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Is an Artist Run Centre dedicated to the development, exhibition and dissemination of contemporary art by cultural producers. maintains a commitment to emerging artists and recognizes its role in placing contemporary artists in a larger cultural context.
It is an arts service organization that supports its membership and the Manitoba arts and cultural community at large with administrative services, and the provision of affordable creation, production, exhibition and administration space.
Bear Creek Gallery has assembled a wonderful collection of Manitoba artists encompassing a variety of styles, subjects, and media. From large acrylics to small water colours, photography to soapstone sculpture.
For nearly twenty years, bringing people and art together has been an everyday business for Birchwood Art Gallery. At its heart are two owners who have garnered the gallery's excellent reputation for customer service.
The Buhler Gallerry, unique in Manitoba, is located in St. Boniface Hospital. Open to all patients, visitors, physicians, volunteers and staff, its goal is to provide an oasis of contemplation and vision, engaging people in high visual arts programming, music, readings, and performances.
Nestled in the heart of Winnipeg's Arts District, cre8ery gallery is committed to the celebration of emerging as well as established artists. cre8ery takes pride in uncovering artistic gems of all media and genres and invites patrons of the arts to come discover their next art treasure.
The Edge is a key component to revitalize Winnipeg's North Main/Logan area using Arts, Culture and Heritage as catalysts for change. It offers eight live-work apartments as well as studio spaces, gallery rentals and workshop facilities.
The historic Exchange District offers visitors and residents alike a chance to look at history. With a multiplicity of restaurants, bars, and retail space, the increasing vibrancy of this area is close to achieving the hectic pace of this important commercial region that opened the west.
When you come to Fleet Galleries to have your artwork or memorabilia professionally framed, the first thing we do is talk with you about your piece. We want to know something about it, what it means to you, and whether or not you have any ideas in mind for its frame.
This site currently displays mostly the Acrylic Originals on Paper - however there are many Framed and un-Framed canvas pieces available for sale ranging from $250 up.
Gallery Lacosse is a small neighbourhood gallery that makes a big impression. A full service store, Gallery Lacosse offers expert assistance to both private and corporate clients in art sales and placement, and custom picture framing.
Graffiti Art Programming Inc. is a not-for-profit community youth art center, using art as a tool for community, social, economic and individual growth.
Keepsakes Gallery boasts over 70 Manitoba artists featuring hand-blown glassware, jewelry, photography, aboriginal art, wrought iron, paintings, and more.
Established in 1972, the Loch Gallery specializes in building collections of quality Canadian, American, British and European paintings and sculpture.
Located in Winnipeg's historic Exchange District, the gallery represents a select group of gifted Canadian artists including Joe Fafard, Wanda Koop, John MacDonald and Robert Genn.
Medea Gallery, named after a Greek enchantress, was established in 1976 as Winnipeg's first Artists' co-operative. It comprises 2 floors of original fine art by Manitoba artists. Currently there are 23 member artists, who manage and staff the gallery, and 26 consignment artists.
Art and ideas from Manitoba, across Canada and beyond -- including, in the recent past, from Germany, Ethiopia, Sudan, Indonesia, Afghanistan, Uganda and Cuba. Unique programming in an impressive, two level space. Mon to Fri 8:30 am - 4:30 pm, Sat noon - 5 pm.
Our Gallery is named after Nunavut, the Canadian arctic territory established on April 1st, 1999. We carry Inuit sculpture from nearly all areas of Nunavut including Baker Lake, Cape Dorset, Arviat, Kimmirut (Lake Harbour), Pelly Bay and more.
Outworks gallery is an artist-run centre in the heart of the Exchange District featuring studio and exhibition space. Outworks formed as a collective of winnipeg-based artists sharing ideas and working together in the spirit of collaboration and opportunity. May be rented for group or solo shows.
As the centerpiece of Assiniboine Park, the Pavilion houses a gallery museum featuring the largest collections of works by three renowned Manitoba artists: Ivan Eyre, Clarence Tillenius, and Walter J. Phillips.
This long-time, volunteer-operated sales and exhibition gallery has operated under the Piano Nobile Gallery name since 1990 in a charming space directly over the entry to the Centennial Concert Hall building. Specializes in local artists.
Located at the historic Johnston Terminal at the Forks, Pulse Gallery showcases the wealth of Manitoba's talented artists and artisans with a modern twist. Colour is the star in this gallery. Art can stimulate; art can inspire; art can ignite. Daily year round 11 am - 5 pm or by appointment.
Winnipeg's Stoneware Gallery, founded in 1978, is one of the longest running artist's co-operatives in Canada. The pottery displayed is among the best available in contemporary ceramics and an essential acquisition for the contemporary collector.
Dedicated to preserving the heritage, teaching the student, inspiring the artist, and promoting a way of life that values the hand-made, the Manitoba Crafts Museum and Library has its origins in the early years of the Crafts Guild of Manitoba.
The Transcona Historical Museum has as its vision to maintain and promote the history, stories and community spirit of Transcona. Exhibits explore the origins of Transcona and the accomplishments of its citizens.
Urban Shaman Contemporary Aboriginal Art is a nationally recognized leader in Aboriginal arts programming and one of the foremost venues and voices for Aboriginal art in Canada.
Specializing in Canadian aboriginal art, primarily of the Woodlands and Prairie styles, with limited edition prints, originals and art cards, carvings, handicraft and giftware. Appraisal services. Recently relocated to Johnston Terminal at The Forks. Mon to Sun 10 am - 6 pm.
Strongly committed to the arts, Wayne Arthur and his wife Bev Morton were determined to display and sell the work of other Manitoba artists.
The WAG was established in 1912 when a group of Winnipeg businessmen, recognizing "the civilizing effects of art," each contributed $200 and rented two rooms in the old Federal Building at the corner of Main and Water Streets.
Woodlands Gallery, established in 1984, has enjoyed bringing collectors together with local and international artwork for more than 20 years. Located in Winnipeg, Manitoba on Academy Road, Woodlands Gallery presents an engaging selection of original contemporary Canadian art.
Advertise with us, send us Suggestions and find more about WinnipegKiosk.ca


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LinksJun. 23rd, 2017 01:10 pm
In more fun Trek news, check out this vid about everyone's favourite Cardassian tailor-plus-spy:
Dedicated Follower of Fashion
(Every now and then I wish the movies instead of going for the nth version of Wrath of Khan (with or without a villain called Khan) would tackle the Cardassians instead. And then I conclude the movies would probably mishandle the Cardassians as badly as they did the Romulans, and am glad the Cardassians so far have been reserved for tv.)
And lastly, a BSC fanfic rec:
Rippling Light: tender and heartbreaking take on the friendship of Felix Gaeta and Anastasia Dualla, two characters for whom the phrase "they deserved better" might have been invented.
Interesting Links for 23-06-2017Jun. 23rd, 2017 12:00 pm
- That Dire Helium Shortage? Vastly Inflated
- (tags: chemistry materials )
- Trial! By! Cake!
