text:
Description: More than twenty years of experience in residential construction gives Sierra Gate Homes the expertise to guide you through every step in the process ...more
Gladys of Ottawa said: "There were some frustrating problems with the permits, and I'm glad I went with OGC because I'm not sure another contracting team would have put u...Read more
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Description: Ottawa Carleton Construction (OCC) is owned and operated by Frank Porcari. Frank has been involved in the construction industry for several de...more
Description: Welcome to Cristo Group Inc. With over 30 years of experience in construction and renovations, we assist you in building your dream home with indu...more
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text:
Templates in Los Banos
Found: 1 products← Back to category "Measuring tools"
Jigs & Fixtures
In stock
ATMAK has a solid background in industrial processes, as well as machine shop technology for the construction of customized jigs and fixtures. From simple template and plate-type jigs to complex channel and box-type tooling, our engineers/designers completely understand the design requirements and c Read more
Philippines, Los Banos
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For last 30 days 108667 leads received the offers from the companies
Templates in other regions
Whole position
Trading platform Allbiz offers to see the catalog Templates which contains 1 products offers from 1 companies and enterprises. Don't know what Templates to buy? You can clarify the specifications, see photos Templates and choose the best seller and supplier. Buy Templates trough online ! On Allbiz — You can just place your order right on the site.

subset: commoncrawl


text:
Fair Hotel.
Guest Review Highlights
- Clean
- Clean rooms
- Clean rooms
- Room is all right
- Great amenities
- Breakfast is average
- Food could be better
- More comfort would be nice
- Fantastic service
Wego searches multiple travel sites so you can find and compare the best rates.
Based on 25 reviews from across the web.
Fair Hotel.
Check-in: 12:00
Check-out: 12:00
Situated in Noida, Hotel Orange Pie is just 6 km from GIP Shopping Mall and Worlds of Wonder Amusement Park. It houses a gym, business centre and meeting/banquet facilities. Complimentary Wi-Fi access and parking is provided.Equipped with air conditioning and heating systems, rooms feature a flat-screen TV, a wardrobe and ironing facilities. Tea and coffee making amenities and a minibar are included. Room service is provided.Guests can head to the 24-hour front desk for assistance with laundry, car rental and luggage storage services. Travel arrangements can be made at the tour desk.The hotel is 12 km from Akshardham Temple and 13 km from Anand Vihar Bus Stand. New Delhi Railway Station is 16 km away, while the Delhi Airport is 32 km away.


text:
Articles from RotoWire's fantasy archives that mention Ezequiel Carrera's name.
February 21, 2017
The Wheelhouse: Finding Steals, AL Edition
In the second of a two-part series, Derek VanRiper takes a team-by-team look at the potential sources of steals for each American League team.
October 13, 2016
Yahoo DFS Baseball: Thursday Picks
Max Scherzer won't come cheaply Thursday, but RotoWire's Chris Bennett explains why it's worth paying up for the Nats ace against the Dodgers.
August 14, 2016
AL FAAB Factor: Waiver Pickups of the Week
Erik Siegrist reviews the waiver options in the AL and finds some young arms making names for themselves, including Astros starter Joe Musgrove.
June 19, 2016
Erik Siegrist reviews the available talent on AL waiver wires and notes that while Troy Tulowitzki has been a major disappointment as a Blue Jay, he still has too much upside to ignore.
June 12, 2016
Clay Link offers up his estimate for Tim Anderson and 31 other players from around the American League.
June 11, 2016
Weekly Hitter Rankings: O Canada
Erik Siegrist breaks down his hitting rankings for the week, dominated by the Blue Jays' and a top five that consists entirely of American League squads.
May 15, 2016
Clay Link looks at likely American League waiver-wire options, including a pair of widely available starters in Kansas City.
April 28, 2016
Regan's Rumblings: Unsettled Situations
Dave Regan turns his rumblings toward 10 different unsettled playing-time situations across the big leagues and how they might shake out.
April 25, 2016
FanDuel MLB: Monday Value Plays
Brian Dozier is starting to heat up and RotoWire's Kevin Payne explains why he's a solid play Monday against the Indians.
April 24, 2016
Clay Link takes us through some AL waiver-wire candidates for this week, including a pair of Red Sox starting pitchers and a handful of Blue Jays infielders.
April 16, 2016
Weekly Hitter Rankings: Blue Jays Set to Soar
The Jays' bats take the cake this week thanks to seven games in AL-East friendly ballparks, while a certain struggling AL Central squad comes in higher than you might think.
August 18, 2015
Wednesday Lineup Card: Raisel Rising
August 3, 2015
Tuesday Lineup Card: The Second Coming of Jesus Montero
The new-look Jesus Montero destroyed Triple-A pitching, and now he's getting a chance to play every day for the Mariners.
August 1, 2015
Sunday Lineup Card: Veteran Leadership
While left to wonder what's next in Cincinnati, Brandon Phillips churns out professional at-bats.
July 16, 2015
Weekly Hitter Rankings: The Second Half Begins
Erik Siegrist breaks down the weekend series', but a doubleheader gives the Royals and White Sox a one-game advantage over the rest of the league.
July 7, 2015
In Some Depth: Off the Bench
Ryan Eisner picks an all-star squad of players that started this season out of the starting lineup.
May 24, 2015
AL FAAB Factor: Correa Getting Closer
Andrew Martinez's weekly tour of AL FAAB possibilities includes Houston prospect Carlos Correa, who is getting closer to a callup, and closer to helping fantasy teams.
May 3, 2015
FAAB Factor - AL: Mediocre Shortstops Abound
Jake Marisnick and the Astros are stealing a ton of bases, writes RotoWire's Andrew Martinez in this week's edition of AL FAAB Factor.
August 12, 2014
In Some Depth: Super Utility
Arismendy Alcantara has already been moved off the infield by the Cubs, but he's playing regularly in center field following the arrival of Javier Baez.
August 5, 2014
MLB Daily Games Strategy: New Players Add Value
Javier Baez makes his MLB debut Tuesday night, and Renee Miller says that players like him that are new to the pool are good sources for potential cheap value.
August 3, 2014
FAAB Factor-AL: Trade Deadline Fallout
Andrew Martinez breaks down all of the talent coming into the AL following the trade deadline and writes up his latest recommendation on Derek Holland.
May 1, 2014
The Long Game: Springer Forward
The Astros defied convention by calling George Springer up before the Super Two milepost passed, but not before delaying his free agency by a year.
May 7, 2013
Wednesday Lineup Card: Tazawa Next Man Up In Boston
May 5, 2013
Monday Lineup Card: Ozuna Provides O
Anthony Tynan discusses the Marlins' Marcell Ozuna.
May 2, 2013
Friday Lineup Card: The Thrill Of Victorino
April 30, 2013
Wednesday Lineup Card: Giancarlo Says Ciao
April 22, 2013
Rounding Third: Week 4 Primer
Jeff Erickson can't quit Travis Snider or even put him down for a little while. See his FAAB results and some other planning notes for Week 4 of the MLB season.
April 2, 2013
Wednesday Lineup Card: Ludwick Limps To DL
The Reds left fielder is one of the first to hit the disabled list as the regular season gets underway.
March 8, 2013
Spring Training Job Battles: Early March Update
Brian Pelowski takes a look around the league at job battles for all 30 teams -- including the fallout from Mark Teixeira's wrist injury.
February 16, 2013
Spring Training Job Battles: Setting the Table
As spring training begins, Brian Pelowski takes a look around the league to examine job battles for all 30 teams.
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text:
need bus from colpalombo to Gubbio
have seen blue bus stop signs along the road but no bus timetable and the website is not working. Do not speak Italian. many thanks in advance x
Is there a bus between Gubbio and Urbino?
I am visiting Gubbio this summer and wish to travel from there to Urbino by bus. The latest edition of the Rough Guide seems to suggest that the is a daily bus? Does any know if this is so?
With thanks
Patrick Geraghty
how do i arrive gubbio from perugia??
other then spend money on a driver to port me to gubbio, how do i arrive?? I am aware ther are no trains to this town. I also at some point will want to also stay in TODI. Does it matter which town i stayin first for travel convience???
my plans are to spend time in each town: GUBBIO> TODI> SPOLETTO.....
I do know i must first start from perugia. PLease tell me what i should start with first and travel methods!!
Thank you virginia
Car Rental or Train
We are planning to spend 3 days in Gubbio, traveling around the area including Monterosso Marche. Will it be possible to rent a car in Gubbio and drive to Monterosso or would it be better to go by train? If by train, can the tickets be purchased in Gubbio? Also....would appreciate a recommendation for a decent hotel in Gubbio...centrally located.
Thank you
Recommend Corsa dei Ceri festival?
