text:
Type of business | Private |
Founded | 23 April 2006 |
Headquarters | Stockholm, Sweden |
Country of origin | Sweden |
No. of locations | 20 |
Founder(s) | Daniel Ek, Martin Lorentzon |
CEO | Daniel Ek |
Industry | Music, podcast, and video |
Employees | 1,600+ |
Website | www |
Alexa rank | 175 (March 2017[update])[1] |
Registration | Required |
Users | 100 million (50 million paying) |
Spotify is a music, podcast, and video streaming service, officially launched on 7 October 2008. It is developed by startup Spotify AB in Stockholm, Sweden. It provides digital rights management-protected content from record labels and media companies. Spotify is a freemium service, meaning that basic features are free with advertisements, while additional features, including improved streaming quality and offline music downloads, are offered via paid subscriptions.
Spotify is available in most of Europe, most of the Americas, Australia, New Zealand and parts of Asia. It is available for most modern devices, including Windows, macOS, and Linux computers, as well as iOS and Android smartphones and tablets. Music can be browsed or searched for via various parameters, such as artist, album, genre, playlist, or record label. Users can create, edit and share playlists, share tracks on social media, and make playlists with other users. Spotify provides access to over 30 million songs. As of June 2016, it has 100 million monthly active users, and as of March 2017, it has 50 million paying subscribers.
Unlike physical or download sales, which pay artists a fixed price per song or album sold, Spotify pays royalties based on the number of artists' streams as a proportion of total songs streamed on the service. They distribute approximately 70% of total revenue to rights holders, who then pay artists based on their individual agreements. Spotify has faced criticism from artists and producers, including Taylor Swift and Radiohead singer Thom Yorke, who feel it does not fairly compensate music creators as music sales decline and music streaming increases.
Business model[edit]
Spotify operates under a freemium model (basic services are free, while additional features are offered via paid subscriptions). Spotify makes its revenues by selling premium streaming subscriptions to users and advertising placements to third parties.
In December 2013, the company launched a new website, "Spotify for Artists", that explained its business model and revenue data. Spotify gets its content from major record labels as well as independent artists, and pays copyright holders royalties for streamed music. The company pays 70% of its total revenue to rights holders. Spotify for Artists states that the company does not have a fixed per-play rate, instead considers factors such as the user's home country and the individual artist's royalty rate. Rights holders received an average per-play payout between $.006 and $.0084.[2]
Spotify offers an unlimited subscription package, close to the Open Music Model (OMM)—estimated economic equilibrium—for the recording industry. However, the incorporation of digital rights management (DRM) protection[3] diverges from the OMM and competitors such as iTunes Store and Amazon Music that have dropped DRM.[citation needed]
Spotify encourages people to pay for music, with subscriptions as its main revenue source.[2] The subscription removes advertisements and limits, and increases song bitrates to 320 kbit/s.[4]
The Spotify for Artists website claims that "a Spotify Premium customer spends 1.6x more per year compared to the average spending of a U.S. music consumer who buys music (not including those who spend $0 on music)", with the annual value of the average U.S. paying listener identified as $120. The website also claims that "a Spotify customer is 1.6x more financially valuable than the average adult non-Spotify U.S. music consumer."[2]
Additionally, the website also includes a section entitled "Spotify's impact on piracy" as a response to the criticisms against the company regarding the exploitation of musicians. Spotify states that it has proven the theory 'given a free and legal alternative, people will pirate less', and uses Sweden, Norway, Denmark, the United States, Netherlands and the United Kingdom to provide evidence. For example, in Norway, the figure of 1.2 billion unauthorized song downloads in 2008 is compared to a figure of 210 million from 2012.[2]
BBC Music Week editor Tim Ingham wrote: "Unlike buying a CD or download, streaming is not a one-off payment. Hundreds of millions of streams of tracks are happening each and every day, which quickly multiplies the potential revenues on offer – and is a constant long-term source of income for artists."[5]
Accounts and subscriptions[edit]
As of June 2016, the three Spotify subscription types, all offering unlimited listening time, are:
Type | Free of ads | Mobile listening | High quality audio | Listen offline | Monthly price | ||||
UK | US | Australia | Canada | Europe (C) | |||||
Spotify Free | No | Limited; shuffle-only mode | No | No | Free | ||||
Spotify Premium[note 1] | Yes | Yes | Yes | Yes | £9.99 | $9.99 | $11.99 | $9.99 | €9.99 |
Spotify Family[6] | Yes | Yes | Yes | Yes | £14.99 | $14.99 | $17.99 | $14.99 | €14.99 |
- ^ The Premium subscription allows users to download media offline, offers enhanced sound quality up to a 320kbps bitrate, has Spotify Connect functionality, and allows mobile users to listen to the exact songs they want instead of being limited to a shuffle-only mode in playlists and full albums.
In 2008, just after launch, the company made a loss of 31.8 million Swedish kronor ($4.4 million).[7]
In October 2010, Wired reported that Spotify was making more money for labels in Sweden than any other retailer "online or off".[8]
Years after growth and expansion, a November 2012 report suggested strong momentum for the company. In 2011, it reported a near US$60 million net loss from revenue of $244 million, while it was expected to generate a net loss of $40 million from revenue of $500 million in 2012.[9]
Another income source was music purchases from within the app, but this was removed in January 2013.[10]
As of 2017[update], Spotify is not yet a profitable company.[11]
In February 2010, Spotify received a small investment from Founders Fund, where board member Sean Parker was recruited to assist Spotify in "winning the labels over in the world's largest music market".[12]
In June 2011, Spotify secured $100 million of funding, and planned to use this to support its U.S. launch. The new round of funding valued the company at $1 billion.[13]
A Goldman Sachs-led round of funding closed in November 2012, raising around $100 million at a $3 billion valuation.[14]
In April 2015, Spotify began another round of fundraising, with a report from The Wall Street Journal stating it was seeking $400 million, which would value the company at $8.4 billion.[15] The financing was closed in June 2015, with Spotify raising $526 million, at a value of $8.53 billion.[16]
In January 2016, Spotify raised another $500 million through convertible bonds.[17]
In March 2016, Spotify raised $1 billion in financing by debt plus a discount of 20% on shares once the initial public offering (IPO) of shares takes place.[18] The company was, according to TechCrunch, planning to launch on the stock market in 2017, but is instead planning on doing the IPO in 2018 in order to "build up a better balance sheet and work on shifting its business model to improve its margins".[19]
Spotify offers advertisers ten different types of advertising formats, described in their Ad Formats as: Branded Moments, Sponsored Playlists, Sponsored Sessions, Video Takeovers, Audio, Display, Overlay, Homepage Takeovers, Branded Playlists, and Advertiser Pages. These advertisements vary in size, type and user engagement.[20]
- Branded Moments allow brands to "tell their story over a series of sequential displays with 100% share-of-voice during the 30-minute session" by using "an immersive vertical video" and can unlock 30 minutes of uninterrupted music.[21]
- Sponsored Playlist is an "exclusive one week sponsorship of Spotify's top owned & operated playlists".[22]
- Sponsored Sessions allow brands to "offer their audience uninterrupted listening in exchange for a video view". They are only available on mobile and tablet devices and are limited to select markets.[23]
- Video Takeover is a "video spot with a companion display unit", are "served during commercial ad breaks between songs in a music session", and are only available on the computer apps.[24]
- Audio Ads are "served during commercial ad breaks between songs in a music session" with a maximum duration of 30 seconds and play every 15 minutes.[25]
- Display Ads are "clickable images displayed for 30 seconds". Display ads are shown at the bottom of the Spotify client.[26]
- Overlay is "Spotify's 'welcome back' ad. It greets returning users on mobile and desktop with a can't-be-missed, large display ad to maximize brand impact and performance".[27]
- Homepage Takeovers are "a combination of background skin and optional interactive area that takes over the Spotify homepage".[28]
- Branded Playlists are "Spotify playlists that contain a branded cover art image and text". They can only have one song per artist, and must have a minimum of 20 tracks in the playlist.[29]
- Advertiser Pages are a "microsite seamlessly integrated into the Spotify player", that can "contain practically any content you'd find on a webpage, including videos, clickable images, blogs, news, links, and comments."[30]
Starting in March 2009, Spotify offered music downloads in the United Kingdom, France, and Spain. Users could purchase each track from Spotify, which partnered with 7digital to incorporate the feature.[31] However, the ability to purchase and download music tracks via the app was removed on 4 January 2013.[10]
"Brighter" by Against the Current currently being played in the Spotify for iOS app.
Developer(s) | Spotify Technology S.A (Spotify AB) | ||||||
Initial release | 7 October 2008 | ||||||
Stable release(s) [±] | |||||||
Development status | Active | ||||||
Written in | Primarily Python, with some Java, C, and C++ components[36] | ||||||
Operating system | Android, iOS, Windows, macOS and Linux | ||||||
Type | Music streaming | ||||||
License | Proprietary | ||||||
Website | www |
Spotify has apps available for Microsoft Windows, Apple macOS, and Linux computers, along with Android and iOS smartphones and tablets.[37] It also has a proprietary protocol known as "Spotify Connect", which lets users listen to music through a wide range of entertainment systems, including speakers, receivers, TVs, cars, and smartwatches.[38] Spotify also features a web player, for those who are unable to - or do not want to - download any app.[39] Contrary to the apps, the web player does not have the ability to download music for offline listening.
Technical information[edit]
Spotify is proprietary and uses digital rights management (DRM) protection.[3] Spotify's terms and conditions do not permit users to reverse-engineer the application.[40]
Streams are in the Ogg Vorbis media format at 96 kbit/s for "Normal" quality on mobile, 160 kbit/s for "High" quality on mobile and standard quality on desktop computers and the web player, and 320 kbit/s for "Extreme" quality on mobile and high quality on desktop computers, and is only available for Premium subscribers.[41] "Extreme" quality is not available in Spotify's web player.
Spotify allows users to add local audio files for music not in its catalog into the user's library through Spotify's desktop application, and then allows users to synchronize those music files to Spotify's mobile apps or other computers over the same Wi-Fi network as the primary computer by creating a Spotify playlist, and adding those local audio files to the playlist. Audio files must either be in the .mp3, .mp4 (.mp4 files that have video streams are not supported), or .m4p media formats. This feature is available only for Premium subscribers.[42]
Spotify has a median playback latency of 265 ms (including local cache).[43]
Geographic availability[edit]
Spotify is available in most of Europe, the Americas, Australia, New Zealand, and is available in various Asian countries and territories.
