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The groundbreaking 1944 exhibition The Imagery of Chess sought to challenge the general conventions of the ancient game.
Organized by Marcel Duchamp, Julien Levy, and Max Ernst, the show included the work of over 30 painters, photographers, sculptors, critics, and composers, among others. Each created artwork or performances inspired by and challenging preconceived notions of chess. Though a few of the participating artists—Alexander Calder, Man Ray, André Breton, and the organizers—were well known at the time, others such as Matta, Arshile Gorky, Robert Motherwell, and John Cage would emerge as significant figures in the second half of the 20th century. The highly publicized exhibition was well received by the chess, art, and general communities, and the project went on to inspire artists over the last 70+ years to reinterpret the game in an artistic way.
With a mission to interpret the game of chess and its cultural and artistic significance, the World Chess Hall of Fame was honored to celebrate the history of the 1944 show in Fall 2016/Winter 2017 in Designing Chessmen: A Taste of The Imagery of Chess, by showcasing some of the original artwork and reproductions of pieces from the original exhibition. We are now proud to present The Imagery of Chess: Saint Louis Artists, featuring 20 leading local artists, writers, designers, musicians, and composers and their newly commissioned artwork and performances inspired by the game of chess.
Participating Artists
Eugenia Alexander
Eugenia Alexander is a multimedia artist from Edwardsville, Illinois. She studied fine art and art history at Columbia College Chicago, but is largely self-taught, and currently lives and works in Saint Louis, Missouri. Alexander has painted for over ten years and is studying under her grandmother, master artist quilter Edna Patterson Petty. Subconsciously refining her visual works, Alexander has created her own genre and her own signature style, which viewers can easily recognize through the alluring repetitive line patterns that adorn her work. Her inspirations include traditional African symbolism and textile design as well as Afrofuturism, a genre of literature, art, music, and many other forms that features futuristic or science fiction themes incorporating black history and culture.
Alexander's work has been featured in several group and solo exhibitions and events, including: Evolving Archetypes, SOHA Studio & Gallery, Saint Louis (2016); Powerful Black Women Artists, Vaughn Cultural Center, Saint Louis (2016); and Blended Spirits: Where Two Artful Souls Collide, Old North St. Louis Restoration Group (2015). Additionally, she has participated in Artscope's Wall Ball Auction (2016). Media outlets including All the Art: The Visual Art Quarterly of St. Louis, Santa Clara University's Explore Journal, and NPR Saint Louis Public Radio, among many others have profiled Alexander.
Brandon Anschultz
Brandon Anschultz received his MFA with a concentration in printmaking and drawing from Washington University in St. Louis in 2002 and his BA in painting and drawing from Louisiana Tech University in 1997. He creates paintings, sculptures, and installations that mainly investigate the space between painting and sculpture. Anschultz focuses on the materiality of painting and often employs loose narratives to guide his work.
His past solo exhibitions include Below Horizon, Regards, Chicago (2015); Suddenly Last Summer, Contemporary Art Museum St. Louis (2014); Pacer, Contemporary Art Museum St. Louis (2012); Press Pause, Philip Slein Gallery, Saint Louis (2012); Stick Around for Joy, Laumeier Sculpture Park, Saint Louis, and Longue Vue House and Gardens, New Orleans (2010); and Brandon Anschultz: Round, White Flag Projects, Saint Louis (2007). Additional group exhibitions include: Fact or Fiction, Truman State University, Kirksville, Missouri (2016); Bad Habits (Remember Me), fort gondo compound for the arts, Saint Louis (2016); You Are Looking Good, A Real Good Looker, Chicago Arts Coalition, Chicago (2016); The Tyranny of Good Taste, La Esquina, Kansas City, Missouri, and Columbia College Chicago (2013-2014); All That Heaven Allows, fort gondo compound for the arts, Saint Louis (2013); All Good Things Become Wild and Free, Carthage College, Kenosha, Wisconsin (2012); Die Erklärte Ausstellung, Künstlerhaus Klagenfurt, Klagenfurt, Austria (2012); Violence, Exhibition Agency, Chicago (2010); Due Diligence Done, Tiger Strikes Asteroid, Philadelphia (2010); Jasmine Plus B, Front Desk Apparatus, New York City (2009); and Amass, Monte Vista Projects, Los Angeles, and Boots Contemporary Art Space, Saint Louis (2009). Anschultz's past residencies include ACRE in Steuben, Wisconsin, and La Cité internationale des Arts in Paris, France.
Jessica Baran & Nathaniel Farrell
Jessica Baran is a poet, curator, art writer, and a lecturer at the Sam Fox School of Design & Visual Art. She also teaches in Saint Louis University's Prison Arts & Education Program. Baran holds a BA in Visual Art from Columbia University, New York, and an MFA in Poetry Writing from Washington University in St. Louis. Across disciplines, her work constantly investigates the relationship between visual art and language. Baran has explored this topic in-depth through three poetry collections, including Common Sense (Lost Roads), which was released in fall of 2016.
Baran has curated exhibitions at the Contemporary Art Museum St. Louis; the Center for Creative Arts, Saint Louis; the Charlotte Street Foundation, Kansas City; and White Flag Projects, Saint Louis, among other venues. For four years she directed fort gondo compound for the arts (Saint Louis), a nonprofit community art space, where she oversaw an expansive program that included exhibitions, publications, and a poetry series. Baran is a recipient of numerous awards and fellowships, which include the Regional Arts Commission Artist Fellowship, Critical Mass Creative Stimulus Award, a PXSTL Project Grant, and a Marfa Dialogues Project Grant. Her second poetry collection Equivalents (Lost Roads, 2013) earned her the Besmilr Brigham Women Writer's Prize, and her poetry has been nominated for The Pushcart Prize twice. Baran's poetry and art criticism has appeared in Art in America, Artforum.com, Art Papers, A Public Space, BOMB, the Boston Review, the Denver Quarterly, Flash Art, Hyperallergic, the Riverfront Times, and the Village Voice, among many other publications.
Nathaniel Farrell is a poet, collage artist, educator, and radio host. He spent his formative years growing up on a small farm in Western Pennsylvania where his father, Richard, a union plumber and steamfitter, and his mother, Maria, a public elementary-school teacher, raised him. Farrell holds a doctorate in English Literature from Columbia University and is the author of The Race Poems (Ugly Duckling Presse, 2005), which includes collages by Steve Dalachinsky, and Newcomer (Ugly Duckling Presse, 2014), a long poem narrated by an anonymous soldier and set in an undefined American-soil campaign.
Farrell's work is consistently informed by a commitment to daily observation, environmental ethics, and the critique of nationalism. After living in New York City for fifteen years, in 2011 he moved to Saint Louis, where he now teaches college composition at Washington University in St. Louis and works for KDHX Community Media coordinating volunteer writers and photographers. Farrell has recently begun serving on the New Music Circle board of directors, and since 2015 he has hosted the experimental music program Cure for Pain, which airs Tuesdays from 11 am-1 pm on 88.1 KDHX. He lives in the Tower Grove South neighborhood with his partner and poetic collaborator, Jessica Baran.
Over the years, Farrell's poetry has been published in 6x6, New York Nights, Greetings Magazine, VLAK, The Brooklyn Rail, and The Recluse. His current manuscript, Other Places, brings together three long poems devoted to real and imagined landscapes: from Forest Park and Lindell Boulevard, specifically the so-called Catlin Tract; to interstate scenery and suburban mall-scapes; to John Milton's hell reworked in the vocabulary of evolutionary science, occult anthropology, and colonial exploration.
Martin Brief
Martin Brief was born and raised in Chicago, Illinois, and earned his MFA from Southern Illinois University at Carbondale. His recent work—long-term, absurd, drawing-based tasks—interrogates aspects of our complex social and political fabric. Brief currently lives and works in Saint Louis, where he is an Associate Professor of Studio Art at Saint Louis University.
