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I have decided on Allergan 410FF 375 or 410FM 350 implants under the muscle. To avoid double-bubble I need a lift. The PS (very experienced) says he can insert 410 style implant through periareolar incision and perform crescent lift. I don't care about scars too much. I am worried about nipple sensation and blood flow. Would a full anchor lift with IMF placement of the implants make sense?
What is the Best Incision to Use to Maintain Nipple Sensation with Implants?
Doctor Answers 10
Lift and augmentation
I think a circumareola aug lift will be OK. I do not think the specific incision method affects the sensation. I think it may be more due to the size of the implants used.
Multiple issues including nipple sensation
I would agree with the first response that your "experienced" plastic surgeon doesn't sound too experienced to me. I would condemn the use of both "crescent lifts" and periareolar incisions to put in breast implants and a lift will not avoid double-bubble contour problems.
There are multiple issues here that need defining and response. The first is the need for a lift. It is not possible to judge this from the picture because it is not apparent where the inframammary crease lies in relation to the nipple. If the nipple is more than two centimeters below the level of the inframammary crease in its forward projection, then a lift is the only option and it must be done properly to truly lift the breast and get it to heal in the elevated position. In my experience this requires a true mastopexy done with a periareolar incision and a vertical incision from the bottom of the areola to the crease. This is called a lollipop incision. An anchor incision is not needed but a periareolar or donut incision will usually not get the breast lifted properly or if it does it probably didn't really need to be lifted. I would also do the mastopexy first by itself and then see if an implant is still desirable although the two operations can be done at the same time. Additive risks including blood flow problems go up in combined procedures.
If the nipple is not too low relative to the inframammary crease level, than an augmentation with an implant can be done and I would recommend a properly fitted low or moderate profile round implant (in gels these are called different names). This will fill in the upper pole (scallop), expand the lower pole (below the areola) of the breast which makes it look lifted even though it filled out rather than up. This is best done through an inframammary incision and should not affect the breast or sensation. The incision length can be two centimeters for a saline implant and three to four centimeters for a third generation gel (using a new device to "funnel" the implant in through a lesser incision).
In general, the risk of losing sensation to the nipple is low even for a lift or periareolar incision but avoiding the area entirely would seem to offer less chance of affecting nipple sensation.
Breast augmentation with 410 implants and a mastopexy (breast lift): what incision?
I would say your "very experienced" breast surgeon may need more experience, in that from your photos it would appear that you need a significant lift, either vertical or "t-type", and make sure you are included in the 410 study as these are still experimental devices. The thinking that an implant will provide a lift is false and incision type effects sensation is false. Nerve preservation with pocket dissection for the breast implant is the most important step. I would consider seeing a board certified plastic surgeon with experience in mastopexy-augmentation surgery rather than trialling unapproved devices.
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Nipple sensation with breast lift and breast augmentation
The risk for a change in nipple sensation with breast augmentation is about 15% regardless of the incision used. The nerves to the nipple travel from between the ribs through the breast tissue to the nipple-areolar complex. There are no scientific papers that conclude that any incision is more risky than the others, and the mastopexy incisions will not add to the risk.
I am not impressed with the results from crescent mastopexies. I think you would need a peri-areolar mastopexy at the very least. However, I completely disagree with the statement made by one of my colleagues that the anchor lift is never appropriate for a breast lift. When there is a tremendous amount of redundant skin, especially after weight loss, anchor lifts are necessary. Never say "never", and never say "always".
Anchor scar never indicated for breast lift.
Crescent lift doesn't do much, and anchor scar is not appropriate for breast lift (only for extreme breast reduction).
From your picture. I think you need a "doughnut" lift with a scar around your nipples. With good technique, nipple sensation is preserved. I would also recommend somewhat smaller smooth walled breast implants over the muscle. This would probably give yo the best long term shape.
Best incision to use to maintain nipple sensation
Great question. I recommend either infra mammary or axillary incision to preserve the nipple areolar sensation. It seems to be the best way to protect the tiny nerve endings areound the areolar nipple complex.
From MIAMI Dr. B
Sensation after Augmentation/Lift
Since neither lift method does anything other than remove skin and tighten the skin around the breast (and implant), neither will cause loss of sensation. The one thing that has been shown to cause sensory loss in these procedures is the size of the implant base. The larger the implant base, the greater the loss of sensation. The size you have chosen appears to be reasonable for your frame. You should, therefore, have minimal sensory loss. Everyone has some, but studies have shown that, even with a measurable loss, most people do not notice the loss at a year.
Incision to Maintain Nipple Sensation
Neither the crescent lift nor the anchor lift incisions should pose a significant rick of loss of nipple sensation. In my experience there is little difference in the incidence of loss of nipple sensation with periareolar or inframammary incisions for augmentation, both of which are around 3-4%.
What is the Best Incision to Use to Maintain Nipple Sensation with Implants
You have two questions to answer; 1) the choice of incision generally is not related to loss of nipple sensation but more ot implant size and 2) the use of a crescent lift is only for slight 1-2.5 cm corrections. I would really need measurements to assess your nipple in relation to your crease.
Learn more: http://www.bodysculptor.com/breast-surgery-chicago/breast-enlargement/
Breast reshaping and implant incisions
Hit here-
I would seek at least one other opinion from plastic surgeon very experienced in breast surgery.
My concern is that you will be unhappy (based on your photos) with an attempt at a lift don around the nipple- and once done this is impossible to correct....
With regard to implant placement, I believe placing the implant through an incision far from the nipple is the best way to prevent loss of function, among other problems.
Learn more: http://www.DrArmandoSoto.com
These answers are for educational purposes and should not be relied upon as a substitute for medical advice you may receive from your physician. If you have a medical emergency, please call 911. These answers do not constitute or initiate a patient/doctor relationship.


