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When you search for clips in a Microsoft Office program (on the Insert menu, point to Picture, and then click ClipArt), instead of seeing the clips that you expect on the Clip Art task pane, you may see missing clips that are titled Dglxasset.aspx. Additionally you may receive the following error message when you try to insert clip art in an Office program:
The appropriate graphic converter is not available.To determine the unique number that is associated with the message that you receive, press CTRL+SHIFT+I. The following number appears in the lower-right corner of this message:
This problem may occur because of temporary Internet files that are located on your computer. This problem may occur even if you do not use Microsoft Internet Explorer as your Web browser.
To work around this problem, delete the temporary Internet files in Internet Explorer. To do this, follow these steps:
- Start Internet Explorer.
- On the Tools menu, click Internet Options.
- On the General tab, click Delete Files.
- In the Delete Files dialog box, click
Note The deletion of files may take several minutes to complete.
- Click OK to close the Internet Options dialog box.
Article ID: 835413 - Last Review: Sep 12, 2011 - Revision: 1
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UPSC NDA II Exam 2015 pattern, NDA – NA II Previous Year papers download, www.upsc.gov.in, UPSC NDA II recruitment process paper pattern, UPSC NDA II Exam format 2015, NDA NA 2 Late Year Papers Download
UPSC is the central agency authorized for organizing many exams like- Civil Service Exam, Medical Engineering, SCRA, CDS, NDA NA (Naval Academy) etc. UPSC NDA NA Exam will be held two times in a year-April and September.NDA NA declare notification regarding recruitment of Indian army and Indian navy air force job 2015.
UPSC NDA II Previous year Question Papers
UPSC NDA II Exam will be conducted on 27.09.2015 at various examination centres for entrance in Army, Air force and Navy for 136 courses, 98 for Indian Naval academy course. National defense academy exam conducted in 2 shifts (Morning & Afternoon). Candidates who qualify the NDA II Exam will get admitted in 4year B.Tech course and then training session of the selected candidates will be held.
Number of vacancies (Posts) in UPSC NDA NA II Exam Pattern
National Defense academy – 320 Posts
Army – 208 Posts
Air force – 70 posts
Naval Academy – 55 Posts
Mathematics – 300 Marks
Exam Pattern of UPSC NDA II Exam 2015
Mathematics – 300 Marks
General ability – 600 Marks
GD & Personal Interview – 900 Marks
Exam consists of 2.30 Hours. There is a provision of 0.25 marks in NDA II exam.
Part I – Mathematics
Part II – General Ability test which is bifurcated in –
Paper A – English
Paper B – General Knowledge which includes- Physics, Chemistry, Science, History, Geography and Current events.
NDA II Model Test Papers
Large number of applicants applied for the UPSC NDA II Exam. After the last date of filling of application form candidates are waiting for the Exam Pattern & Previous year papers which will be available on the official website. Students are advised to follow the syllabus, exam pattern and solve model test paper and previous year questions to crack the exam.
Steps to Check UPSC Exam pattern & Previous Year Papers of NDA II 2015
Step 1:- First candidate has to visit the official website of www.upsc.gov.in
Step 2:- Then search UPSC NDA II Exam pattern & previous year papers
Step 3:- UPSC NDA II Exam pattern & previous year papers will appear on computer screen in PDF Format
Step 4:- Download the UPSC NDA II Exam pattern & previous year papers
Step 5:- Take print out of the UPSC NDA II Exam pattern & previous year papers for future correspondence.
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Actors: Alison Tyler - Jamie Stone
Categories: Brunette - Tattoo - Blowjob - Deepthroat - Tit Fucking - Massage
Source: massage-parlor
Description: Alyson Tyler relieves Jamie's muscle pain in a kinky way
Published on 2013-08-07
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A white Trump delegate from Illinois is no longer a delegate after she posted an image with racist remarks in the hope of seeing police kill black people at the RNC Convention.
Lori Gayne of the Fifth Congressional District was on the floor of the convention when she was approached by Lynn Sweet of the Chicago Sun-Times over a Facebook post she made under a different name in which police snipers are standing on the roof of the Rock & Roll Hall of Fame Museum with the caption, "Our brave snipers just waiting for some "N—- to try something. Love them."
After being outed by the Chicago Sun-Times, the Illinois Republican Party revoked Gayne's credentials and sent her packing.
"The Illinois Republican Party has zero tolerance for racism of any kind and threats of violence against anyone," Illinois GOP Chair Tim Schneider said in a statement condemning Gayne.
I condemn in the strongest terms the racist comments and threats of violence made by Ms. Gayne, a member of our delegation to the Republican National Convention. Ms. Gayne brought the statements to the attention of Illinois Republican Party staff after being contacted by Lynn Sweet of the Chicago Sun-Times," Schneider said in statement. Let me be unequivocally clear — racism and threats of violence have absolutely no place in the Illinois Republican Party or in a civil and inclusive society.
The Illinois Republican Party believes that inciting violence against anyone attending the RNC places state delegations, demonstrators exercising their First Amendment rights, and law enforcement personnel needlessly in harm's way. Therefore, I have consulted with the Executive Committee of the Illinois Republican Party and have revoked Ms. Gayne's credentials as a delegate to the Republican National Convention.
Now this is what a reasonable political party should do and you have to wonder if Trump agrees with the Illinois GOP.
In an attempt to "apologize," Gayne claimed, "The statements do not reflect my character or feelings toward minorities," even though she used a racial slur to describe black people. "As a Jewish woman, I know that racism of any kind is unjustifiable and hurtful, even when it's not intended. I also know that violence is never the answer to political disagreements."
Yeah, apology NOT accepted. And here's why. This is what Gayne told the Chicago Tribune in May.
"With all the racism going on today, I'm very proud to be white. Just like black people are proud to be black and now, as white people, whenever we say something critical we're punished as if we're racists. I'm tired of it. I'm very proud. I'm so angry I don't even feel like I live in America. You can call me a racist. Black Lives Matter? Those people are out of control."
Black Lives Matter protesters are not going around shooting police officers. Police officers, on the other hand, have unjustly shot and killed many black men in recent years. And you don't hear Gayne calling police "out of control."