Brief's work has been exhibited in solo and group exhibitions nationally and internationally in New York; Paris; Zurich; Washington, D.C.; Philadelphia; Chicago; and Saint Louis. Selected exhibitions include: A Brief History of Time, Danese/Corey, New York (2016); Amazon God, Contemporary Art Museum, St. Louis (2010); New Talent 2010, Gallery Joe, Philadelphia (2010); and A–acneform (The Dictionary Series), La Cité internationale des Arts, Paris (2006). Additionally, his work is in several public collections, including the Joan Flasch Artists' Book Collection at the Art Institute of Chicago; Center for Creative Photography, Tucson, Arizona; and the Hawai'i State Foundation on Culture and the Arts, Honolulu. Brief participated in the Great Rivers Biennial and recently received fellowships from the Howard Foundation and the MacDowell Colony. His work is represented by Danese/Corey, New York.
Bruce Burton
Bruce Burton received his BA from Southern Illinois University in Edwardsville and lives and works in Belleville, Illinois. His work explores the artmaking process; gathering, sorting, collating, associating, and staging/displaying. Burton's art is rooted in opposing principles, such as thinking and making, mind and body, rational and organic, structure and experimentation, and mechanical and handmade. He investigates the relationships among the object (found or created), the environment, and the viewer.
Burton's process of curating and presenting objects within a defined space is intuitive and happens as a reaction to the space itself. He remakes the space with an eye that is as equally attuned to contemporary materials and design as to natural oddities. Using a collection of objects and materials, Burton attempts to strike a balance between the past and present as well as the personal and the historical, while arranging new constellations which react pointedly to the spatial situation of the exhibition space.
His work has been featured in solo exhibitions including: Staging the Remains, fort gondo compound for the arts, Saint Louis (2015); Observation and Formulation, PSTL Gallery, Saint Louis (2009); Sullivan's Systems, The Sheldon Art Galleries, Saint Louis, (2008); and all & one, Maps Contemporary Art Projects, Belleville, Illinois (2007). Group exhibitions include: Off Modern: In What Time Do We Live?, The Luminary, Saint Louis (2017); Perspectives, Memphis Brooks Museum of Art, Memphis (2007); and Live Action: An Exhibition of Interactive and Performance Art, White Flag Projects, Saint Louis (2006); among others.
Juan William Chávez
Juan William Chávez is an artist and cultural activist who was born in Lima, Peru, and was raised in Saint Louis, Missouri, where he works and lives. Chávez earned his BFA from the Kansas City Art Institute and his MFA from the School of the Art Institute of Chicago. In his work, he creates and shares space in the built and natural environments to address community identified issues. Chávez's studio research incorporates drawings, films, photographs, architectural interventions, and unconventional forms of beekeeping and agriculture that utilize art as a way of researching, developing, and implementing creative placemaking and socially-engaged projects. His studio research is often presented as multimedia installations, with exhibitions focusing on themes of the urban environment, ecology, sustainability, craft/labor, activism, identity, and archaeology of place.
Chávez's work has been highlighted in solo exhibitions including: Artist-In-Residence Exhibition, ArtPace, San Antonio (2016); Living Proposal: Pruitt-Igoe Bee Sanctuary 2010-2012, Laumeier Sculpture Park, Saint Louis (2012); and Drawings from the Cave, Contemporary Art Museum St. Louis (2008). His work has also been featured in many group exhibitions, such as: The Highlights Presents a Video Screening, the Harris Lieberman Gallery, New York (2008); Heartland, Van Abbemuseum, Eindhoven, the Netherlands (2008); and Video 2005, Art in General, New York (2005).
Chávez founded Boots Contemporary Art Space (2006-2010), a non-profit organization that offered support to emerging artists and curators. In 2011, he established Northside Workshop, a nonprofit art space dedicated to addressing community identified issues in North Saint Louis. Chávez has received awards and grants from the John Simon Guggenheim Memorial Foundation, Creative Capital, the Graham Foundation for Advanced Studies in the Fine Arts, Kindle Project, Art Matters, the Gateway Foundation, and the Missouri Arts Council.
Deborah Douglas
Deborah Douglas is a mixed media artist living in Saint Louis, Missouri. She received her BA from Truman State University in 1988 and her MFA in Painting and Printmaking from Southern Illinois University at Edwardsville in 1991. Since that time Douglas has taught both art history and studio art. She is currently an Associate Professor of Art and Art History at Saint Louis University, where she also serves as the director for the Art History program. Additionally, Douglas has served as a juror for numerous professional and student art exhibitions. Her artwork addresses issues of gender, feminism, and empowerment through personal and societal imagery.
Douglas has exhibited extensively both regionally and nationally. Her most recent solo exhibitions include: Lucky Fortune: Mixed Media Work by Deborah Douglas, Fontbonne University, Clayton, Missouri, (2016); Deborah Douglas-Pop Up Exhibit of Mixed Media Work, Saint Louis University, Madrid (2016); and Deborah Douglas: Hard, Cold Facts, Messing Gallery, Saint Louis (2015). Recent invitational exhibitions include: Exposure: 10th Anniversary Exhibition, 210 Gallery, University of Missouri St. Louis, (2016) and Snap to Grid, Los Angeles Center for Digital Art, (2015). Her upcoming solo exhibitions are Alternative Facts (1965-2017) at the Schmidt Art Center in Belleville, Illinois (May 2017) and Past, Present, Future Tense at The Sheldon Art Galleries, Saint Louis (March 2018). Douglas's work has been reviewed in publications including the Kansas City Star, the St. Louis Post-Dispatch, Intermission Magazine, the Riverfront Times, The Beacon, and the Columbia Daily Tribune.
Michael Drummond
Michael Drummond is a veteran of Project Runway season eight whose client list includes actress Tika Sumpter, New York Fashion Week founder Fern Mallis, and supermodel and television host Heidi Klum. Largely self-taught, the multi talented artist works as a fashion design consultant and textile designer for SKIF International, produces his own line of clothing under his given name Michael Drummond, and is a commercial stylist for print and film. In his work, he seeks to marry practicality and dramatic design. Drummond loves large scale prints, delicate knits, simple comfortable shapes, deconstruction, and a dark palette. Rather than creating a new collection twice each year, he designs by building on a concept that could take three years to come to fruition. This is a process akin to creating a narrative and allows Drummond to choose a more thoughtful and ethical approach to clothing design with an end goal of creating interesting, timeless clothing that will work in his clients' wardrobes for years to come.
Drummond's work has been featured in several exhibitions, including: Little Black Dress: From Mourning to Night, Missouri History Museum, Saint Louis (2016); Spread, Reese Gallery, Saint Louis (2016); Pants!, Regional Arts Commission, Saint Louis (2016); A Queen Within: Adorned Archetypes, Fashion & Chess, World Chess Hall of Fame, Saint Louis (2013-14); Unraveled: Crossing the Line Between Fashion and Art, Sheldon Art Galleries, Saint Louis (2007); and Layered, Stitched, Assembled, Art St. Louis (2006). In 2013, he curated Dressed, an exhibition at the Regional Arts Commission, Saint Louis. Drummond has also worked as a costume designer for many operas, dances, and theatrical productions in the United States and Europe. The most recent include: Medea, The Junction, Dubai, United Arab Emirates (2017); Kinetic Field Work, Washington University Dance Theatre, Saint Louis (2011); and Three Penny Opera (co-designed with Bonnie Kruger), Washington University Dance Theatre, Saint Louis (2011). He has shown his work in countless fashion shows, including Mercedes Benz Fashion Week, New York (2010). In 2017 his work has been shown at Omaha Fashion Week; Kansas City Fashion Week, Kansas City, Missouri; Nashville Fashion Week; and The Factory Fashion Show, Saint Louis.
Kristin Fleischmann Brewer
Kristin Fleischmann Brewer is a painter and sculptor working and living in Saint Louis, Missouri. In May 2011, Fleischmann earned her MFA from Washington University in St. Louis, where she was the recipient of the Mr. and Mrs. Spencer T. Olin Fellowship for Women. She earlier received her BFA in Painting from the University of Denver in 2007.
