text:
Your multilingual walking coach Franz Miltenburg (Owner/Operator Discovery Gran Canaria), who is called Paco here, has known this island since 1982. For some time now he has been living on GC as a local resident.
He was born in Uruguay, is Dutch and being a world traveller lived for 30 years in Germany, 1 year in Argentina and ran his own tour company while living for 10 years in Western Canada before he moved to Gran Canaria together with his wife. In bear country like the beautiful Rocky Mountains he guided walks with great passion.
With the same enthusiasm he now takes care of a self guided walking program that enables his guests from different countries to experience the mountains of GC in a wonderful way by walking
the most fascinating trails this island has to offer!


text:
Straits Times
- Controversial Singaporean graphic novel wins 'Oscars' of comic worldCNN
- Fukushima images likely to be of melted nuclear fuelnews.ubc.ca
- Police nab gang accused of multiple kidnaps at casinosCNN
- Singapore annuls marriage after husband changes sex: reportmetro.us
- SSingapore voids trans woman's marriagestarobserver.com.au
- Singapore voids marriage after husband's sex reassignment surgery, report saysThe Japan Times
- Singapore voids marriage after husband's sex changepunchng.com
- DSri Lanka Navy rescue elephant swept out to seaDaily News
- Battulga poised to win Mongolian electionnews.ubc.ca
- NStatues fly business class, enjoy plenty of leg roomnypost.comTron , Meizhou , Singapore , Malaysia , Kuala Lumpur
- NPhilippine president threatens to eat livers of Islamic terroristsnypost.comDavao City , Basilan , Vietnam , Philippines
- Now THAT'S a holy journey! Amusing pictures show Chinese deity statues flying in business class as they're sent on a cultural exchange in Asia Daily Mail
- Dispute Over Singapore Founder's House Becomes a CrisisThe New York TimesOxley , China , Switzerland , Singapore
- Passenger tosses coins in jet engine "for luck," causes 5-hour flight delaywsfa.com
- How the promise of a free Hong Kong turned sourtheweek.co.uk
- Fridge freezer sparks Grenfell horror blazeeuronews
- ISIS militants storm a school in the Philippines and take several hostagesDaily Mail
- This bride and groom love Apple so much, they took wedding pictures in its storekansascity.com
- Teenager accused of stealing bicycle has 'I am a thief' tattooed on his foreheadThe Wichita Eagle
Frequent names
Newstral's extraction of names of people and organisations from the world's news is completely automated. If you do not want your name to appear here, please contact us. We will be happy to look at your request.

subset: commoncrawl


text:
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text:
- Have a good original idea. Make sure you are not simply recreating another distribution channel or generic 'shop'. E-Businesses based on innovative patent technology or clicks and mortar businesses such as retailer Next can both work well. Break the rules!
- Focus on building sustainable income, not just number of hits or customer registrations
- Develop and use key performance indicators that provide early warning signals – such as fluctuations in income per hit rates
- Make your site easy to buy from and find a way to measure and monitor customer satisfaction levels – this is your lifeblood
- Understand and monitor the actual and forecast cash flows of the business or hire someone who can do this for you – your idea must be commercially viable. Good financial advice is necessary to ensure you build reality and cash flow into your business plan. Have solid financial projections that can be robustly scrutinised for the future of the business.
- Don't give your investors or bankers surprises; keep them informed and ask for their input – you will need them to trust you if things become difficult. You must build transparent relationships with potential investors and be prepared to accept their feedback as to what is fundable or not.
- Ensure you have a quality management team for the business. These people should have management and industry expertise in the relevant sector, be committed to the project, be strategic and commercial thinkers and have excellent project management skills.
- Continually re-assess and test the current validity of your original business model and don't be scared to change tack or stop
- Keep looking outside of your business – barriers to entry for competition will be low and new competitors will emerge
- Consider commercial alliances – there will be many opportunities to join forces with similar businesses
- Develop a contingency plan so that you can react quickly and positively if your marketplace changes overnight
- Don't stick your e-head in the e-sand if things start to go off plan – proactively seek advice.
Source: KPMG
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Deloitte to avoid tendering for government contracts over the next six months, to appease Theresa May following consultant's report that painted a less-than-flattering picture of Brexit plans


text:
Read the full story here Web Link posted Friday, December 21, 2007, 12:00 AM
Town Square
A study in contrasts
Original post made on Dec 22, 2007
Read the full story here Web Link posted Friday, December 21, 2007, 12:00 AM
Comments (1)
a resident of Old Palo Alto
on Dec 22, 2007 at 11:08 am
This is an absolutely outstanding showcase. Excellent commentary on beautiful art arranged in such a unique setting. I'd love to discuss art with Jill Jeannides one day.
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Opening alert: Kyosho Sushi in Menlo Park
By Elena Kadvany | 0 comments | 2,393 views
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Save $5 when you register by Monday, July 31
Registration is now open for the 33rd annual Palo Alto Weekly Moonlight Run and Walk. This family-friendly event which benefits local nonprofits serving kids and families will take place on Friday, Oct. 6 at the Palo Alto Baylands.


text:
Postal Mailing List
To receive Chorale event notifications by mail, please fill in the Postal Mailing List Form below.
Audition to Join Us!
The Glen Ellyn-Wheaton Chorale will be holding auditions for all voice parts on
Tuesday, August 1
Monday, August 7
Please fill out our online
Audition Request Form
if you're interested in singing
with our group!
To hear from our members about their reasons for singing with the Chorale, see our special video:
Upcoming Events
Join us for an evening of
fun and music!
2nd Annual
Bingo Serenade
Saturday, Sept. 30
6:00 p.m.
American Legion Post 76, Carol Stream
Friends of the Chorale
Ann and Charles Evans
Glen Ellyn, IL
Melody Level
Lon and Linda Oury
Wheaton, IL
Melody Level
Diana M. Visco, DDS
Roselle, IL
Song Level
Arthur Kulak
Elk Grove Village, IL
Song Level
Larry Fuhrer,
Presidential Services
Naperville, IL
Song Level
Jeff Kling,
Southpaw Painting
Oswego, IL
Melody Level
Parmelee WebWorks
Full Musical Score Level
Lorraine and Robert
Naperville, IL
Melody Level
Sharon and Bill Knott
Batavia, IL
Melody Level
Julie and Thomas Hogan
Lisle, IL
Song Level
Joseph Lombardo
and Family
Glen Ellyn, IL
Melody Level


text:
write simple software using matlab
Budget $30-250 USD
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text:
Happy Hanukkah!
A Photographic Journey
2 Mega-Pixels (or Less) by Nancy Lehrer
Street Portrait Classics by Zack Jennings
Los Angeles - Yesterday's Places Today by Nancy Lehrer
Happy Hanukkah!
Posted on December 9, 2007 at 10:04 pm in photography | RSS feed | Reply | Trackback URL
Error: Twitter did not respond. Please wait a few minutes and refresh this page.


text:
Butler earns degree from Dupaul University
Leona Rena Butler completed her studies at DePaul University in Chicago on June 9, 2012. She earned a master's degree in education with a concentration in community counseling and college student development.
