text:
Oracle(R) Database 10g Release 2 on Linux Sets World Record TPC-H Benchmark Result in 300 GB Category
Benchmark Outperforms IBM DB2's Best Result
Sep 21, 2005, 01:00 ET from Oracle Corporation
ORACLE OPENWORLD, SAN FRANCISCO, Sept. 21 /PRNewswire-FirstCall/ -- Today Oracle (Nasdaq: ORCL) announced a new world record TPC-H 300 gigabyte (GB) data warehousing benchmark for Oracle(R) Database 10g Release 2 and Oracle Real Application Clusters on Red Hat Enterprise Linux, overtaking IBM DB2's best benchmark performance in the same category. (Logo: http://www.newscom.com/cgi-bin/prnh/20020718/ORCLLOGO ) Running atop an eight-node HP BladeSystem cluster of ProLiant BL25p server blades, each with one AMD Opteron 2.6 GHz processor and Red Hat Enterprise Linux v.4, Oracle Database 10g Release 2 and Oracle Real Application Clusters achieved record-breaking performance of 13,284.2 QphH@300GB with a price- performance ratio of $34.20/QphH@300GB. This new industry-leading result surpasses IBM DB2's best TPC-H 300 GB benchmark running on IBM hardware using half the number of processors. "Oracle's commitment to delivering a world-class database with outstanding performance continues to see proof in these benchmark results," said Oracle Vice President of Server Performance, Richard Sarwal. "This is yet another validation of Oracle Database 10g Release 2, which, coupled with the high efficiency of Linux running on the HP BladeSystem, makes a great value proposition for organizations." As the leading database for production data warehousing, Oracle Database 10g provides a single, integrated database engine for scalable and high performing data warehousing implementations. This new record-breaking benchmark illustrates why customers choose Oracle on Linux for performance, power, value and reliability. "These benchmarks further reflect the benefits HP provides Linux customers," said HP BladeSystem Director, Mark Potter. "Oracle runs fast on the HP BladeSystem, allowing companies to streamline their business processes, optimize resources and increase performance. This new world record is further evidence that the powerful combination of Oracle on Linux powered by standards-based HP BladeSystem solutions can enable customers to achieve the highest levels of efficiency from their IT investments through scalability, manageability, and cost savings." About Oracle Database 10g The only database designed for grid computing, Oracle Database 10g delivers the highest performance, scalability, availability, security and ease of management on a low-cost grid of industry standard storage and servers. Oracle Database 10g is designed to be effectively deployed on everything from small blade servers to the biggest SMP servers and clusters of all sizes. It features automated management capabilities for easy, cost-effective operation. Oracle Database 10g's unique ability to manage data from traditional business information to XML documents and spatial/location information makes it the ideal choice to power online transaction processing, decision support and content management applications. About TPC-H TPC-H is a decision support benchmark consisting of a suite of business oriented ad-hoc queries and concurrent data modifications. The performance metric is called the TPC-H Composite Query-per-Hour Performance Metric (QphH@Size) and reflects multiple aspects of the capability of the system to process queries. More information is available at http://www.tpc.org . About Oracle Oracle is the world's largest enterprise software company. For more information about Oracle, visit our Web site at http://www.oracle.com . Trademarks Oracle, JD Edwards, and PeopleSoft are registered trademarks of Oracle Corporation and/or its affiliates. Other names may be trademarks of their respective owners. As of Sept. 16, 2005: Source: Transaction Processing Council (TPC), www.tpc.org HP Bladesystem ProLiant BL25p cluster (8 CPUs) with Oracle Database 10g Release 2 with Oracle Real Application Clusters, 13,284.2/QphH@300GB, $34.20/QphH@300GB, available 10/31/05. IBM eServer 325 cluster (16 CPUs) with IBM DB2, 13,194.9 QphH@300GB, $65/QphH@300GB, available 11/08/03. For more information on TPC-H and TPC-C benchmarks, please visit www.tpc.org. TPC is a registered trademark by the Transaction Processing Council. The above is intended to outline our general product direction. It is intended for information purposes only, and may not be incorporated into any contract. It is not a commitment to deliver any material, code, or functionality, and should not be relied upon in making purchasing decision. The development, release, and timing of any features or functionality described for Oracle's products remains at the sole discretion of Oracle.
