text:
4 pm
Tickets: $15 – General
$10 – Students
At the door – cash only
Dorian Baroque presents an orchestral concert titled "The Concerto Grosso." This uniquely baroque form of composition foreshadows the development of the standard concerto and allows the orchestra to expand and subside from soloist to chamber ensemble to full orchestra. The orchestra performs without conductor, and showcases several musicians. Soloists include Sang Joon Park, baroque flute; Jessica Park, Marina Fragoulis, violin; Edmundo Ramirez, Liv Heym, viola; Carolyn Jesselson, Anneke Schaul-Yoder, cello; Alexandra Snyder-Dunbar, harpsichord; and many more.
Vivaldi - Sinfonia in C Major, RV 116
Wassenaer - Concerto Armonici No. 1, G Major
Vivaldi - Concerto Grosso D minor from "L'estro armonico" Op. 3 No. 11, RV 565
Telemann – Concerto for 2 Violas, G Major TWV 52:G3
Locatelli – Concerto Grosso #2, C minor
Bach – Brandeburg 5
About the Ensemble:
Dorian Baroque is a New-York based ensemble of musicians who perform on period instruments, presenting orchestral, chamber and vocal music ranging from the early baroque period to the present. The diverse musical backgrounds of the performers bring a distinct philosophy to music making that is focused on exploring the versatility of historical instruments and led by the principles of the baroque period – opulence, exuberance, dissonance, and ornate grandeur. The orchestra made its debut in June 2012 and will end its inaugural season in a fully-staged opera at the Manhattan School of Music's Summer Voice Festival of Claudio Monteverdi's L'incoronazione di Poppea - June 2013.


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|Donation to Business School Helps Create Investment Track for Finance Students
|The School of Business recently received a generous donation from an alumnus that will help improve the already stellar investment curriculum offered.
This donation will be used, in part, to create an Investment Track that students can take within the Finance Concentration.
This spring a new Hedge Fund course will be included in the Investment Track that allows students to manage a hedge fund with real money tied to it, thanks to the donation. This helps set Ithaca College apart from other schools, as the school has three undergraduate courses managing real money in three separate funds (equity, fixed income, and hedge). In these courses, student teams analyze data and make presentations to other students who make purchase and sell decisions.
"We are very excited and grateful to have received this generous gift from an alumnus with the vision to build out this track and help our finance students get ahead of the curve when they enter the professional world." said School of Business Dean Mary Ellen Zuckerman.
Investment students have the opportunity to study and practice their craft in a state of the art Center for Trading and Analysis of Financial Instruments, or "trading room." Ithaca College is one of the few undergraduate institutions in the world where the ticker runs on real time, with access to the same full spectrum of data available to professionals on Wall Street (in the global financial markets). The trading room features 12 Bloomberg terminals equipped with Bloomberg software, as well as fifty-three workstations with real-time Thomson One investment management software. Additional software includes; Thomson Data Stream, Baseline, Closed- End Funds and ETFs, Russell Investments, Palisade Decision Tools Suite, Value Line and Morningstar.
"Our Trading Room has an atmosphere conducive to shared-learning; it has immersed students in the real world of financial markets together with their complex financial instruments. Through the operations of the Trading Room, not only curricular, learning and teaching systemic changes have been implemented to narrow the gap between academic prescriptions and practitioner needs, but also student-managed real investment activities have been created and expanded. There is a high level of self-motivated learning and sharing the excitement of learning in the Trading Room that foster group dynamic of mutual curiosity embraced by civility." says Professor Abraham Mulugetta.
Investment courses in this track will include, Security Analysis and Portfolio Management, Speculative Markets, Real-Time Portfolio Management I and II (Equity), Real-Time Fixed Income Investment and Hedge Fund I and II.
Students from other schools also have the opportunity to join the Core Trading Consultants (CTCs), who are members of a student-run finance club that manage the trading room, help train others students, and manage a real portfolio. Students get both hands-on experience and strong leadership opportunities.
Engaged Investment Advisory Board and alumni who are active in the investment field advise about the curriculum, provide feedback twice a year on student presentations about their portfolios, and mentor students with respect to internships and jobs.
The School of Business also takes an annual meet-the-firms trip to New York City to visit finance firms and interact with alumni. Companies recently hosting site visits include; Goldman, Sacks & Co., Morgan Stanley, J.P. Morgan, Blue Ridge Capital and IRON Financial.
The donation will also create a scholarship which starts in fall 2013. Plans for this are still being finalized.

subset: commoncrawl


text:
Washington : Government Printing Office
|Public Law 90-529
|Indians, Quechan Tribe. Judgment funds, disposition.
|Sec. 2
|Tax exemption.
|Sec. 3
|Rules and regulations.
Page 1152
Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That the unexpended balance of funds on deposit in the Treasury of the United States to the credit of the Quechan Tribe of Indians that were appropriated by the Act of October 31, 1965 (79 Stat. 1152), to pay a judgment granted by the Indian Claims Commission in docket numbered 319, and the interest thereon, less payment of attorney fees and expenses, may be
Page 1153
advanced, expended, invested, or reinvested for any purpose that is authorized by the Quechan Tribal Council and approved by the Secretary of the Interior.
Any part of such funds that may be distributed to the members of the tribe shall not be subject to Federal or State income tax.
The Secretary of the Interior is authorized to prescribe rules and regulations to carry out the provisions of this Act.
Approved, September 28, 1968.


