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IT HAS been five years since Birmingham Royal Ballet last had to pull its classical finger out in the greatest of ballet's masterpieces, and it shows. David Bintley has programmed Swan Lake once in his six-year directorship, preferring to shape his repertoire around ballet-dramas of second-class demand, leavened with Balanchine and Ashton for technical grit.
A price has been paid. Judging by the opening performance of their Sadler's Wells season, and remembering their Giselle last year, BRB's classical roots are rotting. To be short of really good principals is common enough in a touring company - and Leticia Muller and Andrew Murphy were unmemorable leads - but there is an overall fudge and mudge about BRB's dancing that indicates a director who is not sure whether he likes doing classics at all.
There's nothing wrong with the production, which is a splendidly funereal-looking setting of the classical original, in clammy Gothic sets by Philip Prowse, enriched with brocade and velvet costumes in silver and chocolate. The queen (tiny, flinty Marion Tait) is a Velazquez come to life.
Producers Peter Wright and Galina Samsova have brushed the story with novel dramatic details - the overture shows the funeral of Prince Siegfried's father, Act 3 becomes a very grand parade of ballerina princesses, and the ballet ends with Siegfried's ghost taking Odette into eternity while his friend Benno carries his "real" corpse below. This refreshes the story and rediscovers some of Tchaikovsky's less familiar numbers for the ballet.
I would also like to applaud the hero of my evening, Robert Gibbs, the leader of the Royal Ballet Sinfonia, who played the two great violin solos of Acts 2 and 3 with an emotional depth and technical sweetness that compensated for the inadequacy of the principal dancers.
Murphy has the gist of Siegfried's classical shapes in his long, thin body, but looked hangdog throughout, not the complex, turbulent, searching man of the story. Muller's heartbreakingly pretty face and stage presence are not enough for Odette/Odile, for which she was technically inadequate. Pointe-work, balances, mime, all were shaky, and her arms looked muscle-bound and ungainly. She was well outdanced by Nao Sakuma and Rachel Peppin in the Act 1 pas de trois and Dorcas Walters as an Act 3 princess (BRB's crispest technician).
As for the corps de ballet, I don't fault their obedience. Since they all do the same thing, one must assume it's indolent company teaching that's to blame for their sloppy arm shapes and small-minded legwork, the outward signs of inner agnosticism. Good classical dancing burns your eyes with its laser detail, its graphic grace, its exact physical calculations of poetic effect and metaphor. To dance Swan Lake is to attempt the Everest of ballet, demanding the utmost skill, stamina and sheer love of the journey. The unprepared need not apply.
- Until Monday. Tickets: 020 7863 8000

subset: commoncrawl


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From White House down,
pessimism over Mideast
By Judy Keen, USA TODAY
TODAY/CNN/Gallup Poll
tanks attack bombers' base city (reported by USA TODAY's Jack Kelley in Israel)
CRAWFORD, Texas President Bush's frustration
with escalating violence in the Middle East was evident on Monday, and a USA TODAY/CNN/Gallup
Poll found that most Americans are pessimistic about prospects for peace.
said Palestinian leader Yasser Arafat "can do a lot more to be convincing the
people on the street to stop these acts of terrorism." He also made it clear he
believes that the United States can do little to stop the bloodshed.
the poll, two-thirds said the United States should not take an active role in
trying to find a diplomatic solution in the troubled region.
whether there will be a time when Israel and the Arab nations will be able to
live in peace, 64% said no the highest percentage since the USA TODAY poll
first asked the question in 1997.
Bush said there's
little he can do until the people of the region and their leaders "make the conscious
decision to stop terrorism." He told reporters, "There's nothing that an administration
can do if there's no will for peace."
The poll found
41% of respondents more sympathetic to Israel; 13% said they sympathize more with
Palestinian Arabs.
Bush, who is vacationing at his ranch,
interrupted a morning golf game to lament the recent suicide bombings and deliver
a downbeat assessment of the prospects for peace in the region.
terrorist acts, which are despicable, will prevent us from ever getting into"
the peace process proposed by an international panel headed by former senator
George Mitchell, Bush said.
Bush rejected suggestions
that his administration could take a more active role.
have been engaged in the Middle East ever since I got sworn in," he said.
is the administration that sent (CIA Director) George Tenet to the Middle East
to lay out a platform for discussions amongst security forces to bring peace to
the region."
Bush said he and his advisers have urged
reconciliation between Israelis and Palestinians "on a near-daily basis."
obviously working with the leaders to try to convince them to take the necessary
steps," the president said. "We want at least discussions toward peace."
said leaders on both sides of the conflict, as well as those in Europe and Arab
nations in the region, can do more.
His strongest words
were for Arafat: "It is very important for Mr. Arafat to show 100% effort."
the State Department, officials said Bush's words did not signal a tougher tone.
"I don't really see anything different in his remarks than what we have been saying
all along," department spokesman Philip Reeker said.
a questioner asked how long the Israelis can continue to retaliate with only moderate
force, Bush said, "Sometimes they haven't and sometimes they have."
was not asked whether he would invite leaders from both sides to meet with him,
but the prospect seemed to be on his mind, perhaps as an incentive to progress.
will invite the respective parties to come and see me at the appropriate time,"
he said.
Contributing: Bill Nichols in Washington


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Romanticism Paintings
In recent years, a growing body of proof has been compiled exploring the potential of the humanities to influence on well being and wellbeing in a variety of social contexts, to counter inequalities and enhance engagement. However, the plan backfires when the letter is intercepted by Kung Zi's fellow martial arts scholar and ninjitsu grasp, Takeno, who grew up with Kung Zi and clearly harbors emotions for her. Research in neuroscience and cognitive psychology have decided the modifiability of intelligence, the advantage of teaching and studying from personal strengths and the anchoring of cognition in tradition and language. In our homeschool language arts classes, I combine writing into all our topic areas.
Arts Catalyst performs a leading position in the improvement of artists' engagement with science, and important discourse around this field. My son is always taking part in imaginatively and learns by enjoying with jigsaws, his construction toys like legos, video games and humanities and crafts. Examples of such phrasing include: Fine Arts , Liberal Arts , Visual Arts , Decorative Arts , Applied Arts , Design , Crafts , Performing Arts , and so on. Arts integration does a wonderful job approaching a selected theme/event from different views – which, in the proper context I love (back to that love-hate of mine) and find precious. Visual artwork, music, drama, and dance connect us as people – all the humanities have been with us for the reason that starting of man. Today was all about arts integration – how to integrate core subjects into artwork.
As a approach to develop our programming capability, we created and ran our first public art program between 2007 and 2009, Houses Art, Phases I and II. Houses Art was a collaborative mission of Arts Habitat and artists at Monterey Peninsula College, California State University at Monterey Bay, Monterey High School, and the Independent Living program of Monterey County.
The journal's success is attributable in no small part to excessive-quality articles written by established students, who treat the theological and/or non secular dimension of work by major artists, whilst accomplished artists mirror on the ways by which they perceive the arts to specific the sacred.
These may be to result in political change, to comment on a facet of society, to convey a selected emotion or mood, to handle personal psychology, as an instance one other self-discipline, to (with commercial arts) promote a product, or just as a form of communication.


