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The Jack Benny Program
[Most Recent Entries]
[Calendar View]
Below are the
most recent journal entries recorded in
The Jack Benny Program
's LiveJournal:
<< Previous 20
Tuesday, February 23rd, 2010
4:25 am
OTR Comedy Podcast!
Hi gang! I've started a podcast for old time radio comedy, and the first podcast focuses on Jack Benny and Fred Allen's rivalry. Hoping for some feedback about the format of the show - if not, hope you enjoy listening to these guys squabble like the children they are. :)
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Thursday, January 21st, 2010
7:30 pm
Copyright Status
Laura Leff of the International Jack Benny Fan Club has some facts about the copyright status of the Jack Benny shows.
If you'd like to see it, please go to www.jackbenny.org and click on the "Copyright status" link under Featured Items.
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Tuesday, January 19th, 2010
7:10 pm
Message From IJBFC President
A note from Laura Leff, President of the International Jack Benny Fan Club:
Hello again,
I'm happy to say that a lot of energy has been generated around the recent news of CBS refusing access to their television masters. Here are links to several recent press stories:
And also, here's a Facebook petition on the issue:
My thanks to everyone who has taken this in various directions to help communicate our desire to preserve Jack's contribution to our cultural heritage! I have also posted additional information about the shows and how to contact CBS at www.jackbenny.org; click on the CBS link under Featured Items on the home page.
--Laura Leff
President, IJBFC
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12:29 am
"CBS Uncovers Rare Jack Benny Treasures, Puts Them Back and Tosses Out the Key"
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Friday, November 21st, 2008
6:33 pm
Jack In Life
is in the process of putting their photo archive online. (They currently have about 20% of their library online; the rest will become available in the coming months.)
Just a few great Jack Benny photos found here:
Jack and Mary, March, 1948.
The Benny cast, 1947. From left: Sara Berner (one of Jack's telephone operators), Artie Auerbach ("Mr. Kitzel"), Frank Nelson, Mel Blanc, Dennis Day, Eddie "Rochester" Anderson, Jack, Mary, Phil Harris, Don Wilson, Bea Benadaret (as the other telephone operator.)
The Bennys and Burnses. From left: George Burns, Mary, Gracie, Jack and Ronnie Burns.
Jack and Mary.
Jack's "40th" birthday in 1958. In front you can see his daughter Joan and Mary with him. Also I can see Dennis Day, Phil Harris, and Mel Blanc....
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Tuesday, September 16th, 2008
4:33 pm
To Be Or Not To Be
The 1942 Jack Benny-Carole Lombard film "To Be or Not To Be" has been turned into a Broadway show. From Playbill:
To Be or Not To Be, About Troupers in a Time of Terror, Begins Broadway Run Sept. 16
By Kenneth Jones
16 Sep 2008
Ernst Lubitsch's 1942 film comedy about Polish theatre troupers outsmarting the Nazis finds its way onto the Broadway stage Sept. 16 in To Be or Not To Be, an adaptation by Nick Whitby at Manhattan Theatre Club's Samuel J. Friedman Theatre.
Tony Award nominee Jan Maxwell (Chitty Chitty Bang Bang, Coram Boy) and David Rasche (MTC's Last Dance, Five by Tenn, Moonlight and Magnolias) assume the roles of showbiz husband-and-wife Maria and Joseph Tura, originated by Carole Lombard and Jack Benny in the picture of the same name. The dark comedy was later remade in a color picture that starred Mel Brooks and Ann Bancroft (they were called the Bronskis in the 1983 film, which was also called "To Be or Not To Be").
According to MTC, "At the Polski Theatre in 1939 Warsaw, Josef (Rasche) and Maria Tura (Maxwell) are about to open yet another smash with their theatrical troupe. As the German invasion gets underway, the theatre is closed by the censors, forcing the troupe to face desperate times. But when a handsome young bomber pilot enlists their help to catch a spy, what is a group of actors to do? This hilarious black comedy is an ingenious commentary on the World War II era and an inspired tribute to the timeless joys of the theatre."
MTC's To Be or Not To Be opens Oct. 14. The production, which was originally scheduled to begin previews on Sept. 11, and then Sept. 13, now begins previews 7 PM Sept. 16. The limited engagement plays to Nov. 23. There were two principal cast changes since rehearsals began, necessitating extra rehearsal time.
The production, directed by Tony Award nominee Casey Nicholaw (The Drowsy Chaperone, Monty Python's Spamalot), also features Peter Benson, Robert Dorfman, Steve Kazee, Peter Maloney, Maxwell, Michael McCarty, Kristine Nielsen, Brandon Perler, Rasche, Rocco Sisto, Jimmy Smagula and Marina Squerciati.
Whitby's plays, seen in England, include Bolivia, The Devil's Dancing Hour, Dirty Dishes and To the Green Fields Beyond.
The creative team for To Be or Not To Be includes Anna Louizos (scenic design), Gregg Barnes (costume design), Howell Binkley (lighting design), Darron L. West (sound design), Wendall and Zach (projection design) and Josh Marquette (hair design).
The 1942 film's writing credits are Melchior Lengyel (story), Edwin Justus Mayer (screenplay) and Ernst Lubitsch (uncredited for the story). Lubitsch also directed and produced. Lubitsch is known for his light comedies "Heaven Can Wait," "The Shop Around the Corner," "Ninotchka," "That Uncertain Feeling" and more. Critics often refer to "the Lubitsch touch" — a light, charming, comic and ultimately human approach to his characters.
The Friedman, formerly the Biltmore, is located at 261 West 47th Street. This is MTC's Broadway home. The not-for-profit also presents Off-Broadway at New York City Center Stage I and II.
For more information visit www.ManhattanTheatreClub.com.
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Monday, September 8th, 2008
11:11 pm
Honestly, it's mostly Silvers
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Sunday, August 10th, 2008
9:25 pm
Fanboy perversion
3 Comments
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Monday, March 17th, 2008
9:59 pm
Calling all Ronald Colman Fans.
Come join the only Ronald Colman community on livejournal!
If this post goes against community rules, feel free to delete it.
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Thursday, February 14th, 2008
12:10 pm
Jack and Rochester
Milt Josefsberg in his book
The Jack Benny Show
on the Jack-Rochester relationship:
Rochester's appearance on The Jack Benny Show was relished by the great majority of his race, and in almost direct proportion it was resented by those southerners who were still fighting the Civil War. What they probably resented was his characterization which Time magazine (January 6, 1975) dismissed with the brief line "Rochester, the sardonic Negro valet, is the granddaddy of all the servants, black or white, who have hilariously put down their employers since the invention of the vacuum tube."
And that's exactly what Rochester did--he put Jack down. He was Jack's valet, chauffeur, and general handyman--but when the humor was analyzed, Rochester almost seemed to be the boss and Benny the employee. And in those pre-civil rights days, when almost all other Negroes appearing in any of the media were caricatures rather than characters, this relationship was the cause of many complaints.
Rochester was never disrespectful to Jack by word, deed, or attitude, yet somehow he always bested him in all exchanges. For instance, Rochester was going to a party one night. As he left, Jack admonished him, "Rochester, be sure to come home at a reasonable hour." Rochester politely answered, "Yes sir. Your reasonable or my reasonable?"
