text:
We all know how much work it takes to create a perfect marriage, but it takes so much work to keep it healthy for couples ones they get older. Very important to keep sexual relationships between marriage couple consistent. In many cases imbalance in human sexual behavior can influence by any number of factors, including:
Life circumstances
Physical and emotional health
Having children at home
Hormonal imbalance
Recent losses and grief
Substance use and abuse
Workload and stress
Relationship status
A history of previous trauma or abuse
Diminished physical attraction and a corresponding lack of intimacy
Secrets and lack of relationship trust
Should You Be Worried?
Many couples do find infrequent sex to be an issue. In fact, numerous studies have shown that lack of sex corresponds directly with marital instability and thoughts of leaving a relationship.
Happily, less sex does not automatically equate to less love, happiness and fulfillment. For most couples, especially those who've been together for a number of years, companionship, reliability and a sense of mutual trust are far more meaningful than a lot of hot, sweaty sex. Sure, there are couples out there who've been married for 30 years who're still hot for each other, and good for them. For the rest of us, our libidos tend to droop in tandem with our aging body parts. Diminishing hormone levels, the aging process and the distractions of life tend to lower our sex drives (and our ability to perform), and there's not a whole lot we can do about it.
Tips to try
Of course, if you and your partner have gone several weeks or even months without sex and the lack of activity is troubling you, you may want to consider some changes. Usually a little bit of effort is enough to revive a flagging sex life, especially if the emotional connection between you and your partner remains strong. If you find that to be the case in your relationship, try one or more of the following tips:
• Schedule it
• Mix it up
• Go away
• Be romantic
It is also important to recognize that you and your partner can be physically intimate without actually having sex. Holding hands, looking into each other's eyes, cuddling, spooning, massage and just taking the time to listen to your loved one's feelings can all serve to build emotional closeness.
Nothing happening…
If you've tried the above tips and still nothing happening, you may want to seek the assistance of a medical doctor. It is wise to rule out any potential physical or medical problems before considering relationship-based or psychological issues. If the problem is physical: erectile dysfunction, medication may help.
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Errors happen and sometimes get in to papers. A recent example is the JAIR paper I had with Daniel on Domain Adaptation last year. I actually didn't catch the error myself -- it was caught by someone who was reimplementing the technique. And it's a totally not-insignificant error: essentially, the update equation for the generative parameters is completely botched. If you look through the derivation in the Appendix, it's clear where the error crept in.
Thankfully, this sort of error is essentially a typo. That is, the error was introduced when I was typing up the paper, not when I was doing the research. Why this is important is that it means the the implementation reflects the correct updates: only the paper has the mistake. This means that the experimental results from the paper are valid, contingent on the fact that you rederive the updates yourself, or just ask me what they should be.
I'm writing this post because it's somewhat unclear what to do when such a thing arises. One temptation is to do nothing. I have to admit that I was completely embarrassed when this was pointed out to me. There was a part of me that wanted to ignore it. It seems that this is the wrong approach for a variety of reasons, not the least of which is to make sure that correct information does get out. The question, to some degree, is exactly how to do this. I have a blog, which means I can write an entry like this. I can also put an errata on my web page that points out the errors (I'm writing this up as we "speak"). Given that this is a pub in an online journal, I believe I am able to submit updates, or at least additional appendices, which means that the "official version" can probably be remedied.
But what about conference pubs? If this had appeared in ACL and I didn't have a blog, the situation would be something different (ironically, an earlier version with the correct updates had been rejected from ACL because the derivations were omitted for space and two reviewers couldn't verify them). Also, what if someone hadn't pointed it out to me? I certainly wouldn't have noticed -- that paper was behind me. But then anyone who noticed the errors might dismiss the results on the grounds that they could assume that the implementation was also incorrect (it's not inconceivable that an erroneous implementation can still get good results). This would also not be good because the idea in the paper (any paper with such errors) might actually be interesting.
False things are published all the time. The STOC/FOCS community (i.e., theory community) has a handful of examples...for them, errors are easy to identify because you can prove the opposite of any theorem. I recall hearing of a sequence of several papers that incrementally used results from a previous, but the first was in error, putting the rest in error (I also recall hearing that many of the subsequent results could be salvaged, despite the ancestral mistake).
I don't know if there's a good solution, given our publication mechanisms (essentially, publish-once-then-appear-in-the-anthology). But I'm pretty sure mine is not the first paper with such errors. At least I hope not :).
03 February 2007
To err is human, but what about researchers?
Posted by hal at 2/03/2007 04:51:00 PM
14 comments:
- David Gelbart said...
- This comment has been removed by the author.
- 03 February, 2007 18:40
- David Gelbart said...
- This comment has been removed by the author.
- 03 February, 2007 18:43
- David Gelbart said...
When I write a conference paper, I create an associated web page, and I say in the paper that the reader can find additional information at that page, or that I may use that page in the future for updates. This way I can make a correction instantly if I need to. The web page is also handy as a place I can use after publication to release source code, give pointers to new related work, and so on.
I put the web page in my research group's web space, rather than my personal web space, so it will still be available after I leave my group and my account is deleted.
The expected lifespan of the web page would be even longer if I could use an institutional-level web space through a service like DSpace. (I'm not sure DSpace has the required capability for post-submission editing, but I think this capability is either available or under discussion in the DSpace community. However, I don't think my university provides a a DSpace service.) - 03 February, 2007 18:49
- Suresh said...
I am dealing with the same problem right now. the prescribed approach is:
1. send a mail to the PC chair for the conference notifying them of the error, fixes if any, related docs, and the text of an erratum to be added to the next proceedings.
2. do all the website stuff that David mentioned.
3. If the paper was arXiv'd, then the comments on the updated version can incorporate this as well - 03 February, 2007 19:44
- David Gelbart said...
I wonder if there is a way to have a paper annotated with a correction in the IEEE Xplore system?
Several years ago, I published an incorrect IEEE workshop paper, and at that time I didn't follow my current practice of linking to a web page in each paper. So I put a new PDF copy of the paper on my group's web site with a footer added on the bottom of the first page containing a URL for the correction. (I think this was better than simply mentioning the correction on my home page, since search engines will sometimes bring people directly to the PDF.) Still, people are likely to find the IEEE Xplore PDF instead. Perhaps the IEEE would be willing to stick the new PDF into the Xplore database for me? - 03 February, 2007 23:06
- David Gelbart said...
I checked with the IEEE and it's against their policy to replace the PDF. The policy is understandable. I hope at some point in the future the IEEE will start offering archiving of supplementary online material related to IEEE papers (such as source code or expanded tables of results), as Science and Nature do, and perhaps some kind of mechanism for noting corrections could be made part of that, but I don't expect that would apply
to older papers.
I published a later paper which cites my IEEE paper and mentions the corrections, but it is not an IEEE paper (it's published by ISCA) and doesn't show up in citation tracking. I have been volunteering with ISCA to help an effort to have ISCA archives indexed by Google Scholar. If that happens, anybody who finds IEEE paper through Google Scholar will be able to find the ISCA paper through the Google Scholar citation tracking, and that will put my mind greatly at ease. - 21 February, 2007 15:38
- David Gelbart said...