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This is the second of a three post series on "How to Build a House in Philadelphia." The first post detailed how to obtain Zoning Approval for your new house project. This time we focus on getting the Building Permits. The final post will cover the Construction process.
Building Permits
Once you have obtained your Zoning Approval, you are ready to move on to submitting for Building Permits. This is the main building permit you will need for the overall project. The individual permits for things like electrical and plumbing will be handled by your GC and/or your subcontractors. This process usually takes 15 days or less, but the entire process will be a bit longer as they usually find something you missed on the plans submitted.
The majority of the information below originates from the City of Philadelphia's Licenses & Inspections (L&I) Department's permits section on their website.
- Download he Building Permit Checklist (doc) to use as a guide while preparing to submit your building permit application. This has useful contact info that you will need in the steps below also.
- Download and fill out an Application for Building Permit (pdf) from the city for each property you are planning to build.
- Have building plans drawn up by a licensed architect that meet the city's Building Plans Submission Standards (pdf). You will need three copies to submit to L&I. Tip: Make sure you cover all the bullet points on the Building Plans page for both the application form and building plans.
- In addition to the Application and Plans above you will need to fulfill everything on the New Construction and Additions (pdf) checklist shown below:
- Approved site plans and Zoning/Use Registration Permit. (You will have this after completing the zoning application process)
- Water and sewer availability, storm water management from the Philadelphia Water Department (PWD). This step is a doozy.
- Download this Sewage Facilities Planning form (pdf), follow the instructions and fill it out.
- As part of this form you will be required to a "PNDI Project Environmental Review Receipt" which you will need to create an account for online and follow their instructions.
- Once all of this is completed, you can send this to Eric Ponert (his email is in the Sewage Facilities Planning form) at the PWD along with plot plans and he will send you the certification you are seeking.
- Once that cert is obtained, take everything, including your completed building permit application, down to the PWD on the 2nd floor of 1101 Market Street. Take a right after walking through the glass doors outside the elevator. The kind people here will help you out and complete the hardest portion of the building permit application for you.
- Approvals for curb cuts, driveways or encroachments on the public way from the Streets Dept. (This should have been taking care of during the zoning approval process)
- Approvals from the following departments if necessary – Fairmount Park (residential subdivisions), Historical Commission (someone should notify you if your property or land is Historical), Art Commission and the City Planning Commission (usually for large projects).
- Soils Investigation Report. You will need to provide this to your architects and structural engineer for them to complete the building plans. We use Ambric Technology Corp for our soils reports.
- L&I "Structural Design Criteria (pdf)" Form – To be filled out by your licensed structural engineer.
- L&I "Special Inspections (pdf)" Form – This can be filled out by your architect, but probably won't be necessary for the average house. The building inspector may ask for something specific to be checked off on this list after reviewing your submitted plans.
- L&I "Energy Conservation (pdf)" Forms – This should be filled out by your licensed architect and officially sealed by them. All supporting documents should also be attached to the completed form.
- If you are building a house next to one or two adjacent houses, you may be asked by L&I to submit a letter from your structural engineer or soils engineer stating that they will be responsible for inspecting your foundation. This happened to us and we had to have Ambric sign and seal a letter to this effect. The following is the verbage that L&I gave us for this matter: The construction documents shall include a detailed plan for protecting the footings and foundations of adjacent buildings and structures from settlement or lateral translation. This plan for protection of buildings must be designed by a registered professional engineer. Or in the event that no special precautions are warranted, the registered design professional shall provide a statement that, "No special precautions or measures are required to protect existing footings and foundation on the subject property or on the immediately adjoining property(ies)".
- Review the Building Permit Checklist (doc) to determine if you have completed everything needed for your project prior to submitting your plans.
- OK, finally you are ready to head to L&I. Gather all of this stuff up and grab a building permit ticket and wait your turn. Hand everything over and pray you filled everything out correctly. Bring a check to pay your building permit filing fee of $25 per house. If you want to expedite it will cost you an extra $540 per house. Currently it is taking about 10-12 business days to reveiw building permit applications, so I don't suggest doing this unless you are in a terrible rush.
Whew. That was rough. Hopefully I remembered everything. If not, I'll be going through all of this soon enough for a second time and will make sure to update this post. Good luck and happy building.
If you enjoyed reading this post I can promise you'll love our new writing over at Postgreen Homes. Yeah, we know that's the same thing your favorite band said and their new album is nowhere near as good as their early stuff, but seriously, we are actually still getting better.
There also isn't much conversation to be had here . . . at least not with us. So come on over to the Postgreen Homes Blog and tell us what you think of our new(ish) digs and crazy ideas. We will be sure to tell you what we think of your opinion.


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Basil Lime Honey Ginger Grilled Chicken
Recipe by Rita1652
I used a product Island Grove Key Lime Honey Ginger can be found in many store or click on this link http://www.islandgrove.com/newkeylimeginger.html The rice and mango make this a wonderful tropical meal.
Top Review by kellybender
Since the honey lime dressing was not available at the grocery store, I had to use a substitute. The grocery store also lacked fresh basil, but I found a basil lime vinagerette dressing and just added some honey for the marinade. It worked well and the dish had a "different but good" taste as my friend described it, and is an excellent lighter summer dish.
See Discussion:1 Review
Ingredients Nutrition
- 1 (12 1/2 ounce) bottle honey lime dressing (Island Grove Key Lime Honey Ginger Dressing)
- 1⁄4 cup packed fresh basil, chopped
- 4 garlic cloves, minced
- 1 small onion, diced about 1/2 cup
- 4 chicken breasts, 2 1/2 -3 pounds
- 2 cups cooked rice (optional)
- 1 mango, peeled and sliced
Directions See How It's Made
- Place the first 4 ingredients in a large bowl mixing together, add chicken and marinate for 1 hour.
- Heat grill to medium high.
- Remove chicken from marinade shaking of excess; place the marinade in a small pot and bring to a boil then simmer stirring often.
- Meanwhile place chicken on hot grill and grill for 3-5 on each side.
- Remove chicken when 165° to 170°F cook until juices run clear. Sit for 10 minutes before slicing.
- Mix 1/2 the heated sauce into the rice.
- Plate chicken on some sauce serve with sliced fanned out mango, rice and a veggie of choice.


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Home Owner in Grand Bay
I am a mom of two and have a wonderful husband. I work full-time and my husband has his own business. With us both working so much and kids activities all the time, I seeking a professional, honest, and trustworthy housekeeper to come to my home twice a month. Service Needed: Wall Cleaning Baseboards Floors Bathrooms Window Cleaning Dusting Change Bed Linens General Room Cleaning
Home Owner Details
|Email Address
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Cancer caused by bad lifestyle not 'bad luck' according to study
Nine out of ten cancers are due to poor lifestyle choices and environmental factors, according to new scientific study.
Smoking, drinking, air pollution and sun exposure are the external factors that increase the risk of cancer by 90 per cent.
Researchers from Stony Brook University found that 10 to 30 per cent of cancers are down to internal factors or 'bad luck'.
The findings from this latest study clash with a previous report released earlier this year that said differences in cellular processes were the main reason tissues became cancerous more often than others.
The study led to claims that cancer was down to 'bad luck'.
However this latest study states that external influences have more of an impact than previously thought.
The findings suggest that the risk of developing cancer could be slashed if an individual made certain lifestyle changes such as keeping out of the sun, exercising more or cutting out cigarettes.
Yusuf Hannun of Stony Brook University New York, US, said:
"Here we provide evidence that intrinsic risk factors contribute only modestly to cancer development.
"The rates of mutation accumulation by intrinsic processes are not sufficient to account for the observed cancer risks."
The researchers also looked at how immigration has an effect on cancer rates.
Previous studies have shown that those who moved from nations with low cancer rates to countries with a high incidence of cancer soon develop the same tumour rates as others in the county, suggesting that risks are environmental rather than genetic.
Certain cancers are now believed by scientists to be caused by external factors.
Over 75 per cent of the risk colorectal cancer is now said to be caused by diet while 86 per cent of the risk of skin cancer is due to sun exposure.
The new research also suggests that 75 per cent of head and neck cancers are due to tobacco and alcohol.
In Ireland, 30,000 people are diagnosed with cancer each year.
The five most common cancers in Ireland are non-melanoma skin cancer, prostate cancer, breast cancer, bowel cancer and lung cancer.


