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Daniel Rolnik Gallery took 6 years to create and was birthed from a fire started to disrupt the art world. It began in 2010 when Daniel Rolnik embarked on an adventure to become the World's Most Adorable Art Critic that led him to opening up the Daniel Rolnik Gallery in 2014 and eventually the Daniel Rolnik Foundation in 2016. A core belief of the Daniel Rolnik Foundation is to be transparent, which is why we have written out such an in-depth history to our formation. Eventually, more details will be added to this history as we progress.
The original bio on Daniel's website read as follows: "Daniel is an accidental writer from Los Angeles. It all started when he handed his old band's flyer to a drunk girl named Pocahontas, who for no particular reason invited him to write for a new magazine called LA Record. Since then, he's gone on to interview some of the raddest artists in the world... If you ever hear "Hi, I'm Daniel" at an art opening, then just know that he's probably near."
When searching for Los Angeles art critics on Google, at the peak of Daniel's writing career, he came up first. Beating out the LA Times chief corespondent and other writers with the power of multi-national corporations behind them. This attention spread fast throughout the city to the point where The Getty, one of the world's largest arts organizations, put together a monumental project known as Pacific Standard Time and selected Daniel as an official corespondent.
Soon afterwards, he was asked by gallery owner, friend and artist Anne Faith Nicholls to curate a show for her space Curio in Venice, CA. Here's a quote from an interview with him about the show: "At a certain point of coming up with heavily edited lists of artists with Anne Faith Nicholls (owner of CURIO), she just gave me free reign. So, I went through huge lists of artists that I loved and wanted to see in a room together and found a way to make it happen. I called or emailed people and wouldn't let anyone say no. It was also really important for me to have a big spread of available work, so the show has works from $40 – $4500. The $40 works are from an artist I've been following for a long time on ETSY and her pieces were right next to Boris Hoppek's photos – who is a big artist that lives in Barcelona. Also, this may sound crazy, but it was really important to me to choose artists whose energy I really like because art mimics life and therefore I think the artists who make the work should be really nice and cool people that you'd want to be around. If I don't want to be around the artist, I don't want to be around their art. It's my like one weird hippy belief, even though I normally hate hippies hahah!"
Keith Dugas, the writer who conducted the interview (and artist that Daniel would work with later) had this to say about him: "Talk to anyone who knows Mr. Rolnik and the word that always comes up is energy. The man has boundless energy, unrelenting, take no prisoners energy. So it's no surprise then that the exhibit he's curated is a wildly kinectic ride through a vast array of artistic styles. High brow minimalist pieces offer visual whispers alongside the boisterous bellows of pop and street art. Craft and folk pieces actually find harmonic balance with impressionist portraiture. The garish dances with the elegant. Honestly, it shouldn't work, but it does. It works beautifully, and as one might expect from Daniel Rolnik, it's a hell of a lot of fun. It's probably about the most fun, engaging show I've seen all year."
In addition, to his curation work for galleries, Daniel began throwing Pizza Socials, which made their way all the way up and down the state of California. The first one was held in downtown LA at an artist's studio, followed by a larger one at ForYourArt's former Wilshire Blvd offices, and eventually ended at a huge studio/gallery complex in NorCal. The idea was simple: a non-commercial gathering for artists to socialize amongst their peers. At its most basic level, the idea was so simple it sounded stupid. But when one dove deeper into the actual events you would see wonderful and beautiful things happening. At least 3 galleries were formed by strangers meeting each other for the first time at the Pizza Socials as well as countless artists meeting countless curators and being in countless exhibitions. At first, Daniel bought all the pizza himself, and eventually different organizations would help out.
But just as the Pizza Socials were coming into full effect, Daniel received an interesting proposition that would alter the course of his life.
Selected Articles: Angeleno Magazine, The Jewish Journal, Art Nerd, Art Slant, Live Fast Magazine, Pacific Standard Time, Cartwheel
September 18th was the launch of Daniel Rolnik Gallery with its first show named "Smile Isle" - inspired by the notion that this small space facing the ocean would a little utopia of happiness.
The rest of this history chapter is told from Daniel Rolnik's own voice:
I was curating a show for my friend Om, who was operating 3 gallery spaces at the same time in Los Angeles. One was on La Brea, another in Bergamot Station (a prestigious facility that houses galleries), and the third in Santa Monica - which is the location I would eventually take over the lease on and transform. Om's work as a gallery owner and curator was inspirational to me because he was the first person I saw that treated his gallery space as if it was a work of art.
When the show I had curated for him was about to come down, he told me he was consolidating all his locations into the Bergamot Station space and asked if I knew anyone who would want to take over the Santa Monica lease*. At first, I started thinking about artists that lived nearby who could turn the space into their studio or personal shop. But, when I went to sleep that night, I couldn't stop dreaming about opening up my own gallery. So, I called him the next day and said I'd do it.
He helped me work out a deal with the landlord and within a matter of days I was putting my vision to life. The space was a sublet, where I was renting a portion of another person's gallery; an artist-dealer named Warren who had been there for years and years. He had already built a short wall to separate the two spaces and so it was perfect because the room was separated enough to have two distinct identities in the same location. I had a million dollar view of the Pacific Ocean out the window and a clear vision of what I wanted the gallery to look like.
The space started out with white walls, tract lighting, and a burgundy colored cement floor. For some reason, I couldn't get the thought out of my mind to have a bleached wood floor. So, I found a perfect match by accident and I set about with my best friend at the time to install it.
We had saws and paint and got the space to look like what I had in my mind. My buddy even hung the show for me since he was a wizard with making things straight and even on the walls while I got to work promoting it. The rent on the space was $1,800 per month (for about 200 square feet), which was a lot of money for me at first, especially since I would have to drop twice that amount on the first month to also include the deposit. So, I asked for help from my family. We split the cost in half and they continued to help me for the first 4 months of the gallery's operation, after which I was able to completely take everything over and get it all together. At the time, and throughout all of the gallery's locations I was living at my mother's house. I figured that having my own place to live in on top of renting the gallery would be too big of an expense, so by eliminating it and my sanity, the only expense I had was the gallery.
Soon after our first show, I had a vision to paint one of the walls a deep dark blue, which took forever because I was using the wrong kind of paint rollers for a heavily textured wall. But once the blue was on there, it made the space appear larger than it actually was and I started feeling like none of the walls should be white anymore. Around this time I had also taken a trip up to Portland to see a couple of the artists in upcoming shows and got inspired by the colors of the city. When I returned, I walked over to the local paint store to buy strawberry shortcake pink, pool party blue, and basic yellow to cover the white walls with and it looked epic.
The whole space cheered up and people began staying for longer periods of time. However, behind the scenes there was a lot of tension with the landlord. His lease, after something like 10 years, was coming to an end and he wanted to do the last few months of it solo - in effect, not renewing my lease. I figured this was coming and so I had already started searching for another location. I packed everything into a UHAUL during the last day of my lease and as I was 5 minutes from my house Om called to tell me Warren had passed away. It was weird. Looking back, even though Warren and I had our tensions and arguments, he still let me do whatever I wanted with the space, which was incredible. I have to thank Warren for letting me run wild.
*Prior to starting the first location, I had come up with the idea of a traveling art gallery. I had recently come off of a giant road trip across the entire United States - meeting all these epic artists face to face and visiting their studios. I thought it would be epic to be like a band traveling and touring the country - only as an art show instead of a music thing. When I was in Austin, TX the artist Tim Kerr (who was also in the punk band BIG BOYS) and I had a long conversation about it. He had thought about the idea too. Ours only differed a little bit. So, when I got back I mentioned it to the artist Trace Mendoza. Trace and I had a couple meetings with people about getting the whole thing together and I was coming up with ideas for it on the spot. I really didn't have a concrete way of understanding it yet, I just knew I wanted to do it. We had someone we wanted to be a tour manager, and I had the artists and cities in my mind lined up. And eventually we met with a man who was willing to sponsor it. He was an artist and businessman who was very nice, but something about it just didn't feel right to me. I didn't like the idea of having to obey an investor or sponsor's rules. For example, he wanted certain things to occur for his investment and those were that his art take center stage and also that we teach people about the joy of Jesus everywhere we went - which I found way too weird since I'm Jewish. And don't get me wrong, I think Jesus was probably a cool and epic guy, but I just didn't want to mix religion into something that was supposed to be secular. His idea was also that he wanted a semi-truck whereas Trace and I were thinking about using vans. Anyways, it got too overwhelming and the idea kind of just sat to the side as I got the opportunity to open the Santa Monica space in the midst of it.
The LA Art Show is one of the longest running art fairs in Los Angeles, CA and something like 50,000 people attend every year. But I have to give a little backstory before we get into the gist of things.
A few years prior to our involvement in the show, the owner of Red Truck Gallery in New Orleans (and current member of our advisory board) set up a new section of the event called Littletopia. I think the idea was to bring in younger galleries and therefore attract a hipper audience. As a writer, I had covered the show for many years and their section was always my favorite. So, when Noah came by my gallery during one of his trips to Los Angeles, I mentioned it would be epic if we could have a booth at the next show.
Knowing that it would be too expensive for me to have my own booth at the fair, I asked Noah if I could split it with another gallery. Not too long afterwards, we got the green light from the show's producers and filled out all the paperwork. The Littletopia section had discounted booths already compared to the rest of the fair and so we ended up paying $2800 for a 5 x 5ft space over the course of 5 days. The other galleries in our section were paying around $5000 for a 10 x 10ft booth and then the rest of the fair was paying something like double that amount (if not more). It's really insane when you think about it - especially considering the LA Art Show is one of the more "affordable" options in terms of fairs out there.
I wanted to treat the LA Art Show like an exhibit rather than a supplementary addition to what we were doing in the gallery. Most of the other galleries at this show bring a selection of works to represent their gallery as a whole, instead of make a specific exhibition for it. But keep in mind, while we were setting up for the fair I was also scouring the whole entire city of Los Angeles with the help of a friend looking for a new location. We would send offers to landlords and for some reason or another they would fall through. Too small, too expensive, too …. anyways. My friend was epic for helping me and I learnt a lot during the process about how to find locations - since the original one had fallen into my lap.
The LA Art Show on the other hand was chaos for us. First, I probably pissed them off by only wanting to split a booth. In fact, they were giving me a headache about this by asserting trivial rules into place - like only one of our names could be on their website and 3 or 4 other things along those lines - all of which, I managed to negotiate them out of. But, then I really pissed them off by sending out an email with a blog post saying we hacked the LA Art Show to give everyone free tickets.
It was all a hoax. I hadn't hacked anything, since I don't know how to hack, but I knew it would be a captivating headline.
Here's what really happened. The show's producers sent all the galleries a link to give our patrons free tickets to the fair, which normally cost something like $25 each. They also gave us 4 VIP passes that got you into the preview night, which normally cost upwards of $250 each.
Rather then put an email out, like everyone else, saying 'here's free tickets to the show' - I thought it would be more fun to say we hacked their website and also include a whole guide to the cheapest parking, food, and other 'life hacks' for our patrons. Anyways, enough people utilized the free tickets from my email blast that it came to the attention of the producers.
They called me saying that 'draconian' actions would be taken if I didn't delete the blog post. And then they also kept asking about how I was able to hack into their system. All of which was hilarious to me because I didn't hack anything, nor am I even capable of doing so. Needless to say, it made emotions tense.
It didn't help either, that on top of that situation, the contract we had to sign for the show said that all the art had to be hung 'museum style' in orderly rows - whereas the whole plan I had devised was for an interactive bakery with shelves and chaos and live painting. I knew it would be epic and that I just had to ignore their stupid rules. I also knew if I got enough press for our installation there was nothing the producers could do to stop us without looking like fools.
It became my mission at that point to get as much press coverage as possible. Almost every news outlet that covered art wrote about our bakery and what we were going to do and it was epic. I built the shelves, John Kilduff built a drying rack, and Turtle Wayne flew in to take part as well. We assembled everything inside the convention center at the last possible moment - so it would be a pain for the fair to have us deinstall it. And then, when the doors finally opened, we let loose.
Yelling and screaming and carnival barking (well, at least I was) to attract passerby's attention, which worked. People stopped and bought art from us who would normally just walk around sneering. I engineered our pricing so nothing would be above $100, which was scary because everyone around us had works priced well into the thousands, tens of thousands, and even hundreds of thousands. One of the people I looked up to as an arts writer, Mat Gleason, even mentioned us as his favorite booth when he was interviewed on NPR about the show.
Don't get it twisted, I was nervous when we walked in to set everything up. The convention center was so big and we were so small - literally half of the smallest sized booth available. It felt like David & Goliath and it was an epic because in the end we won. But not without pissing off at least two other galleries along with the producers of the show. The gallery behind us got pissed because I brought a speaker and started playing Michael Jackson songs really loud to get everyone pumped up and excited in the morning. And the second booth across from us walked over to tell us to keep our voices down. We were rebels at the fair and we won.
Turtle Wayne even came up with a great idea to mess with the fair's producers by constantly requesting slips of paper that were required when walking out of the show with art. Don't get me wrong, we sold a lot of art, but we made the fair think we sold far more than I think is even possible. I still have stacks of the slips somewhere and they make me laugh every time I see them.
