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From time to time the life you've always imagined and the life that you actually have converge – and this is one of those moments. We are at London's Wembley Arena patiently waiting for the show to start. To fill the time, I have started to list all of the great acts I can remember seeing here over the years: Stevie Wonder, Earth Wind & Fire, David Bowie, Prince, the Velvet Underground, Talking Heads... Never mind that my son doesn't yet realise the full weight of the history being imparted. He is, after all, only nine months old. And never mind, too, that the reason we are here today is the somewhat less impressive spectacle of a show called CBeebies Live: Reach for the Stars.
Before the boy was born, we'd never really sat down to have the "How much TV should we let him watch?" conversation. In the too-much-Information Age he'd been thrown into, television seemed the least of our neurotic, new-middle-class-parent concerns. And so, in the first few months after he arrived, we began to venture to the far reaches of our digital box and found there some 30-odd channels we had never paid much attention to before. There were assorted Disneys, a smattering of Nickelodeons, something called Baby TV, various dedicated cartoon stations and then there was the Beeb, the UK's reliable, trustworthy, public-service broadcaster, with its own two modest offerings: CBBC and CBeebies.
Clearly, the days of one 15-minute programme to "Watch With Mother" were long gone. This year marks many milestones for the side of the BBC that provides programmes for the very young. It is precisely 90 years since a radio engineer called AE Thompson (soon to become known as "Uncle Thompson") presented the first ever few minutes of "entertainment just for children" that took the form of a story, "Spick and Span", followed by a record called "Dance of the Goblins". The groundbreaking Newsround (or, as you and I remember it, John Craven's Newsround) has just celebrated its 40th birthday. And most immediately, those two dedicated digital channels are now, astonishingly, 10 years old and the one aimed at younger viewers, CBeebies, currently boasts that half of its target audience – around 2.3 million under-sixes – tunes in every week.
And it was around CBeebies in particular that our own domestic routine developed. In the mornings we might catch an episode of Postman Pat or a musical show with monkey-like creatures called ZingZillas. If we were up early enough, there was Me Too!, which seemed to be aimed at parents dropping their children off at a childminder while they went off to work. The songs from Boogie Beebies would, as the week progressed, become unshiftable earworms. The boy did not really sit and watch these programmes, you understand. But they provided a background buzz to the demanding days of new parenting and slowly stitched themselves into the fabric of our new life.
Best of all was the "Bedtime Hour", a cluster of shows between six and seven in the evening that we would watch and pause at our convenience as the bath, feed, sleep pattern presented itself. It would be futile to attempt to describe Waybuloo or In the Night Garden to anyone who has never seen them. Both are slightly surreal shows with no creature you would recognise from any visit to planet Earth. Waybuloo sees the "Piplings" for ever being called to do "yogo" and follows their efforts to encourage children (or "cheebies", in Waybuloo world) to join in their gentle, stretching movements. In the Night Garden is, if anything, even more eccentric, with characters called Iggle Piggle and Makka Pakka, a flying machine called the Pinky Ponk that seems to have been created by a modern-day Caractacus Potts, and a voice-over by none other than Derek Jacobi.
Both shows are exceptionally well made, utterly beguiling, unmistakably British and as bonkers as – if you can imagine such a thing – a sort of Monty Python's Flying Circus for pre-schoolers. With such singular offerings, it is no surprise that the BBC's children's unit has attracted its share of controversy in recent years. First, there was the accusation, fired by the American Moral Majority spokesperson Jerry Falwell, that the Teletubby known as Tinky Winky had to be gay because he carried a handbag. More recently, there have been objections to Rastamouse (a character created by the Rastafarian Michael De Souza) on the grounds that it was "racist", while those yoga-loving Piplings have come under fire from Christian groups for promoting "eastern philosophy" and the "one-armed presenter" Cerrie Burnell has been accused of "scaring our children".
And then there is the suspicion that, although both channels are thankfully entirely free of commercials, many of the shows could be seen as extended advertisements for a range of products from cuddly Iggle Piggles to live extravaganzas. Could it be that this channel we had welcomed into our home and allowed to assist us in shaping the blank-slate mind of our little boy was actually being run by some agenda-pushing cabal intent on selling us merchandise while promoting its own brand of political correctness gone mad? There was only one way to find out and so, to mark the channels' 10th-birthday celebrations, I head to Media City UK to find out.
Media City is the name given to the complex in Manchester's Salford Quays that is, since the broadcaster's estimated £1.5bn move there last May, now home to around 2,500 BBC workers, including those from the departments responsible for religion, sport, "future media" and breakfast TV. The children's channels alone employ around 400 people and, in spite of the shake up that moving out of London's White City entailed, about 50 per cent of those working here have willingly, and with assistance from the BBC, made the move from London.
In this plush, purpose-built metropolis (still boasting "Plenty of retail opportunities"), I am escorted from the Peel Media-owned studios where the presenters film their links, through the corridors of power to the staff canteen. Here, over power-lunch salads, the controller of CBeebies, Kay Benbow, is talking with machine-gun rapidity about her job of deciding what programmes the nation's pre-schoolers will grow up watching.
