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Hi Gavin and Craig, can you tell us a little bit more about WDMP?
Gavin: WDMP is a direct, digital and social agency. We understand that curiosity drives consumer behaviour in today's digital age – we follow, measure and listen to prospects, capture insights and turn them into profitable relationships for our clients through campaigns.
We both worked in the marketing industry before setting up the agency in 2002. Having myself worked on the client side for over 17 years (with Toyota, Virgin Media and Amazon) I had gained great insight and understanding into what clients really want and need. Agencies at the time weren't set up to deal with service driven organisations and didn't understand the challenges clients were under or how to deliver to their business objectives.
Craig: I spent 14 years on the agency side after studying as an undergraduate at British Aerospace, working with fast-moving consumer goods clients including Coca-Cola, Walkers and General Mills. Immediately prior to WDMP I was involved in two agency startups so I felt I had gained all the necessary skills and experience to do it for myself. Gavin and I also had our own ideas of what we thought clients wanted and how our new agency could do it better.
Gavin: We both decided that it was the right time to set up an agency where we could truly make a difference – clever thinking from a passionate team with a can-do attitude, a true understanding of consumer insight, journey planning matched to great creative, and, most importantly, putting the client at the heart of the business.
What's it like working with your brother?
Gavin: For a business to succeed you need to work with people you can trust and rely on, so this is a huge advantage for us. We have a similar outlook on life, as well as skills in different areas that complement each other, but we don't compete. Having played sports together all our lives we understand how we both work in a team as well as how to work together.
Craig: Working together as brothers means we're able to put the bullshit and egos aside and focus on delivering client and business needs. As well as sharing mutual goals and drive we have a deep-rooted understanding of each other and can play off one another's skills and areas of expertise.
What first made you guys want to work in media?
Craig: In the early 90s, working on the agency side was seen as the most glamorous and energising sector for graduates to work in. Although it's not the same now the industry still has a buzz, and technological developments are offering something really fresh and different to graduates, in comparison to say banking or management consultancy.
What's do you think is the key to being a good senior level manager at an agency like yours?
Gavin: Recruiting the best talent who share the same passion and have strengths in your weak areas. At WDMP we see all members of the team as stakeholders; we want to ensure everyone is clear about the role they play in creating and achieving the future vision and what they'll get out of it on an individual level.
Craig: You need to create a working environment that motivates, inspires and where people can contribute and have a say. That's why at the company everyone sits on what we call a 'quango' so they can have their say on everything from the office environment to agency marketing.
I would also say never get complacent. If you stand still you stagnate, particularly in today's technological age, so you need to encourage the team to re-evaluate regularly and to not take accepted wisdom as the norm – just because we did it that way last time doesn't mean that it's the best way to do it.
A few years ago one of our graduates came to the board and asked what we were doing with our Facebook page? "We could do so much more," they said. The graduate had looked at what everyone else was looking at and saw an opportunity. I really respect that type of thinking.
What would you say your management styles are?
Gavin: We have an honest approach to running the agency – we're honest about where we are, where we're going and how we're going to achieve our objectives. Craig and I have a huge amount of experience from working in both large corporate organisations and small, busy agencies, so we've tried to apply a structure that overcomes problems we've encountered in previous roles.
We've invested a lot in developing the company's culture and have our own people development programme, which isn't really typical of many agencies. It's really important for us and for the team too; they all want to understand the journey we are on.
Craig: It's about giving responsibility but also coaching through new tasks. Working in digital, data and social means there are people in the team with many different skills, and in order to work smarter we all need to learn from and mentor each other. I'd also warn not to hide behind technology. Even today I'm a firm believer in face to face communication and encourage the team to sit down and discuss, rather than firing off emails to the person sitting opposite.
What in digital marketing is really exciting you the most at the moment?
Craig: The pace of change is very exciting – the online environment empowers consumers to have a voice and it's no longer about mass broadcast messages, but very much about connecting with individual consumers through two-way communications. Consumers are learning fast, becoming more curious and keeping abreast of the changes. We're now listening to them and building campaigns around their views and opinions. While we are living in a marketing revolution, it's no longer about the world of digital marketing, but about marketing in a digital world. You must innovate or else stagnate.
What top tips would you give to a media professional or graduate looking to get to where you are?
1) Be proactive. There are so many graduates out there looking for an opportunity it's surprising and worrying sometimes that some make such little effort in trying to get noticed. When trying to get an agency placement it's not enough to send in your CV (or in one case we had recently, have your parents send it!). Graduates should be engaging with the agency through social media, connecting with the CEO or MD and gaining an understanding of what they are interested in, and should have an awareness of their latest campaigns.
2) Have passion. We run 6 to 8 week internships and have taken on many exceptional graduates who have shown entrepreneurial skills and had real energy and drive. The industry is not your average 9 to 5 workplace and marketers need to have a level of curiosity and be passionate about what they do.
3) Don't spectate, participate. It really is the best time to be working in the industry. Developments in technology are creating new opportunities everyday and new ways of communicating – graduates need to be involved. Building an online profile really helps to impress potential employers. Take control of your own destiny.
Gavin and Craig Wheeler are CEO and MD of WDMP
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There are 1 airports in Billings, with over airlines flying to Billings.
Besides Wego's selection of Billings flights, we also have a wide choice of quality accommodation and cheap hotels in Billings. Compare room rates and book the best hotel deals for your holidays.
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subset: commoncrawl


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When a young Felix Dexter arrived in London from St Kitts at the age of seven it would have been a scary and daunting prospect. What did a young black kid make of England in 1968, the year Enoch Powell made his "Rivers of Blood" speech?
Dexter was a young, impressionable Caribbean lad with, supposedly, the world his oyster, trying to make London his new home. As he grows up does he choose the academic and studious route or travel the creative artistic road in the true spirit of his Jamaican brethren? Felix Dexter didn't choose; he did both. He trained as a barrister and was a member of Gray's Inn, but gave it up for a greater love – comedy. It's typical of Felix to be able to do both and apply his craft in a courtroom and on stage. I always got the sense that he would not be dictated to, that life would be on his terms. I really admired him for that.
Suffering from cancer, he continued this fight to the end, with vigour. He refused to let go, holding on with laughs and dignity, and he didn't want to be told when it was his curtain call. This bravery and dedication was something friends and colleagues would have always known about Dexter. On set he was a real pro.
He first came on to our screens in 1991 in the sketch show The Real McCoy, which ran until 1996. A showcase for black and Asian comedy talent, the show gave birth to many a comedy career, including Curtis Walker's and Meera Syal's. It was a landmark show that has inspired many of us working today to give this comedy lark a go.
Felix was a real star in the line-up. I remember watching as a boy and being disappointed that his character of the Nigerian accountant, Nathaniel, was never on for long enough. I recall being gobsmacked at the courage it must have taken to play the outspoken pastor, Brother Jeffers. The "mash up Lucifer" routine is one of the Real McCoy sketches doing the rounds on YouTube. It's outrageous – and not forgetting the sheer brilliance of the posh patois-speaking lawyer, Douglas.
Dexter almost immediately took ownership of this heightened, edgy black character comedy. While Lenny Henry had become the BBC1 housewives' choice, Felix was the more dangerous mistresses' choice. Like many others of the McCoy cast, he was not afraid to play the stereotype, and play with the stereotype. The show tapped into a long-awaited desire by some members of the ethnic communities to laugh at themselves, in front of the nation.
Dexter may have faced some criticism for labouring the stereotype or promoting negative portrayals, but I know it would not have irked him one bit. He had no reservations and no rules, apart from one – is it funny? In the time we worked together, and even recently, during the filming of the comedy series Citizen Khan, not once did we discuss the possible negative impact of any of our characters. Felix just wanted it to be funny.
One of his special gifts was his voice. To be able to flip between Jamaican, Nigerian, posh gent and rudeboy was no mean feat. Doing ethnic accents for any performer could become quite uncomfortable ground but with Felix we always knew it would be funny. When writing Citizen Khan, we knew that Felix, who played the Somalian mosque-goer Omar, would find the funny out of anything we gave him. I have never heard anyone say "Asalaam Alaikum" as funnily as Felix, except the numerous young kids who try to mimic Omar's greeting when I now meet them.
He won us over with humour, with tremendous warmth and the vulnerability he brought to his performances, whether on the BBC sketch shows The Fast Show, Bellamy's People or the Radio 4 spoof phone-in Down The Line (with Paul Whitehouse and Charlie Higson), one instantly loved his characters. That's not easy when some of the characters are menacing gangsta-types, chauvinists and verging-on-bigots. He made sure, I don't think consciously, that we were laughing at the right bits. That is one heck of a responsibility.
Dexter's career was probably more varied than some might think – he also appeared on television in Jonathan Creek, Knowing Me Knowing You, Absolutely Fabulous, Have I Got News For You, The Bill and Casualty, and in theatre at the RSC as well in the West End production of One Flew Over The Cuckoo's Nest with Christian Slater.
I first worked with him on BBC2's Bellamy's People. This was my first TV comedy gig and I was in the company of legends: Whitehouse, Higson, Simon Day and Dexter, to name a few. Meeting Felix was the more daunting, all 6ft 2in of him. I made the terrible mistake of trying to do the black brother fist "touch". Bad move. Our first sketch together was Felix playing a music promoter and gangsta, Early D, while I played, a wannabe black Asian rapper, MC Raa – the kingpin against the upstart.
In fact this is not too dissimilar to our own relationship. Each time we met, my insistence on saying "Waam rasta" rather than a "Hello" would be faced with a sly laugh, some teeth-kissing and, I think, general disappointment. I never stopped doing it and I think he loved me for it in the end. Well, at least I think so, as you never really knew with Felix. He was a private man and never gave away too much, apart from comedy advice.
He was a gentle, charming giant whose comedy was infectious, but on set I knew there were buttons not to press. Felix was truly dedicated to his work and too much tomfoolery would sometimes lead him into an extraordinary four-letter patois tirade in the character he could never have done on TV. It was hilarious and also quite frightening. I think that's how he liked it. Was he playing with us or scaring us? Only he knew, ensuring he had the last laugh. As many of us try to evaluate his life and try to examine who the real Felix Dexter was I'd like to think he is looking down on us and having the last laugh once again.
Felix Dexter, barrister, actor, comedian and writer: born Saint Kitts 26 July 1961; died 18 October 2013.Reuse content