In the end, the LA Art Show was great. We made a lot of money, sold a lot of art, and had a lot of fun. But the search for a new gallery location continued.
I was still looking tirelessly for a new space to house the gallery in and I wasn't posting on social media about it because my ego was telling me that I WOULD FIND THE NEW LOCATION MYSELF and that it would be weak to publicly ask for help. Which, of course was total bullshit. And just about the time I realized that, something magical happened. I got a Facebook message from a friend.
The artist Camilla Taylor, told me about these guys in Culver City who were trying to sublet their former gallery space named Bustamante Gil. They had gotten tired with the art businesses and wanted to rent out half of the space to someone trustworthy while they retained the other half as personal offices. Camilla had shown at their gallery before so I had actually been there and knew it was in a great area.
I drove over to meet Eli and then later his businesses partner Jon at the space and signed an agreement within 48 hours to sublet it. It was nearly half the amount of the Santa Monica space, at $1100 per month for about 400 square feet, and in the epicenter of Los Angeles' fine art world. The block we were on (which is technically Los Angeles, but considered by the crowd to be Culver City) had international galleries on it selling million dollar works of art. It was almost too good to be true.
Foot traffic in Culver City was a lot less than I was used to in Santa Monica. In Santa Monica thousands, if not millions of people, would walk by our windows everyday whereas in Culver City we would be lucky if 4 or 5 people walked in. The spaces around us were catering to a very specific crowd, whereas our target audience was the general public.
However, it was the most exciting space in the universe at the time because I had it all to myself. Yes, it was a sublet, but my wife and I installed a door between the two halves so it was completely isolated.
I had built custom furniture for the Santa Monica location, but I began to really expand that practice in order to execute ideas that went beyond the typical gallery environment. I even built sandwich boards and designed walking maps of all the galleries around us to put out on the street so more people could learn about what was going on. Including, the patrons of the bar across the road who barely knew the galleries existed since most of the other spaces were fairly private. I even built a very special sandwich board to let people know about our gallery, which was located in the driveway of our courtyard and read "Daniel Rolnik Gallery is up your butt and around the corner" since you couldn't see us from the street and on the back it said "WARNING: if you didn't buy anything my mom will come to your house and fart on your pillow!"
While all this great stuff was happening, the guys I had been subletting from warned me about the actual landlord, who was an evil harsh man that owned the entire block. But I had never seen him until my very last day there, when he wrecked everything.
Here's a little backstory leading up the chaos.
This new gallery space in Culver City had a massive courtyard in the front. It was kind of weird. If you were walking down the street you would see a big gate and then inside that gate was the courtyard with three different businesses inside of it - one of which was ours; way far in the back that you couldn't see unless you actually walked in. During the exhibit's opening reception before our final one, I had an idea to have The Radioactive Chicken Heads perform in the courtyard, They're an epic band who put on a whole theatrical show with props and costumes and they played and it was epic! Inspiring me to have the even bigger idea of throwing a carnival. It was a two-fold experiment. One, I wanted to throw a carnival and Two, I wanted to see if it was possible to throw my own art fair.
I invited a little over 20 artists, galleries, and makers to participate as well as had my intern at the time, Ansar, book a bunch of local bands he knew in addition to my other friend Kyle booking a string of comedians who could do a set while each band set up. It was a simple pitch to the vendors: bring your own table and I'll promote it. No one would have to pay anything to attend or be a vendor - they would only pay for whatever each vendor was selling directly from them if they wanted to buy it.
The gallery was having an opening reception for our artist Keith Dugas inside on top of what I was calling the "Epic Carnival" outside. It didn't even occur to me to tell the 'evil' landlord I had heard so much about, about this event, because in my mind he would either say no or ask me for money. And besides, for the past 6 months he hadn't shown up a single time, so I figured my odds were good.
We advertised the carnival to run from noon to midnight and I let the vendors know they could come at whatever time they liked. So, most arrived at around 11am that morning to set up and in effect be there all day. Things were going great. Bands were playing, comedians were performing, guests were coming and buying things, and everyone was in high spirits. At around 5pm our wave of 'all-star' vendors came by to set up and Ice Cream Ian arrived. He's an epic dude from Long Beach who bought an old ice cream truck and as a project uses it to give out free ice cream to people, which he was able to do until 6pm, when all hell broke loose.
At 6pm, the 'evil' landlord who I had heard so much about arrived. It was as if all joyous energy was sucked out of the world as he approached me. I hadn't even seen a photo of him before, but I knew exactly who it was. It was one of the weirdest sensations I've personally ever felt. He started telling me in the coldest way possible that he was going to call the cops and say we were all trespassing on his property. And it was 100% apparent that he wasn't a man that bluffed.
He was on the phone with his assistant or someone in his office and taking photos of the scene, when I carefully took the microphone from a comedian's hands who was in the midst of their punchline and said the carnival is over and we all have to go home along with a short and sweet apology. To this day, I feel bad that I didn't get to explain to the comedian that it wasn't their fault. I had this odd sense they thought it was because of a joke they told. When in fact, it had nothing to do with that at all and everything to do with greed.
In my head, I had assessed and assumed that if he called the cops we would all get taken to jail and I would be slapped with a huge fine, since there was probably some kind of permit we needed to have for live music and people selling goods in the courtyard. And in this assessment I thought it was best to shut everything down, which is what I did. But I found out later from a police officer that it would've been alright to continue the event. Even though I wasn't on the tenant agreement with the landlord, I had been given a key to the space and had received mail there, which in effect rendered me a legal tenant. So, had he called the cops, I would not have been trespassing. Unfortunately, I didn't know this at the time so needless to say I was scared on the inside but trying to only show strength on the outside.
Before any of the vendors could make it out of the gates, the landlord had positioned himself in the driveway and was in the process of locking over 200 people inside. In effect, kidnapping and holding us all hostage. Luckily, I was able to position my foot in-between the gate and where it would've locked us all in place. On one side I could see the faces of everyone trying to leave and the other a man holding a cell phone continuing to threaten me with the police - this time while saying I was assaulting him because I was trying to keep the door open so people could leave.
The first person to run out was the photographer I had hired to document the event. And then thankfully others followed suite to the point where he could no longer hold the gate closed on us anymore. The landlord and I started walking towards the gallery with me constantly and calmly talking with him to get him not to call the police. Eventually he told me we could make a deal and almost knocks over my grandmother in the process of pulling me aside to tell me what he wanted without anyone else hearing.
His deal was that I paid him $500 so he would go away. I didn't have $500 on me, but I did have $300, so I gave it to him - which people saw. I made sure to look him in the eyes and shake his hand on the deal, which he did. And afterwards he continued for a little bit to threaten people, but eventually walked away - having extorted me for money in an old world style shakedown.
The vendors tore down their gear in a manner of about 15 minutes and were out of there. My intern and his buddy gave me the tips that were supposed to be for the bands at the end of the night. And like that, this happy joyous event was over. We kept the gallery open, but announced everything had been shut down on social media.
Eventually, a few days later I got the cash back from the landlord. He came to the gallery to torment me and as he was leaving he said 'you're a good actor' to which I replied, 'No, I'm just a Jewish kid from Los Angeles'. Once he found out I was Jewish something clicked in his brain. Had I been born any other race or religion he would've had no problem taking my money, but when he found out I was just like him (minus the evil part) it was as though he realized he had sinned and thought God was going to punish him for it.
He proceeded to tell me about how he was actually a good person. To which I replied, if you're such a good person why did you take my money and disrupt a peaceful and wonderful event. He came up with the excuse that he was teaching me a lesson and that when someone interferes with his property he becomes vicious.
It was so fucking weird. He went on to tell me his life story and eventually give me back half of my money. He assumed the guys I was subletting from were in on the event too and that the other half of the money was theirs - which he didn't mind keeping. Like I said, it was weird. He even came back the next day and offered to be my business partner - saying he would rent me out the space for free as long as we split the money. And all I could think about was the ancient parable of the scorpion and the frog. The one that goes - one day there was a scorpion who asked a frog for a ride across a river. The frog said "no, I cannot take you across because you'll sting me and I'll die" to which the scorpion replies "I wouldn't do that. Because if I sting you while we are in the middle of the river we will both die". So the frog thinks about it and gives the scorpion a ride across the river - when about halfway across, the scorpion stings the frog, and as they are slowly drowning to death the frog asks the scorpion "why did you sting me?" to which the scorpion replies "it was simply my nature."
To be fair, we all knew we would be out of that space soon anyways because the lease was coming up for renewal and the landlord wanted to literally charge double, which would've taken it too far out of all of our budgets. So as luck would have it one of the vendors at the carnival was another gallery who had offered me part of their space a few days before this all happened. I turned to them amongst the chaos and said "it looks like I'll be taking you up on your offer sooner than expected." And it was an almost immediate transition. I knew it wasn't safe to have shows where a volatile landlord could appear and disrupt us, so I had to leave - even if the space was in one of the best neighborhoods for an art gallery.
Within a week of accepting the offer to sublet a portion of space from my friend's gallery, and therefore get away from the 'evil' landlord of Culver City as fast as I could, I was moved in. But, as the universe has a funny way of operating, my car was also rear ended two blocks from that old gallery and completely totaled in the back. Things were starting off shaky.
The new space was on the other end of the county in Pasadena; a charming stepford wives city that only twenty years or so prior used to be the absolute pits with punk rock heroin junkies and broken windows. It was also the smallest space yet. In fact, much smaller than I had anticipated.
By this time I had built a lot of custom furniture pieces that doubled as both display and storage units. One of which, was a giant table on wheels that I absolutely loved, but unfortunately had zero chances of survival being that it took up more space than was allotted. A space that got even smaller due to unforeseen challenges in the sublet situation, which would eventually lead to me leaving.
I had worked with the owner of the new location before as a curator and pr person. They were a friend and so at first I felt comfortable in the new space. Albeit, soon I realized working as a curator had a different weight to it than actually subletting out space. As a curator, I could make creative choices but at the end of the day the owner was essentially my boss. Whereas, as a subletter, it changed the situation to one of a renter and a landlord.
I began feeling captive because I wanted to expand all the wild and epic things my gallery was doing without disrupting the other gallery's brand whose space I was now in. It was a constant energy zap. Especially, when one day the owner asked me to tame down the artwork for an upcoming show, which is something I wouldn't even consider in the slightest.
As destiny would also have it, I found a little note I had left myself long ago buried away in a notebook that said "BUY LAND, HOST POP UPS". So one morning after I had given a rent check for a lesser amount (as I was pissed the space was smaller than initially agreed upon) I said that I didn't want to rent from them anymore and that I'd rather just be friends.
I think it inevitably hurt the friendship. There really wasn't much communication afterward and the atmosphere in the space felt tense. It also became even more uncomfortable when I thought it would be a great idea to host an art walk to bring the local businesses more publicity. An idea which would eventually be soured by one heinous business for no apparent reason.
I was able to get 6 super cool businesses all within a couple blocks from our location on board and even a couple of the local contemporary art museums. It was called the Pasadena Art Walk because that seemed to describe it perfectly, a chance for people to walk around Pasadena and look at art.
Anyways, it was all going great, until out of the blue I get an email from one of the shops involved asking to be removed from the flyers and Facebook event page. I snarkingly replied "Ok, bigshot" and did as they asked. Obviously, I couldn't remove them from what had already been posted by other people like local press in Pasadena who had listed the event on their calendars.
But that wasn't enough for this shop. They began calling other businesses involved and annoying them, saying the city was going to sue us (when they had no intent of doing that) and even began manipulating people in city positions - telling them I had falsely advertised the event as being officially sanctioned and organized by the city. When, the whole time, in all of my promotion, I had clearly stated that this was going to be an art walk set up by the local businesses.
It all came to a head when they annoyed the city so much that they actually sent me a cease and desist letter - saying I could no longer call the event the Pasadena Art Walk - and by this time the other businesses had been so annoyed that they didn't want to take part anymore; no matter what the name was.
The funny thing is - the controversy actually drew more people who were curious to see what all the fuss was about. And all of the businesses who wanted out were open anyways, so it was an art walk, even though it wasn't an art walk, which in effect render it an art walk - if you get what I mean.
We had a political art show up at the time by the artist JT Steiny and a few days before we officially ceased operations there a news crew arrived to interview us. They told us it was going out to 800 different stations around the world, but we never saw it, so if you did please send us a link.
I kept thinking about that post it note I had left myself. Why did I write it in all caps? Why did I find it when I did? I could only take it as a sign of progress. It was time to move forward and not repeat what I had been doing. Like a butterfly forming from a caterpillar, Daniel Rolnik Gallery would metamorphisize into the Daniel Rolnik Foundation so that ideas could not be stopped and beauty our creativity could be free to fly.
September 2016 = The Great Unknown
We are free!
For a brief stint, we called ourselves the Daniel Rolnik Foundation.