A behind-the-scenes kids' TV maker with more than 20 years' experience (she was Andi Peters' producer in the days of the "Broom Cupboard"), Benbow explains how the "responsibility and duty to our young audience is the reason I come into work every day". She is, she says, merely the latest in a line of "quiet but determined female role-models" who have shaped the BBC's children's programmes over the decades (Cynthia Felgate, Play Away; Biddy Baxter, Blue Peter; Anne Wood, Teletubbies; Judy Whitfield, Tweenies) and that she is privileged and honoured to be able to count herself among that roll-call and spend her working life "championing the pre-school audience".
Of the latest controversy to hit her channel, Benbow admits that sometimes you have to listen to your audience, hold your hands up and admit that you have made a mistake. It was Monday 9 January and we had sat down to watch the first of the "all new" episodes of Waybuloo. There, instead of the usual Zen-like calm of the land called Nara, was that bloke off of Come Dine With Me giving it his knowing voiceover. What was going on? We, and many other parents across the land, hit the internet demanding answers. Dave Lamb, the CBeebies website informed us, had been added to the programme to "bring his trademark inimitable and humorous style to the series".
The next day a message appeared on the same web page: "Thanks for all your comments," it read. "It's great to see how passionate you are about the show. We've listened to all your feedback and have decided to revert to the original format for the show from tonight onwards. Thanks for all your views – keep them coming!"
Benbow laughs. "We made a decision at 9am and it was sorted that day. That's one of the advantages of k the direct conversation we have with our audience and the fact that the chain of command here is incredibly direct."
There are other decisions Benbow is more determined not to backtrack on. "I think a lot of the criticisms over the years have come from an adult's perspective. Take the fuss over Teletubbies. Children love bags, three-year-olds love to pick up a bag and have no concept of it being a female thing, let alone a gay thing. A child sees things in a different way and we are trying to give them a robust and resilient understanding of how to cope in the real world. We can't cover everything and we can't hope to please everyone but we can reflect different cultures, communities and parts of the country and open subjects up for children in a safe, meaningful and engaging way."
As far as the "One-Armed Presenter is Scaring Children" headlines go, Benbow is equally adamant that having a disabled presenter on the channel is an important step for British TV. "It never occurred to me that children would be scared but I did think it would make them ask questions and I do feel it was right to take those first steps so that such things can become the norm and become less of an issue."
Cerrie Burnell, the 32-year-old presenter in question, agrees. "I never took it as a personal attack," she says, "because I knew those attitudes exist and had known that for a long time. I'm a woman and I grew up with one hand and the truth is that those people felt those things long before I stepped on to the screen. I was pleased that the subject was given airtime. When I meet children, which I do a lot, I tell them that I am very lucky to have grown up with one hand, that I can still do everything anyone else can and that it doesn't hurt me and they can touch it if they want." A mother herself, I ask Burnell how she would – if she can imagine such a thing, explain that sort of issue to her own child. Her reply? "I'd simply say: 'Everyone's born different. Now, what do you want for tea?'"
Burnell, like everyone associated with the CBeebies "brand" (and, in fact, the brand itself), is a fabulous mix of glowing goodness and steely determination. It is the BBC, remember, which has long pioneered what we now call "diversity", and the director of the BBC children's department, Joe Godwin, remembers how "growing up in the Midlands I probably saw more black faces on children's TV than I did around town". Godwin – the 47-year-old man responsible for the approximately £120m budget allocated to kids' TV – is still excited about the fact that the BBC has always been "ahead of the game" in such matters and is keen to show me a photograph on his phone of himself with the legendary Play Away presenter Derek Griffiths.
Godwin describes his love of kids' TV as an obsession and says his job is like "the mascot becoming Alex Ferguson". It is this kind of genuine and heartfelt enthusiasm, perhaps, that has led to what many insiders consider a new golden age of children's television. "This is a tough economic climate," Godwin says, "and there is all that choice and competition. But we are the only people commissioning UK content and there is a huge responsibility on us to do the stuff that a public-service broadcaster should be doing. We are not there to outdo Disney. Cartoon Network and Nickelodeon are great at what they do and we are not given this privileged funding to beat them at their own game. Our brief is to do broad, cross-genre programming that is high quality and distinctively British and there is no one else doing that."
"CBeebies is a national treasure," says Anne Wood, the woman whose Ragdoll Productions has been responsible for two of the channel's biggest successes: Teletubbies (now shown in some 50 countries around the world) and In the Night Garden. "You are either drawn to this work or you are not," she says. "It is a gift to have an innocent sense of fun and to be able to find a way back to how you felt as a child."
On the subject of her own programmes, although adults might watch them and wonder what drugs the creators are on, nothing could be further from the truth. As Wood explains it, her shows are devised and made in the same way that a child learns: through a combination of "struggle, practice and play". It is, she insists, arduous and expensive and so she is thankful every day that the BBC exists to air her productions. "If we don't value these channels," she says, "we would lose something very precious indeed. Even since the early days of Teletubbies, television has changed and the proliferation of channels has diluted the content. The role of television has changed, too, because children are growing up computer literate and don't play outside as they did when I was a child. So it's crucial that the programmes we do make are of the highest quality and have meaning while never forgetting that the most important thing is to make children smile."
The logistics of creating what Joe Godwin calls "memories that will stay with children for ever and that have the potential to change the way they see the world" is giddyingly complex. The journey from pitch to commission to production to airing can take months, even years. Godwin is hoping that the next jewel in the BBC's crown will be a new Russell T Davies series called Aliens Vs Wizards, currently filming in Cardiff and due to be shown in the autumn.
