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As the dust settles from RIT Big Shot No 32, the question about what will the next Big Shot project be seems to be the elephant in the room. Let us be the first to tell you, we do NOT have a subject for the next project. We are always seeking the next great idea and we do enjoy hearing all of your great suggestions. Please keep them coming.
Last week, Big Shot shared a post featuring the members of the photographic team. We included some interesting behind the scenes views of the team at work. The Big Shot committee is so talented and creative. We have learned over the years that because of the size of the image displayed on a computer, or phone screen might be small, everything we include in the scene is NOT easy to see on screen. We thought you might be interested in seeing a few of the special elements we included in this impressive undertaking up close.
Let's start at the top of the Tower and work our way down.
The Kodak sign is very old and the letters are neon. After conducting several evening exposure tests before the event, we determined the correct exposure to maintain absolute sharpness of the letters that make up the neon tubes would need to be 10″ seconds. Kodak assigned one of it building engineers to operate the sign that allowed us to achieve this precise time. Jim ( and we will get his last name) stayed on a cell phone call with Big Shot groupie Leah Peres who communicated with him. Leah told Jim when the exposure started, and then counted off ten seconds, informing him when to turn off the sign. This process was repeated during each of the four exposures.
You may also notice the roof was lit, too. The metal roof was lit using three million candle power flashlights located at the camera position. They were used to produce a hint of detail on the roof's surface separating it from the sky. It is impressive what three very powerful flashlights from the right location can do.
There were people in the building when we were photographing the Big Shot. Kodak, excited about hosting the Big Shot, organized a VIP party on the 18th floor of the Tower. The attendees were invited to observe the event from the balcony if they wanted. If they chose to be on the balcony, they were asked to become statues during each exposure. We always like to include people in Big Shot photographs to provide a sense of scale. It is amazing to see how much detail the Nikon D810 sensor can delineate. You can almost see people's eyes at this very high magnification crop from the entire sensor.
You will also notice in this photograph, the office lights in many of the offices are on. We wanted to the Tower to look alive and full of energy. To achieve this outcome, each office had its room lights turned on prior to the event and they remained on during the four exposures. In some cases, blinds were also managed to help us manage the exposures from inside the building.
Shared above is a terrible screen shot, but Big Shot wanted to introduce a special hero from the event. Unfortunately, one security light remained on in advance of the photograph and was not turned off prior to starting. The light was located on the portico or roof leading to the main lobby. The security light was shining directly into the cameras. This created significant image flare and became more apparent to the photographers as the sky darkened. Once informed, Kodak sent a person up onto that roof using a ladder to cover up the light using black garbage bags. At the time, no one who was available or present who knew where that light switch was located. You can see our hero in his striped shirt managing the" bagging" of that troublesome light.
George Eastman's legacy of inventing, and manufacturing dry plate film that revolutionized photography in Rochester and America is well documented. Big Shot wanted to include his likeness in some way as part of the picture designed to celebrate photography, Kodak and the role Rochester, N.Y played. These organizations played a huge role in transforming wet-plate photography into a method that could be practiced by the masses. To include Mr Eastman in the Big Shot, a 60'x 40′ print was created in sections and assembled on the MCC plaza. We wanted to use the plaza – almost a football field in length – effectively to support the photograph.
The above shared photograph, provided by Dick Bennett, captures the effective of discharging a magnesium flash powder tray by George Eastman Museum photographic process historian Mark Osterman. Mark generously donated his time and expertise to our event. Big Shot also was able to work with Mark to include his 1919 Model T in the picture. Dr Anne Kress President of MCC was able to sit in the car during the photograph. We are delighted with how much energy the discharge added to the photograph. The Tower was finished in 1914 and we thought having this car and photographer on the plaza would provide a time reference to the photograph.
Kodak opened in 1888, employed tens of thousands of people during its long and important history. Big Shot and Kodak wanted to include the faces of Kodak by inviting people to hold portrait prints of former Kodak employees or loved ones that worked for the photographic giant. More than 75 people signed up to participate. Shared below is one of the enlargements that was included by the participants. This image was supplied by Kodak.
Wet-plate collodion. 11x14in. 240s exposure. 17″ f/8.
Professor Willie Osterman is a Professor in the Photographic Arts Department at the Rochester Institute of Technology, New York where he has been teaching, researching and working as an active artist since 1984. He received his Bachelors of Fine Arts degree in photography with a minor in art history from Ohio University and a Master of Fine Arts degree in Visual Design and Photography with the award of two teaching fellowships from the University of Oregon.
After graduating he became a visiting assistant professor at the University of Oregon. His teaching experience includes the Ansel Adams Workshops in Yosemite National Park, and in traveling workshops in twelve US states as well as in Italy, France, Austria and Croatia. As Former Curator of Photography at the University of Oregon Museum of Art, he received two grants from the National Endowment of the Arts. He was a printing assistant to the production of the Ansel Adams Special Edition Prints working with Mr. Adams in Carmel California and has worked as a contract photographer for the Eastman Kodak Company. His publication 'Déjà View: A Cultural Re-Photographic Survey of Bologna, Italy' in its second edition is now out of print. During his sabbatical for the year 2009/10 he received a Fulbright Scholars Award help create the first Master Degree program in Photography at the Academy of the Dramatic Arts, University of Zagreb, Croatia.
Camera: Shen Hao, 4×5-inch dry plate. 15 minute exposure. ISO 7. 90mm f/5.6
Nick Brandreth is a photographic craftsman / documentary photographer living in Rochester, NY. Nick currently holds the position of Historic Process Specialist at the George Eastman Museum . An Alumni of Rochester Institute of technology and Eddie Adams Barnstorm XXII Workshop (2009). His work has been published at home and abroad for the likes of The Wall Street Journal and Mercedes Benz to name a few. Nick continues to pursue his personal vision using his own handmade photographic materials for his documentary work..
8×10 Deardorf large format camera; Lens, 200mm ƒ22; Film – Kodak Portra 160; Exposure 60-second exposure at f/22.
Eric T. Kunsman is a photographer and book artist based out of Rochester, New York where he has returned to pursue his personal work. Eric is a Lecturer for the Arts & Imaging Studies Department in the National Technical Institute for the Deaf and also teaches for the School of Photographic Arts & Sciences both of which are housed at the Rochester Institute of Technology. He was formerly an Assistant Professor at Mercer County Community College where he was also the coordinator of the photography program. He has nationally taught workshops, lectured on digital printing. Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia, and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography all from the Rochester Institute of Technology in Rochester, New York. His photographs and books have been exhibited internationally and are in several prominent collections throughout the United States. He currently owns Booksmart Studio, which is a fine art digital printing studio specializing in numerous techniques and services for photographers and book artists.
Camera: Nikon D810 camera
Lens: 28/f1.8 mm
Exposure time: 60 seconds @ f/14 ISO 50
Dan Hughes is a visiting asst professor in the School of Photographic Arts and Sciences. He is highly adaptable, driven, light-hearted, and has 7 years of progressive experience in the photographic industry providing photographic education, social media, and partner relationships. As comfortable chatting with "cream of the crop" high profile professionals to folks who just picked up a camera. Caring as much for the technology and craft as I do the rich history of photography, I embed traditional concepts and transition traditional techniques into educational content with the most recent technology. To stay sharp I am constantly photographing with new gear and processing with new software, staying at the cutting edge of the industry to keep up with the fast pace of change.
My specialty is providing top notch content representing the brand and making sure the customer walks away happy.]]>
September 18, 2016 8:18pm
69 degrees Fahrenheit
Estimated crowd nearly 2,800
Camera: Nikon D810 camera
Lens: 28/f1.8 mm
Exposure time: 60 seconds @ f/14 ISO 50
All external lighting was provided by nearly 2800 volunteer participants using hand-held electronic flash units and flashlights. Additionally 24 Profoto B1 electronic flash units were employed.
The RIT Big Shot is a nighttime community photographic project introduced in 1987.