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70 Double Blown GTO
My 1970 GTO with two blowers. It's 474ci Pontiac engine with a 8-71 blower on top of a 6-71 blower. This is from the last day of being double blown. I'm going to one single 8-71 blower and going racing. The front clip was removed to make it easier to work on. The reason for the double blowers was not as a power enhancement like many ASSume. I stacked the blowers to have a car that stood out in the crowd. Most Pro Street cars were starting to blend together. If you seen one, you had seen them all. That wasn't the case with this GTO. Al someone had to say was "The double blower GTO" and people knew which car. I was told it couldn't be done, so I attempted it and it worked. It stayed that way for almost 2 years. I knew a twin turbo setup would make more HP. I knew I could have run a 14-71 blower and made more power. That wasn't the point. I wanted to be different than the other cars in the parking lot, I did that now it's time to ove on. For all those people who don't understand why, I'm not going to try and explain it to you anymore. Get over it. I didn't expect EVERYONE to love it. But you won't forget it.
mustang wheelie muscle car
awesome car wheelie
Motorrad Burnout Fireburnout Amazing
soldier falls down
A soldier outside the Queens Palace falls down, lol


text: Sunday Night SocialErin Gloria Ryan12/19/10 6:34pmFiled to: weekend roundupopen threadPeace outAppic2.2KEditPromoteShare to KinjaToggle Conversation toolsGo to permalink It's been a weekend of glamorous fun and intrigue! Or, if you're me, of sitting at a laptop and not brushing your hair. Either way, it's time to wrap it up. What did we do? My stars, what didn't we do? We reflected on Old Kim Kardashian and how Old she is, on Coco and the inexplicable number of readers who seem to have crushes on her, on how we don't care about the Real Housewives anymore. We examined super market psychology and lauded a Chicago area hero who stood up for a victim. Now, let's sit back and relax in our weekend stretchy pants and banter, banter, banter the evening away. Advertisement Advertisement Here's a song to get you started, which is currently an accurate reflection of my mental state w/r/t the impending workweek. Have a great weekend, and see you on Boxing Day!Reply2244 repliesLeave a reply


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We offer free consulting, practical training, & business resources for small businesses in the Pikes Peak Region.
February 15, 2017
We host free or low-cost workshops and events every week!
Southern Colorado Construction Forum: Hear from the movers and shakers of government construction. What are the projects planned for the next year? Which large companies are going to compete for them and how does a smaller company get on the team? You wil
OUR NAME IS CHANGING! In 2016, we will be the Pikes Peak SBDC. This website will redirect to pikespeaksbdc.org!


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Dear Michel,
This is a good time for you to repot P. fulgidum. I'd do it before it
grows too much. Many fast draining combinations of potting mix will do.
I use pumice, sharp sand and sandy loam in equal parts but some people
like to use grit instead of pumice and others add peat. I don't think
there is any magic mix. Just keep it light, not too rich, and fast
For P. bowkeri I'd keep it dry all winter and repot it in Spring just as
growth is beginning.
San Diego, California
This is a multi-part message in MIME format.
Content-Type: text/plain;
Content-Transfer-Encoding: quoted-printable
Hi Group,
Here, in my conservatory, P. fulgidum have new growths for the first =
time and P. bowkeri starts to droop.
Is it the best moment for repotting my P. fulgidum ? What is the best =
compost for this pelargonium ?
And for P. bowkeri, what is the best moment for repotting ? With the =
same compost ?
Thank you for your help.
Michel in the South of France.


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More Videos...
CHROME Lamborghini Gallardo Start and Acceleration!
I have filmed a chrome green Prior Design Lamborghini Gallardo, it starts up and accelerates through the F1 tunnel of Monaco! The car is completely modified and features a widebody kit, a big rear spoiler, a new set wheels and a custom Exhaust. Facebook: http://on.fb.me/Marchettino Twitter: http://twitter.com/MarchettinoYT
Lamborghini Aventador Epic Flamethrower Exhaust!
Everyone love the flaming Exhaust of the Lamborghini Aventador and finally I managed to film one spitting some huge and impressive fireballs! Subscribe! http://bit.ly/SubscribeToMarchettino Facebook: http://on.fb.me/Marchettino Twitter: http://twitter.com/MarchettinoYT
Lamborghini Gallardo Sound + ACCIDENT!!
I have filmed a friend's Lamborghini Gallardo during a trackday event. Video shows first some track scenes. At the end of the day my friend left the racetrack. The main road was very tight, there was another car coming from the opposite way. Worried about scratching his car against the other, my friend moved too much on the right side of the road and half of the car fell down. Actually, we were in the countryside, in the middle of nowhere. It was a pretty difficult situation to move the car. Before all the haters starts to write negative comments about my friend.. it's just an accident, it could happen to everyone. The article about this video: http://marchettinoyoutube.blogspot.com/2011/09/lamborghini-gallardo-sounds- and.html Facebook: http://on.fb.me/Marchettino Twitter: http://twitter.com/MarchettinoYT
Lamborghini Veneno LOUD Exhaust SOUND! - 2x Start and Moving
I have filmed the ultra rare €3.0m Lamborghini Veneno LP750! Video includes two cold start ups of the 6.5L V12 engine from the inside and outside as well as gentle revs, this car is freaking loud even at idle! I have filmed the moment of the car being unloaded and then loaded again, it really does a great noise while getting inside the truck! If you don't know, the Veneno is based on the Aventador LP700-4 but it's 125kg lighter and with 50hp more. Facebook: http://on.fb.me/Marchettino Twitter: http://twitter.com/MarchettinoYT Technical data - 2013 Lamborghini Veneno LP750-4 Engine - 6.5L V12 with 750hp Performance - 0-100 km/h (0-60 mph) acceleration in 2.8s, top speed 355km/h (220mph) Curb weight - 1,450 kg Price - €3.0m + VAT and limited to 3 units Feel free to Like the video if you enjoy it, thanks for the support!