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rise verb (MOVE UP)
New buildings are rising (= being built) throughout the city. 城中各处一座座新楼拔地而起。
figurative Murmurs of disapproval rose from (= came from) the crowd. 人群中传出一阵阵非难的抱怨声。
› [ I ] to stand, especially after sitting(尤指从坐姿)起身,站起,起立
› [ I ] formal to get out of bed起床
My grandfather rises at five every morning to do his exercises. 我祖父每天早晨5点起床锻炼。
rise verb (INCREASE)
› [ I ] When emotions, etc. rise, they start to increase.(感情)变得强烈,激动
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- The day after the explosion the death toll had risen to 90.
- Used car sales have risen because of the increased cost of new cars.
- Employment levels are unlikely to rise significantly before the end of next year.
- The number of business failures rose steeply last year.
- The party's share of the vote rose from 11 percent in the last election to 21 percent this time.
rise verb (BECOME HIGHER)
The ground rises over there. 那地方地势很高。
More examples
- The temple's grand white arches rose conspicuously over the dirty decaying city.
- At the unspoiled North Bay, three white pyramids rise like futuristic sails from the sea.
- The white cliffs rise majestically from the sea.
- The gilded dome of the cathedral rises above the city.
- The office block rises above the surrounding buildings.
rise verb (BE OPPOSED TO)
rise verb (STOP WORK)
Phrasal verb(s)
rise noun (INCREASE)
a sudden temperature rise 气温突然升高
August has seen a large rise in the number of unemployed. 8月份失业人数剧增。
on the rise
More examples
- The rise in the value of the dollar has depressed the company's profits this year.
- There has been an alarming rise in the rate of inflation.
- All the evidence points to a substantial rise in traffic over the next few years.
- She claimed that the rise in unemployment was just a further manifestation of the government's incompetence.
- The rise in house prices meant that those who were selling enjoyed a bonanza.
rise noun (MOVEMENT UP)
C2 [ S ] the process of becoming very famous, powerful, or popular(地位的)升高,增强;成名;兴起
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Today was a hurting day to went to great day...
I just got two of my teeth pull out today... I was in so much pain I haven't eaten for 6 hours... Then the pills they gave me made me high so I took Advil to stop the pain... it works... After the pain is gone I bought Joe a Nokia white phone for $99 dollar plus tax $125..... Im so happy he loves his new phone I even bought him a tablet... I told him that you Father Day, Christmas, Anniversity, Birthday, and New Years gift...
Haha funny how the gift was for every holiday!! I do that sometimes too lol. So sorry about your teeth! Ouch! Sounds like you had some god meds though lol.
LOL.. I wish I had a Advil PM... knock me out to sleep... Sleep the pain through, but I couldn't ....
Aw Tatiana.. ouch! You poor thing.. I hope your mouth is finally feeling better tonight.. tooth pain is no joke! And hooray for being productive and getting Joe a new phone!
Thank you.. I got sick and Tired looking at my hubby broken phone.. It was so crack and he can barely get my phone calls... Now he can get my calls with no problem LOL.
I am so sorry that your day started out in pain... getting teeth pulled is not fun. But yet i am glad that your day got better! it is wonderful to give a gift that someone loves!
I almost feel better... Took my pills again and it just knock me out to sleep... I woke up feeling ok.. but a little pain though
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Composer and multi-instrumentalist Dan Cantrell's recent works include the score for three seasons of the Annie Award nominated cartoon television series Marvelous Misadventures of Flapjack on the Cartoon Network, an Emmy Award winning scores forHome Front and Hope on the Streets (a PBS Documentary about gentrification in the San Francisco Bay Area), and the Gerbode Grant sponsored commission of the Rootabaga Opera (a Fire Arts infused multimedia shadow play and lyrical ballet based on the children's stories of Carl Sandberg) presented at The Crucible's 2009 Fire Arts Festival. Some of Dan's other recent projects include the Golden Gate Award winning score forDivided Loyalties (a documentary about cultural identity on the divided island of Cyprus) and a commission from Kitka women's vocal ensemble for the composition and direction of Musical Fortunes (A MAP sponsored collaboration featuring Kitka, Dan, Voice of Roma, and Brave Old World's Michael Alpert) which was the opening and centerpiece of the 2007 Jewish Music Festival, and explores roots and ties between Romani(Gypsy) and Klezmer music traditions in Eastern Europe.
Dan's music is influenced by the traditions of Eastern Europe from Bulgarian Roma Wedding Bands to polyphonic vocal laments, Early American Jazz and Film music from Busby Berkeley, and Cab Calloway to Scott Joplin, and modern alternative rock like Radiohead, Bjork, and Soundgarden. His extensive scoring catalogue for film and television is described as "hauntingly beautiful…quirky and energetic" (SF Bay Guardian). His soundtrack artistry spans a wide range of emotion and style, and has supported hundreds of cinematic works with rich with virtuosic performance, lush acoustic orchestrations, sonic textures resonant with sound design, and strikingly innovative melodic themes.
Playing piano, accordion, musical saw, Hammond organ, harpsichord, and pump organ, his unique sound can be heard on the albums of Tom Waits, Joanna Newsom, Beats Antique, and the Toids, as well as in Major Motion Pictures such as Paramount Pictures' Mean Girls, and Roberto Benigni's The Tiger and the Snow. Dan performs and tours regularly with several ensembles including Beats Antique, Fishtank Ensemble, Gaucho, the Toids, and in original Balkan inspired ensembles that he directs.
Dan has numerous self-produced albums represented by the independent record label Odd Shaped Case. Odd Shaped Case was co-founded by Dan and musical colleague Ryan Francesconi to represent intriguing and innovative new music using acoustic and often folk instrumentation infused and along side modern electronic and popular independent music styles. Dan also is a founding member of Xenology, a licensing library featuring a unique blend of genre bending composers fluent in the vernacular of world music shaped by modern modalities and electronics.
Dan has also collaborated extensively within the medium of dance. He has composed and collaborated with Canada's Royal Winnipeg Ballet, San Francisco based ODC dance, Ballet Afzaneh, UltraGypsy, as well as international touring shows such as Bellydance Superstars, and Bellydance Evolution. He has created innovative dance shows such asWaxing Cinematic (A two act musical dance drama integrating shadow puppetry and projections), and The Cabbage Sellers of Haities (a dance based theatrical musical based on Diaspora culture in 1920's Greece in the emergence of Rembetico music). Dan's music can also be heard accompanying individual choreographers and performers such as Elizabeth Strong, Rachel Brice, Mira Betz, and Samantha Emanual on stage and in film.
Dan has recently performed as a featured soloist with the San Francisco Symphony playing accordion on Thomas Larcher's premier of Red and Green. He also performs with the Oakland Symphony, Mike Marshall, members of the Klezmatics, Brave Old World, and Fishbone.
Born in 1976 and raised in the sunny beach town of Encinitas, California, Dan had access to a wealth of musical education and inspiration. Dan studied piano at an early age, dabbling in guitar, bass, tabla, and keyboard instruments. He began composing at age 11, mostly to avoid practicing classical written music, but soon began winning composing competitions, writing for small ensembles, in bands, and for solo piano, encouraged by his parents and his piano teacher Elenore Giacoletti.
In high school, at the Idyllwild school of music and the arts (ISOMATA), he was exposed to the piano music of Bach, Satie, Debussy, and Bartok by his teacher Nelms Macelvein, sparking his interest in the tonalities and rhythms of eastern Europe and the middle east while helping him with valuable fundamental musical skills. He also studied with Marshal Hawkins, who inspired Dan, teaching him about jazz and improvised music.
Dan began teaching himself accordion at age 17, playing the music of Debussy and Satie, along with translating popular songs to the instrument. In 1993, he was introduced to Eastern European folk and Romani music.
In college, at CalArts, Dan persued a double major degree in Composition and Piano, graduating in 1998. His many influential teachers included Brian Pezonni, who taught him piano, improvisation, and kindly let him tag along to major motion picture scoring sessions. Paul Novros, Charlie Haden, John Bergamo, Leo Smith, Nick England, Susan Allen and Vinnie Golia taught him jazz, improvisation, and music fundamentals. He studied composition with Mel Powell, and Alan Chapman. He also studied Balinese Gamelan and Kechak with I naomen Wenten.
Collaborating with Filmmakers, animators and dancers at CalArts, Dan took a great interest in composing for film and dance, working with many talented artists and collaborators. Dan also met long time friend, band mate, and colleague Ryan Francesconi. Ryan and Dan formed The Toids (a high energy original music ensemble drawing influence from Eastern European traditions) and Odd Shaped Case (A record label for world-inspired music, avant-garde classical, and ambient electronica).
After college, inspired by his experience in the Mendocino Woodlands at Balkan Camp, Dan moved to The San Francisco Bay Area. There he worked as a composer and musician while continuing to collaborate with Ryan Francesconi in the Toids and with Odd Shaped Case. Dan was honored to work with artists including Tom Waits, Danny Elfman, Joanna Newsom, Angelo Moore of Fishbone, Beats Antique, Mike Marshal, Kitka, Oakland Interfaith Gospel Choir, and The San Francisco and Oakland Symphonies. Dan started composing for film and television professionally in 1999, working for Wild Brain (San Francisco based animation company) PBS, KQED, Cartoon Network, MSNBC, and with many other independent companies and artists in Los Angeles, and San Francisco. He received an Emmy Award for his score to Home Front (a PBS Documentary about gentrification in the San Francisco Bay Area), and the Golden Gate award for his work on the documentary film Divided Loyalties (a film about cultural identity on the divided island of Cyprus). During that time, he also released several albums with the Toids, other bands, and a solo album, on the Odd Shaped Case label.
In 2005, Dan began working on the Marvelous Misadventures of Flapjack, a cartoon series directed by Thurop VanOrman, and produced by the Cartoon Network. After three seasons of the show, an Annie Nomination and an Emmy award, Flapjack wrapped up, and Dan turned his attention to his own work.
Dan became a founding member of Xenology, a licensing library featuring a unique blend of genre bending composers all fluent in the vernacular of world music shaped by modern modalities and electronics. He is currently working on releasing an extensive body of work spanning several albums of his original material for accordion, piano and saw in ensembles as well as solo. Dan also performs and tours regularly with several ensembles including Beats Antique, Fishtank Ensemble, Gaucho, the Toids, and in original Balkan inspired ensembles that he directs. He lives now in the San Francisco Bay Area and continues to work on film scoring, and performing.