Jack once insisted that his Maxwell looked dirty and suggested that Rochester clean it, a task which Rochester immediately exited to perform. Later in the show Jack figured that Rochester had had more than sufficient time to clean the car, so he went out to see what was happening. He was surprised to see Rochester only about halfway through with his chore, and the reason for the snail's pace was because he was daintily going over the surface of the Maxwell with a damp sponge. Angrily, Jack yelled at him, "For heaven's sake, Rochester, why don't you use the garden hose on it?" Rochester answered, "Don't you remember the last time I used the hose on it, Boss? The fenders fell off."
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11:22 am
Jack's Walk
From the Milt Josefesberg book
The Jack Benny Show
, Milt talks about Jack's walk:
Jack Benny's mincing walk occasionally caused people to question his basic fundamentals. In a town that spawns scandal via hundreds of press agents, and that at one time supported more gossip columnists than any other city in the world, anything that deviates from the accepted, supposedly normal pattern is suspect. And because of his walk, I've been asked occasional questions about Jack's virility.
The rumors about the possibility of Jack being gay--and they were just that, rumors--were initially induced by his walk, and were spread widely by Jack himself who always joked about his seemingly feminine gait....
Milt goes on to tell the story of Phil Harris once saying "Put a dress on that guy and take him anywhere" and then tells a story of writing a gag based on Jack's walk for a Lucille Ball show in the early 1970s:
Jack did countless gags about his walk, and the only time he turned thumbs down on them was when he thought they weren't funny. I wrote one joke for him on a Lucille Ball program in the early 1970s which he read, laughed at, and then predicted, "They're going to beat us to this one, Milt." (Jack meant by that expression that the audience would anticipate the joke and laugh before we got to the punch line.)
It was a very simple bit and frequently done in many forms. Lucy was supposed to show Jack something that was in another room. She was to start to exit and say, "Walk this way," and as she walked away from him in a ladylike way, Jack was supposed to reply, "I always do."
Jack was one hundred percent correct--his usual batting average on intuitive instinctual comedy. Lucy said, "Walk this way," and started to precede Jack out of the room, in her ultra-feminine walk. A split second after she said her line, the audience screamed...and screamed....and screamed...and Jack waited....and waited...and waited...until finally he ad-libbed an apologetic shrug to the audience, and said, "I always do," which got a bigger laugh from the audience, and then he started to walk, mincing a mite more than usual, and this got the biggest laugh and even applause at his exit.
Jack, Lucy and Mary, 1970.
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11:07 am
Happy Birthday Jack!
On the 75th anniversary of Jack's 39th birthday, I'm going to post a few anecdotes about Jack by those who knew him best.
First--his best friend, George Burns from the book
Gracie: A Love Story
I was always doing little things that broke him up. I'd be driving a car and I'd see him, so I'd stop and roll down the window and call him over--as soon as he came over I'd roll up the window and drive away. That gag worked so well I only did it to him eight times. Whenever we were speaking on the telephone, I'd hang up on him in midsentence. One night we were at the Friars Club and I noticed he had a small piece of white string on his tuxedo jacket. "I'm sorry, Jack," I said as I took it off his jacket and put it on mine, "but I left my piece of white string at home. You don't mind if I borrow yours, do you?" I wore it for the rest of the night, and every time he looked at me I'd point to the string proudly and he'd burst out laughing. The next morning I put the piece of string in a little box and had it gift-wrapped, and then I returned it to him with a thank-you note.
Jack pounded his own floor.
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Friday, January 25th, 2008
10:32 am
Article on Mel Blanc
09 January 2008 - 5:00AM
Not quite all, folks
Rosslyn Beeby
On January 24, 1961, Warner Brothers voice actor Mel Blanc was seriously injured in a head-on car accident at a notoriously dangerous intersection on Hollywood's Sunset Boulevard. Fans swamped the hospital with more than 15,000 get-well cards, many simply addressed to "Bugs Bunny, Hollywood USA".
But contrary to Blanc's famous Looney Tunes cartoon sign-off, that wasn't all, folks. The near-fatal collision left Blanc with broken legs, a fractured pelvis and severe head injuries that resulted in the 52-year-old actor lingering in a coma for almost three weeks. Years later in his autobiography, Blanc wrote that a quick-thinking brain surgeon saved his life by talking to him as Bugs Bunny, when all other attempts to establish a response from the comatose Blanc had failed.
"They say that while I was unconscious, the doctor would come into my room each day and ask me how I was and, nothing," he told a television show host.
"So one day he comes into my room, and he says, 'Hey, Bugs Bunny! How are you?' And they say I answered back in Bugs' voice. 'Ehh, just fine, Doc. How are you?' The doctor then said, 'And Porky Pig! How are you feeling?' and I said, 'J-j-j-just fine, th-th-th-thanks.' So you see, I actually live these characters."
Next year marks Mel Blanc's centenary and fans will be hoping for a cartoon fiesta in his honour, not to mention a fitting tribute at the Oscars. It's been a bone of contention among animators that the Academy Awards fails to acknowledge the multiplicity of skills involved in animated films.
Animation historians have suggested it would be a fitting tribute to Blanc known as the man of 1000 voices (actually his son Noel counted 1500 voices) for the academy to name a new animation award in his honour.
Born in San Francisco on May 30, 1908, Melvin Jerome Blanc started his showbusiness career as an orchestral musician and conductor in Portland, Oregon. He became a voice actor on local radio stations, hosting a daily one-hour show called Cobwebs and Nuts, with his wife Estelle. Management refused to hire actors, so the vocally versatile Blanc "invented an entire repertory company".
Moving to Los Angeles in 1935, he got bit-parts on radio shows then became a regular on The Jack Benny Program playing comedian Jack Benny's temperamental car, a violin teacher and a polar bear called Carmichael, among others.
When he approached Warner Brothers, he was turned down and was told the studio had "all the voices it needed". A year later he was re-auditioned.
"Leon [Schlesinger, Warner's animation head] asked me if I could do a pig a fine thing to ask a Jewish kid. The guy they were using had a stutter and used up yards of film. But I could stutter and ad lib in rhythm," Blanc recalled in a later interview
In a career spanning 60 years, Blanc helped develop almost 400 cartoon characters and provided a mix of voices for 3000 animated cartoons. He was the voice of Porky Pig, Sylvester and Tweety, Barney Rubble, Yosemite Sam ("Great hornytoads! A trespasser! Gettin' footyprints all over my desert!"), Foghorn Leghorn, Daffy Duck, the Tasmanian Devil (he visited Tasmania to get an idea of the right voice), Pepe le Pew, Woody Woodpecker, the Road Runner, Speedy Gonzales and Secret Squirrel.
He became the voice of America's favourite "wascally wabbit" in 1940, when Bugs emerged from a rabbit hole, to casually ask a gun-toting Elmer Fudd, "Eh, what's up, Doc?"
The character had made a brief appearance two years earlier in a cartoon called "Porky's Hare Hunt", with the catchphrase "Jiggers, fellas".
In 1939, the rabbit re-emerged as a magician's assistant bailed up by two rogue dogs in "Prest-O, Change-O" (the only cartoon where the "wascally one" is out-tricked), and later in "Hare-um Scare-um" a cartoon in which a family of rabbits outwits a posse of hunters.