Fleischmann expands her creative practice through curatorial projects, community organizing, and teaching. She currently works as the director of public projects and engagement at Pulitzer Foundation for the Arts, where she collaborates with local and national artists and thinkers to curate public programs and complete artist commissions. Fleischmann also co-founded and from 2012-2014 directed Enamel Art Space in Saint Louis, Missouri with artist Katie McCullough. The venue exhibited the work of local and national visual artists and poets. In 2015, Fleischmann co-founded Citizen Artist St. Louis, which she runs with local artists in order to organize artists around public policy and politics locally and nationally.
Fleischmann has exhibited in multiple venues in Denver, Saint Louis, New York, and Berlin. Selected exhibitions include: Some Things Precious, The Clothesline, Saint Louis (2016); Talk for an Hour, Des Lee Gallery, Saint Louis (2015); and Absences and Obsessions, Craft Alliance Center of Art + Design, Saint Louis (2011). She has been awarded artist residencies and fellowships including the Creative Community Fellowship with National Art Strategies (summer 2015), and two residencies with The Luminary: a studio residency (spring 2012) and the FLOAT Residency with Italian Collective Radical Intention in (summer 2014). She will be a resident artist at the La Cité internationale des Arts in Paris in summer 2017.
Nicholas Gates
Self–taught artist Nicholas Gates celebrates the elements of hip hop, particularly graffiti and b-boying, through his dance, sculpture, and fashion design. As the son of James Gates Sr., the first DJ to spin a hip hop record on radio, Gates grew up around entertainment and true hip hop culture. In the first season of So You Think You Can Dance (2005), he earned his stripes as the only breakdancer in Chicago to make it through to the top 25. Nick has choreographed for and worked with artists such as Cali Swag District, Rock Steady Crew, Black Eyed Peas, Nelly, Ebony Eyez, Cirque du Soleil, Chemical Brothers, Carlos Santana, Lululemon Athletica, the Step Up 3D movie premiere, and more. Gates appeared in the viral music video for "Teach Me How to Dougie" (2011). He has also taught numerous master classes and shared the stage with Pharrell Williams. Gates has worked alongside Michael Jackson's choreographer Fatima Robinson in BET'S Played By Fame (2005). Currently, he is a master hip hop instructor for Kids Artistic Revue's (KAR) national conventions.
Gates also has a passion for art and has sculpted for various artists including Jay-Z, Ice-T, Nelly, Kanye, and others. He was commissioned by Disney in 2010 to create sculptures for the cast of Step Up 3D (2010), as well as appearing in the film. His sculpture and fashion designs were featured in a special installation titled Freedom Under Rough Years during the World Chess Hall of Fame's exhibition Living Like Kings: The Unexpected Collision of Chess and Hip Hop (2014-2015).
Gates is the proud owner, instructor, and choreographer of the first and only all-hip hop dance studio in Saint Louis—Hip Hop Foundation Fanatics (HHFF). He is well known for his unique and fresh approach to teaching breakdance. Nick's stage name—FURY—stands for "Freedom Under Rough Years." Gates truly believes art is the tool to free anyone.
Meghan Grubb
Meghan Grubb received her MFA in Art and Design from the University of Michigan in 2012 and her BA in History and Studio Art from Wellesley College in 2005. She makes works of sculpture and installation that explore the non-rational and intuitive responses of wonder and anxiety. Investigating what is at stake when we engage with the fringe of our conscious experience, Grubb focuses on the ways that we respond—both physically and emotionally—to precarious situations.
Grubb's work draws on art and architecture, research into literature, perceptual psychology, optics, and the natural environment. Her practice generates new questions and strategies on interrupting the built environment, bending our expectations of physical space, and creating opportunities for psychological and conceptual vertigo. Grubb intends to leverage the uneasiness in the relationship between humans and the physical spaces we inhabit, making work that may prove at once playfully reassuring and profoundly disquieting.
Grubb's exhibition record includes group and solo shows, collaborations, and site-specific installations. Her work has been exhibited internationally in Norway, Finland, Spain, and Thailand, and nationally. Selected exhibitions include: Appetite for Destruction, Wassaic Project, Wassaic, New York (2016); Chain Letter, Shoshana Wayne Gallery, Los Angeles (2011); Long Fall, Heaven Gallery, Chicago (2014); and Beacons, Urban Institute for Contemporary Art, Grand Rapids (2014). She has received numerous awards and grants, among them the American-Scandinavian Foundation Fellowship (2012-2013), Regional Arts Commission Artist Fellowship (2015), Creative Stimulus Award (2015), Alice C. Cole '42 Award (2015), and has recently been nominated for the Joan Mitchell Foundation Painters and Sculptors Grant (2014) and the Joan Mitchell Foundation Emerging Artist Grant (2015 and 2016).
Gregg Louis
Gregg Louis is a multidisciplinary artist who works in a wide range of media including painting, drawing, photography, sculpture, and video. He received his BFA from Missouri State University and his MFA from the School of Visual Arts in New York City. Louis's work investigates ideas of belief, interpretation, and perception. He creates uncanny objects and images that rest on the blurry line between abstraction and representation. Often influenced by everyday objects and actions, Louis twists the mundane into strange and humorous deviations of its original form. His works playfully explore the patterns and perceptions of our daily lives.
Louis's past solo exhibitions include: Likeness, Nohra Haime Gallery, New York (2015); Blind Spot, Hverfisgallerí, Reykjavík, Iceland (2015); and It, or the Something in the Lake, Hotel Maria Kapel, Hoorn, the Netherlands (2011 collaborative project). He has also participated in group exhibitions in the United States and abroad, such as: This One Is Smaller Than This One, Galerist, Istanbul, and Postmasters Gallery, New York (2016); Salon 94 x The Smile Face Museum, Frieze, London (2014); ArtBo, Bogota, Colombia (2014); Bibbidi-Bobbidi-Boo, Here Art Center, New York (2014); Videos on the Front, Interstate Projects, Brooklyn (2011); and Doing Easy, Los Caminos Gallery, Saint Louis (2011). In 2009, Louis was an artist-in-residence at the Skowhegan School of Painting and Sculpture. The New York Times, The Wall Street Journal, Sculpture Magazine, and several other prominent online blogs and journals have covered his work. He is represented by Nohra Haime Gallery, New York.
Adam Maness & Bjorn Ranheim
Cellist Bjorn Ranheim was appointed to the Saint Louis Symphony in 2005 and is a member of the Sun Valley Summer Symphony in Idaho. He earned his Bachelor of Cello Performance at the Cleveland Institute of Music and currently lives in the heart of Saint Louis. Ranheim serves as Music Director for the World Chess Hall of Fame, curating the Monthly Music Series, which features all genres of music, as well as the Composers Spotlight Series, which presents members of the St. Louis Symphony performing chamber music by the foremost composers throughout history.
A committed advocate of contemporary solo and chamber music, Ranheim has given world-premier performances of works by the late Stephen Paulus, Paul Schoenfield, Steven Heitzig, Peter Martin, Stefan Freund, and William Beckstrand.
He has also toured extensively in the United States, Europe, and Central America and is highly visible throughout the Saint Louis region, presenting recitals, educational programs, and chamber music performances. On multiple occasions, he has performed as a soloist with the St. Louis Symphony and Colorado Music Festival. He has also appeared with the New World Symphony, Columbia Civic Orchestra, National Repertory Orchestra, and the Washington University Symphony Orchestra.
Seeking out new directions and partners in music making, Ranheim also collaborates with internationally known jazz musicians, sharing the stage and recording studio with Branford Marsalis, Christian McBride, Peter Martin, Jeremy Davenport, and Brian Owens. Ranheim is a founding member of The 442s, an acoustic string ensemble that pursues innovative, genre-defying music making and collaborations.