SOURCE Oracle Corporation


text:
Created attachment 634625 [details]
###!!! ASSERTION: bad args: '(aChild && aParent)', file editor/libeditor/base/nsEditor.cpp, line 3139
Created attachment 634628 [details]
stack trace+
aParent is null.
(By the way, asserting a conjunction results in vague error logs. I prefer two separate assertions.)
Aryeh, can you please take a look? Seems easy to fix.
This is another case where we should just be returning false and refusing to try to do anything at all. insertHTML is not enabled here -- bug 760052.
(But we can do more explicit null-checking too.)
Created attachment 635210 [details] [diff] [review]
Patch v1
This patch actually keeps the NS_ASSERTION. The real fix is bug 760052, which refuses the run the command to start with in such a pathological case. However, as usual, I rewrote the relevant function while trying to figure out what was happening. This function was pathological even by editor/ standards, particularly the variable naming.
There were only three callers. Two ignored the out params and just relied on the fact that the selection would be in roughly the right place, so I got rid of the out params and just put the selection in the right place to start with.
In the new function I use both MOZ_ASSERT and NS_ASSERTION, based on how pathological I felt the error case would be. In all cases I also checked for the error in non-debug builds and did basic handling, so that if they do fail we won't crash or anything.
Really it would probably make more sense for this to be renamed SplitSelection() or something and the delete part moved out. One of the callers doesn't use the delete behavior anyway because it wants different eStrip/eNoStrip behavior.
Try: https://tbpl.mozilla.org/?tree=Try&rev=e28d01ae0a94
This is actually not in the testsuite yet, I just realized. I'll add the testcase to bug 760052, so marking in-testsuite+.
Backed out for now: https://hg.mozilla.org/integration/mozilla-inbound/rev/b507d9bfcd04
MOZ_ASSERT(node, "Selection has no ranges in it"); was causing crashtest failures because bug 760052 hasn't landed yet. Will reland after bug 760052.
Take two: https://hg.mozilla.org/integration/mozilla-inbound/rev/5cca92dac983

subset: commoncrawl


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Hotfrog INDIA provides information regarding Alleppey Luxury Boathouse. Alleppey Luxury Boathouse provides houseboat services. Contact them on +91 9995672575 or by visiting them on their website http://www.alleppeyluxuryboathouse.com.
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Here is a collection of the all-time best famous Wallace Stevens poems. This is a select list of the best famous Wallace Stevens poetry. Reading, writing, and enjoying famous Wallace Stevens poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of Wallace Stevens poems.
Search for the best famous Wallace Stevens poems, articles about Wallace Stevens poems, poetry blogs, or anything else Wallace Stevens poem related using the PoetrySoup search engine at the top of the page.
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passion of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in the comforts of sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote as heaven's hill, that has endured
As April's green endures; or will endure
Like her rememberance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receeding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsered, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Abiguous undulations as they sink,
Downward to darkness, on extended wings.
Among the more irritating minor ideas
Of Mr. Homburg during his visits home
To Concord, at the edge of things, was this:
To think away the grass, the trees, the clouds,
Not to transform them into other things,
Is only what the sun does every day,
Until we say to ourselves that there may be
A pensive nature, a mechanical
And slightly detestable operandum, free
From man's ghost, larger and yet a little like,
Without his literature and without his gods . . .
No doubt we live beyond ourselves in air,
In an element that does not do for us,
so well, that which we do for ourselves, too big,
A thing not planned for imagery or belief,
Not one of the masculine myths we used to make,
A transparency through which the swallow weaves,
Without any form or any sense of form,
What we know in what we see, what we feel in what
We hear, what we are, beyond mystic disputation,
In the tumult of integrations out of the sky,
And what we think, a breathing like the wind,
A moving part of a motion, a discovery
Part of a discovery, a change part of a change,
A sharing of color and being part of it.
The afternoon is visibly a source,
Too wide, too irised, to be more than calm,
Too much like thinking to be less than thought,
Obscurest parent, obscurest patriarch,
A daily majesty of meditation,
That comes and goes in silences of its own.
We think, then as the sun shines or does not.