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Casey Stoner breathed a sigh of relief yesterday after surviving a drama-filled day to claim his second MotoGP championship with his fifth successive Australian Grand Prix victory.
With nearest rival Jorge Lorenzo ruled out of the race with a severely injured finger following a crash in practice, Stoner was a shoo-in to seal the title but had to survive the odd wobble as driving wind and rain sent riders scattering. "Phillip Island doesn't let you go home without a wet session," Stoner said.Reuse content


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Booking with Airbnb? Nontraditional Residential Property Arrangements and the Law
Wednesday, February 24, 2016
CPD Hours*
Airbnb has over a million listings of properties for short-and long-term rental in almost 200 countries worldwide. What are the legal implications when millions of people are staying in the private homes of others? You need to understand the risks created by this type of unprecedented commercial service and be ready with advice for your landlord, tenant, or condominium client. Our presenters in this On-Demand Webcast include experienced tenancy lawyers with the latest analysis on these short-term rentals. Learn whether standard leases will allow them, and whether apartment owners can prevent these rentals in their buildings.
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Ameron Die Welle
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... horrific ones too. There is an English theatre, it's closed at the moment but outside is a cupboard with novels in and on it a sign saying that they are free to take. They are all in English and make an effort to entice others to read and learn our language. Imagine a Polish theatre in London that did that. How would that go down. I see a bus saying Frankfurt ...
... to the train station to see where the train leaves from to get to Freising tomorrow. Back to the hotel and I changed into a skirt because it was nice and warm and sunny outside then we headed out site seeing. We walked down Bayer Street and saw Justizpalast. The palatial (old) Palace of Justice was constructed in 1890-1897 by the architect Friedrich von Thiersch in neo-baroque style at the west side of the Karlsplatz. The building of the ...
Arrived in Lyon
... of the city that helped us grasp our sense of direction. When we finally reached Hôtel du Simplon, I had been awake for 27 hours at which point I just wanted food and sleep. We ended up going to a restaurant called "Hippopotamus." It was a very American style restaurant that served cheeseburgers and beer. Some of the girls, were ...
Interactive Web Designing Developing and SEO Services
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A Short Walk Around Downtown Frankfurt
... is incredibly pleasant to walk around, with plenty of pedestrian streets and plazas, along with beautiful parks along the Main river and around the perimeter walls of the old city. The downtown squares were full of locals and tourists taking in the lovely day and street performers were everywhere. It is funny that once you travel enough you start to see genres of street performers emerge city to city. Frankfurt was no different with pan flute music filling the air along ...


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Lost in Shangri-La
Lost in Shangri-La
A True Story of Survival, Adventure, and the Most Incredible Rescue Mission of World War II
Harper Perennial, Paperback, 9780061988356, 432pp.
Publication Date: April 24, 2012
"A truly incredible adventure."
-New York Times Book Review
"[A] gripplingly cinematic account. . . . A remarkable cast of characters. . . . A."
-Entertainment Weekly
"This is an absorbing adventure right out of the Saturday-morning serials. . . . Lost in Shangri-La deserves a spot on the shelf of Greatest Generation nonfiction. It puts the reader smack into the jungle. "
-Cleveland Plain Dealer
"Zuckoff transforms impressive research into a deft narrative that brings the saga of the survivors to life."
-Publishers Weekly (starred review)
"Zuckoff delivers a remarkable survival story. . . . In this well-crafted book, Zuckoff turns the long-forgotten episode into an unusually exciting narrative. . . . Polished, fast-paced and immensely readable—ready for the big screen."
-Kirkus Reviews (starred review)
"[An] engaging story. . . . This excellent book will be enjoyed by anyone who loves true adventure stories."
-Library Journal (starred review)
"A riveting tale in the hands of a good storyteller. . . . LOST IN SHANGRI-LA is the most thrilling book, fiction or nonfiction, that I have read since I can't remember when."
-Seattle Times
"Mitchell Zuckoff has uncovered, and vividly reconstructed, such an astonishing tale. . . . Zuckoff skillfully builds narrative tension and deft character portraits. . . . . He has pulled off a remarkable feat — and held the reader firmly in the grip."
-David Grann, Washington Post


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… The Kentucky Republican said in an interview that he plans to refile legislation that would drastically scale back the Transportation Security Administration's reach by privatizing security screening operations at airports and creating a series of passenger protections.
"I think we are going to," Paul said when asked if he would take another crack at the oft-criticized agency. "We have two different bills, one to privatize the TSA and then we have another one which is a passenger bill of rights."