Making such programmes demands serious dedication but the rewards can be great. Due to the complexity of the many licensing agreements between the BBC and the companies that make the toys and market the images popularised on the channels, no one is quite sure how much money is generated by the Enterprises side of the BBC's business. All anyone can say on the subject is that the vast majority of the commercially generated income is pumped back into the programmes and that is one of the reasons why the BBC's output has improved so much since the days of wobbly sets on the likes of, say, Rentaghost.
"I don't want to get too happy-clappy about this," Godwin says, "but if you accept that children's television is a hugely powerful tool, then it's my job to see that the quality is comparable to anything you would see in prime time. When our audience is not watching our stuff, they are playing videogames or watching Hollywood movies, so the production values of our own output – say Tracy Beaker or Horrible Histories– have to measure up."
And, of course, as we have discovered in our house, the programmes shown on CBeebies and, to a slightly lesser extent CBBC, are made for two audiences: the children and the people tasked with bringing them up. Because we modern-day parents do not merely oversee, we participate, and to that end it makes sense that the few shows we do use to take a break from all that hands-on parenting are as enjoyable and entertaining for us as they are for those they are primarily aimed at.
Back at Wembley, meanwhile, the little one is suddenly overwhelmed by the children's birthday party/pantomime excitement of seeing so many of his favourite characters in the flesh. As Justin Fletcher, otherwise known as Mr Tumble, leads the CBeebies Live crew (Tweenies, various "skin characters" from Postman Pat, Lazy Town and Mike the Knight, assorted ZingZillas) through their all-singing, all-dancing paces, we consider the boy's first taste of live entertainment only a moderate success and, as we escort the tired and emotional little man out of the building during the interval, we understand why the promoters recommend that "this show is not suitable for children under 18 months". Too much, too young? Perhaps we'll try again with In the Night Garden Live later this year.
'In the Night Garden Live' tours the UK from 24 May to 23 September, nightgardenlive.
From Andy Pandy to Zebedee: The very best of tots' TV
Watch With Mother
Are you sitting comfortably? Then I'll begin. Taking its name from the radio series Listen With Mother, in 1953 the best of the Beeb's "for toddlers" output was rolled together under the banner "Watch With Mother". It featured a variety of slow-paced, gentle stories with programmes such as Bill and Ben the Flowerpot Men, Muffin the Mule, Andy Pandy, Rag, Tag and Bobtail and The Woodentops.
Blue Peter
1958 onwards
It's been popular with generations of kids thanks to the presenters, the pets, and the sticky back plastic creations. Occasionally struggles with a do-gooder/dullsville image: Blue Peter was an early champion of green issues, charity appeals and is generally keen on wholesome fun. Not that its presenters are always so squeaky clean: in 1998 Richard Bacon was famously sacked after a tabloid reported his cocaine habit.
The Magic Roundabout
Originally a French show, Le Manège Enchanté. But when Play School presenter Eric Thompson was brought in to provide an English translation he simply made up a script of his own fancy: names, characters, plotlines and all. It became a cult favourite with adults – the BBC received complaints when they tried to move it to an earlier slot – and while the "they-must-be-on-drugs" thing has been thoroughly discredited, Dylan the rabbit was based on Bob Dylan.
The Clangers
They're knitted, pink, long-snouted mice-like aliens, who enjoy a diet of blue-string pudding and soup made by the Soup Dragon. For some reason, this set-up captured the hearts and minds of young viewers. The Clangers communicate through whistling, although there was a real script, in English, which was turned into Clanglish. Despite this, Auntie once objected to a script which read "Oh sod it!" No swearing at the BBC please – not even if whistled.
A human presenter surrounded by a host of curious puppets – Bungle bear, George the pink hippo and whatever-the-hell Zippy was meant be. It began with an educational bent, but by the 1980s had become largely character-led. That infamous innuendo-laden episode was never actually aired – it was made solely for the amusement of ITV staff in 1978.
Short lived but much loved, the saggy pink-and- white cat was children's television master Oliver Postgate's biggest hit. It frequently triumphs in "best children's show" polls – coming number one in the BBC's in 1999 – probably thanks to the gentle whimsy of the stop-motion animation.
Thomas and Friends
1984 to present
Forget The Beatles – this was surely Ringo Starr's finest hour! He narrated the TV adaptation of the Thomas the Tank Engine books for the first two series. It became a hit in the US too, and guest narrators have included Pierce Brosnan and Alec Baldwin. A live-action film version, helmed by 9 director Shane Acker, is on the cards.
Its baby-speak caused some harrumphing among parents, but the colourful romper-suited creatures were a global hit, making millions in merchandise sales. It won a Bafta, and a pop version of the theme tune went to number one. The American cleric Jerry Falwell criticised the show in 1999 for promoting gayness, because Tinky Winky was purple and carried a handbag.
2011 onwards
More than 200 complaints were made last year about the crime-fighting, reggae-loving Rastafarian rodent, mostly arguing that the show mocks – or encourages – the use of Jamaican slang. But it's been a hit with young viewers, and, naturally, the mouse and his music have developed a fond adult following, with celeb Twitter endorsements from the likes of Lily Allen and Dizzee Rascal.
Holly WilliamsReuse content


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Mr. Chairman.