We think as wind skitters on a pond in a field
Or we put mantles on our words because
The same wind, rising and rising, makes a sound
Like the last muting of winter as it ends.
A new scholar replacing an older one reflects
A moment on this fantasia. He seeks
For a human that can be accounted for.
The spirit comes from the body of the world,
Or so Mr. Homburg thought: the body of a world
Whose blunt laws make an affectation of mind,
The mannerism of nature caught in a glass
And there become a spirit's mannerism,
A glass aswarm with things going as far as they can.
A sunny day's complete Poussiniana
Divide it from itself. It is this or that
And it is not.
By metaphor you paint
A thing. Thus, the pineapple was a leather fruit,
A fruit for pewter, thorned and palmed and blue,
To be served by men of ice.
The senses paint
By metaphor. The juice was fragranter
Than wettest cinnamon. It was cribled pears
Dripping a morning sap.
The truth must be
That you do not see, you experience, you feel,
That the buxom eye brings merely its element
To the total thing, a shapeless giant forced
Green were the curls upon that head.
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
I was of three minds,
Like a tree
In which there are three blackbirds.
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
The river is moving.
The blackbird must be flying.
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;
And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;
And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt
At what we saw. The spring clouds blow
Above the shuttered mansion-house,
Beyond our gate and the windy sky
Cries out a literate despair.
We knew for long the mansion's look
And what we said of it became
A part of what it is . . . Children,
Still weaving budded aureoles,
Will speak our speech and never know,
Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,
A dirty house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.
The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage,
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It must
Be the finding of a satisfaction, and may
Be of a man skating, a woman dancing, a woman
Combing. The poem of the act of the mind.
At night, by the fire,
The colors of the bushes
And of the fallen leaves,
Repeating themselves,
Turned in the room,
Like the leaves themselves
Turning in the wind.
Yes: but the color of the heavy hemlocks
Came striding.
And I remembered the cry of the peacocks.
The colors of their tails
Were like the leaves themselves
Turning in the wind,
In the twilight wind.
They swept over the room,
Just as they flew from the boughs of the hemlocks
Down to the ground.
I heard them cry -- the peacocks.
Was it a cry against the twilight
Or against the leaves themselves
Turning in the wind,
Turning as the flames
Turned in the fire,
Turning as the tails of the peacocks
Turned in the loud fire,
Loud as the hemlocks
Full of the cry of the peacocks?
Or was it a cry against the hemlocks?
Out of the window,
I saw how the planets gathered
Like the leaves themselves
Turning in the wind.
I saw how the night came,
Came striding like the color of the heavy hemlocks
I felt afraid.
And I remembered the cry of the peacocks.
One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.
The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches tigers
In red weather.
Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.
Other makings of the sun
Were waste and welter
And the ripe shrub writhed.
His self and the sun were one
And his poems, although makings of his self,
Were no less makings of the sun.
It was not important that they survive.
What mattered was that they should bear
Some lineament or character,
Some affluence, if only half-perceived,
In the poverty of their words,
Of the planet of which they were part.
She sang beyond the genius of the sea.
The water never formed to mind or voice,
Like a body wholly body, fluttering
Its empty sleeves; and yet its mimic motion
Made constant cry, caused constantly a cry,
That was not ours although we understood,
Inhuman, of the veritable ocean.
The sea was not a mask. No more was she.
The song and water were not medleyed sound
Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred
The grinding water and the gasping wind;
But it was she and not the sea we heard.
For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea
Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew
It was the spirit that we sought and knew
That we should ask this often as she sang.
If it was only the dark voice of the sea
That rose, or even colored by many waves;
If it was only the outer voice of sky
And cloud, of the sunken coral water-walled,
However clear, it would have been deep air,
The heaving speech of air, a summer sound
Repeated in a summer without end
And sound alone. But it was more than that,
More even than her voice, and ours, among
The meaningless plungings of water and the wind,
Theatrical distances, bronze shadows heaped
On high horizons, mountainous atmospheres
Of sky and sea.
It was her voice that made
The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world
In which she sang. And when she sang, the sea,
Whatever self it had, became the self
That was her song, for she was the maker. Then we,
As we beheld her striding there alone,
Knew that there never was a world for her
Except the one she sang and, singing, made.