Butler was born into the family of Pastor Leon and Sandra Butler and grew up in the Hollywood community of Tunica County.
In 2004, she graduated from Rosa Fort High School. She went on to attend the University of Mississippi, where she earned a bachelor of science in paralegal studies in 2009.
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Primary Science: Extending Knowledge in Practice by Hugh Ritchie, Judith Roden, Hellen Ward (Paperback, 2007)
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About this product
- DescriptionA practical, standards-based text that extends and deepens subject knowledge and helps trainees turn that into effective teaching.
- Author BiographyJudith Roden is an experienced teacher of science in all phases of education. She was a Principal Lecturer working in the Faculty of Education, Canterbury Christ Church University, where she undertook the role of crossphase science team leader, managing a large team of science tutors. She has written a number of science books including the Reflective Reader in Primary Science Education, co-wrote Extending Knowledge in Practice as well a number of books, articles and chapters in respected science books. Judith now works part time for Teach First Kent and Medway. Hellen Ward is actively involved in science education, working as a Principal lecturer at Canterbury Christ Church University and with teachers in a number of Local Authorities. Hellen has written several books and a number of other publications, and has developed teaching resources and teaching materials to support the teaching and learning of science. She has also contributed to science television programmes, website and teaching resources for the BBC Hellen is faculty Director for STEM at Christ Church and is also an independent education consultant. Hellen is an active member of the Association for Science Education (ASE). and a regular contributor to both national and regional conferences. She is also a member of the Association for Achievement and Improvement through Assessment (AIAA) and has published materials on assessment. Hellen is a hub leader for the Primary Science Quality Mark working with teachers across the kent and Medway region. Hugh Ritchie has spent 15 years teaching secondary science, 16 years in primary teaching and is now an associate lecturer and science technician at Canterbury Christ Church University.
Key Features
- Author(s)Hellen Ward,Hugh Ritchie,Judith Roden
- PublisherSAGE Publications Ltd
- Date of Publication12/09/2007
- Language(s)English
- FormatPaperback
- GenreEducation & Teaching
- Series TitleTransforming Primary QTS Series
Publication Data
- Place of PublicationExeter
- Country of PublicationUnited Kingdom
- ImprintLearning Matters Ltd
- Content Note1, black & white illustrations
- Weight359 g
- Width171 mm
- Height246 mm
- Spine11 mm
- Pagination224
Editorial Details
- Format DetailsTrade paperback (US)
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text:
Edited from Keeneland press releaseA competitive field of nine was entered for Saturday's $150,000 Fayette Stakes (gr. III) scheduled to be run at a 1 1/8 miles on the Keeneland main track. Eight of the nine horses entered are already stakes winners, six of which were graded wins.The likely favorite will be William Slevin's Lord of the Game, winner of seven starts this year and a game second edged by a nose in his last start in the Hawthorne Gold Cup (gr. II). Trainer Tom Tomillo had hoped the 4-year-old son of Saint Ballado was going to draw into the Breeders' Cup Classic - Powered by Dodge (gr. I), but when entries were announced, he found that the horse had been excluded."We would have liked to get into the Breeders' Cup (Classic, gr. I)," Tomillo said, "but there is nothing we can do about it. It was either go up to New York and wait or go to Keeneland and wait. He's handled everything we've asked of him as far as racing and shipping goes. I think he should run a good race Saturday."Jockey Eusebio Razo Jr., who has been aboard for all of the horses career starts will fly in from Chicago for the mount.Trainer Neil Howard has won this race three times previously, including taking last year's edition by a nose with Midway Road. This year, Howard brings William Farish, James Elkins Jr., and W. Temple Webber,Jr.'s Alumni Hall, a 6-year-old son of
A.P. Indy
who certainly has shown an affinity for the surface with three wins from four career starts at Keeneland.With regular jockey Robby Albarado in New York for the Breeders' Cup, Calvin Borel will gain the mount. Shaniko was impressive in taking his last two starts by open lengths, including the Kentucky Cup Classic (gr. II) Sept 17. Trainer Todd Pletcher has the 4-year-old son of A.P. Indy training forwardly for this spot, putting in two easy workouts since his last race. Jockey Mike Luzzi is scheduled to fly down from New York for the mount. Breeders' Cup Day at Keeneland on closing day Oct. 29 features a first post at noon instead of its usual 1:15 p.m. to accommodate the simulcast of the Breeders' Cup World Thoroughbred Championships from Belmont Park. The first two Breeders' Cup races from Belmont will be run between Keeneland's final three races. The field from the rail out: M B Sea (Corey Lanerie); Habaneros (James Graham); Alumni Hall (Borel); Mambo Train (E.T. Baird); Fantasticat (John McKee); Trapped Again (Joe Rocco); Lord of the Game (Razo, Jr.); Shaniko (Luzzi), and On Thin Ice (Willie Martinez).
Breeders' Cup Day Fayette Deep in Experience
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text:
This documentation is archived and is not being maintained.
CommonObjectSecurity.GetAuditRules Method
.NET Framework 3.0
Gets a collection of the audit rules associated with the specified security identifier. Namespace: System.Security.AccessControl
Assembly: mscorlib (in mscorlib.dll)
Assembly: mscorlib (in mscorlib.dll)
public AuthorizationRuleCollection GetAuditRules ( bool includeExplicit, bool includeInherited, Type targetType )
public AuthorizationRuleCollection GetAuditRules ( boolean includeExplicit, boolean includeInherited, Type targetType )
public function GetAuditRules ( includeExplicit : boolean, includeInherited : boolean, targetType : Type ) : AuthorizationRuleCollection
- includeExplicit
true to include audit rules explicitly set for the object.
- includeInherited
true to include inherited audit rules.
- targetType
The security identifier for which to retrieve audit rules. This must be an object that can be cast as a SecurityIdentifier object.
Return ValueThe collection of audit rules associated with the specified SecurityIdentifier object.
Windows 98, Windows Server 2000 SP4, Windows Millennium Edition, Windows Server 2003, Windows XP Media Center Edition, Windows XP Professional x64 Edition, Windows XP SP2, Windows XP Starter EditionThe Microsoft .NET Framework 3.0 is supported on Windows Vista, Microsoft Windows XP SP2, and Windows Server 2003 SP1.


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text:
New Etsy item alert!!! Last night I made a tote bag out of a tshirt I love but never wore (too small!) . . . I salvaged the screenprint and transformed it into a simple tote for beach and pool going. The boy was extremely impressed and insisted I needed to make more totes for my Etsy shop, so I whipped this one up. I adore it (and want to keep it, as per usual). Totes take a bit more fabric than my usual purses, but they're super fun and quick to make. I'm going to try to do a few more this week with embellishments perhaps. They're a simple, fun project with an adorable, very useful result.
Listening: The Notwist- "Pick Up The Phone"


text:
Base Pay
$16 - $18/hr
Base Pay
Total Compensation
Cash Bonus, Stock Bonus, Profit Sharing, Commission Sharing, Tips have not been reported for this role.