There's a discussion about this issue on reddit today:
http://programming.reddit.com/info/1d1d1/comments - 26 March, 2007 18:47
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Holmgren doesn't see Flyers making major move
View Single Post
Provolone & The Neck
Join Date: Sep 2009
Location: NJ
Posts: 17,792
vCash: 50
Originally Posted by
Beef Invictus
It doesn't matter if he isn't intimately familiar with the CBA. He isn't paid to know it and use it daily. Unlike a certain other GM who clearly isn't that strong on the CBA.
Wait, what? The poster said he is charged at his job in enforcing a company rule book. I said that I would bet that he has made mistakes, misread, or misinterpreted the rule book at some point (like everyone else on the planet who has made a mistake in their job).
You have to understand what I am saying. People point to his CBA foibles and act like it is a travesty and he should be fired immediately and that any other person would be in another job. I have said before that sports is not comparable to other jobs, but assuming that it is, I don't think that people automatically lose their jobs for what could be called a comparable mistake. I have seen it, I have done it, and I am sure others have seen and done it. If you make a mistake, you make a mistake. If your history is that you have not otherwise been successful at your job, you will probably lose your job. If your history is that you have been successful, mistakes are forgiven. Homer has made mistakes regarding the CBA. The mistakes have been minimal in both number and impact. His track record is positive overall.
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my theory is Luffy is going make he's punches stronger by pumping his muscle up by biting his arm which will make him look like nightmare luffy. his attacks are going to be shockwave based attacks because eneis lobby arc lucci used a shockwave based attack on luffy, so luffy knows how strong that move was first hand. Why wouldn't he use the same attack against stronger opponents. The way he would do this is by pushing his arm inward then the force of the attack makes a shockwave mixed with he's haki. When i mean pushes inward you know how luffy start gear second his legs push downward. he could do the reverse with his arms. the name of attack will be gum gum no gorilla burst
No announcement yet.
gear 4th theory
It's ridiculously Oda�Some ideas are so stupid that only intellectuals believe them.� George Orwell.
"When the people are being beaten with a stick, they are not much happier when it's called 'The People's Stick' ." Mikhail Bakunin
"A citizen can hardly distinguish between a tax and a fine, except that the fine is generally much lighter." G. K. Chesterton
Rob Lucci's attack was an upgraded version of the finger pistol attack that all of the CP9 users had. Luffy adopted their shave technique so it isn't impossible he would adopt another one of their techniques. Rokushiki isn't that important any more. I suspect the emphasis will be on haki rather than that and gears. That's just a guess though.Avatar -Louise de La Valli�re
Originally posted by old hat View PostI suspect the emphasis will be on haki rather than that and gears. That's just a guess though.
Gear three was never said to be the best. Even when Luffy first used it, it had both advantages and disadvantages. It hit really hard but was far slower than gear two.
Originally posted by Soluzar View PostI agree completely. Though there is a chance that haki and fruit powers will combine in unpredicted ways, but I'm not expecting that to lead to new gears. I feel like the gears were very much a stop-gap measure.Avatar -Louise de La Valli�re


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Viewing Single Post From: Vintage DAYS SOD Synopses | |
Matt | Nov 28 2013, 12:28 AM |
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Edited by Matt, Dec 1 2013, 07:11 PM.
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The Network Chart Show
Genre | Chart |
Running time | 5pm to 7pm, later 4pm to 7pm (from 21 October 1990) |
Country | United Kingdom (London) |
Language(s) | English language |
Home station | Capital FM |
Starring | David Jensen |
Air dates | 30 September 1984 to 25 July 1993 (Rebranded) |
The Network Chart Show was a radio programme launched across Independent Local Radio in the UK on 30 September 1984.
The main presenter was David Jensen (known then as "Kid Jensen"), however Pat Sharp would often provide holiday cover in its later years. In its earlier years Timmy Mallett and Alan Freeman filled in for Jensen. The show originally featured the Network Top 30 and ran from 5pm until 7pm in direct competition to BBC Radio One's Top 40 chart show and was broadcast from Capital Radio's studios on Euston Road in London.
It networked, hence the name, in the UK on a number of ILRs using the transmission circuits of Independent Radio News, which meant it was originally in mono on most radio stations. Later, the programme was upgraded to be broadcast in stereo.
The programme used to start bang on at 5pm which at the time was quite a radical step for the 5pm and 6pm news to be dropped. Each local station would play their own 10 second ident before linking up with the national feed. The final song faded out shortly before the 7pm news bulletin, each radio station would opt-out at various times depending on the length of their news-in jingle. Eventually the programme was extended on 21 October 1990 starting an hour earlier at 4:03pm, following the news bulletin, with the chart expanded to a Top 40; not all of the stations took the extra hour to begin with.
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In later years the programme was sponsored by coffee company Nescafe.
The Network Chart[edit]
The chart was owned by Association of Independent Radio Contractors (AIRC) – the trade body for Independent Local Radio stations. The chart was distributed by Satellite Media Services, produced by Capital Radio and compiled by the Media Research Information Bureau (MRIB). The chart differed from the entirely sales-based "official" Gallup chart used by the BBC as it included airplay statistics when compiling the chart. In 1987, sales data for a Thursday-to-Wednesday week was logged manually in diaries by 300 record shops and posted to MRIB.[1] In 1991, data was being collected from around 300 independent record shops who were provided with a checklist of currently released singles. Sales were "checked off against ticks on the retailers' masterbags" and these figures would be collected by telephone on Thursdays. Airplay statistics were factored in by all Independent Local Radio stations providing which playlist (A, B, or C) the current releases were on. More weight was given to the larger stations at the time, such as Capital (17 percent), BRMB, Clyde, GWR, Metro, and Piccadilly. If a record was on every Independent Local Radio station's A list the sales were boosted by 40 percent.[2]
For its first three years, the Network Chart was more up-to-date than the BBC chart broadcast simultaneously (which had been around since the previous Tuesday), with many singles entering, and reaching their peak on, Sunday's new Network Chart before they did so on the official chart announced two days later.
From 4 October 1987 the official chart was brand new on a Sunday afternoon and was more up-to-date, with the official chart using a Monday-to-Saturday sales week compared to the Network Chart's Thursday-to-Wednesday one.[3] Even when the Network Chart was more up-to-date, though, the Gallup chart was always considered the "official" Top 40, and indeed was promoted as such by the BBC.
In compiling the chart MRIB employed a sliding scale, meaning that for the lower reaches of the Top 40, airplay counted almost as much as sales. This often meant that the 40-to-20 positions could be very different between the Network and BBC charts. The weight given to airplay diminished the higher one went in the chart, and the Top 10 was meant to be entirely sales-based, although the Network Chart did not register sales from Saturday, the single most important record-buying day, until a week later. It was not unusual for the MRIB and Gallup charts to have different songs at Number One.
Because the chart did not include sales from the likes of Woolworths & WH Smith, some songs with more specialised appeal (including many by The Smiths) peaked higher than on the official chart, whereas some songs with more middle-of-the-road appeal (such as Su Pollard's "Starting Together") might sometimes peak lower. This had also been the case with the Record Business magazine chart used by ILR in the late 1970s and early 1980s, which also did not include data from the more family-friendly shops. As with the Record Business chart, regional charts were also produced by MRIB for individual ILR stations.