Adam Maness is a versatile multi-instrumentalist, songwriter, composer, and arranger. Born in Saint Louis, Missouri, Maness has performed around the globe with award-winning artists from a plethora of musical genres. Shortly after beginning his studies in jazz piano as a young man, he began performing in clubs around Saint Louis. In 2001, Maness moved to New York City to attend the acclaimed Jazz and Contemporary Music program at The New School University and was soon deeply immersed in the city's jazz scene. In 2003, he moved home to Saint Louis and began playing with renowned vocalist Erin Bode.
In ten years, Maness has recorded six albums and traveled across America, Europe, Japan, and South Africa as Bode's pianist, guitarist, and songwriting partner. In 2011, along with St. Louis Symphony musicians Bjorn Ranheim and Shawn Weil as well as bassist Syd Rodway, he helped found the acclaimed, genre-bending quartet, The 442s, for which Maness is the primary composer. In the summer of 2014, Maness was commissioned by Brian Owens to write an orchestral piece titled Divides that Bind for a unity concert in Ferguson, Missouri. In February 2015, the piece was reprised by the St. Louis Symphony Orchestra and IN UNISON Chorus, under the direction of Kevin Mcbeth, for their Black History Month concert at Powell Hall. The St. Louis Symphony Orchestra, The Metropolitan Orchestra of St. Louis, Peter Martin, Erin Bode, David Halen, Peter Henderson, Karin Bliznik, The Trombones of the St. Louis Symphony, Brian Owens, and Chamber Project St. Louis have performed his compositions and arrangements. Maness performs regularly around Saint Louis with his trio featuring bassist Bob DeBoo and drummer Montez Coleman.
Peter Manion
Peter Manion is a native Saint Louisan who returned to the city in 2000 after studying and living in Chicago, Illinois, and Louisville, Kentucky. Though he completed his studies at the School of the Art Institute of Chicago, Manion spent nearly ten years away from the art world focusing on other career paths and his role as a father. For the past six years, however, he has returned to his studio, as a full-time artist, creating and showing his work continuously with participation in numerous group exhibitions as well as solo shows, most recently at Houska Gallery in Saint Louis. Manion's work blends elements of painting, drawing, sculpture, and performance. Concentrating on the idea and the process of creating art, his work has been evolving, challenging both him and his audience. Using an assortment of tools, techniques, and mediums, his work contains subtle abstract details and images built around a central form that frequently demands the viewer to ask "How is that done?"
Manion's current practice has transitioned from painting to sculpture after a month-long residency in Spain, where he explored the visual influence of scale as it relates to the outside environment. These sculptures are the outset to a deeper study into the idea of what an art object and is and if an art object needs to be preserved or revealed. By constantly changing, the sculptures experience a lifespan with ephemeral qualities. This offers the viewer a chance to understand that art is meant for something more than to be acquired. It needs to live and change to be meaningful to our existence and to remind us of our own temporary place.
Nika Marble
Nika Marble is an artist and composer residing in Saint Louis, Missouri. She earned her MA in Russian and Slavonic Studies at the University of Missouri, Columbia, and studied studio art at the Imperial Academy of Arts in St. Petersburg, Russia. Marble's scholarship is multidisciplinary, treating photography and critical theory in Europe between World Wars I and II, while also maintaining a strong interest in modern Russian literature and art history. She is a classically trained pianist and violinist, and performs frequently with her collaborator Louis Wall in their avant-jazz outfit Marble//Wall Duo. They have played at a wide array of venues in the Saint Louis area, including the Kranzberg Arts Center, The Luminary, and KDHX. The Marble//Wall Duo's music is an exercise in improvisation and collaboration, and seeks to present musical thought as an urgent reaction to the challenges of navigating a complex world.
Marble's collages and paintings explore uncanny collisions between the conscious and unconscious self, challenging the viewer to engage with the tension and dissonance between private and presented identities. She is fascinated by collage as a medium for its material accessibility, and for its potential to reflect an environment and context through its source materials. Identity is a recurrent theme in her work. The figures in her collages seek to achieve full forms by cobbling together attributes from a wide variety of sources, creating a chimerical pastiche that utilizes a diverse and unsettling sum of forms and experiences to render a whole self.
Adrienne Outlaw
Adrienne Outlaw is a socially engaged artist whose work addresses issues of individual and communal health, especially in such areas as neuroethics and bioethics. Taking inspiration from consumer driven changes in food and drug policies, her goal is to create experiences in which viewers can imagine solutions and start a sea change. She holds a BFA from the School of the Art Institute of Chicago and a Master of Liberal Arts and Science degree from Vanderbilt University.
Outlaw has exhibited at galleries and museums across the United States and abroad in Italy, Hong Kong, South Korea, and Nigeria. Recent solo exhibitions include: Slices, University of Wyoming Visual Art Gallery, Laramie (2016); Spun: New Work by Adrienne Outlaw, Low Gallery, San Diego (2015); and Witch's Brew, Whitespace Gallery, Atlanta (2014). She has also participated in a number of group exhibitions at venues including: the Parthenon Museum and Centennial Park, Nashville; Museum of the Shenandoah Valley, Winchester, Virginia; The Wright Museum of Art, Beloit, Wisconsin; MASS MOCA, North Adams, Massachusetts; Islip Art Museum, East Islip, New York; Krannert Art Museum and Kinkead Pavilion, Champaign, Illinois; Customs House Museum and Cultural Center, Clarksville, Tennessee; Art Museum of the University of Memphis; Fort Collins Museum of Contemporary Art, Fort Collins, Colorado; Frist Center for the Visual Arts, Nashville; Mobile Museum of Art, Mobile, Alabama; Cheekwood Botanical Gardens and Museum of Art, Nashville; and the Tennessee State Museum, Nashville.
A dozen exhibition catalogs and three art books feature Outlaw's work, which has been positively reviewed in Art in America, Sculpture, Art Papers, and World Sculpture News. Additionally, she is the recipient of grants, awards, and fellowships from such organizations as the National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts, and the Elizabeth Firestone Graham Foundation. The U.S. Embassy in Nigeria, the Public Library of Davidson County, and Vanderbilt University hold her artwork in their collections.
Yuko Suga
Yuko Suga studied metalsmithing with Heikki Seppa at Washington University in St. Louis, where she received an Intense Minor in Metals and a Master of Science degree in Occupational Therapy. She is involved in community-based programs as both a therapist and an artist, working with diverse groups of individuals in a variety of settings. Suga's experiences contribute to an ever-expanding source of inspiration and modalities of creative expression. Her work is a reflection of the relationships between line, form, function, and process and is often inspired by events and experiences in the community and environment. By taking a single idea and bringing together related concepts and adding layers to it before de-constructing them into simple, minimalist terms, it allows the viewer (or in the case of jewelry, the wearer) to develop his or her own relationship with and personal meaning in Suga's work.
In her role as a therapist, Suga investigates and identifies patterns of movements and behaviors that may indicate if an individual has specific concerns in learning and function, and works to develop effective strategies to facilitate learning opportunities and comprehensive skill building. Similarly, through her art, she contemplates patterns of issues and concerns impacting our communities, and hopes to inspire the viewer to contemplate them as well through visual representation.
While teaching at Craft Alliance Center of Art + Design, Suga's interests have expanded to include exploring the application of techniques used in one medium into other media. She is currently a faculty member at the Craft Alliance Center of Art + Design in Saint Louis in both metals and glass, and co-chair of the glass studio, where she has taught for over ten years. Suga exhibits her work in metals and glass both in the Saint Louis region and nationally. Most recently, the World Chess Hall of Fame showed her work Checkmate: Prototype I as part of its exhibition Ladies' Knight: A Female Perspective on Chess (2016).
Adrian Octavius Walker
Adrian Octavius Walker was born and raised in North Saint Louis and received his BA in Sociology with a certificate in photography and Women's and Gender studies from the University of Missouri St. Louis in 2010. Walker now often photographs the mundane areas of the west and east sides of his current home city Oakland, California, where he works as an assistant editor on the entertainment community team for VSCO. Always curious, Walker also creates sensitive portraits based on his studies human interactions in intense environments. The work of black women photographers including Latoya Ruby Frazier, Carrie Mae Weems, Deana Lawson, and Deborah Willis Thomas, as well as his investigations of the black body and dynamics of the black family inspire his current work. This includes the 2016 mixed-media installation Living Room, which was curated by his wife Morgan H. Walker.
