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'"This whole episode, I take it personally. I have a vested interest – hockey [broadcasting] is how I make my living," he said. "I've done it for 33 years. The game is in my blood and I miss it. I have a craving for it that's not being filled right now."'
Robitaille busy, but would rather work
December 2, 2012 Submitted by
Via: Buffalo News


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Imprisoned as a subject in a strigoi breeding program, Dutch is desperate to escape and find Setrakian. Gus recruits his cousin for the inside job that will put his gang at the top of the new world's underground economy, but Creem is suspicious of his business partner's ambitions.Latest Episode: Season 4, Episode 2
Daenerys receives an unexpected visitor. Jon faces a revolt. Tyrion plans the conquest of Westeros.Latest Episode: Season 7, Episode 2
Latest Episode: Season 4, Episode 5
There's fire where you are going.Latest Episode: Season 3, Episode 11
Latest Episode: Season 19, Episode 13
Goldie believes she has misjudged her relationship with Eli; Eddie helps Cassie, but has ulterior motives; Ralph and Edgar's road trip ends badly; Bill helps Nick with a problem.Latest Episode: Season 1, Episode 7
Latest Episode: Season 1, Episode 3
Jim Lane picks blueberries alone in the Blue Ridge Mountains until a timber rattlesnake attacks; teacher Rachael Lilienthal's swim in a Florida river becomes a struggle when an alligator bites down on her arm, pulls her underwater and doesn't let go.Latest Episode: Season 1, Episode 2
After the big nail competition, Desna may finally get out from Uncle Daddy's grasp. Jennifer struggles knowing Desna's dark secret, while Polly discovers her previously unknown maternal instincts. Meanwhile, Dean may have found his first feelings of romantic love and makes a discovery that threatens to destroy everyone he knows and loves.Latest Episode: Season 1, Episode 7
Decker is visited by his oldest friend, Lanoi, who tells the story of a much-needed vacation in New Orleans.Latest Episode: Season 6, Episode 2
Looking to score high-profile clients to pay off his debts to Ricky and Vernon, Spencer hits a roadblock with Mr. Anderson, who wants to focus on the Las Vegas market by partnering with casino magnate Wayne Hastings, Jr.. Ricky ponders fatherhood; Vernon and Reggie eye an edgy endorsement; Larry makes Charles the face of bad news at a team press conference.Latest Episode: Season 3, Episode 1
Chris Hardwick talks with writer and showrunner Damon Lindelof about Lost, MTV's Undressed, Star Trek Into Darkness and The Leftovers.Latest Episode: Season 1, Episode 9
After an upsetting elimination challenge, it is decided that the contestants need some tough love; gossip raises tension back at camp.Latest Episode: Season 2, Episode 7
The Clarence Thomas/Anita Hill hearings; racially fueled events like Al Sharpton and the Crown Height riots; Rodney King and the LA riots; O.J. Simpson and his murder trial.Latest Episode: Season 1, Episode 3
Based on a story by Stephen King, The Mist centers around a small town family that is torn apart by a brutal crime. As they deal with the fallout an eerie mist rolls in, suddenly cutting them off from the rest of the world, and in some cases, each other. Family, friends and adversaries become strange bedfellows, battling the mysterious mist and its threats, fighting to maintain morality and sanity as the rules of society break down.Latest Episode: Season 1, Episode 3
Los Angeles, 1983. A storm is coming and it's name is crack. Snowfall is a one-hour drama set against the infancy of the crack cocaine epidemic and it's ultimate radical impact on the culture as we know it. The story follows three characters on a violent collision course: Franklin Saint, young street entrepreneur on a quest for power; Gustavo "El Oso" Zapata, a Mexican wrestler caught up in a power struggle within a crime family; Teddy McDonald, a CIA operative running from a dark past who begins an off-book operation to fund the Nicaraguan Contras and Lucia Villanueva, the self-possessed daughter of a Mexican crime lord.Latest Episode: Season 1, Episode 1
Based on the popular cult comic book franchise of the same name, Preacher is a supernatural, twisted and darkly comedic drama that follows a West Texas preacher named Jesse Custer, who is inhabited by a mysterious entity that causes him to develop a highly unusual power. Jesse, his badass ex-girlfriend Tulip and an Irish vagabond named Cassidy come together, and when they do, they are thrust into a crazy world populated by a cast of characters from Heaven, Hell and everywhere in between.Latest Episode: Season 2, Episode 3
Superhuman is an hour-long unscripted competition series that tests the abilities of ordinary people to use their extraordinary skills. The episodes were picked up following a two-hour special which aired Jan. 4, 2016. Kal Penn will return as host for the all-new episodes. Online casting calls have begun for individuals who possess distinct, nearly super-human abilities in fields such as memory, hearing, taste, touch, smell and sight. For anyone looking to showcase their remarkable talents - take this first step by registering on the casting website at fox.com/superhuman/superhuman-casting. The original special featured 12 ordinary people with extraordinary skills competing for a grand prize of $100,000. Penn, along with a guest panel, provided insights and comedic commentary about the competitors' unique abilities, while guiding the studio audience, who ultimately decided who took home the title of 'Superhuman' and the $100,000 grand prize.Latest Episode: Season 1, Episode 4
Sadie Ellis is a brilliant attorney at a boutique firm who starts to fall for her charismatic client, Billy Brennan, an altruistic pediatric surgeon recently accused of murdering his girlfriend 24 years ago. Sadie is hiding her growing feelings from everyone, including her close friend and colleague, Albert Cobb, who thinks he knows everything about her. Working on other cases at the practice is Cameron Wirth, a transgender Ivy League graduate who fights passionately for her clients since she's experienced injustice first hand; Tiffany Simon, a second-year associate who is quickly learning the ropes from Wirth; and Nick, a former felon who earned his degree while serving time. They all consider it a privilege to work for Isaiah Roth, a revered legal lion and "lefty" legend, whose approval is their holy grail. Sadie's decision to become involved with her client could put her career, as well as her happiness, at risk if Billy is found guilty, which means she needs to work all the harder to prove reasonable doubt, even if she has some herself.Latest Episode: Season 1, Episode 3
Based on the IDW Comic, Wynonna Earp follows Wyatt Earp's great granddaughter as she battles demons and other creatures. With her unique abilities, and a posse of dysfunctional allies, she's the only thing that can bring the paranormal to justice.After years away, Wynonna Earp has traveled back to her home town of Purgatory to reluctantly take on the role destined for Wyatt Earp's heir: Demon protector. Her enemy: Revenants, the resurrected (and twisted) souls of the criminals Wyatt Earp once took down. Using only her wits and her wit, Wynonna, along with sister Waverely, associate Agent Dolls and Wyatt's cursed-with-immortality-best-friend Doc Holliday, must try to stop the Revenants from taking over the town - and escaping into the world.Latest Episode: Season 2, Episode 5
Set in the near future, Cleverman is a startlingly original drama rooted in Aboriginal mythology. The series depicts a deeply conflicted and anxious society, fearful of a minority group living among them, endowed with extraordinary physical traits. One young man--The Cleverman--struggles with his own power and the responsibility to unite this divided world, but he must first overcome a deep estrangement from his older brother.Latest Episode: Season 2, Episode 2
Los Angeles 1999 - The Future: where water is a scarce as oil, and climate change keeps the temperature at a cool 115 in the shade. It's a place where crime is so rampant that only the worst violence is punished, and where Arthur Bailey - the city's last good cop - runs afoul of the dirtiest and meanest underground car rally in the world, Blood Drive. The master of ceremonies is a vaudevillian nightmare, The drivers are homicidal deviants, and the cars run on human blood.Latest Episode: Season 1, Episode 4
Zoo is a global thriller about a wave of violent animal attacks against humans sweeping the planet. Jackson Oz is a young, renegade American zoologist who spends his days running safaris in the wilds of Africa when he begins noticing the strange behavior of the animals. As the assaults become more cunning, coordinated and ferocious, he is thrust into the race to unlock the mystery of the pandemic before there's no place left for people to hide.Based on James Patterson's #1 bestselling novel.Latest Episode: Season 3, Episode 2
Power tells the story of James "Ghost" St. Patrick, a wealthy New York City nightclub owner who caters to the city's elite. He wants to build an empire, turn the club into a Fortune 500 business, but there's just one problem: Ghost is living a double life. When he is not in the club, he is the kingpin of the most lucrative drug network in New York for a very high-level clientele. His marriage, family and business all become unknowingly threatened as he is tempted to leave his criminal life behind and become the rags-to-riches businessman he wants to be most of all.Latest Episode: Season 4, Episode 2

subset: commoncrawl


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Just a quick Video I put together demonstrating how easy it is to exploit IE6 with the new metasploit exploit windows/browser/ie_aurora
This is my first video not the best but since I use backtrack constantly I figured it may be worth the upload.
here is the link:
Edit: the title got messed up since I could not see what I was typing since when I post the field turns solid black, could be my browser, sorry.
Last edited by bostonlink; 01-24-2010 at 06:32 AM.
bostonlink - OSCP


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Nvidia has announced the latest addition to its Fermi-class of GPUs, the Nvidia GeForce GTS 450, which was designed to deliver an excellent DirectX 11 price/performance in the US$129 price category.
For games and applications that feature tessellation, the key feature of DirectX 11, the GTS 450 is up to 65% faster than the closest competitive product. Even in last generation DirectX 9 and 10 games, the GTS 450 is faster by over 30%.