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Choosing classifications is an important part of your trademark filing. We have provided some links that will help determine which classification you fall under.
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Caramel Frappe for 2
Recipe by sow n sew
iced coffee beverage
Top Review by AlyseB
Yum yum yum. Where to start:
I guess it's most important to say: if you make it exactly as written, it will not be as icy as McDonald's. I prefer to make my coffee mixture and refrigerate it (sealed) hours in advance.
I cannot get Folger's caramel groove mix at my store, so I bought Hills Bros white chocolate caram cappuccino mix, and used it instead, with no issue. I also bought Smucker's Caramel sundae syrup because I think (not 100%) that it's more gooey, which is how I like it.
All-in-all I'm soooo satisfied I decided to try this recipe. McDonald's is not getting $2.50 from me a day any more, and I'm having 2 frappes a day instead of 1. Hahah! :)
See Discussion:5 Reviews
Ingredients Nutrition
- 1⁄2 cup warm water
- 2 teaspoons sugar or 2 teaspoons sugar substitute
- 1 packet of starbucks instant caramel iced coffee
- 1⁄2 cup milk
- 1 1⁄2 cups ice
- 2 small scoop ice cream
- refrigerated reddi whipped topping
- hershey's classic caramel ice cream topping
Directions See How It's Made
- In warm water, dissolve sugar and coffee packet. Allow to cool in refrigerator. Add ice, milk, coffee, and ice cream in blender and process on high - you may have to stop periodically and stir as the mixture is cold and may not have enough liquid to keep it going. If a stronger coffee flavor is desired, you may add instant coffee granules to the warm(or hot) water. You can also experiment by varying the amounts of milk and ice cream. I plan to try different flavors by using a regular coffee packet and the flavored coffee creamers like hazelnut and others.


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Was the LIFE
Van Brabandt, Hans
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Lancet 2002 October 12; 360(9340): 1171
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Evidence b(i)ased Medicine -- Selective Reporting From Studies Sponsored by Pharmaceutical Industry: Review of Studies in New Drug Applications Melander, Hans; Ahlqvist-Rastad, Jane; Meijer, Gertie; Beermann, Bjorn (2003-05-31)OBJECTIVES: To investigate the relative impact on publication bias caused by multiple publication, selective publication, and selective reporting in studies sponsored by pharmaceutical companies. DESIGN: 42 placebo controlled ...
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Preliminary sketch for mural The History of Labor in America, The 17th Century: Colonization (U. S. Department of Labor, Washington, DC)
ca. 1975 Jack Beal Born: Richmond, Virginia 1931 Died: Oneonta, New York 2013 colored pencil and conte crayon on paper 8 x 9 3/4 in. (20.3 x 24.8 cm) Smithsonian American Art Museum Transfer from the General Services Administration, Art-in-Architecture Program 1977.47.175 Not currently on view
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SWING Software delivers document integration, publishing and archiving software to over 1,000 organizations worldwide. The products include: SWING Integrator – a document automation tool for Lotus Notes/Domino; SWING DocPublisher – a web-based policy and procedure manager; SWING PDF Converter – a conversion and archiving tool for Lotus Notes/Domino. SWING Software's customer base spans small to large organizations in every business sector across more than 60 countries.
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What is JotForm?
JotForm is a free online form builder which helps you create online forms without writing a single line of code. No sign-up required.
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Product Order Form Currency - Bulgarian Lev?Asked by barrymurphy on November 04, 2015 at 02:44 PM
This is a question and feature request to AtacanC, the creator of this form.... could I have Bulgarian lev added to the list of currencies please?
Barbarella Buchner
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I have raised a ticket to add this currency. As a matter of fact, AtacanC does not work with us anymore.
Hi Jeanette. Thank you, that's great.
I have it in Euro for now, but we really need to have our currency in the form in Bulgarian lev. Could you let me know when this has been added? Thank you. :)
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Hi Jeanette. Oh, I see! That is a shame... well, I'll see what my boss will say about that and see what other solution we can come up with. Thank you for your help.


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The Belgrave
The Belgrave is a contemporary styled London hotel fully refurbished and modernised in 2012. It is perfectly situated in the heart of the City of Westminster. Within walking distance are some of London s top historical landmarks including Buckingham Palace, the Houses of Parliament and Westminster Cathedral. The bustling shopping areas around Knightsbridge, Oxford Street, Regent Street, Piccadilly Circus and Bond Street are also nearby. The hotel s features and location makes it the preferred choice for both business and leisure travellers alike.
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As mentioned previously, is the fact that the game was in fifty of the best games on the market, covering hundreds of sex is certainly not a dozen, but thousands of games, and this is quite simple, at least superficially, without innovation, so to speak. But behind this simplicity developers were able to hide a very complex task that only by real thinkers! And this simplicity suggests a simple and intuitive gameplay that will not distract you from the main mission - to achieve the objectives! Moreover, the game can be considered a sufficiently slow, nothing here will not disturb you look carefully, weigh and consider the next move!
The meaning of the game is to "pollinate" all cells in the levels, the name of the game as it suggests that it would be controversial, if not mistaken - ferns also reproduce ;) Grabbing cells need masterfully, then you need the tactical skills, logic and a bit of luck, furthermore, you have to spend a lot of experiments, if you're in the lab! The game looks like something cosmic and pleasant electronic music that will soothe you throughout all levels of concentration and promotes only the opportunity to make the right move! Hundreds of levels, each of which has several solutions for you to open an unlimited scope for action and hone their skills, so the game is quite worthwhile, swing!
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''Greengo' 1 1/4 Format, Unbleached Cigarette Papers These unbleached tobacco papers from 'Greengo' are from sustainable Forestry cultivation and at 14 g / mý thick, these cigarette paper are the ideal balance between strength and thinness. The full smoking flavour is, unaffected by these unbleached cigarette papers. The packaging is made from 200g strong recycled cardboard. The booklet contains 50 leaves.
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"Night Fire" Print by Kim Norlien
Item # WX2-200415
"Night Fire" Print by Kim Norlien
Item # WX2-200415
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- Details & Specs
"Night Fire" Print by Kim Norlien.
So detailed you'll feel like you are there. Breathtaking realism, creativity, perseverance, as well as a personal commitment to excellence, have garnered Kim Norlien wide appeal from collectors and artists alike, and placed him among the top wildlife artists in the country.
Norlien is known for his attention to detail. His acrylic paintings are the result of hundreds of photographs and extensive research. Using a combination of hand painting and airbrush, you'll see something new in this scene each time you view it. 14 x 24" high-quality framed "canvas"-style print.
- Reviews
- Frequently Asked Questions
- Articles & Tips


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THIS RESTAURANT IS CLOSED Nu Sanctuary Lounge
6605 Las Vegas Blvd. S. (Sunset Rd.) Send to Phone
702-527-7851 | Make Restaurant Reservations
OpenDinner nightly
Open late
- Parking lot
- Dress code: Casual
- Full bar
- Outdoor dining
- Reservations suggested
* Click here for rating key
THIS RESTAURANT IS CLOSED Nu Sanctuary Lounge Restaurant Review: Nu Sanctuary's menu has included such dishes as compressed watermelon and yellowfin tuna bites with shiso, mint and yuzu essence, and potato-filled pierogies topped with American caviar and chive crème fraîche. The interior, inspired by Salvador Dali's paintings, features a tree that climbs the walls and ceiling.
Find out which restaurants and chefs top the list of GAYOT's 2016 Annual Restaurant Awards.