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Training was introduced at Societe Generale in 1921 and was long considered to be the best in the financial market. It is a real trademark of the company.
Prior to World War I, the company relied on on-the-job learning, but it introduced a training programme in 1921. That year, the Personnel Department launched upgrade training courses. Societe Generale was the first bank to apply the Astier Act (passed in 1919) relating to the organisation of technical industrial and commercial training. Apart from accounting, these first courses took the form of lectures, in which the employees played no active role. They consisted of 90 hours of legal courses followed over 24 months and were open to incumbent employees aged at least 21. At the end of the training, they sat an examination to become senior officers. These courses continued until just after World War II. In 1953, nearly 260 employees, one fifth of whom were women, signed up for the course.
A year after the introduction of the upgrade courses, the Personnel Department created another course to prepare candidates for the new examination for admission to the grades of Deputy Office Manager and Assistant Director. The three-hour tests were held on a Saturday afternoon and Sunday morning. They covered both theoretical and practical topics: branch organisation, stock exchange operations and balance sheet analysis. In order to increase their chances of success, employees were given training at the Trocadero and Haussmann. Outside Paris, courses were given by a bank officer. The first written tests for employees in greater Paris differed from those for employees of provincial, African and foreign branches.
A further aptitude test was required to become a Deputy Department Manager. Applicants selected a speciality, either banking or securities. There was then a written test with two essays - one on their chosen speciality, the other on the operation of Societe Generale. This was followed by a 20-minute oral examination on banking or securities.
The success of these first initiatives led the Personnel Department to increase the number of training courses, and a number of directors of the bank established themselves as references in the field.
As the 1920s gave way to the 1930s and typewriters and comptometers became more widespread, Societe Generale established schools to train its personnel in these new tools intended to rationalise work in the banking sector. It opened a school for typing, another to train comptometer operators and a third for shorthand. All three prepared students for examinations. In 1929, language courses were introduced in partnership with the Berlitz Institute. These were mostly for English until the 1950s, when the syllabus was extended to include Spanish and German.
But the courses still lacked coordination and cohesion. That is why, in 1930, a committee was established to overhaul the training programme. An education section was introduced in the Personnel Department. A number of major decisions were taken. Firstly, the upgrade course became the first level. Its content was revised, particularly the accounting lessons which were seen as obscure, overly detailed and lacking in general ideas. The financial courses were also abolished to retain only those on banking and capital operations. Next, it was decided to merge the tests for the Office Manager aptitude examination. Lastly, the upgrade courses were opened to the bellboys. Often very young when they joined the bank - between 12 and 14 years old - these boys had only completed their primary schooling. The aim was to supplement their schooling with courses in French, Maths and Geography. At 17, they could then sit an examination enabling them to become employees of the company and begin their professional education.
The scheme was complemented by partnerships with external institutions. Every year, Societe Generale sent 10 employees to the bank's technical education centre, which trained beginners required to follow courses, either under the law on apprenticeship (under 18s) or under the bank's collective agreement. This centre prepared its students for vocational bank training certificates (CAP) and the Brevet Professionnel (Professional Certificate). The technical banking institute of the Conservatoire des arts et métiers supplemented the training of young employees aiming to reach upper management. The courses were held on weekdays. Employees took 50% of the time required to follow these courses from their working hours and the other 50% from their free time. Lastly, the centre for advanced banking studies at the Paris Political Sciences School ("Sciences Po") provided courses for future upper managers. All the examinations marking the successful conclusion of these external courses gave employees the right to "diploma points" which translated into salary increases and bonuses proportional to the results obtained. A number of Societe Generale directors were involved in these courses, for example Henri Ardant, who lectured at both the Ecole nationale des arts et métiers and Sciences Po. Some even wrote what have become reference works, for example Henri Terrel and Henri Lejeune, both former directors, who published Le traité des opérations commerciales de banque (Treatise on Commercial Banking Operations). After World War II, it was another Managing Director, Jacques Ferronnière, who rose to eminence as a result of his handbook Les Opérations de Banque (Banking Operations).
The immediate Post-War period saw the bank continuing to innovate. Whilst still retaining the earlier courses, it developed the concept of the branch-school. The first came into being in Paris in 1956. It accepted young school-leavers, offering them the opportunity of immersing themselves in branch life. These beginners moved from one department to another: they generally started in Portfolios or Account Operations, then moved on to Securities and Accounting. The aim was to initiate them - in three or four months - into the mechanics of posting transactions and centralising accounts. Their instructors introduced them to cheques, bank bills, bank orders and all types of securities. In the Portfolio Department, for example, the students handled bills of exchange, drew up discount vouchers and collection slips and filled in various journals. The 1950s also saw Societe Generale staff attending courses at the International Banking Summer School for bank personnel wishing to improve their knowledge of international operations. But the great innovation came in 1960 with the establishment of the Ecole de Vichy, which made its mark on several generations of employees.
Vichy was chosen not only for the out-of-season accommodation facilities it offered, but also because the bank had large premises there. The new school, established in 1960, benefited from the experience acquired through the branch-school in Paris but catered for other students. The courses were aimed at Level 1 employees, providing them with all the basic knowledge they needed, including foreign transactions, during eight-week courses which ran from October to May. It also trained foreign employees working in subsidiaries outside Metropolitan France. In 1976, 13 Africans, 16 Belgians and 5 Spaniards completed courses. The growing success of the Vichy school obliged the Training Department to increase the number of sessions from 6 to 9 between 1960 and 1968, then to 17 in 1974. This meant that the premises needed to be extended. In 1976, the school occupied seven buildings, compared with two when it had opened. Employees undergoing training also benefited from a 100-seat conference room, a waiting room, a lecture theatre and the availability of instructors, whose number increased from three in 1960 to seven in 1976. But the training centre distinguished itself above all by its educational methods. To begin with, teaching was based on student participation, with the introduction of group exercises and role-plays. Later, trainers used methods that were modern and dynamic at the time: VCRs and overhead projectors. Finally, from 1974 the upgrade courses were supplemented by training courses. The reputation of the course was such that recruiters from competitors began to canvass Group employees, sometimes even as they left the premises, to invite them to join other French banking establishments.
At the same time, Societe Generale continued to develop training in Paris and in provincial towns. Centres opened up at the Boulevard des Italiens and Rue du Helder in 1970, and an audiovisual department - also in Paris - was established in 1971. Language courses were not neglected either: partnerships were developed with the British Council and the London School, which provided audiovisual instruction for employees from 1969.
The Training Department also started to publish its own newsletter in November 1971: the Bulletin de liaison du service formation. This newsletter contained economic and financial news items, articles about changes in banking technology, new legal and tax requirements and information specific to Societe Generale such as important notices and circulars. By the beginning of the 1980s, the Bank had a particularly efficient and well-structured Training Department. It consisted of five sub-departments: the general banking training centre in Rue du Helder in Paris, which prepared employees for vocational bank training certificates (CAP), the Brevet Professionnel (Professional Certificate), and Office Manager and Deputy Department Manager examinations; the commercial and technical training centre in Paris, at Rue de la Michodiere; the international activity centres; the advanced training centre for young managers, communications and hierarchical relations; and the technology and financing centre. The latter three moved into the Tour Ariane, at La Defense, in 1983. This merger heralded the changes that took place in the training programme during the 1980s.
The economic and financial environment, developments in technology and changes in the internal organisation of Societe Generale itself led to an overhaul of the training programme. In 1983, the typing school - which still trained 30 internees per year - was closed. One year later, the extension of the RTA (branch terminal network) led management to close the school for comptometer operators. The last employees to use these machines would be trained through apprenticeships. In 1985, it was decided to undertake an in-depth reorganisation of all training. This had two aims: to give departments more flexible and responsive structures by moving away from the concept of centralised training towards that of operational and functional branches; and to reduce the distinction between courses for management and those for employees. Better known by the abbreviation HUM/FOR, the newly-created service introduced a new magazine to communicate the Group's new strategy: this was the birth of Fréquence Formation. But the bank was flexible and, when necessary, retained training centres or schools. IT is doubtless the most eloquent example of this. After having provided limited teaching in this field, Societe Generale established its own IT school in collaboration with the Control Data Institute in 1990, with the intention of training the bank's future Project Managers in IT.
This ongoing desire to adapt training to the needs of employees and their environment whilst continuing to innovate is still the rule today, enabling the different generations of employees to develop personal and professional skills throughout their careers.