With full support for Nvidia 3D Vision technology, the GeForce GTS 450 also provides the graphics horsepower and video bandwidth needed to experience games and high definition Blu-ray movies in eye-popping stereoscopic 3D. And with Nvidia SLI technology, gamers will be ecstatic to almost double their gaming performance by adding a second GTS 450 to their PC, when budget allows, said Nvidia.
- Wireless broadband developments in Southeast Asia markets
As of 2013, the 10 ASEAN nations had a total of over 700 million mobile subscriptions, with the CAGR from 2003-2013 reaching 24%. This Digitimes Research Special Report analyzes the various mobile broadband markets in ASEAN and looks at the respective trends in 4G LTE development for those markets.
- 2015 global tablet demand forecast
This Digitimes Research Special Report provides a 2015 forecast for the global tablet market and analyzes the strategies of key market players such as Google, Apple, Intel, and Microsoft.
- 2015 China smartphone panel trend forecast
This Digitimes Research Special Report analyzes the strategies of key China-based major panel makers BOE, Tianma and IVO for attacking the different market segments through technology and pricing, and their relationship to local vendors Huawei, Lenovo, ZTE, Xiaomi and Coolpad.


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Lacrosse news straight to your inbox.
Monday July 23rd, 2012 5:05pm
Box score
HANOVER, N.H. – It's an old sports adage that the best offense is a great defense and that was certainly the case today as the No. 5/4 Cornell men's lacrosse team limited Dartmouth to just one goal through the first 41:01 of the game and then held off a late Big Green run to escape Scully-Fahey Field with a 7-5 victory. With the win, the Big Red improves to 7-1 overall and 3-0 in the Ivy League, while Dartmouth falls to 2-5 on the season and 0-2 in the conference.
The Big Red defense was impressive for long stretches of time, causing seven of Dartmouth's 20 turnovers and holding the Big Green to 1-of-5 in extra-man opportunities. Sophomore Andrew West made five saves, three of which were from point-blank range, and allowed four goals through the first 51:23 of the contest before giving way to AJ Fiore, who made three outstanding saves and allowed just one goal in the final 8:37 of play.
Cornell controlled long stretches of the game, thanks to a dominant performance in the face-off circle, winning 11-of-15 restarts, with Doug Tesoriero going 10-of-13 and collecting a game-high six ground balls.
The offense was led by Steve Mock and Chris Langton with two goals apiece, while Matt Donovan quarterbacked the team with three assists. Roy Lang (two assists) and Max Van Bourgondien (one goal, one assist) both registered multi-point games, while Connor English and Mitch McMichael finished with one tally apiece.
Nikki Dysenchuk (three goals), Kip Dooley (one goal, two assists) and Brendan Rotanz (one goal, one assist) combined for all but one of Dartmouth's points on the day, but it was senior goalie Fergus Campbell that kept the Big Green in the game with eight saves and six ground balls.
Cornell held the advantage in shots (34-24) and ground balls (30-27), but went just 2-of-7 on extra man opportunities. Both teams turned the ball over 20 times with one failed clear apiece.
The Big Red had several quality offensive possessions to begin the game, including a man-up opportunity, but couldn't find the back of the net in the early moments of the first quarter and Dartmouth took advantage with an early 1-0 lead when Rotanz scored in an unsettled situation.
Less than two minutes later, Cornell knotted the game at 1-1 when Lang dodged to the cage, faked a shot and then dumped the ball to Mock on the crease. Mock faked high and beat Campbell down low to pull Cornell even.
The Big Red survived its first man-down situation of the game thanks to a spectacular doorstop save by West and the teams went into the first intermission tied at 1-1.
English gave Cornell its first lead of the game as he took a pass from Lang and converted on a high rocket from the right alley to make it a 2-1 game at the 11:01 mark.
Great defense set up the Big Red's next goal as Thomas Keith forced a turnover, one of two on the afternoon for the defensive midfielder, and Cornell earned a man-up opportunity on the other end. After failing to convert its first two chances of the game, the third time proved to be the charm, as Langton blasted a low shot past Campbell off a pass from Donovan to put Cornell up, 3-1 with exactly 5:00 remaining in the half.
Another brilliant doorstop save by West ended Dartmouth's last offensive possession of the half and Cornell took the 3-1 lead into the break.
The Big Red opened the third quarter with a Langton goal in the opening minutes as the senior midfielder dodged the right alley and beat Campbell down low to push the Big Red's lead to 4-1.
Dartmouth earned another man-up opportunity but failed to capitalize and moments later, Cornell earned a man-up chance of its own and McMichael converted on a high laser off a pass from Donovan to make it a 5-1 game at the 6:39 mark.
Just over one minute later, Van Bourgondien found Mock on the crease and the junior attackman converted to put Cornell up, 6-1.
Dysenchuk ended Cornell's 6-0 scoring run with back-to-back goals with less than four minutes to play in the third quarter to make it a 6-3 Big Red lead heading into the final intermission.
Dartmouth got its third consecutive goal with a rising shot from Dooley, driving West from the game as the Big Green cut Cornell's lead to 6-4 with 8:37 to play in the contest.
Back-to-back man-up opportunities for Cornell allowed the visitors to run valuable time of the clock but another save by Campbell returned the ball to Dartmouth with 5:30 remaining.
An outstanding defensive stand, including two huge saves by Fiore on the first two shots he faced on the day, returned the ball to the Big Red when an errant Dartmouth pass gave the visitors the ball at midfield with 2:41 to play. Van Bourgondien wasted no time, scoring on the restart as he drove from midfield to the goal and beat Campbell low to make it a 7-4 advantage with 2:32 to play.
Cornell won the ensuing face-off but a miscue on the offensive end as a Cornell player stepped out of the box during a stall warning gave the ball back to the Big Green, but Noble caused a turnover with just over one minute to play and the Big Red worked more time off the clock.
Dartmouth eventually won the ball back and Fiore made another outstanding save on a shot by Drew Tunney, but the Big Green came up with the ball and took advantage of a defensive miscue as Dysenchuk scored again with 31 seconds to play to account for the 7-5 final.


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Port Blair is about 778 miles (1,255 km) from Kolkata (Calcutta) and some 738 miles (1,191 km) from Chennai (Madras). The town lies on the hilly southeastern coast of South Andaman Island.It is a
The eastern, northern, and northeastern parts of the town are more than 100 feet (30 metres) in elevation; the western part is relatively lower. Port Blair receives an average rainfall of about 127 inches (3,180 mm) and has a mean temperature in the mid 80s °F (about 30 °C).
Port Blair is a market town with a sawmill, several local museums, and an airport; tourism is important. The Aberdeen Bazaar makes up the central part of the town, where most of the hotels, shops, and bus depots are located. Older homes made of timber and tin and built on raised platforms are found around this central area. Places of interest include the Chatham Sawmill; a zoo housing rare species of birds; Sippighat Farm, a government-owned facility used for agricultural research (mainly the cultivation of spices); Viper Island, where the ruins of a jail stand on a hilltop; Corbyn's Cove (6 miles [10 km] from town); and Madhuban Beach (10 miles [16 km] from town). Nearby Ross Island was developed by the British. A matchstick factory is located at Haddo and a marine engineering workshop at Phoenix Bay. Pop. (2001) 99,984.


text: Will you be 24 by December 31, 2017? At the beginning of the 2017-2018 school year, will you be working on a master's or doctorate program? As of today, are you married? Do you have children who receive more than half of their support from you? Do you have dependents (other than your children or spouse) who live with you and who receive more than half of their support from you, now and through June 30, 2018? Are (a) both of your parents deceased, or (b) are you (or were you until age 18) a ward/dependent of the court? Are you currently serving on active duty in the U.S. Armed Forces for purposes other than training? (Answer "Yes" if you are currently serving in the U.S. Armed Forces or are a National Guard or Reserves enlistee who is on active duty for other than state or training purposes. Answer "No" if you are a National Guard or Reserves enlistee who is on active duty for state or training purposes.) Are you a veteran of the U.S. Armed Forces? (For details, contact the Financial Aid Office) Other: Can you answer "yes" to any of the other questions in Step Three of the FAFSA? If any of the above situations apply to you, please contact the Student Financial Services (SFS) Office for more information.


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FONTANA -- Police arrested seven people and seized more than 60 living and dead roosters after investigators were tipped off about an illegal cockfighting operation on Saturday.
Police got the tip Saturday morning about a large gathering at a business in the 16300 block of Boyle Avenue, Lt. Jim Escarpe said.
"When we pulled up, people started running everywhere," Escarpe said Saturday evening as the last items of evidence were being taken away.
Officers pursued two fleeing people and arrested them, Escarpe said.
Investigators obtained search warrants for the property after the owner couldn't be located, he said.
Officers found a cockfighting ring, birds, blades known as gaffs that are attached to the birds, and other evidence of illegal gambling, Escarpe said.
Escarpe was uncertain if the seven people arrested were spectators or connected to the cockfighting operation itself but said they were all being booked on suspicion of felony cruelty to animals.
"But this isn't just about the animals, which is a terrible thing," he said, "but this is a quiet neighborhood, and we have people who don't want to have the fallout of illegal activities like this. "
As the lieutenant was speaking, a small boy came out of a home across the street and stood on his porch, illuminated by a porch light, straining to see what was going on.
Investigators will attempt to reach the owner of the property, which appears to be a construction business, Escarpe said.
Authorities say historically they have seen more incidents of cockfighting in south Fontana because of the larger properties and more rural nature of the area.
Anyone with information on this case can call the Fontana Police Department at 909-350-7700.