For this project, the RIT Big Shot team used photographic technologies from the past and present to make multiple pictures of the Kodak Tower. One camera exposed a wet plate collodion plate, a process invented in the 1850s. An 11″ x 14″ plate was exposed using a 17″ lens. Two cameras used 4″ x 5″ dry plate film, a film type similar to the kind George Eastman himself would have used in the 1880s; and, three film cameras, including a Nikon F3T with a 28mmƒ22, a Hasselblad 500CM with a 40mm, 4 x 5 Wisner with 90mm ƒ22 and an 8 x10 Deardorf large format with a 200mm ƒ22 exposed Kodak Portra 160 C-41 film camera captured the compelling view. Two Nikon D810 digital cameras recorded the official Big Shot digital exposure. Images from all of these photographic technologies will be shared as they become available in the next few days.
Located on the plaza was a 60 ft x 40 ft portrait of George Eastman, a 1919 Model T automobile and former Kodak employees holding portraits of themselves, family or colleagues who made Kodak great.
About the Subject
Kodak Tower is a 19 story skyscraper located in downtown Rochester, New York. It has a roof height of 340 ft (103.6 m) and stands a total of 366 ft (111.6 m) with its antenna spire included. It is Rochester's fourth tallest building. The Tower has been a landmark of the downtown skyline, and an icon in the world of photography. The skyscraper is owned and occupied by the Eastman Kodak Company, and remains its world headquarters.
Big Shot Partners
We are very thankful and fortunate to have worked with some terrific partners that helped make this photograph possible. We wish to recognize those who contributed their expertise, time, financial help and products to make Big Shot Magic. Thank you Kodak, Nikon, Profoto, the City of Rochester, Monroe Community College, M.L. Caccamise Electric, DiMarco Constructors, and The Asset One, LLC company. None of this would have been possible without the assistance of the Rochester community. e
September 18 at 8:00PM.
Be part of something special. The 32nd edition of Big Shot will feature the Kodak Tower located in downtown Rochester, New York and needs participants. The RIT event is being produced in partnership with the Kodak, City of Rochester, Nikon, Profoto, MCC, and M. L. Caccamise Electric Corp and Asset One LLC . Big Shot participants will light up the 19 story tower located on State Street since 1912 in downtown Rochester using hand-held light sources and a timed exposure. Typical Big Shot exposures range from 30 seconds to one minute. Four attempts will be made to light the Tower and the surrounding structures.
Every Big Shot is different and the Team is planning to record this once-in-a-life-time photograph using contemporary technologies as though as those used in past centuries when taking this picture. One camera will use the wet-plate collodion process invented in the 1850's, two cameras will use dry plate film invented in the late 1880's , and several large format C-41 film cameras will also be used. Two Nikon D810 digital cameras will once again be used to record the Big Shot exposure. Nikon has been a strategic partner with Big Shot since 2006. Profoto lights will be strategically placed to help project enough light to the roof of the 19 story building to make an exposure.
The event is free and open to the public.
Complimentary memento image files will be available to participants who attend.
Instructions to participants:
– DATE: Sunday September 18th. There is NO RAIN DATE. Arrive at 7:30pm
– Assemble on corner of State Street and Morrie Silver Way at 7:30pm
– Dress in DARK clothing
– The event should be over at 8:20pm. Attendees will be outside for the entire event
– Participants must bring a hand held light. It can be a flashlight or electronic flash equipment
– Free Street Parking is available, in the High Falls garage, or in other Kodak lots
– The event is free and open to the public
– Public bathrooms will be available in or adjacent to the High Falls Visitors Center
– Participants will receive a 8.5 x 11 professional memento print of the final photograph courtesy of Nikon
Questions, please email the project at:
Big Shot is pleased to recognize its strategic partners
PHOTO AVAILABLE: http://www.rit.edu/news/pics/Kodak_Tower_BigShot32.jpg
Caption: RIT Big Shot No. 32 is scheduled rain or shine for Sept. 18, 2016, when the photography team will point its lenses at Kodak Tower in Rochester. Credit: RIT Big Shot Team
RIT's nighttime community photo project takes focus on Kodak Tower
Iconic headquarters building will be the subject of RIT's 32nd Big Shot on Sept. 18
A Rochester, N.Y. company whose name is synonymous with pictures worldwide will be the focus of Rochester Institute of Technology's 32nd Big Shot. The community photography project will capture a dramatic nighttime image of Kodak Tower, the longtime home of Eastman Kodak Company, on Sunday, Sept. 18.
The Big Shot, often described as "painting with light," relies on the participation of volunteers to provide the primary light source for the image while RIT photographers shoot an extended exposure. It's a signature event for RIT and is led by the School of Photographic Arts and Sciences, which is nationally recognized for its degree programs.
Kodak Tower, long recognized as a landmark in the Rochester skyline and an icon in the world of photography, is a 19-story skyscraper. Completed in 1914, it stood as the city's tallest building for more than 50 years and has been called the "nerve center of photography."
"The Kodak Tower was selected as our next subject because in many ways it epitomizes Rochester, the explosion of photography into the world, and the vital role Kodak played," said Michael Peres, associate chair of the School of Photographic Arts and Sciences and one of the Big Shot organizers. "It is a recognizable landmark in the Rochester skyline and will be photographed in a way it has never been during its over 100 years on State Street. What an amazing opportunity for RIT. We are very excited."
Peres added that the photograph will be created using a number of both traditional and digital technologies.
"We'll once again use a Nikon D810 digital camera to record the photograph," he said. "We will also employ a large format film camera and record the exposure using color negative film before making the exposure using a dry plate emulsion and large format cameras. This emulsion will be similar to what George Eastman sold in the dry plate days."
Peres added that he and the photo team of Willie Osterman, Christye Sisson, Dan Hughes, Eric Kunsman, Therese Mulligan, Mike Dear, Ron Goldberg and Debbie Kingsbury—joined for the first time by Clay Patrick McBride—will employ film processes dating back to the 1850s.
"It's called a wet process," Peres said. "Using film in this way has never been done before."
While there are four months of logistics in front of him, Peres said he can't wait for the night of the next Big Shot.
"I really like the vantage point and I am excited to make this picture," he said. "A very different photograph than any of the more recent subjects."
"We invite all of Rochester and everyone to come out with their flashlights and be part of something they will never forget," Peres added.
The public will join RIT students, faculty, staff and alumni for the photo, which will be taken soon after sunset on Sept. 18—around 8 p.m.—regardless of weather conditions. Volunteers are asked to arrive no later than 7:30 p.m., bring either a flashlight or a camera flash unit, and wear dark clothing. Volunteers will be broken into lighting teams and placed near the Kodak building by RIT organizers before test photos are taken and the final photo is captured.
Since RIT started its Big Shot project in 1987, the event has traveled to several national landmarks and twice crossed the Atlantic Ocean. Through their viewfinders, Big Shot photographers have captured such landmarks as Churchill Downs in Louisville, Ky., AT&T Stadium (formerly Cowboys Stadium) in Arlington, Texas; The Alamo in San Antonio, Texas; the U.S.S. Intrepid in New York City; Pile Gate in Dubrovnik, Croatia; the Royal Palace in Stockholm, Sweden; and the Smithsonian National Museum of the American Indian in Washington, D.C.
Nikon Inc., a longtime sponsor of the Big Shot, will be the event's premier sponsor.
"Nikon Professional Services (NPS) is proud to again be a sponsor of RIT Big Shot No. 32," said Kristine Bosworth, manager of NPS Campus and Education Markets. "This will be the 10th year that NPS and RIT have partnered to bring this light painting project to life. Each year we look to use the latest Nikon technology to create an image that is beyond our expectations. NPS truly values the collaboration and efforts needed to involve the students, alumni and public participants of each Big Shot."
In addition to Kodak, additional sponsors include Profoto, which will provide specialized lighting equipment—including powerful battery-operated electronic flash systems—the City of Rochester, and Asset One, LLC in Rochester.