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Toe Ring with Cubic Zirconia in Sterling Silver
Item# 19984415
Wear this sterling silver toe ring with your favorite open toe shoes. The style presents a round cubic zirconia Center stone wrapped in a ribbon lined in smaller cubic zirconia accents.
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Sorry I have not posted until now. A friend I knew for the past 2 or 3 years died at the weekend. So i have not really been feeling up to it.
Alan Neil was the founder and President of TTN. He began the long saga of Q-Con. He even came to mine in the Navan Centre, in Armagh.
He had a stroke. The doctors could not do anything. And yet he still thought of others, he carried a donor card.
I was not his best friend nor he mine. but he was very likeable and full of life. It could be very infectious.
He leaves a lot of people who loved him and liked him. His long term girlfriend, his long term house mate, his family and everybody else who ever met him.
He will be greatly missed. He loved Guns n Roses, but i shall quote Iron Maiden - "Only the Good die young". His was in his thirties, just like me.
I shall be attending the funeral tomorrow (2nd June 2006). Normal service will resume there after.


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It's sad to find...
I enjoyed many of the mothers posts on here. However, it's sad to find out that some are no longer on this site. I will surely miss their posts and insight. :)
Comment deleted
Oh, there are plenty of wonderful ones here as well. I am glad to see some are here still. You and Tracy included. ::)
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I know. Usually my invite button is fully loaded but there are still stuff from days ago on there. I looked for a few of the mothers that used to be here but they deleted their profiles, sadly. I love this site. I am glad to see you, Sheila, and some others are still on here though. :)
I agree, I miss 3 ladies who aren't on here any more!
There are about three that used to be on here as well that I miss also.
I noticed it has been quiet also lately. I thought it was just because I have been busy and not on here as much, though still am checking it a couple of times a day.
Come to think of it, I know there was four that exploded my news feed quite often that are no longer here and some were employed by this sight. I wonder why they decided to delete their account and go without a reason as to why. This is a wonderful sight, in my opinion.
Agreed, Melissa. There are a few I certainly miss, but at least there have been quite a few cool new mom/planning friends who have joined.
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About Melissa Middleton
Current: Pennington Gap, Virginia
Birth: April 13
On Moms.com since: Mar 21, 2014
Mother of an active son, a precious baby girl, & a diva step-daughter (who lives with us). I am an artist, baker, organic gardener, frugal liver, & a Christian--happily married to my best-friend. Blogger at www.chasingwildhorses.com


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We demonstrate line-shape measurement of an extremely weak amplitude-fluctuating light source by using photon-counting-based second-order correlation spectroscopy combined with the heterodyne technique. The amplitude fluctuation of a finite bandwidth introduces a low-lying spectral structure in the line shape, and thus its effect can be isolated from that of the phase fluctuation. Our technique provides extreme sensitivity suited for single-atom-level applications.
© 2006 Optical Society of AmericaFull Article | PDF Article
OSA Recommended Articles
Nicola J. van Leeuwen and Andrew C. Wilson
J. Opt. Soc. Am. B 21(10) 1713-1721 (2004)
Wilfried Lenth
Opt. Lett. 8(11) 575-577 (1983)
H. Dinesan, E. Fasci, A. D'Addio, A. Castrillo, and L. Gianfrani
Opt. Express 23(2) 1757-1766 (2015)


