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Boxing's Hall of Shame
The Fight Game's Darkest Days
By (author) Thomas Myler
Format: Paperback
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Boxing's Hall of Shame by Thomas Myler
Book DescriptionIn "Boxing's Hall of Shame", Thomas Myler tells the inside stories of the real fight game. He reveals the sport's heroes and villains, mobsters and fixers, its shame and sorrows, while along the way providing the reader with a ringside seat at the sport's greatest and most controversial contests. This no-holds-barred volume includes the enraged Mike Tyson taking a chunk out of Evander Holyfield's ear; Roberto Duran's baffling retirement against Sugar Ray Leonard; the Riddick Bowe-Andrew Golota fiasco that ended in an ugly full-scale riot, unprecedented in the long history of fights at Madison Square Garden; Sonny Liston - whose mobster background was not unknown to boxing authorities - going down under Muhammad Ali's phantom punch; and Jake LaMotta's botched dive against Billy Fox, which turned the 'Raging Bull' into boxing's bad boy overnight. "Boxing's Hall of Shame" sensationally revisits the tragedies of punch-drunk fighters allowed to prolong their careers past their sell-by dates, the boxing scandals, the fixed fights and the powerful influence of the underworld, taking the reader behind the scenes of the glove sport to reveal the shady underbelly of boxing through the ages.
Buy Boxing's Hall of Shame book by Thomas Myler from Australia's Online Bookstore, Boomerang Books.
Book DetailsISBN: 9781845960810
(234mm x 153mm x 20mm)
Pages: 272
Imprint: Mainstream Publishing
Publisher: Mainstream Publishing
Publish Date: 4-May-2006
Country of Publication: United Kingdom
Other Editions...
Books By Author Thomas Myler
Showtime at the Royal, Paperback (October 2016)
Covers the complete history of Dublin's most famous showplace dating back to the seventeenth century and its special place in the social history of the city.
Boxing's Hall of Shame, Paperback (February 2008)» View all books by Thomas Myler
Reveals boxing's heroes and villains, mobsters and fixers, its shame and sorrows. This volume includes the enraged Mike Tyson taking a chunk out of Evander Holyfield's ear; Roberto Duran's baffling retirement against Sugar Ray Leonard; and the Riddick Bowe-Andrew Golota fiasco that ended in an ugly full-scale riot.
» Have you read this book? We'd like to know what you think about it - write a review about Boxing's Hall of Shame book by Thomas Myler and you'll earn 50c in Boomerang Bucks loyalty dollars (you must be a member - it's free to sign up!)
Author Biography - Thomas Myler
Thomas Myler is the boxing writer for the Irish Independent and the Irish correspondent for Boxing News. He has written extensively on world boxing and is considered one of Ireland's leading historians on the sport.
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Search Results
|showing 1-14 of 14
All books are first printings of first editions or first American editions unless otherwise noted.
BURROUGHS, William S. and WILSON, S. Clay
1979-1991. In the early 1980s, Burroughs collaborated with S. Clay Wilson on the German editions of Cities of the Red Night [Die Stadte der Roten Nacht, Frankfurt: Zweitausendeins, 1982] and The Wild Boys [Die Wilden Boys, Frankfurt: Zweitausendeins, 1980]. This archive includes:
On Sale: $30,000
- correspondence related to this and other collaborations between Burroughs and Wilson, as follows: from 1979 to 1982, six items from the publisher to Wilson; from 1979 to 1985, three items from Burroughs' associate James Grauerholz to Wilson; and from 1985 to 1995, eleven items from Burroughs to Wilson. The earlier items, from the publisher and from Grauerholz, generally solicit drawings, convey approval for ideas, and give progress updates. The later items, from Burroughs himself (one typed note signed; four autograph postcards signed; six autograph cards signed), are more personal, frequently conveying gratitude for a gift or appreciation of Wilson's work. In one, Burroughs (according to a pencil note by Wilson, he is referring to The Chequered Demon) says "vintage Clay Wilson hilarious, horrible disgusting as life itself...Its fine its swell itsa gawdy taste of Hell." In another, in a card picturing a unicorn, Burroughs asks, "Did you see the Barnum & Bailey unicorn? I suspect it to be a goat." Several of the cards are holiday cards, and in one Burroughs wishes "All the best for 1986 and the time remaining to us all." In the last two items, Burroughs thanks Wilson for, respectively, the Graham Greene stories and for a cat book. He also complains about the heat: "Over 100 now for a week. Can't do anything but sit in my air conditioned house." This last card is signed "Bill Burroughs." All of the Burroughs' correspondence items (excepting the postcards) have envelopes; one of the postcards is near fine; the others are fine; many depict Burroughs' artwork.