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1403 Roseland Avenue, Kalamazoo MI, 49001
Sold Price:
4 beds , 1 Full/1 Half baths
1,324 sqft
Status: Closed
Last Updated: 7/27/2017 11:41 AM
Description for 1403 Roseland Avenue Kalamazoo, MI 49001
Here's your chance to own a 4 bed and 1 1/2 bath home in Milwood. Nice corner lot with fenced rear yard, 1 car garage and huge rear deck just begin to tell the story. Inside features hard wood floors, open eat in kitchen and spacious family room. The basement has a start as far as finishing and could add more wonderful living space if you so desire. Convenient to everywhere so make an appointment to see it today.
Sold Price:
Sold Date:12/02/2015
Kalamazoo City
1 Full/1 Half
1,324 (approx)
Listing Information
Kalamazoo City
Public Water Service
No Sewer, Public Sewer
Cable TV, Electric, Natural Gas, Telephone
School Information
Room Information
Laundry Room
Interior Features
Convection Oven, Range, Refrigerator
Central Air
Gas Heat, Forced Air
Basement, Full
Exterior / Lot Features
Detached Garage
Deck, Porch
60 x 135
Sidewalks, Corner, Paved Road, Public Roads
Driving Directions
Portage Rd. to Roseland, East to home.
Financial Considerations
Listing Price History
Kalamazoo Real Estate
Kalamazoo is located in Michigan. Kalamazoo, Michigan 49001 has a population of 76,041.
The median household income in Kalamazoo, Michigan 49001 is $32,959. The median household income for the surrounding county is $46,356 compared to the national median of $53,482. The median age of people living in Kalamazoo 49001 is 25.7 years.
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These earrings are a modern way to wear pearls. Coin pearls are round and flat, giving pearl earrings a fresh look. The pearls appear to float within the silver ring, creating an alluring effect. Available in white, peacock, or peach freshwater pearls.
Freshwater coin pearls and sterling silver
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Visit: Directions | Contact: Details
Tatham Art Gallery
Serving Msunduzi through the Visual Arts
FOTAG Focus Articles
For a number of years the Natal Witness ran articles by FOTAG members. These articles called the FOTAG Focus discussed artworks from the collection on display.
Home > Articles > Fotag Focus > Still life, Alexis Preller
Still life
1951 - oil on canvas
Alexis Preller (1911-1975)
by Val Woodley
Born in Pretoria, Preller studied in London and Paris before serving in the S.A. Medical Corps during the Second World War. After being captured at Tobruk, he was a prisoner-of-war for two years. The horrors and suffering with which he came into contact influenced his choice of subject on his return to South Africa. He said it was "to show that even in the most gruesome sights there is some beauty if only in the colours", e.g., a bucket with amputated arms sticking out of the folds of a bloodstained sheet.
His work was influenced by Surrealism from Europe and by the African art of Swaziland and the Belgian Congo (now Zaire) where he worked for a while.
In the upstairs corner gallery of the Tatham there are two of Preller's paintings. One of them is this Still Life. This work is realistic with eight pomegranates, glowing in their yellow, orange and red hues, and two lemons, equally suffused in light. They are grouped on a slatted, wooden fruiterer's box among the folds of a pale turquoise patterned cloth. The focal point is occupied by an antique vase of classical line with a large chip in the lip. Five mysterious dark spikes painted at the left back detract somewhat from the subject. There must be a reason...
A brass plague on the base of the frame is engraved:
Jan Hofmeyer Memorial Trophy
for Public Speaking
Presented by Alan Paton
Presented by Alan Paton for an annual school competition, this is a far more aesthetically useful trophy than the silver engraved cups which one doesn't know what to do with in later years. by Val Woodley
The Tatham Art Gallery holds an Art Collection that contains significant British and French artworks dating back to the 18th century. Its South-African art collection is focused on, but not exclusive to, the art of KwaZulu-Natal.
The Tatham Art Gallery hosts a range of Art Exhibitions. These include traveling and researched exhibitions as well as exhibitions initiated by the Gallery and compiled from the collection.
A selection of current and archival articles from the Tatham Art Gallery. These articles provide a historical and contemporary perspective on the Gallery and the visual arts in KwaZulu-Natal.
Art Gallery Shop
The Tatham Art Gallery shop stocks high quality works by local crafters. It is an ideal place to find unique presents and original collectables.


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Today marks the second day of my 12 Days of Giveaways! There will be a new giveaway everyday for the next 12 days and each one will last for 24 hours!
Today's giveaway is the Stella & Dot Wishing Necklace in Rose Gold. Noelle, a fellow blogger and Stella & Dot stylist has been kind enough to donate this necklace for the giveaway. Feel free to browse her site for some Holiday shopping.
To enter all you have to do is:
Follow macaronsandcoffee on Instagram
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Follow Beautygirl24 on Bloglovin
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text:
NATIONAL CLASS RACER IDAFAR TAKES SECOND F3 VICTORY AT OULTON Cooper Tires British Formula 3 International Series racer Menasheh Idafar secured his second class victory in as many races at Oulton Park today, Easter Monday, 5th April, but hopes...
Cooper Tires British Formula 3 International Series racer Menasheh Idafar secured his second class victory in as many races at Oulton Park today, Easter Monday, 5th April, but hopes of a hat-trick of successes were dashed due to an enforced retirement from round three.
After a relaxing day away from the track on Sunday, 4th April, the teams and drivers were back in action at the Cheshire venue's 2.69-mile International Circuit this morning where the 19-year-old aimed to build on Saturday's round one win.
Starting the 20-minute 'Sprint' race from 11th on the grid, as per his overall finishing position from round one, Menasheh did lose a couple of places to International Class runners Alex Brundle and Jay Bridger but coped well with the tricky, damp conditions to post a highly creditable 13th place result.
Leading the National Class throughout, the F3 rookie's bid was helped further at mid-distance when rival, and T-Sport team-mate, James Cole retired following a spin on lap five. Impressively too, his fastest lap of 1m31.037 seconds (106.45mph) was just eight 10ths of a seconds shy of outright race winner Rupert Svendson-Cook's best.
For the longer distance 40-minute third round, Menasheh started in 15th position but his hopes of more success disappeared on lap one after he was hit from behind as he rounded Shell Oils Hairpin on the outside line. The damage to the right-rear quarter of his car was sufficient to result in an immediate retirement.
"I'm disappointed to have been forced out of the third race but to take two class wins on my debut is great, said Menasheh, "I've really enjoyed the racing this weekend, it's been a lot of fun and I've learned a lot too. The damp conditions were tricky in the sprint race but it was good experience for me. Overall it's been a very positive weekend with some good racing."
There is now a four-week break in action for the British F3 competitors with rounds four, five and six of the 2010 season taking place at Silverstone Grand Prix Circuit in Northamptonshire on 1st/2nd May.
Television highlights of the opening weekend of the year at Oulton Park will be screened in the UK on Channel 4 at 07.30 next Sunday, 11th April, with digital satellite and cable channel Motors TV broadcasting its first showing later in the day at 20.45. Replays will be shown throughout the week on Motors TV -- please check listings for details.
-source: menasheh idafar


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nice fart to ruin the mood at the end XD
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Its hard to believe everything that's happening in Korea right now. I spent a year there from March of 2002 until March of 2003 and I thought it was a beautiful place with wonderful people. Just looking at the picture here you can tell that the South Korea is ahead of the North in technology, I think if you could take a picture of the spirit of the country it would look a little like this too.
The people of South Korea take great pride in their country, and I can't imagine how they feel knowing that their brothers in the north just keep threatening them and pushing away all possible help.
We used to talk alot about the stability of Kim Jong Il's regime and how long we thought it would stay in power. Alot of years have been estimated, some have past and some haven't, and it seems that Kim Jong Il knows he's teetering and is just trying to stay afloat. He's always stayed one wave ahead of the one to turn him over. He's always made the moves to just scrape by and keep power, and that says something. He's only worried about staying in power.
The problem I see is that he finally got nukes. I think we could have blown away his facilities and he would have only threatened retaliation but he wouldn't have done anything as long as he stayed in power. Its always been about him staying in power. Now...well, he knows we have a bulls eye on him and that if we come after him he has a bigger stick to wave around than before. Will we do anything? I think President Bush knows we have to, and steps have already been taken to apply economic pressure on him. I think sanctions may pull him in some. All the aid that has been sent to the people of North Korea was always taken away by the government and directed at the military (the world's largest standing army by the way). Now, they have nothing to feed their army and they'll have to make a concession. I've heard people say that the North would attack then and it would be the most casualty producing war ever. However, the fact of the matter is, its about stability. Tell Kimmy he can stay in power, but the UN (I'd rather say us but we have to let him save some face) must have DIRECT supervision of ALL military facilities as well as people THERE, ON THE GROUND at those facilities.
I don't see Kim Jong Il ever using the stick he picked up, I think he'll just keep waving it. He knows if he swings it he'll join the dead dictators society and that's the last thing he wants. For us, even though regime change is what we want, we have to know it will come in time. With direct oversight, even by the corrupt UN, we can send the food to the people and take the Bomb from his arsenal. I think that needs to be the ultimate goal, but by absolutely, possitively no means can we allow things to stay where they are. We can link NK to Libya and Iran in missile technology, who knows if they're also helping with Irans nuke program. Dr. Khan might not be Irans only helper. And if Iran has nukes then so does every Israel hating and western hating terrorist group out there. That is unacceptable.
Now if only it was as easy to do it as to say it...


