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Commentaries - August 2011
Fred Wah, "Race, to go"
Lisa Robertson, Jeff Derksen, and Bob Perelman joined Al Filreis to talk about a poem in a sixteen-poem series by Fred Wah going under the title "Discount Me In." That series and several others were brought together in a book called Is a Door. Our poem, "Race, to go," is the first — a proem of sorts — in the "Discount Me In" group, and we have occasion during our discussion to talk about the several valences of discounting. I don't count. The census misses me because I fall between the cracks in racial categories. The neo-liberal moment has cheapened me. Both positively and negatively racially charged language around food, freely punned and intensely oral, turns casual by-talk into rebarbative backhand (creating an effect distinctly pleasurable) and brings into the poem the entire story of official Canadian multiculturalism. Bob and Al, the Americans here, learned a few lessons about how different from the American melting-pot version of multiculturalism the Canadian approach has been, where there's "a pseudo-maintenance of a piquant difference" (as Lisa Robertson put it). Our poem pushes piquant playfully yet angrily hard, to the point where sanctioned everyday cultural practices connect to the larger failures of the neoliberal economy.
In Banff, in 2010, Fred Wah took the opportunity to read many of these poems and to discuss them with Charles Bernstein as part of the Close Listening series; this material is all available on Fred Wah's page at PennSound. Here is a recording of Fred Wah reading "Race, to go." Here is a related poem, "Count," and here is "Mr. In-between."
Collom, Nguyen, and the domestic
In my last post, I referred to an at-homeness the "eco" implies (after the Green root oikos), and to alienated/naturalized binaries, that the errant poetics of Will Alexander might help us rethink. Indeed, the "household" trope is a timeworn frame for ecopoetics, promoted in my own rationale for the journal of the same name:
" 'Eco' here signals—no more, no less—the house we share with several million other species, our planet Earth. 'Poetics' is used as poesis or making, not necessarily to emphasize the critical over the creative act (nor vice versa). Thus: ecopoetics, a house making."
When I asked poet Robert Hass where he thought "ecopoetics" got started, he cited Gary Snyder's Earth House Hold and Wendell Berry's The Long-Legged House (both published in 1969) as the first notable titles in this area. I don't know who coined the phrase "household Earth," but I'm sure Stewart Brand, and his Whole Earth Catalog, had something to do with it—and/or Buckminster Fuller, and/or Gary Snyder, and/or that famous photograph of the Earth from space (1968/ '72), with astronaut Edgar Mitchell's comment: "It takes more than a moment to fully realize this is Earth . . . home."
I have been reading a terrific manuscript by Jack Collom, Second Nature, a collection of essays and poems on ecopoetics, and a spirited defense of "nature" in a time of postmodern skepticism, in the works for many years (a recent issue of Bombay Gin, no. 36.2, celebrated twenty years of Collom's "ecolit" classes at the Naropa Institute—though for some reason this issue is not archived at the magazine website), in which he defines ecology as, "literally 'knowledge of the house.' In the sense that our house is now the entire world, the study of ecology has come to be a comprehensive study of the relational--the spreading interdependence of all things." I took the photograph above, through the dirty car window, of a deer on the lawn right across the street from Jack Collom's and Jennifer Heath's house, this past June. Typical Front Range intersections? For Collom, at least, the "house" of ecopoetics is one of difficult interdependence, rather than easy autonomy:
My workroom is a slice of porch wedged between kitchen and garden. Unbroken stretch of window east and south, great greenleaf vistas. Outside one window hangs a feeder (abandoned now), then frequented mostly by house finches. Squirrels would scoot along the very narrow sill and look up longingly at the seed-laden plastic cylinder just a little too high above their heads. I was treated to many an intense underchin view—only a foot away from me—as they stretched and calculated. Some tried the leap . . . and clattered to the ground.
But Maeve was lithe, and actually able to spring, grab, hang on and feast. There were complications too tedious to explicate involving nearby vines as well, but the main upshot was I cut a slat of plywood and nailed it to the sill below the feeder—slanting between window and sill—to foil Maeve's leaping forays.
Then the brave and dogged creature began to eat the plywood, to regain her flat launching pad, and . . . perhaps the wood was toxic . . . perhaps some sly neighborhood cat . . . Maeve disappeared.
We were bereft.
No other squirrel since her day has come close.
(from "Lumping and Splitting")
Co-editors Marcella Durand, Andrew Schelling, Elizabeth Robinson and I are preparing Second Nature for publication with Instance Press later this year, in celebration of Jack's eightieth birthday. Contact ecopoetics if you would like to subscribe for a copy. And read Collom's poetry: the classic is Arguing with Something Plato Said (Rocky Ledge Editions, 1990), now out of print, though a good chunk of it is collected in the excellent Red Car Goes By: Selected Poems 1995-2000 (Tuumba Press, 2001), edited by Reed Bye, Clark Coolidge, Larry Fagin, Merrill Gilfillan, and Lyn Hejinian. Exchanges of Earth & Sky (Fish Drum, 2005) offers an exquisite meditation on volatility, in body, mind and word—both Erik Anderson and Cole Heinowitz have written sensitive, thought-provoking reviews for Jacket. Collom's collaboration with Lyn Hejinian, Situations, Sings (Adventures in Poetry, 2008), is also a lot of fun. Kasey Mohammed wrote a good review of it for Constant Critic.
In her introduction to the illuminating "Women and ecopoetics" feature she edited for how2, British poet, editor and ecocritic Harriet Tarlo (who has just issued an anthology of Radical Landscape Poetry, with Shearsman Press) critiques the household trope: "the home-making analogy is still uncomfortably domestic in its connotations, suggesting the human's residence on earth as the centre of the universe. By metaphoric extension, the human ecopoetical product (poem or critical work) is also seen as the all-encompassing centre. . . . All this centring of experience in the 'house' of the poem is reminiscent for me of the biblical Adam creating his dwelling place, naming his wife and his animals in the manner of the patriarchal Jehovah."
On the one hand, Tarlo's critique seems to assume that the work of the poem is one of centering, whereas "house making" could be more verbal than artifactual—working, in fact, to decenter the poem from poetics, to place the artifact in an expanded field. On the other hand, the gendering of the "whole earth" cultural front speaks for itself, and the feminist critique certainly stands.
Consider the poetry of Hoa Nguyen, which both celebrates and troubles at-homeness by sounding the boundaries between household and earth:
Hecate Doesn't
Hecate doesn't fucking
need you or your loving
Lovingly pull the oak seedling out
planted under mother oak
by squirrel A squirrel joke
No just hungry squirrel
Frugal squirrel
Thoughtless thoughtless dreamy squirrel
Can't blame squirrel or oak seedling
Sad in the yard
digging it out
Yoga pants and Hecate lochia
Of childbirth, & the post-partum body, uprooting, in(ter)dependence, affection, squirrels, economics, and, of course, the lyric—"Thoughtless thoughtless dreamy squirrel"—Nguyen's fierce care (including an oak joke) digs up the backyard of any patriarchally sheltered household (Hecate "doesn't need you"). The final nominative line (as to name the poem, and the book from which it is drawn, Hecate Lochia) breaks the lyric chain obliquely, embedding the oak in sounds ("lochia") the poem won't echo. (Nguyen has spoken—in an email conversation with Ryan Gallagher's students—about not knowing how to pronounce her own name, with the proper accents, being born into a language she cannot speak, and how she sometimes thinks she writes poetry toward these "lost cadences of sound.") Nguyen's poetry cracks open the home, the way Collom's tragically avid humor does, to a landscape of difficult interconnections.
Here is a video of Nguyen reading another poem from the same collection, "We Might be Folding," at the Tulsa (New York) School Conference, November, 2009 (with apologies for the poor sound, but at least it conveys Nguyen's dynamic, eye and hand gestural reading style). In this eco-collapse poem, the "boy scouted" speaker (who never learned how to start a fire without matches) asks, "Are grackle eggs edible?" She admits to "gauzy" bee-keeping dreams and to wondering whether she should "really collect shoes/ of future sizes for our boys' feet," in a time when, "Polar Bears are melting in the drowning spaces."
Poet Linda Russo has been writing a series of what she calls "Yard Works," which you can look for an excerpt from, along with a short essay on the project, in the upcoming ecopoetics issue of Interim magazine (edited by Chris Arigo, Matthew Cooperman and myself). For Russo, yard and poem are analogous, as frames for concentrating attention—on landscape, economics, human-nonhuman interactions, the whole "field of perpetual conflict." Tarlo's how2 feature includes an essay by Russo, "Writing Within: Notes on Ecopoetics as Spatial Practice," wherein she concedes that, "My bioregion, then, is not my artificially-defined yard (from the Old English, geard, meaning enclosure). Although it poses a handy perceptual limit, my traversions into the life of birds and other nonhuman life-systems only begin there."
Tarlo's remains a cogent critique, along with all the other good reasons for questioning talk of the "homeland." (I'll look at her anthology, The Ground Aslant, in another post.) For ecopoetics, "household" has offered a transitional trope, between ecoliteracy (e.g., knowing one's way around the night sky, as a familiar kind of celestial "garden") and evolutionary perspective, realizing humanity's marginal place in the scheme of things (i.e. we look, with a mutant sweepstakes consciousness, into the night sky as into "outer space").
Environmental ethics seem to entail both perspectives—just as Aldo Leopold, in A Sand County Almanac, celebrates the familiarity of an old board, reading its "autobiography" within the seasonal patterns of his adopted "sand county," at the same time that he admires the strangeness of the Sandhill crane, which knows humanity a lot better than humanity knows it (since cranes have been around about twice as long).
I suppose my use of "house" has entailed equal parts idealism and pragmatism, thinking of it as a big household we are bound to share with all kinds of people and species we don't necessarily agree with or even "get along with." The idea being that we need to get creative about living together, rather than stay all alienated.
The irony, of course, is that the so-called "aliens" have the most to teach the household about difference. Especially given searing inequality. In my next post, I'll look some more at ecopoetics as rethinking the household from alien, uprooted perspectives.
A conversation with Cecily Nicholson
Jules Boykoff
Recently I had the good fortune of conversing with the amazing Cecily Nicholson about her poetry and activism.
Her first poetry book, Triage, was published by Talonbooks in April 2011. Triage is a thick, engaging, formally innovative book that does a whole lot at once: it slides between worlds, engages in critique, challenges the self-appointed arbiter role of the mass media, celebrates solidarity. All the while it thrums with the political, exploding the all-too-common dichotomy of activism and aesthetics.
Cecily has worked with women of the downtown eastside community of Vancouver, Canada since 2000 and is currently a coordinator of the Downtown Eastside Women's Centre. She participates in the VIVO Media Arts Centre as an organizer with their Safe Assembly project, 2010 and the Imminent Future series, 2011. As a writer and poet Cecily works in collaboration with the Press Release Poetry Collective, formed in anticipation of the Vancouver 2010 Olympics. This summer she is teaching at the Purple Thistle community centre's Summer Institute and collaborating on the upcoming AK Press publication: A Radical Handbook for Youth.
JB: As I read Triage, I kept forging mental connections between the lines on the page and your work as an organizer (e.g. the poem "SERVICE"). Can you talk about how Triage moves between aesthetic and activist spaces? How does your work at the Downtown Eastside Women's Centre enter the text?
CN: Aesthetic and activist spaces are separated in real and imagined ways that produce in me a kind of anxiety regarding contradictions I experience personally and the broader limitations reproduced through this separation. Triage was an opportunity for me to develop some cohesion (hopefully) through differentiated spaces. Some of the poetry I worked out publically in exceptional spaces like Rhizome Café in Vancouver where we've held many warm gatherings of activist/poet/artists.
I realize that the book has become a tangible point of entry for me to level critique, roundly, that includes myself. I think that my experiences and mobility are pretty limited. For the text to be grounded it necessarily contains my everyday life, including paid work and organizing. I prefer poetry that documents, witnesses, reveals structure, talks back and raises questions in ways that are not closed or irrelevant to my friends, family, allies. I've learned to reference cultural production with a specific interest in its process and public, and not simply the object/outcome. I relate best to work being produced under hard conditions and in active solidarity with directly impacted communities. If my poetry is relevant to the work of organizing then that's a fortunate convergence.
Poetry is necessary work for me – I don't wish for it to be easily absorbed. The use of the cultural front in furthering causes of capital, colonialism and ultimately violence and poverty is difficult to get out from under. This was evident in the olympic moment. The poetry collective I work with are all organizers in different areas. We formed in anticipation of the olympics and choose to publish work that was anonymous and felt free to be moderately (and justly) seditious. In support of various actions we performed individually and collectively. At that time the deliberate influx of capital into arts production was glossing civic and national identity – this happening prior to a period of wider retrenchment of arts funding – the backdrop being long decades of dismantling and disregarding social supports. These issues are at play in the processes of gentrification that continue to be resisted in the downtown eastside of Vancouver and elsewhere.
Relative to the downtown eastside I have a lot of privilege, most significantly as a paid worker, over the years. Now the area is being dominantly constructed as an arts district, so the problematic of cultural capital and producing work from this location is even more fraught. Acknowledging this, Triage is my best attempt so far to speak alongside a community of women in struggle – who are politically astute, resilient organizers and active cultural producers in ways that refuse to be co-opted. My work at DEWC enters into Triage as a jumbled series of narratives and samplings. I wrestle with the language of bureaucracy. In "SERVICE" I consider migration into the core and the daily grind of the service industry in a place that also cares for movements and uprising.
After so many years, I am pretty worn and re/traumatized by some of this work. Poetry is ("not a luxury") in part a stabilizer – how to process brutality, brash capital injections, perpetual loss and confusion. I've been an organizer in varying degrees back to my youth. I started attending formal arts spaces and galleries about three-four years ago with a mind to understand how this work is organized. Some of the poetry in Triage draws from my notes including workshops, events, gatherings as well as protest. It also engages street art – non professional, public practices from visual art to music to poetry. I am aggravated by the general disjuncture of formal art and the literary from organizing, and from my everyday. My optimism as poetry is in motley otherness, in struggle – marching, writing or whatever it is we're doing locally, implicated in broad networks and multiple fronts. Women of the downtown eastside are central to my understanding of other possible worlds. When I look to the hard working people around me I am ever driven to invoke a stronger potentiality than the conditions dictate.
JB: In the lead-up to the 2010 Winter Olympics in Vancouver, you collaborated with the Press Release Poetry Collective and formed the Safe Assembly Project at the VIVO Media Arts Centre. Moving out of the Olympic moment, do you see poetry-activist momentum? If so, where? How did the Olympic moment alter the terrain where aesthetic and activist spaces come together? On the poetry-activism front, what's going on in Vancouver right now that you find compelling?
CN: As much as I'd like to, I haven't seen a significant poetry-activist momentum coming out of the olympic moment (though I am immediately wary of the construct!). I do observe more intent within organizing around social justice issues, opening to a current awareness of poetry, its worth in struggles with language and the meaning it can bring our understandings of community. Many of us are less concerned about positioning our activist selves as poets (poet selves as activists…) – more concerned about deepening our capacity to communicate and share information outside of traditional forms: the communiqué, press release, panel, lecture etc. and to let loose a creativity that actively works against proscribed folds and conditions of language and discursive regimes. Relations have formed and strengthened through poetry. These are integral to us as struggling individuals concerned with strengthening social structure. Poets in Vancouver, the lower mainland and more widely – here – participate in ways that facilitate another voice for protest; we are present at celebrations and in memoriam in our communities; we work with youth; stand outside of detention centres and court-houses and enter boardrooms – we share our poetry with each other as a point of love, contact, support and affinity.
There are reasonable critiques regarding the armchair poet imagining its activism, romanticizing and co-opting, taking up bodies as objects of study – too easy a tendency we're familiar with this in arts and academia. What matters more is relations, interrogating one's privileges, listening, grounded support, material and social accessibility and being present. So, what poetry-activist momentum I do observe involves a strengthening of relations. Openness to poetry as an aspect of the political terrain, recognizing an aged legacy of such poetry work – including resistance to English as the language of exchange – has softened skepticism of organizers (poets, artists or not) toward the relevance of this work.
I also mill about the periphery of elite and individual-focused production in closed community, the funded aspects certainly dominated by academia and academic discourse, which means inaccessibility to whole groups of people – these are contained spaces regularly suspect about political contention and unresponsive to denouncements of hierarchy (in my experience). Critiques around power and spatial segregation – here – are marginalized and often ignored – from the category of retrograde poetry makers, my people, typically. I am frustrated by the veneration of the (upwardly mobile?) working class, situated as I am in relation to communities focused on survival or precariously without citizenship. And I refuse the erasure of experiences of racism, sexism, ablism etc etc, and anti-colonial grounding that a dogmatic adherence to class politics often bypasses. Nonetheless, more dominant spaces of literary arts romantically informed by these notions are certainly relevant to forward struggles –and locally are in general: mobile, influential and often well-intentioned and very kind. I wish there was more synthesis.
Fortunately, good work that I find compelling is all over the place. Regardless of individual positions, these for me are grounded in real events: folks writing and reading to welcome Tamil refugees incarcerated upon arrival on Vancouver's shores last summer (many are still detained, all 492 still in limbo) – tune in to Stark Raven's Podcast Prison Justice Day special, August, co-op 102.7 (archives at prinsonjustice.ca) – I loved the solid performances around Mining Justice week in Vancouver this May and would point specifically to the ongoing enpipeline project as exemplary. There are amazing individuals taking time and work in collective and collaborative modes engaged and aware, standing up and backing the voices of directly impacted communities on issues of extraction, water, food security, violence, poverty… Compelling to everyone who imagines themselves progressive I hope – as this decent work builds connections, relations and strength with people, fists raised.
Photo: Cecily Nicholson on the front lines – with fist raised – at a G8-G20 protest in Toronto
This post presents recordings inspired by the life and work of the musician and composer Arthur Russell. A limited edition collaborative chapbook written by CA Conrad and Thom Donovan called Arthur Echo (Scary Topiary Press, 2011) addresses Russell's haunting and beautiful recording World of Echo. In this excerpt from the co-written introductory statement, the authors describe their process: "While house sitting for friends in Philadelphia we collaborated on the following (Soma)tic exercise, playing Arthur Russell's CD World of Echo on repeat on all five floors of the house. We moved from floor to floor from 9 a.m. to 9 p.m., taking scheduled breaks for food, conversation, and checking in for further fine tuning of the (Soma)tic maneuvers." Conrad and Donovan read the entirety of their chapbook (with the exception of the two introductory statements) on February 8th, 2011 at the Zebulon Cafe in Williamsburg, Brooklyn.
Listen to CA Conrad's section of Arthur Echo.
Listen to Thom Donovan's section of Arthur Echo.
Arthur Russell was known for creating music in various, seemingly disparate musical genres. Conrad and Donovan's collaboration evokes Russell's sense of multiplicity in their heterogeneous response to his work. Conrad's piece adopts a slightly more embodied individual perspective while Donovan's work tends to tap into a sensibility of ambient assemblage. In Donovan's introductory notes he writes: "We also spent much of the nine hours improvising lines with a set of books I had brought with me from NYC to Philadelphia, many of which were of a holy, metaphysical, or medical import." When one listens to Russell's World of Echo, it's impossible to miss the confluence of these elements. One hears an instantly identifiable but transitory voice moving through an equally porous instrumental atmosphere. The voice and cello weave in and out, endlessly emanating, accreting, and decaying. The chapbook's design (Conrad's poem on the left pages of the first section facing an equal amount of blank right pages, and Donovan's poem on the right pages of his section following an equal amount of left blank pages) creates a similar experience of utterance and delayed silence, of singular presence resonating with the discourses of larger communities.
Kevin Killian's reading from the launch for EOAGH #3: Queering Language in Philadelphia in 2007 begins with a piece called "Norwegian Wood" and concludes with the poem "Is It All Over My Face?" which touches upon a brief affair Killian had with Russell in the late 1970's. The title comes from an Arthur Russell (under the moniker Loose Joints) disco song of the same name, which Killian briefly quotes/sings. I loved the way Killian stops casually throughout the poem to provide a micro-anecdote or to add a piece of context here or there. Killian brings out different aspects of Russell and his work. His half-joking skepticism of Russell's Buddhism and the way he emphasizes the obvious sexuality of the song's title provide further vantage points from which to consider Russell and his work.
Watch Killian read "Is It All Over My Face?" in a video recorded at the University of Maine at Orono in 2008.
Listen to the song "Lucky Cloud" from World of Echo.
Listen to the song "Place I Know/Kid Like You" from World of Echo.
Listen to one version of the song "Is It All Over My Face?"
More work by Noah Saterstrom here.
More cordite 35: Oz-Ko
Since the proliferation of internet magazines it seems there has been a corresponding proliferation of visual poetry. I'm not sure why. That colour reproduction isn't a money issue is perhaps one, and that we have stopped seeing the visual aspect of text in print. The internet wants to be a movie. One aspect of reading visual poems online is that of movement and perspective. I'm not talking about flash poems or other dynamics such as hypertext, but the way we might view an ostenisbly static work, like Sebastian Gurciullo's 'Pattern Recognition 2' (above), published in cordite's Oz-Ko issue.
As the title suggests, there are two patternings to recognise. Reading it as given, with my eyes and browser, I recognise that it's text, but discerning letters requires peering: getting close to the screen. Zooming is a better option. As the image is enlarged it moves, slowly veering to my right, the shaping of the text becoming obscure, the text itself like a parody of cinema: becoming clearer at first, and then looking more hand-made at the maximum zoom. The other pattern is that of some kind of plant. I'm not sure if factual or fictional. It presents as fictional (and textual!). To me it looks like a tree with the structure of a flower. We might then think of the patterning of wallpaper, of wallpaper, or other design's abstraction of plant image or structure. But there is another possibility: that of a tree and a flower's recognition of each other.