- three original pen-and-ink S. Clay Wilson illustrations for the German edition of Cities of the Red Night. Wilson was one of the group of artists who gained exposure in the underground comix of the 1960s counterculture. After R. Crumb, he is probably the best known of that group, and his images are almost certainly the most extreme: all of the underground comic artists sought to break barriers and defy convention, and Wilson's images are densely packed and full of overt sex and violence to a nearly unthinkable degree. In this he was very much like Burroughs, whose verbal imagery sought to shatter all barriers, preconceptions and hypocrisies; the collaboration between the two of them seems in retrospect to have been inevitable. These drawings were displayed at the Los Angeles County Art Museum in the show "Ports of Entry: William Burroughs and the Arts," which sought to convey the influence Burroughs has had on visual arts. Extraordinary images, and probably the best illustrations ever of Burroughs' writings. Burroughs himself appears as a character in one of the images. Two of the images are 5-1/4" x 9", the third is 5-1/4" x 10"; all three are matted and framed to approximately 16" x 19". Also together with the original layout and lettering for the title page of the book: three hand-lettered sheets and one printed sheet.
- a trial edition of the German edition of The Wild Boys, rejected by Wilson, who was displeased with the endpapers, signed by Wilson; Wilson's own copy, bound in Niger goat and snakeskin, signed by Wilson and inscribed by Burroughs to Wilson. and the first German edition, signed by Burroughs and Wilson. Wilson's copy is fine in a custom folding chemise; the other tow have a bit of edge-rubbing and are otherwise fine in the publisher's slipcases.
- the German edition of Cities of the Red Night, signed by Burroughs and Wilson. Fine in slipcase.
On Sale: $30,000
BURROUGHS, William S.
1988. An original Burroughs painting, which became part of the Seven Deadly Sins exhibition at The Writer's Place, Kansas City, Missouri, in 1993. Acrylic and spray paint on poster board: a gold triangle and heart spray-painted against a background acrylic image of black, blue and gray. Signed by Burroughs. 20" x 32". Mounted and framed to 24" x 36". Fine. [#024825] $7,500
(BURROUGHS, William). WILSON, S. Clay
1988. An original drawing by Wilson for Burroughs' 1989 book Tornado Alley. This image was included in the exhibition "Ports of Entry: William Burroughs and the Arts" that was mounted by the Los Angeles County Museum of Art in 1996, and it is reproduced on page 140 of the exhibition catalog. Interestingly, the illustration in the book does not show some of the work that Wilson did, as it was done using nonrepro blue pencil which does not show up when photographed: Wilson's edits didn't appear in Tornado Alley and they don't appear in Ports of Entry, but they are quite visible in the work itself. Wilson, one of the great artists of the underground comix of the 1960s and beyond, whom R. Crumb has said was a major influence on Crumb's own work, collaborated with Burroughs on a number of projects. This is not only a significant work of art, and a significant association with Burroughs, but it is also signed by Wilson, who has added, "To Nelson" next to his signature: Wilson gave this work to his friend Nelson Lyon, who loaned it to the exhibition and is listed in the book as one of the lenders to the exhibit. This is, in effect, a three-way association: Nelson Lyon was the co-producer of Burroughs' Dead City Radio, a 1990 album of Burroughs reading his work (including pieces from Tornado Alley) against a background of experimental music by various artists. 9-3/4" x 6-3/4". Matted and framed. Fine. A notable association copy, and an artifact of one of the great collaborations that Burroughs engaged in. [#028091] $7,500
BURROUGHS, William S.