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in our current inventory
1968 Plymouth Barracuda
- Stock #
- 134108
- Body Style
- Hardtop
- Engine
- 5.7 Liter HEMI V8
- Exterior Color
- Blue
- Interior Color
- Black
- Miles
- 7442
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- 5.7 liter Mopar Performance V8 that makes 360 horsepower
- AJE Racing front suspension
- Flowmaster mufflers
- Auto Meter Sport Comp gauges
- 5-speed Keisler transmission
- Aerospace Components front brakes
- 17 inch Showwheels Streeter wheels
- Chrysler Sure Grip rear end that's complete with 3.55 gears
- Three inch exhaust system that's complete with cut-outs
- Remote-controlled Clarion CD player
We're all familiar with the term "resto-mod" and how it gets thrown around to describe cars which 1) haven't been restored all that well and 2) haven't been modded all that much. Simply put, the true theme of the resto-mod movement is: combining the best elements of classic show with the best elements of modern go. And if there was ever a textbook example of a true-to-form resto-mod, this 1968 Barracuda has to be it. Showcasing the hard work of a skilled enthusiast who understands how to enhance the best attributes of a slick classic, this cool Mopar features a slew of handpicked, top-shelf parts that create a muscle car worthy of being driven and enjoyed. If you're in the market for a super-clean street bruiser that you can build on and road trip in for years to come, kick your summer off behind the wheel of this incredibly priced Plymouth!
First impressions are important, and this bright blue Barracuda certainly makes a strong one. For starters, Plymouth did a great job whittling the Valiant's conservative shape into a provocative and interesting body that lends credibility to the car's name. That body, which includes good fit and solid-closing doors, was stripped to bare metal and equipped with high quality replacement panels that ensured solid, flat surfaces. Once those surfaces were completely clean and fully prepped, a nice coat of conventional blue basecoat was sealed under a thick clearcoat shell. And today, even though this Mopar has seen ample road time, its paintwork presents very well.
Although it continued to share many components with Plymouth's most economical offering, the second generation Barracuda was fully redesigned with model-specific sheetmetal that provided an upscale and aggressive appearance. At the front of the car, a stainless-trimmed grille, which was inspired by an inverted trapezoid, hangs crystal clear parking lamps between bright halogen headlights, a show worthy bumper and an offset "PLYMOUTH" script. Behind that grille, a smooth blue hood anchors traditional turn signal indicators and small silver accents between a chrome Barracuda emblem and a stainless-trimmed greenhouse that's complemented by correct chrome mirrors. At the sides of that greenhouse, small "Barracuda" scripts, bold "HEMI" emblems and blocky chrome door handles combine with dent-free wheel lips, textured rocker trim and a handsome metal fuel filler to add character to an awesome notchback profile. And at the back of the car, a silver-trimmed and "Barracuda" branded valence hangs organic looking tail lights above a second show worthy bumper and bright stainless exhaust tips.
Chrysler's powerplants have never been defined as weak or limp-wristed. And straight from Mopar Performance, this Plymouth's 5.7 liter Hemi V8 backs a solid 360 horsepower with an impressive 360 lb./ft. torque. At the top of that cast iron block, a chrome K&N air cleaner shoves wind through a big Holley carburetor into a Mopar Performance single-plane intake. That aluminum intake rides inside chrome Mopar Performance valve covers that are sandwiched between Blue Mopar Performance wires, and aluminum Mopar Performance heads. Those heads ride above cast pistons that are connected to heavy duty rods and a heavy duty, cast crank. That crank rides below a hydraulic roller cam that's connected to a traditional roller timing set. Lubrication for the bright orange mill is provided by a high volume oil pump, braided Summit fluid lines and a remote-mounted filter. Cooling comes courtesy of a clean aluminum radiator that circulates water past two Flex-a-lite puller fans via high quality, corrugated hoses. Spent gases are whisked away by a slick set of ceramic coated, long-tube headers. Visually, the clean engine compartment comes together just as well as the outside of the car featuring details like Satin Black fenders, attractive decals and polished stainless fuel lines. And, best of all, this is a Hemi that'll fire up in any weather, drive thousands of miles before anyone needs to turn its bolts, and probably lay waste to any old school muscle car that's fishing for a challenge.
Like its exterior and engine bay, the bottom of this Barracuda is a great combination of both past and present. The powerful Hemi engine sends its thrust through a rugged Keisler 5-speed that's connected to a traditional 8.75 inch Chrysler Sure Grip rear end and stout 3.55 gears. That awesome drivetrain is held off the ground by a double A-arm front and rear leaf suspension which is built around a color-keyed AJE Racing front clip, modern power rack and pinion steering, beefy coil overs and proven Edelbrock shocks. Exhaust is handled by three inch true dual pipes that flow through an X-shaped crossover, manual cut-outs and great sounding dual-chamber Flowmasters. Braking is handled by traditional drums out back and an Aerospace Components system up front, which includes big drilled and slotted rotors. And power flows to the ground through 17 inch Showwheels Streeters which spin 205/45 Sumitomos in front of 235/50 Sumitomos. This Plymouth's frame and floors are solid and display no signs of major rust or serious weathering. And everything from the car's quick-spinning mini starter to its sturdy driveshaft hoop is fully sorted and ready to pound the pavement!
Open this A-Body's solid closing doors and take in a simple black interior that, as a combination of serious hardware and vintage aesthetics, serves as the perfect place to remember the good 'ole days of performance. The first thing you'll notice is plush front bucket and rear bench seats that were completely rebuilt during the car's restoration. Between those seats, a TKO shifter props a Hurst handle in front of a custom console that's finished with chrome power window switches. In front of that shifter, a sculpted dash hangs a stylish engine turned fascia behind a remote-controlled Clarion CD player and a full array of Auto Meter Sport Comp instrument and accessory gauges. At the sides of that dash, black door frames hang black door panels between fresh trim, folding cup holders and large kick panel speakers. At the bottom of those panels, stain-free carpet is protected by color-keyed floor mats. Opposite that carpet, a tight headliner frames a fully functional dome light. In front of the driver, a silver Grant GT steering wheel keeps the swerves to a minimum. And behind the passengers, a fully restored trunk sandwiches a relocated battery between a fresh mat and a correct decklid decal.
The sale of this cool blue coupe includes an original owner's manual, a warranty booklet, a small stack of restoration receipts and a few accessory manuals.
Over the past couple of years, some of our best sellers have been ultra-clean, super sharp 1968 to 1974 Mopar compacts. They're fast. They're tons of fun. And best of all, you don't have to spend the kid's college fund to buy one! If you're looking for a cool old muscle car that you can keep and enjoy for years to come, you simply can't go wrong with this '68 Barracuda!
- Year
- 1968
- Make
- Plymouth
- Secondary Make
- n/a
- Model Name
- Barracuda
- Secondary Model
- n/a
- Vehicle Type
- Passenger Car
- Hobby Segment
- Resto-Mod
- Mileage
- 7442
Engine / Transmission
- Engine Type
- Gasoline
- Engine Size
- 5.7 Liter HEMI V8
- Engine Number
- n/a
- Heads
- Stock
- Fuel Specification
- 92/93 Octane
- Fuel Delivery System Type
- Single 4 Barrel
- Transmission Type
- 5 Speed Manual
- Transmission Spec
- n/a
- Transmission Number
- n/a
- Entertainment System Type
- AM/FM Single CD
- Battery Location
- Trunk
- Battery Shut Off
- n/a
- Battery Charger
- n/a
- Power Steering
- Yes
- Air Conditioning
- No
- Interior Color
- Black
- Seating Type
- Bucket
- Seat Material
- Vinyl
- Shifter Type
- Floor
- Center Console
- Yes
- Body Style
- Hardtop
- Doors
- 2
- Safe Body Color
- Blue
- Paint Type
- Basecoat/Clearcoat
- Stripes
- No
- Front Suspension Type
- Double A-arm
- Rear Suspension Type
- Leaf Spring
- Axle Specification
- 8 3/4 3.55 Sure Grip
- Front Wheel Specification
- n/a
- Rear Wheel Specification
- n/a
- Front Tire Specification
- n/a
- Rear Tire Specification
- n/a
- Front Brakes Specification
- Disc
- Rear Brakes Specification
- Drum
- Spare
- n/a
- Exhaust Type
- Dual Exhaust
- Muffler Type
- FlowMaster
- Restoration Status
- Restored
- Mileage Since Restoration
- n/a
- Awards Summary
- n/a
- Historical Documents Summary
- Original owner's manual. Warranty booklet. Restoration parts receipts. Accessory manuals
Contact Us Regarding this Vehicle
Call Us
- 704.445.9105
- 704.596.5980