- (tags: history cake funny viaSwampers )
- The Pinkest Pink Versus the Blackest Black
- (tags: colour art Technology )
- Scotland may close its first train station for 31 years
- (tags: rail scotland transport )
- Workplace gender quotas weed out incompetent men and make businesses more efficient
- (tags: gender equality business politics )
- Scots ban on puppy tail docking relaxed after Holyrood vote
- (tags: dogs scotland )
- Helpful criticism from a true fan...
- (tags: fandom funny true comic )
- Where do you fit in? (Enter your income, discover how many people earn less than you)
- (tags: income )
- Gender Variance Around the World Over Time
- (tags: lgbt history )
- House cat challenges a lion
- (tags: lions cats video )
- Virtual reality controllers take another step forward
- (tags: VirtualReality ux )
- Brexit: Leave voter realises his fruit farms could collapse without EU migrant workers
- (tags: europe UK jobs farming OhForFucksSake )
- Ron Howard taking over as director of Star Wars Han Solo film
- (tags: StarWars movies )
- System detects, translates sarcasm on social media
- I bet it works *fantastically*
(tags: meaning language )
- If you build it, they will ride: pop-up bike lanes show that demand exists
- Oh to have a bike lane to work
(tags: bicycles transport )
- Finnish citizens given universal basic income report lower stress levels and greater incentive to work
- (tags: GuaranteedIncome finland GoodNews )
- Teenage boys wear skirts to school to protest against 'no shorts' policy
- (tags: clothing heat gender )
- New Hampshire Accidentally Approved A Bill Allowing Pregnant Women To Commit Murder
- (tags: law women pregnancy usa murder )
- Taylor Swift makes $200,000 per week since returning to Spotify
- (tags: money spotify streaming music )
- UN vote backing Chagos Islands a blow for UK
- (tags: uk law unitednations )
File Under "Unpopular Opinions, #242"Jun. 23rd, 2017 11:37 am
I mean, what did you, yourself, actually do to influence where you were born or bred? Unless you were a particularly ambitious embryo, the answer is "nothing". Sure, your parents might have made some kind of effort to select your place of birth. Maybe they strove to move to better housing in a neighbourhood with better services and schools. Maybe they're even immigrants, like my dad, and they struggled long and hard to learn their fourth language in order to integrate into their adopted country. But you? You didn't do anything. Why are you so proud of that?
And why the obsession with asserting the superiority of a single identity over the others? "I'm English first and then British." Pro-tip: Most of the rest of the world considers both of those to be synonymous with "ex-colonialist imperialist arsehole" so it doesn't really matter which one you choose. ^.^
Here is a list of the geographically-linked identities that I consider myself able to lay claim to. I'm proud of some and not others.
- American
- British
- European
- Hawai'ian
- Filipino
- Olympian
- Seattleite
- Angeleno
- San Diegan
- Londoner
- Brummie (this is a new one; still feels a little odd)
Today, I think I'm proudest of being European. I earned that identity and that passport, and I'm still very pissed off that some people want to take it away.
Today is also, weirdly, simultaneously:
- the anniversary of Brexit, aka the Colossal Waste of Time and Money Foisted Upon Us by a Generation That Tore Down Decades of Painstakingly Won Goodwill with Our Neighbours and Won't Live to Experience the Disastrous Consequences, Thanks a Lot, Dickheads.
- International Women in Engineering Day
So, to close this post, here is a peaceful photo of a woman doing some engineering.
LFS where John and Rodney are driving and listening to musicJun. 23rd, 2017 09:16 am
30 day song meme #2: A song you like with a number in the titleJun. 23rd, 2017 01:41 am
Christmas at Ground Zero | One Tin Soldier | Two of Us | Threes | Wind's Four Quarters | Five Years | Six Days on the Road | Seven Year Ache | 867-5309 | 9 to 5 | At Seventeen | 50 Ways to Leave Your Lover | '65 Love Affair | 88 Lines about 44 Women | 99 Luftballons ...
Wow, there's a lot of mopey in that list. I should pick something that's a bit more perky.
( One bouncy cheerful number song, coming up. )
Rev - Video Captions Service | $1/min, Fast, AccurateJun. 23rd, 2017 06:18 am
Tags:not a reblog, vidding, accessibility, fanvids, DWCrosspost
Tumblr post (this is likely a reblog, and may have more pictures over there)
Garden PhotosJun. 23rd, 2017 12:55 am
It's four answers to four questions. Here we go…
1. I overheard my interviewing calling me a schmuck
I seemed to really hit it off with an interviewer during my final interview. I even had pretty good rapport with them prior to the final interview and was more than accommodating when they needed to reschedule this final interview and a previous phone interview. They walked me out of the building after the interview was over and even then we had a pleasant conversation, which is why I find it odd that as soon as I got outside I heard this person loudly refer to me as a "schmuck." I'm not sure that they meant for me to hear this or how they came to feel this way about me, but I heard it just the same. The question is now should I simply ignore it and pretend I didn't hear it, or is it something that should be a deal-breaker in terms of me working for this person and this company?
I wrote back to this letter-writer and asked whether it was possible the interviewer was talking to someone else (like jokingly calling it out to a coworker). He said:
There was no one else around and I was the last person they were speaking to, so I assume it was about me. They appeared to say it out loud to themselves as though they were thinking it. I suppose they could have been referring to the other interviewer, who was sort of obnoxious and really hung up on my lack of direct experience though I do possess a lot of easily transferable skills. But I kind of doubt it. When I turned around to look the person was standing alone at the window. Their context is also open for debate they may have been annoyed-angry by something I said or did or even something I didn't do or say that maybe they felt I should have or may simply think me a fool for wanting to work there.
This is so weird, and I can understand why you're taken aback! Honestly, if there were someone else around, my money would be on them joking to that person and it not being about you at all. But given the context you described … I have no idea! I mean, best case scenario, they were chastising themselves ("You schmuck! You forgot to ask about Excel skills!") or cursing someone else ("That schmuck Fergus! He never showed up for his part of the interview!") … but that feels like a stretch. On the other hand, it also feels like a stretch that he would have been so bursting to insult you that he'd do it like this.
If he really did mean it toward you, he's probably not going to offer you the job (at least not if he's the final decision-maker), so at least there's that. If someone else is the decider, though, then yeah, I'd be wary. In that case, I'd pay a lot of attention to the other cues you've gotten and will continue to get about what he's like, what the culture is like there more broadly, and how well you think you fit what they're looking for. Maybe he called you a schmuck, maybe he didn't, and we probably can't know for sure — so really leaning hard on the other stuff you see is probably the way to go.
2. Are managers obligated to give references?
Are all managers/bosses obligated to a certain extent to act as references for their employees (as long as they were satisfactory workers)? Or is acting as a reference more like a favor?
After getting a new job offer, should employees thank the referees who were contacted by the offering company in regards to the job? Are simple thank you emails enough, or is it customary in any situation (specific field of work, etc.) to send them gifts as a thank-you?
I have always thought that acting as a reference would be extremely time consuming for managers, especially those who have been in the role for a while or in company/area/department of high staff turnover rate, as the number of past employees build up.
It's generally considered a professional obligation, if the person requesting the reference did good work. Certainly if a manager working for me weren't returning reference calls for good employees, I'd speak with her about it — because it's part of the unofficial agreement between employers and employees that you'll be responsive to those.