Paris, Olympia, (1959). The first issue of the first edition of his second book, a high spot of Beat and postwar American literature -- one of the "big three" volumes of the Beat movement, along with Jack Kerouac's On the Road and Allen Ginsberg's Howl. Published in paperback in Paris by Maurice Girodias' small press, in an edition of 5000 copies, three years before it could be published in the U.S. Signed by Burroughs in 1996. Uneven sunning and a bit of creasing to the covers; rubbing to the folds. A very good copy in a supplied, near fine dust jacket with a small chip at the crown. Burroughs signed this for a bookseller in Lawrence, Kansas, where he lived during the last years of his life. [#024504] $4,500
BURROUGHS, William
1961. Unrecorded mimeograph typescript of a speech Burroughs gave at a meeting of the American Psychological Association, September, 1961, in New York City. Five pages, including personal and anecdotal experiences, arguing against the broad category of "narcotics" for both addictive sedatives and non-addicting consciousness expanding drugs. Together with a 1964 issue of Evergreen Review in which the speech is printed, with textual variations, including a change in the title, with "consciousness expanding" replacing "hallucigen." The talk/essay was included in two anthologies of writings about drugs, but the Maynard and Miles bibliography lists no separate printing of it, and this mimeograph would appear to be contemporary with the talk in 1961, making it several years earlier than any of the other appearances in print. Also, the term "halucigen" dates it as being prior to the point at which the term "hallucinogen" was settled on as the consensus descriptor. The magazine has a detached text block; the speech is stapled in an upper corner and fine. An unrecorded Burroughs typescript on one of the subjects that was most deeply embedded in his works. [#032856] $2,750
BURROUGHS, John
(n.p.), (n.p.), [c. 1910-1921]. A printed manuscript poem by Burroughs, his most famous, first published in Knickerbocker magazine in 1863, when Burroughs was 25; anthologized in Whittier's Songs of Three Centuries in 1875. At that time the poem had seven stanzas; over the years the weakest stanza (the sixth of seven) was dropped (by an unknown editor). "Waiting" appeared as the preface to Burroughs' Light of Day in 1900 with six stanzas, but even so the fifth stanza continued to trouble him. According to the Clara Barrus biography Our Friend John Burroughs, published in 1914, "a few years ago" Burroughs occasionally substituted a new fifth stanza, beginning, "The law of love binds every heart..." (Later renditions have this line reading "The law of love threads every heart.) But that too failed to satisfy him, and future renditions would have the original six (of seven) stanzas. This broadside has the six stanzas, with the short-lived "binds every heart" fifth stanza; it is printed in Burroughs' holograph, with an original water color of tree branches, and it is inscribed by Burroughs, for Barnard C. Connelly, and dated Feb. 9, 1921, the month before Burroughs' death. 7" x 9-3/4", bevel-edged on three sides; previously framed and sunned over most of the page; staining to two margins, touching only the date. A very good copy. Although Burroughs wrote "considerable poetry as a young man" (his words, from John Burroughs Talks), "a time came when I wrote no more poetry and destroyed most of what I had done previously...I am practically a man of a single poem." We have found reference to a smaller (4-1/2" x 6") leaflet of this poem being done earlier, by Alfred Bartlett, but have found no record of the printing history of this variation. [#031668] $1,750
BURROUGHS, William S.
(NY), Grove Press, (1959)[c. 1962]. The first American edition of this classic novel of the Beat generation, which was not published in the U.S. until three years after its Paris publication, and until a legal challenge to its banning was successful. Such authors as Norman Mailer testified as to the literary value and accomplishment of Burroughs' work. Basis for the 1991 David Cronenberg film featuring Peter Weller, Judy Davis, Ian Holm, Julian Sands, and Roy Scheider. Slightly bowed, lower rear corner bumped, near fine with the topstain bright, in a fine dust jacket with a couple of tiny nicks at heel and a tiny bit of rubbing at the rear spine fold. [#911012] $750
BURROUGHS, William S.
NY, Grove Press, (1978). A later printing of Grove's Evergreen Black Cat edition, first issued in 1966 when the obscenity ban against it was overturned. Inscribed by Burroughs to Peter Whitmer in Lawrence, Kansas, May 22, 1984, "with all best wishes on a memorable visit." Whitmer's notes on the inner covers and a handful of pages: he used this copy when writing his own book, Aquarius Revisited: Seven Who Created the Sixties Counterculture That Changed America, which was published in 1987. Burroughs was one of the seven. Spine creased, corner chip to front cover; very good in wrappers. [#032857] $500
BURROUGHS, William S.