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2. You should definitely monitor your dietary requirements.
NBC / Via lawlschool-adventures.tumblr.com
5. You should always take care of your pets.
6. Never use Google Glass, for fear of looking like an idiot.
Obviously, this isn't Google Glass, but it proves the point rather neatly.
7. It's important to have good knowledge.
11. You can use a good joke as many times as you want.
12. And you can target the same person repeatedly.
NBC / Via benatural-beyou.tumblr.com
So long as it's done with love. Maybe.
13. Though you do have to be careful about exactly who you're making jokes near.
14. When the situation needs it, you do need to be serious though.
16. Dancing will impress anybody, even Tyra Banks.
NBC / Via dmentality.tumblr.com
17. Talk with confidence, and your ideas might pay off.
NBC / Via whosaidanythingaboutcaring.tumblr.com
Especially if everyone around you is lying as well.
18. Playing with kids is fraught with potential pitfalls.
Though they do bounce when necessary.
19. Plan ahead for every eventuality.
20. Try not to worry that sometimes your logic might not make sense.
NBC / Via spacecadet.tumblr.com
21. And make sure you have some serious curve game.
NBC / Via steveblakegriffin.tumblr.com
22. If you're trying to be protective of your family, you should probably come up with good insults.
23. You should never be afraid to look great.
NBC / Via giphy.com
24. Always support your friends.
NBC / Via giphy.com
25. And make the most of hanging out with your family.
NBC / Via caarpenooctem.tumblr.com
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Tax Planning Opportunities After ATRA: Tools, Tips, and Tactics
Financial – and particularly estate – planning has changed dramatically as a result of recent tax legislation. Practitioners must now take a step back, and look at the whole tax, retirement and estate planning picture, and reevaluate how it will affect their clients and families.
Bob Keebler and his associates have developed a collection of tools that will provide a clear and thorough explanation of the issues involved in estate planning after ATRA. These tools include:
- A (PDF) manual explains the tax changes as a result of ATRA, and analyzes planning opportunities in the "new normal" of tax planning
- Checklists, charts and flowcharts – to help practitioners and their clients visualize and organize their tax planning
- Sample Client Letters (in Word and PDF) for current and prospective clients
- A PowerPoint to help educate clients and staff
This toolkit also includes Bob's Top 25 Planning Ideas that you can put to use right away to help your clients navigate the "new normal" of retirement and estate planning. It covers areas such as Bracket Management, Harvesting Capital Gains and Losses, Charitable Remainder and other Trust Vehicles, Roth IRA Conversions, and many more.
When you log into this website with your AICPA member user account, the section/credential discount will be automatically applied during checkout.