That said, there's an element of favor-doing to it too, in that you want your manager to go out of her way to help you — doing things like returning the call right away and not letting it sit, taking the time to be thoughtful with the insights she provides, and making sure she's covering all the good things about you as an employee. In other words, you can be awesome at giving references or you can be perfunctory about it, and of course you want your references to be awesome at it. So that's maybe where the line is between favor and obligation.
Regardless, though, most good managers are usually delighted to give references for good employees and don't see it as a burden.
Definitely don't send gifts as a thank-you; that feels a little too much like a quid pro quo ("I'm giving you this gift in exchange for giving me a good reference). Instead, just send them a heartfelt thanks and let them know what job you end up in.
3. Taking roll call on conference calls
I have a question about the best/most efficient way to handle roll call during a teleconference with over 12 people. The program I work for has employees all over the country and there are multiple times throughout the week that our teleconferences will have upwards of 30 people on them. We do have access to a web-based meeting platform when we need to see/share our desktops which shows participants by name, but it is not always appropriate or necessary to use that system for our conversations.
I have seen a few different methods of taking roll: (1) the open-ended "who's on the line?" approach — which really is the worst, because then there are people speaking over one another and it is mass confusion, (2) the "going down the list name by name" approach — effective but often takes up a large chunk of time and each time another caller beeps in, they start back at the top, (3) the "I'm not going to take roll" approach, which takes the least amount of time, but then we are unaware of who is on the call with us and it can lead to issues if specific people are needed for specific updates, and (4) the "group roll call" approach, where we are told to reach out to our managers to alter them of our attendance and then that one manager reaches out, via email or instant messaging, to alert the host. Again, efficient, but leaves the callers in the dark.
I tend to vary my approach based on the meeting, but was wondering if there is an approach I have not thought of. Is there a way to take roll that is efficient, effective, and time sensitive?
If the coordinator of the conference call is able to see who's on the line, the most efficient approach is probably for that person to read off the names of everyone in attendance at the start of the meeting. Then if others trickle in, the coordinator can ask announce those when there's opening ("Jane and Fergus have joined as well").
If the coordinator can't see who's on the line, another option is to have people announce themselves as they join while the coordinator notes down those names — and then can read off a full list of attendees before the meeting gets underway (and can have stragglers announce themselves later if needed).
But really, once you're a certain number of people (15? 20?), I'd lean toward avoiding the process altogether because it gets really unwieldy and time-consuming at that point. If there a few specific people who need to be on the line, go ahead and confirm they're there — but don't do it for everyone. And try to create a norm where people are expected to attend calls where their presence is required so you don't have to wonder if they're on the line or not, and where they'll alert the coordinator if they're running late or can't be there.
4. Am I supposed to respond to job candidates' thank-you notes?
I've been a manager for several years, and been involved in numerous searches. I value and appreciate thank-you notes/emails from candidates, although it's never a dealbreaker if a candidate doesn't send one. I never respond, mainly because that's what my boss did.
In the meantime, my fiance is searching for his first job after completing his degree in his 30s, and he sometimes gets responses to thank-you emails he has sent (maybe about 25% of the time). They're just brief, polite responses ("Thank you, it was nice to meet you too").
If a candidate sent a handwritten thank-you card, it would be very strange to handwrite them a note back (right?). But since many/most of these now come by email, is it weird that I don't respond? Or is it normal for hiring managers to not respond, and my fiance just had a few particularly nice people?
It's totally normal not to respond. It's certainly a kind and gracious thing if someone does respond, but it's 100% not necessary and most employers don't respond to them.
I overheard my interviewing calling me a schmuck, are managers obligated to give references, and more was originally published by Alison Green on Ask a Manager.
On Rompers And RomphimsJun. 23rd, 2017 03:13 am
LinksJun. 22nd, 2017 09:24 pm
Wish there were more people in my fandoms in multifandomdrabble fest. Sign ups open for another day!
I know people have been looking for nice Bill icons from this series of Doctor Who. Here are a bunch made by luminousdaze, along with 12, Missy, Clara and a bunch of the gang.
I really like this essay by lydy: The Rules: A Memo for Every Man in My Life.
Instead, I want to address something that comes up over and over in these conversations, and always from men. "What are the rules?" "How can I know how to behave if you won't clarify what you want?"
Dear men, please do not ask me to provide to you something that I have never had. I cannot provide you the rules. I do not know what they are, and I never have.
Pitssburgh Queer History project has some great archival material here.
ETA: For those who like Murderbot Diaries, Martha Wells is doing an AMA here, and here's a quote from the next one.
Erin Watches: Scandal, season 6: episode 1Jun. 23rd, 2017 12:06 am
The latest season is on Netflix now, so it's time for me to work through more of this incredibly watchable show about terrible people.
For those who need a brief refresher:
Do you like The West Wing? Do you like Leverage? Would you like a series that's cross between those two shows? How about a series that thinks it's a cross between those two shows, but missed the memo that a big part of the appeal was the main characters being likeable, competent, and out to do good things? Well, Scandal is that last one.
Our heroine is Olivia Pope, a freelance fixer of political problems with a reputation for being supercompetent, brilliant, and heroic. Before canon started, she had already helped rig the US Presidential election to put her (Republican) (also married) boyfriend into office. The first few episodes follow a mini-arc where she is asked to defend the reputation of a woman who also had an affair with said President. Olivia yells at this woman for being a lying liar. Olivia is proved wrong.
This sets the stage for a pattern where, halfway through any given case-of-the-week, whoever Olivia is defending will turn out to be evil, and whoever she just shot down will be revealed as the true victim. She is aided by a motley crew of employees and allies, some of whom are already terrible people when the show starts, others of whom compromise their morals over the course of the series. They've covered everything from war crimes to murder to perjury to torture.
An illuminating example: One of the employees (Abby) idolizes Olivia for rescuing her from an abusive husband -- now if only it stopped there. Later, Abby and a much-nicer love interest (David, also a legal ally of Olivia's) come perilously close to uncovering Olivia's Presidential-election-rigging. To get them off the trail...Olivia plants information that triggers Abby's abuse-trauma, manipulating her into a panicky and tearful breakup. Neither Abby nor David finds out Olivia orchestrated this! Both of them continue to idolize and adore her! The writers still seem to think we should too!
At the end of season 5, there were maybe 2 characters that were likeable human beings. Senator-turned-VP Susan Ross, who pleasantly surprised me by flat-out quitting her job rather than sell her soul, and governor-turned-Dem-candidate Francisco Vargas, whose soul is still up for grabs.
Liveblogged the first episode. Might end up doing the same for the whole season, depending on how commentable it is.
Season 6 opens on the night of a presidential election, and it all comes down to...California. That's right, folks, in the Scandal universe, California is a swing state.
Also, Olivia is chastising her staff to vote if they haven't already. I mean, hey, just because they're reporting totals on the west coast, that doesn't mean the polls can't still be open! Our competent political-genius heroine in action, folks.
Frankie won. So now Olivia is berating her candidate (Mellie, also her boyfriend's ex) to call and concede, which seems like the smart and reasonable move. Knowing this show, that means we will eventually learn it totally the wrong move.
