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Maryland football Coach Randy Edsall preferred to keep the focus on the present at the Terps' media day Monday. Responding to a question about next season, Edsall reminded reporters that Maryland still is in the Atlantic Coast Conference, and "we're not focused on anything other than trying to prepare ourselves" for this season.
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Recruiting players is easier for Michigan, Ohio State and Penn State. Beyond the intangible benefits of having rich traditions to sell, coaches of longtime top-25 programs have more practical advantages in the use of private planes, allowing them to make more recruiting stops (per NCAA rules, of course) free from the shackles of commercial flight schedules.
Edsall is faring well in recruiting despite having to do it the old-fashioned way. But consider this: Ohio State Coach Urban Meyer doesn't have to worry about getting stuck in the 'C' boarding group on Southwest.
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If Maryland had stayed in the ACC, and Edsall's long-term plan worked, you could envision a time in the not-too-distant future in which the football team would win a conference title, which hasn't happened since the ACC went to division play in 2005. But as long as Michigan, Ohio State and Penn State are blocking Maryland's path in the Big Ten, it's hard to imagine Maryland climbing high.
The Terrapins must make the most of their final season in the ACC and enter the Big Ten with some momentum. After this season, they may not generate much for a long, long time.
For more by Jason Reid, go to washingtonpost.com/reid.