A TV version launched in 1987 called The Roxy - presented by David Jensen and Kevin Sharkey using the chart data from The Network Chart. The show itself tried and failed to compete with the BBC who had the long established Top of the Pops. It ran for just over a year and was produced by Tyne Tees Television, but was often beaten in the ratings by rival programmes on other channels such as EastEnders. The TV show was axed after industrial disputes saw the end of live performances.
On 16 March 1989, Fantail Publishing released a tie-in book called, The Network Chart Book Of Hits, which was a review of the previous year, 1988 in music. It featured a selection of the singles, albums and music videos charts, as well as interviews with some of the artists who had big hits that year. The book was introduced by David Jensen and the author was Mike Hrano.
Teen magazine Number One used The Network Chart singles and albums charts from January 1985, right up until summer 1990, when it was sold by its publishers, IPC Media to BBC Magazines. From then on it featured the official national singles and albums charts until the magazine's demise in early 1992. Also, the national Sunday newspaper, The News of the World, used to feature The Network Chart Top 20 singles chart in their music section in the late 1980s and early 1990s, whereas The Sunday People featured the MRIB top 10 right up to MRIB's Singles/Album Chart demise in April 2008. Although Independent Radio stopped using it in August 1993.
From 1 August 1993, Neil Fox took over the rebranded Pepsi Network Chart which later became the Pepsi Chart and then hit40uk. On 15 June 2009, hit40uk became The Big Top 40 Show. All these shows mostly used the Official Top 10, except The Big Top 40 which uses the iTunes live top 10, at the end of the show, and kicks off with the full week's top 10 on iTunes. The 40-11 on all of them is a 50/50 Sales/Airplay chart.
- ^ "The Art of Charting". Record Mirror: A8. 9 May 1987. ISSN 0144-5804.
- ^ "There is only one chart, isn't there?". Music Week: 13. 12 October 1991. ISSN 0265-1548.
- ^ "The Art of Charting". Record Mirror: A8. 9 May 1987. ISSN 0144-5804.
External links[edit]
- Article on The Network Chart Show.
- Media UK Listing.
- radioairearchive.googlepages.com Audio of The Network Chart Show via Radio Aire between 1987 and 1990.


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Home › Forums › The Knot Help › Family issues
This topic contains 3 replies, has 4 voices, and was last updated by Kittikats 3 years, 6 months ago.
- AuthorPosts
- August 18, 2013 at 4:11 pm #413519
Hello there other brides to be! I need some help. I'm an 19 yr old female who is currently engaged, the problem is I do not know how to tell my family especially my mother and father. They do not what me getting married young… I can see were they are coming from but I am in love and won't be getting married til 2015 so I will be turning 21. Do any of you lovelies know how to tell the parents without getting into an argument and saying things that might be hurtful?
September 8, 2013 at 3:15 am #416435Hi rachel,
If they argue with you as im sure you are aware it sounds like its out of love and concern for you as you are quite young to be so committed to someone. Congrats though not to say it won't work by the way.
I think the easiest approach is to just tell them and explain that you feel mature enough for this commitment. Answer any questions they have without getting offended or raising your voice as that gives them signals to do the same. Just baby step it. Talk bout how you feel about this man you are preparing to marry and your relationship with him about how you both feel ready for it to progress (but remind them that not too quickly!!).
At this time you should reflect on your reasons for saying yes and try to identify problems you have had or may have in future because your parents may wish to discuss this with you. Do you fight on a regular basis? Have you had major arguments that have seen you split for a while? Is he supportive? Is he prepared for married life and a commitment to you? Are you prepared for what married life is and commitments to him? Do you both find compremises or do you go at loggerheads? What are your plans for the future? Are they the same as his or similar? They will want to know you are well looked after and prepared for what lays ahead.
Maybe to better the situation (i know you are already engaged) but send him to talk to your parents about getting engaged. It earns him bonus points with the parents even if they say no. Because it means he values their input and respects them in their eyes. Bonus bonus if they agree with him. Plus it gives you guy the idea of what sort of reception the news will recieve.
Just dont tell them by facebook, text message or phone (unless very far away) in person is best for this situation. Its more polite and shows you arent hiding behind things like the child they may still see you as instead of the adult you are.September 8, 2013 at 8:27 am #416439Also have a think about the main questions they might ask such as, where are you going to live and how are you going to support each other. I met my fiancé at 16/17 and we knew one day we'd get married from the time we were 18 but waited until we where all 'setup' the way we wanted to be before getting engaged at 27. I know many people who were madly in love at 19 or younger and happily married and I doubt it's the love side that your parents would be concerned about (I'm sure it's abivous how much you care for each other).
I'd imagine it would be more that marriage is about starting your new life as a couple separate to your families and how you plan on being able to do this when typically at that age you might be studying or there might be a lack of funds to be able to do this.September 19, 2013 at 12:06 pm #418405Hello Rachael,
I was in your position, I got engaged at a young age with a wedding a few years after.
My family was worried about this because:
* Being so young, what did I really know about love and commitment?
* We weren't the best suited couple, personality wise. In fact we were opposites which wouldn't have been so bad if …….
* We also did not have a great deal of things in common.
* I wasn't even remotely excited about wedding planning. Not the dress, not the cake or music or honeymoon… nothing
* Also as the wedding got closer instead of getting more excited I was getting more nervous and doubted if I really loved him.
For me getting married so young was a mistake because I married the wrong person, being more swept away by their enthusiasim to start a life and family than by my own desire to do it.
This time, I am with someone who I love deeply, who shares a lot of my values and interests, who makes me a better person. I can see us together through all of lifes ups and downs and he has awoken my inner bride. I am excited to plan my wedding because I know that it means I will officially be his wife and we will be bound together for the rest of our lives. And I can't wait.
So my advice to you is:
* Really take time to figure out what marriage means to you and if you can truly be that with him for the rest of your life
(also include laundry in marriage. The amazing and the domestically mundane are all part of it.)
* Ask yourself "Why am I really getting married?" and answer honestly.
Is it because you can see yourself with the person and all the ups and downs that may come for the rest of your life?
Is it because you are carried away by shiney dress day?
Is it because you are infatuated?
Or is it because you are truly in love and know that this is the person you want to be with for the rest of your life?
* Listen to any concerns your parents bring up and figure out if they are true.
(You don't have much in common – legitimate. You need common ground to bond over. Not everything, just some things. You are too young for this – not legitimate if you are a great match and can/have honestly deal with lifes problems together.)
* Understand that your love will grow and change and that there are times you are going to argue. This doesn't mean you aren't suited, it means you both need to compromise.
Be honest with yourself first and truly understand why you are getting married.
Once you have that you can talk to your parents and tell them honestly and logically that you are getting married at that you are sure. You've really considered it, you and your fiance are a great match and good for each other and will support each other through thick and thin.
Once they see that then they can be happy and reassured that you are making the right choice. - AuthorPosts
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Delicate delegation
We have done changes to the corp offices you can rent at stations. Now each office is in effect 7 containers, 5 based on security clearance and 2 special, one for market activity by the corp and one for factory activity. 5 roles have been added, Security Clearance 1-5. As the clearance "levels" are basically roles, then having clearance 5 doesn't imply that you have clearance 1, each lower clearance has to be assigned.