Indeed, Gayne went on to praise Trump because she hopes he will take America back to the 1960s, presumably before we had landmark pieces of legislation like the Voting Rights Act and Civil Rights Act and back to a time when Jim Crow laws still existed throughout the South.
This is inexcusable behavior from a GOP delegate and one has to wonder just how many more white supremacists are delegates this year. Clearly, Donald Trump has opened the doors for racists to take over the party and considering the rising racial tensions in this country and the tension between African-Americans and the police, the last thing this country needs is someone like Gayne trying to spark violence.
Featured image via YouTube


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text: Wes Anderson's 2001: A Space Odyssey is the mashup you didn't know you wanted "Daisy, daisy..." ARTICLE CONTINUES BELOW By Jonathan Holmes Wednesday 19 October 2016 at 11:24AM If Wes Anderson were ever to direct a sci-fi, it would probably be about a tambourine powered bicycle that could travel through space. Or it would be the Life Aquatic. What it certainly wouldn't be is Stanley Kubrick and Arthur C Clarke's epic, ponderous 2001: A Space Odyssey. And yet, and yet... We simply can't believe how well this edit from Brandon C. Long works. The music's perfect, the non-nonsense astronauts now sound like hipster dorks, and even the special effects look like they're stop motion toys. Nice work, and a reminder that Anderson can be surprisingly versatile. continue reading


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Elle, July 1990
Laura Dern, her flaxen hair tumbling on the scarlet silk teddy she wears over skin-tight bicycle pants, is sprawled in the passenger seat of a ´65 Thunderbird convertible driven by Nicolas Cage. When he parks it by a two-bit motel, the 23-year-old actress gets out and stretches like a beautiful cobra in the late afternoon sun. Cage, impassive in sunglasses and a jacket made from python skins, is her cool-cat beau in Wild at Heart, the movie they are making together, but her snaker charmer is the director David Lynch.
Dern and Cage play Lula Pace Fortune and Sailor Ripley in the film, based on Barry Gifford´s terse picaresque novel about a Deep South Romeo and Juliet on the lam. "David´s nickname for me is the Tidbit," Dern later explains. "My nickname for him is also the Tidbit, which some people find rather bizarre. When we were making Blue Velvet and in our friendship since, going to dinners with friends and so on, I would do crazy things, or make wild, sexual jokes, and David would say, 'She´s such a tidbit - she´s the ultimate tidbit.'
When he asked me to play Lula, he said he wanted me to play her as the Tidbit, because no one knew that side of my character that he had seen. Then I knew that he just wanted to open all the doors for me and let me leave the planet - and I do, I get to go to Jupiter in this movie. Lula is the wildest character I´ve ever played, and in a way the sanest, because I never felt repressed. It was as if I was on a drug for three months. When I saw the film, I was surprised that Lula was subtler than I thought. Perhaps in my wildness I got back to being to who I think I really am.
Lula´s a very body-oriented, sexual character," she continues, "but I don´t think she ever becomes a trampo because she´s so unself-conscious. She doesn´t care what other people think about her, and that enables her to get away with so much more. She just happens to like hot pink that shows her tits real good because it makes her feel good - she doesn´t think, Boy, I´m going to turn this guy on with this dress. She´s just turned on by anything that´s sensual - and Sailor´s turned on by that.
And she gets turned on by him because though he´s so Elvis, he´s also the ultimate protector.
Things get about as dark as they can get in Wild at Heart, but I don´t think we´ve seen a love story as pure as this for a long time. It´s David´s favorite kind of love - which is cool love and love on the run and Viva Las Vegas, like fifties love. It´s more about love than Blue Velvet, which was so symbolically about light and dark that my character, Sandy, became a kind of sentimental archetype."
Calm and phlegmatic, permanently ruminating on a match, Lynch has spent some part of the morning touching up the motel sign with a paintbrush. After watching Dern uncoil another four times, he mutters, "Cut," and wanders off to embrace an old friend. The actor Jack Nance spent five years playing the bewildered Henry in Lynch´s long-hatching first feature, Eraserhead, and has just arrived on the dusty San Fernando Valley set to play a deranged dog-loving rocket scientist in Lynch´s fifth feature. This is all very touching, but when is something strange going to happen? You do not visit a David Lynch movie looking for light, languor, and family reunions.
Come twilight, the motel court-yard has been illuminated with fairy lights, and Lynch´s cinematographer, Frederick Elmes, is framing another shot. Lula and Sailor are drinking at a table with assorted misfits - Nance, John Lurie, a good ol´ boy, a magician who produces doves and flames from his handkerchief. "I brought this guy on the set who reached over and pulled a quarter out of my nose," Lynch muses, "and I realized that to have him in the film would create a mood. I love the idea that something magical or phenomenal could happen in a person´s life - in all our lives. It´s about outside forces operating, and magic is an indicator of that."
At the approach of Willem Dafoe, who plays Bobby Peru, a vicious hustler with rotting teeth and a moustache like a scar, squeals rend the air and three fleshy porno actresses in veils and bikinis dance out of a chalet. Their combined weight, I would guess, is 900 pounds, but they do not faze Bobby, who shakes Sailor´s hand and mauls Lula - who´s changed into a black leather bra and micro-mini - with his eyes. When he leaves, the odor of malice lingers, and you get the sense that the tall, blond, white-midriffed girl has been crawled on by a tarantula.
In contrast to Sandy, the beatific high-school Sandra Dee that Dern played in Blue Velvet, Lula is a chain-smoking, speed-metal freak, hungrily in love with her parole-breaking Sailor, as he is with her. Escaping from Lula´s jealous mom (Diane Ladd, Dern´s mother), and her detective boyfriend (Harry Dean Stanton), Sailor and Lula zig-zag across the South, reminiscing about the violent deaths of various relatives, making love in murky motel rooms, encountering all kinds of weirdos and transients.
Is Laura Dern David Lynch´s muse? He not only modeled Lula as much on Dern as on her brunette counterpart in the novel, but says he would have considered no other actress for the role.
"Laura is a real special person, and a special person to me," he says. "She´s real smart. She´s beautiful in an offbeat way, but very beautiful especially when she moves. She´s got a great sense of humor. She understands sexual things and human nature, but she´s pretty young to know all that. She´s very mature - but she´s got kind of a wild, free nature as well."
