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Melt In Your Mouth Peanut Butter Cookies
"These Peanut Butter cookies are NOT chewy, they are melt-in-your mouth. The water in them lets you put them in your cookie press."
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Cookie Jar Peanut Butter Cookies
My favorite peanut butter cookies! Crispy on the outside, chewy on the inside--just the way I like them. From Sheila Lukins USA Cookbook, a great book!
shortening, +flour, +baking powder, +baking soda, +brown sugar, +butter, +peanut butter, +eggs, +sugar, +salt
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Make Ahead Peanut Butter Cookies
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Devil's Food Peanut Butter Chip Cookies
"This easy recipe makes the best cookies. I started making these at Christmas about 10 years ago, and now I think my family would disown me if I did not...
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Peanut Butter Cookies VII
"These cookies are great; they are extremely moist and peanut buttery."
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Chocolate Peanut Butter Chip Cookies
I made these at Christmas time of last year to put onto my cookies trays for co-workers and family - they have since become a favorite! Who can beat the...
shortening, +cocoa powder, +baking soda, +eggs, +flour, +sugar, +brown sugar, +margarine, +peanut butter chip, +salt, +vanilla extract, +walnut
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Peanut Butter Chip Cookies II
"Easy, delicious recipe for peanut butter chocolate chip cookies. No one will ever know they took so little work. I like them a little underbaked."
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Peanut Butter Cookies X
"Peanut butter cookies made sweeter and chewier with the addition of sweetened condensed milk. "
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Soft Peanut Butter Cookies
These are the ultimate rich peanut butter cookie. Definitely not for every day, but great when you want a special treat, maybe for a child's birthday party...
shortening, +baking soda, +brown sugar, +eggs, +flour, +peanut butter, +salt, +sugar, +vanilla extract
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Doubly Delicious Peanut Butter Cookies
"Chewy and crunchy at the same time, these are the ultimate in peanut butter goodness."
shortening, +baking soda, +brown sugar, +peanut butter, +eggs, +flour, +peanut butter chip, +salt, +sugar
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In this quick Photoshop tutorial I will show you how to customize this premium action to create vintage rubber stamps in Photoshop. And because the winter holidays are coming I will create a vintage Christmas rubber stamp, so let's start.
So first you have to download the stamp creator, that contains 3 easy to customize Photoshop actions for creating rubber stamps. Go to Window>Actions menu and load the Photoshop action; you will also have to load all the other files that are in the pack for the action to work properly.
Pick one of the three actions available and click Play button. A new PSD file will be created by the action, containing stamp template. At one point the action stops asking you to place your image inside the file(it can be a photo, text, vector shape, etc). All you have to do is to place it in the middle of the stamp.
So pick any image you like, I will choose this vintage xmas postcard but you can use any image you want. Copy and paste into the PSD file. Make a round selection and position the image in the center of the rubber stamp. Resume Play!
You will now have a ready to use rubber stamp that you can customize as you wish. So I will explain how you can edit and customize the stamp template to create beautiful rubber stamp for any occasion.
As you can see the stamp has a Hue/Saturation adjustment that gives the stamp color effect. You can change the Hue or Saturation levels to obtain different color tones or you can hide the adjustment, That way you will have a classic black rubber stamp.
So let's see how we can customize this and create a multi color rubber stamp. First you have to hide the Hue/Saturation adjustment. Second open the stamp smart object layer by double clicking on its thumbnail.
You can see inside a number of editable layers. First modify the Text layer by adding your own text message. You can use any color you want for the text. Also you can edit the Circle Layers by changing the Stroke size and/or color. I modified the color of the Circle 2 layer, making it green.
Another customization that you can make is replacing the Shape Layer that now contains star shapes with any Christmas shape you want. I added some snowflake vector shapes.
Now I want to colorize the center image. For that you have to open the Image smart object and simply hide the Stamp filter. Save the smart object and close it to see the result.
Now your colored stamp should look something like this.
For the final touches I have used this desaturated old paper texture as background. I also changed the blend mode of the stamp object to Multiply. And above all the layers I have added a new old paper texture with Multiply blend mode. If you want to reduce the color saturation of the stamp you can add a Vibrance adjustment layer and play with the Vibrance and Saturation Settings. So here is the final result for our customized multi color Christmas rubber stamp.

subset: commoncrawl


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2011 Honda Odyssey Touring Elite Road Test Honda Rethinks Minivan Stereotype, but is it a Winner? February 03, 2012
2012 Honda CR-V First Drive "We chose a fantasy location to reflect the new CR-V," said Chris, Honda's PR guy, possibly with tongue planted firmly in cheek, "which is like a dream." January 18, 2012
2012 Honda Accord V-6 EX-L Road Test As practical and well-built as a Honda Accord should be, and surprisingly quick, too. December 13, 2011
2012 Honda Civic EX Sedan Road Test The 2012 Honda Civic EX is a reminder that "new" doesn't always go hand-in-hand with "improved." December 09, 2011
2011 Honda Ridgeline First Look Honda's Ridgeline was a bold new take on the pickup truck when it debuted. October 11, 2011
2011 Honda Pilot First Look When a minivan just doesn't fit your image, midsize crossover SUVs are ready to serve. October 11, 2011
2011 Honda Odyssey First Look Honda's redesigned 2011 Odyssey enters a minivan segment that's more advanced than ever before. October 11, 2011
2011 Honda Insight First Look Honda's 2010 Insight made waves when it first debuted. October 11, 2011
2011 Honda Fit First Look Honda's Fit five-door subcompact hatchback is apty named: you'll be surprised at just how much stuff you can fit into the car when the rear seats are folded down. October 11, 2011
2011 Honda CR-Z First Look The CR-Z attempts to fill a U.S. market void few thought existed: the sporty hybrid. October 11, 2011
2011 Honda CR-V First Look The fact that Honda's CR-V remains a top buy among compact crossover consumers this late in the model's life suggests the automaker has done something right. October 11, 2011
2012 Honda Civic First Look Honda struck gold with its 2006-2011 Civic compact lineup, and with the compact segment heating up in the U.S., the automaker decided to play it safe with the 2012 Civic, which marks the car's ninth generation. October 11, 2011
2011 Honda Accord Crosstour First Look Honda doesn't make an Accord wagon . . . except that it does. October 11, 2011
2011 Honda Accord First Look The Honda Accord has solidified its position as the second-most popular midsize sedan in the U.S. behind the Toyota Camry, but the competition is becoming more ambitious. October 10, 2011


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Among numerous events relating to foreign authors and their translators, the programme features several items on the translation of fiction and children's literature.
On Thursday 12 May, literary agent Andrew Nurnberg will give a talk about copyright and changes in attitudes of American and British copyright holders towards the Czech and Slovak book-markets over the last 20 years. →


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Greetings everyone...our first official release, the "Brown Note" EP, is now available on Play Me Records (play005) featuring tracks "Bass4YaFace" & "Vindicta" https://www.beatport.com/en-US/html/content/release/detail/201822/the_brown_note_ep for anyone who doesn't have our other tracks, you can listen & download them via our soundcloud page: http://soundcloud.com/havocndeedsound also, here is a link to them @ 320: https://rcpt.yousendit.com/772488644/6a6a02c469af94b83211c1d3df204053 tracks included in the link: 1) Ladyhawke - Paris Is Burning (HavocNdeeD RemiX) 2) Artful Dodger ft. Craig David - ReRewind (HavocNdeeD RemiX) 3) HavocNdeeD - Im Nin'Alu (Ofra Haza) 4) M.I.A. ft. A.R. Rahman - O Saya (J.Paul Remix) 5) Major Lazer ft. Santigold & Mr. Lexx - Hold the Line (HavocNdeeD RemiX) 6) Portishead - Roads (HavocNdeeD RemiX ft. original guitar by Matt Downs & strings on keys by J.Paul) 7) HavocNdeeD - Toil 'N' Trouble 8) Bob Marley - Exodus (HavocNdeeD RemiX) 9) HavocNdeeD - Dub Fi Dub 10) Caleb (Vex Music) - Find a Way (HavocNdeeD RemiX) cheers
Big tunes bro, you guys bring tha havoc-n-deedy!!!! been all over your blog giveaways, and play at least 2 of your tracks when i play out (http://dnbforum.com/showthread.php?t=84211&highlight=walker+dubstep), 'Paris is Burning' & 'Rewind' smash up a dance! Will be buying your release for sure! bigups. Check the sticky in the uk underground section for some of our 320kbs giveaways. This thread deserves a sticky as well i think