We have four days in Umbria in May. We are trying to decide whether to go the the Corsa dei Ceri race in Gubbio or the Calendimaggio in Assisi? Any recommendations? Which is more authentic-less tourists?
- 1


text:
So, ran into:
off this article:
Off of planet-webgl.org.
On my machine (Ubuntu 11.04, Radeon HD 4670, fglrx, Intel Core i5 email@example.com) Chromium 15 managed ~10,300 sprites at 30fps.
Firefox 11a was closer to ~1700.
What was interesting was Firefox 8 which managed in the range of ~2100. I tried disabling tracing and restarting. If anything Firefox 8 seemed slightly faster.
In all cases I let the render test run for about a minute to let it settle down a little.
Oh. Grabbed Firefox 9b5.
It managed ~2350-2400 w/ tracejit enabled, and ~2500-2600 with it disabled.
So at least the beta is fine :)
Created attachment 581768 [details]
Profiling of the sprite test
Besides the regression, there's also the fact that at its fastest Firefox was 4 times slower than Chrome.
Attaching profiling from latest M-C
OK. I can definitely reproduce the regression.
Profiling shows that something like 92% of our time is under EnterMethodJIT. There's some GL stuff, but the main bits are:
57% under stubs::GetProp (of which 24% is in PropertyTable::search)
16% in jitcode
6% under stubs::callProp (of which 4% is in PropertyTable::search)
There are some other search() callers as well (from property cache fills and whatnot), so total time in PropertyTable::search is 33% of overall CPU time.
Another 13% is code in (not under, in the function itself) js_GetPropertyHelper. Another 11% is in (not under) stubs::GetProp.
So we're first of all not ICing whatever property accesses these are, and spending a _lot_ of time looking for the properties for some reason.
As far as I can tell, Aurora is slower than Beta here, and Nightly slower still...
So. Reran them all today, since this whole thing is a little fuzzy.
On my machine, after leaving each one running for ~10k ticks in a new clean profile and watching for where 30fps seemed to settle:
FF9b5 - ~1800 (just redownloaded it off the build server)
FF10b - ~2000
FF12a - ~1900
Chromium 15 - ~13,500 (Chrome drifted a lot, but did stay consistently above 13,000 - sometimes closer to 14,000)
Sooo. I'm not really sure now what the pattern is. Again the beta seemed to do a bit better. Different numbers, but I was trying to pick a more standard point to measure.
Only point of consistency was that Chromium continued to dominate, in fact, doing better than my first time I tried to measure it.
Oh well, at least builds past FF9 don't seem to be getting obviously *worse* :)
What we really need here is to figure out why those PropertyTable::search calls are taking so long (or happening so much, or both)... and why we end up in those stubcalls to start with.
The ICs are being disabled because they get used with many objects (not sure how many) and all those objects are in dictionary mode, hence different shape lineages, max stubs reached on the IC and poor property cache performance once we are in the VM. From the couple hits on one of the disabled ICs I looked at, the property structure of the objects is identical so if the objects were not in dictionary mode the ICs should work.
The objects are in dictionary mode because the script Object.seal()'s them, and the seal() implementation interacts poorly with the object code in that any non-empty object will be converted to dictionary mode (this is the case both before and after objshrink). I'll write a patch to fix seal() and its friend freeze().
Created attachment 586182 [details] [diff] [review]
patch (0ac1cbff2a67)
This seems to do the trick on the access I've been looking at. Using https://github.com/bhackett1024/CodeInspector (now works in nightlies!) this access is one of the family of property accesses which seem to be dominating the time spent in jitcode.
Wow! On a quick build of M-C on my system I now get ~7000. A big improvement!
Might do a little better w/ optimisation.
So. From ~7x slower to ~2x slower.
Object.seal? Man. That seems totally unrelated to sprite rendering. Why would they add stuff like that :-/
I wonder if they thought it would improve optimisation in JS engines or something.
Oh well. Cool!
Comment on attachment 586182 [details] [diff] [review]
patch (0ac1cbff2a67)
Nice patch. It is nice that Object.freeze(), which seems like it would be a good/hygienic thing for code to do as much they can doesn't also destroy perf.
>+ ::Reverse(shapes.begin(), shapes.end());
Can you drop the ::?
>+ for (size_t i = 0, len = shapes.length(); i < len; i++) {
Pre-existing, but can you use i < shapes.length() (and i < props.length() below)?
> So. From ~7x slower to ~2x slower.
On my box, comparing to Chrome dev, an opt build with this patch hits about 11500. Chrome hits about 7500. But this is on a Mac. Results might differ by OS? Or by 32-bit vs 64-bit?
In any case, an updated profile shows 60% of the time in mjit-generated code, a bit of stubs::StrictNe (at least sometimes on strings), array_push, various WebGL stuff, about 10% painting and 5% event loop overhead.
Pushed, with a couple tweaks. Removed a bogus assertion that method properties are writable; there is no problem with making method non-writable, and the barrier can still be tripped. Also marked properties as reconfigured, which does inhibit type based optimizations some. As Object.seal/freeze get more pickup analysis precision could be improved here and the optimizations restored.
(In reply to Boris Zbarsky (:bz) from comment #10)
> On my box, comparing to Chrome dev, an opt build with this patch hits about
> 11500. Chrome hits about 7500. But this is on a Mac. Results might differ
> by OS? Or by 32-bit vs 64-bit?
I think it depends on the OS. On Windows, Chrome (16) is a lot faster than Firefox. Without the patch Firefox ~4000, Chrome ~18000.
Did you try also the Canvas version? (http://www.scirra.com/labs/perftest-2d/)
With Canvas without the patch, Firefox ~1800, Chrome ~2100. So with the patch it could be also faster, nemo could you try?
If it depends on the OS and the difference is so high between WebGL and Canvas, maybe it's due to a webgl issue?
> Without the patch Firefox ~4000, Chrome ~18000.
There's not point testing without the patch. Without the patch, the numbers on my machine were 5x lower for Firefox, so if that reproduces on your hardware Firefox with the patch would be at ~20000. Can you test a built with the patch, please? The ones at http://ftp.mozilla.org/pub/mozilla.org/firefox/nightly/latest-mozilla-inbound/ for example should have this patch.
> Did you try also the Canvas version?
No, but I just tried it. With the patch, the canvas version is ~550 in Firefox and ~450 on Chrome dev, still both on Mac. A quick profile shows that this version is completely gated on drawImage performance on Mac (90% of the time under drawImage), which is not suprising; on Windows with direct2d the situation might look different.
2D canvas test, after 5k+ ticks:
Firefox 12a - ~550
M-C + patch - ~430
Chromium 15 - ~3200
Values fluctuated more, perhaps just 'cause the noise was even stronger at the lower sprite counts.
M-C doing worse is probably just 'cause my build, even w/ optimisation enabled, is not as tweaked as the nightlies?
Anyway. ~6x faster than nightly.
Should be a separate bug perhaps.
> M-C doing worse is probably just 'cause my build, even w/ optimisation enabled, is not as
> tweaked as the nightlies?
If you're on Windows and didn't build with PGO, yes. Could you file a separate bug on the Windows performance on that canvas testcase, please? It totally doesn't match what I see here...
Uh. No. That was someone else under Windows.
Different systems are being thrown about here, sooo. Here's everything about mine.
Running XFCE4 under Ubuntu 11.10.
M-C built with gcc 4.6.1-9ubuntu3. Flags: --enable-optimize --disable-debug --enable-jprof --enable-profiling MOZ_DEBUG_SYMBOLS=1 -gstabs+ --disable-install-strip --enable-default-toolkit=cairo-gtk2
VGA compatible controller: ATI Technologies Inc RV730XT [Radeon HD 4670]
[155170.050] (II) Module fglrxdrm: vendor="FireGL - ATI Technologies Inc."
[155170.050] compiled for 22.214.171.1246, module version = 8.91.4
model name : Intel(R) Core(TM) i5 CPU 660 @ 3.33GHz
And a little glxgears output at default window size of 300x300:
38379 frames in 5.0 seconds = 7675.734 FPS
37995 frames in 5.0 seconds = 7598.864 FPS
37905 frames in 5.0 seconds = 7580.973 FPS
37764 frames in 5.0 seconds = 7552.654 FPS
OK, that could just be an issue of Chrome using skia and us using RENDER and RENDER sucking on your particular machine (for the 2d cavas case). It's really hard to tell without you profiling.
Ah. Could be related to the consistently low scores this card has yielded in things like HWACCEL where even my Intel card kicked its ass.
You guys have mentioned in the past I think that ATI/fglrx has horrible x render support.
Firefox 2x faster than Chrome with Canvas.