Ramon Fernandez, tell me, if you know,
Why, when the singing ended and we turned
Toward the town, tell why the glassy lights,
The lights in the fishing boats at anchor there,
As night descended, tilting in the air,
Mastered the night and portioned out the sea,
Fixing emblazoned zones and fiery poles,
Arranging, deepening, enchanting night.
Oh! Blessed rage for order, pale Ramon,
The maker's rage to order words of the sea,
Words of the fragrant portals, dimly-starred,
And of ourselves and of our origins,
In ghostlier demarcations, keener sounds.
The house was quiet and the world was calm.
The reader became the book; and summer night
Was like the conscious being of the book.
The house was quiet and the world was calm.
The words were spoken as if there was no book,
Except that the reader leaned above the page,
Wanted to lean, wanted much most to be
The scholar to whom the book is true, to whom
The summer night is like a perfection of thought.
The house was quiet because it had to be.
The quiet was part of the meaning, part of the mind:
The access of perfection to the page.
And the world was calm. The truth in a calm world,
In which there is no other meaning, itself
Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.
At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.
He knew that he heard it,
A bird's cry, at daylight or before,
In the early March wind.
The sun was rising at six,
No longer a battered panache above snow...
It would have been outside.
It was not from the vast ventriloquism
Of sleep's faded papier-mache...
The sun was coming from the outside.
That scrawny cry--It was
A chorister whose c preceded the choir.
It was part of the colossal sun,
Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.
I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.
The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.
It took dominion every where.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.
The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—
There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.
To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten on the moon;
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;
Then there is nothing to think of. It comes of it-
And east rushes west and west rushes down,
No matter. The grass is full
And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,
You become a self that fills the four corners of
The red cat hides away in the fur-light
And there you are humped high, humped up,
You are humped higher and higher, black as
You sit with your head like a carving in space
And the little green cat is a bug in the grass.


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Hotfrog NewZealand provides information regarding Greymouth Evening Star in Greymouth West Coast. Greymouth Evening Star is located at 3 Werita Street, Greymouth West Coast 7805 and provides Printing services. Contact them on 03-768 7121 or by visiting them on their website http://www.greystar.co.nz.
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text:
Fortunately we are to the south of the ice storm. It rained here for
a good 24 hours with temperatures in the 30s, but ended before
they dropped down around 20. Today the sun is trying to shine
and it's up to 41 - expected to stay cold and cloudy for the next
several days but nothing extreme. I hope that's right. I am just
now breaking through a load of work to make an attempt at
getting ready for Christmas. I made candy yesterday and today -
about 5 pounds, I guess. This will take care of some of my
obligations, but there is more that I must do. Better get busy.
In a message dated 12/14/2008 1:23:41 PM Eastern Standard Time,
email@example.com writes:
if any of our members are affected by this terrible ice storm, cold weather in
the northeast?
The reports are vague... lotsa area so it is hard to tell. My heart goes out
to all those involved, whether I know them or not....
Here it is warm today, 43 currently with matching wind gusts. I can hear it
howling out there and everything is blowing around. Tonight, within hours it
will drop into the teens with rain,snow,ice... not a good morning to commute
is predicted. I need to go out there and find out what that banging noise
is... can't be good.
**************Make your life easier with all your friends, email, and
favorite sites in one place. Try it now.
To sign-off this list, send email to firstname.lastname@example.com with the
message text UNSUBSCRIBE GARDENCHAT


text:
Expanding the Criminological Imagination
Critical Readings in Criminology
Edited by Alana Barton Karen Corteen David Scott
Format: Paperback
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Expanding the Criminological Imagination by Alana Barton
Book DescriptionThis book brings together a series of writings on the problems facing contemporary criminology, highlighting the main theoretical priorities of critical analysis and their application to substantive case studies of research in action. Its main aim is to establish the conceptual and practical foundations for a new generation of studies in criminology, and to set a new agenda for critical criminology. Each chapter will critically assess the main conceptual and empirical problems they have encountered in their research, and to bring to life the key theoretical debates within the discipline. This book will be essential reading for students seeking an understanding of the nature of the discipline of criminology and criminological research.