text:
Icecat: creating the world's largest open catalog with 3857100 data-sheets 14604 brands – register (free)
Add to compare Remove from compare
The general trademark of a manufacturer by which the consumer knows its products. A manufacturer can have multiple brand names. Some manufacturers license their brand names to other producers.Toshiba
Product name:
Product name is a brand's identification of a product, often a model name, but not totally unique as it can include some product variants. Product name is a key part of the Icecat product title on a product data-sheet.Beamer TDF-FF1
Article code :
The brand's unique identifier for a product. Multiple product codes can be mapped to one mother product code if the specifications are identical. We map away wrong codes or sometimes logistic variants.01TDPFF1
Category :
Use a beamer to project the images from your notebook, computer, DVD-player, video recorder or other device with a compatible connector on the wall or a specially-designed projection screen. With a device like this, giving professional, clear presentations is easy. Or make your own home cinema!Data Projectors
Data-sheet quality: created/standardized by Icecat
The quality of the data-sheets can be on several levels:
only logistic data imported: we have only basic data imported from a supplier, a data-sheet is not yet created by an editor.
created by Toshiba: a data-sheet is imported from an official source from a manufacturer. But the data-sheet is not yet standardized by an Icecat editor.
created/standardized by Icecat: the data-sheet is created or standardized by an Icecat editor.
only logistic data imported: we have only basic data imported from a supplier, a data-sheet is not yet created by an editor.
created by Toshiba: a data-sheet is imported from an official source from a manufacturer. But the data-sheet is not yet standardized by an Icecat editor.
created/standardized by Icecat: the data-sheet is created or standardized by an Icecat editor.
Included since: 11 Mar 2006
The date Icecat noticed for the first time that this product was included in the price list of a channel partner
Info modified on: 06 Feb 2017 11:53:22
The date of the most recent change of the data-sheet in Icecat's system
Product views: 10941
This statistic is based on the 66720 using ecommerce sites (eshops, distributors, comparison sites, ecommerce ASPs, purchase systems, etc) daily downloading this Icecat data-sheet since 11-03-06 Only sponsoring brands are included in the free Open Icecat content distribution as used by 64984 free Open Icecat users.
Long product name Toshiba Beamer TDF-FF1:
The short editorial description of Toshiba Beamer TDF-FF1Beamer TDF-FF1
Marketing text Toshiba Beamer TDF-FF1:
The official marketing text of Toshiba Beamer TDF-FF1 as supplied by the manufacturerThe projector is supplied with battery charger and mains adapter for stationary operation. The complete mobile package also includes a screen with 57cm diagonal. All elements are securely packed for transport in a carry case.
"Toshiba's first ultra-compact LED projector ff1 opens up a new market segment of users with extremely high mobility-related requirements, and also again demonstrates Toshiba's status as technology leader. By combining high-efficiency LED technology with compact design, we created a projector that's a must for any traveler seeking quality projection technology", says Gerd Holl, General Manager at Toshiba Projection & Display Technology (PDT).
Toshiba has aimed this new product primarily at mobile users seeking a compact and truly portable solution to complement their notebook for on-the-road presentations. For example, USB sticks can be plugged directly into the ff1, eliminating the need for a notebook in presentations and further reducing carrying weight. The battery operation option also opens up a host of applications unavailable to conventional projectors. This new ultraportable concept features a wide array of practical benefits only made possible with the help of high-efficiency LED technology, so that Toshiba anticipates enormous public interest in its newest product launch.
Short summary description Toshiba Beamer TDF-FF1:
This short summary of the Toshiba Beamer TDF-FF1 data-sheet is auto-generated and uses the product title and the first six key specs.Toshiba Beamer TDF-FF1, 25.6 - 98.4" (0.65 - 2.5 m), 1500:1, DLP, SVGA (800x600), 5.31 x 2.17 x 3.94" (135 x 55 x 100 mm), VGA/SVGA/XGA/SXGA/UXGA
Long summary description Toshiba Beamer TDF-FF1:
This is an auto-generated long summary of Toshiba Beamer TDF-FF1 based on the first three specs of the first five spec groups.Toshiba Beamer TDF-FF1. Projection technology: DLP, Projector native resolution: SVGA (800x600), Objective projection distance: 25.6 - 98.4" (0.65 - 2.5 m). Dimensions (WxDxH): 5.31 x 2.17 x 3.94" (135 x 55 x 100 mm), Compatibility: VGA/SVGA/XGA/SXGA/UXGA, Lens system: F = 2.6
This is a demo of a seamless insert of an Icecat LIVE product data-sheet in your website. Imagine that this responsive data-sheet is included in the product page of your webshop. How to integrate Icecat LIVE JavaScript.
Projector brightness*
400 ANSI lumens
Projection technology*
Projector native resolution*
SVGA (800x600)
Objective projection distance*
The maximum length at which an image can be projected.
25.6 - 98.4" (0.65 - 2.5 m)
Contrast ratio (typical)*
The difference in light intensity between the brightest white and the darkest black.
Full HD*
Full High Definition (HD) means that a display supports a resolution of 1920 x 1080 pixel, and has a digital TV connection.
Display diagonal
Size of the display for this product, measured diagonally, usually in inches.
Weight & Dimensions
Weight *
Weight of the product without packaging (net weight). If possible, the net weight is given including standard accessories and supplies. Please note that sometimes the manufacturer leaves out the weight of accessories and/or supplies.
17.6 oz (500 g)
Other features
Tilt angle
Video in
The other products, software and hardware this product can be used with.
Lens system
Type of lens in this product, expressed as its characteristics including lens, zoom capability, focal length, 35 mm equivalent focal length, and aperture range.
Dimensions (WxDxH)
Dimensions of the product (Width x Depth x Height).
5.31 x 2.17 x 3.94" (135 x 55 x 100 mm)
Objective picture size
0.45 m
Video processing technology
Description of the Video Processing technology used by the Digital Projector
0.55" DDR DMD Chip
I/O ports
An interface on a device to which you can connect another device.
1 x RGB, 1 x RCA, USB Type A
1 x RGB, 1 x RCA, USB Type A
Digital keystone correction
+/- 16