(I like Mellie and Olivia being friends. For all that they're awful, their fighting with each other was pretty evenly matched -- not one abusing the other, they both gave as good as they got. And it all stemmed from their rivalry over Fitz, who is painfully not worth it.)
Dammit, they shot Frankie. He might escape becoming awful by dying.
Obnoxious agent: "Ma'am, I'm sure you have some security clearance..." Abby: "No. I don't have some security clearance. I have all of it."
Hits all the beats and all the right emotions of a badass smackdown scene. Logically, undercut by the fact that Abby didn't show any security clearance. If you're going to waltz into a hyper-secure operation (the hospital) and start barking orders, have your badge in hand! (Also, her entire order was literally "don't let anyone in here," which I'm pretty sure they were already doing.)
...yep, they killed Frankie.
Olivia yells at her father (ex-leader of the government's Evil Secret Black Ops Division): was he behind the killing? Well, we're 22 minutes in and she's yelling at him, so I bet not.
Mellie just wants to go on vacation and leave this all behind. Now that would be the smart and reasonable move. (She never really wanted the job in the first place. She wants power in the abstract, but has no interest in doing anything in particular with it. Five minutes later she'll forget all her reasonable plans and decide she wants it again.)
Now Olivia's convinced it was Cyrus (part of the Fitz conspiracy, now VP candidate for Vargas) who had the candidate murdered so he'd be promoted to the top of the winning ticket. But we're only 27 minutes in, so she's probably wrong. After all, the Electoral College hasn't voted yet, so Cyrus would be taking a pretty steep gamble on them not abandoning the Vargas-Cyrus ticket even with half of it gone.
Olivia storms into the hospital. The same hyper-secure hospital that nobody was supposed to be let in. And finds Cyrus in mute, trembling shock. Who could've seen that coming?
Fitz: "I wanted you to be right. You're always right." Dude...have you never seen this show?
He ultimately supports the EC supporting Cyrus, which is the right choice as far as the will of the people is concerned, although both he and Mellie are impressively awful choices who should not be trusted with this country.
Vargas' widow is still in the hospital after a sleepless night, still covered in blood from standing next to the shooting, but for some reason her hair and makeup is still flawless. D- for realism, makeup department.
...So the last five minutes unveil a tip from a mystery person that it was Cyrus (no details on how the tipper came to this conclusion). Well, now that this twist has been un-twisted and re-twisted again, I'm sure the issue is settled, and will be quite shocked if the rest of the season isn't completely straightforward.
An observationJun. 23rd, 2017 11:31 am
The aesthetic is super Japanese, the names are Japanese, and also, I have to say, there are here and there some stereotypes and portrayals that would, to me, seem really kind of offensive and racist if it weren't for the part where Final Fantasy XIV is made by a Japanese company under the direction of Naoki Yoshida.
I feel like I can't really object to portrayals of Japanese culture as authorised by Square Enix and Yoshi-P.
So I shall just have fun tooling around Kugane and make plans to buy a house in Shirogane and go NOPE MUST BE FINE NOT EVEN GONNA THINK ABOUT IT, because, really, a Japanese company making a game in Japan can do whatever the hell they want with Japanese cultural and historical everything.
It's just kind of weird to keep tripping over things I'd find kind of skeevy if it was made by non-Japanese people.

subset: commoncrawl


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Explore Toronto Canada, Centre and more!
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The 10 Best Things to Do With Kids in Toronto: Centre Island / Centreville Amusement Park
The world's most expensive cupcake from UAE - 'Golden Phoenix', made from 23k gold ~
Carriage horses are being overworked in extreme heat and collapsing on the streets of Montreal. Demand an end to this abusive practice and give these horses a more humane life.
10 FREE Things To Do In Dubai [by RentalCars24H -- via #tipsographic]. More at tipsographic.com
Montreal Canada,Montreal Quebec,Quebec City,Montreal Vacation,Canada Trip,Canada Travel,Things To Do In,Vacation Ideas,The Family
Shop at Mac's | MAC'S SEAFOOD // Wellfleet Seafood Restaurants ...
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Marineland, Niagara, ON, Canada. ...My first upside down roller coaster!
Things to Do in Toronto : The Distillery District
Saint Lawrence Market - Heralded as one of the best food markets in the world, Saint Lawrence Market is a great place to explore the fares of the world, grab lunch or picnic goodies, and stock up on sweet treats!


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Hotel Senec Congress****
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Explore Blue Curtains, House Gardens and more!
Nautical creams and blue create a calm scheme.
A dramatic wallpaper adding a touch of luxury to the smallest room.
Blue hexagon tile and marble subway tile
Liz Caan Interiors - bathrooms - white, blue, moorish, tiles, shower curtain, blue, walls, monogrammed, towels, Chic small bathroom design with
Gorgeous bath | New England Home Magazine.. Beautiful master bathroom interior design ideas and decor.
Large glass subway tiles below the chair rail with smaller ones above reflect light so nicely, and what a soothing color palette! Silk soft roman shade adds luxury. I mean, with a Waterworks tub <3 and a pendant from Urban Archaeology...this is really a decadent retreat!
Blue and white bath...ahh.
Written exclusively for Pottery Barn by Jonathan Stiers of Stiers Aesthetic. Eight years doesn't sound very long until you realize it's just two years shy of a decade. I bought my house 8 years ago, new and my master bathroom was complete with builder grade fixtures, lighting, brown walls, brown ceiling (Yikes!), and travertine tile, …
white shower curtain | ... Luxurious Lush Decor Off White Fabric Bathroom Bath Tub Shower Curtain


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A closing party was held at Anerley Library to mark its historic end.
Residents and staff commemorated the closure on Friday July 11 with a party, exhibition of old photos, and plenty of tea and cake.
The current Penge and Anerley Libraries will both be closing on Saturday August 9 to make way for a new facility.
Building work on the venture in Green Lane is now well under way, according to Bromley Council, with an opening on Tuesday August 26 expected.
The council says the building will provide updated facilities, community space, additional computers, and a wider selection of books.
- A damning report says the death of a grandmother murdered by a psychiatric patient with a meat cleaver was 'entirely preventable'
- A mum is furious about students being told to write suicide letters at a Kidbrooke school
- These are officially the best pubs in south-east London
- An Orpington schoolgirl has written this stern letter to complain about being banned from climbing trees
- A 'number of recognisable brands' will be at a north Kent theme park despite Paramount deal falling through


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Kids Room Designs With Double Door Wardrobe Also White Wall Bedroom Shelves Over Study Desk With Glass Shelving And Design Kids Room. Contemporary Multicolor Shelving Unit For Kids Play Room And Brown Carpet Plus Ceiling Lights With Storage Shelves Also Bookshelf Designs. Kids Bedroom Interior With White...
Exposed Brick Wall Surround Fireplace Wit White Mantel Also White Wooden Cabinet Shelves Beside Plus White Painted Wall As Well As Design Fireplace Plus Shelves By Fireplace. Stone Fireplace Mantels With Side Shelving Unit And Rectangular Floral Pattern Rug On Brown Harwood Floor As Well As Pictures...