My amendment would exempt the waters of the Everglades in the State of Florida from the provisions of H.R. 2018, the "Clean Water Cooperative Federalism Act of 2011." By exempting the Everglades from the provisions of the Act, my amendment would preserve the delicate ecosystem of the Everglades; ensure that ongoing restoration efforts of the Everglades
do not cause irreparable damage to fishing and wildlife in the area; and protect the public health of Floridians through continued access to safe drinking water.
The Florida Everglades is one of our Nation's pristine parks made up of 1.5 million acres of a unique habitat and ecosystem. In fact, it is the third largest park in the continental United States. Not only is the Everglades an environmental treasure, but it also is a major tourist destination, which provides an important source of revenue for the State of Florida and local
communities. Moreover, the Everglades is an essential source of drinking water for the State, providing 33% of Floridians with fresh drinking water.
With such a delicate ecosystem in our backyard, it is incumbent upon us to be vigilant and to take the necessary steps to protect this unique and valuable site. To date, several billions of dollars have been dedicated to restoring the Everglades. We simply cannot allow years of financial commitment and the countless hours that have been spent by dedicated people towards restoration efforts to go to waste. H.R. 2018 fails to protect the Everglades and, in fact, threatens this most precious resource. The bill would impose severe limitations on the Environmental Protection Agency's (EPA) ability to enforce the Clean Water Act. Under the bill, states would
continue to establish their own water quality and pollution standards.
However, the EPA's role of revising outdated water quality standards would be prevented; the EPA would be limited in its ability to provide views on whether a proposed project causes pollution in violation of the Clean
Water Act; the EPA would be prevented from taking action if projects approved by the Army Corps of Engineers could cause adverse impacts to water ways; and public comment participation would be severely limited which would prevent the EPA from providing constructive comments to the Corps of Engineers. By severely curtailing the role of the EPA in enforcing the Clean Water Act, H.R. 2018 hands over primary authority to the states to establish water quality and pollution standards. For the Everglades, such a framework would be devastating.
It has been well publicized lately that the Governor of Florida- Rick Scott- has taken unprecedented steps to freeze agency rule-making in the State. While the courts are currently determining whether the Governor has overstepped his authority under the state constitution, such actions by the Governor would be disastrous for the Everglades in the event Florida were given sole authority to implement water quality and pollution standards absent a coordinated role with the EPA. Indeed, it would not be outside the realm of possibility to envision a framework under H.R. 2018 in which the current rules on water quality and pollution for the Everglades are frozen in their current state and then dramatically rolled back. Rolling back crucial water quality
and pollution standards would cause irreparable harm to the delicate ecosystem of the Everglades, cause significant harm to local economies that depend on fishing and tourism, and threaten the safety of countless Floridians that depend on safe drinking water from the Everglades.
Additionally, H.R. 2018 would have a profound impact on ongoing Everglades
restoration projects. This bill would upend the delicate cooperative framework that has been created in the Clean Water Act between the EPA, the Army Corps of Engineers, and the states.
While the Corps of Engineers has already done and continues to do an admirable job on Everglades restoration projects, the EPA is in a position to provide crucial environmental expertise on potential impacts that restoration projects can have on water quality and pollution standards in the Everglades. H.R. 2018 would severely hinder EPA's ability to provide these
important, constructive comments to the Corps on restoration projects for the Everglades.
It is critical that we continue moving forward in protecting and preserving one of the most unique habitats and ecosystems in the world- the Everglades. H.R. 2018 would be a giant leap backward in Everglades protection and would threaten its existence for future generations.
My amendment would, therefore, exempt the Everglades from the dangerous provisions of this bill. I urge its adoption.
Source: http://www.rules.house.gov/Media/file/PDF_112_1/statements%20for%20the%20record/HR%202018/2018Statement%20DEUTCH.pdf

subset: commoncrawl


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Privacy Policy
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This notice applies to all information collected or submitted on this website. On some pages, you can give us input, and make requests. The types of personal information collected at these pages are:
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The Way We Use Information:
We use the information you provide about yourself when placing a request/scheduling an appointment only to complete that request/appointment. We do not share this information with outside parties unless required to do so by law.
We use return email addresses to answer the email we receive. Such addresses are not used for any other purpose and are not shared with outside parties.
You can register with our website if you would like to receive information as well as updates on our services. Information you submit on our website will not be used for this purpose unless you fill out the registration form.
We use non-identifying and aggregate information to better design our website and to share with advertisers. For example, we may tell an advertiser that X number of individuals visited a certain area on our website, or that Y number of men and Z number of women filled out our registration form, but we would not disclose anything that could be used to identify those individuals.
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|Episode 455
|Production code
|ITV transmission date
|21st April 1965 (Wednesday)
|Stories by
| George Reed
Pam Tickell
|John Finch
|Peter Caldwell
|Michael Cox
|H.V. Kershaw
|Previous episode
|19th April 1965
|Next episode
|26th April 1965
David has torn ligament. Val persuades Ken to end the feud and write to him. Willie Piggott gives Jerry money to repay what he owes Len so that he is free of commitments. Jerry decides to close the Yard and go to Blackburn. David phones and asks to stay with the Barlows. Val doesn't think there'll be any room. Albert agrees to put him up. Jerry leaves everything in Jack's hands and leaves. Everyone is cold towards him.