Base Pay
Total Compensation
Be the first community member to contribute total compensation for this company
Web/Graphic Designer salaries at ACOMES can range from $16-$18. This estimate is based upon 1 ACOMES Web/Graphic Designer salary report(s) provided by employees or estimated based upon statistical methods. See all Web/Graphic Designer salaries to learn how this stacks up in the market.
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text:
hi guys its been a long time since my last post. But here comes a post you would really like. It's something i have been looking for a while now.
Bikash Panda
Blogger / Embedded System Developer at WeArGenius
A techie, tinkerer and tech lover, who loves to blog and feels everyone can learn tech provided they have the right attitude towards learning and passion. By profession, I am an IOT developer working in Smart Home/ Smart Grid domain.
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text:
Seizing the hedge funds' day
"It's like putting an artichoke back together - if you put more and more leaves on it, it gets bigger. It's still an artichoke and it's still the same one." That's how Peter Lusk foresees the growth of his latest enteprise, CDG Holdings
The company recently announced its intention to raise upto $520m on London's Alternative Investment Market. This will help CDG achieve its goal of setting up a banking operation in Switzerland dedicated to serving hedge funds and benefiting from the industry's
More on Hedge funds
7 days in 60 seconds
Stress testing, cyber risk modelling and machine vision
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An acrylic on paper work from a new series of small works on paper.
This work is unframed but it comes with a hand cut bevel over-matt in black.
It is created on 170gsm acid free art paper coated with gesso.
The matt size is 10x12 inches and is suitable for a frame of the same size.
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'Mini Abstract # 1 (2015)
Acrylic painting by Stefan Fierros
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Irrational Perceptions No. 2
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Irrational Perceptions No. 1
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Summer Splash
Acrylic paintingby Stefan Fierros


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BJP leaders felicitate mothers of Army martyrsTo observe death anniversary of Jan Sangh founder Shyama Prasad Mukherjee, BJP leaders felicitated mothers of martyred Army personnel at a programme here yesterday. Maharashtra Finance minister Sudhir Mungantiwar, Mumbai BJP chief Ashish Shelar, Mumbai BJP ... Business Standard, 3 weeks ago
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Why the triple talaq issue is a win for the BJP
'The BJP, or the Rashtriya Swayamsevak Sangh, are celebrating their biggest ideological and philosophical victory in some time,' says Shekhar Gupta. Today's intellectual and philosophical polarisation (I have carefully excluded 'political') over the ongoing campaign to abolish triple talaq for Muslim women is a more complex story than the Supreme Court hearings or the usual TV 'debates' would suggest. The starkest example of how complex it is, is the fact that all mainstream political parties ...Rediff.com, 1 month ago UP BJP to hold seminars on triple talaq Business Standard, 2 months ago
BJP to hold quiz competition on Pt Deen Dayal Upadhyay in UP
Jan Sangh stalwart Deen Dayal Upadhyay will be the focus of a mega general knowledge quiz, involving about 20 lakh children in Uttar Pradesh, as the BJP celebrates the birth centenary of its leader.DNA, 1 month ago UP moots naming Mughalsarai station after Deen Dayal Upadhyaya Prokerala, 1 month ago
BJP to have office in all districts of India by December 2018: Amit Shah
"BJP workers are the focal point of party#39;s journey from Jan Sangh till now. The party#39;s existence is through the smallest of the booth level cadre," Shah said after inaugurating the BJP#39;s South Goa district office in Margao.Money Control, 2 weeks ago Violence can't stop BJP's growth in Kerala: Amit Shah Mathrubhumi, 1 month ago Reach out to Kashmiris, Amit Shah tells party MLAs DNA, 2 months ago
Venkaiah Naidu's journey: From Nellore to V-P pick
Union Minister Venkaiah Naidu, the BJP's Vice Presidential candidate, may have given up the idea of joining Bharatiya Jana Sangh (predecessor of BJP) on the issue of food choice when he was still a boy. Luckily for him, when armed with the question, he ...DNA, 2 days ago Venkaiah Naidu is NDA's V-P nominee The Financial Chronicle, 2 days ago
Are Raj Bhawans becoming the new sites to push the Hindutva agenda?
Raj Bhawans in various state capitals of India are supposed to be sites of dignity and impartiality; their inhabitants upholders of constitutional values. But are some of the governors' estates, especially those housing BJP-appointed governors, becoming ...catchnews.com, 6 days ago
Ram Mandir will be constructed: Mahesh Sharma
Union minister Mahesh Sharma today claimed that the construction of the Ram Mandir is a feeling of millions of "Ram Bhakts" of this country and it will be constructed "either by the court of law or by consensus." The Minister of State (Independent Charge) for ...Business Standard, 1 week ago
'Mamata has no clue what is happening'
'There are many able, good, police officers in Bengal who are capable of handling this situation, but without Mamata Banerjee nothing moves.''Mamata Banerjee allowed the window for three days to create and help hate-mongers who pursue divisive politics.' IMAGE: A burnt vehicle stands witness to the communal riot at Baduria in West Bengal's North 24 Pargana district. Photograph: PTI Photo Basirhat has been on the edge for the past six days after communal violence erupted in the area close to ...Rediff.com, 1 week ago
Why Tathagata Roy won't budge from the Raj Bhavan, despite CPM's complaint
It was over two years ago that the governor of Tripura, Tathagata Roy, first hit the headlines for his communally loaded statements that he issues periodically through Twitter. That he has carried on incessantly for so long goes on to show that he has the ...catchnews.com, 2 weeks ago
Yogi Adityanath government completes 100 days in UP
Lucknow: Uttar Pradesh Chief Minister Yogi Adityanath on Tuesday completed 100 days in office and said he was committed to the welfare of the farmers and poor. He said his government was committed to Jan Sangh ideologue Deen Dayal Upadhyay's ideal of " ...Sify, 3 weeks ago Yogi completes 100 days as Uttar Pradesh CM Prokerala, 3 weeks ago
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Couple friends and I are taking a Road trip from central PA to IA. We love camping, biking, kayaking, rock climbing etc. and we want to find places along/near I-80 that might have some cool spots to make the trip more enjoyable. We're not interested in too much touristy stuff, any suggestions?
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I don't have any suggestions for you off hand, but I'm wondering if you have ever traveled west through OH, IL and IN before? I have driven out to WI a number of times and it's mostly very flat land where they grow a great deal of corn. Biking I could see, but not sure where you would do any rock climbing? Or kayaking? It's not mountainous tree covered terrain like it is in central PA.
Cleveland has lots of museums, but you don't mention those? Kayak on Lake Erie? Maybe on the river near Perrysburg? Realize, 80 is the OH turnpike.
I would suggest taking a close look along your route using Google maps to enlarge each section and see what's there. Then search interesting looking spots online for further info. Plan out which ones sound like possible stops.
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Pet 'adoptathon' this weekend
December 27, 2012
Beautiful dogs in need of homes will be at the Petco from 11 a.m. to 4 p.m. Saturday at Petco, located at 672 Freeman Lane in Grass Valley. For information, contact Rescue for Pet Sake at (530) 263-3331 or visit http://www.rescueforpetsake.org.
