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Painter Mark Dukes and Archbishop Franzo King Part III
The Saint John Coltrane African Orthodox Church in San Francisco's Fillmore District is adorned with the icon paintings of Mark Dukes. Under the guidance of Archbishop Franzo King he has produced unique images of legendary musician John Coltrane inspired by a sound baptism. This is the final installment of a 3-part interview conducted in December of 2009.
Painter Mark Dukes and Archbishop Franzo King Part Two
Painter Mark Dukes and Archbishop Franzo King of the Saint John Coltrane African Orthodox Church form a unique collaboration of expressive skills. The spiritual inspiration of the legendary John Coltrane's music is the catalyst for the unique aspect of the collaboration. Dukes uses his craft as a visual artist and Archbishop King uses his as a preacher. Together with what they call "Coltrane Consciousness" they preach with the medium of painted religious icons inspired by music. This is the second installment of a 3-part interview conducted in December of 2009. You can read part one here.
Duane Deterville: Now we've gotten up to the point Mark where you've actually painted the first Coltrane icon. Reverend King, what would be your experience of these icons as you do a service? How do they enhance the ministry?
Bishop Franzo King: Well, the common phrase is that a picture is worth a thousand words. Well, maybe an icon is worth 10,000 words. And, I think they begin the preaching. The preaching begins with the visual experience. The beauty of the painting's art is that they allow one's inner voice to speak and their own conscious, which is really the Holy Spirit. It can teach from just doing this before I get up there to preach or anything. Just to sit here, you know, one thought produces millions of vibrations. I might make reference to this one here in particular and say that Jesus made the earth his footstool. You can preach out of that because all of these are scripturally based. If Reverend Dukes was to talk to you about the symbolism here? The fire representing the Holy Ghost, the ribbon a gift, giving it back to God, having gotten that gift. They (The paintings) preach to us in themselves.
Deterville: How many icons all together are there?
Bishop Franzo King: Thirteen.
Interview with Coltrane Icon Painter Mark Dukes and Archbishop Franzo King
The work of spiritual icon painter Mark Dukes has graced the Saint John Coltrane Church now located in the Fillmore district since 1992. During a spiritual awakening in 1989 that he describes as being baptized by sound, Mark was introduced to the music of John Coltrane by Archbishop Franzo King. Bishop King Founded the Saint John Coltrane Church in 1971 under a different church name. Today the Church is located at 1286 Fillmore Street in San Francisco and it houses the impressive religious icon paintings of John Coltrane by Mark Dukes. I spoke to the two of them at the Church on December 18th, 2009. This is the first installment of the 3-part interview.
Duane Deterville: I want to talk specifically about this interaction between and synthesis with Jazz, spirituality and visual art. The painted icons in the Saint John Coltrane Church are interesting to me on a couple of different levels. I'm interested in art practice that uses modes of spirituality based in aspects of the Black experience such as the history of the African Orthodox Church. Art work that uses Jazz aesthetic as its inspiration, artists that use their spiritual practice as the primary part of their art practice. You know that there are many Jazz musicians that are also visual artists. The Great trumpeter Bill Dixon, pianist Muhal Richard Abrams…
Bishop Franzo King: Miles Davis.
Deterville: Yes, Miles Davis, also a painter.
Bishop Franzo King: John Coltrane.
Deterville: John Coltrane as well?
Bishop Franzo King: Did you know that? Alice Coltrane sent me an original copy of John Coltrane's "A Love Supreme." But in one of them he had drawn something on it. It was a cloud with a face on it and it was breathing…our god breathes through us so completely so gently we hardly feel it. That was written on it. When I visited cousin Mary's there were drawings on the wall that John Coltrane did. [Coltrane's cousin Mary Alexander lived with him and his family in Philadelphia. She witnessed Coltrane making the watercolor drawings that adorned the house – D.D.]
Bishop Franzo King: Oh he was a visual artist as well. I don't think he put so much into it say like Miles did. But, yeah…He knew the need to express himself in that way.
Deterville: So Mark, where did you get your initial interest in this Byzantine tradition of icon painting. How did you originally gain an interest in that? Maybe we can start at the beginning and take the story all the way to when you created these icons here in the Coltrane Church.
Mark Dukes: Well, when I was in art school. I started reading the Bible and I had a spiritual experience just by reading the Bible. You know, I got down on my knees and accepted Jesus in my life and it wasn't in the church, ya'know. It was kind of interesting because I had a problem with the church ever since that time because I got saved not in a church but just by reading the Bible and then when I went to the church, right, I started seeing things that weren't really in the Bible. I thought love was supreme even back then and I didn't really see that in the church. You know, its all about A Love Supreme. It was kind of interesting in hindsight you know that it was inevitable that I was going to be here at the Saint John Coltrane African Orthodox Church in some capacity. So, I started on a spiritual journey that kind of like lead me here. But before I got here I started getting interested in eastern orthodoxy. And you can't be around eastern orthodoxy without coming across some icons because icons are really crucial to their worship. And so at one point I thought that I was called maybe to be a monk. I went to a community of converts in the Greek Orthodox religion and when I was down there as a novitiate I saw that there was an icon that was not complete. And I asked the Bishop for a blessing to complete that icon. I told him that I went to art school and that I was an artist and he gave me a blessing to complete the icon. That was my first icon.
I saw something within that tradition. I saw something that touched me; I saw something that was a visual form of prayer.
Visitor Flickr Photo of the Week
Penny Kim took this picture of the beautiful California light reflecting off the SFMOMA Rooftop Garden's newest addition— Tony Smith's Throwback, 1976. Thanks Penny!
We choose the Flickr pictures of the week from anything tagged "SFMOMA". You tag too!
"Flare and Spatter and Fury" or "My baby—" ?
SFMOMA turned 75 last weekend. We've published a new collection catalog, 75 Years of Looking Forward, and this month we're featuring excerpts from it here. Today, a few paragraphs on the museum's acquisition of Jackson Pollock's Guardians of the Secret, focusing on the correspondence between two of the artist's earliest champions, Peggy Guggenheim and Grace McCann Morley. Guardians of the Secret is one of the most important paintings in the SFMOMA collection, and is key to understanding both Pollock's development and the development of the American painting practice that followed.
from Flare and Spatter and Fury: Jackson Pollock in San Francisco
ALISON GASS, assistant curator of painting & sculpture
…………While today it is difficult to conceive of a time when promoting Jackson Pollock meant a hard sell, the historical record takes us back to an era when this emerging artist offended, confused, or simply did not interest the majority of the art world. [Peggy] Guggenheim had a close professional relationship with another female art world pioneer, Grace McCann Morley. Morley, like Guggenheim, had an eye for and an interest in groundbreaking contemporary art, and one of her main objectives as the first director of SFMA [SFMOMA, then the San Francisco Museum of Art], was to bring this work to her audience. In 1943, the year of Pollock's pivotal first New York show, Morley and Guggenheim began the extraordinary correspondence that led to Pollock's exhibition at SFMA and the museum's subsequent acquisition of Guardians of the Secret.
In September of that year, Guggenheim wrote to Morley about the new painter she had discovered. A month later, Morley wrote back that she was glad to learn of this new artist and noted, "Perhaps something can be done about having an exhibition here next summer." Soon after, Morley saw the Pollock paintings in person and she, too, became a significant champion of his work. She began a letter-writing campaign to the directors of all the major West Coast museums, including those in Seattle, Portland, Santa Barbara, Pasadena, and Los Angeles, in an attempt to convince them to take a solo exhibition of this unknown abstract painter. Morley wrote,
"We are very much interested in having a one-man show of the works of Jackson Pollock. . . . The group is to be shown next March at the Chicago Arts Club and either before or after is available to us and anyone here on the coast who may be interested. In any case, we shall bring the show out, for we feel that Pollock is an important new personality whose work deserves to be better known. I saw a considerable group when I was in the East recently and found the interest was well sustained, from my point of view, and that the quality of the work was fine."