Regular castEdit
- Irma Ogden - Sandra Gough
- Annie Walker - Doris Speed
- Jack Walker - Arthur Leslie
- Jerry Booth - Graham Haberfield
- Florrie Lindley - Betty Alberge
- Lucille Hewitt - Jennifer Moss
- Dennis Tanner - Philip Lowrie
- Elsie Tanner - Patricia Phoenix
- Albert Tatlock - Jack Howarth
- Kenneth Barlow - William Roache
- Valerie Barlow - Anne Reid
- Ena Sharples - Violet Carson
- Minnie Caldwell - Margot Bryant
- Charlie Moffitt - Gordon Rollings
Guest castEdit
- Last appearance of Jerry Booth until 9th August 1965.
- TV Times synopsis: In which Jerry's mind is made up for him
- Viewing Figures: First UK broadcast - 8,650,000 homes (1st place)
|April 1965 episodes
|Mon 5th • Wed 7th • Mon 12th • Wed 14th • Mon 19th • Wed 21st • Mon 26th • Wed 28th


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IT'S official: no longer will the hormones many women take at menopause be called ''hormone replacement therapy.'' As the National Institutes of Health announced last week, treatment with estrogens and progestins is now to be called ''menopausal hormone therapy.''
The hormone treatment never was a replacement and never did restore the physiology of youth, and the treatment name should reflect that, federal scientists and Food and Drug Administration officials said.
''We have to separate our aging from our going through menopause,'' said Dr. Susan Hendrix, a gynecologist at Wayne State and an investigator in a large federal study that cast doubt on the drugs' overall benefit. ''We can't take a pill for the rest of our lives to make us young.''
Such drugs relieve symptoms of menopause, like hot flashes, and can also help maintain bone mass. But they also confer slight risks of heart attacks, strokes, blood clots and breast cancer. They don't make women look younger, and it's not known whether they can stave off memory loss.
With the old name, ''it was almost as though language was corrupting thought,'' said Dr. Barnett Kramer, director of the office of disease prevention at the National Institutes of Health.
''If you think that all you're doing is treating a deficiency, you can fool yourself into thinking you don't even need to test the hypothesis that the benefits of giving hormones would outweigh the harm,'' Dr. Kramer said. Gina KolataContinue reading the main story


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In Saudi Arabia, eliminated the oil Minister
Saudi king Salman bin Abdul-Aziz al Saud has dismissed the Minister of oil his country Ali al-Nuaimi, who held this position for over 20 years. The office was abolished, and instead, it appeared the Ministry of energy, industry and mineral resources, headed by a former head of the Saudi Ministry of health Khaled al-Faleh. Arab experts believe that thus the monarch of Saudi Arabia centralizes power in the country. In the first phase on the prices of "black gold" this decision is not particularly affected. But in the run up to the end of the year quotations can grow. However, if al-Faleh will pursue a more progressive policy and agree with Russia about reduction of oil production.
photo: morguefile.com
Al-Nuaimi headed the Ministry of oil of Saudi Arabia since 1995. He is now 80 years old and until very recently he was considered one of the most influential Ministers of OPEC. In many respects thanks to it the price of oil for two decades, first shot up from $17 to $147 per barrel (it was in the summer of 2008) and then fell below $30 (in February 2016).
Now the barrel is worth a little over $45. Apparently, this did not satisfy Salman bin Abdul-Aziz al Saud, who became Saudi king in early 2015 after the death of his half-brother Abdullah. Despite the fact that the reshuffling in the government of the Kingdom of the middle East, primarily associated with the desire of the al Saud to centralize power in the country and impose a more controlled footage (apart from the oil Ministry its name changed to the Ministry of Commerce and industry of Saudi Arabia, which is now called the Ministry of trade and investment), low oil prices is also a reason for the dismissal of Ali al-Nuaimi. It is believed that the latter strongly disagreed with the proposal of a number of the world's oil producers to "freeze" production at the January level because of the overstocking of the market and the excess of it unclaimed raw materials. The last international negotiations in Qatar, which took place on 17 April, ended in failure. Now the prices stay above $45 per barrel only due to the increase in seasonal demand and the backstabbing speculators.
But the main fundamental factor of growth of quotations should be a collective decision of the major miners of "black gold" on restriction of production and increased demand for raw materials from the largest importers — China and India.
The preconditions for this. Most of the countries of the OPEC and independent oil producers, such as Russia and Colombia, have long insisted on the decline. The main opponent of this is Iran, which intends to increase production to 4 million barrels a day, as it was before the introduction against Iran the Western sanctions. Riyadh in a sense, is in the position of hostage. On the one hand, the Saudis do not benefit low prices — because they would have to close or preostanovlena infrastructure, transport and building projects. On the other hand, Riyadh is afraid to cut production, as Tehran will immediately intercept the part of foreign customers. The cost of production in Iran is the same as in Saudi Arabia, so this would be not difficult.
However, there is no doubt that Iran will be able to dramatically increase production. This can put the weak technological base of the country, and the lack of investment in the industry.
But China and India can prices and toss. Oil imports to China in the spring has increased from 5% to 21.6% monthly. Delhi increased purchases of refined products outside Russia 7.5%, is also positive.