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Talk:Day for night
|WikiProject Film
|(Rated C-class)
|A fact from Day for night appeared on Wikipedia's Main Page in the Did you know? column on 22 July 2015 (check views). The text of the entry was as follows: "Did you know
For some reason, there was a big-ass picture of a cow on this page...I removed it. ---Rochallor, 5/25/06(Happy Towel Day!)
The article states that the technique is mostly in disuse but I have heard commentary tracks where people talk about shooting Day for Night. In particular i rememember John Sayles on Limbo talking about shooting "day for Alaskan night". Is the term really in disuse? —Preceding unsigned comment added by 220.127.116.11 (talk • contribs) 04:05, 16 January 2007
Can someone put an explanation for why it's called American Night? Was this some European term in response to seeing it in Hollywood films or something? 188.8.131.52 (talk) 15:41, 14 February 2008 (UTC)
It's been replaced by what exactly? What are these advancements in technique/technology? +Hexagon1 (t) 16:02, 9 August 2008 (UTC)
- My guess, based on nothing, is that faster film stock and modern high-ISO digital capture allows for shooting in lower light; smaller and more portable shooting equipment allows for a smaller and more portable crew; film budgets have gone up; and there is probably a filter in Abobe After Effects that can produce a night-time effect from video shot during daylight. -Ashley Pomeroy (talk)@
There seems to be a contradiction in the article; in one sentence it says that Day for Night is less used now than in the past, but in a later sentence it says Day for Night is becoming more popular. I believe the technique is more convincing and still commonly used today but I don't have any facts or stats I can locate to show this so I'm leaving the article as it is for now. Rcopley (talk) 03:38, 19 September 2009 (UTC)
Why doesn't the page even describe how it works in detail? what's the point of having a seperate article if you're not going to go into detail about it?Bumblebritches57 (talk) 13:25, 2 October 2013 (UTC)
- I can do that, as I did for the article on compositing, if there is a consensus that it would be appropriate here.Jim Stinson (talk) 22:33, 16 June 2015 (UTC)
Technical corrections and massaging; new references[edit]
Though accurate overall, the article mis-states some of the techniques used to achieve day-for night. I corrected the technicalities. (I wrote the Videomaker article cited in the references.)
I also removed the French name from the lead because outside French-speaking countries, it is never used. It and its translation are moved to the reference to the Truffaut film at the end. (It's doubtless irrelevant, but the classic French name for the continuity person is "Le Script Girl," although, as the French definite article indicates, the job in French production was done by a male.)
I also have two additional references, both of them historical:
Clarke, Charles G., ASC, Professional Cinematography, American Society of Cinematographers, Los Angeles, 1964, pp.51-53 and p.56.
American Society of Cinematographers, American Cinematography Manual, Los Angeles, 1966, pp. 533-536.
I don't know if a citation would be appropriate for a contributor, but I cover Day for Night shooting in my textbook (Jim Stinson, Video: Digital Communication and Production, 3rd ed. Goodheart-Willcox, Tinley Park, IL, 2013, pp.350-353.
I blush to confess that the technicalities of HTML are utterly beyond me, so I would appreciate help with adding these references.Jim Stinson (talk) 22:24, 16 June 2015 (UTC)
- Hey, Jim. You came in at just the right time. I was planning to expand the article to get a DYK, using the recent example of Mad Max: Fury Road as a hook to drive additional page views. DYK requires that an article either be new or expanded 5x in the last 7 days at the time the nomination is submitted, so the expansion needs to happen pretty fast. To avoid a conflict of interest, it's probably best that you avoid adding content that cites your own work. But if you have access to both those other references, please feel free to expand the article using the information from them. I can help you with the formatting. --diff (talk) 00:08, 17 June 2015 (UTC)
Difference Engine wrote on my own page:
"Jim, I've added the references you mentioned on the talk page. I'm reproducing them here:
Clarke, Charles G. (1964). Professional Cinematography. Hollywood: American Society of Cinematographers. Mascelli, Joseph V., ed. (1966). American Cinematographer Manual. Hollywood: American Society of Cinematographers.
Note that I made a couple of changes based on what I was able to find on the web ("American Cinematographer Manual" instead of "American Cinematography Manual" and location of Hollywood instead of Los Angeles). Can you verify whether these changes are correct? The ISBN would also be useful if you have it.
If you have any more recent references that you can cite instead of these, that would be preferred, as it makes it easier for other editors to track down the claims and ensure that the facts are not outdated.
To cite these inline in the text of the article, simply use the syntax {{sfn|author's last name|year|p=page}} or {{sfn|author's last name|year|pp=pages}}. Let me know if you have any questions! --diff (talk) 00:29, 17 June 2015 (UTC)"
I replied:
"Thank you! The two references were published before ISBN numbers existed. Since the shift to color was almost complete when they were published, they will not be out of date. As for personal citations, I'm already cited for my Videomaker article, so I don't see why my more complete (and lavishly illustrated) book citation would be inappropriate -- though I don't want to push it. Its ISBN is 978-1-60525-817-1. I'll see if I can find a good photo example for the article. The existing pic is a stinker -- shows no techniques except underexposure. Thanks again for your corrections and help.Jim Stinson (talk) 23:44, 17 June 2015 (UTC)"
I occurs to me that a reference is different from a citation. My book would be inappropriate for the latter, but perhaps okay for the former. Once again, my ineptitude shows: I'm not sure why Difference Engine's note shows on my page but not here, but I'm grateful for the help and wanted to add it to the conversation. (Hell, I didn't know what "DYK" meant until I just looked it up.)Jim Stinson (talk) 23:56, 17 June 2015 (UTC)
I have sent what I think is a better illustration to Wikimedia Commons. The file is day for night.jpg. Could someone smarter please add it to the article, if it is found suitable. It's full title there is "File:Church and city walls, Santorini, Greece Day for night.jpg" Jim Stinson (talk) 00:41, 18 June 2015 (UTC)
- Done! Would you happen to have any intermediate steps that can be shown to separate the effect of each individual technique? It's not necessary, but would be great for illustrative purposes, to break it down step by step. I don't know enough to do something like that myself. --diff (talk) 02:19, 18 June 2015 (UTC)
Edits for accuracy and clarity.[edit]
I'm revising the text a bit. Notes as follows:
- ", making it more obvious that the scene was not filmed during the night." No. No civilian viewer would ever get that. This probably means that night-for-night shooting typically requires wider apertures in the low light, resulting in limited depth of field; so small f-stop = lotsa light, ergo, daylight. Misleading as stated.
- "Historically, black-and-white film prints were tinted blue to produce this effect." Redundant.
- "some techniques use tungsten-balanced rather than daylight-balanced film stock.[1]" Not inaccurate, but not clear. Historically, color negative films (Eastman 5254 and later 5247) were tungsten-balanced (3200K) and used out doors with a Wratten 85 filter to correct for the 5000K +/- of the light. In day for night, they left the filter off. Today, both daylight and tungsten emulsions are used, depending on the cinematographer's taste.
- "during the so-called "magic hour"." Misleading. Magic hour is evening only, and is favored for the warm light quality and generally drier air, both of which make the day for night gag harder to pull off. Dawn and twilight are definitely used.
- "While uncommonly used today, day for night techniques can be made more convincing through such digital effects." Sentence unclear. Is it day for night or digital techniques that are uncommon today? I tweaked the sentence.
- "Taking advantage of the dynamic range of the digital cameras used on the production, the shots were then darkened and color-graded a bluish tint in post-production, with the result that detail was maintained in the shadows rather than being clipped, as might happen when underexposing.[7]" I'm leaving this, but I have strong doubts. With image sensors, you do the opposite of film technique: you expose for the highlights and "print" for the shadows. Over-exposed highlights burn out to pure, featureless white. Lower the exposure and all you can get is pure, featureless gray.
I will rework the sample photo supplied and upload the results to Wiki Commons. I'll post here when I've done.
Thanks again.Jim Stinson (talk) 00:21, 19 June 2015 (UTC)
- Thanks for you corrections, Jim. If you spot anything else that needs changing, feel free to fix it without discussion if you think it would be uncontroversial (WP:BOLD). I think most of the corrections and copyediting you've done are pretty self-explanatory. The edit summary should be enough to communicate the gist of it. As for the last item you mentioned, that text is just repeating what's in the cited article, where Jackson mentions how when shooting overexposed 14-bit RAW still images, you can get detail in the highlights, and that the cameras they shot the scenes with would behave similarly. If they're just using the extra wiggle room provided by having extra bits to play with in the RAW format, then it isn't that far fetched to be able to pull detail out of overexposed highlights. --diff (talk) 05:49, 19 June 2015 (UTC)
- I'll take your word for it. The recent American Cinematographer issue had a long feature about Mad Max but I confess I wasn't interested enough to follow it closely. And thanks right back atcha. 22.214.171.124 (talk) 18:54, 19 June 2015 (UTC)
- ^ Malkiewicz & Mullen 2009, p. 215.
Images demoing steps in day for night[edit]
Okay, I've uploaded three other images to Wiki Commons:
- Day for night cinema demo stage 1.jpg. CAPTION: Original, unprocessed image.
- Day for night demo 2 blue tint.jpg. CAPTION: Bluish tint added by altering color temperature.
- Step 3 in demo for Day For Night article.jpg. CAPTION: Image contrast increased.
The 4th image is the already-submitted:
- Church and city walls, Santorini, Greece Day for night.jpg. CAPTION: Exposure reduced two f-stops.
Sorry for the inconsistency in filenames. Jim Stinson (talk) 01:08, 19 June 2015 (UTC)
- Thanks, Jim. I'll add these to the article when I get a chance (probably tomorrow). --diff (talk) 05:24, 19 June 2015 (UTC)
- Thanks, Diff. The added images seem to do the job. Jim Stinson (talk) 21:08, 27 June 2015 (UTC)
- Thanks, Jim. I'll add these to the article when I get a chance (probably tomorrow). --diff (talk) 05:24, 19 June 2015 (UTC)
Emending the postcard section.[edit]
I would like to emend the postcard section. What's there is just fine; but I'd like to add:
- Though the results resemble day for night film and video shots, the techniques are quite different. Instead of reducing the exposure of the print made for the night version, the colorist painted an identical print with darker individual tints. No attempt at an overall bluish effect was made, and many colors are actually warmer in the "night" scene. Convincing bright hot spots were added to the streetlights, which are unlit in the original, and the sky was supplied with fewer, wispier clouds.
I'm posting my addition here, because the HTML text of the section is followed by complex coding for references that I -- what can I say? -- don't understand and am afraid of screwing up.
I am working on unretouched, identical details of the two cards and will supply them to Wiki Commons ASAP.Jim Stinson (talk) 21:17, 22 July 2015 (UTC)
- I have uploaded two identically framed details of the two postcards to Wikimedia Commons. Their titles are : "On the boardwalk at Ocean City, Md detail" and "On the boardwalk at night, Ocean City, Maryland detail." Could I beg a more competent editor to insert them for me? The captions are, respectively, "Daytime version detail" and "Day for night version detail."Jim Stinson (talk) 00:26, 23 July 2015 (UTC)
- Since it does involve a different technique, there may well be a better title for the section than what I hurriedly came up with. I certainly won't be offended at whatever changes make the section mesh better with the article (even removal, although I do think it's worth a mention in relation to the topic). --Junkyardsparkle (talk) 21:40, 22 July 2015 (UTC)
- On reflection, I decided that my details shots were overkill. I did, however, add to the text of the section, as proposed above. BTW, I see nothing wrong with the section title.Jim Stinson (talk) 20:48, 24 July 2015 (UTC)
Re postcards[edit]
I have been queried re the rights to use the two postcard images in the article. I went to the appropriate sites and said:
"I did not add this graphic or its companion, so I have no idea of its provenance."
Now I find from an earlier talk page entry that I apparently did in fact upload the images. I'll go over to Wikimedia and try to refresh my memory -- or rather, such memory as I have left.
The provenance of the picture postcards remains confused. I'd like to solve the whole problem by removing the entire section, pictures and all. Postcard painting techniques do not really belong in an article about cinema production procedures. I would make the edit, but several people have contributed to the article and I don't want to act unilaterally.Jim Stinson (talk) 01:14, 29 August 2016 (UTC)