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The ProsenPeople
New Reviews June 16, 2017
But Wait, There's More! (Part 2)
Annabelle Gurwitch been guest blogging for the Visiting Scribe this week about her latest collection of essays, Wherever You Go, There They Are. Her second post elaborates on the story about her mother's philanthropic side which she did not get to include in her collection.
As much as I was moved by mother's recounting of her mission to aid the Refuseniks in Russia, I wasn't able to fit that story into either my book or my assignment for Oprah's website. This is an example of how even if you have a story that holds great meaning for you and it has intrinsic value on it's own, it just might not find a home in what you are publishing.
Then, in December, a friend invited me to a ritual in celebration of the winter solstice. I typically roll my eyes at such things, but it had been a month since my mother's death and the idea of communing with friends seemed comforting and I heard there would be wine.
At the ritual, our circle of friends was invited to share on the subject of when we felt the happiest and without thinking I blurted out, "When I am being useful to others."
Without thinking I'd uttered the same phrase, with the exact same inflection as my mother and although I've never smuggled medical supplies into another country, I mentor high school seniors, an activity that I find deeply rewarding. At the same time, I could have easily answered, "When receiving a deep tissue massage." Ok, in truth, being useful ranks a bit below the massage, especially if hot stones are included. I moved this section up closer to the mother's statement so it would be connected. You can decide where this next section belongs.
Evolutionary biologists have shown that as a species we adapted in a way that makes us predisposed to want to help our communities, this is part of how Homo Sapiens managed to survive, thrive and to dominate the Neanderthals who never quite managed that level of cooperation with each other. So, this idea isn't limited to Jews, to be fair, still Kelly, who was leading the ritual, then invited us to close our eyes and think of one word that could encapsulate a spiritual wish for our new year. I closed my eyes and quieted my mind. The only word I could think of was word.
That's right, a certain kind of what I call, "obtusitude," a prideful streak of obtuseness, runs in our family as well. Near the end of her life, my mother started calling the hospice rabbi, "Aquaduct," which makes sense in a certain way so it was hard to tell if she was deliberately referring to the rabbi as a conduit to the source of all life or if her brain function was deteriorating. I noticed I'd passed this trait on to my offspring when my four year old was asked to draw something at a kindergarten evaluation and all the other children in the session drew colorful depictions of rainbows and families holding hands, while my kid refused to use crayons, instead, producing a pencil rendering of "a foot inside a foot." That drawing hangs in a place of honor on a wall of my home. So, I planned to say, "Word," on my turn.
One by one, people offered a variety of aspirational type wishes on the order of: ease, mindfulness, and centering. Just once, I'd love for someone to say: "self-deprecating sense of humor"at one of these types of things, alas no one did. Surprising myself, "Elegance" is what popped out of mouth when it was my turn. Elegance? I've never considered that a spiritual aspiration but it does connote a sense of ease, mindfulness, centering and another thing I place a high value on: quality footwear. What happened to "word"? Did it strike you that you had changed your mind?
Several days later the furniture I'd shipped from my mother's apartment arrived at my house. As I gave my neighbor Barbara a tour of she stopped in her tracks in front of a pair of art deco lamps and said, "Elegant."
For the record, I do not truck in any sort of mystical or "mean to be" type of thinking. After years of losing lucky necklaces, hoarding crystals and visualizing my great jobs and even better parking spots, I kicked that kind of thinking to the curb.
Still, sometimes the random universe gifts us with a reminder of a connection that even if it exists only in our minds, delights us with the promise of stylish shoes that are comfortable enough to run in and that keeps our bond to our ancestors alive.
Annabelle Gurwitch is an actress and New York Times bestselling author of I See You Made an Effort, You Say Tomato, I Say Shut Up with Jeff Kahn, and Fired!—the book and documentary. Annabelle co-hosted Dinner & a Movie on TBS, and appeared in Dexter, Seinfeld, Oprah, Bill Maher's Real Time, The Today Show, New York Comedy Festival and The Moth Mainstage. She was a regular commentator on NPR and humorist for The Nation.
The First Political Body for Jews
Menachem Z. Rosensaft, editor of The World Jewish Congress, 1936-2016, will be guest blogging for the Jewish Book Council this week as part of the Visiting Scribes series.
In order to place the different essays that make up The World Jewish Congress, 1936-2016 in their historical context, it is important to understand the origins of the organization.
While the WJC formally came into being at its first plenary assembly in Geneva in August 1936, its roots actually lie in an ad hoc body called the Comité des Délégations Juives Auprès de la Conférence de la Paix – the Committee of Jewish Delegations at the Peace Conference – that was formed in 1919 to advocate at the Versailles Peace Conference for minority rights – that is, primarily, Jewish rights – in eastern and central European countries in the aftermath of World War I.
The Comité des Délégations Juives was an anomaly at the time in that it included representatives from Jewish groups in Canada, Eastern Galicia, Poland, Romania, Russia, and Ukraine, in addition to B'nai Brith and American Jewish organizations such as the newly founded American Jewish Congress and the 13-year old American Jewish Committee.
This was literally the first time that such an umbrella body representing at least a meaningful segment of world Jewry had come into existence.
The participation of the American Jewish Committee in the Comité des Délégations Juives was particularly noteworthy since it was otherwise categorically against any association with other Jewish groups in any endeavor that could be interpreted as an international Jewish politically oriented initiative, as opposed to one that was strictly American and philanthropic in nature.
Following the end of the Peace Conference, the Comité des Délégations Juives remained in existence under the leadership of a prominent Paris-based Russian Zionist named Leo Motzkin, and continued to make representations on behalf of Eastern European Jews before the League of Nations and other international bodies.
At the same time, throughout the 1920's and early 1930's, Rabbi Stephen S. Wise, one of the founders of the American Jewish Congress, called for the establishment of a world Jewish Congress – over the fierce objections of the American Jewish establishment, in particular the American Jewish Committee.
In August of 1927, 60 delegates from the US, 12 other countries, and Mandatory Palestine gathered in Zurich for what was billed as the World's Conference on Jewish Rights. Again, the purpose of this conference was to find some means of coordinating efforts to help Jewish minorities in central and eastern European countries where they were being discriminated against if not actively persecuted.
Wise continued his quest for a world Jewish congress over the next several years, as Hitler's Nazi Party was becoming increasingly powerful in Germany.
In August of 1932, the first of three World Jewish Conferences took place in Geneva, this time with 94 delegates from 17 countries, but without the participation of the American Jewish Committee, the Board of Deputies of British Jews, or the Hilfsverein der deutschen Juden, the umbrella body of Germany's Jewish community. By then, Wise had enlisted a young Russian-born German Zionist leader, Dr. Nahum Goldmann, to organize the event. It was the beginning of a friendship and political association between the two that would last until Wise's death in 1949.
Two more such world conferences followed, both taking place in Geneva after Hitler's rise to power.