This promotional push was to no avail, and Morley followed up with Guggenheim in January 1945, writing, "I find we have room for the Jackson Pollack [sic] show after April 15th and I judge from your wire that it is free after Chicago. I suspect we shall not find many takers for it out here. It is a little beyond most of the museums."
The show came to SFMA in August 1945, after stopping that March at the Arts Club of Chicago. The museum presentation was essentially composed of the same works included in Guggenheim's 1943 gallery exhibition. Among these was the first painting that had so intrigued Mondrian, Stenographic Figure; two untitled works from 1943, extremely prescient abstractions that show Pollock's early use of paint sloshing; and Pasiphaë (1943), which embodies the disintegration of internal geometries and the emergence of the allover, gestural compositional style for which he is best known. Additionally, the exhibition included two works that are very closely related to Guardians of the Secret in both gesture and color: The Magic Mirror (1941) and Male and Female(1942–43). The latter, featuring gestural brushstrokes around a central white plane similar to that in Guardians of the Secret, was likewise a critical step toward the compositional development of the Guggenheim mural. Finally, a selection of smaller untitled paintings and lithographs rounded out the show.
Despite the lack of interest in Pollock's work on the West Coast, as evidenced by the single venue and the absence of any sales of his work to the San Francisco community, the show received an astonishingly perceptive review in the San Francisco Chronicle from local critic Alfred Frankenstein. He wrote, "The flare and spatter and fury of [Pollock's] paintings are emotional rather than formal, and like the best jazz one feels it is the result of inspired improvisation rather than careful planning." Morley forwarded this to Guggenheim, who responded:
Thank you for sending me the review of the Pollock show by the young critic in San Francisco. It was a very good review, and it is extremely gratifying to have one like that occasionally. The notices which Pollock received during his Chicago show were so notably stupid that I was doubly pleased with this one, as well as Pollock, who felt that it was an intelligent and sensitive appraisal of the paintings he had sent.
Indefatigable in her quest to support the artists she saw as most promising, Morley pushed her acquisitions committee to purchase her favorite of the paintings from the exhibition. Early on, Morley had commented to Guggenheim that if she could have her choice, she would purchase Guardians of the Secret for the museum's collection, writing, "It is a powerful and fine painting. However, our funds are very small. . . . Unhappily the price of a Pollock painting [Guggenheim was asking $750] is already considerably out of our reach." In a deal that seems fantastical to those familiar with today's art market, Morley negotiated Guggenheim down to $500, and after what she describes as a "considerable struggle" persuading her acquisitions committee, she purchased Guardians of the Secret for SFMA. Guggenheim's handwritten response to the news states:
Dear Dr. Morley,
I am so happy you bought the Pollock. He will be delighted too. It is a great joy to me to have him recognized as you can imagine. I feel he is my one great discovery. My baby— . . . Many thanks for all your efforts in the matter.
Peggy Guggenheim
All letters between Peggy Guggenheim and Grace McCann Morley: 1945 Galleries: Art of This Century; Office of the Director 1935-58, Administrative Records; SFMOMA Archives.
Visitor Flickr Photo of the Week
Benjamin Heath took this picture of SFMOMA reflected in a window of the Contemporary Jewish Museum across the street. Good eye, sir.
Top 10 so far, 2010
It may only a few weeks into the new decade but I'm a-gonna hop on the "top 10" list trend and do so for the front part instead of at the end. Who knew there would be so much going on already? I know, I know, some of these aren't exactly "new" or necessarily "news." But hey. It's MY column.
1. New York authorities denying the homeless a chance at designer labels.
What? Yes, believe it. There was a time when even the poor could get a shot at donning faux designer clothes — for FREE, even! According to the NYTimes, the common practice was to donate confiscated counterfeit clothing and footwear to local charities after "defacing" the designer parts of it. But now, no more. And they were still perfectly wearable and clothes, for god's sake…
2. Anthony Discenza at Catharine Clark Gallery
His solo show that just opened last week, "Everything Will Probably Work Out OK," is like Orson Welles meets Fragglerock meets Showgirls meets Stairway to Heaven. Go see it, and you'll know what i mean. It gives your brain a mini-workout, in a good way.
3. The Future of San Francisco Transbay Terminal as designed by what seems to be the art directors from Gattaca and Battlestar Galactica (the new series, not the old one).
Sleek! Sexy! No trash! No children! No old people! Omg! Crazy, eh?
4. Lego Fallingwater.
And while we're on the subject of visionary architecture: I may just have to cough up the $99 price tag for one of these babies. I'm a total sucker for do-it-yourself modernism. Can't get enough? Try Lego Guggenheim, 'natch. And while you're at it you can view someone's loving YouTube hommage video. Not quite as hi-tech as The Future of San Francisco but awesome in it's own D.I.Y. kinda way.
5. Daybreakers
In the very near future vampires have taken over the world and humans are a dying species. It also looks a hell of a lot like Bladerunner, fashion-wise. While this Aussie flick featuring Ethan Hawke does have it's flaws, I would watch it again just for the slow-motion-vampire-army-orgy scene near the end. (Ooops, spoiler alert!) Not to mention that it's a thinly-veiled critique on class divides and capitalism, fer real. And yeah, Ethan is still easy on the eyes, vampire boy or not.
6. S.C.R.A.P. (Scroungers' Center for Reusable Art Parts)
Run by a wizened woman with the cutest French accent, this "scrappy" non-profit material re-use center sits in a back alley area of Bayview, nestled between industrial supply houses and lumber yards. Here you can find bolts of fabric, trims, papers, plastic gew-gaws, wood moulding, etc etc etc. Whatever gets donated to this place as surplus winds up on the store floor for your next art project. SCRAP has saved my pocketbook so many times I couldn't even begin to count. CHEAP CHEAP CHEAP! DEAL DEAL DEAL! I was just there today and scored a bagful of art materials for an upcoming show for way less than what i would have paid if i bought them new. I <3 U! If this place ever shuts down, i'll join in the riot.
7. Jeffrey Deitch named as director of MOCA.
Not sure yet if this is "good" or "bad" but it's interesting, for sure. Good to know he had to shutter his gallery to move to the helm because of that pesky conflict of interest thing. I wonder how painful that is for his artists, however. Does that mean they'll get more shows at the museum now? Hmmmmm.
8. Colma, The Musical
Although this funny little local gem of an indie film came out a few years ago, it's taken me this long to finally watch it. Shot in that nether-world city-of-the-dead south of San Francisco otherwise known as Colma, it brought back for me brutally hilarious memories of what it was like to grow up on the fringes of the Big City (which I did). Consciously D.I.Y., Colma, The Musical wears it's low-budget badge on it's sleeve and delivers originality and fun. And who can argue with a movie that shows Serramonte Shopping Center within the first five minutes? Ah, local director makes good.
9. Facebook's new "unlike" button
I hear it's real but i haven't installed it yet. Thank god, because i hated that my only option was to be terminally chipper and like everything. I'm glad the higher-ups have realized that there is much to unlike and the world is complicated.
10. Disgrasian.com
Tongue-in-cheek Asian-themed cultural commentary blog from two witty gals who i'd love to share a cocktail with someday. Can you imagine the banter? God, what a party! Check out their dictionary, which carries such words as:
Gongbang: An assault on the ears of gonging sounds that occurs in movies and television whenever someone of something Asian appears on the screen. Example, Long Duk Dong in Sixteen Candles.
Mistasian Identity: Mistaking one of us for another; a result of believing we all look alike.
Panda-ring: Pandering to our people.
"You're a disgrace. To the race." Yeah!
Happy Birthday SFMOMA
Lines around the block at the moment. Live Flickr feed from our 75th anniversary members' opening party: pics are here.
Art Work
In support of Temporary Services' recent newspaper project Art Work: a national conversation about art, labor and economics, I've created the beginnings of an "audio book" version, starting with one of my favorite texts in the publication. I then asked artist Sam Gould to record one of his choosing. You can download them both here. I'll extend the invitation to anyone who might like to audio record a text from the newspaper, to be added to this post. You can download the newspaper in full here.
Download > Art Versus Work
by Julia Bryan-Wilson
(read by Joseph del Pesco)
Download > State of the Union
by Gregory Sholette
(read by Sam Gould)
Download > Organize! What the Artists' Union of the 1930s Can Teach Us Today
by Nicolas Lampert
(read by Michael Bianco)
Download > Global Mega-Merger Announced with "We Can Run the Economy" Campaign
by 16 Beaver Group
(read by Elizabeth Thomas)
Download > Epeios, A Sculptor
by Cooley Windsor
(read by Helena Keeffe)