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Hotels in Ras Al Khaimah
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About Hotels
Hotels in Ras Al Khaimah are among the best in the world. They feature elegant interiors, delicious food and comfortable rooms. People can easily find the hotel that suits their budget and requirements. The hotels feature excellent bedding, lighting and furnishing, which can make the stay as comfortable as possible. The hotels also feature a range of amenities such as 24/7 room service, hot water and food service. Most of the hotels are strategically located at key commercial centres, shopping districts and are easily accessible. They are also located close to transportation hubs. They offer fine dining as well as stylish and relaxed stay for customers.
Champions Energy Inc (ISO 9001)www.champions123.com
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Manufacturing High Quality Automotive Lubricants, Industrial Lubricants, Gasoline Engine Oil, Diesel Engine Oil, Gear Oil, Heat Transformer Oil, Hydraulic Oil, ATF, Coolant Oil , Brake Fluid and the full range of greases in UAE.
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200,000sqm Logistics Hub in Jebel Ali Free Zone South. Equipped with all type of MHE's and 24/7 security.
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Buy low priced quality office furniture from wholesaler. Large selection.
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DANA Group of Companies (Est 1991) comprises 7 companies manufacturing value added products in Steel (roof cladding, profile sheets, insulated sandwich panels, cold storages), Water Solutions (Heaters, Coolers & Chillers) & Oil (Engine oil, Lubricants & Greases)
Tel:04-2217273, Fax:04-2215940, Mobile:050-7983153
Email: [email protected]
Team Furniture Industry LLCwww.teamofficefurniture.ae
Wholesaler of Office Furnitures Telephone: +971-6-7487767 Email:[email protected]
Champions Energy Inc (ISO 9001)www.champions123.com
ISO 9001:2008 Certified, FENCINGS & FENCE SUPPLIERS & CONTRACTORS in UAE, Oman, Qatar, Iraq, Africa: Corrugated Sheet Hoarding Perimeter Barricade Temporary Fencings, Chain-link Fences, Welded Wire Mesh Heras Type Fence, Gates, Barricades, Crowd Barriers, Stanchions, Bollards
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Ghosh Metal Fencingwww.ghoshgroups.com
Ghosh Metal Industries LLC having excellent fabrication facility of temporary construction site hoarding panel fencing where Ghosh Metal got in house production support & import of the required materials of fencing panel like profile corrugated sheet, galvanized c chanel, galvanized steel pipe, hdg clamp with nut and bolt.


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Arturo Vidal has again urged Bayern Munich to sign his Chile team-mate Alexis Sanchez from Arsenal this summer.
Sanchez, who became Chile's record goalscorer after netting against Germany in the Confederations Cup last week, has one year remaining on his Arsenal contract and has so far refused to sign an extension.
Vidal is with Sanchez at the tournament in Russia but he admits he remains in the dark regarding what the Gunners star intends to do next.
"We'll see if Alexis is coming. I do not know yet," Vidal told German newspaper Bild.
"I know him very well. He is a spectacular player. And with him, we would surely improve.
"We already have a lot of top-level players. We are the best club in the world."
Sanchez scored 24 Premier League goals for Arsenal last season but that was not enough to secure a top-four finish.


