolina. This was another Menendez project.
Although the St. Augustine colony managed to survive, it never prospered. Menendez's ambitions for wealth from an agricultural empire were not fulfilled, largely because European grains fared poorly in the sandy soil. In other studies, archeologists have found evidence showing that of necessity, the Spanish colonists adapted quickly to the diet and food-preparation technologies of the Indians.
Menendez eventually returned to Spain. In 1574, he died of natural causes at the age of 55, while organizing an armada to clear the coast of Flanders of pirates.
That anything survives of his first settlement and fort -- of the Spanish Plymouth Rock -- is "almost incredible," Dr. Deagan said, since waterfront property in Florida has usually been dug up and developed beyond recovery of its past. In this case, though, the forces of tourism, often the enemy of archeology, were its savior. The site had long been protected from development because the La Leche shrine was popular with Catholic tourists and the Fountain of Youth Park has been a tourist attraction for nearly a century.
The irony is that the park, hence the Menendez site, was being protected on the basis of a flawed interpretation of history. More recent research shows that Ponce de Leon apparently never made it to St. Augustine in search of those rejuvenating waters. It was Pedro Menendez who left the first Spanish imprint there, traces of which are now emerging in the archeological record.
Photo: A barrel from a well was found at the site of what archeologists believe was the earliest permanent settlement in this country, established in St. Augustine, Fla., in 1565. The site, sought by historians for 60 years, is slightly to the north of a 17th-century fort that still stands. (Dr. Kathleen A. Deagan) (pg.C8) Diagrams: "A Spanish 'Plymouth Rock' " With the recent discovery in St. Augustine, Fla., of traces of Spanish fortifications, scientists are confident they have pinpointed the exact site of the oldest permanent European settlement in North America. It was here that Pedro Menendez de Aviles landed in 1565 with 1,500 Spanish soldiers and settlers. They soon destroyed a French fort at Jacksonville. "About Menendez's Forts" Menendez built several forts; the first modified an Indian structure. Then came a triangular fort and one that may have resembled his fort on present-day Parris Island, S.C. (Sources: Dr. Albert Menucy (Great House reconstruction); Dr. Kathleen Deagan, Florida Museum of Natural History.) (pg. C1)


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Washington, D.C. – It took over 114 minutes, 49 shots, more than a dozen stitches and a hell of a lot of heart, but the Rangers did it.
Struggling sniper Marian Gaborik snapped a nagging slump in the most poignant way possible, tallying the game-winner in triple overtime to give the Rangers a 2-1 win in Wednesday's marathon session that didn't end until after midnight.
The stunning victory, which ended the Rangers' seven-game overtime playoff losing streak, tilted the series 2-1 while affirming one axiom that has been true to the Black-and-Blueshirts all season long:
This team has guts.
Read more about the Rangers' gutsy, heroic effort here.


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Opening Gala
You're invited!
Denver's art patron event of the season
Buy Tickets
NOTE: GALA TICKET SALES CLOSE 8:00 a.m. Tuesday, June 28, 2016.
Friday, July 1, 2016
5:00pm – 7:00pm Artist Preview and Purchase private reception on Clayton St. between 2nd and 3rd Ave.
7:00pm – 9:00pm Gala Dinner and Program at JW Marriott Denver Cherry Creek
7:00pm—10:00pm Artist Preview on Clayton St between 2nd and 3rd Ave. – FREE PUBLIC EVENT
The Opening Gala benefits the CherryArts 501(c)(3) non-profit mission of providing access to the arts and supporting education. The evening is a fabulous art preview and buying reception topped-off with a stunning culinary experience and dinner program.
2016 Distinguished Patron
Mary Louise Lee, First Lady of Denver
The Arts Festival annually honors passionate and dedicated contributors to Denver's art community, art experiences and art education at the Opening Gala. The Arts Festival also expresses gratitude for contributions that directly support the Cherry Creek Arts Festival and its mission.
5:00 p.m. – 7:00 p.m. Artist Preview Reception: Outdoors on Cherry Creek North's Clayton Street, between 2nd and 3rd Avenues. Guests start their evening with a private reception featuring hors d'oeuvres, complimentary spirited beverages and an exclusive preview and purchase opportunity with 28 select CCAF juried visual artists.
7:00 p.m. – 9:00 p.m. JW Marriott Denver's Grand Ballroom: A truly grand gourmet culinary experience prepared by the JW's Executive Chef paired with select wines. The dinner program includes the "Distinguished Patron" Honoree and special programming and performance art.