The character didn't have a name but was referred to by animators at Termite Terrace (the nickname for the Warner Brothers' cartoon division) as Happy Rabbit. The rabbit finally got a more memorable name and a cartoon career when animator Charlie Thorson, creator of Elmer Fudd, scribbled "Bugs' bunny" on a model sheet, indicating it had been drawn by storyboard artist Ben "Bugs" Hardaway.
Noel Blanc said the rabbit was originally drawn with over-large protruding front teeth, which made voicing the character difficult. His father asked animator Friz Freleng, "Can't we bring the teeth in so I can talk like a regular rabbit?"
Blanc wanted a tough-talking rabbit and came up with a voice that was a meld of Bronx and Brooklyn accents and artist Hardaway's penchant for cool, snappy phrases. "He'd say things like, 'Hey, what's cookin?' I said, 'Let's use it. It's modern.' That became "What's up, Doc?"
One of the myths that grew up around Blanc's characterisation of Bugs was that the actor was allergic to carrots so he needed a "spittoon" at the ready for the chunks he needed to quickly spit out, while continuing to talk as the carrot-chomping character. The truth was more prosaic. It was hard to keep voicing Bugs with a mouthful of carrot, so Blanc quickly spat the chunks into a wastepaper basket.
As for Bugs' carrot-munching, animators Chuck Jones and Friz Freleng based it on a scene from the 1934 Frank Capra comedy It Happened One Night, in which Clark Gable, playing a louche reporter, leans against a fence eating carrots while talking to a snobbish socialite.
When Blanc died in 1989 aged 81, he had received numerous awards for his philanthropic work and was honorary mayor of Pacific Palisades in California. His work was included in the US entertainment history collection of the Smithsonian Institution's National Museum of American History and he also received the French Legion of Honour. He and Bugs had their own stars on Hollywood's Walk of Fame on Hollywood Boulevard.
But the most versatile voice actor never received an Academy Award for his lifetime contribution to film, although Bugs, Sylvester and Tweety all won Oscars for various cartoon producers. Bugs has even been deemed "culturally significant" by the US Library of Congress.
"He's a little stinker. That's why people love him. He does what most people would like to do but don't have the guts to do," was Blanc's assessment of the "wabbit's" universal appeal. Asked by television host David Letterman if any of his 1000 voices were similar, Blanc simply, and succinctly, answered, "No."
As Jack Benny quipped, "There are only five real people in Hollywood. Everybody else is Mel Blanc."
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Tuesday, October 2nd, 2007
8:43 pm
Oh Don! Don!
Jack goes Christmas shopping:
And Mel Blanc causes Jack to lose character and nearly break down in laughter:
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Wednesday, February 28th, 2007
9:23 am
Rochester's Anniversary
Today marks 30 years since Eddie "Rochester" Anderson passed away at the age of 71.
A brief timeline of the life of Eddie "Rochester" Anderson:
1905, Sep. 18-- Born to Edmund and Maude Anderson in Oakland, California
1918--Began his dancing career with Edith Sterling and her husband in a wild west show.
1922--Cast in a show titled "Struttin' Along"
1937--Makes his debut on the Jack Benny Program. He would continue on the show both on radio and television until 1965.
1939, June--Eddie is married to Mamie Wiggins Nelson
1940s-- Owned and operated a parachute company that provided the U.S. Government quality parachutes during World War II.
1946, Feb. --Rescued after being adrift in a boat off of Catalina Island for 2 days. His press agent had sent his obituary to the newspapers by the time of his rescue
1954, Aug.-- Eddie's wife Mamie dies after an illness of 2 years. She was 42. At the time of her death, her son Billy (whom Eddie had adopted) was playing professional
football for the Chicago Bears.
1955?-- Married to model Eva Simon. They have 3 children together
1977, Feb. 28--Dies at age 71
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Saturday, February 17th, 2007
1:37 pm
George Burns on Jack
All My Best Friends
by George Burns:
Jack Benny made a fortune by being cheap. He was so cheap, for example, that when Mary asked for diamonds for her birthday he bought her two of them--the eight and the Queen. He was so cheap that when he worked in a nightclub he'd insist Mary stand up and take a bow, explaining, "Now I can deduct the dress. If you'd wave your hand I could deduct the ring too." And he was so cheap that he once gave Gracie a coupon for a year's subscription to a magazine as a gift--and all she had to do was fill it out and send it in with a check.
That Jack Benny was one of the greatest characters ever created. And it proved what a good actor he was, because one thing he wasn't in real life was cheap. Mary made sure of that.
The truth is that Mary provided Jack with an awful lot; a lot of bills for clothes, a lot of bills for furs, a lot of bills for jewelry....The real truth is that Jack did buy Mary a lot of jewelry--he knew he bought it for her because when she showed it to him she always said, "Look what you bought me today." Maybe the most expensive piece of jewelry she had was a large diamond ring that she wore all the time. My son Ronnie used to warn her about that. "Aunt Mary," he told her, "you shouldn't wear that ring in public, because somebody's going to hit you over the head and take it." And Ronnie knew what he was talking about because one day Mary was held up in her suite in the Pierre Hotel and her jewels were stolen. Jack was on an airplane when it happened, but as soon as he heard about it he tried to get Mary on the phone. She wasn't in the suite, so he kept calling and calling. Finally she answered. "I've been worried about you," he said, "where've you been?"
She told him that she had been at Harry Winston's jewelry store looking at diamond rings.
Jack couldn't believe it. "You were robbed four hours ago and you're already looking at another diamond?"
"I have to, doll," she said. "It's like when you fall off a horse, if you don't get right back on, you might never do it again."
Mary really didn't have any concept of money. Once, for example, she decided she was going to have a garage sale. She put all her old dresses on racks and invited the secretaries at CBS, the women who worked in Dr. Kennamer's office and some of the girls from Flo Haley's beauty salon, then marked her dresses down as low as $2,000 apiece!
Of course, Jack didn't have any concept of money either. I think that as far as he was concerned, the most important thing his money did for him was keep Mary happy. I remember when he showed up at the club after signing a $2,000,000 deal with CBS. He was as excited as I've ever seen him. "Congratulations, Jack," I said, "you really look excited."
"I am, Natty," he said. "You know what I just found out? Did you know that if you drive up Wilshire Boulevard at exactly twenty-eight miles an hour you miss every red light?"
"What's the matter with you, Jack?" I asked him. "I'm talking about the contract with CBS. Aren't you excited about that?"
"Of course I am," he said. "If it wasn't for that I never would have driven up Wilshire Boulevard."
Jack and Mary with George and Gracie.
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Wednesday, February 14th, 2007
12:51 pm
Some of Jack's Favorite Gags
Continuing the celebration of Jack Benny's birthday.....some of Jack's favorite gags....
As quoted in the book
Sunday Nights At Seven
Rochester is baking a cake. "Boss," he calls out from the kitchen, "we're fresh out of flour."
"I'll go over to the Colmans' and borrow a cup," I said. (Benita and Ronald Colman played my next-door neighbors.) You hear me getting a cup, leaving the house, walking across, then clink-clink, coins dropping in the cup. "Thank you," I say gratefuly and continue walking. You hear a bicycle. A Western Union messenger hands me a telegam. You hear a bill crackling.
"Oh boy, a dollar, gee thanks a lot, Mr. Benny," the messenger says. He returns a few seconds later. "Oh, Mr. Benny, I forgot my bicycle."
"You didn't forget it--I BOUGHT IT...I sure hate people who make deals and don't stick by them."