No matter how wild, or how cruelly she suffers at the hands of Bobby Peru in Wild at Heart, Dern is a fresh peach in Lynch´s overripe America, not really serpentine at all. It probably thrills Lynch to cast his girlfriend, Isabella Rossellini, as the Sick Sadie of his movies instead. The sex victim of the ferocious psychopath Frank (Dennis Hopper) in Blue Velvet, Rossellini´s Dorothy Vallens is a fright-wigged torch singer who fellates the boy detective Jeffrey Beaumont (Kyle MacLachlan) when she discovers him spying on her - and then tenderly implores him to "Feel me. Hit me." In Wild at Heart, she plays, in an ill-fitting blond wig, Perdita Durango, a spiteful Chicana who drowned her baby.
The curve ball that David Lynch threw the critical establishment when he presented the extraordinary Eraserhead (1977) - featuring Nance as the father of a skinless, screaming mutant, and Elme´s sooty photography - was that of a gee-whiz all-American boy entranced by images of organic decay, industrial tumult, sexual brutality, and lush depravity. That scandalous incongruity persisted even as Lynch definitely entered the mainstream with the spring success of his TV soap, Twin Peaks. Journalists are still dumbfounded by Lynch´s placidity, his normalcy, as if he should be a mad poet-dreamer or bent aesthete, a sort of Pop-Art Aleister Crowley. I don´t know what demons drive Lynch, but it is perfectly reasonable these days for an artist of the night to be respectable and hardworking by day. His occult stimulant, he often claims, is caffeine - his ideas are inspired by the sugar-silted cups of coffee he drinks in diners like those in Blue Velvet, Wild at Heart, and Twin Peaks. It´s a Diet Pepsi he sips with a tuna salad sandwich during our $9 lunch in an old Hollywood café, the coffee machine behind the counter roaring like a buzzsaw in Twin Peaks´ mill.
Lynch is unresponsive to questions that ask him to comment on meaning in his work. All he will admit is the need to create an ambience, for its own sake. His films, and the paintings he does in his spare time, take shape from the images that float into his head and coalesce there in coherent or abstract forms - floating is a recurring motif in his work, a device that can take him and his audience into unbidden realms. There have been few bona fide Surrealists in Hollywood, but Lynch is one bit simply because his compositions are specific in their abstruseness, but because, as in dreams, you never know what dank subterranean craves will lead to next: the brackish wormscapes of Dune (his gargantuan sci-fi folly); the erotic netherworld Jeffrey discovers inside the labyrinths of a severed ear in Blue Velvet; or the cankered but fragrant lumber town of Twin Peaks. It´s easy to see why the idea of making a road movie appealed to Lynch - as did the moods Gifford´s Southern Gothic vernacular must have conjured up over a fourth syrupy cup of Nescafé.
Lynch resents being labeled a poet of the macabre. "I don´t want to give the impression that I sit around thinking of horrible things, you know. I get all kinds of different ideas and feelings. If I´m lucky they start organizing themselves into a story - then maybe some ideas come along that are too eerie, too violent, or too funny, and they don´t fit that story. But if the ideas are good, you write them down and save them for something else maybe two or three projects down the road. There´s nowhere you can´t go when you´re making a movie - if you can think of it, you can go there, I guess.
"I think you discover a lot when you make a film, but that´s not the reason you´re doing it. When I was making Eraserhead, I realized that I was discovering certain ..., er, personal things. I realized that I was talking in a sort of code, and later on I understood some stuff about myself that I didn´t know at the time, but did know subconsciously." Eraserhead is nothing if not an allegory of the primal terrors of fatherhood. Lynch (who has been married and divorced twice) is the father of seven-year-old Austin and 22-year-old Jennifer - who was born with a club foot. Now a filmmaker herself, Jennifer - the author of a screenplay called Boxing Helena, in which Madonna may play the role of a girl whose limbs are amputated by her possessive boyfriend - recalls growing up on the set of the movie. "None of the things that took place ever struck me as bizarre. They were just intriguing me. My father´s always been in love with factories and soot and the dark side of things, much more than with actual evil. I think darkness fascinates him because people feel they can cut loose at night. In Blue Velvet, he went way down into this dark world of obsession and showed how we key into things that are bad for us but which make us feel good."
As might be guessed, he told her stories when she was growing up. "They were wonderful, although I wouldn´t necessarily tell them to any children of mine! They were his way of expressing lessons to me and they were always about something he had seen or was creating. I think a lot of the things he says and does are less to do with his own life than with what he´s seen, and it´s through those patches of ideas that you get to know him. He sidewinds around things but in such a mysterious way that you never feel you´ve been cheated out of anything - you just sometimes feel he´s avoiding the subject of himself. I´m sometimes concerned with the fact that when he and I are talking, other things are going on for him: That´s not to say he´s not attentive, because he is, but he has this third eye that looks at everything differently, before anyone else does. He´s always pointing something out in a way that people might not want it pointed out."
"David has a real knack for making you very uncomfortable," says Nance, reflecting on the scene in Blue Velvet in which the brutalized Dorothy turns up naked at Jeffrey´s house. "When a woman has been attacked or stripped, the first thing you´d do is put a coat on her. But David didn´t do that - and so she stands around nude until finally the mother says, 'I´ll get a coat,' as an afterthought. I found myself laughing out of embarrassment."
My father´s very in love with the cleanliness and patriotism of America," adds Jennifer. "How stable it appears on the outside, and how behind every door there is something off-kilter."
Lynch locate moral squalor there, too - the putrefying of the American Dream in its emotional heartland, the home. It is no coincidence that the sadomasochistic heroine of Blue Velvet takes her name from Dorothy in The Wizard of Oz, or that a good witch appears in a dream to the recidivist Sailor in Wild at Heart. And it is the fairy-tale twinning of good and evil in Lynch´s work that makes it so watchable, and implies the need for a moral reordering. The hypnotic to and fro between the compassion and cruelty meted out to John Merrick in The Elephant Man, and the uncontaminated beauty hiding in his nightmare anatomy, forcibly align its maker with Jean Cocteau.