7:00 p.m. – 10:00 p.m. Artist Preview Event – FREE PUBLIC EVENT: The Opening Night evening continues on Clayton Street between 2nd and 3rd Avenues in Cherry Creek North. This is an incredible evening opportunity to get a "sneak peek" at 28 of the 260 juried visual artists exhibiting at the Cherry Creek Arts Festival. The rest of the festival site opens the next morning, Saturday, July 2 and continues Sunday, July 3 and Monday, July 4.
ATTIRE: Business / Dressy Casual, Cocktail Fabulous (no formal attire)
1) Corporate Tables of 10: $2,100
2) Individuals: $225
All gala attendees receive:
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- Opening Gala July 1: free parking, exclusive Artist Preview reception, gourmet plated and seated dinner program at the JW Marriott.
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- Complimentary admission, Artist Awards Reception
- Complimentary Valet Parking at the Cherry Creek Shopping Center, each day of the festival (Gala has separate free parking)
- Complimentary CCAF Commemorative Limited Edition Poster, signed and numbered by the artist. Framing available through Official Framer, Frame de Art
- 1-year subscription to Colorado Homes & Lifestyles Magazine
STRONGLY ENCOURAGED: Please arrive at the Opening Gala Artist Preview Reception promptly at 5:00pm to take full advantage of your exclusive art preview and purchasing experience.
PARKING: Complimentary parking for the Gala night is available from 5:00p.m. – 10:00p.m. at the Clayton Lane Parking Garage at 2nd and Columbine. Gala Patrons and VIPs enjoy complimentary Valet Parking during the Arts Festival weekend at the Cherry Creek Shopping Center entrance on 1st Avenue.
The Opening Gala benefits the CherryArts 501(c)(3) non-profit mission of providing access to the arts and supporting education, which include the "Janus Mobile Art Gallery", "Janus Student Art Buying Program", and "Arts in Action." Contributions in excess of $55 per reservation are fully tax deductible.
FOLLOW us at Facebook.com/CherryArts, Instagram.com/CherryArts, Twitter.com/CherryArts and share art experiences with the hashtag #CherryArts
Congratulations to the selected artists:
|Blaies, Pamela
|Bogucki, Bozenna and Lukasz
|Brem, Jerry
|Buchanan, Ashley
|Charney, Anna
|Mixed Media
|Chunhaswasdikul, Paveen 'Beer'
|Estrada, Matt
|Fasani, Ruben
|Finelli, Melissa
|Floyd, James
|Mixed Media
|Gandolfo, Steven
|Gates, Robin
|Haruta, Chia
|Holloway, Barbara
|Kidd, William
|Kvande, Ryan
|LaGrave, Dawn
|Digital Art
|Leibrant, Vernon and Karen
|Lemke, William
|Leonoff, Nick
|Marshall, Kelly
|McCurdy, Jennifer
|McKee, Michael
|O'Brien, Randy
|Richards, Ella
|Mixed Media
|Ross, Kathy
|Mixed Media
|Taylor, Tres
|Mixed Media
|Whipple, John
|Whipple, Lynn
|Mixed Media
|Yang, Genevieve


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Where (1) the Superior Court found that the defendant was improperly removed from her position and ordered the plaintiff to restore the defendant's prior employment retroactive to August 2008 and pay all back pay and benefits from the date of restoration forward, and (2) the plaintiff restored the defendant's prior employment and filed a legally valid appeal of the decision that is presently pending in the Appeals Court, the defendant's complaint for civil contempt must be dismissed, as the plaintiff's obligation to pay all back pay and benefits to the defendant is stayed pending the appeal.Read More »
Real property – Stormwater runoff
Where the plaintiff alleges that the defendant city of Worcester has been unlawfully discharging stormwater runoff onto his property, which has resulted in a deep gorge and negatively impacted the property's hydrology, the insufficiency of the plaintiff's allegations means that the city is entitled to summary judgment on the plaintiff's private nuisance, trespass and negligence claims.Read More »
Prisons – Library
Where the plaintiff inmate claims that he was denied library services when a copy of correspondence he intended to send to his wife's probate attorney did not fit within the defined parameters for free photocopying, the plaintiff has not demonstrated that the superintendent abused his discretion or violated 103 CMR 478 in developing and implementing the policies in question.Read More »
Prisons – Alcohol policy
Where the plaintiff inmates contest the legality of the prison superintendent's actions in imposing sanctions and restitution for violations of the prison's alcohol policy, each of the plaintiffs' claims fail.Read More »
Insurance – Reformation – G.L.c. 93A
Where the defendant insurance company moves to dismiss the plaintiff's claims of breach of contract, reformation of contract and violations of G.L.c. 93A, all three counts must be dismissed for failure to state a claim.Read More »
Evidence – Work product – Statement to insurer
Where a plaintiff pedestrian who was struck by the defendant's vehicle has requested discovery of a statement the defendant gave to her insurer within 12 days of the accident, the discovery request should be denied on work product grounds.