To learn more about the project and view photographs of past Big Shot images, go to https://www.facebook.com/RITBigShot or http://bigshot.cias.rit.edu/. The project also can be followed on Twitter at @RITBigShot.
Event Strategic Partners and Sponsors
Asset One, LLC in Rochester]]>
This is how Churchill Downs looked before "painting with light."
Cameras: Four Nikon D810 cameras
Lenses: 28/f1.8 mm
Exposure time: 30 seconds @ f/11 ISO 100
All external lighting was provided by nearly 1,800 volunteer participants using hand-held electronic flash units and flashlights. Additionally Profoto 7B and B1 electronic flash equipment was used.
The RIT Big Shot is a nighttime community photographic project that began in 1987.
The result shared above is a composite made from the files from four cameras equipped with 28mm lenses. We were excited to again try this approach to our long-standing project. A single shot capture would have required a very wide-angle lens and the magnification differences of the foreground to the background would have been amplified in the final image from that type of a lens. Using four cameras enabled the magnification of the photograph to be more proportional to how the scene would appear to the eye. This photograph was complex to make because of all variables, including weather, scale, size and history.
Located on the grass track were re-enactors dressed to portray jockeys and a photographer from approximately the 1900's. Additionally located to the left of the frame is the Kentucky Derby bugler.
You can see a video that shares the event from an aerial prospective by following this link.
Big Shot Partners
We are very thankful and fortunate to have worked with some terrific partners that helped make this photograph possible. We want to recognize those who contributed their expertise, time, financial help and products to help us make Big Shot Magic. Thank you Churchill Downs, Nikon, Profoto, Murphy's Camera, and Mohawk Paper.
We are also appreciative to the St. James Art Festival, Paul Paletti Gallery, The Louisville Photo Biennial, the Revelry Gallery, the duPont Manual High School, and the Regional Meeting of the Midwest Chapter of the SPE. Without your contributions and assistance in promoting this project to the greater Louisville area, this would have been much more difficult.
About Churchill Downs
Adapted from the Track's website
Known as the home of the Kentucky Derby and the Kentucky Oaks, Churchill Downs Racetrack conducts Thoroughbred horse racing in Louisville, Kentucky during three race meets in the Spring, September, and the Fall. The racetrack occupies 147 acres, featuring a one-mile dirt, oval racetrack and a seven furlong turf race course. Thoroughbred racing, the Kentucky Derby, and the Kentucky Oaks have run continuously at Churchill Downs Racetrack since 1875. In addition, Churchill Downs Racetrack has hosted the Breeders' Cup World Championship eight times.
The Twin Spires that sit atop the grandstands remain the most recognizable architectural feature of Churchill Downs and serve as a symbol of the racetrack. The spires were designed by architect Joseph Dominic Baldez and were built in 1895 – they shine across the world's most legendary racetrack each night.
The History of Churchill Downs
Horse racing in Kentucky is rich in history, dating back to 1789 when the first race course was laid out in Lexington. However, it was almost 100 years later, in 1875, that Churchill Downs officially opened and began its tradition as "Home of the Kentucky Derby." The Founding of Churchill Downs began in 1872, when Colonel Meriwether Lewis Clark traveled to England and France in 1872. Clark attended the Epsom Derby in England, which sparked his ambition to create a spectacle horse racing event in America. Upon his return to the states, Clark began the development of the racetrack, with intentions to showcase the Kentucky breeding industry that eventually became known as "Churchill Downs."
The track was constructed on eighty acres of land that Clark leased from his uncles, John and Henry Churchill, approximately three miles south of downtown Louisville. To fund the initial construction, Clark raised money by selling membership subscriptions to the track. With 320 membership subscriptions sold for $100 each, Clark raised a total of $32,000. This profit was used to construct a clubhouse, grandstand, Porter's Lodge, and six stables on site for the opening of the track. Throughout the years, the initial structures still stand, but the racetrack has continued to grow and modernize. Today, Churchill Downs spans 147 acres with its most significant structure being the Twin Spires, an architectural feature which sits atop the grandstand and has become the universally recognized symbol for Churchill Downs and the Kentucky Derby.
Churchill Downs had its first official race day, which formally opened the track on May 17, 1875. For the opening meet, Clark created three major stakes races- the Kentucky Derby, Kentucky Oaks and Clark Handicap. These were modeled after three premier races in England- the Epsom Derby, Epsom Oaks and St. Leger Stakes. The winner of the first race was Bonaventure; however the winner of the day's featured race, the Kentucky Derby, was a three-year-old chestnut colt, Aristides. Owned by H.P. McGrath, Aristides was trained by and ridden by two African-Americans, Ansel Williamson and Oliver Lewis. A crowd reaching 10,000 spectators witnessed the fifteen thoroughbreds run the first 1.5 mile long Kentucky Derby. Aristides' victory launched a tradition that has been held continuously at Churchill Downs annually since their debut in 1875, making this year the 141st running of Kentucky Derby and Kentucky Oaks.
Today, Churchill Downs Racetrack is owned and operated by Churchill Downs Incorporated. Churchill Downs currently holds the record for the longest-running, continuous sporting event in the United States. In 1875, the track's inaugural meet reached nearly 10,000 spectators, unknowingly initiating an annual ritual that is now universally recognized bringing in record-breaking crowds of more than 170,000. With many changes over the course of three centuries, the Kentucky Derby is known to be the most exciting two minutes in sports.]]>
Light painting is a unique way to photograph and allows light to be shined on a subject from multiple directions over time. Produced at night thousands of lights are shined onto the subject and using a timed exposure, the result is created. Many big shot exposures have been 30 seconds and up to 2 minutes. For a short video sharing one of our projects and how light painting works, follow this link
This website will be updated frequently as new information about the event becomes known. Please check back with us a necessary.
Registration is requested
For RIT alumni please click here:
For all other very welcome guests. Click here
Big Shot No 31 is made in collaboration with Churchill Downs.
We are honored to have been granted permission to produce this once in a life time photograph of one of America's iconic sporting treasures.
For more information about the Churchill Downs history follow this link.
Event Details
Parking is free. Please use the gate 10 parking lot and enter using Longfield Avenue
Arrive no later than 8:30pm. Gate 10 will open at 8:00pm
The Gate will close at 8:50pm
Enter the Track using Gate 10
Participants will be assigned lighting teams situated both in the infield and grandstands. Memento tickets and lighting instructions will be given out upon entrance
Dress in Dark Clothing
Bring a hand-held light or lights. No laser pointers will be allowed. Using one may result in removal from the event
No prior knowledge required
Participants will receive a high resolution file from the event.
Nikon Inc. has been a longtime sponsor of the Big Shot and is among the sponsors again this year. The Big Shot relationship with Nikon began in 2006 and once again will be supporting the project by loaning high-end photographic equipment. The Big Shot photograph will be produced using four Nikon D810 bodies with matched 20mm ƒ/1.8 lenses.
Kristine Bosworth, manager for Nikon Professional Services Campus & Education Markets shared, "It's a privilege to partner with RIT's School of Photographic Arts and Sciences and its efforts each year with the Big Shot photo." "Our support of Big Shot and the photography programs at RIT gives Nikon Professional Services a chance to show off our latest technology—all while giving back to photo communities around the country. Personally, the RIT Big Shot is one of the events I look forward to year after year."