Firefox ~29000 with WebGL, Chrome ~18000. Firefox is using a bit more memory, but it's normal as there are 11000 more objects!
However, your patch does wonders :D
Later I'll try under Linux.
Created attachment 586423 [details]
3D sprite test, after bhackett's patch
Created attachment 586424 [details]
2D sprite test. This is also after his patch
So here's the thing. For a testcase like this, there are two aspects to the performance, usually: JS and graphics (and sometimes also DOM).
The JS bit is cross-platform, modulo some minor differences between 32-bit and 64-bit.
The graphics bit is very platform-dependent.
It sounds like the patch in this bug more or less addressed the obvious JS issues, leaving the graphics ones. nemo, want to file a specific bug for Linux for that? We can try to figure out exactly what's going on with your setup there...
To avoid even more bug spam, I'm not going to attach these. But it seemed worth mentioning.
bz asked me to rerun the traces only w/ callgraphs enabled.
I put them here.
On Linux (gfx card is NVIDIA).
For WebGL, Firefox ~16000, Chrome ~12500
For Canvas, Firefox ~850 (~800 without the patch, so here the problem is the graphics), Chrome ~2200.
I'll try with Skia as soon as possible.
However, how can WebGL be faster on Windows than on Linux? Isn't the NVIDIA binary driver the same between these two platforms?
Marco, the driver is not the same, no. Also, other things may muddy the situation. Just saying "under Linux" is a bit vague.
For example, FOTN rendered about 20% faster for me when I disabled compositing.
Certain compiz plugins seemed particularly heavy. gnome-shell? Unity? Metacity? XFCE4? Which nvidia binary blob under linux?
Are you sure? Afaik the NVIDIA binary blob shares a lot of code between Windows and Linux.
I'm using Unity, so Compiz. The version of the NVIDIA driver is the latest stable released, 285.
However I've opened bug 716121 about the bad gfx performance on Canvas.
Also, some of the "webgl" time is spent in our own code, and that might well be faster on windows because of the better compiler.
*** Bug 909728 has been marked as a duplicate of this bug. ***


text:
Using a locally built x64 tree from m-c on 04-11 I get crashes fairly regularly at different points in this slideshow (just going through it a time or two is generally enough):
the crashes look to my unexperienced eye as a dom binding issue with XHR, but I didn't try and really narrow it down.
(gdb) bt
#0 0x00007ffff545e9be in js::BaseShape::getObjectFlags (this=0xdadadadadadadada) at ../../../pipemq/js/src/jsscope.h:352
#1 0x00007ffff54b40be in js::Shape::getObjectFlags (this=0x7fffd993d420) at ../../../pipemq/js/src/jsscope.h:609
#2 0x00007ffff5512e69 in JSObject::setFlag (this=0x7fffd993d200, cx=0x7fffcfe5a400, flag_=4096, generateShape=JSObject::GENERATE_NONE) at ../../../pipemq/js/src/jsscope.cpp:1112
#3 0x00007ffff547aab6 in JSObject::setNewTypeUnknown (this=0x7fffd993d200, cx=0x7fffcfe5a400) at ../../../pipemq/js/src/jsinfer.cpp:5603
#4 0x00007ffff53d8f17 in JS_NewObject (cx=0x7fffcfe5a400, jsclasp=0x7ffff677a160, proto=0x7fffd993d200, parent=0x7fffc9555880) at ../../../pipemq/js/src/jsapi.cpp:3285
#5 0x00007ffff4e3807f in mozilla::dom::bindings::CreateInterfacePrototypeObject (cx=0x7fffcfe5a400, global=0x7fffc9555880, parentProto=0x7fffd993d200, protoClass=0x7ffff677a160, methods=0x0,
properties=0x7ffff677a320, constants=0x0) at ../../../pipemq/dom/bindings/Utils.cpp:72
#6 0x00007ffff4e3823e in mozilla::dom::bindings::CreateInterfaceObjects (cx=0x7fffcfe5a400, global=0x7fffc9555880, parentProto=0x7fffd993d200, protoClass=0x7ffff677a160, constructorClass=0x0,
methods=0x0, properties=0x7ffff677a320, constants=0x0, staticMethods=0x0, name=0x0) at ../../../pipemq/dom/bindings/Utils.cpp:110
#7 0x00007ffff4e3556a in mozilla::dom::bindings::prototypes::XMLHttpRequestEventTarget::CreateInterfaceObjects (aCx=0x7fffcfe5a400, aGlobal=0x7fffc9555880)
at XMLHttpRequestEventTargetBinding.cpp:482
#8 0x00007ffff4e2b137 in mozilla::dom::bindings::prototypes::XMLHttpRequestEventTarget::GetProtoObject (aCx=0x7fffcfe5a400, aGlobal=0x7fffc9555880)
at ../../dist/include/mozilla/dom/bindings/XMLHttpRequestEventTargetBinding.h:73
#9 0x00007ffff4e2ec7a in mozilla::dom::bindings::prototypes::XMLHttpRequest::CreateInterfaceObjects (aCx=0x7fffcfe5a400, aGlobal=0x7fffc9555880) at XMLHttpRequestBinding.cpp:1282
#10 0x00007ffff4e2b0ab in mozilla::dom::bindings::prototypes::XMLHttpRequest::GetProtoObject (aCx=0x7fffcfe5a400, aGlobal=0x7fffc9555880)
at ../../dist/include/mozilla/dom/bindings/XMLHttpRequestBinding.h:91
#11 0x00007ffff4e2f0fe in mozilla::dom::bindings::prototypes::XMLHttpRequest::DefineDOMInterface (aCx=0x7fffcfe5a400, aScope=0x7fffccbd6df0, aEnabled=0x7fffffff771e)
at XMLHttpRequestBinding.cpp:1361
e636439e342f was the tip cset of my build.
I went through the slideshow twice without hitting this.
OK. Just reproduced this crash, in a 32-bit debug build.
The lastProperty() of |this| in JSObject::setFlag is 0xdadadada.
The object in question is the proto we passed to JS_NewObject. In fact, all its fields are 0xdadadada, which I assume means it got GCed.
Peter, that object came out of EventTarget::GetProtoObject. Are we tracing the proto object array properly?
I tried to reproduce this with a testcase like so:
window.XMLHttpRequest.prototype = null;
var xhr = new XMLHttpRequest();
but I don't get a crash there...
Dead pointer, bad mojo. Presumably this hasn't landed anywhere too awful yet, but as far as I know we customarily hide even temporarily-present security bugs (but we unhide them that much faster after they're fixed, as partial compensation).
Comment 3 has the right question--this is a regression from bug 740069 caused by the proto array stored in DOM_PROTOTYPE_SLOT not being traced. This is TraceXPCGlobal:
TraceXPCGlobal(JSTracer *trc, JSObject *obj)
#ifdef DEBUG
if (trc->callback == VerifyTraceXPCGlobalCalled) {
// We don't do anything here, we only want to verify that TraceXPCGlobal
// was called.
reinterpret_cast<VerifyTraceXPCGlobalCalledTracer*>(trc)->ok = true;
if (XPCWrappedNativeScope *scope = XPCWrappedNativeScope::GetNativeScope(obj))
It wasn't changed by bug 740069 (or anything after that, either).
What I don't understand is why my testcase from comment 4 didn't crash. Hard to test a fix if I can't reproduce the crash reliably. :(
Created attachment 619034 [details] [diff] [review]
(In reply to Boris Zbarsky (:bz) from comment #7)
> window.XMLHttpRequest.prototype = null;
.prototype is { [[Writable]]: false, [[Enumerable]]: false, [[Configurable]]: false }. This crashes for me:
delete window.XMLHttpRequestUpload;
new XMLHttpRequest().upload;
Comment on attachment 619034 [details] [diff] [review]
r=me, though should we do a chrome test to avoid enablePrivilege?
Created attachment 620275 [details] [diff] [review]
With a mochitest.
Turns out there was also a bug in the worker scope's trace, we need to move the trace call inside the check for a real wrapper, so we don't run it for a DedicatedWorkerGlobalScope's prototype object (which uses the same JSClass because worker code calls JS_InitClass).
Comment on attachment 620275 [details] [diff] [review]
We should ban use of JS_InitClass in DOM code. It never does the right thing. :(
Comment on attachment 620275 [details] [diff] [review]
[Approval Request Comment]
Regression caused by (bug #): bug 740069
User impact if declined: crashes
Testing completed (on m-c, etc.): landed on m-c (and has a crashtest)
Risk to taking this patch (and alternatives if risky): low risk, we just started tracing JS objects so that we don't end up with stale pointers to them
String changes made by this patch: None
Comment on attachment 620275 [details] [diff] [review]
[Triage Comment]
Low risk crash fix that may become worse after release based upon browsing habits. Approving for Aurora 14.