By the third World Conference in 1934, Wise and Goldmann were planning the formation of a World Jewish Congress, modeled on the American Jewish Congress, as a mechanism to counter Nazi anti-Semitism, and in August of 1936, the WJC formally came into being as an organization.
This was the first time that Jewish leaders from different countries joined together as a decidedly political, rather than philanthropic, body, for the express purpose of representing Jews around the world. And over the following several years, the fledgling organization rapidly became the most outspoken defender of Jewish rights, both publicly and in behind-the-scenes diplomatic negotiations.
Menachem Z. Rosensaft is General Counsel of the World Jewish Congress, and editor of The World Jewish Congress, 1936-2016 (World Jewish Congress, 2017). Check back on Friday to see more from Menachem Z. Rosensaft.
Header photo credited to the World Jewish Congress.
Taking Jews to the Beach
Jamie Brenner, author of The Forever Summer, is a guest blogger for The Jewish Book Council as a part of the Visiting Scribes series.
A reader recently asked why my latest novels are set in coastal towns and I said, "I guess I wanted to take the Jews to the beach." I was half joking, but there is some truth to the sentiment. I love beach books—stories about family and love set in beautiful little towns by the ocean. And while I read them voraciously, the truth is, there is very little in the beach town experience depicted in these books that I recognize. It's not just that there are few, if any, Jews in the stories. It's more that the novels often center around a charming Cape Cod or Outer Banks cottage that has been in the family for generations, and that's alien to me.
Growing up in suburban Philadelphia, I spent my summers at the Jersey Shore. My grandparents did not have a beach cottage, they had a condo on the boardwalk. It was the same for my friends and their grandparents. From the terraces, we had views of the beach and of the new casinos sprouting up in Atlantic City. As teenagers, we would meet in the mornings at the beach, then have lunch at one of the cheesesteak and "hoagie" places a few blocks from the water. At night, while our parents hit the casinos, we congregated in the lobby of one of the buildings until a manager shooed us upstairs to our own apartments. It was idyllic to us, but far from the classic backdrop of the books I grew to love.
In my new novel, The Forever Summer, I chose Provincetown, Massachusetts as the setting because it's beautiful, remote, and unconventional in every way. I realize now I wasn't ready to write about the Jersey Shore, but I did feel compelled to write about a place that veered at least slightly from the more typical settings in beach novels. The Forever Summer is the story of two young women—one Jewish, one not—who discover they are half sisters and travel to Provincetown to meet the grandmother they never knew they shared. The characters in this story not only find new family, they inherit a true sense of belonging in their grandmother's quirky beach town.
For my next book, The Husband Hour (coming spring 2018), I returned to Longport, New Jersey. While the stretch of towns from Ventnor to Longport have gone through changes since my summers in the 1980s, I found the character of the shore very much intact. The boardwalk, the cheesesteaks places, the ice cream parlors, the eclectic landmarks like Lucy the Elephant, are still there exactly as I remembered them though my grandparents and their condo are long gone. In The Husband Hour, the Jersey Shore is both the family retreat and the heroine's escape from the problems of her adult life. For her, as for me, the beach does not represent a generations-old family legacy. Instead, it offers the memory of a simpler moment in time.
Some readers have asked me if I will set future books in the same town, the way some authors return to places like Nantucket or Hilton Head. My answer is no. While I don't write "Jewish" books, I can't help but tell stories through a Jewish lens. Maybe it's because I come from a wandering people, but I prefer to explore a different town in each of my novels. Maybe, some day, one of them will feel like home. But for now, I'm just happy for a view of the ocean.
Jamie Brenner is the author of The Forever Summer, a novel People magazine calls, "A captivating tale of family secrets and strong women." Jamie's previous novel, The Wedding Sisters, is in development as a feature film. She lives in New York City with her husband and two teenage daughters. Twitter: @JamieLBrenner; Instagram: @jamiebrennerauthor; www.jamiebrenner.com.
Header image credited to Argos'Dad.
But Wait, There's More!
Annabelle Gurwitch, author of Wherever You Go, There They Are, will be guest blogging for the Jewish Book Council this week as part of the Visiting Scribes series.
Many years ago, during my career as an actress, while reading for one of Martin Scorceses' films, he mentioned to me that he'd never been happy with his film The King of Comedy. He just hadn't gotten it right. If he could do it again, he'd make changes, he said in so many words. "What? I love that film, it's perfect," I replied. In my corner of the creative universe, I can relate to that sentiment. It's not unlike those old Ginzo knife infomercials that always included the phrase, "But wait, there's more!" and here's one story about my mother that I wish I'd found a way to include in my latest collection of essays, Wherever You Go, There They Are.
A year before her death, when we knew that her time was limited, I asked her a series of questions for an article I was writing for Oprah's website about end of life conversations to be sure to have with your loved ones. My mother told me that she was the happiest, "When I am being useful to others." I have to confess, this took me by surprise because all of our conversations of late had centered on my parents' health and financial woes.
During the mid-nineteen seventies, my mother and her friend Deanna signed on to a tour of major cities of Russia and smaller towns further east. Both Deanna and my mother loved to travel, but they had another agenda.
Through contacts assembled by Hadassah, Deanna and my mother obtained a list of medications that were badly needed by Jews in Russia known at the time as Refusniks. These were both secular and religious folks who were seeking to emigrate from Russia who'd been denied or refused visas. Many had been arrested, were unable to find work and were suffering an impoverished existence.
Shirley and Deanna made appointments with their doctors in Miami Beach and asked for prescriptions. Not a single one of the doctors they approached said no. In addition to the medications, they packed suitcases full of clothing, like blue jeans, that the Refusniks could wear or sell on the black market.
When they arrived in Moscow, they had to sneak out of the hotel past the "key ladies," the tour guides who sat watch in the hallways to make certain that tourists didn't wander off. Once on the street, they located pay phones and dialed the phone numbers they'd been given. Because she was fluent in Russian, Deanna was able to converse with the contacts in Yiddish and they got directions and took subways to the apartments of the various people to deliver the medications and clothing.
They returned to the states with empty suitcases but with rich memories of their encounters with these marginalized Jews. This trip remained one of the highlights of her life.
Because my mother passed before this book, which is about family legacies, was published, this story's absence seems particularly bittersweet to me. As aware as I was that I'd inherited numerous of her attributes: her long limbs and her wry sense of humor, I didn't connect my own do-gooder streak to an inheritance from her while I was writing the book. That only came more recently.Annabelle Gurwitch is an actress and New York Times bestselling author of I See You Made an Effort, You Say Tomato, I Say Shut Up with Jeff Kahn, and Fired!—the book and documentary. Annabelle co-hosted Dinner & a Movie on TBS, and appeared in
Dexter, Seinfeld, Oprah, Bill Maher's Real Time, The Today Show, New York Comedy Festival, and The Moth Mainstage. She was a regular commentator on NPR and humorist for The Nation. Check back on Thursday to read more from Annabelle Gurwitch.
WJC: An Organization with a Personality
Menachem Z. Rosensaft, editor of The World Jewish Congress, 1936-2016, will be guest blogging for the Jewish Book Council this week as part of the Visiting Scribes series.