Tagged with: Work productRead More »
Civil practice – Trustee process – Lottery
Where the plaintiff insurance company, having obtained a $3.8 million judgment against a defendant, now seeks to attach the future proceeds of a $1 million lottery prize won by the defendant, a motion to dismiss filed by the Massachusetts State Lottery Commission as trustee process defendant must be denied given an implied waiver of sovereign immunity.
Tagged with: Lottery Trustee processRead More »
Evidence – Privilege – Doctor – Social workers
Where a defendant has requested production of records by a doctor and two social workers, the plaintiff's motion to quash the defendant's subpoena must be denied given that the plaintiff has made her mental condition an element of her claims.Read More »
Judge upholds non-compete clause
A Superior Court judge has held that a non-compete, non-solicitation clause barred three private-jet charter flight salesmen from soliciting customers from their previous employer.Read More »
Real property – Stormwater runoff – Trespass
Where a plaintiff has alleged that the commonwealth of Massachusetts and the city of Worcester have been unlawfully discharging stormwater runoff onto his property, a motion by the commonwealth for summary judgment should be denied given the non-speculative nature of the plaintiff's allegations.
Tagged with: TrespassRead More »


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Showing Results: Most Recent
This review is from: D-Link Xtreme Gigabit Router (DIR-655) Wireless N300, USB SharePort, Gigabit
Pros: Straight forward setup. Inexpensive for the feature set.
Cons: None
Other Thoughts: I purchased two of these for clientss that needed a small wired/wireless network. Both units are still working perfectly after 1 1/2 years. Neither unit has ever required a reboot since installation.READ FULL REVIEW
This review is from: Rosewill RX-358 V2 SLV - Silver, 3.5" SATA to USB & eSATA External Enclosure with Internal 80 mm Fan
Pros: Still works if I use the USB interface. It has an on/off switch. Solid case.
Cons: The esata interface became intermittant after one year. Then, a couple months later, the esata interface failed completely.
The fan is noisy.
Other Thoughts: Though the esata feature has failed, it still works great with a USB cable. I've moved it to an older PC in the back room which doesn't have an esata port.READ FULL REVIEW
This review is from: Koutech IO-FPM522 All-in-one USB 2.0 5.25" Front Panel Multi-format Card Reader with USB 2.0 / eSATA / HD Audio Ports
Pros: Multiple features/functions. With a little work, it can be coaxed into fitting a 5.25 opening in you case.
Cons: The card reader intermittantly dropped the CF and SD reading function...then a few days later, all card reading formats failed (no longer recognized in "computer")
Other Thoughts: My lucky streak ended with this purchace. This is part of my 6th computer build (since 2000). Believe it or not,This is the first component that I've had had to return.READ FULL REVIEW


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CNN Anchor Soledad O'Brien came to Hollywood recently to premiere her upcoming doc, Rescued which airs on May 8th on CNN. The program is a moving look at the suffering in Haiti in the aftermath of the earthquake, and follows the saga of a young girl named Cendy who is cared for in an orphanage run by an American couple. O'Brien answered some questions exclusively for the Huffington Post:
Q: What made you decide to make this documentary?
A: The story of Haiti's earthquake is so big and complicated. I arrived in Haiti just a few days after the earthquake and it was immediately clear to me that the plight of Haiti's orphans was the story I had focus on. Those problems existed before the quake--child slavery and poverty so intense it caused parents choose which children they'd care for and which to abandon. I was very compelled to tell the story of Haiti's orphans the moment I visited the first orphanage. Secondly, we had great footage from a young man who'd been shooting at one orphanage--The Lighthouse--a few years earlier. We met in Haiti, and I knew his footage documenting day-to-day life at this particular orphanage would help us put together a more complete portrait.
Q: How does being a mother of four yourself influence your desire to do a story like this?
A: I hope that any good journalist would say--this is a story that people need to know about. But as a mother--I guess any parent full grasps the horrible choice in handing off your child because you just can care for him because you have no job, and a result, no food. It's heartbreaking. We capture some of those moments in this documentary: a mother who begs to stay in the orphanage. But they can't take her--it's already too crowded. The orphanage is also running out of food. So, she hands over her infant--"please take him". It's so powerful and so desperately sad.