Since this was never in a shipping build (not even beta) we don't need to keep this hidden.


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Get 5% off or get the better offer price when you opt-in for recurring deliveries with Auto-Reorder. Available on UK deliveries only.Learn more
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Lily's Kitchen Perfectly Puppy Grain Free Dry Food - This is a delicious, grain-free recipe made from natural ingredients and created especially for puppies.
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Hotfrog NewZealand provides information regarding John Darke Interiors. John Darke Interiors provides Fabrics services. Contact them on + 64 7 578 2065 or by visiting them on their website http://www.johndarke.co.nz.
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State St & N La Cumbre Rd
North State, Santa Barbara, 93110
Commute to Downtown Santa Barbara
Most errands can be accomplished on foot.
Flat as a pancake, excellent bike lanes.
About your score
State St & N La Cumbre Rd has a Walk Score of 83 out of 100. This location is Very Walkable so most errands can be accomplished on foot.
This location is in the North State neighborhood in Santa Barbara. Nearby parks include Los Robles Park, Los Robles Park and Willowglen Park.
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State St & N La Cumbre Rd is in the North State neighborhood. North State is the 9th most walkable neighborhood in Santa Barbara with a neighborhood Walk Score of 76.


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1. February 14th is rapidly approaching.
Walt Disney Pictures / Via giphy.com
2. All of your friends in relationships couldn't be happier.
Disney Channel / Via havealittle-fun.tumblr.com
3. Which makes all the single people, especially you, feel extremely bitter.
MGM / Via giphy.com
4. So you have to deal with all the couples being cute.
Fox / Via pandawhale.com
5. And people talking about having significant others.
Universal Pictures / Via rebloggy.com
6. And their love life.
Columbia Pictures / Via themoviescore.com
7. People ask what your Valentine's Day plans are.
Via imgur.com
8. You find yourself questioning why you don't have a significant other.
NBC / Via theaccidentalextrovert.com
9. Not only are you not in a relationship, but there's currently no possible fling of any kind.
NBC / Via supermansam.tumblr.com
10. So you try to remember the last time you actually hit it off with someone. Apparently it didn't go too well.
Paramount Pictures / Via dailymotion.com
11. Or in a slightly intoxicated state, maybe like this.
CBS / Via bunnyndisguise.tumblr.com
12. After seeing happy couples, you start to lose hope.
The WB / Via fuckyeahparisgeller.tumblr.com
13. So, instead, you watch your friends get flowers and go out to romantic dinners.
Universal Pictures / Via blog.naver.com
14. But at least there's always one thing that will make you feel better, no strings attached.
15. You do everything in your power not to drunk text your ex.
NBC / Via ohladymidnight.wordpress.com
16. So you hang out with all your other single friends instead.
NBC / Via giphy.com
NBC / Via giphy.com
18. You think "maybe things will change by next Valentine's Day."
Paramount Pictures / Via myfriendsarenotmarried.tumblr.com
19. But if not, don't sweat it!
Disney Channel / Via s1302.photobucket.com
Lionsgate / Via ftw.usatoday.com
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Hotfrog NewZealand provides information regarding Ecomist Taranaki in New Plymouth Taranaki. Ecomist Taranaki is located at 130 Carrington Street, New Plymouth Taranaki and provides Home Improvement services. Contact them on 0800 757 578 or by visiting them on their website http://www.ecomistsystems.com.
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183 Powderham St New Plymouth Taranaki 4310
P O Box 872 New Plymouth Taranaki
4 Hughson St Waitara New Plymouth Taranaki 4320
159 Gill Street New Plymouth Taranaki
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When Joe Kinnear became manager of Wimbledon in January 1992 he was a breath of fresh air. None of the foul air with which he greeted the North-east media on arrival there some 17 years later; but someone who got on famously with players, staff, fans and reporters alike. What endeared all those groups to him over the next eight seasons, even more than his hail-fellow-well-met attitude, was the success he brought to a financially struggling club that within a few years of his departure following ill health had effectively ceased to exist.
It is always a help to an incoming manager to replace an unpopular one. Kinnear's predecessor, Peter Withe, may once have been a warrior centre-forward who won the European Cup for Aston Villa, but he was never cut out for even the later, tamer incarnation of the Crazy Gang, whose owner Sam Hammam was as crazy as anyone.
Appointed to the top division of English football from a position as Villa's reserve-team coach, Withe decided that discipline needed tightening up and that club ties, blazers and fines were to be the order of the day. A dressing room full of strong characters such as John Fashanu, Alan Cork, Hans Segers and Robbie Earle did not take kindly to the new regime, results suffered and, after only one win in 17 games, Withe was sacked. Kinnear, already known to the players as youth-team manager, stepped up to the first team and took the leash off.
"He was one of the boys," a long-standing Wimbledon observer recalled. "When they had a party he'd go along, join in and sing a few Irish songs." More importantly, results immediately picked up again and from being 18th in the table, the team comfortably avoided relegation.
How catastrophic it would have been to go down was clear, and became all the more so when it eventually happened. Difficult as it may be for a generation brought up on the Premier League to imagine, the crowd at Kinnear's first home game at the Selhurst Park ground shared with Crystal Palace of 5,534 was by no means the season's lowest. The following month a goalless draw with Everton attracted 3,569.
Even with the best players sold on, Wimbledon's record under Kinnear remained as remarkable as it had been under equally down-to-earth leaders like Dave Bassett and Bobby Gould. In 1994 he took them to sixth, the joint-highest in the club's history; three years later they finished eighth and reached both domestic cup semi-finals.
Once he suffered the first of his health scares, however, in March 1999, decline was swift. Egil Olsen came in from Norway and the Dons were relegated in his first season. By 2004, denied a move to Kinnear's native Dublin, they had been franchised out to Milton Keynes.
Kinnear himself became director of football at Luton and, in a move to concern Newcastle United's Alan Pardew, sacked the manager and took the job himself, leading to relegation and then promotion before Kinnear was sacked. Having later been unsuccessful at Nottingham Forest, and therefore a shock choice in 2008 at Newcastle, he has subsequently felt the need for the occasional exaggeration and has never knowingly undersold himself.
Sharing many of those qualities with his near contemporary Harry Redknapp, he has also felt most at home in the south of England, where he lived from the age of seven and where the media glare shines far less dazzlingly on any one club. Redknapp, offered the chance to join Newcastle, declined and has remained down south. Kinnear took up the challenge and to widespread astonishment has been offered another go, which he has accepted, "single-minded and not worried". All he needs now is to bone up a bit on some of his new players' names.Reuse content


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Note: Proceeds are funds made available to Gavi from donor contributions and commitments, either through cash payments made to Gavi, through frontloading via the capital markets of a future donor commitment to IFFIm, or through AMC funds released to Gavi via the World Bank. Future IFFIm proceeds from new pledges made at the Berlin pledging conference are indicative and are based on certain assumptions including future interest rates and foreign exchange rates generated from financial market data, and donor payment schedules. These assumptions may differ from conditions prevailing at the time of grant and legal agreement signing, which may result in different projected and realised IFFIm proceeds.
Click on Direct, IFFIm, AMC or Matching Fund in the above key to toggle their data on the graph, click again to show the data
Non-US dollar contributions for 2000-2015 are expressed in US dollar equivalents using the exchange rates on the dates of receipt. For 2014 and 2015, where contributions were hedged to mitigate currency risk exposure, have been expressed using the rates applicable to the hedge agreement.
Non-US dollar Direct Contribution and Matching Fund pledges for years 2016 and beyond are expressed in US dollar equivalents using the forecast rates from Bloomberg as at 30 September 2016 as follows: pledges for which an agreement has been signed (for the year 2016: using the forecast rate for Q4-2016; and for the years 2017 onwards: using an average of the available yearly forecast rates), for agreements yet to be signed (using an average of available yearly forecast rates for 2016 onwards; for 2016 this consists of an average of the forecasted quarterly rates). Pledges for these years for which contributions have already been received are expressed in US dollar equivalents using the exchange rates on the dates of receipt. Non-US dollar pledges that have been hedged to mitigate currency risk exposure are expressed in US dollar equivalents using the exchange rates stated in the hedge agreements.