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SAS Global Forum Executive Conference - Seattle - April 2010
Communications | Customer Intelligence | Financial Services | Fraud | Government | Hospitality | Insurance | Retail |
IT Management Session
Government Session
From the US Department of Health and Human Services to the Air Force Materiel Command, from Boeing to Lockheed Martin, from the state of North Carolina to the Washington State Department of Labor and Industries, today's government agencies are looking for ways to quickly address the public's expanding needs and concerns.
Join government leaders for thought-provoking sessions exploring how analytics can help guide complex decision making and address organizational challenges such as fraud, financial crimes or logistics planning.
Key Takeaways
Learn how to:
- Begin implementing analytics in your organization.
- Make sense of vast amounts of data in federal, state or local departments using business analytics.
- Build analytical capabilities into your planning and operations.
1:45 - 2:45 p.m. – Fighting Fraud: From the Stone Age to Social Network Analysis
- Carl Hammersburg, Washington State Department of Labor and Industries
- Doric Olson, Washington State Department of Labor and Industries
Location: Willow B
Don't miss this chance to learn how one state agency nearly tripled its audit findings from employers that were not paying proper workers' compensation premiums – and how it plans to use technology for even bigger gains.
Using the SAS Fraud Framework, Washington Labor and Industries hopes to:
- More accurately detect employer fraud suspects.
- Expand data sharing between government agencies.
- Identify fraudsters who close down one business, then open another.
- Increase revenues.
- Reduce the number of audits for honest employers (false positives).
- Increase voluntary compliance (deterrence).
- Reduce the impact of the "underground economy" on honest businesses and taxpayers.
3:15 - 4:15 p.m. – Public Assistance Fraud: How Los Angeles County Is Leveraging Technology to Avoid Paying Millions in Fraudulent Claims
- Manuel Moreno, Los Angeles County
Location: Willow B
Los Angeles County is implementing a fraud framework solution to detect and prevent benefits fraud in the CalWORKs child care program. This project was based on an initial Los Angeles County pilot that proved to be 85 percent accurate in detecting collusive fraud rings – resulting in a total annual gross cost avoidance of at least $6.8 million. Join Manuel Moreno to learn how the county is leveraging cutting-edge technology to prevent public assistance fraud and enhance the district attorney's fraud investigations. You will also hear more about Los Angeles County's vision for using the framework to prevent and detect fraud in other public assistance programs.Additional presentations of interest
IT Management Session (multiple presentations) – Tuesday, April 13


text:
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text:
With its multi-million-pound budget, lavish sets and a sumptuous cast (including Sir John Gielgud, Miranda Richardson and Zoe Wanamaker), Dance is being (rightly) pushed as the "jewel in the crown" of C4's autumn season. Yet pleasure at seeing the greatest English roman fleuve of this century brought to the small screen is balanced by the thought that dramatising Powell presents problems of a kind peculiar even to the televising of novels.
For purposes of comparison, where Brideshead's 350 pages and 20-year time-span were converted into 12 hours of television, allowing whole scenes and pages of dialogue to be reproduced at leisure, Powell's 12 full-size novels have been packed into just four two-hour films - some 480 minutes of television for a work that covers over half a century of British history (1914 - c 1969).
The decision to cast different actors to play some of the longer-lived characters at different points in their lives leads to occasional sharp disparities. Peter Templer, boyhood chum of the book's narrator Nicholas Jenkins, turns from fresh-faced schoolboy to jowly middle-aged clubman in what, chronologically, is a mere six months. Jenkins himself looks far too young in some of the wartime scenes, as played by James Purefoy, and rather too old as subsequently re-invented by John Standing. The difficulty of changing horses in mid-stream seems eventually to have occurred to the producers, as Standing's first appearance, in material drawn from novel No 10 (Books Do Furnish a Room), originally set in 1947, is fast- forwarded by about 10 years, so losing all the Attlee government Cold War politics that give the novel its historical edge.
More important, perhaps, is the problem of scale. The various compartments of English life which Jenkins manages to infiltrate during his 50-year progress include Eton, 1920s Oxford, arty London bohemia, 1930s literary politicking and the war, finally coming to a halt amid the student disturbances of the Wilson era. Even a Powell addict can get confused over the exact relationships enjoyed by the vast cast of characters, while the ramifications of the multitudinous Tolland family, into which Jenkins marries, are best approached with a copy of Hilary Spurling's Dance handbook (much of the period detail is obtainable from the recently reissued Album of Anthony Powell's Dance to the Music of Time, Thames & Hudson pounds 14.95).
In writing the script, Hugh Whitemore's most immediate dilemma, you imagine, was to deal with the books' first-person narrative, the fact that - as far as one can judge - the entire sequence is an exercise in memory produced by the chain of associations kicked into gear at the start of A Question of Upbringing by the sight of workmen grouped around a brazier in falling snow. Whitemore's solution is to have Jenkins explain much of his past life to other people. Thus the series opens with him arriving at the home of his mistress, Jean Duport (this actually takes place in Powell's Vol 3, The Acceptance World), and embarking on a protracted bout of reminiscence. Not only is this oddly stagey, it also contrasts with the wonderfully terse and stylised way in which Nick and Jean communicate in print.
This, it transpires, is only the first of a series of departures in which scenes run into one another or are otherwise compressed, rafts of minor yet significant characters disappear altogether, while others are reduced to the status of walk-ons (no one should be fooled by the publicity suggesting that Dance "stars" Sir John Gielgud, by the way - as superannuated novelist St John Clarke, he's on screen for perhaps a minute and a half).
This is TV, of course, and, if nothing else, TV means adding colour to the narrative - in this case a relentless over-statement of what in most cases is only implied. To take only one of its behavioural tics, C4's Dance specialises in graphically observed deaths: Jenkins' schoolfriend Stringham beaten to pulp in a Japanese PoW camp; Templer garrotted on a wartime spying trip; Mr Deacon, the ageing artist, tumbling down a flight of stairs; a bomb falling on the crowded Cafe Madrid. In print these are merely reported, or inferred. At the same time, Whitemore and his director, Alvin Rakoff, have cut out many a more humble scene which nevertheless has substantial implications for the working-out of the plot: the half- chapter or so set in mid-Twenties London, for example, where Stringham stands Jenkins up because he has a smart invitation, and Nick acknowledges a symbolic parting of the ways. So too, while Zoe Wanamaker turns in a brilliant performance as Audrey MacClintick, the wife of an embittered music critic, the mundane horror of their shared life is not dwelt upon enough to explain MacClintick's squalid suicide.
Some of these discrepancies are the result of cramming 3,000 pages into eight hours of film. Many of them, though, stem from the difficulties involved in televising this kind of book, of transferring a novel mostly concerned with interiors to a medium largely interested in surfaces. The outstanding obstacle, in fact, is the at times faintly anonymous figure of Jenkins himself. His function in Dance is an odd one, less a character than a point of view, a diffident observer rarely keen to disclose details of a personal nature, whose conclusions about other people's characters and motivations tend to be at best provisional. Plainly this won't do for a four-part TV drama: Rakoff and Whitemore's fix is to have him confide to others what in the books he merely thinks. Thus Nick's first meeting with Isobel, in print, produces only a mental marker flag. On screen, he instantly tells his friends he intends to marry her - an action that is completely out of character.
Again, the inadequacies of the medium are probably responsible for some of the most conspicuous missing moments: for example, the scene in which Nick, returning to Lady Jeavons's bombed-out house, has the news of her death broken to him by Eleanor Walpole-Wilson. One misses this in the same way that one misses the pseudo-philosophical exchanges with the musician Hugh Moreland, but one knows why they aren't there - something to do with the difficulty of conveying the intensely felt in pictures rather than words.
If this sounds captious, it's not to ignore some well-constructed narrative, some fine performances, and some inspired casting, including Edward Fox as Jenkins's Uncle Giles, Alan Bennett as Sillery the wire-pulling don and Miranda Richardson as the vamp to end all vamps, Pamela Flitton. Simon Russell Beale as Widmerpool is simply outstanding, convincing in each of his character's transformations - from owlish Eton schoolboy to broken- down labour peer - eagerly conveying the steady ascent from buffoon to sinister eminence and radiating Widmerpool's peculiarly deathless brand of humour-free self-absorption. He is an example of what a really top- class actor can do with material as subtle as this.
So what does Powell himself make of it all? Talking to him last week, I discovered that he thinks Rakoff's film "really... all right" and was unfazed by some of the liberties taken with the text: "If people see things in a different way, then I'm pleased." Neither do the missing scenes particularly disturb him - "You could remove parts of Dickens and Proust without destroying the overall effect." A Dance to the Music of Time is eight hours of highly watchable and entertaining TV, and if it sometimes fails to do justice to the complexities of its source, that's no fault of the talents involved, simply the perennial constraints placed by a low-level medium on high art.
`A Dance to the Music of Time' begins on Thursday at 9pm on C4
- More about:
- Actors And Actresses
- Children
- Dance
- John Gielgud