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Mount Shasta
Entries in this section either contain illustrations of Mt. Shasta or contain information pertaining to the experiences of various artists at Mt. Shasta. The earliest known artworks of Mt. Shasta date from 1841, when both Alfred Agate and James Dwight Dana sketched the mountain as part of their duties as members of the Wilkes-Emmons overland expedition. Since then literally hundreds of artists, including some of the best known American artists of the late 19th and early 20th Centuries, have come to Mt. Shasta for inspiration. For an account of Mount Shasta's extensive art history see Miesse: The Significance of Mount Shasta as a Visual Resource in 19th and early 20th Century California Art.
The [MS number] indicates the Mount Shasta Special Collection accession numbers
used by the College of the Siskiyous Library.
[MS829]. Allen, Chas. H., Sweet, John, and Royce, Josiah. Fourth Reader, Indiana State Series. Indianapolis, Ind.: Indiana School Book Co. and A.L. Brancroft Co., 1889. Contains a John Muir story entitled: 'Snowstorm on Mount Shasta,' and illustrated with an engraving of Mount Shasta by William Keith (see Muir 'Snow-Storm on Shasta' 1877). 27. Art: Fine Arts. [MS829].
[MS830]. Alta California Bookstore. Edwin Deakin (1838-1923). Berkeley, Calif.: Alta California Bookstore, 1963. Exhibition Catalogue. Contains notes about Deakin's Mt. Shasta paintings. 27. Art: Fine Arts. [MS830].
[MS833]. Arkelian, Marjorie Dakin. Thomas Hill : The Grand View. Oakland, Calif.: The Oakland Museum, 1980. A biography of Thomas Hill. Hill painted dozens of Mt. Shasta paintings including several reproduced in John Muir's 1888 'Picturesque California.' 27. Art: Fine Arts. [MS833].
[MS834]. Barchus, Agnes 1893. Eliza R. Barchus : The Oregon Artist. Portland, Ore.: Binford and Mort, 1974. Eliza Barchus (1857-1959) painted dozens if not hundreds of Mount Shasta paintings for the tourists visiting the West Coast. Most of her Mount Shasta paintings bear only slight resemblance to the actual mountain. 27. Art: Fine Arts. [MS834].
[MS835]. Berger, John A. Fernand Lungren. Santa Barbara, Calif.: The Schauer Press, 1936. Contains a reference to a painting of Mount Shasta by 1920s California artist Fernand Lungren. 27. Art: Fine Arts. [MS835].
[MS832]. [Bierstadt, Albert 1830-1902. A Rest on the Ride, 1863-64 [painting]. In: Gerald Peters Gallery. The West Explored: The Gerald Peters Collection of Western American Art. Santa Fe, N. M.: Gerald Peters Gallery, 1988. This painting by Albert Bierstadt was probably painted to illustrate the upper Sacramento River Canyon. In 1863-1864 Bierstadt and the writer Fitz Hugh Ludlow traveled together on horseback up the canyon. They stayed for several days at the Sisson house at the base of Mt. Shasta (see Ludlow 'On Horseback into Oregon' 1864). 27. Art: Fine Arts. [MS832].
[MS634]. [Bloomer, H. R. [portrait of J. H. Sisson painted by H. R. Bloomer]. In: Yreka Union. Yreka, Calif.: Sept 28, 1870. Vol. 18, No. 50, p. 3. Mentions a portrait of Mount Shasta guide and innkeeper J. H. Sisson: 'Portrait painting.ÑMr. Bloomer, a portrait painter, has painted a portrait of Mr. Sisson, of Strawberry Valley, which is said to be a very fine specimen of art. He is now engaged in painting one of Mrs. Sisson. We hope Mr. Bloomer may place some specimens of his work on exhibition at the Fair. Mr. Bloomer is a cousin of Mr. Hanford of this city, and we believe has not been long in this state.' A portrait of J. H. Sisson which now hangs in the Sisson museum in Mt. Shasta City, Calif. and may be the Bloomer painting. 27. Art: Fine Arts. [MS634].
[MS836]. Broekhoff, Helen V. Thad Welch: Pioneer and Painter. Oakland, Calif.: Oakland Art Museum, 1966. 27. Art: Fine Arts. [MS836].
[MS839]. Chamberlain, Gala. William S. Rice: An Exhibition of Color Woodcuts. Santa Rosa, Calif.: Annex Galleries, 1984. Exhibition Catalogue Contains a black and white reproduction of Rice's 'Sunset Glow-Shasta' circa 1926. 27. Art: Fine Arts. [MS839].
[MS840]. Conn, Richard G. and Kennedy, Stephen. An Art Perspective of the Historic Northwest. Montana Historical Society and the Eastern Washington Historical Society, 1963. Exhibition Catalogue. 27. Art: Fine Arts. [MS840].
[MS229]. Cornelius, Brother 1877. Keith:
Old Master of California. New York: G. P. Putnam's Sons, 1942. Two volumes,
with Volume II being a supplement published in 1957. The definitive study
on the life and times of the 19th century California artist William Keith. Keith
was perhaps the best known of the San Francisco artists who thrived during the
S.F. art boom of the 1870s and 1880s. Keith's first trip to Mount Shasta was
in 1868 (I. p. 28), and later documented trips to the mountain took place in
1882 (I. p. 83), 1888 (I. p. 163), and 1895 (I. p. 388). Cornelius quotes an
1895 S.F. Chronicle article titled 'Keith's Lofty Themes - The artist has returned
to his old love the mountains, Shasta and Castle Crags.' Keith remarks: 'I much
prefer that point of view [Shasta from near Castle Crags Tavern] to that from
Sissons. The grandeur of Shasta is much better appreciated there to my mind
than near its base'(I. pp. 387-388). According to the article, Keith spent three
or four weeks at Castle Crags Tavern during the summer of 1895. Even as early
as 1871, Keith's Shasta paintings were given nationwide publicity. In 1871 a
New York correspondent to the S.F. Bulletin wrote that 'William Keith's landscapes,
views of 'Tamalpais' and 'Shasta' now on exhibition at the New York Academy
of Design, have introduced to the lovers of art in this section a name which
is evidently destined to become justly famous (I. p. 45). Keith is frequently
given credit for illustrating a well-known California - Oregon Overland Stage
route poster which shows Mount Shasta in the background. However, as this book
shows, Keith probably only engraved a small early version of that poster; the
early version is reproduced on p. 33 of Vol. I.
The book as a whole contains many stories about the great friendship between Keith and John Muir. Vol. II contains many references to different paintings of Mount Shasta by Keith. Brother Cornelius, of Saint Mary's College near Oakland, California, spent decades compiling this book. Today, Saint Mary's college houses the Hearst 'Keith Gallery,' which displays on a rotating basis many fine Keith paintings of Mount Shasta, Yosemite, and the Sierras. 27. Art: Fine Arts. [MS229].
[MS315]. Dana, James Dwight 1813-1895. The Shasty Peak - bearing by compass N E b N. [etching] . American Journal of Science. 2nd Series. 1849. No. 7. p. 251. Appearing as an illustration in 'Notes on Upper California: From Observations Made During the Cruise of the United States Exploring Expedition, Under Capt. Charles Wilkes, U.S.N.' The original sketch was drawn in Dana's California expedition journal in 1841. This engraving is the second picture of Mount Shasta ever published (the first published was an engraving of an 1841 sketch by fellow U.S. Ex. Ex. explorer Alfred Agate, in Wilke's narratives, Vol. 5, published in 1844). Although the 1849 engraving may look a bit awkward, it nonetheless shows the ridges and the patches of snow, both of which Dana explains on page 250 of the accompanying text. Note that the original sketch (now in the special collections of the main Yale Library) from which this engraving was made is a bit better in showing the three dimensional nature of the mountain. 27. Art: Fine Arts. [MS315].
[MS2026]. Driesbach, Janice Tolhurst. Direct from Nature : the Oil Sketches of Thomas Hill. Yosemite National Park, Calif.: Yosemite Association in association with Crocker Art Museum, Sacramento, Calif., 1997. 126 p. : ill. (some col.) ; 28 cm. With an essay by William H. Gerdts. Exhibition: Crocker Art Museum, Jan 24.-Mar. 9, 1997. Includes bibliographical references (p. 110-113) and index. Mount Shasta paintings (p. 51-55) -- Picturesque California (p. 79-83). 27. Art: Fine Arts. [MS2026].
[MS843]. Easton and Eldridge Auctioneers. Catalogue of Oil Paintings Comprising the Works of William Keith. San Francisco, Calif.: 1881. Exhibition Catalogue Contains several listings of Mount Shasta paintings by the California artist William Keith. 27. Art: Fine Arts. [MS843].
[MS848]. Haily, Gene. W.P.A. Project 2874. Abstract from California Art Research. no date. Volume 5. Contains a first person account of artist Henry Joseph Breuer's turn-of-the-century painting 'pilgrimage' to Mt. Shasta. 27. Art: Fine Arts. [MS848].
[MS749]. Harrison, Alfred C. Jr. William Keith: The Saint Mary's College Collection. Moraga, Calif.: Hearst Art Gallery, Saint Mary's College, 1988. Exhibition catalog. Scholarly and well-documented account of the life and art of William Keith. Saint Mary's College houses a collection of over 135 paintings by the 19th century California artist sometimes called 'California's Old Master.' Several of the paintings depict Mt. Shasta. The author compares four of the Mt. Shasta paintings in the context of Keith's evolving styles (pp. 36-41). There are two color reproductions of Keith's Mt. Shasta paintings: 'Mount Shasta from Strawberry Valley, and 'Shasta, All in Snow.' Three other Mt. Shasta paintings by Keith are reproduced in black and white: 'Mount Shasta and McCloud River,' 'Mount Shasta Sketch,' and 'Shasta Scene with Weathered Tree.' 27. Art: Fine Arts. [MS749].