Signed non-US dollar IFFIm pledges are expressed in US dollar equivalents using the exchange rates at the time of signing the respective donor grant agreements. Unsigned non-US dollar IFFIm pledges are expressed in US dollar equivalents using an average of the available yearly forecast rates from Bloomberg. These contributions have not been reduced by a notional 3% provision to allow for any potential reduction arising from the High Level Financing Condition of the IFFIm Finance Framework Agreement.Additional note regarding FX rates (pertaining to outstanding pledges denominated in non-USD currencies): In light of the unprecedented volatility in FX rates in recent months, Gavi has decided to update its methodology for estimating the USD equivalent value of non-USD denominated contributions: Gavi will update its FX rate assumptions for future years using the average of the annual FX forecasted rates as published by Bloomberg at the end of each calendar quarter (or as otherwise in line with its bi-annual long-term forecasting process). This methodology is consistent with that shared and agreed with donors in Berlin in January 2015 at Gavi's pledging meeting.
The United States is one of the Vaccine Alliance's original six donor countries and contributes to Gavi through direct contributions. The United States has placed a significant emphasis on ending preventable child deaths through reducing child mortality and targeting funding for high-impact, low-cost interventions. Vaccines and immunizations are an important component of this initiative and Gavi is a key partner in helping the United States achieve its goals. Moreover, the United States continues to be an important partner to Gavi by aligning programmatic interests in country to ensure greater efficiency and impact on the ground.
Annual contributions have increased from USD 48 million in 2001 to USD 200 million in 2015. At Gavi's first pledging conference in June 2011, the United States pledged USD 450 million for the period 2012-2014, subject to congressional approval. In addition to this pledge announcement, the US contributed USD 90 million for 2011. At the Gavi pledging conference in January 2015, the United States pledged USD 1 billion for the period 2015-2018, subject to congressional approval, which includes the 2016 contribution of USD 235 million. The 2016 funding level represents the largest annual contribution to the Vaccine Alliance from the United States to date. The Administration has requested USD 275 million for 2017 to Gavi, which requires Congressional approval.
Contributions and pledges in total:
Donor profiles
Gavi Pledging Conference - Berlin, 26-27 January 2015
Dr Raj Shah, Administrator, USAID, addressing the conference
United States pledge announcement
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+Elegant European companion for travel and adventure
Highly sought-after European companion for travel and adventure.
The Look
Heloise Golde is a 5'8", slender, all natural, 26 year old caucasian woman with long auburn hair and blue eyes.
She is available for Men, Women, and Couples.
Perhaps we've met before, crossing paths at a gallery in New York or locking eyes across a crowded restaurant in London. Do you remember what that moment was like? When we meet this time it will be different; we will check our inhibitions and do as we please, outside the realities of our social confines.
I am your warm hearted girl from the far North who will always leave you craving more. A true sensualist who loves to indulge in all that life has to offer- art, literature, wine and only the best of company. Familiar yet enigmatic; I exist in your dreams and our fleeting moments together. I value experiences and live to create memories you will never forget. I will whisper sweet nothings in your ear and make magic happen when we are together…
A little about me: I am 26, tall (5'9) with a slim figure and elegant little curves (32D-24-35). My body is completely natural and unspoiled; no tattoos, fake tans or enhancements. Just long pale legs, long auburn hair and clear blue eyes. I am non-judgemental and lighthearted; when I'm not spending time with you I am busy in the art world, seeing my friends and improving my pilate moves. My interests are varied but I deeply enjoy the visual arts and love visiting galleries, museums and artist's studios wherever I travel. Travel being my other major interest. Maybe next time I will be flying to see you…
Whatever the situation, I am focused on delivering the best experience possible for you. Whatever your dream, let's make it a reality.
Please visit my website for more images as well as further information about our time together. I am very much looking forward to hearing from you!
Until then, XOXO
In my spare time I enjoy going to museums and galleries, reading, trying new restaurants and jogging in the park. I love to learn new languages, I speak English, French, Japanese and working on adding Russian to the list currently.
If you'd like to learn more about me, please visit my website!
Please review my website in full before contacting me via email. You can find my rates and all other important information there.
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And with that, we have "2" — the official total number of "Woo!"'s in the ECM catalog. This one comes from Enrico Rava, as guitarist John Abercrombie unleashes a particularly intense solo passage. (The other comes from Pat Metheny, who let go with a "Woooooo! Jack DeJohnette man!!" after the music faded on the class album 80/81. Actually, he kind of sounded like Tommy Chong in that instant… just sayin').
Available in the United States on CD for the first time (as part of ECM's Touchstones Series), The Pilgrim And The Stars shines a light back to 1975 — when jazz icons Enrico Rava and John Abercrombie were clearly different players. While not exactly a free jazz blowing session (though it does have its moments), the overall sound and attitude is quite different from what a listener might expect, being familiar with Rava and Abercrombie's more recent material.
This record has been a revelation of sorts for my ears, as my introduction to Rave's work came relatively recently, with his stellar trio album recorded with Stefano Bollani and Paul Motian.
On Rava's more recent outings, the emphasis has definitely been on the romantic and the lyrical. There are a few hints his free jazz roots, but you really have to be listening carefully.
Or… you can go right to the source. The interesting thing here is that both the romantic and the 'out' happily coexist on this record, often inside of the same composition. The title track opens the album and is typical of this "bi-modal" approach. Bassist Palle Danielsson helps to coax Rava's trumpet along a path of searching and wonderment, lightly framed by Jon Christensen's cymbal work and Abercombie's supportive arpeggios. Just a few minutes later and the entire group, in particularly Rava and Abercombie, are attempting to burn the house down with shrieking chromaticism, feedback, and plain old barely controlled energy.
Bella also follows that kind of structural template, beginning with a relatively pensive Abercrombie setting things up with some ringing chords and harmonics. Rava soon joins in, telling his glowing story. A few minutes later and the steaming horn juice has overtaken things, only to be followed by the Woo!-inducing Abercombie guitar solo. It has to be one of the most angular and aggressive things he's ever played.
Rava's instincts served him well on this record, as there are just enough "normal" segments (including the cool guitar/horn duet "Parks" as well as "Pesce Naufrago") to make the 'out' bits seem all that more intense. Speaking of intense, thirsty ears need to check out "Surprise Hotel," just under two minute of full-on guitar and horn freakout. That tune makes way for "By The Sea," a showcase for Abercombie's comping skills. You haven't lived until you've heard the icy tones and chiming chords, all played very high up on the neck. Very exhilarating stuff.
"Woo!!!!"Powered by Sidelines


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Location: Mt. Olive, Alabama, United States
Member Since: January 2010
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San Jose Music Lessons
Looking for private in-home or in-studio lessons? Our San Jose teachers are ready to get you started. Find your teacher today!
Popular Music Lessons in San Jose, CA
How it Works
From finding the perfect teacher to managing payments, scheduling and tracking your progress, we take care of all the details, so you can focus on learning. Learn More
Search for a teacher
Compare hundreds of teachers based on the criteria that matter to you, including background checks, age and experience.
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When you've found the perfect match, schedule your lessons online using the teacher's real-time availability.
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Your teacher will welcome you with a personalized curriculum to meet your specific goals and you'll be able to manage your entire schedule through our free online account.
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No problem. Our online lesson platform connects you with any teacher, anywhere. All you need is a reliable Internet connection, a webcam and a microphone.
Zero travel time is great for a busy schedule.
Typically priced lower than local lessons.
Online students stick with lessons as long as local students.
Music Lesson Reviews from Students
Students are raving about their Music instructors on TakeLessons. Check out some of these recent reviews.
Kristen always showed great patience during our lessons. She is super encouraging and makes the lessons fun as well as effective and informativ
My son Nicholas, 10 yrs old, has been taking saxophone lessons with Imraan for about a month. Searching for a young motivated teacher who is up
Imraan has been the perfect match for Nick. He is not only an excellent saxophone player but a great instructor. He motivates my son with his saxophone playing, has patients with his teachings and with kids, is up to date with todays music and most important, my son cant wait for his next lesson.
Imraan, Im glad we met you and look forward to hearing my son play in concert with you someday."
Denise is a wonderful teacher who loves and respects the work. She will push you to gain a higher understanding of your voice but does so i
I have worked with Desmond previously (as an accompanist for one of his choirs). Desmond is a very gentle, kind spirit and I believe
Travis had been teaching my 10 years old for 4 months now.
he's very patient and nice. my daughter is learning a lot from him."
Tracey is a phenomenal voice teacher and I highly recommend her! She's organized, professional and very musically talented. But more
I have had other teachers in the past, and while they were all talented and very nice, only Tracey has been able to help me improve my singing voice. I improved more in 3 lessons with her than I did in 8 months of lessons with a previous teacher.
Tracey is also very kind and patient #very necessary with beginners!) and very good at correcting without criticizing. She went way out of her way to accomodate my schedule and even comes to my house for the lessons. I think she's the best and I'm sure you will too!"