Bill Gratton, the Regional Sales Manager of Profoto East, shared, "The scope of the RIT Big Shot project and the unique subjects always presents serious lighting challenges. This is why Profoto is the perfect partner for the RIT Big Shot. Profoto has the power, light shaping tools, and portability to make the seemingly impossible, possible. For the upcoming project at Churchill Downs, our plan is to use at least eight Profoto B4 battery systems using magnum and telezoom reflectors. These products will be used to light the grandstands and 10-12 battery powered Profoto B1 500 Air TTL units will be located in the grandstands and spires. Profoto has a long standing relationship with Rochester Institute of Technology and we couldn't be more proud of that relationship. It is a pleasure and honor to work with the RIT faculty, students, and alumni on such exciting projects." To learn more about Profoto follow this link
Murphy's Camera shared, "We are thrilled to have the RIT Big Shot coming to Louisville this year. What an amazing opportunity for our photographic community to come together and create a completely unique, collaborative image! We believe this event will serve as an excellent compliment to the Louisville Photo Biennial. We're very proud to have Murphy's participating as a sponsor of Big Shot No. 31 and can't wait to see what we produce of our very own iconic landmark, Churchill Downs." To learn more about Murphy's follow this link
To learn more about Mohawk follow this link
It takes an entire community to make a photograph this way. The event is successful because of the participation of sometimes thousands. We are so appreciative of some new Big Shot partners who have volunteered to help us promote our event. Big Shot is like a bucket brigade and relies solely on a volunteer workforce.
For more information about the Biennial follow this link
For more information about the Festival, follow this link
For more information about the SPE regional meeting follow this link
For more information about the Gallery, please follow this link
For more information about the Gallery, please follow this link
For more information about the School, please follow this link
Want to share our poster, we would be grateful.
Tech Talk
Every Big Shot is unique and No. 31 will be all of that. Each project seems to build on knowledge acquired from prior events. The scene we are lighting is HUGE and the cameras will be located on one of the infield betting booths. As such we want to be sure to create enough light on areas that participants who are assigned to the grandstands cannot. Profoto, a sponsor of the event has become the industry gold standard for battery powered location lighting equipment for professional photographers. We are appreciative of their continued support of our work. We recently tested their Profoto B4 systems using the RIT campus to estimate the 40 yard distance the light must travel. We learned a lot about power and where to locate the lights. Even at heights of 12 feet and aimed up, the foreground did receive light. We have now revised our plan to manage this. You will have to attend to see how we fix this problem
The photograph on the left had a timed exposure of 30 seconds at ƒ/11. The photograph on the right used eight Profoto Pro-B4 kits and moved the ambient exposure of the buildings one ƒ stop at a distance of 40 years. Profoto lights were very helpful in contributing significant light for Big Shot No 29 of the High Falls located in downtown Rochester, New York.
Computational photography is a term that describes making new pictures from multiple cameras and image sources. This strategy may be familiar to some as gigapixel images that are digital images composed of one billion (109) pixels.
For Big Shot No 30, we wanted to try using 2 cameras to minimize magnification differences from the foreground to background. Our foreground distance was short from our roof top perch the building became smaller using a 16 mm lens. We felt we could have a photograph with a more normal perspective using two matched lenses and build a new file from the raw captured files.
Our test indicated this would work well
RIT Big Shot No 30 looked like this. More than 3,000 participants attended.
Here is a snapshot of our rig as it was being loaded for a test last month.
Staffan Larsson, a long time Big Shot groupie became interested in the project in 1998 and by 2003, we were making a photograph of the King's Palace in 2003. The following is his story.
How to be a "Big Shot Groupie"?
by Staffan Larsson
Stockholm, Sweden
Michael Peres and I met at a medical photography workshop held in Rochester New York in 1992. I was able to attend the workshop because of a scholarship provided by the Biological Photographic Association, Kodak, and The Federation of Technical and Medical Photographers(Swedish). One of the sessions was a course in photomicrography. When at the workshop, I asked if I would be interested in helping his assistant Michael Peres workshop produce a workshop in Sweden. While in Rochester I also met Bill DuBois and Dawn Tower DuBois during their seminar on "painting with light" at that same workshop.
The first workshop in photomicrography was held in Stockholm at Karolinska Institutet in 1997 and has been run consecutively every year since that time. During the evenings after the workshop's activities were concluded, we would spend time talking about everything and one constant topic was the next RIT Big Shot. I thought it was fascinating thing and I kept the idea in my mind that one day I would like to be in the event.
In 2001, Michael told me about a new project he was organizing entitled "Images from Science". He invited me to be one of the judges for the project. At the same time several members of the FTMF and the Lennart Nilsson Foundation began planning the first international Lennart Nilsson Conference to be held in 2003. I went to Rochester on the 12th of October in 2002 to be at the opening of the Images from Science exhibition.
Everybody was very happy and excited about the Exhibition and after a "small shot" of wine, sometimes people get some new bright ideas, and of course I got one that evening. With my new idea, I felt brave and I went to meet former CIAS Dean Joan Stone. We talked about a collaboration between RIT, the Karolinska Institutet, and the Lennart Nilsson Award to be incorporated into the 2003 Lennart Nilsson Conference. And then without too much thought I asked, "Why not make a Big Shot of The Royal Palace in Stockholm as part of the Lennart Nilsson Conference?" Very intrigued, she said, "make a formal invitation to RIT and we shall see what we can do".
When I returned to Stockholm, I asked Hans Wigzell, President of the Karolinska Institutet, and Lennart Nilsson to invite RIT to make a Big Shot of The Royal Palace in Stockholm. To make a Big Shot of The Royal Palace, we had to get the permission of Sweden's King Carl XVI Gustav, which took some time. He finally gave us his enthusiastic support. He is a very dedicated amateur photographer and thought it was an unusual and interesting idea. I did not realize how much work there is in planning a Big Shot and the number of people in media – TV, radio & press – that need to be constantly updated. I also needed to keep many of the King's key staff at The Royal Palace updated with all the things we had to be completed before the Big Shot could be a reality. During the preparations and during our reconnaissance trips required to find the best view, we selected a small balcony located in a 200+ year-old, 5-story apartment building located across from the Palace. The owner of the apartment was an old lady and she became a little overwhelmed when the whole Big Shot team knocked at her door and tried to explain what we wanted to do. We turned on all of our charm and she agreed to allow us access to her balcony.
The three-day conference was a great success with participants visiting from all over the world. The Big Shot event was an exciting addition to the program for everybody and for Bill, Dawn and Michael, it was the first Big Shot abroad. We were also uncertain about how many citizens from Stockholm would show up to participate. We were confident that the participants from the conference would attend but how many others remained at concern.
On October 9, 2003, we all had a moment when it started to rain but in the end we had good luck. Just before the time of assembly, it stopped raining and 350 – 400 people enthusiastic people arrived with lights in hand. The wet paving stones were glistening like diamonds on the ground. In the end, the rain added an extra touch to the image. We got of a lot of attention and publicity in press, radio and TV the days before, during, and following the Big Shot. There were also many discussions amongst the photographer associations and various websites dedicated to photography in Stockholm. Interestingly, the most important outcome for me personally was that I was now a member of the "Secrets of the Big Shot Club".
The King, Carl XVI Gustav was so very proud of the Big Shot image he asked for permission and used the photograph on his annual 2003 and 2004 Christmas & New Year's cards. Then President Simone and the Big Shot team RIT each received a personally signed card. Another surprise was that, the King was very fond and impressed with the photograph and it became an important reason for him to construct an outside lighting system for the Royal Palace in 2008.
Sweden is not so far from Croatia and when I learned about RIT's plans to make a Big Shot in Dubrovnik, I jumped at my chance to really be a Big Shot groupie. We had lovely weather and I met a whole bunch of nice RIT, U.S. and Croatian students and teachers. I was running around everywhere with my camera trying to document the whole event. You can see many of the pictures on the RIT Big Shot website and they were also used in several newsletters. On the Big Day, I got selected by the crew( Bill, Dawn and Michael) to be a group leader for a large and important section of the back wall. I have come to learn that the Big Shot event is like a big circus performance with a lot of adrenaline and happiness before you can see the final result. The photograph of the Pile Gate was excellent and I went home to Sweden as a real Big Shot groupie.