text:
SAYBC Gallery.
To view the SAYBC Gallery click on the image to the left, then use your mouse or keyboard to move forward and backwards through the photos.
The venue and dates for the Nationals have been removed, as soon as a new date and venue have been arranged it will be added to the calendar
Graded SIngles
The graded singles results are available for viewing
Triple Crown Notice
Please note that due to the updating of rules for Triple Crown from 2018 the Junior tournament age groups now extended to under 21
Graded Singles Tournament
The enrty form and the information sheet are available for downloading
2017 Events
The calendar with the 2017 events is now available
Christmas Fun Tournament Cancelled
The Christmas fun tournament has been cancelled
Christmas Fun Tournament
This link will let you download the infornmation for the Christmas fun tournament being held in Livingston on the 11th of December. Christmas Fun Tournament
Results and Rankings
The results for the fours and rankings after the fours are now available for viewing
Fours entry form
The fours entry form is available to download
Results and Rankings
The results for the open and rankings after the open are now available for viewing
Open entry form
The open entry form is available to download
The rankings are available for viewing, the results from the last two competitions should be available soon for viewing. The new rankings file is larger than before as it has all the ranking from after the first competition to the standings after the singles.
Graded Singles
The graded singles entry form is available for download, I will post the results and the ranking from the trios when I receive them.
Results and Rankings
The doubles results and rankings after the doubles are now available for viewing, please accept the apologies of the tournament organisers for the delay in posting the results.
There have been some enquires about the Doubles results, as yet nothing has been forwarded to me for uploading, please be assured that as soon as I receive any results they will be uploaded to the website.
A belated good luck to EYC team going to Iceland Ryan,Jack,Daniel, Callum,Alison and Bethany
Due to no available centre this tournament will be rescheduled
The bowl of honour is making a return this session, I have started with the top three scores in the Under 12 Under 16 and Under 19 sections, I will be looking to add the top three series as we move through the this years bowling.
New entry form
A new doubles entry form has been uploaded
Results and Rankings
The results from the nationals and the rankings are now available for viewing
Doubles Entry Form
The doubles entry form is now available for download
Nationals Entry Form
The nationals entry form is now available for download
Merry Christmas and a Happy New Year
The SAYBC wishes all its members a Merry Christmas and a Happy New Year
Calendar 2016
The 2016 calendar is now available for viewing there are two venues still to be confirmed