[MS850]. Hill, Robert R. Catalogue of the Paintings and Sketches of the Late Thomas Hill, the Great American Artist. San Francisco, Calif.: 1910. Exhibition Catalogue Contains several listings of Mt. Shasta paintings. 27. Art: Fine Arts. [MS850].
[MS851]. Hine, Robert V. In the Shadow of Fremont: Edward Kern and the Art of American Exploration, 1845-1860. Norman, Okla.: University of Oklahoma Press, 1982. A biography of the artist who traveled with John Charles FrŽmont to California and southern Oregon in 1845-1846. This book contains an illustration by Kern (plate 16), taken from the prospectus for FrŽmont's 1887 'Memoir...' This illustration, Plate 16, is in many ways identical in style and characterization to the bizarre square top mountain scene entitled 'Shastl Peak' which appeared, unsigned, in FrŽmont's 1887 'Memoir ....' (see Fremont 1887). Thus allowing one to say that Kern was the artist of 'Shastl Peak.' 27. Art: Fine Arts. [MS851].
[MS860]. Hogarth, Paul. Artists on
Horseback: The Old West in Illustrated Journalism 1857-1900. New York:
Watson-Guptill Publications, 1972. pp. 89-110, 283-284. Contains northern
California illustrations and text from the work of English illustrator and journalist
William Simpson (1823-1899). Simpson's drawings of the Modoc Indian Wars of
1873 appeared in the London Illustrated News, often as front page material.
At least one of the drawings depicted Mt. Shasta, though Hogarth's book does
not include that particular illustration. There is a reproduction of a log cabin
at 'Sisson's Ranch' (p. 97). The author quotes Simpson's comments about the
stagecoach ride from Redding to Yreka: 'By imagining yourself rolled down a
hill inside a barrel...you may form some idea of the amount of comfort to be
enjoyed' (p. 96). The author also mentions that at the Pit River Simpson saw
his first Indian, a chief of the 'McLeod Indians' who went by the name of 'Ochoolooly,
or 'Captain McLeod' (p. 96).
Simpson was one of the most famous journalists of 19th century England. His presence at the Modoc War caused a stir among the U.S. Army officers who hoped that Simpson would vindicate them to the world from the embarrassment of the Army's stalemate with the small band of Indians. 27. Art: Fine Arts. [MS860].
[MS853]. Hughes, Edan Milton. Artists in California 1786-1940. San Francisco, Calif.: Hughes Publishing Company, 1986. The most complete biographical dictionary of California artists. Mt. Shasta is mentioned many times as subject matter for various artists. 27. Art: Fine Arts. [MS853].
[MS873]. James, George Wharton 1858-1923.
Harry Cassie Best: Painter of the Yosemite Valley, California Oaks, and California
Mountains. no place, 1925? Pamphlet. 'Reprint from 'Out West,'' January
[no date]. Harrie Cassie Best, an early California artist well-known for
his Yosemite paintings, also appreciated Mount Shasta. James writes: 'Mount
Shasta, morning, noon and night, in cloud and sunshine, wreathed in smiles,
frowns, tears and storm, has especially appealed to Mr. Best, and some of his
most notable canvasses have represented this glorious sentinel of the Northern
Gateway to California's flowery glades. His early love and passion for the Oregon
Mountains has found mature fulfillment here. One of his 'Sunsets on Mount Shasta'
represents the mountain monarch under the glow of the evening sky. Oranges,
pinks, peach-glows, soft tints and shades of blue, purple and rose-mist enswathe
the snow clad summit. Deep and eloquent purple shadows are wrapping their secretive
folds around the lower slopes. The tops of some of the trees still catch glimpses
of the fading glories, while below the snow-line, and down, down, into the very
foreground the soft, reflected light brings out, though in subdued and gentle
effect, the rich greens of the foothills and the wide stretch of meadow, where
an occasional sparkle shows the course of the rippling brooks which are herrying
the melted snow down to the far-away warmth of the all-embracing Pacific' (p.
Contains a picture of a painting of Mt. Shasta; caption reads: 'The California Fuji-SanÑMt. Shasta. Purchased for the White House by President Roosevelt. From a painting by H. C. Best. $300.00' (p. 3). A brief letter, from President Theodore Roosevelt about Mt. Shasta and about the purchased Mt. Shasta painting, is found in the appendix to this article (p. 18. See also Roosevelt 1908). 27. Art: Fine Arts. [MS873].
[MS2032]. [Keith, William 1838-1911, Ann Harlow, editor, and Alfred C. Harrison, text writer. William Keith: the Saint Mary's College Collection. Moraga, Calif.: Hearst Art Gallery, Saint Mary's College of California, 1994. viii, 115, iii, 28 p.; ill. (some col.); 28 cm. text by Alfred C. Harrison, Jr. ; Ann Harlow, editor. 'Published in conjunction with the exhibition, William Keith: California's poet-painter, June 11-October 9, 1988.' Includes several paintings of Mount Shasta, Calif. A supplement is bound together with the second printing of the catalogue... "The major feature of this supplement is full transcripts of three essays and two lectures by William Keith. They provide direct access to the artist's own thinking about art and nature over a span of more than twenty years. They also make for delightful reading because of Keith's dry sense of humor and the vividness of his tales of camping in the High Sierra with his friend John Muir." (Preface). Includes bibliographical references and index. 27. Art: Fine Arts. [MS2032].
[MS854]. Laird, Helen. Carl Oscar Borg and the Magic Region. Layton, Utah: Gibbs M. Smith, Inc., 1986. Carl Oscar Borg was the protŽgŽ of Phoebe Hearst. Mrs. Hearst invited Borg to the Wintoon estate on the McCloud River. The artist sketched Mt. Shasta and later created at least three paintings of the mountain for Mrs. Hearst. 27. Art: Fine Arts. [MS854].
[MS815]. LaPena, Frank Raymond. The
World Is a Gift. San Francisco, Calif.: Limestone Press, 1987. Only 100
copies of the book were printed; each book has eight full-page woodblock illustrations.
30 copies of the book were accompanied with an additional portfolio containing
the same eight illustrations on eight separate sheets of Japanese rice paper;
each print in the portfolio was signed and numbered by the artist.
'The World is a Gift' is an illustrated art book about the Wintu Indian traditions
of the Mt. Shasta region. The book's title refers to how one learns to appreciate
life through the traditional Indian teachings passed on from generation to generation.
This book and its art are unique among the documents concerning Mt. Shasta.
It is both a large-format illustrated book and an accompanying series of eight
large wood engravings printed on fine paper. Frank LaPena is a Wintu Indian
writer and a nationally-known artist. He is currently director of the Native
American Studies program at California State University, Sacramento.
Frank LaPena often came to Mt. Shasta while still a young man to visit his grandmother and uncle. 'The World is a Gift' tells in words and pictures the lessons he learned from these elders. Mr. LaPena states that: 'When my uncle died, I went to Mt. Shasta with the bundle of my hair that I had cut off as a sign of mourning. Mt. Shasta is the last place on earth the spirit visits before traveling to the above world. The cutting of the hair is a sign of grievance and respect' (p. 1).
Mr. LaPena has explained the concept of 'The World Is a Gift' in other published writings. He says that: 'As one hears different stories one begins to realize that images of nature and life known and related to by the dominant society are estranged from the Native American view of the world. The Native American sees the world as a 'different place' from that seen and described by the dominant society. As a Native American, my world is a gift of my teachers. These elders, who were wise and gentle people, were singers and medicine people - practitioners of the sacred traditions, customs, and ceremonies. We are taught to respect the earth, for it is a place of mystery, wonder, and power. The earth and the universe are alive, living entities' (Quotation from The Extension of Tradition, exhibition catalog, 1985, the Crocker Museum, Sacramento).
The author/artist created the art book 'The World is a Gift' in honor of his uncle, Grant Towendolly (1873 - 1962) who was born near Mt. Shasta in Dunsmuir, Calif. Grant Towendolly was a Wintu Indian chief and shaman whose traditional stories have been published in a book entitled 'Bag of Bones,' edited by Marcelle Masson. 27. Art: Fine Arts. [MS815].
[MS6]. Lemos, Pedro Joseph de 1882. Mount Shasta [painting]. In: Blue and Gold 1922: A Record of the College Year 1920-1921, Published by the Junior Class of the University of California. Berkeley, Calif.: [University of California], 1922. Contains (facing p. 296) a full page color reproduction of a painting of Mount Shasta by Pedro Lemos. Lemos was a noted artist, art teacher, and author of books on applied art. For this yearbook he created seven colorful paintings of California; the reproductions are each full page on a glossy paper and each is protected by a separate tissue guard paper. The six paintings are titled: 1) California Spirit 2) Lone Cypress 3) Golden Gate from the Campus 4) Forbidden Garden at Santa Barbara Mission 5) Mount Shasta 6) Lake Tahoe 7) Yosemite Valley. There is a letter, in the COS Mt. Shasta collection, sent by Pedro Lemos to Mt. Shasta mountaineer Edward Stuhl, in which the artist explains the circumstances behind the painting of the picture. 27. Art: Fine Arts. [MS6].
[MS642]. [Los Angeles Examiner]. Mount Shasta Exhibit in Los Angeles Museum. In: Los Angeles Examiner. Dec. 1, 1936. Sect. 1. p. 8. Source: Stuhl I 40. Find List/27. Art: Fine Arts. [MS642].