text:
Many politicians and pundits do whatever they can to hitch their wagon to any news bulletin might give them a rhetorical edge.
More than anything, party elites want to hitch their wagon to someone who can win, and someone they can trust.
Oprah explains that "Falling off the wagon isn't a weight issue; it's a love issue."
Even those young evangelicals who still have qualms about gay marriage can find friends outside the wagon circling.
The alcoholic who thinks he can have one little drink without falling off the wagon.
Sometimes they sent a wagon into the city for Frederick Douglass and his family.
"Put him in the wagon, and we will drive home," said Captain Fishley.
Wetherell remained in the wagon while Lemuel went in to transact his business.
He was resting, and gazing about him, when the wagon driver came up.
A wagon or a mule would have caused his death almost immediately.
1520s, from Middle Dutch wagen, waghen, from Proto-Germanic *wagnaz (cf. Old English wægn, Modern English wain, Old Saxon and Old High German wagan, Old Norse vagn, Old Frisian wein, German Wagen), from PIE *woghnos, from *wegh- "to carry, to move" (cf. Sanskrit vahanam "vessel, ship," Greek okhos, Latin vehiculum, Old Church Slavonic vozu "carriage, chariot," Russian povozka, Lithuanian vazis "a small sledge," Old Irish fen, Welsh gwain "carriage, cart;" see weigh).
In Dutch and German, the general word for "a wheel vehicle;" English use is a result of contact through Flemish immigration, Dutch trade, or the Continental wars. It has largely displaced the native cognate, wain. Spelling preference varied randomly between -g- and -gg- from mid-18c., before American English settled on the etymological wagon, while waggon remained common in Great Britain. Wagon train is attested from 1810. Phrase on the wagon "abstaining from alcohol" is 1904, originally on the water cart.
A naval vessel (Navy fr WWI)
Related Terms
covered wagon, dead wagon, dog-wagon, fall off the wagon, fix someone's wagon, honey wagon, meat wagon, milk wagon, off the wagon, on the wagon, paddy wagon, pie wagon, rubberneck wagon, sex wagon


text:
You can help protect yourself and your family by being aware of your surroundings wherever you go.
- Keep an eye out for suspicious or unattended bags or people acting strangely.
- Immediately report unusual behavior, suspicious or unattended packages, and strange devices to (202) 727-9099.
- Never accept packages or other items from strangers.
- If you feel uncomfortable, or if something seems wrong, don't hesitate to leave the area.
- Know where the nearest emergency exits are.


text:
Have you tried following the Wiki guide ?
I am having trouble in installing bt5 from my pen drive, after selecting the pre formatted(by windows 8) partition from advance option, the setup crashes.
**************ubi-usersetup crashed***************
ubi-usersetup failed with exit code 10.Further
information may be found in /var/log/syslog. Do you want
to try running this step again before continuing ? If you
do not, your installation may fail entirely or may be
Continue anyway
try again
I am having 1000 mb for swap area and 20067 mb for backtrack partition(ext4 format)
Please tell me where am I doing wrong or what is the actual problem and one imp thing guys I am very new to forums as well as Linux environments So plz answer in simple ways
Have you tried following the Wiki guide ?
Back|track giving machine guns to monkeys since 2007 !
Do not read the Wiki, most your questions will not be answered there !
Do not take a look at the: Forum Rules !
I just again created the live usb and tried to install and it worked, anyway thanks for reply :-)


text:
GSA To Incorporate New Accessibility Standard in Leased Facilities
February 22, 2007
Contact: Maryanne Beatty (202) 501-1231
Washington, DC —Today the U.S. General Services Administration (GSA) announced that as new leases are signed and existing leased space altered, it will incorporate a new accessibility standard at its over 7,100 leased locations to increase access to facilities designed, built, altered or leased with federal funds. These new standards will apply to all buildings that will be leased as a result of solicitations for offers on or after February 7th, 2007.
"GSA has been at the forefront of removing architectural barriers in our public buildings," said David L. Winstead, Commissioner of GSA's Public Buildings Service. "By adopting the new standard in our leased facilities, we are demonstrating a continuous commitment to provide accessible facilities to federal agencies that use GSA as their workplace providers; as well as a responsibility to ensure public buildings remain accessible to the American public."
The new Architectural Barriers Act Accessibility Standard is a result of a recent evaluation by the U.S. Access Board of the various standards and its decision to merge them into a single standard for federal buildings. The standard addresses access to joint-use areas, accessible routes to primary function areas, restrooms, and other space and elements. GSA typically handles over one thousand leases in a year that will be affected and estimates in the next 10 years the new standard will encompass most of the leased inventory.
GSA introduced the new standard last December to Washington, D.C., real estate companies at an industry roundtable. The real estate companies indicated this is a positive and realistic step for implementation in new leases, especially since the standard will require few modifications unless alterations are necessary under a new lease. GSA has recently created a checklist tool owners may use to evaluate their compliance with the new accessibility standard. Information on these requirements and the checklist are available on GSA's Web site at http://www.gsa.gov/leasing under Realty Policy and Tools.
Founded in 1949, GSA serves as a centralized procurement and property management agency for the federal government. GSA manages more than one-fourth of the government's total procurement dollars and influences the management of $500 billion in federal assets, including over 8,600 government-owned or leased buildings and 170,000 vehicles. GSA helps preserve our past and define our future, acting as a steward of more than 420 historic properties, and as manager of USA.gov, the official portal to federal government information and services. GSA's mission to provide superior workplaces, expert technology solutions, acquisition services, purchasing and e-travel solutions and management policies, at best value, allows federal agencies to focus on their core missions.
Did you know? GSA's total inventory includes over 8,600 buildings with a total of 347 million rentable square feet of space. Its leasing space makes up almost half of this number over 7,100 leased facilities encompassing 172 million rentable square feet.