The country list includes Andorra, Argentina, Australia, Austria, Belgium, Bolivia, Brazil, Bulgaria, Canada, Chile, Colombia, Costa Rica, Cyprus, the Czech Republic, Denmark, the Dominican Republic, Ecuador, El Salvador, Estonia, Finland, France, Germany, Greece, Guatemala, Honduras, Hong Kong, Hungary, Iceland, Indonesia, Ireland, Italy, Japan, Latvia, Liechtenstein, Lithuania, Luxembourg, Malaysia, Malta, Mexico, Monaco, the Netherlands, New Zealand, Nicaragua, Norway, Panama, Paraguay, Peru, the Philippines, Poland, Portugal, Singapore, Spain, Slovakia, Sweden, Switzerland, Taiwan, Turkey, the United Kingdom, the United States and Uruguay.[44]
History of expansion[edit]
Spotify went live (by invitation only) in Scandinavia, the United Kingdom, France and Spain in October 2008.[45] Spotify launched in the United Kingdom in February 2009.[46] It launched in the Netherlands in May 2010,[47] in the United States in July 2011,[48][49] in Austria, Belgium, and Switzerland in November 2011,[50] followed by Germany in March 2012,[51] Australia and New Zealand in May 2012,[52] and Ireland[53] and Luxembourg in November 2012.[54] The expansion continued with Italy, Poland, and Portugal in February 2013,[55] Mexico, Hong Kong, Malaysia, Singapore, Estonia, Latvia, Lithuania, and Iceland in April 2013,[56][57] Argentina, Greece, Taiwan, and Turkey in September 2013,[58][59] and in an additional 20 markets (Hungary, Czech Republic, Malta, Bulgaria, Slovakia, Cyprus, Chile, Colombia, Uruguay, El Salvador, Paraguay, Honduras, Panama, Nicaragua, Peru, Ecuador, Dominican Republic, Guatemala, Costa Rica, and Bolivia) in December 2013.[60][61] 2014 saw the service launch in the Philippines in April,[62] Brazil in May,[63] and Canada in September.[64] In 2016, Spotify launched in Indonesia in March,[65] and in Japan in September.[66]
Early development[edit]
Spotify was developed in 2006[67] by a team at Spotify AB, in Stockholm, Sweden. The company was founded by Daniel Ek, former CTO of Stardoll, and Martin Lorentzon, co-founder of TradeDoubler. The company's title, according to Daniel Ek, was initially misheard from a name shouted by Martin Lorentzon. Later they thought out an etymology of a combination of "spot" and "identify".[68] Spotify Sweden AB, headquartered in Stockholm, Sweden, handles research and development.[69] The company is a subsidiary of Spotify LTD, a company headquartered in London, United Kingdom,[70] which in turn is a subsidiary of Spotify Technology SA, headquartered in Luxembourg.[71] Spotify has offices in 20 countries as of November 2016.[72]
Launch in 2008[edit]
The Spotify application was launched on 7 October 2008. While free accounts remained available by invitation to manage the growth of the service, the launch opened paid subscriptions to everyone. At the same time, Spotify AB announced licensing deals with major music labels.[73]
In February 2009, Spotify opened public registration for the free service tier in the United Kingdom.[74] Registrations surged following the release of the mobile service, leading Spotify to halt registration for the free service in September, returning the UK to an invitation-only policy.[75] In March 2009, Spotify announced a security flaw in the service, by which private account information of members registered prior to 19 December 2008 was potentially exposed.[76][77] Premium cards were offered for the 2009 Christmas season that allowed recipients to upgrade an account to "Premium" status for 1, 3, 6 or 12 months.[78]
In May 2010, Spotify announced that two more types of accounts were available: Spotify Unlimited, an equivalent to Spotify Premium (but with limited access to Spotify's mobile apps), and Spotify Open, a reduced-feature version of Spotify Free, which allowed users to listen to up to 20 hours of music per month.[79] That year, Spotify paid more than €45 million to rights-holders.[80] In September, the World Economic Forum (WEF) announced the company as a Technology Pioneer for 2011.[81]
In March 2011, Spotify temporarily removed display advertising from third-party sources on its computer software, after reports from users that the software was being flagged by antivirus programs. PC Pro reported that "web monitoring firm NetCraft said the attack used a Java exploit to slip malicious code onto a user's computer".[82] In April, Spotify announced via a blog post that they would drastically cut the amount of music that free members could access, effective 1 May 2011. The post stated that all Spotify Open and Spotify Free members would be transferred to a new product which limited audio streaming to 10 hours per month. In addition, individual tracks were limited to five plays. Spotify Unlimited and Spotify Premium members were not affected by this change. New users were exempt from these changes for six months.[83]
For the service's launch in the United States in July 2011, Spotify had a six-month free ad-supported trial period, where new users could listen to an unlimited amount of music. In January 2012, the free trial started expiring, with users limited to ten hours each month and five song replays.[84] In November 2011, Spotify introduced a Spotify Apps service that made it possible for third-party developers to design applications that could be hosted within the Spotify computer software. The applications provided features such as synchronized lyrics, music reviews, and song recommendations.[85][86]
In June 2012, Soundrop became the first Spotify app to attract major funding, receiving $3 million from Spotify investor Northzone.[87][88] In March, Spotify removed all limits on the free service tier dropped indefinitely.[89] In April, Spotify introduced the "Spotify Play Button", an embeddable music player that can be added to blogs, websites, or social media profiles, that lets visitors listen to a specific song, playlist or album without leaving the page.[90][91] In November, Spotify began rolling out a web player, which "looks a lot like its desktop counterparts on Mac and Windows", required no app installation.[39]
In December 2012, Spotify introduced a new "Follow" tab and a new "Discover" tab. "Follow" lets users follow artists and friends to see what they are listening to, while "Discover" gives users new releases from their favorite artists, as well as music, review, and concert recommendations based on listening history.[92] The features were announced by CEO Daniel Ek at a press conference, with Ek stating that a common user complaint about the service was that "Spotify is great when you know what music you want to listen to, but not when you don't", adding that "20,000" new songs got added to the service on a daily basis. "You're fighting with 20 million songs on Spotify", Ek stated.[93]
In March 2013, Spotify removed the five-play restriction for free users in the UK.[94] In December, CEO Daniel Ek announced that Android and iOS smartphone users with the free service tier could listen to music in Shuffle mode; streaming music by specific artists and streaming playlists without being able to pick which songs to hear. Mobile listening previously was not allowed in Spotify Free accounts. Ek stated that "We're giving people the best free music experience in the history of the smartphone."[95]
In January 2014, Spotify removed the time limits for users playing music on computers.[96] In March, Spotify announced that it had acquired The Echo Nest, a music intelligence company that has "in depth musical understanding and tools for curation to drive music discovery for millions of users around the globe".[97][98] Later that month, Spotify introduced a new, discounted Premium subscription tier for active students. Students in the U.S. that were enrolled in a university only had to pay half price for a Spotify Premium subscription.[99] In April, Spotify moved away from the peer-to-peer (P2P) system they had used to distribute music to users. Previously, a desktop user would listen to music from one of three sources: a cached file on the computer, one of Spotify's servers, or from other subscribers through the P2P system. P2P is a well-established Internet distribution system, an alternative that reduced server resources and costs. However, Spotify ended the P2P setup in 2014, with Spotify's Alison Bonny telling TorrentFreak: "We're gradually phasing out the use of our desktop P2P technology which has helped our users enjoy their music both speedily and seamlessly. We're now at a stage where we can power music delivery through our growing number of servers and ensure our users continue to receive a best-in-class service."[100]
In June 2014, Spotify released a new Web API that allowed third-party developers to integrate Spotify content in their own web applications.[101] In October, Spotify discontinued its Spotify Apps functionality, stating that its new APIs for the Spotify web player fulfilled many of the advantages of the former Spotify Apps service, but "would ensure the Spotify platform remained relevant and easy to develop on, as well as enabling you to build innovative and engaging music experiences".[102][103]
In May 2015, Spotify announced multiple significant updates to the service. A new Home start page would serve up the "right music day and night" with playlists and music recommendations improving over time; "Spotify Running", a new feature aimed at a greater music experience while running, as "Spotify will detect your tempo, matching the perfect music in time to your step"; a new partnership with Nike that brought the Spotify Running experience to the Nike+ app, as well as integration with the RunKeeper app coming "later this year"; and podcasts and videos ("entertainment, news and clips") support would be coming to the Spotify platform, along with "Spotify Originals" content. "We're bringing you a deeper, richer, more immersive Spotify experience", commented CEO Daniel Ek.[104][105]
In June 2015, Spotify acquired Seed Scientific, a data science consulting firm and analytics company. In a comment to TechCrunch, Spotify said that Seed Scientific's team would lead an Advanced Analytics unit within the company focused on developing data services.[106][107] In July, Spotify launched Discover Weekly, a weekly generated playlist, updated on Mondays, that brings users two hours of "custom-made music recommendations, tailored specifically to you and delivered as a unique Spotify playlist." Discover Weekly is a mix of users' personal taste in music as well as songs enjoyed by similar listeners. Spotify said that Discover Weekly gets better the more the users listen to it.[108] In December, Quartz reported that songs in the Discover Weekly playlist had been streamed 1.7 billion times,[109] and Spotify wrote in May 2016 that Discover Weekly had reached "nearly" 5 billion tracks streamed since the July 2015 launch.[110]
In April 2016, Ek and Lorentzon wrote an open letter to Swedish politicians demanding action in three areas that they claimed hindered the company's ability to recruit top talent as Spotify grows, including access to flexible housing, better education in the programming and development fields, and stock options. Ek and Lorentzon wrote that in order to continue competing in a global economy, politicians needed to respond with new policies, or else thousands of Spotify jobs would be moved from Sweden to the United States.[111] Later in the month, Spotify acquired CrowdAlbum, a "startup that collects photos and videos of performances shared on social networks", and would "enhance the development of products that help artists understand, activate, and monetize their audiences".[112][113]
In May 2016, Quartz reported that Spotify employees, which total over 1,600 people, earned €151,180 ($168,813) in 2015, an increase from the €60,000 average salary in 2010, despite the company reporting an increase in net loss between the years (€28 million in 2010 to €173 million in 2015).[114] In August, Spotify launched Release Radar, a personalized playlist that allows users to stay up-to-date on new music released by artists they listen to the most. It also helps users discover new music, by mixing in other artists' music. The playlist is updated every Friday, and can be a maximum of up to two hours in length.[115][116][117] Later that month, music website Music Business Worldwide reported on a Norwegian television reality program called The Stream, where winners are based on the highest number of streams for their songs on Spotify.[118] At the end of the month, Bloomberg Businessweek reported that, due to Spotify's ongoing feud with Apple Music, the Apple-owned music service launched in June 2015, Spotify was deliberately making the music of artists who released first on Apple Music harder to find on Spotify. Bloomberg cites unnamed sources who say that artists who sign exclusivity deals for early release on Apple Music will not be able to have their songs on featured playlists on Spotify.[119]
In September 2016, Spotify launched Daily Mix, a series of playlists that have "near endless playback" and mixes the user's favorite tracks with new, recommended songs. New users can access Daily Mix after approximately two weeks of listening to music through Spotify. Daily Mixes were only available on the Android and iOS mobile apps at launch,[120] but the feature was later expanded to Spotify's computer app in December 2016.[121] Later in the month, Spotify's chief revenue officer, Jeff Levick, departed the company. Levick cited personal reasons for leaving the company.[122][123] In October, Digital Trends compared Spotify to the Apple Music service, and noted that Spotify has a library of over 30 million songs.[124]
In November 2016, Spotify launched its "largest [marketing] campaign to date", by placing large-scale billboards in major cities around the world that humorously mocked users' listening habits. Billboards featured commentary such as "Dear person who made a playlist called: 'One Night Stand With Jeb Bush Like He's a Bond Girl in a European Casino.' We have so many questions"; "To the 1,235 guys who loved the "Girls Night" playlist this year, We love you", and "Dear person who played 'Sorry' 42 times on Valentine's Day, What did you do?" Spotify's Chief Marketing Officer Seth Farbman told Creativity that "there has been some debate about whether big data is muting creativity in marketing, but we have turned that on its head ... For us, data inspires and gives an insight into the emotion that people are expressing."[125][126]