text:
Minor changes to wordpress website related to Transposh plugin
This project received 14 bids from talented freelancers with an average bid price of $170 USD.Get free quotes for a project like this
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Project Description
I have a website for a small IT startup company. The website is based upon wordpress and supports i18n via transposh plugin. I need you to make a few minor tweaks/bugfixes related to i18n functionality described below.
1. The website should set the default language based on visitor language settings. ru locale should result in Russian language being applied. Otherwise the English language should be used.
2. The slider images should be altered in accordance with the current language. I.e. when user sets the Russian language on the website the images containing Russian text should be displayed. I will provide you a PSD containing Russian text on images.
3. Website allows to display a list of customers on home page. Please make it possible to display different customer lists depending on the language choosen. One for Russian language and one for English language.
Could you please let me know the price and expected timeframe.
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On the 4783rd day of his life, Angus made what some would call a life-changing decision. Angus decided (after several minutes of thinking) to run away. He liked to put it in a nice way, like saying he was running to somewhere not from somewhere. As matter of fact, he was. There was nothing horribly wrong with how he currently lived, he just wanted a change; perhaps for the better.
Angus figured, that since he didn't really fit in with his family, him running away wouldn't be a big deal. Besides, Mrs. Kingsley didn't like him much anyway. He also figured that it was possible to run away to somewhere and stay there; for he had done some research.
From the Mixed-Up Files of Mrs. Basil E. Frankweiler was the book that inspired Angus to go on his daredevil 'expedition'. So, according to the book, he needed a place to run to.
After spending a few hours at the bookshop and on the internet, Angus decided where to go.
Angus was going to Oxford.
It was a clever plan. To get there, Angus just had to get on the bus. The bus fare would be somewhere between 20 and 25. That was less than 1/13 of his total 'income'. Being the paper-boy wasn't so bad after-all (haha... paper- get it?). It really paid off seeing his pocket money was a third of his brother's and sister's (Mrs. Kingsleyclaimed it was because he was 'younger'... Angus had other views).
It was quite simple. Angus found cheap lodging in a dodgy motel not far from Oxford college. He planned on going to the library as 'A keen Learner' and spending most of the day there. Not hard. Then, when he got bored of the Oxford library (which he strongly doubted), Angus would take the bus to London.
There, he'd explore the wonders of city-life (he'd be about 14-ish), then, finally, when he really got bored of it all, Angus would return back to what he was supposed to call home.
Haha, yes, I will leave Author's Notes like in ODWSFMH (One Day When a Suitcase Fell on my Head)! If you were wondering what From the Mixed-Up Files of Mrs. Basil E. Frankweiler was, it's a book. Here: check out the link:
Yes, I tried my hardest not to copy FMUFMBEF. Is it working?
© Copyright 2017 RazzleColaYing. All rights reserved.
Status: Finished
Genre: Riddles
woa koolness this is thuroghly enjoiiable hehe add another chapter soon pleeeees!!
more!!!!!!!LVE THS STRY!!!
Awesome! Almost impossibly, it is better than chapter one! Freaky....
Book / Fantasy
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Has anyone got a Cyclo 505 with UK/Euro mapping? Would you be interested in an exchange of map files?
I plan to zip up the the map file directory on my Australia/New Zealand unit and upload it to Google drive.
I'm guessing that to change maps, all I need to do is back up my Cyclo and replace the map files directory. Be warned though, I'm not yet certain about this, until I get a set of map files to try.
The Cyclo has gone on sale in the US now so I'll be trying to get a copy of North American maps too.
Mio/Magellan Cyclo 505 mapping...
Cycle-touring, Expeditions, Adventures, Major cycle routes NOT LeJoG (see other special board)
2 posts • Page 1 of 1
Mio/Magellan Cyclo 505 mapping...
The theory is simple: a) cycling is inherently fun, and b) the less weight you carry, the more fun it is.
Tour Journals, Articles and Blog: Whispering Wheels
Tour Journals, Articles and Blog: Whispering Wheels
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Re: Mio/Magellan Cyclo 505 mapping...
Hi Ron,
Yes I would be up for that I have all the European maps for a Mio 505
Yes I would be up for that I have all the European maps for a Mio 505
2 posts • Page 1 of 1
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text:
Regional Europe Greece Prefectures Attica Travel and Tourism Lodging Hotels
The generally accepted definition of 'Hotels' as quoted in the AAA "New York TourBook" is: "Usually establishments, offering a full range of on-premises food and beverage service, cocktail lounge, entertainment, conference facilities, shops and recreational activies. Wide range of services provided by uniformed staff on duty 24 hours. Parking arrangements vary." Not all of these need be present for Greek travellers' lodgings to be classified as an hotel. The simplest of hotels may not even have night porter facilities (although this is rare).
Subcategories 9
Related categories 1
Sites 12
Apollon Hotel
Offers information about this hotel located in Methana; includes profile, facilities, gallery and contact details.
Athens - Attica Hotes Association
Offers listings of hotels and general travel information about Attica.
Attica Beach Hotel
Includes photos, details on accommodations, and a reservation form for this facility located in Mati, near Nea Makri.
Cabo Verde Hotel
Offers facilities, photographs, reservation form, rates and contact details of this hotel located in Mati.
Cape Sounio Hotel
Profile, rates, facilities and gallery of this hotel located in Sounio. (Greek, English, German, Russian)
Elefsina Hotel
Find details of this hotel located in Elefsina; includes profile, facilities and gallery. (English, Greek)
Galini Palace Hotel
Profile, facilities, rates, photographs and online reservations of this hotel located in Voula.
Marathon Euro Hotels
Provides details of the Marathon Hotel and Euro Hotel both located in Marathonas; includes profile, facilities and photographs. (English, Greek)
Mati Hotel
Offers information on this hotel located in Nea Makri; includes profile, facilities, photos and contact details. (English, Greek)
Myrto Hotel
Offers information on this hotel located in Nea Makri; includes profile, facilities and reservation form.
Pines Hotel
Offers accommodations in Nea Kifissia, near Athens; includes photos, room descriptions, details on amenities, and a reservation form.
Saron Hotel
Profile, facilities, gallery and contact details of this hotel located in Sounion. (English, Greek)
Last update:December 7, 2016 at 8:15:03 UTC
All Languages


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Lions Club Las Vegas Host, club, listed under "Clubs" category, is located at Las Vegas NV, 89144 and can be reached by 7025853500 phone number. Lions Club Las Vegas Host has currently 0 reviews.This business profile is not yet claimed, and if you are the owner, claim your business profile for free. If you are not the owner you can invite this business to join by email or by phone.Browse all Clubs in Las Vegas NV. Discover census data for Las Vegas, NV.
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text:
- Description
This is a very pretty maxi dress made from cream gauzy fine cotton fabric. It is sleeveless with a very pretty unlined ruffle at the shoulders which forms a handkerchief point over the front bodice and waterfall ruffles at the back. The back features a very deep scoop. There is a deep inset panel above the waist and the skirt flares to an A line. The dress has a floral design in shades of blue, pink, lilac and green. and it is lined in cream silk acetate. There is a back zip fastening.
Vintage items rarely conform to modern day sizings and the UK size we give is only a guide. You are advised to check the measurements carefully to ensure a good fit.
bust: 32"
waist: 26"
hips: free
length: 58"
Approximately UK size: 8 but please check measurements
1970s / CONDITION: Very good - a couple of pin head specks on the skirt.
Please refer to our grading and sizing guides.


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Brain Pia Mater and Derivatives
This video was created by Dr Sanjoy Sanyal, Professor and Course Director of Neuroscience. Camera person is Mr. Mark Lessard, IT Administrator, with his Sony HDR XR 520 camera. It shows removal of Pia mater from the surface of a preserved human brain specimen. During the dissection it was decided to render a running commentary on the Pia mater and a few of its gross, microscopic characteristics and its derivatives. It was felt that this is one accessory structure of the brain that is... More
Material Type: Online Course
Technical Format: Flash
Date Added to MERLOT: May 25, 2014
Date Modified in MERLOT: March 31, 2016
Submitter: Sanjoy Sanyal
Keywords: Leptomeninx, Choroid Plexus, Arachnoid Villi, Human Brain, Pacchionian Bodies, Basal Lamina, Neuroscience, Pia mater, Contusion, CSF Brain Interface, Meninges, CSF, Sanjoy Sanyal, Mesothelium, Professor, Subpial space, Tela Choroidea, Arachnoid granulations, Virchow Robin Space, Denticulate Ligament, Glia limitans
Reviewed by members of Editorial board for inclusion in MERLOT.Editor Review (not reviewed)
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Pick a Bookmark Collection or Course ePortfolio to put this material in or scroll to the bottom to create a new Bookmark CollectionName the Bookmark Collection to represent the materials you will addDescribe the Bookmark Collection so other MERLOT users will know what it contains and if it has value for their work or teaching. Other users can copy your Bookmark Collection to their own profile and modify it to save time.Edit the information about the material in this {0}Submitting Bookmarks...Select this link to open drop down to add material Brain Pia Mater and Derivatives to your Bookmark Collection or Course ePortfolioSelect this link to close drop down of your Bookmark Collection or Course ePortfolio for material Brain Pia Mater and DerivativesSelect this link to open drop down to add material Brain Pia Mater and Derivatives to your Bookmark Collection or Course ePortfolio
Primary Audience: College Upper Division, Graduate School, Professional
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Language: English
Material Version: 1.0
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Useful for Medical Students preparing for NBME and USMLE Step 1 Exams
Time spent reviewing site: 30 minutes
Used in course


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Live stream
This project received 34 bids from talented freelancers with an average bid price of $4687 USD.Get free quotes for a project like this
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We need to have close duplication to the late [url removed, login to view] site. Something similar to [url removed, login to view] but smoother running and made precisely for people who open boxes of cards live for others. We also need to have a chat so we can communicate with others and have features like private messaging. We are also going to incorporate a forum for all the members. There will also be a card listing section where all the members can list their cards up for auction or buy it now/best offer similar to ebay. Please respond if you think you can handle the challenge. Thanks
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text:
Originally uploaded by raynag.
Meantime, I am off to bed - it's 1:am and I have to drive my husband to work at 7. I have one more piece on a different subject, but that can wait till morning.
Rayna, this is a hard choice...on one hand the red piece has more depth and is more hynoptic for me. The piece below however lends itself to reading the print.