David is knowledgeable, well spoken, and truly has a passion for drums as well as education. He is patient and always has an insightful ans
Markâs incredible skill as a drummer is only matched by his abilities as a teacher. In just a short time with Markâs instruction, I have
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Check out some of our most popular teachers near San Jose including Sunnyvale, Milpitas, Santa Clara, Campbell and Alviso.
Music Lessons in San Jose, CA
It takes time, patience, dedication and persistence to make it in the musical industry. Diamonds in the rough don't make themselves sparkle; they need the help of a fine craftsman to help them form. In order to really excel, musicians need the guidance of a professional instructor to master their craft.
TakeLessons can help you find that perfect teacher. Within the San Jose area, several professional musicians are willing to give their time to help younger musicians lead the next generation. All San Jose music instructors complete yearly background checks to ensure your safety, as well as an extensive interview process - so you know you're being taught by the best of the best. Moreover, your first music lesson comes with a 100% Money Back Guarantee, so there is absolutely no risk in trying it out!
In addition to security and a great network of teachers, TakeLessons offers variety. Popular subjects include guitar, bass, drums and percussion, piano and voice. We also offer brass and woodwind instrument lessons, such as the trumpet, saxophone, clarinet, trombone and French horn. For our more advanced students, we also offer lessons in music theory, performance techniques, recording secrets and song composition.
Don't wait to take your music skills to the next level! Simply use our easy search tool to find a teacher for San Jose music lessons, or call 877-231-8505 to speak with a friendly TakeLessons representative who will guide you through the process. Book your private music lessons today, and start working toward all of your music goals!
About Hristo V.Close
About Hristo
"His sophisticated and adventurous work is imbued with shimmering harmonies and lyrical improvisations." – JAZZTIMES MAGAZINE
"His multihued compositions are like impressionistic sound paintings." – JAZZIZ
"You just won't find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers." – Improvijazzation Nation Magazine
"Hristo may be one of the best kept secrets in jazz today. He is the epitome of sonic gold." – DIGITAL JAZZ NEWS
"Hristo plays as the cultural end result of his life experiences. Simply put, he plays more so from the heart than he does the head." – Critical Jazz
"A richly textured album full of strong melodic and rhythmic ideas and with some superb playing throughout." – THE JAZZ MANN (England)
As jazz critic Edward Blanco describes: "Heis the newest guitarist to enter the national jazz scene and does so with a stunner of a recording in Song for Messambria, one of the finest debut albums I've had the pleasure of appraising this year."
The record presents a unique blend of ECM-style modern jazz, classical, and Brazilian tone textures, and showcases the completely unique and masterful interpretation of the jazz idiom by each one of its members. In late 2009, Hristo released his second studio album featuring Latin Grammy-nominated pianist Weber Iago. The Secrets of an Angel is an impressionistic landscape painted by the delightful and graceful conversation between the two instruments (guitar/piano).
As jazz critic Brad Walseth describes: "On the heels of his impressive debut recording, Song for Messambria, guitarist Hristo returns along with pianist Weber Iago for a wonderful guitar/piano duet recording - The Secrets of an Angel...while the gentle title track shimmers like a glistening iceberg on a cold sea. The delightful two-part 'The Last Pirate" is a highlight - brilliantly showcasing the exciting romantic bend inherent in his music, while the nostalgic lullaby "Leka Nosht (Good Night)" recalls a faraway youth and rounds out this fine release."
In 2010 Hristo wrote a large scale jazz work (The Perperikon Suite) especially to be premiered at the 53rd Monterey Jazz Festival. This 7 movements jazz suite is inspired by the ancient Thracian city of Perperikon (located on the territory of Bulgaria), and combines orchestral, classical, jazz, and fusion elements depicting the history and mystery of this enchanting place. The work marks Hristo third album and one of his most adventurous and sophisticated works up to date. For the recording of this project the Hristo Quartet was joined by virtuoso vibraphonist and multi-instrumentalist Christian Tamburr.
As jazz critic Dan Bilawsky describes: "Shimmering harmonies resonate throughout these modern jazz marvels, and the soloists work their way around and through this accessible and exciting music with equal measures of taste, technique and spirit. His pieces are peppered with signpost sonorities and ideas that often reappear throughout a given song, creating a sense of continuity and thematic steadiness that develops around individual soloists. While this group ably establishes its own aural identity, which threads its way through the whole album, each movement of the suite has different strengths and a unique sonic footprint. Brought to life as a tale of two cities, The Perperikon Suite ultimately occupies its own wondrous world within the confines of its jazz borders."
As jazz critic Brent Black describes: "There is an incredible warmth to his playing, a fluidity of movement and direction held firmly in place by a stellar quintet that provides ample support for the lyrical imagery created on this release. Aside from the superior sound which almost smacks of a live in the studio recording, there is a true working band feel that he has been able to obtain. He displays an unparalleled versatility moving from the flash of "The Acropolis" to the more introspective "The Southern City" allowing for a wonderfully paced recording. The drumming of Joe DeRose creates a special dynamic tension on the tune "The Great Hall." A release that ends far too soon. Wonderfully crafted, well paced and a sonic tapestry that stands up as well as any release for this past year."
As jazz critic Bruce Lindsay describes: "The music, performed by a terrific quintet, is beautiful: it captures images not of a city in ruins but of a city full of life, of vibrant activity. The Perperikon Suite is an impressive creation. Each individual tune is beautifully crafted, but so, too, is the Suite as a whole. His response to the ancient city is remarkable in both its conception and its performance."
As jazz critic Michael Bailey describes: "Many time motifs are used throughout this suite. Tick-tock ascending and descending figures pass as a thread through cloth, to hold this musical garment—a coat of many colors—together. He achieves this effect with no apparent effort or change in guitar tone or approach. Merely by affecting the time signatures, he makes his magic. The Perperikon Suite is soft-spoken and brainy music that exists out of the ordinary."
As jazz critic Brad Walseth describes: "The new songs are the strongest he has written yet, and the addition of Tamburr serves to take the music to an even higher level. Hristo, meanwhile, continues to impress the listener with his addictive blend of jazz with touches of classical, Brazilian and Eastern European influences in both his playing and songwriting. In lieu of visiting the legendary site yourself, listeners are urged to take a musical journey to the ancient location as seen through the senses of Hristo and shared with you through his highly satisfying musical presentation."
As jazz critic Ed Blanco describes: "Hristo and his inspirational quintet provide an all-new experience on The Perperikon Suite, a concept album that is accessible, creative and a pleasure to spin often."
In 2012 Hristo embarked on yet another musical chapter of his life. Heartmony is the long awaited and highly anticipated follow up to the first duet recording by the guitarist and pianist Weber Iago (The Secrets of an Angel). As the title of the record will suggest, Heartmony explores a truly intimate, honest, and emotional conversation between the two instruments. The music, which transports you from impressionistic landscapes to folkloric tales and from melancholic memories to meditative trances, is simply the purest harmonious sounds he has put on tape up to date. Straight from the heart, healing energy that will embrace you long after you listen to it.
"An absolutely wonderful recording." – JAZZTIMES
"If ever there were a marriage between classical music and jazz then this Heartmony is it. Hristo and Weber Iago have created a very special experience." – Grady Harp (Amazon.com)
"Both on and off the bandstand, he is an artist who wears his emotions on his sleeve. His new "Heartmony," a duo session with his frequent collaborator, Brazilian pianist Weber Iago, provides a master class in the way a chord or harmonic progression can evoke a flood of sensations." – Andrew Gilbert (San Jose Mercury News)
"Guitarist Hristo and longtime collaborator, pianist Weber Iago, have created a work of sublime musicality with Heartmony. Exquisitely lyrical, although a bit too sweet, this opus brings together multiple musical influences into a coherent and cohesive, multilayered narrative, the momentum of which does not slack from the first few notes to the very last. He and Iago interweave long musical threads into a shimmering soundscape of serene beauty." – Hrayr Attarian (All About Jazz)
As jazz critic Brent Black describes: "Heartmony is a sonic mosaic pieced together from heartfelt feelings and emotions carried through time and communicated in an incredibly heartwarming and emotional presentation that exemplifies the zen concept of less is more perhaps as well as any recording of the last decade. The musical sound of one hand clapping. His and Weber's music transcends the more traditional jazz idiom in much the same fashion that their recorded work here is that of a more cohesive unified voice with subtle shadings, lyrical swells and the textured nuances that creates music that is to be experienced. An incredibly beautiful artistic statement of personal experience."
"Guitarist Hristo and pianist Weber Iago sounds like a perfect match in a musical heaven, if such things exist. What I'm saying here is that this is a duet album that sounds perfect, music made from the heart and soul. There's warmth, there's care, and there's a human quality to this that no machine can replicate, and it is that Heartmony that makes this a powerful album worth listening to repeatedly." – John Books
As jazz critic Dan Bilawsky describes: "The eleven originals are all musical offerings from the heart and soul, but this isn't a one-dimensional recital. Some songs are full of life and positive energy, while others have a sense of regret and nostalgia sewn into their being, but they're all painted in sharp, vivid colors, thanks to the skills of both artistic practitioners at play."