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Arancha González of Spain has been appointed Executive Director of the International Trade Centre (ITC). The appointment was announced Thursday by UN Secretary-General Ban Ki-moon.
During a parallel event to the ECOSOC meetings held recently in Geneva, experts argued that science, technology and innovation (STI) policy action was vital for development, and noted that both policy design and implementation posed important challenges for policymakers.
UNCTAD is organizing a training and capacity-building workshop on Angola's progress towards graduating from the category of the least developed countries (LDCs).
According to preliminary estimates by the WTO and UNCTAD, in the first quarter of 2013, world exports of services grew by 4%, as compared with the same quarter of the year before. The estimates keep pointing to a recovery of global services exchanges.
Representatives of the main stakeholders in the English-speaking network of UNCTAD's TrainForTrade Port Training Programme have agreed to implement a third cycle of the course.
A new international investment agreements (IIAs) issues note produced by UNCTAD offers suggestions on investment policy that are designed to foster inclusive growth and sustainable development.
United Nations Conference on Trade and Development
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Thoughtful, gloomy breathed on ambient track. On the wide string and syntheszier layers lay harmonic acoustic guitar sounds and extreme gentle breathy female voices. Association: meditation, esoteric.
This track is registerd with a performance rights organization! For any project that is broadcasted on tv, film or radio, remember to file a correct cue sheet with your local collection society.
You couldn't find a license for your type of project, please use our contact form or call +49 (0)711 - 217 202 291.US customers please write to firstname.lastname@example.com or call +1 (347) 403-3971.
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My blogs
Blogs I follow
Gender | MALE |
Industry | Fashion |
Occupation | Visual Merchandiser / Stylist |
Location | Manila/Singapore |
Introduction | With a background ranging from backstage wardrobe styling for fashion shows to TV commercial and magazine ad styling, Eric has styled them all in his native Philippines. But this artist doesn't stop there, he has also styled the stars in Asia and was the head designer for boutiques in the Middle East. Such immense talents and vast experience lead to an eclectic and visually stunning portfolio. Eric's work shows his ability to feminize the masculine and play on the duality of human sexuality through his visionary style. --- http://mahalstyle.com/forum/showthread.php?44 |


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Extended Stay America Orange County Yorba Linda, Anaheim
Extended Stay America Orange County Yorba Linda
22711 Oakcrest CircleExtended Stay America Yorba Linda, CA is designed specifically for people who need more than just a room while away from home. In addition to the comfortable recliner and large work desk, the oversized studio suites feature a kitchen that allows you to prepare meals at your convenience. As a guest of Extended Stay America, you receive complementary movie channels, free local phone calls, voice-mail, and a phone with a computer dataport. Guests also have access to a 24-hour, coin-operated laundry facilit


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How to make the OnGuard Agent contact a different ClearPass server without reinstalling it.
Environment : ClearPass 6.0 and later versions
OnGuard Agent is always configured with the IP address of the ClearPass server from which it has been downloaded. The IP address of the server will be stored in agent.conf file. The agent.conf file is created once the OnGuard agent is installed on the client. If the ClearPass server is part of a cluster, then IP address of all the servers is stored in agent.conf file.
The agent.conf file can be manually edited to make it contact a different ClearPass server. The agent.conf file can be found in the following location:
- Windows: Program Files\Aruba Networks\ClearPassOnGuard\etc\agent.conf
- MAC OSX: Library/Application/Support/ClearPassOnGuard/agent
Version History


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Has anyone been to East Manor on Rt 1 Saugus? I went to their website but it is all in Chinese...any info would be appreciated..Thanks!
Sorry If this is a double-post, it was't there when i went back to the main board....also sorry if this should have stayed under my original thread i'll do that next time..
Updated 1 year ago | 4
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Published byRocco Luxon Modified about 1 year ago
Students:Jaimie Vettichira Araj Sidki Roshni Gandhi Sonia George Diana Barayeva Edward Salib Instructor: Dr. Claude E. Gagna
What are they? Microscopic DNA spots representing single genes Allows scientists to observe the interactions between thousands of genes simultaneously Allows for gene expression studies
How is this done? DNA spots placed on a solid surface (e.g., glass slide) by covalent attachment Observe the whole genome on a single chip Result: DNA microarrays allow scientists the ability to study how specific genes work
What is it? Special type of DNA microarray What does it do? Determines whether DNA-binding proteins including transcription factors bind to a specific region of a gene
ChIPDNA Microarray ChIP on ChIP
How does it work? Uses a gentle formaldehyde fixation Fixation causes DNA-protein complexes to be seen cross-linked together by formaldehyde DNA-protein complex is isolated and sheared into fragments Antibodies specific for the DNA-binding proteins in question are added so the DNA- protein complex can be isolated DNA and proteins are released so that it can be isolated
Result: DNA sequences that can be identified They can be amplified using Polymerase chain reaction (PCR) method
Most scientists have stored their tissue samples in 10% neutral buffered formalin have overfixed tissue using aldehyde fixatives
To be able to allow scientists to retrieve DNA from overfixed tissue
Materials Model 40 GC lab Oven Crude Extract 96 Microwell Formaldehyde Eosin Stain Hemotoxylin Stain Washing Reagent Microplate Reader Control
How is done? First 3 columns of microwell were filled with the control In the 5 th column of microwell put 40µL of high concentration of extract In the 7 th column of microwell put 40µL of low concentration of extract In the 9 th column of microwell put 40µL of washing reagent
With the oven at 50°C, incubated microwell for 20 minutes Stored in the refrigerator at -4°C Staining Chemicals: ◦ Hemotoxylin: stains DNA ◦ Eosin: stains protein
Columns 1, 3, 5-control buffer ◦ Negative control Column 2-High concentration ◦ DNA-protein complex seen ◦ In vivo process: cross- linking by formaldehyde Column 4-Low concentration ◦ Specks of binding seen
Columns 1, 3, 5-control buffer ◦ Negative: no binding Column 2 (top)-eosin stain bound with the protein Column 2 (middle)-controls ◦ Little bit of cross containation Column 2 (bottom)- hemotoxylin stain bound with the DNA Column 4 (top)- dark staining by eosin Column 4 (middle)- control Column 4 (bottom)- light staining by hemotoxylin
Why did column 2 stain darker than column 4? ◦ Column 2 had a higher concentration of the extract while column 4 had a low concentration of the extract Why did eosin give a darker staining than the hemotoxylin in column 4? ◦ Eosin stains protein ◦ When DNA-protein complex made: DNA is surrounded by protein Therefore, eosin staining will show more the hemotoxylin staining
Our results show that overfixed DNA isolated from tissues can still be successfully retrieved
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Otto Raglan
Nudie Jeans
- 67% cotton , 25% poly , 8% linen
- Raw cut cuffs and hem
- Revolve Style No. NUDI-MS172
- Manufacturer Style No. 131235
- Modeled in size M.
- Size Guide
- Need size help? Contact our Style Expert!
From Sweden with love, Nudie loves jeans! Nudie offers a way of thinking, a concept, and an undying passion, fuelled by the traditions of denim and the characteristics of fabric itself. Now 100% organic, Nudie has put themselves at the top of the denim industry.


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Dig deep and discover the riches of Egypt's geography, culture and, of course, archaeology, on this epic adventure. Step into a world filled with giant statues, temples, and legendary pyramids. Take it easy as you float along the Nile on a traditional felucca or enjoy a home-cooked meal with a local family. Our CEOs and local experts will share an intriguing combination of the regions attractions and hidden secrets. Meet the gaze of the Sphinx and get into the spirit of bygone times by travelling by donkey to the Valley of the Kings.
Duration: 14 Days | Guaranteed Departure: Yes |
For lovers of: | Physical rating: Light |
Accommodation standard: Budget% | Traveller Tour Rating: 0% |
Your Guide: English speaking | Tour code: 166469 |
Starts: Cairo, Egypt | Finishes: Cairo, Egypt |
There are no planned activities until an evening welcome meeting.
Additional Notes:
If this is your first visit to Cairo, we highly recommend that you book an airport transfer.
Included Activities:
Arrival Day and Welcome Meeting
Head straight to the pyramids and soak in the history of these majestic structures. Later, visit the Egyptian Museum to see more ancient artifacts.
In the evening, board an overnight train to Aswan.
Included Activities:
Great Pyramids of Giza and Sphinx Tour
Egyptian Museum Visit
Overnight train (beds) (12.00 hour(s))
Enjoy some free time in the morning to browse the souk or walk along the Nile.
Later, board a felucca (local boat) to reach Elephantine Island and visit a Nubian village. Walk around the small community, then enjoy a traditional dinner at a local home.
Included Activities:
Felucca Sail to Nubian Village
One of the most fascinating sights in the area is the Temple of Abu Simbel. Later, opt for a half-day tour of the Unfinished Obelisk, High Dam, and Philae Temple. Visit the modern Nubian Museum to learn more about Aswan's local people.
Board the felucca and spend the rest of the day out on the river and a night under the stars.
Included Activities:
Felucca Overnight Sailing Excursion
Enjoy a guided visit Kom Ombo Temple before driving to Luxor. En route, visit the Temple of Karnak.
Included Activities:
Kom Ombo Temple Visit
Karnak Temple Visit
Stop en route to visit the Karnak Temple.
Private Vehicle (4.00 hour(s))
Cross to the West Bank and travel by donkey. Visit the massive 18m (59ft)-high Colossi of Memnon, which is all that remains of an ancient temple. Descend down the narrow corridors and check out the tombs of the pharaohs at the Valley of the Kings. The Funerary Temple of Queen Hatshepsut literally seems to rise out of the surrounding limestone outcrops.
Enjoy lunch with a local family on the West bank of the Nile and then explore Luxor at your own pace.
Additional Notes:
If you have pre-booked the Valley of the Kings Hot Air Balloon Ride you will be flying today.
Included Activities:
Colossi of Memnon Visit
Temple of Hatshepsut and Valley of the Kings Visit
Fly to Cairo and transfer to Alexandria. Soak in the European feeling of this Mediterranean city.
Take a guided tour of Catacombs, the National Museum, Pompey's Pillar, and Qaitbay Fort. With free time, opt to explore the city, check out the city's cafés, or dine on fantastic seafood.
Included Activities:
Catacomb of Kom ash-Shuqqafa Visit
National Museum Visit
Pompey's Pillar Visit
Fort Qaitbay Visit
Journey to the hidden Oasis of Siwa. Visit El Alamein Cemetery and Memorial en route.
Included Activities:
El Alamein Memorial Visit
Private Vehicle (7.00 hour(s), 590km)
Bike to the Mountain of the Dead and the Temple of the Oracle. Opt to take a dip in Cleopatra's bath or travel by donkey cart for a perfect desert sunset.
Included Activities:
Mountain of the Dead Visit
Temple of the Oracle Visit
Hop on a bike and cycle with a guide to the Mountain of the Dead and the Temple of the Oracle.
Enjoy a 4x4 excursion to the sand dunes, followed by a picnic lunch in the desert.
Included Activities:
4x4 Sand Dunes Excursion
Journey back to Cairo.
Private Vehicle (7.75 hour(s), 742km)
Depart at any time.