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South Korea's foreign exchange reserves slipped last month, ending its record-breaking streak that continued for 13 straight months, central bank data showed Wednesday.
The country's foreign reserves came in at US$367.53 billion as of end-August, falling by $490 million from the previous month, according Yonhap news agency quoting data by the Bank of Korea.
Foreign reserves consist of securities and deposits denominated in overseas currencies, International Monetary Fund reserve positions, special drawing rights and gold bullion.
The on-month change marks the first fall since June 2013, when the country's foreign reserves slipped to $326.44 billion from $328.1 billion due to a weakening euro and repayment of foreign exchange stabilization bonds.
The central bank explained that the softening euro and British pound offset management gains last month. The euro fell 1.6 percent against the dollar in August, while the pound declined 1.9 percent in the cited period.
About 58 percent of the country's foreign exchange reserves were dollar assets as of end-2013, according to central bank data.
As of end-July, South Korea was the world's seventh-largest holder of foreign reserves, trailing behind China, Japan, Switzerland, Russia, Taiwan and Brazil.
GMT 15:10 2017 Monday ,19 JuneJapan logs surprise trade deficit in May as energy costs expand
GMT 14:57 2017 Monday ,19 JuneIndia to allow late filing in first two months of GST
GMT 04:15 2017 Monday ,19 JuneNew Zealand optimistic of free-trade deal with US
GMT 02:30 2017 Monday ,19 JunePresident Pranab Mukherjee for more investment in health sector
GMT 16:09 2017 Saturday ,17 JuneIndia ready for GST, anti-profiteering rules soon
GMT 15:14 2017 Saturday ,17 June'EU ready to scrap tariffs on Japanese car parts'
GMT 16:17 2017 Thursday ,15 JuneUS, Qatar agree F-15 fighter sale
GMT 16:12 2017 Thursday ,15 JuneUK unemployment stays at lowest since 1975


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China locking up dissidents in mental hospitals: Rights group
[Thursday, August 23, 2012 15:12]
Former psychiatric patient Chen Guoming carrying out a protest in a Beijing park in July 2011 to raise awareness about China's involuntary commitment system. Chen reenacted the experience of his family members binding him with tape and taking him against his will to a psychiatric hospital. The message on the ground reads "Anyone may be 'made mentally ill'."
DHARAMSHALA, August 23: Thousands of people including dissidents are locked up against their will in China's psychiatric institutions, often as a form of punishment or political purposes, a new report said Wednesday.
released by Chinese Human Rights Defenders titled 'The Darkest Corners: Abuses of Involuntary Psychiatric Commitment in China' comes a month ahead of the United Nation's first review of China's compliance with the Convention on the Rights of Persons with Disabilities, which it ratified in 2008.
Prepared after studying over 60 cases of individuals held in psychiatric hospitals and conducting 15 interviews with individuals who were previously detained in psychiatric hospitals, the report details the grim conditions and human rights abuses faced by these individuals.
The report finds that those locked up for alleged mental illnesses are frequently subjected to forced medical treatment, violence, and physical abuse such as electric shocks. Restricted from communicating with family members or lawyers, the study says patients stand little chance of legal redress.
"Those locked up for 'mental illnesses' are one of the most vulnerable groups in China," said Renee Xia, international director of CHRD. "Not only are they deprived of their liberty on the basis of alleged disabilities; those who violate their rights also face little legal oversight or accountability."
The report states that Chinese government officials often exploit the system to lock up activists, dissidents, and petitioners.
"Those who have the means — power and money — to either compel or pay psychiatric hospitals to detain individuals out of a desire to punish, silence, or simply get rid of them have been able to do so with impunity," the report says.
"Although people who initiate a commitment usually allege that the prospective patient suffers from psychosocial disability, there are cases in which government officials bring a "patient" to a hospital, admit that the individual is not mentally ill, and the hospital commits them anyway."
In one documented case, the report describes how human-rights lawyer Liu Shihui videotaped a nurse telling him that two petitioners whom he had come to visit in a psychiatric hospital could only be released if they agreed to stop petitioning the government.
At present, the report points out, there are no laws in China properly governing mental health. The Chinese national legislature's permanent Standing Committee is set to meet at the end of the month to discuss a draft mental health law that appears to codify the status quo, CHRD said, urging a rewrite.
"We urge the UN Committee to call on the Chinese government to take immediate steps to abolish the involuntary commitment of people with psychosocial disabilities," CHRD said.
The rights group called on the Chinese government to abolish regulations authorising involuntary commitment, to monitor psychiatric hospitals to ensure that the human rights of patients are respected and to hold legally accountable those responsible for detaining individuals in psychiatric hospitals.
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Posted by AK Lander | On May 30, 2017 10:29
Many people request that those attending their funeral wear something other than the expected black. Whether this is to indicate that the ceremony will be a celebration of their life, or to reflect the deceased personality by wearing their favourite colour, it is important to take their wishes into account. Read more


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Earl Sweatshirt Is Home!
Earl Sweatshirt, the lost member of Los Angeles collective Odd Future, is back home.
How do we know? Less than an hour ago, Tyler, the Creator, tweeted that Earl has a Twitter account, @earlxsweat. So far, the mysterious rapper only has three updates -- the first simply says, "home," and the last links to a video snippet of a new song of the same name. His account also lists a Tumblr, although there are no posts yet.
18-year-old 17-year-old, whose real name is Thebe Neruda Kgositsile, received widespread critical acclaim for his 2010 mixtape Earl. But by the time the media descended on the group, Earl was nowhere to be found. Chants of "Free Earl!" were as ubiquitous as mosh pits and bloodied noses at Odd Future concerts until it was discovered last spring he was at a school for troubled boys in Samoa.
In the video below, Earl jokingly says if he gets 50,000 Twitter followers he'll release the full song. That should happen in oh, about five minutes.
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A few months ago, Tyler trolled the internet by tweeting that Earl was back in L.A. However, it was confirmed that the Odd Future frontman just was being typically subversive, and the rumor wasn't true.
But this time, Earl himself is speaking.
Full song:
See also: Leave Earl Sweatshirt Alone! How Creepy Internet "Journalists" Stalked a Troubled Little Kid over the Internet
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Does your Railroad Maintain its Bridges?
On the Right, the unpainted, rusty bridge, then the primer and patches to stop the rust finally on the left, a fresh coat of paint!
One of the more interesting scenes on the Diablo Valley Lines is this scene depicting what thousands of men were employed to do on nearly every railroad on earth: paint and maintain bridges. It's a relatively unusual, I know I've only seen it twice in all the magazines I've read and layouts I have visited. I think it's a very interesting scene, and one that would require quite unique maintainence of way cars. The Pittsburgh & West Virginia had so many bridges, they had a crew almost constantly painting at least one bridge along its lines. To check out the P&WV's way of maintaining their bridges, check out this link: http://www.thepwvhiline.com/WoodCabooses820823/index.html


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Baucus Wants Importers Working to Improve Human Rights in China
WASHINGTON -- Sen. Max Baucus (D., Mont.), chairman of the Senate Trade Subcommittee, wants to shift responsibility for fostering human rights in China to U.S. importers.