NY, Holt, Rinehart, Winston, (1983). The second volume of the trilogy that includes Cities of the Red Night and The Western Lands. This copy is inscribed by Burroughs to Peter Whitmer, "wishing every success on his Leary biography." Dated May 22, 1984, in Lawrence, Kansas. Whitmer is the author of Aquarius Revisited: Seven Who Created the Sixties Counterculture That Changed America; Burroughs and Leary were two of the seven. In his book, Whitmer recounts Burroughs grabbing this copy of The Place of Dead Roads from him during the interview and reading from page 128. Whitmer's notes on the rear pastedown and perhaps a dozen pages. Spine slanted and slight foxing to pages edges; near fine, lacking the dust jacket. [#032858] $500
(BURROUGHS, John)
1921. Tall, stringbound chapbook printing the readings and remembrances from Burroughs' funeral services held at Riverby and at the graveside. 24 pages, printing Biblical passages; poetry by Emerson, Wordsworth, and others; a selection by Earl W. Williams that, according to the chapbook, was, several years earlier, deemed appropriate for the occasion by Burroughs himself; "Selections from the Earliest and Latest Writings of John Burroughs," including the poem "Waiting" and excerpts from "Accepting the Universe"; poems for Burroughs by Charles Buxton Going, Edwin Markham, May Morgan, and Jean Dwight Franklin; and two tipped-in images: one of Burroughs in "The Nest" at Riverby, and one of C.S. Pietro's sculpture of Burroughs, entitled "The Seer." Ownership signature, in pencil, of Elspeth A. Edington. Minor wear and creasing to yapped edges; covers splitting at lower spine; very good in wrappers. Uncommon. [#032694] $250
LANSDALE, Joe R.; BURROUGHS, Edgar Rice
(Milwaukee), Dark Horse Books, (1995). Signed by Lansdale. Fine in a fine dust jacket. [#031291] $50
(BURROUGHS, Edgar Rice and PARDEE, Curtis)
Evergreen, Cazedessus, 1973. A fanzine, this issue with cover art by Curt Pardee. Inscribed on the cover by Pardee: "For Steve of [sic] when I'm rich and famous, Curt Pardee!" Near fine in stapled wrappers. [#030498] $25
BURROUGHS, Edgar Rice
North Hollywood, Fantasy House, 1974. First separate appearance, as Fantasy Reader 5. Fine in stapled wrappers. [#030499] $20
(BURROUGHS, William S.)
(Hadley), Ken Lopez Bookseller, (2005). A catalog/brochure describing the Burroughs archive previously known as the "Vaduz archive" and printing in facsimile a number of items from the archive, including Brion Gysin calligraphy, photographs of Burroughs and others, visual poetry by Burroughs, and other items. An overview of the archive, with description of its contents and essays on its history and importance in the context of 20th century literature. The archive was purchased by the Berg Collection at the New York Public Library, which also purchased the Jack Kerouac archive a few years ago. Fine in wrappers. [#024827] $20
|showing 1-14 of 14


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text:
Parking in Castle Donington
Driveway on Barroon, DE74
Parking Space on Park Lane, DE74
Driveway on Orchard Avenue, DE74
Driveway on Huntingdon Drive, DE74
Driveway on Hall Farm Close, DE74
Driveway on Eaton Road, DE74
Parking Space on Upton Close, DE74
Parking Space on Park Lane, DE74
Garage on Wellington Court, DE74
Information about parking in Castle Donington
Looking for parking in Castle Donington? You've come to the right place! Funnily enough, parking is what we do best - and we've got a sumptuous selection of 250 locations in Castle Donington for you to choose from.
Our parking in Castle Donington is up to 70% cheaper than what you'd usually pay, plus you can book your guaranteed space in advance right here - forget about feeding the parking meter.
No more fumbling for coins and no more circling the block looking for a space. As for parking tickets? You can wave goodbye to them too - if you overstay with us, you just pay for the extra time.
We're taking the pain out of parking for 1 million drivers across the UK. But don't just take our word for it - check out our latest customer reviews for Castle Donington parking below:
"Very nice and polite people, they also gave me a lift to bus stop without me giving them any notice. Would definitely rebook" — Driveway on Barroon, DE74
"Very easy and hassle free. Would 100% reccomend anyone flyin out EMA too book here" — Driveway on Barroon, DE74
None of our delicious JustPark spaces tickle your fancy? Don't worry - we've got your back. There are plenty of other parking options available in Castle Donington - here's the best of the rest:
Off-Street Parking
Here's a selection of nearby off-street parking options:
|East Midlands Airport -JetParks Plus
|£0.00 / hour
|12am - 11pm,
Mon - Sun
|East Midlands Airport Short Stay
|Apcoa Parking (UK) Ltd
|£2.00 / 30 minutes
|12am - 11pm,
Mon - Sun
|Long Eaton Station
|Erewash Borough Council
|£0.80 / 2 hours
|12am - 11pm,
Mon - Sat
|Lawrence Street
|Erewash Borough Council
|£0.60 / hour
|8am - 6pm,
Mon - Sat
On-Street Parking
Here's a selection of nearby on-street parking options:
|Max Stay
|Toys'R'Us Derby, Derby
|£4.00 / 19 hours
|20 days
|Coaville Furniture Superstore, Leicester
|£0.50 / hour
|10 hours
|The Point, Derby
|£1.50 / hour
|5 days
|Hallmark (Station), Derby
|£0.80 / hour
|365 days
|Hallmark (Overflow), Derby
|£0.80 / hour
|365 days
Rent out a space
Got a spare driveway or garage in Castle Donington? You can list your parking space for free with JustPark. It only takes a few minutes to get up and running, and you could be making money in no time. Find out more here.