text:
WATCH: Channing Tatum sends video kiss and sings for teen fighting cancer
Alisa Finley, a teenager diagnosed with stage-4 brain cancer, has put together a 48-item "bucket list" of things she'd like to experience — and getting a kiss from Channing Tatum was at the top.
Thanks to the actor, she can check it off.
Tatum heard about Finley's wish and sent her a video message (see below), telling her to "just know that you're loved," giving her a kiss, and then cutting to a clip of himself and wife Jenna Dewan on Oscars night, singing Finley some of Pharrell's "Happy."
It's really sweet.
Check out Tatum's video below!


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Used Pentax K-50 w/ 18-55 & 50-200mm WR
- 16.3MP APS-C CMOS Sensor
- PRIME M Image Processing Engine
- 3.0″ 921k-Dot LCD Monitor
- Full HD 1080p Video Recording at 30 fps
- SAFOX IXi+ 11-Point AF System
- Native ISO 51200, 6 fps Shooting
- In-Camera Shake Reduction System
- Weather-Sealed, Li-Ion or AA Batteries
- smc DA L 18-55mm f/3.5-5.6AL WR Lens
- smc DA L 50-200mm f/4-5.6ED WR Lens
Out of stock
Product Description
The black Pentax K-50 DSLR Camera features a 16.3 megapixel APS-C-sized CMOS sensor and PRIME M image processing engine to produce high quality imagery while delivering fast performance throughout the entire camera system. The combination of these two technologies affords a high sensitivity level of ISO 51200, top full-resolution continuous shooting rate of 6 fps, and renders both still images and videos with notable image quality and clarity. Full HD 1080p video recording is supported in multiple frame rates up to 30 fps as well as HD 720p recording up to 60 fps. Video files are recorded in the high quality H.264 AVC/MPEG-4 codec and saved as .MOV files for easier sharing and editing. When recording video or making still imagery with live view, a 3.0″ 921k-dot LCD monitor is available and provides a wide viewing angle for improved viewing in a variety of shooting positions.
Benefitting the image quality is the SAFOX IXi+ autofocus system, which works to ensure sharp, accurate focus quickly and smoothly. Additionally, when working with manual focus, focus peaking is available to provide a more objective and comparable method of acquiring critical focus. Also contributing to image sharpness is in-camera sensor shift image stabilization, which reduces the appearance of camera shake by about three shutter speed steps when working in low-light conditions or with longer focal length lenses.
For extensive control over image-making, in-camera RAW (DNG) image processing is available as well as HDR shooting capabilities. For expediting control over the most oft-used functions of the K-50, both the front and rear e-dials are customizable and can be programmed to control an array of exposure settings and camera functions. For creatively modifying imagery in-camera, a variety of filters, scene modes, and auto modes are available to enhance the look and feel of imagery prior to post-processing. In addition to the range of automatic camera settings, traditional manual shooting modes are also available, such as program, shutter-priority, aperture-priority, sensitivity-priority, and manual.
All of the K-50's technologies are housed within a polycarbonate-covered camera body that is supported by a stainless steel chassis. This body design is fully weather-sealed and protects the camera from moisture and dust as well as extreme temperatures from 14-104°. Additionally, the design of the camera allows the use of either the standard lithium-ion battery pack or four AA batteries as its power source when used in conjunction with the optional D-BH109 AA Battery Holder.
Included with the K-50 camera body are the smc Pentax-DA L 18-55mm f/3.5-5.6AL WR and the smc Pentax-DA L 50-200mm f/4-5.6ED WR lenses, which together provide a 35mm-equivalent focal length range of 27.0-300mm, covering wide-angle to telephoto perspectives to suit working in a wide variety of situations. Both lens constructions integrate low-dispersion glass elements to help minimize chromatic aberration as well as improve image sharpness throughout the zoom range. Additionally, both lens bodies have been constructed to the same weather-resistant standards as the K-50 for use in inclement conditions.
- 16.3MP APS-C Sensor and PRIME M Image Processor
- The combination of the 16.3 megapixel APS-C-sized CMOS sensor and PRIME M image processor is able to produce high resolution imagery with notable quality and low-light sensitivity to ISO 51200. The speed afforded by the image processor enables continuous full-resolution shooting up to 6 fps, a maximum shutter speed of 1/6000th of a second, and also supports full HD 1080p video capture.
- SAFOX IXi+ Autofocus System
- The SAFOX IXi+ AF system utilizes 11 focus points, including nine cross-type sensors, to quickly and accurately acquire focus using a phase-detection method. With the inclusion of an AF-assist lamp and a diffraction lens, precise focusing is possible in a wide variety of lighting conditions using single-shot or continuous focusing modes. If working in manual focus, focus peaking is also available to highlight lines of contrast within the scene to offer a more objective means for determining critical focus.
- Fully Weather-Sealed Body Design