"This set of guitar-piano duets is quietly emotional, always intriguing and quite original. His clear toned guitar blends in perfectly with Iago's powerful piano and the two musicians often seem to think as one. Heartmony is quite thought provoking and well worthy of many close listens. Highly recommended." – Scott Yanow
"Hristo and Iago play together with the assurance born of long and fruitful collaboration. They know each other well, and it shows in the skillful way they complement each other. They take a beautiful melody and run with it. They wring every bit of emotion out of it. There are passages in a composition like "Memories in Black and White," nocturnal moments in "The Last Leaves which Fell in Fall," that sound like they could have been written by a nineteenth century Polish Romantic. Then there are moments in the same songs where there are glints of French Impressionists." – Jack Goodstein (blogcritics.com)
"Hristo is a gifted composer and master guitarist whose stylish approach to the music makes him a hidden wonder of the jazz world. Heartmony is an intelligent musical statement and gentle follow up to his previous works, a relaxing soulful musical experience sure to touch a piece of your heart." – Ed Blanco (E-JAZZ NEWS)
In January 2013, Hristo released "Familiar Fields" – his 5th record as a leader (and his 2nd quartet recording). The music presented in this session clearly displays the multidimensional tonal evolution of the band and each one of its individual members. The addition of drummer extraordinaire Mike Shannon to the quartet establishes a portal to new sonic landscapes and emotions to be explored in this collection of 9 original pieces by the guitarist. The music, which takes the listener through the realms of impressionistic, classical, jazz, experimental, and new age, always retains the unique sonic footprint that has brought critical acclaim to the quartet all over the world.
"He paints a vivid pastoral landscape with epic sweep, often recalling the big-sky sound of Pat Metheny. Obviously, these musicians are more than comfortable with one another, as one delicate solo seamlessly segues into another." – JAZZIZ
"Once again he has produced an immaculately crafted, often supremely beautiful album." –
The Jazz Mann (England)
"If Pat Metheny and Larry Carlton are considered the kings of impressionistic jazz guitar, then certainly Hristo is a crown prince and ready to lead a palace coup. In fact, "Familiar Fields" easily stands equal to even their greatest albums. Part of the reason for that has to be credited to Hristo's choice of musicians in the quartet. The musical affinity and effortless grace shines forth on this album like few recordings I have ever heard. They share a single heart and mind that bursts forth in illumination on every track. There is no weak moment or weak player on this album." – Travis Rogers (JAZZTIMES)
"Over the past few years, Bulgarian-born, Bay Area-based guitarist and composer Hristo has consistently crafted music of great lyrical beauty. With his self-named quartet or quintet, or in duet with pianist and frequent collaborator Weber Iago, he has advanced a sound that manages to sound intimate and epic at the same time. He does so again on Familiar Fields (First Orbit Sounds), his latest recording with his quartet, which welcomes new member Mike Shannon on drums. As he has on previous recordings, He makes use of classical imagery and narratives in song titles such as "The Prophet's Daughter," "The Mask of Agamemnon" and "Wounded by a Poisoned Arrow," the last of which is our selection. His instrumental voice bears echoes of the tonal warmth and big-sky sweep of Pat Metheny, as he and Iago, his beyond-simpatico musical compatriot, switch off on leads, riding the rolling hillocks of rhythm provided by Shannon and acoustic bassist Dan Robbins. Shannon proves an exceptional addition to the group, responding to and driving his companions in equal measure." – JAZZIZ
As jazz critic Hrayr Attarian describes: "Bulgaria-born and San Francisco-based Hristo has established himself as a modern day troubadour. His enchanting and fantastical tunes have the feel of medieval ballads abundantly peppered with futuristic sounds. His sixth release, Familiar Fields, presents nine impressionistic originals that showcase his maturing compositional skills as well as the superlative, improvisational talents of his working quartet. With each album he oeuvre ripens and becomes more sophisticated without losing its delightfully spirited edge. Familiar Fields not only stands on its own merit as sublime music but also whets the appetite for what is yet to come."
"Familiar Fields is a highly intelligent, thought-provoking Impressionistic escapade." – Nicholas Mondello (All About Jazz)
"This release is a clear statement from an artist comfortable with who he is and where he is going. There are no absolute truths in music but instead there are shades of gray which he and his quartet fill in with the precision of a surgeon and the soul of a true artist. Never caught up in the academics of his works, he instead conducts a sonic exploration with the end result being a release that gives up something new with each subsequent spin. An ebb and flow unmatched, or perhaps unlike him, an ebb and flow that other artists simply can not match. As close to perfect as it gets!" – Brent Black (CriticalJazz.com)
"The Hristo Quartet, ladies and gentlemen, is in peak form. They have no competition: no other music in the jazz idiom is quite as satisfying." – Grady Harp (Amazon.com)
"The musical bond between guitarist Hristo and pianist Weber Iago is as strong as that of Chick Corea and Gary Burton, with proof being their two sublime duet recordings, The Secrets of an Angel and Heartmony, as well as three small group sessions under his name. For the Familiar Fields quartet date with regular bassist Dan Robbins and new drummer Mike Shannon, chose nine gems to play from his vault of more than 270 original compositions. As usual, as one listens to his music, the words lyrical, impressionistic, spiritual, and passionate come to mind, and also his term "heartmony," which he defines as the simultaneous combination of feelings and emotions, especially when produced by experiences, memories, and stimulations pleasing to the heart, body, and soul." – Scott Albin (JAZZTIMES)
"The emotional essence of any Hristo recording can be seen before it's heard via the distinctive oil paintings the guitarist creates for his CD jackets. his artwork for Familiar Fields is impressionistic, haunting and autumnal, the same qualities that characterize his latest collection of tunes. The foursome's interplay is highly intricate, resulting in emotive tunes that wax and wane in intensity. Whether you call it post-bop or post-fusion, his brand of jazz is passionate and ethereal. He has developed into a formidable guitarist and intelligent composer, and since he's only 32 years old, his best work may be yet to come." – Ed Kopp (Jazziz)
"Within his tone and technique, it's not difficult to hear the influences of Wes Montgomery, Pat Metheny and Lee Ritenour. He is adept at the full range of extended techniques but is most often described - justifiably - as an impressionist." – Karl Ackermann (All About Jazz)
"Of the many attributes that Bulgarian (San Francisco based) guitarist Hristo possesses - refined technical abilities, warm tonality, and expressive soulfulness - his gift to convey beautiful stories through intricate composition is always at the heart of his appeal." – Mark F. Turner
In October 2013, Hristo released his 6th album as a leader. "Rhodopa" is a beautifully crafted sonic pairing of the extremely emotional and lyrical Bulgarian folklore and the multidimensional and deeply textured world of modern jazz harmony. On his new music journey, the guitarist is joined by virtuoso Bulgarian clarinetist Liubomir Krastev. As jazz critic Dan Bilawsky describes: "Hristo and Liubomir Krastev cover everything from the mystical to the mournful and the grim to the gleeful on this absorbing duo date."
"Hristo takes improvisational music to a third dimension of texture you can feel. Rhodopa is my selection for album of the year for 2013. Critically acclaimed guitar virtuoso Hristo started the year with the release of the highly regarded Familiar Fields. With Rhodopa, has now assumed his rightful place as a global virtuoso of unrivaled talent and ability. As artistically gifted as he is technically proficient, Hristo moves to the head of the pack with this stellar outing." – Brent Black (CriticalJazz.com)
"Hristo boldly departs from the group setting and gives the audience even more of what they crave - soulful arrangements and virtuosity with heart. There is a beauty and an elegance that comes through on each and every one of Hristo's recordings. The music he composes, the arrangements he crafts, the musicians that he assembles together and the dignity and reverence of his musicianship speak of the heart of the man and his love of life." – Travis Rogers (JAZZTIMES)
As jazz critic Hrayr Attarian describes: "The warm, poetic tunes are like fairy tales in verse. They are imbued with nostalgia, and shimmer with a variety of muted colors and sentiments. Krastev's softly undulating tones waver against his vibrating strings in a spiritual celebration of abstract beauty. This thematically unified work is a genre bending, elegant and satisfying opus and a new high for he who continues to excel himself on each fresh release."