In a speech prepared for delivery today to a China conference at the...
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FACTS FOR THE TRAVELERS in PERU
Most travelers do not need visas; travelers of most nationalities are granted a 90 day tourist visa. All nationalities, however, need a tourist or embarkation card (tarjeta de embarque) to enter Peru, issued at the frontiers or on the plane before landing in Lima. Should you want to extend your visa (between thirty and sixty additional days), there are two basic options: either cross one of the borders and get a new tourist card when you come back in; or go through the bureaucratic rigmarole at a Migraciones office.
Health risks:
Altitude sickness is common in the highlands, but can easily be treated by taking it slow and resting, staying hydrated, and with altitude sickness pills available at any pharmacy. There are very small risks of cholera, hepatitis, and malaria in the lowlands. A yellow fever vaccination is recommended for areas east of the Andes Mountains, but not needed for Lima, Cusco, Machu Picchu, or other places along the coast or in the mountains. It is however required for travelers arriving from a yellow-fever-infected areas in Africa or the Americas.
Getting There and Away:
Lima's international airport, Jorge Chavez, is the main hub for flights to the Andean countries from North America and Europe, and has plenty of connections to neighboring countries. Some international flights land at Iquitos, in Peru's Amazon region. Peru's major International Airline is Lan Peru, the only other being Taca. For flights leaving the country there is an airport departure tax of approximately US$30.
There are overland border crossings between Peru and Bolivia at Desaguadero and nearby Yunguyo on the shores of Lake Titicaca; between Peru and Chile at Tacna; and between Peru and Ecuador at Tumbes. It is also possible to travel by river from Colombia and Brazil to Iquitos.
Lima: S/. 18.31
Cuzco: S/. 14.73
Arequipa and Iquitos: S/. 12.28
Nazca, Piura, Juliaca, Tacna, Trujillo, Puerto Maldonado, Chiclayo: S. 11.95
Cajamarca, Tumbes, Chiclayo: S/. 11.95
Useful Information about Machu Picchu solstice
Machu Picchu stands 2,430 m above sea-level, in the middle of a tropical mountain forest, in an extraordinarily beautiful setting. It was probably the most amazing urban creation of the Inca Empire at its height; its giant walls, terraces and ramps seem as if they have been cut naturally in the continuous rock escarpments. The natural setting, on the eastern slopes of the Andes, encompasses the upper Amazon basin with its rich diversity of flora and fauna.
1) Inca roads and the Upper Agricultural Area
Major Inca roads accessing Machu Picchu from the east, Cusco, Ollantaytambo and west, Llactapata-Vilcabamba meet at a large cleared and wide terraced area north of and outside the main gate (Ziegler, Thomson, Malville. 2003). Three other trails drop down to the river from different sides
The three windows
. A long meeting hall kallanca, Machu Picchu's largest building is here. The "Guard House" and an associated shaped stone shrine huaca which seems to replicate Cerro Yanatin may represent a special ritual, ceremonial feature similar to the Sacred Rock Group identified by Reinhard and others (Reinhard 2002, Wright-Valencia 2001). The Guard house, designed with one side open, a waynona, is similar to the two buildings that border the Sacred Rock Plaza and probably served a similar ritual purpose.
Interpretation: This was likely a large staging area for llama trains, supplies, labor gangs, workers, warehouse goods and state business coming and going. A ceremonial area located outside the gate with a replication of Cerro Yanatin suggests that Yanatin may have had special importance to travelers along these main routes and to those not allowed inside the inter city.
2) Main Gate and entrance corridor: This impressive gateway frames and focuses attention upon Huayna Picchu. (Reinhard 2002, Wright-Valencia 2000). The walled corridor leads some distance at an angle of 350-170 degrees (m) viewing Huayna Picchu when entering and Machu Picchu Mountain upon exiting. Turning sharply to the right (East), the corridor passes through a second gateway and proceeds, framing/focusing on Cerro Putucusi followed by yet another turn and gateway leading to the Sacred Plaza and heart of the complex
Geo forms
Focus on principal mountain features dominating Machu Picchu and passage through monumental gates, each defining a new focus, suggest the pathway as a walkway utilized for important processions as well as an ascetic and impressive architectural design for utilitarian passage. First and primary focus upon Huayna Picchu gives added importance to Huayna Picchu.
In various cultures around the world sacred architecture has been used to guide the ritual movement of people as well as limiting their field of view. The archaeologist John Fritz (1978) argues that ceremonial structures and city planning are occasionally designed to provide earthly parallels to the cosmos, reinforcing the ideological integration of a society as its social stratification. Only those with access to certain esoteric knowledge, such as the location of sunrise, the presence of a god in a temple or natural topographic feature, or the symbolic meaning of a mountain, could design such structures, thereby confirming their high status in the society. While performing rituals, participants are forced to follow certain pathways and view certain perspectives such as sacred mountains, palaces, or temples. Fritz suggests sites in India and Chaco Canyon in the American Southwest as examples of such ritual architecture
Narrow paths
. The entrance corridor at Machu Picchu appears to be another excellent example of such architecture and planning.
3) Solstice Alignment:
A number of groups and features distributed throughout the site are aligned with the June solstice sunrise azimuth of 65 degrees. Dearborn and others indicate several December solstice alignments (Dearborn 1987, Reinhard 2002). The December solstice sunrise azimuth is 112 degrees with the sun setting at 245 degrees
a) Sacred Plaza:
The plaza is enclosed on three sides, open to the west with an alignment of 245 degrees. The Temple of the Three Windows forms the easterly side opening on the plaza facing Llactapata and the distant summits of Nevado Pumasillo, a mountain reportedly sacred to the Inca (Reinhard 2002). June solstice sunrise would be seen at 65 degrees from the three windows raising over the distant Cordillera Urubamba. During the December solstice the sun would be seen to set over llactapata and Pumasillo.
b) Sacrisiti Temple:
Open on one side, facing Llactapata and Pumasillo at 245 degrees.
c) Intihuatana platform: Oriented 65-245 degrees with a shaped replica stone of Huayna Picchu as the central and dominant feature. The rising and setting sun is visible as well as a 360-degree view. The solstice alignment and the importance of solstice ritual to the Inca suggest that this was a primary ceremonial consideration of this central shrine. Reinhard and others note that important mountains lie at cardinal directions from the platform, the most important being Salkantay located directly south at 180 degrees with Veronica to the east. He suggests that the platform was well suited for celestial activities. The hilltop location makes the platform an exceptional place to make astrological observations in association with sacred geography (Reinhard 2002, Ziegler 2001). It is likely that a number of ceremonies and celestial observations were performed here throughout the year.
d) Royal Residence: The compound outer walls and buildings are aligned at 65-245 degrees.
e) Conjunto 10: Contains a large meeting hall kallanca building and two sets of symmetrical buildings facing on a small plaza or platform open to the east and aligned at 65 degrees.
f) Conjunto 15: A compound of high status residence structures with a central walkway facing 65 degrees upon a large shaped replica stone (Undetermined replication...needs study).
g) Assorted Features: Several walkways have solstice alignment, which we have not documented. Additional investigation will likely reveal other alignments, orientations
h) The Intimachy: Reported by Dearborn and others as a December solstice ceremonial feature (Dearborn 1987).