If Khaled al-Faleh will add fuel to the fire, and agree to limit production, then the barrel will rise again in price. Perhaps it will not happen immediately, and closer to the end of the year, when the cost of the "barrel" is likely to be over $50, and even crawls under $60.Related posts:


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The most common remark made to teachers who live in catchment is "I'm going to egg your house".(Original post by Jimmy Mullen)
You live over the road dont you! I saw you! I will wait out there for you tomorrow morning!" lol.
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(Original post by Keziah)
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- 13-06-2012 14:29
At another interview, where I didn't get in, the university said they have a limit of 40 miles for people who drive, and 2 bus changes for those who don't. 40 miles is pretty far though - I'm commuting 20 miles each way at the moment and that takes about 45 minutes (though obviously it would depend what roads you have to use).Last edited by Jimmy Mullen; 13-06-2012 at 14:30.
(Original post by Mr M)
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The most common remark made to teachers who live in catchment is "I'm going to egg your house".
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(Original post by Jimmy Mullen)
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- 13-06-2012 19:46
I dont remember being asked about transport at all at my PGCE interview, and never really asked much about placement distances (probably should have). Anyway, they will know about it if they send me too far!!
(Original post by *Darcie*)
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- 14-06-2012 14:02
They didn't ask at interview, I think it was about a week into the course.
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Forward prize for poetry
Radio 4's poet in residence on his journey from school dropout to poetry prizewinner
The Belfast poet is nominated for the prestigious honour alongside a diverse selection of writers including Tara Bergin, Nick Makoha and Malika Booker
'Very dynamic' finalists for the awards show influences from Greenlandic, Caribbean creole, Scots, and Kurdish languages
The Forward prizewinner's portrait of racism in the US is not just realistic, it captures a poetic truth beyond facts
Citizen: An American Lyric, described by jury as a 'powerful book for our time', collects £10,000 award for best collection
US writer's ' bold challenge to definitions of poetic form' joins Forward prize shortlist, alongside others including Paul Muldoon and Ciaran Carson
Philip Hensher has taken aim at the current glut of book awards. But the gongs are here to stay
A new Forward prize collection that will be studied by A-level students includes Tim Turnbull's Ode on a Grayson Perry Urn and work by other contemporary poets
Creative writing professor takes home £20,000 prize for his 11th collection of work after four previous appearances on shortlist
The Forward prize-winning collection mingles grammatically correct English with patois to emphasise the different ways in which a place can be known. By Carrie Etter
Susannah Herbert writes: When I asked Dannie Abse to join this year's jury for the Forward prizes for poetry, he wondered what it would involve
The Forward prize nominee on his ADHD, dual identity and latest poetry collection, The Cartographer Tries to Map a Way to Zion
Outgoing Newsnight presenter, judging Forward prize for poetry, says poetry has 'rather connived at its own irrelevance'
Poets have to start engaging more with the general public, says the TV presenter
The Folio prize adds to an already crowded field of contenders wishing to be the No 1. John Dugdale draws up a book on the competition
Champion of spirituality and self takes £10,000 prize for collection of 15-line metaphysical poems
Poet Matthew Welton discovered CJ Allen's previous work lifted themes and phrases from his own poems
Reading 162 collections, it was fascinating to compare the work – and to see whose lines stayed with me
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On National Poetry Day (this Thursday), poetry evangelist William Sieghart will be coming online to solve your predicaments with a well-chosen verse. Got a problem? Tell us about it below, and come back on Thursday to take your poetry medicine
The first American woman ever to win the award, Jorie Graham scoops the 2012 Forward prize for poetry with her 12th collection, Place
Frontrunners Graham and Hill join Beverley Bie Brahic, Barry Hill and Selima Hill on shortlist for the UK's top poetry award worth £10,000
More poetry pleaseWilliam Sieghart
Why I set up the Forward prize for poetry
John Burnside wins the Forward prize with Black Cat Bone, but wants to talk about pink-footed geese, Fiachra Gibbons finds English poets performing in Paris, while Lavinia Greenlaw takes poetry to St Pancras
From the collection Birthday Letters, which won the Forward prize in 1998
Shortlisted on three previous occasions, the Scottish poet takes the £10,000 honour at last
Sarah Crown: The all-male shortlist for this year's prize is sadly true to form. But apportioning blame is not easy


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Wildcats Travel to Georgia Southern for Tourney
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After dropping its first five games, Jacksonville State picked up its first win in its last outing with a 15-10 win over Southern Louisiana. The Gamecocks hosted the Jacksonville State Invitational last weekend, however had the final two games canceled due to rain. The Gamecocks are coached by Jana McGinnis who is in her 18th season at the helm.
Under the direction of sixth-year head coach Mickie Dean, Radford enters the 2012 Georgia Southern Invite with a record of 0-1. They have played one contest so far in the 2012 season which was a 9-1 defeat at the hands of the Virginia Tech Hokies. The Highlanders over the past four years have won three straight regular-season conference titles, have posted a 59-10 mark in Big South contests and set a conference record with 21 consecutive league series triumphs.
Georgia Southern will serve as the host team for this weekend's tournament. The Eagles come in 5-5 on the year, trading wins and losses in every game this season. Their most recent result was a 2-0 defeat of USF in the USF Invitational in Tampa, Fla. The Eagles are led by first-year head coach Annie Smith who gained national prominence from spending nine years at Mississippi State.
Follow along with the UK softball program all season long at UKathletics.com.