Driving home from the country club, I look morose. "Rochester!"
"Yes, boss."
"Maybe we ought to go back to that golf course and look for my ball some more."
"We ain't never gonna find it. Why don't you give up?"
"Give up? Give up? Rochester, suppose Columbus gave up? He never would have discovered America. Then what would have happened?"
"We'd be looking for that ball in Spain, boss."
On Christmas, Rochester was shopping for a tie to give me. "Here is one," the salesman said. "It might be a little too plain for your employer though. Is he a young man?"
"No," said Rochester.
"Is he middle-aged?"
"Is he elderly?"
"Wrap it up!"
The following Christmas, Rochester decided to give me cuff links. "What type of man is your boss?" the salesman asked.
"Well he's medium tall, medium weight and rather conservative."
"By conservative, do you mean he's penurious?"
"You're headed in the right direction, but there's a
long, long trail a-winding."
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11:17 am
I have read several times that Jack Benny's program single-handedly made Jell-O the #1 gelatin dessert in the country. The book
Jack Benny: A Biography
by Mary Livingstone and Marcia Borie recalls the early days of Jack's association with Jell-O as his sponsor (1934):
For the first six months Jack was on the air for Jell-O, then a fairly new product, there were merchandising problems beyond Benny's control. All across America, those six delicious flavors: strawberry, raspberry, cherry, orange, lemon and lime, were just sitting on the shelves--a fact hardly calculated to make a sponsor happy.
One day, Jack and Mary's agent, Arthur Lyons, showed up at the Benny apartment along with the Jell-O executive responsible to General Foods for the program. After a lengthy discussion, the executive got down to the bottom line. In order to keep the show on the air, General Foods requested that Jack and his entire cast take a cut in salary. Jack said he would discuss the situation and give them an answer within the week.
As it turned out, everyone agreed to the cut
Mary. Jack was astounded, but Mary stood her ground. Firmly she told him: "I won't allow it to get around town that you've taken a cut in salary. It would be bad for you. I can't let that happen, Jack. It would be so unfair to you..."
Touched by his wife's fervent loyalty, Jack asked Mary if she had any other solution to the problem.
Mary nodded. "Let's you and I work
without salary
until the situation improves," she suggested. "I'd rather we earned nothing than let you accept less than the money you've been getting."
It was a revolutionary suggestion--but Jack went along with it. The rest of the cast continued to get the same salary they had been making. Mary and Jack worked free out of a sense of pride.
Two months passed. By then, Benny's show had swept the country. Jell-O was selling so well, grocers couldn't keep the product on their shelves. The sponsors showed their delight by giving Mary and Jack a dinner party to celebrate the good news. But first, the guests gathered at the Bennys' for cocktails.
One of the General Foods executives toasted them and made a flowery speech about being grateful to Jack, Mary and their whole radio family for doing such a great sales job. Jell-O was a huge hit, and all because of the Benny show. At the end of his speech, the gentleman reached into his pocket and took out a check, which he presented to Mary. It was made out for a very large sum--the combined regular salary which Jack and Mary had given up for a total of eight weeks.
Meanwhile, in the kitchen, the Benny's maid-cook, Henrietta, had been preparing to serve hors d'oeuvres when there was a knock on the back door. It was a uniformed messenger with a large, specially wrapped gift. Inside the box, she found a huge silver platter--well chilled. On the platter, decorated with fancy garnishes, sat a six-tier mold in the form of a cake--
made out of Jell-O
. It was so fancy, if she had stuck a tiny bride and groom on the top, it would have been very appropriate for a wedding.
Because it was not part of the planned menu, she carried the platter into the dining room and said unceremoniously, "Mrs. Benny, what do you want me to do with this crap?"
The people from General Foods gasped. Jack's face turned the shade of the first three layers--strawberry, raspberry and cherry.
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11:02 am
Jack and His Writers
From the George Burns book
All My Best Friends
, George describes an example of Jack's dependence on his writing staff:
Jack depend on his writers completely. And trusted them. And paid them very well. So his writers stayed with him for so long that even after twenty years he was still referring to the youngest of his two writing teams, Hal Goodman and Al Gordon, as "the new writers." Let me tell you how much Jack depended on his writers. One day Jack stopped a rehearsal and asked his whole writing staff to join him in a conference. "Look," he said when the four writers had gathered around. "I want to give Mel Blanc credit. I want a line for the tag of the show that says the part of the violin teacher was played by Mel Blanc." One of the writers took Jack's script and wrote on it, "The part of the violin teacher was played by Mel Blanc."
Jack read it over. "This is great," he said, "This is exactly what I wanted to say. Gees, thanks guys."
That was the end of the conference. As the writers went back to their seats one of them said casually, "You know, Jack, I think two of us probably could have handled that job."
Above: Jack (center) in 1938 with writers Bill Morrow and Ed Beloin who were with him until 1943. Ed Beloin was also the voice of Jack's eccentric boarder, Mr. Billingsley.
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9:47 am
Jack's Famous Match Bit
From George Burns'
All My Best Friends
No matter whose party Jack Benny and I were attending, I always tried to do something to make him laugh. Believe me, if I thought for one minute that he was really embarrassed by the things I did to him, I certainly would have done a lot more of them. I remember one night we were at a party at writer Norman Krasna's house; there were probably seventy or eighty people there and the party was pretty quiet. I saw Jack walk over the mantelpiece and pick up some matches to light his cigar. "Ladies and gentlemen, may I have your attention please," I said loudly. Everybody immediately quieted down, and Jack hesitated. "Well, we're really in luck tonight," I said. "Jack Benny is going to honor us by doing his famous match bit. Jack..." Everybody looked at him and waited. Jack didn't know what to do, so he lit his cigar. "Oh," I said, "a new finish!" And Jack started laughing so hard he had to get down on his knees and pound the floor.
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Cantaloupe Preserves
|Ripe cantaloupe
|2 Pound (Firm Ones)
|1 3⁄4 Pound (4 Cups)
|1 , juiced
1. Peel and cut cantaloupe into thin slices of 1 inch length.
2. In a large mixing bowl, mix cantaloupe and sugar; let stand overnight.
3. In a saucepan, mix cantaloupe mixture and lemon juice; cook until the mixture is clear.
4. Into hot sterilized jars, ladle mixture leaving 1/8 inch empty on top of the jar.
5. Using a clean and dry kitchen towel, wipe the rim of jar and adjust lid.
6. Into a canner of boiling water, place the jars and process for 5 minutes.
7. Remove jars and place over a clean towel.
8. Let the jars cool down and seal completely until they are self-sealing type.
9. Serve Cantaloupe Preserves with breads and toasts.
Recipe Summary
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Nutrition Facts
Serving size: Complete recipe
Calories 3392 Calories from Fat 16
% Daily Value*
Total Fat 2 g2.9%
Saturated Fat 0.49 g2.4%
Trans Fat 0 g
Cholesterol 0 mg
Sodium 146.9 mg6.1%
Total Carbohydrates 880 g293.2%
Dietary Fiber 10.9 g43.6%
Sugars 864.4 g
Protein 8 g16.6%
Vitamin A 614% Vitamin C 629.3%
Calcium 12.5% Iron 13.3%
*Based on a 2000 Calorie diet

subset: commoncrawl


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Travel Agent T-Shirt. Don't listen to the voices in your head Listen to your Travel Agent. Wallpaper and background images in the Travel club tagged: don't listen voices in your head funny motto travel agent merchandise clothing image.