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Chef's Chopped Salad
Fresh greens topped with our honey pepper bacon, hard-boiled egg, cherry tomatoes, cucumber, roasted corn, roasted red bell peppers, and blue cheese crumbles with a side of creamy garlic and dill dressing.
Layers of fresh sliced tomato and fresh handmade mozzarella topped with sliced onion, basil, olive oil, and a drizzle of balsamic glaze.
Fire Roasted Chicken Salad
Field greens tossed with cherry tomatoes, Kalamata olives, roasted peppers, and balsamic vinaigrette.
Thinly sliced fire roasted chicken and crumbled feta cheese.
~ Substitute Bistro Medallions $4
Vintner Salad
Field greens tossed with goat cheese and candied cashews in a raspberry balsamic vinaigrette.
~ Add Chicken $3 ~ Add Bistro Medallion $7
Wedge Salad
A wedge of iceberg lettuce topped with diced tomato, blue cheese crumbles, bacon, and red onion served with our own house-made blue cheese dressing.
~ Add Chicken $3 ~ Add Bistro Medallion $7


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1848 Addison Avenue East - Twin Falls, Idaho 83301 -
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Page (1) of 1 - 02/27/13 | email article | print page |
Second times a charm for Matt Damon as he is renewing his wedding vows, but its more like a redo for the couple that never had the dream destination wedding they wanted.
Matt Damon Re-Doing His Wedding In Top Secret Ceremony |
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Putco Chrome Door-Handle Inserts Two Door - $19.88
You'll be amazed by how much these two-door chrome accents enhance the appearance of your truck or SUV, and by how easy they are to apply. The finish perfectly matches OEM chrome, and each custom-fit piece is backed by pre-applied 3M tape for fast, simple installation. Door handle kits include accents for door-handle frames and door handles. Passenger key hole will be covered with insert. Year: 04-08. Type: Chrome Door-Handle Inserts. Model: F-150 Pickup w/Keypad XLT/FX4 Lariat. Make: Ford. Year/Make 04-07f150 W/Key Pad. - $19.88


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1814, London's Covent Garden entices rich and poor alike with a cocktail of gin, beer and sex. In the surrounding parishes a group of young men are found murdered, all of them wearing masks, all of them behind locked doors.
Constable Charles Horton's investigation into these violent crimes begins at Thorpe Lee House in Surrey, where accusations of witchcraft have swept the village.
What connects these broken London men, and a village awash with talk of burning witches?
©2014 Lloyd Shepherd (P)2014 W F Howes Ltd
"A joyously, flamboyantly melodramatic scamper" (The Guardian on The English Monster)
Happy, vegetarian, swimming, Spanish learning, walking, knitting, partnered man. Teacher and learner.
"unheimlich- uncanny"
top 5
constable horton as always
he brings it alive and he can do every accent available, his narration is so grand, I was mesmerized
after the english monster this ranks as my second fave. I was hooked at the way that the author made me feel as if the people in the book believed they were modern and up to date, which was powerful as it was meant to be about people 200 years ago.very real believable characters, just brilliant
"memorable performance and story"
excellent pacing and narration. really enjoyed the characterisation. well managed and rhoughtful tone changes especially towards the end of the novel.


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Water for Houston: The Wallisville Case
by Bonnie B. Pendergrass, PenSEC, Inc, United States,Document Type: Proceeding Paper
Part of: Optimizing the Resources for Water Management
Abstract: The multipurpose Wallisville project included an industrial water supply for Houston. The project was nearly 70 percent complete when environmentalists succeeded in stopping construction in 1973. Wallisville, however, funded largely by the U.S. Army Corps of Engineers, proved to be a 'legislative Lazarus' resurrected by the courts and Congress. With the passage of the 1986 Water Resources Act which requires local sponsors to pay a larger share of the cost than before, the project once again seems terminal. Nevertheless, it could come back to life once more.
Subject Headings: Water supply | Water resources | Water management | Industrial facilities | Environmental issues | Legislation | Construction management | Federal government | North America | Texas | United States
Services: Buy this book/Buy this article
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- S Bracard, P Arrue, F G Barral, F Bouquigny, J Berge, J Bonneville +17 others
- Journal of neuroradiology. Journal de…
- 1999
A previously healthy 35-year-old man suddenly developed vertebrobasilar ischaemia while playing tennis. Cerebral arteriography revealed a dissecting aneurysm of the cervical portion of both vertebral arteries. The neurological deficit and the angiographic features resolved with anticoagulant treatment alone. Only 15 patients with non-traumatic extracranial… (More)
This study of juvenile distal cerebral ischaemia is based on 55 patients aged from 18 to 30 years. The authors describe the circumstances of discovery, as well as the clinical features and the course of the disease which may be severe and lead to non-resolutive neurological accidents and sometimes dementia. Paraclinical evaluation includes capillaroscopy,… (More)
- G Lozes, G Gozet, A Fawaz, J C Farrasse, I Krivosic, P Mescola +2 others
- Neuro-Chirurgie
- 1989
The authors report a case of cervical melanotic neurofibroma hour glass shaped, growing in the extra and intradural spaces. Melanotic aspect of spinal neurofibroma are rarely reported in the literature. Various etiopathologies have already been discussed.
- G Lozes, A Fawaz, P Wyremblewski, P Devos, G Gozet, J P Pruvo +1 other
- Neuro-Chirurgie
- 1987
The authors report a new approach of the intervertebral foramen using a conservative hemi-transverso-arthro-pediculotomy. It allows to remove one half of the posterior neural arch and to follow the nervous bundle from its origin to the extra-foraminal space. Removal of the foraminal disc herniation is easy and safe. The monobloc is replaced to prevent any… (More)
- G Lozes, A Fawaz, P Devos, P Wyremblewski, P Kassiotis, H Perper +3 others
- Acta neurochirurgica
- 1987
The authors report their experience in the treatment of 15 cases in thoracolumbar metastases with spinal cord compression. A decompressive laminectomy was routinely performed and followed by a transversoarthropediculectomy. Most part of the neoplastic tissue was removed from the epidural space, vertebral body and retroperitoneal or retro-pleural areas.… (More)
- G Arnott, M Benoit, B Bouchez, G Gozet, E Delandsheer, J C Caron +1 other
- Revue neurologique
- 1985
Juvenile distal cerebral ischemia has been attributed to small artery atherosclerosis (Arnold, Benoit, Merlen, Dobbelaere, Delandsheer, 1979), based on clinicopathologic findings in one male patient and results of big toe pulp biopsy in three other cases. Pathological findings were obstruction of small artery lumens by hypertrophic endothelium and loose… (More)
A 25-year-old man developed marked weakness of the upper limbs and shoulder girdle over a period of 6 months. On examination there was amyotrophy, fasciculations and areflexia of the upper limbs with increased lower limb reflexes. Sensation and CSF were normal. CT scan showed a thickened cord with a central medullary cavity of triangular shape with a… (More)
Three adults presented convulsive fits for the first time in their lives, and examination with a CT scan showed no anomalies. Repetition of the CT scans a few weeks later revealed the presence of evolving lesions. Based on these 3 cases and 11 previously published cases, the problem of "normal" CT scans and rapidly developing glioblastomas is discussed.