text:
Category archive: South Alabama Jaguars
No regret for Graves at South Alabama
Editor's Note: All week ESPN.com is taking a look at new faces in new places. As part of our coverage, Andy Katz will be diving into the mid-major ranks to profile a first-year coach each day.
Matthew Graves had no idea Brad Stevens would leave for the NBA or anywhere else.
There was no deal for Graves to succeed Stevens. This was not like Gonzaga, where top assistants had been tabbed in their contracts to succeed Mark Few, only to leave once it was apparent Few wasn't going anywhere.
Graves had nothing in writing. Butler athletic director Barry Collier doesn't operate in that manner.
"There was never a guarantee,'' Graves said. "That wasn't in [Collier's] nature. He doesn't show his cards very often. You go in and do the best you can and work hard, and through your hard work you're rewarded appropriately.''
AP Photo/Amy SancettaLike most people, Matthew Graves (right) was caught off guard when Brad Stevens took the Boston Celtics job in July.
Besides, Stevens wasn't going anywhere, right?
"I always certainly thought he owed it to his family to explore his options," Graves said, "but to be honest I never dreamed he would be going anywhere anytime soon."
So Graves tried to forge his own identity. He was a finalist at Boston University in 2011, losing out to Joe Jones. He was a finalist at Morehead State in 2012, losing out to Sean Woods.
Graves, a former standout player at Butler, had never lived outside of Indiana. But he was willing to take a chance and not wait for Butler's head-coaching position, which might not open for years.
"I knew I was in a great spot as associate head coach at Butler," Graves said. "Why would I take a bad job and leave that? But I did want to see what it would be like to move a seat over and run your own program. And this is a wonderful opportunity.''
The chance he got this spring was at South Alabama. The Jaguars finished 14-6 in the Sun Belt last season (17-13 overall) and received a bid to the CollegeInsider.com Postseason Tournament. There is plenty of room for growth this season and beyond, especially with Western Kentucky leaving for Conference USA in 2014.
"Even though it's not a traditional powerhouse in basketball, I really believe it has a lot of untapped potential,'' Graves said. "The vision here is similar to Butler and the way they work and go about their business. I've been really impressed with the athletic administration's forward thinking. We've got a practice facility. We have a 10,000-seat arena with chair backs. We've got a nice weight room, a brand-new locker room, a player lounge. There are a lot of exciting things happening here.''
That said, he played and coached at Butler, so when Stevens shocked the basketball world and got the Celtics job in early July, Graves' name was naturally brought up in the replacement conversation.
Collier called him on July 4. Graves, after all, had been instrumental in building the Bulldogs' run with Stevens, coaching with him in consecutive national title games in 2010 and 2011.
But Graves couldn't do it. He didn't flinch, declining to even go through any kind of formal interview process.
"I had been trying to get a head-coaching job the last couple of years and South Alabama was willing to give me my first opportunity,'' Graves said. "I had been down here for four months. I couldn't turn my back on them. I didn't feel it was the right thing to do. I appreciate [the opportunity] and was thankful and really excited.''
Why? Well, for starters, Graves is convinced the Jaguars will be in the NCAA tournament in Year 1.
"We can be,'' Graves said. "We've got the best player in the league in Augustine Rubit. He's a sleeping giant, a phenomenal basketball player.''
Rubit averaged 19.4 points and 10.5 rebounds last season for Ronnie Arrow and interim coach Jeff Price, who replaced Arrow last December.
"Most people will see and truly appreciate how good a basketball player he is,'' said Graves of the 6-7 senior forward. "We'll allow him more freedom at the offensive end of the floor. We'll showcase his face-up game more. He's an outstanding talent. He could play for anybody in the country.''
Rubit will team up with wing Mychal Ammons, who Graves said will be a double-figure scorer again, and guard Antoine Allen.
"We're returning almost 40 points a game with those guys,'' Graves said. "We're putting our system in place, and if we cut down on turnovers we'll be a lot more successful this year.''
Graves said the "Butler Way'' can be transported out of Hinkle. He said putting team and character above self are easily movable traits.
"There's no reason why you can't take it other places,'' he said.
Graves brought in another Butler alumnus, Darnell Archie, so the Bulldogs' influence is strong.
South Alabama is hardly a lock to win the Sun Belt. Georgia State, Western Kentucky, Louisiana Lafayette and Arkansas State are all viable contenders for the league title.
But the plan is to mix in high school recruits and transfers to establish a winner long term.
Graves is just 38 years old, and with his wife and two elementary-school daughters, he is ready to forge his own path deep in the South.
Would he have gotten the Butler job (which eventually went to Brandon Miller) if he had remained on staff? Would he have gotten it if he had gone through with the interview process? Who knows. Graves and Miller have talked about the Bulldogs, but not much else. They have their own programs to run now.
And Graves, for one, is anxious to bring national exposure to South Alabama and the Sun Belt, much like Butler and the Horizon experienced while he was there.
"It is, in some respects, a lot like the Horizon League,'' Graves said. "We're in an undervalued league with a lot of talent that not a lot of people know about.''
Now it's his chance to make everyone notice by creating a Butler-like culture and winning attitude in Mobile.
Struggling Florida finds itself at a crossroads
They came close to upsetting Kentucky on Tuesday night, coming back from 15 points down to tie the game. But alas the Wildcats were too talented at the major positions, point guard, interior rebounding and finishing -- something the Gators used to own in the SEC a few years ago -- and closed out the game.
AP Photo/Mark HumphreyKenny Boynton (left) is one of Billy Donovan's most productive players, but the Gators need more help.
So now, after beating Michigan State in New Jersey, knocking off Florida State at home and giving Syracuse a game at times before losing in Tampa last month, the Gators find themselves in a precarious position.
They are 0-2 in the SEC after losing at Vanderbilt and to Kentucky. In the next two weeks, they'll face LSU at home, travel to Arkansas and then host South Carolina and Georgia. If Florida is an NCAA tournament team, it must win these games to create some separation.
Gators coach Billy Donovan has had quite a philosophical viewpoint while coaching an elite program. He has plenty of experience managing egos with a roster that has had its share of big-time players mixed with classic four-year players who are necessary to win at a high level. He has been to three national title games and won two, and consistently has Florida known as a national name, even during the past two struggling seasons.
Donovan said he has seen the arc of a season.
"Every team is jacked up for the start of practice, but then the excitement wears off," Donovan said. "You have the first game and then everyone is focusing on minutes. Then you start to distribute them and then you start to understand there is a ceiling to get better. We have a high ceiling."
But Donovan admits there was a dip in intensity when the Gators came off the Michigan State win and Syracuse effort but then landed with a thud when they failed to hold on to a double-digit lead against Richmond in Sunrise, Fla., and then fell flat by losing at home to South Alabama.
Getting beaten at Vanderbilt was arguably expected because the Commodores are always a tough out in Nashville, especially when they are as talented as they could be this season. Kentucky simply was more talented.
"I'm anxious to see how this team responds against LSU," Donovan said. "It's critical for us to separate ourselves. Do they come together as a group? How will this team come together for practice Thursday? What kind of effort will we have? There are external motivational things that happen, like playing Michigan State or Kentucky. But how internally motivated are you?"
The Gators have an entertaining and productive backcourt in Erving Walker and Kenny Boynton. Walker can shoot the Gators out of a game or keep them in one, as he did against Kentucky with four 3s. Boynton can make nearly as many plays.
Alex Tyus is finding his role as an inside-out player, but Donovan said the Gators need a third reliable scorer behind Boynton and Walker. It was evident that it can't be Dan Werner, who made 1 of 8 shots, which included four 3-point attempts. Werner is a leader when the Gators play zone, a player Donovan relies on defensively to get his teammates in the right place. But he has become an offensive liability. It's a tough call because Werner has been such a loyal player for Donovan and is needed on defense.
Georgetown transfer Vernon Macklin had foul trouble in the first two SEC games and can't seem to find a groove. Chandler Parsons, Erik Murphy and Ray Shipman are all role players who might make a shot, grab a board or facilitate a pass. But none is a third scorer for the Gators.
"We've got some stuff there, but every team comes to a crossroads," Donovan said. "You can go into the league with false sense of who you are. We're at that crossroads right now, and which path will we choose?"
It's not healthy to consider how the Gators would be with Nick Calathes in the backcourt with Boynton and Walker. Calathes left Florida after his sophomore season last year for a Greek contract and may not be heard from again professionally stateside. The Gators would be a tough out with those three together. But he's not here, so it's not worth thinking about.
The Gators are no different than a number of teams that have had some decent wins, a lucky win (Parsons' 75-foot heave to win at NC State) and a bad loss or two. They will be in a pool of teams with countless others that the selection committee will have a hard time separating. That's why the Gators must act now and take care of the teams perceived to be below them to erase some of the questions.
• Former DePaul coach Jerry Wainwright, who was fired Monday, said in a text message that he wants to continue coaching but isn't sure he can. Wainwright is one of the more respected coaches in the country for his basketball knowledge. He is held in high esteem by USA basketball and had success at UNC Wilmington and Richmond. But he never got into a good groove at DePaul with NBA early-entry defections.
Romanticizing DePaul is not the answer. DePaul was a better fit for Conference USA than the Big East. For DePaul to be successful in the Big East, it will take playing games closer to campus, not in a barren facility. Money must be poured into the program. Marquette has passion, a loyal fan base and an NBA arena that it can fill. The Golden Eagles have done things right. DePaul hasn't.
I've known Tracy Webster, DePaul's interim coach, since he was a high school senior and was recruited to go to Wisconsin in 1989-90. Webster is Chicago strong and deserves a shot. He's a good man. But the Blue Demons may need something to jolt the program back to life, and that could be taking a flier on Isiah Thomas from Florida International. We'll see how it plays out, but the Blue Demons must take a chance.