[MS876]. Miesse, William C. The Significance
of Mount Shasta as a Visual Resource in 19th and Early 20th Century California:
Art and Artists 1841-1941. 1989. Unpublished manuscript. Illustrated.
A cultural history of dozens of the early artists who created artworks of Mt.
Shasta. As a result of searching for the earliest artwork ever to portray Mt.
Shasta the author states that: 'But along the way in looking for the elusive
earliest picture, one could not help but be astounded at the number of 19th
and early 20th century paintings, drawings, watercolors, woodblock prints, steel
engravings, lithographs, and so on, of Mount Shasta. Hundreds of them, and often
they were done by some of the best known Western landscape artists of the 19th
century, such as Albert Bierstadt, Thomas Moran, William Keith, and Thomas Hill.
These Shasta pictures came in all shapes and sizes, from two inch wide engravings
to ten foot wide paintings. Why were there so many pictures of Mount Shasta?
It turned out that there was no simple answer to this last question, because
each decade, from 1840 to 1940, brought with it new reasons for artists to come
to Mount Shasta. Scientific artists, spy artists, journalist artists, survey
artists, Indian artists, visionary artists, book artists, mountain climbing
artists, cartoon artists, portrait artists, landscape artists. By the time the
compiling of this research was done there was a list of over 120 noted artists
who had painted or drawn at Mount Shasta' (p.1).
Chapter titles are as follows:
Chapter I. Artist-Explorers of The Wilkes Expedition: The early 1840s.Agate, Peale, Dana, Eld, and Emmons.
Chapter II. Artist-Explorers of the Fremont Expeditions: The mid-1840s. Charles Preuss in 1843-1844; Edward Kern in 1845-46.
Chapter III. Transcontinental Railroad Survey Artists: The 1850s. The Beckwith Survey of 1854- Baron Von Egloffstein; The Williamson Survey of 1855- John Young.
Chapter IV. Clarence King as Artist and Scientist: 1863. Clarence King.
Chapter V. Early Illustrators: 1850s-1870s. J. Hutchings, T. Ayres, A. Stein, J. Lamson, E. Camerer, KŸchel and Dresel, E. Vischer, R. Gifford, J.D. Smillie, W. Simpson, T. Moran, H. Nappenbach.
Chapter VI. At Sisson's with Bierstadt, Hill, Keith, and Muir: 1860s-1870s. Albert Bierstadt, Thomas Hill, William Keith, John Muir.
Chapter VII. The San Francisco Art Boom: 1860s-1880s. J.B. Wandesforde, F. Butman, T. Welch, C. Hittell, R.D. Yelland, H.C. Best, R.G. Holdredge, F.F. Schaffer, H. Bloomer, G. Munger, J. Stuart, and others.
Chapter VIII. East Coast and Pacific Northwest Artists: 1870s-1890s. S. Colman, J.H. Hill, H.A. Elkins, C. Rockwell, W.S. Parrott.
Chapter IX. A 19th Century Visionary Artist: Frederick. J. Oliver.
Chapter X. California Plein Air Painters: 1900 to 1930. Henry Joseph Breuer, Carl Oscar Borg, Percy Gray, Maurice Logan, Thomas G. Moses, Ray Strong.
Chapter XI. Women Artists of Mount Shasta: 1860s-1930s. H.T. Brodt, A. M. Reading, M.M. Frisbee, E.R. Barchus, G. Fountain, G. Brooks, U. Gray.
Chapter XII. Woodblock, Watercolor, and Traditional Landscape Artists:
1915 to 1930. F.M. Fletcher, W.S. Rice, A. Derome, F.M. Moore, W.C. Watts, E. Bruce.
Chapter XIII. Resident Artists of Mount Shasta: John Doty, A. Cedro, Philip Carnine, Edward Stuhl.
Chapter XIV. Indian Artists of Mount Shasta: Grant Tau-hin-dauli.
The book is extensively footnoted and contains a bibliography. 27. Art: Fine Arts. [MS876].
[MS877]. Miesse, William C. List of
19th and Early 20th Century Artists of the Mount Shasta Region. 1991. Unpublished
manuscript. Mostly limited to artists born before 1900. A list of approximately
175 artists whose artwork depicts Mount Shasta, but does not include photographers.
This is an ongoing list updated as of December 1991. Compiled from various sources
including auction records, exhibition catalogs, art books, art gallery exhibitions,
private collections, etc. (a.=active).
Note that Titian Ramsay Peale (1799-1885), traveling southward as naturalist with the 1841 Wilkes-Emmons overland expedition, lost his sketching materials while crossing the Umpqua Mountains in southern Oregon. No depiction of Mt. Shasta by Peale is known to exist. Thus only his fellow expedition members, the world-reknowned geologist James Dwight Dana and the official expedition artist Alfred Thomas Agate, both of whom did sketch Mt. Shasta, share the honor of creating the earliest bona-fide pictures of Mt. Shasta. Titian Peale, because of his stature as an American artist and his presence at Mt. Shasta in 1841, is included in the following list.
Adam, William (1846-1931); Agate, Alfred Thomas (1812-1846); Armstrong, Bradley Adan (1818-1904); Armstrong, George Frederick (1852-1912); Armstrong, William Weaver (1862-1906); Ayres, Thomas Almond (1816-1858); Barchus, Eliza Rosanna (1857-1959); Bates, W. J. (a.1915); Beardzley, Carl A.; Best, Arthur William (1859-1935); Best, Harrie Cassie (1863-1936); Bierstadt, Albert (1830-1902); Bloomer, Hiram Reynolds (1845-1911); Borg, Carl Oscar (1879-1947); Boyner, George Don (a.1929); Brandes; Breckman, Benjamin (a.1910); Breuer, Henri Joseph (1860-1932); Broad, Alphonso Herman (1851-1930); Brodt, Helen Tanner (1838-1908); Brooks, Gertrude A. (a.1920s); Brown, Henry Box (1831-1915); Brown, Benjamin Chambers (1865-1942); Bruce, Edward (1879-1943); Bruner (a.1917); Bush, Norton (1834-1894); Butman, Frederick A. (1820-1871); Cambell, Charles (a.c.1865); Campbell, Mrs. J. A. (a.1899); Camerer, Eugene (1830-1898); Carnine, Philip K. (1884-1976); Cedro, A. (a.1909); Clair, R. A. (a.c.1900); Colman, Samuel (1832-1920); Cooper; Dahlgren, Carl Christian (1841-1920); Dana, James Dwight (1813-1895); Doughty, G. N.; Davies, Arthur B. (1862-1928); Davis, Willis E. 1855-1910); Deakin, Edwin (1838-1936); DeRome, Albert Thomas (1885-1959); D'Estrella, Theophilus Hope (1851-1929); DeTreville, Richard (1864-1929); Doty, John Warren (1870-1959); Dove, J.; Dow, Arthur; Dresel, Emil (1819-1869); Eichler, Alfred (1895-1977); Eld, Henry (1814-1850); Egloffstein, Frederick W. von (1824-1838); Elkins, Henry Arthur (1847-1884); Eilshemius, Louis Michel (1864 - 1911); Emmons, George Foster (1811-1884); Englehardt, John Joseph (1867-1915); Estes; Fenn, Harry (1845-1911); Fitler, William Crothers (1857-1914); Fletcher, Frank Morley (1866-1949); Fountain, Grace R. (1857-1942); Frisbee, Mabel Moores (1883-1979); G., K. (a.1902); Geney, E. (a.1895); Gibbs, George (1815-1873); Gifford, Robert Swain (1840-1905); Gifford, Sanford Robinson (1823-1880); Gilbert, R.; Gray, Henry Percy (1869-1952); Gray, Una (?-1930); Gremke, Deidrich Henry (1860-1939); Hallie (a.1886); Harmon, Charles Henry (1859-1936); Hart, Joseph (a.1901); Healy, Joe; Heath, Frank L. (1857-1921); Hencke, Albert (1865-1936); Herrick, Kate Powers (1840-1926); Hill, John Henry (1839-1922); Hill, Thomas (1829-1908); Hittell, Charles (Carlos) Joseph (1861-1938); Hoerman, Carl (1885-?); Holdredge, Ransom Gillete (1836-1899); Holtum, Louise (1872-1945); Inness, George Jr. (1854-1926); Jackson, William Franklin (1850-1936); Johnstone, E. McD. (a.1887); Johanson, Waldemar (a.1930s); Jones, W.; Jonnevold, Carl Henrik (1856-1930); Jorgensen, Christian (1860-1935); Keller, Arthur Ignatius (1866-1924); Keith, William (1838-1911); Kern, Edward (1823-1863); King, Clarence (1842-1901); Kress, Frederick B. (1888-1970); Kuchel, Charles Conrad (1820-c.1865); Lamb, Earl (1889-1984); Lamson, James (a.1856); Lee, Rowland (a.1900); Lemos, Pedro; Lemos, William (1861-1942); Lockyear, Joe (a.1920s); Logan, Maurice (1886-1977); Lungren, Fernand Harvey (1859-1932); Macartney (a.1885); Mackenzie, Frank Joseph (1865-1939); Magers, Ella ; McBride, A. L.; McKnight, William (a.1860); Melrose, Andrew W. (1836-1901); Miller, Ralph Davison (1858-1945); Mitchell, Alfred R. (1888-1972); Moore, Edward H. (a.1879); Moore, Frank Montague (1877-1967); Moran, Thomas (1837-1926); Moses, Thomas G. (1856-1934); Muir, John (1838-1914); Munger, Gilbert Davis (1863-1903); Nappenbach, Henry (1862-1931); Nickerson, Rebecca Ellen 1861-1941); Noble, Raymond Elmer (1880-1947); Ogilby, Robert E. (?-1884); Oliver, Frederick Spencer (1866-1899); Parrott, William Samuel (1844-1915); Peale, Titian Ramsay (1799-1885); Peck, Orrin M. (1860-1921); Peixotto, Ernest Clifford (1869-1940); Perard, Victor Semon (1870-1957); Pierce, Bruce Wellington (1858-1947); Pissis, Emile M. (1854-1934); Plowman, George Taylor (1869-1932); Preuss, Charles (1803-?); Reading, Alice Matilda (1859-1939); Ramm, John Henry (1879-1948); Richter, Henry Leopold (1870-1960); Richardt, Theophilus (1855-1948); Richards, Nellie (a.1914); Rice, William Seltzer (1873-1963); Rix, Julian Walbridge (1850-1903); Robinson, Charles Dorman (1847-1933); Robinson, Regina Dorland (1892-1917); Rockwell, Cleveland (1837-1907); Rodriguez, Alfred C. (1862 - 1890); Sander, Marie Rey (1857-1945); Schafer, Frederick Ferdinand (1839-1927); Schumann, Ray (a.1931); Schwartz, A. (a.1860s); Sears, Benjamin Willard (1846-1905); Shaw, Stephen William (1817-1900); Simmons, Edward Emerson (1852-1899); Simpson, William (1823-1899); Smith, C. L. (a.1881); Smith, Earnest Browning (1866-1951); Smillie, James David (1833-1909); Spiel, George (c.1861-1951); Stein, Aaron (1853-1900); Sternitzky, Robert; Stuhl, Edward (1887-1984); Strauss, Meyer (1831-1905); Stuart, James Everett (1852-1941); Towendolly [Tau-hin-dauli], Grant (1873-1963); Valencia, Manual W. (1856-1935); Vallejo, Napoleon Primo (1850-1923); Vischer, Edward (1809-1878); Wandesforde, Juan Buckingham (1817-1902); Watts, William Clothier (1869-1961); Welch, Thaddeus (1844-1919); Williams, True W. (a.1874); Wood, Alexander M. (1849-1925); Wood, Robert W (1889-1979); Wright, Johnny; Yard, Sydney Jones (1855-1909); Yelland, Raymond Dabb (1848-1900); Young, John J. (1830-1879). 27. Art: Fine Arts. [MS877].