text:
This book should be of interest to second and third year undergraduate students taking industrial/manufacturing engineering courses; practicing engineers.
Table of Contents
Introduction to Robotics
What is a Robot?
The Mechanical Arm
The Robot Controller
Robot Teaching Methods
The End Effector
Integration and Operation of Robot Subsystems
Industrial Applications of Robots
Sensors and Sensing
Future Developments
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text:
K Today: Teaching and Learning in the Kindergarten Year
Item #:155
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Subject: Curriculum / Teaching, K-Primary, Language & Literacy
The kindergarten year is quite unlike preschool and not like first grade, either. What should teaching practice look like for this critical year? K Today offers a vivid picture of kindergarten children, perceptive discussion of the current kindergarten context and policy issues, and clear guidelines for teaching and assessing kindergartners.
Also, for six curriculum domains--language and literacy, math, science, the creative arts, social studies, and physical education--leading experts outline what children should know and be able to do and how effective teachers ensure that learning. For both current and future practitioners, this fresh, engaging resource gets readers thinking and promotes well-informed, thoughtful teaching and leadership at the kindergarten level.
© National Association for the Education of Young Children - Promoting excellence in early childhood education 1313 L St. NW, Suite 500, Washington, D.C. 20005 | (202)232-8777 | (800)424-2460 | firstname.lastname@example.com