text: Hesitant to get another Twitter application for my phone but due to good reviews I was looking at their site and then downloaded the desktop application. Even though feel it too big to use it at work (I use Twitterific mainly), I found it has some really, really nice and unique features, such as clicking onto a #hashtag will filter it to that keyword, or clicking onto a Twitter user name will quickly zoom you to all those twitters. It will show you in the top bar a breadcrumb (called 'Timeline') which allows you easily to get back to where you came from and you can set to follow right in the application without the need to go into a browser. It has also search capabilities. You can even VIDEO tweet (did not know this was possible before). REALLY nice. As a matter of fact, SO nice that I am reconsidering to buy it for my iPhone for $2.99 &raraq;atebits – Tweetie for iPhone


text:
Events List
01/14/2017 - 03/12/2017
02/17/2017 - 02/25/2017
02/20/2017 - 02/24/2017
Hamster Style
CalArts, Coffeehouse Theater
THEATER: An improvisational dancetastic electronic/DJ audiovisual extravaganza.
The Merchant of Venice
CalArts, E407
THEATER: Is any risk worth a pound of flesh? Hovering between comedy and utter tragedy, Shakespeare's The Merchant of Venice is a dark disturbing love story that explores the crisis that results when man's hunger for an object or person exceeds reasonable risk; when the human heart is blinded by its own desires.
Purchase Tickets:
A Visit by Filmmaker and 2013 Herb Alpert Award Recipient Lucien Castaing-Taylor
Still from Leviathan.
CalArts, Bijou Auditorium
FILM/VIDEO: THE SCHOOL OF FILM/VIDEO presents a visit by filmmaker and 2013 Herb Alpert Award Recipient LUCIEN CASTAING-TAYLOR (MARCH 17th-21st)
Lucien Castaing-Taylor makes visceral, emotionally engaging, aesthetically rigorous, innovative, and spiritually moving films and installations, documenting our world with a spirit of openness, experimentation and adventure.
Three Screenings
Tues., March 18, 7pm at Bijou Auditorium for Structuring Strategies
Lucien Castaing-Taylor and llisa Barbash
Sweetgrass presents a riveting and poetic portrait of the American West just as one of its traditional ways of life dies out. Shot amidst the grandeur of Montana's Absaroka-Beartooth Wilderness, the film follows the last modern-day cowboys to lead their flocks of sheep up into the breathtaking and often dangerous mountains for summer pasture. Magnificently photographed and unsparingly candid, Sweetgrass discovers a world of harsh beauty and arduous labor, where humans still work in rugged intimacy with nature.
Wed., March 19, 1:30pm at Bijou Auditorium
Lucien Castaing-Taylor and llisa Barbash
Sheep Rushes consists of a series of films, video installations, and photographs. In viewing and assembling their film Sweetgrass, Castaing-Taylor and Barbash had become dissatisfied with a number of decisions they were making as editors of a more conventional linear piece. This series of films is particularly interested in finding ways to foreground the spatial and temporal qualities of extended sequence and long, unbroken takes that comprised much of the footage. Sheep Rushes offers a sensorial evocation of a world in which nature and culture, animals and humans, climate and landscape, and vulnerability and violence are all intimately meshed.
Fri., March 21, 4pm at Bijou Auditorium for Film Today
Lucien Castaing-Taylor and Véréna Paravel
In the very waters where Melville's Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — it is a cosmic portrait of one of mankind's oldest endeavors.
Castaing-Taylor's work seeks to conjugate aesthetic negative capability with an ethnographic attachment to the flux of life. His work is in the permanent collection of New York's Museum of Modern Art and the British Museum, has been exhibited at London's Institute of Contemporary Arts, the Centre Pompidou, the Tate, MoMA, the Berlin Kunsthalle, the Whitechapel Gallery, PS1, Marian Goodman Gallery, the X-Initiative, and elsewhere, and has formed the subject of symposia at the Smithsonian Institution, the Musée du quai Branly, and the British Museum. His films and videos have screened at Berlin, Locarno, New York, Toronto and other film festivals. Recent awards include the Alpert Award in the Arts (2013), and, with Véréna Paravel, the True Vision Award (2013), Guggenheim Fellowship (2012), Los Angeles Film Critics' Circle Douglas Edwards Independent and Experimental Film Award (2012), and FIPRESCI (International Film Critics) Award (2012).
Art School Gallery Exhibitions
D300 Gallery: Min Kyung Choi MFA 2 ART
D301 Gallery: Rebecca Lieb MFA 2 ART
L-Shape Gallery: Sadie Drucker BFA 4 ART
Main Gallery: Tyler Jamison BFA 4 ART
A402 Gallery: Adriana Baltazar MFA 2 ART
Lime Gallery: Jessica Li MFA 2 ART & TECH
Mint Gallery: Danielle Bustillo MFA 2 ART & TECH
The Herb Alpert School of Music Visiting Artist: Sarah Cahill
CalArts, The Wild Beast
MUSIC: The Instrumental Performance Program presents visiting artist Sarah Cahill, as part of the Performance Forum.
CalArts Jazz CD Concert
CalArts, Tatum Lounge
MUSIC: Twenty bands playing new original compositions under consideration to be recorded at Capitol Records. This is the 25th year of CalArts CDs at Capitol Records.
Visiting Designer Lecture Series: Gabrielle Esperdy
CalArts, F200
Gabrielle Esperdy is an architectural historian and Associate Professor of Architecture at the New Jersey Institute of Technology. Her work examines the intersection of architecture, consumerism, and modernism in the urban and suburban landscape, especially in the U.S. in the 20th and 21st centuries. She is particularly interested in minor or everyday buildings and with the ways that social, economic, and political issues shape the built environment. Her first book, Modernizing Main Street, was published by the University of Chicago Press in 2008. She is currently at work on a second book, Architecture's American Road Trip, which examines how architectural discourse absorbed the ideals and concerns of commercial sphere after World War II. Her work has appeared in the Journal of Architectural Education, the Journal of the Society of Architectural Historians, Perspecta, Architectural Design, and Design Observer, among others. Gabrielle is an Associate Editor of multi-volume series The Buildings of the United States, and the Editor of the SAH Archipedia, an online resource of the history of the built environment scheduled to go live in 2012. She is a board member of DesignInquiry and a regular contributor to the DesignInquiry Journal, and she blogs at www.esperdy.net. Her research has been supported by the Graham Foundation, the Beverly Willis Architecture Foundation, and the American Council of Learned Societies. She was educated at Smith College and the City University of New York.
CalArts, Roy O. Disney Music Hall
MUSIC: Acoustic and electric guitars playing traditional and original pieces and improvisations from classical to blues to jazz to rock and beyond.