The World Jewish Congress has published a comprehensive history of our organization's activities and achievements from its founding in Geneva in August 1936 to the present. Fittingly, we timed the release of The World Jewish Congress, 1936-2016 to take place during the WJC's 15th Plenary Assembly, April 23-25, held in New York for the first time in the organization's eighty-year history.
Organizations, very much like individuals, have distinct personalities which are, for the most part, a direct function of the men and women who lead these groups. The World Jewish Congress is no exception.
About two years ago, when World Jewish Congress President Ronald S. Lauder and CEO Robert Singer first told me that they wanted to publish a history of the first eighty years of the World Jewish Congress, we rapidly came to the conclusion that such a book had to reflect the diversity of voices that has always characterized the organization and, indeed, the Jewish people. Instead of asking a historian to write an academic, chronological study based primarily on archival research, we opted instead for a mosaic, with chapters about specific episodes or themes written either by individuals who had personally played a role in the WJC's activities and accomplishments in question, or by scholars with a particular interest in and knowledge of the subject matter.
For the past ten years, the WJC's persona has been shaped primarily by Ambassador Lauder who has imbued the organization with his vision and with a distinct sense of purpose focusing on the challenges confronting the Jewish people and Jewish communities across the globe in the 21st century. Prior to assuming the presidency of the WJC in 2007, Ambassador Lauder had a distinguished career first as US Deputy Assistant Secretary of Defense for European and NATO Affairs and US Ambassador to Austria under President Reagan, and then as chairman of the Conference of Presidents of Major Jewish Organizations and president of the Jewish National Fund. In 1987, he established the Ronald S. Lauder Foundation which revitalized Jewish life in Eastern and Central Europe through a network of Jewish schools, kindergartens, camps and community centers.
"There is an old Hasidic tradition," Ambassador Lauder writes in the concluding chapter of The World Jewish Congress, 1936-2016, "that inside every Jew there burns a flame. Sometimes that flame is obscured, and the person can't see it. But it is always there, it is always burning. All you have to do is dust it off your heart and you will find it. . . . And this is the job before us now. We have to help our children and our grandchildren dust off their hearts. We have to help them rediscover that Jewish flame inside them."
The WJC today also reflects the personality and priorities of Robert Singer, the organization's CEO since May 2013, who had previously served as senior educational officer of the Israel Defense Forces, followed by twelve years with the Office of the Prime Minister in Israel in a number of senior posts, mostly dealing with the Jewish communities in the former Soviet Union, and fourteen years as the CEO of World ORT, one of the world's largest non-governmental education and training network. Under Robert Singer's professional leadership, the WJC has undertaken numerous major initiatives in fighting both anti-Semitism around the world and the ever-increasing efforts to delegitimize the State of Israel.
Menachem Z. Rosensaft is General Counsel of the World Jewish Congress, and editor of The World Jewish Congress, 1936-2016 (World Jewish Congress, 2017). Check back on Wednesday to see more from Menachem Z. Rosensaft.
Header image credited to the World Jewish Congress.
Interview: Sana Krasikov
with Dalia Wolfson
Sana Krasikov, winner of the 2009 Sami Rohr Prize for Jewish Literature, published her first novel in January. The Patriots explores the conflicting loyalties of a Jewish family as they navigate their lives between Russia and the United States. Read an excerpt from the novel in the 2017 issue of Jewish Book Council literary journal, Paper Brigade.
Dalia Wolfson: The book grew from a story you heard from a friend about his mother, Pauline Friedman. How much "raw material" on her story did you start with, and why did this story appeal to you?
Sana Krasikov: I knew about Pauline's story for a couple of years before I sat down and interviewed Timothy. I think his mother's reverse immigration spoke to me on such a deep level because it suggested a life's journey totally different from my own. My family had arrived embracing the American dream; Pauline had turned her back on it.
I knew Pauline had worked for Amtorg—the American Trade Mission—in New York. Amtorg midwifed all the big business deals between Soviet factories and American industry. Since the U.S. didn't officially recognize the Bolsheviks, Amtorg served as a de facto embassy, but also the nerve center for all the spying that happened on American soil. The fact that business, politics, and espionage were all mixed up in its carpeted halls made Amtorg endlessly fascinating to me. Under the cover of all this official opprobrium, our countries were forming these intricate alliances. Talk about history catching up to the present!
Later Timothy sent me his mother's interrogation files from the Lubyanka, Moscow's political prison. The way her whole life was put on trial in those documents was both engrossing and heartbreaking. I used the documents as a kind of roadmap, but I also diverged from them because Pauline's life was more unbelievable and dramatic than anything I could put into a book. Were I to include it all, the novel would have been twice as long.
DW: The Patriots provides a rich context—both historical and contemporary—for its interweaving plots, referencing items as diverse as the Davies incident, Dovid Bergelson and the interior of the restaurant at the Metropol Hotel. Can you tell me a bit about your research process for the novel?
SK: I always look for the detail that doesn't fit, because that's usually the one that's true. Then I flesh out the picture like a Sudoku puzzle. There's definitely a lot of history in the book, but I tried to integrate it in a kaleidoscopic way so the reader could truly inhabit it. By the end it was hard for me to tease apart the story of Russian Jews from the story of American Jews in the twentieth century because they were so intertwined.
The most surprising chapter for me had to do with learning about the Jewish Anti-Fascist Committee, which played a huge role in raising funds during World War II. On Stalin's orders, the greatest lights of Yiddish literature and the Jewish stage—people like Solomon Mikhoels (the original Tevye) and David Bergelson, who was second only to Isaac Babel—were put to work winning the hearts and minds of American Jews. They wrote articles and essay published in the States, and then were brought over and taken around to JCCs and Hadassah chapters, where Jews listened to them talk about Jewish unity, and opened up their purses. These men figured out how to tap into the miracle of Jewish giving and came back to Russia with something like $90 million for the Red Army. But it wasn't a cynical undertaking—the Soviet Jews who'd been listening to these Yiddish poets on their radios were also moved. For the first time in decades, they permitted themselves to embrace a national identity that had been quietly suppressed since the revolution. So much so that by the time Golda Meir made her first visit to Moscow in 1948, thousands of Jews went out into the streets to cheer her and shout "next year in Jerusalem!"
The JAFC became a kind of heart of Soviet Jewry, an advocacy group for those whose homes had been illegally appropriated by their own countrymen during the war. But of course once the JAFC became an actual grassroots phenomenon, it could no longer be tolerated. The crackdown was swift and brutal, and these writers were rounded up and murdered for essentially doing their service to the state. The purge became a dress rehearsal for the better-known "Doctor's Plot" to follow, and touched the lives of many Americans in Russia, like Pauline and Sam, who were working as translators. But even the murder of these "poets" couldn't entirely suppress the Jewish awakening that had started blossoming on the power of these poets' words. They became almost like secret martyrs for Russian Jews.
DW: Your book is such a complex operation of stories happening in parallel. Can you tell me more about the structure of interlocking narratives in three separate "books"?