[MS856]. Miller, Dwight Cameron 1923. California Landscape Painting, 1860-1885: Artists around Keith and Hill. Palo Alto, Calif.: Stanford Art Gallery, 1976. Exhibition Catalogue Contains extensive information about Frederick Butman's Mt. Shasta paintings from the 1860s. 27. Art: Fine Arts. [MS856].
[MS859]. Nelson-Rees, Walter. Albert Thomas Derome 1885-1959. Oakland, Calif.: WIM, 1988. Contains several color reproductions of A. T. Derome's early 20th century Mt. Shasta paintings. 27. Art: Fine Arts. [MS859].
[MS862]. Penwell, Donna C. The Boggs Collection: Paintings by Artists in California. Shasta City, Calif.: California Department of Parks & Recreation: Shasta State Historic Park, W.L.Smith Memorial Gallery, no date. Pamphlet. Contains biographies of the artists who work was collected by Mrs. Boggs. The collection is now housed in the Shasta City museum. A large painting of Mt. Shasta by Carlos Hittell is one of the featured works in the collection. 27. Art: Fine Arts. [MS862].
[MS879]. [Rockwell, Cleveland 1837-1907. Mount Shasta. In: The West Shore. Jan. 24, 1891. Vol. 242. pp. 59-61. Text and illustration attributed to Cleveland Rockwell (see Stenzel Cleveland Rockwell... 1972. p. 152). Contains a double-page illustration of Mt. Shasta The brief text states that 'Mount Shasta is 14,443 feet high, only one foot lower than the kingly Mount Rainier' (p. 59). Also contains the poem 'Mount Shasta by John Rollin Ridge, the Cherokee Indian. 27. Art: Fine Arts. [MS879].
[MS1032]. Roosevelt, Theodore 1858-1919. [letter to Harrie Cassie Best, dated Nov. 12, 1908, White House.]. In: James, George Wharton 1858-1923. Harry Cassie Best: Painter of the Yosemite Valley, California Oaks, and California Mountains. 1930? p. 18. The president writes:'White House November 12, 1908. Mr. H. C. Best, Cosmos Club, Washington, D. C. Dear Sir:Ñ I appreciate very much your painting, the 'Afterglow on Mount Shasta,' and shall give it the place of honor in my home. I consider the evening twilight on Mt. Shasta one of the grandest sights I have ever witnessed. Kindest regards to Mrs. Best and little Virginia Best. Yours truly, Theodore Roosevelt.' 27. Art: Fine Arts. [MS1032].
[MS643]. Santa Barbara Museum of Natural History. Stuhl Mount Shasta Wildflower Painting Exhibit-1936. In: Museum Notes. April, 1936. Vol. 11. No. 4. p. 30. Consists of the following notice only: 'Some of Mr. Edward Stuhl's beautiful paintings of Mount Shasta's wild flowers were placed in the special exhibit cases March 28, to remain until April 10' (p. 30). 27. Art: Fine Arts. [MS643].
[MS2079]. Schafer, Frederick Ferdinand 1839-1927 artist. Frederick Ferdinand Schafer Painting Catalog. http://ffscat.lcs.mit.edu/ffshtml. World Wide Web Resource. Compiled by Jerome H. Saltzer. Contains a section on the artist's Mount Shasta paintings. Approximately 40 color paintings of Mt. Shasta by the artist. Compiler's note states: "Mount Shasta was Schafer's most frequently painted subject. In many of the paintings from the west or southwest, the secondary cone, Shastina, is larger and more widely spaced from the main peak than it should be, suggesting studio work from an exaggerated sketch, rather than painting in the field." Jerome H. Saltzer highlights the German-born American painter Frederick Ferdinand Schafer (1839-1927) and provides access to a collection of images of Schafer's paintings. Schafer was known for his landscape paintings, which he painted in California and the West between 1875 and 1905. A brief biographical sketch is available.' 27. Art: Fine Arts. [MS2079].
[MS864]. Schwartz, Ellen. Nineteenth Century San Francisco Art Exhibition Catalogs: A Descriptive Checklist and Index. Davis, Calif.: Library Associates, University of California at Davis, 1981. Contains many entries of Mt. Shasta paintings by several artists. 27. Art: Fine Arts. [MS864].
[MS868]. Seavey, Kent L. Raymond Dabb Yelland. San Francisco, Calif.: California Historical Society, 1964. Raymond Dabb Yelland, chief art instructor at the California School of Design in the 1870s, painted pictures of Mt. Shasta several times during his career. 27. Art: Fine Arts. [MS868].
[MS866]. Seavey, Kent L. Charles Dorman Robinson 1847-1933. San Francisco, Calif.: California Historical Society, 1966. Exhibition Catalogue Charles Dorman Robinson painted several pictures of Mt. Shasta. 27. Art: Fine Arts. [MS866].
[MS865]. Seavey, Kent L. A Century of California Painting: 1870-1970. Los Angeles, Calif.: 1970. Exhibition Catalog Contains reproductions of Mt. Shasta paintings. 27. Art: Fine Arts. [MS865].
[MS782]. [Siskiyou County Historical Society]. Joseph S. Fellows Tub Factory [painting]. In: The Siskiyou Pioneer in Folklore, Fact and Fiction and Yearbook. Siskiyou County Historical Society. 1964. Vol. 1. No. 4. p. 12. 'Courtesy Lucille Morgan.' A painting, possibly a photograph with artwork superimposed, of Mt. Shasta with the tub factory in the foreground. 27. Art: Fine Arts. [MS782].
[MS1026]. [Smith, Frank. [painting of Mt. Shasta]. In: Yreka Union. Yreka, Calif.: Sept. 28, 1870. Vol. 18, No. 50, p. 3. The Sept. 28 Yreka Union contains four different notices of four early California artists working in the Mt. Shasta region. This particular article is about Frank Smith (see also Bloomer 1870; and Munger 1870; and Welch 1870): 'As Artist and Hunter.ÑOur townsman, Frank Smith, was away from town in the mountains some three or four weeks, in the double character of Artist and Hunter....The positions from which the sketches were taken are points near Mr. Fellows residence. They are beautiful pictures and demonstrate that their author posesses both artistic taste and skill of no mean order.' 27. Art: Fine Arts. [MS1026].
[MS870]. Stenzel, Franz. Cleveland Rockwell: Scientist and Artist 1837-1907. Portland, Ore.: Oregon Historical Society, 1972. Rockwell was an accomplished surveyor working for the U.S. Coast Survey. A letter dated May 18, 1875 to his Chief states: 'Since my return from Point Sur, Asst. Rodgers has related to me his experiences of a trip to the summit of Mount Shasta, with a view of making it a Coast Survey Station. From his account of the interest which you take in the Matter, I send you a painting of the mountain, which I beg you to accept as a token of respect and esteem. The painting is a very faithful view from 'Strawberry Valley' from sketches which I made in June 1873, while resting at 'Sissons' on my journey to the Columbia River' (pp. 76-77). Cleveland Rockwell painted several Mt. Shasta views though none are reproduced in this book. This book does contain a black and white reproduction of Rockwell's painting entitled 'Lassen Butte and Big Meadows, California' (p. 30). 27. Art: Fine Arts. [MS870].