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06-30-2011, 01:47 PMI read somewhere that short blond men in prison are given to doing exactly that to avoid interest from attackers. Given that some of the men in prison are there for raping crack whores and other women not generally thought of as being the object of desire, I'm surprised it would deter anyone.
While you were hanging yourself , on someone else's words
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Wednesday, July 25, 2012
My heart hurts
4 comments:
Loss is never easy. In my own experience, I suggest finding something else that you feel passionate about as it's the passion we miss. That doesn't have to be a person, but should be something new, like a challenge or idea. Eventually it begins to take the place of the loss. Nothing wrong with grieving though while you wait for that thing to come along.
ReplyDeleteI am sorry that I have gotten behind in my reading. I have been away dealing with the fast approaching death of my father and some legal issues related to his previous in-home care which have made this even more stressful. I just came here to read tonight and saw this post. I know you have been going back and forth with this decision for a long time now. I am so sorry you are hurting. I look forward to the posts ahead in which you will share newfound joys and days splashed in golden light - all the things that await you and your extraordinary, loving heart. My love flies through the sky straight to you along with many good wishes that these days of sadness will be short lived. Hope your trip to your mom's is a good one and that the two of you will have some special moments together. x0x


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Doctor insights on:
Chronic Stiff Neck And Shoulders
I have got a numbness in left jaw area for about one month ago and i already have neck stiffness which lead to shoulder and muscle pain what to do?
Get checked: Strange face, jaw and neck shoulder pain could be heart or nerve related. Best to see the emergency room for these symptoms. Good luck ...Read more
Neck Strain (Definition)
A stiff neck causes pain and discomfort with neck movement. Causes vary, and include muscle strains, ...Read more
I'm having stiff neck and shoulder muscles. How can I ease the stiffness?
Massage: Try seeing a massage therapist. Through manual therapy (ie: stretching, massage etc) your stiffness may subside. If this does not help, see an orthopedist. Best of luck! ...Read more
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I woke up with a stiff neck and saw shoulder how can I relive the pain?
Nerve or muscle: This could be due to a nerve entrapment or inflamed muscle. If the pain is worse on turning your head toward the pain, a pinched nerve is likely; if worse turning away from the pain it is probably muscular. Try rest, intermittent moist heat, an antiinflammatory medication(like Ibuprofen if you can take them) and using a neck brace. It may take 5 to 10 days to resolve. ...Read more
I have a stiff neck and bad back/shoulder pains, help?
Improper posture: You are straining your back and neck due to bad posture while using your gagdets. Make sure you maintain a good posture while working.. Begin your day with streching exercises. Accomodations like using an ergonomic key board , work station and adjusting the height of your chair and desk will make a significant difference .Take frequent short breaks for stretching and relaxation exercises. ...Read more
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Stiff neck in winter- I get a pain originator g in my right neck, right shoulder and spreads across right back side. Its very painful for 2 days?
Possible nerve pain: This syndrome may be due to inflammation of the muscles of the neck and shoulder or may be due to nerve impingement from vertebral or disc problems in the neck. Try warm and cold applications,wearing a soft cervical collar and,if you can take them,NSAIDS like ibuprofen. If symptoms persist or worsen, an orthopedic surgeon is qualified to evaluate and advise you. ...Read more
I get a stiff neck/shoulder about once a month. The pain decreases lasts a week.Changing pillows has not helped. What other reasons can cause this?
Neuritis: sometimes there can be nerve irritation in the spine, in this case the cervical region. may want to see your doctor and have x-ray/MRI to see if there is possible disc/pressure on nerves coming out from that part of your spine.Also could be due to tension /stress that will give upper back/ neck spasms ...Read more
No stiff neck, but if i touch my left side of my neck and push down it hurts..A little in the shoulder too. Sometimes when i turn also. What is this?
Muscle Spasm: What you have described is a pressure point . You have pressed on a cervical nerve root, most likely c-5 dermatomal distribution. ...Read more
Can stiff neck cause dizziness... My neck shoulder remains stiff next morning aftrr heavy badminton games.
Yes: Irritation to the neck and scalp muscles can give you headaches and dizziness. If your neck pain resolves after heavy muscle use but your other symptoms remain for more that a few days without improving i would suggest following with your doctor. ...Read more
I moved my head the wrong way while getting dressed. I immediately had a stiff neck that goes deep into right shoulder. Shoulder I see a chiropr?
Local massage: early ice, later warm compresses, massage may relieve spasm! Chiro has some additional special maneuvers ...Read more
I have stiff neck for the past two weeks. Pain is now spreading to upper back and shoulder on the right side. Getting difficult to turn head. Help?
Neck pain: At your age, a stiff neck is most commonly due to degenerative changes, meaning aging changes. For now, your symptoms should be well treatable with simple conservative measures such as stretching, range of motion exercises, and anti-inflammatory meds (such as ibuprofen, naproxyn). See an md if symptoms persist. ...Read more
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Hand : 3 GREAT ESTATES OTHER CONSIGNMENTS ARMIN MEYER COLLECTION Warren IL….
OCT. 30 10:00 AM SHARP! Jane Addams Community Center, Cedarville, IL Location: West of Mobil Station 3 blocks to old school. 3 GREAT ESTATES & OTHER CONSIGNMENTS ARMIN MEYER COLLECTION, Warren, IL: Huge collection since 1981; many NIB & old: 1/16 Ford, MH, MF, Case, Co-op, JD, Blackhawk, IHC; Rare Mamod Steam Engine w/ wagon & Sawmill; Hand made 1/16th Horse drawn Wagons & Imp; Tru Scale Drill, Picker, Combine, Plow; Many wooden Scale Models; WLS 1930-40; WLS Autograph Pictures;1941 Centennial Prairie Farmer; 32 old Belt Buckles; Farm Seed Books; 200+ Pens & Pencils; Yard Sticks; 1/16th Muscle Cars- Dodge Viper; JD L&G; Cast Iron Items; 12 Horse Hitch; Threshing Machine; 100+ 1/64 Tractors; Tractor Literature; IHC Centennial Plow; Delaval Items; Farm Hat Collection; Show Buttons; JD 4440 Pedal Tractor & Cars; IHC 1086 Pedal Tractor w/ cab; Toy Show Cases; Display Cupboard. LEONARD BASTIAN COLLECTION, Freeport, IL: (former VP of Archer Oil Co, Omaha NE-many rare items): Lots Archer memorabilia: Gusher 1956-2010, Semi Truck, Airplane, Sales Sample Cans, Signs, 1956 Year book; 10-JD Expo Tractors NIB; 20 yr.
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Results 1 to 6 of 6
- Join Date
- Dec 2006
- Posts
- 361
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- Vermont
- Tractor
- John Deere 5055e
Spring snow frustration - tips welcome
The most enjoyable part of winter skipped us, for the most part, here in northern Vermont... of course, I'm speaking of snow. Although the Burlington area had a record for one-time snow early in the year, it's been a drought. Just cold. That is until today...