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Just about anything goes here. Just keep it respectful and follow the rules. It will get heated... and you may get hurt.
Discuss cigars, pipe tobacco, or any other kind of tobacco out there. Maybe some Dokha too, but don't let Ska get at it. He is an addict.
Since there have been reasons to make things official, we have made a special section for all things OFFICIAL


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DATE: Saturday, August 12
TIME: 10am-3pm
LOCATION: The New Children's Museum
200 W. Island Ave
San Diego, CA, 92101
DESCRIPTION: Eat Better Art is a series of artful cooking classes designed to bring parents and children together in the kitchen as they learn about good nutrition and create delicious dishes! Ages 4-6 are welcome from 10am-12pm and ages 7-12 are welcome from 1pm-3pm. Pricing is $50 for nonmembers and $40 for members.
MORE INFORMATION: thinkplaycreate.org


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It only takes a minute to get started. Fill out our simple sign up form and login to the site.
This step is voluntary but will dramatically raise your chances of getting interest from other over 40s members on the site. Let people know a bit about yourself, your pasttimes and upload any nice photos of yourself.
Utilise our website's state-of-the-art search to spot over 40s members who match your desired criteria. Or just scan through listings and spot daters that arouse your interest.
Discovered someone who looks interesting? Send them a few words or just a wink and see if anything develops. With a little luck you'll be on your way to a lifetime of happiness.
It only takes a few minutes


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Johnny Bravo, wait that's not his name... it's Mickey Avalon. That's Mylan on the right, peering out of the car. Yes, only limo rides, buffets, and so on. Vegas is a weird place. Some people have great access to everything. I had that for less than a day.
David and Pat from RVCA. If you're rolling in RVCA, then having the Toshiro Mifune hairdo is possible. If you're rolling like David, then wearing an Adidas sweatsuit jacket with a big Vietnam logo on back is possible too. David also walked around with a pillow case with a hand drawn $ sign on it everywhere.
Part of a buffet at the Wynn. People say that it's the best buffet in vegas. I agree. But of course, you end up overeating and I was in pain for two days. That fat meat thing with pepper on it is bacon. It's very harsh to your system.


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South West MEP On Holidays After Brexit
Green MEP advises holidays makers of their rights post-brexit
The Office for National Statistics (ONS) released the latest national and local crime figures which show that recorded crime has fallen by two and a half per cent in Wiltshire in comparison to a two per cent increase across England and Wales.
The ONS statistics relate to the 12 months from January to December 2014 compared to the same period in 2013. The figures show that Wiltshire is the fourth lowest force for volume crime per 1,000 people.
There has been a significant reduction in non-dwelling burglary of 20 per cent which amounts to a drop of 477 offences. This refers to businesses premises, sheds, outhouses and garages. There is also a five per cent reduction in residential burglaries, making Wiltshire Police the fourth lowest nationally.
In addition, Wiltshire has had the third largest reduction in theft offences (11 per cent), which equates to 1,630 fewer thefts.
There has been a 16 per cent increase in recorded crimes of violence (a total of 1,205 offences) which is in line with the national picture.
Recorded sex offences have increased by 43 per cent in the year under review. This represents an increase of 415 recorded offences.
The trend nationally and locally for sex offences is a steady increase. This is partly due to improvements in the quality of crime recording, in response to concerns raised by Her Majesty's Inspectorate of Constabulary.
The Police and Crime Commissioner for Wiltshire and Swindon Angus Macpherson said:
"My role is to hold the Chief Constable to account and to represent the public. When I became aware of the apparent increase in the number of offences involving sexual violence and violence, I wanted to make sure that this was down to better recording by officers rather than an actual increase in the number of victims.
A major piece of work was undertaken and, as a result, I am confident that the number of victims has not increased. The public can be reassured that there is much better crime recording, in line with Home Office rules.
One of my strategic priorities is to put victims first. In my view, any victim is a victim too many and we are working with partners and voluntary organisations to address the underlying causes.
We have been working hard to encourage victims to step forward and report sex crimes to the police. There is a lot of professional help available for victims, including the newly established Horizon Victim and Witness Care, which I am funding."
Chief Constable Patrick Geenty said:
"Wiltshire Police are a victim-led organisation and we are working hard to ensure that we deliver the right quality of service to the public in line with the Commissioner's strategy. I am pleased to see that Wiltshire continues to have one of the lowest crime rates in the country. In particular, we have seen recent success in tackling residential burglaries and non-dwelling burglaries.
It is right that we are held under scrutiny as to the standard of our crime recording so that it shows a true picture of crime in our county. The increase in violence and sex offences was anticipated and we are confident this is as a result of hard work by the force to improve recording practices."
Green MEP advises holidays makers of their rights post-brexit
New campaign highlights the dangers of soaking up too much of the sun
Festival goers told to expect more checks as they head into the Festival
Check out all the results for Wiltshire
10am - 1pm
Text 'HEART' to 82122
Now playing: The best feel good music
Deposit £10 to get a £40 Welcome Bonus - That's £50 to play bingo, slots and more!*
Over 50 tracks to make you feel-good. New album out now...
Find your local four day weather report here.
What's happening on the roads where you are?
Make Heart the soundtrack to your day and you could be a winner with great prizes up for grabs throughout the day.
Find out more about some of the companies advertising on Heart.
Get some great ideas on how to advertise your business on radio, online and on mobile.