Submitted by DrDevience over a year ago
Keyword: don't listen, voices in your head, funny, motto, travel, agent, merchandise, clothing, image


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In the end, there wasn't the medal that Britain has grown accustomed to in the heptathlon but then again the name in question was not one the wider public was too accustomed to either.
Jessica Ennis-Hill was back at home, watching and nursing her sore Achilles, as her potential double-barrelled successor Katarina Johnson-Thompson came agonisingly close to winning a bronze medal, a mere 28 points in fact. Come the end of seven gruelling events, in which she recorded four personal bests, she had to make do with fifth overall.
This was the girl that had delighted the crowds at London 2012 as she walked into the Olympic Stadium beaming her bright smile, lapping up the big stage, like the Kat that got the cream. Her 15th place, when she had predicted to come last there, was an astonishing achievement. Here she had targeted the top eight and again over-achieved.
The crowds may have lessened but the smile broke out again on the start line of the seventh and final event, the 800m, but this a nervous one as the 20-year-old Liverpudlian pondered the permutations required to win bronze.
She needed both the brawn of an athlete and the brain of a mathematician to unpick the points differences between herself in fifth place and the rivals around her. To win a medal, she had to stay within 0.41 seconds of Germany's Claudia Rath, 2.92 seconds ahead of Dafne Schippers and two seconds in front of Antoinette Nana Djimou.
The only problem was that, while Johnson-Thompson, once good enough for an audition at the Royal Ballet School, was fleet-footed enough to produce her best two laps of the track of her career, so too did Schippers and Rath, leaving Johnson-Thompson just shy of a medal.
Afterwards, she said: "I'm knackered but I'm over the moon. Since the 200m yesterday, I've got four personal bests. But it was a bit like a rat race in the end."
She had targeted a place in the top eight, but on reflection said: "I'm a bit regretful I didn't say I could get a medal because if I had a bit of belief in myself from the start I could actually have had one. It's weird to think I can target medals if I just sort out my throws."
To get on the podium, Johnson-Thompson needs to throw further than the javelin personal best of 40.86metres set in Moscow – the leading contenders throw much further – while her shot put best of 11.52m was a lowly 31st of the 33-strong field.
There will be a modicum of thinking what might have been had she thrown longer in the shot put and cleared greater heights than 1.83metres in the high jump, six centimetres short of her personal best.
"I know I let myself down in the high jump," she said. "That's where I should have got big points. It would have been a much easier race for me in the 800m."
Johnson-Thompson is well aware that she will be compared to Ennis-Hill as she continues to clamber her way up the world order. Ennis-Hill's under-23 record proved elusive by a mere 20 points but Johnson-Thompson still has time on her side to achieve that particular mark.
Toni Minichiello, coach of the Olympic champion, was clear who can be the greater athlete. He said: "She is better than Jessica pound-for-pound. If you look at what Jess did at her age as a junior, Kat's performed better than that every single time. If she keeps going, she'll probably be better."
Not to take anything away from the young pretender but this was not a heptathlon of the highest order, missing the Olympic champion and also the world champion, Tatyana Chernova, also injured. Hanna Melnichenko's winning tally of 6,586 points was nearly 400 shy of what Ennis-Hill recorded when winning gold last summer.
That Johnson-Thompson has been able to achieve the points tally of 6,449 that she did is quite remarkable having torn the ligaments in her ankle in May. Five weeks later, she was crowned European Under-23 champion, now she can consider herself a realistic global contender.
The signs are good for the future, the prospect that Britain can realistically have two medal protagonists come the next Olympics. Johnson-Thompson gives the impression she doesn't realise how good she is, but it feels like she could well be running the show in the years to come.Reuse content


text:
Murder case witness fails to appear
An arrest warrant has been issued for a witness in a murder case after she failed to appear in court.
Stephen Roy Standage of Kalangadoo has pleaded not guilty to murdering John Lewis Thorn, 59, near Lake Leake in 2006 and Ronald Fredrick Jarvis, 37, at Nugent in July 1992.
Preliminary proceedings were due to begin in the Magistrates Court in Hobart today but the only witness - Standage's partner Elizabeth Lord - did not appear.
Crown prosecutor Darryl Coates told the court Ms Lord said she would get a medical certificate to avoid it.
He said a certificate faxed to his office yesterday did not say she was unfit to attend court.
Mr Coates said Ms Lord was refusing to speak to the Director of Public Prosecutions and was unlikely to attend the next court date.
A warrant has been issued for her arrest.
Topics: murder-and-manslaughter, courts-and-trials, hobart-7000, lake-leake-7210
First posted


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Travel Blogs from Catania
... Sorry, honey. Just kidding, of course.
But seriously, Sicily is relatively affordable, much more so than I assumed when planning this trip. The food is fantastic, the wine ranges from very good and cheap to outstanding and still pretty cheap. The cities are interesting with lots to do and the countryside is gorgeous. The beaches are nice and the water warm. People are friendly, helpful, interesting and a kick to simply observe (wherever ...
Close to Mt Etna
We travelled via Cefalin, a former fishing village, and visited the cathedral there, then we had lunch at Miraglia Forest where the restaurant is part of a farm. We walked down the long driveway lined with pines and past some pigs, (whose relatives were on the menu). After lunch our destination was up and up a winding road to our hotel on the edge of the historic town of Taorima. We again had ...
Sicily, Part Due (do-way)
... hall and conference spaces. We enjoyed a fascinating private tour by a former student.
The fish market in Catania is also fascinating. Who eats all this fish? So much quantity and so much variety, from salmon to swordfish, candle-fish to cuttlefish, octopus to ostriche (this last one had me a bit confused until I realized it was not the big bird, but the little bivalve - oysters). Fascinating to watch the many vendors ...
Mount Etna trip, Sicily
... where we tasted honey of various flavours, olives, oil, wine, lemoncello and pesto. Back to the hotel for a rest, catching up with emails, Facebook etc. walked to the beach for some time in the sun near one of the huge hotels on the beach. Dinner at s nearby restaurant - pizza seafood and salad, Peter had a canoli on the way ...
Taormina day 1
Breakfast in the hotel, great breakfast at this hotel, home made croissants etc. This hotel is in a great position with great views, just a little tired, the rooms need updating. We walked to the chairlift to get it to the top where the ancient town of Taormina is, we walked around and took photos and had lunch at the Trattoria Piazza Badia, very nice meal. Lunch was antipasto with ...


text:
I think you're carrying things a bit far just to make a point. When did you
ever ask permission of the originator to take a picture of a hosta? The
difference is that pictures, writings, etc, can be copyrighted. And most of us
put a notice right there on the site that it is copyrighted and you can't use
it without permission. Even the people who are using my pictures without
permision have a copyright notice on their site, presumably to keep anyone else
from stealing them. There is a significant difference between a picture I take
and a picture you take of one of my introductions. The picture I take belongs
to me and the picture you take belongs to you, and unless there are privacy
rights involved, it doesn't matter what's in the picture. Hosta's do not have
privacy rights.
If you photograph your kid in front of someone else's car, do you need to get
the permission of the owner? Or the maker? Even if you just take a picture of
a car, leave you kid at home, I doubt that you would feel the need to ask
permission from anyone, even if there was a big hosta inside.