I'm trying to plow my gravel driveway - it's made up of stuff people sometimes refer to as "hardpack." Different sizes of crushed gravel that packs into cement-like consistency when frozen. My question is if anyone has suggestions about how to use a FEL to clear snow after it's been a week of > 32 degree temps. Last night we got about 6-8" of heavy, wet snow on top of ground that has warmed. This morning, I couldn't get the FEL to float - it either digs in and takes out a layer of my gravel driveway or skips over the top. I can't get the "roll" angle correct, no matter what I seem to do. If I try to backdrag, it just floats over the top, or if I leave the pressure on, it packs the wet snow down.
Any tips? Besides "buy a snowblower" or "buy a plow?" I'd like to, believe me...
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- Jan 2006
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- 196
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- Birch Run, MI
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- Case 580C
Re: Spring snow frustration - tips welcome
When you lock the FEL into float, I set my bucket so it digs and once it hits the desired depth into the hardpack and then roll the bucket up just enough in small increments so it stops digging and runs level. Its hard to get the right spot and if it comes up you have to back up and start again.
The key is to plow right away, not let the snow pack lol. A FEL is not a good tool for clearing large areas. For $400 you can have a backblade that is much better for long drives. The two together are the cheapest way to clear snow.
Like you I have not had the cash to buy a blower and am making due, but next year I am going to do everything possible to buy a blowerCat 420D
Bota BX2360
- Join Date
- Oct 2009
- Posts
- 657
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- Freetown, MA
- Tractor
Re: Spring snow frustration - tips welcome
Too late for this storm but have some skid shoes fabricated for the bucket. Make them wide enough to ride gravelsurface and not dig in itself. Bolt them into place so that you can remove them in the summer or be able to adjust them using shims.
08 BX24 FEL, BH, 6l0" MMM, Kubota PTO Bagger, BX2750D snow blower with quick hitch
Re: Spring snow frustration - tips welcome
keyman has the right idea though a backblade w/ shoes would be better. Doing what you want on a non asphalt surface is always going to be difficult. One year I took a 3 inch long section of 1 1/4 inch steel pipe and cut it in half lengthwise. I tack welded each piece to opposite sides of the bucket to act as skid shoes. Worked fairly well and didn't interfere with digging during non winter times.
Experience is something you get right after you need it!
Kubota L2500 DT w/ 5 foot FEL and Pat's easy change system
5ft box blade, 5ft bushhog, 6ft york rake w/ guage wheels, 7ft backblade w/skid shoes , post hole digger, 5 foot snowblower, dual axel 16 foot landscape trailer, 330 gal water tank, Ford 250 diesel, 6 wheel drive polaris ranger, bale spears for loader
Re: Spring snow frustration - tips welcome
With the snow we got today being about 5-6 inches of very wet heavy snow and the ground being warm even a snowblower wasn't doing a great job.
I replaced replaced three shear bolts and I can't give you a number of times the chute was plugged up. Digging gravel, rocks, you name it with the blower. Just been way too warm the past few days and then the snow hits. Not to worry they are talking a whole bunch more for Thursday and Friday. I guess we are nearing the end of February and March is going to come in like a lion!
Re: Spring snow frustration - tips welcome
I'm dealing w/ the same storm. What I've learned to do w/ the FEL is to kind of use it like a plow/FEL. I start by loading the bucket up w/ a decent amount of snow, then put it into float and adjust the angle. The snow I start out w/ in the bucket usually adds just enough weight to keep it from floating up onto the heavy wet snow while I'm working on getting the angle right.
But I've also just learned to not use float and keep the bucket about 1" off the ground. Ya it takes lots of tweaking the stick and paying attention but the end result is a lot better.
L3400 HST, LA 463 FEL, 6' Woods blade, 65" Woods box blade, 60" Meteor blower, CCM top & side links, 2 extra rear remotes waiting for a use and a big, fuzzy hat
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Fine Art Painting at our central-Brighton Grand Parade campus offers you a studio-based, in-depth education in the creative, intellectual and practical knowledge and skills of painting.
You will focus on the diverse aspects of the practice, from method, materials and skills acquisition to the development of a personal visual language and an informed critical and philosophical position.
At Brighton, there is no house style or one set of rules. You are encouraged to undertake a personal journey and test the boundaries of painting, finding your own position and context for your work. By fostering this atmosphere of individual exploration, the course creates an environment where discussion, debate and the daily interchange of ideas are commonplace.
Lectures in historical and critical studies equip you with a knowledge of the context and history of painting. Alongside studio-based work, you will develop your understanding of the contemporary art arena and receive professional development to prepare you for life beyond university.
Location Brighton: Grand Parade
UCAS code W120
Full-time 3 years
Apply now with UCAS
Entry requirements
A-levels or BTECEntry requirements are in the range of A-level BBB–CCC (120–96 UCAS Tariff points), or BTEC Extended Diploma DDM–MMM. Our conditional offers typically fall within this range. We are looking for highly motivated and creative students. We will consider you on an individual basis. Your portfolio is the most important and mandatory part of your application. If your predicted or actual grades fall below the range but you can evidence your thinking, ideas and abilities through a high-quality portfolio we will still consider your application.
Art foundation diploma Pass. A foundation diploma is not a requirement for entry – it is just one of a range of qualifications that is accepted for admission to this course.
International Baccalaureate 30 points.
Access to HE diploma Pass with 60 credits overall. Art and design courses preferred. At least 45 credits at level 3, and 30 credits must be at merit or above.
GCSE (minimum grade C or grade 4) At least English language and maths.
For non-native speakers of EnglishIELTS 6.0 overall, with 6.0 in writing and at least 5.5 in the other elements.
International equivalencies
We can help you meet our English language or academic entry requirements.
Visit our language institute
For English language preparation courses.
Visit our International College
For academic preparation courses.
Why study with us?
Michaela Yearwood Dan (graduated 2016)
George Lloyd-Jones (graduated 2015)
Year 1
First year tuition develops your ability to produce self-directed work. Studio practice units emphasise experimentation and risk-taking within a critical but supportive environment; workshops cover all technical essentials of painting; the Historical and Critical Studies programme discusses the contexts of art; and seminars introduce you to professional development.
Year 2
In your second year you continue to produce self-directed work, but there is greater emphasis on its relationship to the worlds of cultural and political debate. The 'interim show' teaches you about the key issues of exhibiting publicly. The extension studies programme allows you to explore topics outside your usual learning range, while Historical and Critical Studies lectures are tailored to painting.
You may apply for overseas study placements in Japan and Korea.
Final year
In your final year you produce a body of work to professional standard, exhibiting it in the acclaimed, annual graduate shows; write a research essay to define and contextualise your practice; and receive professional development lectures on subjects ranging from self-employment to project management, networks and planning strategies.
Assessment for studio units is based on artwork and writings; historical and critical work is assessed through written work and presentations. You'll receive written feedback on your progress. At these points you complete your own self-assessment matching the form used by your tutors. These encourage you to reflect on your development.
A vital resource in all fine art disciplines at Brighton is the studio.
Student views
Charlie Schaffer Fine Art Painting graduate (2014)
Hear what Charlie has to say about the course.
It teaches you self-motivation and self-belief…
Staff profile
Chris's work spans painting, drawing, photography, animation and video, and has won numerous national awards. Since graduating from Brighton in 1981 his work has been exhibited widely both in the UK and abroad, winning prizes in numerous national art exhibitions. In 1993 he was shortlisted for the post of official war artist in the Bosnian conflict by the Imperial War Museum. Throughout his career as an artist he has remained committed to realist painting as an ongoing and vital artistic practice. His work is represented in London by Mummery+Schnelle.