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HEY THERE! GoJohnnyGo is:
287 new arrivals online →
NEW and CRUCIAL RELEASES
Suicide Commandos 'Time Bomb' CD $10.99
The Commandos ROAR back with 13 new punching tracks released on the legendary Twin/Tone Records label.
45RPM 7-inch singles– Jazz, Gospel, Rhythm & Blues… AND MORE
Horace Silver Quintet Orlie & The Saints Tony Allen and The Champs
Bobby Christian Dixieland Drifters Quartet Art Farmer Quintet
HEAVY METAL the way it's played in ST PAUL
THE REGIME are reissuing their two legendary cassettes from the 1980s onto a CD: 'SERIOUSLY DEADLY SANDWICH' will first be available Saturday, May 13 at The Amsterdam in Downtown St Paul.
The Suicide Commandos 'Time Bomb' LP OUT THIS WEEK
This record ROCKS! Their first album in 39 years, released on the resurrected TWIN/TONE RECORDS label.
NEW THIS WEEK: 300+ different 1950s pop 45s in great condition
All are in vg+ or better condition, and all are in the original stock label sleeves.
Easy Listening, Dance Records, Orchestras, Crooners, Big Bands, Sing-Along, Novelty Pop. Not a speck of Rock and Roll is included.
THREE HUNDRED DIFFERENT RECORDS. If they cost a buck apiece 60 years ago, that's $3000 in today's money. We aren't charging near that much!
Perry Como, Ralph Marterie, Mitch Miller, David Rose, Kitty Kallen, Ray Anthony, Nat "King" Cole.
Great condition- painstakingly loaded in the correct stock label sleeves.
Available to Look-See and Purchase at GoJohnnyGo Records on Record Store Day- Saturday, April 22nd, 2017.
ELVIS is the KING! Especially on 45RPM record.
We just took in a massive pile of ELVIS PRESLEY 45s, from the 1950s, 1960s, and 1970s. Little Elvis. Big Elvis. Available to look at and buy at GoJohnnyGo Records this Saturday, April 15. 4775 Banning Av., White Bear Lake, Minnesota.
1976-1979 vintage 92 diff issues Circus MAGAZINE mint condition
ya like KISS??? (Who DOESN'T like KISS????)
Set of two 1967-1968 vg+ 45s from THE LITTER
$1499. One is ultra-rare (with pen on label)- their rarest record BY FAR. Call or text Johnny if interested or have questions 612-735-1643
GoJohnnyGo EXCLUSIVE! over-sized 3mil outer poly bags for LP BOX SETS
14-inch and 15-inch wide. Available 10 for $2.00 at HiFi Hair and Records and at GoJohnnyGo Records.
Did you know we also carry these supplies?
*** 3mil poly bags for standard LP (12.5-inch) width, we also carry 13-inch and 13.5-inch wide, and 7-inch singles
*** paper inner sleeves for LPs: square-edge, rounded-edge, and audiophile, and for 7-inch singles
*** cardboard LP mailers, 2-inch and 5-inch wide, bubble wrap squares for shipping protection
*** record cleaning fluid & record cleaning cloths
*** jewel box replacements, with clear and black trays
*** 45 adapters
We PAY TOP DOLLAR for records, CDs, cassettes, 8-track tapes, video tapes, reel-to-reel tapes, DVDs, ALL stereo gear, record players, speakers, tape players, CD players, VCRs, DVD players, recording studio equipment, mixers, soundboards, PA equipment, record store fixtures, travel record boxes, music memorabilia, comic books, video games & video game systems, baseball & sports cards, sports memorabilia, posters, music magazines, rock & roll t-shirts, books, photographs and art.
GoJohnnyGo got Minnesota METAL
State of Mind Mass Execution → CASSETTE $7.95 plus shipping
The Coup de Grace The Coup de Grace → LP $5.49 plus shipping
Veteran Rockers with Great New Tunes
Grimm Fairys Sinistra (Kim Kane- Afrika Korps & Slickee Boys) → 13-song CD $10.91 (plus postage)
Made in the Shade …from the Land of Maroons (Wade & Jimmy-Willful Neglect) → 10-song LP $7.69 (plus postage)
Recorded 1989 at PAISLEY PARK
Mother Frank & Cherry→ 6-song CASSETTE $4.45 (plus postage)
GoJohnnyGo Got GOTH
Morticia Mortal Fear → SEALED LP $4.39 · ↠ SEALED CASSETTE $4.45
Crocodile Shop Lullaby → SEALED LP $4.39
GoJohnnyGo Got MINNESOTA SOUL
Minn. Soul, R&B, and Funk EXCLUSIVELY at GoJohnnyGo
Mark Lickteig Workin → 2014 CD $7.91
Transcoastal Finally! → 1988 LP $43.99
Haze MidWestEast → 1970s/2013 CD $24.91
New VHS MOVIES on the GoJohnnyGo Label
Michael Yonkers with The Blind Shake 'Hey Hey What' → full length film (GJG-049) $7.93
Erik Hammen 'The Last City in The East' → short film (GJG-053) $5.93
Chris Strouth 'Unconvention' → full-length film (GJG-052)$7.93
Dina Dainty 'Mr. Thunderbird' → short film (GJG-050) $5.93
New CASSETTES on the GoJohnnyGo Label
Smash Hammer for → cassette (GJG-065) $4.45
Frances Gumm Cindy Sherman and the Years of Mayhem- The Singles Collection → cassette (GJG-062) $4.45
Jesse MolenPsychedelic Mess→ cassette (GJG-058) $4.45
RubenPost Office / Thru the Line → cassette single (GJG-060) $4.45
Hall N AssHall N Ass for → cassette (GJG-051) $4.45
Suburban Psych-Pop Masterpiece CHEAP
Mike Ciresi Waiting for Saturn → COMPACT DISC $1.91
Fabulous Flippers — Psychedelic POSTER repro
Twin Tone flexfit BASEBALL HATS
two sizes: → Small/Medium and Large/Xtra Large $19.92
Cool Minnesota Rock T-Shirts
T-shirts available now at GoJohnnyGo Records, HiFi Records, and at gojohnnygo.com S, M, L , XL, XXL
Duffy's GoJohnnyGo (3 designs) Goofy's Upper Deck Jay's Longhorn (2 designs) Northern Lights Records Speedboat Books Tatters & Platters (2 designs) Twin\Tone Records U-100 FM Radio (2 designs) Uptown Bar
Labels carried at GoJohnnyGo Records & HiFi Records:
ASI Atomic Theory Channel 83 Crackpot Forward Garage D'or GoJohnnyGo Guilt Ridden Pop Modern Radio Mouthpiece Nero's Neptune Omnium Prospective Secret Stash StandUp Susstones Twin Tone
GoJohnnyGo provides FREE TRACKING on all USA & select International shipments.
A tracking # will be provided to you via message when your item is shipped, and you can then track your order at usps.com.
International destinations with FREE TRACKING include:
Australia, Belgium, Brazil, Canada, Croatia, Denmark, France, Germany, Great Britain, Israel, Netherlands, New Zealand, Spain and Switzerland.


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Gold serpent bangle, with bezel set round cut ruby eyes, stamped '750, WAZIR, approx. Weight 17.2 grams diameter 7 cm (internal, at widest point)
David Webb, enamel and gem-set serpent bangle, 18ct yellow gold and platinum, designed as two stylised serpents joined by a diamond set hoop, applied with green and blue enamel, the eyes set with cabochon rubies, stamped 'WEBB 18k plat, approx. Weight 57.6
An Italian gold bangle, the expandable snake link bangle having pierced heart shaped terminals, mounted in 14ct gold
Silver snake hinged bangle
Sterling silver snake form bangle marked 925
A silver American snake and onyx bangle total weight 15.1grams
A Victorian turquoise, garnet and gold bangle, modelled as a coiled snake, having turquoise cut en cabochon set to the head and tail with garnet set eyes, mounted in 15ct gold.
A vintage amber bracelet, the carved bangle of serpent design with gold and sapphire eyes, total weight 130.0gms
18ct gold snake bangle with ruby eyes, 23.1 grams
Two 18ct yellow gold bangles, each set with a sterling silver Swarovski crystal snake 18ct gold parrot clasps
A Victorian gold and turquoise snake bangle, yellow gold, diameter 58mm.
A ruby and gold snake bracelet, 1920s, designed as a sprung bangle, the head of the snake with engraved decoration and circular-shaped ruby eyes, terminating with an engraved and polished gold tail, stamped C&F, mounted in 9 carat rose gold, steel spring,
A sterling silver and horn snake bangle. The head and tail are set with pale purple glass, imitation gemstones. stamped 925
An enamel and silver serpent crossover bangle, sprung
An 18ct gold diamond bangle; hinged bangle of serpent motif set with 15 round brilliant cut diamonds. Weight 23.1g.
An enamel and silver serpent bangle
An antique gold diamond and ruby snake bangle head set with rose cut diamonds and ruby eyes. 20ct yellow gold. Weight 90.4 grams
An unusual enamelled snake bangle, 21ct yellow gold, made as a twisted oval shaped bangle in the stylised design of two serpents, coiled gold details body with diagonal stripes of black and red enamel work, further detailed to eyes and tongue, completed wi
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For library subscription rates please contact our libraries agent.
Ed. Krumins Digital Education Services 192 Gladstone Street South Melbourne VIC 3205


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Go to Admin » Appearance » Widgets » and move Gabfire Widget: Social into that MastheadOverlay zone
NOW TV, Sky's online streaming service, has launched a range of limited edition NOW TV Boxes for £15 (€21).
Seven original boxes make up the exclusive collection including festive polar bear and reindeer designs and a Fungus the Bogeyman themed box – just in time for the new two-part series that will be shown exclusively on Sky1 this festive season.
With a NOW TV Box and a selection of NOW TV Passes users can stream the latest movies, TV shows and live sports without a contract.
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We're coming to the end of the month & the end of the fundraising quarter.
We need your assistance to fight the Taxing Tyrants in Hartford.
Will you help us with a donation of $20.16 or more in our fight against the #TaxingTyranny of the democrats in our capitol hill?
These career politicians are well funded & working hard to keep their positions of power over us.
We are working towards bringing some sanity to our crazy capitol hill.
The career politicians have lost touch with the reality of what they do up there on capitol hill is hurting our families every day.
Do they think we all have money trees growing in our yards?
Taxes are hurting us as we pay increased prices for everything now to start with but on top of that our elected officials have added more taxes.
Oh they love to say it's just a little tax but it's slashing into our family budgets a thousand little slashes everyday.
We need YOUR Help to fight the career politicians in Hartford,
Show your support for Common Sense Spending & Balancing the State Budget with your social shares & your donation today.
Help us get Theresa Tillett up to the Citizen's Election Qualification Funding Goal of $15,000.00 so that we can go into battle fully armed.
Thank You for Your Qualifying Donations.
Tillett for Connecticut blog posting thoughts, questions and information for discussion items of interest to people in the 2nd CT State Senate District serving the city of Hartford, and; the towns of Bloomfield and Windsor
Thursday, September 15, 2016
September End of Qtr MoneyBomb
Subscribe to: Post Comments (Atom)


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Tea Matinees
Our Tea Matinees are open to all, but if you are a U3A, WI or Royal British Legion member then you can join our Cinema Club and enjoy a range of benefits including discounted Tea Matinee tickets.
The times below are the start of the main film, adverts and trailers are shown before the times stated
Dunkirk [12A]
sustained threat, intense sequences, moderate violence, strong language BBFCinsight
Feature Length 108 minutes
Allied soldiers from Belgium, the British Empire, Canada, and France are surrounded by the German army and evacuated during a fierce battle in World War II.
The Beguiled [15]
brief strong sex BBFCinsight
Feature Length 94 minutes
At a girls' school in Virginia during the Civil War, where the young women have been sheltered from the outside world, a wounded Union soldier is taken in. Soon, the house is taken over with sexual tension, rivalries, and an unexpected turn of events.
Baby Driver [15]
strong language, violence BBFCinsight
Feature Length 113 minutes
After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.