"Modern jazz guitarist, pianist and composer Hristo always refreshes the ear and the soul with his inordinately sensitive, mesmerizing, and beautiful approach to music. He is unique - and artist who explores every avenue of approach to both folk music and jazz and the result is an experience that simply no one else can match." – Grady Harp (Amazon.com)
"With Rhodopa, guitarist/composer Hristo and clarinetist Liubomir Krastev meld musical minds, dive exuberantly into an array of earthy Bulgarian folk material and come up with four hands of beauty. The result is a panoply of aural color, emotion, and technical artistry." – Nicholas Mondello (All About Jazz)
As jazz critic Ed Blanco describes: "Rhodopa is an instrumental serenade of Bulgarian folklore music interpreted by a world-class guitarist and clarinetist. Hristo and Liubomir Krastev deliver an enchanting and relaxing escape from reality with a fifty-three minute encounter of soul-reaching music."
"You just won't find a jazz guitarist (on the planet) these days who has such essential communication skills through his fingers. With Liubomir's reeds, they form a cultural jazz experience that can't be compared with anything else!" – Dick Metcalf (Improvijazzation Nation Magazine)
On top of leading his own quartet, quintet, duo projects, and co-leading the group SEVA, Hristo also co-writes and plays guitar with Joe De Rose and Amici - an energetic jazz/fusion formation lead by drummer Joe De Rose. Hristo has appeared on countless radio shows/programs all around the world.
Hristo has also performed in world-class jazz venues and festivals including Yoshi's Jazz Club (Oakland, CA), Bach Dancing and Dynamite Society (Half Moon Bay, CA), Kuumbwa Jazz Center (Santa Cruz, CA), Anthology (San Diego, CA), Catalina Jazz Club (Hollywood, CA), The Jazz Corner (Hilton Head Island, SC), Heidi's Jazz Club (Cocoa Beach, FL), Alvas Showroom (San Pedro, CA), The Jazz Station (Eugene, OR), Egan's Ballard Jam House (Seattle, WA), Timucua White House (Orlando, FL), Ivories Jazz Club (Portland, OR), The Herbst Theater (San Francisco, CA), SOhO Jazz Club (Santa Barbara, CA), as well as major jazz festivals including the 53rd Monterey Jazz Festival (Monterey, CA), 2009/2010/2012/2013 AT&T San Jose Jazz Festival (San Jose, CA), 2010 and 2012 Redwood City "Jazz on Main" (Redwood City, CA), Okazaki Jazz Festival (Okazaki, Japan) and many more.
Hristo holds a B.A. in Music (Jazz Studies) from San Jose State University in San Jose, CA.
He has also studied in the prestigious Roland Music Academy in Caracas, Venezuela.
Students can benefit from Hristo's completely amazing knowledge on the instrument as well as music/harmony theory. He will work and design unique and specific goals tailored to each student's individual interests. His dedication and passion for teaching are first class!!!
*** Lesson Details ***
I design my lessons with the specific student goals in mind.
For Beginner students: we will start by exploring rhythm concepts and understanding how to read music. Learning the physics of the guitar and exploring the notes in the first few positions. Learning open position chords, and simple chords progressions, major and pentatonic scales,etc.
For Intermediate students: we will continue expanding our knowledge of the higher positions of the guitar, as well as develop better sight-reading skills. Bar cords and chord transposition, and music theory. Expanding our scalar vocabulary to modes, and minor scales. Learning arpeggios and classical etudes.
For Advance students: Close interval voicings, jazz improvisation, chord to scale relationships, and harmonic substitutions are some of the concepts we will cover. Learning solo guitar playing (chord melody), incorporating walking bass lines, transcription skill and arranging skills.
*** Studio Equipment ***
A specific music room with a few guitars, a keyboard, amps, and recording equipment and music stands
*** Travel Equipment ***
I provide my guitar and amp.
Students should provide their guitars and amps (if needed)
*** Specialties ***
I specialize in Jazz guitar, improvisation, harmonic studies and theory.
Chord melodies, building lines, phrasing, voice-leading, chordal improvisation, and re-harmonization/substitution.
Verified Student · Guitar ·
Hristo is the most inspirational teacher I've every had the pleasure to learn from. He shares his talent in a way that I look forward to every lesson. His patience and positive reinforcement encourages me to keep practicing. He selects the appropriate music for my level and teaches all genres. Thank you for working with me every week. I hope I get to work with him for as long as I can until he becomes too famous to continue teaching us.
· ·
I've been taking lessons from Hristo for a couple of months now. He is friendly, affable, and extremely patient. I enjoy our lessons, and have learned quite a bit in the short time we have been working together.
· ·
Hristo V.
Hristo V.
About Neil K.Close
About Neil
*** Lesson Details ***
I have played and studied extensively the styles of Jazz, Rock, Blues, Classical,electric and acoustic guitar. I begin lessons by teaching students the fundamentals of the instrument and after a basic grasp of the guitar is developed I encourage students to learn songs / styles of their choice so that the musical experience is fun for them. In the first few months beginning students will learn the architecture of the guitar: string names & numbers, finger numbers, fret numbers, tablature, chord diagrams, basic time signatures, strum patterns, chord charts. I divide guitar playing into 3 major principles: Lead playing / improvisation, Chord playing / accompaniment, and Melody / note reading. Lessons will reflect the development of these principles. Scales and arpeggios and music theory lead to improvisation. Chord playing, chord progressions, open chords, bar chords, & power chords are used to play rhythm guitar in songs of the student's choice. Melody playing is developed through learning to read music. For reading studies I utilize the Hal Leonard Guitar method for beginners and William Levitt's Modern Method for guitar for more advanced students.
*** Studio Equipment ***
Converted room in garage w/ seating for parents.
*** Travel Equipment ***
students should have guitar, music stand and two armless chairs
*** Specialties ***
I specialize in Jazz, Blues, and Rock styles but am equipped to teach beginning classical guitar as well. I try to combine technique and music reading with the learning of songs that interest the student.
Verified Student · Guitar · In home
Having studied music very seriously, I helped him a little but knew that a real guitar teacher is what he needed. Neil is just what I was looking for! He has a very laid back "attitude" but he's laser focused on keeping things moving, keeping things light, and being totally encouraging. He also is very open to teaching rock and jazz and I can tell he just wants to teach a student whatever style/music type that will keep the student engaged. After every class my son has been satisfied and excited with what he's learning (and I stay and listen and get a kick out of it too). We drive quite a ways to get to his place, but it has been totally worth it. Thanks Neil! You RAWK!!
Verified Student · Guitar ·
I have had only oneother guitar Teacher, and Neil was the Best of the 2. He is very easy to understand, and he makes it Fun and interesting. He is just a Great Teacher.
Neil K.
Neil K.
About Nicholas M.Close
About Nicholas
What to expect in a voice lesson:
Vocal warm-ups
Technique and style development
Selected songs to practice
A recorded copy of the lesson to review and practice with.
As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.
Nicholas' Choral Experience:
Past Conductors:
Dr. Sharlene Archibeque, Dr. Amanda Quist, Lou De La Rosa, Daniel Hughes and Dr. Jef
Past Choir Concert Tours:
Europe 2005 with De La Rosa and 2010 with Dr Quist.
"Star Wars in Concert" October 2009 (Sacramento and San Jose)
"Andrea Bocelli in Concert" November 2012 (San Jose)
"The Rolling Stones 50 and Counting Tour" May 2013 (Oakland and San Jose)
Other Productions:
Eric Whitacres "Virtual Choir" (Beta, 1, 2, 3)
*** Lesson Details ***
Voice and Piano Lessons
+ Vocal and/or piano warm-up exercises
+ Technique and style development
+ Selected songs to practice
+ A recorded copy of the lesson to review and practice with.
As a private instructor, Nicholas seeks to develop students of his own to build excellent technique that they may become confident and comfortable singers and pianists in any style they desire.
*** Studio Equipment ***
Piano Keyboard with Music Stand.
Piano and Vocal Song Books
Lesson Recording Device
*** Travel Equipment ***
I provide a selection of music books to read from, a piano keyboard if the student does not have one, and a lesson recording device. Students may provide any music they wish to work on.
*** Specialties ***
I specialize in singing and teaching Art Song and Opera/Concert Arias.
· Singing · In home
Verified Student · Adobe Photoshop · In studio
Verified Student · Piano · In home
Nicholas M.
Nicholas M.
About Jessica H.Close
About Jessica
Verified Student · Cello · In home
· Chinese · In home
She speaks the most standard Mandarin I ever heard .
Very beautiful tone as well !
I enjoyed working with her .
· ·
I would like to recommend her to all my friends.
Jessica H.
Jessica H.
About DeAnna H.Close
View Full Profile
About DeAnna
Verified Student · Piano · In home
Verified Student · Piano · In studio
Verified Student · Piano · In studio
DeAnna H.
DeAnna H.
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