Check out the JustPark app
You can now book any one of our 200,000+ JustPark spaces on the move with our mobile app - available for both iPhone and Android. View parking options, pay for a space and get directions - all with just a few taps of your phone.
Nearby Hospitals
- Health Visitors 0.13 miles away
- The Grove Hospital 2.14 miles away
- Orchard Surgery 2.71 miles away


text:
Une bonne production pour une musique qui relaxe.
What best describes "Where Are We Going" ? Besides the fact its by Mark.Nine, a rising electronica artist from the illbient scene. Only you can imagine what really goes on in his music, no doubt will it take your mind some place else. Close your eyes and imagine what the music describes.
4th release of Mark.Nine's official releases. Presented by my online netlabel (I/O netlabel). You can see more of my releases at my homepage. all my releases are free at the current moment. feel free to download any of them and share.
Want to use these tracks in a commercial project/video?Get an official license
This album sounds pretty professional. Sometimes the melodies drift a little too much for me. Some of the little riffs clash, and I'll agree with what SaReGaMa said about the percussion overtaking the track in some aspect. All in all a nice job though. If you really like this music search for a webstation by the name of GrooveSalad. It has all kinds of music like this.


text:
When we go abroad in the way of our duty, we may comfortably hope that God will take care of our families in our absence, but not otherwise...
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If in all our ways, even when, as in this case, there can be no doubt they are just, we acknowledge God, we may expect that he will direct our steps, as he did those of David...
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Sinners are nearest to ruin, when they cry, Peace and safety, and put the evil day far from them...
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What God gives us, he designs we should do good with...
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American School of the Hague
About ASH
Elementary School
Middle School
Height School
Life At ASH
Inside ASH
Director's Welcome
Who We Are
Mission and Vision
Educational Philosophy
School Organization
Overview Calendar
A Year at ASH
Campus Tour
Contact Us
Visiting ASH
Site Map; Copyright©
Rijksstraatweg 200
2241 BX Wassenaar
The Netherlands
+31 (0) 70 512 10 60
+31 (0) 70 511 24 00
Contact Us
About ASH
Mission and Vision
Our Mission
American School of The Hague nurtures and inspires character, commitment, creativity, and learning.
Our Vision
American School of The Hague will lead its international learning community through excellent teachers and a range of academic and extra-curricular choices. In a safe and welcoming environment, our educationally and culturally diverse students and staff will strive for excellence and achieve their potential.
Our Core Values
Research shows that when any community shares common values and has common goals, the likelihood of conflict is greatly reduced. Joining our learning community means accepting and celebrating these core values, which are:
• Treat others as you would like to be treated
• Practice courtesy in speech and manners
• Act with kindness toward others
• Take care of our environment
• Promote a safe and productive atmosphere
• Accept the consequences of your choices
• Pursue your own learning and help others do the same
• Make wise choices about personal health and safety
• Participate in building a strong ASH community
• Admit mistakes and learn from them
• Tell the truth
• Keep your word
• Respect each others' property
• Follow through on commitments
• Demonstrate the courage to be yourself
• Value others
• Celebrate diversity
• Understand differing beliefs and behaviors
• Reject actions that hurt or offend others
• Practice forgiveness
• Use appropriate language
• Provide and seek information
• Present your convictions considerately
• Listen with an open mind
• Resolve conflict peacefully


text:
1001 Jigsaw Earth Chronicles 2 Mac Game Download
Top 10 Downloads
1. 100% Hidden Objects
2. The Clumsys 2: Butterfly Effect
3. Dawn of Hope: Skyline Adventure Collector's Edition
4. Gravely Silent: House of Deadlock Collector's Edition
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8. Princess Isabella: Return of the Curse Collector's Edition
9. Secrets of Great Queens: Old Tower Collector's Edition
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The Keeper of Antiques: The Imaginary World
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Bestseller: Curse of the Golden Owl
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Subliminal Realms: Call of Atis Collector's Edition
Midnight Calling: Valeria
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Graven: The Purple Moon Prophecy
Valentine's Day Griddlers 2
Artifact Quest 2
Spirit of Revenge: A Test of Fire
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Game Comments
crorkzz, Thursday, 09th of April 2015, 05:25 AM, #1
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