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|Too Faced Full Bloom Lip & Cheek Creme in Sweet Pea
|Too Faced Full Bloom Lip and Cheek Creme in Sweet Pea swatched
next to theBalm TimeBalm Concealer in Lighter than Light
|Too Faced Full Bloom Cheek and Lip Creme sheared out
The Stats:
- Large mirror for on-the-go application
- Classy packaging showing the color on the clear bottom
- Super pigmented! (read: use a duo-fiber brush for light application)
- Very creamy and nonsticky so the smallest amount goes a very long way
- Can be used on both cheeks and lips
- best when used with a lip balm on lips
- lasts all day on cheeks and when used heavily on the lips, wears down to a beautiful stain
- Comes in 3 shades (coral, raspberry pink, and a muted rose beige) with coordinating powder blushes
- Retails at $21.00 and can be found at Ulta, Sephora, and Apothica.com
What products have your cheeks been sporting lately?
Tell me in the comments!
*This product was purchased using a credit gifted from Fringe Media


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Atlanta, GA – Scibility Media – 10/15/2014
This article discusses two wireless technologies companies: InterDigital, Inc.(NASDAQ:IDCC) and xG Technology Inc(NASDAQ:XGTI)
InterDigital, Inc.(NASDAQ:IDCC) recently demonstrated its Network-as-a-Service solutions at the 2014 Telecom Council Carrier Connections Executive Summit in Mountain View, California. The presentation including a discussion of how the company's technology addresses the need for multivendor management optimization solutions and what 5G means for the wireless community.
The Delaware-based company design and develop wireless communications technologies in North America, Europe, and Asia. The company develops solutions for a variety of wireless products and networks, including 4G and IEE-802 related products.
InterDigital has traded within a range of $26.25 to $49.10 over the past 52 weeks. The company, which has a market capitalization of $1.63 billion, will be releasing its next earnings report on Oct. 29th, 2014.
Could InterDigital Have Potential That Wall Street Is Overlooking?
On Oct. 6th, xG Technology Inc(NASDAQ:XGTI) announced that it had received the Broadband Impact Product of the Year at BroadbandVision, an event that was held in Las Vegas from Oct. 1st to the 3rd. The award was granted to the company's CN3200 Dual Band Routing Modem, whose cost-effective delivery of innovative wireless broadband for voice, video, and data was highlighted. The compact device operates in both the 900MHz and 2.4GHz spectrum.
Despite the company's recent recognition, its trading volume has fallen. While the company has a three month trading volume figure of 476,943, the company's mark came in at 231,312 yesterday. The company's value is also falling.
With Wall Street Looking The Other Way, Is Now The Time To Invest In xG?
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Successful Surgery and Recovery with Dr. Emmett Miller
No reviewsDr. Emmett Miller
First the deeper mind is introduced to the idea of surgery through the clear visualization of the benefits you will receive. Next you are guided through the procedure itself, programming organs of the body for the optimal healing response. Finally, after the procedure, imagery is used to speed healing, minimize pain and maximize return to full function.
Running Time: 58 minutes
ISBN: Digital Download 978-1-61544-394-9


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Accessibility tools
Service tools
Language selector
Navigation path
Page navigation
Additional tools
Review of Directive 1999/32/EC
(relating to a reduction of the sulphur content of certain liquid fuels)
Article 7 of the Directive requests the Commission to report in 2008 to European Parliament and Council on the implementation of the Directive and to consider submitting a proposal for amendment. The Commission is asked to consider or give particular attention to especially:
alternative or complementary measures.
Since the negotiations in IMO were quite advanced, the report and proposal for amendment have been harmonized with implementing the amendment to MARPOL Annex VI. This amendment, a considerable step forward to reduce air pollution from ships, requires the corresponding part in the Directive to be amended.
Studies related to the amendment
To get a thorough estimation of the consequences of the amendment to MARPOL Annex VI and to possible other changes to the Directive, a number of studies were launched and subsequently used in the impact assessment:
For questions or comments: firstname.lastname@example.com


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Well, you've found it, the Maryland Open. "What is that?!" you say.
The Maryland Open is the first of its kind competition celebrating the spirit of work-life-balance — Chesapeake Style!!
If you think you have the goods, bring your Bloody-Mary and Crab-Soup offerings to two fall football tailgates (9/12 @ University of Maryland and 9/19 @ the United States Naval Academy) for Round One of the Maryland Open. The first step, is to Register using the Web form below.
More detail can also be found in the press advisory that follow here:
Startup Maryland™ and LAUNCH! Annapolis Team to Present the
2016 Maryland Open Bloody-Mary and Crab-Soup Competitions
Pitch Across Maryland Tour Serves as Backdrop for Celebration of the
Culinary Side of Work-Life Balance
August 18, 2016: All Points, Maryland –Startup Maryland and LAUNCH! Annapolis today announced a teaming relationship under which both organizations present the Maryland Open Bloody-Mary and Crab-Soup Competitions. Contested over two rounds, the Maryland Open will be held during the Pitch Across Maryland tour and celebration of innovation and entrepreneurship.
Round One begins on Saturday, September 10 during a tailgate at the Washington College. Round One continues the following week Saturday, September 17 during a tailgate at the Frostburg University. The Final Round will be announced during the Pitch Across Maryland final tour stop at the United States Naval Academy.
"The Maryland Open was conceived as a cocktail napkin idea after a Preakness Black-Eyed Susan Day tailgate party also co-hosted by Startup Maryland and LAUNCH! Annapolis ," stated Michael Binko, Founder of Startup Maryland. "Celebrating the spirit of work-hard, play-hard embodied by our State's entrepreneurs, the Maryland Open is intended to be a fun and informal competition where we answer the following burning question: 'Other than crab-cakes, football (and startups); What Else Does Maryland Do?!'"
The number of participant-candidates will be limited to the first eight (8) registered here and checked-in at each Round One location in each category – bloody-mary and crab-soup. Interested participant-candidates must BOTH register here by noon September 1, 2016 AND then check-in starting no earlier than three hours before official game-time at their preferred Round One location. Participants will be based on a first-come/first-served basis at each Round One location.
"Whether in critical industries such as Cyber, EdTech, Sustainability, HealthIT, Bio/LifeSciences, Manufacturing or many others, or on performance stages/sports fields in our communities, Marylanders know when to fiercely compete and how to blow off a little steam," added Ryan Sears, Founder, LAUNCH!Annapolis. "Together with our friends at Startup Maryland, we invite Maryland to Bring It!"
For more information about the Pitch Across Maryland see scheduled tour dates and tentative route locations HERE or visit http://www.startupmd.org/pitchmd/.
About Startup Maryland:
Startup Maryland (www.startupmd.org) is a venture and community development initiative launched out of the Startup America Partnership. Driven from within the community and Forged with Maryland Pride By Entrepreneurs … For Entrepreneurs, Startup Maryland strives to remain nimble and inclusive. Startup Maryland works to connect innovation communities and rallies entrepreneurs, supporters and other innovation stakeholders around four main initiatives: Celebration, Coaching, Curation and Capital while also bringing together entrepreneurs in a community of support to drive greater economic outcomes.
About LAUNCH! Annapolis
Welcome to LAUNCH! Annapolis. Where startup founders, investors and innovative thinkers come together to launch high-growth ventures in the state's capital. The group's purpose is to facilitate a community that supplies helpful resources such as business mentoring, media exposure and introductions between angel investors and well positioned startups. The Chesapeake Bay is a unique backdrop for our forward thinking community that provides a fusion of progress and Annapolitan lifestyle.
# # #
CONTACT: For more information check out www.startupmd.org and www.launchannapolis.org. Contact Mike Venzia at mailto:email@example.com.