text:
I am trying to retrieve a text value from a jit.gl.text2d object that I have assigned in javascript. The texts are generated from a line from a txt file and are added t the text2d by using an arrayfromargs. However, while I can assign the text to an object, I seem to be unable to figure out how to retrieve the text. Here is the code that creates the jit.gl.text2d object:
function textLineMaker(){
if (iterator >= lineNumber +1){
iterator += 1;
a = arrayfromargs(mesagename,arguments);
textLineArray[iterator] = new JitterObject("jit.gl.text2d", "textWindow");
textLineArray[iterator].antialias = 1;
textLineArray[iterator].align = 1;
textLineArray[iterator].color = [1,1,1,0.4];
textLineArray[iterator].automatic = 1;
textLineArray[iterator].position = [0,1,0];
here is the code I am using to try and extract the text. All I get is a null value. Any help would be greatly appreciated (especially since my brain is fried.
function unloadTextAndRead(){
var i = textLineArray[0].position[1];
i -= 0.01;
textLineArray[0].position = [0.0, i, 0.0];
if (textLineArray[0].position[1] < -0.9){
var textToRead = textLineArray[0].text(messagename);
outlet (0, "read "+ textToRead);
not entirely sure what you are trying to do, but "text" is not an attribute of jit.gl.text2d. it's a message, which means it doesn't have a value that can be read back.
you will have to store your lines of text yourself using something like an array.
Log in to reply
Let us tell you about notable Max projects, obscure facts, and creative media artists of all kinds.


text:
Results 1 to 2 of 2
- 02-03-2014, 11:36 PM Thread Author #1
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touch screen issues
So a few months ago my note fell and the glass broke, everything worked fine but it had a huge crack in the middle of the screen. So I took it to get the glass replaced, and everything worked fine, but this last couple of weeks there's like a big spot (it's like the glass and the screen touches) and when I touch it it expand. The thing is that now the touch screen doesn't work, I can see everything but I can't for example send texts.
Is the problem the glass or the actual screen?
And when it does work, it goes crazy and starts making call and sending random letters and numbers as text messages
- Posts
- 425 Posts
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Re: touch screen issues
Take it back to the shop you got it repaired at and be like hey buddy, you messed up, time for a do over on the house.
Sent from my SAMSUNG-SGH-I317 using Tapatalk 4
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Reforms are expected to reduce the time and cost required to process small generator requests for Interconnection Customers while maintaining reliability, increasing energy supply, and removing barriers to the development of new distributed resources.
The Federal Energy Regulatory Commission (FERC) issued a Final Rule[1] on November 22 amending the pro forma Small Generator Interconnection Procedures (SGIP) and pro forma Small Generator Interconnection Agreement (SGIA). The SGIP and SGIA govern the interconnection of Small Generating Facilities with a public utility's transmission facilities or its FERC-jurisdictional distribution facilities and apply to facilities with capacity up to 20 megawatts (MW). The SGIP and SGIA also include special "fast track" provisions for Small Generating Facilities (no larger than 2 MW) as well as inverter-based facilities up to 10 kilowatts (kW).
FERC concluded that the reforms adopted in the Final Rule will reduce the time and cost required to process small generator requests for Interconnection Customers, maintain reliability, increase energy supply, and remove barriers to the development of new distributed resources. The effective date of the Final Rule is 60 days after its publication in the Federal Register. As detailed below, Transmission Providers are required to make compliance filings within six months of the effective date of the Final Rule.
Preapplication Report
As part of the Final Rule, FERC adopted a proposal included in its Notice of Proposed Rulemaking that requires Transmission Providers to provide Interconnection Customers with an opportunity to request preapplication reports. FERC concluded that preapplication reports will help Interconnection Customers make more informed siting decisions and may diminish the practice of making multiple interconnection requests for a single project. Transmission Providers are required to provide a preapplication report within 20 business days of an initial request. A preapplication report will apply only to a single Point of Interconnection.
To facilitate the preparation of the report, an Interconnection Customer is required to complete a preapplication report request form. This form is set forth in section 1.2.2 of the pro forma SGIP and requests, among other things, the following information from the Interconnection Customer:
FERC believes the preapplication report request form will expedite the preapplication report process and resolve uncertainty about the precise location of a requested Point of Interconnection.
In response to concerns raised by a number of commenters, FERC clarified the data a Transmission Provider must provide and prepare for the preapplication report. A Transmission Provider must provide only data that is "readily available," meaning "information that the Transmission Provider currently has on hand." The Transmission Provider is not required to create new data, but it must gather and summarize information that it has readily available, such as available capacity or an estimate of available capacity, and must perform simple calculations using this information. The Transmission Provider is also required to provide reasonable clarifications but is not required to conduct any studies or analyses after issuing the report unless the Interconnection Customer makes a formal interconnection request.
FERC adopted a default fixed preapplication report fee of $300, which it found would often be sufficient to recover a Transmission Provider's costs of preparing the report. FERC rejected proposals to index the report fee or include an annual adjustment. However, Transmission Providers may propose a different fixed cost–based fee by providing a cost justification as part of the compliance filing required by the Final Rule.
Both the pro forma SGIP and the preapplication report will include a disclaimer that the information provided in the preapplication report is nonbinding and that the Transmission Provider will not be held liable if the information is no longer accurate. FERC added this disclaimer in response to comments that the report should be for informational purposes only, given the dynamic nature of system conditions. FERC adopted another disclaimer that would provide that the bank or circuit selected by the Transmission Provider in the preapplication report does not necessarily indicate the circuit to which the Interconnection Customer will ultimately connect.
Fast Track Process Eligibility
Under the Fast Track Process, technical screens are used to quickly identify reliability or safety issues. If the proposed interconnection passes the screens, the Transmission Provider must offer the Interconnection Customer an SGIA without further study. If the proposed interconnection fails the screens, but the Transmission Provider nonetheless determines that the proposed interconnection will not affect the safety and reliability of the system, the Transmission Provider must provide an SGIA to the Interconnection Customer. Otherwise, the Transmission Provider must give the Interconnection Customer the opportunity to attend a customer options meeting to discuss how to proceed.
FERC adopted a number of reforms to the Fast Track eligibility thresholds proposed by the stakeholder working group. For inverter-based machines, Fast Track eligibility will be based on individual system and generator characteristics as set forth in the table below.
Line Voltage
Fast Track Eligibility Regardless of Location
Fast Track Eligibility on a Mainline and S 2.5 Electrical Circuit Miles from Substation
< 5 kilovolt (kV)
= 500 kW
= 5 kV and < 15 kV
= 15 kV and < 30 kV
= 30 kV and = 69 kV
However, all projects interconnecting to lines greater than 69 kV are now ineligible for the Fast Track Process. FERC adopted language in section 2.1 of the pro forma SGIP reminding small generators that Fast Track eligibility is different from the Fast Track Process and that eligibility does not imply that the project will pass the Fast Track Process or supplemental review process.
Synchronous and induction machines will continue to be subject to the 2 MW Fast Track threshold. FERC explained that there are important technical differences between these generators and inverter-based generators. However, synchronous and induction machines may be interconnected under the Fast Track Process if they are interconnected to the Transmission Provider's system through a certified inverter or if they have been reviewed or tested by the Transmission Provider and determined to be safe to operate.
Fast Track Customer Options Meeting and Supplemental Review
If a proposed interconnection fails any of the Fast Track technical screens and the Interconnection Customer elects to attend a customer options meeting, the Transmission Provider must, in that meeting, (1) offer to perform facility modifications or minor modifications to its system that would allow the interconnection and to provide a nonbinding good-faith estimate of the cost to make the modifications; (2) offer to perform a supplemental review if the Transmission Provider may determine, through that review, that the Small Generating Facility could continue to qualify for interconnection under the Fast Track Process; or (3) obtain the Interconnection Customer's agreement to continue evaluating the interconnection request under the SGIP Study Process.
FERC added the following three screens to the supplemental review, based in part on supplemental review experience in California: (1) the Minimum Load Screen, (2) the power quality and voltage screen, and (3) the safety and reliability screen. FERC stated that the addition of these three screens will enhance transparency and consistency in the supplemental review process and "strike a balance" between handling the increased volume of small generator interconnection requests and maintaining the safety and reliability of the electric system. The Transmission Provider does not have to perform the Minimum Load Screen if the necessary data is unavailable or if it is unable to calculate, estimate, or determine minimum load, but the Transmission Provider must inform the Interconnection Customer of its reason for not performing the screen.
The Transmission Provider must provide a good-faith estimate of the cost to perform the supplemental review, and the Interconnection Customer is responsible for the actual cost of conducting the supplemental review. If the Interconnection Customer does not agree to pay the supplemental review fee, the Transmission Provider will direct the interconnection request to the section 3 Study Process for evaluation unless the Interconnection Customer withdraws the request.
FERC adopted language that would allow the Interconnection Customer to specify the order in which the supplemental review screens are performed. Additionally, the Transmission Provider is required to notify the Interconnection Customer within two business days if the Small Generating Facility fails any of the screens. The Transmission Provider is also required to obtain permission to continue with the supplemental review for informational purposes or to determine if the interconnection can proceed with minor modifications to the Transmission Provider's system.
If the proposed interconnection passes the supplemental review screens and does not require the Transmission Provider to construct facilities on its system, the Interconnection Customer is provided with an SGIA within 10 business days of being notified of the supplemental review results. If the Transmission Provider must construct interconnection facilities or make minor modifications to its system for the proposed interconnection to pass the supplemental review screens, and the Interconnection Customer agrees to pay for the costs of construction or modification, the Interconnection Customer will receive an SGIA within 15 business days of receiving written notification of the supplemental review results. However, if the proposed interconnection requires more than interconnection facilities or minor modifications, the proposed interconnection does not pass the supplemental review screens and must be evaluated under the Study Process. There is no cost threshold for modifications to fall within the term "minor modifications," but the term includes modifications such as changing meters, fuses, and relay settings.
Review of Required Upgrades
An Interconnection Customer will have the opportunity to review and comment on the upgrades that the Transmission Provider finds necessary for interconnection. Upon request, the Transmission Provider must provide the supporting documentation that is developed to prepare the interconnection facilities study. However, while an Interconnection Customer has a right to review and comment, the Transmission Provider will make the final decision on upgrades required for interconnection because it is responsible for the safety and reliability of its system.
If a Transmission Provider incorporates or proposes to incorporate Interconnection Customer comments through a process that differs from the one included in the Final Rule, the Transmission Provider may submit a compliance filing demonstrating how its process is consistent with or superior to the process set forth in the Final Rule.
Interconnection of Storage Devices
FERC found that the definition of "Small Generating Facility" is broad enough to include storage devices. It revised the definition to specify that it includes "storage for later injection of electricity."
To explain what capacity a Transmission Provider should use when determining whether a storage device may interconnect under the SGIP instead of under the Large Generator Interconnection Procedures (LGIP) and whether the storage device qualifies for the Fast Track Process, FERC revised the SGIP to clarify that the term "capacity" refers to "the maximum capacity that a device is capable of injecting into the Transmission Provider's system." To measure the capacity of a Small Generating Facility, the Transmission Provider must rely on the capacity specified in the interconnection request, which may be less than the maximum capacity the device is capable of injecting into the Transmission Provider's system. The Transmission Provider must agree that the Interconnection Customer's proposed method to limit the maximum capacity the device can inject into the Transmission Provider's system (e.g., a control system or power relays) will not adversely affect the safety and reliability of the system.
Network Resource Interconnection Service
FERC made revisions to the pro forma SGIP to clarify that an Interconnection Customer wishing to interconnect its Small Generating Facility using the Network Resource Interconnection Service must do so under the LGIP and use the Large Generator Interconnection Agreement.
Compliance Filing
Each public utility Transmission Provider is required to submit a compliance filing within six months of the effective date of the Final Rule. A Transmission Provider may seek to demonstrate that previously approved provisions in its SGIP or SGIA are consistent with or superior to the pro forma SGIP or SGIA, as modified by the Final Rule. Any nonpublic utility that has a safe-harbor tariff may amend its SGIA and SGIP so that they conform to or are superior to the pro forma SGIP and SGIA to continue to qualify for safe-harbor treatment.
Independent System Operators (ISOs) and Regional Transmission Organizations (RTOs) will be afforded greater flexibility to propose variations from the provisions of the Final Rule. FERC stated that ISOs and RTOs have different operating characteristics depending on their size and location and that they are less likely to act in an unduly discriminatory manner. On the other hand, a nonindependent transmission provider must justify variations in nonprice terms and conditions by making a request for a "regional reliability variation" that must be supported by references to established reliability requirements or by demonstrating that the variation is "consistent with or superior to" the Final Rule provision if the variation is unrelated to reliability requirements.
[1]. Small Generator Interconnection Agreements and Procedures, Order No. 792, 145 FERC ¶ 61,159 (2013), available here [hereinafter Final Rule].
See more »
DISCLAIMER: Because of the generality of this update, the information provided herein may not be applicable in all situations and should not be acted upon without specific legal advice based on particular situations.
© Morgan Lewis
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Many of us may be tempted to begin our examination of conscience when we get in line at the confessional. There is nothing wrong with this practice (especially if the line looks like this), but you don't want to get caught in the middle of your examination when it is your turn to go in.
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If you don't regularly examine your conscience it may take awhile before you are fully prepared. Next time you go to confession, consider preparing before you go. For one should not simply just go to confession, but rather make the best confession possible.
One of the essential pieces in the Rite of Penance is the examination of conscience. We take an internal self-examination of our spiritual life and bring to light those sins that keep us from a more intimate relationship with Christ. Here, we recall our sins and faults committed since our last confession.