SK: In some ways the story is your classic hero's journey—a departure and a return. But I also thought of the three acts of Florence's life as coinciding with her relationship to each of the three men in the book: Sergey, Leon, and Henry. Sergey and Henry are almost mirror images; Sergey is her Russian in America, and Henry, the Korea pilot she meets in the labor camps, is her American in Russia. In his own way, each one leads her through to the other side of the looking glass.
But as I began to write, the image of the dialectic also became an operating metaphor for the novel's chapters, threading through the relationships between the generations as well as between the nations. I'm not just talking about Marxist theory here, but also the idea of the dialectic that stretches back to Hegel and the Greeks: the very notion that binaries are not permanently stable, but rather are always interpenetrating one another, struggling, resolving, turning into something new. Each break from the past is a dialectic negation that creates the possibility for a second, opposite, movement. History is like a helix coming back around, each time at a new level. I wanted the novel itself to walk that narrow spiral between the public and the private, to examine the deepest emotions between a family torn apart by a century of cold war, but also to interrogate the ideas and philosophical arguments supporting that war.
DW: Florence remains quite opaque, in some ways, although her story is told by an omniscient narrator who is prone to break into imaginative, over-the-top scenes (as with the Roosevelt-Morgenthau encounter) or launches into meditations (as with the history of the Jewish Anti-Fascist Committee). How did you settle on this voice for the Florence chapters?
SK: Originally I wrote the whole book in Julian's voice, because I was processing the story of his mother through his eyes, and also because Timothy's voice—and the voices of so many immigrant men I know—played strongly in my head. As I wrote, that voice began to take on the characteristics of omniscience, in much the same way that books like The Great Gatsby, or Philip Roth's oeuvre, or even classic novels like Wuthering Heights, take on an element of omniscience whenever a human-sized character is narrating the story of a somewhat opaque, bigger-than-life character. I began to think about omniscience as a loop in which the first-person voice and the all-knowing "God" voice came around to touch. But at some point I also realized that for Julian to be on his own journey—to get to a place where he truly understood his mother—he couldn't also be the person telling her story. So I divorced the two voices and gave each narrative its own corporeality, its own coordinates.
This process helped me embrace omniscience as a mode of storytelling. I think it's a mode that's been abandoned by many twentieth century modernists, but is being taken up again by some excellent contemporary writers. It's possible we're seeing a return to omniscience in the post-internet age because the collective intelligence suddenly feels like so much part of the everyday.
DW: Your previous publication, One More Day, was a collection of short stories. What were the challenges of writing a novel?
SK: Letting myself veer away from that narrow modernist voice was a big part of it. I felt like I had to unlearn everything I'd learned about writing.
DW: Throughout the book, we see a variety of survival strategies in the Logic-Free zone—believing in a "becoming" utopia, self-centered negotiating, deep-seated cynicism, self-censorship etc. Are these mentalities that you recognize from your own upbringing, and what would you like readers to learn from them?
SK: Oh yeah, those are frames you carry around in yourself as a product of people who are products of the Soviet Union. Ways of thinking that seem wildly inconsistent to my American peers feel perfectly natural to me, and vice versa. You know, I hear the word "resistance" being thrown around a lot these days. And the American image of resistance always makes me think of Martin Luther nailing that list of grievances to the church door. That image of jump-starting a reformation, of standing up and being counted—that's the subconscious image of heroism here. But what if you live under a system where that's not an option? It won't lead to any reform, and you'll only bring punishment on yourself. Well, then, getting by often involves adopting the mechanisms of the same system that's oppressing you and manipulating it to make life more livable. But also attempting to do it in a way that won't deform you morally and psychologically.
I'm not interested in writing "about Russia," I'm interesting in writing about people. What does "courage" or "dignity" even mean under circumstances so different from our own? Those are some questions I hope a reader might be asking.
San Krasikov won the Sami Rohr Prize for Jewish Literature for her collection One More Year, also named a finalist for the PEN/Hemingway and awarded the National Book Foundation's '5 under 35' prize. To research The Patriots, she traveled to oil fields in Texas and KGB warehouses in Moscow. She lives with her husband and children in Hastings, New York.
The Failed Drafts Behind the Novel
Margot Singer has been blogging for the Visiting Scribe series this week about her debut novel, Underground Fugue. In her final post, she gives us a look into the process of novel-writing, explaining what happens when first (and second) drafts go south--and how she got out of her writing rut.
In the fall of 2006, I won a grant from the National Endowment for the Arts and traded the money for the following semester's leave from teaching. I'd just completed a collection of linked short stories (The Pale of Settlement) and was excited about the prospect of tackling a novel. I had a gift of fifteen weeks. If I wrote roughly three to five pages a day, I figured, I should easily be able write a couple hundred pages—a first draft. People were cranking out entire novels in the month of November during NaNoWriMo. Hell, high schoolers were doing it! I was sure that I could too.
On January 3, 2007, I took my laptop to the faculty common room at the college where I work—a pretty, quiet space equipped with a coffee machine and lots of natural light. From then on, I went there every day. Before long, I'd accumulated a folder on my desktop filled with dozens of Word documents, each file named by different date. I had 45 files in the folder and a 50-page draft completed by the middle of March. But something—I wasn't sure exactly what—didn't feel right. So after spring break, I started over. At the end of May, I'd produced a second, different, 50-page draft. I shared it with a writer friend. Her smart and generous feedback confirmed what I already knew: I was stuck.
"Everybody writes shitty first drafts," I routinely assure my students. But I hadn't written a shitty first draft at the level of technique. There was nothing much wrong with my sentences or scenes. It was the story that I couldn't figure out. What was I supposed to do about that? "Take all the furniture out of the room and put it back in again one piece at a time," a friend recommended. I made lists of questions. Start earlier? Switch point of view? Where do they live? What do they do? I spent weeks reading for inspiration, doing research. I cut out clippings of articles on neuroscience and urban exploration and the Holocaust. I free wrote. I drew diagrams. I sketched out scenes.
One thing I kept coming back to was a story I'd heard on the radio about a man who'd turned up on a beach on the southern coast of England late one night in April 2005, soaking wet, dressed in a formal suit. He carried no identifying marks or papers; even the labels had been cut out of all is clothes. The man couldn't, or wouldn't, speak, but played the piano like a pro. A bulletin was put out on the Missing Persons Helpline and thousands of people from around the world had called in, thinking they recognized him, but to no avail.
The image of the lost man fascinated me, but it wasn't even really a story. Where the story should have been, there was nothing but an empty space.
I took few more desultory runs at my draft that summer and following year and then gave up. I felt awful. I'd spent my NEA grant money and an entire semester's worth of time off from teaching and accumulated well over a hundred pages—but I had nothing to send out, nothing to show for all my work.
In October 2011, on sabbatical, I spent two weeks at a writer's residency in Wyoming and gave myself permission to start again. The new draft opened with the image of that unidentified stranger wandering along the beach. It still felt like the same project—but virtually everything had changed: the characters, the events, the point of view. Most importantly, I'd found a structure in sections narrated from four alternating third person perspectives. Slowly, the pieces of a new draft started to fall into place. Slowly, images coalesced into patterns. Slowly, the characters began to come to life.