Buy Expanding the Criminological Imagination book by Alana Barton from Australia's Online Bookstore, Boomerang Books.
Book DetailsISBN: 9781843921561
(234mm x 156mm x 17mm)
Pages: 240
Imprint: Willan Publishing
Publisher: Taylor & Francis Ltd
Publish Date: 1-Oct-2006
Country of Publication: United Kingdom
Other Editions...
Books By Author Alana Barton
Expanding the Criminological Imagination, Hardback (October 2006)» View all books by Alana Barton
Brings together writings on the problems facing contemporary criminology, highlighting the main theoretical priorities of critical analysis and their application to substantive case studies of research in action. This book is useful for students seeking an understanding of the nature of the discipline of criminology and criminological research.
» Have you read this book? We'd like to know what you think about it - write a review about Expanding the Criminological Imagination book by Alana Barton and you'll earn 50c in Boomerang Bucks loyalty dollars (you must be a member - it's free to sign up!)
Author Biography - Alana Barton
Alana Barton is a Reader in Criminology and Criminal Justice at Edge Hill University, UK. Karen Corteen is a Senior Lecturer in Criminology, and Programme Leader for Criminology at the University of Chester, UK. David Scott is a Senior Lecturer at the Centre for Criminology and Criminal Justice, University of Central Lancashire, UK. David Whyte is a Reader in Sociology at the University of Liverpool, UK.
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text:
Teremok Marine
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Travel Blogs from Umhlanga Rocks
Africa - It's not for sissies
... guard at Pat's complex. Zoe and Oli enjoyed the pool while the rest of
us enjoyed the good food and company until the wee hours of Tuesday morning.
Merle kindly gave us a lift home taking any stress out of walking in the dark.
Tuesday 25th
Feeling worse for wear
after a long night we thought the beach was in order. Kids had a quick dip in
Grannies Pool (Umhlanga) and played some more Frisbee. By 2pm we were at ...
Who'll Stop the Rain
... in your face on safari!) Matt came around cheerful as ever to ask if we were ready, and we all looked at each other hesitantly. Finally, I stepped up to the plate and said that maybe we should skip this safari, and the others quickly concurred. We asked Matt his opinion, and he told us it was ultimately up to us, but that we probably wouldn't see anything because everything would be keeping out of the rain. That was the nail in the coffin. No ...
... couple of weeks even though I've been "packing" it basically has resulted in a many many different piles of our things in different areas of the house so even with much of the furniture now gone the house doesn't seem any less empty. My plan was to pack gradually, little bits each day so that I would have to take days on end in our last few days just packing but ultimately there's so much you can't pack up until those last couple of days so it has resulted in me having a day off ...
Comrades Marathon 2014
... face as I crossed the finish line. We went to the international runner's tent and I got my Tog bag from there and waited for Fred. I had no idea what time he would finish or if he had been collected by the SAG bus because he couldn't make the cut off. How pleased I was to see him complete the race 8 minutes before cut off. We may not have finished together, but we did get a finisher picture together – It truly was an unforgettable experience.
Days out in Durban
... that Cat had her eye on but they were just too pricey for what they were so we made our apologies. Then it was time to leave and we thanked them profusely for getting an insight into their lives.
On the way back to town our driver very kindly waited for us at a big super market while we did some food shopping as the hostel has misled us about just how far it was from the hostel! Thank goodness he did us that favour as otherwise ...


text:
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text:
I admit I am hugely sleep deprived, but I have no idea what this guy is getting at. Any ideas?
I live in that country that refuses to intervene to save a woman's life via medically necessary abortion because my country is so, you know, "Catholic". If this is some weird anti-choice thing, I'm pissed.