"I like to have contrasts in a film because there are so many horrific things and so many beautiful things in life," says Lynch simply. "When they talk to me, most people dwell on the frightening, dark parts and they don´t even mention the things that make them feel good about the films. Right or wrong, the Dennis Hopper character is, to most people, the coolest character in Blue Velvet, and yet there´s another side to that picture. The scene in which Sandy tells Jeffrey about the robins is real important to me. It´s a strange scene, that´s for sure. I remember working with Laura on it and this kind of feeling emerging - I don´t know whether it´s like a fifties party dream or a fifties in-a-girl´s-bedroom kind of euphoric, wondrous romantic dream. On one level, it´s kind of goofy, but it makes you feel really good. If a film makes you recoil just to make you recoil, that´s no fun at all. It has to be done in the context of something that´s thrilling, and you have to hope that it will take you somewhere fantastic."
Like other modern American Renaissance artists - David Byrne, Laurie Anderson, Jonathan Demme - Lynch runs the risk of spreading himself too thin, but the age it took to make Eraserhead and the failure of Dune have seemingly spurred on him on to multimedia workaholism. He finds his current fame alarming, however. "The important thing is to do the films and the other things you can control. The rest is diabolical - it will screw you up. To hear what people were saying about me after Dune could have completely destroyed my confidence and happiness, and you need to be happy to make stuff. Sometimes when you talk about it, it helps you, in a weird way, to figure out what you´re doing. But if you talk about it too much, it can break the magical spell - especially for me, since I like to go on my intuition. Something could be so ridiculously somple that if you analyse it, you will lose the drift. I couldn´t make a film if it wasn´t completely thrilling."
A few weeks after wrapping up Wild at Heart, Lynch and his son are sitting in the stalls at the Brooklyn Academy of Music watching rehearsals for Industrial Symphony #1, the concert he mounted with composer Angelo Badalamenti for singer Julee Cruise. Fuming industrial pipes dissect the stage and dozens of plastic dolls float on wires above it, as, later, will the angel-voiced Cruise (recalling the fairy that the Elephant Man watches flying above a London stage). "It´s gonna get violent," Lynch warns Austin, predicting Cruise´s shrieking death dive. The image of a naked girl climbing from a car onstage is partially mirrored in Wild at Heart, but the strongest link between the movie and the concert was the short film, projected as the latter began, that showed a pair of lovers splitting up on the phone. Since they, too, are played by Cage and Dern, is this a symbolic ending for Sailor and Lula? Lynch denies it, and Dern agrees with him. "But I think it might have been if David had taken Wild at Heart further, because its original ending was a little closer to that than it is now. I think he realized that if you´re going to find love in Hell, you´re going to make it out the other side."
When Sam Goldwyn, Jr., and I were doing the dance to see if he would distribute Wild at Heart, he told me he hated the way the first draft of the script ended," says Lynch. "I felt, too, taht it would be wrong to leave Sailor and Lula without some kind of hope. Not that there´s a happy ending - although that could be a red herring I´m throwing you."
So is David Lynch really mild at heart, a closet Hollywood romantic? "The beauty about him," Dern concludes, "is that because he gets all this weird stuff out of his system, he´s quite a normal man. I´ve met directors who make very sane films who disturb me much more as people. And David just keeps coming up with all this stuff - he´s the ultimate Tidbit."


text:
It was dark and it was cold, and Carla was all alone.
The three hours since she'd woken up here - wherever ''here'' was - had felt like days. She'd curled herself up in the corner, her back leaning against the icy stone wall, trying to warm herself up by hugging her knees, but it was no good.
She'd cried out a couple of times, for her son and then even for her husband, which was ironic - but once the echo of her own pitiful voice died away she was left with the lifeless silence once more.
She had no idea what was happening but her brain was numb and her head hurt too much even to think about it. Tentatively she put a hand up to her throbbing temples and felt her own warm blood on her fingertips. She couldn't tell how much she'd lost but she knew it couldn't be good.
Suddenly a shaft of light appeared as a door opened. A figure, tall and dark and cloaked in shadows, entered the room.
The door closed.
It was dark and it was cold, and Carla was not alone.
Chapter One
Energy Spike
It's good to be part of a team. It wasn't really something Clyde had been used to until he'd moved to Ealing. He'd always been popular at school, sort of a leader, but that was in a more casual, jokey sort of way, not a team in which you knew you could really rely on each other.
It was like that with Sarah Jane and the gang, he thought. Kind of like being on a ship. Sarah Jane maybe the - unassuming and unofficial - captain, being the one with the car and the supercomputer and the alien know-how, but Clyde and the others were all vital members of the crew. And that wasn't him boasting, for once. It was true. And it felt good.
It was hard to explain, but in a weird way he felt almost closer to Sarah Jane, Luke and Maria - and now Rani - than he did to his own mum. Connected, somehow. Like letting them down would be worse than betraying his own family.
When Maria moved away, he'd felt something he didn't recognise - he still couldn't put a finger on it - almost like losing a sister. Of course he could never tell Luke that. Not that Luke would be able to tease him exactly - Luke was a lot more open about missing Maria than Clyde was, and anyway he hadn't quite grasped the concept of taking the mick yet - but Clyde knew that the moment he told anyone he missed Maria, the feeling would change. He wasn't sure whether he wanted it to, or not.
He was brought suddenly back to earth when his maths teacher, Mr Lattman, dropped a heavy workbook on the desk right in front of him, making a loud banging sound.
Clyde was slightly bemused, but not really that bothered, to find that he'd completely dreamed away most of the lesson, and therefore had no idea what page he was supposed to be on.
Oh well. No surprises there.
He leaned over to look at his mate Danny's book; it was open on page 236. Algebra. How inspiring.
''And I'm sure you'll be very pleased to hear that I've marked your homework from last week, and the reward for those of you who actually handed it in - all six of you - will be that you won't have to stay behind after school today to explain why your weekend was far to hectic to manage one page of simplified expressions.''