- The weather-sealed polycarbonate body with stainless steel chassis affords a wealth of protection to camera and enables its use in a wide variety of conditions, ranging from rain and humidity to snow and frigid temperatures. The weather sealing is rated to protect from moisture and dust as well as an extensive temperature range from 14-104°F.In addition to the weather protection, the body also incorporates a bright optical pentaprism viewfinder that provides a 100% field of view for critical viewing in a wide range of conditions. Four optional focusing screens are also available to further customize the viewing conditions within the viewfinder and to suit different needs based viewing and focusing requirements.
- In-Camera Image Stabilization
- Pentax' sensor-shift type shake reduction image stabilization helps to minimize the appearance of camera shake when working with longer lenses in dim lighting conditions by up to the equivalent of three to four shutter speed steps. This helps to produce sharper overall imagery regardless of the lens in use. Also helping to balance imagery in-camera, a dual-axis electronic level is available to ensure consistent and straight horizons and plumb vertical lines.
- Full HD 1080p Video
- In addition to high quality still imagery, the K-50 also supports full HD video recording up to 1080p at 30 fps. Other frame rates available include 1080p at 24 fps; HD 720p at 60, 50, 30, 25, and 24 fps; and SD 480p at 30, 25, and 24 fps. Video is recorded in the high quality H.264 AVC/MPEG-4 format and can be saved in the Internet-friendly .MOV file format. Sound can be recorded along with the video using the built-in monaural microphone.
- smc Pentax-DA L 18-55mm f/3.5-5.6AL WR Lens
- The included standard zoom lens provides a 35mm-equivalent focal length range of 27.0-82.5mm to suit working in a wide variety of shooting scenarios. It features the same weather-resistant construction as the camera body to enable shooting in harsh environments and also has an SP coating to help repel dust, water, and grease on lens elements. Its construction incorporates aspherical and super-low dispersion elements to help minimize chromatic aberrations throughout the zoom range and also contribute to producing overall sharper, clearer imagery.
- smc Pentax-DA L 50-200mm f/4-5.6ED WR Lens
- The included telephoto zoom lens provides a 35mm-equivalent focal length range of 75.0-300mm to suit working with distant subject matter as well as offering a narrower angle of view that is well-tailored to portraiture. Extra-low dispersion glass elements are integrated into the lens' construction to provide high image sharpness and clarity while also working to reduce chromatic aberrations. The lens also features a weather-sealed construction to support its use in harsh and inclement environmental conditions.
- Other Camera Features
- A 3.0″ 921k-dot LCD monitor is available for live view monitoring, image playback, and menu navigation.
- In addition to the standard lithium-ion battery pack, the K-50 also accepts four AA batteries as its power source when using the optional D-BH109 AA Battery Holder.
- A 77-segment exposure metering system works to produce well-exposed and consistent results even in the most challenging lighting conditions.
- In-camera HDR shooting works to effectively expand the dynamic range of an image and achieve greater shadow and highlight detail.
- RAW (DNG) image processing is available in camera in order to quickly and easily convert images an Internet-friendly JPEG file format.
- Built-in pop-up flash with a guide no. of 39.4′ at ISO 100 provides additional illumination for low-light settings and covers focal lengths as wide as 28mm.
- Programmable front and rear e-dials allow you to customize the controls available to quickly access without having to navigate through the camera's menu system.
- Enhanced creative modes, scene modes, filters, and auto picture modes allow you to easily modify and adjust the overall aesthetic appearance of imagery in-camera.
- Pentax K lens mount enables the use of a wide variety of both past and present K-mount lenses as well as compatibility with a variety of lens mount adapters.
- Eye-Fi memory card compatibility for wirelessly transferring imagery directly from the camera.
- Language support: English, French, German, Spanish, Portuguese, Italian, Dutch, Danish, Swedish, Finnish, Polish, Czech, Hungarian, Turkish, Greek, and Russian.
Accessories Included:
- 2 Batteries
- Battery Charger
- Neck Strap
- User's Manual
Additional Information
|Product Condition
"Like New Minus" – the rating of the equipment is at 97 to 99 percent of original condition. Only the closest inspections will reveal slight wear. Perfect glass, but the box and accessories are usually not included. "Excellent Plus" – rates 90 to 96 percent of original condition. Exceptionally nice, but may have slight wear on finish visible only under close inspection. Glass will be very clean. "Excellent" – 80 to 89 percent of original. Shows moderate wear for the age of the item, with the possibility of small dings or blemishes. Glass may have slight blemishes but will not affect picture quality. "Bargain" – items are 70 to 79 percent of original condition. More than average wear for the age of the item, and may have dents, dings or finish loss. Glass may have marks or blemishes, but should not affect picture quality. "Ugly" – The look only a photographer would love. "UGLY" means equipment is rough, with multiple impressions in metal, excessive finish loss and brassing. Glass will have marks, fungus and/or haze which will affect picture quality.
There are no reviews yet.