subset: commoncrawl


text:
A Lodi High School resource officer performed CPR and helped a student start breathing again after the female student had a seizure, lost consciousness and turned blue.
Shad Canestrino, a sworn police officer, happened to be on the scene when the girl had a seizure. She has had previous medical problems that school officials were aware of, he said, but she had not previously lost consciousness.


text:
Everton defender Lucas Neill is to join Turkish club Galatasaray after this weekend's Premier League fixture against Manchester City.
The 31-year-old defender only agreed a one-year deal with the Toffees in September after becoming a free agent when his contract ended at West Ham in the summer, making 15 appearances.
The Australia international admitted he had not been expecting to leave Goodison Park.
"The move has come as a surprise to me," he said on the club's website, evertonfc.com.
"I'd like to thank the staff and fans but most of all my team-mates for making my time at Everton very enjoyable. I am pleased to have had a positive impact on the team and the club and wish them every success for the future."
- More about:
- Everton
- Galatasaray SK
- Süper Lig
- West Ham United


text:
Get in touch
| firstname.lastname@example.com | +44 1425 626501
Published/updated: July 2011
By Andrew Buss and Dale Vile
Cloud is complementary to existing IT infrastructure and service delivery concepts
As Cloud services gather momentum, investment in internal IT infrastructure is continuing, and even accelerating. More extensive use of virtualisation and the move to better management is helping traditional IT become more efficient, responsive and reliable, essentially taking on many of the attributes of Cloud. Few are contemplating a wholesale move into the Cloud, with the result that when Cloud is adopted it needs to integrate and interoperate with the existing IT infrastructure.
External Cloud services will co-exist with existing third party services in the market
Traditional third party services - hosted infrastructure, managed services and other forms of outsourcing are used widely today. While these will remain relevant for the foreseeable future, the adoption of Cloud services will displace a proportion of this activity. Traditional hosting and managed services providers are already starting to work Cloud options into their service portfolios, and the market will increasingly be defined by players who adopt an inclusive approach.
Cloud will change the skills required to deliver IT services
The adoption of Cloud further drives the emphasis of IT delivery from managing individual pieces of technology to focusing on the service actually provided to the business, however that is achieved. This reinforces the ongoing trend towards adopting an end-to-end service delivery approach. From an IT skills perspective, this increases the demand for IT professionals that are comfortable working across traditional operational silos and domains of expertise. The key to managing IT performance will increasingly be insight into how internal components and external services work together.
Cloud may make life easier in some areas, but also creates challenges elsewhere
Although Cloud is often sold on the basis that it offers a simpler way to deliver IT services, it is not a magic silver bullet. Cloud creates a number of challenges of its own on the way, and these are accentuated when its put together with traditional IT. Improvements in provisioning and operating services are countered by the challenges of implementing security and information management across in-house and (often multiple) service provider environments, and making sure the network communications are up to the task.
Without integration, Cloud is more plug-and-pray than plug-and -play
For many, the attraction of Cloud services is the ability to select a service, pay for it and get going. This may work for a limited deployment of Cloud, particularly for small-scale rollouts or where the applications are mainly stand-alone and independent. Once Cloud becomes a core part of the business then architectural challenges arise that need time, planning and investment to solve. This negates the easy on ramp advantage claimed for Cloud over traditional IT applications and services, and essentially places Cloud on a level footing with the rest of IT.
This report is free of charge. Click above to download the PDF or view the interactive e-document.
If you experience any problems during this process please contact us at;
email@example.com or call +44 (0)1425 626501 / 620008
By Dale Vile & Jack Vile
Making the right technology investments in todays fast moving digital age can mean the difference between success and failure in pretty much any industry. But how well are decisions are actually being made in this space? ...more
By Dale Vile
Some argue that IT operations doesnt matter anymore; its all about developers. Our aim in this paper is to re-balance the discussion based on research in which feedback was gathered from over 400 European IT professionals. ...more
By Dale Vile & Jack Vile
We often hear that cloud computing dramatically reduces the need for in-house IT teams, and might even lead to their ultimate demise. The research reported here provides a very different view based on analysis of real business objectives and actual experience. ...more
By Dale Vile & Jack Vile
As technology becomes smarter, more opportunities arise to exploit AI, machine learning and other forms of intelligent systems to drive efficiency and transformation. But whats the impact on IT teams? ...more
By Tony Lock
Have we all been caught asleep at the capacity planning wheel? Business users today want, and expect new IT services to be delivered in the blink of an eye, the necessary resources provisioned instantly, and changes made on demand. ...more
By Dale Vile and Tony Lock
Its easy to be caught out by a cyber attack or internal mistake that leads to your customers data or important intellectual property ending up on the black market. Making sure your business is adequately protected and is able to respond effectively ...more
By Dale Vile, Tony Lock & Jack Vile
Application programming interfaces (APIs) have been around for decades. In the early days of IT they were primarily used to give programmers convenient access to libraries of prebuilt functions. As systems became more distributed, APIs found their place ...more
By Dale Vile & Jack Vile
The world we live in is increasingly digital. As the smart use of technology leads to markets speeding up and becoming ever more unpredictable, a strong set of established offerings and execution capabilities only gets you so far. Feedback from 1,442 IT ...more


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text:
that multi-chipped computer
© Copyright 2017 moonphish. All rights reserved.
Status: Finished
Genre: Poetry
I was going to say, but then I thought, maybe not.
No really no phoney poem here. In fact it's so like you you could say it rings a bell
lol,lol, lol , lol, take that alexander graham bell . ahem. anyways another good poem.
I don't text because I can talk faster than I can text.
MY kids think I'm a dinosaur.LOL.
alvin,this is a terrific poem with a clever ending.
I just love your poems to pieces.
ooh yes Alvin. It was a deadly text I sent that ended my fun ;) Great poem here, as always :)
Poem / Poetry
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90 Student-Athletes Among George Washington University's Class of 2013
Annual GW Commencement on National Mall Punctuates Collegiate Experience
GW Sailing Wraps First Varsity Season With 4th and 7th Place Finishes
Colonials Finish One Spot Shy of Qualifying for Women's National Semifinals
Colonials Athletics Weekend Preview - April 19-21
Women's Water Polo Hosts Home Finale; Lacrosse, Sailing, Men's and Women's Rowing Look to Extend Seasons
Colonials Athletics Weekend Preview - April 19-21
Women's Water Polo Hosts Home Finale; Lacrosse, Sailing, Men's and Women's Rowing Look to Extend Seasons
America Trophy Highlights GW Sailing's Weekend Competitions
Colonials Aim for Highest Finish at MAISA Conference Championship
Three-year member of GW club sailing program was instrumental in helping transition to varsity status. Member of GW Student-Athlete Advisory Council (SAAC).
Richard Baldwin Sant Jr. ... Born June 1, 1990 in St. Louis, MO ... Son of Richard Sant and Catherine Fox ... Has two sisters, Margaret and Mary
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Shanahan, Legault Head to ICSA Singlehanded Nationals
A pair of George Washington sailors set their sights on the Intercollegiate Sailing Association (ICSA) Singlehanded National Championship
Sailing Finishes Third at War Memorial
The GW sailing team took a third-place finish at the War Memorial last weekend to qualify for the Atlantic Coast Championships in two weeks.
GW Sailing Heads to War Memorial
A week after competing in women's and match race conference championships, the GW Sailing team will be back it title contention at the War Memorial hosted by...
GW Sailing Set for Championship Racing
The George Washington sailing program will compete in a pair of championship regattas this weekend with its status as two-time defending conference champion ...
GW Sailing Takes Sixth at Truxtun Umsted Regatta
The George Washington sailing team recorded a sixth-place finish against a strong 20-team national field at the Truxtun Umsted regatta at Navy last weekend.
GW Sailing Set for Truxtun Umsted Regatta
The George Washington sailing team hits the midway point of the fall season this weekend as it is set to compete at the Truxtun Umsted regatta at Navy.
Shanahan Qualifies for ICSA Singlehanded Nationals
For the third straight year senior Brendan Shanahan will represent the GW Sailing team in the ICSA Singlehanded National Championship after finishing third...
GW Sailing Set to Compete in Two Regattas This Weekend
Colonials head to The MAISA Men's Singlehanded Carl Van Duyne Trophy and The Navy Fall Women's Interconference