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Corrie fans 'praying' for Ken Barlow after murder bid near staircase Coronation Street viewers were left fearing for Ken Barlow's life after he was left for dead at the bottom of the stairs on Monday night's programme. Celebs
Liam Payne jokes about build-up of nappies after birth of son Liam Payne has joked about the number of nappy changes he has faced as he thanked fans for their messages of support after the birth of his son. Celebs
Who could have pushed Coronation Street's Ken Barlow down the stairs? Coronation Street's Ken Barlow is in hospital after an attacker shoved him down the stairs. Celebs
Professor Brian Cox makes space for role in Postman Pat It's not a star role, but Professor Brian Cox has landed a part in children's TV show Postman Pat. Celebs
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JK Rowling believes in a fantasy land, says Katie Hopkins Katie Hopkins has hit back at JK Rowling after the Harry Potter author compared her to a US ambassador who believed Britain would lose the Second World War. Celebs
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Third series of Humans confirmed by Channel 4 Sci-fi drama Humans has been commissioned for a third series, Channel 4 has confirmed. Celebs
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Daily Inspiration
If you believe that your painful feelings such as fear, anger, anxiety, depression, hurt, guilt, shame, aloneness, emptiness or stress are coming from external sources - such as people, the past or events - then you are stuck being a victim. This week, begin to notice that these feelings may be coming from your own current thoughts, beliefs and actions. By Dr. Margaret PaulParenting: Loving Limits
By Dr. Margaret PaulDecember 31, 2006
Setting appropriate limits for children is a creative challenge. When your intent is to take loving care of yourself rather than control your child, you will discover how to set loving limits.
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Christmas 2009
Since it IS the holiday season once again, I figured this old project would fit in nicely with the challenge.I know you've heard me say it before, but really...these challenges are so much fun! Every time I go back into my archives of old cards and projects, I find myself laughing and sometimes crying over the memories they bring back. Join in the fun and you will not regret it!


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Baltimore-born Alger Hiss was a graduate of Harvard Law School. He was a law clerk to Supreme Court Justice Oliver Wendell Holmes and a protégé of renowned legal scholar Felix Frankfurter. He was a counsel to the Nye Committee in Congress when it was investigating the munitions industry in 1934, and in 1936 he was made an aide to the Assistant ...
See full bio »
Born:in Baltimore, Maryland, USADied:(age 92) in New York City, New York, USA |


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Lost Dreams to a New Beginning
Credits & Info
- Uploaded
- Dec 16, 2005 | 1:30 AM EST
- File Info
- Song
- 3 min 8 sec
- Score
- 4.13 / 5.00
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- Score:
- Rated 4.13 / 5 stars
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Author Comments
I worked very hard on this. For the LOVE of GOD vote FAIR!
Rated 5 / 5 stars
Totally, like, amazing.
Whoa. Well done.
Very 'audio-visual', don't you think? The mix of crystal clear pianos and strings with the background thumps (I hope to God that's purposeful - if not, one hell of a lucky accident..:P).
By the way, I see you have a habit of replying to comments...so if you get this - what software do you use? Cubase....?
Yes it is very audio visual... I try to get that effect in all my pieces. I write, while trying to make my audience feel a certain emotion. Sometimes it's just a matter of the right combination of keys. Yes... it was purposeful btw :P.
I do not use any software. I use my Yamaha DGX-305... thats it... nothing more... nothing less. I record it on the keyboard. And upload it here. :)
Thanks for the review.
Rated 5 / 5 stars
PS: Please make a classical WAR song, as In a raging battle is ongoing during it, and once again. You are a beautifully talented composer, I give an ode to your inspirational mind, and to those who have been changed completely by your godly audio. And Therefore I bid you a do, Milkman...
Rated 5 / 5 stars
The only bad thing about this song is it ended. Just a awesome piece and there is no words the can explain how this song makes me feel. Thank u so much. I had to create an account just to tell u this. Thank u so much I will be looking forward to more of your music!!
Rated 5 / 5 stars
Holy ****
This is one of the best on Newgrounds. I just wish it was longer. Keep it up, looking forward to your new stuff


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The Cactus Theater, on Buddy Holly Avenue just north of 19th Street, was originally constructed in 1938 as a "second run" motion picture theater.
It closed in 1958, but was reopened in 1993 by Don and Terri Caldwell as a live entertainment venue in Lubbock's Depot District.
Read the Historical Marker
Previous Lubbock Landmarks
HOME / THE A-J REMEMBERS / CITY'S MOST INFLUENTIAL / THIS DAY IN HISTORY / HISTORICAL LANDMARKS / DID YOU KNOW / READERS REMEMBER / CENTENNIAL NEWS SPECIAL SECTIONS: 1909-1933 / 1934-1958 / 1959-1983 / 1984-PRESENT | PRINT VERSION PHOTO GALLERIES / BLOGS / FORUMS CONTACT THE WEBMASTER copyright 2008 THE LUBBOCK AVALANCHE-JOURNAL and LUBBOCKONLINE.COM


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One of the most controversial stories of the 21st century is DC's Identity Crisis. Among the many gripes people have with the series is how is that Jean Loring (the Atom's ex-wife) is able to commit the murder of Sue Dibney (the Elongated Man's wife) without being caught right off the bat. Here's the facts:
In a desperate attempt to rekindle her romantic relationship with Ray Palmer, aka The Atom, Jean Loring attacks Sue Dibney by jumping on her brain. Whether intended or not, this kills Sue and presents Jean with the problem of how to cover up her involvement in the crime.
But fortunately, demented Jean has brought along what appears to be a Flame Thrower "just in case" as she says.
Using this supposed Flame Thrower, Jean is able to remove all traces of evidence that she was the culprit. So effective is she, that the combined powers of Mister Miracle, The Atom, The Ray, The Metal Men, Animal Man, Superman and Batman (off panel) are unable to find any clue as to who killed Sue.
Here are some questions that defy explanation:
- Where did Jean Loring get a Flame Thrower? It's not like you can buy them at Wal-mart.
- How did this "Flame Thrower" not burn up the entire house? It's not a weapon know for precision.
- How did it manage to remove every last piece of physical evidence? The house should have been covered with Jean's DNA.
It's obvious that this was no simple Flame Thrower, but was in fact a device designed specifically to remove any trace of Jean's involvement in the crime. Who would have the technology to create a device that could remove all evidence of a crime and avoid detection by a New Gods Motherbox?
Only Darkseid, that's who.
But why would Darkseid want to kill Sue Dibney? I believe the real target was someone else and that Sue was merely the catalyst for a chain of events that would lead to another death in the series.
Later in the series, as the heroes try to track down clues by interrogating super-villains, the Shadow Thief stabs Firestorm with the Shining Knight's magic sword.
Because of the sword's magical properties, this essentially kills Firestorm.
I submit to you that it was Firestorm's death that was the real goal of the Identity Crisis schemes.
Why? It's simple. Of all the heroes, Firestorm is the only one who could easily counter Darkseid's Omega Force beams (as well documented in Justice League of America 185)
After events in JLA 185, Darkseid would work in the shadows and with intermediaries to try and kill Firestorm. Check out this scene from Fury of Firestorm 76.
In fact, all during the late 80's Darkseid was sort of obsessed with Firestorm appearing in in Fury of Firestorm 5 times according to the DCGuide.com:
Fury of Firestorm #55 (January 1987): "The Stench of Brimstone" [Behind the scenes]
Fury of Firestorm #56 (February 1987): "Firestorm No More"
Legends #3 (January 1987): "Send For... the Suicide Squad!"
Blue Beetle Vol. 2 #9 (February 1987): "Timepiece!" [Behind the scenes]
Legends #4 (February 1987): "Cry' Havoc...!"
Superman Vol. 2 #3 (March 1987): "Legends From the Darkside"
Adventures of Superman #426 (March 1987): "From the Dregs"
Action Comics #586 (March 1987): "The Champion"
Legends #5 (March 1987): "Let Slip the Dogs of War"
Legends #6 (April 1987): "Finale!"
Fury of Firestorm #58 (April 1987): "Gambit"
Fury of Firestorm #59 (May 1987): "Glasshouses"
Mister Miracle Special #1 (1987): "No Escape From Destiny!!!"
Suicide Squad Vol. 1 #3 (July 1987): "Jailbreak"
Swamp Thing Vol. 2 #62 (July 1987): "Wavelength"
Warlord Vol. 1 #121 (September 1987): "Clouds of War"
Warlord Annual Vol. 1 #6 (1987): "When the Gods Make War"
Action Comics #592 (September 1987): "A Walk on the Darkside" [Flashback]
Action Comics #593 (October 1987): "The Suicide Snare"
Millennium #8 (February 1988): "The Rising and Advancing of Ten Spirits"
Action Comics #600 (May 1988): "Different Worlds"
Firestorm, The Nuclear Man Vol. 1 #76 (October 1988): "Heart of Fire"
The only other hero that Darkseid concerns himself with as much during this time period is Superman. The difference is that with Superman, he directly confronts the Man of Steel while he seems more afraid to have a one on one with Firestorm.
It's notable that after the events of Identity Crisis, when Firestorm has been reformed with Jason Rusch, that Darkseid no longer is afraid to deal with him face to face.
It appears that the new symbiosis between Jason and Martin Stein isn't as formidable against Darkseid. Shortly after that, Darkseid would initiate his boldest attack against the earth, as chronicled in Grant Morrison's Final Crisis.
So here's what I think really happened.
Darkseid manipulated Jean Loring's mind and gave her a device that would provide her a way to kill Sue Dibney undetected thus sending the heroes off looking for a villain who might have some information. He then somehow manipulated the Shadow Thief into attacking Firestorm with the Shining Knight's sword.
The real question is, how did Darkseid manage to get Firestorm on the same team as Shining Knight? It seems like there is a piece of the puzzle that's missing. Was there yet another party involved who had the power to perform such manipulation?
To answer that question, we must look ahead to what happened to the Shadow Thief. At the end of Brightest Day he was driven insane by the powers of the Starheart. The Starheart is the magical force that powers Alan Scott's power battery.
As the Green Lantern Wiki says:
Around the time of Blackest Night (very close to the time of Identity Crisis) the Starheart began to subtley influence events in order to empower itself by taking control of several beings across the face of the Earth as well as driving certain Metahumans insane.
Is it possible that Darkseid found a way to manipulate the Starheart's powers to set Firestorm up for death?
The world may never know.
- Jim