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The carrot is from the botanical family 'Apiaceae', with Latin name of 'Dacus Carota'. Carrots are a common root vegetable with a traditional orange color. Though the orange variety is the typical favorite, there are white, purple and red varieties also. The original ancestor of the carrot was grown in the wild in Europe and Asia and it had an unpalatable woody cored root. The sweet juicy carrot we know today was bred from this wild variety. The crop plant grows to around 1 meter, including the flowering stalk. It is a biennial, flowering in its second year.
These plants tend to store energy in the taproot and have hollow stems with ample greenery. The poisonous varieties can be difficult to tell from safe wild varieties – wild carrot, for example, is almost indistinguishable from hemlock.
Over the years, there has been some debate as to whether you can eat the green leaves. Yes, you can! Despite the presence of celery and carrot in the 'Apiaceae' (umbellifers), many other members are highly poisonous, but not the carrot. They are edible and highly nutritious, rich in protein, minerals and vitamins. The tops of the carrots are loaded with potassium which can make them bitter, so use of them in food is limited.
Many buy carrots with the long greens attached, only to chop them off and give to parakeets and finches who love to eat them.
But today, we know that the tops of vegetables are not just for the birds. The green tops of many veggies are edible and yummy. Just like the vegetable they come from; the green tops have distinctive flavors and textures.
Carrot greens contain:
- Alkaloids: Alkaloids are toxic bitter compounds produced by a plant. They have a wide range of effects and are often used as medicines and poisons. Morphine, quinine, strychnine, codeine, caffeine, cocaine and nicotine are all alkaloids. But, all leafy greens including spinach and kale contain varying level and types of alkaloids, some higher than others. Alkaloids are chemical compound believed to be part of a plant's defense mechanism. This applies to both the wild and domestic variety.
- Vitamin K: Carrot greens are rich in Vitamin K, which is lacking in the vegetable itself.
- Chlorophyll: Carrot tops are an outstanding source of chlorophyll. The green pigmentation, studies have shown, combats the growth of tumors. Chlorophyll contains cleansing properties that purify the blood, lymph nodes and adrenal glands. Scientists have been unable to synthesize chlorophyll in the laboratory, but green plant foods contain sufficient quantities to protect the human body.
- Furocoumarins: The leaves do contain furocoumarins which may cause allergies when there is contact to the skin from the leaves.
- Porphyrins: Carrot leaves contain significant amounts of porphyrins, which stimulate the pituitary gland and lead to increased levels in sex hormones.
Growing carrots is not hard if you make sure the soil is well prepared. Carrots grown in rich sandy loam are full of vitamins and taste better that store bought carrots, which have travelled a long way since being picked. Carrots grown in hardy clay gumbo will be stunted and look funny.
In growing carrots, the following should be noted:
1. Till the soil down to a depth of six inches and work three inches of compost into it.
2. Now make a mound which is four to six inches high and about three inches wide.
3. Leave a furrow between this mound and the next one. This helps to make sure that the carrots have proper drainage and that they grow straight and tall.
4. Plant the seed along the top of the mound in a furrow that is ½ inch deep.
5. Keep the carrots weed free or the antioxidants will take all the water and nutrients and the carrots will be unable to thrive.
6. Carrots should be ready for harvest 70-80 days from planting. They should be 1 to 1.5 inches in diameter. Any bigger and they will be tough.
7. Loosen the dirt around the carrots before pulling to make sure the root does not break off.
8. To store carrots, remove the tops. Wash the carrots and store them in the bottom of the refrigerator. They will store longer if you place them in a plastic bag.
And best yet? They can easily be incorporated into your diet in many ways. Here are some tasty ideas for carrots:
- Carrot juice is a super nutritious drink to start the day it can be mixed with other juices for a simple lunchtime treat.
- The pulp from carrot juice can be used in soups or added to rissoles.
- Carrots can be boiled or steamed and used as a traditional side vegetable. They are ideally served with a drizzle of honey. Leaving the skins on adds to the nutritional value.
- Baked carrots are an excellent addition the any roast meal. Par boiling them first will help speed up the baking process and prevent them from burning due to their high sugar content.
- The leafy tops are not just rabbit food! Their texture can be a little tough so go for the leaves rather than the stems. Add them to salads, stocks, homemade pesto, and lasagna or just use an edible garnish.
- Adding carrots to your diet, whether if the form of raw juice, salads or cooked will help improve your overall health, as well as your eyesight.
- Grated carrots are perfect for mixing in salads and sandwiches with a light dressing. They can also be added to rissole and vegetable patties.
- Carrot seed oil is used in skin care, hair care and cosmetic products. The oil can be used in creams, lotions or added to massage oil bases.
The following are the health benefits of eating carrots and their leaves:
- Eating the leaf of the carrot will assist in maintaining good heart health and may assist in keeping the blood running through cleaner veins. The level of cholesterol, which is a major reason for heart disease, reduces by 11% when the carrot is taken daily.
- Carrots provide beta-carotene which is converted into Vitamin A in the liver, after which it goes to the retina where it is converted into rhodopsin, which aides us with our night vision and prevents visual impairment.
- Frequent consumption of carrots will aid in the regularity of bowel motions and will assist in cleansing the digestive tract.
- Carrots leaves act as an anti-oxidant and anti-cancer….especially cancer of the colon.
- The leafy tops have antiseptic qualities and have been added to mouthwashes. Mixed with honey they help to disinfect wounds.
- They are also a diuretic (increases flow of urine) can help in the treatment of kidney disease and edemas.
- Hewing the leaves can help to heal mouth injuries, bad breath, bleeding gums and mouth ulcers.
- Carrots are rich in fiber and fiber is low in fat. Fiber also helps with weight loss as the body does not digest it. It simple passes through the body.
There is new movement in the food world of 'root to stem' and 'root to stalk' cooking. The leaves, greens, stems and stalks we tend to throw away are completely edible and instead of wasting them, we should all be using them to cook amazing and unique dishes that will help to nourish our bodies.