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Nestled in the green hills just 2 km from Luino, Villa dei Fiori offers a relaxing garden equipped with tables and chairs. It features modern accommodation, free Wi-Fi and free BBQ facilities.With a fully equipped kitchen complete with a dining and a seating area, apartments at Villa dei Fiori have a satellite flat-screen TV and parquet floors. The private bathroom includes a shower.Lake Maggiore is less than 3 km away, while Luino Train Station is 3 km from the property. Free on-site parking is available.
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The Stanford Cancer Center planning and evaluation activities incorporate input from both internal and external reviews. External reviews are conducted by the Cancer Center's External Scientific Advisory Board (ESAB) on an annual, and as needed, basis. An internal advisory board composed of leaders from across the University provides advice on matters relevant to integration of the Cancer Center's objectives with those of the School of Medicine and Stanford University. Ad hoc consultants also provide expertise and guidance to the Director and Senior Leadership as needed. Planning processes include monthly Program Planning Committee meetings and Cancer Center-wide and strategic planning retreats during which key goals for the Center are set forth and addressed. Research Programs and Shared Resources are reviewed and evaluated on an annual basis. It is anticipated that planning and evaluation efforts will increase over the next five years in areas of strategic importance to the Cancer Center.
|Ganjoo, Kristen; Hong, Fangxin; Horning, Sandra J et al. (2014) Bevacizumab and cyclosphosphamide, doxorubicin, vincristine and prednisone in combination for patients with peripheral T-cell or natural killer cell neoplasms: an Eastern Cooperative Oncology Group study (E2404). Leuk Lymphoma 55:768-72
|Chiou, Shin-Heng; Kim-Kiselak, Caroline; Risca, Viviana I et al. (2014) A conditional system to specifically link disruption of protein-coding function with reporter expression in mice. Cell Rep 7:2078-86
|Zhu, Gefei Alex; Danial, Christina; Liu, Andy et al. (2014) Overall and progression-free survival in metastatic basosquamous cancer: a case series. J Am Acad Dermatol 70:1145-6
|Caswell, Deborah R; Chuang, Chen-Hua; Yang, Dian et al. (2014) Obligate progression precedes lung adenocarcinoma dissemination. Cancer Discov 4:781-9
|Bartroff, Jay; Lai, Tze Leung; Narasimhan, Balasubramanian (2014) A new approach to designing phase I-II cancer trials for cytotoxic chemotherapies. Stat Med 33:2718-35
|Kohrt, Holbrook E; Thielens, Ariane; Marabelle, Aurelien et al. (2014) Anti-KIR antibody enhancement of anti-lymphoma activity of natural killer cells as monotherapy and in combination with anti-CD20 antibodies. Blood 123:678-86
|DiCarlo, Joseph; Agarwal-Hashmi, Rajni; Shah, Ami et al. (2014) Cytokine and chemokine patterns across 100 days after hematopoietic stem cell transplantation in children. Biol Blood Marrow Transplant 20:361-9
|Chang, Serena; Kohrt, Holbrook; Maecker, Holden T (2014) Monitoring the immune competence of cancer patients to predict outcome. Cancer Immunol Immunother 63:713-9
|Ansari, Celina; Tikhomirov, Grigory A; Hong, Su Hyun et al. (2014) Development of novel tumor-targeted theranostic nanoparticles activated by membrane-type matrix metalloproteinases for combined cancer magnetic resonance imaging and therapy. Small 10:566-75, 417
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|This article possibly contains original research. (August 2007) (Learn how and when to remove this template message)
|Background information
|New York City, USA
|Punk rock, hardcore punk, riot grrrl
|Years active
|1988-2000, 2002, 2004
|Blast First, Go Kart Records
|Associated acts
|Theo & the Skyscrapers
Team Squid
Suicide King
Devil Kit
Blare Bitch Project
Lez Zeppelin
Toilet Boys
|Past members
|Theo Kogan
Gina Volpe
Sidney "Squid" Silver
Sindi Benezra Valsamis
Becky Wreck
Chip English
Helen Destroy
Kate Schellenbach
Lunachicks were a punk rock band from New York City.[1] The band formed in 1987 and has been on hiatus since 2000.[2] Their music was described as "a frenzied mix of punk, metal, pop and rock".[citation needed] The band claimed influences including The Ramones, Kiss, and the MC5.
Theo Kogan, Gina Volpe, and Sydney "Squid" Silver were students at New York City's Fiorello H. LaGuardia High School of Music & Art and Performing Arts when they decided to form a band. Sindi Benezra, an acquaintance of Silver, was asked to join shortly after. They rehearsed and wrote material in Gina's bedroom for about a year. Their first composition, the lengthy "Theme Song", was about killing Kogan's and Silver's English teacher. The band played their first show in 1988 with Theo's then-boyfriend Mike on the drums.
Kim Gordon and Thurston Moore of Sonic Youth were amongst the audience for one of their early performances. Gordon and Moore were impressed with the band and sent a demo tape to Paul Smith in England, which landed them a deal on Smith's label Blast First. With drummer Becky Wreck (Susan Rebecca Lloyd) on board they released a self-titled four-song EP in 1989, and the full-length Babysitters on Acid, both produced by Wharton Tiers. The record was only available in Europe until it was re-released on Go-Kart Records in 2001.[3] The band later expressed their strong dislike for the album's production and the fact that they did not earn any money from Blast First.[4] The band went on to tour with The Dictators in 1991.
1992 saw the release of their second full-length, Binge & Purge.[5] Around this time drummer Becky Wreck gained slight popularity for a TV appearance on Howard Stern's Lesbian Dating Game. She left the band some time later and was briefly replaced by Luscious Jackson drummer Kate Schellenbach, before Chip English joined. During their first visit to Japan, a six-song EP entitled Sushi A La Mode, featuring a cover of Boston's "More Than a Feeling", was recorded and released in Japan in the fall of 1993.
Lunachicks were signed to New York-based label Go Kart Records, on which they released 1995's Jerk of All Trades.[6] The follow-up, 1997's Pretty Ugly, produced by Ryan Greene and Fat Mike of NOFX, features their most well-known song "Don't Want You", which was promoted with a video. Guitarist Sindi then left the band, after which the band stayed a four-piece. They released their first live album Drop Dead Live in 1998, and then their final album to date, Luxury Problem. By this time, the group had a busy touring schedule, headlining clubs in the United States, Europe, the U.K., and Japan, while opening for the likes of the Ramones, the Buzzcocks, No Doubt, the Go-Go's, Rancid, and NOFX, as well as appearing on the Vans Warped Tour. [7]
Lunachicks joined the Warped Tour in 1999, one of only three female acts along with The Donnas and Bif Naked, and again in 2000. Chip English left the band in the fall of 1999 and was replaced by then 18-year-old Helen Destroy,[8] who stayed with the band until it went inactive in the summer of 2001. The band never officially disbanded, but has been inactive since then, with the exception of two reunion shows in 2002 and 2004.[9]
Whilst being the front runner for the Lunachicks, Theo Kogan also worked on the side as a model, per request by her friends in the fashion industry.[10] She modeled for Calvin Klein, which ended up being a controversial campaign said to promote "drug use", and Burberry. In an interview with Jon Stewart, Kogan noted that music would always come before modeling and that modeling would always be a side job.[11]
Movie appearances[edit]
Besides being active in music, the band also had a fair share of movie appearances. The first was in a low-budget splatter movie entitled Blue Vengeance (shot in 1989, but not released until 1992). The band also can be seen in the 1990s riot-grrrl documentary, Not Bad For A Girl,[12] as well as Rockstar (produced in 1996, not released commercially until 2004), and High Times' Potluck (2002), both of which featured lead singer Kogan in lead roles.[13] The band also appeared in Terror Firmer, and contributed the song "Say What You Mean" to its soundtrack. Kogan and Silver starred in the movie Hair Burners.
The band has also been involved with movies and music videos in other ways, such as being on soundtracks. In 1997 Kogan danced in The Offspring's video for "I Choose". The movie Boys Don't Cry has their music video for "Don't Want You" playing in the background of a scene. The Olsen twins' movie Getting There has their song "Say What You Mean" on the soundtrack. C.J. Ramone of the Ramones has been seen wearing a Lunachicks shirt several times, most notably in the music video for "Poison Heart".
In the movie Hated: GG Allin and the Murder Junkies, Dino the naked drummer says that he had a psychic link with the Lunachicks, and shows a picture of himself holding up a Lunachicks album while masturbating.[14]
The Lunachicks reunited for a 20-minute set at CBGB's on April 6, 2002 with Benezra on guitar and English on drums.[15] Another reunion took place at the March for Women's Lives Benefit in Washington, D.C. on April 24, 2004 as a four-piece with English on drums.
Life after the Lunachicks[edit]
Singer Theo Kogan married Toilet Böys guitarist Sean Pierce, with whom she formed the band Theo & the Skyscrapers,[16] who has released two albums to date (2006's self-titled album and 2007's So Many Ways to Die). She occasionally works as a fashion model and actress. She appeared in Bringing Out the Dead as a prostitute, Zoolander as the tattooed woman in Hansel's loft and Tadpole as a woman at the bar. In 2009, Kogan founded the company ARMOUR Beauty, which is dedicated to creating lipglosses that are durable and vegan. The lipgloss is paraben-free, gluten-free and requires no animal testing.[17] Along with establishing her own brand, Kogan also runs a tumblr page dedicated to documenting her makeup artistry, as she now works as a makeup artist full-time.[18]
Gina Volpe formed and fronted her power trio Bantam,[19]which released two records on her own label, Heavy Nose Records. [20] She also wrote the music and lyrics for Homo the Musical,[21] which was written and directed by Lola Rocknrolla.[22] She has composed music scores for several independent films, including Lola Rocknrolla's Nefertitty franchise.
Helen Destroy plays drums in the all-female Led Zeppelin tribute band, Lez Zeppelin.
Squid Silver used to work as a tattoo artist, and is now the proprietor of the Roebling Tea Room, a popular eatery in Williamsburg, Brooklyn.[23]
Becky Wreck was the drummer for the Blare Bitch Project in 2000.
Chip English plays drums for Suicide King.[15][24]
- Babysitters on Acid (1990) (Blast First)
- Binge & Purge (1992) (Safe House)
- Jerk of All Trades (1995) (Go Kart Records)
- Pretty Ugly (1997) (Go Kart Records)
- Drop Dead Live (1998) (Go Kart Records)
- Luxury Problem (1999) (Go Kart Records)
Singles and EPs[edit]
- Lunachicks Double 7" (1989)
- "Cookie Monster" / "Complication" 7" (1990)
- "C.I.L.L." / "Plugg" 7" (1992)
- Apathetic EP (1992)
- "F.D.S." / "Light as a Feather" 7" (1993)
- Sushi A La Mode EP (1993, Japan only)
- "Edgar" CD single (1995, promo)
- "Don't Want You" CD single (1997, promo)
- XXX Naked (1999, home video with video clips and interviews)
- The band performed several cover tunes on stage, like Blondie's "Heart of Glass" (available on the Japanese issue of Luxury Problem), The Cars' "Just What I Needed", and Bad Company's "Feel Like Makin' Love". Bad Company was mentioned in the liner notes of Binge & Purge, which said, "No thanks to Bad Company".
- Lunachicks was the name of the club where Hailey Nihols was working in the episode of the O.C. "The L.A."
- Gina Volpe performed the motion capture for the Harmonix game Rock Band, doing the female guitar and bass characters. Theo Kogan also performed some of the vocal characters.
- ^ http://www.allmusic.com/artist/lunachicks-mn0000322383/biography
- ^ http://www.xtra.ca/public/Toronto/Pride_stage_Theo_And_The_Skyscrapers-1800.aspx
- ^ http://exclaim.ca/Reviews/PopAndRock/lunachicks-babysitters_on_acid
- ^ http://users.erols.com/shydoll/luna_seconds.html
- ^ http://www.warr.org/lunachicks.html
- ^ http://www.trouserpress.com/entry.php?a=lunachicks
- ^ Deming, Mark. "Artist's Biography." All Music. N.p., n.d. Web, from http://www.allmusic.com/artist/lunachicks-mn0000322383/biography
- ^ Helen Destroy biography - drumsforgirls.com
- ^ Deming, Mark. "Artist's Biography." All Music. N.p., n.d. Web,from http://www.allmusic.com/artist/lunachicks-mn0000322383/biography
- ^ Jon Stewart Show. Interview by Jon Stewart. 1995: Web, from https://www.youtube.com/watch?v=raF4GAIdvTw
- ^ Jon Stewart Show. Interview by Jon Stewart. 1995: Web, from https://www.youtube.com/watch?v=raF4GAIdvTw
- ^ http://www.imdb.com/title/tt0114001/
- ^ GW Hatchet - Lunachick Unhinged
- ^ https://www.youtube.com/watch?v=KDnd908VfAw
- ^ a b NYrock.com
- ^ http://www.cduniverse.com/search/xx/music/artist/Theo%20&%20The%20Skyscrapers/a/Theo%20&%20The%20Skyscrapers.htm
- ^ "About Page." Armour Beauty. N.p., 2015. Web. 3 Dec. 2015, from http://armourbeauty.com/?page_id=1002
- ^ Theo Kogan on Building the Best Lipgloss Brand. Perf. Theo Kogan. Beautylish. N.p., 1 Oct. 2012. Web. https://www.youtube.com/watch?v=Y_VYorvGEDc
- ^ Bantam
- ^ http://www.cdbaby.com/cd/bantam
- ^ Homo the Musical
- ^ Lola Rocknrolla
- ^ Tattoos Down Under - Interview with Theo and Squid
- ^ http://www.bantamnyc.com/home.html