text:
By Jerry Cornfield Herald Writer
OLYMPIA — Layoff notices are going out to thousands of state workers Monday as lawmakers' inability to reach agreement on a new budget pushes the state perilously close to a partial shutdown next week
A budget must be passed and signed by Gov. Jay Inslee by the end of the month to avert a shutdown July 1 when the new fiscal year begins.
Democratic and Republican leaders said they are swapping offers and closing in on a deal to ensure an unprecedented powering down of state government does not occur.
"We're very, very close. Everybody knows it," said House Minority Leader Dan Kristiansen, R-Snohomish. "Everybody is on standby knowing they will be working around the clock as soon as the deal is made."
On Sunday, as negotiations continued, the House and Senate began voting on components of an eventual spending plan including measures on funding state parks and reducing costs in the Department of Corrections.
But absent an agreement, many of the state's employees should expect to receive a notice telling them to not come to work starting July 1 unless a budget is in place.
Overall, 34 agencies would likely cease operations and hundreds of programs and services scaled back or suspended in the event of a shutdown, according to an analysis prepared by the governor's office.
A spokeswoman for Inslee said the governor is confident layoffs won't take place.
"Getting that notice is obviously going to be alarming for a lot of people and he wants to reassure everybody that budget talks are really close and hopefully in the next couple days we'll have an agreement," said spokeswoman Jaime Smith.
Only once before, in 1991, did Washington lawmakers come this close to forcing a shutdown. That year the House and Senate did not approve a budget until early June 30. Gov. Booth Gardner signed it and had it filed at 11:58 p.m.
This year the two chambers are struggling mightily to settle differences on how to erase a projected $1 billion shortfall in the next two-year budget and, at the same time, pump as much as $1 billion more into public schools in response to a Supreme Court decision.
Talks between the Democratic-controlled House and the Senate, which is run by a coalition of 23 Republicans and two Democrats, began in the regular session and continued without success through one monthlong special session.
Now, nearly half-way through a second overtime, the points of contention are decreasing and the deadlock seems less about how much to spend and more about how to spend it.
"I think you have some fundamental differences and philosophical differences between the (House and Senate) and it's narrowed down to pennies on the dollar," Kristiansen said.
As of Sunday, the two chambers disagreed on where to put money in public schools with the House preferring to put more dollars into smaller class sizes and all-day kindergarten and the Senate desiring to pick up the full tab for student transportation, materials, supplies and operating costs.
There's also disagreement on funding for higher education with the Senate pushing for no increases in tuition and the House reportedly wanting to give community colleges and universities the power to decide the matter.
And House Democrats would like to raise revenue from closing a couple tax exemptions while the Senate Majority Coalition Caucus isn't giving up on further reforms of the worker compensation system.
Sen. Rodney Tom, D-Medina, the Senate majority leader and one of two Democrats in the ruling coalition, summed it up as his caucus pushing to spend $1 billion on basic education and the House Democrats wanting to spend more on social services.
To which Rep. Ross Hunter, D-Medina, the lead negotiator on the House budget, responded with this summation: "They would like to cut existing human service programs and cut existing health care for state employees in order to hit an arbitrary numerical target which they have."
Jerry Cornfield: 360-352-8623; firstname.lastname@example.com


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ECA432 - Arts Education Discipline Study 2
Unit details
|2017 unit information
|Offering information:
Dance, Drama and Media offered Burwood (Melbourne) only.
Music and Visual Arts offered Burwood (Melbourne) and Cloud (online)
|Enrolment modes:
|Trimester 2: Burwood (Melbourne), Cloud (online)
|Credit point(s):
|EFTSL value:
|Unit chair:
Merinda Kelly
|Incompatible with:
|Contact hours:
Campus: 1 x 3 hour Seminar per week
Cloud (online): Learning experiences are via CloudDeakin
This unit is the second in a sequence undertaken by students completing an arts methodology specialism for teaching in secondary schools. Building on foundations laid in Arts Education Discipline Study 1, this unit focuses on contemporary arts curriculum initiatives in the post-compulsory years 11-12 of secondary schooling (VCE) and where applicable VCAL, VET, the International Baccalaureate Diploma and Industry contexts. Students will build on their understanding of curriculum development, to interpret and implement VCE study designs in their selected specialism. They will consider theoretical constructs underpinning the rationale and aims for the arts in designing curriculum, devising learning outcomes, evaluation, assessment, reporting processes and resources. Students will engage with learning technologies to inform critical and analytical discourse in classroom practices. Current national and international curriculum trends and future directions in specific disciplines will also be considered. Professional experience placement observations and experiences will be supported by class-based activities to encourage students to develop skills as lifelong reflective practitioners.
Journal Report: Reflective, analytical journal entries, linked to contemporary theories of teaching and learning, focusing on aspects of selected arts discipline teaching and learning observed during engagement with field experience settings in various educational settings: VCE, Vet/VCAL and I, VCAL, VET, Music Industry Skills and International Baccalaureate, 40%
Curriculum and Assessment Project: Appropriate to the selected specialism, elaborate a set of principles to structure a unit based on, for example, on a selected VCE study design, incorporating school based assessment procedures. Students are required to implement a sequence of learning activities (during school experience), the outcomes of which are submitted in a report. Students may use forms of ICT to support documentation 60%
Unit Fee Information
Click on the fee link below which describes you:


text:
Washington : Government Printing Office
|Chap. 405
|Southern Ute Tribe. Per capita payment, etc.
|Chap. 405
|Chap. 405
|48 Stat. 986.
Page 623
Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That, notwithstanding any other provisions of existing laws, the tribal funds now on deposit or hereafter deposited in the United States Treasury to the credit of the Southern Ute Tribe of the Southern Ute Reservation, may be expended or advanced for such purposes and in a manner, including per capita payments, the purchase of land or any interests therein or improvements thereon and water rights, as may be designated by the Southern Ute Tribal Council and approved by the Secretary of the Interior: Provided, That the purchase of taxable lands under this authority shall not operate to remove such lands from the tax rolls: Provided further, That neither the transfer to the tribe of tribal funds, nor the distribution thereof to individual members of the tribe, as provided herein, from those funds consisting of compensation for lands acquired by the United States Government, shall be subject to Federal tax: Provided further, That any funds advanced for loans by the tribe to individual Indians or associations of Indians shall be subject to regulations established for the making of loans from the revolving loan fund authorized by the Act of June 18, 1934 (25 U. S. C., sec. 470): And provided further, That no part of the funds authorized to be expended or advanced by this section shall be paid or disbursed to or received by any agent or attorney on account of any contract for services rendered or to be rendered or expenses in the preparation of any suit against the United States.
Approved, June 28, 1954.


text:
More than two years ago, I wrote about the persisting value of tape as an archival backup medium. At the time, the LTO-5 tape standard had recently been announced in an effort to stave off ever-increasing pressure from disk-to-disk backup products. Since then, a lot has changed. Although the nearly twice-as-capable LTO-6 tape standard will hit the market soon, disk-to-disk backup has become a much more popular way to back up the enterprise. Effective deduplication tech, high-performance scale-out disk backup appliances, and the challenges of effectively backing up and restoring virtual machines have all helped disk backup push tape to the margins.
But despite its falling costs and increasing performance, disk backup still can't do one thing that tape is especially good at: Get shipped to a vault, sit on a shelf for a long time, and remain ready to be restored from years later.
[ Discover the key technologies to speed archival storage and get quick data recovery in InfoWorld's Archiving Deep Dive PDF special report. ]
At their core, hard disks are still mechanical devices with components that aren't well suited to being tossed into the mail and sitting dormant for years. That's why you still usually find tape used for monthly and yearly archives, even in organizations that have switched to disks for daily backups and short-term retention. That's especially true in regulated industries like health care and banking where retaining those archives is mandatory.
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text:
iPcProjectile Struct Reference
This is a projectile property class. More...
#include <propclass/projectile.h>
Inheritance diagram for iPcProjectile:
Public Member Functions
|virtual void
|Interrupt ()=0
|Interrupt a movement.
|virtual bool
|IsMoving () const =0
|Return true if currently moving.
|virtual bool
|Start (const csVector3 &direction, float speed, float maxdist, int maxhits)=0
|Start a movement of this projectile from its current position.
Detailed Description
This is a projectile property class.
This class controls movement of a projectile from one spot to another (or in some direction).
This property class can send out the following messages:
- 'cel.move.interrupted' (old 'pcprojectile_stopped'): the projectile movement has stopped but no object was hit.
- 'cel.move.collision' (old 'pcprojectile_hit'): we hit some object (entity, intersection, meshname). If we hit a mesh that is not an entity then this message will still be sent but with entity equal to 0 (you can then use the 'meshname' to see what mesh has been hit).
This property class supports the following actions (add prefix 'cel.move.projectile.action.' if you want to access this action through a message):
- Start: start movement in some direction. Parameters 'direction' (vector3), 'speed' (float), 'maxdist' (float), and 'maxhits' (long).
- Interrupt: interrupt the current movement.
This property class supports the following properties:
- moving (bool, read only): returns true if currently moving.
Definition at line 47 of file projectile.h.
Member Function Documentation
|virtual void iPcProjectile::Interrupt
[pure virtual]
Interrupt a movement.
|virtual bool iPcProjectile::IsMoving
| const
[pure virtual]
Return true if currently moving.
|virtual bool iPcProjectile::Start
|const csVector3 &
[pure virtual]
Start a movement of this projectile from its current position.
- Parameters:
direction is the direction to go in. speed is the speed in units per second. maxdist is the maximum distance to move at which point we will stop and send a pcprojectile_stopped message. maxhits is the maximum number of hits at which point we will stop and send a pcprojectile_stopped message.
- Returns:
- false if we couldn't start the movement (usually this means the projectile is already moving).
The documentation for this struct was generated from the following file:
- propclass/projectile.h
Generated for CEL: Crystal Entity Layer 2.0 by doxygen 1.6.1