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Paul George might be linked to just about every NBA team in the coming weeks and months.
The 27-year-old superstar reportedly informed the Indiana Pacers that he will become a free agent next summer and not return to the franchise. Since then, it's been reported that the Pacers already have reached out to teams about a potential George trade, including the Cleveland Cavaliers.
But another Eastern Conference playoff team could enter the mix.
"Washington, to a lesser degree, could fit the bill, too, and the Wizards are looking for a way to make a George deal happen," NBA.com's David Aldridge reported Monday.
"They don't have a player of Love's caliber to put in a deal; they're not moving Bradley Beal after the 23-year-old just had his best NBA season. Playing alongside Washington's backcourt of Beal and John Wall, after all, would be the selling point for George in D.C."
The Wizards nearly advanced to the Eastern Conference finals for the first time since 1979 this past season but lost in Game 7 of Round 2 to the Boston Celtics. Adding a player of George's caliber to a team with two legit stars in Beal and Wall would put them near Cleveland's level in the East title race.
The trade market also is Washington's only path to significantly improve. The Wizards don't have the salary-cap space to add a marquee player. Adding George might be a longshot for the Wizards, but it's worth an attempt.
Thumbnail photo via Brian Spurlock/USA TODAY Sports Images
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Amazon Alexa: New Smart Home Skill interface
will soon open doors
Amazon Alexa and Alexa Skills are the best, if you know how to use them. May not apply to everyone, with me it was exactly the link in the Smart Home, which I have missed so far. Anyone who has read my article on Bring also knows that I can open my front door by Alexa. However, via the detour IFTTT and just use a specific trigger word. This does not have to be long since Amazon has announced "Lock Control and Query" as Smart Home Skill for Alexa.
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People of all ages can experience these difficulties, Sexual difficulty can be longstanding or can occur at any point of a sexual relationship.
People of all ages can experience these difficulties, Sexual difficulty can be longstanding or can occur at any point of a sexual relationship.
I provide education and therapy to all genders, orientations and identities inclusive of couples, singles and education groups on area's of sexuality.
We explore feelings and concerns about the presenting issue through talk therapy.
I ask questions regarding your sexual activity and sexual concerns, current and past relationships, childhood,/family beliefs about gender, sexuality etc.
We set goals for therapy and I give you homework and exercises to work on out of therapy time.
Concerns can be expressed in a confidential and judgment free setting.
Sex should be enjoyable, pain free and without prejudice
All sexual problems can not only cause serious distress for the person suffering from these problems, but also the partner or the relationship.
Sexuality and a healthy self esteem, communication and education is an integral part of personal outlook and every human being, every individual is entitled to sexual good health.
Sexual Health is multifaceted and in an ongoing process of physical, psychological and sociocultural well-being related to sexuality. As stated by the World Health Organisation; Sexual Health is evidenced in the free and responsible expressions of sexual capabilities that foster harmonious personal and social wellness, enriching individual and social life. It is not merely the absence of dysfunction, disease and/or infirmity.
For Sexual Health to be attained and maintained, it is necessary that the sexual rights of all people be recognised and upheld. Chantelle believes in providing appropriate support and information about sexual health concerns to individuals, the communities and professional entities through psychosexual therapy and assisting educational resources.
Therapy and education can be provided online or face-to-face.


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Fort Lauderdale, FL – Hoffman's Chocolates is excited to announce that it is inviting customers of all ages to hop into its Hoffman's Chocolate Factory Shoppe, Ice Cream Parlour & Gardens in Greenacres for its Hoppy Easter Celebration on Saturday, April 8th. The celebration will include Easter egg hunts, photo opportunities with the Easter Bunny, food trucks, entertainment and other family-friendly activities. Hoffman's schedule of festive activities for the day are listed below.
Breakfast with the Easter Bunny and Chocolate Factory Tour and chocolate activity – 10 a.m. - 12 p.m.
This festive, first-time event will include breakfast with the Easter Bunny featuring an all-you-can-eat, buffet-style breakfast with offerings such as eggs, bacon, sausage, cheesy hash browns, bagels, pastries, juices and coffee. The morning will also include photo opportunities with the bunny, a rare, behind-the-scenes tour of the famous Hoffman's Chocolates Factory, a special, create-your-own chocolate bar activity and an Easter egg hunt. The egg hunt will feature approximately 5,000 eggs filled with goodies, redeemable vouchers and one extra-special egg will contain a voucher to claim a 3-foot Chocolate Bunny (valued at $299.95). Guests can also take part in the other activities later that day. The cost for this event is $34.95 for adults, $17.95 for children ages 2-12, and children under 2 are free but will not be assigned a seat. Space is limited, so attendees are encouraged to register today at www.Hoffmans.com/bunnybreakfast. Price of admission also gives all guests first access to the Easter egg hunt following the breakfast. Tickets will not be sold at the door.
Hoppy Easter Celebration – 12 p.m. - 3 p.m.
Hoffman's Chocolates will celebrate Easter with a family-friendly afternoon including Easter egg hunts (for ages 2-12), photo opportunities with the Easter Bunny, food trucks, magic shows, entertainment, crafts and other activities in Hoffman's beautiful Gardens. The cost for entry is $5 per person (children under 2 are free). Ice cream, Easter treats, gourmet caramel apples and other chocolates and confections will be available for sale in both The Sweet Shack in the Gardens and in the Factory Store. Tickets can be purchased at Hoffman's Chocolates the day of the event. Please don't forget to bring your own Easter basket.
In addition, Hoffman's is also pleased to announce its extraordinary selection of Easter treats. Below is just a sample of the chocolatier's signature Easter products that will be available in its stores* and online at Hoffmans.com:
- Chocolate Easter Bunnies (milk, white or dark) available in a variety of sizes including 3-foot Bunnies ($299.95), 2-foot Bunnies ($149.95)
- Chocolate Easter Bunny Holding Egg available in sizes 2.5 oz., 6oz., 8oz., 14oz., 15oz., 42oz. (prices range from $3.95 - $36.75)
- Easter decorated Oreo cookies (prices range from $6.50 - $12.50)
- Chocolate Eggs with fillings such as marshmallow, chocolate fudge, coconut cream and peanut butter ($7.25)
- Easter Baskets (prices range from $34.95 – $64.95)
- Spring Platters (prices range from $39.95 - $79.95)
- Foiled Bunnies and Eggs ($7.95)
- Easter lollipops ($2.50)
Hoffman's Chocolates currently has stores in Greenacres, Boca Raton, Palm Beach Gardens, Delray Beach, Downtown Fort Lauderdale, Plantation, Weston, Hollywood and the Fort Lauderdale/Hollywood International Airport.