In 2015, Walker self-published the book My Lens, Our Ferguson, a documentation of the Ferguson, Missouri, protests that was shortlisted for a Paris Photo-Aperture First PhotoBook award. Images from that book were featured in a solo exhibition last year at the University of Alabama and in five group exhibitions internationally. The same year, Walker offered his insight into what it is like to grow up in North Saint Louis in an episode of Vice's Abandoned, which aired in 2016. His work has been included in a variety of solo and group exhibitions including Black On Film, Creative Campus at The University of Alabama, Tuscaloosa, Alabama (2016); Dandy Lion, Brighton Photo Biennial, Brighton, England (2016); Black Mail 2, Space 236, San Francisco, California (2016); Common Sense(s), The Center for Photography at Woodstock, Woodstock, New York (2016); Paris Photo-Aperture Photobook Awards 2015, Huis Marseille, Museum of Photography, Amsterdam, the Netherlands (2015); and Street Beautification (a special installation as part of the exhibition Living Like Kings: The Unexpected Collision of Chess and Hip Hop), World Chess Hall of Fame, Saint Louis (2014).
More information coming soon!
Artwork photography by Michael DeFilippo
Portrait photography by Matt Kile
3/30/17: HEC TV — The World Chess Hall of Fame Revisits the Imagery of Chess with Local Artists (video)
3/24/17: Riverfront Times — The Best Things to Do This Week in Saint Louis, March 24 to March 29
3/21/17: The Telegraph — World Chess Hall of Fame debuts new exhibitions, opening receptions Thursday
3/20/17: The Vital Voice — World Chess Hall of Fame Debuts New Exhibition Celebrating Works of Leading Saint Louis Artists
3/7/17: Exhibition Press Release (download)


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The 15mm Studio / Bridge Plate Adapter from Movcam is designed for the MM-1 and MM-5 Matteboxes.


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Download G2 Nonfiction Reading Comp apk 3.0 free for Android smartphone
Posted by AbiTalk in Education | Oct. 23, 2014 | 2 Comments
Apk file size: 7.1 MB
This reading comprehension app has twenty non-fiction stories about children's daily life.
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This app is ideal for self-paced learning or home schooling. You should encourage your child to work at his or her own pace, and make learning fun!
If you have questions, problems, suggestions or complaints, please contact us: [email protected]
Abitalk is a member of Moms with Apps, a collaborative group of family-friendly developers seeking to promote quality apps for kids and families.
Recommended Ages: 6-8
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AbiTalk part of our Education and have average installs from 10 to 50. Last Update Oct. 23, 2014. Google play rating is 20.0. Current verison is 3.0. Actual size 7.1 MB.
Similar applications
Painless Reading Comprehension57 Comments
2 Comments
B Gates
Does not work Customer support returned emails for a day when trying to work out a fix then gave up and vanished
Tiphanie Gatgens
Never got past home screen I never got into the app. I added my children as users, but could find no button to "enter" the app.


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Home Sweet Home
May 18 Through out this week I will be sharing various parts of the home we live in, the places we have lived, my current favourite things around our house. About what home means to me. A room / house tour. a list of my favourite homewares from various shops. issues about home ownership or […]Read More


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|"Tomohito Nakayama (JIRA)" <j...@apache.org>
|[jira] Commented: (DERBY-2365) Brushing up pages for MAX and MIN in Derby Reference Manual
|Thu, 22 Feb 2007 16:21:05 GMT
[ https://issues.apache.org/jira/browse/DERBY-2365?page=com.atlassian.jira.plugin.system.issuetabpanels:comment-tabpanel#action_12475071 ] Tomohito Nakayama commented on DERBY-2365: ------------------------------------------ Reading page for MIN, I feel that similar description for trailing blank spaces should be in the page for MIN as the page for MAX. // It may be verbose to have similar description in each pages , // but I think that verboseness is prefered in the reference manual. > Brushing up pages for MAX and MIN in Derby Reference Manual > ----------------------------------------------------------- > > Key: DERBY-2365 > URL: https://issues.apache.org/jira/browse/DERBY-2365 > Project: Derby > Issue Type: Bug > Components: Documentation > Environment: Max > http://db.apache.org/derby/docs/dev/ref/rrefsqlj27781.html > Min > http://db.apache.org/derby/docs/dev/ref/rrefsqlj33520.html > Reporter: Tomohito Nakayama > Assigned To: Kim Haase > Attachments: DERBY-2365.diff, rrefsqlj27781.html > > > * Description of rules for trailing blank spaces > In this part, next sentence of an example exists. > For example, if the values 'z' and 'z ' are both stored in a column, you cannot control which one will be returned as the maximum, because a blank space has no value. > Because blank space is value, I think "because a blank space has no value" is not appropriate. > I think it should be as "because a blank space is an special value". > * Mistaken information for LONG VARCHAR data type > Now MAX / MIN are not allowed for LONG VARCHAR in Derby. > However the manual mentions they are allowed. > * mistaken maximum for MIN > There exists next sentence in page for MIN : > > The type's comparison rules determine the maximum value. > Here, maximum should be minimum. -- This message is automatically generated by JIRA. - You can reply to this email to add a comment to the issue online.
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Jackson Hole in Wyoming - Pictures of Great Attractions
Horse drawn ride through Jackson Hole, Wyoming streets
Visiting Jackson Hole
In the summer of 1988 my mother, niece and I decided to explore Jackson Hole, Wyoming. We were to see many great attractions and capture numerous photos on this vacation trip.
For once, we decided to unpack just one time and make our headquarters in one place, venturing out on daily sightseeing trips.
We flew from Houston to Jackson Hole and our airplane landing was the first exciting moment of our planned two week vacation trip.
The landing strip is on top of a butte and it appeared to us that the small aircraft stopped just in time before the end of the landing strip was in sight!
We could envision tumbling over the edge...........but I won't go there!
Teton Mountains
One has a choice of many places to stay in Jackson Hole and the surrounding area. We chose to stay at Spring Creek Ranch which sits 700 feet high above the valley floor where the town of Jackson Hole exists. This Four-Diamond Resort offered much in the way of amenities.
We deposited our belongings in a charming and rustic condo that offered views of the mountains; water; spectacular sunsets; fireplace (which we used every night as the night's were cool enough to enjoy a blazing fire); swimming pool and jacuzzi near our unit; great food service and most of all a beautifully tranquil and peaceful place in which to relax.
Spring Creek Ranch in Jackson Hole, WyomingClick thumbnail to view full-size
Spring Creek Ranch is also a wildlife sanctuary. It sits at the north end of the town of Jackson Hole.
What we particularly liked was the free transportation that was provided by Spring Creek Ranch that would take us down the butte, into the town and then back up again. It ran on a regular and frequent schedule and we utilized it often. The drivers were very friendly and often asked us what we had seen and what we were planning to do. They were also very knowledgeable as to what the area attractions provided and made good suggestions as to how best spend our time.
One area of the ranch was set up for outdoor picnics and was very rustic. Bales of hay along with picnic tables provided seating.
Views from Spring Creek Ranch in Jackson Hole + TetonsClick thumbnail to view full-size
Elk horn arch in Jackson Hole, Wyoming
After enjoying a restful sleep we caught a ride into Jackson Hole and spent much of the day exploring.
Elk Horn Arches are located on each of the four corners of the city park in the center of Jackson Hole. Boy Scouts were responsible for collecting approximately 5,000 horns per arch and this is now a focal point of this town.
Real Estate ad that showcases the town, wooden sidewalks, art galleries, etc. Worth a look!
All of the sidewalks are wooden and the town definitely has that Wild West flavor.
The sounds of clapping horse hoofs in the streets taking tourists through the area adds to that old western flavor.
It is invaluable having guides like this when traveling to a new area. We saw many of these sites!