text:
A plea in two long unsolved murder cases
(Cleveland) - A guilty plea Monday from 49-year old convicted sex offender Elias Acevedo Sr. at the Justice Center in downtown Cleveland.
Acevedo pleaded guilty to the the 1994 murder of his neighbor, Pamela Pemberton, and 18 year old Christina Adkins who disappeared from her W. 25 street neighborhood which Acevedo also called home.
Adkins' remains were found in October near a utility vault near I-71, I-90 and I-490 on Cleveland's near westside.
She was five months pregnant when she went missing in January, 1995. Acevedo pleaded guilty to 297 charges.
The murder counts in the Adkins and Pemberton cases not withstanding, Acevedo also pleaded guilty to the rapes of three children and the rape of a woman in 1993. Acevedo was sentenced to 445 years with no chance for parole.
Get breaking news sent to your mobile phone. Text "news" to 21095.
(Copyright 2013 Clear Channel, all rights reserved.)


text:
WATCH: TomorrowWorld Announces Stage Theme & Unveils Trailer
Listen to Evolution Radio on iHeartRadio
With TomorrowWorld quickly approaching next month, the festival has announced its theme "The Arising of Life," and shared a new trailer to get fans excited.
This year, festival-goers can expect the massive volcano main stage that made jaws drop at 2013's Tomorrowland in Belgium.
Check it out below!


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text:
A busy day for the Cleveland Planning Commision
(Cleveland) - The City of Cleveland Planning Commmission turned down plans for a new McDonald's at the corner of Lorain Avenue and Fulton Road.
Dozens of Ohio City residents crammed into the hearing room to voice their concerns. The most vocal was Molly Carryon who runs a day care in the neighborhood.
She and others claimed that a new McDonalds would bring too much traffic to the area, making it more dangerous for bikers and pedestrians. Others said it would ruin the character of the neighborhood, and that the land would be better used for new apartments.
Even though the planning commission rejected McDonald's proposal, its possible the issue may be taken to court. McDonald's representatives declined to speak with WTAM.
The proposed modernization of FirstEnergy Stadium has cleared its first hurdle.
John DeWine of Turner Construction is pleased that the Cleveland Planning Commission approved the overall concept of the improvements proposed for FirstEnergy Stadium. There was only one desenting vote.
DeWine says that clears the way for the next stage of the process, seeking approval from Cleveland City Council and beginning construction in January.
However, there is concern about the projects $120 million dollar price tag, and how it's going to be paid for. The Browns want the City of Cleveland to pay portion of the cost, but Councilman Mike Polensek contends the city has more pressing needs.
Get breaking news sent to your mobile phone. Text "news" to 21095.
(Photos by Ken Robinson/WTAM)
(Copyright © 2013 by Clear Channel, all rights reserved.)