In February 2017, Spotify announced a major expansion of its U.S. operations in Lower Manhattan, New York City, at the 4 World Trade Center, into one of its largest operations worldwide, adding approximately 1,000 new Manhattan jobs and retaining 832 existing positions.[127] The company's current U.S. headquarters are located in New York City's Flatiron District.[128] Later in the month, Spotify announced three new original podcasts, "Showstopper", "Unpacked", and "The Chris Lighty Story". The company also stated that more original podcasts will be announced later in the year.[129][130]
In March 2017, Spotify announced a partnership with the South by Southwest (SXSW) conference for 2017, presenting specific content in special playlists through a SXSW hub in Spotify's Browse tab in the mobile and desktop apps. The integration also enabled Spotify within the SXSW GO app to help users discover and explore artists performing at the conference.[131] Later that month, Spotify acquired Sonalytic,[132] an audio detection startup, for an undisclosed amount of money. Spotify stated that Sonalytic will be used to improve the company's personalized playlists, better match songs with compositions, and improve the company's publishing data system.[133] Two more partnerships were announced in March; one with WNYC Studios, and one with Waze. The WNYC Studios partnership will bring various podcasts from WNYC to Spotify, including Note To Self, On the Media and Here's the Thing. Spotify also announced that the third season of WNYC Studios' 2 Dope Queens podcast will premiere with a two-week exclusivity period on the service on 21 March 2017. The podcasts will be available for all Spotify Free and Premium users.[134][135] The Waze partnership will allow Android app users to view directions to destinations within the Spotify app, and access their Spotify playlists through the Waze app.[136][137]
As part of its efforts to renegotiate new licensing deals with music labels, Financial Times reported in March 2017 that Spotify and major record labels had agreed that Spotify will restrict some newly released albums to its Premium tier, with Spotify receiving a reduction in royalty fees to do so. Select albums would be available only on the Premium tier for a period of time, before general release. The deal "may be months away from being finalized, but Spotify is said to have cleared this particular clause with major record labels".[138][139][140]
Other developments[edit]
Streaming records[edit]
Upon its release in April 2013, the Daft Punk single, "Get Lucky", received the highest number of first-day global streams for any song.[141] In October 2015, "Thinking Out Loud" by Ed Sheeran became the first song to pass 500 million streams.[142] A month later, Spotify announced that "Lean On" by Major Lazer and DJ Snake featuring MØ was its most streamed song of all time with over 525 million streams worldwide.[143] In April 2016, Rihanna overtook Justin Bieber to become the biggest artist on Spotify, with 31.3 million monthly active listeners.[144] In May 2016, Drake became the most popular artist on Spotify of all time, notching 3.185 billion total lifetime streams on the service. This milestone also meant that Drake had overtaken Rihanna for the spot as the most popular artist of the past month.[145] In December 2016, The Weeknd overtook Drake to become the biggest artist on Spotify, with 36.068 million monthly listeners, against "just under 36" million that Drake had.[146] Later in December, Drake's song One Dance became the first song to hit 1 billion streams on Spotify.[147][148]
User growth[edit]
In March 2011, Spotify announced a customer base of one million paying subscribers across Europe,[149] and by September 2011, the number of paying subscribers had doubled to two million.[150] In August 2012, Time reported 15 million active users, four million being paying Spotify subscribers.[151] User growth continued, reaching 20 million total active users, including 5 million paying customers globally and 1 million paying customers in the United States, in December 2012.[152] By March 2013, the service had 24 million active users, 6 million being paying subscribers,[153] which grew to 40 million users (including 10 million paying) in May 2014,[154] 60 million users (including 15 million paying) in December 2014,[155] 75 million users (20 million paying) in June 2015,[156] 30 million paying subscribers in March 2016,[157] and 40 million subscribers in September 2016.[158]
As of June 2016, Spotify has 100 million monthly active users,[159] and as of March 2017, it has 50 million paying subscribers.[160]
PlayStation Music[edit]
In January 2015, Sony announced PlayStation Music, a new music service with Spotify as its exclusive partner. PlayStation Music incorporates the Spotify service into Sony's PlayStation 3 and PlayStation 4 gaming consoles, and Sony Xperia mobile devices, in 41 markets around the world. The service enables users to listen to their favorite tracks while gaming.[161] The new service launched on 30 March 2015.[162]
Dispute with Apple Inc.[edit]
Starting in June 2016, Spotify and Apple Inc. entered a dispute about the Spotify app on iOS, Apple's mobile operating system. An update to the application would remove the option to start a subscription; in-app subscriptions on iOS must use Apple's billing system, which gives Apple 30% of all payments. Apple rejected the update, which would require users to visit Spotify's website to start a subscription, bypassing Apple's system and therefore also reducing the monthly subscription cost for users. Spotify general counsel Horacio Gutierrez wrote a letter to Apple general counsel Bruce Sewell about the issue, in which Gutierrez wrote, "This latest episode raises serious concerns under both U.S. and EU competition law. It continues a troubling pattern of behavior by Apple to exclude and diminish the competitiveness of Spotify on iOS and as a rival to Apple Music, particularly when seen against the backdrop of Apple's previous anticompetitive conduct aimed at Spotify … we cannot stand by as Apple uses the App Store approval process as a weapon to harm competitors."[163]
Sewell responded to the letter, stating, "We find it troubling that you are asking for exemptions to the rules we apply to all developers, and are publicly resorting to rumors and half-truths about our service. There is nothing in Apple's conduct that 'amounts to a violation of applicable antitrust laws.' Far from it. I would be happy to facilitate an expeditious review and approval of your app as soon as you provide us with something that is compliant with the App Store's rules." Furthermore, Apple stated that Spotify was trying to ask for user emails with the intention of moving purchases online, which led to the update's rejection.[164]
As of 21 September 2016[update], updates for Spotify are once again being released on the iOS platform.[165]
Spotify, together with the music streaming industry in general, faces some criticism from artists and producers claiming they are being unfairly compensated for their work as music sales decline and music streaming increases.[166] Unlike physical or download sales, which pay artists a fixed price per song or album sold, Spotify pays royalties based on their "market share" (the number of streams for their songs as a proportion of total songs streamed on the service). Spotify distributes approximately 70% of its total revenue to rights-holders, who will then pay artists based on their individual agreements.[2]
The variable, and some say unsustainable,[167] nature of this compensation, has led to criticism. Most notably, Taylor Swift's discography has been pulled from Spotify, with Swift stating "I'm not willing to contribute my life's work to an experiment that I don't feel fairly compensates the writers, producers, artists, and creators of this music".[168]
In response, Spotify claims that they are benefiting the music business by migrating "them away from piracy and less monetized platforms and allowing them to generate far greater royalties than before" by offering a free, ad-supported service tier, and then encouraging users to opt in to the paid subscription.[2]
Explicit content filter[edit]
Spotify is one of the few music streaming services that do not allow users to filter explicit content, a restriction that Rick Broida of CNET writes may prevent users from opting into Spotify's Family Plan subscription offering.[169]
Artist compensation[edit]
Spotify has been accused of failing to compensate artists fairly.[166]
In a 2009 Guardian article, Helienne Lindvall wrote about why "major labels love Spotify", writing that the labels receive 18% of shares from the streaming company - something that artists themselves actually never get. She further wrote that "On Spotify, it seems, artists are not equal. There are indie labels that, as opposed to the majors and Merlin members, receive no advance, receive no minimum per stream and only get a 50% share of ad revenue on a pro-rata basis (which so far has amounted to next to nothing)."[170] In 2009, Swedish musician Magnus Uggla pulled his music from the service, stating that after six months he had earned "what a mediocre busker could earn in a day".[171]
Norwegian newspaper Dagbladet reported in 2009 that the record label Racing Junior earned only NOK 19 ($3.00 USD) after their artists had been streamed over 55,100 times.[172] According to an infographic by David McCandless, an artist on Spotify would need over four million streams per month to earn the U.S. minimum monthly wage of $1,160.[173] In October 2011, U.S. independent label Projekt Records stated, "In the world I want to live in, I envision artists fairly compensated for their creations, because we (the audience) believe in the value of what artists create. The artist's passion, dedication and expression is respected and rewarded. Spotify is NOT a service that does this. Projekt will not be part of this unprincipled concept."[174]
In March 2012, Patrick Carney of the Black Keys said that "Spotify isn't fair to artists",[175] and further commented that streaming services "are becoming more popular, but it still isn't at a point where you're able to replace royalties from record sales with the royalties from streams. For a band that makes a living selling music, it's not at a point where it's feasible for us."[176] Replying to Spotify board member Sean Parker's claim that Spotify would make more money for the music industry than iTunes, Carney said: "That guy has $2 billion that he made from figuring out ways to steal royalties from artists, and that's the bottom line. You can't really trust anybody like that."[175] In May 2012, British Theatre vocalist and Biffy Clyro touring guitarist, Mike Vennart, stated: "I'd sooner people stole my work than stream it from [Spotify]. They pay the artists virtually nothing. Literally pennies per month. Yet they make a killing. They've forced the sales way down in certain territories, which wouldn't be so bad if the bands actually got paid."[177]
Singer David Byrne of Talking Heads criticized streaming services such as Spotify in October 2013, writing: "If artists have to rely almost exclusively on the income from these services, they'll be out of work within a year." Byrne concluded his piece by admitting "I don't have an answer."[178] In March 2014, American funk band Vulfpeck exposed a loophole in Spotify's royalty calculation model. The band created an album titled Sleepify, which consisted solely of silence. The band asked users to stream the album on a loop while they slept to increase the amount of money earned. The album was pulled by Spotify in April 2014, citing unspecified service violation. Vulfpeck had accumulated enough streams to result in around $20,000 in royalties before the album was pulled.[179][180][181] In July 2015, Neil Young removed almost all of his music from Spotify and other streaming services, citing low sound quality as the primary reason. He stated that he did not think his fans deserved the low quality they were receiving and said it was bad for his music.[182] Young's music has since returned to Spotify and other streaming services.[183]
Support from labels[edit]
In June 2012, Charles Caldas, CEO of the Merlin Network, a representative body for over 10,000 independent labels, clarified that Spotify pays royalties to the music labels and not the artists. According to Caldas, the payments Merlin's labels received from Spotify rose 250 percent from the year ending March 2011 to the year ending March 2012, while, at the time, the revenue per user was "the highest it has been since the launch of the service." Caldas said that Merlin had observed "consistent, ongoing growth on revenue per user, revenue per stream, and the total revenue" that Spotify generates for the labels it represents. "The thing about 'Spotify doesn't pay artists enough' — Spotify doesn't pay artists ... They pay labels", said Caldas.[184]
Caldas also highlighted the issue of time lag for artists, as they are not gaining an impression of Spotify's status at the time they receive their payments. They are "getting reporting quarterly, or six-monthly, on sales that happened six months ago." Caldas explained that "royalty statements could be a year old".[184]
In February 2015, Music Business Worldwide reported on a French study between music trade body SNEP and EY that concluded that major labels kept 73% of Spotify Premium payouts, while writers/publishers received 16% and artists received 11%.[185] Mike Masnick of Techdirt wrote: "Sure, in the past, it may have been reasonable for the labels to take on large fees for distribution -- but that's when it meant manufacturing tons of plastic and vinyl and then shipping it to thousands of record stores around the globe. In this case, there's no manufacturing, and distribution is an "upload" button".[186]
D. A. Wallach[edit]
In February 2012, Forbes reported on "Spotify's secret weapon"; musician D. A. Wallach — member of the band Chester French and former Harvard classmate of Mark Zuckerberg. He acts as Spotify's "artist-in-residence" and helps Spotify "brainstorm artist-friendly applications that can be carved from the gusher of data it collects". One such application includes geographical data of what cities listen to artists' music the most as suitable tour locations. He told Forbes:[187]
We're working very carefully to make Spotify the most artist-friendly company that has ever existed. ... We're very interested in a high level of letting artists direcetly (sic) connect to their fans and manage that relationship and deliver value to their fans, and vice versa. We want to do that really elegantly, at a scale that's never existed before.