The town is filled with wonderful art galleries.
We toured the Wildlife of the American West Art Museum one day. We were truly impressed with the array of paintings and sculptures all portraying western subjects. I purchased a bunch of postcards relating to big game species that the artist Carl Rungius had done. Each and every one of his paintings were magnificently painted and executed in a backdrop of natural settings.
The museum is dedicated to the preservation of animals living with our encroaching civilization and hopefully learning to co-exist peacefully with one another. This area of the country, of course, still has much natural habitat for wild animals.
Several other art galleries were explored by us. Each one was worth a visit and if Western Art is what you desire......this is the place to find it! Much of it was museum quality and pricing varied from affordable to dropping some serious investment dollars. Something for everyone...
Wandering into many of the town's stores we ended up purchasing some Indian moccasins; turquoise jewelry and other souvenirs.
We ended this particular day back up at Spring Creek Ranch where The Granary Restaurant became our location of choice for a delicious dinner. It has a wall of glass facing the Teton Mountains and the sun was viewed as it began to set over the mountains as we dined. My mother and I sipped on a glass of 1981 Chateau Baron Segur Montagne St. Emilion with our dinner that evening.
Perfect ending to a day of exploration in Jackson Hole.
Ski Lift to the top of Snow King Mountain, Jackson Hole, WyomingClick thumbnail to view full-size
Jackson Hole Ski video...
Great to have guides like this one to plan your trip. I always do research ahead of time before traveling to a new area. This covers both national parks which are adjacent to one another.
Ski Lift to the top of Snow King Mountain
One day my niece and I enjoyed the ski lift to the top of Snow King Mountain. Not my mother's "cup of tea." She stayed below at a picnic area while we did some exploring.
Terrific panoramic views can be seen from the top of the mountain looking down on Jackson Hole. One can easily pick out the road leading up to our lodging at the top of the butte. This is a ski area that many people enjoy in snow season. Summertime also has it's attractions.
The nice thing about this area of the country is that it is enjoyable no matter what the season has to offer.
Horseback riding through a grove of aspens on the top of the butte where Spring Creek Ranch is located was another pleasure in which my niece and I indulged. At times we saw glimpses of the town below similar to what we had viewed from the top of Snow King Mountain. Primarily we just enjoyed the trail ride through this pristine area of natural beauty.
We ate al fresco in the town that evening at Sweetwaters and went to the 8 PM show at Dirty Jacks Wild West Theatre.
It is a fun filled evening of hilarious wild west comedy. It is also very family friendly. At the time we happily attended their performance, they had been performing there for 17 years. Much laughter was heard throughout the comedy skit and we smiled for days thinking about the actors crazy antics on stage.
White water rafting
Another day we decided to widen our horizons and try our hand at a Snake River Whitewater Rafting experience. We signed on for the Dave Hansen tour and we were in for a day of excitement!
Photos from our whitewater rafting trip - Jackson Hole, WyomingClick thumbnail to view full-size
It was so much fun rafting on the Snake River while staying in Jackson Hole. It looks quiet here in this Ansel Adams photo but it can get raucous in some areas!
Snake River Whitewater Rafting - Jackson Hole
Whitewater rafting for novices (like we were) is not only an education in basic river safety, but an exhilarating day of fun and water splashed excitement.
We joined our assembled group that day and were all issued coast guard-approved life jackets. When reservations were made in advance of this trip, correct wearing apparel was suggested depending upon the season.
Each raft had an experienced guide and he advised us of basic river safety and paddling guidelines while still in quiet waters.
Of course the main point was the enjoyment of the Snake River scenery as experienced from this flowing water experience through the canyon, coupled with a reasonable degree of safety.
Our tour group was divided into several rafts that pushed off about the same time that day. Many of the people in our particular raft were from Germany.
What we did not realize (this being our first white water rafting trip) is that typically at some point while still in relatively quiet waters, a water fight between the people in the different rafts ensues.
Suddenly as the rafts drew near one another, pails were brought out and what was until this point, a relatively dry encounter with the river became a very wet one! Some people got drenched if the aim from a person in the opposing raft was good.
Lots of laughter..........lots of wet smiles and clothes...........and a commonality of purpose was devised........."Lets soak the others!!!"
Of course, after this encounter, many people just jumped in the river and swam along with our floating raft. My niece did so, getting back in prior to the water getting rougher.
Roaring white water ahead of us could be heard long before we could see it!
Photographers from above the most active encounter of whitewater ( a place called "The Lunch Counter" ) snap photos of each group as they enter the whitewater and emerge on the other side. Back at the place of origin, these photos which have been developed in the mean time, are offered for sale to each group completing this adventurous trip.
I purchased the set of 5 photos simply because there is no other way to capture that exhilarating moment in time. Prior to that a disposable camera was utilized to capture the more quiet stages of this river trip.
The organizers of this trip offer a lunch on the banks of the Snake River after the whitewater experience.
It was fun talking to people that had just experienced the same thing that we had and comparing notes. After this, we were bused back to our point of origin.
Depending upon river conditions, this same trip could be more calm or wildly dangerous all depending upon the season.
Covered Wagons (Jackson Hole) took us to Cookout & Wild West Show
That evening we signed up for the Bar-T-5 Covered Wagon Cookout and Wild West Show. While a tad bit touristy, my niece in particular enjoyed the experience. We were drawn by horses to an outdoor dining room adjacent to a mountain stream in Cache Creek Canyon.
Bar-be-que chicken, corn on the cob, baked beans and other offerings were enjoyed as we were entertained by singing cowboys, Indians and so-called "mountain men."
Teton Village
Jackson Hole is well known for skiing. It has many accommodations, restaurants, shops, etc. to satisfy travelers to this region.
Numerous beautiful private homes are built up the steep road leading up the mountain.
Driving to Teton Village from the East we went over some rickety bridges and ended up on some gravel roads for a time. After leaving Teton Village, we took the paved road back to the west. Much easier to traverse!
We enjoyed the trip to see Teton Village and the surrounding countryside.
Beautiful video set to music showcasing the Tetons, wild animals, and sights of this gorgeous part of the country.
Jackson Hole, Wyoming photos
That evening we went into Jackson Hole and had supper at the Blue Lion. Our evening meal was enjoyed while sitting outside at a covered table.
The weather was perfect.
Tickets were purchased to see the Music Hall Revue at the Pink Garter Theater that night. Filled with great 1950's music to country favorites and high kicking dance productions, it is a fun filled evening for people of all ages.
Attached is a picture of one of the performers hugging my mother and niece prior to the show.
Much of what you will find in Jackson Hole, Wyoming is geared for good, wholesome family entertainment.
This only showcases our involvement in the town of Jackson Hole and some short day trips.
Our main focus of this vacation was the Teton National Park of which we spent numerous days exploring and enjoying and also a couple of days sightseeing in Yellowstone National Park.
More of those days photos and experiences will be posted in other articles.
This assortment of photos should hopefully give you a flavor of the town of Jackson Hole, Wyoming and share a sampling of the great attractions that might keep you entertained while there.
Looking forward to your comments. Thanks!
Some other water adventures while on vacation...
Other hubs from Wyoming...
Topographical map showing Jackson Hole nestled between mountains.
Did you enjoy this article? If so, please give it some stars. Thank you!
© 2009 Peggy Woods
Comments are welcomed!
Came back to share this great article again since it's still vacation season, and pinned it again to my 'Travel' board -- different photo.
So many great photos. You are so lucky to have been able to do so much traveling. Lots of information here for people who may still have time for a vacation this year. I'm sure it's beautiful in the autumn too.
Gave you 5 more stars, voted up and beautiful, pinned to my travel board (which looks more like your travel board ;) ) and will share!


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Favorite Music: The Beatles, Echo and the Bunnymen, Mozart, the soundtrack from the Graduate, and many of those crazy 60s songs like the Archies' Sugar Sugar and the Cyrkle's Red Rubber Ball. Also, have been getting into 80s music again (Tears for Fears, Crowded House) and really digging 1970s glam rock bands like Sweet.