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ACAC Paper Submission Deadline Extended
16 February 2010 at 11:11 am Peter G. Klein 1 comment
Due to all the weather-related foul-ups of the last couple of weeks the organizers of the Atlanta Competitive Advantage Conference have graciously extended the submission deadline through this Friday, 19 February 2010. The conference itself is 18-20 May 2010 in (duh) Atlanta. Click the link above for submission information.
ACAC is an O&M favorite, so make plans to participate!
Entry filed under: - Klein -, Conferences, Strategic Management.
1 Comment Add your own
I am forever amused by the creative excuses used for extension of conference deadlines. Why don't organisers just 'fess up and say "we ain't got enough decent papers" or "you lot are lazy so-and-sos… get your papers in or no junket for you"?
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Garden Gate Vineyards
in Zinfandel Wineries, Merlot Wineries
Small winery and vineyard offering the very high in antioxidants muscadine grape for U-pick . Thirteen fruit wines, pottery and also vines for sale.
261 Scenic Dr
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in Traminer-Riesling Wineries, Syrah Wineries, Merlot Wineries, Chardonnay Wineries, Cabernet Sauvignon Wineries
Misty Creek is a family-owned and operated vineyard established by the Nichols family..We currently offer 10 wines to tempt your taste buds, including 3 yummy fruit wines.
710 Wyo Rd
Mocksville, North Carolina
United States
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in Malbec Wineries, Cabernet Sauvignon Wineries
Even on the hottest days of summer, you can pick a spot in the shade under our namesake elm tree, and feel a soothing breeze. Grab a couple glasses and a bottle of wine.
523 Danner Road
Mocksville, North Carolina
United States
RayLen Vineyards & Winery
in Cabernet Sauvignon Wineries, Cabernet Franc Wineries, Merlot Wineries
RayLen Vineyards and Winery prides itself on producing local award-winning North Carolina wines.
3577 Highway 158
Mocksville, North Carolina
United States


text:
Heaven: Audiobook on CD
by Randy Alcorn;
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Find Out MoreHeaven: Audiobook on CD
Full Product Description
What will heaven be like? Randy Alcorn presents a thoroughly biblical answer, based on years of careful study, presented in an engaging, reader-friendly style. His conclusions will surprise readers and stretch their thinking about this important subject. Heaven will inspire readers to long for heaven while they're living on earth.
• Abridged Audio Version
• Read by Chris Fabry
• Running Time: 11 hr 7 mins
• 9 CD Set
• Abridged Audio Version
• Read by Chris Fabry
• Running Time: 11 hr 7 mins
• 9 CD Set
Heaven: Audiobook on CD by Randy Alcorn is published by Tyndale House Publishers and is our 25017th best seller. The ISBN for Heaven: Audiobook on CD is 9780842379687.
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Details for Heaven: Audiobook on CD
Page last updated | 11th January 2017 |
Author / Artist | Randy Alcorn |
Format | CD |
Publisher | Tyndale House Publishers |
Edition | abridged edition |
Weight | 263g |
Number of Pages | 9 |
Thickness | 28 mm |
Height | 139 mm |
Width | 164 mm |
Product Code | 51195 |