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AMC Loews Paramus Route 4 Tenplex
260 E. Highway 4,
20 people favorited this theater
Showing 376 - 400 of 428 comments
"The Route 4 theater was one of only 3 in New Jersey, and 32 nationwide, to open "Star Wars" on May 25, 1977." (Damien Farley)
There were four New Jersey theaters included in the original 5/25/77 limited market launch of "Star Wars." They were located in Edison, Lawrenceville, Paramus, and Pennsauken.
I bet you got your reference to three NJ theaters from the list posted on the starwars.com website. A more comprehensive list appears here:
View link
"In the (possibly 1950's and) 1960's, they showed three strip Cinerama/Cinemiracle … and just a few years ago they were the first theater in the state to present the digitally projected Star Wars Episode I." (Robert MacLeay)
I'm not aware of any Cinerama engagements at this theater.
Clarification on the digital cinema comment: this theater was among the first to be equipped since "The Phantom Menace" played simultaneously at two NJ venues, this and the Loews Meadows Six in Secaucus.
Now that Loews Cineplex and AMC will merge during the time period when the new 16-plex is constructed and completed, will things change a bit? This and the new Rockaway 16 plex will be big investments for the new AMC-Loews chain.
It stays open until the construction is under way, same as the Tenplex. They continue to use the Triplex as a 'move-over' house with films from the Tenplex.
Whats up with the triplex?
From today's Bergen Record—-say Goodbye to the Paramus Tenplex. The real estate alone where the tenplex now resides is probably worth God only know how many millions:
Theater complex upheld in Paramus
Tuesday, June 21, 2005
By MERRY FIRSCHEIN
PARAMUS – The borough's Planning Board was allowed to approve an application for a 16-screen movie theater at Garden State Plaza, the state appellate court unanimously ruled Monday.
The decision comes as a result of a lawsuit filed by the borough against its own Planning Board and Westfield Corp., the parent company of the shopping mall.
In the suit, filed originally in December 2003, the borough said the Planning Board didn't have jurisdiction over Westfield's application to build a 163,000-square-foot "entertainment lifestyle precinct" at the mall.
The ruling could be the last step in a three-year quest by Westfield to build the project. Along with the cinema, the proposed addition would include shops and restaurants.
Attorney Brian Giblin represented the borough on May 25 before Appellate Division Judges Howard Kestin, Jose L. Fuentes and Naomi G. Eichen. He argued that the zoning board should have heard Westfield's application. Giblin said only a zoning board can hear issues of square footage, parking and building height.
Westfield attorney Stephen Sinisi told the judges that the shopping center corporation fulfilled all the requirements asked of it and should not be penalized.
The judges, in Monday's nine-page decision, unanimously agreed, saying that state Superior Court Judge Jonathan N. Harris was correct in his June 2004 decision when he said the Planning Board was the right place for Westfield's application.
The panel also ruled that the borough cannot use a new ordinance to stop the project. That ordinance is the focus of a lawsuit brought by Westfield against the borough. A trial date in state Superior Court has not been set.
Planning Board Attorney Paul Kaufman said the ruling found that "the Planning Board acted completely within its authority and within the applicable law."
Westfield officials said they are ready to start their project.
"We look forward to getting back on track with our reinvestment with Garden State Plaza," said Katy Dickey, Westfield's vice president of communications.
The concept of "entertainment lifestyle precincts" includes stores with a hands-on component, such as a Sony store or an Apple computer store or other stores with a large entertainment aspect.
Experts see this as a natural progression for the shopping experience, which some say has become routine.
"When it's more fun to shop at Costco than the Garden State Plaza, then we're missing the ball," John Goodwin, Westfield's vice president of development, said at the 2003 hearings.
There is no start date for building at the mall because Westfield still must get county and state permits before beginning any construction.
Construction is expected to take between 18 and 24 months.
Giblin said he hasn't spoken yet with the mayor and council on Monday's ruling. Giblin was the borough attorney in 2004.
"I'm sure [borough officials] will want to review it and ask me whatever questions they might have about it, and they'll make their decision" on whether they want to appeal, Giblin said.
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I just saw "Revenge of the Sith" there on the big screen. I had to see it there on the big screen main auditorium because I've seen every Star Wars film on that screen since 1977. That experience in "77 was one of the best. I could only imagine what the theater was like as a single screen.
JohnO: any way you can scan the pictures from that magazine and put them in here?
They should revamp the Tenplex as a state-of-the-art movie theatre with all digital sound in all auditoriums, stadium seating, bigger screens, and a museum showing the history of the theatre.
This is one of the safest theaters around because it's in a very nice town and such. But the new theater (located in the Garden State Plaza) is not yet a done deal. The town of Paramus is doing some in-fighting and I don't believe that they mall owners have been given anything near a green light yet.
So that puts this place in limbo and it looks it. While the theaters are clean, the place looks very tired. Seats need to be replaced, carpet should be replaced as well as a new paint job all around. But why do it when a bigger and better place might open…eventually?
Re: The Bergen Mall movie theater
I can confirm there was a movie theater in there, with entry only from the south side's parking lot. The last movie I specifically remember seeing there was "The Sheltering Sky," so it was open until at least then (1990).
Oh, I know already. 16, just like the new Rockaway theatre that will open next spring in 2006. When will this new theatre open in Paramus?
How many screens will this new theatre have?
They'll be closing those two locations once the new megaplex is built (it's waiting for final approvals from the towns involved) in the back parking lot area of the Garden State Mall.
I thought this and the Centurys Triplex were both coming down? Has something changed?
THe last time I went to this theatre was nearly 5 years ago, when I went to see "X-Men" and it was crowded. The sound was allright and the picture OK, but the seats were uncomfortable although the movie was enjoyable. It's time that the Route 4 Tenplex gets a makeover or soon this theatre could be extinct. Other movies I saw at this theatre were "Congo", and "Outside Providence" as a rough cut before it was released theatrically to poor box office. The last I heard about the tenplex was from my aunt who went to see "Monster-In-Law" with a few friends, one of whose husband works as a security guard (excellent job) at the movie theatre. It's good that this popular multiplex is one of the safest theatres around.
I have a "Boxoffice/Modern theatre" magazine from 1966. It introduces the "New Stanley Warner Route 4 Theatre as a 1,908-seat entertainment center of modern design. it is also reported as the firm's first "highway oriented" theatre in New Jersey.
The magazine goes on to say that the "new" theatre is located on busy route 4, in the center of a landscaped 1,000-car parking area. so as to afford an imposing view from the highway. Adjacent to the Bergen Mall. the Garden State Plaza and other large retail units, it is termed as an "integral part of the world's largest shopping complex."
Opened in October, the 50-foot-high structure was designed by architect Drew Eberson and blends various masses and areas into an unusual treatment. The side walls of the main building are sculptured block. The front facade is dominated by a huge lighted panel that embodies the theatre name and the attraction letters. The effect is to provide a brightly-lighted landmark easily spotted by the highway traffic.
The entrance lobby has a lace-like grille effect. Large expanses of glass wall incorporate seven pairs of entrance doors that create an airy indoor-outdoor feeling and allow a full view from the exterior into the massive, colorful lobby.
The lobby and foyers, as well as the theatre front, are faced with marble. The 50-foot-high lobby walls are decorated with modern dramatic sculpturings and reliefs by the Italian sculptor, Francis Bevelacqua. The wall covering is plastic gold.
The main feature of the lobby- and an innovation among New Jersey theatres- is the Otis escalator that transports patrons to the mezzanine-balcony levels. The escalator is push-buttoned controlled to reverse downward during show breaks. The escalator's side rail is of glass, thereby giving the installation a light transparent treatment rather than a heavy, ponderous rail of the traditional escalator.
The general decorative color scheme is red, gold and white. The carpeting-in red, gold and black by Alexander Smith-is in original design made exclusively for Stanley Warner Theatres. The seats are red and by American Seating. they have foam padded seats. Over-stuffed spring-back type seats are in loge and balcony.
The auditorium, with it's unusual decorative treatment and floor-to-ceiling gold drapes, has been carefully engineered to incorporate the latest techniques in audio-visual presentation. The wall-to-wall screen is 62 feet wide and 31 feet high. A six-channel Ampex stereophonic sound system with 18 surround speakers is used.
There's so much more in this magazine to type and 7 GREAT pictures! The following is a listing of theatre credits:
Architect: Drew Eberson
Carpeting: Alexander Smith
Escalator: Otis
Projectors: Century
Public Address Amplifiers: Bogen
Screen: Technikote
Seats: American Seating
Sound: Ampex
Tape Recorder: Ampex
If you ever get a chance to get this magazine, it's the January 17, 1966 New England Edition!!!
WOW! My fingers are tired. I'm not a good typist. Hope you enjoyed the reading. Like I said, there's so much more on this theatre in this mag.
Well….I was there in 1999 to see "Unbreakable" and it was one of the worst experiences I ever had at any theater. The theater I saw it in (not one of the four main ones…it was in the newer area) was in horrible condition…broken seats, wet, sticky floors, you name it.
But one bad experience doesn't mean the place has gone all to hell. The last two times I've been there, it was a lot better than I remebered it. Yes, rough around the edges (especially the concession stand) but still decent enough.
The tenplex has always been in very decent shape. Although the floors in the theatres can eb sticky, all in all they maintain the theatre very nicely – i don't think anyone complains.
Saw "Lemony Snicket" here this past weekend as was kind of surprised that the theater was actually clean and in decent shape. Saw it in Theater 4 (upstairs).
I noticed that it looks like at one time, there were working curtains in that theater before they started doing that annoying advertising that virtually all theaters do now for extra $$$. Does anyone know if this is true in these upstairs theaters? Or if it is, when the stopped opening/closing them?
"The idea is that the new multiplex will replace the Tenplex & Route 17 theatres – the same company is building it."
And what will become of the Paramus 10 plex? Oh, yeah…if it closes, it'll be REAL hard to sell that space. Jesus…can you imagine what the HELL they'll try to build there? That space is HUGE.
So that's probably why the Tenplex is getting so run down. Why invest in something that's soon (they hope) to close. But there's still a lot of litigation with regards to that space at the Plaza, right? It's not a done deal…
it was called Playhouse on the Mall
The idea is that the new multiplex will replace the Tenplex & Route 17 theatres – the same company is building it.
I looked at a map of where David's Bridal is located, that spot was not the Bergen Mall Theatre, the theatre was on the other side of the mall. I don't know what that might be, except that there used to be a live theater company that had its auditorium in the mall. I can't remember their name, however. Perhaps the shape you saw in the photo was their performance space?
And yes, I agree with you, the 10 plex is badly run down. It still brings in a crowd but that won't continue if they build the proposed 16 screen megaplex at the Plaza. It'll kill this sucker off big time. And frankly, the way they've NOT been keeping it up, good riddance. The shame is that this theater, in one form or another, has been a fixture in the area for years.
No, the theater WAS where the David's Bridal is now. I wish I could find the picture I saw of route 4 westbound that showed it. It was taken around the early 60's.
there was never a movie theater on Route 4 Westbound other than Cinema 35 which no longer shows films. What theat across from the bridal shop are the people talking about.
The 10 Plex is badly run down and is way past its heyday.