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In September and October, Justice Antonin Scalia told audiences at two different law schools that it would not surprise him if the death penalty were ruled unconstitutional while he was still on the court.
Scalia noted Justice Stephen Breyer's recent dissent in Glossip v. Gross, a case in which Breyer said the court should consider the issue of whether the Eighth Amendment requires an end to capital punishment in America. Scalia had previously identified himself as the fifth vote on a court divided four to four on the issue. He could not have known that his sudden death a few months later might be the vehicle for that very eventuality.
Scalia noted Justice Stephen Breyer's recent dissent in Glossip v. Gross, a case in which Breyer said the court should consider the issue of whether the Eighth Amendment requires an end to capital punishment in America. Scalia had previously identified himself as the fifth vote on a court divided four to four on the issue. He could not have known that his sudden death a few months later might be the vehicle for that very eventuality.
All of the Republican candidates can be expected to nominate a candidate for the Supreme Court who will follow Scalia's lead in upholding the constitutionality of capital punishment. Of the remaining presidential candidates, only Bernie Sanders opposes the death penalty and can be counted on to appoint a Supreme Court candidate who would become the fifth vote to abolish capital punishment. It is less clear how Hillary Clinton — a death penalty proponent — would expect her nominee to answer the question, because no one has bothered to ask her.
If Clinton wins, and nominated a candidate with a strong civil rights background, the death penalty will very likely be abolished. However, if a victorious Clinton nominates a former prosecutor, like Loretta Lynch or Eric Holder, it would likely mean the U.S. continues its ignominious membership in a dwindling group of backward nations that continue to execute their own citizens.
Unfortunately, Hillary Clinton has a 20-year history of enacting criminal justice policy that exploits the public's fear of crime and invariably results in a racially disparate impact on poor minorities. The Clintons' championing of the 1994 Crime Bill (which contributed to the mass incarceration of poor minorities) and the 1996 Antiterrorism and Effective Death Penalty Act (which raised procedural bars to claims of actual innocence) are both examples of the Clintons' pandering to the public's tough-on-crime sensibilities to achieve political ends.
It reflects an approach to governing which is tinged — some might even say poisoned — by a tendency to choose political expediency over ethics and morality. This has been their pattern since their days in Arkansas.
Earlier this week, Clinton made headlines for barking like a dog while telling a folksy story about her husband's early campaigns in Arkansas. The barking incident was an unintended reminder of the Clintons' involvement in the 1992 execution of a 250-pound lobotomized man-child named Ricky Ray Rector. A 1993 New Yorker article by Marshall Frady, "Death in Arkansas," described how Rector repetitively performed a little shuffle dance, and alternatingly giggled to himself like a child or barked like a dog, as he waited in his cell to be executed on Arkansas' death row. Bill Clinton, who was embroiled in a sex scandal that threatened to derail his presidential campaign, had returned to Arkansas to personally preside over Rector's execution.
|Bill Clinton and Hillary Rodham at Yale Law
School in New Haven, Connecticut, Jan. 1972.
Photo court. William J. Clinton Pres. Library
Frady also described the frantic efforts of one of Rector's lawyers to reach Clinton on the day of the execution. Jeff Rosenzweig had grown up with Clinton in Hot Springs, Arkansas, where his father had been Clinton's pediatrician. When he finally reached Clinton late in the afternoon, Rosenzweig explained the severity of Rector's mental deficits. Executing Rector, Rosenzweig told Clinton, would be the equivalent of executing a child. Rosenzweig knew it was an uphill battle given the political pressure Clinton was under, but he hoped that his old friend "wouldn't want to be seen as merciless." Clinton wouldn't budge.
The execution proceeded that evening after a one-hour delay, punctuated by Rector's loud groans, as prison officials struggled to find a usable vein. The medical team finally had to slash into his arm with a scalpel in order to find a vein capable of carrying the lethal chemicals into his massive body. Once the chemicals started to flow, it took Rector 19 minutes to die amid his intermittent gasps for air.
Rector had been sacrificed on the altar of the Clintons' political ambitions; or, as Frady said one of Rector's earlier lawyers put it, "Poor ole Ricky Rector's timing just happened to be real bad." Speaking last week from his law office in Little Rock, Arkansas, Rosenzweig said the Clinton's decision to save the 1992 campaign by killing Rector "was certainly a Faustian bargain."
Hillary Clinton's key decision-making role in her husband's 1992 campaign is well-documented, yet no one has ever bothered to ask her about the killing of Rector. It's about time someone did, and long before she's in a position to nominate someone to fill Scalia's seat on the U.S. Supreme Court.
Source: Cato, Nat Hentoff, February 17, 2016. Mr. Hentoff is a nationally renowned authority on the First Amendment and the Bill of Rights. He is a member of the Reporters Committee for Freedom of the Press, and the Cato Institute, where he is a senior fellow. Nick Hentoff is a criminal defense and civil liberties attorney in New York City.
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Appealing Cortes Island Family Home
Cortes Island family home mins from the ferry: 2000sqft west coast style home, on a 2.4 beautiful acres, incorporating bright living spaces on 3 levels with expansive windows taking in natural light & providing ocean views. An expansive front deck offers space to enjoy outdoor living, there is a small private deck on the top level & downstairs has sliding door access to a covered deck. On the main level there is a well-appointed kitchen with adjacent eating area & living room with vaulted ceilings. The 2nd floor loft den is open to the living area below. The master bedroom on the upper level has a fully appointed ensuite with Jacuzzi tub, shower & private balcony. The basement has a completely finished room & a large storage room, with the balance of the space partially finished. The property is beautiful: natural indigenous vegetation, nicely manicured lawns, hedges, ornamental gardens & flowering trees & shrubs. The home is heated with electric baseboards, wood stove & fireplace


text:
Actress Emma Stone, who is reportedly dating her "Spider-Man" co-star Andrew Garfield, says she would never bare all for a movie because her father would "kill" her if she displayed skin.
Emma Stone. Pic/AFP
"My dad would kill me if I posed naked. He wouldn't speak to me again and I really love my dad, so that's always something that makes me a little nervous," contactmuisc.com quoted her as saying.
Despite their reservations about nudity in films, Emma admits her parents always encouraged her to fulfill her dreams.
"They are the coolest parents in the world. They taught us responsibility and the need to own up to our actions and that honesty really is the only policy."
"My parents always made me feel as though I could do anything - not in a cheerleading, 'You're the greatest!' kind of way; it was more, 'You're going to have to work hard, but we'll support you however we can'. Just to have that kind of backing was incredible," she said.


text:
Target: Iowa Methodist Medical Center
Goal: Return job offer to woman barred from taking drug test due to a shy bladder
Recently, a woman in Iowa had a job offer from the Iowa Methodist Medical Center rescinded because she could not provide a urine sample for a drug test. This woman, Jennifer Conner, has a diagnosed condition that makes it near impossible for her to urinate in public. She was not given alternate accommodations to allow her to take the drug test. Instead, she was denied the job solely because of her condition.
Conner has pauresis, which is commonly referred to as 'shy bladder'. This diagnosed condition means that she is uncomfortable and often unable to urinate in a public restroom. When she was asked to give a urine sample for the drug test, Conner says she was put in a room with no running water, which she usually uses to cover the sound, and nurses continually knocked on the door to ask if she was done. These conditions made it impossible for Conner to supply the sample. She offered other methods of obtaining a sample, such as a catheter or a blood sample, and offered to pay the extra expense. However, these requests were denied. Unable to provide a urine sample, Conner lost the offered job.
Pauresis is a recognized disability under the Americans with Disabilities Act. By refusing to provide appropriate accommodations, the hospital discriminated against Conner due to her disability. Although workers at the hospital may have assumed that Conner was an unfit employee due to her behavior, the doctor's diagnosis of pauresis should have dispelled any worries and allowed Conner to have appropriate accommodations. Any employer, especially a hospital, should help their employees or potential employees by providing legally required accommodations. Iowa Methodist Medical Center did not do this for Conner, but instead discriminated against her and refused her the position. Tell the hospital that Conner should again be offered this job.
Dear Iowa Methodist Medical Center:
Recently, Jennifer Conner was denied a job that had been previously offered to her because she was unable to complete a drug test. However, Conner has a diagnosed condition that makes it impossible for her to urinate in public. She offered alternate accommodations that would have allowed her to take the drug test, but these were denied.
I ask you to offer Conner the position once more. Her condition, pauresis, is a recognized disability under the Americans with Disabilities Act. By not allowing her to take the drug test under different conditions, you discriminated against Conner because of her disability. You have denied her the right to a position that was once offered to her because of blatant discrimination. Allow her these alternate accommodations and stop the discrimination.
[Your Name Here]
Image source: MorgueFile