text:
|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|Joe Bohn <joe.b...@earthlink.net>
|Re: [DISCUSS] 2.0-M5 (rc1) binaries available
|Thu, 26 Apr 2007 16:54:43 GMT
Sorry about that. We had all agreed that was the correct approach and it did fix the jstl issue. I should have thought to check jsf as well. It seems that these components (jsf, jstl) assume a flat classloader. Our classloader structure is making this very difficult. I hope that we can come up with a solution within our classloader structure that allows everything to work but so far this has proven elusive. Is there not a work-around so that this milestone can still go out? Does it help to add JSF & JSTL as dependencies of the application? Joe Paul McMahan wrote: > This may be related to the changes made in > https://issues.apache.org/jira/browse/GERONIMO-3051. It seems that > there are some classloader related problems with the sql tags in jstl. > > After trying out the M5 release candidate just now I needed to reopen > that JIRA because the changes made for it in rev 532106 prevent myfaces > from seeing the jstl classes. > > Unfortunately, since JSF is no longer working I must vote -1 on the M5 > release. Reverting 532106 locally fixed the JSF problem for me. > > > Best wishes, > Paul > > On Apr 26, 2007, at 11:34 AM, Hernan Cunico wrote: > >> Folks, I'm still having some issues while accessing the embedded Derby >> databases. >> >> I can create a database using the embedded Derby from the Admin Console. >> I can insert some sample data and browse it from the Admin Console too. >> I can create a connection pool and test it from the console. Testing >> is part of the GUI before the actual deployment. >> >> So far so good but when I use a web app to access that DB via the pool >> I just created I get "java.sql.SQLException: Database 'SomeDB' not >> found." >> This only occurs on the embedded Derby DBs I create, I can access and >> list content from the system-database without any problems from this app. >> It also works well with other pools for external DB and earlier >> milestones so I guess the app is not the issue. >> >> Folks, we pretty much have the same issue on every release, we fix it >> in trunk and we break it again. Maybe we should look into >> "desensitizing" the embedded Derby. ;-) >> >> Cheers! >> Hernan >> >> Matt Hogstrom wrote: >>> Starting DISCUSS thread if necessary for this release. > >
|View raw message


text:
Bars & Pubs
Navigating Melbourne's best bars, pubs, breweries and drinking holes
The 50 best bars in Melbourne
Here is Melbourne viewed through the bottom of a glass: from its world-beating cocktail lounges to its down-and-divey saloons. These bars – organised by area and in no particular order – represent the pinnacle of Melbourne drinking. Many of them are Time Out Bar Awards winners. Others take pride of place in some of our most popular guides, like Melbourne's best cocktail bars, wine bars and rooftop bars. Above all, these bars have one thing in common: they are the very best this fine drink-swilling city has to offer.
The best beer gardens in Melbourne
The sun's out, the beer is cold, and suddenly, you realise that the bar you're in is utterly devoid of an outdoor drinking area. Equipped with our guide to Melbourne's most spacious, comfortable and well-equipped beer gardens, this nightmarish situation need never happen to you again. While we're talking booze, be sure to check out our favourite cocktail bars, wine bars and rooftop bars.
Where to drink right now
The best late-night bars in Melbourne
Just because it's the small hours and you're up for a drink, it doesn't mean you want to be yelling over the music in a nightclub. Thankfully, there's plenty of places in Melbourne to enjoy a quiet(ish) beverage until sunrise – and with the 24-hour public transport network operating on weekends, it's easier than ever to get home. For more nocturnal fun, check out our guide to late-night bottle shops and late-night dining.
The best bars for drinking alone in Melbourne
Look, we're not here to judge. Maybe you just want to treat yourself to a little alone time and a good bottle of wine, or maybe you've clocked off early and need to kill some time before meeting up with friends. Maybe you're freelancing and coffee just isn't going to cut it any longer (oh yeah, we've been there). Whatever the reason, here's where to get a cheeky bevvy on your own in Melbourne. For more ideas, check out our guides to Melbourne's best wine bars, cocktail bars and hidden bars.
The best bars in Melbourne
Choose your favourite drink
Melbourne's drinking hotspots
The best pubs in Melbourne
You might also like...
Little Emperors at Malthouse
For the inaugural Asia TOPA festival, Malthouse Theatre paired award-winning Australian playwright Lachlan Philpott and maverick Beijing-based director Wang Chong to create a new work. The result explores the fraught legacy of China's 40-year One Child Policy, through the prism of one family. The term 'Little Emperors' relates to a behavioural syndrome affecting the generations of only-children born in the lead up to 2016 (when the One Child Policy was officially abolished). Envisioned as a radical experiment to curb population growth, the policy unwittingly gave rise to a new breed of ultra-indulged children, who in turn will shape the future of a superpower. Philpott's play pivots between Melbourne and Beijing, and between English language and Mandarin, to tell the story of a sister, her illegal brother, and the emotional and cultural fall-out of the environments in which they were raised. Wang Chong, founder of the world-renowned Théâtre du Rêve Expérimental, brings both his bold vision and personal experiences, as a someone born in the One Child Policy era, to bear on this rich and revelatory tale. Little Emperors runs from Feb 9-26 at Malthouse Theatre.