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Grove City College recycling program
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Think about what career is best suited for you, and where you want to study. Request more information now.
Get info about Grove City College recycling program, and registering for elective discussion sections and seminars. Which college degrees give you the best chances of finding employment after graduation? As the entrance requirements for engineering programs vary, learn about the various specialization options available. Concentrating on Grove City College recycling program, for example, you may gain an advantage in job recruiting on-campus. Check with the environmental engineering department for course registration deadlines, and renewable energy program requirements. Please use the form above to request admissions info for Grove City College.
Environmental engineers use the principles of engineering, soil science, biology, and chemistry to develop solutions to public health problems. They are involved in efforts to improve recycling, manage waste disposal, and promote reclamation of contaminated sites after accidental contamination. Environmental engineering technicians carry out the plans that environmental engineers develop, including testing and operating equipment used to clean up air and water pollution. They may collect samples for testing, or they may study the environmental impact of proposed construction projects.
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Calls for papers – 2014
VaroomLab supports illustration research. Calls for papers are presented below. Please note that VaroomLab is not involved as a partner in these Calls and all enquires should be directed to the relevant organisation.
The Call for Papers listed below are:
- Call for academic submissions: The Itinerant Illustrator Deadline for abstracts: Friday 4th July
- Call for Papers Literary illustration between texts and paintings 15th September 2014
- The 3rd International Conference for Design Education Researchers: Learn X Design
Call for Paper abstracts and Workshop/Symposium proposals
The 3rd International Conference for Design Education Researchers: Learn X Design
Chicago, IL USA | 28 June – 1 July 2015
The DESIGN-ED Coalition, in partnership with Design Research Society and Cumulus, is excited to announce the Call for Paper abstracts and Workshop/Symposium proposals for the 3rd International Conference for Design Education Researchers: Learn X Design. http://learnxdesign2015.com/
Deadline for substitution of abstracts and workshop/Symposium proposals is on 22 October 2014 via this link https://www.conftool.pro/learnxdesign2015/
Click here to download submission information (PDF) http://learnxdesign2015.com/LearnxDesign2015_callforpapers.pdf Learn x Design is a conference for the wide range of topics from theoretical research to practical application. On a career level, the study of design is to create a well-crafted, aesthetic fit of form to function, materials, and tools. Each designed item contains a narrative about the culture from which it evolved, about the person who produced it, and the values and practices of both. Research develops theories and principles about learning, tests and validates them for implementation in classroom, policy and practice. This international conference is a springboard for sharing ideas and concepts about contemporary design education research and the teaching of design. Contributors are invited to submit research that deals with different facets of approaches to design education research, pedagogy and teaching. All papers will be double-blind peer-reviewed. This conference is open to research and teaching methodology in any aspect and discipline of design education.
DESIGN-ED are in partnership with these Journals:
• Design and Technology Education
• FORMakademisk
• Curriculum and Instruction
• Journal of Education through the Arts
• Art, Design and Communication in Higher Education
The journals will publish special issues with articles selected from papers and keynote lectures presented at the Conference that relate to their theme track as listed below:
• Design Thinking and Engineering
• Local and Global Connections to Design Education
• Design Inspired by Nature
• Systems Thinking
• DIME: Design, Innovation, Media, Economics
• Academic and Vocational Curriculum Development
• Ecological Urbanism
• Visual Literacies and Design Thinking
• Visualization in Design Education
• Design Thinking, Management and Design Education
• Design Education to Improve Life and the World
• Design as an Integrative Tool for Education
More information about the conference and registration will be available in the coming months at www.learnxdesign2015.com
As a part of the call for paper abstracts DESIGN-ED are giving away 2 sets of 4 volume proceedings from the 2nd International Conference for Design Education Researchers published by the ABM-media (ISBN 978-82-93298-00-7) http://www.hioa.no/eng/About-HiOA/Faculty-of-Technology-Art-and-Design/DRS-CUMULUS-Oslo-2013/DRS-CUMULUS-Oslo-2013-Proceedings-Ordering
If you would like to receive one of the sets please email to Erik Bohemia firstname.lastname@example.com with the following details:
– your name – email – institution – postal address – briefly outline how the 4 volume set of the 2nd International Conference for Design Education Researchers proceedings will help you with your research
Literary illustration between texts and paintings
Call for Papers
Conference 13th and 14th February 2015
Université de Haute-Alsace (Mulhouse) Tomi Ungerer Museum/International Center for Illustration (Strasbourg)
Special guest speakers:
Stéphane HEUET, author of the graphic novel adaptation of Proust's Remembrance of Things Past (first published by éditions Delcourt, translated into 15 languages)
Stephen CROWE, illustrator of Joyce (Finnegans Wake, 'Wake in Progress' project, and Dubliners, de Selby Press)
Many literary illustrators find their inspiration in paintings as much as in the texts themselves: Arthur Hopkins represents Hardy's heroine Eustacia Vye in a pre-Raphaelite style, some of J. R. R. Tolkien's landscapes in The Hobbit look like Japanese etchings, and in his adaptation of Proust's Remembrance of Things Past, Stéphane Heuet bases Elstir's paintings on the Impressionists. Thus literary illustration creates a relationship between texts, images and the many other images with which they interact. Rather than the traditional text/image dichotomy, the focus here is on text/illustration/painting, a triptych which can be analysed from many perspectives, among which hermeneutic, semiotic, narrative or aesthetic.
The artists' social status will also be examined, including the reasons for becoming a literary illustrator rather than a painter, as well as those for pursuing both activities in parallel. The importance of art institutions (art schools, museums, collectors, publishers) in the relationship between painting and literary illustration also deserves a mention, as well as that of artists' training, in order for instance to ascertain the role of painting in the genesis of illustrations. Is the hypothesis that the two activities are unequal always verified (for example, in the work of painters-illustrators like John Martin, Dante Gabriel Rossetti, John Everett Millais or Henry Selous, painting seems to inspire illustration, rather than the opposite)?
Possible areas for research and reflection include:
- How do pictorial references in illustrations modify our reception of texts? For example, what happens when Bosch, Goya or Redon meet Poe, Nerval and Dostoevsky through Alfred Kubin's drawings?
- Does the pictorial style of an illustration echo that of the text, or is there a dissonance between them? We may look at aesthetic and chronological discrepancies, such as John Martin's illustrations for Milton's Paradise Lost in the romantic style of the 1830s
- How do illustrations and paintings relate to pictorial references in the text (Liliane Louvel's theories in Iconotext and Le Tiers Pictural may be used as a framework here)?
- Can the impact of classical training on illustrators be measured (Henry Selous at the Royal Academy, George du Maurier in the Paris atelier of Charles Gleyre, or Günter Grass at the Düsseldorf and Berlin Academies)?
- What is the status of pictorial works inspired by literature, such as those taken from Shakespeare by Zoffany, Fuseli, Delacroix and others, Joseph Cornell's surrealist collage Sorrows of Young Werther (1966) from Goethe, or the many illustrations of The Decameron, including Botticelli's four famous paintings?
We are open to all theoretical and methodological approaches. English literature will be given priority, but as part of ILLE's European perspective (www.ille.uha.fr), papers in other fields and areas of research will be considered. Papers may deal with all literary and artistic periods. French and English will be the working languages.
Participants will be required to give a summary of their papers in both languages. There will be a publication. According to the objectives set by Illustr4tio (http://illustrationetwork.wordpress.com), contributions from academics, as well as writers, artists, publishers and other book professionals are welcome.
Please send 500-word proposals with short bio-bibliographies by 15th September 2014 to
Maxime Leroy, Université de Haute-Alsace, firstname.lastname@example.com
Sophie Aymes, Université de Bourgogne, firstname.lastname@example.com
Nathalie Collé-Bak, Université de Lorraine, email@example.com
Brigitte Friant-Kessler, Université de Valenciennes, firstname.lastname@example.com
The Itinerant Illustrator
Journal of Illustration/ Illustration Research/India
Srishti School of Art, Design and Technology, Bangalore, India
18th and 19th December 2014
Illustration by Anna Bhushan
Deadline for abstracts: Friday 4th July
The 5th International Illustration Research event joins forces with the peer reviewed Journal of Illustration and is hosted by Srishti School of Art, Design and Technology in Bangalore. The symposium this year will focus on the praxis of illustration in an expanded field, including histories of local/regional illustrative practices and the traversing of diverse media platforms.
Through talks, workshops, performances and exhibited works, we will consider the illustrator in terms of the 'habitual travelling' that he or she undertakes. The itinerant nature of the illustrator is evident in the praxis of illustration itself- the oscillation of thought between word and image, page and screen, hand and eye, dream and reality.
Occupying many roles and moving dynamically between them, the itinerant illustrator is an interpreter, a translator, an illuminator, as well as a storyteller, enquirer, performer and a pictorial juggler of ideas. The nomadic nature of the illustrator is to wander between disciplines, search for new contexts and to make images not on one, but several different platforms within an eternal evolution of technologies.
The multi-sited nature of illustration, along with illustrators' journeys between several positions and places, also involves images that travel. We would like to investigate the fluidity of visual codes and languages, the translations, adaptations and hybrid practices that respond to the movement of cultures within the global village. How are images made and read within shifting regional and trans national contexts? How can we use illustration itself as a methodology to shed light on the praxis of illustration in these multiple contexts?
300 word proposals for 20 minute academic papers and practice based presentations are invited including (but not limited to) the following topics:
· Illustration within local and hybrid cultures
· Illustrated Narratives on transnational platforms
· Image and space – murals, installations and other site-specific images
· The illustration as palimpsest: reinterpretations of received bodies of knowledge.
· The itinerant storyteller – the book, the scroll, the kaavad.
· Illustration's relationship to technology
· Memory and place in illustration practice
· Illustration as performance and dialogue
· Local/Regional approaches to illustration practice
· Post colonialism and illustration
· The illustrator as tourist within global image culture
Please email abstracts along with your name, affiliation and email address to
Sandeep Chandra Ashwath, email@example.com, DesdemonaMcCannon firstname.lastname@example.com
and Anna Bhushan email@example.com
Selected papers and presentations will be considered for publication in forthcoming issues of the peer reviewed Journal of Illustration, published by Intellect books.
Deadline for abstracts: Friday 4th July