Clyde sighed, looking down at his maths exercise book, today's page still empty except for a few absent-minded scribbles in the margin. Of course, he could explain why he hadn't really had time for maths homework that weekend. But somehow he didn't think that ''Please sir, I was too busy trying to save the world from being taken over by a freaky alien thing with no face who wanted to rewrite the whole of earth's history'' would go down too well with his teacher. Even if it was the truth.
''So, everyone except Laura, Bethany, Sam, Matthew, Amy and Rashid can stay behind after the bell rings,'' Mr Lattman continued. ''There's twenty minutes left of the lesson so you can all start thinking of some very good excuses while you complete exercises 2a and b.''
Clyde had battled Sontarans and Gorgons, Berserkers and shape-shifting clowns from outer space, but he was sadly powerless against portly maths teachers with too much time to spend handing out detentions.
Unless they were Slitheen in disguise, of course.
''Clyde, where have you been?'' Rani asked as he entered Sarah Jane's vast attic. ''We were supposed to meet here at 3:45! It's 4:30!''
''Is it?'' Clyde asked, grinning his trademark grin as he went to join Rani, Sarah Jane and Luke, who were standing in front of Mr Smith. ''Sorry. Had a Maths detention with Mr Fattman.''
Luke looked confused. ''There isn't a teacher at our school called Mr Fattman.''
Clyde rolled his eyes. Sometimes Luke's incredibly advanced, but also incredibly literal brain, was just too much to bear. ''It's a nickname, Luke. For Mr Lattman.''
Luke paused to consider this. ''So...changing the first letter of someone's name is funny?''
''Only if it makes a word that's funny. Fat man? And he's fat?''
Luke looked blankly at him.
''Oh, never mind,'' Clyde groaned. ''We'll get back to that later. What's this?'' he asked Sarah Jane, nodding at Mr Smith's screen, which was showing a lot of squiggly lines in different colours.
''Just a scan,'' said Sarah Jane, ''of the surrounding area. Mr Smith picked up some unusual energy spikes early this morning and we're just seeing what we can find.''
''My scan shows only one recent example of extra-terrestial activity,'' said Mr Smith in his calm, measured voice. ''A small ship has fallen into orbit around earth and has been broadcasting on a betawave frequency since 100 hours this morning.''
''Can you pick up the broadcast?'' Sarah Jane asked, that little bit of excitement and anticipation which Clyde knew so well creeping into her voice.
''Opening,'' said Mr Smith patiently.
There was a hiss and a crackle, and after a moment they heard a voice.
''...repeat, we need more subjects, a number of them have primaterminated. All scouts to report to the mothership.''
Then there was a scratching sound and Mr Smith's voice came again. ''Connection lost.''
''Whew. What was that all about?'' Clyde asked, eyebrows raised.
''I'm not sure,'' said Sarah Jane worriedly. ''Mr Smith, are you able to tell us the origin of the signal? The species?''
''No data,'' said Mr Smith infuriatingly.
''But what did it mean?'' asked Rani. ''What's - prima-whatsit-ated?''
''Primaterminated,'' Luke corrected her. ''It means something's died before it was supposed to.''
''That doesn't sound too good,'' said Clyde.
''No, it doesn't,'' said Sarah Jane. ''Mr Smith, keep an ear out for any other similar broadcasts, will you?''
''Understood. I will monitor the betawave,'' said Mr Smith.
''Well, I'd better get back,'' said Rani once they'd moved away from the supercomputer. ''Mum'll be wondering where I am.''
''Yeah, me too,'' said Clyde. ''Later, Luke. Bye, Sarah Jane.''
''Good bye, Clyde, Rani,'' said Sarah Jane.
''See you later, crocodile,'' said Luke.
Clyde groaned. Tomorrow he'd have to give Luke some more coaching.


text:
The Nokia 5300 is compact but just weighty enough to feel robust. The two-tone colour scheme (red and white or black and white) is most likely to appeal to teens. It features a spring-loaded slide mechanism which opens to reveal a spacious keypad.
The music player is the Nokia 5300's standout feature, with dedicated keys, bundled software and expandable memory. Elsewhere, a 1.3-megapixel camera, video recorder, 262,000-colour display, Push-To-Talk and Instant Messaging.
The Nokia 5300 has simple-to-use music functions so you can download, transfer and manage files easily. The joypad is a little fiddly. Everything else is straightforward enough -you shouldn't need to take too much time reading the manual.
A 3.5mm jack means you can plus a decent set of headphones into the Nokia 5300, and we would recommend it for a good sound quality. Other than the music player, everything else performs as well as you would expect.
The Nokia 5300 has 200 minutes of talktime. That's hardly brilliant - especially if you are out and about with 2GB worth of music in your pocket.
Review by Sunetra Chakravati,12/12/2011 3:48:25 PM
Look and feel
Ease of use
Battery life
Very compact for a specialist music phone.
Niche design appeal and no 3G means slower downloads.
Nokia is aiming for the mobile music lover with the 5300, a handset it clearly hopes will be used as a primary music player. The Nokia 5300, part of the XpressMusic range, features dedicated music keys, boxed music software and a free 256MB microSD card. But does it have the talent to be considered alongside the top Sony Ericsson Walkman or Nokia Nseries phones?
The Nokia 5300 is a compact handset that's just weighty enough to feel robust. The two-tone colour scheme (it comes in red and white or black and white) makes a refreshing alternative to the chrome or black handsets out there, but is most likely to appeal to teens.It features a spring-loaded slide mechanism which zips open and shut with a satisfying click. The design allows plenty of room for a decent-sized screen, four soft keys and a neat, if fiddly, joypad. Slide the phone open to reveal a roomy keypad.
Looking at the Nokia 5300's musical merits, it has some obvious strengths and weaknesses when compared to, say, the Sony Ericsson Walkman W950i or Nokia N91. As an EDGE phone, downloading on the 5300 will take longer than it does with its 3G-enabled contemporaries. And while it can't match the built-in memory of the W950i or N91, you can bolster the memory with a 2GB microSD card (available separately) which can store up to 1,500 songs. So, really, it competes with all but the mobile music juggernauts.The Nokia 5300's music player supports MP3, Midi, AAC, AAC+, eAAC+ and WMA formats, which itrumps both the iPod and the Walkman range, neither of which can play Microsoft's WMA files. You can download music direct from the internet via the operator's online portal, or transfer music files using bundled software.