text: I have a 37 gallon planted tank, with a bunch of fish, only about 3-4 fish are large. The 2 angelfish, a common sailfin pleco and gold gourmai are the only large fish, the rest are 4-2 inches in length. I don't remember any names of the plants I have in the tank. This is my 37 galllon, I got like over 20 swordtails [the orange fish], 4 fullgrown male swordtail, 5 guppies, 5 catfish [2 corys, 2 south african bumblebees, 1 upsidedown] , 2 angels, 1 gourmai, 5 black neon tetras, 1 female betta, 2 plecos [one is tiny], and 1 ruby shark which is also called a rainbow shark. I have a Marineland filter and heater on the tank, i change the carbon every few weeks. The temp is 72-74, but in the summer its 76-78.


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Bus Schedule:
Depart Hollywood Bus Stop
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(Departure times for terminals 2-7 vary based on traffic conditions in the Central Terminal Area)
Travel times vary due to traffic. The estimated travel time is 1 hour, however the travel time could take up to 90 minutes with heavy traffic. Please call (310) 834-1002 for more information. Please arrive 10 minutes in advance of the scheduled departure time.
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Buses stop on schedule at Terminal 1 and arrive later at Terminals 2-7
Drop-Off/Board: Motorists may drop off or pick up passengers using nearby parking facilities or curbside meters.
Parking: There is no parking designated for FlyAway® customers at this location. Parking facilities are available nearby.
The Hollywood FlyAway bus stops on Selma Ave., at the northeast corner of Argyle and Selma Ave. (one block south of Hollywood Blvd.).
Driver's dropping off passengers can return to US 101 by taking Argyle Ave north. There is a southbound access to US 101 from Argyle Ave on the right side, and a northbound access to US 101 at Argyle and Franklin Ave on the left side, across Franklin.
From the North (North of Hollywood Blvd.):
Take US 101 Southbound to N. Gower St. and exit. Turn right onto Gower. Pass Hollywood Blvd. Make a right onto Selma Ave. The FlyAway® bus stops on Selma Ave. at the northeast corner of Argyle Ave. and Selma Ave.
From the South (South of Hollywood Blvd):
Take US 101 north and exit Hollywood Blvd. Turn left onto N. Gower St. Turn right onto Selma Ave. The FlyAway® bus stops on Selma Ave. at the northeast corner of Argyle Ave. and Selma Ave.


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Engel & Völkers is pleased to offer this wonderful attached house located in one of the best areas of Miramadrid, it boasts 244 square meters on a 150 sqm plot. The property has been finished to the highest standard qualities. The house is distributed into three different floors and a basement. This one comprises.
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Availability upon agreement. This material is based upon information, which we consider reliable, but because third parties have supplied it, we cannot represent that it is accurate or complete, and it should not be relied upon as such. This offering is subject to errors, omissions, and change of price or withdrawal without notice. Taxes, notary and register fees must be paid by purchaser. The commission must be paid by the seller, as stipulated by Spanish regulations.


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Tomorrowland Mystery
By: SmileyGamer
Welcome to the walkthrough for the iOS game Tomorrowland Mystery, if you are looking for ways to make it to the next level, and to improve gaming experience as a master player, you've come to the right place. Here you will find Tomorrowland Mystery tips, tricks and guides, as well as the opportunity to share your own discoveries to help others move on and beat the game.
If you can't find the answer to your question you are welcome to post it in the comments section below. This way others who know the answer can help you by sharing their own tips and advices.
Tomorrowland Mystery game app is developed by SmileyGamer and available on iTunes and Google Play. For more details on the app, check out our review.
- App name: Tomorrowland Mystery
- Seller: SmileyGamer
- Category: Board
- Updated: Jul 20, 2014
Check out these tutorial for all levels of Tomorrowland Mystery. We'll continue to update this list with the latest answers as new levels are released.
Tomorrowland Mystery Answers
- Basic Game Guide Part One - disney miles from pack / blind bag kinder surprise egg learn a word
Hit like if this helped you!
Until the Walkthrough is completed, feel free to ask for help in the comments section.


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Examples, Real Life Music
- In Blutengel the singers are vampires.
- In Versailles, the band members were vampiric immortal aristocrats from the Romantic era. A "Funny Aneurysm" Moment (and the ultimate breaking of the kayfabe) ensued when Jasmine You died in Real Life.
- The band Rolandz has developed a quite solid discography and even been on tour. It's singer, Roland, is a character from a comedy movie. The real singer is the same actor who played Roland in that movie.
- Manowar consists of really manly men, fantasy heroes who are always ready to kill anyone. With STEEL, of course.
- Lordi are monsters... who have sued to bury images of them out of costume.
- Dir en grey's vocalist, Kyo, presents a facade of being the personification of Insane Equals Violent onstage, even self-injuring for real on a level equivalent to Mayhem's Dead. In Real Life, however, he is reported to be shy, intelligent, and most definitely not suffering from extreme mental illness or violent.
- Markoolio play this on two levels. His first persona is this cool playboy, gangster, warrior, expert soccer strategist, and so on. However, this facade breaks all the time, especially since his own chorus are disloyal to him and frequently rat him out to the audience - exposing him as the total failure and Small Name, Big Ego that he really is. Of course, this "real person, under the mask" is just as fabricated as the first level.
- At the live Vocaloid concerts, the band is real enough, but the lead "singer" is a projected image (and not really a singer at all).
- Daft Punk's persona is of a couple of robots. They say that the reason why they do this is because takes focus off of them as artists, and puts more focus on the music, so their live performances are more like raves where the DJ isn't all that important.
- Lady Gaga went to her little sister's graduation in full Gaga regalia. She later said that she considers her entire life to be part of her 'character'.
- Members of the German band Coppelius usually play their XIX-century aristocratic personas in public.
- Kraftwerk are robots, who became less human as time progressed. They even give interviews as their mechanical robot selves.
- GWAR has a long backstory about them being aliens banished to Earth, and like Lordi are never seen out of costume.
- Devo has gone through a few permutations of this; it's essentially them, except with sci-fi bases, an idiot manager that doesn't understand them, a giant baby (Booji), and their...uh...leader, General Boy. They always did claim to be a corporation, which got a lot funnier in the mid-90's when they reformed as a soundtrack company. And then there's bass player Jerry Casale's side-album as Jihad Jerry, essentially Stephen Colbert as a Muslim blues musician.
- The Residents are never seen in public without their trademark eyeball masks. There's a general assumption that the four "managers" that appear with them and speak on their behalf are at least partially composed of the actual members of the band.
- Gorillaz are a Band Toon in the real world, which means that their members are a group of four cartoon characters.
- Buckethead is the persona of Brian Patrick Carroll, who is so socially awkward that he invented the character to hide his face and distance himself from his audience. People who know him, however, say that his behavior "in character" is basically just him being himself.
- Industrial Metal artist Mortiis, for a long time, was never seen without his troll mask on, with it's pointed nose and big ears. In 2005 for his album The Grudge his mask took on a more artificial appearance, looking like it had been stitched and stapled to his face. After that, however, he finally removed the mask.
- Singer Emilie Autumn seems to always be in character as Emily-with-a-Y from her book to some extent.
- Stovokor is a death metal band consisting entirely of Klingons.
- Faxed Head supposedly met as teenagers in Coalinga, California, had a Bungled Suicide pact that left them deformed in various bizarre ways, then decided to form a death metal band together. Thus they'd typically perform wearing strange masks and costumes. In reality, their lineup included Mr. Bungle guitarist Trey Spruance and Gregg Turkington. They would also sometimes open for themselves as their supposed "rival" group The Bon Larvis Band, removing the masks, dressing more like a typical bar band, and playing an Overly Long Gag-laden parody of blues-rock.
- The Space Balloons claim to be lost travelers from the planet Balloonia. The concept is mainly adhered to in performances and the songs themselves, though, not interviews.
- In a 2012 interview with Oprah Winfrey, 50 Cent says that his onstage "thug" persona is this. His real self, Curtis Jackson, is a family man.
- Deathgrind band Brujeria is ostensibly made up of Mexican drug lords who always perform in masks to hide their identities from the FBI. However, most of their members past and present are already well-known from other acts.
- The electro-industrial project Zombie Girl has singer Renee Cooper as the eponymous zombie, always appearing in corpse make-up and claiming to be undead in her lyrics.
- Horrorcore rapper/singer The Jokerr raps from the perspective of a medieval court jester imprisoned in a dungeon for twenty years with a red costume patterned after a joker playing card to match, he has recorded a large amount of songs unrelated to his persona though.
- The Aquabats! are a ska band made up of super heroes. Their mythos is expanded upon in their TV show.
- The County Medical Examiners are two Carcass-loving physicians joined by a much older, avant-garde physician who play Death Metal based on what they see in their field. After years of mystery, it was implied in 2012 that the whole band was simply a side-project of musician Matt Widener (ex-Exhumed/Cretin).
- Har Mar Superstar is Harold Martin Tillmann, the frequently sex-obsessed soul-singer twin brother of indie pop singer-songwriter Sean Tillmann (aka Sean Na Na). Of course, Har Mar is Sean Tillmann, the stage name really stems from a shopping center in Minnesota called the Har Mar Mall, and he really only kept up the twin charade for a short period of his career. Tillmann continues to put out solo albums as both Sean Na Na and Har Mar Superstar, and he still takes on a somewhat more flamboyant persona when performing as the latter.
- Masked Intruder are four ski-mask-clad criminals who formed a pop-punk band while in jail together, only differentiated from each other by the color of their masks. Lead vocalist Intruder Blue apparently got in trouble with the law due to his Stalker with a Crush tendencies, so a lot of their material consists of obsession songs being played for humor.
- Ziggy Stardust and the Spiders From Mars, David Bowie and his backing band's alien personas during the 1972 tour for the Ziggy Stardust album.
- Abney Park is a group of Steam Punk Sky Pirates.
- Unknown Hinson is just the onstage persona of Stuart D. Baker, but is presented as if he's a real individual.
- The members Steam Powered Giraffe perform as a group of automatons built in the Victorian era, complete with elaborate metallic stage makeup. Even their merch sellers have their own personas in the form of "Blue Matter Engineers," which they dress up as for shows.
- The Japanese metal band Seikima II performs as a group of Akuma (demons) from the futuristic hyper-evolved dimension Makai that preach a demonic religion and aim to take over the world through their music. They were destined to disband at the end of the century (seikimatsu, another way to say the band's name, means "century's end", as any Fist of the North Star fan knows), but they've reunited several times since, once in response to the Touhoku earthquake and tsunami disaster.
- Alice Cooper was originally the name of the band as a whole, but frontman Vincent Damon Furnier eventually turned it into a fictional, psychopathic character. Behind the scenes, Furnier is, at least in modern times, mild, straight-laced and conservative.
- Servotron performed as a band of robots, whose music was meant to promote robotic uprisings against humans, as well as to encourage humans to become cyborgs.
- The thrash metal band Ghoul perform as a group of mutant, cannibalistic ghouls from an over-the-top Überwald land called Creepsylvania. They keep their identities a secret and always wear bags on their heads when performing live.
Examples, other media:
open/close all folders
Comic Strips
- In Pondus, Pondus believes that a certain rock band truly lives the creed of "Drugs, Sex & Rock'n'Roll". In one strip, the band is shown working out and eating healthy food. Suddenly their manager come in and yell at them that the journalists will be there any minute. And thus, they quickly trash themselves down to look as if they have been partying and boozing up all night. Then the scene switches to Pondus and his wife watching the television. A journalist is (or probably rather is pretending to be) surprised that the band members manage to stay healthy with this lifestyle. The singer explains this with "It's rock'n'roll", baby. It becomes a lifestyle." and Pondus tries to get his wife to accept this message as gospel.
Films — Live-Action
- In Tropic Thunder, Alpa Chino is a rapper who is overly heterosexual in his music and videos, but is secretly gay.
Live-Action TV
- Law & Order: SVU used this twice. Two big scary musicians, suspected of horrible crimes.
- One is a black "gangster" rapper suspected of the rape/murder of a white woman. However, he he is actually quite naive and has no experience in real crime, his gangster persona being nothing more than a keyfabe persona. The woman was one of his friends, and he ends up getting killed by a real gangster (who just happens to be white) as he's trying to help the detectives catch the real villain.
- The other is a "vampire" who is afraid of getting HIV from real blood.
Western Animation
- Lead-singer Jem from Jem and the Holograms is a holographic projection protecting the identity of Jerrica, the company owner.
- In Arthur, the band Binky is made of up Hologram musicians and synthesized sounds. Apparently an open secret, as the episode on the band has them materialize from nowhere during a live performance.