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VTDigger's mission is to provide Vermonters with daily access to beat reporting on state government, business and issues that matter to Vermonters.
We are a nonprofit under the aegis of the Vermont Journalism Trust, and our operating budget is based on a three sources of revenue: memberships, grants and underwriting.
As part of our strategy for building a sustainable nonprofit business model, we have expanded our underwriting program to include advocacy and campaign ads.
VTDigger.org endorses no political candidates or causes and seeks to present a broad spectrum of views. All sponsorship placements are subject to VTDigger.org approval and should include verifiable sources of funding.
VTDigger accepts a limited amount of taxable advertising, based on allowable guidelines under federal tax law for nonprofit organizations. Taxable advertising is accepted on a first-come, first-served basis. Once the yearly taxable threshold is met, we cannot accept more.
Allowable taxable advertising is of the following nature:
- Ads that directly promote a political party, candidate, or reference a specific piece of legislation by name.
- Ads that contain deadline-driven pricing incentives – such as "Act now to receive 10% discount", etc.
VTDigger does not endorse or warrant the accuracy of political messages. Political ad copy must include the previous statement at the bottom of any ads of this nature.
VTDigger will not accept taxable advertising that contains puffery ("Candidate X is the greatest candidate for women") or direct comparisons.
Issue messages must stick to the topic and may not be directed at a political figure or promote a political candidate or party. VTDigger does not accept material that contains: sales pitches, puffery ("This is the best flashlight ever made"), comparison advertising or deadline-driven pricing incentives; ads that reference a specific piece of legislation by name; messages in support of or against a specific political figure.
VTDigger will decline any underwriting or advertising material that it deems to be in violation of its policies.
VTDigger.org is a project of The Vermont Journalism Trust, a 501(c)(3) nonprofit organization. VTDigger maintains editorial independence from its underwriting program, which has no influence whatsoever on the direction or content of our reporting.


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Your answer is one click away!
After reading this and this, which are pretty similar to my question, I still cannot understand the following behaviour:
a = 257
b = 257
print(a is b) #False
a, b = 257, 257
print(a is b) #True
When printing
id(a) and
id(b) I can see that the variables, to which the values were assigned in separate lines, have different ids, whereas with multiple assignment both values have the same id:
a = 257
b = 257
print(id(a)) #139828809414512
print(id(b)) #139828809414224
a, b = 257, 257
print(id(a)) #139828809414416
print(id(b)) #139828809414416
But it's impossible to explain this behaviour by saying that multiple assignment of same values always creates pointers to the same id since:
a, b = -1000, -1000
print(id(a)) #139828809414448
print(id(b)) #139828809414288
Is there a clear rule, which explains when the variables get the same
id and when not?
relevant info: The code in this question was run in interactive mode(ipython3)
Any such rule is implementation-specific. CPython, for example, pre-allocates
int objects for small integers (-5 through 256) as a performance optimization.
The only general rule is to assume any use of a literal will generate a new object.
That's because of pythons interpreter optimization at
UNPACK_SEQUENCE time, during loading the const values. Actually when python encounters to an iterable during the unpacking it doesn't load the duplicate objects multiple time, and just keep the first object and assigns all of your names to one object address. Thus all your variables would be same references to one object.
Actually your unpacking would be equivalent to following command:
a = b = 257
And about the negative numbers in python 2.X it doesn't make any difference but in python 3.X it seems that for numbers smaller than -5 python will create new object during unpacking:
>>> a, b = -6, -6
>>> a is b
>>> a, b = -5, -5
>>> a is b
This is due to a constant folding optimization in the bytecode compiler. When the bytecode compiler compiles a batch of statements, it uses a dict to keep track of the constants it's seen. This dict automatically merges any equivalent constants.
Here's the routine responsible for recording and numbering constants (as well as a few related responsibilities):
static int
compiler_add_o(struct compiler *c, PyObject *dict, PyObject *o)
PyObject *t, *v;
Py_ssize_t arg;
t = _PyCode_ConstantKey(o);
if (t == NULL)
return -1;
v = PyDict_GetItem(dict, t);
if (!v) {
arg = PyDict_Size(dict);
v = PyInt_FromLong(arg);
if (!v) {
return -1;
if (PyDict_SetItem(dict, t, v) < 0) {
return -1;
arg = PyInt_AsLong(v);
return arg;
You can see that it only adds a new entry and assigns a new number if it doesn't find an equivalent constant already present. (The
_PyCode_ConstantKey bit makes sure things like
-0.0, and
0 are considered inequivalent.)
In interactive mode, a batch ends every time the interpreter has to actually run your command, so constant folding mostly doesn't happen across commands:
>>> a = 1000
>>> b = 1000
>>> a is b
>>> a = 1000; b = 1000 # 1 batch
>>> a is b
In a script, all top-level statements are one batch, so more constant folding happens:
a = 257
b = 257
print a is b
In a script, this prints
A function's code get


text:
We are so blessed to have such an amazing team at restaurant north. There is no walls that divide us, we are a true team and we play hard together each and every night at restaurant north. We look forward to many more memories in the years to come!
Stephen paul mancini | owner
Biggest Inspiration in Your Life : My Father
Dream Vacation : A Suite at Trigoria for the Week, Roma, IT, SPQR | Forza Roma Sempre
Last Meal : My Grandmother Lina's House on a Sunday in the middle of the summer.
Most Hated Foods : Watercress & Water Chestnuts, I hate the texture... oh and Malt Balls
Pool or Pond? : Infinity Pool
matt casino | executive chef
Biggest Inspiration in Your Life : Mom
Dream Vacation : Agriturismo Bartoli... Truffle Hunting
Last Meal : Bucatini a la Carbonara
Most Hated Foods : Seitan
Pool or Pond? : Pond - Beavertail Trout Hatchery
Chris Bethoney | Executive SOus Chef
Biggest Inspiration in Your Life : Lilly
Dream Vacation : Anywhere I can't be found
Last Meal : Tacos, Dumplings, Green Chili Stew, Red Chili Tamales, Jerk Chicken Roti, Spicy PHO with Oxtail Rare Beef & Pork
Most Hated Foods : Licorice
Pool or Pond? : Pond
Kim Fraser | Events Manager
Biggest Inspiration in Your Life : Kiera
Dream Vacation : Camping Across The Country
Last Meal : Bacon
Most Hated Foods : Anything Spicy
Pool or Pond? : Sitting on a rock in the sun in the middle of a river!
Danny Roosevelt | assistant beverage director | SOMMELIER
Biggest Inspiration in Your Life : Keith Richards and My Mom
Dream Vacation : Morocco
Last Meal : A crust of Bread and Good Butter. Some Good wine too, of course
Most Hated Foods : Cheetos
Pool or Pond? : Pool, preferably with a grotto
Luca guliani | Original team member | Bar manager
Biggest Inspiration in Your Life : Luca Cordero di Montezemolo
Dream Vacation : Polynesia
Last Meal : Bucatini all'Amatriciana
Most Hated Foods : Olives & Sardines
Pool or Pond? : Pond
miguel moscoso | market manager
Biggest Inspiration in Your Life : God
Dream Vacation : Dubai
Last Meal : Chicharrón
Most Hated Foods : Pasta & Meatballs
Pool or Pond? : Pond