In a June interview with Hypebot, Wallach reported that $180 million of royalties was paid out in 2011 and 70% of Spotify's revenue consisted of royalty payments. Spotify's growth meant that the per-stream royalty rate doubled between the service's inception and mid-2012. He said that, at the time, compared to iTunes, the average listener spends $60 annually on music, whereas Spotify Premium users spend twice that amount. According to Wallach in 2012: "The growth of the platform is proportional to the royalty pay out and since inception we've already doubled the effective per play rate."[188]
Artist withdrawals[edit]
Thom Yorke[edit]
In July 2013, Radiohead singer Thom Yorke and producer Nigel Godrich removed their band Atoms for Peace and Yorke's solo music from Spotify. In a tweet, Yorke stated: "Make no mistake new artists you discover on #Spotify will not get paid. Meanwhile shareholders will shortly being rolling in it. Simples." Godrich stated: "[Streaming] cannot work as a way of supporting new artists' work. Spotify and the like either have to address that fact and change the model for new releases or else all new music producers should be bold and vote with their feet."[189]
In an October 2013 interview with Mexican website Sopitas, Yorke said: "I feel like as musicians we need to fight the Spotify thing. I feel that in some ways what's happening in the mainstream is the last gasp of the old industry. Once that does finally die, which it will, something else will happen." He described Spotify as "the last desperate fart of a dying corpse [sic]".[190]
Spotify responded in a statement that the company was "still in the early stages of a long-term project that's already having a hugely positive effect on artists and new music", and that it is "100% committed to making Spotify the most artist-friendly music service possible, and are constantly talking to artists and managers about how Spotify can help build their career".[191]
In 2015, Brian Message, partner at Radiohead's management company Courtyard Management,[192] stated that he disagreed with Yorke, noting that Spotify pays 70 percent of its revenue back to the music industry. He said that "Thom's issue was that the pipe has become so jammed ... We encourage all of our artists to take a long term approach ... Plan for the long term, understand that it's a tough game. Find your team players, choose them carefully, and stick with them even things are not going so well."[193]
On 17 June 2016, Radiohead's ninth album, A Moon Shaped Pool, was made available on Spotify, six weeks after it was released on paid-for streaming services including Apple Music and Tidal. Spotify had been in "advanced discussions" with Radiohead's management and label to make A Moon Shaped Pool the first album available exclusively to Spotify's paid subscribers, but the deal fell through. Spotify spokesperson Jonathan Prince stated: "Some of the approaches we explored with Radiohead were new, and we ultimately decided that we couldn't deliver on those approaches technologically in time for the album's release schedule."[194] In Rainbows, the only other Radiohead album not previously available on Spotify, was added on 10 June 2016.[195]
Taylor Swift[edit]
On 3 November 2014, singer, songwriter and recording artist Taylor Swift's entire discography was removed from Spotify. Swift had previously delayed the streaming of her 2012 album, Red.[196] Swift stated: "I'm not willing to contribute my life's work to an experiment that I don't feel fairly compensates the writers, producers, artists and creators of this music. And I just don't agree with perpetuating the perception that music has no value and should be free."[168] Earlier, in July 2014, she wrote an article in The Wall Street Journal, where she stated: "Music is art, and art is important and rare. Important, rare things are valuable. Valuable things should be paid for. It's my opinion that music should not be free, and my prediction is that individual artists and their labels will someday decide what an album's price point is. I hope they don't underestimate themselves or undervalue their art."[197]
Spotify launched a social media campaign to persuade Swift to return and, in a statement on its website, claimed that nearly 16 million of over 40 million users had played her music in the preceding 30-day period.[198]
In response to Swift's statement that music should be paid for, Spotify CEO Daniel Ek wrote: "Taylor Swift is absolutely right: music is art, art has real value, and artists deserve to be paid for it. ... At our current size, payouts for a top artist like Taylor Swift (before she pulled her catalog) are on track to exceed $6 million a year."[199] However, Scott Borchetta, CEO of Big Machine Records (Swift's label), disputed those figures, and claimed that Swift had received "less than $500,000" in the past 12 months of domestic streaming of her songs. A Spotify spokesperson further disputed those numbers, by telling Time that the total payout for Swift's streaming globally was $2 million.[200]
Ben Popper of The Verge wrote in an article that "all these numbers could be accurate without conflict. Borchetta was looking to cherry-pick the smallest possible figure, so he went with $500,000, which is what Spotify paid for Taylor Swift streams in the US. But that's only one of its markets, and it's not even its largest. Globally, Spotify paid Swift $2 million over the last year." Regarding the $6 million figure, Popper further wrote: "As more people sign up for Spotify and Taylor Swift continues her march towards infinite popularity, the amount she is getting paid is increasing. [Ek] took her trend line and ran it forward a year to get to the highest possible number he could quote."[201]
According to Borchetta, the amount Swift earned from streaming her videos on Vevo was greater than the payout she received from Spotify. He told Time: "The facts show that the music industry was much better off before Spotify hit these shores. ... Don't forget this is for the most successful artist in music today. What about the rest of the artists out there struggling to make a career? Over the last year, what Spotify has paid is the equivalent of less than 50,000 albums sold."[200]
Borchetta clarified in a February 2015 interview that Swift's catalog would be permitted on a streaming service "that understands the different needs that we [Swift and Big Machine Records] have," whereby "the choice to be [on the free, ad-supported tier] or not" is provided. Borchetta argued that Swift's musical oeuvre is "arguably the most important current catalog there is" and stated that the streaming issue is "about each individual artist, and the real mission here is to bring … attention to it."[202]
In November 2014, Borchetta stated in a radio interview that "If this fan went and purchased the record, CD, iTunes, wherever, and then their friends go, 'why did you pay for it? It's free on Spotify,' we're being completely disrespectful to that superfan."[203]
In an interview with Music Week in November 2016, Spotify's UK head of content programming George Ergatoudis stated that "Nothing's guaranteed, but I met up with [Big Machine Records president/CEO] Scott Borchetta personally and had that conversation with him. It's not a lock-in, but I've got every reason to be very optimistic Taylor Swift will be coming back to Spotify. I'm not saying it's done, but the indications are good, put it like that".[204][205]
Swift collaborated with Zayn Malik for the song I Don't Wanna Live Forever for the movie Fifty Shades Darker. The song, released in December 2016, was withheld from Spotify for one week after its original release on competing streaming services.[206]
Content withdrawals and delays[edit]
Spotify states in its support pages that: "We want all the world's music on Spotify. However, some artists and tracks are not currently available. Sometimes agreements can't be reached with the artist or label, or a change may happen in music ownership."[207] Furthermore, in its apps, Spotify states a message for unavailable content: "The artist or their representatives have decided not to release this album on Spotify. We are working on it and hope they will change their mind soon."
In December 2015, Coldplay withheld A Head Full of Dreams from Spotify until one week after its release, citing that all music on Spotify is available to both paid and free users.[208][209][210] Coldplay previously delayed their album Ghost Stories from all streaming services for four months after CD, vinyl and download release,[211] and did the same with its earlier album Mylo Xyloto.[212]
Beyoncé's self-titled album was not available until 24 November 2014, nearly a year after its original release.[213]
Adele's 21 was not initially available on Spotify, as Adele wanted Spotify to make her album available to paid subscribers only, but not to free users. Spotify declined her offer to avoid creating separate catalogues for subscribers and non-subscribers.[214] The album, originally released in January 2011, became available to stream 17 months later in June 2012.[215] In November 2015, the singer confirmed that her new album, 25, wouldn't be available for streaming on any service.[216][217] In a series of interviews with Time, Adele stated: "I know that streaming music is the future, but it's not the only way to consume music. ... I can't pledge allegiance to something that I don't know how I feel about yet."[218] However, the album was made available for streaming seven months later, in June 2016.[219]
Several bands from the 1960s and 1970s delayed their work being made available on Spotify or any streaming services. Until the end of 2013, Led Zeppelin's music was not available, before the parties reached an agreement in December.[220] In 2015, AC/DC and The Beatles allowed their music on streaming services.[221][222]
Icelandic singer Björk initially chose not to release her album Vulnicura on Spotify, saying: "This streaming thing just does not feel right. I don't know why, but it just seems insane. ... To work on something for two or three years and then just, 'Oh, here it is for free.' It's not about the money; it's about respect, you know? Respect for the craft and the amount of work you put into it."[223][224]
In February 2017, Prince's music produced under the Warner Bros. label, including the albums 1999, Purple Rain, Dirty Mind, and Sign o' the Times, became available on Spotify and other streaming services.[225][226]
Other criticism[edit]
2013 playlist copyright lawsuit[edit]
In September 2013, Ministry of Sound sued Spotify, alleging that user playlists mimicking the track listings of their compilation albums were infringing on album copyrights.[227][228]
2014 security breach[edit]
In May 2014, Spotify announced it had been hacked, but stated that only one user's information was accessed. It released a new Spotify app on the Android platform, replacing the former app, with Spotify chief technology officer Oskar Stål writing in a blog post that the upgrade was "a necessary precaution" and that no action for apps on other platforms were necessary.[229][230]
2015 privacy policy backlash[edit]
In August 2015, Spotify changed its privacy policy. The change included the following paragraph:[231]
With your permission, we may collect information stored on your mobile device, such as contacts, photos, or media files. Local law may require that you seek the consent of your contacts to provide their personal information to Spotify, which may use that information for the purposes specified in this Privacy Policy.