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Mr. Food's Olive Martini Chicken
4 boneless, skinless chicken breast halves (about 1 1/2 pounds total) 1/2 teaspoon salt
1/2 teaspoon black pepper
2 tablespoons olive oil
2 tablespoons butter
3 garlic cloves, chopped
1/4 cup gin 1 tablespoon dry vermouth
1 teaspoon fresh lemon juice
1/4 cup sliced pimiento-stuffed green olives
Season the chicken breasts with salt and pepper.
In a large skillet, heat the olive oil over medium heat.
Add the chicken breasts, and saute for 2 minutes per side, or until golden.
Add the butter and garlic to the skillet; saute for 1 minute, until the garlic is golden.
Add the gin, vermouth, lemon juice, and olives, and simmer for 3 to 5 minutes, until the sauce is thickened and no pink remains in the chicken.
Makes 4 servings
Pairs Well With
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text:
A Journal of English and American Studies
Vol. 20 (1999)
Special Issue on Modernism Guest edited by Stan Smith and Jennifer Birkett
Articles / Artículos
John Lucas
Matthew Potolsky
Is there a swan in this poem?: Yeats and symbolist poetics
Jeremy Tambling
Dante in America: Eliot and the politics of Modernism
Jane Goldman
Virginia Woolf and post-Impressionism: french art, english theory, and feminist practice
Brian Cosgrove
Flaubert, Schlegel, Nietzsche: Joyce and Some European Precursors
Vassiliki Kolocotroni
"Familiars Materials": Joyce among Europeans
Peter Marks
The Odyssey of D. H. Lawrence: Modernism, Europe and the New World
H. U. Seeber
D. H. Lawrance, German Expressionism, and Weberian formal rationality
Geoffrey Harris
Hemingway and Malraux: the unmanned virile fraternity
Jennifer E. Milligan
Jean Rhys: the French connection?
Teresa Brus
Crying fire in a theatre: Auden's harlequinades
Michael Murphy
Auden's Jeremiand: Another time and Exile from the just city
Chris Wigginton
Quarrelling with the outside weathers: Dylan Thomas and Surrealism
Michael Coyle
The European Radio Broadcasts of T. S.Eliot
Download abstracts / Descargar Resúmenes
Abstracts / Resúmenes
Stan Smith
The history of literary modernism reflects the twentieth century's diasporas and displacements, the construction and reconstruction of national cultures and alliances. This essay examines the retrospective construction of the idea of "modernism" in the late 1950s and 1960s, in tandem with the Americanisation of English culture and the academic institutionalisation of the modernist impulse. Robert Graves and Laura Riding, in A Survey of Modernist Poetry (1927), first introduced the term to British culture, under the influence of the Nashville journal The Fugitive, edited by Ransom, Davidson and Tate between 1922 and 1925. The concept for a while took root in the Oxford coteries around W. H. Auden in the later 1920s, but thereafter went underground until the late 1930s, when it was again invoked to characterise the Auden generation and the configuration it made with that of Eliot, Pound, Joyce, Lawrence and Yeats. Auden's departure for the United States in 1939 heralds the end of an essentially mid-Atlantic Anglophone "modernism". Not until the 1960s, however, with the simultaneous privileging of the concept of "postmodernism", does the name become generally applied, in retrospect, to a movement already in process of being superseded. Both Graves and Auden by this time have become exemplary instances of the client relationship of British and Irish modernism to a specifically American discourse.
Full Text / Texto completo
Craig Monk
The generation of expatriate Americans who spent the period between the world wars in Europe captured the imagination of critics and readers throughout the twentieth century. But while we know their works -and a great deal about their personal excesses- relatively little attention has been paid to the manner in which they facilitated their literary success. For many expatriate American writers, little magazines aided in printing material that commercial publishers would not touch, and the flexibility of these publications allowed the exchange of texts between Europe and the United States. Because modern writers were "self-canonizing", they actually assisted in the "writing" of modernism: we can see many of the threads of the modern canon in these little magazines. But the tension felt by little magazine editors -the tension between an avant-garde impulse to abandon tradition and a more conservative desire to reform art to include their visions- is also inherent in modernism. This essay underlines the importance of the little magazine to modern expatriate American writing, and seeks to further contextualize this writing within modernism itself.
Olga Taxidou
This essay reads the work of Edward Gordon Craig within the tradition of the European theatrical avant-garde. Though he is hailed as one of the "prophets" of twentieth-century theatre, Craig and his overall project are almost never read within their historical and ideological context. Rather than viewing his work as an exception within the mainly literary experiments in Anglophone modernist theatre, this essay proposes a reading that finds parallels between Craig and his European contemporaries. Craig's view of the "art of the theatre" as a distinct discursive practice and not as an extension of literature, places him alongside figures like Reinhardt, Stanislavsky, Meyerhold and Artaud. In particular, this essay reads the work of Meyerhold against that of Craig. It attempts to treat the two directors/ visionaries as "test-cases", as they express similar aesthetic preoccupations on opposite extremes of the political spectrum (Meyerhold was a "utopian" Marxist and Craig flirted with fascism). Both men admired each other's work. Craig's aphoristic writings on the role of the actor are read in conjuction with Kleist's romantic essay on marionettes. This essay was first published in English by Craig in his journal The Mask (1909-1929), which also partakes in the avant-garde tradition of the manifesto. Rather than being a unique and solitary figure on an otherwise literary landscape, Craig is seen as forming part of the diverse and revolutionary spirit that was the European avant-garde in the early decades of this century.
A central element of modernism was its cosmopolitanism and this relied on facilitators of cultural interchange and, in the case of literature, translators. Edwin Muir was a significant figure in alerting the Anglophone intellectual world to developments in continental Europe, particularly in literature in German. His own background in remote, rural Scotland was non-academic and his career is fascinating in that he read what he chose or what came his way, not what he was obliged to read to satisfy the demands of an institution. An early engagement with the works of Nietzsche, Hölderlin, Heine prepared him to read contemporary German literature including Rilke, Hofmannsthal, Kafka and Broch. With his wife Willa, Muir translated several works by Kafka and Broch which fed new ideas, images and notions of form into the modernist consciousness. Muir's essays and reviews promoted this larger consciousness. Although, in comparison with the wildly modernist work of his compatriot Hugh MacDiarmid, Muir's own poetry is only mildly modernist, he contributed in a unique way to making continental writing available to British and American authors and readers.
Key words:
The flâneur and flânerie have become a standard trope in accounts of an emergent modernity and the experience especially of the modern city. More recently, the historical figure of nineteenth-century Paris has been re-examined in readings of the gendered formations of modernism and further reconfigured in accounts of more contemporary, postmodern forms of urban experience. The Parisian stroller or window-shopper identified by Charles Baudelaire and Walter Benjamin as a new social type and the model of the artist reappears as the mall rat or TV viewer slaloming across channels. This essay argues that, productive as these later discourses often are, critics responding in particular to the "deconstructive turn" are in danger of losing sight both of the historical and spatial specificity of the later postmodern moment. The flâneur becomes a sight without a referent, an unwitting or romanticised projection of the disengaged textualising theorist. The essay therefore calls for a renewed historical awareness which will not only confirm the situated and short-lived role of the flâneur and significantly different attitude of the female flâneuse in the modernist city, but help to ground the fertile ideas of the nomadic postmodern intellectual. Key words:
Full Text / Texto Completo
Although the poetry of W. B. Yeats has long been associated with the imagery and ideals of French symbolism, it is assumed that Yeats turns away from symbolism in the twentieth century and endorses a more public, if still hermetic, model of poetry. While this story may be true for Yeats's poetic imagery, Yeats continues to draw upon symbolist techniques of poetic "decomposition", even where such techniques seem not to be in evidence. Comparing two famous swan poems -Mallarmé's "Le vierge, le vivace, et le bel aujourd'hui" and Yeats's "The Wild Swans at Coole"- this paper argues that Yeats continues to draw upon symbolist methods even after he claims to have rejected them. Both poems generate a tension between the represented scene described by the lyric voice and the linguistic or allegorical resonances of the poem's language. And in both poems this tension works to "decompose" the scene. Where Mallarmé effects this decomposition through the material qualities of his language, Yeats presents a landscape that can be read both mimetically (as a place the poet sees) and allegorically (as an embodiment of a system of symbolic correspondences). Key words:
This essay looks at the politics of modernism and the politics of reading. Considering the elective affinity that seems to have existed between America and Dante, it focuses on T. S. Eliot's relationship to America and to nineteenth-century readings of Dante, and his desire to create a new, more authoritative Dante, derived in part from Maurras. This reading has become hegemonic in subsequent American criticism of Dante, particularly in relation to "allegory", as opposed to Auerbach's "figural" readings. The essay looks at both the positive and negative features of Eliot's reading, but asks how it may be possible now to go beyond it, and find a reading of Dante that is less bound up with an authoritarian politics. Key words:
Roger Fry's historic exhibition of 1910, "Manet and the Post-Impressionists", was a defining moment in avant-garde aesthetics, marking European modernism's revolutionary impact on the practices of British artists. But it also marked the start of British formalist theorists' influence on the critical apparatus for modernism. It is often cited to explain Virginia Woolf's enigmatic statement, in "Mr. Bennett and Mrs. Brown" (1924): "on or about December 1910 human character changed". The formalist aesthetics of Roger Fry and Clive Bell with which this date has become linked are also invoked in readings of To the Lighthouse (1927) to explain the painting practice of Lily Briscoe and the modernist aesthetics of Woolf herself. But 1910 saw other events surrounding the exhibition that we might acknowledge as relevant: in particular, the suffragette activism occurring at the time of the exhibition, culminating in the notorious demonstration on "Black Friday". Woolf's manifesto on 1910 seems to resonate both with the formulations by Fry and Bell on European art and with the formulations and practices of British suffragist artists. The stained-glass artist and organiser of suffragist colours, Mary Lowndes, published a number of essays in 1910 and 1911 which are of particular interest. The combined influences of French art, English formalist theory, and suffragist aesthetics may be at work in Woolf's Künstlerroman of 1927.
The influence of Gustave Flaubert on James Joyce is well-established, but might it not be more appropriate to look to Friedrich Schlegel for a version of irony that is closer to Joyce's artistic practice? Faced with a world of bewildering plenitude and the recurrent paradoxes in our experience, the literary artist requires, in Schlegel's view, a flexibility of response which will do justice to such multiplicity. Schlegel thus advocates an aesthetic which responds directly to contingency, one that arguably corresponds to Joyce's procedures in the "allincluding [...] chronicle" of Ulysses, where the constant narratorial shifts, for example, seem to indicate an aspiration to come to terms with the contradictory totality of experience. Moreover, the relativism implicit in Schlegel's insistence on authorial flexibility and "caprice" -as the artist seeks to devise strategies which will respond to the complexity of our world- becomes fully explicit in Nietzsche's later and more cogent advocacy of a "diversity of perspectives" in the interests of perceptual completeness. Such diversity is intrinsic to Joyce's non-absolutist aesthetic. The essay concludes with an indication of some further possible affinities between Joyce and Nietzsche.
In his life and work, James Joyce is often regarded as the paradigmatic exile. His legendary obsession with accurate detail in the account of a day in the life of an imaginary Dubliner in Ulysses, and the importance he always accorded to the minutiae of memory, tend to be seen as evidence of the nostalgic thrust of his writing. Yet, as this essay suggests, the cities in which nearly four decades of self-imposed dislocation were spent (Pola, Trieste, Rome, Zurich, Paris) provided more than a conveniently alien backdrop for Joyce's transposition of remembered Irish material. In those cities, Joyce practised the cosmopolitanism (linguistic and other) that he preached, and surrounded himself with fellow cross-nationals. Usually featuring only in anecdotal asides, or brief editorial footnotes, many of these figures can claim a significant influence on Joyce's work. This essay records the circumstances of some of these friendships, and discusses their emergence within Joyce's "familiar material".
Literary modernism often exhibits the opposing impulses of cross-cultural pollination on the one hand, and exile and dislocation on the other. Writers wrestled with the problem of representing these complex cultural and political forces, especially as manifested in such European metropolises as Paris, Vienna, and London. D. H. Lawrence, in some ways an archetypal modern writer, differed from many modernist contemporaries in rejecting their Eurocentric viewpoint. Both his life and his writing display a search for fresh meanings, forms, and lifestyles in the so-called New World. This essay concentrates on two neglected, often heavily criticised novels of the 1920s, Aaron's Rod and Kangaroo, examining how each maps the distinct journeys of protagonists through and beyond a Europe terminally blighted by war. Lawrence recasts Europe as spiritually and culturally empty, but fundamentally unaware of its critical state. Aaron's Rod tracks the picaresque adventures of its eponymous hero from an English mining town, through the dulled world of western Europe to his apparent spiritual rebirth in Florence. Kangaroo records the more planned flight of Richard and Harriet Somers from a Europe they both detest to the supposed sanctuary of Australia. In neither novel is the search resolved: Aaron is pointed beyond Europe by his mentor, Lilly, while the Somers reject what they see as the unreflective ease of Australian democracy, journeying on to the untamed places of America. Both works overtly criticise the dead hand of post-war Europe from the margins of that culture, and beyond. At the same time, each is a literary experiment, an attempt by Lawrence to perform radical surgery on the novel form. As such they are worthy of consideration in discussion both of the essentially European focus of much modernist literature, and the diversity of literary newness which marked it.
Literary historians still find it difficult to "place" David Herbert Lawrence. Does he actually belong to that revolutionary movement in literature which is given the name "literary modernism" or "high modernism"? In Germany, the accusation of "fascism", usually based on a reading of The Plumed Serpent, is still a stock response to the challenge of Lawrence. Not happy with such a reductionist approach, I propose to place Lawrence in the context of German expressionism to explain crucial thematic and, to a lesser degree, formal innovations in his work. The Rainbow and Women in Love are shaped by the typically expressionist tension between form and life. Their chief protagonists, Ursula and Birkin, voicing the author's radical critique of modern civilization, attempt to break through the forms of civilization, an attempt which implies a characteristic apocalyptic dialectic between destruction and renovation. In both expressionism and Lawrence, sexual love is the chief agent of "Aufbruch" ("new departure"). In describing the nature of modernity, Lawrence is evidently influenced by Max Weber's concept of "formal rationality" ("formale Rationalität"), which he learned from Edgar Jaffe.
This essay initially draws on the feminist criticism of Gilbert and Gubar, Pykett, Bonnie Kime Scott and Elaine Showalter to underline the theme of male inadequacy in the early work of Hemingway and Malraux, two of the most "masculine" of modernist novelists. In the aftermath of the First World War a certain concept of masculinity becomes irrelevant and the fictional virile hero finds himself involved in shifting gender boundaries. Harris takes issue, however, with the same feminist theorists when they maintain that this process resulted in the empowerment of women. Close textual and thematic analysis of a number of works shows that while the dislocation caused by the war may have unmanned the virile hero, it does not lead to the enabling of the figure of the heroine. If female characters move into the vacuum left by the beleaguered virile fraternity, they also inherit man's new-found vulnerability. The focus on the umanned hero does not contribute to any concept of the New Woman and the demise of the male hero is not a consequence of the emergence of an authoritarian heroine. The virile fraternity is solely responsible for its own dislocation.
This essay examines Rhys's relationship with France as evinced in her autobiographical works and early fiction. It analyses the way in which Rhys, adopting a position of self-imposed artistic marginality and social isolation, refuses to endorse popular utopian visions of Paris as an all-embracing, alternative aesthetic homeland and a realm of erotic liberation. Paris instead becomes synonymous with maternal, not sexual, love. This offers a sense of resolution and closure for Rhys on a personal level (she connects metonymically with her own estranged mother); but her particular representation of the maternal realm also furthers her quest for a technically innovative form of writing. This is characterised by chronological disturbance, narratorial instability, fragmented interior monologue, and a subversive rewriting of other canonical texts: traits common in much modernist writing of the period. Rhys additionally employs narrative and syntactical structures mimicking the natural rhythms of the maternal body, and, ever the radical, draws on French literature for her revisionary writing, thus aligning herself tangentially with an already dissident French literary canon. Rhys's French connections enable her to explore women-centred themes within the context of modernism and still retain her unique nonconformist voice.
W. H. Auden's writings engage in a self-conscious frivolity which is always alert to the serious. The playfulness of his language mirrors the vulnerability of the community it formulates, but his writing also engages in "verbal playing" for its own sake, dislocating established forms into indeterminacy, heterogeneity and difference. The essay explores Auden's transgressive deployment of the carnivalesque as a Dionysian joker "emigrating from weakness", to expose the tensions and dualities underlying modernist positions.
This essay examines Auden's growing disillusionment with England during the 1930s, culminating in his leaving for New York in early 1939. Focussing on those poems which were to be published in Another Time (1941), Auden's first collection as an "American" poet, the essay charts Auden's analysis of the poet's responsibility for the creation of a "Just City" through such exemplary figures as Rimbaud, Edward Lear, Matthew Arnold and, most importantly, W. B. Yeats. If sailing for America saw Auden attempting to escape a certain kind of limiting and parochial Englishness, then it also, this essay proposes, saw him attempting to jettison Yeats's influence, one which Auden came to recognise as providing a negative role model for the complex relationship between public and private selves. These themes, the essay concludes, are most fully worked out in the series of great elegies contained in the third section of Another Time, in which Auden looks at the Just City from the perspective of the exile.
This essay challenges the traditional readings of Dylan Thomas. Rather than figuring Thomas as a regional romantic, a bardic other to modernism and the Audenesque, it focuses upon the modernist and particularly surrealist elements in his work. It considers in detail a number of poems that deal with the limitations of representation and language in order to suggest that Thomas may be read in a more complex way than has hitherto been the case. It asks that surrealism be recognized as a politicized aesthetic response to crises of the period, and calls for a rethinking of the work of Dylan Thomas in the light of those newer theoretical responses that have emerged since his death.
Although T. S. Eliot is among the most-studied figures in literary history, the 80-90 radio broadcasts he did between 1929-1964 have yet to receive critical attention. It is less striking that Eliot should have been attracted to radio than it is that, after 1941, he increasingly directed his broadcasts to European and Asian audiences. After all, numerous other modernist writers and poets experimented with radio (though few others made Eliot's sustained commitment to the medium). If Eliot's foreign broadcasts conform to the studied ecumenicity of his other talks before the microphone, in addressing German or Eastern European audience they did nevertheless test ecumenical limits. Today, at the end of the century, the idea of "Europe" has more currency than ever before, but with the end of the Cold War we have to strain to hear anyone insisting on the unity of European "culture". In this sense, Eliot's broadcasts comprise a uniquely modernist moment: an attempt to use a new technology to recognize a dream in which the rest of the world was rapidly losing interest.