text:
People have been in liking from instance old. It would be unjust to attribute any fussy past times and beginning to admiration and the ambience that go with it. But Valentine's Day, the day which celebrates worship worldwide, convinced has a past times and cradle of its own. February is historically selected to be the time period of respect and romance and the time period to cheer Valentine's Day. Can you mayhap close the eyes to the tidy sum of love-drenched feelings, the unfrozen eruption of 'being in love' and the suffusion of the colour red all in the region of once the calendar turns to the period of time of February? No. None of us can! For, the one situation that's inextricably connected to the calendar month of February is Valentine's Day-the supreme in demand celebration after Christmas and a day unbroken excursion to let fondness conception all over. Come what may, the hoopla and ballyhoo encompassing Valentine's Day never goes unnoticed, no issue which segment of the planetary you are located in! And Valentine's Day incidentally is the 2nd greatest card-sending occasion, after Christmas.
Valentine's Day has shadows of some the Christian and Roman traditions. Celebrated famously on February 14 both year, several acknowledge that Valentine's Day has its past and hometown in the past Roman period of Lupercalia. The latter was an time period banqueting and celebration by the Romans to sustenance fearful wolves at bay from detrimental their crops. Lupercalia was noted on February 15 near the infantile men striking the women because it was believed that these blows would net them more fertilizable. This attachment of Lupercalia with birthrate is belike one origin why Valentine's Day is connected to this past Roman period of time. Also, on the eve of Lupercalia, which is on February 14, it was comparatively best-selling for young-looking women to insight their partners for the fair. The liberal arts basis of Valentine's Day can even be traced to this habit.
No thing what the times of yore and root of Valentine's Day includes, it convinced includes this charity donor deity called St. Valentine. Now ancient times even has it that at hand has been much than one allegory concomitant to St. Valentine. Summing two legends, we now know that in attendance were two saints (of the selfsame linguistic unit Valentine) happiness to the primeval Christian place of worship. One fable holds that once the Roman Emperor Claudius II forbade new men to unify to label well again soldiers out of sui generis men, a vicar called Valentine defied the advice and privately joined boylike couples. Consequently he was beheaded on February 14 for his 'crime'. Some even seizing that Valentine was killed for provoking to assist Christians flight the atrocities prevailing in the Roman prisons. But whatsoever the facts, of all time since, February 14 came to be famous as Valentine's Day ceremonial occasion this large generous donor of culture in liking universal. The remaining romance give-and-take of different Valentine who was a children's favourite but was hated by the Romans for his divine breaking the rules. The Romans had him bringing up the rear the bars but the offspring inactive managed to move caring messages to their favourite Valentine. The afoot tradition of exchanging adulation messages on Valentine's Day may possibly have condition to this old story.Post ads:
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Yet different allegory holds that once Valentine was in prison, he savage in friendliness with the borstal guard's female offspring. And yesteryear states that past his death, he wrote a dispatch to his prized sign language off as 'From your Valentine'. It's not noted to which amount these Valentine's Day legends incidental to to its beginning are true, but this spate 'From your Valentine' confident caught clench like conflagration. And relatives immobile dispatch gifts and cards on Valentine's Day beside this tag flaccid from them-'From your Valentine'! So you bread and butter the practice active too.
Probably, the Americans began exchanging handmade Valentine's Day card game in the earlyish old age of the ordinal century. And in circles 1840, a personality titled Esther A. Howland began selling the first big industry of Valentine's Day greetings in America. Now, isolated from all the facts and figures of Valentine's Day yesteryear and origin, one thing that's for secure is the resolution of February as the month for celebrating friendliness. In past Rome, February was the public servant kick-off time period for the period of springtime and was a event to consistency blessed all ended once again. Then in the Middle Ages, it was moderately a best-selling content in France and England that February was the birds' union period of time. All these and abundant more than interpreted both contributed to the combining of mid-February as the case for Valentines.
Finally, in circles 498 AD, Pope Gelasius I declared February 14 as St. Valentine's Day!Post ads:
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text:
What does 'cool' mean in 2013? To be honest, we've all but given up on worrying about that sort of thing, and will leave it to BBC Three commissioning editors and buyers for Urban Outfitters.
But as far as we can tell, 'cool' things may or may not include the following: Lana Del Rey. 'Street food' and 'craft beer'. Breaking Bad. Pop-up shops. Ironic tattoos. Dalston. Beards. That sort of thing.
But apparently, 'The Age of Austerity' has made being frugal cool. So while once upon a time it was just tight jeans that would mark you out as a swinging young hepcat - now, it looks as if being tight with your cash is a one-way ticket to being a 'happening dude' or dudette. Or something.
A bit of research commissioned by cashback site Quidco found that nine out of ten people think frugality is very much 'in' right now, with practices like using discount vouchers, collecting reward points and haggling in shops being considered must-do practices for discerning 'hipsters'.
Yes, that's right – where other generations had the likes of James Dean, David Bowie, Audrey Hepburn or Debbie Harry as their touchstones of cool, it appears that this generation have, er, Martin Lewis to look to.
And, wouldn't you know it, using comparison sites is THE SIXTH COOLEST THING you can do. We're feeling massively vindicated right now.
So, with cutting costs more socially acceptable than ever before, it would appear that your one-way ticket to 'street cred' is whipping out a reward voucher at dinner or a restaurant, taking a packed lunch to work, doing your shopping in Aldi or logging on to a site like Gocompare.com and potentially slashing the cost of your car insurance, home insurance, gas and electricity, or similar.
Possibly whilst nonchantly thumbing through an issue of Dazed and Confused, Andy Oldham, MD of Quidco commented: "Pulling out a voucher in a restaurant, or using coupons at the supermarket, used to be seen as something you only did if you were desperate and hard-up. But since the credit crunch first started to hit, Brits have had no choice but to become more savvy with their money," before Instagramming a picture of the 'artisan' burger he had for his lunch to his mates.


text:
Guest Relation Assistant ( 1 - 2 yrs)
Sawasdee Motel
RS 70,000 To 1,25,000 Badepalle, Bellampalle, Bethamcheria, Bheemavaram, Bodhan, Bugganipalle, Guntur, Kurnool, Tirupati, Vijayawada, Badarpur Rly Town, BahbariGaon, Bihpuria, Dibrugarh, Guwahati, Bhopal
Sawasdee motel is looking for a competent and qualified worker that can work with us in above mentioned position. The applicant must be able to respect his duty and be loyal to the organisation.
Key Skills : guest relation assistant
employment vacancies new york ( 1 - 5 yrs)
Central Park Hotel
RS 1,00,000 To 5,00,000 Amalapuram, Hyderabad, Vijayawada, Goa Velha, Panaji, Ahmedabad, DehuRoad, Pune, Chennai Suburb, Erode
Dear Job Seeker Urgently needed is the service of hardworking and honest applicants male or female professionals in specific fields to join our global team of professionals. All interested applicants are to submit their Resume/CV via email: centralp...
Key Skills : driver,bar man,bar waiter,english editor,cook,transport supervisor,engineering manager,light vehicle driver,heavy...
Guest Relation Assistant ( 1 - 2 yrs)
RS 1,50,000 To 5,50,000 Kurnool, Rajahmundry, Vijayawada, Bokaro, Davanagere, Bhopal, Indore, Rajpur, Udaipura, Akola, Jalgaon, Kolkata, Maheshtala
We the Sawasdee Hotel are looking for competent workers with experience, to work with us in our humble hotel. If you qualified with the below position, you can send us your CV in our email for assessement.
Key Skills : english,guest relation assistant guest relation manager
Guest Relation Assistant, Room Attendan ( 0 - 1 yrs)
Sawasdee Motel
RS 15,00,000 To 50,00,000 India
The Human Resource Department of Sawasdee Hotel wishes to announce about the job vacancies currently existing in our Hotel here in Chiang Mai Thailand. Furthermore,We require the services of devoted and hardworking workers, who are ready and willin...
Key Skills : guest relation manager,guest relation officer,room attendant,room service,floor service,facility service,floor...
Front Office Executive for Hotel ( 2 yrs)
Hotel Executive Inn
RS 1,00,000 To 1,25,000 Vijayawada
Candidates with 2-3 Years Experience in Handling Day to Day Activities Like, Guest Relations, Front Desk Staff, House Keeping Staff, Daily Reports, Accounts + Operating Skill like Front Desk Software & Tally Etc.
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text:
Matric Dances are very important because you pretty much have that lasting memory of who you went with x what they were wearing x all sorts of other stuff. Because I randomly thought about matric dances I posed a question on who would people take to their matric dance. The
Tag: matric dance
Total 1 Post


text:
Log In needed £695 · vauxhall astra mk4 1.4Report Ad
ModelAstra G
Vauxhall astra mk4 1.4 petrol, it has 17 inch lenso wheels with new tyres all round cost me over £800 6 months ago mint condition, coil overs are good not cheap think I payed just over 300 again 6 months ago roughly, car runs sweet never had any problems you can see that for your self, it's been well looked after for its age by my self and it had 2/3 previous owners befor me who also looked after it well, I was keeping it for a spare car for the famly as we can rely on this car at all times.. now needs to go i have no room on my drive, if I had time my self to break it and make my money back I would but I don't so it's going for the price shown No OFFERS! It's also got a cool stereo in there too USB and Aux.. wires in the boot ready for a sub I have the sub and amp also if you want that at a price?. Just come and see for your self it's a very good buy and who ever buys it will make there money back instantly, the 2 front seats are abit warn so maybe worth just putting 2 new seats in front scrap yard then she's perfect. The exhaust system on it sounds ok too and the hid kit is also a nice feature.. perfect for a first car insurance is cheap tax is good and should fly through mot. Please don't text me I do not text! Ring only! Bare with me I work long hours too. Sunday you will get me and a Tuesday you should too.
PhoneNot available
|To Date


text:
Sig Sauer Model P239 9mm
Guns International #: 100844293 Seller's Inventory #: 5387438
Category: Sig Sauer Pistols - 9mm Pistols
Seller's Information
When emailing or calling sellers direct, please mention that you saw their listing on GunsInternational.com
Seller: Cabelas Richfield
Company: Cabela's
Member Since: 3/19/07
First Name: Ivan
Last Name: Gehl
State: Wisconsin
Zip: 53076
Country: United States
Phone: (262) 628-5724
Fax: (262) 628-5745
Seller: FFL Dealer
Return Policy: 3 day inspection and return policy on used guns.
3 days
Payment Types Accepted:
Price: $799.99
Caliber: 9mm
Chambers: 8 shot magazine.
Metal Condition: Excellent
Bore Condition: Excellent
Barrels: 3.5 inches
Stock: Textured black polymer.
Weight: 28 oz.
Sights: Blade front. Notch rear. Bright white 3 dot.
Extras: With Box
Item Location: Richfield, WI


text:
Catherine M. Andronik eBooks
eBooks found: 1
Wildly Romantic
Catherine M. Andronik & Catherine M. M. Andronik
Henry Holt and Co. (BYR), April 2007
Format: ePub
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