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Happy Hour – every day 3-6 and all day on Mondays
Power Hour – 10-11 pm Thursday Friday Saturday- $4 wells and $2 Coors Light
Drinks: $5 Mai Tai, house Margarita and Dark and Stormy, $2 Coors Light, $1 off all beer , wine and liquor
Food: None
Julie's Review
The Pono Grill and the Reef are located on Union Street. The Reef has great happy hour time slots, but finding them was not easy. I looked at the Pono Grill website, but no mention was made of happy hour. I called and the phone was busy two times and then I was put on hold. After waiting several minutes the woman came on the line. When I asked when happy hour was the woman said, that's over in the bar. You will need to call them directly and hung up. No number, no transfer and no listing of the number anywhere, that I could find.
So, the first thing to know is that the Pono Grill and The Reef are two separate businesses, housed in the same building. Pono Grill has the food and The Reef has the drinks. This can be a little confusing from their websites.
Having happy hour every day from 3-6 and all day Monday- you gotta love that!!! Unfortunately, there is no food to go with the drinks. Don't love that so much. There is food at the restaurant, but no happy hour specials or prices. Ouch! You gotta feed your drinks!
Jo and I arrived and got a table. We quickly bellied up to the bar where Danny was working. He told us the bar is indeed separate from the restaurant and understood our disappointment that there wasn't food. He runs a pop up across the street called Kickin' Chicken which delivers chicken and waffles to your house! That was sounding really good about now. Check out his Facebook page: https://www.facebook.com/kicknchickenSC/
Danny was a fun bartender – great service and a cutie to boot! He whipped up a margarita for me and Jo ordered a Mai Tai. Since neither Jo or I had eaten we ended up ordering food at the restaurant which was tasty, but not happy hour prices, for sure. My margarita was made with fresh lime, but was not quite sweet enough for my sweet tooth. Jo didn't care for her Mai Tai. Hula Mai Tais set the standard and these didn't quite measure up.
By this time Joanie had joined us, followed shortly by Heather and Ted. Joanie had a beer and Heather and Ted ordered Dark and Stormies. Danny whipped me up a Dark and Stormy, as well. This was definitely the best happy hour drink on the menu.
One of the nice features of their happy hour is that ALL liquor, beer and wine is a $1 off, so I ended up getting a top shelf margarita which was quite tasty. The party was just getting started. The Reef's motif is surfer chic and has a beautiful outdoor garden area. We noticed a flag that looked like a British flag, but when we googled it, it was the Hawaiian flag. Who knew?
About this time we discovered the 'Selfie corner' with grass skirts, straw hats and leis. We had to get a photo of that. Soon the band started – musicians who used to frequent the Trout Farm. (sob!). Ted was on the floor in his grass skirt and we all kicked up our heels. While we were dancing an over-enthusiastic waitress cleared our unfinished drinks! I talked to Danny and he replaced the drinks free of charge – that's the kind of excellent service he offered!
We were about ready to call it a night when Graciela and Roy showed up. Now, we were ready to head to the Church Street Fair.
So in sum – the Reef has great happy hours – 7 days a week from 3-6. Reasonable drink prices, though the Dark and Stormy was my favorite, by far. Danny is a fun bartender offering great service and there is live music on Sunday afternoons. The major down side is no food on the happy hour menu, though it's a few steps away. A fun place.
Julie's rating: 3.5 shots
Jo's Review
So off we go for another happy hour. We decided on Pono Hawaiian Grill because we had passed by at some point and saw that they had happy hour every day. We like that in a happy hour so Sunday afternoon we ventured out.
It's a beautiful day and they have a fair crowd in the place. You enter to what seems like a garage door front door. The place seems homey with table and chairs, couches and a relaxed atmosphere. Lots of island motif around the place, and a beautiful patio in back.
I'm the first to arrive so I quickly secure a high table by the bar that was just vacated. As I look around the the waitress clears off the table but doesn't bother to take an order from me I realize no one is taking orders. I guess you help yourself around here. As I look around more I see that you place your orders for food and pay at the front door, then they give you a number and bring the food to you. You have to go to the bar to get your drinks as well so not as relaxed as I thought since I'm fending for myself to acquire my food and drink.
Once Julie gets there she goes to the bar for the drinks and we find out that the Reef and Pono Hawaiian Grill are sort of separate entities working out of the same building. The Reef has happy hour every day from 3-6pm and all day on Mondays. They have $5 Mai Tai's, Margaritas and Dark & Stormy's. $2 Coors lights and $1 off all beers, wine and liquors. They also have a power hour form 10pm-11pm, $4 well cocktails and $2 Coors light.
Pono Hawaiian Grill does not partake in the happy hour deal and has no specials for happy hour that I saw. I have to say that was a big disappointment to me. I like my happy hours to have cheap prices on drinks and food. So even though I ended up getting some chicken wings, (of course) I'm not added them to this write up since they were not part of the happy hour, I just needed something to eat. I must admit I would like to go back some time and try the Loco Moco or one of the poke dish. The prices for Pono seemed reasonable.
So I got a Mai Tai and Julie started with the Margarita. I can say I wasn't that impressed with the Mai Tai. Although it was made with fresh juice it was a little weak for me and to acidy. I like more kick for my buck. Not sure how Julie's drink was but I don't remember her raving about it. Her next drink was a Dark & Stormy and she definitely liked that drink. I ended up getting a beer from my next drink.
Joanie showed up and then Heather and Ted showed up. We all got some drinks and were chatting it up and having a good time. It was nice but I was just not feeling it, perhaps the disappointment of no food specials. They all started talking and reminiscing on their burner days so I ended up taking off and leaving them to it.
Joanie showed up and then Heather and Ted showed up. We all got some drinks and were chatting it up and having a good time. It was nice but I was just not feeling it, perhaps the disappointment of no food specials. They all started talking and reminiscing on their burner days so I ended up taking off and leaving them to it.
So happy hour at the Reef/Pono Hawaiian Grill was different to say the least. The drinks were ok, and with no food specials well I guess for a quick stop it fine. I guess you're still getting a deal at least with the cheaper drinks if you get food too. Not what I expected but if was fine.
Jo's review: 3 shots


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WHILE THE UNITED STATES MARKET for men's grooming products is the largest at $4.8 billion, according to Euromonitor International. Demand for men's grooming is growing faster south of the border, which could influence the 24 million plus Hispanic males in the U.S.
Consultant Jim Wisner, president of Wisner Marketing Group, Libertyville, Ill., who has spent time in central America, said the Hispanic influence is "real and significant." In Latin America, Hispanics tend to their appearan
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"Cops wanna knock me, D.A. wanna box me in. But somehow, I beat them charges like Rocky." - Jay-Z
Justice? This is an Injustice!
I'm watching Justice tonight. By the time I got to the opening credits, I wasn't sure I wanted to keep watching.
But I did.
And then I regretted it.
Except that it was bloggable.
And I learned some new interesting theories in criminal law.
Here's one little gem I picked up from Justice: If you have some incriminating evidence, don't give it to your criminal defense lawyer, because then they're legally bound to turn it over to the prosecution. Hmmm. Wow. So, all of my clients who I know are guilty... I should be calling the prosecutor to turn them in? I'll have to get to work on that tomorrow morning. Thank you, Justice.
And, second, I learned that if you, as a lawyer, suspect that someone else in the client's family committed the crime, you're just screwed. You can't bring that up in trial because you represent the whole family. (Really? The whole family? How about extended family? 3rd cousins?)
And, third, the family member admitting on the stand, "I know he didn't do it." "How do you know he didn't do it?" "Because I did it!" Oh, c'mon, we've all seen that on L&O plenty of times. Way more times than it has happened in real life.
My mind hasn't seen this kind of UNREALISTIC TELEVISION OVERLOAD since my mother made me watch Kevin Hill.
Justice, call me. I can help.
11 comments:
- AnonymousOctober 24, 2006 2:09 AM
Wouldn't your recommendation to hire a technical advisor qualify it as a reality show?ReplyDelete
In other news, a bit of a pro se litigant victory upon the filing of document number 114 located at www.maximumadvocacy.com ~ Notice of Withdrawal of Attorney.
No word yet on how much the past court record tampering activities of the "separated" attorney played in the break-up with BIG LAW.
Perform two random acts of kindness today.
You need to do some more research on the legal and ethical duties of a defense counsel to turn over physical evidence (as opposed to confessional/admiision statements by an accused). There IS a duty to provide physical evidence to the prosecution, although the specific requirement will vary depending upon the jurisdiction's rules. Fair warning!ReplyDelete
Yeah, in my jurisdiction we are required to turn over physical evidence from the crime, albeit while taking whatever steps necessary to limit damage to your client, whatever that means.ReplyDelete
Otherwise, I totally agree with you. I can't watch law shows anymore unless they are being unrealistic on purpose, like Boston Legal. When they act like they're showing the American public how the criminal justice system really is, I can't stand all the inaccuracies.
For example, you represent the entire family of your murder client. One of said family members is the real murderer. What can you possibly do? Oh, I don't know. Perhaps withdraw from the case!
I watched the first two episodes and then couldn't stomach any more. The complete lack of understanding (or complete apathy) regarding basic procedural rules infuriated me.ReplyDelete
I can't believe that I may have actually beat you to a critique of a legal show!ReplyDelete
post here
This show is horrendous. How about the prosecutor, during cross of the father, saying: "Really? We have receipts of you in Fresno". Uh, objection? Anyone? Anything? Just stand up please? Seriously.
- NYLawyerOctober 26, 2006 7:37 AM
In NY, we don't turn anything over to anybody. And that's the way we like it.ReplyDelete
C'mon...we all know there has never been, and never will be, a law show as excellent, accurate and as deserving of all our praise as Ali McBeal! Go Ali!ReplyDelete
tv is fo suckasReplyDelete
- Eddie MerkinOctober 27, 2006 6:52 PM
Nothing beats Matlock...walking a horse into court, taking the jury on one field trip after another, magicians with card tricks...I used to torture my anal retentive roommate in law school by making him watch it..watching him yell at the screen was entertainment enough..ReplyDelete
- Eddie MerkinOctober 27, 2006 6:54 PM
But, in all honesty...how many times a week do we hear "The cop never read me my rights, this has to be dismissed".....ReplyDelete
Stranger real tales of woe abound they could use to base there shows on...like my case for example : )ReplyDelete
23 years on death row and the witness recants and I am stuck cooling my jets for 8 years while the lower court tries to decide which of all the options will make it look less incompetent with judicial elections comming up in 2007. See, "Justice Delayed is Justice Denied."