Q: You have called the aid provided to Haitian orphanages as band-aids and not solutions. In your mind what is the solution?
A: It was only band-aids the first time I was there. People would stop by with enough rice and water for a day or two, well after the first week of the quake. It's improving. In my second visit, more than a month after the earthquake, the markets were coming back, the banks were opening. What's the solution for orphans and street kids? To make sure that their welfare is placed first at the top of concerns. Haiti cannot rebuild--long term--without addressing the restavek situation or without figuring out how to care for hundreds of thousands of children, and their parents, frankly. They need jobs, trades, education. Building more and more orphanages isn't a viable option. Adopting hundreds and thousands of infants and children out of the Haiti isn't a viable solution either.
Q: We are used to negative portrayals of missionaries in the media especially with the scandals in the Catholic Church. Did the work of the missionaries surprise you in any way? Did your perceptions of them change, before and after your visit?
A: No--my uncle was a missionary in Papua New Guinea many years ago. I was well aware that there were some missionaries doing tremendous work and others who were not. The missionaries I met in Haiti ran the same range. Many were just trying to make progress in a dire situation, and survive a disaster with not much immediate help. Some were very critical--angry even--with Haitian locals. Others want to stamp out local customs. Others gave everything they had. Like human beings in general--they run the range. At the Lighthouse, what impressed me the most was the focus of Bill and Suzette Manassaro, as they cared for the two orphans we follow, 6 year old Cendy Jeune and 22 year old Marc Kenson Oliphi. (Cendy and Marc's voice overs, by the way, were done by Edwidge Danticat and Wyclef Jean.) The orphan directors were very focused and struggled tremendously to figure out where to draw the line--was it 58 orphans? Or 60 orphans? Could they feed another child? I also admired the Lighthouse's commitment to raising Haitian children in Haiti by feeding, educating, and training them for jobs. If these kids are to be part of Haiti's future, they'll have to be prepared for that.
Q: What is the call to action for your show? What do you want viewers to do after they've watched your program?
A: My role as a journalist is to tell the true, sometimes hard story, so people can understand the nuance of a very complicated story, and speak intelligently about it. Lots of Americans gave money to support Haiti. We, as a people, clearly care about the people there. We can not let this story die. If we can keep the spotlight on these orphans it will hopefully aid the situation. We're also directing our viewers who want to help to CNN.com/impactyourworld.
Q: Do you recommend any organizations or groups that have been especially effective?
A: CNN.com/impactyourworld has a great list of organizations and charities that have been well vetted.
Q: How do you explain the difficulties you report on to your children?
A: My children are young, ages 9, 8 and 5 year old twins. We talk a lot about the stories I'm covering and the work I'm doing. They've seen the documentary and were riveted--all four kids! Then watched it again! It's a story anyone of any age can understand. I think they feel good about the stories I tell--they get to ask lots of questions (the main one is "did babies die") and we discuss in great depth the why. Why slavery? Why poverty? Why hurricanes? Why earthquakes? I can't always answer the questions but we always discuss the issues. I think that they're developing a special understanding about the world through the stories I tell.
Q: What role does your faith play in your reporting-especially as you go to troubled spots like Haiti?
A: Hmmm that's a good question. I've always been a fairly religious person. I'm not sure I could handle this job if I weren't. But I confess that I sometimes feel very hopeless in the middle of disasters. I definitely have lots of questions (for God when I get to meet him, hopefully) about why terrible things seem to sometimes happen to people least able to handle them. But I'm always--always, brought back around by the regular folks who do amazing things--rescuers, volunteers, people who just give of their time day in and day out, often with little or no recognition. They are truly amazing.
Q: Will you be doing more documentaries like this for CNN in the future?
A: Yes! We have a full slate! After Rescued, we air "Gary & Tony Have A Baby" on June 24. That will be followed by a documentary in August about the 5th year anniversary of Katrina called New Orleans Rising. In October we have another Black in America documentary called Churched. But first, I plan to go back to Haiti next month with my 9-year-old daughter Sofia.
Q: When does it air?
A: Rescued airs on Saturday, May 8, at 8p EST on CNN.
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PARIS, Sept 24 (Reuters) - A ramp-up in global production capacity and the economic slowdown in China should soon help ease the burden of high international steel prices, the head of one of the world's leading automotive suppliers said on Friday. "China is slowing down ... which will help alleviate some pressures. There is a lot of capacity being put on around the world, which will also begin to alleviate pressures," said J.T. Battenberg, chairman and chief executive of Delphi Corp. . ...
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