text:
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The Wrong StuffThe Wrong Stuff (1985) Season 1 Episode 600-49- G.I. Joe Cartoon Episode Guide
This page has been viewed 18 times this month, and 264 times total.
Unknown Tag: 'short_stud_crew' Unknown Tag: 'short_voice_crew' Unknown Tag: 'short_dir_crew' Unknown Tag: 'short_prod_crew' Unknown Tag: 'short_write_crew' Unknown Tag: 'short_edit_crew' Unknown Tag: 'short_music_crew'
- 1985
- Marvel Productions Ltd., Sunbow Productions, DiC Entertainment
- Claster Television Productions
- G.I. Joe Episode Guide
- Cartoon Characters: Duke, Xamot, Destro, Tomax, Mr. C, Ace, Col. Sharpe, Werewolf, Zartan, Roadblock, Cobra Commander, Ripper, Baroness, Lady Jaye, Buzzer, Shipwreck, Scarlett, Alpine, Torch, Wild Bill, Announcers.
Additional Characters: Low-Light, Wet Suit, Pierre LaFonte, Taurus, Beach Head, Airborne, Nemesis Enforcer, Zandar, Dr. Mindbender, Dial Tone, Mike Randall, Serpentor, B.A. LaCarre, Buck McCann, Slip-Stream, Charles Fairmont, Dr. Filmoss, Tommy Talltree, Timothy Penser, Sci-Fi, Vena, Leatherneck, Cross-Country, Snow Job, Tripwire, WWI American Pilot, Mainframe, Zarana, Thrasher, Sgt. Slaughter, Lifeline.
- Vocal Talent: Michael Bell (Duke, Xamot), Arthur Burghardt (Destro), Corey Burton (Tomax), Peter Cullen (Mr. C), Pat Fraley (as Patrick Fraley) (Ace), Dave Hall (Col. Sharpe), Zack Hoffman (Werewolf, Zartan), Kene Holliday (Roadblock), Chris Latta (as Christopher Latta) (Cobra Commander, Ripper), Morgan Lofting (Baroness), Mary McDonald-Lewis (as Mary McDonald Lewis) (Lady Jaye), Neil Ross (Buzzer, Shipwreck), B.J. Ward (Scarlett), Lee Weaver (Alpine), Frank Welker (Torch, Wild Bill, Announcer #1), Jackson Beck (Narrator).
Additional Vocal Talent: Charles Adler (Low-Light), Jack Angel (Wet Suit, Pierre LaFonte), Earl Boen (Taurus), William Callaway (Beach Head), Peter Cullen (Airborne, Nemesis Enforcer, Zandar), Brian Cummings (Dr. Mindbender), Hank Garret (Dial Tone, Mike Randall), Richard Gautier (Serpentor, B.A. LaCarre, Buck McCann), Dan Gilvezan (Slip-Stream), Johnny Haymer (Charles Fairmont, Dr. Filmoss), Michael Horton (Tommy Talltree, Timothy Penser), Jerry Houser (Sci-Fi), Mona Marshall (Vena), Chuck McCann (Leatherneck), Michael McConnohie (Cross-Country), Rob Paulsen (Snow Job, Tripwire, WWI American Pilot), Patrick Pinney (Mainframe), Lisa Raggio (Zarana), Ted Schwartz (Thrasher), Sgt. Slaughter (Himself), Stan Wojno (Lifeline), Darleen Carr, Christian Czingland, Barbara Goodson, Jimmy Keegan, Hap Lawrence, Patricia Lentz, Loren Lester, Marilyn Schreffler.
- Directed By John Gibbs, Terry Lennon.
- Produced By Jim Duffy, Sam Weiss, Dan Thompson, Art Vitello, John Ahern, Chuck (Charles) Downs, Mark Glamack, John Grusd, Larry Houston, Alex Lovy, George Singer, John Walker.
Executive Producers: Joe Bacal, Tom Griffin, Margaret Loesch.
Supervising Producer: Don Jurwich.
Co-Producer: Michael Charles Hill.
Associate Producer: Doug Booth.
- Written By Stanley Ralph Ross.
Story: Flint Dille.
- Edited By Steven C. Brown, Robert T. Gillis.
Supervising Editors: Steven C. Brown, Robert T. Gillis.
Assistant Supervising Editor: Rick Gehr.
Assistant Editors: Rick Gehr, Larry Whelen.
- Voice Directors: Don Jurwich, Wally Burr.
- Storyboard Directors: Rick Hoberg, Larry Houston, Bob Kline, Hank Tucker, Sherman Labby, Lonnie Lloyd, Don Shepard.
- Storyboard Artists: Pat Agnacin, Del Barras, Kurt William Conner, Romeo Francisco, James L. Gomez, Adrian Gonzales, Warren William Greenwood, Doug Lefler, David Russell, Alan Shean, Romeo Tanghal, Keith Tucker, Douglas Vandegrift.
- Layout Artist: Pat Agnacin.
- Model Design: Russ Heath.
- Supervising Story Editor (1985-86): Steve Gerber.
- Story Editors: Flint Dille, Buzz Dixon, Larry Parr.
- Production Managers: Kathy Conte, Stephanie Burt, Geraldine Frerks, Jean Frye, Carole Weitzman.
- Post-Production Supervisors: Eric Early, Steven Heth.
- Director of Production: Jim Graziano.
- Music Editors: Joe Siracusa, Richard Allen, Peter Collier, Robert Randles, Mark Shiney.
- Sound Effects Editors: Richard S. Gannon, Jim Blodgett, Richard Allen, Ted Caplan, Allison Cobb, Michael L. DePatie, John Detra, Karen V. Doulac, Bruce Elliott, Heather Elliott, Ron Fedele, Leonard T. Geschke, Brad Gunther, David Hawkins, Jerry Jacobson, Nicholas James, Richard Raderman, Warren Taylor, Michael Tomack, Peter Tomaszewicz.
- Dubbing Supervisor: Jacquie Freeman Ross.
- Sound Re-Recording Mixers: Larry Goodwin, Peter Reale.
- Foley Artist: Doug Madick.
- Model Designers: Jim Fletcher, Lee Go, Russ Heath, Carol Lundberg, Bruce W. Timm.
- Telecine Supervisors: Andrew Golov, Sarah Swiskow.
- Voice Recording Coordinator: Ellen Burr.
- Voice Recording Engineer: Joel Iwataki.
- Production Coordinators: Nellina Lombardo, Hildy Mesnik.
- Production Assistant: Hildy Mesnik.
- Checking Supervisor: Barbara Donatelli.
- Creative Consultant: Jay Bacal.
- Title Song: Spencer Michlin, Ford Kinder.
- Executive in Charge of Production: Lee Gunther.
Copyrighted 1983 Sunbow Productions, Inc.
Copyright 1983 Hasbro Industries, Inc.
Sunbow Productions - Marvel Productions Ltd., a Cadence Company
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Cartoon Summary:
After removing all of the satellites in space, Cobra seizes the television airwaves in order to create a television advertising monopoly and to control the opinions of the world.
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