I) The Torreon: Popularly called the Temple of the Sun, a shaped stone enclosed within the Torreon is reported to receive a ray of sun light through the east facing window during the June solstice. (Dearborn 1987, Reinhard 2002, Wright-Valencia. 2001). However, the Torreon and its associated buildings-walkways are aligned 350-170 degrees focusing on Huayna and Machu Picchu Mountains. The shaped stone and the architectural alignment suggest that replication and associated mountain worship may have been a primary ceremonial function.
4) Huayna Picchu: The climb to Huayna Picchu is restricted to only 400 people per day in two groups of 200 and the gates open early so if you want to do the climb, it is advised to head to Machu Picchu by sunrise during high tourist season. You fill out a registry at the gate where they let you in and they stagger people to try and prevent crowding on the trail.
The climb to the peak takes about an hour for a person of average fitness level and it's good to get up early as the peak gets crowded. The climb is on a steep rock staircase with great views. There are cables attached to the rock in many places to help the climber and there are places to step aside to catch your breath and enjoy the view. To reach the very top you must climb through a very narrow tunnel through the rock on your hands and knees.
Coming down from the top you can go back down the path you climbed or take an alternate route to the great cave (or Moon temple). Doing both the Moon Temple and the peak will take about 3-4 hours in total and it seems very few people do both. The descent down to the great cave has a few ladders involved including one that's at the bottom of a very narrow cliffside staircase that may be overly frightening for some people. The great cave is quite a bit lower in altitude than the entrance to the Huayna Picchu path so after reaching the great cave, there is another long, tiring ascent.
For many, this climb is the highlight of their trip. You can get your passport stamped with a Huayna Picchu/Waynapicchu stamp at sign in/out gate. Same goes for Machu Picchu stamp at INC office next to entry gate to park.
a) House of Three Windows: A short distance below the summit, a walkway passes through the only building on the upper portion of the mountain. This house is a typical two story Inca design with internal niches, trapezoidal doorways and a gabled roof set carefully on a leveled platform built out on a filled retaining wall from the near vertical granite slope. Three identical tall windows look out toward the Aobamba-Santa Teresa ridge and the Llactapata sites. The walls and windows are aligned at an azimuth of 230 degrees (m) creating a direct focus-alignment upon the main sectors of Llactapata. (See map figure 2). The Sector II group at Llactapata is aligned to face Huayna Picchu at 50 degrees (the back azimuth of 230). A number of ceremonial features focus on Huayna Picchu (Ziegler, Thomson, Malville 2003). A shaped stone replication resembling the profile of the ridge and it's facing topography sets in front of the left window allowing the viewer to view the distant ridge and it's replication at the same time.
Interpretation: The alignment directly toward the Llactapata sites and the shaped replication stone suggest that the house was a shrine huaca focusing on and emphasizing a spiritual importance for Llactapata and its mountain and ridge. This gives strength to recent investigation and interpretation by the Thomson-Ziegler Expedition, May 2003, that the Llactapata complex was in part, an important ceremonial center closely associated with Machu Picchu (Ziegler, Thomson, Malville 2003).
b) Huayna Picchu Arrow stone: The highest point of the summit is shaped granite capped by an unusual feature popularly identified as the head of an arrow pointing toward distant Salkantay.
From careful examination, We believe that this feature is a replication of Machu Picchu Mountain. (See Reinhard. photo, pg. 44).
c) The Temple of the Moon site is a large shelter cave with masonry structures underlying a massive granite capstone, associated small terraces and several small groups of out buildings. The location is well down Huayna Picchu Mountain just above the Urubamba River. Two Inca routes approach the site. One branches off from the trail up Huayna Picchu to descend downward. The other climbs directly up from the cave through very airy, scary cliffs to the summit. Wright indicates that the Inca trail continued down to the river after passing through a high status gateway. This presents yet another route into Machu Picchu. Finely worked granite walls with niches and recesses inside the cave face outward toward the San Miguel ridge. A large shaped stone centered inside appears to replicate the San Miguel ridge and its facing topographic profile when viewed from behind looking outward.
The multiplicity of different ceremonial features and groups within the city indicate that it probably hosted a complex schedule of ritual events, celebrations and important gatherings throughout the Inca calendar. The predominance of mountain replication shrines and solstice alignments suggest that the primary spiritual focus at Machu Picchu was mountain worship and the sun.
The alignment of several important groups and the focus of the main entrance way upon Huayna Picchu suggest that this mountain was the principal and protectorate deity apu of Machu Picchu. The Intihuatana as a replication of Huayna Picchu and the number of ceremonial features on the mountain itself strengthens the case. The Intihuatana is the central and most important shrine as located on the principal raised platform usnu above the Sacred Plaza and at the highest point on the Intihuatana pyramid. Machu Picchu's design gives great importance to the solstice as evidenced by the number and importance of features with a solstice focus.
Terrace of the Ceremonial Rock
Three walled terraces following the contour of the rounded ridgeline descending from Cerro Machu Picchu shape this large, open, leveled area. The shape is roughly triangular, defined by the convergence of the two main roads from the east and west at its point. The back boundary is formed by a long, multiple entrance structure facing Cerro Yanatin, identified as a meeting hall or Kallanca. This is Machu Picchu's largest building. I have previously suggested that the shaped huaca boulder, centerpiece of the area, replicates Cerro Yanatin. (Ziegler 2001). Numbers of small-elongated stones around one foot by 6 inches in size, are seemingly arranged in upright groups around the large shaped huaca. The stones are andesite, limestone and metamorphic rocks carried in from other regions. Some are rounded river shaped rocks. Ruth Wright and Alfredo Valencia write "river rocks symbolically bring the sacred river to the mountain site" (Wright and Valencia 2001). This may have been the case but the diversity of rocks more likely indicates that they were ritual offerings/burdens carried and placed by visitors at a shine requiring this activity upon arrival at Machu Picchu. Modern Quechua travelers carry small stones to the top of mountain passes to leave as offerings (personal observation). Visitors to the Sapa Inca and to the Coricancha in Cusco were reported to have carried burdens. (Garcilaso, Cieza). Travelers left stones at roadside shrines called apachitas. (Poma).
We have previously written that the area was likely a large staging area for llama trains, supplies, labor gangs, workers, warehouse goods and state business coming and going. A ceremonial area located outside the gate with a replication of Cerro Yanatin suggests that Yanatin may have had special importance to travelers along these main routes and to those not allowed inside the inter city. Additionally ceremonies may have been held here for lower status workers and neighboring settlements during important calendar events. Supporting this, large amounts of broken pottery have been found here suggesting ritual drinking. (Wright and Valencia 2001).
A special kallanca located outside of Cusco served as a sort of a greeting and leaving shrine to travelers coming and going from the city (Zuidema, personal communication). The Kallanca strategically located just outside Machu Picchu at the junction of two main roads may have served a similar purpose. The open sided wayrona structure called the Guard House likely played a role, or served a function, in support of ritual activities here. Other wayronas are located at the Sacred Rock and the Torreon shrine.Facing with apparent focus on Cerro Yanatin, the site layout and its central replica stone strongly suggests that the complex was dedicated to Cerro Yanatin and mountain worship ritual. Perhaps Yanatin would better be called by its local Quechua name Yanati that we will now use.