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text: On site: Aston Wi-Fi scheme10 Sep 2010 10:00 AM Mark Dye visits Birmingham to see how a wireless deployment in Aston has made a real difference to a local community in terms of education and employmentBack in 2006, a Government survey identified Aston as an area of significant 'digital divide' with only 15% of local homes owning a computer. At 74% below the national average, it was hindering children's academic potential and severely affecting the employability of adults.Today, things are different. More than 1,200 homes and 11 schools around Aston, an inner-city area of Birmingham with a population of around 30,000 people, are connected to broadband. Locals are literally looking to the cloud – based upon an Alvarion BreezeACCESS VL solution utilising 802.11a technologies for connectivity. This wireless cloud is generated by the schools of Aston and means that the project can supply filtered internet access to the community. Next year, nearly half of all homes there will be connected via the Aston Pride network.For those unable to connect to the cloud, the project team worked with Vodafone to provide secure remote access to the Birmingham Grid for learning through its 3G network using an innovative methodology. This was actually the first time that the company had used the technology with a large group of 500 users.'From a technical point of view the initial wireless survey of the Aston area indicated that provisioning a wireless solution there would prove to be very difficult,' explains Paul Hughes, account manager at Tempus, part of the integration team involved in the project.Hughes explains that the general terrain and geographical location dictated that multiple channels and frequency ranges would be required to provide the connectivity and coverage that was needed. There were also a limited number of tall buildings that could be used and these were required to service the point-to-point and multi-point links to distribute the internet out to the residents. 'In addition to this, there were a number of large dips in the contours of the area giving no line of sight for a number of homes,' he adds.As such Hughes says that a solution from Alvarion became the preferred choice for Aston Pride, with the company's reputation and reliable build quality being the deciding factors along with the use of proprietary technology provided by its BreezeACCESS VL solution.And this partnership has reaped rich rewards for Aston as the area began to transform itself, becoming BDI Industry award winners in 2007, e-Gov IT awards winners in 2008-09 and being highly commended as an IT project in 2010 in the Adults and Community Awards sector for its Computers In The Home (CiTH) project.Aston Pride forms part of the £2bn British Government's New Deal for Communities (NDC) regeneration programme aiming to cut the gap between 39 of the most deprived neighbourhoods and other areas. Having launched in 2001, it focuses on the five core economic areas: health, housing and the environment, employment, education, and community safety. The CiTH project is part of the Education Theme of Aston Pride and is integral to this. As they set about addressing the digital divide that exists between Aston and the other areas of Birmingham, families agreed to pay community licences, a weekly donation for internet access and a package of support material that included adult training programmes and subscription to several evaluated pupil learning platforms in a variety of subject areas.'Residents contribute £10 per month for a PC desktop and internet connectivity package with IT support so long as they pay their monthly £10 by direct debit, after three years (£360) they can keep the PC,' explains Avtar Dhillon, project manager at Aston Pride.'The £10 is recycled back into the schools to release teachers and assistants to deliver ICT community training to adults and the kids. After March 2011, it will go towards sustaining the project into the future.'This is because the decision was taken that from March of next year the network will need to be completely self-financed – having been partially funded by a £53m New Deal for Communities (NDC) grant in 2002 – with Tempus and the council deciding to upgrade and expand the network so that additional applications and revenue streams would be possible.Hughes says Tempus worked in tandem with BFi OPTiLAS on the third and final phase of the project with an objective to expand the existing network to increase the radius of wireless coverage encompassing areas of Aston that were not covered within the first two phases. 'Spectrum analysis was carried out and from the findings it was clear that we needed to upgrade the infrastructure to accommodate an extra 1,800 users and provide them with a reliable wireless solution,' he adds. 'Point-to-point and multi-point links were established to provide the necessary coverage and this incorporated both public and commercial buildings.'During the past five years, users' expectations and requirements have changed and Hughes says they have become more demanding and reliant on the technology. 'With that in mind the new Alvarion BreezeACCESS VL solution was the answer,' he says. 'Packet Shapers were implemented to ensure fair use policy throughout the estate and the entire network is remotely monitored to ensure everything runs smoothly. In the event of a failure, the problem can be isolated and a resolve initiated straight away.'By April next year, Dhillon and Hughes expect a total of 2,500 homes to be connected. With the new equipment in place the network will be able to provide wireless coverage with up to 3MB connection speeds to areas of Aston that were not previously covered under the old set-up. 'The speed of the broadband connections into the schools has also been upgraded from 10MB to 100MB providing each school with a much faster internal network while maintaining a fast and consistent connection to homes within the wireless network,' adds Hughes.As well as making broadband accessible to the schools and homes in the area, the new network will also be used to further enhance community services, with wireless CCTV around Aston for the council and local police force to improve public safety and connection to the Intelligent Traffic Systems in the area. The Alvarion base stations using the 5.8GHz spectrum deployed across Aston will communicate with over 1,000 BreezeACCESS VL subscriber units in schools and homes across the region, replacing existing equipment that suffered from reliability and black spot issues. Hughes says the hope is that by the time April comes around, all 2,500 homes will maintain their monthly subscriptions, which in turn will keep the network operational and well supported.However, he maintains that any measurement of success will be purely based upon how the project has improved the quality of people's lives in and around the Aston area, as the targets of the project were to improve health, education and employment. 'Only in years to come will we see the true measure of success,' says Hughes. 'The Aston Pride Wireless Project has provided a stable platform from which the children and parents of Aston can now build on.'Aston Pride: The devil is in the detailBackhaul – The internet access feed has been sourced from five local schools, with all content being filtered through the Birmingham Grid for Learning (BGFL). Each of the schools have 100MB incoming connections allowing for greater bandwidth and extra redundancy should any of the POP sites go down.Packet Shaper – A Packet Shaper located at each POP site was required to ensure that bandwidth consumption from subscribers is managed in accordance with an agreed profile based on time of day and fair usage.Radio Bridge Units – Alvarion Radio Bridge units are provided to enable point-to-point coWireless magazineLeave a CommentPlease write code to prove you're humanMore on... Wi-Fi GeneralXirrus Wi-Fi deployed in London's St Pancras StationQualcomm unveils next gen 802.11ax Wi-Fi portfolioRuckus and Wifirst to provide Wi-Fi solution to hotels and campsitesMore on... Smart CitiesNokia unveils wireless router for power distribution networks ETSI forms new industry group for smart city solutionsLatest in Wi-FiXirrus Wi-Fi deployed in London's St Pancras StationQualcomm unveils next gen 802.11ax Wi-Fi portfolioRuckus and Wifirst to provide Wi-Fi solution to hotels and campsites


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Miu Miu frames via DITTO, Jcrew and Aritzia sweaters
So I'm trying out this service that DITTO recently rolled out called Endless Eyewear, which essentially allows you to rent a limitless number of high-end frames every month for 24 bucks, and then prescription frames for 10 bucks more.
These nosebleed-expensive $750 Linda Farrow titanium time travellers? $24 bucks for a month.
These charming multicolored Vera Wang crystal frames? $24 smackaroos for 30-31 days.
I desperately wanted to try these Miu Mius ( the ones I've photographed here) for a little bit, so this whole thing worked out for me. I wasn't sure about the Lavender tinted lenses, but I've really come to like them since they arrived, pink velvet box-and-all, because I can still wear them outside juuuust before the sun goes down. Plus with this haircut I kinda look like a 1970's record exec, which I don't know how to feel about yet after watching Vinyl, but so far so good.
Anyway, I think I'm gonna try these next.
Good thing is that Ditto has developed this thing on their site where you can try glasses on virtually, and it looks pretty much exactly how they come. Remember this post? I used the Ditto try-on app for it.
Anywho, if you're curious about a pair of frames you might wanna try or if you just wanna have an awesome rotating wardrobe of the newest eyewear to come out, go ahead and feel free to use promo code CLAIREGEIST here!