Music is clean and clear, although somewhat booming in speakerphone mode. Fortunately, the Nokia 5300 comes with a universal headphone adapter, enabling you to use the phone with a wide variety of 3.5mm headphones. On our handset's performance, we'd recommend that you do just that.There's also a built-in FM radio in case you fancy listening to someone else's music collection.
Aside from the music, the Nokia 5300 is a pretty rounded Symbian Series 40 phone with decent features. There's a run-of-the-mill 1.3-megapixel camera on board, a video recorder and video player, as well as a sharp 262,000-colour display, Push-To-Talk and Instant Messaging with Presence.We also found a great game pre-installed on the memory card. Pro Snowboard is a game where you perform stunts on the piste for points. It manages to mix simple gameplay with intuitive controls and good graphics. It kept us hooked for a week as there are enough levels to keep you going back for more.Ultimately, the 5300 is a good all-round mobile and a simple and capable music phone. It's not an iPod slayer, but it's no dud either.


text:
Tuesday, April 21. Local: Museo Iberê Camargo AM Session. 09:15-10:30 Suzana Herculano-Houzel UFRJ, Brazil Humans are special - aren't we?
- Tamsyn Kelley
- 2 years ago
- Views:
1 Sunday, April 19 Local: ASHCLIN, HCPA, 17:30-18:30 Meeting Registration 18:30-19:30 Reception 19:30-20:30 Diogo Souza, Opening ceremony 20:30-23:00 Entertainment Monday, April 20 Local: Museo Iberê Camargo 09:00-09:15 Jorge Gross, HCPA, Opening remarks 09:15-10:30 Jeffrey Friedman Rockefeller University, USA A Tale of Two Hormones 10:30-10:45 Coffee break 10:45-12:00 Neltair Abreu "Santiago" Independent Artist/Cartoonist Creativity and creation in Arts 12:00-13:30 Lunch PM Session 13:30-14:45 Zoltan Molnar Oxford University, USA Evolution of brain development 14:45-16:00 Denis Burdakov The Francis Crick Institute, UK Brain coordination of instinctive drives 16:00-16:15 Coffee break 16:15 - Guided tour Iberê Camargo Museum Collection 18:00 - Happy hour Tuesday, April 21 Local: Museo Iberê Camargo 09:15-10:30 Suzana Herculano-Houzel UFRJ, Brazil Humans are special - aren't we? 10:30-10:45 Coffee break 10:45-12:00 Jeffrey Friedman Rockefeller University, USA Radio-wave control of feeding and glucose metabolism 12:00-13:45 Lunch PM Session 13:45-15:30 Students Presentation Session 1 (see details attached) Chair: Luis Portela, 15:30-15:45 Coffee break 15:45-17:00 Tamas Horvath Hypothalamic control of cannabinoid-induced feeding Wednesday, April 22 Local: FABICO, 09:15-10:30 Luc Pellerin Lausanne University, Switzerland Hunger games: from the astrocyte-neuron lactate shuttle to food intake regulation 10:30-10:45 Coffee break 10:45-12:00 Marcelo Dietrich Primitive circuits controlling behaviors 12:00-13:45 Lunch PM Session 13:45-15:30 Students Presentation Session 2 (see details attached) Chair: Diogo Souza, 15:30-15:45 Coffee break 15:45-17:00 Round of Discussion Session 1 Thursday, April 23 Local: FABICO, 09:00-10:45 Students Presentation Session 3 (see details attached) Chair: Adriano Assis, 10:45-11:00 Coffee break 11:00-12:15 Round of Discussion Session 2 12:15-12:30 Diogo Souza, Final remarks 12:30-14:00 Meeting wrap-up Evening Happy hour (Farewell party)
2 Students presentation Introductory Lecture: Patricia P. Silveira, Assistant Professor in Pediatrics, Students: Jonatas de Paula Oliveira Undergraduate Student in Biological Sciences UENP Ribeirão do Pinhal, PR, Brazil Joselisa Peres Queiroz de Paiva Master Student in Neuroscience and Cognition UFABC Santo André, SP, Brazil Isabela Santos Valentim Master Student in Biological Chemistry UFRJ Rio de Janeiro, RJ, Brazil Isabella Starling Alves Master Student in Neuroscience UFMG Belo Horizonte, BH, Brazil Beatriz Mizusaki PhD Student in Physics Session 1 Tuesday, April 21 13:45-15:30 Chair: Luis Portela, Session 2 Wednesday, April 22 13:45-15:30 Chair: Diogo Souza, Students: Bertha Cristina Bueno Bock Undergraduate Student in Psychology UCPel Pelotas, RS, Brazil Eduarda Demori Susin Master Student in Physics Claudia Angelica Bonilla Escobar Master Student in Neuroscience and Cognition UFABC Santo André, SP, Brazil Cristian Figueroa Master Student in Neuroscience Rafael de Oliveira Schneider PhD Student in Molecular and Cellular Biology Roberta de Paula Martins PhD Sstudent in Biochemistry UFSC Florianópolis, SC, Brazil Session 3 Thursday, April 23 09:00-10:45 Chair: Adriano Assis, Students: Gabriela Godoy Poluceno Undergraduate Student in Biological Sciences UFSC Florianópolis, SC, Brazil Yasmine Nonose Master Student in Biochemistry Gabriela Pandini Silote Master Student in Biochemistry and Pharmacology UFES Vitória, ES, Brazil Victor Daniel Vasquez Matsuda Master Student in Neuroscience and Behavior USP São Paulo, SP, Brazil Ana Paula Crestani PhD Student in Neuroscience Denny Marcel Seccon PhD Student in Biochemistry UFPR Curitiba, PR, Brazil
3 Speakers Keynote Speaker: Jeffrey Friedman Rockefeller University, USA Radio-wave control of feeding and glucose metabolism Chemical and optical methods are in common usage for modulating neural activity and each approach has distinctive attributes. Optogenetics enables rapid regulation of cells but requires permanent implants and is most useful for activation in a small anatomic region due to the limited dispersion of light (approximately 1 mm). Chemically regulated activation using designer receptors can modulate dispersed cell populations but have slower kinetics. A tool for remote, rapid modulation of neural activity would provide a non-invasive alternative to optogenetics with faster temporal effects than chemical methods. Toward this end, we have developed a new method, NICR- noninvasive cell regulation- using radiowaves (RF) or magnetic fields (MF) to modulate neural activity. The system uses two components; ferritin and TRPV1. Targeted neurons express modified ferritin to generate iron oxide nanoparticles. Ferritin is tethered to TRPV1, a temperature sensitive, cation channel. RF and MF penetrate tissue resulting in heating/motion of the nanoparticle to gate the channel leading to gating of this cation channel and neural activation. In addition, point mutations of TRPV1 channel (TRPV1Mutant) alter its ion conductance from cations to chloride ions to allow non-invasive silencing of neurons. This method has been used to define neural circuits controlling glucose metabolism and food intake and a summary of these data will be presented. Neltair Abreu Santiago Independent Artist/Cartoonist, Brazil Creativity and creation in Arts