Petrographic observances
The base rock at Machu Picchu is primarily a fine grained white-gray granite formed by granules of biotite mica, quartz and light colored orthoclase feldspar eroding from an exposed 250 million year old batholith pluton. This material varies in consistency and crystal size. The finest material was selected as building stone for the most important buildings and walls. Occasional pieces of a green chloritic shist seem to be local. Bingham describes small disks made of the material found in excavations. The material apparently came from below a cliff of Machu Picchu Mountain [Bingham 1952]. The Australian anthropologist/explorer John leivers has recently located the site (personal communication)
Imported rock:
Other rock types seem to have been imported such as many of the stones deposited at the Ceremonial Rock [Yanati shrine]. Several blocks of reddish ryolite may have come from Ollantaytambo. Bingham reported an area of imported obsidian pebbles. The entranceway to the Torreon Compound has a black slate cornice overhead. Other pieces of slate are seen scattered in buildings near the Main Gate. Interior pegs at the wayrona near the Torreon are made from imported diorite.
The Intihuatana platform has a two-meter plus high wall structure on the south side with an entranceway [now partially filled] and remains of a wall on the east. The east wall is gone but the foundation is evident. The alignment indicated by the perpendicular from the east wall and the parallel of the south wall, creates a sight line angle of 245 degrees from the open west side to the main sections of llactapata and the main summit of Nevado Pumasillo on the far horizon [December solstice setting azimuth]. Shaped stones on the walkway up from the south and the Sacred Plaza seem to replicate the eastern horizon representing Cerros Yanati and Putucusi. The main huaca stone Intihuatana, viewed from the southern approaching steps, strongly appears to replicate Huayna Picchu which imposingly dominates the northern view. [noted by Reinhard, Wright and others].
Northern Plaza
Large in situ boulders on the western edge of this large plaza have been shaped. Several are enclosed by walled platforms. They seem to replicate Cerro Machu Picchu and associated ridges when viewed from the north.
The shaped huaca stone, enclosed by this unusual D shaped building was likely a replication stone and altar for associated rituals, llama sacrifice and chicha offering. The important June Pleiades raising (Zuidema 1982) and the solstice could have been viewed from the east-facing window but the alignment is not precise, off some degrees from the angle of other site solstice features. It does however present a centered view of the early morning raise of the Pleiades during late May and June. Dearborn and others note that a cord affixed at the window would cast a shadow on a carved groove on the altar during the June solstice thereby establishing the Torreon as a sun shrine. This conclusion seems a reach in view of Inca design preciseness. More likely, the window would have been aligned at the correct angle if this had been the intent (Dearborn and White 1989).
However, The Royal Mausoleum, a cave with high status ritual features, internal masonry with full size niches, a stepped motif and shaped, usnu-like stone, forms the lower section of the large granite outcrop that the Torreon sits on. The outfacing alignment of 65 Degrees is precisely toward the June solstice sunrise. This suggests sun ritual as a primary function. Caves are known to have had special ritual significance themselves. (D'Altroy 2003, Reinhard 2002]
This superbly crafted shrine represents the finest monumental construction in the western or upper hanan sector of Machu Picchu below the Sacred Plaza group. It is accessed directly from the neighboring, high status compound kancha, the Royal Residence, Machu Picchu's most important residential group. This suggests that the cave may have been a private shrine established for the Inca or highly privileged visitors when at residence next door.
The Sacred Plaza: Temple of the Three Windows and the Principal Temple
Wright and Valencia write that the two temples at the Sacred Plaza were not completed: The Principal Temple was not finished because the foundation settled, causing the heavy wall to subside during construction. The builders then abandoned construction. The nearby Temple of the Three Windows was also unfinished. A large stone intended for the temple was left in transit nearby. [Wright and Valencia 2000}
Iain Stewart located what appears to be several localized fault zones with some indicated slippage eastward from the Sacred Plaza and Intihantana hill. Several structures show some degree of slippage since their construction. We hope to explore this topic together in another paper. I believe that subsidence at the Principal Temple occurred after the Inca had abandoned Machu Picchu. The Inca builders at the site were superb engineers [Wright and Valencia 2000]. This was a most important ceremonial structure, which would have had highest priority. If the wall had settled during construction, the builders would have reinforced the foundation and reconstructed the wall.
It seems unlikely that two important temples would have been left uncompleted during the decades of activity and ongoing construction indicated by the archaeological record. At some Inca sites, structures were later modified or removed and replaced by new building. Cusco was rebuild by the Inca Pacachuti. The principal temple at Ollantaytambo was dismantled and in the process of being rebuilt when abandoned [Cieza, Garcilaso, Protzen 1993].
We suggest that the two Machu Picchu temples were either, upgrade replacements for earlier structures at the Sacred Plaza, or new additions, planned by a later generation of Inca designers. Construction began at a late date. The temples were under construction and not completed when the empire fell apart in 1524. Epidemic disease swept the empire resulting in the death of the ruling Inca Huayna Capac. Devastating wars of succession soon followed setting the stage for abandonment of state projects and the Spanish conquest in 1533.
A Summary of Conclusions
1] The large terraced area outside the main gate was a staging area for entering/leaving Machu Picchu, roadside shrine and gathering place for coming and going on the Inca road. It was dedicated to the mountain Yanatin. Yanati. Celebrations and special events were held here for visitors not allowed inside the city.
2] An important function of the Intihuatana was observation and ritual during the December solstice
3] Large boulders along the west edge of the North Plaza are shaped to replicate Machu Picchu Mountain.
4] The Torreon was likely dedicated to Pleiades observation/ritual and mountain worship. The Royal Mausoleum cave was a private royal shrine associated with the June solstice.
5] The Principal Temple was under construction when Machu Picchu was abandoned. Slippage of a wall occurred after abandonment.
6] The Temple of Three Windows was also under construction when abandoned.
Construction of both Temples at the Sacred Plaza was started late in Machu Picchu's development.
7] A series of small stress faults along the ridge below the Sacred Plaza have allowed slight slippage and settlement of some walls to the east


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Remembering Handel's partner in the cherished 'Messiah'
London's Handel House Museum is setting the record straight about Handel's friend and patron Charles Jennens
December 3, 2012
Anyone dusting off their copy of George Frederic Handel's "Messiah" in the run-up to Christmas this year might spare a thought for the unsung hero of the piece.
Without Charles Jennens, experts argue that the 18th century oratorio would never have been created, robbing Western choral music of one of its greatest works.
Handel House Museum, located in the cosy London home where the German-born composer spent much of his life, is seeking to put the record straight about a man who, for many reasons, has been passed over by history.
"The Messiah would not have been written without him," said the museum's director Sarah Bardwell of Jennens, who lived from 1700 to 1773.
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Full story: Show sheds light on Handel's hidden 'Messiah' helper
Source: Reuters
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Islamic State-linked fighters attack another Mindanao town
Villagers flee Philippine town of Pigcawayan as hundreds of Muslim rebel group fighters launch assault
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