Now, if you take a picture of a pretty girl, and she can be identified, and you
try to use it commercially, then you better have a model release, and you may
have to pay her to get it. But hostas are just things, for these purposes no
different from cars or rocks or any other object. And as much as you may feel
that your introduction is your baby, once you sell it, nobody needs to ask your
permission to photograph it, any more than you need a car manufacture's
permission to take a picture of your car and use it any way you please. If I
came to your yard and started taking pictures, I would certainly ask your
permission, or at least assume your implied permission if your house was on
tour and you were standing there while 50 other people took pictures.
If you don't want anyone to take a picture of your plant, don't sell it, and
don't let anyone look at it. It will be yours alone.
Ransom Lydell wrote:
> ----- Original Message -----
> From: "bob" <firstname.lastname@example.com>
> To: <email@example.com>
> Sent: Wednesday, March 07, 2001 5:57 PM
> ****************
> Bob
> I guess if you can apply that to plants, you must apply it to pictures of
> them. I agree with Chick, that taking pictures from a commercial
> publication, is stooping pretty low. But again if I want to protect any
> thing, I can copywrite it. Less difficult , than getting a patent on a
> plant. But you have missed the point. The plants that are subjects of the
> photos, are in many cases not owned by the photographer. Yet we are making
> an arguement for the ownership of the image. I would like to hear from
> those that have posted pictures of plants devloped or hybridized by someone
> other than themself. Show me the justification for using those plants as
> subjects with out permission of the originator.
> Thanks
> Ran
> Subject: Re: copyright?? on library photos
> > Ran, I have bought plants from you up to close to $200. If I couldn't
> > propagate them for resale how many do you think I would buy. None to be
> > exact. If the originator always controlled the plants and charged the os
> > prices they do I doubt the hobby would survive long.
> > --
> > Bye
> > Bob Bob Axmear 208 2nd St Ne Waukon, Ia 52172
> ---------------------------------------------------------------------
> To sign-off this list, send email to firstname.lastname@example.com with the
> message text UNSUBSCRIBE HOSTA-OPEN
To sign-off this list, send email to firstname.lastname@example.com with the
message text UNSUBSCRIBE HOSTA-OPEN


text:
Projeqt is a non-linear presentation and storytelling website. Like Prezi, it aims to address the post-powerpoint world with greater freedom, style, and portability. Projeqt draws more heavily from the slide model, but allows users to create tangents and alternate paths in their presentations.
Projeqt allows users to create professional-looking, branded, shareable, and embeddful presentations without much fuss. It's easy to get signed up and immersed in the project and the networking opportunities are robust. I can see this being useful for portfolios and conference presentations because it's extremely easy to connect to social networks and external sites.
Though it's quite a bit prettier, Projeqt is a bit like a locked down Powerpoint 2.0. The best thing about Powerpoint is that it allows an unprecedented level of freedom among Office products. Projeqt is in a bigger pond, but it doesn't evoke the same feelings of control. In fact, there are very few layout options. While it's true that the finished product looks a lot better than my liberated Powerpoint efforts, it's a bit stuffy for my tastes.
Prezi really reinvented the presentation wheel and Projeqt, in comparison, is more like a remix. The interface is a bit non-intuitive too. Users have to "turn on" each of the slides they make by hand to save them in the presentation. I think an opt-out model makes a bit more sense in this context. Their tagging and titling options make it easy to use and reuse slides, but they're pretty time-consuming for the emerging Projeqtor and create a barrier to entry.
EdLab Relevance:
Projeqt makes a lot of sense for an educator coming from a Powerpoint background. The slides created here won't be interesting, but they will be neat, professional, re-usable, and find-able. Full text searching and the ability to go "off book" on a common tangent in a lecture might mean that Projeqt finds a willing audience among educators despite its limitations.
Our Takeaway:
As an update, Projeqt is a winner.


text: Accomplished and creative business attorney with twenty plus years of combined law and business experience in private industry and government. Advisor and legal counsel for many small and mid-market businesses, non-profits, individuals and the military. Skilled in business consulting and development, mergers and acquisitions, multi-national contract development and implementation, employment issues, intellectual property protection, complex commercial litigation, and negotiation and dispute resolution. Excellent writing, research, litigation, communication, and presentation skills. Capable of working with all levels of personnel from new employees to senior executive management, subject matter experts and stakeholders, and their government and public sector counterparts.


text:
Dance Alone
Feel of good times
Jump around alone
The music penetrates your body
Permeates your ears
Turn the music up louder
Dance with the music alone
If you're in a chair
Bounce in your seat
To that one song
It lifts you up
You were feeling down
Then there was the music you turned on
So you jump and dance
Forget the day
Alone in your room
You dance to the beat
For four minutes
You are free
The music stops
You sweat from the jumping and dancing
Wipe your brow
Then the next song rings in your head
Listen a moment in wait
Do you like this song in thought
Throw on a smile and be excited
You swing your arms around
You jump and dance
Alone in your room
All is forgotten in the beat
As we all dance alone in our room
© Copyright 2017 Charles Mausolf. All rights reserved.
Status: Finished
Genre: Poetry
looks like this wasn't read much. I enjoyed it though, simple and joyous.
I enjoyed this as well. We all do it. You could write another about singing alone. In a car. I do that all of the time as well! You are right about the feeling of freedom. I really enjoyed this piece. It is real.
Book / Fantasy
Book / Fantasy
Book / Fantasy
Paste the link to picture in the entry below:
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Everquest 2 graphics is very cartoony too
Originally posted by Halldor
So, you didn't played much EQ and EQ2, but you always think this game lacks EQ's essence... Error 404, intelligence not found.
well if you look again it was more of a question than a statement and I've played only a bit of eq. but can see his point.
Originally posted by Riposte.This
This game has no soul, it should just be a pvp oriented game.
Has no soul?What does that mean?All you have seen so far is a basic tech demo.If your already dismissing it now your probably going to miss out on what looks like it may turn out to be a nice game.
Originally posted by shad515
EQN characters are Disney type of cartoony while the environment is bland. The characters running along the road look totally separate from the environment. EQN graphics is worse than WoW and EQ2. As for other content, we have to wait to see how it will be implemented.
Totally disagree here. Game looks nice and destructible environments look anything but bland. WOW was a great game and is still fun.EQ2 is a great game and still fun but sorry I don't think it looks better than this. Everything in this game looks better than both of those games. But of course that's all opinion.
Originally posted by OldManFunk
It's painfully obvious that SOE has problems with nepotism where JR. gets the job! or gets a government tax break for hiring the blind to do their MMO artwork. Yes, SOE characters are ugly and more often than not the animations look fucking awful. Surprise! What was most surprising about EQN was that the characters looked like they belonged in Wildstar... I mean... how? The animations were good, the art was good (aside from Tony the Tiger .. LOL.. dude, WHY THE LONG FACE!?) ... but the art direction for this game is more reminiscent of Free Realms than Everquest... and so is the game-play. I think EQN will do well, but I have to wonder how much longer these guys will have their jobs.
I was pretty surprised to see that EQN was pretty decent visually, though I have a feeling the optimization wont be great (their own debut demonstration had really low framerate...) not to mention SOE has a bad history with this kind of shit. Also check out the vaulting animation on the chick again, classic SOE animations XD (which I'm sure this game will be full of)
who cares about soul ,good graffix and gameplay,thats all I need.
and no stuped levelling quests,the game is going to be great.