Find out about the rest of the Fine Art Painting staff: Alex Pollard, Nadine Feinson, Oliver Gosling, Tony Benn, Tom Hammick, Joseph Mark Wright and Robert Hersey.
'Washed Up' by Chris Stevens, Oil on canvas 137 x 183cm
Our graduates have had international residencies at The British School in Athens, Foundation Armando Alvares Penteado Sao Paulo, and in China. Our alumni have had gallery representation at Ceri Hand, Ana Cristea, Nettie Horn, Herman Germann, George and Jorgen, Domo Baal, and Saatchi, with work exhibited in New York, Sao Paulo, Basle Switzerland, Los Angeles and London.
Every year, we have graduates who go on to MA study at The Royal College of Art, The Slade, Goldsmiths, Chelsea, The Royal Drawing School and others, and several move on to further research careers. Many go on to establish successful careers as artists, curators, teachers, and other related fields of practice within the art industries.
Graduate successes from 2015 and 2016 include:
Francesca Seal (graduated 2015)
Laurie Crean (graduated 2016)
UK/EU (full-time) 9,250 GBP
International (full-time) 13,920 GBP
The fees listed here are for full-time courses beginning in the academic year 2017–18. Further tuition fees are payable for each subsequent year of study and are subject to an annual increase of no more than 5% or RPI (whichever is the greater). The annual increase for UK/EU students, who are subject to regulated fees, will increase no more than the statutory maximum fee. Further details regarding tuition fees are available from the university's student contract and tuition fee policy (pdf).
The tuition fee you have to pay depends on a number of factors including the kind of course you take, and whether you study full- or part-time. If you are studying part-time you will normally be charged on a pro rata basis depending on the number of modules you take.
When costs such as health or DBS checks, field trips or use of specialist materials are incurred as a mandatory requirement of the course they are included in your tuition fee.
You may incur additional costs depending on the optional modules or activities you choose. The cost of optional activities is not included in your tuition fee and you will need to meet this cost in addition to your fees. Before you apply check with the school that provides your course using the contact details in the Find out more tab (at the end of this page) for advice about what is included and what optional costs you could face so you can budget accordingly.
See our finance pages for advice about funding and scholarships as well as further information about fees and advice on international and island fee-paying status.
Brighton has been called the happiest place in the UK, and it's easy to see why. With five miles of pebble beach, more than 300 pubs and a packed festival calendar, Brighton is the ideal place to spend your student years.
Arts and culture: The Royal Pavilion is the most famous landmark in Brighton, opening its doors to around 400,000 tourists every year. Right next door is the Brighton Dome, the south coast's premier multi-arts venue, and the Brighton Museum & Art Gallery, which holds a diverse collection of decorative arts, textiles and archaeological artefacts.
Festivals: The Brighton Festival is now the largest arts festival in England and a major milestone in the international cultural calendar. Meanwhile, The Great Escape has been established as the UK's leading event for new music, with over 300 bands playing 30 venues across the city over three days.
Nightlife: Aside from the many nightclubs that line the city's seafront, student favourites include The Haunt, Concorde 2 and Patterns, which attract leading bands and DJs from around the world. If you don't feel like dancing, you can take your pick from the many hundreds of pubs and bars that dot the city centre.
Shopping: The quirky North Laine district houses Brighton's finest collection of boutique shops and independent cafes, while the narrow, winding streets of the South Lanes house collections of jewellery and antiques. Churchill Square is the city's main shopping centre and serves all of your high street needs.
Sports: Brighton's seaside location offers the perfect opportunity to try paddle boarding, kayaking and windsurfing. Further into the city, The Level has a skate park for skateboarders and BMX riders to practise their skills.
Campus where this course is taught
Our Grand Parade campus is in the heart of Brighton, across the road from the Royal Pavilion and a five-minute walk from the beach. After your lectures you'll be right in the city centre, close to all the best pubs, clubs, restaurants and cafes that Brighton has to offer.
The campus is home to a creative community of arts and humanities students, specialising in everything from fashion and textiles to politics and philosophy. It is also the location of the University of Brighton Gallery and Sallis Benney Theatre, which host events throughout the festival season and beyond.
The world-renowned University of Brighton Design Archives are in the basement of Grand Parade and offer extensive resources for the study of British design in the twentieth century. St Peters House, the campus library, is also nearby and houses a specialist collection of arts books and journals.
Our Brighton halls of residence are located across the city in Grand Parade, Moulsecoomb, Varley Park and Falmer.
Our Grand Parade campus is in central Brighton and has one hall of residence, Phoenix Brewery, within walking distance. We have around 300 rooms available in Phoenix Brewery, which are all ensuite and self-catered.
Moulsecoomb is two miles from the city centre and also has one hall of residence, Moulsecoomb Place, on campus. All accommodation in Moulsecoomb Place is catered, offering breakfast and an evening meal during term time. There are more than 150 rooms available here, with six to eight rooms per flat.
Varley Park offers the biggest choice of student accommodation with ten halls of residence. The site is four miles from Brighton centre but within walking distance of Falmer train station. You can also catch a free bus service to Grand Parade, Moulsecoomb and Falmer campuses, which is operated by local bus service The Big Lemon.
Falmer campus has two halls of residence: Great Wilkins and Paddock Field. Great Wilkins offers 150+ self-catered single rooms and one-bed couples flats, while Paddock Field offers 450+ catered and self-catered single rooms only. All rooms in Falmer are en-suite.
Aside from halls, you have the option of Unihomes, which we let out to our students on behalf of private landlords. The rent covers all utilities and includes £5,000 of contents insurance for your personal belongings.
You can also choose to join the many students who live away from campus in private rented accommodation. We have a list of high-quality, university-endorsed private sector accommodation and can help you find housemates to move in with.
If you have any questions about accommodation in Brighton, our accommodation team will be happy to help. You can contact them by email at firstname.lastname@example.com or by telephone on 01273 644100.
Unistats is an organisation that collects specific data about university courses in the UK which enables you to compare information that is important in your decision-making when choosing a university. All universities publish Unistats data on their online course pages.
Wherever we can we have provided extra information here to help put the data into context so that it is as useful as possible when you are making decisions.
Programme specifications are the official university documents that describe each course in detail. They reflect the course as it is being taught to students who started their course in this academic year. They are updated every summer, and give a very detailed breakdown of what your course might look like.
Programme specification
01273 firstname.lastname@example.com
Art Design Architecture Media blog
Find out about news and events from this course and others on our art design architecture media blog.
Your campus on InstagramSee what art students based at our Grand Parade building are sharing on Instagram.


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2010 Tempranillo Grano a Grano Abel Mendoza
This Product is currently unavailable. Please check back later or contact us directly and we will endeavour to source it for you.