[MS898]. Suggs, Don. Proprietary View: Mount Shasta, 1985 [painting]. In : Smithsonian. Apr., 1990. Vol. 21. No. 1. p. 104. Appears as an illustration for 'A New Generation of Artists Ponder Nature's Prospects' by Michael Kernan (pp. 104-111). This painting is accompanied by the caption: 'Proprietary View: Mount Shasta, 1985, was painted not from nature, but from a photograph reproduced in a bookÑwhich, like the vertical bars, says artist Don Suggs, stands between us and the real thing.' 27. Art: Fine Arts. [MS898].
[MS871]. Taft, Robert 1894-1955. Artists and Illustrators of the Old West 1850-1900. New York: Charles Scribners and Sons, 1953. Contains extensive information about the artists of the 1850s working for the Pacific Railroad Survey. 27. Art: Fine Arts. [MS871].
[MS1070]. [The American West]. California and Oregon Stage Company, Carries Wells, Fargo and Co. Express and the U. S. Mail. View of Mount Shasta 14,442 ft, above the Sea- On C and O Stage Route [illustration]. in: The American West. July, 1968. Vol. 5. No. 4. Front and back covers, inside front and backcovers. Cover photograph from an original poster in: Honeyman Collection, Bancroft Library, University of California, Berkeley. Contain five similar but different versions of a Mt. Shasta Stagecoach scene. The magazine editors state that 'A curious phenomenon came to our attention while the cover for this issue was being selected: different members of the staff, working in various libraries, had been looking at quite different lithographs, all of the while being under the impression that a single stagecoaching scene was under consideration. The confusion soon passed, but it left behind an interesting set of variations on a popular themeÑwhich we present here and on the inside back cover' (inside front cover). The earliest stagecoach poster shown is from 1853, and although it does not show Mt. Shasta the stagecoach and the horses are exactly reproduced in some of the later posters which did show Mt. Shasta. 27. Art: Fine Arts. [MS1070].
[MS872]. Van Nostrand, Jeanne 1902. The First Hundred Years of Painting in California 1775-1875. San Francisco, Calif.: John Howell-Books, 1980. Contains a reproduction of a painting of Mt. Shasta by Juan Buckingham Wandesforde (plate 38). 27. Art: Fine Arts. [MS872].
[MS842]. Vincent, Stephen. O California! San Francisco, Calif.: Bedford Arts, Publishers, 1990. One of the most beautiful art books of early California painting. Contains a full-page color reproduction of a painting of Mount Shasta by William Keith, circa 1880 (p. 59). The painting is accompanied (opposite p. 58) by a long quotation about Mount Shasta taken from Joaquin Miller's 1873 'Unwritten History: Life Among the Modocs.' 27. Art: Fine Arts. [MS842].
[MS151]. von Finck, Walter. The New Visionaries from Mount Shasta. Ashland, Ore.: Lapis Dragon Publishing, 1989. Contains examples of ethereal and meditative 'Visionary Art' from the 1980s by seven different resident contemporary Mount Shasta artists. Many of the paintings show Mount Shasta itself, and several of the paintings depict ethereal 'beings' and/or 'outer space' scenes. Most of the paintings are harmonized with light-shades of colors from the violet end of the color spectrum. Contains paintings by Cheryl Yambrach Rose, Krystel, Leonardo Rene, Rodney Birkett, Andraleria, Ixthara, and Aeoliah. Approximately eighty paintings are reproduced, about half are in full-page format. Each artist contributes text explaining the intent of his or her art. For example, artist Rodney Birkett states 'It is my intent to provide the viewer with a sense of peace that gives understanding and the feeling of being transported into one's own consciousness of the eternal' (p. 34). Artist Aeoliah states 'I started to experience new radiant colors and beings that were made of light, whose bodies were translucent with a shining radiance' (p. 104). All of these artists are painting in the visionary art tradition of Mount Shasta which has its roots in both the published drawings of Frederick Oliver from 1894 and in the many published 1940s paintings of the 'I AM' movement. 27. Art: Fine Arts. [MS151].
[MS1025]. [Welch, Thaddeus. [sketches of Mt. Shasta]. In: Yreka Union. Yreka, Calif.: Sept. 28, 1870. Vol. 18, No. 50, p. 3. The Sept. 28 Yreka Union contains four different notices of four early California artists working in the Mt. Shasta region. This particular article is about Thaddeus Welch (see also Bloomer 1870; and Munger 1870; and Smith 1870): 'Personal. We have been favored with a call from Mr. Welch, landscape artist, who is visiting this part of our State with the view of taking sketches of some of our mountain scenery. He has some three or four very meritorious sketches of Mt. Shasta taken from different points, in the vicinity of Sheep Rock. The dense smoke which has hung like a pall over the mountains and plains for the last few weeks...' 27. Art: Fine Arts. [MS1025].
[MS1062]. Wilson, Darryl Babe. LaPena. In: News from Native California: An Inside View of the California Indian World. Summer, 1992. Vol. 6. No. 3. pp. 14-15. Review of the Spring 1992 exhibition 'Frank LaPena: A Retrospective,' held at University of California, Davis. Contains several reference to the Wintu Indian artist's spiritual experiences at Mt. Shasta. The artist's artworks often contain representations of Mt. Shasta: 'North Mountain. Immense wings spread out encompassing Mount Shasta. Hail, snow, and sleet drive, like shining spirit arrows into the earth. The mountain, pleased with the storm, meditates in the evening. Brilliant stars look over the clouds. At first I thought the cloud was a huge white owl, but the eyes were too small. Then I thought it might be a white eagle. Frank says, 'It is the spirit of the birds and the spirit of the sky. It is birdness.' The painting is immense, taking up an entire wall. In its giant size, the painting gives a deeper dimension to the power of nature, to the intensity of the storm, to the everlasting presence of the mountain, to the vastness of the winter sky. Again, a thought made manifest by the magic strokes of the winter sky' (p. 15). 27. Art: Fine Arts. [MS1062].
[MS874]. Wilson, Raymond L. The First Art School in the West: The San Francisco Art Association's California School of Design. The American Art Journal. Winter, 1982. Vol. 14. No.1. Contains information about the San Francisco art boom of the 1870s. Many of the artists associated with the school came to Mount Shasta to paint pictures of the mountain. 27. Art: Fine Arts. [MS874].
[MS875]. Wilson, Raymond L. William Keith: A Changing Vision. Fresno, Calif.: Fresno Art Center, 1984. Exhibition Catalogue Contains a reproduction of a William Keith oil on canvas Mount Shasta painting entitled 'Sierra Forest and Sunny Peaks' 27. Art: Fine Arts. [MS875].
[MS635]. [Yreka Union]. [Munger's Mt. Shasta paintings]. In: Yreka Union. Yreka, Calif.: Sept. 28, 1870. Vol. 18. p. 3. Munger was a landscape artist working for Clarence King's 1870 survey of Mt. Shasta. Article states that 'Munger, the landscape artist, has taken a sunset sketch of Mount Shasta, from a point near Fellow's, which is said to be a very fine picture, a superb work of art.' Also mentions the photographer 'Watson '[Watkins], and two brothers named Clark, as members of the King Survey team. The Oct. 5, 1870, Yreka Union again mentions Munger. 27. Art: Fine Arts. [MS635].
[MS1229]. [Yreka Union]. From The Top of Mount Shasta. In: Yreka Union. July 14, 1877. Source of Citation: Stuhl handwritten bibliography, s901 Stuhl notes: 'An ascent with Thomas Hill the painter in the Party.' 40. Find List/27. Art: Fine Arts. [MS1229].
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By Ryan Divish The News Tribune
CINCINNATI — Sure, the Fourth of July loss in Texas was a frustrating failure to sweep a series and another exhibition of lack of hitting with runners in scoring position. And, yes, Saturday's loss in Cincinnati was ugly and difficult to watch.
But on Sunday, the Seattle Mariners picked up a 3-1 win over the Cincinnati Reds.
With the victory, they finished 4-2 on their six-game road trip, taking 2-of-3 against the Rangers, who have 50 wins this season, and 2-of-3 from the Reds, who also have 50 wins.
"It's a real good trip," Mariners manager Eric Wedge said. "It's the big leagues, man. You play Texas on the road, a team that's won 50-some games. And Cincinnati on the road, same thing. You've got 30 to 40,000 fans here a night, you're into July, and you know it gets more real when you get into July. It's a real good road trip for us. You'd have liked to have won one more, but you don't get greedy this time of year. You work hard to win series. Our guys fought hard, and played pretty good baseball."
Sunday's win started with Joe Saunders.
The veteran lefty went 2-0 on the road trip in less than pitcher friendly conditions. On Sunday, he worked seven innings, giving up one run on six hits. He struck out two and didn't walk a batter.
Against a lineup featuring Shin-Soo Choo (1-for-4), Jay Bruce (0-for-4) and all-stars Brandon Phillips (1-for-4) and Joey Votto (1-for-4), Saunders rarely put himself in serious trouble. And when he did, he made pitches or got defensive plays to get out of the inning.
"Joe was really good," Wedge said. "They have some superstars in that lineup offensively that can do a lot of damage, and he did great."
Saunders' didn't do anything fancy. On a bright sunny day in the hitter's paradise known as Great American Ball Park, he just tried to not leave pitches up where hitters could launch long fly balls.
"I was working with (pitching coach) Carl (Willis) in the bullpen on my sinker," Saunders said. "It's very key in this ballpark to keep the ball down, obviously. Me and (catcher Mike Zunino) did a great job of that tonight against a really good hitting lineup. … So I just tried to keep the ball on the ground the best I could."