Since that time, I traveled to Big Shot No. 25 in Washington DC and to Big Shot No 28 in Arlington Texas
This essay was written in 2008 as part of the Big Shot Picture Book.]]>
Release Date: Jan. 5, 2015
Contact: Rich Kiley
585-475-5697 or email@example.com
Twitter: @rakiley
Big Shot is heading to Churchill Downs to photograph the iconic home of the Kentucky Derby on Oct. 3, 2015
The next RIT Big Shot promises to be a beautiful photo finish when Rochester Institute of Technology's longtime community photography project captures a spectacular nighttime image of a national icon—Churchill Downs, home of the Kentucky Derby, in Louisville, Kentucky Oct. 3, 2015.
The Big Shot relies on the participation of hundreds of volunteers to provide the primary light for the image while RIT photographers shoot an extended exposure. It's a signature event for RIT and is led by the School of Photographic Arts and Sciences, which is nationally recognized for its Only at RIT programs. Often described as "painting with light," the Big Shot asks volunteers to "paint" or shine their lights onto a particular area of the landmark while the photograph is taken. The light sources are usually either handheld flashlights or camera flash units. RIT organizers are hoping to engage hundreds, if not thousands, of volunteers to come out to participate and illuminate Churchill Downs, one of the most famous thoroughbred racetracks in the world.
Last year's 140th Kentucky Derby—the oldest, continuous sporting event in the United States—drew more than 16 million television viewers and a track attendance of nearly 165,000.
"This is an amazing opportunity for Big Shot and we couldn't be more thrilled," said Michael Peres, associate chair of the School of Photographic Arts and Sciences and one of the Big Shot organizers. "We are excited to capture the beauty and the architectural nuances of Churchill Downs—from the historic Twin Spires atop the clubhouse to the famous Kentucky Derby winner's circle."
"We invite all of Kentucky and Southern Indiana to come out with their flashlights on Saturday, Oct. 3, and be part of something they will never forget," Peres added.
Residents will join RIT students, faculty, staff and alumni for the photo, which will be taken after sunset on Oct. 3 — around 9 p.m.— regardless of weather conditions. Racetrack doors will open at 7:30 p.m. Volunteers are asked to arrive no later than 8 p.m., need to bring either a flashlight or a camera flash unit, and are asked to wear dark clothing. Volunteers will be broken up into lighting teams and placed around the racetrack by the RIT organizers.
"All of us at Churchill Downs are looking forward to being a part of this unique photo experience with RIT that will enable all to view our historic track in a completely new way" said Churchill Downs Racetrack President Kevin Flanery.t. "Our track and the Kentucky Derby have long been important parts of life in our hometown and we're confident that residents throughout our region will want to participate and enjoy this opportunity to be part of a once-in-a-lifetime event like the Big Shot."
Since RIT started its Big Shot project in 1987, the event has traveled to several national landmarks and twice crossed the Atlantic Ocean. Through their viewfinders, Big Shot photographers have captured such landmarks as AT&T Stadium (formerly Cowboys Stadium) in Arlington, Texas; The Alamo in San Antonio, Texas; the U.S.S. Intrepid in New York City; Pile Gate in Dubrovnik, Croatia; the Royal Palace in Stockholm, Sweden; and the Smithsonian National Museum of the American Indian in Washington, D.C.
Nikon Inc. has been a longtime sponsor of the Big Shot and is among the sponsors again this year. The corporation is once again supporting the project by loaning high-end photographic equipment. The Big Shot photograph will be produced using two Nikon D810 bodies.
"It's a privilege to partner with RIT's School of Photographic Arts and Sciences and its efforts each year with the Big Shot photo," said Kristine Bosworth, assistant training manager for Nikon Professional Services. "Our support of Big Shot and the photography programs at RIT gives Nikon Professional Services a chance to show off our latest technology—all while giving back to photo communities around the country. Personally, the RIT Big Shot is one of the events I look forward to year after year."
To learn more about the project and view photographs of past Big Shot images, go to https://www.facebook.com/RITBigShot. The project also can be followed on Twitter at @RITBigShot.
RIT Campus including the Golisano Institute for Sustainability Building, Louise M. Slaughter Building and Quad, Rochester, New York
September 6, 2014 – 9:15pm
67 degrees Fahrenheit
RIT Public Safety estimated the crowd at 2976
This is how the scene looked before painting with light
Cameras – Two Nikon D810 cameras equipped with 24/f2.8 mm lenses
Exposure time: 30 seconds @ f11 ISO 200
All external lighting was provided by more than 2900 volunteer participants using hand-held electronic flash units, flashlights and Profoto electronic flash equipment
The RIT Big Shot is a nighttime community photographic project that began in 1987.
On this link, is wonderful video produced by Professor Frank Cost using a drone.
On this link is a wonderful news video produced by RIT University News
This was our first computational image. The above shared photograph is a composite of 2 cameras that were equipped with 24mm matched lenses. We were excited to try this new approach to our long standing project. A single shot capture would have required a very wide-angle lens and the magnification of the foreground and background would have been amplified. Using 2 cameras enabled this magnification of the GIS and Slaughter building to be more proportional to how they appear. This photograph was complex to make because of all the windows, the size of the space, the inside and outside lighting locations, the large crowd, and the walkways. We are very thankful to be working with some of the best folks at RIT including:
– Division of Student Affairs
– Office the Provost
– The Center for Orientation and Transition
– Facilities Management Services
– Alumni Relations
– RIT Dining Services
– and Public Safety
Corporate Partners
We are also very appreciative to our strategic partners who contribute their expertise, money and product to help us make Big Shot Magic. Thank you Nikon, Profoto and Shades of Paper
You can see one short news story produced by Rochester's Time Warner Cable News
On this link is very interesting video produced by Gabriel Isserlis and recorded during the painting with light inside the Golisano Institute
About the Subject:
Golisano Institute of Sustainability
Sustainability Institute Hall, the Golisano Institute for Sustainability's new headquarters on the RIT campus was dedicated in mid-April 2013. The 84,000-square-foot facility is a state-of-the-art laboratory for scientific discovery and experiential learning. The building is home to GIS' master's degree and Ph.D. programs in sustainability and architecture. Research labs, student work areas, classrooms and conference rooms, a 55-seat auditorium and office suites all open onto a light-filled, four-story galleria space. The facility was designed and constructed to meet Leadership in Energy and Environmental Design (LEED) standards of the U.S. Green Building Council. RIT has one other LEED Platinum (University Services Center) and one LEED Gold (Engineering Technology Hall) facility, but the GIS building is the largest and most advanced project to date. Among Sustainability Hall's outstanding features are:
7 systems integration test beds.
8 sustainability technology support laboratories.
Computing and collaborative spaces to support research.
Extensive glazing reduces the amount of artificial light required inside the structure. A sunshade system of stationary louvers on the south side of the building reduces heat buildup from direct sun exposure during summer months.
UTC Model 400 Purecell System is the primary energy source for the building. This unit produces 400 kilowatts of continuous electric power; heat generated as a by-product of electrical generation helps heat this and other buildings on campus.
Microgrid system that takes variable power inputs from all sources (including windmills and solar panels) and stores energy in a battery bank to provide 50 kilowatt-hours of power. This will power some of the building's lights and electrical outlets as well as charging stations for electric vehicles.
Geothermal system using liquid that circulates from eight 150-foot deep wells through pipes in the galleria floor, helping to keep the building warm in winter and cool in summer.
For more information follow this link


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This is a beautiful and private SNOWCREEK condo, lovingly maintained and enjoyed for 17 years. This has been our home for several months of every year, and it has all of the amenities anyone would want in their own home. In addition to the beautiful kitchen with granite countertops, river rock fireplace, and log trim, it is decorated and outfitted like a home. We have a lot of art work on the walls, a desk surrounded by windows close to the kitchen, a loft with two log twin beds and a large wood table that has a printer available for your use. When we are there, the desk on the main floor is mine, and the 'office' is in the loft for my husband. Beautiful Pendleton blankets are draped over the railing for privacy and beauty. The river rock fireplace is ignited with a gas starter, so it's easy to have the fire warming the house in the winter.