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Nestled on the oceanfront of the upscale community of Sanderling is a classic Outer Banks cottage named Saratoga. This meticulously maintained home will provide the setting for many family vacations and times of respite for those who seek rest and recreation near the sea. The ample beach is accessed by your private dune walkway. The stable dune is a cherished part of the landscape lending protection to the entire property. Life is lived on the generous sundecks and from the bright and open top floor living and dining rooms. Restoration can be experienced by huddling behind the many windows of the south-facing sun room, or by boldly accepting the ocean mist on your face at sunrise. Serve the kids from the well-equipped kitchen with new stainless side-by-side refrigerator. Enjoy the wide ocean views through the new windows and doors. The freshly painted exterior of the home adds to the protection and curb appeal. Ask for a complete list of maintenance and improvements that have been made in recent months and years. This home is even better now with two HVAC systems (inside and outside units) replaced in 2016.
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|Orphanet international services
|This page presents the news, events and documents of national significance.
To access all information on rare diseases, orphan drugs and expert services visit the main Orphanet portal (www.orpha.net)
Public Health England hosts Orphanet-UK. PHE is an operationally autonomous executive agency of the Department of Health. It exists to protect and improve the nation's health and wellbeing, and reduce health inequalities. PHE achieves these through advocacy, partnerships, world-class science, knowledge and intelligence, and the delivery of specialist public health services.
Under the new National Congenital Anomaly and Rare Disease Registration Service (NCARDRS), Orphanet UK operates to partly fulfil PHE's commitments to UK Strategy for Rare diseases - UK Rare Disease Strategy
The NCARDRS was launched on 1st of April 2015, as a resource to support patients, clinicians, service delivery, commissioning and public health. The service looks to engage patients, charities and public, therefore the documents below provide details on the importance of the service, the benefits and options for patients:
NCARDRS under Public Health England
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For many journalists, social media is the last thing they look at before going to bed and the first thing they click on when they wake up. More and more people in the media are not only expected to create social media and use it as a news source, they love doing it. But sometimes things turn nasty, with orchestrated campaigns of harassment, so the ABC has developed some advice.
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