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STARmeterSEE RANK
Up 3,731,825 this week
CJ Hobgood
CJ Hobgood was born on July 6, 1979 in Melbourne, Florida, USA. He is an actor and producer, known for And Two If by Sea: The Hobgood Brothers, Walking on Water (2007) and The Arena: North Shore (2009). See full bio »
Born:in Melbourne, Florida, USA


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The Phelps County sheriff will start giving away gun locks next month. Drug forfeiture money will be used to finance the program. About 16-hundred locks are available, half of them paid for by the National Sports Shooting Foundation and the rest bought with drug money forfeitures.
You are here: Home / Crime & Courts / Gun lock giveaway in Phelps County


text: Canson is such a nice paper. It's a shame to not use it. Would spraying it with a fixative before use solve the problem of rub-off? Lavinia Adler On Sun, 20 Apr 2003 20:15:27 +1000 Margaret <kozo63@xxxxxxxxxxxxxxx> writes: > I have had the same problem with black canson, the black rubbed off > onto the > white sheets of the book I was making, I had to change my whole > colour > scheme and black canson is now off my buying list. > Margaret *********************************************** BOOK_ARTS-L: The listserv for all the book arts. For subscription information, the Archive, and other related resources and links go to the Book_Arts-L FAQ at: <http://www.philobiblon.com> Archive maintained and suppported by Conservation OnLine <http://palimpsest.stanford.edu> ***********************************************


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On June 7, the T&G had a very interesting column, "French show gratitude for D-Day heroism."
In this column, Michael Reagan mentions the fact that paratrooper John Steele had his parachute hooked up to the spire of the Sainte-M�re-�glise church. A little-known fact should be mentioned.
It is one of our local heroes, namely, Gerard Baszner, who lived in Whitinsville, who as the unit's smallest medic was able to squeeze through the narrow window of the steeple. He not only was able to treat John Steele's injuries, but also was able to help his teammates bring down their fellow paratrooper.
Gerard Baszner was an active member of the Central Massachusetts Veterans of the Battle of the Bulge. He was also a highly respected pharmacist in his home town of Whitinsville.
West Boylston