The most appreciated aspect of our condo is it's location. A walk up the path brings you to one of the few condos in this complex that has an unobstructed view over the meadow on Dollar Mtn, with Bald Mtn in the distance. There aren't trees blocking the view, nor do we look at other condos and/or the parking lot. The view is incredible, and once you are there, privacy and peace are yours with beauty both inside and out.
Snowcreek is located in the heart of Sun Valley, adjacent to Dollar Mtn, which includes Sun Valley's newest mountain lodge with Sun Valley's Ski and Snowboarding School for the whole family. Sun Valley Resort is 1/3 mile away, and the town of Ketchum is 1 mile away. If you don't feel like walking or biking to Sun Valley Resort or to Ketchum, the local bus system (KART) is easily available and accessible. Both Sun Valley Resort and Ketchum offer shopping, fine dining, and people watching...all within a mile from 'home'.
Winter skiing is fabulous in Sun Valley, whether you ski on Dollar Mtn and return to the condo for lunch, or go to Bald Mtn and eat lunch in one of the three fabulous lodges. In addition to downhill skiing, cross country skiing and snowshoe trails are easy to access and in abundance.
Summer is a wonderful time of year in Sun Valley. The mountains that surround us are full of incredible hiking trails for the whole family. In addition to hiking, you can ride your bike on the wonderful rail to trail system, no cars allowed! Golfing is also a huge summer draw: I don't think there are many golf courses as beautiful as Sun Valley. When the entire family wants to golf, there is a challenging 'putt putt' course that everyone, skilled or not, loves. Wonderful things are provided by Sun Valley Resort: ice skating, bike rentals, and the most incredible free concerts in the summer. Finally, there are water sports: fishing, rafting, and swimming. Snowcreek is one of the only complexes in the Valley with it's own pool and hot tub, it's own clubhouse with a ping pong table, and it's own on site live in manager. You never have to leave!
If you choose to be a guest in our home away from home, we think you will be very happy. We love it. There are new sheets and towels for you to enjoy, and if there is anything that doesn't meet your expectation and/or needs to be repaired, we have a local management company that can help you out immediately. It is, after all, our home too.
- Guests Provide Their Own Meals
- Telephone
- Heating
- Linens Provided
- Dishwasher
- Refrigerator
- Stove
- Oven
- Microwave
- Washing Machine
- Clothes Dryer
- Television
- Satellite / Cable
- Stereo
- Lawn / Garden
- Parking
- Romantic
- Family
- Away From It All
- Sports & Activities
- Pets Not Allowed
- Dining Area
- Children Welcome
- Wheelchair Inaccessible
- Internet
- Towels Provided
- Fitness Room / Equipment
- Non Smoking Only
- Sauna
- DVD Player
- Communal Pool
- Cooking Utensils
- Coffee Maker
- Toaster
- Adventure
- Outdoor Grill
- Iron & Board
- Game Room
- Ping Pong Table
- Hair Dryer
- Pantry Items
- Housekeeper Included
- Building
- Dishes & Utensils
- Living Room
- Wood Fireplace
- Shared Hot Tub
- Kitchen
- Minimum Age Limit For Renters
- Deck / Patio

subset: commoncrawl


text:
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posted by lesterkhall on Mar 10, 2017
tags: Muscle X TST 1700 Muscle X TST 1700 Review
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Illustrated Shark Poster
Sharks of the world. Awesome.
I've decided I want every illustrated poster the Scandinavian Fishing Year Book sells. They're chocked full of a wealth of information about organisms in the world around us. Here's one on North American fish.
Now here's one I must have. I like to collect interesting shells on the beach and I have no earthly clue what they are.
I could definitely spend some time learning more about squid. Like why do they taste so good fried in batter.
I love fish. I had no idea there were this many different kinds of tuna and mackerel. I think I'd hang this one in my kitchen.


text: You might have trouble believing it, but the new trailer for DmC, the upcoming reboot of Capcom's signature action game, is kind of strange. It starts off on a busy street in the rain, where the revamped Dante is…kind of a jerk. He knocks a girl's pop from her hands, jumps on people's cars, all Read more →


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Dealing with Bleeding Gums after Brushing or Flossing Teeth
If you notice bleeding gums after your child brushes their teeth, this may be a sign of a serious health issue. Even though everyone has experienced a little gum bleeding every now and then, excessive or frequent bleeding can be a symptom of a much larger problem.
What Causes Bleeding Gums?
There are many reasons why your child's gums may bleed when they brush their teeth. The main cause is usually from a buildup of plaque at the gum line.
When plaque is left around the gum line for too long, it can either:
- Inflame the gums, which causes them to bleed and leads to gingivitis
- Harden into tartar, which will increase the bleeding and potentially turn into periodontitis
However, there are also several other reasons for bleeding gums after brushing:
- Brushing too hard
- Bad flossing technique
- Tooth- or gum-related infections
- Vitamin K deficiency
If you notice a lot of blood and think your child is having an emergency, call 911 or seek urgent care immediately.
The best way to know for sure why your child's gums bleed after brushing their teeth is to visit your nearest Kool Smiles dentist.
Kool Smiles Teaches Children Proper Oral Hygiene
At Kool Smiles, our general dentists are skilled in working with children. We can help identify the cause of your child's bleeding gums after they brush their teeth.
We want to make sure that every child that comes into our clinic learns proper dental habits. We have an Oral Health FAQ available on our website for parents to reinforce these positive lifestyle changes at home.
Parents can even use activities available on our blog to help their kids enjoy taking care of their teeth and gums.
If you're concerned for your child's dental health, give us a call at (855) 854-3621 or find a Kool Smiles location near you.
MedlinePlus: http://www.nlm.nih.gov/medlineplus/ency/article/003062.htm


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Comparing Angiography: Multislice CT Versus Invasive Heart Catheterization (CACTI)
- Full Text View
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- No Study Results Posted
- Disclaimer
- How to Read a Study Record
|Coronary Arteriosclerosis
|Procedure: MS-CT Coronary Angiography
|Study Type:
|Study Design:
|Allocation: Non-Randomized
Intervention Model: Single Group Assignment
Masking: Open Label
Primary Purpose: Diagnostic
|Official Title:
|Comparing Angiography: Multislice CT vs. Invasive Heart Catheterization (CACTI)
- The primary endpoint of the study is the ability of CTA to detect coronary disease of greater than 50% diameter stenosis (sensitivity, specificity, positive and negative predictive value) analyzed on a subject basis. [ Time Frame: assess at time of CTA ]
- Assess CTA performance on both a vessel and coronary segment basis [ Time Frame: assessed at time of CTA ]
- Estimate the impact of coronary calcium score on ability to assess for coronary disease [ Time Frame: assessed at time of CTA ]
- Evaluate impact of scan quality of CTA performance measures [ Time Frame: assessed at time of CTA ]
|Study Start Date:
|January 2006
|Study Completion Date:
|August 2006
|Primary Completion Date:
|August 2006 (Final data collection date for primary outcome measure)
Procedure: MS-CT Coronary Angiography
QUESTION: Compare the accuracy of multi-slice CT angiography (CTA) with invasive catheterization (Cath) in detecting and grading coronary lesions.
EXPERIMENTAL DESIGN: A prospective cohort analysis comparing the quantification of coronary atherosclerosis by Computed Tomographic angiography to that of invasive Catheterization. Subjects will be patients who are scheduled for non-urgent cardiac cath based on a clinical need to evaluate the coronary anatomy. Cath may be scheduled after a positive stress test or on the basis of concerning symptoms. If a patient consents to participation they will be scheduled for CTA no less than 3 and no more than 30 days prior to Cath. Comparison of lesions detected by the two imaging modalities in the proximal, mid and distal coronary arteries will be made. Grades of disease used will be the following 1). less than 50% 2). 50-75% 3). greater than 75% 4) Uninterpretable. Sensitivity and specificity will be calculated for CTA; in addition PPV and NPV will also be calculated. The 2 readers of the CTA will be blinded to the invasive angiography results. The 2 readers of the invasive angiography, who are blinded to the CTA results will be the standard of comparison. Analysis of data will be performed on a segmental, vessel, and patient basis.