text:
In a small bowl, mix flaxseed and water and set aside 10 minutes to gel.
Preheat oven to 400 degrees and grease a deep-dish 9-inch pie pan.
In a large bowl, mix quinoa, the 3 tablespoons melted coconut oil, nutritional yeast and salt. Add soaked flaxseed and stir well. Press mixture firmly along bottom and up side of pie pan. Bake crust in preheated oven 15 minutes. Leave oven on.
For the filling, heat the 1 tablespoon coconut oil in a large skillet over medium heat. Sauté onion until beginning to soften. Add garlic and chopped broccoli and cook until broccoli begins to turn bright green. Remove from heat and set aside.
In a blender or food processor, whip tofu, nutritional yeast, tahini, vinegar, lemon juice and all spices except turmeric until very smooth. (I stirred the turmeric in last to keep the color from transferring to my blender jar, but if this doesn't concern you it can be blended with the additional spices.)
Stir vegetables into filling and scrape batter into baked crust. Smooth top with a spatula and bake 50 minutes until top begins to turn golden brown.
Let stand 10 minutes. Quiche may be enjoyed warm or cold.
Read and share your thoughts on this story.


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Panthers finish off Fairfield
Playing short-handed after a flu bug ravaged the roster and finishing on fumes after blowing a big lead, the UW-Milwaukee men's basketball team was staring into a mighty deep hole Saturday afternoon.
But the Panthers refused to fall in.
Instead, UWM got huge plays from six players down the stretch and escaped with a thrilling 67-63 victory over Fairfield in a BracketBusters game at the U.S. Cellular Arena.
The Panthers made it a little more stressful than it had to be, but it sure was fun to watch.
"We really have battled and been through a lot of things and today's game is pretty similar to how our season has gone," said coach Rob Jeter. "We just found a way to finish the game."
The Panthers (17-12) won their second consecutive game for the first time in more than a month and ended a six-game winning streak by the Stags (16-11), who play in the Metro Atlantic Athletic Conference.
Starting forward James Haarsma, key backup Ryan Haggerty and reserve Christian Wolf weren't in uniform for Milwaukee. Sometime between practice Friday afternoon and Saturday morning the three big men came down with the flu.
Senior point guard Kaylon Williams couldn't come out for a pregame ceremony honoring the Panthers' three seniors because he was hooked up to an IV bag in the locker room. Freshman Shaquille Boga got his first start, played 15 minutes and did a nice job.
But UWM needs Williams, the school's all-time Division I assists leader. With the score tied, 6-6, he entered the game at the 15-minute mark and showed why, getting two quick assists as the Panthers went on a 7-0 run.
"I just kind of played through it," Williams said. "It was senior night so I was planning on playing and hoping to play, but right before the start of the game I didn't think I could. I got an IV in me and felt a lot better after that."
After the Stags closed to within 15-13, the Panthers took command of the game, going on a 15-3 run to take a 30-16 lead at halftime. The Stags didn't help themselves by making just one jumper in the half, shooting 24.1% and missing all 8 three-point attempts.
When Paris Gulley hit a three-pointer to open the second half, UWM had a seemingly comfortable 33-16 lead.
But a combination of fatigue, the Stags' defensive pressure and 6-foot-5 forward Rakim Sanders turned the game into a nail-biter.
"It seems like we do that every time we get up about 15 to 20," Williams said. "It always ends up being a close game at the end."
After Tony Meier hit a three-pointer coming out of a timeout, the Panthers led, 60-51, with 4:39 left.
But the Stags got a three-point play from Colin Nickerson and then, in quick succession, Nickerson stole the ball and went in for a dunk, Sean Crawford made another steal and scored on a lay-in and, after the Panthers turned it over again on an inbounds play, 7-foot center Ryan Olander hit a three-pointer to give the Stags their first lead of the game, 61-60, with 3:06 left.
But the Panthers were not going to be denied.
Boga made two free throws and after Sanders scored inside, the 6-2 Gulley rebounded Meier's miss and scored on a floater over Olander's outstretched hand. The basket constituted the Panthers' only second-chance points of the game and gave UWM a 64-63 lead with 2:01 left.
On the Stags' ensuing possession, Panthers junior forward Demetrius Harris drew a huge charging foul and then Williams summoned what energy he had left, drove and scored to make it 66-63.
"I realized I had a smaller guy on me so I just tried to make a play," he said. "Every time I jumped in the air to throw a pass it was a turnover, so I decided to just take it to the basket."
Ryan Allen grabbed a big defensive rebound and Meier was fouled with 3.4 seconds left. He missed the first free throw but made the game-clincher.
Gulley led the Panthers with 19 points. Meier added 18 and Williams finished with 10 assists in 29 minutes.
Sanders, almost unstoppable inside, scored 21 points and grabbed nine rebounds for the Stags, who out-rebounded the Panthers, 40-29.
"We haven't seen a player quite like him in our league or in this building in a long time," Jeter said. "He's a pretty special player."
The Panthers finish the regular season with Horizon League games at Illinois-Chicago on Thursday and at Loyola on Saturday.


text:
- Quick Links:
- Ben's Quiet Quest
- From 10 to Ben
- Steelers Blog
By Gerry Dulac Pittsburgh Post-Gazette
It is "probable" that cornerback Ike Taylor will have surgery after he broke his left thumb in Friday night's preseason opener against the Washington Redskins, a team source said today.
The source said Taylor, who injured his thumb on the second play of the game, will be out about three weeks.
That should allow him to return in time for the Sept. 11 season opener in Baltimore.
Gerry Dulac: email@example.com.
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Active, Smart, Playful,...
My name is Wendy, I am 39 years old. I have been married to my husband Ricky since September 5, 2004. We had our son Aiden August 23, 2006. I like going for walks, listening to music, rocking out, going to concerts(Don't do that much anymore), spending time with my boy and hubby. :D My son loves watching dvds,, playing ball, collecting sticks. He is all boy.
by aidensmomma508 posted at 12:14 PM on Mar. 19
, 2012
by aidensmomma508 posted at 4:49 PM on Sep. 13
, 2011
by aidensmomma508 posted at 8:55 PM on Jun. 18
, 2011
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, 2011
Hi! Do you love to do your nails? I would like to invite you to a new group.
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Join Us At Mental Illness Support & Awareness
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Fragile X Syndrome. Do you know it? Do you live with it in some way? There is a group for those touched by it whether you are a mom or a carer of someone with fragile x syndrome. Please come join this new and growing group: http://www.cafemom.com/group/fxs. **Christina**
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text:
Deep Dish Peach Pie
|1 (For Single Crust Pie)
|1 Cup (16 tbs)
|2 Tablespoon
|3 Pound, seeded, pared and sliced
|Lemon juice
|2 Tablespoon (From Concentrate, Realemon)
|1 Tablespoon, melted
|Almond extract
|1⁄4 Teaspoon
|Sliced almonds
|2 Tablespoon
Preheat oven to 375°F.
Remove and reserve 1 tablespoon sugar.
In small bowl, combine remaining sugar and cornstarch.
In large bowl, toss peaches with ReaLemon® brand; add sugar mixture, margarine and extract.
Turn into 8-inch square baking dish.
Roll pastry to 9-inch square; cut slits near center.
Place pastry over filling; turn under edges, seal and flute.
Sprinkle with reserved 1 tablespoon sugar and almonds.
Bake 45 to 50 minutes or until golden brown.
Cool on wire rack
Recipe Summary
Rate It
Nutrition Rank
Nutrition Facts
Serving size: Complete recipe
Calories 1946 Calories from Fat 383
% Daily Value*
Total Fat 44 g67.7%
Saturated Fat 5.5 g27.6%
Trans Fat 0 g
Cholesterol 0 mg
Sodium 67.6 mg2.8%
Total Carbohydrates 391 g130.4%
Dietary Fiber 26.5 g105.8%
Sugars 326 g
Protein 23 g46%
Vitamin A 99.6% Vitamin C 172.7%
Calcium 16.6% Iron 26%
*Based on a 2000 Calorie diet