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1990 Chevrolet S10 Questions
Get answers to questions about your 1990 Chevrolet S10 at RepairPal. Find solutions, diagnose problems and get back on the road.Refine by vehicle
It wants to start but then die,fuel pump is shutting off
I need to know how to bleed my clutch
We put in a new master cylinder and slave cylinder and just can not get the line to bleed out please help
Dumping into the cylinders. I replaced map, pressure regulator, changed the injector.
The vacum line is behind the tps on the passenger side of the motor
My motor is running on 4 cylinders after tuning up my 4.3L V6,i put new plugs, wires, and cap/rotor on the motor but it's still only running on 4 cylinders. What could be the problem?
Original was stolen.
Got it home checked fire fuel pressure all was great scratched my head, then got my dad to spin over the engine injector wasn't spraying fuel, so I first replaced the ignition module in the distributor, then the oil pressure switch, then the computer, checked all fuses, used throttle body and injector, ignition starter switch on the column under the dash, still nothing I'm at a loss. I can take the battery cable lose and wiggle it and the injector sprays fuel like nothing is wrong, about to light a match lol
CV joint-mechanic says it is idler arm, center bar
and rotors need replacing...would that cause the bad cv joint like clunking sound?
and rotors need replacing...would that cause the bad cv joint like clunking sound?
it is the expensive control module as there are two but not inter usable
anyone with an answer?
It stalls after about fifteen seconds after pouring gas in the carb.


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Butch Bloom has gotten his ass fucked a few times on Breed Me Raw, and once fairly recently, but he was anxious to show off that he can top, too. So site owner Tyler Reed paired this cute, Mohawked guy with James Roscoe, a hairy bottom who loves getting fucked.
And this is a wild time! These two guys really know how to have a fucking blast. They start off making out with lots of heavy and passionate kissing -- lots of tongue and spit -- and before you know it they're stuffing their hard dicks in each others' mouths. Roscoe gets down on all fours and Butch slides his raw cock into this bottom's hairy fuck hole and rams it hard and deep. And Butch proves that he is quite a good top -- he breeds James' butthole with two loads of spunk!