Originally posted by syltmacka
oooooor you guys are getting old lol. im gonna play and try this game. looks fun so far. gonna be a ratonga necromancer ^^
hehehe ur gonna be a ratromancer? LOL
Cunfushus says "Only through wasting time do we realize that time should not be wasted."
Originally posted by Lateris
How can you say it has no soul- they didn't cover the depth of the game. They only presented a tiny molecular bit of the game. This is based on assumptions. Good journalism, realistic journalism is based on facts.
He didn't say it has no soul. He said there is a concern the focus is too heavily on technology and not enough on making the world feel like a member of the IP. He provided an example of how this could end u p making a game feel soulless, like the Star Wars game.
What's a nice way of pulling the reading comprehension card?
Quite funny to be dizzing a game that's years to release.
If they actually achieve everything they promised in the debut promo EQN will definately be an awesome mmorpg.
If they fall flat like 99% of mmorpgs that have been coming, it probably won't.
Time will tell.
You know Michael, I never feel like I've given an essay proper attention unless I find something to criticize...I blame it on my education. But damn it! Try as I might, I can't find anything in your article I don't agree with.
I can't wait to play it either, warts and all.
I am going to play the Waldorf here a bit with some nitpicking.
1) Everyone says that stylized holds up better over time. But is that true? If I compare EQ2 vs WOW, I STILL like EQ2 better, visually. EQ2 was, back then, an attempt to make it AS good as possible. Also: do graphics still improve so much in the next 10 years as they did in the last 10 years? I highly doubt that, too. We reached almost the end of realism now, looking at The Division and the like. 10 and 20 years ago, graphics were still making leaps ahead every year. So of course back THEN stylized aged much better. But we have 2013 not 2003; we almost reached the end of the line. A visually top notch MMO would not look old in 5 or 10 years even remotely as 10 or 15 years ago. So the argument feel pretty invalid to me.
2) SOEmote: I REALLY wonder if a substantial part of MMO gamers really, really has that active most of the time. Somehow I just doubt it. I mean, who wants a camera on 7-8 hours and your char reflects EVERY emotion and movement you do? You sneeze or pick your nose, you eat or whatever. Does really anyone plan to have SOEmote on more than a very brief time?? Wasn't /smile /laugh /wave /gasp good enough??
3) How important is the destructible world REALLY? I mean, in the actual gameplay? I only see a BIG chance for griefing and trolling other players. But the benefits? Yes you see where a combat was. Yes your attack destroyes some stuff. But aside from this gimmick... I simply fail to see how that makes the gameplay better?? In what ACTUAL situation does it make the gameplay better to have a fleeting effect of destruction? Yes I was awed looking at it in the preview too. But if you THINK about the regular gaming, I just can't imagine any real situation where it makes such a big different, aside from falling into a chasm and cursing, because you are out of reach of your quest-goal now.
Just my 2 ct.
People don't ask questions to get answers - they ask questions to show how smart they are. - Dogbert
Firstly, you really need to understand the difference between 'noob' and 'newb'. Someone in your position should know this. I'm astounded you don't.
Secondly, like others have retorted - and I concur with them - you need to go back to EQ2 and see the graphics. I've tried but I just can't see that you're being objective at all on this point, and that's disappointing.
I agree with you regarding the SOEmote, I think it's great, and I totally understand and apprectiate why the developers have gone for the look they have with the character models so they can better convey the emotes and emotion in-game. I like what you're thinking in this regards.
I am concerned like you also about lack of substance with the game, the current trend of MMOs in the recent past has brought this to the fore. However, then I remind myself that these people making EQN are the ones that created EQ 1 and 2, and as such I have faith that they'll once again provide an amazing amount of detail and depth to the world, something that's been missing of late.
There are aspects of what's been released regarding EQN that I am concerned about, e.g. the lack of weapon/skill variability, but also I realise no game out there is going to be perfect for me in every way. So, on the whole I'm very happy with what's been released about EQN so far.
I'm looking forward to hearing about the housing/crafting system, and I hope they are similarly involved as in EQ2.
Originally posted by Razeekster
The only thing I don't like is the look of the Kerran. It's just way to out there and ridiculous looking. The other character models look fine to me though and the graphics I thought were gorgeous otherwise.
i feel the same
edit: I hate the new FV model too
First off. The EQ vs WoW debate, put both games on low (because that is the level most computers are at on a average) the ask your self if A or B have aged with more grace.
Now that aside it is not so much about WoW and EQ in reality... It has more to do with a established fact that a non-realistic art style age better because it starts out as non-realistic and our brain have an easier time to accept it for what it is. Realistic art styles on the other hand always have to stand up against... well, reality and the older it gets the shorter it comes up.
A less loaded example would be Jurassic Park vs Toy Story... Toy story have held up a lot better then the digital effects in Jurassic park )and those were stet of the art, top of the line.. no expenses spared VFX)
Of course all thing ages and i agree the EQ2 have a massive advantage in the detail area, but it seems that EQ:N will be packed with detail and honestly... With the SoEmo system i prefer stylized over "real" due to the uncanny valley effect.
This have been a good conversation
Originally posted by skeaser
I disagree on your EQ2 vs WoW graphics comment. I personally think that EQ2 looks much better than WoW. Mostly because we're just now reaching a point where computers can handle EQ2...
I agree. And I had to shake my head sadly as that really hits it spot on for me
Played: Pretty much any fantasy MMO, some did not even make it to release ...
Favorites: UO, EQ2, Vanguard, Wurm Online, Salem
Playing: ... (sigh) ...
Anticipating: EQ Next, Albion Online, maybe Crowfall
Originally posted by OldManFunk
It's painfully obvious that SOE has problems with nepotism where JR. gets the job! or gets a government tax break for hiring the blind to do their MMO artwork. Yes, SOE characters are ugly and more often than not the animations look fucking awful. Surprise! What was most surprising about EQN was that the characters looked like they belonged in Wildstar... I mean... how? The animations were good, the art was good (aside from Tony the Tiger .. LOL.. dude, WHY THE LONG FACE!?) ... but the art direction for this game is more reminiscent of Free Realms than Everquest... and so is the game-play. I think EQN will do well, but I have to wonder how much longer these guys will have their jobs.
The art lead comes from FreeRealms.
Played: Pretty much any fantasy MMO, some did not even make it to release ...
Favorites: UO, EQ2, Vanguard, Wurm Online, Salem
Playing: ... (sigh) ...
Anticipating: EQ Next, Albion Online, maybe Crowfall
I'm an old timer (started with text-based MUDs) and I'm really excited about what EQN has shown. I've never been a huge fan of the EQ franchise (I liked a lot of the indi games more) but certainly appreciated what they brought to the table.
Art Style
The art style put me off at first, but the more that was demonstrated, the more I got into it. I don't have a camera setup, not sure I'd want to run it all the time for the emotes, but it's something that seems to really fit with the style. Certainly going to give it a try. I can just see myself running along in some canyon and then going into a sneezing fit. It's the desert dust! Really!
I think it shows that they are really trying to create an immersive experience where you actually care about the character and the world around you. These days when I create a character I want to care, but just have a hard time. Few games have the customization needed, or the scaling and quality are off (that collection of pixels is my character).