Gordon Gottsegen of Wired wrote that the changes were "ridiculous", and compared Spotify wanting to see and collect users' photos and contacts to that of a "jealous ex".[231]
Tom Warren of The Verge wrote that "Apps collecting any personal information like photos or contacts should really have a good explanation of why they need to do so" and wrote that "Spotify's [privacy policy] is far too broad without examples or vital context and detail around the data gathering the service is implementing".[232]
On Twitter, Spotify CEO Daniel Ek wrote that "[...] I'd argue it's a nice thing that I can upload a photo to my playlist to personalize it."[233] This was followed by an apology on the Spotify blog by Ek, in which he wrote that "We should have done a better job in communicating what these policies mean and how any information you choose to share will – and will not – be used", along with details on what features the permissions would enable.[234][235]
An updated privacy policy, with "clearer language", was rolled out in September 2015.[236][237]
See also[edit]
- ^ "Spotify.com Traffic Statistics". Alexa Internet. 10 March 2017. Retrieved 10 March 2017.
- ^ a b c d e f "How is Spotify contributing to the music business?". Spotify. Archived from the original on 3 November 2014. Retrieved 7 November 2016.
- ^ a b Orlowski, Andrew (31 August 2009). "Spotify, DRM and the celestial jukebox". The Register. Retrieved 8 November 2016.
- ^ "Spotify's Latest Statement On Sound Quality & Bitrate". Spotify Classical Playlists. 23 September 2011. Retrieved 7 November 2016.
- ^ "Spotify reveals artists earn $0.007 per stream". BBC News. 4 December 2013. Retrieved 22 January 2017.
- ^ "Spotify Family Plan Gets an Upgrade". Spotify. 23 May 2016. Retrieved 22 January 2017.
- ^ Nylander, Johan (17 August 2009). "Spotify doubled its loss last year". The Swedish Wire. Retrieved 7 November 2016.
- ^ Geere, Duncan (29 October 2010). "Spotify now top-tier music revenue source in Sweden". Wired. Condé Nast. Archived from the original on 30 October 2010. Retrieved 22 January 2017.
- ^ Eldon, Eric (10 November 2012). "Spotify Is Having A Good 2012: Revenues Could Reach $500M As It Expands The Digital Music Market". TechCrunch. AOL. Retrieved 22 January 2017.
- ^ a b Brian, Matt (4 January 2013). "Spotify is no longer offering new music download purchases to its users". The Next Web. Retrieved 22 January 2017.
- ^ Plummer, Robert (12 February 2017). "The clock is ticking for Spotify". BBC News. Retrieved 12 February 2017.
- ^ Bradshaw, Tim; Menn, Joseph (1 March 2010). "Spotify-MOG battle heats up". Financial Times. The Nikkei. Retrieved 22 January 2017.
- ^ "Spotify valued at $1bn, coming to US". Investoo. 18 June 2011. Archived from the original on 25 March 2012. Retrieved 7 November 2016.
- ^ Constine, Josh (14 November 2012). "Report: Spotify Has Closed A Massive Fifth Round Of Funding That Values It At $3 Billion". TechCrunch. AOL. Retrieved 9 November 2016.
- ^ MacMillan, Douglas; Demos, Telis (10 April 2015). "Spotify Nears Deal to Raise $400 Million at $8.4 Billion Valuation". The Wall Street Journal. Retrieved 9 November 2016. (subscription required)
- ^ MacMillan, Douglas; Rossi, Juhana (10 June 2015). "Spotify Raises $526 Million Amid Battle With Apple". The Wall Street Journal. Retrieved 9 November 2016. (subscription required)
- ^ Lunden, Ingrid (27 January 2016). "Spotify Is Raising Another $500M In Convertible Notes With Discounts On IPO Shares". TechCrunch. AOL. Retrieved 9 November 2016.
- ^ MacMillan, Douglas; Jarzemsky, Matt; Farrell, Maureen (29 March 2016). "Spotify Raises $1 Billion in Debt Financing". The Wall Street Journal. Retrieved 9 November 2016. (subscription required)
- ^ Lunden, Ingrid; Roof, Katie (2 February 2017). "Sources: Spotify may delay IPO to 2018 as it rethinks licensing deals". TechCrunch. AOL. Retrieved 12 February 2017.
- ^ "Formats". Spotify. Retrieved 16 December 2016.
- ^ "Branded Moments". Spotify. Retrieved 16 December 2016.
- ^ "Sponsored Playlist". Spotify. Retrieved 16 December 2016.
- ^ "Sponsored Session". Spotify. Retrieved 16 December 2016.
- ^ "Video Takeover". Spotify. Retrieved 16 December 2016.
- ^ "Audio". Spotify. Retrieved 16 December 2016.
- ^ "Display". Spotify. Retrieved 16 December 2016.
- ^ "Overlay". Spotify. Retrieved 16 December 2016.
- ^ "Homepage Takeover". Spotify. Retrieved 16 December 2016.
- ^ "Branded Playlists". Spotify. Retrieved 16 December 2016.
- ^ "Advertiser Page". Spotify. Retrieved 16 December 2016.
- ^ "Expanded "Buy From" feature and a Spanish translation". Spotify. 31 March 2009. Retrieved 22 January 2017.
- ^ "Spotify". APKMirror. Android Police. 20 March 2017. Retrieved 22 March 2017.
- ^ "Spotify". iTunes Store. Apple Inc. 21 March 2017. Retrieved 22 March 2017.
- ^ "Spotify - Windows". FileHippo. Well Known Media Ltd. 10 March 2017. Retrieved 11 March 2017.
- ^ "Spotify - macOS". FileHippo. Well Known Media Ltd. 10 March 2017. Retrieved 11 March 2017.
- ^ "How we use Python at Spotify". Spotify Labs. Spotify. 20 March 2013. Retrieved 8 March 2017.
- ^ "Download Spotify". Spotify. Retrieved 8 November 2016.
- ^ "Connecting to a device using Spotify Connect". Spotify. Retrieved 8 November 2016.
- ^ a b Hamburger, Ellis (15 November 2012). "Spotify to begin rolling out browser-based music app in beta today". The Verge. Vox Media. Retrieved 13 November 2016.
- ^ "Spotify Terms and Conditions of Use: User guidelines". Spotify. 1 November 2016. Retrieved 19 February 2017.
- ^ "What bitrate does Spotify use for streaming?". Spotify. Retrieved 9 November 2016.
- ^ "Local files". Spotify. Retrieved 7 January 2017.
- ^ Kreitz, Gunnar; Niemelä, Fredrik. "Spotify – Large Scale, Low Latency, P2P Music-on-Demand Streaming" (PDF). Royal Institute of Technology. Retrieved 9 November 2016.
- ^ "Select your country". Spotify. Retrieved 7 November 2016.
- ^ Synskey, Dorian (10 November 2013). "Is Daniel Ek, Spotify founder, going to save the music industry … or destroy it?". The Guardian. Retrieved 7 November 2016.
- ^ "Spotify now available to everyone in the UK". Spotify. 10 February 2009. Retrieved 7 November 2016.
- ^ "Spotify Launches In The Netherlands". Spotify. 18 May 2011. Retrieved 7 November 2016.
- ^ Ek, Daniel (14 July 2011). "Hello America. Spotify here.". Spotify. Retrieved 7 November 2016.
- ^ Milian, Mark (15 July 2011). "Spotify music-streaming service launches in U.S.". CNN. Retrieved 7 November 2016.
- ^ Rego, Diego (16 November 2011). "A big hello to Belgium and Switzerland.". Spotify. Retrieved 7 November 2016.
- ^ Roxborough, Scott (12 March 2012). "Spotify Launching In Germany Tuesday". Billboard. Prometheus Global Media. Retrieved 7 November 2016.
- ^ Murphy, Samantha (21 May 2012). "Spotify Launches in Australia and New Zealand". Mashable. Retrieved 7 November 2016.
- ^ "Spotify (finally) launches in Ireland". The Irish Times. 13 November 2012. Retrieved 7 November 2016.
- ^ Lunden, Ingrid (13 November 2012). "Spotify Is Now Live In 17 Countries After Quietly Adding Ireland And Luxembourg Today". TechCrunch. AOL. Retrieved 7 November 2016.
- ^ "Hello Italy, Poland and Portugal. Spotify here.". Spotify. 12 February 2013. Retrieved 7 November 2016.
- ^ "Hola. Helo. Tere. Sveiki. 你好. Selamat datang.". Spotify. 16 April 2013. Retrieved 7 November 2016.
- ^ "Spotify begins Latin America push with Mexico launch". BBC. 16 April 2013. Retrieved 7 November 2016.
- ^ "Hello Argentina, Taiwan, Greece and Turkey – Spotify here!". Spotify. 24 September 2013. Retrieved 7 November 2016.
- ^ Russell, Jon (24 September 2013). "Spotify is now live in 32 countries after launching in Taiwan, Argentina, Greece and Turkey". The Next Web. Retrieved 7 November 2016.
- ^ Fleischfresser, Channtal (12 December 2013). "Hello to our new friends in Europe and Latin America!". Spotify. Retrieved 6 November 2016.
- ^ Kastrenakes, Jacob (11 December 2013). "Spotify launches in 20 new markets throughout Latin America and Europe". The Verge. Vox Media. Retrieved 7 November 2016.
- ^ Tan, Priscilla (8 April 2014). "Mabuhay Philippines! Spotify here.". Spotify. Retrieved 7 November 2016.
- ^ Rego, Diego; Fleischfresser, Channtal (28 May 2014). "Olá, Brasil! Spotify here.". Spotify. Retrieved 7 November 2016.
- ^ Katz, Candice (30 September 2014). "Hello Canada. Spotify here!". Spotify. Retrieved 7 November 2016.
- ^ "Halo Indonesia. Waktunya Spotify!". Spotify. 30 March 2016. Retrieved 7 November 2016.
- ^ "Spotify Arrives in Japan". Spotify. 29 September 2016. Retrieved 7 November 2016.
- ^ "Spotify.com WHOIS, DNS, & Domain Info - DomainTools". Retrieved 8 November 2016.