text:
Geeta Lodge
No prices found through our partners. Please contact the business directly or check some of our recommended alternatives.
TripAdvisor Reviews Geeta Lodge Jamnagar
Travel Blogs from Jamnagar
... the temple was destroyed by the Afghan ruler, Mahmud of Ghazni
In 1296, the temple was once again destroyed by Alauddin Khilji's army
The temple was rebuilt by Mahipala Deva, the ...
... not eat it, so Alex and I had to learn to be careful what we accepted.
That evening we had decided we were going to have celebrate Saturday night in the usual way, with alcohol. However there was one minor issue, alcohol is prohibited in the state of Gujurat. Having been promised some dark rum earlier that day we thought that the party was on, so Gautam rustled up some friends, got some guitars together and waited for the booze to arrive. I had not been looking forward to ...
Hyderabad - Somnath- Nageshwar and Dwarka
... for above places by charging Rs. 80 per person . This service is available at 8.00 am and 2.00 pm which takes around 5 Hrs to return to the starting place . There is one disadvantage in choosing these trips as these guys give very little time and in the temple premises they block some time by giving lectures which causes great inconvenience to devotees. Average time given is 20 mins out of which 10 mins is eated ...
Marine National Park, Narara Beach
... on it and got stuck in it. Overall it was a nice beach. We came back to the hotel and relaxed for the rest of the evening. Aman: This was one of the coolest things in the whole trip so far. On the way there, when we weren't even in the park yet, we saw some flamingoes past a levy. I'm guessing the levy is for monsoon season, when water levels rise, but the flamingoes were incredible! They were not quite pink, except on their wings and chests, ...
Indian industry
After spending a week submerged in the local culture ever since my ship stopped here, I thought it was time to write down the astonishing sights of Gujarat. This is the end of the line for many traders from Asia who only traverse the first leg of the trade route. That being said, a great deal of goods from Asia are traded for goods from Africa. The Junk I arrived on unloaded for the first few days and turned out to be full of valuable goods, gold, and silver. A ...
Other places to stay in Jamnagar
Hotel Express ResidencyJamnagar-Dwarka Highway, Jamnagar | Hotelfrom $156
Hotel Aram"Nand Niwas",Pandit Nehru Marg, Jamnagar | Hotelfrom $33
Hotel PresidentTeen Batti, Jamnagar | Hotelfrom $11
Hotel Vishal InternationalAirport Road opposite andh aashram, Jamnagar | Hotelfrom $47
Hotel RegencyPandit Nehru Marg, Jamnagar | Hotelfrom $21
Hotel AshianaNew Super Market, Jamnagar | Hotelfrom $10


text:
bluerobin2 wrote:
@ramstrong I click import image and choose my image. Then nothing happens....
And do you have QuickTime installed? Haven't heard from you on whether you did. That is mandatory to have that operation work.
As a dev of blargSNES, just stop with the claims that o3DS can emulate SNES games accurately @ 60fps. It cannot.
Nintendo Network ID: Discostew


text:
KIMT News 3 — In any town, you're bound to find one or five locally-owned businesses. Angie Huffam from Osage owns one.
"So this can be one place you can go and search churches that are near me and everyone will have their own page. Then you can easily from your home understand what it is they're about," Huffman said, showing her marketing website "Get Well, God Bless."
As a beginning business owner, she looks for ways to keep this thriving. She's turning to a contest to fuel that.
"I'm learning I'm not perfect, but I know the only way to get better is to start where you're at," Huffman said with a smile.
She's not alone. Art on the Plaza and Roller City in Mason City are both eyeing the prize as well. The University of Northern Iowa sponsors the contest, featuring six categories including retail/restaurant, manufacturing, and agriculture innovation. The winners will be those who show they can appeal to the social media world.
"It was a lot of fun because we put our video together very quickly and it was amazing. A little stressful wondering whether or not the words would be right," said Pam Coffee, organizer of Art on the Plaza.
They post videos like on the Dream Big, Grow Here website. Some do just one, others are making one daily. Hoping they roll their way to the finish line; winning $5,000.
At Roller City in Mason City, owners are showing they deserve the award because of all the improvements they've made.
"We've done a lot of renovations in terms of skate floor, bathrooms. We feel the next step is technology putting in projectors, flat screens to show music videos from the '80s," Anderson said.
Winning the contest would be one way to show they've been on the right "track."
Friday is the last day of voting. To find out more about these businesses, visit this website.


text:
General Events Calendar
General Events
General Events
skip to events
link for robots only
advanced search
Event Detail Information
Illini Union Rec Room Gaming Tournament - FIFA13
Date Mar 28, 2013
Time 6:00 pm
Location Illini Union Rec Room
Cost $5 entry fee/person
Sponsor Illini Union Rec Room
Event type Other
Views 2324
Originating Calendar Illini Union Rec Room Calendar
Join us for some fun and games! Register in person at the Illini Union Rec Room. Sign up by 5:30 pm with matches beginning at 6:00 pm. Prizes will be awarded based on 32 entries: 1st place - $50; 2nd place - $25; 3rd place - $10. All prizes are given as gift certificates to the Illini Union Bookstore.


text:
From: "Shauna" <firstname.lastname@example.com>
I posted my version of 'Edith Wolford' back in April. When I took the photo
(last July), it was quite early in the day so the sun was not "splitting the
trees" like they say around here when it is clear and hot.
I love this iris, but was not as crazy for 'Lullaby of Spring' when it
bloomed (although I was ecstatic that it actually did bloom!). Maybe if I
had of planted it next to something darker and one tone, it would have stood
out nicely. 'Lullaby O S" has some growth, but has declined since I put it
in 4 years ago. Got my best bloom the first summer after planting, the next
one was small, and last year it didn't bloom at all. I don't think it likes
me, but I am not taking it personally. :)
Here's the URL for reference purposes.
The Final Countdown is here!
Join the "Star Wars" craze at ONElist.


text:
Ask a Lawyer and Get Answers to Your Legal Questions
Good evening! I can help you out with your legal question tonight. I
am sorry about your pain and misdiagnosis.
Yes, you can always bring suit against a doctor for negligence.
When did this all happen?
January of 2011
Oh, that is bad news. The statute of limitation is two years in IN pursuant to IC 34-20-3-1. So it is too long now to go after the doctor.
Thank you for your time
If you had brought a suit against the doctor in the past two years, then you would have been able to at least bring suit.
You are welcome, I hope you get feeling better.
At least now you know.
Please take time to give me feedback.


text:
Add the finish touch to your celebrations with these birds, a perfect addition to your Christmas decorating. Add them to decorations or customize them for cards and gifts for some creative fun this festive season.
Thank you for visiting John Lewis Wood Bird Stickers, Pack of 9, Natural on shoppingfind.co.uk
We bring the products from many websites to one website for you to search, save and compare.


text:
At 6:45 PM, Adam Oates made his first public appearance as the new Capitals head coach, throwing out the ceremonial first pitch before the Nationals/Rockies game.
Oates, wearing khakis and a white #77 Nats jersey, lobbed in a high-arching ball to Nationals pitcher Ross Detwiler, who was crouched down and catching at home plate.
Video is below the jump.
Russian Machine Never Breaks is not associated with the Washington Capitals; Monumental Sports, the NHL, or its properties. Not even a little bit.
All original content on russianmachineneverbreaks.com is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)– unless otherwise stated or superseded by another license. You are free to share, copy, and remix this content so long as it is attributed, done for noncommercial purposes, and done so under a license similar to this one.


text:
Cash Back:
The development of the Prizm line of protein skimmers represents one of the most significant technological breakthroughs in protein extraction in decades. Utilizing an advanced new method of mixing the water and air and the development of an integrated 2-stage reaction chamber has reset the standard by which all skimmers will be judged.
The Prizm Skimmers consist of 4 basic components: Main Body, Collection Cup, Inlet Pipe and Pump. It is designed to either hang-on the aquarium or to be installed next to or inside a sump as the motor is fully submersible. The Prizm Pro combines an efficient 18-blade TurboJet injector together with Red Sea`s Patented convergent-divergent flow technology Reaction Chamber. Water and air are drawn into the skimmer through the Inlet Pipe by the 18 blade TurboJet impellor, which has been designed to generate the optimum ratio between the water/air flow rates, producing a constant stream of superfine air bubbles in a homogenous air/water mixture.
The unique reaction chamber is divided into 2 compartments consisting of a convergent upward flow first stage, followed by a divergent downward flow second stage. The decreasing cross-sectional area of the convergent first stage, causes great turbulence and extended contact time between the air bubbles and water. The increasing cross-sectional area of the divergent second stage causes the air bubbles to flow both co and counter current before arriving to the water surface. The combined action of the 2 compartments creates a protein loaded, stable foam at the throat of the skimmer, positively pushing dry foam up into the collection cup.
The bubble-trap under the reaction chamber redirects any escaping air bubbles ensuring that bubble free water is returned to the aquarium via the cascade. In addition, the bubble-trap acts as a Mechanical filter by trapping small particulate matter not removed by the foam, thus keeping it out of the aquarium.
The Flow Regulator located on the Inlet Pipe allows the skimmer`s performance to be optimized for all aquarium conditions.
The Prizm Deluxe is an "upgraded" version of the regular Prizm and includes all of the unique benefits of the Prizm plus it incorporates two enhanced options.
A surface skimmer attachment is included which is an important incorporation because roughly 70% of accumulated protein and waste material in an aquarium are in the top 1" of the water. The surface skimmer attachment allows for the top surface water to be drawn into the water inlet pipe of the skimmer, so you are constantly removing the maximum amount of waste from the aquarium. This upgrade alone will provide significant increases in protein and waste removal.
The second upgrade is the inclusion of a refillable media basket. This basket can be filled with either biological or chemical media to obtain the desired results. The basket is easily refillable and allows you to change the type of media according to your needs. Placed in the water outflow chamber the basket comes into contact with virtually all of the water as it passes out of the skimmer. The use of the media basket turns your skimmer into a full purpose filter for most marine aquariums.
With a dedicated team of scientists and other professionals, Red Sea is widely recognized as a leading innovator and manufacturer of quality products for aquarium hobbyists. Red Sea constantly strives to provide hobbyists of all levels with highly effective solution-driven products designed to make your fish-keeping experience as enjoyable and successful as possible.
The embodiment of Red Sea's dedication to providing solutions for today's reef-keepers is its range of MAX-NANO, MAX-E & MAX-S aquariums- The only choice for true Plug & Play™ coral reef aquariums, now featuring the very latest in LED lighting technology.
For advanced reef-keepers the Red Sea REEFER provides a great platform into which you can add your own selection of hardware. With its ultra-clear glass, ATO built-in, silent flow valve and superb quality of finish the REEFER sets the standard for those wishing to customize. REEFER is also available as a Deluxe version with LED lighting included.
Red Sea's unique Reef Care Program (RCP) provides a comprehensive, safe and easy to use program for testing and supplementing within reef aquaria, and is perfectly complemented by Red Sea's Coral Pro & Red Sea Salt's, which has become the salt of choice for those seeking the very highest quality water quality for their coral reef aquariums. Both salts are made using a unique natural process which delivers unrivalled homogeneity and is perfect for delicate corals. Check your individual bucket of salt's composition using Red Sea's innovative new "MyBatch" software.
Whatever your aquatic needs, Red Sea delivers high quality innovative, solution based products.
180 day manufacturer warranty. All warranty services are provided by RedSea.
Accessories for Red Sea Prizm Deluxe Protein Skimmer