Average critic rating : 93.0 points
93Contrary to how the Graciano is showing today, the 2010 Tempranillo Grano A Grano, also produced from Tempranillo and destemmed by hand, is very open and expressive, with brambly and flowery notes, sweet tannins and clean acidity. Even though it's already delicious, I'd also wait a couple of years and drink it in the next 5 to 7 years, as I believe it will gain in complexity and age superbly. 2,500 bottles produced. Drink 2016-2022. ||Abel Mendoza, a true vigneron from San Vicente de la Sonsierra, looks after 20 hectares of vineyards that his wife, Maite, turns into some 70,000 bottles per year. They started in 1988, like many others, selling a young, carbonic maceration red, and since then, sticking to their guns, they have slowly climbed all the way to the top. Nowadays they have no less than six whites, five varietal ones (they are only missing Maturana Blanca) and the last one a blend of all five local white grapes aptly called 5V. All white varietals are produced in the same way, fermented in new French oak barriques where they stay for five months in contact with its fine lees, so tasting them together makes for a fascinating comparison of the characteristics of the different grapes. I found their quality quite similar, and preferences come down to personal taste. Even though the winery seems to somehow have specialized in whites, they also produce a full and very noteworthy range of reds.||Imported by Jose Pastor Selections, Richmond, CA; tel. (510) 237-0077; www.josepastorselections.com Wine Advocate.December, 2013 |
FINE+RARE offers UK home delivery through our logistics partner London City Bond, with next day deliveries available for Central London addresses.
We deliver Monday to Friday; charges are £ 16 + VAT for up to 10 cases (12x75cl or equivalent) for most UK postcodes.
For delivery charges to Highlands, Islands and outlying areas, please contact our
Customer Service Team.
For deliveries into Hong Kong and Singapore, we offer a dedicated air and sea service.
For more details regarding delivery to Hong Kong, Singapore and all other destinations, please view our
International Delivery information page.
Spirits cannot travel on our services to Hong Kong, Singapore or Macau and require separate shipments. Please contact our
Customer Service Team for further information.
Our storage costs are highly competitive. We will happily accept cases or single bottles, charging pro-rata based on the number of bottles and length of storage period.
Unlike many other wine companies, our service includes storage of duty paid wines as well as in bond from any reputable source, not just those bought through FINE+RARE.
Please visit our F+R Storage information page for more details.
FINE+RARE can arrange delivery of your wines to your personal fine wine storage account:
Deliveries within London City Bond or to a Vinotheque storage account are charged at £ 8 + VAT for up to 10 cases (12x75cl or equivalent).
Deliveries to all other storage providers are charged at £ 16 + VAT for up to 10 cases (12x75cl or equivalent).
Please contact our Customer Service Team if you have any questions.


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Hilton Garden Inn Fredericksburg
1060 Hospitality Lane, Fredericksburg, Virginia, 22401, USA TEL: +1-540-548-8822 FAX: +1-540-548-8820- Hotel Home
- Amenities & Services
- Maps & Directions
- Rooms & Suites
- Plan an Event
- Special Offers
- Dining
- Things To Do
- Share
Start planning your nuptials today by speaking with our wedding specialist
Tel: 540-548-8822
Email: email@example.com
- Events & Meetings
- Events & Meetings
Celebrate your new beginning in an area steeped in history at the Hilton Garden Inn Fredericksburg. With 2,700 sq. ft. of flexible event space for ceremonies and receptions, as well as indoor and outdoor options, this Fredericksburg wedding venue has everything couples need to treat themselves and their guests to a memorable event.
Indulge with hot hors d'oeuvres and a buffet dinner expertly created by our banquet staff. Host family and friends in the Madison Room, which connects to the outdoor patio and offers tenting options. Our on-site wedding specialist will take care of the details so you can focus on enjoying the day.
Event packages at our Fredericksburg wedding venue include a suite for the newlyweds with chocolate-covered strawberries and brunch for two in the morning. Guests will appreciate special room rates and thoughtful amenities such as complimentary parking, an indoor pool and our restaurant and lounge. Those who linger after the big day will enjoy proximity to historic sites and museums.


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Those who know me, know I am not very "domestic" I don't own a sewing machine, I don't know how to knit, or crochet and I struggle getting creative ideas on my own. Well since I found the wonderful world of blogging I have found so many wonderful ideas I decided to self teach myself.
My project this time was to create a valance from hand for my side door that is by my fireplace. The door is never used for going in and out, we only open it during the summertime for the wonderful breeze. I have never put any type of window dressing on it because I never found one I liked.
Well one evening as I was wandering through the blogs that I have subscribed to, I found exactly what I wanted. I thought, okay, I know I want it to look like that but in my true fashion, do you think I printed out the directions or even bookmarked the page? Of course not! I had the picture of it in my mind, I booked over to Joanne Fabrics and found the material I wanted. Now being a true newbie, i went to have it cut and gave the girl my dimensions in inches not yards because I didn't realize that is how they measure and bill. The salesgirl was very nice though and did the calculations for me as I sat there covering my face, mortified! But she said it happens all the time. So I came home with all my goodies ready to go! I thought, oh, I can get this done in a couple of hours.....Yeah right! Took me a couple of evenings after work, since I sewed it all by hand.
But after all the finger sticks, sore neck muscles, and almost going cross eyed I finally finshed it. My own homemade valance! It may not look like a professional piece but I am proud of it!
Here it is...drumroll please!
Like I said earlier, I didn't bookmark the page that I found this on so forgive me bloggers for not giving credit where credit is due for this fine idea. I will do much better in the future with that!
I am participating with this for Thrifty Thursdays over at Bloggeritaville!
I'm linking to Transfomation Thursday!
Wednesday, June 8, 2011
3 comments:
Hi Lisa, I just stumbled upon your blog and am not sure if you are even keeping it up anymore but it did look interesting enought to stop by and say hi. I love your new valance. Please stop by my blog and perhaps you would like to follow me also. It's great to meet new people. Hugs, Chris
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Joomla and Jomsocial Family Groups
This project received 6 bids from talented freelancers with an average bid price of $425 USD.
Get free quotes for a project like thisProject Budget
N/ATotal Bids
6Project Description
We need to use Jomsocial to create family groups.
The first person to register will be a paid membership. This user will be considered the "head of the family". Membership will be done through OSE Membership.
When this account is created a jomsocial group will have to be automaticly created for this family. This person will have the ability to create new users. Any new users they create will be a part of their family.
Once accounts are created the members can enter data into Fabrik form/table. The head of the family will be able to see all the data from all the family members as well as delete and add records.
Most of the Joomla website will be setup. We need someone to step in the setup the automatic group creation, the ability for the paid members to create new users, add those new users to the group, and giving the head of the family control over the fabrik table and data.
Skills Required
Looking to make some money?
- Set your budget and the timeframe
- Outline your proposal
- Get paid for your work
Hire Freelancers who also bid on this project
Looking for work?
Work on projects like this and make money from home!
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I just love our little rental home. From the start, it's been special to us. We hadn't planned to look at it. We didn't realize the landlord had a heart for adoption. Everything was put in line for it to be affordable and be ours.
In college, I lived in a dorm or campus-owned furnished apartments. I tried to decorate them, but it didn't have effects on the overall look. When I moved to St. Louis and my first real apartment, an interest in decorating really kicked in.
I like bright colors, but I've found that decorating too heavily with them isn't very calming. And as a homebody, I do love a calming home. Marriage has influenced me, too. Dan has a sense of design, and I want to make our home somewhere he enjoys being.
So, here's our little home. Almost every larger thing we have was gifted, thrifted, Craigslist-ed, or bought on sale over the last five years. It takes some time, but it's definitely possible to do with limited funds! Feel free to leave a comment if you're wondering where something specific was found.