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Jason Smith was a associate visual effects supervisor for The Avengers.
- Together with Marc Chu, John Doublestein and Cyrus Jam, he was nominated for an VES Award for Outstanding Animated Character in a Live Action Feature Motion Picture for his work on The Avengers.
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'Upstream' book review: any hope for salmon?
The author of "The Mushroom Hunters" takes on the Pacific Northwest's signature environmental issue.
If you enjoy the content you find here, please consider donating to support our continued efforts to bring you the best news and opinion articles we can. We hope you like the recent update to NWCitizen, and look forward to bringing you more insight into local politics and issues in 2017.
For our federal government - and our public officials - to wring their hands and be in false distress about not being able to order Google to take down the Anti-Islam YouTube video is just absurd. Try posting a film denying the Holocaust and see what happens. Or try posting a film praising Al Queda and see what happens. Or try posting a film attacking the Catholic Church and the Pope and see what happens. I mean a really false, mean and totally grotesque film about the Holocaust or Catholic Church - or even Jesus.
Try it - and see how long it takes for you to be charged with a crime - and see how many hours before Google deletes the film. And taking down the film is the right thing to do. Why? Because at their basis, those are fighting words, and at best are so flagrant as to lead to a breakdown of public discourse. But the Feds do not even allow public discourse if it strays into verboten areas. This film is way out of bounds - and should have been deleted. But no one should be charged with a crime.
I can speak to this. The idea of freedom of speech in America is one of the big lies that most buy into. There is total control of speech. You can say anything so long as it is not effective - so long as it is not actually threatening any real projects or government programs or insulting the established Jewish, Catholic and Christian religions. Oh, atheists and such are tolerated and they speak in their little publications. Our democracy can handle them. But something really effective is shut down.
The worst is the criminalization of free speech around the issues of terrorism today. I could post something tomorrow that would have the Feds taking down my entire website and visiting me - and making sure I truly regret ever having thought such. Hell, I may be pushing the edge right now. But I am probably not at risk as this blog is considered minor and not influential. YouTube is influential.
So - to leave the horrible Anti-Islam videos posted on YouTube is a conscious act by our federal government to allow this film to do its dirty work - and inflame the Middle East against our country. Why? Well that is another topic. For now the point is - there is an exception being made by Google and the Feds for this series of videos. There is plenty of precedent for taking them down.
Check out this good article "America and the Muslims" by Esam Al-Amin in CounterPunch. We need to read those who can wake us from our sleep and point out how our America is not what we seem to think it is. We do practice double standards.
Just like the great local "Answer Me Trial" John?
How much did that cost the local taxpayer?
This author who wrote the fighting words essay, also wrote clearly…,
"...but if there is any principle of the Constitution that more imperatively calls for attachment than any other it is the principle of free [279 U.S. 644, 655] thought-not free thought for those who agree with us but freedom for the thought that we hate. I think that we should adhere to that principle with regard to admission into, as well as to life within this country. And recurring to the opinion that bars this applicant's way, I would suggest that the Quakers have done their share to make the country what it is, that many citizens agree with the applicant's belief and that I had not supposed hitherto that we regretted our inability to expel them because they believed more than some of us do in the teachings of the Sermon on the Mount.
Terrorism today, or yesterday, or it's the same old story in any Democracy!
New York Times v. Sullivan,
Succeeding [p257] paragraphs purported to illustrate the "wave of terror" by describing certain alleged events.
Although the Sedition Act was never tested in this Court, [n16] the attack upon its validity has carried the day in the court of history. Fines levied in its prosecution were repaid by Act of Congress on the ground that it was unconstitutional. See, e.g., Act of July 4, 1840, c. 45, 6 Stat. 802, accompanied by H.R.Rep. No. 86, 26th Cong., 1st Sess. (1840). Calhoun, reporting to the Senate on February 4, 1836, assumed that its invalidity was a matter "which no one now doubts." Report with Senate bill No. 122, 24th Cong., 1st Sess., p. 3. Jefferson, as President, pardoned those who had been convicted and sentenced under the Act and remitted their fines, stating:
I discharged every person under punishment or prosecution under the sedition law because I considered, and now consider, that law to be a nullity, as absolute and as palpable as if Congress had ordered us to fall down and worship a golden image.
Letter to Mrs. Adams, July 22, 1804, 4 Jefferson's Works (Washington ed.), pp. 555, 556. The invalidity of the Act has also been assumed by Justices of this Court. See Holmes, J., dissenting and joined by Brandeis, J., in Abrams v. United States, 250 U.S. 616, 630; Jackson, J., dissenting in Beauharnais v. Illinois, 343 U.S. 250, 288-289; Douglas, The Right of the People (1958), p. 47. See also Cooley, Constitutional Limitations (8th ed., Carrington, 1927), pp. 899-900; Chafee, Free Speech in the United States (1942), pp. 27-28. These views reflect a broad consensus that the Act, because of the restraint it imposed upon criticism of government and public officials, was inconsistent with the First Amendment.
Citizen's United, on the other side of the World?
The First Amendment provides that "Congress shall make no law … abridging the freedom of speech." Laws enacted to control or suppress speech may operate at different points in the speech process. The following are just a few examples of restrictions that have been attempted at different stages of the speech process—all laws found to be invalid: restrictions requiring a permit at the outset, Watchtower Bible & Tract Soc. of N. Y., Inc. v. Village of Stratton , 536 U. S. 150, 153 (2002) ; imposing a burden by impounding proceeds on receipts or royalties, Simon & Schuster , Inc. v. Members of N. Y. State Crime Victims Bd. , 502 U. S. 105, 108, 123 (1991) ; seeking to exact a cost after the speech occurs, New York Times Co. v. Sullivan , 376 U. S., at 267; and subjecting the speaker to criminal penalties, Brandenburg v. Ohio , 395 U. S. 444, 445 (1969) (per curiam) .
Let us see what happens John.
It's so 11th Century?
The Harvard Law Review, on display today!
One Big Lie?
"temporary spasms among the Established Religionists"
It's not just that Tod's comments are incoherent and moronoinc. The real problem is that he is threat sitting so that there can be no useful discussion.
Unlimber the banhammer and put this idiot on 30 day suspension. Do it now.
Paul, your opinions about Todd's comments do not give you the right to limit his free speech.


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|Message view
|« Date » · « Thread »
|« Date » · « Thread »
|Paul Davis <paul.joseph.da...@gmail.com>
|Re: Test suite errors
|Fri, 19 Mar 2010 15:24:23 GMT
On Fri, Mar 19, 2010 at 8:41 AM, Robert Dionne <firstname.lastname@example.com> wrote: > >> >> I got the error included below this morning, and when I ran it again, there was no error. > >> /tmp/couchdb/0.11.0/test/etap/090-task-status.................ok >> /tmp/couchdb/0.11.0/test/etap/100-ref-counter.................FAILED test 8 > > I looked into this random fail a bit and it may be a real issue to consider. couch_ref_counter uses process_info in the count function to compute the number of pids referring to the given one, rather than interrogating the number of referrers being maintained in the state of the gen_servers. This diff could explain the apparent race condition that caused this fail (which doesn't reproduce on my box). From the who_calls trace it looks ok and I surmise the reason process_info is used is to handle the case where a Pid dies in the forest and no one accounts for it, throwing off the count, whereas process_info presumably never lies. > > There was a possibility of a race condition in the test code. Seeing as this is the first time I've heard of it being hit I reckon it must be a fairly hard one to trigger. Anyway, new code should alleviate the issue, and it was an error in the test itself, not the code so all is well. http://svn.apache.org/viewvc?revision=925264&view=revision And a pretty diagram of the issue: http://twitpic.com/19jk7a The solution is to just make the Test process wait for a down message that'd be triggered at the same time. HTH, Paul Davis
|View raw message


text:
The UC Project is an initiative started by the Earth Federation armed forces to modernize its weaponry after the catastrophic events of Char's Rebellion in U.C. 0093.
The RX-0
The main result of the UC Project was the creation of the RX-0 Unicorn Gundam: the ultimate Newtype hunting unit. This machine was intended to annihilate enemy Newtypes by utilizing the Psychoframe that makes up a large amount of its inner frame. This system, known as the Newtype Destroyer system (NT-D), greatly enhances the unit's reaction time, even for an Oldtype pilot, and takes control of nearby psycommu-controlled weaponry.
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Despite the UC Project being a product of the Earth Federation and Anaheim Electronics, a schism of interests within the influential Vist family, in charge of overseeing the Unicorn's development overturned the project's original purpose. Cardeas Vist, by the request of his grandfather Syam, installed an advanced program called La+ into the Gundam's operating system.
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This series of skirmishes, known as the Laplace Conflict, would eventually evolve into the Third Neo Zeon War, less than three years after the second.
Additional results of Project UC
- The RGM-96X Jesta mobile suit was designed to work in tandem to the RX-0 Unicorn Gundam. Since the Unicorn's Destroy mode could only operate for 5 minutes, it became apparent that there will be need for a high performance mass-produced model that could pave the way for the RX-0 to deal with the enemy Newtype weapon. Therefore, the Jesta was developed as an special operation unit with massive thrust output to keep up with the Unicorn's monstrous acceleration. A handful of these units, originally assigned to the command of Bright Noa, would later become one of the many pivotal factors to the conclusion of the Third Neo Zeon War.
- The MSN-06S Sinanju Stein, which served as a testbed for the Unicorn Gundam's full body Psycoframe was captured by Neo Zeon sympathizers and turned into the dreaded Sinanju piloted by Full Frontal.
- A second RX-0 unit, known as the Banshee, was also developed and sent to Earth for gravity testing after its space testing. As a result of this, its operating system was more complete than Unicorn's, which was only tested in space. The Banshee would later be used to chase down the Unicorn.
- A Third RX-0 unit, known as the Phenex, was also developed. But went berserk during its test run.