4 Speakers Zoltan Molnar Oxford University, UK Evolution and brain development Comparative developmental studies of the mammalian brain identify key changes that might have generated the diverse structure and function of this organ. The radial and tangential enlargement of the cortex was driven by changes in the cortical neurogenesis, in particular the elaboration and cytoarchitectonic compartmentalization of the germinal zone, with alterations in the proportions of various progenitor types. Clonal analysis from selected progenitor populations started to reveal the lineage in various pallial sectors of the mammalian and avian telencephalon. Some cortical cell populations, including some of the earliest generated subplate neurons, arrive to the cortex through tangential migration to converge in a specific area where the various cell populations organize themselves into precise neuronal circuits. Comparative analysis of the similarities and variation in these neurogenetic and migration patterns, together with the analysis of gene expression patterns hold the key to reveal conserved, diverged or converged development. A number of recent studies have begun to characterize the chick, mouse, human and non-human primate cortical transcriptome to understand how gene expression relates to the development, anatomical and functional organization of the neocortex. Understanding the molecular and cellular interactions regulating forebrain evolution illuminates the pathomechanisms of several cortical developmental disorders. Denis Burdakov The Francis Krick Institute, UK Brain coordination of instinctive drives Vital instinctive drives, such as eating and sleep, are coordinated by the hypothalamus, one of the most complex and least understood brain regions. These behaviors are often mutually exclusive and need to be coordinated accordingly to avoid disease. The talk will examine how basic indicators of need, such as glucose, change the activity in different types of hypothalamic neurons, and how these neurons perform local computations by interacting with one another. Electrophysiological, optogenetic, and in vivo imaging evidence will be discussed in other to formulate a model of how specific hypothalamic neurons (hypothetical eat, sleep, explore cells) interact to achieve a unity of purpose in behavior.
5 Speakers Suzana Herculano-Houzel Universidade Federal do Rio de Janeiro, Brazil Humans are special - aren't we? The human brain has long been considered to be an outlier, an exception to the rules of evolution: it is 7 times too large for its body, it consumes 10 times more energy than expected for its mass, it has an enlarged cerebral cortex, and an enlarged prefrontal cortex within it. But does it really? This talk will show evidence of how, once numbers of neurons are considered, the human brain becomes just a large primate brain - although it is made of a remarkable number of neurons in the cerebral cortex equaled in no other species, a feature that can, for the first time, be explained by one cultural development also exclusive to our species: cooking. Tamas Horvath Hypothalamic control of cannabinoid-induced feeding Hypothalamic pro-opiomelanocortin (POMC) neurons promote satiety. Cannabinoid receptor 1 (CB1R) is involved in the central regulation of food intake. In my talk I will show that chemical promotion of CB1R activity increases feeding but surprisingly, CB1R activation also promotes neuronal activity of POMC cells while suppressing the activity of AgRP neurons. I will also show the paradoxical increase in POMC activity is crucial for CB1R-induced feeding, because designerreceptors-exclusively-activated-by-designer-drugs (DREADD)-mediated inhibition of POMC neurons diminishes, whereas DREADD-mediated activation of POMC neurons enhances CB1R-driven feeding. The Pomc gene encodes both the anorexigenic peptide α-melanocyte-stimulating hormone, and the opioid peptide β-endorphin. CB1R activation selectively increases β-endorphin but not α- melanocyte-stimulating hormone release in the hypothalamus, and systemic or hypothalamic administration of the opioid receptor antagonist naloxone blocks acute CB1R- induced feeding. These processes involve mitochondrial adaptations, which, when blocked, abolish CB1R-induced cellular responses and feeding. Together, these results unmask a previously unsuspected role of POMC neurons in the promotion of feeding by cannabinoids. Because we have found that hypothalamic "feeding" circuits also control other complex behaviors as well, we hypothesize that the overall action of cannabinoids on behavior maybe greatly influenced by hypothalamic POMC neurons.
6 Speakers Luc Pellerin Lausanne University, Switzerland Marcelo O. Dietrich Hunger games: from the astrocyte-neuron lactate shuttle to food intake regulation Primitive circuits controlling behaviors Brain represents only 2% of the total body weight but it requires an excessively large amount of energy for its function. Glucose has always been considered the main if not exclusive energy substrate for brain cells and it has been assumed that direct neuronal glucose utilization is linearly related to neuronal activity. Over the last twenty years, several evidence have accumulated to challenge this view. A new concept has emerged, termed the astrocyte-neuron lactate shuttle hypothesis, that proposes a prominent glucose uptake taking place rather in astrocytes and a transfer of lactate to neurons that would use it preferentially as an oxidative energy substrate to satisfy their prominent energy needs. The original model has not only seen its scope enlarged to now include oligodendrocytes in the fueling of axons, but some of its features are key for important physiological functions such as learning and memory or energy homeostasis regulation. In my presentation, I will try to give an overview of the scientific path that led me from an initial narrow interest in astrocyte metabolism to the understanding of more complex neurobiological mechanisms. The nervous system evolved to coordinate flexible goal-directed behaviors by integrating interoceptive and sensory information. Hypothalamic Agrp neurons are known to be crucial for feeding behavior. In my presentation, I will present evidence that these neurons also orchestrate other complex behaviors in adult mice. Activation of Agrp neurons in the absence of food triggers foraging and repetitive behaviors, which are reverted by food consumption. These stereotypic behaviors that are triggered by Agrp neurons are coupled with decreased anxiety. These observations unmask the relevance of primitive brain regions previously associated with homeostasis for complex behaviors beyond eating. These findings are relevant to the understanding of diseases with both homeostatic and compulsive components and highlight the multitasking nature of neurons in the mammalian brain.