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Diesel Fuel #2 Composite Standard, Restek
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|5mL; 50,000μg/mL
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|Peter Royal <pro...@apache.org>
|Re: Regarding Excalibur XMLUtil and Store
|Wed, 14 May 2003 02:18:22 GMT
On Tuesday, May 13, 2003, at 08:46 PM, Stefano Mazzocchi wrote: > And phoenix deprecated the notion of blocks (and Peter Donald doesn't > like them). Only the Block marker interface. A Phoenix application is still made up of "blocks" > Result: screw them. A container is a not rocket science and we need > freedom of choice more than anything else at early design stage. > > if it makes sense to extend Fortress, I will. If not, I won't and I'll > start from scratch. > > And if any of you disagree and you want to beat me at the > implementation > of cocoon blocks, you are my guest: the more angles we attack the > problem, the better. rock on. if only i had the time... > I changed my mind: let the components remain there and let's work on > getting the release out of the door so that I can work on blocks and > free cocoon (and all of us!) from the chains of the servlet container > :-) > > Deal? whoop! deal :) -pete
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The Arcteryx Alpha FL30 is a task focused climbing pack that's both lightweight and durable. Built to take lots of mountain abuse, this pack is also very weather resistant.
With Pre-Order, you can purchase the latest items added to our store in advance of them arriving with us.
You Pre-Order is prioritised (at no additional charge); meaning that, as soon as the product arrives with us, we can wrap it straight back up and get it sent out to you - it often never even hits the stock room shelves!
With Pre-Launch, the date when we expect to receive the product ourselves is still a little too hazy to be confident in accepting Pre-Orders.
So, instead, you can submit your email address against the item you are interested in and we will email you as soon as stock arrives on the system.
Estimated Delivery Dates are given on Pre-Order and Pre-Launch products. They are for indication purposes only and can change at any time without notice.
The dates we provide are based on indications given by our suppliers. Whenever we get updated information from our suppliers we will endeavour to update the Estimated Delivery Dates provided on product pages.
The Alpha FL30 is a task focused climbing pack that's both lightweight and durable. Built to take lots of mountain abuse, this pack is also very weather resistant. Its simple no nonsense design with a RollTop™ lid is functional without any faff, and can be paired down further if required for minimalist summit assaults.
The Arcteryx Alpha FL30 pack is clearly a serious users pack, with everything having a purpose. It's the ideal pack for fast and light alpine assaults or big days multi pitching on the crag.
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Without a doubt, my favorite level in Halo: Reach was Exodus. This may seem like an odd choice; not much in the level really sets it apart, gameplay-wise: there isn't the stealthy sniping of Nightfall, or the intense vehicular combat of Tip of the Spear, or the space combat of Long Night of Solace. Truth is, the real reason I like Exodus so much is its story value, and the way it profoundly embodies the heroism and sacrifice of the Fall of Reach. I know it's a tad long, but I still hope you take the time to read what I have to say. This is my first time writing something like this, but who knows? You might even learn something new.
Hope you guys enjoy it.
Exodus opens immediately after the tragic events of Long Night of Solace: Jorge is dead; the full might of the Covenant fleet has arrived over Reach. From here on, we know what is to come. Reach will fall, bringing over 700 million dead. But all hope is not lost... not yet. Five members of Noble Team remain, and it remains to be seen what their ultimate roles will be.
The screen fades in, and we see Noble Six a distance away from what is presumably his reentry unit. He holds his arm as he staggers toward the camera.
A thin, trembling strings melody begins—a tremulous wave of cold and uncertainty. The music wavers, as if unsteady on its feet, much like Noble Six. Six stops in front of the camera and bends down to fiddle around with something, giving us a second to notice what's behind him. A mountain range looms, fragments of metal drawing streaks of red as they burn up in the smoky sky. Fires rage in small lines across the horizon.
Six straightens, and we see him cocking his magnum. He walks away from the camera, and as he does so, the score swells into a warmer, more resonant melody. All of a sudden, the scene seems stronger, though we can still see the smallest bit of a limp in Six's step.
Six stops, and we fully see the background for the first time. The crashed remains of the Covenant supercarrier are lodged in the faraway mountain range: a final testament to Jorge's sacrifice. Six stares at it for a moment, then walks off into the distance.
The screen darkens, and we get a second to listen to the swelling horns and cellos, as well as the snap of faraway weapons fire. When we see Six again, he is in the shadows of a small grove of trees. The cinematography is fantastic as the camera zooms up slowly behind Six, revealing the city of New Alexandria, a trio of Covenant corvettes hovering over it. As the last strains of the strings melody fade out, Six lets Jorge's dog tags dangle from his fingers.
We see the dawn over New Alexandria as an antiaircraft battery fires into the air. By this time, a new, more energetic electronic-sounding melody has replaced the mourning strings. Even before Noble Six comes jogging into view with magnum raised, we immediately know that it's time for business: the time for grieving over Jorge is over.
When I first played this, one of the things I noticed was how well the sound of distant machine gun fire conveyed the mood of the setting: an abandoned city, albeit a city with at least a few defenders.
- KILO DISPATCH: "This is Kilo Dispatch. All available teams advance to Traxus Tower. Evacuation will commence ASAP."
- KILO 40: "Copy, Dispatch. What's the status of the tower pad?"
- KILO DISPATCH: "Tower pad is green. Let's move these civilians before it changes."
- KILO 40: "Copy, Dispatch. Four zero out."
As soon as the cutscene ends, you immediately know what you're here to do. The UNSC's offensive war is over: you're here to assist an evacuation, a final sign that the battle is lost. No longer are you assaulting an objective, fighting a war on the enemy's territory. At this point, the UNSC has lost; its only objective is now to save as many lives as possible.
The magnum you start out with is enough to deal with the scattered Covenant forces you encounter early on, but soon a trooper on the radio informs you of approaching Covenant suicide squads. The Grunts are relatively easy to mop up, leaving you free to listen in on the radio chatter of the army troopers.
- KILO 40: "Kilo two six, this is Kilo four zero. Covenant corvette's raining hell on us. Final protective fire one, danger close, my command, over."
- KILO 26: "Copy, Kilo four zero. Firing FPF one. Shot."
- KILO 40: "Hold onto your helmets!"
The entire building shudders as the troopers fire off a shot. They fire another, and you're informed of the resuilts.
- KILO 40: "Damn, how do you stop that thing?"
After you fight through the building, you finally emerge to see some friendlies. They're civilians, and they're running from a Covenant dropship.
- FEMALE TROOPER: "A Spartan? Where the hell'd he come from?"
- MALE TROOPER: "Who cares? Spartan, assist!"
It seems that a Spartan is welcome anywhere. As you fight the first group of Brutes, civilians run and duck all around you. While this isn't the first Halo game to feature civilians, it's definitely the first time you've been so aware of them.
As you fight, the troopers yell things like, "Tango down!" I found this kind of interesting: it's the closest the soldiers in Halo have ever come to using modern-day code words. Another thing I noticed about this level was how casually they threw around military callsigns; like other FPS games, Halo: Reach seems to have caught on to the fact that military jargon is cool.
As you fight through the Traxus Tower atrium, you'll notice how real it looks. The graphical designers at Bungie have definitely improved the way they design the campaign; in contrast with the sparse concrete buildings of Halo 2's New Mombasa, the space looks like something you could actually find in a modern-day city.
The man on the radio informs you that you'll have to wait for the elevator, which can only mean one thing. Sure enough, a pair of Phantoms sets in, and your HUD informs you of the objective: Defend position. As the invigorating theme from the 2009 VGA Awards trailer kicks in, it feels like Halo at its best.
I couldn't help noticing the World Cuisine off in a corner. When I first saw the menu on the side of a building, the first thing I thought was, "What? Is this a McDonalds? In Halo?" I couldn't help laughing a bit; the "World Cuisine" serves hamburgers, fries, and fish: something you would find in any fast-food restaurant today.
- TROOPER: "Damn, Lieutenant. Glad you're on our side."
Some may have noticed that the troopers in Reach throw around comments like that a lot more than the Marines in other games do. We know from other Halo media that regular enlisted personnel tend to be awed and even frightened by Spartans. Why the lack of reverence with these Army troopers?
We can find an answer in the Bungie Weekly Update 01.29.10.
- As NOBLE tends to operate much more closely with non-augmented personnel than Blue, Red, et al ever did, NOBLE's CO decided that his team shouldn't have to worry about some Oscar Sierra light-switch they might run into in the field trying to start calling the shots or otherwise alter OP parameters mid-mission.
As the bolded section shows, Noble Team was designed to work much more closely with regular troopers, in contrast with the tight exclusiveness of other SPARTAN-II and SPARTAN-III groups. Therefore, we can infer the cause of the troopers' nonchalant attitude towards the Spartans.
As you're descending in the elevator, Kilo 40 informs you that the rooftop evac has failed; the corvette has moved into position to shoot down any transports taking off from Traxus Tower. He then tells you that a "group of ODST specialists" is working an alternate plan.
It's always nice to see the UNSC fighting on its home soil; like Halo 3's earlier levels, the tenacity and resourcefulness of the human race when presented with a challenge really shines through at moments like these.