Now, looking back, the idea of a man without an identity—without a story—feels like a metaphor for my own struggle to find the novel's plot.
My novel, Underground Fugue, asks what happens when you leave a life behind. Who do you become when you flee across a border? How does the memory of what's been lost shape the experience of the present time? How do you forge human connections in a new language, culture, place?
On the first page of my oldest notebook, dated August 2006, I find a simple scribbled list of words: borders, history, memory, journey – return. Connections—how we yearn for human connection, how we fail. Almost none of the material I wrote in those early years made it into the final draft. But the themes were all there, as it turns out, right from the start.
Margot Singer won the Flannery O'Connor Award for Short Fiction, the Reform Judaism Prize for Jewish Fiction, the Glasgow Prize for Emerging Writers, and an Honorable Mention for the PEN/Hemingway Award for her story collection, The Pale of Settlement. Her work has been featured on NPR and in the Kenyon Review, the Gettysburg Review, Agni, and Conjunctions, among other publications. She is a professor of English at Denison University in Granville, Ohio. Her debut novel Underground Fugue is now available from Melville House. She will be guest blogging for us this week as part of our Visiting Scribe series.
Header photo credited to Drew Coffman.
New Reviews June 9, 2017
Overcoming Jewish Stereotypes—One Image At a Time
Matthew Baigell has been blogging for us all week about his newest book, The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877-1935, as part of our Visiting Scribes series. His final post compares The Implacable Urge with his previous book, Social Concern and Left Politics in Jewish American Art, 1880-1940, in a discussion on how one can overcome Jewish stereotypes not only through the written word, but also by analyzing Jewish images from the past.
My last two books, Social Concern and Left Politics in Jewish American Art, 1880-1940 (2015) and The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877-1935, just published (both by Syracuse University Press) include cartoon images of Jews during the same period. But the similarity stops right there. Social Concern is about left wing Jewish artists who were often tagged as trouble-makers, socialists, and communists. My idea was to show that the artists were Jews first. Most were born in eastern Europe and lived on the Lower East Side in New York. They absorbed through their Jewish heritage the desire to help other people. Left wing politics gave them a secular way to do so. For them, socialism was a secular form of Judaism. The book presents them in a favorable light. The cartoons were taken from Yiddish and English-language Jewish magazines.
For The Implacable Urge, I looked at cartoons in the mainstream press. These were uniformly anti-Semitic and presented Jews stereotypically as big nosed, fat slobs wanting to game the system, cheat people, and steal whenever possible. Two totally different interpretations of the same people. Social Concern was reassuring. Jews gave to charity, a people concerned with healthy working and living conditions. The Implacable Urge made me aware, as Saul Bellow said in his novel, Ravelstein, "As a Jew you are also an American, but you are also not."
You see the "not" part in the mainstream magazines and you become aware that you are identified as a Jew regardless of how you conduct yourself on a daily basis—whether you pay your taxes on time, serve in the military, vote in every election. Ivanka, for example, is always the Jewish daughter and her husband is the Jewish son-in-law. They are not fully American, perhaps not even hyphenated Americans, but Jews who are also Americans.
I married into a family of Holocaust survivors. So I know stories. Most of us, I am sure, can tell stories but nothing like those I have heard, stories of dangerous and scary situations. Nevertheless many of us have experienced situations in which we were reminded that we were Jewish, or an incident that might include the words, "You Jews," as if each of us represented and stood for the entire community rather than being considered as an individual. One way to deal with those moments is to make certain that you are known as a Jew, a ploy adopted by several comedians (and others) as a way to diffuse potentially hostile remarks. I once knew a lady from India who taught for forty years in a university in Texas and still wore a sari each day so that she would not be confused with anybody else of her skin color. Today, of course, being Indian, she might be victimized for not being a white American. Another way is to confront the person or issue directly, but that could be dangerous.
My way, since I am in my eighties, is not to look for trouble. Many people know Jews primarily through Jewish jokes or what they hear or read, rather than from direct experiences with Jews. They think in stereotypes. What I do is to write about achievements of Jewish artists and the ways Jews are depicted in art works in order to counter such political, social, and cultural stereotypes. Granted, the art world is quite small, but I have been told several times by people that they might have been influenced by inflammatory cartoons without realizing it, and that they had no idea that left wing Jews were so concerned with social issues rather than just being political lefties.
Here is an observation that will indicate how far reaching and destructive stereotypical thinking can be. (It is not related to the discussion above, but I hope its point is understood.) All of us have heard jokes about Jewish mothers and mothers-in-law. In the past, these tended to be about women of the immigrant generations, but we are still close enough to those times so that the jokes still have resonance today. I think each joke describes a tragedy. Each is a tragedy because it obscures the important family and financial roles assumed by Jewish mothers in the small towns and cities of eastern Europe. After immigration, many suffered from dislocation from friends, from family members, and from their spoken languages as well as from the desires of their children to Americanize themselves and thus ignore family traditions. In such situations, mothers would of course cling to their children. What else did they have? They had lost their place in their society, their familiar surroundings that were left behind as well as their way of life and in exchange they were confronted with the strangeness of their new country. And then we make fun of them in jokes. That is what happens with stereotypical thinking and that is what, in my own sphere, I try to counter by writing about Jewish artists and about Jews as the subjects of artists. If you want to say that a picture is worth a thousand words, then a picture should be a positive one.
Matthew Baigell is the author of numerous books including The Implacable Urge to Defame: Cartoon Jews in the American Press, 1877-1935, American Artists, Jewish Images, Jewish Art in America: An Introduction, and Social Concern and Left Politics in Jewish American Art, 1880–1940. He is professor emeritus in the Department of Art History at Rutgers University.
Header image credited to Alfred Rosenberg.


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Aerial shots from "The Holy Mountain". Too good. <3 <3 <3
The Holy Mountain (1973) directed by Alejandro Jodorowsky
film_stills: The Holy Mountain (Alejandro Jodorowsky,
Polish film poster for Jodorowsky's 'The Holy Mountain'
alejandro jodorowsky 'holy mountain'
The Holy Mountain (1973) Directed by Alejandro Jodorowsky.
The Holy Mountain, Alejandro Jodorowsky- Jodorowsky is one of the most famous surrealist filmmakers alive: his style is really vibrant and the images really strong.
dedtek: The Holy Mountain Alejandro Jodorowsky 1973 Tagged: holy mountain jodorowsky
The holy mountain (1973) - Alejandro Jodorowsky
The Holy Mountain, Alejandro Jodorowsky, 1973.
The Holy Mountain Full Movie Online Free. In a corrupt, greed-fueled world, a powerful alchemist leads a Christ-like character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.
Screening Notes: Unpacking Jodorowsky's Climb Up The Holy Mountain
The Holy Mountain
Holy Mountain. Alejandro Jodorowsky
Jodorowsky's 'The Holy Mountain'