7 Rounds of discussion Session 1 Wednesday, April 22 15:45-17:00 Zoltan Molnar Ana Paula Crestani Beatriz Mizusaki Bertha Cristina Bueno Bock Gabriela Godoy Poluceno Helena Biasibetti Jonatas de Paula Oliveira Joselisa Péres Queiroz de Paiva Yasmine Nonose Tamas Horvath André Felipe Rodrigues Claudia Angelica Bonilla Escobar Eduarda Demori Susin Felippe Mousovich Neto Giordano Fabricio Cittolin Santos Denis Burdakov Cristian Figueroa Gabriel Cardozo Müller Gabriela Pandini Silote Rafael de Oliveira Schneider Victor Daniels Vasquez Matsuda Luc Pellerin Andressa Wigner Brochier Bernardo Assein Arús Isabela Santos Valentim Roberta de Paula Martins Roberto Farina Almeida Marcelo Dietrich Aline Haas de Mello Denny Marcel Seccon Isabella Starling Alves Matheus da Rosa Valente Session 2 Thursday, April 23 11:00-12:15 Tamas Horvath Bertha Cristina Bueno Bock Isabela Santos Valentim Isabella Starling Alves Rafael de Oliveira Schneider Roberta de Paula Martins Roberto Farina Almeida Denis Burdakov André Felipe Rodrigues Bernardo Assein Arús Claudia Angelica Bonilla Escobar Denny Marcel Seccon Felippe Mousovich Neto Gabriela Godoy Poluceno Matheus da Rosa Valente Luc Pellerin Aline Haas de Mello Gabriel Cardozo Müller Gabriela Pandini Silote Giordano Fabricio Cittolin Santos Helena Biasibetti Jonatas de Paula Oliveira Yasmine Nonose Marcelo Dietrich Ana Paula Crestani Andressa Wigner Brochier Beatriz Mizusaki Cristian Figueroa Eduarda Demori Susin Joselisa Péres Queiroz de Paiva Victor Daniels Vasquez Matsuda
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3 years post op breast augmentation and have recently started getting pain and lumps. (photos)
Doctor Answers 7
Follow up needed urgently
You need to be having at least 18th to 2 yearly checks with your surgeon after breast augmentation and in between anytime there is a change you also need to see your surgeon. You symptoms and a change in shape are suggestive of a possible implant rupture and a check by your doctor and an ultrasound/MRI to exclude rupture are warranted
In person exam required
Learn more: http://www.plasticsurgery-sanantonio.com
Breast Changes 3 Years Post Op
Thank you for your question and photos. Sudden changes and pain should be investigated in person. You could have issues with the implant pocket but also changes to your natural breast tissue such as cysts. Imaging for the breasts such as Ultrasound may be ordered.
All the best
Learn more: http://edelsteincosmetic.com/learning-centre/life-after-breast-augmentation-how-frequently-to-visit-the-plastic-surgeon/
You might also like...
3 years post augmentation
The issues you describe warrant a visit to your plastic surgeon for an exam. He/She may suggest you get additional tests such as a mammogram or ultrasound if the exam isn't sufficient to diagnose the problem. If you have had a recent mammogram, bring the report along for the surgeon to review.
Learn more: http://www.camillecashmd.com/breast-enhancement/breast-augmentation.cfm
Implant needs evaluation
Breast Augmentation/Breast Implants/Anatomic Gummy Bear Implants/ Silicone Implants/Breast Implant Revision
Learn more: http://beverlyhillsbreastandbodyinstitute.com
3 years post op breast augmentation and have recently started getting pain and lumps.
Learn more: http://torontosurgery.com/surgical/breast-augmentation-enlargement/
These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.


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Eyeworks Photographer
Kelsey SheaModel Female Joplin, Missouri, US
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About Me
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Ahold Signs New Infrastructure and Applications Services Agreement with HP
Ahold, an international group of leading supermarket companies in the United States and Europe, yesterday extended its relationship with HP by signing a new seven-year infrastructure and applications services agreement.
Ahold, an international group of leading supermarket companies in the United States and Europe, yesterday extended its relationship with HP by signing a new seven-year infrastructure and applications services agreement.
The contract extension is designed to reduce the complexity and improve the efficiency of Amsterdam-based Ahold's global technology environment.
"Success in today's global retailing market requires more than retailing knowledge — it requires a flexible technology foundation to optimize operations, innovate, serve customers and support company growth," said Mike Klaus, VP and GM, consumer and transportation industries at Palo Alto, Calif.-based HP Enterprise Services. "Extending our relationship will help Ahold further improve the technology services that support its continued business success."
Under the terms of the agreement, HP will continue to provide management and support services for Ahold's global data center environment, which includes mainframes, servers and storage. In addition, HP will implement HP Business Service Automation to make server and storage capabilities more robust and more highly available. Ahold will use HP ProLiant rack servers and HP StorageWorks XP Disk Arrays as well as HP ProCurve 2610 and 5412 switches.
HP also will provide network services for Ahold's extensive network that connects its supply chain and distribution with its 3,000 stores, warehouses and office locations across Europe and the United States.
HP will also continue to manage Ahold's workplace computing environment for more than 200,000 Ahold associates in Europe and the United States. The solution includes a suite of workplace services across its store and office environments, including service desk and site support services. HP also will migrate Ahold employees to HP hardware such as HP EliteBook 2500, 6900 and 8500 series notebooks, and HP dx2400, dc5800 and dc7900 series Business Desktops.
In the United States, HP will provide applications management for several Ahold business and administrative applications. The vendor will deliver these services to Ahold primarily from sites in Argentina, Belgium, Germany, India, Malaysia, The Netherlands, Spain and the United States that are part of the HP Best Shore global delivery network.