What comes next is a rather scripted introduction to the Jetpack armor ability. A quartet of Jetpacks is in the room for the taking, and the "ODST specialists" turns out to be the Bullfrogs, a group specializing in the use of Jetpacks. Your job is to jump across a series of platforms to get to the executive landing pad in a wing on the other side of the complex.
You Jetpack across the gap and engage another group of Covenant. This encounter is interesting, because there are a ton of platforms and walkways strung out above you: with the Jetpack, it's easy to grab the higher ground and rain grenades and bullets down on the clustered groups of Brutes and Grunts.
At this point, you can take a slight detour and find Data Pad 6, kind of like the Terminals of Halo 3 and Sadie's Story of Halo 3: ODST. All you have to do is go until you're nearly at the door to progress to the next section. Turn left and Jetpack up to the small ledge above you; above that will be a small catwalk going across the ceiling. Jetpack up to the catwalk and grab the Data Pad that's on the body of a dead trooper.
There's something rather interesting about this setup: why are there no Elites in New Alexandria? We know that at this point, the Prophet of Truth hasn't made his power play with the Brutes just yet—so where are the Elites? They seemed to make up a majority of the initial advance force: is it possible that the occupation of the city was left to the Brutes so the Elites could focus on other activities? All we know is that in Exodus, and in New Alexandria after it, every enemy you fight is either a Brute, Grunt, or Jackal.
As soon as you reach the next waypoint, you're informed that the entrance to the building is in fact on the other side. This is a perfect example of the new, more realistic feel of Reach; instead of knowing where everything is, even the soldiers make mistakes and have to find their way around the city. It's a nice break that once again reminds you how much thought Bungie put into the game.
After you walk out onto the balcony of the New Alexandria Concourse building, there's another Data Pad close by. Instead of explaining this one to you, I'll link you to a nice video showing how to get it.
As soon as you walk out into the open, you're targeted by a Focus Rifle sniper. One thing I really liked about Reach's replacing the Beam Rifle with the Focus Rifle was the end of the "this is so stupid hard" era of Halo 2's "sniper alley" on Outskirts. Because the Jackals now only fire the Focus Rifle in short bursts, it means, especially on Legendary difficulty, that while snipers are still a threat, you won't get stuck in an impossible situation while being pinned down by instant-kill sniper fire. However, that doesn't mean that the Focus Rifle isn't scary. The audio team really did a great job making the Focus Rifle sound like the burning, crackling beam of death that it should be.
The encounter that follows has you fighting uphill, with Jackal cavalry on the lower level of the stairs and a sniper up top. If you can advance and use the energy shield emplacements as cover, however, your Jetpack will be very useful in gaining the higher ground and eliminating the sniper.
However, if you don't take him out fast enough, the Jackal will continue retreating up the three or four levels of stairs, and continue raining fire down on you. This terraced setup is interesting; while it provides you with a great opportunity to take advantage of your armor ability, it also makes it especially hard to eliminate dug-in Covenant sniper positions.
Once you get inside the building, you're greeted with another well thought-out encounter. In the center of the room are multiple Gravity Hammer- and Fuel Rod Cannon-wielding Brutes. Once you get to the upper balcony, you've got a good deal more cover, but it's still challenging to maneuver around and take out individual Brutes without being killed by the Fuel Rod Cannons.
Once you've cleared the inside, the outside is easy. You can pick up the weapons of the dead Brutes, and, using your Jetpack, avoid the fire from the Shades outside and eliminate them. The dispatch operator on the radio informs you that the evac birds are en route.
As soon as you're clear, a pair of Falcons drops in and allows you to jump in the gunner seat. As you fly away, the trooper in the seat next to you informs you of what's been going on.
- FEMALE TROOPER: "City's been under siege for the last five days. Thought we had it in hand... then those corvettes showed up, and our fleet scattered. Hell, we've all got orders to evacuate. Guess some of us just don't like leaving a job half-finished."
The Pelican transport settles down on the landing pad, and the soldiers and civilians scramble to get onboard. As you're sitting in the turret of the Falcon, there's not much you can do but listen as the various troopers talk over the radio.
- DELTA 15: "Delta one five to Dispatch. Banshee squadron on my tail. Taking fire!"
- EVAC DISPATCH: "Copy, Delta one five. Can you—"
- DELTA 15: "Mayday, port engine's hit, we're going in. I'm going to try to set her down."
As you fly by, you can aid various UNSC forces with your turret, but your real focus is on the larger evacuation that's taking place around you. With Delta 15 gone, you know that the civilians you worked so hard to protect throughout the level are now dead.
- FOX ACTUAL: "Fox Actual to UNSC frigate Stalwart Dawn. Request immediate airstrike on Covenant corvette over starport."
- STALWART DAWN: "Solid copy, Fox Actual. Longswords unavailable at this time, over."
- 6 ECHO 2: "This is civilian transport six Echo two, I need to go now, Sergeant Major."
- FOX ACTUAL: "Hold on, Echo two. Stalwart Dawn, I have multiple craft loaded with civilians, I have got to get them out of the city! I need air support, now!"
- STALWART DAWN: "As soon as something frees up, you'll be the first to—"
- FOX ACTUAL: "Not good enough!"
- 6 ECHO 2: "I've got six hundred soldiers onboard, Sergeant Major, I can't wait any longer!"
- FOX ACTUAL: "Negative, Echo two, I can't cover you. Do not take off."
- 6 ECHO 2: "Damn it!"
The music rises to a crescendo, and looking forward, you can see the starport across the river. One of the transports is slowly rising. As soon as I saw this, having heard the previous exchange over the radio, I knew what was about to happen.
The strings reach a deafening climax, and a plasma burst strikes the transport from above, blowing half of it into the bay. Astute observers will note that the plasma burst actually strikes the craft two frames after the explosion occurs.
The transport falls past your Falcon, almost within touching distance, and belching flames from its port engine, it lands in the water with a splash. When I watched the engines flickering and dying out, I was reminded strongly of the ending cutscene of Cairo Station from Halo 2 when the cruiser takes a pulse laser blast for the Master Chief. Here, we see another ship passing by the player, the light of its engines cruelly extinguished.
- FEMALE TROOPER: "Oh, my God."
- 6 ECHO 2: "Mayday, mayday!"
- FOX ACTUAL: "Six Echo two, can you maintain altitude?"
- 6 ECHO 2: "Negative! We're going down!"
- FEMALE TROOPER: "Son of a bitch. I can't watch this."
- EVAC DISPATCH: "Fox Actual, should we send search-and-rescue birds?"
- FOX ACTUAL: "Negative, Dispatch. No point."
The voice acting for this scene was incredible. The combination of the visuals, the voices of the characters, and the score, I couldn't help but feel the deaths of the six hundred aboard that transport as if they had died right before me.
The Falcon lands, and Fox Actual introduces himself as Sergeant Major Duvall. To me, this symbolized something important: rather than being a controller sitting somewhere in front of a computer screen, the operators on the radio were all on the field. Duvall had seen the transport go down right before his eyes; but whose fault was it? Was it Duvall's, for not getting air support fast enough? Was it the Stalwart Dawn's? Was it 6 Echo 2's, for taking off too soon? Ultimately, the failure of the UNSC to protect the transport just goes to show how outgunned and outmanned the UNSC are in the war.
- DUVALL: "Hey, Spartan. Sergeant Major Duvall. Awful day so far. Let's keep it from gettin' any worse, huh? Covies are all over my missile batteries, and I've got five thousand civilians waiting across the bay for passage up. I need you to arm those batteries, then fire the missiles from the central terminal. Understood? Corvette's been a pain in my ass for too damn long. Give it hell, Spartan."
Once again, you're galvanized into action. The Falcon lands, and you're let out on foot.
The final encounter of the level is fairly expansive, and you're free to go about it several different ways. Since I kept my Jetpack, I opted to just blow through the scattered Covenant forces. There's also a Wraith on the lower level raining mortars around you, but as long as you keep moving, the Wraiths shouldn't be much of a problem.
As you fight, the pilot of 7 Echo 3 keeps Duvall informed of the Covenant's progress. Duvall tries to keep the pilot calm, determined to keep him from making the same mistake as 6 Echo 2.
- 7 ECHO 3: "Sergeant Major, the Covies are almost through my door!"
- DUVALL: "Steady, Echo three. That corvette is still up there."
Once you've primed both batteries, all you have to do is punch through to the waypoint and activate the missile batteries from the central terminal. To do this, I just eliminated all the Brutes and Jackals from range with the DMR, then Jetpacked up to the terminal.
- 7 ECHO 3: "That's it! They've reached the landing bay!"
- DUVALL: "That's it. Now or never, Spartan."
You punch the control console, and the screen goes black.
- DUVALL: "Missile defense online. All evac transports, you are clear for takeoff. Repeat, you are clear for takeoff. Go now."
As the screen fades back in, six missiles streak toward the corvette from the ground. They look like fireflies as they spiral around and impact the corvette in the nose. Small fires start on the bow.
- PILOT: "Civilian transport away. You saved a lot of lives today, Spartan."
As the three transports fly off into the distance, Kat radioes Noble Six.
- KAT: "Do you copy? ...Repeat, this is Noble Two. Noble Six, Noble Five, do you copy?"
- NOBLE SIX: "This is Six. Go ahead, Noble Two."
- KAT: "We picked up your transponder about an hour ago but could not risk open comms. Covenant have this city sealed tight. We're getting hothing from Jorge."
- NOBLE SIX: "He didn't make it."
- KAT: "...Understood. What's the situation at starport exit?"
- NOBLE SIX: "The last transport is away."
- KAT: "Alright. We're bringing you to us.
Noble Six lights signal smoke, and turns away from the last fleeing transports. As he turns, the camera pans up to show the corvette plummeting into the city. It's a small victory... but once again, we're reminded of Jorge's death, and the tragedy to come. The continuing sound of gunfire in the city tells us that the battle is far from over.


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