Tryin' this out courtesy of DITTO
all content and opinions are my own


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text: TJ admitted to Corbin Fisher that his feelings have changed considerably when it comes to taking a cock up his ass. When he first took a cock he said it felt very different; over time that changed to feeling okay. But today TJ says it feels quite good. And he's a little surprised by that. Indeed, most straight guys would be. But honestly, if they'd just give anal sex more of an opportunity, a whole new world of feelings and sensations would become available to them. And when you're being topped by Brent and his long, lean, curved dick, you're going to be feeling a whole bunch more than you had before. Brent is so damn passionate and attentive to his partner that his bottoms can't help but have a hot time. He touches them all over, kisses them deeply, licks their feet, alternates his speed between fast and easy. He also tunes into his partner's surging orgasm and matches his thrusting so that the final blast off is as intense as it could be for them. In this video Brent and TJ start outdoors in a hot tub. They suck one another and get excited and then move indoors where TJ rides that big, curved Brent rod until they both shoot their hot, creamy loads.


text:
Rumours are doing rounds that Abhishek Bachchan had a rift between director Neeraj Vora at the sets of Hera Pheri 3, which is being shot in Dubai.
An insider was quoted as saying, ""When he reached Dubai for shooting, Abhishek was appalled by the lack of script resources. He kept asking Neeraj for scenes and dialogues and would be given vague answers. After a point Abhishek who prides himself for being an organized actor just gave up, and shut down. He walked off the sets."
Abhishek Bachchan and Neeraj Vora had an altercation regarding the films script, which Abhishek claims was rather lacking. However, sources close to Abhishek have rubbished all the reports.
When contacted the producer of Hera Pheri 3, Firoz Nadiadwala regarding the issue, Firoz had a big laugh and was quoted as saying,
"Who is planting these outrageous stories? We are almost done with the shooting and we're releasing on August 12. Abhishek is doing this franchise Hera Pheri after Dhoom. And in any case, he is a very disciplined actor. Why would he spoil it for himself?
Firoz rubbished off all rumours and says there is absolutely no rift between Abhishek Bachchan and Neeraj Vora,
"Some people are clearly not enjoying the fact that Hera Pheri has reached a third part. That we are shooting peacefully and smoothly. That, in fact the new actors in the franchise Abhishek and John get along like a house on fire from their Dostana days. In fact, the atmosphere on the sets is so good. Kissi ki nazar na lag jaye."
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John Abraham, Paresh Rawal and Abhishek Bachchan wearing prisoners stripes on the sets of Hera Pheri 3.
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John Abraham, Paresh Rawal and Abhishek Bachchan wearing prisoners costumes for Hera Pheri 3.
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John Abraham, Paresh Rawal, Suniel Shetty and Abhishek Bachchan would tickle audiences funny bones for Hera Pheri 3.


text:
When a pastor leaves a church, whether to move from one church to another or out of ministry, following certain courtesies and guidelines eases the transition for the departing minister and the new minister, and makes the transition easier for the church members and staff. Choosing to ignore them creates problems for all involved.
Giving Notice
Provide advance notice that you are leaving and set an exit date. Explain why you are leaving with a short, simple explanation that will satisfy many and stem the gossip. Keep your resignation statement positive, no matter why you are leaving.
Drama-Free Exits
Exit publicly with as little drama as possible. Don't hide your exit or leave people wondering about your exit plans. Set a date, pack your personal things and leave gracefully. Speak positively about the church and the membership during the exit and beyond.
Planning Transition
Help the church leadership and staff to plan what to do when you leave. Suggest any denominational resources to ease the transition, such as speaker resources or transition help. If your denomination has a transitional minister program, recommend that they explore that option. A transitional minister helps the church through the grief process, to choose goals for the future and to accept a new minister.
Positive Affirmations
Leave on the best possible terms. Tell the church what they do right, that they will be fine without you and that you know they will find the next right minister. Emphasize your good memories of the church. Thank them for lessons learned and experiences that helped you grow.
Positive Partings
End division with those you have had problems with in the past. Don't leave them with unforgiveness and don't take anger and unforgiveness with you. Leave no unfinished personal business that can be made right.
Grieving is Necessary
Compassionately deal with those who grieve your leaving. Acknowledge their feelings and pray with them. Accept their grief as healthy and encourage them to take time to grieve. Suggest support systems they can use such as church leaders, prayer ministers and counselors.
Family Considerations
Assist your family to prepare for the leaving. Allow them to grieve. If you are leaving under less than positive conditions, urge them not to make the situation worse with negative comments.
Assistance Please
Prepare notes for your successor or the transitional minister. For example, where she might find necessary resources or liturgical equipment. Suggest who might be willing to offer assistance and support. Make your notes positive.
Breaking Ties
Don't go back to the church for at least a year or more. Gracefully decline opportunities to marry or bury people at the church. Suggest using the new minister or conduct the service in a neutral location.
Your Transition
Take time to grieve and assess what you did right and wrong in your pastoring of the church. Take pride in your successes and accept your failures. Thank those who contributed to your success and forgive those who antagonized you. Make resolutions about what you might do differently in the future. Begin a new church assignment with a clear slate.
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- Photo Credit Digital Vision./Digital Vision/Getty Images
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Flash Furniture XU-A2460-REC-OAK-H-P-GG Rectangular Activity Table with High Pressure Oak Laminate Top, Height Adjustable Pre-School Legs 24" x 60"
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Item Details
An excellent addition to schools and kindergartens, the Flash Furniture Rectangular Activity Table with High Pressure Oak Laminate Top, Height Adjustable Pre-School Legs 24" x 60" provides children a comfortable seating option. Featuring an elegant oak color, this table will beautifully complement a variety of settings such as classrooms and community centers
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What is JotForm?
JotForm is a free online form builder which helps you create online forms without writing a single line of code. No sign-up required.
At JotForm, we want to make sure that you're getting the online form builder help that you need. Our friendly customer support team is available 24/7.
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Submissions view: Error with dates on 1st month not showing correctly in dataAsked by Alpine365 on July 03, 2016 at 09:29 AM
I have just noticed a problem with some of the date data coming from my form (link later). Essentially, it seems that SOME dates (entered via a date entry box on the form), if they are for the 1st of the month, do so not show up correctly in either the "Grid" view of submissions, or in the Excel/CSV views either. They show up fine in the Full submission view.
Here's two examples of what I get:
1. Date entered shows as Thursday, January 01, 1970 in the submission view
2. In the "grid" view, it shows as -1-1970
3. In CSV is comes up as =-1-1971 (which Excel treats as a formula, to make -1972)
[Submission: 343257277801743807]
1. Date entered shows as Tuesday, May 01, 1984 in the submission view)
2. In the "grid" view, it shows as -05-1984
3. In CSV is comes up as =-5-1984 (which Excel treats as a formula, to make -1989)
[Submission: 325647572552612662]
So it looks like, for reasons unknown, if the day is the first, this sometimes gets chopped off the date (01-05-1984 becomes -05-1984) which then makes the dates meaningless
NB I have noticed this with at least four different dates on 1st of a month - but I can confirm it is NOT with ALL dates on the first.
Looks like a bug of some sort, do please advise, it does mean I now have to manually check all my submission data for this error, which is a pain!
JotForm Support
Thank you for reporting this matter to us, Alpine365. I searched for the said submissions and found them as how you described. Here is another part of the submission 343257277801743807
I have now escalated this matter to the development team. Once we have updates on this matter, we'll inform you right away.
Thanks for your patience and we apologize for this inconvenience.
JotForm Support
This was due to an error in the way date validation worked when the "don't auto popup calendar" was selected. This allowed users to enter dates without days under certain circumstances. This has now been fixed and the submission view has been fixed to reflect the fact that no day was entered. Unfortunately as the day was not filled out there is no way for you to know unless you contact the users and ask them what their real DOB is.
Sorry for the inconvenience.
Hi Jotform
As ever, thanks very much for the full response to this issue.
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You're most welcome, we're very glad to hear your praise and that you are happy with our services.
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