Photos of our first home here.
dresser: IKEA, art: Row Boat Press, Rifle Paper Co.
bed: Crate & Barrel, duvet cover: Urban Outfitters, side tables: IKEA, lamps: Target, painting: Dan's mom!
crib: Wal-Mart, crib sheet: made by my mom, mobile: made by Dan, blanket: made by me, rug: Amazon
desk: Urban Outfitters, chair: thrifted and painted, sewing machine: Target
wall hanging: IKEA, duvet cover: Target, side table: Urban Outfitters, rug: Crate & Barrel
shower curtain: CB2, rug: IKEA
rug: Target
curtain: made by me, side tale: West Elm, lamp: Target
lamp: Target, chairs: Overstock
TV: Craigslist, entertainment stand: IKEA from Craigslist, art: Etsy
table: thrifted, pig: Etsy
art: Society6, candle holder: Crate & Barrel Outlet
garland: Crate & Barrel, bar stools: thrifted and painted
table and teal chairs: thrifted and painted, white chairs: IKEA, placemats: Anthropologie
plates: everywhere, canisters: Crate & Barrel
back curtain: made by me, fruit holder: Crate & Barrel from Craigslist
rug: Bed, Bath & Beyond
pillow: West Elm, planter + plant: Lowes
curtains: Target, lamp: Target
hanger: vintage from Etsy, glasses: mostly Zenni 🙂
side table: JC Penney, art: Etsy, hanging planter: Urban Outfitters, string of pearls plant: Etsy, chair: IKEA, ottoman: Target
art: Sparrow Mercantile on Etsy + lots of others
planter + plant: Lowes
table: Overstock, chairs: Target
curtains: Urban Outfitters, frames: Hobby Lobby and revamped by us


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A £3 million redevelopment at the King George V Bowl stadium in Douglas has begun.
The 3,000-seater stadium is being refurbished ready for the 2011 Commonwealth Youth Games which will be held on the Isle of Man.
The Bowl will host the opening ceremony and the Rugby Sevens.
A new synthetic pitch and seating will be installed as part of the refurbishment.
Project director, Mike Ball, said: "It's going to be broader, it's going to have more covering, right the way along one side and into the corners, that will give us a fraction under 1,000 covered seats.
"The pitch area will be slightly narrower, as we're going to push it forward to get better viewing lines.
"The synthetic surface is approved by the International Rugby Board for international competition. It is approved by FIFA for football competition, up to and including European Championship level," he added.
Other events will be held at the Villa Marina and The National Sports Centre.
Posted on 23/07/2010


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When do I need a Caribbean visa?
For a short stay in one of the Caribbean parts of the Kingdom (formerly known as the Netherlands Antilles), you may require a Caribbean visa. This visa is valid in Aruba, Curaçao, St Maarten, and the Caribbean Netherlands (Bonaire, St Eustatius and Saba). If you are Dutch you will not need a Caribbean visa if you stay in the Kingdom of the Netherlands.
Application for a Caribbean visa to stay up to 90 days
Unless your nationality is on the list of countries whose nationals do not require a Caribbean visa, you will require a Caribbean visa for a short stay in one of the Caribbean parts of the Kingdom. The visa allows you to stay a maximum of 30 days in any one of the Caribbean parts of the Kingdom. If you want to visit several Caribbean parts of the Kingdom (for instance on an island-hopping holiday), you will not be permitted to stay there for longer than 90 days over a period of one year. You could, for instance, stay in Aruba for 30 days, in Curaçao for 21 days, in Bonaire for 21 days and in St Maarten for 18 days – a total trip of 90 days.
If you wish to apply for a Caribbean visa, please sign and complete a visa application form for the Kingdom of the Netherlands in the Caribbean. You should submit the form to a Dutch embassy or consulate in your country.
When is a visa required?
Whether or not you need a visa depends on your situation and nationality.
Applying for a visa to stay longer than 90 days
If you want to stay in the Caribbean parts of the Kingdom for longer than 90 days, you will need to apply for a residence and/or work permit for the Kingdom of the Netherlands in the Caribbean in advance.
Processing times for Caribbean visa applications
Processing a visa application usually takes up to one week. The Dutch mission in your country can inform you about processing times.
Caribbean visa fee
When you apply for a Caribbean visa, you must pay in advance in order for your application to be processed. This does not automatically mean that you will granted a visa. The application fee for a Caribbean visa is €35. There is no charge for visas for children aged five and under.
A visa for all the Caribbean parts of the Kingdom
A Caribbean visa is usually valid for all the Caribbean parts of the Kingdom: They are as follows:
- Aruba
- Curaçao
- St Maarten
- Caribbean Netherlands Bonaire, St Eustatius and Saba
If the Caribbean visa is 'territorially limited', it will be valid only in some Caribbean parts of the Kingdom. This means that you will be unable to enter some of the parts for reasons of national security, public order or public health.
Refusal of applications for a Caribbean visa
If you are refused a visa for the Caribbean parts of the Kingdom, you will receive a letter stating why. The letter will also say whether you can lodge an objection and, if so, how. If your application is refused, the visa application fee will not be refunded by the embassy or consulate.
Visa contact information
In case you have any questions about visa for the Caribbean parts of the Kingdom you may contact:
The Public Information Service of the Government of the Netherlands
The Public Information Service can be reached by telephone on weekdays between 8 am and 8 pm via telephone number:
- within the Netherlands: 1400 (local rates)
- from abroad: +31 77 465 67 67
By e-mail: firstname.lastname@example.com


text:
Technical Notes: Estimation of Stand Density with Probability Proportional to Size from Aerial Photography
Document Type: Technical Note
Affiliations: Northern Arizona University, School of Forestry, Flagstaff, AZ 86011
Publication date: 1988-07-01
- Each regional journal of applied forestry focuses on research, practice, and techniques targeted to foresters and allied professionals in specific regions of the United States and Canada. The Western Journal of Applied Forestry covers the western United States, including Alaska, and western Canada; WJAF will also consider manuscripts reporting research in northern Mexico that has potential application in the southwestern United States.
- Membership Information
- Ingenta Connect is not responsible for the content or availability of external websites


text:
Ryans is a family owned business that has been providing professional transpo...
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20 Coghlans Rd, WARRNAMBOOL VIC 3280
Detail - Phone - Website
For removals and storage Australia-wide, you can't beat Thompson Removals.
68 Rooneys Rd, WARRNAMBOOL VIC 3280
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Ash, Alec
< 1 >
One of the best [books] Ive read about the individuals who make up a country that is all too often regarded as a monolith. Jonathan Fenby, Financial TimesIf China will rule the world one day, who will rule China? There are more than 320 million Chinese between the ages of sixteen and thirty. Children...
< 1 >


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Sarah has extensive design industry experience working in a variety of sectors including retail, education, charity, financial and IT. She has a hands-on approach, and offers tailored made design solutions for clients wanting a unique look.
Sarah enjoys taking the time to create atmospheric oil and acrylic paintings that capture a person or a place she loves. She is inspired by the contrast of the city, from the vibrant culture with exhibitions and events, to the abundant green spaces and quiet old neighbourhoods.