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New Lenox, IL Mayor Tim Baldermann wants residents to boycott hometown gas stations, whom he believes are charging too much. "The only way we can send a clear message to the companies is for our residents to shop elsewhere."
Comment count on this article reflects comments made on Breitbart.com and Facebook. Visit Breitbart's Facebook Page.


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Town Square
Palo Alto football has to wait for state
Original post made by Football Fan, Midtown, on Dec 9, 2006
Paly's rival for the berth, Novato, reportedly won the North Coast Section D-2 title with a 48-3 win over Miramonte on Saturday in Oakland.
Novato is now 12-1, the same record Palo Alto has. In its three section playoff games, Novato outscored its opposition 163-3.
While Novato did play in a weaker section than Palo Alto did, there is no clear-cut decision at this time. Palo Alto will have to wait until Sunday at 3 p.m., when 10 section commissioners cast their vote.
There will be three state championship games played in Carson on Dec. 16. Palo Alto is hoping to be playing for the D-2 title.
Comments (1)
a resident of another community
on Dec 10, 2006 at 3:46 pm
Paly has been selected to play in the Div. II champioship game vs. Orange Lutheran at 3 on the 16th in LA.
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Ben Harper and the Innocent Criminals
Given the advances in digital studio equipment, cutting an album in analog can be both more difficult and more expensive than using readily available modern gear. Ben Harper, though, wanted the old-school experience, so he and his band laid down Lifeline fast and dirty using a 16-track console. The results are generally warm and welcoming, but they also prove that the quality of the songs is more important than the type of technology used to capture them.
"Fight Outta You" is a case in point. Although the mix is beguiling, giving Jason Yates' organ uncommon richness and depth, the tune's juxtaposition of half-spoken verses and a perky chorus is clunky at best. Much better is "In the Colors," a gently soulful lope with vivid lyrics that Harper caresses with casual confidence. But like "Say You Will," "Put It on Me" and the other strong ditties on hand, it would sound just as fine had it been recorded using Pro Tools or the cheapest microphone at Radio Shack.
That's the true tale of the tape.
Ben Harper and the Innocent Criminals
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For this video, we hop in Justin's Audi S4 which he was kind enough to let me drive. Being the first Audi on the channel-I had a ton of fun! Lot's of refinement, easy to drive, and much hard to hate. Thanks for watching and stay awesome! Social stuff,T-shirts, and more below! Check out Justin's instagram here- @jzwecker_S4 Get some delicious JerkyXP powers here! COUPON CODE- Thatdudeinblue http://www.jerkyxp.com/#_a_Thatdudeinblue My Social Stuff! Instagram/Twitter-Thatdudeinblue Like the Facebook!-https://www.facebook.com/thatdudeinblue T-Shirts!-http://thatdudeinblue.spreadshirt.com Twitch!-http://www.twitch.tv/thatdudeinblue/profile Song used- Beautiful MELODIC CHILLSTEP Mix - 1 HOUR! + Download http://www.youtube.com/subscription_center?add_user=Thatdudeinblue https://www.youtube.com/watch?v=rCqvgEqhPus


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- Doctors
- New Brunswick
- Rothesay
- Dermatologists
- Dr. Robbie Hayes
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Ratings for Dr. Robbie Hayes
In the medical field there are good physicians and great ones, and Dr. Hayes falls in the top scale of the great ones. You are the most caring and the most human that my husband and I have ever came across..Continu the great work and simply thank you. You're one of the best.
Amazing doctor! Very through in his examinations and gives all the information you need. He has also personally called me to answer questions! Truly cares about his patients.
Last month my husband was a patient of Dr. Hayes and he had to have Mohs Surgery to remove a cancer spot under his eye. We travelled from NL to see Dr. Hayes and found him and his staff to be excellent. He was very professional, he took time to explain to both of us, exactly what he would be doing. After the surgery and the reconstructive surgery that was needed to repair the area, we were surprised that Dr. Hayes took the time later that evening to call our hotel to see how Gary was doing. Without a doubt Dr. Hayes is the best. A shout out to the staff at his office who made our appointment and to Kelly the nurse who was with us during the procedure. Excellent team.
I noticed another person on here mention how the staff were to someone on the phone. The funny thing is she is 100% correct. The ones behind the counter are very unprofessional. I heard and saw the same kinda thing as her.I thought to myself i hope this does not happen to me if i called there .
Kind, friendly and extremely intelligent and caring. Would highly recommend him
Dr Hayes is amazing. He really takes the time to get to know your issue and will do what it takes to get you where you need to be. He is very busy so I was in his office for quite sometime but I didn't mind at all! He is very much worth the wait and I left feel cared for and satisfied with the course of treatment. HOWEVER, his receptionists are horrible. I sat in the waiting area for about a half hour and watched them be condescending to patients on the phone. Looking at eachother waving their fingers by their ears as if to say the person on the phone was crazy. The young one was texting and calling her boyfriend the whole time. And after arguing with a patient the young one handed the call over to the older one and it turns out the patient was right and not crazy. The young one said "oh well don't tell her that". horrible. I could keep going about my experiences but I have a character limit. Incredibly unprofessional and it's a shame such a nice dr is being portrayed this way.
He is a very kind Dr and gave me the time I felt I needed. I waited a long time to see it but the 9 month wait was worth it. He looked at my issue with a full approach.
What an amazing and compassionate Dr. He takes the time to explain the procedure involved and answers any questions. He is truthful. He makes you feel like a person rather than just a number. I think he felt worst than I for the cut he had to make on my face. Plus, it helps that he is a very handsome Dr. Very professional and superb staff! :)
Dr. Hayes is absolutely amazing - his compassion and delightful way of interaction is awesome and his staff follows his lead. We need more doctors like him. Thumbs up all the way and thank you.
i had 3 years , a skin cancer that needed a surgery at my cheek, I been recommended to have the surgery by Dr Hayes. The lesion seem to be small but in fact the tumor was expending larger. it took him 3 shots before removing it the same day because he had to tested the skin margin resection. Finally he remove me an huge piece of skin. Offer me to close it or having a plastic surgeon doing it. I trusted him . It healed perfectly . 3 years after my follow up ,, i m free of cancer and nobody accept my wife can see where was my scar. It s not the scar it s about having taking time to do the job professionally for me that make the difference. thank you Doc !
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