He was able to get 10 ground ball outs in his seven innings.
The lone run allowed came in the seventh. Saunders gave up a one-out double to Todd Frazier and Chris Heisey followed with an RBI double to left. That earned a quick visit from Willis.
"Carl came out there and said 'Let's refocus here and keep the ball down and use your sinker,'" Saunders said. "I just missed up with Heisey."
Saunders ended the rally there, getting a pair of ground ball outs.
It was the seventh time in eight starts that Saunders has pitched seven innings or more. The only exception was a 12⁄3-inning stint against the Pittsburgh Pirates on June 25 at Safeco Field.
"I feel like it's my job to get deep into games and chew up innings and give us a chance every night," Saunders said. "I thought I've been doing a pretty good job of that, except that one hiccup against Pittsburgh.
The bullpen did its job in efficient fashion.
Charlie Furbush pitched a 1-2-3 eighth and Tom Wilhelmsen needed just five pitches to retire the side in the ninth for his 18th save of the season.
"You've all seen how good Tom can be," Furbush said. "He went through that little rough patch there, but he's been looking good and feeling good and I think he's in a good spot right now to really keep this going and anchor down the back of the bullpen."
The run support came early and on two swings of the bat.
Nick Franklin, still limping a little with a swollen knee, belted a solo homer in the first inning off Reds start Bronson Arroyo to give Seattle a 1-0 lead. It was his sixth homer of the season.
In the third inning, Justin Smoak hit a two-run opposite-field homer to left to push the lead to 3-0. It was Smoak's seventh homer of the season.
The Mariners now head home for a four-game series against the Red Sox and a three-game set against the Angels before the all-star break.
"We are building momentum right now," Furbush said. "Once we get back home, we have to keep it going and not let our foot off the gas. Everything is coming together — pitching, hitting and defense. I think it's going to work out well."


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STICK A FORK IN SUMMER: The bad news first: Summer's about had it. You can see Santa from here. We bought a bottle of juice this morning that expires (the juice, not the bottle) on Christmas Eve. Soon, it'll be dark at 5 o'clock and we'll be as sad as a Swede with daylight deprivation syndrome.
The good news: The end is an explosion of greatness. The season ends like one of those cactuses that blossoms into a towering, gaudy, almost violent display of beauty when it senses the end is near.
It couldn't end on a happier note, with the Summer And Music (SAM) season's closer, BuskerFest, hitting the streets of the East Village from 5-11 p.m. Saturday.
SAM's season included a tribute to some great bands on South Pine, some dancing in the street on North Pine and last week's Funk Fest all over downtown.
They were all great successes, and BuskerFest has a shot at being the best of the batch.
Buskers, if you've never had to sing for your supper, are musicians who play on street corners and other public spaces for money. In the SAM fest, they play for wooden nickels, which are the equivalent of votes from event attendees.
Opening the bash will be the Sea Funk Brass Band and last year's fest winner, Wild Pack of Canaries.
After that, 10 Long Beach artists and groups will set up around the East Village to play for love and fake coins from 6-8:45 p.m.
Contestants are Bobby Blunders, Brother C & Sister J, Brown & Blue, California Lions, the Dovelles, Dublin Public, Greater California, Angela Jane, Sawtooth (from last weekend's Rose Park Bluegrass Festival) and Squarefish.
That's followed by the headliners, the Fling, from Long Beach, and Beachwood Sparks outta L.A. It's a perfect summertime pairing, with both bands playing the sort of shimmering summery sounds that will remind you of the '60s, in the good way.
If you need time to wind down afterward, it winds up with DJ Lithuanian Prince hosting a post-busking dance party from 10:30 till you leave.
It's free, and you'll find everything happening around First Street and Linden Avenue.
HEADY TIMES: Summer also ends with beer. Keg after keg of beer. Taste of Brews will flood Lighthouse Park, 200 Aquarium Way from 1-4 p.m. Saturday with a selection of dozens of seasonal, craft and micro brews, including Firemans, Beachwood, Bison, Left Coast (from our summer home in San Clemente), Belmont Brewing Co., Brewbakers and Rock Bottom.
Food trucks will be parked at the site, with offerings (at additional cost) from Lobsta, Rebel Bite, Dogzilla and Komodo.
General admission is $35. For $45, you get in an hour early. For groups of six or more, you pay $30; or $40 for the early deal. You can buy tickets online at www.tasteofbrews.com.
PIKE'S PEAK: Another thing that starts making leaves die and fall off trees is the wrapping up of the various free outdoor concert series at, oh, just to draw a name out of our visor, the Pike at Rainbow Harbor.
The Pike's outdoor amphitheater is a great place to just hang out and listen to sounds while watching boats cruise by and maybe grabbing a bite to eat at one of the waterfront restaurants.
The Pike's summer season ends Saturday with a 5-7 p.m. performance by Bonne Musique Zydeco playing the summery sounds of Cajun and Creole.
FRIDAY PLAYLIST: As long as we're throwing in the beach towel on summer, we might as well de-summerize our iPod, too. Pack up the Beach Boys and the reggae with the white shoes and boater hats. Meanwhile, here are some tunes to make the transition from summer into autumn a little easier. Unless you're going back to school, in which case nothing will help.
1. "Beechwood Park," Zombies
2. "Summer," Buffalo Tom
3. "The End of Summer," Frank Black
4. "Summer Days," Bob Dylan
5. "September Song," Willie Nelson
6. "September," Earth, Wind & Fire
7. "A Summer Wasting," Belle & Sebastian
8. "The Other Side of Summer," Elvis Costello
9. "Golden," My Morning Jacket
10. "Hot Fun in the Summertime," Sly & the Family Stone.
email@example.com, 562-714-2116 or twitter.com/grobaty


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Final Tribe Invitational Brackets (pdf)
Williamsburg, Va. - The Penn women's tennis team sent a small congregation to William & Mary's Tribe Invitational this past weekend, coming away with a runner-up finish from Alex Ion in singles as well as third place showing from Stephanie Do and Jaime Yapp-Shing in doubles.
Of the five Quakers to make the trip, two - Do and Ion - won their opening quarterfinal matches on Friday morning. Do moved into the Megan Moulton-Levy semifinals with a 6-3, 6-3 win over Old Dominion's Diana Ivanova, while Ion outlasted Natalie Blosser of Harvard, 7-6(3) in the first set, before romping to a 6-0 victory in the second, advancing to the final four of the Cherie Dow flight.
Do would fall to Olga Terteac of VCU on Saturday afternoon to end her shot at the final, and would go on to finish fourth in the draw after falling on Sunday to Maria Belaya of William & Mary. Ion had much better luck against an opponent from the Tribe, moving easily past Anik Cepeda with a 6-2, 6-2 win that placed her in Sunday's final. There, her run would end with a 6-1, 6-0 loss to Hai-Li Kong of Harvard.
In doubles action, Do and Yapp-Shing had little trouble in the quarterfinals of the Karen Van Der Merwe draw, dispatching the Old Dominion pairing of Melissa Esnal Olguin and Ivana Vukovic, 8-4. But against William & Mary's Anik Cepeda and Leeza Nemchinov, the pair fell behind a break and couldn't make up the difference, losing in the semifinals by a count of 8-5. They closed out their run in the third place match, defeating Harvard's Amy He and Hannah Morrill, 8-2.
The Quakers jump back into their fall season from Oct. 19-23, competing in the ITA Northeast Regional at Army.
Flight A
Stephanie Do: (1-2)
Quarterfinals: Defeated Diana Ivanova (Old Dominion), 6-3, 6-3
Semifinals: Lost to Olga Terteac (Virginia Commonwealth), 1-6, 1-6
3rd Place: Lost to Maria Belaya (William & Mary), 1-6, 2-6
Flight B
Jaime Yapp-Shing (0-1)
Quarterfinals: Lost to Amanda Lin (Harvard), 3-6, 0-6
Flight C
Alex Ion (2-1)
Quarterfinals: Defeated Natalie Blosser (Harvard), 7-6(3), 6-0
Semifinals: Defeated Anik Cepeda (William & Mary), 6-2, 6-2
Championship: Lost to Hai-Li Kong (Harvard), 1-6, 0-6
Flight D
Srinidhi Raghavan (0-3)
Quarterfinals: Lost to Kai Broomfield (Marshall), 6-2, 4-6, 2-6
Consolation: Lost to Jacqueline Zuhse (Penn State), 6-4, 5-7, 8-10
Consolation: Lost to Hope Johnson (William & Mary), 6-3, 3-6, 6-7(6)
Flight E
Emma Whitfield (1-2)
Quarterfinals: Lost to Melissa Esnal Olguin (Old Dominion), 6-2, 3-6, 2-6
Consolation: Lost to Sydney Smith (William & Mary), 0-6, 4-6
Consolation: Defeated Andrea Macchiavello (Norfolk State), 7-5, 6-3
Flight A
Do/Yapp-Shing (2-1)
Quarterfinals: Defeated Ensal Olguin/Vukovic (Old Dominion), 8-4
Semifinals: Lost to Cepeda/Nemchinov (William & Mary), 2-8
3rd Place: Defeated He/Morrill (Harvard), 8-2
Flight B
Ion/Whitfield (0-3)
Quarterfinals: Lost to Kong/Blosser (Harvard), 4-8
Consolation: Lost to Belaya/Smith (William & Mary), 2-8
Consolation: Lost to Sandor/Zuhse (Penn State), 2-8
Download: Tribe Invite.pdf


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