People play for different reasons - I like to play games where I can have an alternate virtual reality - a character that reflects my design choices, customized housing, back-story, etc. I don't role-play, but I still desire these things. Mostly I find games just throw you into it with few options for any form of sandbox game play. My dream game has always been a sandbox where I could be an explorer and homesteader. SWG came closest to this, but had other problems.
If EQN can deliver on this, it's going to make a lot of people happy. Customization of character. Design and build your own house. Yes, please.
Leveling / Questing / Achievements
I like the accomplishments that EQ and similar games had - you worked hard, put in lots of hours, and got tangible benefits. A faster mount, a sense of accomplishment, etc. Except that I'm older now and don't have the time or desire to do that kind of thing anymore. I have better things to do with my time that aren't as frustrating. In my recent trip back to EQ2, I found the game to be unbalanced at the lower levels. They've been adding in more stuff, invalidating some of the older content, patching with quick fixes. As someone coming back, I actually like it - I run so fast at level 20 (which only took a few hours to reach) that I'm addicted to speed. All that grinding I did years ago to get a mount for a few percent more running speed invalidated by being given a mount two or three times faster. I have the ability to solo just about any of the old-world content, even if it's several levels higher. Easily - mercenaries, AA points, equipment pretty much make it easy mode playing. So different from what this franchise used to be known for. As much as I hated corpse runs in EQ, that first time I fell down a hole in Befallen at low level and had to ask random people to help get my gear back, is still memorable. I just don't have time or patience for it anymore. EQN appears to be catering to me.
I like games with fast-pasted combat. I went back to EQ2 last week to give it a try. After I got through all the massive changes, I realized that at it's core it's still a very methodical, plodding, combat system. I want something more active. I don't want to wait 4 seconds or 9 seconds for my weapons to swing. That just seems crazy to me now. I've also long hated having to keep six or seven rows of icons with various abilities. When I come back to a game after years of being away, re-learning dozens upon dozens of abilities just ends up pushing me away. I start over with a new character instead of continuing with one of my older ones to get over this.
Lore & Soul
Lots of comments about lack of soul. That's how I felt about SWTOR - I just couldn't get into it. I couldn't connect. I don't think we have enough information to determine if EQN is going the same route. Soul for me is a connection to the game world, to my character, to the people around me. EQN seems to be going the right direction, but until I can play it, not much to say about it.
Everything I've seen about EQN so far seems to cater to me. It's everything I'm currently looking for in a game, beyond what I thought was possible. I really hope they can pull it off.
I'm a little surprised they let you write this. Doesn't feel like Everquest? Are you kidding? It's at it's infant stage. You think when Michael Jordan was born everyone gathered around and said "Yeah, I don't know....he doesn't look like the best basketball player that ever lived."?
You should only review an MMO at launch or at least closer to launch. There is too much untold that once revealed will probably have a much more resonating effect on the gaming community it intends.
Additionally there is nothing in your bio that would suggest you have any expert insight into this or any other field. I don't mean to be rude but holy cats you start the article out with the fact that you never played Everquest! That's like saying "I've never tasted chocolate before, but that definitely doesn't taste like chocolate."
- Squishmitten -


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Once the first active NFL player decides to come out as gay, multiple players will follow, according to Domonique Foxworth, president of the NFL Players Association. "[T]hey are in our league right now," said Foxworth, who promised that the union would support any player who decided to come out.
Full Story:CBS Sports


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New. Non. And Not Non.
Blue Sweater: Bridging the Gap Between Rich and Poor in an Interconnected World
By Jacqueline Novogratz
A portrait of humanitarianism at work and a call to action that challenges us to rethink our engagement with the world, The Blue Sweater is the stirring story of a woman who left a career in international banking to spend her life on a quest to understand global poverty and find effectual new ways of tackling it. Novogratz combined her passions for banking and philanthropy to work with women's groups in microfinance, the pioneering banking strategy that won Muhammad Yunus a Nobel Peace Prize in 2006. Her work merging market systems with development and social empowerment led her to create the Acumen Fund for entrepreneurs in developing nations, which she describes as "the opposite of old-fashioned charity." Novogratz, in addition to charting her changing views of capitalism and how she will "change the world," also shows how traditional charity often fails, but how a new form of philanthropic investing called "patient capital" can help make people self-sufficient and can change millions of lives.
When March Went Mad: The Game That Transformed Basketball
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Match Day: One Day and One Dramatic Year in the Lives of Three New Doctors
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Unfriendly Fire: How the Gay Ban Undermines the Military and Weakens America
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Strange Eventful History: The Dramatic Lives of Two Remarkable Families
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Life You Can Save: A Simple Solution to Global Poverty
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The Kindly Ones
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A fictional memoir of Dr. Max Aue, a former Nazi officer who survived the war and has reinvented himself, many years later, as a middle-class entrepreneur and family man in northern France, The Kindly Ones is a massive, challenging, and provocative undertaking noteworthy for its sales and achievements in Europe. A literary prize-winning epic novel that has been a record-breaking bestseller in France, Germany, Italy, and Spain, Jonathan Littell's novel is — a couple of years and a reported million-dollar advance later — highly anticipated in the English-speaking world. Having won the Prix Goncourt, France's most prestigious literary award, as well as the Académie Française's Prix de Littérature, The Kindly Ones has sold more than one million copies in Europe alone. But at nearly 1,000 pages, with some pages-long paragraphs, a 14-page hallucination, a nine-page digression on the history of Caucasian linguistics, it well may be that many of those highly-esteemed tomes are serving as lowly doorstops.
Paths of Glory
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Dead and Gone (Sookie Stackhouse / Southern Vampire Series #9)
By Charlaine Harris
The Believers
By Zoe Heller
Spoiled: Stories
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Handle with Care
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Lighter Cheesy Mac
Bobby Deen grew up with a creamy and fatty mac and cheese that his mom makes. Now as an adult he still wants the pasta dish, but not all the extra calories. So, he created this tasty and lighter version.
- Ingredients
- step-by-step directions
Lighter Cheesy Mac
- 4 cups cooked multigrain elbow macaroni (drained)
- 2 cups reduced-fat shredded Cheddar cheese
- 1/2 cup low fat milk
- 2 eggs (slightly beaten)
- 1/4 cup reduced-fat sour cream
- 1 tablespoon Dijon mustard
- 1/2 teaspoon salt
- 1/4 teaspoon cayenne pepper
- 1/4 cup seasoned bread crumbs
- 1 tablespoon olive oil
- Preheat oven to 350°F. Spray a casserole dish with nonstick spray.
- After the macaroni has been boiled and drained, add cheese while macaroni is still hot.
- Combine the milk, eggs, sour cream, mustard, salt, and cayenne in a medium bowl. Add to macaroni mixture. Pour into casserole dish.
- Combine bread crumbs and oil in a small bowl until blended. Evenly sprinkle the crumb mixture over the macaroni and lightly spray with nonstick spray.
- Bake, until the filling is hot and the topping is golden, 35 – 40 minutes.
Similar categories: Courses & Meals Dinner Pizza & Pasta Lunch Cuisine Italian
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[I][FONT=Arial][SIZE=1][COLOR=blue]Hi I'm new to this but I have a 4 year old getting very angry with him self he has completed 31% already but cant get any further do you know of any cheats (not gameshark) so I can have some peace and quite Thanks :rolleyes:
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