POTENTIAL RISK: Risks associated with contrast exposure include the risk of allergic reaction and renal injury. There is a small risk of excessive bradycardia and hypotension with administration of metoprolol and nitroglycerine. CTA is associated with radiation exposure similar to the lower range of diagnostic catheterization.
POTENTIAL BENEFITS: No direct benefits are expected for the subjects of this study as the information will not be used to alter clinical decisions. Benefits to future patients may include the development of an non-invasive alternative to cardiac catheterization.
|Ages Eligible for Study:
|18 Years and older (Adult, Senior)
|Sexes Eligible for Study:
|Accepts Healthy Volunteers:
Inclusion Criteria:
- Subjects >18 years old with stable clinical symptoms who are scheduled for outpatient cardiac catheterization.
- Able to provide written informed consent in accordance with the IRB.
Exclusion Criteria:
- Symptoms of unstable angina/acute coronary syndrome
- Known allergy or adverse reaction to CT radiocontrast and/or iodine.
- Known absolute contraindication to Metoprolol.
- Significant kidney disease including creatinine > 1.5 mg/dL or GFR < 60 ml/min.
- Inability to breath-hold for up to 30 seconds.
- Women who are Pregnant or Nursing
- Atrial Fibrillation or any other arrhythmia that makes attaining a regular slow rhythm unlikely.
- History of previous stent placement or coronary bypass surgery.
Please refer to this study by its ClinicalTrials.gov identifier: NCT00284466
|United States, Wisconsin
|University of Wisconsin
|Madison, Wisconsin, United States, 53792
|Principal Investigator:
|Jon G Keevil, MD
|University of Wisconsin, Madison
|Responsible Party:
|University of Wisconsin, Madison
|ClinicalTrials.gov Identifier:
|NCT00284466 History of Changes
|Other Study ID Numbers:
|Study First Received:
|January 27, 2006
|Last Updated:
|August 28, 2012
Keywords provided by University of Wisconsin, Madison:
coronary artery disease
cardiac catheterization
CT coronary angiography
coronary angiography
Additional relevant MeSH terms:
Coronary Artery Disease
Myocardial Ischemia
Arterial Occlusive Diseases
Vascular Diseases
Cardiovascular Diseases
Coronary Disease
Heart Diseases
ClinicalTrials.gov processed this record on July 21, 2017


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Working as a consultant, I get to see what so many of you guys struggle with when it comes to building your wardrobe, styling your looks to creating an image that you're in love with. Fashion is more of a daunting task than it is fun. It's more of a headache that you'd rather not deal with so most of the time you end up sticking to what is easiest for you.. wearing the same type of clothes and never venturing outside of your go-to looks.
One thing you may be guilty of is labeling your garments.
You know how you find yourself saying something is too casual or too dressy, so it doesn't work, you toss it to the side and move onto the next item. Well, it doesn't have to work like that.
I am all about maximizing your wardrobe and showing you how to work your garments so that they'll work for pretty much any occasion.
Outfit details_ MESH BODYSUIT || JOGGER PANTS || DUSTER JACKET
Could you imagine being able to get dressed starting with an item you're dying to wear and knowing how to style your look from what to add in and what to avoid in order to create that look that you want without having to change in and out of different outfits, working yourself up because you can't seem to find anything that works?
Well, you can. I'm all about that and I'm showing you how you can make this work for you.
When you think of jogger pants, you're not automatically saying – yes! I need a pair, they're a must have. You're more likely thinking, "those would be nice to have to throw on and go when I'm short on time."
Even if you're short on time, jogger pants can be be made from boring and casual to chic and polished. Yes, sweatpants can be practical for your everyday wear… and even the office (except for a corporate setting).
Once you learn the trick on how to work your wardrobe, you'll be creating new outfits surrounding items you already own in no time. It's all about knowing how to dress up and dress your pieces!
If you love a casual style or looking to update your wardrobe with something a little unexpected, learning how to style jogger pants is right up your alley. Slay.. in a casual yet chic way!
Everyone grabs their favorite pair of denim in a hurry, why not switch it up and be a little different and still look just as stylish!
Order my styling video where I am walking you through styling your outfits and how to begin mastering maximizing your wardrobe – AVAILABLE HERE.
From styling your jogger pants around flats, sneakers, boots to heels I give you a range of different outfit ideas so you can see what goes into building out your looks and how to take into account what items you need to add to your look in order to pull off that stylish look you're going for! No matter if you're looking for a casual/laid-back style to dressy or polished, in order to pull it, you have to know how to coordinate your look! Ready to see how it's done?


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Coming Up
The following events for 2017 have already been arranged - details will follow in due course but please put the dates in your diaries now, particularly if you are planning an event of your own:
Book Sale thank you
Thank you to everyone who came along to the book sale in the Village Hall on 1st April, and bought books, as well as tea, coffee and cake. We were able to raise a good sum, which will go towards the upkeep of the hall, and also to All Saints Church. Thanks also to all those who donated books, and also to the many people who helped organise the sale.
Next sale will be on 28th October.'
Village Walk`
A big thank you to Roger who organised a very successfull walk around the village boundaries on Sunday. Sixteen adults, one baby, and numerous dogs managed the 5 mile walk over the fields to Mackney in order to beat the villlage bounds.
7th Village Fête, The Croft 2pn - 4pm
9th NMPC Meeting, Village Hall 8pm All welcome
10th WI Meeting Village Hall 7.30pm
Looking Ahead…….
30 June & 1 July 'Rigoletto' at Melhuish Farm
Astons Toddler Group (and surrounding villages)
Fridays 9.30-11.30 (term time only) at Centre of Reflection, Spring Lane, Aston Tirrold, OX11 9EJ Tea/Coffee and snacks for the children. Lots of toys for all ages and an outdoor area. For more information contact Sonia and/or Clare at firstname.lastname@example.com or just turn up, all welcome!
If you are visiting the village and would like to do something different then the Quiz is just for you. It starts of in the recreation ground behind the Bear Pub and takes you around the village seeing places and things you would not normally visit. Download the quiz here
Transport News
Dear Everyone,
Just a reminder that the new replacement 131 service begins this Friday July 22nd and that you must be a member to ride this bus. Membership is free and open to all temporary or permanent village residents. To register email firstname.lastname@example.com or contact any Parish Councillor and we will do it for you! Please pass on this information to anyone who may not receive it in another way. The new timetable will be printed out shortly but, in short, the bus picks up in North Moreton at 10.37 preceded by South Moreton at 10.33 ( and the Orchard Centre Didcot at 10.05) dropping people at Wallingford Hospital and then the Market place. The return bus leaves Wallingford Market at 13.15 and then stops in the Moretons at 13.33 and 13.37 respectively before going in to the Orchard Centre in Didcot. This gives us one bus into Didcot at least on a Friday afternoon and a return journey to Wallingford. Obviously this is not ideal, but it does at least give some transport options! And we are still working on it…… Best wishes Veronica Gibbs
Village Cycle Group
Next ride Proposed Thursday 4th May
Meet top of Bear Lane at 9.00am
Previous Ride
We are now onto our 16th ride . Meeting time at Bear Lane is dependant on weather so look at your email for details.
For details of future rides please email Ian Shipton.
North Moreton Village Hall
The village hall is regularly used for activities and events...
If you would like to use the hall or its equipement please contact Marion Shipton by email on firstname.lastname@example.com For bookings please download the booking form attached and email the completed form to Marion.
North Moreton News
Posted by Nora Haycock
A reminder that copy for theMarch issue of NMNews is due by 22nd February!