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The Songs Of Leonard Cohen Performed By Conspiracy of Beards - A 30-member a cappella male choir
Sunday, May 26, 2013 from 1:00 PM to 3:00 PM (EDT)
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San Francisco, California
London, United Kingdom
Florence, Italy
Event Details
San Francisco's Conspiracy of Beards is a 30-man choir that performs gritty, original arrangements of the songs of Leonard Cohen. Formed in 2003 thanks to the inspiration of the late Peter Kadyk, this a cappella group has become known for its live performances at Bay Area venues such as the Cafe du Nord, the Great American Music Hall, and The San Francisco Museum of Modern Art, as well as in bars, bookstores, hospices, and various other community centers. The choir has also been featured on National Public Radio's West Coast Live on KFOG, KPFA, and WFMU, on the PBS television station KQED-TV. The group made its East Coast debut in the spring of 2008 at the the Highline Ballroom, Bowery Poetry Club, and other venues.
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When & Where
Highline Ballroom
431 West 16th Street
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Discussion in 'Fan Zone' started by GimmeTheBall!, Mar 31, 2014.
I'd like to know where this rumor originated from as well. Seemed to come out of nowhere.
Yea I was shocked by his aggressiveness he played with and the way the OC allowed for it. I loved it. It put us in position to win. We didn't. Surely wasn't Orton's fault. And i'd love to bring him back.
I agree and the fans ran with it. Unless i'm missing a article or something i've never heard any9one from Orton's camp or Orton himself say he was thinking about retiring. He has a pretty good gig here. Sit back and wait for Romo to get hurt. He's younger than Romo. Never got it.
Last INT aside, he played pretty damn well, for coming in COLD to start a big game at the end of the season.
I thought he was retiring? If not, we should have tried to get him back. I would take him over Weeden any day of the week and twice on Sundays.
The issue is and remains: Why not just tell Jerra yes or no?
Also, Orton knows that Jerra half to prepare for a season and need to know who his qB backup will be? Orton played it like a coy child and that chaps my lips.
It's an interesting case. I thought Orton did the best he could... and he really did come out with the full offense at his disposal, not some watered down, "try not to lose it" offense/approach. He was aggressive and confident. But...
... the reason you do pay a backup what we paid Orton is because he supposedly could "win you that one game if you need it" as opposed to the average bench warming backup. And the chance was there, which was shocking given how rotten the defense was last year. Now I'm the last guy to say QBs win and lose games by themselves. But Orton did throw the ball to the other guy at the end there. At least he made a life-long friend in Romo, as he took one for Tony in the media's made up "win or go home" obsession...
Orton played very well in his only outing. In fact, he was very Romoesque.
Why's that? Season came down to the wire with Orton last year, there was not a huge drop off in QB play when he took over for the last game. Not factoring in QB, the rest of this offense is probably a top 5 group in the entire league. There's way too much support and talent around Orton should he have to come in for me to give up on the season. Dude can play.
Weeden is much much worse than Orton.
Top 5 offense not factoring in our QB? Are we looking at the same roster? Lol.
WR - Dez Bryant, Terrance Williams, Cole Beasely, Dwayne Harris
TE - Jason Witten, James Hannah, Gavin Escobar
RB - DeMarco Murray, Lance Dunbar, Joseph Randle
There's no way we have a top 5 offense, heck you're stretching it if you say we have a top 10 offense. In my opinion, I'd say last year they played like an average offense, maybe slightly above average. We definitely have potential on our offense, but it's probably gonna take some time before we really see it shine.
Wouldn't be surprised if he is cut on the final 53 cut down. Would save a couple million in cap space. I was disappointed with him in the final game so I could care less.
Oh my..
Someone is frustrated..
You know I thought he played well in the Iggles game and made only one mistake.
I really don't know exactly what we have in Orton yet.
I hope he stays.
I don't buy that it was never a consideration. The rumours have been floating about for weeks, months?, and I'm pretty certain the Cowboys said through the media that they were unsure of whether he was coming back. If when all this was going on he knew it was nonsense you'd think even if he didn't address it publicly he would have contacted Dallas to let them know.
what issue? why does he need to tell anyone that he is going to play and fulfill his contract? did sean lee call jerry and tell him he is playing this year? Ty Smith? Dez Bryant? No? because there is no need...why would I go in to work today and say I am retiring? I wouldn't because I need to get my paycheck
So why did we waste a roster spot on Weeden again?
BTW, the Eagles defense played awful that game, besides the fact their DC sucked. I've never seen so many mix-ups in my life and That one single coverage on third and long, with no secondary help resulting in a TD just was bad. I would not judge that game as a defining reason why he should be back. You got a whole body of work to choose from.
How about draft a rookie as a project, instead of another TE, instead of wasting a roster spot on a guy who loses games by himself. I mean we could still go Kitna if Orton decides mid-season, he's done like we did last year.


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A section of Seawall Boulevard was closed and parts of the city lost water service on Wednesday because of a major water line break on the street.
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The water main break after a vehicle traveling on Seawall hit a fire hydrant, the city said in a press release.
The break caused major damage to the street, sidewalk and utilities near 69th Street.
The Texas Department of Transportation, the U.S. Army Corps of Engineers and city officials were assessing the damage to make sure the safety of the road was not undermined, City Manager Brian Maxwell said.