WTC Wharf Outdoor Cinema
To celebrate February's long, balmy summer nights WTC Wharf is hosting its very own al fresco cinema every Friday and Saturday night until mid-March. To enjoy a movie under the stars, all you have to do is book dinner at one of the WTC Wharf's restaurants and dine in from $25 per person, then you will receive free entry to that night's movie screening. Relax back on deckchairs or bean bags and watch blockbusters and classics under the stars. You can try a Chinese banquet from Man Mo, Lebanese cuisine at Byblos, Japanese fare from Kobe Jones or get a bistro feed from The Wharf Bar. Cinema highlights include The Danish Girl, The Secret Life of Pets and Les Misérables.
Savour Wayside Inn's rotisserie dish for lunch and dinner
South Melbourne pub Wayside Inn is the place to be if you're after a classic pub meal for lunch or dinner. On Monday to Saturday from noon to 9pm, the Wayside Inn kitchen is offering slow-cooked, rotisserie dishes complete with all the trimmings. For just $25, you can enjoy the day's rotisserie dish with a glass of wine in the bar area, or for $38 if you're dining in the restaurant. Dishes change seasonally, but they will no doubt be cooked to juicy perfection in the rotisserie oven. 446 City Rd, South Melbourne 3205. 03 9810 0083. Mon-Sat noon-9pm.
Cities of Architecture
The Australian Centre for Contemporary Art presents this new series of talks exploring the architectural, urban and cultural history of some of the world's most inspiring destinations, from the skyscrapers of Shanghai to historic Sagrada Familia Basilica in Barcelona. The series kicks off with a free launch at MPavilion, followed by monthly editions exploring some of the world's most fascinating destinations and the built environments that make them so remarkable. Whether you're travelling to any of these destinations or just want to learn more about some of the globe's most inspiring cities, this series will offer insights from leaders in the architectural fields. You'll also get to enjoy a special cocktail created for each city the talk in inspired by, from the Melbourne Gin Company and Starward Whisky. For the full list of events in this series, click on the 'Dates and Times' tab.


text:
Interface construction is an important part of any programming language. This post is designed as a quick introduction to some of the basics of the swing library in Java. Swing is a collection of useful components that can be used to create graphical user interfaces.
First we'll start with a description of our program. Our clients want (for some reason) a Java program that is able to load and display a file, edit this file and save it again on the hard drive. The program should have menu options as well as buttons for controlling it. The program should also be able to send an email to the eas_pso email address for help if required. If something goes wrong the program should pop up error messages with some useful information. The program should also have an 'about' popup which tells the user about the program and how to use it.
This isn't a very complex program, though it may sound like it to start with. We start by designing our layout and making a list of things we need to implement:
- A frame is displayed on the screen
- Menu Bar
- Buttons
- Options in the menu and buttons for:
- Open File
- Save File
- Exit
- About
- Load text from a file
- Edit the text
- Save text to a file
- Email for help
- About box
The first thing our GUI needs to be able to do is display a frame on the screen. Our initial Java program for this uses the following:
public class GUIElementsExample {
* Main method, runs the example
* @param args command line arguments
public static void main(String[] args) {
new GUIElementsExample();
// global variables
//the main frame in the program
private JFrame frame;
// constructors
* Default Constructor, opens a frame with several gui elements.
public GUIElementsExample() {
// first we set up the frame with a title
frame = new JFrame("GUI Elements Example Program");
frame.setSize(800, 800); // this line sets the size of the frame in
// pixels // the default close operation refers to what happens when the X in the
// corner is pressed
// finally we make the frame visible, drawing everything on the screen
This program current runs the main method, creating a new instance of our GUIElementsExample Object. The constructor for the GUIElementsExample creates a new frame, sets the size of the frame, the default close operation and makes the frame visible. The default close operation is what happens when the X in the corner of the window is selected and set to dispose of the frame by default, rather than quit the program. We override this with EXIT_ON_CLOSE so the program exits completely when the frame is closed. We'll see an example where we don't want to do this later for the 'about' popup. The frame is set to be visible last, after all the components have been added to the frame; this ensures that they are all displayed correctly. The frame is only updated when it is moved, resized or frame.validate() is called, so if we display it before adding the components we then have to validate it later.