The North Moreton News summarises what has been happening in and around North Moreton and any up coming events. Click on the corresponding attachment to launch a pdf version of the news delivered quarterly to the residents of North Moreton.
Please send any articles for inclusion to Nora Haycock (firstname.lastname@example.com)
|December 16
|March 17
If you would like to post information on this web site please email the web site administrator at the following link - Contact Administrator


text:
Find a copy online
Links to this item
Find a copy in the library
Finding libraries that hold this item...
|Actualities (Motion pictures)
Silent films
Short films
Nonfiction films
|Material Type:
|Film, Internet resource
|Document Type:
|Visual material, Internet Resource
|All Authors / Contributors:
James H White; William Heise; Thomas A. Edison, Inc.; Paper Print Collection (Library of Congress)
|OCLC Number:
|Copyright: Thomas A. Edison; 31July1897; 43405.
Duration: 0:25 at 30 fps.
Paper print shelf number (LC 0034) was changed when the paper prints were re-housed.
Additional holdings for this title may be available. Contact reference librarian.
Sources used: Copyright catalog, motion pictures, 1894-1912; Musser, C. Edison motion pictures 1890-1900, p. 312; Niver, K. Early motion pictures, p. 50; Edison films catalog, no. 94, March 1900, p. 23 [MI]; Maguire & Baucus. Fall catalogue, 1897, p. 9 [MI].
|Camera, William Heise?
|Event notes:
|Filmed June and July 1897, in Chicago, Illinois.
|viewing print 1 film reel of 1 (25 ft.) : si., b&w ; 16 mm. viewing print 1 reel of 1 (ca. 60 ft.) : si., b&w ; 35 mm. dupe neg pic 1 film reel of 1 (25 ft.) : si., b&w ; 16 mm. dupe neg pic 1 film reel of 1 (ca. 60 ft.) : si., b&w ; 35 mm. paper pos 1 roll of 1 (ca. 60 ft.) : b&w ; 35 mm. paper pos (copy 2) 1 roll of 1 (ca. 60 ft.) : b&w ; 35 mm.
|Thomas A. Edison, Inc. ; producer, James White.
Part of the Erie Railroad series. The following subjects present novel and interesting views along the line of the Erie, such as do not always come within the observation of the general tourist. We are indebted to the courtesy of the Erie officials, whose kind co-operation in affording us every facility within their power has enabled us to procure these unusual and effective pictures"--Edison films catalog.


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Part #: ISM-PM200SA
Digital Microscope ISM-PM200SA
Manufacturer: INSIZE
Range/Size: See specs below
Graduations: See Specs. Below
Price: $360.05
Lowest Price Guaranteed
Product Description:
ISM-PM200SA (EDP 285000) Digital Microscope
The ISM-PM200SA is supplied with measuring software and is capable of taking pictures and videos.
- Magnification: 10X - 200X
- Pixel: 1.3M (resolution: 1280x1024)
- Illumination: Built-in adjustable LED
- Power supply: USB 2.0 cable (voltage required: 5-0.1V)
Standard Delivery:
- Digital microscope
- Stand
- White/black plate
- Focus support ring for 80X/150X
- Focus support ring for 60X/200X
- Calibration rule (graduation 0.1mm)
- Calibration rule (graduation 1mm)
- ISM-PRO software disc
If you have any questions on the INSIZE ISM-PM200SA Digital Microscope, please contact our inside sales department.


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6590 Dale, Hudsonville 49426
See more homes for sale in Hudsonville, MI
This property has been Sold!
07/25/2016 at $184,000
Wonderful Home in Hudsonville. This lovely home sits on a large lot with a great deck for entertaining and dinning, mature trees, and raised bed gardens. The home features a wonderful floor plan with main floor great room with vaulted ceilings and a fireplace. Home has a master bedroom suite with private bath, 2 more good sized bedrooms on the main floor and an updated main floor bath. The Lower level has a family room with Stone fireplace and a rec room, along with an office or potential fourth bedroom. Home has many updates including Anderson casement windows, flooring, paint and a newer water heater. home has been well maintained. This home has not been on the market for 30 years, so don't wait to see this one!
Property Information
- Status
- Sold
- Address
- 6590 Dale
- City
- Hudsonville
- Zip
- 49426
- County
- Ottawa
- Township
- Georgetown Twp
- Possession
- 30 days
- Zoning
- Res
- Total Finished SqFt
- 2,102
- Above Grade SqFt
- 1,252
- Garage
- 2.0
- Garage Desc.
- 2, Attached
- Water
- Well
- Sewer
- Public
- Year Built
- 1979
- Taxes
- $1,875
Rooms and Land
- Basement
- Full Basement
- Cooling
- Central
- Heating
- Forced Air, Natural Gas
- Acreage
- 0.33
- Lot Dimensions
- 132 x 110
- Appliances
- Dishwasher, Microwave, Range, Refrigerator
- Fireplace Desc.
- Family, Living
- Features
- Ceramic Floor, Garage Door Opener, Laminate Floor
- Exterior Materials
- Brick, Vinyl
- Exterior Features
- Deck(s)
Listing Video for 6590 Dale, Hudsonville MI 49426
Mortgage Calculator
Listing Broker
Listing Courtesy of Real Estate 360 Llc
Office Address 4072 Chicago Dr Sw, Ste 22
Listing Agent David Bengston
Listings last updated: . Some properties that appear for sale on this web site may subsequently have been sold and may no longer be available.
Our Michigan real estate agents can answer all of your questions about 6590 Dale, Hudsonville MI 49426. Real Estate One, Max Broock Realtors, and J&J Realtors are part of the Real Estate One Family of Companies and dominate the Hudsonville, Michigan real estate market. To sell or buy a home in Hudsonville, Michigan, contact our real estate agents as we know the Hudsonville, Michigan real estate market better than anyone with over 100 years of experience in Hudsonville, Michigan real estate for sale.
The data relating to real estate for sale on this web site appears in part from the IDX programs of our Multiple Listing Services. Real Estate listings held by brokerage firms other than Real Estate One includes the name and address of the listing broker where available.
IDX information is provided exclusively for consumers personal, non-commercial use and may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing.
All information deemed materially reliable but not guaranteed. Interested parties are encouraged to verify all information. Copyright© 2017 MichRIC LLC, All rights reserved.


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focusingBudding Enthusiast
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focusing replied to focusing's topic in Ford Focus ClubThanks guys, like you say there might be a trick to it - like a locksmith can hit a lock in the right place with a centre punch and all that.. I will let you know! Cheers Tom
focusing replied to focusing's topic in Ford Focus ClubUpdate: I went to my local garage last night to see if they had any bright ideas, but alas after trying everything i have they were left as puzzeled as me! Surely i dont have to smash the lock to pieces, cut the door off or lever it open if i ever want to solve this issue - if so Mr Ford thats pants!!?? Cheers Tom
focusing posted a topic in Ford Focus ClubHi guys and girls - please be gentle its my first post! Our 99' focus refuses to allow you to open the OSR door from either inside or out. I took the door card off to see if i could identify the problem, but alas i've found nothing suspicious, other than the button to lock the car from within isn't 'right' - it does not click from lock to unlock or visa versa as it should, so clearly has something to do with the problem. I can peer through and see the arms of the lock mechanisim clearly moving, so its nothing as simple of the cable snapped, or handles broken etc - i fear its in the lock itself where the problem lies. So, my question is, where do i go from here, i can't access the screws to remove the lock body with the door closed..?? :( Your help on this one would be much appreciated! Cheers Tom


text: Update, Besides a new Xalan-C/C++ download page to review, I have also updated the WhatsNew page. Steven J. Hathaway > Hi, > > I have a new download page on my committer's website for review. > > http://people.apache.org/~shathaway/docs/xalan/xalan-c/download.html > > Please review this for Xalan-C/C++ version 1.11 project release issues. > > I was having problems getting the