- ^ Ek, Daniel (31 December 2010). "How did Spotify get its name?". Quora. Retrieved 8 November 2016.
- ^ "Company Overview of Spotify AB". Bloomberg Businessweek. Retrieved 7 November 2016.
- ^ "Company Overview of Spotify Limited". Bloomberg Businessweek. Retrieved 7 November 2016.
- ^ "Company Overview of Spotify Technology S.A.". Bloomberg Businessweek. Retrieved 7 November 2016.
- ^ "Contact - Spotify". Spotify. Retrieved 9 November 2016.
- ^ "We've only just begun!". Spotify. 7 October 2008. Retrieved 7 November 2016.
- ^ "Spotify now available to everyone in the UK". Spotify. 10 February 2010. Retrieved 8 November 2016.
- ^ "Back to invites for a while in the UK". Spotify. 10 September 2009. Retrieved 8 November 2016.
- ^ "Spotify security notice". Spotify. 4 March 2009. Retrieved 8 November 2016.
- ^ "Updated security notice". Spotify. 4 March 2009. Retrieved 8 November 2016.
- ^ "Spotify Premium e-cards, just in time for the holidays". Spotify. 2 December 2009. Retrieved 8 November 2016.
- ^ "Introducing Spotify Open and Unlimited". Spotify. 18 May 2010. Retrieved 8 November 2016.
- ^ Eik, Espen (19 January 2011). "Spotify: 750 000 betalende abonnenter". Ballade.no. Retrieved 8 November 2016.
- ^ Lüfkens, Matthias (1 September 2010). "Thirty-One Visionary Companies Selected as Technology Pioneers 2011". World Economic Forum. Archived from the original on 2 September 2010. Retrieved 8 November 2016.
- ^ Kobie, Nicole (25 March 2011). "Spotify drops ads after malware attack". PC Pro. Retrieved 8 November 2016.
- ^ Ek, Daniel (14 April 2011). "Upcoming changes to Spotify Free/Open". Spotify. Retrieved 8 November 2016.
- ^ Flacy, Mike (6 January 2012). "Unlimited listening on Spotify will vanish for U.S. early adopters next week". Digital Trends. Retrieved 8 November 2016.
- ^ Ek, Daniel (30 November 2011). "Say hello to Spotify Apps". Spotify. Retrieved 8 November 2016.
- ^ Dredge, Stuart (30 November 2011). "Spotify amps up iTunes rivalry with its own apps platform". The Guardian. Retrieved 8 November 2016.
- ^ Cheredar, Tom (12 June 2012). "Even Spotify apps are getting funded: Soundrop raises $3M to turn music social". VentureBeat. Retrieved 8 November 2016.
- ^ Lunden, Ingrid (11 June 2012). "Spotify App Soundrop Tunes Into First Investment: $3M From Spotify Lead Backer Northzone". TechCrunch. AOL. Retrieved 8 November 2016.
- ^ "Announcing continued unlimited free listening!". Spotify. 29 March 2012. Retrieved 8 November 2016.
- ^ Constine, Josh (11 April 2012). "Spotify's New Embeddable Play Button Lets Any Site Turn You On To Legal Tunes". TechCrunch. AOL. Retrieved 13 November 2016.
- ^ "Spotify Play Button". Spotify. Retrieved 13 November 2016.
- ^ Katz, Candice (6 December 2012). "Introducing a better way to discover music". Spotify. Retrieved 9 November 2016.
- ^ Lanxon, Nate (6 December 2012). "Spotify announces major updates to service, gets Metallica catalogue". Wired. Archived from the original on 9 December 2012. Retrieved 9 November 2016.
- ^ "Great news about the 5-play limit!". Spotify. 19 March 2013. Retrieved 13 November 2016.
- ^ Hamburger, Ellis (11 December 2013). "Spotify announces free streaming on Android and iPhone, but only in Shuffle mode". The Verge. Vox Media. Retrieved 13 November 2016.
- ^ "No more time limits on Spotify – #freeyourmusic". Spotify. 15 January 2014. Retrieved 22 January 2017.
- ^ "Spotify Acquires The Echo Nest". Spotify. 6 March 2014. Retrieved 13 November 2016.
- ^ Etherington, Darrell (6 March 2014). "Spotify Acquires The Echo Nest, Gaining Control Of The Music DNA Company That Powers Its Rivals". TechCrunch. AOL. Retrieved 13 November 2016.
- ^ Gokey, Malarie (26 March 2014). "Spotify offers best student discount ever - Premium subscriptions for just $5". Tech Times. Retrieved 13 November 2016.
- ^ Ernesto (16 April 2014). "Spotify Starts Shutting Down Its Massive P2P Network". TorrentFreak. Retrieved 21 November 2016.
- ^ Pérez, José (17 June 2014). "Say Hello to Our New Web API". Retrieved 13 November 2016.
- ^ "Spotify Apps API (Discontinued)". Spotify. 29 October 2014. Retrieved 8 November 2016.
- ^ Lunden, Ingrid (13 November 2014). "Spotify Axes App Finder, Kills Soundrop And Its Listening Rooms". TechCrunch. AOL. Retrieved 8 November 2016.
- ^ "Say hello to the most entertaining Spotify ever". Spotify. 20 May 2015. Retrieved 9 November 2016.
- ^ Welch, Chris (20 May 2015). "Spotify now does videos and podcasts". The Verge. Vox Media. Retrieved 9 November 2016.
- ^ Constine, Josh (24 June 2015). "Spotify Buys Beats' Analytics Provider Seed Scientific". TechCrunch. AOL. Retrieved 11 December 2016.
- ^ Vanian, Jonathan (24 June 2015). "Why Spotify just bought a data science startup". Fortune. Retrieved 11 December 2016.
- ^ "Introducing Discover Weekly: your ultimate personalised playlist". Spotify. 20 July 2015. Retrieved 11 December 2016.
- ^ Pasick, Adam (21 December 2015). "The magic that makes Spotify's Discover Weekly playlists so damn good". Quartz. Retrieved 11 December 2016.
- ^ "Discover Weekly Reaches Nearly 5 Billion Tracks Streamed Since Launch". Spotify. 25 May 2016. Retrieved 11 December 2016.
- ^ Ek, Daniel; Lorentzon, Martin (12 April 2016). "Vi måste agera eller bli omsprungna!". Medium. Retrieved 4 February 2017.
- ^ "Spotify acquires CrowdAlbum". Spotify. 27 April 2016. Retrieved 4 February 2017.
- ^ Goldman, Joshua (27 April 2016). "Spotify snaps up photo-video aggregator for concertgoers". CNET. CBS Interactive. Retrieved 4 February 2017.
- ^ Wong, Joon (24 May 2016). "Spotify's average salary keeps rising—even as its losses mount". Quartz. Retrieved 8 November 2016.
- ^ "Release Radar: Your Personalized Playlist of the Newest Releases". Spotify. 5 August 2016. Retrieved 15 March 2017.
- ^ Popper, Ben (5 August 2016). "Spotify's Release Radar is a personalized playlist of brand-new music". The Verge. Vox Media. Retrieved 15 March 2017.
- ^ Constine, Josh (5 August 2016). "Spotify follows Discover Weekly with personalized new releases playlist". TechCrunch. AOL. Retrieved 15 March 2017.
- ^ Ingham, Tim (22 August 2016). "Universal, Sony and Warner sign 9 new acts... for a Spotify-based TV talent show". Music Business Worldwide. Retrieved 16 December 2016.
- ^ Shaw, Lucas; Satariano, Adam (27 August 2016). "Spotify Is Burying Musicians for Their Apple Deals". Bloomberg Businessweek. Retrieved 14 November 2016.
- ^ "Rediscover Your Favorite Music with Daily Mix". Spotify. 27 September 2016. Retrieved 11 December 2016.
- ^ Ogle, Matthew (14 December 2016). "Big day today: Daily Mixes have landed on desktop @Spotify! Here are mine, how're yours looking?". Twitter. Retrieved 16 December 2016.
- ^ Kafka, Peter (14 September 2016). "Spotify is adding more subscribers and is losing its chief revenue officer". Recode. Vox Media. Retrieved 21 November 2016.
- ^ Levick, Jeff (14 September 2016). "Why I'm Leaving Spotify". 42Hire. Retrieved 21 November 2016.
- ^ "Spotify vs. Apple Music: Which service is the streaming king?". Digital Trends. 28 October 2016. Retrieved 14 November 2016.
- ^ Clark, Bryan (30 November 2016). "Spotify is using billboards to call users out on their questionable listening habits". The Next Web. Retrieved 30 November 2016.
- ^ Jardine, Alexandra (28 November 2016). "'Thanks 2016, It's Been Weird,' Says Spotify in Biggest-Ever Global Campaign". Creativity. Retrieved 30 November 2016.
- ^ "Spotify expands with World Trade Center move". Agence France-Presse via ABS-CBN. 15 February 2017. Retrieved 15 February 2017.
- ^ Loudenback, Tanza (25 July 2016). "Step inside Spotify's New York City office, where you'll find an airy roof deck, cold brew coffee, and a secret recording studio". Business Insider. Axel Springer SE. Retrieved 19 February 2017.
- ^ "Spotify to Launch New Original Podcasts Showstopper, Unpacked, and The Chris Lighty Story (WT)". Spotify. 23 February 2017. Retrieved 15 March 2017.
- ^ Perez, Sarah (23 February 2017). "Spotify expands its push into original content with new podcasts". TechCrunch. AOL. Retrieved 15 March 2017.
- ^ "Spotify Partners with SXSW 2017 to Enhance Music Discovery". Spotify. 1 March 2017. Retrieved 15 March 2017.
- ^ "Spotify Acquires Sonalytic". Spotify. 7 March 2017. Retrieved 15 March 2017.
- ^ Perez, Sarah (7 March 2017). "Spotify acquires audio detection startup Sonalytic". TechCrunch. AOL. Retrieved 15 March 2017.
- ^ "Spotify To Partner with WNYC Studios to Offer Exclusive Two Week Window for New Season of Top Podcast 2 Dope Queens with Jessica Williams and Phoebe Robinson". Spotify. 13 March 2017. Retrieved 15 March 2017.
- ^ Rossignol, Derrick (13 March 2017). "Spotify lands '2 Dope Queens' and other hit WNYC podcasts". Engadget. AOL. Retrieved 15 March 2017.
- ^ "Spotify and Waze Partner to Enhance Your In-Car Listening Experience". Spotify. 14 March 2017. Retrieved 15 March 2017.
- ^ Nieva, Richard (14 March 2017). "Spotify gives you driving directions through Waze". CNET. CBS Interactive. Retrieved 15 March 2017.
- ^ Statt, Nick; Singleton, Micah (16 March 2017). "Spotify will restrict some albums to its paid tier". The Verge. Vox Media. Retrieved 17 March 2017.