text:
The browser-based portal is a next-generation collection of eight titles (with more conversions planned) reimagined in HTML5 with fresh graphics, gameplay, touch screen features (on supported platforms) and integration with Facebook and Twitter. Atari Arcade was built with IE in mind – and indeed the interface will run ad-free on IE – but also works well in other modern browsers including the iPad's own version of Safari.
In this first wave comes Asteroids, Pong, Lunar Lander, Missile Command, Centipede, Combat, Yars' Revenge and Super Breakout and, as in the old arcade versions, players can go head-to-head with friends in online real-time battles or compare high scores which can be posted on Twitter and Facebook.
'Atari and Microsoft have had a long and successful history on Xbox Live and in the digital space,' said Jim Wilson, CEO of Atari. 'The reimagined Atari Arcade expands this partnership in a new direction, in keeping with our current digital strategy, making it easier than ever for gamers around the world to access our renowned franchises, through the power and flexibility of an HTML5 based platform.'
Interestingly, Atari's new platform will grant developers access to Create.js, a suite of tools for creating cross-browser, cross-device HTML5 gaming and media experiences. This new offering will – subject to an Apple app store-like approval process – give fledgling and experienced developers alike a platform to publish and monetise their wares.
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Les Hauts De Smith 2008, Ac Pessac Léognan, 2nd Wine Of Ch. Smith Haut Lafitte
Bordeaux Left Bank
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Critic Reviews (2)
Julian Hitner
The 'second wine' of famed Château Smith Haut Lafitte, the 2008 Les Hauts de Smith retains much the same character as...Sign In to see Critic Reviews. Not a Member? Please Sign Up.
David Lawrason
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RMS Res. is the smaller the best?
Hi all,
Okay, it sounds a strange question. Of course RMS Res is better if smaller. But I have a question about my ploblem.
The image bellow is the convengerce history of a simulation of mine (steam in the main drum of a industrial boiler).
After around 200iteractions the RMS Res value reaches its minimum. After that, the value rises again and even after more than 2000 iterations, the low level of this first valley is not reached anymore. (turbulence Res follows the same trend).
Normally I would expect a value of RMS REs decreasing (with noise, of course) till a certain level and than resting there. Not rising again and resting on a higher level.
What is going on? is my simulation not converged? and where should I stop it and get the results? around 200 iterations with the minimum of RSM Res or after 2000 iterations, with high Res but probably closer to a fully converged result?
Thanks in advance
Re: RMS Res. is the smaller the best?
Are you trying to get the system to converge or are you ok with it bouncing around like that and just want to know which RMS Res will get you close?
If the data you want is simple (Pressure Temperature Velcoity etc.) you might want to create a "watch" that follows the values as the problem iterates. For example, my pressures actually stabilize about 20 iterations out for my model even though the problem won't converge for another 10-20 iterations. That would tell you whether or not the data you want is fairly stable.
I have a model whose Res look exactly like this. I was able to get it to converge by playing with the blend factors.
Re: RMS Res. is the smaller the best?
This question has been asked many times. Search the forum and you should get lots of hits. It is also discussed in the CFX documentation
In short: 1) It is usually caused by some small instability which is causing the flow to fluctuate. This fluctuation could be real (eg vortex shedding) or a numerical artefact. 2) Plot the important parameters for the flow. It might be heat transfer to the tubes in a boiler for instance. If this parameter is not fluctuating then your answer is probably OK as it is and it is not worth bothering to get better convergence as it won't change the answer anyway. 3) If you do need to gain better convergence, try: a) Increasing the physical timescale b) Switching to local time scale factor (but switch back to physical timescale for final convergence) c) Switching to a transient model and marching it out in time to steady state.
I general don't like adjusting the blend factors below 0.8 or so. If you adjust the blend factor below this to get convergence introduces a lot of first order discretisation which will make your simulation inaccurate.
Glenn Horrocks
Re: RMS Res. is the smaller the best?
Thanks Wooster and Thanks Glenn Horrocks
I will give it a try with the blend factors and with the local time scale (Ive already played with the physical timescale)
If I get any news, I will keep you posted.
Re: RMS Res. is the smaller the best?
Hi Anderson,
I would also check the volume ratio's in your grid. If you have a very sudden change in element size in a region of high gradients, such as at the edge of the inlfation layer between the last prism and first tet, the solution will oscillate. The situation I described is most common in unstructured meshes. If it is a hex mesh, the problem is often due to striping. Fixing these can make a HUGE difference in convergence.
Re: RMS Res. is the smaller the best?
Hi Anderson,
Residuals tell you how well the equations have been solved but small values of residuals don't tell the whole story. As you mentioned yourself, you expect the residuals to continue decreasing and this is certainly the desired behavior. When you see convergence as you have here, it indicates a problem. Given that the original convergence was good, I would guess that there may be some separation that has occurred somewhere in your model. If this is the case, it may not be possible to get a steady state solution, because the shear layer cannot be adequately damped by the turbulence model. Increasing the timestep can sometimes help subdue transient behavior. If the problem is numerical instability, decreasing the timestep may help. Running with double precision on can also help if the grid quality is poor.
I would first suggest writing the residuals to a results or backup file to determine where the fluctuations are occurring. In some cases if the quantities of interest are stable and the the solution is fluctuating in a region which is not of great consequence to your solution, you may be able to safely ignore it. If this is not the case, you may need to take action.
If the mesh quality is poor in the same region, consider fixing it. If that is not the case and the solution is showing transient behavior, you can consider running a transient simulation instead and calculating the transient average values of velocity, pressure, temperature, etc. This is generally a better approach than running for several thousand iterations trying to converge a solution that does not have a steady solution. The run time will probably be a bit shorter in the end and the average solution will be more appropriate. As a bonus, while the transient analysis would not require you to write transient results along the way, doing so also allows you to make some pretty cool animations!
Re: RMS Res. is the smaller the best?
Good point that I failed to make, Glenn.
If you do play with blend factors, the CFX manual says 0.75 is the lowest you should go. However, the lower the factor the more the answer turns into a first order approximation and thus you can be off a good answer by a lot. If you decide to change the number, start high (0.99) and work your way down.
Re: RMS Res. is the smaller the best?
Thanks for all the good explanations. You all helped a lot!
I already know that I need a finer mesh, but I have a small computer limitation (I am working on getting a new one).
Moreover, I realised that the higher values of residuals are near the outlet of the drumm (region where the steam is "sucked out" the equipment). Luckly this region is not so important for me.
I will play a bit with the parameters you suggested and also try the transient analysis (with its animation :) ). If anything else comes up, I will let you know.
Thanks again and have fun with your simulations
Re: RMS Res. is the smaller the best?
Just to Register:
Found a way! It was the transient thing. It seems that the turbulence is so high near the outlet that it disturbes all th e flow in the drum and a transient aproach is needed to see it. After playing a bit with the transient parameter I got a RMS Courant around 5 and my residuals are smaller than 10e-5.
Really good
Thanks a lot to all of you!
Re: RMS Res. is the smaller the best?
Not to burst your bubble, but be aware that residuals mean a different thing for Steady and Transient runs. The transient residual indicates that the timestep is converged, which includes the transient term. In a steady analysis, the transient term is not included in the residual because a steady state is desired.
Re: RMS Res. is the smaller the best?
hmmm didn´t get this one.
So maybe the transient terms are damping a bad result? :-/
Okay, I am aware that I still need a finer mesh, but I really though that RMS residuals between 10-5 and 10-6 were quite good, even for transient analysis. Moreover, now I think that this is really a better way to deal with my case, since I have some deadzones, where slow velocities and unstable eddys are present. I don´t think these zones will ever reach a steady condition.
yeap, you have just bursted my bubble, but thanks a lot for awaring me of this!
|All times are GMT -4. The time now is 15:55.


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