text:
[GET] T-shirt Confessions by Devid Farah Free Download
Filed Under ([GET] T-shirt Confessions by Devid Farah Free Download) by blackhat on 09-07-2015
Sales page:
Download link:
T Shirt Course for 2015 and beyond!
Was able to go through Devid's course modules without wondering if there was something he was leaving out… and unlike many other courses, he laid everything out in detail. A complete, concise course on getting up and running on Teespring (which could also be used on other platforms as well). For the marketers already selling online, the strategies he has shared are golden. The pdf-style course contains many resource links that are extremely useful in finding good niches and targeting ideas. Well done!
Reply · Like · 1 · Follow Post · July 7 at 5:30pm
Kenny Martinez ·
Follow · Top Commenter · Denver, Colorado · 542 followers
If you want to earn a decent income online you have to learn from the best and Devid is definitely one of the best when it comes to Teespring! This course is perfect for everyone, if you are a Newbie or even a advanced tee shirt marketer. I like how every module is not very long, easy to follow and value packed with awesome content. When you get access to T-Shirt Confessions you will learn strategies that can only be found in a $5k/$25k Teespring mastermind group!
Reply · Like · 1 · Follow Post · July 7 at 1:24pm
Joe Mangano · The College of New Jersey
Hi I'm Joe Mangano and I had the opportunity to review David's course and provide comments. When I started reading his materials I was concerned that this was just going to be a glossy overview of materials that were already in the market. Well, I was very wrong. Yes, in the beginning David does a great job at laying the foundation, which is useful for new marketers and a good review for ones with experience. Then, he lays out step-by-step exactly how to grow, scale and take your Tee business to the next level. Everyone needs to pay very close attention to his 3 key ingredients for success – believe me – they work.
His explanation on targeting and layering are the materials you may have had to spend 100's of dollars for in the past. He presents a bidding strategy for ads that I have not seen anywhere else. And wait until you see the research techniques he lays out – yes – all 16 of them are solid gold!. Oh, and it that's not enough, he has a whole section on ways to get free and high converting traffic.
In summary I was very pleasantly surprised by the level of depth in the materials and the care he has taken to make the information clear and easy to understand. My advice – buy this, study it, take massive action and reap massive rewards.
Reply · Like · Follow Post · Yesterday at 12:32am
Dave Castle ·
Follow · Entreprenuer at Brick N Mortar Marketing
Hi my name is Dave Castle and I'm doing this testimonial to thank Devid Farah for giving me review access to his new product T-shirt confessions.
The first thing that struck me is the very professional layout of his website and the content that you gain access to.
Each of the 17 modules cover aspects of the T-shirt business that I don't think a lot of people are talking about.
I have a feeling like Devid is sharing in this course or more to the point what he's exposing is not only going to rattle some cages but is going to bring a lot of people who are struggling or who are on the sidelines to the front of the line in making a profit with T-shirts on Facebook.
I highly recommend this course I'm using it and I'm actually looking forward to being one of the people at the top of the leaderboard's as far as T-shirt sales and inexpensive Facebook clicks myself thanks to what I am learning.
Thank you Devid I very much appreciate this access you granted me and I hope you do well I'm confident you will.
Reply · Like · Follow Post · July 7 at 7:47am
Lamont Clark ·
Follow · Washington, District of Columbia
I purchased the product, but could NOT even access it. The website to login in is inaccessible. I wrote their support team, and all they did was give me the same inaccessible web address with a new password. You can't be a "top notch" product with a crappy site and poor support. IF I ever get access to the product I can give it a fair review, but this is a bad beginning.
Reply · Like · Follow Post · 2 hours ago
Devid Farah · Los Angeles, California
Lamont, sorry about this, we are into it. Please contact our support here email@example.com
Reply · Like · 31 minutes ago
Naja Hayward ·
Follow · Founder at Naja Tea · 123 followers
It seems like you're the only person that actually paid and wasn't given the course to test and then write a testimonial and your also the only person that actually could not get the product they paid for. Nope. Not buying based on this one review. Thanks for your honesty.
Reply · Like · 25 minutes ago
Scott Davidson
This is one heck of a course! If you want something very detailed and precisely laid out, then this is it! Pure hand holding in simple, easy to understand training modules. I started implementing some of the strategies and am already seeing huge increases in my returns. This is really golden knowledge and if you are in the tshirt game or any FB marketing game, then pick this course up. It will teach you things you never knew about marketing with Facebook.
Reply · Like · Follow Post · 21 hours ago
Rick Levine
There are so many courses available regarding selling T-shirts and Fb advertising that it is difficult deciphering what is good and what is reguritated BS. I just read David Farah's new course and I can definitely say it does not fall into the Rreguritated BS category. It is chock full of strategies and tips that I feel either the newbie or seasoned Tee seller will benefit from the information contained in this course. This course is not some 30 page waste of time. It is extensive and well organized and contains everything from "soup to nuts". What I like most about the course is that it is practical and easy to implement and not based on theory. Devid Farah's "Confessions of a Five Figure a Month Tee Shirt Earner" is a breath of fresh air a must have addition to your tee shirt marketing library.
Reply · Like · Follow Post · July 7 at 2:55am
Lucas Cepeda ·
Follow · Top Commenter · Works at Self-Employed
I have just finished going through Devid's t-shirt confessions course and I have to say, the information he is sharing is life-changing! Inside Devid covers everything you "need" to turn your tee-shirt business from rock bottom to incredible profits. He definetely doesn't leave anything out, the information is highly up to date, zero B.S. If you are looking to become a "wealthy" teespringer, simply follow the steps inside the course and you will likely become a pro in no time! Plus…not to mention the incredible bonuses he has packed into this ALREADY incredible valuable course! To anyone looking to get into tee shirt selling,this is definetely the "perfect" course to grab, no matter at what level you are! Thanks a lot Devid, congratulations on a phenomenal product!
Reply · Like · Follow Post · July 6 at 8:07pm
Harold Brown · Works at Self-Employed
Devid Farah's "Confessions of a Five Figure a Month Tee Shirt Earner" is a breath of fresh air in a smoke-filled room full of self proclaimed Tee Shirt "gurus", with a few of them selling smoke and mirrors. I've purchased several courses on Teespring/FB ad marketing and found several ideas in Devid's work that I hadn't seen before. He succinctly covers all the basics with rock solid step-by-step instructions. The course moves along quickly and includes hotlinks to several great resources. I especially like the PDF format with the hotlinks much better than the videos-only courses where I have to take notes.
Highly recommended!
Reply · Like · Follow Post · July 6 at 9:04pm
Deborah Baker ·
If you're looking for a step-by-step, one-of-a-kind 'How To Sell T-Shirts'..From A to Z, then Devid Farah's 'Confessions of a Five Figure A Month T-Shirt Earner' is just what you need.
It's like a recipe book, from researching a great niche, design, setting up campaigns and ads, and most importantly, laser targeting to get that 'Sweet-Spot' audience who are salivating to buy your shirts.
What most people have had to look all over the net for – the learn how to sell on Teespring – is now altogether in one course. Wished I'd had this when I started!
Reply · Like · Follow Post · July 6 at 11:34pm
Raymond Mihaere
Lots of Gems here!! A number of courses these days dance around the subject or hold back on the real gold that is required to be successful. This one holds nothing back and has great strategies that are not commonly known. These strategies are explained in detail making them easy to implement especially if you have never done any online marketing before. Devid provides links to valuable resources, like Tshirt designers and sites for conducting research that are not well known and so you will not get the same old rehash of other courses here. Those who take action and follow the strategies will benefit from this course.
Reply · Like · Follow Post · July 6 at 8:57pm
Phil Henderson · Top Commenter · Glasgow, United Kingdom
Devid has answered "many" of the qustions that seemed to be left un-answered in other courses I have gone through. The information is laid out well, concise yet easy to follow.
I walked away from the T shirt arena a few months; however, having gone through this course I can see them being part of my income streams once again very, very shortly.
Great course!
Reply · Like · Follow Post · Yesterday at 1:15am
Saul Maraney · King David High School, Linksfield
Devid Farah's product has blown me away. – I liked the way the information was laid out and I definitely learned a lot about both T-shirts and FB marketing. The targeting module was my favorite module and I picked up tips and insider strategies that I have never seen shared anywhere else. – I highly recommend this course to anyone who is serious about taking their IM business to the next level. – Saul Maraney, Johannesburg, South Africa
Reply · Like · Follow Post · July 7 at 12:07am
Graeme Salter
The T-Shirt Confessions course is a rare find. Many courses tell you what you should be doing, but give few details on how to actually do it. In this course, Devid has lots of sections that start with 'How to …' and then he provides detailed step-by-step instructions, which are easy to follow. When I say 'detailed', I mean it. Most course authors leave out the specifics that you really need (eg. detailed bidding strategies for Facebook ads). In T-shirt confessions there is enough detail, across the breadth of Tee marketing, to replicate his success.
Reply · Like · Follow Post · July 6 at 12:58pm
Daniel Gaiswinkler ·
BOOOOM – Guys This is amazing stuff! Looks great and already found REAL good golden nuggets!!!
Alone the Facebook Ads Secrets module will give you tricks that you wont find anywhere else and are worth the price of
the entire course. This is amazing and gives me some really good tips for my business. I read the Targeting Secrets module too – its golden!! Thanks for this piece of information. Really good and very detailed with all the screenshots to understand the procress. Thanks Devid for allowing me to test your amazing course!
Daniel Gaiswinkler
Reply · Like · Follow Post · July 6 at 12:03pm
Bart Rutherford · Works at Self-Employed
Thanks Devid for letting me have a look at T-Shirt Confessions. When I first saw it I was skeptical that is was just another T-Shirt course like the many others release before. Well I was wrong as Devid's material was top notch and did I ever dig some real helpful nuggets from the great info within.
The information was a gem to me to help with both design and targeting with my audiences. This new material should help me and perhaps anyone else having a hard time making a profit. Highly recommended for new and experienced alike.
Reply · Like · Follow Post · July 6 at 12:19pm
Austin E Anthony · Works at Self Employed (Business)
Devid has put together an awesome course on Teespring. I really like the module on how to come up with winning designs. Then targeting module offers some great and very unique ideas that should help anyone find only the most interested people on FB. Now every Teespringer knows design and targeting is what sells a shirt and after going through Devid's course, I am sure you will have a winning campaign right after giving it a read.
Reply · Like · Follow Post · July 6 at 6:31pm
Alex Copeland ·
Follow · Singer at [spunge]
After being able to go through the whole course I'm happy to say it is a solid entry into t-shirt selling and shows you all the steps in a good amount of detail so you don't get stuck. Good job and worth a look of you fancy selling t's or even if you just want to learn more about targeting on Facebook as that section alone is worth the money!
Reply · Like · Follow Post · July 7 at 10:59am
Itamar Blumenfeld · Top Commenter · University of Life
WOW man!! I just read the course, this is amazing pieces of content, actually, it's one of the best I've ever read about tshirt marketing!! just wanted to reach out and tell you that I got so much value, and I took some of the strategies and implemented it right away, and got amazing results! I have few campaigns averaging $300/day easy and just got started… you really know your stuff. Thanks a lot!!
Reply · Like · Follow Post · July 6 at 4:20pm
Declan Mc ·
Follow · CEO & Founder at Cool Stuff Now · 217 followers
This is the most in depth, thorough, revealing and enlightening T-shirt marketing course I have seen. In this Devid reveals information that the so called ' gurus ' don't want exposed. I highly recommend this course if you want to take your T-shirt business to another level!