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Did I mention that my next two books are already listed on Amazon? Neither of them have a cover yet, but they're both already available for pre-order!! A MATCH MADE IN HELL and WEDDINGS FROM HELL are out next summer, one month apart!
I'm enjoying the fall weather too much to wish for summer just yet, but knowing I'll have two more books on the bookstore shelves will definitely give me something to look forward to. :)
Friday, November 09, 2007
I Heart Amazon :)
4 comments:
Write faster!!
- Terri said...
I'm writing like the wind, I promise! :) The reality is, I have NO control over when the books come out, dangit! My publisher is the one to decide the release dates, according to some magical, mystical publishing formula. :(
But they're getting closer together, which is great! May 2008, June 2008, February 2009 and December 2009. I'll just keep my head down and keep writing! - 11:44 AM
- ~~Olivia said...
Wait..! I missed something. Did I count wrong? The second Nikki Styx full book is June 2008, the third is February 2009. What book is coming out December 2009?
- Terri said...
Hi, Olivia! *waving*
May 2008 is a Nicki Styx novella entitled "Ghouls Night Out", which is included as part of a paranormal anthology with three other authors, entitled "Weddings From Hell".
June 2008 is "A Match Made In Hell", which is a stand-alone Nicki Styx novel (and the sequel to Dead Girls Are Easy).
February 2009 in the third stand-alone book in the Nicki Styx series, entitled "If You Got It, Haunt It".
December 2009 is the fourth stand-alone book in the Nicki Styx series, which is tentatively titled "A Very Scary Christmas".
So, four stand-alone Nicki Styx books, and a novella which is included in an anthology. Clear as mud? :0) - 7:19 PM


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Friday, 10 July 2009
Brian Townsend has seen his fair share of ups and downs when it comes to poker. From when he first burst on to the scene, playing high-stakes Hold 'em and Omaha less than a year after grinding $0.25/$0.5 for pittance.
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Chakra Release: Dragon Push Technique
this wiki
This article, Chakra Release: Dragon Push Technique, is the property of User:Na'Jorne. |
Dragon Push Technique | |
Name | Dragon Push Technique |
Stats | |
Rank | B-Rank |
Hand Seals | Monkey, Ram, Tiger, Dragon |
Range | Mid to Far Range |
Type | Offensive |
Chakra Nature | Chakra Release |
Parent jutsu | Chakra Fist |
Once the user makes the hand seals they will bring their arms backwards with their hands stright up. As they do the user needs to breath in and focus chakra onto their palm. Once their hands are all the way back, the user will thrust them foward letting all the air out of their lungs. A blue dragon will apperear. Once this dragon come into contact with anything it will explode of chakra. This normally causes external damage but, this technique can crush bones and organs.
The dragon can be controled by the user. But, it is very limited. The user can turn the dragon once. The turn can be a simple degree or a full 360. It can also go up and down but not sideways. The dragon can also go vertical but nothing else.