- ^ Wilhelm, Parker (16 March 2017). "Spotify may soon require a Premium account to listen to certain albums". TechRadar. Future plc. Retrieved 17 March 2017.
- ^ Summers, Nick (16 March 2017). "Spotify might delay album releases for 'free' users". Engadget. AOL. Retrieved 17 March 2017.
- ^ Rigby, Sam (20 April 2013). "Daft Punk's 'Get Lucky' breaks Spotify streaming records". Digital Spy. Hearst Magazines UK. Retrieved 13 November 2016.
- ^ Weiner, Natalie (12 October 2015). "Ed Sheeran's 'Thinking Out Loud' Becomes First Song to Hit 500 Million Spotify Streams". Billboard. Prometheus Global Media. Retrieved 13 November 2016.
- ^ "Leaning power: Spotify names its most streamed track of all time". The Guardian. 12 November 2015. Retrieved 13 November 2016.
- ^ Ingham, Tim (7 April 2016). "The biggest artist on Spotify is a shareholder in Tidal". Music Business Worldwide. Retrieved 13 November 2016.
- ^ Jones, Rhian (18 May 2016). "Drake is Spotify's most popular artist in history ... and right now". Music Business Worldwide. Retrieved 19 December 2016.
- ^ Ingham, Tim (1 December 2016). "Drake finally loses his Spotify crown to record-breaking The Weeknd". Music Business Worldwide. Retrieved 19 December 2016.
- ^ McIntyre, Hugh (16 December 2016). "Drake's One Dance Is The First Song To Hit 1 Billion Plays On Spotify". Forbes. Retrieved 19 December 2016.
- ^ Kaufman, Gil (16 December 2016). "Drake's One Dance Is First Song to Reach 1 Billion Plays on Spotify". Billboard. Prometheus Global Media. Retrieved 19 December 2016.
- ^ "Spotify hits milestone with 1 million subscribers". BBC News. 8 March 2011. Retrieved 7 November 2016.
- ^ Van Grove, Jennifer (21 September 2011). "Spotify Surpasses 2 Million Paying Subscribers". Mashable. Retrieved 7 November 2016.
- ^ Sanburn, Josh (16 August 2012). "Spotify is Growing — But Why Isn't It Growing Faster?". Time. Retrieved 7 November 2016.
- ^ Weber, Harrison (6 December 2012). "Spotify announces 5M+ paid subscribers globally, 1M paid in US, 20M total active users, 1B playlists". The Next Web. Retrieved 7 November 2016.
- ^ Sloan, Paul (29 May 2014). "Spotify: Growing like mad, yet so far to go". CNET. Retrieved 7 November 2016.
- ^ Brustein, Joshua (22 May 2014). "Spotify Hits 10 Million Paid Users. Now Can It Make Money?". Bloomberg Businessweek. Retrieved 7 November 2016.
- ^ "15 for '15!". Spotify. 12 January 2015. Retrieved 7 November 2016.
- ^ "20 Million Reasons to Say Thanks". Spotify. 10 June 2015. Retrieved 7 November 2016.
- ^ Singleton, Micah (21 March 2016). "Spotify hits 30 million subscribers". The Verge. Vox Media. Retrieved 7 November 2016.
- ^ Kahn, Jordan (14 September 2016). "Spotify hits 40 million paid subscriber milestone, outpacing Apple Music's growth". 9to5Mac. Retrieved 7 November 2016.
- ^ Murgia, Madhumita (20 June 2016). "Spotify crosses 100m users". The Daily Telegraph. Retrieved 7 November 2016.
- ^ Gartenberg, Chaim (2 March 2017). "Spotify now has 50 million paid subscribers". The Verge. Vox Media. Retrieved 3 March 2017.
- ^ Lempel, Eric (28 January 2015). "PlayStation, Meet Spotify". Sony. Retrieved 13 November 2016.
- ^ Lempel, Eric (30 March 2015). "Spotify Launches on PlayStation Music Today". Sony. Retrieved 13 November 2016.
- ^ Kafka, Peter (30 June 2014). "Spotify says Apple won't approve a new version of its app because it doesn't want competition for Apple Music". Recode. Vox Media. Retrieved 22 January 2017.
- ^ Statt, Nick (1 July 2016). "Apple responds to Spotify over anticompetitive claims". The Verge. Vox Media. Retrieved 22 January 2017.
- ^ "Spotify Music on the App Store". App Store. Retrieved 21 September 2016.
- ^ a b Guttenberg, Steve (29 May 2014). "Is Spotify unfair to musicians?". CNET. Retrieved 8 November 2016.
- ^ Plaugic, Lizzie (7 December 2015). "Spotify's Year in Music shows just how little we pay artists for their music". The Verge. Vox Media. Retrieved 22 January 2017.
- ^ a b Grow, Kory (6 November 2014). "Taylor Swift Shuns 'Grand Experiment' of Streaming Music". Rolling Stone. Retrieved 8 November 2016.
- ^ Broida, Rick (1 June 2016). "Block explicit lyrics in music subscription services". CNET. CBS Interactive. Retrieved 22 January 2017.
- ^ Lindvall, Helienne (17 August 2009). "Behind the music: The real reason why the major labels love Spotify". The Guardian. Retrieved 23 November 2016.
- ^ Sidung, Erik (13 August 2009). "Uggla ursinnig över Spotify och Sony Music". Aftonbladet. Retrieved 23 November 2016.
- ^ Bryne, Snorre; Thorkildsen, Joakim (11 August 2009). "55 100 avspillinger ga 19 kroner". Dagbladet. Retrieved 23 November 2016.
- ^ "How Much Do Music Artists Earn Online?". Information Is Beautiful. April 2010. Retrieved 23 November 2016.
- ^ Paul (3 October 2011). "Projekt Keeps Fighting; Calls Spotify an "Unprincipled Concept..."". Digital Music News. Archived from the original on 6 October 2011. Retrieved 23 November 2016.
- ^ a b Makarechi, Kia (28 March 2012). "Black Keys: Sean Parker Is An A**hole, Spotify Isn't Fair To Artists". The Huffington Post. Retrieved 23 November 2016.
- ^ Perpetua, Matthew (13 December 2011). "Black Keys: Why We Won't Stream 'El Camino'". Rolling Stone. Retrieved 23 November 2016.
- ^ "And now to British Theatre". Screaming Silence. 17 May 2012. Archived from the original on 22 October 2013. Retrieved 23 November 2016.
- ^ Byrne, David (11 October 2013). "David Byrne: 'The internet will suck all creative content out of the world'". The Guardian. Retrieved 23 November 2016.
- ^ Grow, Kory (25 April 2014). "Don't Enjoy the Silence: Spotify Pulls Silent Publicity Stunt Album". Rolling Stone. Retrieved 23 November 2016.
- ^ Brown, Harley (26 April 2014). "Spotify Removes Vulfpeck's 'Sleepify'". Billboard. Prometheus Global Media. Retrieved 23 November 2016.
- ^ Welch, Chris (7 May 2014). "Spotify removes silent album that earned indie band $20,000". The Verge. Vox Media. Retrieved 23 November 2016.
- ^ Roettgers, Janko (28 July 2015). "Two Weeks Later, Neil Young Finally Removes His Music From Spotify". Variety. Retrieved 23 November 2016.
- ^ "You Can Keep on Rockin' to Neil Young on Spotify and Apple Music — He's Back!". Vulture. New York Media, LLC. 4 November 2016. Retrieved 22 January 2017.
- ^ a b Buskirk, Eliot Van (21 June 2012). "David Lowery Might Be Right About Some Things, But He's Wrong About Streaming, Money, and Artists". Evolver.fm. Retrieved 17 December 2016.
- ^ Ingham, Tim (3 February 2015). "Major labels keep 73% of Spotify Premium payouts - Report". Music Business Worldwide. Retrieved 17 December 2016.
- ^ Masnick, Mike (5 February 2015). "Yes, Major Record Labels Are Keeping Nearly All The Money They Get From Spotify, Rather Than Giving It To Artists". Techdirt. Retrieved 17 December 2016.
- ^ Greenburg, Zack (1 February 2012). "Spotify's Secret Weapon". Forbes. Retrieved 17 December 2016.
- ^ Dahud, Hisham (21 June 2012). "Hypebot Interviews Spotify's "Secret Weapon" – Artist In Residence, D.A. Wallach". Hypebot. Retrieved 17 December 2016.
- ^ "Thom Yorke pulls albums from Spotify". BBC News. 15 July 2013. Retrieved 18 January 2017.
- ^ Dredge, Stuart (7 October 2013). "Thom Yorke calls Spotify 'the last desperate fart of a dying corpse'". The Guardian. Retrieved 18 January 2017.
- ^ Arthur, Charles (15 July 2013). "Thom Yorke blasts Spotify on Twitter as he pulls his music". The Guardian. Retrieved 18 January 2017.
- ^ Marshall, Alex (15 April 2016). "Radiohead have not yet decided whether to stream new album, says man from their management firm". The Guardian. Retrieved 18 January 2017.
- ^ McGoogan, Cara (16 October 2015). "Brian Message: Apple Music won't be bigger than YouTube". Wired. Condé Nast. Retrieved 18 January 2017.
- ^ Forde, Eamonn (9 June 2016). "Exclusive: Spotify pulled out of Radiohead album-windowing plan". Music Ally. Retrieved 18 January 2017.
- ^ Brandle, Lars (10 June 2016). "Radiohead's 'In Rainbows' Is Available on Spotify". Billboard. Prometheus Global Media. Retrieved 18 January 2017.
- ^ Alter, Charlotte (3 November 2014). "Taylor Swift Just Removed Her Music From Spotify". Time. Retrieved 23 December 2016.
- ^ Swift, Taylor (7 July 2014). "For Taylor Swift, the Future of Music Is a Love Story". The Wall Street Journal. Retrieved 23 December 2016. (subscription required)
- ^ "On Taylor Swift's Decision To Remove Her Music from Spotify". Spotify. 3 November 2014. Retrieved 23 December 2016.
- ^ Ek, Daniel (11 November 2014). "$2 Billion and Counting". Spotify. Retrieved 23 December 2016.
- ^ a b Dickey, Jack (12 November 2014). "Taylor Swift's Spotify Paycheck Mystery". Time. Retrieved 23 December 2016.
- ^ Popper, Ben (13 November 2014). "Spotify says it paid Taylor Swift millions. Her label disagrees. Here's the truth". The Verge. Vox Media. Retrieved 23 December 2016.
- ^ Newman, Melinda (5 February 2015). "Taylor Swift's Label Boss on Her Future, His Spotify Showdown and 'American Idol'". The Hollywood Reporter. Retrieved 23 December 2016.
- ^ Knopper, Steve (8 November 2014). "Taylor Swift Pulled Music From Spotify for 'Superfan Who Wants to Invest,' Says Rep". Rolling Stone. Retrieved 23 December 2016.