Now we have a frame that draws on the screen.
Part 2: Adding menus to our frame!


text:
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text:
Early Bird Special
Early Bird Special: Good morning! The market is on the brink of collapse, Goldman Sachs rules the world, and traders are going to sleep at night dreaming of another recession because they see it as an opportunity to cash in.
Oh, did I say good morning? I meant STOCK UP ON CANNED GOODS morning.


text:
Intro Astronomy 2014. Class 13: Galaxies, the Universe, Life
Lecture 13 of Dr. Bruce Betts' 2014 online Introductory Planetary Science and Astronomy course covers galaxies (our place in the Milky Way, types of galaxies, Hubble Deep Field), the Universe (determining distances, expansion of the universe, Big Bang theory and evolution of the universe, WMAP and Planck results, dark matter, dark energy, neutrinos), and life in the universe (Earth life requirements, astrobiology, SETI). Recorded at California State University Dominguez Hills.
patricia pierson: 06/22/2014 05:09 CDT
Stefan Schotte: 08/31/2014 04:12 CDT
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A shortish show tonight. We talk about the Ice Bucket Challenge, some news, a soda review, and we have unintentional dueling Top 7 Lists.
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text:
Is this restaurant good for lunch?
Is this restaurant good for dinner?
Can a vegan person get a good meal at this restaurant?
Does this restaurant specialize in Halal food?
Is this a Kosher restaurant?
Is this primarily a coffee shop?
Thanks for helping!
This place was wonderful. We went during Christmas and they were fully decorated for the season. It has an old house feel and the food was absolutely perfect. Everything was delicious.
If you are looking for a place that offers a warm cozy atmosphere with fine dining, Owens has it all. The food is excellent, the service supreme. I make this one of my go-to places to dine every year during my stay on the Outer Banks.
fine dining with a beach flair,excellent food , service with a smile ,comfortable,wonderful choice of fare.
I have been to Owen's a few times. They have an amazing menu and excellent food! Well worth the price!!
Yes, this place is still around offering great food at fair prices. You will enjoy it again and again.
Whether you choose to eat upstairs in their beautiful bar or downstairs in the more formal dining room, you are going to be treated like royalty and have some of the best food you've ever had!
Owens Restaurant has been part of the Outer Banks for over 70 years. Their menu celebrates fresh, local seafood - flounder, rockfish, oysters, shrimp, scallops. Plus, they have awesome steaks, lobster tails, crème brulee, cheesecake, strawberry shortcake, brownie sundaes, extensive wine list, cocktails.
But if you're ever on the Outer Banks between Thanksgiving and New Year's Eve, some of my...
I went with some of my work mates last friday night 6 of us altogether. I had never been before but my mates always rave about it. IIt was fantastic. Super food. Really nice menu and served by exceptional and friendly staff. The best meal for long time. Many thanks Owens. Il be back soon. Xxxx
This Outer Banks classic has outstanding food. To me this is a special occasion type place with fancy food and prices to match. Always delicious.
We eat at Owens' every time we go to the OBX. The food and service are excellent. Definitely recommend!
Own or manage this property? Claim your listing for free to respond to reviews, update your profile and much more.
What is the average entrée price
We will be at the Outer Banks March 9-12. Will you be open?
Where can I find menu prices?
Our anniversary falls on Labor Day (9/5) this year and I was considering Owens' for our dinner. Will you be open on Labor Day?
do you have oysters on the half shell or oysters rockefeller
See all questions


text: It was a warm day, and we had walked around Baton Rouge for a while before returning to the casino. We wanted something to eat and saw the sign for Shucks but had a hard time figuring out which way(s) to go to get into the restaurant. Our waitress was young and (I think) inexperienced, but she was pleasant, and... More