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Jason Berken
Jason Berken | |||
Berken with the Baltimore Orioles in 2009
Free agent | |||
Relief pitcher | |||
Born: Green Bay, Wisconsin |
November 27, 1983 |||
MLB debut | |||
May 26, 2009, for the Baltimore Orioles | |||
MLB statistics (through 2012 season) |
Win–loss record | 10–20 | ||
Earned run average | 5.36 | ||
Strikeouts | 163 | ||
Teams | |||
Jason Thomas Berken (born November 27, 1983) is an American professional baseball pitcher who is a free agent. He has played in Major League Baseball (MLB) for the Baltimore Orioles and Chicago Cubs.
Berken graduated from West De Pere High School. He played college baseball for the Clemson Tigers. While at Clemson, he played for the New England Collegiate Baseball League's Keene Swamp Bats. In 186 2⁄3 innings with Clemson, Berken pitched to an 18–6 record, 3.04 ERA, and 156 strikeouts.[1]
Professional career[edit]
Baltimore Orioles[edit]
Berken was drafted by the Baltimore Orioles in the sixth round (175th overall) of the 2006 MLB draft. On May 26, 2009, after pitching just 25 2⁄3 innings for Triple-A Norfolk, he was called up to the Orioles' roster to replace injured outfielder Lou Montanez. He earned his first major league win that day, giving up two runs in five innings in a 7–2 victory over the Toronto Blue Jays. However, he finished the year with a 6–12 record, along with a 6.54 ERA in 119 2⁄3 innings pitched. This led to Berken being named the AL Les Sweetland award winner by SI writer Joe Posnanski for finishing the year as the worst starting pitcher in the American League.[2]
Chicago Cubs[edit]
On September 7, 2012, Berken was claimed off waivers by the Cubs.[3]
Chicago White Sox[edit]
He later signed as a minor league free agent with the Chicago White Sox for 2013.
San Francisco Giants[edit]
On November 15, 2013, Berken signed a minor league contract with the San Francisco Giants. On March 31, 2014 he was assigned to the Triple-A Fresno Grizzlies.
Philadelphia Phillies[edit]
On February 24, 2015, Berken signed a minor league deal with the Philadelphia Phillies. On March 2, 2015 he was assigned to the Triple-A Lehigh Valley IronPigs. He elected free agency on November 6.[4]
Toronto Blue Jays[edit]
On February 17, 2016, Berken signed a minor league contract with the Toronto Blue Jays.[5]
See also[edit]
- ^ "Former Tiger Jason Berken to Start for Baltimore Orioles". tigernet.com. May 26, 2009. Retrieved September 21, 2016.
- ^ 2009 Anti-Award Winners
- ^ Cubs claim right-handed pitcher Jason Berken off waivers from Baltimore
- ^ "International League Transactions". milb.com. p. November 2015. Retrieved November 6, 2015.
- ^ "Toronto Blue Jays Transactions February 2016". MLB.com. Retrieved February 27, 2016.
External links[edit]
- Career statistics and player information from MLB, or ESPN, or Baseball-Reference, or Fangraphs, or The Baseball Cube, or Baseball-Reference (Minors)
- 1983 births
- Living people
- Baltimore Orioles players
- Chicago Cubs players
- Baseball players from Wisconsin
- Major League Baseball pitchers
- Aberdeen IronBirds players
- Frederick Keys players
- Bowie Baysox players
- Norfolk Tides players
- Charlotte Knights players
- Fresno Grizzlies players
- Sportspeople from Green Bay, Wisconsin
- Clemson Tigers baseball players
- Lehigh Valley IronPigs players


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I would look at EJ Manuel[FSU], Matt Scott[ARI] or Alex Carder[WMU] in the mid-rounds for our backup QB, if we really want to address it we could take Landry Jones[OKL] if he falls to the 3rd round which is likely. I personally would love Matt Scott, he impressed me.
Faithless is He That Says Farewell When the Path Darkens...
After the combine, I probably will go through the draft and really start to do some Vikings mocks, a bit early to even start to be honest. Right now even who will be in the draft in the 1st/2nd is debatable until after the underclassman deadline passes.
Faithless is He That Says Farewell When the Path Darkens...
I think it did already, yeah?
Also, Bleacherreport has a pretty good mock up for us right now. Only thing is I don't want Hankins in the 1st round. I'm really hoping we get a fast, hard-nosed LB in this draft. I didn't enjoy watching Henderson get beat or arriving late on plays. Could we go back in time and get Lavonte David some how please? haha
Catch 22: run or pass, you're screwed either way!
I think speilman double dips on offense round 1 and 2.
Pay Harvin + Resign Simpson
Round 1: Cordarelle Patterson
Round 2: Jonathan Cooper
Defense played very well this year considering the large # of 3 n outs with Patterson and Cooper the Vikings would have a top 10 offensive line helping out both Ponder and Peterson and Speed at WR with Simpson Patterson Harvin Wright
****Speilman needs to make sure Ponder progresses*****
Round 3,4,4 all defense unless Aaron Dobson falls to the 4th.
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Yeah Markus Wheaton. There are players coming out that get a lot of hype like Allen and Patterson. Then there are players who fly under the radar. Markus Wheaton falls into the second category. He's pretty good. Could be a option in rounds 2-5. I wouldn't mind spending a 3rd or 4th on him if he's there. I don't think he's a great talent but he eclipsed the 1,000-yard mark in all-purpose yardage in 2010 and 2011. He had an excellent senior season with 1,323 total yards and 13 touchdowns. As a receiver he had 1,244 of those yards and 11 touchdowns on 91 receptions. As a junior in 2011, Wheaton had 986 yards and a touchdown on 73 receptions. Before that he was behind James Rodgers, Jacquizz Rodgers' brother, so his stats weren't worth mentioning much. However, he left OSU setting a new school record with 227 receptions in his career. The previous mark was 222 by you guessed it... James Rodgers. Going past Rodgers, Chad Johnson and T.J. Houshmandzadeh to leave Oregon State as the school's all-time record holder in career receptions is pretty impressive I would think.
If it's a comparison your looking for, how about ex-Chicago Bears/Minnesota Vikings Bernard Berrian. Like the former Fresno State product, Wheaton can blame the so-called East Coast bias for his lack of national coverage despite proving himself to be a playmaker over his career. Like Berrian, Wheaton is a big-play threat whenever the ball is in his hands, but his spindly frame could keep him from reaching his maximum potential. I also see a little bit of Pittsburgh receiver Mike Wallace in him. They share similar physical attributes, size and speed wise. They're both capable of getting downfield in a hurry and making plays in the vertical game. If teams don't want to pay a ton of money on the open market for Wallace they can consider drafting Wheaton instead. They're very similar players but I think Wallace is a tad bit faster. Wallace was a third round pick in 2009 – but undoubtedly would be a top-32 selection in a re-draft. Wheaton deserves to have a late first or early second round grade too but likely will go a little later, ala 3rd or 4th round.
Given that he's not very tall (5'11") and not best utilized as a true split-end receiver, he's more of the x-factor Percy Harvin slot type working over the middle, I don't think he would be my first choice. Since we got Harvin and Wright I don't think a player like Wheaton would be the best bet at receiver to bring in but if we do end up taking him I'll be confident he'll make some plays for us.
Last edited by HSmith22; 01-23-2013 at 01:22 AM.
OK, if anyone still cares about PSD mock: I have taken Alec Ogletree, Bennie Logan, and Cobi Hamilton.
I have an upcoming 4th, I'm thinking either backup QB or Guard.
QBs- EJ Manuel, Mike Scott, Tyler Bray
Gs- Cyril Richardson, Gabe Jackson
Guard all the way.
Bray just got picked. Will go Richardson if he's there. I also love EJ Manuel though
Pretty good draft considering everything, Ogletree is a huge upgrade, still unfortunate could only get Cobi Hamilton but that is good value I think.
Faithless is He That Says Farewell When the Path Darkens...
I think Manuel over Richardson. That's just my opinion though. Did Micah Hyde go already?
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Global Product Development
Launch a product and consumers know about it instantly and globally— fueling a need to deliver at the same time to wherever you compete. A well-executed global launch is fast becoming a business imperative to achieving a higher return on investment.
Effective quality practices have evolved into formal processes to ensure products meet consumers' expectations and regulatory mandates. Over the years, these various disciplines and processes have become the mechanism for issue prevention and improvement.
Leveraging and protecting the global IP created daily across a company's various locations is critical to a company's short and long-term success.
In the Experience Economy, the active participation of customers is an inherent component of the product development process. The ENOVIA requirements-driven systems approach ensures visibility to all stakeholders involved.


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Anglų rašinys. A city with a difference. Tradition. Commerce and finance. London Regional Transport. Literature. London was not built as a city in the same way as Paris or New York. It began life as a Roman fortification at a place where it was possible to cross the River Thames. A wall was built around the town for defence, but during the long period of peace which followed the Norman Conquest, people built outside the walls. This building continued over the years, especially to the west of the city. In 1665 there was a terrible plague in London, so many people left the city and escaped to the villages in the surrounding countryside. In 1666 the Great Fire of London ended the plague, but it also destroyed much of the city. Although people returned to live in the rebuilt city after the plague and the Great Fire, there were never again so many Londoners living in the city centre.
- Anglų kalba Rašiniai
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- Anglų rašiniai
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Tender/Estimator Manager
Madkour EPCp strong u u strong p p strong strong strong uPrimary responsibilities u strong p ul liTendering Manager is ...
Cairo Applya month ago
Cost Estimator Engineer(5-7 yrs of experience Civil or Arch. EHAF consulting Engineers needs the below positions:....
القاهرةمنذ 15 يوم
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