"Ensuring that the structure of the road is safe for our citizens and guests is our first priority, and crews will be working diligently to reopen the roadway when it is safe to do so," the city said in a press release.
The city warned that some residents and businesses in near the water main break could lose service or have low water pressure as repairs were made.
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For the first time, the symposium is also available digitally and live. For additional information, contact Mike Violette or Caroline Chan
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IEEE SCV-EMC 2017 Mini Symposium - Technical Exchange
A collection of videos consist of a variety of lectures and instructional tutorials that the IEEE EMC society has sponsored over the years are now available for free to EMC Society member and a small fee to others.
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Location: 7layers
Identifying, visualizing and minimizing EMC and EMI problems using 3D EM simulation
David Johns, CST of America
In todays high tech world, companies are under tremendous pressure to innovate and bring new products to market with minimal delay. At the same time, electronics products are getting more challenging to design due to higher data rates, higher component densities, reduced physical space and demands for conformal/flexible structures. Designers and analysts often face competing design requirements, such as EMC and thermal conflicts. On a positive note, computational electromagnetic methods have evolved significantly over the last few decades and combined with incredible improvements in computing speed and capacity, electromagnetic simulation has become an integral and important part of the design process. This presentation will discuss the state of the art in EMC simulation and provide examples of identifying, visualizing and minimizing EMC problems.
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Author: Jennifer Forman Orth
Invading your brain since 2002.
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Anyone who thinks Norway maple (Acer platanoides) is still just a street tree in the U.S. should check out Massachusetts right now. The Norways can easily be spotted because of their flower clusters, which form a sickly green aura around the branches (one commenter calls it chartreuse but I am not feeling that kind). Over the decades, Norway maples have managed to find their way not only into suburban wooded areas, but also into true deciduous forests, where they have been shown to inhibit the regeneration of the native forest canopy.
Wow! Beautiful picture. Great post!
By Katie, at
I once visited a site just west of Worcester with the Massachusetts Invasive Plant Advisory Group where the entire understory was Norwar Maple. Eve more disturbing was the advanced age of these small diameter trees - cores showed more than 40 growth rings on trees of about 4" dbh. A break in the canopy, one of those Worcester wind events, is all it will take to release them to overall dominance.
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By Little Pro on 2015-12-30 Views: Update:2017-06-19
The Annex XVII of REACH regulation contains the list of restrictions of certain hazardous substances, mixtures and articles for their marketing and use on the European market. A restriction can apply to any substance on its own, in a mixture or in an article, including those that do not require registration. The list is often known as REACH restricted substances list or simply as REACH annex XVII.
Reminder: Since Switzerland is not a member of the EU or the European Economic Area (EEA), EU REACH regulation does not apply. Switzerland has its own restriction list. Please refer to Swiss Chemical Risk Reduction Ordinance (ORRChem) for more info. If you are interested in restricted substances list in China and Korea, please click the links below.
Currently there are 65 valid entries on REACH Annex XVII (updated on 19 June 2017).Each entry shows the substance or group of substances or the mixture, and the consequent restrictions conditions. Please note that entry 33, 39 and 42 have been deleted due to REACH updates and they are no longer valid.
The example below is entry 61 for Dimethylfumarate (DMF) and entry 48 for toluene in REACH Annex XVII restricted substances list . The restriction conditions are listed as follows.
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America prides itself as the torchbearer of democracy, enforcing tough international regulations to ensure equal opportunities for political parties in countries all over the world.
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Chilean-born artist Iván Navarro is internationally renowned for his socio-politically charged sculptures of neon, fluorescent and incandescent light. this lecture is scheduled in conjunction with the exhibition of his monumental work, "This Land Is Your Land," at NorthPark Center through spring 2015. Reservations are suggested. Begins at 2 p.m.
March 28


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« Day 22 of the Christmas Cat Advent Calendar | Day 20 of the Christmas Cat Advent Calendar »
Welcome to Day 21 of our Cat Christmas Advent Calendar. I am in Christmas tree stealth mode. You cannot see me, can you? If I stay very still you with see me as just another part of the tree. I am invisible to you. I will only reappear when I decide to.
Each day of our Cat Christmas Advent Calendar will feature a fun Christmas Cat photo and a special Cat Gift suggestion to help your Cat enjoy the Holiday Season with everyone else in the family. Click the link below to see today's special cat gift idea!
Advent Calendar Gift Idea – Day 21
Click the image or the title below for more info on today's gift idea.
Friskies Pull'n Play Cat Treats Variety Pack
Here is a fun treat for you cat that would make a great gift this holiday season. I'm not sure how much cats like to play with their food but I'm sure they would love the flavors of this treat.
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Come Back Tomorrow for Day 20!
We hope you enjoyed today's Cat gift idea. Remember to come back and see the 20 remaining days until Christmas!
Happy Holidays from the Band of Cats!
See all the days in the Cat Christmas Advent Calendar.
Please like this page on Facebook, share it on Twitter or Pin it on Pinterest using the social buttons on the left or bottom.
We'd really appreciate it!
All images in this Calendar are subject to the copy write of the image's owner and not the property of the Band of Cats. No image may be used, copied or sold without permission from the owner.


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Professor Jonathan D. Sarna, Brandeis University:
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NewsroomChabad plans '50 Years Since the Six Day War' course
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24 July 2017 05:42
Business Leaders
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