- ^ Gumble, Daniel (28 November 2016). "George Ergatoudis: Taylor Swift and Adele set for Spotify return". Music Week. Intent Media. Retrieved 14 March 2017.
- ^ Harp, Justin (30 November 2016). "Is Taylor Swift planning a return to Spotify?". Digital Spy. Hearst. Retrieved 14 March 2017.
- ^ Trust, Gary (16 December 2016). "Zayn & Taylor Swift's 'I Don't Wanna Live Forever' Headed for Top 10 Hot 100 Debut". Billboard. Eldridge Industries. Retrieved 14 March 2017.
- ^ "Content missing". Spotify. Retrieved 24 December 2016.
- ^ Karp, Hannah (3 December 2015). "Coldplay to Headline Super Bowl Halftime Show". The Wall Street Journal. Retrieved 24 December 2016. (subscription required)
- ^ Welch, Chris (3 December 2015). "Coldplay's new album won't be on Spotify when it's released". The Verge. Vox Media. Retrieved 24 December 2016.
- ^ Cox, Jamieson (8 December 2015). "Coldplay's new album will be available on Spotify this Friday, even for free users". The Verge. Vox Media. Retrieved 24 December 2016.
- ^ Dredge, Stuart (23 September 2014). "Coldplay's Ghost Stories goes live on Spotify and streaming music services". The Guardian. Retrieved 24 December 2016.
- ^ Indvik, Lauren (27 October 2011). "Why Coldplay and Adele Aren't Bringing New Albums to Spotify". Mashable. Retrieved 24 December 2016.
- ^ Luckerson, Victor (24 November 2014). "Beyoncé's Latest Album Is Finally on Spotify". Time. Retrieved 24 December 2016.
- ^ Carr, Austin (15 February 2012). "Why Spotify Turned Down Adele's 21". Fast Company. Retrieved 24 December 2016.
- ^ Zirm, Jordan (27 June 2012). "You Can Now Stream Adele's "21" On Spotify". Complex. Retrieved 24 December 2016.
- ^ Cox, Jamieson (19 November 2015). "Adele's new album 25 won't be available on any streaming services". The Verge. Vox Media. Retrieved 24 December 2016.
- ^ Sisario, Ben (19 November 2015). "Adele Is Said to Reject Streaming for 25". The New York Times. Retrieved 24 December 2016.
- ^ "Adele Talks Decision To Reject Streaming Her New Album". Time. 21 December 2015. Retrieved 24 December 2016.
- ^ Cox, Jamieson (23 June 2016). "Adele's 25 is coming to Spotify tomorrow, seven months after its release". The Verge. Vox Media. Retrieved 24 December 2016.
- ^ Sisario, Ben (11 December 2013). "Spotify Adds Led Zeppelin, and Turns Focus to Mobile". The New York Times. Retrieved 24 December 2016.
- ^ McCormick, Rich (29 June 2015). "AC/DC is putting its records on Spotify, Rdio, and Apple Music". The Verge. Vox Media. Retrieved 24 December 2016.
- ^ Kelion, Leo (23 December 2015). "Beatles music joins streaming services". BBC. Retrieved 24 December 2016.
- ^ Brunner, Rob (26 February 2015). "Bjork On Keeping "Vulnicura" Off Spotify: "It's About Respect, You Know?"". Fast Company. Retrieved 24 December 2016.
- ^ Kreps, Daniel (27 February 2015). "Bjork Keeping Vulnicura Off Spotify: 'It Just Seems Insane'". Rolling Stone. Retrieved 24 December 2016.
- ^ Flanagan, Andrew (9 February 2017). "It's Official: Prince Is Coming To Streaming This Sunday". NPR. Retrieved 11 February 2017.
- ^ Mullin, Joe (10 February 2017). "Prince's music will be on Spotify and other services starting Sunday". Ars Technica. Condé Nast. Retrieved 11 February 2017.
- ^ Mullin, Joe (4 September 2013). "Spotify sued over user playlists, said to infringe copyright". Ars Technica. Condé Nast. Retrieved 21 January 2017.
- ^ Dredge, Stuart (4 September 2013). "Ministry of Sound sues Spotify for copyright infringement". The Guardian. Retrieved 21 January 2017.
- ^ Stål, Oskar (27 May 2014). "Important Notice to Our Users". Spotify. Retrieved 16 January 2017.
- ^ Gibbs, Samuel (28 May 2014). "Spotify hack leads to rollout of new Android app". The Guardian. Retrieved 16 January 2017.
- ^ a b Gottsegen, Gordon (20 August 2015). "You Can't Do Squat About Spotify's Eerie New Privacy Policy (UPDATED)". Wired. Condé Nast. Retrieved 16 January 2017.
- ^ Warren, Tom (21 August 2015). "Spotify's new privacy policy generates unnecessary outrage". The Verge. Vox Media. Retrieved 16 January 2017.
- ^ Ek, Daniel (21 August 2015). "@notch similarly, I'd argue it's a nice thing that I can upload a photo to my playlist to personalize it.". Twitter. Retrieved 16 January 2017.
- ^ Ek, Daniel (21 August 2015). "SORRY.". Spotify. Retrieved 16 January 2017.
- ^ Welch, Chris (21 August 2015). "Spotify CEO apologizes for controversial new privacy policy". The Verge. Vox Media. Retrieved 16 January 2017.
- ^ Kastrenakes, Jacob (3 September 2015). "Spotify updates privacy policy with clearer language after backlash". The Verge. Vox Media. Retrieved 16 January 2017.
- ^ Ek, Daniel (3 September 2015). "Privacy Policy Update". Spotify. Retrieved 16 January 2017.
External links[edit]
Wikimedia Commons has media related to Spotify. |
- Swedish brands
- Companies of Sweden
- Software companies of Sweden
- 2008 establishments in Sweden
- 2008 software
- 2009 establishments in the United Kingdom
- 2011 establishments in the United States
- 2012 establishments in Australia
- 2012 establishments in New Zealand
- 2014 establishments in the Philippines
- 2014 establishments in Canada
- Android (operating system) software
- Windows Phone software
- Windows software
- Amazon Alexa skills
- Companies based in London
- Companies established in 2008
- IOS software
- Jukebox-style media players
- Online music database clients
- Online music stores
- Software that uses Qt
- Streaming music services
- Symbian software
- Music websites
- Google Assistant actions


text:
Friday, June 25, 2010
On Keynes...
7 comments:
It's denser than Capitalism, Socialism, and Democracy to be sure (I haven't read that compeltely - but started it).
I feel like it's about time for me to reread the General Theory. I have a much better sense of what Keynes was trying to say than when I first read it, and I feel like it's probably wise to revisit it just to make sure I'm thinking along the right lines.It'd be interesting to write some type of study guide for The General Theory, or at least an abridged version. It would basically say the same thing, in more modern English, with models (so I guess incorporating some of Hicks's contributions).
Maybe this would even persuade Austrians to take a look at Keynesian theory, if only for a better understanding (because, the more I learn about Keynesian economics the more I understand your despair when you read Austrian critiques, Daniel).Haha!
Well, there's a lot to dispair of in KEYNESIAN posts about Keynesianism too.
And Keynes is slippery - and not even slippery, it's simply a broad tradition. So of course there are going to be different versions - and that's perfectly fine.
Anyway - yes. I'm quite sure I'm going to start taking notes and reflections reading Garrison, and make a habit of this for more books. If I read the General Theory again soon I'll do that, and perhaps collect it and write it up.I don't believe it is an issue of density ... for me it is an issue of clarity in writing. Keynes' prose is just, well, terrible. Sometimes the prose of an author - say in the case of Kant - does not distract so much because they payoff is so significant, but that has not been the case with the "General Theory" for me.
ReplyDeleteI've always been confused by that - I find he has a very smooth writing style. The ideas are tough - particularly in the General Theory - but I've always found it to be great prose - particularly because it's alternatively witty/sarcastic, etc.
I secretly wonder whether this whole critique of his prose comes out of a determination not to enjoy him. I literally chuckle and laugh reading some passages from him - and I'm talking primarily about the Tract and the General Theory - his solid economics. I always find it an enjoyable read.

subset: commoncrawl


text: Home > Global Filipino 9 OWWA scholars for 2012 from Saudi Arabia ABS-CBN News Posted at Apr 04 2012 11:14 AM | Updated as of Apr 04 2012 07:14 PM Share Save Facebook Twitter GPlus LinkedIn Pinterest RIYADH, Saudi Arabia – Nine Filipino students based in Saudi Arabia made it to the top 100 examinees who passed the qualifying test to become scholars of the Overseas Workers Welfare Administration (OWWA) for school year 2012. The new OWWA scholars from Saudi Arabia are: 1. Audrey Agustin 2. Czarina Ann Baptisma 3. Michael Jason Benedicto 4. Adrian Joseph Borromeo 5. Christian Josh Cruz 6. Abegail Dulay 7. Aeron Lorenz Opalec 8. Javier Anson Santos 9. Chrysvin Vitug Opalec, a graduating student of the Al Jazeera International School Damman, was among the 50 students in eastern Saudi who took the Education for Development Scholarship Program last September 2011 at the Philippine Embassy in Riyadh. He was the only one who passed the test. "Tuwang-tuwa po ako. Ako lang ang pumasa sa scholarship po ng OWWA. Malaking tulong po ito sa pamilya ko dahil malaking tipid po ito sa matrikula sa kolehiyo," said Opalec. Opalec will take Mechanical Engineering at the University of the Philippines in Diliman, Quezon City. "Our school takes pride in the achievement of our student, Aeron Opalec, for passing the OWWA scholarship program which is the second in our school," said AJISD principal, Lita Rulloda. This is the second year that an AJISD student passed the OWWA exam. The first one was George De Guzman, who is currently taking electrical engineering at the University of Santo Tomas. OWWA scholars are provided a maximum of P60,000 per school year with courses leading to a four-to-five year baccalaureate course in any college or university. "That means kung mura like PUP or UP na mas mura po yung tuition, he keeps the rest of the stipend. Kung naman po medyo mahal, Ateneo, makakatulong ito para pandagdag," said Welfare Officer Ron Bartolome. A total of 181 Filipino students from Saudi Arabia took the exams but only 9 made it to the top 100 list. With a report from Florante Catanus, ABS-CBN Middle East News Bureau Share Save Facebook Share on Twitter GPlus LinkedIn Pinterest Read More: OWWA OWWA scholars /sports/03/27/17/nu-la-salle-try-to-hold-off-feu-in-uaap-chess/news/03/27/17/doh-rejects-two-tier-tax-system-for-cigarettes/overseas/03/27/17/s-korea-prosecutors-seek-arrest-of-ex-president-park/overseas/03/27/17/trump-to-roll-back-obama-clean-power-plan/overseas/03/27/17/un-to-kick-off-talks-on-global-nuclear-weapons-ban