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In case you missed that last sentence: "more Americans are working and paying taxes."
U.S. deficit down 57.2 percent to $42.2B
AP Report
Feb 12 2007
The deficit for the first four months of the current budget year is down sharply from the same period a year ago as the government continues to benefit from record levels of tax collections.
The Treasury Department reported Monday that the deficit for the budget year that began Oct. 1 totals $42.2 billion, down 57.2 percent from the same period a year ago.
The amount of revenues collected from October through January were up 9.7 percent from the same period a year ago, climbing to a record level for the period of $834.1 billion.
Government spending also set a record for the period, but the growth was a slower 2.1 percent, pushing the total to $876.3 billion for the first four months of the current budget year.
The continued strong growth in revenues reflects the record profits corporations have been recording in recent years and low levels of unemployment, which means more Americans are working and paying taxes.
Goes right along with this:
White House Economic Report
February, 2007
Job Creation Continues - More Than 7.4 Million Jobs Created Since August 2003 On February 2, 2007, The Government Released New Jobs Figures – 111,000 Jobs Created In January. Since August 2003, more than 7.4 million jobs have been created - more jobs than the European Union and Japan combined. Over half a million jobs (513,000) have been added in the past three months alone. Our economy has now added jobs for 41 straight months, and the unemployment rate remains low at 4.6 percent.
American Workers Are Finding Jobs And Taking Home More Pay.
- Real Wages Rose 1.7 Percent In The Past 12 Months. This means an extra $1,030 in the past 12 months for the typical family of four with two wage earners.
- Real After-Tax Income Per Person Has Risen By 9.8 Percent – More Than $2,800 – Since The President Took Office.
- The Economy Grew A Strong 3.5 Percent In The Fourth Quarter Of 2006. The economy grew 3.4 percent last year, up from 3.1 percent in 2005.
- Since The First Quarter Of 2001, Productivity Had Strong Average Annual Growth Of 3.1 Percent. This is well ahead of the average productivity growth in the 1990s, 1980s, and 1970s.


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I just can't believe that the year is nearly over, do you?! It feels almost like yesterday that I said the same thing a year ago. Honestly, where does the time go?!
So anyway, lately I got to thinking about what beauty brands I definitely need to try out next year. There have been numerous products I've been dying to try, but for the sake of keeping this post at a reasonable length, I'll just be mentioning the brands here and then do separate posts on a products list later on once it's been complied!
So, without further adieu; here are brands I must try out next year:
- Tom Ford: Annie from Annie's Beauty got me lusting over these! [Thanks Annie! ;)] I'm just impressed at what gorgeous lipstick shades they have? Just incredible! Also, the packaging is just divine!
- Hourglass: I've been seeing their gorgeous highlighter palettes everywhere and they look just so beautiful. The packaging and product itself look so unbelievably beautiful. It was love at first sight.
- Charlotte Tilbury: I really don't know where to begin with this brand! The lipsticks, the blushers, that amazing sculpting palette…. Everything is just exquisite. Must.Have!
- Napoleon Perdis: I have to admit, I don't know much about this brand but from what I have seen on beauty vlogs, their base products look just lovely an leave skin looking just gorgeous and flawless. Definitely a brand to look into further.
- Makeup Geek: I can't believe I haven't tried this yet either! A lot of the stuff looks just great but it's the eye shadows that have caught my eye. Such varied and intense coloured shades. Can't wait to try these out!
Have any of you tried anything from these brands? What would you recommend?
Also, let me know what new brands you want to try for 2016! 🙂
Let's Socialize!


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Law and Development Perspective on International Trade Law
- Format: Hardcover
- Copyright: 07/25/2011
- Publisher: Cambridge Univ Pr
Note: Not guaranteed to come with supplemental materials (access cards, study guides, lab manuals, CDs, etc.)
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Economic development is the most important agenda in the international trading system today, as demonstrated by the Doha Development Agenda (DDA) adopted in the current multilateral trade negotiations of the World Trade Organization (the Doha Round). This book provides a relevant discussion of major international trade law issues from the perspective of development in the following areas: general issues on international trade law and economic development; and specific law and development issues in World Trade Organization, Free Trade Agreement, and regional initiatives. Although there are publications on trade and development issues, mostly discussing developing countries, few publications deal with law and development issues of international trade law comprehensively in its key areas. This book offers an unparalleled breadth of coverage on the topic and diversity of authorship, as seventeen leading scholars contribute chapters from nine major developed and developing countries, including the United States, Canada, Japan, China (including Hong Kong), South Korea, Australia, Singapore, and Israel.


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The Mines Act 1952
- Author: Panel Of Experts
- Availability: In Stock
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Be it enacted by Parliament as follows CHAPTER I PRELIMINARY 1.
Short title, extent and commencement 1 This Act may be called the Mines Act, 1952. 2 It extends to whole of India 3 It shall come into force on sub date or dates as the Central Government may, by notification in the official Gazette, appoint, and different dates may be appointed for st different provisions of this Act and for different states but not later than 31 December, 1953. Definitions - 1 In this Act, unless the context otherwise requires a omitted b adult means a person who has completed his eighteenth year. c agent , when used in relation to a mine, means every person, whether appointed as such or not, who, acting or purporting to act on behalf of the owner, takes part in the management, control, supervision or direction of the mine or of any part thereof d Chief Inspector means the Chief Inspector of Mines appointed under this Act e Committee means a committee constituted under section 12 f day means a period of twenty-four hours beginning at mid-night g district magistrate means, in a presidency-town, the person appointed by the Central Government to perform the duties of a district magistrate under this Act in that town h a person is said to be employed in a mine who works as the manager or who works under appointment by the owner, agent or manager of the mine or with knowledge of the manager, whether for wages or not. i in any mining operation including the concomitant operations of handing and transport of minerals up to the point of despatch and of gathering sand and transport thereof to the mine ii in operations or services relating to the development of the mine including construction of plant therein but excluding construction of buildings, roads, wells and any building work not directly connected with any existing or future mining operations iii in operating, servicing, maintaining or repairing any part or any machinery used in or about the mine iv in operations, within the premises of the mine of loading for despatch of minerals v in any office of the mine vi in any welfare, health, sanitary or conservancy services required to be provided under this Act, or watch and ward, within the premises of the mine excluding residential area or vii in any kind of work whatsoever which is preparatory or incidental to, or connected with mining operations i Inspector means an Inspector of Mines appointed under this Act, and includes a district magistrate when exercising any power or performing any duty of an Inspector which is empowered by this Act to exercise or perform i mine means any excavation where any operation for the purpose of searching for or obtaining minerals has been or is being carried on and includes i all borings, bore holes, oil wells and accessory crude conditioning plants, including the pipe conveying mineral oil within the oilfields ii all shafts, in or adjacent to and belonging to a mine, where in the course of being sunk or not