text:
- Description
With rich traditional style infused with a European flair, the sophisticated elegance of the "Hamlyn" home office collection is sure to enhance the beauty of any home office decor. The rich medium brown finish beautifully covers an exquisite cherry veneer that is enhanced with a sophisticated Prima Vera inlay veneer to create an overall traditionally styled design. With the rich look of the antique bronze color metal hardware, this collection captures the true beauty of grand traditional style furniture. Create a magical atmosphere for your home office with the rich elegant design of the "Hamlyn" home office collection.Includes
2 Large Bookcase and 1 Large Door BookcasesDimensions
Large Bookcase,
34.25" W x 12" D x 75.25" H
Shelf opening 28.38" x 10.13" x 69.00"
Adjustable shelf (5) 32.38" x 9.88" x 1.75"
Large Door Bookcase,
34.13" W x 11.13" D x 75.13" H
Top opening 29.25" x 10.25" x 42.75"
Adjustable shelf (3) 32.31" x 10.00" x 1.63"
Adjustable bottom shelf 32.31" x 9.06" x 0.75"
Door opening 29.25" x 10.50" x 23.50"
More from this collection: Hamlyn
- Additional Information
Additional Information
SKU 12003622 MPN H527-18-17X2 GTIN N/A Brand Signature Design Collection Hamlyn Assemble Length N/A Assemble Width N/A Assemble Height N/A Assembly Required Yes Material Wood Finish Brown Styles Traditional Sizes N/A Shipping Time 2-3 Weeks Free Shipping No
- Reviews


text:
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What Really Is A SR-22 Form, And Who Is The
As anyone acquainted with Car Insurance SC is going to be prepared to state, cheap auto insurance in sc isn't so much an exclusive kind of insurance coverage as it is a guarantee a distinctive sort of man or woman possesses insurance protection. Specifically, this is a form that needs to be submitted by people which are viewed as being at a much higher risk when compared to the common citizenry to be within an automobile accident.
This is due to their very own conviction record, and truthfully, it is actually their very own past history which typically determines if they are required to fill out this document. What this document truly does is to act as confirmation that a person possesses adequate insurance protection. This document is actually filed with the DMV and also may possibly be submitted as evidence of insurance coverage by any available automobile insurance firm.
In reality, South Carolina includes a form that's referred to as the SR-22 form. It states that the person about whose part it was first recorded offers the suitable insurance against loss. It will be the driver and insurance policy company's joint obligation to be sure to file the application in the event it does apply. It's usually required for an individual to file the actual SR-22 whenever they are found liable for driving under the influence, traveling without insurance, or maybe driving a vehicle by using a suspended license. An individual so convicted, yet who doesn't actually own a car is it necessary for submit a non-owner SR-22. The other SR-22 varieties assure responsibility for vehicles which the operator operates as well as alternately, for any he / she has as well as will not own, which turns out to be the most thorough from the three.


text:
Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
Show translation options
Lot 681: FINE BRONZE POCKET WATCH
Fine Asian Antiques Fall Auction Day 1
by William's Auctions, LLC
October 29, 2016
Flushing, NY, USALive Auction
Past Lot
Looking for the realized and estimated price?
Description: Republic Period, Long: 12.00 inch × Diameter: 2.0 inch
Condition Report: In Good Condition
Browse more items


text:
The Studio
New York
315 Hudson St.
8th Floor
8th Floor
Book Now
Located in South Pasadena, CA, Susanne Hollis, Inc. is a premier retailer specializing in fine antiques from Asia, Europe, and South America. Her 16,000 square foot. showroom houses pieces from China's 17th-C. Manchu Qing dynasty, India's 18th-C. British Colonial period, the 19th-C. French Gothic Revival and Empire periods, and 19th-C. Scandinavian Classicism and Empire periods. Frequent travels abroad in search of distinctly unique pieces ensure a consistently replenished inventory


text:
big basket
Promotions - Free ground shipping to the US & Canada - free-shipping-on-orders
$280.00 Was $400.00
shown in:
Product Actions
Product detailsLarge, round shaped basket is made from hundreds of feet of high quality cotton cord that is coiled and stitched with heavy duty, abrasion resistant thread. The resulting textile is soft and flexible, but stiff enough to stand on its own and hold its shape.
• dimensions: 18" high, x 15" diameter
• 100% cotton
• made in USA
Shown with: Doug Johnston Big Basket w/ Handles, Brahms Mount Herringbone Throw, Faribault Woolen Mills Co. Ticking Stripe Wool Blanket, Steven Alan Beach Blanket


text:
Choose Between Two Options
- $25 for $50 worth of Philly sports apparel and memorabilia
- $60 for $100 worth of Philly sports apparel and memorabilia
Philly Team Store
Philly Team Store outfits Philadelphia sports fans with apparel, memorabilia, and souvenirs licensed by their favorite local franchises. Eagles, Phillies, and Flyers logos adorn hoodies and hats, and top players' names are emblazoned on authentic jerseys across the owners' backs or necks, depending on how they wear them. Other souvenir mainstays include autographed balls, watches, wall calendars, and bottle holders.
Customer Reviews
Center City West
1720 Chestnut St
Philadelphia, PA 19103
+12159415002Get Directions


text:
Update your tee collection with this T-Dara top from Diesel. Featuring a crew neckline, short sleeves, stitch detailing and a denim fabric chest pocket. Team with dark blue jeans and hi-top trainers for an on-trend urban style.
Thank you for visiting Diesel T-Dara Denim Pocket Short Sleeve T-Shirt on shoppingfind.co.uk
We bring the products from many websites to one website for you to search, save and compare.